Skip to main content

Keep the news in the Wayback Machine. Sign Fight for the Future's letter.

Full text of "The Film Daily (Jan-Jun 1926)"

See other formats


ififUMi^^iU^aAMfe^k^i^^M^MaMi 


Aim 


1 


Scanned  from  the  collection  of 
Karl  Thiede 


Coordinated  by  the 

Media  History  Digital  Library 

www.mediahistoryproject.org 

Funded  by  an  anonymous  donation 
in  memory  of  Carolyn  Hauer 


f) 


<0 


) 


.^ 


b 


> 


JAo  brAdstreet 

of  FILMDOM 


:9^<?re(0cmizeb 
Authority 


j^ 


VOL  XXXV     No.  1 


Sunday,  January  3,   1926 


'^ 


J 


J 


A-^* 


;     I 


v; 


DIMITRI  BUCHOWETZKI 

Production 

with. 

LAURA  LA  PLANTE 

PAT    O'MALLEY,      GEORGE    SIEGMAN, 

RAYMOND  KEANE  and  I undreds  of  others  -.  xi  i: 

A  Universal  Production  Prese  Med  by  CARL  LAEMMLE 

/ 


Price  25  Cents 


■••C,    xj' 


'\, 


^ 


r/7 


c5^ 


f?. 


■'^^°^^„ 


.J. 


Ben  Turpiq 


^WilJiam  V- 


Hobart 
*  Bosworth 


JOHN    C.    FLINN 

PRESENTS 


Helens 
Sullivan 


Walter 
Cong 


Mgel 
B  air  trie, 


PREFERRED 

with 

VERA  REYNOLDS  WILLIAM  BOYD  ^  CHARLIE  MURRAV 
A  METROPOLITAN   PICTURE 

One,  that  has  everything*  Comedy 
that  is  great,  a  love  story  that  stands 
up,  melodrama  that  thrills,  and,  above 
all,  a  cast  that  is  a  cast*  It  is  a  picture 
that  should  get  money  anywhere/' 

says  VARIETY 


Chaflie 
Jiuviray 


Jidapted byZ\\iQii<}.Qlivi$on    From  the 
SATURDAY  EVENING  POST  STORIES 

" The  Jfdven fares  of  iVallu  Cay' 

by 

HERSCHEL  S.HALL 
Directed  by 

JAMES  HOGAN 


f-* 


^, 


William.  Boyd 


Vera  I^yriolds 


R^ELEASED   BY  ' 

PRODUCEKS  DISTKIBUTING  COaPOKATION 

(  F.  C.  MUNROE,  President       RAYMOND  PAWLEY,  Vice-Prtsident  and  Treasurer       JOHN  C.  FLINN.  Vice-President  and  General  Manager 

Member  of  Motion  Picture  Producers  and  Distributors  of  America,  Inc  WILL  H.  HAYS.  President  Foreign  Qislr/bulors       Producers  International  Corporation       130   West  46th  Street     New  York,  N.   Y. 


7Ao  brAdstreet 

o/"  FILHDOM 


p^RECOCMZEB 

Authority 


VOL  XXXV     No.  1 


Sunday,  January  3,  1926 


Price  25  Cents 


*    Gordon  Edwards  Dead 

Well-Known  Director  Succumbs  Sud- 
denly of   Penumonia — For  Years 
with  Fox 

J.  Gordon  Edwards,  who  was  strick- 
en with  pneumonia  on  Christmas 
Day  died  suddenly  at  the  Hotel  Plaza 
on  Thursday  morning.  The  funeral 
will  be  private. 

Edwards  was  58  years  old  and  at 
'      the   time   of   his   death   was   about   to 
start    for    Hollywood    where    he    had 
an     idea     of    reentering    production. 
For  several  years  past   he  had  been 
inactive    except    to    act    in    a    general 
advisory  capacity  to  the  Fox  produc- 
tion department.     Edwards,  for  years, 
was    the    director    of    the    big    Fox 
spectacles.        When      word      passed 
through  the   trade  of  his  demise,  the 
t      shock   was   pronounced.     His   widow 
and  one  son,  Jack,  survive  him. 
Edward's  Work 
J.    Gordon    Edwards'    work    since 
1918,    as    recorded    in    THE    FILM 
■*       YEAR  BODK,  follows: 
1918 
Camille,  Cleopatra.  The  Rose  of  Blood,  Du 
Barry,    The    Forbidden    Path,    The    Soul    of 
Buddha  and   Salome. 

1919 
When  A  Woman  Sins,   Siren's  Song,  When 
Men  Desire,  Wolves  of  the  Night,  A  Woman 
(^Continued  on  Page  11) 


"U"  May  Add  Southern  Houses 

Atlanta  —  Dan  Michalove  of  Uni- 
"^  versal  in  the  Southeast  is  making  a 
tour  of  Florida  towns  where  company 
theaters  are  located.  Upon  his  return 
some  definite  policy  for  the  expan- 
sion of  the  theater  department  will 
be   announced. 


Off   for   Coast 

Arlette    Marchal    departs  for    the 

Coast  today.     She  has  been  cast  for 
a   role    in    a   new    picture    which    will 

'      co-star   Betty    Bronson,   and  Ricardo 

Cortez.      William    Wellmsn  will    di- 
rect. 


>      *     Here  with   Viennese   Negative 

William  Resch  of  128  Market  St., 
Newark,  who  produced  "A  King  Over 
.    Night,"   in   Vienna,   has   brought   the 
negative  to  New  York. 


Features  Reviewed 

Page 

A   Kiss  for  Cinderella 

Paramount    5 

Sweet   Adeline 

Chadwick — State   Rights    5 

Bluebeard's    Seven    Wives 

First    National     5 

Steel    Preferred 

Prod.   Dist.   Corp S 

Short    Subjects    8 


Smith  Joins  Fox 

With  New  Theater  Unit  and  Not  Fa- 
mous, as  Expected — Carl  Milli- 
ken  Succeeds  Him  at   Hays 

Courtland  Smith  resigned  as  secre- 
tary of  the  M.  P.  Prod,  and  Dist.  of 
America  on  Thursday  and  created 
considerable  surprise  by  announcing 
an  affiliation  with  the  Fox  Theaters 
Corp.  It  had  been  anticipated  that 
he  would  handle  the  proposed  news 
reel  department  at  Famous. 

Smith  has  been  secretary  of  the 
Hays  organization  since  its  inception 
several  years  ago.  He  will  be  suc- 
ceeded by  Carl  E.  Milliken,  nationally 
known  churchman  and  Governor  of 
Maine  from  1919-1921.  Milliken  is 
prominent  also  in  many  activities  of 
the.  Baptist  Church,  the  Y.  M.  C.  A. 
and  the  Federal  Council  of  Churches 

{Continued   on    Page    11) 

Gerhard    at    Warner    Theater 

George  Gerhard,  former  motion 
picture  editor  of  the  Evening  World, 
has  been  placed  in  charge  of  publicity 
at  the   Warner  theater. 


"The  Skyrocket"  Booked  by  Colony 

"The  Skyrocket"  has  been  booked 
into  the  Colony  opening  sometime 
this  month. 


Third   Week   at   Warners 

"Lady    Windemere's    Fan"   will    be 
held  for  a  third  week  at  Warners. 


"Birth  of  Nation"  at  Cameo 

The   Cameo  will   show   "The    Birth 
of  a   Nation"  next  week. 


Foreign  Expansion 

p.   p.   C.   Acquires    Exchange   Units 

in  Brussels  and  Copenhagen — 

Some  Sales  Outright 

Producers  International  Corp.,  the 
foreign  unit  of  P.  D.  C.  has  taken 
over  three  distributing  companies  in 
Europe.  These  deals  were  closed  by 
William  M.  Vogel  who  has  just  re- 
turned from  a  ten  weeks'  trip  through 
the  Continent. 

On  Jan.  1,  P.  D.  C,  Ltd.  of  Prague 
takes  over  the  Famous  Films  ex- 
changes until  now  conducted  by  Jan 
V.  Musil  and  M.  Z.  Chrastil.  The 
Beige  Prod.  Dist.  Corp.,  headquar- 
ters in  Brussels,  will  take  over  Etabl. 
Dumarteau  on  Jan.  1  from  Georges 
A.  Bouckaert,  who  will  be  associated 
with  the  company's  operations.  While 
in  Stockholm,  Vogel  acquired  control 
(Continued  on  Page  11) 


Poli  Holdings  Divorced 
Hartford,  Conn. — Two  new  cor- 
porations have  been  formed  by  S.  Z. 
Poli,  one  to  operate  the  Poli  the- 
aters and  the  other  to  act  as  holding 
company  for  the  Poli  real  estate 
enterprises.  Heretofore,  both  have 
been  under  one  corporation. 

The  S.  Z,  Poli  Theater  Co.,  of  New 
Taven,  capital  $100,000,  will  operate 
the  theaters,  while  the  S.  Z.  Poli 
Corp..  of  New  Haven,  will  con- 
trol the  real  estate  end.  Capital  of 
the  latter  is  $2,000,000.  Incorpora- 
tors of  both  are  S.  Z.  Poli,  Rosa'PoIi 
and  L.  M.  Sagal. 


1926 


By  DANNY 


As  evolutionary,  as  revolutionary  as  1925  proved  to  be, 
the  coming  year  promises  more  radical,  even  sensational 
developments  affecting  to  a  marked  degree  every  branch  of 
the  motion  picture  industry. 

There  will  be  vital  changes.  They  will  appear  not  only 
in  America  but  all  over  the  world.  The  internationalization 
of  motion  pictures  through  the  medium  of  American  produc- 
tions will  find  its  first  definite  progress  during  the  coming  year. 

In  some  way  this  may  have  an  enormous  bearing  regarding 
conditions  within  the  United  States. 

The  evolution  of  conditions  noted  first  in  the  outlook  for 
1924.  when  the  prediction  was  made  that  large  theater  chains 
were  to  become  a  pivotal  part  of  the  larger  American  compa- 
nies, developed  into  actuality  during  the  last  six  months  of 
1925. 

(Continued  on  Page  4) 


The  Ufa  Situation 

Famous  and   M.-G.-M.  to  Cooperate 
with  Ufa  on  Production  and  Dis- 
tribution Matters 
A  Berlin  radio  late  Thursday  night 
said: 

"The  contract  between  Ufa  and  Fa- 
mous Players  and  Metro-Goldwyn- 
Mayer  is  now  an  established  fact. 
While  details  have  not  been  made 
public  it  is  known  that  under  the 
terms  of  the  contract  Carl  Laemmle 
of  Universal  will  have  certain  distrib- 
uting rights  but  that  two-thirds  of  the 
board  of  Ufa  will  be  represented  by 
officials  of  Famous  and  M.-G.-M. 
The  deal  provides  for  certain  pictures 
to  be  made  by  Ufa  suitable  for  the 
United  States  to  be  released  by  each 
of  the  companies  mentioned.  About 
five  of  such  pictures  will  be  handled 
by  each  of  the  American  companies, 
which,  in  turn,  will  finance  a  loan  of 
approximately  four  million  dollars  to 
Ufa  for  a  period  of  ten  years.  Vari- 
ous details,  such  as  who  will  repre- 
sent the  American  companies  in  Ber- 
lin have  yet  to  be  worked  out  Tem- 
porarily Herman  Wobber  will  doubt- 
less represent  Famous  and  Al  Aron- 
son,  M.-G.-M..  In  the  event  that  any 
theaters  are  erected  by  Ufa  during 
the  next  ten  years  Famous  and  M.- 
(Continued  on  Page  11) 


To  Offer  M.  P.  Capital  Corp.  Stock 

It  is  understood  Watson  &  White 
have  purchased  an  additional  issue  of 
30,000  shares  of  M.  P.  Capital  Corp. 
common  stock  and  will  make  a  public 
offering  next  week. 


Rowland   Lee  Sails 

Rowland  V.  Lee  sailed  on  the 
Homeric  last  night  for  a  vacation  in 
EuropT.  He  has  just  completed  a 
contract  with  Fox. 


Awaiting  Governor 

Washington — T  h  e  Governor  o  f 
New  South  Wales  has  only  to  affix 
his  signature  to  make  the  25  per  cent 
income  tax  bill  a  law.  The  measure 
as  understood  here  imposes  a  tax  up 
to  five  shillings  on  the  pound  on  all 
profits  accruing  from  the  exhibition 
within  that  state  of  pictures  not  of 
Australian    origin. 

The  law  contains  a  retroactive 
clause  and  would  cover  the  entire  fis- 
cal vear  ending  June  30  last.  Officials 
of  the  State  Department  said  yester- 
day they  have  not  as  yet  had  their 
attention  called  to  the  legislation  al- 
though the  understanding  exists  in 
New  York  that  Will  H.  Hays  had 
filed  a  protest  on  behalf  of  the  indus- 
try. It  is  probable  objections  will  be 
registered  as  soon  as  further  details 
become  known. 


./ 


THE 


<^^ 


DAILV 


Sunday,  January  3,  1926 


VoLXXXVNo.1      Sunday,  Ian.  3, 1926      Price  25  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Piililished  Daily  except  Saturday  and  bol- 
•days  at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Edilor; 
J.  W.  Alicoate,  Treasurer  and  Businesi  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mertereau,  Advertising  Mana,i;Ter; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  I'^IS, 
at  the  post  office  at  New  York,  N.  Y.,  utidcr 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  alt  com- 
munications to  THE  FILM  DAILY.  1650 
Broadway,  New  York,  N.  Y.  Phone  Cirtle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvpy 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredmaii, 
The  Film  Renter,  58,  Great  Marlborough  St  . 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,    5,    Rue    Saulnier. 


Pathe  Anniversary  in  Two-Reeler 

"Flashes  of  the  Past,"  the  Pathe 
News  15th  Anniversary  reel,  will  be 
released  again,  this  time  as  a  com- 
plete two  reel  subject,  instead  of  in 
sections. 


May  Build  in  Seattle 

Seattle — Joseph  Muller,  Northwest 
representative  of  the  Ackerman  and 
Harris  Enterprises,  announces  that 
the  circuit  is  contemplaing  a  2.500 
seater  here,  to  cost  $500,000. 


McGregor  New  Serial  Star 

Hollywood — Malcolm  McGregor 
will  star  in  a  serial  "The  Sky  Skid- 
der,"  to  be  produced  in  10  episodes 
by  Nat  Levine. 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  I  N  S 

Speeialiete  in  Motion  Picture 

mnd  Theatrical  ineurance  f-or 

the  patt  fifteen  yeari. 

Artkar  W.  Stebbins  &  Co.,  Inc. 
1540  Broadway  N.  Y.  C. 

Bryant  304« 


Niblo  Goes  to  Sleep 

For  the  first  time  in  several  years 
Fred  Niblo,  director  of  "Ben  Hur," 
had  a  night  of  perfect,  sound  sleep, 
following  the  premiere  of  the  tremen- 
dous production  at  the  Cohan  thea- 
ter, Wednesday  night — or  rather 
Thursday  morning,  for  it  was  very 
late  before  he  got  to  bed. 

When  Niblo  was  given  the  task, 
and  went  to  Rome  in  the  summer  of 
1924,  he  realized  the  enormity  of  the 
job  before  him.  But  he  did  not  ap- 
preciate all  that  was  going  to  happen 
— and  did  happen.  The  result  was 
that  Niblo  since  then  has  had  a  task 
of  endless  difficulties.  He  was  as 
nervous  as  a  child  on  Wednesday 
before   and   during   the    pr_emiere 

In  the  row  in  front  of  Niblo  was 
Will  Hays  who  had  with  him  Gov- 
ernor Jackson  of  Indiana.  Now  all 
Hoosiers  regard  Lew  Wallace,  the 
author  of  "Ben  Hur"  with  more  than 
natural  pride,  and  so  the  attitude  of 
these  two  Hoosiers  was  worth  watch- 
ing. That  Hays — who  is  a  strong 
churchman — was  enthused  to  a  de- 
gree was  apparent  often.  At  the 
finish  he  stretched  back  over  several 
seats  and  wrung  Niblo's  hand  as 
though  he  was  a  long  lost  brother. 
Mrs.  Niblo  (Enid  Bennett)  also  came 
in  for  congratulations.  And  Niblo's 
palms  were  so  damp  from  nervous- 
ness that  he  was  almost  ashamed  to 
clasp  hands. 

From  the  moment  the  last  shot 
faded  out  Niblo  was  surrounded  by 
important  film  folk  extending  con- 
gratulations. Sam  Katz,  Robert 
Kane,  Richard  A.  Rowland  led  the 
way.  Rowland  declared  that  no  mat- 
ter how  long  it  took;  what  difficul- 
ties, "Ben  Hur"  was  well  worth  wait- 
ing for.  Jesse  Lasky  was  all  enthus- 
iasm; Eugene  Zukor  had  but  one 
regret — that  "Ben  Hur"  was  not  a 
Famous  production.  Lawrence  Stal- 
lings^  author  of  "The  Big  Parade" 
and  "What  Price  Glory"  hurried  to 
congratulate  Niblo,  and  when  David 
Warfield  and  Marcus  Loew  finally 
took  Niblo  away  the  director  was 
close  to  bordering  on  tears. 

But  before  Niblo  could  retire  he 
had  to  talk  to  Louis  B.  Mayer  and 
Irving  Thalberg  on  the  phone  at 
Hollywood;  because  they  did  not 
want  to  go  to  sleep  until  they  had 
heard  how  "Ben  Hur"  was  received 
in  New  York. 

But  at  last  Niblo  got  to  sleep.  In 
a  few  weeks  he  will  sail  for  Europe 
for  a  rest. 


Boosts  "Laugh  Month" 

Austin,  Tex. — Governor  "Ma"  Fer- 
guson on  Thursday  signed  a  procla- 
mation endorsing  January  as  "Na- 
tional Laugh  Month"  and  urging  all 
citizens  to  take  cognizance  of  the 
celebration. 

A  committee  composed  of  promin- 
ent short  subject  distributors  was 
organized  in  Dallas  to  get  behind 
"Laugh  Month"  and  was  subse- 
quently instrumental  in  interesting 
the  Governor.  The  proclamation  has 
resulted.  Cameramen  representing 
all  news  weeklies  were  in  Austin  to 
photograph  the  ceremony  coincident 
with  the  signing.  The  pictures  will 
be  released  as  part  of  the  news  reel 
which  will  be  placed  in  distribution 
early  next  week. 


B.  &  K.  to  Build  in  Aurora 

Aurora,  111. — Balaban  &  Katz  will 
erect  a  theater  costing  $1,600,000  in 
the  near  future,  according  to  Jules  J. 
Rubens,  vice-president  of  the  Great 
States  Theaters,  Inc.,  a  subsidiary  of 
B.  &  K.  The  new  structure  will  seat 
2,500  and  be  located  downtown. 


Wild  Bird  FUm 

Berkeley,  Cal. — Wild  birds  of  Cali- 
fornia and  small  wild  animals  of  the 
State  are  the  two  newest  films  in  the 
nature  series  recently  compiled  by  the 
visual  instruction  department  of  the 
extension  division  at  the  University 
of  California. 


Tivoli  Property  Sold 

Mandlebaum  and  Lewine  and  Max 
Nathanson  have  sold  the  Tivoli  The- 
ater BIdg.  at  50th  St.  and  8th  Ave. 
to  the  Tivoli  Theater  Corp.  which  op- 
erates the  house  under  a  lease  run- 
ning to   1941. 


Seventh  in  Cleveland  Chain 

Cleveland — The  Cedar-Lee  theater, 
the  seventh  and  newest  house  oper- 
ated by  Dr.  B.  I.  Brody  and  his  as- 
sociates, was  opened  Dec.  28.  It  is 
a  1,200  seat  house,  located  in  Cleve- 
land Heights.  Dr.  Brody  has  leased 
it  for  17  years  at  an  aggregate  amount 
of  about  $300,000.  The  opening  at- 
traction was  "A  King  on  Main 
Street." 


r-OSTUMEC 

^L>  GOWNS— UNIFORMS   K^ 

FOR  EVERYBODy  WHO  IS  ANyBOOy 
ON  THE  STA6E  OR  SCREEN..EXCLUSIVE 
DESIGNS  BY  LEADING  Siyii  CREATORS 

i^i^Cf  vKS  NEWyORK 

-ALSO  ISOOO  COSTUMES  TO  RENT 


JOSEPH  R.  MILES 

PRESIDENT 

LLOYDS  FILM  STORAGE  CORP. 

ANNOUNCES  THE  OPENING 
ON  JANUARY  4TH 
OF  TWO  UP-TO-DATE 

PROJECTION  THEATRES  AT 

723  SEVENTH  AVE.,  N.  Y.  C. 


Phone  Bryant  5600 


'POWERS  BUILDING" 


Charlotte  Board  Meets  Jan.  4  ^ 

Charlotte,    N.    C— The     Charlotte         ' 
Film    Board    of   Trade    will    hold    its 
next  meeting  on  Jan.  4. 


'ecasan 


.J 


jriendbfThid 


WANTED 

FILM    PERFORATOR 
MUST  BE  IN   FAIR  CONDITION 

Communicate    with 

F.  W.  KNIGHT 

Phone  139  Charles  St. 

Watkins  6585  N.  Y.  C. 


Specify 


GOEI 


Raw  Stock  for  QUALITY 

Sole  Distributors: 

FISH-SCHURMAN  CORP. 

45  West  4Sth  Street 
N.   Y.   Bryant  7243 


— T^ilms 


Hotel  Christie 

in 
Hollywood 

One  of  California's  finest  hotels, 
located  in  the  heart  of  the  busi- 
ness district  of  Hollywood, 
famous  lobby,  personal  service, 
sensible  prices. 

R.  J.  Matheson 

Owner-Manager 


The  Outlook  for  the  New  Year 


rm 


BANNER    YEAR    IN    SIGHT 

With  the  country  in 
the  prosperous  condition 
which  prevails  today,  I 
expect  that  1926,  so  far 
as  the  motion  picture  in- 
dustry goes,  will  be  one 
of  the  banner  years  in  the 
history    of    the    business. 

However,  all  prosper- 
ity in  the  motion  picture 
business  depends  on  one 
thing— -the  quality  of  the 
pictures. 

Adolph  Zukor  Xhis    brings    into    sharp 

focus  a  weakness  in  the  picture  industry  which  has 
grown  up  because  of, force  of  habit  through  the 
years.  This  weakness  is  the  belief  that  good  pic- 
tures cannot  be  profitably  made  and  shown  during 
the   Spring  and  Summer. 

A  little  thought  will  show  the  fallacy  of  this  rea- 
soning. There  are  no  seasons  in  the  motion  pic- 
lure  business.  The  public  has  shown  repeatedly 
that  it  will  patronize  good  pictures  just  as  well  in 
the  Spring  and  Summer  as  in  the  Fall  and  Winter. 
We  know  this  as  a  result  of  our  experience  in 
our  own  theaters.  We  know  it  also  from  the  tes- 
timony of  those  progressive  showmen  who  have 
refused  to  believe  that  the  public  cannot  be 
attracted  to  the  theaters  in  the  Summer,  and, 
by  installing  cooling  plants,  have  made  their 
houses  the  most  attractive  spots  in  town  even  in 
the  hottest  days  of  mid-Summer. 

Therefore,  Paramount  this  year  proposes  to  take 
another  great  step  forward  and,  beginning  Feb- 
ruary 1st,  will  release  a  group  of  thirty  pictures, 
which  in  investment  and  screen  value  represent 
the  best  that  this  company  has  ever  put  out  for 
any  season  of  the  year.  We  do  this  in  the  firm 
belief  that  progressive  showmen  will  appreciate 
our  efforts  toward  raising  the  income  of  the  pic- 
ture business  in  the  Spring  and  Summer  to  the 
high   peak   of    Fall    and    Winter. 

We  are  making  this  heavy  investment  in  nega- 
tive and  we  are  making  this  extraordinary  effort 
in  exploitation  to  correct  a  habit  of  mind  which 
has  cost  this  industry  millions  of  dollars.  We  are 
making  this  negative  investment  because  we  ap- 
preciate thoroughly  that  if  theaters  are  to  be  as 
prosperous  in  the  Spring  and  Summer  as  in  the 
Fall  and  Winter,  they  must  have  pictures  that 
represent   the   best   in   screen   entertainment. 

We  expect — we  hope — that  other  producing  com- 
panies will  follow  our  example.  If  they  do  it 
will  mean  that  once  and  for  all  the  bugaboo  of 
poor  business  in  the  Spring  will  be  killed.  How- 
ever, whether  other  companies  follow  our  example 
or  not  Paramount  is  committeed  to  this  new  and 
progressive  policy,  which  can  be  summed  up  in 
the  words,  "There  are  no  seasons  in  the  motion 
picture    business." 

But,  as  I  said  in  the  beginning,  the  basis  of  box- 
office  prosperity  in  this  business — whether  it  be 
in  the  Fall  or  in  the  Spring — depends  entirely  on 
good  pictures.  That  is  what  we  propose  to  give 
the  motion  picture  industry  for  this  Spring  and 
Summer.— ADOLPH    ZUKOR. 


ROSY  I 


The  outlook  for  1926, 
as  far  as  our  business  is 
concerned,  has  never 
been    more   rosy. 

I  am  quite  sure  that 
applies  to  the  greater 
part    of    the    industry. 

MARCUS  LOEW. 


Marcus  Loew 


1926 


FOX  PREPARED 

There  is  every  indica- 
tion that  the  season  of 
1926  will  bring  to  the 
motion  picture  industry 
the  greatest  popularity  of 
its    entire    history. 

"Hundreds  of  beautiful 
new  theaters  have  been 
constructed  throughout  the 
country  in  the  past  year; 
new  forms  of  presentation 
have  been  created  and  the 
industry  is  organized  to 
\«/i„c«i^  -D  oi,..i„„  deliver  to  its  public  its 
Wmfield  R.   Sheehan      greatest   program  of   great 

pictures  and  fine  entertainment.  Fox  Film  Cor- 
poration has  completed  all  plans  for  maintaining 
its  position  in  the  first  rank  for  the  coming  year. 
We  have  made  elaborate  additions  to  our  studios 
for  the  creation  of  our  new  product;  we  have  se- 
cured the  outstanding  successes  of  stage  and  lit- 
erature for  our  productions,  and  stars  and  direct- 
ors  of  the   highest   value   for  our   presentations. 

The  country  generally — in  all  industries — is  in 
excellent  shape,  which  always  means  a  prosperous 
year  for  entertainment,  and  we  are  prepared  to 
take  advantage  of  it  to  the  fullest. — ^WINFIELD 
R.   SHEEHAN. 


Hiram  Abrams 


THE   POLICY   OF   UNITED   ARTISTS 

_  For  1926  United  Ar- 
tists has  no  new  policy 
to  announce.  This  or- 
ganization will  continue 
to  offer,  as  it  has  offered 
since  its  inception,  the 
greatest  productions  of 
the  greatest  stars,  each 
production  to  be  sold  in- 
dividually and  strictly  on 
its    merit. 

It  is  of  great  impor- 
tance for  the  exhibitor 
to  know  that  United 
Artists  Corporation  will 
continue  to  offer  the  best 
productions  of  the  out- 
standing  stars    in   the   industry. 

It  is  of  great  importance  for  the  exhibitor  to 
know  that  present  indications  are  that  United 
Artists  Corporation's  releasing  schedule  for  1926 
in  all  probability  will  contain  a  larger  list  of 
pictures  of  the  highest  standard  than  in  any  pre- 
vious year.  It  also  is  of  great  importance  that 
this  fact  is  by  no  means  to  be  taken  as  any  indi- 
cation that  pictures  to  be  released  in  the  coming 
year  will  be  of  any  less  high  a  standard  in  enter- 
tainment or  box-oiSce  values  than  heretofore. 
Quality  will  not  suffer  in  the  slightest  degree 
because   of   an   increase   in    quantity. 

It  is  of  the  greatest  importance  for  exhibitors 
to  know  the  manner  in  which  these  quality  pro- 
ductions from  the  greatest  stars  will  be  offered  to 
them. 

Each  picture  will  be  marketed  singly.  Each 
picture  will  be  sold  on  its  individual  merit.  Each 
picture   will   be   sold   on  an   individual   basis. 

Thus  United  Artists  Corporation  will  offer  the 
industry  the  greatest  pictures  from  the  greatest 
stars — the  most  meritorious  pictures — through  an 
absolutely  independent  and  an  entirely  open 
market. 

In  the  six  years  since  the  inception  of  United 
Artists  Corporation  there  has  been  no  deviation 
from  this  policy.  There  will  be  none  in  1926. 
—HIRAM  ABRAMS. 


D.  W.  Griffith 


THE    COMING    DAY 

It  has  taken  ten  years 
for  Americans  to  realize 
motion  pictures  are  the 
most  potent  force  for  in- 
ternational influence.  The 
leaders  of  England  rec- 
ognized this  supremacy  in 
1915.  Now  we  are  be- 
ginning to  hear  it  gener- 
ally discussed  in  this 
country. 

Makers  of  pictures  have 
more  power  than  any  as- 
sociation of  workers  ever 
known.  All  advertising, 
all  sales  efforts  have  never  spread  commercial 
America  through  the  world  as  motion  pictures  have 
done.  Our  manners,  our  customs,  our  standards 
are  becoming  current  in  the  most  distant  lands.  A 
picturesque  illustration  is  the  recent  outcry  from 
the  elder  statesmen  in  Japan  against  the  Japanese 
kissing  on  the   lips   after   the   American   manner. 

It  is  an  old  adage  that  the  finest  weapon  belongs 
to  him  who  can  best  use  it.  So  it  is  with  motion 
pictures.  As  long  as  the  makers  employ  an  ex- 
pansive intelligence  in  creating  the  films;  and  the 
exhibitors  employ  methods  of  showing  these  pictures 
to  their  true  advantage;  and  the  public  releases  it- 
self from  the  petty  and  prejudiced  apery  of  so- 
called  'high-brows'  in  affected  disdain  that  nothing 
worthy  is  shown  in  the  pictures:  then  American  life 
will  experience  an  age  of  world  dominance  as  dis- 
tinctive as  that  of  Greece  or  Rome.  Every  patron 
of  a  motion  picture  should  feel  that  by  his  or  her 
approval  of  real  merit  in  a  film  he  or  she  is  play- 
ing an  important  part  in  world   influence.   ^ 

This  is  an  age  of  flourishing  art  in  America. 
And  motion  pictures  are  leading  literature,  music 
and  dr.ama  in  prosperous  progress  of  efforts  and 
perfections.  In  their  influence  on  the  people  of  the 
world,  all  the  grains  and  the  metals  and  the  tex- 
tiles that  are  of  America,  are  little  when  compared 
to  the  force  that  is  in  motion  pictures.  And  films 
will  be  as  powerful  in  culture  as  they  are  in  en- 
tertainment as  soon  as  the  audiences  are  ready. 
May   the  day  speed.— D.   W.   GRIFFITH. 


"ROXY'S"    IDEAS 

1926  to  me  is  a  very 
important  yeai",  because 
toward  the  close  of  this 
year  I  shall  open  the 
new  ROXY  THEATRE, 
where  we  hope  to  carry 
on  a  program  that  we 
have  originated,  but  in  a 
much    greater    way. 

There  will  be  many  re- 
finements, a  larger  scope, 
and  many  more  opportun- 
^_  „  ities.      The   pictures   as    a 

'Roxy  whole     have    increased    in 

artistic  values.  The  time  is  here,  and  will  be 
more  so  in  another  year,  to  give  entertainment  that 
will  be  a  new  composite  style  of  showmanship  that 
will  employ  a  new  kind  of  stagecraft,  new  lighting 
and  a  service  heretofore  undreamed  of.  All  this 
together,  for  a  price  that  will  be  within  the  reach  of 
every  pocketbook. 

1926  will  be  an  important  year  in  the  motion 
picture  industry.  To  me,  it  should  be  the  most  im- 
portant year  of  my  life.— S.   L.  ROTHAFEL. 





MDifc^ 


TH£ 


tm 


HMi 


-A&f^ 


DAILY 


Sunday,  January  3,  1926 


1926 


{Continued  f, 

The  scramble  for  picture  theaters  by  the  larger  producing 
and  distributing  corporations  then  ceased  to  be  a  promise  and 
became  a  definite  fact.  Late  in  1923,  when  this  was  first  fore- 
cast, the  suggestion  was  met  with  ridicule.  Exhibitors  par- 
ticularly scorned  the  idea.  Today,  some  of  those  exhibitors 
are  not  in  business,  or  if  they  are,  they  have  lost  control  ot 
their  properties. 

The  producing  and  distributing  elements  of  the  industry 
appreciative  of  where  the  real  profits  are,  plus  the  desire  that 
their  product  shall  have  representation  not  only  in  the  larger 
but  even  in  small  communities,  started  a  rampant  movement 
for  the  acquiring  of  theaters  during  the  summer  of  1925.  This 
movement  will  find  its  peak  somewhere  late  in  1926,  certainly 
not  later  than  the  spring  of  1927. 

The  idea  of  theater  acquisition  as  an  integral  part  of  pro- 
duction and  distribution  is  now  accepted  as  a  necessary  part 
of  the  operations  of  a  large  picture  organization.  That  this 
movement  will  extend  to  Europe  is  easily  possible,  because 
Europe,  particularly  the  Continental  section,  is  woefully  behind 
the  accepted  American  idea  of  picture  presentation. 

This  movement  of  necessity  on  the  part  of  the  larger 
American  corporations  naturally  will  have  many  serious  as- 
pects particularly  affecting  those  exhibitors  who  have  a  few 
or  perhaps  one  house.  The  development  of  the  chain  theater 
idea  was  crystallized  late  in  the  year  by  the  amalgamation  of 
the  Famous  Players  theaters  with  those  of  Balaban  and  Katz, 
as  a  result  of  which  the  B.  &  K.  management  will  have  charge 
of  Famous  theaters  for  a  period  of  ten  years.  It  would  not  be 
surprising  if  within  the  next  year  or  two  Publix  Theaters  (cor- 
porate title  of  the  organization  of  B.  &  K.  and  Famous)  had 
at  least  800  theaters  or  more  under  its  management. 

When  this  movement  finally  developed  other  large  organ- 
izations immediately  stepped  forward  during  the  latter  part 
of  1925  and  in  the  coming  year  there  will  be  found  a  marked 
theater-acquiring  movement  on  the  part  of  Universal,  Fox 
Film,  Loews,  Inc.,  Producers  Distributing  and  Warner  Bros. 
Internal  corporate  matters  will  prevent  First  National 
Pictures  as  such  from  theatrical  expansion,  but  the  activities 
of  franchise  holders  can  be  expected  to  match  such  movements. 
The  prediction  may  easily  be  made  that  one  year  from  now 
individual  franchise  holders  of  First  National  will  own  or  con- 
trol more  theaters  than  they  do  today. 

An  oustanding  example  indicative  of  the  trend  is  that  of 
the  West  Coast  Theaters  of  which  Sol  Lesser  is  president, 
which  has  made  gigantic  strides  during  the  past  few  months. 
By  the  end. of  1926  it  is  easily  probable  that  West  Coast  will 
have  250  theaters  or  more  in  its  chain.  Sol  Lesser  is  an  im- 
portant franchise  holder  of  First  National.  The  operations  of 
West  Coast  along  the  Pacific  slope  naturally  reach  northward 
toward  the  circuit  controlled  by  Jensen  &  Von  Herberg,  also 
important  in  First  National.  If  Lesser  and  West  Coast  effect 
a  deal  with  Jensen  &  Von  Herberg  it  would  be  quite  the  nat- 
ural and  to  be  expected  development.  If  this  occurs  the  entire 
Pacific  Coast  for  all  practical  purposes  will  be  in  the  hands  of 
one  buying  organization. 


rom  Page   1) 

With  this  development  in  theater  operations  in  all  proba- 
bility there  will  come  a  change  in  the  production  and  distribu- 
tion situation.  Those  who  have  contended  that  chain  buying 
was  the  greatest  aid  to  reducing  distribution  costs  are  stronger 
in  their  arguments  than  ever.  Obviously,  if  one  buyer  can  book 
product  over  an  entire  territory  there  is  little  need  for  an  ex- 
pensive and  extensive  selling  organization.  And  practically 
all  of  the  thirty  or  more  key  cities  of  America  have  from  fifteen 
to  twenty-five  exchanges,  while  theater  chain  buyers  have  main- 
tained steadfastly  that  practically  70%  of  these  distributing- 
agencies  were  unnecessary.  The  fact  that  distribution  costs 
are  far  in  excess  of  what  constitutes  profitable  business  opera- 
tions lends  aid  to  their  argument. 

The  same  economic  problem  holds  forth  with  regard  to 
production.  Statistics  show  that  during  1925,  578  pictures 
were  released.  A  figure  far  in  excess  of  the  quantity  neces- 
sary for  the  profitable  operation  of  theaters.  Excess  produc- 
tion always  leads  to  price  cutting  with  resultant  losses  to  pro- 
ducers. The  fact  that  unquestionably  many  of  these  produc- 
tions had  little  or  no  value  from  a  quality  standpoint  only 
aggravates  an  otherwise  serious  situation.  It  is  to  be  expected, 
however,  that  with  the  increased  theater  activities  of  the  larger 
corporations  that  there  will  follow  radical  changes  with  re- 
gard to  distribution  and  production. 

These  will  doubtless  come  in  what  is  known  as  the  "inde- 
pendent" field.  Not  that  there  will  be  lack  of  room  for  the 
"independents,"  for  there  will  always  be  room  for  good  pic- 
tures, and  if  such  productions  come  from  this  "independent" 
market,  playing  dates  will  also  come,  but  broadly  speaking  the 
"independent"  field  becomes  smaller  each  succeeding  year;  the 
circle  grows  tighter.  One  of  the  reasons  for  this  is  the  finan- 
cial structure  on  which  many  "independent"  buyers  operate, 
or  perhaps  it  should  be  said  lack  of  the  proper  financial  struc- 
ture. 

Distributors  claim  that  certain  buyers  fail  to  "pick  up" 
shipments  as  contracted  for.  In  turn,  these  buyers  maintain 
that  they  have  great  difficulty  in  disposing  of  the  product. 
But  regardless  of  the  reason,  the  fact  remains.  And  the  out- 
look is  less  satisfactory  than  ever  before. 

The  inroads  made  by  American  pictures  all  over  the  world 
awakened  particularly  the  European  countries  to  a  realization 
that  the  general  industries  of  these  countries  were  being 
affected  because  of  the  mercantile  or  commercial  propaganda 
for  American  products  so  excellently  .  demonstrated  in  many 
ways  in  American  pictures. 

The  Federation  of  British  Industries  in  England,  a  tre- 
mendously powerful  non-political,  non-governmental  organiza- 
tion, led  the  way  in  England  with  the  result  that  during  the 
coming  year  there  will  be  more  and  more  difficulties  hamper- 
ing the  distribution  of  American  pictures  in  Great  Britain  and 
her  colonies.  And  so  it  goes  all  over  Europe.  There  are  threats 
of  reprisals,  "kontingents,"  duties,  etc.,  from  practically 
every  Continental  country,  and  if  the  coming  year  does  not 
show  more  of  such  movements  against  American  pictures,  then 
all  of  the  signs  read  wrongly. 


When  the  "Laugh  Month"  idea  was  started  no  one  ever 
thought  of  the  possibiHty  that  there  would  not  be  enough 
comedies  to  meet  the  demand. 

Bookings  for  January  have  been  so  tremendous  that  our 
laboratory  has  been  called  upon  for  many  extra  prints  of 
many  comedies. 

Producers  have  also  put  their  best  foot  forward.  It  is, 
therefore,  our  privilege  to  announce  herewith  the  release,  dur- 
ing January,  of  ten  corking  comedies;  and  to  promise  that  even 
though  they  are  released  throughout  "Laugh  Month,"  prints 
on  many  of  them  will  be  available  for  pre-release  bookings. 
Description  of  the  five  from  Hal  Roach  follows. 

If  you  have  not  already  made  provision  for  enough  com- 
edies to  adequately  tie  up  with  the  popular  "Laugh  Month" 
movement,  may  I  suggest  that  you  get  in  immediate  touch  with 
your  nearest  Pathe  exchange. 

"Laugh  Month"  is  a  great  idea. 

It  benefits  everybody. 

But  it  benefits  most  those  who  cooperate  best. 

ELMER  PEARSON 

Vice  President  and  General  Manager 

Pathe  Exchange,  inc. 


Hal 

Roach 

Two  Reel 


Comedy 


"A  Punch  in  the  Nose" 

with  Lucien  Littlefield,Husl(yHanes,ALStJoh 
Li|e  Conley,  Jimmie  FinUyson  andoXhet 

When  have  you  seen  a  two  reel  comedy  with  a 
cast  Hke  this?  Not  one  star  but  five;  and  a  flock  of 
others  not  named.    And  the  comedy  in  it  — ! 


It's  a  wise  actor  who  knows  where  his  next  meal 
is  coming  from — if  he's  a  trouper  and  the  manager  has 
just  faded  out  with  the  B.  O.  receipts. 

This  troupe  was  a  panic.  Many  a  better  one  has 
been  stranded  in  a  smaller  town,  but  none  was  ever  so 
hungry.  They  were  as  empty  as  drums,  as  flat  as  a 
bride's  first  cake. 

A  snappy,  scrappy  tale  of  a  stranded  "turkey." 


F.  Richard  Jones 

Supervising  Director 


Path^comedy 

TRADE        [  M]       MARK 


Released 
January  3rd 


OREI 

iimi 

.Ri 


i     ^^1  &.     V  1  jL 


\        .rtj;.  fiS^ 


Hal  Roach 


preserrts 

ft 


ff 


r  Cans: 


m 


Good  Cheer"  Two  Reels 

A  snow  picture,  the  Gang's  first,  with  the  inimitable  Gang  at  the 
bottom  of  all  the  fun  and  all  the  drifts. 

Over  ten  thousand  exhibitors  have  found  that  when  they  play  a 
Gang  comedy  and  tell  their  people  they've  got  it,  it  will  outdraw  the 
feature. 

This  remarkable  crew  of  kids  is  advertised  on  more  marquees  and  in 
more  newspaper  advertising  than  probably  any  short  comedies  ever  made. 

Every  month  is  Laugh  Month  if  you  play  "Our  Gang." 


rected  hy 

OBERT  McGoWAN 

pervising  Director 

.  Richard  Jones 


anuar^ 


Path^comedy 


Released 
January  10th 


1926 


i 


Roach 


presents 


r 


V 


Clyde  Cook 


What  is  the  World  Coming 

Two  Reels 


m 


To? 


f# 


Those  who  have  seen,  and  played,  ^'Starvation  Blues"  and  "Should 
Sailors  Marry"  know  what  high  class  comedies  the  Roach  studios  are 
producing  with  Clyde  Cook. 

In  this  one  the  laughs  begin  like  the  patter  of  rain-drops  on  a  tin 
roof;  as  it  sweeps  on  toward  its  climax  the  laughter  is  like  the  drumfire 
of  heavy  artillery.  Three  pips  in  a  row.   Can  they  keep  it  up?  Watch! 


F,  Richard  Jones 

Supervising  Director 


Path^comedy 


Released 
January  17th 


«>, 


T 


Hal 
Roach 


presents 


nCharleyMyBoy/^^fs 


in 


The  Boy;  he  only  had  one  suit  but  he  certainly  knew  how  to  wear  it. 

The  Girl;  the  kind  that  can  park  alongside  a  hydrant  without  getting  a 
summons. 

The  GirPs  Father;  the  kind  that  likes  to  look  a  gift  horse  in  the  mouth 
and  then  tell  the  world  how  old  he  is. 

The  Rival;  favored  by  the  father.  An  1832  model  sportsman,  dating  back 
to  the  era  of  oil  cans,  of  whom  he  was  the  biggest. 

The  Comedy;  a  peach.   A  good  sample  of  the  laughter-builders  that  are 
making  Chase  famous. 


F.  Richard  Jonks 

Supervising  Director 


Pafh^comedy 

TRAPE        f  ^j       MARK 


January 


Hal 
Roach 

presents 


4 


Glenn  Tryon 

in1on«r  Pants" 

A  Iwo  Reel  Comedy 

She  was  a  cute  little  trick. 

A  widow,  as  nice  and  harmless  as  a  keg  of  T.  N.  T. 

As  for  hini  the  words  "puppy  love"  weren't  invented  until  he  clut- 
tered up  the  scenery  with  his  first  long  pants. 

Imagine  what  a  girl  like  her  could  do  to  a  chap  like  him! 

It's  one  long,  loud  dispeller  of  gloom. 


F.  Richard  Jones 

Supervising  Director 


Path^comedy 

TRADE        I  Smi       MARK 


Released 
January  31st 


Sunday.  January  3,  1926 


THE 


-<^E^ 


DAILY 


"A  Kiss  for  Cinderella" 

Paramount 

FAIRY  TALE  FANTASY  WITH 
ALL  THE  WELL  KNOWN  EM- 
BELLISHMENTS. WILL  DE- 
LIGHT THE  CHILDREN  AND 
PLEASE  THE  GROWNUPS 
PICTORIALLY. 

Cast. ..  .Betty  Bronson  homely  and 
somewhat  exaggerating  in  her  mo- 
tions when  she  appears  in  the 
opening  reels  as  the  little  slavey. 
Pretty  and  charming  as  Cinderella. 
Tom  Moore  the  policeman  hero 
who  turns  Prince  in  Cinderella's 
dream.  Esther  Ralston  the  fairy 
godmother.  Others  not  impor- 
tant. 
Type  of  Story. ..  .Romantic  fantasy. 
The  fairy  tale  myth  about  Cinder- 
ella, the  little  slavey  whose  pretty 
small  feet  won  her  a  handsome 
Prince  for  a  husband,  makes  a 
charming  entertainment  for  chil- 
dren and  Herbert  Brenon  has  en- 
dowed the  picture  with  all  the 
regal  atmosphere  and  splendor  that 
youthful  minds  are  wont  to  pic- 
ture when  they  read  the  story. 
There  is  the  marvelous  ball  in  the 
great  palace,  of  the  King.  This 
has  been  done  lavishly  and  Cinder- 
ella's transition  from  a  homely 
bedraggled  urchin,  to  the  beautiful, 
shimmering  gowned  Princess  will 
be  certain  to  fascinate  the  young 
folks.  As  entertainment  for  grown- 
ups "A  Kiss  for  Cinderella"  may 
not  be  as  certain.  It  will  please 
pictorially  but  the  story  is  natur- 
ally slight  and  it  is  slow  in  start- 
ing and  rather  tardy  at  ending. 

Story:  Bodie,  a  shop  proprietor, 
nicknames  his  little  slavey,  "Cin- 
derella," because  she  always  imag- 
ines her  pretty  little  feet  will  win 
for  her  a  Prince  like  Cinderella  in 
the  fairy  tale.  Cinderella  falls 
asleep  on  the  doorstep,  after  con- 
vincing herself  that  the  night  of 
her  adventure  is  at  hand.  Her 
dream  follows  and  in  it  all  the 
wonders  of  royalty  and  all  the  glit- 
ter and  pomp  for  which  Cinderella 
longed  is  unfolded  to  her.  But 
she  awakens  and  finds  that  the 
Prince  of  her  dreams  was  only  her 
policeman  friend.  Eventually  Cin- 
derella is  happy  to  marry  him. 
Box  Office  Angle. ..  .Whimsical  and 
fascinating  in  atmosphere,  beauti- 
ful pictorially  and  enjoyable  if  you 
like  a  variation.  Undoubtedly  a 
winner  for  children. 
Exploitation. . .  .Barrie-Brenon-Bron- 
son.  One  of  them,  two  of  them, 
or  all  three  are  packing  them  in 
at  the  Rivoli.  If  that  is  a  sign 
for  success  you  can  probably  dust 
of?  your  own  S.  R.  O.  sign.  After 
Barrie's  "Peter  Pan,"  made  by 
Brenon  v/ith  Betty  Bronson,  they 
are  coming  out  for  "A  Kiss  for 
Cinderella."  They  will  no  doubt 
go  away  pleased  once  more. 

Direction    Herbert   Brenon; 

very  good 

Author    James  M.   Barrie 

Scenario  Willis  Goldbeck  and 

Townsend   Martin 

Cameraman   J.  Roy  Hunt 

Photography    Good 

Locale   London 

Length 9,686  feet 


Charles   Ray  in 

"Sweet  Adeline" 

Chadwick — State   Rights 

REMINISCENT  OF  THE  OLD 
INCE-RAY  COMEDIES  WITH 
CHARLIE  IN  ONE  OF  HIS 
TYPICAL  AWKWARD  COUN- 
TRY BOY  ROLES.  GOOD  LOT 
OF  AMUSING  SITUATIONS 
AND  COMEDY  GAGS. 
Star.  .  .  .In  his  well  known  characteri- 
zation, the  hick  who  takes  the 
worst  of  the  bargain  but  comes 
out  a  winner  in  the  end.  Does  very 
well  and  will  delight  his  admirers. 
Cast.  ..  .Gertrude  Olmstead  a  pretty 
lead.  Jack  Clifford  good  as 
Charlie's  "wise  guy"  brother. 
Others  John  P.  Lockney,  Ida 
Lewis,  Sibyl  Johnston  and  Gertrude 
Short. 
Type  of  Story. ..  .Comedy.  "Sweet 
Adeline"  is  a  story  entirely  remini- 
scent of  the  old  Ince-Ray  pictures 
which  first  gathered  in  success  for 
Charles  Ray.  It  is  the  type  of  pic- 
ture which  made  him  famous  and 
which  he  forsook  for  such  less  suc- 
cessful ventures  as  "The  Courtship 
of  Miles  Standish."  The  hick  char- 
acterization, however,  remains 
Ray's  best  bet  and  at  the  theater 
where  "Sweet  Adeline"  was  re- 
viewed it  seemed  to  go  over  big 
and  held  them  in  spite  of  the  six 
preceding  acts  of  poor  vaudeville. 
It  has  a  good  little  plot,  obvious 
enough,  but  well  constructed  and 
carrying  along  enough  laughs  to 
keep  it  almost  continuously  amus- 
ing. Jerome  Storm  injected  many 
good  touches  and  Ray's  perform- 
ance is  first  rate. 

Story:  Ben  Wilson  is  handicap- 
ped in  his  courtship  of  Adeline  by 
his  wiseacre  brother.  Bill,  who  con- 
tinually domineers  the  younger 
brother.  Bill  even  appropriates 
Ben's  mail  order  suit  and  forces 
Ben  to  wear  his  father's  old  clothes 
to  the  picnic.  Bill's  sense  of  humor 
sends  Ben  to  Chicago  where  he 
tells  him  a  friend  of  his  will  give 
him  a  job  singing  in  a  cabaret.  Ben 
bids  goodbye  to  his  girl  but  in 
Chicago  comes  disillusion.  He  is 
hailed  as  a  big  joke  when  he  at- 
tempts to  sing  "Sweet  Adeline." 
Ben  bucks  the  jeers,  however,  and 
filially  puts  his  song  over  so  well 
that  for  a  closing  shot  you  see  Ben 
riding  of?  in  a  Rolls  Royce  with  a 
chauffeur  and  a  "Just  Married" 
sign  on  the  back. 
Box  Office  Angle...  .Will  please  the 
majority  of  audiences  first  rate. 
Good  box  office  number  for  many 
exhibitors. 
Exploitation. .  .  .Promise  them  a  typi- 
cal Charlie  Ray  comedy  with  plenty 
of  amusing  situations  and  good 
laughs.  They'll  enjoy  Ray's  work 
and  the  quantity  of  laughs  will 
send  them  out  chuckling.  A  trail- 
er will  be  sufficient  to  let  them 
know  what  to  expect.  The  title 
will  tie  up  nicely  with  the  song 
and    can    be    exploited   accordingly. 

Direction    Jerome    Storm; 

effective 

Author    Charles    Banks 

Scenario Not  credited 

Cameraman    Philip    Tanura 

Photography    Good 

Locale    Small  town 

Length 6,000  feet 


"Bluebeard's  Seven  Wives" 

Robt.    Kane    Prod. — First    National 

A  PIPPIN  OF  A  STORY  BUILT 
AROUND  MOVING  PICTURE 
FOLKS.  SHOULD  PLEASE 
THE  FANS  IMMENSELY- 
FULL  OF  GOOD  LAUGHS 
AND   SPLENDID  TITLES. 

Cast Picture    stars    should    be    at 

home  in  the  presentation  of  pic- 
ture stars.  Ben  Lyon  as  Don  Juan 
Hartez,  the  Spanish  lover  of  the 
screen,  is  splendid.  Lois  Wilson 
naturally  sweet.  Sam  Hardy  ex- 
cellent as  Gindelheim,  the  press 
agent,  and  Dan  Pennell  looks  suf- 
ficiently like  C.  B.  De  Mille  for 
the  average  fan  audience  to  get 
"on"  to  the  idea.  Blanche  Sweet 
has  a  trifling  role.  Others  un- 
important. 

Type  of  Story. ..  .Comedy,  really  a 
satire  on  the  movies.  The  authors 
have  poked  a  lot  of  fun  at  notable 
screen  celebrities  such  as  a  great 
director  whose  name  is  B.  C.  Duval 
and  who  has  a  corps  of  "yes"  men 
who  nod  "yes"  at  everything  he 
suggests  and  if  B.  C.  was  turned  to 
C.  B.  it  would  be  easy  to  figure 
who  they  meant.  There  are  many 
excellent  touches  regarding  the 
movies  and  there  is  one  sequence 
where  many  well  known  picture 
stars  and  players  are  presented  just 
as  was  done  in  several  well  paying 
pictures  made  a  year  or  so  ago. 

The  story  tells  of  John  Hart,  a 
bank  clerk  who,  when  fired,  gets 
into  the  movies  and  the  greatest 
of  all  directors  malfl)es  him  the 
greatest  of  all  Spanish  lovers 
through  the  connivance  of  an  en- 
ergetic press  agent.  The  title 
comes  from  the  fact  that  the  press 
agent  makes  Don  Juan  a  modern 
Bluebeard.  After  six  women,  who 
are  married  for  publicity  purposes, 
Don  Juan  revolts  and  marries  Mary 
who  is  swinging  wheat  cakes  in  a 
Child's  restaurant.  The  story 
slows  up  a  trifle  toward  the  finish. 

Box  Office  Angle.... The  names  of 
so  many  stars  plus  the  splendid 
direction  of  Al  Santell  lift  this  into 
a  real  money  maker.  Titles  are  a 
knockout. 

Exploitation. ..  .You  have  got  to  get 
them  in  because  when  they  go  out 
they  are  going  to  be  tremendously 
delighted,  so  work  hard  and  use 
every  possible  idea  to  get  them  in- 
terested. You  might  show  photo- 
graphs of  the  seven  wives  with  Ben 
Lyon,  the  Bluebeard,  and  work  up 
interest  along  these  lines.  But  by 
all  means,  get  them  coming.  They 
will  do  the  rest. 

Direction Al   Santell ;    excellent ; 

many  fine  touches. 

Authors. ..  .Blanche  Merrill  and  Paul 
Schofield. 

Scenario    Same 

Cameraman    Ernest  Haller 

Photography    Good 

Locale  N.  Y. 

Length    7,774  feet 


"Steel  Preferred" 

Producers  Dist.  Corp. 

DARN  GOOD  BOX  OFFICE 
WITH  SEVERAL  THRILLS 
WHICH,  SET  IN  A  STEEL 
MILL,  WILL  PROVE  NEW. 
REGULATION  HERO  TYPE 
WHO  WINS  OUT. 

Cast. ..  .William  Boyd  a  comer  who 
has  had  several  near  "arrivals"  but 
never  seems  to  have  gotten  very 
far.  Likable  and  should  make 
progress.  Very  good  in  this.  Vera 
Reynolds  pleasing  as  the  girl. 
Charlie  Murray  and  William  V. 
Mong  a  jovial  comedy  duet  and 
others  Nigel  Varrie,  villain,  Helene 
Sullivan,  Ben  Turpin,  Walter  Long, 
Hobart  Bosworth. 

Type    of    Story Comedy-drama; 

adapted  from  H.  S.  Hall's  Satur- 
day Evening  Post  story,  "The  Ad- 
ventures of  Wally  Gay."  The  lo- 
cale is  a  steel  mill  and  the  hero  is 
a  steel  worker.  From  this  the  story 
gets  its  name  although  the  "pre- 
ferred" part  isn't  especially  pertin- 
ent. It  is  the  grand  and  glorious 
rise  of  a  hero,  one  of  the  Alger 
type,  who  works  his  way  up  from 
the  bottom  and  overcomes  all  the 
obstacles  put  in  his  path  by  a  jeal- 
ous and  scheming  villain.  There 
are  millions  and  a  girl  to  be  had  by 
the  winner  but  naturally  hero  is 
only  interested  in  the  girl  and  his 
own  success.  The  dollars  weigh 
the  heaviest  with  villain.  The  plot, 
in  spite  of  its  triteness,  develops 
rather  interestingly  and  with  real- 
ism in  the  locations  and  plenty  of 
thrills  in  the  workings  of  the  mill. 
It  should  make  good  fare  for  the 
average  "fan"  crowd.  The  most 
exacting  film  patrons  will  recognize 
a  formula  plot  and  for  them  it  may 
not  hold  up  as  successfully.  Wil- 
liam Boyd  makes  a  likable  hero  and 
that  helps,  too. 

Story:  Wally  Gay's  progress  in 
the  mill  is  hindered  by  Waldron, 
the  jealous  foreman.  Wally's  en- 
gineering plans,  which  are  better 
than  Waldron's  never  reach  Creeth, 
the  owner,  but  Wally's  smile 
reaches  his  daughter  and  later  he 
saves  her  life.  This  sets  Wally 
right  with  Creeth  and  his  plans  are 
accepted.  Waldron  schemes  for  re- 
venge for  his  efforts  are  foiled  by 
Wally's  loyal  but  half-wit  buddy. 
Follows  success  for  Wally  and  his 
marriage   to   the  owner's   daughter. 

Box   Office  Angle Will  do  nicely 

if  you  cater  to  the  average  run  of 
nicture  audiences. 

Exploitation ....  You  can  tallr  about 
the  hero,  who  had  to  contend  with 
the  scheming  of  a  jealous  boss  in 
striving  for  success.  Invite  them 
in  to  see  how  "honesty  is  the  best 
policy."  Idea  might  be  worked  in 
with  catchlines.  They'll  like  Wil- 
liam Boyd.     Use  his  name. 

Direction ....  James  Hogan,  adequate 

Author H.  S.  Hall 

Scenario  Elliot  J.  Clawson 

Cameraman J.  D.  Jennings 

Photography    Good 

Locale    Steel  mill 

Length  6,717  feet 


Extra  Laughs  on  Every  Program  Mean 


EDUCATIONAL 
FILM  EXCHANGES,  Inc. 


Member,  Motion  Picture  Pro- 
ducers and  Distributors  of 
America,  Inc. 

Will  H.  Hays,  President 


Extra  Profits  for  Every  Show  in  1926 


THE  SPICE  OFTHE  PROGRAM' 


No  other  Short  Features  trade-mark  has  ever 
meant  so  much  to  You  as  a  Showman. 

To  your  patrons  the  Educational  Pictures 
trade-mark  is  a  guarantee  of  a  fine  added  attrac- 
tion on  your  program.  For  years  the  pictures 
bearing  it  have  been  the  undisputed  leaders  in 
their  field. 

To  you  it  is  an  assurance  of  Added  Profit 
when  you  show  it  in  your  lobby.  You  know  that 
an  Educational  Picture  will  generally  save  the 
day  when  your  feature  is  a  bit  weak — and  that 
it  will  make  your  best  show  a  little  better. 

And  you  know  you  can  count  on  cooperation 
when  you  book  an  Educational  Picture — the 
best  service,  a  full  line  of  accessories,  complete 
advertising  and  publicity  helps — all  backed  up 
by  consistent  national  advertising. 

Educational  carries  this  ad  in  The  Saturday  Evening 
Post,  January  9th,  to  help  you  build  bigger  business  in 
Laugh  Month. 

Book  (^ducatiCTtaC  Ulctwu^ 

and  Boost  them  for 
Bigger  Profits. 


Vt^^/x 


THE  whole  coun- 
try is  being  en- 
couraged to  make 
1926  a  better  year  by 
starting  it  with  a 
month  of  laughter. 

One  of  the  prin- 
cipal reasons  for 
America's  greatness  is 
her  sense  of  humor— 
her  ability  to  laugh. 

Have  a  good,  hearty  laugh 
every  day  in  January,  and 
the  rest  of  the  year  will 
surely  take  care  of  itself. 

The  moving  pic- 
ture theatres  will  help 
you  by  showing  the 
best  comedies  —  and 
plenty  of  them— in 
January. 

The  Educational 
Pictures  trade-mark 
will  serve  as  your 
guide  to  the  best  in 
comedies  and  other 
Short  Features. 

Watch  for  these 
funny  pictures  in 
LAUGH  MONTH 

HAMILTON  COMEDIES 

LUHNO  LANE  COMEDIES 

BOBBY  VERNON  COMEDIES 

WALTER  HIERS  COMEDIES 

JIMMIE  ADAMS  COMEDIES 

MERMAID  COMEDIES 

CHRISTIE  COMEDIES 

TUXEDO  COMEDIES 

JUVENILE  COMEDIES 

CAMEO  COMEDIES 

LYMAN  H.  HOWES 

HODGEPODGE 

FELIX  THE  CAT  CARTOONS 


EDUCATIONAL 
FILM  EXCHANGES,  Inc. 

E.  W.  Hsmmont,  ^r««iWen( 

Ejeculivt  OfHce» 

370  SEVENTH  AVENUE,  NEW  YORK 


THE 


;5Bg^ 


^ 


DAULY 


Sunday,  January  3,  1926 


Reviews  of  New  Short  Subjects 


"Film   Facts"— Max   Fleischer 
Red   Seal 

Novel  and  Diverting 

Type  of  production. .  1  reel  magazine 
The  first  subject  is  called  "Making 
Hay"  and  the  camera  records  some 
striking  views  of  the  way  hay  is  har- 
vested on  one  of  the  big  western 
farms.  But  before  this  are  shown 
the  more  primitive  methods  as  em- 
ployed even  at  the  present  day  in 
other  countries.  Here  is  a  fine  study 
in  contrasts.  To  those  who  have 
never  seen  the  great  harvesting  ma- 
chine in  operation  in  our  own  coun- 
try, the  views  of  this  wonderful  me- 
chanism will  be  a  revelation.  The 
next  subject  pictures  the  silk  industry 
in  the  Orient,  It  starts  with  the  silk 
worm,  and  shows  how  carefully  they 
are  taken  care  of  until  tfie  time  comes 
when  the  valuable  insect  spins  its 
thousands  of  feet  of  silk  strand  and 
is  then  cast  aside  to  die.  The  in- 
genuity of  the  natives  in  handling 
their  novel  industry  is  pictured  step 
by  step  and  proves  not  only  enter- 
taining but  instructive.  The  reel 
closes  with  an  attempt  to  show  what 
time  means  to  man.  The  hours  he 
spends  at  various  diversions,  relaxa- 
tions and  work  are  averaged  up  and 
amount  to  many  years  in  the  lives 
of  all  all  of  us.  In  this  way  dry  sta- 
tistics are  made  interesting  with 
original  views  of  one  human  being 
who  illustrates  how  the  rest  of  us 
spend  our  lives.  A  well  balanced  reel 
with  a  novelty  slant. 


"The  Gold  Push"— Aesop's 

Pathe 

Clever  Animated 

Type  of  production     1  reel  animated 

cartoon 
Here  we  see  the  hero,  Mr.  Mouse 
and  his  girl  friend  having  their  trou- 
bles with  the  villain,  Mr.  Cat,  who  is 
the  bad  man  in  the  wilds  of  Alaska. 
It  is  a  clever  burlesque  on  the  melo- 
drama of  the  frozen  North.  The  bad 
man  kidnaps  the  girl,  the  Northwest 
Mounted  come  to  the  rescue — and  of 
course  Mr.  Mouse  in  the  end  battles 
with  the  villain  and  licks  him  to  a 
frazzle.  This  idea  of  "kidding"  the 
melodrama  of  the  snow  country  will 
prove  entertaining  to  the  legion  of 
fans  who  never  miss  their  Aesop. 


"Live  Cowards" — Mermaid — Educ'l 

Animal  Comedy  Stunts 
Type  ci  production. .  .  .2  reel  comedy 
Nothint>  new  in  this  offering.  It  is 
all  tried  and  true  material  that  never 
fails  to  get  laughs.  It  concerns  the 
old  situation  of  the  young  married 
couple  visited  by  the  bride's  parents, 
who  have  no  use  for  hubby  and  make 
life  miserable  for  him.  Al  St.  John 
as  hubby  is  cooking  in  the  kitchen 
where  he  gets  his  face  all  blacked 
up.  A  real  darky  comes  on  the  scene. 
The  fun  starts  when  the  wife's  par- 
ents mistake  the  colored  gentleman 
for  the  husband.  Then  the  old  gag 
of  the  relatives  visiting  them  in  a 
swarm  is  dragged  in.  Cousin  Elmer 
arrives  with  his  stranded  menagerie 
The  lion  gets  loose  in  the  house  and 
then  the  fun  becomes  fast  and  furi- 
ous. Some  really  clever  stunts  are 
worked  with  the  lion,  which  will  have 
your  patrons  guessing  how  it  is  all 
accomplished.  Outside  of  this  the 
film  has  nothing  particular  to  recom- 
mend it.  But  the  animal  sequences 
lift   it   from   the   average   rating. 


"Between   Meals"— Hal  Roach 
Pathe 

Highly  Amusing 

Type  of  production  1  reel  comedy 
Paul  Parrott  makes  this  a  breezy 
number  that  carries  a  fine  assort- 
ment of  gags  with  laughs  in  abun- 
dance. He  is  stranded  in  a  town 
with  a  little  pickaninny  for  a  pal. 
They  are  hungry.  A  rich  looking 
gentleman  charitably  leads  them  to 
a  fruit  stand  and  tells  them  to  fill 
up.  As  they  are  about  to  do  so,  the 
cops  appear  and  arrest  the  kind 
stranger  who  is  a  "nut'  'who  spe- 
cializes in  giving  other  people's  prop- 
erty away.  And  so  it  goes.  Every 
time  the  hungry  pair  are  about  set 
for  a  meal,  something  crops  up  to 
leave  them  still  hungry.  Finally  Paul 
gets  hold  of  a  girl's  handbag  cram- 
med with  bills  that  has  been  lost.  A 
gang  of  gunmen  chase  him.  His  ef- 
forts to  elude  them  forms  most  of 
the  entertainment.  A  very  good 
one-reeler  that  is  well  up  to  the 
Roach    standard. 


JUST  IN  TIME 
FOR 


LauchMonth 

THE  BIGGEST,  NEWEST  COMEDY  SUCCESSES—-^ 


'Wide   Open   Faces"— Mack   Sennett 
Pathe 

Amusing 

Type  of  production. ..  .2  reel  comedy 

Featuring  Ralph  Graves,  who 
comes  to  a  western  town  as  the  new 
dentist,  this  offering  carries  a  good 
quota  of  mirth  provoking  situations. 
The  bad  man  who  runs  the  dance 
hall  has  a  girl  who  is  a  regular  vamp 
and  who  starts  to  make  love  to  the 
young  dentist  when  he  treats  her 
teeth.  From  the  street  below  the 
bad  man  and  his  gang  witness  the 
love  scene,  and  start  to  shoot  up  the 
place.  But  the  hero  gets  even  when 
the  gambler  enters  his  office  to  fin- 
ish his  shooting  spree.  The  dentist 
feeds  him  laughing  gas,  then  leads 
him  downstairs  and  exhibits  the  help- 
less creature  to  the  rest  of  the  gang. 
Immediately  the  tenderfoot  becomes 
the  town  hero.  There  is  also  some 
good  fun  with  a  dentist's  chair  which 
the  gambler  hooks  up  to  an  electric 
switch,  when  the  dentist  starts  a 
public  demonstration  of  his  skill  in 
the  dance  hall.  Each  patient  is  given 
a  shot  of  electric  juice  just  at  the 
moment  when  the  dentist  starts  to 
work  with  his  instruments.  The  re- 
sult is  that  the  young  hero  has  his 
hands  full  with  the  suffering  cow- 
boys until  he  discovers  the  trick  that 
the  villain  played  on  him.  Ralph 
Graves  develops  some  real  comedy  in 
this  one.  The  direction  is  good — by 
Lloyd  Bacon — and  the  action  moves 
at  a  lively  pace  without  the  use  of 
slapstick. 


"Ko-Ko  Steps  Out"— Out-of-the-Ink- 

well— Red   Seal 

Recom,mended 

Type  of  production.  . I  reel  animated 

cartoon 

Max  Fleischer  in  No.  9  of  this 
series  still  maintains  his  average  in 
furnishing  novelty  entertainment  that 
has  a  charm  and  humor  all  its  own. 
Ko-Ko  learns  to  do  the  Charleston, 
his  teacher  being  Max  Fleischer's 
daughter  Ruth,  who  is  a  professional 
dancer  and  certainly  proves  that  she 
knows  the  steps.  Ko-Ko  and  his  dog 
are  brought  out  of  the  inkwell  and 
then  from  a  sketch  which  Ko-Ko 
makes  after  borrowing  the  artist's 
pen,  the  living  figure  of  the  dancer 
is  produced.  This  is  another  of 
those  clever  tricks  of  transforming  a 
mere  drawing  into  a  human  being 
which  has  helped  to  make  this  series 
so  popular.  There  is  a  lot  of  variety 
to  this  offering,  for  even  the  artist 
himself  joins  in  the  Charleston.  Very 
clever  and  amusing.     Recommended. 


Comedies/ 


With  Buster  Brown,  Mary  Jane,  and  faithful,  funny, 
old  Tige.  Twelve  of  them — two  reels  each.  Based 
on   the   immortal    ^a'*"nr\<!   hv    R     F.    Outcault. 


SEE  YOUR  UNIVERSAL  EJCCHANCE 


F.    B.    O.    Signs    Cooke    and    Guard 

Al  Cooke  and  Kit  Guard  have  been 
signed  by  F.  B.  O.  for  the  "Fighting 
Hearts"  series.  Larry  Kent  and  Grant 
Withers    are    included    in    the    cast. 


Hal    Roach   Appointed   Major 

Hal  Roach  has  been  appointed  a 
major  in  the  Signal  Corps,  Officers' 
Reserve  Corp. 


Putting  It  Over 


Here  is  how  a  brother  exhib- 
itor puts  his  show  over.  Send 
along  your  ideas.  Let  the  other 
fellow  know  how  you  cleaned 
up. 


Make-Up  As  Exploitation 

Cincinnati,  O. — A  "Stage  and 
Screen  Make-Up  Demonstration"  was 
advertised  in  Sunday  papers  in  con- 
nection with  the  showing  of  "Ro- 
mola"  at  the   Capitol. 

H.  S.  Ansley,  Metro-Goldwyn  ex- 
ploiteer,  who  put  this  one  over,  fol- 
lowed it  up  with  a  shoe-fitting  con- 
test awarding  a  small  pair  of  slippers 
to  the  first  lady  who  could  put  them 
on.  Stills  from  the  picture  and  an- 
nouncements of  the  showing  were  ex- 
hibited in  the  public  library  with 
copies  of  the  George  Eliot  novel  on 
which  the  picture  is  based,  and  one 
of  these  exhibits  was  displayed  in  a 
glass  case  on  the  front  of  the  build- 
ing on  Vine  St.  Photos  of  Lillian 
Gish  occupied  another  case. 

Other  windows  featuring  copies  of 
the  book  were  contributed  by  drug 
and  book  stores,  and  an  elaborate 
window  exploiting  cosmetics  was  se- 
cured in  Mabley  and  Carew  Co.'s 
department  store,  which,  on  this  oc- 
casion, exploited  a  picture  for  the 
first  time. 

A  tralier  was  used  in  the  theater 
and  there  was  a  special  lobby  dis- 
play. 


"Deaf  and  Dumb"  Matinee 

Colorado  Springs,  Colo. — A  "Deaf 
and  Dumb"  matinee  was  the  high 
spot  of  the  exploitation  campaign  for 
"The  Phantom  of  the  Opera"  at  the 
Regent,  put  on  by  Charles  Louns- 
bury.   Universal  man  in  Denver. 

The  matinee  was  attended  by  200 
students  of  the  Colorado  school  for 
deaf  mutes  where  "Chaney's  parents 
attended  when  he  was  a  child"  and 
their  attention  was  called  to  Chaney's 
hand  and  gesture  acting.  The  chil 
dren  marched  from  the  school  to  the 
theater,  two  by  two,  traversing  the 
main  streets  of  the  town,  and  attract- 
iu"  no   small   amount   of   attention. 


The  Three  Bears 

L.  Evans  and  George  Oakes  of  the 
Gotham,  on  Upper  Broadway  put 
over  a  very  effective  stunt  during  the 
showing  of  "The  Lost  World."  Cages 
in  which  were  baby  bears  were  placed 
in  front  of  the  theater.  The  trainer 
at  intervals  would  open  the  cages  and 
the  cubs  would  prance  on  the  side 
walk  under  the  marquee.  The  bear; 
\vere  only  a  year  old  and  were  afcoul 
the  size  of  a  large  police  dog.  They 
also   did   a   dancing  act. 


"Ancient  Mariner"  on   Parade 

Toledo,  O. — A  man  made  up  as 
"The  Ancient  Mariner,"  paraded  the 
streets  for  a  week,  ballyhooing  the 
Temple  engagement  of  the  Fox  pic- 
ture. The  "Mariner"  also  paid  a  visit 
to  each  of  the  department  stores  and 
larger  shops,  making  a  small  purchase 
in  each  one. 


HOLLYWOOD 
HAPPENINGS 


, ITHE 


^}si^m 


vRECOCWZED 

Authority 


B3' 

Warve-^  E.  Qausman  " 


Telephone  Granite  3980 


Sunday,  January  3,  1926 


6411  Hollywood  Blvd. 


Three  Started  at  Warners 
Three  new  productions  were  star- 
ted at  Warners  this  week.  "Leave  It 
to  Me"  is  William  Beaudine's  first 
since  his  return  to  the  lot.  Patsy 
Ruth  Miller,  John  Patrick  and  Mon- 
tagu Love  have  the  leads.  "The 
Grifters"  is  the  title  for  the  produc- 
tion being  made  from  L.  A.  Lan- 
cester's  novel.  The  cast  includes 
Dolores  Costello  and  Dot  Farley, 
Roy  Del  Ruth  directing.  "Why 
Girls  Go  Back  Home"  is  a  Marie 
Prevost  vehicle  which  is  in  produc- 
tion.    James  Flood  is  directing. 


Signs  Cast  for  "Paris  at  Midnight" 

Lionel  Barrymore  has  been  signed 
by  Metropolitan  for  "Paris  at  Mid- 
night," a  new  Frances  Marioil  Prod, 
which  E.  Mason  Hopper  is  directing. 
Jetta  Goudal  has  been  borrowed  from 
Cecil  De  Mille  for  the  leading  femi- 
nine role.  Mary  Brian,  Edmund 
Burns,  Emile  Chautard  and  Lillian 
Lawrence    have    important    parts. 


"Forbidden  Waters,"  Dean's  Next 
With  "The  Danger  Girl,"  Priscilla 
Dean's  first  picture  for  Metropolitan, 
being  edited,  preparations  are  under 
way  for  her  second.  It  will  be  "For- 
bidden Waters,"  an  original  by  Percy 
Heath. 


Virginia  Faire  in  Gibson  Picture 
Virginia  Browne  Faire  will  play 
the  lead  opposite  Hoot  Gibson  in 
"Chip  of  the  Flying  U."  Lynn  Rey- 
nolds will  direct  and  expects  to  start 
work  shortly. 


Lionel  Barrymore  to  Star 

Samuel  J.  Briskin,  of  Banner 
Prod.,  announces  "The  Man  with  the 
Brooding  Eyes,"  by  John  Goodwin, 
to  star  Lionel  Barrymore. 


Paul  Sloane  Ready 

Paul  Sloane's  next  picture,  "Eve's 
Leaves,"  will  go  into  production  early 
in  January,  with  Leatrice  Joy  fill- 
ing the  star  role. 


Marion  Davies  III 

Filming  of  "Beverly  of  Graustark" 
has  been  suspended  for  ten  days  due 
to  an  attack  of  influenza  sufifered  by 
Marion  Davies. 


Neely  EUlwards   Signed 

Neely  Edwards  has  been  signed  by 
Universal  to  portray  the  featured  role 
in  "Do  or  Bust,"  recently  purchased. 


"Soul  Mates".  New  Title 

"Soul  Mates"  has  been  selected  as 
the  release  title  of  the  production 
filmed  as  "The  Reason  Why." 


Dorothy  Revier  with  "U" 
Dorothy  Revier  has  been  engaged 
by  Universal  for  one  of  the  principal 
roles  in  "Poker  Faces." 


Nat  Carr  a  Star 

"Meet  Mr.  Ginsberg"  will  be  the 
title  of  the  first  of  a  series  of  thir- 
teen comedies,  which  will  star  Nat 
Carr. 

James  Madison  is  the  creator  of 
the  new  group  of  pictures,  which  will 
be  known  as  the  Ginsberg  Series. 


Neilan  Signs  Catherine  Owen 

Catherine  Owen  has  signed  a  con- 
tract with  Marshall  Neilan  Prod. 


James  Hogan  Finishes  Picture 
final  scenes  have  been  shot  on 
"The  King  of  the  Turf,"  by  James 
Hogan.  Kenneth  Harlan,  Alan  Ros- 
coe,  Patsy  Ruth  Miller,  Eddie  Phil- 
lips, Mary  Carr,  George  Irving  and 
David  Kirby  are  in  the  cast. 


Peggy   O'Day's   Next 

Peggy  O'Day  has  completed  work 
on  the  script  for  her  second,  "Peggy 
from  Headquarters."  The  original 
was  written  by  Finis  Fox,  who  will 
supervise.  The  picture  is  now  being 
cast. 


Laemmie  to  Direct 

Edward  Laemmie  will  direct  "The 
Whole  Town's  Talking,"  as  his  next 
Universal  productions.  It  will  be 
made  as  one  of  the  specials  on  "The 
Golden  Rule  List." 


In  "The   Blind   Goddess" 
Louise  Dresser,  Jack  Holt,  Ernest 
Torrence    and    Esther    Ralston    have 
been   selected   for   the    cast   of   "The 
Blind   Goddess,"   by   Paramount. 


Now  "The  Lady  of  the  Harem" 

"The  Golden  Journey,"  the  title 
of  the  new  Raoul  Walsh  production 
has  been  changed  to  "The  Lady  of 
the  Harem"  by  Famous. 


Filming  "Prince  of  Pilsen" 

The  production  staff  for  "The 
Prince  of  Pilsen"  has  been  assembled 
and  actual  filming  is  now  under  way 
at  Metropolitan. 


Theda  Bara  Starts 
Theda    Bara    has    started    work   at 
the  Roach  Studios  on  her  first  com- 
edy.    She  is  being  directed  by  Rich- 
ard Wallace. 


Ames   Loaned  to   Famous 
Robert   Ames   has   been   loaned   to 
Famous  by  Cecil  B.  De  Mille  to  play 
the  leading  male  lead,  opposite  Pola 
Negri. 


Alan  Hale  to  Direct  Dean 

Alan  Hale  has  been  borrowed  from 
Cecil  B.  De  Mille  to  direct  Priscilla 
Dean  in  "Forbidden  Waters." 


Alice  Calhoun  Completes  Role 

Alice  Calhoun  has  completed  the 
starring  role  in  "Hill  Folks,"  pro- 
duced by  Alpine   Prod. 


Mrs.   Reid's  New   Picture 

Mrs.  Wallace  Raid  has  selected  the 
cast  for  her  new  production,  "The 
Earth  Woman,"  from  an  original  by 
Norton  S.  Parker.  Priscilla  Bonner, 
Mary  Alden,  Russel  bimpson,  Johnny 
Walker,  William  Scott,  John  Carr, 
Carroll  Nye  and  Young  Butterworth 
will  apear.  Milton  Moore  is  director 
and   cameraman. 


Mix  Begins  Work  on  Next 

Tom  Mix  has  completed  "My  Little 
Pal"  and  has  begun  his  next  produc- 
tion, "Tony  Runs  Wild." 


Morrison  Making  "Hidden  Cabin" 

"The  Hidden  Cabin  "  is  the  Western 
feature  Pete  Morrison  is  now  making 
for  Universal.  Supporting  Morrison 
are  Barbara  Starr,  James  Welsh,  Dick 
La  Reno,  Jr.,  Les  Bates,  Jerome  De 
Gasse,  Milburn  Morante,  Peggy 
Blackwood  and  James  Lowe,  Joseph 
Franz  is  directing. 


Strongheart's  Last  for  Associated 

Howard  Estabrook,  producer  of 
Strongheart  Prod,  states  that  "North 
Star"  in  which  Stuart  Holmes,  Vir- 
ginia Lee  Corbin  and  Ken  Alaynard 
were  cast,  will  be  the  last  Strong- 
heart    for   Associated. 


Marilyn  Mills'  Third 
The  third  feature  which  Marilyn 
Mills  is  making  for  Davis  Dist.  Div. 
has  been  cast.  The  working  title  is 
"The  Heart  of  Paquita."  The  cast 
will  be  headed  by  Walter  Emerson, 
Helen  Bruno,  Robert  Fleming  and 
Floyd  Ames.  William  McGough  will 
direct. 


Acord  Returns  from  Location 

Art  Acord  and  the  company  film- 
insr  "The  Tuneful  Tornado,"  under 
direction  of  Arthur  Rosson,  have  re- 
turned from  location  to  Lone  Pine. 
Olive  Hasbrouck  is  the  feminine  lead. 


Gravina  in  "Monte  Carlo" 

Cesare  Gravina  has  been  engaged 
for  the  role  of  a  Count  in  "Monte 
Carlo,"  which  Christy  Cabanne  is  di- 
recting for  M.-G.-M. 


Phil   Rosen   Starts   His   First 
Phil  Rosen  has  started  work  on  his 
first   production   to   be   made   at   M.- 
G.-M.,    an    original    story    of    France 
during  the  war. 


Finish   "Other   Women's  Husbands" 

Warner  Bros,  have  just  finished 
"Other  Women's  Husbands,"  star- 
ring Monte  Blue  and  Marie  Prevost. 
In  the  cast  are  Huntly  Gordon,  Phyl- 
lis Haver,  Marjorie  Gay  and  John 
Patrick.      Erie    Kenton   directed. 


Anna  Q.  Nilsson  Recovered 

Anna  Q.  Nilsson  has  started  work 
on  "The  Second  Chance,"  which 
Lambert  Hillyer  is  directing  for  First 
National.  She  was  injured  recently 
by    a    fall    from    her    horse. 


Harry  Carey  Enterprises  Formed 

With  the  appointment  of  John  G. 
Rohlja  as  his  business  representative, 
Harry  Carey  has  formed  the  Harry 
Carey  Enterprises,  a  consolidation  of 
his  various  interests. 


Pauline  Stark  Loaned  to  Fox 

Pauline  Stark  has  been  loaned  by 
M.-G.-M.  to  Fox  to  play  the  feminine 
lead  in  "Dangers  of  a  Great  City."  To 
be  directed  by  Chester  Bennett. 


Joy  to  Assist  Richard  Jones 

Billy  Joy,  Leatrice  Joy's  brother, 
has  been  appointed  assistant  to  F. 
Richard  Jones,  director  general  of 
the  Hal  Roach  studio. 


Fox  Signs  Harry  Woods 

Harry  Lewis  Woods  has  just  been 
signed  to  a  long  term  contract  with 
Fox.  His  first  part  is  in  "A  Trip  to 
Chinatown." 


Vidor   Editing   "La   Boheme" 

King  Vidor  is  editing  "La  Boheme" 
and  at  the  same  time  making  prepa- 
rations to  start  "Bardelys,  the  Mag- 
nificent." 


Mae  Busch  Loaned  to  "U" 

Mae  Busch  has  been  loaned  by 
Metro-Goldwyn-Mayer  to  Universal 
to  plav  the  lead  in  "Perch  of  the 
Devil." 


Harmon  in  Langdon  Comedy 
Pat  Harmon  will  play  a  heavy  role 
in  Harry  Langdon's  first  feature  com- 
edy for  First  National. 


STUDIO  SPACE 

For  Independent  Producers 
Excellent  facilities  with  every 
convenience. 


CALIFORNIA  STUDIOS 

1438   Gower  St.,   Hollywood      j 

Jack    Mintx,    Studio    Mgr. 
Phone    HO-0162 


Hubert  with  M.-G.-M. 
E.    Hugh    Hubert   has   been   added 
to  the  scenario  staff  at  M.-G.-M. 


When  in  Hollywood 
stop  at 

THE  NEW  HOTEL  REGENT 

Every  room  avith  Bath  and  Radio 

A  beautifully  appointed  moderately 
priced  hotel. 

In  the  heart  oj  Hollywood 

6ie?  HOLLYWOOD  BLVD. 

Phone:  Holly.  0487 


THE 
DATE 

FEB 

6th 

1926 


Paste  this 

Date  in 

Your  Hat 


AND  DANCE 


Let  the  sirens  shriek  and  cannons  roar — The  big  A.  M.  P.  A.  Annual 
NAKED  TRUTH  DINNER  is  coming  .  .  .  The  Date,  Feb.  6th, 
1926— The  Place,  Astor  Hotel,  New  York  City. 

One  Hundred  and  Seventy-six  high  pressure  A.  M.  P.  A.  Advertising 
and  Publicity  Men  behind  it  with  full  steam  up,  putting  it  over  in  a 
manner  that  will  surpass  any  NAKED  TRUTH  DINNER  in  history. 

2 — Famous  Jazz  Orchestras  — 2 

Two  of  New  York's  famous  orchestras  for  constant  and  continuous 
dancing  till  early  dawn  .  .  .  (When  one  stops  the  other  starts). 
The  "Eye  and  Hoof  affair"  of  many  seasons  .  .  .  100  tables — 100 
stars  including  the  12  immortals  of  the  Motion  Picture  Industry. 

(Note) — Owing  to  the  unprecedented  demand  for  tickets  to  last  year's  A.  M.  P.  A. 
NAKED  TRUTH  DINNER,  the  Committee  advises  that  all  desiring  tables  or  tickets 
make  reservations  without  delay.  Address  your  requests  to  Charles  Einfeld,  care  of 
First    National    Pictures    Corp.,    383    Madison    Avenue,    New    York    City.      Let's   go!!! 


THE 
PLACE 

ASTOR 

HOTEL 

GRAND 

BALL 

ROOM 

New  York 
City 


rfk«i 


THE 


Sunday,  January  3,  1926 


11 


VI 


In  Eastern  Studios 


Hugh    Dierker    Starts    "Hearts" 

Hugh  Dierker  has  started  a  new 
picture  for  MacFadden  Prod.,  tem- 
porarily titled  "Hearts."  In  the  cast 
are  Bradley  Barker,  Ruth  Stonehouse, 
Sigrid  Holmquist,  and  Barney  Sherry. 
Fred   Chasten   is  cameraman. 


Change  Title  on  Dix'  Picture 
Richard  Dix'  latest  for  Para- 
mount, now  in  production  will  be 
called  "Batchelor  Troubles"  instead 
of  "Let's  Get  Married"  as  originally 
planned. 


Tom  Meighan  Back 

Tom  Meighan  and  company  have 
returned  from  location  in  Florida 
where  they  were  filming  "The  New 
Klondike."  Interiors  are  being  shot 
at  the  studio. 


Sarecky  Off  for  Locations 

Louis  A.  Sarecky,  business  man- 
ager of  the  Herbert  Brenon  unit, 
sailed  on  the  Paris  for  France  where 
he  will  prepare  the  way  for  Brenon 
and  the  company  filming  "Beau 
Geste." 


May  McAvoy  in  "The  Savage" 

May  McAvoy  has  taken  the  part 
■  previously  announced  for  Dorothy 
'     Mackaill  in  "The  Savage,"  which  will 

go    into    production    on    the    7th    at 

First  National. 


Tenth  Week  on  "Men  of  Steel 

"Men  of  Steel"  is  now  in  the  tenth 
week  of  production.  Eight  weeks 
were  spent  on  location  and  the  com- 
pany is  now  working  at  the  First 
National  studio. 


New  Title  for  Menjou  Picture 

"A  Social  Celebrity"  is  the  title 
of  the  Menjou  picture  being  filmed 
at  Paramount.  It  was  formerly  called 
"I'll  See  You  Tonight." 


King  Will  Direct  Bennett  Picture 

Whitman  Bennett  has  assigned 
Burton  King  to  direct  "The  Cleaner 
Flame,"  with  Bernard  McEveety  as- 
sisting. 


School  Players  at  Lake  Placid 

The  Paramount  School  Players  are 
in  Lake  Placid  where  they  are  shoot- 
ing scenes. 


Monte    Blue    Here 

Monte  Blue  is  in  New  York  for  a 
vacation. 


Wheeler  a  Federated  Manager 
Pittsburgh — J.  C.  Fishman  has  an- 
nounced the  appointment  of  Samuel 
N.  Wheeler  to  the  managership  of 
the  Federated  exchange,  succeeding 
A.  M.  Goodman,  who  goes  to  the  De- 
troit exchange  in  a  similar  capacity. 
Wheeler  was  formerly  city  salesman 
for  the  Federated  exchange. 


Barcli,  Schenectady  to  Change  Policy 

Schenectady,  N.  Y.  —  The  Barcli 
will  change  its  policy  on  Jan.  1,  be- 
coming a  second  run  house  with  four 
changes  a  week. 


Rialto,    Glens   Falls,    Reduces  Prices 

Glens  Falls,  N.  Y.— The  Rialto  has 
reduced  its  admissions  to  20  and  30 
cents.  It  shows  pictures  and  vaude- 
ville. 


The  Week's  Headlines 

Monday 

Chicago  spends  $15,000,000  for  1925  amuse- 
ments   as    aganist    $18,000,000     in     1924. 

Generally  prospersous  conditions  in  indus- 
try   reflected    in    steady    rise    of    stocks. 

Eve  Unsell,  scenarist,  asks  if  exhibitors  can 
analyze  patrons  and  book  types  of  pictures 
accordingly 

FILM  YEAR  BOOK  shows  1,227  motion 
picture  theaters  operating  in  New  York 
State. 

Tuesday 

Famous  may  build  three  theaters  on  New 
York's  East  Side.  Loew  contemplating  one, 
also. 

"Ben  Hiu-"  opens  tomorrow  at  the  Cohan. 

Wednesday 

New  South  Wales  passes  25  per  cent  income 
tax  law  against  foreign  and  therefore  Am- 
erican pictures.  Hays  office  protests  to 
State   Department. 

Central  Ass'n  of  Germany  Industry  draws 
up    new    "Kontingent"    restrictions. 

National  Board  of  Review  to  meet  here  Jan. 
28-30,  Means  of  aiding  exhibitors  on 
worthwhile   films  to   be  discussed. 

Consolidated  Realty  and  Theaters  Corp.  of- 
ficals  numbering  thirteen  indicted  for  al- 
leged misuse  of  mails.  Circuit  once  im- 
portant in   Indiana. 

Centralization  of  St.  Louis  theaters  and  more 
exhibitor  representation  for  producers  dis- 
tributors   looked    for    in    1926. 

British  trade  expected  to  introduce  new  quota 
plan   to    offset   Government   interference. 

FnMix  The.iUrs  to  operate  new  J.if-O  seat 
theater  in   Denver. 

Thursday 

Metro-Goldwyn-Mayer  and  Famous  reported 
in  control  of  Ufa  with  Universal  a  pos- 
sible  participant. 

Fox  to  build  first-run  in  Brooklyn  near 
Strand  and  Loew's  Metropolitan. 

M.  P.  Commission  of  New  York  asks  for  ad- 
litiiiiial    In-i'get    for    next    year. 

Famous  reported  after  acquisition  of  United 
Studios,  Hollywood. 

Again  reports  state  Metro-Goldwyn-Mayer 
will  produce  in  London. 

"Don  Juan"  first  picture  for  Warner  road 
show  unit. 

Coast  studios  to  spend  millions  on  improve- 
ments next  year. 

Ascher  Bros,  busy  on  $23,000,000  Chicago 
theater   building  program. 

Tirty  or.*  t!  taters  in  cons  r'..;;ion  in  ard 
around    Ntu-    York. 

Friday 

New    Year's   Day. 

Saturday 

Universal  to  participate  with  Famous  and 
M.-G.-M.  in  Ufa  deal.  Ufa  to  make  pic- 
tures situable  for  this  market,  each  com- 
pany  to    handle   five. 

J.  Gordon  Edwards,  Fox  director,  dies  sud- 
denly. 

P.  D.  C.  expanding  on  the  Continent.  Many 
new   offices   to    open. 

Sourtland  Smith  joins  Fox  Theaters  Corp. 
Carl  E.  Milliken,  former  governor  of 
Maine,    his    successor   at    Hays    office. 


Peck  on   Quota  System 

Ottawa  —  Raymond  S.  Peck  in  a 
conversation  with  Col.  John  A.  Coop- 
er of  Toronto,  president  of  the  M. 
P.  Dist.  and  Exhib.  of  Canada,  rela- 
tive to  the  quota  situation,  explained 
that  he.  personally,  was  not  in  favor 
at  the  present  time  of  the  application 
of  a  quota  system  in  Canada. 


Goldflam,  K.  C.  Manager  for  Arrow 

Kansas  City — Sam  Goldflam  has 
been  appointed  manager  in  charge  of 
sales  of  Arrow  productions,  which  are 
to  be  distributed  in  this  territory 
through  the  Independent  Film  Corp. 
He  was  formerly  manager  of  the 
Tenth  Street  theater. 


Nova  Scotia  to  Get  New  Censors 

Halifax — Following  the  reorganiza- 
tion of  the  Board  of  Censors  for  New 
Brunswick,  announcement  has  been 
made  here  that  the  Censor  Board 
for  Nova  Scotia  has  been  dissolved 
and  new  members  are  to  be  appointed 
for  1926. 


Foreign  Expansion 

(Continued  from  Page  1) 
of  Film  Aktiebolaget  Tule,  P.  D.  C.'s 
former  distributor  there.  Lars  Bjorck 
is  taking  charge  and  will  preside  over 
distribution  in  Norway,  Sweden  and 
Denmark. 

_  Outright  sales  were  made  in  prac- 
tically each  of  the  remaining  coun- 
tries of  Europe,  it  being  P.  D.  C.'s 
preference  to  sell  direct.  A  contract 
covering  Holland  was  closed  with 
Loet  C.  Barnstyn  of  the  Hague.  A 
contract  was  also  closed  for  Spain. 

Vogel  also  arranged  the  opening 
of  a  P.  D.  C.  exchange  in  Geneva 
for  distribution  in  Switzerland.  Joe 
Marius  Boimond,  who  opened  the 
Fox  office  in  Switzerland  is  in  charge. 

This  time  the  itinerary  included 
England.  France,  Switzerland.  Ger- 
many, Sweden,  Italy,  Czecho-Slo- 
yakia,  Austria  and  Hungary.  Speak- 
ing of  England,  Vogel  said: 

"An  indication  of  the  progress  of  our 
organization  is  making  is  the  pre-lease  en- 
gagement of  "The  Road  to  Yesterday"  at 
the  Tivoli,  London,  which  is  to  open  Jan. 
11.  Twelve  of  the  first  series  of  fourteen 
productions  have  now  been  trade  shown ; 
owing  to  the  advanced  booking  system  thi* 
regular  releases  will  start  there  in  March. 
Incidentally  the  British  theaters  tre  again 
doing  a  splendid  business  Ibis  season — larger 
apparently   than  even  that  of  l.-if,t   vear. 

"When  I  arrived  in  Germany  I  found 
that  our  new  manager,  Walter  W.  Kofeldt. 
who  arrived  in  Berlin  early  in  October,  had 
already  established  offices  at  Krausenstrasse 
70,  1.  This  office  is  primarily  to  be  con- 
ducted for  the  sale  of  our  various  pictures 
in  Central  Europe  excepting  Germany,  where 
distribution  has  already  been  o.nangjd  with 
National  Film  A.  G.  of  Uerlii.  Duiing  my 
stay  in  Berlin  the  sales  comii.iny  wis  le^is- 
tered   under  the  name  of  P.   D.    C,   G.n-..b.H. 

"It  was  interesting  to  note  that  the  public 
there  was  very  much  interested  in  the  im- 
provemenls  taking  place  in  the  theater  field 
itself  within  three  or  four  months  since  I 
had  last  been  in  Berlin,  Some  more  new 
first  run  theater  construction  has  been  started 
and  a  number  of  leading  old  fashioned  film 
theaters  were  modernized  along  American 
lines,  notably  the  Ufa  Palast,  Berlin's  largest 
motion  picture  theater.  Whereas,  until  re- 
cently, this  theater  had  the  atmospncre  nf  a 
barren,  cold  walled  enclosure,  with  a  classical 
orchestra  that  rendered  music  usuall;'  un- 
related to  the  subject  matter  being  screened, 
with  one  minute  stops  between  reels,  while 
its  one  projection  machine  was  being  threaded, 
today  this  theater  has  a  75  piece  orchestra 
under  the  direction  of  Erno  Rapee,  rendering 
music  that  interprets  the  photoplay  and  syn- 
chronizes   with    its    action." 


Smith  Joins  Fox 

(Continued  from  Page   1) 

of  Christ  in  America.  He  is  a  mem- 
ber of  the  Board  of  Directors  of  the 
Religious  M.  P.  Foundation.  Upon 
completing  his  term  as  Governor,  he 
took  up  motion  pictures  as  a  social 
force.  With  a  group  of  Maine  men 
he  produced  a  series  of  pictures  from 
outdoor  stories  under  the  name  of 
Pine  Tree  Pictures,  Inc. 


Gordon  Edwards  Dead 

(Continued  from  Page  1) 
There   Was,   The   Light   and   The   Lone   Star 
Ranger. 

1920 
Heart   Strings,  The   Orphan,  Wings  of  the 
Morning,   The   Adventurer,   If   I    Were   King 
and   The  Joyuos  Troublemaker. 
1921 
Drag   Harlan,   His   Greatest   Sacrifice,   The 
Scuttlers    and    The    Queen    of    Sheba. 
1922 
Nero. 

1923 
The    Silent    Command. 
1924 
The   Net,   The    Shepherd    King  and    It    It 
the  Law.  » 


The  Ufa  Situation 

(Continued  from   Page    1) 

G.-M.  will  share  in  the  profits  from 
such  houses.  S.  R.  Kent  and  Leo- 
pold Friedman  will  leave  here  on  Jan. 
6  for  the  States. 

"The  Times"  declared  yesterday 
the  deal  was  closed  following  an  all 
night  conference  between  Ufa,  Carl 
Laemmle  and  Famous  and  Metro- 
Goldwyn-Mayer  officials  and  was  rati- 
fied a  few  hours  later  by  the  Ufa 
stockholders,  which  held  their  annual 
meeting  Wednesday.  That  paper  re- 
ports the  terms  were  as  follows: 

"Acting  in  close  combination.  Famous 
Players  and  Metro-Goldwyn  ha've  agreed  to 
advance  $'l,COO,000  to  Ufa  in  exchange  for 
the  distril  ution  of  their  pictures  in  its  the- 
aters, which,  however,  they  must  share  with 
Unive-.sal  in  return  for  that  corporation's  re- 
linquishment of  the  contract  entered  into 
with  Ufa  several  months  ago  by  Max 
Schach,  Mr.  Laemmle's  Berlin  representa- 
tive. 

"Laemmle  withdraws  the  credit  of  15.000,- 
000  marks  he  was  prepared  to  grant  the  Ger- 
man company  under  his  original  agreement, 
and,  moreover,  he  is  relieved  of  any  obUga- 
tion  to  place  German  films  on  the  American 
market.  Since,  on  the  other  hand,  he  is  en- 
abled to  supply  a  considerable  perc.»ntat;e  of 
the  total  number  of  American  o.ctures  Ufa 
unde  lakes  to  release  in  Germany,  he  appears 
to  have  emerged  from  the  deal  most  advan- 
tageously 

"They  (Famous  and  M.-G  -M.)  also  con- 
tract to  produce  one  or  two  big  features  an- 
nually in  collaboration  with  Uia  nnd  to  re- 
lease in  their  American  theateis  ten  German 
productoins  a  year  on  cotidi'.ion  t"iat  the 
German  pictures  are  'suitable  to--  American 
taste'." 

"The  World"  cable  states  the  deal 
permits  Universal  to  escape  the  obli- 
gation to  take  German  pictures  for 
America.  The  Laemmle  deal,  accord- 
ing to  this  paper,  obliged  Uni/ersal 
to  take  one-third  of  the  Ufa  output 
for  rclpp.se  in  America.  Now  Fam- 
ous and  M.-G.-M.  step  forward  as 
.'inanciers  and  make  the  $4.;K)'i,000 
loan  1 1  7]A  per  cent  on  a  ten  year 
basis. 

"The  American"  said  yesterday  the 
deal  calls  for  the  erection  of  joint 
theaters   in   Germany." 


STENOGRAPHER 
WANTED 

High  school  graduate  with  at 
least  two  years'  experience. 

Must  be  accustomed  to  taking 
fairly  rapid  dictation  with  abil- 
ity to  turn  out  neat  and  ac- 
curate letters. 

One  with  motion  picture  ex- 
perience preferred,  but  not  es- 
sential. 

Give  age,  experience,  nation- 
ality and  salary  expected. 

All  communications  will  be  held 
in  absolute  confidence. 

This  ad  is  not  placed  by  any 
producing  or  distributing  or- 
ganization. 

Address 

WORTHWHILE 

c/o  FILM  DAILY 

1650  Broadway,  N.  Y.  C. 


DAILY 


■91 


Sunday,  January  3,  1926 


Newspaper    Opinions 
New  York 

"Ben  Hur" 

Metro-Goldwyn-Mayer 

Cohan  Theater 

AMERICAN— For  ten  years  "Ben  Hur" 
has  been  planned.  For  three  it  has  been  in 
actual  production.  We  hasten  to  say  that 
it  is  well  worth  waiting  for. 

The  producers  have  approached  a  difficult 
subject  with  reverence  and  understanding. 
The  Nativity  scenes  are  strangely  beautiful, 
with  the  first  technicolor  that  we  can  praise 
with  real  enthusiasm.  Again  and  again  the 
audience  broke  through  its  hush  with  loud 
applause.    •  •  * 

As  a  spectacle,  the  film  is  magnificent. 
Scene  a-fter  scene  of  tremendous  scope  is 
flashed  on  the  screen.   *     ** 

Any  one  of  a  dozen  sequences  of  "Ben- 
Hur"  would  have  made  a  talked-of  picture. 
Yet,    though    they    have    all    been    piled    into 

one   huge   production,   there   is   no   confusion. 

*  #  • 

"Ben-Hur"  has  been  filmed  with  power 
and  taste.  As  we  have  said,  it  was  well 
worth   waiting   for. 

DAILY  MIRROR— "Ben  Hur"  is  a  mag- 
nificent, lavish  production.  It  bears  the  im- 
pressive stamp  of  its  six  million  dollar  ex- 
penditure and  stands  in  isolated  grandeur  as 
the  supreme  mechanical  achievement  of  the 
silver   sheet. 

Ramon  Novarro  scores  a  sensational  hit 
as  Ben  Hur — heroic,  handsome,  sincere,  ar- 
rogantly  youthful   and   fearless.    •   *   • 

Around  this  adventurous  youth  surges  a 
beautiful  story,  handled  with  rare  deftness 
and  reverence  by  June  Mathis  and  Carey 
Wilson.  The  pinnacle  of  its  splendor  is 
reached  wifh  the  chariot  race.  •   •   ♦ 

It  is  magnificent.  The  greatest  thing  we 
have  ever   seen   on   the   screen   of   its  kind. 

The  picture   has   been   deftly   cast,    •  *  • 

EVENING  JOURNAL— Beautifully  pre- 
sented, magnificently  made  •  *  •  three  years 
in  the  making — and  it  was  worth  waiting  for. 

There  are  such  elaborate  details,  so  many 
sets  of  splendor,  that  the  first  night  audience 
applauded  scene  after  scene.  But  the  thrill 
of   the   evening   was   the   chariot   race — *  *  • 

The  role  of  the  Madonna  is  marvelously 
portrayed  by  Betty  Bronson,  and  the  Nativ- 
ity scenes,  done  in  delicate  coloring,  are 
wonderful.    •   *   • 

It  is  a  wonderful  picture,  with  a  splendid 
cast  •  •  •  And  the  chariot  race  is  unforget- 
table— -a  sequence  that  makes  motion  pic- 
ture history. 

EVENING  WORLD— It  is  a  spectacle  on 
a  grand  scale  •  *  *  But  the  very  magnifi- 
cence of  the  production  seemed  to  dwarf  the 
individual  actors  and  to  make  their  efforts 
less  effective  than  they  might  have  been  in 
simpler    surroundings.    *  ♦   * 

Some  of  the  most  charming  and  effective 
scenes  were  in  the  opening  sequence  dealing 
with  the  Nativity.  •  •  •  The  handling  of 
the  mob  scenes,  and  the  long  shots  of  crowds 
were  perfectly  managed  and  beautifully 
photographed.  The  sets  were,  if  anything, 
more  than  adequate.  The  sea  battle  with 
the  pirates,  the  galley  slaves  at  their  oars, 
and  the  great  chariot  race  were  striking  ex- 
amples of  the  fields  in  which  the  motion  pic- 
ture is  supreme.  It  is  the  only  medium 
for   recording   such    effects. 

HERAED-TRIBUNE  —  •  •  •  we  are 
tempted  to  write  that  the  chariot  race  in 
"Ben  Hur,"  •  *  •  is  the  biggest  thing  ever 
done  in  pictures.  •  •  • 

Ramon  Novarro  plays  Ben  Hur  and  he  is 
magnificent.   •  •  • 

Each  player  deserves  a  favorable  notice 
of  his  own.  so  fine  was  every  one.  •  •  • 
But  we  haven't  the  time  or  the  space  to 
give  it  to  him  now.  And  that  brings  us  to 
the  only  two  complaints  we  have  to  make. 
From  our  point  of  view,  "Ben  Hur"  is  too 
long    and    too    complicated.    •  •  • 

It  isn't  that  "Ben-Hur"  isn't  one  of  the 
greatest  things  that  ever  has  been  put  on 
the  screen.  It  is.  It's  too  great.  One, 
or  at  least  this  one  cannot  assimilate  it.  We 
are   still   dazed. 

Our  list  of  "imperatives"  is  piling  up, 
but  whatever  you  do,  don't  miss  "Ben  Hur." 

POST— The  chariot  race,  be  it  told,  is 
considerably  more  impressive  than  it  used  to 
be  on  the  old  stage  treadmill.   •  •  • 

As  a  spectacle  "Ben  Hur"  is  mighty 
enough — its  mob  scenes  are  well  handled  and 
often  brilliantly  done.  The  rest  is  dull,  life- 
less and  unconvincing,  sometimes  to  an  em- 
barrassing degree.  A  cast  of  notables  of  the 
screen  world  wanders  through  the  picttire 
with  evident  good  intentions  but  little  inspira- 
tion.  •  •  • 


SUN — The  settings  are  lavish  and  large, 
and  several  scenes — notably  those  of  the  Vale 
of  Lepers,  tlje  galley  slaves  and  the  shep- 
herds in  the  desert — are  quite  beautifully 
composed    and    striking. 

The  affair  reaches  its  highest  peak,  of 
course,  in  the  chariot  race — which  is  un- 
questionably the  most  dynamically  staged 
chariot  race  in  which  Ben-Hur  ever  rode  to 
victory.    *  *  *    It   is   good.    ♦  *  • 

Most  of  the  religious  episodes  *  *  •  are 
done  in  colored  photography,  but  stained 
glass  window  still  retain  their  artistic  su- 
premacy. Fred  Niblo  directed  "Ben-Hur." 
He  offers  no  striking  innovations — outside 
of  photographing  certain  scenes  of  the  char- 
iot race  from   a  pit   underneath   the  chariots. 

TELEGRAM— Unversed  but  open-minded 
we  went  to  see.  And  we  stayed  open- 
mouthed  and  open-eyed  to  marvel  at  the 
most  extravagant  and  staggeringly  spectacu- 
lar pictorial  pageant  in  the  history  of  the  un- 
spoken drama.   •  •  • 

Every  lover  of  the  silver  screen  will  walk 
a  mile  to  see  this  picturization  of  "Ben  Hur." 
Bewildered  eyese  will  blink  as  scene  upon 
impressive  scene  is  flashed  before  them.  *  •  • 

But  of  all  the  scenes  the  most  vivid  and 
intense  of  all,  the  most  ambitious  and  elec- 
trifying, is  the  chariot  race  in  the  Great 
Circus    of    Antioch.    *  *  • 

The  performance  is  magnificent,  and  Fred 
Niblo's  chariot  race  "will  go  down  in  motion 
picture  )<(story  as  one  of  its  most  remarkable 
achievements.  *  *  *  "Ben  Hur"  is  a  long 
production,  and  the  action  is  not  all  keyed 
to  the  acute  pitch  of  the  chariot  race.  •  •  * 
Particularly  during  the  first  half  of  the  pic- 
ture there  are  moments  where  it  drags  con- 
siderably. But  in  the  latter  part  it  picks 
up  again,  and  the  interest  is  conscientiously 
sustained. 

TIMES — As  a  film  spectacle  it  is  a  mas- 
terpiece of  study  and  patience,  a  photodrama 
which  is  fTIlcd  with  so  much  artistry  that  one 
would  like  to  ponder  over  some  of  the  scenes 
to  glean  all  that  is  in  them,  instead  of  see- 
ing just  that  passing  flash.  Ordinary  con- 
ventional methods  have  for  tlie  most  part 
been  discarded  by  Fred  Niblo,  *  *  *  it  is 
plain  that  the  stupendous  photographic  feat 
was  in  reproducing  the  sea  fight,  which  was 
filmed  in   the  Mediterranean. 

This  comes  in  the  first  portion  of  the 
production  and  it  is  put  forth  with  amazing- 
ly   fine    effect.    ♦   *   * 

The  famous  chariot  races  have  been  de- 
picted so  thrillingly  that  this  chapter  evoked 
no   little  applause.   •  •  • 

Ramon  Novarro,  who  plays  the  part  of 
Ben-Hur,  is  a  sturdy,  handsome  young  chap, 
with  an  excellent  figure.  His  performance 
is  all  that  one  could  wish,  for  he  is  fervent 
and  earnest  throughout.   •  •  • 

WORLD — And  this  is  a  cinema  which  re- 
flects upon  its  makers  the  utmost  credit. 
•  *  *  "Ben-Hur"  comes  out  a  film  drama 
scenically  superb,  dramatically  weak  land 
pictorially  a  thing  of  rich  and  surpassing 
beauty.  *  *  *  it  did  seem  to  me  that  over 
long  periods  of  time  a  constant  determina- 
tion to  reproduce  illusions  of  bigness  *  •  * 
overshadowed,  and  unwisely  so  from  the 
standpoint  of  the  drama,  the  poignant  ro- 
mantic attachment  as  between  that  splendid 
Jewish  lad  and  Esther,  •  •  •  Still,  it  may 
be  that  volume  was  the  aim  *  *  *  If  this 
is  the  case,  then  in  this  respect  "Ben-Hur" 
takes  rank  in  the  very  fore  ranks  of  all 
screen  plays  which  I  have  seen.  With  its 
size   no  man   may   quibble. 

In  the  splendor  of  its  individual  "painting" 
— panels  in  color  of  views  from  the  Biblical 
pajBsages  of  Jesus's  communion  with  his 
followers — "Ben   Hur"   is  of  utter   loveliness; 


"A   Kiss  for  Cinderella" 

Paramount 

Rivoli 

AMERICAN—*  »  *  again  Herbert  Brenon 
has  attempted  to  film  a  Barrie  play,  and  again 
he  has  succeeded.  The  sentimentality,  of 
course,  could  have  been  carried  away  in  buck- 
ets. But  it  was  whimsical  sentimentality  and 
not   too   awfully   sweet.    *    •   • 

DAILY  MIRROR—*  *  *  faithfully  pictur- 
izes  the  whimsy  and  charm  that  is  Sir  James 
Barrie's.  Director  Herbert  Brenon  makes  of 
the  fantastic  royal  ball-room  scene  a  gem  of 
beauty    and    dainty    humor. 

But  he  fails  to  inspire  sympathy  for  Betty 
Bronson  in  the  leading  role  of  Cinderella,  or 
Cinders.    *    ♦    • 

DAILY  NEWS—*  *  *  Betty  Bronson  is 
an  elf.  She  is  not  pretty,  except  for  her 
lovely  nose  and  her  tiny  feet  and  hands,  but 
she  has  more  than  picture-card  beauty.  Hers 
is  a  wistful,  mysterious  charm  that  wholly  en- 
trances.    Take  your  children  to  see  her.  •  •  ♦ 


EVENING  JOURNAL—*  *  *  Herbert 
Brenon,  who  made  "Peter  Pan"  last  year,  di- 
rected this  production,  and  the  dream  ball  se- 
quence   is   wonderful. 

Children  will  revel  in  it,  for  it's  beautifully 
done.    *   *    * 

EVENING  WORLD—*  *  *  The  stage 
could  not  show  hundreds  of  people  at  the  ball, 
with  a  hall  room  larger  than  any  theater,  let 
alone  any  stage.  ♦  •  ♦  The  set  is  an  achieve- 
ment in  itself.  It  is  something  such  as  never 
appeared  on  land  or  sea  except  in  the  Para- 
mount studio  and  in  the  minds  of  Barrie  and 
Brenon. 

The  whole  picture  is  good.  This  scene  is 
gorgeous,  and  well  worth  the  price  of  admis- 
sion.   »    ♦    ♦ 

GRAPHIC—*  *  *  Betty  Bronson  seems  to 
be  an  inspired  Cinderella.  Having  seen  Miss 
Bronson  interpret  the  role,  we  can't  imagine 
only  one  doing  it  half  so  well.  She  has  a 
fine  sense  of  dramatic  values  and  her  close- 
ups  disclose  the  fact  that  a  good  deal  of  her 
acting   is   mental.    •   *   ♦ 

HERALD-TRIBUNE—*  *  *  There  is  no 
way  around  it — ^"A  Kiss  for  Cinderella"  is 
another  perfect  picture.  It  appeals  to  the 
heart,  to  the  eye  and  to  the  love  of  fairy  lore 
V  hich  none  ever  loses — if  he  is  fortunate. 
Betty  Bronson  is  inspired — she  is  a  genius! 
We  felt  like  standing  up  in  the  theater  and 
shoutine   "Brava!"    ♦    *    • 

MORNING  TELEGRAPH—*  *  ♦  adroitly 
raptures  the  whimsical  charm  of  the  noted 
Scot,  yet  it  remains  at  all  times  substantially 
interesting.  It  is  not  whimsy  for  the  few,  but 
good  hox  office  for  the  many.  Every  one  con- 
cerned in  it  has  earned  the  big  star  that  caps 
the  ton  of  the  Christmas  tree  ♦  *  * 

POST—*  *  *  Miss  Bronson  endows  the 
little  slavey  with  the  imagination  and  charm 
of  a  true  Barrie  Character,  and  she  has  al- 
most, we  think,  lost  her  earlier  self -conscious- 
ness before  the  camera,  noticeable,  now  and 
t^ien.  in  several  of  her  former  pictures.  Miss 
Bronson  is  interesting,  and  she  is  especially 
so   ufHer   the   direction   of    Mr.   Brenon.    •    *   • 

SITN — *  *  *  some  good  acting  by  Betty 
Bronson  and  the  ever  dependable  Tom  Moore, 
some  lovely  picturesoue  pageantry  and  a  mod- 
erate miota  of  the  famous  Barriesque  quaint- 
ne«s.  This  latter  element  is  present  princi- 
pallr  in  the  substitutes- -rather  than  in  the 
pirt^rinl    elements.    *    •    • 

TELEGRAM—*  *  *  Children  and  those 
men  who  possess  any  centle  strain,  any  love 
of  poetry  and  whimsicalitv  (the  word  was  in- 
evitable!) should  delight  in  the  film  Women 
packed  the  Rivoli,  lauehing  soimdly  and 
broadly  at  the  detailed  fulfilment  of  the  lit- 
tle  slavev's  everv  whim   »   •   • 

TIMES- *  •  •  he  CHerbert  Brenon't  has 
produced  a  marvelous  rendition  of  the  Barrie 
play.  He  has  crowded  most  cleverlv  into  a 
comparatively  short  sequence  an  unbelievably 
ioyous  conception  of  Cinderella's  ball.  It  is 
a  eorgeous  piece  of  work  in  which  the  '■amera 
wizard  and  the  stage  designer  have  ably  sup- 
ported   Mr.    Brenon.    •    •    • 

WORLD — *  *  •  is  .■>  much  better  nictnre 
play  than  was  "Peter  Pan"  In  it  there  is 
expressed  a  very  definite  feeling  fnr  the  d^- 
sisrn  of  fantasy  in  picture  form.  It  is  easily 
the  most  refined  and  T"n=t  cha'-acteri^tic  n^-r- 
formance  vet  given  by  *he  small  and  delight- 
ful  Miss   Bronson   .*   •   • 


Out-of-Town 

"The  Big  Parade" 
Garrick.  Chicago 

AMERICAN—*  •  *  a  war  drama  that  is 
different  I  Here  is  an  American  epic  of  the 
conflict  in  which  humor  is  as  prominent  a 
factor   as   the  love  theme.    •  *  • 

The  story  of  "The  Big  Parade"  is  frank, 
but  the  humor  prevents  any  attempt  to 
dwell    on   brutality.      It   is   really   a    very   sim- 


ple tale,  too,  and  therein  lies  another  reason 
for  the   film's   greatness.    *  *  * 

HERALD  AND  EXAMINER— *  *  *  real 
cinema.  It  plays  the  game.  It  does  not 
combat  popular  prejudices  and  superstitions ; 
doesn't  bite  the  hand  that  feeds  it.  Indeed, 
I  should  hesitate  to  follow  the  example  of 
the  New  York  reviewers  who  hailed  "The 
Big  Parade"  as  a  masterpiece.  A  good  show 
doesn't  have  to  be  a  masterpiece  to  be  a 
good  show ;  too  good  to  be  ruined  by 
puffing.    »   *   * 

JOURNAI^-*  *  •  Hundreds  of  trucks, 
applauded  planes,  townfuls  of  villagers, 
dozens  of  motorcycles,  the  homely  gas-masks, 
the  dugout.  No  Man's  Land,  a  hamlet  of 
corpses,  everything  is  piled  onto  the  screen 
by  a  lavish  directorial  hand  that  never  jams 
its  effects  and  continues  the  majestic  picture 
of  war  with  a  keen  and  bristling  general- 
ship.   ♦  ♦  * 

NEWS — *  *  *  tells  more  about  the  war 
than    any    one    picture,    and    probably    more 

than     all     other     war    pictures     put     together. 

♦  •   » 

It's  a  story,  and  it's  history  and  it's 
tragedy   and   comedy. 

It  would  be  terrible  and  heart-breaking 
i!  it  were  not  for  the  funny  high  spots  and 
the    sublime    depths    of    it.    *   •  • 

TRIBUNE-M*  *  «  John  Gilbert's  portray- 
al of  the  hero  is  clean  cut  and  understanding, 
and  the  supporting  cast  do  their  bits  with 
zest.  King  Vdor's  work  shows  that  he 
knows  how  to  use  a  megaphone  and  the 
photography     is     splendid ;     some     scenes     of 

moonlit    French    forests   are    especially    good. 

»  »  • 

Aldine,  Philadelphia 
BULLETIN— It    is    hard    to    believe    that 
such    preciseness    and     correctness     of     detail 
could  be  included  in  a  motion  picture,  as  are 
seen    in    "The    Big    Parade"    •  •  » 

To  the  overseas  veteran  it  is  reeling  off 
before  his  eyes  things  he  actually  experi- 
enced, the  maddening,  the  revolting  and 
even  the  humorous  side  of  the  "Yanks"  life 
in   the   trenches.    *  *  * 

PUBLIC  LEDGER—*  •  *  The  first  half 
of  the  film  is  slow-moving,  but  in  the  light 
of  the  second  half,  the  director  justifies  him- 
self. He  spends  several  thousand  feet  of 
film  getting  everything  in  readiness  for  the 
big  battle  scenes.  A  love  story,  not  too 
sentimental  or  mawkish,  is  inserted  with 
great    effectiveness.    *  *  * 

RECORD—*  *  »  When  you  have  seen 
"The  Big  Parade,"  which  opened  at  the 
Aldine  Theater  last  night,  you  ha've  seen 
the  war.  Other  pictures  have  attempted 
to  recreate  it,  but  this  is  beyond  anything 
ever  shown  before.  It  is  the  real  thing.  If 
other  pictures  were  entitled  to  superlative 
praise,    this   deserves   super-superlatives.    •  •  * 


^TUBLIC  SERVICE'^ 

Adventure  speakers  from 
Far  places,  or  films  only. 


Bureau  of  Commercial  Economics 

lI08-16thSt.  N.W.  Washington,  D.C 


Schools,  Churches  and  Clubs 

using  Motion  Pictures  Should  Subscribe  for 

THE  EDUCATIONAL  SCREEN 

and  keep  up-to-date  with  the 
new  films  and  new  equipment 

'*1001  FILMS" 

booklet,  listing  nearly  3000  educational  films 
given  free  with  each  subscription 

$1.50  per  year  -  5  South  W abash  Ave.,  Chicago,  III, 


i 


Unrivaled  for  service  and  quality 


Eastman  Positive  Film,  constantly 
subjected  to  drastic  tests  that  must 
prove  it  right,  is  unrivaled  for  the  serv- 
ice it  renders  and  the  photographic 
quality  it  gives. 

It  carries  quality  from  studio  to 


screen. 


To  make  sure  pictures  are  printed 
on  the  genuine  look  in  the  margin 
for  the  black-lettered  identifica- 
tion,   "Eastman"    "Kodak". 


EASTMAN  KODAK  COMPANY 

ROCHESTER,  N.   Y. 


NiPIRATION 


RichoAd 


I    > 


^ixA  national  f  pict-ute  ^ 

"Just  Suppose''  was  made  to  establish  a  record  for  1926  that 
will  remain  untouched  throughout  the  remainder  of  the  year! 


L. 


iTHE 

7Ao  BRADSTREET 
o/"  FILMDOM 


f^RKOCMZED 

Authority 


VOL.  XXXV     No.  2 


Monday,  January  4,  1926 


Price  5  Cents 


WILL  THEY? 

An  observer — one  of  the 
best  posted  men  in  the  busi- 
ness ;  who  knows  what  is  going 
on  in  all  branches.  Who,  by 
virtue  of  his  profession,  is 
closely  allied  to  certain  phases 
of  exhibition  organization 
makes  this  prediction: 

"During  1926  something  like 
2,500  exhibitors  will  form  a 
huge  combination  for  the  pur- 
pose of  protection.  It  will  not 
be  an  organization  such  as  the 
existing  7iational  exhibitor  or- 
ganization. But  it  will  be 
formed  for  the  purpose  of  se- 
curing pictures,  lining  up  spe- 
cialty acts  and  otherwise  pro- 
tecting themselves  against  the 
operation  of  large  circuits  op- 
erated by  producers  and  dis- 
tributors." 

Had  this  come  from  someone  who 
is  usually  not  so  well  posted;  not  so 
well  informed  it  might  be  considered 
a  rash  statement  without  basis.  But 
what  this  man  says  cannot  be  passed 
by  lightly.  Usually  he  knows  full 
well  of  what  he  talks.  And  he  added: 
"As  individual  exhibitors  find  the 
encroachment  of  these  larger  circuits 
they  will  be  compelled — for  their 
very  existence — to  work  together. 
And  they  will.  One  exhibitor  here 
finds  himself  without  product,  be- 
cause the  larger  chain  in  his  neigh- 
borhood must  be  supplied.  So  he 
turns  to  another  exhibitor  in  another 
section  who  is  facing  the  same  prob- 
lem. And  then  these  two  will  find 
another  harassed  exhibitor.  So  it 
will  moye  until  this  huge  group  will 
be  formed.  And  when  it  becomes  a 
fact  this  group  will  produce  pictures, 
circuit  them  day  and  date,  and  other- 
wise meet  the  coming  competition." 
This  may  happen.  One  of  the 
probable  happenings  in  case  of  such 
an  eventuality  is  this:  the  difficulty 
of  such  a  large  group  working  to- 
gether with  any  degree  of  harmony. 
If  the  condition  develops  as  he  pre- 
dicts they  may  work  together.  The 
record  shows  they  have  not.  It  was 
;iot  so  many  years  ago  that  the  old 
United  Picture  Theaters  was  in  opera- 
tion. Here  was  an  excellent  idea. 
But  it  went  to  pieces.  Why?  Only 
those  inside  the  organization  know. 
But  here  was  a  group  of  exhibitors 
banded  together  to  make  pictures  for 
their  own  theaters.  Something  like 
1,000  exhibitors  were  supposed  to  be 
in  this  organization.  From  the  out- 
side there  was  every  reason  to  as- 
sume that  it  would  work  out.  It  did 
not.  Selznick  later  formed  National 
{Continued  on  Pagt  2) 


"Laugh  Month"  On 

"Laugh  Month"  has  officially  start- 
ed, with  all  of  the  important  com- 
panies handling  short  subjects  co- 
operating. 


Fitzmaurice  Will  Direct  Valentino 

Hollywood  ■ —  George  Fitzmaurice 
will  direct  Rudolph  Valentino's  next 
"Sons  of  the  Sheik,"  by  E.  M.  Hull. 
Frances    Marion    will   adapt. 


Cleveland  Opposes  Percentage 

Cleveland  —  The  Cleveland  M.  P. 
Exhibitors'  Ass'n  has  passed  a  resolu- 
tion opposing  percentage  booking. 
All  local  exchanges  have  been  so  ad- 
vised. 


English    Registration   Act 

London  —  Effective  Friday  last, 
every  British  production  unit  is  il- 
legal unless  it  is  registered  under  the 
Theatrical  Employers  Registration 
Act  of  1925.  It  is  said  only  one 
company  registered  in  time.  Slight 
delays  and  annoyances  are  expected 
until  registration  can  be  attended  to. 


"U"  Chain  Company  Chartered 

Albany,  N.  Y.— The  Universal 
Chain  Theatrical  Enterprises,  orig- 
inally incorporated  under  the  laws  of 
Delaware,  has  been  granted  a  charter 
by  the  Secretary  of  State  to  engage  in 
business  in  New  York  State.  The 
concern  has  a  capital  of  $1,000,000. 
Charles  B.  Paine  is  the  president. 


Report  Deal  Closed 

Famous  Buys  United  Studio  for  Fig- 
ure Given  as  $5,000,000— Row- 
land  to   Coast   Today 

The  World  reports  from  Los  An- 
geles that  Famous  has  closed  for  the 
United  Studio,  the  figure  being  given 
as  $5,000,000.  The  deal  was  an- 
nounced on  the  Coast  by  Joseph  M. 
Schenck  and   M.   C.   Levee. 

First  National  has  been  using 
United  for  some  time  past.  It  was 
impossible  on  Saturday  to  learn  what 
Coast  headquarters  would  be  used  in 
the  future  by  this  organization.  How- 
ever, Richard  A.  Rowland  leaves  for 
Hollywood  today. 

Stern  Wins   Point 

Supreme  Court  Justice  Crain,  in  a 
decision  just  handed  down,  declares 
that  Eniil  Stern  was  removed  as 
president  and  Treasurer  of  Filmlab, 
Inc.  by  an  illegal  election  of  the  cor- 
poration. 

The  court  states  that  "justice  re- 
quires that  the  proceedings  be  set 
aside."  The  action  hinges  around  a 
meeting  held  on  Dec.  7  at  which  time, 
Joseph  M.  Bursch  and  William  J. 
Westberg  voted  Stern  out  of  office. 
(.Continued  on  Page  2) 


Mellon  on  1926 

Washington — Secretary  of  the 
Treasury  Mellon  sees  justifica- 
tion for  the  opinion  that  1926 
will  continue  progress  in  world 
stabilization.     He  says: 

"There  has  been  a  steady  im- 
provement in  general  economic 
conditions  which  has  been  re- 
flected in  the  Government's  fi- 
nances. 

"The  past  year  has  also  seen 
important  developments  in  Eu- 
rope. The  funding  agreemerits, 
which  have  been  reached  by 
this  country  with  the  foreign 
debtor  nations,  will  have  far- 
reaching  results,  and  already 
there  are  signs  of  improving 
conditions  abroad  which  inspire 
confidence  for  the  future  and 
justify  us  in  the  belief  that  the 
year  ahead  of  us  will  see  con- 
tinued progress  toward  world 
stabiUzation." 


Europe 


What  1926  Has  in  Store  for  Countries 

Across    the    Seas  —  Variance    in 

Opinions 

What  about  Europe  in  1926? 
Through  the  courtesy  of  the  New 
York  Times,  a  consensus  of  Old 
World  opinion  is  herewith  pub- 
lished : 

England 

London — Bankers  and  business  men  gen- 
erally regard  the  outlook  with  hope,  but  not 
extravagant  optimism.  In  Britain  progress 
is  slow,  but  there  is  progress.  Unemploy- 
ment is  gradually  decreasing  at  a  time  when 
normally  an  increase  is  to  be  expected. 
Coal  exports  show  some  improvement,  while 
orders  are  being  placed  for  ships  and  ma- 
chinery   which    will    assist    the    heavy    trades. 


Germany 

Berlin — Although  Germany's  progress  in 
1925  was  slower  than  anticipated  after  the 
rapid  recovery  of  1924,  and  although  the 
year  ends  in  severe  industrial  depression, 
economic  authorities  take  a  fairly  favorable 
view  of  the  present  position  and  are  em- 
phatically    optimistic     regarding     1926. 

It  is  expected  that  in  Germany's  trade 
relations  in  1926  the  new  sentiment  created 
in  Locarno  will  play  a  beneficial  role.  This 
is  already  indicated  by  improved  prospects 
of   a   Franco-German   commercial   treaty. 


France 

Paris — In    order    to    forecast    the    financial 
position  of  France  in   1926  it  would  be  neces- 
sary   also    to    foretell    the    political    trend    of 
(Continued  on  Page  4) 


Columbia  Signs  Allen 

It  is  understood  Joe  Brandt  has 
signed  Lester  Allen  to  be  featured  in 
a  series  for  Columbia.  The  contract 
becomes  effective  on  June  1  when 
Allen  completes  his  contract  in  mu- 
sical comedy.  The  first  picture  will 
be  made  in  London  or  in  Hollywood. 


330  Theaters  Definite 

1,818  Architects    Report   Projects  on 

Hand   for    1926   Running   Into 

$69,783,000 

Eighteen  hundred  and  eighteen 
architects  reporting  to  "The  Archi- 
tectural Forum"  on  theater  construc- 
tion for  1926  declare  they  have  been 
commissioned  to  draw  plans  for  a 
total  of  330  houses  to  cost  $69,- 
783,000. 

A  careful  analysis  of  the  proper* 
tion  of  architects'  offices  reporting, 
together  with  an  examination  of  the 
volume  of  work  done  through  tht 
various  offices  as  recorded  In  tht 
Architects'  Registry  which  is  main- 
tained by  "The  Forum"  would  indi- 
cate that  to  establish  a  grand  total 
of  construction  for  1926  this  amount 
should  be  multiplied  by  the  index  fig- 
ure 2.5  in  the  manner  established  foi 
previous  surveys  and  proven  to  giv* 
a  close  approximated  result.  It  is  it- 
this  manner  that  $174,457,750  is  ar- 
(Continued  on  Page  2) 


Cliff  Broughton  Here 

Clif?    Broughton   manager   of    Mri 
Wallace  Reid  Prod.,  is  in  New  York, 


Rogers  Denies  He  Will  Build  Studic 

Los  Angeles — Reports  that  Charles 
R.  Rogers  would  build  a  new  studio 
in  Hollywood  have  been  denied. 


Gross  and   Chaplin  Split? 

Milt  Gross,  who  recently  travelec 
to  Hollywood  to  write  gags  for  Char- 
lie Chaplin,  has  split  with  the  come- 
dian, according  to  Walter  Winchell 
in   the   "Graphic." 

Saxe's  29th  Theater   Opens 

Fond  du  Lac — Tom  and  John  Saxe 
of  the  Saxe's  Amusement  Enter- 
prises opened  their  29th  theater  in 
Wisconsin  Saturday.  The  new  Ret- 
law  cost  approximately  $500,000.  A. 
J.  Mei.iger  is  manager. 


Rapf  Sails  on  the  6th 

London — Harry  Rapf  sails  for  New 
York  on  the  Majestic  leaving  South- 
ampton Wednesday. 

Others  on  the  boat  will  be  Harry 
Cohn,  Herbert  Wilcox,  Bruce  John- 
son, J.  D.  Williams  and  G.  T.  Eaton. 


Division  of  Films 

Washington — Inquiries  as  to  the 
feasibility  of  the  establishment  of  a 
Motion  Picture  Division  in  the  Bu- 
reau of  Foreign  and  Domestic  Com- 
merce are  expected  to  be  made  of 
Secretary  Hoover  and  Dr.  Julius 
Klein,  director  of  the  bureau,  who  on 
Monday  and  Tuesday  will  appear  be- 
fore the  House  Appropriations  Com- 
mittee to  discuss  appropriations  nec- 
(Continued  on  Page  2) 


THE 


Monday,  January  4,  1926 


VoLXXXVIUi.2      MoDilay,Jan.4,1926    ;,Price5Cents 

Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Puljlisheii  Daily  except  Saturday  and  bol- 
idays  at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  IMC. 
Joseph  Dannenberg,  President  and  Kdi(or; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  Ms'y  21.  1"'18, 
at  the  post  office  at  New  York,  W.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address:  Filraday, 
New  York.  Hollywood,  California— Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phoiw, 
Granite  3980.  London — Ernest  W.  Fredmaii, 
The  Film  Renter.  58,  Great  Marlborough  St  , 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,    5,    Rue    Saulmer. 

Quotations 

High    Low    Close      Sales 

Balaban  &  Katz   Not  quoted 

Eastman  Kodak HI        111  111           100 

Famous  Players 108}<i    107?i  1085^    1,100 

F.   P.   Pfd Not  quoted 

Film    Inspection    Not  quotea 

f  irst    National    Not  quoted 

Fox   Film   "A"    85         83  84^       700 

Fox     Theaters    "A"    32         il'A  32       1,600 

Loew's,    Inc 39%      38}4  39J4   8,800 

Metro-Gold.   Pfd.    Not  quoted 

M.  P.  Cap.  Corp.   ..   20J4     20}^  20^      200 

Pathe  Exch.   "A"    ..77         77  77           100 

Skouras    Bros Not  quoted 

Universal    Pictures   Not  quoted 

Universal    Pict.    Pfd Not  quoted 

Warner    Brothers    Not  quoted 

Warner    Pictures     ..18          18  18           100 


WILL  THEY? 

{Continued  from  Page   1) 

Pictures  for  the  purpose  of  supplying 
a  group  of  exhibitors  with  product. 
That  also  failed.  The  idea  seems 
sound  enough,  practical  enough,  but 
for  some  reason  it  has  not  worked. 
It  will  be  interesting  to  see  what  hap- 
pens if  this  new  organization  is  de- 
veloped. 


On  Broadway 

Apollo — "btella   Dallas." 

/iibLor — "iue  TSig   Jfarade." 

£>roadway — "insn   Luck." 

v..ameo —   ihe  liirtli  ol  a  Nation." 

oapiioi — "boul  Mates." 

coiian — "Ben   Hur." 

coiony — "ihe    ir'hantom    of    the    Op- 
era." 

li.mbassy — "The    Merry    Widow." 

L,oew's    XMew     ^ork — ioday — "Sally, 
Irene  and   Mary." 
Tuesday — "The    Ancient    Mariner" 

and  "Uneniy  of  Men. ' 
VVeanesday — "The    Midnight    Fly- 
er." 
Thursday— "The    Best    Bad    Man." 
iriuay^ — "Wages    i'or    Wives"    and 

"righting  I'ate." 
Saturday — 'ihe   linchanted   Hill." 
Sunday — "Sieel  Preterred." 

Loew's    State — "A    Kiss    for    Cinder- 
ella." 

Mark  Strand — "Infatuation."  ' 

Kialto — "Unguarded    Hour." 

Kivoii — "Womanhandled.'' 

Warners — "Lady  Windermere's  Fan" 

crookiyn  Mark  Strand — "Bluebeard's 
Seven   Wives." 


Next  Week 

Apollo— "Stella  Dallas." 
Asior — "Ihe  Big  Parade." 
Uroadway — Not   yet    determined. 
Cameo — Not   yet   determined. 
Capitol— "Mike." 
Cohan— "Ben  Hur." 
Colony — Not   yet   determined. 
Kmbassy — "The    Merry    Widow." 
Mark  Strand— "That  Royle  Girl." 
Rialto — "The  Splendid  Road." 
Kivoli — "Mannequin." 
Warners — "Lady  Windermere's  Fan" 
Brooklyn   Mark  Strand— "The   Phan- 
tom of   the    Opera." 


Pugh  May   Produce 

London- — Ralph  J.  Pugh,  who  re- 
cently resigned  as  managing  direc- 
tor of  First  National,  may  enter  pro- 
duction. 


Fox  House  in  San  Diego? 

San  Diego,  Cal. — Plans  have  been 
announced  for  a  $500,000  theater  to 
be  built  on  C  St.  between  3rd  and  4th 
Sts.,  by  Adolph  Ramish,  vice-presi- 
dent of  the  West  Coast  Theaters,  Inc. 

A  25  year  lease  has  been  taken 
which  will  run  over  $1,000,000.  A 
new  theater  company,  identity  with- 
held, is  behind  the  project.  It  is 
known,  however,  that  William  Fox 
is  interested  in  the  enterprise,  and 
Ramish  intimated  that  although  the 
West  Coast  were  not  in  any  way 
connected  with  the  plan  at  present^ 
they  may  be  interested  at  a  later 
date. 


^S^t&uhii^i 


Properly  Present  Your  Photoplay 


Stern  Wins   Point 

(Continued  from  Page    1) 

Stern  claims  he  gave  four  shares  of 
stock  in  the  business  to  Bursch  "as 
a  matter  of  friendship"  while  West- 
berg  received  one.  One  share  re- 
mained unissued  while  Stern  held  the 
rest.  Stern,  who  was  represented  by 
Robert  Spear,  claims  that  Bursch  and 
Westberg  did  no.t  permit  him  to  vote. 
The  court  sustained  this  contention, 
although  Justice  Crain  decided  that 
there  seems  to  be  some  doubt  over 
the  signature  on  the  last  share  of 
stock   which   Stern   claims   to   own. 


330   Theaters   Definite 

(Continued  from  Page   1) 

rived    as    the    total    proposed    invest- 
ment in  new  theaters  in  1926. 

By  states,  architects  report  the  fol- 
lowing contemplated  work: 

*\Uivliii:.Aai  r-ivlN     Si  AXES 
Siaie                        i\o.  r-rojects    inveotmeuis 
iViaii.c     

iNcvv      J  AdllJi^aiixlC      1  ;(»Ju,UUU 


V  Clli.U.it        .... 

xvnouc   xaiaiia 
v^uiiiiccLical 


1/ 


lt.J,UUo 


Total  Worilieaitern  States.      ^^  5,3,u-fU 

New     i  urn.    4tj 

iNcvV    jciacy     z 

r'cnii&yivuiiia     21 

ijeiaware 

iviaryiaiiu 

uistnct   oi    i_ummuia i 


2,u»j, 


10/ 


Total    N.    Atlantic    States 
iCiL  lil£,A:31i:.i\N 

Virginia     

Wortn    Carolina    

ioutn  Carolina    

Oeorgia    

bloriua     

Total    Southeastern    States 
SOUTliWtSTEKN 

Kentucky     

we^t    Virginia    

1  ennessee    

Alabama    

Mibsissippi    

Louisiana   

Texas    

Oklahoma    


04  $10,58d 

S  TAltS 
1  $30 

3  3^)0 


UUu 
UUU 

OOU 
UUU 


1,805, 
4Z.J, 


UUU 
UUU 


13  $2,()U7, 

STATES 


OOU 


$75,000 


25 

80, 

11 

3,000, 

880, 

125, 


000 
OUU 
UOU 
UUU 
OOU 
000 


Total   Southwestern   States     23 

MIDDLE     STATES 

Ohio    18 

Indiana    11 

Illinois    40 

Michigan    31 


Wisconsin 
Minnesota   ... 

Iowa    

Missouri    .  . . . , 
North    Dakota 
South    Dakota 
Nebraska    . .  .  . 
Kansas     


$4,196,000 

$2,345,000 

2,540,000 

22,1Z7,0UU 

10,570,000 

1,015,000 

87, OOU 

230,000 

500,000 

12,000 

75,000 

72,000 

280,000 


m       We  are  in  the  market  for        g 

I  SINGLE  REEL  NOVELTIES  | 
I  IRIS  NOVELTY  EXCHANGE  1 


1 


N.  Y.  C.  i 


729  7th  Ave. 

1  Bry.  3378  | 

iiiiwiiUJiyiiiiiiiiuiiiiiiiiiiuiiiiisw^ 


WANTED 

FILM    PERFORATOR 

MUST  BE  IN   FAIR  CONDITION 

Communicate    with 

F.  W.   KNIGHT 

Phone  139  Charles  St. 

Watkins  6585  N.  Y.  C. 


Total   Middle  States 127  $39,853,000 

WESTERN    STATES 

Montana    

Wyoming     

Colorado    

New  Mexico 

Arizona     

Utah    

Nevada     

Idaho      

Washington     5  200,000 

Oregon     9  845,000 

California    60  8,100,000 


$40,000 
217,000 

100,666 


Total  Western  States 81 

GRAND   TOTAL   U.    S..   330 


$9,502,000 
$69,783,000 


Chester   Bennett   on   Fox   Lot 

Los  Angeles — Pauline  Starke  has 
been  given  the  featured  role  in  "Dan- 
gers of  a  Great  City,"  just  launched 
in  production  on  the  Fox  lot  under 
direction  of  Chester  Bennett. 


FOR    SALE 

Unreleased  negatives 

of  features 
for 

North  American  Territory 

K-131  c-o  Film  Daily 

1650  Broadway  N.  Y.  C. 


Spence   Service   Formed 

Albany — The  Spence  Service  As- 
sists Motion  Picture  Producers  has 
been  formed  here,  listing  1,000  shares 
of  stock  at  $100  a  share  and  100 
shares  of  common,  no  par  value.  At- 
torneys are  Seligsberg  and  Lewis,  43 
Cedar  St. 


This  is  a  'Comerblock'  cut  furnished 
FREE  for  all  Pathecomedies  at  your 
exchange. 


msm 


jriendkUcmd 


Negative  Developing 
and  Printing 

Complete  Title  Service 
SALAND  FILM  LABORATORIES,  Inc. 

Phone  Bryant  7577    729-7th  Ave,  N.  Y. 


IF  YOU  ARE  IN  THE 
MARKET  FOR  ANY  KIND  OF 

MOTION  PICTURE 
APPARATUS 

CONSULT  US-AND  SAVE  MONEY 
SEND  FOR  OUR  PRICE  LIST 


Motion  Picture  App.  Co.,  Inc. 

Ownership  management  C.  G.  Willoughby,  Inc. 

110  West  32nd  St..  New  York 
Phone    Penn.    6564 


THE 


Monday,  January  4,  1926 


OUTLOOK  FOR  1926 


IMPORTANT    PHASES 


Elmer  Pearson 


A  football  gaine  is 
divided  in  two  halves  of 
two    quarters    each. 

It  seems  that  each  im- 
liortant  phase  of  our  in- 
dustry's development  di- 
vides itself  in  similar 
quarters  that,  however, 
instead  of  fifteen  minutes 
each  the  quarters  divide 
themselves  into  (|uarters 
of  e(|iial  importance  in 
periods  of  three  or  four 
years. 

The       present       theatei 


chain  phase  appears  to  have  had  its  first  quartet 
from    1917   to    1920. 

The  formation  of  First  National  followed  by 
the  Famous  Players  activity  plus  the  formation 
and     strengthening    of    many     smaller    circuits. 

The  second  phase  appears  to  have  started  about 
1922  until  the  end  of  1925  which  would  also  seem 
to  finish  the  first  half  with  the  "Battle  Array  of 
Giants"  all  set  for  a  considerable  offensive  on  all 
fronts. 

Thus,  the  third  quarter  promises  much  of  inter- 
est  albeit    much    of    the    apprehension    on    all    sides. 

No  doubt  every  individual  in  the  business  sighs 
with  regret  when  contemplating  what  this  busi- 
ness could  have  meant  to  so  many  more  individ- 
uals if  each  could  have  been  contented  with  one 
theater,  each  producer  with  his  one  unit,  each 
star  with  his  own  individuality  and  each  of  many 
distributors  maintaining  impartiality  between  the 
several   producers   he   represented. 

Modern  American  business  methods  are  highly 
scientific  and  a  grouping-together  of  individuals  fol- 
lowed by  amalgamations  of  groups  by  means  of 
mergers  under  the  very  liberal  provisions  of  cor- 
poration law  is  the  order  of  the  day  in  nearly 
all  industries. 

Until  this  grouping  leading  eventually  to  some 
one,  two  or  three  groups  so  gigantic  that  no  un- 
conquered  worlds  remain,  the  process  is  relent- 
less and  necessarily  tempered  with  no  more  of 
good  sportsmanship  than  might  of  competition 
compels  or  fear  of  numbed  but  outraged  public 
will  endure. 

Big  business  as  individuals  (with  rare  excep- 
tions) wants  to  be  fair  but  when  opposing 
groups  come  to  grips,  humaneness  to  each  other 
and  innocent  bystanders  must  give  way  to  ap- 
parent  necessity. 

Thus  the  individual  regardless  of  prior  self 
promises  must  perforce  regretfully  agree  or  give 
way  to  those  whose  ambitions  are  sufficient  to 
cauterize   scruples. 

These  very  regrettable  developments  should  not 
materialize  until  along  towards  the  end  of  the 
third  quarter  of  the  present  phase  and  certainly 
not   very    noticeable    until    after    1926. 

Meantime  it  will  have  been  observed  that  some 
of  our  most  active  captains  during  the  first  half 
have  given  it  as  their  profound  opinion  that  cor- 
poration control  of  dominance  in  this  business  was 
an   impossibility. 

And  while  one  can  hopefully  agree  with  that 
opinion  one  must  admit  that  there  seems  nothing 
known  to  the  industry  just  now  to  prevent  and 
certainly  there  are  some  very  extensive  localities 
veritably    monopolized    right    now. 

One  of  the  most  remarkable  facts  is  that  this 
industry  should  have  had  so  little  to  contend  with 
in  the  nature  of  mechanical  and  technical  revolu- 
tionization    in    the    many    years    since    its    inception. 

It  is  inconceivable  that  it  will  go  many  more 
years  (perhaps  only  months)  until  we  shall  see 
one  or  several  mechanical  and  technical  develop- 
ments that  can  readily  knock  into  a  cocked  hat 
all  previous  gravitation  toward  centralization  of 
power   in   this   great   and   useful    industry. 

Even  now  many  minds  are  concentrating  upon 
developments  most  revolutionary — someone  points 
the  way  and  as  though  overnight  we  may  be 
deluged  by  changes  that  make  all  previous  efforts 
worthless   and    ridiculous. 

Again  the  performers,  the  stars,  who  have  held 
such  promise  of  being  different  from  similar  in- 
dividuals in  other  lines  continue  to  suffer  them- 
selves to  be  moved  about  as  mere  pawns  on  a 
gigantic  chess-board — might  do  something ;  even 
a    worm    turns. 

ELMER   PEARSON 


PROMISES    TO    BE    THE    GREATEST 

The  season  of  1926 
promises  to  be  the 
greatest  in  the  history 
of  the  Motion  Picture 
industry. 

Magnificent  theaters 
are  being  erected  in 
many  of  the  larger 
cities  throughout  the 
country  and  produceis 
in  turn  are  exerting 
themselves  to  the  ut- 
most to  turn  out  the 
very  highest  class  of 
productions  that  will 
appeal  to  the  public 
taste. 

Fox  Film  Corporation  is  leaving  no  stone  un- 
turned to  secure  the  very  finest  artists  and  direc- 
tors that  are  available.  We  are  determined  that 
Fox  pictures  will  achieve  a  standing  this  coming 
season  that   will  be  second  to  none. 

With  ample  financial  resources  and  a  thoroughly 
trained  organization,  we  are  in  a  position  to  place 
Fox  pictures  at  a  standard  never  before  reached. 
Business  conditions  from  personal  observations, 
from  traveling  throughout  the  country,  indicate 
a  banner  year  for  ail  concerned  during  the  year 
of    1926. 

JAMES  R.  GRAINGER 


James    R.    Grainger 


Jules  £.  Mastbaum 


ANOTHER    OPTIMISTIC   VIEW 

Prosperity  is  undimin- 
ished in  the  United  States 
and  that  is  a'  sure  indica- 
tion of  the  continued 
great  success  of  the  mo- 
tion picture  industry.  I 
feel  that  1926  will  be 
the  banner  year  in  the 
cinema  world.  We  of 
the  Stanley  Company  are 
most  optimistic  and  we 
are  preparing  to  give  the 
public  the  greatest  enter- 
tainments ever  provided. 
We  are  constantly  ex- 
tending our  activities  and  are  intending  to  open 
ned  theaters  from  time  to  time.  Our  new  Stan- 
ley in  Camden,  New  Jersey,  and  our  new  Earle, 
Atlantic  City,  are  to  represent  the  last  word  in 
theater  construction  and  are  to  present  as  part 
of    each    program    the    newest    and    finest    films. 

There  has  been  steady  advance  in  the  quality 
of  picture,  and  I  am  willing  to  predict  that  in 
1926  we  will  have  such  a  tremendous  improve- 
ment along  all  lines  of  the  industry  that  the 
period  will  be  epochal.  An  impetus  to  this  im- 
provement will  undoubtedly  be  in  the  Sesqui- 
Centennial  Exposition  to  be  held  in  Philadelphia 
in  commemoration  of  the  150th  anniversary  of 
the  signing  of  the  Declaration  of  Independence. 
That  Exposition,  having  the  endorsement  of  the 
United  States  Government  and  to  be  participated 
in  by  the  leading  nations  of  the  world  will  have 
a  special  exhibit  of  motion  picture  activities.  It 
is  planned  to  present  the  exhibit  in  one  or  more 
buildings  and  to  make  the  presentation  compre 
hensive  so  that  not  only  will  there  be  shown  the 
latest  developments  in  the  art  but  that  there  will 
also  be  ready  for  inspection  all  sorts  of  equip- 
ment for  the  making  and  projection  of  pictures. 
A  congress  of  motion  picture  players  and  a  sym 
posium  of  leaders  in  the  field  with  lectures  and 
demonstrations  are  in  contemplation  and  this 
new  Hollywood  will  give  to  the  world  an  object 
lesson  in  every  phase  of  the  fourth  largest  indus- 
try   in    America. 

The  motion  picture  is  continually  adding  to  its 
devotees.  Nothing  has  affected  its  popularity. 
And  that  popularity  will  continue  because  the 
makers  of  films  are  not  asleep.  They  are  ad- 
vancing with  the  times  and  are  quick  to  adopt 
every  new  and  worthy  improvement.  I  am  glad 
to  note  the  betterment  in  the  natural  color  process 
of  picture  presentation.  That  is  sure  to  continue 
to  improve.  Meanwhile  there  is  great  advance, 
too,  in  the  customary  black  and  white  photog- 
raphy. 

So   now    for   the   banner   year — 1926. 

JULES   E.   MASTBAUM 


Cecil   B.    De   Mille 


NEW     SCREEN    PERSONALITIES 

While  the  foundation  of 
photoplay  construction 
will  always  be  novel,  un 
usual,  and  interesting 
stories,  the  public  must 
have  individuals  whom 
they  can  place  on  the 
pedestal  of  especial  prefer- 
ence. 

We  are  entering  an 
era  when  many  new  stars 
are  about  •to  be  created 
and  J  prophecy  that  dur- 
ing 1926,  more  new  out- 
standing personalities  will 
be  raised  to  stellar 
heights  than  at  any  time  during  the  past  five 
years. 

The  reason  for  this  is  very  simple.  Since  1920 
motion  pictures  have  been  in  a  period  of  transi- 
tion. Many  old  stars  have  been  despera'tely  hold- 
ing to  their  laurels,  fighting  at  every  point  against 
the  inroads  of   fresher,  newer  faces. 

These  old  timers  have  held  on  in  many  cases 
due  to  superior  experience,  but  it  is  inevitable 
that    they    will    be    succeeded. 

The  public  demands  youth,  and  it  demands 
change  and  novelty  in  its  screen  personalities. 
1926  will  be  a  year  during  which  many  of  the 
older  screen  idols  will  crash.  In  two  years,  I 
am  willing  to  venture  that  the  list  of  stars  will 
contain  a  very  small  percentage  of  the  names 
which   are  so   prominent   today. 

During  1926,  we  will  continue  to  make  ex- 
cellent strides  in  technical  fields.  Color  photo- 
graphy and  stereoscopic  photography  have  both 
advanced  and  in  the  months  to  come  it  will  be 
easier  than  ever  to  place  beauty  upon  the  silver 
sheet. 

New  and  vibrant  young  people  now  Compara- 
tively unknown  will  be  a  feature  of  the  coming 
year.  I  don't  say  that  we  are  due  for  a  re- 
vival of  the  old  time  star  system,  but  I  dj 
contend  that  new  people  and  personalities  will 
figure  prominently  in  the  progress  and  develop- 
ment of  screen  art  during  the  next  twelve  months, 
CECIL  B.   DEMILLE. 


CLOSER    COOPERATION    NEEDED 

To  my  mind  the  most 
important  thing  in  our 
business  for  1926  is  a 
better  understanding  and 
closer  cooperation  be- 
tween producer,  distribu- 
tor and  exhibitor.  Noth- 
ing could  be  any  more 
important  than  this  for 
the  future  of  our  busi- 
ness and  it  looks  as 
though  the  time  for  this 
cooperation  has  at  last 
arrived. 
Harry   M.   Crandall 

HARRY    M.    CRANDALL. 

I'liuto  by  Harris  &■  Eivini/. 


•WATTY"    BULLISH 

The  New  Year  always 
looks  good  to  me — and 
1926  is  no  exception. 

I  am  a  bull  on  the 
United  .States  and  the 
Motion  Picture  Industry; 
1  am  pleased  and  proud 
that   I  am   in   each. 

The  significant  happen- 
ings which  signalized  the 
close  of  1925  augur  well 
for  bigger  and  better  pic- 
tures and  projects  which 
_  _  .,  ,  promise  to  materialize  "as 
Watterson    R.    Rothacker  l^j^ertised." 

We  have  earnest  and  purposeful  and  capable 
men  at  the  helm  of  an  industry  which  has  p08si- 
l)ilitics  second  to  none.  There  is  plenty  of  room 
outside    for    those    who    don't    believe   it. 

WATTERSON  R.  ROTHACKER. 


THE 


pm 


is&m 


DAILY 


Monday,  January  4,  1926 


X 


5  Million  Shares  Sold 

Famous  Players  Common  Most  Act- 
ive of  Film  Stocks  on  Big  Board 
During  1925 — Loew's,  Inc,  Next 

As  1926  begins,  twelve  motion  pic- 
ture issues  are  being  traded  in  on 
the  New  York  Stock  Exchange.  A 
resume  of  their  activity  during  1925 
shows  that  their  combined  sale  was 
5,005,400  in  1925. 

Famous  Players  common  was  the 
most  heavily  traded  stock  through- 
out the  year,  sales  reaching  a  vol- 
ume of  1,888,800.  Second  in  this 
classification  is  Loew's,  Inc.,  of  which 
issue  1,853,900  shares  changed  hands. 
Famous  reached  its  1925  high  mark 
on  July  27,  when  the  close  was  114^ 
and  touched  its  low  of  90J4  on  Feb. 
17.  The  last  quotation  in  1925  was 
108.  Loew's,  Inc.,  reached  a  high 
during  the  year  of  44j4  on  Nov.  7. 
The  low  for  the  year  was  22,  touched 
on  Feb.  17. 


B.  &  K.  Touches  High  of  82 

Chicago — Balaban  and  Katz  stock 
reached  a  high  of  82  on  July  22,  the 
peak  in  1925.  The  low  for  the  year 
was  51  touched  on  Jan.  8.  The  last 
quotation  for  the  year  was  70. 


Skouras  Closes  at  52 

St.  Louis — Skouras  Bros.  Enter- 
prises stock  was  quoted  at  52  on  the 
last  trading  day  of  1925.  The  high 
for  the  year  was  68,  reached  on  Oct. 
27.     The  low  was  36. 


Keenan  Back 

Frank   Keenan   has   returned  from 
a  trip  abroad.  


Stock  Fluctuations  in  1925 

Stock  High  Date  Low  Date 

Eastman    Kodak    118  Jan.     19  104.;:^  July     IS 

Eastman    Kodak,    pfd 115  34  Nov.   12  112  Oct.       6 

Famous   Players    114M  -July    27  90M  Feb.     17 

Famous     Players     pfd 120  July    27  103^.  Feb.     17 

First     National      110  Oct.    28  100  June   16 

Fox    Film    Class    "A" 85  Dec.       4  68'A  Sept.  29 

Loew's,     Inc 44^  Nov.       7  2'2  Feb.     17 

Metro-Goldwyn     pfd 24^  Nov.     16            IS  Jan.       2 

M,    P.    Capital    Corp 20'/,  Dec.    28  195^  Dec.    28 

Pathe,   Class   "A"    90}^  Oct.    21  70  Nov.    10 

Universal,    1st    pfd 1035^  Oct.    29  94^  Dec.    12 

Warners,    Class    "A"    22^  Oct.     16  17^  Dec.    30 


Last 

Year's  Sales 

lllJi 

450,100 

115M 

600 

108 

1,888,800 

117 

55,600 

108 

5,000 

83  M 

286,600 

38/8 

1,853,900 

22  M 

126,000 

20 'X 

6,100 

7SJ4 

195,100 

95 

3,700 

173A 

133,900 

Europe 

(^Continued  from  Page   1) 

things.  In  that  regard  the  opinion  is  widely 
held  in  financial  Paris  at  the  year-end  that 
the  most  dangerous  corner  has  been  already 
turned. 

It  is  also  recognized  that  French  public 
opinion  will  accept  the  increased  taxation 
through  which  the  intolerable  state  of  things 
caused  by  the  continued  depreciation  of  the 
franc  should  be  ended,  but  the  public  also 
insists  that  taxation  be  fairly  distributed  and 
paid    by    everybody. 


Russia 

Washington — The  Statistical  Director  of 
the  Russian  Information  Bureau  reports  at 
the  year-end  that  Russia  is  passing  through 
a  period   of  economic   development. 

Industrial  production  was  less  than  15  per 
cent,  of  the  pre-war  rate.  The  recovery,  at 
first  painfully  slow,  and  sadly  retarded  by 
one  year  of  famine,  gained  momentum  not- 
ably during  1925.  During  the  Soviet  fiscal 
year  1925,  ended  Sept.  30  last,  the  volume 
of  industrial  production  increased  steadily 
month  by  month,  until,  for  September,  it 
stood  at  80  per  cent,  of  the  monthly  rate 
for  1913.  For  the  fiscal  year  as  a  whole, 
industrial  production  showed  an  increase 
of   60   per   cent,   over   1924. 


Buys    Kauffman    Novel 

Gotham  Prod,  has  purchased  Reg- 
inald Wright  Kauffman's  well  known 
novel,  "Money  To  Burn."  It  will  be 
produced  early  this  year. 


Hold    Dinner    Dance 

Philadelphia— The  M.  P.  T.  O.  of 
tern  Pennsylvania,  Southern  New 
Jersey  and  Delaware  held  a  dinner 
dance  yesterday  at  the  Benjamin 
Franklin  Hotel. 


E5t*( 


Italy 

Rome — In  financial  circles  here  the  fore- 
cast for  Italy  as  the  new  year  opens  is  far 
happier  and  more  reassuring  than  seemed 
possible   a   year  ago. 

A  slow  and  reasonable  revaluation  of  the 
lira  is  in  view. 

Italy's  financial  fortunes  in  1926  will  be 
largely  governed  by  those  of  the  rest  of 
Europe,  and  that  will  be  largely  shaped  by 
what  has  already  happened  in  1925 — the 
Locarno  agreements,  the  debt  settlements  of 
the  United  States  with  Italy  and  Belgium, 
and  the  great  deprecia'tion  of  the  French 
franc. 


Division  of  Films 

(.Continued  on  Page  4) 

essary  for  the  Department  of  Com- 
merce during  the  fiscal  year  begin- 
ning July  1. 

There  is  no  provision  in  the  esti- 
mates for  the  establishment  of  such 
a  division  and  Secretary  Hoover  has 
indicated  that  he  will  endeavor  to  op- 
erate within  the  appropriation  allow- 
ed by  the  Budget  Bureau,  so  that  any 
action  looking  toward  the  separation 
of  motion  pictures  from  the  other 
commodities    with    which    they    are 

1     new  associated  would  have  to  be  ac- 

I     companied   by   an     appropriation     of 

\    from  $15,000  to  $25,000. 

I  The  creation  of  such  a  division  has 
been  strongly  urged  by  the  industry 
during  the  past  two  or  three  years, 
and  last  year  was  the  subject  of  con- 
siderable debate  when  Secretary  Hoo- 
ver appeared  before  the  Appropria- 
tions Committee  to  discuss  estimates. 
I  Several  members  of  the  committee 
expressed  themselves  in  favor  of  es- 
tablishing a  division  for  this  com- 
modity, but  Congress  failed  to  pro- 
vide the  funds. 


manufactured  goods.  Russia  is  recognized 
as  headed  now  toward  a  capitalistic  regime, 
showing  signs  of  a  desire  to  resume  the  po- 
sition in  international  trade  which  she 
possessed   before   the    war. 


severe  in  proportion.  It  will  not  do  for  even 
fortunate  Americans  to  live  in  a  fool's  par- 
adise." 


Holiday  Lull  On;  Revival  Soon 

A  holiday  lull  has  developed,  both 
in  trade  and  production,  following 
the  record-breaking  activities  of  the 
previous  week,  according  to  year-end 
reviews  of  Bradstreet's  and  R.  G.  Dun 
&  Co.,  but  an  early  revival  is  fore- 
cast. 

"Many    industries    have      had      the 
most  extraordinary  year  in  their  his- 
tory,"  savs   Dun's   Review. 
565  More  Failures  in  '25  Than  in  '24 


Austria 

Vienna — Prophecy  for  financilal  Austria 
is  difficult  *  •  *  In  Austrian  Government 
finance,  1926  will  be  a  year  of  real  proba- 
tion ;  it  will  be  the  first  year  in  which  the 
public  finances  will  be  conducted  without 
the  budget  control  of  the  League  of  Nations, 
whose  so-called  "normal  budget,"  the  in- 
flexible figures  of  which  were  prescribed  at 
Geneva,  was  arranged  too  long  beforehand 
and  was  therefore  incapable  of  adjusting  it- 
self  to   changing   economic    conditions. 


Holland 

Amsterdam — Our  India  rubber,  sugar  and 
tobacco  enterprises  ha've  brought  many  mil- 
lions of  new  money  into  the  country,  for 
which  our_  own  industrial  enterprises  cannot 
give    sufficient    employment. 


The  Balkans 

Rome — It  is  firmly  believed  that  the  habit- 
ual restfulness  of  the  Balkan  countries  will 
be  more  and  more  replaced  by  attempts  at 
mutual  understandings  having  in  their  pur- 
pose mutual  defense,  expansion  of  industry 
and  development  of  production.  The  strong 
tonic  now  at  work  on  convalescent  Eurone 
is  the  flow  of  American  capital  across  the 
ocean,  which  contains  the  possibility'  iof 
cure,  although  that  will  hardly  be  completed 
within    1926. 


Czechoslovakia 

Rome; — Czechoslovakia's  continued  progress 
is    making    her    a     growing    competitor    for 


A  Cautious  Note 

The  Evening  Post  stated  that  the 
forces  which  have  brought  good 
times  continue  to  operate,  but  urge 
an  exercise  of  caution.  The  Post 
thinks  misuse  of  credits  would  kill 
the  goose  that  laid  the  golden  egg. 

Merryle  Stanley  Rukeyser,  in  the 
Evening  Journal,  said  business  is  at 
the  crest  of  prosperity  and  competent 
critics  agree  that  the  outlook  for  the 
coming  months  is  favorable.  He  sees 
the  problem  as  not  one  of  how  "to 
enter  the  happy  hunting  grounds  of 
material  well  being  but  how  to  act 
wisely  in  order  to  preserve  and  de- 
velop  favorable   conditions." 

Stuart  P.  West,  writing  in  the 
Evening  World,  is  of  the  opinion 
the  outlook  is  rather  mixed,  but  on 
the  whole  favorable. 

Franklin  K.  Sprague,  financial  ed- 
itor of  the  N.  Y.  Herald-Tribune,  de- 
clared on  Saturday  that  the  pros- 
pects continue  bright  for  business  and 
finance.  He  pointed  to  prosperity  in 
the  steel  industry  as  a  barometer  of 
excellent  business  conditions  and  said 
that  while  the  position  of  the  farmer 
was  not  all  that  could  be  desired, 
there  had  been  established  a  better 
relationship  between  farmer  and  in- 
dustrial  centers 

The  Times  reports  leaders  have  in- 
serted a  note  of  cautious  reservation 
in  almost  every  forecast  for  1926. 
Practically  every  seasoned  judge  has 
restricted  positive  assertion  to  the 
first   half  of  the  year. 

Editorially  the   Times  said: 

"At  home  flattering  forecasts  are  heaped 
upon  the  American  people.  AH  the  predic- 
tions are  of  continuous  prosperity  even  more 
unbounded.  Such  warning  notes  as  are 
■^minded,  for  example,  by  Secretary  Hoover 
relate  to  the  dancers  of  strainine  credit  by 
excessive  speculation.  Should  this  rise  to 
new   and    reckless   extremes,   the   fall   would   be 


Preliminary  statistics  compiled  by 
R  G.  Dun  &  Co.  show  that  failures 
in  1925  totaled  21,180,  or  565  more 
than  in  1924,  but  that  the  liabilities 
involved  were  smaller,  being  $438,- 
220,000,  against  $543,225,449  in  1924. 
This  was  considered  a  fairly  satisfac- 
tory showing. 

Mid-West   Active 

Abilene,  Kan.  —  That  the  interior 
has  sufficient  momentum  to  carry 
business  activity  well  into  the  new 
year  is  the  opinion  of  authorities. 
They  base  this  on  a  record  of  the 
largest  volume  of  business  for  the 
year  since  1923  and,  judging  from 
clearings,  11  per  cent,  greater  than 
1924.  The  underlying  conditions  of 
agriculture,  live  stock,  mineral  indus- 
tries, manufacture  and  trade  are  bet- 
ter at  the  end  of  the  year  than  twelve 
months  ago. 


"Big    Parade"   in    Detroit 

Detroit— "The  Big  Parade"  open- 
ed here  vesterday  at  the  Shubert- 
Detroit. 


BAY  STATE 

Second  Oldest  Continuous 

Raw   Stock 

Producer  in  America 
Negative  Positive         Safety 


Two  More  for  Milwaukee 

Milwaukee — A  neighborhood  thea- 
ter on  the  west  side  to  cost  approx- 
imately $250,000  is  to  be  erected  by 
the  Badger  Building  Service  Co.  and 
operated  by  the  Silliman  Theater 
Corp.  The  theater  will  have  a  ca- 
pacity of  1,600.  Another  theater  to 
cost  more  than  $100,000  and  to  be 
located  on  the  west  side  is  to  be 
erected  by  Peter  Grossman. 


^T«  INDUSTRY 
Vtf>NDERS 


FIRST  NATIONAL'S 

SECRET  SPECIAL 


•db. 


Reginald 


Utetttsxmpaiamei 


;j^' 


At. 


>-- 


The 


No.  465 — Straight  from  the  Shoulder 
Talk  by  Carl  Laemmle,  President  of 
the  Universal  Pictures  Corporation* 


D 


ENNY,  THE  INCOMPARABLE!  LA  PLANTE,  THE  ADORABLE! 
There^s  the  combination  you^ll  get  in  Reginald  Denny's  very  newest 
comedy'drama,  "Skinner's  Dress  Suit." 


ARTISTS,  BOTH  OF  THEM.  CLEAN-CUT,  ATTRACTIVE,  A  RARE 
combination  of  youth  and  beauty. 

"SKINNER'S  DRESS  SUIT"  IS  THE  KIND  OF  PICTURE  THE  WHOLE 
world  is  fairly  "eating  up"  these  days.  It  is  a  devil-may-care,  rollicking,  fool 
sort  of  a  thing  that  will  keep  your  audiences  in  gales  of  laughter  and  send 
them  home  happy  and  satisfied. 

STARTING  WITH  HENRY  IRVING  DODGE'S  CORKING  GOOD 
story,  the  director, William  Seiter,  has  added  his  own  personal  touches  which 
are  inimitable. 

A  WHALE  OF  A  STORY— A  PEACH  OF  A  CAST— TWO  BRIGHT 
and  shining  stars — all  moulded  together  by  a  brilliant  director. 

"SKINNER'S  DRESS  SUIT"  IS  A  MARVELOUS  AND  FITTING 
successor  to  such  current  Denny  hits  as  "California  Straight  Ahead","Where 


Incomparahlel 


F 


Was  r^"What  Happened  to  Jones*%"ril  Show  You  the  Town'S^Oh  Doctor'^ 
"The  Reckless  Age'',"The  Fast  Worker'',  and  "Sporting  Youth'\  All  hits— 
and  made  by  the  star  who  never  made  a  poor  one. 

THIS  IS  BECOMING  DARNED  EMBARRASSING.  AS  THESE  DENNY 
pictures  come  in  from  the  Universal  studios,  I  find  myself  telling  you  that 
it  is  the  greatest,  grandest,"gloriousest",  production  on  earth.  I  rant  and  rave 
about  the  excellence  of  its  story,  its  direction,  its  cast,  its  settings,  its  every- 
thing. And  I  do  my  blamedest  to  pump  you  as  full  of  enthusiasm  for  Denny 
as  I  am  myself. 

THE  CONSISTENT,  HIGH  CLASS  BOX  OFFICE  QUALITY  OF 
Denny's  pictures  during  recent  years  has  been  one  of  the  most  gratifying 
achievements  in  the  history  of  the  industry.  Exhibitors  have  exulted  with 
us  and  have  encouraged  us  to  keep  up  our  present  pace. 

WHEN  YOU  STOP  TO  CONSIDER  HOW  OFTEN  YOU  HAVE 
bought  a  lot  of  pictures  which  contained  only  a  few  real  successes,  it  is  really 
astonishing  to  compare  the  records  of  other  companies  and  the  records  of 
Universal,  for  we  have  given  you  a  higher  percentage  of  real  hits  year  after 
year  than  any  company  in  the  business. 

YOU  CAN'T  GO  WRONG  WITH  UNIVERSAL— it's  miles  and  miles 
ahead  of  all! 


TWE 


Monday,  January  4,  1926 


^i^Wim'^^iAy^jwmmmmmmmmmmmmmmmmmmmmmm 


i 


I 

I 
I 

I 
I 

I 

3 


I 

I 

I 

I 

I 

I 

I 
I 

I 

I 

I 

I 

I 

I 

I 
I 

I 
I 

I 

3 


1 

I 

i 

i 

I 

i 

s 
I 

I 


LAST  CALL 


for 


Advertising   Copy 


I 

I 

! 


i 
i 

i 


Av 


for  the 


1926  FILM 

YEAR  BOOK 


i 
i 


AND    WHAT  A    BOOK! 


i 
I 

i 
I 

I 


p 
I 

i 
I 
I 

I 
s 


w 


-^r 


Monday,  January  4,  1926 


Newspaper    Opinions 

"Ben   Hur" 
Metro-Goldwyn-Mayer 
Cohan   Theater 
Additioyial  consensus  of  opinion  on 
"Ben  Hur"  follows: 

DAILY  NEWS— Everything  that  human 
nature  desires  is  furnished  in  "Ben-Hur." 
There  is  revenge,  wonderously  sweet ;  there 
are  love,  passion,  religion,  the  building  of 
empires  and  the  tearing  down  of  them.  There 

'  are  wealth  and  beauty  and,  to  help  us  ap- 
preciate them,  there  are  poverty,  ugliness 
and   misery.    •   •   * 

There  are  two  tremendous  wallops — the 
sea  battle  and  the  chariot  race.  The  latter 
was  the  greater  thrill.  The  sea  battle,  amaz- 
ing in  its  way,  yet  was  confused  at  times 
when  you  wished  to  be  clear  as  to  incident. 
In  the  chariot  race,  where  formerly  we  were 
shown  in  the  stage  productions  only  two 
weary  teams  of  plugs  racing  on  treadmills, 
this  picture  shows  seven  chariots,  each  drawn 
by  four  beautiful  Arabian  steeds,  racing  to 
the    death.      It    is   an    exhilarating    sight. 

GRAPHIC — That  it  turned  out  to  be  one 
of  the  great  productions  of  the  year  just 
closed — a  year  that  has  given  us  the  "big- 
gest and  best"  pictures  ever  offered — should 
be  a  source  of  tremendous  satisfaction  to 
its    producers,    players,    and    to    Fred    Niblo, 

fits   director. 

MORNING  TELEGRAPH— The  chariot 
race  as  it  used  to  be  presented  on  the  stage 
is  enhanced  a  hundredfold  by  the  camera. 
The  result  is  an  almost  overwhelming  thrill, 
which  must  inevitably  do  likewise  to  every 
successive  audience.  The  galley  sequence  is 
extraordinarily  impressive,  fascinating  in  its 
detail  and  stirring  in  its  appeal  to  the  sym- 
pathies. 

"Ben-Hur"  is  Ramon  Novarro's  best  role. 
*  *  *  It  is  notable  by  reason  of  its  massive- 
ness    and    skill    of    Fred    Niblo,    the    director, 

,in  handling  crowds.  Singularly  lacking  are 
moments   of   charm,   imagination  or   finesse   of 

•  direction.  "Ben-Hur"  is  a  spectacle  and  as 
such  must  not  be  expected  to  achieve  inti- 
mate  values. 


"Bluebeard's  Seven  Wives" 

First   National 

Strand 

(Week  Ending  Saturday,  January  2) 
AMERICAN—*  *  *  Ben  Lyon  is  the  star 
and  a  most  entertaining  one,  with  Lois  Wil- 
son as  his  real  sweetheart.  But  the  man  who 
made  the  star — and,  in  our  mind,  makes  the 
picture — is  Sam  Hardy.  Sometimes  the  story 
dragged,  we  must  admit,  but  never  when  he 
was  around.  *  *  * 

,  DArr,Y  MIRROR — •  •  *  has  been  expert- 
1  ly  titled  and  directed  neatly  by  Al 
Santell.  It's  crackerjack  entertainment,  shoot, 
ing  laughs  from  beginning  to  end  with  the 
rapidity    of    a    machine    gun    in    action.    *    •    • 


EVENING  JOURNAI.— * 


IS  a  gorge- 


ous satire  on  the  movies,  and  Al  Santell,  the 
director,  must  have  had  many  of  his  contem- 
poraries in  the  film  game  in  mind  when  he 
created   the   situations.    ♦   •   • 

EVENING  WORLD—*  *  *  best  of  enter- 
tainment. Ben  Lyon  can  be  an  excellent  com- 
edian when  he  has  the  chance.  He  has  excel- 
lent support.  It  is  bright  and  constantly 
amusing.  The  Strand  audience  liked  it  and 
other    audiences    are    going    to    get    their    full 

xouotn   of  hilarity  from  this  film  of  the  movies, 
by  the  movies,  and  for  the  movies.   •  •  • 

GRAPHIC—*  *  *  Ben  Lyon,  as  the  hero 
of  ths  amusing  tale,  does  the  best  work  of 
his  career.  In  fact,  Ben  is  quite  amazing. 
Having   seen   him   play   the   role,   we   can't   ira- 

'  agine  any  one  doing  it  quite  as  well.   *   •  • 


HERALD-TRIBUNE—*  *  •  Amazingly 
frank  and  spicy  is  "Blubeard's  Seven  Wives." 
Blanche  Merrill  and  Paul  Schofield,  aided  and 
abetted  by  Alfred  Santell  and  Randolph  Bart- 
lett,  have  dared  to  hold  up  to  ridicule  the  sa- 
cred ones  of  the  movies.   *  *  • 

MORNING  TELEGRAPH—*  *  *  The 
spirit  of  "Blubeard's  Seven  Wives"  is  one  of 
happy-go-lucky  burlesque.  Mr.  Kane  and  his 
associates  seem  to  have  had  a  lot  of  fun  in 
the  making  of  it,  and  naturally  in  any  such 
free-and-easy  construction  there  are  many 
loose  ends  and  technical  lapses.   *   *  • 

POST — The  moving  picture  industry  is 
thoroughly  and  hilarioiisly  burlesque  *  *  "  in 
a  film  entitled  "Bluebeard's  Seven  Wives," 
wherein  Ben  Lyon  appears  as  a  near-sighted, 
stuttering  bank  clerk  drafted,  quite  by  chance, 
into   the   movies.    *    ♦    • 

SUN — *  *  *  rather  a  neat  satire  on  movies, 
movie  stars  and  the  movie  public.  It  is  a 
courageous  thing  for  the  First  National  Corp- 
oration to  do.  because  the  film — which  is 
cleverly  dubbed  "Bluebeard's  Seven  Wives" 
— consciously  or  unconsciously  pokes  fun  at 
the   typical    First    National   photoplay.    *    *    • 

TELEGRAM—*  *  *  It  is  one  of  those  far_ 
fetched  affairs  in  which  an  underpaid  bank 
clerk  wins  fame  and  fortune  over  night  in 
the    flickering    films.    •    •    * 

TIMES — *    *   *   This   picture   is   a   most   en- 
gaging  effort,    which    is   so   humorous   that   one 
does   not   want   to  turn   one's   head    for   an    in 
stant  for  fear  of  missing  a  single  laueh,  which 
mirth   is    helped   along   by   witty   captions.  »  •  ♦ 

WORLD — A  brisrht.  laughab]e_  and  sophisti- 
cated comedy,  which  takes  satirical  pot  shots 
at  the  movies,  *  *  *  In  it  Ben  Lyon,  a  young 
man  addicted  to  the  hat  advertising  business 
as  an  avocation,  and  Lois  Wilson  play  the 
principal    parts.    *    ♦    • 


"The  Enchanted  Hill" 
Paramount 

Rialto 

(Week  Ending  Friday,  January  1) 

AMERICAN—*  *  *  The  saving  grace  of 
humor  gave  the  picture  most  of  its  entertain- 
ment value.  We  were  not  particularly  thrilled 
by  the  hero's  chase  of  the  villain  whom  he 
had  just  ordered  out  of  town.  But  we  were 
amused   bv  the   manner  of   the  chase.   •   •   • 

DAILY  MIRROR-  *  *  *  Tf  you  like  Peter 
B.  Kyne's  red-blooded  melodramas  of  virile 
men  and  feminine  women,  vnu  will  relish  this 
one.   as   directed  bv   Irvin   Willat. 

The    picture     follows    the    novel     faithfully. 

EVENING  JOURNAL-*  *  *  The  loca- 
tions and  photography  are  beautiful,  and  the 
plot  concerns  a  cattle  ranch  war.  Noah  Beery 
a"d  r.eoree  Bancroft  are  an  excellent  nairof 
villains,  and  while  there's  plentv  of  shooting 
and  dnnWe-crrissincr.  there  should  have  been 
more   ridintr.    ♦   *    * 

GRAPHIC—  •  •  •  The  story  is  good 
enough — if  you  like  Mexican  atmosphere  and 
across-the-border  scenery.  •  •  *  Noah  Beery 
— as  is  usual  with  the  Beervs — just  abotJt 
steals  the  picture.  At  least  he  would  if  it 
were  worth  stealing — which  it  hardly  is,  at 
that.    •  •  • 

HERALD-TRTBUNE— *  *  •  Full  of  gun 
fights  and  rue^ed  srenerv  and  overrun  with 
stronir.  silent  men.  this  offering  at  the  Rialto 
is  31  excitine  Western  storv.  painfully  con- 
vptiH'nnal  vet  made  entertaining  by  the  antics 
nf    ■\Tr,^h    Tlpprv.    »    ♦    * 

MOTT^'T'^"^  TT^TFGRAPH — *  *  *  the  char- 
acters and  the  plot  are  of  the  vintage  of  1910 

Irvin  Willat  made  this  picture  from  a  story 
bv  Peter  B.  Kvne.  but  neither  has  contrib- 
uted a^vtbir™  tti^t  has  not  been  seen  many. 
rn:>"i-  t'mes  h»'f'-'re.   •   •   * 

POQT *    *    *    "nnd   eno""h    Western    matter 

made  unusually  bearabV  bv  the  presence  of 
Florence   Vidor    as   chief   ladv   in   the   vicmity. 


JOSEPH  R.  MILES 

PRESIDENT 

LLOYDS  FILM  STORAGE  CORP. 

ANNOUNCES  THE  OPENING 

ON  JANUARY  4TH 

OF  TWO  UP-TO-DATE 

PROJECTION  THEATRES  AT 

723  SEVENTH  AVE.,  N.  Y.  C. 


"POWERS  BUILDING" 


Phone  Bryant  5600 


SUN—*  ♦  *  authorized  by  Peter  B.  Kyne. 
It  runs  according  to  the  customary  formula 
as   regards   story,    acting   and   direction. 

This  means  that  it  will  please  those  who 
attend  motion  pictures  principally  on  account 
of  the  screen  Western.  Beyond  that  there 
is  little  more  to  say.   *  *  • 

TtLEtiRAM— *  *  *  The  picture,  which 
sadly  lacks  homogeneity,  comprises  more  or 
less  a  series  of  jerky  cross-country  chases, 
punctuated  here  and  there  with  close-ups  of 
Holt  projecting  significant  looks  from  nar- 
rowed  lids.    *   ♦    • 

TIMES—*  •  *  There  is  enough  heroics 
and  enough  shooting  in  this  photoplay  to  sat. 
isfy  those  who  are  partial  to  Western  films, 
and  persons  in  favor  of  other  stories  will  find 
this  picture  one  far  more  diverting  than  most 
efforts   of   its   type.    *    ♦   * 

WORLD—*  *  *  That  the  film  is  not  overly 
engrossing  is  the  fault  of  the  continuity  which 
hashes  up  the  tricky  manoeuvres  of  the  man- 
ager of  the  Bar  K  ranch  to  force  the  owner 
of  the  "Enchanted  Hill"  ranch  to  sell  out, 
this  little  business  deal  involving  cattle  rust 
ling,   sundry   shootings   and  fist  fights.   *   •   ♦ 


Lady    Windemere's    Fan" 

Warner  Bros. 

Warners 
(Week    Ending    Saturday,   January   2) 

AMERICAN—*  *  *  All  evening  we  tingled 
with  delight  at  the  delicacy,  the  originality, 
the  precision  of  the  directing.  The  picture  is 
filled  with  new  ideas  That,  however,  did  not 
astonish  us.  We'd  have  been  nonplussed  if 
Lubitsch   had   disappointed  us.   *   *   * 

DAILY  MIRROR—*  *  *  with  the  excep. 
tion  of  a  few,  rare  delightful  touches,  this 
picture  has  every  element  of  the  obvious  mo- 
vie. Because  of  the  multitudinous  abundance 
of  long,  long  shots,  jerked  to  closeups  from 
one  player  to  another,  the  action  leaps  fitfully 
and   wearies   the    eye.    »    ♦    • 

DAILY  NEWS— A  very  good  picture  this, 
although  not  adhering  very  closely  to  the  de- 
tails  of   Oscar   Wilde's   famous   play.    ♦   *    * 

EVENING  JOURNAL—*  *  *  is  a  divert 
ing  comedy.  But  it's  due  more  to  the  direc- 
tor than  the  author,  for  the  appeal  of  any- 
thing written  by  Wilde  is  based  entirely  upon 
sparkling   epigrams   and   adroit   subtleties.  •  ♦  • 

EVENING  WORLD—*  *  *  The  spirit  of 
the  piece  and  the  action  of  the  play  is  pre- 
served almost  faultlessly,  but  by  the  camera 
instead  of  by  the  pen.  It  is  a  distinctive  film 
because  it  is  essentially  of  the  Wilde  flavor 
with   hardiv   a   word    from    Wilde. 

It  should  be  observed  that  Mr.  Lubitsch  had 
the  assistance   of  a  hiirhlv  capable   cast.   *   *   * 

GRAPHIC—*  *  *  Lubitsch  has  set  a  very 
high  standard  for  himself,  and  possibly  we 
have    come    to    expect    too    much    of    him,    but 


there  is  little  excuse  for  a  director  who  can 
turn  out  films  like  "Tlie  Marriage  Circle" 
and  "Kiss  Me  Again"  giving  us  such  a  dull, 
tedious,  monotonous  eight  reels  as  "Lady  Win- 
demere's   Fan."    *    *    * 

HERALD-TRIBUNE—*  *  *  As  Mrs.  Er- 
lynne.  Miss  Rich  is  superb  as  an  actress  and 
so  very  handsome  as  a  woman.  We  simply 
couldn't  see  May  McAvoy  as  Lady  Windemere 
in  advance,  but  when  she  appeared  on  the 
screen  we  decided  that  the  choice  was  a  wise 
one.  She  is  charming.  We  believe  that  we 
still  prefer  Ernest  Lubitsch's  own  stories 
screened  to  his  adaptations.   *   *   * 

MORNING  TELEGRAPH—*  *  *  is  an 
outstandingly  good  picture  but  it  isn't  so  good 
as  it  might  have  been.  It  suffers,  for  in- 
stance, from  the  popular  film  notion  that  the 
good  people  should  get  all  the  sympathy,  and 
that  immoral  people  are  necessarily  either 
cheap  or  bad.  It  lacks,  therefore,  some  of 
the  debonair   sophistication  of  the   plav.    »    *   * 

POST—*  *  *  The  celebrated  "Lubitsch 
touch"  is  everywhere  to  be  discerned,  and  the 
players,  as  usual,  seem  to  have  come  under 
the  spell  of  their  director,  giving,  for  the 
most    part,    unforgettable    performances.    *    •    • 

SUN — *  *  *  The  photoplay  represents,  un- 
questionably^ one  of  the  directorial  triumphs 
of   the    year. 

Here  is  a  cinema  with  a  style,  with  an  air. 
It  is  a  high  comedy-drama  directed  in  the 
ciuiet,  aristocratic  vein  which  runs  only 
thrnueh    Luhit'^ch.    *    *    * 

TELEGRAM — *  *  *  a  picture  that  is  neith- 
er unnecessarily  divergent  from  the  original 
nor  forced  and  stilted  from  too  much  literal 
insistence  *  *  *  is  as  honest  and  intelligent 
a  piece  of  screen  entertainment  as  we  have 
seen  during  the  entire  vear.  ♦  *  * 

TTME.S — *  *  *  Mr,  Lubitsch  did  not  see 
eye  to  eye  with  Wilde  in  his  portrayal  of 
smart  but  blase  nobility,  but  he  has  neverthe- 
less fashioned  an  entertaining  picture  which 
will  probably  be  more  popular  in  provincial 
communities — where  Lubitsch  is  better  known 
than  Wilde — than  a  production  that  retained 
W^'de'o   nimble  wit.  *  *  * 

WORT  D — *  *  *  each  Lubitsch  scene,  gar- 
nished with  the  bri'liance  of  a  fanciful,  imag. 
inative,  impressionistic  touch,  unfolds  itself 
before  it  has  finished  into  a  full,  unmistak- 
able and  tremendously  simplified  episode.  Even 
those  views  which  smack  most  beautifully  of 
the  rarified  essence  of  vacue  suggestion  event- 
uallv  devplon  into  the  most  gorgeously  obvious 
exhibits,    *    *    • 


Union    Employees    Strike 

Ottawa — Union  employees  of  the 
Maiestic  theater  are  out  on  strike,  be- 
catise  the  owners,  Froman  &  Peti- 
eorsky,  refused  to  grant  an  increase 
in  wapes. 


MOLLY  MAY 

(of  Molly  May  Series,  [Inc.]) 

12  High  Class  2  Reel  Comedies 

Wishes  to  Announce  That 

Her  First  Night  inPliiladelphia 

was  so  enjoyable,  she  is  now  experiencing 

Her  First  Night  in  New  York 

and  that  she  is  promised  she  shall  soon  have 

Her  First  Night  in  the  FolUes 

thanks  to  the  delightful  ingenue.  Violet  Mersereau;  her  di- 
rector Joseph  Levering;  her  producer  Arthur  J.  Lamb;  and 
her  distributors,  Cranfield  and  Clarke.  {Inc.) 


u 


THE  BAT 

y{  ROLAND  WEST 

^roductioro 

J  Mystery  Melodrama 
3y 

Mary  Roberta  Rinehart 

ant/  Avery  HopwoocJ^ 

Jrom  the   sta^e  play  produced  by   Waaenhals   and    h(empct'-~^ 


» 


"The  Bat" 

The  stage's  greatest  mystery  melodrama, 
has  become  the  screen*s  greatest  mystery 
picture,  with  a  superb  all-star  cast. 

Millions 

Saw  the  stage  play  which  had  a  $10,000,000 
legitimate  theatre  gross.  Those  millions 
will  help  you  sell  this  film  to  the  millions 
who  didn't  see  it— help  YOU  share  in  the 

Millions 

Certain  to  flow  into  the  theatres. 


March  15tli 
Release 


LAUGHS 


Laughs  that 
never  cease! 
One  rib-tickler 
after  another! 
Roars!  Howls! 
Shouts!  Yells! 
As  the  great 
*50'50'  partners 
do  their  stuff 
in  their  new 
automobile 
partnership. 


THRILLS 


The  Laugh 
and  Thrill 

Sensation 
of  the 

Nation! 


Samuel  (uddwyn 


Thrills  that 
have  no  end, 
that  startle 
and  leave  you 
breathless,  yet 
wanting  more! 
Pulsc'Stirring 
thrills,  with 
^  *Abe  &.  Mawruss* 
in  their  daring, 
hair  raising 
airplane  race! 


^he  HenKy  King  Productiorp 

PARTNERS  AGAIN 

WITH      POTASH   &^  PERLMUTTER:'^ 

witli  Cicoi'qi'  Mi/dcv  iitnl  Ah'Xdiidei'  (  iirr 


\ 


licit  In      Iniiici'.s  MiiiKi. 


(^    Jroni  tlir    hromlwiiy    Slaijr  Siirrrss    In 
MoiitdiHK'   ("iln,«>    iinil  Jiile.s  Eckcrt    Oooiliiuin 


Feb* 

15th 

Release 


Now  Booking 

UNITED    ARTISTS    CORPORATION 

J^ary  Pickford  Charlej-  Chaplin 

Douglas   Fairbanks  D.W.  Qriff/fh 


Uoj-eph  M.Jchenck,. 
Chairman .  &oard  of  DirectorU' 


Jiiram  Obramj-, 

President 


The  trade-ads 
tell  you  tbiot 
this  is  a 


(lfUJ(a4itt\ 


•.'«« 


boK-ofj^ces 
tell  you  that 

BistNadonal 

is  futntunq  awau 
uMitf 


$2000.  CASH  PRIZES  FOr.  EXPLOITATION  "FORD"?AVro".'?„nr/» 


NATIONAL  MONTH  CONTEST 


•I 


iTHE 

7Ae  BRADSTREET 
o/*  FILMS    tA 


r^RECOCMIIEft 

Authority  i 


VOL.  XXXV     No.  3 


Tuesday,  January  5,  1926 


Price  5  Cents 


BARRYMORE 

By  DANNY 

Really  a  great  actor ;  probably 
one  of  the  finest  in  America. 
Valuable  to  the  pictures  particu- 
larly because  he  draws  to  the 
box  ofifice  the  type  of  clientele 
which  differs  materially  from  the 
usual  fans.  Has  appeared  in 
some  notably  fine  pictures.  But 
too  often  without  the  true  flavor 
of  the  "movies." 

But  in  his  latest  for  the  Warners — 
"The  Sea  Beast" — he  hits  not  only 
a  fine  stride  for  his  particular  patrons. 
But  also  for  the  movie  goers  as  well. 
He  handles  a  very  strong  role  in 
what  is  really  a  picturization  of 
"Moby  Dick,"  one  of  the  greatest 
whaling  stories  ever  written.  The 
big  sea  beast  "Moby  Dick"  gets  one 
of  Barrymore"s  legs — after  his  brother 
hurls  him  from  the  boat.  Barry- 
more  spends  the  rest  of  his  life  seek- 
ing revenge  on  the  sea  beast,  and 
trying  to  forget  the  girl  he  loves, 
because  he  thinks  she  has  married 
his  brother.  In  the  end  he  discovers 
that  she  has  been  waiting  for  him 
for  years,  despite  his  wooden  leg. 

Around  this  story  the  Warners 
have  built  a  fine  production;  Barry- 
more  never  appeared  to  better  ad- 
vantage and  the  probabilities  are 
(Continued  on  Page  2) 


Cleveland  Acts 

Exhibitor     Ass'n     Protests     to     Ex- 
changes Against  Supplying  Non- 
Theatrical  Consumers 

Cleveland — The  Cleveland  M.  P. 
Exhibitors'  Ass'n  has  notified  ex- 
changes of  its  protest  against  serv- 
ing film  .,to  churches,  schools  and 
halls,  as  it  is  the  belief  of  the  as- 
sociation that  theaters  cannot  com- 
pete with  these  places  when  they  run 
shows  because  of  their  freedom  from 
operating  expenses  which  theaters  are 
obliged  to  assume. 

"We  feel,"  said  the  letter,  "that 
it  is  inimical  to  the  interest  of  our 
theater  members  to  have  to  meet  such 
unfair  competition  and  we  protest 
against  the  serving  of  them  with  film 
which  enables  them  to  run  competi- 
tive shows  to  our  members." 


(( 


Tea  Matinees" 

Chicago — "Tea    matinees!" 
A  new  social  event  on  your  calen- 
dar— with  B.   &  K.'s  Uptown  theater 
presenting   the    invitation. 

The  first  one  will  be  Jan.  11,  and 
they'll  be  daily  social  events  there- 
after, on  the  mezzanine   floor.     Indi- 

(Continued  on  Page  5) 


Studio  Deal  Set 

Famous  to  Get  United  Plant.     Con- 
tracts   Not    Signed,    but    Details 
Agreed  Upon 

Los  Angeles — The  deal  between 
Famous  and  the  United  Studios  is 
practically  closed.  Details  have  been 
ironed  out  and  terms  agreed  upon, 
although  no  contracts  have  as  yet 
been    signed. 

The  impending  deal  will  necessitate 
the  removal  of  First  National  units 
to  another  studio.  This  has  again  re- 
vived reports  that  First  National  has 
been  negotiating  for  the  Warner  stu- 
dio. Warner  officials  deny  the  re- 
port, stating  that  the  company  will 
need  all  of  its  space  for  next  year's 
schedule. 


Rovs^land  Off 

To  Coast  on  Mid-Winter  Production 

Visit— Certain  Star  Values  Still 

Dominate 

Richard  A.  Rowland,  general  man- 
ager of  First  National,  left  yester- 
day for  the  Coast  where  he  will  re- 
main, several  weeks  in  conference 
with  producers  and  directors  asso- 
ciated with  First  National.  This  is 
Rowland's  regular  mid-winter  visit. 

Before  leaving,  he  said  production 
plans  at  both  the  Eastern  and  West- 
iContinued  on  Page  4) 


Radio  as  Boost 

Important   Figures    Reach  30   States 

in  Wednesday  Addresses — Stress 

Films'    Usefulness 

Interesting  addresses  on  vital  facts 
concerning  the  industry  are  now  a 
regular  part  of  the  broadcasting  ser- 
vice of  the  Radio   Corp.  of  America. 

Each  Wednesday  afternoon,  some 
leader  or  some  figure  of  national  im- 
portance who  is  interested  in  and  as- 
sociated with  the  industry  as  a  fan 
(Continued  on  Page  5) 


Garr  Joins  Famous 

Los  Angeles — Harry  Carr,  nation- 
ally known  newspaperman,  has  been 
appointed  managing  editor  of  produc- 
tion at  the  Lasky  studio. 

Carr  is  an  editorial  power,  a  dra- 
matic critic  and  writer,  and  western 
(Continued  on  Page  4) 


Griffith  at  A.  M.  P.  A. 

David  Wark  Griffith  will  be  the 
next  of  the  A.  M.  P.  A.  "Twelve  Im- 
mortals" to  address  the  association. 
The  day  Thursday;  the  place,  the 
Hofbrau. 


Dicker,  "U's"  Scenario  Editor 

Phelps  Decker,  formerly  with  D. 
W.  Griffith  and  Elmer  Clifton  Prod. 
is  now  Universal's  scenario  editor 
in  the   East. 


Russia 

The  first  of  a  series  of  five 
articles  on  Russia,  based  on 
material  gathered  in  Moscow 
by  Ernest  W.  Fredman,  editor 
of  "The  Film  Renter"  of  Lon- 
don will  appear  in  tomorrow's 
issue. 

Mr.  Fredman,  of  course,  looks 
at  the  Russian  market  through 
British  eyes,  but  because  Russia 
is  considered  in  many  quarters 
as  the  greatest  potential  for- 
eign market  for  American  pic- 
tures, there  is  much  in  the 
Fredman  articles  to  interest  the 
trade  here. 


Probe  Minneapolis  "Scalpings" 

Minneapolis — Federal  agents  are 
investigating  ticket  scalping  for  New 
Year's  eve  performances.  According 
to  reports  tickets  which  ordinarily  sell 
for  from  75  cents  to  $1,  were  being 
sold  as  high  as  $4. 


192  in  Chain 


Hasn't  Sold  Out 

Joe  Friedman  Not  in  Deal  with  "U" 

for    St.    Paul    First-Runs — Many 

Reports  Aired  in  Tvfin  Cities 

St.  Paul — Denial  that  Universal  has 
taken  over  the  Tower  and  Park,  as 
part  of  a  deal  embracing  the  Ameri- 
can Amusement  Co.  circuit,  in  Min- 
nesota and  North  Dakota,  is  made  by 
Joseph  Friedman.  It  had  been  re- 
ported in  advices  from  New  York 
that  Universal  had  consummated  the 
deal,  and  was  preparing  to  invade  a 
number  of  other  northwest  cities. 

A  number  of  companies,  according 
to  Friedman,  have  made  overtures  for 

(Continued  on  Page  4) 

Advertising  Combine 

Ten    St.    Paul    Exhibitors    Cooperate 

to  Compete  writh  F.  and  R.  in 

Newspaper  Columns 

St.  Paul— Organization  of  St.  Paul 
exhibitors  exclusive  of  Finkelstein  & 
Ruben  has  been  perfected  as  the  first 
step  in  a  move  to  compete  with  the 
city  houses  controlleo  by  the  circuit. 

The  new  organization  was  formed 
for  advertising  purposes,  with  the  ten 
theaters  represented  in  its  member- 
ship to  band  together  in  the  purchase 

(Continued  on  Page  5) 

I.  M.  P.  A.  Committee  to  Meet 
The  new  executive  committee  of 
the  I.  M.  P.  A.  will  hold  its  first 
meeting  at  the  Astor  tomorrow.  The 
association  moved  yesterday  from  the 
10th  to  the  9th  floor  of  1650  Broad- 
way. The  association  and  Sam  Sax 
have  exchanged  offices. 


Of  North  American  Theaters  Corp., 
Says  Harry  C.  Arthur  —  New  I 

First-Run  for  Portland    Ore.  i 

Portland,  Ore. — North  American  < 
Theaters  Corp.,  generally  regarded  i 
as  an  affiliation  of  both  the  M.  P.  j 
Capital  Corp.  and  the  Prod.  Dist.  i 
Corp.,  now  has  192  houses  under  its 
management.  I 

Local   papers   quote   Harry   C.   Ar-      ' 
thur,     general     manager     of     North 
American  to  this  effect  in  connection     ■ 
with    a    new    deal    whereby    Arthur's 
company  secures  the  lease  on  the  Ac-      ! 
kerman  and  Harris  theater  now  under 
construction    on    Broadway    between 
Salmon   and   Main   Sts.     Sam   Harris     , 
of  A.  and   H.   declares   the   deal   is  a      ] 
consolidation  of  interests.     His  com- 
pany  will   handle   the   vaudeville   and      < 
North  American  will  supply  the  prod-     j 
uct.     That  the  pictures  will  be  P.  D.     i 
C.'s  is  assumed  to  be  a  fact.  » 

Other  houses  are  to  be  built  in  they' 
Northwest,  according  to  local  papers^^   / 
The  Portland  house  will  be  rushed  in^ 
order  to  have  it  ready  by  June  1.     In 
Seattle,    a    $1,500,000    theater    at    5th 
and   University  Sts.     will  likewise  be 
operated    by    North    American   Thea-     J 
ters.  j 

Prologues    for    these     houses    and     j 
others  to  come  will  be  handled  on  a 
road    show   basis   similar   to  the  plan     ' 
of  Publix  Theaters.  ] 


P.  D.  C.  in  Kansas  City 
Kansas  City — P.  D.  C.  secures  first- 
run  representation  at  the  Globe  here 
with  William  and  N.  J.  Flynn.  The 
deal  calls  for  extensive  newspaper  ad- 
vertising and  a  change  of  policy  to 
permit  of  long  runs  when  necessary. 


Films  Lead  Mexican  Amusements 

Los  Angeles — The  Associated  Press 
reports  from  Mexico  City  that  bull 
fighting  has  slumped  into  second 
place.  Mexicans  now  spend  four 
times  more  money  on  films  than  mat- 
adors. Calculations  from  government 
figures  show  that  bull  rings  in  and 
near  Mexico  City  took  in  1,043,434 
pesos  during  1925,  while  picture  thea- 
ters for  the  same  time  and  territory 
had  receipts  of  4,683,106  pesos.  Au- 
thorities think  this  ratio  is  represen- 
tative of  the  country  generally. 


Friedman  Transferred  to  N.  Y. 

Joe  Friedman,  Universal  manager 
in  Detroit,  has  been  transferred  to  the 
home  office  where  he  will  head  a  new 
division  in  the  department  of  distri- 
bution. 


Moon,  New  Detroit   Manager 

Detroit — Ray  Moon  is  now  mana- 
ger of  the  Universal  office,  succeeding 
Joe   Friedman. 


« 


THE 


m 


Tuesday,  January  5,  1926 


Vol  XXXV  No.  3     Tuesday,  lan.5, 1926      PriceSCeats 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Pulilished  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  IMC. 
Josepli  Dannenberg,  President  and  Edilor; 
J.  W.  Alicoate,  Treasurer  and  Business  M»J- 
ager ;  Maurice  D.  Kann,  Managing  Edilor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21.  1*18, 
at  the  post  office  at  New  York,  N.  Y.,  uuder 
the  act  of  March  3,  1879.  Terms  (Postage 
tree)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY.  1650 
Broadway,  New  York.  N.  Y.  Phone  Cirtle 
4736  4737-4738-4739.  Cable  address :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman.  6411  Hollywood  Blvd.;  'PHoik;, 
Granite  3980.  London— Ernest  W.  Fredmai', 
The  Film  Renter,  58,  Great  Marlborough  St  , 
London,  W.  I.,  Paris— La;  Cinematographic 
Francaise,    5,    Rue    Saulnier. 


Quotations 

High    Low    Close      Sales 

Balaban   &   Katz    ..    70-4     70^^     70/2       ... 
Eastman    Kodak    ..112       110J4   H^'A      1.600 
Famous    Players    ..108^   107 J4   108         1,100 
Fam.    Play.    Pfd.    ..116^   116^   116^         100 
Film    Inspection    .  .      SH       S'A       SH        200 

First    National    Not  quoted 

Fox    Film    "A"     ..   84}4     83^     84         1,400 
Fox  Theaters   "A".    3254     32si     32-54     9,000 

Loevv-'s,    Inc 40J4      39}^     39-4      4,600 

Metro-Gold.     Pfd...   22%     22}^     22^^         200 
•M.  P.  Cap.   Corp...    21         20         21  4.000 

Pathe   Exch.   "A"..    76%     76!4     76-4    '     300 

Skouras     Brothers     Not  quoted 

Trans-Lux     12j4      12J^8      12-/8      8,800 

Universal     Pictures     Not  quoted 

Univ.    Pict.    Pfd Not  quoted 

Warner     Brothers..    17^      17'A      17%         300 
Warner   Pictures    Not  quoted 


"Puppets"  to  be  Rockett's  Firs 

"Puppets,"  stage  play  by  Frances 
Lightner  will  be  the  first  production 
to  be  supervised  by  A.  L.  Rockett  at 
Fifst  National  under  the  recent  su- 
pervisor arrangement.  John  Goodrich 
is  working  on  the  continuity.  George 
Archainbaud  will  direct  upon  the 
completion  of  "Men  of  Steel." 


Marceline  Day  as  "Barbara  Worth" 

Los  Angeles — After  a  search  of 
four  months,  Principal  announces 
today  that  Marceline  Day,  one  of  the 
1926  "Wampas  Baby  Stars"  has  been 
signed  to  play  the  role  of  Barbara 
in  "The  Winning  of  Barbara  Worth." 


Saxe  Backing  Berlin,  Wis.  House? 

Berlin,   Wis. — A   new   theater   is   in 

.  prospect    for   Berlin,   with   an   $80,000 

[house   to  be   erected.      It   is   reported 

[the  Saxes  may  be  behind  the  theater. 


FOa     R.ENT 


BELL  -  HOWELL 

AND 

AKELEY  CAMERAS 

COit/i  or  Without  Cameramen 


SEIDEN    CAMERA    EXCHANGE 

729   Seventh  Ave   NYC. 
Bryan  t    3951 


BARRYMORE 

(Continued  from  Page  1) 
strong  that  "The  Sea  Beast"  will  find 
its    way    to    a    fine    popularity.      The 
combination    of    the    unusual    story; 
unusual  atmosphere,  plus  Barrymore, 
should  prove  fine  box  office  material. 
On  the  Air 
Radio    Corp.   is   giving   Wednesday 
afternoon   hours   over   to    the   picture 
folks.     Pete  Woodhull  speaks  tomor- 
row   on    the    "Art    of    Making    You 
Laugh,"    a    sort    of    introduction    to 
"Laugh    Month."      Last    week    Jason 
Joy   of   the    Hays    office   was   on    the 
air  and  next  week  Rev.  George  Reid 
Andrews    of   the    Federal    Council    of 
Churches      will      talk      on      pictures. 
Chances  are  that  leaders  and  import- 
ant folk  of  the  industry  will  keep  up 
the  good  work — for  it  is  good  work. 
Harry  Arthur  dropped  a  bit 
of  information.    Out  in  Port- 
land,   Oregon.     To    the    effect 
that  the  North  American  The- 
aters  Corp. — the   theater  unit 
of    Producers    Distributing — 
now  has  192  houses  in  the  cir- 
cuit.    Considering    how    little 
you  have  heard  of  this  move- 
ment the  Arthur  statement  is 
significant.      Of    saying    little 
and  saiving  a  lot  of  wood. 
The  more  one  hears  of  the  theater 
activities  of  the  larger  companies,  the 
more  one   ponders  over  when   it  will 
cease.     And  where? 

"Rube"  Showmen  in  New  York 
So  said  Alexander  Pantages,  when 
in  Minneapolis,  in  connection  with 
the  statement  "that  he  intends  to 
'take  New  York  by  storm.'  The  real 
showmen,"  he  is  quoted  as  saying, 
"are  west  of  Chicago,  where  the/ 
have  to  make  a  go  of  it."  / 

If  that  doesn't  give  the  New  YoVk 
show  folk  something  to  chatter  abouK 
we  miss  our  guess.  But  regardless 
of  the  "Pan"  statement,  there  are  a 
few  mighty  good  showmen  gbout  the 
big  town.  Don't  discount  them  too 
much. 


Censors  Cause  Doubt 

British  Columbia   Not  Set  on  Policy 
One  Advocate  for  Merging  Nine 

Boards  in  One 
Victoria,  B.  C. — A  debate  on  the 
British  Columbia  censorship  situation 
came  up  in  the  legislature  recently. 
Suggestions  that  censorship  be  en- 
tirely abandoned;  that  censorship  be 
redoubled;  that  the  provinces  unite 
to  save  the  costs  of  nine  separate 
censorship  boards  in  Canada,  were 
all   discussed. 

G.  A.  Walkem,  one  of  the  mem- 
bers of  the  legislature,  favored  strong- 
ly one  censorship  body  as  a  measure 
of  economy,  and  Attorney  General 
Manson  said  he  was  favorable  to  the 
idea  as  far  as  it  could  be  made  prac- 
ticable; but  he  disagreed  with  the 
suggestion  that  censorship  was  prob- 
ably not  necessary  at  all. 


M.  P.  Capital  Offering  Today 

Watson  &  White  today  will  ofTer 
an  additional  issue  of  30,000  shares 
of  M.  P.  Capital  Corp.  common  stock 
at  $20  per  share.  The  corporation 
began  business  in  September,  1923, 
with  $100,000  capital.  The  working 
capital  and  surplus  on  Nov.  30,  1925, 
were  $2,353,306.  The  corporation  had 
cash  on  hand  on  Nov.  30,  of  $955,737. 


Marcus   on   Another   Trip 

Lee  Marcus,  sales  manager  of  F. 
B.  O.  leaves  today  for  a  swing 
around  exchanges.  He  will  cover 
Denver,  Salt  Lake  City.  Los  Angeles^ 
San  Francisco,  Portland,  Ore.,  Seat- 
tle and  Chicago. 


In  The  Courts 

Nathan  Burkan  has  filed  a  default 
judgment  for  $1585  in  the  Supreme 
Court  against  Grand  Asher  Distrib- 
uting Corp.  for  legal  services  in  con- 
nection with  a  franchise  agreement 
for  films  to  be  produced  by  the  M. 
P.  Directors  Holding  Corp.  and  to 
be  released  by  Grand  Asher. 


Pox  to  Film  "Sandy" 

Fox    has    acquired    picture    rights 

to   "Sandy"   which   has  been   running 

serially  in  more  than  100  newspapers. 

It   was   written   by   Elenore   Meherin, 

ho   also   wrote    "Chickie." 


Helen  Lee  Worthing  Here 

Helen  Lee  Worthing  is  in  New- 
York,  having  completed  work  as  one 
of  the  leads  in  "Wives  for  Rent,"  for 
Universal. 


WANTED 

FILM    PERFORATOR 
MUST   BE  IN   FAIR   CONDITION    : 

Communicate    with 

F.  W.  KNIGHT 

Phone  139  Charles  St. 

Watkins   6585  N.  Y.  C. 


Mahe  your  dates  for  Januarv    NOW/ 

5TEP   OUT   DURING  ^  / 

lAUGH  MONTH  ^  ,  I 


in  CENTURY  COMEDIES 


Also  starring  Edna  Marian,  Eddie  Gordon,  Al  Alt 
and  Charles  King  with  the  Century  Follies  Girls. 
Two  reels  each — one  every  week. 


AT    YOUR    UNIVEf=^J'AL    EXCHAMG^ 


^Drr-' 


"Big    Parade"    in    Detroit 
Detroit — "The  Big  Parade"  opened 
for  an  indefinite  run  at  the  new  De- 
troit O.  H.  on  Sunday,  at  $2  top  and 
two  shows  daily. 


I 


OUR  GANG  co: 


HAL ROACH 

pTcsentg 


GOOD  CHEER 

Directed  Jy-iJoiert  McCnxuon 

This  is  a  'Cornerblock'  cut  furnished 
FREE  for  all  Pathecomedies  at  your 
exchange. 


f 


msm 


^riendlyTkaid 


BRYANT     3T.40-37-4.-4 


Reuben  S^vjmuels.Ixc. 


i540  broadway 
NewYork 

Insurance   Experts  to  the  Theatrical 
And   Motion    Picture    Industry 


«      \ 


i 


J 


n 

4 


THE 


Tuesday,  January  5,  1926 


Rowland  Off 


{Continued  from  Page  1) 
ern  studios  were  well  ahead  of  sched- 

^  ule.  On  his  arrival  at  the  Coast, 
Rowland  expects  to  see  a  completed 
print  of  "The  Viennese  Medley." 

While  in  Los' Angeles,  he  will  con- 
fer with  John  E.  McCormick.  He 
will  also  discuss  plans  of  allied  pro- 
ducers whose  product  is  being 
handled  by  First  National.  "I  be- 
lieve that  the  coming  year  will  prove 
more  conclusively  than  ever  the  box 
office  value  of  popular  stars,"  said 
Rowland.  "A  production  may  be 
artistic,  the  story  may  have  dramatic 

'  value  and  there  may  be  the  appeal 
of  a  good  box  office  title,  but  without 
a  star  whose  name  means  somethang 
to  the  public,  the  actual  worth  of  a 
picture  will  not  be  realized.  This  is 
not  theory,  but  fact,  as  shown  by 
exhibitors'  reports  on  pictures  wL;th- 
out  stars  and  those  with  them." 


Metro-Goldwyn  Statement 
(  As  noted,  Metro-Goldwyn  Pictures 

Corp.  profits  for  the  12  weeks  end- 
ing Nov.  21,  1925  showed  a  net  of 
$311,820  after  expenses  but  before 
deducting  Federal  taxes.  The  state- 
ment follows: 

Gross  profit   $1,267,027 

Operating    expenses     1,026,459 

lOperating     profit     $240,568 

Other  income    71,252 

,'  Net  profit  before  Federal  taxes.  .       $311,820 


Davis   to   Confer   with   Briskin 

Los  Angeles — ^George  H.  Davis, 
president  of  Banner  Prod,  is  expected 
from  New  York  to  confer  with  Sam- 
uel J.  Briskin,  relative  to  production. 
"The  Taxi  Mystery"  has  just  been 
completed. 


Edelman  Assisting  Mel  Shauer 

Louis  Edelman,  ad  sales  represen- 
tative of  Paramount,  has  been  ap- 
pointed home  office  assistant  to  Mel. 
A.  Shauer,  manager  of  the  ad  sales 
department. 


Rossman  with  Detroit  Expedition 

Detroit  —  The  Detroit  Arctic  Ex- 
pedition yesterday  announced  ap- 
pointment of  Earl  Rossman  as  offi- 
cial photographer  for  the  expedition, 
which  will  leave  Point  Barrow,  Al- 
aska, by  airplane,   March  31. 


Welch  in  "Hearts" 

Niles  Welch  has  been  added  to  the 
cast  of  "Hearts,"  a  MacFadden  Prod, 
which  Hugh  Dierker  is  directing  at 
Cosmopolitan. 


'-Ben  Lyon  in  Florida 
Ben  Lyon  has  gone  to  Florida  for 
a  few  days.     He  will  later  go  to  the 
West  Indies  with  "The  Savage"  com- 
pany. 


Garr  Joins  Famous 

(.Continued  from  Page  1) 
representative  of  the  Brewster  Pub- 
lications. He  has  been  chief  advisor 
to  D.  W.  Griffith  and  literary  ad- 
visor to  Thomas  Ince.  Also,  he  is 
co-author  with  Walter  Woods  of  the 
story  "Old  Ironsides."  Carr  will  be 
virtually  the  critical  voice  in  behalf 
of  the  public  on  the  merits  and  ap- 
peal of  new  Paramount  productions. 


0  Best  for  1926 


'The  New  Yorker,"  a  week- 
ly issued  for  "smart"  people, 
and  written  accordingly,  car- 
ries this  suggestion  for  the  10 
Best  Pictures  for  1926: 

De  Maupassant's  "Bel  Ami" 
(von  Stroheim). 

Ditto's  "Yvette"  (Herr  Lu- 
bitsch). 

Hardy's  "Mayor  of  Caster- 
bridge"  (Victor  Seastrom). 

The  play  "Rain"  (with 
Jeanne  Eagels)  (Malcolm  St. 
Clair). 

Conrad's  "Secret  Agent" 
(Tod   Browning). 

Kipling's  "The  Man  Who 
Would  Be  King"  (James 
Cruze). 

Chesterton's  "Flying  Inn" 
(von  Stroheim). 

Nathan  &  Mencken's  "Helio- 
gabalus"  (for  private  showing) 
(Lubitsch). 

H.  G.  Wells'  "Tono-Bungay" 
(?) 

Max  Beerbohm's  "Zuleika 
Dobson"    (Malcolm   St.    Clair). 


Theater  Changes 

Littleton,    Colo. — Sam    West    has    purchased 
the    Bluebird    from    Williams   &    Wilson. 


Craig,  Colo. — Scott  Wood  and  two  others, 
one  a  newspaper  editor  have  purchased  the 
Victory   from  Chapman  &  Evans. 


Boston — Philip  Markell  has  taken  over  the 
Liberty.  It  was  formerly  operated  by  Louis 
Boas.      It    is    in   Dorchester. 


Maiden,  Mass. — Elmer  H.  Baker  has  opened 
Associate  Hall  as  a  picture  theater,  and  will 
operate  every  night  with  change  of  program 
twice   weekly. 


Plainsfield,  la. — The  Legion  operated  by  the 
American  Legion  Post  has  been  closed  on  ac 
count   of   poor   business. 


Dublin,   Ga. — T.   N.    demons  has  purchased 
the    Crystal    from    B.    L    Hall. 


Belfast,  Me. — The  Opera  House  is  under- 
going repairing.  M.  A.  Winters  operates  the 
house. 


Ampere,  N.  J. — M.  CNeill's  Ampere  thea- 
ter has  closed. 


St.  Francisville,   111. — George  H.  House  has 
taken  over   the   Crescent. 


Chicago — Harry  Moss  has  purchased  the 
Commodore  Park  at  Irving  Park  and  Albany 
Ave. 


Chicago — Harry  Miller  has  added  the  Palace 
at   Wauconda   to   his   chain. 


Montezuma,   la. — Willis  Thrall  has  sold  the 
local   house   to    M.   Hoit. 


Evanston,  Wyo. — The  Orpheus  has  been 
sold  to  the  H.  C.  &  W.  Picture  Enterprise 
Co.,   by   Clarence   P.  Anderson. 


Pawnee  City,  Neb. — A  Beams  has  sold  the 
Linwood    to    Carl    Bailey. 


Avon,   S.    D. — Henry   W.   Reister  has   sold 
the   Star  to   R.   T.   Berry. 


Spring  Valley,  N.  Y. — The  Valley  closes  for 
an  indefinite  period  while  it  is  being  redecor- 
ated. 


Hasn't  Sold  Out 

(Continued  from  Page   1) 

the  Tower  and  Park,  but  to  date,  no 
deal  has  been  consummated.  Mean- 
while, he  is  operating  the  Tower, 
while  the  Park  is  under  lease  to  Fin- 
kelstein  &  Ruben.  Friedman  is  re- 
garded in  a  strong  position  by  virtue 
of  leases.  While  at  present  he  has  but 
the  Tower  in  the  loop,  when  leases 
now  held  by  F.  &  R.  expire,  he  will 
control  the  Strand  and  the  entrance 
to  the  Princess. 


Minneapolis — Many  reports  are  in 
circixlation  Here  regardnig  theaiers. 
Alexander  Pantages,  when  here,  in- 
vestigated advisability  of  a  house  in 
St.  Paul,  where  Pantages  vaudeville 
is  not  played'.  He  is  declared  to  have 
been  very  favorably  impressed  with 
a    downtow|i    location. 

Finkelstein  &  Ruben  have  pur- 
chased sites  for  theaters  at  Aberdeen 
and  Huron,  S.  D.  The  former  will  be 
a  1,400-seat  house,  while  the  Huron 
theater  will  seat  1,100.  With  the 
houses  the  circuit  will  open  and  ac- 
quire by  January  1,  its  total  number 
will  be  /90.  Three  have  just  been 
erected /the  State,  Sioux  Falls;  State, 
Fargo,  and  State,  Eau  Claire. 

Purchase  of  a  strip  of  land  at  Ste- 
vens Ave.  and  Lake  St.  was  not  for 
the  purpose  of  securing  a  Lake  Street 
site  for  a  new  theater,  William 
Hamm,  head  of  the  Hamm  Realty 
Co.,  states.  Reports  that  a  combina- 
tion house  is  planned  on  Lake  St. 
have  been  in  circulation  for  several 
weeks. 


Boyd   Succeeds  Cary  as  Pathe  Mgr. 

Memphis — A.  J.  Cary  has  been  suc- 
ceeded by  Charles  F.  Boyd  as  man- 
ager of  Pathe  branch.  Boyd  was 
formerly  connected  with  Associated 
Exhibitors,  and  more  recently  was 
employed  as  salesman  for  Pathe  in 
Albany,  N.  Y. 


Schine    Managers    Shifted 

Auburn,  N.  Y. — Ernest  G.  Dodds, 
of  Rochester,  has  assumed  his  new 
post  as  manager  of  the  Universal  and 
Grand  here,  operated  by  the  Schine 
circuit.  He  succeeds  G.  B.  De  Pauw, 
who  has  been  transferred  to  Newark. 


Crosbie  Exploiting  "Phantom" 

Winnipeg — Fred  W.  Crosby,  Uni- 
versal salesman,  has  been  appointed 
exploitation  manager  for  "U"  in  West- 
ern Canada.  He  is  now  concentrat- 
ing on   "The   Phantom." 


"Chi"  Rialto  Now  Showing  1st  Runs 

Chicago — The  Rialto,  last  active 
vaudeville  house  remaining  under 
the  Jones,  Linick  &  Schaefer  manage- 
ment, is  now  using  first-run  pictures 
for  the  first  time  in  its  history. 


P.  D.  C.  Salesman  Joins  Supply  House 

Dallas — J.  O.  Ford,  former  sales- 
man for  Prod.  Dist.  Corp.,  has  be- 
come sales  manager  of  the  Blizzard 
Sales  Co.,  handling  typhoon  fans,  air 
conditioning   systems,   etc. 


Butterfield  Back  from  Florida 

Detroit — W.  S.  Butterfield  has  re- 
turned after  spending  several  weeks 
in  Florida  vacationing.  He  returns 
to  Florida  in  February. 


French  Hollywood 

Studio   City   Projected  for  Biarritz— 
To  Be    Ready   in   1927   and   In- 
clude Entire   Industry 
The  Associated  Press  reports  from 

Paris: 

"France  is  going  to  have  a  'Holly- 
wood' of  her  own.  The  new  center 
for  the  motion  picture  industry  is 
expected  to  be  in  full  swing  in  the 
neighborhood  of  the  exclusive  resort 
of  Biarritz  by  the   Autumn  of   1927. 

"Le  Soir  bewails  the  decline  of  the 
motion  picture  industry  in  France, 
and  especially  the  fact  that  Germany 
has  surpassed  France  in  this  field, 
but  finds  a  ray  of  hope  in  'the  extra- 
ordinary suitability  of  the  Basque 
Coast'    for    making    pictures." 


Schertzinger  Directing  "Siberia" 
Los  Angeles — Alma  Rubens,  Ed- 
mund Lowe  and  Lou  Tellegen  head 
the  cast  of  "Siberia,"  which  has  just 
been  started  under  direction  of  Vic- 
tor Schertzinger.  Mr.  Tellegen  is  the 
villain. 


Bishop  En  Route  to  Coast 

Kenneth  J.  Bishop,  president  of 
Tennek  Film  Corp.  is  en  route  to  Los 
Angeles  to  increase  the  output  of  the 
several  producing  units  making  short 
subjects  for  his  company. 


Sistrom  Recovers  from  Illness 

Los  Angeles — William  Sistrom, 
general  manager  of  the  De  Mille  stu- 
dio, has  returned  to  his  ofTce  follow- 
ing an  illness  of  several  weeks. 


fIRST  NATIONALS 

SECRIT  SPECIAl 


I 


I 
it'-' 

rise 

■orl 
hai 
1^1' 


0^/5  ffidturc  will 
make  history 
anU  we  mean  it. 


I 


MARSHALL 

NEILAN'S 

great  comedy  based  on 
his  own  story  urith 

SALLY  O'NEIL 

CHARLES  MURRAY 

WILLIAM  HAINES 

FORD  STERLING 


\^ctrc^o/dm/n\^;^ct 


Tuesday,  January  5.  1926 


THC 


-:xf^ 


DAILY 


"Tea  Matinees" 

(Coiitinited  from   Page    1) 

vidual  patrons  are  to  be  asked  to  be 
"tea  guests,"  and  fetchingly  costumed 
young  hostesses  will  l^e  present  to 
serve  refreshments  with  the  compli- 
ments of  the  theater.  Special  groups 
clubs,  sororities,  sewing  circles, 
church  clubs,  school  clubs  and  other 
organizations  are  particularly  invited. 

"In  offering  'tea  matinees'  to  theater- 
goers, we  are  not  trying  to  imitate  a  foreign 
custom,  but  instead  are  merely  carrying  out 
our  original  plan  of  making  our  theaters 
places  for  t'le  utmost  happiness  of  our  pat- 
rons,"   say    Balaban    &    Katz'    executvcs. 

"At  the  Uptown,  the  mezzanine  floor  is 
a  whole  block  long.  It  is  a  beautiful  place, 
and  we  could  accomodate  1,500  persons 
easily  at  a  tea  party,  or  could  screen  off 
sections  of  it  to  accomodate  a  dozen  or 
more    parties    of    several    hundred    each. 

"So  in  order  to  encourage  folks  to  'make 
themselves  at  home'  in  tlie  Uptown  we  have 
decided  to  inaugurate  the  plan  of  giving 
daily    tea    matinees. 

"We  will  have  the  theater  hostess  in 
cliarge,  assisted  by  a  number  of  young  ladies 
in  attractive  costumes,  who  will  serve  re- 
freshments with  the  compliments  of  ^he 
theater. 

"If  groups  wish  to  play  cards,  we  will 
be    glad    to    provide    card    tables. 

"Of  course,  there  is  no  charge  for  this 
other  than  the  usual  matinee  admission  price. 
We  expect  our  tea  matinee  guests  will  take 
advantage  of  our  special  hospitality  from 
1  :S0  P.M.  to  5  P.M.  every  day,  either  be- 
fore or  after  they  have  seen  the  show." 


Pastor  Flays  Sunday  Shows 

Grand  Rapids,  Mich. — Rev.  K.  D. 
Beach,  pastor  of  the  First  M.  E. 
Church  here,  in  a  sermon,  strongly 
flayed  Sunday  morning  shows.  The 
preacher  also  petitioned  the  manage- 
ment of  the  Isis  to  discontinue  this 
policy  and  stated  he  would  urge  other 
theater  owners  to  help  him  in  the 
h_,iit  if  the  Isis  owner  did  not  aban- 
don the  matinees. 


Split   Policy   House   for   Lancaster 

Lancaster,  Pa. — This  city  is  receiv- 
ing its  share  of  new  theaters.  George 
Krupa  is  building  a  vaudeville  and 
picture  house  on  the  site  of  the  old 
Aldine,  gutted  by  fire  about  a  year 
,  ago. 


New  Theater  for  Los  Angeles 

Los  Angeles — A  new  theater  will 
be  immediately  erected  on  Wilshire 
Blvd.,  near  La  Brea  Ave.,  to  seat 
2,000.  The  house  will  be  of  Class  B 
type. 


Advertising  Combine 

(Continued  from  Page   1) 

of  newspaper  space.  This  will  give 
the  ten  houses  a  conspicuous  panel  in 
each  of  the  city's  three  papers. 

Heading  the  advertising  used  by 
the  ten  houses,  will  be  copy  of  the 
Tower,  operated  by  Joseph  Friedman, 
A-hich  will  carry  a  by-line  proclaim- 
ng  it  St.  Paul's  only  independent 
irst    run. 


Curb  Stock  Fluctuations  in  1925 

Stock                                                High  Date  Low 

Film     Inspection     11^  Jan.  4% 

Fox  Theater  "A"   32  Dec.  26 

M.    P.    Capital    20  Dec.  17 

M.  P.  Capital  pfd 25>^  Sept.  25 

Universal     47  Oct.  24 

Warner    Bros 19  Sept.  13"/^ 


Date 

Closed 

June 

4/2 

Nov. 

32 

March 

197/8 

July 

25 

March 

39 

July 

14-/8 

New  Theaters 

Conneaut,  O. — The  new   State,  owned  by  D. 
R.    Bly,    has    opened. 


Helena,  Mont. — The  old  Liberty,  which  has 
been  dark  for  some  time  is  beins  remtiileled 
by   Dr.    Bethel,  its  owner,  and  will  open  soon. 


Leavenworth,      Wash.— The      new      Liberty, 
owned   by   J.    E.    Tholin   has   opened. 


Bangor,    Me. — The    (irafic   has   opened. 


Utica,  N.  Y. — South  Utica  is  to  have  a 
new  picture  house,  to  be  built  south  of  the 
West  Shore  Rairoad,  where  the  site  formerly 
occupied  by  the  Iroquois  Iron  Foundry  has 
been  purchased  by  Max  Lichtman  and  Moses 
Cohen  of  Old  Forge.  The  new  theater  wi  1 
seat   950. 


Albany — Adolph   Gortatowsky's  new  theater 
is  scheduled  to  open  in  March,  seating   1,800 


Blue  Ridge,  Ga. — Contracts  have  been  let 
for  the  new  house  to  be  built  by  F.  C.  Butt, 
to  seat  200. 


Dania,   Fla. — L.   R.   Brandon  has  just  open- 
ed  his  new   house   here,  seating   1,000. 


Boulder,  Colo. — University  Inn  will  so(. 'i 
be  completed.  The  theater  will  seat  900.  A 
G.    Diaz   is   the  owner. 


Altus,    Okla. — Sam    Jones    has    opened    the 
new    Empire.      It    cost"  $50,000. 


Among  Exchangemen 

Albany,  N.  V. — Lewis  Mendley,  of  New 
York,  has  joined  the  sales  force  of  Metro- 
Goldwyn. 


Milwaukee — Ed  Wiesner  has  been  promoted 
from  salesman  to  sales  manager  by  First  Na 
tional. 


Boston — William  Snyder,  formerly  with 
Universal,  has  become  associated  with  Pathe 
and    will    cover    Maine    and    New    Hampshire. 


New  Haven,  Conn. — Edward  J.  Farrell  ''a- 
been  named  the  new  manage.'  of  Metro-Go  .1 
wyn. 


Cincinnati,  O. — Bill  Danziger,  Famous  ex- 
ploitation man  has  been  transferred  to  Chi- 
cago. 


Milwaukee — The  Tower,  being  built  bv 
Saxe  Amuse.  Ent.,  will  probably  open  March 
first. 


Littlefield,    Tex. — The    Palace    was    opened. 
It  cost  $30,000  to  build  and  seats  750. 


Corpus  Christi,  Tex. — Robb  &  Rowley  will 
build  a  new  house  here. 


Stuart,    Fla. — J.     C.    Hancock    expects    to 
open  his  new  h^iise  in  February. 


LOBBY   FRAMES 

OF  THE   BETTER  KIND 

LIBMAN-SPANJER    CORP 

1600  Broadway  New   York  City 


Omak,  Wash.— -A  new  house  will  be  erected 
here  at  a  cost  of  $25,000  and  to  seat  600. 


Portchester,  N.  Y. — The  Portchester  is 
about  completed,  and  the  opening  is  sched- 
uled for  Jan.  16. 


Newark,  N.  J. — Bratter  &  Pollack's  new 
Roosevelt,  seating  2,000,  is  scheduled  to  open 
Jan.    15. 


Higlitstown,  N.  J. — I,ouis  Rosenblatt  has 
started  work  on  his  new  1,200  seat  house 
which   will   be   completed   this  summer. 


Eustis.  Fla. — The  contract  for  the  con- 
struction of  the  Alice  McClelland  Memorial 
open  air  theater  in  E.  L.  Ferran  Park,  to  be 
presented  to  the  city  by  Mayor  W.  S.  Mc- 
Clelland, has  been  awarded  to  the  Knicker- 
bocker   Construction    Co.,    of   Detroit. 


Mr.  Exhibitor:  A*k  at  the  Film  Exchange* 
for  the 


It'i  little  to  ask  for,  but   it*!    the   only 

reliable  aid  you  can  give  your  muilciani 

to  help  put  the  picture  over. 


Philadelphia — Tom  Bible  has  joined  As- 
sociated Exhibitors.  He  was  formerly  with 
Keystone  Film  Exchange. 


Detroit — George  Johnson  is  now  covering 
the  west  side  of  the  city  for  Associated 
Exhibitors. 


Phila<lelphia — Eli  Epstein  is  now  with  De 
Luxe.  He  was  for  seven  years  with  l.'ni- 
versal. 


Des  Moines,  la. — Fred   '^'oung  has  n-sigi;cj 
from   F.    B.   O. 


Radio  as  Boost 

(Continued  from   Page    1) 

and  as  a  public  contact,  speaks  over 
Station  WJZ.  The  service  was*  in- 
stituted by  arrangement  with  the 
Hays  office. 

The  super-service  of  the  Radio 
Corp.  enables  these  talks  to  cover 
approximately  30  states  and  reach 
hundreds  of  thousands.  The  after- 
noon period  was  chosen  l)ecause  more 
fans  may  listen  in  then  when  other 
stations  on  super-service  are  not  fill- 
ing the  air. 

Colonel  Jason  S.  Joy,  d'rector  of 
the  Department  of  Public  Relations 
of  the  Hays  Ass'n  was  the  first 
speaker.  He  outlined  the  plan  and 
made  a  plea  for  the  constructive  co- 
operation in  increasing  the  flhn's  gen- 
eral usefulness  and  good.  R.  F. 
Woodhull  of  the  M.  P.  T.  O.  will 
speak  tomorrow  on  "The  Art  of 
Making  You  Laugh,"  as  the  opening 
feature  of  "Laugh  Month."  On  Wed- 
nesday, Jan.  13,  the  Rev.  George 
Reid  Andrews,  chairman  of  the  Com- 
mittee on  Educational  and  Religious 
Drama  of  the  Federal  Council  of 
Churches  of  Christ  in  America,  anrl 
general  manager  and  vice-president 
of  the  Religious  M.  P.  Foundation, 
will  talk  on  "Religious  Motion  Pic- 
tures," and  on  the  20th,  James  E. 
West,  chief  scout  executive  of  the 
Boy  Scouts  of  America,  will  speak 
on  "Why  Westerns   Pictures." 

Schedules  are  now  being  worked 
out  so  that  the  service  may  be  con- 
tinuous   throughout    the    year. 


Des  Moines,  la. — The  local  Associated  Ex- 
hibitors office  is  in  charge  of  A.  B.  Van 
Horn,  formerly  with  Mctro-Goldwyn  in  Kan- 
sas  City. 


San    Francisco — W.    Randy,    Warners,    has 
been    transferred   to   Seattle. 


Cleveland — W.  G.  Fitzpatridk,  formerly 
manager  of  the  Helma,  Etna,  Pa.,  has  joined 
Pathe  as    short   feature   sales   manager. 


Cleveland — Richard   Deutsch  has  joined  Vi- 
tal as  special  representative. 


Portland — George    Ekre    is    now    with    Uni- 
versal.     Formerly   with    Fox. 


Salt  Lake  City  —  Anthony  Hartford  has 
been  added  to  the  Universal  staff  to  cover 
Idaho. 


Irene  Rich  Tour  Off 

Irene  Rich  will  make  no  more  per- 
sonal appearances  at  Warner  theaters 
in  connection  with  premieres  for 
"Lady  Windermere's  Fan."  She  is 
under  doctor's  care  here  in  "New 
York,  suffering  from  a  nervous  break- 
down. 


Salt  Lake  City — ^J.  Don  Kessler,  former 
local  exchangeman  has  taken  over  the  Liberty 
in   Helena,   Mont. 


Omaha— Ed  Den  Bests  and  Roy  Bettis 
have  been  added  to  the  sales  force  of  As- 
sociated   Exhibitors. 


Milwaukee,  Wis. — Harry  Long  has  been 
transferred  from  the  American  at  Denver  to 
the  Alhambra  here. 


"KO-KO  STEPS  OUT" 

Out  of  Inkwell  Cartoon  Plays 

N.   Y.   STRAND 

this  week 

729  7th  Av  rfViUHliUlUJ       N.  Y.  C. 
EdviHn  Miles  Fadman,  Pres 


JOSEPH  R.  MILES 

PRESIDENT 

LLOYDS  FILM  STORAGE  CORP. 

ANNOUNCES  THE  OPENING 

ON  JANUARY  4TH 

OF  TWO  UP-TO-DATE 

PROJECTION  THEATRES  AT 

723  SEVENTH  AVE.,  N.  Y.  C. 


"POWERS  BUILDING" 


Phone  Bryant  5600 


rii" 


; 


THE 


6 


Tuesday,  January  5,  1926 

St 


Attention!  !! 


INDEPENDENT  EXCHANGES 

Real  Buy  for  Live  Buyers 

—SERIES  OF— 

52  One  Reel  Novelty  Subjects 

"MOVIE  MARVELS" 

Something  Different  in  One  Reelers 


READY  FOR  IMMEDIATE  RELEASE 

Now  Playing  Loews  Theatres 

For  Territorial  Rights 

WRITE    —    PHONE    -    WIRE 


-<®>>- 


EXHIBITORS   FILM    EXCHANGE 

130  West  46th  Street 
N.  Y.  C. 

Cable:  Telephone: 

XFILM  Bryant  0992 


SilMIMlllllllllllllllil II 


111 


J^ 


>  L 


V 


^■* 


^ 


V 


^taa 


5 

4i 


^4e  BRADSTREET 
o/*  FILHDOM 


^recocmized 
Authority 


VOL.  XXXV    No.  4 


Wednesday,  January  6,  1926 


Price  5  Cents 


BUSINESS 

By  DANNY 
Just  to  Show.  That  there  is 
something  in  the  idea.  Of  bol- 
stering up  the  feature.  To  get 
the  big  time  money  in  at  the 
till.  Read  some  of  the  figures 
culled  from  "Variety's"  box- 
"  office  records  and  collated  for 
50  weeks  of  last  year.  As  a 
feature  of  THE  FILM  YEAR 
BOOK.  And  you  will  be  sur- 
prised to  see  what  happens. 
When  that  "added  attraction" 
is  really  an  attraction;  and  not 
just  so  much  chatter. 

'  For  instance:  Average  weekly  bus- 
iness at  the  Hippodrome,  Buffalo,  is 
somewhere  about  $16,000  to  $17,000  a 
week.  Yet  when  they  put  on  Gilda 
Gray  with  "Sally,"  the  gross  mounted 
"  to  $29,500.  At  Loew's,  in  Buffalo, 
which  averages  around  $14,000  to 
$15,000  a  week,  when  they  put  on 
The  Siamese  Twins  with  "Lady  of 
the  Night"  the  gross  ran  to  over  $34,- 
000.  The  Watson  Sisters  lifted  the 
average  gross  at  the  Lafayette,  in 
Buffalo,  from  about  $15,000  to  $22,- 
000. 

//  more  proof  was  needed 
than  this.  Of  what  these  spec- 
ials bring  tn  it  will  be  difficult 
to  find.  But  you  must  have  a 
real  attraction.  Trying  to  "get 
away"  with  an  "act"  which 
really  means  nothing  isn't  get- 
ting you  anywhere.  Don't  try 
to  "cheat"  with  this  stuff.  It's 
double-barrelled. 

Those  week  in  and  week  out  figures 
ceriainl)'    show    some    interesting    an- 

'  gles.  When  you  get  the  business  of 
the  whole  year  in  front  of  you  in  one 
column.  For  instance  the  Fox  folks 
may  feel  very  good  about  "The  Iron 

,  Horse"  holding  the  record  at  Grau- 
man's  Egyptian.  Imagine!  They  got 
over  $28,000  in  the  SEVENTEENTH 
WEEK.  If  that  isn't  business  show 
us.  Then  "The  Phantom  of  the  Op- 
era" has  done  some  smashing  busi- 
ness all  along  the  line.  Big  grosses  in 
many  houses;  holds  records  in  a  num- 
ber. 

(Continued  on  Page  2) 


Leases  Selig  Studio 

Los  Angeles — F.  A.  Powers  has 
taken  over  the  old  Selig  studio  at  3800 
Mise-on  road  as  a  central  studio  for 
Associated  Exhibitor  units.  Powers 
is  here  negotiating  for  new  product 
for  1926-1927  release,  ; 


Airing  Theater  Buys 

Trade     Comniission     Reopens     Case 
Against  Famous  Today — To  Se- 
cure   Data    on    Acquisitions 

Washington  - —  The  Federal  Trade 
Commission  today  will  devote  two 
hours  to  the  hearing  of  arguments 
on  the  petition  recently  submitted  by 
Its  counsel  for  the  reopening  of  the 
Famous  Players  case  to  permit  the 
introduction  of  new  testimony.  Coun- 
sel for  each  side  will  be  given  one 
hour  for  argument  upon   the  motion. 

Reopening  of  the  case  is  desired 
by  the  Commission's  attorney  in 
order  that  there  may  be  put  into  the 
record  evidence  showing  the  location 

{Continued    on    Fiuje    A) 

Studio  Deal  On 

First  National  May  Use  De  Mille  and 

Metropolitan  Plants  in  Hollywood 

— Corinne   Griffith  First 

It  is  understood  Urst  National  is 
negotiating  with  the  De  Mille  and 
Metropolitan  studios  in  Culver  City 
and  Hollywood  for  space  to  house  its 
own  and  associate  units  now  working 
on  the  Coast.  The  move  is  neces- 
sary because  Famous  has  purchased 
the  United  plant. 

Corinne  Grififith  has  leased  space  at 
Metropolitan  where  one  of  the  big 
stages   has   been  assigned   her.     Both 

(.Contained   on    Paye    4) 


Move  in  April 

Famous   Closes   for    United    Plant — 

Walter  Wanger  Leaves  Sunday 

on  Quick  Trip  to  Coast 

Jesse  L.  L'asky  yesterday  confirm- 
ed Coast  reports  that  Famous'  deal 
for  the  United  studio  had  been  closed. 

The  studio  will  be  taken  over  by 
Famous  in  April  when  production  ac- 
tivities will  be  transferred  from  the 
Lasky  studio  in  Vine  St.,  Hollywood. 
United  has  nine  stages  and  26  acres. 

{Continued    on    Page  21) 


Pinch  in  St.  Louis 

Small     Exhibitors     Express     Alarm 
Over     Future — More     Producer- 
Distributor  Activity 

St.  Louis — This  city,  the  storm  cen- 
ter of  many  exhibitor  battles,  is  now 
attempting  to  figure  out  what  the 
future  holds  in  store. 

There  seems  to  be  an  opinion  here 
that  the  fate  of  many  theaters  hangs 
in  the  balance  and  that  maoy  exhib- 
iContinucd   on   Page   21) 

Marcus  Loew  on  Trip 

Marcus  Loew  is  away  on  an  inspec- 
tion tour  of  his  theater  properties  in 
Chicago,  Pittsburgh  and  Cleveland. 
He  will  be  away  about  ten  days  and 
will  visit  Pittsburgh  to  discuss  the 
new  Loew  theater. 


RUSSIA 

By  ERNEST  W.  FREDMAN 
The    Film    Renter    and    M.    P.    News 


My  Visit  to  Red  Russia 

London — Some  few  weeks  ago  I 
traveled  to  Moscow  to  study  at  first 
hand  the  condition  of  the  Russian 
tilm  industry  to  view  their  films,  to 
see  their  suitability  for  English 
screens  and  above  all  to  see  whether 
It  was  possible  to  add  another  market 
tor  the  benefit  of  British  manufac- 
turers for  pictures  that  we  all  pro- 
foundly hope  will  be  forthcoming  in 
large  numbers  in  the  coming  year. 

Russia  has  always  been  a  land  of 
mystery  and  for  years  past  there  has 
hardly  been  one  single  authentic  piece 
of  real  news  concerning  the  state  of 
I  heir  trade,  what  they  were  doing  and 
if  there  was  any  possibility  of  trad- 
ing with  a  country  concerning  which 
there  has  been  probably  more  imagi- 
native tales  concocted  than  of  any 
other  country  on  the  globe.  I  de- 
cided, therefore,  that  the  time  had 
come  when  the  question  of  Russia 
should  be  lifted  out  of  the  smoke 
screen  of  mystery  and  a  little  fresh 
air  and  light  given  to  this  very  im- 
portant  country. 

I  went  to  Moscow  with  an  open 
mind,  having  only  seen  one  or  two 
Russian  pictures  in  the  last  two  or 
three  years  and  knowing  practically 
nothing  about  the  conditions  under 
which  her  films  were  made  and  cer- 

(Continued    on  Page   23) 

Prevost  Switches 

Goes  from  Warners  to  Metropolitan 

Where  She  Will  Star  in  Series 

for  P.  D.  C.  Release 

Metropolitan  Pictures  Corp.  has 
signed  Marie  Prevost  under  a  long- 
term  contract.  Announcement  of  the 
contract  was  made  yesterday  in  Los 
Angeles  by  William  Sistrom,  general 
manager  of  Metropolitan,  and  in  New 
York  by  John  C.   Flinn,  president. 

Under  the  contract  Miss  Prevost 
who  has  been  with  Warners  for  some 
time,  will  be  starred  in  a  series  to^be 
released  by  P.  D.  C. 


Beatty,   Hays'  Assistant 

Jerome  Beatty  has  been  appointed 
assistant  to  Will  H.  Hays.  He  will 
assume  many  of  the  duties  hereto- 
fore in  charge  of  Courtland  Smith, 
who  has  resigned  to  join  the  Fox 
Theaters  Corp. 


M.-G.-M.  Renews  with  Adoree 

Los    Angeles — Renee    Adoree    has 
signed  a  new  contract  with  M.-G.-M. 


Sennett-Pathe  Sign 

Contract    Covers    Several    Years   and 
Embraces  Several  Hundred  Com- 
edies   Including   "Smith   Family" 
Mack     Sennett     and     Pathe     have 
signed  a  new  contract,  calling  for  5* 
two-reel  comedies  a  year  for  a  perioQ 
of  several  years.     Elmer  Pearson,  ol 
Pathe    stated    yesterday    the    produc 
tion   cost   of   each   two-reeler   will    bi 
increased  from  25  to  50  per  cent. 

Ben  Turpin  will  return  in  one  sc- 
ries. Under  the  general  title  of  tht 
"Smith  Family,"  Raymond  McKet 
and  Ruth  Hiatt  will  appear  in  a  new 
series.  There  will  also  be  six  releases 
with  Harry  Langdon.  All  told  there 
will  be  five  groups  a  year,  aside 
from  the  Langdon  comedies.  In  ad- 
dition to  the  Turpiris  and  "Smith 
Family"  series,  there  will  be  one 
group  with  Alice  Day,  another  with 
Ralph  Graves  and  finally  the  Sennett 
two-reelers. 

The  Langdon  series  will  include 
"Lucky  Stars,"  released  recently; 
"There  He  Goes"  and  "Saturday  Af- 
ternoon," each  in  three  reels;  "Junk 
Man"  in  two  reels;  "The  King"  in 
four  reels  and  "His  First  Flame,"  a 
,five-reeler,    the    comedian's    first. 

Pearson  declared  the  deal  will  give 
Bennett  "ample  elbow  room"  in  pro- 
d\iction  so  that  comedies  of  a  higher 
{Continued   on   Page   21) 

\Gircuit  for  Glynne 

Takfes  Over  Four  Theaters  on  Long 

Island  as  First  Step  in  Develop- 

rr  ent  of  Large  Suburban  Chain 

Mi  <e  Glynne,  owner  of  the  Patch- 
ogue  at  Patchogue,  L.  I.,  has  taken 
over  four  Long  Island  theaters  and 
intirti  ites  that  there  will  be  important 
addit  ions  in  the  near  future. 

Tl  e  theaters  involved  are  the  Baby- 
lon It  Babylon,  the  Regent  and  Carl- 
ton [O.  H.,  at  Bay  Shore,  and  the 
Garien  at  Southampton.  This  gives 
himl  a  chain  of  five.  Indica- 
tioiK  point  '  " '"  g  that  number 
r  (C      •  age  23) 

'  "Witwer  Sues  Lloyd 
Los  Angeles — H.  C.  Witwer  has 
filed  suit  for  $250,000  against  Harold 
Lloyd,  alleging  that  the  story  of  "The 
Freshman"  was  taken  from  one  of 
his  books. 

Witwer  asserts  the  plot  comes  from 
"The  Emancipation  of  Rodney,"  pub- 
lished in  1923. 

Lloyd,  through  William  R.  Fraser, 
his  general  manager,  denies  Witwer's 
charges. 


Warners  Start   Coast   House 
Los      Angeles — Construction      has 
started   on   the   new   Warner   theater 
at  Hollywood  and  Wilcox.     City  offi- 
cials and  stars  attended  the  ceremony. 


THE 


iS&< 


DAILY 


wmmmmmmmmmmmmmmm 

Wednesday,  January  6,  1926 


Vol  XXXV  No.  4    Wednesday,  Jan.  6, 1926    PricoSCenk 

Copyright  1926,  Wid's  Films  and  Film  Folks, 
inc.  Pulilished  Daily  except  Saturday  and  bol- 
idays  at  1650  Broadway,  New  York,  N.  V.,  by 
WID'S  FILMS  and  FILM  FOLKS.  IMC. 
Joseph  Dannenberg,  President  and  Ediior; 
J.  W.  Alicoate,  Treasurer  and  Business  Mai- 
ager ;  Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Mauajser; 
Ralph  Wilk,  Traveling  Kepresentative.  En- 
tered as  second-class  matter  Mav  21.  W\t, 
at  the  post  office  at  New  York,  N.  Y^^  under 
the  act  of  March  3,  1879.  Terms  (Postage 
tree)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY.  16S0 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address:  Filmday, 
New  York.  Hollywood,  California — Harvpy 
E.  Gausman,  6411  Hollywood  Blvd.;  'PhoiM, 
Granite  3980.  London — Ernest  W.  Fredmaii, 
The  Film  Renter,  58,  Great  Marlborough  St  , 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,    5,    Rue    Saulnier. 


Quotations 

High    Low    Close      Sales 

Balaban   &   Katz    Not  quoted 

Eastman    Kodak    ..112^    HI        HI  1.400 

Famous    Players    .    107J4   106^   106J4        800 

Fam.    Play.    Pfd Not   quoted 

Film    Inspection    ..6  5^        6  1,000 

First   National    103       103       103  200 

Fox    FUm    "A"....   84         83!4     83^4         300 
Fox   Theaters   "A".   il^A     38J^     325^     9,300 

Loew's,    Inc 39^     39         39         1,800 

Metro-Gold.    Pfd Not    quoted 

M.    P.    Cap.    Corp..   21         20}i     20-^     2,300 
Pathe    Exch.    "A".. 79-4     78^      78}4     2,600 

Skouras    Bros 52         52         52         

Trans-Lux     12J4     12         12J4        400 

Universal    Pictures    Not    quoted 

Univ.    Pict.    Pfd Not    quoted 

Warner   Bros 18         \l\i      18  400 

Warner    Pictures...    14J4      145i      14^     4,000 


BUSINESS 

{^Continued  from  Page  1) 
There  has  been  some  poor  business, 
too,  and  boy,  when  they  go  off,  how 
they  do  flop!  But  while  there  have 
been  a  few  which  have  driven  exhibi- 
tors frantic,  the  prize-winning  flop  of 
the  year  is  "Free  and  Equal"  which 
was  put  on  at  the  Astor  and  had  the 
most  pitiful  business  that  any  picture 
experienced  in  New  York  since  they 
moved  the  Nickelodeons  away  from 
14th  St.  So  no  matter  how  badly  one 
or  two  crimped  you,  brother,  remem- 
ber Al  Woods  and  what  "Free  and 
Equal"  did  to  him.  Because  it  was 
a-plenty. 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  I  N  S 

Specialiate  in  Motion  Picture 

and  Theatrical  inauranee  fxn 

the  patt  fifteen  ytart. 


Artlmr  W.  Stebbins  &  Co.,  Inc. 

1540  Broadway  N.  Y.  C. 

Brjrant  Se4fl 


Mike  Newman  in  Town 

Mike  Newman,  well-known  Coast 
showman  and  exploiteer  who  recently 
made  a  record  run  from  Hollywood 
to  New  York  in  seven  days  in  the  in- 
terest of  Al  Christtie's  comedy  of  the 
same  name,  has  just  arrived  on  busi- 
ness. Headquarters  at  the  Christie 
office,  2  W.  45th  St. 


"Chadwick  Clarion"  Appears 

The  "Chadwick  Clarion,"  a  semi- 
monthly newspaper,  published  by 
Chadwick  Pictures,  has  made  its  ap- 
pearance. Charles  Reed  Jones  will 
edit.  It  will  be  distributed  on  the 
first  and  fifteenth  to  exhibitors 
through  Chadwick  franchise  holders. 


"Ma"  Ferguson  Theme  for  Film 

Los  Angeles — "Ma"  Ferguson  and 
Nellie  Ross,  respectively  Governors 
of  Texas  and  Wyoming,  will  be  dra- 
matized on  the  screen  in  "Her  Honor 
the  Governor,"  according  to  J.  I. 
Schnitzer,  of  F.   B.  O. 


Scott  Sidney  May  Retire 

Los  Angeles — Scott  Sidney,  direc- 
tor of  "Charley's  Aunt,"  "Madame 
Behave,"  "Hold  Your  Breath,"  and 
"Seven  Days,"  says  he  will  retire 
upon  the  completion  of  "The  Million 
Dollar  Handicap." 


Arrow  Conducting  St.  Louis  Contest 

St.  Louis — Arrow,  in  conjunction 
with  the  St.  Louis  Times,  is  staging 
a  contest  to  select  a  St.  Louis  girl  to 
be  given  a  try-out  in  films. 


Making  Two  Reelers  in  South 

A  series  of  12  two-reel  "Tin-Can 
Tourist"  comedy-drama  travelogues 
will  be  made  at  the  Tilford  studios, 
Miami,  Fla.,  with  John  L.  McCutch- 
eon  directing. 


Representing   Florida   Studios 

Ramon  Romeo  has  returned  from 
Miami  and  will  act  as  New  York  rep- 
resentative for  the  Tilford  and  Clay 
Davis   Florida   studios   of  Miami. 


At  Rialto  Next  Week 
"The    Splendid    Crime,"    comes    to 
the  Rialto  on  Sunday. 


Lubitsch    Recovering    from    Illness 

Word  received  by  the  Warners 
Bros,  from  the  coast  states  that 
Ernst  Lubitsch  is  recovering  from 
an  acute  attack  of  kidney  trouble.  No 
operation  was  necessary,  although 
this   seemed   probable   at    first. 


135  Houses  Book  F.  N.     Solid 

First  National  reports  that  at  the 
present  time  it  is  ahead  of  estimated 
returns  on  "First  National  Month." 
Ud  to  Jan.  1.  135  theaters  had  booked 
First  National  solid  for  the  weeks 
covered   by   the   campaign. 


Riesenfeld  Presented  with  Gift 
On  the  eve  of  his  retirement  as 
managing  director  of  the  Rivoli,  R'- 
alto  and  Criterion,  Hugo  Riesenfeld 
receivea  as  a  gift  from  the  employees. 
1  bronze  bust  of  himself,  the  origina' 
of  which   was  made  by   Emil   Fuchs. 


Theater  for  79th  St.  and  3rd 
Edward  P.  Sobel  and  Abraham 
Saces  have  sold  the  southwest  corner 
of  79th  St.  an  3d  ave.  to  Syndic  Realty 
Corp.,  for  $400,000.  It  is  understood 
they  plan  a  2,500-seat  picture  theater. 


Goldwyin  En  Route  East 

Los  Angeles — Samuel  Goldwyn  and 
Mrs.  Goldwyn  are  en  route  East. 
Thev  will  attend  the  premiere  of 
"Stella  Dallas"  in  Boston. 


Blackton's  Next  Announced 

Los  Angeles — "Hell  Bent  for  Hea- 
ven" will  be  the  next  to  be  directed 
by   J.   Stuart   Blackton   for   Warners. 


Loew's,  St.  Louis  Meets  Soon 

St.  Louis — Loew's  St.  Louis  Realty 
&  Amusement  Corp.  will  hold  its  an- 
nual election  on  Jan.  11. 


Tb*  fiolahinc  touch  ai  refinemcBt  oa 
ma    dakorata    pro4uctioB    is    tha 


handcalorinf    hj 


m 


The  Terfttx  HandcoiorrnMof  Flm 
RlTcnide    Drire        Tdapkone 
New    York         UeniiiinUe    1778 


Remember 

^'American 

Pluck" 

and 

"Blue 

Blood" 


Grauman  to  Show  "Ben  Hur" 

Hollywood  —  Grauman's  Egyptian 
will  present  "Ben  Hur"  upon  the  com- 
pletion of  the  run  of  "The  Big  Par- 
ade." While  no  definite  date  is  set 
for  the  premiere,  it  is  understood 
that  it  will  be  soon. 


Mel  Directing  Film  Bureau 
Los  Angeles — Marian  L.  Mel,  as- 
sistant secretary  of  the  State  Indus- 
trial Welfare  Commission,  has  been 
appointed  director  of  the  women's  de- 
partment of  the  Central  Casting 
Corp. 


Adamson  on  "Rin-Tin-Tin" 

Los  Angeles — Ewart  Adamson  is 
writing  "A  Hero  of  the  Big  Shows," 
the  next  Rin-Tin-Tin  production  for 
Warners. 


OUR  GANG  CO: 

HALROACa 

SreMnLf 

Hu  Rascals 


GOOD  CHEER 


Dmtttd  ly-Rabit  MeGaaxm. 

This  is  a  'Comerblock'  cut  furnished 
FREE  for  all  Pathecomedies  at  your 
exchange. 


OFFICE  SPACE 

One  thousand  square  feet,  cut- 
ting room  and  projection  facil- 
ities. 'Phone  Wisconsin  3770-1. 


"WE  NEVE.R  DISAPPOINT" 


CpowFjm 

CftBORATORlEsI 


220  WEST 42     STREET 

NEW    YO»K 


PHOfU:  -CHlCKt'PiNC 


ALiAN  A  LOWl\f:S.  CEN.  MCR, 


i\ 


Contest 


Fannte 


«;wH«?jr..- 


full  page 
'  ad  appeaced 

in  70  newspapers 
throuqhout 
the  countriij 


-and 

here's 


Sorts"'*''    .  _„»»-' 


than 


today 

-Staidus^ 


^-"-;;~t-- 


^fM"" 


iS-^*?."^:^ 


5SS.-^' 


^i-"* 


..-±ftr. 


— '  ■•rii<"!lS.,>.»" "  T« 


#Zi"-  ""*      tjlwl'*^ 


["g^lberty  I 


??^?i^!RjSf' 


60ST0^°''^«ST 


?f^^ 


*»i02. 


Grt  your  <^ 


"ioj 


<^,000.000 

people  are 

now  reading 

"MANNEQUIN" 

weeklii  in 
Libertii  / 

^aqazine^ 


N^H!^ 


lii^ 


AOOLPH    ZUKOR 
JESSE    L   LASKY 


^^^i^i?zc^ 


JAMES  CRUZE 

PRODUCTION 


WITH  ALICE  JOYCE  -  WARNER  BAXTER 
DOLORES  COSTELLO  -  ZASU    PITTS 

a  g^aramount  cpicture        


Ml 


THE 


■^ank 


DAILY 


Wednesday,  January  6,  1926 


Change  in  Releases 

Additional   Pictures  in   First   Nation- 
al's "Winner  Group" — Kane  to 
Make  Five,  Not  Four 

Several  changes  are  announced  in 
First  National's  "Winner  Group"  ow- 
ing to  a  development  in  production 
that  makes  additional  pictures  avail- 
able. Robert  T.  Kane's  initial  pictures, 
"The  New  Commandment,"  "Blue- 
beard's Seven  Wives,"  and  "The 
Reckless  Lady,"  will  be  augmented 
to  five  instead  of  four  for  the  coming 
season.  The  fifth  will  be  realsed 
June  27th. 

There  will  be  three  Milton  Sills 
pictures  including  "The  Unguarded 
Hour,"  "His  Partner's  Wife"  and 
"Puppets."  One  of  the  dates  origin- 
ally reserved  for  him  will  be  taken 
by  "The  Desert  Healer"  now  being 
produced  on  the  Coast  by  Marion 
Fairfax  and  Sam  Rork.  "Good  Luck" 
will  be  produced  by  E.  M.  Asher  in 
place  of  "The  Rose  of  Monterey," 
which  will  not  be  made.  Leon  Errol 
will  follow  "Clothes  Make  The  Pi- 
rate"  with   "The    Lunatic   at   Large." 

Selling  plans  are  not  yet  definitely 
decided  upon  for  Harry  Langdon's 
first.  "Tramp,  Tramp.  Tramp."  This 
oroduction  will  be  given  test  show- 
ings in  order  to  gage  its  box-office 
value  before  a  sales  campaign  is  an- 
nounced. 


Publix,  L.  A.,  Appoint  Managers 

Los  Angeles — According  to  Frank 
L.  Newman,  managing  director  of  the 
Publix  Thepters  here,  F.  T.  Thomas 
and  Bernard  J.  Bynes  have  been  ap- 
pointed house  manager  and  assistant 
at  the  Metropolitan.  These  men  for- 
merly occupied  those  same  positions 
at  the  Million  Dollar.  Augustus  Eys- 
sel  and  George  B.  Sully  will  act  as 
house  manasrer  and  assistant  at  the 
Million  Dollar.  George  Riley,  for- 
mer house  manager  at  the  Metropoli- 
tan, has  left  for  Honolulu  to  become 
managing  director  of  four  theaters 
there. 


Danish   Film    Banned 

Los  Angeles — A  specipl  cable  to 
"The  Times."  from  Conenhagen. 
states  that  a  Danish  film,  "People  of 
<he  Border  Districts,"  produced  in 
Denmark  this  Summer,  has  been  ban- 
ned on  representations  of  the  Ger- 
man legation.  The  nicture  is  said  to 
be  a  hvmn  of  thanks  to  the  Allied 
forces  from  the  small  nations  liber- 
ated during  the  war. 


Lancaster  in  Detroit  Opens 

Detroit — The  new  Lancaster   10530 
West    Jefferson    Ave.,    River    Rouge, 

-^nened.     It  is  on  the  site  of  t'- 
old    Lancaster.      Ted    Williams    wiH 
manage  the  house,  which  seats  1,650 
and  cost  $275,000. 


Washington   Exhibitors    Oppose   Bill 

Spokane,  _  Wash. — Motion  picture 
and  theatrical  interests  here  have 
united  to  oppose  the  strict  censorshin 
measure  now  pendinsr  before  the 
State  Legislature  at  Olympia. 


Renaud    Now   a   Theater   Manager 

Detroit — Kenneth  Renaud,  former 
exploiteer  for  Paramount  here,  has 
assumed  duties  as  manager  of  the 
Grand  Riviera. 


Studio  Deal  On 

(Continued  from  Page   1) 

the  De  Mille  and  Metropolitan  plants 
now  operate  under  one  management 
and  there  is  ample  space  for  compa- 
nies aside  from  those  producing  for 
P.  D.  C.  release. 

Richard  A.  Rowland  is  now  en 
route  to  the  Coast.  Efforts  to  secure 
information  at  First  National  yester- 
day failed.  John  C.  Flinn,  president 
of  Metropolitan,  said  he  knew  there 
had  been  some  talk  but  was  not 
aware  the  deal  had  been  closed. 


Associated   Makes   Promotions 

E.  J.  Smith,  general  sales  manager 
of  Associated  Exhibitors,  has  pro- 
moted Al.  Blofson,  Philadelphia  Man- 
ager, to  Eastern  Division  Manager, 
with  supervision  over  the  Philadel- 
phia, Washington,  Buffalo,  Albany, 
New  Haven  and  Boston  branches. 
Harry  Brown,  at  present  Special 
Representative,  will  be  assigned  a 
territorj'  soon. 


Group  Insurance  at  1st  Nat'l 

The  executive  Committee  of  First 
National  has  arranged  with  the  Con- 
necticut General  Life  Insurance  Co. 
whereby  the  permanent  salaried  em- 
ployees of  First  National  are  insured 
at  the  expense  of  the  company.  This 
blanket  insurance  is  now  in   force. 


Theater  Changes 

Detroit — Sam   Ackerman    of    the    East    Side 
thea'ter    has    spent    $5,000    in    remodeling. 


Albany,  N.  Y. — Changes  have  been  made 
in  the  interior  of  the  Albany  while  the  house 
was  dark. 


Troy,  N.  Y. — Thomas  Norris  has  been 
made  manager  of  the  Palace  by  Julius  Ber- 
instein. 


Wilmington,    Del. — -The    Queen    will    close 
for  alterations. 


Chicago — Newell,  Retchin  &  Schaak  have 
taken  over  the  Hamilton  from  the  National 
Theaters   Corp. 


Earlville,  la. — The  Eastern  Iowa  Theater 
Co.  has  bought  the  Crystal  theater  from  E. 
J.   Kuehnle. 


Okley,    la. — The    Plaza    has    been    sold    by 
C.   E.    Cross   to  J.    E.   Travis. 


Red  Oak,   la. — The   Towana   has   been  sold 
to    Good    &    Son   by    Charles    Callahan. 


Portland — The     Wotodlawn     is     being"    re- 
decorated. 


lOcala,   Fla. — The   Dixie   is   being   alterated 
and   repaired. 


Kent,    O. — John    Palfy    is    remodeling    the 
Princess. 


Waldoboro,  Me. — The  Star  has  been  sold 
by  Ada  Rokes  to  Sol  Hayes,  who  owns  the 
Opera    House    at    Boothbay    Harbor. 


Witopitlock,  Me. — The  Bijou  has  closed 
until  late  Spring;  also  the  local  theater  at 
Fort  Fairfield. 


Van    Buren,     Me. — The     Gaiety    has    been 
taken   over  by   Harold    Keegan. 


Shadyside.  O. — The  Ohio  has  been  sold 
by  W.  P.  James  to  L.  J.  Joseph  of  the  Zane. 
Zanesville. 


Lincoln,  Cal. — The  local  theater  has  been 
taken  over  by  Jack  Ryan  who  will  retain 
George    Luce,     former    owner,    as    manager. 


Airing  Theater  Buys 

(Continued  from  Page   1) 

and  seating  capacity  of  all  theaters 
in  which  Famous  Players  and  its 
affiliated  companies  acquired  any  in- 
terests between  Sept.  1,  1924,  and 
Dec.  1,  1925.  It  is  also  desired  to 
introduce  evidence  which  was  ex- 
cluded by  the  trial  examiner  during 
the  hearings,  which  members  of  the 
Commission,  during  the  final  argu- 
ments on  the  case  in  November,  ex- 
pressed the  opinion  should  have  been 
admitted. 


At  Rivoli  Next  Week 

"Mannnequin"  goes  into  the  Rivoli 
on  Sunday.  The  new  John  Murray 
Anderson  revue  will  be  "The  Gypsy 
Follies." 


Acquire  Two  St.  Louis  Houses 

St.  Louis — Goldman  &  Laventhal 
have  taken  over  the  Palace  and  Ma- 
jestic on  Franklin  Ave. 


Lev/is  Stone  to  be  Starred 

Hollywood — Lewis  Stone  will  be 
starred  bv  Marion  Fairfax  in  "The 
Desert  Healer." 


"That   Royle   Girl"   at    Strand 

p.  W.  Griffith's,  "That  Royle  Girl," 
will  be  the  feature  at  the  Strand  be- 
ginning Sunday. 


Incorporations 

Albany,  N.  Y. — Shergil  Corp.,  New  York. 
C.ipital  $4(1.000.  Incorporators,  E.  Paley.  T. 
Brawn  and  C.  Gilpin.  Attorney,  W.  Klein, 
1440   Broadway,  New   York. 


Dover,  Del. — Chain  Theaters  Co.,  Wilming- 
ton. Capital  $1,000,000.  Attorney,  Corpora- 
tion Trust  Company  of  America,  Du  Pont 
Bldg. ,    Wilmington. 


Albany.  N.  Y. — Academy  Film  Corp.,  New 
York.  Capital  $40,000.  Incorporators,  L. 
Lauro,  M.  Zticco  and  E.  Lauro.  Attorney,  P. 
Match,    305    Broadway,    New    York. 


Sacramentc,    CaLLeavitt   Cine    Pi.-ture    Co 
Los  Angeles. 


Hartford.  Conn. — S.  Z.  Poll  Corp.,  New 
Haven.  Canital  $2,000,000.  Incorporators, 
S.   Z.   Poli,  R.   Poli  and  L.   M.   Sagal. 


Charleston.  W.  Va. — Strand  Theater  Co., 
Ceredo.  Incoroorators,  C.  H.  Wellman,  W. 
H.  Lowe,  F.  M.  Webb  and  Garfield  Maynard. 


Austin,  Tex. — State  Amusement  Co.,  Fort 
Worth.  Canital  $50,000.  Incorporators.  R. 
J.   Stinnett,  S.  Charninsky  and  C.  M.   Simon. 


Albany.  N.  Y. — ^Waldorf  Theaters  Corp., 
New  York.  Capital  $200,000.  Incorporators. 
H.  Feldblet.  S.  Grisman.  Attorney,  H.  H. 
Osbrin,   1476   Broadway,  New  York. 


Albany  N.  Y. — Strahm  Theater  Corp.,  New 
York.  Canital  $350,000.  Incornorators,  L. 
Scheuer,  W.  Powers  and  A.  Ghersen  At- 
torney, E.  J.  Ludvigh.  48S  Fifth  Ave.,  New 
York. 


Dover,  Del.  —  Asrher  Theaincal  -Enter- 
nrises.  Wilmington.  Capital  $3,000,000.  At- 
otrney,  Cornoration  Trust  Company  of  Am- 
erica,  Du  Pont  Bldg.,  Wilmington. 


Albany.  N.  Y. — Ma'rlboro  Pictures  Corp., 
New  York.  Canital  $75,000.  Incorporators 
O.  Peters.  E.  Powell  and  H.  Flavin.  Attor- 
ney, C.  W.  E.  Froessel,  long  Island  City. 


Albanv,  N.  Y. — Mosholu  Theater  Corp. 
Nfew  York.  Incorporators.  J.  Gdler.  T. 
Hirsch  and  J.  Rosenthal.  Attornevs.  Hand- 
ler, Haas  &  Collins,  2' Rector  St.,  New  York. 


BuflFalo    —    Extensive    changes    are    to    be 
made   in   the   Columbia.  I 


Albany,     N.     Y. — Kodak     Urugaya,     Inc. 
Rochester.     Capital  $10,000. 


Reorganized 

Oscar  Kantner  and  Leon  Bamberger 

Head  Paramount  Exploitation 

Department 

A  reorganization  of  the  exploitation 
department  of  Paramount,  following 
the  resignation  of  Claud  Saunders  as 
manager,  has  been  made. 

Oscar  Kantner,  formerly  exploita- 
tion representative  in  San  Francisco, 
has  been  transferred  to  the  home  of- 
fice to  supervise  the  field  force.  Leon 
J.  Bamberger  has  been  appointed 
manager  of  special  exploitation  with 
national  campaigns  under  his  super- 
vision. There  has  been  a  realignment 
of  the  field  force  which  now  com- 
prises 16  men.  This  staff  will  be  en- 
larged immediately. 

The  present  field  representatives 
and  their  assignments  follow: 

Lee  Balsley,  Columbus  :  Albert  Birch.  Den- 
ver ;  Ed  Corcoran,  Pliiladelphia ;  William 
Danziger,  Chicago;  Curtis  Dunham.  Dallas; 
Harry  Eagles,  Seattle :  Kenton  Franklin,  At- 
lanta ;  George  Gambirll,  Cincinnati ;  Russell 
Moon,  New  York  City ;  Luther  Putnam, 
Minneapolis ;  William  Robson,  Pittsburgh ; 
Harry  Swift,  Los  Angeles ;  Edward  Wall, 
Detroit,  and  Irving  Deltmer,  Washington, 
D.   C. ;  John  Callahan,   Boston. 


Changes  in  Cleveland  Exchanges 

Cleveland — Walter  Brandt,  recently 
assistant  manager  for  Metro-Gold- 
wyn,  _  is  now  with  First  National 
covering  Toledo  territory. 

L.  N.  Connor,  formerly  with  Vita- 
graph  in  Buffalo,  is  now  with  the 
P.  D.  C.  exchange  covering  Akron. 

A.  G.  Ainsworth  has  been  trans- 
ferred from  Pittsbureh  P.  D.  C.  to 
Cleveland.     He  will  cover  Toledo. 

A.  M.  Goodman,  former  manager 
of  the  Pittsburgh  office  of  Standard 
Film,  has  been  made  manager  in  De- 
troit. 


Foreign  Governments  to  Operate 

Famous  has  received  word  from 
James  Cruze,  who  is  in  Paris,  telling 
of  a  cooperative  arrangement  with 
the  French  and  Italian  Governments 
in   filming  "Old   Ironsdies." 


Handling  Mutt  and  TefF  Cartoons 

The  Forbell  Film  Exchange,  for- 
merly Savoy,  of  729  Seventh  Ave., 
has  acquired  for  distribution,  the  se- 
ries of  52  Mutt  and  Jeff  cartoons,  to 
be  released  two  a  week. 


Two  New  Warner  Writers 

Hollywood — Warner  Bros,  have  en- 
.gaged  two  new  writers.  They  are 
Burl  Armstrong,  for  years  in  charge 
of  the  library  for  Uniiv^^rsal,  and 
Robert  Hopkins,  who  has  been  doing 
title  writing. 


"Wampas"  Entertainment  Head 
Los  Angeles — Sid  Griguman  will 
have  charore  of  the  entertainment  end 
of  the  "Wampus"  Frolic  for  1926, 
to  be  held  at  the  Shrine  Civic  Audi- 
torium, Feb.  4. 


Fire  at   First  National,  Dallas 

Dallas — Paper  and  accessories,  on 
ten  pictures  were  destroyed  fronj  fire 
and  water  at  First  National.  The 
exchange  is  located  in  the  Film  Ex- 
change Bldg. 


W.  A.  Sault  with  "U"  in  St.   Tohn 

St.   John,    N.    B. — Universal    has    a 
new    manager    here    in    Wallace    A. 
I  Sault,  who  succeeds  Joe  Lieberman. 


The  Growth 

of  a  Great 

Organization 


Broadway's  newest  legitimate  theatre,  The  Embassy,  opened  with  Metro-Goldiuyn- Mayer  s 
"The  Merry  JVidow"  in  August.  At  the  time  of  writing,  this  phenomenal  attraction 
was  going  into    its    sixth   big   month  on     the    Great    White    Way  at  two  dollars  top. 


mmmm 


ipi^ 


THE  GROWTH   OF 

A  GREAT 
ORGANIZATION 


THE  METRO- Goldwyn -Mayer  company 
with  only  eighteen  months  of  merged  existence 
has  done  wonders. 

The  talk,  of  the  Industry  is  exactly  right. 

How  did  they  do  it? 

When  you  come  right  down  to  it,  the  answer 
is — 

Good  product. 

Eighteen  months  ago  Metro  and  Goldwyn  and 
Louis  B.  Mayer  merged  their  vast  resources 
into  one  big  company. 

What  mighty  producing  power  is  represented 
there! 


WE  SET  out  to  fill  a  crying  need. 

Exhibitors  needed  a  dependable  source  of  pic- 
ture supply. 

A  company  that  could  be  relied  on  to  give  you 
box-office  product  week  in  and  week  out — 

Isn't  that  the  important  thing  in  your  business? 

— To  keep  the  crowd  coming  until  it  becomes 
a  habit. 


— To    assure    them    of    good    entertainment 
whenever  they  come. 

That's  the  need  we  set  out  to  fill. 

And  we've  succeeded. 


EXHIBITORS  HAVE  made  money  with 
our  pictures. 

Our  releases,  one  after  another,  have  each 
written  a  new  page  in  box-office  history. 

"Here's  a  company,"  exhibitors  said,  "that 
doesn't  hand  you  a  big  one  followed  by  a  lot 
of  flops." 

Steady  profits  week  after  week. 

Briefly. 

Good  product  is  the  explanation  of  the  amazing 
growth  of  Metro-Goldwyn- Mayer  within  the  short 
period  of  eighteen  months. 

Behind  the  product  are  showmen. 

Marcus  Loew,  one  of  the  world's  greatest 
showmen,  is  sponsor  for  the  business  policy  of 
this  organization. 

He  visioned  a  producing  source  that  exhibitors 
could  rely  on  for  the  stuff  they  instinctively 
know  is  box-office. 


The  Metro-Goldvuyn-Mayer  Studios  at  tJuIver  City,  California,  are  the  pride  of  the  West  Coast.   The  gigantic  production 

activities  evidenced  in  The  Quality  52  are  made  possible  by  the  fabulous  resources  of  equipment  and 

man-power  that  make  these  Studios  the  greatest  in  the  entire  world. 


That  vision  has  been  fulfilled. 

Nicholas  M.  Schenck  is  responsible  for  the 
executive  administration  of  this  great  organ- 
ization. 

Louis  B.  Mayer  has  been  the  guiding  genius 
of  the  great  Metro-Goldwyn-Mayer  Studios  at 
Culver  City,  California,  from  the  beginning. 
He  learned  about  audiences  from  years  of  ex- 
perience   handling  vaudeville    houses,    stock. 


legitimate,  picture  houses,  buying  film,  selling 
film,  making  film — 

That's  learning  showmanship  from  the  ground 
up. 


All  the  men  entrusted  with  making  Metro- 
Goldwyn-Mayer  Productions  are  showmen  of 
that  calibre. 


THE  ASSOCIATES  of  Louis  B.  Mayer 
think  in  his  terms. 

Business  first! 

The  industry  has  come  to  recognize  these  men 
for  their  sound  knowledge  of  what  theatres 
need,  and  admires  them. 

Irving  Thalberg,  Harry  Rapf  are  showmen 
first,  last  and  always. 

Hunt  Stromberg's  a  shrewd  picture  man. 

Behind  Metro-Goldwyn-Mayer  Pictures  are  not 
just  clever  directors  and  artistic  technicians. 

Before  a  foot  of  film  is  shot  there's  a  lot  of 
tall  thinking. 

Thalberg,  Rapf,  Stromberg — (all  Louis  B. 
Mayer's  aids) — there  was  never  a  faster  trio  of 
producing  minds  gathered  under  one  roof  in 
all  the  annals  of  show  history. 

When  you  marvel  at  the  development  of  this 
great  organization  you  take  those  things  into 
consideration. 


y 


A  Visitor  to  the  M-G-M.   Studios  today  would  marvel  at  its  never-ending  development  and  growth.     Every  technical  facility 
known  in  picture-making  is  found  here.      To  see  these  vast  Studios  is  to  realize  that  when  you  join  the  ranks  of  M  G-M 

exhibitors  you  sign  for  security  and  success  in  your  business  life. 


You  take  into 
consideration, 
too,  that  the 
Studio  man- 
power, direc- 
tors, writers, 
creators,  all  re- 
flect the  minds 
and  ideas  of  the 
showmen-ex- 
ecutives of  M- 
G-M. 


AND  WHAT  a  work-shop  these  personali- 
ties have  to  do  their  stuff  in. 

The  M-G-M  studios  are  the  pride  of  the  West 
Coast. 


'^#- 


The  ambitious 
line-up  that 
you  witness  in 
The  Quality  52 
is  attainable 
only  in  such  a 
work -shop, 
guided  by  gen- 
erals of  film 
industry. 


Great  as  this  gigantic 
Culver  City  establishment 
was  at  the  time  of  union 
a  year  and  a  half  ago,  its 
growth  would  astonish  a 
visitor  there  today. 

What  a  Miracle  City! 

Only  with  such  fabulous 
resources  as  exist  here  can 
the  greatest  conception  of 
a  producer  attain  fulfill- 
ment on  the  screen. 

Metro  -  Goldwyn  -  Mayer 
by  the  very  fact  of  its  mar- 
velous physical  resources  is 
equipped  to  do  the  big 
things  in  motion  pictures. 

And  we're  doing  them. 

We  wish  every  M-G-M 
exhibitor  could  visit  the 
place  where  these  famous 
pictures  are  made. 

It  would  tell  him  better 
than  words  what  a  veritable 
Rock  of  Gibraltar  organi- 
zation he  has  linked  his 
business  life  with. 

That  Studio  breeds  confi- 
dence. 


SIXTY- EIGHT  WEEKS 
OF  SOLID  SUCCESSES 

GOOD  PRODUCT! 

That's  the  keynote  of  our  success. 

Look  over  the  records  and  you'll  find  that 
while  the  Industry  was  chasing  this  rainbow  or 
that  one,  Metro-Goldwyn-Mayer  has  had  its 
nose  steadily  to  the  grind-stone,  working  con- 
scientiously to  give  its  customers  good  product. 

The  figures  always  tell  the  story  truthfully. 

What  a  line-up  of  money-makers  from  the 
very  start  of  Metro-Goldwyn-Mayer. 

"He  Who  Gets  Slapped,"  "The  Navigator," 
"His  Hour,"  "Excuse  Me!" 

That's  the  kind  of  product  that  nourished  our 
growth. 

"Cheaper  to  Marry,"  "Wine  of  Youth,"  "The 
Snob,"  "Lady  of  the  Night,"  "So  This  Is 
Marriage!"  "Wife  of  the  Centaur,"  "The  Red 
Lily." 

Those  pictures  only  showmen  could  make! 

And  we  kept  up  that  pace. 

Week  after  week,  release  after  release. 

Growing  all  the  time,  spreading  into  new 
towns  and  new  theatres. 

Winning  over  new  accounts  every  day,  because 
it  was  obvious  we  knew  our  business. 

And  wise  showmen  were  quick  to  recognize 
that  the  M-G-M  product  was  hitting  the  mark 
and  doing  it  consistently. 


SIXTY-EIGHT  weeks  of  solid  successes! 
That's  a  record  that  will  stand  on  the  pages  of 
box-office  history  'till  kingdom  come. 

Titles  that  bring  happy  recollections  to  show- 
men. 

Great  audience  pictures  for  big  cities  and  small 
cities. 

One  after  another,"The  Dixie  Handicap,"  "The 
Monster,"  "The  Rag  Man,"  "Seven  Chances," 
"Proud  Flesh,"  "Zander  the  Great,"  "Man  and 
Maid,"  "The  White  Desert." 

We  showed  you  we  knew  practical  producing. 


Then  we  told  you  that  what  happened  in  the 
first  year  of  Metro-Goldwyn-Mayer's  union 
was  just  the  beginning, 

WERE  WE  right? 

"The  Unholy  Three"  in  August  was  the  first 
answer  to  that  question. 

And  every  week  since  then  we've  been  an- 
swering it  with  great  record-breaking  attrac- 
tions that  have  amazed  the  entire  producing, 
distributing  and  exhibition  world  by  their 
strength. 

And  we've  kept  growing;  on  our  toes  all  the 
time. 

New  stars,  new  directors,  new  angles. 

The  livest  showmen  in  show  business. 

You  hear  it  everywhere. 

And  as  we  keep  going  and  growing,  we  keep 
our  original  aim  uppermost. 

We're  making  product  that  exhibitors  have  to 
sell  to  their  public. 

The  public  wants  stars.  The  public  wants  great 
stories.   And  new  angles  on  production. 

Showmanship. 

We  deliver  it. 


The  Ventriloquist  .jH^flHlK      flT  d. 

nilbJ 

— cmU  climl)  imu          ^> 

77k  Giant            SO 

inhh 
greatal 

Banded  together  in  V^^  ^^| 

\             win 

\  MaeBusch 
\  MaitMoorb 

P'i^  /)/    PURSUING   *  lift  of  <«Qtutk     \ 
/  j^y'W' y               crime,   three   men  of  the   tid*^       i 

Y^I^^V             lob  of  their  cuecr!                                    \ 

\atod 
\browndA» 

\  C  A.  ROSVIIK 

rflHw  \   AM'      ^^'lut  •   tfariUv,  with   Loa  ChuMT.  dw 
n^m        /tH       •«**«<'*»«««'•««  <rf  "U  tlm«,  to  hi* 

V\»  ^       TVbMA^ 

L  rSm  ^EW           ^t—wd  \r,  LOUIS  b.  mayeh           / 

^|pH^-^  ^ctn^^feii%yi  Picture  y  " 

^j^^jjii^H 

•n 


BUILDING  A  GREAT 
COMPANYOFSTARS 

MORE  STARS  than  there  are  in  heaven. 

In  Metro-Goldwyn-Mayer  pictures. 

The  importance  of  box-office  names  shapes 
the  production  policy  of  this  organization. 

We  give  you  names. 

That's  important. 

The  picture's  the  thing  it's  true,  but  with 
every  M-G-M  release  you  get  at  the  same 
time  names  that  draw. 

Never  a  week  without  a  big  star  name  to  flash 
from  your  house  front. 

The  public  looks  for  those  names. 

Only  an  organization  with  the  resources  of 
Metro-Goldwyn-Mayer  could  give  you  such 
million-dollar  drawing  cards  as  are  gathered 
in  the  starry  heavens  of  the  M-G-M  Studios. 

Lillian  Gish,  Marion  Davies,  John  Gilbert, 
Lon  Chaney.   What  names! 

Buster  Keaton,NormaShearer,RamonNovarro. 
Real  stars! 

Stars  that  greet  you  from  the  pages  of  maga- 
zines and  newspapers  circulating  among  the 
millions. 

Stars  idolized  by  picture  fans — who  are  more 
widely  publicized  than  Mae  Murray  or  Jackie 
Coogan? 

Lew  Cody,  Eleanor  Boardman,  Aileen  Pringle, 
Pauline  Starke,  Renee  Adoree. 

STARS!    STARS! 

All  under  exclusive  contract  to  us  alone. 

We  believe  in  stars  because  we're  showmen. 

Claire  Windsor,  Mae  Busch,  Conway  Tearle, 
Carmel  Myers,  Conrad  Nagel,  Bert  Roach, 
Sally  O'Neill,  Joan  Crawford,  Kathleen  Key 
— these  are  just  a  few  of  the  great  company  of 
names  that  Metro-Goldwyn-Mayer  has  built  up. 

And  is  still  building ! 

A  few  more:  Greta  Garbo,  Frank  Currier,  Roy 
D' Arcy,George K.Arthur, Karl  Dane,Gertrude 
Olmsted,  William  Haines,  Edward  Connelly, 
Douglas  Gilmore,  Nigel  de  Brulier  and  others. 

Keen  showmen  at  the  studio  are  grooming 
new  personalities. 


YouU  Ho<yl  I    Voull  Scnun  I   YouU  Love  Ii  I 


We  have  what  is  considered  to  be  the  biggest 
stock  company  in  the  world  at  Culver  City. 

That's  for  a  purpose. 

To-morrow  de- 
mands its  box- 
office  names  and 
Metro-Gold- 
wy n  -  Mayer 
looks  ahead  so 
that  always  this 
great  organiza- 
tion may  be  de- 
pended upon  to 
give  the  public 
the  new  person- 
alities. 


Stars,  featured 
players,  sup- 
porting players. 
The  greatest  stock  company  in  the  world! 

We  believe  in  names. 

Because  the  public  plays  favorites. 

Because  it's  good  business  for  you  to  have  them. 


THE  IDEA  BEHIND 
THE  QUALITY  52 

HE  idea  behind  The  Quality  Fifty-Two 
is  for  you  to  make  money. 

That's  not  philanthropy. 

If  you  don't  make  money  with   our 
pictures,  how  can  we  go  on? 

So  this  is  the  way  we  planned  to  give  you  the 
money-making  pictures  which  you   now  see 

cleaning  up  every- 
where. 

Angles  on  production, 
newstory  ideas  to  catch 
the  public  fancy,  big 
star  names  to  put  in 
your  ads. 

And  high  -  powered 
promotion  behind  it 
that  an  exhibitor  can 
readily  understand  and 


apply  to  his  local  situation. 

**The  Unholy  Three"  is  great  in  its  unusual 
story,  but  also  there's  Lon  Chaney  starring. 

The  fashion  angle  is  proving  just  what  we  ex- 
pected with  "A  Slave  of  Fashion."  Plus 
Norma  Shearer  with  Lew  Cody. 

"Pretty  Ladies,"  "Sun  Up,"  each  one  has 
showmanship  angles. 

**The  Mystic"  is  the  first  expose  of  fake 
spiritualism. 

"Never  The  Twain  Shall  Meet"  is  hanging 
up  records.    It's  the  South  Sea  angle. 


Al  Woods,  showman  that  he  is  in  the  stage 
world,  never  concocted  a  more  hilarious  cock- 
tail of  marital-mixups  than  "Exchange  of 
Wives." 

Notice  the  wide  range  of  subjects  in  The 
Quality  Fifty-Two. 

Then  take  "The  Tower  of  Lies."  Victor 
Seastrom,  director;  Lon  Chaney  and  Norma 
Shearer,  stars.  It's  an  angle  when  exhibitors 
advertise  this  thrilling  attraction  as  a  "succes- 
sor to  *He  Who  Gets  Slapped'  with  the  same 
director  and  stars." 


GO   down  the  list. 

You'll   find  there's  a  good  reason   why  each 


A  Page  From  the  Book  of  Life ! 

SHE  h«d  midc  the  one  («ul  mi** 
take  for  »  woman,  utd  all  ibc 
world  had  turned  agaiiut  her.  Oalf 
bet  father,  and  the  boy  who  loved 
htt,  kept  their  bLnd  faith  in  her. .  . 
Htn  u  tha  ittaan  fabric  of  real  draoul, 

night)'  human  ncMagw.  Norma  Shaawr 
•f  tb*  wajrward  gjA  wba  finda  haypinaK 
at  laM,  and  Lon  Chanar  «•  dia  Calliar, 
ban  reach  (ha  triumph  ol  ibair  icraafa 

Ertit  grttter  ihtn  ihtit  work  te  "Hf 
Who  GtU  SUpptd." 

'tiU    far    ikt    ttttn    hf    AM**    O/bdaa 
Hiaa    ('■•■     Ikt    ■•**!    Tk     KmHf**    H 
rtriamii^    »7    SBLMA    LACBitiOP 
Dm€tti    kf    VICTOK    8BASTK0U 

LONCMNIY 

SfUES 


I 


.i 


Virtrtti  by  tkt  man  who  mtit 
"HB  Who  Gm  SlappMT 


A  VICTOR 
SEASTROM 

productum 


.  W&x^oldwi/n-\^/c\ 


t  PICTURE 


LON  CHANEY 


one  of  The  Quality  Fifty-Two  is  making  the 
big  noise  at  the  box-offices. 

There's  thought  behind  them. 

Ramon  Novarro  in  **The  Midshipman."  That 
places  before  the  public  for  the  first  time  the 
thrills  and  romanceof  our  great  Annapolis  Naval 
Academy.    A  great  star.   An  audience  picture. 

Pages  of  front  page 
publicity  before  it 
hit  the  public. 

Buster  Keaton  did  a 
marvelous  burlesque 
of  thewild  andwool- 
ly  West.  He  kidded 
thewide-openspaces 
in  his  screamingly 
funny  "Go  West" 
and  now  it's  repeat- 
ing  **Navigator" 
business. 

You    get    angles    to 
exploit  on  M-G-M  pictures. 
Names  to  sell  the  public,   and  story  slants  to 
interest  them. 

**The  Merry  Widow"  is  Metro-Goldwyn- 
Mayer  showmanship  applied  to  one  of  the 
greatest  titles  of  all  time. 


We  gave  it  to  Von  Stroheim  to  do,  because 
that's  his  meat. 

We  put  two  drawing  names  in  it,  Mae  Murray 
and  John  Gilbert. 

Going  into  its  sixth  month  on  Broadway  at 

$2   top! 

Now    watch    "The   Merry    Widow"   as    day 

by    day    it    sweeps 

records  before  it 
everywhere  in  cities, 
towns,  hamlets. 

That's  the  idea  be- 
hind The  Quality 
Fifty-Two. 

To  make  pictures 
with  appeal  to  the 
millions ! 

And  to  put  into  our 
product  the  varied  appeal  so  that  one  week 
your  audience  delights  in  a  heart-warming 
comedy  like  Jackie  Coogan  in  "Old  Clothes" 
and  the  next  week  you  give  them  a  stirring 
soul-drama  like  Elinor  Glyn's  "The  Only 
Thing." 

But  first,  last  and  always  a  good  show. 


- 

yi^ 

1 

\j 

conu  "Broavn 
try  laughing  in 
'estr 

Buster  Keaton  and  his 

Eyei"ha<ve  set  the  coun 

the  hit ''Go  H 

ITS    HARD  to 

keep  up  the  pace 
Metro-Goldwyn- 
Mayer  set  for  itself. 

But  we're  doing  it. 

The  Quality  Fifty- 
Two  delivers  con- 
sistently. 

"Bright  Lights," 
**Sally,  Irene  and 
Mary,"  Marion 
Davies  in  **Lights 
of  Old  Broadway" 
backed  by  the  nation 
wide  publicity  pow- 
er of  Cosmopolitan 
Productions. 


We  cash  in  on  the 
interest  that  millions 
of  girls  have  in  the 
romance  that  flour- 
ishes in  business  of- 
fices by  producing 
"His  Secretary." 

You've  got  a  ready- 
made  audience  for 
that.  And  Norma 
Shearer  stars  in  it, 
with  Lew  Cody. 

Novelty? 

Wait  'till  you  see 
Marshall  Neilan's 
big  comedy  "The 
Great  Love"  in 
which  a  runaway 
elephant  plays  the 
leading  role! 


CONWAY  TEARLE 




IP^~I 

fe   ^m 

fe^."/* 

^PrX^ 

r 

BERT  ROACH 

.    . 

That's  just   part   of 
The  Quality  52. 

You  can  decide  for 
yourself  when  you 
see  what's  coming. 
We  think  the  best 
is  yet  to  come. 


BrsTji  CT^sWUllillMII 
LEW  CODY 

The  Meaning  of 
-G-M  Cooperation 


A  man  who  has  been  in  show  business  since 
before  there  was  film  business  said : 

"Barnum  never  conceived  a  bigger  idea  than 
Metro-Goldwyn-Mayer's  Trackless  Train." 

Here's  why  it's  great. 

We  knew  we  had  a  hi^ 
tory-making  product. 
We  wanted  your  public 
to  know  that. 

So  we  plastered  the  name 
of  Metro-Goldwyn- 
Mayer  across  the  face 
of  this  broad  land  by 


the  most  startling  exploitation  stunt  that  was 
ever  conceived. 

Never  such  a  crowd-stopper.  Never  such  a 
publicity  promoter ! 

Metro- Go  Id  wyn -Mayer's  Transcontinental 
Train  brought  our  name  forcibly  to  the  atten- 
tion of  uncounted  millions. 

It  has  completed  its  journey  across  the  country 
and  shortly  will  start  back  from  Los  Angeles 
to  New  York  by  another  route. 


ERICH  \«)NSTT«)HEIM'S 

Production 


7w*  Grtt  Start  I 
Tht  Gcmu   Dhtam 
«t  '!>*  Str*imt 

CtiUtHag    Film    ^e- 


—  no  mohoH 
picture  hat 
t*er  offered 
more! 


STATE  i"o^A^ 


Millions    in   cities    and  towns    have    visioned 
M-G-M    enterprise    already.     Millions   more 


will  be  sold  by  the  victorious  return-trip  of 
the  Trackless  Train. 

Then  the  Trackless  Train  will  cross  the  seas 
to  blaze  the  M-G-M  name  throughout  Europe. 

SHOWMANSHIP— that's  our  idea  of  co- 
operation. 

To  do  the  unusual.   And  to  do  it  first. 

We  are  propagandizing  the  public  in  behalf 
of  our  great  product  by  many  methods,  stunts, 
contests,  nationwide  publicity,  the  most  inten- 
sive system  of  exclusive  press  service  ever  de- 
vised to  spread  a  product  across  a  nation. 

Everywhere  you  read  about  M-G-M. 

We  started  "The  Merry  Widow"  on  its  record- 
breaking  career  by  engaging  Gloria  Gould, 
society  celebrity,  to  manage  the  Embassy 
Theatre  on  Broadway.  A  national  publicity 
stunt. 

Our  nationwide  contest  for  a  new  Child  star 
to  appear  in  Metro-Goldwyn-Mayer  attractions 
is  a  marvel  of  promotion. 

Our  Bureau  of  Serialization  is  planting  serial 
stories  of  M-G-M  pictures  in  hundreds  of 
newspapers. 

Creating  advance  interest  in  the  minds  of 
millions.    Paving  the  way  for  your  showing. 

Have  you  seen  our  Masked  Player  Contest? 

We've  got  some  ideas  lined  up  that  will  de- 
velop within  the  coming  months. 

That  are  typical  M-G-M  promotion. 

Business  building! 


TAe  history-making  Metro-Goldwyn-Mayer  Transcontinental  Trackless  Train 


WHAT  SOME  EXHIBITORS 
FEEL  ABOUT  M-G-M 

iLetier) 

*'My  best  wishes  for  continuous  success  producing 
pictures  like  'Never  The  Twain  Shall  Meet'  and 
'The  Midshipman.'  Great  business  'Never  The 
Twain'  at  New  Theatre.  'Midshipman'  broke  records 
Century  Theatre."— H.M.  Messiter,  Whitehurst's 
Theatres,  Baltimore,  Md. 

(Letter) 

"We  have  increased  our  prices  from  ten  to  fifteen 
cents  on  the  new  M-G-M  pictures.  Just  finishing 
four  day  run  on  'Unholy  Three.'  Smashed  every 
existing  record.  We  note  from  trade  journals  that 
M-G-M  product  is  phenomenally  successful  all  over 
the  country.  We  want  to  assure  you  it  has  certainly 
done  its  bit  for  us."  —  Frank  Edwards,  Winter 
Garden  Theatre,  Seattle,  Wash. 

(Wire) 

"Trackless  Train  arrived  Benton  Harbor,  Michigan, 
today  while  I  was  in  city.  This  train  sure  created  a 
sensation  and  is  without  doubt  one  of  most  creative 
and  constructive  novelties  I  have  ever  seen.  I  want 
to  congratulate  your  company  for  such  a  marvelous 
clean  way  of  advertising." —  Kenneth  Fitzpatrick, 
Fitzpatrick  &  McElroy. 

(iVfre) 

"'Unholy  Three'  played  to  biggest  business  of  any 
M-G-M  picture  at  State.  I  have  seen  several  of 
the  new  pictures  and  I  feel  that  we  are  in  for  a  series 
of  record-breakers."  —  Sol  Lesser,  West  Coast 
Theatres. 

(Wire} 

"Played  'Pretty  Ladies'  full  week  against  'Don  Q' 
eighty-six  percent  increase  over  corresponding  week 
last  year." — J.  E.  Tompkins,  America  Theatre, 
Colorado  Springs,  Col. 

(Wire) 

"'Never  The  Twain'  broke  all  records  Kunsky's 
Madison.  Opened  second  week  bigger  than  the  first. 
Looking  for  a  third." — H.  S.  Ansley,  Detroit,  Mich. 


Ramon  Novarro  thrills  in  "The  Midshipman" 


(Wire) 

"Just  completed  most  unique  engagement  with  'The 
Merry  Widow'  in  the  annals  of  Canton.  Our  first 
run  played  to  turnaway  crowds  daily.  We  brought 
it  back  for  second  run  and  packed  them  in.  Then 
was  forced  by  overwhelming  demand  to  play  a  third 
engagement  and  still  they  came,  thus  establishing  a 
record  for  return  engagements  unparalleled  in  my 
years  of  experience.  It  seems  there  is  no  end  in  sight 
even  now  and  but  for  other  bookings  preventing, 
would  like  to  play  'Merry  Widow'  another  week." 
— L.  B.  Cool,  Grand  Opera  House,  Canton,  Ohio. 

(Letter) 

"'Merry  Widow'  at  Roosevelt  did  remarkable  busi- 
ness. The  picture  caused  a  sensation  in  Chicago.  I 
believe  this  picture  will  be  a  national  success." — Max 
Balaban,  Balaban  &  Katz,  Chicago,  111. 


DIRECTORS  WHO  MAKE 
BOX-OFFICE    HISTORY 


'^h: 

KlBi'jfc' 

^S^p 

^^^H 

REX  INGRAM 

There's  less  fancy  theory 
and  more  practical  theatre 
sense  on  the  M-G-M  studio 
lot  than  in  all  Hollywood 
put  together. 

Behind  our  great  product 
are  showmen! 


Directors  who  know  what  it's  all  about. 

They  know  public  taste,  and  they  make  pic- 
tures that  you  can  get  back  of  with  showman 
skill  and  sell  to  the  crowds. 

Rex  Ingram  is  one  of  the  original  Metro  direc- 
tors. His  name  on  a  picture 
means  "Four  Horsemen" 
size,  the  last  word  in  quality 
production,  dramatic 
sweep,  brilliance! 

Fred  Niblo  ranks  with  the 
greatest  in  the  Film  Hall 
of  Fame. 

King  Vidor  has  stepped  into  immortality. 

There's  a  trio  of  names  that's  hard  to  duplicate, 
nay,  impossible  to  duplicate  anywhere  in  this 
industry. 

Ingram,  Niblo,  Vidor  are  M-G-M  personali- 
ties that  are  dicsussed  the 
world  over  because  they 
stand  at  the  topmost  pin- 
nacle of  their  craft,  the 
leading  directorial  lights 
of  today! 

The    importance    of  the 
director  behind  the  pro- 
duction   has   ever 
been    vital    in 


jC- 


oon't  Mlfr 

JACKIE 
aX)GAN 

OLD 
aP7H£5 


€^' 


Metro  -  Goldwyn  -  Mayer's 
striving  for  achievement.  " 

We  recognized  in  Monta 
Bell  a  great  box-office  di- 
rector. 

Metro  -  Goldwyn  -  Mayer's 
style. 

He  joined  the  showmen  directors  at  Culver 
City,  California,  and  made  "Lady  of  the 
Night."  And  repeated  with  "Pretty  Ladies," 
and  other  Quality  Fifty-Two  hits. 

M-G-M  directors  know  show  business. 


When  Tod  Browning  di- 
rected Lon  Chaney  in"The 
Unholy  Three"  he  turned 
out  not  only  a  great  attrac- 
tion, but  a  great  exploita- 
tion picture. 


Now  he's  giving  you  "The 
Black  Bird,"  another  great  mystery-thriller 
starring  Lon  Chaney. 

Watch  "The  Unholy  Three"  records  repeated 
v/ith  "The  Black  Bird." 

Metro-  Goldwyn- Mayer 
has  just  signed  a  new  con- 
tract with  Hobart  Henley. 

"Sinners  in  Silk"  and  "So 
This  Is  Marriage"  are 
Henley's  idea  of  how  to 
bring  'em  in. 

"A  Slave  of  Fashion"  and 
*fHis  Secretary"  are  two  of  his  current  money- 
getters.     Henley  makes  hits! 


r 

j|Ar 

i^^^^^r? 

W 

wL           ml  ya 

9        ^M     rH/^  nciviis    Tk 

\    

^  7/rMAsrro  m\[)i  ^m 

- 

An  elephant  provides  comedy  and  excitement  in  the  sur- 
prise sensation,  Marshall  Neilan  's     The  Great  Love ' 


Edmund  Goulding's  "Sally 
Irene  and  Mary"  following 
his  production  of  "Sun  Up' ' 
establishes  this  director  as  a 
maker  of  successes. 

Goulding's  experience 
covers  every  phase  of  pic- 
ture making. 

You  get  confidence  in 
M-G-M  directors  just  by 
looking  at  their  history. 

They're  all  practical  the- 
,atre  men. 

For  instance,  "Cheaper  to 
Marry"  was  one  of  Robert 
Z.  Leonard's  box-office 
contributions  of  last  year. 

Director  Leonard  has  out- 
donehisrecordwith"Bright 
Lights,"  and  other  audience 
successes  this  season. 

Watch  for  his  newest  one, 
"Dance  Madness." 

It's  names  like  Victor  Sea- 
strom's  that  have  been  land- 
marks of  prestige  and  achievement  in  the  soundly 
established  progress  of  Metro-Goldwyn-Mayer. 

Seastrom's  "He  Who  Gets  Slapped"  engraved 
his  name  for  all  time  on  the  records. 

The  public  showed  it  when 
he  gave  them  "The  Tower 
of  Lies"  vvith  Chaney  and 
Shearer,  stars  of  his  previ- 
ous success. 

M-G-M  directors  set  up 
marks  for  others  to  shoot  at! 

And  when  you  analyze  it. 


mS^^m^ 

mK^M 

'S^^^mis 

P  9 

'^^^M 

mI^^*^ 

sHH 

H 

ARCHIE 

MAYO 

The  reason  for  the  supremacy  of 
Metro-Goldwyn-Mayer  in  this  de- 
partment is  simply  a  better  under- 
standing of  "what  the  public  wants." 

Christy  Cabanne  did  "The 
Midshipman,"  starring 
Ramon  Novarro.  Then  he 
directed  Mae  Murray  in  "The 
Masked  Bride." 

Best  sellers  at  the  box-office. 

Jack  Conway  packed  thrills 
that  they  love  into  Elinor 
Glyn's  "The  Only  Thing," 
and  followed  with  "Soul 
Mates." 

The  wisest  minds  in  all  Hol- 
lywood are  congregated  right 
on  the  M-G-M  studio  lot. 

And  always  new  men  with 
new  slants  are  being  added. 

Phil  Rosen,  who  directed 
"Abraham  Lincoln;"  Archie 
Mayo,  Alfred  Raboch — they 
will  be  heard  from.  Benjamin 
Christiansen,  the  genius  of 
Europe,hasbeen  brought  over. 

The  world's  best  goes  into 
the  building  of  the  M-G-M 
trade  mark. 


P^HIH^^R^  ^  f^w^m^W^^BKKSm^^^ 

^M^^ 

K/d^K'-  ':K '      flk       Mi^   ^^1 

W^K^H^lKli^Kltl^^^ 

^wlH^MIK' ifllHHHHBHi 

Charles  Ray  and  Pauline  Starke  in     Bright  Lights 

/ 


1926  WILL  BE  ANOTHER 
METRO-GOLDWYN-MAYER  YEAR 


The  Quality  Fifty -Two 
commencing  with  the  New 
Year,  great  as  it  has  proved 
to  be  at  the  box-office  so  far, 
unfolds  an  even  more  bril- 
liant prospect  of  big  pic- 
tures. 

Our  policy  is  to  assure  you 
a  continuous  supply  of  prod- 
uct of  importance. 

The  way  to  deliver  only  good  pictures  is  to 
hold  back  any  production  that  we  ourselves 
are  not  satisfied  with. 

When  you  get  it  for  exhibition,  you  may  be 
sure  it's  right. 

That's  how  we  have  built  to  success.  And  that's 
our  policy  for  the  future. 

Metr  o- 
Goldwyn- 
Mayer 
exhibitors 
are  con- 
gratulat- 
ing them- 
selves   on 

the  business  they  have  done  so  far  with  The 
Quality  Fifty-Two. 

Here  are  some  of  the  great  things  coming  with 
the  beginning  of  the  New  Year. 

Lon  Chaney's  greatest — watch  for  Tod  Brown- 
ing's new  production,  "The  Black  Bird." 


' 

A  scene  from     The  Devilkin'* 

And  then"Dance  Madness";  Rex  Beach's  "The 
Barrier";  "Ibanez  Torrent,"  a  Cosmopolitan- 
promoted  picture;  Norma  Shearer  in  "The 
Devilkin";  "The  Auction  Block,"  by  Rex 
Beach;  "Money  Talks"  by  Rupert  Hughes. 

That'sjust  part  of  the  fun. 

We're  looking  beyond 
The  Quality  Fifty-Two. 

We  have  done  ambitious 
things  in  the  past. 

But  behind  closed  doors 
East  and  West  is  being 
formulated  the  most  gi- 
gantic campaign  ever  un 


BLASCO  IBANEZ 
Author  of  the  screen  V  biggest  hits 


dertaken    by  this  or  any  organi- 
zation. 

You  who  have  made  money  with 
Metro-Goldwyn-Mayer. 

You  who  are  joining  up  with  the 
livest  outfit  in  film  business. 

Remember  this  prophecy. 

1926  will   positively  be  another 
Metro-Goldwyn-Mayer  Year! 


TALK 

OF  THE 

INDUSTRY 


"More  Stars  Than  There  Are  In  Heaven" 

A  Great  Organization  from  its  studio 
in  Culver  City,  California,  to  its 
executive  offices  in  NeAV  York 
City,  through  its  31  branch  of- 
fices   and    all    over    the    world 


TMC 


Wednesday,  January  6,  1926 


Pinch  in  St.  Louis 

(Continued  from  Page   1) 

^  itors,  particularly  the  smaller  ones, 
have  their  backs  to  the  wall.  Each 
new  theater  that  opens  here  is 
bigger  than  the  next.  Each 
downtown  house  is  cutting  into  the 
business  of  the  less  pretentious,  the 
less  modern  outlying  theater.  The 
pronounced  growth  of  chains  is  mak- 
-V  ing  it  more  difficult  for  independent 
operators  to  function. 

The  first  run  situation  is  acute  from 
the  angle  of  some  producer-distrib- 
utor companies.  Apparently  some 
^  will  have  to  build  in  self-defense. 
But  each  new  house  aggravates  the 
general  situation  and  local  exhibitors 
contend  the  city  is  overseated. 

When  Loew's  State  opened  in  Au- 
gust, 1924,  it  had  an  immediate  effect 
on  other  houses,  but  this  slump  was 
not  so  marked  as  that  which  followed 
the  opening  of  the  St.  Louis  a  short 
time  ago.  First  and  second  runs  both 
have  been  afifected  by  the  new  com- 
petition. The  seating  situation  at 
present  is  this: 

Theater  Seats 

105  ShowinK   film    94,234 

3  Vaudeville-pictures    8,471 

3  Legitimate    houses     5,419 

3  Burlesque    4,435 

114  Theaters  112,559 

Other  data  follows: 

Theaters  Seati 

,'       14  At  present  closed    9,079 

15  Planned    29,748 

49  Airdomes     61,793 

2  Airdomes  proposed    3,500 

This  includes  houses  in  St.  Louis 
proper  and  leading  suburbs.  This 
represents  a  territory  with  not  more 
than  850,000  population.  Thus  it  is 
seen  the  city  has  one  theater  seat  for 
each  7.5  persons.  Compared  with 
other  cities  this  is  a  large  ratio  and 
is  the  basis  for  the  contention  of  the 
St.  Louis  M.  P.  Exhibitors'  League 
that  the  city  is  overbuilt. 

For  some  time  it  has  been  reported 
that  both  Fox  and  Universal  planned 
first  runs  unless  they  were  able  to 
obtain  an  outlet.  William  Fox  will 
be  in  St.  Louis  about  Jan,  15  in  con- 
nection with  a  theater. 


To  Build  $100,000  Omaha  Theater 

Omaha  —  George  O.  Monroe  is 
sponsor  of  a  new  house  which  is  to 
be  built  on  Military  Ave,  and  Fon- 
tenelle  Boulevard  at  55th  St.  The 
ho"se  will  cost  $100,000. 

Purchase  of  the  site  was  comoleted 
recently  by  Monroe  for  $20,000.  The 
house  will  be  finished  Aug.   1, 


Both  Exhibitor  and  Exchangeman 
Des  Moines — N.  C,  Rice  has  been 
.  appointed  manaecr  for  F,  B.  O.  suc- 
':  ceeding  F.  W.  Young,  Rice,  who  op- 
■  erates  the  Opera  House,  Algona,  la., 
j  is  president  of  the  state  exhibitor  as- 
i  sociation.  In  addition,  he  is  a  mem- 
{  ber  of  the  board  of  directors  of  the 
!  M.  P.  T.  O.  of  America. 


Sennett-Pathe  Si^n 

;  (.Contiuved    from    Parte    1) 

I  quality  could  be  turned  out.  "While, 
heretofore,"  he  said,  "rental  grosses 
have  not  permitted  all  the  production 
latitude  desired  tlie  new  arrangement 
gives  the  producer  ample  elbow  room 

-on  this;  score.''-  r--r    ■ 


s5^^ 


DAILY 


21 


Putting  It  Over 


Here  is  how  a  brother  exhib 
iter  puts  his  show  over.    Sena 
along  your  ideas.  Let  the  other 
fellow  know  how  you  cleaned 
up. 


Co-Operative  Advertsiing  Used 

Norfolk,  Va.  —  When  "The  Lost 
World"  was  shown  here,  J.  J.  Mad- 
den, manager  of  the  Wells  theater, 
laid    out   an    unusual    campaign. 

Madden  bought  25  stands  all  that 
were  available,  and  put  up  additional 
25  six-sheets,  25  three-sheets  and  25 
ones.  He  splurged  on  his  newspaper 
ads,  and  went  after  the  co-operative 
end,  landing  a  double  truck  for  Sun- 
day  which   cost   the   theater  nothing. 

The  Red  Top  cabs,  the  largest  or- 
ganization in  Norfolk,  carried  ban- 
ners for  a  week  calling  attention  to 
the   showing. 

The  theater  also  put  out  5,000  her- 
alds and  500  window  cards. 


"Merry  Widow"  Stunt 

Wilmington,  Del.  —  Norman  W. 
Pyle,  Metro-Goldwyn-Mayer  exploi- 
teer,  put  through  an  effective  cam- 
paign on  "The  Merry  Widow,"  in 
conjunction  with  Manager  George 
Bailey,  of  the  Royal. 

The  basis  of  the  campaign  was  a 
"Merry  Widow"  contest  carried  out 
in  cooperation  with  "The  Morning 
Star." 

On  Wednesday,  the  "Merry 
Widow"  arrived  in  town  and  people 
started  to  congregate  on  the  street 
corners,  discussing  the  contest.  Sev- 
eral women  started  to  look  for  the 
widow.  Thursday  a  large  crowd  col- 
lected and  the  services  of  the  Star's 
advertising  department  were  called 
on  and  the  idea  sold  to  the  merchants. 

On  Saturday,  crowds  collected  all 
along  the  widow's  route.  The  widow 
was  not  tagged  until  late  Saturdav 
afternoon  when  a  young  man  finally 
located  her. 


Picture  Tied-Up  with  Electric  Signs 

Ottawa,  Ind.  —  When  "Bright 
Liehts"  played  at  the  Gayety,  Charles 
Glickauf.  Metro-Goldwyn  exploiteer. 
attracted  attention  to  the  showing 
hv  tying  ud  two  electric  shoos  for 
disnlay  and  a  trailer  contributed  to 
and  art  cards  announcing  the  show- 
ing. 

The  town  was  well  posted  and 
a  vigorous  press  campaign  was 
waged.  There  was  a  snecial  lobbv 
display  and  a  slide  used  in  the  thea- 
ter. 


Usual  Stuff  Proves  Effective 

Elkhart,  Ind. ^Window  disnlavs 
featuring  conies  of  the  George  Eliot 
novel  unon  which  "Romola"  is  based, 
were  a  feature  of  a  campaign  recently 
waeed   by   the    Orpheum. 

Five  hundred  herplds  were  distrib- 
uted, together  with  50  window  cards 
Five  l-shepfs  and  one  ,3-shpet  wptp 
posted,  and  nhotos  were  disnlayed  bv 
merchants  all  over  the  town.  Four 
grocery  tie-ups  on  Lux  and  a  radio 
tie-up  helped  also.     A  special  lobby 


display  and  a  trailer  contributed  to 
the  occasion,  and  54  inches  of  space 
were  achieved  in  the  press. 

Small  Town  "Phantom"   Campaign 

Saratoga,  N.  Y.— A  feature  of  "The 
Phantom  of  the  Opera"  campaign  for 
the  Palace,  put  on  by  Sidney  C.  Dav- 
idson of  Universal,  in  cooperation 
with  Ben  Strauss,  who  manages  the 
house,  was  a  parade  which  escorted 
the  cans  of  "Phantom"  film  from  the 
railroad  station  to  the  theater.  This 
was  advertised  several  days  in  ad- 
vance by  a  3-sheet  announcement  in 
the  lobby  and  in  the  local  newspaper. 
The  theater  stated  that  the  film  would 
arrive  at  8  o'clock  and  that  every  boy 
who  was  at  the  station  to  welcome 
the  picture  and  marched  to  the  thea- 
ter would  receive  a  bag  of  candy. 
This  candy  was  procured  through  a 
tie-up  with  the  King  Kandy  store 
which  shared  the  cost  of  300  bags  of 
"Surprise  Phantom  Mixture"  with 
the  theater. 

A  truck  was  decorated  with  red 
bunting  and  carried  a  ten  foot  box 
painted  bright  red  with  "The  Phan- 
tom of  the  Opera"  lettered  on  both 
sides.  Four  red  lanterns  were  sta- 
tioned at  each  corner  of  the  truck 
and  a  large  painting  of  Lon  Chaney 
was  up  in   front. 

The  crowd  began  collecting  at  the 
station  at  7:30,  and  the  truck  bally- 
hoo drove  up  just  as  the  clock  was 
striking,  and  with  a  great  flourish, 
had  film  cans  loaded  on  top  of  the 
big  red  box.  (Davidson  had  left 
these  cans  there  the  day  before). 
Then  the  procession  started  for  the 
theater,  A  bass  drum  beat  marching 
time,  and  two  policemen  and  six  older 
boys  tried  to  keep  the  "Phantom 
reception  committee"  in  orderly  lines. 
Following  the  demonstration,  the 
candy  was  distributed  in  front  of  the 
theater  by  the  policemen  and  two 
men   from   the  candy   store. 


Candy    Horseshoes    Exploit    Picture 

Portland,  Ore. — When  Tom  Mix 
appeared  in  "The  Lucky  Horseshoe," 
at  the  Majestic,  a  goodly  portion  of 
Portland's  younger  set  "ate  it  up." 
This  gastronomic  achievement  was 
effected  through  the  aid  of  a  local 
candy  manufacturer,  who  was  induced 
by  the  theater  to  display  in  their 
sliop  windows,  horseshoes  of  all 
sizes  made  up  in  taffy  and  chocolate. 
These    novel    displays    were    flanked 


Move  in  April 

(.Continued  from  Page  1) 

For  the  present  there  will  be  no 
disposition  made  of  the  Lasky  studio 
in  the  center  of  Hollywood.  It  is 
probable  that  some  production  will 
continue  throughout  the  summer  as 
it  is  not  expected  that  necessary  ad- 
ditions to  United  can  be  made  in  time 
to  take  care  of  all  of  Paramount  ac- 
tivities  for  some  time  to  come. 

Walter  Wanger,  production  man- 
ager leaves  Sunday  for  the  Coast. 
He  will  be  away  a  month. 


heavily   with    reading   matter   on    the 
attraction. 


Builds  Floral  Bower  in  Lobby 

Cleveland — "Sunny  California"  was 
transported  to  the  lobby  of  Keith's 
105th  St.  theater  during  the  week 
"California  Straight  Ahead"  was  plav- 
ing.  .'\ssisted  by  Andy  Roy  publicity 
man  at  Keith's,  Andy  Sharick,  ex- 
ploiteer from  LTniversal's  exchange, 
constructed  a  novelty  lobby. 

First  he  borrowed  80  feet  of  lattice 
work  and  sufficient  artificial  vines 
and  roses  to  cover  it  from  a  local 
furniture  store  and  then  he  rented 
200  feet  of  artificial  autumn  graoe 
leaves  and  20  bunches  of  grapes.  The 
Sunkist  Fruit  Co.  contributed  four 
crates  of  oranges  and  a  sheaf  of  Cali- 
fornia advertising,  and  various  stores 
and  florists  loaned  a  dozen  large 
palms.  With  this  material  Roy  and 
.Sharick,  aided  by  the  Keith  ushers 
and  stage  hands,  built  a  bower. 


Song  Tie-Up  on  "The  Skyrocket" 

Associated  Exhibitors  have  com- 
pleted a  tie-up  with  Leo  Feist,  Inc., 
on  "The  Skvrocket,"  whereby  "Won- 
derful One."  the  theme  song,  will  be 
broadcast  bv  every  large  radio  sta- 
tion in  the  LTnited  States  and  Canada 
on  Jan,  7th,  when  "The  S'kvrocket" 
is  to  have  its  premiere  on  the  S.  S 
Leviathan. 

The  Feist  organization  has  arran- 
ged to  send  a  new  orchestration  of 
"Wonderful  One"  to  every  radio  or- 
chestra. Their  branch  offices  in  prin- 
cipal cities  have  been  notified  of  the 
tie-up  and  will  arrange  with  an- 
nouncers to  precede  the  playing  of 
this  number  with  the  announcement 
that  it  is  being  featured  in  honor  of 
"Peggy  Hopkins  Joyce  Night"  aboard 
the  Leviathan. 


M^P^I^ousf 


FlMT  NATIONAL  iCCRCT  ^PECIAL 


22 


THE 


■c&Hk 


DAILY 


■i 


Wednesday,  January  6,  1926 


Newspaper    Opinions 

"The  Clash  of  the  Wolves"— Warners 
State-Lake,  Chicago 

AMERICAN—*  *  *  whoever  thought  of 
the  expedient  of  putting  false  whiskers  on 
Rin-Tin-Tin  in  the  belief  that  by  this  means 
a  wolf  could  be  made  to  pass  in  a  village  as 
a  dog  would  seem  to  deserve  a  prize  for  the 
highest    imaginative    flight    of    the    season.  *  *  * 

NKWS — *  *  "  Rin-Tin-Tin  as  the  wolf,  is 
thrillingly  intelligent  in  reflecting  a  wide  ga 
mut    of    emotions.    *    •    * 

TRIBUNE—*  *  *  The  forest  fire  with 
which  the  picture  starts  is  realistic.  The  seen 
ery  throughout  is  impressive  and  all  of  the 
acting  of  the  mere  humans  involved,  credi- 
table.  *   *   * 


"Compromise" — Warners 
St.  James.  Boston 

TRAVELER — *  *  *  Is  one  of  those  typi 
cal  movies  in  which  the  smart  set  ruts  ii' 
in  a  fashion  that  would  send  them  a''  to  ti" 
psycopathic    if   followed    in   real    life     *    •    • 


"The  Desert's  Price"— Fox 
Isis.  IndiananoHs 

STAR — *  *  *  Starring  Buck  Tones,  at  th» 
Tsis  the  first  half  of  the  week,  js  a  thrilHrn' 
Western  melodrama,  full  of  action  and  sur 
prising   situations.    *    ♦    * 


"The    Eagle"— United   Artists 
Oroheum.  Boston 

TELEGRAM — *  *  *  Valentino  has  a  rol- 
decidedly  different  from  any  he  has  yet  111 
dertaken,  and,  he  imparts  to  it  a  vitality 
and    mapnetism    that    will    win    him    many    ad 


tion.  No  doubt  a  good  deal  of  the  credit 
goes  to  the  excellent  cast  who  interpret  the 
leading  roles.   *   *  * 


"The  Fate  of  a  Flirt"— Columbia 

(S.  R.) 

Garden,   Milwaukee 

SENTINEL—*  *  *  The  picture  is  prim 
arily  a  farce,  but  not  of  the  boudoir,  with 
the  result  that  it  unrolls  some  mildly  laugh 
able  but  clean  situations  and  a  pretty  ro- 
mance.   *   *   * 

WISCONSIN  NEWS—*  *  *  Is  a  light, 
lively  offering — no  strain  on  your  grey  mat 
ter.  but  includes  a  series  of  laughable,  whole 
some  episodes,  unfolding  an  appealing  ro- 
mance.   •    •    • 


"The    Fool"— Fox 
Strand.  MinneaooHs 

TRIBUNE — *  *  *  An  exreptiona'lv  h\s 
scene — the  miracle  episode — which  made  the 
stage  play  famous,  will  unoduhtedlv  imnres' 
61m  fans  ss  surpassing  the  legitimate  produc 
tion.    *    •    * 


"Hands   Up"— Paramount 
McVickers.  Chicaeo 

TRIBUNE—*  •  *  The  delightfully  extra 
vagant  yarn  is  acted  in  delightfu'lv  extrava 
pant  fashion  by  Mr.  Ray  Griflfith  and  p 
picked      cast  Costumes      are      picturesque 

scenery   is    splendid,    subtitles    are    clever^    and 
the    director    was    on    his    toes    every    minute 


"Havoc"— Fox 
Criterion,  Los  Angeles 

EXAMINER—*  »  •  With  the  excer>tion 
of  one  thrilling  haiid-to-hand  trench  fight, 
the  battle  action  drags  and  is  smokv  anri 
confused.  A  number  of  Signal  Corps  "shots" 
Vave  been  used  to  good  advantaee,  bt't  the 
"m'niat'ire"  dpstrurtion  of  French  villages 
ha'1  little  nunch.    •   •   • 

EXPRESS — *  •  *  As  apart  from  the  mnr» 
serious  nrese^t-dav  treatments  of  tl^p  grea* 
war.  "Havoc"  stands  ps  one  in  whirh  w3- 
is  onlv  an  instrument  for  a  rinema*"'''  trad*' 
a.p-.iVct    tbe  wiles    of  tVi#.   vamnire.    *   *    * 

HERAI,D— •  *  *  The  iilnt  in  tl-is  r^ictii'» 
has  been  brought  out  vrv  mast»rfiil'v  by  thr 
directinp-    of    Rnw'a"d    V.    Lee.    *    »    • 

RECORD — *  *  *  Tho  r^st  is  exce^tionall- 
well  chosen.  Madce  BeMamv  do'^s  s^nT"  r^' 
the  best  work  of  her  c^irec.  Toving  that  si"" 
ou''^'t  tn  nlav  great  roles.  *  *  * 

TIMES — •  •  *  Geors-e  O'Brien  bears  him 
s<'lf  gallantly  and  with  exce'lent  f'-anrit''- 
strength  in  the  hero  ro'e.  Walter  McGrai' 
is  fine  as  the  revengeful  captain,  though  at 
moments  stagey.  Margaret  Livingston  plays 
the  vamp  queen  cleverly.   •  *  • 


"Irish   Luck" — Paramount 
Metro,  Los  Angeles 

EXAMINER—*  *  *  To  be  "personally 
conducted"  by  no  less  a  celebrity  than  Thom- 
as Meighan  insures  success  to  the  under- 
taking and  a  capacity  bookinji    »    •   • 

EXPRESS — *  *  *  Almost  melodramatic  in 
tinge  is  this  photoplay,  pictured  on  the  "ould 
sod." 

RECORD—*  *  *  "Irish  Luck"  should 
bring  in  good  returns  to  Tommy  Meighan. 
It  is  the  best  thing  they've  given  him  for 
manv  a  day  and  he  ably  acquits  himself. 
»   »  '• 

TIMES—*  *  *  Tommy  Meighan,  in  an 
Irish  /Iiackground,  is  delightful.  And  even 
if  you  don't  care  for  Tommy,  there  is  always 
the  background,    *   *   * 

Wisconsin,  Milwaukee 

SENTINEL — *  *  *  Scarcely  any  imagination 
has  been  used  in  the  direction  and  you  guess 
every  next  move  that   is  to  be  made.   •   *    * 


about  the  picture.  She  shows  a  marked  im- 
provement in  technique  over  any  thing  she 
has  done  for"  a  long  time.   *  *   * 

Karlton,  Philadelphia 

INQUIRER—**  *  Marion  Davies  is  not 
quite  as  entrancing  as  she  has  been  *  •  *  but 
none  the  less  manages  to  act  the  role  of  a 
blithe  Irish  actress  in  a  rather  convincing 
manner.    •   *   • 

PUBLIC  LEDGER—*  *  *  good  light  en- 
tainment,  providing  you  are  not  averse  to  see- 
ing an  old  plot  used  again,  or,  unless  you  ob- 
ject.  *  •  • 

EVENING  LEDGER—*  *  *  Monta  Bell  has 
produced  a  charming  comedy  and  a  tender  love 
story  with  his  customary  admirable  taste  and 
ability.  Marion  Davies  plays  the  dual  role  of 
the  two  sisters,  orphaned  at  birth,  and  raised 
in  different  environments.    ♦  *   • 

RECORD — *  *  *  it  is  near  enough  to  his- 
tory to  make  a   very   interesting  film.    ♦    •    * 


"The  Keeper  of  the  Bees"— F.  B.  O. 
Stanley,  Philadelphia 

BULLETIN—*  *  *  While  not  contain- 
ing any  of  those  e.xhilarating  elements  ap- 
propriate to  more  sophisticated  themes,  con- 
tains a  lot  of  wholesome  "PoUyanna"  philo- 
sophy to  the  effect  that  good  people  always 
prosper.    •    ♦    * 

INQUIRER—*  *  *  The  photoplay  is 
loosely  constructed,  so  that  the  action  is 
not   always   smooth.    •    *    * 

PUBLIC  LEDGER—*  *  *  Robert  Fra.ser 
has  the  lead  in  "The  Keeper  of  the  Bees," 
*  *  *  He  is  a  remarkably  fine  actor  at  a'l 
times,  and  his  portrayal  of  this  role  is  ad- 
mirably   done.    •    •    ♦ 

RECORD — *  *  *  The  story  may  be  charac- 
terized as  saccharine,  it  is  true,  but  it  is  not 
cloying.  It  is  emotional,  but  not  unreason- 
able.   *    •    • 


"The    King   on    Main    Street"— Para. 
State.  Minneapolis 

STAR — *  *  *  Although  the  situation  in  real 
life  would  be  anything  but  funny,  Mr.  Men- 
■ou  handles  it  so  skillfully  as  to  make  it  look 
funny — and  he  calls  forth  peals  of  laughter 
from  the  audience.   *    •    * 

TRIBUNE- *  *•  In  the  role  of  the  King 
''f  Molvania — a  democratic  ruler  who  scoffs  at 
♦he  convention  of  court  life — Menjou  exhibits 
»he  whim-^ical  satire  and  subtle  humor  for 
■vhich  he   is  noted.  •  *  * 


"The  Last  Edition"— F.  B.  O. 
Pantages.  San  Francisco 

BLTLLETIN — *  *  *  The  storv  is  the  usual 
clan  trap,  well  directed,  with  a  splendid 
continuity  and  suspense  throughout.   •    *   * 


"The  Homemaker" — Universal 
AlViam'^ra    Miiwnke** 

SEVTTXET, — *  *  •  Somehow  King  Bag- 
crott  has  made  verv  real,  what  might  have 
been    ridiculous    under    less    competent    direc- 


"Lazybones" — Fox 
Boston,   Boston 

TRAVELER — *  *  '  Considering  that 
"Buck"  Jones  is  absolutely  unsuited  to  the 
nart,  being  a  forceful,  determined  type  and  a 
trained    athlete,    he    does    quite    well    with    it. 

Reade's,  Cleveland 

NEWS — There  are  none  of  those  compli- 
cated situations  in  "Lazybones"  which  tax  the 
mind,  unduly,  none  of  these  so-called  "blood- 
curdling" thrills  which  are  reouted  to  cause 
ludiences  to  sit  on  the  edge  of  the  seats,  but 
it    is   a    real    cond   photoplay.      *    * 

PLAIN  DEAI,ER— *  •  *  "Buck"  Joties 
•  •  *  portrays  here  a  shiftless,  rip-van-win- 
klesnue  character  who  is  so  lazy  that  he  has 
-ohwehs    nn    his    feet.    •    •    * 

TTATES — T.aughter  and  tears,  blended  with 
1  little  loneliness,  a  little  nathos.  a  little  hu- 
manne-s — that  is  life.  *  *  *  is  a  deft  ma.ster- 
"iece  of  living,  containing  those  "simple  every- 
-lav  incidents  which  make  ns  smile  and  those 
♦hrr,hbing.  snnl-trving  undercurrents  which 
make  our  hearts  ache.  •   •  • 


"Little  Annie  Rooney" — United  Art. 
Stillman,  Cleveland 

NEWS — *  *  *  Unoriginal  though  it  may 
be,  one  can  scarcely  avoid  likening  the 
first  half  of  "Little  Annie  Rooney"  to  an 
"Our  Gang"  comedy  with  Miss  Pickford 
thrown  in  as  an  added  attraction  to  take 
the    place    of    Farina.    •    •    * 

PLAIN  DEALER—*  *  *  Mary  is  a  lot 
cuter  than  this  story  or  review  of  her  pic- 
ture ever  can  be.  She  simply  has  the  best 
time  romping  with  the  children  in  a  tene- 
ment neghborhood.  *  *  * 

PRESS—*  *  *  It's  the  same  overly  sen- 
timentalized, overly  melodramatic  Mary  Pick- 
ford  story  with  a  lower  New  York  setting. 
It  gives  a  stock  picture  of  Bowery  life 
quite  as  Horatio  Alger  might  have  drawn 
it.    *   *   * 

TIMES—*  *  *  With  Mary  Pickford  in  the 
title  role  and  everywhere  else.  Mary  is  the 
picture.  Mary  smiles  and  the  cash  cus- 
tomers smile  with  her.  Mary  frowns  and  the 
mob  frowns  with  her.  Mary  cries  and  the 
audience   actually   cries    with   her.    *    *    • 


Granada,  San  Francisco 

BULLETIN—*  *  *  Has  everything  con- 
stituting a  good  picture.  It  has  the  pic- 
turesque background  of  the  sea  with  a  wealtM 
of  romance  and  tells  a  stirring  story  of  ad- 
venture. ♦  *  *  t 

CALL  AND  POST—*  *  *  Comes  just 
about  as  close  to  being  our  idea  of  how 
a  fine  novel  should  be  transferred  to  the 
screen    as    it    is    possible    to    come.    •    •    • 

EXAMINER—*  *  *  Unfurled  a'gainst  a 
jungle  background,  .portraying  the  intrigues 
and  obsessions  of  creatures  of  unbridled  vio- 
lence, it  makes  nightmareish  melodrama  far 
above    the    average    in    interest.    •    *    ♦ 

NEWS — *  *  *  Percy  Marmont  is  excep- 
tionally well  cast  in  the  title  role,  and  sug- 
gests, in  his  melancholy  reactions  to  his 
adventures,  something  of  that  Conrad  under- 
current which  the  physical  action  lacks.  *  * 


"Lights  of  Old  Broadway"— M.-G.-M. 
Walnut.  Cincinnati 

COMMERCIAT— •  *  *  While  the  story  as 
*"1d.  is  rather  shallow,  Conrad  Nagel  and 
Marion  Da-"irs.  blonde  "creen  heauty  get  the 
most  out  nf  their  resnective  rnles.  They  are 
cuT^nnr*^H   by   a    snVnHM    cast,    •    *    * 

TT-^fFS — •  •  •  Thi"  action  is  laid  i-i  the  lat- 
'er  da^^  nf  la«t  centiirv  and.  at  the  revoca- 
tion nf  rrinntiries.  sideburns  and  pallantrv 
grandma   smi'-s    In   lovi""   remembrance,    •   *    • 

'P^\^<'^..  Montreal 
STAR — •  •  •  The  work  of  Marion  Davies 
is    by    no    means    the    least    interesting    thing 


"Lord    Jnm" — Paramount 
Olympia,  Boston 

TELEGRAM — *  *  *  Its  theme  is  a  great 
character  story-plus  action,  heart  interest, 
melodrama,  thrills  and  love   interest.    •    *    • 

Regent,  Rochester 

DEMOCRAT — *  f  *  as  fine  a  piece  of  fie 
tional  portraiture,  within  certain  limits  as  the 
combined  talents  of  a  great  novelist,  a  gifted 
screen  actor  and  an  appreciative  screen  di- 
rector could  produce.  The  reaction  to  this  pic- 
ture will  be  directly  in  proportion  to  the  ob- 
server's power  of  apprehending  genuine  drama 
--admittedly  a  variable  element  dependent 
upon  a  thousand  and  one  contingencies  which 
neither  a  reviewer  nor  a  producer  can  antici- 
pate—  ♦  »  » 

HERALD—*  *  *  There  are  some  stirring 
'cenes  in  this  play,  and  the  atmosphere  is  all 
♦hat  could  be  desired.  The  uninterrupted  feel- 
in?  of  hopefulness  and  tragedv  may  prove  un- 
pleasant to  many  of  the  audience.  The  best 
acting  is  contributed  by  Raymond  Hatton  as 
an   unscrupulous   trader.    *   *   * 

TOURNAL — *  *  *  This  is  the  picture  ver 
sion  of  the  late  Joseph  Conrad's  fascinating 
novel  of  the  same  name,  and  the  picture  will 
•>nneal  partirularlv  to  the  manv  admirers  of 
•his  author's  work,  for  the  picture  version 
follows    the   novel    closely.    *    *    * 

TIMES—*  *  *  It  is  always  a  pleasure  to 
see  Percy  Marmont  in  a  picture,  especially  in 
a  role  renuiring  the  depiction  of  subtly  con- 
flicting instincts  and  emotions.  His  sensitive 
features,  his  restrained  gestures  and  his  air  of 
detachment  ma''e  him  esoecially  effective  in  the 
role  of   Lord    Tim.    *   *    * 


"A  Lover's  Oath" — Astor  Dist.  Corp. 

(S.  R.) 

Pantages,  Los  Angeles 

EXAMINER—*  *  *  Not  even  the  vivid 
flights  of  imagination  that  distinguished  "The 
Thief  of  Bagdad"  excel  some  of  the  epi- 
sodes   of   this    artistic    creation.    *    •    • 

EXPRESS— Many  trick  effects  are  ob- 
tained in  scenic  backgrounds,  while  views 
of  the  harem  of  the  sheik,  Hassan  B^  Sab- 
bath, and  the  desert  stand  out  in  memory 
after    leaving    the    theater.     •    »    • 

RECORD — Fantastic  sets  and  interesting" 
bits  of  photography  are  the  ba'ckground  for 
some  hero-and-villain  melodrama,  with 
snatches  of  Omar  Khayyam's  Rubaiyat  serv- 
ing as  subtitles.    *   •   • 


"Madame  Behave"— P.  D,  C. 
Strand,  Cincinnati 

COMMERCIAL—*  *  *  if  you  are  not  par- 
ticular you  can  see  it  at  the  Strand.  If  it 
hadn't  subtitles  it  mightn't  be  quite  utter,  a^ 
it  is;  but  even  so,  it  would  still  be  just  that. 
It   is   said   to   be   a  comedy.    *    •    •  1 

TIMES — *  *  *  a  smear  of  the  crudest  slap- 
stick and  silliest  subtitles  imaginable,  while 
Eltinge's  make-up  is  that  of  an  overstuffed 
female  who   is   fat,  fast   and   fifty,    *    ♦    » 


"The  Man  on  the  Box"— Warners 
Metro,  Boston 

GLOBE-  *  *  *  The  play  has  not  been  fol- 
lowed exactly  in  the  film  ver  ion,  but  the  gen- 
eral idea  is  the  same,  and  there  are  delightful 
bits  interpolated  by  Syd  th-it  would  have  been 
impossible   in   the   stage  action.    *    *    • 

TRAVELFR--*    •   •  The  o-^e  hr^crht  spot  in 
the  picture   is   Sydney  Chaplin's   imitation  of 
gold   fish. 

At  times  "The  Man  on  the  Box"  decides  tc 
rise  above  farce  and  become  melodrama.   *  *   • 

Circle,   Indianapolis 

STAR — *  *  *  comedy  and  melodrama  ar« 
cleverly  blended  so  that  there  is  an  interestint 
story  as  we'l  as  a  lot  of  fun.  To  compare  i1 
with  his  latent  picture,  it  is  not  as  funny  a! 
"Charley's  Aunt"  (how  could  it  be),  but  it  is 
funny  enough  still  to  keep  him  in  the  leadin; 
cJass  among  comedians.    •   •   ♦ 

'TIMES—*  *  *  The  Man  on  the  Box'  .. 
rapid  moving  hokum  with  about  everything  it 
it  known  to  the  movies  except  a  lion  and  j 
cyclone.   •  *  * 


"The  Man  from  Red  Gulch"— 
P.  D.  C— Moon.  Omaha 

WORLD—*  *  •  Harry  Carey  excites  legiti 
mate  interest  •  ♦  •  The  tale  is  a  simple  on 
strongly  depicted.  Everything  in  the  photopla 
goes  to  the  telling  of  the  story,  even  to  thi 
thrills.  It  is  a  film  without  hokum  and  is  ons 
of  the   few   worth-while  westerns.    •   •    • 


(I 

u 

ri 

i 


CHROMOS     TRADING      COMPANY 
1123    BROADWAY 

RESOLVE  for  the  new  year  to  establish  an  addi- 
tional line  of  credit  and  convince  yourself  of  the 
manv  advantages  of  financing  on  the  "CHRO- 
MOS PLAN." 

All  Interviews  in  Strict  Confidence 

Suite  1207-8  'Phone  Watkins  4522 


Wednesday,  January  6,  1926 


THC 


m 


23 


Presentations 

A  feature  dealing  with  the  man- 
er  in  which  first-runs  build  their 
rograms  and  written  from  the  an- 
te of  one  who  sits  out  front. 

Designed  solely  for  the  purpose  of 
onveymg   to  exhibitors  ideas   to   bt 
sed  m  developing  their  own  shows. 
Rivoli 

Unit  No.  1.  —  Overture:  "Gems 
•om  the  Upera."  "fnze  son"  from 
The  Meistersinger,"  "Bacchanale' 
om  "samson  and  Delilah,"  sextette 
■om  "Lucia."      Lime  8  minutes. 

Unit  No.  2. — screen  i\uvciL>  .  Pai. 
lan  Modes  in  color,  displayed  b) 
lope  Hampton.     Time,  4  minutes. 

Unit  No.  3. — tiddie  r^ikins  auu  h. 
Happy-Go-Lucky  Melody-Mixers 
)rchestra  plays  popular  melodies, 
pread  across  stage  with  part  of  or- 
hestra  seated  upon  dais.  For  finale 
ley  play  "I'm  Sitting  On  Top  of  the 
Vorld."  Lights  play  and  rear  curtain 
;  drawn  revealing  four  banjo  players 
eated  "on  top  of  the  world"  with 
loud  effect  for  background.  Men  in 
lown  costumes.    Time,  9  minutes. 

Unit  No.  4.  —  Rivoli  Movievents 
'ime,  8  minutes. 

Unit  No.  5. — Harold  Ramsay  at  the 
rgan  playing  "Then  I'll  Be  Happy." 
"ime,  4  minutes. 

Unit  No.  6. — John  Murray  Ander- 
on's  presentation:  "The  Dime  Mu- 
cum."  Setting:  Gayly  decorated 
liches  in  which  performers,  as  auto- 
natic  figures,  are  posing.  Proprietor 
if  museum  shows  spectators  around 
/ith  dancing  by  four  ballet  girls  in 
inique  black  costumes.  Proprietor 
loses  up  shop  for  night,  dusts  off  his 
exhibits"  and  departs  after  which 
utomatons  "come  to  life."  The  first 
>  the  Jack-in-the-Box,  girl  in  clown 
uit  and  bushy  red  wig,  does  acro- 
atic  dance,  followed  by  the  fortune 
eller  (girl  in  witch's  costume),  Chin- 
se  trio,  sleeping  beauty,  clown  acro- 
at,  ballet  dancer  and  ensemble  of 
our  girls  are  dance  numbers.  Cen- 
ral  figure  of  the  "exhibits"  descends 
rom  niche  and  sings  solo.  Girls 
;owned  in  gold  cloth.  General  en- 
emble  for  finale.  About  20  people 
ti  number.     Time,  17  minutes. 

Unit  No.  7.  —  Feature:  "Woman- 
landled."     Time,  70  minutes. 

Unit  No.  8.— "Three  Blind  Mice." 
\esop  Fable.    Time,  5  minutes. 


New  Theaters 

Georgetown,  Tex. — A.  C.  Moore  of  Bart- 
lett,  will  open  his  new  theater  here  soon. 
The   structure    will   cost    $12,000. 


Rex  of  Ohio  Buys  Westerns 

Cleveland — The  Rex  Film  Co.,  op- 
:rated  by  J.  E.  Loeffler  and  F.  W 
vlast,  have  purchased  38  pictures  star- 
ing Bill  Cody,  Franklyn  Farnum 
ind  William  Desmond  for  distribu- 
ion  in  Northern  Ohio. 


Vincennes,  Ind. — Theodore  Charles,  oper- 
at.ng  the  Moon,  intends  tearing  the  old 
jUucture   down    and   replacing   it    with   a   new 

100,000  thti.ter,   work   to  start  in  the  Spring. 

.  he  Moon  is  the  oldest  picture  house  in 
v'incennes. 


Lampasas,  Tex. — Lee  A.  VVaileor  lias  op -n- 
d  h.s  ne.v  Leroy,  taking  tiie  place  of  ihe 
.  d  opera  house,  which  will  be  used  for 
ocal    plays. 


.  eiv  Port  Richey,  Fla. — A  syndicate  of 
ocal  business  men  are  erecting  a  $50,000 
lOUse   here.      The   house   will    seat   500. 


Jonesboro,  Ark, — Work  has  started  on 
ihe  new  Strand  for  the  Jonesboro  Amuse- 
iiient    Co. 


Portland,  Ore. — A  theater  costing  $90,000 
is  to  i)e  '.I'ilt  immediatelv  on  ICast  ( 7th  5.t. 
and    Foster    Rd.    for    W.    H.    Meyer. 


Bristol,  Ccnn. — Colonial  Theaters,  Inc.,  op- 
erating several  in  New  England,  has  filed 
plans  for  a  new  house  to  be  built  in  Bristol, 
costing  $350,000 


Blythi'villt,    Ark — Jimnij     T.oyJ    hss    opened 
the  new  Gem  here. 


Uristow,  O.'Ia. — The  l'rince=s,  liristow'y 
new  $30,000  theater,  has  opened.  The  house 
has   500   seats. 


Arkadelphia,  Ark. — Cecil  Cupp  has  opened 
his  new  theater  here  and  has  named  it  the 
"Co-Ed."  He  is  also  owner  of  the  Royal 
in  this  city.  James  Thompson  will  be  house 
manager. 


Knoxville,  Tenn. — The  name  of  the  new 
house  to  be  erected  here  will  be  the  Ten- 
uessee. 


Summit,  N.  J. — The  Strand,  seating  1.400, 
has  opened.  It  is  being  run  by  the  Sum- 
mit Theatrical  Enterprises. 


Roanoke,  Va. — The  $1,000,000  house  which 
will  be  erected  here  will  be  started  about 
February.  It  is  expected  to  have  it  ready 
by  the  early  part  of  1927.  It  will  seat 
2,000. 


Streator,  111. — C.  B.  Sawyer  and  Walter 
Durham  of  the  Eastern  Illinois  Theater  Cir- 
cuit,  plan    to   erect   a   new   house   here. 


San  Francisco — Alex  Levin  will  build  a 
new  house  on  24th  St.  between  Hampshire 
and  York  to  seat  1,300  and  to  cost  $250,000. 


Cobalt,  Ont. — Cobalt  has  a  new  house 
called  the  Classic  theater.  The  owners  are 
Arthur  R.  and  Horace  O.  Barrett,  who  pro 
moted  construction.  Arthur  R.  Barrett  is 
the  manager. 


Mutt  and  Jeff  Series  in  Ohio 

Cleveland — Security  Pictures  have 
mrchased  26  Mutt  and  Jeff  cartoons 
rom  Short  Films  Sydnicate  for  Ohio, 
rhey  will  be  released  two  a  month. 


Circuit  for  Glynne 

(.Continued    from    Page    1) 

vithin  several  months.  He  also  an- 
lounced  that  he  will  rebuild  the  Carl- 
on  O.  H.,  Bay  Shore,  giving  the  the- 
iter  a  seating  capacity  of  more  than 
im.  The  Rialto  at  Patchogue 
vhich  burned  down  recently  will  be 
ebuilt. 


Kemmer,  Wyo. — The  new  Victory  has  been 
opened    by    Williams    and    Davis. 


Utica,  N.  Y. — Moses  Cohen  and  Max 
Lichtman  have  boughf  a  site  upon  which 
they    will   erect   a   950   seat   house. 


Russia 

(Continued    from    Page    1) 

tainly   nothing  concerning   the   show- 
ing of  their  product. 

Demand  for  Entertainment 

Moscow  is  an  amazing  city;  it  has 
a  capital  of  2,000,000  and  in  conse- 
quence, is  terribly  over-crowded.  It, 
therefore,  follows  that  when  you  have 
a  tremendous  population  such  as  this 
there  is  bound  to  be  a  big  demand 
for  entertainment.  The  Soviet  Gov- 
ernment have  catered  to  that  demand. 
Despite  the  fact  that  their  theaters 
are  poorly  equipped  and  that  their 
studios  are  nothing  like  the  size  and 
importance  of  even  the  British  studio, 
Russia  today  is  making  more  pictures 
than  our  manufacturers  are  in  Britain, 
and  a  biting  commentary,  they  are 
making  better  pictures,  because  be- 
hind their  product  they  have  imagina- 
tion, courage  and  vision. 

Admittedly  only  a  small  percentage 
of  the  pictures  they  are  making  are 
suitable  for  British  screens,  but  all 
the  same  they  are  out  to  remedy  that 
and  before  long  I  should  not  be  at 
all  surprised  if  Russia  did  not  give  us 
pictures  of  international  appeal  cer- 
tain to  win  popularity  in  any  market 
of  the  world.  Their  productions  are 
dealt  with   later. 

Another  amazing  fact  that  I  found 
during  my  visit  was  that  since  1912 
there  has  not  been  a  single  British 
picture  exhibited  on  any  screen  in 
Russia — not  because  they  have  a  ban 
against  our  pictures  or  animated  by 
any  motive  of  ill-will  but  simply  and 
absolutely  because  they  know  nothing 
about  our  production,  and  in  fact 
were  incredulous  when  I  informed 
them  that  we  had,  particularly  since 
1919,  been  making  a  pretty  large  num- 
ber of  pictures. 

I  think  this  particular  information 
was  more  stagg:ering  to  me  than  any- 
thing I  saw  in  Russia  because  it 
showed  the  appalling  slackness  which 
animates  the  selling  departments  of 
British  film  manufacturers.  In  Ber- 
lin I  found  every  important  American 
foreign  manager  anxious  to  do  busi- 
ness and  selling  vast  quantities  of 
films  to  Russia.  Admittedly  they  do 
not  pay  huge  prices  for  their  product, 
but  whatever  they  pay  is  so  much 
grist  to  the  mill  and  any  live  and  up- 
to-date  firm  would  visualize  that  ac- 
cordingly. 

The  sad  part  of  it  is  that  British 
film  manufacturers  when  they  make  a 
picture  concentrate  upon  their  own 
market  and  apparently  seem  to  for- 
n^et    that    there    are    other    important 


Inkster,  N.  D. — The  Bo  Tree  club  has 
voted  to  back  a  picture  theatet.  The  show 
will  be  held  at  the  Modern  Woodman  hall 
for  a  time. 


Oak  Cliff,  Tex. — A.  C.  January  has  opened 
a  new  house  at  1110-12  Hampton  Road.  It 
seats  700. 


^lefAadetS^jMi 


I'Imost  ill  Screen  Rrillicincv 


markets  in  the  world  where  a  big 
revenue  could  be  obtained  which 
would  help  them  in  the  making  of 
other  pictures. 

Industry  Government  Controlled 

The  Russian  film  industry  is  entire- 
ly Government  controlled.  The  Sov- 
kino,  which  is  the  Soviet,  own  every 
picture  house,  and  with  the  exception 
of  one  independent  producing  outfit 
that  still  has  to  put  its  pictures 
through  Sovkino,  own  the  studios  and 
distribution  offices.  So  that  there  is 
absolutely  nothing  in  the  wav  of  in- 
dependent enterprise  in  this  land  of 
mystery.  How  the  Sovkino  controls 
its  film  industry  is  described  later, 
but  that  it  has  enterprise  is  un- 
doubted. The  pity  of  it  is  that  our 
British  producers  have  so  little  of  this 
valuable  commodity. 

Russia  is  a  market;  not  perhaps  as 
valuable  as  other  countries  such  as 
Germany  and  America,  but  equally 
important  in  its  way.  They  have  pic- 
tures, some  of  which  would  easily  be 
valuable  in  this  country;  many  of, 
them  are  utterly  unsuitable  by  reason 
of  Red  propaganda,  but  there  still  re- 
main a  few  that  would  go  over  well 
in  any  country,  and  a  reciprocal  ar- 
rangement between  the  two  film  in- 
dustries might  prove  very  beneficial 
to  the  British  film  production  in  this 
country. 

At  any  rate,  here  is  a  market  that 
is  virgin  soil  and  any  untapped  source 
that  we  can  supply  with  pictures 
should  be  carefully  looked  at.  Let  us, 
therefore,  apply  our  energies  to  sell- 
ing pictures  to  Russia. 


"How  Motion  Pictures  Are  En- 
couraged in  Russia"  is  the  subject 
of'  Mr.  Fredman's  next  article.  In  it, 
he  discusses  how  the  industry  there 
functions  under  Government  direc- 
tion.    Watch  for  it  tomorrow. 


IF  YOU  ARE  IN  THE 
MARKET  FOR  ANY  KIND  OF 

MOTION  PICTURE 
APPARATUS 

CONSULT  US- AND  SAVE  MONEY 
SEND  FOR  OUR  PRICE  UST 


Motion  Picture  App.  Co.,  Inc. 

Ownenhip'ounasenienl  CO.  Willoughby, Inc. 

110  West  32nd  St..  New  York 

Phona    Penn.    6584 


JOSEPH  R.  MILES 

PRESIDENT 

LLOYDS  FILM  STORAGE  CORP. 

ANNOUNCES  THE  OPENING 

ON  JANUARY  4TH 

OF  TWO  UP-TO-DATE 

PROJECTION  THEATRES  AT 

723  SEVENTH  AVE.,  N.  Y.  C. 


'POWERS  BUILDING" 


Phone  Bryant  5600 


■■■■■■■■■■■■■■■p««^««««M«^p«««l 


■  ■■■■■■■nnmf««««««i"""'f.i<i 


'^^iS5#' 


"^^'?>«mmm»'^ 


vx 


'o,»A       %> 


ilriMMMilll 


iTHE 

7Ae  BRADSTREET 
o/'  FILHDOM 


Authority 


VOL.  XXXV    No.  5 


Thursday,  January  7,  1926 


Price  5  Cents 


Columbia  Abroad 

To    Make    Several   Pictures   in    Eng- 
land  With    British    Casts   and 
May  Later  Produce  in  Paris 

Harry  Cohn  is  aboard  the  Majes- 
tic which  is  due  here  on  Tuesday. 
He  and  Joe  Brandt,  who  recently  re- 
turned from  London,  have  formed  a 
British  producing  unit  for  Columbia 
Pictures  and  may  at  a  later  date  pro- 
duce in   France. 

The  English  unit  will  deliver  sev- 
eral pictures  to  the  American  organ- 
ization for  distribution  here  next 
year.  They  will  have  British  casts 
and  British  technical  crews,  al- 
though one  or  two  of  the  leads  in 
each  may  be  American.  Brandt 
stated  yesterday  the  company  will 
be  financed  in  London.  On  condi- 
tions generally,  he  added: 

"Although     the     British     Government     has 
not   as  yet   placed   a   statutary   regulation    on 
{Continued  on   Page   4) 


Joint  Production 

Schenck  and  Goldwyn  to  Make  "Gar- 
den of  Allah" — Norma  and  Ron- 
ald  Coltnan  in  Leads 

Los  Angeles  —  It  is  understood 
Joseph  Al.  Schenck  and  Samuel 
Goldwyn  will  join  hands  in  the  pro- 
duction of  "The  Garden  of  Allah." 

Schenck  will  supply  the  story  and 
Norma  Talmadge  as  the  feminine 
lead.  Goldwyn  will  supply  Ronald 
Colman  as  the  male  lead  and  Henry 
King  as  director.  The  picture  will 
be  made  in  the   Spring  in   Egypt. 


Samuel  Goldwyn  arrives  in  New 
York  today  from  the  Coast.  He  will 
sail  for  London  and  the  Continent 
shortly  to  attend  premieres  of  "Stella 
Dallas"  in  important  foreign  cities. 


Against  Censors 

Governor   Smith   Urges   Abolishment 

of  New  York  State  M.  P. 

Commission 

Albany — Governor  Smith  yesterday 
again  urged  the  Legislature  to  abolish 
the  M.  P.  Commission.  The  sug- 
gestion was  part  of  his  annual  mes- 
sage which  he  personally  read  when 
the  149th  annual  session  convened  at 
noon.     His  message  read,  in   part: 

"Foremost  among  many  useless 
{Continued  on   Page  15) 


Omaha  Merger 

World  Realty  Co.,  Uperating  Six,  and 

Epstein  Consolidate — Latter  to 

Build  Six  Houses 

Omaha — A  deal  has  been  consum- 
mated, whereby  the  World  Realty 
Co.,  operating  six  houses  here,  and 
Epstein  Bros.,  controlling  three, 
merge  their  interests. 
■  World's  holdings  include  the  World, 

{Continued   on    Page   4) 


RUSSIA 

By  ERNEST  W.  FREDMAN 
The    Film   Renter   and    M.   P.    News 


Hozv  Motion  Pictures  Are 

Encouraged  in  Russia 

London — Propaganda  is  the  prin- 
cipal item  in  every  Russian  film,  no 
matter  what  type  of  production  is  be- 
ing shown  it  is  seen  in  some  form  or 
another  in  almost  every  picture.  The 
great  activity  of  the  Russian  film  in- 
dustry is  due  to  the  big  interest 
which  the  Soviet  Government  has 
taken  in  the  films,  for  the  Soviet  has 
from  the  start  shown  interest  not 
only  in  the  propaganda  film  but  also 
in  the  value  of  the  film  from  the  point 
of  veiw  of  culture. 

It  showed  its  interest  practically 
by  spending  2,000,000  rubles  for  film 
purposes,  being  convinced  that  the 
film  would  do  a  lot  of  cultural  work 
in  Russia.  These  two  million  rubles 
are  to  be  used  for  the  production  of 
films,  for  the  building  of  new  kinema 
theaters  and  the  extension  of  the  old 
ones. 

Before  this  year  125  films  had  been 
manufactured  during  the  Soviet  Gov- 
ernment. Now  the  aim  is  to  produce 
50  films  yearly.  Twenty-five  of  these 
have  already  been  finished  during  the 
present  season.  These  films  will  not 
{Continued  on  Page  15) 


In   New   Territory? 

Philadealphia  Hears  Stanley  Co.  May 

Enter  Hitherto  Untouched  Fields 

with   Theaters 

Philadelphia  —  In  discussing  the 
new  Stanley  financing  which  increas- 
ed the  company's  shares  to  1,000,000, 
Jules  E.  Mastbaum  told  "The  Ex- 
hibitor" new  purchases  and  new  the- 
aters were  planned.  They  may  not 
be  confined  to  the  Philadelphia  ter- 
ritory. 

{Continued  on  Page  15) 


Buys   Wallace   Novels 

A.  L.  Erlanger,  Following  "Ben  Hur" 
Success,  Closes  for  "The  Prince 
of  India"  and  "The  Fair  God" 

From  a  reliable  source  comes  the 
information  that  negotiations  were 
completed  yesterday  whereby  Abra- 
ham L.  Erlanger  secured  from  the 
estate  of  General  Lew  Wallace  the 
{Continued  on  Page  15) 

Famous   Players   Hearing  Postponed 

Washington — The  Trade  Commis- 
sion hearing  against  Famous  sched- 
uled for  yesterday  has  been  post- 
poned until   today. 


May  Road  Show  "Beau  Geste" 

Famous  may  send  "Beau  Geste" 
out  as  a  road  show.  The  picture 
which  will  be  directed  by  Herbert 
Brenon  will  be  made  on  a  big  scale. 
Efforts  were  made  to  secure  Emil 
Jannings  for  one  of  the  leads,  but 
he  was  unavailable  and  Wallace 
Beery  was  therefore  substituted 
Other  leads  will  be  Ernest  Torrence, 
Mary  Brian,  and  Alice  Joyce.  Ex- 
teriors will  be  made  in  Biskra. 


Griffith   in   Fantastic    Comedy 

Los  Angeles — Paramount  will  make 
"The  Ship  That  Sailed  to  Mars," 
starring  Raymond  Griffith.  Active  in 
the  making  will  be  Roy  J.  Pomeroy, 
responsible  for  the  Red  Sea  effects 
in  "The  Ten  Commandments." 
Clarence  G.  Badger  will  direct.  Fan- 
tastic effects  will  be  a  feature. 


Fox  Renews  with  Madge  Bellamy 

Los  Angeles — Madge  Bellamy  has 
renewed  her  contract  with  Fox.  She 
is  now  playing  the  feminine  lead  in 
"The   Dixie    Merchant." 


Hays  to  Coast 

Will  Hays  will  leave  for  the  Coast 
in  a  few  days  on  his  semi-annual 
visit. 


Pathe  "A"  Advances 

Stock  Rises  Three  Points  on  Report 
of  Sales  of  New  Pathe  Cam- 
era— Closes  at  81}^ 
"The    Evening    World"    said    yes- 
terday: 

"Stocks  of  motion  picture  and  re- 
lated companies  provided  consider- 
able interest  in  the  stock  market  to- 
day, with  Pathe  Exchange  Class  A 
the  outstanding  feature  in  point  of 
advance.  Bankers  for  the  company 
are  expected  to  make  an  important 
{Continued  on   Page   4) 


Dramatists  Meet  Today 

The  American  Dramatists  will  hold 
an  important  meeting  today,  at  the 
Roosevelt.  The  counsel  for  the  au- 
thors, Dudley  Field  Malone  and 
Arthur  Garfield  Hays,  will  present  a 
report  upon  which  the  future  policy 
of  the  association  will  be  determined. 
Over  125  leading  dramatists  are  to 
be  represented. 


New  Trade   Paper  in  Boston 

Boston— L.  J.  ("Ruby")  Rubin- 
stein will  edit  the  "New  England 
Spotlight,"  a  semi-monthly  which 
will  make  its  initial  appearance  on 
the  15th.  Publication  offices  at  44 
Church  St. 


Syracuse  Admissions  $3,250,000 

Syracuse,  N.  Y. — Patrons  of  thea- 
ters in  this  city  paid  admission  total- 
ing $3,250,000  during  1925. 


Famous  Buys  In 

Secures  Half  Interest  in  Rialto,  Abe 

Blank's   Big   Downtown   First 

Run  in  Omaha 

Omaha — Famous  has  closed  a  deal 
with  four  of  the  stockholders  of  the 
A.  H.  Blank  Enterprises  giving  Par- 
amount a  half  interest  in  the  Rialto, 
Omaha's  biggest  house.  Mr.  Blank 
will  retain  his  half  interest. 

Tlie  four  Nebraskans  selling  their 
holdings  were  John  Latenser,  Arthur 
Mullen,  Walter  Brandes  and  Keith 
Neville.  While  the  figures  were  not 
made  public,  it  is  a  known  fact  the 
consideration  exceeded  $25^0,000. 

It  is  expected  the  sale  will  in  no 
way  affect  the  erection  of  the  new 
theater  at  20th  and  Farnam  Sts.  now 
gomg  on  by  the  Blank  interests,  al- 
though it  is  said  the  erection  of  this 
new  house  was  indirectly  the  cause 
for  the  minority  stockholders  .be- 
coming uneasy  because  they  feared 
the  better  pictures  would  be  shown 
in  the  new  theater  when  it  was  com- 
pleted. Famous  bid  for  their  hold- 
ings and  the  deal  was  closed. 

Two  Annexed  in  Canada 

Peterborough,  Ont.  —  The  Grand 
and  Royal  have  been  acquired  by 
Famous  Players  Canadian  Corp.,  ac- 
cording to  report.  Famous  has  the 
Capitol  at  Peterborough,  the  man- 
ager of  which  is  A.  G.  Crowe,  one 
of  the  best  known  theater  men  in  the 
Province. 

Four  Chanr  v,  Florida 

St.  Petersburg,  i-ia.— .  r  St.  Pet- 
ersburg theaters,  which  heretofore 
have  been  operated  by  the  Southern 
Enterprises,  have  been  transferred 
to  Famous  Players.  They  are  the 
Pheil,  Rex,  Plaza  and  Paramount, 
the  last  named  is  under  construction. 
William  Melvin  will  be  retained  as 
resident  manager. 

Peak  in  Exports 

Famous     Grossed     $10,000,000     Last 

Year— How  Wall  St.  Views  the 

Foreign    Situation 

Famous  grossed  $10,000,000  in  for- 
eign markets  in  1925,  the  largest  one 
year  business  in  its  history,  according 
to  a  long  article  published  in  "The 
Wall  Street  Journal"  yesterday, 
which  dealt  with  Paramount's  activi- 
ties abroad.  Sales  for  1925  were  25 
per  cent  ahead  of  1923  and  more  than 
double   1921. 

Declaring  that  the  foreign  business 

{Continued   on   Page   4) 

Kent  Back  Tuesday 

S.    R.    Kent   of   Famous  returns   to 

New  York  Tuesday  on  the  Majestic. 

Leopold  Friedman  of  Loew's,  Inc., 

who  went  abroad  with  Kent,  is  due 

back  toward  the  end  of  the  month. 


THE 


-;xf^ 


DAILV 


Thursday,  January  7,  1926 


Vol  XXXV  No.  5     Thursday,  Jan.  7, 1926     Price  5  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WIUS  FILMS  and  FILM  FOLKS,  IMC. 
Joseph  Uannenberg,  President  and  Editor; 
J.  VV.  Alicoate,  Treasurer  and  Business  tlan- 
ager ;  Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manajjer ; 
Ralph  Wilk,  Traveling  Kepresentative.  En- 
tered as  second-class  matter  Maiy  21,  I'^'IS, 
at  the  post  office  at  New  York,  N.  Y.,  twdcr 
the  act  of  March  3,  1879.  Terms  (Postage 
Iree)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
«hould  remit  with  order.  Address  all  com- 
:sunications  to  THE  FILM  DAILY.  1650 
Voadway,  New  York,  N.  Y.  Phone  Cirtle 
736-4737-4738-4739.  Cable  address:  Filmday, 
New  York.  Hollywood,  California — Harvey 
.i.  Gausman,  6411  Hollywood  Blvd.;  'Phon*, 
^nnite  3980.  London — Ernest  W.  Fredmai, 
/hv  Vilm  Renter,  58,  Great  Marlborough  St  , 
>oi  .)n,  W.  I.,  Paris — La  Cinematographie 
fraksaise,    5,    Uue    Saulnier. 


Quotations 

High    Low    Close  Sales 

Balaban    &    Katz     Not  quoted 

Eastman  Kodak lli;^   llOJi  111^  300 

Famous  Players 107       106J4  107  400 

F.     P.     Pfd 117       117  117  200 

Film     Inspection     . .     6^4       6;4       6^  500 

First    National     102}^   102Ji  102^  100 

Fox     Film     "A"     ..   83J4     83         83  700 

Fox    Theaters    "A"      ZlVt,     32^     33J4  8,500 

Loew's,     Inc 39}4      38Ji  39  3,300 

Metro-Gold.    Pfd.    ..    22}/^     22J4      22i4  100 

M.  P.  Cap.   Corp.   ..   20M     20         2O14  1,400 

Pathe  Exch.   "A"    ..   %2Yi     78}4     81j4  6,100 

Skouras     Bros 52         52         52         

Trans-Lux     13          12i4  13  8,100 

Universal    Pictures    Not  quoted 

Univ.    Pict.    Pfd.    ..95         95         95  100 

Warner    Brothers    ..    18>i      17J4     18J4  100 

Warner  Pictures   Not  quoted 


Film   Bureau  Carnival  Feb.   3 

The  Film  Mutual  Benefit  Bureau 
will  hold  its  third  annual  carnival 
at  the  Plaza,  Feb.  3,  for  the  benefit 
of  charity. 

Part  of  the  proceeds  will  go  to 
charity  and  part  to  finance  a  picture 
of    Kentucky   mountain    life. 


Rayart    Conference    On 

Thomas  A.  Curran,  special  West- 
ern representative  of  Rayart,  is  here 
from  Australia.  Milton  Simon  and 
George  West,  Rayart  representa- 
tives, are  here  also  for  a  conference 
with  W.  Ray  Johnston  to  formulate 
sales  plans  for  1926-27. 


Van  Loan  Originals  for  "U" 

Universal  has  engaged  H.  H.  Van 
Loan  to  write  seven  originals,  two 
for  Denny,  and  one  each  for  La 
Plante,  Philbin,  Kerry,  Gibson  and 
Hersholt,  the  first,  "So's  Your  Old 
Man"  is  for  Denny. 


Roach   Signs   Swain 

Los  Angeles — Hal  Roach  yester- 
day signed  Mack  Swain  foj"  a  stellar 
role  in  a  forthcoming  two-reeler  des- 
tined for  Roach's  Keith-Orpheum 
vaudeville  tie-up.  Swain  is  finishing 
in   "The  Torrent"  at  M-G-M. 


Claire   Adams   in   Flynn   Film 

Los  Angeles — Claire  Adams  has 
been  chosen  for  the  lead  in  Emmett 
Flynn's  next  for  Fox.  It  is  a  story 
by  Gene  Hughes,  called  "Yellow 
Fingers." 


Kurt   Schindler   With   "Roxy" 

"Roxy"  has  engeged  Kurt  Schind- 
ler to  direct  the  permanent  chorus 
of  100  which  will  be  a  feature  at  the 
new    Roxy    theater. 


Acquires  New  One;  Now  Has  Three 

Kansas  City,  Mo. — The  new  Oak 
Park,  just  completed  by  the  Ward 
investment  Co.,  has  been  leased  to 
Jay  Means,  who  also  operates  the 
Murray  and  Prospect.  The  new 
house,  located  in  the  suburbs,  at  3935 
Prospect  Ave.,  seats  1,000. 


Fire  in  Pennsylvania  House 

Washington,  Pa. — Fire  that  started 
in  the  basement  of  the  Regent  for 
a  time  threatened  the  complete  de- 
struction of  the  house.  The  blaze 
was  subdued  before  any  serious  dam- 
age resulted. 


Fire  in  Hastings  House 

Hastings,  Neb. — Fire  totally  de- 
stroyed the  Empress  owned  by  the 
Hostettler  Amuse.  Co.  Its  seating 
capacity  was  650.  They  will  rebuild 
investing  $150,000  in  a  house  to  seat 
1,100. 


Barker  Suffers  Breakdown 

Hollywood— -Reginald  Barker  has 
been  confined  to  his  home  since 
Christmas  with  several  physicians 
and  nurses  in  attendance,  following  a 
nervous   collapse. 


Break  Ground  for  Grauman's  House 

Hollywood — Ground  breaking  cere- 
monies were  held  Tuesday  night  for 
Grauman's  new  Chinese  theater  on 
Hollywood  Blvd. 


Valentino   to    Return 

London — Rudolph  Valentino  will 
return  to  New  York  on  the  Levia- 
than, sailing  about  the  middle  of 
January. 


To  Make  Educationals  Abroad 

A.  Pam  Blumenthal,  treasurer  of 
M.  P.  Consultants,  Inc.,  will  sail  for 
Paris  Saturday  on  the  Berengaria. 
His  trip  is  being  made  to  begin 
shooting  of  10  educationals,  exteriors 
of  which  are  to  be  made  in  Africa 
and  Palestine.  He  will  pick  up  his 
camera  men  and  crew  in  Paris. 

Interiors  will  be  made  at  Tec-Art 
in  the  Spring. 


Stern  to  Build  in  Union,  N.  J. 

Uniorij  N.  J. — Joseph  Stern  and 
Louis  Golding  have  procured  land 
for  a  theater  at  Morris  and  Stuy- 
vesant  Aves.  The  theater  will  seat 
1,250  and  will  cost  $200,000.  Plans 
are  being  drawn  by  William  E.  Leh- 
man, Newark.  Construction  will 
start  on  Feb.  1. 


Schaumann  Leaves  Artclass 

Leslie  G.  Schaumann,  director  of 
publicity  and  advertising  for  Artclass 
Pictures,  has  resigned  to  devote  his 
time  to  a  fabric  decoration   business. 


"Red   Kimono"   to   Be   Shown 

"The  Red  Kimono"  will  be 
shown  tomorrow  afternoon  at  2.30 
in  the  East  Ballroom  of  the  Hotel 
Astor. 


Retitle  "Three  Bad  Men" 

Hollywood— "Three  Bad  Men,"  a 
John  Ford  production,  will  be  released 
as   "The   World  of   Promise." 


Now  Handling  Shorts 

Philadelphia — Twentieth  Century 
Exchange  is  going  in  for  short  sub- 
jects and  will  increase  its  personnel 
accordingly.  The  product  of  Tennek 
Film  of  New  York  has  been  secured, 
72  subjects  all  told. 

Chain  Up  to  12 

Philadelphia — The  East  Coast 
Theaters  Co.,  Oscar  Neufeld  and 
Sam  Stiefel  have  purchased  the  Op- 
era House,  Swedesboro,  N.  J.  East 
Coast's  chain  is  now  up  to  12. 


Marie    Prevost    Operated 

Hollywood — Marie  Prevost  is  con- 
fined to  her  home,  following  an  op- 
eration. She  has  been  ill  for  several 
weeks. 


Sanford    Here 

F.    M.    Sanford    of    Sanford    Prod., 
Los  Angeles,  is  in   New  York. 


"Mike"  at  Capitol  Next  Week 

"Mike"  will  be  shown  at  the   Cap- 
itol  next  week. 


OFFICE  SPACE 
One  thousand  square  feet,  cut- 
ting room  and  projection  facil- 
ities. 'Phone  Wisconsin  3770-1. 


Sig  Schlager  Here 

Sig  Schlager,  Coast  representative 
for  a  number  of  important  players, 
arrived  in  New  York  yesterday. 

"Skyrocket"  Preview  Tonight 

Associated  Exhibitors  will  give  a 
preview  of  "The  Skyrocket"  in  the 
ballroom  of  the   Leviathan  tonight. 

Griffith   Talks  Today 

D.  W.  Griffi'th  will  deliver  an  ad- 
dress before  the  A.  M.  P.  A.  today. 

Gore  Here 

Abe  Gore  of  West  Coast  Theaters, 
Inc.   is   in   New   York. 


Norris  Managing  Troy  Palace 

Troy,  N.  Y. — Tom  Norris  has  been 
promoted  to  the  managership  of  the 
Palace. 


FOR      RENT 


BELL  -  HOWELL 

-    AND       -    

AKELEY  CAMERAS 

ijj'Uh  oi  wiihouL  Cameramen 


ShIDEN     CAMERA     EXCHANGE 

7-*9   Seventh   Ave.  N.Y.C. 
B  r>d  n  t    "i  9  s  I 


Hickey  111 

George  A.  Hickey,  Metro-Goldwyn-   ' 
Mayer  division  manager  in  Philadel- 
phia, has  been  confined  to  the  Com- 
modore for  some  days.  He  is  serious- 
ly ill. 


Dallas  —  Jack  Underwood  is  now 
managinp    the    local    office    of    Enter-    | 
prise  Dist.  Corp. 


OUR GANG c 


RAX  ROACH 


GOOD  CHEER 


Dmdti  ij-Robari  MeGoaian, 

This  is  a  'Cornerblock'  cut  furnished 
FREE  for  all  Pathecomedies  at  your 
exchange. 


A  complejTe  laboratory 

AND  TITIE  SERVICE 


FORT  ItC  N. ;. 

Pott  Lm  164-7 


AN 

ATTRACTION 
THAT  WILL 

SOON 

BE  THE  TALK 
OF  EVERY 
FILM  ROW! 


On  its  way  to  make  history 
It  happens  once  in  years  — 
—  Positively  another  Mickey  hit 
Has  happened  again  ! 
Tlie  Greatest  Laughing  Show  on   Earth 
"IVIIKE"  is  headed  for  fame  and  fortune. 

METRO  -  GOLDWYN  -  MAYER 


THE 


-.ggg^ 


DAILY 


Thursday,  January  7,  1926 


I 


Omaha  Merger 

(Continued  from  Page  1) 
Sun,  Moon,  Empress,  Muse  and 
Princess.  The  Roseland  and  Or- 
pheum,  both  in  South  Omaha,  and  a 
new  house  being  built  at  16th  and 
Corby  Sts.,  belong  to  the  Epsteins, 
who  intend  developing  their  chain. 
They  will  build  six  others  in  various 
neighborhood  sections  of  this  city. 


Theater  Changes  In  and  Around  N.Y. 

Theater  deals  closed  recently,  in- 
volving houses  in  New  York  terri- 
tory include  the  following: 

Goldfarb  &  Leiman  have  closed  their 
Ga'tes  theater,  Coney  Island.  They  now  oper- 
ate the  Eagle,  in  Brooklyn. 

M.  Stenzler,  of  the  Lyceum  and  Regent 
theaters,  at  College  Point,  has  acquired  the 
Kings    Park,   effective   Jan.    1. 

Walter  Reade  has  acquired  the  Grand,  at 
Freehold,  N.  J. 

The  New  Palace,  on  Broadway,  Brooklyn, 
has    closed. 

Secretary  Phillips,  of  the  M.  P.  T.  O.  of 
Brooklyn,  has  disposed  of  the  Central,  Brook- 
lyn, to  a  former  Cleveland  exhibitor. 

The  Olympia  theater  and  property,  107th 
St.  and  Broadway,  has  been  acquired  by  Paul 
Herzog  from  Samuel  Berner. 

A.  De  Lucia  has  taken  over  the  Ritz, 
Brooklyn,  from  Harry  Lightstone.  The  house 
has  reopened. 

Harry  Shepherd,  formerly  a  theater  man- 
ager for  Suchman  Bros.,  has  bought  the 
Alpha,  Bellville,  N.  J. 

Morris  Schange,  operating  the  Lyric  and 
Band  Box,  has  taken  over  the  Park,  at 
180th  St.  and  Boston  Road.  After  altera- 
tions, the  new  owner  will  reopen. 

The  Lyric,  at  Elizabeth,  has  been  reopened 
by  M.   Kodak,  formerly   of   Dobbs   Ferry. 


Pathe  "A"  Advances 

(.Continued  on  Page  15) 
announcement  shortly  regarding  re- 
sults from  the  sale  of  the  new  Pa- 
thex  camera,  which  was  placed  on 
the  market  for  the  first  time  several 
months  ago.  Another  feature  in  fa- 
vor of  Pathe  Exchange  is  that 
through  the  formation  some  time 
ago  of  the  DuPont  Pathex  Co.,  one 
of  its  subsidiaries,  it  is  in  a  position 
to  obtain  its  raw  film  at  a  compara- 
tively low  figure.  It  is  estimated 
that  requirements  for  1925  amounted 
to  something  over  100,000,000  feet 
of  film." 

Pathe  closed  at  81 H,  a  rise  of  three 
points  over  Tuesday's  close. 


Three  Exchanges  Opened 
BuflFalo — Rochester,  Syracuse  and 
Albany  exchanges  have  been  opened 
b-  the  Freedom  Film  Corp.,  and  are 
to  be  under  the  management  of  No- 
ton  L.  Conner,  Frank  C.  Moynahan 
and  Joseph  Cantor  respectively. 


Levin  to  Build  in  Frisco 

San  Francisco — Another  new  house 
is  announced.  Alex  E.  Levin  will 
start  construction  immediately  on  a 
site  at  24th  St.,  between  Hampshire 
and  York.  The  house  will  be  a  1,500 
seater  and  cost  about  $150,000. 


To  Remodel  Keith  House  in  Da3rton 

Dayton,  O. — A  permit  has  been 
granted  to  the  Keith  interests  to 
make  extensive  improvements  land 
remodeling  at  the  Colonial.  Fifth  and 
Ludlow  Sts.  A  new  $30,000  organ 
will  be  installed. 


Eastman  Subsidiary  Chartered 

Albany,  N.  Y. — Corporation  papers 
have  been  granted  Kodak  Urugaya, 
Inc.,  a  subsidiary  of  the  Eastman 
Kodak  Co.,  of  Rochester.  Capital  is 
listed  at  $10,000  and  the  incorporators 
are  C.  Ames,  A.  Paul  and  D.  Del- 
gado. 


Hostettler  House  Under  Way 

Omaha— The  $250,000  theater  which 
Hostettler  Amusement  Co.  is  build- 
ing in  Grand  Island  is  ready  to  be 
placed  in  actual  work.  The  old  build- 
ings are  now  being  wrecked. 


Another    Neighborhood    for    Omaha 

Omaha — A  new  theater  at  45th  and 
Military  Aves..  and  to  cost  $75,000 
wll  be  erected  by  Ernest  A.  Harms, 
owner  of  four,  the  Apollo,  Lyric, 
Rohlf,  and  the  Mueller. 


Columbia   Abroad 

(Continued  from  Page  1) 
its  books  to  provide  for  a  fair  proportion 
of  British  made  films  for  exhibition  on  the 
domestic  screen  there  is  enough  influence 
behind  the  legislators  who  are  fostering  the 
mevement  to  make  such  a  regulation  an  al- 
most certainty,  and  in  my  opinion,  some 
law  will  be  passed  to  satisfy  the  demand  for 
such   a   statute. 

"At  the  present  France  is  so  keenly  oc- 
cupied with  the  stabilization  of  its  finances 
that  the  film  contingent  idea  is  forced  into 
the  background,  but  one  newspaper,  Le 
Matin,  is  acting  as  spur  to  a  few  selected 
French  lawmakers  who  have  a  fixed  idea 
that  France,  too,  must  protest  against  the 
monopolization  of  its  screens  by  American 
pictures.  Anticipating  the  ultimate  adop- 
tion of  such  a  policy,  Columbia  pictures 
have  entered  into  a  tentative  arrangement 
whereby  should  French  legislators  eventually 
adopt  this  idea  a  Columbia  producing  unit 
will  also  operate  in  Paris.  I  am  not  at 
liberty  at  this  time  to  divulge  the  names 
of  those  who  are  ready  to  financially  support 
the  French  Columbia  producing  company, 
but  their  responsibility  is  beyond  question 
and  they  are  at  present  definitely  identified 
with    the    motion    picture    industry." 


Schine  Interests  Add  Another 

Gloversville,  N.  Y. — The  Schine 
Theatrical  Enterprises  has  purchased 
the  Kasson  O.  H.  at  a  price  exceed- 
ing $100,000.  Schine  took  over  the 
Opera  House  some  time  ago  on  a 
lease. 


100  Days  for  Fox  Shorts  on  Loew's 

Loew's  New  York  circuit  has 
booked  a  group  of  Fox  short  reels, 
includnig  four  two-reel  comedies  and 
two  one-reel  Varieties.  One  hun- 
dred days  are  involved  in  the  booking 
deal. 


Cleveland  House  Sold  by  Kaplan 
Cleveland — Peter  Laki  has  bought 
the  building  in  which  the  Park  Na- 
tional theater  is  located  from  Henrv 
Kaplan.  Laki  will  operate  it  himself 
under  the  name  of  the  Lyric. 


Sunday  Ban  Lifted 

Amityville,  N.  Y. — At  the  recent 
regular  meeting  of  the  Amityville 
Village  Board,  an  ordinance  permit- 
ting the  showing  of  pictures  on  Sun- 
day was  passed,  eflFective  in  two 
weeks. 


Another   for    Carolina    Chain? 

Statesville,  N.  C— The  Stears  Mo- 
tor Co.  will  finance  a  new  house  to 
be  built  here  shortly.  It  is  reported 
that  the  Carolina  Theaters.  Inc.,  have 
arranged  to  take  over  the  lease. 


Cuts  and  Flashes 

Monroe  Schram  has  joined  the 
Hod'"'  exchange  as  salesman,  cover- 
ing   Brooklyn. 


Theuerkauf  with  Assoc.  Exhbiitors 
San  Francisco — C.  L.  Theuerkauf 
has  resigned  as  manager  of  the 
Cameo  and  is  now  Western  division 
manager  for  Associated  Exhibitors 
C.  L.  ToeflFer  has  taken  charge  of 
the  house. 


Goodman  Managing  Rex,  Dallas 

Dallas — W.  O.  Goodman  is  now 
manager  of  the  Rex.  He  has  been 
connected  with  the  S-pecialty  Film 
Co.  for  a  number  of  years  and  was 
later  manpger  of  three  theaters  in 
Cornus  Christ!  operated  by  the  R 
&  R.  Theater  Co. 


Weinberg  Heads  M.   P.   Salesmen 

Joseph  Weinberg  has  been  elected 
president  of  the  M.  P.  Salesmen,  Inc., 
which  numbers  among  its  members 
salesmen  of  the  local  territory.  Other 
officers  include:  Harry  Furst,  first 
vice-president;  Gustave  Solomon,  sec- 
ond vice-president,  and  Saul  Trauner, 
treasurer. 


New   Schine   House   to   Open 

Newark,  N.  Y. — The  Capitol,  being 
built  by  the  Schine  Theatrical  Corp., 
is  to  open  in  January.  The  theater 
seats  1,250  and  was  constructed  at  a 
cost  of  $200,000.  G.  D.  _De  Pauw, 
former  manager  of  the  Universal  and 
Grand  here,  is  to  be  manager. 


Managers  in  Convention 

Mahanoy,  Pa. — Managers  of  the- 
aters operated  in  Pennsylvania  by  the 
Chamberlain  Amusements  Enter- 
prises Inc.,  held  a  convention  here 
recently. 


Resigns  as  Chicago  Manager 

Chicago — "Happy"  Meininger  has 
resigned  as  manager  of  the  Forest 
Park  theater,  one  of  the  Ascher  cir- 
cuit. 


Fox  will  celebrate  the  week  begin- 
ning Jan.  24  as  "Fox  Week." 


Onjheum,  Lansing,  to  Chanre  Policy 

LansincT  Mich.  —  The  Ornheum 
starting  Jan.  1.  will  show  first  runs, 
with  three  changes  weekly.  Clem 
Jarvis  is  owner. 


Transferred  to  Milwaukee  Office 
Milwaukee  —  F.   M.   De   Lorenzo, 
manager  of  the  Omaha  P.  D.  C.  of- 
fice   has    been    transferred    here.      At 
Danke  will  take  his  place  at  Omaha. 


Atkinson  Indianapolis  Manager 

Indianapolis — Al  Atkinson,  former 
Universal  salesman,  is  now  manager 
of  the  local  Associated  Exhibitors 
exchange. 


Peak  in  Exports 

(Continued   from   Page    1) 
of    1921    of    American    companies    is 
rapidly    growing,    the    Journal    con- 
tinued • 

"It  is  felt  the  real  development  of 
the  moving  picture  in  Europe  has 
only  begun.  Most  of  Europe  is  still 
in  the  'neckelodeon'  stage  and  there 
are  few  theaters  of  the  modern  Am- 
erican type.  Most  moving  picture 
houses,  particularly  in  the  less  im- 
portant towns,  are  converted  stores 
and  small  halls.  Construction  of  new 
and  more  attractive  houses  are  ex- 
pected to  bring  larger  audiences.  It 
will  then  automatically  follow  that 
film  rentals  can  be  increased  in  pro- 
portion to  the  size  of  the  theater  audi- 
ences, even  without  greatly  increas- 
ing admissions. 

"Average  moving  picture  admission 
in  England  is  2/6  to  3/6  and  in 
France  is  six  francs  or  about  21  cents 
at   current   exchange. 

"Purpose  of  Famous  Players  in 
erecting  its  own  theaters  in  the  capi- 
tal cities  is  to  furnish  examples  and 
incentives  for  other  theater  owners 
to  follow  which  it  is  hoped  will  lead 
to  a  general  improvement  of  theater 
facilities  in  Europe  with  resultant 
larger  revenues  to  both  domestic  and 
American  film  producers." 


Exhibitor  Buys  Newspaper 

St.  John's  Station,  Mo.  —  Henry 
Hallway,  owner  of  the  local  picture 
house,  has  purchased  the  Gem  Over- 
land-St.  John  Record.  The  paper 
is  issued  weekly  and  is  to  be  largely 
devoted  to  tell  the  public  about  good 
pictures. 


Sold   in   Half   Hour 

$10,000,000    Issue    to    Finance    Para- 
mount    Theater     and     Building 
Quickly  Placed  in  Wall  St. 

Thirty  minutes  after  the  books  had 
opened  yesterday  morning,  a  $10,000,- 
000  bond  issue  floated  by  Kuhn,  Loeb 
and  Co.,  Hallgarten  and  Co.,  and 
Marshall  Field.  Glore,  Ward  &  Co., 
on  behalf  of  the  Paramount  Broad- 
way Corp.,  had  been  entirely  placed. 

This  company,  a  subsidiary  entire- 
ly owned  by  Famous,  will  build  the 
Paramount  theater  and  office  build- 
ing at  Broadway  and  43rd-44th  Sts. 
The  issue  is  in  first  mortgage  cer- 
tificates, paying  5^  pear  cent  inter- 
est and  maturing  in  25  years.  The 
offering  was  made  at  98 1^.  Famous 
agrees  to  lease  the  building  for  a 
period  of  25  years  at  a  net  annual 
rental  which  is  said  to  equal  the 
largest  amount  required  for  interest 
and  sinking  fund  on  the  entire  $10,- 
000,000  loan  in  any  year. 

Data  made  available  in  connection 
with  the  issue  revealed  some  interest- 
ing information  on  the  Famous  Play- 
ers financial  condition.  Goodwill  as 
of  Dec.  27,  1924  is  placed  at  $3,647.- 
000  to  which  is  now  added  proceeds 
from  the  sale  of  121,715  shares  of 
common,  making  a  total  item  of  over 
$42,000,000. 


Sell  Auburn  House  for  $100,000 

Auburn,  N.  Y.— The  Strand  the- 
ater building  has  been  sold  by  Nor- 
man Loeb,  New  York  City,  to  Fitzer- 
Auburn,  Inc.,  for  $100,000. 


BishoD  Now  Located  in  St.  Louis 

St.  Louis — M.  G.  Bishop,  Metro- 
Goldwyn  exploiteer,  will  make  St. 
Louis  his  permanent  headquarters. 
He  formerly  worked  around  Okla- 
homa City. 


Ritz,  Chicago  Changes  Policy 

Chicago — The  new  Ritz  on  the  west 
side,  has  changed  its  policy,  now 
making  five  changes  a  week  instead 
of  three. 


Managing  Two  Illinois  Houses 

Macomb,  111. — A.  J.  Fish  has  been 
made  manager  of  the  Illinois  and 
Grand. 


Sunday,  January  10,  1926 


fl 


THE 


i^E^ 


DAILY 


Russia 


(Continued   from    Page    1) 

tares  out  in  Russia  but  now  the  Sov- 
kino  is  all  powerful  and  controls  the 
entire   situation. 

A  stranger  to  a  Moscow  or  Lenin- 
grad kinema  gets  the  complete  shock 
of  his  life  when  he  sees  an  Ameri- 
can picture  that  he  has  enjoyed  view- 
ing in  London.  If  it  is  a  social  drama 
and  contains  scenes  of  high  life  it  is 
either  cut  to  shreds  or  it  is  twisted 
about  so  as  to  convey  propaganda 
that  the  rich  are  living  at  the  expense 
of  the  poor. 

With  the  exception  of  cowboy  films, 
pictures  containing  physical  prowess 
of  some  kind  by  the  principal  actor 
and  films  of  outdoor  life  and  simple 
homely  pictures  or  the  heavy  German 
type  of  picture,  there  is  nothing  much 
else  shown.  Native  production  gets 
preference  naturally  everywhere,  and 
as  almost  everyone  of  these  films  has 
propaganda  of  some  kind  it  can  be 
easily  understood  how  the  Soviet 
subtly  weaves  their  ideas  into  the 
minds  of  the  people. 

Outside  of  their  own  pictures,  I 
should  say  that  American  films  were 
most  popular  and  the  greatest  favorite 
of  alii,  Douglas  Fairbanks.  The  suc- 
cess of  this  actor  is  astounding,  for 
when  I  was  in  Moscow,  his  latest  pic- 
ture, "Th  eTief  of  Bagdad"  was  still 
being  talked  about.  It  ran  for  four 
months  at  one  theater  and  repeated 
its  success  for  two  months  at  other 
theaters  while  all  over  Russia  it  had 
gone  tremendously. 

Fairbanks  is  looked  upon  with  great 
favor  by  the  kinema-goer  and  by  the 
Soviet  Government  for  he  typifies  to 
them  not  only  physical  prowess  but 
a  type  of  joyous  abandon  which  they 
like  their  people  to  see.  "The  Thief 
of  Bagdad"  was  bought  by  the  Sov- 
kino  for  $18,000,  almost  a  record  price 
for  any  picture.  "Robin  Hood"  had 
not  been  shown  but  was  being  looked 
forward    to    with    great    anticipation. 

Similarly,  W.  S.  Hart  achieves  al- 
most as  great  a  success  as  Fairbanks 
and  his  pictures,  together  with  Tom 
Mix,  showing  life  in  the  wide  open 
spaces,  always  go  well.  Good  cow- 
boy films  are  very  popular.  Mary 
Pickford  achieves  as  great  a  success 
as  Fairbanks.  "Little  Lord  Fauntle- 
roy"  was  showing  in  Moscow  to  big 
business  and  "Rosita"  achieved  phen- 
omenal success.  They  like  Mary 
Pickford  because  she  is  a  specimen 
to  them  of  simple  girlhood  and  does 
not  indulge  in  the  lavish  dresses  that 
Swanson  appears  in. 

Incidentally,  Gloria  Swanson  is  al- 
most taboo  in  Russia.  They  have  no 
time  for  pictures  of  that  character 
and  any  film  in  which  she  appears  is 
cut  to  shreds.  Betty  Compson,  Pola 
Negri,  Colleen  Moore,  Corinne  Grif- 
fith and  Norma  and  Constance  Tal- 
rnadge  share  a  similar  fate.  These 
actresses  who  are  immensely  popular 
in  other  countries  are  not  allowed  to 
achieve  the  same  measure  of  popu- 
larity in  Russia  because  they  intro- 
duce a  type  of  performance  and  por- 
tray life  which  is  frowned  upon  by 
the  Soviet  so  that  they  never  get  a 
chance  of  beings  exactly  popular  with 
Russian  audiences. 

The  censor  board  is  very  strict  in 
Russia.  It  gives  one  kind  of  certi- 
ficate only,  namely  for  universal  ex- 
hibition   and   turns    down    dozens    of 


pictures  as  hopelessly  unsuitable. 
They  viev/  everything  from  the  revo- 
lutionary point  of  view.  Films  in 
which  monarchy  is  portrayed  are  ut- 
terly taboo;  kissing  is  frowned  upon; 
"The  Ten  Commandments,"  "Moon 
of  Israel"  and  all  Biblical  films  have 
been   banned. 

Harold  Lloyd  is  immensely  popu- 
lar. Chaplin  not  quite  so  well-known. 
Incidentally,  Chaplin's  picture,  "The 
Woman  of  Paris"  was  nearly  twelve 
months  before  it  was  allowed  to  be 
shown.  No  fairy  stories  are  allowed 
in  Russia  as  the  Soviet  believe  in  edu- 
cating their  children  on  material 
facts. 

Scientific  films  and  medical  sub- 
jects are  shown  and  it  is  quite  a  com- 
mon sight  to  view  a  picture  dealing 
with  a  venereal  disease  in  the  ordi- 
nary kino. 

The  program  usually  consists  of 
one  picture  of  six  reels,  a  small  com- 
edy and  a  scientific  film  and  lasts 
an  hour  and  a  half.  "The  Nibelungs" 
was  also  tremendously  successful  in 
Russia,  being  spoken  of  appreciatively 
throughout  the  country. 

It  is  no  uncommon  thing  for  a 
film  to  run  many  weeks  at  the  prin- 
cipal theaters.  For  instance,  "Aelita," 
one  of  their  own  pictures,  a  fantastic 
film  dealing  with  a  trip  to  Mars  made 
with  cubist  aijd  futurist  settings,  ran 
for  three  months  at  the  Ars  theater 
in  AIoscow  and  some  80,000  people 
saw  it. 

Despite  the  fact  that  there  are  only 
800  kinemas  in  the  whole  of  Russia 
with  some  3,500  workingmen's  clubs 
the  cost  of  a  picture  can  be  got  back 
in  their  own  country.  The  Sovkino 
is  the  controllinrr  factor  in  the  Rus- 
sian kinematograph  industry;  they 
own  all  the  studios  with  the  excep- 
tion of  one  and  control  every  theater. 
It  is  thus  plainly  seen  that  without 
Sovkino  j'ou  cannot  possibly  oper- 
ate. 

They  have  a  huge  building  which 
was  form.erly  a  rich  man's  palace  in 
which  great  departments  are  at  work 
with  hundreds  of  employees.  The 
task  of  making  pictures,  distribution 
and  running  theaters  is  no  easy  one 
and  it  can  well  be  imagined  the  tre- 
mendous staff  that  is  necessary  to 
successfully   run   them. 

The  Government  encourages  the 
kinema  in  every  way.  Sensing  public 
likes  and  dislikes  they  know  that  the 
popular  and  cheap  form  of  entertain- 
ment is  the  film  and  accordingly  they 
encourage  it.  They  also  develop 
workingmen's  clubs  and  above  all 
they  are  anxious  to  educate  the  chil- 
dren by  means  of  the  kinema.  Small 
kinema  theaters  are  to  be  adapted  to 
most  of  the  schools  in  Russia,  many 
of  them  already  being  installed. 

Sovkino  is  the  dominant  concern; 
The  Goskino  and  Proletkino  make 
pictures  while  the  Georgia  Kino  make 
pictures  in  Tiflis;  Wufkino  (Ukraine) 
also  make  films  but  cannot  exploit 
them.  The  Sovkino  does  everything 
in  this  respect. 


Under  the  intriguing  title  of 
"Stenka  Rasin,"  Russia's  most  im- 
portant   production    is    now    under 


Presentations 

A  feature  dealing  with  the  man- 
ner in  ivhich  first-runs  build  their 
programs  aiid  written  from  the  an- 
gle of  one  who  sits  out  front. 

Designed  solely  for  the  purpose  of 
conveying  to  exhibitors  ideas  to  be 
used  in  developing  their  own  shows. 

Rialto 

Unit  No.  1. — Overture:  "Chimes  of 
Normandy,"  from  Planquette's  Opera. 
Time,  9  minutes. 

Unit  No.  2.  —  "The  Iron  Trail." 
Fox  Scenic,  6  minutes. 

Unit  No.  3.— L.  Wolfe  Gilbert,  com- 
poser and  song  writer,  singing  popu- 
lar hits  of  his  own  composition. 
Black  velvet  curtains  overdraped 
with  green  and  rose  silk  drapes.  Or- 
namented tree  placque  against  black 
back  curtain.     Time,  6  minutes. 

Unit  No.  4. — Rialto  Cinemevents. 
Time,  7  minutes. 

Unit  No.  5.- — Ann  Gray,  harp  vir- 
tuoso. Same  setting  as  Unit  No.  3. 
Time,  5  minutes. 

Unit  No.  6. — My  C.  Geis,  at  the 
organ,  playing  "An  Apology."  Time, 
6  minutes. 

Unit  No.  7.— Feature:  "The  Un- 
guarded  Hour."     Time,  73  minutes. 

Unit  No.  8.— "Set  'Em  Up  Again." 
Mutt  and  Jeff  Comedy.  Time,  6  min- 
utes. 


Three  Minneapolis  Salesmen  in  Lead 

Minneapolis — With  three  members 
of  its  sales  force  leading  the  nation, 
the'  Famous  branch  finished  sixth 
in  the  competition  which  has  just 
closed.  Sioux  Falls  under  manage- 
ment of  Ted  Mendenhall  was  in  third 
place  at  the  finish,  and  so  shares  in 
the  awards.  The  salesmen  are  Fred 
Benno,  James  Cobb  and  Frank 
Thayer. 


Favors  Federal  Control 

Minneapolis — Urging  women  to  op- 
pose attempts  to  establish  state  cen- 
sorship and  to  work  instead  for  set- 
ting standards  of  production,  Mrs. 
Robbins  Gilman,  local  clubwoman,  in 
an  address  before  the  Fifth  District 
Minnesota  Federation  of  Women's 
clubs,  advocated  support  for  Fed- 
eral control  of  motion  pictures. 


Maitland   Managing  at  Watertown 

Watertown,  S.  D.  —  Joe  Maitland 
has  taken  over  management  of  the 
Colonial,  for  W.  A.  Steffes.  Elmer 
Bohling,  former  manager,  has  been 
transferred  to  the  New  Logan,  Stef- 
fes'  new  Minneapolis  theater,  recent- 
ly  opened. 


Fire  Razes  Theater  at  Midland 
Midland,  S.  D. — A  match  tossed  by 
an  employee  to  the  floor  caused  fire 
which  destroyed  the  Rex,  operated 
by  Roberson  &  Welch.  The  dam- 
age is  set  at  $10,000,  of  which  $6,000 
is   covered   by   insurance. 


Incorporations 

Albany,  N.   Y. — Spence  Service  Assisl 
tion     Picture     Producers,     New     York.  < 
corporators,    F.    Finkelhor,    S.    Newman  1 
E.   Seigfried.     Attorneys,  Seligsburg  & 
43   Cedar  St.,  New  York. 


Albany,     N.     Y.— The    Kid    Him«H,    [^ 
New    York.      Capital   $20,000.      In /rporaij 
G.     Murphy,     K.     McGuire     and     S.     Frinl 
Attorney,   A.    H.    T.    Banzaf,    130   West  42ii,l 
St.,   New   York. 


Albany,     N.     Y. — Madaler     Patent    Right/ 
Holding    Corp.,    New    York.       IncorporaKri 
H.    Bays,    F.    Von    Madaler,    W.    Graboe  i. 
P.    Taylor.  1 


Albany,    N.     Y.— The    J.     M.    and    L. 
Theater    Corp.,    Albany.       Incorporators,' 
Burmester,   M.    Pedlow   and   M.    Leonard. 


Springfield,  111. — lUini  Amusement  Q\ 
Chicago.  Capital  $10,000.  Incclrporators, . 
Gumbiner,   A.    Goldman   and    V.    Frank. 


Springfield,  111. — Lawndale  Theater  Cotfl 
Chicago.  Capital  $125,000.  IncorporatO!| 
F.  Gehrke,   B.   Smith  and  I.   Fox 


Trenton,    N.    J. — Downtown    Theater 
Jersey    City.      Incorporators,    M.    Kleban, 
Kutinsky,  A.   Feder  and   B.  Heyman. 


Trenton,    N.^  J.— United   Theaters'    Holij 
Co.,    Jersey    City.      Incorporators,    M. 
ker,  M.   Kutinsky,   R.   Schoen  and  M.   Kid 


Trenton,  N.  J. — Washington  Film  Produc- 
ing Corp.,  Newark.  Capital  $200,000.  In- 
corporators, C.  Forrester,  E.  Towne  and  G. 
Coe,  Jr. 


way.  The  story  deals  with  a  17th 
Century  Muscovite  Robin  Hood.  Mr. 
Fredman  tells  about  it  and  produc- 
tion in  general  in  Russia  in  his  last 
article. 


Trenton,     N.     J. — Bound     Brook     Theate/J 
Co.,  Newark.     Capital  $125,000.     Inncorpol 
tors,  J.   Stern,  L.  Stern  and  B.   SchwabaclJ 


Albany,  N.  Y.— Shergil  Co^-     '>^; 
Capital    $40,000.       Attorney   '  > 
1440    Broadway,    New   Yoi(^.P  ^ 

Trenton,    N.    J. — United  ' 


'ein. 


Co.,  Jersey  City,   Incorporar 

R.   Schoen,  M.   Kleban  and  ^ol^j 

torneys,  Heyman  &  Heyman,  ysjf,*^ 

\  At.' 

Springfield,     111. — Irving    Pi 
Co.,    6!6    South    Michigan    A\A 
Capital    $60,000.      Incorporator 
A.   Beck  and  E.  Strachan.  ' 


Springfield,    111. — Fitzpatrick- 
202  South  State  St.,  Chicago.     li 
B.     McElroy,    E.    Fitzpatrick    an 
cken.       Attorney,     Charles     S. 
South   La   Salle   St.,   Chicago. 


Springfield,    111.    —    The    Tensent' 
Corp.,    Room    933,    160    North    La    Sa> 
Chicago.        Capital     $10,000.       Incorpor\ 
S.    Morris,    H.    Blech    and    W.    Morris, 
torneys,     Blech     &    Herson,     160     North 
Salle    St.,    Chicago. 


Springfield,  111. — Chicago  Drama  Prod  ^ 
ing  Co.,  26  South  Michigan  Blvd.,  Chicai? 
Attorney,  Murray  Nelson,  203  South  Dcf 
born    St.,    Chicago. 


h 


Springfield,     111. — The    Actors    and    E 
t;iiners'     Social     Club,     Inc.,     3538     Machij 
Ave,    Chicago.     Attorney,   S.    B.   Tur^ 
East  28th  St.,   Chicago. 


I 


Albany,  N.  Y.— Charmont  Theater  C  i, 
Inc.,    New    York.      Capital    $10,000. 
porators,  A.   Fauci,    B.   Gagliani   and   N 
tucci. 


Albany,    N.    Y. — Oceanside    Theater, 
New    York.      Capital    $5,000.      Incorpor,->:    r,, 
M.    Sherman,    S.   Riegelhaupt  and   W.  Blai/i. 


Albany,    N.    Y. — Milray'  Amusement  Co..  ' 
Inc.,  New  York.     Capital  $10,000.     S,  Raiv< 
and  M.  Raives.  I 


Albany,  N.  Y. — Anboard  Theaters  Corp., 
New  York.  Capital  $5,000.  Incorporators, 
M.   Schwartz   and  M.   A.   Schwartz. 


Albany,  N.  Y.— R.  S.  P.  Amusement  0>-' 
Inc.,  New  York.  Capital  $15,000.  IncfJ. 
porators,  E.  Alper,  G.  Schwartz  and  E.  W»» 


THE 


-;^tf^ 


DAILY 


Sunday,  January  10,  1926 


"The  First  Year" 

John   Golden    Unit — Fox 

'^N  THEY  DON'T  ROAR, 
THEY'LIr  CHUCKLE.  WHEN 
THEY  DON'T  CHUCKLE, 
THEY'LL  GRIN.  WHAT  A  DE- 
LIGHTFUL COMEDY  THIS 
TURNS   OUT  TO  BEI 

■■.ast Matt   Moore   is   just   Matt 

Moore  at  his  best.  He  easily  domi- 
nates the  picture.  Katherine  Perry 
!l  right  although  she  is  getting  a 
bit  stout.  Margaret  Livingston 
splendid  as  a  railroad  agent's  wife. 
The  colored  maid  a  riot. 

r^  of    Story Comedy;    adapted 

from    Frank    Craven's    stage    play. 
What  a  comedy!     Frank    Borzage 
ihas  kept  for  the  screen  all  the  de- 
\ghtful,  human  and  splendid  situa- 
rfions— everything   that    made   "The 
jiFirst    Year"    one    of    the    greatest 
iHtage  successes  of  the  decade.     It 
wasn't  easy  to  do  this  but  by  the 
skillful   use  of  many   of   the   stage 
lines  as  titles,  besides  photograph- 
ing the   play   practically  as   it   was 
presented,  this  one  gets  over  splen- 
didly.    It   is   straight   picture   mak- 
ing   along    comedy    lines    with    no 
"'  "*--  thrills   but   just   delight- 
-tions,   one  after   the   other. 

ically    everyone    knows    the 

.        .f  the  small  town  young  folks 

^^     leir  first  year  of  marriage,    how 

tc   ittle  wife  almost  spoils  her   hus- 

ard's  business,  has  a  quarrel  and 

is  home  to  her  mother.     In  the 

cd,  of  course,  hubby  comes  for  her 

nd'  in    the  picture   there    is   a   fine 

ight    after    which    Moore    is    told 

that  he  is  about  to  become  a  father 

and  there  is  the  usual  clinch. 

Box  Office  Angle Everybody  likes 

to  laugh  and  everybody  will  laugh 
—and  howl,  at  "The  First  Year." 

Exploitation Get  back  of  this  one 

as   hard  as  you  can   for  after  they 
are  in  they  will  be  the  best  adver- 
tising   mediums    that    you    can    get 
when  they  go  out.     It  will  be  diffi- 
cult indeed   to   find   a   better   angle 
than   the   use   of   wedding   rings    in 
virions   ways.      The    difficulties    of 
^   first   year    of    married    life    are 
lown     to     countless     millions     of 
■.ople  who   have   gone   through  it. 
'       hey  will  enjoy  it  as  well  as  those 
ho  are  about  to  take  the   step   if 
1,  ^  any  method  you  can  get  them 
"m.    Catchlines  might  be  in  order. 

Direction.  ..  .Frank    Borzage;    excel- 
lent. 

'Author    Frank   Craven 

Scenario   Marion  Fairfax 

Cameraman Chester  Lyons 

Photography    Very  good 

Locale Joplin,  Mo. 

Length .A.bout  7,000  feet 


"Soul  Mates" 

Metro-Goldivyn-Mayer 

AN  ELINOR  GLYN  IDEA  WITH 
TYPICAL  SITUATIONS  AND 
ATMOSPHERE.  GOOD  PRO- 
DUCTION AND  CAST  BUT 
STORY  IS  OF  A  WHOLLY 
CONVENTIONAL  ORDER. 

Cast Aileen    Pringle    pleasing   but 

not  as  attractive  in  her  new  bangs. 
Edmund  Lowe  a  bit  over  active  as 
the  hero  but  good  nevertheless. 
Phillips  Smalley  suitable  as  Ai- 
leen's  matchmaking  uncle.  Others 
Edythe  Chapman,  Antonio  D'Algy, 
Mary  Hawes. 

Type  of  Story. . .  .Dramatic  romance; 
adapted  from  Elinor  Glyn's  novel 
"The  Reason  Why."  Although 
this  hasn't  quite  the  spice  of  some 
Elinor  Glyn  romances  still  "Soul 
Mates"  lives  up  to  a  reputation  in 
a  certain  degree  and  if  the  story  is 
familiar  perhaps  a  good  production 
and  an  interesting  company  of  play- 
ers will  help  to  cover  it  up.  You 
have  a  conventional  enough  skele- 
ton plot  with  the  old  mortgage 
question  slightly  reversed.  This 
time  it  is  on  Lord  Tancred's  castle 
instead  of  on  the  farm  of  the  poor 
gal's  father.  The  development 
holds  no  real  surprises  but  if  they 
are  not  too  critical  they  may  not 
complain.  Jack  Conway  has  sup- 
plied a  good  looking  production  and 
probably  made  the  most  of  the 
story's  possibilities. 

It  deals  with  the  attempt  of 
Markrute  to  have  his  niece,  Velma, 
marry  Lord  Tancred  on  whose 
holdings  he  has  a  mortgage.  Velma 
refuses  without  even  seeing  Tan- 
cred. Later  she  meets  him  and  not 
knowing  he  was  the  husband  se- 
lected for  her,  falls  in  love  with 
him.  They  plan  to  marry  and  then 
Velma  discovers  who  her  fiance 
really  is.  Thinking  he  is  marrying 
her  to  cover  the  mortgage  she  pro- 
ceeds to  hate  him  but  agrees  to 
become  his  "wife  in  name  only." 
They  are  at  constant  odds  after 
the  ceremony  but  eventually  Tan- 
cred turns  caveman  and  it  is  then 
that  Velma  decides  she  really  loves 
him.  To  further  pacify  her,  Tan- 
cred shows  her  the  paid  mortgage 
papers. 

Box  Office  Angle.  ..  .Fair  entertain- 
ment. May  thoroughly  please  some 
audiences  while  others  may  find  it 
just  another  Elinor  Glyn  novel. 

Exploitation. ..  .With  the  name  of 
Elinor  Glyn  backing  it  you  can 
probably  count  on  a  certain  ma- 
jority coming  in  out  of  curiosity. 
They'll  expect  a  spicy  love  story 
and  while  there  are  a  few  good 
scenes  in  the  picture,  it  is  by  no 
means  another  "Three  Weeks." 
Aileen  Pringle's  and  Edmund 
Lowe's  names  can  be  used  in  an- 
nouncements.    Both  do  good  work. 

Direction. ..  .Jack   Conway;   adequate 

Author    Elinor   Glyn 

Scenario Carey  Wilson 

Cameraman    Oliver   Marsh 

Photography    Good 

Locale    England 

Length   6,073  feet 


Richard  Dix  in 

"Womanhandled" 

ParaTnount 

CORKING  GOOD  STORY  AND 
DIX  IN  ANOTHER  DELIGHT- 
FUL ROLE.  SURE  TO  SEND 
THEM  OUT  HAPPY  WHERE- 
EVER  IT'S  SHOWN.  FINE 
DIRECTION. 

Star Pleasing,    easy-going    and 

good  natured  in  a  role  that  fits 
him  ideally.  Makes  the  most  out 
of  it  and  seems  to  have  a  good  time 
doing  it. 

Cast.  .  .  .Esther  Ralston  winsome  and 
appealing  as  the  "girl  of  his 
dreams."  Edmund  Breeze  good  as 
the  "modern"  westerner.  Others 
Cora  Williams,  Olive  Tell,  Eli  Na- 
del. 

Type  of  Story.  ...  Romantic  comedy. 
Here  is  a  new  angle  on  the  West — 
where  men  aren't  men  at  all.  Ar- 
thur Stringer's  Saturday  Evening 
Post  story  gives  Richard  Dix  an- 
other fitting  successor  to  his  ex- 
cellent "Shock  Punch."  "Woman- 
handled"  is  packed  with  laughs,  ori- 
ginal and  amusing,  and  has  an  air 
of  newness  about  it  that  is  de- 
cidedly refreshing.  There  is  a  love- 
sick svi'ain  and  a  much  desired  girl 
as  a  conventional  enough  start  but 
the  work-out  and  subsequent  com- 
edy complications  ai^  brand  new. 
There  is  real  comedy  kick  in  "Wo- 
manhandled" and  it  appeared  to  be 
registering  at  every  turn  with  the 
Rivoli  crowd. 

Story:  Bill  Dana  loves  Mollie, — 
he  meets  her  in  Central  Park. 
Mollie,  assuming  Bill  is  a  western- 
er, vents  her  disgust  for  Eastern, 
womanhandled  men.  Bill,  to  win 
her  favor,  decides  to  become  a  full- 
fledged  cowboy.  He  is  disillusioned 
when  he  finds  the  West  isn't  the 
West  any  more.  Flivvers  take  the 
place  of  horses  and  Eastern 
fugitives  impersonate  cowboys,  the 
real  ones  all  having  joined  the 
movies.  Mollie  comes  West  to 
witness  Bill's  re-making.  How  Bill 
tries  to  disguise  the  modern  ranch 
to  make  it  appear  like  a  ranch  in 
the  good  old  days  of  the  rough-and- 
ready  West,  affords  innumerable 
comedy  gags.  Finally  Mollie  learns 
of  the  deception  but  after  the  usu- 
al explanations  there  comes  the 
clinch. 
Box  Office  Angle ....  Sure-fire  enter- 
tainment. You  can't  go  wrong  on 
this  one. 

Exploitation A  trailer  of  the  West 

— the  new  West — as  hero  Bill  Dana 
finds  it.  will  be  enough  to  assure 
them  of  the  comedy  contained  in 
"Womanhandled."  You  have  a  fine 
title  to  work  with  and  enough  talk- 
ing points  to  get  them  interested. 
Work  to  bring  them  in.  Once  in, 
your  worries  are  over.  Arthur 
Stringer's  story,  Dix's  playing  and 
Gregory  La  Cava's  fine  direction 
will  do  the  rest. 

Direction Gregory    La    Cava ; 

excellent. 

Author Arthur  Stringer 

Scenario Luther  Reed 

Cameraman Edward  Cronjager 

Photography    Very   good 

Locale N.  Y. -Western  Ranch 

Length  6.765  feet 


.\ 


"That  Old  Gang  of  Mine" 

Kerman   Films,    Inc. — State    Rights 

A  KID  PICTURE  FOR  GROWN- 
UPS. THEME  BUILT  ON 
CHILDHOOD  MEMORIES 
FULL  OF  EMOTIONAL  AP- 
PEAL. TITLE  AND  STORY 
MADE  FOR  EXPLOITATION. 

Cast. .  .Maclyn  Arbuckle  and  Brooke 
Johns  are  the  two  old  cronies  who 
were  boyhood  pals  together.  They 
both  catch  the  spirit  of  the  story 
and  get  it  over  very  effectively. 
Little  Tommy  Brown  does  good 
work  as  the  gang  leader.  Rest  of 
cast  good  types. 

T5^e  of  Story. ..  .Comedy-drama  of 
-  boyhood  memories,  founded  on  Irv- 
ing Berlin's  song,  "That  Old  Gang 
of  Mine."  Here  is  a  sincere  effort 
to  picturize  the  memories  of  boy- 
hood that  are  aroused  by  the  meet- 
ing of  several  men  who  in  their 
youth  had  grown  up  on  New 
York's  East  Side  together.  The 
manner  of  presentation  is  simple 
but  effective.  The  old  cronies 
gather  at  one  of  their  childhood 
haunts  after  having  been  separated 
all  their  lives.  As  they  pass 
through  the  familiar  neighbor- 
hood they  recall  to  each  other  vari- 
ous fond  memories  of  boyhood 
days.  These  are  presented,  show- 
ing them  as  they  were  as  kids  in 
the  "old  gang."  Finally  they  ar- 
rive at  the  meeting  place,  where 
they  meet  their  childhood  sweet- 
hearts, now  mothers  of  large  and 
thriving  families.  The  scenes  de- 
picting their  boyhood  days  are  well 
directed.  They  represent  life  in 
the  old  ward  section  as  any  adult 
New  Yorker  will  recall  them.  There 
is  no  slapstick  or  burlesque.  Just 
a  simple  portrayal  of  the  joys  and 
sorrows  of  boyhood  which  count- 
less thousands  of  men  all  over  the 
country  have  lived,  whether  in  New 
York  or  Smith  Junction.  Here  lies 
the  picture's  powerful  appeal.  It 
will  gets  the  dads.  It  is  real  boy 
life.  And  it  is  bound  to  interest 
the  children.  It  pictures  their 
boyhood  dreams  of  what  they, are 
going  to  be  when  they  "grow  up." 
A  plain  production  without  fancy 
sets  or  costly  trimmings — but  it 
has  the  genuine  box  office  appeal 
always  aroused  by  a  straightfor- 
ward theme  dealing  with  boyhood 
memories  and  mother  and  home. 

Box  Office  Angle Splendid  pro- 
gram number  with  universal  ap- 
peal. Real  box  ofiice  hokum  that 
is  done  with  sincerity,  founded  on 
fine   emotional  elements. 

Exploitation.  ..  .As  this  is  a  picture 
of  boyhood  memories,  play  up  the 
"father  and  son"  theme.  Here  is  a 
fine  chance  to  get  dad  and  the  kids 
in  together. 

Direction May  Tully;   good 

Author    Same 

Scenario    Same 

Cameraman Not  credited 

Photography    Fair 

Locale   New  York 

Length  4,800  feet 


^»^ 


i^^ 


Sunday,  January  10,  1926 


OUT  IN  TWO  WEEKS 


1926  FILM 

YEAR  BOOK 

(Published  Once  a  Year  by  The  Film  Daily) 

Covers  Exhibition,  Distribution,  Production,  States  Rights,  Foreign,  Stars, 
Directors,  Writers,  PubHcations,  M.  P.  T.  O.  of  A.,  Studios,  Accessories,  In 
Fact  Everything  Including  a  List  of  Over  20,000  Theatres  in  the  United  States, 
Giving  Name,  Address,  Seating  Capacity,  Size  of  City  or  Town  and  Playing 
Days  Each  Week. 


IB 


PRICE  *5.00 


(Prepaid  Anywhere 
in  the  World) 


X 


OR 


Free  to  Film  Daily  Subscribers 

Subscription  Rate  $10.00  a  Year 


DO  IT  NOW! 


(EDITION  LIMITED) 


To 

The  Film  Daily 

/'■  1650  Broadway 

New  York  City 

Date 

/'  Enter    my    yearly    subscription    to    The 

,.-''  Filra    Daily     immediately,    including    Short 

Subject    Numbers,     Directors     Number    and    a 

Complimentary  Copy  of  the  1926  Film  Year  Book 

— out   in   two   weeks — herewith    my    check    for    $10.00 

NAME 

THEATRE 

ADDRESS 


THE 


/ 


!'f 


1      Corinne    Griffith    in 

,~        "Infatuation" 

f"  First  National 

:annqt   compare   with 
"classified."  story  weak, 
conventional  and  slow 
moving.    a  great  handi- 
CAP TO   STAR  AND   A  GOOD 
SUPPORTING  CAST. 
Star Labors  with  a  dull  and  unin- 
teresting   role.      Given    too    many 
close-ups  that  also  go  toward  slow- 
ing the  tempo.     Personally  attrac- 
•  tive,  as  usual,  but  this  isn't  enough. 
Cikst. ...  Percy   Marmont  in  a  color- 
less   sort    of    characterizational    al- 
though  his  portrayal  is  adequately 
done.     Malcolm  MacGregor  an  ar- 
dent but  unsuccessful  suitor.    War- 
ner Oland  in  one  of  his  typical  wily 
riental  roles.     Others  not  impor- 
,nt. 

of  Story. . .  .Dramatic  romance; 
pted  from  W.  Somerset  Maugh- 
s  play,  "Caesar's  Wife."     Violet 
[organ  calls  her  husband  "Caesar" 
he    replies    that    she    must    be 
esar's   wife   and    quotes    a    text: 
(Caesar's  wife  must  be  above  sus- 
icion."     And   all   because   of   that 
notation  the  beautiful,  but  bored, 
iolet    gives    up    a    promising    ro- 
ance  and  remains  faithful  to  her 
onotonous    sort    of    husband.      It 
ould   have   been   a    decided   relief 
he  had  fled  with  her  lover  and 
'•;:-.""    the   too   calm   spouse   a   run 
for  his   money.      It  is   a   dull  role 
tiat  Corinne  Griffith  essays  in  her 
Mtest,    a    story   that    is    far    behind 
fte  very  fine  one  she  had  in  "Clas- 
*fied."     The  star  and  even  a  good 
/supporting  cast  is  not  sufficient  to 
iget  this  one  by.     Corinne  wears   a 
frown  through  most  of  it  and  there 
isn't  a  single  bright  spot  to  cheer 
an  atmosphere  of  over-indifference. 
_Btory:  Sir  Arthur  Little,  stationed 
in  a  Far  Eastern  port,  is  considered 
cruel    by    Violet    Morgan,    London 
belle.     She   marries   him   neverthe- 
less but  the  monotony  of  the  East 
and    her    husband's    all    consuming 
business  sends  Violet  into  the  arms 
of  Ronny.     She   is  about  to  elope 
with   him   when   Sir   Arthur  quotes 
the    passage    about    Caesar's    wife. 
Ronny  is  banished  and  Violet  saves 
her  husband's  life  as  a  prefix  to  a 
reunion. 
Box  Office  Angle. . . . Not  good  enter- 
cull'     1^"^     ^"'^-     especially     coming 
thi(      |S"'^h    a    fine    one    as    "Classi- 
viliii    I  they   are   going  to   be   disap- 

E,'q)Ioitation. . .  .The  title  sounds  in- 
■■.eresting  and  with  Corinne  Griffith's 
name  attached  to  it,  they'll  probab- 

i^  T  ly  come  in.  If  the  star  has  a 
IrH  strong  following  it  is  possible 
-^  th-sy'll  be  willing  to  overlook  some 
of  the  story's  shortcomings.  She 
wears  some  good  looking  clothes 
and  has  two  good  leading  men  to 
help  oflFset  the  picture's  weakness. 

Direction Irving    Cummings; 

could  not  improve  the  poor  story 

Author   W.  Somerset  Maugham 

Scenario Albert  Shelby  Levino 

Cameraman   Hal  Rosson 

Photography    Good 

.     ''Locale    London-Far    East 

j^VengA 5,794  feet 


Pete   Morrison  in 

"Blue  Blazes" 

Universal 

THE  POPULAR  TRIO  AGAIN 
WITH  THE  CUSTOMARY 
PLOT  DEVELOPMENT.  CAR- 
RIES FAMILIAR  BUT  EFFEC- 
TIVE ACTION  AND  THRILLS. 

Star.  . .  .Likable  hero  who  is  bound  to 
clear  himself  before  the  girl  and 
bring  her  around  to  a  clinch  ending. 
Does    some    fine    ridng. 

Cast Barbara      Starr,      pleasing 

heroine,  one  of  those  doubting  fe- 
males who  places  her  trust  in  the 
villain,  adequately  portrayed  by 
Lee  Bates.  Others  include  Jim 
Welsh,  Jerome  La  Gasse,  Milburn 
Morante,  James  Lowe,  Lew  Ben- 
net,  J.  A.  Wiley. 

Type  of  Story. ..  .Western.  A  cloud 
burst  is  the  outstanding  thrill  in 
"Blue  Blazes,"  one  of  Universal's 
new  series  of  Blue  Streak  West- 
erns. And  it  serves  a  good  thrill 
if  they  fail  to  observe  that  it  is  done 
in  miniature.  Nevertheless  the 
thrill  is  there  and  hero  beats  up 
villain  and  his  band  in  a  glorious 
finish  that  sends  him  into  the  girl's 
arms,  just  as  you  expected.  The 
story  runs  true  to  formula  and  with 
the  exception  of  some  good  bits  of 
action,  fast  riding  and  the  climax 
thrills  there  is  little  to  recommend  it. 
The  crowd  that  wants  action,  how- 
ever, probably  will  be  willing  to 
overlook  the  shortcomings  of  the 
story.  You  have  the  usual  trio: 
hero-villain-girl.  This  time  the 
girl  is  trying  to  locate  a  hidden 
cabin  containing  a  treasure.  Vil- 
lain very  gallantly  offers  to  help 
her  but  secretly  does  some  scout- 
ing himself.  He  also  claims  that 
hero  had  killed  her  uncle.  The 
development  brings  about  the 
usual  line  of  complications  with 
hero  doing  his  best  to  prove  true 
blue  and  villain  working  to  find 
the  treasure  before  hero  can  expose 
his  scheme.  Of  course  hero  comes 
out  the  winner  and  villain  meets  a 
fitting  death  in  "Death  Wash"  dur- 
ing a  cloudburst. 

Box  Office  Angle.  .Regulation  west- 
ern offering  with  the  usual  plotting, 
action,  thrills  and  romance.  Will 
fill  the  bill  if  your  folks  like  an  oc- 
casional western. 

Exploitation. ..  .If  Pete  Morrison  is 
gaining  in  popularity  you  might 
get  them  interested  by  announcing 
his  name  and  the  title  of  his  latest. 
Talk  about  the  battle  in  "Death 
Wash"  and  the  cloudburst  which 
serves  as  a  climax.  The  usual 
trailer,  stills  and  catchlines  will 
take  care  of  further  announcements. 

Direction Joseph  Franz; 

average 

Author Frank  C.  Robertson 

Scenario Frank  Beresford 

Cameraman    Jack   Young 

Photography    All   right 

Locale   West 

Length    About  5,000  feet 


Larry  Semon  in 

"Stop,  Look  and  Listen" 

Pathe 

SOME  GOOD  LAUGHS  AND  A 
COMEDY  THRILL  CLIMAX 
THAT  BRINGS  IT  TO  FIRST 
RATE  FINISH.  NOT  HILARI- 
OUS BUT  CONSISTENTLY 
AMUSING. 

Star. ..  .Plays  his  usual  role  of  boob 
who  isn't  so  "dumb"  after  all. 
Gets  the  most  out  of  the  situations 
and  will   please  his  following. 

Cast.  ..  .Dorothy  Dwan  pleasing  and 
pretty.  Mary  Carr  rather  snowed 
under  as  the  comedian's  mother. 
Others  William  Gillespie,  Lionel 
Belmore,  Bull  Alontana,  "Babe" 
Hardy. 

Type  of  Story. ..  .Comedy;  adapted 
from  the  musical  comedy.  Natur- 
ally the  original  has  undergone 
considerable  treatment  in  prepara- 
tion for  its  picture  debut.  The  basic 
plot  remains  and  with  it  Larry 
Semon  succeeds  in  making  a  rather 
amusing  offering  replete  with  his 
usual  line  of  stunts  and  gags  and 
with  a  comedy  climax  that  brings 
it  to  quite  an  exciting  and  laugh- 
able finish.  There  are  no  specially 
riotous  comedy  situations  but  the 
laughs  come  evenly  and  consistent- 
ly. The  climax  chase,  though  fa- 
miliar, is  the  best  of  the  stunts, 
with  Larry  pursuing  the  fleeing 
bank  robbers  in  autos,  trains 
and  other  conveyances  until  finally 
he  overtakes  his  men,  recovers  the 
money  and  wins  the  usual  reward — 
the  girl. 

Story:  Luther  Meek,  town  goody 
good,  loves  the  local  school  teacher 
but  she  craves  a  career  on  the 
stage.  To  please  her  Luther  fi- 
nances a  traveling  troupe  that  goes 
broke  in  the  town  and  Dorothy  is 
made  leading  lady.  The  staging  of 
the  show  contains  many  good 
laughs  and  the  mishaps  that  come 
during  the  performance  are  espe- 
cially funny.  While  the  show  is 
in  progress  the  manager  is  robbing 
the  local  bank  and  making  a  get- 
away. Luther's  wild  chase  follows 
and  after  due  complications  and  in- 
terferences he  gets  his  man,  re- 
trieves the  money,  and  Dorothy, 
cured  of  her  theatrical  ambitions, 
consents  to  become  his  wife. 

Box  Office  Angle.  .Average  comedy 
entertainment  that  will  please  the 
crowd  that  wants  to  be  amused 
and  unless  they  are  very  critical 
should  satisfy  most  anywhere. 

Exploitation.  .Where  Larry  Semon's 
pictures  draw  well  boost  his  name 
in  advance  and  tell  them  his  latest 
is  an  adaptation  of  the  musical 
comedy.  The  title  will  work  well 
with  the  usual  street  ballyhoo  of 
signs,  etc.  and  can  be  tied  up  with 
safety  signals,  etc.  A  trailer  includ- 
ing shots  of  the  comedy  climax  will 
get  them  interested. 

Direction    Larry    Semon ; 

ample 

Author Harry  B.  Smith 

Scenario    Larry   Semon 

Cameraman  ....   H.  F.  Koenenkamp 

Photography    All   right 

Locale    Small  town 

Length  6  000  feet 


Sunday,  January  10,  1926 


"The  Ancient  Mariner" 

Fox 
CLASSIC     POEM     MADE     INTO 
GORGEOUS  SCENES  OF  FAN- 
TASY   AND    BEAUTY.      VERY 
MUCH    OUT    OF    THE    ORDI- 
NARY.   TIED  UP  WITH  MOD- 
ERN STORY. 
Cast.... Paul   Panzer  is   the  Ancient 
Mariner    in    the    poetic    sequence, 
and  acquits  himself  with  high  hon- 
ors.     He    catches    the    imaginative 
spirit  of  the  fantasy  with  rare  feel- 
ing.     In   the   modern   story,    Leslie 
Fenton's  work  is   outstanding  in   a 
rather    weak    theme.       Clara    Bow 
seems  miscast  in  a  part  calling  for 
finer  em.otions   than  she  is  capable 
of  expressing  on  the  screen.     Nigel 
De  Brullier  as  the  Modern  Mariner 
■vWio    tells    the    tale,    does    a    really 
impressive    piece    of    work.      Earle 
Williams    effective. 
Type  of   Story. ..  .Dramatic   fantasy, 
based  on  famous  poem   by  Samuel 
Taylor     Colerid,ge.       This     classic 
story  is  amplified  by  a  modern  ver- 
sion which  melts  into  the  story  of 
the  Ancient  Mariner  in  a  very  natu- 
ral  manner.     In  the   modern  story 
a  wealthy  rounder  meets  a  school- 
teacher and  induces  her  to  run  away 
with   him   on   a    little   jaunt   around 
the  world.     The   setting  is  a  town 
on    the    southern    California    coast. 
Leslie    Fenton  is   the   rustic   sweet- 
heart of  the  schoolmarm,  played  by 
Clara   Bow.     In   steps   the   Modern 
Mariner,   induces   the  wealthy  man 
to   visit   his    cottage,    where    he    re- 
lates  to   him  the,,  story   of  the  An- 
cient   Mariner,    who    slew    the    al- 
batross,   emblem    of    purity.      The 
famous    poem    is    presented    practi- 
cally as  Coleridge  wrote  it.     Henry 
Otto   directed  the   poetic   sequence, 
and    has    done    as    big    a    piece    of 
work  as   he   did  with   "Dante's   In- 
ferno."    It  is  more  like  a  series  of 
panels    or    animated    tableaus,    but 
this  form  of  expression  serves  per- 
fectly to  present  the  immortal  story. 
Otto  has   created  some  really  gor- 
geous   effects    of   rare   artistry   and 
beauty.      The    lighting    effects    are 
novel  and  highly  unusual.     One  of 
the    highlights    is    the    reproduction 
of  the  Phantom  Ship.    The  spectral 
and  unearthly   effect  that   this   ship 
produces    is    gripping.      Here    is    a 
faithful  adaptation  that  will  win  the 
praise  of  all  those  familiar  with  the 
original    work.      And    who    is    not? 
It   has   been   for  years   part  of  the 
English     course     in     most     public 
schools.      At   the   end   of   the   story 
of  the  Mariner,  it  reverts  back  to 
the    modern    yarn — with    happiness 
for  all. 
Box  Office  Angle. . .  .Artistic  produc- 
tion   combined   with    famous    poem 
and    modern    version    will    exert    a 
wide   appeal. 
Exploitation Dress  man  as  An- 
cient Mariner  for  street  ballyhoo — 
a    real    noveltj'    at    slight    expense. 
Feature    Coleridge's    poem,    known 
to   almost    everyone. 

Direction Henry   Otto— Chester 

Bennet;   fine. 

Author   Samuel  T.  Coleridge 

Scenario   Bradley  King  and  pve 

Unsell. 

Cameraman    Joseph  August 

Photography    Excellent 

Locale    California 

Length  5,548  feet 


^        i 


Signing  America's  >^ 

greatest  actor, 
the  acknowledged  ^ 

leader  of  the  drama- 
tic art,  whose  name 
is  always  box  of- 
fice magic, is  some  • 
ace  omplishment '" 

-il  has  been 


'I  •' 


THE 


'c^H 


DAILY 


Thursday,  January  7,   1926 


\ 


No  Seating  Danger 

Theater  Rush  Natural  Move  to  Sup- 
plant  Old   Houses  with  Modern 
Ones,    Says   Architect 

A  few  days  ago,  "The  Architectur- 
al Forum"  announced  that  $174,457,- 
000  would  be  spent  in  new  theaters 
in  1926.  In  an  editorial  commenting 
on  this  fact,  "Danny"  subsequently 
declared  that  the  apparent  indiscrimi- 
nate rush  in  construction  was  making 
for  a  grave  situation  to  which  few 
were   paying  heed. 

Victor  A.  Rigaumont,  Pittsburgh 
architect,  who  is  at  present  working 
on  plans  for  the  new  5,000  seat  Row- 
land and  Clark  house  in  that  city, 
fails  to  see  any  danger.  He  estimates 
there  are  5,000,000  theater  seats  in 
the  United  States  of  which  3,000,000 
belong  to  the  antiquated  type  of  the- 
ater.    His  views  follow: 

"Theater  building  has  only  taken 
serious  impetus  within  the  last  four 
years,  being  a  forerunner  of  better 
class  of  structures. 

"Beautiful  structures  are  supplant- 
ing mediocre  ones,  practical  audi- 
toriums are  getting  the  best  of  the 
uncomfortable  ones  with  bad  sight 
lines,  poor  ventilation  and  the  dread- 
ful peanut  heaven  galleries,  the  strik- 
ing lesson  being  that  it  costs  less  to 
build  well  because  of  the  greater  re- 
turns. 

"There  are  about  5,000,000  seats  in 
theaters  throughout  the  United  States 
and  it  may  be  conservative  to  say  that 
more  than  3,000,000  of  these  belong 
to  the  antiquated  type  or  show 
houses,  built  twenty  years  ago,  with 
columns  in  the  seats,  steep  galleries, 
and   other   disadvantages. 

"The  242  new  theaters  constructed 
in  1923.  1924,  1925  and  the  ones  pro- 
jected for  1926  will  total  about  500,- 
000  seats  or  ten  per  cent  increase  in 
four  years  over  present  seating. 

"The  theater  and  motion  picture 
business  ranks  together  with  the 
automobile  and  steel  industries,  and 
to  do  good  business  today  the  exhibi- 
tors, big  and  small,  must  have  mod- 
ern plants,  for  good  shows.  There  is 
no  danger  of  'over-new-seating'  any 
town    with    poor    seating." 

F.  &  R.  Buy  Site  for  Theater 

Huron,  S.  D.  —  Property  in  the 
down  town  section  has  been  bought 
by  Finkelstein  &  Ruben,  on  which  a 
modern  2,200  seat  theater  will  be 
built. 


Putting  It  Over 


Here  is  how  a  brother  exhib- 
itor -puts  his  show  over.  Send 
along  your  ideas.  Let  the  other 
fellow  know  how  you  cleaned 
up. 


New  Theater  for  Parkersburg 

Parkersburg,  W.  Va. — A  new  the- 
ater, costing  $150,000  is  to  be  erected 
on  the  present  site  of  the  Hippo- 
drome by  the  Smoot  Amusement  Co. 
Fred  Elliott  of  Columbus  is  prepar- 
ing plans  for  the  theater  and  con- 
tracts will  be  let  in  Feb.  October, 
1926,   is    set   as   the   date   of   opening. 

Vaudeville  and  pictures  will  be  fea- 
tured.    It  will  seat  1,100. 


"Vet"    Batavia    Theater    Sold 

Batavia,  N.  Y.— The  Delinger,  old- 
est legitimate  theater  house  here 
which  for  several  years  showed  pic- 
tures, has  been  sold  by  William  F. 
Haitz.  In  addition  to  the  theater, 
seating  about  900,  there  are  two 
stores.  The  sale  price  is  said  to  be 
$75,000.  Joseph  R.  Rosenbloom,  of 
Batavia,  acquired  the  property  for 
others. 


New  Stunts  on  "Phantom" 

Buffalo,  N.  Y.— Earl  Arnold,  ex- 
ploitation man  for  Universal  in  the 
Buffalo  territory',  recently  put  over 
some  good  stunts  for  "The  Phantom 
of  the  Opera." 

At  Shea's  theater  in  Jamestown,  a 
demonstration  of  the  new  Victrola 
machine  was  used  in  place  of  the  the- 
ater's usual  overture,  previous  to  the 
engagement.  The  machine  played 
selections  from  "Faust"  and  an  an- 
nouncement of  the  coming  of  the 
"Phantom"  was  made  at  this  time. 

In  Elmira,  where  it  played  the  Re- 
gent, he  used  a  man  dressed  as  the 
"Phantom"  for  advance  work  on  a 
double  truck  cooperative.  This  bally- 
hoo wandered"  about  the  streets  for 
four  days  prior  to  the  appearance  of 
the  ad,  jotting  down  automobile  li- 
cense numbers  as  cars  drew  up  to 
the  curb  near  where  he  was  standing. 
His  significance  was  kept  a  secret 
and  he  became  the  subject  of  much 
speculation.  Then,  just  before  the 
cooperative  appeared,  a  big  splash  in 
the  newspaper  explained  that  this 
mysterious  person  was  selecting  auto- 
mobile numbers,  the  owners  of  which 
were  to  be  presented  with  free  tickets 
to  see  "The  Phantom"  by  advertisers 
in  the  double  truck. 

Another  stunt  was  on  the  lipstick 
tie-up  arranged  by  the  home  office. 
In  addition  to  a  windowful  of  "Phan- 
tom Red  Lipsticks,"  a  local  drug 
store  arranged  to  have  a  girl  in  the 
window  making  up  with  one  of  the 
sticks.  A  streamer  announced  a 
"Special  Lipstick  Matinee"  when  ev- 
ery woman  would  receive  a  sample 
lipstick.  

Telegrams  Delivered  at  Patrons  Seats 

Bellingham,  Wash. — The  willing- 
ness of  the  Postal  Telegraph  Co.  to 
support  exploitation  campaigns  was 
manifested  in  a  new  way  at  Belling- 
ham, when  the  American  executed  a 
lierald  delivery.  The  stunt  was 
worked  at  everj'  performance  during 
the  week  that  preceded  the  engage- 
ment of  "Lightnin' "  and  consisted 
of  boys  wearing  messenger  uniforms 
brrrowcd  from  Postal,  delivering 
"wires"  to  patrons  in  their  seats.  The 
tel'igrams  were  printed  in  imitation 
typewriter  type  on  receiving  blanks 
and  purported  to  be  a  message  from 
Jay  Hunt,  commending  "Lightnin' " 
and    Postal    service. 


Effective  Window  Tie-Up 

Toronto — A  simple  but  effective 
window  display  was  used  by  Ned 
Miller,  manager  of  Pantages,  on  an 
engagement  of  "The  Best  Bad  Man." 
The  display  consisted  of  a  "five  gal- 
lon" lid  worn  by  Tom  Mix  while 
making  the  picture,  together  with 
saddle,  chaps,  spurs  and  various  styles 
of  lariats.  These  objects  were  placed 
in  a  window  of  the  L.  J.  Applegarth 
department  store,  as  the  center  of  a 
hat  display.  All  of  the  Mix  impedi- 
ments were  properly  placarded. 


Incorporations 

Albany,  N.  Y. — Oceanside  Theaters,  New 
Vork.  Capital  $5,000.  Incorporators,  W. 
Blam,   M.    Sherman  and  S.   Riegelhaupt. 


Albany,  N.  Y. — Famous  Attractions  Corp., 
New  York.  Capital  $500,000.  Incorporators. 
J.    Bachman,    M.    Schlessinger    and    D.    Palley. 


Albany,  N.  Y.-— Roosevelt  Exhibition  Corp.. 
Queens.  Incorporators,  H.  Hudener,  L.  Strong 
and    F.    Rubin. 


Salt  Lake  Citv,  Utah — Kinema  Theaters, 
Inc.,  Salt  Lake  City.  Capitol  $25J)00.  In- 
corporators,  L.   N.   Strike,  et  al. 

Dover,  Del. — Dent  Theaters,  Inc.  Capital 
ICSOO.OOO.  Attorney,  United  States  Corpora- 
tion Co.,  Dover. 


Dover,  Del. — Vanguard  Moticn  Pictures, 
Inc.  Capital  $500,000.  Incorporators,  S. 
Wood,  M.  Castaldix  and  R.  German.  Attor- 
ney,   United    States   Corporation    Co.,    Dover. 


Dover.  Del. — Colonial  Pictures,  Inc.  Capi- 
tal $50,000.  Attorney,  Colonial  Charter  Co., 
,104   Ford   Bldg.,  Wilmington. 


Dover,  Del.— Pyramid,  Inc.  Capital  $3,- 
000. ,000.  Attorney,  Corporation  Trust  Com- 
pany of  America,  Du  Pont  Bldg.,  Wilmington. 


Dover,     Del. — Maxwell     Studio  Hall     Corp. 

Capital      $4,000,000.        Attorney,  Corporation 

Trust    Company    of    America,    Du  Pont    Bldg.. 
Wilmington. 


Dover.  Del. — Bridge  Theater  Co.  Capital 
$100,000.  Attorney.  Corporation  Service  Co.. 
Equitable    Bldg.,    Wilmington. 


Dover.  Del — Bridge  Theater  Co.  Capital 
SI 00.000.  Incorporators,  R.  Levine.  H.  Leh- 
man and  R.  Hamilton.  Attorney,  Corporation 
Trust  Service  Co.,  Equitable  Bldg.,  Wilming- 
ton. 


Dover,  Del. — College  Theater  Corp.  Capital 
'";500,000.  Incorporators,  H.  Lehman.  R.  Ham- 
ilton and  H.  Adams.  Attorney,  Corporation 
Service    Co.,    Equitable   Bldg  ,    Wilmington. 


Baton  Rouge,  La. — Capital  Amusement  Co.. 
Inc..  Shreveport.  Capital  $100,000.  Incor- 
porators. C.  Thompson,  S.  Henderson  and  D. 
Thompson. 


Trenton.  N.  J. — Brown's  Music  Shop,  Hack- 
en-^ack.  Capital  $125,000.  Incorporators,  E. 
Brown.  F.   Brown  and  A.   Brown. 


Albany,  N.  Y. — Ludlow  Operating  Corp.. 
New  York.  Incorporators,  D.  Blum,  L. 
Greenfield    and     B.     Zelenko. 


Albany,  N.  Y. — Chanin  Theaters  Corp.. 
New  York.  Canital  $25,000.  Incorporators, 
R.    Pincus,    L.    Passtnan    and    R.    Nackenson. 


Albatiy,  N.  Y. — Claire  Productions,  New 
York.  Incorporators,  A.  Rubine,  M.  Mach- 
lis   and   J.    Robbins. 


Albany,  N.  Y. — Imitations  Producing  Co., 
New  York.  Incorporators,  R.  Batkin,  R. 
Schwartzman. 


Albany,  N.  Y. — Laymon  Co.,  New  Y'orl 
Capital  $50,000.  Incorporators,  G.  Ferrar 
G.    Laymon   and    J.    Cusiniano. 


Albany,  N.  Y'. — Anboard  Theaters  Corpl 
New  York.  Capital  $5,000.  Incorporator^ 
M.   Schwartz,   A.   Schwartz  and   M.    Schwart;! 


Dover.  Del. — National  Arena  and  AmustI 
ment  Corp.  Capital  $1,000  000.  AttornesI 
United    States    Corporation    Co.,    Dover. 


Dover,  Del. — Sternenberg  Studio  and  Hisl 
torical  Photograph,  Inc.  Capital  $25,00Cl 
Attorney,  Delaware  State  Corporation  Char| 
ter   Co.,   Dover. 


Albany.  N.  Y. — Murray  Productions  Co. I 
New  York.  Capital  $30,000.  Attorney,  Mur| 
ray    Riskin,    32    Court    St.,    Brooklyn. 


Trenton,  N.  J. — Seashore  Amusement  Co. I 
Ocean  City.  Capital  $120,000.  Incorporaj 
tors,  C.  Hamburger,  B.  Sagel  and  D,  Berl 
ger.     Atotrney,   George  R.   Greis,  Ocean  Cityl 


Hartford,    Conn. — S.    Z.    Poli    Theater    Co. 
New    Haven.      Capital    $100,000.      Incorpora| 
tors,   S.  Z.  Poli,   R.   Poli  and   L.   M.   Sagal. 


Peck  Was    Misquoted  ^ 

Ottawa — Raymond  S.  Peck,  direc- 
tor of  the  Canadian  Government  M. 
P.  Studio,  who  was  quoted  recently 
as  favoring  the  British  quota  plan 
and  said  it  would  be  a  good  thing 
for  Canada,  claims  he  was  misquoted. 
Peck  states  he  is  "not  particularly  in- 
terested in  the  quota  pian  for  Canada 
at  present." 


12Sth  St.  House  Reverts  to  Vaudeville 

The  New  125th  St.  theater,  across 
the  street  from  Proctor's  has  re- 
verted to  a  policy  of  vaudeville,  bring- 
ing back  to  the  Proctor  house  the 
opposition  it  received  from  it  last 
winter  when  a  combination  policy 
of  acts  and  pictures  was  tried. 


Liberty,    Boston,    in    New   Control 

Boston— The  Liberty,  Blue  Hill 
Ave.,  Dorchester,  has  passed  into  new 
control.  The  manager  of  the  new 
house  is  Charles  Morse,  formerly  of 
the  Atlas,  Adams,  and  Strand,  Water- 
town. 


Canadian  Exhibitor  Defeated 

Ottawa  —  At  the  municipal  elec- 
tions, P.  J.  Nolan  of  the  Rex,  was 
defeated  for  the  Board  of  Control. 
Nolan  ran  for  the  same  office  a  year 
ago   and  was   likewise   defeated. 


Jersey  House  Goes  Under   Hammer 

Orange,  N.  J. — The  Bijou  theater 
and  building  at  285-287  Main  St.,  was 
sold  at  public  auction.  Joseph  P.  Day 
of  New   York  was  the  auctioneer. 


Every  Month  is 

LAUGH  MONTH 

TO  ME  BUT  WATCH  MY  SPEED  IN 
JflNURRy/ 


» CHARLEY  PUFFX 

ij  ^Bluebivd  Comedies. 


Also  starring  Arthur  Lake.  One  reel  each— Fifty-two 
a  year.  More  fun  packed  into  one  reel  than  you 
ordinarily   find    in   three. 


-  AT  yOUR  UNIVERSAL  EXCHANGE  - 


Finding  for  a  great  star 
a  novel  that  is  a  rec- 
ognized classic  and 
at  the  same  time  has 
every  element  neces- 
sary for  box  office 
bigness,  is  another 
accomplishment  - 


it  has  been  done! 


DAILY 


ihursday,  January  7,  192G 


Newspaper    Opinions 

"All  Around  Frying  Pan"— F.  B.  O. 
Moon,    Omaha 

REE — *  *  *  Is  Fred  Thomson's  latest  con- 
tribution to  western  pictures,  Featuring  the 
famous  Alturas  Round-up,  this  picture  is  the 
best  of  the  Thomson  series  shown  here  to 
date.   *   *   * 


"The  Ancient  Highway" — Paramount 
State,  Detroit 

NEWS—*  *  *  Included  in  the  beautiful 
scenic  events  that  follow  .ire  a  remarkcibly 
tine  log  jam  scene  and  a  melodramatic  rescue, 
the  hero  saving  the  girl  from  death  in  the 
rapids.    *    *    * 

TIMES — *  *  *  it  is  ;i  graphically  enter- 
taining subject,  nicely  <lev;iopcd  by  Irving 
Willat,  its  director,  and  peuoled  with  an  ex 
ceptionally   expert   group  of   performer.*,    *    ■*    * 


"The  Ancient  Mariner" — Fox 
Boston,   Boston 

GLOBE—*  *  *  Great  care  and  a  liberal 
expenditure  of  money  ha^e  been  given  by 
the  producers  to  insure  accuracy  in  every 
detaU,  beautiful  photography  and  entertain- 
ment of  a  superlative  nature.   *   *   * 

HERALD—*  *  *  It  is  one  of  the  most 
novel  pictures  that  has  been  presented  this 
season.  It  is  produced  in  two  parts,  one  of 
which  follows  the  story  of  the  poem  and 
tlie  other  a  delightful  sequence  with  modern 
cliaracters.      Paul    Panza   plays   the    title   role. 


"The  Ancient  Mariner" — Fox 
Fox,  Philadelphia 

BULLETIN — Except  for  a  bit  of  slowness 
in  the  unwinding  of  the  theme,  the  cinema 
version  of  Samuel  Taylor  Coleridge's  fam- 
ous poem,  "The  Ancient  Mariner  "  ♦  ♦  • 
is  an  entertaining   photoplay.    ♦   •    * 

INQUIRER- If  the  William  Fox  produc- 
tion of  the  "Ancient  Mariner"  *  *  *  were  to 
be  stripped  of  its  modern  story,  it  would 
be  within  a  stone's  throw  of  a  masterpiece 
of   screen    production.    *    *   ♦ 

PUBLIC  LEDGER—*  *  »  is  divided  into 
a  modern  story  and  an  allegory  ,and  it  is 
in  the  latter  that  the  picture  is  most  realistic 
and  impressive.  *  *  * 


"The    Beautiful   City"— First    Nat'l 
Rivoli,  Baltimore 

SUN — *  *  *  Dorothy  Gish  appears  oppo- 
site the  star  (Richard  Barthelmess)  in  a 
role  that  allows  her  but  little  opportunity  for 
the  exercise  of  those  histrionic  powers  which 
are    said    to    be    hers.    ♦    *    » 

Chicago,  Chicago 

AMERICAN—*  *  *  When  you  sift  it  all 
down,  of  course,  the  plot  of  "The  Beautiful 
City"  is  not  unfamiliar.  However,  it  has 
suspense,  well  sustained,  and  a  novel  touch 
or  two,  particularly  the  Italian  atmosphere 
and   the    Chinese    theater   scenes.    *    ♦    * 

HERALD — *  *  *  Mr.  Barthelmess  is  again 
the  good  actor,  the  romantic  young  man. 
Though  "The  Beautiful  City"  isn't  his  best 
plot  he  makes  it  a  lively  and  honest  melo- 
drama.   *    ♦    * 

TRIBUNE—*  *  *  The  plot  is  neither  com- 
plicated nor  unusual,  but  the  subject  matter 
has  been  skillfully  handled,  colorfully  pre- 
sented, and  the  acting,  I  think,  is  as  good 
as   it  possibly   could   be.    *    *    * 

Capitol,  Cleveland 

COMMERCIAL— Both  Barthelmess  and 
Miss  Gish  have  appeared  in  mor*  notable  pic. 
tures.      Still   this  one  serves   as   a  vehicle. 

TIMES — *  *  *  will  not  be  remembered  as 
one  of  his  (Barthelmess)  greatest  pictures,  but 
it  has  enabled  him  to  present  a  character  study 
which    ranks    with    his    finest    efforts.    »    •    « 

Metro,  Washington 

HERALD—*  *  *  It  is  a  story  of  gang 
sters,  frame-ups  and  hair-raising  episodes — 
real   action   all    the   way. 

Barthelmess  again  proves  himself  the  finest 
young   actor   on   the  screen.    *   *      * 


"Below  the   Line" — Warners 
Forum,    Los    Angeles 

EXAMINER— Rin-Tin-Tin  covers  himself 
with  glory  and  perspiration  as  the  canine- 
hero  of  "Below  the  Line,"  a  Dixie  "man- 
hunt"  story.    *   *  • 

EXPRESS— *  •  *  Rin-Tin-Tin  is  equally 
as  good  an  emotional  actor  as  he  is  a 
fighter.    *   •   • 


HERALD—*  *  *  Rin-Tin-Tin,  the  dog 
marvel,  playing  in  "Below  the  Line,"  *  *  • 
outshines  any  and  all  of  his  past  perform- 
ances,   *   *   ♦ 

RECORD — Rin-Tin-Tin  is  without  a  peer, 
»  •  •  jjg  rises  to  dramatic  heights  and  sinks 
to  dramatic  depths  with  the  ease  of  a  veter- 
an, and  sways  his  audience  with  hjm. 
Through  him  the  photoplay  is  more  than  in- 
teresting.   •   •   * 

TIMES — *  *  *  Rin-Tiii^in  gives  a  re 
markable  interpretation  of  a  cowardly,  fear- 
stricken  animal.  He  cringes  at  the  approach 
of  a  mongrel  and  runs  to  shelter  when  a 
poodle  bites  at   him.   •   *   • 


"The  Best  People" — Paramount 
Missouri,   St.   Louis 

GLOBE-DEMOCRAT—*  *  *  Much  of  the 
whimsicality  of  the  stage  play  has  been  lost 
in  its  transition  to  the  screen.  Still  it  is 
good    entertainment.    ♦   *   • 

TIMES — *  *  *  brings  us  such  old  favor- 
ites as  Kathlyn  Williams,  who  work  out 
satisfactorily  and  with  a  lot  of  laughter  on 
the  part  of  the  audience  an  ever-popular 
theme    in   this    democratic    U.    S.    A.    *    *    * 


"Bright    Lights"— M.-G.-M. 
Criterion,  Los  Angeles 

EXAMINER—*  *  *  The  story  is  so  well 
directed  by  Robert  Leonard  that  it  becomes 
acceptable,  although  its  innate  value  is  but 
slightly    above    zero.    ♦   »   ♦ 

EXPRESS — *  *  *  it  gains  momentum  in 
clever  titles  and  situa'tions  that  evoke  laugh 
ter  and  gets  over  because  Ray  parallels 
heights  that  few  have  approximated.   •   *   • 

TIMES — *  *  *  Once  again  are  disclosed 
the  old  eccentricities  of  character  which  set 
Ray  in  a  niche  of  his  own  in  seasons  past. 
The  inherent  shyness,  the  confusion,  the 
blushes,  the  squirmings,  and  the  awkward 
antics  of  what  is  commonly  known  as  a 
hick,    are    all    in    evidence    again.    *   *   * 

Strand,  Montreal 

STAR — *   *   *    Is  amusing  but   exaggerated 

in   parts.     And   Mr.  Ray's  make-up  as  a  rube 

was     absurd.       The  leading    parts,     however, 

are    well    portrayed  by     Pauline    Starke    and 
Charles   Ray.   •   *   * 


"Clothes  Make  the  Pirate"— 1st  Nat'l 
Allen,  Cleveland 

NEWS — *  *  *  Leon  Errol's  game  leg  pro- 
vides much  of  the  merriment.  No  matter 
how  many  times  his  afflicted  knee  collapses 
and  conveys  him  to  the  floor  in  an  earspin, 
each  stumble  and  each  flop  is  good  for  an 
unr.shamed  guffaw.   *  *  * 

PLAIN  DEALER—*  «  *  A  little  repres- 
sion would  have  made  Errol  much  funnier 
than  he  is,  but  he  is  still  satisfyingly  funny. 
#   #   » 

PRESS—*  *  *  The  director  seems  to  have 
been  uncertain  whether  he  was  making  a 
comic  or  a  movie  of  romantic  adventure. 
The  result  is  that  in  neither  way  is  it  better 
than    just    pretty    good.    *    ♦    * 

Warfield,  San  Francisco 

BULLETIN—*  *  *  Errol  gets  his  first 
real  chance  on  the  screen  in  the  current 
picture,  and  it  might  be  said  he  is  a  pro- 
nounced surprise.   *  *   * 

CALL  AND  POST—*  *  *  Leon  Errol 
and  his  wobbly  legs  cannot  hold  up  an  en- 
tire production.  Errol  is  as  funny  as  ever 
in  "Clothes  Make  the  Pirate,"  but  the  rest 
of  the  'cast  is  dead  from  the  crossbones  up — 
and   down.    *    *    * 

CHRONICLE—*  »  *  A  merry  blood  and 
thunder  burlesque  with  Leon  Errol  and  Dor- 
othy Gish  as  the  stars.  The  picture  is 
founded  on  a  Holman  Day  story  and  Maurice 
Tourneur,  who  is  good  at  that  sort  of  thing, 
directed.    ♦    *   * 

NEWS — *  *  *  gives  Errol  about  as  "fat" 
a  part  as  the  movies  have  ever  offered  a 
star.  There  is  scarcely  a  foot  of  film  but 
what  the  comedian  is  in  front  of  the  camera 
doing    his    comedy    stuff.    *    •    * 


I  ladies  of  the  screen  as  ever  in  "Cobra."  He 
does  appear  slightly  different  than  in  his 
last  picture.  It  might  be  said  he  is  less 
boyish.    *   ♦   * 

CALL  AND  POST—*  *  *  The  old,  old 
story  of  illicit  love,  stolen  sweets,  but  with- 
out any  of  the  tawdriness,  the  ten-cent  store 
emotionalism  which  generally  runs  througa 
such  stories.  It  is  filled  with  subtleties,  re- 
finements.   •   *   * 

CHRONICLE—  *  *  *  Valentino  looks 
handsome  as  the  Italian  nobleman,  his  man- 
ners are  wonderfully  polished  and  his  love- 
makmg  as  vigorous  and  seductive  as  ever. 
»   *   # 

EXAMINER—*  *  *  Valentino  acts  with 
considerable  polish,  looks  markedly  hand- 
some, and  never  veers  a  second  from  the 
character  of  an  alien  of  high  degree  who  has 
a    weakness    for    the    ladies.    *   *   • 

NEWS—*  *  *  Nita  Naldi  is  ideally  cast 
in  the  name  role.  She  is  indeed  the  cobra, 
luring  her  victim  with  the  writhing,  seduc. 
tive  charm  of  the  snake  to  which  she  is 
likened.    *   *   * 

Capitol,  Montreal 

GAZETTE— Valentino  has  adopted  a  pre- 
possessing air  of  diffidence  and  is  a  more  human 
figure  than  in  some  of  his  better  known  roles. 
There  is  something  particularly  convincing  in 
his  portrayal  *  "  *  There  is  not  much  action, 
but  the  theme  has  large  possibilities  and  is  in- 
terestingly  developed.    *    *    » 

STAR — *  *  *  Considering  the  improbability 
of  some  parts  of  the  story,  he  gives  an  excel- 
lent performance  as  the  man  fascinated  by  the 
Cobra.    *    *    • 

Stanley,  Philadelphia 

BULLETIN— in  "Cobra"  *  *  *  are  dem- 
onstrated the  strongest  and  weakest  points  of 
the  motion  picture  industry.  Where  light 
comedy  enters,  the  film  reaches  an  excellence 
rarely  to  be  expected  of  a  Valentino  produc- 
tion; when  an  attempt  is  made  to  depict  the 
social  graces  of  society  life  of  New  York,  the 
deportment  portrayed  becomes  truly  Valen- 
tinian  and  almost   grossly   ridiculous.   *    •   * 

INQUIRER—*  *  *  Rudolph  Valentino,  in 
his  Italian  role  does  some  real  acting,  far  bet 
ter  than  his  work  in  "The  Eagle,"  He  is  dra_ 
matic  in  a  quiet  convincing  way,  and  possesses 
much  of  his  former  magnetism.  Nita  Naldi, 
the  cobra  woman,  makes  her  sinister  part 
stand  out,   with   a   subtle,   cunning  art.   *    •    * 

PUBLIC  LEDGER—  *  *  *  The  picture  i? 
not  one  for  a  masculine  star,  and  the  scenes 
necessary  to  make  it  a  Valentino  vehicle  are 
long  drawn   out   and   dragging.    «    »    • 

EVENING  LEDGER--*  *  *  The  picture  is 
much  better  suited  to  the  personality  of  Val- 
entino than  any  he  has  done  for  some  time. 
He  is  supported  by  Nita  Naldi.  who  is  the 
usual  tiger  woman,  and  Casson  Ferguson,  who 
doe^   some  good   acting.   *   *   * 

RECORD— *  *  *  was  well  directed  and  the 
photography  won   much   admiration.    •   ♦    * 


"The  Coming  of  Amos"— 
Prod.  Dist.  Corp. 

Colonial,   Indianapolis 

STAR — *  *  *  The  photography  is  splendid, 
the  direction  is  adequate,  the  cast  is  excellent; 
altogether  a  good  picture  if  you  like  violent 
melodrama.   *    *   * 


"Cobra" — Paramount 
Granada,   San  Francisco 

BULLETIN—*  *  *    Rudolph    (Valentino) 
is  just  as  polished,  just  as  irresistible  to   the 


East   Lynne" — Fox 
Rialto,   Washington 

STAR — Notwithstanding  all  the  elements 
of  the  melodramatic,  however,  "East  Lynne" 
as  a  screen  drama  passes  from  its  old  realm 
into  a  new  one,  bids  fair  to  hold  title  with 
the   best    10   pictures   in    1925. 

TIMES—*  *  *  The  play  itself  is  uncon- 
vincing, but  who  goes  to  see  "East  Lynne" 
to  be  convinced  of  anything?  It's  good  en- 
tertainment  all   the   way    through.    •   *   • 

Alhambra,  Milwaukee 

SENTINEL—*  *  *  It  has  a  splendid  pro- 
duction but  the  outstanding  quality  is  the 
ideally  selected  cast.  The  lachrimose  drama 
has  been  produced  on  the  screen  before,  but 
never  with  the  investiture  and  star  cast  that 
the   present    version    boasts.    ♦    •    • 


"Fine   Clothes"— First   Nat'l 
Chicago,   Chicago 

AMERICAN — *  *  *  No  one  can  portray 
male  virtue  on  the  screen  better  or  in  more 
likable  fashion  than  (Percy)  Marmont,  and 
throughout  the  plot  of  this  film  he  is  sufficient- 
ly  unappreciated   to   gain   any   one's    sympathy. 

NEWS — *  *  *  Highly  intelligent  this  story, 
told  leisurely  but  keenly,  with  a  good  portion, 
if   not   all.  of   Molnar's  satire   left   in.   *    *    * 

TRIBUNE—*  *  *  an  easy  going,  deftly 
turned  out  l)it  of  entertainment  with  a  kind 
Christian  hero  who  is  despitefully  used  by  all 
those   he   endeavors   to   do   good   unto,    •    •    • 


"Flower  of  Night" — Paramount 
Merrill,  Milwaukee 

SENTINEL—*  *  •  it  hardly  is  the  type  of 
vehicle  for  the  brilliant  Pola.  For  one  I'd 
like  to  protest  against  the  thrusting  of  such  a 
story  on  an  actress  of  Miss  Negri's  fine  abil- 
ity. 

As  for  the  star,  she  is  brilliant  at  times 
and   always    convincing.    •    •   • 


"Go  West"— M.-G.-M. 
State,   Boston 

TELEGRAM-*  '  *  the  frozen-faced  eo 
median.  Buster  Keaton  in  his  most  elaborati 
and  convincing  gloomchaser,  "Go  West."  Al 
though  made  for  laughing  purposes,  "G< 
We.jt"  has  a  threat  of  pathos  and  a  dramatii 
sweep  that  mark.s  a  new  note  in  feature  com 
edies.    *    *    * 

TRAVELER—*  *  *  This  is  not  the  besi 
of  Buster  Keaton's  comedies,  but  it  offer; 
quite  a  little  that  is  new  in  the  way  of  humor 

McVickers,  Chicago 

AMERICAN — '  *  *  As  a  matter  of  fact 
Buyer's  newest  may  not  be  as  funny  as  his 
last.  But — it's  much  more  appealing  to  oui 
wav   of   thinking.    *   *    * 

TRIBUNE—*  *  *  There  are  a  lot  of  funny 
incidents  in  "Go  West."  Mr.  Keaton,  sitting 
in  front  of  Brown  Eyes,  beseeching  her  to 
give  milk  into  the  bucket  yawning  under  her 
is   one   of   them   *    *    * 

Apollo.  Indianapolis 

STAR-  -•  »  *  The  fun  is  not  hilarious  untill 
well  into  the  last  reel  but  there  are  plenty  ofl 
chuckles   all  the  way  through.    ♦   ♦   * 

TIMES — *  *  *  Out  on  the  prairie  is  wherel 
the  humor  of  Keaton  shines  at  its  best.  Fol-f 
lowed  by  his  friend,  the  cow,  he  gets  intol 
many  scrapes  and  tangles.  All  through  the! 
picture,  however,  tl  e  humor  is  there  that  is| 
■lis  own   special   brand.    *   *    * 


"Graustark"— First  Nat'l 
Grand,   Minneapolis 

TRIBUNE—*  *  *  As  the  princess  of  Grau-I 
stark.  Norma  Talmadge  maintains  throughout! 
the  story  a  wholesome  portrayal  that  will  uu-f 
doubtedly   please   her    many   admirers.    *    * 


"Headlines"— Ass'd  Exhib. 
Gift's,    Cincinnati 

TIMES — Excellent  acting  by  Alice  Joycel 
and  Virginia  Lee  Corbin  *  •  ♦  cast  is  good| 
and    the    play    is    highly    entertaining.    *    * 


"His  People" — Universal 
Figueroa,   Los   Angeles 

HERALD—*   *   *    Under    the    direction    ot  | 
Edward    Sloman,   the   story   of   family   develop- 
ment  ripens   to    a   magnificent    epic,    in    which  I 
that    convincing    and    sympathetic    actor.    Ru- 
dolph   .Schildkraut,    plays   a    virile    role.    *   "   * 

RECORD — Reminding  one  of  the  splendid 
hit  made  by  "Humoresque"  several  years  ago, 
"His  People,"  *  *  *  is  a  faithful  portrayal 
of  life  in  the  lower  east  side  of  New  York, 
carrying  with  it  a  heart  throb,  a  laugh  and 
a  story  that  should  win  lasting  fame  for  the 
author,    the    director    and    the    players.    •   •   • 

TIMES—*   *   *    "His    People"    is    not    only 
one    of    the    best   pictures    of    the    year    to    my 
way     of     thinking,     but     it     is     without     doubt  | 
the  best  story  of  Jewish  life  in  the   Ghetto  or 
anywhere    else    that    the    screen    has    knosvn. 


"His  Secretary"— M.-G.-M. 
State,   Los  Angeles 

EXAMINER—*  *  •  Hobart  Henley,  tlic 
director;  Hope  Loring  and  Louis  Lightoii, 
scenario  writers,  and  a  cast  headed  by  Nor- 
ma Shearer,  Lew  Cody  and  Willard  Louis, 
have  wrought  a  trivial  story  into  a  liigli- 
spirited    comedy.    *   *   * 

EXPRESS — Sophisticated  situations,  spark- 
ling subtitles  and  a  trio  of  skilled  comedians 
— Norma  Shearer,  Lew  Cody  and  Willard 
Louis — make  "His  Secretary"  an  out-of  tlie 
ordinary    film.    •   *   • 

HERALD—*   "   •   Supported  by  Lew   Cody  ,. 
and    Willard    Louis    and    directed    by    Hobart  j|l 
Henley,     Miss     Shearer     plays     two     distinct 
types  in  the  course  of  the  action,  and  does  it , 
in   a    manner   that   is    entirely    pleasing.    »   •  • 

RECORD—*  *  *  Norma  (Shearer)  a  trud 
dramatic  actress,  has  proved  that  she,  tool 
can  clown  around,  doing  light  comedy  worlT 
with  a  greater  finish  to  it  than  some  who 
have  concentrated  their  entire  efforts  on 
that    line.    *   •   ♦ 

TIMES—*  *  *  flobart  Henley's  direction 
and  Carey  Wilson's  story,  together  with  the 
treatment  bestowed  by  the  irrepressible  Hope 
Loring  and  Louis  Lighten,  manages  a 
breezy   laugh-pager  that   is  a  knockout.   *   *   "Jl 

Capitol,  Detroit  "■ 

FREE  PRESS— *  *  *  It  is  one  of  the  most 
delightful  comedies  of  the  year — a  picture 
that  father,  especially  if  he  is  an  office  man, 
will  laugh  at,  his  stenographic  daughter  will 
appreciate  and  mother,  if  she  is  a  good  sport, 
will   enjoy,  too.   *   *    * 


"In  the  Name  of  Love" — Paramount  | 
New,  Baltitnore 

SUN—*    *   *   Howard   Higgins,  the  director,^ 
has    provided   some    good    comedy    touches. 


Creating  a  ^i^an- 
•tic  sea  epic  of  unpre- 
cedented magnitude 
by  power  of  Iheme, 

realism  of  produc- 
tion and  perfection 
of  acting,  is  aVork 

that  ^vill  live  forever' 


-it  has  been  done! 


1 


N  "The  Sea  Beast''  Barrymore 
is  at  his  matchless  best.  He 
has  the  greatest  box  office  story 
of  his  career.  It  is  an  Epic  Ro* 
mance — its  love  story  is  so  sin- 
cere, real,  overwhelming.  It  is 
an  Epic  Adventure  story — a 
rousing  tale  of  the  whale -hunt, 
of  the  thrilling  chase  of  the  sixty- 
ton  sea  monster,  dragging  his 
puny  pursuers  through  the 
waves,  and  matching  their  wits 
with  his  terrific  brawn.  It  has 
all  the  color,  the  glamour,  the 
fascination  of  the  brave  old 
days  of  New  Bedford  whaling. 


(k 


E 


From.   tKe  novel ''Moty'  Dick!', by  Herman  \ 

DOLORES  COSTELLO  and  GEOR; 

Directed  by  Millard  Webb 


'V 


x^i) 


% 


1 

Vielville 

5E  OTiARA 


h 


^tcrrrn 


V 


?? 


t- . 


.jiSfS- 


'%      - 


The  supreme  screen  achievement  of 

John    Barrymore 

A  JOHN  BARRYMORE  production  is  more  than  a  picture -- it  is  an  event  in  the  theatrical 
world.  He  who  has,  by  the  force  of  his  genius,  made  his  name  a  world-wide 
tradition  and  lived  in  the  public  mind  as  the  most  fascinating,  brilliant  and  magnetic 
personality  in  the  dramatic  world,  cannot  and  will  not,  fail  to  give  a  perfect  performance. 

But  now,  in  "The  Sea  Beast,"  he  has  gone  beyond  his  goal.  Not  only  his  most  pow- 
erful  screen  role,  not  only  bigness  of  production,  but  real  greatness,  power  and  force  make 
"The  Sea  Beast"  what  it  is— a  monument  to  the  magic  personality  that  is  Barrymore's. 


Thursday,  January  7,  1926 


THE 


mtk 


DAILY 


13 


"Mannequin" — Paramount 
Metro,   Boston 

■  GLOBE — *  *  *  "Mannequin,"  the  Fannie 
Hurst  prize  story  *  *  *  is  the  best  photo- 
play that  has  been  at  this  downtown  theater 
for  some  weeks.  It  serves  to  introduce  a 
very  charming  new  actress,  Dolores  Costello. 
*  *  • 

HERALD — *  •  *  Dolores  Costello,  who 
looks  very  much  like  Elsie  Ferguson  when 
younger,  does  Orchid  with  a  lightness  and 
grace  that  are  rare  among  the  ingenues  of 
the   screen.    •   •   •  _        .     „ 

TRAVELER — *  *  Fannie  Hurst  certain 
ly  didn't  go  out  of  her  way  to  be  original 
when  she  wrote  "Mannequin."  The  Liberty 
Prize  picture  •  *  *  oflEers  nothing  that  has 
not  been  done  before  and  done  often ;  but 
on  the  other  hand  few  stories  have  been 
so  well  done.   •   •   • 

Ohio,   Indianapolis 

STAR — *  •  *  Is  a  good  picture,  strongly 
dramatic  and  with  a  twist  of  plot  that  makes 
it  very  interesting  and  entertaining  but  it 
hardly  seems  worth  $50,000.   •  •   • 

Wisconsin,  Milwaukee 

SENTINEL — *  *  *  James  Ci-uze  has  di- 
rected it  and  he  has  no  rea-son  to  be  ashamed 
of  the  finished  product.   •  •   • 


"Old   Clothes"— M.-G.-M. 
Rialto,  Chicago 

JOURNAL — *  *  •  The  picture  is  some- 
what above  the   average  in  entertainment. 

Jackie,  by  virtue  qf  the  spohistication 
that  comes  to  eleven  years,  has  shed  his 
shyness  and  naivete,  and  I  suppose  there  is 
no    one    who    can    rightly    blame    him.    •    •    • 

State,    Cleveland 

PLAIN  DEALER—*  *  *  He's  hatidicapped 
by  an  exceedingly  poor  story,  and  I  guess 
the  oply  thing  that  remains  to  be  said  of 
it  now  is  that  "Old  Clothes"  is  probably 
the  worst  picture  Jackie  (Coogan)  has  ever 
made.    •    *    » 

TIMES — *  *  *  There's  nothing  new  in 
the  picture  and  yet  it's  a  success,  simply 
because  Max  Davidson  and  Jackie  Coogan 
act  with  each  other.  The  directing  is  good, 
working  wonders  with  the  story  and  settings. 
«   •   • 

Merrill,   Milwaukee 

SENTINEL — •  •  •  An  amusing  enough 
comedy  with  Jackie  in  laughable  antics  that 
range  from  throwing  bricks  to  subbing  for 
Cupid.  •  •  • 

Arcadia.  Philadelphia 

BULLETIN—*  •  »  Jackie  Coogan  in  "Old 
Clothes"  •  •  •  has  been  provided  with  only 
a  fair  vehicle  in  which  to  display  his  talents 
as   an    exceptional    child    actor.    •    •   * 

INQUIRER—*  *  *  Even  though  Jackie 
Coogan  is  older  than  he  used  to  be.  he  still 
has  the  juvenile  charm  and  the  perfection 
of  appealing  shyness  which  made  him  such 
a  whirlwnid  success  ^hen  he  first  appeared 
on  the  screen.   •  •  • 


"Peacock  Feathers" — Universal 
La   Salle   Garden.   Detroit 

FREE  PRESS— •  *  *  Lovers  of  the  so- 
ciety drama,  into  which  has  been  incorporated 
one    smashing    thrill,    have    a    treat    in    store. 


"The  Pleasure  Buyers" — Warners 
^  Orpheum,    Chicago 

AMERICAN—*  *  *  the  chessboard  moves 
of  the  District  Attorney  of  "The  Pleasure 
Biivers"  and  his  suspects  through  thousands 
of  feet  of  film  grow  we.irisome.  we'll  wager,  to 
even   the  Trn-t  ardent  followers  of  such  screen 

pbv<!        •     •     • 

POST — *  *  *  In  the  number  and  variety 
of  suspects  and  in  the  manner  in  whif-h  the 
Mentitv  of  the  culprit  is  kept  a  secret  until 
the  end  of  the  story,  the  picture  is  quite  un- 
us''t1.    *   *   * 

TRTBTTNK — *  *  *  a  mysterv  film  that  is 
pretty  irnnd.  It  holds  the  interest  and  the 
su-^pense  is  well  sustained.     ♦  ♦  • 

Circle.  Cleveland 

XFWS— •  *  *  The  picture  is  billed  as  a 
"mystery_  drama,"  and  that  it  is.  It  had 
me  mystified  more  times  than  I'd  care  to 
n'ention.  and  it  seems  safe  to  assume  it  had 
the  director  and  nlavers  baffled  from  the 
moment  thev  started   filming  it.   •   *   • 

PLAIN  DEALER—*  *  •_  Fairlv  good 
melodrama,  possessing  a  tantalizine  plot  and 
narking   an    unusual    "punch"    in    the    climax. 


"Red  Hot  Tires"— Warners 
St.  Louis.  St.  Louis 

GLOBE-DEMOCRAT— •  •  •  This  film  is 


entertaining  from  start  to  finish,  with  enough 
hokum  to  please  those  with  a  funny  streak, 
enough  love  to  please  the  romantic  and  cer- 
tainly  enough  adventure   to   please   everyone. 

•  •  « 

POST-DISPATCH—*  *  *  the  stars  do 
some  neat  comedy  work  in  Patsy's  father's 
jail  (he's  a  rich  old  chief  of  police)  but  the 
piece    is    too    thin    for    sustained    enjoyment. 

It  is  time  to  retire  movies  strung  on  nothing 
more   amusing   than    the   speed   mania.    *  ♦  • 

STAR—*  *  *  Monte  Blue  puts  over  the 
role  with  a  big  comedy  click  and  is  charm- 
ingly supported  by  Patsy  Ruth  Miller.  *  ♦  • 


"The  Road  to  Yesterday"— P.  D.  C. 
Capitol,  St.  Louis 
GLOBE-DEMOCRAT—*  *  *  There  is  in 
it  a  bid  for  the  bea'uty  lovers,  for  the  seekers 
of  romance,  for  those  who  crave  thrills.  It 
pleases  at  every  turn,  and  is  an  artistic  piece 
of  work   done  to  the  fadeout.   *  *  * 

POST-DISPATCH—*  *  *  Somewhere  in 
the  magnificence  there  is  a  cheap  little  story 
based  on  the  successful  stage  play  of  the 
satne  name,  dealing  with  reincarnation.  •  *  * 

STAR—*  *  *  This  Cecil  B.  De  Mille  mas- 
terpiece hasn't  as  many  tremendous  spectacles 
as  "The  Ten  Commandments,"  but  trans- 
cends even  that  great  film  in  deftness  of 
treatment,  cohesion  of  plot,  and  tragic  ele- 
ments.  •  •  • 


"Rose  of  the  World"— Warners 
Colonial,  Detroit 

TIMES — *  *  *  Patsy  Ruth  Miller  plays  the 
heroine  in  a  delightful  manner  and  this  is  per- 
haps her  most  dramatic  role  to  be  played  be- 
fore the  camera.   •  *  • 


"Sally  of  the  Sawdust"— United  Art. 
Eastman,  Rochester 

DEMOCRAT— "Sally  of  the  Sawdust"  IS 
a  direct  appeal  to  the  box-oflfice,  but  it  is  the 
sort  of  appeal  that  is  quite  likely  to  stir  those 
human  hearts  that  have  still  the  good  fortune 
to  retain  a  little  sentiment  in  this  matter-of-fact 
world.  •  •  • 

HERALD—*  *  *  D.  W.  Griffith  has  taken 
this  material  which  would  ordinarily  strike  one 
as  pretty  slender  for  a  movie  plot  and  tnake  a 
picture  which  is  a  masterful  combination  of 
humor   and   pathos.    »   •    • 

JOURNAL — *  *  *  is  one  of  the  best  pic- 
tures that  has  come  along  this  way  in  some 
months.  Not  so  much  from  the  point  of  view 
of  the  story,  which,  in  the  final  analysis,  is 
not  the  least  bit  exacting,  but  due  to  the  splen 
did  work  that  is  done  in  the  leading,  roles  of 
the  picture  by  Carol  Dempster,  who  proves  she 
is    a    real    comedienne,    and    by    W.    C.    Fields, 

*  *   *  and  because  of   Mr.   Griffith's   really   su- 
perior talent   for   directing.    *    •   * 

TIMES — *  *  *  Aside  from  the  comedy  of 
the  characterization  of  W.  C.  Fields  as  Pro- 
fessor Eustace  McGarule — and  much  of  that  is 
sheer  slapstick — "Sally  of  the  Sawdust"  is 
lust    another    Griffith    sentimental    melodrama. 

*  *   *  The  picture  is  lavishly  staged  and   skill- 
fully   photographed.    *    •    * 


"Seven    Sinners" — Warner    Bros. 
Circle,  Cleveland 

NEWS — *  *  *  the  most  entertaining  photo- 
play that  has  been  on  the  screen  in  the  Circle 
theater  in  many  a  week.  The  narrative,  con. 
cerning  =even  of  the  lieht-fingered  gentry  who 
'eek  to  deceive  one  another  as  the  film  unfolds, 
is  not  quite  sane,  but  it  furnishes  a  pleasant 
'li version.   •   •  • 

PLATN-DFALFR— *  *  *  Despite  this  ap- 
narent  plagiarism,  whif-h  is  not  at  all  unusual. 
-i"d  the  undue  len"^h  of  the  film.  ".Seven 
t;;,,r.<.rs"  is  fairly  enterfainine.  It  has  a  lot 
of  M.nrk  Sennett  hor-'cnlay.  much  broad  bur- 
1es""p'h"Tnor  nnd   several  (rood   surprise  twists. 

TTM^'^ — *  *  *  Thoueh  some  of  its  situa- 
tions are  iialnaMv  over-drawn  -nnd  possible 
onlv  behind  the  footliehts  or.  Klieg  lights,  to 
he  f'-^'act.  fl^ere's  plentv  of  suspended  interest 
•"   "Se\en   Sinners."  •   *   * 


"Simon  the  Jpster"— Prod.  Dist.  Corp. 
Garden.  Milwaukee 

SFTVTTTNKT. — *  *  *  The  chief  troub'e  with 
tliis  piVtnrp  is  that  it  h-is  been  heavilv  direeted. 
ATiicli  nf  the  meat  of  the  T.oc''e  novel  has  been 
omitted,  and  .t  pond  manv  of  the  thincs  that 
h.TPpen  are  not  loeicnllv  explained   •  •   * 


"A  Son  of  His  F^«^her"— Paramount 
Strand.    Milwaukee 

SENTINET,— •    *    *    Like    most    westerns 
it   has   magnificent   scenery,   a   good   share   of 


gun    play    and    some    wild    riding,    although 
there   is   not   enough   of   the   latter.    ♦    •    * 


"The    Splendid    Crime"- Paramount 
California,   San   Francisco 

BULLETIN—*  *  *  As  the  "Magpie,"  as 
she  (Bebe  Daniels)  i^.  known  to  the  under- 
world, she  is  able  to  capture  the  audience's 
sympathy  at  the  very  beginning.  *  ♦  » 

CALL  AND  POST—*  *  *  The  story  is 
De  Mille's  own  and  is  a  good  one,  inter- 
esting and   admirably   presented.    *   *   * 

CHRONICLE—*  *  *  William  De  Mille's 
direction  is  always  earnest  and  honest.  There 
are  few  frills,  but  a  good  deal  of  heart,  plus 
an  occasional  bit  of  fun.  *  *  * 


"The  Splendid   Road"— First  Nat'l 
Olympia,  Boston 

TRAVELER—*  *  *  Will  not  break  any 
records,  but  the  fatis  whose  nickels  and  dimes 
have  made  the  movies  what  they  are  today 
will  probably  be  satisfied  with  it.  *  *  * 


Souls  for  Sables" — Tiffany 
Park,  Cleveland 

NEWS — *  *  *  implies  a  risque  element  and 
that  alone  is  quite  enough  to  cause  an  ava- 
lanche of  dimes  and  nickels  at  the  box  office. 
The  only  element  of  risk  in  this  production 
is,  however,  the  ignoble  manner  in  which  the 
director   treats   his    characters.*    *    * 

PLAIN-DEALER—*  *  *  there's  not  much 
inspiration  in  the  acting.  And  it's  a  little  too 
long,  but  there's  a  gorgeous  background  all  the 
time,  fashions  and  fashions  which,  the  male 
dressmaker  cautions  me,  will  delight  the  mad- 
ames'  hearts.   *  *  * 

TIMES—*  *  *  A  picture  full  of  action, 
pathos,  realism  and  excellent  acting.  Good 
enough  for  the  best  theaters.  Will  please  old 
and  young  alike.     See  it.  *  •  • 


"Stage  Struck"— Paramount 
State,    Detroit 

FREE  PRESS—*  *  *  It  is  quite  a  new 
Gloria  that  steps  into  view.  Her  role  per- 
mits her  to  burlesque  her  way  through  sev- 
eral reels  of  nonsensical  comedy.   •  *  • 


"Steel  Preferred"— Prod.  Dist.  Corp. 
State-Lake,  Chicago 

AMERICAN — *  *  *  The  photoplay  is  a 
splendid  effort  to  tell  a  story  of  steel,  as 
written  in  its  redhot  furnaces  and  glowing 
ingots.  It  has  a  marvelous  cast  and  suc- 
ceds  /in  mixing  romance  and  molten  metal 
admirably.   •   •   • 

NEWS^*  •  *  Few,  if  any,  million  dollar 
productions  of  the  last  year  make  compari- 
son with  this  one  for  big  splashy  backgrounds 
of   scenery.    •  •   • 

TRIBUNE— *  *  *  I  should  size  up  "Steel 
Preferred"  as  a  jolly  melodrama.  For  the 
end  of  each  deep,  dark  dilemma  is  a  chuckle. 


"Thank  You"— Fox 
Fox,  Philadelphia 

BULLETIN—*  *  *  the  tide  might  not  indi. 
cate   it,   as   a   rare   eem   of   the   screen.    •    •   * 

TNOITTRER— "Thank  You,"  *  *  *  is  raised 
to  the  level  of  great  films  by  the  acting  of  two 
of  the  foremost  character  actors  on  the  screen 
today — Alec  Francis  as  the  Reverend  David 
Lee.  and  T.  Fnrr.el  MacDonaM,  as  "Andy,"  a 
wine  bibhinp  nid  reprohste  whom  the  minister 
had  reformed  in  his  quiet  way.  *  *  • 

PT'BT  TC  LEDGER—*  *  *  a  picture  adap- 
tation of  the  stage  play  by  Winchell  Smith 
and  Trim  Cushinf.  Alen  Francis.  George  Faw- 
rett.  George  O'Brien  and  Jacqueline  Logati  save 
the  film  version  bv  competent  actine  in  an 
imp'nitsil.'e  storv  of  one  who  turned  the  other 
cheek.  *  *  * 


"That  Royle  Girl"— Paramount 
Century,   Baltimore 

SI''N — *  *  *  The  production  provides  an  in 
terestinsr  melodrama  of  averaec  "program" 
merit — it  does  not  belonc  in  that  class  of  ex- 
tra-superspcial  films  i^TiJef)  one  has  come  to 
associate  with   Mr.   Griffith's  name.  »  •  • 

Adams,  Detroit 

NFWS — *  *  *  this  picture  keeps  the  specta- 
tors pinned  to  their  seats,  civing  them  laugh- 
ter, suspense,  shocks  thrills,  melodrama  an(i 
some  fr'st-steppinc  cabaret  srenerv.  *  *  ♦ 

TTM'^'5  — *  *  *  is  a  serious  drama,  ronvinr- 
intr  and  plain  spoken  and  embellished  with 
much    romedv    relief.    *   •    • 

Ohio,  Indianaoolis 

'^TAR — *•  *  a  melodrama  with  several  par 
ticularly  strong  scenes  and  a  cvclone  that  de- 
molishes evervthinir  and  evervbodv  but  the 
\yp~^   fi..,1   the  lierri'-e   in   file  last   reel.    •   •    • 

TIMES — *  *  *  "That  Royle  Girl"  is  a  melo- 
dramatic knockout  coupled  up  with  some  of  the 


most    realistic  acting   that   the   screen   has  ever 
reflected.    •   *   * 

Imperial,  San  Francisco 

BULLETIN—*  *  •  For  sheer,  unadulter- 
ated realism  and  fierce,  frenzied  action,  the 
tremendous  scene  which  comes  as  a  smash- 
ing, dramatic  finale  in  Griffith's  .picturiza- 
tion  of  Edwin  Balmer's  novel  is'  the  last 
word  in  melodrama.  ♦  •   • 

CALL  AND  POST—*  *  *  Griffith  demon- 
strates anew  that  he  is  a  past  master  in 
directorial  technic  the  art  of  bringing  out 
and  emphasizing  all  those  intimate,  human 
touches  that  lift  the  picture  out  of  the  make- 
believe  into  the  real.   *  ♦   * 

EXAMINER—*  *  •  the  story  unfolds  a 
dramatic  conflict  between  justice  as  typified 
by  a  strait-laced  district  attorney  and  human 
nature  as  typified  by  a  worldly  modiste's 
model,  a  popular  jazz  band  leader  and  a  no- 
torious   gunman.    ♦  ♦  ♦ 

HERALD—*  ♦  *  is  the  best  melodrama 
given  us  so  far  by  that  master  of  melo- 
dramatic   photoplays,    D.    W.    Griffith.    »   «   • 

NEWS—*  *  *  Under  the  shrewd  and  re- 
sourceful direction  of  Griffith  the  plot  of 
this  picturized  drama  of  Edwin  Balmer's 
story,  vibrates  with  tense,  swift  moving  ac- 
tion,  piling  thrill   upon   thrill.    *   *   * 


"Time  the  Comedian"— M.-G.-M. 
Rialto,  Chicago 

TRIBUNE—*  *  ♦  The  story  is  mildly  in- 
teresting and  exceedingly  well  acted.  As 
worked  out,   though,   it   fails   to  be   convincing. 

Garrick,  Minneapolis 

STAR — *  *  *  "Time,  the  Comedian"  is  just 
one  more  of  the  type  of  society  dramas  seen 
again  and  again,  telling  the  same  story  of  the 
small  town  wife  who  becomes  involved  with 
the  wealthy  and  worldly  friend  of  her  hus- 
band.   *    *    * 

TRIBUNE—*  *  *  serves  satisfactorily  as  a 
film  vehicle  for  Lew  Cody  and  Mae  Busch, 
revealing  a  novel  development  of  the  triangu- 
lar plot.   *   *   » 


"The  Tower  of  Lies"— M.-G.-M. 
Palace,  Montreal 

GAZETTE — may  not  meet  the  entire  ap- 
propriation of  the  groundlings,  but  will  be  a 
delight  to  all  who  can  recognize  and  appreci- 
ate a  distinct  advance  in  cinematography,  and 
any  who  claim  that  a  moving  picture  cannot 
also  be  a  work  of  art  should  visit  the  Palace. 
*  *  *  They  will  be  both  enlightened  and  re- 
warded.  *   *   * 

STAR — *  *  *  There  are  no  passionate  love 
scenes,  no  thrilling  chases,  no  titillating  flir- 
tations; but  over  all  there  is  a  sense  of  brood- 
ing drama  one  only  meets  in  productions  of 
the  highest  calibre.  That  Victor  Seastrom  suc- 
ceeded in  conveying  this  atmosphere  to  the  film 
is   prajse   enough,   so   rarely   is   it   done.    •    *   • 


"The    Unchastened    Woman"— Chad. 
Randolph,  Chicago 

HERALD — •  *  •  And  it  wasn't.  It  was  a 
seven-or  eight-reel  comic.  But  it  didn't  mean 
to  he  a  comic.  It  was  as  serious  as  Mr.  An- 
spacher  is  going  to  be  when  he  sees  what  the 
movies   have  done  to  his   play   *   ♦   • 


"The  Unguarded  Hour"— First  ilatl. 
State,  Cleveland 

NEW.S — *  *  *  Miss  Kenyon  is  not  as  at- 
tractive *  *  *  as  she  has  been  in  several  pre- 
vious vehicles,  nor  is  Milton  Sills  quite  as 
he-mannish    and    heroic.    •    *    • 

PLAIN  DEALER— *  *  *  a  little  hesitant 
about  getting  down  to  business  at  the  outset. 
Mi's  Kenyon  doesn't  fill  a  bathine  suit  quite 
as  it  should  be  filled  and  Milton  Sills  looks  a 
little  stuffy  in  a  dress  suit.  But  the  picture 
has  manv  excitine  and  pretty  interesting  mo- 
ments.    It's  just  fair.  •  •  * 

TTMFS— *  *  *  The  story  is  absorbing  and 
well   screened.  The  plot  light,  but  entertaining. 


"The  Wedding  Song"- P.  D.  C. 
Family,  Cincinnati 

COMMERCIAL—*  •  *  If  you  enjov 
"ernok"  plays  of  the  modern  type,  flavored 
with  romance.  •  •  •  should  win  vour  approval. 

TIMES—*  *  *  a  rather  dull  photop'av 
wliich  a  clever  dirp'-tnr  and  extremely  capable 
actors   have   made  delightful.    ♦   *   • 


"Where  Was  I?" 
Riviera,  Detroit 

FRFF  PRESS—*  *  *  is  essentiallv  a  com. 
edv.  with  a  romance  running  through  it  to  pro- 
vide the  heart  interest,  and  Denny  again 
proves  himself  one  of  the  screen's  cleveres* 
funsters.  •  •  • 


;.\ 


irhursday,  January  7,  1926 


THE 


15 


Russia 

{Continued  from  Page  1) 
le  made  with  a  view  to  a  foreign  mar- 
ket, they  are  rather  films  which  will 
erve  the  purpose  of  educating  the 
ountry,  and  also  serve  the  purpose 
if  propaganda  films.  The  peasant 
specially  can  be  taught  much  through 
he  film,  and  it  is  easily  to  be  under- 
tood,  therefore,  that  the  Government 
lays  careful  attention  to  the  peasant 
k^hen  one  remembers  that  125.000,000 
if  the  people  of  Russia  are  peasants. 

Naturally,  in  choosing  films  which 
re  to  be  for  the  Russian  people, 
hoice  is  made  of  those  possessing  an 
gricultural  angle  which  will  interest 
hem.  All  things  which  will  help  the 
ntellect  of  the  peasant  or  will  im- 
irove  his  knowledge  in  any  wav  will 
le  represented  by  the  film  for  this 
(urpose,  and  efforts  are  being  made 
Iso  to  get  agricultural  films  (edu- 
ational  tilms)  from  foreign  sources, 
specially  from  Germany,  and  other 
11ms  that  deal  with  agriculture. 

The  great  interest  which  the  Soviet 

overnment  is  showing  in  the  film  as 
ar  as  the  peasants  are  concerned  is 
xplainabie  through  the  facts  already 
nentioned,  that  most  of  the  films 
manufactured  in  Russia  are  only  made 
or  their  own  country.  They  are 
low  beginning  to  recognize  that 
heir  films  must  have  a  wider  market 
nd  for  that  reason  the  films  that 
hey  are  now  concentrating  upon  will 
lave  an  appeal  more  particularly  to 
he  peoples  of  other  countries. 

One  of  their  latest  pictures,  "The 
Station  Master,"  from  Pushkin's  well- 
nown  story,  would  appeal  to  any 
ype  of  audience  although  it  is  es- 
entially  a  film  for  high  class  houses. 
)ther  pictures  that  are  in  course  of 
iroduction  contain  far  more  interna- 
ional  appeal  than  previous  films  pos- 
essed  which  plainly  indicates  that  the 
jovkino  now  recognize  that  while 
hey  may  make  films  for  themselves, 
here  is  every  possibility  of  their  ob- 
aining  a  wide  public  if  they  are  made 
>n  a  scale  and  with  entertainment 
'alue  that  will  appeal  to  other  na- 
ions. 


Russia  has  its  first-runs,  too,  but 
he  situation  there  differs  from  En- 
Hand  and  America  in  decided  fash- 
ion. Mr.  Fredman's  next  article 
leals  with  theater  conditions  in  Rus- 
sia, which  he  calls  the  "land  of  mys- 
ery." 


McBride,   Denver  State,  Resigns 
Denver — H.   D.   McBride,   manager 
)f   the    State   has   resigned.      He    has 
)een  manager  since  its  opening  sev- 
ral  months  ago. 


Elks  to  Have  Picture  Shows 

Phillipsburg,  Pa.— On  Feb.  1,  the 
ocal  lodge  of  the  Elks  will  open.  An 
luditorium   is    equipped   for    pictures. 


In   New   Territory? 

(Continued    from    Page    1) 

^  With  the  opening  of  the  Stanley, 
Tamden,  and  the  Earle,  Atlantic 
Tit'",  the  chain  now  numbers  about 
00  theaters.  Irving  D.  Rossheim 
ccountant  and  comptroller  since  1918. 
s  now  treasurer,  succeeding  Law- 
ence  D.  Beggs.  Morris  Wolf, 
iarry  Crandall  and  Clifford  B.  Haw- 
ey  have  been  elected  directors. 


Against  Censors 

(Continued    from    Page    1) 

activities  of  the  government  is  our 
attempted  censorship  of  moving  pic- 
tures. Censorship  stands  in  open 
opposition  to  the  American  idea  of 
freedom  and  liberty.  We  have  suf- 
ficient laws  to  punish  those  who 
outrage  public  decency.  It  we 
haven't  they  should  be  enacted.  But 
the  arm  of  the  State  must  never 
reach  out  against  freedom  of  speech 
or  freedom  of  the  press,  and  the  ex- 
hibition of  moving  pictures  is  not 
far  removed  from  those  fundamental 
liberties  that  we  have  sought  to  guar- 
antee to  every  citizen.  It  will  be 
no  backward  step  because  the  cen- 
sorship of  moving  pictures  was 
caught  in  the  mad  scramble  to  cen- 
sor everything  only  a  few  years 
ago." 


Buys   Wallace   Novels 

(Continued    from    Page    1) 

motion  picture  rights  to  "The  Prince 
of  India"  and  "The  Fair  God." 

It  is  probable  that  completion  of 
the  negotiation  was  brought  about 
so  soon  after  the  opening  of  "Ben 
Hur"  by  its  guick  success. 

The  acquisition  of  these  two  novels 
with  his  many  other  holdings  gives 
to  Erlanger  possession  of  much  val- 
uable screen  material.  It  is  planned 
that  the  production  of  these  two  nov- 
els will  be  made  in  an  elaborate 
manner. 


Flynn  Managing  Alexandria,  Frisco 
San  Francisco — W.  C.  Flynn,  with 
the  Imperial,  has  resigned  his  post 
there  and  is  now  manager  of  the 
Alexandria. 


Among  Exchangemen 

Cleveland — George  Wilson,  former  short 
subject  salesman  for  Pathe  is  once  selling 
for  Pathe. 


Philadelphia — Michael  Thomas  has  jonied 
Associated  Exhibitors  and  is  covering  Har- 
risburg   and    vicinity. 


Pittsburgh — Seymour  Stone,  formerly  with 
Metro-Goldwyn  in^  Boston  has  been  trans- 
ferred here. 


Denver — Charles    Beall    has    resigned    from 
Metro-Goldwyn  and   has  left   for   Hollywood. 


Cleveland — Norman    Vibbard    has    resigned 
from  Pathe. 


Chicago — M.  Whitmore  has  been  added  to 
the  sales  staff  of  Pathe  as  special  two  reel 
comedy  salesman  in  Central  Illinois. 


Salt  Lake  City — Harry  Kreiter  has  been 
added  to  the  salesforce  of  P.  D.  C.  covering 
Idaho.  He  is  replacing  Dave  Schayer,  re- 
signed. 


Salt  Lake  City — Anthony  Hartford  has  been 
added  to  the  sales  department  of  Universal. 
He   will   cover   Idaho. 


San  Francisco — H.  W.  Osborne  has  joined 
Universal  as  salesman.  He  will  cover  all 
zones  specializing  in  short  subjects. 


St.  Louis — ^Paul  Haynes  has  left  First 
National  and  is  now  wth  P.  D.  C.  as  sales- 
man. 


St.  Louis — C.  L.  Hickman  has  resigned 
from  Arrow  and  is  now  selling  for  Uni- 
vers'al. 


Dallas — ^Jack    Petit    has    resigned    as    sales- 
man. 


Omaha — J.  H.  lOleson  has  joined  Asso- 
ciated Exhibitors  as  salesman  for  Southern 
Nebr.iska  territory.  He  was  formerly  with 
F.  B.  O. 


Theater  Changes 

Bridgton,  Me.  —  The  Opera  House  and 
Riverside  have  been  purchased  by  the  Acme 
Amusement  Co.,  who  iiave  also  gained  con- 
trol of   the  Acme,   Kennebunkport. 


Denver^Hatfy  Long,  manager  of  the 
American,  has  been  transferred  to  the  Al- 
hambra,    Milwaukee,   as   manager. 


Houston — H.  L.  Kelly,  manager  of  the 
Palace,  has  resigned  from  the  Interstate 
Amusement   Co. 


Jacksonville,  Fla. — The  Frostproof  will  be 
ready  by  January.  It  is  owned  by  Frank 
C.  Ihompson  of  the  Frostproof  Amuse.  Co., 
tost  $100,000,  and  will  seat  700. 


Ansonia,  Conn. — A  new  house  will  be 
built  by  I.  J.  Hoffman,  owner  of  the  Capi- 
tol.     Work    will    commence    shortly    . 


Salem,    Ore.   —    Fraiik    Bligh   and    George 
Guthrie   will    open    two    new    houses    here. 


North  Anson,  Me. — The  Rainbow  has  been 
reopened  by   R.   M.  Huggins. 


Albion,   N.   Y. — The  Rialto  has  opened.  It 
seats   800. 


Chicago — The    Milo    has    reopened. 


San    Francisco — The    West    Portal,    owned 
by   Samuel   Levine,   is   to   open   soon. 


Houston — Work  on  the  Ritz  has  been 
practically  completed.  It  is  hoped  to  have 
the   house   open   by   the   first. 


Houston — A  new  theater  is  being  erected 
on  the  ground  floor  of  the  Kirby  Lumber  Co. 
building. 


Monitowoc,    Wis. — The    Strand,   owned    by 
George   Herzog,   has    opened. 


Racine,     Mich. — The     Strand     opened     last 
week   under  the  managership  of   Steve  Doris. 


Weatherford,  Tex. — After  being  closed  ten 
days  for  remodeling,  the  Princess  is  now 
open.     Courtney  &  Kindell  are  the  owners. 


Anniston,  Ala. — The  Noble  theater  and 
office  building  has  been  offered  for  sale  by 
F.  T.  Banks,  of  1206  Quintard  Ave.  The 
house  seats  1,292. 


Perry,  la. — R.  M.  Harvey  has  sold  his 
theater  here  to  Will  Youngclaus,  of  Jeffer- 
son. The  Perry  Grand  Opera  House  was 
hilt  in  1907.  The  consideration  is  said  to 
have  been  $40,000. 


Yoakimi,  Tex. — E.  J.  Draganis,  of  the 
Grand  and  Queen,  has  completed  the  installa- 
tion of  new  equipment  in  the  former. 


Watonga,  lOkla. — Charley  Rook,  of  Sayre, 
has  become  owner  of  the  Liberty,  buying 
Ivlmer  L-wis,  of  Erick    ot  t 


Sharon,  Pa. — Remodeling  of  the  Liberty 
on  North  Diamond  St.,  has  been  deferred. 
It  was  originally  intended  to  cut  through  a 
new   entrance. 


Northport,  N.  Y. — The  Northport  recently 
underwent  considerable  remodeling. 


Oakland,  Me. — The  Cascade  has  reopened 
after  having  been  closed  for  a  month.  E.  J. 
Nadeau  is  running  the  house  and  has  changed 
its    name    to   the    Toy. 


Flint,  Mich. — The  Regent  will  be  remod- 
eled in  the  Spring,  W.  B.  Butterfield,  presi- 
dent of  the  Bijou  Theatrical  Enterprises  an- 
nounced. 


Presentations 

A  feature  dealing  with  the  Tnan- 
ner  in  which  first-runs  build  their 
programs  and  written  from  the  an- 
gle of  one  who  sits  out  front. 

Designed  solely  for  the  purpose  of 
co7iveying  to  exhibitors  ideas  to  be 
used  in  developing  their  own  ahowa. 

Capitol 

Unit  No.  1.  Capitol  Grand  Orches- 
tra: Overture  to  the  Operetta  "Die 
Fledermaus,"  Johann  Strauss.  Time, 
9  minutes. 

Unit  No.  2.  Carlo  Ferretti.  Solo: 
"Lolita  Serenade,"  Buzzi-Peccia. 
Singer  in  matador  costume.  Setting: 
Decorative  portico  of  Spanish  design 
with  velvet  draperies  in  back,  parted 
in  center  with  green  light  reflecting 
through  latticed  window.  Time,  5 
minutes. 

Unit  No.  3.  "At  the  Rainbow's 
End."  Pat  Sullivan  Cartoon.  Time, 
6  minutes. 

Unit  No.  4.  Julia  Glass,  pianist. 
"Concerto  in  D.  Minor"  by  Rubin- 
stein. Performer  at  baby  grand  piano 
in  foreground.  Floor  lamp  close  to 
piano  with  background  of  green  vel- 
vet draperies,  drawn  apart  at  far  end 
of  stage  and  disclosing  entrance  hall 
with  staircase,  crystal  chandelier  sus- 
pended and  large  floor  vase  at  side  ; 
of  staircase.     Time,  7  minutes.  i 

Unit     No.     5.     Capitol     Magazine.   V 
Time,  10  minutes.  \ 

Unit  No.  6.  Capitol  Ballet  Corps  t 
Ballet  in  masquerade  costumes.  Set- 
ting: green  and  gold  draperies  with 
balcony  exit  center  back  of  stage. 
Small  iron  rail  at  exit  with  orange 
color  drapery  thrown  over  rail.  Bal- 
loons and  paper  streamers  festooned 
from  above.     Time,  6  minutes. 

Unit  No.  7.  Feature:  "Soul  Mates." 
Time,   66   minutes. 

Unit  No.  8.  Organ  solo.  Time,  5 
minutes. 


Amityville,  N.  Y.— The  Avon  Theater 
Building  has  been  sold  to  the  Nook  Realty 
Co.    for   $160,000. 


North  Baltimore,  O. — The  Crown  has  been 
leased  by  Kra'ft  and  Sterritt  from  Mr.  and 
Mrs.  William  Gibson  who  has  managed  the 
house   for    12    years.      It   will   be    remodeled. 


Levine   Now  Has  Two  in  Cleveland 

Cleveland — B.  Z.  Levine  has  bought 
the  Grand  Central  theater  from  M. 
Kaplan.  Levine  now  owns  two 
houses  in  Cleveland,  the  other  being 
the  Erie. 


MighKer  than  eveni 
other  picture 


HRST  NATIONAL'S 

SECRET  SPECIAL 


A 


7A6  BRADSTREET 
o/*  FrLNDOM 


Authority 


VOL.  XXXV  No.  6 


Friday,  January  8,  1926 


Price  5  Cents 


(<fKT'9 


IN 


By  DANNY 

"The  First  Year,"  Fox  re- 
lease, made  by  Frank  Borzage. 
If  audiences  do  not  cackle, 
chuckle,  and  roar  at  this  comedy 
we're  all  out  of  focus.  This  was 
undeniably  the  best  box  office 
attraction  which  Fox  secured 
from  John  Golden.  And  Bor- 
zage hasn't  missed  an  inch. 

The  delightful  play,  which  had  a 
long  Broadway  run,  happens  to  be 
the  type  which  fits  in  pictures  like 
it  was  made  to  order  for  the  camera. 
(Which,  incidentally,  is  much  more 
than  can  be  said  for  a  lot  of  stage 
material.)  Golden  was  offered  huge 
sums  for  this  one,  but  insisted  on  a 
deal  for  his  entire  product  and  Bill 
Fox  was  sporty  enough  to  take  them 
all  on.  He  certainly  won't  regret  it 
with  "The  First  Year."  If  ever  a 
comedy  was  set  to  go  this  one  is. 
Matt  Moore  is  delightful  and  Bor- 
zage deserves  a  lot  of  praise  for  what 
he  has  gotten  out  of  the  material. 
Good  for  those  who  like  to  laugh— 
from   eight   to   eighty. 

Developing  a  Director 

When  "Al"  Santell  stepped  out  of 

comedy  making  and  became   Corinne 

Griffith's     director     for     "Classified" 

there  were  many  doubters.  But  "Clas- 

(Continued  on  Page  2) 


Grifl&th   Speaks 

Big    Gathering    at    A.M.P.A.    Lunch 
Hears  "The  Old  Master"— Indi- 
cates Will  Retire  in  2  Years 
David    Wark    Griffith,     "The     Old 
Master"  of  the  screen,  in  an  address 
yesiferday    to    the    members    of    the 
AMPA,   indicated   that    he   hoped   to 
retire    from    picture    making    within 
two  years. 

He  was  telling  of  how  he  had  tried 
to  present   the   truth   in   pictures   and 
{Continued  on  Page  4) 

Clark  Joins  M-G-M 

Los  Angeles  —  Victor  Clark,  for 
years  general  manager  of  the  Lasky 
studios,  has  resigned  to  become  as- 
sociated with  M.-G.-M.  He  is  to 
occupy  the  newly  created  position  of 
manager  of  studio   operations. 


Hoffman,  Clark's  Successor 
Hollywood — Milton  E.  HoflFman 
has  been  appointed  executive  man- 
ager of  the  Lasky  studio,  succeed- 
ing Victor  Clark'  He  is  now  pro- 
duction manager  at  the  DeMille 
plant. 


y 


$581,557,141  Capital 

Listed  by  1,685  Companies  Chartered 

in  1925.     750  Units  Formed  in 

New  York 

The  year  just  passed  established  a 
new  record  in  corporate  activity, 
insofar  as  motion  picture  units  were 
concerned.  During  1925,  according  to 
the  second  annual  survey  prepared  by 
THE  FILM  DAILY,  1,685  compan- 
ies received  charters,  or  more  than 
400  over  the  previous  year,  and  919 
more  than  1923.  The  1925  charters 
represent  the  enormous  capital  of 
$581,557,141,  with  only  1,175  compan- 
ies listing  active  capital,  and  510,  cap- 
ital stock  instead. 

Within  the  past  three  years,  nearly 
one  billion  dollars  has  been  listed  by 
{Continued  on  Page  8) 


RUSSIA 

By  ERNEST  W.  FREDMAN 
The    Film    Renter    and    M.    P.    News 


No  Comparison  with  English 
Theaters 

London — One  thing  that  strikes  a 
visitor  to  Moscow  is  that  with  the 
bare  exception  of  some  four  or  five 
important  kinema  halls,  this  city  that 
has  a  population  of  2,000,000  has  only 
some  sixty  or  seventy  kinemas  at  the 
most,  the  great  majority  of  which  are 
bare  and  uninviting  and  seat  only  a 
very  limited  number  of  people. 

In  the  main  center  of  the  city  its 
largest  kinema,  the  Koloss,  a  very 
beautiful  building  and  seating  close 
upon  2,000  people,  invites  inspection. 
With  revolving  electric  signs  it  can 
be  seen  for  a  considerable  distance 
and  is  a  very  handsome  kinema  in 
every  sense  of  the  word.  Large  wait- 
ing rooms  are  to  be  found  inside 
capable  of  holding  some  hundreds  of 
people  and  it  is  modern  and  up-to- 
{Continued  on  Page  5) 

Dramatists  Act 

Adopt    Report    Stipulating    Contract 
with    Stage    Managers    to    Fully 

Protect  Their  Screen  Rights 
The  Ass'n.  of  Dramatists  held  a 
meeting  yesterday  at  the  Hotel 
Roosevelt  at  which  the  committee 
submitted  its  report  designed  to  pro- 
tect the  screen  rights  to  plays  writ- 
ten by  members.  Arthur  Garfield 
Hays  and  Dudley  Field  Malone  were 
present  as  counsel. 

The    committee's    chief   recommen- 
dation was  its  advocacy  of  a  strong 
association    so   organized    that,    as    a 
{Continued   on    Page   4) 


Says  7  Major  Units  Buy  Interest  in 
669  Theaters  Since  September,  '24 


85%  Coast-Made 

Los  Angeles — The  Herald,  in 
its  summary  for  1925  states 
Los  Angeles  last  year  produced 
pictures  valued  at  $160,000,000, 
or  85  per  cent  of  the  world's 
production. 


Fight    Looms    Abroad 

Secretary    Hoover's    attack    on    Alien 
Monopolies  Gets  Sympathetic  At- 
tention in  Film  Industry 

Speaking  before  the  Committee  on 
Interstate  and  Foreign  Commerce  in 
Washington  on  Wednesday,  Secre- 
tary Hoover  urged  the  organization 
of  a  fight  against  alien  monopolies 
which,  through  price  control  and 
manufacture  are  making  it  difficult 
for  the  United  States  to  secure  basic 
commodities.  Foreign  governments 
are  held  directly  responsible. 

Yesterday  the  strong  stand  taken 
by  Hoover  was  to  some  extent  re- 
flected in  carefully  guarded  state- 
ments in  trade  circles  relative  to  ex- 
actly in  what  manner  the  adminis- 
tration attitude  affects  motion  pic- 
tures. 

{Continued  on  Page  9) 


Chain   of  25 

Planned  by  A.  H.  Schwartz — Six  Ad- 
ditional Houses  for  Long  Island 
Towns  in  New  Development 

A.  H.  Schwartz  has  purchased  a 
large  theater  site  at  212th  St.  and 
Jamaica  Ave.,  Queens,  where  he  will 
immediately  erect  a  new  theater 
with  a  capacity  of  2,500,  together 
with  stores. 

From  all  indications,  it  seems  that 
Schwartz  is  set  to  carry  out  his  plan 
of  establishing  a  circuit  in  Brooklyn 
and  on   Long  Island. 

The  first  two  now  under  construc- 
tion ai  Avenue  U  and  Coney  Island 
Ave,'  and  at  Kings  Highway  and 
{Continued  on  Page  5) 


New  Warner  Policy 

With  the  opening  of  "The  Sea 
Beast,"  Jan.  IS,  Warner  Bros,  will 
put  into  operation  new  policies  af- 
fecting the  Warner  theater.  It  will 
cease  to  be  a  continuous  performance 
house,  and  will  limit  showings  to 
{Continued  on  Page  4) 


Fox    Leads    with    162 — Famous 

Has    107    Its    Coimsel   Tells 

Federal  Trade  Commission 


Washington — In  order  that  the 
Federal  Trade  Commission  might 
have  information  on  the  number  of 
theaters  acquired  by  Famous  since 
September,  1924  without  reopening 
the  case,  Robert  T.  Swain,  Famous 
counsel,  submitted  a  stipulation  yes- 
terday which  showed  that  Famous 
has  secured  an  interest  in  107  houses, 
including  the  Gordon  chain  in  New 
England. 

In  that  same  period,  Swain  assert- 
ed, other  organizations  acquired  th" 
following: 

Fox— 162. 

First    National — 132. 

Cecil   B.   De   Mille— 128. 

Universal — 114 

Warner — 16. 

Loew-M.-G.-M.— 10. 

Expressing  confidence  that,  on  the 
basis  of  testimony  already  on  record, 
the  Commission  could  not  do  other- 
wise than  find  in  favor  of  the  re- 
spondent, Swain  opposed  the  re- 
opening because  of  the  great  expense 
{Continued  on  Page  2) 

M.  P.  T.  O.  to  Discuss  1st  Nat'l 

Joseph  M.  Seider^  business  man- 
ager of  the  M.  P.  T.  O.  A.,  in  talking 
before  the  M.  P.  T.  O.  of  Western 
Pennsylvania,  stated  that  the  national 
organization  would  call  a  confereance 
of  First  National  franchise  holders, 
large  and  small,  to  discuss  franchises 
He  asked  exhibitors  present  if  they 
felt  their  interests  were  in  jeopardy 
and  whether  they  feared  being  dis- 
franchised. 


McCardell  on  State  Board? 

The  Telegram  reported  yesterday 
that  if  there  would  continue  to  be  a 
censorshi  '  i  piis  state  the  industry 
wants  repi  >p^ion  on  the  commis- 
sion. The  Soaker  understands  Will 
H.  Hays  favors  the  appointment  of 
Rov   L.   McCardell. 


Big  Group  on  Majestic 
London — Additional    departure    on 
the   Majestic  for  New   York   include 
Mae    Murray,    Betty    Compson    and 
James  Cruze. 


Zanft  on  Ascher  Directorate 

John  Zanft,  vice-president  of  Fox, 
has  been  elected  a  director  of  Ascher 
Bros.    Enterprises    of    Chicago. 


■CiKAi 


'!rr3iarii«i<lllM«ii;i 


1 


THE 


■cM< 


DAILY 


Friday,  January  8,  1926 


"IN" 


Vol  XXXV  No.  6       Friday,  Ian.  a,  1928      Price  5  Cents 

Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Pulilished  Daily  exceju  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  \nC. 
Joseph  Dannenberg,  President  and  EdiJor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Edi  tor ; 
Donald  M.  Mersereau,  Advertising  Manajirer ; 
Ralph  Wilk,  Traveling  Representative.  En 
tered  as  second-class  matter  Maiy  21.  I'PIS, 
at  the  post  office  at  New  York,  N.  V.,  utidcr 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
«hould  remit  with  order.  Address  all  com- 
■sunications  to  THE  FILM  DAILY,  1650 
Hroadway,  New  York,  N.  Y.  Phone  Circle 
^736-4737-4738-4739.  Cable  address :  Filmday, 
New  York.  Hollywood,  California — Harvey 
S.  Gausman,  6411  Hollywood  Blvd.;  'Phoree, 
^/tnite  3980.  London — Ernest  W.  Fredmaii, 
jhv  Vilm  Renter.  58,  Great  Marlborough  St. 
S.011  .-in,  W.  I.,  Paris — La  Cinematographic 
yraiiaise,    5.    Rue    Saulnier. 


Quotations 

High 

L0V7 

Close 

Sales 

Balaban    &    Katz 

Not 

quoted 

Eastman    Kodak    . 

.11154 

110}^ 

iim 

1,000 

Famous    Players    . 

.l09Ji 

108 

1097^ 

6,300 

F.    P.    Pfd 

.\\^y^ 

116^^ 

116^ 

1,200 

Film    Inspection    . 

■     7J4 

(>Vi 

m 

1,800 

First    National     . . 

.103 

102 

103 

500 

Fox    Film    "A"     . 

.   83J4 

83 

%iV^ 

1,100 

Fox  Theaters   "A" 

3454 

33M 

34M 

13,700 

Loew's,     Inc. 

.   40/2 

39}i 

40 

6,000 

Metro-Gold.    Pfd. 

Not 

quoted 

M.  P.  Cap.  Corp.  . 

.   21 

20-^ 

20^ 

1,400 

Pathe    Exch.    "A" 

83 

81J4 

82 

2,700 

Skouraa     Bros.      . 

.    52 

52 

52 



Trans-Lux     

.  nVz 

12J4 

MVi 

20,000 

Universal   Picttiies 

Not   ouoted 

Univ.    Pict.    Pfd. 

Not 

quoted 

Warner     Brothers 

im 

17H 

\^Vi 

400 

Warner   Pictures    . 

Not  quoted 

18,000,000  Attend  F.  &  R.  Houses 

Minneapolis— More  than  18,000,000 
persons  attended  Finkelstein  &  Ruben 
theaters  during  1925,  Theodore  L. 
Hays,  general  manager,  told  100  dele- 
gates to  the  second  semi-annual  con- 
vention of  F.  &  R.  managers. 

Business  conditions  in  Minnesota, 
North  Dakota,  South  DakofS.  and 
Wisconsin  have  been  good  dtK^ing 
the  past  year,  Hays  said. 


Production  Plans  Not  Decided  On 

A.    L.    Erlanger,    who    bought    the 
film    rights    to    Gen.    Lew    Wallace's 
two    novels,    "The    Fair    God"    and 
"The    Princess    of    India,"    has    made>^ 
no  production  plans. 


/ 


Nigh  to  Direct  Fp  erick 
Bil>  Nigh  will  dl».t  Pauline 
Frederick  in  "The  Ne^,"  her  first 
for  Excellent  Pictures.  Production 
at   Cosmopolitan. 


^SlMadeii^ 


Utmost  in  Screen  Brilliancy 


(Continued  from  Page  1) 
sified"  is  close  to  being  Corinne's 
best  box  office  bet.  Then  he  made 
"Bluebeard's  Seven  Wives"  and  it 
will  be  a  real  money  maker.  No 
doubt  about  that.  Santell  is  set. 
Have  you  noticed  how  the  comedy 
folk  are  stepping  out?  How  Chester 
Conklin  all  but  stole  Pola  Negri's 
latest,  and  how  Mai  St.  Clair,  who 
directed  comedies  long  ago  is  now 
a  sure  fire  bet  for  Famous?  Lots  of 
others.  The  laughmakers  are  the 
money  makers. 

Small    town   exhibitor   talk- 
ing:   "Don't    know   what    pic- 
tures get  the   business  in  the 
big  cities.    But  do  knoiv  this: 
that   my   First  Nationals   are 
doing    business     way     beyond 
what  I  expected.     They  seem 
made  to  order  for  my  folks." 
If     anj'one     ever     wrote     anything 
about    a   picture.      Which    completely 
satisfied   the   producer  or   distributor. 
He  is  entitled  to  wings.     And  a  place 
near  St.   Peter.     Looked  at  a  picture 
awhile  ago.     Liked  it.     Said  so,  frank- 
ly and  openly.     Said  it  looked  like  a 
fine  box  office;  said  the  work  of  the 
star    was    splendid.      Just    what    else 
was    expected   only    Heaven   and    the 
producer  know.     But  if  you  think  he 
was     pleased,     satisfied    or    anything 
else    you're    dead   wrong.      His    com- 
ment  was   that   we    had   damned   the 
picture    with    faint    praise.      There    is 
little  new  in  that.     They  never  have 
been    satisfied — they    probably    never 
will   be.      It   is   part   of   the   curse    of 
being  a  producer. 


Harris  Amusement  Co.  to  Build 

Pittsburgh — Senator  Harris  and  as- 
sociates have  acquired  the  entire 
Moreland  property  facing  Penn  Ave., 
Center  Ave.  and  Sheridan  square, 
East  Liberty.  The  property  is  leased 
in  perpetuity  for  $8,000,000.  It  will 
be  used  for  theatrical  and  business 
purposes. 


Would  Close  Maine  Theaters  Sunday 

Augusta,  Me. — The  committee  on 
Sunday  closing  of  the  Maine  M.  P. 
improvement  Ass'n.  has  called  a 
special  meeting  to  discuss  the  pro- 
posed closing  of  all  picture  houses  in 
Maine   on   Sunday. 


Von   Herberg  Recovering 

J.  H.  Von  Herberg  is  recovering 
irpjn-^  very  serious  illness.  He  has 
been  confined  to  his  rooms  at  the 
Roosevelt  for  weeks  past.  C.  S. 
Jensen,  his  partner,  has  left  for  Port- 
land, Ore. 


Sam  Sax  to  the  Coast 

Sam  Sax  left  yesterday  for  the 
Coast  to  arrange  production  for  1926- 
27.  He  will  be  gone  about  four 
months. 


OFFICE  SPACE 
One  thousand  square  feet,  cut- 
ting room  and  projection  facil- 
ities. 'Phone  Wisconsin  3770-1. 


Fox  Leads  With  162 

(Continued  from  Page  1) 
and  time  which  would  be  required 
"Parading  around  the  country"  for 
that  purpose.  He  said  the  cost  of  the 
case  to  the  respondents,  exclusive  of 
counsel  fees,  has  been  over  $200,000 
and  added  it  would  cost  many  thous- 
ands more  to  reopen  the  case.  Ht 
offered  a  motion  to  dismiss  the  ac- 
tion on  the  record,  but,  if  it  should 
be  denied,  consented  to  reopen  it 
provided  the  Commission  designated 
the   testimony   to   be  admitted. 

A.  F.  Busick,  assistant  counsel  for 
the  Commission,  argued  the  reopen- 
ing would  not  only  bring  in  this  evi- 
dence but  would  permit  the  respon- 
dents to  offer  similar  evidence  of 
theater  ownership  by  competitors.  A 
reopening  at  this  time,  he  said,  might 
prevent  its  being  thrown  back  by 
the  courts  for  rehearing  on  the 
ground  that  material  evidence  had 
been  excluded  through  prejudicial 
errors  on  the  part  of  the  examiner. 
The  Commission  will  announce  its 
decision  later. 


Each  of  th  companies  mentioned 
by    Swain    was    asked    for    comment: 

Admitting  that  North  American 
Theaters  Corp.,  the  theater  affiliation 
of  De  Mille  and  therefore  P.  D.  C. 
had  been  active,  John  C.  Flinn,  vice- 
president  of  P.  D.  C,  added  that 
there   was    nothing   further   to   say. 

Sam  Spring,  secretary  of  First  Na- 
tional, did  not  care  to  make  any  com- 
ment in  the  absence  of  more  detailed 
information. 

John  Zanft,  vice-president  of  Fox, 
could  not  be  reached. 

No  comment  was  made  at  Loew's, 
Inc. 

E.  H.  Goldstein,  treasurer  of  Uni- 
versal, said  he  didn't  off-hand  know 
how  many  houses  his  company  had 
acquired    since    September,    1924. 

Sam  Warner  stated  yesterday  the 
exact  figure  for  his  company  was  14. 


Dallas    "Laugh    Month"    Stunt 

Dallas — The  committee  which  put 
over  the  "Laugh  Month"  proclama- 
tion by  Governor  "Ma"  Ferguson  is 
sending  copies  to  all  Texas  exhibitors 
for  lobby  display.  The  committee  is 
composed  of  F.  A.  Tomes,  manager 
Educational,  Oscar  A.  Morgan,  Pathe, 
P.  K.  Johnston,  Fox,  and  R.  C.  Mc- 
Ilheran,   Universal. 


Turner   at   the    Roosevelt 

E.  D.  Turner.  President  of  tht 
Carolina  Theater  Corp..  of  Asheville 
N.  C,  IS  stopping  at  the  Roosevelt. 


Universal   Pictures   of   India   Formec 

Dover,  Del. — Universal  Picture.' 
Corp  of  India  was  chartered  hen 
vesterday.     Capital  $10,000. 


OURGANGCO 


RALRQA.Ca 


May  McAvoy  Here 

May  McAvoy  arrived  yesterday 
from  the  Coast  to  play  the  lead  in 
"The  Savage"  for  First  National. 


IF  YOU  ARE  IN  THE 
MARKET  FOR  ANY  KIND  OF 

MOTION  PICTURE 
APPARATUS 

CONSULT  US- AND  SAVE  MONEY 
SEND  FOR  OUR  PRICE  UST 


Motion  Picture  App.  Co.,  Inc. 

Ownerthip'management  C.  Q.  Willoughby,  Inc. 

110  West  32nd  St..  New  York 

Phone    Penn.    6564 


GOOD  CHEER 

DincttJ  iy  -Robert  MeGoaxm 

This  is  a  'Corn-^hlock'  cut  furnishec 
FREE  for  all  Pathecomedies  at  youi 
exchange. 


SriendlnJbnd 


NATIONAL     EVANS 
LABORATORIES,   Inc. 

Developing — Printing — Titles 

1476  Broadway 
Tdephenw  Bryant  9aS0-93Sl 


BAY  STATE 

Second  Oldest  Continuous 

Raw   Stock 

Producer  in  America 
NegatiTe  Potitire  Safety 


J. 


starts  on  its  history-making 
career  Sunday  at  the  Capitol  (N.  Y.) 

WATCH   METRO-GOLDWYN-MAYER'S 

MIRACLE  COMEDY 


k-m 


THE 


s?^^ 


DAILY 


! 


Friday,  January  8,  19261 


Griffith    Speaks 

(Continued  from  Page  1) 
how  much  this  had  cost  him.  "Pray 
for  me,"  he  said,  "for  after  two  more 
years  I  hope  to  have  a  place  down  on 
the  Chesapeake  where  I  can  read 
and  rest." 

He  told  the  advertising  men  that 
all  advertising  men  were  "the  trans- 
lators of  everything  in  the  world." 
He  told  how  he  had  entered  pictures 
coming  from  journalism;  of  how  he 
had  worked  in  a  small  town  on  a 
small  paper  and  later  worked  in 
Louisville  at  $8  a  week,  "where  I 
was  doubtless  overpaid."  He  spoke 
eloquently  of  the  new  press — the 
motion  picture,  which,  he  said,  spoke 
a  language  without  translation. 
"What  a  marvelous  thing  it  is,"  he 
said,  "a  nation  cannot  be  a  great  na- 
tion unless  it  has  a  great  motion  pic- 
ture industry.  For  the  American  mo- 
tion picture  has  proven  to  be  the 
greatest    sample  room  in   the  world." 

He  told  of  making  some  of  his 
great  pictures,  and  how  only  last 
September  he  had  completed  paying 
for  this  production  which  when 
made  some  years  ago  cost  a  million 
and  a  half — "a  lot  of  money  today — 
a  much  greater  amount  then."  He 
concluded  this  by  saying  he  was  "the 
most  successful  money  loser  in  the 
world."  Referring  to  his  imagined 
wealth  of  millions,  he  held  up  a  sil- 
ver watch.  The  crowd  caught  the 
smile  and  roared. 


Montreal  Receives  $588,606  in  Taxes 

Montreal — During  the  fiscal  year 
ending  Nov.  30,  $688,606  was  paid  by 
theaters  in  taxes,  representing  10  per 
cent  on  19  513,128  admissions.  The 
whole  population  of  this  city  is  875,- 
OnO.  The  tax  is  remitted  quarterly 
to  the  city  treasury  which  pays  one- 
half  to  the  Quebec  Provincial  treas- 
urer and  distributes  the  balance  to 
public  charities.  Following  is  a 
comparison  of  the  receipts,  by  quar- 
ters : 


Quarter 

Ending  Tax 

Feb.    28,    1925 $185,475 

May    31,   1925 178,114 

Aug.  31,   1925 139,075 

Nov.  30,   1925 185,940 


No.  of 
Adnussions 

4,682,187 
5,104,945 
4,569.532 
5,246,464 


Total   for    Year:        $638,606  19,513,128 


Novarro  and  Bushman  Return 

Ramon    Novarro    anu    Francis    X. 
Bushman  have  returned  to  the  Coast. 


New  Warner  Policy 

(Continued    from    Page    1) 

two  a  day.     It  is  proposed  to  follow 
the    new    arrangement    permanently. 

Tentatively  the  Warners  have  de- 
cided to  start  the  afternocJt:;  perform- 
ance at  2:45,  the  evei 'ng  program 
at  8^30,  and  Sunday  afiernoons  at  3. 
A  revised  schedule  of  admission 
prices  calls  for  an  evening  top  price 
of  $2  and  an  afternoon  top  of  $1. 
Evening  prices  will  be  $1,  $1.50  and 
$2,  and  matinee  prices  fifty  cents  and 
$1.  It  is  also  purposed  to  arrange 
elaborate  prologues  for  each  photo- 
play. 

Warners  Open  in  Seattle 
Seattle  —  Warners  have  opened 
Warners  Egyptian  theater.  It  is  a 
$250,000  building.  The  house  seats 
1,300.  L.  K.  Brin,  is  managing  di- 
rector. 


Dramatists  Act 

(Continued    from    Page    1) 

fundamental  principle,  "its  members 
agree,  among  other  things,  not  to 
submit  any  play  to  any  manager 
who  shall  not  enter  into  a  fair  and 
equitable  basic  agreement  with  the 
association." 

The  report  recommends  the  fol- 
following  minimum  conditions  of  a 
basic  contract  between  the  associa- 
tion  and   the   managers: 

(a.)  That  the  manager  shall  agree 
not  to  accept  plays  except  from 
members  of  the  association,  who 
agree  not  to  submit  a  play  to  any 
manager  who  shall  not  enter  into  the 
agreement. 

(b.)  That  the  control  of  the  picture 
and  foreign  rights  of  the  play  be  in 
the    author. 

(c.)  That  a  competitive  market  be 
conserved    for   picture    rights. 

(d.)  That  no  secret  dealings  or  in- 
direct profit  be  made  by  any  man- 
ager. 

Frank  Gillmore,  executive  secre- 
tary of  the  Actors'  Equity,  submitted 
a  letter  promising  the  support  of  his 
organization  where  united  action  will 
solve  equitably  those  problems  which 
may  at  any  time  call  for  joint  co- 
operation of  the  two  organizations. 


Ray  Lewis  on  the  British  Quota  Plan 
Toronto,    Ont. — Ray    Lewis,    editor 
of  the  "Canadian  M.  P.  Digest,"  edi- 
torially states: 

"The  quota  defeat  in  England  by 
about  70  votes  is  not  a  defeat  for 
the  British  film  industry,  but  a  vic- 
tory. It  revealed  how  strong  was  the 
feeling  in  England  that  protection 
was  necessary;  and  do  not  overlook 
the  fact  that  'some  lobbying'  must 
have  been  in  order  to  have  estab- 
lished the  70." 


Coast  Unit  Handling  Projector 

Los  Angeles  —  The  Leavitt  Cine 
Picture  Co.,  a  new  organization,  has 
opened  offices  in  the  Preston-Wright 
BIdg.,  on  Wilshire  Blvd.  The  com- 
pany will  act  as  Western  representa- 
tive for  a  new  window  display  pro- 
jector. 


Goodman   in   New  Post 

Detroit — The  illness  of  Bob  Row- 
an, manager  for  Standard  Film  Ex- 
change, has  necessitated  his  taking 
an  indefinite  vacation.  A.  M.  Good- 
man, who  has  been  managing  Fed- 
erated, Pittsburgh,  has  been  placed 
in  charge. 


Tacoma  House  in  Realty  Deal 

Tacoma,  Wash. — The  Tacoma  the- 
ater and  property  have  passed  from 
the  Tacoma  Theater  Bldg.  Co.  to  S. 
R.  Balkwill.  The  deal  involves  $450,- 
000.     The  Tacoma  was  built  in   1888. 


Portland,  Ore. — Jensen  &  Von  Her- 
berg  are  erecting  a  new  theater  on 
Sandy  Blvd.  Construction  is  half 
finished. 


FEBRUARY  28th 


Still    Probing 

Postal  Inspectors  Seek  "Master  Mind" 
Behind    Operations    of    Consoli- 
dated Realty  and  Theaters  Corp. 

Chicago — Postal  inspectors  are  in- 
vestigating the  connection  of  Attor- 
ney Leonard  L.  Cowan  with  the 
Consolidated  Realty  and  Theaters 
Corp.,  which  recently  was  declared 
bankrupt.  10,000  investors  losing 
$4,000,000  thereby,  and  Frederick  H. 
Gruneberg  Sr.,  his  son,  and  eleven 
others  being  indicted  in  the  charge  of 
using  the  mails   to  defraud. 

Cowan  formerly  was  a  member  of 
the  board.  Federal  inspectors  said 
they  desired  to  know  what  advice,  if 
any,  Cowan  might  give  the  investi- 
gators. 

The  postal  authorities  said  they 
were  amazed  to  find  that  credit 
agencies  had  listed  the  Grunebergs" 
company  at  $2,225,000,  while  now  it 
is  a  matter  of  record  that  the  con- 
cern had  little  if  anything  more  than 
the  money  paid  in  by  trusting  in- 
vestors in  bonds,  which  were  bonds 
in  name  only  or  on  paper  only.  A 
master  mind  is  believed  to  have  en- 
gineered the  deception,  and  when  his 
dentity  is  disclosed  there  will  be  addi- 
tional indictments,  the  inspectors  said. 


Another  for  Jefferson  Amuse.   Co. 

DIallas — The  Jefferson  Amusement 
Co.,  operating  in  several  Texas  towns, 
has  acquired  property  on  Fannin  St., 
Beaumont,  from  the  Beaumont  Real- 
ty Co.,  on  which  will  be  erected  a 
new  theater.  The  realty  deal  invol- 
ved $71,000. 


Strand  Co.  Formed  in  West  Virginia 

Ceredo,  W.  Va.  —  The  newly  or- 
ganized Strand  Theater  Co.,  headed 
by  C.  W.  Wellman,  W.  Lowe  and 
Garfield  Maynard,  has  taken  over 
the  Strand  here  from  A.  E.  Booth. 
Maynard  is  president.  M.  Webb  will 
manage. 


Harmonica  Playing  Contests 
Educational  has  made  arrange- 
ments with  M.  Hohner,  Inc.,  for  a 
tie-up  for  a  series  of  harmonica  play- 
mg  contests  for  exhibitors  booking 
the   Educational-Juvenile  comedies. 


Repurchases  Ohio  Theater 

Shadyside,  O. — William  P.  James, 
who  recently  sold  the  Queen  to  L.  J. 
Joseph,  has  taken  it  back  again. 


New   First    Run   in   Winnipeg 

Winnipeg — The  Classic,  a  new  first 
run  neighborhood  house,  owned  by 
George   Graham,   has   opened. 


Sues    Chicago 

Fire       Ordinance      Against      Lobb; 
Standees    Causes    Action    to    Be 
Filed  by  Nat'l  Theaters  Corp. 

Chicago — Injunction  proceedings  t 
restrain  the  Chief  of  Police  and  Fir' 
Commissioner  from  enforcing  the  fin 
prevention  ordinance  which  prohibit; 
theater  patrons  from  waiting  in  lob 
bies  while  a  show  is  in  progress  hav( 
been  filed  in  the  Superior  Court  bj 
the  National  Theaters  Corp,  ownei 
of  the  Capitol,  Stratford,  Chathan 
and  Cosmopolitan. 

The  company  declares  that  its  busi- 
ness is  being  seriously  injured  by  en 
forcement   of   the   ordinance. 

Mayor  Dever  has  issued  a  second 
order  to  the  Fire  Dept.  to  serve 
notices  on  all  managers  who  allow 
crowding  in   the  lobbies. 


Montreal  in  Trouble  with  Titles 

Montreal — Local    newspapers    print? 
complaints    from    the    public    on    the} 
length    of    subtitles.      Captions    here 
are    usually    both    in    English    and    in 
French  and  it  is  claimed  the  time  al- 
loted  for  reading  is  not  sufficient. 


iJt 


To  the  trade: 

Just  Completed! 

"The  Masked  Wolf" 

in  5  Reels 
First    of 

"You  Can't  Win" 

SERIES 
As  Revealed  by 

William  J.  Flynn 

Former   Chief   of   the 
United  States  Secret  Service 


In   Preparation 

"Counterfeit" 

Produced  by 

AERIAL  CINEMA  SYNDICATE 

New   York 


k 


\ 


TIFFANY  PRODUCTIONS,  Inc. 

1540   BROADWAY 
N.  Y.  C. 

Announces   that   it  has   in   course   of 
production  a  motion  picture  entitled 

VINDICATED" 

(Suggested   by   "The   Travis    Coup") 
(One  of  the  Tiffany  "Big  Twelve") 

ALL  RIGHTS  PROTECTED 


ff 


Friday,  January  8,  1926 


THE 


Chain  of  25 

(Continued  from  Page  1) 
latbush  Ave.,  Brooklyn,  are  rapidly 
;ing  closed  in.  Both  will  open 
abor  Day.  Foundation  work  in  the 
lushing  and  Freeport  theaters  is  al- 
ost  completed.  In  Huntington, 
ort  Washington  and  Corona  exca- 
iting  will  start  before  Feb.  1,  and 
1  of  these  houses  will  be  opened 
id  operating  by  the  first  of  next 
:ar. 

In  addition  to  thie  above, 
:hwartz  will  have  under  construction 
;fore  the  end  of  this  year  six  more 
Duses  throughout  Long  Island, 
hich,  in  conjunction  with  his  pres- 
it  chain  will  give  him  a  chain  of 
most  25.  The  following  are  now 
aerated  in  Brooklyn:  Ablemarle, 
arragut,  Kingsway,  Rialto,  Century 
id  Linden,  and  in  Jamaica:  Merrick 
id   Rialto. 


Milwaukee  Active 

ew      Theater      Construction      Now 
Planned     Will     Total     $2,500,000 
During   Current   Year 

Milwaukee^  Present  plans  under 
ay  show  a  total  of  $2,500,000  will 
:  spent  on  construction  of  new  pic- 
ire  houses,  mostly  in  outlying  sec- 
ons.  Three  of  the  largest  struc- 
ires  will  be  on  the  west  side  and 
ne  in  Wauwatosa.  The  Stillman 
lain  plans  one  of  these  for  the 
)utheast  corner  of  37th  and  Center 
ts.  It  will  be  erected  by  the  Badger 
uilding  Service  at  a  cost  of  $250  000. 
:  will  seat  1,600.  Work  will  com- 
lence  in  the  spring. 
Other  new  houses  will  include  a 
1,000,000  theater  and  business  build- 
ig  by  M.  L.  Annenberg  at  Farwell 
ve.  and  Ivanhoe  Place;  a  $500,000 
reject  by  Semi  &  Pessin  at  North 
id  Fond  du  Lac  Aves.,  seating  2,000; 
Saxe  Amusement  Enterprises  struc- 
ire  at  48th  St.  and  Lisbon  Ave., 
jsting  $500,000;  the  Wauwatosa 
ouse  will  be  built  at  W.  Main  St. 
;id  Garfield  Ave.,  by  C.  C.  Gilles, 
ho  will  erect  a  $300,000  theater  and 
ifice  building  under  plans  by  archi- 
ct  John  Topzant. 


Russia 


Building   Boom 

1  Omaha  and  Surrounding  Territory 
During      1926  — Two     $1,000,000 
Houses  Planned 

Omaha — During  1926  this  city,  ac- 
)rding  to  present  plans,  will  experi- 
ice  the  biggest  theater  building 
)om  it  has  ever  known.  Two 
,000,000  first-runs  are  planned,  the 
.  H.  Blank  house  which  is  being 
ected  at  20th  and  Farnam  Sts.,  and 
e  Omaha,  which  the  World  Realty 
3.  plans  to  construct  at  16th  and 
ouglas,  and  planned  for  September 
)ening. 

New  suburban  houses  are  springing 
I  all  over  Omaha.  Six  are  planned 
'  the  Epstein  Bros.,  who  operate 
e  Orpheum  and  the  Roseland  in 
)uth  Omaha. 

The  Minne  Lusa  being  built  at 
th  and  Titus,  will  open  March  1. 
lother    to    open     soon    is    that     of 

ter  Bribilis  and  Henry  E.  Hower. 
33rd  and  California,  a  $35,000 
luse.  Ernest  A.  Harms  plans  a 
eater  at  49th  and  Military.  The 
Drth  Star,  at  24th  and  Ames,  open- 

aboiit  three  months  ago. 


(Cotitinucd    from    Page    1) 

date  in  every  respect.  A  fine  orches- 
tra is  to  be  found  here  and  special 
attention,  as  with  most  kinemas,  is 
paid  to  music. 

There  are  some  four  or  five  other 
equally  important  kinemas  in  Mos- 
cow, most  of  which  seat  from  800 
to  1,200  people,  notably  the  Pery- 
gosko  theater  which  has  a  seating 
capacity  of  850,  an  orchestra  of  25 
and  a  fine  concert  hall.  This  is  a 
very  well  managed  house  with  smart 
attendants  and  runs  six  programs  a 
week  and  plays  from  4:30  till  11:30 
The  hours  for  showing  pictures  in 
Moscow  at  theaters  are  usually  from 
6   o'clock    till    11:30    or    12   o'clock. 

There  is  only  one  theater  that  is 
open  from  12  till  12,  namely  the  Mod- 
ern theater  which  is  a  house  curiously 
constructed  with  three  small  theaters, 
one  seating  300  and  two  other  rooms 
seating  250,  together  with  a  large  re- 
ception room. 

Houses  All  on  One  Floor 

It  is  a  common  sight  in  the  best 
kinemas  in  Russia  for  the  people 
waiting  for  the  next  performance  to 
be  entertained  by  the  orchestra  who 
leave  a  pianist  in  charge  of  the  con- 
cluding reel  of  the  picture  and  play 
to  people  waiting  for  the  next  house. 
Kinemas  in  Russia  of  the  smaller 
kind  are  particularly  poor  and  very 
uninviting.  They  are  all  on  one  floor 
and  the  atmosphere  is  not  at  all  eood. 

One  comes  arcross  theaters  run  by 
invalid  soldiers,  and"  one  in  particular 
that  I  visited  in  Moscow  had  a  seat- 
ing capacity  of  550  seats,  gave  five 
performances  on  Sundays  and  three 
on  week  days  with  an  orchestra  of 
four  only  and  every  member  of  the 
theater  had  suffered  some  physical  in- 
firmity through  the  war.  All  the  same 
the  theater  was  extremely  well  run. 

The  smaller  houses  have  wooden 
forms  for  seating  and  the  floor  is 
quite  bare.  In  the  best  houses  smok- 
insf  is  not  permitted.  No  children's 
matinees  are  given  but  children  attend 
all  the  performances.  The  prices  of 
admission  vary. 

In  the  large  houses  such  as  the 
Koloss  and  others  the  cheapest  price 
of  admission  is  50  kopecks,  equal  to 
Is.  Id.  (27  cents)  and  then  rises  to 
1  ruble.  50  equal  to  3s.  3d  (81  cents"). 
This  obtains  in  most  of  the  bigger 
houses,  but  in  the  smaller  theaters 
the  price  varies  but  it  is  usually  25 
kopecks,  about  6d.  (12  cents),  and 
rises  to  the  better  seats,  75  kopecks 
enual  to  Is.  Id.  (36  cents).  In  the 
towns  there  appears  to  be  nothing 
under   25    kopecks   admission    charge. 

The  machines  used  are  mostlv  old 
Pathe  and  Ernemann  machines.  They 


Blank  will  also  build  a  house  to 
cost  about  $1,200,000  in  Des  Moines. 
Location  is  to  be  9th  and  Locust, 
and  work  will  be  started  in  the  spring. 
The  theater  will  seat  3,000.  _  A  new 
house,  recently  opened  in  Des 
Mo-nes,  that  of  Rov  Jones.  It  is 
?t  27th  and  Beaver  Sts. 

Grand  Island  is  witnessing  compe- 
tition in  the  new  Universal  and  the 
Famous  Plavers  houses  being  erected 
there.  Universal  plans  a  $250,000 
house,  to  be  situated  near  the  Yanrev 
Hotel,  in  the  heart  of  the  citv.  The 
Parimount  house  will  cost  $310,000 
and  will  be  built  on  West  Second  St. 


throw  a  good  picture,  but  in  the 
smaller  houses  are  in  a  bad  state  of 
repair.  The  programs  are  changed 
in  Moscow  according  to  the  impor- 
tance of  the  film.  For  instance,  "The 
Thief  of  Bagdad,"  one  of  the  most 
popular  pictures  ever  shown  in  Rus- 
sia, played  in  one  theater  for  four 
months  and  in  four  theaters  for  two 
months  and  a  real  good  film  will  play 
two  weeks  and  a  week,  but  the  or- 
dinary program  is  sometimes  changed 
each  day. 

A  curious  thing  about  Russian  kin- 
emas is  the  wasted  space  that  one 
finds  in  their  halls.  In  one  theater  I 
visited  with  a  seating  capacty  of  only 
350,  there  was  a  tremendous  hall  used 
as  a  waiting  room  for  people  for 
the  next  house  in  which  the  orchestra 
were  playing  and  which,  if  converted, 
would  have  easily  given  another  350 
seats  at  least  to  the  house.  One  finds 
in  all  directions  whether  it  be  in  Riga, 
Leningrad  or  Moscow  this  state  of 
things  obtains  and  is  in  curious  con- 
trast with  our  own  kinemas  which 
give  nothing  like  the  same  amount  of 
space  to  people  waiting  for  another 
house. 

The  Modern  theater  which  opens, 
as  I  have  remarked,  at  12  o'clock, 
is  a  building  containing  three  theaters 
and  appeared  to  be  doing  excellent 
business  from  the  time  it  opened,  and 
a  second  theater  was  open  at  3  o'clock 
which  was  equally  well  filled.  The 
people  appeared  to  have  the  kinema 
habit  just  the  same  as  in  any  other 
country.  Every  theater  looks  as  if 
a  coat  of  paint  would  do  it  a  world 
of  good.  Everyone,  with  the  excep- 
tion of  one  or  two,  needs  re-furnish- 
ing and  Russia  is  badly  in  need  of  a 
number  of  super  kinemas.  Moscow 
particularly  could  do  with  more 
houses.  They  have  great  legitimate 
theaters  capable  of  seating  4,000  and 
5,000  people,  but  the  kinema,  which 
is  equally  important  in  Russia  to  the 
legitimate,  has  no  house  capable  of 
seating  more  than  1,600  at  the  most. 
Three  in  Leningrad 

Leningrad,  with  a  smaller  popula- 
tion ever  since  the  capital  has  been 
transferred  to  Moscow,  has  declined; 
it  has  three  excellent  kinemas  in  the 
heart  of  the  city,  one  of  which.  "The 
Splendid,"  does,  in  fact,  seat  over 
2,000  people  and  is  a  remarkably  fine 
building.  The  three  principal  Lenin- 
grad kinemas,  "The  Splendid,"  "The 
Piccadilly"  and  "Parisians,"  two  of 
which  are  on  the  Nevsky  Prospect 
*the  principal  shopping  center  in 
Leningrad),  are  fine  halls  and  are 
well  furnished  and  up-to-date  in 
every    respect. 

Here  again  most  of  the  kinemas 
open  at  6  o'clock  although  there  is 
one  that  is  open  from  1  o'clock.  Mati- 
nee performances  are  not  particularly 
popular  in  Russia.  Altogether  there 
are  800  kinemas  in  Russia,  a  countrv 
with  3  population  of  160,000,000,  al- 
though there  are  3,500  workingmen's 
clubs  which  show  films.  The  Soviet 
send  round  traveling  kinos  to  these 
clubs.  Naturally,  preference  is  given 
to  their  own  productions,  although 
they  have  to  rely  to  a  very  large  ex- 
tent upon  other  films,  most  of  which 
thev  obtain  from  America,  Germany 
an-^  other  Continental  countries. 

America  and  Germany  sell  them  a 
tremendous  amount  of  pictures.  N6 
British  pictures  have  been  sold  there 
since   1912.     The  average  Russian   is 


a  great  picture-goer;  they  are  pretty 
easily  pleased  but  they  certainly  pay 
good  attention  to  the  picture.  Ameri- 
can films  are  often  so  terribly  cut  that 
they  are  altogether  unrecognizable 
and  have  no  continuity  whatever,  but 
this  apparently  does  not  particularly 
disturb  the  Russian  kinema-goer. 
Even  in  Russia  every  kinema  has  a 
cloakroom  where  most  members  of 
the  audience  leave  their  coats  and 
hats,  a  thing  rarely  done  in  England. 

The  means  of  advertising  films  are 
poor.  It  consist  mostly  of  double 
crown  and  a  four  sheet  poster  which 
are  on  boardings  where  building  is 
going  on  but  all  the  same  with  even 
these  limited  means  at  their  disposal, 
the  Government  makes  a  fairly  good 
show. 

No  Independent  Enterprise 

It  is  a  curious  situation  in  Russia 
because  there  is  no  independent  en- 
terprise. There  is  no  entertainment 
tax.  The  Government  would  welcome 
the  introduction  of  foreign  capital, 
but  they  have  their  own  peculiar  ideas 
on  how  it  should  operate.  For  in- 
stance, if  anyone  wishes  to  erect  a 
huge  super  kinema  in  Moscow  they 
may  do  so  on  the  following  terms: 
suppose,  for  the  sake  of  argument, 
that  the  erection  of  the  house  would 
cost  £100,000,  you  are  allowed  to  put 
the  house  up  and  the  Government 
will  then  lease  it  to  you  for  a  period 
of  10  years  during  which  time  they 
anticipate  that  you  will  get  the  in- 
terest on  your  capital  and  a  fair  mar- 
gin of  profit,  but  at  the  end  of  the 
period  named  above,  the  theater  is 
theu  property. 

You  have  to  depend  upon  them  for 
your  film  supply,  and  it  can  easily  be 
imagined  that  if  one  of  the  houses 
in  juxtaposition  is  not  doing  too  well, 
the  more  important  films  would  find 
their  way  into  the  opposition  and  you 
would  be  left  in  a  pretty  perilous  posi- 
tion. It  is  possible  that  with  barter- 
ing you  would  get  a  lease  for  15  years, 
but  that  is  the  longest  time  you  are 
likely  to  '""t.  so  it  can  be  well  imag- 
ined that  there  is  not  likely  to  be  any 
American    menace    in    Russia. 

All  the  same,  I  know  that  one  Am- 
erican company  has  been  dickering 
with  the  Sovkino  to  put  up  a  super 
kinema  in  Moscow,  but  the  terms  I 
have  outlined  above  are  the  only  ones 
upon  which  the  Government  will  ne- 
gotiate. If  you  are  not  anxious  to 
put  up  the  whole  of  the  money,  the 
Government  will  go  in  a  fifty-fifty 
deal  with  you  but  they  would  then 
manage  the  theater  themselves  and 
you  would  merely  be  a  sleeping  part- 
ner. 

I  cannot  see  any  great  introduction 
of  foreign  capital  on  these  terms. 


"How  the  Sovkino  Operates"  is 
the  subject  of  the  next  in  this  series. 
In  this  article  Mr.  Fredman  also 
discloses  some  unusually  interesting 
information  on  ivhat  stars  are  popu- 
lar in  Russia. 


"Pre-Release  of  "Just  Suppose" 

A  special  pre-release  of  "Just  Sup- 
pose" will  be  shown  in  the  Plaza 
ballroom  on  the  evening  of  Jan.  20. 
to  be  followed  by  a  supper  dance  and 
cabaret.  Proceeds  arc  for  the  babies' 
t\-ard  of  the  Tonsil  Hospital,  and 
tickets  can  be  secured  from  Miss  M. 
Linderskold,  153  E.  62nd  St. 


mxxrr^r^r.- 


RE  ADV  NOW 


Scan  the  line-up  below  and  on  the  next  page.  Check  up  the  titles, 
casts,  directors  and  selling  points.  Is  there  anything  in  the  field 
comparing  with  it? 

AND  THINK— every  one  of  these  pictures,  AND  MORE  TOO, 
is  ready  to  be  played  between  now  and  the  end  of  February! 


TITLE 


STARC.CAST         DIRECTOR        BOX  OFFICE  HIGH  SPG 


= 


AMERICAN 
YENUS 


Esther  Ralston 
Ford  Sterling 
Lawrence  Gray 
Miss  America 
Bathing  beauties 


Frank  Tuttle 


Dazzling  beauty  show. 
Pageant   tie-up.      Local 
shows. 


Atlantic  Cit] 
style,    beaut] 


Alice  Joyce 
Warner  Baxter 
Dolores  Costello 
Zasu  Pitts 


James  Cruze 


Fannie  Hurst's  $50,000  Liberty  Mag» 
zine  prize  story.  National  ad  campaign 


A  KISS  FOR 
CINDERELLA 


HANDS  UP! 


^"^ENCHANTED 
HILL 


Betty  Bronson 
Tom  Moore 
Esther  Ralston 


Herbert  Brenon 


J.  M.  Barrie's  stage  masterpiece.  Evei 
bigger  hit  than  "Peter  Pan," 


Rasmiond  Griffith 
Marion  Nixon 
Virginia  Lee  Cerbin 
Montagu  Love 


Clarence  Badger 


Another  comedy  success  for  this  fas 
rising  star.    His  best  yet. 


Jack  Holt 
Florence  Vidor 
Noah  Beery 
Geo.  Bancroft 


Irvin  Willat 


Peter  B.  Kyne's  best  seller  picturized 

as  only  Paramount  can  make  outdooi 

specials. 


Ernest  Torrence 
Greta  Nissen 
Wm.  Collier,  Jr. 
Kathlyn  Williams 


Raoul  Walsh 


The  brilliant  spectacle-romance  of  th« 

Prodigal  Son.     A  $2  road  show  noM 

available  at  popular  prices. 


SPECIAL     ATTRACTION  — 

A  PARAMOUNT  RELEASE  •>  PRODUCED   BY  HAROLD  LLOYD  CORP. 

HAROLD  LLOYD  m' For  Heaven's  Sake!' 

Directed  bv  Sam  Tayior 

'NUF  SED! 


(TENTATIVE    TITLE) 


ISi^ 


'j>ictiues 


t***>. 


Cpammojwt 


HEADY  NOW 


BIG  pictures,  high-peak  revenues,  all  through  1926,  spring,  sum- 
mer and  fall,  IF  YOU  PLAY  PARAMOUNT.  These  two  pages 
are  a  sample — ^with  such  great  specials  as  Allan  Dwan's  "Sea 
Horses,"  Gloria  Swanson  in  "The  Untamed  Lady,"  Thomas 
Meighan  in  "The  New  Klondike"  and  other  big  ones  coming,  too, 
between  now  and  March! 


TITLE 


STAR£.CAST         DIRECTOR        BOX  OFFICE  HIGH  SPOTS 


iAVNISHING 
AMERICAN 


"THE  GRAND 
^ I DUCHESS  AND 


™=SOHOAND 
.DANCE  MAN 


"BEHIND 
THE  FRONT 


Richard  Dix 
Lois  Wilson 
Noah  Beery 
Malcolm 

McGregor 


Geo.  B.  Seitz 

Supervised  by 

Lucien  Hubbard 


Zane   Grey's   epic   of  the   Indian — an- 
other $2  road  show  for  you. 


Adolphe  Menjou 
Florence  Vidor 


Malcolm 

St.  Clair 


The    sparkling    Parisian   love   comedy 

that  got  $31,000  in  one  week  at  Mc- 

Vicker's,  Chicago 


Tom  Moore 
Bessie  Love 
Harrison  Ford 


Herbert  Brenon 


George  M.  Cohan's  stage  comedy  suc- 
cess superbly  screened. 


II 


Wallace  Beery 
Mary  Brian 
Raymond  Hatton 


Edward 

Sutherland 


All  Hollywood's  agog  over  this  com- 
edy special   about  the   sunny   side   of 
the  war. 


r^  THE  SPLENDID 
CRIME 


DANCING 
MOTHERS 


Bebe  Daniels 
Neil  Hamilton 


William  de  Mille 


Bebe  as  a   captivating  heartbreaker 
and  safecracker. 


Conway  Tearle 
Alice  Joyce 
Clara  Bow 


Herbert  Brenon 


The  Broadway  stage  sensation.     How 

pretty   mothers   step   out   with   sheiks 

and  flappers. 


AND  FOLLOWED  BY  33    BIG  SPECIAL 

\fajxumuuvtQ*ictures 

TO  TURN  SPRING    INTO   FALL  / 


\ 


;r   Motion   Picture   Producers   &   Distributors   of   America,    Inc.     Will    H.    Hays,   President. 


^Li        .ja.*! — ^ZK~ 


THE 


DAILY 


« 


Friday,  January  8,  1926 


1,685    Units   in    1925,   Listing    $581,557,141 


232  Filed  in  May 

(Continued    from    Page    1) 

new  corporations  in  this  industry,  and 
over  this  period,  3,668  units  were 
formed.  Nearly  a  third  of  the  latter 
number,  1,015  did  not  list  capital. 
Following  is  a  resume  of  activity  for 
the  last  three  years: 


Total  No. 
Year  Chartered 

1925 1,685 

1924 1,217 

1923 766 


Capital 

$581,557,141 
178,636,906 
208,313,500 


Chartered 

Without 

Capital 

510 

328 

177 


Totals 3,668         $968,507,547      1,015 

May  was  the  most  active  month  in 
1925,  when  232  units  were  chartered. 
This  is  the  largest  number  filed  in 
any  one  month,  the  nearest  approach 
being  March  with  224.  January  is 
next  with  162.  More  than  $130,000,- 
000  was  listed  by  December  charters. 
This  establishes  a  new  monetary  rec- 
ord, although  June  is  a  fairly  close 
runner-up  with  $103,640,900.  Below 
will  be  found  a  list  of  1925  incorpora- 
tions by  months: 

Chartered 

Without 

Capital 

54 


Total    No. 
Month  Chartered 

January     162 

February     ....  87 

March    224 

April    115 

May    232 

June    135 

July    146 

August     146 

September    ....  98 

October   102 

November    ....  109 

December    ....  129 


Capital 

$66,107,000 

21,239,000 

36,946,440 

42,583,500 

29,010,721 

103,640,900 

27,591,000 

31,995,600 

62,656,800 

8,877.500 

19,448,180 

131,460,500 


Totals 1,685         $581,557,141 


23 

63 
36 
74 
30 
42 
51 
32 
38 
30 
37 

510 


Capital    Range — $500   to   $100,000,000 

Never,  according  to  record,  has 
there  been  such  a  wide  range  of  capi- 
tal as  that  listed  by  1925  charters. 
Corporations  were  formed  with  capi- 
tal ranging  from  $500  to  $100,000,000. 
Following  is  a  list  of  companies  with 
a  capital  of  $1,000,000.  Those  with 
a  capital  of  more  than  $1,000,000  will 
be   found  on   the   next   page. 

Company  State 

American   Composers    Delaware 

Asheville    Motion    Picture    Corp.  .  .N.  Carolina 

Bard   Theaters   Corp California 

Christie    Mortgage    Co California 

Cino   Theater   Co Ohio 

Fine   Arts   Building,   Inc California 

Grauman's    Greater    Hollywood  The- 
ater,    Inc California 

Hansen   Theaters,    Inc Delaware 

Hippodrome,   Inc New  York 

Independent    Theaters    Corp Delaware 

Junior    Theaters,    Inc California 

Leading     Players'     Producing     Co., 

Inc Delaware 

Living    Records,    Inc New  Jersey 

Mary_MaddaIein    Films     Delaware 

National     Arena     and     Amusement 

Corp Delaware 

Players'    Motion   Pictures,   Inc.    .  .  .  Delaware 

Projector    Advertising    Corp Delaware 

Reel   Town   Enterprises    Delaware 

Rhodes       Amusement       Enterprises 

Inc Delaware 

Rowland  &  Clark  Service,  Inc.    ...Delaware 
San    Francisco   Motion    Pict.    Corp. California 

.Schumann  Heink    Corp Delaware 

.Stromberg   Unit.    Hunt    California 

Transbay    Theaters,    Inc California 

Universal    Chain    "Theaters    Corp..  .Delaware 

Washington    Park    Corp Delaware 

World-In-Pictures,    Inc.,    The Delaware 


Survey  By  States,  Giving  Aggregate  Capital 


Alaljama      

Arizona     

Ai kansas    

California      

Colorado      

Connecticut     . .  .  . 

Delaware     

Florida     

Georgia      

Idaho      

Illinois 

Indiana      

Iowa     

Kansas    

Kentucky     

Louisiana      

Maine      

Maryland     

Massachusetts 

Michigan     

Minnesota     

Mississippi     .... 

Missouri     

Montana     

Nebraska     

Nevada      

New  Hampshire 
New  Jersey  .  .  . 
New  Mexico  .  . 
New  York  .... 
North  Carolina 
North    Dakota     . 

Ohio    

Oklahoma     

Oregon      

Pennsylvania 
Rhode    Island    .  . 
South    Carolina 
South     Dakota 

Tennessee      

Texas      

Utah      

Vermont     

Virginia     

Washincrton 
West   Virginia    . 

Wisconsin     

Wyoming      


■U-" 


TOTAL    UNITED    STATES 1, 


In  Foreign  Countries: 


Canada 

China     

E.igland 
France    .  .  .  . 
Germany     .  . 

India     

Italy     

Si'ain     

Switzerland 


TOTAL.  FOREIGN   COUNTRIES    

GRAND    TOTAL    1,685 


3 

$57,000 

2 

75.000 

2 

50,000 

173 

44.126,000 

37 

2 

150,000 

7 

394,000 

2 

197 

449.372.800 

6 

8 

600,000 

5 

1 

1 

98 

6,957.701 

98 

6.957,701 

26 

17 

1,587,000 

3 

2 

74,000 

5 

111  000 

1 

2 

2,000 

1 

1 

1 

3 

30.000 

1 

i 

30 

1.809.440 

4 

14 

1,068.000 

5 

3 

50,000 

2 

2 

6,200 

14 

498.000 

3 

1 

50.000 

1 

10,000 

iii 

25,445',666 

26 

750 

23.311.100 

289 

9 

1,660,000 

2 

62 

1,743.500 

7 

5 

99,000 

7  ■ 

10,151,500 

3 

20 

1,790,000 

7 

2 

150.000 

2 

20.000 

1 

500400 

2 

3.512.400 

18 

458.000 

8 

3 

175.000 

5 

90  000 

"i 

16 

1.238  500 

3 

9 

615.000 

22 

40''. 000 

15 

2 

25,000 

1 

635 

$578,407,141 

463 

11 

3,150,000 

8 

1 

21 

21 

4 

4 

1 

6 

1 

1 

50 

$3,150,000 

47 

685 

$581,557,141 

510 

Comparison  of  Three  Most  Active  States 

Of  the  total  amount  of  capital  listed  by  the  1,685  units,  Delaware  cor- 
porations embraced  nearly  four-fifths  of  the  total,  $581,557,141.  The  197 
Delaware  companies  listed  $449,372,800. 

In  New  York  State,  750  companies  received  charters.  Second  in  this 
category  is  Delaware,  with  197,  and  third,  California,  173.  Following  is  a 
comparison   of   the   three   most   active   states; 

NEW  YORK  DELAWARE  CALIFORNIA 

No.  Cos.  Capital             No.  Cos.  Capital             No.  Cos.  Capital 

January     92  $5,369,000  14  $49,053,000  15  $9.1.55,000 

Ff'^ruary      30  1,362,000  9  12',260.000  11  3,170  000 

March      108  1,953.500  25  26  385.000  22  3.945,000 

Al'ril      50  971,500  9  24,135,000  ]2  2.126  000 

May     97  3,165,100  27  17.945,200  17  1.325'oOO 

J""e      57  1.721,000  23  98,553.000  16  1070  000 

J"'y      66  3,122,000  13  16,640,000  21  4,485000 

Ai'Ku^t      62  920,000  19  25,795,000  18  2,615000 

September     48  948,000  20  55,171,600  9  5880  000 

"ct"''"      40  821,000  5  810,000  17  5.820  000 

November      45  1,135,000  15  6.775,000  7  3  510000 

December     ^  1,823,000  18  115,750,000  8  1,025,000 

TOTALS     750         $23,311,100  197  $449~372;800  I73  $44,126,000 


Many  Important  Units 

Alany  important  organizations  re 
ceivcd  corporation  papers  during  thi 
year. 

In  California  were  formed  Monty  Banli 
Pictures  Corp.,  Bear  State  Theaters  Corp.- 
important  in  theater  circles  on  the  Coast- 
Chadwick  Pictures  Corp.,  Cecil  B.  De  Mill 
Pictures  Corp.,  Far  West  Theaters  Corp. 
George  Fitzmaurice  Prod.,  Samuel  Goldwyr 
Inc.,  Hirlagraph-Bennett  Laboratory  Ass'n 
Harry  Langdon  Corp.,  Marshall  Neilan  Prod. 
Inc.,  Pantages  Theater  Corp,  Rudolph  Val 
entino  Prod.,  and  West  Coast  Junior  Circuit 
Inc. 

In  Delaware:  the  Associated  Art  Realt 
Corp.,  the  A.  H.  Blank  Theater  Co.  of  Ne 
braska.  Cinema  Corp.  of  America,  Consoli 
dated  Theaters  Corp.,  Dahnken  Theaters,  Inc, 
Dent-Musselman  Theaters,  Inc.,  Du  Pont 
Pathe  Film  Mfg.  Co.,  Fox  Corp.  of  America 
Inter  Ocean  Sales  Corp.,  Robert  Kane  En 
terprises,  Lubliner  &  Trinz  Theaters,  Nortl 
American  Theaters,  Inc.,  Preferred  Pictures 
Inc..  Stanley  Co.,  of  Delaware,  Stanley  Corp 
Stanley  Corp.  of  Washington,  Stanley-Crai 
dall  Co.,  of  Washington,  Inc.,  Universal  Pic 
tures  Co.,  Urban-Kineto  Corp.,  and  Warnei 
Bros.    Hollywood    Theater    Corp. 

In  Illinois:  Ascher  Brothers,  Inc.,  Balabai 
&  Katz  Building  Corp..  Fitzpatrick  &  McE! 
roy.  Inc.,  and  Lubliner  &  Trinz  Theaters,  Inc 

In    Kansas:    the    Midwest    Film    Dist.    Co. 

In  Massachusetts:  Film  Booking  Offices  01 
New  England,  Inc.,  Golden  Distributing  Co. 
and  Schulberg  Prod.,  Inc.,  of  New   England 

In     Michigan:     Balaban     &     Katz     Corp. 
America,   and   W.    S.    Butterfield,    Inc. 

In  New  Jersey :  Artclass  Film  Exchange 
the  Elrae  Corp.  of  Atlantic  City  (a  Stanlej 
subsidiary),  Fabian  Theaters,  Inc.,  Fort  Le 
Studios,  Inc.,  Alfred  Gottesman  Enterprises 
and  Joseph   Stern   Enterprises,    Inc. 

In  New  York :  C.  H.  Buckley  Theatrica 
Enterprises,  to  operate  a  chain  in  Northeri 
New  York;  Catskill  Operating  Co.,  a  subsidi 
ajry  of  Famous ;  Colony  Theater,  Inc.,  Davij 
Dist.  Division,  Lee  DeForest  Phonofilms,  Inc. 
Henri  Diamant  Film  Co.,  Empire  State  M.  P 
Operators'  Union,  Inc.,  Famous  Players  Real 
ty  Corp.,  Fox  Theaters  Corp.,  Henry  Ginsbep 
Dist.  Corp.,  Edmund  Goulding,  Inc.,  Hodi 
Short    Film    Exchanges,     Inc.,     Loew's    Ne 


11 


Onl/  life  ii 
bigger/ 


J 


THE 


riday,  Janiaary  8,  1926 


\ 


57  With  Capital  of  More  Than  $1,000,000 


It  fri"' 


ilani 


J       Company 

Ijtomatic   Musical   Instrument   Co.,   Inc 

jrth   American   Theaters,    Inc 

liversal    Pictures    Co.,    Inc 

Manufacturing    Corp 

Mountain    Holding    Co 

lor     Cinema     Productions     

ihnken     Theaters,     Inc 

ascadero     Motion     Picture     Co. 

nerican     Amusement     Corp 

itomatic   Movie   Display   Corp 

lema    Corporation    of    America     

nsolidated    Theaters     Corp 

rae     Corporation      

le    Arts    Pictures,    Inc 

cific    American    International    Exhibition    Co.     .  . 

ent     Drama     Corp 

ban    Kineto    Corp 

r    West    Theater    Corp 

tional    Theaters    of    California,    Inc 

asco    Productions,     Inc 

ae    Corporation    of    Atlantic    City     

ita    Monica    Amusement    Co 

rthwest     Theater     Circuit,     Inc 

West    Theaters,    Inc 

anger    Realty    Corp.,    A    L 

xwell    Studio    Hall    Corp 

ghborhood    Motion    Picture    Service     

ithern     Development    Co 

nIey-Crandall    Company    of     Washington     

her    Theatrical    Enterprises    .  .  . . 

amid,    Inc 

ted    Amusement    Corp.,    Ltd 

ociated    Art    Realty     Corp 

nmunity     Amusement     Corp 

ater    Palace    Amusement    Corp 

-.Patrick    &    McElroy    Co.,    Inc.     . .    

5t    Coast    Junior    Circuit,     Inc 

.^Itl   ociated    Realty    Operators,    Inc 

y    Land    Film    Co 

tomaton,     Inc 

r    State    Theaters    Corp 

nett    Production    Co 

Forest    Phonofilm    Corp.    of    Mexico    and    Cuba, 
nger    Amusement    Enterprises,    Inc.,    A.    L.     . . 

iter    San    Francisco    Theaters     

onal    Press    Club    Realty    Holding    Corp 

ta     Monica     Amusement     Co 

:a     Monica    Amusement     Corp 

Film     Co 

ner    Brothers    Hollywood    Theater    Corp 

;va    Optical    Co 

k   Theater    Company    of    Nebraska,    A.    H.     .  .  . 

iley    Enterprises,    Wm 

phonaer    Co ^  

ed    Color     Pictures    Co.,     Inc 

Pont    Pathe    Film    Manufacturing    Co 

dashea    Pictures    Corp 


■  Si 


'S 


Capital 

fioo,onn,ooo 

55,000,000 
32,000,000 
25,000.000 
15,000,000 
14,000,000 
12,500,000 
11,000,000 
10,000,000 
10,000,000 
10,000,000 
10,000,000 
10,000,000 
10,000,000 
10,000,000 
10,000,000 
10,000,000 
6,000.000 
5,500.000 
5,000.000 
5,000,000 
5,000,000 
4,750,000 
4,500.000 
4,000,000 
4,000,000 
4,000.000 
3,500.000 
3,400,000 
3,000,000 
3.000,000 
3,000,000 
2,900.000 
2,750,000 
2,750,000 
2,500,000 
2,500,000 
2,250,000 
2,250,000 
2.225,000 
2,000.000 
2,000,000 
2.000,000 
2,000.000 
2,000.000 
2,000.000 
2,000.000 
2,000,000 
2,000,000 
2,000.000 
1,600,000 
1.500.000 
1,500,000 
1,500.000 
1.500.000 
1,200.000 
1,100,000 


State 

Delaware 

Delaware 

Delaware 

Delaware 

Delaware 

Delaware 

Delaware 

Delaware 

Delaware 

Delaware 

Delaware 

Delaware 

New  Jersey 

Delaware 

Oregon 

Delaware 

Delaware 

Delaware 

California 

Delaware 

New  Jersey 

Delaware 

Delaware 

California 

Delaware 

Delaware 

Delaware 

Tennessee 

Delaware 

Delaware 

Delaware 

Canada 

Delaware 

Delaware 

Delaware 

Illinois 

California 

Delaware 

Delaware 

New   York 

California 

Delaware 

Delaware 

Delaware 

Delaware 

Delaware 

California 

Delaware 

California 

Delaware 

Delaware 

Delaware 

Delaware 

Delaware 

Delaware 

Delaware 

Delaware 


f 


elle  Corp.,  Lupino  Lane  Comedy  Corp., 
c  Strand  Theater  Corp.,  "Motion  Pic 
Today,"  National-Evans  Film  Labora- 
i.  Our  Gang  Realty  Corp.,  Paramount 
re  School,  Paramount  Theater  Managers' 
I  ling  School,  Publix  Theaters,  Inc. — the 
\k  ■  three  all  Famous  corporations,  Publix 
\  ters,  Inc.,  the  new  operating  company 
Paramount  and  B.  &  K.  theaters;  Rail- 
Express  Film  Transport  Co.,  the  F.  B. 
rs    M.    P.    Corp.,    "Roxy"    Theater    Corp., 

r  Films    Syndicate,    Tennek    Film    Corp., 

Exchanges,  Inc.,  and  Jack  White  Com- 
:orp. 

North  Carolina:  Warner  Bros.  Southern 
ers.  Inc. 

Texas:    Liberty  Film   Dist.   Co. 
Wi.'consin:    Badger    Theaters    Corp.    and 
lan   Theater    Circuit,   Inc 

Wyoming:  Wyoming  Theater  Owners 
|VIanagers    Ass'n. 

nong  those  filed  in  foreign  coun- 
were: 

Canada:  Canadian  Performing  Rights 
y,  Ltd.;  Canadian  Preferred  Pictures, 
and  the  M.   P.   Prod.  &  Dist.  of   Canada, 

J  England:  Jeflrey  Bernerd  &  Co.,  Ltd., 
|[i  Universal  Prod.,  Ltd.  Fitzpatrick 
1-es,  Ltd.,  Pathe,  Ltd.,  and  Principal 
les,  Ltd.  (Pathe,  Ltd.,  was  chartered  to 
|e    in    Ireland). 

iFrance:    Societe   Anonyme   Des   Films   F. 

Societe  Anonyme  Des  Films  Paramount 

liociete    Des    Films    Gaumont-Metro-Gold- 

Germany:     Westi    Film     Aktien     Gesell- 

|[taly-    Ufa    Film    Societa   Anonima    Itali- 

llcal  &  Educational  Films  Cooperative 
lif,  Ltd.,  was  the  only  film  corporation 
I  bartered  in  the   Punjab,  India. 


\ 


Some  New  Incorporations 

Trenton,  N.  J. — Drafak  Amuserhents  Corp.. 
Caldwell.  Incorporators,  W  Drake.  C. 
Hinck,  D.  Bryan.  Attorney,  Henry  Trimble, 
Montclair. 


Jefferson  City,  Mo. — Laventhal  Theaters 
Inc.,  St.  Louis.  Capital  $100^0.  Incor- 
porators, A.  Leventhal,  R.  Leventhal,  L. 
Stahl  and  G.  Lubely. 


Albany,  N.  Y.— M.  C.  Distributing  Co., 
Inc.,  New  York.  Capital  $25,000.  Incor- 
porators, L.  Gilsinger,  L.  Jentes  and  E, 
Freedman. 


Albany,  N.  Y. — Excellent  Pictures  Corp.. 
New  York.  Incorporators,  M.  Krellberg,  A. 
Krellberg   and   D.    Palley. 


Albany,  N.  Y. — Two  Treys  Amusement 
Corp.,  New  York.  Incorporators,  J.  Hain, 
A.  McNamara  and  O.  Moran.  Attorney. 
O'Brien  &  Cassidy,  36  West  44th  St.,  New 
York. 


Dover,  Del. — Outdoor  Amusements,  Inc., 
Philadelphia,  Pa.  Capital  $500,000.  Incor- 
porators, Capital  Trust  Company  of  Dela- 
ware,   Dover. 


Albany,  N.  Y. — Raspen  Enterprises,  New 
York.  Incorporators,  F.  Finkelhor,  S.  New- 
man and  E.  Siegfried.  Attorneys,  Seligs- 
burg   &  Lewis,   43    Cedar    St.,   New   York. 


muiiiiiiiiiim'ik 


FEBRUARY  28th 


Fight    Looms    Abroad 

(Continued    from    Page    1) 

Hoover  dealt  with  raw  materials. 
He  discussed  rubber,  nitrates  and 
potash  and  told  of  the  Government's 
difficulties  in  working  on  an  equita- 
ble basis  with  foreign  nations.  He 
said  privately  diplomatic  representa- 
tions had  failed  and  added  that 
"Washington  must  build  up  a  resist- 
ance" against   these  moves. 

Hoover's  emissaries  in  the  Depart- 
ment of  Commerce  are  known  to  have 
paid  particular  attention  to  motion 
pictures  abroad  for  a  year  or  more. 
The  powerful  influence  of  the  Amer- 
ican film  in  foreign  countries  and 
sporadic  attempts  on  the  part  of  oth- 
tr  governments  to  foist  "kontin- 
gents"  and  restrictive  quotas  on  this 
industry  have  been  taken  cognizance 
of.  Bearing  this  in  mind,  those  fa- 
miliar with  the  situation  see  in  Hoo- 
ver's  remarks   much   to    think   about. 


$100,000  Theater  for  Huron,  S.  D. 

Huron,  S.  D. — Huron  will  have  an- 
other theater,  if  plans  of  Joe  Daum 
are  carried  out.  With  the  condemn- 
ing of  the  old  Opera  House  by  the 
state  fire  marshal's  office,  Daum  plans 
to  raze  the  house  and  build  a  $100,- 
000  theater,  work  to  start  in  the 
spring.     The    house   will   seat    1,180. 

Last  week,  Finkelstein  &  Ruben 
announced  plans  for  a  new  theater  at 
Huron.  At  present  there  are  the 
Lounge  and  Bijou  theaters  in  opera- 
tion. 


Addresses  Paramount  Managers 

Peggy  Doran,  director  of  the  Pathe 
Dept.  of  Public  Relations,  addressed 
the  Publix  Theater  Managers'  Train- 
ing School  yesterday,  upon  the  estab- 
lishment of  important  institutional 
assets. 


Graham    Arrives    from    Coast 

John  Graham  is  now  here,  having 
finished  some  work  on  the  Coast  with 
the  Majestic  Prod.  Stock  Co.  His 
last  film  work  was  with  Lon  Chaney 
in  "The   Mocking  Bird." 


Seena  Owen  to  Return 

Los  Angeles — Seena  Owen  will  re- 
turn to  pictures  in  "Shipwrecked." 
from  Langdon  McCormick's  play 
"The    Storm." 


'KO-KO  STEPS  OUT" 

this  week  at 
N.    Y.    STRAND 


Next  week  a 

"Reelview"  at 

N.  Y.   CAPITOL 


729  7th  Av    niU£UiliUsU       N.  Y.  C. 
Edwin  Miles  Fadman,  Pres. 


£Vrpy  /AONT^i  IN  /926  BLTT 
cJAHUARV  \§>JT\b  F£ST  T/Me- 
To  SrA\Sr   VAUS^  ITS  [ApCH- 

rAOHTH .     HAve.  you  qot 


^L^ 


f~(^i<tc<nti.c7vaJ!  U  tctu-xxA^^ 


u 


THE  BAT' 

^   ROLAND  WEST 

^roductioru 

^  Mystery   Melodrama 
By 

Mary  Roberta  RineharL 
and  Avery  HopwoocL 

Jnm  the   stP^e  play  produced  by   Waaenhals   and    Kemper —^ 

Mystery!    Melodrama!    Millions! 


"The  Bat,"  the  greatest  mystery 
melodrama  ever  staged  becomes 
the  greatest  mystery  fUmi  melo- 
drama ever  made,  and  March  15ih 
"The  Bat's"  $10,000,000  legiti- 


mate  theatre  drawing  power  is 
available  at  box  offices  of  picture 
houses.  A  lavish  production.  A 
superb  cast.  A  picture  that  will 
draw  big  money  to  the  box-office. 


Now  Booking 

UNITED    ARTISTS    CORPORATION 

'Jianj  Pickford  Charlej-  Chaplin 

Douglaj-    Fairbanks  D.W.Qriffifh 


Joseph  }A  Jchenck, 
Chairman    Board  of  Directory- 


"Jliram   Obramj, 

President 


WF 


March 
15th 
Re- 
lease 


Samuel  Goldwyn 


pfesent'S 


^^^^^^^^^^^^^^^^^^^^^^^^^^Kt/t^^^^M^"^"'^^ 


\^ 


%e  Henry  King  Productiorv 

PARTNERS  AGAIN 

WITH      POTASH  &^  PERLMUTTER'' 

tviih  Oeofge  Sidney  and  Alexander  Cair 

^yldapted  by  ^fances  Ma/ion 
fjrom  the   Broadway   Stage  Success   by 
MonUiguc  Glass    and  Jules  Eckei^  Ooodmon 


The 
Laugh 


and 


Thrill 
Sensation 


of 


The 
Nation 


Potash  &  Perlmutter  played  nine  years  on  Broad- 
way. Ran  nine  years  in  the  Saturday  Evening  Post. 
In  newspapers.  In  magazines.  In  book  form.  On 
records.  Over  the  air  by  radio.  Here  the  "50-50" 
partners  are  in  the  automobile  business.  By  far  the 
biggest  Potash  &  Perlmutter  picture. 

Packed  with  laughs/  Tingling  with  thrills! 
February  15th  Release^ 

Now  Booking 

UNITED    ARTISTS    CORPORATION 

'Mary  Pickford  Charlej-  Chaplin 

Douglaj-    Fairbanks  D.W.  Qriffifh 


.Joseph  M.Jchenck, 
Chairman ,  Jioard  of  Directorj: 


Jiiram   Qbramj-, 
President. 


r  \ 


In 


m 


WK 


.■0  f^r 


■vv 


ROBERT   YJ^1i(}rtsenU 

Bi(/EB£ARDi 
7  W/VEJ~' 

BLANCHE  MERRILL  aM</ PAUL  SCHOFIELO 
Directed  by  kl^'^^\i  A.SANTELL 


**A  knock-out!  The  audi- 
ence fairly  rocked  with  laugh- 
ter. Dont  let  this  picture  go 
by  without  seeing  it"  says  the 
N.  Y.  Graphic.  *'A  wow!*' 
says  the  Indianapolis  Star. 
Every  critic  echoes  —  **A 
wow!' 


3irAt 

national 

Pictures  4 


BLANCHE  SWEET 
LOIS  WILSON 
BEN     LYON 

DOROTHY  SEBASTIAN, SAM 
HARDY  and  DIANA  KANE 


r 


Exhibitors  themselves  ai 
passing  the  word  along:  **Pli 
*Bluebeard*s  Seven  Wivei 
Ifs  the  wow  of  the  Industry^ 

With  winners  like  this  fo 
1926,  no  wonder  First  Nt 
tional  is  running  away  with  I 


yy. 


^Afi  brAdstreet 

»/*  FILMDOM 


i  L.  XXXV     No.  7 


ECOGMIZED 


Sunday,  January  10,   1926 


Price  25  Cents 


limitri  Buchowetzki  Production 


A    UNIVERSAL    PICTURE 


Presented  by  CARL  LAEMMLE 


\^  lincc 
ksthc 

sctccn 


JOHN  C.  FLINN 

PftescNTs 


Stcelfiefetred 

loith 

VEi^  EU&YNOLDS 
&  WILLIAM  BOYD 

adopted  by  Elliott  J.  Clawson 

Jrem  the 
SAIURDASr  EVINING  POST  STORIES 

"TheAiveninresoj  WallyCay^ 

^         6y  HERSCHEL  S.  HALL 

'  Directed  hij  James  Hogan 

A  METROPOLITAN  PRODUCTION 


WILLIAM  BOYD 


Mae    Tinee    in    the    ''Chicago 
Tribune '  '—says : 

"If  this  picture  doesn't  'make'  William 
Boyd,  so  far  as  the  movies  are  concerned,  I 
miss  my  guess.  It  shows  him  up  as  having 
just  about  everything  that  goes  to  insure  the 
popularity  of  the  male  screen  idol.  Good 
looks,  bonhomie,  pep,  humor,  appeal,  the 
winsomest  smile  that  ever  won  a  woman's 
heart,  and  a  clean-cut,  two-fisted  manliness 
sure  to  put  him  over  with  the  men — all  these 
things  are  his,  AND  he  can  act! 

"I  ask  you— is  that  filling  the  bill?" 


RELEASED   BY 

PKODUCEKS  DISTKIBUTINC  COKPOKATION 

F.  C.  MUNROE.  Presidcnl        RAYMOND  PAWLEY,  Vice-President  and  Treasurer        JOHN  C.  FLINN.  Vice-President  and  General  Manager 

Member  of  Motion  Picture  Producers  and  Distributors  of  America,  Inc.  WILL  H.  HAYS,  President 


Foreign  Distributors 

Producers  International  Corporation 

130   West  46th   Street.,      New  York,  N.   Y. 


■w. 


7Ae  BRADSTREET 
o/  FILMDOM 


Authority 


OL.  XXXV    No.  7 


Sunday,  January  10,  1926 


Price  25  Cents 


RUSSIA 

By  ERNEST  IV.  FREDMAN 
The   Film   Renter    and    M.    P.    News 


ow  the  Sovkino  Operates 

London — The  Government  recog- 
zes  what  a  force  the  kinema  plays 
the  Hves  of  their  people  and  takes 
.rticular  care  that  the  films  shown 
e  in  accordance  with  its  ideas  of 
dat  the  people  should  see.  They 
e  able  to  impose  their  will  and 
ow  only  the  pictures  they  want  to. 
The  Government  controls  under 
e  name  of  Sovkino  which  is  a  state 
partment  that  entirely  deals  with 
e  film  industry.  The  Sovkino  is  a 
g  renting  organization  which  has 
e  monopoly  in  film  renting  through- 
it  the  whole  of  Soviet  Russia  and  to 
horn  every  foreign  company  sells 
;  product.  Before  the  Sovkino  came 
to  existence  the  Goskino  and  other 
mcerns  had   the  right  to  rent   pic- 

(Continued  on  Page   4) 

Progress  in  Russia 

London — The    Prague    correspond- 

t  of  the  Morning  Post  writes  that 
le  industry  in  Russia  has  recently 
idergone  considerable  development 
id  is  concentrating  on  home  pro- 
iction.      He   places   the    number   of 

eaters  between  1,500  and  2,000  and 
;clares  they  have  been  used  in  the 
ain      to      disseminate      propaganda. 

oduction  is  centered  in  Leningrad, 

flis  and   Charkov. 


10  for  Los  Angeles 

New    Theaters    to    Cost   $6,400,000— 

West  Coast  Floating  Bonds  for 

One  House 

Los  Angeles — "The  Examiner"  has 
surveyed  theater  projects  for  this  city 
and  reports  ten  are  either  under  way 
or  planned,  involving  a  total  of  $6,- 
400,000. 

The  houses  and  costs  are: 

Eleventh    and    Hill    Sts.,    $500,000; 

Vine  near  Hollywood  Blvd.,  $200,000; 

Wilshire     near    Lat     Brea,    $300,000; 

Warner's  Hollywood  Theater,  Wilcox 

(Continued  on    Page  2) 


"Blues"  Busy  Again 

Group  in  Congress  Launches  Efforts 
Again  to  Close  District  of  Co- 
lumbia Houses  on  Sunday 

Washington — Reform  forces  in 
Congress  yesterday  renewed  their  ef- 
forts to  apply  Sunday  "Blue  Laws"  in 
the  District  of  Columbia  through  the 
re-introduction  by  Representative 
Lankford  of  Georgia.  "To  secure 
Sunday  as  a  day  of  rest." 

"The  bill  would  prohibit  all  work 
except  of  necessity  or  charity  and 
would  preclude  the  giving  of  shows 
on  the   Sabbath. 


Features  Reviewed 

Page 

The  First  Year 

Fox     6 

Soul  Mates 

Metro-Goldwyn-Mayer    6 

Womanhandled 

Paramount    6 

That  Old  Gang  of  Mine 

Kerman    Films — State    Rights 6 

Infatuation 

First   National    8 

Blue  Blazes 

Universal     8 

Stop,  Look  and  Listen 

Pathe   8 

The  Ancient  Mariner 

Fox     8 

Enemy   of   Men 

Columbia — State    Rights    8 

The   Midnight   Flyer 

Film    Booking    OfBces    9 

The  Still  Alarm 

Universal     9 

The   Enchanted   Hill 

Paramount    9 

Short    Subjects    1 J 


Tax  Removal  Still  Debated 

Washington  —  Senator  Hareld  of 
Oklahoma  has  introduced  an  amend- 
ment to  the  revenue  bill  under  which 
all  admissions  not  exceeding  $1.50 
would  be  exempt  from  tax. 

The  Senate  Finance  Committee, 
upon  reaching  the  admission  tax  pro- 
visions, passed  them  over  the  time 
being.  It  is  understood  that  the 
Democratic  members  will  recommend 
an  exemption  of  $1,  in  which  they 
may  have  the  support  of  one  or  two 
Republican  members. 


Niblo,  Eyton,  Guy  Smith  Sailing 

The  outbound  Leviathan  will  today 
have  on  board  Fred  Niblo,  and  Enid 
Bennett  (Mrs.  Niblo),  who  will  va- 
cation in  Europe;  Charles  Eyton, 
who  will  assume  production  duties 
for  Famous  on  the  Continent,  and 
Kathlyn  Williams  (Mrs.  Eyton); 
Guy  Crosswell  Smith,  Paris  manager 
for  United  Artists,  and  Mrs.  Smith, 
and  Sir  Hugh  Ward,  important  the- 
ater owner  in   Australia. 


Warners  Abroad 

Harry  M.  Sailing  on  Foreign  Distri- 
bution,    Particularly     England — 
Flint  Accompanying  Him 

Harry  M.  Warner,  Motley  H. 
Flint  and  Albert  S.  Howson,  the  lat- 
ter literary  editor  of  Warner  Bros., 
arrived  from  the  Coast  yesterday 
after  discussing  production  plans  for 
1926-1927. 

Warner  and  Flint  sail  on  the  Ma- 
jestic on  the  16th  for  a  two  months' 
trip.  The  Warner  organization  has 
a  number  of  interesting  developments 
in  mind  for  the  European  market. 
The  deal  with  Vitagraph  provided  the 
company  with  an  exchange  system  in 
England  and  other  offices  in  France. 
With  the  delivery  of  the  last  of  the 
current  output,  the  Warners  are  free 
to  do  what  they  will  in  foreign  mar- 
kets. 

When  Abe  Warner  was  abroad  last 
year,  he  visited  Russia  and  also  dis- 
cussed theaters  for  Paris  and  Lon- 
don. Harry  Warner  will  continue 
certain  negotiation  launched  by  his 
brother. 


"Theater  Pool"  Called  Silly 

Commenting  on  a  Morning  World 
article  that  Publix  Theaters  intended 
to  draw  all  first-runs  "estimated  to 
number  about  3,000"  into  one  gigantic 
holding  corporation  worth  $1,000,000,- 
000,  a  Publix  official  said  yesterday 
the   story  was   "utterly   silly." 


M.-G.-M.  Signs  Harry  Millarde 

Hollywood — Irving  Thalberg  has 
engaged  Harry  Millarde,  director  of 
"Over  the  Hill,"  to  direct  "Lovey 
Mary." 

Lasky  a  Major 

Jesse  L.  Lasky  was  sworn  in  yes- 
terday as  a  Major  of  the  Officers'  Re- 
serve of  the  Signal  Corps. 


Anxiety 


By  DANNY 


Exhibitors  worried.  Doin^  a  lot  of  thinking.  Over  the 
growth  of  the  chain  theaters.  Operated  by  large  prodticmg  and 
distributing  interests.  Should  not  be  surprised  if  the  T.  O.  C.  C. 
—the  local  exhibitor  body— had  the  matter  up  for  discussion  at 
an  early  meeting. 

Many  suggestions  offered  as  an  offset  to  what  these  men 
claim  is  a  "great  menace."  The  news  from  Washington  on  Fri- 
day of  the  growth  of  the  chains— as  evidenced  in  the  Famous 
Players-Federal  Trade  Commission— may  have  stirred  up  a  lot 
of  ideas.  What  will  happen  remains  to  be  seen.  Certainly  some 
of  these  men  are  talking  along  serious  lines. 

CRYING  IN  THE  WILDERNESS 

A  small  town  exhibitor,  owning  a  small  theater  sends  this  in : 

"I  have  been  bawled  out,  bawled  up,  held  up,  held  down, 
bulldozed,    black    jacked,    walked    on,    cheated,    squeezed    and 

(Continued  en  Page  3) 


Barker  Recovering 

Los  Angeles — Reginald  Barker,  who 
suffered  a  breakdown  Christmas 
night,  is  recovering  rapidly.  Doctors 
report  him  out  of  danger. 


Nagel  Continues  with  M.-G.-M. 

Los  Angeles — Conrad  Nagel  has 
signed  a  new  long  term  contract 
with   M.-G.-M. 


Metro-Goldwyn  in  Prague 
Paris  —  Metro-Goldwyn  will  form 
its  own  distributing  agency  in  Czech- 
oslovakia with  a  capital  of   1,000,000 
Czech  crowns. 


Handling  Shorts 

Globe  Pictures  have  opened  an  of- 
fice in  the  Godfrey  Bldg.  The  com- 
pany will  produce  short  reels  and 
distribute  via  the  state  right  market. 
"Lessons  in  Modern  Magic,"  featur- 
ing Ralstcn.  the  Monarch  of  Mystery 
have  been  completed;  there  are  ten 
in  the  series.  Walter  Miller  and 
Nellie  Burt  are  featured  in  "True  De- 
tective Tales,"  a  series  of  seven  two- 
reelers,  directed  by  William  P.  Burt. 

A  serial  in  ten  episodes  will  be 
started  shortly,  and  a  group  of  one- 
reeler  comedies  based  on  Professor 
Hokum  stories.  New  York  rights 
have  been  sold  to  F.  Goldfarb,  well 
known  in  local  circles.  He  has  just 
reopened  his  exchange  in  the  God- 
frey Bldg.,  under  his  own  name. 


THE 


■c^< 


DAILY 


Sunday,  January  10,  192 


Vol.  XXXV  No.  7     Sunday,  Ian.  10, 1926     Price  25  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Piililished  Daily  except  Saturday  and  hol- 
idays at  IfiSO  Broadway.  New  York.  N  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  I7<C. 
Joseph  Dannenberg.  President  and  EdrJor; 
J.  W.  Alicoate,  Treasurer  and  Business  Han- 
ager ;  Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Mana.fer ; 
Ralph  Wilk,  Traveling  Representative.  En 
tered  as  second-class  matter  May  21.  1"'18, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
tree)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months.  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
«hould  remit  with  order.  Address  all  com- 
■Munications  to  THE  FILM  DAILY.  1650 
*Jroadway,  New  York.  N.  Y.  Phone  Circle 
"36-4737-4738-4739.  Cable  address:  Filmday, 
New  York.  Hollywood,  California — Harvry 
K.  Gausman.  6411  Hollywood  Blvd.;  'Phon>«, 
%fnite  3980  London — Ernest  W.  Fredman, 
Jhv  Tilni  Renter,  58.  Great  Marlborough  St  , 
Lorain,  W.  I.,  Paris — La'  Cinematographie 
Franaise,    5,    Rue    Saulnier. 


Quotations 

High    Low    Close     Sales 

Balaban  &  Katz   ..   69}4     6954     69^4       

Eastman  Kodak  ..111  110;4  110J4  600 
Famous  Players  ..109^  107}^  108^4  6,200 
Fam.   Play.  Pfd.    ..117       116H  117  800 

Film    Inspection    ..     7J4       754       7Vi     2,200 

First   National    Not  quoted 

Fox    Film    "A"    ..   83         82'4     83  400 

Fox  Theaters  "A".   34^     33?4     34  200 

Loew's,    Inc 40         39}4     40         2,200 

Metro-Gold.  Pfd...  225^  2254  2254  100 
M.  P.  Cap.  Corp,..  2054  205^  20f^  300 
Pathe  Exch.   "A"..  81         79         81         3,200 

Skuoras    Brothers    Not  quoted 

Trans   Lux    13J4     1354     1354   11,800 

Universal   Pictures   Not  quoted 

Univ.   Pict.   Pfd Not  quoted 

Warner  Brothers..  1754  1754  17)4  600 
Warner  Pictures  ..14         14         14  100 


Dramatists'  Committee  Named 
The  Association  of  Dramatists  has 
appointed  a  committee  to  draw  up  a 
form  of  contract  to  cover  dealings 
with  stage  producers  in  connection 
with  screen  rights.  It  will  report  as 
soon  as  contract  is  completed.  Mem- 
bers of  the  committee  are:  Rachel 
Crothers,  John  Emerson,  James 
Forbes,  George  Kaufma,  George  Kel- 
ly, George  Middleton,  Channing  Pol- 
lock, Otto  Harbach,  J.  Hartley  Man- 
ners, Le  Roy  Clemens,  Roi  Cooper 
Megrue,  Eugene  O'Neill,  Gene  Buck. 


Says  Boom  Depends  on  Wages 
Whether  or  not  the  nation-wide 
building  boom  of  the  last  three  years 
will  continue  at  the  same  pace  in  the 
immediate  future,  will  depend  mostly 
on  the  trend  of  building  wages  and 
the  cost  of  building  materials,  accord- 
ing to  a  study  of  the  National  Indus- 
trial  Conference   Board. 


Strand  to   Have  Special   Show 

The  Strand  will  hold  a  special  per- 
formance at  2  o'clock  Sunday  of 
"That  Royle  Girl."  D.  W.  Griffith, 
Carol  Dempster,  W.  C.  Fields,  Harri- 
son Ford  and  James  Kirkwood  will 
appear. 


Thompson  Back  Monday 
Major  H.  C.  S.  Thompson  of  F. 
B.  O.  returns  on  the  Majestic  Tues- 
day. He  has  been  abroad  three 
months  making  a  survey  of  condi- 
tions. 


"Charleston  Carnival"  at  Colony 

In  place  of  Harry  Richman  at  the 
Colony  next  week,  there  will  be  a 
production  entitled  "Charleston  Car- 
nival." 


Forty  for  Associated 

Los  Angeles — Associated  Exhibi- 
tors Inc.  will  probably  release  40  pic- 
tures next  year.  The  Selig  Studio 
which  P.  A.  Powers  has  leased  will 
bear  the  company  name.  Eric  von 
Stroheim  will  produce  there  for  Fa- 
mous. 


Two  British  Producing  Units 

London  —  British  Authors'  Prod., 
Ltd.  has  been  chartered  with  a  capi- 
tal of  £10,000.  Another  new  pro- 
ducer is  British  Screen  Classics,  Ltd., 
capital  £2  000.  H.  S.  Chambers  of 
Phillips  Films,  Ltd.,  is  one  of  the  di- 
rectors. 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  I  N  S 

Spvcialiata  in  Motion  Picture 

and  Theatrical  insurance  for 

the  past  fifteen  years. 


Arthnr  W.  Stebbins  &  Co.,  Inc. 
1540  Broadway  N.  Y.  C. 

Bryant  3040 


Grainger  Leaves  for  Cuba 

James  R.  Grainger  of  Fox  sails 
for  Havana  today  where  he  will  be 
joined  by  E.  B.  Hatrick,  general 
manager   of    International    Newsreel. 


Truog  Leaves 

Bill  Truog,  Universal  district  sales 
manager  with  headquarters  in  Kansas 
City,  has  left  for  his  territory  follow- 
ing a  visit  here. 


Roberts    Back    at    Work 

Hollywood — Theodore  Roberts  is 
back  at  work,  after  an  illness  of  two 
years.  He  is  still  confined  to  a  wheel- 
chair. 


"Screenland"  to  Select  Best  Titles 

Beginning  with  the  March  issue, 
"Screenland"  will  select  each  month, 
the  best  titles  and  catch  lines  seen 
on  the  screen. 


Kittaning   Theater  Burns 

Kittaning,  Pa. — The  Columbia  was 
destroyed  by  fire  yesterday,  loss  be- 
ing estimated  at  $150,000. 


I900       BUTTONWOOD 
PHILADBLPHIA.PA. 


ilms 


Seek  Lower  Taxes  in  Winnipeg 

Winnipeg — Representatives  of  all 
picture  theaters  and  officers  of  the 
Manitoba  Exhibitors'  Ass'n,  appeared 
before  Premier  Bracken  and  Hon. 
D.  L.  McLeod,  municipal  commis- 
sioner, to  ask  that  legislation  be  intro- 
duced for  a  reduction  in  the  Provin- 
cial amusement  tax  on  tickets  of  50 
cents  and  under. 


Canadian  Heads  Lined  Up 
Winnipeg — I.  H.  Allen,  of  Winni- 
peg, has  been  appointed  Western  Can- 
adian manager  for  Vital.  This  com- 
pletes the  organization  of  Canadian 
district  representatives.  Bill  Melody 
having  been  made  manager  at  Tor- 
onto and  James  A.  Kirkpatrick  at 
Montreal. 


Boston  Sabbath  Ban  Loosening 

Boston  —  Mayor  Curley  has  ap- 
proved the  opening  of  the  Metro- 
politan on  Sundays.  The  house 
shows  special  stage  and  musical  num- 
bers on  the  Sabbath,  heretofore  un- 
known in   this   city. 


Baltimore  Acquisition  Opens  Soon 

Baltimore — The  newest  link  in  the 
chain  of  the  Independent  Film  Co., 
of  Philadelphia,  is  the  Embassy, 
which  is  being  reconstructed  from 
the  former  Victoria,  on  East  Balti- 
more St. 


Operating  Unit  Formed 

The  Universal  Chain  Theatrical 
Enterprises,  Inc.,  has  been  chartered 
in  Albany  as  the  operating  company 
in  New  York  for  the  new  Universal 
Chain  Theaters  Corp.,  recently  in- 
corporated in  Albany. 


Graham  Opens  New  House 

The  new  Classic  has  been  opened 
by  George  Graham.  The  new  house 
is  in  the  suburbs,  and  replaces  a 
former  theater,  partially  wrecked  last 
summer. 


Buy  Rialto  in  Havana 

Havana.  Cuba — Carrera  &  Medina, 
Cuban  distributors,  have  bought  the 
Rialto  as  a  first  run  house. 


Cooneys  Start  Their  Paradise  Theater 
Chicago — Work  on  Cooney  Bros.' 
new  Paradise  theater,  in  Madison, 
near  Crawford  Ave.,  has  started.  The 
house  is  to  seat  4,000. 


Mrs.  Walter  J.  Price  Dead 

Atlanta  —  Mrs.  Walter  J.  Price, 
wife  of  Fox  manager  in  Charlotte,  is 
dead. 


GOWNS —UNIFORMS 


FOR  EVERYBODy  WHO  IS  ANyBOD/ 
ON  THE  STAGE  OR  SCREEN..EXCLUSIVE-   • 
DESIGNS  By  LEADING  STYLE  CREATORS 

BROOKS  {^E^v^ffi 


-ALSO  rS.OOO  COSTUMES  TO  RENT- 


iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiHiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiimmiiiniiiiiiiiiiJiraiiiii 


FEBRUARY  28th 


IliiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiuiiiDUMiiiiiuiii^ 


Crosbie,   Exploitation   Chief  for  "' 

Winnipeg — Fred    W.    Crosbie 
been  appointed  exploitation  manaj 
for    Canadian   Universal   in   West 
Canada  and  is  now  working  on  "li:i 
Phantom."  [I 

Manitoba  House  Burned 

Portage  la  Prairie,  Man. — The  Pr 
cess  was  destroyed  by  fire  with  a  I 
of  $20,000  when  flames  spread  fp 
the  furnace.  Insurance  covered  $] 
000. 


msm 


ii  /' 


BriendkTIand 


mmmmm 


Specif; 

GOF*^ 


Raw  Stock  for  QUALITY 

Sole  Distributors: 

FISH-SCHURMAN  CORP. 

45   West  4Sth  Street 
N.  Y.   Bryant  7243 


Hotel  Christie 


m 


Hollywood 


i; 

I 


One  of  California's  finest  hotels, 
located  in  the  heart  of  the  busi- 
ness district  of  Hollywood,  ' 
famous  lobby,  personal  service,  < 
sensible  prices.  ' 
R.  J.  Matheson  : 
Owner-Manager  [ 


lunday,  January  10,  1926 


«• 


Anxiety 


N 


(.Continued   fr 

tjochecl;  stuck  for  war  tax,  excess  profit  tax,  state  tax,  and  dog 

[k;  Liberty  Bonds,  Baby  Bonds,  and  the  Bonds  of  Matrimony; 

hd   Cross,  green   cross;  and   double   cross;   asked  to  help   the 

liei,  and  Stomach  Relief;  I  have  worked  like  Hell  and  have 

en  worked  like  Hell;  been  drunk  and  got  others  drunk;  lost 

I  had  and  part  of  my  furniture;  and  because  I  won't  spend 

the  little  I  earn  and  go  beg,  borrow  or  steal,  I  have  been 

ssed  and  discussed,  boycotted,  talked  to  and  talked  about,  lied 

and  lied  about,  held  up  and  hung  up,  robbed  and  damn  near 

ined,  and   the  only   reason   I   am   sticking  around   now   is   to 

ije  what  in  the  Hell  the  exchanges  will  do  to  me  next." 

WHAT'S  IN  A  NAME? 

Mack  Sennett,  applying  for  naturalization  papers,  informed 

court  that  his  real  name  was   Michael   Sinnott.     Now   the 

th  is  out  at  last.    And  did  you  know  that  Mack  was  a  Canadian? 

NEW  YEAR  CARDS 

Some  of  the  more  unusual  ones:  Sid  Grauman,  Norma  and 

innie  Talmadge.    Sending  a  postal  which  reads :    "Joe  Schenck 

esents  The  Nifty  Trio — those   natty   dressers — who  wish  one 

d  all  a  Happy  New  Year."     Then  comes  their  photos  and  the 

jtion  reads  "We  carry  $700  worth  of  scenery  and  wardrobe, 

ing  three  large  wardrobe  trunks.    Will  do  5  shows  daily." 

Duke  Orbach  shoots  postal  from  the  Coast:    "I  hope  you 
ike  two  million  in  1926!" 
Dave  Fleischer  sends  his  greetings  on  a  strip  of  colored  film. 

NOVARRO 

Since  the  premiere  of  "Ben  Hur"  Ramon  Novarro  becomes 
other  outstanding  star.  Incidentally  how  many  folks  know 
It  Novarro  was  found  by  Ferdinand  Pinney  Earle  who  used 
n  in  a  picture  and  then  sent  him  to  Rex  Ingram  with  a  letter 
introduction?  The  rest  is  screen  history. 
J.  GORDON  EDWARDS 
A  prince  among  men ;  one  of  the  finest  who  ever  entered  into 
is  business  of  motion  pictures.  His  passing  will  leave  a  void; 
there  are  few  indeed  of  his  understanding  and  calibre. 
Ddest,  democratic,  simple  and  with  a  great  heart  J.  Gordon 
Iwards  passed  away  as  he  had  lived — quietly,  simply.  Many 
us  who  knew  him  well  have  lost  much. 

"FILMS  OVERSEAS" 

Says  "The  Los  Angeles  Times"  editorially: 

"What  makes  the  Britons  angry  over  the  movies  is  the 
fact  that  the  English  audiences  are  getting  so  that  they  can 
catch  some  of  the  American  humor  on  the  wing.  The  British 
films  are  improving  in  plot  and  purpose,  but  there  is  a  lot  of 
foam  and  froth  in  the  Hollywood  comedy  that  all  nations 
are  growing  to  understand  and  enjoy.  It  may  be  dog-gone 
foolishness,  but  the  world  loves  an  easy  laugh.  This  is  what 
the  American  flickers  can  furnish.  The  English  cannot  en- 
force a  full  program  of  home-made  films  on  patriotic  grounds 
because  their  people  insist  upon  a  course  or  two  of  American 
frivolity  as  a  part  of  the  spread." 

THE  SKYROCKET 

Peggy  Hopkins  Joyce  first.  Shown  amid  unusual  surround- 
js  on  the  Leviathan.  This  is  certain :  the  picture  isn't  as  good 
the  advertising  that  Bob  Welch  has  so  cleverly  prepared.  But 
spite  the  weak  direction,  the  lack  of  action,  and  all  that  isn't  in 
e  picture  it  promises  to  get  a  lot  of  money.  Because  the  curi- 
ity  of  women  to  see  what  Peggy  looks  like,  and  how  she  acts, 
11  get  them  into  the  theaters.  Hardly  a  doubt  about  that.  Just 
w  they  feel  after  they  see  the  picture  remains  another  story.  The 
king  could  be  much  better  in  spots ;  and  several  titles  are  a  bit 
ong.  Peggy  wears  a  lot  of  gorgeous  clothes  and  jewels;  and 
e  women  are  always  interested  in  this  sort  of  thing.  Plays  The 
)lony  on  Broadway  soon.  . 

ADVERTISING  / 

Jimquin  was  in  San  Diego   doing  some  window   locations 


id 

rool 
[vici 


om   Page    1) 

for  DeMille's  "Road  to  Yesterday."    Here  is  a  sign  he  discovered: 

SHOP  EARLY.  EVERLASTING  FLOWERS, 

ORDER  FOR  YOUR  FUNERAL  NOW. 

THOSE  GOLFERS 

Clyde  Walker  of  the  M.  P.  Record — the  Northwest  regional 
— hastens  to  add  the  name  of  Low  Rosenberg,  sales  manager  for 
DeLuxe  Feature  Films,  Seattle,  to  the  Hole-In-One  film  golfers, 
who,  as  you  know,  include  William  Fox  and  Oscar  Morgan. 

Incidentally,  Lou  Blumenthal  wants  a  series  of  tournaments 
for  exhibitors  only,  this  summer. 

THAT  TOCC  PINOCHLE  CLUB 

Of  which  Blumenthal,  the  Brandt  boys,  and  several  others, 
including  Hy  Gainsboro,  are  members.  They  meet  weekly  at 
each  others  homes  to  do  a  little  trimming.  At  a  coming  session 
all  players  are  expected  to  wear  high  silk  hats — during  the 
game.    Just  an  innovation. 

PICTURES  FOR  1926 

In  presenting  his  list  of  Ten  Best  in  "Life"  Robert  Sherwood 
(who  gives  13  instead  of  10)  says,  in  part: 

"It  is  important  that  four  of  these  outstanding  pictures, 
'The  Last  Laugh,'  'The  Gold  Rush,'  'Kiss  Me  Again'  and 
'The  Big  Parade,'  were  stories  writt^en  primarily  for  the 
screen.  'Don  Q'  and  'The  Unholy  Three'  were  remotely 
traceable  to  novels,  and  'The  Merry  Widow'  was  based  on  a 
light  opera  libretto,  but  all  were,  in  effect,  composed  directly 
in  terms  of  moving  pictures.  'Peter  Pan,'  'The  Wanderer' 
and  'Lady  Windermere's  Fan'  were  derived  from  plays;  'Greed' 
was  a  novel;  'Stella  Dallas'  was  originally  both  a  novel  and  a 
play;  'Grass,'  of  course,  was  an  unadorned  record  of  life  as  it 
is  lived  in  a  strange  corner  of  the  earth. 

"It  will  be  observed,  then,  by  those  of  a  hopeful  disposition, 
that  the  day  is  passing  when  motion  pictures  must  depend 
upon  other  forms  of  creative  artistry  for  their  hfe  blood. 
More  and  more  they  are  learning  to  cultivate  an  individuality 
of  their  own.  They  ar^  realizing  that  it  is  possible  lor  an  idea 
to  be  born,  and  to  be  brought  to  maturity,  within  the  four 
walls  of  a  movie  steudio.  ♦  *  ♦ 

"I  hesitate  to  predict  that  the  excellent  record  established 
in  1925  will  be  equaled  in  1926,  but  there  is  just  cause  for 
optimism.  A  new  breed  of  movie  producers  is  growing  up 
and  in  them  may  be  placed  the  confidence  that  has  been  denied, 
with  so  much  justification,   to  their'  dim-witted  predecessors." 

WHERE  EGGS  ARE  EGGS 
Fred  Newmeyer,  Harold  Lloyd's  director,  visiting  the  Big 
Town  for  the  first  time,  dropped  into  a  night  club  where,  ac- 
cording to  Karl  Kitchen  of  The  Evening  World  he  paid  $12.50 
for  ham  and  eggs  after  which  he  said  he  was  going  back  to 
California,  "where  eggs  are  eggs  and  hens  are  not  in  the  million- 
aire class." 

CREDIT  LINES 
Everyone  knows  of  the  troubles  which  producers  and  ex- 
hibitors have  with  those  long,  tiring  titles  which  give  credit  to 
everyone  from  the  producer  to  the  Lord  knows  what.  But  up 
at  Universal  they  go  further  than  in  most  places.  For  when  they 
show  pictures  in  the  home  office  projection  room  they  include  on 
the  press  sheet  the  name  of  the  operator.  What  next? 
\  BOOSTING 

\  Walter  B.  Brown,  publisher  of  the  Tribune-Herald,  Chis- 
holyi,  Minn.,  paid  a  fine  tribute  to  Finklestein  &  Ruben,  when 
he  -^rote  at  length  on  how  the  chain  theater  had  brought  "real 
recreation  to  the  smaller  towns." 

HOW  IT  HAPPENS 
There  is  a  strike  on — or  was — at  the  Plaza  theater,  Staten 
Island.     Some  of  the  strikers  did  the  usual  picketing  stunt,  and 
carried  big  cards  marked : 

UNFAIR 
PLAZA  THEATER 
And  a  passer-by,  noticing  the  signs,  thinking  it  was  a  pub- 
licity stunt,  asked  one  of  the  carriers:   "What's  this  'Unfair' — a 
new  picture?" 


THE 


j^^ 


DAILY 


■■■■■■■■■■■*■■' 

Sunday,  January  10,  19i 


The  Week's  Headlines 

Monday 

Famous  to  buy  United  Studio  for  $5,000,000. 
Richard  A.  Rowland  leaves  for  Coast  to 
arrange  new  home  for  First  National  units. 

Columbia  Pictures  sign  Lester  Allen  to  be 
featured   in   series. 

1,818  architects  report  theater  projects  for 
1926  total  330  houses  which  will  cost 
$69,783,000. 

Resume  of  stock  activity  for  1925  shows 
more  than  5,000,000  shares  change  hands. 
Tuesday 

North  American  Theaters  Corp.,  chain  now 
totals    192   houses. 

Harry  Carr  joins  Famous  as  managing  editor 
of  production  at  Lasky  studio. 

Balaban  &  Katz  inaugurate  "tea  matinees" 
at   their   Uptown    theater,    Chicago. 

Cleveland  M.  P.  Exhibitor  Ass'n  protests  to 
exchanges  supplying  non-theatrical  con- 
sumers  with   films. 

Ten  St.  Paul  exhibitors  combine  to  compete 
with   F.    &   R.    in   newspaper   advertising. 

Joe  Friedman  denies  he  has  sold  out  to  Uni- 
versal  his    St.    Paul    first   runs. 

Associated  Press  reports  that  a  studio  will 
be    established    at    Biarritz. 

Wednesday 

P.  A.  Powers  takes  over  old  Selig  studio  for 
Associated    Exhibitors. 

Famous  closes  deal  for  United  plant.  To 
be  taken   over   in  April. 

Marie  Prevost  goes  to  Metropolitan  from 
Warner  Bros.  To  be  starred  in  P.  D.  C. 
releases. 

Series  of  articles  by  Ernest  W.  Fredman  on 
Russia    begins    in    THE    FILM    DAILY. 

Mike  Glynne  takes  over  four  Long  Island 
houses    as    first    step    in    developing    chain. 

Mack  Sennett  and  Pathe  sign  new  contract 
covering   several   years. 

H.    C.   Witwer   sues   Harold    Lloyd   for   $250,- 
000    claiming    Lloyd    took    story    of    "The 
Freshman"      from      one      of      his      stories. 
Comedian    denies. 

Thursday 

Columbia  to  make  several  pictures  in  Eng- 
land with  British  casts.  May  later  produce 
in   Paris. 

Jos.  M.  Schenck  and  Sam  Goldwyn  to  join 
hands    for    filming    of    "Garden    of    Allah." 

Governor  Smith  urges  abolition  of  New 
York   State  M.   P.    Commission. 

World  Realty  Co.,  Omaha,  operating  six 
houses   and   Epstein   Bros,    in   merger. 

Report   Stanley   Co.   may   enter  new  territory. 

A.  L.  Erlanger  closes  for  "The  Prince  of 
India"  and  "The  Fair  God,"  novels  by 
Gen.   Lew   Wallace. 

Famous  closes  deal  for  half  interest  in 
Rialto,   Omaha,    with   Abe    Frank. 

Famous  grossed  $10,000,000  last  year  in  for- 
eign  markets. 

Friday 

Robert  T.  Swain,  representing  Famous  in 
the  Trade  Commission  case,  says  that 
seven  major  units  have  bought  interest  in 
669    houses    since    Sept.,    1924. 

Starting  Jan.  15,  Warners  theater  will  be  a 
two   a   day   house. 

Victor  Clark  joining  Metro-Goldwyn-Mayer. 
M.   E.    Hoffman   succeeds   him   at   Famous. 

$581,557,141  capital  listed  by  1,685  compan- 
ies chartered  in  1925,  according  to  FILM 
DAILY  survey. 

Secretary  Hoover,  speaking  before  Commit- 
tee on  Interstate  and  Foreign  Commerce 
urged  organization  to  fight  alien  monopo- 
lies. 

A.  H.  Schwartz  plans  chain  of  25  Long  Isl- 
and  houses. 

Dramatists   to    insist   on   contract    with   stage 

managers   to   fully   protect   screen  rights. 

Saturday 

Harry  M.  Warner  and  Hotley  H.  Flint  to 
go    abroad    on    distribution. 

Launch  new  eflfort  to  make  District  of  Col- 
umbia  "blue." 

West  Coast  Theaters,  Inc.  floating  bonds  for 
new  theater;  ten  houses  planned  for  Los 
Angeles. 


10  for  Los  Angeles 

(Continued  from  Page   1) 

and  Hollywood  Blvd.,  $2,000,000. 

A.  C.  Murphy  will  erect  a  $550,000 
theater  and  hotel  in  Beverly  Hills; 
West  Coast  Theater,  35th  and  Wes- 
tern, $200,000;  Vermont  south  of  Hol- 
lywood, Fred  Miller  and  associates, 
$350,000. 

Grauman's  Chinese  Theater,  Hol- 
lywood and  Orange  Drive,  $1,500,000; 
6th  St.  adjoining  Savoy  Hotel,  Mu- 
tual Theater  Building  Co.,  $300,000; 
northwest  corner  Wilshire  and  Shatto 
Place,  Fred  A.  Miller,  $500,000. 

West  Coast  will  float  a  bond  issue 
to  finance  the  $850,000  building  to  go 
up  at  Wilshire  and  Sycamore.  The 
theater  portion  will  cost  $400,000  and 
there  will  also  be  bachelor  apartments 
and  stores. 


Fire  in  Two  Theaters 
Altoona,  Pa. — An  overheated  fur- 
nace for  a  time  threatened  complete 
destruction  of  the  Palace  in  the  D. 
G.  McCullough  Bldg.,  1121  11th  Ave., 
operated  by  A.  Notopoulos.  Firemen, 
however,  confined  the  blaze  to  the 
cellar. 


"Blues"  Win  at  Bronson,   Minn. 

Bronson,  Minn. — "The  Sour  Sab- 
bath will  prevail  in  February,  as  a 
result  of  a  special  election  on  the 
issues  held  recently.  Twenty-five 
votes  in  favor  of  Sunday  shows  were 
cast   with   34   against. 


English-Made   Projectors  in   Canada 

Torton — A.  J.  Ames  is  managing 
director  of  a  new  company  which  is 
marketing  the  Ross  projector,  a  Brit- 
ish-made machine.  Ames'  company 
is  also  distributing  it  in  the   States. 


Capital    Changes   to    Pictures 

Ottawa — A  ten-piece  orchestra  and 
pictures  is  the  new  policy  at  the  Capi- 
tal, managed  by  P.  Keyahes,  which 
formerly  had  a  straight  vaudeville 
policy. 


"Met,"   Winnipeg,   Showing   Pictures 

Winnipeg — The  Metropolitan,  built 
by  the  Allen  Enterprises,  and  leased 
recently  by  creditors  to  Famous, 
has  changed  from  a  split  policy  to 
straight   pictures. 


Discuss  "Little  Theater" 
Baltimore,  Md.— "The  Place  and 
Possibilities  of  the  Little  Theater" 
were  discussed  at  a  recent  meeting 
of  the  Import  and  Export  Board  of 
Trade  here.  Speakers  were  G.  H. 
Pouder,  W.  H.  Russell  and  J.  Barry 
Mahool,  Jr. 


Newark  Theater  Sold 

Newark,  N.  J.  —  The  Horowitz 
Realty  Co.  has  disposed  of  the  Cameo 
theater  and  building  at  71-87  Eliza- 
beth Ave.,  to  a  sydnicate  of  local 
business  men  for  $300,000. 


Open  in  Three  Rivers,  Mich. 
Three  Rivers,  Mich. — Fitzpatrick 
and  McElroy  have  opened  their  new 
local  house,  the  Riviera.  It  cost  $150,- 
000,  and  will  run  pictures  and  vaude- 
ville. 


Form  Universal  Club  in  Kansas  City 

Kansas  City  —  The  employees  of 
the  local  Universal  exchange  have 
formed  a  club  called  the  Universal 
Club  of  Kansas  City. 


Lincoln,  111.  —  Fire  that  started 
when  the  boiler  of  the  Grand  ex- 
ploded  caused   considerable   damage. 


Manitoba    House   Total   Loss 

Portage  la  Prairie,  Man.  —  The 
Princess,  operated  by  M.  Steinmann. 
is  in  ruins  from  fire.  The  property 
was  only  partly  covered  by  insurance. 
Loss  was  $20,000. 


Newspaper    Opinions 
New  York 

"Infatuation" 

First  National 

Strand 

AMERICAN  —  *  ♦  •  Corinne  Griffith's 
beauty  floods  "Infatuation."  There  is  no 
denying  it.  She  grows  lovelier  and  lovelier 
with   each  picture.   *   *   » 

The  story  ♦  *  *  would  not  be  dull  were  it 
properly  filmed.  As  it  is,,  the  action  has 
been  pulled  out  until  it  moves  as  slowly 
as  a   turtle  with  a   sprained   ankle.    •   *    * 

DAILY  MIRRIOR — *  *  *  The  sets  are 
splendid.  If  they  and  Corinne  Griffith's  beauty 
can  make  entertainment,  then  you'll  not  do 
as  much  wriggling  or  yawning  over  "In- 
fatuation" as  we  did.    *   *   * 

DAILY  NEWS—*  *  *  The  picture  is 
beautifully  staged.  Percy  Marmont  looks 
every  inch  the  English  gentleman,  and  War- 
ner   Oland    is   always   good   as    the   villain. 

One  never  tiers  of  looking  at  Corinne  Grif- 
fith, and  her  acting  is  splendid.   *   ♦  * 

EVENING  JOURNAL—*  *  *  There  is  no 
doubt  of  Corinne  Grifiith's  beauty.  Superla- 
tive after  superlative  has  been  used  to  de- 
scribe her  soulful  close-ups,  and  she  is  very 
lovely  in  this  picture.  •  •  ♦  The  story's 
rather  hackneyed.   *  *  * 

EVENING  WORLD—*  *  *  It  is  about  as 
tawdry  a  story  as  ever  wasted  the  efforts 
of  three  such  capable  players  as  Miss  Grif- 
fith, Percy  Marmont  and  Malcolm  Mac- 
Gregor.    ♦   *   • 

HERALD-TRIBUNE—*  *  *  But  so  is 
"Infatuation" — or,  very  dull.  *  *  *  Corinne 
Griffith  plays  the  wife,  but  it  should  not  be 
held  against  her.  The  titles,  the  sets,  the 
acting  and  even   the  lighting  was   bad.    •   *    ♦ 

MORNING  TELEGRAPH—*  *  *  Corinne 
Griffith  is  beautiful,  charming,  appealing, 
clever,  delightful  and  interesting,  but  if  ever 
again  she  makes  us  sit  through  seven  reels 
of  the  forced  and  blatant  emotion  *  *  *  we're 

going  to  speak  to  *   *   *  somebody  about  it. 

*  *    * 

POST — *  *  •  seems  to  be  very  badly 
photographed  much  of   the  time,   thus  making 

the  picture  even   duller  than   it   needs   to   be. 

*  *   • 

SUN — *  *  •  The  cinema  is  probably  a 
faithful  enough  version,  but  whether  faithful 
or  not,  it  is  a  rather  commonplace  effort, 
offering  nothing  more  than  the  usual  undis- 
tinctive   acting,   direction   and   story.    •    *    • 

TELEGRAM—*  *  *  The  impression  one 
receives  *  *  *  is  that  it  was  constructed 
and  completed  *  *  *  without  the  expendi- 
ture of  more  ergs  of  energy  than  sheer  neces- 
sity  demanded.    *   *    * 

TIMES — *  *  *  It  is  no  longer  startlingly 
original  to  rhapsodize  over  Corinne  Griffith's 
good  looks.  ♦  *  •  This  is  a  fairly  interesting 
picture  with  signs  of  strain  in  certain  epi- 
sodes.   *   *   * 

WORLD—*  *  *  An  English-Egyptian 
chowder  of  love  with  diplomats  is  this  slow 
moving  drama  that  once  was  Somerset 
Maugham's  mild  "Caesar's  Wife."  which  as 
a   play  received  few   cheers.    •   *   * 


"Soul  Mates" 

M.-G.-M. 

Capitol 

AMERICAN—*  *  *  A  typical  Elinor  Glyn 
story,  produced  in  the  typical  Elinor  Glyn 
style,  and  acted  by  Miss  Glyn's  favorite  act- 
ress (Aileen  Pringle).  *  *  *  Edmund  Lowe 
has  the  most  amusing  part  we  have  seen  him 
play.  •  •  • 

DAILY  MIRROR—*  *  *  Will  also  make 
you  wonder  why  "Rain,"  "The  Green  Hat," 
and  "The  Constant  Nymph"  have  been  bar- 
red from  the  screen.  It  suffers  from  violent 
neurosis  and,  in  comparison,  Vesuvius  is  the 
North   Pole. 

DAILY  NEWS—*  *  *  You'd  know  this 
was  an  Elinor  Glyn  story  no  matter  where 
you  saw  it.  The  north  pole  probably  would 
be  the  best  place  to  show  an  Elinor  Glyn 
picture.  The  Eskimos,  never  having  seen  a 
movie,  wouldn't  know  what  it  was  supposed 
to  be  about,  anyway.  •  •  • 

EVENING  JOURNAL—*  *  *  An  Elinor 
Glyn  story  without  a  Count  or  Lord  as  the 
hero  would  be  like  an  Elinor  Glyn  story 
without  an  impassioned  love  scene.  •  *  *  Ed- 
mund Lowe  is  an  impoverished  nobleman  with 
a  vacuous  line  of  small  talk,  but  a  heart  of 
gold. 

EVENING  WORLD—*  •  •  Aileen  Pringle 
and  Edmund  Lowe  *  *  *  manage  to  be  in- 
teresting and  entertaining  except  when  the 
Elinor  Glyn  plot  interferes.  The  plot  is  ut- 
terly impossible — except,  of  course,  in  an 
Elinor  Glyn  novel  or  screen  production.  •  •  » 


GRAPHIC—*   *   *  In  short,  according 
madame's   standards,    "Soul   Mates"    is   a 
cidedly    tame    production. 

However,    it   is  an   entertaining  and   an 
ing   romance,   which  owes  much  to   the  \ 
good    acting    of    Aileen    Pringle    and    to 
mund  Lowe.  *  •  • 

HERALD-TRIBUNE—*  *  *  A  while  b 
Elinor  Glyn  wrote  to  us  disowning  one 
her  brain  children  called  "The  Reason  Wh 
She  said,  "When  it  appears  on  the  scr< 
absolve   me."      And,    ha'ving   seen   the   pict 

*  *   *   we  understand  Mrs.   Glyn's  relucta 
to   appear   as   the   instigator  of  it.   *   *   *      i  \ 

MORNING   TELEGRAPH—*   *   *   "S!J 
Mates"    is    in    Mrs.    Glyn's    lighter    vein    ; 
will  be  thought  good  entertainment  *  ♦  * 
it    combines    those    elements    she    knows    ? 
how    to    present    in    easily    assimilated    fo; 
»    *    ♦ 

POST—*    *    *   The   story   is   like   most   ' 
the     other     Glyn     writings — nothing      to 
shocked    at    in    this    day    and    age.      In    f; 
"Soul  Mates"  is  quite  an  ordinary  tale.  * 

SUN- — *  *  *  But  the  producers  can  bar 
expect  the  critics  to  eulogize  the  movie  ; 
further   than   saying   that  it   is   better   direc 

and    acted    than    the    usual    program    picti 

*  *    * 

TIMES — *  *  *  Everything  happens  as  M 
Glyn    intended    it    should    in    this    narrati  J 

*  *  •  I 

WORLD—*   *   *  After  reels  of  this  sot 
what  aimless  manoeuvring,  the  film  ends  ii 
scene    of    domestic    bliss    through    which 
romantic    and    mercenary    considerations 
pleasantly   mingled.    *   *   • 


"Womanhandled" 

Paramount 

Rivoli 

AMERICAN—*  *  *  Our  idea  of  what 
modern  Western  should  be.  Perhaps  ths 
because  it's  not  a  western  in  the  usual  sei 
of  the  word.  It's  pure  comedy,  and  i 
lightful  comedy,  too,  from  the  first  reel  to  i 
last.  ♦  *  *  The  cast  is  excellent.  Estl 
Ralston  not  only  looks  altogether  delicio 
She   does  some  nice  acting.   ♦   *   * 

DAILY  MIRROR—*  *  *  Deftly  direct 
by  a  newcomer  in  Gregory  La  Cava;  tre; 
itself  to  a  good  natured  poke  at  the  rom; 
tists's  conception  of  the  West.  'Tis  a  mer 
romping,  love  charged  comedy-drama  w 
Richard  Dix  simply  corking  in  a  role  ma 
to  order  for  hira.   ♦   *  * 

DAILY    NEWS—*    *    *    One   of   the   b 
picttu-es  we've  seen  is  "Womanhandled." 
is    not    great,    nor    spectacular,    nor    any 
the    usual     things    said     about    pictures    tl 
please,   but   it  is  a  joyous  sort  of   thing  tl 
doesn't    bore    you    a    moment,    and    that, 
think,    is    a    splendid    achievement.    *    •    * 

EVENING   JOURNAL—*    *    *    The   p 
ture    is    a    gorgeous    satire    on    our    cinemai 
wide  open  spaces,  and  Gregory  La   Cava, 
unknown    director,    deserves    and    hereby    ■ 
ceives     three     enthusiastic     cheers.       This 
Dick's    best    picture    in    a    long,    long    tiirl 
and    what    with    good   acting   on   his   part,   i 
excellent   story    to    start    with    and    clever    (i 
rection   and   gags,    the   combination   is   spar| 
ling    entertainment.    *    *    * 

EVENING  WORLD—*  *  *  To  start  t 
picture  year  right,  see  Richard  Dix  in  "W 
manhandled."  It  averages  as  many  laug 
to  the  foot  as  any  recent  film.  Only  o 
casionally  is  the  humor  subtle.  Few  of  t 
situations  miss  fire.  But  the  laughs  cor 
rippling  along,  one  after  the  other,  and  ti 
audience  leaves  wiping  tears  of  merrime 
from  laughing  eyes.   *  •  • 

GRAPHIC—*  *  *  (One  of  Richard  Vh 
best.  It  is  a  highly  amusing  comedy,  co 
taining  an  original  theme  and  some  hackneyi 
gags  and  situations.  *  *  • 

HERALD-TRIBUNE-*  *  *  Richard  D 
is  quite  himself,  therefore  very  attractiv 
Esther  Ralston  plays  the  impossible  heroii 
very  nicely.   *  *   * 

MORNING  TELEGRAPH—*  *  *  The 
is  a  lot  of  delightful  nonsense  in  "Womai; 
handled,"  *  «  »  and  Richard  Dix  romi 
through  it  as  though  he  enjoyed  making 
quite  as  much  as  a  hilarious  audience  di 
seeing    it. 

POST—*  *  *  Another  director  with 
flair  for  light  comedy — and  they  are  all  toj 
few  ♦  ♦  *  chiefly  concerned  with  the  engaj 
ing  antics  of  Richard  Dix.  The  director 
Gregory  La  Cava,  hitherto  unknown.  *  •  I 
If  you  want  screen  entertainment  presents 
in  an  intelligent  fashion,  try  "Womai 
handled."    ♦    «    * 

TIMES—*  *  *  Evoked  a  good  deal  i 
boisterous  laughter  »  «  »  but  the  humc 
could  seldom  be  termed  sharp  or  brigh 
*  *  *  There  is  an  enfant  terrible  in  this  fill 
who    is    anything   but    funny :    this    child    sui 

ceeds  in  making  the  hero  appear   quite  sill 

»   *  * 

WORLD—*  *  •   Is  a  good-natured,  wit| 
(.Continued  on  Pag*  12) 


1  "M 

Dii  H! 

jjiact 
lor  "i'l 


own. 


lodlo' 
Ike  ki' 
ot 
ill) 

.  unite' 

iwe4  «"I 

;) 


Associated  Exhibitors  Inc    '\ 

Oscar  A  Puce  Pics 


rv»  ■ 


i\\ 


111 


Laugh  with  HAROLD  LLOYD  in  Asto- 
dated  Exhibitors  Popular  Demand  Editions 
of  his  Hal  Roach  Successes,  "NEVER 
WEAKEN."    and   "I    DO  I" 


Laugh  with  GLENN  HUNTER  in  the  Fine 
Arts  hits,  "THE  PINCH  HITTER,"  with 
Constance  Bennett;  and  "THE  BROADWAY 
BOOB,"  with  Mildrtd  Ryan. 


Laugh  with  MONTY  BANKS  in  Howard 
Estabrook's  Pictures,  "KEEP  SMILING," 
Directed  by  Albert  Austin  and  Gilbert  W. 
Pratt;  and  "PLAY  SAFE,"  Directed  by 
Joseph  Henabery. 


Let^s  Laugh 

Every  Month 


^=^^^^faiemcm 


I 


With  Associated 
Money-Makers 


THE 


Sunday,  January  10,  1926 


-.ggg^ 


DAILY 


'  Dorothy  Revier  in 

"Enemy  of  Men" 

Columbia  Pictures  Corp. — S.  B. 

VERY  HUMAN  STORY  HOLDS 
TENSE  INTEREST  THROUGH 
SPLENDID  WORK  OF  STAR 
AND  INTELLIGENT  DIREC- 
TION. THE  KIND  THAT  AL- 
WAYS SCORES  HEAVY  WITH 
NEIGHBORHOOD   HOUSES. 

Star Dorothy    Revier    proves    her 

self  a  versatile  actress  by  handling 
a.  difficult  role  with  fine  change  of 
pace  to  fit  the  various  emotions 
she  portrays.  She  is  one  of  the 
rare  combinations — a  screen  beauty 
whose  histrionic  art  is  backed  up 
with  brains. 

Cast Cullen  Landis  plays  a  young 

doctor  pleasingly.  Charles  Clary 
acts  the  heavy  very  effectively. 
Cesare  Gravina  and  Leo  White 
both  do  character  bits  that  score 
repeated  laughs,  so  human  are 
they. 

Type  of  Story. ..  .Modern  drama  of 
social  and  business  life.  The  bare 
outline  of  the  plot  sounds  quite 
melodramatic,  yet  the  production  is 
happily  free  of  lurid  highlights. 
This  is  due  to  a  wealth  of  very 
human  touches  in  the  story,  fine  di- 
rection and  good  team  work  on 
the  part  of  the  cast.  But  the  work 
of  Dorothy  Revier  alone  would  lift 
this  film  out  of  the  ruck  of  com- 
monplace presentations.  She  has 
personality  plus  good  looks — and 
makes  them  both  score  heavily  by 
her  very  human  interpretation  of  a 
role  that  required  careful  handling 
throughout.  Dorothy's  young  sis- 
ter is  betrayed  by  a  well  known 
politician.  Upon  her  death,  Dor- 
othy takes  the  baby  and  swears  that 
all  men  will  pay  insofar  as  she  has 
power  to  make  them.  She  soon 
becomes  a  notorious  siren  who 
lures  all  men,  takes  all  and  gives 
nothing.  The  jewels  men  shower 
upon  her  she  converts  into  cash, 
with  which  she  supports  a  home  for 
girls.  Meanwhile  she  has  met  a 
young  doctor  who  does  not  suspect 
that  she  is  the  famous  beauty  of 
the  boulevards.  Finally  she  meets 
the  politician  who  caused  her  sis- 
ter's rum.  As  she  is  about  to  shoot 
him,  a  shot  is  fired  from  the  gun 
of  another  avenger.  Sounds  lurid, 
as  we  said.  But  it  is  so  skillfully 
presented,  and  filled  with  so  many 
touches  of  fine  human  sentiment 
and  humor  that  it  turns  out  to  be 
a  very  pleasing  and  absorbing  story. 
A  fine  example  of  what  a  good 
director  and  cast  can  do  with  in- 
diflferent  material. 
Box  OfEce  Angle. ..  .Just  made  for 
neighborhood  houses.  A  whole- 
some family  picture  that  holds  a 
fine  assortment  of  box  office  values 
always  popular. 

Exploitation. . .  .Feature  Dorothy  Re- 
vier in  a  role  of  a  man  hater  won 
jver  by  love.  The  idea  of  making 
men  pay  for  the  wrong  done  her 
sister  is  full  of  publicity  possibili- 
ties. 

Direction Frank  Strayer;  fine 

Author Douglas  Bronston 

Scenario    .• Same 

Cameraman Frank  Good 

Photography    Good 

Locale    City 

Length S,5b8  feet 


"The  Midnight  Flyer" 

Film   Booking    Office 

RAILROAD  MELLER  WITH 
THE  VILLAIN  AND  HERO 
AT  GREATER  ODDS  THAN 
EVER.  FARFETCHED  BUT 
NO  DOUBT  WILL  PROVE 
FIRST  RATE  BOX  OFFICE 
NUMBER  AT  THAT. 

Cast Carefully  selected  and  well 

suited.  Cullen  Landis  good  as  the 
weakling  who  turns  hero  in  a 
grandstand  finish.  Buddy  Post  the 
giant  bully  who  glories  m  the  role 
of  villain.  Does  it  well,  too.  Char- 
les Hill  Mailes  good  as  hero's 
father  with  Elmo  Billings  and 
Claire  McDowell  a  ferocious  pair 
of  mountaineers,  parents  of  villain. 
Buddy  Post.  Dorothy  Devore  the 
girl  in  the  case,  but  not  important. 

Type  of  Story. ..  .Melodrama.  "The 
Midnight  Hyer"  is  the  kind  of  mel- 
ler  thriller  that,  in,  spite  of  its  lack 
of  logic  and  the  imposing  presence 
of  a  villain  who  gets  away  with  the 
well  known  "murder"  and  a  hero 
who  stands  the  bluffing  for  five- 
sixths  of  the  footage,  will  no  doubt 
thrill  and  please  a  good  many  pic- 
ture patrons  and  subsequently  sat- 
isfy a  proportionate  number  of  box 
offices.  It  has  thrills  galore,  it  has 
many  tense  moments  and  it  has 
plenty  of  action  and  suspense. 
Never  mind  that  you  would  often 
like  to  choke  hero  for  his  en- 
durance. If  you  wait  long  enough 
you  know  he  is  bound  to  get  the 
better  of  the  bargain.  The  possi- 
bilities for  railroad  thrills  with 
head-on  collisions,  trains  running 
wild,  accidents  at  crossings,  making 
un  the  full  quota,  are  used  to  full 
advantage.  It  must  be  admitted 
that  Director  Forman  hasn't  al- 
lowed a  dull  moment  to  creep  into 
the  development.  "The  Midnight 
Flyer"  does  move  fast. 

Story:  A  feud  caused  Cale  to 
kill  Henderson's  wife.  She  exacted 
a  promise  which  prevented  Hender- 
son and  his  son  Davy  from  ever 
avenging  the  dead.  Cale's  son  Mel 
bullies  Davy  all  his  life  and  Cale 
further  brings  disaster  to  Hender- 
son by  causing  the  wreck  of  the 
flyer  which  Henderson  engineers. 
Davy  is  given  his  father's  place 
but  Mel  is  hot  on  the  trail.  There 
is  a  thrilling  climax  wherein  Davy 
proves  his  mettle  and  the  Cale  clan 
is   finally  and  properly  dealt   with. 

Box   Office   Angle Undoubtedly 

well  suited  to  box  office  require- 
ments in  spite  of  wild  melodramatic 
situations.  Some  fine  railroad 
thrills. 

Exploitation ....  The  title  will  readily 
indicate  the  type  of  story  and  a 
trailer  including  any  of  the  thrills 
will  assure  them  of  an  exciting  hour 
with  "The  Midnight  Flyer."  You 
have  some  good  names  to  use  in 
the  cast  and  the  usual  ballyhoo  will 
take  care  of  announcements. 

Direction Tom  Forman;  good 

Author Arthur  Guy  Empey 

Scenario    Same 

Cameraman Harry  Perry 

Photography    Good 

Locale Western  town 

Length 6,200  feet 


"The  StiU  Alarm" 

Universal-J  ewel 

MELODRAMA  WITH  TWO 
GOOD  FIRES  THAT  FURNISH 
GREAT  THRILLS.  HAS  BOX 
OFFICE  PULLING  POWER 
AND  WILL  UNDOUBTEDLY 
THRILL  AND  SATISFY  THEM 
EVERYWHERE. 

Cast. ..  .William  Russell  the  fireman 
hero  with  the  best  role  the  story 
has  to  oiier.  Makes  the  most  of  it 
and  does  some  of  his  best  work  in 
a  long  time.  Helene  Chadwick  in 
a  rather  unsympathetic  role  which 
does  not  give  her  much  to  do.  Ed- 
na Marian  cute  and  Edward  Hearn 
her  fireman  sweetheart,  quite  suit- 
able. Others  Richard  "Travers,  the 
heavy,  Dot  Farley,  John  T.  Mur- 
ray, Erin  La  Bissoniere. 
Type  of  Story. ..  .Melodrama;  adap- 
ted from  the  stage  play  by  Joseph 
Arthur  and  A.  C.  Wheeler.  The 
crowd  that  enjoys  a  good  thrill — 
and  there  is  a  big  crowd  to  whom 
a  rip  roaring  fire  is  always  a  thrill 
— will  certainly  find  "The  Still 
Alarm"  much  to  their  liking.  It 
has  at  least  two  corking  fine  fires 
with  some  good  shots  showing  the 
apparatus  making  the  mad  dash  to 
the  scene.  Besides  the  thrills  pro- 
vided by  the  fire — there  are  other 
elements  of  audience  appeal  that 
make  it  attractive.  The  romance 
of  the  fireman's  daughter  and  the 
rich  roue  who  entices  her  to  his 
apartment  and  the  coincidence 
wherein  the  triangle  of  the  wife-hus- 
band-and-the-other-man  meet,  un- 
der dramatic  circumstances,  will 
serve  to  keep  them  interested  also. 
The  actual  plot  ingredients  are  of  a 
familiar  order  but  they  probably 
won't  mind  it  a  bit.  Director  Ed- 
ward Laemmle  has  injected  some 
noteworthy  touches  such  as  that  in 
which  a  dog  jumps  from  a  burning 
ledge  with  a  young  pup  in  its 
mouth,  into  the  fire  net,  and  a  fine 
bit  of  suspense  is  where  the  fire- 
men make  their  way  to  safety  from 
the  burning  building  by  walking  a 
narrow  ledge. 

Story:  Dick  Fay's  wife  disap- 
pears with  Perry  Dunn.  Seventeen 
years  later  Dick,  happy  with  an 
adopted  daughter,  meets  his  wife, 
owner  of  a  fashionable  modiste 
shop,  established  for  her  by  Perry 
with  whom  she  had  never  lived. 
She  still  loves  Dick  and  after  com- 
plications are  cleared  away  there 
is   a   general   re-union. 

Box  Office  Angle Good  for  the 

masses.  They'll  enjoy  the  thrills 
and  probably  get  first  rate  satis- 
faction out  of  the  entire  picture. 
Exploitation. ..  .Play  up  the  fire  se- 
quence and  be  sure  to  let  them 
know  about  the  spectacular  rescues. 
A  trailer  should  take  care  of  this 
angle  quite  satisfactorily.  Use 
William  Russell's  name  and  say 
that  he  gives  a  first  rate  perform- 
ance. Title  should  sell  readily  and 
local  fire  departments  might  help 
you   exploit   the   picture. 

Direction Edw.    Laemmle;    good 

Author Jos.  Arthur  and  A.  C. 

Wheeler. 

Scenario   Chas.  Kenyon 

Cameraman    John    Stumar 

Photography    Good 

Locale   Small  town 

Length  7,207  feet 


"The  Enchanted  Hill" 

Param,ount 

WESTERN  WITH  SOME  FAM- 
ILIAR TWISTS  BUT  FINE 
COMEDY  RELIEF  AND  GOOD 
ACTION  THAT  KEEPS  IT 
FROM  BEING  ORDINARY. 
WILL  PLEASE  MANY. 

Cast.... Jack  Holt  the  hero  who  is 
doubted  comes  through  the  victor 
and  wins  the  girl,  appealingly  play- 
ed by  Florence  Vidor.  Noah 
Beery  in  one  of  his  comedy  roles 
that  he  does  so  delightfully.  George 
Bancroft  a  conventional  villain. 
Mary  Brian  and  Richard  Arlen  a 
cute  couple.    Others  not  important. 

Type  of  Story Western  comedy- 
drama;  adapted  from  Peter  B. 
Kyne's  story.  "The  Enchanted 
HiU"  probably  isn't  a  great  deal 
different  than  many  western  plots 
that  have  come  and  gone  before 
but  it  is  bolstered  up  with  a  strong 
line  of  comedy  and  interesting 
touches  and  bits  that  it  loses  any 
semblance  of  conventionality  quite 
readily  and  comes  through  an  en- 
tertaining and  interesting  feature. 
Noah  Beery  is  responsible  for  some 
of  its  success  for  his  comedy  busi- 
ness that  never  fails  to  register. 
Jack  Holt  is  a  likable  hero  who 
suffers  his  "ups"  and  "downs"  in 
true  hero  fashion  but  you  know 
the  girl  will  realize  her  mistake  and 
receive  him  in  open  arms  at  the 
close.  And  she  does,  of  course. 
There  are  some  fine  airplane  stunts 
with  a  plane  chasing  villain  in  an 
auto.  Some  fine  thrills  in  this  se- 
quence. 

Story:  Lee  Purdy,  ranch  owner, 
is  in  love  with  Gail  Ormsby,  ow- 
ner of  a  neighboring  ranch.  Gail's 
foreman,  Todd,  knows  of  a  secret 
vein  of  iron  running  through  both 
ranches  and  sets  about  to  cheat  his 
mistress  and  do  away  with  Purdy 
in  his  plan  to  get  control  of  both 
ranches.  He  manages  to  brand 
Purdy  a  murderer  and  thus  kills 
his  mistress'  interest  in  the  man  she 
now  loves.  How  Purdy  bides  his 
time  and  finally  manages  to  prove 
Todd  the  guilty  one  includes  many 
exciting  twists  and  turns  plus  good 
thrills  and  is  followed  by  the  ex- 
pected reunion  of  Gail  and  Purdy. 

Box  Office  Angle. . .  .Good  action  and 
comedy  easily  make  this  recom- 
mendable.  Will  please  the  majority 
anywhere. 

Exploitation. ..  .Promise  a  fine  west- 
ern with  splendid  comedy  relief  and 
let  them  know  that  Jack  Holt  and 
Florence  Vidor  are  a  splendid  hero- 
heroine  team.  Noah  Beery's  name 
can  be  capitalized  also.  The  title 
and  name  of  the  author  can  be  used 
also.  A  trailer  will  do  its  usual 
work. 

Direction. ..  .Irvin   Willat;    first   rate 

Author    Peter  B.   Kyne 

Scenario James  Shelley  Hamilton 

Cameraman  Al  Gilks 

Photogfraphy    Good 

Locale The  West 

Length  6,326  feet 


HOLLYWOOD 
HAPPENINGS 


o/'FILMDOH 


Authority 


By 

Harvey  E.  Qausman 


Telephone  Granite  3980 


Sunday,  January  10,  1926 


6411  Hollywood  Blvi 


MacDonald   in  Fox   Film 

J.  Farrell  MacDonald  has  been  se- 
lected to  play  the  title  role  in  "The 
Dixie  Merchant,"  directed  by  Frank 
Borzage  Madge  Bellamy,  Jack  Mul- 
hall,  Claire  McDowell,  Harvey  Clark, 
Edward  Martmdale,  i-rank  Beal,  Qu- 
est Conly  and  Cherry  Blossom,  a 
thoroughbred,  are  in  the  cast. 


Leonard  Cutting  "Dance  Madness" 
As  soon  as  Robert  Z.  Leonard  fin- 
ishes cutting  and  editing  "Dance  Mad- 
ness," he  will  be  loaned  by  M.-G.-M. 
to  the  Corinne  Griltith  Jr'roductions 
to  direct  "Mile.  Modiste." 


Edwards    Completes    Comedy 
Neely  Edwards  has  completed  "Do 
or  Bust,"  at  Universal.     I'hree  more 
pictures  remain  to  complete  his  con- 
tract. 


Paul  Sloane  Assisting 

Paul  Sloane  is  at  present  assisting 
Elmer  Harris  in  the  adaptation  of 
"Eve's  Leaves,"  which  Sloane  will  di- 
rect. 


Dugan  to  Aid  Brabin 

Charles  Brabin,  who  will  direct 
"The  Winning  of  Barbara  Worth"  for 
Principal,  has  selected  James  Dugan 
as  his  assistant. 


Hoot  Gibson  Back 

Hoot  Gibson  has  returned  to  Uni- 
versal after  a  location  trip  to  King 
City,  Cal.,  where  exteriors  for  "Chip 
of  the  Flying  U"  were  filmed. 


William  De  Mille  Back 

William  De  Mille  returned  to  Hol- 
lywood. His  next  Paramount  pro- 
duction will  be  "The  Flight  to  the 
Hills." 


De  Mille  Has  Big  Set 
Cecil    B.    De    Mille    is    pulling   his 
studio  apart  to  make  room  for  some 
of  the  large  settings  for  "The  Volga 
Boatman." 


Mark   Hamilton  Signed  by  "U" 

Mark  Hamilton  has  been  signed  by 
Universal  for  a  supporting  role  in 
"Chip  of  the  Flying  U,"  featuring 
Hoot  Gibson. 


Anthony  to  Title 

Walter  Anthony  has  been  chosen 
to  title  "My  Old  Dutch,"  which  Lar- 
ry Trirrihk-^directed  for  Universal. 


To  Do  "Finnegan's  Ball" 

Max    Graf   is   planning    to   produce 
"Finnegan's  Ball"  from  the  old  Mur- 
Mack  stage  play. 


Herbert  with  M.-G.-M. 
F.  Hugh  Herbert,  magazine  author, 
has  been  added  to  the  scenario  stafi 
of  M.-G.-M. 


Ruth  Roland  in  Vaudeville 

Ruth  Roland  has  gone  into  vaude- 
ville over  the  Keith-Albee  circuit. 


Cast  of  "Mystery  Club" 

The  cast  for  "Ihe  Mystery  Club," 
which  Herbert  Blache  will  direct  for 
Universal  is  being  selected.  Matt 
Moore  and  Edith  Roberts  will  be  fea- 
tured. Warner  Oland,  Mildred  Har- 
ris, Charles  Pulfy,  JNat  Carr  and  Char- 
les  Crane  are  also  in  the  cast. 


Hillyer  Begins  "Second  Chance" 
Lambert  Hillyer  has  started  work 
on  "The  Second  Chance"  with  Anna 
^.  Nilsson  in  the  leading  role  and 
iluntley  Gordon  and  Charles  Murray 
in  featured  male  parts. 


Renee  Adoree's  Sister  in  Part 
Renee  Adoree's  sister,  Mira,  is  play- 
ing a  part  in  Phil  Rosen's  new  M.- 
G.-M.  picture  in  which  Renee  is  play- 
ing the  lead. 


Kenyon  to  Adapt 

Charles  Kenyon  has  been  assigned 
the  adaptation  of  "The  Old  boak," 
for  Universal.  Edward  Sloman  to  di- 
rect and  Jean  Hersholt  to  star. 

Frances  Marion's  Next 

Frances  Marion's  next  will  be 
"Calamity  Jane"  by  Bret  Harte. 
Harry  Carr  is  working  on  the  con- 
tinuity. 


Boylan    to    Title 

Malcolm  Stuart  Boylan  has  been 
engaged  to  write  the  titles  for  "The 
Danger  Girl,"  Priscilla  Dean's  initial 
Metropolitan. 


Mix  on  Location 

Tom  Mix  and  a  company  of  75 
have  left  for  Arizona,  where  they  will 
film  scenes  for  "Tony  Runs  Wild." 
Jacqueline  Logan  is  playing  the  lead. 

Owen  Moore  in  "Money  Talks" 

Owen  Moore  will  play  the  leading 
male  role  in  "Money  Talks"  for  M.- 
G.-M.,  with  Claire  Windsor  as  femi- 
nine lead. 


200   on   Location 

More  than  200  Paramount  Players 
are  in  Merango  Valley  to  film  open- 
ing scenes  for  "Desert  Gold,"  which 
George  B.  Seitz  is  directing.  Neil 
Hamilton,  S'hirley  Mason,  Robert 
Frazer,  William  Powell  and  George 
Rigas  are  in  the  cast. 


Patsy  Ruth  MiUer  in  Lead 
Patsy  Ruth  Miller  and  not  Marie 
Prevost  will  play  the  lead  in  "Why 
Girls  Go  Back  Home."  ihat  moves 
Dorothy  Devore  into  the  lead  in 
"Leave  It  to  Me." 


Katherine  MacDonald  to  Return 

Katherine  MacDonald  will  return 
to  pictures  after  several  years  of  re- 
tirement. She  has  signed  a  contract 
to  play  the  leading  roie  in  "The  Des- 
ert Healer." 


Meredyth  to  Write  Barryraore  Film 
Bess  Meredyth  has  been  assigned 
by  Warner  Bros,  to  write  the  third 
John  Barrymore  feature,  "The  Tav- 
ern Knight." 


Seiter  to  Start  "Rolling  Home" 

William  A.  Seiter  will  start  "RoU- 
ng  Home,"  starring  Reginald  Denny 
shortly.     Rex  Taylor  is  finishing  the 
adaptation. 


Ernest  Torrence  Cast 
Ernest   Torrence    is    cast   in    "The 
Blind  Goddess,"  adapted  from  the  Ar- 
thur Train  novel.     Victor  Fleming  is 
to  direct. 


Florey  Again  with  Vidor 

Robert  Florey  has  again  been  as- 
signed by  M.-G.-M.  to  head  the  tech- 
nical staff  in  the  production  of  Bar- 
delys,  the  Magnificent,"  starring  Jack 
Gilbert. 


"Married  Bachelors"  Begun 

Production  has  been  commenced  on 
"Married  Bachelors,"  a  Gold  Medal 
comedy. 


Viola  Dana  Completes  Role 

Viola  Dana  has  completed  the  lead- 
ing feminine  role  in  "Wild  Oats 
Lane." 


On  Dog  Comedy 

The  Christie  company  is  now  work- 
ing on  a  dog  comedy  called  "Run  Tin 
Can." 


Moomaw  to  Locate  Here 

Louis  H.  Moomaw  has  decided  to 
establish  his  headquarters  here  instead 
of  Portland,  Ore. 


Finish  "Taxi  Mystery" 

"The  Taxi  Mystery,"  with  Edith 
Roberts  has  just  been  finished  at  Fine 
Arts.  This  is  a  Royal  production. 
For  release  through  Henry  Ginsberg. 


Myrtle  Stedman  in  Role 

Myrtle  Stedman  has  been  signed 
by  Belasco  Prod,  for  the  role  of  the 
Princess  in  "The  Prince  of  Pilsen," 
under  direction  of  Paul  Powell. 


"Padlocked,"  Dwan's  Next 

"Padlocked,"  a  story  by  Rex  Beach 
will  be  Allen  Dwan's  next  for  Fam- 
ous. 


Lilyan  Tashman  Loaned 

Lilyan  Tashman  has  been  loaned 
by  Metropolitan  to  play  the  feminine 
lead  in  "Siberia"  for  Fox. 


Virginia  Lee  Corbin  111 

Virginia  Lee  Corbin  is  suffering 
a  nervous  breakdown,  according  to 
her  mother. 


Harlan   Starts   Work 
Kenneth  Harlan  has  started  work 
at  Laguna  Beach  on  "The  Sap,"  for 
Warners.     Erie   Kenton  is  directing. 


Acord  Starts  Another 

Art'Acord,  Universal  star,  has  be- 
gun work  on  "The  Frontier  Rider," 
under  direction  of  Cliff  Smith. 


Carewe  Begins 

Edwin  Carewe  has  begun  filming 
"Twentieth  Century,  Unlimited."  Hi; 
cast  is  headed  by  Mary  Astor  anc  , 
Lloyd  Hughes,  with  Dolores  del  Rio,  ■ 
Rita  Carewe,  John  T.  Murray,  Alec 
Francis  Edwards  Davis,  Clarissa  Sel- 
wyn  and  Charles  Sellon  in  support. 

Added  to  "His  Pal"  Cast 

Al  Alt,  Eddie  Harris  and  Bob  Mc- 
Kenzie  have  been  added  to  the  cast 
of  "His  Pal,"  a  Van  Pelt  production 
being  filmed  for  Joe  Rock.  "Fear- 
less," the  dog,  is  being  featured. 


To  Film  Amazon  River 
Motion  pictures  of  the  Amazon 
River  and  its  unexplored  regions  are 
to  be  taken  by  the  expedtion  headed 
by  Thor.  S.  Ramberg  and  Lieut.  Odd 
Dahl. 


Otis  Harlan  in  Cast 

Otis  Harlan  has  been  engaged  by^ 
A.   H.   Sebastian  for  a  role  in 
Prince  of  Pilsen,"  which  Paul 
ell  is  directing. 


cu  uyi 
"The 
Pow-I 


Alan  Hale   Borrowed 

Alan  Hale  has  been  borrowed  from 
Cecil  B.  DeMille  to  direct  Priscilla 
Dean  in  "Forbidden  Waters,"  for 
Metropolitan. 


Asher  Purchases  "Painted  Face" 

E.  M.  Asher  has  purchased  the 
stage  and  screen  rights  to  "The  Pain- 
ted Face,"  by  Bayard  Veiller. 


Norma  Talmadge  at  Work  on  "Kiki" 

Norma  Talmadge  has  started  work 
on  the  first  scenes   in  "Kiki." 


^■■■■■■■■■■■■■■■■■■■■■■■■■■I ■■■■■! 

STUDIO  SPACE 

For     Independent     Producers 
Excellent  facilities  with  every    J 
convenience. 


CALIFORNIA  STUDIOS 

^      1420-22-24  Beachwood  Drive      j 

Hollywood 

Jack    Mlntz,    Studio    Mgr. 

Phone    HO-0162 


When  tn  Hollywood 
stop  at 

THE  NEW  HOTEL  REGENT 

Every  room  'with  Bath  and  Radio 

A  beautifully  appointed  moderately 
priced  hotel. 

In  the  heart  oj  Hollywood 

6162  HOLLYWOOD  BLVD. 

Phone:  Holly.  0487 


■  ■■■■■■■"■"■a; 


THE 


Sunday.   Tanuary  10.   lf?6 


■c^H 


DABLY 


11 


In  Western  Studios 

cast  includes  Ronald  Colman,  Ger- 
trude Astor,  Marc  MacDermott, 
George  K.  Arthur  and  Frankie  Darro. 
Clarence  Brown  is  directing. 


Del   Lord  Begins 
Del  Lord  has  started  a  new  com- 
edy for  Mack  Sennett  with  Billy  Be- 
van  . 


Warrenton   with   Johnson 

Gilbert  Warrenton,  cameraman,  has 
been  engaged  by  Emory  Johnson  to 
)hotograph  "Non-Stop  Flight." 

Gil   Pratt    Directing   Comedy 

jl    Gil  Pratt  is  directing  Raymond  Mc- 
TCee  and  Ruth  Hiatt  in  a  new  Smith 
,  Family  comedy. 

Donald  Keith  Here 

Donald  Keith  has  arrived  in  Hol- 
•  Ivwood  from  New  York. 


"Flyin'  Thru"  Finished 

Al   Wilson   has    completed    "Flyin' 
Thru"  for  Davis  Dist.  Div. 


Malcolm  Denny  in  Cast 

Malcolm  Dennv  has  been  added  to 
the  cast  of  "The  Volga  Boatman." 


Gade  Cutting  "Wives  for  Rent" 
Svend  Gade  has  finished  "Wives  for 
Rent,"  and  is  now  cutting. 

Lew  Lipton  Signs  Again 
Lew    Lipton,    author,    under    con- 
tracts with  M.-G.-M.,  has  signed  for 
another  year. 

Rae  Ethlyn  in  "The  Torrent" 

Rae  Ethlvn  has  been  added  to  the 
cast  of  "The  Torrent." 


Claire  Windsor  in  "Money  Talks" 

Claire  Windsor  will  plav  the  lead 
in  "Money  Talks,"  a  Rupert  Hughes 
story. 

Henry  King  Finishes 
Henry  King  has  completed  "Part- 
ners   Again"— with    Potash    &    Perl- 
mutter." 


Two-Thirty-Three  Holding  Co. 

Hollywood  —  The  Two-Thirty- 
Three  riub  has  organized  a  Two- 
Thirtv-Three  Club  Holdin?  Co..  to 
arrange  the  funding  of  a  $1,500,000 
building,  for  the  designing  of  which 
leading  architects  will  comnete. 

Officers  for  the  vear  1926  are: 

President,  Fdward  Travis  (re-elected)  ;  Vice- 
Presidents.  Frank  T.loyd,  ToTin  McCormicV 
and  WaVace  Beery :  Corresnondire  Secretary, 
Bryant  WasTiburn  :  'Recordinp-  Secretary.  Kav- 
tnond  McKee  (re-elected)  :  Executive  Cleric, 
Fred  Douflas:  Treasurer.  Samuel  TCress  (re- 
elected) :  Board  of  Directors  Georire  Sar- 
gent, Ciairman ;  ToVin  Tnce.  Perrv  VnlcrofF. 
Tames  W.  Home.  Lewis  W.  Gill,  f^eorere 
Fawcett.  Edward  V.  Rowland.  Jolin  E.  El- 
liott. David  H  Tliompson.  tonis  Plivsioc. 
Joseph  r^oldsmitli.  Tr.  and  Tolin  LeRoy  Jolin- 
ston.  The  Memhership  Pominittee  is  Win- 
fred  North  Lewis  W.  Gill.  Mitchell  Lewis 
Herhert  Prior.  William  H.  Turner.  David  H. 
Thompson.  During  the  year  the  Hilarity  De- 
cree wi'l  he  given  hy  committee  headed  hy 
Harry  O.  Dull.  Charles  Stevens.  George  Mar- 
sha'!. Paul  Htirst  and  Scotty  Beal. 
Membership  now  totals  1265. 


Short    Subjects 


"What's  the  World  Coming  To?"— 
Hal  Roach— Pathe 
Fantastic  Farce 
Type  of  production. . .  .2  reel  comedy 
This  offering  gives  us  a  glimpse  one 
hundred  years  into  the  future,  when 
men  have  become  effeminate  and 
women  very  masculine.  The  direc- 
tor, Richard  Wallace,  has  handled  his 
subject  with  a  light  farcical  touch 
throughout.  Clyde  Cook  is  the  chief 
funmaker  in  the  role  of  the  effemi- 
nate bridegroom  who  is  "given  away" 
by  his  fond  father.  Katherine  Grant 
takes  the  part  of  the  manly  wife  and 
places  the  ring  on  the  finger  of  the 
blushing  groom.  In  a  word,  this 
farce  which  humorously  pictures  life 
in  another  century,  completely  re- 
verses the  present  order  of  social  life 
Women  have  become  hard  boiled  and 
run  everything,  including  their  hus- 
bands, who  stay  at  home  while  wifey 
goes  to  business  and  stays  out  late 
at  night.  The  mother-in-law  gag  is 
also  reversed  in  favor  of  the  father- 
in-law.  The  latter  becomes  the  med- 
dlesome, fussy  old  dear  who  mixes 
in  Cook's  domestic  quarrels  with  his 
wife.  A  lot  of  fun  is  uncovered 
through  a  female  sheik  who  keeps 
pursuing  poor  little  hubby  and  trying 
to  win  him  away  from  his  bride.  The 
whole  thing  offers  good  comic  di- 
version by  this  reversal  of  the  pres- 
ent day  relations  between  the  sexes. 
Clyde  Cook  has  caught  the  proper 
farcical  note  necessary  to  get  this 
idea  over.  If  he  and  the  director 
had  allowed  it  to  descend  to  bur- 
lesque or  slapstick,  most  of  the  light 
humor  would  have  been  entirely  lost. 
Has  a  good  novelty  angle  that  should 
please  all  comedy  fans. 


Zane  Grev  Sails  for  Antipodes 

San  Francisco— Zane  Grey  has  left 
for  an  extended  stay  in  Australia  and 
New  Zealand.  His  trip  is  partly  for 
new  story  material. 


"Pathe  Review  No.  3"— Pathe 

Top  Notch 
Type  of  production.  .1  reel  magazine 
A  second  series  of  remarkable 
views  of  Knud  Rasmussen's  Arctic 
trip  are  offered.  Wonderful  shots  of 
the  huskies  pulling  the  sleds  over 
fields  filled  with  great  boulders  of 
ice.  It  brings  home  with  a  powerful 
punch  the  hardships  and  dangers  ex- 
perienced by  adventurous  explorers 
of  the  frozen  North.  The  views  are 
so  wonderful  that  you  wish  to  see 
two  or  three  reels  of  them.  The  sec- 
ond subject  is  "Makers  oi  Men," 
which  presents  some  interesting 
plimpses  of  the  life  at  West  Point. 
Here  are  shown  the  future  army  gen- 
erals hard  at  work  over  knotty  mathe- 
matical problems,  or  else  constructinc 
some  mechanical  device  requiring  real 
craftsmanship.  Then  vou  realize  that 
life  at  the  famous  militarv  headriuar- 
ters  is  not  all  dress  parade.  But  we 
also  see  them  in  armv  manoeuvers. 
and  finally  receiving  diplomas.  The 
reel  ends  with  "The  Sea  Rover,"  an- 
other fine  contribution  to  the  color 
series,  which  shows  seagulls  in  their 
haunts  along  the  rorkv  shores  nf  the 
Atlantic  coast.  Set  in  the  cold  frame, 
with  the  natural  colors  of  the  sub- 
iect  matter,  these  animated  paintin's's 
seem  like  some  famous  paintingsin 
the  art  gallerv  suddenly  come  to  life. 
Bound  to  please  everywhere. 


"The  Iron  Trail"- Fox  Scenic 

Modern  Transportation 

Type  of  production 1   reel  scenic 

You'll  probably  learn  some  things 
about  transportatoin  that  you  never 
knew  before  when  you  see  "The  Iron 
Trail,"  a  Fox  scenic  that  deals  with 
th  various  methods  of  railway  con- 
veyance. It  is  a  sort  of  world  tour 
of  the  railroads  and  covers  about 
every  country  on  the  globe  with  such 
widely  separated  means  as  the 
American  locomotive  and  the  Ger- 
man suspension  road  contributing  to 
the  variation.  It  is  a  particularly  in- 
teresting subject  showing  the  many 
unfamiliar  modes  of  traveling,  espe- 
cially the  English  "train  that  never 
stops."  When  it  comes  to  a  station 
the  train  slows  up  sufficiently  to  per- 
mit the  passengers  to  get  on  and  off 
without  apparent  difficulty — which 
may  be  all  right  in  England  but  pic- 
ture it  in  the  New  York  subway. 
The  Rialto  orchestra  provided  a  real- 
istic, if  somewhat  noisy,  accompani- 
ment for  the  reel  with  the  chug-chug- 
ging of  the  locomotive  given  special 
attention  by  the  drummer.  Good 
Good  novelty  scenic  that  should  fit 
nicely  on  your  program. 


"Searchlights"— Urban-Kineto— Red 
Seal 

Educational  Novelty 
Type  of  production. ..  .1  reel  novelty 
The  first  half  deals  with  the  re- 
markable effects  of  sound  waves.  The 
effects  of  a  violin  bow  scraped  on 
the  rim  of  a  glass  of  water  as  caught 
by  the  sensitive  eye  of  the  camera 
are  unique.  They  will  prove  highly 
diverting  to  any  audience.  A  spe- 
cial mechanism  is  employed  to  show 
what  ordinary  vibration  does.  The 
delicate  instrument  is  set  in  motion 
and  a  pencil  point  records  the  result 
on  paper.  Remarkable  designs  are 
produced,  conspicuous  for  their  grace 
and  beauty  of  line.  The  second  half 
of  the  reel  deals  with  albinos,  or  the 
rare  white  species  in  the  animal  king- 
dom. Some  of  the  specimens  shown 
in  their  native  habitat  are  the  weazel, 
deer,  rattlesnake,  tortoise  and  frog. 
A  short  reel  this,  but  filled  with  au- 
dience appeal  because  of  its  genuine 
novelty. 


Complete  Music  for  Shorts 

Pathe  is  about  to  release  the  "Fam- 
ous Melody  Series,"  produced  by 
James  Fitz  Patrick.  Complete  or- 
chestrations for  as  many  as  65  mu- 
sicians will  be  supplied  exhibitors 
with  each  release.  The  first  three 
are  "Songs  of  Ireland,"  "Songs  of 
Scotland"  and  "Songs  of  England," 
all    made   abroad. 


In  Eastern  Studios 

Start  "The  Cleaner  Flame" 
Burton  King  will  start  shooting  on 
"The  Cleaner  Flame"  Monday  at  the 
Bennett  studi<xJEllsieWerner  wrote 
the  continuity^'King'WWBe^ssisted 
hy  Bernard  F.  McEvette  and  Alen 
Hazelton  will  acts  as  production  man- 
ager. The  cast  consists  of  Alice 
Lake,  Louise  Carter,  Kenneth  Mc- 
Kenna  and  Warner  Richmond.  Ar- 
row will  release. 


"Savage"  to  Start  on  the  13th 

"The  Savage"  will  not  go  into  pro- 
duction at  First  National  until  Jan. 
13.  May  McAvoy  arrived  here  from 
the  coast  on  Thursday.  Ben  Lyon 
will  play  opposite. 


Philo  McCulIough  has  also  been 
added  to  the  cast,  and  is  leaving  the 
coast  on  Sunday. 


Making  Third  Laymon  Comedy 

The  third  Fatty  Laymon  and  Char- 
lie Dorety  comedy  is  under  way  at 
Estee.    It  is  entitled  "Hard  to  Hold." 


Fitzpatrick  Completes  Fourth 
James  A.  Fitzpatrick  has  comnleted 
the  fourth  of  the  "Famous  Melody 
Series"  for  Pathe.  It  is  called  "Songs 
of  the  Northern  States."  Peggy  Shaw 
is  featured. 


Gloria  on  Location 

Gloria  Swanson  and  the  company 
making  "The  Untamed  Lady,"  for 
Paramount,  are  on  location  at  Pine- 
hurst,  N.  C.  Frank  Tuttle  is  direct- 
ing. 


Hoerl  on  Jessel   Scenario 

Arthur  Hoerl  is  finishing  the  scen- 
ario on  "The  Cherry  Tree,"  in  which 
George  Jessel  will  be  starred  by  Al 
Lichtman.  Production  will  start  about 
Feb.  1. 


Added  to  Dix  Cast 
Joe    Kilg'our,    Tom    T<"indlav    and 
"Gunboat"  S^nith  have  been  added  to 
the  cast  of  "Bachelor  Troubles,"  star- 
ring Richard  Dix. 


Elsie  Lawson  in  Menjou  Picture 
Elsie    Lawson    has    been    added    to 

the  cast  of  Adolphe  Menjou's  latest. 

"A  Social  Celebrity,"  taking  the  place 

whcih  Greta  Nissen  was  to  have  had 

originally. 


Schol  Still  on  Location 

The  Paramount  Picture  School  pu- 
pils are  still  on  location  at  Lake  Placid 
taking  exteriors. 


Ralph  Ince  in  Acting  Part 

Los  Angeles — Ralph  Ince  has  been 
cast  for  the  leading  role  opposite 
Olive   Borden   in  "Yellow  Fingers.' 


Booked   in    Boston 

Boston  —  The  Metropolitan  has 
booked  "Buster's  Bust  Up,"  one  of 
the  Buster  Brown  series. 


Meighan  Unit  Busy 

Tom  Meighan  and  the  companv 
making  "The  New  Klondike"  are  still 
at  Paramount  filming  interiors. 


Working  at  Cosmopolitan 

"Men  of  Steel"  unit,  being  directed 
by  George  Archainbaud,  is  working 
on   interiors   at    Cosmopolitan. 


Ethlyn  Williamson  in  Cast 
Ethlvn  Williamson,  under  contract 
to  Robert  Kane,  is  plaving  a  part 
in  his  picture,  being  directed  by  Al 
Santell  at  the  Cosmopolitan  studio, 
"The   Dancer   of   Paris." 


y 


v  /. 


12 


THE 


■e&tHk 


DAILY 


Sunday,  January  10,  1926 


Newspaper    Opinions 

(Continued  from  Page  4) 

and   altogether  adult  comedy,   based   upon  the 
passing    of    the   American    cowboy.    *    •    * 

To  be  sure,  much  of  the  picture's  appeal 
must  have  been  supplied  by  the  expert  and 
easy  acting  of  Richard  Dix  and  his  asso- 
ciates. *  *  *  To  Mr.  La  Cava  humorous  in- 
cidents retain  their  sparkle  even  when  you 
turn  a   camera   upon  them.   *   *   * 


"The  Unguarded  Hour" 

First    National 

Rialto 

AMERICAN—*  «  *  From  the  first  reel 
the  title  of  "The  Unguarded  Hour"  was  an 
obvious  one.   •   •   • 

DAILY  MIRROR—*  *  *  Doris  Kenyon 
injects  vivacity  and  charm  into  her  portrayal 
of  the  adventurous,  mischievous  American 
beauty.  Indeed,  'tis  Miss  Kenyon's  best 
screen  contribution  in  many  a  day.  And 
she    is    ravishing.    •    *    • 

Yet  "The  Unguarded  Hour"  is  willy-nilly 
entertainment,  carelessly,  loosely  directed  by 
Lambert  Hillyer.  •  *  * 

DAILY  NEWS—*  *  *  Doris  Kenyon,  as 
Virginia,  is  as  full  of  change  as  an  April 
day.  Her  expressive  features  are  never  dull. 
This   is   one   of   her   best   pictures.    *    *    • 

EVENING  JOURNAL—*  *  *  Doris  looks 
absolutely  beautiful  in  this  picture,  and  she's 
a  good  comedienne,  but  her  director  shouldn't 
let  her  over-do  it.  Milton  is  still  the  strong, 
silent  he-man,  and  while  some  of  the  titles 
and  situations  are  absurdly  overdrawn,  the 
scenery   is   lovely.    •    •    • 

EVENING  WORLD— *  *  *  It  is  not 
much  of  a  picture  for  Sills.  Miss  Kenyon 
has  all  honors,  comedy,  tragedy  and  melo- 
drama, and  a  good  variety  of  fetching  cos- 
tume changes.  Considering  the  plot  she 
makes   it   fairly   entertaining.    •    *   • 

HERALD-TRIBUNE- *  *  *  We  consider 
this  the  best  thing  Miss  Kenyon  ever  has 
done  and  never  before  has  she  looked  so 
handsome.    •    •    • 

*  *  *  All  of  "The  Unguarded  Hour"  did 
not   suit   us.    *   •   • 

MORNING  TELEGRAPH—*  *  *  Not  so 
long  aeo  First  National  made  Milton  Sills 
a  full-fledged  star.  Since  then  he  has  had 
no  vehicle  worthy  of  his  ability.  "The  Un- 
guarded Hour"  at  the  Rialto  this  week,  is  no 
exception.   *  •  • 

POST—*  *  *  The  whole  picture,  from 
maudlin  start  to  insipid  finish,  is  unbeliev- 
able.   *   *    • 

TELEGRAM — *  *  *  Deals  with  the  strange 
experiences  of  one  of  these  modern  young 
women  in  affluent  circumstances,  who  craves 
more  than  the  comforts  of  home  and  gives 
parties  for  yeggs,  bandits,  burglars  and  mur- 
derers  to   provide   her   friends   with   a    thrill. 

•  •  • 

TIMES— *  *  *  A  wild  effusion  in  which 
the  young  heroine,  Virginia  Gilbert,  is  pur- 
sued by  some  mysterious  fate  that  singles 
her  out  to  be  the  leading  figure  in  a  number 
of   thrilling  experiences.      She   is   described   as 

a    leader    of    New    York's    blase   younger    set. 

•  •   • 

WORLD — *  *  *  Unimaginative,  hackneyed, 
straining  for  humor  in  its  sub-titles,  stilted 
in  its  performances,  it  stood  out  as  a  glow- 
ing example  of  the  things  in  the  cinema 
which  made  me  tired.   •   •   * 


OuUof-Toivn 

"The   Ancient   Mariner" — Fox 
Fay's,   Philadelphia 

INQUIRER—*  *  *  It  has  such  a  punch 
and  a  pull  at  the  heart-strings  that  it  is 
touching.  The  modern  sequence  contanis  a 
pretty  love  story,  and  the  allegorical  sequence 
intertwines  neatly.   •   *   * 

Kines.  St.  Louis 

POST-DISPATCH—*  *  *  Dramatization 
of  the  "Ancient  Mariner"  is  well  done,  even 
beautifully  done,  but  it  is  tied  up  with  a 
cheap,  modern  story  handled  by  a  second-rate 
cast   and   clumsily   directed.    •   •   • 


"The  Best   Bad   Man"— Fox 
Garden,  Milwaukee 

SENTINEL—*  *  *  It  is  only  after  the 
story  swings  to  the  west  and  Mr.  Mix  into 
the  saddle  that  the  tale  moves  rapidly  enough 
to  sustain  the  interest.  From  that  point 
on  it  is  a  thrilling  mixture  of  bursting 
dams   and   wild   posse   chases.    •    •   • 

Moon,  Omaha 

BEE — •    •    •    The   picture    offers    real    en- 


tertainment   for    those    who    enjoy    a    snappy 
western   and   for   the    Mix   fans.    *    *    • 

WORLD-HERALD—*  *  *  Tom  Mix  and 
his  horse,  Tony,  gallop  through  "The  Best 
Bad  Man"  ♦  *  ♦  with  usual  speed.  The 
picture  is  full  of  action  and  is  the  kind  Mix 
should  make  inasmuch  as  it  requires  no  his- 
trionic  talent   on   the   part   of  the   star.    *   *    * 


"Go  West"— M.-G.-M. 
Merrill,    Milwaukee 

SENTINEL — *  *  *  The  picture  is  curious- 
ly choppy  but  then  one  never  expects  a  co- 
herent plot  in  slapstick.  Buster  Keaton  and 
Brown  Eyes  are  the  whole  show,  with 
Buster  wearing  his  regulation  ironclad  ex- 
pression.   *   *   • 


"Her   Sister   from   Paris"— 1st    Natl. 

Wisconsin,  Milwaukee 

SENTINEL—*  *  *  Connie  Talmadge  as 
the  star  is  her  old,  gay  self  with  a  dazzling 
array  of  Paris  gowns  atid  a  steadfast  smile 
that  helps  her  to  guide  the  comedy  deftly 
along  when  it  threatens  to  run  aground  on  a 
too  shallow  plot.   *   *   * 


"His  Secretary"- M.-G.-M. 
Palace,  Washington 

HERALD—*  *  *  The  splendid  work  of 
Norma  Shearer  in  "His  Secretary"  appearing 
this  week  at  Loew's  Palace,  excels  even 
that    of    her    former    screen    triumphs.    *    •    * 

POST — *  *  *  Norma  Shearer  has  done 
some  very  fine  work  as  "His  Secretary,"  es- 
pecially  in   the   first  part  of  the  picture. 


"Irish   Luck" — Paramount 
Missouri,  St.   Louis 

GLOBE-DEMOCRAT— •  *  *  Well  worth 
anyone's  seeing,  because  of  the  authentic 
backgrounds.  They  are  as  beautiful  as  they 
are  interesting.  Dublin,  teeming  with  ac- 
tivity, excites  both  attention  and  laughter 
by  its  double-deck  street  cars,  its  donkey- 
pulled   wagons  and  its  bicycles.   *   *   * 

POST-DISPATCH— That  noble  Irishman, 
Thomas  Meighan,  is  showing  his  best  per- 
formance  since  "Male  and   Female."   ♦    *   * 

STAR — *  *  *  The  plot  is  ordinary,  but 
the  charm  of  the  settings  and  fine  photo- 
graphy make  the  production  interesting. 
Meighan  does  a  tidy  bit  of  doubling  in  the 
story.    *    •    » 


"A  Kiss  for  Cinderella" — Paramount 
Strand,   Milwaukee 

SENTINEL — *  *  *  The  dream  ball  is  not 
only  beautiful  to  the  eye,  but  deliciously 
funny,  for  Mr.  Brenon  has  presented  it  as  a 
child  would  imagine  a  ball,  with  royalty 
munching  candy,  and  enough  ice  cream  cones 
at    the    end    for    everybody.    •    *    * 

Palace,  Montreal 

GAZETTE — •  *  *  Betty  Bronson  has  not 
as  effective  a  role  as  she  had  in  "Peter 
Pan"  and  consequently  her  performance  is 
not  as  impressive.  But  it  is  a  capable  and  an 
intellieent  ones.   *  *  * 

STAR — *  *  *  For  sheer  delight  it  is  to  be 
doubted  whether  anything  as  good  _  as  the 
Barrie  film  has  been  seen  here  this  year. 
Certanily  there  has  been  nothing  to  com- 
pare with  its  elfin  charm,  its  beauty  of  pro- 
duction,  its   other   worldness.   •   *   • 

Piccadilly.  Rochester 

EVENING  JOURNAL—*  *  *  The  com- 
bination of  Barrie,  Brenon  and  Bronson, 
which  produced  such  good  entertainment  a 
year  ago  with  "Peter  Pan"  has  done  the 
same  thing  again  in  "A  Kiss  for  Cinderella." 
*    *    • 

TIMES-UNION— *  *  *  It  is  only  in  the 
last  few  moments  of  the  film,  "A  Kiss  for 
Cinderella,"  that  Betty  Bronson  seems  to 
catch   the  whimsical  spirit  of  the  Barrie  play. 

»  *  » 

Stanley,  Philadelphia 

BULLETIN — *  *  *  Betty  Bronson  keeps 
up  her  record  for  never  es.saying  a  role  un- 
worthy of  her  best  effort,  aTid  that  her  best 
effort  is  artistry  of  a  high  order  is  evidenced 
throughout  this  adaptation  of  J.  M.  Barrie's 
play.   •  *   • 

INQUIRER — *  *  •  Betty  Bronson  in  ber 
role  of  Cinderella  possesses  that  indefinable, 
intangible  charm  that  is  the  stamp  of  genius. 
«    «    » 

PUBLIC  LEDGER—*  *  *  Has  been  trans- 
ferred quite  as  charminglv  from  stage  _  to 
screen  as  was  "Peter  Pan,"  and  that  is  hieb 
praise.  There  are  a  few  minor  changes,  but 
so  slight  that  they  hardly  cause  even  a  pass- 
ing regret  to  the  most  ardent  Barrie  ad- 
mirer. *  •  • 


Columbia,   Washington 

HERALD — *  *  *  Betty  Bronson's  master- 
ful acting  in  "Peter  Pan"  led  many  to  call 
her  the  most  "promising"  of  the  young  screen 
actresses.  After  this  new  movie  there  is  no 
need  adding   of   the   "promising."    ♦   *   * 


"Little  Annie  Rooney" — U.  A. 

Alhambra,  Milwaukee 

SENTINEL—*  *  *  Mary  Pickford  is 
amazingly  small  and  childlike  and  she  acts 
so  beautifully  and  so  appealingly  that  you 
laugh  with  her  and  cry  with  her.  A  mistress 
of  all  cinema  technique  she  can  make  even 
moments  of  hokum  enjoyable.  *  *  * 

Capitol,  Montreal 

GAZETTE—*  •  *  Whether  because  Mary 
Pickford  has  not  done  this  type  of  thing 
for  such  a  time  or  because  real  art  is  al- 
ways enjoyable,  there  is  a  freshness  to  her 
performance  that  makes  Annie  Rooney  a 
treat   from  beginning  to  end.   •  *   * 

STAR — *  *  *  True,  it  is  perhaps  over- 
loaded with  pathos,  in  which  Miss  Pickford 
nobly  does  her  share  with  a  plentitude  of 
tears,  but  the  pathos  is  not  allowed  to  ob- 
scure those  moments  in  the  film  when  the 
audience  really   does  sit   up   and   take  notice. 


"The  Live  Wire"— First  Nat'l 
Earle,   Washington 

HERALD—*  *  *  It  is  a  fair  guess  that 
the  average  patron  this  week  will  get  the 
real  kick  of  the  performance  out  of  Johnny 
Hines'  new  comedy,  "The  Live  Wire,"  one 
of  the  fastest-moving  farces  that  has  been 
shown    here   in   many   a    day.    •    ♦    • 


"The    Man    on    the    Box"— Warners 
Karlton,  Philadelphia 

BULLETIN—*  *  •  Still,  it  is  a  good  pic- 
ture— if  one  has  not  read  the  book.  (Syd) 
Chaplin's  personality  and  ability  to  draw 
laughs  from  the  audience  are  continaully  no- 
ticed. *  *  * 

INQUIRER— *  *  •  Pile  laugh  on  laugh 
until  it  is  almost  unendurable.  It's  a  good, 
clean  picture  that  can  be  enjoyed  whole- 
heartedly.   *   *   * 

PUBLIC  LEDGER—*  *  *  Proves  to  be 
an  excellent  vehicle  for  the  antics  of  Syd 
Chaplin.  He  has  a  brand  of  comedy  all  his 
own,  entirely  different  from  the  subtleties 
of  his  famous  brother.  The  story  is  packed 
with   complications  and   excitement.    *   •   • 

RECORD—*  *  *  There  are  many  funny 
situations,  all  of  them  logical,  though  all  far- 
cical.  •  *  • 


TIMES-UNION— *  *  *  The  story  of  "The 
Midshipman"  strikes  one  as  having  been  con- 
cocted by  some  one  with  a  very  good  grasp 
of    melodramatic    principles    at    either    elbow. 


"The   Merry  Widow"— M.-G.-M. 
Eastman,  Rochester 

EVENING  JOURNAL—*  •  *  It  has  al- 
most everything  that  good  motion  pictur« 
should  have.  It  tells  a  story  that  is  enter- 
taining ;  it  has  a  good  cast  for  actors ;  it  has 
superior  backgrounds,  and  the  photography 
all    the    way    through    is    excellent.    *    •    • 

TIMES-UNION—*  *  *  The  picture  is  un- 
doubtedly one  of  a  series  of  light  operas 
which  will  be  brought  to  the  screen,  for  its 
producers  have  shown  what  can  be  done  with 
a  plot  of  this  character,  given  elaborate 
settings   and   a    director   of   originality.    •    *    * 

"The  Midshipman"— M.-G.-M. 
Regent,   Rochester 

EVENING  JOURNAL—*  *  •  The  picture 
seems  to  have  been  carefully  done  and  all  the 
scenes  at  the  naval  academy  were  taken  with 
advice  from   officers   at   the   institution.    *   •   ♦ 


"Old    Clothes"— M.-G.-M. 
State.  St.  Louis 

GLOBE-DEMOCRAT—*  *  *  He  (Jackie 
Coogan')  cuts  up,  cries,  laughs,  and  grimaces 
exactly  as  he  is  told.  The  most  pleasing 
things  he  does  are  the  ones  done  naturally 
(and  they  are  few),  as  he  interprets  them 
and  not  as  they  are  dictated  to  him.  •  *  * 

STAR—*  •  *  The  story  is  drab  enough, 
but  young  Coogan's  line  is  as  refreshing  as 
ever.     Jackie  is  an  orphan.   *   •   * 


"Red  Hot  Tires"— Warners 
Globe,  Philadelphia 

INQUIRER—*  *  *  The  story  is  a  bit  old, 
just  as  all  "hit  and  run"  stories  are  likely 
to  be  old.  packed  full  of  villains  and  such 
things,  with  a  beautiful  lady  captured  and  a 
thrilling    chase.    *    •    * 

PUBTLIC  LEDGER—*  *  *  The  story  is  a 
rip-roaring  comedy  of  accidents,  automobiles, 
and  laughs  in  which  the  hero,  injured  in  a 
wreck,    becomes    afraid    of    motorcars.    *    *    • 

RECORD—*  *  *  Starring  Monte  Blue  and 
Patsy  Ruth  Miller,  is  fast,  humorous  and 
entertaining.   *   *  • 


"Some  Pun'kins"— Chadwick   (SR) 
Capitol,  Philadelphia 

RECORD—*  *  *  Only  Charles  Ray  could  1 
ha've  taken  the  part  of  the  country  "rube"  ] 
in  such  splendid  fashion  as  it  was  portrayed.] 


"Thunder  Mountain"— Fox 
Fox,  Philadelphia 

BULLETIN—*  *  *  Never  before  has  th. 
petite  Madge  Bellamy  taken  a  role  like  the 
one  she  has  in  this  picture  and  she  acquits 
herself  splendidly.    *   •   • 

INQUIRER—*  *  •  Any  picture  in  which 
Alec  Francis  plays  a  promiment  part  is  made 
and  in  this  picture  he  is  so  surrounded  with 
an  excellent  cast  that  there  is  little  need 
for  criticism  of  the  acting,  if  there  is  for  oc 
casional  bits  of  the  plot.  •  *  * 


"Where   Was    I  ?"— Universal 
Rialto,  Washington 

HERALD—*  *  •  The  story,  of  course,  is 
pure  farce,  fast  moving  and  entertaining  all 
the  way.     It  is  one  of  Denny's  best.  *  •  • 

POST — *  •  *  There  is  always  plenty  of 
laughs  and  again  "Where  Was  I?"  is  season- 
able, for  it  is  merry.   *   •   • 


I 


^TUBLIC  SERVICE" 

Adventure  speakers  from 
Far  places,  or  films  only. 


Bureau  of  Commercial  Economics 

1108-ietfaSt.  N.W.  Washington.  D.C 


Schools,  Churches  and  Clubs 


using  Motion  Pictures 


Should  Subscribe  for 


THE  EDUCATIONAL  SCREEN 

and  keep  up-to-date  with  the 
new  films  and  new  equipment 

'*1001  FILMS** 

booklet,  listing  nearly  3000  educational  films 
given  free  with  each  subscription 

$1.50  per  year  -  5  South  Wabash  Ave,,  Chicago,  111, 


Unrivaled  for  service  and  quality 


1 1. 


Eastman  Positive  Film,  constantly 
subjected  to  drastic  tests  that  must 
prove  it  right,  is  unrivaled  for  the  serv- 
ice it  renders  and  the  photographic 
quality  it  gives. 

It  carries  quality  from  studio  to 


screen. 


To  make  sure  pictures  are  printed 
on  the  genuine  look  in  the  margin 
for  the  black-lettered  identifica- 
tion,   "Eastman"    "Kodak". 


EASTMAN  KODAK  COMPANY 

ROCHESTER,  N.   Y. 


\v 


„,< 


Let  the  Pictures  Speak  for  First  National 

"House  Full!"  They  are  the  two  best  words  that  the  box-office 
knows.  And  First  National's  January-to-June  Announcement  of  its 
unprecedented  line-up  of  long-run  pictures  and  outstanding  specials 
says  just  that:  "House  Full"! 

The  biggest  stars,  producers  and  directors  who  make  what  the  public  wants,  the 
real  stage-hits,  the  novels  that  the  whole  world  talks  about- — these  are  First  National's 
AND  YOURS  for  1926. 

When  anyone  asks  "Who's  got  it  this  year?" — no  wonder  the  industry  answers, 
"First  National  is  running  azvay  with  it. ' ' 


JANUARY'S  HITS! 

TOO     MUCH     MONEY— with     Lewis 
Stone    and    Anna    Q.    Nilsson.      Directed 
by   John    Francis    Dillon. 
RICHARD    BARTHELMESS   in   "Just 
Suppose." 

MEMORY  LANE— John  M.  Stahl  pro- 
duction with  Eleanor  Boardman  and 
Conrad    Nagel. 

THE  RECKLESS  LADY  with  Belle 
Bennett,  Ben  Lyon.  Lois  Moran,  James 
Kirkwood,  Lowell  Sherman.  Charles 
Murray. 

GIRL  FROM  MONTMARTRE  with 
Barbara   La   Marr   and   Lewis   Stone. 


\ 


iTHE 

7A&  BRADSTREET 
o/  FILMDOM 


:s(^rec0cmizeii 
Authority 


VOL.  XXXV    No.  8 


Monday,  January  11,  1926 


Price  5  Cents 


SHOWS 

By  DANNY 
Well  known  exhibitor.  Iden- 
tified with  an  important  chain. 
Talking  about  the  building  of 
big  shows.  For  picture  houses. 
"The  whole  idea  is  wrong,"  he 
said,  "and  one  of  the  reasons 
why  exhibitors  should  discour- 
age it  is  that  it  leaves  the  door 
wide  open  to  the  larger  compa- 
nies to  make  poorer  pictures; 
and  trying  to  get  away  with 
them  behind  the  big  show.  If 
we  don't  get  big  pictures,  good 
pictures,  all  the  big  shows  in 
the  world  won't  help  the  busi- 
ness." 

Of  course  he  is  right  to  this  ex- 
tent: The  minute  you  put  on  poor 
pictures  your  business  suffers.  Even 
with  the  big  shows  at  the  Capitol  the 
record  shows  that  good  pictures,  fine 
box  office  pictures,  draw  thousands  of 
dollars  more  than  "weak  sisters" — no 
matter  how  good   the  show  was. 

Of  course  there  is  always  going  to 
be  a  percentage  of  pictures  which  are 
not  so  good.  That  cannot  be  helped. 
But  there  is  no  doubt  of  this:  that 
no  producer  starts  making  a  picture 
without  trying  his  best  to  make  a 
good  one.  The  trouble  is  that  the 
effort  often  goes  wrong.  And  that 
is  where  the  good  show  helps — and 
helps  a  lot.  You  cannot  keep  j'our 
house  open  only  for  the  big  pictures; 
the  good  pictures.  You  have  to  run 
52  weeks  a  year.  It  is  a  tough  job 
to  find  52  first  class  pictures  for  week 
in,  week  out  business,  the  way  pic- 
ture.s  are  sold  today. 

You  cannot  block  book  20 
or  40  or  more  pictures,  from 
one,  two,  or  m,ore  companies, 
and  expect  to  get  perfect  ser- 
vice. No  company  can  do  that 
for  you.  It  can  give  you  an 
average  grade  of  entertain- 
ment. No  more.  You  have  no 
right  to  ask  for  more.  So  long 
as  you  are  willing  to  buy  in 
blocks. 

As  long  as  block  booking  is  the 
rule  you  have  recourse  to  fine  short 
features.  Use  them  all  you  can. 
Build  your  program  along  that  line. 
If  you  can  afford  a  good  show  with 
this  all  right.  But  never  forget  that 
the  picture  audiences  want  pictures. 
The  rest  may  entertain.  That  is  true. 
But  they  come  in  the  picture  house 
for  pictures.    Never  forget  that. 


Frowns   on  Zones 

Cleveland    System    of    Apportioning 

Jfirst     Kuns     Creaimg     uissatis- 

laction  Among  iixnibitors 

Cleveland — A  number  of  exhibit- 
ors of  Cleveland  are  opposed  to 
the  zoning  system  as  at  present  op- 
erated by  the  Film  Board  of  Trade 
on  the  ground  that  it  is  not  equita- 
ble. They  are  not  opposed  to  the 
plan  of  zoning  the  theaters,  and 
think  that  it  can  be  worked  out  lor 
the  mutual  protection  of  the  distrib- 
utor and  the  exhibitor.  But  the  pres- 
ent plan,  according  to  some  ot  the 
leading  exhibitors  of  the  city,  is  en- 
tirely tavorable  to  the  distributor. 

Cleveland,  at  the  present  time,  is 
divided  into  39  zones.  Twenty  zones, 
the  exhibitors  say,  would  be  more 
equitable,  because  it  would  maintain 
a  better  balance  of  competition.  The 
present  zoning  system  makes  it  often 
necessary  for  theaters  to  play  day 
and  date  runs,  when  under  natural 
conditions  they  would  be  competit- 
ors. Ihe  biggest  objection  to  the 
system  in  its  present  form  is  the 
uncertain  release  date  of  the  first-run 
engagement.  A  change  in  the  first- 
run  date  necessitates  all  subsequent 
runs  pushing  their  dates  back  or  for- 
ward as  the  case  may  be. 

It  the  exhibitor  has  other  pictures 
booked  for  those  dates,  he  has  to  let 
his    competitor    take    the    picture,    or 

{Continued  on  Page   5) 


Reade's    Chain   Up   to   24 

Walter  Reade  has  purchased  at  the 
sheriff's  foreclosure  sale,  the  prem- 
ises known  as  the  Strand,  Freehold, 
N.  J.  The  purchase  price  was  $181,- 
000.  The  building  will  be  closed  and 
completely  remodelled  and  will  be 
added  to  the  Reade  chain  which  now 
gives  him  24  in  the  following  towns: 

New  York,  Cleveland,  Asbury 
Park,  Long  Branch,  Plainfield,  Perth 
Amboy,  Trenton,  New  Brunswick  and 
Freehold. 


Friedman,  New  Contact  Executive 

Joseph  Friedman,  manager  of  Uni- 
versal's  Detroit  exchange,  who  re- 
cently came  to  the  home  office,  will 
act  as  contact  executive,  a  position 
created  by  Arthur  Kane.  The  latter 
resigned  some  time  ago  to  enter  pro- 
duction. Friedman  will  be  concerned 
with  the  maintenance  of  liaison  be- 
tween the  studio  and  the  sales  force. 


Carolina  Meets  Jan.  15 

Charlotte,  N.  C— The  M.  P.  T.  O. 
of  North  Carolina  will  hold  its  md- 
winter  meeting  here  on  Jan.   15. 


March,  F.  B.  O.  Month 
Colvin  W.  Brown,  of  F.  B.  O.  an- 
nounces March  will  be  known  as  F. 
B.  O.  Month. 


RUSSIA 

By  ERNEST  W.  FREDMAN 
The    Film   Renter    and    M.    P.    News 


What  the  Russian  Studios 
Are  Doing 

London — A  visit  to  the  Russian  film 
industry  is  entirely  different  from 
visiting  film  production  in  any  other 
country  in  the  world,  for  it  is  the 
only  country  I  know  of  where  the  en- 
tire him  industry  is  Government  con- 
trolled. 1  know  of  no  other  country 
where  not  only  are  the  films  made  to 
Covernment  order  but  pictures  are 
distsibuted  by  them  and  foreign  films 
also  bought  by  the  Soviet  so  that  one 
views  the  situation  from  a  completely 
different  angle. 

Visiting  Russia  one  has  to  bear  in 
mind  that  the  Sovkino  are  all  power- 
ful, and  to  remember  that  with  the 
exception  of  the  Mejrabpom,  which  is 
the  International  Workers  Relief  of 
Moscow,  all  other  studios  are  direct- 
ly controlled  by  the  Soviet.  Even  the 
Mejrabpom,  which  incidentally  is  the 
best  producing  unit  in  Russia,  has  its 
pictures  taken  by  the  Soviet  so  that 
a  vastly  different  state  of  affairs  ob- 
tains than  would  be  the  case  in  Eng- 
land, America,  France,  Germany  or 
any  other   European  country. 

it  must  also  be  remembered  that 
Russia  has  a  vast  population,  esti- 
mated at  some  160,000,000,  and  of 
that  number  at  least  120,000,000  are 
of  the  peasant  class  and  correspond- 
ingly ill-educated  and  entirely  ignor- 
ant, so  that  when  the  Soviet  make 
pictures  they  have  to  be  of  a  charac- 
ter that  will  be  understood  to  some 
extent  by  the  peasants  who  will  see 
them  in  the  small  towns  and  hamlets 
throughout  the  country. 

Russians  Using  Imaginative  Power 

Nevertheless,  it  would  be  a  mistake 
to  think  that  Russia  makes  pictures 
of  a  type  that  will  appeal  to  only 
ignorant  people,  for  while  several  of 
them  tell  a  very  simple  story,  they 
are    exceedingly   well-acted    and   pos- 

(Continued   on    Page   4) 


After  N.  W.  Houses 

North  American  Theaters  Corp.  Act- 
ive— Further  Deals  With  Acker- 
man   and    Harris    Possible 
Frank  R.   Wilson,  president  of  the 
North  American    i  heaters  Corp.  and 
one  of  the  bankers  associated  in  the 
company,    will    leave    for    the    Pacific 
JSlorihwest   in   about  a   week  in   con- 
nection with  a  number  of  theater  pro- 
jects  launched   by    Harry   C.  Arthur, 
general  manager  of  the  company,  in 
that  territory. 

A  report  emanating  from  Portland, 
Ore.,  on  Saturday  had  it  that  North 
American  had  closed  a  deal  with  Ack- 
erman  and  Harris  for  an  interest  in 
their  theaters.  Wilson  said  he  was 
not  aware  of  any  such  move,  but  that 
he  did  consider  it  likely  that  Arthur 
had  closed  with  A.  and  H.  for  North 
American's  participation  in  the  for- 
mer's houses  in  other  cities.  Arthur, 
who  is  now  in  the  West,  has  pur- 
chased the  Fresno  house  which  Ack- 
erman  and  Harris  have  just  finished. 
It  is  estimated  that  A.  and  H.'s  affil- 
iation with  other  circuits,  particular- 
ly in  California,  embrace  a  total  of 
100  houses  and  that  vaudeville  houses 
operated  directly  by  A.  and  H.  num- 
ber eight. 

North  American,  as  noted,  has 
taken  over  under  lease  the  Portland 
house  planned  by  A.  and  H.  This 
theater    is    being    built   on    Broadway 

(Continued   on    Page    4) 


M.  P.  Capital  Seeks  Listing 
Application  has  been  made  with 
the  N.  y.  Stock  Exchange  to  list  i3,- 
690  additional  shares  of  common 
stock  without  par  value  of  the  M.  P. 
Capital  Corp. 


Simmonds-Kann  Buy  Foreign  Rights 
Simnionds-Kann  have  purchased  all 
foreign  rights  from  S.  S.  Krellberg 
of  Excellent  Pictures  on  the  forth- 
coming series  starring  Pauline  Fred- 
erick. 


Three  Runs  for  "Ben-Hur" 

"Ben-Hur"  will  open  in  Chicago 
Feb.  1;  in  Boston  on  Washington's 
Birthday,  and  in  Philadelphia  on 
April    19. 


"U"   To    Build  in    Nebraska 

Hastings,  Neb. — The  Hostettler 
Amusement  Co.  of  Omaha,  a  sub- 
sidiary of  Universal,  has  obtained  op- 
tions of  two  lots  here  on  which  it 
will  erect  a  theater  and  office  build- 
ing to  cost  $100,000. 

This  is  the  first  move  growing  out 
of  the  fire  recently,  which  destroyed 
the  Empress,  one  of  three  operated 
by   Hostettler. 


Graham  Wilcox  to  Make  "Bindle" 
London  —  Graham  Wilcox   Prod. 
has  purchased  "Bindle."  Harry  Park- 
inson will  direct. 


"Garden  of  Allah"  Starts  Sept  1. 

Los  ^Angeles  —  "The  Garden  of 
Allah" 'will  go  into  production  about 
Sept.  1. 

Shea's  Buffalo  Opens  Jan.  15 

Buffalo— Mike  Shea's  new  theater, 
the  Buffalo  opens  on  the  ISth. 


i 


THE 


i 


s 


^E^ 


DAILY 


Monday,  January  11,  1926 


Vol.  XXXV  No.  8     Monday,  Ian.  11, 1926     PrictS  Cents 


I 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
tnc.  PiiMished  l)aily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  IWC. 
Joseph  Dannenberg,  President  and  EdiJor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manaj-Ter ; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  Mar  21.  I'lS, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15. 00.  Subscribers 
«bould  remit  with  order.  Address  all  com- 
-Munications  to  THE  FILM  DAILY.  1650 
Broadway,  New  York.  N.  Y.  Phone  Circle 
■736  4737-4738-4739.  Cable  address:  Filmday, 
Vew  York.  Hollywood,  California — Harvey 
X.  Gausman,  6411  Hollywood  Blvd.;  'Phon«, 
<»7jiite  3980.  London — Ernest  W.  ■Predman, 
th.  Tilm  Renter,  58,  Great  Marlborough  St, 
Lor  on,  W.  I.,  Paris — La  Cinematographie 
?raMaise,    5.    Rue    Saulnier. 


Quotations 

High   Low    Close     Sales 

Balaban   &   Katz    Not  quoted 

Eastman    Kodak     Not  quoted 

Famous  Players 108>«   108       108  400 

F.   P.    Pfd 117^    in-^   117^       100 

Film     Inspection     ..     7'A       654       7       2,200 

First   National    Not   quoted 

Fox   Film    "A"    83     8354     8254      200 

Fox    Theaters    "A"      34 Ji     33%     33^  2,300 

Loew's,    Inc 4054     40         40j^   1,200 

Metro-Gold.  Pfd.  ...  22^  2254  22^  100 
M.  P.  Cap.  Corp.  ..  2054  2054  2054  200 
Pathe  Exch.  "A"  ..  8154  8154  8154  100 
Skouras   Brothers    .  .    52         52         52         .... 

Trans-Lux     14         13  J4      1354  8,200 

Universal    Pictures    Not  quoted 

Univ.    Pict.    Pfd Not  quoted 

Warner    Brothers    Not  quoted 

Warner   Picture    Not  quoted 


Record  in  Freight  Traffic 

The  movements  of  railroad  cars 
loaded  with  revenue  freight  are  al- 
ways a  barometer  of  business  condi- 
tions. The  greatest  freight  traffic  on 
record  was  handled  by  the  railroads 
of  the  United  States  during  1925,  ac- 
cording to  the  Car  Service  Division 
of    the    American    Railway    Ass'n. 

Loading  for  the  year  amounted  to 
51,177,962  cars,  an  increase  of  2,643,- 
529  cars,  or  5.4  per  cent.,  over  1924 
and  1,365,849  cars,  or  2.7  per  cent., 
over  1923.  It  also  was  an  increase 
of  6,059,490  cars,  or  13.4  per  cent., 
over  1920,  while  it  was  a  still  greater 
increase  over  1921  and  1922. 


Code  Change  Makes  Theater  Possible 

Hartford,  Conn. — Under  the  pro- 
posed draft  of  the  building  code  it 
will  be  possible  to  make  use  for  thea- 
ter purposes  of  the  site  now  occu- 
pied by  the  City  Hall  Grocery.  Un- 
der the  old  code  restrictions  were 
such  that  on  a  technical  provision 
about  courts  surrounding  a  theater 
where  exits  to  the  street  were  lack- 
ing, even  a  small  theater  would  not 
be   possible. 

<  Tentative  sketches  have  been  sub- 
mitted on  the  proposed  theater.  Plans 
provide  for  a  capacity  of  4,200. 


Chicago  Dismisses  Theater  Action 

Chicago  —  Proceedings  brought  to 
restrain  the  city  from  enforcing  an 
ordinance  prohibiting  crowding  of 
theater  lobbies  were  dismissed  by 
Judge  Oscar  E.  Hebel. 

Attorney  Ray  E.  Long,  counsel  for 
the  National  Theater  Corp.,  the  com- 
plainant, states  an  amended  petition 
to  enjoin  Chief  of  Police  Collins  and 
Fire  Commissioner  Joseph  F.  Con- 
nery  from  enforcing  the  ordinance 
will  be  filed. 


Another  Large  Rochester  House 

Rochester — The  Monument  The- 
ater Corp.  of  Buffalo,  has  purchased  a 
site  at  Court  St.  and  Clinton  Ave., 
for  a  3,500  seat  theater.  The  con- 
tracts for  the  real  estate,  involving 
$1,150,000  have  been  closed. 

Construction  will  start  in  the 
Spring.  Morris  Slotkin  is  general 
manager.  It  is  understood  that  A. 
H.    Fennyvessy    is    interested. 


Two  New   Sax   Units 

Los  Angeles — Two  new  units  will 
be  added  by  Sam  Sax,  a  comedy  unit 
with  Lloj'd  Hamilton  starring  in  12 
two-reelers,  and  William  Fairbanks 
in  eight  features.  Lon  Young,  now 
in  New  York,  will  join  Sax  as  soon 
as  preliminary  work  has  been  com- 
pleted. Young  will  collaborate  on 
adaptations  and  continuities.  "Quar- 
antined Rivals,"  by  George  Randolph 
Chester,  has  been  purchased  bv  Sam 
Sax  for  1926-27. 


May  Change   Minneapolis   Ordinance  | 

Minneapolis — An    effort    to    amend 
ordinances  pertaining  to  licenses  and 
theater   regulations   to  permit   motior   , 
picture  theaters  not  equipped  as  reg-j 
ular   theaters  to  give  vaudeville   per-  ; 
formances   was   discussed   at   a   meet- 
ing of  council  committees  on  licenses 
and    ordinances    and    legislation.      At  \ 
present  only  one  performer  is  allow- 
ed on  the  stage  of  picture  theaters. 


Newell,  Reitchin  &  Schack  Move 

Chicago^  —  Newell,  Reitchin'  & 
Schack,  operating  five  theaters — 
the  Howard,  Jeffrey,  Adelphi,  Key- 
stone and  Panorama — have  moved 
their  headquarters  to  616  South  Michi- 
gan Ave. 


'OUR  GANG  C 


Aschers   Sell  Columbus  Theater 

Chicago — Ascher  Bros,  have  sold 
the  Columbus  to  a  realty  firm.  The 
house  at  639  Ashland  Ave.  is  under- 
stood to  have  been  outgrown  by  ex- 
panding  Ascher   activities. 


Saturday  Morning  Shows  at  Sulgrave 

The  first  of  a  series  of  Saturday 
morning  matinees  for  children  will 
be  given  Saturday  at  the  Sulgrave 
Hotel,  67th  St.  and  Park  Ave.  The 
proceeds  will  go  to  the  fund  of  the 
Yorkville  Center  Junior  Camp  for 
Boys.  Several  Pathe  subjects  have 
been    booked. 


Baker  Titles  "Just  Suppose" 

The  titling  of  "Just  Suppose"  has 
been  completed  by  C.  Graham  Baker, 
who  also  prepared  the  scenario. 
Baker  will  now  assist  Don  Bartlett 
in  the  preparation  of  "The  Kid  from 
Montana  "  and  picturize  Jeffrey  Far- 
nol's  novel  "The  Amateur  Gentle- 
man," both  of  which  will  be  directed 
by  Sidney  Olcott.  Dick  Barthel- 
mess  starred. 


In    Courts 

In  a  dispute  between  Alfred  L. 
Harstn  and  Jerome  Rosenberg,  of 
the  Savoy  in  W.  34th  St.,  over  the 
sale  to  Rosenberg  of  equipment  in 
the  Gotham  in  E.  125th  St.  in  1920, 
the  Appellate  Term  has  affirmed  a 
judgment    for   Harstn   for   $2,021. 


Dwan   to   Direct   "Padlocked" 

Los  Angeles — Allan  Dwan  will  di- 
rect "Padlocked"  by  Rex  Beach. 
Paramount  expects  it  to  be  one  of  its 
important   pictures   for   the   fall. 


$500,000  Bronx  House 
Jacobs     &     Livingston    have    sold 
property  at   Gunhill  Road  and  Web- 
ster Ave.,  to  a  builder  who  will  erect 
a  1,600  seat  theater  to  cost  $500,000. 


Calendar  from  Fox 
Fox  is  issuing  a  large  wall  calen- 
dar to  the  trade. 


^^SeMadefSMa 


Look  Betterand Wear  longer 


"skyrocket"  Again  on  Leviathan 

"The  Skyrocket"  was  again  pre- 
sented on  the  Leviathan,  this  time, 
last  night  at  sea.  It  was  introduced 
by  a  short  reel  which  was  made 
Thursday  night  at  the  premiere, 
showing  the  arriving  guests. 


May  Not  Build  in  Ssrracuse 

Syracuse,  N.  Y, — Plans  for  the 
$1,500,000  theater  to  be  built  here  by 
the  Mark  Strand  Corp.  are  still  in 
embryo  and  there  is  a  possibility  the 
house  may  not  be  built  at  all,  accord- 
ing to  report. 


A.  &  H.  in  'Frisco 

San  Francisco — Ackerman  &  Har- 
ris will  erect  a  $450,000  neighbor- 
hood theater  on  San  Bruno  Ave.  be- 
tween Burrows  and  Bacon  Sts.  The 
theater  will  have  1,500  seats. 


Negative  Developing 
and  Printing 

Complete  Title  Service 

SAUND  FILM  LABORATORIES,  Inc. 

Phone  Bryant  7577    729-7th  Ave,  N.  Y. 


Exhibitor  Turns  Newspaperman 

Edmonton,  Alta.  —  Walter  Davis, 
manager  of  the  Empress,  has  become 
a  newspaper  writer,  his  column  being 
a  feature  of  the  dramatic  section  of 
"The  Edmonton  Journal"  on  Satur- 
days. 


hal roach 
His  Rascals 


GOOD  CHEER 


OimicV  ty-Robext  MeCottnuv 

This  is  a  'Corn«»"hlock'  cut  furnished 
FREE  for  all  Pathecomedies  at  your 
exchange. 


ARENA  CHOP  HOUSE 

148  West  46th  Street 
Rendezvous  of  the  Film  Trade 

A  quilt  plact  to  talk  husintu 

Luncheon  Blue  Plates  60c  up 
Also  a  la  Carte 

—  PRIVATE   DINING   ROOMS— 


FOR    SALE 

Unrdeased  negatives 

of  features 
for 

North  American  Territory 

K.131  c-o  Film  Daily 

1650  Broadway  N.  Y.  C. 


SrienikTbnd 


BAY  STATE 


Second  Oldest  Continuous 

Raw  Stock 

Producer  in  America 
NeKatire  PotitiTe  Safety 


MAP  OF 

.^  CITY  OF^\ 

M     NEW  U>> 


ALL 

NEW 

YORK 

is 
plastered 


cixc^olduH/n'^^cx^s 


WATCH  MARSHALL  NEILAN'S 
COMIC  SENSATION 


tvith 

Sally  O'Neil 
Charles  Murray 
William  Haine* 
Ford  Sterling 


IT  STARTS  ON  A  PHENOMENAL  CAREER 
WITH  TREMENDOUS. CAPITOL  (N,Y.)  PREMIERE 


THE 


-^S^ 


DAILY 


Monday,  January  11,  1926 


Russia 

{Continued  from  Page   1) 

sess  few  crudities.  The  productions 
themselves  show  plenty  of  imagina- 
tive power  on  the  part  of  the  pro- 
ducer, and  while  it  must  be  confessed 
many  of  them  are  of  a  type  unsuit- 
able for  this  country,  mainly  on  ac- 
count of  the  story,  yet  at  the  same 
time  they  are  entertaining  and  far  and 
away  better  than  some  of  the  heavy 
and  crude  German  pictures  that  we 
nave    seen    trom    time    to    time. 

Production  is  earned  on  in  Russia 
by  Goskinos  of  which  the  hve  most 
important  are  Mejrabpom  Goskino  ot 
Moscow,  Goskino  of  Leningrad, 
Georgia  and  the  Ukraine  Gosjcino, 
as  weil  as  a  concern  called  Prolet- 
kino  which  mainljy  concerns  itselt 
with  the  production  of  trade  union 
subjects. 

Ihe  studios  of  Mejrabpom  and  the 
Goskino  in  Moscow  are  not  particu- 
larly large,  but  are  smaher  in  size 
than  some  of  the  producing  studios 
in  this  country,  such  as  the  Alliance 
and  the  B.  ik  C.  They  have  a  good 
tioor  space  capable  of  taking  one 
fairly  large  set  but  their  equipment 
is  inhnitely  below  that  which  we  hnd 
in  any  British  or  German  studio,  to 
say  nothing  of  America. 

Most  of  the  lighting  equipment  is 
German,  but  all  the  same  they  man- 
age to  obtain  a  pretty  good  picture. 
In  the  Goskino  studios  they  have  Bell 
and  Howell  cameras,  but  tne  lighting 
equipment  is  poor.  There  are  two 
studios  here,  one  fairly  large  and  the 
other  somewhat  small,  but  they  also 
have  laboratories  for  the  printing  of 
their  hlms  as  is  the  case  with  Mej- 
rabpom. 

One  Unit  Plans  14  Films 
It  is  quite  a  common  thing  for 
them  to  work  all  night  on  scenes,  and 
in  the  Mejrabpom  studios  /hen  they 
were  making  "Aelita,"  a  fantastic  pic- 
ture dealing  with  a  trip  to  Mars,  one 
scene  was  placed  three  days,  then 
taken  down,  another  put  up  and  the 
original  scene  placed  back  again.  This 
company  started  in  1924  and  made  six 
films  during  that  and  this  year.  They 
are  making  14  pictures,  all  with  a 
view  to  export,  together  with  small 
educational  and  propaganda  films. 

Mejrabpom  are  responsible  for  the 
best  pictures.  Probably  their  great- 
est film  is  "The  Station  Master"  from 
the  story  by  Pushkin,  the  well-known 
Russian  author.  This  features  Mosh- 
win,  an  a<;tor  of  world-wide  renown 
from  the  Moscow  Art  Theater,  who 
incidentally  is  the  producer  of  the 
picture.  Moshwin,  it  will  be  remem- 
bered, appeared  in  "Politushca." 

"The  Station  Master"  is  a  very 
simple  story,  some  seven  reels  in 
length  with  part  of  the  settings  made 
of  reproductions  of  old  Petrograd  in 
the  period  of  1830.  It  sets  out  to 
show  a  station  master  in  a  country 
village  who  idolizes  his  only  daugh- 
ter. A  handsome  officer  of  the  Czar's 
army  while  changing  horses  sees  the 
girl  and  entices  her  to  Petrograd 
where  he  installs  her  as  his  mistress. 
Frantic  at  the  disappearance  of  his 
daughter,  the  station  master  tracks 
her  to  the  house,  is  thrown  out  by 
the  officer,  but  ultimately  secures  ad- 
mittance. He  is  made  a  laughing 
stock  of  at  a  party  by  the  officer's 
friends  and  ultimately  dies  of  a  broken 
heart. 


The  feature  of  the  picture,  with  its 
beautiful  settings  of  intense  interest, 
is  the  amazing  performance  of  Mosh- 
win, who  one  might  describe  as  the 
Jannings  of  Russia.  He  invests  his 
part  with  a  sincerity  that  is  moving 
in  the  extreme  and  particularly  fas- 
cinating to  watch. 

Negatives  Costs  Nominal 

As  an  instance  of  what  Russia 
spends  on  a  picture  1  understand 
that  "The  Station  Master"  cost  $00,- 
UUU  to  make,  while  a  nim  called  "The 
Tliree  Thieves,"  produced  by  Jacob 
Protozanooff,  in  six  reels  and  starring 
lllinski,  a  well  known  artist,  now  in 
the  course  of  production  by  Mejrab- 
pom, is  estimated  to  cost  ^oO.UUO,  and 
will  take  three  or  lour  months  to 
make.  Another  picture  which  created 
some  sensation  in  Kussia,  produced 
by  this  company,  is  "Aelita,"  pro- 
uuced  by  JacoD  rrotozanoott  who  is 
Che  (arimtn  ot  Russia,  inis  producer, 
wno  has  made  a  great  name  lor  nim- 
seit  in  Russia,  previously  produced 
pictures  tor  Gaumont  in  raris. 

ihe  settings  in  tnis  nim  are  weird 
and  tantastic  to  a  degree  and  the 
story  IS  an  imaginative  one  and  deals 
witn  a  trip  to  Mars  with  all  the 
cuDist  and  futurist  settings  that  one 
associates  with  the  German  pictures. 
i:<rankiy,  I  found  it  the  most  impos- 
sible nonsense,  wearisome  to  follow 
and  a  picture  that  would  stand  no 
possible  chance  of  success  in  this 
country,  it  introduces  a  rather  beau- 
tiful Russian  actress,  Julia  bontzeva, 
an  eighteen  year  old  artiste,  new  to 
drama,  who  has  previously  only 
played  in  comedies,  while  the  re- 
mainder of  the  cast  are  all  recruited 
from  either  the  Moscow  Art  Theater 
or  the  Kamerui  theater. 

Incidentally,  in  this  picture  I  saw 
the  artiste  named  igor  ilinski  who 
has  established  a  reputation  as  a  great 
comedian  and  is  looked  upon  as  the 
Russian  Charlie  Chaplin.  Person- 
ally, I  found  him  a  distinct  libel  upon 
our  Charlie.  "Aelita"  is  a  picture 
that  will  probably  come  over  here 
but  is  not  likely  to  achieve  any  suc- 
cess in  this  country. 

Lenin's  Death  in  "His  CaU" 

A  film  with  distinct  possibiHties,  if 
it  were  not  for  the  vast  amount  of 
propaganda  there  is  in  it,  is  a  picture 
entitled  "His  Call,"  also  produced  by 
Protozanooff,  with  plenty  of  drama 
which  opens  in  the  time  of  the  1905 
revolution.  It  has  a  somewhat  simple 
story,  portraying  the  son  of  a  rich 
merchant  who  has  to  secrete  his 
wealth  before  fleeing  the  country.  Af- 
ter the  revojution  he  plans  to  return, 
intent  on  recovering  the  jewels,  and 
uses  the  heroine  to  help  his  plans. 
At  the  critical  moment  his  disguise 
is  penetrated,  he  murders  her  mother 
and  is  himself  slain. 

A  moving  scene,  in  this  picture  is 
the  death  of  Lenin  and  its  effect  upon 
the  populace,  and  one  sees  hundreds 
of  people  stricken  by  the  news  of  th^' 
death  of  their  leader.  There  are  aUb 
excellently  photographed  sceney  of 
the  funeral  which  take  up  almosf  the 
entire  length  of  the  last  reel. /"His 
Call"  is  a  picture  that,  cut  drasfflcally, 
could  be  used  over  here  without  its 
propaganda  element  and  has  dSstinct 
possibilities.  Finely  acted  and  well 
produced,  I  found  it  holding  one's  at- 
tention throughout  its  entire 


leWth. 


The  producer  has  shown  plenty  of 
imagination  in  his  treatment  of  the 
story  and  deserves  commendation  for 
his  effort.  Here  again  the  artistes 
were  recruited  from  the  Theater  Com- 
edia  and,  in  fact,  there  was  only  one 
recognized  kinematograph  artiste  in 
the  whole  picture. 

Other  Mejrabpom  pictures  I  saw 
were  "The  Steel  Stork"  made  last 
year,  an  aeroplane  adventure  film 
starring  Egert,  the  well-known  Rus- 
sian actor;  "The  Cigarette  Maker," 
a  story  of  life  in  Moscow,  not  by  any 
means  badly  done  but  doubtful  of  any 
appeal  in  this  country.  "The  Bear  s 
Wedding,"  a  17th  century  picture  ol 
Lithuanian  nobles,  starring  the  same 
actor,  is  another  film  to  which  tht 
same  remarks  apply,  while  "The  Tail- 
or from  Torjak,  "  a  comedy  by  the 
same  man  who  wrote  "His  Call,' 
featuring  Ilinski,  was  one  that  1 
was  not  able  to  see  but  of  which  re- 
port speaks  highly. 

Russa's  Best  Effort  in  Work 

A  big  picture  that  this  company  is 
enfpeed  upon  is  entitled  '^sienka 
Rasin,"  and  i  should  imagine  it  is 
likely  to  be  the  most  ambitious  pro- 
duction that  has  been  made  in  a  Rus- 
sian studio.  "Stenka  Rasm  "  was  a 
kind  of  Robin  Hood  operating  in  the 
17th  century  and  the  story  is,  i  be- 
lieve one  ot  tremendous  power,  deal- 
ing with  the  Russian  revolution  of 
that  time  which  will  take,  it  is  esti- 
mated, some  eight  months  to  make. 
A  great  deal  ot  the  scenes  are  laid 
in  the  region  of  the  Volga  and  it  is 
estimated  the  film  will  cost  from 
$150,000  to  $200,000. 

Costumes  were  being  prepared  for 
this  film,  all  of  them  of  exceptional 
beauty.  All  the  costumes  were  be- 
in"  orepared  in  the  Mejrabpom  work- 
shops at  the  studios  and  some  thous- 
ands of  them  are  necessary.  The 
amount  of  labor  involved  in  the  mak- 
ing of  these  costumes  is  incredible 
and  much  of  the  material  is  made 
from  priests'  robes  which  are  avail- 
able since  the  revolution.  The  work 
is  heavy  but  the  effect  is  beautiful  in 
the  extreme.  The  preparatory  work 
alone  on  this  picture  has  taken  a  con- 
siderable amount  of  time,  and  it  is 
obviously  going  to  be  the  most  am- 
bitious picture  that  has  been  turned 
out  of  a  Russian  studio  to  date. 

Activities  of  the  Goskino,  impor- 
tant Russian  producing  unit,  are 
taken  up  in  the  concluding  install- 
rnent  of  the  article,  the  last  of  the 
F'redman  series. 


Alternate  Jazz  and  Classical   

Chicago — Lubliner  &  Trinz  have 
worked  out  a  new  idea  at  the  Senate 
and  Harding,  by  switiching  music 
directors  each  week  from  one  house 
to  the  other.  One  week,  the  Senate 
orchestra  plays  jarr--~imder  direc- 
tion Of  Art  Kahn,  and^l 
syhiphony  music,  led  by  Ben 


On   Broadway 

Apollo— "Stella  Dallas" 
Astor— "The   Big  Parade" 
Broadway — "The   Wedding   Song" 
Cameo — "The  Phantom  of  the  Opera"; 
Capitol— "Mike"  i 

Cohan— "Ben  Hur"  1 

Colony — "California  Straight  Ahead" 
Embassy — "The  Merry  Widow" 
Loew's  New  York- Today— "A  Kiss 
for   Cinderella" 

Tuesday — "Counsel  for  the  De- 
fense' and  "The  Arizona  Sweep- 
stakes" 

Wednesdaft' — "Classified" 

Thursday — "The  Itew  Command- 
ment" 

Friday — "The  Broadway  Lady"  and 
"The  Ship  of  Souls" 

Saturday — "Sweet    Adeline" 

Sunday — "Womanhandled" 
Loew's   State — "His   Secretary" 
Mark  Strand— "That  Royle  Grl" 
Rialto— "The  Splendid  Road" 
Rivoli — "Mannequin" 
Warners — "Lady  Windermere's  Fan" 
Brooklyn  Mark  Strand— "The  Phan- 
tom of  the   Opera" 
Next  Week 
Apollo— "Stella  Dallas" 
Astor— "The   Big  Parade" 
Broadway — Not  yet  determined 
Cameo — Not  yet  determined 
Capitol — Not   yet    determined 
Cohan — "Ben  Hur" 
Colony — Not  yet  determined 
Embassy — "The  Merry  VVidow" 
Mark  Strand— "That  Royle  Girl" 
Rialto — "The    Vanishing   American" 
Rivoil— "Hands  Up" 
Warners— "The  Sea  Beast" 
Brooklyn     Mark    Strand  — "Infatua- 
tion" 


After  N.  W.  Houses 

(Continued  from  Page  1) 
between  Salmon  and  Mam  Sts.  in  the 
Oregon  city  and  will  be  known  as  the 
Broadway.  In  Seattle,  the  company 
is  building  a  large  first-run.  Other 
expansion  is  certain  in  the  near 
future. 


next, 


In  Tilt  Over  "Bobbed  Hair" 

Chicago — The  Warners  are  in  diffi' 
culties  here  over  "Bobbed  Hair."  Or- 
ganized Catholics  protests  the  scenes 
which  pertain  to  a  girl  garbed  as  a 
nun.  'The  organizations  seek  their 
deletion,  while  the  Warners  contend 
that  if  this  is  done,  nothing  would 
be  left  of  the  picture. 


\^Y  0A^^ 


^ 


Reports  Rife  in  Northwest 
Portland,  Ore. — There  is  consider- 
able talk  here  about  theaters.  Al- 
though the  Northwest  has  been  look- 
ed upon  as  opportune  for  a  number 
of  the  producing-distributing  com- 
panies which  are  rapidly  acquiring 
theaters  in  which  to  show  their  own 
productions,  none  of  the  firms  actu- 
ally acquired  property  until  the  work 
was  started  on  the  new  Fifth  Ave. 
theater  in  Seattle  by  North  American 
Theaters.  Warner  Bros,  announced 
plans  to  buld  in  Portland  but  dropped 
the  project. 

Reports  of  new  theaters  projected 
here  have  also  included  Famous  and 
Metro-Goldwyn-Mayer.  It  is  re- 
ported and  believed  here  in  theater 
circles  that  the  Heilig  is  to  be  sold. 
The  purchase  of  the  Heilig  in  Tacoma 
this  week  by  a  Tacoma  corporation 
has  strengthened  this  belief,  and  it 
is  iinderstood  that  the  owners  of  the 
Heilig  here  have  been  negotiating 
or  a  sale. 

The  Orpheum  is  now  erecting  a 
ntw  theater  in  Seattle,  and  is  re- 
pm-ted  to  be  negotiating  for  property 
here.  Whether  they  will  build  or 
pufchase  the  Heilig  is  yet  a  matter  of 
speiculation 


i 


Monday,  January  41.  1926 


Newspaper  Opinions 

"The    Ancient    Mariner"— Fox 
Monroe,  Chicago 

AMERICAN—*  *  •  This  picture  is  elab- 
ate  and  has  a  large  and  capable  cast.  The 
legory  *  *  *  is  woven  well  with  the  modern 
■obleni  and  the  whole  thing  is  made  enter- 
ining.  *  •  * 

TRIBUNE—*  *  *  The  picture  is  a  splendid 
jliday  offering  with  its  fantasy  sequence  fol- 
wing  as  closely  as  the  producers  could  Gus- 
ve  Dore's  illustrations  nicely  worked  out. 
is  well  played  and  will  have  a  strong  ap- 
:al  to  the   imaginative  dreamer.    ♦   ♦   * 

Keith's,  Cleveland 
PLAIN  DEALER—*  *  *  While  some  of 
e  dramatic  situations  do  not  come  up  to  our 
cpectations  and  others  seem  rather  exagger- 
ed  the  recounting  of  Coleridge's  poem,  on  a 
hile,  is  fairly  accurate  and  interesting.   '   '    ' 

Washingfton,  Detroit 

FREE  PRESS— *  *  *  one  of  the  finest 
jliday   pictures   seen   here   in   many   years.      It 

a  Christmas  picture,  in  that  the  time  of  the 
cry  is  during  the   Yuletide   season.    •    •   ♦ 


"The  Beautiful  City"— First  Nat'l 
State,   Los  Angeles 

EXAMINER—*  *  *  Barthelmess  really  does 
)nvince  you  there  is  beauty  in  that  city,  de- 
)ite  the  atmosphere  of  tenements  and  selfish- 
1-  pss   in   which   he   is   surrounded.    *   ♦   • 

EXPRESS—*  *  *  As  a  dark-skinned,  ideal- 
tic  dreamer,  Barthelmess  touches  the  heart 
1  his  characterization  of  the  flower  vendor, 
ony   Cillardi.    *    *    * 

HERALD—*  *  *  Ricard  Barthelmess,  play 
ig  the  part  of  Tonv  Hillardi,  does  a  rare 
t  of  acting  as  the  Italian  flower  seller  who 
more  in  love  with  his  dreams  that  with 
is   husinesR.    •    *    * 

RECORD—*   *   *   The  work  of   Barthelmess 

paralleled  by  the  excellent  handling  of  her 
|)le  by  Dorothy  Gish.  who  is  rapidly  develop 
ig  a  dramatic  ability  which  may  rival  her 
)rmer   comedy  efforts.    *    »   ♦ 

TIME.S — *  *  *  The  worn-ont  theme  is  made 
|assahly     interesting     hv     Brirthelmess's     char- 

terization  of  an  Italian  youth  of  the  tene- 
lent  district,  and  by  Dorothy  Gish's  very 
leasing  playing  of  the   Irish   heroine.   *   •    • 


"Black  Cyclone"— Pathe 

Circle,  Cleveland 
PLAIN  DEALER—*  *  *  Here  is  a  photo 
lay  that  may  be  described  as  being  "difi'er- 
nt."  It  is  unusual  in  that  it  glorifies  the 
orse,  inuch  in  the  same  manner  as  the  van- 
ihine  buflfalo  was  featured  in  "The  Thunder- 
ig  Herd. 


,  "Bobbed  Hair"— Warners 

Strand,  Cincinnati 

TIMES-STAR-  *  *  *  While  not  a  mas'^cr- 
iece  of  literary  ingenuity,  it  serves  its  pur- 
ose  by  providing  plenty  of  action  and  fun 
'ithout  any  accompanying  Iirain   strain.   •   •   * 


"Bright  Lights"— M.-G.-M. 
State,  Boston 

TELEGRAM—*  •  *  It  has  been  a  long 
itne  since  Charles  Ray  has  done  anything  so 
pontaneous.   •  »  • 


'Clothes  Make  the   Pirate"— Param't 
Olympia,  Boston 

TRAVELER—*    *    *    There  isn't    much    to 

1;   simply  that   the   atmosphere  is   a   little   dif- 

erent,    and     CLeon)     Errol    is  at    times    very 
unny.   •   •   • 

Walnut,    Cincinnati 

TIMES-STAR—*  *  ♦  Leon  Errol's  funny 
ace  and  folding  lees  make  one  continuous 
cream  of  "Clothes  Make  the  Pirate.   •   *  • 


em  garb  has  nothing  to  do  with  the  lamented 
decline  of  chivalry.    •   •   • 

EXPRESS—*  *  *  Despite  stunning  interi. 
ors,  picturesque  shots  in  Italy  and  an  uncon- 
ventional plot,  action  lags  at  times.   •   »   • 

HERALD—*  *  *  It's  a  thing  of  consider 
able  potential  box  office  appeal.  A  great  per- 
centage of  flapper  fans  of  every  feminine  age 
will    find    "Cobra"    good    for    what    ails    'em. 

TIMES— *  *  *  "Cobra"  is  chiefly  a  series 
of  long,  slow-motion  close-ups  of  a  man  whose 
greatest  success  came  with  rapid,  romantic 
action.  •  •  • 


"Go  West"— M.-G.-M. 
Orpheum,  Boston 

TELEGRAM—*  *  *  It  is  the  biggest 
scream  the  frozen-faced  comedian  has  ever 
done  and  surely  must  set  a  new  record  in 
elaborate  laugh-provoking  protoplays.  Buster- 
(Keaton)  portrays  a  role  ideally  suited  to  his 
inimitable    brand    of    screen    clowning.    •    •    » 


"Hands   Up" — Paramount 
California,    San   Francisco 

BULLETIN—*  *  *  There  is  always  a 
wealth  of  entertainment  in  the  Raymond  Grif- 
fiith  comedies.  •  *  *  If  anything,  the  cur- 
rent picture  is  more  unusual  than  any  he 
has  made  up  to  the  present  and  in  many  re- 
spects  it   is   funnier.   ♦   *   • 

CALL  AND  POST—*  *  •  Here  is  one  of 
the  most  subtly  delightful  travesties  yet  to 
reach  the  screen — a  burlesque  of  war,  West- 
ern and   wagon-train   stuflP.   *   •   • 

EXAMINER—*  *  *  Griffith  has  an  impas- 
sive countenance,  with  sudden  comical  fleshes, 
and  a  demeanor  always  on  the  verge  of  some- 
thing surprising,  which  is  effective  and  en. 
joyahle.    •    •    • 

NEWS—*  *  *  "Hands  Up"  is  easily  the 
best  thing  that  Raymond  Griflfith  has  ever 
done,  and  that  is  saying  a  lot.  Gag  men  and 
stibtitle  writers  have  overlooked  no  angles 
from   which   to   aim   the   shafts   of   their   satire. 


"A  Kiss  for  Cinderella" — Paramount 

Metro,  Boston 

GLOBE — •  *  *  Of  course,  it  is  the  Cinder- 
rella  motif  with  the  Barrie  touch,  however, 
and  the  producers  have  spared  no  expense  to 
make  this  second  Barrie  film  quite  as  good 
as  was  "Peter  Pan."  •  •  • 

fRAVKLER— *  •  *  The  famed  Barrie 
whimsicality  screens  exceptionally  well.  Her- 
bert Brenon.  the  director,  and  Willis  Goldbeck. 
who  did  the  scenario,  have  deftly  reproduced 
the  so-called   Barrie  touch.   •   »   • 

Century,  Baltimore 

SUN — *  *  *  The  dream  episode  which  cov- 
ers two  or  three  reels  is  a  fantastic  creation 
that  reflects  great  glory  on  Brenon.  It  has 
all  the  bizarre  Tinrealitv  of  the  dream  in  "The 
Beggar  on   Horseback."   •   •    • 

Roosevelt,  Chicago 

AMERICAN—*  *  'Oh  boy,  how  the  young- 
sters are  going  to  enjoy  it.  though!  And  this 
applies  to  those  of  80  as  well  as  8.  For,  here 
is  the  whole  story  of  Cinderella  acted  out  for 
their  benefit.    *    *    • 

JOURNAL—*  *  *  No  one  better  than  Bar 
rie  can  take  charm  and  tie  it  tip  and  stow  it 
away  In  the  pages  of  a  book  and  no  one  bet- 
ter than  Herbert  Brenon  can  filch  the  thine 
from  between  the  book  covers  and  make  it 
dance   unon  the   silver   sheet.   •   •  • 

POST — *  •  *  The  picture  is  a  most  gor. 
geous  affair,  as  cay  and  beautiful  and  richlv 
decorated  as  a  Christmas  party.  Cinderella's 
adventures  are  everv  child's  dream  come  true. 

Caoitol.  Cincinnati 

PRESS — *  *  *  The  whole  movie  is  full  of 
comedy,  of  an  elusive,  whimsical  sort.  We 
can  think  of  no  picture  which  so  successfully 
has  cautrht  the  spirit  of  the  original  play  or 
novel.    •    •    • 

TIMES-STAR- •  •  *  While  there  are 
certain  elements  of  structure  and  continuity 
which  could  be  improved,  the  effort  is  so  mer- 
itorious as  an  entirety  that  it  deserves  to  rank 
with  the   superior  pictures.    •   •   • 

Allen.  Cleveland 
PLAIN  DEALFR- •  *  *  She  (Betty  Bron- 
son')  has  caueht  the  nathetic  charm  and  wlst- 
fulness  of  the  London  slavery  so  expertlv 
that  T  think  no  other  could  have  done  it  half 
«o  well.   *  *   * 

K'''iii|lliiiii"i"""'ii"'iiiii'iiiiiiii""niii"iiiii"niiiiiiiiiimmmiiniiiffliii'iiiimiwiillllllli''J 
B         We  are  in  the  market  for         __ 

I  SINGLE  REEL  NOVELTIES  j 

I  IRIS  NOVELTY  EXCHANGE  | 

1  729  7th  Ave.  N.  Y.  C.  i 

i  Brv.  .?.'?78  1 

amwiMiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiimiiiiiiiiiiiimiiii^         l^^iimiiiiiiiiiiiiiiiiiiiiimiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiuiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiip^ 


"Cobra" — Paramount 
Metro.  Los  Angeles 
EXAMINER—*    *   *   affords   Rudolph    Val- 
entino a   rare   opportunity.      Not   hi.strionicallv. 
•erhaps — but    mo^t    certainly    sartorially.       He 
(roves   to  the  yoini?   ladies   nf  todav   that    mod- 

miiiiiiiiiiiiiiiiiiim 


FEBRUARY  28th  I 


Frowns   on  Zones 

(Continued  from  Page   1) 

run  it  day  and  date,  under  the  pres- 
ent method  of  city  zoning. 

Because  each  exchange  has  an  av- 
erage of  not  more  than  four  or  five 
prints  and  there  are  many  more  the- 
aters in  line  for  the  pictures,  under 
the  present  plan,  an  unhealthy  feel- 
ing of  distrust  has  arisen  between 
exhibitors  and  the  distributors.  Ex- 
hibitors say  that  favoritism  is  being 
shown.  Circuit  owners  are  being 
favored  before  individual  owners.  In- 
stances of  personal  favoritism  have 
also  been   known. 


J.  J.  Harwood,  president' of  the  lo- 
cal exhibitor  organization,  stated  on 
Salurdaj'  that  the  zoning  plan  was 
never  adopted  by  his  association,  hut 
that  it  was  approved  by  the  New 
York  headquarters  of  distributing 
companies  and  then  put  into  opera- 
tion. He  describes  the  situation  in 
the  following  manner: 

"There  are  39  zones  in  the  city,  nine  on 
the  west  side  and  30  on  the  East  side  of  the 
Cuyahoga  River.  East  and  West  do  not 
conflict.  After  the  first  and  second  runs  a 
picture  becomes  available  to  all  the  first 
run  houses  that  have  bought  it  for  their  re- 
spective zones,  and  where  a  distributor  has 
sold  say  20  of  these  first-runs  from  ten  to 
fourteen  of  them  are  disappointed.  The 
zones  are  so  small  that  in  a  number  of  in- 
stances the  first-run  houses  in  connecting 
zones  are  really  competitors,  so  you  can 
imagine  bow  the  exhibitor  that  does  not  get 
the    picture    will    feel. 

"The  situation  becomes  keener  in  the  case 
of  the  so-called  big  specials,  such  as  'The 
Ten  Commandments'  and  'Don  Q,'  where  the 
exhibitor  has  been  compelled  to  pay  a  big 
guarantee  and  than  an  overage.  It  would 
aid  the  situation  somewhat  if  a  distributor 
had  a  sufficient  number  of  prints  to  serve 
every  house  sold  when  the  picture  is  de- 
clared available,  or  to  withhold  selling  the 
subsequent  runs  until  the  houses  he  can 
furnish  are  through  with  the  picture.  Then 
if  the  other  houses  feel  that  the  run  has 
hurt  them  they  can  buy  at  a  lower  figure  so 
that   he  can   see  a   possible  profit." 


Unions   Showing  Labor  Film 

Chicago — Various  union  organiza- 
tions throughout  this  territory  are 
showing  "Labor's  Reward,"  made  by 
the  label  trades  department  of  the 
American  Federation  of  Labor.  The 
film  is  screened  in  connection  with 
meetings  of  various  locals. 


Novel  Stunt  in  Canada 
London,  Ont. — As  a  means  of  cre- 
ating interest  in  the  showing  of  "The 
King  on  Main  Street,"  the  manage- 
ment has  offered  a  free  ticket  to  ev- 
eryone who  brought  to  the  box  office. 
the  king  of  hearts  from  a  deck  of 
cards. 


Action   Deferred   on  "Kimono"  Ban 

Harrisburgh,  Pa.  —  The  final  deci- 
sion of  whether  or  not  "The  Red  Ki- 
mono" can  be  shown  in  this  state  has 
been  deferred  by  the  Censor  Board, 
which  originally  banned  the  pictuffe. 


Franks  Now  a  Manager 

Kansas  City — H.  Franks,  formerly 
with  the  local  branch  of  the  Junior 
Orpheum  Booking  Offices,  is  the  new 
manager  of  the  10th  St.  theater,  Kan- 
sas Citv. 


Capitol,  Montreal,  Broadcasting 

Montreal  —  Program  features  and 
special  numbers  are  being  regularly 
broadcast  from  the  stage  of  the  Capi- 
tol every  Sunday  afternoon  for  an 
hour  under  Harry  Dahn. 


OFFICE  SPACE 

One  thousand  square  feet,  cut- 
ting room  and  projection  facil- 
ities. 'Phone  Wisconsin  3770-L 


Arthur  J.   Lamb 

presents 

THE  MOLLY  MAY  SERIES 

(INC.) 

12-2  reel  comedies 

Written  by  A.   J.   LAMB 

Featuring  VIOLET  MERSEREAU 

Direction  of  JOSEPH  LEVERING 

1st  release  "Twas  Her  First  Night  In  Philadelphia" — Jan.  18th 

also 

MAKE  ME  LAUGH! 

featuring  Joe  Raymondl 
6-2  reel  comedies  written  by  A.  J.^Lamb 
supervision  Joseph  Levering — 1st  release  March  5th 

The  World' s  Distributing  Rights  to  the  abovt  vesud  in 

CRANFIELD  &  CLARKE,  Inc. 

1476  Broadway,  New  York  City 


*f 


a 


ANNOUNCEMENT, 

January-to-June,  is  ivritten 
in  Showman*  s  language 

It  lets  the  pictures  speak! 

26  outstanding  Box-office  Hits 

and  2  Stupendous  Specials! 

Coming  Friday  in  the  "Motion  Picture  News' 


7Aff  BRADSTREET 
ojC  FILHDOM 


,A,,A^      Xj^ 


J'Ur^-^ 


;9(^re(0cmizeii 
Authority 


roL.  XXXV    No.  9 


Tuesday,  January  12,  1926 


Price  5  Cents 


Warner  Franchises 

heaters    Signing   for   Time   Periods 

Ranging  from  One  to  Five  Years 
— Pantages  Deal  Closed 

The  Warners  are  busy  selling  fran- 
lises,  ranging  from  one  year  to  five 

duration.  It  is  understood  several 
undred  theaters  have  already  signed, 
ie  franchise  to  become  effective  with 
le    1926-1927   product. 

The  Warners  have  closed  a  deal 
ith  the  Pantages  circuit  to  which 
ley    will    turn    wherever    vaudeville 

comes    necessary    in    the    operation 

the  16  theaters  now  comprisinc:  the 
/arner  chain.  In  return,  the  Pan- 
ges  circuit  of  theaters,  operating  in 
)out  30  mid-Western  and  Far  West- 
n  cities  will  book  Warner  pictures. 

is  stated  by  a  Warner  oflficial  the 
antages  bookings  aggregate  close 
I  to  30  weeks. 


Clpvelar.d — The  Circle,  operated  by 
arner  Bros.,  will  offer  Pantages 
iideville  in  connection  with  features, 
arting    either    Jan.    16    or    Jan.    23. 

{Continued  on   page   4) 

Levee  Continues 

le    of     United     Plant     Will     Not 
Interrupt     Series     for     First 
National 

Hollywood — The  sale  of  the  United 
udios  to  Famous  in  no  wise  inter- 
nes with  M.  C.  Levee  present  plans. 
e  is  under  contract  to  make  a  series 
r  First  National.  Several  more  pro- 
ctions  are  yet  to  be  made. 
Levee  will  expand  his  rental  enter- 
ises.  The  storage  building  and  its 
ntents  which  Levee  asserts  are 
Drth  $1,000,000,  remain  the  prop- 
ty  of  the  holding  company.    Joseph 

(Conttmied  on   page   4) 

'hina  Wants  Theaters 

>vernment   Representative   Here  to 
Interest    American    Interests    in 
Developing  That  Field 

Motion  pictures  are  having  such  an 
luence  for  good  in  China  that  the 
linest  Government  has  sent  a  rep- 
sentative  here  to  encourage  the 
ilding  of  more  theaters  bv  Ameri- 
ns  and  for  the  wider  distribution  of 
nerican  films.  China's  representa- 
e  is  Sum  Nung  Au-Young  of  Pek- 
7.  Commissioner  of  Social  and  Eco- 
mic  Research  in  America  and-Eu- 
(Continued  on  Page  4) 


Ghaney  Re-Signs 

Flollywood — Metro-Goldwyn-Mayer 
s  exercised  its  option  with  Lon 
laney.  The  new  contract  covers 
one;  period  of  time, 
"wen  Lee  and  Estelle  Clark  have 
en  also  placed  under  contract  ,by 
G.-M. 


fl 


Fox  Chain  in  Florida 

Miami   Deal,   Reported   Under  Way, 

the  First  Move  for  Theaters  in 
That  State 

Miami — William  Fox  arrived  here 
yesterday  on  the  S.  S.  H.  F.  Alex- 
ander from  New  York, 
^t  is  understood  he  has  secured  an 
■iiterest  in  the  Wolfson-Meyer  cir- 
cuit, operating  the  Lincoln,  several 
houses  for  colored  patronage  and  the 
builders  of  a  new  first-run  which  will 
open   in  March  or  April. 

Fox  is  expected  to  meet  James  R. 
Grainger,  general  sales  manager,  here 
later  and  together  they  will  visit 
Jacksonville,  Daytona,  and  other 
Florida  cities  with  the  plan  in  mind 
of  developing  a  theater  chain. 

Sidney  Meyer  of  Wolfson-Meyer 
was  former  sales  manager  for  Fox. 


Group  Nears  Port 

Many  Important  Film  Folks  Aboard 

the  Majestic  Which  Docks  Here 

Tomorrow  Morning 

Probably  the  most  important  group 
of  mo;tion  pidture  personalities  to 
reach  New  York  from  Europe  on 
one  boat  is  aboard  the  Majestic  which 
is  due  here  tomorrow  morning  from 
Cherbourg  and  Southampton.  The 
boat  was  scheduled  to  arrive  today 
but  has  been  held  up  by  bad  weather. 
The  group  includes: 

Harry  Cohn  of  Columbia  who,  with 
Joe  Brandt,  organized  a  British  fin- 
nance  unit  for  Columbia  and  arranged 
to  make  pictures  in  England. 

Betty  Compson  and  James  Cruze 
who  have  been  vacationing  on  the 
Continent.  Cruze  visited  Northern 
Africa  to  secure  preliminary  data  for 
"Old  Ironsides"  which  Famous  ex- 
(CoHtinued  on  Page  8) 


RUSSIA 

By  ERNEST  W.  PREDMAiJ 
The    Film   Renfef    and    M.    P.    nS^ 


What  the  Russian   Studios     \ 
Are  Doing 

PART  II 

The  other  producing  unit  is  the 
Goskino,  many  of  whose  pictures  T 
was  able  to  view.  Here  also  produc- 
tion was  booming  and  the  two  stu- 
dios were  employed.  Incidentally,  it 
was  a  queer  sight  to  see  milk  and 
butter  given  free  to  the  laboratory 
workers  at  these  studios.  Both  the 
Goskino  and  Mejrabpom  studios  are 
only  some  twenty  minutes  car  ride 
(Conttnwtd  on  Page  8) 


T.  O.  G.  G.  Disturbed 

Members'   Future   Causes   Concern — 

Support  to  First  National  With 

Sam  Katz  Out  Considered 

The  Theater  Owners'  Chamber  of 
Commerce  will  hold  what  bids  fair  to 
be  an  important  meeting  today.  The 
theater  situation  in  New  York  as  it  is 
now  constituted  and  reports  that  Fa- 
mous and  Fox  are  ready  to  invade  the 
local  territory  in  a  more  pronounced 
manner  are   to  be  considered. 

The  effect  of  these  moves  as  well 
as  the  growth  of  the  Loew  circuit, 
will  be  gone  into.  Another  impend- 
ing topic  reported  on  Film  Ro\y  yes- 
terday concerned  the  participation  of 
Sam  Katz  in  the  affairs  of  both  First 
National  and  Famous.  Although 
Charles  L.  O'Reillv,  president  of  the 
Chamber,  declared  vesterdav  that  it 
was  news  to  him,  the  reports  on  the 
street  had  it  that  the  T.  O.  C.  C,  was 
about  to  approach  First  National  on 
the  following  proposition: 

That  the  Chamber  would  give  its 
whole-hearted  support  to  First  Na- 
tional, provided   Sam   Katz  were  re- 

(Continued  on  page  4) 


Booking  Combine 

Independent    Exhibitors    Consider    a 

Buying  Whip — Larger  Circuits 

Mav  Be  Invited  to  Join 

St.  Louis — There  is  in  formation  a 
booking  combine  designed  to  include 
oractically  every  independently-owned 
house  in  St.  Louis.  The  plan  is  in 
the  formative  stage. 

Joseph  Mogler,  president  of  the  M. 
P.  Exhibitors'  League  who  also  owns 
the  Mogler.  Bremen  and  Excello,  ad- 
mits such  a  plan  is  being  considered. 

"We  have  not  fully  decided^  what 
will  be  done  but  are  endeavoring  to 
secure  data  on  similar  plans  in  opera- 
tion in  other  cities,"  he  said. 

"We  contemplate  including  every 
independent  house  and  mav  also  in- 
vite <;onie  of  the  larger  theater  chains 
*o  ioin.  It  is  certain  that  a  booking 
-irrangement    to    serve    manv    of    the 

(Continued  on   pane   4) 


Overselling  in  N.  W. 

12.';  Exchaneemen  in  Minneapolis  and 
Sioux    Falls    Move    to    Tmp-ove 
Conditions — Pledge  Action 

Minneapolis — Dangers  of  oversell- 
ing were  discussed  and  pledges  nade 
to  remedy  the  evil  at  the  annual  get- 
loB'ethcr  of  branch  managers,  sales- 
men and  bookers  of  the  Minneapolis 
and   Sioux   Falls   territories. 

The  meeting  was  attended  by  12S 
exchangemen,  who  pledeed  their  ef- 
forts to  imnrovint?  conditions  in  the 
territory.  That  there  is  a  period  of 
real  prosperity  in  the  offing  for  the 
Northwest  was  the  consensus  of 
opinion  expressed. 


Combine  Forming 

10  Local  Circuits  Discussing  Holding 

Company  to  Secure  First  Runs 

Through  Joint  Buying  Power 

There  is  a  move  under  way  in  lo- 
cal exhibitor  circles  to  form  a  hold- 
ing; company  which  would  embrace 
fen  of  the  more  independent  Greater 
New  York  circuits  for  the  purpose  of 
securing  better  first-runs  representa- 
tion through  the  force  of  concentrated 
book  buying  power. 

The  scheme  has  its  origin  in  Brook- 
Ivn.  Its  sponsors  would  include  in 
the  fold  circuits  which  cover  every 
important  section  in  the  greater  city. 
Seventy  theaters  are  talked  of  in  the 
olan  as  now  framed.  It  is  said  to 
have  passed  the  embryonic  stage. 

(Continued  on  page  4) 

F.  &  R.  in  Vaudeville 

To  Enter  New  Field — Roadshows  and 
Prologues  Planned — To  Increase 

Chain  to  100 
Minneapolis  —  Plans  for  the  en- 
trance into  the  roadshow  and  vaude- 
ville field  were  outlined  to  Finkel- 
stein  &  Ruben  managers  at  a  confer- 
ence here.  Under  the  plan,  vaudeville 
presented  in  the  Twin  Cities  will  be 
routed  over  the  firm's  circuit  of  ap- 
proximately 90   theaters. 

Announcement  was  made  by  Theo- 
dore   L.    Hays,    general    manager    of 
the    company,    accompanied    by    the 
(Contimicd  on  page  4) 

Favor  Cutting  Tax 

Minority  Members  of  Senate  Finance 
Committee     Would    Free     All 
All  Admissions— A  New  Plan 

Washington — Entire  elimination  of 
the  admission  tax  is  made  one  of  the 
planks  in  the  tax  program  of  the  mi- 
noritv  members  of  the  Senate  Finance 
Committee,  submitted  to  the  commit- 
(Continued  en  Pane  8) 

Six  L.  A.  Houses  Open  Soon 

Sol  Lesser  states  that  \yest  Coast 
will  open  six  new  houses  in  the  next 
60  (i^vt;  in  Los  AnEreles.  involving 
■J^Z.OOO.OnO.  "And  this  is  merelv  the 
fore-rnnncr  of  what  we  propose  do- 
''ncr  dnriniT  the  comincr  year."  he  adds. 
"In  addition  we  have  eight  more  in 
'-onstrurtion.  and  the  directors  are  _al- 
readv  considcrinir  a  several  rniJHon 
dollar  appropriation  for  additional 
ones." 


Fleischer  Suceeds  Fadman 

Max  Fleis'-hrr.  nroducer-creator  of 
Oiit-of-the  Inkwell  and  the_Ko-Ko 
si^ries.  has  been  elected  nre<;iden^^  of 
Red  Seal,  sticccdinfr  Edwin  _Mile<; 
Fadman.  resitrncd.  Fadman  will  sai' 
for  Europe  to  enter  on  a  program  of 
novelty  productions. 


•n 


ZJ?5^ 


DAIUY 


i^ 


Tuesday,  January  12,  1926 


ViLXXXVNo.9     Tuesday,  laa.  12. 1926     Prices  Cant$ 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS.  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
tiger  ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
«t  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $S.OO;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E,  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  S8,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,  5,  Rue  Saulnier. 


Quotations 

High   Low   Close     Sales 

Balaban   &   Katz    Not  quoted 

Eastman  Kodak  111       109J4   109^  2,400 

Famous  Players 108f<  106J4  107       3,000 

F.     P.    Pfd 11754   117       UTA  1,000 

Film    Inspection     ..     7ii       654       6J4      700 

First    National     Not  quoted 

Fox  Film  "A"  ....  82 H'  8254  8254  800 
Fox   Theaters    "A"     34         335«     33H  4,000 

Intern'l    Projector    Not  quoted 

Loew's,    Inc 4054     3954     40       1,600 

Metro-Gold.  Pfd.  ..  2254  2254  2254  300 
M.  P.  Cap.  Corp.  ..21  20  20  5i  1,100 
Pathe  Exch.  "A"  ..  785^     78;4     7854      300 

Skouras   Bros 52         52         52  

Trans-Lux     14         \2H     13      9iiM 

Universal    Pictures    Not  qaoted 

Univ.   Pict.   Pfd Not  quoted 

Warner  Brothers  ..  17J4  1754  17J4  500 
Warner  Pictures   Not  quoted 


Leases  Delmonte,  St.  Louis 

St.  Louis — Fred  L.  Cornwell,  owner 
of  the  Delmonte,  leased  it  for  a  long 
period  to  Ray  Miller  of  Mexico.  Mo., 
and  Jack  Weil  of  St.  Louis.  Miller 
has  disposed  of  the  Grand,  at  Mexico, 
to  Smith  &  Josephson  of  Kansas 
City,  and  will  take  personal  charge 
of  the  Delmonte  theater.  He  also 
sub-leased  his  theater  in  Moberly. 
Weil  is  the  head  of  Jack  Weil  Pic- 
tures. 


Hays  En  Route  to  Hollywood 

Los  Angeles — Will  H.  Hays  has 
left  New  York  for  Hollywood.  He  is 
expected  the  end  of  the  week. 

DeMille  to  Feature  Jetta  Goudal 
Hollywood — Cecil   B.  DeMille  will 
feature  Jetta   Goudal   in   several  pic- 
tures. 


FOfL_nE^LT 

BELL  -  HOWELL 

AND 

AKELEY  CAMERAS 

WU/i  or  Wilh.out  Cameramen 


SEIDEN    CAMERA    EXCHANGE 

7'."'  Seventh  Ave.  NYC. 
Bryant    395  1 


Theater  Changes  in  Omaha  Territory 

Omaha,  Neb. — Several  changes  in 
theater  management  are  reported,  in- 
cluding the  sale  of  the  Lucas,  Lucas, 
S.  D.,  by  Frank  Meyer  to  C.  S. 
Yages;  Star,  at  Maurice,  la.,  by  J. 
L.  Mieras  to  E.  Mieras;  Tivoli,  at 
Bartley,  Neb,,  by  J.  W.  Arbogast  to 
W.  R.  Daniel;  Opera  House,  at 
Brunswick,  Neb.,  by  Ed  Rohwedder 
to  M.  Stevens;  Gem,  at  Emerson,  la., 
by  Wm.  Huntsman  to  J.  C.  Wilkins, 
and  the  Plaza,  at  Ackley,  la.,  bought 
by  J.  E.  Trovas. 


To  End  Competition  at  Berlin,  Wis. 

Berlin,  Wis.— Ed.  M.  Starkey  will 
end  competition  here  by  taking  over 
the  Rex  on  a  long  term  lease.  He 
now  owns  the  Opera  House.  This, 
it  is  expected  will  end  the  plan  of 
outside  parties  to  erect  an  $80,000 
house. 


"Silky  Anne"  for  Connie 

Los  Angeles — "Silky  Anne,"  an 
original  by  Edward  Clark  will  be 
Constance  Talmadge's  next.  Ray- 
mond L.  Schrock  is  adapting,  in  col- 
laboration with  Clark.  Sidney 
Franklin  will  direct. 


Premier  to  Distribute  Chadwick 

Milwaukee — John  Ludwig  and  I.  E. 
Chadwick  have  formed  Premier  Pic- 
tures to  handle  the  Chadwick  product 
in  Wisconsin. 

Ludwig  has  acquired  distribution 
to  four  two-reel  Chaplin  comedies  for 
the  Ludwig  Film  Exchanges  here  and 
in  Minneapolis.    For  Wisconsin  only. 


Cleveland   Dinner  Feb.    1 

Cleveland  — The  Cleveland  M.  P. 
Exhibitors  Ass'n  has  set  Monday, 
Feb.  1,  as  the  date  of  its  annual 
dinner  dance.  It  will  take  place  at 
the  Music  Box.  Everybody  connect- 
ed with  the  film  business,  in  Cleve- 
land and  outside  has  been  invited  to 
participate. 


Fire  Destroys  Wash.   Ind.,   House 

Washington,  Ind. — Fire  destroyed 
a  local  house,  causing  a  loss  estimated 
at  $150,000.  Nearly  1,000  persons 
were  in  the  theater  when  the  fire 
started  but  all  filed  out  quietly. 


To  Show  "Hell  and  the  Way  Out" 

The  League  of  Nations  Non-Parti- 
san   Ass'n   will   show   "Hell   and  the 
Way  Out,"   Saturday  morning_at   10   „  , 
A   M.,  at  the  Tivoli,  SOth-SCaJTa^S+bJ  ^^lasco  and  Star 

Ave.— '-"^  \ 


M.G.M.  to  Make  Conrad's  "Romance" 

Los  Angeles — "Romance,"  by  Jo- 
seph Conrad  and  Ford  Madox  Huef- 
fer  will  go  into  production  at  M.  G.- 
M.-  in  the  near  future. 


"Stella  Dallas"  in  Boston 

Boston— "Stella  Dallas"  opened 
last  night  at  the  Colonial.  Sam 
Goldwyn,  Hiram  Abrams  and  Lois 
Moran  attended. 


Vital  Exchanges  at  "729" 
The  New  York  and  New  Jersey  ex- 
changes   of    Vital    Exchanges,    Inc.. 
will  be  housed  on  the  ninth  floor  of 
729  7th  Ave.,  on  or  before  Feb.  1. 


"Everything's  Alright,"  Bank's  Next 
Hollywood  —  Howard   Estabrook 
states   the   next   Monty   Banks   com- 
edy will  be  "Everything's  Alright." 


"Skyrocket"  Opens  on  24th 

"The  Skyrocket"  has  been  booked 
for  an  indefinite  run  at  the  Colony, 
starting  the  24th. 


BAVANT    3740-3744 

Reuben  S.AJMXJELs,lTsrc. 


"Fine  Manners,"  Gloria's  Next 

Gloria  Swanson's  next  will  be 
"Fine  Manners,"  an  original  by 
James  Ashmore  Creelman.  Eugeoe 
O'Brien  will  have  the  leading  maTe 
role.  Creelman,  along  with  Town- 
send  Martin  is  adapting  the  story. 
Frank  Tuttle  will  direct  for  Famous. 


Many  Employes  Long  with  Pathe 
Twenty-seven  per  cent,  or  434  of 
1,600  employees  have  been  with 
Pathe  for  five  years  or  more;  353, 
from  five  to  nine  years;  64  from  ten 
to  fourteen  years;  and  17,  fifteen  years 
or  more. 


Quincy  Deal  on  Again? 

Quincy,  111. — B.  &  K.  are  dickering 
for  the  Washington  Square  theater. 

Some  time  ago  it  was  reported  that 
B.  &  K.  sought  to  take  over  all  of  the 
houses     in     Quincy,     including     the 


Raoul  Walsh  Here  Monday 

Jlaoul  Walsh  who  will  direct 
"What  Price  Glory?"  for  Fox,  will 
arrive  here  from  Hollywood  on  Mon- 
day. He  will  confer  with  Laurence 
Stallings. 


Famous  Signs  Georgia  Hale 

Hollywood — Famous  has  placed 
Georgia  Hale  under  long  term  con- 
tract. Charlie  Chaplin,  with  whom 
she  was  under  contract,  released  her. 


$500,000  Uptown  House 

Emerdyck  Realty  Corp.  will  build 
a  theater  and  stores  at  4915  Broad- 
way, from  plans  by  E.  De  Rosa, 
architect. 


Hollywood — Special  funeral  ser- 
vices for  Dwight  Cleveland  were  held 
by  the  Screen  Writers  Guild  and  The 
Writers  at  the  Gates,  Crane  &  Earl 
Chapel. 


i540  broadwav 

NewYork 

Insurance  Experts  to  the  Theatrical 

And   Motion   Picture  Industry 


IF  YOU  ARE  IN  THE 
MARKET  FOR  ANY  KIND  CtF 

MOTION  PICTURE 
APPARATUS 

CONSULT  US- AND  SAVE  MONEY 
SEND  FOR  OUR  PRICE  LIST 


Motion  Picture  App.  Co.,  Inc. 

Ownerthip'managemenl  C.  G.  Willoughbjr,  Inc. 

110  West  32nd  St..  New  York 

PhoB*    PenB.    6SC4 


Two  More  in  Milwaukee  for  Saxe 

Milwaukee — Saxe  Enterprises  pla 
two  more  houses  betore  the  end  c 
1926.  The  Tower  on  the  west  sid 
will  open  about  March  1.  Plans  ar 
being  drawn  for  an  east  side  hous 
to  cost  about  $800  000. 


'OUR  GANG  c 


HALRQA.Ca 

HIS  Rascals 


GOOD  CHEER 


This  is  a  'Com*rblock*  cut  furnish* 
FREE  for  all  Pathecomedies  at  yoni 
exchange 


msm 


%Bnik1hid 


I 


I  LOBBY  FRAMES 

OF  THE  BETTER  KIND 


LIBMAN-SPANJER  CORP. 

1600   Broadway  New   York   City 

_      Tel.  Chickering  5550  Show  Roon 

♦:♦, 


RAISED  THE  ROOF 
ijAT  CAPITOL  (N.Y) 
\^ORLD  PREMIERE  / 


—Standing  Room  Only 
--Four  Box-oiJices  Working 
—Lines  Down  Broadway 
—House  in  Uproar 
—  Opening  Receipts  BIQ ! 


Nab  it! 
Grab  it! 
Once  in  a 
Blue  moon 
Along  comes 
A  picture 


MARSHALL  NEILAN'S 

GREATEST  LAUGHING 

SHOW  ON  EARTH ! 

with  Sally  O'Neill,  Charles  Murray, 
William  Haines,  Ford  Sterling 

That's  got         I 

Metro-Goldwyn-Maye 

Miracle  Comedy  Is  Off 
To  Fame  and  Fortune 


For  the  fans 
That  means 

A  fortune. 


w 


THE 


■^^ 


OlAILV 


4 


Tuesday,  January  12,  192 


Combine  Forming 

(Continued  from  Page  1) 

All  houses  would  be  thrown  into 
one  pool,  as  it  were,  this  pool  to  be 
represented  by  the  holding  company. 
Stock  in  the  holding  company  would 
be  distnbutted  on  the  basis  of  num- 
ber of  theaters,  cost,  seating  capacity 
and  location.  Each  of  the  ten  circuits 
would  be  represented  by  one  director 
on  the  board  of  the  holding  company. 
The  plan  of  operation  provides  for  a 
series  of  committees,  each  with  a  defi- 
nite duty  to  perform. 

In  this  connection,  it  is  learned  that 
a  Wall  Street  firm  which  has  figured 
in  a  number  of  sensational  financial 
coups  in  the  past  few  months  has  ex- 
pressed its  willingness  to  advance  a 
loan  of  considerable  proportions — 
$10,000,000  is  the  figure  given  for  ex- 
pansion purposes. 

One  exhibitor  who  knows  the  local 
territory  and  all  of  its  ramifications 
said  yesterday  that  he  foresees  two 
large  independnt  circuits  in  New 
York  to  counteract  the  buying  pres- 
tige of  the  three  big  circuits:  Loew, 
Keith  and  Fox. 

The  move  is  reported  to  have 
reached  the  point  where  lawyers  have 
been  consulted  on  the  legal  aspects. 


Booking  Combine 

(.Continued  from  Page  1) 
houses     in     the     city     will     be     put 
through." 

Mogler  has  not  heard  from  William 
Fox  the  exact  date  he  will  be  in  St. 
Louis  to  discuss  the  first  run  situa- 
tion. 

"We  hope  to  be  able  to  convince 
Mr.  Fox  that  he  will  be  protected  on 
first  runs  for  his  pictures,"  he  said. 
"We  are  opposed  to  any  more  thea- 
ters being  constructed  in  St.  Louis  in 
the  near  future  because  we  feel  that 
the  city  is  now  over-built.  Our  move 
was  not  directed  against  Mr.  Fox  or 
his  organization,  but  against  new 
theaters." 


$2,500,000   House   for   Chicago 

Chicago — Frank  Ragen,  manager 
of  two  Chicago  hospitals,  has  bought 
property  on  the  South  Side,  on  which 
will  be  erected  a  theater  seating  2,950 
and  costing  $2,500,000. 

The  Northwestern  Amusement  Co. 
is  behind  the  erection  of  a  2,200  seater 
on  the  North  Side.  It  will  cost  about 
$500,000. 


Non-Theatricals  Cause  Trouble 

Seattle  —  The  Seattle  Exhibitors' 
Ass'n  and  the  Film  Board  of  Trade 
have  protested  to  the  Kings  County 
School  Board  on  the  increasing  num- 
ber of  non-theatrical  performances 
occurring  in  schools.  A  hearing  has 
been  set  for  late  this  month. 


Levee  Continues 

(Continued  from  Page  1) 
M.  Schenck  remains  as  chairman  of 
the  board. 

A  new  building,  larger  than  the 
present,  structure,  will  be  built  at 
the  corner  of  Melrose  and  Bronson 
to  house  additional  furniture  which 
will  be  purchased  for  rental  to  pro- 
ducers and  provide  sales-rooms  where 
the  public  may  buy  oddities.  Thomas 
Little  will  continue  as  head  of  the 
mstitution. 


New  Duluth  First-Run 

Three-Cornered     Situation    Develops 

With    Opening  of  the   Orpheum 

—Six  First-Runs  There  Now 

Duluth — Bringing  a  new  factor  to 
the  city's  first  run  situation,  the  Or- 
pheum has  reopened.  The  house  is 
operated  by  the  Orpheum  Amus.  Co., 
newly-formed  corporation,  controlled 
by  Blackmore  Bros.  Prosper  F. 
Schwie  is  general  manager  of  the 
company  and  a  partner. 

The  Orpheum  on  Second  Ave  E, 
above  Superior  St.,  is  the  city's  sixth 
first  run.  It  seats  1,400.  The  others 
are  Finkelstein  &  Ruben's  Garrick, 
Lyric  and  Zelda,  and  the  Lyceum 
and  Strand,  operated  by  Clinton 
Meyers.  Famous  is  financially  in- 
terested in  the  Lyceum. 

The  three-cornered  situation  which 
results  from  entrance  of  the  new  com- 
pany into  the  first  run  field  is  ex- 
pected to  provide  keen  competition. 
Schwie   will  manage  the  Orpheum. 


T.  O.  C.  C.  Disturbed 

(Continued  from  Page   1) 

moved  from  active  management  in 
the  company.  This  is  predicated  on 
the  belief  that  as  long  as  Katz  re- 
mained on  the  executive  committee 
of  First  National  a  merger  of  that 
company  with  Famous  was  a  possi- 
bility. With  Katz  removed,  so  the 
report  goes,  this  danger  will  be  elim- 
inated and  the  Chamber  then  could 
throw  its  support  to  First  National, 
thereby  secure  for  itself  for  itself  a 
powerful  affiliation  with  one  of  the 
leading   producing   organizations. 

Sam  Spring  could  not  be  reached  at 
First  National  for  a  statement. 


F.  &  R.  in  Vaudeville 

(Continued  from  Page   1) 

Statement  that  the  chain  is  to  be  ex- 
panded to  100  theaters.  Roadshows 
will  be  routed  over  the  circuit  wher- 
ever stage  facilities  permi't.  Pro- 
logues also  will  be  circuited,  he  said. 
Economy  and  summer  business  in- 
crease were  the  outstanding  topics 
discussed. 


1879  "Blue  Law"  Rejected 

Golden,  Col. — A  "blue  law"  passed 
in  1879  has  been  rejected  by  the  lo- 
cal council  as  a  referendum  in  the 
Sunday  fight.  It  was  decided  that 
as  there  were  no  motion  pictures  on 
any  day  of  the  week  let  alone  Sun- 
day, in  1879,  it  would  be  impossible 
to  use  the  law  in  enforcing  a  closing 


Fined  for  Rimning  "Country  Store" 
Seattle  —  Simon  Danz  and  S.  D. 
Maine,  of  the  Hollywood,  were 
brought  up  on  charges  of  running  a 
lottery  and  fined  $125  in  Kings  Coun- 
ty Court.  The  charges  grew  out  of 
a  "country  store"  staged  at  the  the- 
ater. They  have  appealed  to  the  Su- 
preme Court. 


Quits  United  to  Enter  Exhibition 

St.  Louis — James  Gately,  formerly 
assistant  manager  for  United  Artists, 
has  resigned  to  join  William  Gold- 
man's theater  organization. 

The  first  annual  ball  of  the  Jazzbo 
Club,  the  social  organization  of  P.  D. 
C,  will  be  held  Friday,  March  26,  at 
the  Astor. 


Presentations 

A  feature  dealing  with  the  man- 
ner in  which  first-runs  build  their 
programs  and  written  from  the  an 
gle  of  one  who  sits  out  front. 

Designed  solely  for  the  purpose  of 
conveying  to  exhibitors  ideas  to  be 
used  in  developing  their  own  shows. 

Rivoli 

Unit  No.  1. — Rivoli  Orchestra: 
"Forza  del  Destino,"  Verdi.  Time, 
10  minutes. 

Unit  No.  2.— "Marionettes."  Tech- 
nicolor fantasy  with  Hope  Hampton. 
Time,    11   minutes. 

Unit  No.  3. — Eddie  Elkins  and  his 
Melody  Mixers:  Songs  of  the  Day 
(popular  hits).  Nutcracker  Suite  and 
Lights  and  Shadows.  For  last  num- 
ber stage  is  darkened  and  during  ren- 
dition of  "Glow  Worm,"  colored 
lights  flicker  on  and  off.  Following 
this  there  is  a  shadowgraph  stunt 
with  ukelele  players  singing  and  their 
shadows  reflecting  on  the  screen, 
also  Elkins'  shadow  as  he  directs  his 
orchestra.     Time,  15  minutes. 

Unit  No.  4.— "Lighter  Than  Air"— 
Aesop  Fable.     Time,  6  minutes. 

Unit  No.  5. — Harold  Ramsay  at 
the  organ,  playing  "Bam  Bam  Bam- 
iny  shore"  with  words  on  screen, 
comic  cartoons  accompany  each  new 
slide.     Time,  4  minutes. 

Unit  No.  6. — Movievents.  New 
Reel.    Time,  6  minutes. 

Unit  No.  7. — "Gypsy  Follies." 
John  Murray  Anderson's  presenta- 
tion with  The  Lenora  Steppers,  Ted- 
d-  Walter  and  Roy  Ellis,  The  Royal 
Gypsy  Ensemble  and  Marvel.  Set- 
ting ^  five  gypsy  tents.  The  first  two 
swing  around  revealing  eight  dancing 
girls  in  gypsy  costumes.  After  their 
dance  larger  of  the  tents  swings 
around  introducing  female  quartette, 
in  costume,  and  five  men — baritone 
soloist  and  four  guitar  players,  also 
in  costume.  Follow  vocal  numbers, 
solo  dances  and  general  ensemble 
number.  About  20  people  in  num- 
ber.    Time,   13  minutes. 

Unit  No.  8. — Feature:  "Mannequin" 
— Paramount.     Time,  74  minutes. 


May  Close  for  Two  Weeks  in  July 
Baltimore— The    M.    P.    T.    O.    of 

Maryland  has  sent  out  questionnaires 
to  exhibitors,  to  decide  whether  or 
not  theaters  in  Maryland  shall  close 
for  two  weeks  in  July. 


China  Wants  Theatej 

(Continued  from  Page  1) 
rope  for  the  Chinese  Government 

Au-Young  is  conferring  with   Wii 
H.  Hays,  and  with  various  distnbu 
tors.    Before  coming  to  New  York 
spent  several  weeks  in  Hollywood, 

"China   wants   American   picture 
said  Au-Young,  yesterday.     "At  pr^ 
ent  there  are  less  than  80  theaters 
all  of  China  and  these  are  heavily  pal 
ronized.     The    Chinese   like   best  tl 
comedies    and    the    so-called    socie 
dramas.     Ihey  are  very  fond  of  Chi 
he   Chaplin  and  Harold  Lloyd. 

"The  Chinese  are  progressing  r 
idly  ni  production  of  pictures,     rhe' 
are  15  studios  in  China,  many  of  the 
quite   small.      Extra   people   are   pail 
:>()  cents  a  day  and  the  stars  get  :pO  j 
day.    Now  and  then  one  of  our  sta: 
from  the  speaking  stage  makes  a  pii 
ture  and  receives  as  much  as  $1U,1)I 
tor  one   picture. 

"The   chief  factor  in  retarding  tht 
popularity    of    American    motion   pic 
tures  has   been   the  fact   that  few  oi 
them  are  captioned  in  Chinese.     T 
theaters  print  the  story  in  Chinese 
the    program    so    the    spectators    ci 
understand   the   plot,     i    believe   t 
with      more      extensive      distributij 
through  the  building  of  more  theatei 
the   American   producers   will   find 
worth  while  to  insert   Chinese  till 
The    production    of    Chinese   picture; 
for  the  Chinese  is  a  thing  to  be  en 
couraged.     I  hope  that  American  pro 
ducers  can  be  interested  in  aiding  u 
in  this.     At  present,  the  Chinese  o 
side    the    cities    do    not    underst 
American     costumes    and    Amerii 
ways  and  will  be  most  interested  fii 
in   pictures   about   their   own   peo 
Later,    however,    they    will    welcoi 
American    pictures   just   as   they 
now  welcomed  in  the  cities." 


I 


Insiu-e  Against  "Dark  Houses"! 

Kansas  City — The  Midwest  Fij 
Distributors,  Inc.,  has  establisheo' 
dark  house  insurance  for  the  small 
houses.  The  plan  is  to  provide  a  p^ 
ture  to  theaters  to  keep  in  readine 
in  case  delivery  is  held  up  on  fill 
because  of  weather  conditions. 


Warner  Franchises 

(Continued  from  Page  1) 
George  Dumond,  in  charge  of  War- 
ner theaters,  has  been  here  for  sev- 
eral weeks  and  will  remain  until  the 
new  policy  is  working.  The  change 
of  policy  is  due  to  an  increasing  de- 
mand for  variety  programs  and  to 
cater  to  the  college  element  which 
lives  near  the  Circle. 


Mr.  Exhibitor:  Atk  at  the  Film  Exchanse* 
for  the 


It's  little  to  atk  lor,  but  Wt  the  only 

reliable  aid  you  can  sito  your  musieiani 

to  help  put  the  picture  over. 


Complain  Because  of  Bad  Prints 
Kansas  City — Local  exchange  m«ai 
are  complaining  because  of  the  ill- 
creasing  number  of  bad  prints  being 
returned.  They  contend  operatoO 
are  becoming  more  careless.  ' 


Urban-Kineto' s  First 

REELVIEW 

Plays 

N.  Y.  CAPITOL 


729  7th  Av 


N.  y.  C. 


DISTRIBUTORS 


"Sandy" 
"Sandy" 


"Sandy" 


"Sandy" 


■The  greatest  newspaper 
serial  story  ever  published. 

■Now  a  tremendous  circul- 
ation builder  for  more  than 
100  newspapers  in  U.  S. 
and  Canada. 

■Whose  intensely  interest- 
ing life  story  has  establish- 
ed a  reader  audience  of 
more  than  20,000,000 
people. 

.Which,  as  a  story  for  the 
screen,  is  considered  one 
of  the  most  valuable  pieces 
of  property  this  industry 
has  seen  for  years. 


and  FOKhas  it 
andivillmakeol 


Sandy 


•  jl 


yearns  b^^est 


claav& 


.s>" 


THE 


-PH^ 


DAILY 


Tuesday,  January  12,  1 


Russia 

(Continued  from  Page  1) 
from  the  center  of  the  city  and  have 
a  fair  amount  of  room  for  expansion. 

The  Goskino  pictures  that  I  par- 
ticularly saw  were  "Jewish  Luck," 
giving  an  almost  perfect  representa- 
tion of  the  Jew  as  typified  by  music 
halls  in  which  the  adventures  of  a 
marriage  broker  are  depicted.  A  con- 
siderable amount  of  humor  is  to  be 
seen  in  this  film  which  would,  how 
ever,  mainly  appeal  to  East  End 
audiences. 

"The  Strike,"  a  very  fantastic  kind 
of  picture  made  by  a  producer  named 
Tsenstein  who,  in  this  film,  has  made 
his  first  picture.  It  is  brilliantly  con- 
ceived and  deals  with  the  effect  of  a 
strike  in  a  big  factory  upon  the  small 
town  and  the  successful  effort  of  the 
military  to  crush  the  strike.  It  is 
amazingly  directed,  has  enormous 
crowd  scenes  and  when  the  Cossacks 
ride  down  the  strikers  one  even  sees 
the  horses  mounting  staircases  and 
riding  around  the  galleries  of  a  six 
or  seven  story  building.  At  times 
the  film  is  difficult  to  follow,  but  the 
weird  impgination  of  the  producer  is 
responsible  for  some  of  the  most 
striking  effects  ever  seen  in  a  motion 
picture.  This  film  is  utterly  unsuit- 
able for  the  British  market. 

Propaganda 

"The  Fight  for  Gold,"  a  six  reel 
picture,  showing  a  struggle  between 
the  White  troops  and  the  Reds  is  one 
that  contains  considerable  propa- 
ganda actually  not  a  bad  film  in  many 
respects  which,  if  the  propaganda  was 
either  cut  out  or  twisted  round,  could 
be  made  into  a  pretty  good  picture 
suitable  for  popular  houses.  The  poli- 
tical aspect  of  the  struggle  between 
^he  White  and  the  Reds  could  easily 
be  overcome,  and  there  are  many  ex- 
citing scenes  in  the  struggle  for  bul- 
lion which  is  being  sent  in  a  train 
guarded  bv  Red  soldiers. 

"Two  Forces,"  a  film  of  country 
life  that  was  shown  to  me,  is  utterly 
tmsuitable  for  this  country,  being  of  a 
very  simple  nature  and  likely  to  only 
anneal  to  the  peasants  in  Russia. 

"Hard  Years,"  a  Goskino  produc- 
tion made  in  Leningrad,  is  a  film  of 
the  revolution  which  is  also  totally 
unsuitable  for  this  country. 

A  picture  made  by  Proletkino  en- 
titled "The  Moslem  Girl,"  acted  en- 
tirely in  Turkestan  with  Russian  ar- 
tistes, has  some  wonderful  Eastern 
settings  and  has  an  extraordinarv 
n'ood  atmosphere.  The  picture  is  pad- 
ded out  to  a  great  length  without  anv 
ereat  excitement  in  its  story,  but  it 
pets  over  mainly  on  the  fine  desert 
v-ews  and  the  wonderful  settings  that 
the  film  has  been  taken  in,  but  the 
«torv  is  noor  and  becomes  some- 
what wearisome. 

First  After  Revolution 

"The  Red  Devils,"  a  picture  dedi- 
cated to  the  Red  Armv  and  produced 
l->v  the  Georgia  Goskino,  is  the  first 
film  produced  after  the  revolution/ 
It  is  some  12  reels  in  length  and 
Heals  with  the  fantastic  adventures 
fif  a  bov  and  girl  who  read  Fenimore 
Cooper's  novels.  This  was  a  picture 
which  was  put  out  in  two  narts  of  six 
reels  each.  It  was  made  in  1922  and 
was  very  popular  in  Russia.  The 
story  is  of  a  somewhat  noveletty  kind 


concerning  a  boy  and  girl  whose 
father  is  killed  and  who,  joined  by 
a  negro,  seek  service  with  a  cavalry 
leader  and  succeed  in  capturing  the 
bandit  who  murdered  their  father. 
The  photography  in  this  picture  is 
poor  and  leaves  a  lot  to  be  desired. 
In  any  case  it  is  not  a  film  that  we 
could  use  in  any  way. 

There  were  many  other  pictures 
which  I  saw  while  I  was  in  Russia, 
notably  "The  Store  of  Gold."  "Mena- 
chen  Mendel,"  too,  deserves  to  be 
mentioned.  It  deals  with  the  Jewish 
folk  elements  in  Russia  and  has  been 
made  with  American  capital.  The 
sets  for  this  film  were  taken  through- 
out the  whole  of  Russia,  and  were 
finished  in  about  the  middle  of  Aug- 
ust. The  principal  characters  are 
played  by  artistes  of  the  Moscow 
Jewish  Kammer  Theaters,  of  no  value 
for  the  foreign  market. 

Goskins  in  Leningrad 

The  Goskino  have  a  fairly  good 
studio  in  Leningrad  where  films  are 
made  and  generally  it  is  quite  com- 
mon for  the  Goskino  to  have  four 
pictures  being  made  at  one  time,  three 
produced  in  Moscow  and  another  in 
the  Caucasus  or  Siberia.  They  take 
one  negative  of  small  productions, 
two  of  the  larger  and  three  of  the 
biggest,  while  the  film  stock  used  is 
mostly  Agfa  but  sometimes  Kodak. 

Nearly  everyone  of  the  films  con- 
tain propaganda  and  Lenin's  photo- 
graph or  bust  is  to  be  seen  in  nearly 
every  picture.  The  simplest  story 
is  twisted  so  as  to  give  propganda 
of  the  revolution  in  some  form  or 
another,  but  their  pictures  certainly 
have  a  distinctive  qualitv  about  them 
that  makes  them  quite  interestng. 

I  should  say  that  the  best  film  they 
have  made  to  date  is  "The  Station 
Master"  and  an  entertaining  picture 
is  "His  Call,"  and  ''Stenka  Rasin" 
will  probably  be  their  biggest  film. 
As  they  go  on  they  get  better  ideas 
and  far  better  technical  quality.  Films 
that  were  made  in  1922  are  poorly 
photographed  but  later  productions 
show  a  great  improvement  in  this 
respect. 

Under  present  conditions,  T  should 
not  imagine  Russia  will  ever  be  a  for- 
midable factor  in  the  world's  markets 
because  their  producers  are  handicap- 
ped in  the  type  of  film  they  have  to 
produce,  but  nevertheless  one  must 
pay  tribute  to  the  imaginative  quali- 
ties of  their  producers. 

They  are  favored  in  a  very  large 
respect  bv  having  excellent  artistes 
who  applv  themselves  to  the  kinema* 
in  everv  resnect  as  well  as  thev  do  in 
the  legitimate  theater  and  that  is  whv 
however  technicallv  poor  their  films 
may  be,  thev  are  plwavs  redeemed 
bv  the  oualitv  of  the  portrayals  of 
the  varoius  artistes  engaged.  " 


Made-e  Bellamy  Will  Do   "Sandy" 

Hollywood— Madge  Bellamy  will 
have  the  title  role  in  "Sandy"  for  Fox. 
Others  are  Leslie  Fenton,  Bardson 
Bard,  Harrison  Ford,  David"*  Tor- 
re+ice  and  Edvtli£L-ChapmaT!r^ 


Group  Nears  Port 

(Continued  from  Page   1) 

pects  to  send  out  as  a  road  show  next 
year. 

George  T.  Eaton  of  British  Nation- 
al Pictures,  Ltd.,  who,  with  J.  D. 
Williams,  expects  to  arouse  a  greater 
interest  here  in  the  possibilities  of 
British  production.  He  is  bringing  a 
print  of  "Nell  Gwyn,"  produced  by 
Herbert  Wilcox. 

Sidney  R.  Kent,  general  manager 
of  Famous,  who  is  returning  to  New 
New  York,  following  the  consumma- 
tion of  the  three-cornered  deal  with 
the  Ufa  in  which  Metro-Goldwyn- 
Mayer  and  Universal  are  participants. 

E.  Bruce  Johnson,  foreign  manager 
of  First  National,  who  opened  a  num- 
ber of  new  offices  for  his  company 
while  in  Europe.  When  in  London 
he  handled  details  in  connection  with 
the  appointment  of  J.  Frank  Brock- 
liss  as  British  sales  manager,  succeed- 
ing Ralph  J.  Pugh. 

Mae  Murray  who  is  completing  a 
short  vacation.  She  visited  Berlin  in 
connection  with  her  Ufa  contract. 

Harry  Rapf  who  is  returning  with 
his  family.  They  have  been  vacation- 
ing. 

Sam  Rachmann,  well-known  on  the 
Continent. 

Howard  Strickland,  publicity  repre- 
sentative attached  to  the  Rex  Ingra- 
ham  unit  at  Nice,  who  is  bringing  to 
New  York  a  print  of  "Mare  Nos- 
trum." 

H.  C.  S.  Thomson,  managing  direc- 
tor of  F.  B.  O.  who  has  been  investi- 
gating conditions  in  Europe.  He  has 
been   away   some   weeks. 

Herbert  Wilcox,  English  producer, 
who  is  coming  over  on  one  of  his 
periodic  visits.  One  of  his  new  pro- 
ductions, "The  Only  Way,"  will  be 
directed  by  United  Artists  in  this 
country. 

J.  D.  Williams,  moving  factor  in 
British  National  Pictures,  Ltd.,  who 
is  aboard  with  George  T.  Eaton  of 
the  same  company. 

Frederick  Wynne-Jones,  managing 
director  of  the  Ufa-U.  S.  A.,  who  sat 
in  the  Ufa  conferences  in  Berlin.  He 
has  been  absent  from  New  York  for 
about  five  weeks. 


Ruth  Rich  Joins  Board  of  Review 

Ruth  Rich  has  joined  the  National 
Board  of  Review  as  secretary  of  the 
National  Committee  for  Better  Films, 
succeeding  Alice  B.  Evans.  Miss  Rich 
has  been  editor  of  the  "Independent 
Woman"  for  several  years  past. 


Paul  Powell  Hurt 

Hollywood — Paul  Powell,  directing 
"The  Prince  of  Pilsen,"  sprained  his 
ankle  in  stepping  from  his  auto.  He 
is  continuing  work  with  the  aid  of  a 
cane. 


Lou  Metzger  on  the  Coast 

Los  Angeles— Lou  Metzger,  sales 
director  of  the  western  division  for 
Universal,  is  conferring  with  studio 
officials  and  exchange  managers  on 
the  "Golden  Rule  List"  for  1926. 


i  HALPERIN 


■ ■n""r' flfifiiitTTiT 


Favor  Cutting  Taxf[|| 


(Continued  from  Page   1) 

tee  yesterday  by  Senator  Simmon! 
North  Carolina. 

This    is    one    of    the    three    nii 
points   drawn    up    by    the    Deniocr 
the   other   two   dealing   with    surta 
and  capital  stock  tax.     Repeal  of 
admission   tax,   it   is  declared,   can 
financed  by  applying  to  the   Gove 
ment's  Sinking  Fund  for  the  liqui 
tion  of  its  indebtedness  all  payme»w 
received    from    foreign    fiovernme 
and    reducing    the    amount    to   be  , 
cured  for  that  purpose  from  taxatii 


l) 


Houses  Close  in  Iowa  and  Nebras 

Omaha  —  Several  theaters  in  tl 
section  have  closed,  including  t 
Magic,  at  Pearson,  la.;  Opera  Hou 
at  Elbon,  Neb.;  Star,  at  Cordov 
Neb.;  Opera  House,  at  Farew( 
Neb.;  Paramount,  at  Harrisburg, 
D.;  Floyd,  at  Alton,  la.,  and  the  Pat 
mount,  at  Ainsley,  Neb. 


\To  the  trade: 

Just  Completed! 

"The  Masked  Wolf 

in  5  Reels 
First   of 

"You  Can't  Win" 

SERIES 
As  Revealed  by 

William  J.  Flynn 

Former  Chief  of  the 
United  States  Secret  Service 


In   Preparation 

"Counterfeit" 

To  Follow: 

"Blackmail" 

"Kidnapped" 

"Smugglers" 

"The  Conn  Lady" 

"The  Jewel  Theives" 

"The  Gun  Gang" 

"Wanted" 


Produced  by 


AERIAL  CINEMA  SYNDICATE 

INCORPORATED 

New  York 


N 


Vi, 


7Ae  BRADSTREE 
9/*  FILMDOM 


1^ 


■i'f 


recocmbed 
Authority 


Wednesday,  January  13,  1926 


Price  5  Cents 


EW  FACES 


By  DANNY 
Once  again  the  old  cry:  "Let 

give  you  some  new  people." 
om  the  distributors.  To  the 
hibitors.  But  what  is  the  an- 
fer:  "Whooze  in  it?"  That 
me  old  cry.  Which  has 
ecked       producers       probably 

re  than  any  other  cause.     In 
ving  the  screen  new  faces, 
^nd    how    much    these    new    people 

needed.  Is  proven  time  and  again, 
hen  some  newcomer  steps  forward, 
id  everj'one  interested  in  pictures, 
ishes  to  see  him  or  her.  In  this 
inection  Sam  Goldwyn  has  earned 
ich  deserved  praise.     For  bringing 

tlie    screen    more    important    new 

3ple   in   the   past   year    than    proba- 

any   other   producer    in   the   busi- 

,__-S. 

Ill         Recevtly  a  fairly  well-known 
Western  star  tvas  booked  into 
a    neighborhood    house    in    a 
large   city.        The   distributor 
argued  the  star  should  go  in 
the     big,     downtown     house 
owned   by   the  exhibitor.     The 
latter   demurred.    Finally   the 
Western  star  went  in  the  big 
house — and     the     rental    was 
what  he  would  have  paid  for 
the     neighborhood     showing. 
The  salesman  wanted  to  show 
this   exhibitor  something.    He 
did.      The   star   did   big    busi- 
ness.     So   much   so   that   this 
exhibitor    forwarded    a    large 
check  to  the  distributor.    And 
will  hereafter  book  that  star 
in  the  big  house. 
But  how  many  distributors   would 
nk  of  such  an  idea.     Or  how  many 
•uld  be  willing  to  sacrifice  the  mon- 
involved?    As  was  done  in  this  in- 
nce.     Very  few.     And  it  isn't  fair 
expect   that   development   of   new 
ks  to  come  only  from  the  distrib- 
)r.       Many    exhibitors    have    con- 
"    ided  for  a  long  time  that  they  are 
source    of    star    popularity — that 
thout   their   boosting   and   advertis- 
(Continued  on  Page  2) 


nee 


28  from  First  Nat'l. 

26    Regular    Releases   and   Two   Spe- 
cials Comprise  Spring  List — 
9  Stars  Supply  Pictures 

First  National  Pictures  will  distrib- 
ute 26  regular  releases  from  January 
to  June  and  two  specials.  The  star 
constellation  includes  Norma  Tal- 
madge,  Colleen  Moore,  Corinne  Grif- 
fith, Constance  Talmadge,  Richard 
Bartlielmess,  Milton  Sills,  Harry 
Langdon. 

The  company  expects  much  of  the 
two  specials  now  nearing  completion, 
"The  Viennese  Medley,"  made  in 
Hollywood,  under  supervision  of 
June  Mathis  and  "Men  of  Steel,"  an 
Earl  Hudson  production  starring 
Milton  Sills.  The  list  of  pictures  from 

January   to   June    reads: 

Norma  Talmadge  in  "Kiki."  directed  by 
Clarence  Brown.  Cast  includes  Ronald  Col- 
man,  Gertrude  Astor,  Marc  McDermott, 
Cieorge  K.  iXrtliur  and  Frankie  Darrow. 
Hans   Krab   made  the  adaptation. 

Colleen  Moore  in  "Irene,"  directed  by 
(Continued   on    Page    11) 


No  Censors  in  N.  W. 

Olympia,  Wash.  —  The  pro- 
posed censorship  bill  intro- 
duced by  Senator  Christensen, 
is  dead  in  committee.  It  was 
alleged  women's  clubs  through- 
out the  state  favored  the  mea- 
sure. This  was  vehemently 
denied  by  representatives  of 
some  of  the  leading  clubs  who 
went  on  record  as  never  hav- 
ing  'avored   censorship. 


lAli 


Increase  Exemption  to  75  Cents 

Washington — The  Senate  Finance 
immittee  has  agreed  to  increase  the 

imption  on  admissions  to  75  cents. 

motion  by  the  Democratic  mem- 
rs  to  repeal  the  tax  in  its  entirety, 
IS  not  agreed  to  and  the  motion  to 

rease  the  exemption  adopted. 


Sues  Ince  Estate 
Los    Angeles — Louise    Glaum    has 
jd  suit  against  the  estate  of  Thom- 
H.  Ince  for  $405,000,  alleging  a  vio- 
ion  of  several  contracts. 


Not  To  Be  Road  Shown 

Griffith  to  Make  "Sorrows  of  Satan," 

But  on   Modest   Scale — Won't 

Be  $2  Picture 

Following  a  series  of  conferences 
between  D.  W.  Griffith  and  Famous 
production  officials,  a  definite  decision 
has  been  reached  to  produce  "The 
Sorrows  of  Satan,"  but  not  as  a  road 
show  production  as  first  contem- 
plated. 

The  production  department  saw  big 
possibiiities  in  the  CoreUi  story  and 
to  that  end,  designed  the  picture  as 
or>c  of  the  high-lights  of  next  year's 
program.  Griffith,  liowever,  while 
keen    for   the    novel,    failed   to    see    it 

{Continued   on   Page   11) 

Hoblitzelle  Buys 

Takes  Over  Mudd  and  Colley  Inter- 
ests in  Birmingham — Deal  Em- 
bracing First  Nat'l  Franchise 
Birmingham,  Ala.— Carl  Hoblitzelle 
has     bought     the     Mudd     &     Colley 
Amusement  Co..     The  First  National 
franchise  for  years  held  by  Mudd   & 
Colley    has    been    transferred    to    the 
Hoblitzelle  interests.     This  marks  the 
passing   of    one    of    the    few    original 
First     National     strongholds     in     the 
Southeast.     Mudd  &  Company  were 
among  the  first  to  take  on  the  fran- 

(Continued   on    Page    II) 


"U"  in  Fort  Myers,  Fla. 
Fort  Myers.  Fla. — Dan  Michalove's 
Florida  trip  has  resulted  in  Uni- 
versal's  announcement  that  a  1,500 
seat  theater  will  be  built  in  the  busi- 
ness  district   here.     Universal   Chain 


ris  houses. 


Seattle  Again 

All-Night  Theater  Problem  Up  Again 
— Censorship     Offenders     Placed 

on  Trial  Here 
Seattle— The  all-night  theater  and 
censorship  have  again  cropped  up. 
On  charges  preferred  by  the  censor 
board,  David  and  Percie  Martin, 
Walter  Owens,  Robery  Wolfe  and 
Lina  Perry,  were  brought  to  trial  for 
contributing  to  the  delinquency  of  a 
minor  in  showing  an  alleged  immoral 
play  at  the  Rex,  a  small  downtown 
theater  open  all  night. 

Mrs.  Mary  Green  Lewis,  secretary 
and  Fred  W.  Strang,  chairman  of  the 
censor  board  were  the  chief  witnesses. 
Attorney  Dore  for  the  defendants 
made  Mrs.  Lewis  quote  and  act  the 
questionable  passages  of  which  she 
complained.  The  jury  disagreed  and 
was  then  dismissed. 


Turn  to  Hays 

T.  O.  C.  C.  Seeking  More  Equitable 

Allocation  of  Product  to  Protect 

Its  Members  on  First-Runs 

It  is  understood  the  T.  O.  C.  C. 
last  night  framed  a  letter  and  dis- 
patched it  to  Will  H.  Hays  reopen- 
ing the  problem  of  allocation  of  prod- 
uct in  this  territory.  • 

The  communication  resulted  from 
the  meeting  held  at  the  Astor  yes- 
terday at  which  time  the  expansion 
of  the  three  big  local  circuits — Loew, 
Keith  and  Fox — was  discussed.  On 
several  occasions,  the  T.  O.  C.  C. 
has  discussed  ways  and  means  of  se- 
curing a  greater  percentage  of  first- 
runs  by  splitting  releases  with  these 
three  circuits.  The  present  move  is 
another  in   the  same  direction. 

Allocation    of    product    was    taken 

(Continned    on   Page    11) 


Lichtman  Plans  12 

"Cherry  Tree  First,  to  be  Made  Here 

— Others    Slated   for    Production 

in  Hollywood 

It  is  understood  Al  Lichtman  will 
make  a  series  of  12  pictures  this  year. 
The  first,  as  noted,  will  be  "The 
Cherry  Tree,"  starring  George  Jessel. 

Jessel  is  appearing  in  "The  Jazz 
Singer"  and  it  will  be  necessary  to 
make  the  production  in  the  East. 
Lichtman,  however,  is  desirous  of 
concentrating  studio  activity  in  Hol- 
lywood and  consequently  it  is  in  Hol- 
lywood   that    the    bulk    of   production 

(Continued  on   Page  2) 


Warner  Signs  Two 
Los  Angeles  —  Willard  Louis  has 
been  signed  on  a  five-year  contract 
and  will  have  his  own  company  with 
Warners.  He  will  be  co-starred  with 
Louise  Fazenda  in  a  comedy  series. 

Jane  Winton  has  been  added  to  the 
Warner  stock  company.  Her  first 
appearance  will  be  in  "The  Love 
Toy"    with    Lowell    Sherman. 


June  Marlowe  Quits 

Los  Angeles — June  Marlowe  will 
leave  Warners  on  Jan.  15,  at  the  ex- 
piration of  her  contract.  She  has  fin- 
ished work  in  "The  Light  Cry"  and 
in   "Don  Juan." 


De  Mille  Finishing  with  Famous 

Hollvwood— "The  Flight  to  the 
Hills"  will  be  William  De  Mille's  last 
picture  for  Famous  with  whom  he 
has  been  associated  for  a  number  o^ 
years. 

Hollywood   believes   De   Mille 
join  his  brother,  Cecil  B. 


Sunday  Move  in  Atlanta  Dies 

Atlanta — The  movement,  inaugur- 
ated by  W.  D.  Hoffman,  newly  elec- 
ted president  of  the  Chamber  of  Com- 
merce, to  secure  Sunday  amusements 
and  Sunday  baseball,  collapsed  yes- 
terday under  the  concentrated  fire  of 
ministers  and  two  local  newspapers. 

M.  P.  T.  O.  Committee  to  Meet 
The   Administrative    Committee   ot 
the  M.  P.  T.  O.  will  meet  here  Jan. 

26-27.  The  meeting  will  be  of  spe- 
cial importance.  Reports  of  progress 
made  since  the  last  meeting  will  be 
rendered  at  this   session. 


11 


Fox  to  Make  "Josephine" 

Ax  is  reported  that  Fox  will  make 

story  of  the  life  of  Josephine,  scenes 

ior  which  will  be  shot  abroad.    There 

Theaters  recently  purchased  the  Har-)  is  some  talk  of  Harry  Beaumont  di- 


'  recting. 


New  M.-G.-M.  Contracts 
Hollywood  —  Owen  Moore  has 
tgned  a  long  term  contract  with  M.- 
G.-M.  And  at  the  same  time  Louis 
B.  Mayer  also  made  new  contractual 
arrangements  with  Gertrude  Olmstead 
and  Maurice  Kaine. 


nnual  M.  G.  Meeting  Feb.  4 

The  annual  meeting  of  the  stock- 
holders of  the  Metro-Goldwyn  Pic- 
tures Corp.  will  be  held  Feb.  4,  to 
elect  directors. 


n 


m 


—JX0^ 


DAILY 


Wednesday,  January  13,   1! 


VaL  XXXV No.  10   Wednesday, Ian.  13, 1926   PriceSCents 


Copyright  1926,  Wid's  Films  and  Film  Folks. 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway.  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS.  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoati,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
•t  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3.  1879.  Terms  (Postage 
fcte)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
Wiould  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W,  I,,  Paris — La  Cinematographic 
Francaise,   5,   Rue   Saulnier. 


Quotations 

High    Low    Close     Sales 

Balaban   &    Katr    .  .    68  68  68  

Eastman  Kodak  ,.110  I09i4  109'4  800 
Famous    Players     ..108^    106^    107  2,400 

Fam.    Play.    Pfd Not  quoted 

Film    Inspection    ..6%        6^        654      1.000 

Fist   National    Not  quoted 

Fox    Film    "A"    ...    S2^     81  81  1,700 

Fox  Theaters  "A" .  ,    33}^      32  32  300 

Inter'l    Projector    Not   quoted 

Loew's,    Inc,     , 40^4      39^      3914      2,000 

Metro-Gold,  Pfd Not  quoted 

M,  p.  Cap.  Corp...  20^-8  20  205^  1,400 
Pathe  Exch.  "A"..  7954  79!/^  79'4  200 
Skouras    Bros.    ....    52  52  52  .... 

Stanley   Co.    of  Am.   505^      50  50  200 

Trans    Lux    13/i      13  13 '4      5.000 

Universal  Pictures   Not  quoted 

Universal    Pict.    Pfd Not  quoted 

Warner  Brothers  ,.,  17Ji.,  .1754  175^  500 
Warner    Pictures    ,  .,,"..,.i  ...■.,,,,..  Not   quoted 


"Black  Pirate"   Completed 

Los  Angeles — Plans  are  now  under 
vayir,-  a  special  arrangement  in  New 
York  for.  Douglas  Fairbanks'  "Black 
Pirate,"  which  has  just  been  com- 
pleted. The  picture  will  not  go  into 
general  distribution  until  next  au- 
tumn. 


Betty   Bljrthe   Returns   Soon 

London — Betty  Blythe  will  sail  for 
New  York  on  the  Leviathan  on  Jan. 
19.  She  has  been  in  Europe  almost  a 
year,  and  appeared  In  two  pictures, 
"She"  and  "Jacob's  Well." 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  I  N  S 

Spocialiata  in  Motion  Picture 

and  Theatrical  insurance  for 

the  past  fifteen  years. 


Arthur  W.  Stebbins  &  Co.,  Inc. 
1540  Broadway  N.  Y.  C. 

Bryant  3040 


NEW  FACES 

(Continued  from  Payc    1) 

ing  the  stars  would  be  nowhere.  This 
is  the  old  story  of  whether  the  hen 
or  the  egg  came  first.  It  makes  lit- 
tle difference  who  does  the  develop 
ing — everyone  should  help.  That  is 
one  sure-fire  way  to  get  the  new  peo- 
ple started.  And  this  is  vital  to  the 
continued  success  of  pictures.  Right 
at  the  box  office.  Nowhere  else. 
"Al"  Back 
"Al"  Lichtman  is  to  make  12  pic- 
tures this  year.  So  the  story  goes. 
Well,  well — it  will  seem  like  old 
times.  To  have  "Al"  Lichtman  back 
on  the  firing  line.  You  can  bank  on 
it  that  is  where  he  will  be — right  out 
where  the  sales  are  made.  That  is 
where   he   belongs. 


Incorporates   in   California 

Sacramento,  Cal. — The  Mary  Pick- 
ford  Co,  has  been  chartered  here, 
listing  capital  of  $1000,000, 


The  Pickford  Corp.  was  formed 
in  Albany  a  few  days  ago.  Dennis 
F.  O'Brien,  Miss  Pickford's  attorney, 
stated  at  the  time  the  company  was 
formed  for  no  special  purpose,  but  to 
heindlt  general  business. 


Another   for   the    Bronx 

As  a  site  for  an  1800-seat  theater 
and  taxpayer,  Haring  &  Blumenthal 
have  leased  from  Shaw  &  Sanford, 
the  plot  at  the  northeast  corner  of 
Jerome  Ave.  and  Tremont  Ave.,  the 
Bronx.  The  lease  is  for  21  years.  Da- 
vid Berk  of  the  firm  of  Berk  &  Mo- 
ross   was   the   broker. 


Fox  Location  in  Detroit  Not  Settled 

Detroit — The  location  of  the  ne.W 
Fox  theater,  to  be  started  within  /he  ' 
next  few  months,  has  not  been  cfefi-  ' 
nitely  set.  Conflicting  reports  pVce  ' 
the  house  in  Bagley  and  others  %^_  '' 
Woodward   and    Columbia.  ^'^' 


Barrymore  Ready  for  Third 

Los  Angeles — John  Barrymore's 
schedule  for  the  Warners  consists  of 
"The  Sea  Beast,"  "Don  Juan,"  and 
"The  Tavern  Knight."  "The  Tavern 
Knight"  will  go  into  production  next 
month,  while  finishing  touches  were 
put  on  "Don  Juan"  last  week. 


To   Broadcast   Motion   Picture 

At  the  Hotel  Astor  First  National 
will  tonight  stage  a  dress  rehearsal 
of  the  broadcasting  of  a  motion  pic- 
ture, the  actual  event  to  follow  to- 
morrow evening  over  Station  WJZ, 
with  the  cooperation  of  the  Radio 
Corp.  of  America. 


Butterfield  Capitalizes  at  $5,000,000 

Detroit — An  amalgamation  of  the 
various  Butterfield  theaters  and  min- 
or corporations  is  now  under  way, 
the  new  organization  to  be  known  as 
W.  S.  Butterfield  Theaters,  Inc,  Cap- 
ital will  be  $5,000,000  consisting  of 
preferred  and  common^  but  no  public 
offering  is  scheduled,  according  to 
present  plan. 


Butterfield  House  for  Kazoo 

Kalamazoo,  Mich. — W.  S.  Butter- 
field announces  a  new  theater  to  be 
called  the  State,  will  be  built  here 
this  Spring  at  a  cost  of  $500,000, 


Paramount's  Plans  on  the  Coast 

Los  Angeles — Decision  as  to  plans 
of  Paramount  on  the  occupancy  of 
the  United  Studios  indicates  that  Fa- 
mous will  take  gradual  possession,  in- 
stalling one  unit  at  a  time,  as  con- 
tracts made  bj-  United  with  rental 
companies  are  fulfilled.  Full  charge 
will  be  taken  May  1,  while  the  first 
unit,  "Fresh  Paint,"  with  Raymond 
Griffith,  will  commence  work  on  Jan. 
18  The  equipment  at  the  Lasky  stu- 
dio will  be  moved  to  United, 


Films  on   Big  Passenger  Boat 

The  largest  and  fastest  passenger 
steamship  to  be  built  in  the  United 
States  will  have  facilities  for  the 
showing  of  pictures  both  in  the 
lounge  and  on  the  open  deck.  The 
ship  is  the  Malolo,  being  built  for  the 
Matson  Navigation  Co.  at  Cramp's 
Shipyard,  Philadelphia.  She  will  be 
placed  in  service  on  the  San  Fran- 
cisco-HoijoJ«tn-«run    in    1927. 


ozier   After   Meighan    Material 

/  Emmet  Crozier,  of  the  Paramount 
scenario  department,  has  been  com- 
missioned to  begin  a  search  for  ma- 
terial for  Thomas  Meighan's  next 
series  of  pictures  to  begin  earlv  in 
April. 


Hollywood — ^William  Beaudine  iii 
direct  Douglas  MacLean  in  "Ttij 
My  Baby"  by  arrangement  with  V™ 
ner    Bros, 


This  is  a  'Cornerblock*  cut  furnisl 
FREE  for  all  Pathecomedies  at  y( 
exchange. 


lans  12 


(Continued   from   Page    1) 

will  be  carried  on.  It  is  understood 
distribution  has  not  been  set,  but  be- 
cause of  Lichtman's  long  experience 
in  the  sales  end  of  the  industry,  it  is 
assumed  he  wili  figure  actively  in  dis- 
tribution  as   well   as   production. 


I 


The  finishing  touch  of  refinement   on 

an     elaborate     production     is    the 

handcoloring    by 


/^Tc/f. 


The  Perfect  Handcolormg  of  PUm 
S28    Riverside    Drive        Telephone 
New    York         Momingside    1776 


CHROMOS      TRADING      COMPANY 
1123    BROADWAY 

TTERE  is  a  striking  example  of  the  effectiveness 
of  financing  through  us.  One  of  our  clients 
had  a  production  contract  for  six  pictures.  With 
the  profits  he  made  on  the  first  three,  he  went 
through  with  the  balance  "on  his  own." 

We'll  Be  Glad  to  Explain  How  It  Works 


Suite    1207-8 


'Phone  Watkins  4522 


ARENA  CHOP  HOUSE 

148  West  46th  Street 
Rendezvous  oj  the  Film  Trade 

A  quitt  plact  to  tali  busintjs 

Luncheon  Blue  Plates  60c  up 
Also  a  la  Carte 

—   PRIVAI  K    DINING    ROOMS— 


"WE  NEVER  DISAPPOINT" 


.^SBORATORIes 

11  INCORPORATED 

220  WEST 42^-P  STREET 

NEW  YORK 


PHONE-CHICKERINC    2937 


ALLAN  A.LOWNES.  CEN.MCR. 


THE 


dnesday,  January  13,  1926 


DAILY 


'3 


^ublix  in  Knoxville 

100,000     Theater     for     Tennessee 
nterprises  —  Seating     Capacity 
WUl    Be    2,300 

iioxville,  Tcnii. —  rublix  Theaters 

,.    is    planning    a    new    $1,000,000 

c    lor   Knoxville.      R.    E.    Hall   & 

Inc.,    of    New    York,    architects 

engineers,    have    prepared    plans 

Lcnnessee  Enterprises,  Inc.     Raz- 

ol  the  old  buildings  now  occupy- 

the   site  at   the   corner   of   Clinch 

and  State  St.  will  be  started  at 

March   15   ought  to  see  build- 

loperations  well  under  way. 

he  theater,  with  a  seating  capacity 

300,  will  be  the  largest  m  Tenncs- 

The     hrst     floor     frontage     on 

ch    Ave.    will    contain    six    stores. 

entrance  will  be  on  Clinch  Ave., 

jsite  the  Farragut  Hotel.     An  ar- 

;    will    run    through    to    Gay    St., 

:h  will  be  used  as  an  exit.    Allow- 

;s   have   been   made   for   a  $50,000 

tn    and    accommodations    for    an 

lestra   of  25.      The   stage   will   be 

ft.    wide    by   31    ft.   deep   and   will 

:ompletely   equipped   for   the   pre 

irni   ation    of    all    types    of    theatrical 

at^ction. 


—  Plaza,   London   Opens   Jan.   8 

he  new  Plaza,  London,  will  open 
.  8,  under  direction  of  Albert  A. 
ifman,  director  of  theaters  for  the 
lous  in  Europe,  according  to  an- 
ncement  by  Harold  B.  Franklin. 
Ilk  Tours  will  be  musical  director; 
ticis  A.  Mangan,  formerly  of  the 
|.  itol,  Chicago,  will  be  general  pro- 
[  ;r,  and  Albert  Hay  Malotte,  chief 
inist. 


Frank?  in  to  Florida 
arold  B.  Franklin  of  Publix  The- 
s,  leaves  for  Florida  today. 


No  Decision  on  Newman 

ansas  City — Frank  Newman  may 
.rn  to  Kansas  City  as  managing 
ctor  of  the  Newman  and  Royal. 


ansas  City  reports  that  the  ulti- 
e  ownership  of  the  Newman  and 

al  is  involved  in  the  possible  re- 
i  of  Frank  Newman  to  his  home 

are  declared  to  be  without  foun- 
on  by  a  Publix  oftitial.  Newman 
=  jported  to  be  anxious  to  make  his 
le  in  Kansas  City  again.  Should 
switch    be    made,     Milton    Feld 

Id  return  with  him. 


pheum  Makes  Chicago  Changes 

hicago — The  Orpheum  Circuit  has 
le  several  managerial  changes, 
met  Hayes,  for  several  years  man- 
r  of  the  Majestic,  is  now  in  charge 
the  Riviera,  succeeding  Clarence 
Hams,  who  has  been  promoted  to 
management  of  the  new  St.  Louis 
liter.  Henry  Sommers  is  now  as- 
int  manager  of  the  Riviera.  His 
ition  has  been  filled  by  Harold 
Fman. 


Valleau,  F.  &  R.  Manager 
|au    Claire,    Wis.— V.    B.    Valleau 
been  selected  as  manager  of  Fin- 
Itein  &  Ruben's  new  State. 


River    Rouge    Theater    Opens 

iver  Rouge,  Mich. — The  new  Lan- 
er.  West  Jefiferson  Ave.,  has  op- 
1.  The  house  cost  over  $25  000 
seats  2,000. 


Opportunity  at  Hand 

Charles  R.  Rogers  Says  Independents 

Naturally  Fall  Into  Two  Classes, 

But  both  Can  Be  Successful 

Los  Angeles — in  the  face  of  the 
fears  expressed  by  many  indepen- 
dents that  producer-distributor  dom- 
ination of  theaters  will  force  them 
out  of  business,  the  opinion  of 
Charles  R.  Rogers  that  independent 
producers  are  confronted  with  the 
greatest  opportunities  on  that  have 
been  theirs  is  interesting. 

Rogers  holds  independents  fall  into 
two  groui)s:  the  producer,  who  makes 
the  so-called  "super  production"  and 
he,  who  makes  the  program  pic- 
Lure.  He  calls  the  "super  produc- 
tion" the  type  that  can  command 
hrst-runs  and  stamps  the  producer 
who  should  embark  on  this  class  ol 
product  only  the  one  who  has  box- 
office  assets  in  the  Torm  of  star,  di- 
rector or  literary  material.  In  theater 
control,  Rogers  sees  a  benefit,  basing 
his  argument  on  the  need  of  chains 
for  big  pictures.  He  points  to  the 
number  of  contracts  secured  from 
important  distributors  by  indepen- 
dent producers  and  stars  as  another 
argument. 

He  says  the  producer  of  program 
pictures  is  also  in  belter  position  than 
heretofore  because  competition  is 
not  as  keen  as  formerly.  He  adds 
this  is  is  due  to  the  fact  that  the  big 
producing  -  distributing  -  theater-con  - 
trolling  companies  have  ceased  to 
make  program  pictures.  He  describes 
a  program  picture  as  one  produced  at 
leasonable  cost,  has  good  entertain- 
ment values,  and  features  popular 
personalities. 

"This  independent  producer  should  forget 
all  about  the  big  first-run  houses,  and  aim 
to  supply  the  demand  of  the  thousands  of 
other  theaters;  tlie  ones  which  need  from 
three  to  seven  pictures  a  week.  He,  like 
the  other  producer,  must  keep  his  eye  on 
the  public  taste,  and  select  his  stories  and 
stars    accordingly. 

"I  do  not  see  how  an  analytical  study  of 
present-day  conditions  can  lead  to  any  other 
conclusion  than  the  one  I  have  reached :  that 
there  are  to  tie.  during  1926,  just  two  kinds 
of  producers,  the  'super-feature'  and  the  'pro- 
gram' kind." 


See  Sharper  Pinch 

Hollywood — Independents  will  face 
a  greater  struggle  for  existence  as 
well  as  greater  prosperity  during  the 
present  year  than  ever  before.  Para- 
doxical as  this  may  seem  it  is  a  fact, 
says  Samuel  J.  Briskin,  of  Banner 
Prod. 

"From  now  on  it  will  be  a  case  of 
the  survival  of  the  fittest,"  he  con- 
tends. "Those  independents  who  do 
survive  the  high  cost  of  production 
and  the  strenuous  competition  for 
bigger  stories  and  bigger  names  in 
players,  will  reap  the  proverbial  gol- 
den harvest  as  there  exists  a  strong 
demand  for  independent  film  specials. 

"But  scores  of  the  smaller  free- 
lance producers  are  bound  to  drop  by 
the  wayside  in  the  struggle.  They 
are  unprepared  to  stand  the  financial 
storm  that  is  now  brewing  and  as  a 
result  will  have  to  'give  up  the  ship'. 
As  a  result  of  this  condition,  1927 
will  see  fewer  independent  producers 
in  the  business  than  heretofore  and 
those  who  do  manage  to  'hang  on| 
will  enjoy  unprecedented  prosperity." 


More  Theaters  in  This  Territory 

Additional  new  projects  for  the 
Greater  New  York  territory  include 
the  following: 

Moss'  new  Coney  Island  theater  and  the 
Oritar.ia,  at  Hackensack,  N.  J.,  being  built 
for  Batter  &  Pollak,  both  open  on  or  about 
I'eb.    1. 

Samuel  Atkins  is  building  a  $100,000  the- 
ater on  Lakeside  Ave.,  Paterson,  to  open 
about   April    1. 

.(Vnother  new  house  for  Jersey,  Joseph 
Oschwald's  new  theater,  at  Red  Uank,  seat- 
ing  2,800,    opens    next   September. 

Uavid  Houser  is  building  a  house,  to  seal 
1,500  on  iirooklyn  Heights.  it  will  open 
on    Peb.    l.S. 


Music   Publishers    Offer    Help 

The  Music  Publishers  Protective 
Assn  of  America  has  offered  help  to 
"National  Laugh  Month"  Committee 
in  aiding  exhibitors  put  over  "Laugh 
Month"  programs.  Programs  can  be 
arranged  by  communicating  with  E. 
C.  Mills,  54  West  45th  St.,  New  York 
City. 


St.    Louis   Exchange   Changes 

St.  Louis — Bill  Collins,  formerly 
with  "U,"  has  resigned  and  joined 
United  Artists. 

Warner  Bros,  have  a  new  salesman 
in  Hall  Walsh,  formerly  with  Univer- 
sal. 

A.  H.  Klein,  of  the  Warner  staff, 
has    left    for    Memphis,    to    join    Fox. 


F.  P.  Canadian  Head  Returns 

Toronto — J.  P.  Bickell,  vice-presi- 
dent of  Famous  Players  Canadian 
Corp.,  has  returned  from  a  trip 
through  the  West.  H.  M.  Thomas, 
of  Winnipeg,  Western  Division  man- 
ager  for   Famous,   is   here   on   a   visit. 


Weiss  in  Deal  with  Skirbc. 
Weiss  Bros.-Artclass  Pictures  Corp. 
has  disposed  of  the  1925-26  series 
of  Buffalo  Bill,  Jr.  Westerns  and  the 
Buddy  Roosevelt  Westerns  to  Skir- 
boll  Gold  Seal  Prod.,  of  St.  Louis, 
for  Ohio  and  Kentuckv. 


Switch    in    Canadian    Managers 

Fort  Williams,  Ont. — Frank  Rob- 
son  has  been  appointed  manager  of 
the  Royal,  a  Famous  Players  house, 
filling  the  vacancy  caused  by  trans- 
fer of  Walter  Davis  to  the  Empress, 
at  Edmonton,  Alta. 


Costen  Adds  Two 

Des  Moines — James  Costen,  head 
of  the  Western  Iowa  Theaters  Co., 
announces  the  acquisition  of  two  tne- 
aters.  the  Crystal,  at  Earlville,  and 
the  Garden,  Lisbon.  This  makes  12 
I'n  the  string. 


Gambrill  Shifted 

St.  Louis — Paramount's  exploitation 
representative  here,  George  W.  Gam- 
brill,  has  been  transferred  to  Cin- 
cinnati, in  charge  of  Indianapolis. 
Louisville    and    Cincinnati    territories. 


Ralph  Kissinger  Sells  Out 
Omaha — Alex    Johnson,    of    Blair, 
Neb.,  has  purchased  the  Hippodrome, 
2514    Cuming    St.,    from    Ralph    Kis- 
singer. 


Tacoma  Theater  Brings  $450,000 
Tacoma,    Wash. — Sale    of    the    Ta- 
coma to  S.  R.   Balkwill  for  $450,000 
is  announced. 


Stanley  on  Curb 

334,306  Shares  Secure  Trading  Privi- 
leges     Without      Listing  —  Out- 
growth of  New  Financing 

The  New  York  Curb  Exchange 
has  admitted  to  unlisted  trading 
privileges  334  306  shares  of  new  capi- 
tal stock  of  the  Stanley  Co.  of  Amer- 
ica of  Philadelphia  on  a  "when,  as 
ajul  if  issued"  basis  in  exchange  for 
Class  A  and  Class  B  stocks,  against 
subscription  rights  and  as  a  stock 
dividend. 

The  issue  is  a  development  aris- 
ing out  of  the  new  financing  as  ex- 
plained in  an  announcement  sent  to 
all    Stanley    stockholders    on    Dec.    9. 


Mednikow  Here  from  Chicago 

John  Mednikow,  Associated  Ex- 
hibitors manager  in  Chicago,  is  here 
for  a  conference  with  E.  J.  Smith, 
general   sales   manager. 

Uruguay    Wants    Agriculture    Films 

Washington  —  The  National  Ad- 
ministrative Council  of  Uruguay, 
states  American  Consul  O.  Gaylord 
Marsh  at  Montevideo,  in  a  recent  re- 
port to  the  Department  of  Commerce, 
has  appropriated  2,000  pesos  to  pur- 
chase films  showing  modern  agricul- 
tural methods  employed  in  the 
United  States.  These  films  are  to  be 
displayed  by  the  Information  and 
Educational  Section  of  the  Direction 
of  Agriculture. 


Buchanan  in  Dallas  Headquarters 

Dallas — H.  K.  Buchanan,  vice- 
president  of  the  Home  State  Film 
Co.,  who  has  been  managing  the  Lit- 
tle Rock  branch  and  lately  handling 
Oklahoma  City,  will  locate  here  as 
general  manager  of  the  three 
branches. 


$100,000  Hastings  Theater 

Hastings,  Neb.— The  George  Rot- 
ter Amuse.  Co.  of  Omaha,  is  spon- 
soring a  $100,000  theater.  The  com- 
pany formerly  operated  a  house  here, 
which  was  destroyed  by  fire. 

Another  for  Chrystmos 

Matthew  Chrystmos  will  add  an- 
other to  his  string  when  he  opens 
his  new  theater  at  Frog's  Neck,  on 
Westchester  Ave.,  and  174th  Sts.,  in 
March. 


Fleming  Back  at  Work 

Hollywood— After  an  extended  va- 
cation Victor  Fleming  has  resumed 
his  directorial  duties  and  has  started 
production  on  "The   Blind  Goddess" 


To  Roadshow  in  Dakotas 

Minneapolis— W.  T.  Christianson 
has  secured  distribution  in  North 
Dakota  and  northern  South  Dakota 
of  "His  Master's  Voice." 


Sandberg  in  Ennis,  Tex. 
Ennis,  Tex.— Harry  G.  Sandberg 
has  been  placed  in  charge  of  the  Jewel 
and  Grand,  both  R.  &  R.  houses.  He 
formerly  managed  the  Liberty  and 
Orpheum  in   Parsons. 


Rosenwald  in   Denver 

Denver,  Col.— G.  E.  Rosenwald  has 
succeeded  Eugene  Gerbase  as  Uni- 
versal manager. 


/i 


^^^^F  ^ 


-5     ^ 


^^ 


ff\ 


^uisx 


t 


V/ 


^- 


L   v» 


^ 


A» 


K 


/i: 


/ 


0 


^ 


v«H 


"C^ 


A 


'r^ 


V 


//> 


\ 


i 


MAKES  Ti 

MAKES* 

lik4 


Metrq^o/i 


K 


Laughing  Gas 


THE  OLD  YOUNG 
AUDIENCES  SHAKE 
JELLY  ON  A  PLATE 


WATCH  MARSHALL  NEILAN'S 


ith 


COMIC  SENSATION       f^^^... 


w^-H^' 


William  Haines 
Ford  Sterling 


'Cr  PICTURE 


NOW!    The  Greatest  of  a' 
The  Outstanding  Spectacle 


^       CUSTER'S  LAST  STAND 


/rhrilling  Western  Dramas! 
ae  Glorious  American  West! 


NQITTLE  BIG  HORN      ^ 


Hi'M'     ilT     ^tA 


Universal's  Spectacular  Epic  \i 
The  Last  Word  in  Great  WesternJ 


m 


^ 


m 


~  /i 


f%. 


^-  >.->, 


y 


»^'i 


hr-h^ 


The  CAt 

Bil]     l.aiigdon Hoo 

Uttty  Staiiwood Anne 

Lieut.    Col.   Custer. ..  Dustii 

Sam     Melden Wa 

I>ucretia    Belden Katli 

"Jonesy"     Eddie 

"California  Joe" Hs 

Lawrence  Stanwood.  Harold 
Senator  Stan  wood.  .  .  Georg( 

Sitting  Bull Nobli 

Senator    Hargess.  .Charles  1 

Cyrus     Penfield Willia    f*. 

President    Grant ....  Walter 

Grant's   Secretary E 

Kain-in-tlie-Face Joe 


||^ 


^^ 


AGREATTHRILLIN(I 
EVERY  THEATR 


M\hRSAL  SUPER-PRODUCTION 


PRESENTED 


1 


e  Last  American  Frontier! 
e  Ultimate  in  Great  Thrillers! 


^cVia  ^^ 


■.I 


,0(01 
J«l 
Charl 
V/i« 
Waltl 


.INC.,   SPECTACULAR 

every  red-blooded  Amer- 

^ant    to    see.      The    great 

and     plainsman,     Colonel 

iter,    lives    again    with    his 

radcs,   the   stirring   battle 

e  fight  at  The  Little   Big 

re    Chief    John    Gall    and 

rous    medicine    man,    Sit- 

l'"    surprised    and    massacred 

EaJ   er   and  his   little   band. 

>rT  GRANT,  GENERAL 
"""■Red  Cloud  and  Sitting 
thrilling  scenes,  as 
rious  tribes  of  Indians, 
ps  of  cavalry  and  thou- 
eople.  A  beautiful  love 
erwoven  in  this  pulsing, 
erican  epic.  For  every 
icatre  ! 


AEMMLE 


AMERICAN  EPIC  FOR 
U  AMERICA 


AN   EDWARD   SEDGWlCk    l'KUDUL;llOiN 


'MM 


«i«»: 


ROBERT  C.  BRUCE 

Pictorial  Photographer 


AGAIN  THIS  YEAR 

Robert  C.  Bruce,  foremost  artist  of  the  screen 
in  outdoor  photography,  has  created 

SOMETHING  NEW 

in  Screen  Novelties  for  the 

SHOWMEN  OF  AMERICA 

A  series    of   scenic  effects  and  scenic  novelties| 
Avhich  can  be  built  into  a  show  in  any  length 
desired. 

•♦«»•♦• 


Thirty    different   subjects,    varying    in   length 
from  200  to  900  feet. 


Designed  as  aids  to  presentation  for  showmen  whoi 
want  to  build  a  varied  program. 


•♦«iSf*-' 


The   miusician's    great  opportunity   to  combine    the 
harmony  of  sound  v/ith  art  on  the  screen. 


Address 

ROBERT    C.    BRUCE 

6101   Sunf^et  Blvd.,    Hollywood,  Calif. 

or 

Room  1704,  5   W.  45th  St.,  New  York  City 


I 


key 


Inesday,  January  13,  1926 


THE 


iS&^ 


DAILY 


11 


from  First  Nat'l. 

(Continued  from  Page   1) 
led    Green. 

lleen  Moore  in  "Miss  Nobody,"  directed 
Mfred    Green. 

nstance    Talmadge    in    "Silky    Anne,"    di- 

d    by    Sidney    Franklin. 

ilton    Sills    in    "Men    of    Steel,"    directed 

eorge  Archainbaud.     Cast  includes  Doris 

on,      Victor      McLaglen,      Mae     Allison, 

k    Currier,    George   Fawcett. 

ilton    Sills    in    "His    Partner's    Wife." 

rinne    Griffith    in    "Mile.    Modiste,"    di- 

d    by   Robert    Z.    Leonard.      Cast    includes 

an    Kerry,    Rose    Dione,    Willard    Louis 

Dorothy    Cummings. 

rinne    Griffith    in    "Ashes." 
Schard     Barthelmess    in     "Just     Suppose," 

ted     by     Kenneth     Webb.     Cast     includes 

Moran,  Geoffrey  Kerr,  Bijou  Fernandez, 
chard  Barthelmess  in  "The  Kid  from 
tana,"    directed   by    Sidney    Olcott.      Sup- 

riffith   and   Tom   Murray, 
hnny     Hines     in     "Rainbow     Riley,"     di- 

d   by    Charles   Hines. 

hnny     Hines     in     "The     Brown     Derby," 

ted  by   Charles  Hines. 

try  Langdon  in  "Tramp,  Tramp, 
tip,"  directed  by  Harry  Edwards.  Cast 
ides  Joan  Crawford,  Laward  Davis,  Carl- 
Griffith  and  Tom  Murary. 
on  Errol  m  "The  Lunatic  at  Large," 
ted  by  Fred  Newmeyer.  Cast  includes 
)thy  Mackaill  and  Kenneth  McKenna. 
'he  Desert  Healer"  Sam  Rork-Marion 
fax  Prod.,  directed  by  Maurice  Tour- 
bo  Much  Money,"  directed  by  John 
icis  Dillon.  Cast  includes  Lewis  Stone 
Anna  Q.  Nilsson.  Supervised  by  Earl 
son. 

he  Far   Cry,"   directed  by   Sylvester   Bal- 

Cast     includes     Blanche     Sweet,     Jack 

lall,   Hobart    Bosworth,    Myrtle    Stedman, 

Sainpolis   and   Dorothy    Revier. 
demory     Lane,"     directed     by     John     M 
I.      Cast   includes   Eleanor   Boardmati   and 
ad  Nagel. 

'he  Second  Chance,"  directed  by  Lambert 
'er.  Cast  includes  Anna  Q.  Nilsson, 
tly  Gordon,  Charles  Murray,  Mike  Don- 
Dale  Fitller,  Sam  De  Grasse  and  Corliss 
er. 

he  Savage,"  directed  by  Fred  New- 
T.      Ben    Lyon    and    May    McAvoy    fea- 

iood    Luck,"    E.    M.    Asher   Prod.      Con- 

Tearle  starred. 

'he   Reckless   Lady,"   produced  by   Robert 

Cane,    and    directed    by    Howard    Higgin. 

:  Bennett   in  title  role. 
jil    'he   Viennese    Medley,"    directed    by    Curt 
^"    feld.        Cast      includes      Conway      Tearle, 

I    Q.    Nilsson,    Mae    Allison,    Ian    Keith, 
Beaumont,     Nigel     de     Brulier,     John 

,)olis.    Edward    Earle. 

'he  Dancer  of   Paris,"   directed  by   Alfred 

iantell.      Cast   includes   Dorothy    Mackaill, 

vay    Tearle,    Robert    Cain. 

accaneers      of      the       Baham^e."       called 

lasses,"     directed     Ijv     Al     Santell.       Pro- 

d  by   M.    C.   Levee. 

wentieth     Century     Unlimited,"     directed 

idwin   Carewe. 

[als    First,"    directed    by    Edwin    Carewe. 

he      Girl      from      Montmartre,"      Sawyer- 

n    Prod 


w 


ti« 


?rank  Lloyd  Back  from  Orient 
[ollywood — Frank    Lloyd    has    re- 
led    from    a    four-month's    trip    to 
Orient.     He  will  start  work  short- 
or  First  National. 


Buys  Play  by  Karl  Kitchen 

irst  National  has  purchased  screen 
its  to  an  unpublished  play  "A 
I's  Way,"  by  Karl  K.  Kitchen. 

Hoblitzelle  Buys 

(Continued  from  Page   1) 

e.      Their    Trianon    has    been    the 

le    of    First    National    for    seven 

rs. 

or  the  present  B.  H.  Mooney,  gen- 

manager,  will  remain  at  the  Tri- 
n.  W.  S.  Mudd  retired  some 
iths  ago  from  active  participation, 
loblitzelle  owns  the  only  big  time 
deville     theater     in     Birmingham. 

other  theaters  are  located  in  Tex- 
py  cities,  with  one  in  Little  Rock, 


Presentations 

Capitol 

Unit  No.  1.— Capitol  Grand  Or- 
chestra: "Cappriccio  Espagnole" — 
Rimsky-Korsakoff.  Time,  13  min- 
utes. 

Unit  No.  2.— "Tunis"— Red  Seal 
picture.     Time,  4  minutes. 

Unit  No.  3. — Vlasta  Maslova,  Rus- 
sian ballerina  in  "The  Swan."  White 
scrim  used  with  dance  performed  be- 
hind it.  Silk  drapes  to  back  and 
sides  with  varied  colored  lighting  ef- 
fect    Time,  4  minutes. 

Unit  No.  4. — Brass  Sextette.  "Mi- 
serere" from  "II  Trovatore,"  by 
Verdi.  Played  by  members  of  Capi- 
tol   Orchestra.      Time,    5    minutes. 

Unit  No.  5. — "A  Chinese  Fantasy," 
with  '"Chinese  Lullaby"  from  "East 
Is  West,"  sung  by  Marjorie  Harcum 
and  "Star  of  My  Soul"  from  "The 
Geisha,  "  sung  by  William  Robyn. 
Setting:  Balcony  of  Oriental  shack 
with  Miss  Harcum  singing  from  bal- 
cony, garbed  in  Chinese  costume.  Ac- 
companying decorations  of  lanterns, 
etc.  Mr.  Robyn  wheeled  in  in  rick- 
shaw.    Time,  4  minutes. 

Unit  No.  6. — Capitol  Magazine. 
Time,   8   minutes. 

Unit  No.  7. — "The  Legend  of  the 
Pearl."  Fantasy.  Music:  Selections 
from  "Parsifal."  "The  Walkyrie," 
"Rheingold,"  Wagner.  Setting:  Blue 
back  drop  with  light  giving  effect  of 
water  and  rocks  in  foreground  with 
mermaids  draping  themselves  about. 
Alight  to  dance  the  ballet  and  to 
arouse  the  "pearl"  from  its  shell. 
Huge  shell  in  foreground  from  which 
dancer  steps  to  be  met  by  fisherman. 
She  returns  when  a  storm  threatens 
and  again  comes  from  the  shell  when 
the  storm  departs.  The  fantasy  fol- 
lows out  a  myth  which  is  described  in 
the    program.      Time,    6    minutes. 

Unit  No.  8. — Interlude.  Cfepitol 
orchestra.     Time,   1   minute. 

Unit  No.  9. — Feature:  "Mike." 
Time,  70  minutes. 


Newspaper  Tie-Up  in   Ottawa 

Ottawa — Local  exhibitors  have  ar- 
ranged with  the  two  daily  newspapers 
for  the  publication  of  reviews  each 
week  on  current  attractions  for  the 
first  time  in  local  history.  The  papers. 
The  Journal  and  The  Citizen,  have 
agreed  to  publish  the  reports  under 
a  special  heading,  giving  all  theaters 
the  same  space.  The  houses  using 
regular  display  advertising  every  day 
are  included  in  the  arrangement.  The 
managers  interested  include  Franklin 
of  Keith's,  Bishop  of  the  Regent,  Sta- 
pleton  of  the  Centre  and  O'Regan  of 
the  Imperial. 


"Hands  Up"  Next  Week  at  Rivoli 

Raymond  Griffith  in  "Hands  Up" 
will  be  the  Rivoli  feature  next  week. 
The  John  Murray  Anderson  review 
will  be   "The   Skylark." 


Turn  to  Hays 

(Continued  from  Page   1) 

up  on  at  least  one  other  occasion 
by  Nathan  Burkan  who  held  many 
conferences  with  Hays.  Hays  "square 
table"  letter  to  the  Administrative 
Committee  of  the  M.  P.  T.  O.  of 
more  recent  date  has  been  considered 
in  some  quarters  as  the  answer  to 
that  particular  question.  It  will  be 
remembered  that  its  text  pledged 
Hays  to  listen  to  the  grievance  of  any 
exhibitor  anywhere  against  one  of 
the  members  of  his  association. 

No  word  emanated  from  the  T.  O. 
C.  C.  last  night  on  business  discussed 
at  the  meeting.  It  is  understood  the 
first-run  situation  has  again  become 
acute  because  of  a  situation  in  Upper 
New  York  City  where  the  Loew  cir- 
cuit intends  building  and  where  a  T. 
O.  C.  C.  member  therefore  fears  for 
a  continuous  supply  of  first  run  pic- 
tures. 

Hays  is  now  en  route  to  the  Coast. 
It  is  not  expected  any  action  can  or 
will  be  taken  until  his  return  in  about 
three  weeks. 


Wilson  in  Fitzgerald  Film 

Hugh  Wilson  was  signed  yesterday 
by  James  A.  Fitzgerald  for  a  lead  in 
a  new  production  Fitzgerald  will 
film  in  Virginia.  Wilson  just  com- 
pleted a  part  in  "Keep  It  Up"  for  F. 
Herrick  Herrick  and  in  "Rainbow 
Rilev." 


Norman  Trevor  has  been  signed  to 
a  long-term  contract  by  Paramount. 
He  will  sail  with  the  "Beau  Geste" 
production  unit  on  Jan.  30. 


Not  To  Be  Road  Shown 

(Continued  from  Page  1 ) 

as  a  $2  picture  and  therefore  demur- 
red. For  several  days,  its  fate  hung 
in  the  balance. 

It  has  been  determined  that  Grif- 
fith will  direct  it,  but  as  part  of  the 
fall  group  of  releases.  Greta  Nissen, 
Ruardo  Cortez  and  Carol  Dempster 
ha\t  been  selected  for  leads,  with  a. 
fourth,  a  man,  to  be  selected. 


Opens  Shanghai  Theater 

Los  Angeles — Leong  Butjung,  au- 
thor-producer of  "Lotus  Blossom" 
better  known  as  James  B.  Leong, 
has  returned  from  a  six-months'  trip 
in  China  where  he  handled  some 
work  in  connection  with  the  opening 
of  the  Odeon,  Shanghai's  largest  and 
newest  house. 


En  Route  to  Coast 

Wiliam  Russell  and  Helen  Fergu- 
son are  en  route  to  the  Coast.  While 
East  Russell  played  the  lead  in 
"Shooting  Stars,"  a  Lem  Kennedy 
production   made  in   Florida. 


Bellman  Here  from  Chicago 

Henry  Bellman,  of  the  Capitol  Film 
Exchange,  Chicago,  is  here  confer- 
ring with  Columbia  officials  on  1926- 
1927  distribution.  At  the  Knicker- 
bocker. 


Frank  Keenan  will  open  at  the 
Palace  Feb.  1  in  "Twilight."  a  one- 
act  drama.  Bryant  Washburn  is  at 
present  rehearsing  "Bedlam,"  a  com- 
edy sketch  which  will  soon  open  over 
an   Eastern  vaudeville  circuit. 


SCREEN  FAVORITISM 

The  fint  of  a  series  of  articles  by 

BENJ.  B.  HAMPTON 

To  appear  in 

COMPLETE  NOVEL  MAGAZINE 

Mr.  Hampton  says: 

Dollars  dictate  to  motion  pictures" 

The  box-office  rules  the  casting  office" 

Thesalesdepartmentdominates  the  studio" 

Read  his  interisting  comment  on  and  comparison  of 
POL  A  NEGRI  and  EMIL  JANISINGS 


Get  the  January  issue  of 

COMPLETE  NOVEL  MAGAZINE 

From  your  Newsdealer.    If  he  is  sold  out  send  25c  to 

NOVEL  MAGAZINE  CORPORATION 

188  West  4th  St.,  New  York 


Iln^ 


rt 


(s"^ 


O 


iTHE 

iff  BRADSTREET 
<  FILHDOM 


RECOCWZED 

Authority 


XXXV     No.  11 


Thursday,  January  14,  1926 


Price  5  C  .Kt« 


y 


TARIFFS 

By  DANNY 

Jram   Abrams — United   Art- 

^ -talking.   "The  best  method 

posing  of  all  ol  our  difficul- 

dbrcad  is  for  all  nations  to 

de    a    high    tariff    against 

ican  films;  the  tariff  to  be 

ive  chiefly  against  positive 

5,  or  upon  negative,  with  a 

inteed     minimum     of     the 

ler  of  prints  to  be  struck 

tie   positive.     That   is   the 

;  way  to  avoid  all  the  dif- 

les  which  exist  today." 

Stic,     unusual     idea,     especially 

y^  g  from  a  film  man.     There  has 

|nuch  discussion  during  the  past 

y  important  film  folk  as  to  how 

)  meet  the  situation  which  is  de- 

ng  abroad.     The   Abrams   idea 

aot  please  a  majority.     It  will 

ily  provoke  comment. 

FUm  Club  In  Sight 

leveloped   yesterday   that   plans 

ing  prepared  by  a  well-known 

;ct  for  a  club  room  for  film  folk 

Embassy    Theater    Building, 

'>J)ly  on  the  15th  floor.    The  plan 

or  ample  accommodations  for  a 

on  club,  together  with  library, 

and  other  appointments.    Those 

rting  the   idea  feel  that  it  will 

difficult  to  interest  at  least  300 

oik  to  lunch  daily  at  the  club; 

{Continued  on  Page  2) 

lemes  Over  Radio 

itic  Action   Sent  Through  Air 

First  National  and  Radio 
Torp.  of  America  Tie-Up 

t  National,  in  conjunction  with 

adio  Corp.  of  America,  held  a 

rehearsal  last  night  of  what  it 

broadcasting  a  motion  picture. 

)urse,    actual    motion    pictures 

lot  shown,  but  dramatic  action 

,  "Too  Much  Money,"  was  en- 

before  the  microphone  for  the 

of   the   unseen   audience   and 

er   to  arouse   a  greater  desire 

the  actual  picture. 

{Continued  on  Page  4) 


Italy  Aroused 

Dispatch   Reports   Moves   On 
Combat  American  FDms — 

Discounted  in  New  York 
Angeles — A    special    cable    to 

rimes"    from    Rome    states    in 

y,  captured  by  Southern  Cali- 
s  great  industry,  the  cinema, 
heless  is  going  to  set  about  to 
;  the  rebirth  of  the  Italian  in- 
•      {Continued  on  Page  4) 


Glass  Graduates 

30  Managers  Complete  First  Course 

in  Paramount  Training  School — 

Assignments  Public  Friday 

The  first  class  at  the  Paramount 
Theater  Managers'  Training  School 
will  graduate  tomorrow.  Thirty  stu- 
dents will  then  complete  their  course 
and  be  given  assignments  in  the  vari- 
ous Famous  Players  theaters  now  op- 
erating under  the  Publix  banner. 

One  group  is  scheduled  to  go  to 
New  England  to  take  over  theater 
houses  now  under  general  supervision 
of  William  P.  Gray.  Others  will  be 
given  posts  in  the  South.  The  com- 
pletion of  the  first  course  was  cele- 
brated at  a  dinner  tendered  graduat-j 
ing  class  by  officials  of  Publix  at 
the  Roosevelt  on  Thursday  night. 
Adolph  Zukor,  Sam  Katz  and  Harold 
B.  Franklin  delivered  addresses. 


Production  Possibilites  Abroad 

Interest  Returning  American\ 


Grange  Denies  $300,000  Contract 
"I  signed  no  movie  contract  for  $300- 
000  or  anything  like  it;  in  fact,  my 
football  career  including  every  source 
of  revenue  will  not  bring  in  more 
than  $200,000."  The  above  statement 
was  made  by  "Red"  Grange  in  an 
interview  by  John  B.  Kennedy  pub- 
lished in  the  last  issue  of  Collier's 
Weekly. 

White  Writes  on  Movies 

In  the  current  issue  of  Collier's 
Weekly,  William  Allen  White  has 
written  an  article  dealing  with  mo- 
tion pictures  under  the  title  "Are 
the  Movies  a  Mess  or  a  Menace?" 
The  lack  of  standards,  graded  by  in- 
telligence is  the  main  trouble  that 
Mr.   White  finds  in  pictures. 


Edwards'  Revues  in  Publix  Theaters 

Gus  Edwards,  musical  comedy  pro- 
ducer of  revues,  has  signed  with  Pub- 
lix Theaters  to  produce  three  stage 
revues.  The  first,  "The  Garden  of 
Girls,"  with  30  in  the  cast,  will  open 
at  the  Rivoli  on  Feb.  14.  The  re- 
maining two  will  appear  at  intervals 
of  six  weeks. 


Another  Presentation  Studio 

Los  Angeles — Fanchon  &  Marco, 
of  West  Coast  Theaters,  Inc.,  are 
having  plans  drawn  for  a  studio,  to 
be  erected  on  the  outskirts  in  which 
their  acts  will  be  rehearsed  in  a  model 
theater.  The  studio  will  have  a  full- 
sized  stage  with  complete  equipment. 


Fox  Now  Set  in  Detroit 

Detroit — Fox  will  build  its  5,000- 
seat  first-run  on  Woodward  Ave.,  be- 
tween Columbia  and  Montcalm  Sts. 
The  house  which  will  be  ready  in 
Sept.  1927,  will  increase  seats  in  first 
run  houses  to  27,500. 


Co-Operation  Sought 

Film  folk  arriving  yesterday 
on  the  Majestic  issued  the  fol- 
lowing statement: 

"We,  the  undersigned  film 
executives,  producers,  directors, 
and  stars,  now  on  board  S.  S. 
Majestic  have  had  under  con- 
sideration the  ever  growing 
power  of  the  motion  picture 
throughout  the  world,  and  we 
are  unanimously  of  opinion 
that  the  future  of  the  film,  as 
an  international  art  and  as  an 
international  influence  on  mod- 
em civiUzaton,  is  wholly  de- 
pendent on  the  friendly  co- 
operation of  all  peoples. 

"The  beneficient  results  of  unity  in 
the  larger  and  graver  issues  promot- 
ing the  welfare  of  nations  within  them- 
selves, and  making  for  a  better  under- 
standing between  all  peoples,  are 
such  that  it  is,  in  our  opinion,  es- 
sential that  this  beneficent  unity 
should  be  made  manifest  and  effec- 
tive in  every  sphere  of  human  en- 
deavor. 

"With  such  consideration  before  us, 
we  declare  our  determination  to  work 
together  in  every  possible  way  so 
that  the  motion  picture,  with  its 
world-wide  appeal  and  its  constantly 
increasing  importance,  may  be  of  the 
utmost    service    to   mankind. 

"We  believe  in  world  vndt  co- 
operation, and  we  are  resolved  to 
demonstrate  its  value  and  its  strength 
to  the  whole  world. 

"We  believe  in  no  rivalries,  other 
than  the  friendly  rivalries  of  those 
who  are  travelling  together  towards 
the  same  goal,  and  we  are  striving 
for  the  realization  of  what  we  believe 
to  be  a  great  ideal.*' 

E.  B.  Johnson 
George  T.   Eaton 
J.    D.    WUliams 
Mae   Murray 
Harry  Rapf 

H.  Charles  S.  Thomson 
Samuel   Rachmann 
Leopold  Friedman 
Harry  Cohn 
Herbert   Wilcox 
S.   R.   Kent 

F.  Wynne   Jones 
James  Cruze 
Betty    Compson 
Dorothy    Sebastian 
Harry    B.    Ham 


Executives  Praise  German  Films 

—J.  D.  Williams  Enthused 

Over  Wilcox's  Pictures 


American  film  folk  of  importance 
returning  yesterday  on  the  Majestic 
were  enthusiastic  over  production  pos- 
sibilities in  foreign  countries.  While 
most  of  them  were  raving  over  the 
big  Ufa  specials,  notably  "Metropo- 
lis," J.  D.  Williams  of  British  Na- 
tional Pictures  was  equally  as  en- 
thusiastic over  the  productions  com- 
ing from  Herbert  Wilcox  of  Eng- 
land; the  most  recent  of  which,  "Nell 
Gwyn,"  was  brought  over. 

On  the  Majestic  were  S.  R.  Kent 
of  Famous  Players  and  Leopold 
Friedman  of  Metro-Goldwyn-Mayer, 
returning  from  Berlin  where  the  deal 
with  Ufa  was  set;  Harry  Rapf  and 
Mrs.  Rapf  who  were  enjoying  a  tour 
of  Europe;  Harry  Cohn  of  Colum- 
bia Pictures,  with  Mrs.  Cohn,  who 
were  also  on  pleasure;  James  Cruze 
and  Betty  Compson  who  were  in  Al- 
giers looking  over  locations;  J.  D. 
Williams  and  George  T.  Eaton  of 
British  National  Pictures,  Ltd.;  Her- 
bert Wilcox,  the  producer;  E.  Bruce 
Johnson  of  First  National  and  Mrs. 
Johnson;  Mae  Murray,  who  has  been 
vacationing  abroad;  Sam  Rachmann 
{Continued  on  Pag*  10) 

Paramount  Ofi&cials  to  Buffalo 

A  number  of  Paramount  and  Pub- 
lix Theater  officials  and  others  will 
leave  for  Buffalo  tonight  to  attend 
the  opening  of  Shea's  Buffalo,  on  Fri- 
day evening.  Included  are  Adolph 
Zukor,  Jesse  L.  Lasky,  S.  R.  Kent, 
Sam  Katz,  George  Weeks,  Phil  Reis- 
man,  Sam  Dembow,  A.  M.  Botsford, 
John  Murray  Anderson,  Barney  Bal- 
aban  and  Herbert  Stern,  president  of 
Balaban  and  Katz  Corp.,  Hugo  Son- 
nenschein,  B.  &  K.  attorney  and  John 
Hammel.  "The  King  on  Main  Street" 
will  be   the  feature. 


Frown  on  "Upstairs"  Theaters 
Omaha — Operation  of  "upstairs" 
theaters  is  being  discouraged  in  Ne- 
braska, as  a  means  to  reduce  fire  haz- 
ards. Mayor  Nelson  of  Kerr,  has 
asked  for  a  special  investigation  of 
the  Kerr,  operated  by  Holstettler 
Amusement   Co. 


Silzer  Favors  "Blue  Law"  Repeal 

Trenton,  N.  J. — Gov.  Silzer  in  his 
farewell  message  to  the  Legislature, 
stated  that  he  was  in  favor  of  repeal- 
ing the  "Blue  Law,"  allowing  cer- 
tain modifications. 


George  Davis  to  Coast 
George  H.  Davis,  president  of  Ban- 
ner Prod.,  left  yesterday  for  the 
Coast  to  confer  with  Samuel  J.  Bris- 
kin  on  next  year's  production  sched- 
ule. 


■it 


m 


—JXi^ 


DAILY 


Thursday,  January  14, 


oL  XXXV  No.  11    Thursday,  Ian.  14, 1926    Prices  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
nc.  Published  Daily  except  Saturday  and  hot- 
days  at  1650  Broadway,  New  York,  N.  Y.,  by 
VID'S   FILMS  and   FILM   FlOLKS.   INC. 
^oseph    Dannenberg,    President    and    Editor ; 
_"".  Alicoate,  Treasurer  and  Business  Man- 
'^r ;    Maurice   D.    Kann,    Managing   Editor ; 
onald  M.  Mersereau,  Advertising  Manager ; 
'.alph    Wilk,    Traveling    Representative.      En- 
rttred    as    second-class   matter    May    21,    1918, 
•t  the  post  office  at  New  York,  N.  Y.,  under 
th«  act  of  March   3,   1879.     Terms    (Postage 
tr«e)    United  States,   outside  of  Greater  New 
Jfork,   $10.00  one   year;    6   months,   $5.00;    3 
months,   $3.00.     Foreign   $15.00.     Subscribers 
Wiould   remit   with   order.      Address    all    com- 
^.unications   to    THE    FILM    DAILY,    1650 
Broadway,   New   York,   N.   Y.     Phone  Circle 
4736-4737-4738-4739.     Cable  address :  Filmday, 
New    York.      Hollywood,    California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.     London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,    W.    I.,    Paris — La    Cinematographic 
Francaise,   S,  Rue  Saulnier. 


Quotations 

High   Low    Close     Sales 

Balaban    &    Katz    Not  quoted 

Eastman  Kodak..  109^  109J^  109^  300 
Famous    Players    ..103       107J4   108  600 

Fam.   Play.   Pfd.    ..118       118       118  200 

Film    Inspection    Not  quoted 

First    National    Not  quoted 

Fox  Film  "A"  ...  82}4  8m  82  1,000 
Fox  Theaters  "A".  34Ji  32^  33^  11,700 
Intern'l    Projector..    ISJi      15 H      155^         100 

Loew's,    Inc 40J4     40         40  600 

Metro-Gold.   Pfd Not  quoted 

M.  P.  Cap.  Corp...  20H     2054     20fi     1,500 

Pathe   Exch.   "A"    Not  quoted 

Skouras   Bros 52         52         52  

Stan.  Co.  of  Am Not  quoted 

Trans  Lux    UH     13         13?^     1,100 

Universal    Pictures    Not  quoted 

Univ.    Pict.    Pfd.    , Not  quoted 

Wiarner  Pictures  ..  17^  17^  17Ji  600 
Warner   Pictures    Not  quoted 


P.  D.  C.  Managers  Here 
The  eight  district  managers  of  P. 
D.  C.  are  in  town  conferring  with 
William  J.  Morgan,  sales  manager. 
They  include  L.  J.  Hacking,  P.  H. 
Clark,  G.  F.  Lenehan  and  Robert 
Cotton,  representing  sales  divisions 
1,  2,  3  and  4,  covering  the  eastern  and 
central  sections.  C.  E.  Maberry,  C. 
D.  Hill  and  R.  A.  Morrow,  represent- 
ing districts  5,  6  and  7;  covering  the 
mid-western  division,  and  Tom  Brady 
representing   Canada. 


Horwitz  to  the  Bermudas 

Cleveland — M.  B.  Horwitz,  gener- 
al manager  of  the  Washington  Cir- 
cuit, comprising  a  dozen  Cleveland 
theaters,  has  left  for  a  four-weeks' 
trip  to   the   Bermudas. 


A  COMPLirrE  LABORATORY 
AND  TITLE  SERVICE 


=aiH]l^ 


^fit^fesi^ 


TARIFFS 

(Continued  from  Page   1) 

and  this  would  prove  amply  satisfac- 
tory so  far  as  finances  are  concerned. 
The  details  will  probably  come  for- 
ward shortly.  Certainly  the  idea  of  a 
central  gathering  place  for  film  folk 
is  sound.  That  these  men  meet  far 
too  seldom  is  evidenced  at  each  suc- 
ceeding golf  tournament.  Indeed,  that 
is  probably  the  reason  for  the  success 
of  these  tournaments — men  who  meet 
nowhere  else  seem  mighty  glad  to  be 
with  each  other  on  these  occasions. 
The  Travellers 
How  glad  these  incoming  film  folk 
seem  to  be  to  reach  home!  And  how 
eagerly  they  want  to  know  what  has 
happened  since  they  left.  Met  the  folk 
on  the  Majestic  down  the  bay  yester- 
day. Had  a  difficult  time  to  secure 
information — thay  all  wanted  to  know 
so  much.  And  when  Harry  Rapf 
asked  for  an  American  made  cigar  we 
knew  just  how  he  felt — he  was  glad 
to  get  home.  Any  one  who  goes 
abroad  feels  the  same  way.  When  we 
met  Abe  Carlos  in  Vienna  and  later 
Francis  X.  Bushman  in  Rome  it  was 
the  same  thing— they  wanted  an 
American  cigar — and  how! 


Sues  for  $132,017 
Los  Angeles — Ralph  B.  Staub  has 
filed  suit  for  $132,017  against  Davis 
Dist.  Division,  Inc.,  alleging  failure 
on  the  part  of  Davis  to  live  up  to  a 
releasing  contract. 


Won't  Make  "Beau  Geste"  Abroad 

Due  to  the  preoccupation  of  the 
Foreign  Legion  in  Morocco,  it  will  be 
impossible  for  Herbert  Brenon  to 
film  "Beau  Geste,"  in  Algiers.  As  a 
result,  production  on  the  English  se- 
quences will  be  started  at  the  Long 
Island  studio.  Desert  scenes  will  be 
made  in  California. 


"Technic"    for    Mary    Philbin 

Los  Angeles  —  Universal  has  pur- 
chased "Technic,"  a  Satevepost  story 
by  Dana  Burnett  for  Mary  Philbin. 
Sada  Cowan  will  write  the  continu- 
ity. Francis  X.  Bushman  will  be  one 
of  the  featured  players.  Lois  Weber 
may  direct. 


J.  K.  Adams,  vice-president  of  Da- 
vis said  yesterday  Staub's  suit  evi- 
dently resulted  because  the  plaintiff 
misunderstands  his  contract  and  the 
terms  on  which  Davis  agreed  to  re- 
lease  Staub's   one-reelers. 


Marin  and  Bunn  Return 

Ned  Marin,  Western  sales  manager 
of  First  National  and  C.  W.  Bunn,  of 
the  distribution  department,  returned 
yesterday  from  a  week's  trip  during 
which  they  visited  Chicago,  Milwau- 
kee, Toronto  and  Montreal. 


Dempsey  May  Become  Exhibitor 

Los  Angeles — Jack  Dempsey  has 
formulated  plans  to  become  an  ex- 
hibitor. He  states  that  he  has  three 
sites  under  option  and  will  start 
building  theaters  in  the  near  future. 


P.  C.  T.  Buys  Big  English  House 

London — Provincial  Cinema  Thea- 
ters have  acquired  the  Majestic  Leeds 
This  is  the  largest  theater  in  the 
provinces.  It  cost  $1,560,000  to  build 
and  seats  2,500. 


inilllinilillllllillllllllllllllllllllllllDlllllilllllllllilllillllllDi 


FEBRUARY  28th 


MiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiiiiiioiiuiniiiiiiiiiiDuiiiiiiiiiiiiiiiiiiiia 


Start  Birmingham  House  Feb.  1. 

Birmingham — Work  on  the  pro- 
posed theater  and  mercantile  building 
for  3rd  Ave.  and  18th  St.,  to  be  occu- 
pied jointly  by  the  Famous  and  Love- 
man,  Joseph  and  Loeb,  is  expected  to 
get  under  way  Feb.  14.  Deeds  to  the 
property  have  passed  and  tenants  or- 
dered to  vacate  preparatory  to  an 
early  start  on  construction  of  the  new 
building. 


Signs  Ten  Year  Leases 

Minneapolis — Thwarting  efforts  of 
a  large  distributor-exhibitor  to  obtain 
leases  of  two  theaters,  the  Beatrice 
Amusement  Co.  has  signed  ten-year 
leases  for  the  Sun  and  Dean  theaters, 
York,  Neb.,  beginning  when  the  pres- 
ent leases  expire  August,  1927.  Blaine 
Cook  is  president  of  the  Beatrice  firm 
which  operates  at  Beatrice  and  North 
Platte. 


Conklin  Denies  "Tennek  Di 

Chester  Conklin,  through  his 
sentative,  Sig  Schlager  denied  t 
will  be  starred  by  Kenneth  Bis 
12  two-reel  comedies  for  T 
Conklin  is  at  present  working 
Famous  and  will  later  go  to 
wood  to  work  on  other  feature 
has  definitely  forsaken  the  shoi 
ject  field.  Tennek  says  its  cc 
was  with  Frank  E.  Nicholso 
that  upon  Bishop's  recent  arri 
California,  he  found  the  Nic 
contract  was  invalid. 


i 

II 


r'afhecon 


HAL 
ROACH 

hresenls 


Photoplay  League  Seeks  Product 

Sidney  K.  Bennett,  representing  the 
Photoplay  League  of  Hollywood  is  at 
the  Astor,  looking  for  pictures  that 
can  be  classified  as  "original,  uncen- 
sored,  artistic,  or  typical  of  advanced 
deas  in  screen  production." 


"Sea  Beast"  Premiere  Tomorrow 

"The  Sea  Beast"  will  ha;ve  its  pre- 
miere at  the  Warner  theater  tomor- 
row night.  A  special  electric  sign  is 
being  erected  on  the  theater  front. 


Miss  Rose  Resigns 

Miss  Rose,  well  known  to  the  pro- 
fessional fraternity  through  her  long 
connection  with  the  Edward  Small 
Co.,  has  resigned. 


Powers    Signs    Cody 
Hollywood   —   P.    A.    Powers    has 
signed   Bill    Cody   for   an   Associated 
Exhibitors    series,    according    to    re- 
ports. 


Another  Queens  House 

Sheer  &  Allen  have  sold  property 
on  Queens  Blvd.  and  51st  Ave.,  at 
$45,000  to  builders  who  will  erect  a 
theater. 


IF  YOU  ARE  IN  THE 
MARKET  FOR  ANY  KIND  OF 

MOTION  PICTURE 
APPARATUS 

CONSULT  US- AND  SAVE  MONEY 
SEND  FOR  OUR  PRICE  UST 

Motion  Picture  App.  Co..  Inc. 

Ownenhip  managemenl  C.G.  Willoughby,  Inc. 

110  West  32nd  St..  New  York 

Phone    Pena.    6S64 


^de  Cook 

in  "  _ 

Miat'stheVorU  Coming  to'l 


This  is  a  'Cornerblock'  cut  furr 
FREE  for  all  Pathecomedies  a^  | 
exchange. 


1 


^\{ 


itkDe 

!il 
ciedt 

orT 

oto 
Jture 
:  jkor 

I'i  CO 

iiolsoi 
t  arri 


am 


■4 


(urn 


i 


As 

and  When  Promised 

\ 

We  promised  you  Big  Paramount  Pictures 
right  through  from  now  till  Fall. 

We  promised  these  Big  Pictures  on  or 
before  precise  release  dates. 

JVe're  making  good  100%  on  both  promises. 

For  instance: 


FEBRUARY 


J, 


/ 


THE  WANDERER. 

Raoul  Walsh's  road  show  spectacle  now 
at  popular  prices.  With  Ernest  Torrence, 
Greta  Nissen,  WilUam  ColUer,  Jr.  From 
Maurice  Samuels'  famous  play. 

THE  GRAND  DUCHESS  and 
THE  WAITER. 

A  Parisian  love  cocktail  with  Adolphe 
Menjou,  Florence  Vidor.  Malcolm  St. 
Clair  Production. 

THE    SONG    and    DANCE 

MAN. 

Geo.  M.  Cohan's  stage  comedy  hit  with 
Tom  Moore,  Bessie  Love,  Harrison 
Ford.  Herbert  Brenon  Production. 


THE 

VANISHING    AMERICAN. 

Zane  Grey's  Epic  Romance  of  the  Red 
Man.  With  Richard  Dix,  Lois  Wilson, 
Noah  Beery.  Directed  by  Geo.  Seitz. 

BEHIND  THE  FRONT. 

Big  comedy  special  with  Wallace  Beery, 
Raymond  Hatton,  Mary  Brian.  By  Hugh 
Wilev.   Edward  Sutherland  Production. 

DANCING  MOTHERS. 

The  ultra-modern  society  stage  success 
starring  Conway  Tearle,  Alice  Joyce, 
Clara  Bow.  Herbert  Brenon  Pro- 
duction. 


NOW 


4 


Q>aramounl  Q>ictures 


DAILY 


Thursday,  January  14  I! 


Rush  Still  On 


*   Many  Houses  Building  in  Mid-West 
t       — Exihibitors    Look   for    Banner 

Year,  Harry  Scott  Reports 
=^  Harry  Scott,  general  sales  manager 
•LHof  Pathe  returned  yesterday  from  a 
=tour  of  the  South  and  Middle  West. 
He  visited  15  exchanges  in  20  days. 
In  each  he  conducted  a  sales  meeting. 
.  Detroit,  Pittsburgh,  Cincinnati,  Indi- 
^g,  anapolis,  Chicago  and  the  "Double  I" 
^^^  offices,  Milwaukee,  Minneapolis,  Des 
'<Si  Moines,  Omaha,  Kansas  City,  Ok- 
Y^homa  City,  St.  Louis,  Cleveland  and 
^'/Buffalo  were  touched. 

"I  had  the  opportunity  of  interviewing  a 
number  of  prominent  exhibitors  who  reported 
that  their  business  during  1925  had  greatly- 
exceeded  expectations,"  said  Scott.  "Most 
of  these  exhibitors  expressed  the  conviction 
that  their  business  in  1926,  judging  by  the 
present  outlook,  would  exceed  that  of  the  past 
year.  Many  new  theaters  are  under  construc- 
tion, which  indicates  that  capital  shares  the 
same  optimistic  viewpoint  with  the  theater  in- 
terests. 

"In  the  industrial  sections  I  found  a  tem- 
porary lull  due  in  part  to  the  holiday  season 
and  to  the  fact  that  it  was  inventory  time. 
Many  big  factories  at  this  season  of  the  year 
pursue  a  practice  of  laying  off  some  of  their 
force  until  their  inventories  have  been  com- 
pleted. This,  of  course,  has  a  tendency  to 
slow  up  theater  business  a  bit. 

"In  the  mining  districts  conditions  seem  to 
be  only  affected  by  the  anthracite  strike.  Farm- 
ing sections  are  evidencing  prosperity  to  a 
notable  extent,  and  the  theaters  in  these  ag- 
ricultural districts  are  reflecting  the  healthy 
trade  conditions  in  most  instances  by  substan- 
tial box-office  receipts.  The  farmer  is  out- 
stripping the  city  dweller  in  the  acquisition 
of  up-to-date  facilities  and  even  luxuries.  In 
a  few  of  the  towns  where  business  is  not  so 
good  the  situation  may  be  attributed  to  the 
fact  that  the  local  exhibitors  are  not  furnish- 
ing their  patrons  with  shows  of  sufficient  merit 
to  entice  them  away  from  their  radios,  bridge 
clubs,  etc." 


Foundation  Selects  First  Subjects 
Two  pictures  based  on  the  story  of 
the  Prodigal  Son  and  the  Twenty- 
third  Psalm,"  will  be  the  first  produc- 
tions of  the  Religious  M.  P.  Founda- 
tion. A  series  of  "How  We  Got  Our 
Bible"  is  contemplated  for  the  future. 
The  production  of  a  few  shorts  and 
the  working  out  of  a  plan  of  distribu- 
tion to  churches  constitute  present  ac- 
tivities of  the  foundation,  which  was 
as  noted,  organized  by  the  William 
Harmon  Foundation  with  the  coop- 
eration of  the  Federal  Council  of 
Churches  of  Christ  in  America  and 
the  Hays  organization. 


Intern!  Projector  Picks  Directors 

At  the  annual  meeting  of  the  Inter- 
national Projector  Corp.  the  follow- 
ing directors  were  elected  for  the  en- 
suing year:  H.  L.  Clarke,  B.  A. 
Squire,  W.  E.  Green,  Geo.  H.  Trout, 
S.  R.  Burns,  W.  C.  Michel,  O.  E. 
Koegel,  Murray  W.  Dodge,  Cliflford 
Bucknam,  W.  T.  Bruckner,  C.  W. 
Higley. 


"Dance  Madness"  at  the  Capitol 
"Dance    Madness"    opens    at    the 
Capitol  on  Sunday. 


FOR     R.ENT 


BELj^-  HOWELL 
AKELEY  CAMERAS 

LDUh  or  CViltloul   Cameramen 


SEIDEN    CAMERA    EXCHANGE 

729   Seventh  Awe..  N.YC. 
B  ryan  t   3  95 i 


Themes  Over  Radio 

{Continued  from  Page  1) 
An  impromptu  radio  studio  was 
erected  in  an  adjoining  room  of  the 
Astor.  In  here  the  broadcasters  en- 
acted their  roles  before  a  microphone 
which  sent  the  sound  waves  only 
across  the  hall  into  a  loud  speaker 
in  the  dining  room.  An  actual  broad- 
cast of  the  picture  will  be  made  from 
Station  WJZ  at  8:30  o'clock  tonight. 
This  will  mark  the  inauguration  by 
First  National  of  weekly  broadcasts 
of  all  its  productions.  They  will  be 
handled  by  Station  WJZ  as  a  regu- 
lar portion  of  its  program,  each 
Thursday  at  the   same  hour. 

"Just  Suppose"  will  be  broadcast 
the  following  week;  "Memory  Lane" 
will  follow  and  other  pictures  will 
go  on  the  air  in  sequence  of  release. 
The  idea  was  first  conceived  by 
Cosmo  Hamilton,  playwright,  some 
two  years  ago.  While  the  broadcast 
necessarily  eliminates  some  of  the 
tangibles  of  the  picture,  it  still  holds 
to  the  dramatic  values  and  gives  the 
listener-in  an  idea  as  to  the  action 
and  settings. 

The  dress  rehearsal  was  preceded 
by  a  dinner  at  the  Astor.  Among 
those  at  the  speaker's  table  were 
Robert  Lieber,  Samuel  Spring.  C.  F. 
Chandler,  C.  C.  Burr,  Johnny  Hines, 
and  Lois  Moran.  Representing  the 
Radio  Corp.  were  Elmer  E.  Bucher. 
Harold  T.  Melhuish,  Capt.  Howard 
Angus,  Col.  C.  F.  Davis,  Charles  B. 
Popenoe  and  Robert  D.  Newton. 


Chansres  in  Salt  Lake 

Salt  Lake  City,  Utah— Lou  Hutt, 
staff  cameraman  for  Pathe,  has  re- 
turned to  the  Coast  after  photograph- 
in"'  many  of  the  local  industries  of 
this  city. 

L.  Manx,  assistant  to  Fred  J.  Mc 
Connel,  head  of  the  Universal  com- 
plete service  department,  is  here. 

Tony  Hartford,  sales  representative 
for  Universal,  is  here  from  Seattle. 

Dave  Frazer.  special  "rep"  for  Prod. 
Dist.  Corp..  after  a  week's  visit  here, 
is  now  in  Denver. 

The  Film  Board  of  Trade  held  its 
annual  meeting  Monday. 

C.  John  Predarie.  who  is  road- 
showing  "Siegfried,"   is  here. 

Dave  Bershon,  Western  district 
manager  for  Metro-Goldwvn-Maver. 
is  here  to  confer  with  Paul  F.  Berger, 
from   the   home  office. 


Renaud  HofFman  Signs  Walthall 

Los  Angeles — Henry  B.  Walthall 
has  been  placed  under  contract  bv 
Renaud  Hoffman  for  a  stellar  role  in 
"The  Unknown  Soldier."  Marguerite 
de  la  Motte  and  Charles  Emmett 
Mack  are  the  two  other  players  to 
^lay  featured  roles. 


Schenck  to  Make  Westerns? 

Los  Angeles — An  unverified  report 
states  Joseph  Schenck  is  to  produce  a 
series  of  westerns.  Rov  Stewart,  will 
be  starred  in  at  least  one. 


Lila  Lee  May  Be  Jessel's  Lead 

George  Jessel.  who  is  to  appear  in 
"The  Cherry  Tree,"  to  be  produced 
by  Al.  Lichtman,  may  have  Lila  Lee 
as  his  lead. 


Italy  Aroused 

{Continued  from  Page  1) 
dustry.  The  Italian  film  congress 
which  is  behind  the  move  admits, 
however,  that  it  will  be  a  most  diffi- 
cult problem.  There  is  belief  that 
the  only  hope  is  in  a  working  ar- 
rangement with  American  producing 
and  distributing  interests. 

"The  government  has  been  eager 
to  resuscitate  Italian  film  production 
on  account  of  the  national  prestige 
and  as  a  means  of  propaganda  among 
its  own  citizens.  Schemes  have  been 
proposed  to  subsidize  production  and 
oblige  film  houses  to  exhibit  a  fixed 
minimum  of  national   films  annually. 

"Meanwhile  American  film  com- 
panies are  endeavoring  to  buy  up  the 
chief  Italian  cinema  theaters  to  in- 
sure a  market  for  their  films.  A 
lively  fight  is  expected  between  their 
representatives  and  the  agents  of  the 
patriotic  movement  that  seeks  to  "de- 
Americanize  Italian  filmdom." 


Those  familiar  with  the  situation 
in  Italy  were  inclined  to  discount  the 
"Times"  dispatch  yesterday.  It  was 
pointed  out  that  a  year  ago,  disturb- 
ances were  reported  from  Rome. 
They  emanated  from  Italian  pro- 
ducers and  distributors,  but  not  ex- 
hibitors who  later  insisted  upon  play- 
ing American  pictures.  At  that  time, 
the  theater  owners  pointed  out  how 
important  to  their  financial  success 
American   pictures   were. 


Incorporations 

Albany,  N.  Y. — Bershap  Theater  Corp., 
New  York.  Incorporators,  H.  Andur,  H. 
Cohen  and  B.  Shapiro. 


Albany,  N.  Y. — Ludlow  Operating  Co., 
Inc.,  New  York.  Incorporators,  D.  Blum, 
L.   Greenfield  and   B.   Zelenko. 


Albany,  N.  Y. — Dnten  Theater  Corp.,  New 
York.  Tncorporaotrs,  J.  Joelson,  S.  Price 
and  L.  Metz. 


Albany,  N.  Y. — Repent  Holding  Corp., 
New  York.  Capital  $35,000.  Incorporators, 
S.    Gould,   J.    Caesar  and   J.    Martin. 


Albany,  N.  Y. — Roosevelt  Exhihition  Corp., 
New  York  Incorporators,  H.  Hudener,  L. 
Strong   and    F.    Rubin. 


Albany,  N.  Y. — Danger  Trail  Motion  Pic- 
tures. Inc.,  New  York.  Incorporators,  N. 
Messinger  and   D.   Brown. 


Albany.  N.  Y. — Florida  Park  Association, 
Queens  Countv.  Capital  $1S,000.  Incor- 
porators. R.  Gebig,  G.  Seidel  and  W.  Hauck. 


Albany.  N.  Y.— -Shergil  Corp.,  New  York. 
•"apital  $40  Ono  Incorporators,  E.  Paley, 
T.   Brown  and  C.   Gilpin. 


Alba-ny.  N.  Y. — Academy  Film  Corp.,  New 
York.  Capital  $40,000.  Incorporators,  L. 
Lauro,    M.    Zucco  and  E.   Lauro. 


Albany.  N.  Y. — Murray  Producing  Co., 
New  York.  Capital  $.10,000.  Incorporators, 
G.   Conroy  and  N.  Rafel. 


Albany,  N.  Y. — Rothe  and  LavmaTi  Stu- 
dios, New  York.  Capital  $5,000  Incor- 
porators, B.  Rothe,  D.  Layman  and  S.  Kas- 
sell. 


Albany.  N.  Y.  —  Mitchell  Studio,  New 
York.  Incorporators.  M.  Epstein,  L.  Selay 
and   F.   Epjein. 


Albanv,  N.  Y. — Sussman  Thea'ter  Ticket 
Office,  New  York.  Incorporators,  R.  Kassell, 
I.  Weiss  and  H.  Weinatein. 


T.  O.  G.  G.  Ball  Fe 

Sixth    Annual    Dinner-Dance 

Held    on    Lincoln's    Birthda 
the  Astor — Talk  of  Clubho  >« 

The  sixth  annual  dinner-da  :|g 
the  Theater  Owners  Cham 
Commerce  will  be  held  on  Lit! 
Birthday,  Feb.  12th,  at  the  Hol[ 
tor.  Aside  from  the  usual  aim  cjl 
ing  the  affair  a  huge  social  s  ;  [ 
there  is  a  significance  attached  »| 
year's  affair,  as  the  members  :e| 
siroiis  of  obtaining  a  new  club  i| 
Therefore  every  effort  is  beiiif 
forth  to  make  the  function  a  fijjl 
success. 

In  former  years  only  the| 
Room  was  utilized,  but  so  ex  i 
are  the  plans  for  this  year's  fil 
that  all  banquet  rooms  have  b< 
quired. 

Vincent  Lopez  and  his  o- 
have  been  placed  under  conti 
furnish  music.  Many  celebriti 
attend.  Those  in  charge  of  the| 
tainment  promise  some  inte 
features. 

The   committee   is   headed  b 
Ochs,  assisted  by  S.   I.   Berma 
Gainsboro,  J.  Louis  Geller,  J 
Hirsh,  Joe  Hornstein,  Charles  '. 
J    L.  Ryan  and  M.  D.  Schwart 


i 


Trans  Lux  in  Deal 

The  Trans-Lux  Daylight  I 
Screen  Corp.  has  signed  wit 
Projector  Advertising  Corp.,  of 
Bert  A.  Atwater,  vice-preside 
the  Wm.  Wrigley,  Jr.,  Co.,  is 
dent,  for  the  rental  of  5,000  aut 
machines  for  advertising  purpc 

The  other  officers  and  direc 
the      Projector     Advertising 
which  will  exploit  Trans-Lux  cj 
exclusively,    are:    Harry    A.    S 
formerly  of  the  Wrigley  organi: 
now   president   of   the    Hoff  Vi 
Corp.    of    America,   which   dist 
exclusively    Wrigley    gum    in 
packages  in  vending  machines; 
S.  Parker,  of  Joseph  Walker  &^ 
Maurice    E.    Davis,    president    (| 
Davis  Equipment  Corp.,  and  S 
Peabody,    Jr.,    of    Peabody 
Kenna. 


Special   Censor  for  Na 

Washington — It  was  disciosec 
terday  with  the  publication  c 
Navy  Appropriation  Bill  that  nf 
pictures  that  pass  the  National  ] 
of  Censors  secure  the  special 
tion  of  extra  censors  before  the 
shown   to   sailors   on  board   sh 


"Hell's  400"  Started 
Los  Angeles — Work  has  been 
ted  on   "Hell's   400"   for   Fox, 
John   Griffith  Wray  is  directing 
Margaret     Livington,     star,     I 
Kolkner,   Wallace   MacDonald, 
celine  Day,  Rodney  Hildebrand, 
ber    Norman    in    the    cast.      B 
King  adapted   the   scenario. 


Singerman  to   Universal   Ci 

Sydney    Singerman,     head    o 
program    department    for    Uni\ 
is  on  his  way  to  Universal  Ci 
confer    with    Coast    executives 
cerning  the  1926-1927'  schedule. 


"Allah"  Through  United 

"The  Garden  of  Allah,"  to  be 
in  Egypt  and  Northern  Africa 
be  released  through  United  Arti 


111 


m 


iSfS^ 


lursday,  January  14.  1926 ^^~M^^^       DAILY  •»    5 


Announcing  the  Arrival 
in  America 

of 

NELL  GWYN 


A  word  from  y.  D.  Williams — 

Nell  Gwyn  arrived  yesterday  on  the  Majestic. 

Nell  Gwyn  is  selected  by  Paramount  as  the  pick  of  the 
world's  attractions  to  open  their  beautiful,  new  Plaza 
Theatre  in  London — the  finest  in  Europe. 

Nell  Gwyn  fascinated  the  King  of  England. 

Nell  Gwyn  fascinated  the  English  Public. 

Nell  Gwyn  will  surely  fascinate  the  American  Public 
who  are  always  prepared  to  welcome  a  new  person- 
ality. 

You  will  meet  Nell  Gwyn  soon — and  to  meet  her  is  to 
love  her. 

J.  D.  Williams 


When  a  fa,t  mxn 
chases  Kis  Kat  on 
a  v^rindy  day 


^ 


tKat's  funny 


O 


When  an  actoi- 

trips  ovex  his 

lines 


.-Jfc^ 


that's  tiagic 

(but  a  good  laugk) 


& 


<lnd  when  vou 
get  ahea<l  ofjroviv 
offosition.  oti  al>ig  bet- 
thai-s  a  scream      @ 


OUX  all  tKc  laLugks  jrouVe 
laughed  ave  mere  girins 
coiubaied  to  those  you  ftet  ijx 


^'^xxq^oldwi/n^^tx 


& 


THE 


«^E^ 


DAILV 


Newspaper  Opinions 

"The    Ancient   Mariner" — Fox 
Parkway,  Baltimore 

SUN — *  *  *  It  is  now  possible  for  you 
to  resume  acquaintance  with  that  fantastic 
relic  of  your  childhood  days,  "The  Rime 
of  the  Ancient  Mariner."  *  *  *  We  rather 
envied  those  youngsters  who  were  encoun- 
tering the  classic  poem  for  the  hr5t  time  in 
its  gelatin  guise.   •  *    * 


"The  Arizona  Sweepstakes" — Univ. 
Moon,    Omaha 

BEE — *  *  *  Hoot  Gibson  gives  another 
demonstration  of  his  horsemanship  by  leap- 
ing, plunging  over  hedges,  ditches,  fences 
and  fallen  trees.  It  makes  your  nerves  tingle 
with    excitement.    *    ♦    * 

Globe,    Philadelphia 

RECORD—*  '  *  Hoot  Gibson  takes  the 
leading  roles  and,  as  is  the  usual  custom 
in  his  pictures,  thrills  with  his  daring  rid- 
ing.   ♦    •    ♦ 


"The  Beautiful  City"— First  Nat'l 
State,    Minneapolis 

TRIBUNE — *  *  *  The  vehicle  is  admir 
ably  suited  to  Barthelmess,  offering  him  a 
role    that    calls    for    emotional    ability.    *    *    * 

Arcadia,  Philadelphia 

INQUIRER-  *  *  *  It  is  a  good  story, 
well  acted  and  with  a  modicum  of  saccharine 
in  its  human  interest.   *   ♦   • 

PUBLIC  LEDGER—*  *  *  A  simply  told 
idyl  of  New  York's  East  Side  tenements, 
with  just  enough  melodrama  woven  into  the 
story  to  assure  its  popularity.  •  •  * 


RECORD — *  *  •  Is  melodrama,  mediocre 
and  old-fasl-.ioned  in  theme,  but  overflowing 
with  incidents  of  human  interest,  that  are 
made  real  and  appealing  by  the  sincerity 
of    Barthelmess.    •   ♦   • 


"The  Best  Bad  Man"— Fox 
Reade's,  Cleveland 

NEWS — *  *  *  The  story  lunges  along 
spontaneously,  gagged  like  a  two-reel  comedy, 
with  events  rushing  in  one  upon  the  other 
without    foreplanning    in    the    plot.     ♦    *    * 

PLAIN  DEALER—*  *  *  Its  merit  lies 
not  in  the  story,  which  is  rather  familiar 
aTid  over-crammed  with  complications,  but 
in  the  dashing  Douglas  Fairbankesque  style 
of   the  principal,  Tom   Mix.   *   *   ♦ 

TIMES—*  *  *  It  is  a  typical  Tom  Mix 
production.  The  dynamiting  of  the  dam  and 
the  saving  of  the  girl  from  the  torrent  by 
Tom  and  Tony  supply  some  of  the  thrilli 
in    the   picture.    *    *    ♦ 

Washington,  Detroit 

FREE  PRESS—*  *  *  There  is  plenty  of 
snap  and  action  and  a  lot  of  good  comedy 
in  this  picture.   ♦   *   * 

NEWS—*  *  *  Like  all  Mix  pictures,  it  is 
replete  with  wild  rides  and  wild  parties,  with 
a  cabaret  and  Charleston  thrown  in  here  and 
there.   •   *   * 

TIMES—*  *  *  A  Mix  comedy  of  the 
highest  tyiic.  He  has  added  a  few  new 
things  to  his  repertoire  of  hair-raising  acts 
and  has  used  a  number  of  the  old  thrills 
that    have    proved    so    efifective.    •    *    • 

Delmonte,  St.  Louis 
GLOBE- DEMOCRAT— *  *  *  A  thriller, 
exciting  enough  for  the  most  rabid  Mix  ad- 
mirer, and  entertaining  to  a  degree  that  will 
please  the  balance  of  movie-goers,  is  Tom's 
latest  effort.    ♦    •   ♦ 


Canyon  pictures  Corporoiion 

presents 

y4>S^ERIE5  OF 
TWO  REEL 


THAT 

REALLY 

ARE 

umnY 


cJack  Richardson 
"Ver^l^eynoldff 
Gale  Henry 

FOR  TERRITORIAL  RIGHTS 

CANYON     PICTURES     CORP. 
■729  — -y^**  >KVE.     NEW  YORK  CITY 


wilK 
Fun  and 

y4ction 


"The  Big  Parade"— M.-G.-M. 
Shubert,  Detroit 

NEWS — *  *  *  Its  first  part  is  packed 
with  amusing  incidents  and  romance  back  of 
the  front  lines.  Its  latter  part  is  war;  war 
as  it  really  is,  stripped  of  its  glamour  and 
flag-waving   and    gold   lace.    *    •    * 

TIMES — *  *  *  With  all  the  praise  that 
must  be  given  the  players,  the  real  honors 
go  immediately  to  King  Vidor,  whose  direc- 
tion  scales   new   heights.    *   *■   * 


"Bluebeard's  Seven  Wives"— 1st  Nat. 
Circle,   Indianapolis 

STAR—*  *  *  The  humor  is  of  that  rich 
sort  that  keeps  the  audience  chuckling  in- 
wardly continuously,  with  occasional  out- 
bursts of  hilarious  appreciation  every  little 
while.    *    *    * 


"Classified"— First  Nat'l 
State,  Los  Angeles 

EXAMINER—*  *  *  Unusually  clever  sub- 
titles, and  a  novel  characterization  lend  spe- 
cial interest  to  Corinne  Grififith's  new  film 
"Classified."   *   *    * 

EXPRESS—*  *  *  Corinne  Griffith  breezes 
through  the  photoplay  at  a  75-mile-an  hour 
gait.    •    *    * 

HERALD— *  *  ♦  There  are  four  main  fac- 
tors that  enter  into  the  Quality  of  this  film, 
namely;  a  good  story,  good  acting,  capable 
direction,  and — here's  the  big  kick — excep- 
tional titles.   ♦   »   • 

RECORD—*  *  *  "Classified"  started  1926 
out  for  us  and  it  has  set  a  comic-drama 
standard  that  will  be  decidedh'  difficult  to 
top.     *    ♦    • 

TIMES—*  *  *  Is  the  sort  of  bright, 
clever,  sparkling  and  also  smart  comedy  that 
everyone  will  want  to  see.  Up  to  date,  and 
up  1o  till-  niiniitc.   *   *   * 


"The  Eagle"— United  Artists 
Stillman,   Cleveland 

NEWS — *  *  *  Mr.  Valentino  seems  to  have 
benefited  by  Mr.  Brown's  direction  and  to 
have  appreciated  the  fact  that  Miss  Banky 
was  a  valiiable  asset.  She  is  so  beautiful  to 
look  upon  that  her  presence  makes  his  gal- 
lant   deeds    all    the    more    convincing.    *    *    • 

I'LAIN  DE.\LER— *  *  *  "The  Eagle" 
travels  too  rapidly  to  give  Valentino  much 
opportunity  for  emotional  display,  but,  if 
that  he  considered  a  loss,  there  is  plenty  of 
humor  picked  up  at  the  cross  roads  ^  en 
route.   *  *   ♦ 

I'RKS.S--*  *  *  Valentino  appears  to  pretty 
good  effect  in  this  movie.  Vilma  Danlcy 
makes  eyes  as  beautiful  as  those  she  made 
in    her    first    movie    appearance.     *     *    • 

TIMES—*  *  *  Rudolph  Valentino  in  a 
tyi)c  of  picture  wliich  gives  him  an  oppor- 
tunit\-  to  prove  the  reason  of  his  former  popu- 
larity as  the  sheik  of  the  screen.  To  say 
that  he  redeems  himself  in  the  eyes  of  the 
movie  fan,  would  be  putting  it  in  mild  terms. 
Valentino  not  only  proves  he  can  act,  but 
that   he   is   a   trained   athlete   as   well.    *    ♦    * 

Adams,  Detroit 

FREE  PRESS—*  *  *  Ruddy  doesn't  have 
a  great  deal  to  do  in  the  way  of  thrilling 
stunts,   and   at   times   the   action   drags.    *    •    * 

.NEWS — *  *  *  Directed  with  some  of  the 
cunning  of  Lubitsch  and  acted  in  better  grace 
and  manner  than  Valentino  has  exhibited 
since    his    first    big    coming    out    party.    •    ♦    * 

TIMES—*  *  *  In  this  production,  Valen- 
tino works  as  he  never  has  before,  thrills 
as    a    daring    bandit    hero    and    grows    more 

passionate     than     ever     in     his     love     making. 

«   »   * 

Strand,  Minneapolis 

TRIBUNE-*  *  *  The  production  is  a 
distinct  departure  for  Valentino,  having  more 
action  and  comedy  than  any  of  his  previous 
film  vehicles  with  the  exception  of  "The 
Four   Horsemen."   *   *   • 

Eastman,  Rochester 

DEMOCRAT—*  *  *  Mr.  Valentino  him- 
self does  some  of  the  best  pantomimic  work 
we  have  yet  seen  him  accomplish — and  that 
is   generous   praise  indeed.   *   *   * 

HERALD—*  ♦  *  He  shows  all  his  old 
confidence  and  audacity,  and  he  occasionally 
looks  languidly  into  the  camera ;  but  wiier. 
it  comes  to  competing  with  the  so-called   "he 

men"    of    the   screen,    Valentino    is    not    ti^ere. 

*   «   « 

JOURNAL—*  *  *  It  is  a  picture  in  which 
Valentino  is  given  a  role  that  fits  him  and 
one  of  the  sort  his  feminine  admirers  like 
best   to  see   him   in.   *   *   • 


TIMES-UNION—*  »  *  Clarence 
the  director,  has  shown  originality  n 
rectness  in  his  dealing  with  the  scei 
seems  to  have  drawn  their  best  from 
bers  of  the  cast.   *   *   » 


J 


"The    Fool"— Fox 

Fay's,   Philadelphia 

INQUIRER- •  *  *  Strong  drar 
peal,  and  deep,  human  sentiment  a 
bined   in   "The    Fool." 


"A  Kiss  for  Cinderella"— Pan^ 
Capitol,  Detroit 

FREE  PRESS—*  *  *  It  is  a  colo; 
ish  production,  wonderfully  beautiful 
with  several  scenes  that  have  seldom 
celled   in  gorgeousness  or   richness  of  I 

NEWS—*  *  *  Betty  Bronson,  th 
tional  Peter  Pan  discovery  again  p 
role  of  an  imaginative  little  girl  w 
sincerity  that  not  a  person  in  the  audi 
doubt  the  existence  of  fairies.  •  •  ' 


"Lights  of  Old  Broadway"— M 

Piccadilly,  Rochester 

HERALD—*  *  *  It  is  not  mu. 
story  to  build  a  picture  on,  nor  is  th 
of  a  kind  to  excite  the  average  mot 
ture  goer.  But  it  serves  more  or  I 
quately  for  the  excellent  scenic  fea 
the    picture.    •    *    • 

JOURNAL—*    *   *    Miss   Davies 
better   in   comedy    than   in   drama.      SI 
it    with   a    charm    that    cannot    fail    to 
and  is  so  natural   she  cannot  help  bu 


"Little   Annie   Rooney" — Unite 
Madison,  Detroit 

FREE  PRESS—*   *   *  the  kids  of 
who  are  fortunate  enough  to  see  Miss 
in  the  rags  of  "Annie  Rooney"  are  as 
a  hundred  hearty  laughs,  just  a  few  y 
some    real    thrills.    •    •    • 

NEWS- Little  Annie  Roone; 

oldest  type  of  movie  hokum  but  it  is 
fine  motion  picture  just  the  same.  T 
laughs  at  the  beginning,  at  the  finish 
between.    *    •    • 


"Magpie" — Paramount 
Park-Mall,  Cleveland 
PLAIN  DEALER—*  *  *  But  I  ; 
quite  entertaining;  never  taxing  and 
paying  considerable  attention  to  minoi 
which  were  interesting  and  most  of  the 
building.   *   *   * 


"Mannequin" — Paramoun 
Granada,  San  Francisco 

CALL  AND  POST—*  *  *  It's  a  > 
man  story  with   a  happy  ending. 

Its   characters  are   real. 

Its  plot   is   plausible. 

It     introduces     Dolores     Costello, 
charm,    personality   and   beauty.    *    * 

CHRONICLE—*     *    *    Thanks    lat 
the   efforts   of    Director   James   CruzCi 
ture   is   raised    from  the   general   run   o 
movie    stuff"    and    placed    somewhere    r 
heights.   •   •  • 

EXAMINER—*  *  *  The  film  has  I 
women,  gorgeous  sets,  pictorial  garden 
a  thrilling  court  scene  climax,  and 
contrasting  episodes  of   tenement   life.* 

NEWS—*  *  *  The  result  is  a  mot 
ture  play  that  lays  claim,  in  the  gt 
fashioned  way,  to  the  interest  from  e^ 
gle.    *    *    * 


"The   Masked   Bride"— M.-G 
State,   Boston 

TELEGRAM—*  *  *  is  a  stirring  d 
adventure,  mystery  and  under  world  r 
set  in  the  spectacular  cafes  of  Pai 
strange   haunts   of   the   Apaches.   •    •    " 

TRAVELER—*  *  *  The  atmosp 
beautifully  carried  out,  Miss  Murray 
suited  to  her  role.   •   •   • 


"The  New  Commandment" — Isl 
Chicago,  Chicago 

TRIBUNE  -*    *  *    It's    really    ouit. 

lightful    production,  not    so    much    bee; 

its    plot    as    because  of    the    splendid    ai 
presents.    •    •    • 


"Why  Women  Love"— First 
Criterion.  Los  Angeles 

EXPRESS—*   *    *    Blanche   Sweet 
nigficent   as   the  girl.      She  makes  the 
ter     lovable     without     being     saccharin 
makes   the  heroine  chacacterful   withou 
ing   her   strike  a   single  attitude.    *   * 


^l\ 


■Blit, 

'■  seta 


)x 

!P,I  I 


Pin 


colli 

iiUi 

Idorol 

»,  H 

iin  I 

i'l  »i 


ter 

ngc 

'  ml 
« li 
:  itj( 


Its  I! 

1 10 

'bit 


Inite 
iliss  1 

!<W 

t»  Jl 

«»e; 
It  ii 
.lb 


lilt 

Id 

lU 
ind 

■lair 
lithe 


ouni 
isco 


\.^' 


Booked  for  a  run  at  B.S.Moss 


:  III 

Jit, 
111  • 

:i(  r 

.«1 
.tdti 
anil 
i(t.' 
nol 
'  (1 
m  P 


icfl 

All 
Pat 


T10S( 

in)' 


nail 
l« 


^t 

es 

(et 
tilt 
ijril 
ihol 


ff^ 


resented  bi/ 

Associated 
Exhibitors  A: 

Oscar  A.Piice 

^president 


JPresi 


it's  unprecedented  premiere  aboard 
the  S.S.  Leviathan  ^^  -*'   ^^ 

PEGGY  HOPKINS  JOYCE 
THE  SKYROCKET 

A  Marshall  Neilan  ProductiovL 

From  ike  Cosmopolitan  Magazine  Story  b/  Adela  Rogers  St  John^' 
Produced  by  Celebrity  Pictuies,  Inc. 


THE 


10 


■e^m 


DAILY 


Thursday,  January  14, 


Aboard  the  Majestic 

(Continued  from  Page   1) 
of    the    Ufa    Palast    theater,    Berlin; 
Major  H.   C.   S.  Thomson,  of    F.   B. 
O.;     F.     Wynne-Jones,     New     York 
representative  of  Ufa;  Howard  Strick- 
land, publicity  representative  of  Rex 
Ingram,    who    brought    with    him    a 
print    of    "Afare    Nostrum'';    Harry 
Ham,  Dorothy  Sebastian  and  H.  Fell- 
ner,    the    latter    well-known    in    film 
circles  in  Berlin. 
Johnson  Fearful  of   Restrictions 
•        Probably  the  most  important  news 
"   brought    from    the    other    side    came 
from    E.    Bruce    Johnson,    who    said 
]f.  that  conditions  in  Hungary  were  be- 
coming such  that  it  might  prove  ne- 
cessary  for   all   the   larger   American 
film  companies  to  cease  doing  busi- 
ness there. 

"There    is   a    tax   of   about   $80   a 
print  on  all  American  films  entering 
Hungary,"  he  said,  "and  in  addition 
to  the  fact  that  this  revenue  is  turned 
over    to    Hungarian    producers    they 
have     a     restriction     which     compels 
all  Amedrican  companies  to  make  one 
picture  in  Hungary  for  every  20  pic- 
tures   released    there.      This    is    prac- 
tically prohibitive — because  it   is  not 
only    impractical    but    almost    impos- 
sible to  make  pictures  in  Hungary. 
"The    countries    nearby    Hun- 
gary,   Czecho-Slovakia,    Austria, 
can  be  expected  to  bring  about 
like  legislation  unless  something 
is  done  here  to  prevent  it.     Such 
restrictive  legislation  will  practi- 
cally force  American  pictures  out 
of  these  countries." 
Johnson   said   he   hoped  to  remain 
in  America  for  some  time.     He  said 
the  greater  part  of  his  visit  was  spent 
in  opening  exchanges  throughout  Eu- 
rope  where    First    National    had    not 
been  represented  in  this  manner.  He 
added    that    the    day    of    the    "agent" 
for  the   larger   companies  was  about 
over;  that  the  large  companies  must 
have  their  own  exchanges. 

Kent  on  the  Ufa  Deal 
S.  R.  Kent  had  little  to  add  to  what 
had  been  printed  with  reference  to 
the  deal  made  by  Famous  and  M.- 
G.-M.  with  Ufa.  He  spoke  highly  of 
Carl  Laemmle  and  his  attitude  with 
reference  to  the  situation.  He  said 
that  Herman  Wobber  would  remain 
in  Berlin  some  time  reorganizing  the 
sales  stafiF  of  Ufa  to  bring  it  up  to 
existing  American  standards,  and 
added  that  Wobber  would  make  the 
same  effort  in  all  of  Famous'  Eu- 
ropean offices. 

"I  cannot  speak  too  highly  of  the 
manner  in  which  we  were  treated  by 
the  officials  of  Ufa  and  the  Deutsches 
Bank,"  he  said.  "Our  last  session 
carried  on  for  24  hours  without  a 
halt,  and  the  final  papers  were  signed 
at  8:15  in  the  morning.  It  was  quite 
a  session.  Under  the  terms  of  the 
contract,  we  believe  that  it  will  prove 
helpful  for  all  of  us.  We  will  release 
ten  pictures  here  made  by  Ufa — as- 
suming that  these  pictures  will  b  • 
desirable  for  the  American  market; 
we  fully  expect  they  will  be." 

Wynne-Jones   Concurs 

Frederick  Wynne-Jones,  American 
representative  for  Ufa,  said  he  felt 
very  gratified  over  the  deal.  "It  is 
that  for  which  we  have  been  work- 


ing for  five  years,"  he  said,  "and 
naturally  we  are  gratified.  The  pic- 
tures which  will  come  to  America 
will  suit  the  American  market;  there 
need  be  no  doubt  of  that." 

Wynne-Jones  was  anxious  to  know 
what  had  been  happening  in  America 
during  the  past  five  weeks. 
Ingram  Working  on  "The  Magician" 

Howard  Strickland,  who  brought 
with  him  a  print  of  Rex  Ingram's 
"Mare  Nostrum"  for  M.-G.-M.,  said 
Ingram  would  start  work  in  a  few 
days  on  Somerset  Maugham's  "The 
Magician."  with  Alice  Terry  and  Paul 
Wegener,  the  well  known  German 
actor,  in  the  leading  roles.  Ingram's 
plans,  upon  the  completion  of  this 
production,  are  indefinite.  "Mare 
Nostrum"  is  in  10  reels  and  will  be 
released  as  a  special. 

Rapf  Enthusiastic 
Harry  Rapf  of  the  M.-G.-M.  pro- 
ducing staff,  was  enthusiastic  over 
several  Ufa  specials  he  saw  in  Ber- 
lin. "  'Metropolis',"  he  said,  "is  a 
magnificent  production.  It  is  tremen- 
dous in  size  and  should  prove  a  sen- 
sation. I  also  saw  'Variety'  and  'The 
Waltz  Dream'  made  by  Ufa,  and  they 
also  are  splendid  pictures.  But  I 
saw  practically  nothing  else  in  the 
way  of  pictures  which  would  have 
any  value  over  here.  The  Germans 
are  far  advanced  in  technique.  I 
saw  nothing  in  France  in  the  way  of 
pictures  suitable  for  America.  The 
entire  European  industry  is  far  be- 
hind America  both  in  production  and 
exhibition.  Some  of  the  theaters  X 
visited  were  on  a  par  with  some  of 
our  store  shows  of  ten  years  ago. 
Many  of  them  were  actually  dirty." 
Fleas  Bother  Cnize 

James  Cruze  and  his  wife,  Betty 
Compson,  went  to  Algiers  to  secure 
an  idea  of  local  color  for  "Old  Iron- 
sides," which  Famou."!  will  release  as 
a  special.  He  got  what  he  went  for 
but  also  collected  a  lot  of  fleas — and 
this  annoyed  Cruze  a  lot. 

Cruze  also  saw  some  of  the  shots 
of  "Metropolis"  and  added  to  the 
enthusiasm  regarding  this  spectacular 
production.  "It  cost  about  a  million 
dollars,  even  though  produced  in  Ger- 
many," he  said,  "  and  it  would  have 
cost  twice  that  much  if  made  in 
America.  Some  of  the  stuff  is  simply 
marvelous." 

Cruze,  like  the  others,  was  much 
interested  to  know  what  had  hap- 
pened while  he  was  abroad  and  was 
astounded  at  the  news  that  Famous 
had  purchased  the  United  Studio  in 
Hollywood. 

Cruze  leaves  for  the  Coast  today 
with  Laurence  Stallings  who  will  pre- 
pare a  dramatic  treatment  for  "Old 
Ironsides,"  which  will  be  made  in 
California.  It  will  be  unnecessary 
for  him  to  go  abroad  for  any  of  the 
scenes.  While  in  Tripoli  Cruze  pho- 
tographed numerous  locations  and  he 
will  match  these  along  the.  California 
Coast  line. 

Williams  Enthused  over  Wilcox 

J.  D.  Williams,  the  leading  fac- 
tor of  British  National  Pictures, 
was  all  enthusiasm  over  the  new  Wil- 
cox production.  "Nell  Gwyn,"  made 
by  Herbert  Wilcox.  "It  is  the  finest 
picture  ever  made  in  England,"  he 
said,  "and  one  of  the  best  ever  made 
anywhere.     When  I  tell  you  that  Al- 


bert Kaufman  selected  this  as  the 
picture  for  the  opening  of  the  new 
Famous  theater,  The  Plaza,  in  Lon- 
don on  Feb.  8th,  you  will  appreciate 
what  it  is. 

"I  am  very  anxious  to  have  Wil- 
cox come  in  with  British  National 
which  has  purchased  'Nell  Gwyn.' 
He  i«  the  outstanding  producer-direc- 
tor in  England,  and  best  of  all  he  is 
a  sliovrnan. 

"Under  the  impetus  which  exists 
in  England  today  there  is  every 
reason  to  believe  that  we  will  make 
pictures  which  will  be  fit  and  suit- 
able not  only  for  America,  but  for 
the  whole  world  as  well.  Fine,  out- 
standing pictures  always  have  a  mar- 
ket, and  British  National  will  present 
only    such    pictures." 

Wilcox  Modest 
Herbert  Wilcox  is  a  modest,  quiet, 
unassuming  man,  who  said  that  he 
hoped  that  America  would  like  "Nell 
Gwyn."  He  believes  that  the  per- 
formance given  by  Dorothy  Gish  is 
probably  the  best  thing  she  has  ever 
done.  In  all  probability  Wilcox  will 
sign  Miss  Gish  for  three  more  pic- 
tures, all  to  be  made  in  England. 
He  will  remain  in  New  York  for  a 
few  weeks,  and  then  go  on  to  Holly- 
wood before  returning  to  England. 

Major  Thomson  Denies  Reports 

Major  H.  C.  S.  Thomson  of  F. 
B.  O.  said  he  had  little  to  say  re- 
garding his  visit  abroad  which  was 
in  the  nature  of  an  investigation  of 
the  foreign  offices  of  his  company. 
In  regard  to  the  reports  circulated 
regarding  F.  B.  O.,  Thomson  said 
they  were  all  "silly."  "We  are  doing 
a  splendid  business,"  "he  said,  "and 
our  directors  are  very  well  satisfied 
with  conditions.  Evelyn  Brent  is  our 
most  successful  star  in  Europe,  'Lefty' 
Flynn  is  next  but  Fred  Thomson  is 
coming  along  fast  in  Europe." 

Rachmann  Seeking  Pictures 

Sam  Rachmann  said  he  was  inter- 
ested in  seeing  pictures  for  his  Ber- 
line  houses.  He  modestly  admitted 
that  the  shows  he  was  giving 
were  the  talk  of  Berlin.  Many 
of  the  Americans  said  that  the 
Rachman  show  was  equal  to  the 
best  entertainment  offered  in  Ameri- 
can picture  houses. 


"Radiobile"  Makes  Its  Appearance 

F.  B.  O.  is  advertising  its  new 
"Gold  Bond"  specials  throughout 
New  York  by  means  of  a  "radiobile." 
the  basis  of  which  is  a  Ford  chassis 
surmounted  by  a  brightly  colored 
wood  body,  on  which  aopears  12  one 
sheet  posters.  A  radio  is  installed  in- 
side and  an  announcer  in  a  booth 
alongside  the  driver's  seat  speaks 
into  a  microphone,  announcing  news 
of  F.  B.  O.  pictures  and  stars. 

The  "radiobile"  will  soon  leave  on 
a  tour  of  Pennsylvania,  New  Jersey 
and  New  England. 


"Romola"  Finally  Passed  in  Quebec 

Montreal — "Romola,"  which  was 
held  uo  by  the  Quebec  Board  of  Cen- 
sors, because  it  is  alleged  the  picture 
depicted  infidelitv  in  marriage,  has 
finallv  passed  and  has  opened  at  the 
Capitol.  Some  revisions  have  been 
made. 


Contest  Actively  ( 

"Laugh    Month    Committee"  ^I 
More  Exhibitors  to  Participat< 

Competition 
"National    Laugh    Committee' 
clares  every  exhibitor  has  an  o 
tunity  for  performing  real  servi 
his    fellow    exhibitors    as    well 
chance  to  win  one  of  the  cash  j 
in     entering     the     "Laugh     M( 
exploitation  contest  in  which  the 
mittee  is  offering  $850   in  prize' 
the    best    local    campaigns    tyin 
with  the  national  drive. 

One  of  the  principal  advantag 
the  campaign  from  the  exh: 
standpoint  is  expected  to  be  th 
amples  it  will  furnish  of  100  per 
advertising  campaigns  providing 
tra  profits  from  short  features  as 
as  the  longer  features.  The  "L 
Month  Committee"  invites  ever 
hibitor  conducting  any  local  cam] 
to  enter  the  contest  with  proofs 
photographs  illustrating  his  camp 
If  the  exhibitor  ties  up  with  the 
tional  Laugh  Month"  campaign 
local  advertising  and  publicity 
week  in  January,  he  can  entei 
contest  with  each  week's  camp 
In  this  way,  the  exhibitor  has 
opportunities  to  win  one  of  the 
prizes  which  run  from  $100  t 
for  each  of  the  four  weeks  of  Jan 
Reports  should  go  to  the  comn 
headquarters  at  218  W.  42nd  St., 
York  City,  within  two  weeks 
the   close   of  each   week's   camp 


Floral  Park  to  Have  Two  The 

Floral  Park,  L.  I.— This  vi 
is  to  have  two  new  theaters 
Park  Place  and  Jericho  Turn 
excavation  work  is  under  way  i 
theater  which  will  be  finished  by 
fall.  It  will  seat  1,500  and  show 
tures  and  vaudeville.  It  is  I 
backed  by  the  Floral  Park  An 
ment  Co. 

At  Tyson  Ave.  and  Jericho  1 
pike,  on  the  site  where  the  old  1 
ter   Hotel   stood,    another   large 
ater  and  store  building  will  be 
ted,  work   having  already  starte( 

This   is   being  built  by   the   Fc 
Realty  Co.,    Brooklyn,  and  will 
about    1,500. 


United  to  Build  Another 

Montreal  —  United  Amusem 
Ltd.,  will  erect  a  theater  in  Vei 
Que.,  to  cost  $200,000.  There  ar 
ready  two  other  houses  in  Vet 
the  Park  and  Palace.  United  An 
ments  operate  eight  theaters  in  I 
treal. 


Far  Eastern  Visitor  En  Rou< 

Hollywood — After  a  two  mo) 
stay  in  Hollywood  studying  c< 
tions,  Joe  Fisher,  with  First  Na, 
al  in  the  Far  East,  has  left  for 
York.  He  will  remain  in  New  1 
several  weeks. 


Minneapolis  Theater  Man  De 

Minneapolis — C.  W.  Campbell, 
West  31st  St.,  manager  of  the, 
goon,  and  prominent  in  thea 
circles  for  six  years,  died  of  inflt 
at  St.  Barnabas  hospital.  Cam 
was  formerly  manager  of  the  T 
and  Blue  Mouse,  St,  Paul. 


II 


fresented  by 

Associated 
Exhibitors  A: 

OscaiA.Piice 

!President 


Vresi 


cuss  OF  SERVICE 

SYMBOL 

TELEGRAM 

DAY  LEHER 

BLUE 

NIGHT  MESSAGE 

NITE 

NIGHT  LEHER 

NL 

If  none  of  these  three  symbols 
appears  after  the  check  (number  of 
words)  this  is  a  telegram.    Other- 
wise its  character  Is  indicated  by  the 
symbol  appearing  after  the  check. 

WEST] 


WESTERN  UNION 


UNION 


NEWCOMB  CARLTON,  PRESIDENT 


AM 

OEORGE  W.  E.  ATKINS.  FIRST  VICE-PRESIDEMT 


CLASS  OF  SERVICE 

SYMBOL 

TELEGRAM 

DAY  LEHER 

BLUE 

NIGHT  MESSAGE 

NfTE 

NIGHT  LETTER 

N  L 

If  none  of  these  three  symbols 
appearsafter  the  check  (number  of 
words)  this  is  a  telegrem.    Other- 
wise its  character  is  i  ndicated  by  the 
symbol  appearing  after  the  check. 

Th«  filing  time  as-ihOMm  In  the  date  line  on  full  rate  telegrvns  and  day  letters,  and  the  tlma  of  rwelpt  at  destination  as  shown  on  all  messages,  Is  STANDARD  TIME. 

Received  at  54  West  45th  Street,  New  York. 

*^A323    77  NL  3   EXTRA   I/65  1926  JAN   11   PM   11      I9 

WATERLOO   IOWA   It 
OSCAR  PRICE 

PRESIDENT   A33N  EXHIBITORS  NEWYORK  NY 
THE  FRANK   AMUSEMENT   CO  OF  IOWA  WILL  CELEBRATE   ITS   SIXTH 
ANiaVERSARY   DURING  THE  WEEK  OF   FEBRUARY    SEVENTH  STOP  AFTER   SCREENING 
MANY   AVAILABLE   SUBJECTS  FOR  THIS  MOST   IMPORTANT   EARLY   EVENT   I    AM 
PLEASED   TO   ADVISE  YOU   THAT   THE  PLAZA  SIOUXCITY   AND  THE   ISSI3 
CEDARRAPIDS  WILL  PRESENT   THE   SKYROCKET   AS  PREMIER  PRESENTATIONS 
IN   THE   STATE  TO  BE  FOLLOWED  WITHIN  A  WEEK  BY  WATERLOO   AND   CLINTON   STOP 
WE  EXPECT   A   SKYROCKETING  ANNIVERSARY  WEEK  REGARDS  AND  THANKS 

FRAUK   A1/:USSMENT   CO  OF    IOWA  ALEXANDER  FRANK  PRES. 


fr. 
tha 


A 


iTHE 

^ff  brAdstreet 

<  FILMDOM 


^^rRECOCMIZED 

Authority 


XXXV     No.  12 


Friday,   January    15,    1926 


Price  5  Cents 


PROFITS 

By  DANNY 
cresting  figures.  Presented 
mous  Players.  To  tl.^  l^ecl- 
rade  Commission.  Relative 
possible   re-opening  of  the 

These  figures  show  from 
o  year  the  profits  of  some 
;  larger  companies.  And 
cceedingly  interesting. 

instance  Warner  Brothers 
increased  in  1924  nearly  |900,- 
er  the  figures  of  the  preceding 
Famous  profits  showed  an  in- 

of  about  $1,200,000;  Loew- 
M.  about  $2,400,000.  First  Na- 
about  $900,000,  and  Fox  only 
|;200,000.  The  table  also  shows 
e  of  earnings  of  these  compan- 

/'arner  Brothers  with  tangi- 

assets    of    over    $5,000,000 
earnings  for  1924  of  21.5 
cent, 
irst  National,  with  assets  of 

$11,600,000  earned  for  1924 

per   cent, 
amous   with   assets   of   over 
370,000  earned  for  1924  13  5 
cent. 

w-M.-Ci.-M.   with   assets    of 
$40,200,000     earned     13.4 

cent. 

niversal,     with      assets      of 

ly    SI  1.000,000    earned    12.8 

cent. 

(Continued  o»    Par/e  2) 


iw  Class  Feb.  20 

r  Group  to  Train  for  Positions 
Publix  Managers  —  First 
raduates  Assigned   Posts 

Spring    term    of    the    Publix 
-    Managers    Training    School 
y  bearing  the   name   of   Para- 
will  start  Feb.  20. 
cations  are  now  being  received 
■ollment.      These    applications 
sifted  and  the  successful  can- 
notified    during    the    coming 
In    the    next    class    will    be 
nagers     now     on     the     circuit, 
ill  attend  the  school  for  three 
at  a  time  when  the  schedule 
so    arranged    that    they    can 
he  most  benefit  from  the  spe- 
training. 

(Continued  on   Page  4) 


arlos  to  Expand 

wood — Abe  Carlos,  upon  his 
here  yesterday  from  New 
announced  expansion  of  his 
ion  program  to  five  units.  At 
.  Carlos  has  onlv  one  companv 
k,    headed    by    Richard    Tal- 


Gensors  Reject  12 

3,310  Reviewed  by  N.  Y.  Commission 

In  1925— Profits  to  State  To 

Date,  $480,058 

The  M.  P.  Commission  of  the 
State  of  New  York  made  public  its 
report  for  1925  yesterday.  It  showed 
that  12  films  out  of  3.310  reviewed 
had  l^een  rejected  in  their  entirety 
and  eliminations  made  in  712  others. 

Total  receipts  since  the  date  of  its 
organization.  Aug.  1,  1921,  amounted 
to  $853,986.85,  while  all  expenses 
amounted  to  ^373,927.97.  The  state 
has  therefore  received  a  net  profit 
to  Jan.  1  1926,  above  all  expendi- 
tures, of  $480,058.88.  The  net  profit 
for  1925  amounted  to  $107,093.01.  The 
receipts  and  expenditures  follow: 
Receipts 

Total   receipts  to  Jan.    1,   1922    .  .  .$15S.0R.';.97 

Tan.   1,   1922  to  Tan.   1,   192.1    154,919.80 

Tan.    1,   192,1  to  Tan.    1,   1924    16,1,227.29 

Tan.   1,    1924  to  Tan.   1,   1925    180,704.45 

Tan.    1,    1925   to   Jan.    1,    1926 197.049.34 


Total    $853,986.85 

(Continued  on    Page  4) 


White  Hurls  Words 

"The    Sage    of    Emporia"    Discusses 

"Movies"  as  Mess  or  Menace  and 

Decides  on  the  Former 

William  Allen  White  of  Kansas, 
sometimes  known  as  "The  Sage  of 
Emporia,"  is  the  author  of  an  in- 
teresting article  in  the  current  issue 
of  Collier's.  He  dubs  it  "Are  the 
Movies  a  Mess  or  a  Men?ce?"  and 
then  casts  his  vote  for  the  former. 

The  article  begins  in  the  follow- 
ing fashion: 

"Everyone  agrees  that  tlie  moving  picture 
either  is  a  mess  or  a  menace,  unless  he's  in 
one  of  two  classes:  those  who  regularly  go 
to  the  moving  pictures  and  those  who  make 
them. 

"There  are  millions  who  do  not  go  to 
movng  pictures  but  who  would  go  if  they 
could.      No   one   is   making  pictures   for   them 

"Speaking  rather  broadly,  and  allowinc 
for  some  exceptions,  the  outcasts  from  the 
moving  picture  wo-ld  are  the  inte'lieent 
people.  They  have  no  time  for  the  movies 
iiecause  the  movies  generally  have  no  nies 
(Continued  on  Page   15) 


Nat'l  Parks  Open 

19    Government    Zones    Available    to 

Producers  for  Wild  Animal  and 

Scenic  Background  Locations 

Negotiations  launched  some  time 
ago  by  Fred  W.  Beetson  of  the  M. 
P.  Producers  Ass'n  in  California  on 
behalf  of  important  Hollvwood  pro- 
ducers have  resulted  in  thousands  of 
square  miles  of  national  parks  being 
made  available,  under  proper  restric- 
tions,   for    locations.      The    arrange- 

(Canlinued  on   Page  4) 


Hal  Roach  Here 

Hal  Roach  arrived  from  the  Coast 
yesterday.    At  the  Biltmore. 


Quota  Plan  l 


itain  Is  Tabled; 

^.V  Booking  In  Sight 


=t= 


Quirk  Owns   Photoplay 

James  R.  Quirk,  who  until  rece;  ..y 
held  a  large  minority  interest  in 
Photoplay,  now  owns  that  publica- 
tion, as  well  as  Opportunity  Maga- 
zine, published  by  the  same  organi- 
zation. Quirk  joined  Photoplay  in 
1914  when  the  publication  had  a 
circulation  of  13,000.  Today  it  has 
a  circulation  of  over  500,000,  and  is 
regarded  as  the  leader  in  the  field  of 
fan   publications. 


Dramatists    Working    on    Contract 

The  committee  appointed  by  the 
Association  of  Dramatists  at  a  meet- 
ing at  the  Roosevelt,  Jan.  7,  to  draw 
up  a  form  of  contract,  is  hard  at 
work.  It  is  not  expected  the  draft 
will  be  completed  till  the  middle  of 
February,  when  the  committee  will 
submit  to  the  Association  the  pro- 
posed contract  with  stage_  managers 
for  the  protection  of  film  rights. 


Mexican  Trade  Chief  Here 

General  Norberto  C.  Olvera.  pres- 
ident of  the  Mexican  Film  Board  of 
Trade,  is  here  from  Mexico  City.  Im- 
portant distributors  are  members  of 
the  board  which  handles  the  book- 
ings there.  Olvera  is  also  general 
manager  of  the  Ajusco  Pictures  Co. 
Headquarters  at  Jawitz  Pictures,  729 
7th   Ave. 


).  ^t  Cominittee  Advises  Trade 
to  Drop  Quota  at  Thi,s  Time 
— Central  Studio  Endorsed 


Rowland  Conferring  on  Production 

Hollywood— Richard  A.  Rowland  is 
here  conferring  with  John  McCor- 
mick,  West  Coast  representative  for 
First  National,  relative  to  a  studio  to 
house  the  comnanv's  units  when  Las- 
ky  takes  over  the  Ignited  plant._  Row- 
land is  also  discussinsf  production. 


New  Con  Tact  for  Seiter 

Hollywood — TTpivprsal  hns  renewed 
the  contract  of  William  Seiter.  fb'rec- 
tor.  The  new  agreement  is  for  a  long 
term. 

June  Marlowe  bns  been  signed  on  a 
five-vear  contract. 


"Johnstown  Flood"  Finished 

Los  Angeles — Irving  Cummings  has 
completed  bis  fir-^t  for  Fox.  "The 
Johnstown  Flnod."  Geortre  O'Brien 
and  Florence  Gilbert  have  the  leading 
roles. 


Wood  Res'Vns  from  Fox  (British") 

London— H.  D.  Wood  b^s  re«ie^ned 
--s  marneing  director  of  Fox  Films. 
Ltd.  It  is  understood  that,  follow- 
ing a  vacation,  he  will  enter  produc- 
tion. 


By  ERNEST  W.  FREDMAN 
The    Film    Renter    and    M.    P.    News 

London — The  British  quota  plan 
has  been  pushed  into  the  background. 
It  will  be  many  months  before  there 
will   be   any   moves   in   that   direction. 

The  Joint  Committee,  representing 
the  principal  divisions  of  the  British 
industry,  will  urge  the  entire  trade  to 
accept  its  new  recommendations 
which  do  not  embrace  the  quota,  but 
recommend  the  adoption  of  the  block 
booking  clause  and  the  acceptance  of 
the  central  studio  plan. 

If  the  trade  determines  on  accept- 
ing these  two  recommendations,  the 
Government  willbe  so  advised.  Just 
how  the  Federated  British  Industries, 
a  nowerfnl,  non-polit'ical  organization 
will  react  to  this  development  re- 
mains to  he  seen. 

The  F.  B.  I.  has  indicated  that  rep- 
resentations will  be 'made  to  the  Gov- 
ernment if  the  trade' failed  to  agree 
on  some  plan.  Tiie  Government,  too, 
has  unofficially  st;ited'  it  will  be  spur- 
red to  action,  although  it  of  course 
prefers  that  the  industry  draws  up  a 
modus  operandi  of  its  own   makincr. 

The  purpose  of  putting  off  the 
quota  is  to  see  how  the  block  book- 
ing restrictions  and  the  central  stu- 
dio plan  develop  and  work  over  a 
period   of  months.  '     —  ' 


The  official  texf  of  the  "  British 
quota  plan  as  presented  to  the  trade 
in  early  November  contained  the  fol- 
lowing clauses  relative  to  block  book- 
ing: 

B'ock   Booking 

7 — On  and  after  1st  Tnnuary.  I'>2fi,  every 
vcw  contract  for  exlu'bitinn  of  films  rhust 
snticfv     the     folIow'n<T     conditions : 

(i)  Kverv  fiijn  sh.nll  hn.^'e  p.Tsced  the  CeiT.- 
(Confinued  on   Page   ^$^ 


A  {Jreement  Near 

Set*^'''mer+    of    Arbitration    and    Play 

D"*-'"  C)atis°s  in  Npw  ITniform 

Contract  Reported  at  Hand 

Conf^'rencc':  bet\\cfn  tlic  'M.  P.  T. 
O  and.  the  Havs  office  on  the.  new 
uniform  contract  were  reported  vcsr 
t'^rdav  to  have  apt>roarbcd  a  favor- 
•ib'p  staore. 

The    '-ontract  'as    redrafted    bv    the 

Hav<;  office  ro'itai'icd   sci'orni   clausp-" 

'vhich  n1ea«'-d  the  M.  P.  T.  O   but  rlid 

not  settle  the  arbitration   and   availa- 

(Continued  on  Page  4) 


THE 


■a&mi 


DAILY 


Friday,  January  15, 


ViLXXXVNa.12      Friday.  Ian.  15. 1926      PricsS  Cents 

Copyright  1926.  Wid's  Films  and  Film  Folks. 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway.  New  York.  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS.  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate.  Treasurer  and  Business  Man- 
Bger ;  Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
•t  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
Irte)  United  States,  outside  of  Greater  New 
York.  $10.00  one  year;  6  months.  $5.00;  ?. 
^aonths,  $3.00.  Foreign  $15.00.  Subscribers 
>iould  remit  >;ith  order.  Address  all  com- 
-*iunications  to  THE  FILM  DAILY.  1650 
Broadway,  New  York,  N.  A'^ — ^Pkone  G-'.r  }- 
4736-4737-4738-4739.  Cable  address:  Filmday. 
New  York.  Hollywood.  California — Harvey 
E.  Gausman.  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman. 
The  Film  Renter,  58,  Great  Marlborough  St.. 
London,  W.  I..  Paris — La  Cinematographie 
Francaise,   S,   Rue   Saulnier. 


Quotations 

High    Low    Close      Sales 

Balaban    &   Katz    Not  quoted 

Eastman  Kodak  .  A09Vi  109^  109J^  2.500 
Famous  Players  ..107^  l07yi  \OT/i  1,000 
Fam.  Play.  Pfd.  ..1185^  118  n8'4  300 
Film    Inspection    .  .     6J^       6J4       6%        200 

First   National    Not  quoted 

Fox  Film  "A"  ...  82^2  82  82^5  300 
Fox  Theaters  "A".   33^     33fJ     33T<     3,800 

Internat'l    Projector    Not  quoted 

Loew's,    Inc 40  39J4      39'^         400 

Metro-Gold.   Pfd Not  quoted 

M.  P.  Cap.  Corp...  ZOVt  20  20  1,000 
Pathe  Exch.   "A"..   79'/5     79^     79'/i         100 

Skouras   Bros 52         52         52      

Stan.  Co.  of  Am Not  quoted 

Trans-Lux 13  J<     135^      UM     7.600 

Universal    Pictures    Not  quoted 

Univ.  Pict.  Pfd Not  quoted 

Warner  Brothers  ..  17}4  17^-5  17J4  100 
Warner   Pictures    Not  quoted 


Next  Week  on  Broadway 
"The  Vanishing'  American"  goes 
into  the  Rialto  on  Sunday;  "Hands 
Up!"  at  the  Rivoh'  with  the  Ander- 
son Revue,  "Skylarks";  "The  Phan- 
tom of  the  Opera"  will  move  to  the 
Broadway;  "Lady  Windermere's  Fan" 
at  the  Cameo,  and  "California  Straight 
Ahead"  will  be  held  over  at  the  Col- 
ony. 


W.  B.   Frank  Starts  East 

Los  Angeles— W.  B.  Frank,  vice- 
president  and  Eastern  representative 
for  the  Hal  Roach  studios,  who  has 
been  here  going  over  production  plans 
for  1926,  left  for  New  York  yesterday. 


Nankivell  to  Make  Series  for  Hodes 

The  first  of  a  series  of  "Kid  Noah" 
comedies  being  made  by  Frank  Nan- 
kivell for  Hal  Hodes  has  been  fin- 
ished. 


NATIONAL     EVANS 
LABORATORIES,   Inc. 

Developing — Printing — Titles 

1476  Broadway 
Tdephones  Bryant  9330-9331 


PROFITS 

(Continued  from  Page   1) 

Fox,  with  assets  of  nearly 
116.500,000  earned  12.2  per 
cent. 

Here,  in  a  nutshell,  is  a  fine  idea  of 
what  the  larger  companies  did  during 
1924.  The  figures  for  last  year  are 
not  available.  They  will  probably 
prove  more  interesting  than  the 
above.  Certainly  the  figures  of  War- 
ner Brothers  are  very  interesting,  es- 
pecially by  way  of  comparison. 
Should  Be  a  Picture 

Fox  is  making  "The  Chicken  Wag- 
on Family"  by  Harry  Benne field,  and 
will  release  it  under  the  title  of  "The 
Dixie  Merchant."  Frank  Borzage  is 
directing.  Jack  Mulhall,  Madge  Bel- 
lamy and  J.  Farrell  MacDonald  are 
i'l  the  cast. 

This  should  be  a  pip  of  a  picture. 
Started  reading  it  about  midnight  and 
was  up  nearly  all  night  finishing  it. 
And  the  time  was  mighty  well  spent. 
The  adventures  of  the  owner  of  the 
chicken  wagon,  as  well  as  his  family, 
who  drive  across  country  from  Texas 
into  New  York  City  are  a  rare  op- 
portunity for  delightful  material  for 
pictures.  Can  you  imagine  what  can 
be  done  showing  a  chicken  wagon 
coming  down  Broadway?  It  is  rich 
in  possibilities.  And  then  the  family 
live  in  an  abandoned  fire  engine 
house.  What  possibilities  of  atmos- 
phere here,  too.  This  should  make  a 
mighty  fine  picture.  Let's  hope  Bor- 
zage   does 

Coming  Managers 

Had  a  little  talk  yesterday.  To  the 
members  of  the  school  for  managers 
conducted  by  Publix  Theaters.  Spoke 
to  them  chiefly  on  the  value  of  build- 
ing good   will  in   the  community. 

They  seemed  to  be  a  bright  set  of 
young  men,  and  certainly  are  inter- 
ested in  the  work.  Of  learning  all 
about  running  a  picture  theater.  That 
is  one  wav  we  are  going  to  get  the 
right  kind  of  managers  for  the  new 
houses — as  well  as  the  old  ones. 
Teach  them. 


Philo  McCullough   Here 

Phil  McCullough  arrived  here  ves- 
<erday  from  the  coast.  He  has  been 
signed  for  five  vears  bv  First  Nation- 
al and  will  begin  work  soon  in  "The 
Savage." 


Negri's  Newest  Retitled 

Hollywood — Pola  Negri's  new  pic- 
ture, formerlv  titled  "The  Peacock 
Parade]'  and  "The  Pasteboard 
Queen,"  will  be  released  as  "Because 
I   Love  You." 


Start  Grauman's  Chinese  Theater 

Hollywood — A  c  t  u  a  1  construction 
has  started  on  Sid  Grauman's  Chin- 
ese theater,  which  will  seat  2,500. 


Illilillilllllllllllilllllllllllllllllini 


FEBRUARY  28tli 


Robertson  on  U.  S.  Films  Abroad 

John  S.  Robertson  declared  that 
American-made  pictures  have  an 
international  appeal  and  exercise 
a  great  influence  in  the  business  of 
the  world,  in  an  address  given 
at  the  A.  M.  P.  A.  meeting  yesterday. 
He  stated  that  important  Englishmen 
and  Frenchmen  are  beginning  to  real- 
ize the  value  of  good  pictures.  The 
trade  situation  has  awakened  them. 
France  is  going  to  make  pictures  to 
promote  local  industries,  he  said. 


M.  P.  Capital  Income  $239,994 

The  consolidated  statement  of  Mo- 
tion Picture  Capital  Corp.  to  New 
York  Stock  Exchange  for  11  months 
ended  Nov.  30,  1925  shows  net  in- 
come of  $239,994,  after  allowing  ex- 
penses,   interest    and    Federal    taxes. 


Surprise  Promised  for  "Naked  Truth" 

Those  in  charge  of  the  "Naked 
Truth"  dinner  of  the  A.  M.  P.  A.,  to 
be  held  at  the  Astor  on  Feb.  6th.  yes- 
terday promised  a  "whale  of  a  sur- 
prise" for  the  affair.  No  detail  but 
much  mystery. 


New  Short  Series  for  British  Unit 

London — Widgey  R.  Newman  has 
been  signed  to  direct  a  series  of  one- 
reel  comedies,  to  be  called  "Peculiar 
People,"  and  a  group  of  two-ree1ers 
dealing  with  the  psychic,  for  Pageant 
Films,  Ltd. 


Another  for  P.  C.  T. 

London — Following  closely  the 
lease  of  the  Majestic,  in  Leeds,  comes 
the  announcement  that  Provincial 
Cinematograph  Theaters  will  erect  a 
large  house  in  Sheffield,  where  a  site 
has  been  secured  near  the  Town  Hall. 


Denver  Wins  Accessory  Sales  Contest 

The  advertising  accessories  contest 
ronductcd  by  Warner  Bros,  has  come 
to  a  close,  with  Denver  in  the  lead. 
A  silver  loving  cup  is  first  prize.  The 
contest  lasted  three  months. 


West  Coast  Subsidiary  to  Build 

Los  Angeles — The  Venice  Invest- 
ment Co..  a  subsidiary  of  West  Coast 
Theaters,  will  build  a  new  house  on 
Hawthorne  Blvd.,  north  of  Broad- 
wav.     It  will  seat  LOGO. 


Cruze  and  Stallings  Leave  for  Coast 

James  Cruze  left  yesterday  for 
Hollywood  to  begin  production  of 
"Old  Ironsides."  Laurence  Stallings 
?ccompanied  him.  Mrs.  Cruze  ^Betty 
Compson),  also  left. 


WANTED 

tn  purchase  or  rent  Motion  Picture 
laboratory  —  one  with  sma'l  studio 
space  preferred. 

Automatic  Movie  Display  Comorab'on 

117   E.   24th   St..  New   York   City 

Teh    Mad.    Sq.    114.1 


liiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiii^^^ 


^ 

■  ■■■■■■■■■■■■■■mignmiiiaii 

FOR   RENT 

r; 

Office    space.    large    and    small    offices. 

telephone     connection,      cutting     room 

and    projection    facilities. 

Tel.    Wisconsin   3770 

Room  302                              Candler   Bldg. 

220   West   42nd   St..    N.   Y.    C. 

■ 

■■■■■■■■■■■■■■■■■■■■■■■■■■■■■■I 

ij! 

Menjou  to  Play  "Satai 
Adolphe    Menjou    has    beer 
for   the    role    of    Satan   in    "1 
rows  of  Satan." 


This  is  a  'Cornerblock'  cut  fuis 
FREE  for  all  Pathecomedies  £  ( 
exchange. 


ARENA  CHOP  HOUS 

148  West  46th  Street 
Rendervous  of  the  Film  Traa 

A  guiet  place  to  tali  Business 

Luncheon  Blue  Plates  60c  v 

Also  a  la  Carte 

—  PRIVATE  DINING   ROOMS— 


BAY  STATli 


Second  Oldest  Continuous 

Raw  Stock 

Producer  in  America 
Negative  Positive  Safety 


^IS, 


^oop-ee  / 


G4PITOV 


iicn 


MARSHALL 
N  E  I L  A  N  '  S^ 

great  comc<l>  ba>«l  on 
his  own  story  «viih 

SALLY  O'NEIL 

CHARLES  MURRAY 

WILLIAM  HAINES 

FORD  STERLING 


^^. 


'z-^  /^^    /? 


JL 


-4Ji^ 


iini 


THE 


-^5«^ 


DAILY 


Friday,  January  15, 


Censors  Reject  12 

(Coiitiuin-il  j-.om  Fayc    1) 

Expenditures 

August   1,   1921   to  Jan.   1,   1922    ..$  36,687.80 

Jan.   1,   1922  to  Jan.   1,   1923    82,883.05 

Jan.   1,   1923  to  Jan.   1,   1924 80,717.43 

Jan.   1,   1924  to  Jan.   1,   1925    83,683.36 

Jan.   1,   1925  to  Jan.   1,    1926    89,956.33 

Total    $373,927.97 

Net    Profit    $480,058.88 

Net  Profit  for  1925    $107,093.01 

The  report  states  producers  gen- 
erally approve  the  work  of  the  Com- 
mission as  is  indicated  by  the  fact 
that  only  Z2  appeals  were  made  to 
the  entire  Commission  from  the  deci- 
sions ordering  eliminations  and  no 
Court  Reviews  were  had  during  the 
year.         "^ 

Discussing  the  eiev'dLioM  of  produc- 
tion standards  and  the  work  of  the 
idays  office,  the  report  says: 

"The  weakness  of  this  organization, 
however,  lies  in  the  fact  that  it  is  a 
voluntary  association  and  those  who 
intend  to  or  persist  in  making  vicious 
films  will  not  become  allied  with  it 
or    submit    to    its    regulation." 

The  Commission  recommends  that 
Section  6  be  amended  so  as  to  re- 
move the  uncertainty  and  confusion 
which  now  exists  as  to  what  con- 
stitutes an  educational,  charitable  or 
religious  him  and  also  so  as  to  give 
the  Commission  authority  to  issue 
permits  for  industrial  films  without 
the  payment  of  the  tee  fixed  by  the 
statute. 

The  Commission's  work  included, 
in  part: 

Films   with  eliminations    712 

Films    without    eliminations    2,598 

Granted    without    examination    592 

Films   completely    condemned    12 

The  following  is  a  statement  of 
the  grounds  upon  which  eliminations 
were  made.  In  some  cases,  elimina- 
tions were  made  on  more  than  one 
ground: 

Indecent     656 

Inhuman     1,438 

Tending  to  incite  to  crime 1,804 

Immoral  or  tending  to  corrupt  morals..  318 

Sacrilegious 20 

The  films  from  which  eliminations 
were  made.  In  some  cases,  elimina- 
lows^ 

Dramas 428 

Comedies    140 

Comedy   dramas    61 

Serials     65 

News     2 

Educational   2 

Cartoons    1 

Miscellaneous    13 

Total  712 


Nat'l  Parks  Open 

(.Continued  from  Page   1) 

ment  was  made  with  Secretary  Work 
and  Stephen  T.  Mather,  director  of 
the  National  Park  Service  in  Wash- 
ington. 

The  public  will  thus  have  an  op- 
portunity to  see  the  natural  beauties 
of  America  as  background  for  ap- 
propriate films. 

These  will  not  be  limited  to  his- 
torical stories. 

The  parks  now  open  to  producers 
are  Hot  Springs,  Ark.;  Yellowstone, 
Sequoia,  Yosemite,  General  Grant, 
Mount  Rainier,  Crater  Lake,  Wind 
Cave,  Piatt,  Sullys  Hill,  Mesa  Verde, 
Glacier,  Rocky  Mountain,  Hawaii, 
Lassen  Volcano,  Mount  McKinley, 
Grand   Canyon,   Lafayette  and   Zion. 


Less  Employment 

While    Manufacturing   in    1925    Made 

New  Record,  Fewer  Hands  Were 

Needed  to   Do   the  Work 

Washington — Factory  output  and 
activity  in  basic  industries,  always 
a  barometer  by  which  amusements 
advance  or  retard,  reached  a  high 
record  in  1925,  according  to  the  Fed- 
eral Reserve  Board.  Manufacturing 
production  was  nearly  30  per  cent 
greater  th.an  in  1919  and  about  5  per 
cent  greater  than  in  1923,  when  the 
former  record  was  established.  How- 
ever, the  number  of  employed  in 
factories  in  1925  was  smaller  than  in 
both  1919  and  1923,  and  only  7  per 
cent  greater  than  in  1919. 

The  automobile  industry  broke  all 
previous  records  in  both  monthly  and 
auiinal  production,  and  the  output  of 
gasoline  and  tires  was  correspond- 
ingly large.  The  building  materials 
industries — lumber,  cement  and  brick 
— equaled  or  exceeded  output  of  earli- 
er years.  Cotton  and  woolen  tex- 
tiles were  active  early  m  the  year,  but 
later  became  less  so.  The  silk  indus- 
try, on  the  other  hand,  had  a  year 
ot  maximum  production.  All  pre- 
vious records  for  the  vomme  of  manu- 
facturuig,  construction  activity,  out- 
put of  steel  ingots  and  the  produc- 
tion of  automobiles  and  of  petroleum 
were  broken. 

The  construction  activity,  as  meas- 
ured by  the  volume  of  permits  issued 
and  contracts  awarded,  was  far  in 
excess  of  all  previous  records.  This, 
of  course,  embraces  theater  construc- 
tion. 


Lease  W.   Va.   House 

Ceredo,  W.  Va. — The  Strand  has 
been  leased  by  A.  F.  Booth  to  the 
Strand  Theater  Co.,  recently  formed 
by  a  number  of  local  business  men. 
Garfield   Maynard  is  president. 


New  House  for  Parkersburg,  W.  Va. 

Parkersburg,  W.  Va. — The  Smoot 
Amusement  Co.  have  announced  plans 
for  a  new  $150,000  theater  on  the 
site  of  the  old  Hippodrome.  The 
opening  is  set  for  tlie  first  of  October. 


Agreement  Near 

(Continued  from  Page   I) 

bility  of  play  dates  sections  to  the 
satisfaction  of  exhibitor  officials. 
These  two  issues  are  of  prime  im- 
portance in  the  present  situation,  but 
It  is  learned  that  renewed  meetings 
hold  definite  promise  for  what,  it  is 
hoped,  will  be  an  amicable  and  satis- 
factory   settlement. 

At  the  same  time,  it  is  understood 
the  letier  sent  to  the  Will  H.  Hays 
by  the  T.  O.  C.  C.  on  Tuesday  night 
informed  the  former  that  these  two 
clauses  in  the  present  contract  were 
not  acceptable.  The  T.  O.  C.  C. 
asked  that  the  Seider  form  of  con- 
tract be  accepted  and  warned  that  if 
its  request  was  not  made,  it  would 
withdraw  from  arbitration  proceed- 
ings of  the  local  Film  Board  of  Trade. 

There  is  reason  to  believe,  however, 
that  the  T.  O.  C.  C.  acted  without 
knwledge  of  the  new  deliberations  in- 
volving the  disputed  clauses.  When 
the  word  is  passed  on  that  an  agree- 
ment seems  likely,  the  T.  O.  C.  C. 
may  feel  constrained  to  change  its 
attitude. 


"Extra"  Scale  Fixed 

California    Welfare    Commission    De- 
termines   Conditions    Governing 
Employ  of  Women  in  Studios 

Los  Angeles — An  order  governing 
employment  of  women  and  minor 
"extras"  providing  for  sanitary  work- 
ing conditions  tor  ail  women  and 
minor  employees  has  been  issued  by 
the  State  industrial  Welfare  Commis- 
sion. The  order  provides  that  work 
for  extra  women  in  excess  of  a  stand- 
ard day  of  eight  hours  shall  be  paid 
for  at  not  less  than  one-quarter  of 
the  daily  wage,  not  less  than  one- 
half  of  the  daily  wage  after  10  hours, 
and  up  to  12  hours,  not  less  than 
three-fourths  of  the  daily  wage  after 
12  hours  and  up  to  14  hours,  and  not 
less  than  double  after  14  hours. 

In  estimating  time  of  employment, 
the  commission  ruled  that  payment 
shall  be  made  for  all  time  necessarily 
consumed  at  the  direction  of  the  stu- 
dio. Employers  are  required  to  pay 
in  cash  or  negotiable  checks  at  the 
completion  of  the  day's  work.  Car 
fare  must  be  paid  for  reporting  in 
"weather    permitting    calls." 

Extra  women  who  are  required  to 
work  at  night  shall  be  dismissed  in 
time  to  permit  return  to  their  homes 
by  public  transportation,  otherwise 
appropriate  transportation  must  be 
provided.  Meals  are  to  be  provided 
for  all  who  are  required  to  work  in 
excess  of  a  standard  day  after  11:30 
p.m. 

This  order  has  been  made  with  the 
co-operation  and  support  of  Fred  W. 
Beetson  and  the  M.  P.  Producers' 
Ass'n. 


Another  for  Laventhal  Circuit 

St.  Louis — The  Laventhal  circuit 
has  added  the  Wellston,  on  Easton 
Ave.,  Wellston,  to  the  chain  it  now 
control',  in  North  and  West  St.  Louis 
The  Wellston,  a  1,200  seat  house, 
makes  the  eighth  in  the  circuit,  of 
which  Louis  and  Maurice  Stahl  are 
the  owners.  The  other  houses  are 
the  Mikado,  Union,  Embassy,  Plaza. 
O'Fallon,    Ashland   and    Newstead. 


Vaudeville   for   Picture   House 

Rochester,  N.  Y. — After  11  years 
of  picture  programs,  the  Regent,  be- 

uuing  tliis  week,  will  include  a  fea- 
ture act  in  its  bill  in  addition  to 
the  regular  picture  program.  Even- 
ing prices  will  be  advanced  five  cents, 
but  matinee  prices  will  remain  the 
same. 


Parties  to  Defray  Expenses 
Milwaukee  —  Four  balls  will  be 
given  by  the  M.  P.  T.  O.  of  Wis- 
consin, one  every  other  week,  begin- 
ning .Tan.  27.  Proceeds  will  be  used 
to  defray  the  expenses  of  delegates 
who  will  attend  the  national  conven- 
tion. 


O' Kelly  with  Natopolus 

Altoona,  Pa.  —  Fielding  O'Kelly, 
well  known  exploitation  man,  is  now 
exploitation  director  of  the  Nato- 
polus Enterprises  here  and  in  Johns- 
town. 


Rialto,    Winnipeg,    Again    First-Run 

Winnipeg — The  Rialto  has  been  re- 
opened as  a  first  fun,  under  the  direc- 
tion of  H.  Jernberg. 


New  Glass  Feb.  ^ 

(Continued  from  Page   1) 

This  semester  will  terminal 
July  22.  The  Fall  term  is  slat 
start  on  Sept.  11  and  gradual 
Feb.    15,    1927. 

Nine  members  of  the  class 
Saturday  for  Chicago  where 
will  spend  two  more  weeks  in 
ing  at  the  theaters  operated  I 
&  K.  One  member  takes  ove 
Fenway,  Boston,  this  Saturday, 
members  report  to  the  New 
land  district  of  the  circuit  op& 
by  Publix  Theaters  and  will  b 
signed  on  Monday.  Eight  men 
of  the  class,  will  report  to  the  M* 
politan,  Boston,  for  two  weel 
training  before  they  are  given! 
signments  in  different  districts, 
member  is  already  assigned  to  a  1 
ida  district.  One  is  already  in 
home  office  advertising  departn 
one  to  the  statistical  departmen 
the  home  office,  while  one  leaves 
a  Paramount  exchange  for  fti^ 
training  in  exploitation  before  he 
to  an  assignment  in  South  Ame 
This  makes  a  total  of  30  men, 
as  graduates  will  be  affiliated 
Publix  Theaters. 

Sam  Katz,  president  of  the  Pi 
Theaters,  addressed  the  class 
Roosevelt  Tuesday,  and  his  ren 
developed  the  following  coinil 
which  is  carried  in  the  school  ^ 
logue    for   the   comiiij^  session;     I 

"The  Paramount  Theater  Managers  ]j 
ing  School,  which  has  juct  completed 
first  term,  has  proved  itself  of  inestif 
value  in  its  work  of  providing  a  d(i 
specialized  and  complete  course  of  pra 
motion    picture    theater   managership    trai 

"I  have  watched  the  work  of  this  ^ 
with  the  greatest  interest,  in  its  scope 
its  possibilities  of  service,  both  to  the  stA 
who  desires  to  become  an  efficient  tli^ 
manager,  and  to  the  theater  where  he  e' 
ally  will  he  placed.  Its  position  in  a; 
gram  for  the  constructive  and  co 
raising  of  the  standards  of  motion 
theater  entertainment  is  of  the  utm 
portance. 

"The  Paramount  Theater  Managers 
ing  School  now  becomes  the  training  si 
of  the  Publix  Theaters  Corp.,  and  is  om| 
the  most  important  divisions  in  the  organ 
tion    of    Publix    Theaters. 

"I    have    great    hopes   In    the    futiue   o( 
Publix    Theater    Managers    Training    Scli 
both    because    of    the    splendid    record    of 
past  year,  and  because  we  can  all  see  thioi 
it,    the    means    of    adequately     providing 
high    type    of    educated,    intelligent    and   I' 
oughly     trained     theater    managers    that 
great  business  has  now  come  to   demand.' 


The  final  session  was  held  yesi 
day.  Among  those  who  spoke  v 
Mr.  Swanson  of  Swanson  and  0,l 
vie,  management  engineers,  whose 
dress  dealt  with  "Principles  of  ( 
ganization  as  Applied  to  Thca 
Management."  This  firm  is  assift 
in  the  organization  of  Publix  T 
aters. 

"Danny"  of  the  riLM  DA! I 
also  spoke  and  stressed-  the  ci 
munity  work  of  the  theater  and  h 
the  managers'  personality  can  ' 
velop  it  to  a  hitherto  untoud 
point. 


Sixty-One  Permits  Issued  in  a  Yf 
St.  Louis  —  Theater  construct' 
played  a  prominent  part  in  a  reci 
building  vear  in  St.  Louis  during  1" 
Of  a  total  of  $54,877,013,  permits 
61  theaters  totals  $3,247,680,  wli 
alterations  to  theaters  totaled  $4"' 
825. 


'riHiiJ 


{radJ 


■1b( 


ICli 


Universal 
BoxOfllce' 


"Of  the  melodramas  of  fires  and  fire-fighters  'The  Still 
Alarm'  is  the  best." — Harrison's  Reports. 

"Has  box-office  pulling  power — will  thrill  and  satisfy 
everywhere.     Two  corking  fine  fires." — Film  Daily. 

Exceedingly  realistic  fire  sequences.  It  will  make  you 
hold  your  breath  !"—M.  P.  World. 

"Smashing,  exciting  melodrama.  The  most  realistic  fire 
scenes  ever  pictured.  Rare  treat  for  lovers  of  melo- 
drama."—M.  P.  Today. 

With  WILLIAM  RUSSELL  and  HELENE 
CHADWICK 

An  Edward  Laemmle  Production 

From  the  famous  melodrama  by  Joseph  Arthur 

and  A.  C.  Wheeler 

Presented  by  Carl  Laemmle 


S(ajs  jildioti  Vitbmhiews 


\ 


'■M^^^- 


■<'^. 


■i»*^fB!fo. 


V 


jJFBj'iiL 


£lW 


yUnKirersal^&^hlte  I4sferMae^3»StMiiSs3^^^cli 


.-^ti^—^ 


THE 


Friday,  January  15,  125 


Incorporations 

Albany,  N.  Y.  —  Leander  Development 
Corp.,  to  oferate  theaters;  New  York.  Capi- 
tal $1,000,000.  Incorporators,  H.  Boyce, 
T.  Hammond.  Attorney,  O.  W.  Muehlen- 
brink,    47    West    34th    St.,    New    York. 


Albany,  N.  Y. — Fifth  Avenue  Circle  The- 
aters and  Restaurants,  to  operate  theaters 
and  restaurants.  New  York.  Capital  $25,000. 
Incorporaotrs,  J.  Vigneaux,  B.  Rose  and  W. 
Held.  Attorney,  H.  P.  Gouldston,  145  West 
45th   St.,   New   York. 


Albany,  N.  Y. — Universal  Chain  Theatrical 
Enterprises,  Inc.,  New  York.  To  operate  a 
theater  chain. 


Albany,  N.  Y. — Albion  Attractions,  New 
York.  Capital  $10,000.  Incorporators,  E. 
Speigel,  M.  Kerman  and  A.  Kerman.  At- 
torney',- E.  K.  Ellis,  1482  Broadway,  New 
York. 


Springfield,  111. — University  Theal^-o  Co., 
1560  Sherman  Ave.,  Evanston.  Capital  $400,- 
000.  Incorporators,  C.  Elliot,  R.  Obenchain, 
and  C.  Harvey.  Attorney,  R.  Obenchain, 
105    West   Monroe   St.,    Chicago. 


Springfield,  111. — Aristo  Theater,  Inc.,  2560 
Lincoln  Ave.,  Chicago.  Capital  $1,000.  In- 
corporators, C.  W.  Soenuth,  J.  Mussatto  and 
P.  Levy.  Attorney,  H.  J.  Berman,  139  North 
Clark    St.,    Chicago. 


Springfield,  111. — Power  Amusement  Co., 
5743  West  Chicago  Ave.,  Chicago;  to  oper- 
ate theaters.  Capital  $1,000.  Incorporators, 
H.  Brandell,  L.  Traegerm  and  W.  Shirra. 
Attorney,  W.  Shirra,  10  South  La  Salle  St., 
Chicago. 


Albany,  N.  Y. — Dragon  Pictures,  Inc., 
New  York;  to  produce.  Capital  $1,000,000. 
Incorporators,  J.  Hart,  C.  Loman  and  H. 
Walmsley. 


Albany,  N.  Y. — Motion  Picture  Consult- 
ants, Inc.,  New  York.  Capital  $5,000.  In- 
corporators, H.  Blumenthal,  B.  Blake  and 
R.    Marmer. 


Albany,  N.  Y. — Camera  Pictures  Corp., 
New  York.  Incorporators,  A.  Bryan,  S. 
Klein  and    T.    Schickling. 


Albany,  N.  Y. — Two  Treys  Amusement 
Corp.,  to  operate  theaters.  Capital  $50,000. 
Incorporators,  J.  Hahn,  A.  McNamara  and 
O.    Moran. 


Albany,  N.  Y. — Straham  Theater  Corp., 
New  York.  Capital  $350,000.  Incorporators, 
L.   Scheuer,   W.   Powers  and  A.   Ghersan. 


Albany,  N.  Y. — H.  and  K.  Pictures  Corp. 
Incorporators,  H.  Lewis,  G.  Hoerner  and 
W.   Herzbrun. 


Some  New  Coast  Units 

Sacramento,  Cal. — Many  new  com- 
panies have  received  charters  re- 
cently, among  them: 

West  Coast  Peninsula  Theaters,  of  San 
Francisco,  with  a  $1,000,00  capital,  to  oper- 
ate a  theater  chain.  Incorporators  are  E. 
Arkbush,   D.   Arkbush   and   M.    Griffin. 

The  Gumbiner  Amusement  Co.,  Los  An- 
geles, capital  $40,000.  Incorporators  of  this 
unit,  which  will  operate  theaters,  are:  H. 
Gumbiner,   H.   Rosenblum  and   L.   Rosenblum. 

Faultless  Pictures,  Inc.,  originally  char- 
tered in  Delaware,  will  make  its  headquarters 
in  Los  Angeles.  A.  Miller,  T.  Croteau  and 
A.  Miller  are  incorporators.     Capital  $250,000. 

David  A.  Berg  Prod.,  Inc.,  Los  Angeles. 
Capital  $50,000;  will  produce.  David  Berg, 
W.  Taggart  and  H.  Kelley  are  incorpora- 
tors. 

The  Herniosa  Amusement  Corp.,  chartered 
to  operate  theaters,  will  operate  out  of 
'Frisco,  with  a  capital  of  $10,000.  Incor- 
porators, J.  Anderson,  J.  Craig  and  T.  Bass- 
ford. 

Charles  Hutchinson  Prod.,  Inc.,  of  Los 
Angeles.  Capital  $20,000.  Incorporators,  E. 
Bringhurst,   F.   Schafifner  and  M.   Compton. 

Jewish-Art  Pictures  Corp.,  of  Los  Angeles, 
capital  $15,000,  will  produce.  E.  JalofI,  et 
al.,    incorporators. 

Marion  Fairfax,  Inc.,  Los  Angeles.  Capi- 
tal   $100,000. 

Chinatown  Amusement  Corp.,  of  Santa 
Monica,   capital   $20,000,   to   operate   theaters. 


Developing  Chain  in  Illinois 

Sycamore,  111.- — H.  B.  Fargo  has 
opened  the  Fargo,  which  seats  SOU. 
i  he  house  is  run  by  the  Fargo  cir- 
cuit, which  expects  to  acquire  more 
houses  Ircni  time  to  time. 


Switows  Adding  to  Chain 

Danville,  Ky. — Pusnin  Bros,  closed 
a  contract  with  M.  Switow  &  Sons, 
of  Louisville,  to  erect  a  $200,000  the- 
ater here.  The  bwitows  own  six 
theaters  in  Louisville  and  one  in  Lex- 
ington. 


Bandits   Get  $5,000 

St.  Louis — A  band  ot  six  bandits 
held  up  seven  men  at  the  Liberty 
Music  riall,  3627  Delmar  Blvd.,  and 
made  away  with  $5,000,  receipts  from 
Saturday  and  Sunday.  Uscar  Dane 
Ulcerates  the  house. 


Ilhnois  House  Goes  Under  Hammer 

New  Athen,  111. — The  property  of 
the  People's  Amusement  Corp.,  in- 
cluding the  Community,  a  500  seater, 
was  sold  at  public  auction. 


Ministers'  Ass'n  to  Fight  Bill 

Elmira,  N.  Y.  —  The  Ministerial 
Ass'n  of  this  city  has  indicated  its 
intention  of  lighting  an  ordinance  re- 
cently introduced  which  provides  for 
legalized  Sunday  shows. 


Fabian  to  Open  Old  Proctor  House 

Newark,  N.  J.— Jacob  Fabian  will 
open  the  old  Proctor  theater  on  Feb. 
I.     It  seats  2,500. 


Gebhardt    Head   of    Omaha   Board 

Omaha— F.  W.  Gebhardt,  Pathe, 
has  succeeded  Frank  M.  De  Lorenzo, 
P.  D.  C,  as  president  of  the  Film 
Board  ot  Trade,  with  the  latter  trans- 
ferred to  Milwaukee.  Mayor  Mon- 
sky,  Liberty,  is  first  vice-president 
with  A.  Bell,  Warner,  second  vice- 
president. 


Horn,    Des   Moines   Asso.    Ex.    Mgr. 

Des  Moines — Fred  Horn  has  been 
appointed  manager  of  the  Associated 
Exhibitors  exchange.  Horn  for  the 
last  seven  years  has  been  with  Metro- 
Goldwyn. 


H.  S.  Gallup  to  Coast 

Minneapolis — H.  S.  (Doc)  Gallup, 
general  manager  of  Delft  theaters,  is 
in  Hollywood. 


To  Manage  Grand  Riviera 

Chicago  —  Kenneth  Renaud  has 
been  appointed  manager  of  the  new 
Grand  Riviera  theater  by  the  Munz 
interests. 


Voight,    'Frisco   Associated   Manager 

San  Francisco — Fred  Voight  has 
been  made  manager  of  Associated  Ex- 
hibitors here,  succeeding  R.  S.  Stack- 
house,  transferred  to  Seattle. 


1,200   Seater  in  Wayne,   Mich. 

Wayne,  Mich. — A  new  house  will 
be  erected  by  C.  K.  Miller  to  seat 
1,200. 


Fourth  in  Texas   Chain 

Tyler,  Tex.  —  Operating  three 
houses  here,  Dent-Musselman,  Inc., 
have  bought  out  the  fourth,  the  Elec- 
tric Palace,  which  has  been  closed. 
It  was  taken  over  from  Julian  Smith. 


A  Unique  Policy 

St.  Louis  —  The  Criterion, 
Broadtway  near  Olive  St.,  a 
second  run  house  speciahzing 
in  Westerns  and  comedies,  on 
Jan.  16  will  enter  a  policy  of 
running  daily  from  9  A.  M.  to 
5  A.  M.,  closing  daily  between 
11  P.  M.  and  12  M.  The  hour 
before  midnight  and  the  four 
hours  in  the  morning  wiU  be 
utilized  for  cleaning. 


More  Theaters  In  and  Around  N.  Y. 

The  new  theater  being  built  by 
Salkin,  Goldbatt  and  Kurleck  at  1st 
Ave.  and  76th  St.  will  seat  3,500. 

Another  house  opening  Feb.  1  is  Golding's 
Embassy,   at   Orange,    N.   J. 

Louis  Rosenthal,  operating  the  Lyceum, 
at  Bayonne,  N.  J.,  and  the  New  and  Star, 
on  Staten  Island,  is  building  a  1,200  seater 
at    Hightstown,    opening    in    the    summer. 

Abraham  Fox  will  erect  a  new  house  on 
Bay  Parkway  and  19th  St.,  Brooklyn,  seat- 
ing  2,500. 

Walter  Reade  has  plans  for  another.  He 
will  open  a  new  house,  to  seat  2,500  at 
Asbury   Park,   Feb.   15. 

Harris  &  Morrow,  who  are  erecting  a  new 
house  at  City  Island,  will  open  the  new 
Bunny,  at  Mt.  Vernon,  on  Jan.  20.  This 
makes   the  sixth  in  the  string. 

The  Park,  to  be  operated  by  Morris 
Schange,  and  located  at  180th  St.  and  Bos- 
ton Road,  opens  on  the  15th.  He  also  con- 
trols the  Bandbox  and  Lyric. 

Goldreyer  &  Fleischman  open  their  new 
Mt.   Vernon   theater   Feb.   1. 

Ruckle  Bros.  Dumont,  at  Dumont,  N.  J., 
as    noted,    opens    on    the    15th. 

Stern's  Capitol,  in  Milburn,  N.  J.,  also 
opens  on  the   15th. 

Neilson's  Elite,  in  Brooklyn,  opens  this 
week. 


Saxe  and   Fischer   Have    Opposition 

Milwaukee — At  least  six  new  the- 
aters were  opened  in  Wisconsin  with- 
in the  past  two  weeks,  with  interest 
centering  on  the  Retlaw  at  Fond  du 
Lac,  operated  by  the  Saxe  in  direct 
opposition  to  the  Fond  du  Lac,  open- 
ed several  weeks  ago  by  the  Fischer 
circuit. 


Theater    in    Amusement    Pier 

Miami,  Fla.^ — Plans  for  the  new 
amusement  pier  at  Miami  Beach  are 
practically  complete.  They  call  for 
a  structure  two  stories  high  and  ex- 
tending 600  feet  out  into  the  ocean. 
The  pier  will  have  a  steel  frame- 
work on  concrete  piles  and  will  have 
a  large  theater,  dance  hall,  radio  sta- 
tion and  restaurant  on  the  second 
floor. 


Joe  Daum  Abandons  Plans 

Huron,  S.  D. — With  Finkelstein  & 
Ruben  preparing  to  break  ground  for 
a  new  house,  Joe  Daum,  owner  of 
the  Opera  House,  now  being  razed, 
has  abandoned  plans  for  a  new  the- 
ater and  will  erect  store  buildings  on 
the  site  of  the  old  house.  The  new 
F.  &  R.  theater  will  be  at  Fifth  and 
Dakota  Sts.,  and  will  cost  $225,000. 
The  house  is  to  seat  1,100. 


Fire   at  Grand,   Frankfort 

Frankfort,   Ky. — Fire   damaged   the 
Grand  to  the  extent  of  $9,000  recently. 


Fire  at   Ohio  Lodge   Hall 
Withamsville,    O. — Fire    destroyed 
the  Junior  O.  U.  A.  M.  Lodge  Hall, 
which   showed   pictures   on   Saturday 
nights.     Loss  was  $16,000. 


Putting  It  Ove 


•4 


1  ' 


Here  is  how  a  brother  ea  c 
itor  puts  his  show  over,  i  u 
along  your  ideas.  Let  the  o  e 
fellow  know  how  you  cle{  r 
up. 


Old  Stage  Coach  as  Ballyhoo 

Denver  —  Charles   E.  Loui 
"U"     exploiteer     in     Denver, 
with    the    local    stockyards    for  ; 
Calgary    Stampede,"    when   it 
the   America   theater. 

When  Lounsbury  discovere 
the  Denver  Stockyards  Co.  ov 
stage  coach  which  had  survivec 
the  early  days  of  the  West,  h 
rowed  this  for  a  ballyhoo,  ana 
given  a  driver  and  cowpuncl 
sit  up  in  front,  four  dapple 
horses  to  pull  it,  and  two 
horses  with  riders  to  follow. 

A  quartette  of  usherettes  fro 
America,  dressed  in  '69  cos 
rode  on  top  of  the  stage,  wav 
the  street  crowds.  Through 
rangement  with  the  police  d 
ment,  two  of  Denver's  "cops"  1 
equipage    through   downtown   s 

Banners  on  either  side  of  the 
announced  that  the  girls  were  o: 
way    to    the    "Calgary    Stampe 
the    America    theater.      At    nooii 
stage   was   drawn   up  in  front  c'li 
theater  where  for  half  an  hour  i  a 
the  center  of  a  curious  throng. 

For  a  street  ballyhoo,  Sharick 
up  a  1901  Ford  in  good  condn 
With  the  brass  work  polished  U| 
a  banner  on  one  side  reading:  ' 
car  led  the  Ford  migration  to  Ca  i 
nia  in  1901 — see  Reginald  D 
make  the  trip  in  'California  Str 
Ahead'— Keith's  105th— Now." 


Newspapers   Make   This   Inexpei 

Buffalo,  N.  Y.— When  Shea's 
podrome  played  "The  Lost  Wo 
recently,  an  exploitation  canif 
was  put  on  by  Walter  Lindla 
First  National.  There  was  no 
propriation  and  no  additional  ex 
tation  expense.  The  house  tool 
extra  advertising  and  no  posting 
employed.  Five  hundred  cards 
inserts  and  5,000  rotos  constituted! 
outdoor   campaign. 

The  newspapers,  however,  wen 
terested  in  several  ideas.  "The 
press"  went  for  the  "Weight  G 
sing"  conte"^st  and  ran  this  for 
consecutive  days  under  a  three- 
umn  head  with  two  column  art. 
they  gave  the  title  in  the  big  h 
Extra  stories  were  run  announi 
winners. 

"The    Star,"    a    tab  sheet,    use 

series   of   six   pictures,  running  ti ' 

on    six    days    on    the  inside    dot 
truck. 

"The    Sunday    Times"    ran    a  1 
page  feature  story  on  the  possibili 
of  a  dinosaur  coming  to  Buffalo,  v 
a  four  column  layout.     This  was 
on  the  opening  Sunday. 

The  public  library  inserted  bi 
marks  announcing  the  coming  of 
picture. 


^OUH 
BOX' 

OFFIC 


•1C« 


COUPON 


^ 


^ 


iS 


%^ 


%«* 


national 
Picture/^ 


January-June 


irTTm-^imririi 


'•rij  Langdoji  Corporation  presents  i^\ 


tTUE  DESER 


re  sent 


j^  Marion  Fairfax  ProductioJ 

8,000,000  have  read   this   gripping  'se*- 
quel    to    "The    Sheik."      Lewis    Ston|, 
Barbara   Bedford   and  TuUy   Marsha 
are    the    stafSr  directed    by    Mauril 


ii ■■  II"  ■■  II II  ■ " " " " " " " " " " "  ifirif  wii  inm«"'^g'»i'  'I  II "  w  If  iniH'H  II  Et 


t'aultless  rictiD'cH   Corp. 


mnrt 


OODLJ 

with  Gonwav  Tearle 

ight   from    Drury   Lane — and 
know  what  that  means !     A  big  spe^ 
cular  melodrama  of  thundering 
id  throbbing  hearts.    Your  box- 


Joseph  M.  Schenck  presen^ 

NORMA  TALMADGE 

r,^  ^    in  "Kikil      ' 


The  famous  Belasco  stage  hit  directed 
by  Clarence  Brown,  with  Ronald  Col« 
man  heading  the  supporting  cast.        ^ 


Richard  A.  Rowland  presents        ~^' 

pZHE  VIENNESE  5 
i      ,^  MEDLEY"        In'^^ 

First  National's  "Secret  Special"  writ- 
ten for  the  screen  and  produced  by 
JUNE  MATHIS.      ^^ 

WAY  TEARLE,  ANNA  Q.  NTt!  " 


nrrl 


»  II II II II  ii'w  irir 


i 


-irst  National  Pictures  present 

.™^  LEON  ERRU,,^      , 

'^^       Lunatli^^L^ge" . 

t  tiirns    a    madhouse    into   a    mint ! 
Play    this    for    a    clean-up    as    big    as 
"Clothes  Make  the  Pirate."     Directed 
by  Fred  Newmeyer.     Produced  under     i, 
the  supervision  of  Earl  Hudson,  i( 

I' I  li"l^l  I'  II  ■■  "  I'll  "■"-II  I'  l-ll  'J  "1  "  nil  II  H.JI  II  IMI  ll'll  11 II  II  il  11  II  H  II  .1  IMI  M  II  II  tTTi  ' 


wa 


^HE  REGM^ESSjSiili 

with  Belle  Bennett,  Ben  Lyon, 
Lois  Moran,  James  Kirkwood, 
ell^  jherman  and__Chaj^s 
Murray       "~^     ^ 


|i »  » II  iriT  11  irim  II  ]i  111  [[  a  II V  nil  ir  ii  ii  ii  ii  ir  ir  hh  ii  ihmi  iiiiiitibii  ii  ii  ii  ii  inni  n'lnnr 


^dwin  Carewe  presents 

"PALS  FIRST' 


in   Carewe   calls   this  one   of^  fh^ 
best    pieces    of    screen    material    that 
have  come  his  way.     The  drama  of  a  | 
hobo  who  inherited  a  southern  estati^ 
and  of  eyes  of  love  that  saw  throug 
him  into  incredible  shado 


"  iri/.n  \i  irir'iTTr 


John    McCormick   jiresentS^ 

COLLEEN  MOOR 

^     in  "Irene"       , 


|worid's  greatest  musical  cortimy 
is  screened   magnigiieatiyj^ 
'To  be  followed 
iMiss  Nobody"  and  "Twinkletoe^ 


Griffith  Productions,  Inc.,  present 

INNE  GRIFFFEH, 
in  "Mile.  Modiste^^ 

V  unforgettable    stage    success)  ' 
[jiry   Blossom   and   Victor    Herbert, 
lirected  by  Robert  Z.  Leonard 

l^be  followed  by  another  Br9^dwayi 
^^^ hit,  "ASHES."^^^^^ 

iMMhuiniH  II II  Hitllll.il  11  Egg 


TruTTTtn  nnr.iin  i 


Ttirewe prv'smvts 


JOTHGENT 
[LIMITEB" 


with  Mary  Astor  and) 
Lloyd  Hughes       ^( 

lip  Gibbs'  best-seller — the  drama  ol 
Smad  London  pictured  with  terrific  bostj 


;e  Dunc 


THE  FAR  GRY"^ 
*vith  Blanche  Swe^t  and 
^'        JackMulhafc.  HI 

ii\ir  Richman's  international  stage  sue 
s,'  brought  to  a  terrific,  spectacular  cli- 
X  when  flames  sweep  upon  the  feasters 
a  Venetian  pageant  and  leap  across  can- 
after   escaping  gondplas,_  Thrills^  com!; 


^<THE  SEGorm^ 

^^^^^  GHANGE^^^^^ 

Q.  Nilsson  and  Hunt 
ey  Gordon 

her    Htprary    Vi^^^    hy    Mrfj,    ^JJ^ 

1^^'^  Thrilling^  rac^^ack   epIsodegT  scat 
it  sweep  from  penitentiary  cells  to  fasl 
lable  Fifth  Avenue  all  make  excellei 
nee  stuff. 


:T^lJ^'lMlJ^^^r■1rH  »  imii  ii  mm 


^?S:a3<S,^B=»^SSSj&?^ 


Joseph  M.  Jichmcf<f  preslentft 

ITALMADGE 


in  "S[IkxAnn': 

bigger^i^a*=S€=^o'^x'^f 
i**Her  Sister  from  Paris.' 


ittffl; 


l»» 


'DNS] 
in^Meii  of  St^' 
\f  ith  Doris  Kenyoii 

'^pic  of  steel,  produced  under'^ 
upervision    of    Earl    Hudsc 

ILTON  SILLS  in  "PUPPl 


I 

! 


<i  II II 1^  »  II  irir »  nil  "l  II  n  n  II  »  v  i;  ii  i"t  i  fff'l  llfrfrn  |i*>1?Sf^^rt1i  it  n  rli  .fi.  ii  n  i!  in . 


mtim  Pictures,  Inc.,  presen 

RIGHARD 
BARTHELME 

in  "Just  Suppose 

Thrills  of  the  polo-iieldis;  glittering 
romance  in  a  production  that  will  break 
the  records  of  "Shore  Leave.' 


Also:  "The  Kid  From  JjoiitaBai^ 


mil  nil  II  IIJMI  II  ill,  ITTI  II  «  II  II  li  u  11  ml  II  i;  ILW  IHi  II  llll  itli:  li  li  irii'iriL  ii  ii  ii  i  ii  ii  ii  ii  ii  iimnl 


i) 


DANGE] 
^  PARIS' 

^ith  Gonway  Tearle  a^ 
Dorothy  Mackaill 

Michael   Arlen   never   wrote  a   better  story. 

It   reaches   the   screen  at   the    very  crest   of 

phis  popularity.     Directed  by  Alfred  A.  San-  ;, 

I II  iiXCu  STTiriiTirlT  I'lVi'iriTTi'ir^lM^.'Tr  'iL  iTiuTh^yifi;  n  u  li  ii'ii'i'irr'iTritlnfiiTniwinB  | 


Nagfc^Ps;  John  M.  Stahl's  finest— not 
even  excepting  "The  Dangerous  Age" 
Hi-aad  :iyVby  Men,  LeavR  Home." 

|Mmi II till  II II II II II II 11 1.  II li  u  II II II II II II II II n im  » mi i;jn;HiraM  IL II  H II ILiUll..ll  li  II II II ILII 1 


^yirsf  Nafiondl  Picfitrcs,  Inc.,  present 

BJQB-MONEY" 

Anna  Q.  Nilsson  and 
Lewis  Stone 

'Fdoin   the   play   by   Israel    Zangwill,   author 
ij'of  "We  Moderns."     Directed  by  John  Fran- 
cis Dillon,  director  of  "Flaming  Youth"  and;    . 
;"We  Moderns."     That's  the  box-office  com-  iijci 


s  .9  0  cmteanmding  Corp^ttWTT 

"THE  GIRL  PR 
^ONTMART 
ith  Barbara  La  Mar 
and  Lewis  Stone 

Anthony  Pryde's  famous  novel — sunlight 
J.  and  shadows  of  a  Spanish  island  blended  in-; ,, 
'HP' to  a  gripping  story  of  a  woman's  past.  Di-  -'; 
IM^j-ected  by  Alfred  E.  Green 


•   --TnTTnnn:  ,1 i   iiiii|.|iti 


ii^I.   C.  Levee  j)rcse)its 

^MOLASSEJ 

i-row  pictured  for  the  first  time 
The' Bahamas,  the  sea,  the  upperworld 
and  underworld  provide  the  strange 
figures  of  thrill  and  action  that  Al  San- 


I 


I: 


(Jf     First  National  Pictures,  Inc.,  preset 

;avage'*^ 

ith  May  McAvoy  an| 
Ben  Lyon 

The  'newest    idea    in    surprise    stories, 
ftl^mencing  with  a  Sou^SSBa;>«^»^S~^ 
veloping  the  thrill  of  the  newspSp^- 
By    Ernest    Pascal,    who    wrote    "The    Dark 


ii 


lirSwan"  and  "Hell's  Highroad." 


Standing 
innersO 


Stupendous 
specials 


cMd^  by  the  qrcakst 
mn  producers  and 
directors  / 
%ised  on  the  biggest 
sfaqchits  and  Stories 
that  millions  read ! 


i 


j 


r 


y  missed  somethincr^ 


-and  there's  not  one  word  on  that  spread 
that  any  box-office  can  afford  to  miss! 


JpXAMINE  the  list  with  a  showman^s  eye. 
Even  if  you  can  forget  the  magnitude  of  the 
stars  who  have  made  them;  even  overlooking 
the  unquestioned  ability  of  the  producers  and 
directors;  even  putting  aside  First  Nationals 
record  of  performance  which  backs  every  First 
National  Picture  with  the  full  force  of  a  guaran- 
tee; but  getting  right  down  to  ^^whafs  in  the 
production  V^ — 

The  answer  is:  **]ust  what  the  public  conies  crowd' 
ing  to  see,** 

With  instinctive  and  practised  showmanship 
First  National  offers  you  your  kind  of  pictures! 
They  play  to  capacity* 


Sorinnt 


oJohnnij 


-^ 


) 


/ 


(Solkin. 


cMlton 


^arihdmtss 


THE 


Friday,  January  15,  1926 


-SftH^ 


DAILY 


11 


Newspaper  Opinions 

"The  Golden  Cocoon" — Warners 
Circle,  Cleveland 

NEWS — *  *  *  Had  any  one  of  the  eight 
more  characters  displayed  the  slightest 
telligence,  the  picture  would  have  ended 
iruptly  about  the  end  of  the  third  iicl 
stead  of  rambling  on  and  on  through  a 
loney   vale   of   tears   and   synthetic    sacrifice. 

*  * 

PLAIN  DEALER—*  *  *  The  same  sort 
crimson,  sentimental  hokum  that  made 
vellie,  the  Beautiful  Cloak  Model,"  and 
liertha,  tlie  Sewing  Machine  Girl"  so  popu- 
r  in  their  day.   *  *  * 

TIMES — *  *  *  Is  full  of  suspense,  good 
tion  and  novelty  of  plot,  but  is  almost 
lined  through  lack  of  attention  to  detail 
id  coherent  continuity.   *   »   * 


"The  Golden  Strain"— Fox 
Monroe,  Chicago 

HERALD — *    *    *    Schertzinger's    direction 
id   attention    to    detail    are    excellent,    and    a 
ally    all-star    cast    takes    equally    good    care 
their   roles.    *   *   ♦ 

JOURNAL — *  *  *  The  picture  rejoices  in 
ime  superlative  photography  done  in  sc-pia. 
zould  have  a  considerably  better  pace  if 
e  earliest  reel,  employed  for  the  introduc- 
3n  of  characters  and  cutbacks,  wsre  shor- 
ned.    *    *    * 

Figueroa,  Los  Angeles 

EXAMINER — *  *  *  Sentiment  and  action 
e  well  combined  and  the  story  is  at  all 
mes   interesting.    *   *   * 

Tt.MES — *  *  *  The  delicious  human  touches 
lat  make  the  whole  world  akin  are  not 
lere  and  the  comedy  relief  is  negative.   *  *   * 


"Graustark"— First    Nat'l 
Grand  Riviera,  Detroit 

FREE  PRESS—*  *  *  The  picture  makes 
1  ideal  vehicle  for  Miss  Talmadge  to  display 
er    talents    as    an    actress    and    her    beauty. 


"Hands   Up" — Paramount 
Metro,  Los  Angeles 

EXAMINER—*  *  *  I  don't  know  that  I 
ver  liked  any  silk  hat  quite  so  well  as  that 
ne  of  Griffith's.  It  is  one  of  the  cleverest 
f  adjuncts  to  comedy,  and  it's  a  marvel  for 
taying  in  place.   *  *  * 

EXPRESS-*  *  *  It  is  all  pure  spoofing 
y  authors,  director  and  star,  but  they  do  it 
0  well  that  "Hands  Up"  is  an  hour's  diver- 
on  that  will  drive  dull  care  away.  Ac- 
epted  as  pure  travesty  it  is  first  class.   *   *  * 

HERALD—*  »  *  The  story  and  filming 
pproaeh  mediocrity  in  places  but  Griffith's 
iterpretation  of  his  part  attains  a  finish 
nd  polish  ais>  great  as  that  on  his  alti- 
udinous,  silken  skypiece.   *   *  • 

RECORD—*     *     *     Raymond     Griffith     is 

tiving    his    fans    hysterical    history    hysterics. 
*   * 

TIMES — *  *  *  Bright  spontaneity  marks 
he  whole  bunch  of  fun,  and  one  feels  sure 
hat  if  you  got  to  the  bottom  of  the  matter, 
•ou  would  find  Ray  Griffith  pretty  well  re- 
ponsible   for    the   production.    ♦    *    » 


'Her  Sister  from  Paris"— First  Nat'l 

Palace,  Montreal 

^  GAZETTE—*  *  *  "Her  Sister  from  Paris" 
^  *  *  is  one  of  the  funniest  farces  in  which 
!!)onstance  Talmadge  has  starred.    *   *    * 


"His  People" — Universal 

Alhambra,  Milwaukee 

SENTINEL—*  *  *  Rudolph  Schildkraut, 
he  internationally  noted  character  actor, 
nakes  an  auspicious  screen  debut  as  the 
levoted  Hebrew  father  of  the  story  whose 
ove  for  his  eldest  son  is  the  ruling  passion 
)f   his   life.    *    *    * 


"His  Secretary"— M.-G.-M. 
Allen,  Cleveland 

NEWS — *  *  *  The  story  contains  enough 
latire  to  make  it  delightful  and  enough 
^^omedy  to  cause  repeated  chuckles.  Norma 
shearer  is  thoughtful  and  earnest  in  the  role 
)f  the   stenographer.   *   *   *  *■ 

PRESS — *  *  *  This  movie  shows  what  can 
3e  done  with  a  story  so  slight  it  is  no  more 
ban  an  anecdote.  Its  simplicity  is  one  of  its 
:hief   merits.    »    •    • 


"Infatuation"— First   Nat'l 
Capitol,  St.  Louis 

GLOBE-DEMOCRAT—*   *  *  But  Corinne 

is  eternally  talking,  looking  wounded,  sour 
on  the  world  and  weepy.  Which  is  more 
than  even  the  most  rabid  Griffith  fan  can 
wish.    *    *    * 

STAR — *  *  *  The  story  itself  13  good  en- 
ough, bolstered  by  romance,  myst..;ry  and 
the  glamor   of  unusual  settings.   ♦   *   * 

TIMES — *  *  *  The  whole  thin^j  is  ravhtr 
lukewarm  and  considerable  bolstering  up  with 
scenes  of  Egypt  is  necessary  to  r.iake  the 
thing  go  over.  In  fact,  the  color.'ul  sheik 
settmgs  are  the  whole  thmg.    '   '   " 


"Irish  Luck" — Paramount 
State,  Detroit 

FREE  PRESS—'  *  *  The  rare  treat  of  a 
travelogue  in  Ireland  as  well  as  s.?i  mter- 
estmg   story    of   love   and   adventure.    *    *    * 

NEWS—*  *  *  Some  delightful  shots  cf 
Dublin,  the  Killarney  Lake  country,  the  His- 
toric old  abbeys,  the  quaint  villages  and  ll.'e 
Blarney  Stone  itself,  which  Tom  kisses  in 
regulation   fashion.    *    *   • 

iiMt-S — "  *  *  Meighan  has  a  dual  role 
and  bears  up  veil  under  a  story  that  is  made 
attractive  only  by  its  settings  and  possessed 
of  a  melodramatic  plot  whicn  is  Irequenllj 
unreal  a  id  unconvincing.  *  *   * 

Regent,  Rochester 

DEMOCRAi— *  *  *  It  is  truly  a  beauti- 
ful glimpse  of  a  land  of  loveliness  that  Mr. 
Meighan  has  brought  from  Ireland  itself. 
*   *  * 

JOURNAL — *  *  *  The  picture  has  many 
beauty  spots  that  will  appeal  to  the  lover 
of  scenery  and  will  have  an  especial  appeal 
to   those   who   have   been   in    Ireland.    ♦   *    * 

TIMES-UNLON— *  *  *  Is  moderately 
entertaining  and  will  please  admirers  of  Tom 
Meighan  who  do  not  care  what  he  does 
so  long  as  he  is  on  the  screen  as  much  of 
the   time   as  possible.    *   *    * 


"Joanna"— First   Nat'l 
Capitol,  Detroit 

FREE  PRESS—*  *  *  As  for  the  literary 
merits  of  the  production  little  can  be  said 
but  it  does  provide  a  hundred  chances  for 
scenes   of   the   wildest   sort    of   excesses   *   •    * 

NEWS — *  *  *  You  can  add  "Joanna"  to 
the  Chickies  and  the  Flaming  Youths,  and 
with  that  classification  you  know  what  it  is, 
and   who    should   go   to   see   it.    *   *    * 


"Keep  Smiling" — Assoc.  Exhib. 
St.  Louis,  St.  Louis 

STAR — *  *  *  It  turns  out  to  be  a  Monty 
Banks  comedy  of  the  screaming  sort,  a  pic- 
ture worth  seeing  both  for  its  fun  and 
thrills.   *   *  * 

TIMES — *  *  *  Monty  Banks  as  a  fear 
stricken  pilot  in  a  speed  boat  that  does 
strange  antics  and  as  the  inventor  of  a  new 
life  belt,  keeps  his  audience  up  to  the  title 
"Keep     Smiling."    *    *    • 


"A  Kiss  for  Cinderella"- Paramount 
Missouri,   St.  Louis 

GLOBE-DEMOCRAT—*  *  *  (Betty  Bron- 
son)  is  a  wise  choice  for  the  role  of  English 
slavey  in  "A  Kiss  for  Cinderella."  She  has 
the  appearance,  intelligence  to  interpret  such 
a  character,  and  the  so-very-necessary  imagi- 
nation  to  go   with  it.   *   *   * 

STAR — *  *  *  It  is  a  picture  that  wiU  de- 
light the  children,  and  has  enough  realism 
to  stand  up  as  a  story  for  grown-ups  also. 
*    *   * 

TIMES — *  *  *  Betty  Bronson  is  cute, 
clever  and  attractive  in  anything  and  Barrie's 
eerie  imaginative  dreams  are  ideal  vehicles 
for   her   ability.   ♦   •   * 


"Lady  Windermere's  Fan"— Warners 
Orpheum,    Chicago 

AMERICAN — *  *  *  As  a  matter  of  fact, 
Ernst  Lubitsch,  who  directed  the  picture, 
has  confined  his  efforts  to  improving  so 
Wilde  drama,  since  it  was  impossible  to 
improve    on    his    conversation.     *     *     ♦ 

JOURNAL — *  *  *  The  photoplay  made 
from  "Lady  Windermere's  Fan"  is  good 
entertainment,  particularly  if  you  can  brush 
away  your  memory  of  the  Wilde  lines ^and 
not    expect   them    even    in    subtitle.    *    *    * 

NEWS — *  *  *  Mixer,  clever,  fashionable, 
probably  Ernst  Lubitsch  has  done  better 
by  this  play  than  any  one  else  could  have 
done;  it  seems  to  be  his  kind  of  a  play; 
many  quiet  moments  of  it  get  over  to  the 
audience    and    there    are    ripples    of    laughter. 


POST — *  *  *  The  light,  sure  directional 
touch  of  Ernst  Lubitsch  is  a  satisfactory 
substitute  for  Oscar  Wilde's  brilliant  lines  in 
telling  upon  the  screen  the  story  of  Lady 
Windermere.    *    ♦    * 

TRIBUNE- »  *  *  This  picture  is  a  smooth 
and  finished  product  that,  though  moder 
nized,  clings  as  closely  as  one  could  reason- 
ably expect  to  the  original  play  by  Oscar 
Wilde.    •    *    » 


"The  Limited  Mail"— Warners 
Family,    Cincinnati 

TRIBUNE—*   *   *   Played  by  a  competent 
cast,    well    directed    and    well    photographed. 


"Little  Annie  Rooney" — United  Art. 
Madison,  Detroit 

FREE  PRESS—*  *  *  There  are  a  few 
tears  in  "Little  Annie  Rooney,"  and  a  few 
scenes  that  will  touch  deeply,  but  there  are 
more   smiles    and   laughter.    *    *    * 

Ohio,  Indianapolis 

STAR—*  *  *  It  is  a  typical  picture  of 
the  old  Pickford  school,  filled  with  comedy 
shots  and  heart  interest.  As  a  vehicle  for 
the  old  Mary  it  is  superb,  but  as  an  up-to- 
date  photoplay  it  may  be  something  else 
again.   *   ♦   * 


"The    Live    Wire"— First    Nat'l 
Strand,  Minneapolis 

SENTINEL—*  *  *  Johnny  Hines  finds 
a  very  situable  and  happy  vehicle  for  his 
individual  comedy  talent  in  "The  Live  Wire," 
a  comic  melodrama  based  on  Richard  Wash- 
burn   Child's    story,    "The    Game    of    Light." 


"Lord  Jim" — Paramount 
Metro,  Baltimore 

AMERICAN—*  *  *  Regular  South  Sea 
thriller.  This,  while  it  can  scarcely  be  in 
accord  with  your  ideas  of  Joseph  Conrad, 
can  scarcely  fail  to  be  in  accord  with  your 
ideas  of  good  red  movie   meat.   ♦   *   ♦ 

NEWS — *  *  *  The  finest  traditions  of  the 
merchant  marine's  are  glorified  in  Joseph 
Conrad's    "Lord  Jim."    *    *    * 


"Lovers  in   Quarantine" — Paramount 
Earle,  Washington 

STAR—*  *  *  Bebe  Daniels,  supported  by 
a  brilliant  cast,  including  Harrison  Ford, 
stars  in  "Lovers  in  Quarantine."  a  delightful 
screen  comedy.   *   *   * 


"The  Lucky  Horseshoe"— Fox 
Victoria,   Rochester 

HERALD — *  *  *  Proved  to  be  one  of  the 
most  unusual  and  interesting  screen  produc- 
tions in  which  this  popular  star  and  his  well 
known  performing  horse  have  been  seen.  *  *  ♦ 


"Madame  Behave" — Prod.  Dist.  Corp. 
Colonial,  Indianapolis 

STAR — *  *  *  The  picture  is  a  hilarious 
comedy  with  many  farcical  situations  and 
much  swift  action.  In  fact,  it  is  about  all 
action.   *   *   * 

Rivoli,  St.  Louis 

STAR — *  *  *  Julian  Eltinge  injects  large 
doses  of  hilarity  into  the  film,  "Madam  Be- 
have" *  *  *  by  a  feminine  impersonation, 
a    sort    of    role    he    always    excels    in.    ♦    *    * 

TIMES—*  *  *  Is  a  rollicking  farce  and 
brings  one  continuous  wave  of  laughter  from 
start  to  finish.  Dashing  policeman,  funny 
old  gentlemen,  good  looking  girls  including 
Ann   Pennington.    *   *   * 


"Made  for  Love" — Prod.   Dist.   Corp. 
Rialto,  Chicago 

AMERICAN—*    *    *    Some    attempt    has 
been  made  to  introduce  comedy  in  this  photo 


^biAadeti^t 


Property  Present  Your  Photoplay 


play,  but  the  humor  is  secured  with  too  much 
effort  and  as  a'  result  gets  hardly  any  laughs. 
Then,  too,  the  whole  thing  is  too  long  drawn 
out.  ♦  *  * 


"The  Merry  Widow"— M.-G.-M. 
Million    Dollar,    Los    Angeles 

EXAMINER — *  *  *  As  it  stands,  the  pic- 
ture is  one  of  the  most  entertaining  which 
the  screen  has  oflFered  recently,  it  is  with- 
out doubt  the  best  opportunity  Miss  Mur- 
ray  has   ever   had.   •   ♦  * 

EXPRESS — *  *  *  Spectacular  coronation 
scenes,  done  in  color,  are  shown  at  the 
end  of  the  photoplay ;  they  give  a  transcen- 
dent theatrical  touch   to  the  production.   »    •    * 

RECORD—*  *  *  Franz  Lehar's  famous 
operetta  is  rather  submerged  by  the  bombas- 
tic direction,  yet  light  veins  of  it  tinkle 
through  daintily  at  the  will  of  the  mega- 
phone  master.    *   *  * 

Stanley,  Philadelphia 

INQUIRER—*  *  *  Mae  Murray  as  Sally, 
and  later,  "The  Merry  Widow-,"  gives  th? 
best  jjerformance  of  her  movie  career.  Her 
dancing    i§_i;-  aeifght.    «    *    * 

J^UBLIC  LEDGER— *  *  *  Erich  von 
Stroheim  has  created  something  distinctly 
different  in  atmosphere.  His  sense  of  beauty 
savors  of  the  Wilde,  Beardsley  and  Dowson 
school,    and   he    has   achieved    some   strikingly 

beautiful    effects    from    an    artistic    viewpoint. 

*    *   * 

RECORD—*  *  *  There  is  regal  beauty  in 
settings  and  in  the  presentation  generally  and 
the  acting  is  especially  good.  Mae  Murray 
and  John  Gilbert  in  the  two  leading  roles 
deserve  special  mention.   *   *   * 


"The  New  Commandment" — 1st  Nat'l 
Rivoli,  Baltimore 

NEWS—*  *  *  Miss  Sweet  is  fine  as  the 
girl.  That  woman  certainly  does  know  how 
to   make   love.    ♦   *    * 

SUN — *  *  *  Screen  adaptation  is  respon- 
sible for  some  of  the  rather  distressing  sen- 
timentality in  which  the  story  occasionally 
wallows.  The  continuity  also  leaves  a  good 
bit   to   be  desired.    *    *   * 

Neighborhood,   Chicago 

POST — *  *  *  The  picture  makes  up  in 
lavish  settings  and  sentimental  appeal  what- 
ever it  may  lack  in  novelty  of  plot  or  dra- 
matic  strength.    *   •    • 

Allen,  Cleveland 

NEWS — *  *  *  the  picture  impressed  me  as 
beiny  no  more  than  mildly  interesting  despite 
its   cast   of    imjjortant    players.    •    ♦    * 

Pl.AlN-DEAI.EK— *  *  *  a  splendidly  told 
kive  storv,  and  its  love  scenes  are  of  the  ten- 
derest  order.  The  ending  is  probably  in  the 
\vi\A  of  what  the  producers  think  the  public 
wants.  It's  pretty  sugary,  but  the  telling  of 
the  ta'e  puts  "The  New  Commandment''  on  jhe 
list    of   highly    recommended    pictures.    ♦    •    * 

TIMES — *  *  *  may  be  termed  good  enter- 
tertainnient  so  far  as  program  pictures  are 
concerned,  but  as  an  epic  or  masterpiece  of  the 
screen   it   certainly   falls   short.    •    *   * 


Urban-Kineto's  First 

REELVIEW 

Plays 

N.  Y.  CAPITOL 

this  week 


729  7th  Av    Yi\ 

DISTRIBUTORS 


N.  Y.  C. 


whe  PaUic  Jtnows  th 


Member  Motion   Picture   Producers  &  Distributors  of   America,   Inc.     Will   H.   Hays,   President. 


rfU 


Kt Pictures  in  1936 

ictures 


The  Biggest  National 

Advertising  Campaign 

in  the  History  oS  the 

Industry  is  telling 

them  so! 

^VER  70,000,000  people  ar^ 
reading  in  40  national 
publications  monthly  that 
Paramount  Pictures  are  bigger 
and  better  than  ever  this 
Spring. 

The  list  includes  Saturday 
Evening  Post,  Ladies'  Home 
Journal,  Liberty  Magazine,  all 
the  national  fan  magazines  and 
26  farm  journals. 

That  means  audiences  created 
in  advance  at  your  theatre  for 
Harold  Lloyd  in  "For  Heaven's 
Sake!"  (his  first  Paramount  re- 
lease), "The  Vanishing  Amer- 
ican," "The  Wanderer,"  "Be- 
hind the  Front,"  "The  Song  and 
Dance  Man,"  "Dancing  Moth- 
ers," Douglas  MacLean  in 
"That's  My  Baby,"  "The  Grand 
Duchess  and  the  Waiter"  and 
the  22  other  big  Paramount 
Pictures  to  be  released  between 
now  and  Fall. 

When  you  book  Paramount, 
you  not  only  get  the  screen's 
finest  box  office  product.  You 
tie  up,  to  your  profit,  with  the 
$15,000,000  worth  of  good 
will  created  for  Paramount 
Pictures  by  nine  years  of  big, 
consistent  national  advertising. 


«<z?;" 


FAMOUS  PLAYERS-LASKY CORPORATION 


H^^ 


.tUfcrtll 


kS.i<hllilli«  Z^i»- 


THE 


MMER 


Abenieen.  S.D. 


-iai---V^ 


•l?i 


iERS  \(/i 

'  '^('"""O  lor  Fa/n>  Worn, 


fS. 


There 


.90 


dock  lOvirA. 


';^'  '/u  v\ , 


r/.r, 


■m 


«:k^, 


ESaaaaaK!!^^ 


<.'>uii!  rii.   (n  fni  thtilt 


14 


"The  Road  to  Yesterday"— Prod. 

Dist.  Corp. 

Orpheum,   Chicago 

AMERICAN—*  *  *  Even  though  it  makes 
your  lieart  ache,  however,  you  enjoy  it.  And 
you're  quite  likely  to  decide  that  it's  one 
of  the  best  and  most  sincere  things  Cecil 
B.   De  Mille  has  ever  done.   *   *   * 

HERALD — *  *  *  It  is  better  cinema  than 
it  was  stage.  It  is  high  romance,  full  and 
flowery.    *    *    * 

NEWS—*  *  *  The  best  Cecil  B.  De  Mille 
production  since  "The  Ten  Commandments," 
most  moviegoers  will  be  inclined  to  say. 
*  *   * 

POST — *  *  *  A  first-class  offering  and  is 
certain  to  please  the  majority  of  picture 
patrons.  It  is  elaborate  but  not  too  pre- 
tentious. It  aims  to  beguile  your  fancy  and 
intrigue  your   imagination.    *    *    * 

TRlliUNE — *  *  *  Is  ten  reels  long,  which 
is  about  two  reels  too  many.  It  is  fascinat- 
ing  for   auoul- eight,  of  them. 

Jntensely  romantic,  it  is  lavishly  produced 
and  beautifi:lly   acted.   ♦   *   -  -„ 


"Sally,    Irene    and    Mary"— M.-G.-M. 
State,   Los   Angeles 

EXAMINER—*  *  *  Edmund  Goulding, 
who  wrote  the  adaptation  and  directed  it, 
has  been  deft  enough  to  bring  absolutely 
new    personalities    into    his    cast.    *    *    * 

TIM  lis— *  *  *  As  a  light,  frothy  and 
rather  Hashy  affair  it  will  probably  merit 
a     -ue   amount   of   attention.    *    *    * 


."Satan  in  Sables" — Warners 
Forum,  Los  Angeles 

EXAMINER—*  *  *  It  isn't  quite  such 
hot  stuff  as  the  title  suggests.  In  fact,  it 
is  little  more  than  slightly  warm,  and  the 
title  has  very  little  to  do  with   it.   *   *   * 

EXPRESS—*  *  *  '"Satan  in  Sables"  be- 
longs in  the  "popular  entertainment"  category, 
with   time-tested   situations.    *   »   * 

RECORD—*  *  *  The  story  is  rather  a 
complicated  affair  and  travels  many  devious 
paths  before  it  reaches  a  satisfactory  close. 
*  *  * 

TIMES—*  *  *  (Lowell)  Sherman  is  a 
capital  actor,  but  he  has  only  a  tew  scenes 
where  he  may  fittingly  disclose  his  talent.  The 
role  is  pretty  much  a  stand-around-and-wait 
one,  except  for  the  moment  that  he  drives 
to   an   auto   smash-up    finish.    *    *    • 


"The  Scarlet  Saint"— First  Nat'l 
Criterion,  Los  Angeles 

EXAMINER—*  *  *  The  screen  version 
is  rather  long  and  moves  at  a  very  slow 
tempo ;  as  a  result  the  suspense  is  not  the 
thrilling  kind  a  faster  moving  plot  creates. 
*  *  * 

EXPRESS — *  *  *  Director  Archainbaud 
has  evidently  ransacked  the  four  corners  of 
cinemaland  for  situations  to  evoke  sympathy 
for    his   long-suffering    heroine.    ♦    ♦    * 

RECORD — *  *  *  With  Mary  Astor  and 
Lloyd  Hughes  in  the  leading  roles,  no  pic- 
ture could  fail  to  be  entertaining,  and  a  large 
share  of  the  honors  go  to  tliem  as  the  young 
lovers.  *  *  * 


"The  Splendid  Crime" — Paramount 
New,  Baltimore 

AMERICAN—*  *  *  La  Bebe  (Daniels) 
acts  well,  of  course,  but  it  is  a  shame  to 
make  a  reformed  crook  out  of  so  good  a 
comedienne.  She  would  have  made  such  a 
nice    unregenerate    safe-breaker  i    *    *    « 


"Stage  Struck" — Paramount 
Columbia,   Washington 

HERALD—*  *  *  In  "Stage  Struck,"  one 
is  afforded  the  pleasure  of  seeing  an  ordi- 
rarily  slapstick  comedy  pieced  out  by  the  art 
of  the  gag  man  to  the  proportions  of  a  hve- 
rcel    feature.    *   ♦   * 

POST — *  *  *  The  play  does  not  do  justice 
to  Gloria  herself  or  her  wardrobe  or  jewelry 
collection.  She  acts  very  well  and  does  the 
best  she  can  with  her  vehicle,  but  there  are 
only   a   few   laughs.   »   *   * 

STAR — *  *  *  Gloria's  role  is  one  a  little 
strange  to  her,  but  she  did  well  with  what 
she  had,  ind  wove  into  the  theme  a  back 
ground   of   pathos    that   could  not   be   resisted. 

nd  Miss   Swanson  was  amusing.   *   •   * 

TIMES — *    *    *    The    sets    are    we'l    done. 

'     the     whole     thing     is     filled     with    trick 

-igraphy  that   is  unusually  good.      Hut  the 

e    as   a    whole   is   terribly   disappointing. 


THE 


j55^ 


\ 

4| 


DAILY 


Friday,  January  15,  1926 


"Steel   Preferred" — Prod.   Dist.   Corp. 
Modern,  Boston 

HERALD—*  *  *  The  screen  version  lacks 
coherence  for  the  narrative  appears  to  be 
dropped  every  once  in  a  while  when  comedy 
scenes  are  introduced.  *   *  * 


"The    Storm    Breakers" — ^Universal 
Strand,   Detroit 

FREE  PRESS—*  *  *  There  are  vivid 
vi^ws  of  the  sea,  of  terrific  storms,  of  daring 
rescues  and  fishermen  at  work  that  make 
(he  picture  unusually  interesting  from  a  scenic 
view.    *    *    * 


"Tessie"— Arrow    (S.    R.) 
Karlton,  Philadelphia 

BULLETIN—*  *  *  May  McAvoy  does 
probably  the  best  piece  of  light  comedy 
acting  seen  in  films  in  this  city  for  some 
time,    in   the   new   picture,    "Tessie."    *    *    * 


"Thank  You"— Fox 
Washington,  Detroit 

FREE  PRESS—*  *  *  Through  the  com- 
pelling force  of  artistic  excellence  William 
Fo.x  has  given  us  a  photoplay  that  enlists 
the  support  of  the  thinking  public.   *   *   * 


"That    Royle    Girl"— Paramount 
Capitol,    Cincinnati 

TRIBUNE — *  *  *  After  a  slow  beginning 
the  picture  picks  up  along  towards  the 
middle  and  has  some  rousing  melodrama 
to   give   it   life.    *   *   * 

Wisconsin,  Milwaukee 

SENTINEL — *  *  *  Has  been  given  an 
excellent    screening    by    D.    W.    Griffith. 

The  film  is  not  a  super-production,  but 
Gritiith  has  narrated  in  an  entertaining  way 
the   melo-mystery.    *    *    * 

Palace,  Washington 

HERALD—*  *  *  The  acting  and  directing 
are  consistently  good.  Carol  Dempster  is 
first  hoydenish  and  then  ritzy  in  a  rather 
exacting  part.   *  *  • 

STAR — *  *  *  Is  a  better  piece  of  work 
than  any  thing  Mr.  Griffith  has  done  in  a 
long,  long  while.  It  has  a  number  of  really 
big  moments  whose  dramatic  intensity  are 
rarely    equaled  on  the  screen.    *   ♦   * 


"Three    Faces    East"— Prod.    Dist. 

Corp. 

Forum,  Los  Angeles 

EXAMINER—*  *  *  The  picture  and  the 
direction  offer  Clive  Brook  one  of  his  best 
roles,  with  a  nice  touch  of  the  romantic 
which    he   plays    well.    *    ♦    ♦ 

EXPRESS—*  *  *  For  its  able  direction 
in  presenting  the  climaxes  and  sustaining 
suspense  are  things  to  admire,  no  less  than 
the   facile  work   of  some  of   the  cast.    *   *   * 

HERALD — *  *  *  Suspense  is  the  keynote 
of  "Three  Faces  East."  Did  the  picture 
possess  no  other  merit,  this  would  serve  as 
a   factor   to   make   it   entertaining.   *   *    * 

RECORD—*  *  *  A  thrlling  melodrama, 
not  just  one  with  cold-blooded  thrills,  but 
love   theme  running  widely   through   it.    *   *    * 

TIMES—*  *  *  It  is  by  all  odds  one  of 
the  best  inystery  stories  with  the  European 
war  as  a  background  that  has  yet  been 
made  for  the  screen.   *   *   * 

Garden,  Milwaukee 

SENTINEL— By  far  the  best  production 
that  has  come  out  of  Cecil  B.  De  Mille's  new 
production  unit  to  date  is  the  absorbing  film 
version  of  the  famous  mystery  war  play, 
"Three   Faces   East."   ♦   *    • 


"Time,    the    Comedian" — M.-G.-M. 
Park,  Cleveland 

NEW'S — *  *  *  It  is  not  more  than  a  mildly 
entertaining  photoplay  offering  little  in  the 
way  of  originality.   *  *  * 

PLAIN  DEALER—*  *  *  Just  when  this 
film  seemed  to  have  finished  its  prolog  and 
was  about  to  settle  down  and  tell  a  story, 
there  came  "The  End"  title  and  so  there's 
not   much    to    tell    about   the    film.    *    ♦    ♦ 


"The  Tower  of  Lies"— M.-G.-M. 
Zaring's,  Indianapolis 

STAR — *  *  *  It  is  a  somewhat  depressing 
tale  but  one  with  tremendous  dramatic  power. 
The  director  has  caught  the  spirit  of  the 
book  admirably.   ♦   *   ♦ 


"Tumbleweeds" — ^United  Artists 
Victoria,  Philadelphia 

RECORD — *  *  *  The  hero  of  the  picture 
is  William  S.  Hart.  He  has  all  his  old  dex- 
terity in  shooting  and  fighting  and  is  other- 
wise as  of  old.  He  is,  indeed,  rather  over- 
shadowing, rather  too  dominating,  in  that  the 
other  characters  whom  he  is  called  upon  to 
triumph  over  are  not  very  real  in  their  re- 
sourcefulness or  in  putting  difficulties  in  the 
way.   *   *  * 


"The  Unguarded  Hour"— First  Nat'l 
Walnut,  Cincirmati 

TRIBUNE—*  *  *  Miss  Kenyon  and  the 
solemn-faced  Sills  do  their  ,best,  but  have  a 
hard  time  raising  the  picture  above  the  ordi- 
nary, for  the  plot  is  quite  hackneyed.  *  *  * 

Chicago,  Chicago 

AMERICAN—*  *  *  As  a  screen  feature 
needs  considerable  bolstering  up  in  the  way 
of  accompanying  entertaniment.   *   ♦   * 

TRIBUNE — *  *  *  Nothing  the  matter  with 
acting,  sets,  or  scenery.  The  plot's  the 
inatttr,    dears!       The    silly,    silly    plot! 

Metro,   Washington 

HERALD—*  *  *  "The  Unguarded  Hour" 
is  a  rollicking  romance  of  a  young  American 

girl    and    a    convention-bound     Italian    duke. 

*   *   * 

POST- — *  *  *  There  is  many  a  laugh  as 
the  vein  of  humor  is  always  cropping  up 
and  there  is  a  little  part  that  touches  the 
lieart    strings.    *    »    * 

STAR — *  *  *  Starts  off  in  a  roar  of  laugh- 
ter and  sustains  its  vein  of  humor  up  to  the 
clima-x,  at  which  time  it  suddenly  veers  from 
comedv  to  melodrama,  thus  missing  a  rare 
chance  ot  being  rated  one  of  the  comedy 
jewels   of  the   season.    *   •    ♦ 


"The  Vanishing  American" — Para- 
mount 
Olympia,  Boston 

TELEGRAM—*  *  *  Overshadows  any 
similar  exposition  ever  written  and  establishes 
a  new  high  mark  in  motion  picture  produc 
tion.  It  is  gigantic  in  spirit  and  presenta- 
tion. *  ♦  * 

Apollo,  Indianapolis 

STAR — *  *  *  Action  and  more  than  or- 
dinarily beautiful  scenery  are  the  chief  char- 
acteristics of  the  picture  aside  from  the  story 
it  tells  of  the  wrongs  done  the  Indians  in 
the   years   past.    *   ♦    ♦ 


"The   Wanderer" — Paramount 
Metro,   Boston 

GLOBE—*  *  *  The  chief  charm  of  the 
photoplay  is  the  marvellous  photographic  ef- 
fects, which  have  been  handled  so  effectively 
that  various  scenes  might  well  have  been 
paintings.  *  ♦  * 

HERALD — *  *  *  Those  who  came  pre 
pared  to  scoff  went  away  marvelling  at  the 
beauty  of  Raoul  Walsh's  settings,  at  the 
artistic  groupings,  at  the  oriental  sumptuous, 
ness  of   it  all.   *   *   * 

TRANSCRIPT—*  *  *  No  one  can  deny 
the  opulence  and  garish  lustre  of  "The 
Wanderer."  Miss  Nissen's  Tisha  is  a  sinuous 
animal  creation,  instilled  with  a  skilled  dan- 
cer's  natural   grace.    »    *    ♦ 

TRAVELER—*  *  *  It  is  an  opulent 
oriental  spectacle  to  delight  the  senses,  gor- 
geously   set    and    photographed    by    an    artist. 


"The    Wedding    Song"— Prod.    Disi. 
Corp. 

Read's,  Cleveland 

NEWS—*  *  *  In  an  effort  to  compensate 
for  the  lack  of  action  in  the  early  ree's. 
the  director  seeks  to  pep  things  up  in  the 
concluding  chapter  and  the  picture  goes  quite 
mad.  *  ♦  * 

PLAIN  DEALER—*  *  ♦  Crook  melo- 
drama seems  to  be  the  rage  at  the  moment. 
*  *  *  One  of  the  best  we  have  had  the 
pleasure  of  seeing  this  season  is  "The  Wed- 
ding Song."   *   *   * 


"When  the  Door  Opened" — Fox 
Colonial,  Indianapolis 

STAR — *  *  •  'i^es,  it  is  pretty  strong  melo- 
drama but  those  who  are  willing  to  take  it 
with  about  four  grains  of  salt  will  undoubtedly 
enjoy  it^  Ft  is  a  typical  James  Oliver  Cur- 
wood  picture.  •  *   * 


"We  Moderns" — First  Nat'l 
Rivoli,  Baltimore 

SUN — *  "  '  A  good  cast  nas  been  asset 
ulea  to  project  tuis  latest  oae  lo  me  n^ppc 
jacK  iviuinaii,  wtiu  Iooks  bO  niucn  jikc  ji-u^ci 
(J  JJrien,  piays  opposite  iVjliss  iVioore  anu  uo 
very  niceiy.        *    ' 


■'What  Happened  to  Jones' — Univei 
sai — strand,  ueiroit 

FREE    riv£.ic) — ■  ■^     vv  iLU    iuis    piCiU 

Ucuuy  sieps  luio  the  raiilis  oi  Cuiucuians  aioi 
vvita  v.,liapiin,  Lloyd,  ±su=ter  .cveaiou  anu  jooi 
iiy  Jtiiiico.    ■    '    ^ 

iNuVvi — *    *    *    It   is   not   pretentious   but 
posbCasej.   real   entertaiiiraeut  almost   every    toi 
ui    Its   actioii-pacKed   way,    ^    -^    ^ 


"Where  Was  I?"— Universal 
iioston,  Boston 

GLOBE —  XI    Is    an    amusing    story  i 

an  aiuucuve  bachelor  wUo  gets  imu  oonic  vet 
amusing  preaicameiiis  turougu  his  iiiaunuy  i 
recall    nis     wnereauouts    on    a    certain    lugd'! 


"Why   Women  Love" — First   Nat'l 
Criterion,  l^os  Angeies 

EXAMi.iMi,n. — j.ne  uumcnueas  of  thi 

bacKgrounu,    tne   humanly    cUaraciers   aim   jogi; 
cai    story    development    all    hoiu    uie     iiiieie-i 

tiXl'KESij — '  "  '  IS  a  composite  oi  time 
honored  events  which  action  ueinanus  oi  til' 
stern  and  rock-bound  coast;  '  yet  incidents  ai' 
modern  enough  to  bring  tneni  withm  prcoeiii 
day  conventions.   *   »   « 

riCKAI^Jj — "  *  *  The  plot  of  the  story  i: 
rather  slow  but  the  wonderlul  pliotogi<.pnv 
and  beautitul  sea  scenes  will  perliaps  niaMj 
one   torget  that   Jault.    »    »    * 

KECOKD — *  *  "  the  excellent  characteil 
studies  and  admirable  interpretations  by  tlltj 
actors,  leave  little  to  be  desired  m  the  way 
jt    euiertainment.    '    »    * 

liMES — '    '    *    Blanche    Sweet    is   magnifi 
cent    as    the    girl.      She    maKes    tne    characterl 
.ovable    without    being    saccharine;    she    make, 
che    heroine    characterful    without    making    he/ 
strike   a  single   attitude.    *    *   • 

Arcade,  Philadelphia 

BULLETIN—*  *  *  The  usual  hokum  of  the 
sea  story.  Storms  at  sea,  a  fire  in  an  on 
tanker,  a  woman  rescued,  the  hermitage  life 
un  a  lighthouse  station  all  appear  in  tne  hlm|| 
jycle.     And   Blanche   Sweet  tries  to  act.   *   *  ~ 

INgUIRER— *    *    *    None   of   the   acting 
such  as  to  deserve  any  unusual  comment — bu  . 
.he    entire    atmosphere    of    the    picture    is    ta^ 
iietter  than  the  average  picture  of  the  sea.  ' 

PUBLIC  LEDGER—*  *  *  it  has  a  grea 
deal  of  the  good  old-fashioned  melodrama. 

RECORD — *   *   *  A  simple,  straightforward'!| 
tory   without   a   flaw   in   its   direction   and  pos^il 


k.  1 


sessmg  a   decided  fascination 

Piccadilly,  Rochester 

DEMOCRAT—*  *  *  the  tale  has  been  given 
an  extraordinary  realism  in  the  fine  acting  of 
.Miss  Sweet,  Robert  Frazer,  Dorothy  Sebas- 
.ian,  Alan  Roscoe  and  Edward  Earle,  who  en- 
act the  principal   holes.   ♦    »   * 

HERALD—*  *  •  Don't  be  misled  by  the 
title  of  this  picture.  It  has  nothing  to  do 
.vith  modern  marriage  problems;  it  does  not 
delve  into  the  question  of  sex  lure,  *  *  ♦  is 
.eal  melodrama,  full  of  action.  The  only  dif- 
lerent  thing  about  it  is  that  the  hero  of  the 
nory    is   a   woman.    ♦    ♦    ♦ 

JOURNAL— *  *  ♦  All  of  the  sea  atmos- 
in  immense  amount  of  amu-jement  from  it.  In 
fact,  some  members  of  the  audience  became 
fairly  hysterical  over  the  melodramatic  pro- 
.louncements  :ind  sentimental  poses  of  the 
heroine  of  "Why  Women  Love,"  and  seemed 
phere  that  was  in  the  stage  p'ay  has  been  re- 
tained in  the  movie  version.  In  fact,  it  has 
been  increased,  owing  to  the  ability  of  the  cam- 
era to  reproduce  shots  of  real   sea  scenes.   *  *  * 

TIMES — *  *  *  If  one  may  judge  by  the 
attitude  of  those  at  the  Piccadilly,  the  present- 
day  audience  utterly  refuses  to  take  senti 
mental  melodrama  seriously  but  it  can  extract 
thoroughly  to  enjoy  the  performance  as  a  gem 
of   comedy.    ♦    ♦    ♦ 


"Womanhandled"— Paramount 
McVickers,  Chicago 

AMERICAN— ♦  *  ♦  Incidentally,  if  vou 
miss  "Womanhandled"  you're  going  to  pass  up 
a  chance  for  a  good  loud  laugh;  for  it  is  one 
of  the  funniest  comedy  dramas  presented  in 
some  time.    *    ♦    * 

State,  Cleveland 

PLAIN  DEALER—*  ♦  ♦  This  is  supposed 
to  be  a  companion  piece  to  "Manhandled," 
but  It  seems  far  more  amusing  to  be  "Wo- 
manhandled," which  presents  Richard  Dix  at 
his  stride  which   is  fast,   and  amusing.   *   •   • 


ana 


^ 


day,  January  15,  1926 


THE 


White  Hurls  Words 

(Continued  jrom  Page   1) 

1)1-    intelligent    people. 
iit    also    is    subject    to    some    amendment 

I   considerable   debate.      For   it   must    be 

!(-il    tliat    from    half   a    dozen    to    a   score 

motion    pictures     offered    every     year 

!     interest    intelligent    people.       But    that 

mhnitesimally   small   number   of  pictures 

red  with  the  output  of  the  film  makers. 

1  liaps    the     leadership    of    America — the 
ity     with    critical    intelligence — does    not 

c   the  consideration   of   the  men    who  are 
i;    fabulous    fortunes    out    of    the    movies 

pealing    to    the    ui. critical     group,       Ptil 

a  financial  basis — the  basis  of  their 
iial  patronage  in  dollars —  the  claims 
minority  that  avoids  the  movies  are 
alid.  Put  upon  any  other  Ijasis,  the.r 
mIs  are  righteous.  For  until  the  mov- 
icture  industry  accepts  the  dictum  and 
1  adership  of  the  critically  intelligent 
iiy  the  industry  will  contmue  to  be  tlie 
flashy  sister  among  the  muses  that  she 
he     sister     of     easy     money     and     easy 

Says   Money    Sets   Standard 

I  )iscussing     production     standards, 

iHtL'  says: 

f    standards    that    exist    are    worthless. 

are    set     too     frequently     only     by     the 

spent    on    a    production — money    spent 

(.tors,     for     scenic     effects,     for     various 

ill    accessories.       The    money    spent    for 

rarely    enters    the    gauge    in    grading    a 

r.       It    is    billed    as    'magnificent,'    'gor- 

'     'thrilling,'     'gripping,'     but     never    as 

iuid,     baffling,     delightful,     whimsical     or 

ating.   ♦   *   * 

;ic     Scarlet     Muse     of     the     silver     sheet 
-      inly    money,    big    money,    quick    money, 
liity    money    of   her    dupes.    *    *    * 
The  world  of  moving   pictures  has  few 
utists,    no   producers,    no    creative    genius 
omparable    to    the    contemporary    leaders 
bf  Uterature,   of  the  plaiitic   or  of  the  dra- 
matic    arts     either     in     America     or     in 
teurope. 

I  hf  reason  is  obvious.  Creative  genius 
,1  liigh  order  generaHy  appeals  first  to  the 
>  ligcnt,  then  to  the  unintelligent  who  ac- 
ii  the  leadership  of  those  who  can  tell 
^ood  from  the  bad.  Hut  in  all  the 
\  iL  world  no  place  is  provided  where  per- 
1-  o(  wit  or  gmiiption  may  go  to  find 
line  plays  that  are  directed  at  the  dis- 
iiiiiiating.    *    *    • 

j".\ow  and  again — perhaps  a  dozen  times 
year — something  is  produced  upon  the 
reen  which  gladdens  the  understanding 
art.  But  in  the  flood  of  chaff  the  wheat 
Inst.  The  shallow,  the  sappy,  the  spoony. 
'  heavy  and  the  blatant  cover  tlie  good 
c'l  It  is  not  graded,  therefore  it  creates 
)    standard.    *    *    * 

"It  (the  movie  mob)  certainly  would  walk 
It  on  the  pictures  of  the  National  Geo- 
aphic  Society  if  they  were  sent  out  upon 
e   ordinary    movie   circuit. 

And  there  is  the  crux  of  the  whole  matter 
-the  ordinary  moving  picture  circuit.  The 
oving  picture  business  should  be  graded 
id  classified  by  houses,  as,  for  instance, 
ie  theater  was  graded  before  the  moving 
icture  business  came  to  destroy  the  provin- 
al    stage." 

"Industry  Only  a  By-word" 

At  a  later  point,  White  bitingly  as- 
erts: 

"What  the  moving  picture  industry  must 
ave,  before  it  becomes  anything  but  a  by- 
ord,  is  a  string  of  theaters  across  the  land 
hat  will  advertise  'Lowbrows.  Cripple-wits 
nd     Sex-seekers    barred     from     this    house.' 

"Given  ten  or  twenty  million  dollars — no 
irge  sum  when  one  considers  what  it  would 
chieve  in  Amercian  life — a  theater  could  be 
bartered  in  every  country  town  of  more 
han  twenty-five  thousand  inhabitants  whore 
he  minority  that  loves  truth  in  art  could  find 
t   in  the  moving  picture   film. 

"That  does  not  mean  'clean,  who'esome 
lays' — nothing  like  it.  That  means,  rather, 
■.  selective  reality  in  the  presentation  of  life 
hat  makes  truth  rise  and  shine  in  a  pic- 
ure.  It  does  not  mean  salacious  plays — 
luite  the  contrary.  It  means  sex  would  not 
le     snubbed     or     repressed,     but     also     neither 

iphasized   nor   exploited,    but   take    its   place 

ndidly   as   a   part   of   life   and   its   motives. 

"This  all  means  that  the  moving  picture 
ndustry  might  develop  an  art.  as  writing 
md  painting  and  sculpture  and  the  drama 
have  developed  arts,  without  the  accursed 
-•ensorship  of  the  aesthetically  lame  and  the 
tialt  and  tlie  Mind  forever  snuffing  out  the 
fire  of  truth  in  the  moving  picture  as  ig- 
orance  puts  out  the  divine  fire."   *   *   * 


On  "The  Artless   Dollar" 

"Xow,  the  answer  to  this  thesis,  of  course, 
will  come  back  from  the  makers  of  tlie 
movies  that  the  intelligent  public,  if  there 
is  any  such  public,  does  not  care  for  in- 
telligent movies.  The  movie  makers  contend 
that  theirs  is  not  essentially  a  medium  for 
conveying  information  or  controversial  ideas 
but  is  merely  a  means  for  occupying  sonie- 
whati  the  same  place  in  the  schedule  of  an 
intelligent  person  as  detective  stories  occupy 
in  literature;  something  to  amuse,  to  divert, 
to  pass  an  id'e  hour.   ♦  *  * 

"Criticism  of  the  moving  picture  business 
comes  down  to  this :  The  f)usiness  is  not 
intellectually  honest  because  it  is  not  intel- 
lectual. It  has  no  notion  of  how  bad  it  is 
because  it  has  developed  no  commanding 
artist   who   has   power  to  follow  his  intcUgient 

instincts   and   so   develop   an    intelligent   public. 

*    *    * 

"The  ru'es  of  the  niotion  picture  busi- 
ness are  based  on  business  sense,  not  on 
artistic  sense,  and  so  the  motion  picture  is 
not  developecl  as  an  art  form  hut  as  an  eye 
teaser,  a  toy,  a  mechanism  to  puzzle,  thrill 
and  divert — but  not  to  tell  the  truth,  not  to 
carry  ideas  as  every  art  form  that  is  real 
must  carry  ideas  and  so  bring  the  truth 
to   the  heart.   *   ♦   ♦ 

"Of  course  a  few  films  are  released,  one 
ill  a  thousand  or  ten  thousand,  which  allow 
the  background  to  take  its  proper  place  as 
a  medium  of  artistic  effect.  But  they  are 
so  few  that  they  stand  out  signally.  'Nanook' 
was  one,  and  Mr.  Robert  Flaherty  and  his 
wife  Frances,  who  produced  'Xanook."  have 
just  produced  another,  a'  most  significant  pic- 
ture called  'Moana.'  In  it,  to  all  intents 
and  purposes,  a  new  art  form  is  revealed. 
Here  we  have  an  hour  and  a  quarter  of  the 
South  Seas.  Samoa,  Stevenson's  country,  with 
the  slightest  eerie  thread  of  a  love  story 
which  is  not  even  revealed  until  the  end  of 
(he    last   two   reels. 

"The  moron  will  walk  out  on  it,  possibly, 
he  will  wonder  what  it  is  all  about,  why 
something  doesn't  happen,  and  will  say  in 
the  foyer  of  the  theater,  'Well,  what's  the 
answer?'  and  walk  away  bewildered.  But 
i'  pictures  like  'iMoana'  could  come  into  the 
theaters  where  people  might  be  regularly  at- 
tracted and  should  continue  attracted  by  the 
promise  of  pictures  appealing,  as  'Moana'  ap- 
peals, to  a  reasonably  high  intelligence,  the 
moving  picture  producer  could  annex  an  en- 
tirely new  section  of  the  population  as  pat- 
rons of  the  films.  But  to  produce,  night 
after  night,  in  any  theater,  pictures  of  this 
gentle  sort,  the  door  keeper  would  have  to 
bar   the   lowbrow.    *   *   * 

"The  value  of  the  discovery  of  the  moving 
picture  is  cheapened  by  the  kind  of  thing 
discovered.  It  offers  a  nervous  relaxation 
for  tired  people.  It  is  little  better  than 
chewing  gum,  in  that.  The  whole  vast  ino- 
tion  picture  industry,  with  its  billions  in- 
vested and  with  its  hundreds  of  thousands 
employed,  under  the  present  status  of  pro- 
duction, distribution  and  exhibition,  gives  us 
little  that  is  much  better  than  a  glittering 
toy    for    an    imbecile    giant." 


Presentations 

A  feature  dealing  with  the  mari- 
ner in  tvhich  first-runs  build  their 
profirams  and  written  from  the  an- 
gle of  one  who  sits  out  front. 

Designed  solely  for  the  purpose  of 
conveying  to  exhibitors  ideas  to  be 
used  in  developing  their  oivn  shoivs. 

Colony 

Unit  No.  1. — Overture — "Here  and 
There  in  the  Pit."  Gives  opportunity 
for  various  members  of  the  orchestra 
to  render  solos.     Time,  4  minutes. 

Unit  No.  2. — Weekly  Magazine. 
Time.  7  minutes. 

Unit  No.  3. — Revue — "Charleston 
Carnival."  Consisting  of  numbers  ex- 
ploiting the  Charleston,  featuring 
Charles  King,  leader  of  the  jazz  band, 
and  Bobby  Folsom  with  12  Charles- 
ion  Girls,  (a)  Allen  White's  v^o'ileg- 
ians  and  Charleston  Girls  in  "Clap 
Hands,  Here  Comes  Charlie."  (b) 
Charles  King  sin.ging  "You  Remind 
Me  of  My  Mother."  (c)  Chester 
Fredericks,  boy  dancer  in  "Some  Fast 
Steps."  (d)  Collegians  in  jazz  num- 
ber, "A  Little  Bit  of  Everything"  (e) 
Song  number,  "Lonesomest  Gal  in 
Town."  (f)  Jazz  number,  "Echoes 
from  Barnum  and  Bailey."  (g)  Song 
number,  "That  Certain  Party,"  (h) 
Dance  siiecialty,  "Whirls  and  Twirls." 
(i)  Song  number,  "Pnt  Going  Back 
to  Charleston."  (j)  Charleston  spec- 
ialty by  Ethel  Bryant,  (k)  Charleston 
Girls  in  specialty  number.  (1)  Entire 
ensemble  in  "A  Little  Bit  of  Charles- 
ton, featuring  "Dot"  Jeanie,  a  !)aby 
dancer.  This  revue  is  well  staged  with 
vari-colored  drapes,  ornamental  flow- 
er pieces,  and  arti.'jtic  lights.  The 
Charleston  Girls  wear  startling  cos- 
fumes  a  la  "Ziegfield  Follies."  Time, 
30  minutes. 

Unit  No.  4. — Feature — "California, 
Straight    Ahead."     Time,   80   minutes. 


Editor's  Note  —  \Vr.  White  may 
have  selected  the  several  photos 
which  are  used  to  embellish  the  ar- 
ticle. Or  the  selection  may  have 
rested  with  the  art  department  at 
Collier's.  However,  one  scene  is  re- 
produced from  "jManncquin."  It 
de;'ls  with  a  part  in  the  home  of  Or- 
chid Sargossa  as  Dolores  Costello 
is  known  in  the  picture.  The  photo- 
graph shows  Orchid  seated  on  the 
lap  of  one  of  the  boys  at  the  party, 
carries  the  caption.  "  'Mannequin' 
doesn't  show  the  ascension  of  virtue," 
and  reveals  the  rest  of  the  party,  ap- 
parently laughing  an  endorsement. 
As  a  matter  of  strict  accuracy,  in  the 
picture  Orchid  is  forcibly  pulled  on 
the  boy's  lap  and  the  action  clearly 
shows  '  her  resentment,  her  blows 
against  the  boy's  face  in  a  wild  ef- 
fort to  free  herself.     That's  one  point. 


Quota  Plan 


Universal  Titles  Changed 

Hollywood  —  Titles  of  three  Uni- 
versal features  now  in  production 
have  been  changed.  "Wives  For 
Rent,"  Svend  Gade's  latest,  in  which 
Virginia  Valli  and  Pat  O'Mallcy  are 
co-st?rred  has  been  changed  to 
"Watch  Your  Wife";  "Poker  Faces" 
which  Harry  Pollard  is  directing 
with  Edward  Everett  Horton  and 
Laura  La  Plante,  will  be  known  as 
"Beware  of  Blondes,"  and  "Crimes 
of  the  Arm-Chair  Club"  will  he 
known  as  "The  Mystery  Club  " 
Herbert   Blache   is   directing. 


(.Continued   from   Page    I) 
sor  and  be  capable  of  being  shown  to  an   Ex- 
hibitor   on    demand. 

(ii)  The  exhibition  date  for  any  foreign 
film  must  not  be  more  than  si.x  months  from 
the   booking   date. 

(iii)  In  the  case  of  a  serial  or  series,  each 
part  or  number  not  being  more  than  2,000  feet 
in  length,  these  conditionsi  shall  ai)ply  to  the 
first   three  parts   or  numbers. 

There  has  been  no  change  except 
insofar  as  the  date  is  concerned.  The 
inn)ression  has  prevailed  for  some 
time  in  New  York  that  if  the  block 
booking  clauses  should  become  effect- 
ive, independent  distributors  would 
6nd  the  going  far  easier  in  England. 
This,  because,  those  big  companies 
which  now  block  book  c;  an  exten- 
sive scale  would  Vkj  longer  1)e  able  to 
sell  pictures  for  delivery  far  in  the 
future,  inasmucli  as  each  production 
will  have  to  be  seen  and  passed  by 
the  Board  of  Censors.  "Paper"  pic- 
tures will  in  that  way  be  eliminated. 
Relative  to  the  central  studio,  the 
ollicial  plan  provided: 

A  Central  Studio 

S — The  Sub-Commitlce  puts  on  record  its 
belief  that  the  success  of  the  foregoing  scheme, 
so  far  as  it  relates  to  the  establishment  of  a 
permanent  British  film  producing  industry, 
will  be  very  materially  aided  by  the  estal)- 
lishment  of  a  large  Centra]  Studio.  A  com- 
mittee to  investigate  and  report  on  the  details 
of  a  studio  scheme  could  with  advantage  be 
appointed  as  soon  as  the  Government  signifies 
its  willingness  to  give  effect  to  the  other  pro- 
posals contained  in  this  reimrt  for  the  revival 
or  establishment  of  a  British  film  producing 
iiidustry. 

J.  D.  Williams  of  British  National 
Pictures,  Ltd.,  who  is  now  here  is  go- 
ing ahead  with  two  stages  of  the  eight 
stage  studios  planned  by  his  company 
on  a  large  estate  near  London  and 
liclieved  to  be  outside  of  the  city's 
fog  belt.  It  is  more  or  less  of  an  open 
secret  that  Williams  hopes  to  pro- 
vide llie  -studio  space  necessarv  for 
the  creation  of  the  central  studio 
talked  of  by  the  British  producing  in- 
dustrv. 


Hampton   Series   in    Magazine 

The  first  of  a  series  of  articles  by 
Benjainin  B.  Hampton  on  "Screen 
Favoritism"  is  appearing  in  the  Janu- 
ary issue  of  Complete  Novel  Maga- 
zine. 


New    Universal    Directors 

Hollywood — Two  new  names  have 
been  added  to  the  directorial  staff  at 
Universal,  William  Wyler,  will  di- 
rect Art  Accord  in  "Lazy  Lightning" 
as  his  first  feature,  Ernest  Laemmle, 
who  has  been  an  assistant  for  several 
years,  is  preparing  a  western  in 
which  he  will  direct  Jack  Hoxie. 


"U"  Signs  Adrienne  Dore 

Los  .Angeles — Adrienne  Dore  has 
been  signed  by  Universal  under  a 
five  year  contract.  Her  first  part  is 
in  Herbert  Blache's  production,  "The 
Mvsterv  Club,"  directed  by  Herbert 
Blache.' 


Sp'c'l  British  Film 

"Daily  Express"  of  London  to  Spend 
£50,000  on  One  Picture  in  Na- 
ture of  Produciion  Test 

London — Considerable  interest  has 
been  aroused  in  the  announcement  of 
the  "Daily  Express"  of  its  intention 
to  investi.gate  the  possibilities  of  Bri- 
tish production.  To  this  end,  a  test 
picture  will  be  made  at  a  cost  of 
£50,000,  a  sum  which  the  directors 
of  the  newspaper  have  voted.  The 
paper    announces — 

"It  is  proi)osed  to  take  the  reader 
by  the  hand,  so  to  speak  and  lead  him 
ihrough  all  the  mysteries  of  lilni  pro- 
duction, to  analyze  them,  discuss 
them,  and  if  possible  triumph  over 
them.  The  'Daily  h'xpress'  will  take 
the  reader  fully  into  its  confidence 
over  this  venture,  and  will  describe 
from  day  to  day  and  stage  to  stage, 
the  progress  of  the  film,  publishing 
an  exact  return  of  all  monev  expend- 
ed and  a  faithful  accotmt  of  all  the 
difficulties  and  failures  in  the  path. 
The  total  cost  of  the  film  will  be  giv- 
en as  the  production  makes  progress. 
A  return  of  the  proceeds  when  it-i-> 
distributed  to  the  cinema  theaters 
will  also  be   i)ublished." 


Two  Weeks  for  "Mike" 

"Mike"   will    be    held   for  a   second 
week  at  the  Capitol. 


Beaumont  to   Direct  "Sandy" 

Los  Angeles — Harry  li^aumont  wil 
direct  "Sandy"  for  Fox.     Madge  Be 
lainy    has   the   lead. 


WILLIAM  S.  HART 


IN 


44 


TUMDLEWEEDS' 


Sioru  ba  HAL  G.  EVARTS  ^daptedfor  the  screen  bj  C.  GARDNER.  SULLIVAN 

"Directed bylkWQ  DAGGOT 

The  New  York  Verdict 


**Hart  and  his  Tumbleweeds*  packed  'em  in, 
and  we  recommend  it.  —Herald  Tribune. 

"Elaborate  production  lifts  'Tumbleweeds'  out 
of  the  'Western'  class.  The  land  rush  scenes 
are  magnificent." — American. 

"We  like  Bill  Hart  in  his  Tumbleweeds'  and 
'we  believe  you  will,  also."— Graphic.^ 


"If  Bill  Hart  continues  to  film  such  pictures  as 
*Tumbleweeds'  he  is  back  to  stay  with  his  host 
of  fans."— Journal, 

"'Tumble weeds'  is  one  of  Hart's  finest — if  not 
his  finest — picture." — Telegraph. 

"Hart's  superb  riding  stirred  Strand  audiences 
to  rousing  cheers,"— Mirror. 


Stl 

sht 

Ml 


Now  BdbKiNf 

UNITED    ARTISTS    CORPORATION 


IMarif  Pickford 
Douglaj-    Fairbanks 

Jojeph  M  Jchenck, 
Chairman  .  ^oard  of  Directorj' 


Charles   Chapl 
D.W.Qriffifh 

Oiiram    Qbramj-, 
Presic)c.nt 


/^^-^^^ 


iTHE 

iff  brAdstreet 

<  FILMDOM 


2^<?RE(0CMIZE^ 

Authority 


..  XXXV     No.  13 


Sunday.   January    17,    1926 


Price  25  Cents 


THE  ULTIMATE  IN  SPECTACULAR  .  HRiLLERS ! 

A  Universal  Super-Production        Presented  by  CARL  LAEMMLE 


THREE  FAaS  EAST 

triumph  for 
Jetta  Goudal 

Los^ncjeks  Sxamimr 


T_JERE    is    a    three-fold    triumph — a    hox-ojjice 
triumph,  an  artistic  triumph  and  a  triumph  for 
Jetta  Qoudal,  Cecil  B.  De  Mille's  exotic  star. 

Read  the  reviews  and  be  convinced. 

Book  the  picture — and  turn  this  conviction  into 
dollars  at  the  box  ojfice! 

"Should    prove   a    winning   box    office 
card  for  any  theatre."  M.  P.  News 


"Not  for  many  years  has  there  been 
,,  ^  picture  in  which  suspense  is  so  uni- 
j  'formly  maintained." 

Harrison's  Reports 

"Jetta  Goudal   does  some  of  the  best 
aWork  of  her  entire  career." 

Los  Angeles  Herald 

"Holds   the    interest   of   the   audience 
from  the  first  foot  of  celluloid  until  the 
'grand  climax.  *   *   *   A  success?     Well, 
one  should  say  so!" 

Los  Angeles  Daily  News 

"The  direction  of  Rupert  Julian  is  of 
exceptionally  good  quality.  Indeed,  in 
many  ways,  he  has  done  a  more  effective 
piece  of  work  in  this  than  in  'The  Phan- 
tom of  the  Opera.'  *  *  *  The  inscruta- 
ble appeal  of  Jetta  Goudal  which  first 
{brought  her  to  the  fore  in  'The  Bright 
rShawl'  is  used  to  considerable  advan- 
tage." Los  Angeles  Times 


CECaB.DEMlLLE  f  resents 

THREE 


"Witks 

jetta  goudal 
robektAmes 

HENRyBMLTHALL 

and  CLivE  Brook 


FACES 
EAST ' 

A  Rupert  Julian  Production 


RELEASED   BY 

PRODUCEKS  DISTKIBUTINCCOKPORATION 

F.  C.  MUNROE.  Presidcnl        RAYMOND  PAWLEY,  Vic«.P,«idenl  and  Treasurer        JOHN  C.  FLINN.  ViM-Pr«ldenl  and  General  Manager 

Member  of  Motion  Picture  Producers  and  Distributors  of  America.  Iric.  WILL  H.  HAYS,  President 


Foreign  Distributors 

Producers  International  Corporation 

J30   West  46th  Street.,     New  York.  N.  Y. 


ie  BRADSTREET 

/*  FILHDOM 


2^^RE(OCMIZE6 

Authority 


i 


|i.  XXXV     No.  13 


\ 


Sunday,  January   17,   1926 


Price  25  Cents 


Mewels  for  Spring 

iiy  in  Three;  La  Plante,  Philbin 
il  Peters  in  One  Each — Other 
Stars  in  List,  Too 

liiversal  will  release  17  Jewels  in 
"Second  White  List"  which 
rs  the  Spring  and  Summer  of 
!  The  releases  include  three  star- 
I  Reginald  Denny;  one  each  for 
I  a  La  Plante,  Mary  Philbin, 
i;e  Peters;  four  starring  Hoot 
bn;  two  for  Norman  Kerry;  one 
■  arring  Virginia  Valli  and  Pat 
lalley;  one  with  Glenn  Hunter. 
t  three  all-star  productions.  In 
tl  they  follow: 

January 

'  le  Little  Giant,"   starring   Glenn   Hunter 

llirected    by    Will    Nigh.      Edna    Murphy 

ted. 

*ie  Arizona   Sweepstakes,"   starring  Hoot 

in    and    directed    by    Cliff    Smith. 

'ella   Maris,"    starring   Mary   Philbin   and 

eed   by    Charles    J.    Brabin. 

"hat      Happened      to      Jones,"      starring 

t  aid    Denny     and     directed    by     William 


{Continued  on   Page   11) 


kford  in  "Brown  of  Harvard" 

ll-G.-M.  has  signed  Jack  Pickford 
jpear  in  "Brown  of  Harvard"  to 
rected  by  Jack  Conway  and  Bes- 
^ove  for  the  title  role  in  "Lovey 

iv."      Harry    Millarde    will    direct 

I  atter. 


ke 


K.  G.  Rejects  Five 

;or    Board    Reviewed    1.801    Pic- 
res   During   1925 — Eliminations 
Ordered  in  338 

insas    Citv.    Kan. — During    1925, 

Kansas    Citv    Board    of    Censors, 

hich  Miss  E.  Viets  is  chairman. 

wed   1,801  pictures.     There  were 

'  others  which  went  through  the 

il  s  hands,  but  were  not  reviewed 

■i  eliminations  had  been  ordered. 

five  were  rejected  entirely. 

{Continued  on  Page   11) 


Features  Reviewed 

Page 
That    Royle    Girl 

Paramount    6 

ounsel  for  the  Defense 
Associated    Exhibitors    6 

Sraveheart 
Prod.  Dist.  Corp 6 

The   Palace   of  Pleasure 

Fox     6 

iMike 

I    Metro-Gold.-Mayer    7 

|My  Lady  of  Whims 

Arrow — State    Rights     7 

Fighting    Fate 

Rayart — State    Rights    7 

Mannequin 

Paramount    7 

Short    Subjects    9 


14,000  New  Seats 

8,000    Added    in    Kansas    City,    Rest 

Planned — Warners  Decide  Not 

To  Build  There 

Kansas  City,  Mo. — While  St.  Louis 
exhibitors  are  attributing  a  slump  to 
over-seating — setting  forth  the  figures 
of  one  seat  for  every  7.05  persons — 
an  entirely  different  situation  exists 
hpre.  A  check-up  about  a  year  ago 
revealed  that  there  was  a  seat  for 
every  4.05  persons  in  this  city.  Since 
then,  approximately  8,000  seats  have 
be^n  added,  with  6,000  more  to  come 
by  jthe  middle  of  next  summer.  And 
business  is  good,  not  theoretically,  but 
in  fact. 

nnouncement     made      concerning 
th^    new    4,000-seat    Midland    theater, 

(Continued   on    Page    11) 


May  Join  United  Artists 

Hollywood — Local  papers  report 
ijliam  de  Mille  may  sign  with 
United  Artists.  He  admits  he  has 
conferred  with  Joseph  M.  Schenck. 
On  the  other  hand,  reports  likewise 
persist  that  he  will  join  his  brother 
and  release  through  P.  D.  C. 


Benson  to  Europe 

Bernhard  Benson,  vice-president  of 
Pathe,  sails  today  on  the  Majestic. 


The  Buffalo  Opens 

Latest    in    Publix    Chain    Seats    4,000 
and   Costs    Over    $1,000,000— Of- 
ficials Present 

Buffalo — Shea's  Buffalo  opened  last 
night  with  a  private  performance. 
The  theater  seating  about  4,000  and 
costing  more  than  $1,000,00  to  erect 
is  the  latest  in  the  Publix  chain. 

Important  officials  of  Paramount, 
Publix  and  B.  and  K.  came  from  New 
York  and  Chicago  for  the  premiere, 
among  them  Adolph  Zukor,  Jesse  L. 
Lasky,  S.  R.  Kent,  Sam  Katz,  George 
Weeks,  Phil  Reisman,  Sam  Dembow, 
A.  M.  Botsford,  Barney  Balaban  and 
Herbert  Stern,  of  Balaban  and  Katz 
Corp..  Hugo  Sonnenschein  and  John 
Hammel. 

{Continued  on    Page  2) 


Sales  Months  On 
January,  in  addition  to  being  known 
as  "Laugh  Month,"  is  also  First  Na- 
tional Month;  February  will  be 
known  as  P.  D.  C.  Month  and  March 
has  been  designated  as  F.  B.  O. 
Month. 


Dinner   to   Loew 

The  Green  Room  Club  will  give 
a  dinner  tomorrow  night  for  Marcus 
Loew. 


The  Kickers 


By  DANNY 


They  come  and  go.  Usually  they  offer  little  of  real  help- 
fulness. Little  of  real  constructive  value.  But  they  fill  a  lot 
of  space.  They  "get  it  out  of  their  system,"  and  that  is  about 
all  there  is  to  it. 

We  have  several  of  that  type  of  gentlemen  with  us  this  week : 
William  Allen  White,  the  sage  of  Kansas  newspaper  men,  and 
Benjamin  Hampton.  White  had  an  article  in  "Collier's  Weekly" 
captioned  "Are  the  Movies  a  Mess  or  a  Menace?"  When  we 
finished  the  criticism  this  is  certain :  we  would  like  to  know  just 
what  Mr.  White  means  by  his  caption?  The  chief  point  of  his 
attack  stressed  the  need  of  theaters  graded  for  various  types  of 
pictures.  (Incidentally  Mr.  White  doesn't  know  a  terrible  lot 
about  pictures.  At  least  his  writings  do  not  indicate  that_  he 
does.  Rather  it  is  the  usual  outburst  from  those  who  know  just 
a  bit  about  the  industry.  A  little  knowledge,  as  another  sage 
once  put  it,  is  a  dangerous  thing.) 

The  other  article  by  Ben  Hampton  appears  in  "Complete 
Novel  Magazine"  and  is  captioned  "Screen  Favoritism."  This 
deals  with  phases  of  life  in  Hollywood.  One  of  the  interesting 
angles  of  the  Hampton  article  is  that  the  author  knows  of  what 
he  writes.  In  that  it  is  dependably  different  from  the  Whitei 
article. 

(Continued  on  Page  4) 


Gov't  May  Act 

British    Parliament    Reported    About 

To   Take   Steps  on   Quota  Plan 

Despite  Trade's  Protests 

In  spite  of  the  recommendation 
of  the  joint  committee  representing 
the  British  industry  against  a  quota 
plan  at  this  time,  developments  yes- 
terday indicated  that  the  English 
Government  may  act. 

E.  Bruce  Johnson,  foreign  man- 
ager of  First  National,  was  advised 
from  London  yesterday  that  Sir 
Philip  Cunliffe-Lister  president  of 
the  British  Board  of  Trade,  told  the 
Daily  Mail  that  the  Government 
would  put  through  a  quota  scheme 
of  its  own. 

That  Parliament  will  be  approached 
on  this  question  is  certain  in  the 
minds  of  many  American  executives 
who  are  familiar  with  the  situation 
in  England.  It  must  be  remembered 
that  the;  joint  comm?ttee's  recom- 
mendation is  merely  that;  it  has  not 
been  voted  upon  by  the  trade.  It 
should  also  be  borne  in  mind  that 
the  exhibitor  referendum  on  the  quota 
plan  resulted  in  a  majority  vote  for 
rejection. 

Sues  Famous  for  $1,000,000 

Los  Angeles — Irving  W.  Irving, 
self  described  as  an  author,  has  filed 
suit  for  $1  000,000  damages  against 
Famous,  Henry  James  Forman  and 
Walter  Woods,  alleging  "The  Code 
of  the  Pony  Express,"  a  story,  was 
"pirated"  in  the  making  of  "The 
Pony  Express,"  the  picture.  He  also 
seeks  an  accounting  and  an  order  to 
stop  further  showings. 

A  Paramount  official  yesterday 
hadn't  heard  of  the  action  and  didn't 
seem   a   bit   impressed. 

Warner  and  Flint  Depart 

Harrv  M.  Warner  ad  Motley  H. 
Flint  sail  for  Europe  this  morning  on 
'he    Majestic. 


Studio  Hits  Snag 

Receiver   Apoointed  for   Indianapolis 
Company  Which  Intended  Build- 
ing Florida  Plant 
Indianapolis — Receivership    of    the 
20th    Centurv    M.    P.    and    Dramatic 
Clubs    of    Indianapolis,    an    organiza- 
tion which,  it  is  alleged,  turned  over 
more   than   $50,000   to   the   20th   Cen- 
turv   Land    Co..    Florida     of    which 
Stoughton    A.    Fletcher   is    president, 
pnd    said    to   be    a    subsidiary    of   the 
Dramatic  Club  concern,  was  ordered 
by  Judge  Clinton  H.  Givan. 
O.    H.    Hendren,    president   of   the 
{Continued  on  Page  11) 


THE 


3W 


■<B^ 


DAILY 


Sunday,  January   17,  19 


'F* 


Vol  XXXV  No.  13    Sunday,  Ian.  17, 1926     Price  25  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Ire.  Published  Daily  exeept  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Grea-ter  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographi*- 
Francaise,   5,  Rue  Saulnier. 


Quotations 

(These    quotations    are    as    of    Friday.) 

High    Low    Close      Sales 

Balaban  &  Katz    ..   68J4     68^     6854       

Eastman  Kodak  ..109J4  108^4  107^  1,800 
Famous    Players    ..107,'4   106       106         1,500 

Fam.    Play.   Pfd Not  quoted 

Film  Inspection   . . .     6J4       6  6  600 

First   National    Not  quoted 

Fox   Film   "A"    ...   81         81         81  100 

Fox  Theaters   "A".   33^     32^     32^1     3,200 

Intern't   Projector   Not  quoted 

Loew's,  Inc 39f^     39J^     39^      1,000 

Metro-Gold.  Pfd Not  quoted 

M.  P.  Cap.  Corp...  20H  20^4  20J^  1,000 
Pathe  Exch.   "A"..   78         77         77  200 

Skouras    Bros 56         56         56  .... 

Stan.  Co.  of  Am.  ..50         50         50  100 

Trans   Lux    13Ji     12         12Ji   10,000 

Universal    Pictures    Not  quoted 

Univ.  Pict.  Pfd.  ..  93H  93}4  93^  100 
Warner  Brothers  ..  17^  17^  17?^  100 
Warner    Pict.   Pfd Not  quoted 


Phonofilm  of  Markham 
Lee  De  Forest  will  make  a  phono- 
film  of  Edwin  Markham,  the  Ameri- 
can poet,  at  the  studio  on  East  48th 
St. 


WANTED 

Manager  for  Large  Greater  New  York 
Motion  Picture  Theatre.  Must  be 
familiar  with  exploitation  of  pictures 
and  Presentations.  State  Reference 
and  Salary.  Confidential. 
Box   M-290  c-o   Film   Daily 

1650  Broadway  New  York  City 


PFfceti  i/ott  thivit  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  I  N  S 

Specialists  in  Motion  Picture 

and  Theatrical  insurance  f-or 

the  past  fifteen  years. 


Feld  Joining  Publix  Here 

It  is  understood  Milton  H.  Feld,  for 
some  time  with  Frank  Newman  in 
Kansas  City  and  now  with  the  latter 
in  charge  of  production  at  Publix's 
s  Angeles  theaters,  will  be  brought 
to  Nevv  York  to  handle  new  duties 
concerning  representations.  Jack  Par- 
tington, for  years  with  the  Rothchild 
houses  in  San  Francisco,  will  succeed 
Feld. 


Arthar  W.  Stebbins  &  Co.,  Inc. 

1540  Broadway  N.  Y.  C. 

Bryant  3040 


Stars  to  Attend  "Naked  Truth" 

If  half  of  the  stars  who  have  al- 
ready requested  reservations  for  the 
Naked  Truth  Dinner  at  the  Astor 
on  Feb.  6,  will  be  present  the  com- 
mittee may  have  to  knock  down  the 
walls  of  the  grand  ball  room  to  ac- 
commodate some  of  the  other  guests 
who  will  attend.  The  minute  it  got 
around  that  there  would  be  no  bore- 
some  speechmaking  or  any  of  the 
former  amateurish  entertainment 
there  was  a  concerted  rush  for  reser- 
vations and  tickets,  proving  that  after 
all  a  brilliant  dinner  and  dance  plus 
plenty  of  "razzing"  or  film  folks  and 
plenty  of  wisecracking  on  everyone 
connected  with  the  industry  was 
plenty,  and  then  some. 
_  Charlie  Einfeld,  over  at  First  Na- 
tional offices,  has   the   tickets. 


Several  Contracts  Comprise  Suit 

Los  Angeles — Louise  Glaums'  suits 
against  the  Thomas  H.  Ince  estate 
for  a  total  of  $405,000  are  based  on 
contracts  alleged  to  have  been  signed 
in  1919-21.  Miss  Glaum  demands 
$103,000  with  interest  from  Dec.  30, 
1921;  $5,000.  with  interest  from  June 
17,  1921;  $50,000,  with  interest  from 
May  15,  1922,  and  $65,000,  with  in- 
terest from  Nov.  15.  1922;  $78,000. 
with  interest  from  May  15,  1923,  and 
$104,000,  with  interest  from  Novem- 
ber 15,  1923. 


$1,000,000  Theater  Unit 

Sacramento — West  Coast  Peninsula 
Theaters,  capitalized  at  $1,000,000,  has 
filed  articles  of  incorporation  with 
the  secretary  of  state.  E.  J.  Arkush 
and  Loretta  M.  Arkush  of  Bur- 
lingame,  Mary  K.  Griffin  of  Redwood 
City  and  Jacob  Samuels  of  San  Fran- 
cisco are   directors. 


Walrath  May  Succeed  Cobb 
Albany  —  Governor  Smith  will 
shortly  appoint  a  new  censorship 
commissioner  to  fill  the  vacancy 
caused  by  the  expiration  of  George 
H.  Cobb's  term.  Former  Mayor 
John  H.  Walrath  of  Syracuse  will 
probably  be  the  selection. 


New   "Frolic"   at    Strand 

"Just  Suppose"  will  be  the  feature 
at  the  Mark  Strand  next  week  the 
"Second  Edition  of  the  Mark  Strand 
Frolics  of  1926." 


WANTED 

to  purchase  or  rent  Motion  Picture 
laboratory  —  one  with  small  studio 
space  preferred. 

Automatic  Movie  Display  Corporation 

117  E.  24th  St.,  New  York  City 

Tel.  Mad.  Sq.   1143 


Craver  Sells  Franchise 

R.  D.  Craver  of  Charlotte,  N.  C, 
has  sold  his  original  First  National 
franchise  for  the  Southeast  to  A.  F. 
Sams  of  Winston-Salem.  Craver, 
who  is  now  in  New  York  confirmed 
this  yesterday.  He  said  he  is  en- 
deavoring to  interest  First  National 
in  holding  its  semi-annual  meeting  in 
Miami  in  April. 


The  Buffalo  Opens 

{Continued  from  Page   1) 

Vincent  McFall  will  be  managing 
director  and  Harry  Wallace,  musical 
director.  The  public  will  have  its 
first  opportunity  of  seeing  the  house 
today.  The  opening  feature  is  "The 
King  on  Main  Street"  with  the  pre- 
sentation, "The  Melting  Pot,"  a  John 
Alurray  Anderson  review.  The  Buf- 
falo will  follow  New  York  and  Bos- 
ton on  reviews. 

The  theater  is  a  beautiful  structure. 
Fine  bronze  doors  lead  into  a  small 
lobby  where  one  box-office  stands, 
Five  more  doors  lead  into  the  lobby 
proper  where  blended  coloring,  mar- 
ble panels  and  huge  mirrors  vie  with 
one  another  for  attention.  The  ceil- 
ing 50  feet  above  the  entrance  is  di- 
vided into  panels  decorated  with  mu- 
rals. At  the  end  ot  the  lobby  is  the 
grand  staircase  of  marble  leading  to 
the  promenade. 

The  walls  at  first  glance  seem 
taupe,  but  upon  closer  inspection  the 
reds,  greens  and  purples  are  discern- 
ible. Panels  of  lighter  marble  break 
the  monotony.  Large  pillars  of  the 
dark  marble  separate  the  exit  from 
the  entrance.  Extending  from  the 
level  of  the  promenade,  three  huge 
mirrors  cover  the  left  wall,  extending 
to  the  ceiling.  In  their  polished  sur- 
face are  reflected  the  graceful  arches 
opposite. 

At  the  level  of  the  staircase,  an- 
other narrower  promenade  extends  to 
ward  the  front  of  the  theater  to  a 
large  balcony  over  the  space  occupied 
by  the  ticket  office.  From  this  bal- 
cony there  is  an  excellent  view  of  the 
beauty  of  the  lobby,  the  lower  en- 
trance into  the  orchestra  seats  and 
the  entrance  to  the  foyer,  which  ex- 
tends into  the  center  of  the  theater. 
A  huge  window,  40  by  19  ft,  forms 
the  back  of  this  balcoov.  Blues,  tans 
and  reds  are  beautifully  blended  and 
each  separate  design  is  outlined  with 
gold.  Narrow  panels  on  the  side  prom- 
enade are  of  particular  merit.  They 
are  stencil  designs  in  red  and  yellow 
and  can  be  seen  through  the  arches 
along  the  balcony.  Oil  paintings  and 
statues  meet  the  visitor  at  every  turn. 


riOSTUMEG 

^L>  GOWNS-UNIFORMS   1^ 

FOR  EVERVBODy  WHO  IS  ANVBOOy 
ON  THE  STAGE  OR  SCREEN..EXCLUSIVE    > 
DESIGNS  BY  LEADING  STVLE  CREATORS 

M^m%tX^\MmS»^  NEwyoRK 

——ALSO  I5.000  COSTUMES  TO  RENT 


FOR  RENT 

OfRce  space,  large  and  small  offices, 
telephone  connection,  cutting  room 
and   projection    facilities. 

Tel.   Wisconsin  3770 

Room  302  Candler  Bldg. 

220   West   42nd   St.,    N.   Y.   C. 


Specify 


Raw  Stock  for  QUALITY 

Sole  Distributors: 

FISH-SCHURMAN  CORP. 

45  West  45th  Street 
N.   Y.   Bryant   7243 


HALPERIN 


MIL 


ERSSELLSEAIS 


fe^ilm 


I909       BUTTON  WOOD        ST. 
PHIUA.DEUPHIA,.PA. 


Hotel  Christie 

in 
Hollywood 

One  of  California's  finest  hoteli, 
located  in  the  heart  of  the  busi-j 
ness     district     of     Hollywood, 
famous  lobby,  personal  service, 
sensible  prices. 

R.  J.  Matheson     1 
Owner-Manager 


1$ 


This  Showman  Makes 

25  Per  Cent  Added  Profit 

by  Exploiting  His  Short  Features 


Roy  Tillson,  who  runs  the  Fuller  Theatre  in  Kalamazoo,  Mich.,  played 
the  two-reel  Lupino  Lane  Comedy, "The Fighting  Dude",  the  first  week 
in  January,  and  built  a  great  Laugh  Month  exploitation  campaign 
around  it. 

Here's  his  own  story  of  the  results  at  the  box-office : 


Cla^  of  service 

SYMBOL 

Telegnun 

Oiy  Letter 

Biua 

Night  Message 

Nita 

'  Nigh)  Lclter 

NL 

II  none  of   these  three  symbols 
appears  after  the  check  ( number  of 
•ords)  this  is  a  telegram.   Other, 
wise  Its  character  is  indicated  l>y  the 
symbol  appearing  alter  the  check. 

YiBSTEMm.  UNION 


AM 


NEWCOMS  CARLTON.  PRCSIOINT 


GEORGE  W.  E.  ATKINS.  FIRST  vicC-racSIOCNT 


CLASS  or  SEIIVICE 

SYMBOL 

Telegram 

Day  Letter 

Blue 

Night  Message 

Nile 

Nighl  Letter 

N  L 

If  none  of  these    Itiree   symbols 
appears  after  the  checit  ( number  of 
words)  this  IS  a  telegram.   Other- 
wise its  character  isindicaledbylhe 
symbol  appearing  atter  the  theclt. 

RECEIVED  AT 


KALAMAZOO  MICH  JAN  12  19£6 
EDUCATIONAL  FILMJ;eXCHANGES  INC 

370  7  AVE  NEW  YORK  N  Y 
BOX  OFFICE  PEPPED  UP  AT  LEAST  TWENTY  FIVE  PERCENT 
DURING  LAFF  MONTH    PATRONS  SEEM  TO  HAVE  CAUGHT 
THE  SPIRIT    THEY  LAUGH  COMING  IN  AND  GOING  OUT 
CONGRATULATIONS  ON  SOME  WONDERFUL  EDUCATIONAL 
LAFF  MONTH  SPECIALS    EVERYONE  A  KNOCKOUT 
NOW  PLAYING  CHEAP  SKATES    BOY  HOW  THEY  ROAR 

ROY  TILLSON 


You,  too,  can  make  big  Added  Profit  by  booking  and  boosting 

Pictures 


Educational  A 


Member,  Motion  Picture  Producers  and  Distributors 


EDUCATIONAL 
FILM  EXCHANGES.  Inc. 


i 


.of  America,  Inc.,  WiU  H.  Hays,  President 


tHC 


Ml 


jg^ 


DAILY 


Sunday,  January  17, 


The  Kickers 

(Continued  from  Page  1) 


Says  White  towards  the  end  of  his  article:  "The  rules  of  the 
<jaotion  picture  business  are  based  on  business  sense,  not  an  artis- 
ric  sense,  and  so  the  motion  picture  is  not  developed  as  an  art  but 
as  an  eye  teaser,  a  toy,  a  mechanism  to  puzzle,  thrill  and  divert — 
but  not  to  tell  the  truth,  not  to  carry  ideas  as  every  art  form 
that  is  real  must  carry  ideas  and  to  bring  the  truth  to  the  heart." 

Yes,  Mr.  White,  but  only  partially  so.  Many  great  truths 
have  been  preached  in  pictures.  Many  more  w^ill  be.  Motion 
pictures  are  an  essential  industry.  Without  subsidy,  but  with 
only  the  funds  of  their  own  behind  them  the  producers  of  motion 
pictures  have  carried  the  struggle  to  a  yesterday  of  but  a  few 
months  ago  when  banking  capital  came  in  and  helped — but  helped 
only  a  bit.  That  many  pictures  could  be  better  is  true.  But 
Heaven  forbid  that  they  be  art  motion  pictures.  A  small  minority 
might  enjoy  them — the  vast  majority  would  pass  them  by. 

We  could  discuss  this  matter  endlessly.  But  instead  read 
what  Martin  Quigley,  that  clever  editor  of  "The  Exhibitor's 
Herald"  says  in  conclusion  of  his  reply  to  White : 

"Mr.  White's  critique  is  neither  fair  nor  considerate;  he 
arraigns  the  industry  which  is  hardly  a  quarter  of  a  century  old 
because  it  has  no  creative  genius  comparable  to  the  contem- 
porary leaders  of  literature — and  literature  has  been  some  three 
thousand  years  in  the  building! 

"He  expects  a  great  deal  of  the  industry  but  probably  would 
be  very  much  surprised  if  a  great  familarity  with  the  industry 
and  its  personnel  enabled  him  to  realize  that  there  are  many 
persons  in  the  business  who  expect  much  more  from  the  motion 
picture  than  he  does.  And,  incidentally,  these  latter  are  doing 
something  toward  bringing  about  the  desired  objective." 

THE  OTHER  SIDE 

Interesting  because  it  appears  at  practically  the  same  time. 
Is  Arthur  Stringer's  comment  on  "Ben  Hur."  This  appeared  in 
The  New  York  American  on  Friday.     Says  Stringer : 

"It  (the  motion  picture)  can  be  manipulated.  In  so  far  as 
it  can  be  manipulated,  in  so  far  as  it  can  be  bent  to  the  will 
of  man,  it  transcends  mere  chemistry  and  mechanics  and 
promptly  becomes  an  Art  with  a  capital  A. 

"Its  crowning  accomplishment,  through  such  manipulation, 
is  the  achievement  of  splendor,  the  persuasive  attainment  of 
stupendousness. 

"For  this  it  can  rifle  time  and  ransack  the  whole  wide  world 
of  today.  It  can  take  a  portion  of  Leonardo  da  Vinci  and  a 
sprinkling  of  Sienkiewicz  and  a  touch  of  Wagner  and  a  modi- 
cum of  Meissomer  and  a  suspicion  of  Michelangelo,  stirred  into 
a  full  measure  of  Lew  Wallace,  with  perhaps  even  a  tinge  of 
Barnum  at  his  best,  and  out  of  that  apparently  mongrelized 
concoction  give  you  a  story  that  holds  you  spellbound  by  the 
color  and  sweep  of  its  movement  and  a  spectacle  that  stuns 
you  with  its  sheer  majestic  immensity. 

"And  this  is  what  'Ben  Hur'  does  as  no  other  picture  has 
done.    It  achieves  the  final  victory  of  magnificence."  *  *  * 

"INTOLERANCE"  AND  "BEN  HUR"  COMPARED 

This  from  Hoey  Lawlor,  the  clever  title  editor : 

"With  all  the  present  comparisons  between  'Ben  Hur'  and 
'The  Birth  of  a  Nation,'  I  am  wondering  if  the  former  will 
eventually  proclaim  the  origin  of  as  many  stars  and  directors 
as  Griffith's  masterpiece?  With  all  its  magnificence,  it  is  doubt- 
ful that  'Ben  Hur'  will  produce  ten  stars  and  four  directors  to 
compare  with  that  number  who  arose  from  plantation  charac- 
ters to  the  great  reputations  they  bear  today. 

"Of  the  directors,  we  are  reminded  of  Raoul  Walsh,  Donald 
Crisp,  Joseph  Henabery  and  Elmer  Clifton,  who  each  played 
comparatively  small  parts  in  the  preceding  screen  triumph. 

"Indeed,  the  presbyopia  tells  nothing,  and  ten  more  years 
in  motion  pictures  should  place  that  medium  far  beyond  the  ken 
of  present-day  opinions." 

And  this  from  Herman  Axelbank:  "Haven't  seen  'Ben  Hur,' 
but  don't  you  think  Griffith's  'Intolerance'  stands  all  alone  (its 


happy  melo  ending  notwithstanding)  oh,  so  all  by  its  lonesol 
the  grandest,  finest,  vastest  one  of  all — the  one  monument  tol 
industry  thus  far?  *  *  *  That,  by  the  way,  was  at  the  Libert;! 
1916.  Ten  years  ago — and  (unless  I'm  pleasantly  surprisedj 
your  masterpiece)  no  notable  advancement!" 

Well,  it's  been  a  long  time  since  "Intolerance"  was  sho 
We  are  going  to  take  a  look  at  it — and  have  something  to  say.j 

A  HINES  GAG 

Johnny  Hines  is  working  on  his  third  for  First  National 
will  be  called  "The  Brown  Derby."     Just  to  keep  his  gag  n' 
and  others  in  atmosphere,  Johnny  has  ordered  that  all  of  thjl 
wear  a  brown  derby  when  they  sit  in  on  conferences.  ' 


in 


I 


OPERA  WITH  MUSIC 

In  Dresden  a  few  nights  ago  they  gave  "The  Rosen  Kavaliei 

an  opera,  set  to  pictures.     Cabled  reports  say  that  technically  1 

film  did  not  measure  up,  as  the  film  had  to  be  halted  to  allow  ij 

music  to  catch  up  with  it.     But  the  eflfort  has  been  made — whi 

s  the  chief  point.  J 

"Boheme"  will  soon  be  presented  by  Metro-Goldwyn-Mayj 
Wonder  whether  the  score  of  the  opera  will  be  used  as  the  accoi 
paniment?    No  effort  was  made  to  screen  the  production  to  mi 
he  score. 

LAUGH   MONTH 

"King"  Solomon,  plus  the  committee,  has  done  a  fine  job  wij 
Laugh  Month.  Whether  the  idea  has  been  adopted  by  suffici 
theaters  may  be  doubted.  But  it  takes  time  to  develop  sui 
movements,  and  the  committee  of  short  subject  folk  should  n| 
be  disappointed  if  the  result  is  not  up  to  their  hopes — or  expec 
tions.  It  took  Herman  Wobber  several  years  to  put  over  Grea 
Movie  Season  in  San  Francisco.  But  after  it  was  under  wi 
several  years  it  went  over  with  a  bang.  And  last  year  the  nati( 
started  a  Greater  Movie  Season  which  will  doubtless  be  a  grea 
success  each  succeeding  season. 

YOU  WIN,  TOMMY     ^~ 
Ring   Lardner   is  the   ideal   type  of   motion  picture   authc 

according  to  Tom  Meighan,  who  is  at  work  on  Lardner's  fir 

screen  opus,  "The  New  Klondike." 

Here  are  Lardner's  good  points,  according  to  Meighan : 

1.  He  admits  he  doesn't  know  anything  about  motion  pi 
tures. 

2.  He  never  hangs  around  the  studio  with  a  worried  coui 
tenance. 

3.  He  never  says.  "See  here,  let's  try  this,"  thereupon  su^ 
gesting  some  utterly  impractical  scene  costing  a  million  dollars. 

4.  He  has  never  tried  to  get  any  of  his  friends  in  the  cast. 
He  wrote  the  story  in  less  than  a  week  (a  world's  record 


5. 
6. 


He  has  never  tried  to  change  it  since. 


\. 


BONUS  STUFF 

A  certain  broker,  identified  with  a  large  banking  institutioi 
was  charged  last  week  with  exacting  bonuses  from  L.  J.  Selznicl 
and  that  the  favors  shown  to  Selznick  resulted  in  the  bank  losin 
$600,000.  The  banker,  through  his  attorney,  denied  this  emphat; 
cally. 

All  of  which  is  incidental  to  the  real  point :  that  the  days  o; 
bonus  takers  in  the  film  field  are  rapidly  reaching  an  end.  It  ha! 
been  proven  a  long  time:  the  firm  which  gets  into  the  hands  o 
bonus  boys  is  on  its  way  to  failure.  There  isn't  enough  profi 
in  the  business  to  allow  the  producer  to  make  a  living  and  at  th! 
same  time  feed  the  kitty  of  the  bonus  collectors.  The  quicke 
they  are  all  out  of  the  business,  the  better  the  business  will  h 
for  it. 


its  lonei 


igtos 

'ationai 

ill  01 1 


Kav 


■n-JlJ 

ito[ 


I* 


Ae  FIRST  Authorized 
<nd  Complete  Scenes  of  the 

EX-KAISER  AT  DOORN 


WILL  BE  SHOWN  IN  TODAY'S  AND 
NEXT  WEDNESDAY'S  ISSUES 

OF  THE 


PATHE    NEWS 


Fragmentary  and  hazy  shots  with  a  telephoto 
lens,  and  taken  through  a  fence,  have  hith- 
erto constituted  the  motion  picture  record 
of  the  Kaiser  since  he  lost  his  throne. 

Now  see  the  man  who  plunged  the  world  into 
chaos  as  he  actually  is  today^  in  pictures 
which  were  authorized  by  him,  and  for  which 
he  willingly  posed! 


FIRST  and  BEST  as  usual! 


THE 


i?«^ 


DAILY 


oiEsm 


Sunday.  January  17,  li! 


D.  W.  Griffith's 

"That  Royle  Girl" 

Paramount 

IN  WHICH  GRIFFITH  PLAYS 
STRAIGHT  TO  THE  BOX  OF- 
FICE AND  HITS  HIS  MARK. 
PICTURE  RUNS  LONG  BUT 
WHIRLWIND  CLIMAX  IS 
SURE  TO  SEND  THEM  OUT 
FORGETTING  ALL  ABOUT 
IT. 

Cast. ..  .Carol  Dempster  does  some 
splendid  work.  She  has  quite  over- 
come her  pet  eccentricity  of  great 
abandon  and  settled  down  to  a  win- 
some, yet  hard-to-define,  little  love 
vixen.  She  wins  the  heart  of  a  Dis- 
trict Attorney,  played  capably  by 
James  Kirkwood.  Paul  Everton 
as  the  notorious  Baretta  is  especial- 
ly well  cast.  W.  C.  Fields'  comedy 
interludes  seldom  seem  of  conse- 
quence. Does  some  effective  clown- 
ing but  his  role  is  not  important  to 
the  story.  Florence  Auer  a  partic- 
ularly good  type.  Others  Harrison 
Ford,  who  does  very  well,  Marie 
Chambers,  George  Rigas,  Ida  Wat- 
erman, Alice  Laidley,  Frank  All- 
worth. 

Type  of  Story. . .  .Melodrama.  "That 
Rovle  Girl,"  which  follows  Grif- 
fith's "Sally  of  the  Sawdust"  in  his 
new  box  of¥ice  line  of  endeavor,  is  a 
far  more  sensational  attempt  than 
his  first  one.  This  time  D.  W.  has 
taken  Edwin  Balmer's  Cosmopoli- 
tan Magazine  serial  and  with  a 
mass  of  material  and  situations  he 
has  brought  forth  a  melodrama,  un- 
ique in  its  sensations  and  develop- 
ment if  not  in  situations  and  de- 
nouement. Griffith  used  a  cyclone 
for  his  climax  in  "One  Exciting 
Night"  and  he  does  it  again  in 
"That  Royle  Girl"  with  startling  ef- 
fect. In  fact  the  realism  is  so  strong 
that  you  are  apt  to  come  out  of  the 
theater  unconsciously  dodging  fall- 
ing trees,  and  truant  rooftops.  The 
picture  runs  too  long,  due  to  Grif- 
fith's ever  dominating  desire  for  de- 
tail, closeups  and  long  subtitles. 
And  yet  it  seems  to  hold  you  to  the 
end.  The  story  concerns  the  dar- 
ing and  spectacular  ruse  of  a  girl  to 
clear  a  man  of  a  murder  charge. 
How  she  succeeds  and  even  wins 
the  heart  of  the  district  attorney  is 
far  too  complicated  and  engrossing 
to  do  justice  to  in  this  small  space. 

Box  Office  Angle Play  up  to  it  in 

great  style.  Will  reach  many  that 
previous  Griffith  offerings  have 
failed  to  do.  Likely  to  stack  up  fa- 
vorably with  the  big  sellers. 

Exploitation A  trailer  of  the  cli- 
max thrills  alone  should  be  suffi- 
cient to  bring  them  storming  back 
for  admission.  Griffith's  name  to 
use,  his  reputation — Carol  Demp- 
ster's name  and  pictures,  and  her 
appearance  in  other  Griffith  pro- 
ductions, plus  popularity  of  the 
story  as  a  magazine  serial — all  good 
talking  points. 

Direction    D.   W.    Griffith; 

very  good 

Author   Edwin  Balmer 

Scenario Paul  Schofield 

Cameramen ....  Harry  Fischbeck  and 
Hal   Sintzenich 

Photography    Excellent, 

intricate 

Locale   Chicago 

Length   10.253  feet 


Betty  Compson  in 

"Counsel  for  the  Defense" 

Associated  Exhibitors 
POWERFUL  STORY  HAS  PLEN- 
TY OF  PLOT,  BUT  CLEARLY 
TOLD.  LOTS  OF  HUMAN  IN- 
TEREST. DIRECTOR  BUILDS 
DRAMA  TO  A  GRIPPING 
CLIMAX. 

Star. ..  .Handles  an  emotional  part 
with  fine  restraint.  Cast  as  a  law- 
yer trying  her  first  case  is  not  so 
convincing,  but  fortunately  the 
court  room  scene  pla3'S  a  small 
part  in  the  plot. 

Cast.... Jay  Hunt  as  the  old  town 
doctor  gives  an  exceptionally  fine 
portrayal.  House  Peters  as  the 
newspaper  editor  gets  little  chance 
to  show  his  strong  personality,  but 
gives  a  fine  performance  just  the 
same.  Rqckliffe  Fellowes  very 
convincing  as  the  heavy. 

Type  of  Story Drama  of  small 

town  life.  Adapted  from  Leroy 
Scott's  novel.  Here  is  a  picture 
with  more  than  the  usual  amount 
of  plot  and  counterplot.  However. 
it  is  a  logical  plot,  quite  cleverly 
constructed.  The  adaptation  by  Ar- 
thur Hoerl  shows  it  off  to  the  best 
possible  advantage.  It  is  not  a 
story  of  "hick"  types,  but  portrays 
life  in  the  average  small  city  in  a 
very  faithful  manner.  The  charac- 
terizations throughout  are  intensely 
human — just  everyday  people  as  we 
know  them.  The  action  centers 
around  the  efforts  of  a  small  group 
of  rich  men  to  gain  control  of  the 
public  water  works — to  turn  it  over 
to  a  private  company  for  their 
own  profit.  The  old  doctor  has 
sponsored  the  project.  The  gang 
succeeds  in  railroading  him  tempor- 
arily on  a  trumped  up  charge  so 
that  they  can  have  a  clear  road 
for  their  scheming.  Here  the  doc- 
tor's daughter  enters  as  the  young 
lawyer.  With  the  help  of  the 
town's  newspaper  editor,  she  suc- 
ceeds in  exposing  the  crooks.  The 
story  is  filled  with  dramatic  high- 
lights and  human  interest  touches. 
Some  of  the  high  spots  are  the  re- 
lease of  the  doctor  from  prison  to 
aid  in  a  typhoid  epidemic,  inciden- 
tally saving  the  wife  of  one  of  the 
crooks,  who  then  makes  a  confes- 
sion; the  final  climax  shows  the 
newspaper  editor  saving  the  arch 
crook  from  a  lynching  mob.  The 
director  has  built  up  cleverly  so 
that  suspense  is  evenly  maintained 
through  a  strong  story  .  Holds  the 
interest  with  a  true-to-life  flavor 
very  unusual  and  refreshing. 

Box  Office  Angle Wholesome 

story  of  life  in  the  average  Ameri- 
can city  that  will  exert  wide  appeal. 
Well  chosen  cast  with  clever  di- 
rection puts  over  a  strong  human 
interest  story. 

Exploitation Use    Betty    Comp- 

son's  name.  She  does  fine  work 
in  a  very  sympathetic  role.  You 
can  promise  a  gripping  story  that 
will  please   the  whole  family. 

Direction    Burton  King;   good 

Author    Leroy   Scott 

Scenario Arthur   Hoerl 

Cameraman    Not  credited 

Photography .  Good 

Locale    Small   city 

Length 6,022  feet 


Rod  La  Rocque  in 

"Braveheart" 

Cecil  B.  De  Mille  Prod. 
Producers  Dist.   Corp. 
COLORFUL    ROMANCE    WITH 
INDIAN  HERO.    OFFERS  VA- 
RIATION    TO     THE     USUAL 
RUN  OF  STORIES  AND  WILL 
PLEASE     THE     ROMANCE 
LOVERS.       GOOD      PRODUC- 
TION. 

Star. . .  .Does  very  well  as  the  Indian 
hero,  Braveheart,  and  for  the  most 
part,  looks  like  a  brave  although  it 
requires  sacrificing  his  good  looks. 

Cast. ..  .Lillian  Rich  pleasing  as  the 
white  girl  who  falls  in  love  with 
him.  Arthur  Housman  her  double- 
dealing  brother.  Others  Robert 
Edeson,  Tyrone  Power,  Jean  Ack- 
er, Sally  Rand,  Henry  Victor  and 
Frank  Hagney. 

Type  of  Story. ..  .Romantic  drama; 
adapted  from  William  C.  De  Mille's 
play  "Strongheart."  The  story  of 
the  Redman  and  his  struggle 
against  civilization's  invasion  of  his 
territory  is  the  main  theme  of 
"Braveheart"  and  there  is  a  romance 
of  a  white  girl  and  an  Indian  brave, 
one  of  the  tribe  who  is  sent  to  the 
white  man's  college  to  learn  the 
ways  of  the  white  man  so  that  he 
may  protect  his  people  against  the 
invaders.  "Braveheart"  is  a  pleas- 
ant variation  to  the  usual  run  of 
film  entertainments,  includes  inter- 
esting situations  and  atmosphere, 
has  a  good  production,  and  is 
played  by  a  well  suited  and  capable 
cast,  which  all  together  should  make 
it  a  good  bet.  The  conclusion 
wherein  the  race  barrier  prevents 
the  happy  ending  is  entirely  logical 
and  correct  even  though  it  may 
not  be  the  accepted  box  office  end- 
ing. 

Storv:  Nelson,  owner  of  a  sal- 
mon fishery,  drives  off  the  Indian 
tribe  in  spite  of  their  rights  to  fish. 
Braveheart,  a  young  Indian,  is  sent 
to  Swarthmore  college  that  he  may 
learn  how  to  cope  with  the  white 
man's  law.  He  meets  and  falls 
in  love  with  Nelson's  daughtter,  Dor- 
othy. Her  brother,  envious  of  the 
brave  who  is  a  football  star,  sells 
the  code  and  places  the  blame  on 
Braveheart.  His  own  people  brand 
him  a  traitor  but  eventually  Brave- 
heart proves  his  innocence,  re- 
trieves the  fishing  rights  for  his 
people  and  is  cleared  of  the  college 
charge.  He  returns  to  his  tribe  in 
spite  of  his  love  for  Dorothy,  the 
race  barrier  preventing  their  mar- 
riage. 

Box  Office  Angle Will  interest 

and  entertain  an  even  majority. 
Good  cast  and  production. 

Exploitation You    can    talk   about 

the  education  of  the  Indians  and 
about  their  struggle  against  the 
white  man's  inviasion.  Play  up 
the  hero  role  which  Rod  La  Rocque 
plays  capably  and  tell  them  it  is 
something  different  from  anything 
he   has   done   heretofore. 

Direction Alan  Hale ;  good 

Author William  C.  De  Mille 

Scenario Mary  O'Hara 

Cameraman Faxon  Dean 

Photography    Good 

Locale State  of  Washington 

Length  7,225  feet 


"The  Palace  of  Pleasun 

Fox 

HIGHLY  SEASONED  ROMAN 
WITH  RATHER  COLORFUiNGi 
ATMOSPHERE  AND  PLENH  tHAI 
OF  DRAMATIC  INCIDElBK.iiSl 
FAIRLY  ENTERTAINI  lB|.  "  ' 
THOUGH  STORY  IS  SELD(IJh1R1 
VERY   CONVINCING.  U^i 

Cast. ..  .Betty  Compson  well  sui  | .  s'J) 
and  attractive  in  a  black  wig.  I  'utM 
mund  Lowe  one  of  those  dari  iti 
nobleman  heroes,  good  in  the  pj  i  Y^ '. 
Others,  not  important,  include  H(  ^'^^\ 
ry  Kolker,  Harvey  Clark,  Ni  siii'l 
Ramano,  Francis  McDonaJpB '  ■ 
George  Seigmann.  ilsti"*' 

Type  of  Story Dramatic  romam  ■ 

adapted    from    Adolf    Paul's    no^  ■ 
anl  play,  "Lola  Montez."     Pohtic  ■ 
intrigue    still    carries    on    and    elJ  . 
though    the    story    in    general    hlr','!"' 
been  modernized,  Lola,  the  dancH*'  ' 
heroine  of  "Lola  Montez,"  continuft 
to  break  the  hearts  of  a  retinue  ill ' 
followers  of  whom  Ricardo  Madoilf ' ' 
is  the  most  persistent.     The  stor''^ 
is    one    of    those    highly    flavore' 
Old     World    romances    with    un'- 
formed  courtiers  dashing  about  an' 
foreign  customs  prevailing.     As  fa' 
as    Old   World   atmosphere   is   con- 
cerned otherwise,  the  locale  mighi 
be    anywhere    as    well    as    Lisbor 
Director      Emmett      Flynn      hasn" 
found    it    necessary    to    bring    tha 
angle  out  very  strongly  except  witl 
regard  to   the  costuming.      Madon; 
is  a  fiery  suitor  whose  spectaculai 
wooing   furnishes    the   dramatic  in- 
cident  and    Lola   adds   a    dramatic 
climax  when  she  permits  herself  to 
be  shot  for  love  of  Madons. 

The  plot  concerns  the  many  loves 
of  Lola  and  while  she  is  stalling 
off  a  retinue  of  admirers  and  chiefly 
Premier  Esportero,  there  is  a  plot 
on  foot  to  capture  the  daring  Roy- 
alist leader.  Madons,  who  is  also 
in  love  with  Lola.  Madons  kid- 
naps Lola  and  forces  her  through  a 
marriage  ceremony.  Esportero  and 
his  aids  arrive  and  arrest  Madons. 
When  Lola  hears  he  is  to  be  shot 
she  realizes  she  loves  him  and  at 
the  risk  of  her  own  life,  she  proves 
to  Madons  that  she  loves  only  him. 
The  development  holds  the  inter- 
est even  though  tlie  outcome  is 
more  or  less  obvious  from  the  start. 

Box  Office  Angle ....  Fair  entertain- 
ment. Will  please  the  crowd  that 
likes  the  exotic  type  of  romance 
with  the  pomp  and  ceremony  of  a 
foreign  setting. 

Exploitation The  title  is  apt  to 

bring  in  a  certain  contingent  and 
readily  suggests  the  type  of  story 
that  interests  many.  You  have 
good  names  to  work  with  in  those 
of  Betty  Compson  and  Edmund 
Lowe.  You  might  mention  that 
the  story  is  from  "Lola  Montez," 
and  the  usual  trailer  and  stills  can 
be  used  effectively. 
Direction Emmett  Flynn;  satis- 
factory. 

Author    Adolf  Paul 

Scenario Bradley  King 

Cameraman   Ernest   Palmer 

Photography    Good 

Locale  Lisbon 

Length  5,467  feet 


THE 


ay,  January  17,  1926 


j55^ 


DAILY 


T- 


Plea! 


m 


COLOt] 


"Mike" 

rod.  Marshall  Neilan, 
t. :   Metro-Goldwyn-Mayer 

ING   AND   SUBTLE  COM- 

THAT  JINGLES  ALONG 

H  A  SOOTHING  LINE  OF 

GHS  AND  WINDS  UP  IN 

HIRLWIND     MELLER 


■Kk 


I  in 


f'illCllliii 

Clark, 
licDi 

"Jlic  ront 

!i  Paiir< 
■I"."  Pol 
i  on 

'  general 

"i.«z,"coni 
"'  a  retiii 
''cardo  11; 
11.  Ilie 
iigtly  Jar. 
«s  win 
hg  about 
failing,  Ai 
spliere  is : 
f  locale  ui| 
:"  as  Li| 
Flynn  I 
to  bring 
'y  except 
ing.  Mil 
e  specijc 
dramatic 
i  a  draE 
its  liersel: 


:  rany  kj 
:  is  siaL 
■  and  cliii 
re  is  a  f 
laniii; 


llie  iji: 

tconif: 
tlie  sti' 

'jterrc 
);vd  li; 
romif: 
inv  o: 


Sally  O'Neill  cute.    Does  her 

s  as  though  she  had  been  well 

ed.    Doesn't  seem  to  be  as  sure 

erself    as    she    was    in    "Sally, 

e  and   Mary"^or   perhaps   the 

alls   are   a   handicap.      William 

,es    a    sure    enough    hero    who 

his  work  well.     Charles  Mur- 

and  Ford  Sterling  a  dependable 

edy  duo  who  mix  up  the  laughs 

cod  style.     Frankie  Darro,  Ju- 

Coghlan   and   Muriel    Frances 

a  a  cute  trio  of  youngsters. 

of    Story Comedy.      Neilan 

injected  considerable  original- 
in  both  situations  and  atmos- 
re  and  although  "Mike"  never 
kes  any  really  hilarious  points 
oes  maintain  an  average  consist- 
;y  in  its  comedy  and  the  laughs 
;p  it  amusing  most  of  the  time, 
has  tagged  on  a  railroad  meller 
sh  with  a  crash  for  a  thrill  and 
ows  it  up  with  the  usual  clinch 
the  lovers.  It  is  an  audience  com- 
ation  and  should  fill  box  office 
ands  quite  satisfactorily.  Neil- 
has  assembled  a  first  rate  cast 
made  the  most  of  their  abili- 
Ford  Sterling  and  Charles 
rray  hold  up  the  laughs  capably 
d  their  sprees,  particularly  the 
e  where  they  walk  around  a  wa- 
r  tank  all  night  in  an  effort  to  get 
>me,  are  especially  funny. 
Story:  Mike,  who  mothers  two 
unger  brothers  and  a  kid  sister, 
s  her  hands  full  what  with  mind- 
the  children,  keeping  an  eye  on 
inebriate  Dad  and  his  pal,  as 
as  keeping  her  freight  car 
3me  in  order.  Dad  is  a  section 
Dss  between  drinks.  Mike  falls  in 
ive  with  a  young  telegrapher  who 
trying  to  clear  a  false  charge  of 
riminal  negligence  before  he 
laims  Mike  as  his  wife.  How  hero 
acceeds  comes  between  the  laughs 
d  follows  through  to  a  laughable 
|nd  also  thrilling  climax. 

Office  Angle.  .  .Good  amusement 
nd  sure  to  strike  them  right  when 
ver  they  enjoy  a  laugh. 

loitation If   you   are    a    star 

ooster  and  find  that  your  folks 
ome  in  for  new  names  and  new 
aces  you  might  get  busy  on  Sally 
'D'Ndll,  Marshall  Neilan's  "find" 
ind  talk  about  her  appearance  in 
'Mike"  and  also  in  "Sally,  Irene, 
md  Mary."  Run  a  trailer  showing 
Mike's  home  in  a  freight  car  and 
Dtherwise  acquaint  them  with  the 
lew  comedy  gags.  Use  Neilan's 
name  and  those  in  the  cast  who 
may  happen  to  draw  your  particu- 
llar  crowd. 

Irection  Marshall  Neilan; 

good 

ithor Marshall  Neilan 

;enario  Marion  Jackson 

imeraman   David  Kesson 

otography   Good 

bcale  Mid-West 

ength 6,755  feet 


Clara  Bow  in 

"My  Lady  of  Whims" 

A7-row  Pictures — State  Rights 
A  WEAK  MODEL  OF  "WE  MOD- 
ERNS." JAZZ-MAD  DAUGH- 
TER THEME  LACKS  CLEAR 
CUT  STORY  INTEREST  TO 
MAKE  IT  CONVINCING. 
Star.  . .  .Clara  Bow  is  a  good  type  for 
the  jazz-mad  flapper.  She  injects 
a  lot  of  pep  into  the  hectic  pro- 
ceedings, but  this  cannot  overcome 
the    absurdities    of    the    part. 

Cast Donald  Keith  as  the  hero 

who  tries  hard  to  reform  the  flap- 
per is  too  sincere  for  the  flippant 
story.  Lee  Moran  supplies  the 
comedy  relief.  He  is  a  comedian, 
but  they  gave  him  few  real  laugh- 
makers  to  play  with.  Carmelita 
Geraghty  makes  the  best  of  the 
colorless  part  of  the  flapper's  friend. 
Type  of  Story. ..  .Comedy-drama  of 
a  flapper's  escapades.  Adapted 
from  the  story  by  Edgar  Franklin. 
It  looks  as  if  the  adapter  fell  down 
hard  on  building  this  story  for 
the  screen,  as  it  lacks  the  comedy 
and  coherence  which  are  to  be 
found  in  Franklin's  work.  The 
characterizations  are  not  properly 
built  up.  In  many  instances  the 
motives  or  intent  of  the  characters 
in  different  actions  are  not  properly 
emphasized.  The  result  is  that  you 
are  left  guessing  in  several  places 
as  to  the  why  or  wherefore  of 
the  proceedings.  The  effect  is  that 
of  a  rambling  story  that  tries 
through  sensationalism  to  make  up 
for  regulation  screen  values  that 
are  too  often  lacking.  At  the  out- 
set the  hero  is  hired  to  safeguard 
the  daughter  of  a  rich  man  who 
has  run  away  from  home  to  live  a 
carefree  life  in  the  "Village."  For 
many  hundred  feet  of  film  you  are 
led  to  believe  that  hero's  life  is  in 
danger  by  undertaking  a  highly 
dangerous  mission.  After  it  is  all 
over  you  realize  that  the  most  haz- 
ardous thing  that  happens  to  him 
is  to  get  knocked  out  in  a  brawl 
with  a  prizefighter.  In  other  words 
you  are  confused  trying  to  classify 
this  story  as  drama,  comedy  or 
burlesque.  It  could  have  been 
made  into  a  corking  satire  if  Lee 
Moran  had  played  a  comedy  hero 
rescuing  the  jazz  daughter  from 
her  foolishness.  The  story  is 
practically  a  rehash  of  "We  Mod- 
erns," only  instead  of  a  honeymoon 
in  an  airship  they  employ  a  yacht. 
Clara  Bow  works  hard  and  scores 
effectively  in  her  jazz  role. 
Box  Office  Angle....  Has  sufficient 
jazz  scenes  and  "art"  atmosphere 
to  please  sensation  lovers  who  are 
not  particular  about  the  general 
presentation  of  a  screen  story.  Not 
for  critical  people. 
Exploitation. ..  .Play  up  Clara  Bow 
in  a  "We  Moderns"  role.  You  can 
appeal  strongly  to  flappers  with 
this,  for  it  has  the  elements  they 
never  tire  of. 
Direction  ....  Dallas  M.  Fitzgerald; 
handicapped  by  material 

Author   Edgar  Franklin 

Scenario    Dorothy   Schroeder 

Cameraman    Jack    Young 

Photography    Good 

Locale   Greenvifich  Village 

Length 6,089  feet 


Billy  Sullivan  in 

"Fighting  Fate" 

Rayart  Pictures — State  Rights 
FAST  MOVING  STORY  OF 
PRIZE  RING  CONTAINS  A 
KICK  LIKE  WITNESSING  AN 
ACTUAL  CHAMPIONSHIP 
FIGHT.  ONE  OF  THE  BEST 
OF  ITS  TYPE. 

Star.... This  boy  Sullivan  certainly 
knows  how  to  muss  things  up  in 
the  roped  arena.  They  say  he  is  a 
nephew  of  the  famous  John  L. — 
and  he  sure  fights  that  way.  And 
he  can  act  as  well  as  fight.  Has  a 
smiling  personality  that  should  car- 
ry him  far. 

Cast .Johnny  Sinclair  supplies 

comedy  relief  as  the  fighter's  man- 
ager— and  scores  a  goodly  bunch 
of  chuckles.  Nancy  Deever  acquits 
herself  well  as  the  girl.  Tom  Mac- 
Quire  as  an  oldtime  fighter  gets 
over  a  realistic  characterization. 
Type  of  Story. ..  .Comedy  drama  of 
the  prize  ring.  Director  Rogell 
has  a  happy  knack  of  putting  over 
these  Sullivan  pictures  with  a  nice 
balancing  of  human  interest,  com- 
edy and  thrills.  The  big  climax 
of  course,  is  the  fight  scene.  At  a 
Broadway  transient  house  it  had  the 
customers  leaning  forward  in  their 
seats  as  one  fast,  thrilling  round 
followed  another  to  the  final  knock- 
out. A  kick  in  it  like  sitting  in  a 
ringside  seat  at  a  "grudge"  fight. 
If  the  two  fighters  pulled  their 
blows — which,  of  course,  they  did — 
it  was  so  well  acted  and  directed 
that  it  had  all  the  illusion  of  the 
real  thing.  The  hero  got  pummelled 
plenty  before  he  landed  the  winning 
blow.  A  very  human  story  is  un- 
wound, showing  the  fighter  from  a 
small  town  trying  against  heavy 
odds  to  break  into  boxing  fame 
In  his  first  fight  he  is  doped,  and 
then  ruled  out  by  the  boxing  com- 
mission for  throwing  the  fight.  His 
efforts  to  prove  his  innocence,  with 
onlj'  the  girl  and  his  manager  be- 
lieving in  him,  build  up  a  strong, 
sympathetic  part.  Additional  in- 
terest is  added  by  the  sheriff  about 
ready  to  close  down  the  restaurant 
run  by  the  girl's  fattier.  Of  course, 
the  hero  just  wins  the  fight  and  the 
prize  money  in  time  to  save  the 
situation.  Old  stuff — but  done  with 
a  light  touch  that  saves  it.  Lots 
of  incidental  fast  action  besides  the 
two  fight  scenes  makes  this  a  snap- 
py picture  that  never  drags. 
Box  Office  Angle. . . .  A  sporting  story 
for  boys  and  men.  You  can  judge 
whether  it  will  attract  your  women 
clients.  Has  sufficient  love  interest 
and  clean  story  to  appeal  to  fam- 
ily trade. 
Exploitation. . .  .Bill  the  realistic  prize 
fight  as  one  of  the  best  ever 
screened.  There  will  be  no  come- 
backs on  this.  Tie  up  with  sport- 
ing goods  stores  with  stills  of  star 
in  fighting  togs  for  window  display. 
Direction. ..  .Albert  Rogell;  excellent 

Authors  Henry  R.  Symonds  and 

John   W.   Grey 

Scenario  . .  Same 

Cameraman   Lyman  Broening 

Photography    Good 

Locale City 

Length    .... 4,991  feet 


"Mannequin" 

Paramount 

GOOD  ENTERTAINMENT  AND 
UNDOUBTEDLY  FIRST  RATE 
BOX  OFFICE  ATTRACTION. 
DOES  SOME  TUGGING  AT 
THE  HEART  STRINGS.  MANY 
FINE  BITS  OF  DETAIL  AND 
ATMOSPHERE. 

Cast. ..  .Alice  Joyce  splendid  as  the 
mother  although  she  doesn't  always 
photograph  attractively.  Dolores 
Costello  beautiful  and  does  espec- 
ially well;  she's  a  comer  and 
will  bear  watching  in  the  future. 
Warner  Baxter  well  suited.  Zasu 
Pitts  in  another  of  her  eccentric 
characterizations.  Walter  Pidgeon, 
Freeman  Wood  and  Chariot  Bird 
complete  the  cast. 

Type  of  Story Drama;  adapted 

from  Fannie  Hurst's  "Liberty" 
magazine  prize  story.  "Mannequin" 
is  destined  to  at  least  fulfill  the 
wants  of  the  exhibitors  whose  folks 
demand  something  out  of  the  ordi- 
nary. Fannie  Hurst  supplies  the 
medium  in  her  story,  a  mother  love 
theme  in  part  and  again  a  romance 
of  a  little  girl  of  the  tenements,  un- 
certain of  her  origin  and  yet  who 
rises  to  great  heights  as  a  njanne- 
quin.  The  story  is  delightfully  told 
and  director  Jaines  Cruze  again  dis- 
plays his  rare  finesse  in  atmosphere 
and  detail.  His  direction  is  excel- 
lent. The  period  of  the  prologue, 
about  20  years  ago  when  flowing 
skirts  and  pompadours  were  the 
rage,  is  a  rare  treat.  The  develop- 
ment brings  many  surprise  twists 
and  the  interest  is  held  at  a  high 
tension    all    the    way. 

Story:  Joan  Herrick  is  kidnapped 
by  a  half-wit  nurse  when  an  infant. 
Years  pass  and  Joan  is  a  feted  man- 
nequin, risen  from  a  tenement  ho- 
vel, and  loved  by  the  rich  Martin 
Innesbrook  who  introduces  her  to 
Judge  Herrick  and  his  wife,  Joan's 
long-lost  parents  who  had  given  up 
hope  of  ever  finding  her.  It  is  not 
until  Joan  is  held  for  the  murder  of 
Terry  Allen,  a  bounder,  and  finally 
acquitted  by  the  jury  in  spite  of  a 
movement  to  prevent  beautiful 
murderesses  from  being  acquitted, 
that  her  identity  is  established 
through  a  message  coming  from  the 
kidnapper's  death  bed.  There  is  a 
reunion  of  Joan  and  her  parents. 

Box   Office  Angle Will   fascinate 

and  entertain  them.  Should  go  big 
at  the  box  office. 
Exploitation.  ..  .The  story  already 
has  the  benefit  of  the  publicity  ac- 
corded it  as  a  prize  winner  in  the 
Liberty  Magazine  contest.  Further 
than  this  you  have  the  well-known 
name  of  Fannie  Hurst  and  with 
Alice  Joyce  heading  a  first  rate  cast 
it  should  be  simple  to  get  them  in- 
terested. Talk  about  Dolores  Cos- 
tello, daughter  of  the  erstwhile  fa- 
mous Maurice  Costello,  and  use 
plenty  of  pictures  of  her. 

Direction  James  Cruze; 

excellent 

Author  Fannie  Hurst 

Scenario Frances  Agnew 

Cameraman   Karl  Brown 

Photography    Good 

Locale   New  York 

Length  6.981  feet 


ANNUAL 
AM  PA 
REVEL 


TRUTH 

DINNEIt  e^DAMCE 

HOTE  •■  Qh/s  is  not  a  subuuaq  rush 

"  a  seat  for  everybody  at  100  tQble<r 
seating  100  celebrities  -attendance 
limited  to  1000.  Two  Jazz  Bands 
will  provide  continuous  music  for 
hoof  and  eye  entertainment  •    • 


TICKETS 

no. 

TABLES 
HOO 

[SEftTING  TEN 

>^  

y^^omSCHARLESEINFELD- First  National 

365  Madison  Ave.sVanderbilt  6600 


John  Adams  presents 


LARRY  SEMON 


in 


a 


TOP 


^ 


and 


LISTEN ! 


n 


Adapted  from  the  Musical  Comedy — 
by  Harry  B.  Smith 


Ifs  all  to  the 


meYry^raerry 


1 


Directed  by  Larry  Scmon 


Pafhepicture 


^'^^'^^    f^^ 


MARK, 


^ 


LARRY  SEMOIS 


STOP  wishing  for  a  big  feature 
comedy.     It's  here! 

LOOK  at  it!  Girls,  gags,  giggles, 
shrieks  of  laughter,  speed,  spice, 
suspense,  romance, — as  fizzy  as 
champagne,  as  satisfying  as  a 
banquet  to  a  hungry  man. 


A  Feature  Comedy 

LISTEN  to  what  they  are  all  say- 
ing; "1926  will  be  the  greatest 
year  yet  for  comedy."  Start 
right  with  one  that  will  raise 
your  roof,— "Stop,  Look  and 
Listen!" 


^;  ^__  ^ ^  f     ^     rrr  r  r  rTrT] 


Pafhepicture 


TRADE 


MARK, 


tut 


niy,  January  17,  1926 


DAILY 


ihort    Subjects 


oijs  of  Ireland,"  "Songs  of  Scot- 
jld"  and  "Songs  of  England"— 
James  FitzPatrick— Pathe 

Music  Series  Well  Done 

of  production. ..  .1    reel   educa- 

lal. 
J  lies  FitzPatrick  has  made  a  sin- 
•(tffort  to  picturize  in  tabloid  form 
;  heart  songs"  of  different  coun- 
e  By  "heart  song"  is  not  meant 
;  lational  airs  or  patriotic  tunes, 
tongs  which  are  characteristic  of 
;  ountry.  Correct  musical  accom- 
nient  helps  considerably,  of 
u  e,  and  scores  have  been  arranged 
r  he    exhibitor    so    that    this    may 

cilitated. 
^'c   first   three   reels   of   the   series 

bhown  for  review  and  consist  of 

reels  for  Ireland,  England  and 

!id     respectively.       A     pleasing 

t    story    has    been    arranged    for 

.c  so  that  the  action  is  interesting 

Kbrings  in  as  many  songs  as  pos- 


the    Irish    reel    such    songs    as 

hleen  Mavourneen,"  "Killarney" 

'As  She  Sat  in  Her  Low  Backed 

are  used. 

le  English  reel  brings  in  "Alice, 

re  Art  Thou,"  "Just  A  Song  At 

ight"   and    several    others,    while 

iigcotch  reel  includes  such  favorites 

.   Annie    Laurie,"    "Robin    Adair," 

Te   Bonny   Bonny    Banks   of    Loch 

.cjiond"  and   "The   Campbell's   Are 

xaing."    The  production  values  are 

oti  and  care  has  been  taken  all  the 

through.     This  series  should  be 

:o|l  for  the  highest  type  house. 


V  Fancy"— Iris  Film  Exchange 

For  the  Youngsters 

e  of  production 1-reel  color 

ure. 

\   Fancy"    is   especially   appropn- 
ori    a    holiday    program     where 
ngsters   are   likely   to   make   up   a 
e  part  of  the  audience.    The  otfer- 
is  done  in  color  and  presents  toy 
pets  in  action.     There  is  a  beau- 
1  "lady  doll"  who  primps  up  and 
)ierwise   displays    her   lovely   work- 
mship  and  there  is  an  amusing  cir- 
ri with  toys  all  performing  the  well 
cifwn    ring    tricks.       They     include 
;lwns,   dolls,   and   the   other    "make 
eves"    that    thrill    the    youngsters. 
:  animation  and  color  photography 
first  rate  and  will  no  doubt  inter- 
the  grownups  as  well  as  amuse 
.  thrill  the  children. 


o-Ko   Song    Car-Tune"— Fleischer 
Red  Seal      , 
Clever  and  Diverting 
pe    of   production....!    reel    song 
lovelty. 

I'Ko-Ko,"   the   Inkwell   clown,   and 

1|    funny    little    quartet    induce    the 

ajlience  to  sing  the  old-time  favorite 

"filing.  Sailing,  Over  the  Bounding 

lin."     If   you   have   played   any   of 

s   series   of   Song   Car-Tunes,   you 

ow  just  how  effective  they  are  and 

w   much    fun    they    are    good    for. 

ailing"   is   no  exception   and   many 

:ver  little   touches   have   been   em- 

)yed  in  the  typical  Fleischer  style. 


"Old    Virginia"- Fox   Variety 

Lovely  Views 

Type  of  production 1   reel  scenic 

"Carry  Me  Back  to  Ol'  Virginny" 
is  the  best  and  only  accompaniment 
lor  this  delightful  Fox  scenic,  a  Sou- 
thern reverie  which  carries  you  into 
Virginia  with  its  historic  background 
and  beautiful  country.  The  reel  is 
replete  with  beautiful  views  that  in- 
clude interesting  data  on  Virginia's 
fertility  as  well.  The  tobacco  fields, 
the  apple  orchards,  the  farms,  fish- 
ing, duck-shooting,  fox-hunting — all 
the  elements  of  pleasure  and  business 
are  combined  to  make  a  most  inter- 
esting offer.  The  titling  is  especially 
effective  and  purports  to  be  the  work 
of  an  old  "darkey"  who  asks  to  be 
taken  back  to  Virginia  and  then  they 
present  the  series  of  lovely  shots  of 
Virginia  as  sufficient  reason  for  his 
wish.  The  subject  is  splendidly  han- 
dled and  well  worthy  of  a  place  on 
your  program. 


"Reelview  'A' "— Urban-Kineto 

Real  Seal 

Nicely  Balanced  Reel 

Type  of  production....!  reel  novelty 

The  manufacture  of  pottery  in  the 
oriental  city  of  Tunis  is  shown  in 
a  very  graphic  and  interesting  man- 
ner. The  entire  process  is  of  the 
crudest  methods  of  ancient  times.  It 
is  all  hand  labor,  from  the  time  the 
the  clay  is  dug  from_^  the  soil  until 
the  potterj:  is  ready  for  the  market. 
A  big  percentage  of  the  work  is  done 
by  children  and  women,  and  the 
speed  and  skill  that  they  attain  is  re- 
markable. The  second  half  of  the 
reel  offers  good  contrast  with  nature 
studies  entitled  "Fighting  the  Ele- 
ments." We  see  nature  in  her  angry 
moods,  and  the  struggles  of  human 
beings  to  overcome  the  effects  of 
storms,  fire,  water,  ice  and  flood. 
Some  fine  shots  of  ships  battling 
through  ice-covered  seas  are  shown. 
A  nicely  balanced  reel  that  will  en- 
tertain anywhere  it  is   shown. 


"A   Honeymoon  Squabble" — Century 
Universal 

Theme  Rather  Suggestive 
Type  of  production. ..  .2  reel  comedy 
Where  they  aren't  fussy  about  the 
fact  that  their  comedy  must  be  of 
the  highest  class,  and  where  the  sug- 
gestive and  rather  risque  is  liked, 
this  will  undoubtedly  get  the  laughs. 
However,  where  you  have  to  be  care- 
ful about  the  type  of  material,  better 
see  this  first.  It  deals  with  the 
troubles  of  two  married  couples  who 
are  registered  separately  at  a  hotel 
and  all  of  whom  occupy  separate 
rooms.  A  most  suspicious  house  de- 
tective creates  a  good  deal  of  ex- 
citement and  many  of  the  laughs  are 
caused  by  the  trouble  and  discom- 
fort he  occasions  them.  Mix-ups  in 
rooms,  wrong  husbands  in  the  ladies' 
rooms  and  vice-versa  are  some  of  the 
things  which  occur  in  "A  Honeymoon 
Squabble."    Edna  Marian  is  featured. 


Incorporations 

Albany,  N.  Y. — Limited  Productions,  Ltd., 
New  York.  Capital  $525,000.  Incorpora- 
tors, A.  Smith,  V.  Mathews  and  J.  Perdue. 


Albany,  N.  Y.— F.  G.  &  K.  Amusement 
Corp.  Capital  $6,000.  Incorporators,  S. 
Kirschenbaum,    M.    Greenberg  and    B.    Frank. 


Albany,  N.  Y. — Basil  Dean,  Inc.,  New 
York;  securities  and  motion  pictures.  Capi 
tal  $10,000.  Incorporators,  B.  Dean,  P. 
Feiner  and  A.  Scheer.  Attorneys,  Stern  & 
Reubens,    149    Broadway,   New   York. 


London,     England    —     Chariot     Repertoire 
Prod.,    Ltd.,    London ;    to    operate    theaters. 


London,  England — Graham-Wilcox  Prod., 
Ltd.,  London;  Capital  £1,000.  To  pro- 
duce,   distribute    and    operate   theaters. 


Chicago,  111,. — ^Powers  Amusement  Qo., 
5743  West  Chicago  Ave.,  Chicago;  to  oper- 
ate theaters.  Capital  $1,000.  Incorporators, 
H.  Brandell,  L.  Traegerm  and  W  Shirra. 
Attorney,  W.  E.  Shirra,  10  South  La  Salle 
St.,    Chicago. 


Albany,  N.  Y. — Madaler  Patent  Rights 
Holding  Corp.,  Hampton  Bay.  Incorpora- 
tors,   F.    Von    Madaler,    W.    Grabie   and    P. 

Taylor. 


Albany,  N.  Y.— M.  C.  Distributing  Co., 
Inc.,  New  York;  to  distribute.  Capital 
$25,000.  Incorporators,  L.  Gilsinger,  L. 
Jentes,  E.  Freedman,  et  al. 


Albany,  N.  Y. — Excellent  Pictures  Corp., 
New  York ;  to  produce.  Incorporators,  M 
Krellberg,    D.    Palley   and   A.    Krellberg 


Albany,  N.  Y.— J.  M.  and  L.  W.  T^ater 
Corp.,  Albany.  Incorporators,  H.  lyrmas 
ter,   M.    Pcdlow   and   M.    Leonard. 


Springfield,  111. — Clark  Howard  iTheater 
Co.,  190  North  State  St.,  Chicago;  »  oper- 
ate theaters.  Incorporators,  L.  Wriss,  G. 
Fried  and  B.  Klass.  Attorneys,  Sooi^^n 
Echein,  Berkson,  Lautmann  &  Levinson 
cago   Temple    Bldg.,    Chicago. 


London,  England — Amusements  Equipment 
Sydnicate,  Ltd.,  London ;  to  equip  and  stage 
cinematographic  displays,  fairs,  etc.  Capital 
£1,000. 


London,  England — Associated  Dance  Halls, 
Ltd.,  London;  to  build  dance  halls,  theaters, 
and  music  halls.     Capital   £2,000. 


London,   England  —  Norman  and   Barker, 
Ltd.,     London;     to    produce    and    distribute. 

Capital    £500. 


London,  England — C.  and  M.  Productions, 
Ltd.,  London;  to  produce  and  distribute. 
Capital    £500. 


London,  England — Westland  Productions, 
Ltd.,  London ;  to  operate  theaters.  Capital 
£100. 


London,  England  —  Tivoli,  Ltd.,  New 
Brighton ;  to  operate  theaters.  Capital 
£3,000. 


London,  England — College  Picture  House, 
Ltd.,  London ;  to  operate  theaters.  Capital 
£2,000. 


London,  England — S.  and  H.,  Ltd.,  Lon- 
don ;  to  operate  theaters  and  produce.  Capi- 
tal   £5,000. 


Jenkins  Perfects  Speed  Camera 

Washington —  C.  Trancis  Jenkins, 
inventor,  has  perfected  a  machijie 
that  will  take  3,200  pictures  in  one 
second.  Jenkins  says  that  the  ma- 
chine, because  of  the  rapidity  with 
which  it  takes  pictures,  will  enable 
engineers,  after  slowing  down  the 
speed  in  the  reproduction,  to  study 
the  effect  of  rocks  and  gravel  on  bal- 
loon tires,  and  the  progress  of  a  pro- 
jectile from  a  cannon  can  be  traced 
through  the  air  with  the  device. 


In  Eastern  Studios 

Fields  to  Start  Feb.  IS 
W.  C.  Fields  will  start  on  "The 
Old  Army  Game"  about  Feb.  15  at 
Paramount.  Edward  Sutherland  will 
direct.  Clara  Bow  will  play  opposite. 
Most  of  the  exteriors  will  be  made 
in  Florida.  Luther  Reed  has  finished 
the  story,  based  on  J.  P.  McEvoy's 
stage  play  "The  Comic  Supplement." 
Tom  J.  Geraghty  will  supervise. 


Several   Shots   Ready 

Another  of  the  "International  Se- 
ries" of  single  reelers  has  been  com- 
pleted by  Cranfield  &  Clarke,  who  are 
releasing  a  series  of  two-reel  dramas, 
written  around  famous  paintings,  such 
as  "The  Doctor,"  "The  Angelus,"  and 
"The  Mother."  The  first  two  releases 
of  the  "Molly  May"  series  of  two- 
reel  comedies  are  likewise  ready. 


Insures  Employees 
The  Connecticut  General  Life  In- 
surance Co.  has  completed  plans  with 
First  National  for  the  insuring  of  all 
permanent  employees  against  accident 
and  death.  The  insurance  runs  from 
$500  to  $5,000,  according  to  the  length 
of  time  the  person  has  been  in  the 
company's  employment. 


Russell   Going  to    Hollywood 

John  Russell  leaves  for  Hollywood 
today  to  collaborate  with  Hermain 
Hagedorn  on  "The  Rough  Riders." 
It  is  to  be  produced  by  Paramount 
with  Theodore  Roosevelt  imperson- 
ated as  he  appeared  during  the  Span- 
ish-American war. 


hool  Back  at  Studio 

The  Paramount  Picture  School  has 
returned  from  a  three  week  loca- 
tion trip  for  exteriors  at  Lake  Placid 
to  the  studio.  Next  week  they  will 
go  to  Red  Bank  for  additional  shots. 


Swanson  Unit  in  Havana 
Gloria  Swanson  is  at  Savannah  for 
exteriors. 


Hardy  Added  to  "Savage"  Cast 

Sam  Hardy  has  been  added  to  the 
cast  of  "The  Savage,"  now  in  pro- 
duction at  First  National,  with  Ben 
Lyon  and  May  McAvoy  as  leads. 
Don  Hetrick  will  assist  John  Francis 
Dillon  on  the  direction. 


Menjou  Unit  on  Location 

"A  Social  Celebrity,"  starring 
Adolphe  Menjou,  which  is  being 
made  at  Paramount  under  direction 
of  Mai  St.  Clair,  are  spending  a 
few  days  on  location  at  Huntington. 
L.  I. 


Added  to  Dix  Picture 

Edna  May  Oliver  has  been  added 
to  the  cast  of  the  Richard  Dix  pic- 
ture, "Bachelor  Troubles,"  being 
filmed  at  Paramount. 


"Dancer"  Nearly  Finished 

Al  Santell  is  directing  "The  Dan- 
cer of  Paris"  at  the  Cosmopolitan 
studio.  Shooting  will  be  completed 
in  about  two  weeks. 


'^T-j  I'^-TTgr-rr^.Tian 


i^^i^^ssd^^ai^^^m^saB^mi^ 


HOLLYWOOD 
HAPPENINGS 


:S^BIlADSTREET 
oyFILHDOM 


vRECOCHIZED 

Authority 


By 
Harvey  E.  Qausman 


Telephone  Granite  3980 


Sunday,  January  17,  1926 


6411  Hollywood  Bl 


Warner   Bros.   Renew  Contracts 

Warner  Bros,  have  renewed  con- 
tracts with  Louise  Fazenda  and  Wil- 
lard  Louis.  They  also  have  placed 
Jane  Winton  under  contract. 


Renew  with  Universal 

Dorothy  Gulliver  and  Blanche 
Fisher  have  had  their  contracts  with 
Universal  renewed  for  another  six 
months. 


Warners   Sign  Roche 

Arthur  Somers  Roche  has  been  en- 
gaged by  Warner  Brothers  to  write 
a  series  of  original  stories.  He  will 
arrive   here  April  2nd. 


Marion  Nixon,  Denny's  Lead 

Marion  Nixon  has  been  chosen  for 
the  leading  feminine  role  in  Regi- 
nald Denny's  "Rolling  Home."  Wil- 
liam  Sciter  will   direct. 


Roberts  Back  at  Work 

Theodore  Roberts  will  return  to 
work  next  week  at  the  Paramount 
studio  in  a  picture  co-featuring  Betty 
Bronson  and  Ricarao  Cortez. 


Herbert   Here 

F.  Hugh  Herbert,  novelist,  has  ar- 
rived at  the  M.-G.-M.  studios  in  Cul- 
ver City  to  join  the  scenario  staff 
under  a  contract  recently  signed. 


Additions  to  "Mystery  Club" 

Charles  Puffy,  Nat  Carr  and  Char- 
les Crane  have  been  added  to  the 
cast  of  "The  Mystery  Club,"  which 
Herbert  Blache  will  direct  at  Uni- 
versal 


Hoffman  To  Go  East 

Renaud  Hoffman,  who  is  making 
"The  Unknown  Soldier,"  will  take 
the  entire  company  East  where  cer- 
tain sequences  will  be  shot  in  New 
York  in  about  six  weeks. 


Starts  Another  O.  Henry  Story 

"From  the  Cabby's  Seat"  is  the 
latest  O.  Henry  two-reeler  to  be 
made  by  Fox.  Gladys  McConnell, 
Gene  Cameron,  Art  Rowlands  and 
Ernie  Shields  are  in  the  cast.  Ben- 
jamin  Stoloff  is   directing. 


Flood  Directing  Next 

"Why  Girls  Go  Back  Home" 
(Warners)  is  under  way  with  James 
Flood  directing  an  all-star  cast  head- 
ed by  Patsy  Ruth  Miller  and  Clive 
Brook.  Others  are  George  O'Hara, 
Myrna  Loy  and  Jane  Winton. 


Cast  on  "Battling  Butler" 
Buster  Keaton  has  started  "Batt- 
ling Butler."  Sally  O'Neill,  who  has 
been  loaned  to  Joseph  M.  Schenck 
Prod,  by  M.-G.-M.  will  be  the  lead. 
Others  are  Francis  McDonald  and 
Walter   James.      Keaton   will   direct. 


Bacon  Starts  First  for  Fox 

Lloyd  Bacon  has  started  direction 
on  the  first  comedy  he  will  direct 
for  Fox,   "The   Garden  of   Edam." 


"Three  Bad  Men"  Title  Changed 

Fox  has  changed  the  title  of  "Three 
Bad  Men"  to  "The  World  of  Prom- 


ise. 


Becky  Gardener  Here 

Becky  Gardener  has  arrived  from 
New  York  and  will  adapt  "Padlocked" 
for  Paramount. 


Bill    Fairbanks    First 

The  first  William  Fairbanks  pro- 
duction for  Sam  Sax  will  be  "Catch 
as    Catch   Can." 


Ksme  Begins  First 
Peter    B.    Kyne    has    started   work 
on    his    first    screen    story    for    Fox, 
"Rustling  for  Cupid."    John  Ford  will 
direct. 


Ince    to    Support    Olive    Borden 

Ralph  Ince  will  support  Olive  Bor- 
den in  "Yellow  Fingers."  The  pic- 
ture has  been  started  under  the  di- 
rection of  Emmett  F'ynn. 


Ray  Griffith  Back 

Raymond  Griffith  has  returned 
from  New  York  to  appear  in  "Fresh 
Paint,"  which  Arthur  Rosson  will  di- 
rect. "The  Ship  That  Sailed  to  Mars" 
will  follow. 


Crisp  to  Direct  for  De  Mille 

Donald  Crisp  will  direct  for  C.  B. 
De  Mille. 


Billy  Joy  Assisting  Jones 

Billy  Joy,  Leatrice's  brother  and 
an  assistant  director  at  the  Roach 
studio  for  the  past  few  months,  has 
been  made  assistant  to  F.  Richard 
Jones,  diiector-general. 


McKenzie   Heads   Rock   Scenarists 

Bob  McKenzie  will  head  the  scen- 
ario department  of  Joe  Rock  Prod. 
Besides  writing  originals  for  Stand- 
ard and  Blue  Bird  comedies,  he  will 
pass  on  all  story  material. 


Himm  Completes  Editing 

Editing  of  "The  Devil  Horse,"  Hal 
Roach  feature  starring  "Rex,"  has 
been  completed  by  Carl  Himm 
Gladys  McConnell,  Roy  Clements, 
Robert  Kortman  are  in  the  cast. 
Directed  by  Fred  Jackman. 


L.  A.  Gets  Two  New  Houses 

Two  new  theaters  and  office  build- 
ings, to  cost  $150,000  apiece,  will  be 
erected  by  the  West  Coast  circuit, 
one  in  Hawthorne  and  one  in  Monte- 
bello. 

The  Montebello  house,  to  seat  900, 
will  be  built  at  the  corner  of  Whit- 
tier  Blvd.  and  Spruce  St. 

The  Hawthorne  theater,  to  be 
known  as  the  Roosevelt,  will  seat 
over   1,000. 


Estelle   Clark  with   M.-G.-M. 
Estelle    Clark    has    signed    a    con- 
tract with   M.-G.-M. 


"The   Door   Mat"   for   Lubitsch 

"The    Door    Mat"    is    to   be    Ernst 
Lubitsch's  next  production. 


"Silken  Shackles,"  Irene  Rich's  Next 

"Silken  Shackles"  is  to  be  the  title 
of  the  next  Irene  Rich  feature. 


Schayer  with  M.-G.-M. 
E.  Richard  Schayer  has  joined  M.- 
G.-M.  as  author  and  playwright. 

Theodore   Kosloff  A  Director 

Theodore  Kosloff  is  now  a  director, 
for  he  is  assisting  Cecil  B.  De  Mille 
on  "The  Volga  Boatman." 


Pidgeon    in    Fairfax    Pictures 

Walter  Pidgeon  has  been  signed 
by  Marion  Fairfax  for  one  of  the  lead- 
ing   roles    in    "The    Desert    Healer." 


Sax  Leases  Space  at  F.  B.  O. 

In  addition  to  space  used  at  Metro- 
politan for  Gotham  Prod.,  Sam  Sax 
has  contracted  for  space  at  F.  B.  O. 
for  a  second  unit  which  will  start  in 
February.  Sax  will  shortly  have  four 
distinct   units. 


Fitzgerald   to   Begin   Another 

Dallas  Fitzgerald  will  start  his  next 
shortly.  He  has  purchased  from 
Ethel  Donoher  a  story  tentatively 
titled  "Silver  Lanterns." 


Jackman  Buys  "Rex" 

Fred  Jackman,  director  for  Roach 
of  the  pictures  starring  Rex,  the  stal- 
lion, has  purchased  the  animal  from 
Hal  Roach  and  will  produce  pictures 
starring  the  animal. 


Montagne    Doubles  as   Editor 

In  addition  to  his  regular  duties  as 
supervising  scenario  editor  of  Univer- 
sal, Edward  J.  Montaene  has  found 
time  to  personally  write  scenarios 
and  adaptations  on  several  of  the 
company's  films.  Among  his  writing 
efforts  of  the  past  few  months  are  the 
adaptation  of  "Skinner's  Dress  Suit," 
scenario  on  "The  Still  Alarm,"  co-au- 
thor with  J.  G.  Hawks  on  "Combat," 
and  scenario  on  "The  Flaming  Front- 
ier." 


Hawks  Finishes  "Road  to  Glory" 
"The  Road  to  Glory"  has  been 
completed  for  Fox  by  Howard 
Hawks.  May  McAvoy  and  Leslie 
Fenton  have  the  leading  roles,  with 
Ford  Sterling,  Rockliffe  Fellowes  and 
Milla   Davenport  in   support. 


De  Sano  to  Direct  for  M.-G.-ft 

Marcel     DeSona     will     direct 
Praise  of  James  Caribine"  for  Mckiu,. 
Goldwyn-Mayer.  " 


Added    to   "Pilsen"    Cast 
Otis  Harlan  and  Rose  Tapley  ll 
been  added  to  the  cast  of  "The  Prfc 
of  Pilsen." 


Cummings  Working  on  Nexti| 

Irving  Cummings  is  preparing 
script  for    "Rustling   for   Cupid,"  If  hi! 
next  for  Fox. 


Rosen  on  Location 

Phil    Rosen    is    directing    Con 
Nagel  and  Renee  Adoree  on  a  moppl*' 
tain  location  fifty  miles  north  of 
Angeles. 


Ford   Sterling   Gets   Lead 

Ford  Sterling  has  been  given 
leading  role  in  "The  Show-OfcH;: 
which  Mai  St.  Clair  will  direct  t  pe; 
Famous. 


Pat  O'Malley  Chosen  As  Lead 

Pat   O'Malley   has  been   chosen  P.^- 
play  the  featured  lead  opposite  li    *■ 
Busch  in  "Perch  of  the  Devil,"  K^l| 
Baggot's  next  for  "U."  I  ■fj. 

lilt': 

Active   at    California    Studios 
Production    activities    at    the    C? 
fornia   Studios   include   the  new  Bi    ten 
con   serial  with   Bob  Dillon  directi    ;f" 
and  featuring  Herbert  Rawlinson  a 


■  ■■■■■■■■nil 


nrm 


fWTt 


STUDIO  SPACE       n 

For  Independent  Producer! 
Excellent  facilities  with  every 
convenience. 


CALIFORNIA  STUDIOS 

1420-22-24  Beachwood  Drive 

Hollywood 
J4^«    Mintz,    Studio    Mgr 
Phone    HO-0162 


m 


W/ien  tn  Hollywood 
stop  at 

THE  NEW  HOTEL  REGENT  |tt 

E'very  room  nvith  Bath  and  Radio      *"*'' 

A  beautifully  appointed  moderately 
priced   hotel. 

In  the  heart  oj  Hollywood 

6162  HOLLYWOOD  BLVD.     p,, 

Phone:  Holly.  0487 


day,  January   17,  1926 


THE 


^5^ 


DAILY 


ir 


h  Western  Studios 

I  Joy.  The  Levlne-Bischoff  dog 
,  starring  Malcolm  McGregor 
ouise  Lorraine  is  making  "The 
:  Flyer."  The  H.  C.  Witwer 
[jold  Medal  comedy  units  have 
started  production  on  comedies 
Biff  and  other  companies  are 
ring  to  start. 


iight  Cry"  Almost  Finished 
le  Night  Cry,"  Rin-Tin-Tin's 
st,  is  nearing  completion.  June 
Dwe  and  John  Harron  have  the 
,g  roles  with  Gayne  Whitman, 
lie"  Conklin,  Don  Alvarado  and 
Louise  Miller  supporting.  Her- 
Raymaker  is  directing.  Ewart 
ifiison  wrote  the  story  and  script 


Whispering   Smith"   Cast 

th  the  signing  of  James  Mason, 

n  McDowell,  Richard  Neil,  Will 

ing    and    Warren    Rodgers,    the 

for  "Whispering  Smith"   is  now 

lete.     George   Melford  is   direc- 

with    H.     B.     Warner,     Lillian 

,  John  Bowers  and  Lilyan  Tash- 

,  featured. 


Added  to  "Rolling  Home" 

n  Hendricks,  Jr.,  H.  J.  Ratcliffe. 
garet  Seddon,  George  Nicholl, 
•ge  Marion,  Alfred  Knott  and 
'hurston  have  been  added  to  the 
of  "Rolling  Home,"  which  Wil- 
A.  Seiter  is  directing  for  Uni- 
al. 


I  "The  Grifters"  Under  Way 
he  Grifters,"    (Warners)   is  well 
r  way  with  Dolores  Costello  and 
—    Harron    in    the    leading    roles. 
ers  in  the  cast  are  Matthew  Betz 
Farley,    Lee    Moran,    Gertrude 
re  and  Joseph  Dowling.  Roy  Del 
h  is  directing. 


Sierra  Pictures  Start 
reduction  on  the  first  of  a  series 
comedy  dramas  "The  Assign- 
it,"  starring  T.  Roy  Barnes  and 
lel  Shannon  has  started  under 
■ction  of  Horace  B.  Carpenter. 
s  series  is  being  produced  by 
•ra  Picture  for  A.  C.  Steen. 

Begin  "The    Sap" 

The    Sap"   has   been   started    with 

'nneth  Harlan   in   the   leading  role, 

Warners.     Mary  Mc.A.lister  is  the 

;'ie  lead.     Others  include  "Heinie" 

,;i/iin,    Dave    Butler,    Eulalie    Jen- 

1   and  John   Cossar.      Erie   Kenton 

:directing. 

Beaudine  at  Work  for  Warners 

Leave  It  To  Me"  is  William 
audine's  first  production  since  re- 
•ning  to  Warners.  The  cast  is 
aded  by  Dorothy  Devore,  John 
trick  and  Montague  Love,  sup- 
rted  by  George  Pearce  and  Jim 
)rdon. 


"Seventh  Bandit"  Complete 

"The  Seventh  Bandit"  has  been 
jmpleted  and  the  final  cutting  fin- 
led.  This  stars  Harry  Carey,  and 
e  cast  includes  Harriett  Hammond 
rilby  Clark,  James  Morrison  and 
Falter  James.  Scott  Dunlap  di- 
eted 


17  Jewels  for  Spring 

(Continued  from   Page   1) 

February 

"U<icler"v  Western    Skies,"    starring    Norman 
Kerry  and  directed  by   Edward   Sedgwick.- 
/"The    Beautiful   Cheat,"   starring    Laura    La 
Plante    and    directed    by    Edward    Sloman. 

March 

"The  Cohen  and  the  Kellys,"  featuring 
George  Sidney  and  Charlie  Murray  and  di- 
rected   by    Harry    Pollard. 

"The    Man    in    the    Saddle,"    starring    Hoot 
Gibson    and    directed    by    Herbert    Blache. 
1     "Combat,"    starring    House    Peters    and    di- 
rected   by    Lynn    Reynolds. 

I  April 

1  "Watch  Your  Wife,"  co-starring  Virginia 
i'alli  and  Pat  O'Malley  and  directed  by 
jSvend   Gade. 

j  "Skinner's  Dress  Suit,"  co-starring  Regi 
iiald  Denny  and  Laura  La  Plante  and  di 
reeled    by    William    A.    Seiter. 

May 

!  "The  Still  Alarm,"  featuring  William  Rus- 
'sell  and  Helene  Chadwick  and  directed  by 
Edward    Laemmle. 

"Chip  of  the  Flying  U,"  starring  Hoot 
Gibson   and   directed   by   Herbert   Blache 

"My  Old  Dutch."  featuring  May  McAvoy, 
Pat  O'Malley  and  Jean  Hersholt  and  directed 
by    Larry    Trimble. 

June 

"The  Live  Thief,"  starring  Norman   Kerry. 
"Rolling   Home,"   starring    Reginald    Denny 
and   directed   by   William   A.    Seiter. 

July 

"The  Phantom  Bullet,"  starring  Hoot 
Gibson. 


Century  Name  Passes 

A  reorganization  of  policy  and 
production  is  planned  by  Stern  Bros. 
Hereafter,  their  comedies  for  Uni- 
versal release,  will  be  known  as 
Stern  Brothers  Comedies.  Their 
former  name.  Century  Comedies,  is 
being  discontinued. 

There  will  be  at  least  five  series 
on  the  1926-1927  schedule,  Buster 
Brown  comedies  forming  the  nucleus. 
Another  series  in  the  making  is 
"What  Happened  to  Jane,"  situation 
comedies,  starring  Wanda  Wiley. 


14,000  New  Seats 

(Continued  from   Page    1) 

construction  on  which  starts  in  a  few 
weeks  that  the  new  theater's  booking 
will  be  controlled  by  Metro-Goldwyn- 
Mayer. 

Following  announcement  of  the 
building  of  the  Midland  comes  from 
Warner  Bros.,  that  the  proposed 
plans  to  build  a  large  first  run  house 
have   been   abandoned. 


Barabara   La   Marr    111   Again 

Press  dispatches  from  the  Coast 
state  Barbara  La  Marr  is  again  in  a 
serious  condition,  following  a  relapse. 


K.  G.  Rejects  Five 

(Continued  from  Page  1) 
Eliminations  were  made  on  338. 
Under  a  ruling  authorized  by  the 
state  legislature  at  its  last  session, 
news  reels  were  exempt  from  censor- 
ship and  the  fee  for  censoring  educa- 
tional and  scenic  reels  was  cut  from 
$1   to  25   cents. 

Fees  received  during  the  year  to- 
taled $23,454.  Of  this,  10  per  cent 
was  transferred  to  the  general  fund 
of  the  state  and  the  remainder  used 
for  salaries  and  maintenance  of  the 
board. 


The  Week's  Headlines 

Monday 

North  American  Theaters  Corp.  reported 
after  Pacific  Northwest  houses.  Further 
deals    with   Ackerman    and    Harris    possible. 

Cleveland  system  of  apportioning  first  runs 
creating    dissatisfaction    among    exhibitors. 

Tuesday 

Local  combine  forming.  10  circuits  discus- 
sing holding  company  to  secure  first  runs 
through    joint    buying    power. 

Finkelstein  and  Ruben  plan  to  enter  vaude- 
ville  field. 

Minority  members  of  Senate  Finance  Com- 
mittee favor  cutting  tax  from  all  admis- 
sions. 

T.O.C.C.  disturbed,  members'  future  causes 
concern.  Support  to  First  National  with 
Sam    Katz    out   considered. 

Fox  chain  reported  in  Florida,  with  Miami 
deal,   under   way,   as   the   first. 

Warners  selling  franchises  from  one  to  five 
five    years.      Pantages    deal    consummated. 

M.  C.  Levee  to  continue  production,  sale 
of  United  studios  in  no   way  afifecting   him. 

Representative  of  Chinese  Government  says 
that  China  wants  more  houses.  To  in- 
terest  American   concearns    in   development. 

Lon    Chaney    re-signs    with    M.-G.-M. 

Wednesday 

T.O.C.C.    ask    Will    H.    Hays    to   aid   them   in 

seeking   new    allocation    of    product. 
All    night    Seattle   theater    question    up    again. 
Al  I.ichtman  to  produce  series  of   12.    "Cherry 

Tree"'  first. 
Twenty-eisht    pictures   to   be    released   by   First 

National    on    Siiring    list. 
"Sorrows   of   Satan"  not   to  be  made  on  road 

show  scale. 
Karl   Hoblitzelle  takes  over  Mudd   and   Colley 

interests    in    Birmingham.       Deal    embraces 

First   National   franchise. 
Stanley    Co.    of    America    on    Curb ;    334,306 

shares   admitted. 
Publix    to    erect    house    costing    $1,000,000    in 

Knoxville,   Tenn.,   will   seat  2,300. 

Thursday 

Sixteen  notables  return  from  abroad  aboard 
the  Majestic.  Possibilities  of  production 
abroad    interest    them. 

Thirty  managers  of  first  Publix  training 
school    graduate. 

"Red"  Grange  denies  $300,000  picture  con- 
tract. 

Rome  dispatch  reports  move  is  on  to  com- 
bat American  films.  Discounted  in  New 
York. 

Friday 

British  quota  plan  is  tabled.  End  to  block 
booking  in   sight.      Central   studio   endorsed. 

Censors  reject  but  12  of  3,310  films  reviewed 
during  1925.  Profits  to  state  to  date, 
$480,058. 

New  class  of  managers  for  Publix  to  start 
Feb.  20. 

Abe  Carlos  to  expand,  increasing  activities 
to    five    units. 

William  Allen  White  discusses  films  as  mess 
or  menace  and  decides  on  the  former. 

Nineteen  Government  parks  available  to  pro- 
ducers for  wild  animal  and  scenic  back- 
ground locations. 

Report  that  settlement  of  arbitration  and 
play  date  clauses  in  new  uniform  contract 
is  at  hand. 

Saturday 

Despite  trade  commitee's  opposition  to  a 
British  quota,  the  Government  there  may 
act. 

Universal  to  release  17  Jewels  in  the  Spring 
and    Summer. 

Fourteen  thousand  new  theater  seats  to  aug- 
ment Kansas  City's  theater  capacity.  Six 
thousand    now    building    or    pLinned. 


Studio  Hits  Snag 

(Continued  from  Page   1) 
Hendren    Printing    Co.,    was    appoin- 
ted receiver. 

The  20th  Century  M.  P.  and  Dra- 
matic Clubs,  headed  by  Roscoe  Car- 
penter, was  incorporated  with  5,000 
shares  of  common  stock  of  no  par 
value.  The  Florida  company  was  in- 
corporated for  $5,000,000  capital  stock. 
The  purpose  of  the  land  company, 
it  was  said  at  the  time  it  was  or- 
ganized, was  to  buy  land  for  studios. 

Receivership  of  the  local  concern 
was  made  on  the  complaint  of  Alf 
Chouimard,  photographer  and  opera- 
tor, who  alleged  the  concern  owed 
him  back  salary  and  was  insolvent. 


Newspaper  Opinions 

"California    Straight    Ahead" 

Universal 

Colony 

AMERICAN—*  *  *  There's  nothing  very 
new  in  all  this.  But  Denny  is  a  merry 
enough  Tom,  and  Tom  Wilson  is  his  fun- 
maKing  valet.  The  story  may  drag  oc- 
casionally, but  it  has  its  hilarious  moments. 
The  racing  sequence,  although  it  is  well 
photographed,   needs   much   cutting.   *   *    * 

DAILY  MIRROR—'  *  *  There's  action 
galore,  ending  with  Tom  coming  out  on  top, 
entering  the  race,  and,  of  course,  winning 
in   thrilling   fashion. 

"California  Straight  Ahead"  is  cracker- 
jack  fun,  with  Reginald  Denny  at  his  best. 
Which  is  'nuf  sed."  *  *   * 

DAILY  NEW.S— *  *  *  Here's  a  healthy, 
hapyy  movie,  little  on  lesson,  but  lots  on 
laughter. 

Reginald  Deny  is  up  to  his  fastest  racing 
trick  again.  Bryan  Morgan,  demon  at  writ- 
ing automobile  stories,  collaborated  with  Di- 
rector Harry  Pollard  on  this  one — so  all  is 
well   on   the  scieen.   •   *  * 

EVENING  JOURNAL—*  *  *  Denny's 
a  likable  rl  ap  and  the  racing  scenes  are 
good,  but  the  story  lacTcs  the  effervescent 
comedy  of  his  former  efforts  due  to  the  fact 
that  there  wasn't  much  sTory  to  begin  with. 
»  «   * 

EVENING  WORLD—*  *  *  There's  no 
meat  in  'California  Straight  Ahead."  It 
teaches  no  moral — and  it  doesn't  pretend 
to  do  so.  It  has  pace  and  is  full  of  action 
with  something  doing  evei  v  minute.  D.'^nny 
does  his  share,  no  matter  low  he  n'ls  his 
effects.    *    *    • 

HERALD-TRIBUNE—*  *  *  This  Hanoe 
halls  on  wheels  is  almost  as  good  an  idea 
as  one  of  those  ships  that  get  gav  twelve 
miles  out ;  though  so  far  as  the  picture 
points  out,  the  only  laws  thai  are  bnken  tre 
the  speed  laws.  The  picture  has  a  ii.-irpy 
ending,  for  by  the  time  the  hero  reaches 
California,  lie  is  sweeping  every fh.'ng  before 
him     *   *   * 

MORNING  TELEGRAPH—*  *  •  His 
(Reginald  Denny's)  new  vehicle  lacks  a  co- 
hesive story  and  sustained  interest,  becoming 
instead  a  hodge-podge  and  rough  and  tumble 
comedy  with  stretches  of  dullness  between 
none  too  frequent  laughs.  However,  it  is 
easy  to  look  at,  taxes  one's  imagination  not 
at  al!  and  probably  will  please  those  who  are 
casual   in   their  quest   of  entertainment.    *   •    • 

POST — *  *  *  Of  course,  the  big  race  is 
the  chief  matter  at  hand,  and  although  every- 
body in  the  audience  is  quite  aware  that  our 
hero  will  win  it  after  sundry  mishaps,  it 
is.  as  usual,  as  exciting  as  most  movie  races. 
Mr.  Denny  is  his  old  amusing  self  and  Ger- 
trude Olmstead  is  pleasant  enough  as  the 
girl.    •   *   • 

SUN— *  *  *  The  body  of  "California 
Stragiht  Ahead"  comes  from  the  old  Mack 
Sennett  comedies  wherein  circus  animals  pur- 
sued the  actors  through  movie  settinijs. 
The  Mack  Sennett  comedies  remain  supreme. 
•  •  • 

TELEGRAM—  **  *  Reginald  Denny,  in 
the  role  of  the  all-American  racing  fool,  is 
a  genial  comedian  who  finds  able  support  in 
the  black-face  jocularity  of  Tom  Wilson,  to- 
gether with  such  stage  properties  as  the  ex- 
travagances   of    the    scenario    demand.    *    •    ♦ 

TIMES — *  •  *  That  energetic  and  cheery 
actor,  Reginald  Denny  *  *  *  in  a  pleasing 
photoplay  entitled  "California  Straight 
Ahead."  The  picture,  like  the  actor,  is 
alwavs   agreeable  and  wholesome.   *   ♦   * 

WORLD — *  *  *  Fast  moving  nonsense  of 
a  familiar  brand  through  the  fore  part,  with 
a  subsequent  "punch"  episode  so  strange  as 
to  border  upon  fantasy.  Almost  entirely  was 
this  peculiar  notion  beyond  the  scantiest 
probability,  and  still  general  satisfaction  was 
exhibited  practically  throughout  the  large  and 
eagre  audience.   *   *  • 


"Mannequin" 

Paramount 

Rivoli 

AMERICAN—*  *  *  As  a  plot  "Manne^ 
quin"  is  somewhat  thin.  As  a  means  of 
dazzling  the  eye  with  Dolores  Costello,  it  is 
almost     perfect. 

Miss  Costello  appears  in  an  important  role 
for  the  first  time  in  her  yourg  career  ^1  hat 
it   will    not    be   the   last   is   certain.    * 

DAILY  MIRROR—*  *  *  '•  he  beauty  of 
this  prize  ficker,  however,  is  Dolores  (  os- 
tello,  daughter  of  that  oU  fmie  movie  idol. 
Maurice  *  *  *  She  is  medium  height,  slim, 
graceful,    and    lovely   in    a    blonde,   yearningly 


THE 


12 


-^^ 


DAILY 


Sunday,  January   17, 


feminine  way.  She  stands  out  from  this 
hodgepodge  of  poky,  jumbled  film  like  a 
delicate  cameo.   *   *   * 

DAILY  NEWS—*  *  •  It  is  a  remaikat'le 
picture,  wonderfully  directed  to  the  mmu'est 
detail,  and  it  has  an  exceptional  cast.  Dol- 
ores Costello's  fragile  beauty  is  a  treat  to 
gaze  upon.  Alice  Joyce,  as  i\:'.  mother  of 
.loan  Herrick,  gives  an  artistic  interpretation 
of   that   character.    ♦    ♦    • 

EVENING  JOURNAL—*  *  *  If  it  does 
nothing  else,  establishes  Dolores  Costello  on 
the  screen.  Dolores  *  *  -  reminds  cue  of 
both  Corinne  Griffith  and  Constance  Bennett, 
and  besides  having  that  advantage,  slie"3  a 
good  little   actress.    *   *   • 

EVENING  WORLD—*  *  *  jamcs  Cruze 
did  a  fair  enough  but  uninspired  job  of 
directing.  *  ♦  ♦  Dolores  Costello  as  Or- 
chid Sargosso  contributed  a  performance 
of  striking  excellence,  establishing  herself  as 
a  player  capable  of  heavy  roles.  She  is 
graceful  and  winsome  to  an  unusual  aegrce. 
and    pleasing    to    the    eye    for    good    measure. 

♦  *    » 

HERALD-TRIBUNE— *  •  •  Is  Fannie 
Hurst's  $50,000  prize  story,  and  it  is  a  pretty 
good  story ;  though  it  seems  to  us  the  gen 
eral  excellence  of  the  picture  is  due  in  a 
great  measure  to  the  unerring  direction  of 
James  Cruze  and  the  fine,  sincere  acting  of 
the  people  in  it.  *  *  * 

MiORNING  TELEGRAPH—*  *  *  Every 
exhibitor  will  appreciate  the  exploitation  value 
of  a  title  like  that!  Fannie  Hurst  has  pro- 
vided dramatic  material  for  a  dozen  stories 
and  packed  it  all  in  this  one.  There  is  just 
about  every  element  of  popular  appeal  any 
audience   can   ask   for.    ♦   •   ♦ 

POST — *  *  *  Cruze  has  made  "Mannequin" 
into  a  picture  that  is  thoroughly  interesting 
and  possessing  the  illusion,  at  least,  of  im- 
portance.  *   *   * 

SUN — *  •  •  "Mannequin,"  the  film,  is 
at  best,  a  plotty,  trivial  yarn  and  indifferent 
entertainment  with  minor  human  values.  *  *  • 

TELEGRAM—*  *  *  Fannie  (Hurst)  *  *  * 
has  taken  every  conceivable  trite  situation  of 
the  movies  and  jumbled  all  into  her  scenario. 

*  *  * 

TIMES — *  *  *  Through  James  Cruze's 
adroit  direction  and  his  aptitude  for  shading 
incidents  with  originality,  this  subject  is 
quite  stirring,  but  it  misses  being  a  really 
sound  melodrama  through  some  strained  and 
unconvincing  situations.  ♦  *  * 

WORLD — *  •  *  This  latest  product  from 
Fannie  Hurst  emerges  on  the  screen  as  a 
shrewd  combination  of  all  the  old  melodrar- 
matic  tricks  of  film  craft,  glossed  over  with 
the  polish  of  elaborate  settings  and  deft 
direction.   *   *  • 

GRAPHIC—*  •  *  If  "Mannequin"  is  the 
best  that  was  offered  out  of  so  many  scen- 
arios, American  originality,  not  to  mention 
American  literature,  is  in  a  very  bad  way — 
a   very  bad   way   indeed  I    *  *   * 


"Mike" 

M.-G.-M. 

Capitol 

AMERICAN— •  •  *  Neilan,  who  is  cred- 
ited with  the  plot,  evidently  wrote  it  as  he 
went  along,  piling  on  incidents  just  for  the 
pleasure    of    the    thing. 

Whatever  the  plot  may  or  may  not  be. 
Sally  O'Neill's  vividness  cannot  be  denied. 
Neilan's  find  is  a  genuine  one.  She  is  fresh 
and  pretty,  with  an  apparently  unending  flow 
of  energy.   •   •   * 

DAILY  MIRROR— *  *  *  Dedicated  to 
those  who  enjoy  a  laugh.  "He  who  laughs 
last  is  the  last  to  start,"  concludes  one  of 
the  subtitles.  Neilan's  latest  effort  is  very 
entertaining  in  spots  but  the  spots  are  ob- 
literated at  the  end  to  yield  to  decrepid  melo- 
drama.   •   •    • 

EVENING  JOURNAL  _  •  •  •  Sally 
O'Neill,  the  cute  little  trick  who  made  her 
film  debut  in  "Sally,  Irene  and  Mary,"  is 
the  heroine.  •  •  •  She  has  a  distinct  screen 
personality  and  the  story,  written  and  di- 
rected by  Marshall  Neilan,  gives  her  plenty 
of  opportunity  to  romp  about   girlishly.   •  •  ♦ 

EVENING  WORLD—*  *  *  Sally  O'Neill 
wears  overalls  most  of  the  time.  She  is  a 
sprightly  gamin,  but  this  film  did  not  de- 
mand much.  The  "gags"  are  for  the  most 
part  sure  fire  stuff,  many  of  them  tried  and 
tested.  •  •  • 

GRAPHIC— *  •  •  'The  story  is  pitifully 
slim.  In  fact,  there  isn'a  story.  Just  a 
series  of  unfunny  situations.  So  Mr.  Neilan 
has  injected  a  couple  of  train  wrecks  and  an 
aeroplane  chase  to  try  to  speed  things  up  a 
bit.  But  somehow  nothing  "rings  true"  and 
you  don't  get  the  least  thrill  out  of  the 
thrilling   (?)   scenes.   •   •   • 


HERALD-TRIBUNE—*  *  •  To  us  it 
seemed  dull,  silly  and  superfluous.  Colleen 
Moore  did  it  so  much  better  in  "Desert 
Flower,"  and  Sally  O'Neill,  who  appeared 
suddenly  and  sweetly  in  "Sally,  Irene  and 
Mary,"  cannot  possibly  help  her  popularity 
along  any  as  Mike.      She  never  has  a  chance. 

MORNING  TELEGRAPH—*  *  *  Is  the 
most  amusing  poor  picture  we  have  ever 
seen.  Or,  perhaps  it  is  the  worst  good  pic- 
ture. Any  one  who  has  seen  many  of  Neil- 
an's productions  will  understand  what  is 
meant.  For  the  others,  let  it  be  recorded 
that  "Mike"  has  but  little  plot  and  that  is 
developed  in  fits  and  starts.  But  it  has 
a  wealth   of  endearing,   human   touches.    •  *   * 

POST — It  is  an  axiom  of  the  film  studios 
that,  given  a  box  car  and  a  cunning  little 
actress  in  overalls,  comedy  will  result.  Mar- 
shall Neilan,  however  has  tried  the  formula 
once  too  often  *  *  *  and  the  result  is  "Mike," 
which  turns  out  to  be  that  sort  of  comedy 
best  described  as  "mild."   ♦   *   * 

TELEGRAM— *  *  *  Responsibility  for  the 
direction  and  authorship  thereof  is  assumed 
by  Marshall  Neilan.  *  *  ♦  We  should  never 
have  suspected  the  hand  of  this  veteran  ex- 
ponent of  the  silent  drama  in  connection  with 
anything  so  utterly  devoid  of  distinction  as 
this  "Mike"  of  his.   ♦   •   * 

TIMES—*  *  *  There  are  several  ingeni- 
ous episodes  and  the  heroine,  who  travels 
through  life  as  Mike,  is  cleverly  portrayed 
by  Sally  lO'Neill.  This  production  is  a 
movie  and  does  not  pretend  to  anything 
else.  It  has  its  moments  of  amusement  and 
the   closing   chapter   of   thrills.    •    ♦    ♦ 

WORLD— •  *  •  (Marshall  Neilan)  can- 
not sustain  a  reputation  with  such  scenarios 
as  he  wrote  for  himself  to  direct  in  "Mike." 
With  unexpected  tenacity  he  clung  in  this 
piece  to  the  notion  that  wherever  the  story 
breaks   down   a  sufficient   number   of  kids  and 

animal    life    will     cement    it    together    again. 

♦  »  * 

SUN— *  •  •  It  isn't  that  "Mike"  is  badVy 
directed  or  acted.  It  is  just  that  its  childish 
humors  are  so  very,  very  childish  and  so 
very,  very  old.  I  should  think  that  even 
tots  who  have  had  a  year  or  so's  experience 
amongst  the  fleeting  shadows  would  emerge 
from  "Mike"  with  the  feeling  that  whereas 
they,  the  tots,  were  growing  up,  the  movies 
were   remaining   in   their   infancy.    *    *    * 


"The  Splendid  Road" 

First   National 

Rialto 

AMERICAN—*  *  *  It  is  the  director 
who  must  be  blamed  for  spoiling  this  film. 
He  had  a  capable  cast,  which  includes  half 
a  dozen  well  known  names,  and  the  story, 
though  weak,  was  not  an  impossible  one. 
In  resorting  to  cut-backs  and  other  out-dated 
devices,  Frank  Lloyd  hasn't  done  right  by 
cast   or   story.    •   ♦   * 

EVENING  WORLD—*  »  *  It  seems  to 
be  as  much  a  machine  made  product  as  a 
Ford  car.  It  fills  the  formula  of  a  good 
picture.  It  is  made  scientifically.  As  a  first 
motion  picture  it  would  be  wonderful.  But 
as  it  is,  it  is  just  another  movie — just  an- 
other movie  at  a  time  when  we  already  have 
too  many  of  the  model  in  stock.   •  *  * 

HERALD-TRIBUNE—*  *  *  Picked  up 
all  the  loose  scraps  lying  around,  molded 
them  into  the  clay  containing  all  of  the 
material  which  ever  had  gone  into  the  making 
of  a  gold-rush  picture  and  sculped  out  a 
story  which  is  identical  with  thousands  of 
others  which  have  traveled  the  splendid  road 
in   the   last   decade.   *   *   • 

MORNING  TELEGRAPH—*  *  *  Is  a 
story  of  the  Forty-niners  told  in  the  terms 
of  lurid  melodrama  but  handled  with  great 
restraint  and  some  humor  by  Frank  Lloyd, 
the  director.  With  plenty  of  action  and 
strong  love  interest,  it  should  have  con- 
siderable  appeal.    *   *   • 

POST — *  *  *  Will  either  bore  its  audience 
into  a  state  of  insensibility  or  reduce  them 
to  the  same  desirable  condition  from  hys- 
teria. 

"The  Splendid  Road"  oozes  sentimentality, 
and  in  spite  of  what  might  well  be  termed 
an  "all-star  cast,"  it  emerges  as  a  very  silly 
movie.  *  *  • 


^iniiiiiiiiiiiiB 


SUN—*  *  *  Unfortunately  "The  Splendid 
Road"  confesses  to  one  of  those  old  plots 
that  were  popular  when  the  cinema  was  but 
a  tot.  Which  is  to  say  that  its  emotional 
vakies  are  infantile  and  stupid.     At  times   the 

affair     savors     uncomfortably     of     burlesque. 

*  »    # 

TELEGRAM— *  *  *  Apart  from  its  ward- 
robe, there  is  nothing  about  the  picture  geo- 
graphically, historically  or  atmospherically 
that  suggests  aught  but  the  good  old  bar- 
room melodrama  in  its  more  unnatural  mo- 
ments.  *  *   * 

EVENING  JOURNAL—*  *  *  There's  an 
excellent  cast,  and  the  direction  was  in  the 
hands  of  Frank  Lloyd.  *  *  *  But  even 
though  there  is  a  thrilling  flood,  and  the 
scenery     is    perfectly     grand,     the     picture    is 

merely  a  repetition  of  situations  purely  movie. 

•  #    * 

TIMES — *  *  *  Lionel  Barrymore  figures 
as  another  scoundrel — Dan  Clehollis — a  man 
who  dervies  his  money  from  a  saloon  and 
gambling  den.  Mr.  Barrymore  gets  as  much 
as    possible    out    of    his    part. 

The  story  is  vague  and  filled  with  in- 
cidents  that  are  colorless.   *   •   • 

WORLD — *  •  *  It  shows  a  melodrama  ol 
the  rush  by  water  to  California  during  the 
gold  episode  of  1849,  which  is  just  about 
the  most  dilapidated  screen  drama  to  be 
found   in  this  town.   •   *   » 


"That   Royle   Girl" 

Paramount 

Strand 

AMERICAN—*  *  *  Is  one  of  those  films 
predestined  to  box  office  success.  It  even 
has  a  moral  for  those  who  crave  one.  The 
picture  is  sure  to  bring  much  money  to  Fam- 
ous Players,  a  still  bigger  reputation  to  Miss 
Dempster,  and  much  enjoyment  to  the  many 
who  like  melodramas.   ♦   *   * 

DAILY  MIRROR— *  *  *  Carol  Dempster 
gives  a  superb  performance  as  the  many 
"charactered"  Daisy  Royle.  As  the  news- 
girl,  she  is  divine.  As  the  model,  she  is 
impish  and  lovely.  As  the  nocturnal  jazz 
stepper,  she  is  luring.  As  the  American  girl, 
battling  against  odds  for  justice,  she  is 
burningly    sincere    and   dramatic.    •    *    ♦ 

EVENING  JOURNAL—*  *  *  Packed 
with  everything  guaranteed  to  make  what 
is  known  as  a  box-office  success.  *  ♦  *  The 
climax,  in  which  Carol  (Dempster)  tries  to 
blame  the  murder  on  the  guilty  gang-leader, 
produces  a  thrilling  cyclone,  made  with  the 
typical  Griffith  touches.  •  ♦  * 

EVENING  WORLD—*  *  *  The  fights, 
the  trite  situations,  the  plentiful  applications 
of  hokum  are  carried  througli  with  a  swing 
and  punch  that  hold  the  spectators.  And 
the  cyclone  is  a  little  masterpiece  of  the 
spectacular.  It  really  looks  like  the  real 
thing.    *    *    * 

GRAPHIC—*  *  *  "That  Royle  Girl"  is 
a  sure-fire  box  office  picture.  It  possesses 
color,  mystery,  suspense,  intrigue,  thrills  and 
love.  In  short,  it's  a  fine  story  exceedingly 
well  done  and  proves  that  D.  W.  Griffith 
is  just  as  good  at  melodrama  as  he  is  at 
art.    *   *    * 

HERALD-TRIBUNE—*  *  *  Carol  Demp- 
ster, the  best  acting  that  yoimg  woman 
ever  has  done.  Also,  she  seems  to  have 
developed  new  charm  and  is  now  an  ex- 
tremely alluring  person.  Also,  she  never  has 
been  so  well  photographed  in  her  life.  She 
appears  on  the  screen  quite  as  pretty  as  she 
really   is !    *   *   * 

MORNING  TELEGRAPH—*  *  *  The 
cyclone  is  without  doubt  the  most  frightfully 
real  thing  of  its  kind  ever  put  into  films, 
and  this,  added  to  the  terrific  human  storm 
raging  inside  the  tavern,  makes  the  emo- 
tional tension  about  as  great  as  it  could  be 
in   a   theater. 


Carol  Dempster  adds  new  laurels 
already  good  store  by  her  intelligi 
skillful   performance   in   the   name   part 

POST—*  *  *In  the  tile  role  Carol 
ster  manages,  now  and  then,  to  brin 
Royle  to  life,  likewise  revealing  to  th 
the  hitherto  unknown  fact  that  sh« 
mean  competitor  for  the  title  of  "^ 
male  Douglas  Fairbanks,"  swinging  o 
and  dangling  from  that  in  trulv  breati 
style.    *   *    * 

SUN — *  *  *  The  principal  achievei 
"That  Royle  Girl'  'is  a  picturization 
Illinois  cyclone  *  *  *  which  comes 
climax  or  grand  finale  to  the  previou 
we   say,    "luridities."    ♦   ♦    » 

I  unhesitatingly  recommend  the  wii 
ings  on  of  this  storm  to  those  in  se: 
a  screen  thrill.   *   *   ♦ 

TELEGRAM— *  *  *  Miss  Dempst 
her  legs  and  feet  to  advantage.  Th 
of  an  instep,  pointing  of  the  toe,  sci 
the  heel  are  all  significant  and  purj 
There  are  seme  effective  close-ups  in 
Miss  Dempster's  eyes,  her  other  cons] 
asset,   play   an   important   part.    ♦   *    " 

TIMES—*    *    *    Mr.    Griffith    has   si 
sustained   suspense  in   this  melodrama, 
has    handled     his    groups    of    players 
cabaret  scenes  in  a  masterly  fashion.  ' 

While  it  vould  be  more  encoixraging 
Mr.  Griffith's  genius  devoted  to  a 
plausible  vehicle,  his  work  on  this  su 
aside  from  the  wild  stretches — proved 
most  part  a  decidedly  satisfactory  enl 
ment  to  the  audience.   *   •  ♦ 

WORLD—*  *   *  "That  Royle  Girl' 
out   in   the   films   a   fair-tomiddling,   slail 
melodrama,   with  a   cyclone  at  the  end. 

The  melodrama  is  acted,  for  th.e  mos 
with  vim,  vigor,  vivacity  and  a  sma! 
of  "menace."  while  the  cyclone,  a 
realistic  exhibition  of  houses  and  trees: 
blown  over  by  wind  pressure,  is,  I  h;j 
doubt,  of  sufficient  impact  to  blow 
towns   toward  the  box  office.   »   *  ♦ 


May   Increase   Inspection  Fi 

St.  Lonis — A  bill  raising  th(' 
spection  fee  for  theaters  from  $ 
a  sliding  scale  with  a  $5  minii 
has  been  presented  to  the  local  B^ 
of  Alderman,  at  the  request  of  E 
tor  of  Public  Safety  Brody.  U 
the  new  scale,  houses  with  1,000 
or  less  would  pay  $5  for  each  ins 
tion.  The  larger  houses  would 
$5  extra  for  each  additional 
seats. 


"PUBLIC  SERVICE' 


Adventure  speakers  froi 
Far  places,  or  films  onl; 


Bureau  of  Commercial  Economics 

1108-16thSt.  N.W.Washington.  D 


Schools,  Churches  and  Clubs 


using  Motion  Pictures 


Should  Subscribe  for 


THE  EDUCATIONAL  SCREEN 

and  keep  up-to-date  with  the 
new  films  and  new  equipment 

"1001   FILMS" 

booklet,  listing  nearly  3000  educational  films 
given  free  with  each  subscription 

$1.50  per  year  -  5  South  Wabash  Ave.,  Chicago,  III. 


Unrivaled  for  service  and  quality 


Eastman  Positive  Film,  constantly 
subjected  to  drastic  tests  that  must 
prove  it  right,  is  unrivaled  for  the  serv- 
ice it  renders  and  the  photographic 
quality  it  gives. 

It  carries  quality  from  studio  to 


screen. 


To  make  sure  pictures  are  printed 
on  the  genuine  look  in  the  margin 
for  the  black-lettered  identifica- 
tion,   "Eastman"    "Kodak". 


EASTMAN  KODAK  COMPANY 

ROCHESTER,  N.   Y. 


What\ 


1 1 

19 


^verejoui 


^  competitors 
about  at  IuhcIl 


Jim 


•It 


about  your  pictures! 

:  about  the.business 
You'll  do  ! 

:about  the  trimm 
YOuXe  going  to 
GIVE  THEM  now 

you've  gof 


"S. 


NATIONAL 


I 


line-up  the  ^v  '^'^^^^^""-^^^ 
induswy 


lirAt 

national 

Picturei^ 


i^ 


2f^«RE(0CMIZE( 

Authority 


^  • 


XXXV     No.  14 


Monday,  January  18,  1926 


Price  5  Cents 


EATON 

By  DANNY 

Jist  remember  this  name: 
ge  T.  Eaton.  Stick  a  men- 
3in  to  it.  Because  in  the 
re  you  may  have  good 
e  to  recall  it.  George  T. 
)n  is  interested  heavily  in 
ish  National  Pictures, 
ch  J.  D.  Williams  organized 
England.  British  National 
produce.  And  best  of  all 
e  productions  will  not  be 
e  things — you  can't  really 
them  productions — M^hich 
;  been  made  in  England  at 
.St  of  about  $25,000.  But 
will  be  productions  made 
jast  with  an  effort  to  com- 
!  with  the  best  of  Ameri- 
pictures.  And  they  will 
not  less  than  $200,000.  All 
vhich  should    mean    some- 

ton,  quiet,  reserved,  is  letting 
ee  do  much  of  the  actual  work 
British  National.  He  admits  he 
,'S  comparatively  little  about  pic- 
, — except  that  he  goes  to  see  a 
)f  them.  But  he  is  acquiring  a 
f  information — and  doing  it  rap- 

And   you   will   hear   from   him, 

doubt  that. 

A  Month  Layoff 
Biese  exhibitors  sure  know  how  to 
things.  For  instance:  that  trip 
e  M.P.  T.  O.  of  A.  for  the  Los 
eles  convention  in  June.  The 
osed  trip  calls  for  visits  to  all 
)rtant  points  of  scenic  interest 
in  going  to  and  after  attending 
convention.  And  the  trip  calls 
leaving  New  York  on  May  23. 
(Continued  on  Page  2) 


Richey  Warns 

Michigan     Exhibitor     Official     Says 

Theaters  in  Towns  of  3,000  and 

Less   Face  Extinction 

Detroit — H.  M.  Richey,  business 
manager  of  the  M.  P.  T.  O.  of  Michi- 
gan has  just  completed  a  trip  to  the 
"sticks."  He  interviewed  exhibitors, 
far  and  wide,  and  returned  with  an 
interesting  and  concise  summary  of 
conditions  as  he  sees  them.  Richey 
declares  exhibitors  in  towns  of  small 
population — specifically  3,000  and  un- 
der— are  facing  extinction. 

"If  the  small  town  theater  owner 
is,  as  so  often  has  been  said,  'the 
backbone  of  the  motion  picture  in- 
dustry,' we  had  better  look  to  our 
backbone.  It  is  not  in  such  good 
shape,"   he    says. 

"Never  before  did  I  realize  what 
the  small  town  theater  owners  were 
up  against  until  I  visited  about  175 
of  them  during  the  trip  I  made  thru 
the  'sticks  of  Michigan'  visiting  each 
one  at  his  own  little  theater  and  see- 
ing with  my  own  eyes   the  situation. 

"Good  roads,  radio,  supers  that  fail 
to  'supe,'  high  cost  of  deliveries  and 
high-pressured  but  low-conscienced 
salesmen  are  all  combining  to  eventu- 
ally eliminate  the  exhibitor  in  the 
towns  of  3,000  and  under,  Frankly, 
T  do  not  know  what  they  are  staying 
in  business  for  now. 

"Before  making,  the  trip  I  had 
heard  from  over-wise  managers  the 
statement  that  the  average  small 
town  exhibitor  did  not  deserve  tp 
make  money  because  of  the  unsani- 
tary and  unattractive  houses  they 
were  asking  the  theater-going  public 
of  their  community  to  come  into.  I 
did  not  find  that  to  be  the  case.  True, 
I    found   some   theaters   were    dumps, 

(Continued  on  Page  7) 


Buys  Two  Outputs 

Harry  Rowson  of  Ideal  Secures  1926 

and  1927  Pathes  and  Education- 

als   for    Great   Britain 

Harry  Rowson,  of  Ideal  Films  Ltd., 
one  of  the  most  important  of  the 
English  distributing  organizations, 
left  for  London  Saturday  on  the  Ma- 
jestic. 

While  here  he  closed  two  deals  of 
prime  importance  in  the  foreign  field. 
He  purchased  the  United  Kingdom 
rights  to  the  entire  Pathe  and  Edu- 
cational outputs  for  1926  and  1927. 
The  contracts  involve  a  figure  said 
to  be  well  over  the  half  million  dol- 
lar mark.  By  the  transaction,  Ideal 
will  be  enabled  to  continue  opera- 
tions in  England  as  the  unquestioned 
leader  in  short  subjects,  a  place  as- 
sumed last  year  when,  supplement- 
ing the  Educational  output,  the  com- 
pany closed  for  the  entire  Pathe  pro- 
gram. 


entucky  Organizes 

heater  owners  of  Kentucky  are  in 
s  over  a  recommendation  to  the 
eral  Assembly  to  sanction  a  lux- 
tax  which  would  mean  an  assess- 
t  on  all  theater  tickets.  The  Ken- 
:y  unit  of  the  M.  P.  T.  O.  has 
saled  to  the  national  organization, 
(Continued  on  Page  6) 


Plans  Geo.  Washington  Film 
niversal  announced  on  Saturday 
lecial  built  around  George  Wash- 
on.  Edward  Moffat  has  been 
ducting  research  work.  Produc- 
ts slated  to  start  when  Carl 
mmle  returns  to  Universal  City 
1  Europe  in  a  few  weeks. 


700  Houses  in  Mexico 

44    in    Mexico   City— Theaters   There 

Turn  to  America  for  90  Per  Cent 

Of  Their  Proerams 

Los  Angeles — The  Times  in  a  dis- 
patch from  Mexico  City,  stated  that 
the  last  customs  house  reports  of 
imports  from  the  U.  S.  to  Mexico, 
show  that  the  American  oirtures  arc 
growing  in  popularity  in  that  country. 
During  the  nine  months  endiuT  with 
September,  1924.  theaters  in  Mexico 
bought  from  American  producers  3,- 
052,955  ft.  and  during  the  same  time 
last  year,  5,389,915  ft.,  1,436,960  ft. 
more  or  about   1500  more  pictures. 

Nearly  90  per  cent  of  the  pictures 
shown  in  Mexican  theaters  come 
from  the  United  States,  6  per  cent 
from  Germany  and  4  per  cent  from 
France,  Spain  and  Italy.  There  are 
(Continued  on  Page  7) 


"U"  Busy  in  Florida 

Follows  Ft.  Myers  Theater  With  One 

at    Arcadia — Others    May 

Develop   Later 

Universal,  which  entered  the  Flor- 
ida theater  field  originally  through  a 
deal  with  the  Sparks  circuit,  is  con- 
tinuing activity  in  that  direction. 

At  noted,  Dan  Michaelove,  South- 
eastern supervisor  for  Universal 
Chain  Theaters,  has  been  visiting  a 
number  of  Florida  towns  with  a  view 
to  taking  over  existing  theaters  or 
building   new   ones.      One   recent   de- 

(Continued  on  Page   6) 


Jannings  to  Famous 

Famous  German  Actor  Coming  Here 

Later — Contract  Will  Run 

for  Three  Years 

"The  Motion  Picture  News"  says: 
"Emil  Jannings,  famous  German 
stage  and  screen  star,  has  been  sign- 
ed by  Famous  Players-Lasky  to  a 
ihree-vear  contract,  according  ^to  a 
'-;iblegram  received  from  Berlfn  on 
Tbursdav.  Under  its  terms  he  will 
he  oermitted  to  return  to  Germany 
pach   winter  to  make  one  picture  for 

(Continued  nn  Pane   6) 


Big  Deal  Brewing 

Reports  Link  Together  North  Ameri- 
can   Theaters    Corp.    and    Entire 
Pantages   Circuit 

The  North  American  Theaters 
Corp.,  some  of  the  directors  of  which 
interlock  with  directors  identified 
with  Prod.  Dist.  Corp.  and  the  Pan- 
tages circuit  are  understood  to  have 
under  discussion  a  joint  deal. 

Frank  R.  Wilson  of  North  Ameri- 
can was  inclined  to  be  non-committal 
on  Saturday.  E.  C.  Bostick  who 
represents  Pantages  in  the  East  de- 
clared the  move  was  news  to  him. 
However,  Wilson  was  presumably  to 
continue  discussions  on  his  proposed 
trip  to  the  Northwest,  but  he  will 
now   probably   visit    Hollywood   first. 

Pantages  operates  about  30  thea- 
ters, the  more  important  in  the  fol- 
lowing cities:  Newark,  N.  J.,  Tor- 
onto, Hamilton,  Ont.,  Cleveland, 
Toledo,  Indianapolis,  Detroit  (two). 
Chicago,  Minneapolis,  Spokane,  Van- 
couver, Seattle,  Tacoma,  Portland, 
Ore.,  San  Francisco,  Los  Angeles, 
San  Diego,  Long  Beach,  Salt  Lake, 
Ogden,  Denver,  Omaha,  Kansas  City 
and  Memphis. 

Aside  from  North  American's  in- 
terest in  these  properties  as  such, 
the  tie-up  would  naturally  assure  for 
P.  D.  C.  first-run  representation  in 
these  cities. 


Demand  "Blue  Law"  Enforcement 

Perth  Ambov.  N.  T.— Rev.  Wilhert 
Westcott  headed  a  delegation  of  cler- 
o-vnien  and  citizens  who  called  on 
Tudge  John  P.  Kirknatrick  in  New 
Brunswick  to  demand  enforcement  of 
the  Sunday  "blue"  law  in  Perth 
Amboy 

Lo''s   Moran   in   "Padlocked" 

Lois  Moran  left  for  the  Coast  Sat- 
nrdav  to  nlav  one  of  the  featured 
parts  in  "Padlocked,"  Allan  Dwan's 
next  for  Famous. 


Studio   Project   Under  Fire 

The  Associated  Press  reports  from 
St.  Louis  that  Carl  O.  Pinckard, 
district  manager  of  Sympho  Cinema, 
Inc.,  a  $5,000,000  Texas  project, 
which  Post  Office  inspectors  alleged 
existed  largely  in  the  minds  of  its 
officers,  on  Friday  furnished  $5,000 
bonds  for  appearance  at  San  Antonio, 
Tex.,  on  charge  of  conspiracy  to  use 
the  mails  to  defraud  by  stock  sales. 

Rights  to  a  screen  presentation  of 
"Parsifal,"  spacious  land  holdings  and 
"beautiful  studio  buildings,"  were 
among  the  alleged  misleading  or 
false  talking  points,  according  to  the 
dispatch. 


Opposition    to    Schwartz 

The  Board  of  Standards  and  Ap- 
peals has  approved  a  site  155  by  190 
ft.  at  Kings  Highway  and  East  18th 
St.,  Brooklyn,  as  a  theater  site. 
Fleischman  and  Goldrcyer  will  build 
thereon  a  2,200  seat  house  with  stage. 
It  will  be  opposition  to  the  big  thea- 
ter which  A.  H.  Schwartz  is  building 
on  the   Highway. 


Garrett  Leaves 

Sidney  Garrett  of  Inter-Globe  Ex- 
port sailed  on  the  Majestic  Saturday 
for  London. 


THE 


m 


-:^^ 


DAILY 


Monday,  January  18, 


Vol.  XXXV  No.  14    Monday,  Ian.  18, 1926     Price  5  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00,  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematograph)'' 
Francaise,   S,  Rue  Saulnier. 


Quotations 

High   Low    Close     Sales 

Balaban     &     Katz     Not  quoted 

Eastman  Kodak 108^   1085^   108J4   1,100 

East.    Kodak    Pfd.      11554   n5?4   n5J4       100 

Famous  Players 10754   106Ji    10754   1,000 

Fam.   Play.   Pfd.    ..    11754   117       117  200 

Film  Inspection 554       554       55^       100 

First   National    104^4   104^4   104^4       100 

Fox   Film    "A"    80H     ^W^     80^4      300 

Fox    Theaters    "A"      3254     32         32j4   4,600 

Intern '1     Projector     Not  quoted 

Loew's,    Inc 39i4     395i     39^^      400 

Metro-Gold.  Pfd.  ..  22^  22Yi  2254  100 
M.  P.  Cap.  Corp.  ..  2054  20  2054  1,800 
Pathe  Exch.  "A"   ..   7754     7654     77  400 

Skouras   Brothers    .  .   56         56         56         .... 

Stan.    Co.    of   Am Not  quoted 

Universal    Pictures    Not  quoted 

Univ.     Pict.     Pfd Not  quoted 

Warner     Brothers     Not  quoted 

Warner   Pict.    Pfd Not  quoted 


EATON 

(^Continued,  from  Page  1) 
And   returning   on   June   23.     That's 
what  we  would  call  a  trip.    My,  what 
a  lot  of  playing  cards   are   going  to 
be  used  up! 

The  Bruce  Idea 
Robert  C.  Bruce  will  have  a  new 
line-up  for  his  releases  for  the  com- 
iiig  season.  Will  deal  direct  with 
exhibitors — as  last  year — but  the  nov- 
elties, and  scenics,  and  travelogues 
will  all  be  so  assembled  that  they 
can  either  be  used  individually,  or  as 
a  complete  reel  of  short  subjects. 
The  13  subjects  comprise  a  bit  over 
10,000  feet.  The  new  series  will 
show  scenes  from  Hawaii  as  well  as 
other  points.  Some  of  the  stills  are 
gorgeous — like  many  of  the  famous 
shots  of  this  artist  producer. 


New   Board    President   in    Cleveland 

Cleveland — Maurice  Safier  has  re- 
signed as  president  of  the  Film  Board 
of  Trade,  following  his  appointment 
as  central  division  manager  for 
United  Artists.  Ward  Scott,  Fox 
vice-president  of  the  Board,  auto- 
matically takes  the  chair  and  Grand- 
well  Sears,  First  National,  was  elec- 
ted vice-president  to  succeed  Scott. 


Picketing  Banned 

Olympia,  Wash. — "Peaceful  picket- 
ing" in  this  state  has  been  banned  by 
a  recent  measure  of  the  Legislature. 
The  measure  followed  the  failure  of 
Bill  No.  135  passing  the  House.  It 
was  declared  that  the  so-called  peace- 
ful picketing  of  non-union  theaters 
was  impossible. 


Stern  Buys  Warehouse  Plant 

Chic'go — Herbert  L.  Stern,  presi- 
dent of  Balaban  &  Katz  Inc.,  has 
purchaf-ed  a  building  at  Kinzie  St.  and 
Ashland  Ave.  for  $95,000.  After  ex- 
tensive alterations,  the  property  will 
be  used  for  the  storage  of  scenery 
i>nd  accessories  by  the  Chicago,  Tiv- 
oli,  Uptown  and  other  B.  &  K, 
houses. 


Sudekum  Buys  from  Lynch 

Gadsden,  Ala. — The  Imperial,  ow- 
ned by  the  Gadsden  Enterprises,  Inc., 
a  subsidiary  of  the  Lynch  chain,  has 
been  sold  to  the  Crescent  Amusement 
Co.,  of  which  Tony  Sudekum,  of 
Nashville  is  the  president.  Lee  Castle- 
berry,  who  formerly  traveled  for 
Warner  Brothers,  has  been  engaged 
as   manager. 


R.  C.  Steuve  Retires 
Canton,  O. — R.  C.  Steuve  has  sold 
the  Orpheum  to  Frank  Nolan,  of 
Cleveland,  and  has  retired.  Steuve 
has  gone  to  Florida  for  the  winter. 
Nolan  is  interested  in  the  Terminal, 
Penn  Square  and  Monarch  in  Cleve- 
land. 


Midland,    K.    C.    Site    Clear 

Kansas  City — With  the  passing  of 
the  ordinance  authorizing  the  closing 
of  the  alley  between  Baltimore  Ave. 
and  Main  Sts.,  it  is  believed  all  ob- 
stacles in  the  way  of  the  new  Mid- 
land are  cleared.  Work  on  the  the- 
ater will  start  soon. 


iiini 

S        We  are  in  the  market  for        I 

I  SINGLE  REEL  NOVELTIES  I 

I  IRIS  NOVELTY  EXCHANGE  | 

1  729  7th  Ave.  N.  Y.  C.  B 

i  Bry.  3378  1 


Vajda  Writes  Another 

Hollywood — Ernest  Vajda,  who  has 
written  one  original  for  Pola  Negri, 
has  completed  his  second  original, 
written  for  Betty  Bronson  and  Ri- 
cardo  Cortez.  William  Wellman  will 
direct. 


miiiiiiiiiiiniiniiiiiiiiifm 


Three  Theaters   Burn 

Frankfort,  Ky. — The  Grand,  oper- 
ated by  N.  K.  Pattle,  burned  recent- 
ly. The  loss  is  estimated  at  $10,000, 
partically  covered  by  insurance. 


Medina,  N.  Y. — Damage  estimated 
at  $3,000  to  the  Allen,  resulted  from 
fire  which  broke  out  in  the  projection 
room.  More  than  200  were  in  the 
house   at   the   time. 


Hawley,  Pa. — The  interior  of  Rich- 
ardson's theater  on  Church  St.  was 
badly  damaged  by  fire  which  broke 
out  in  the  cellar,  causing  loss  esti- 
mated at  $1,200. 


Ochs  Active  in  Real  Estate 

Two  important  real  estate  trans- 
actions were  completed  Sunday  by 
Lee  A.  Ochs.  The  first  was  between 
the  Bethlehem  Engineering  Corp.,  and 
the  Howells  Cine  Equipment  Co., 
whereby  the  latter  will  take  posses- 
sion of  the  entire  third  floor  front  at 
an  aggregate  rental  of  $225,000  for  a 
term  of  years. 

The  second  was  the  leasing  of  the 
theater  now  in  construction  at  204th 
St.  and  Perry  Ave.,  to  the  Mosholu 
Theater  Corp.  (Geller  &  Hirsch). 


Mortgage    on    Big   Jamaica    House 

The  Hillside  Theater  Corp.  has  se- 
cured a  first  mortgage  building  and 
permanent  loan  of  $375,000  through 
Senator  Charles  C.  Lockwood  and 
former  Deputy  Attorney  General  Na- 
thaniel L.  Goldstein,  attorneys,  on 
the  theater  in  course  of  construction 
on  Sutphin  Blvd.  and  Jamaica  Ave., 
Jamaica,  L.  I.  The  theater  will  gieat 
3,000. 


An  "Eye  and  Hoof"  Party 

The  "Naked  Truth  Dinner"  at  the 
Astor  on  Feb.  6  will  be  strictly  an 
'Eye  and  Hoof"  party  with  plenty  of 
"razzberrying"  and  lots  of  wisecrack- 
ing. Incidentally  no  one  in  the  in- 
dustry will  be  omitted  from  the  wise- 
cracking quips.  They're  going  to  take 
a  crack  at  everybody. 


"Butterflies  in  the  Rain"  for  "U" 

"Butterflies  in  the  Rain,"  a  serial 
which  ran  serially  in  16  daily  news- 
papers, has  been  purchased  by  Uni- 
versal for  Laura  La  Plante. 


Three  More  for  California 

San   Francisco  —  A  new  $4S| 
theater  to  seat  1500  is  to  be  erect| 
the  University  Mound  district  or 
Bruno    Ave.    between    Burrows 
Bacon   Sts.,  by  Ackerman  and 
ris. 


Fresno — Leasing  of  50   feet  O!  I  71 
ditional    Fulton    St.    frontage    fi 
theater  site  for  a  total  rental  of  %\ 
000  was  closed  by  Charles  Cole, 
resentative  of  Alexander  Pantage 

Plans  are  under  way  for  the 
ater  and  office  building  project  w 
will  occupy  the  entire  site.  No 
for  the  beginning  of  construction 
announced. 


Sunday  Ban  Lifted  in  Elmira 

Elmira,  N.  Y.  —  Elmira  theaters 
opened  their  doors  Sunday,  the  ordi- 
nance permitting  Sunday  pictures 
having  been  passed  by  the  common 
council. 


FEBRUARY  28th 


nniiiiiiiiiiiiiiiimuHiiiiiiiiMiiiiraiiiiiiiiiiuiiiiaiiiniiiiiiiiu^ 


IF  YOU  ARE  IN  THE 
MARKET  FOR  ANY  KIND  OF 

MOTION  PICTURE 
APPARATUS 

CONSULT  US- AND  SAVE  MONEY 
SEND  FOR  OUR  PRICE  UST 


Motion  Picture  App.  Co.,  Inc. 

Ownership  management  C.  G.  Willoughby,  Inc. 

110  West  32nd  St..  New  York 
Phona    Penn.    6564 


Owensmouth — Work  will  start 
week  on  the  construction  of  the 
Paramount  theater.     It  will  seat 


Honor    Winnipeg    Owner 

Winnipeg — A  life   membership 
a    gold    badge    have    been    prese  , 
to  A.  R.  McNichol  by  the  Great " 
Veterans'  Ass'n,  in  honor  of  his  ] 
anthropic  work  here   during  thd 
few   months. 


Martin  Printz  to  the  Coast  . 

Cleveland — Martin  Printz,  geti 
manager  of  the  Circle,  has  left 
spend  the  rest  of  the  winter  in  ( 
fornia.  Ray  Goldberg  is  tempers 
in  charge. 


HAL  ROACH  PRiscNTs 

ChARLEV 

Chase 


"Charley  M) 
;    Boy/"  i 


t 


This  is  a  'Cornerblock'  cut  furnis! 
FREE  for  all  Pathecomedies  at  y 
exchange. 


ARENA  CHOP  HOUSE 

148  West  46th  Street  | 

Rendezvous  of  the  Film  Tradrm 

A  iuiit  flact  u  tali  buiintti 

Luncheon  Blue  Plates  60c  up 
Also  a  la  Carte 

—  PRIVATE  DINING  ROOMS— 


BAY  STATE 

Second  Oldest  Continuous 

Raw  Stock 

Producer  in  America 
NegatiTc  Potitire  Safety 


1^ 


,^unrungwild 
on  T^roadwpuf 


WEEKS  AT  THE 


Hailed  by  the  critics  and  the  public  of  New  York  as  the  acme 
of  wild,  weird  and  wonderful  entertainment.  Against  all  the 
opposition  of  Broadway  attractions  this  picture  played  to  eight 
big  weeks  of  capacity  business  at  the  Astor  Theatre,  Broadway 


plus 


and 


WEEKS  AT  THE 

COLONy 

Immediately  following  the  eight  week  run  at  the  Astor  Thea- 
tre, The  Phantom  opened  at  the  B.  S.  Moss'  Colony  Theatre 
The  first  week  drew  $32,500  to  the  box  office  in  its  ninth  week 
on  Broadway  and  public  demand  stretched  this  run  out,  week 
after  week,  for  six  weeks  when — 

'at  the 

CAMEO 

public  demand  brought  it  to  its  third  engage- 
ment in  a  Broadway  first  run  house.  The 
Cameo.  And  still  the  crowds  pour  in;  still 
The  Phantom  is  making  Broadway  box  offices 
ring.  Another  record  for  the  greatest  box!^ 
office  attraction  of  the  year. 


A  UNIVERSAL  PRODUCTION  presented  by  CARL  LAEMMLE 


Rrst  Nadonal  has 

line-up  Ifae  indiisdy 


THE 


All 


M 


sJB^ 


DAILY 


Monday,  January  18,1 


Potato  Matinees 


Illinois    Exhibitor    Has    Been    Using 

Them  for  Years  and  Finds  Them 

Very   Effective 

A  few  days  before  Christmas,  the 
Fialton  theater,  a  big  Jersey  City 
house,  ran  a  potato  matinee  and  col- 
lected a  number  of  barrels  of  pota- 
toes for  charity.  Harry  Thornton, 
general  manager  of  the  W.  W.  Watts 
Amusement  Co.  of  Springfield,  111., 
writes  this  publication  that  he  has 
used  the  stunt  in  1915  and  many  times 
since  with  interesting  results. 

"  We  gave  our  first  potato  mati- 
nee," writes  Thornton,  "just  before 
Christmas  in  1915  and  have  been  giv- 
ing them  on  and  off  every  year  since 
that  time. 

"On  Dec.  19  of  this  year,  we  gave 
a  potato  matinee  and  had  to  open  all 
three  of  our  theaters  (the  Princess, 
Gaiety  and  Vaudette)  to  accommodate 
the  kids,  who  formed  in  line  as  early 
as  eight  o'clock  in  the  morning,  each 
with  a  potato  in  his  hand  for  his  ad- 
mission. 

"We  played  to  over  3,200  children 
in  our  three  theaters  and  took  in  12 
barrels  of  potatoes,  which  at  the  mar- 
ket value  were  worth  about  $110. 

"These  potatoes  were  turned  over 
to  the  Good  Fellows'  Club,  who 
placed  them  in  baskets  and  were  dis- 
tributed among  the  poor  of  the  city. 

"Our  program  for  the  morning  po- 
tato matinee  was  Charles  Ray  in  "The 
Village  Sleuth' — Charlie  Chaplin  in 
'The  Vagabond'  and  'One  Wild  Ride,' 
an  'Our  Gang'  comedy,  which  made 
an  ideal  program.  We  had  a  relay 
of  boys  taking  the  films  from  one 
theater  to  another." 


Establish  "Photoplay  University" 

University  City,  Cal. — The  Laemmle 
Photoplay  University  has  been  estab- 
lished here.  Thirty-five  have  en- 
tered various  courses  and  will  receive 
five  year  contracts  with  Universal  in 
ease  they  make  good. 


Frankfort   Fire 

Frankfort,  Ky. — Damage  to  the  ex- 
tent of  $9,000  was  done  to  the  Grand 
when  fire  of  unknown  origin  swept 
the  house.  The  theater  is  operated 
by  N.  K.  'Pattie. 


"U"  Busy  in  Florida 

(Continued  from  Page    1) 

velopment  is  a  new  1,500  seat  theater 
for  Ft.  Myers.  Now  comes  word  of 
a  1,200  seat  house  for  Arcadia  to  be 
started  May  1  and  to  be  ready  in  the 
fall.     Other  deals  are  pending. 

Famous'  theater  holdings  in  the 
state  of  Florida  have  been  operating 
on  a  very  successful  basis  for  some 
time.  The  latest  distributor  to  in- 
vade that  field  is  Fox  through  a  deal 
with  the  Wolfson-Meyers  circuit  of 
Miami. 


Negative  Developing 
and  Printing 

Complete  Title  Service 

SALAND  FILM  LABORATORIES,  Inc. 

Phone  Bryant  7577    729-7th  Ave.  N.  Y. 


Good-Will  Builder 

Arthur    Lucas    Establishes    Personal 

Contact  Dep't — Savannah  House 

A  Community  Institution 

Savannah — Since  he  has  started  his 
policy  of  personal  contact  and  volun- 
tarily tendered  his  house  for  concerts, 
lectures,  religious  services  and  com- 
munity celebrations,  Arthur  Lucas 
has  received  over  11,000  letters  of  ap- 
preciation, all  duly  catalogued  and 
filed. 

Lucas  opened  his  house  on  Dec. 
26,  1921.  At  first  he  lost  heavily, 
his  operating  costs  over  $2,000 
against  $927  taken  in  during  the 
week.  He  hit  on  a  plan  of  building 
good  will  in  order  to  make  the  Lucas 
a   community   institution. 

His  public  relations  work  consists 
of  greeting  every  child  born  in  the 
city  with  a  letter  of  congratulation 
and  welcome;  it  provides  every  new- 
comer to  the  city  with  a  personal 
greeting  from  the  management  and 
a  guest  card  admitting  the  newcomer 
to  the  Lucas  for  one  week;  it  signal- 
izes the  visits  of  all  distinguished 
guests  and  provides  a  guest  card  as 
an  invitation;  it  sends  a  birthday  card 
to  thousands  of  Savannah's  citizens 
each  year,  the  card  containing  admis- 
sion for  two  to  a  performance,  and, 
as  Sunday  is  a  closed  day,  the  theater 
is   offered   for   community   use. 

His  file  system  also  includes  a  rec- 
ord of  marriages,  to  which  a  note  of 
felicitation  and  an  admission  for  two 
is  sent.  The  City  of  Savannah  has 
come  to  look  on  the  Lucas  as  a  semi- 
civic  enterprise. 


Rice  in  Williamsport  for  Keeney 

Williamsport,  Pa. — Harry  Rice  has 
succeeded  Milton  Forman  as  man- 
ager of  the  Keeney  and  Grand,  both 
Keeney  houses. 


Loew's  7th  Avenue,  Back  to  Pictures 

Loew's  7th  Ave.  theater  will  re- 
vert to  a  picture  poHcy,  beginning 
Jan.  25. 


Jannings  to  Famous 

(Continued  from  Page   1) 
Famous-Metro-Ufa,  and  to  appear  on 
the   legitimate   stage  for  two  months. 

"It  is  reported  that  his  first  pic- 
ture will  be  under  the  direction  of 
D.  W.  Griffith." 

The  Jannings  deal  is  an  outgrowth 
of  the  Ufa  deal  with  Famous,  Metro- 
Goldwyn-Mayer  and  Universal.  At 
Famous,  it  was  stated  Saturday  the 
date  of  his  arrival  and  his  first  pic- 
ture  were   unknown. 


WANTED 

Manager  for  Large  Greater  New  York 
Motion  Picture  Theatre.  Must  be 
familiar  with  exploitation  of  pictures 
and  Presentations.  State  Reference 
and  Salary.  Confidential. 
Box   M-290  c-o    Film   Daily 

1650  Broadway  New  York  City 


FOR  RENT 

PRIVATE    OFFICE    WITH 

VAULT    SPACE    AND    USE 

OF  FILM  ROOM 

Chas.  Stern 

729   Seventh  Ave.  New  York  City 

Phone    Bryant    1067 


Kentucky  Organizes 

(Continued  from   Page    1) 

and  as  the  result  a  campaign  is  being 
inaugurated  to  defeat  this  recom- 
mendation. 

Immediately  upon  the  announce- 
ment by  Governor  Fields  in  his  an- 
nual message  that  he  would  advo- 
cate additional  taxation.  President 
Dolle  called  a  meeting  of  Louisville 
exhibitors,  at  which  session  a  resolu- 
tion was  adopted,  condemning  the 
proposed  tax.  Preliminary  move- 
ments in  the  fight  also  included  the 
sending  of  telegrams  by  Dolle  to  250 
Kentucky  exhibitors  advising  them 
to  oppose  this  tax,  in  dispatches  to 
the  Governor  and  to  all  representa- 
tives. 

The  resolution  made  known  that 
Kentucky  theater  owners  had  their 
license  tax  increased  approximately 
from  $40  in  1919  to  $200  for  each 
theater  doing  business  in  1920.  The 
latter  tax,  the  resolution  describes, 
does  not  include  the  government  tax 
of  over  50  cents  on  tickets. 


West    Coast    Plan    House 

Los  Angeles — A  new  theater  seat- 
ing 1,600  and  costing  $140,000  is  to 
be  built  at  Pasadena  Ave.  and  Ave- 
nue 26  for  West  Coast  Theaters. 


Filming    'Desert    Healer" 

Hollywood — Filming  of  "The  Des- 
ert Healer,"  by  Marion  Fairfax  star- 
ted last  week.  Lewis  Stone  will  have 
the  lead,  supported  by  Tully  Mar- 
shall. 


Some    Corporate   Chang 

The    Shea    Operation    Corp 
tered    in    Delaware,    has    beer 
nated  in  Albany  to  do  business  i 
State  with  a  capital  of  3,000  si 
common  stock,    no   par  value 

Zinbern    Pictures   trorp.,   of 
lyn,    has    filed    dissolution    paj  : 


Springfield,  111.— The  M.  &  ]  J 
aters    Corp.,   of   Chicago,   has 
name  change  to  the  Ambassadt 
aters    Corp. 


Williamson  Forms  Holding  C<ll 

Tallahassee,  Fla. — Corporatil 
pers  have  been  granted  E.  ( 
liamson,  of  Winter  Haven,  1 
South  Florida  Enterprises,  Inc. 
will  operate  Williamson's 
houses,  the  Avolon,  in  Avon 
and  the  Grand  and  William! 
Winter  Haven. 


Markum  to  Build  Anothi 

Indianapolis  —  Property  a 
North  Talbott  St.  is  to  be  rs 
make  way  for  the  constructio 
$50,000  theater,  by  Jacob  M 
owner   of  the    Belmont   and   S:   ii-^ 

The    new    theater    is    to   be      sr 
about  April  1,  and  will  have  80(   ir 

FOR  RENT  |!inf9tr 

Office   space,    large    and    small    oi    ^^ ' 


telephone     connection,     cutting 
and    projection    facilities. 

Tel.   Wisconsin   3770 
Room  302  Candler  ] 

220   West   42nd   St.,    N.    Y.   C 


itiEr 


!!  lEft 


■  ■ ■ 1 ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ ■ 1 1 li 11 1 1 1 1 1 1 i 1 1 1 1 1 1 i 1 m  n  m 1 i  i  g  g i j  g 

Arthur  J.   Lamb 

presents 

THE   MOLLY  MAY  SERIEJ 

(INC.) 

12-2  reel  comedies 

Written  by  A.  J.   LAMB 
Featuring  VIOLET  MERSLREAU 
Direction  of  JOSEPH  LEVERING 

Number  one  now  ready  4 

"Her  First  Night  in  Philadelphia" 

in  a  tie-up  with  the  comedy  song  of  the  same  title  b; 
Lamb  &  Solman  (Joe  Morris  Music  Co.,  Selling  Agents, 
Philadelphia  and  New  York. 

No.  2. — Her  First  Night  on  Broadway 

No.  3. — Her  First  Night  in  the  Jollies 

No.  4. — Her  First  Night  with  the  Salvation  Army 

No.  5. — Her  First  Night   in   Honolulu 


Cranfield  and  Clarke  (Inc.) 

Distributors  for  the  World 
1476  Broadway  New  York  Cit: 


mtiii 

Ikt'r 


"^ 


January  18,  1926 


—^Xf"^ 


BAILY 


ft  -• 


' 


ichey  Warns 

\Cont\nucd  from   Pacje    1) 

every    theater    that    was    not 
an   and    as    attractive    as    the 
yi   he  community  would  permit, 
ten  that  were  all  that  a  town 
;  could  expect,   predicated  on 
s  business  possible, 
rally,    business    conditions    in 
n  are  good  but  that  does  not 
the  small  towns.     There  has 
considerable   change   in    their 
for  the  future  since  the  build- 
the    many    good    roads    that 
>s4n    now    has.       Smaller    town 
that   at  one   time  were   con- 
excellent     propositions      for 
e  have  been  hard  hit  because 
ct,  that  with  a  good  road  and 
ty  10  to  20  miles  away,  it  is 
the  matter  of  a  20  or  30  min- 
re  into  them  to  secure  a  class 
rtainment   not   possible   where 
ntele  is  limited, 
so  what  is  happening?     The 
is    being    run    by    the    local 
r,  the  butcher,  the  taxi  man  or 
3t   for   the   simple   reason   that 
not    make    enough    money    to 
theater  alone  .  And  the  men- 
:tion  of  many  is  interesting, 
y  know   that   business   is   bad. 
every  one  of   them  wants   to 
It  they  carry  on  as   they  have 
irrying  on  and  unintentionally 
ly   cases   are   rendering   to   the 
of  their  community  a  service, 
lue  of   which,   they   themselves 
t    appreciate.      Many    of    them 
signed  to  their  fate.     Not  hav- 
ird  many  complaints  about  film 
for  several  months  I  was  un- 
e   impression    they    were   satis- 
They  are  not,  they  simply  re- 
.  They  have  been  told  so  many 
that   it   costs   from  $3.50   to  $5 
iver   a   print   of   film   ready   for 
ise  that  they  just  go  from  day 
',  hoping  that  the  next  will  be 

meone    said    if    they    got    their 

ental  free,  they  still  could  not 

money.    That  may  be  true. 

the    producers    of    the    United 

,    if   every    sales    manager    who 

ehind   a   mahogany    desk   could 

seen    what    I    have    during    the 

wo  months,   could   see   the   im- 

it  place  that  motion  picture  oc- 

in  that  community,  see  the  effort 

ttle    fellow    is    putting    forth    to 

his  community  the   best   he   can 

,    I    believe   all    of   them    would 

that  we  cannot  afford  to  have 

closed,    even    if    they    have    to 

them  the  pictures.     For  the  pic- 

an  of  tomorrow  is  the  one  who 

s    in    the    smaller    community 

vho  tomorrow  will  be  attracted 

le    big    cities,    from    which    the 

r    producers    expect    to    get    the 

of  their  business. 

did    not    find   them    'sobbers,'    I 

1    most   of   them   honest,    worth- 


^ilMadeii^ 


most  in  Screen  Brilliancy  I 


In  the  Courts 

In  a  suit  of  the  Commonwealth 
Film  Corp.  against  the  East  Coast 
Films,  Johnny  Hines  and  Charles  C. 
Burr,  the  defendants,  have  applied 
in  the  Supreme  Court  for  an  order 
to  examine  George  Ross,  a  salesman 
for  the  plaintiff,  concerning  the  con- 
tracts made  with  exhibitors  for  "The 
Speed  Spook."  The  defendants  also 
want  to  find  out  about  the  interest 
of  Sam  Zierlcr,  president  of  the  plain- 
tiff, in  any  other  pictures  sold  in  as- 
sociation with  films  made  by  the  de- 
fendant. 


Graphic  Prod,  has  filed  suit  in  the 
Supreme  Court  against  Eugene  Spitz 
for  $2,500  on  a  note,  made  in  1923. 
The  defendant  denies  that  the  note 
was  given  for  value  and  alleges  it 
was  for  the  accommodation  for  the 
plaintiff.  He  counterclaims  for  $350 
on  the  ground  that  the  plaintiff  agreed 
that  if  he  were  to  arrange  for  the 
use  of  the  Estee  Studio  for  the  pro- 
duction of  a  film  by  the  plaintiff,  he 
could  have  half  the  profits,  and  says 
he  arranged  for  the  studio  but  that 
the  plaintiff  failed  to  produce  the 
picture. 


while  citizens,  who  though  they  live 
modestly,  were  facing  the  situation 
with  an  optimism  ITiat  is  uncanny, 
once  \ou  see  their  books  as  I  have 
seen  them. 

"Unable  to  be  close  to  the  point  of 
contract  they  are  taken  advantage  of 
by  salesmen,  not  always  because  the 
salesmen  went  to  them  with  that  in- 
tention, but  because  he  left  unsaid 
so  many  things  that  he  with  his  ex- 
perience should  have  told  them. 

"The  $50  minimum  on  big  pictures 
is  a  thing  of  the  past  for  many  of 
these  smaller  communities  who,  un- 
less there  is  a  change  in  the  situation, 
cannot  longer  afford  to  buy  and  show 
the  big  pictures.  The  money  is  not 
there. 

"Radios,  of  course,  have  hurt,  and 
hurt  badly.  It  is  the  old  story  of  the 
daily  exodus  to  the  city.  Just  as  the 
young  people  of  the  communities  are 
leaving  the  farm  and  the  smaller 
towns  for  the  city,  so  the  motion  pic- 
ture theater-going  public  of  these 
communities,  motor  clad,  are  spend- 
ing a  lot  of  their  amusement  money 
where  they  can  get  'three  acts  and  a 
feature'   for  a   quarter. 

"The  situation  for  the  smaller  the- 
ater owner  in  the  smaller  towns  is 
certainly  'not  so  good'." 


FOR    SALE 

Unrdeased  negatives 

of  features 

for 

North  American  Territory 

K-131  c-o  Film  Daily 

1650  Broadway  N.  Y.  C. 


On   Broadway 

Apollo— "Stella  Dallas" 
Astor — "The  Big  Parade" 
Broadway   —   "The    Phantom   of   the 

Opera" 
Cameo — "Lady  Windermere's  Fan" 
Capitol — "Mike" 
Cohan — "Ben  Hnr" 
Colony — "California   Straight   Ahead" 
Embassy — "The  Merry  Widow" 
Loew's    New    York   —   Today — "His 

Secretary" 

Tuesday — "The     Checkered     Flag" 
and  "A  Desperate  Moment" 

Wednesday — "Stage   Struck" 

Thursday — "His    People" 

Fridaj' — "The    Lure    of    the    WMld" 
and  "The   Phantom   Express'' 

Saturday — "Mannequin" 

Sunday — "We   Moderns" 
Loew's    State — "Soul    Mates"' 
Mark  Strand — "Just  Suppose" 
Rialto — "The  Vanishing  American" 
Rivoli— "Hands  Up!" 
Warners — "The    Sea    Beast" 
Brooklyn  Mark  Strand — "Infatuation  " 

Next  Week 

Apollo— "Stella   Dallas" 
Astor — "The  Big  Parade" 
Broadway — Not  yet  determined. 
Capitol — "Dance  Madness" 
Cohan — "Ben  Hur" 
Colony — Not  yet   determined. 
Embassy — "The  Merry  Widow" 
Mark  Strand — Not  yet  determined. 
Rialto — "The    Yankee   Senor" 
Rivoli — "The  American  Venus" 
Warners — "The  Sea  Beast" 
Brooklyn  Mark  Strand — "That  Rovk 
Girl" 


700  Houses  in  Mexico 

(Continued  from   Page    1) 

none  from  England  and  only  now  and 
then  one  made  in  Mexico  by  some 
special  company. 

There  are  44  picture  houses  in  the 
City  of  Mexico,  and  700  in  the  coun- 
try. American  producing  companies 
all  have  Mexican  offices  to  distribute 
their  pictures.  The  managers  are 
combined  into  a  Film  Board  of  Trade, 
the  president  of  which  is  Gen.  Ol- 
vera.  The  owners  of  the  theaters  are 
also  organized. 

The  import  duty  on  films  from 
abroad  is  very  high — 5  pesos  ($2.50) 
a  kilo.  That  makes  the  duty  on  a 
picture  of  average  length  about  60 
pesos    ($30). 


Bargaining  for  Site 

Redlands,  Cal.— Harry  Sugerman, 
head  of  the  Junior  Theaters,  a  branch 
of  the  West  Coast,  has  been  in  con- 
ference with  local  business  men  re- 
garding a  site  for  a  $200,000  theater. 


T.  J.  Charette  Dead 

New  Bedford,  Mass. — Thomas  J. 
Charette,  46,  owner  of  a  string  of 
theaters  in  New  England,  died  at  his 
home  recently. 


WANTED 

to  purcl.ase  or  rent  Motion  Picture 
laboratory  —  one  with  small  studio 
space  preferred. 

Automatic  Movie  Display  Corporation 

117   E.  24th  St.,  New  York  City 

Tel.   Mad.   Sq.    1143 


it 


JOE  ROCK 

Presents 


S" 


12-2  Reel  Van  Pelt  Productions 

First  Two  Subjects  Ready 

"A  String  of  Pearls" 
"His  Pal" 

Distributed  by 

Chesterfield  Motion  Pictures  Corporation 

1540  Broadway  New  York 

This    Series    Now   Available   for    Greater   N.   Y.   Territory  at 
HAROLD    RODNER   EXCHANGES 


I 


d5- 


pr 


n 


•3  g 
S  " 

"    w 

o*  2 

§■■! 

»  2 

aq    9 

a*  op 

o    n- 

3  &* 


« 


IS 
►1 


B 


OTQ 


3 


C/) 

O 


o 


^ 


<£ 


% 


1i 


•^  J;^  h-» 


o 
3 


1^ 


to  o 

3  '^ 

o 


53 


&    if* 


9 


\ 


/ 


(ff  brAdstreet 

<  FILMDOM 


Wn^- 


Authority 


XXXV    No.  15 


Tuesday,  January  19,  1926 


Price  5  Cents 


CENSORS 

By  DANNY 
here  certainly  is  no  good 
)n  why  the  commission  (the 
on  Picture  Commission) 
Id  be  continued — its  report 
't  convinced  me  otherwise." 
lus  Governor  Smith  is 
ed  m  The  New  York  Times. 

assumed  that  he  has  been 
ed  correctly. 

id  Governor  Smith  is  right. 
e  certainly  is  no  good  reason 

the  Commission  should  be 
inued.  As  a  matter  of  fact, 
e    never    should    have    been 

ere  was  a  period — a  long  time 
-when    certain    producers    of    the 

cat  variety  made  pictures  which 

far  from  right.  They  offended 
any  ways.  They  were  an  insult 
is  industry — as  were  their  mak- 

Today,  thank  Heaven,  it  is  dif- 
t.  Most  of  these  alley  cat  pro- 
ps have  found  their  way  else- 
e.  We  have  a  few  who  today 
d  like  to  do  some  ridiculous,  silly 
;s.  But,  generally  speaking,  the 
5try  is  clean.     Pictures  are  clean. 

there  is  no  need  for  censors — 
r  in  New  York,  or  elsewhere. 

Roxy's  Move 
irt  Schindler,  a  musician  and  ar- 
jf  unusual  standing,  will  have  an 

{Continued  on   Page  2) 


Still  More  Houses 

Omaha    Chain   Growing — Famous   in 
St.  Joe— F.  and  R.  Activity  Be- 
comes Even  More  Pronounced 

More  and  more  theaters  for  the 
Mid-West.  Yesterday's  developments, 
as  contained  in  special  dispatches, 
follow: 

St.  Joseph,  Mo. — Eli  Shire,  Famous 
Players'  partner  at  Lincoln,  Neb.,  will 
build  a  theater  here  and  others  else- 
where are  talked  of.  Sam  Harding  of 
Kansas  City  is  associated  in  the  pro- 
ject. The  latter  is  interested  in  a 
chain  in  this  section. 


Omaha — The  World  Realty  Corp., 
which  controls  five  important  thea- 
ters here  and  last  week  closed  a  deal 
with  Epstein  Bros.,  who  own  several 
houses  and  will  build  six  more  in  var- 
ious neighborhoods,  is  out  after  a 
(Continued  on  Page  5) 


Ward  Opens  Own  Laboratory 

G.  Bert  Ward  has  leased  the  lal:)or- 
atory  at  216-222  Weehawken  St.,  Un- 
ion City,  N.  J.,  formerly  occupied  by 
the  Film  Developing  Corp.,  which 
will  be  called  the  Ward  Cine  Labora- 
tory, Inc.,  The  building  has  three 
floors  equipped  with  modern  appara- 
tus. Ward  started  his  career  with 
the  Company  at  Orange,  under  the 
famous  Ed  Porter,  in  the  early  days 
of  the  industry. 


'wo  New  Baltimore  Theaters 

•Itimore — A  theater  building  to 
$500,000,  which  will  include  30 
ling  alleys,  a  poolroom  and  other 
sational  features,  together  with 
ral  stores,  will  be  erected  on 
nsylvania  Ave.  at  Fulton,  by 
rles  Raith.  Construction  will  start 
tly.  The  theater  section  will  have 
pacity  of  2,500. 

3uis    Morganstern    will    install    a 
ter    in    the    community    building 
.iberty  Heights  Ave.  and  Gwynn 
Junction.     It  will  seat  400. 


East  Side  Finances 

$1,250,000  Bond  Issue  to  Cover  Four 

Theaters  to  Have  Total  Seating 

Capacity  of  3,420 

The  American  Bond  and  Mortgage 
Co.,  Inc.,  is  floating  a  $1,250,000  issue 
of  6j/2  per  cent  first  mortgage  ser- 
ial gold  bonds  to  finance  four  thea- 
ters planned  on  the  East  Side  by  the 
Delancey-Clinton  Realty  Co.,  Inc. 
The  bonds  will  mature  in  from  two 
to  fifteen  years,  will  carry  interest 
payable  twice  a  year  and  are  being 
sold  in  denominations  of  $1,000,  $500 
and  $100. 

The  theaters  are:  A  combination 
theater  and  commercial  building  at 
180-186  Suffolk  St.,  running  through 
to  11  Clinton  St.;  the  theater  propen 
will  seat  1,220.  The  six-story  building 
(Continued  on  Page  5) 


Powers  May  Lease  Space        / 

OS  Angeles — ^^The  old  Selig  studio, 
lired  by  P.  A.  Powers,  covers  ten 
;S  of  ground.  Through  an  ar- 
jement  to  use  Luna  Park  adjoin- 

available  acreage  is  increased  to 
icres.  Therefore,  Associated  Stu- 
.,  Inc.,  as  the  plant  will  be  known. 

probably  lease  space  to  outside 
:s.    There  are  four  stages. 

X  GWYN  is  Box  Office.  And  I  don't 
J  maybe.     JAYDEE.— Advt. 


To  Film  Barnum 

Life   of   "P.    T."    Will    Be   Made   by 

Paramount,with  Wallace  Bfeery 

In  Stellar  Role 

Famous  announced  yesterday  it 
woind  produce  a  picture  based  on  the 
life  of  P.  T.  Barnum.  It  will  be  called 
'^The  Greatest  Show  on  Earth,"  and 
star  Wallace  Beery. 

Monte  Katterjohn  two  years  ago 
began  to  study  the  life  of  Barnum 
and  put  it  into  scenario  form. 
To  supplement  Katterjohn's  story 
with  additional  biographical  data 
Paramount  has  purchased  W 
(Continued  on   Page  5) 


Robert  Pritchard  Dead 

Robert  Pritchard  was  burned  to 
death  early  Monday  morning  in  a  fire 
in  his  room  at  the  ,Richmojid  Hotel. 
Pritchard  for  a  time  wrote  publicity 
for  First  National  sales  department 
and  resigned  on  Dec.  26.  He  was  57 
years  old. 


Famous  Dissolves  Coast  Story  Dept. 

Los  Angeles  —  Famous  has  dis- 
solved the  story  department  on  the 
Coast — all  storios  from  now  on  will 
be  read  and  purchased  in  New  York. 
Mary  O'Connor  will  join  some  other 
company. 


Opposition  to  Casting  Bureau 
Hollywood — Louis  Lacas,  519  Tem- 
ple St.  and  A.  W.  Jacobs,  655  N. 
State  St.,  are  circulating  a  petition 
which  will  later  go  to  Fred  Beetson 
asking  for  certain  changes  in  the 
Central  Casting  Bureau. 


Barthelmess  in  "Ransom's  Folly' 

switch  in  production  plans  makes 
ansom's   Folly"   by   Richard   Hard 
ing    Davis,    Dick    Barthelmess'    ne^t 
picture  and  not  "The  Kid  from  Mgi'n 
tana."    Sidney  Olcott  will  direct 


Will  Censors  Go? 

Republican  Political  Strategy  of  Not 

Opposing  Governor  Smith  May 

Result  in  Commission's  Death 

A  change  in  political  front  of  the 
Republican  party  and  new  tactics  of 
passive  resistance  in  meeting  Demo- 
cratic influence  in  Albany  may  have 
a  vital  effect  on  the  future  of  censor- 
ship in  this  state. 

Following  an  important  Republican 
conclave  in  New  York  last  week,  Re- 
publican leaders  returned  to  Albany 
over  the  week  and  determined  to 
throw  no  obstacles  in  the  path  of 
Governor  Smith  and  his  program. 
The  G.  O.  P.  is  determined  to  do 
everything  which  is  consistently  pos- 
sible from  a  party  viewpoint  to  dodge 
a  repetition  this  year  of  the  fights 
that    retarded    the    legislative    wheels 

(Continued  on  Page   5) 


Warners  Selling 

Theaters  in  Lexington,  Concord  and 

Columbia,  N.  C,  Annexed  by 

Charlotte  Chain 

Atlanta — Ed  Turner,  president  of 
the  Carolina  Theaters,  Inc.,  when  in 
Atlanta,  said  his  organization  was 
about  to  take  over  the  Warner  thea- 
ters in  Concord,  Lexington  and  Co- 
lumbia, effective  Feb.  1.  On  this  same 
date  the  company  will  annex  the  the- 
aters at  Elizabeth  City,  Statesville, 
Rock  Hill  and  the  suburban  theater 
at  West  Asheville.  Present  operations 
include  theaters  at  Hickory,  Lincoln- 
town  and  Newton. 


--  Raboch  Gets  Ne«v  Contract 

Los  Angeles — Louis  B.  Mayer  has 
signed  Al  Raboch,  director,  under  a 
new   contract. 


'^--^__FoxTh52^s  Seeinristing 

Ap'pncaTtmrTias  been  made  to  the 
Stock  Exchange  to  list  800,000  shares 
of  non-voting,  no  par  value  Class  A 
common  stock  of  the  Fox  Theaters 
Corp. 3       ^ 

Metroi6oldwyn  Name  Changed 

The  Vetro-Goldwyn  Dist.  C^rp. 
has  filed  a  name  change  in  ^Ib^y  to 
the;  M^tro-Gpldwxia^Ma3?er  Dist. 
Cor 


Sam  Warner  said  yesterday  the 
deal  was  on,  but  added  it  had  not 
been  closed.  The  houses  are  all  small. 


Fireworks  for  "Skyrocket"  Premiere 
Associated  Exhibitors,  Inc.  is  en- 
deavoring to  secure  permission  to 
stage  a  fireworks  exhibition  in  Long- 
acre  Square  next  Saturday  night  in 
connection  with  the  opening  of  "The 
Skyrocket,"  at  the  Colony. 


T/o  Remodel  Five  Publix  Houses 

,£ittle  Rock,  Ark.— Publix  Theaters 
_orp.  will  rebuild  and  remodel  their 
five  theaters  here,  the  Kempner,  Roy- 
al, Capitol,  Gem  and  Rialto. 

Warners    Sign   Walter   Morose* 

Hollywood — Walter  Morosco  will 
direct  for  Warners.  His  first  will  be 
a  vehicle  starring  Irene  Rich. 


NELL   GWYN— creature  of  Beauty,  Love  and  |>  M --   — -       - 

Laughter.  Great  boxoffice  1  JAYDEE.— Advt.  |  Boxoffice  I      JAYDEE.— Advt. 


■s?S^  but   six.     NELL   GWYN, 


Report  25%  Increase  in  Receipts 

In  response  to  an  inqury  from 
Educational,  as  to  how  "Laugh 
Month"  is  aiding  the  box  ofl[ice,  Roy 
Tillson  of  the  Fuller,  Kalamazoo, 
Mich.,  reports  an  increase  in  receipts 
of  25  per  cent. 


New  Butterfield  House  in  Saginaw 

Saginaw,  Mich. — W.  S.  Butterfield. 
who  controls  the  Franklin,  Jeffers- 
Strand,  Regent,  Wolverine  and  Audi- 
torium, will  build  another. 


NELL    GWYN.      Spice   is    nice.      Puts    pep 
into  Box  Offices.     JAYDEE.— Advt. 


THE 


2 

-3* 


DAILY 


Tuesday,  January  19, 


VtLXXXVNo.15    Tuesday, Ian.  19, 1926     PriceSCents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
«ger ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
I^^ondon,  W.  I.,  Paris — La  Cinematographi'' 
Francaise,   S,  Rue  Saulnier. 


Quotations 

High    Low    Close      Sales 

Balaban   &   Katz    Not  quoted 

Eastman    Kodak    ..109       108J^   109  400 

Famous  Players  ..107^  107^  10754  200 
Fam.  Play.  Pfd.  ..11714  117'/  myi  100 
Film    Inspection    . .     S^i       S%       ^H        200 

First   National    Not  quoted 

Fox  Film   "A"    ...   81         81         81  100 

Fox  Theaters  "A".  327A  32'A  %2%  3,800 
Intern'l   Projector..    14M     14?4     14J4        100 

Loew's,  Inc 29%     38'4     3854        900 

Metro-Gold.    Pfd Not  quoted 

M.  P.  Cap.  Corp...  2054  20'4  2054  1.000 
Pathe  Exch.  "A"..  79J<  77  79^  500 
Skouras    Brothers..   5S         55         55  .... 

Stan.   Co.  of  Am Not  quoted 

Universal    Pictures    V  .  Not  quoted 

Univ.   Pict.   Pfd .>Not  quoted 

Warner  Brothers  . .  I7}i  17  iX  400 
Warner  Pict.  Pfd NotSluoted 


In  Fewer  Crook  Pictures 

Evelyn  Brent  will  not  appear  in  as 
many  crook  pictures  as  first  planned, 
B.  P.  Fineman  of  F.  B.  O.  told  Har- 
rison Carroll,  Sunday  World  writer 
in  Hollywood  last  week.  Fineman 
said  several  foreign  countries  had 
banned  "Smooth  as  Satin"  in  its  en- 
tirety because  of  the  theme. 

As      noted,      British      restrictions 
against  this  type  of  picture  have 
cently  been  made  more  drastic 


CENSORS 

{Continued  from  Page  1) 
active    part   in   the   music   department 
of  the  new  Roxy  theater.     Otherwise 
he  will  continue  with  the  Schola  Can- 
torum,  one  of  the  outstanding  musical 
organizations  of  this  country.  How  he 
will  operate  is  as  yet  a  question.     But 
Schindler    has    for    years    favored    a 
combination  of  choral  music  with  folk 
dances.  This  should  prove  highly  de 
sirable  in  the  new,  big  house. 
Street  Advertising  in  Paris 

How  quickly  the  picture  folk  will 
grasp  the  opportunity  opened  in  Par- 
is is  questionable.  But  now  that  the 
Municipal  Council  has  allowed  1,000 
lamp  posts  to  be  used  for  advertising 
purposes,  the  chances  are  that  the  ex- 
ploitation boys  will  be  on  the  job 
quickly.  The  regulation  decrees  that 
the  signs  must  be  artistic,  and  must 
not  be  placed  on  streets  which  have 
special  or  sentimental  associations. 
A  Deal 

A  half  million  dollars  invested  in 
short  subjects!  For  England.  If  that 
isn't  a  lot  of  money  Pd  like  to  know. 
Yet  Harry  Rowson,  of  Ideal,  slips 
into  town,  slips  out  again,  and  no  fuss 
is  made  at  all.  Of  this  purchase. 
That's  the  way  Englishmen  have.  Of 
doing  things.  And  letting  it  go  at 
that.  No  fuss,  no  talk — just  doing 
business. 


Soviet  Invitation  to  Chapl 

The  Associated  PresS  reported 
from  Leningrad  yesterday  that  Char- 
lie Chaplin  had  been  invited  to  take 
part  in  a  film  based  on  Nikolai 
Gogol's  satire  on  Russian  life,  "The 
Overcoat." 


FOR.     R.ENT 


BELL  -  HOWELL 

AND     

AKELEY  CAMERAS 

with  or  Without  Cameramen 


SEIDEN    CAMERA    EXCHANGE 

729  Seventh  Ave.  NYC. 
B  ryan  t   3  95 l 


Lloyd  Hamilton  Corp.  Chartered 

Albany,  N.  Y. — Incorporation  pa- 
pers were  granted  yesterday  to  the 
Lloyd  Hamilton  Corp.,  New  York, 
listing  1,000  shares  of  preferred  stock 
and  1,000  shares  of  common,  both  no 
par.  Incorporators  are  I.  M.  Michel- 
man,  R.  Liebhoff  and  A.  Johnston. 
H.  Goldman,  120  Broadway,  acted  as 
attorney. 


Predicts  Broadcasting  of  Films 

Cambridge,  Mass. — Broadcasting  of 
motion  picture  films  is  a  definite  pros- 
pect for  the  near  future.  Prof.  Ed- 
ward L.  Bowles  of  the  Massachusetts 
,  nstitute  of  Technology,  told  an  audi- 
eH<^e.  He  said  motion  pictures  in 
silhbyette  already  had  been  trans- 
mitted-^uccessfully  by  radio. 


Russell  Signed  by  French  Company 

_  Los  Angales — William  Russell  has 
signed  a^Pontract  with  Concordia 
Films  Gff  of  France  and  will  leave 
for  JB*fris  the  end  of  the  month. 


Two  "Big  Parade"   Openings 
"The     Big     Parade"     opened     last 
night  at  the  Colonial,  Boston  and  at 
Poll's,  Washington. 


FOR   RENT 

PRIVATE    OFFICE    WITH 

VAULT    SPACE    AND   USE 

OF  FILM  ROOM 

Chas,  Stern 

729  Seventh  Ave.  New  York  City 

Phone    Bryant    1067 


iiummnummiiiMiiiim  , 


HALPERIN  i 


Grand  Rapids  Merger 

Six  Houses  Now  Under  One  Banner 

in  Michigan  City — New  One 

Building  There 

Grand  Rapids,  Mich. — A  group  of 
community  theaters  is  now*  under 
common  ownership  as  the  result  of 
a  deal  whereby  G.  Glen  Fleser  and 
Charles  J.  Callaghan  of  the  Creston 
and  E.  N.  Brown  of  Brown's  Stock- 
ing Ave.  theater  purchased  the  stock 
of  Beecher's,  Inc.,  holding  corpora- 
tion of  the  Liberty,  Madison,  Alcazar 
and   Franklin. 

The  same  interests  who  purchased 
the  stock  of  G.  L.  Wilier  of  Beecher's. 
Inc.,  are  building  the  new  Galewood, 
a  neighborhood  theater  on  Burton 
Ave.,  which  will  open  sometime  in 
April. 


Another  Uses  'Potato  Matinee"  Idea 

Hagerstown,  Md.  —  "Potato  Mati- 
nees" are  becoming  popular  in  the 
East.  During  the  past  few  weeks  the 
idea  has  been  put  in  use  by  several 
owners  of  neighborhood  houses  in 
various  cities.  Now  comes  Nixon's 
Academy,  which  allows  children  to 
see  the  Saturday  mroning  show  upon 
presentation  of  a  "spud,"  or  any  other 
vegetable,  at  the  box  office.  The 
vegetables  are  turned  over  to  charity. 


Weingarten  Loaned  to  Levee 

Los  Angeles — By  special  arrange- 
ment with  Jack  Coogan,  Sr.,  Larry 
Weingarten,  publicity  director  of 
Jackie  Coogan  Prod,  has  been  loaned 
to  Mike  Levee  to  handle  the  cam- 
paign on  "Molasses."  Since  dispos- 
ing of  the  United  Studios  Levee  has 
organized  a  producing  company  and 
will  make  two  or  three  pictures  a 
year.  Weingarten  maintains  super- 
vision of  the  Coogan  press  depart- 
ment. 


Nosier  Leaves  for  Hollywood 
Lloyd  Nosier,  film  editor  of  "Ben 
Hur,"  left  for  the  M.-G.-M.  studios 
yesterday  He  came  East  with  Fred 
Niblo  four  weeks  ago  to  attend  the 
premiere  at  the  Cohan.  Upon  his 
return,  he  will  take  a  vacation  be- 
fore resuming  work  again.  Nosier 
edited  the  picture  from  850.000  feet 
to  12,000  feet. 


STOCK  SCENES 

NEGATIVE  AND  POSITIVE 
P  R  l_N  T  S 

Stone  film    Library 

"jaO   W.    42nd    St.  ROOM    303 

Phone   Wisconsin    3770 


WANTED 

News  cameramen  in  every  Jewish  cen- 
ter throughout  the  world  to  photo- 
graph the  most  important  Jewsh 
events  of  today  and  scenes  pertaining 
to  ancient  Jewrish  history,  for  the 
we»kly  "JEWISH  PICTORIAL  RE- 
VIEW." 

For   terms,    write   or   cable, 
IVAN  ABRAMSON.   Pres. 
JEWISH    EDUCATIONAL   PIC- 
TURES,   INC. 
729    Seventh   Avenue 

Cable    Address,    "JUDPICT," 
New    York 


Metropolitan  Signs  SchildkrM 

Hollywood — Metropolitan    Pic 
have  signed  Joseph  Schildkraut. 


HAL  ROACH  P«sev7y 


m. 


"Charley  M 

Boy/" 

Pathecomedy 


This  is  a  'Cornerblock'  cut  furniii 
FREE  for  all  Pathecomedies  at  3] 
exchange. 


LOBBY  FRAME; 

OF  THE   BETTER   KIND  j 

LIBMAN-SPANJER    CORP.    ', 

1600  Broadway  New  York  Cil 

Tcl-CSickering  5550  Sluu\-  R(hm; 


BIG  EXECUTIVES  need  capable 
assistants.  There  will  be  one  avail 
able  after  February  1st,  a  man  of  3S 
unmarried,  with  six  years  of  thorough 
experience  in  the  film  business,  three 
of  which  were  spent  as  Traveling 
Auditor  for  one  of  the  industry's  big' 
gest  companies.  He  has  traveled 
throughout  the  U.  S.  and  Canada, 
covering  all  film  exchange  centres. 
He  would  prove  invaluable  as  Pro- 
ducer's Representative.  Permanent  lo- 
cation in  New  York  preferred  but 
traveling  agreeable  if  salary  is  inter- 
esting. 

CONSIDER  the  qualifications — abil- 
ity, experience,  loyalty  and  conscien- 
tious devotion  to  YOUR  interests. 
What  can  you  offer?     Address 

Box   M-284  } 

Film  Daily  1650  B'way,  N.  Y.  C 


OBVANT    a?'*0-ST44 

Reuben  S-ajviuei^.Ino. 


i540  broadway 

NewYork 

Insurance  Experts  to  the  Theatrical 

And   Motion   Picture   Industry 
^♦♦♦♦.•♦.♦♦.•♦.♦♦.♦♦.♦♦.♦♦.♦♦.•♦.♦♦.♦♦.♦♦.•♦.•♦.♦♦.•♦.♦♦-♦♦.♦♦.•♦.•♦.♦*.  1 


DURATi2:p 
YOUR    FILM  Li 

-mm 

<  PROKCIO 

220  WEST  42^  STREET 

NEW  YORK 


PHONE 

:HiCKERlNC         ALiANA.LC 


"^^^ei^^^^k^ 


By  Harry  Hershfield 

creator  of  "Abie  the  Agent'* 

and  other  nationally  circulated  comics 


America's  leading 

Comic  Artists  and  Writers 

Are  Talking  about 


Metro-Goldwyn-Mayer's 
Miracle  Comedy 


THE 


Ji 

4 


-pn^. 


DAILY 


Tuesday,  January  1*1 


'ALMOST  INDISPENSABLE 
To  Producers,  Distributors  and  Exhibitors" 

says 

Greater  Amusements 


i 


An  Important  Factor 

WITH  the  advent  of  the  new  year,  the  entire  industry 
is  looking  forward  to  issuance  of  the  Film  Year 
Book,  printed  each  year  by  Film  Daily. 

The  Year  Book  fills  an  unusual  niche  in  the  industry, 
for  it  has  become  recognized  as  the  most  reliable  printed 
authority  on  general  film  information,  whose  value  to  the 
trade  cannot  be  overestimated.  It  is  a  handy  reference 
guide,  printed  in  compact  and  concise  form,  so  that  its  in- 
formation is  easily  accessible  to  the  reader. 

The  Film  Year  Book  has  become  almost  indispensable 
to  producers,  distributors  and  exhibitors.  The  manner  in 
which  its  every  issue  is  filed  and  used  is  proof  of  that.  As 
a  source  of  information  it  is  unrivalled  in  the  field — a  dis- 
tinct credit  to  the  industry  it  serves. 

Editorial — Greater  Amuiements— Dec.  26,  1925 


Referring  to  the 

1926   FILM 

YEAR   BOOK 

OUT  NEXT  WEEK 


) 


^11 


THE 


ly,  January  19.  1926 


jggg^ 


DAILY 


ill  More  Houses 

(Continued  from  Page   1) 

of  combination  houses  in  15 
;ka  cities,  starting  with  Colum- 
id    Fremont.      The    Columbus 

will  cost  $100,000  and  Fre- 
$150000.  All  new  theaters  are 
t  1,000,  except  in  the  case  of 
gs  and  Grand  Island  where 
)acities  will  be  larger.  Univer- 
mous  and  A.  H.  Blank  are  no-w 
d  in  fortifying  their  positions. 
sal  is  marking  time,  after  sev- 
ditions  to  the  Hostettler  circuit 
xh  several  deals  in  Nebraska 
ider  consideration.  Famous, 
has   a   foothold   at   Lincoln,    is 

ready  to  expand  as  evidenced 
move  in  sponsoring,  with  Eli 
a  theater  at  St.  Joseph.  Blank 
expected  to  expand  in  Nebras- 
lOther  circuit  expected  to  prove 
or  in  Nebraska  is  the  Frank 
;ment  Co.,  which  is  controlled 
)rth  American  Theaters  Corp., 
ed  as  an  ally  of  Producers  Dis- 
ng  Corporation.  This  company 
n  Omaha  house  and  is  expected 
len  its  scope,  now  confined  on- 
to Iowa,  to  include  Nebraska. 


neapolis — F.  and  R.  continue  to 
orward.  William  Hamm,  one 
wealthiest  and  most  powerful 
in  this  section  of  the  country 
1  important  factor  in  F.  and  R., 
hing  the  activity.  L.  J.  John- 
n  architect,  has  been  hired  to 
:  all  his  time  to  planning  new 
rs.  The  company  is  dickering 
site  at  Minot.  N.  D..  with  a 
!r  of  other  deals  under  consid- 
1. 

ile  there  has  been  discussion  of 
anolis  suburban  theaters  to  be 
d  l)v  the  circuit,  no  decision  has 
made. 


uth — ^The    opening    of    the    Or- 
1   as  a    first-run    is   expected   to 
matters  easier  for  open  market 
I  )Utors   to  get   in. 


Paul — Prod.  Dist.  Corp.  is  ex- 
H  to  enter  the  city  in  a  theater 
:ion  of  some  nature.  A  deal  is 
ng  fire  in  New  York  accordins' 
)ort  here.  Whether  or  not  it  is 
Pantages  and  North  American 
ers  ""orp.  cannot  be  determined. 


iree  Faces  East"  for  Carnival 

o  Riesenfeld  will  direct  the  pre- 

of  "Three   Faces   East."  to  be 

ted    as    part    of    the    entertain- 

at  the  Motion  Picture  Carnival 

e    Plaza    Feb.    3..    by    the    Film 

al  Benefit  Bureau. 


Premiere  for  "Nell  Gwyn" 
5.  Williams  of  British  National 
res,    Ltd^,    will    give    a    private 
ng  of  "Nell  Gwyn"  at  the  Ritz 
le   evening   of   the    25th. 


Exhibitor:  A«k  at  the  Film  Exchange* 
for  the 


icmoiic  Aiusic 


'm6m 


Cue  „SAcc(^ 


Uttla  to  >«k  for,  but   it's    the   only 

able  aid  you  can  give  your  musicians 

to  help  pot  the  picture  over.    (- 


To  Film  Barnum 

(.Continued  from  Page  1) 
Werner's  biography,  "Barnum,"  pub- 
lished two  years  ago. 

Beery  will  arrive  in  New  York  on 
Sunday  to  discuss  the  part.  The 
director  has  not  as  yet  been  selected 
Although  the  story  of  Barnum  con- 
tains many  incidents  pertaining  to 
circus  life,  the  picture  will  not  be 
a  circus  picture.  It  will,  of  course, 
contain  many  scenes  of  "big  ring" 
life. 


Hoffman   Starts   New   Duties 

Hollywood  —  Milton  E.  Hoffman 
yesterday  assumed  duties  as  execu- 
tive manager  of  the  Lasky  studio. 
His  first  task  will  be  the  arranging 
for  the  transfer  of  production  to 
United. 


More  Stars  to  "Support"  Juniors 

Thomas  Meighan,  Lila  Lee  and 
Chester  Conklin  have  been  added  to 
the  cast  of  "Gldrious  Youth,"  in 
which  the  Paramount  Junior  Stars 
will  make  their  debut,  under  direction 
of  Sam  Wood. 


Gertrude  Olmstead  Signs 

Hollywood  —  Gertrude  Olmstead 
has  signed  a  new  contract  with  M.-G. 
M.  She  is  now  appearing  in  "Monte 
Carlo." 


To  Make  Third 
Los  Angeles — David   Kirkland  has 
been  signed  to  direct  a   third  picture 
for    Fred    Thomson,    "Hands    Across 
the  Border." 


Leads  in  'Continental  Limited" 

Hollywood — Jack  Daugherty  and 
Blanche  MehafTey  will  play  the  lead- 
ing roles  in  "The  Continental  Lim- 
ited," which  Edward  Sedgwick  will 
direct  for  Universal. 


Will  Censors  Go? 

(Continued  from  Pape   1) 

last  year,  with  results  not  so  pleasing 
to  Republican  prestige. 

Governor  Smith  is  now  expected  to 
appoint  John  Walrath,  former  Mayor 
of  Syracuse,  chairman  of  the  censor- 
ship commission.  That  body  will  then 
be  entirely  Deirocratic.  It  must  also 
he  remembered  that  the  Republican 
party  finds  many  of  Smith's  recom- 
mendations more  onerous  to  bear 
than  censorship.  Bearing  these  facts 
in  mind,  those  f"  .liliar  with  workings 
in  Mbany  j'esierdaj'  expressed  a 
hope — not  too  pronounced  but  yet  a 
hope — that  the  commission  may  be 
legislated   out   of   existence. 


Held  Over   This   Week  at 

N.  Y.  CAPITOL 

Urban-Kineto's   First 

REELVIEW 


DISTRIBUTORS 


East  Side  Finances 

(Continued  from  Page  1) 
at  195  Rivington  St.,  will  be  remod- 
eled to  contain  an  exit  for  a  theater 
to  be  built  on  the  remainder  of  the 
plot;  the  house  will  seat  600.  A  1,700- 
seat  theater  will  be  built  at  126-128 
Clinton  St.  with  a  roof  garden  seating 
1,000:  there  will  be  a  commercial 
building  in  connection  with  it.  The 
fourth  will  be  at  185-191  Ave.  B.  and 
602  E.  12th  St.  and  will  seat  600. 

The  officers  and  directors  of  the 
company  are  also  majority  stockhold- 
ers of  the  Bijou  Holding  Corp.  which 
guarantees  the  completion  of  these 
various  projects.  Bijou  controls  the 
Hadem  5th  Ave.,  110  St.  and  5th 
Ave.;  Regun,  60  W  12th  St.;  Cosmo, 
116th  St.  and  3d  Ave.;  Stadium,  110th 
St.  and  3rd  Ave.;  New  125th  St.  the- 
ater, 165  E.  125th  St.;  Harlem  Grand 
O.  H.,  119  E.  125th  St.;  Harlem 
King,  3rd  and  125th  and  Palace,  2402 
2nd  Ave. 


Chicago  Bond  Issue 

Chicago  —  The  Union  Bond  and 
Mortgage  Co.  has  issued  for  the  Na- 
tional _  Theaters  Corp.,  a  $1,250,000 
bond  issue  at  seven  per  cent  to  fin- 
ance the  construction  of  the  new 
Paradise  theater. 


Hank   Hearn   in   Charge   of   South 

Atlanta — Hank  Hearn,  now  with 
Oscar  Oldknow's  Liberty  exchange, 
has  been  made  Southern  district  man- 
ager for  Associated,  effective  Jan.  23, 
with  supervision  over  Atlanta,  Dallas, 
New  Orleans,  Charlotte  and  Mem- 
phis. 


Tom  White  to  New  York 

Hollywood — Tom  White,  produc- 
tion manager  for  James  Cruze,  is  en 
route  to  New  York  where  he  will 
purchase  a  large  amount  of  antique 
naval  supplies  for  "Old  Ironsides." 


FEBRUARY  28th 


5iira 


Incorporations 

London,  England — New  Era  Productions, 
Ltd.,  London;  to  operate  theaters.  Capital 
£10,000. 


London,  England — Manor  Park  Pavilion, 
Ltd.,  London;  to  operate  theaters.  Capital 
£10,000. 


Dover,  Del. — Universal  Pictures  of  India, 
Wilmington,  Del.  Capital  $10,000.  Attor- 
ney, Corporation  Trust  Company  of  Amer- 
ica,  Du  Pont  BIdg.,  Wilmington. 


Albany,  N.  Y.— Vyse  Amusement  Co., 
Bronx ;  theaters.  Capital  $5,000.  Incorpora- 
tors, R.  Rosenthal,  S.  Pariser  and  G.  Price. 
Attorney,  A.  M.  Pariser,  51  Chambers  St., 
New    York. 


t 


Joseph  Levering 

1*5  directing  the 
third  of  the 

Molly  May  Series 

■featuring 

Violet  Mersereau 

entitled 

"Her  First  Night 

in  the 

Jollies" 


ybu  win  Tirvcr  5CC  a  marc  elusive  n^fwy  fhan— 


smM 


'from  the  novel  by- 
J.BrecKenriogeBlus,  " 
With 

eileen  percy 
Creightdn  Hale 

OALEFulLER,WM.MDNB  andsfarcasf- 
—Astran^  man's  fishttamaaivrfaic—  • 

IT'S  A  GOTHAM  PRODUCTION 

Distributed  by 

LUMAS  FILM  CORPORATION 


^-R- 


1650  Broadway 


SAM  SAX,  Pres. 


New  York  City 


K^--^ 


iTHE 

brAdstreet 

FILHDOH 


r^RECOCMIZEB 

Authority 


.  XXXV    No.  16 


Wednesday,  January  20,  1926 


Price  5  Cents 


VALUES 

By  DANNY 

1  Goldwyn  giving  advice  to 
rt  Wilcox— Wilcox  the  young 
sh  producer,  whose  "Nell 
i"  will  be  shown  Monday  next 
:  Ritz.  Goldwyn,  the  old  timer, 
with  experience  and  who  knows 
cture  book.  Better  than  many. 
1  Goldwyn:  "In  this  business 
is  only  one  thing  which  counts 
lity  of  product.  The  best 
Is  I  have  cannot  play  my  pic- 
— and  will  not — unless  the  pic- 
measure  up  to  box  office  stand- 
and  requirements.  My  worst 
ies  will  play  my  pictures — if 
are  good  pictures.  That  applies 
u;  to  everyone  making  pictures, 
t  forget  it.  Don't  think  anyone 
any  prejudice  against  English 
!  pictures.  They  will  take  pic- 
over  here  and  show  them,  no 
er  who  makes  them  or  where 
come  from — but  they  must  be 
pictures. 

Somid  advice.  Good  advice, 
icidentally,  the  truth.  Good 
ietures  are  the  answer  to  this 
usiness.  Nothing  else.  And 
othing  else  ever  will  be.  Which 
ccounts  for  one  company 
aving  three  big  successes  on 
roadway,  while  the  largest 
nd  oldest  producing  unit  in 
he  business  hasn't  had  a  long 
un  picture  on  Broadway  in 
^nths. 

idfwhat  Sam  Goldwyn  told  Her- 
Wilcox   might   be   told   the   pro- 
rs   of    Hollywood   and    Shanghai, 
might  profit  by  it. 
The  Show  Windows 
le   old   idea   of    first   runs   in   key 
Which    were    used    as    show 
lows  by  the  large  companies;  and 
h  might  help  build  interest  in  a 
re  for  exhibitors  of  nearby  com- 

{Continued  on   Page  2) 


Jack  With  M.-G.-M. 

OS  Angeles — Reginald  Barker  has 
!d  a  long  term  contract  with 
o-Goldwyn-Mayer.  Following  his 
gement  with  Fox,  Barker  returns 

M.-G.-M.    where    he    made    "The 

at  Divide"  and  "The  White  Des- 
among  others.     His  first  picture 

not  been  determined  as  yet. 

Browning  to  Make  Series 
OS    Angeles— Tod    Browning   has 

placed  under  a  new  contract  by 
„.-M.  to  make  a  series  of  Tod 
wning  Prods.  The  first  will  be 
le  Four  Stragglers." 


"U"  in  Northwest 

Friedman  Deal  Again  Reported  On — 

Rumbling  of  Universal  Chain  in 

Minnesota 

Minneapolis  —  Reports  are  again 
current  that  Universal  is  negotiating 
for  purchase  of  the  Friedman  theaters 
in   Minnesota. 

Joseph  Friedman,  who  owns  the 
Tower,  in  St.  Paul,  said,  that,  while 
Universal  interests  are  negotiating 
for  a  partnership  deal,  no  agreement 
has  been  reached. 

He  said  Universal  "is  trying  to 
establish  a  strong  foothold  in  this 
state,  in  order  to  line  up  against  the 
Finkelstein  &  Ruben  theaters." 


E.    H.    Goldstein   of  Universal   de- 
nied  the   above   report  yesterday. 


GWYN.   The   Box  Office   Girl  makes 
bow    Monday    night. — Advt. 


Schine  SelHng  Out? 

Up-State     Exhibitor,     Now     Partner 

With  Universal,  May  Dispose  of 

Holdings,  GloversvUle  Hears 

Gloversville,  N.  Y.— It  is  reported 
that  the  Schine  Theatrical  Corp., 
which  controls  about  60  theaters 
throughout  the  state,  with  offices  in 
Syracuse,  is  negotiating  with  a 
large  corporation  for  the  disposition 
of  its  entire  holdings  amounting  to 
upwards  of  $3,000,000. 

Meyer  Schine,  wnen  mterviewed, 
refused  to  make  any  comment,  and 
iCotitinued   on  Page   4) 


Favors  10%  Tax 

Governor  Baker  of  Missouri,  Consid- 
ers Levy  on  Amusements  in  Pro- 
posed  Amendment 

Jefferson  City,  Mo.— Governor  Ba- 
ker and  State  officers,  in  conference 
here,  have  agreed  to  add  a  10  per  cent 
tax  on  amusements  to  the  proposed 
constitutional  amendment,  to  be  vot- 
ed on  in  November.  The  amendment 
would  be  used  to  raise  added  revenue 
for  the  state  school  system. 

Important  educators  have  been  m- 
vited  to  Gov.  Baker  to  discuss  the 
measure  on  Jan.  26th. 

New  Twist 

Sunday   Closing  Law   Comes  Up  in 
Florida,  Where  Judge  Rules  The- 
aters Can  Operate  After  Sunset 

Jacksonville,  Fla.— Those  fighting 
Sunday  closing  may  find  helpful  the 
decision  handed  down  by  Judge  John 
U  Bird  at  Clearwater,  in  the  case  ot 
J  'k  Gilhooley,  an  exhibitor,  charged 
with  violating  the  Sunday  law 

Judge  Bird  held  that  Gilhooley  did 
(Continued   on   Page   4) 

NET  L    GWYN    won    a    king's    heart   and    a 
nation's    love.      Mine    too!    Jaydee.— Advt. 


The  First  Move 

Albany — Senator  J.  Griswold 
Webb  (Republican)  yesterday 
introduced  a  bill  to  modify  the 
censorship  law  so  that  news 
reels  would  be  exempted  from 
supervision. 

The  bill  is  considered  the  first 
shot  in  the  move  for  the  en- 
tire abolition  of  the  statute  in 
which  Republican  support  is 
more  than  a  possibility. 


Man  Power 

The  Development  of  New  Factors  in 
Production   the    Big    Feature    of 

Past  Year 
Los  Angeles — Will  H.  Hays  said 
yesterday  that  to  his  mind  the  most 
significant  feature  of  the  year  has 
been  the  growth  development  of  man 
and  woman  power  in  the  industry. 
He  added: 

'The  only  reason  the  600  motion 
pictures  produced  within  the  year  are 
not  all  of  the  quality  of  the  200  out- 
standing ones  is  for  the  same  reason 
that  we  do  not  have  600  great  novels 
or  600  great  plays  in  a  twelve-month. 

{Continued    on   Page   4) 


"Bicyding"  Is  Out 

Renewed  Agitation   Against   Practice 

Launched  in  the  Northwest — 

Exchanges  Aroused 

Minneapolis — "Bicycling"  will  not 
be  tolerated  in  the  Northwest.  This 
warning,  broadcast  some  time  ago  by 
exchanges  and  the  Northwest  Exhibi- 
tor Ass'n.,  was  emphasized  again  at 
a  meeting  of  the  Minneapolis  arbitra- 
tion board. 

In  a  case  brought  by  Prod.  Dist. 
Corp.  versus  Earl  Scott,  who  has  op- 
erated   theaters    at    Galesville,    Black 

(Conti7tued    on   Page    4) 


$10,000  Reward  to  Spike  Report 
Boston — In  an  effort  to  kill  reports 
that  the  building  is  unsafe,  the  Met- 
ropolitan management  has  offered  a 
reward  of  $10,000,  deposited  with  the 
First  National  Bank,  to  the  person 
who  can  produce  information  leading 
to  the  origin  of   the  report. 

Cantor  in  "Kid  Boots" 
While  Edward  Sutherland  is  in 
Chicago  to  confer  with  W.  C.  Fields, 
on  "It's  the  Old  Army  Game,"  he 
will  meet  Eddie  Cantor,  now  appear- 
ing in  "Kid  Boots."  which  will  be 
produced  in  the  summer,  with  Suther- 
land  directing. 


No  Action  on  Censors 

Republican      Course      Undetermined 

Pending   Report   of  the    Hughes 

Reorganization  Committee 

Albany — At  present  the  Republi- 
can program  does  not  include  non- 
resistance  to  the  repeal  of  the  censor- 
ship law.  Inquiries  to  ascertain 
whether  the  G.  O.  P.  tactics  of  pas- 
sive opposition  to  Governor  Smith's 
program  embraced  censorship  brought 
this   to    light. 

The  plan  as  outlined  by  the  lead- 
ing Republican  majority  in  the  As- 
sembly as  well  as  the  Senate  accord- 
ing to  the  best  authorities  is  that  no 
action  will  be  taken  or  the  Republi- 
can attitude  on  censorship  will  not 
be  known  until  the  Charles  E. 
Hughes  non-partisan  reorganization 
(Continued   on  Page   4) 

3,000   Seat  First   Run  for   St.  Louis 

St.  Louis — It  is  understood  a  new 
3,000  seat  theater,  to  be  independent- 
ly operated  as  a  first  run,  will  be 
erected  here.  The  identity  of  the 
backers  has  not  been  made  known, 
but  ine  house  will  be  part  of  a  large 
office  building  at  Grand  and  Delmar. 
This  step  is  expected  to  relieve  the 
first   run  situation. 


Cameo  Music  Service  Expanding 
The  Cameo  Music  Service  Corp., 
makers  of  the  "Thematic  Music  Cue 
Sheets"  will  move  from  112  W.  44th 
St.  to  35  W.  47th  St.  M.  J.  Mintz 
declares  the  removal  is  necessary 
because  of  increased  business.  He 
will  install  what  he  says  will  be  the 
largest  musical  research  library  in  ex- 
istence. 


A   king  is  lOnly   a  man — and  NELL   GWYN 
is    beautiful. — Advt. 


Depression  in  Film  Stocks 
As  a  result  of  a  general  depression 
on  the  Exchange  yesterday  a  number 
of  film  stocks  suffered  losses.  Pathe 
dropped  4^  points;  Famous  Players 
dropped  3H;  Fox  Film  "A,"  1^; 
Eastman  Kodak,  J^;  Warner  Broth- 
ers, 1,  Loew's,  Inc.,  ^  and  M.  P.  Cap. 
Corp.,  ]4.  The  Curb  remained  nor- 
mal. 


B.  &  K.  Acquire  Another 
Chicago — Balaban  &  Katz  have 
taken  over  the  Washington  Square 
theater  in  Quincy,  a  new  house  which 
has  been  operating  under  a  split  pol- 
icy. 


Holah  Sues  "U"  for  $56,500 
Hollywood — C.   E.   Holak  has  filed 
suit  against  Carl  Laemmle,  and  Uni- 
versal Pictures  Corp.  for  $56,500  al- 
leging breach  of  contract. 


"SomcthinK    special",    said    the    KinR,    eyeing 
NELLCVVVN.  Special  is  riuht!  Jaydee— Advt. 


THE 


SB 


■<&< 


■a9 


DAILY 


Wednesday,  January  20, 


Val.XXXVNo.16  Wednesday, Ian. 20, 1926   PriceSCents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
tVID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematograph!'' 
Francaise,   S,   Rue   Saulnier. 


Quotations 

High    Low    Close      Sales 

Balaban   &   Katz    Not  quoted 

Eastman     Kodak      ..109        108^  108!^       800 

Famous     Players     ..106^   103^  103}4   5,400 

Fam.    Play.    Pfd Not  quoted 

Film    Inspection     Not  quoted 

First    National     105       1055^  105  Ji      200 

Fox   Film   "A"    ....   81J4     79^  79^   1,500 

Fox    Theaters    "A"      335^     i2y»  32%   2,900 

Intern'l     Projector        14          14  14           300 

Loew's,     Inc 395i     37i4  38       1,300 

Metro-Gold.    Pfd.    ..   22^     225^  22^      200 

M.  P.  Cap.  Corp.   ..   20^     20^^  20-^    1,000 

Pathe  Exch.   "A"    ..   79%     75^  7Sfi      800 

Skouras    Bros Not  quoted 

Stan.    Co.    of   Am Not  quoted 

Trans-Lux     12J4      12J^  Uyi   4,100 

Universal    Pictures    Not  quoted 

Univ.    Pict.    Pfd Not  quoted 

Warner    Brothers     ..    17^4      16  16        1.000 

Warner  Pict.  Pfd.   ..    liVi      13j4  13"/^       100 


Two  Rockaway  Theaters  Sold 

The  New  theater,  at  80th  St.  and 
the  Boulevard,  and  the  RivoH,  at  Hol- 
land Boulevard  and  91st  St.,  Rocka- 
way Beach,  have  been  sold  by  Max 
Selikopf,  and  his  partner,  M.  Man- 
dell. 


^MmhtS^ 


Utmost  in  Screen  Brilliancy 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  I  N  S 

Specialists  in  Motion  Picture 

and  Theatrical  insurance  for 

the  past  fifteen  years. 


Arthur  W.  Stebbins  &  Co.,  Inc. 
1540  Broadway  N.  Y.  C. 

Brsrant  3040 


VALUES 


{Continued  from  Page   1) 

munities  is  dead  and  gone.  Flatter 
than  a  pancake.  Today  the  exhibi- 
tion of  pictures  means  only  one 
thing:  good,  money  making  pictures, 
If  a  producer  owned  1,000  theaters, 
and  had  only  poor  pictures  for  them 
he  could  close  them  all.  For  without 
good  pictures  the  old  reliable  public 
will  close  them,  anyway.  And  what 
hurts — as  much  as  helps — is  that  the 
more  good  pictures  which  are  shown 
the  better  Mr.  and  Mrs.  Public  want 
those  which  follow.  It  becomes  a 
matter  of  education.  A  picture  which 
looked  splendid  five  years  ago  to  the 
public  would  be  passed  by  today. 
Because  production  and  other  stand- 
ards have  developed  so  much. 


Chamberlain  Sues  McElroy  &  Sharpe 

Shamokin,  Pa. — The  Chamberlain 
Amusement  Co.  has  filed  suit  against 
David  McElroy  and  C.  J.  Sharpe,  of 
Coaldale,  resulting  from  a  deal  for 
the  purchase  of  2,400  shares  of  stock 
in  the  Panther  Valley  Amusement 
Co.  by  Chamberlain.  It  is  alleged  the 
stock,  representing  a  majority  of  the 
holdings  in  the  Panther  company, 
was  sold  to  the  Chamberlain  organi- 
zation without  any  mention  of  $60,000 
in  bonds  issued  to  secure  a  mortgage 
and  that  Chamberlain  was  refused  ac- 
cess to  the  records,  after  having  paid 
more  than  $10,000  for  the  stock  in 
question. 


Contract  Cancelled 

Los  Angeles — By  mutual  agree- 
ment, the  contract  of  Robert  Frazer 
has  been  cancelled  by  First  National. 
He  has  been  signed  by  Paramount 
for  "Desert  Gold." 


"Irene,"  a  Special 

Colleen  Moore's  newest  for  First 
National,  "Irene,"  will  be  released 
as  a  special. 


Texas   Directors   Meet   Feb.   5 

Dallas — The  Board  of  Directors  of 
the  M.  P.  T.  O.  of  Texas  will  meet 
here  Feb.  5. 


Norma  Shearer  Coming  East 

Hollywood — Norma  Shearer  left 
California  for  New  York  yesterday 
for  a  vacation. 


A.  G.  Steen  111 
A.   G.   Steen,  head   of  A.   G.   Steen 
Enterprises,    is    seriously    ill    at    his 
home. 


27,750  First-Run  Seats  in  Detroit 

Detroit — Construction  will  start 
shortly  on  a  new  theater  to  be  erected 
for  Fox.  It  will  seat  5,000  and  open 
in  Sept.,  1927.  The  new  house  will 
give  Detroit  a  total  of  27,750  first- 
run  seats  within  a  radius  of  half  a 
mile. 


Denies  1st  Nat'l  Deal  with  F.  B.  O. 
Los  Angeles  —  The  Examiner  re- 
ports First  National  has  been  negot- 
iating for  the  purchase  of  the  F.  B. 
O.  studio  on  Melrose  Ave.,  for  $1,500,- 
000.  B.  P.  Fineman,  speaking  for 
F.  B.   O.,  denies. 


Sheehan   Returns  from   Coast 

Winfield  R.  Sheehan,  general  man- 
ager of  Fox,  returned  yesterday  from 
Hollywood  after  four  months  spent 
at  the  studio.  He  will  remain  here  a 
month  and  then  go  back  to  the  Coast 


First   Nat'l   Signs   Balboni 

Hollywood^ — Sylvester  Balboni  has 
been  given  a  long-term  contract  by 
First   National  to  direct. 


Arrivals  from  the  Coast 

Charlie  Chase  and  Leo  McCarey  of 
the  Roach  studios  arrive  here  today 
from  the   Coast. 

F.  Richard  Jones  is  due  in  town 
from   Hollywood  on   Sunday. 

W.  B.  Frank,  Eastern  representa- 
tive for  Roach,  has  returned  from 
Hollywood. 

Walsh    Here 

Raoul  Walsh,  who  will  direct 
"What  Price  Glory,"  is  in  New  York 
from  Hollywood  to  put  final  touches 
on  the  scenario.  He  expects  to  be- 
gin filming  on  the  lot  in  Hollywood 
Feb.    10. 


Stewart,  Phillips  and  Dean  to  Tour 

Hollywood — Anita  Stewart,  Doro- 
thy Phillips  and  Priscilla  Dean  will 
tour  the  world  together.  They  expect 
to  leave  here  in  the  Spring  and  will 
be  away  a  year. 


Jannings  Here  in  Summer 

Emil  Jannings,  who  has  been  signed 
to  star  by  Paramount  will  arrive  in 
this  country  in  the  summer. 


The  finithing  touch  of  refinement  on 

an     elaborate     production     is     the 

handcotoring    bj 


/^Tc/f- 


The  Perfect  Handcolormg  of  Film 
S28    Rirerside    Drive        Telephone  | 

New    York         Momingside    1776     ! 


CHROMOS      TRADING      COMPANY 
1123    BROADWAY 

FINANCING    SERVICE   FOR 
FILM    PROPOSITIONS 

Our    Reasonable    Rates    and    Convenient 
Terms  Are  Worth  Investigating 


Suite   1207-8 


All  Dealings  In  Confidence 

'Phone  Watkiiw  4522 


Out-of-Towners  at  "Naked  TriJ 

The  committee  in  charge  of 
forthcoming  A.  M.  P.  A.  "Nj 
Truth"  dinner  and  dance  rep 
many  requests  for  tickets  from  n 
points  outside  of  New  York.  Chs 
Einfield,  of  First  National,  is  h; 
ling  the    sale. 


HAL  ROACH  Pnestm- 

CharleV/: 
Chasb 


CharleyM^ 

I    Boyr 


Pafhecomedy 


lisl 


|( 


This  is  a  'Cornerblock'  cut  furnisl 
FREE  for  all  Pathecomedies  at  jf 
exchange. 


FOR  RENT 

PRIVATE    OFFICE    WITH 

VAULT    SPACE    AND   USE 

OF  FILM  ROOM 

Chas.  Stern 

729  Seventh  Ave.  New  York  Citjl 

Phone    Bryant    1067 


ARENA  CHOP  HOUSE 

148  West  46th  Street 
Rendezvous  of  the  Film  Trade 

A  quiat  plact  u  talk  husiniit 

Luncheon  Blue  Plates  60c  up 
Also  a  la  Carte 

—  PRIVATE  DINING  ROOMS— 


the 
con 
(he 
(an 
wel 
Mil 


I  want  some  real  salesmen  for. 
the    Western    territories,    meni 
who    aren't    afraid    to    hit    the< 
sticks,  and  who  will  make  more  s 
money    than    they    could    ever 
see  in  the  film  business  before. 
Write  me  at  once,  as  I  am  now 
alloting    territories.  I 

NAT.  BARACH 
M-286  c-o   Film   Daily 

1650  Broadway  N.  Y.  C. 


"WE  NEVER  DISAPPOINT" 


piflw  m 

.irABORATORics, 

L  INCORPORATED  ^ 

220  WEST 42^-°  STREET 

NEW  YORK 


PHONE-CHICKERING    2937 


ALLAN  A.LOWNES,  CEN.MCR. 


MARSHALL 
NE1LAN»S 

great  comedy  hated  on 
his  own  story  wicK 

SALLY  O'NEIL 

CHARLES  MURRAY 

WILLIAM  HAINES 

FORD  STERLING 


(now  in  its  second  hig  week  at  the  Capitol,  N.  Y.) 

is  the  film  event 
of  the  day 


John  Held,  Jr* 

the  nationally-known 
comic  artist  joins 
the  ranks  of  the 
famous  who 
welcome 
Mike 


« 


Watch  It ! 
Metro-Goldwyn-Mayer's 

Miracle  Comedy  is  IVIaking  History 


r^ 


Wednesday,  January  20,  1 


Man  Power 

(Continued  from  Page   1) 
The   necessary  man   power  does   not 
exist. 

"It  is  merely  a  question  of  finding 
men  and  women  who  have  the  talent 
necessary  to  make  always  the  very 
best.  Motion  picture  producers  are 
trying  to  employ  only  the  directors 
and  writers  who  have  that  ability. 
They  are  doing  their  utmost  to  devel- 
op them.  Directing  and  scenario 
writing  are  two  great  professions 
that  are  a  part  of  this  and  no  other 
enterprise.  Applications  by  the  thou- 
sands come  from  persons  who  want 
to  write  scenarios  or  direct  pictures. 
In  most  cases  they  are  persons  who 
are    not    qualified    to    pass    even    the 

first   test. 

"Producing  companies  are  taking  experi- 
enced writers  into  the  studios  and  teaching 
them  the  technique  of  motion  picture  com- 
position. Many  of  them  have  learned  and 
have  prospered.  Actors,  newspaper  men, 
dramatists,  stage  directors,  artists,  photog- 
raphers— men  whose  training  would  best 
make  them  adaptable  for  motion  picture 
directing  are  being  given  every  opportunity 
to  learn  this  new  art.  Schools  for  these 
purposes  have  been  established  by   producers. 

"These  eflforts  are  succeeding.  Every  few 
weeks  the  public  is  shown  a  picture  directed 
by  a  person  whose  name  they  have  never 
seen  on  the  screen,  with  ai  scenario  written 
by  one  of  whom  they  have  never  heard; 
and  great  pictures  by  those  they  know  are 
doing    finer    things   than    ever   before. 

"It  is  the  development  of  men  and  women 
with  the  ability  to  tell  a  story  well  on  the 
screen  that  has  been  the  year's  most  im- 
portant progress — this,  and  the  growing  ap- 
preciation and  support  of  the  public  for  the 
truly  good." 


Hays  Turns  Author 
Will  Hays  is  included  in  a  group 
of  14  notables,  most  of  them  authors, 
who  have  combined  in  the  making 
of  an  unusual  book,  "As  I  Look  at 
Life,"  just  issued  by  Cosmopolitan 
Magazine.  In  each  chapter  one  of  the 
fourteen  reveals  for  the  first  time  in- 
timate autobiographical  facts  and  de- 
scribes his  or  her  emotions  in  the  face 
of  some  unusual  experience.  As  I 
Look  at  Life"  is  not  for  sale.  Its  dis- 
tribution will  be  confined  to  Cosmo- 
politan subscribers. 


In  Deal  With  Pantages 
Minneapolis — Ben  F.  Rosenberg,  of 
Los  Angeles,  has  purchased  an  inter- 
est in  the  Pantages.  While  no  decis- 
ion has  been  made  as  to  policy,  it  is 
expected  to  remain  a  unit  of  the  Pan- 
tages circuit. 


Bebe  Daniels  Coming  East^ 

Bebe  Daniels'  next  picture,  "The 
Palm  Beach  Girl,"  is  being  prepared 
by  Forrest  Halsey  and  Tom  McNa- 
mara.  It  is  scheduled  to  start  at  the 
Long  Island  studio  in  February. 


The  Grand.  Buquoin,  Destroyed 

Duquoin,  111. — The  Grand  is  a  total 
loss  from  fire.  The  blaze  started 
from  an  over-heated  furnace.  Da- 
mage, $150,000. 


Schine  Selling  Out? 

(Continued  from  Pope  1) 
declined    to    deny    or   affirm    the    al- 
leged negotiations  for  sale. 


Universal  is  interested  in  the  Schine 
circuit.  E.  H.  Goldstein  denied  yes- 
terday his  company  was  concerned 
in  a  possible  outright  purchase. 


No  Action  on  Censors 

(Continued  from  Page  1) 
committee    files    its    report    with    the 
legislature. 

The  proposition  is  to  see  what 
this  committee  decides  relative  to  the 
consolidation  of  the  state  depart- 
ments. It  is  reported  that  the  Hugh- 
es committee  will  not  recommend  the 
abolition  of  the  commission  entirely, 
but  will  recommend  that  the  func- 
tions of  the  censor  board  be  trans- 
ferred to  the  State  Department  of 
Education.  If  this  method  is  adopt- 
ed then  one  commissioner  will  be  ap- 
pointed by  Commissioner  of  Educa- 
tion Frank  B.  Graves.  He  will  have 
full  powers  and  supervision  of  in- 
spection and  licensing.  This  one 
commissioner  will  appoint  reviewers, 
and  a  clerical  force  sufficient  to  per- 
form the  duties,  much  after  the  ac- 
tivities of  the  present  commission  of 
three  members. 

It  is  expected  that  former  Mayor 
John  H.  Walrath  of  Syracuse,  who 
was  appointed  by  Governor  Smith  to 
succeed  George  H.  Cobb  as  a  mem- 
ber of  the  commission  is  likely  to  be 
the  head  of  the  commission  as 
rebrganized. 


Seeking  Data  on  Roosevelt 

Hermann  Hagedorn,  director  of  the 
Roosevelt  Memorial  Ass'n,  has  left 
for  the  Southwest  to  gather  material 
for  the  motion  picture  dealing  with 
Roosevelt  and  the  Rough  Riders  to 
be  produced  by  Paramount. 


"Honor  Roll"  for  100%  Members 
The  M.  P.  T.  O.  A.  will  establish 
for  its  units,  an  "Honor  Roll"  to  oc- 
cupy a  prominent  place  in  the  Offi- 
cial Bulletin.  Only  members  100% 
paid  up  are  eligible. 


Fred   Martin   Dead 

Atlanta — Fred  Martin,  well  known 
in  exchange  circles  in  the  Southeast, 
is  dead.  The  end  came  at  the  Er- 
langer  Hospital,  Chattanooga,  where 
he  had  been  ill  for  several  months. 


Banquet  for  Charles  Johnson 

A  testimonial  dinner  and  dance  will 
be  tendered  Charles  W.  Johnson, 
chief  mechanic  of  the  Fox  circuit,  at 
the  Astor  on  Saturday  night,  by  em- 
ployees. 


Sam    Spring   Vacationing 
Sam  Spring,  secretary  of  First  Na- 
tional, is  in  Hot  Springs,  Ark.,  on  a 
vacation. 


IF  YOU  ARE  IN  THE 
MA  Rff  FT  FOR  A  NV  RTWD  OF 

MOTION  PICTURE 
APPARATUS 

CONSULT  US- AND  ^AVE  MONEY 
SEND  FOR  OUR  PRICE  LIST 


Mofion  Picture  App.  Co..  Inc. 

Ownership  managemenl  C.G.  Willonshby.  Inc. 

no  West  32nd  St..  New  York 
Phone    Penn.    6S64 


"Bicycling"  Is  Out 

(Continued  from  Page  1) 
River  Falls,  Trempelow.  West  Salem, 
Arcadia,  Humbert  and  Melrose,  Wis., 
bicycling  tactics  employed  bv  the  ex- 
hibitor were  disclosed,  resulting  in  a 
severe  arraignment  of  Scott,  by  W. 
A.  Steffes.  The  exhibitor  admitted 
he  had  "bicycled"  pictures. 

Futher  evidence  of  "bicycling"  by 
any  exhibitor  will  result  in  criminal 
prosecution,  the  arbitration  board 
warned,  serving  notice  that  its  best 
efforts  are  to  be  devoted  to  a  cam- 
paign to  stamp  out  the  bicycling  evil. 

Scott  testified  that  he  had  lost  the 
lease  of  the  Marinuka  at  Galesville, 
the  theaters  involved  in  the  dispute 
with  P.  D.  C,  but  agreed  to  make  an 
out  of  court  cash  settlement  to  pre- 
vent decision  by  the  arbitration  board. 


All  Set  for  "M.  P.  Carnival" 

Plans  for  the  third  annual  "Motion 
Picture  Carnival"  of  the  Film  Mutual 
Benefit  Bureau,  to  be  held  on  Feb.  3 
at  the  Hotel  Plaza,  have  been  com- 
pleted. Proceeds  of  the  affair  will  go 
towards  the  Kentucky  committee  for 
mothers  and  babies,  according  to  the 
Film   Bureau. 


The  consolidated  income  account  of 
the  M.  P.  Capital  Corp.  for  eleven 
months  ended  Nov.  30,  1925,  follows: 
Total  income  $431,856;  expenses  and 
interest  $154,517;  federal  taxes  $37,- 
345;  net  income  $239,994;  preferred^ 
dividends  $52,272;  surplus  $187,722. 
The  consolidated  balance  sheet  fol- 
lows: 


New  Twist 

(Continued  from  Page  1) 
not  violate  the  statute,  inasmuc 
he  operated  his  theater  after  st 
on  the  Sundays  on  which  h 
charged  with  a  violation.  Judge 
set  forth  in  his  decision  that  the 
clearly  defines  that  theaters,  when 
crating  on  Sunday  for  profit,  are 
legal.  But,  according  to  Judge  B 
a  decision  of  the  Supreme  Court! 
fines  the  legal  hours  of  Sunday 
being  between   sunrise   and   sunsej 

It  is  believed  that  this  decision 
be  a  precedent  for  action  through 
the  State,  as  the  question  of  opera' 
on  Sunday  evenings  has  long  be« 
mooted  question. 


I 


Rosher  Recovers  from  Inj 

According       to       Berlin       advi 
Charles  Rosher  dislocated  his  s 
der    when    stepping    from    a    ta: 
recently.     He  has  entirely  recover 


Oklahoma  City  Leads  in  Drive 

With  only  two  weeks  more  to  ; 
Oklahoma  City  occupies  first  pi: 
in  the  sales  drive  being  conducted 
First  National. 


Flaherty  at  A.  M.  P.  A.  Tomorrt 

Robert    J.    Flaherty,    producer 
'Nanook"  and  "Moana,"  will  addn 
the    A.    M.    P.    A.    tomorrow    at   I 
Hofbrau. 


,     Kane  Buys  Stringer  Story 

'  "The  Wilderness  Woman,"  by  i 
thur    Stringer,    has    been    bought 
Robert   T.   Kane,   for   First   Natiot 


release. 


We  announce 
the  opening  of  the 

WARD  CINE  LABORATORY,  ik. 

216-222  Weehawken  Street 
Union  City,  N.  J. 


Telephone:  UNION  4800 


Negative  Developing   and    First    Prints 

Release  Prints 

Complete  Title  Service 

Amateur   Cine  Film   Developing    and    Printing 


G.  BERT  WARD,  President 


rto 


i^  you  cashing  in 
On  the  amazing  rise 
To  Box  Office  Popjilarity 
OF  this  man 


RAYMOND  GRIFFITH? 


Bve  hits  in  a  row  ^^^11^ 

And  NOW 

^^m.  ll!!iUllll|  ,111  iji,         liffiL  «l  llil  l'«  .lilt      i!il 


HANDS  up/ 

(CLARENCE  BADGER  PRODUCTION.  With  MARION  NIXON,  VIRGINIA  LEE  CORBIN,  MONTAGU  LOVE, 

MACK  SWAIN.  9hm  the  story  by  REGINALD  MORRIS  -    Screen  play  by  MONTY  BRICE  and  LLOYD  CORRIGAN) 

A  Ready- to -Play 


\^ 


M 


Universal  tested  it  at  the  box  office  and  no 


)ii 


LJ 


^ 


\- 


READ  WHY  THIS  GREAT  PICTURE 
IS  BEING  RE -RELEASED! 

Hundreds  of  exhibitors  repeatedly  ask  Universal  to  re-release  "Outside  the  Law".  In  anfiwer  to 
an  unprecedented  demand  Universal  finally  decides  to   re-release  it. 

A  hard-boiled  Universalite  asks,  "How  about  its  box  office  power  today?"  And  so  Universal 
answers  its  own  question  by  putting  the  picture  to  the  hardest,  the  most  exhaustive,  the  most 
conclusive  test  possible.  Just  to  prove  that  the  picture  is  all  that  any  exhibitor  could  ask  for — 
to  prove  that  it   is  more  than  most  exhibitors   expect.      Read  what   happened : 

At  the  Cameo  Theatre,  m  Pittsburgh,  one  of  the  toughest  show 
towns  in  the  country,  without  advance  paper  or  advertising  or 
exploitation,  without  special  presentation  or  accompansring  fea- 
tures, in  the  worst  weather  of  the  Winter  (cold,  wind,  snow,  sleet, 
rain)  this  picture  HAS  JUST  BROKEN  EVERY  HOUSE 
RECORD  FOR  ATTENDANCE  AND  RECEIPTS— EXCEPT 
THOSE  PREVIOUSLY  ESTABLISHED  BY  "THE  PHAN- 
TOM OF  THE  OPERA." 

That's  why  one  of  the  greatest  box  office  successes  the  industry  has  ever  produced  is  now  ready 
to  be  re-released — now  ready  to  clean-up  again  for  every  exhibitor  everywhere 


Pi 

PRIXCILLA 


Sup; 


Directed 


UNIVERSAL    JEWEL 


L.\ 


A 


pu  the  great  sensational  clean-up 


EVERYTHING  fiEW— Prints— Paper 
Accessories — Press  Books! 

Everything  is  new  on  this  picture — all  the  way  from  new  prints  to  new  acces- 
sories of  all  kinds.  A  line-up  of  powerful  box  oiiice  aids  unsurpassed  for  color, 
action  and  every  element  of  box  office  appeal. 

Remember  what  this  picture  did  in  Pittsbtu-g,  one  of  the  most  difficult  show 
towns  in  the  whole  country,  under  conditions  that  were  positively  cruel, — and 
yet  "Outside  the  Law^'  came  through  with  the  second  finest  engagement  tha* 
that  theatre  has  ever  had.  And  that  without  the  new  prints,  new  accessories, 
new  everything  that  will  be  at  your  disposal  when  you  play  itl 

It  is  the  opportxmity  of  a  life-time  for  an  extra  clean-up;  another  tribute  tO| 
Universal   showmanship.     Now  booking  at  your  Universal    Exchange! 


Presented  by  CARL  LAEMMLE 


—s&^ 


OAILV 


Wednesday,  January  2 


"Guess  Who"  Contest 

Boston  Traveler  Offers  $5,000  in  Cash 

Audience  Picks  Names  of  Stars 

from  the  Screen 

Boston— The  "Guess  Who"  contest 
for  which  the  Boston  Traveler  is  off- 
ering total  cash  awards  of  $5,000  is 
now  in  its  last  week  at  Loew's  State 
and  Orpheum. 

There  are  six  pictures  in  the  "Guess 
Who"  series  which  are  being  state- 
righted  by  Weiss  Bros.,  of  New  York, 
but  only  four  were  shown  at  the  two 
Loew  theaters.  The  Traveler  has 
printed  blanks  daily  and  has  devoted 
considerable  space  to  the  contest 
since  the  en^  of  December.  The  aud- 
ience is  asked  to  identify  the  stars 
as  they  appear  on  the  screen.  All  re- 
plies are  to  be  held  until  the  fourtli 
subject    ends  its  run  this  week. 

Every  time  the  film  is  shown  at 
both  theaters,  there  is  sufficient  light 
to  see  the  guide  list  of  actors  which 
the  Traveler  has  published  for  each 
subject,  in  this  way  enabling  the  aud- 
ience to  jot  down  the  names  in  order 
of  their  screen  appearance.  This,  of 
course,  means  increased  circulation 
and  represents  the  newspaper's  inter- 
est in  the  contest.  The  players  on  the 
screen  are  not  masked.  Each  goes 
through  a  piece  of  business  and,  in 
some  instances,  stars  actually  ask 
from  the  screen:  "Guess  Who?" 

Persons  connected  with  the  indus- 
try are  not  eligible.  There  will  be 
$20  in  gold  to  each  of  ten  contest- 
ants; $10  each  lo  40  more  and  $5  each 
to  154  more.  The  grand  prize  will  be 
a  Chrysler  sedan;  and  other  prizes, 
various  articles  of  merchandise  do- 
nated by  store  keepers. 

According  to  Louis  Weiss,  similar 
tie-ups  are  under  way  in  Milwaukee, 
Philadelphia  and  Detroit.  Fox's 
Washington  has  booked  the  series  for 
the  latter  city.  In  Philadelphia,  he 
stated,  the  contest  has  been  _an- 
nounced  over  the  radio  by  "Eno"  of 
the   Gimbel  Store   station. 

Weiss  said  150  stars  of  all  compan- 
ies appear  in  the  entire  six  releases 
and  added  the  contests  are  to  be  de- 
veloped at  the  discretion  of  newspa- 
pers in  each  city.  Where  they  do  de- 
velop, he  imagines  the  prizes  in  the 
main,  will  be  merchandise  and  not 
cash.  Jack  Eaton  left  for  Denver  last 
night  to  place  the  series  in  distribu- 
tion in  that  territory. 

Contracts  with   Loew   Houses 

Contracts  for  the  lobby  frames  and 
ticket  booths  have  just  been  closed 
by  the  Stanley  Frame  Co.  for  the  new 
Loew  houses  in  New  Orleans  and 
Norfolk.  Both  the  State,  New  Or- 
leans, a  3600-seat  house,  and  the  Nor- 
folk, seating  2400,  are  from  plans  by 
Thomas  Lamb  and  will  both  ooen 
shortly. 


Branham  Joins  Universal  Theaters 
Atlanta — Charles  G.  Branham  has 
resigned  as  manager  of  the  Howard 
to  join  Dan  Michalove  in  the  opera- 
tion of  Universal's  Southern  theaters. 
Headquarters  not  announced. 


Ex-Kaiser  in  Pathe  News  Reel 
Pathe  News  No.  7  and  8  contain  in- 
teresting shots  of  ex-Kaiser  Wilhelm 
at  Doom. 


Tax  Appeal  Fails 

No  Review  for  Connecticut  Law,  but 
Industry    has    Complete    Under- 
standing with  State 

New  Haven — An  effort  to  have  the 
United  States  Supreme  Court  review 
the  law  imposing  a  tax  on  prints  has 
failed.  However,  in  view  of  the  under- 
standing existing  between  Will  H. 
Hays  for  the  industry  and  Governor 
Trumbull  for  the  state,  the  rejected 
appeal    carries    no   weight. 

The  industry  is  paying  the  tax 
and  will  continue  to  do  so  until  the 
Connecticut  legislature  meets  early 
in  1927.  At  that  time,  a  complete 
repeal  is  looked  for. 

Notice  came  yesterday  to  the  clerk 
of  the  Supreme  Court  here,  denying 
the  petition  of  the  American  Feature 
Film  Co.  of  Boston  for  an  appeal 
from  the  decision  of  the  U.  S.  Court 
of  Appeals  which  held  the  law  con- 
stitutional. 

Originally  Fox  Film  of  New  York 
was  a  party  to  the  action,  but  with- 
drew. The  complaint  was  that  the 
law  was  one  of  police  powers  rather 
than  a  revenue  measure.  Instead  of 
having  the  issue  tried  out  in  the  dis- 
trict court  the  matter  went  by  agree- 
ment to  a  constitutional  court  con- 
sisting of  three  Federal  judges,  who 
decided  for   the   State. 


Smith  Heads  Milwaukee  Board 

Milwaukee — G.  A.  Smith  is  the 
newly-elected  president  of  the  Film 
Board  of  Trade.  Other  officers  are:' 
Frank  De  Lorenzo,  vice-president; 
Max  Stahl,  treasurer;  John  Ludwig, 
sergeant-at-arms,  and  Ben  Koenig, 
executive  secretary.  New  members 
of  the  Arbitration  Board  include: 
Smith,  chairman;  Edward  Dollen- 
ford,  Sam  Shurman,  J.  Frackman  and 
De  Lorenzo. 


Waug,  District  Manager  for  Saxe 

Milwaukee — Howard  Waugh,  man- 
ager of  the  Alhambra,  has  been  pro- 
moted to  district  managership  for  the 
Saxe  Amusement  Enterprises. 

Saxe  will  build  a  new  $500,000  the- 
ater in  Kenosha,  Wis. 


Preparing  Vehicle  for  Fields 

While  Edward  Sutherland,  who  is 
to  direct  W.  C.  Fields  in  "The  Old 
Army  Game"  speeds  Eastward  from 
the  Coast,  Luther  Reed  and  Tom 
Geraghty,  are  on  their  way  to  Chi- 
cago where  to  confer  with  director 
and  star.  Actual  filming  starts  here 
Feb.  15. 


New  $1,000,000  Bronx  Theater 

John  J.  Tully,  Alexander  Selkim 
and  David  Mintz  have  purchased 
property  on  Allerton  Ave.,  at  Cruger 
and  Holland  Aves.,  for  a  2,000-seat 
theater,  stores,  bowling  alleys  and  of- 
fices. It  will  cost  over  $1,000,000.  At 
present  they  are  finishing  the  Park- 
hill,  in  Yonkers. 


McNamee  Replaces  Bartlett 

Edward  ("Ed")  McNamee  has 
been  appointed  sales  promotion  direc- 
tor for  F.  B.  O.  He  succeeds  R.  K. 
Bartlett.  recently  resigned. 


F.  &  R.'s  New  State  Opens 

^'Minneapolis — Finkelstein's  &  Ru- 
ben's new  State  theater  opened  last 
night. 


Mussolini  Film 

Fascist   Movement   and    Italian    Pre- 
mier   Basis    of    Film    In    Which 
Harry   Durant  is   Interested 

Harry  C.  Durant,  father  of  the 
Connecticut  tax  law,  is  now  at  Nice 
and,  according  to  the  Herald-Tribune, 
is  discussing  a  film  depicting  the  life 
of  Premier  Mussolini  and  the  history 
of  the  Fascist  movement  to  be  pro- 
duced by  a  group  of  New  Yorkers. 
He  said  that  he  had  seen  Mussolini 
and  had  about  completed  the  arrange- 
ments for  making  the  picture  next 
summer.  He  said  that  no  commer- 
cial interests  were  involved. 

Durant  stated  the  idea  of  preserv- 
ing the  career  of  the  Italian  dictator 
originated  some  time  ago  and  that 
he  had  been  working  on  the  plans 
since  last  fall.  The  author  of  the 
story,  which  will  be  the  background 
of  the  film,  has  not  yet  been  decided, 
but  Durant  said  that  his  choice  would 
be  either  D'Annunzio  or  Richard 
Washburn  Child. 


Series  of  "Strand  Frolics" 

Joseph  Plunkett  is  planning  the 
production  of  a  series  of  "Mark 
Strand  Frolics  of  1926."  "The  Reck- 
less Lady"  goes  into  the  Strand  Sun- 
day. 


Tom  Mix  at  Rialto 

Tom   Mix   in   "The  Yankee   Senor" 
will  qro  into  the  Rialto  on  Sunday. 


'American   Venus"  at  Rivoli 

"The  American  Venus"  will  be  at 
the  Rivoli,  starting  Sunday,  also  the 
fifth  of  the  John  Murray  Anderson 
revues,   "Garden  of  Kama." 


Preview  of  "Just  Suppose" 

A  preview  of  "Just  Suppose,"  to 
be  followed  by  a  dinner-dance  will 
be  held  tonight  at  the  Plaza,  the  pro- 
ceeds going  to  charity. 


New  Cranfield  &  Clarke  Series 

A  new  series  of  two-reelers,  based 
upon  paintings  by  famous  masters 
will  be  released  by  Cranfield  & 
Clarke.  The  first  is  "The  Angelus," 
by  Millet,  and  the  second  "The  Doc- 
tor," by  Fildes.  They  are  the  first  of 
12. 


F.  B.  O.  Housewarming  Friday 
F.  B.  O.  will  hold  a  housewarming 
in  its  projection  room  at  1560  Broad- 
way on  Frid^ -  at  4  P.  M.  "Flam- 
ing Waters,"  and  "Mazie's  Married" 
will  be  shown. 


Whittaker  Scenarist  on  "The  Nest" 
Charles  E.  Whittaker  has  been 
engaged  to  write  the  scenario  on 
"The  Nest,"  selected  by  Excellent 
Pictures  as  the  first  Pauline  Frede- 
rick  vehicle.      Will   Nigh   will    direct. 


Pay  $200,000  for  Bronx  Theater 

Boris  and  Keller  have  purchased 
a  theater  and  14  stores  at  Westches- 
ter and  Forest  Aves.,  and  156th  St., 
held  at  $200,000. 


Barthelmess  111 

Richard  Barthelmess  has  the 
grippe,  and  is  not  expected  to  return 
to  work  for  a  week. 


Presentations 

A  feature  dealing  with  th 
ner  in  which   first-runs   buii 
programs  and  written  from 
gle  of  one  who  sits  out  from 

Designed  solely  J  or  the  pui^^ 
conveying   to  exhibitors  ideat 
used,  in  developing  their  own 
Rivoli 

Unit  No.  1. — Overture:  "P< 
Peasant,"  Von  Suppe.  Tii 
minutes. 

Unit  No.  2.— "Man  or  II) 
Film  novelty  presented  by  I 
Pictures.     Time,  7  minutes. 

Unit  No.  3.— Eddie  Elkins  a 
Melody  Mixers,  (a)  George 
win's  "Rhapsody  in  Blue"  a; 
"Sometime."  For  the  last  i 
the  house  is  darkened  and  in  i 
to  the  rear  of  the  stage  is  seer 
ture  of  an  old  couple  seated  at 
place.  The  scene  fades  into  an 
setting  with  the  old  man  ; 
"Sometime"  on  the  cello  and  ' 
lady  knitting.  At  the  comple. 
the  number  the  actual  scene  fsf 
to  the  painted  scene  again.  T 
minutes. 

Unit  No.  4. — Harold  Ramsay 
organ    playing    "Sleepy    Time 
Words  flashed  on  screen  with 
panying    comedy    cartoon.      Ai 
invited  to  join   in  the  chorus. 
4  minutes. 

Unit  No.  5.— Rivoli  Movi 
Time,   8   minutes. 

Unit  No.  6.— "Skylarks" 
Murray  Anderson's  presentatid 
ting  of  futuristic  design  witl 
clock  face  in  center  of  spread.  . 
drop  sky  effect  with  large  fulll 
Company  of  about  twenty  in  J 
of  costumes  with  entertainmet 
sisting  of  dance  numbers,  voct 
and  finishing  up  with  a  J^ 
group  of  flying  acrobats.  Ti 
minutes. 

Unit  No.  7.— Feature:  "Hanr 
Time,  67  minutes. 

Unit  No.  8.— "Topics  of  the 
Time.  4  minutes. 


In  the  Courts 

A  suit  has  been  filed  in  t 
preme  Court  by  Albert  M 
against  William  O.  Hurst,  to  i 
$5,000  paid  for  stock  in  Hursi 
The  plaintiff  sues  on  the  grou; 
he  had  advanced  the  money  ( 
resentations  by  Hurst  that  1 
ready  to  make  a  film  from  th 
by  George  V.  Hobart,  "Lo^ 
Laughter,"  adapted  from  th. 
"It's  Up  to  You,  John  Henn 
that  Bobby  Clarke  and  Paul  ' 
lough  had  been  engaged  as 
The  plaintiff  alleges  that  the 
sentations  were  false  and  tf 
picture  was  not  made. 

The  case  came  before  S 
Court  Justice  Glennon  on  an  i 
tion  to  strike  out  the  answer, 
alleges  that  the  plaintiff  bouf 
stock  with  full  knowledge 
facts,  was  appointed  treasure 
knew  that  the  money  was  to 
vested  at  the  risk  of  the  busine 
used  for  general  expenses, 
court  refused  to  strike  out  t 
swer. 


Roche  Quits  Warners 
Los  Angeles — John  Roche  1 
minated    relations    with    Warn 
mutual  consent. 


^y,  January  20,  1926 


^; 


Announcing 

the 

.    Premiere 

of  the 

HERBERT  WILCOX  PRODUCTION 

DOROTHY  GISH 

in 

NELL  GWYN 


to  an  invited  audience  at  the 

Ritz  Carlton  Hotel 

New  York,  January  25th  at  8:30  p.  m. 


<«)>>- 


Introducing  a  new  personality 

NELL  GWYN,  the  Box  Office  Girl 

British  National  Pictures,  Ltd.  J.  D.  Williams,  Managing  Director 


THE 


10 


j2^ 


DAILY 


Wednesday,  January  J 


Newspaper  Opinions 
New  York 

"The  Sea  Beast" 

Warner  Bros. 

Warners 

AMERICAN— Another  saga  of  the  seas, 
glorying  as  much  in  the  brutality  as  in  the 
glamour  of  old  whalingr  days,  *  *  *  "The 
Sea  Beast"  is  a  grim  tale,  relieved  by  some 
terrifying  whaling  adventures  and  several 
beautifully  played  love  scenes. 

*  •  •  John  Barrymore  has  never  seemed 
so  human  before,  indulging  in  slapstick  bits 
and  running  up  and  down  riggmgs.  His 
contortions  in  the  agony  scenes  might  well 
have    been    spared,    however.    •  *  * 

DAILY  MIRROR  —  *  •  •  is  aU  Jolm 
Barrymore.  John  of  the  incomparable  pro- 
file, John  the  flaming  lover,  John,  the  half 
insane  whaler  despot,  with  his  hair  matted 
and  hanging  in  his  eyes,  John  Barrymore 
realizes  in  his  current  photoplay  offering  a 
magnificent  histrionic  achievement.  You  will 
be  thrilled  or  you  will  be  upset  by  this 
photoplay.       It    steers    no     half-way     course. 

•  *  • 

DAILY  NEWS — *  *  *  on  which  you  may 
spend  all  the  praises  at  your  command  and 
still  feel  that  you  haven't  done  the  piece 
more  than  half  justice.  •  *  •  confronts  you 
with  one  of  the  most  ghastly  scenes  ever 
screened  and  it  leaves  you  creepy  with  hor- 
ror. And  yet  the  suggested  process  of  cau- 
terizing the  stump  of  Ahab's  severed  leg  is 
less  moving  than  the  torture  depicted  in 
the  lines  of  Barrymore's  face  as  the  black- 
smith on  board  the  whaler  sears  the  wound 
with   irons   glowing   from   the   forge.    •  •  * 

EVENING  JOURNAL—*  •  *  John  Bar- 
rymore does  some  excellent  acting  and  the 
trend  of  the  tale  gives  him  an  opportunity 
to   do  a   "Dr.   Jekyll  and   Mr.   Hyde."    *  *  * 

The  sea  scenes  are  spectacularly  thrilling, 
and  the  furious  lashing  of  the  wa'ves  and  the 
overpowering  storm  are  marvelously  done. 
«  »  « 

EVENING  WORLD— •  •  •  it  is  good 
drama,  and  the  final  embrace  of  the  lovers 
brought  rousing  applause  such  as  is  rarely 
evoked  from  an  audience.  •  *  *  it  was  a 
Barrymore  starring  vehicle,  and  he  made 
the  most  of  it.  His  agonies  when  his 
wounded  leg  was  seared  with  a  red-hot 
harpoon  were  almost  too  realistic.  His  mad- 
ness was  convincingly  more  than  mere  make- 
up.    "The   Sea   Beast"   is   well   worth   seeing. 

•  •  • 

GRAPHIC—*  *  *  "The  Sea  Beast"  is  a 
whale  of  a  tale.  It  has  plenty  of  action, 
suspense,  thrills.  Jealousy,  revenge  and  love. 
The  atmosphere  is  convincingly  real  and  the 
east   excellent.     A   gripping  story   well   done. 

•  «  • 

HERALD-TRIBUNE  — •  •  *  No  doubt 
"The  Sea  Beast"  will  be  referred  to  by  every 
one  as  a  magnificent  production.  No  doubt 
it  is.  But  to  us  it  was  a  painful  and  ofttimes 
horrifying  experience.  We  simply  cannot  en- 
joy seeing  John  Barrymore  having  his  leg 
torn  off  by  a  whale  and  then  watch  his  com- 
panions dragging  him  back  into  the  boat 
with  the  bloody  stump  hanging  around  as 
the  wounded  man  froths  at  the  mouth,   •  •  * 

If  one  ever  doubted  it  before  he  must  now 
admit  that  John  Barrymore  is  as  great  a 
make-up    artist   as    Lon    Chaney.    •  •  • 

MORNING  TELEGRAPH—*  *  *  one  of 
the  most  powerful  and  virile  character  ever 
seen  on  the  screen.  His  mad  sea  captain 
in  "The  Sea  Beast"  is  a  fine  achievement 
for  Barrymore,  and  from  the  standpoint  of 
production  a  tremendous  victory  for  Warner 
Bros.  *  *  *  a  fine  and  dignified  production, 
filled  with  the  salt  tang  of  the  sea  and  il- 
lumined with  the  glory  of  young  love.   •  *  • 

SUN — *  *  *  confesses  to  a  typical  movie 
heroine  and  to  an  incurable  case  of  movie 
romantic  love — which,  among  other  things, 
are  not  to  be  found  in  the  Melville  book. 
*  *  *  I  think  that  the  Warner  Brothers 
have  a  picturesque,  melodramatic  success  on 
their  eight  hands.   •  •  • 

"The  Sea  Beast"  is  picturesque  romantic 
melodrama — interest  in  which  is  heightened 
by    Mr.     Barrymore's    very    effective    acting. 

TELEGRAM  —  •  •  •  After  the  picture 
ended  its  vigorous  scenes  of  old  whaling  days, 
waves  of  applause  swept  the  theater.  You 
will  go  away  haunted  by  Barrymore's  eyes, 
that  can  turn  a  whimsical  young  scamp  into 
something  of  a  sea  beast  himself.   •  •  • 

His  face  also  is  radio-active  in  aiding  Bar- 
rymore to  play  at  least  four  different  men 
throughout  the  story.  No  one  can  equal  the 
isturine  cast  of  his  countenance.   •  *  * 

TIMES-;*  *  *  Mr.  Barrymore's  real  tri- 
umph in  this  photoplay  comes  in  the  second 


half  of  the  picture,  for  he  has  a  great  oppor- 
tunity as  the  grim  master  of  a  whaler  with 
a  mixed  crew  of  half-mad  yellow,  white  and 
black  scum.  *  *  * 

The  exploits  with  the  whale  are  not  as 
effective  as  they  might  be,  and  virtually  all 
one  perceives  of  the  monster  is  its  tail  splash- 
ing  in   the   water.    •   *   * 

This  is  a  good  production  and  one  which 
contains  much  interest,  but  it  is  not  a  great 
photoplay. 


Out-of-  Town 

"Stella  Dallas"— United  Artists 
Colonial,  Boston 

GLOBE-^*  *  *  Henry  King,  the  director, 
is  too  good  a  showman  not  to  use  comedy 
relief — but  the  sheer  beauty  and  poignancy 
of  the  film  created  an  impression  that  is  hard 
to    forget.    •  •  • 

HERALD — *  *  *  Under  the  direction  of 
Henry  King,  what  was  originally  a  com- 
monplace novel  with  a  poignant  theme,  has 
been  made  into  an  admirable  gentle  film, 
smoothly  and  intelligently  done,  and  excel- 
lently acted.  *  •  *  are  few  film  characteri- 
zations as  poignant  and  roundly  conceived 
as  those  of  Belle  Bennett  as  the  buxom 
Stella,  and  of  Lois  Moran,  as  Laurel.  •  *  ♦ 

POST—*  *  *  "Stella  Dallas,"  the  great- 
est mother-love  story  ever  filmed.  *  *  *  It 
is  a  beautiful  and  heart-rending  picture  of 
the  love  between  a  mother  and  her  daughter. 
*  *  *  Belle  Bennett  gives  one  of  the  great- 
est screen  performances  of  all  time  as  Stella 
Dallas.   *  *  * 

TRANSCRIPT—*  *  *  the  fine  touch,  the 
delicate  etching,  of  Mr.  Henry  King,  who 
in  two  hours  on  the  screen  tells  the  story 
of  this  mill  girl  from  the  time  that  she  met 
the  young  barrister,  trying  to  forget  another 
love  and  happier  surroundings,  until  she 
stands  on  the  sidewalk  in  the  rain  watching 
through  the  window  the  wedding  of  the 
daughter  of  their  marriage,  whom  she  has 
forsaken  for  the  daughter's  own  good.   *  •  * 

TRAVELER—*  *  *  A  well  directed  pro- 
duction with  a  cast  which  could  not  be  sur- 
passed. The  work  of  Belle  Bennett  as  Stella 
Dallas  is  one  of  those  things  that  happen 
just  about  once  in  a  cinema  year.  She  has 
made  a  most  sympathetic  character  of  Stella. 


Censorship  Arouses  Pastors 

Birmingham,  Ala.  —  The  present 
censorship  of  films  used  in  theaters 
of  Birmingham  will  be  the  subject 
of  an  investigation  by  the  social  ser- 
vice committee  of  the  Pastor's  union 
of  the  Birmingham  district,  accord- 
ing to  a  decision  reached  at  a  meet- 
int?  of  the  union. 

The  union  determined  to  investi- 
gate especially  the  work  of  the  "bet- 
ter films  committee"  in  connection 
with  the  pictures  approved  for  local 
use.  The  decision  followed  an  ad- 
dress before  the  union  by  Mrs.  Du- 
pont  Thompson,  social  and  religious 
leader,  in  which  she  charged  that  the 
city  ordinance  under  which  pictures 
are  censored  "is  not  accomplishing 
the  desired  results." 


Seven  Units  Chartered  in  Illinois 

Springfield,  111. — Marked  increase 
in  corporate  activity  in  Illinois  is 
shown  by  the  chartering  of  seven 
companres  last  week,  to  do  business 
in  this  industry.  They  include  the 
Manor  Amusement  Co.,  Manor  The- 
ater Co.,  Maywood  Amusement  Co., 
Crystal  Theater  Co.,  I.  &  I.  Theaters 
Corp.,  Tiffin  Amusement  Co.  and  the 
Lido  Theater  Corp. 

The  Randolph  Operating  Co.  of 
Chicago,  was  dissolved. 


Albany,  N.  Y.— The  Wycko  Pro- 
jector Corp.,  of  New  York  City,  has 
increased  its  capital  from  1,000  shares 
to  21,000  shares,  of  which  1,000  have 
par  value  of  $100  each,  and  20,000 
common  shares  with  a  par  value  of  $5 
each. 


Hunter  Wkyes,  president  of  the 
Wyko  Projector  Corp.,  of  130  W. 
46th  St.,  has  purchased  the  entire 
stock  of  Sept  Cameras,  formerly 
owned  by  the  Sept  Cinema  Camera 
Dist.,  Inc.  They  are  to  be  sold  in 
conjunction  with  the  Wyko  Projector, 
a  new  still  picture  projector  using 
short  lengths  of  standard  non-flam 
film  instead  of  the  slides  now  in  use. 

The  Wyko  company  specializes  in 
preparing  industrial  films  for  com- 
mercial and  manufacturing  concerns. 
In  addition,  a  service  is  being  estab- 
lished which  will  give  access  to  a 
complete  film  library,  either  in  black 
or  white  or  in  colors  covering  all  the 
subjects  of  the  visual  education  field. 

Binghamton  Licenses  Expire  Jan.  31 

Binghamton,  N.  Y. — All  theatrical 
licenses  in  the  city  expire  on_  Jan. 
31,  and  an  ordinance  will  be  intro- 
duced in  the  Common  Council  fixing 
the  license  fee  for  1926.  The  prices 
to  be  fixed  are: 

Stone,  $225;  Binghamton.  $225; 
Strand.  $225;  Symphony,  $175;  Star, 
$175;  Regus,  $100;  Lyric,  $100;  Citi- 
lyne,  Happy  Hour,  Court,  Laurel, 
Hider.  Grand  and  Peoples  theaters, 
$75.     They  will  expire  Jan.  31.  1927. 


"Unclean"  Films  Attacked 
Des  Moines — An  attack  on  the  in- 
dustry and  particularly  on  companies 
which  permit  the  production  of  un- 
clean plays  that  exploit  crime  and 
lower  the  standard  of  morals  was 
made  by  Mrs.  Ida  ^.  Wise  when  she 
addressed  the  P.  T.  A.  on  "Mobilizing 
for  Better  Moving  Pictures." 


New  Exchange  in  Milwaukee 

Milwaukee  —  Premier  Films,  Inc., 
has  been  organized  to  operate  an  ex- 
change here.  John  A.  Ludwig,  of  the 
Ludwig  Film  Exchange,  is  secretary- 
treasurer. 


Rubini  in  New  York 

Jan  Rubini,  who  has  been  musical 
conductor  at  the  Howard,  Atlanta, 
has  been  called  back  here  for  another 
appointment. 


Fleischer  to  Tour  East 

Max  Fleischer,  president  of  Red 
Seal  Pictures  and  the  Out-of-the-Ink- 
well  studios,  plans  a  short  tour 
throughout  the  East  to  visit  a  num- 
ber of  first  run  exhibitors. 

Dave  Fleischer,  of  Out-of-the-Ink- 
well  stuios.  is  editing  a  series  of 
novelties  which  may  be  released  late 
this  spring. 


Imperial  Palace  to  Be  Filmed 

Tokio — Pictures  will  be  made  of 
the  Imperial  Palace  and  distributed  by 
the  Government  to  various  public 
bodies  and  associations.  Heretofore 
the  public  has  not  been  permitted  to 
view  the  interior. 


Inter-Ocean   Increases   Capital 
Albany,   N.   Y.  —  An   increase   in 
capital   of  from  $100  000  to  $375,000 
has    been    filed    by    the    Inter-Ocean 
Film  Corp.,  New  York. 


Back  in  March 

Harry  M.  Warner,  who  is  en  route 
to  Eurone,  will  return  to  New  York 
March  2. 


"Crying   Room"   in    Omaha 

Omaha  —  A  feature  of 
Minnc  Lusa, 'which  will  be  e 
the  corner  of  30th  and  Titus 
Sam  Elewitz,  will  be  a  nurs 
ing  room"  on  the  second  flo< 
mothers  will  be  able  to  s 
their  children  and  yet  view  1 
only  plate  glass  separating  ■ 
from  the  main  auditorium.  ( 
Fisher  is  architect. 

The  theater  will  be  comple; 
March  1. 


i 


Sabbath  "Vaude"  Shows  to  i 

Patchogue,  N.  Y. — Sunda 
ville  shows  will  be  an  isst 
Patchogue  election  to  be 
March.  Several  years  ago 
paign  was  conducted  to  d' 
proposition  sponsored  b; 
Glynne,  of  the   Patchogue  t 

Ever   since    their   victory 
day    picture    supporters    ha' 
cated  and   spread    Sunday   -s 
propaganda. 

Missouri  Programs  Bro*! 
St.    Louis — Programs   of 
souri  are  being  broadcast  b 
KMOX.     Skouras    Bros,  ar 
those   interested   in   this   sta. 
largest  in  the  Central  Westi 
dio  has   been  fitted  out  on 
floor  of  the   Missouri  buildi 
which   the    programs    are   rr 
the  broadcasting  station. 


May   Lift   Sunday   B 

Pleasantville,  N.  Y.— At 
meeting  of  the  Board  of  Tr 
Pleasantville,  a  petition  waal 
ted  asking  that  they  permit] 
to  open  on  Sundays.  The  I 
ferred  action  to  ascertain  th 
of  the  public. 


Coast  Club  Meets  ;j 
Los  Angeles — The  motio  Ji 
division  of  the  California  Fl 
of  Women's  Clubs  met  re<p 
which  time  all  chairmen  ga-vji 
of  work  done  by  the  clubs,  c  ( 
zations,  and  discussed  their  la 
the  year. 


Wilton  Resumes  Old  ]j« 
Hamilton,  Ont.  —  H.  E 
who  was  manager  of  the  S 
til  the  Savoy  was  opened 
more  manager  of  the  St: 
Savoy  having  been  closed. 


Fruends  In  Another  1 

St.  Louis — Fruend  Bros.,* 
cently  disposed  of  the  C|i( 
Woodland  and  Kingsland 
St.  Louis,  are  considering 
a  large  recreational  building  i1 
and  Cherokee  Sts.,  on  the  sp 
Cinderella  Airdrome. 


$1,500,000   House   for   C  i 

Omaha — Plans  are  under  nl 
a  new  theater  to  cost  $l,50p| 
seat    2,500.      It    is    underst 
Eastern     capital     will     ope 
house. 


Kern  Busts  Two 

Sabath,  Mo.— O.  R.'Kernk 
chased  the  local  theaters  in  [ 
and  Nettleton,  Ark. 


Ire 


resented  by 

Associated 
Exhibitors  4 

Oscai  A.Price 

'President 


Presi 


Booked  for  a  ruru^ 
at  Paramount's  palatial 
St. Francis  Theatre,  Saru. 
Francisco,  home  of  long- 
run  pictures,  Beginninay 
Januarj^2^  ^^  ^  -^ 

Peggy  Hopkins  Joyce 

^^THE  SKYROCKET 

A  Marshall  Neilan  Pvoductioru. 

Fvowi  the  Cosmopolitan  Maqazine  Stovf  by  AdelaRogevs  StJohm  ^ 
Produced  b/ Celebrity  Pictures  Inc  [ 


mr*^.km*m-^  .«<H<-rf  ^  —  •• 


// 


\  / 


1 


" — One  of  the  most  pleasing  things 
he  has  done!" 


Harriette  Underbill  in  N.  Y.  Herald-Tribune 


Hit  up  the  Business  with  Barthelmess! 


rpHE  N.  Y.  Strand  is  getting  fast  action  at  the 
box-office  this  week.  "Barthelmess  scores 
again!"  That's  been  said  for  every  Barthelmess 
picture — and  it's  true  again  for  "Just  Suppose"! 
Barthelmess  SCORES! 


rpHRILLS  of  the  polo  fields  and  brilliant  romance 
put  "Just  Suppose"  among  the  big  winners  of 
First  National's  unbeatable  array  of  money-getters 
— the  greatest  line-up  the  Industry  ever  saw. 


bv. 


\. 


national 


FIIHTI  lOllOMM.  is  mnning  away  ^fh  it ! 


^^ 


\ 


iTHE 

<e  BRADSTREET 

IT  FILHDOM 


Authority 


No.  17 


Thursday,  January  21,  1926 


Price  5  Cents 


HE  COUNT 


By  DANNY 

ema"  of  London  reports: 
t    year    the    German    industry 
cd   122  films — the  British  pro- 
only  46." 
consider    these    figures,    As 
.  de    the   578   features   produced 
V  erica.      And    you    will    under- 
d,vhy  American  motion  pictures 

I  international  supremacy, 
true  that  of  the  great  quan- 

loduced  here,  many  were  poor, 
r  were  mediocre,  a  number,  were 

ad  indeed,  and  only  a  limited 
Ir  were  particularly  good;  with 
1  smaller  number  reaching  the 
i  at  mark. 

lit  in  comparison  with  pic- 
<'s  7nade  by  these  two  great 

II  tries  the  percentage  of 
, .  box  office  pictures  made 
I  1  irierica  easily  outstripped 
4>e  made  elsewhere. 

;  nation   which   makes   fine   pic- 

; — and  will  be — the  nation  that 

outstanding     importance     all 

the   world.      For   motion   pic- 

ire   unconsciously   the   greatest 

propaganda — for    nations,    for 

1  rce. 

I  A  New  Star 

!■  res  Costello,  whose  father  was 
great  star  at  one  time.     War- 
irothers     make     an     excellent 
f.   Her  work  in  "The  Sea  Beast" 
'.entitles  her  to  stardom  recog- 
k.  \%.\^ 

{Continued  on   Page  2) 


:tras"  Dissatisfied 

Circulated  on  the  Coast  Ask- 
nvestigation  Into  Operation 
Central  Casting  Bureau 
Angeles — Dissatisfaction    over 
erations   of   the    newly   created 
1   Casting   Bureau   is   evidenced 
etition  signed  by  "extra"  play- 
lo  ask  that  an  investigation  be 
ted  by  the  Hays  organization. 
Jacobs,  of  655  North  State  St. 
ted  the  petition. 

(Continued   on   Page   S) 


few  Ohio  Circuit 

mbus,  O. — Ten  theater  units 
ng  in  various  sections  of  the 
lave  combined  and  formed  a 
ompany,  incorporation  papers 
ich  have  been  granted  by  the 
iry  of  State. 

companies  involved  include  the 
:ton-Cinderella  Theater  Co., 
•Webber  Theater  Co.,  Sidney- 
ic    Theater    Co.,    Logan-Ruble 

{Continued  on    Page   5) 


Contract  Won't  Do 


T.    O.   C.   C.   Dissatisfied  with   Hays 

Agreement — Favors  I.   M.  P.  A. 

Form — Willing    to   Arbritate 

The  letter  regarding  the  uniform 
contract  which  was  sent  to  Will  H. 
Hays  several  days  ago  by  the  T.  O. 
C.  C.  was  released  for  publication  last 
night.  Its  general  tenor  has  already 
been  noted. 

Charles  L.  O'Reilly  declares  the  T. 
O.  C.  C.  special  committee  has  rec- 
ommended adopting  the  contract  form 
drawn  by  the  Independent  M.  P. 
Ass'n  as  against  the  revised  Hays 
contract.  The  objection  to  the  latter 
is  that  it  follows  the  contract  now  in 
use.  However,  in  order  to  enter  any 
discussion  with  an  open  mind,  the  T. 
O.  C.  C.  informs  Hays  of  its  willing- 
{Continued  on  Page  5) 

Rests  with  Hughes 

Republican  Machine  Awaits  Report — 

No  Place   Found  for  Censors, 

Fred  H.  Elliott  States 

Albany — There  is  reason  to  believe 
that  the  Republican  party  will  accept 
the  report  of  the  State  Government 
Reorganization  Commission  without 
any  change.  The  commission  is  ex- 
pected to  recommend  a  consolidation 
of  the  Motion  Picture  Commission 
with  any  other  bureau. 


Acting  upon  suggestion  of  Charles 
E.  Hughes,  head  of  the  Reorganiza- 
tion Committee,  Frederick  H.  Elliott, 

{Continued  on  Page  5) 


JWYN   the   Box    Office   Girl.      And   I 
fool    you.  Jaydee. — Advt. 


M.-G.-M.  Has  Novel  Reel 

Metro-Goldwyn-Mayer  on  Jan.  25 
will  release  a  "Masked  Players"  pic- 
ture for  exploitation  showing  in  lead- 
ing theaters.  Newspapers  in  many 
large  cities  will  cooperate  with  exhibi- 
tors in  putting  over  the  campaign. 
The  picture  is  in  five  reels. 


Estelle   Taylor   En   Route 

Hollywood — Estelle  Taylor  has  left 
for  a  brief  vacation  in  Miami  and 
Palm  Beach,  following  which  she  will 
continue  on  to  New  York,  arriving 
about  the  end  of  January.  She  will 
spend  a  week  there  and  stop  at  the 
Alamac. 


Increasing  Output 
London — The  Kodak  Co.  is  increas- 
ing   its    factory    facilities   at    Harrow. 
The    yearly    output    will    eventually 
total  about  800,000,000  ft. 


Gilda   Gray's    Next 

Gilda  Gray's  next  for  Famous  will 
be  "The  Woman  Thou  Art." 


The  Riesenfeld  Medal 

A  jury  of  exhibitors  will  be 
formed  within  4  few  weeks  to 
act  as  judges  for  the  Riesenfeld 
Gold  Medal,  to  be  awarded  for 
the  most  novel  short  subject 
shown  during  the  year  ending 
Sept.    1,   1926. 

The  first  medal  was  awarded, 
as  noted,  to  L.  Starewitch,  of 
Paris,  for  "The  Voice  of  the 
Nightingale,"  released  here  by 
Educational. 


Henry  King  Here 

Henry  King,  having  just  finished 
"Partners  Again — With  Potash  and 
Perlmutter,"  arrived  in  town  yester- 
day from  the  Coast  to  confer  with 
Samuel  Goldwyn  relative  to  new  ma- 
terial. 


Loew   to   Florida 

Marcus  Loew  returned  yesterday 
from  Washington  where  he  attended 
the  premiere  of  "The  Big  Parade" 
and    leaves    for   Florida   on   the   28th. 


Dolores    Costello    A    Star 

Hollywood — Warner  Bros,  will  ele- 
vate Dolores  Costello  to  stardom  in 
the  near  future. 


Charles  Christie  Arrives 

Charles    H.    Christie    reached    New 
York  yesterday  from  the  Coast. 


Here  for  Data 

Lord  Beaverbrook  Reported  in  New 
York  to  Secure  Information  for 

"Daily  Express"  Film 
Lord  Beaverbrook  is  reported  to 
be  in  New  York  from  London  in  con- 
nection with  the  £50,000  film  which 
his  paper  the  "Daily  Express"  will 
sponsor  as  a  test  of  British  produc- 
tion ability. 

Beaverbrook's    visit    is    being    held 

secret    and    inquiries   made   yesterday 

failed   to    establish    definitely   that   he 

had    arrived    in    New    York.      From 

{Continued  on  Page  5) 


Does    NELL   GWYN   know   about   love?     Yes, 
Yesl    Yes,    Yes  1    Box    Office  1    Jaydee— Advt. 


Lease  to  Publix? 

It  is  reported  yesterday  that  the 
big  theater  planned  by  the  Hollander 
Dye  Company  on  a  Park  Place  site 
adjoining  the  Loew  theater  in  New- 
ark has  been  leased  to  Publix  The- 
aters for  a  period  of  years. 

The  house  will  seat  about  4,000 
and,  according  to  comment  among 
{Continued  on  Page  5) 

Who  made  NELL  GWYN  famous?    The  king 
— of  English  directors,  Herbert  Wilcox. — Advt. 


Deal  on  for  "Kim" 

British    Nat'I    Pictures    Interested- 
John   Robertson   May   Finally 
Produce  "Calafia" 

J.  D.  Williams  and  George  T. 
Eaton  of  British  National  Pictures, 
Ltd.,  are  understood  to  be  negotiat- 
ing with  Maude  Adams  and  Joseph 
P.  Bickerton,  her  attorney,  for  the 
production  rights  of  Kipling's  "Kim," 
which  was  originally  to  have  been 
made  in  India  by  Meador-Robertson 
Prod.,   now   dissolved. 

Should  the  deal  go  through,  the 
picture  will  be  made  in  British  Na- 
tional's own  studio  near  London  on 
a  scale  commensurate  with  Williams' 
idea  for  all-British  pictures. 

Bickerton  is  also  negotiating  with 
another  producing  group  for  John  S. 
Robertson  to  direct  "Queen  Calafia," 
an  Ibanez  story  which  t*ie  director 
was  scheduled  to  make  in  Europe 
last   year.     Robertson   spent   a  good 

{Continued  on  Page  2) 


On  the  Ground 

Richard  A.   Rowland,  in   Hollywood, 

Enthusiastic  Over  First  National 

Product 

Hollywood — "In  all  my  visits  to 
the  Coast,  I  have  never  experienced 
so  much  genuine  activity,  so  much 
production  wealth,  so  much  enthusi- 
asm as  that  now  being  displayed 
among  the  West  Coast  units  of  First 
National,"  declared  Richard  A.  Row- 
land, president,  who  is  here  watching 
production. 

"We  are  in  the  midst  of  manufac- 
turing pictures  that  will  give  our 
sales  force  ammunition  to  go  out  and 
fairly  shoot  up  the  field."  he  says. 
"They  can't  go  wrong  with  the  list 
of  pictures  and  stars  that  is  theirs 
for  the  coming  season.  The  man- 
agers should  feel  highly  pleased  with 
this  schedule  and  the  salesmen  in 
turn  should  go  out  with  the  thought 

{Continued  on  Paiie   5) 


10,000  New  Seats 

In  Cleveland— 8  New  Theaters  Built 

In  1925— About  135  Houses  in 

Entire  City 

Cleveland — Eight  new  picture  the- 
aters were  built  during  1925,  adding 
10,000  new  seats  to  the  city's  total. 
The  new  houses  are  the  Cedar,  Lee 
in  Westpark,  Cameo,  Broadway,  Ritz, 
Ambassador,  Hough  at  79th  and 
Hough  at   Euclid. 

The  additions  bring  the  total  of 
picture  theaters  in  Cleveland  up  to 
about  135  with  a  total  seating  capa- 
city of  over  105,000. 


NELL    GWVN    leads    Dorothy    Gish    to    bril- 
liant stardom.     Sure  as  you  live  I  Jaydee.— Ad\t. 


fN£ 


■?* 


j^^ 


DAILY 


Thursday,  January  21, 


Vol XXXV No.  17    Thursday, lan. 21, 1926^ j PriciSCents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1550  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terras  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
francaise,   5,  Rue  Saulnier. 


Quotations 

Hieh    Low    Close     Sales 

Balaban   &  Katz   ..   67         66fi     67  

Eastman  Kodak  ..109  108J4  108^  300 
Famous    Players    ..106Ji   104^4    106         4,200 

Fam.   Play.    Pfd Not  quoted 

Film  Inspection   ...     6  5^       6  500 

First   Natio.ial    Not  quoted 

Fox  Film  "A"  ...  755/^  77}4  79^  4,600 
Fox  Theaters   "A".   32         30}^     32         9,000 

International    Projector    Not  quoted 

Loew's,    Inc 385^     37H     38         1,300 

Metro-Gold.  Pfd.  ..  22fi  22^  22^  100 
M.  P.  Cap.  Corp...  20'A  20  20;^  2,400 
Pathe  Exch.   "A"..    75>4     74^     75J4     1,800 

ikouras   Bros 56         56         56  .... 

Stan.   Co.   of  Am Not  quoted 

Trans-Lux     12^     12J4     12J4     3,300 

Universal    Pictures    Not  quoted 

Univ.    Pict.   Pfd.    Not  quoted 

Warner  Brothers  ..  15 J<  15  15J4  3,400 
Warner   Pictures    ..13         13         13  100 


Newman  with  Loew,  Cleveland 

Cleveland — M.  H.  Newman,  former 
general  manager  in  the  West  for  Uni- 
versal theaters,  is  here  to  manage 
Loew's  Allen.  The  Allen  stage  has 
been  enlarged  to  permit  elaborate 
presentations. 


Whelan  Heads  Langdon  Staff 

Hollywood — Tim  Whelan,  former 
co-author  of  Harold  Lloyd  pictures, 
has  joined  the  Harry  Langdon  unit 
as  head  of  the  scenario  department. 


Theater  Destroyed  by  Fire 

Danvers,  Mass. — Loss  estimated  at 
$70,000  was  caused  by  fire  which 
started  in  the  boiler  room  of  the  Elm, 
following  an  explosion. 


FOR.     RENT 


BELL  -  HOWELL 

AND 

AKELEY  CAMERAS 

iOUn  o;  (Ditl'out  Cameramen 


SEiDEN    CAMERA    EXCHANGE 

729  Seventh  Ave.  NYC. 
Brvari  t   3  95  1 


THE  COUNT 

(Continued  from  Page   1) 

"The  Sea  Beast,"  by  the  way,"  is 
doing  a  marvelously  interesting  busi- 
ness at  $2  top  at  the  Warner  (Pic- 
cadilly). The  crowds  are  constantly 
on  hand.  This  is  as  it  should  be. 
For  "The  Sea  Beast"  is  a  mighty  fine 
picture.  The  Warners  believe  it  to 
be  the  best  they  have  produced.  They 
plan  to  continue  with  these  big  spe- 
cials. It  is  an  ambitious  move.  For 
after  all,  no  company  is  really  out- 
standing in  this  business.  Until  they 
produce  great  pictures.  And  the  War- 
ner's program  calls  for  these  big 
ones. 

Hays  on  New  People 

Thinks  the  acquisition  of  new  di- 
rectors, new  faces  in  pictures;  the 
most  significant  feature  of  1925.  Yes, 
General;  we've  been  harping  on  that 
idea  for  some  time.  If  the  so-called 
leaders  in  production  circles  will 
carry  this  work  on.  Then  a  really  fine 
achievement  will  have  been  accom- 
plished. And  let's  kill  off  some  of 
these  exhibitors  who  won't  buy  a  pic- 
ture unless  "whoozeinit"  spells  ev- 
ery old  timer  in  picture  making. 


Reichenbach's  Memoirs 

Harry  Reichenbach  is  writing  a 
series  of  articles  for  Liberty  Maga- 
zine on  the  confessions  of  a  publicity 
man.  The  first  is  called  "Fame  Made 
to  Order,"  and  appears  in  the  current 
issue. 


New  Short  Reel  Exchange 

Felix  Goldfarb  has  formed  the  F. 
G.  Short  Films,  Inc.  at  729  Seventh 
Ave.,  to  release  "Magic  Reels,"  a 
series  of  26  one-reelers  in  the  local 
territory. 


New  Executive  for  Stoll 
London — H.  Bruce  Wolfe,  manag- 
ing director  of  British  Instructional 
Films,  Ltd.,  has  been  appointed 
joint  managing  director  of  Stoll  Pic- 
ture Prod.,  Ltd. 


To   Broadcast  "Mannequin" 

A  review  of  the  story  of  "Manne- 
quin" will  be  broadcast  by  Resta 
Crowell  from  Station  WRNY  tonight. 


Deal  on  for  "Kim" 

{Continued  from  Page  1) 
deal  of  time  on  the  script  and  in  lin- 
ing up  locations  in  Spain.  Then  he 
withdrew  from  Meador-Robertson 
Prod,  and  the  original  program  was 
held  in  abeyance.  The  interest  in 
"Calafia"  and  other  Ibanez  stories 
held  by  John  Meador  have  reverted 
to  the  author  who  is  represented  in 
New  York  by  Paul  Kennedy. 

liiiiuiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii!iiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiiiiiiiiiiiiim^^^^ 


FEBRUARY  28th 


iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiinuiiiiiiiiiiijiiiiinuiiiiiiiniuiuiiiwiiiiiuwiiiiii^ 


No  Kicks  on  Zones 


Cleveland  Film  Board  Has  Received 
No  Complaints — Exhibitors   Dis- 
satisfied, However 

Cleveland — Mrs.  Georgia  Moffett, 
secretary  of  the  Film  Board  of  Trade, 
states  that  she  has  not  received  a  sin- 
gle complaint  against  the  zoning  sys- 
tem from  exhibitors.  This,  in  face  of 
the  statement  that  the  majority  of  local 
exhibitors  is  strongly  opposed  to  the 
plan  as  it  is  now  operated. 

These  two  facts  are  reconcilable, 
however.  The  Cleveland  M.  P.  Ex- 
hibitor's Ass'n  has  never  approved  or 
accepted  the  zoning  plan.  All  exhibi- 
tors' complaints  against  the  plan  are 
registered  with  the  local  association, 
and  any  adjustments  or  changes  are 
expected  to  be  worked  out  between 
the  two  assoc^liaH«rTrot"bt!lweeit-th£,^ 
Film  Board  of  Trade  and  each  exhibi- 
tor individually. 


Norris  Novel  for  Fitzmaurice 

Samuel  Goldwyn  has  purchased  the 
screen  rights  of  "Beauty  and  the 
Beast,"  by  Kathleen  Norris.  Ronald 
Colman  and  Vilma  Banky  will  be 
featured.  This  is  the  first  G§t>rge 
Fitzmaurice  production  to  be,  reteased 
under  Goldwyn's  contract  with  United 
Artists. 


New  Head  for  British  K.  R.   S. 

London  —  John  Pearson  of  Vita- 
graph  is  expected  to  be  elected  chair- 
man of  the  Kinematograph  Renters' 
Society.  The  annual  dinner  will  be 
held  at  the  Savoy  on  Feb.  9. 


Off  for  Mediterranean 

E.  V.  Richards,  together  with  Mrs. 
Richards  and  Julian  Saenger,  leave 
Saturday  for  a  trip  through  the  Medi- 
terranean. 


Pauline  Frederick  Arrives 

Pauline  Frederick  arrived  from  the 
Coast  yesterday  to  star  for  Excellent 
Pictures.  The  first  will  be  "The 
Nest." 


Arthur    Remains   with    M.-G.-M. 

Los  Angeles  —  George  K.  Arthur 
has  signed  a  new  contract  with  Metro- 
Gold  wyn-Mayer. 


Gross    Remains  with    Chaplin 
Hollywood  —    Contrary    to   news- 
paper reports,  Milt  Gross  will  remain 
with  Charles  Chaplin. 


Alma  Rubens  Signs  with  Fox 

Hollywood^Alma  Rubens'  contract 
with    Fox   has   been  renewed. 


Cameo  Installs  Printing  PI 

The  Cameo  Musk  Service 
which  will  move  from  112  W 
St.  to  315  W.  47th  St.,  on  a 
level  front  will  have  its  own 
publishing  printing  plant  which 
2ng  installed  at  a  cost  approxii 
$100,000. 


Theater  Suit  in  Cleveland  El 

Cleveland — The  lawsuit,  aski 
the    dissolution   of   the    Ohio 
ment  Co.,  one  of  the  leading  d 
here,    has    been    withdrawn 
plaintiff  and  the  business  is  beii 
as   formerly,   with   Leo   Kellar, 
dent,  and  M.  S.  Fine,  vice-presi 


"Dance  Madness"  at  the  Caj 
"Dance     Madness"     opens     at 
Capitol   on  Soinday. 


WANTED 

News  cameramen  in  every  Jewnsh  cen- 
ter throughout  the  world  to  photo- 
graph the  most  important  Jewish 
events  of  today  and  scenes  pertaining 
to  ancient  Jewish  history,  for  the 
weekly  "JEWISH  PICTORIAL  RE- 
VIEW." 

For   terms,   write   or   cable. 
IVAN  ABRAMSON.   Pres. 
JEWISH    EDUCATIONAL    PIC- 
TURES,   INC. 
729  'Seventh   Avenue 
Cable    Address,    "JUDPICT," 
New   York 


This  is  a  'Cornerblock'  cut  funr 
FREE  for  all  Pathecomedies 
exchange. 


1 


Young     lady     desires     position, 
years     experience     motion     pictur  i 
secretary — bookkeeper — stenograph  • 
ofHce     and     business     manager — 1 
York     representative — correspondi 
legal  knowledge.     Employed  at  pn 
— seeking    other    employment    du(|l 
discontinuing    New    York   office, 
cellent   references. 
Box    S-322  c-o    Film 

1650   B'way  N.   Y; 


URATIZ 

YOUR    FILM 


;I1UR* 


220  WEST42^STRl! 

NEW  YORK 

PHONE 
CHlCKERINC  ALLAhfA.Li 


M:y2 


5trvic(J 
1121 
'  ooij 
s  own! 
wkicll 
PPfoul 


'.  m 

l<io  J 

liig 

dli'J 
•prq 


'Ain't  it  Ainny 
how  the  trade  gets  wise 
in  advance  when  a  real 
knockout's  coming'? 

""'      're  talking  about 
lis  eveiywhere/* 


/ 


H 


^_     Yeah^  didyou  read 
^    H^liat  that  wire  from  the 
^  coast  to  John  Ciarl;  said 
=  about  us  ?  •  .  it  said 
^^ehind  the  Front 'is  a  riot/ 

The  greatest  Paramount 
Comedy  yet  / 


[(Hi-- 

kot 


pre 
:(ir«if£ 
Den- 

siili  ;■ 
sioi  '\ 

w  ■ ' 

Blis- 
lip  J-« 

tras 

thy 

if  Hit 

Biiif 
loi:i. 
tkt'it 
iiitan! 


Bin;: 


»ti 


:ir 


liltii' 


Ipin 


ill--: 

!TS: 


aiiRi 


IIIIT 


life 


II 


Tanuarv  21.  192fi 


-JXI^ 


DAILY 


:  ts  with  Hughes 

ontiniied  from  Page   1) 

lanager  of  the   Independent 
;s'n,  recently  conferred  with 
(ilas    Murray    Butler,    chair- 
he   sub-committee   which  is 
iig  the  disposition  of  the  cen- 
ommission    as    one    depart- 
se  elimination  will  result  in 
,  onomy.     Elliott   stated   Dr. 
licated  to  him  that  the  cen- 
!.l  not  be  transferred  to  the 
lal  Department,  as  discussed 
No  place  has  been  found 
nmmission    under    the    new 
I  ding  to  Elliott.     The  Edu- 
Department    does    not    want 
loring    task.      This    situation 
lilt     in     the     Reorganization 
ion   deciding   to   remove    the 
^■ntirely. 

lor  Smith  is,  of  course,  in 
t  ■  and  if  tTie  Rejublican  atti- 
•  lains  unchanged,  repeal  of 
c  p  may  finally  go  through. 


vras"  Dissatisfied^ 

X  ontinued  from  Page   1) 

I     claims     that     he     has     the 

many  "extras,"  who  charge 

•  I  itism  is  rampant  in  the  man- 

(.f  the  bureau.     Dave  Allen, 

he  office,  and  Harry  St.  All- 

istant,  are  not  attacked,  how- 

the  players  declare  that  they 

n  fair. 

xtras,"  according  to  Jacobs, 
uling  from  the  casting  office 
he  persons  who  are  consid- 
I  "extras"  and  those  who  are 
;  allowing  certain  persons  to 
king  emplovment  in  pictures, 
leld  thev  are  totally  unquali- 


Contract  Won't  Do 

{Continued  from  Page   1) 

ness  to  submit  the  matter  to  arbitration 
with  one  arbiter  to  be  selected  by 
each  side  and  the  third,  Judge  Moses 
H.   Grossman. 

The  negotiations  between  the  Hays 
office  and  the  Administrative  Com- 
mittee of  the  M.  P.  T.  O.  toward  the 
adoption  of  an  agreed  form  have  pro- 
gressed to  what  can  be  dubbed  a  sat- 
isfactory point.  As  noted,  the  results 
may  have  a  bearing  on  the  attitude 
of  the  T.  O.  C.  C.  because  the  M.  P. 
T.  O.  representations  are  made  on 
the  basis  of  the  contract  drawn  up 
by  the  I.  M.  P.  A.  and  Joseph  M. 
Seider. 


[ease  to  Publix? 

(Cnntinued  from  Page   1) 

xhibitors,     has     been      much 

Mfter  by  several  of  the  larger 

ts     which     hold     that     their 

situation    in    Newark    is    not 

satisfactory. 

tatement     could     be     secured 
hblix  yesterday. 

.  '.  Caoital  Income,  $431,856 

Miisolidated  income  account  of 
'    Capital  Corp.  for  11  months 
Vov.  30,   1925,  follows:  Total 
■  .?;4,1 1.856;  expenses  and  inter- 
im.SI  7:    federal    taxes    |.^7..145: 
•ime    .^239.994:    preferred    divi- 
?2,272;  surplus  $187,722.    The 
nted    balance    sheet    follows: 
£:TS: 

$    95.S,737 

rniints    receivable,    etc    ...    5,284,933 

nicrest   receivable    55,978 

,    11,750 

I    ^uliscribers    for    preferred 

8,000 

iijrl  furniture  less  deprecia- 

„ 5,160 

ei  charges    126,941 

$6,448,499 

IILITIES: 

ns    $3,689,914 

accrued   interest,    etc.,    pay- 

76,458 

51,299 

items    275,241 

ng  cap.  stock  of  subsidiary  2,280 

stock    613,400 

stock      represented      by 

>22  shares,  no   par   value..    1.573,113 

1  loss   surplus    166,794 

$6,448,499 


On  the  Ground 

(Continued  from  Page   1) 

that  the  First  National  product  for 
1926  is  unbeatable  from  every  angle 
that  can  be  conceived.  I  personally 
feel  that  way  and  I  am  on  the  ground 
and  have  rubbed  elbows  with  our 
stars  and  our  producer.^  —  have 
watched  their  daily  work  and  the 
progress  on  the  individual  units.  I 
am  coming  home  with  the  greatest 
encouragement  and  if  I  am  able  to 
reflect  my  enthusiastic  spirit  into 
those  in  our  organization  just  half  as 
much  as  it  really  is,  then  I  will  be 
happy." 


Here  for  Data 

(Continued   from    Page    1) 

London  word  came  that  he  had  sup- 
posedly  left   for   this   country. 

The  "Daily  Express,"  as  noted,  iii- 
tends  producing  a  picture  in  the  na- 
ture of  a  test.  The  English  public 
will  be  kept  advised  of  its  progress, 
the  cost  sheet  will  be  published  day 
by  day  and  the  problems  met  in  the 
studio  aired  in  the  daily  prints.  In 
London,  the  trade  accepts  the  scheme 
as  a  newspaper  stunt,  but  at  the  same 
time  a  good  deal  of  interest  is  being 
aroused. 


Globt  Sells  to  Klein 

Globe  Pictures  have  sold  a  series 
of  26  one-reelers  called  "Maeic 
Reels"  to  Edward  L.  Klein  Co.  for 
Great   Britain. 


P.   D.    C.    Issues   Music   Information 

P.  D.  C.  is  issuing  advance  music 
information  on  "The  Volga  Boat- 
man." Rudolph  Berliner  prepared  the 
cue  sheet. 


In  the  Courts 

The  Steinwav  Ave.  theater  of 
Long  Island  City  has  filed  a  sum- 
mary judgment  for  $1,778  in  the  City 
Court  against  Douglas  Faulkner  on  a 
note. 


Supreme  Court  Justice  O'Malley 
has  granted  an  application  by  the 
Lutheran  Film  Division  for  permis- 
sion to  file  a  new  answer  in  a  suit 
of  Erwin  Ostermeier  in  a  suit  aeainst 
it  and  Advance  Prod.  The  suit  was 
brought  on  an  assigned  claim  of  Paul 
Krauss  of  Munich,  to  set  aside  a  bill 
of  sale  of  "The  Life  of  Martin 
Luther,"  on  the  ground  that  it  wa? 
fraudulent.  Tlie  Lutheran  Film  Di- 
vision in  the  new  answer  alleges  that 
it  has  received  a  general  release. 


Presentations 

A  feature  dealing  with  the  man- 
ner in  which  first-runs  build  their 
programs  and  written  from  the  an- 
gle of  one  who  sits  out  front. 

Designed  solely  for  the  purpose  of 
conveying  to  exhibitors  ideas  to  be 
used  in  developing  their  own  shows. 
Strand 

Unit  No.  1. — Overture:  "Jazz 
Rhapsody  No.  1,"  by  Eniil  Gersten- 
berger.     Time    10  minutes. 

Unit  No.  2.— Mark  Strand  Topical 
Review.     Time.  8  minutes. 

Unit  No.  3.— Joseph  Plunkett's 
"New  Mark  Strand  Frolics."  Ca) 
Rita  Owen  and  "The  Cigarette  Girls." 
Miss  Owen  in  freak  get-up  of  yellow 
dress,  high  shoes  and  pulled  back  hair 
with  pigtails,  sings  a  number  and 
does  an  eccentric  dance.  This  is  pre- 
ceded by  the  Cigarette  Girls.  There 
are  seven  cylinders,  each  bearing  the 
name  of  a  cigarette.  At  a  half  turn 
each  reveals  a  dancing  girl,  (b)  Duo 
Piano  Virtuosi.  Dimitri  Tiomkin  and 
Michel  Khariton  render  Valse  in  C 
Sharp  Minor  by  Chopin  and  "Polon- 
aise" in  A  Flat  Major  by  Chopin. 
Two  baby  grand  pianos  with  curtain 
drapes  of  metal  cloth  for  a  back- 
ground. Stage  dimly  lighted  with 
spots  on  players.  (c)  "Pompadour 
Days."  Pauline  Miller,  soprano,  sings 
"L'Amour  Touiour  L'Amour"  by 
Friml.  Mile.  Klemova,  M.  George 
and  the  Strand  Ballet  Corps  do  the 
"Pompadour  Valse"  by  Fall.  For 
this  number  a  back  curtain  of  nile 
green  georgette  is  used,  a  white  rail 
comes  half  way  across  the  stage,  sil- 
houetted against  the  green,  and  with 
an  elaborate  jardiniere  placed  at  the 
end  of  the  fence.  Hanging  vines  are 
suspended  from  above  and  a  black 
oval  frame  is  to  the  front  of  the  stage 
with    the    scene    forming   the    picture. 

(d)  De  Pace,  mandolinist,  plays  sev- 
eral numbers.     Wears  clown  costume. 

(e)  "The  Night  Club."  Before  cur- 
tain, which  shows  huge  padlock  and 
with  the  keyhole  representing  the 
door  and  containing  the  words  'Club 
Padlock."  Edward  Albano,  baritone, 
sings  "I  Want  What  I  Want"  by 
Herbert.  The  curtain  rises  upon  a 
night  club  scene.  A  long  table  is 
decorated  with  flowers  and  candle- 
sticks. They  have  the  French  win- 
dow background,  used  before,  and 
consisting  of  manv  small  panes  of 
tin  covered  with  silver  leaf  and  giv- 
ing a  brilliant  effect.  Guests  in  cos- 
tume watch  the  performance  of  Rita 
Owen  who  dances  again,  and  De 
Pace  who  plays  the  mandolin.  The 
table  is  lifted  and  discloses  16  ballet 
girls  who  come  forth  and  dance.  The 
elevated  table  now  forms  a  canopy 
of  red.  General  ensemble.  Time  .  34 
minutes. 

Unit  No.  4. — Feature:  "Just  Sup- 
pose."    Time.   70  minutes. 

Unit  No.  5. — Organ  Solo.  Time,  5 
minutes. 


Incorporations 

Albany,  N.  Y.  —  Hoffman  Development 
Corp.,  New  York;  to  operate  theaters.  Capi- 
tal $2,000.  Incorporators,  W.  Hoffman,  J. 
Dempsev  and  H.  Galan.  Address:  c-o  H. 
Galan,    55    Wall    St. 


Albany,  N.  Y.— Noble,  Ryan  &  Livy,  New 
York,  Capital  $50,000.  Incorporators,  D. 
Sidney,  R.  Eisenberg  and  M.  Bork.  At- 
torneys, M.   Livy,   233   Broadway,   New   York. 


Albany,  N.  Y. — Noel  Coward,  New  York. 
Incorporators,  N.  Coward,  J.  Wilson  and 
L.    Donahue. 


Albany,  N.  Y. — Park  Slope  Amusement 
Corp.,  realty,  1,000  common,  no  par.  D. 
Blum,  B.  Zelenko,  M.  Hammerstein.  Attor- 
ney,   L.    Friedman,     1540    Broadway. 


Albany,  N.  Y. — Downtown  Theaters  Co., 
Jersey  City,  1.000  shares,  no  par.  Morris 
Kleban,  Matthew  H.  Kutinsky,  New  York ; 
Ann  Feder,  Bayonne;  Benjamin  Heyman, 
Jersey  City.  Attorneys,  Heyman  &  Heyman, 
Jersey    City. 


New  Ohio  Circuit 

(Continued  from  Page    1) 

Theater  Co.  Muskingum  Theater  Co.. 
Lawrence  M.  Rich.  Max  L.  Fishel. 
J.  C.  Luckay,  K.  Clark  and  L.  Lon- 
don. 

It  is  stated  that  operations  of  the 
companv  will  later  be  expanded  to 
include  other  houses. 


Albany,  N.  Y.— Rhode,  Rathjen  and  Wal- 
lace, Cold  Springs,  $7,500,  H.  T.  Immer- 
man,  T.  Eisenberg,  M.  I.  Garvey,  Attor- 
ney, E.  A.  Spenser,  100  West  41st  St.,  Man- 
hattan. 


London,  England — Central  Cinema,  Ltd,, 
Stamford ;  to  operate  a  theater.  Capital 
10,000. 


Trenton,  N.  J, — Union  Center  Amusement 
Co.,  Nine  Clinton  St,,  Newark;  to  operate 
theaters.      Capital    $125,000. 


Trenton,  N.  J. — Seashore  Development  Co., 
Ocean  City  Title  &  Trust  Co.  Bldg..  lOcean 
City;    to   operate   theaters.      Capital    $120,000. 


Albany,  N.  Y.— P.  S.  &  S.  Corp..  New 
York,  Incorporators,  F.  Goldstein  and  H. 
Fredman. 


Albany,  N.  Y. — Norton  Anuisement  Corn.. 
Rochester.  Capital  $150,000,  Incorporators, 
N.  Kaplar,  K.  Thompson  and  W.  Bommer- 
sheim. 


Montreal  Board  Meets 

Montreal — Members  of  the  local 
Film  Board  of  Trade  and  employees 
of  those  members,  attended  a  get- 
together  luncheon  at  the  Mount 
Royal  Hotel.  William  Gehring,  of 
Fox,  is  president. 


De  Mille  Signs  Sullivan 
Hollywood — Cecil  B.  De  Mille  has 
signed  C.  Gardner  Sullivan  to  a 
long-term  contract.  Sullivan's  first 
work  will  be  the  continuity  of 
"Bachelor's  Brides,"  Rod  La  Rocque's 
next. 


Morgan  Off  on  Tour 

W.  J.  Morgan,  sales  manager  of 
P.  D.  C,  left  vesten^ay  for  a  tour  of 
the  West. 


BIG  EXECUTIVES  need  capable 
assistants.  There  will  be  one  avail- 
able after  February  1st,  a  man  of  35, 
unmarried,  with  six  years  of  thorough 
experience  in  the  film  business,  three 
of  which  were  spent  SB  Traveling 
Auditor  for  one  of  the  industry's  big- 
gest companies.  He  has  traveled 
throughout  the  U.  S.  and  Canada, 
covering  all  film  exchange  centres. 
He  would  prove  invaluable  as  Pro- 
ducer's Representative.  Permanent  lo- 
cation in  New  York  preferred  but 
traveling  agreeable  if  salary  is  inter- 
esting. 

CONSIDER  the  qualifications — abil- 
ity, experience,  loyalty  and  conscien- 
tious devotion  to  YOUR  interests. 
What  can  you   offer?     Address 

Box    M-284 
Film  Daily  1650  B'way,  N.  Y.  C. 


WHAT 


f 


OFTH 


(No*  469  Straight  from  the  Shoulder 
Talk  by  Carl  haemmley  President 
Universal  Pictures  Corporation*) 

I^VE  JUST  HAD  A  SHOCK.  AN  EXHIBITOR  SAID  TO  ME,  "THE 
trouble  with  you  Universal  folks  is  that  you  are  too  modest.  As  a  matter 
of  fact  you  have  beaten  every  other  company  in  the  world  every  year  for  the 
last  five  years  in  the  high  percentage  of  consistently  good  box-office  pictures* 
But  you  have  let  some  of  the  other  fellows  out-yell  you.  They  have  been 
making  claims  while  you  have  been  making  good  pictures.  YouVe  too 
darned  modest." 

WELL,  HEAVENS  AND  EARTH,  I  NEVER  SUSPECTED  UNI- 
versal  was  unduly  modest.  I  knew  mighty  well  we  had  a  higher  batting 
average  than  anyone,  but  I  thought  we  had  been  yelling  about  it  in  rather 
loud  and  immodest  tones. 

ITS  SOMETHING  OF  A  SHOCK  FOR  ANYONE  TO  BE  Ac- 
cused of  modesty  in  the  picture  business  ....  so  Fve  had  a  shock. 

NOW,  ON  LOOKING  BACK  OVER  THE  PAST  FIVE  YEARS,  IT 
is  not  only  gratifying  but  it  is  really  surprising  to  see  how  far  behind  we  have 
left  everybody  else  on  the  percentage  of  pictures  that  have  made  fat  profits  for 
exhibitors* 

OTHERS  HAVE  SPENT  AS  MUCH  MONEY  AS  WE  HAVE.  SOME 
have  spent  more.  Some  have  spent  less.  Some  have  made  a  terrific  noise 
about  the  awful  prices  they  have  paid  for  stories,  plays  and  well-known  books. 
But  when  the  actual  pictures  were  delivered,  most  of  them  proved  to  be 
artistic  successes  and  commercial  flops. 

DURING  THESE  FIVE  YEARS,  SOME  COMPANIES  HAVE  HAD 
one  or  two  or  even  three  good  years  as  far  as  product  is  concerned,  hut  not  a  ' 
single  one  had  hit  the  mark  regularly  for  five  successive  years  as  Universal  has* 


^ 


'  L 


oy  THINK 

ECORD? 


I  THINK  WE  WASTE  LESS 
money  than  any  producer,  though 
heaven  knows  even  we  waste  enough. 
It  seems  impossible  to  eliminate  all 
of  this  waste  without  running  the 
danger  of  producing  hash  pictures. 
But  we  never  relax  one  moment  in 
our  effort  to  conserve  our  resources 
where  conserving  will  not  affect 
quality.  ^  ' 

I  KNOW  MIGHTY  WELL  WE 
have  always  charged  too  little,  for 
our  pictures,  if  what  others  charge 
can  be  used  as  a  standard;  I  know 
we  are  going  to  get  more  like  a  live* 
and-let'live  price  as  we  correct  the 
conditions  in  places  where  we  are 
shut  out  of  first'run  theatres  owned 
by  other  producers ;  and  I  know  our 
next  line-up  of  pictures  will  he  even 
better  than  our  standard  for  these 
past  five  unbeaten  years. 

THERE  HAVE  BEEN  TIMES 
when  the  future  of  the  business 
looked  threatening,  but  as  far  as 
Universal  is  concerned  the  outlook 
was  never  quite  so  bright.  With  pic- 
tures a  little  better  than  ever,  with 
genuinely  representative  theatres  in 
spots  which  have  been  closed  to  us 
in  the  past;  and  with  an  exhibitor 
good-will  which  has  never  been 
equalled  in  the  history  of  the  busi- 
ness— well,  we^re  sitting  on  top  of 
the  world — and  there* s  plenty  of  room 
for  you  with  us  I 


Just  a  f  e^v  of 
the  great  ones 


REGINALD  DENNY 

CALIFORNIA  STRAIGHT  AHEAD 


in 


A  Harry  Pollard  Production 


HOOT  GIBSON 

in  THE  CALGARY  STAMPEDE 

Photographed  at  the  Calgary  Rodeo  Championship  of  1925 
A  Herbert  Blache  Production 

HIS  PEOPLE 

with  Rudolph  Schildkraut,  Rose  Rosanova,  George  Lewis, 

Blanche  Mehaffey,  Virginia  Browne  Faire 

Story  by  tsadore  Bernstein 

An  Edward  Sloman  Production 

THE  STILL  ALARM 

with  Helene  CHAD  WICK  and  Wm.  RUSSELL 

Adapted  by  Harvey  O.  Higgins  from  the  play 
by  Joseph  Arthur  and  A.  C.  Wheeler 

An  Edward  Laemmle  Production 

REGINALD  DENNY 

in  WHERE  WAS  I? 

From  the  magazine  story  by  Edgar  Franklin 
A  Williatn  A.  Seiter  Production 

REGINALD  DENNY 

in  WHAT  HAPPENED  TO  JONES? 

George  Broadhurst's  Broadway  Stage  Success 
A  William  A.  Seiter  Production 

SPORTING  LIFE 

with  BERT  LYTELL,  Paulette  Duval,  Marian  Nixon 

Famous  Drury  Lane  Melodrama  by  Seymour  Hicks 

and  Cecil  Raleigh 

A  Maurice  Tourneur  Production 

REGINALD  DENNY 

in  SKINNER'S  DRESS  SUIT 
with  LAURA  LA  PLANTE 

From  the  Saturday  Evening  Post  Story  by  Henry  Irving  Dodge 

A  William  A.  Seiter  Production 

The  COHENS  and  KELLYS 

with  George  Sidney,  Charles  Murray ,Vera  Gordon 

Based  on  the  Play  by  Aaron  Hoffman.    Presented  in  asso- 
ciation with  Faultless  Pictures  Corp.,  E.  M.  Ascher,  Pres. 

A  Harry  Pollard  Production 

REGINALD  DENNY 

in  ROLLING  HOME 

From  the  play  by  John  Hunter  Booth 
A  William  A.  Seiter  Production 


.^^-^-^ 


iTHE 

brAdstreet 

FILMDOM 


^recocmizeb 
Authority 


Friday,  January  22,  1926 


Price  5  Cents 


UILDING 

By  DANNY 

of  the  outstanding  develop- 
of  the  business  during  the  past 
:hc  school  for  house  managers 
)ed  by  John   F.   Barry   for   Fa- 

» Mayers.  Now  part  of  the  Pub- 
eaters  institution.  A  mighty 
ea  which  seems  to  be  coming 
eally  worth  while  head.  And 
modestly  retires  to  the  corner 
ows  his  chiefs  to  get  the  credit 
work. 

lance  at  the  personnel  of  the 
is  the  answer — bright,  alert- 
well-clothed,  well-groomed, 
men — all  apparently  well  on  the 
side  of  30.  All  apparently  very 
interested  in  the  school.  They 
;  coming  managers  of  the  lar- 
;aters  of  this  country.  Some  of 
will  develop  into  exhibitors, 
illy. 

old-time  exhibitor — now  out  of 

)usiness — after      watching      the 

ing  for  a  day — went  on  record 

he  had  such  an  opportunity  he 

have  been  a  far  wiser,  and  far 

exhibitor.      And    he    spoke   the 

/•  the  larger  chains  would 
'elop  such  schools;  or  in 
ne  way  make  an  earnest  ef- 
t  to  develop  managers  and 
tse  workers  the  entire  busi- 

would  be  much  better. 
en  the  next  class  starts  it  will 
eresting  to  see  how  many  pupils 
along.  It  will  also  be  interest- 
I  note  what  happens  to  the  stu- 
Practically  all  of  them  are  out 
field  today.  Several  have  good 
not  with  Publix  houses. 

Those  New  Seats 
ht     new     houses     in     Cleveland 
(Continued  on  Page  2) 


onster    House    for    Elizabeth 

jabeth,  N.  J. — The  Manhattan 
y  Co.,  acting  for  New  York  in- 
s,  has  purchased  from  Frederick 
.evey,  property  at  323-327  N. 
St.,  adjoining  Trinity  Episcopal 
h  and  from  Cheever  Jones  and 
e  P.  Matthews  property  in  the 
It  310-312  Trinity  place.  ' 
s  reported  that  a  6,000  seat  the- 
building  to  contain  stores  is 
ed. 


I 


o  Action  'Till  Hays  Returns 

e  letter  regarding  the  uniform 
act  sent  to  Will  H.  Hays  by  the 
C.  C.  has  been  sent  to  the 
er  in  Hollywood.  No  action  is 
;d  for  until  his  return  a  few 
:s  hence. 


Texas  May  Join  Hays 

Directors  of  M.  P.  T.  O.  to  Consider 

Affiliation    at    Dallas    Meeting 

Early  in  February 

Dallas — Plans  for  a  membership 
campaign  in  cooperaton  with  the 
Hays  office  will  be  discussed  by  the 
board  of  M.  P.  T.  O.  of  Texas  direc- 
tors here  on  Feb.  5.  Existing  condi- 
tions within  the  industry  and  plans 
for  the  new  year  will  also  come  up 
for   consideration. 

At  the  recent  convention  of  Texas 
exhibitors,  C.  C.  Pettijohn  pledged 
the  support  of  his  association  in 
building  up  the  ranks  of  the  exhibitor 
organization.  Convinced  of  his  sin- 
cerity, the  M.  P.  T.  O.  of  Texas  di- 
rectors will  work  out  a  definite  plan 
of  procedure. 

{Coutiiiued  on   Ptifie  7) 


Ohio  Acts 

Won't  Participate  in  Arbitration  Un- 
less Exhibitor  Members  Belong 
To  State  Exhibitor  Unit 

Columlius,  O. — At  the  executive 
committee  of  the  M.  P.  T.  O.  of  Ohio 
held  here  this  week,  the  following 
resolution    was   passed: 

"The  business  manager  of  the  or- 
ganization is  hereby  instructed  to  ad- 
vise all  exhibitors  who  are  not  mem- 
bers of  the  M.  P.  T.  O.  of  Ohio,  that 
after  thirty  days  from  Jan.  12,  1926, 
exhibitor  members  of  the  Boards  of 
Arbitration  at  Cleveland  and  Cincin- 
nati will  refuse  to  sit  in  all  cases  in- 
volving exhibitors,  who,  at  the  expira- 
(Coiitiinicd  on  Page  10) 


Gov't  Drops  Quota 

Official    Action    in    England    Ends — 

Move    Comes    As     Result    of 

Trade's  Admonitions 

The  British  Government  has  aban- 
doned the  quota  plan  and  with  it  ac- 
tion by  Parliament  for  the  compul- 
sory showing  of  a  percentage  of 
British  pictures  in  England.  This  is 
the  highlight  of  a  special  dispatch 
published  in  the  New  York  Times 
yesterday  which  follows  exclusive 
publication  in  these  columns  last 
week  that  the  trade  had  voted  to 
table  the  quota. 

It  appears  that  the  Government 
gave  up  action  upon  admonitions  of 
the  joint  committee  representing  the 
British  trade  which  advised  the 
Board  of  Trade  *hat  enforced  show- 
ings would  defeat  the  object  for 
which  it   had  been  designed. 

The  Times  reports,  however,  that 
official  or  semi-official  support  of 
home  production  will  be  forthcoming. 


Buying  in  Southwest 

W.  G.  Underwood  Takes  Over  Pub- 
lix Houses — Luckett  of  United  Ar- 
tists Leases  in  Little  Rock 
Dallas — Two     local     exchangemen, 
W.   G.   Underwood   and   Joe    Luckett, 
have   entered   exhibition. 

Underwood,  president  of  the  Si)cc- 
ialty  Film  Co.,  has  bought  the  Cry- 
stal from  Publix  Theaters  and  is  now 
in  control  of  the  house.  He  has  named 
Bill  Goodman,  formerly  of  the  Rex 
house   manager. 

(Continued   on   Page   10) 


how  T  love  NELL  GWYN  ! 
ffice!     Jaydee. — Advt. 


Beautiful ! 


Mae  Murray  About  to  Sign 

It  is  understood  Mae  Murray  is 
about  to  affix  her  signature  to  a  new 
contract.  Famous  and  Me(ro-Gold- 
wyn-Mayer  are  both  reported  negoti- 
ating. 


Denies   Hoblitzelle-Famous   Deal 

Dallas — An  official  of  the  Inter- 
state Amusement  Co.  (the  Hoblit- 
zelle  circuit)  denies  ;ill  reports  of  a 
deal  with  Famous. 


Will    people    pay    more    for    good    imported 
goods?     Try   NELL   GWYN.— Advt. 


Financing  Scheme 

E.     E.     Lyons    Suggests     Exhibitors 

Raise  £100,000   Fund  to  Aid  in 

Making  of  British  Pictures 

London — Irrespective  of  quotas, 
plans  are  still  discussed  to  bolster  up 
home  production. 

E.  E.  Lyons  of  the  Cinematograph 
Exhibitors'  Ass'n  has  prepared  a 
scheme  which  calls  for  the  formation 
of  a  British  Film  Board,  composed  of 
exhibitors,  renters  and  authors  for  the 
purpose  of  aiding  British  producers. 
He  urges  the  formation  of  a  £100,000 
fund  l)y  exhibitors,  the  assessments 
to  be  based  on  the  A,  B  and  C  the- 
ater ratings  of  the  C.  E.  A.  This 
money  is  to  be  controlled  by  the 
British     Film    Board    who    will    give 

(Continued   on    Page   d) 


Nov.  Exports  $623,108 

Over  16,000,000  Ft.  of  Positives  Sold 

to      Foreign      Countries — France 

Becomes  More  Active 

Washington  —  Exports  to  foreign 
countries  during  November  included 
1,314,2.33  linear  ft.  of  raw  stock, 
valued  at  $38,309;  764,925  ft.  of  nega- 
tives, valued  at  $101,411,  and  16.843- 
457  ft.  of  positives,  valued  at  $483,388. 
according  to  the  Dept.  of  Commerce 
The  total  is  $623,108. 

(Continued  on  Page^  7) 


1st  Nat'l  to  Build 

Site    Secured    for    Company's    Own 
Studio    on   Plot    Near    Heart   of 

Hollywood  Activity 
Hollywood — First   National,   forced 
out  of  a  home  by  the  purchase  of  the 
United  Studio  by  Famous,  will  build 
its  own  plant  here. 

It  is  understood  a  site  has  been  se- 
cured and  that  it  is  located  not  more 
than  ten  minutes  from  the  heart  of 
the  Hollywood  studio  center. 


GhapHn  Sues 

Claims  $62,147  Additional  from  First 

National   on   Foreign   Sales   of 

"The   Kid" 

Charlie  Chaplin  has  filed  suit 
against  First  National  it  was  revealed 
yesterday  when  notice  of  trial  was 
filed  in  the  Supreme  Court  by  Nathan 
Burkan.  The  trial  will  be  held  in  the 
February  term. 

The  action  hinges  around  the  for- 
eign sales  of  "The  Kid"  on  which, 
according  to  the  complaint,  Chaplin 
was  to  receive  70  per  cent  of  the 
gross.  It  is  alleged  First  National 
has  taken  in  $337,947  to  Sept.  30,  1925 
and  that  Chaplin  has  received  his 
share  minus  $62,147  and  only  after 
the  distributor's  expenses  had  been 
paid. 

Efforts  to  reach  executives  of  First 
National's  foreign  department  failed 
last   night. 


Pickford's  Next,  "Sparrows" 

Los  Angeles — "Scraps,"  Mary  Pick- 
ford's  next,  has  been  retitled  "Spar- 
rows." 


Next   year   is  a. -Dorothy   Gish   year. 
CWYN^ays   so.     Jaydee. — Advt. 


NELL 


Inspecting  Rhode  Island  Houses 

Providence,  R.  I. — The  State  Po- 
lice have  closed  a  rural  theater  deemed 
unsafe  because  of  its  fire  hazard,  and 
reports  serious  conditions  in  four 
others.  Superintendent  Chaffee  has 
ordered  a  survey  of  theaters  in  other 
towns.  Until  the  report  is  filed  re- 
sults of  the  survej'  and  names  of  the- 
aters will  not  be  made  public. 


Here  on  West  Coast  Financing 

Sol  Lesser  and  A.  L.  Gore,  who 
are  both  here  from  the  Coast,  are  dis- 
cussing new  financing  for  West  Coast 
Theaters.    Inc. 


Du  Pont   En  Route 

Aboard  the  Leviathan — E.  A.  Du 
Pont,  Ufa  director,  who  has  signed 
with  Universal,  is  on  board. 


Associated  Signs  Judy  King 

Los     Angeles — Associated     Exhibi- 
tors, Inc.,  has  signed  Judy  King  for 


a  series. 


Betty  Bronson  Signs 

Betty  Bronson  has  signed  a  new 
contract  with  Famous.  For  five 
years. 


NELL     GWYN     says     "Hello     everybody- 
Mcet   my    papa,    Herbert    Wilcox." — Advt. 


^ 

s 


THE 


riLXXXVNo.18     Friday,lan.22,1926      PrkeSCtnts 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St.. 
London,  W.  I.,  Paris — La  Cinematograph!'" 
Francaise,   5,  Rue  Saulnier. 


Quotations 

High    Low    Close      Sales 

Balaban   &   Katz    Not  quoted 

Eastman    Kodak    ..109       108J4   108J4        300 
Famous    Players    ..10654   104       104         4,600 

Fam.    Play.    Pfd Not  quoted 

Film    Inspection     Not  quoted 

First   National    Not  quoted 

Fox   Film   "A"    . . .   78J4     785^     78J4        300 
Fox  Theaters  "A".   32^i     31         31         4,500 

International    Projector    Not  quoted 

Loew's,    Int 37^     38         38         1,000 

Metro-Gold.  Pfd.   ..   22J4     22^     22^4        600 
M.  P.  Cap.  Corp...   20         20         20  400 

Pathe  Exch.   "A"..  77         75 J4     73J<        300 
Skouras    Brothers..   54         54         54  .... 

Stan.   Co.   of  Am Not  quoted 

Trans-Lux 125^     1214      12}4      1.700 

Universal    Pictures    Not  quoted 

Univ.    Pict.    Pfd Not  quoted 

Warner  Pictures    . .    12         12         12  200 

Warner    Bros 15         12^     U         4,400 


Moeller  on  Hartford   Prod.   Board 

Detroit,  Mich. — A.  J.  Moeller  has 
been  elected  to  the  board  of  directors 
of  the  David  Hartford  Prod.  He  is 
handling?  distribution  of  the  com- 
pany's first  picture,  "Then  Came  the 
Woman." 


Billy  West  Here 

Billy  West,  who  recently  finished 
"Thrilling  Youth,"  second  of  four 
five-reel  comedies  for  Rayart.  is  in 
town  from  the  Coast.  At  the  Ala- 
mac   Hotel. 


New  Broadcasting  Studio 

Plans  are  under  way  for  a  new 
studio  where  Major  Edward  Bowes 
and  his  Capitol  radio  entertainers 
will  broadcast  Sunday  evening  pro- 
grams. 


^BMad^i^OfUi. 


Look  BelterandWear  longer 


T' 


DAILY 


Friday,  January  22,  19; 


BUILDING 


(Continued  from  Page   1) 

with  10,000  seats.  With  the  new  Fo: 
house  in  Detroit  there  will  be  27,750' 
first-run  seats  within  a  radius  of  half 
a  mile.  Here  are  the  latest  reports  of 
the  epidemic  of  building  now  going 
on.  Anyone  conversant  with  these 
cities  must  appreciate  that  the  new 
seats  are  going  to  play  havoc  with 
the  old  ones.  This  development  may 
be  alright.  Perhaps  the  old  houses 
go  by  the  boards — just  like  the  worn- 
out  motor  cars.  Perhaps.  If  they 
do  it  is  all  right.  If  they  don't — well, 
you  try  to  figure  it  out.  We  have 
ceased  trying  to  work  out  cross-word 
puzzles  for  a  long  time. 


Another  Roxy  Co. — In  Ohio 

Columbus,  O. — The  Roxy  Theaters, 
Inc.,  have  been  formed  here  by  Oscar 
J.  Smith  of  Tyler..  McMahon,  Smith 
and  Wilson  and  H.  L.  Christopher, 
M.  M.  Swisher,  G.  L.  Andrews  and 
E.  C.  Mettler. 


The  above  company  has  no  con- 
nection with  the  Roxy  Theaters  Corp. 
of  New  York,  according  to  W.  E.  At- 
kinson. 


Buys  Three  Sites  in  Stillwater 

Stillwater,  Okla. — Three  sites  on 
Main  St.  have  been  bought  by  Fran- 
ces M.  Tull,  of  Oklahoma  City.  The 
Camera  theater  and  building  is  in- 
volved in  one  deal,  while  the  other 
two  were  purchased  from  Harry 
Jones  and  C.  D.  Jackson.  Tull  in- 
tends erecting  a   new  theater. 


Texas  Guinan  at  "Naked  Truth" 
Texas  Guinan  will  be  the  "chief 
wisecracker"  at  the  "Naked  Truth" 
dinner  on  the  6th.  Glen  Allvine, 
speaking  at  the  A.  M.  P.  A.  yester- 
day, said  the  dinner  was  shaping  up 
in    great    shape. 

At  next  week's  regular  meeting  of 
the  association,  S.   R.  Kent  will  talk. 


Women  Oppose  Jersey  "Blue"  Laws 

Trenton.  N.  J. — May  Carty  and 
Mrs.  Catherine  Finn,  Democratic 
members  of  the  Assembly,  are  plan- 
"'"^  ,to  fight  the  State's  antiquated 
"blue"  laws  during  the  present  ses- 
sion. Miss  Carty  will  introduce  a 
bill  to  abolish  the  law,  which  Mrs. 
Finn  will  support. 


Ancient   Schooners  for  "Ironsides" 

Salisbury,  Md. — Old  time  schoon- 
ers of  the  Chesapeake  Bay  oyster 
fleet  have  been  bought  bv  Famous 
Players  for  use  in  "Old  Ironsides." 
Crews  are  being  enlisted  to  sail  the 
fleet  through  the  Panama  Canal  to 
the   Coast. 


liiiiiinimmllillilllllllllllliiiiiilllilllinilllllllllllljlll 


FEBRUARY  28th 


ppipipiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiiiiiniiiiiiiiiiiin 


Pauline  Starke  in  Glyn  Story 
Hollywood — Pauline  Starke  will 
have  the  lead  in  Elinor  Glyn's 
"Love  Blindness,"  shortly  to  be  put 
into  production  by  M.-G.-M.  The  di- 
rector has  not  been  selected. 

M.-G.-M.  has  engaged  Katharine 
^Hilliker  and  H.  H.  Caldwell  to  title 
V'The  Torrent." 

I    Lars    Hanson,    SwedTsTi    actor,   will 
nave  the  lead  opposite  Lillian  Gish  in 
VThe  Scarlet  Letter,"  work  on  whicl 
tarts  today,  with  Victor  Seastrom  di 
ecting. 
John   M.   Stahl  will  begin  work  oij 
"Toto"  tomorrow. 

Production     commenced     yesterda, 
n  "Brown  of  Harvard."     Jack  Co/- 
■  ay   is   directing. 

New  $700,000   Chicago   House 

Chicago  —  Work  will  start  March 
15  on  the  Addison  theater,  and  busi- 
ness block  at  Addison  St.,  and  South- 
port  Ave.,  to  be  ready  Jan.  1,  1927. 
Gumbiner  Bros,  have  leased  and  will 
operate  the  theater,  seating  2,000. 
Edward  Perry  Steinberg  is  the  archi- 
tect, and  James  J.  Redding  &  Co.. 
general  contractors.  Shapker,  Stuart 
&  Co.  have  arranged  a  $300,000  bond 
issue  for  12  years  at  6^2  per  cent,  on 
the  building  which  will  cost  $700,000. 


Brenon  and  Party  Leave 

Herbert  Brenon,  who  will  direct 
"Beau  Geste"  for  Paramount,  left 
yesterday  for  the  Coast.  J.  Roy 
Hunt,  chief  cameraman,  left  Tues- 
day and  Rav  Lissner,  Brenon's  as- 
sistant, Julian  Boone-Fleming,  art  di- 
rectors and  Marie  Halvey,  continuity 
clerk,  will  start  West  tomorrow.  Jul- 
ian Johnson,  supervisor,  will  join 
them   in    Hollywood    soon. 


Flaherty  Talks  on  Samoa 

Robert  J.  Flaherty,  producer  of 
"Moana"  addressed  the  A.  M.  P.  A. 
yesterday  and  told  some  interesting 
experiences  met  with  in  making  the 
picture.  At  one  time,  the  heat  was 
so  intense  that  bearings  in  the  Akeley 
cameras  melted.  One  of  the  great 
difficulties  was  caused  by  the  lack  of 
ice  and  the  proper  temperature  for 
the  baths  used  in  developing  nega- 
tives. 


Beauty  Winner  Signed  by  "U" 

Llollywood — Adrienne  Dore,  win- 
ner of  the  Los  Angeles  Examiner 
contest  and  second  place  winner  in 
the  "Miss  America"  contest,  has  been 
signed  by  Universal  for  five  years. 
Her  first  role  is  in  "The  Mystery 
Club." 


IF  YOU  ARE  IN  THE 
MARKET  FOR  ANY  KIND  OF 

MOTION  PICTURE 
APPARATUS 

CONSULT  US- AND  SAVE  MONEY 
SEND  FOR  OUR  PRICE  LIST 


Chas.  G.  Willoughby,  Inc. 
Motion  Picture  Department 

110  Weit  32nd  St..  New  York 
Pkme    Pcna.    (SM 


Ballroom  in  Warners'  Hollyw 

iiollywood — A  large  ballro_ 
hi  part  of  the  new  Warner  Holl 
theater  building,   work  on  wh; 

sen    started.      The    house    wi 

600,    but    the    capacity    may   b« 

reased. 


\ 


HAL  ROACH  P««/wy 


CharleV/^ 
Chase 


"CharleyM^ 

I    Boyr 

Pafhecomedy       i 


This  is  a  'Cornerblock'  cut  furnisti 
FREE  for  all  Pathecomedies  at  y 
exchange. 


I  Ward  Cine  Laboratory JiK, 


ii 


215-222   Weehawken    St 
Union  City,  N.  J. 

Telephone  Union   4800 

G.  BERT  WARD,  Prts. 


1 


Do 
Ke 


♦  >• ♦♦•♦>•♦•>♦ ♦♦ 


HALPERIN 


NATIONAL     EVANS. 
LABORATORIES,   In< 

Developing — Printing — Titl( 

1476  Broad v^ray 
Tdephenes  Bryant  9310-9! 


An 
Ih 
Ge 
t 
Th 
Is 
Fc 
Ir 
Tr 


ARENA  CHOP  HOUSE 

148  West  46th  Street 
Rendezvous  of  the  Film  Tradi 

A  guitt  plact  to  talk  buiinns 

Luncheon  Blue  Plates  60c 
Also  a  la  Carte 

—  PRIVATE  DINING   ROOMS— 


BAY  STATE 


( 


m 


Second  Oldest  Continuous 

Raw   Stock 

Producer  in  America 
Negative  Positive  Safety 


d^K 


lOHl 


Hetro- 

fyoUwyn- 

Mayers 

PEP 


TAKE  THIS  TONIC! 


Don't  wait  'till  old  age  sets  in. 

Keep  that  theatre  healthy 

With  pictures  that  have  vitality. 

When  things  are  "off" 

And  you  can't  seem  to  drag  Vm  in 

That's  when  M-G-M's  tonic 

Gets  in  its  best  work. 

We're  convincing  more  showmen  every  day 

That  The  Quality  Fifty-Two 

Is  a  sure  cure 

For  feeble  box-ofHces. 

Try  it  once  and  watch  things  pep  up! 

Try  it  once  and  — 

You'll  use  it  forever! 


SHOWMEN 
CRY  FOR  IT ! 


"I 


^  Tor  Q^j 
r^  had  th  -^^y^^^rs: 


'u^n 


^  ^ore/>   ^^f /ft^,^  fpnic  L^^ 


^ev, 


■Afi 


^•AT. 


^^h 


nc 


bad 


'ree' 
day 


irly 


^^  ^ses 


^Okl 


ou 


ah 


"'^^^  A^e^. 


TAKEYOl 

OF  THES 


(No.  470  Straight  from  the  Shoulder 
Talk  by  Carl  Laemtnle,  President 
Universal  Pictures  Corporation.) 

WHICH  TITLE  DO  YOU  PREFER?  WHICH  ONE,  DISPLAY] 
on  your  posters  or  in  your  lobby,  will  draw  the  greatest  crow( 


Ileal 

i 
I 

i 


"THE  FLAMINQ  FRONTIER"  OR  "THE  INDIANS  ARJ 
COMINQ"? 

PICTURE  TO  YOURSELF  THE  VERY  BEST  EPIC  WESTER; 

picture  ever  made — the  very  daddy  of  all  great  big  melodramatic,  seim 
historical,  super-productions. 

PICTURE  A  STORY  WHICH  DEALS  WITH  LIFE  AT  WES 
Point,  with  politics  in  Washington  and  with  the  terrible  Indian  u| 
risings,  resulting  in  the  Custer  massacre  during  the  seventies* 

IMAGINE  A  BRAVE  LITTLE  BAND  OF  SOLDIERS  SETTIN 
out  from  their  headquarters  in  the  flaming  west  to  put  down  an  u 
rising  of  savages.  They  have  been  fooled  into  thinking  there  are  on 
a  few  hundred  Indians  on  the  war  path.  As  a  matter  of  fact,  thousanc 
upon  thousands  of  painted  Indians,  armed  with  tomahawks,  bows  an 
arrows  and  a  few  rifles  —  tribe  after  tribe  —  horde  after  horde  —  ai 
lying  in  wait  to  wipe  the  detachment  of  soldiers  off  the  earth. 

THINK  OF  THAT  GREAT  AND  FIERY  SOLDIER -CUSTE 


k 


IS 


1 


IVI 


IV( 


\ 


ffll 


M4i 


CHOICE 

ITLES! 

eading  his  men  forth  upon  an  expedition  which  was  to  result  in 
lihilation* 

PICTURE,  AS  WOVEN  THROUGH  ALL  THIS,  A  BEAUTFUL 
e  story — political  intrigue — crooked  politicians — lying  white  men — 
th  President  Ulysses  Grant  not  knowing  who  was  telling  him  the 
th  and  who  was  misleading  him  —  and  then  — 

J   GIVE  IT  THE  TITLE  YOU  PREFER-EITHER  "THE  FLAM^ 
Ig:  Frontier^^  or  "The  Indians  are  Coming.^^ 

IN  PREPARING  OUR  POSTERS,  NEWSPAPER  ADS  AND 
er  publicity  matter  which  will  help  you  get  every  last  cent  out  of 
Us  outstanding  special  picture,  we  are  arranging  it  so  that  you  can 

tture  whichever  title  you  like  best*   There  will  be  TWO  COMPLETE 
TS  OF  POSTERS,  ADVERTISINQ  AND  PUBLICITY  HELPS- 
EXHIBITORS  IN  SOME  OF  THE  EASTERN  SECTIONS 
ve  shown  a  preference  for  ^^The  Flaming  Frontier/' 

EXHIBITORS  IN  WESTERN  AND  OTHER  SECTIONS 
ve  said  by  all  means  to  give  them  "The  Indians  are  Coming/' 

TO  GIVE  EVERYBODY  A  CHANCE  TO  CASH  IN  TO  THE 
eatest  possible  extent,  according  to  his  own  local  conditions,  we  have 
>ubled  our  own  work  of  preparation  —  BECAUSE  THE  PICTURE 
WORTH  IT! 

AND  I  HOPE  FROM  THE  BOTTOM  OF  MY  HEART  YOU 
ill  make  double  the  profit  you  ever  made  on  any  other  picture. 


fHC 


j5B^ 


DAILY 


Friday,  January 


Finds  Ufa  in  Lead 

English  Editor  Looks  to  That  Com- 
pany for  Germany's  Big  Pictures 
— Review  of  the  Industry  Here 

Bv  ERNEST   W.  FREDMAN 
The  'Film    Renter    and    M.    P.    News 

London — Frankly  an  inspection  of 
the  film  industry  in  Germany  does 
not  lead  one  to  expect  anything  par- 
ticularly outstanding  from  that  coun- 
try in  the  next  few  months,  for,  with 
the  exception  of  the  Ufa,  who  are 
concentrating  on  big  pictures,  several 
of  which  are  being  produced  on  a 
most  ambitious  scale,  there  is  noth- 
ing that  is  likely  to  create  any  furore 
in   the   British  market. 

Ufa  are  still  the  leading  iilm  manu- 
facturers and  there  is  no  likelihood  of 
their  position  being  usurped  by  any 
other  company.  With  the  tremend- 
ous loan  of  four  million  dollars  which 
they  are  receiving  from  Famous  and 
Metro-Goldwyn,  and  with  a  certain 
market  for  their  pictures  in  America, 
it  can  be  well  imagined  that  their 
production  schedule  for  1926  is  likely 
to  be  considerably  increased.  In- 
deed, when  I  saw  Erich  Pommer  in 
Berlin  a  few  short  weeks  ago,  he 
intimated  that  his  company  would 
be  launching  out  on  a  bigger  scale, 
and  in  preparation  for  this  event 
work  had  practically  been  stopped  at 
the  studio  so  that  all  forces  could 
unite  on  a  production  schedule  that 
would  be  on  a  greater  scale  than 
hitherto  attempted. 

It  is  pretty  likely  that  several  big 
Famous,  Metro-Goldwyn  and  Univer- 
sal stars  will  make  films  in  Germany 
in  connection  with  Ufa,  while  the 
Ufa  Co.  are  also  sending  producers 
into  America  to  make  films  for  them 
there.  The  last  picture  that  Ufa 
made  is  "Variety,"  which  I  attended 
on  its  first  screening  at  the  mammoth 
Ufa  Palace,  now  remodelled  and  seat- 
ing between  3,000  and  5,000  people. 
"Variety"  is  a  great  picture,  superbly 
acted,  with  settings  taken  for  the 
most  part  in  the  Winter  Garden  the- 
ater and  it  has  a  circus  atmosphere 
that  is  unique.  Emil  Jannings  gives 
another  performance  that  has  made 
his  name  of  world-wide  renown.  An- 
other big  film  that  Ufa  is  engaged 
upon  is  "Metropolis,"  which  Fritz 
Lang  was  working  on  in  the  big 
Staaken  Studios.  This  is  a  subject 
that  a  producer  of  Lang's  reputation 
is  well  able  to  undertake,  but  the  pic- 
ture will  not  be  finished  for  some 
months  as  there  is  considerable  work 
still  to  be  done. 

Other  films  from  Ufa  will  be 
"Faust,"  with  Jannings  and  Gosta 
Ekman;  "Manon  Lescaut,"  featuring 
Lya  de  Putti;  "A  Waltz  Dream,"' 
from  the  famous  opera  and  "Tar- 
tufTe,"  with  Jannings  in  the  title  part, 
supported  by  Werner  Krauss  and  Lil 
Dagover. 

Probably  the  next  producing  unit  of  any 
importance  is  the  Phoebus  Film  Co.,  whose 
program,  however,  appears  to  be  consider- 
ably curtailed.  They  are  not  making  any- 
thing like  the  ambitious  productions  they 
made  a  year  or  two  ago,  but  are  now  con- 
tenting themselves  with  a  smaller  number  of 
pictures  and  are  enterting  the  exhibiting 
field  to  a  larger  extent.  The  latest  and  most 
up-to-date  picture  house  in  Berlin,  The  Capi- 
tol, has  been  put  uj^  by  these  people,  and  it 
opened  with  ''The  Thief  of  Bagdad,"  which, 
I  understand,  was  a  riotious  success.  In- 
cidentally, the  Fairbanks  picture  has  created 
an  enormous  success  in  Germany  for  in  Col- 
ogne it  played  to  record  business.  There 
is    nothing    particularly    outstanding    for    the 


English    market    in    the    Phoebus    program. 

The  Westi  concern  which  opened  with  such 
a  flourishing  of  trumpets  has  gone  the  way 
of  all  flesh,  and  hundreds  of  thousands  of 
pounds    with    it. 

The  Trianon  are  doing  practically  nothing 
while  the  Stern  Film  Co.,  which  was  a  very 
important  producing  concern  and  gave  us 
such  pictures  as  "The  Street"  and  "Arabella  " 
are  not  now  producing.  As  a  matter  of  fact 
most  of  the  independent  producing  concerns 
in  Germany  who  are  making  pictures  are 
having  them  released  tlirough  the  Ufa  or- 
ganization which,  with  its  total  of  some  one 
hundred  and  eighty  theaters  and  its  grip 
upon  the  English  and  American  market, 
makes  it  of  paramount  importance.  The  Na- 
tional Film  Co.,  another  well-known  concern, 
are  making  a  number  of  pictures,  but  none 
of   any    importance. 

The  Terra  Film  Co.  have  made  two  pic- 
tures on  a  somewhat  ambitious  scale,  notably 
"The  Countess  Moritzza,"  after  the  famous 
opera,  and  "The  Man  Who  Sells  Himself," 
an  up-to-date  and  modern  story,  neither  of 
which  I  have  seen,  but  of  which  report  speaks 
well. 

Outside  of  these  concerns,  there  is  little 
production  of  any  importance  being  done  in 
Germany.  Everywhere  one  hears  of  the  lack 
of  money,  although  the  German  film  industry 
appears  to  prosper  in  spite  of  this,  but  it 
certainly  is  remarkable  to  note  the  dwindling 
of  production,  which  rather  bears  out  the 
suggestion  that  money  is  difficult  to  obtain. 
The  American  loan  to  Ufa  is  evidence  that 
money  is  tight  in  Germany  and  until  there  is 
an  easier  rate  and  grater  facilities  for  ob 
taining  money  it  is  difiicult  to  see  any  very 
great  alteration  in  the  existing  state  of  af- 
fairs. What  I  particularly  noticed  was  that 
many  firms  who  have  a  kontingent  for 
American  films  are  merely  producing  small 
and  cheap  pictures  so  as  to  comply  with  the 
law.  This  is  a  very  disquieting  feature  and 
shows  what  could  be  done  if  a  compulsory 
quota  were  introduced  into  Englanj. 

The  American  companies  appear  to  be 
flourishing  in  Berlin,  and  one  comes  across 
the  foreign  managers  of  the  big  concerns 
in  considerable  numbers.  Theater  business 
m  Berlin  appears  to  be  prospering  and  the 
Ufa  Palace,  which  has  been  remodelled,  was 
playing  to  very  big  bjisiness. 

Generally  speaking,  I  should  say  that  while 
the  German  film  industry  is  handicapped  by 
lack  of  money,  at  the  same  time  it  is  still 
more  or  less  flourishing,  and  when  the 
finance  gets  a  little  easier  I  can  well  imagine 
it  going  ahead.  As  usual  a  visitor  to  Berlin 
is  immediately  greeted  with  wonderful  stories 
of  intrigue  and  plots  in  the  personnel  of  Ufa, 
and  while  I  was  there  I  heard  dark  stories 
of  the  fight  then  going  on  between  Jacob, 
head  of  the  renting  department,  Sam  Rach- 
mann  and  Erich  Pommer,  concerning  a  battle 
on  the  part  of  Jacob  and  Rachmann  to  force 
the  retirement  of  Pommer.  I  expect  the  whole 
thing  was  greatly  exaggerated,  for  at  any 
rate,  Pommer  is  in  control,  and  likely  to 
stay  there.  The  Gerfnan  film  industry  in  no 
way  differs  from  our  own  in  the  gossip  and 
rumors  that  are  continually  cropping  up,  but, 
as   here,   there   is   generally   little    in   them. 


Bausback  Succeeds   Kallman 

Berlin — Dr.  F.  Bausback,  formerly 
a  Ufa  director,  has  been  appointed 
general  manager  of  the  company,  a 
post  left  vacant  since  the  resignation 
last  year   of   Felix   Kallmann. 

Rosenfeldt    Succeeds    Saklikower 

Berlin— Herman  Rosenfeldt,  for- 
merly of  National  Film  A.  G.,  has 
succeeded  Saklikower  as  managing 
director  of  the  Ifa,  the  United  Artists 
dsitributing  organization  in  Germahy 


Tiffany  Deal  In  London 

London — British  Exhibitors'  Films 
will  handle  the  current  and  1926-1927 
output  of  Tiffany  Prod.  Fred  Bern- 
hard  closed  the  deal  while  in  New 
York  recently. 


London — W.  and  F.  Film  Service 
has  purchased  "Stage  Stars  at  Work 
and  Play,"  short  subjects  made  by 
Phil  Ross. 


Financing  Scheme 

(Continued  from  Page    1) 

financial  assistance  to  independent 
British  producers  based  on  the  merit 
of  various  cases  that  come  up.  The 
standing  of  the  producer,  the  story, 
the  players  and  the  entertainment  ap- 
peal are  to  be  the  fundamentals  upon 
which  advances  will  be  made. 

Lyons  feels  that  under  such  a  plan, 
there  would  be  no  necessity  for  dis- 
cussions over  a  quota.  He  argues 
domestic  production  would  be  re- 
vived with  no  irksome  regulations 
placed  on  exhibitors.  The  fact  that 
theater  owners  themselves  would  sup- 
ply the  money  would,  of  course,  guar- 
antee bookings  in  their  houses. 

Lyons  has  even  gone  so  far  as  to 
draw  up  a  tentative  committee.  For 
the  C.  E.  A.,  he  has  named  T.  P. 
O'Connor,  the  President  of  the  C.  E. 
A.,  and  in  any  event,  also  Thomas 
Ormiston  William  Evans,  E.  E. 
Lyons.  Major  Gale,  Victor  Davies, 
Mr.  Hewitson,  Captain  Alfred  Davis. 
For  the  renters:  Sir  William  Jury, 
Reginald  Bromhead,  S.  Rowson,  the 
President  of  the  Renters'  Society,  in 
any  event,  George  Smith.  Others: 
Gilbert  Frankau,  W.  B.  Maxwell  and 
Edward  Knoblock,  representing  au- 
thors. 

"The  Film  Renter"  said  of  the  plan: 

"To  p4it  it  briefly,  he  proposes  a  film 
board  composed  of  exhibitors  and  renters 
with  a  capital  of  £100,000,  put  up  by  ex- 
hibitors to  help  finance  British  pictures  to 
the  extent  of  fifty  per  cent  of  the  negative 
cost.  Mr.  Lyon's  idea  is  that  any  producer 
who  has  made  creditable  pictures  in  the  past 
can  come  to  the  Board  with  his  suggestions 
for  the  making  of  a  film  and,  if  passed,  re- 
ceive half  his  cost  before  he  starts  making 
the  film.  Undoubtedly,  at  first  glance,  it  is 
a  very  sensible  contribution  to  put  forward 
as  a  solution  of  the  difficulty,  but  it  possesses 
two  salient  weaknesses.  In  the  first  place, 
where  is  the  guarantee  that  the  £100,000 
will  be  forthcoming?  And  secondly,  how  far 
does  this  comparatively  small  amount  go  to- 
wards solving  the  problem  of  a  greater  screen 
display  of  British  films?  £100,000  will  make 
eiglit  reasonably  good  pictures,  not  more,  so 
that  isn't  a  great  many  to  add  to  the  lament- 
able small  number  of  British  films  now  being 
made." 


"Sans    Gene"    A'warded    Prize 

Paris — The  first  prize  at  the  Ex- 
position of  Decorative  Arts  has  been 
awarded  Leonce  Perret  as  director 
of  "Madame  Sans  Gene."  The  pic- 
ture was  made  in  France- 


Hitchcock's  Next,  "The  Lodger" 

London — Alfred  Hitchcock  has  fin- 
ished "The  Mountain  Eagle"  for 
Giansborough  and  will  next  direct 
"The  Lodger,"  by  Mrs.  Belloc  Lown- 
dies^ 


!e- 


Grainge  Buys  Story 

London— Booth  Grainge  has  pur- 
chased picture  rights  to  "The  Ball 
of  Fortune,"  which  goes  into  produc- 
tion soon. 


etition    Comerford    to    Build 

Dunmore,  Pa. — The  Business  Men's 
Club,  has  petitioned  the  Comerford 
Amuse.  Co.  to  build  here.  At  pres- 
ent, there  is  only  one  local  house, 
the   Garden,   in  a  town  of  22,000. 


New    Producing   Unit 

Hollywood — A  site  is  being  sought 
by  Lewis  H.  Moomaw,  producer-di- 
rector from  Portland,  for  a  studio. 


In  British  Stu< 

Gainsborough    to    Make    Ni 

Year — Several     Companic 

France    for    Exterior 

London — New  productions 
or  planned  here  include: 

Charles    Wilcox    has    incc 
his  interests  under  the  firm 
Charles  Wilcox  Prod.,  Ltd. 
and  Mrs.  Wilcox  are  the  ma 
porators. 

The     next      British-Welsh- 
production    is    "The    Little 
written  by  George  Pearson, 
ing   directed   by   the   latter   at 
court  studio. 

During  1926,  Gainsborouj 
tures,  Ltd.,  will  produce  nine 
Two  stories  already  acquirec 
fut  into  work  soon,  are  "The  1 
by  Mrs.  Belloc  Lowndes,  ant 
tingflower,"  by  John  Buchar 
said  that  Douglas  Fairbank 
time  ago  made  an  ofifer  for  th( 

Stoll  has  "The  Chinese  Bui 
in    work.      A    company    has 
Southern   France  to  make  ex» 
Sinclair   Hill   is   directing.      M. 
Lang  is  starred. 

Pictos,  Ltd.,  which  does 
deal  of  the  laboratory  work  o 
lish  pictures,  has  taken  large 
ters  at  Tottingham.  Six  pr«' 
rootns  are  part  of  the  equipir 


\ 


,i  -■' 

ve  '■ 


2B(1 

i«e- 


New  London  First  Run  Oi'l 
London — Many    notables    a  f- 
the   opening   of   the    new    Ken , 
at  Court  and  Kensington  Roatjc  l 
house,  which  scats  2  400,  cost! 
000. 


New  Theater  for  Spitz 

Boston — Ground    has    been 
for  the  new  theater  to  be  erec 
Beale  St.,  Wollaston,  for  Abe 
owner  of  other   theatrical   ente 
in   New   I  England.     It  will  seal 


Mc Knight  with   Stanley  C| 

Atlantic  City — Vincent  AIc^ 
has  been  appointed  publicity  m 
for  the  Stanley  Co.  here.  H| 
ceeds  John  Gillespie. 


Buys   Site   for    Parking    Ci 

Maiden,    Mass. — A    site    lar^ 
ough  for  the  parking  of  250  ca 
been   purchased    by   Ramsdell 
builders  of  the   new  Orpheum. 
plot  is  near  the  theater. 


Films    Advocate    Church 

Wichita,    Kan. — Films    are    ! 
Saturday  nights  at  the  Miller, 
ing    out    the    benefits    to    be    d 
by     attendance     of     church     S 
^mornings. 


Organize  Service   Departmej 

Detroit — A  service  departmeil 
the  handling  of  second-hand  tn 
cal  equipment  has  been^  opemj 
the  M.  P.  T.  OrtftTITchigan. 


Fox  Borrows  Owen  Moorl 

H  o  1  1  y  w  o  o  d — Fox  has  bonl 
Owen    Moore   from  the   WarneiJ* 
a  lead  in  "Separate  Rooms." 

New  House  for  Dearbomj 
Dearborn,      Mich. — Barney     ^' 
man  has  let  contracts  for  a  new  i 
seat  house. 


THE 


\f,  January  22,  1926 


'^!^ 


m 


DiAILY 


Veterans 

f    Executives    and    Employees 
th   Their    Companies    Five 
'ears  and  Over  Surprising 

e  is  another  angle  to  this  busi- 
;hich,  in  the  trade,  is  usuall}' 
d  to  as  one  of  constant  changes, 
ict  is  often  lost  sight  of  that 
ire  innumerable  executives  and 

ees  in  the  industry  who  have 
issociated  with  their  present 
zation  for  manv  years, 
way  of  proof,  THE  FILM 
Y  asked  the  more  important 
nies  for  the  names  of  those  in 
)me  office  who  have  rounded 
e  years  or  more  in  their  re- 
e  posts.  The  inquiry  brought 
some    interesting    information. 

and    United    Artists    supplied 
,'ees  in  the  field  as  well. 
Famous  Players 

,h  Zukor,  Jesse  L.  Lasky,  Elek  J. 
S.  R.  Kent,  Richard  W.  Saunders, 
Shauer,  Eugene  J.  Zukor,  Ralph 
■in,  A.  J.  Michel,  Norman  CoUyer, 
J.  Pineau,  Henry  L.  Salsbury,  J.  \V. 
Louis  E.  Swarts,  George  Weeks, 
isman,  John  D.  Clark,  M.  H.  Lewis, 
lidelman,  G.  B.  J.  Frawley,  Melville  A. 
Chas.  E.  McCarthy,  A.  M.  Botsford, 
Holman,  Vincent  Trotta,  Claud  Saun- 
A.  Thorn,  P.  H.  Stilson,  Orel  Geyer, 
ilontgomery,  Austin  C.  Keough,  Chas. 
thorne,  R.  G.  Barrett.  G.  M.  Spidell, 
Cokell,    E.    A.    Brown    and    Dr.    E. 


Miscellaneous 
Edwin  H.  Collins,  George  A.  Roberts, 
Jacob  Sichelman,  SteiTa  Sidel,  Blanche 
Strauss,  Ella  Lifschey,  Abe  Finkelstein,  Ed- 
ward K.  Kealy,  William  E.  Sennett,  Max 
Weiss,  Louis  A.  Gabriel,  Elsie  Hoyler,  Carl 
Young,  William  Schramm,  Stephen  G.  Wil- 
liams, Katherine  Young,  William  Friedman, 
Anna  Hasinsky,  Xsadore  Krotosky,  Julius 
Smolen,  Aaron  Fox,  Moe  Krane,  Caroline 
Green,  Arthur  A.  Jordan,  Hamilton  Thomp- 
son, Anne'tte  Walters,  Dora  Adelman,  Char- 
les Devlin,  Clyde  W.  Eckhardt,  Lillian 
Forma,  Irving  A.  Maas,  Fred  Boehringei, 
Deon  J.  De  Titta,  Morris  Caplan,  Hettie 
Gray  Baker,  Hortense  Hechter,  Ida  Myckon, 
Mildred  Zinneman,  Bertha  Hocks,  Harry 
Reinhardt. 


First  National 
Accessories 
.   Barlow,   E.   Koenigswald. 

Accounting 
Dority,  Lester  Fenelon,  Frances  Mil- 
L.     Becker,    J.    L.     Wallace,     Edith 
I. 

Auditing  ^  . 

ge    Kreamer. 

Distribution 

tie    Levy,    Martha     Barbey,     Sol    Sher- 
ielen    Blumkin,     D.    J.     McGowan,    J. 
:lly,     Kathleen     Burke,     Minna     Reppa, 
Crosbie,    Nelda    Albinesi. 
Foreign 

ruce  Johnson,  M.   P.  Harwood,  George 
nt. 

Publicity 
les     Einfeld,     Jesse     Gourlay,     C.     F. 
er,     William     Mulligan,     Elsie     Porn- 
Stella     Shepard,      Sylvia     Gutterman, 
Kirkland. 

Miscellaneous 
r  McCaffrey,  Amelia  Zoeller,  William 
,,  Emma'  L.  Shading,  Margaret  Hughes, 
der  Pusey,  Rita  McCarthy,  Emma 
r,  Phyllis  Murphy.  E.  F.  Clewley, 
n  B.  Smith. 


Metro-Goldwyn-Mayer 

Edwin  W.  Aaron,  S.  S.  Braunberg,  F. 
Barry,  Miss  L.  1.  Bauer,  Col.  J.  E.  Brady, 
Paul  Burger,  Miss  E.  Callahan,  T.  J.  Con- 
nors, A.  F.  Cummings,  Miss  Mary  Daly,  C. 
F.  Deesen,  Howard  Dietz,  Mrs.  F.  Eggles- 
ton.  Miss  B.  Fried,  O.  Goldberg,  S.  Gott- 
lieb, W.  B.  P.  Jones,  H.  C.  Kaufman,  W. 
D.  Kelly,  Miss  R.  Klein,  H.  C.  Kleindienst, 
H.  F.  Krecke,  Miss  A.  Leitch,  Miss  H. 
Lesser,  Mrs.  N.  Lewton,  F.  E.  McRoy, 
J.  S.  MacLeod,  R.  P.  MacLeod,  Miss  J. 
Mittleman,  Miss  L.  Messing,  E.  F.  Nevers, 
W.  Ornstein,  Miss  D.  B.  Pollock,  C.  Quick, 
A.  Rosenstock,  W.  F.  Rogers,  Miss  F.  Roh- 
rer.  Miss  N.  Rothschild,  Miss  B.  Ruma- 
shevsky,  E,  M.  Saunders,  C.  J.  Sonin,  C. 
K.  Stern,  D.   Symon  and  Miss  I.   M.  Waring. 


P.  D.  C.  Trade  Showing 

P.  D.  C.  will  show  "The  Million- 
Dollar  Handicap"  and  "Fifth  Ave- 
nue" to  exhibitors  at  2.30  P.  M.  on 
the  28th,  at  Wurlitzer  Hall. 


Koppin  Leases  Detroit  House 
Detroit — Henry      S.      Koppin      has 
leased   the   Majestic  and  has   inaugu- 
rated a  policy  of  vaudeville  and  pic- 
tures. 


Greer  Stays  with  Famous 

Los  Angeles  —  Howard  Greer,  de- 
signer of  gowns,  has  signed  a  new 
contract  with  Paramount. 


Lerch  Managing  State,  Alexandria 
Alexandria,  Minn. — Herman  Lerch, 
formerly  with  Minneapolis  Associ- 
ated Lxhibitors,  has  succeeded  George 
Bromley  as  manager  of  the  State. 
The  house  is  operated  by  the  Jacob- 
son   &  Peterson  Co. 


^. 


Pathe 

Leon  Franconi,  manager  of  the  film  edit- 
ing department,  is  the  oldest  employee  at  the 
home  office;  Samuel  Macknovitch,  Gas- 
ton L.  Chanier,  Brandan  P.  Egan,  Marie 
Frejmann,  P.  Allen  Parsons,  Manuel  Rivera 
Regalacio,  John   W.   Kyle,   Sadie   Gilde,   Arthur 

Rousseau  and  John  Humm,  Antoinette  De- 
splanil,  Thomas  Fellows,  Katherine  Furtner, 
Josephine  Bullock,  Reba  Kershner,  Edward 
Mangeat,  Alex.  Pluhar,  Walter  Conklin,  An- 
drew Hoagland,  and  Katherine  Gulick,  Juliette 
Champion,  Emanuel  Cohen,  Nettie  Kuver, 
John  A.  Bartone,  Albert  Adatte,  John  J.  Jen 
iiings,  Walter  S.  Wessling,  Julia  Sievers, 
William  Turbett,  George  E.  Maillard,  Ray- 
mond Haskell,  James  A.  Curran,  L.  A.  Sam- 
uelson,  (iertrude  Wilbert.  John  Leary,  Erwin 
Stahl,  Thomas  F.  Holden,  Wade  S.  Windsor, 
Margaret  Wooley,  Tres  Gulich,  Andrew  J. 
•Seip,  Charles  Jeannerot,  Frances  Covin,  Eliz- 
abeth Smith,  Louis  Hanta,  Asa  Applegate, 
Florence  Freuler,  Josephine  Kohl,  Mary  Ha- 
lev,  Arthur  W.  Miller,  John  E.  Judson,  Frank 
Bullock,  James  Jones.  John  Lusk,  Katherine 
Frangart,  Ormand  Riker,  Albert  Dassa,  Har- 
ry Hayes.  William  Fellows  and  Emory  Schoon- 
maker,  John  T.  Richards.  Edward  Kraemer, 
Walter  Werner,  Henry  Baker,  Elizabeth  T. 
Calahan.  Michael  Angaroni  L.  S.  Diamond, 
E.  S.  Heller.  Charles  J.  Fischer,  William  C. 
Smith.  Dorothy  Lambeck.  Joseph  Sanfilippo, 
Charles  A.  Brady,  Jr.,  Leo  Adler,  Frances 
B.    Roset   and   Grace  Traverse. 


Dowling  Assistant  at  Boston  House 

Boston — Frank  H.  Dowling  has 
been  appointed  assistant  manager  of 
the  Olympia.  James  Moor  is  man- 
aging the  house,  which  is  controlled 
by   Famous.     It  seats  3,200. 


Ryder    Chicago    Manager 

Chicago — Jack  Ryder,  former  man- 
ager of  the  Paramount  exchange  in 
Detroit,  has  been  appointed  manager 
of  the  local  office  by  Harry  Ross, 
division   manager. 


Theater  Company  Buys  $125,000  Site 

Shamokin,  Pa. — A  large  site  on  In- 
dependence St.  has  been  bought  by 
the  Arcadie  Amusement  Co.  The  con- 
sideration was  $125,000. 


Fox 

Acessories 
is  S.  Levin. 

Auditing 
h  Cohen,  George  H.  Eisele,  David  O. 
George  Felix.  Florence  Gelula,  Mau- 
oodman,  Maurice  Grassgreen,  F.  P. 
Michael  W.  Hill,  Sadye  R.  Keller,  Wil- 
0.  Munn,  John  A.  O'Connor,  Emanuel 
Max  Schloss.  Morris  Schnialzbach, 
1  Seco,  Read  B.  Simonson,  Luke  Stager, 
Wolpin,  Robert  G.  Wyckoff.  Wesley 
ofi-. 

Building    Maintenance 
nklin     R.     Bruns,     Herbert     L.     Gilber, 
E.     Kent.     William     Reilley,     Thomas 
rd,  Percy  A.  Grainger. 
Contract 

sie  Blum,  Nat  Finkler,  Anna  Fishman, 
Kupper,  Isidor  Lincer,  Laurette  Phster, 
lore  Schwartz. 

Foreign 
Iney  E.  Abel,  John  H.  Birkenhauer. 
h  E.  Farrington,  Patrick  M.  Hanrahan, 
;r  J.  Hutchinson,  David  Kalmowitz, 
O'Connor,  Helen  Rautenkranz,  John 
yan,  John   P.   Ryan,  Clayton  P.   Sheehan. 

Fox    News 
y  Anderson,   Elsie  V.   Boland.  Lawrence 
illis,    George    N.     Garvin,     Benjamin     L. 
iree,     Bert     Mason,     Edmund     H.     Reek, 
s   Seebach,   Blaine  Walker. 

Publicity 
irry      Collins,      Vivian      Moses,       Esther 
I. 


United  Artists 

Hiram  Abrams,  Enrique  Baez,  Frank  A. 
Beach,  F.  E.  Benson,  A.  C.  Berman,  J.  W. 
Berman,  B,  V.  Billings,  Rose  Braunne,  M. 
C.  Coyne.  Mary  Craft,  Charles  Dreher,  Max 
Ehrenreich,  M.  J.  Garrity,  Chas.  W.  Harden, 
Charles  Hartman,  Wm.  S.  Harrison,  T.  Y. 
Henry,  W.  W.  Hines,  Kenneth  Hodkmson, 
Hannah  Kay,  Paul  Lazarus,  J.  E.  Luckett, 
T  J.  MacEvoy,  Carlos  E.  Moore,  Charles 
7'  Moyer.  Henry  Muller,  W.  S.  Rand,  Anna 
Rodgers,  Mary  W.  Rusk,  J.  F.  Salmon,  Fred 
Schaefer,  H.  T.  Scully,  W.  A.  Shalit,  Mau- 
rice    Silverstone,     Cresson     E.     Smith,     Moe 


Nov.  Exports  $623,108 

(Continued  fiom  Page   1) 

France  has  now  joined  the  list  of 
markets  taking  more  than  1,000,000 
ft.  a  month,  actually  importing  1,726,- 
064  ft.  of  positives  in  November,  with 
a  value  of  $39,033,  a  footage  second 
only  to  that  of  Canada,  which  took 
1,815,497  ft.,  valued  at  $64,436.  Other 
countries  taking  more  than  a  million 
feet  were:  Australia,  1,475,428  ft., 
valued  at  $38,604;  United  Kingdom, 
1,131,444  ft.,  valued  at  $36,691,  and 
Argentina,  1,289,909  ft.,  valued  at 
$39,418. 

The  records  also  show  that  during 
tliat  month  the  U.  S.  exported, 988  ft. 
of  film,  valued  at  $825,  to  Alaska; 
295,628  ft.,  valued  at  $2,840,  to 
Hawaii,  and  75,763  ^t.,  valued  at 
$4,277,  to  Porto  Rico,  in  addition  to 
exports  to  foreign  markets. 


Striemer, 
Tilzer. 


H.     W.     Traver     and     Jacob     Von 


Texas  May  Join  Hays 

(.Continued  from  Page   1) 

The  Texas  directorate  is  composed 
of  H.  A.  Cole,  Marshall,  C.  W.  Bat- 
sell  A.  W.  Lilly,  W.  R.  Fairman, 
John  Paxton.  H.  H.  Hoke,  Henry 
Mulkey,  W.  A.  Stuckert,  H.  T. 
Hodge  and  H.   H.  Starcke. 

The  Hays  organization  has  taken 
no  action  as  yet  on  the  application 
of  the  Upper  New  York  State  zones 
of  the  M.  P.  T.  O.  for  membership. 
The  directors  will  meet  when  Hays 
returns  from  Hollywood. 


Held   Over   This   Week  at 

N.  Y.  CAPITOL 

Urban-Kineto's  First 

REELVIEW 


729  Seventh  Ave.,  N.  Y.  C. 
DISTRIBUTORS 


Betty  Compson  tn 

ounsel  for  the  Defense' 

Associated  Exhibitors 
POWERFUL  STORY  HAS  PLEN- 
TY OF  PLOT,  BUT  CLEARLY 
TOLD.    LOTS  OF  HUMAN  IN- 
TEREST. DIRECTOR  BUILDS 
DRAMA      TO      A      GRIPPING 
CLIMAX. 
Star. ..  .Handles    an    emotional    part 
with  fine  restraint.     Cast  as  a  law- 
yer trying  her  first   case   is  not.  so 
convincing,      but      fortunately     the  . 
court    room    scene    plays    a    smatll 
part  in  the  plot. 
Cast.... Jay    Hunt    as    the   old    town  . 
doctor    gives    an   exceptionally    fine 
portrayal.       House     Peters    as    the  , 
newspaper  editor  gets  little  chance 
to  show  his  strong  personaliiy,  but 
gives    a    fine    performance    just    the 
same.       Rockliffe      Fellowes     very 
convincing  as   the  heavy.         ^  .  '  '^v 

Type  of  Story Drama   of  small; 

town    life.      Adapted    froni    Leroy 
Scott's    novel.      Here    is    a    picture 
with   more   than   the   usual   amount 
of  plot  and  counterplot     However. 
It    is   a    logical    plot,    quite    cleverly 
constructed.    The  adaptation  by  Ar- 
thur Hocrl  shows  it  off  to  the  best 
possible    advantage.       it    is    not.  a 
story  of  "hick"  types,  but  portrays 
life    in   the   average   small   city   in   a 
very  faithful  manner.     The  charac- 
terizations throughout  are  intensely 
human — just  everyday  people  as  we'  - 
know    them.      The    action    centers, 
around  the  efforts  of  a  small  gfoup 
of  rich  men  to  gain  control  of  the 
public  water  works — to  turn  it  oyer 
to    a    private    company    for    their 
own    profit.      The    old    doctor    has 
sponsored    the    project.     The    gang 
succeeds  in  railroading  him  tempor- 
arily  on   a    trumped    up    charge   so. 
that    they    can    have    a    clear    road 
for  their  scheming.     Here  the  doc- 
tor's daughter  enters  as  the  young 
lawyer.       With     the     help     of     the 
town's   newspaper   editor,   she   suc- 
ceeds in  exposing  the  crooks.  The 
story   is   filled   with   dramatic   high- 
lights and   human  interest   touches. 
Some  of  the  high  spots  are  the  re-  -, 
lease  of  the  doctor  from  prison   to," 
aid  in  a  typhoid  epidemic,  inciden- 
tally saving  the  wife  of  one  of  the 
crooks,   who   then  makes   a  confes- 
sion;    the    final    climax    shows    the 
newspaper    editor    saving   the    arch 
crook   from  a   lynching  mob.     The 
director    has    built    up    cleverly    so 
that  suspense  is  evenly  maintained 
through  a  strong  story  .  Holds  the 
interest    with    a    true-lo-hfe     flavor 
very  unusual  and  refreshing. 

Box  Office  Angle Wholesome 

story  of  life  in  the  average  Ameri- 
can city  that  will  exert  wide  appeal. 
Well  chosen  cast  with  clever  di- 
rection puts  over  a  strong  human 
interest  storv. 

Exploitation Use    Betty    Comp- 

son's  name.  She  does  fine  work 
in  a  very  sympatheiic  role.  ^  on 
can  promise  a  gripping  story  that 
will   please   the   whole    family. 

Direction    lUirloii    King;  ROixl 

Author    Lerov    Scoti 

ccnario Arthur    HoerJ 

Not   credit 

d 

Smal^iiv 

6,0|f  (eel 


imeraman    , 
Pictography 
Loci 
Lengl 


ADVERTISEMENT 


i 

4r     . 

^1^ 

KiM^^^^^'^^^Bkte^  ^^^S^ 

^r 


tNE 


m 


10 


Ohio  Acts 


jg^ 


kA 


DAILY 


Friday,  January  22  171 


(Coiit!""^ii  from  Fatje    1) 

tion  of  said  period,  are  not  members 
of  the  M.  P.  T.  O.  of  Ohio." 


An  official  of  the  Hays  office  who 
is  familiar  with  the  workings  of  the 
arbitration  under  the  uniform  con- 
tract declared  that  under  no  circum- 
stances would  the  action  of  the  Ohio 
exhibitor  group  or  any  other  group 
be  permitted  to  interfere  with  arbi- 
tration. He  was  inclined  to  think 
the  Ohio  move  was  one  to  secure 
more  members  in  the  organization 
and  pointed  out  that  if  exhibitors  fail- 
ed to  become  part  of  arbitration  pro- 
ceedings, the  uniform  contract  pro- 
vided that  the  mayor  of  the  city  in 
which  the  board  meets  shall  be  called 
upon  to  appoint  three  exhibitors. 
Then  recourse  to  the  president  of  the 
local  chamber  of  commerce  is  avail- 
able and  as  a  last  resort,  the  presi- 
dent of  the  Film  Board  of  Trade. 


Under  Police  Protection 

Lawrence,  Kan. — Police  protection 
has  been  given  the  Bowersock,  owned 
bv  G.  W.  Dickinson,  after  a  number 
of  handbills  had  been  passed  aboux 
warning  the  public  that  they  attended 
the  show  on  their  own  risk.  The 
houi^e  had  labor  troubles. 


Not  Guilty  of  Sabbath  Violation 

Corpus  Christi,  Tex. — H.  H.  Elliott, 
who  operates  the  Amusu  here,  was 
found  not  guilty  by  a  jury  for  viola- 
tion of  the  Sabbath  laws  of  the  State 
in  connection  with  the  opening  of  his 
house  on  Sunday. 


Peavey,  Atlanta  F.  B.  O.  Manager 

Atlanta — C.  L.  Peavey  has  arrived 
from  Cleveland  to  take  charge  of 
F.  B.  O.,  succeeding  Fred  L.  Davie, 
who  goes  to  Philadelphia  for  As- 
sociated   Exhibitors. 


Regent,  Ottawa,  Reduces  Prices 

Ottawa — The  Regent  has  again  re- 
duced prices,  this  time  from  50  to 
40  cents  for  evening  performances. 
Several  weeks  ago  afternoon  prices 
were  cut. 


Manages  Hippodrome,  Mahanoy  City 

Mahanoy  City,  Pa.  ■ —  T.  Edwin 
Phipps  has  succeeded  Frank  Hills, 
who  has  resigned  as  manager  of  the 
Hippodrome. 


Gately  St.  Louis  Theater  Manager 

St.  Louis — William  Goldman  has 
added  Jim  Gately,  formerly  assistant 
manager  of  United  Artists,  to  his  staff 
of  theater  managers. 


Takes  Over  Iowa  Houses 

Des  Moines — The  Eastern  Iowa 
Theater  Co.  has  taken  over  the  Crys- 
tal, Earlsville  and  the  Garden,  Lis- 
bon.    This  brings  the  chain  up  to  12. 


Horwitz,    An   Associated    Manager 

Cincinnati — J.  Horwitz  is  now  man- 
ager of  Associated  Exhibitors,  suc- 
ceeding Lon  Muchmore,  who  is  now 
with  Famous. 


Globe,  K.  C,  Loss  Is  $15,000 

Kansas  City— The  Globe  suffered 
a  $15,000  fire  loss,  which  destroyed 
curtains  and  scenic  effects. 


Some  Changes  Around  Seattle 

Seattle — Theater  changes  include: 

The  Ballard,  Ballard,  Seattle,  sold  by  Mrs. 
Ella   Kruger  to   L.  J.   Thompson; 

Columbian,  Columbia  City,  Seattle,  sold  to 
A.  Miller; 

Armory,  at  Genessee,  Ida.,  sold  to  Jesse 
Campbell ; 

Glen,   Almira,   Wash.,   sold   to   A.    Nichols ; 

Tonasket,  formerly  ■  Liberty,  Tonasket, 
Wash.,   sold  by   R.   A.   Gulp,   to  J.    P.   Hiltz; 

Colville,  Colville,  Wash.,  sold  by  Walter 
Flint    to    Dan   A.    Morgan ; 

Orting  theater,  lOrting,  Wash.,  sold  by 
A.    Pecchio    to    Mr.    Selverson. 


Benfield  Gets  Another 

Clinton,  la. — Continuing  his  policy 
of  expansion,  B.  J.  Benfield  has  taken 
over  the  Delmar,  Hancock,  changing 
its  name  to  "The  Hancock."  Ben- 
field now  has  houses  at  Morris,  Grace- 
ville  and   Clinton. 


Samuels  to  Manage  Universal  House 

Atlanta — Sol  Samuels,  who  with  his 
brother,  Sig  Samuels,  recently  leased 
the  Alpha  to  Louis  Bach,  has  gone 
to  Orlando,  to  take  over  the  manage- 
ment of  the  American  for  Universal. 


Miller    to    Manage    Universal    House 

Lake  City,  Fla.  —  R.  R.  Miller. 
manager  of  the  Alamo  No.  2.  in  At- 
lanta, has  been  appointed  manager  of 
the  Universal  theater  here. 


Thornton  Opens  Dallas  Office 

Dallas — George  W.  Thornton  has 
resigned  as  sales  manager  of  the  P. 
H.  Pierce  Co.,  and  will  devote  his 
time  to  the  Blizzard  Sales  Co.,  of 
which  he  is  owner.  He  has  opened 
an    office   at    1803    Commerce    St. 


Beery  and  Hamilton  in  "Beau  Geste" 

Wallace  Beery  and  Neil  Hamilton 
have  been  assigned  roles  in  "Beau 
Geste,"  which  Herbert  Brenon  is  soon 
to  make  on  the  Coast  for  Paramount. 


Kansas  City  Fire 

Kansas  City — Fire  of  unknown  ori- 
gin did  $3,000  damage  to  the  Elms, 
a  suburban  house  owned  by  Emmett 
Buchanan,  of  Independence.  Covered 
by  insurance. 


Burglar  Gets  $1,200  from  San  Mateo 

San  Mateo,  Cal. — A  burglar  visited 
the  San  Mateo,  one  of  the  Blumenfeld 
circuit,  taking  $1,200  >way  with  him. 


Resigns  as  Manager  of  Grand,  Renton 

Renton,-  Wash. — W.  C.  Gowan  has 
resigned  as  manager  of  Dunn's  Grand 
and  has  joined  the  Western  Film 
Corp.  as  salesman. 


Schine  Headquarters  in  Syracuse 

Syracuse,  N.  Y' — Headquarters  of 
the  Schine  Theatrical  Co.,  will  be 
moved  here  from  Gloversville. 


Floyd   Wesp   with   Frank 

Sioux  City.  la. — Floyd  E.  Wesp, 
who  recently  resigned  from  the  Jen- 
sen &  Von  Herberg  circuit,  is  now 
manager  of  the  Plaza,  operated  by  the 
Frank   Amusement   Co. 


Hawley  House  Hurt  by  Fire 

Hawley,  Pa.  —  The  Dreamland 
caught  fire  recently,  due  to  an  over- 
heated furnace.  Loss  is  estimated  at 
$1,000. 


Many  Around   St   Louis  Closed 

St.  Louis — The  following  closings 
have  been  reported: 

Advance,  Mo.,  Advance  theater; 
Blufl's,  111.,  Home,  closed  until  fur- 
ther notice;  Dale,  Mo.,  Opal  theater, 
closed;  Macon,  111.,  Palace;  Palmer, 
111.,  Palmer,  closing  due  to  poor  busi- 
ness; Frandford,  Mo.,  Liberty,  closed, 
and  Sigel,  111.,  Baker's,  closed. 


Northwest  Board  Meets 
Seattle  —  The  Northwest  Film 
Board  of  Trade  held  its  annual  open 
meeting  and  banquet  for  salesmen 
and  bookers  at  the  Gowman  Hotel 
here.  Over  75  attended.  Bill  Drum- 
mond,  of  P.   D.  C,  was  toastmaster. 


Hile  Joins  Distribution  End 
Portland,  Ore. — Art  Hile,  former 
exhibitor  in  the  Pacific  Northwest, 
has  deserted  the  exhibitor  ranks  for 
the  selling  end.  He  has  joined 
Greater  Features. 


Old  Tacoma  Building  Goes 

Tacoma  —  The  Tacoma  Theater 
Bldg.,  at  9th  and  Broadway,  was  sold 
for  $450,000.  This  corner  is  one  of 
the  most  valuable  in  the  business  dis- 
trict and  there  is  speculation  con- 
cerning the  purchasers. 


Film  Hockey  Team  Organized 

Toronto — A  hockey  team  has  been 
organized  to  represent  Famous,  Regal 
and  Famous  Lasky  Film  Service.  The 
club  plays  in  the  Toronto  Hockey 
League  twice  each  week.  John  Mathe- 
son,  of  Famous,  is  manager. 


One   Cent   on  the   Dollar 

Chicago — Investors  in  the  defunct 
Consolidated  Realty  and  Theaters 
Corp.  are  to  realize  about  one  cent 
on  the  dollar,  according  to  a  report 
published   in   the    Herald-Tribune. 


Kimsky  Houses  to  Start  Mondays 

Detroit— Starting  Jan.  25,  all  of  the 
downtown  Kunsky  houses,  the  State, 
Capitol,  Madison  and  Adams,  will 
have  their  openings  on  Monday,  in- 
stead  of   Sunday. 


Miles  to  Erect  New  Detroit  House 

Detroit  ^  Charles  H.  Miles  will 
erect  ,a  new  house  on  West  Adams. 
Plans  are  almost  complete.  It  will 
show  pictures  and  vaudeville. 


New  Associated   Manager 

Seattle — R.  S.  Stackhouse  is  the 
new  local  manager  of  Associated  Ex- 
hibitors, succeeding  Paul  Aust,  re- 
signed. 


D)e  Luxe    Buys  Gothams 

Seattle — De  Luxe  has  purchased  12 
Sam  Sax  Gotham  productions  for 
Washington,  Oregon,  Idaho  and 
Montana. 


Hawley   House   Damaged 

Pittston,  Pa.  —  The  interior  of 
Richardson's  theater  in  Hawley  was 
badly  damaged  by  fire.  The  loss  is 
estimated  at  $1,200. 


"Vet"  Showman  Dead 
St.  Louis — John  G.  Sheey,  40  years 
a    showman    in    St.    Louis   and    New 
York,  died  at  the  Melbourne  Hotel. 


Buying  in  Southv^ ,, 

(.Continued  from  Page  1) 
The     Crystal    has    long    be 

home    chiefly    of    Westerns. 

new  management  it  will  be  sti 

second   run. 
The    Palace  at    Muskogee  h; 

been  taken  over  by  Underwooc 

Publix. 
A  long  time  lease  has  been 

by  Joe  Luckett,  sales  manager 

United  Artists,  for  the  Capitol 

tie  Rock,  Ark. 


J 


Hiram    Abrams    was    empha   it 
declaring    yesterday    that    the 
concerning    Luckett   must  be  e; 
ous.       He    said    no    members    ( 
force  can  sell  film  and  operate  ; 
ater   at   the   same    time,   certainl 
without    his    knowledge,    and    h< 
heard    nothing    of    the    reported  ir 
chase. 


To   Hold   Fire  Drills         < 

Washington — As  a  result  of  a  i  ;t| 
ing  of  the  Film  Board  of  Trade  ix- 
changes  in  the  Mather  Buihg, 
where  the  offices  of  the  board  jid 
most  of  the  local  exchanges  ar'o- 
cated,  will  hold  fire  drills  regu  jyf 
Certain  alterations  are  to  be  manjiii 
the  building.  j 


Sarr  in  Washington  , 
Washington — Fred  J.  Sarr,  for^r- 
ly  manager  of  Paramount  the;» 
in  New  England,  has  been  appoild 
manager  of  the  Rialto,  succeejg 
James    V.    Carney. 


Gumbiner    Takes    Over    Two| ' 

Chicago — Max  Gumbiner  has  tija 
over  two  more  houses,  adding  tji( 
to  his  small  chain.  The  Harmon;| 
43rd  St.  and  the  Illini  at  Sterlingj 


■ 1 

Weaver  Picture  Has  Premier 

Tacoma — ^"Hearts  and  Fists,"  jn 
H.  C.  Weaver  Prod.,  filmed  at  - 
coma,  had  its  world  premiere  at  e 
Rialto.  Work  is  about  to  begin  n 
a  new  series. 


I 


"Blues"   Boycott   Pierson   Houal 

Pierson,  la.  —  Boycott  of  the  if 
ater,  which,  it  is  said,  followed  act 
of  H.  L.  Dean  in  operating  his  he 
on  Sundays,  has  caused  closing 
the  Magic.  Dean  gave  up  the  str 
gle  after  operating  for  three  moni 


I 


Grossman  Sponsor  of  New  Hou 

Milwaukee — Plans  for  the  erect 
of  a  new  theater  on  the  west  s 
have  been  completed  by  Peter  Gro 
man.  The  theater  will  seat  1,000  a 
cost  $100,000. 


Spain   Joins   "Weekly   Film   Revie 

Atlanta — An  addition  to  the  rep 
torial  staff  of  'The  Weekly  Film  I 
view"  has  been  made  in  Helen  Kn 
Spain,  former  musical  reviewer  a 
contributor    to    "Musical    America.' 


Mike  Coyne  a   Branch  Manage 

San    Francisco — M.    C.    Coyne 
been   appointed  manager  of  the  It 
United  Artists  exchange.  He  has  b| 
handling    publicity    and    exploitat 
for  United  in  Los  Angeles. 


Oppenheimer  Exchange  Moves 

San    Francisco — The    Oppenheir 
Film   Exchange  has  moved   from 
Turn  St.,  to  the  Loew  Theater  Bldjl 


DAILY 


11 


Putting  It  Over 


fire  is  how  a  brother  exhib- 
it' puts  his  show  over.  Send 
a  ng  your  ideas.  Let  the  other 
flow  know  how  you  cleaned 


irJon  Strips  as  Ineraid 

'rl'do,    Ohio — honicthin^     new     in 

iways    was    achieved    when    tht 

cmeiit    of    'Tlie    Ancient    Mar- 

erj  at    the    Temple    was    heraidcd 

re  a;h  the  nied  urn  of  a  booklet  witl 

the  same  size  i-s  ihe  regulation 

\iper   cartoon    strip,    and    carr\- 

trtoon    illustrations    of    all    the 

je's  scenes, 


'g 


It  outside  cover  of  this  herald 
tpins  that  the  book  is  an  "Illus- 
all  Version  of  Samuel  Taylor 
oi  idgc's  'The  Rime  of  the  Ancient 
la  ler'  as  visualized  in  the  William 
o:  masterpiece  production  of  mod- 
rnrivolity  "The  Ancient  Mariner','' 
it  play  date,  etc. 
lere  are  28  drawings  in  the  strips. 
1  descriptive  caption  under  each 
ing. 


Jsil  Stuff  Puts  This  Across 

iredo,  Tex. — Manager  J.  H.  Row- 
of  the  Rialto,  put  on  a  big  cam- 
n  in  connection  with  "The  Lost 
Id." 

)nie    time     before     the     showing, 
s   and    trailers    were    run    at    the 
to  and  Strand.     The  lobby  of  the 
to  was  used  for  a  display  of  litho- 
)s.     In  the  show  windows  of  the 
51  md    were    lithographs,    rotograv- 
II i,  and  animal   cut-outs.     Twenty- 
sheets    were    placed    at    advan- 
ous     positions,     also     six     sheets, 
reas     1,000     rotogravures,      1,000 
dl   heralds   and    1,000    hanger   ani- 
1  cut-outs  were  utilized.     The  cut- 
s   were    distributed    among    school 
Idren     and     others;     rotogravures 
we  left  at  homes  in  the   residential 
;  tion,  and  small  heralds  distributed 
lall  sections. 

Dne     feature     of     the     exploitation 
s  the  reproduction  of  a  prehistoric 
inster  placed  above  the  marquee  of 
house. 


rpical  Small  Town  Campaign 

lOpelousas,  La. — An  effective  e.x- 
pitation  campaign  was  put  over  at 
e  Princess  theater,  for  "The  Phan- 
m  of  the  Opera,"  by  Manager  Gool- 
y  and  Jack  Meredith,  of  the  "U" 
ploitation  staff. 

Three  months  prior  to  the  engage- 
ent,  the  39  episode  serialization  of 
iston  Leroux's  novel  was  planted 
"The  Clarion-Progress,"  the 
eekly   paper  of   Opelousas.     It   was 

arranged  that  the  story  was  to 
eak  in  the  local  newspaper  four 
eeks  in  advance  of  the  play  date. 
Through  the  use  of  the  local  tele- 
lone  directory,  the  most  prominent 
■ople  in  town  were  advised  in  ad- 
ince  of  the  showing.  One  week  in 
Ivance  of  the  play  date,  many  24 
eet  stands  were  given  over  to 
^hantom"  displays,  which  was  fol- 
wed  three  days  later  by  the  arrival 

town  of  Universal's  exploitation 
an,  who  proceeded  to  circus  the 
wn  by  judiciously  placing  specially 


prepared  banners  at  important  inter- 
sections. The  locations  for  these  ban- 
ners were  on  the  leading  hotel  of 
the  town,  the  National  Guard  Arm 
ory,  directly  opposite  the  post  office, 
and  on  a  gas  station,  which  was  on 
the   main  street. 

The  Universal  representative  next 
directed  his  attention  to  window  dis- 
pla>s.  The  Irene  Drug  Store  Co. 
have  in  their  window  a  Western  Un- 
-on  Llock,  which  is  used  as  the  time 
regulator  by  local  residents.  This 
.-.l)acc  was  secured  for  the  "Phantom." 
Oil  paintings  were  also  placed  in  the 
hotel  lobby,  and  in  the  Candy  Kit- 
chen,  a   soda   store. 

Arrangements  were  made  with  the 
telephone  company  to  have  their  op- 
erators give  the  following  message 
over  the  rural  lines:  '.''The  Phantom 
of  the  Opera,'  which  stars  Lon 
Chancy,  will  be  shown  at  fhe  Prin- 
cess Theater.  Opelousas,  Wednesday. 
They  say  it  is  even  better  than  'The 
Hunchback  of  Notre  Dame,'  so  don't 
miss  it,  and  by  the  way,  they  are  hav- 
ing a  midnight  matinee  showing  of 
the  'Phantom'  Tuesday  night."  This 
arrangement  with  the  telephone  com- 
pany was  secured  for  a  lay-out  of  15 
passes. 

A  midnight  matinee,  starting  at 
10-45,  and  ending  at  12:15,  was  held 
Tuesday'  night.  The  object  of  this 
showing  was  simply  to  create  atten- 
tion and  conversation  with  the 
"Phantom"   as   the   chief   subject. 


Exploiting  "The  Freshman" 

Trick  automobiles  on  which  are 
mounted  giant  footballs  and  player- 
dummies,  large  cut-outs  and  special 
paintings  of  Harold  Lloyd  and  tie- 
ups  with  merchants  feature  in  the 
line-up  of  exploitation  stunts  used  to 
put  over  ''The   Freshman." 

In  Seattle,  Manager  Johnson  of  the 
Liberty,  used  a  football  mounted  on 
an  auto  frame  for  a  street  ballyhoo. 
This  ball  standing  end  on  end  would 
easily  have  reached  from  the  ground 
on  a  gridiron  to  the  crosspiece  of  the 
goal  post.  At  night  it  was  brilliantly 
lighted.  In  addition,  Johnson  made  a 
lie-uu  with  the  Seattle  Ice  Cream  Co. 
and  displayed  banners  on  35  of  their 
trucks.  Tie-ups  were  also  made  with 
all  stores  using  a  special  brand  of 
ice  cream  called  "Freshman."  Tie- 
ups  were  made  with  all  stores  hand- 
ing "The  Freshman"  radio  sets,  and 
also  book  stores  and  music  stores 
handling  the  "Freshie"  song  .  An  ex- 
tensive college  campus  prologue  v^as 
used  in  presenting  the   picture. 

During  the  University  of  Washing- 
ton and  University  of  Montana  foot- 
ball game,  over  5,000  megaphones 
w'ere  distributed.  Ballons  were  also 
used  in  connection  with  this  game 
and  high  school  games  in  the  city. 

The  Liberty,  McKeesport,  Pa., 
used  a  Lloyd  24-sheet  cut-out  on  the 
theater  front,  with  an  immense  hand 
painted  title  extending  across  the 
front  of  the  theater  and  covering 
part  of  adjoining  store  fronts.  The 
lobl\v  was  decorated  like  the  den  of  a 
college  dormitory.  An  automobile 
ballyhoo,  with  a  giant  football  and  a 
dummy  tackier,  and  carrying  players 
in  uniform  inside,  was  driven  around 
town. 

In  Little  Rock,  Ark.,  the  Capitol 
theater  used  a  specially  paintrd  firiine, 
mounted  on  the  side  of  a  street  car 


Among  Exchangemen 

St.  Louis — Hall  Walsh  is  now  eity  sales- 
man for  Warners,  succeeding  John  Morphet 
who  goes  to  P.  D.   C. 


Cincinnati — ^Joseph     Mayer     is     with     Asso- 
ciated   Exhibitors   as    salesman. 


Philadelphia — Syd  Sugarman,  with  F.  B.  O. 
for  two  years,  has  resigned  to  take  a  posi- 
ition  with  Associated  Exhibitors  where  he 
will   cover   Jersey. 


Philadelphia — Ed  Whaley  is  covering  Wil- 
liamsport  for  Warners.  He  was  formerly 
with    P.    D.    C. 


Cleveland — John  G.  Furrer,  who  owns  the 
Rivoli  in  Defiance,  a-nd  the  Harkness  in 
Clyde,  is  selling  for  Progress  Pictures.  His 
houses  are  being  looked  after  by   Mrs.  Furrer. 


Cleveland — E.  J.  Hays,  formerly  of  Buf- 
falo, has  joined  Pathe  as  two-reel  salesman, 
covering    Toledo    territory. 


Cleveland — Harry  Reavey  is  now  with  Uni- 
versal, doing  special  work  on  "The  Phantom 
of  the  Opera." 


Minneapolis — Earl     Lorenz,     salesman     for 
Famous,    has    gone    back    to    Metro-Goldwyn- 

Mayer. 


Minneapolis — Carl    Miceh,    Metro-Goldwyn- 
Mayer  salesman,   has  resigned. 


St.  Louis — Hall  Walsh  has  been  appointed 
city  salesman  for  Warners.  Succeeds  John 
Morphet  who  has  gone  with  P.  D.  C. 


Buffalo — George     Canty,     booker,     is     now 
salesman    for    Pathe   in   Syracuse. 


Pittsburgh — William  Zollner,  formerly  with 
Warners  in  Baltimore,  has  been  added  to  the 
Metro-Goldwyn-Mayer    staff. 


Baltimore — Al  Garner  is  now  handling 
shorts  for  Universal,  while  Clarence  Eisman 
is    handling   features. 


Chicago — Maurice  Godshaw  has  resigned 
as  M.-G.-M.  salesman  with  Western  Illinois 
territory.  T.  E.  Delaney  will  scover  it  along 
with    Indiana. 


Cleveland — L.  N.  Connor,  formerly  with 
Vitagraph  in  Buffalo,  has  joined  P.  D.  C. 
as  salesman.  He  will  cover  the  Akron  ter- 
ritory. 


Salt    Lake    City — Joe    Dowd    has    resigned 
from  United  Artists. 


Minneapolis — L.     E.     Fairchild     has    joined 
the  sales  force  of  Celebrated. 


Atlanta — C.    L.    Peavey    is    now    managing 
the   F.    B.    O.   exchange. 


Minneapolis — Earl  Dorentz  ha^  rejoined 
the  sales  force  of  the  Metro-Goldwyn  ex- 
change.     L.    H.    Coen    is   another   addition. 


Incorporations 

Sacramento,  Cal.  —  Charles  Hutchinson 
Productions,  Inc.,  Los  Angeles ;  to  produce. 
Capital  $20,000.  Incorporators,  E.  Bring- 
hurst,  F.  Schaffner  and  M.  Compton.  At- 
torney, Commercial  Corporation  Co.,  Room 
408,  Lincoln   Bldg.,   Los  Angeles. 


Sacramento,  Cal. — Marion  Fairfax,  Inc.. 
Los  Angeles;  to  produce.  Capital  $100,000. 
Incorporators,  M.  Fairfax,  H.  Rork  and  C. 
Allen.  Address  c-o  Carroll  Allen,  Stock 
Exchange   Bldg.,   Los  Angeles. 


Sacramento,  Cal.  —  Jewish-Art  Pictures 
Corp.,  Los  Angeles;  to  produce.  Capital 
$15,000.  Incorporators,  E.  Jaloff,  L.  Nus- 
baum,  M.  Glockstein,  H.  Cohen  and  L.  Ru- 
binstein. Address  c-o  Harry  K.  Cohen,  402 
Bryson    Bldg.,    Los  Angeles. 


Sacramento,  Cal. — Chinatown  Amusement 
Corp.,  Santa  Monica;  lo  operate  theaters. 
Capital  $20,000.  Incorporators,  O.  Haskins, 
R.  Golding  and  L.  Hendricks.  Attorney, 
W.  Blair  Gibbens,  Auto  Inn  Bldg.,  Ocean 
Park. 


Sacramento,  Cal.— Giunbiner  Amusement 
Co.,  Los  Angeles ;  to  operate  theaters.  Capi- 
tal $40,000.  Incorporators,  H.  Gumbiner, 
H.  Rosenblum  and  L.  Rosenblum.  Attor- 
neys, Loeb,  Walker  &  Loeb,  Pacific  Mutual 
Bldg.,   Los  Angeles. 


Sacramento,  Cal. — Faultless  Pictures,  Inc., 
Los  Angeles;  to  produce.  Capital  $250,000. 
Incorporators,  T.  Croteau,  A.  Miller  and  M. 
Bruce.  Attorney,  J.  A.  Frankel,  407  Van 
Nuys   Bldg.,    Los   Angeles. 


Sacramento,  Cal. — West  Coast  Peninsula 
Theaters,  inc.,  San  Francisco ;  to  operate 
theaters.  Capital  $1,000,000.  Incorporators. 
E.  Arkush,  D.  Arkush  and  M.  Griliftn.  At- 
torney, Jacob  Samuels,  315  Montgomery  St., 
San  Francisco. 


Albany,  N.  Y. — Cinema  Art  Publishing 
Co.,  New  York ;  to  publish  motion  picture 
magazines.  Incorporators,  M.  Downs,  G. 
Downs,  Jr.,  and  C.  Gaber.  Attorney,  A.  L. 
Gellich,    175   Fifth  Ave.,   New  York. 


Albany,    N.    Y. — Number    Six   Corp.,   New 
York.       Capital    $10,000.       Incorporators,    P. 
Goodman,    A.    Rodgers    «nd    M.     Katz.      At 
lorneys,   36   West  44th   St.,   New   York. 


Albany,  N.  Y. — Level  Short  Films,  New 
York.  Capital  $20,000.  To  produce.  In- 
corporators, M.  Duell,  N.  Helerstein  and  N. 
Dronsick.  Attorneys,  M.  Gelles,  110  West 
40th   St.,   New   York. 


Albany,  N.  Y. — Theater  Creative,  Inc., 
New  York ;  theatej  s.  Incorporators,  St 
Goldman,  C.  Monroe  and  R.  Berg.  Attor- 
neys, Shearman  &  Sterling,  55  Wall  St., 
New   York. 


Cincinnati — Bill  Danziger,  dong  exploita- 
tion work  for  Famous  in  this  section,  has 
been   transferred   to   Chicago. 


San  Francisco — William  Bernard  has  been 
added  to  the  sales  staff  of  Mutual  Independ- 
ent  Exchange. 


v/hich  was  rented  for  a  bailyhoo 
Two  of  the  big  Lloyd  cut-outs  were 
also  used  on  the  sides  of  the  lobby. 
The  Rialto,  Omaha,  had  its  artists 
paint  a  large  head  of  Lloyd  which 
was  used  at  the  front  of  the  theater, 
with  24-sheet  cut-outs  on  the  sides 
of  the  house.  "The  Freshman" 
played  the  Rialto  while  the  Ameri- 
can Legion  National  Convention  was 
in  session  and  "welcome  buddies" 
frames  were  strung  around  the  sides 
of  th^*  theater.  "The  Freshman"  was 
advertised  as  a  "continuous  show — 
open  24  hours  a  day." 


Boston,  Mass. — Liberty  Theater  Co.,  Bos 
ton.  Capital  $25,000.  Incorporators,  P. 
Markell,   S.   Katze,   R.   Morse  and   C.   Morse. 


London,  England  —  Harry  Burns,  Ltd., 
London ;  to  operate  a  theater  brokerage. 
Capital    £100. 


London,  England — ^Fielding  &  Co.,  Ltd., 
Leeds ;  to  produce  and  distribute.  Capi- 
tal   £2,000. 


London,  England — London  Revue,  Ltd., 
London ;  to  produce  pictures  and  stage  pro- 
ductions.    Capital    £5,000. 


London,  England — British  Authors  Pro- 
ductions, Ltd.,  London ;  to  produce.  Capi- 
tal    £10,000. 


London,  England  —  Lyric  Theater,  Ltd., 
Liverpool ;  to  operate  theaters.  Capital 
£3,000. 


Sacramento,  Cal. — Hermosa  Amusement 
Corp.,  San  Francisco ;  to  operate  theaters. 
Capital  $10,000.  Incorporators,  J.  Ander- 
son, J.  Craig  and  T.  Bassford.  Attorney, 
S.  Laz,  Lansburgh,  Mills  Bldg,,  San  Fran- 
cisco. 


Tallahassee,     Fla. — South     Florida     Enter- 
prises,  Inc. ;   Avon   Park ;   theaters. 


favorite  hero  of  the  untamed  west  « 

DriftiriThr 


When  Harry  Carey  rides  and  fights  in  a  Western  feature 
there  is  excitement  for  all. 

He  epitomizes  the  old  brave  West, — quick  to  help  the 
weak,  ready  to  battle  the  strong,  staunch  as  a  rock,  cool 
as  a  glacier  when  the  bullets  are  flying,  hard  riding,  warm 
hearted,  the  cowboy  of  cowboys. 

No  wonder  the  public  likes  him,  wants  to  see  him! 

Now  presented  in  his  newest  and  greatest  picture,  with 
thrill,  fight,  heart  interest  and  pathos.  The  Carey  fans, 
who  are  legion,  will  eat  it  up.  And  it  will  make  many 
new  friends  for  him. 

It*s  twice  as  good  as  anything  he*s  yet  donel 


Vr^sented  by  Charles  R.  Rogers 


I 


Pafhepicture 


WILLIAM  S.  HART 


ffiiyjifiiff' 


3^ 


'TUMDLEWEEDS* 

Storu  ha  HAL  G.  EVARTS        ^dapledfor  Ih  screen  hy  C.  GARDNER.  SULLIVAN 

"Directed bulSlinG  DAGGOT 


4 

• 

If 

i^^ 


>^ 


Jr/^     ''Mor^  /?^«/  Money 

Y  "Tumbleweeds'  very  good.  The 
cream  of  the  Westerns.  Hart  surely 
came  back  with  a  knockout.  One  of 
our  best.  Made  us  more  real  money 
than  any  picture  we  have  run.  Don't  be 
afraid  to  step  on  it.'' — R.  D.Young,  Polo 
Theatre,  Polo,  Ill.,in  Exhibitors  Herald. 


i 


„,J-,rSVo,~ 


DougW  9«"-bank/ 


Char/6^  Cho?l^^ 

President. 


Chairman . 


■'■»•  I  .•*^5S;««.JB,- ; . -i»<V 


iTHE 

brAdstreet 

FILMDOM 


jb^^recocmizeb 
Authority 


Sunday,  January  24,  1926 


Price  25  Cents 


;0^/ the  Gieatest  of  alllhriUing  WestemBramas/ 


EXTRA!     EXTRA! 


MARIE  PREVOST  SIGNED 


BY  METROPOUTAN  PICTURES; 

POPULAR  SCREEN  PLA  YER  TO  STAR  IN        f 

SERIES  OF  SPECIAL  PRODUCTIONS 


Los  Angeles,  Jan.  11,  1926. — 
Metropolitan  Pictures  has  scored  an- 
other winning  move  for  its  line-up  of 
new  productions  for  the  season  of 
1926-1927  and  future  star  series  of 
pictures,  in  the  signing  of  Marie  Prc- 
vost,  one  of  the  brightest  of  screen  per- 
sonalities, to  a  long-term  contract, 
announced  today  by  William  Sistrom, 
general  manager  for  Metropolitan. 

The  contract  with  Miss  Prevost 
was  closed  yesterday,  under  the  pro- 
visions of  which  she  will  star  in  a 
ssries  of  Metropolitan  Productions  to 
be  released  in  next  season's  group  of 
pictures. 

Plans  are  being  drawn,  as  speedily 
as  possible,  for  the  series  of  pictures 
in  which  Miss  Prevost  will  star,  with 
a  search  being  made  for  screen  materi- 
al in  famous  novels  and  plays.  In  the 
acquisition  of  Marie  Prevost,  the 
company  is  said  to  have  been  in  com- 
petition with  the  most  important  film 
producing  organizations  in  the  busi- 
ness. 

"We  are  congratulating  ourselves 
on  the  signing  of  Miss  Prevost  to  a 
starring  contract,"  said  William  Sis- 
trom in  announcing  the  new  affilia- 
tion. "We  regard  her  as  one  of  the 
brightest  personalities  among  all  the 
stars  who  have  earned  their  popularity 


MARIE  PREVOST 

with  the  public  during  the  last  few  years.  Tlic  public 
makes  the  stars  and  it  has  made  a  favorite  of  Marie 
Prevost,  following  her  work  in  such  pictures  as  'Tar- 
nish,' George  Fitzmaurice's  production  for  First  Na- 
tional, and  pictures  like  'The  Dark  Swan,'  'Recom- 
pense,' 'The  Marriage  Circle'  and  'Kiss  IVIe  Again,' 
which  she  did  for  Warner  Brothers.  The  two  latter 
productions,  which  were  directed  by  Ernst  Lubitsch, 
have  been  hailed  by  critics  as  among  the  finest  pictures 


of  the  past  year,  and  in  every  review, 
without  exception,  the  work  of  Miss 
Pre\ost  has  been  commented  on  with ; 
highest  praise. 

"The  motion  picture  fan  following 
which  a.  star  has,  has  never  been  more 
clearly  demonstrated  than  in  the 
case  of  Marie  Prevost,  who  made  a 
meteoric  rise  from  bathing  girl  com- 
edies of  a  few  years  ago. 

"We  will  announce  very  soon  the 
production  plans  for  pictures  in  which 
Miss  Prevost  will  star.  Two  famous 
stage  plays  are  now  being  considered 
and  it  is  likely  that  one  of  these  will  be 
the  first  to  be  produced.  The  selection 
of  material  will  be  in  line  with  i 
Metropolitan's  policy  of  picking  stor- 
ies for  their  box-office  entertainment 
value  regardless  of  whether  they  fall 
into  the  general  classifications  of  come- 
dy-drama, romantic  comedies  or  melo- 
drama. In  securing  Miss  Prevost  we 
tcel  that  we  have  acquired  a  star  who 
can  lend  her  ability  and  unusual  per- 
sonality to  roles  which  are  in  any  of 
these  types.  Her  own  box-office 
drawing  power  has  been  established, 
and  her  producing  unit  with  Metro- 
politan will  make  the  kind  of  pictures 
which  will  take  every  advantage  of 
this  popular  favor." 


RELEASED   BY 


PRODUCEKS  DISTKIBUTINCCOKPOKATION 


F.  C.  MUNROE.  Prcsidcm       RAYMOND  PAWLEY,  VictPresident  and  Treasurer       JOHN  C  FLINN,  Vice-President  and  General  Manager 

Member  of  Motion  Picture  Producers  and  Distributors  of  America,  Inc.  WiLL  H.  HaYS,  President 


Foreign  Distributors 
Producers  Jniernational  Corporation 
J:-0  West  46ih    Street,         Aew   York,  N.   Ti 


Authority 


Sunday,  January  24,  1926 


Price  25  Cents 


^^gting  $1,000,000  Suit 

m  IS  and  Rothacker-Aller  Defen- 
da:s  in   Action    Involving   Film 
Development   Process 

Lc  Angeles — Grace  Seine  Thomp- 
id  Chester  Bennett  Laborator- 
plaintiffs  in  patent  infringe- 
suits  against  Famous  and  Roth- 
Aller  Laboratories.  It  is  alleged 
000  is  involved. 
lOUgh  the  suit  against  Rothack 


-A|er  was  filed  March  10,  1924,  and 
t  Famous  Sept.   18,  1925,  neith- 
found  its  way  into  print  until 
iw|  The  plaintiffs  are  seeking  dam- 
an accounting  and  an  injunction 
1  >t  further  use  of  film  developing 
iKsses  on  which  Fred  B.  Thomp- 
n  laims  to  hold  basic  patents. 
;   complaint   recites   each   defen- 
has  been   using  a   film   develop- 
process  for  the  last  three  years 
iJDre  that  in  many  ways  infringes 
(Continued  on  Page  12) 


I  $1,000,000  Suit  Dismissed 

nsas   City— The   suit  for  $1,000,- 

liama.ges    filed    against    Famous 

^  by  Mrs.  Virginia  Hahn,  who 

a    her    character    was    maligned 

igh  the  portrayal  of  Tully  Mar- 
as  Jim  Bridgers,  the  scout  in 
Covered     Wagon,"     was     dis- 

?d  yesterday  on  a  demurrer.  Mrs. 

1     claimed     Bridgers     was     her 

r. 


'ensors  See  Uptrend 

"irrisburg — Figures  showing  the 
ber  of  releases  reviewed  by  the 
isylvania  Board  of  Censors  for 
have  not  yet  been  compiled,  but 
board  members  have  found  their 
es  increased  about  25  per  cent, 
enry  Starr  Richardson,  secretary 
'  (Continued  on  Page  12) 


Features  Reviewed 

Page 
3en    Hur 

MetTO-Goldwyn-Mayer    4 

rhe   Outsider 

Fox    4 

^ands   Up 

Paramount    4 

lust   Suppose 

First    National    4 

rhe   Sea   Beast 

Warner    Bros ". 6 

rhe    Checkered    Flag 

Banner  Prod. — Ginsberg   6 

roo   Much   Money 

First   National    6 

Rocking    Moon 

Metropolitan — P.    D.   C 6 

>hip    of   Souls 

Associated    Exhibitors    7 

rhe    Gilded    Butterfly 

Fox 7 

Short    Subjects    7 


Russian  Films  Coming 

Soviet    Product    Now    En    Route — 

Gov't     Agent     Declares     Capital 

Will   Be   Welcomed 

A  number  of  pictures  made  in 
Russia  and  described  as  the  cream 
of  that  country's  output  are  now  en 
route  to  New  York.  Leon  S.  Zam- 
kovoy,  authorized  agent  in  the  United 
States  of  the  All-Russian  Photo  M. 
P.  Corp.  or  the  "Sovkino"  said  the 
productions  will  be  representative  of 
what  Russian  studios  are  turning  out. 

Zamkovoy  makes  purchases  for  the 
Soviet  through  the  Amtorg  Trading 
Corp.  in  this  city.  Discussing  the 
Fredman  series,  he  said  yesterday, 
that  the  English  editor  had  rendered 
a  service  to  all  producers  and  dis- 
(Continued  on  Page  12) 


De  Luxe  Buys  Out  Exchange 
Philadelphia — -De  Luxe  Film  Co. 
has  purchased  the  American  Feature 
Film  Exchange,  thereby  adding  to  its 
output  the  Schulberg  and  Jans  re- 
leases. De  Luxe,  by  this  move,  be- 
comes one  of  the  largest  state  right 
exchanges  in  the  United  States. 


Beatrice    O'Brien   to    Produce 

Hollywood — Beatrice  V.  O'Brien, 
actress  and  scenarist,  is  reported  con- 
templating forming  her  own  produc- 
ing company. 


Strike  Hits  Theaters 

Exhibitors  in  Pennsylvania  Coal  Re- 
gions Cutting  Down  Perform- 
ances— 50  Houses  Affected 

Philadelphia — Exhibitors  in  the 
coal  mining  section  of  Pennsylvania 
are  hard  hit  by  the  continuance  of 
the  strike.  Exchange  managers  along 
Vine  St.  estimate  that  more  than  50 
houses  have  reduced  their  playing 
time. 

According  to  "The  Exhibitor," 
many  theaters  which  formerly  ran  six 
days  a  week  are  now  booking  pictures 
for  only  three  or  four  days  while 
houses  that  operated  three  times  a 
week  formerly  now  only  show  on 
Saturday.  Reports  are  at  hand  of  ex- 
hibitors in  the  smaller  communities 
closing  down   completely. 

(Continued  on  Page  12) 


Two  Titles  for  Feature 

Universal  will  release  its  feature 
built  around  the  Custer  Massacre 
with  a  double  title,  "The  Flaming 
Frontier"  and  "The  Indians  Are 
Coming."  Film  titles  and  advertis- 
ing matter  are  being  turned  out  in 
duplicate  to  fit  both  titles. 


Pommer   Resigns 

The  M.  P.  News  reported  from 
Berlin  vesterday  that  Erich  Pommer 
had  resigned  as  managing  director  of 
the  Ufa. 

This  has  been  expected. 


A  rbitration 


By  DANNY 


The  T.  O.  C.  C.  wants  the  existing  contract  muddle  straigh- 
tened out.  They  suggest  that  the  points  in  conflict  be  left  to 
arbitration.     Otherwise — well,  there  the  matter  rests. 

It  would  seem  that  after  18  months  of  conferences  that  some- 
thing definite  should  have  been  reached.  We  understand  that 
many  of  the  points  in  dispute  have  been  ironed  out  between  the 
exhibitors  and  the  distributors.  Several  points  are  yet  unsettled. 
Whether  they  can  be  straightened  out  quickly  is  another  matter. 
It  seems  not.  But  it  would  seem  to  be  good  business  for  all 
parties  concerned  to  iron  everything  out  as  speedily  as  possible — 
and  meanwhile  adopt  the  changes  already  agreed  upon,  and  with 
this  revised  contract  operate  until  the  other  matters  in  dispute 
are  worked  out.  It  is  almost  out  of  the  question  to  expect  to 
secure  from  the  conferences  a  completely  satisfying  contract. 
But  certainly  a  lot  of  time  has  been  consumed.  Something  defi- 
nite should  be  done.     And  done  speedily. 

"THE  OPERA"  COMPLETED 

Hugh  Dierker  has  just  completed  "Hearts"  for  McFadden 
Productions.      "How    is   your   latest   opera?"    asked    one    of   his 

(Continued  on  Page   11) 


After  Franchise 

New  York  Exhibitors  Reported  In- 
terested in  Securing  Local  First  Na- 
tional Franchise  from  West  Coast 
During  a  meeting  between  a  num- 
ber of  newspaper  men  and  Sol  Lesser 
of  West  Coast  Theaters  yesterday  it 
developed  that  certain  New  York  ex- 
hibitors were  interested— or  claimed 
to  be  interested — in  securing  the  New 
York  franchise  owned  by  West  Coast 
Theaters  in  First  National.  It  is  gen- 
erally understood  that  West  Coast 
owns  60  per  cent  of  the  New  York 
franchise,  the  Mark-Strand  Corp.,  20 
per  cent,  and  First  National  the  re- 
mainder. 

When  Sol  Lesser  informed  his 
questioner  that  the  West  Coast  would 
consider  selling  this  interest  the 
newspaper  man  left  the  room  to  tel- 
ephone, so  he  said,  to  the  exihbitors 
interested,  and  returned  saying  his 
principals  would  be  in  touch  with 
Lesser  and  his  associates  later  with 
regard   to  the   matter. 

While  the  exhibitors  interested 
were  not  named,  it  was  conceded  that 
they  were  what  is  known  as  "inde- 
pendent" exhibitors,  and  in  no  way 
identified  with  any  producing-distrib- 
uting  interests. 


Editor's  Note — In  view  of  the  vot- 
ing trust  agreement  now  in  effect  in 
First  National  Pictures,  Inc.,  it  would 
be  interesting  to  note  what  effect,  if 
any,  the  sale  of  the  West  Coast  inter- 
est in  the  New  York  franchise  would 
have  upon  the  existing  situation  in 
First  National.  It  may  not  be  gener- 
ally known,  but  it  is  a  fact,  that  since 
the  inception  of  the  voting  trust 
agreement  that  individual  franchise 
holders  have  considerably  less  power 
than  heretofore.  This  power  is  now  in 
the  hands  of  the  trustees  who  vote  the 
stock.  There  is  no  doubt  however, 
that  the  purchase  of  any  interest  in 
the  franchise  would  give  the  purchas- 
er a  voice  with  regard  to  the  opera- 
tion of  the  corporation. 


Decision  Put  Off 

Trade     Commission     Won't     Decide 

Reopening  Famous  Players  Case 

Until  End  of  Month 

Washington — The  expected  decis- 
ion of  the  Federal  Trade  Commission 
on  the  reopening  of  the  Famous  Play- 
ers case  cannot  be  looked  for  until  at 
least  the  end  of  the  month,  the  Com- 
mission having  failed  to  take  the  mat- 
ter up  at  its  weekly  meeting  yester- 
day. 

It  was  anticipated  that  some  con- 
sideration would  be  given  the  ques- 
tion at  the  meeting,  but,  it  is  under- 
stood, other  matters  intervened.  The 
next  meeting  of  the  Commission  for 
the  purpose  of  making  decisions  will 
be  Jan.  29. 


THE 


-;xi^ 


'% 


DAILY 


Sunday,  January  24,  19i' 


MXXXVNo.19     Sunday,  Ian.  24, 1926     Price25Cent$ 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
•ger;  Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Representative.  En- 
vered  as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematograph)' 
Francaise,   5,   Rue  Saulnier. 


Quotations 


/These  quotations  are  as 


/ 

High 

Low 

Jalaban  &  Katz    . 

.   67^ 

67J4 

Eastman    Kodak    . 

.108^4 

108^ 

Famous    Players    . 

.105'^ 

104H 

Film  Inspection   .  . 

.     5 

5 

First    National     .  . 

.104^ 

1045^ 

Fox   Film   "A"    .. 

.   79f^ 

77J4 

Fox  Theaters   "A" 

.   30% 

29  H 

Loew's,  Inc 

.    38H 

S7n 

Metro-Gold.  Pfd.   . 

.  2m. 

22ys 

M.  P.   Cap.  Corp.. 

.    20 

20 

Pathe   Exch.   "A". 

.   77H 

74.5^ 

Skouras    Brothers. 

.    54 

54 

Warner  Brothers   . 

.    \AVi 

13% 

Warner  Pictures    . 

■     10/8 

9/2 

of  Friday: 
Close     Sales 

6754       .... 
108J4 


400 


105J4     3,000 


5 
10454 


100 
100 


79H  1.400 

30yt  5,300 

37M  1,600 

23y»  3,200 


100 
2.300 


20 

77 

54  

135^     3,400 


9/ 


600 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  I  N  S 

Specialists  in  Motion  Picture 

and  Theatrical  insurance  f-or 

the  past  fifteen  years. 


Arthur  W.  Stebbins  &  Co.,  Inc. 
1540  Broadway  N.  Y,  C. 

Bryant  3040 


$2,000,000  First  Run  for  Denver 

Denver— A  $2,000,000  combined  of- 
fice and  theater  building  and  a  roof 
garden,  is  planned  by  the  United 
Th  aters  and  Building  Co.,  a  new 
unit.  The  building  will  be  a  12-story 
structure  with  the  roof  garden  on 
the  two  top  stories. 

Frank  Milton,  of  the  Rivoli,  is 
president  of  the  new  corporation. 

The  theater,  when  completed,  will 
be  the  largest  in  the  city,  with  a 
seating  capacity  of  3,960.  It  will  be 
called  the   Pantheon. 


East  Coast  Theaters  Active 

Philadelphia — Oscar  Neufeld  and 
Sam  Stiefel,  operating  the  East  Coast 
Theater  Co.,  have  acquired  from  the 
Stiefel  Amusement  Enterprises,  Inc., 
the  Roxborough,  Roxborough;  the 
Palace,  Glassboro,  and  the  Fire  Hall, 
National  Park.  This  gives  East 
Coast  a  total  of  five.  Negotiations 
are  under  way  for  six  more. 


1st    Nat'l   Contests    Claim 

First  National,  in  commenting  on 
the  Chaplin  suit  for  $62,147  arising 
out  of  the  distribution  of  "The  Kid" 
abroad,  said  yesterday: 

"We  contest  the  claim  and  assert 
the  plaintiff  is  not  entitled  to  the 
money  he  alleges  he  is." 


New  $2,000,000  R.  &  C.  House 

Pittsburgh — Rowland  &  Clark  have 
filed  application  for  charters  for  sev- 
eral theater  properties  in  a  merger  for 
the  erection  of  a  new  $2,000,000  house. 


Four  Theaters  in  Jersey  Towns 

Haddonfield,  N.  J. — A  new  theater 
at  31  Kings  Highway,  ground  for 
which  will  be  broken  in  February, 
will  be  the  first  of  four  new  theaters 
which  Hunt's  Theaters,  Inc.,  will 
erect  in  leading  Jersey  towns  during 
1926.  The  building  program  calls  for 
$1,000,000. 


Bonds  Financing  K.  C.  House 

Kansas  City — The  Midland  Thea- 
ter and  Realty  Co.  is  financing  its  big 
theater  project  at  13th  and  Main 
through  a  bond  issue  of  $1,750,000. 
r.egotiated  with  one  of  the  large  bond 
houses.  Loew's  will  control  the 
bookings. 


F.  B.  O.  Housewarming 

At  their  new  offices  at  1560  Broad- 
way, F.  B.  O.  yesterday  afternoon 
held  a  housewarming  in  the  projec- 
tion room  in  connection  with  the 
screening  of  "Flaming  Waters."  A 
buffet  lunch  was  served  to  trade  and 
newspaper  representatives. 


Sues  Over  Note 

Patrick  A.  Powers  has  filed  a  de- 
fault judgment  in  the  Supreme  Court 
against  Murray  F.  Beier  on  a  note 
of  the  Spectacular  Prod,  made  May 
9.  1924,  for  $5000  on  which  $1000  has 
been  paid.  The  note  was  endorsed  by 
Beier  and  the  amount  of  the  judg- 
ment is  $4397. 


1 


I 


Additions  to  Chains 

Several  large  companies  contem- 
plate new  houses,  including  the  fol- 
lowing: 

The  Stanley  Co.,  which  will  build  a 
new  link  in  Chambersburg,  Pa.  Char- 
les E.  Kountz,  architect. 

H.  Schoenstadt,  operating  in  Chi- 
cago, have  filed  plans  for  a  new  house 
at  3934  West  26th  St..  Chicago.  Levy 
&  Klein,  111  West  Washington  St., 
architects. 

The  Rainbow  Gardens  Amusement 
Co.  will  build  a  theater  and  dance 
hall  on  McPherson  Highway,  Free- 
mont,    Ohio. 

The  Colonial  Amusement  Co., 
through  their  architects,  Duck  & 
Bauer,  Milwaukee,  have  'filed  plans 
for  a  new  theater  on  984  Sherman 
Blvd.,   Milwaukee. 

The  Harris  Amusement  Co.  will 
build  a  theater  and  office  building  in 
Pittsburgh.     To  cost  $8,000,000. 

O'Brien  Forms  Own  Company 

Edwin  O'Brien,  formerly  head  of 
the  export  department  of  Inter- 
Ocean  Forwarding  Co.,  has  formed 
Edwin  O'Brien,  Inc.,  with  offices  at 
218  W.  42nd  St.,  to  conduct  an  ex- 
port and  forwarding  business.  Of- 
ficers are:  Edwin  O'Brien,  president; 
Eugene  O'Brien,  secretary;  vice- 
president,  Charles  Penser,  and  treas- 
urer,   I.    Penser. 


New  Policy  at  Warner  House 

Cleveland — Warner  Bros,  have  in- 
troduced their  first  combination 
vaudeville-picture  policy  at  the  Circle 
Five  acts  of  vaudeville  and  a  fea- 
ture constitute  the  bill.  'The  Man 
Unstairs"  was  the  first  picture  shown 
under  this  policy,  with  Monte  Blue 
appearing  in  person  the  first  three 
davs  of  the  week. 


T.  A.  Enders  Here 
T.  A.  Enders,  managing  directo     A 
F.  B.  O.  (London),  is  at  the  Ro|    * 
velt.  ' 


Bebe   Daniels   Hurt 

Hollywood — Bebe  Daniels  was  in- 
jured yesterday  in  a  fall  while  making 
a  picture.  At  first  it  was  feared  that 
she   suffered   concussion  of  the  brain. 


Deibel  Convalescing 

Youngstown,  O. — Christy  Deibel.  of 
the  Liberty,-  is  convalescing  after  an 
appendicitis  operation. 


rjOSTUMEC 

>^  GOWNS— UNIFORMS  C/ 

FOR  EVEfiVBODy  WHO  IS  ANVBODy 

,0N  THE  STA6E  OR  SCREEN..EXCLUSIVE 

DESIGNS  By  LEADING  STVIi  CREATORS 

BROOKS  l#v^« 


-ALSO  IS.OOO  COSTUMES  TO  RENT— 


WANTED 

News  cameramen  in  every  Jewish  cen- 
ter throughout  the  world  to  photo- 
graph the  most  important  Jewish 
events  of  today  and  scenes  pertaining 
to  ancient  Jewish  history,  for  the 
weekly  "JEWISH  PICTORIAL  RE- 
VIEW." 

For  terms,  write   or   cable, 
IVAN  ABRAMSON,  Pres. 
JEWISH    EDUCATIONAL   PIC- 
TURES,   INC. 
729  iSeventh  Avenue 
Cable    Address,    "JUDPICT," 
New   York 


FOR   RENT  I 

Private  office  with  vault  spac' 
and  film  room.  i 


D 


CHAS.  STERN  *| 

I    729  7th  Ave.  Room  70!  '  Wl 

!  Phone  Bryant  1067         ' 


RUBY    CAMERA   EXCHANGE 
729    Seventh   Ave.,    N.    Y. 

has  EYEMO  Cameras— 

the  new  Bell  and  Howell  standiK 
100  foot  automatic  motion  pictvn 
camera.  Come  up  and  give  them  tb 
once  over. 


FILM   CRITIC   AND 
INVESTIGATOR   WANTED 

For  full  time  employment  in  Nr»i 
York  City.  Thorough  Catholic  train 
ing  and  backgroimd  essential.  Musti 
know  motion  pictures  and  be  experil 
enced  in  screen  criticism.  Splendi* 
opportunity  for  right  person.  Address,' 
giving     experience     and     referencei. 

INVESTIGATOR 
c-o   Film   Daily  1650   B'wiy 


Specify      

GOEkZ 

Raw  Stock  for  QUALITY 

Sole  Distributors: 

FISH-SCHURMAN  CORP. 

45  West  45th  Street 
N.   Y.   Bryant  7243 


^=^^ilin 


I909       BUTTONNA/OOD        ST. 


Hotel  Christie 


in 


Hollywood 


One  of  California's  finest  hoteli,  | 
located  in  the  heart  of  the  buri-  ! 
ness     district     of     Hollywood,  i 
famous  lobby,  personal  service, 
sensible  prices.  I' 
R,  J.  Mathesoa 
Owner-Manager  , 
^ 


for  the  First 
Time  in  History 
a  Judge  Plans 
ancl  Renders  a 
Decision  Based 
on  what  a  News 
Reel  Shows 


kut 


OP 


course  it  was  the 


Movie  in  Court  is  Test 
Of  Mother  Love  For  Bti)y 


■'^  cldlne  TfWcK  ol  two  motHers 
was  most  devoted  to  a  c>)»<*  they 
both,  claimed  -wv^  adopted  Jn  -rood- 
em  form  by  Judge  V-mcent  St  Eren- 
nan  in  the  Cirenit  Court- Saturday 
at  tike  h^axin^  of  a  writ  of  ,^s^beas 
corpua\  obtained,  by  Mr,  Julia 
■Przybyla,  11570  Waltham  ,  avenue, 
natural  mother  of  a  tjiree-year-old 
dauEThter  Iren6,  tn  her  ftgbt  to  wregt 
the  child  from  Mrs,  Irene  Gooa'en, 
12699       Flanders       avenue,-     foster- 


iPathe 

News 


Judge  Vincent  M.  Brennan  is  a  true  modern 
Solomon. 

He  not  only  showed  wisdom  in  planning  the 
means  by  which  he  could  render  a  just  decision, 
BUT 

He  selected  the  most  famous  motion  picture 
in  the  world,  the  one  in  which  the  public 
reposes  its  affection  and  confidence,  to  carry 
out  his  idea. 

Pdthe/i/ejvs  Was  First. 
There  Was  No  Second/ 

Today! 


kS^ 


kil 


mother  of    lrej;ie  and   formerly   Mrs. 
Przybyla's    sister-in-law. 

Instead  of  threatening  to  dismem- 
ber the  child  with  a  sword,  as  did 
King  Solomon  to  study  tl^e  emotions 
of  the  two  mothers.  Judge  Brenpan 
announced  that  be  would  award  the 
child  to  neither  Mrs.  Frzybyla  nor 
Mrs.  Goosen,  but  would  commit  her 
to  an  institution.  At  the  very  in- 
stant the  announcement  was  made 
a  movie  man  under  Judge  Brennan's 
direction  trained  his  Cam«ra  on  the 
two  women  to  record  their  emo- 
tional reactions  oa  a  film- 
Judge  Brennan  said'^e  would  em- 
ploy the  aid  of  psychologists  in 
■Studying  the  film  and  award  the 
c^ld  to  the  claimant  whose  features 
show  the  greatest.  Expression  of 
grief.  His  decision .  will  be  an- 
nounced   Wednesday.s  he    said. 

After  tie  hearing  of  testimony, 
which  consumed  the  afternoon. 
Judge  Brennan  ord.ered  th«  two 
women  before  him  and  directed 
court  attaches  ^  •  Jkk^ce  -tl>«  child, 
who  iB  iow  living  with  Mrs.  GrOosen,' 
br*ween  them  on  a  chair.  Behind 
the  judge  stood  the -motion -pictar^ 
operator  with  a  cazQ«ra  and  bis 
lights. 

.  "In  view  of  th*"  fact  tttat  the. 
Cottrt  has  beard  xmich  testtm^y 
against  both  partite  ia-tbis  action, 
I  have  decided  to  commit  the  child 
to  an  l&atltution,'*  antumuced  the 
Jndge. 

As  the  ''movio"  lights  vrere  flash- 
ed on  the  women^  and  the  operator 
started  grinding  on -his  camera, 
Mrs,  Goosen  'burst  ^iiato  tears  and. 
bending  over,  ,cl*?I^4 'the  cbiid  to 
her  arms,  while  her  13-year-old  son, 
Edward^  who  sat  In  the  front  row 
of  spectators,  ~  alst)  'began  crying. 
Mrs.  Przylsyia  made  no  demonstra- 
Uon. 

Asked  if  tbey  had  any  statement 
to  make  to  the  court,  Mrs.  Prxybyla 
said  he  was  married  and  had  a 
home,  and  wished  the  child  for  her 
own-H5o  Irene  could  benefit  by  these 
advantages.  Mrs.  Gdosen  vfz^  so 
overcpme  she  could  mak«  no  state- 
xn«jt< 

A  Ictnge  crowd  witnessed  tte  ex- 
P<Kl^iment  i>»  the  courtroom- 
Irene,  who  was  bom  out  of  wed- 
lock to  Mrs.  Przybyla  Feb.  10,  'l»'22, 
wad  placed  in  thOx  care  of  Mrs, 
Goosen  at  the  age, of  six  weeks.  On 
Feb.  lOl  ,1925  Mrs.  Praybyla  wa..s 
hianrtead  to  her  present,  husband. 

Dec.  /  24  Mrs.  Qoo,Stin  obtaiiieid  a 
decree  of  divorce  from  her  husband, 
William  Goosey,  tjrbo  is  Mrs;  Przy- 
byla's brother,  but  retained  posses- 
sion of  Irene.  March  20irjl925,  Mrs. 
Przybyla  obtained  a  writ"  of  habeas 
;  :c^rpus  but  it  could  not  be  served 
'  oil-Mrs.  Goosej). 
-  iA.  previous  writ  has  b«en  refused 
<it\..  24,  1924.  The  present  action 
Y^as  commeaCed  laat  week. 


Detroit  News 
Jan.  18 


V 


M 


m 


THE 


j^^ 


DAILY 


Sunday,  January  24,  is; 


"Ben-Hur" 

Metro-Goldwyn-Mayer 

ONE  OF  THE  TRULY  GREAT 
PICTURES  WHICH  WILL 
STAND  THE  TEST  OF  ALL 
TIME.  PARTICULARLY  AP- 
PEALING TO  THOSE  WHO 
GENERALLY  DO  NOT  AT- 
TEND PICTURE  HOUSES 
AND  WILL  DELIGHT  MOVIE 
FANS  AS  WELL. 

Cast. ..  .Ramon  Novarro  superb  as 
Ben  Hur.  Francis  X.  Bushman 
outstanding  as  Messala.  All  others 
excellent.  May  McAvoy  sweet  as 
Esther.  Betty  Bronson  makes  a 
marvelous    Madonna. 

Type  of  Story. ..  .Drama  built  upon 
the  great  Biblical  story  of  the  same 
name  written  by  General  Lew  Wal- 
lace. Perhaps  there  is  too  much 
story  in  this  great  piece  of  litera- 
ture to  make  one  picture.  There  is 
so  much  story  indeed  that  at  times 
one  wonders  how  Director  Fred 
Niblo  managed  to  keep  the  interest 
sustained  as  it  is.  There  are  12 
reels  of  film.  An  expert  cutting 
job  has  been  done  by  l2loyd  Nosier 
but  from  the  moment  that  Ben 
Hur  is  sent  to  the  galleys  until  he, 
his  mother,  sister  and  sweetheart 
are  reunited,  there  is  superb  devel- 
opment, magnificent  action,  thrill- 
ing spectacle  and  gorgeous  color 
shots  which  lift  this  production  to 
a  point  within  compass  of  the  great- 
est pictures  ever  made.  There  are 
so  many  wonderful  sequences,  so 
many  beautiful  shots,  that  it  is 
difficult  to  say  which  is  the  most 
thrilling  or  interesting.  Millions  of 
church  goers  who  do  not  usually 
attend  pictures  will  be  delighted 
with  the  color  shots  of  the  Ma- 
donna, the  Last  Supper,  the  Cruci- 
fixion. Movie-goers  will  be  thrilled 
with  the  galley  battle  and  the  great 
chariot  race. 

It  will  be  some  time  before  "Ben 
Hur"  reaches  the  picture  houses  for 
it  will  be  road-showed.  You  may 
therefore  watch  carefully  the  result 
of  the  business  in  the  large  key 
cities.  You  should  run  "Ben  Hur" 
— you  must  run  it.  It  is  great  audi- 
ence  building  material. 

Box  Office  Angle.... Not  only  the 
usual  patrons  but  thousands  of 
church  going  people  in  your  town 
will  be  anxious  to  see  this  greatest 
of  all    Biblical   stories. 

Exploitation ....  Great  care  must  be 
taken  when  you  exploit  "Ben  Hur." 
You  must  bear  in  mind  that  it  is 
connected  in  many  ways  with  im- 
portant Biblical  events  and  church 
going  folk  may  object  if  any  form 
of  ballyhoo  is  carried  out,  yet  it 
would  be  natural  to  ballyhoo  the 
chariot  race.  Use  dignified  treat- 
ment with  everything  you  do. 

Direction. .  .Fred  Niblo;  superb.  Had 
many  assistants,  including  Al  Ra- 
boch,  Reeves  Eason,  Ferdinand 
Pinney  Earle  and  Christy  Cabanne, 
all  deserving  much  credit. 

Scenario Some    question    whether 

June  Mathis  or  Carey  Wilson  is 
entitled  to  fullest  credit.  Both 
worked  hard  on  this  difficult  script. 

Cameraman Rene  Guissart 

Photography Excellent;  color 

work  particularly  outstanding. 

Locale Holy  Land 

Length 12,000  feet 


"The  Outsider" 

William  Fox 
STORY  OF  MYSTIC'S  HEALING 
POWER  HANDSOMELY  PRO- 
DUCED. COLORFUL  GIPSY 
SCENES.  CLIMAX  CLEVER 
AND  UNUSUAL  WITH  NOV- 
EL TRICKS  OF  SUSPENSE 
BUILDING. 
Cast. ..  .Jacqueline  Logan  fits  beauti- 
iuWy  into  the  part  of  a  famous 
London  dancer,  and  does  some  of 
the  best  work  of  her  career.  Lou 
Tellegen  plays  the  part  of  a  gipsy 
mystic  possessed  of  great  healing 
power — a  role  for  which  his  per- 
sonality is  ideally  suited.  Walter 
Pidgeon   adequate. 

Type   of   Story Drama,   adapted 

from  stage  play  by  Dorothy  Bran- 
don. The  opening  sequence  is  a 
splendid  presentation  of  a  stage 
production.  Jacqueline  Logan  and 
her  partner  are  seen  in  a  novel 
dance  number  that  is  staged  with 
rich  effects.  Her  partner,  who  is 
also  her  fiance,  takes  her  to  Hun- 
gary to  add  some  gipsy  dances  to 
their  repertoire.  Here  Ragatzy,  the 
gipsy  healer  is  introduced.  The 
scenes  at  his  camp  are  very  color- 
ful, made  picturesque  and  vivid  by 
wonderful  native  costumes  and  gip- 
sv  dances.  A  special  palm  goes  to 
Director  Lee  for  this  sequence. 
Novel  and  attention-arresting.  The 
mystic  is  seen  exercising  his  heal- 
in"-  powers  on  the  natives.  Good 
theatrical  effects.  Jacqueline  gives 
a  dance  with  her  partner  to  enter- 
tain her  gipsy  host,  and  suffers  a 
fall  that  permanently  cripples  her. 
Ragatzy  has  fallen  madly  in  love 
with  her.  He  follows  her  to  Lon- 
don. Her  father,  a  great  surgeon, 
is  unable  to  help  her.  In  fact,  all 
surgical  skill  fails.  From  here  on 
the  picture  is  an  exposition  of  the 
gipsy's  persistent  efforts  to  help  the 
girl,  but  her  father  stands  between 
them  .  He  denounces  the  mystic 
as  a  fakir.  At  last  to  save  the  girl 
he  gives  the  "Outsider"  a  chance. 
Then  the  director  starts  building 
one  of  the  cleverest  suspense 
climaxes  ever  screened.  Strong 
praise — but  deserved.  It  makes  an 
ordinary  story  stand  out  and  fairly 
clitter.  He  keeps  you  guessing  by 
clever  ruses  till  the  very  last  few 
feet  of  footage.  Then  the  healing 
comes  with  a  novel  touch.  The 
mystic  is  leaving — unable  to  cure 
the  crippled  dancer.  Then  she  rea- 
lizes her  great  love  for  him.  For- 
getting all  else,  she  rushes  to  him. 
Love  performs  the  cure. 
Box  Office  Angle. ..  .Unusual  love 
story,  gipsy  atmosphere  and  strong 
clifnax  make  this  a  box  office  draw 
in  big  house  or  small.  You  can't 
go   wrong  on  this  booking. 

Exploitation Feature  Jacqueline 

Logan  and  Lou  Tellegen  in  a  great 
love  drama.  Ballyhoo  with  man  in 
gipsy  costume.  Build  up  gipsy 
atmosphere  in  your  lobby.  Play  up 
faith  healing. 
Direction Rowland  V.  Lee;  ex- 
cellent. 

Author  Dorothy  Brandon 

Scenario Robert  N.  Lee 

Cameraman G.  O.  Post 

Photography Fine 

Locale  London,  Hungary 

Length 5,424  feet 


Raymond  Griffith  in 

"Hands  Up" 

Param,ount 

ROLLICKING  COMEDY  NON- 
SENSE THAT  IS  SURE  TO 
PROVE  A  FEAST  OF  FUN 
FOR  THE  CROWD  THAT 
WANTS  TO  BE  AMUSED. 
IT  DOES  ALL  OF  THAT. 

Star.... Kids  his  way  through  in  his 
usual  style — a  wink  here  and  a 
smile  there.  No  effort  for  Griffith 
to  get  a  laugh  over.  They  just 
come   rolling  along. 

Cast. ..  .Marion  Nixon  and  Virginia 
Lee  Corbin  a  contrasting  pair  of 
prettys,  one  blonde  and  the  other 
dark.  Mack  Swain  good  comedy 
foil  and  Monatgu  Love,  as  a  Union 
General,  suitable.  George  Billings 
plaj's  a  short  bit  as  Lincoln.  Others 
Noble  Johnson  and  Charles  K. 
French. 

Type  of  Story. ..  .Comedy;  from  the 
story  by  Monty  Brice.  After  a 
very  solemn  and  patriotic  introduc- 
tion, "Hands  Up"  settles  into  its 
normal  atmosphere  and  the  comedy 
gets  going  with  the  introduction  of 
Griffith,  a  Confederate  spy.  What 
toUows  is  purely  comedy  nonsense 
but  such  effective  nonsense  and 
with  so  many  genuinely  hilarious 
comedy  complications  that  the  old 
prejudices  of  North  and  South  are 
readily  forgotten  in  the  maze  of 
laughs  that  ensue.  Certainly  the 
cags  are  along  new  lines  and  even 
though  they  are  occasionally  long 
drawn  out,  they  are  still  good  for 
laughs  if  the  Rivoli  audience  is  to 
be  taken  as  a  criterion. 

The  efforts  of  Ray  to  secure  gold 
for  the  South  in  competition  with 
the  efforts  of  a  General  who  is 
after  it  for  the  North  provide  the 
basis  of  the  fun.  Of  course,  to 
make  it  more  exciting  and  allow 
hero  to  put  over  his  comedy  es- 
capes, he  is  captured  several  times 
in  the  course  of  the  plot  but  each 
time  manoeuvers  a  slick  getaway 
that  brings  with  it  a  load  of  laughs. 
The  sequence  is  and  around  the 
gold  mine  and  the  attempt  of  each 
emissary  to  drive  the  stage  coach 
loaded  with  gold  to  his  respective 
North  and  South  is  a  comedy  riot 
and  only  ends  when  Lee  surren- 
ders. Hero  has  yet  to  solve  a  per- 
sonal problem.  He  is  in  love  with 
two  sisters.  Brigham  Young  settles 
it  for  him  and  hero  gets  both  girls. 

Box  Office  Angle. ..  .Another  whirl- 
wind of  laughs  that  will  surely 
stack  up  well  at  the  box  office  if 
you  know  they  enjoy  a  good  hearty 
laugh. 

Exploitation Griffith's  past  com- 
edy successes  should  have  been 
building  up  a  following.  Boost  his 
name  and  promise  them  another 
delightful  comedy  in  his  latest.  The 
title  is  a  good  one  and  should  be 
easy  to  exploit  with  stunts  and 
novelty  ideas. 

Direction Clarence  Badger;  ex- 
cellent. 

Author Monty    Brice 

Cameraman    H.   Kinley  Martin 

Photography    Good 

Locale Western  town 

Length 5,992  feet 


Richard  Barthelmess  in 

"Just  Suppose" 

Prod. :  Inspiration  Pictures 
Dist.:    First   National 

ROMANCE  WITH  ROYALS 
TING    THAT    WILL    PLE;i 
THE     BARTHELMESS    FJi' 
AND      THE      CROWD     TH 
LIKES    COLORFUL,    ROM 
TIC  TALES. 

Star...  .Sports  some  flashy  unito 
but  is  more  interesting  and  att 
tive  as  "himself."  Has  a  suit 
role   that  he  does  very  well. 

Cast.... Lois  Moran  of  "Stella  li 
las"  fame,  cute  and  appealing 
the  girl  in  the  case.  Geoffrey  I 
good  as  the  Prince's  buddy.  H 
ry  Vibart,  George  Spelvin,  H< 
Short  and  Bijou  Fernandez  s; 
able. 

Type  of  Story. . .  .Romance;  from 
story  by  A.  E.  Thomas.    "JustS 
pose"   provides  Barthelmess  wit 
suitable  romantic  role,  the  typet 
fits  him  well.     The  story  itself  ii 
especially   weighty    in   situations 
originality  but  it  suffices  to  pres' 
Dick  in  the  sort  of  role  and  atrl 
sphere    that   his   admirers  seem-; 
expect.      It    is    another    of   thj 
mythical   kingdom  affairs  with  ; 
marriage  of  the  heir  to  the  tia'\ 
providing  the  chief  source  of  exw  i 
nient.     The   comedy   touches  K I 
some   liberties   with   royal  etiqm  i 
and    procedure    but    they   serve  ''  I 
mild    enough    amusement   and  i;  > 
love  affair  of  a  prince  who  is  bO; 
with    the    prince   business  niaiU)ii 
to  hold  the  interest. 

Story:  Prince  Rupert  is  suppoii 
to  be  reading  a  speech  at  an  i| 
phanage  dedication.  Instead  heti' 
a  fairy  story  and  for  this  his  fall 
sends  him  off  to  America,  ail  i 
which  pleases  the  prince  very  mi  ! 
because  in  the  audience  he  had  si  j 
the  lovely  Linda  Lee.  Learn;  I 
Linda  had  departed  for  Araer 
made  things  still  easier.  How' 
prince  locates  Linda  and  purs| 
his  courtship  in  spite  of  the  obj 
tions  of  his  royal  retinue  is  i\ 
lowed  by  his  being  recalled  to  , 
own  country  by  the  death  of 
brother.  The  complications  li 
cleared  away  when  the  brothf; 
widow  bears  twin  boys,  freeing ) 
prince  of  all  obligations  to 
throne  and  allowing  him  to  Oili 
the  American  girl. 

Box  Office  Angle Will  satisfy  1| 

average  crowd,  Barthelmess  f<i 
and  those  who  like  a  highly  fl;' 
ored  romance.  Not  an  outstandi 
Barthelmess  picture. 

Exploitation ....  You   have    the  sta 
name    to    boost    for   whatever  it   | 
worth  in  your  particular  neighbcl  I 
hood.     You  can  talk  about  the  ii  i 
mance    of   a    prince    and    tell  thi 
he   falls   in   love  with  an   Americ  | 
girl.      Let    them    know    that   h 
Moran,      who      won      consideralj 
praise  for  her  work  in  "Stella  D 
las,"  is  the  star's  leading  lady. 

IXirection Kenneth  Webb;  suital! 

Author A.  E.  Then: 

Scenario C.  Graham  Bal 

Cameraman  Stuart  Kels  i 

Photography    Go  I 

Locale  Europe-Ameri|,  ^ 

Length ......6,270  ft    ^ 


ASTOR  HOTEL 

SAT.  EVE.,  FEB.  6th 

SIXTH  MIVUAL 

AMPA 


Oh  Boy— What  a  revel 


speculators  will   positively  not  get   their  hands 
on  any  of  these  tickets — 


Tickets  per  Person 

$10,00 

Tables  Seating  10 

$100,00 


TWO  MARVELOUS  ORCHESTRAS 

SOUL  TO  SOLE  DANCING 

THE  TWELVE  MOVIE  IMMORTALS 

THE  WHOLE  INDUSTRY  WILL  BE 
^^RAZZED^^ 

Charlie  Einfeld  at  383  Madison  Ave.,  N.  Y., 

has  the  tickets 

Nat  Rothstein  of  F.  B.  O.  Chief  Announcer 
and  Master  of  Ceremonies 


THE 


s%g^ 


DAILY 


Sunday,  January 


John   Barrymore   in 

"The  Sea  Beast" 

Warner  Bros. 
BY  FAR  THE  MOST  PRETEN- 
TIOUS OF  THE  WARNER 
SCREEN  CLASSICS  SO  FAR. 
BARRYMORE'S  PERFORM- 
ANCE MASTERFUL. 
Star....  Has  a  remarkably  fine  role, 
full  of  great  opportunities  and  he 
meets  tliem  all.  Marvelous  as  the 
lover  and  forceful  and  compelling 
as  the  grizzled,  vengeful  sea  cap- 
tain. The  interest  is  almost  entirely 
centered   on   his   performance. 

Cast Dolores  Costello  a  lovely 

and    fragile    heroine    who    hasn't    a 
great  deal  to  do,  however.     George 
O'Hara  v.ery  well  suited  and  does 
good   work.      Vadin   Uraness,   as   a 
half-wit,  and  Sojin,  a  wily  Oriental, 
outstanding  in  a  big  cast. 
Type  of  Story.  .  .  .Drama  of  the  sea; 
based  on  Herman  Melville's  "Moby 
Dick."      It    is    decidedly    the    work 
of  John  Barrymore  that  is  making, 
and  will  make  "The  Sea  Beast"  a 
picture  to  be  remembered.  He  gives 
a  marvelous  character  portrayal  that 
will  undoubtedly  prove  one  of   the 
year's    best    nerformances.       From 
the    calm,    sea    rover    and    ardent 
lover    to    the    bedraggled,    grizzly, 
one-legged   captain   who  rules  with 
an    iron    hand    a    crew   of    half-wits 
and   sails   forever   in   search   of   the 
giant  whale  which  he  believes  had 
caused  his  misfortunes,  it  is  always 
Barrymore  and  his  marvelous  char- 
acter   development    that    hold    you 
Millard   Webb    has    striven   for    the' 
most    part    successfully    to    provide 
a     virile     atmosphere,     a      stirring 
production  and  yet  after  such  tense 
realism    as     the    tearing    away    of 
hero's   leg  by  the  whale,  he  comes 
down  to  miniatures  of  the  sea  and 
a  studio  tropical  setting.     Minor  de- 
tails  and   unimportant   perhaps   but 
with  so  much  else   that  is  fine  and 
big   these   things   might   have   been 
avoided.     The   gruesome   bits   inci- 
dental   to    the    loss    of    hero's    leg, 
the  crude  cauterizing  of  the  stump 
and    later    when    hero    burns    away 
the    name    of    his    sweetheart    tat- 
tooed on  his  arm— are  unnecessarily 
distasteful  and  like!y  to  offend  wo- 
men   especially.      The    story    builds 
to  great  dramatic  heights  and  even 
though    there    may    be    points    in 
story  and  production   on  which  all 
may  not  agree,  still  "The  Sea  Beast" 
remains     something    distinctly    de- 
serving of  box  office  success. 
Box  Office  Angle. . .  .Should  do  a  big 
business.      Story   has   powerful   ap- 
peal. 
Exploitation ....  You    can    figure    this 
one    out   as   a   very    good   bet    and 
start  working  to  clean  up  on  it.     A 
good     advance      exploitation     with 
plenty  of  broadcasting  on  the  mar- 
velous  performance   of   Barrymore. 
the   great   action    in   the   story,   the 
splendid  love   interest  and  the  stir- 
ring   atmosphere    of    this    whaling 
story  give  you   plenty  to  work  on. 

Direction    Millard  Webb; 

splendid 

Author Herman  Melville 

Scenario    Bess   Meredyth 

Cameraman   Byron   Haskins 

Photography    Very   good 

Locale    Mass.   town — at   sea 

Length   10.300  feet 


Elaine  Hammerstein  in 

"The  Checkered  Flag" 

Prod. :  Banner  Prod. 
Dist.:  Henry  Ginsberg  Dist.  Corp. 
AUTO    RACING    STORY    THAT 
TRAVELS    OVER    SAME    OLD 
TRACK.       NOTHING     START- 
LING OR  ORIGINAL.     HOLDS 
INTEREST    WITH    GOOD    DI- 
RECTION AND  ACTING. 
Star. . .  .  Elaine   Hammerstein  handles 
her  part  with   charm.     But  as  this 
is   a  story   of  a   racing  car  and   its 
owner,  it  gives  her  little  chance  for 
stellar  honors. 

Cast Wallace    MacDonald    is    a 

satisfactory  but  by  no  means  out- 
standing hero.  Lionel  Belmore  as 
a  hot  tempered  auto  magnate 
scores  the  real  hit.  Robert  Ober 
does  a  humorous  characterization 
as  a  Frenchman  in  love.  Lee  Shum- 
way  makes  a  finished  scoundrel 
who  never  overplays. 
T3^e  of  Story. ..  .Melodrama  of  the 
auto  speedway.  Here  is  another 
racing  theme  built  along  the  regula- 
tion lines.  Two  rival  auto  manu- 
facturers. Spy  planted  by  one  in 
the  other's  plant.  Business  of  steal- 
ing the  plans.  Also  a  "wonder" 
carburetor  just  invented  by  the 
hero  that  is  bound  to  win  any  race. 
Hero  steals  it  back  again.  It  all 
builds  up  to  the  big  race,  of  course. 
The  hero  outwits  the  spy,  who  is 
the  superintendent  of  the  plant 
owned  bj'  the  father  of  the  girl 
he  loves.  Then  when  you  think 
everything  is  all  set,  the  hero  is 
kidnapped  just  before  the  race 
starts,  and  his  mechanic  is  injured. 
Here  is  where  the  auto  race  ex- 
perts will  find  a  flaw.  The  hero's 
car  is  found  speeding  around  the 
race  track  with  a  driver  but  no  me- 
chanic. It  is  against  the  rules.  But 
the  director  was  after  a  kick  by 
working  in  a  mystery  driver — and 
this  was  the  only  way  he  could  do 
it.  The  audience  is  given  a  very 
broad  hint  that  the  heroine  is  con- 
cealed behind  the  driver's  duster 
and  goggles.  She  has  jumped  into 
the  car  to  save  the  day — and  the 
race — for  her  sweetheart.  The  rac- 
ing scene  registers  no  particular 
punch.  There  are  no  unusual 
thrills,  accidents  or  unexpected  hap- 
penings to  heighten  and  hold  the 
suspense.  Judged  by  other  pic- 
tures of  this  type,  the  race  scene  is 
below  the  average.  It  does  not 
build  to  the  whirlwind  climax  the 
fans  expect  in  stories  of  the  auto 
speedway.  However,  the  incidental 
story  is  told  entertainingly.  It  has 
a  lot  of  plot  and  counterplot,  with 
an  interesting  love  story.  The  di- 
rector has  got  a  whole  lot  out  of  a 
commonplace  story.  To  him  and 
Elaine  Hammerstein  and  Lionel 
Belmore  goes  most  of  the  credit. 
Box  Office  Angle. ..  .Rates  only  fair 
as  a  racing  picture.  Good  for 
neighborhood  and  small  houses. 
Exploitation. .  .  .Play  up  the  name  of 
Elaine  Hammerstein.  Use  checkered 
racing  flags  in  lobby. 

Direction    John    Adolfi 

Author   John  Mersereau 

Scenario   Tom  J.  Hopkins 

Cameraman    Not   credited 

Photography    Good 

Locale   Citv — race  track 

Length   '. . . . 6,071  feet 


"Too  Much  Money" 

First  National 

MARITAL  DRAMA  THAT 
TURNS  INTO  SLAPSTICK 
COMEDY.  QUEER  COMBINA- 
TION BUT  IT  MAY  PLEASE 
THEM  WHERE  THEY  WILL 
BE  AMUSED  BY  THE  COM- 
EDY AND  NOT  DISAP- 
POINTED IN  THE  DRAMA. 

Cast.  ..  .Lewis  Stone  starts  of?  as  a 
dignified  rich  business  m^n  but 
ends  up  as  a  Keystone  comedian  in 
the  role  of  janitor.  Certainly  a 
new  one  for  him.  Anna  Q.  Nils- 
son  pleasing  at  first  but  she  shows 
off  to  best  advantage  in  the  luxuri- 
ous business  of  the  early  reels. 
Robert  Cain  is  the  mustached  slick 
article  who  aims  at  winning  a  for- 
tune and  his  friend's  wife.  Others 
not  important. 

Type  of  Story. ....  .Comedy-drama; 

adapted  from  Israel  Zangwill's 
stage  play.  There  is  a  genuine  sur- 
prise in  store  for  those  v^'ho  see 
"Too  Much  Money."  It  may  not 
be  a  universally  pleasant  surprise 
but  those  who  go  in  for  slapstick 
comedy  will  find  plenty  to  amuse 
them  and  Lewis  Stone's  admirers 
are  going  to  be  surprised,  if  not 
chagrined  at  his  janitor,  a  la  Sen- 
nett,  portrayal.  The  story  starts 
out  as  one  of  those  three  cornered 
affairs  where  an  indulgent  husband 

•  spoils  a  wife  who  never  gives  him 
a  thought.  It  continues  with  what 
promises  to  be  an  interesting  ex- 
periment— the  husband  plans  a  pre- 
tense at  bankruptcy  to  bring  his 
wife  to  her  senses.  Instead  she 
takes  him  seriously  even  to  the 
point  of  making  him  work  in  a 
kosher  delicatessen.  From  this  point 
on  the  plot  loses  all  semblance  of 
plausibility  and  goes  in  for  com- 
plete slapstick  abandon.  And  at 
that  Ralph  Spence's  fifties  have 
considerably  helped  to  save  a  piece 
that  might  otherwise  have  been 
an  utterly  senseless  half  drama,  half 
comedy.  As  it  is  they  make  no  at- 
tempt to  conceal  the  slapstick  and 
with  Spence's  titling  it  registers 
laughs  that  will  get  over  big  with 
a  certain  crowd.  Of  course,  the 
affair  winds  up  as  you  may  expect. 
with  the  fortune  restored  and  the 
wife  cured  of  her  weaknesses  and 
very  much  in  love  with  her  hus- 
band. 

Box  Office  Angle. ..  .Should  be  sold 
as  slapstick  comedy  and  not  pur- 
ported to  be  a  farce  comedy  of  the 
usual  type  in  which  Lewis  Stone 
has  been  accustomed  to  appear. 

Exploitation. . .  .You  might  talk  about 
the  extreme  methods  employed  by 
a  rich  man  to  secure  some  atten- 
tion and  affection  from  the  wife 
who  neglected  him.  A  trailer 
showing  Stone  in  his  comedy  jani- 
tor make-up  may  get  them  inter- 
ested, and  of  course,  his  name  can 
be  used  to  good  advantage,  also 
.\nna    Q.    Nilsson's. 

Direction John    Francis    Dillon; 

fair. 

Author Israel  Zangwill 

Scenario.  ..  .Jos.  Poland — Jack  Jung- 
meyer. 

Cameraman .  Geo.    Folsey 

Photography    All  right 

Locale   N.  Y. 

Length 7.600  feet 


W 


"Rocking  Moon' 

Prod.:    Metropolitan  Pictun 
Dist.:    Producers   Dist.   ( 

FAMILIAR  PLOT  IN  NE 
CALE       AND       WITH 
TWISTS  MAKES  RATH. 
TERESTING  PICTURE. 
TIFUL       LOCATIONS 
WILL   DELIGHT  THE  ] 

Cast. . .  .Lilyan  Tashman,  Joht| 
ers  and  Rockliffe  Fellow 
famous  trio  of  girl,  hero  t 
lain  respectively.  All  thrc 
requirements  capably  and  ea 
suited.  Laska  Winters  plea 
a  half-breed  girl.  Others 
Cosgrove  and   Eugene   Palh 

Type  of  Story Drama;  ; 

from  the  novel  by  Barret 
loughby.  The  plot  in  the  i 
conventional  ^ame  of  hero,  t 
and  girl  with  the  three 
about  in  the  usual  circle 
"Rocking  Moon,"  in  spite 
trite  plot;  has  compensatii  ii 
tures  of  interest  that  make  i  ii 
effective  entertainment  at  th 
begin  with  George  Melfoi  h 
supplied  the  most  picturesq 
cations  imaginable  and  entii 
keeping  with  the  general 
sphere.  The  beauties  of  an  si 
near  Alaska  and  the  interesti  j 
tails  in  and  about  a  fox  ran  i 
unusual,  and  Charles  Clarke  s 
Joe  La  Shell's  excellent  p  o 
raphy  further  enhances  the  pi 
appeal.  The  development  is  s 
and   the   continuity   good. 

Story;    Sasha,    the    heroine 
a     fox    ranch    on    an    island 
.A.laska.      Nash,    a    crafty    R 
pretends  to  be  in  love  with 
but    his    real    business    is    poi 
on   her   fox   herd   and   makingi 
to  her  half-breed  maid,  Soya. 
Tynan,   a   stranger,   is    strand 
the    island    and    given    a    pi 
Sasha's  ranch.     He  becomes  h 
able    and    Nash,    seeing    Saij 
falling    in    love    with    Gary," 
to   steal   all   her  animals  and 
a  get-away.     First  he  tries  t 
suade    Sasha    to    go   to    the 
with  him.     An  elaborate  schei 
steal  the  herd  and  take  Gary 
as   captive  fails  and  Nash's  P' 
is    finally    exposed,    leaving 
free  to  continue  her  love  for 
unmolested. 

Box  Office  Angle. ..  .Good  av 
entertainment  with  certain  elel 
of  audience  appeal  that  wil 
doubtedly  reach  out  to  a  gooc 
jority. 

Exploitation. . . .  Play  up  unusua  :; 
of    locale    and    be    sure    to    r    ■ 
trailer  including  some  of  the  b(  i' 
ful   shots.     There  are  an  unlii  •:'■ 
number  in  the  picture.     Produ 
worth  talking  about  and  you  i 
get  the  women   folks  intereste 
telling   them   they'll   see   wher( 
luxurious     furs     they    crave     > 
from.     Good  names  to  use   in 
and   director's  also. 

Direction.  .George   Melford;   effe 

Author Barrett   Willou 

Scenario Jack   Cunningham 

Elliott  J.  Clawson. 
Cameramen. ..  .Chas.    G.    Clarke  p 

Joe  La   Shell. 

Photography Exc< 

Locale Alaskan  is  ^i 

Length  . 6.013'e 


THE 


DAILY 


Hk 


■  Oi 
D 

ly 

Hut; 
of 

■k 

jI  cii 

in  spi 


'"Ship  of  Souls" 

Associated  Exhibitors 
R     OF    SNOW    COUNTRY 
(iS  STIRRING  DRAMA  TO 
i.E  IT  STAND  OUT.  FAILS 
)  3UILD    REAL   SUSPENSE 
I  PUNCH  IN  CLIMAX. 
..Bert  Lytell  makes  the  most 
ipart  that   give   him   little   op- 
-tiity    for    characterization    or 
in.      The    same    thing    applies 
illian     Rich,     whose     part     is 
o|  as  colorless  as  it  is  possible 
sfeen.     Cyril  Chadwick  as  head 
;  patrol  makes  a  good  heavy. 
Metcalf   as   a    renegade    peps 
e  monotonous  proceedings  for 
ile,   but   even   his    part   is   al- 
to sputter  and  die  without  a 
tic    kick.       Russell     Simpson 
.    meaty    part    as    old    Angus 
,  factor  of  the  trading  post  at 
McTavish,   but   they   kill   him 
d  the  suspense  dies  with  him. 

if  Story Melodrama  of  the 

|h,     adapted     from      Emerson 
,h's   novel  of  the   same   name, 
is  story  Bert  Lytell  finds  him- 
tranded  in  the  frozen  country 
far    northern    post    with    no 
Ice   to    get   out    till    the    spring, 
ps  stopping  at   Fort   McTavish 
by    a    half-crazed    fur    trader, 
only    other    occupants    of    the 
are  his  two  daughters,  one  a 
breed.     With  this  unpromising 
tion  lacking  any  real  dramatic 
lict,  suspense  or  stirring  action, 
no    wonder    that    the    picture 
,s.      You    sit    back    waiting    for 
director  to  build  up  to  the  big 
,1.  You  feel  confident  that  there 
me    coming — else    why    all    the 
laration  for  something  of  seem- 
importance    to    happen?      But 
■e  is   nothing  important  —  and 
a    real    thrill.     As     Emerson 
igh  told  the  story  originally,  it 
.  less  a  story  of  action  than   of 
iflict  of  emotions  and  characteri- 
ion   between   three   people.      But 
director  entirely  failed  to  build 
these    elements,    which    would 
e  made  a  very  gripping  picture, 
e  fur  trader  insists  on  marrying 
Itell     to     his     favorite     daughter, 
:n  though   Lytell    has   a   wife   in 
States.     Here  is  the  real  story, 
[l  of  dramatic  possibilities.     How 
the  unworldly  girl  of  the  North 
ict?     How  did  the  husband  con- 
let    himself?       But     the     director 
:ps  it  all  a  close  secret.     Hence 
real  story.     Just  a  series  of  in- 
ients.      Even    the    appearance    of 
head    of    the    patrol    who    had 
In    away    with    Lytell's    first    wife 
lis  to  add  a  thrill  to  the  monotony, 
all    works    out    happily    for    the 
iwlyweds. 

Office  Angle Just  a  passable 

"ogram  number. 

iloitation. . . .  Emerson    Hough    as 

J  Jthor  of   "Covered   Wagon"   fame 

your  best  bet.     Also  Bert  Lytell 

j,  nd   Lillian    Rich.      Play    up    angle 

f    man     being    forced     to     marry 

i gainst  his  will. 
ection Charles   Miller;   indif- 
;rent. 
:hor   Emerson  Hough 

>  nario   Charles  Miller 

r'neraman Edward  Du  Parr 

:|Otography Good 

1  cale  Snow  countrv 

[ngth    5.416    feet 


'The  Gilded  Butterfly" 

Fox 
STRONG  CAST  AND  GOOD 
ACTING  CONSIDERABLY 
COUNTERBALANCE  RATHER 
WEAK  STORY.  SOME  GOOD 
THRILLS  AND  FIRST  RATE 
ENTERTAINMENT. 

Cast. .  .  .Alma  Rubens  gives  an  inter- 
esting performance  and  does  one 
or  two  emotional  scenes  especially 
well.  Bert  Lytell  suitable  as  the 
hero  although  Herbert  Rawlinson 
and  Huntly  Gordon  precede  him  in 
what  threaten  to  be  hero  roles  but 
both  turn  out  cads.  Good  line  up 
in  cast  that  includes  also  Frank 
Keenan,  Vera  Lewis,  Arthur  Hoyt, 
Carolynne  Snowden. 

Type  of  Story. . .  .Drama.  A  woman 
and  a  life  of  luxury — these  are  the 
basic  principles  in  the  plot  and 
readily  indicated  by  the  title,  "The 
Gilded  Butterfly."  Alma  Rubens  is 
the  woman  reared  in  luxury  and 
who  carries  on  in  the  same  style 
even  after  she  finds  that  she  has 
not  the  wherewithal.  The  develop- 
ment brings  with  it  some  implausi- 
bilities  and  far-fetched  twists  but 
there  is  such  a  good  cast,  and  John 
Griffith  Wray's  production  is  on 
an  elaborate  scale,  that  it  will  prob- 
ably find  favor  with  many  at  that. 
It  has  the  atmosphere  of  luxury 
that  appeals  to  many  and  there  is 
never  an  opportunity  missed  to  put 
it  across.  The  love  interest  is  there 
too. 

Story:  Linda  Haverhill  had  been 
reared  in  an  atmosphere  of  wealth 
but  when  her  father  died  she  found 
they  had  been  "sponging"  on  rela- 
tives. Converse,  her  father's  friend, 
offers  to  sell  bonds,  really  worth- 
less, and  for  a  time  Linda  continues 
her  elegant  living  until  it  comes 
time  for  Converse  to  make  the  usu- 
al demand.  Meantime  she  has  met 
Capt.  Anestry  and  fallen  in  love 
with  him.  She  keeps  up  her  mask 
of  wealth  even  resorting  to  incen- 
diarism to  collect  insurance  and  pay 
a  bill.  Threatened  with  arrest  on 
the  eve  of  her  marriage  to  Anestry, 
she  tries  to  break  of?  with  him 
rather  than  have  her  disgrace 
known  to  him.  How  he  learns  the 
truth,  forgives  and  they  sail  on  a 
honeymoon,    conclude    the    story. 

Box  Office  Angle.  .  .  .Good  for  certain 
type  of  audience  and  probably  they 
make  up  the  biggest  majority — 
those  who  like  exotic  atmosphere, 
lavish   display  and   romance. 

Exploitation. ..  .The  title  alone  will 
be  enough  to  bring  in  some.  Play 
it  up  by  talking  about  the  girl, 
reared  in  luxury,  who  set  fire  to 
her  home  in  order  to  secure  money 
with  which  to  pay  her  bills  and 
continue  the  luxury  which  she  was 
used  to.  Use  Alma  Rubens'  name, 
also  that  of  Bert  Lytell.  Good  cast 
all  the  vi'ay  and  can  be  boosted. 

Direction John  Griffith  Wray; 

ample 

Author    Evelyn    Campbell 

Scenario    Bradley    King 

Cameraman    

Photography    Good 

Locale    Europe-U.    S. 

Length  6,200  feet 


Short  Subjects 

"Saturday  Afternoon" — Sennett — 

Pathe 

A  Laugdon  Riot 

Type  of  production. . .  .3  reel  comedy 

Here's  another  Langdoni  knock- 
out. Its  a  three  reel  comedy  with  a 
laugh  every  minute.  They'll  chuckle 
when  they're  not  laughing  and  laugh 
when  they're  not  chuckling.  Lang- 
don  with  all  his  typical,  ineffectual, 
undecided  mannerisms,  is  seen  as  a 
dutiful  day-laborer  who  is  in  the 
habit  of  letting  his  wife  scare  him  into 
faithfulness.  One  Saturday,  however 
his  pal — played  by  Vernon  Dent — 
makes  a  date  for  him  with  a  girl. 
Harry  is  in  the  habit  of  holding  out 
a  quarter  from  his  pay  envelope  and 
"banking"  it  under  the  carpet.  The 
scene  in  which  his  wife  catches  him 
at  it  is  a  howl.  Finally  she  gives 
hirn  a  dime  and  he  sneaks  out  to 
keep  his  date.  Many  and  funny  arc 
the  things  that  happen,  culminating 
finally  in  a  fight  between  Harry  and 
his  pal  and  two  toughs.  Harry  is 
knocked  out,  and  one  of  the  girl.'; 
runs  to  a  gas-filling  station  and  brings 
him  what  she  things  is  a  cup  of 
water.  Its  really  gasoline.  Harr\ 
sits  on  the  running  board  of  one  of 
the  parked  cars  and  puts  his  feet  on 
the  running  board  of  the  other.  Ht- 
is  so  woozy  from  the  gas  that  he 
doesn't  know  when  they  start  and 
remains  sitting  on  one  car  with  his 
feet  up  on  the  other  until  a  telegraph 
pole  interferes.  His  wife,  out  looking 
for  him.  picks  him  up  and  takes  him 
home,  saying,  "Its  all  my  fault.  I 
had  no  right  to  give  you  that  dime." 
Get  this  one. 


"My    Stars"— Tuxedo— Educ'l 

E  ntertainiyig 
Type  of  production. ..  .2  reel  comedy 
Johnny  Arthur's  latest  for  Educa- 
tional has  a  most  entertaining  little 
plot,  and  lia.s  been  directed  in  excel- 
lent manner  by  Bryon  Houck.  Ar- 
thur's work  is  very  good  indeed.  His 
girl,  so  the  story  goes,  is  an  ardent 
inU  fickle  movie  fan.  That  is,  she 
transfers  her  adoration  from  one  star 
to  another  with  every  new  photograph 
she  receives — and  she  receives  them 
with  each  mail.  Johnny  has  a  hard 
time  keeping  up  with  them.  Just  as 
soon  as  he  dresses  a  la  Valentino 
and  rushes  to  see  her  via  the  sheik 
method,  he  finds  that  her  affections 
have  changed  and  are  centered  on 
Doug  Fairbanks.  When  he  has  don- 
ned a  Robin  Hood  get-up,  with  the 
ai-  of  several  of  his  mother's  house- 
furnishings,  he  finds  that  she  is  now 
in  love  with  Harold  Lloyd.  Finally, 
in  desperation,  he  drags  her  to  his 
flivver  and  rides  off  with  her  while 
her  affections  and  his  make-up  co- 
incide. Outriding  the  mailman,  he 
wins  her  love,  only  to  find  that  she 
really  loves  him  after  all.  Virginia 
Vane,  George  Davis  and  others  are 
in  the  cast. 


"A  Flaming  Affair" 
Imperial — Fox 
Hilarious  Gags 
Type  of  production. .  .  .2  reel  comedy 
This    laugh    spiller   has   a   very   ap- 
propriate   title,    as    it    portrays    the 
troubles  of  an  amateur  fireman  trying 
to  do  professional  stuff  at  a  big  blaze 
where    real    rescue    work    has    to    be 


done  under  difficulties.  Sid  Smith 
plays  his  boob  part  in  a  way  to  keep 
the  chuckles  coming  almost  continu- 
ously. They  gave  him  a  fine  vehicle 
for  his  talents  in  this  one,  and  he 
certainly  makes  the  most  of  it.  Of 
course  there  is  a  girl  for  whose  smiles 
he  attempts  to  pose  as  a  regular  fie 
eater  while  almost  dying  of  fright. 
He  has  a  job  as  a  street  car  conduc- 
tor, and  when  he  meets  the  girl  un- 
expectedly near  a  fire  house,  takes 
her  in  and  shows  he  raround,  posing 
as  the  fire  chief.  While  demonstrat- 
ng  the  use  of  a  safety  belt,  it  gets 
caught  in  the  hook  and  ladder  ap- 
paratus. An  alarm  rings,  and  he  is 
whirled  away  wiggling  at  the  end  of 
the  motor  truck.  They  hoist  him  to 
dizzy  heights  at  the  fire.  Here,  with 
his  girl  and  the  crowd  watching  from 
below,  he  is  forced  to  make  good. 
From  here  on  it  is  a  ripple  of  laugh- 
ter. Some  great  trick  camera  work 
is  done  which  produces  a  series  of 
breath  taking  falls,  slips  and  spills — 
and  all  the  while  Sid  is  pulling  the 
comedy  stuff.  He  winds  up  by  rescu- 
ing two  polite  Frenchmen.  His  girl 
welcomes  him  to  her  arms  as  her 
hero.  Full  of  gags,  fast  action  and 
real  comedy.  Will  please  all  who 
like  to  crack  a  smile. 


"Felix    Kept    on    Walking" — Sullivan 
Educational 

Felix  Continues  Funny 
Type  of  production..!    reel   animated 

cartoon 
Felix,  the  funny  cat,  will  un- 
doubtedly amuse  your  folks  in  this 
one.  He  has  what  seemed  to  us  to 
be  a  "walk  complex."  He  walked 
on  everything,  even  the  radio  wires 
until  they  got  too  hot.  In  th^  course 
of  his  travels,  he  meets  a  po^t  whose 
poems  tell  him  that  "beyond  the 
horizon  lie  riches."  •  Felix  starts  to 
find  them.  But  walk  as  he  may — and 
he  does — he  can't  seem  to  catch  the 
elusive  horizon.  It  is  always  ahead 
of  him.  Finally,  sore-footed  and 
weary  he  returns  and  finds  the  poet 
and  sends  him  with  a  kick  to  find  the 
horizon    himself. 


"Animated  Hair  Cartoons  No.  1" — 
Marcus — Red  Seal 
A  Good  Ntimber 
Type  of  production....!  reel  cartoon 
The  New  York  Times  cartoonist, 
Marcus,  offers  a  new  variation  on  the 
animated  idea  with  some  highly 
original  pen  and  ink  sketches.  After 
he  draws  a  sketch  of  a  person,  he 
takes  portions  of  the  drawing — hair 
from  the  head,  the  mustache  or  beard 
— and  transforms  it  into  a  perfect 
likeness  of  well  known  celebrities 
such  as  Charles  Chaplin,  Rudolph 
Valentino,  Jack  Holt,  Harold  Lloyd 
and  Charles  Murray.  Here  is  an  en- 
tertaining reel,  for  it  keeps  the  au- 
dience guessing  as  the  transformation 
proceeds  as  to  which  popular  screen 
star  the  drawing  will  eventually  de- 
velop into.  Should  prove  a  good 
number  for  any  type  of  house. 


"Pathe    Review    No.    2"— Pathe 

Fine  Mixture 
Type  of  production.  .1-reel  magazine 
First  is  presented  "Plundering  the 
Sea,"  giving  a  portion  of  the  highly 
entertaining  and  unusual  pictures  tak- 
en of  the  Arcturus  Oceanographic 
Expedition.     Here  in  the  little  known 


THE 


iS&^ 


^ 


DAILV 


Sunday,  January  24, 


Galipagos  Island  we  see  animal  life 
that  probably  exists  nowhere  else. 
Some  remarkable  shots  are  presented 
of  unusual  specimens  of  fish  photo- 
graphed under  water  which  is  as  clear 
as  crystal.  One  interesting  view 
shows  an  artist  member  of  the  ex- 
pedition making  sketches  on  the  bot- 
tom of  the  ocean,  while  air  is  pumped 
through  the  diving  mask.  "Inno- 
cence" presents  some  intimate  studies 
of  babies  in  Pathecolor  that  should 
interest  all  mothers.  The  presenta- 
tion is  made  very  artistic  by  giving 
the  colored  photos  the  appearance  of 
animated  oil  paintings  in  a  gold 
frame. 

The  reel  concludes  with  "A  Date 
In  Egypt,"  which  depicts  the  natives 
as  they  gather  dates  from  the  trees. 
They  are  compelled  to  climb  to  dizzy 
heights,  as  the  fruit  is  only  found  at 
the  very  top.  The  means  of  ascent 
is  simple  but  effective.  A  rope  is 
slung  about  the  trunk  of  the  tree  in 
the  form  of  a  loop.  The  native  fruit 
picker  adjusts  it  against  his  back,  and 
with  bare  feet  starts  to  climb  by  a 
series  of  jerks  which  moves  the  rope 
gradually  upward.  After  you  see  the 
eflfort  required  to  pick  dates,  you  will 
probably  appreciate  them  more  the 
next  time  you  eat  them.  A  well-bal- 
anced magazine,  finely  edited  and 
photographed. 


no  doubt  garner  in  the  laughs.  It  is 
the  old  reliable  stuff  that  has  never 
yet  failed.  While  waiting  for  some 
director  to  recognize  her  talents, 
Alice  takes  a  job  flipping  pancakes 
in  a  restaurant.  She  meets  a  movie 
star,  and  pretends  to  be  the  daughter 
of  the  millionaire  owner  of  the  string 
of  restaurants.  The  complications 
come  in  the  windup  when  the  hand- 
some star  finds  her  tossing  the  g:riddle 
cakes.  But  true  love  triumphs  in  the 
finish  which  results  in  the  usual  Mack 
Sennett  fun.  Alice  Day's  work  will 
put  this  over  easily. 


"Brotherly  Love" — Cameo— Educ'l 
Usual  Cameo  Standard 
Type  of  production....!  reel  comedy 
"Brotherly  Love"  is  on  a  par  with 
the  average  releases  under  the  Cameo 
Brand.  It  should  have  no  trouble 
entertaining.  Particular  mention 
should  be  made  of  the  photography, 
however.  It  is  very  good  indeed. 
The  cast  includes  Cliff  Bowes,  Helen 
Foster,  Zelma  O'Neal  and  Howard 
Esary,  and  the  action  concerns  itself 
with  a  mix-up  between  four  lovers. 
Jess  Robbins  directed. 


"Man  or  Illusion" 
Plastic  Scenic  Novelty — Renown 
Interesting  Subject 
Type  of  production....!  reel  novelty 
"Man  or  Illusion"  is  something 
new  in  the  way  of  film  novelty. 
The  reel  presents  various  celebri- 
ties among  Parisian  entertainers — 
dancers,  ballets  and  tableaux.  The 
reel  is  in  color  and  thrown  on  a  scrim 
curtain  which  has  a  faint  light  behind 
anda  backdrop  which  gives  the  ef- 
fect of  depth.  The  offering  is  de- 
cidedly novel  and  should  be  well 
received  where  they  are  open  to  orig- 
inal ideas  and  new  entertainments. 


"Hot  Cakes  for  Two"— Mack  Sennett 
Pathe 
Movie  Burlesque 
Type  of  production. . .  .2  reel  comedy 
Nothing  particularly  new  in  this 
one,  being  another  variation  on  the 
theme  of  a  girl  and  her  boy  friend 
who  go  to  Hollywood  to  break  into 
pictures.  Alice  Day  as  the  hick  girl 
who  tries  to  become  a  screen  star  gets 
every  possible  bit  of  comedy  out  of 
the  situations  given  her.  Her  work 
is  a  pleasure  to  watch,  for  she  has 
a  fine  sense  of  comedy  that  puts  her 
near  the  top.  In  company  with  her 
hick  boy  friend,  she  lands  in  the 
clutches  of  a  fake  school  where  they 
are  put  through  a  rapid  fire  lesson 
before  the  camera.  This  sequence 
is  all  burlesque  and  slapstick,  but  will 


'Hot  Dog"— Blue  Bird— Universal 

Will  Please 
Type  of  production....!  reel  comedy 
This  looks  good  for  a  fair  amount 
of  amusement,  especialliy  where  they 
like  "flappers"  in  their  comedy.  Young 
Arthur  Lake  is  featured  and  another 
young  lad  whose  name  is  not  men< 
tioned  is  in  the  cast.  Arthur  and 
Eddie  both  like  the  same  girl  who  in- 
vites both  to  her  home.  Eddie's 
roadster  has  only  two  s^ats  and  Ar- 
thur is  therefore  compelled  to  sit  on 
the  spare  tire  and  get  full  of  dust. 
After  arriving  at  the  girl's  house,  she 
finds  she  has  forgotten  her  key  and 
Arthur  climbs  through  an  upstairs 
window  to  let  them  in.  He  gets  into 
a  bathtub  and  thence  gets  tangled  up 
in  all  sorts  of  strange  furniture,  final- 
ly making  his  way  to  the  front  door 
on  which  a  note  is  pinned  informing 
him  that  his  rival  has  gone  with  the 

girl.  

"The  Fighting  Tailor"— 
Imperial  Comedy-Fox 
Many  Good  Laughs 
Type  of  production.  .  .  .2-reel  comedy. 
A  well-blended  comedy  mixture 
with  Irish  and  Jewish  humor  predom- 
inating, makes  up  the  laughs  in  "The 
Fighting  Tailor,"  which  has  a  gener- 
ous array  of  new  and  amusing  gags 
and  situations.  A  young  Jewish  boy 
with  pugilistic  ambitions,  the  hero, 
and  an  Irish  champion,  who  will 
stand  no  trifling,  are  at  odds  and  there 
is  a  girl  in  the  case,  of  course.  The 
Jewish  lad's  father  runs  a  tailor  shop 
and  how  the  boy  uses  the  tailoring 
apparatus  for  gymnasium  purposes  is 
one  of  the  funniest  sequences.  The 
titles  are  good  and  are  appropriate. 
One,  where  the  Irish  contender  wal- 
lops his  Jewish  opponent,  reads:  "I'll 
hit  you  so  hard  your  old  man  will 
feel  it."  Whereupon  the  Jewish  lad 
lands  on  the  floor  so  hard  that  it 
knocks  a  piece  of  plaster  from  the 
ceiling  below,  hitting  his  "Old  Man" 
who  is  in  that  room.  The  crowd  that 
likes  comedy  at  all  will  find  plenty  to 
amuse  them  in  "The  Fighting  Tailor" 
and  the  comedy  fight  climax  gives  it 
a  hilarious  wind-up. 


around  the  field  as  they  played  this 
exciting  game.  All  lovers  of  the  horse 
will  enjoy  these  shots  of  blooded 
equines  in  action.  The  reel  concludes 
with  the  race  track.  Some  unusual 
close-up  shots  are  presented  of  the 
way  the  jockeys  handle  their  mounts 
as  they  play  for  position.  This  reel  is 
up  to  the  usual  high  standard  of  this 
series.     Photography  excellent. 


Incorporations 

Albany,  N.  Y.— Fletcher  Produci 
New  York.  Capital  $50,000.  Incon 
W.    Saxe,    P.   Hahn   and   M.   McGahs 


Marvels  of  Motion  "H"— Fleischer- 
Red  Seal 
Interesting 
Type  of  production....!  reel  novelty 
The  Fleischer  Novograph  process 
of  stop-motion  is  employed  in  this 
issue  of  "Marvels  of  Motion"  in  an 
entirely  interesting  fashion.  Jiu  Jitsu 
wrestlers  are  shown  with  the  action 
being  stopped  at  important  points  so 
that  the  spectator  can  see  for  him- 
self just  how  the  different  holds, 
twists,  etc.,  should  be  employed  to 
be  effective.  Swimming  comes  in  for 
some  attention  in  the  latter  half  of 
the  reel,  as  does  some  Apache  danc- 
ing, but  neither  of  these  two  latter 
subjects  is  as  effective  as  the  wrest- 
ling. 


Dover,    Del. — Colonial    Picture   Cor 
tal   $50,000.      Incorporators,   D.    Demi   it!!"' 
Rule    and    P.     Paravitt.      Attorney 
Charter    Co.,    304    Ford    Bldg.,    Wiim 


^ 


Albany,    N.    Y.— R.    S.    P.   Amusem. 
New   York.      Capital   $15,000.      Incori  j, 
E.  Alper,   G.  Schwartz  and  E.   Wagn  i 
torney,    H.     Pearlman,    63     Park    Rov  , 
York. 

I 


Albany,     N.     Y. — Anboard    Theater  I 
New    York.      Capital    $5,000.      Incorp 
M.  Schwartz,  A.  Schwartz,  and  M.  Sc 
Attorney,   S.    I.   Segall,   220   Broadwa  | 
York.  I 


Albany,  N.  Y. — Oceanside  Theater 
York.  Capital  $5,000.  Incorporate 
Sherman,  S.  Riegelhaupt  and  W.  Bl; 
torney,  S.  I.  Segall,  220  Broadwaj 
York. 


"Good  Cheer"— Hal  Roach— Pathe 

A  Holiday  Number 
Type  of  production. . .  .2  reel  comedy 
This  represents  the  holiday  number 
from  the  popular  "Gang"  and  con- 
cerns itself  with  the  Christmas  sea- 
son and  the  efforts  of  the  youngsters 
to  bring  cheer  to  the  kids  who  have 
no  Santa  Claus.  First  they  are  con- 
fronted by  the  problem  of  raising 
money  to  buy  the  presents.  The 
spirit  of  Santa  is  seen  suggesting  and 
guiding  them  throughout  the  picture. 
It  is  a  good  touch  which  adds  some 
effective  sentiment  to  the  comedy 
bits.  So  at  Santa's  suggestion  they 
sell  red  hot  building  bricks  as  foot 
warmers  to  peddlers,  policemen  and 
other  pedestrians  who  are  forced  to 
be  out  in  the  snow  and  cold.  Dis- 
guised as  Santa  Claus,  the  Gang 
members  run  into  a  bootlegging  plot 
which  adds  a  lot  of  excitement  to  the 
proceedings.  All  in  all,  the  holiday 
spirit  of  this  short  is  well  put  over 
and  should  register  well. 


Albany,  N.  Y. — Roosevelt  Exhibitioi;! 
New   York.      Incorporators,   H.   E.  H 
L.   Strong  and  F.   Rubin.     Attorneys, 
worth,   Lowenstein   &   Stern,    152   We' 
St.,    New    York. 


Trenton,  N.  J. — Freehold  Theate 
Trenton ;  to  operate  theaters.  Capital 
Incorporators,  W.  Schlesinger,  M.  Cli 
L.  Greenberg  and  S.  Goldberg.  Att 
Schlesinger    &    Schlesinger,    New    Yorl  ■ 


Trenton,  N.  J. — Hamilton  Amuseme 
Newark ;   to   operate  theaters.      Incorpc  % 
J.  Griffinger,  E.  Hopkins  and  M.  Rydelii 
torney,    Joseph    Steiner,    Newark. 


Albany,    N.    Y. — Marlboro    Pictures 
New  York.     Capital  $75,000.     Incorpc n 
O.   Peters,   E.   Powell  and  H.   Flavia. 


"All  Astride"- Grantland  Rice 

Pathe 

Fine  Horse  Picture 

Type  of  production  ..  1-reel  Sportlight 
Grantland  Rice  shows  with  pictor- 
ial effectiveness  in  this  reel  that  the 
automobile  has  not  entirely  replaced 
the  horse — especially  in  the  field  of 
sports.  The  first  subject  deals  with 
the  value  of  the  pack  animal  in  the 
cattle  country.  Here  he  performs 
work  which  no  auto  could  possibly 
accomplish.  Then  follows  views  of 
the  supreme  place  the  horse  holds  in 
polo.  It  took  some  snappy  camera 
work     to     follow     the     polo     ponies 


Denver  Board  Holds  Election 

Denver  —  The  following  officers 
were  elected  to  head  the  Board  of 
8rade:  Joseph  H.  Ashby,  First  Nat'l, 
president;  W.  E.  Matthews,  F.  B.  O. 
vice-president;  Duke  W.  Dunbar,  sec- 
retary. 


'Frisco  Arbitration  Board   Reports 

San  Francisco  —  The  Film  Ex- 
change and  M.  P.  Exhibitors  Joint 
Board  of  Arbitration  heard  44  cases 
of  disput  eduring  1925,  with  $31,891.99 
involved.  All  awards  have  been  ac- 
cented   wihtout    dispute. 


Albany,  N.  Y— Basil  Dean,  In 
York.  Capital  $10,000.  Incorporsi 
Dean,    P.    Feiner  and  A.    Scheer. 


Albany,  N.  Y. — Neslein  Picture  Corp.-| 
York.  Capital  $3,000.  Incorporatoif 
Nielson,  C.  Winitrin  and  R.  Hoseas. 


Albany,  N.  Y.— Moshulu  Theater  - 
New  York.  Incorporators,  J.  Hini 
Rosenthal    and    J.    Geller. 


Newark,     N.    J. — Polish    Amusement 
Newark ;   to  operate  theaters.     Capital 
000.      Headquarters.   810   Broad   St..  N< 


Albany,    N.    Y. — Straham    Theater 
New     York;     to     operate    theaters.      ( 
$350,000.       Incorporators,     L.     Scheuer 
Powers    and    A.    Ghersan. 


Albany,  N.  Y.— H.  &  K. 
New  York.  Incorporators, 
Hoerner  and  W.  Herzbrun. 


Pictures 
H.    Lewi 


Albany,  N.  Y. — Limited  Productions, 
New  York.  Capital  $525,000.  Incorpoi 
A.   Smith,   V.   Mathews  and  J.  Perdue. 


$250,000  House  for  Oakland,  Cal. 

Oakland,  Cal.  —  Beach  &  Krah.i 
Theaters,  Inc.,  are  planning  a  $250,- 
000  house  at  College  and  Claremont, 
to  be  called  the  Senator,  seating 
1,800.  J.  Albert  Marshall  is  archi- 
tect.   

Evans  Sells 
Philadelphia — As  a  result  of  a  long 
illness,  John   S.   Evans  recently  sold 
the  Tioga  and  Drury  to  James  Smith- 
an  for  $225,000. 


Albany,     N.     Y. — Dragon     Pictures, 
New   York.      Capital   $1,000,000.      Incoi 
tors,  J.   Hart,    C.   Loman   and   H.   Wall 


Albany,    N.     Y. — Camera     Pictures 
New    York.       Incorporators,     A.     Brya 
Klein    and    T.    Schickling. 


Albany,     N.     Y. — Tismer     Theater     ( 
Rochester.     Capital  $100,000.     Incorpor 
L.    luppa,   J.    Paulen   and  J.    luppa. 
r.ey,   J.    Rosenzweig,   Rochester. 


Trenton,    N.    J. — Polish    Amusement 
Newark.       Capital    $125,000.      Incorror, 
J.   Weskowsky,  E.  Twartus  and  C.   Wej 
sky.      Attorney,    Edward    B.    Twardus,     n 
ark. 


Dover,  Del. — Pickford  Corp. ;  holding  » 
pany  for  the  Mary  Pickford  enterp  '*■ 
Capital  $100,000.  Incorporators,  T.  Cro|* 
A.  Miller  and  A.  Jervis.  Attorney,  Corj  »■ 
tion  Trust  Company  of  America,  Du  i' 
Bldg.,   Wilmington. 


iratjr 


lOLLYWOOD 
lAPPENlNGS 


RECOOUZED 

Authority 


mtmisr^ 


By 

Harvey  E.  Qausman 


lie  Granite  3980 


Sunday,  January  24,  1926 


6411  Hollywood  Blvd. 


:1c 


>igns   with   M.-G.-M. 

Starke    has    signed   a    new 


ith  M.-G.-M. 


sson  in   Colleen's    Role 

n    Moore    will    not    star    in 

(now  "Miss  Nobody"),  but 

lace  Anna  Q.  Nilsson  will  be 


iw.>—  New   Find  in  "Toto" 

'"■""Ilia  Bradford,  considered  by 
-ifat  M.-G.-M.  as  a  new  "find" 
U  one   of   the   featured    players 

EiiMo,"  John  M.  Stahl's  next  pic- 
w  in  work. 


]The  Manchester  Opens 

■Manchester,  latest  in  the  West 
JChain  is  open.  At  the  pre- 
(Charlie  Murray  was  toastmas- 

rhe  house  seats  1,700  and  is 
at     Manchester    and     South 

vay. 


f-lttlackton's   Next    Selected 

"^■ll    Bent    fer    Heaven,"    will    be 
Pjji^art    Blackton's    next    for    War- 
Patsy  Ruth  Miller,  John  Har- 
arne  Whiteman,  Gardner  James, 
Marcus,    Evelyn    Selbie    and 
d  North  are  in  the  cast. 


Finish   "Volga    Boatman" 
[^iil  B.  De  Miile's  second  produc- 
T«j'The  Volga  Boatman,"  has  been 
''''led.    The  cast  is  headed  by  Wil- 
iBoyd,   Elinor  Fair,  Victor   Var- 
Theodore     KoslofI     and     Julia 


pleting  "A  Modem  Musketeer" 

i,^duction  is  being  completed   on 

Modern     Musketeer,"     featuring 

errado,  supported  by  Rhea  Mit- 

Olive  Kirby  and  others.     Jack 

n  is  directing.     The  Sun  M.  P. 

is     the     producer.        Release 

igh  Madoc  Sales  Co. 


bolores  Dfel  Rio   to  Universal 

:'!ores  Del  Rio  will  go  from  First 
nal  to  Univeral  City  by  an  ar- 
ment  with  Edwin  Carewe,  to 
r  in  the  role  opposite  Edward 
tt     Horton     in     "The     Whole 

IS  Talking."     Edward  Laemmle 

(lirect. 


|tart    Next    Tiffany    Production 

he    next    Tiffany    feature,    "Pleas- 

^  of  the  Rich,"  is  now  in  produc- 

with    a    cast    including    Helene 

ilwick,  Jack  Mulhall,  Mary  Carr, 
dda  Hopper,  Julanne  Johnston, 
I  Marcine  Asher.  Gasnier  is  di- 
ting. 


Two  Vehicles  for  La  Rocque 

iarrett  Fort  has  adapted  two 
re  stories  slated  for  early  produc- 
II  at  the  De  Mille  studios;  one  is 
achelor  Brides,"  a  recent  Broad- 
y  stage  play  and  "The  Dancing 
m,"  Edna  Ferber's  novel.  Both 
II  be  vehicles  for  Rod  La  Rocque. 


Monta   Bell  Working  on  "Charm" 

Monta  Bell  is  fast  completing  plans 
for  production   of   "'Charm." 


Warners   Sign   Doris   Hill 

Doris  Hill  has  been  signed  by  War- 
ner Bros. 


Sally  Rand  in  "Red  Dice" 

Sally  Rand  has  been  added  to  the 
cast  of   "Red  Dice." 


Emory  Johnson  Starts 
Emory    Johnson    has    left    for    San 
Diego  where   he   will   shoot  exteriors 
for  "The  Non-Stop  Flight." 


Jane  Winton  in   Baggot  Film 
Jane    Winton    will    play    a    part    in 
"Perch    of    the    Devil,"    which    King 
Bacgot  is  directing  for  Universal. 


Otis    Harlan,   in   "U"    Picture 

Otis  Harlan  has  been  signed  to  a 
featured  role  in  "The  Whole  Town's 
Talking"  for  Universal. 


Warner  Baxter  in  Lead 

Warner  Baxter  will  play  the  lead- 
iv  male  role  in  William  De  Miile's 
next,  'The   Flight  to  the  Hills." 


Neil!  Finishes  Buck  Jones  Picture 

R.  William  Neill  has  completed 
"The  Fighting  Buckaroo"  for  Fox, 
featuring    Buck   Jones. 


Anthony  to  Title  "The  Barrier" 

Walter  Anthony,  former  dramatic 
critic,  has  been  engaged  by  M.-G.-M. 
to   write   titles  for   "The    Barrier."       i 


First   National  Gets  Wilson  Story 

First  National  has  acquired  the 
screen  rights  to  "Here  Y'Are  Broth- 
er," by  Dixie  Wilson.  Production 
will  begin  earl^Jn'th^-Spring. 


Landis  in  Chadwick  Pictures 

Cullen  Landis  has  been  engaged  by 
Chadwick  for  role  in  "Winning  the 
Futurity."  Clara  Horton  will  play 
opposite. 


Change  Title  on  Negri  Picture 

"The  Paste  Board  Queen"  is  the 
title  of  Pola  Negri's  current  film 
which  is  being  directed  by  Dimitri 
Buchowetzki  at  Famous. 


Le   Saint  to  Direct 

Edward  Le  Saint  has  been  selected 
by  Samuel  J.  Briskin  to  direct  Lionel 
Barrymore  in  "The  Man  with  the 
Brooding  Eyes,"   a   Banner   Prod. 


Keaton  Starts  Next 

Buster  Keaton  started  work  last 
week  on  "Battling  Butler,"  with 
Sally  O'Neil,  who  has  been  loaned 
for  this  production. 


First   Feature   for   Ernst   Laemmle 
"Prowlers    of    the    Night"    will    be 
the  first  feature  that  Ernst  Laemmle 
will    direct    for   Universal    with    Fred 
Humes  and  Barbara  Kent. 


Schuessler  with  Edward  Small 

Freddie  Schuessler,  casting  direc- 
tor for  M.-G.-M..  has  resigned,  and 
is  now  associated  with  the  Edward 
Small  Agency. 


To  Start  Third  Carey  Picture 

Charles  R.  Rogers  will  begin  the 
third  of  the  Harry  Carey  series  for 
1926  this  week.  Scott  Dunlap  will 
direct    "The    Frontier    Trail." 


De    Mille    Loans    Josephine    Norma 

Josephine  Norma,  a  member  of  De 
Miile's  stock  company,  has  been 
loaned  to  A.  H.  Sebastian  for  "The 
Prince  of  Pilsen." 


Bennett  in  Fox  Picture 

Mickey  Bennett  has  been  added  to 
the  cast  of  "Dangers  of  a  Great  City" 
which  Chester  Bennett  is  directing 
for    Fox. 


Moreno   in   "Temptress"   Cast 

Antonio  Moreno  has  been  engaged 
for  the  leading  male  role  in  "The 
Temptress."  To  be  directed  by 
Mauritz  Stiller,  the  Swedish  director. 


Marceline  Day  in  Fox  Picture 

Marceline  Day  has  been  added  to 
the  cast  of  '"Hell's  Four  Hundred," 
John  Griffith  W^ray  is  directing  for 
Fox.  ^^-""^ 


M.-G.-M.  Signs  Sootto 

Aubrey  Sootto,  film  editoir,  has 
been  placed  under  contract  by  M.- 
G.-M.,  to  be  sent  to  Nice,  France, 
where  Rex  Ingram  is  producing. 


.Kirkland   to   Direct   Thomson 

David  Kirkland  has  been  signed  to 
direct  a  third  for  Fred  Thomson, 
"Hands  Across  the  Border,"  an  ori- 
ginal. 


Bernstein    on    Another    Original 

Isadore  Bernstein,  supervisor  of 
Western  productions  at  Universal,  is 
writing  another  original,  entitled  "The 
Ghetto  Shamrock." 


Henley  Cutting  "Auction  Block" 

Hobart  Henley  is  cutting  and  as- 
sembling "The  Auction  Block,"  which 
features  Charles  Ray  and  Eleanor 
Boardman. 


Adapt  "The  Old  Soak" 

Charles  Kenyon  and  Doris  Malloy 
have  finished  adapting  "The  Old 
Soak,"  a  Universal  production  which 
Edward  Sloman  will  direct;  starring 
Jean  Hersholt. 


Leon   Abrams  on   New   Story 

Leon  Abrams,  now  under  contract 
at  M.-G.-M.,  is  at  work  on  a  new 
storv  soon  to  go  into  production. 
Immediately  after  completing  this, 
Abrams   will   direct   "Nocturne." 


Bronson   in    "Cat's    Pajamas" 

Betty  Bronson's  next  for  Famous 
will  be  "The  Cat's  Pajamas,"  by 
Ernest  Vajda.  William  Wellman  will 
direct.  Ricardo  Cortez  and  Theodore 
Roberts  will  be  in  the  support. 


"Silence"  to  Start  Shortly 

With  the  adaptation  of  "Silence," 
in  the  hands  of  the  De  Mille  produc- 
tion department,  actual  work  will 
commence  in  a  few  days.  Rupert 
Julian  will  direct. 


Desmond  Back  at  "U" 

William  Desmond  has  returned  to 
Universal  after  a  several  weeks'  tour 
in  vaudeville.  His  first  will  be  "The 
Return  of  the  Riddle  Rider,"  a  se- 
quel to  "The  Riddle  Rider." 


More  Additions  to  "Monte  Carlo" 

Margaret  Campbell,  Barbara 
Shears,  Lori  Bara  and  Eugene  Bor- 
den have  been  added  to  the  cast  of 
"Monte  Carlo,"  which  Christy  Ca- 
banne  is  directing  for  M.-G.-M. 


Finishes   Seventh  Witwer  Comedy 

Sam  Bischoff  is  completing  the 
seventh  H.  C.  Witwer  comedy,  en- 
titled "Alibi's  Forty  Thieves,"  and 
featuring  Charles  De  Laney.  George 
Jeske   is    directing. 


Hoffman   Company    Busy 

The  three  remaining  features  to 
be  made  by  Renaud  Hoffman  com- 
pany on  the  this  year's  program  for 
the  Lumas  Film  are  "Hearts  and 
Spangles,"  to  be  directed  by  Frank 
O'Connor;  "Racing  Blood,"  and  "The 
Sign    of    the    Claw."      For    1926-27, 


STUDIO  SPACE 

I  For  Independent  Producers 
Excellent  facilities  with  every 
convenience. 


CALIFORNIA  STUDIOS 

1420-22-24  Beachwood  Drive 
Hollywood 
J»w«    Minu,    Studio    Mgr 
Phone    HO-0162 


W/ien  tn  Hollywood 
stop  at 

THE  NEW  HOTEL  REGENT 

E'very  room  njuith  Bath  and  Radio 

\    A  beautifully  appointed  moderately    ■ 
priced   hotel. 

In  the  heart  oj  Hollywood 

6162  HOLLYWOOD  BLVD. 

Phone:  Holly.  0487 


........ggimmiimi 


n  ■  >  1  ■  ■  mjLXi 


THE 


10 


■;xi^ 


DAILY 


Sunday,  January  24,' 


■|i^ 


four  novels  have  been  purchased. 
These  include  "The  Golden  Web,"  by 
E.  Phillips  Oppenheim;  "Money  to 
Burn,"  by  Reginald  Wright  Kauff- 
nian;  "Quarantined  Rivals,"  by 
George  Randolph  Chester,  and  "The 
Girl  Who  Didn't  Care,"  by  Rida 
Johnson  Young. 

To  Direct  "Uncle  Tom's  Cabin" 

Harry  Pollard,  who  is  directing 
"Beware  of  Blondes,"  with  Laura  La 
Plante  and  Edward  Horton  for  Uni- 
versal, will  direct  "Uncle  Tom's 
Cabin"  next. 


De  Sano's  First  for  M.-G.-M. 

Marcel  de  Sano  will  direct  "In 
Praise  of  James  Carabine"  for  M.- 
G.-M.  This  will  be  his  first  and  is 
a  story  of  the  prize  ring  by  Donn 
Bvrne. 


Payne  and  Crane  in  "Blind  Goddess" 

Latest  to  be  given  parts  in  Vic- 
tor Fleming's  new  Paramount  pic- 
ture, "The  Blind  Goddess,"  are 
Ward  Crane  and  Louise  Payne. 


Change  "U"  Titles 

Titles  of  three  Universal  pictures 
have  been  changed.  "Wives  for  Rent" 
will  be  known  as  "Watch  Your 
Wife";  "Poker  Faces"  will  be  called 
"Beware  of  Blondes,"  and  "Crimes  of 
the  Arm  Chair  Club"  will  be  "The 
Mystery   Club.'" 


Begin  Interiors   on  "Desert   Gold" 

Two  hundred  players  have  returned 
from  the  Southwestern  border  to  the 
Paramount  studio  to  begin  interiors 
on  "'Desert  Gold."  Leading  players 
include  Shirley  Mason,  Neil  Hamil- 
ton, Robert  Frazer  and  William 
Powell. 


Walker  Titles  Three  Pictures 

H.  M.  Walker  has  completed  the 
titling  of  "Scared  Stiff,"  starring 
Clyde  Cook;  "Wife  Tamers,"  starring 
Lionel  Barrymore  and  Clyde  Cook, 
and  "Dizzy  Daddies,"  with  Tyler 
Brooke,  Jimmie  Finlayson,  Mildred 
June  and  Gertrude  Astor. 


"Taxi  Mystery"  Completed 

Filming  of  "The  Taxi  Mystery" 
was  completed  last  week  and  the 
picture  is  now  being  cut  and  titled. 
Edith  Roberts  and  Robert  Agnew  are 
featured  and  Virginia  Pearson,  Bert- 
ram Grassby  and  Phillips  Smalley  are 
in  the  cast. 


Borzage  Nears  Finish 

Frank  Borzage  is  Hearing  comple- 
tion of  "The  Dixie  Merchant."  J.  Far- 
rell  McDonald  is  featured  with  Madge 
Bellamy  and  Jack  Mulhall,  Edward 
Martindale,  Harvey  Clarke,  Frank 
Beal,  Claire  McDowell  and  Evelyn 
Arden   in    the   cast. 


"Silver  Lanterns"  to  Begin 

"Silver  Lanterns."  the  newest  Dal- 
las Fitzgerald  picture,  is  to  get  under 
way  at  Universal  next  week.  The 
cast  includes  Pauline  Garon,  Dorothy 
Dwan,  Ethel  Clayton,  Johnny  Wal- 
ker, Lee  Moran,  Ernest  Wood  and 
Harold  Miller. 


In  Eastern  Studios 


Hold  Studio  Party 

First  National  Studio  will  hold  a 
luncheon  today  for  newspaper  folk  on 
"The    Savage"    set. 


Pola  on  Location 

Pola    Negri,    Dimitri    Buchowetzki, 
her    director,    Robert     Ames,     Noah 


Menjou  to  Finish   Shortly 

Adolphe  Menjou  will  shortly  fin- 
ish "A  Social  Celebrity"  at  Paramount 
and  will  start  work  immediately  in 
"Sorrows   of   Satan." 


Making  Two-Reelers  at  Vitagraph 

Dedic  Velde  will  start  production 
Monday  on  the  second  of  12  two- 
reelers  at  the  Vitagraph  studio, 
Brooklyn.  Jack  O'Neill  will  di- 
rect and  Stewart  B.  Moss  will  act  as 
chief  cameraman. 


King    Finishes   "Cleaner    Flame" 

Burton  King  finished  shooting  "The 
Cleaner  Flame"  Thursday  at  Whit- 
man Bennett's  studio.     An  Arrow  re- 


lease. 


Swanson  Unit  Back  Soon 

Gloria  Swanson  and  the  company 
making  "The  Untamed  Lady,"  with 
Frank  Tuttle  directing,  is  expected 
back  at  Paramount  next  week. 


Working  on  "The  Brown  Derby" 

Johnny  Hines  and  his  gag  men  are 
at  work  on  "The  Brown  Derby."  Ex- 
teriors will  be  taken  in  Florida  and 
casting  will  start  about   Feb.    IS. 


Louise  Brooks  in  Fields  Picture 

Louise  Brooks  will  have  the  femi- 
nine lead  in  "It's  the  Old  Army 
Game,"  starring  W.  C.  Fields,  which 
will  go  into  production  in  February. 
Edward  Sutherland  will  direct. 


Dix  and  Meighan  Finishing 

Richard  Dix  and  Thomas  Meighan 
will  both  finish  their  present  vehicles 
in  about  ten  days  to  two  weeks. 
Charley  Winninger  has  been  added  to 
the    cast   of   the    Meighan   picture. 


Edwin  Markham  in  PhonofUm 

Edwin  Markham  has  just  com- 
pleted a  De  Forest  Phonofilm  in 
which  he  recited  "The  Man  with 
the  Hoe,"  at  Tec-Art  48th  St.  studio. 
He  also  made  another  on  President 
Lincoln.  These  are  two  of  the  three- 
reelers  finished  during  the  week,  the 
third  being  the  Clyde  Doerr  saxo- 
phone sextette.  Bertram  Phillips  is 
director. 


Pauline  Frederick  Starts  Wednesday 

Pauline  Frederick  will  start  work 
Wednesday  on  "The  Nest"  for  Ex- 
cellent Pictures  at  Whitman  Ben- 
nett's studio.  Charles  Whittaker 
wrote  the  scenario,  and  Will  Nigh 
will  direct. 


"Dancer"    Near   Finish 

Al  Santell  will  complete  "The 
Dancer  of  Paris"  for  Robert  Kane  at 
Cosmopolitan  next  week.  Immedi- 
ately after,  he  and  Conway  Tearle 
will  leave  for  the  Coast  to  start  on 
"Molasses"  on  Feb.  7th,  for  M.  C. 
Levee. 


Herrick  Back  in  Town 

F.  Herrick  Herrick  has  returned 
from  Florida  with  atmospheric  shots 
for  an  automobile  racing  story  he 
will  complete  in  the  Spring.  He  starts 
Monday  on  another  of  the  "Frag- 
ments of  Life"  series  for  Davis  Dist. 
Div.,   at  Tec-Art  44th   St. 


"Puppets"    Only   Tentative   Title 

"Puppets"  upon  which  John  Fish 
Gooderich  is  at  present  writing  the 
scenario,  is  only  a  tentative  title. 
Work  will  start  about  Feb.  15.  Mil- 
ton Sills  will  be  starred,  with  George 
Archainbaud  directing.  It  will  be  A. 
L.  Rockett's  first  supervised  picture 
for   First   National. 


Complete  "The   Savage"   Cast 

The  complete  cast  for  "The  Sav- 
age," now  being  filmed  at  First  Na- 
tional includes  Ben  Lyon,  May  Mc- 
Avoy,  Sam  Hardy,  Philip  McCul- 
lough,  Tom  Maguirc  and  Charlotte 
Walker.  Fred  Newmever  is  the  di- 
rector, assisted  by  Don  Hetrick,  with 
George  Folsey  as  cameraman.  Nick 
Barrows  is  gag  man. 


Beery,  and  other  members  of  the 
company  are  on  location  in  Truckee. 
The  production  is  from  an  original 
story  by  Ernest  Vajda.  Title  has 
not  yet  been  selected. 


Walsh  Picture  on  Location 

"The  Test  of  Donald  Horton"  is 
the  next  Chadwick  picture  starring 
George  Walsh.  The  company  is  in 
Truckee  and  the  cast  includes  Tyrone 
Power,  Eugenie  Gilbert,  Mickey 
Moore,  Edward  Coxen,  Virginia  True 
Boardman,  Robert  T.  Graves,  Evelyn 
Selbie,  John  T.  Dillon  and  Frank 
Lanning.     Reeves  Eason  is  directing. 


In   "Paris   at    Midnight"   Cast 

Brandon   Hurst,  Jocelyn  Lee,   Ma- 
thilde  Comont,  Carrie  Daumery,  Jean 


De  Briac  and  Fannie  Yantis  have 
been  added  to  the  cast  of  "Paris  at 
Midnight,"  Frances  Marion's  version 
of  "Pere  Goriot,"  for  Metropolitan. 
Jetta  Goudal,  Lionel  Barrymore, 
Mary  Brian,  Edmund  Burns  and 
Emile  Chautard  have  leading  roles, 
under  direction  of  E.  Mason  Hopper. 


U.   P.  Collaborate  with  Metropolitan 

Officials  of  the  Union  Pacific  have 
given  free  reign  to  the  Metropolitan 
unit  filming  "Whispering  Smith."  The 
cast  headed  by  H.  B.  Warner,  Robert 
Edeson,  Lillian  Rich,  John  Bowers 
and  Lilyan  Tashman,  are  now  on  lo- 
cations along  the  line  between  Holly- 
wood and  Chicago,  and  locomotives, 
Pullmans  and  freight  cars  have  been 
placed  at  the  disposal  of  George  Mel- 
ford,   who   is   directing. 


m 


The  Week's  Head 

Monday 

Reported    big    deal    brewing    betwet 

American    Theaters     Corp.,    and 

circuit. 
Harry    Rowson   of    Ideal    Films  Ltd 

19261927  output  of  Pathe  and  Ed 

for   United    Kingdom.  k; '   "' 

H.   M.   Richey   of  Michigan  M.  P,  T.  K     . 

theaters    in    towns    of    3,000    and  P''"' 

facing  extinction. 
Emi   Jannings   signs   three   year   contii 

Famous.  ff  "i" 

Mexico   has   700  theaters.  U' f'ijj 

Kentucky    M.    P.    T.    O.    organizej 

proposed   state   admission   tax.         Ill,  I'l' 

Tuesday  iiaj  a 

Republican     party     may     agree    to   (Li.'liK 

Smith's  legislative   program,   thus  iP. 

death   knell   of   M.    P.    Commission, n  flV  It 
Life  of  P.  T.  Barnum  to  be  filmed  by  ;   ,ii'i, 

with  Wallace   Beery   in  stellar  role  it,  •. 
$1,250,000    bond    issue    floated    to  C0'i.(r(v; 

houses    to    be    built    on    New    Yorif' 

Side.       Total    seating    capacity    will' 

gate    3,420, 
Warners  sell   theaters  in  Lexington,  Kit  ^''^ 

and    Columbia,    N.    C.    to    CaroliK ji Vij()v 

ters.   Inc.  Al    • 

Theater     activity      in      Mid- West  BlBIltf 

Nebraska    looms    up    as    scene 

rush. 


the 


mi 


It  lit 

lanv ' 


,,De: 
itwl 
iw.let 

lewii 

olSti 

"h 
H'yi 

IB!! 
hi 


Wednesday 

No   provision   on   Republican   plai 

nation  of  censorship.      Possibiliti^ 

strong,   however. 
Reginald    Barker   returns   to    Metr 

Mayer. 
Reports    are   current    that    Universi 

negotiating  with  Friedman  chain 

sota. 
Schine    circuit    reported    as    selling  o»j 
Governor     Baker    of     Missouri    contb] 

per   cent   levy   on   amusements  in  ifi| 

constitutional   amendment,  .  j 

New   twist  on   Sunday  closing  law  dol 

in  Jacksonville,  Fla,     Rule  that  hon!* 

operate  after  sundown. 
Will     H,     Hays     sees     development  jl 

factors    in    production    as    big   dewl 

of    1925.  ^! 

Thursday 

Deal    on    for    "Kim."      British    Nationl 

tures   interested.     John   S.    RoberiM' 

produce   "Calafia." 
Richard   A.    Rowland   in    Hollywood,  t: 

astic   over    First    National   product. 
Lord    Beaverbrook    reported    here    to  • 

information    for    London    "Daily    E 

film, 
10,000    new    seats    in    Cleveland.      Eigl 

houses    built    in    1925.  ; 

Ten   theater   units  in   Ohio  form  new  •' 
T.O.C.C.     dissatisfied     with     Hays    cc 

Favors    I.M.P.A.    form,    but    it    will 

arbitrate. 

Friday  , . 

First   National    to   build   own   studio  djiiWC 

near   heart    of   Hollywood   activity. 
Charlie    Chaplin    sues    First    National,,    i, 

ing   $62,147    additional   on   foreign  l| 

"The  Kid." 
British  Government  drops  quota.  Move 

as    result    of    trade's    admonitions. 

Lyons    suggests    exhibitors    raise    H 
Jf  100,000  to  aid  in  the  making  olj 

pictures. 
November   exports  total    $623,108. 
Directors     of    Texas     M.P.T.O.    to 

affiliation    with    Will    H.    Hays   at 

next   month. 
Ohio    M.P.T.O.    won't    share    in    arb^ 

unless  exhibitor  members  on  Clevebl 

Cincinnati    Film    Boards    belong    to 

theater    owners'    unit. 


of  4 

I 


tltv 

tail 

fill 
Ik] 

lU: 


Saturday 

Group  of  independent  New  York  elk 
reported  after  West  Coast's  intOfl 
local    First   National   franchise. 

Famous  and  Rothacker-Aller  labora*Of 
ing  $1,000,00  suit  over  Thompson  dl 
ment   patent. 

Russian  films  en  route  here,  says  SovillilK 
ernment's  buying  representative  iMn 
York.  Y 

Pennsylvania     theaters     hit     by     coal  hI 
Many  houses  cutting  down  on  playinMI 

Federal  Trade  Commission  puts  ofl  d(l^ 
•n  reopening  of  cass  against  FamouaMt 


Tom  O'Brien  in  Two  More 

Hollywood  —  Tom   O'Brien,  || 
last  appeared   in   "Poker   Faces/f 
first   for   Universal,   will    be   feat 
in  two  more,  the  first  to  start  in 
diately. 


THC 


JOQlli 


'•"J, 


muary  24,  1926 


11 


Arbitration 

(Continued  from  Page  1) 


Fine,"  said  Dierker,  "and  opera  it  is — for  we  have  shot 
les  from  'Rigoletto'  for  this  one — right  at  the  Manhattan 
Duse." 

LEGS  AT  $1.10  EACH 
highbrows  sitting  in  back  of  me  at  "The  Sea  Beast" 
[rvehng  at  the  abiHty  of  Barrymore  to  walk  on  the  peg 
it  the  fact  that  his  real  leg  was  not  very  visible.  They 
ing  about  it  until  one  suggested  that  perhaps  Barrymore 
ly  had  one  leg.  Finally  a  none  too  refined  Broadway( 
my  left  said  to  me,  loud  enough  for  everybody  about 
"My  God,  for  her  $1.10  that  dame  would  want  them  to 
guy's  leg  off  for  real." 

AIR  MAIL  SERVICE 

e  and  more  the  film  folk  are  using  the  air  mail  service. 

handy.     Saves  time — and  incidentally  the  telegraph  com- 

Iren't  getting  all  the  money  out  of  the  business  any  longer. 

it  is  going  to  the  Post  Office.    Which  is  as  it  should  be. 

MAJAHS 

at  a  lot  of  miltary  folk  we  now  have  in  the  picture  busi- 
Ilvlany  well  known  folk  now  in  the  Reserve  Corps.  They 
iJfWill   Hays;  Jesse   Lasky ;    Saul   Rogers  of   Fox;   Robert 

if  M.-G.-M.;  Edmund  Lynch,  Pathe ;  R.  H.  Cochrane,  Uni- 

Richard  A.  Rowland ;  Abe  Warner ;  Earl  W.  Hammons ; 

,  De  Mille;  Hal  E.  Roach;  Fred  Beetson ;  E.  B.  Hatrick, 

ional  News ;  Jack  Connolly,  and  others. 

w,  let's  wait  for  a  war  to  see  our  Majors  in,  action. 

DA  VINCI  AND  THE  PICTURES 

rewith  an  interesting  note  from  Harry  Lee,  formerly  of  the 
f  Steel"  company   (First  National)  : 

"In  your  column  last  Sunday  covering  reviews  of  'Ben 
ur,'  you  include  one  by  Arthur  J.  Stringer  in  which  he  men- 
ns  a  man  who  should  be  hailed  as  the  patron  saint  of  the 
ovies.  I  refer  to  Leonardo  da  Vinci.  I  wonder  if  it  is  gener- 
ily  known  that  at  about  the  time  Columbus  was  trying  to  raise 
oney  to  finance  his  momentous  trip,  da  Vinci  invented  the 
vice  called  'Camera  Obscura'  from  which  has  grown  the 
esent  day  motion  picture  camera.  Also,  I  believe,  he  was  the 
Otagonist  of  the  argument  in  favor  of  moving  pictures  over 
e  spoken  drama. 

"Near   the   close   of   the   fifteenth   century,   or    to    bring   it 
oser,  about    1495,   in  the   City  of   Milan,   Italy,   where   he   was 
en  living,  da  Vinci,  in  the  course  of  an  argument  with  Messer 
juidotto  Prestinari,  a  poet  from  Bergamo,  Italy,  said: 

Painting  is  higher  than  poetry,  inasmuch  as  it  reproduces 
he  eternal  works  of  God  and  not  human  inventions,  to  which 
he  poets,  at  least  of  our  day  are  too  apt  to  confine  themselves, 
they  depict  not,  but  describe,  borrowing  all  they  have  and 
fading  with  each  other's  wares.  They  but  put  together  and 
:ombine  the  refuse  of  knowledge.  They  may  be  compared  to 
he  receivers  of  stolen  goods. 

"  'The  eye  gives  a  more  complete  knowledge  of  nature  than 
the  ear.  Things  seen  are  less  to  be  doubted  than  things  heard. 
Painting,  which  is  silent  poetry,  comes  nearer  to  positive  science 
than  poetry,  which  is  invisible  painting.  Words  give  but  a 
series  of  isolated  images  following  one  another;  but  in  a  pic- 
ture, all  the  forms,  all  the  colors  appear  synchronously,  and 
are  blended  into  a  whole,  like  the  notes  of  a  chord  of  music; 
and  thus  both  to  painting  and  to  music  a  more  complex  har- 
mony is  possible  than  to  poetry.  And  the  richer  the  harmony. 
the  richer  is  that  delight  which  is  the  aim  and  enchantment  of 
irt.  Question,  say,  any  lover,  whether  he  would  not  rather 
lave  a  portrait  of  his  loved  one  than  a  description  in  words  of 
ler  countenance  though  it  were  composed  by  the  greatest  of 
poets.' 

Here  a  narrative  from  my  own  experience.  A  certain 
Florentine  youth  fell  into  such  longing  for  the  face  of  a  woman 
whom  I  had  painted  in  one  of  my  sacred  pictures,  that,  having 
bought  it,  he  cancelled  all  the  signs  of  its  religious  character, 
so  that  he  might  kiss  his  adored  one  without  fear  or  scruple. 
But  soon  the  voice  of  conscience  overcame  the  passion  of  love, 
nor  could  he  recover  his  tranquility  of  mind  till  he  had  removed 
the  picture   from   his  dwelling." 

"Here,  in  the  words  of  the  first  experimenter  in  flying  ma- 
chines, is  contained  the  real  reason  for  the  marvelous  success  of 
our  industry.     Don't  you  agree?"  j 


loainl  ' 
>  -Vstl 


icai 
it 


MARCUS  LOEW  AT  THE  GREEN  ROOM 

Those  Greenroomers  are  a  lively  crowd.  They  recently  had 
Marcus  Loew  over  as  "the  jest  of  honor"  and  36  members  each 
presented  a  line  which  told  graphically  of  his  life.  Some  of  them 
were  very  witty.  But  the  last  of  all  was  the  best.  It  went  like 
this :  "At  the  age  of  55,  in  1925,  he  produced  'The  Big  Parade,' 
'Ben  Hur,'  'The  Unhol)^  Three,'  'The  Merry  Widow'  and  a 
grandson." 

ALIKE  THE  WORLD  OVER 
A  line  from  Oscar  Morgan.     Once  a  New  York  lad.     Now 
sojourning  in  Dallas  for  Pathe.     Says  Oscar: 

"The  motion  picture  business  in  Texas  is  just  the  same  as 
it  is  in  Brooklyn,  Tuckahoe  and  Hoboken.  Exhibitors  and  film 
men  use  the  same  arguments  and  alibis  here  that  they  use 
everywhere. 

"Harold  Lloyd  goes  just  as  big  in  Texas  as  he  does  on 
Broadway.  Aesop's  Fables  are  enjoyed  by  the  boys  on  the 
plains  the  same  as  they  are  in  the  finest  theaters  in  New  York. 
We  have  paved  streets,  sewers,  electricity  and  everything. 
Western  pictures  go  very  big  in  Texas  because  they  don't  have 
any  cowboys  any  more,  and  the  cow  hands  who  all  use  Ford 
cars,  get  a  great  kick  out  of  the  round-ups  on  horse  back.  Up 
to  date  ranches  have  electricity,  and  the  ranch  owner  drives  a 
Cadillac. 

"Flappers  wear  sheer  silk  stockings,  and  short  skirts,  and 
they  can  do  the  Charleston  here  as  well  as  they  can  in  your 
town,  and  that's  that." 

HEADACHES 

Someone  asked  Lloyd  Nosier,  who  edited  "Ben  Hur,"  whether 
the  cutting  job  of  getting  the  footage  down  to  12  reels  had  wor- 
ried him.  "No,"  said  Nosier,  "it  was  the  838,000  feet  I  cut  out 
that  caused  the  headaches." 

Yes — and  heartaches,  also. 


''THE   PARADE   OF    THE 
GOLDEN    DOLLARS" 


RIGHT  INTO  THE   BOX-OFFICE 
The  Serial  "With  That  SOMETHING  Different" 

VANISHING  MILLIONS 

Written  and  directed  by   ALVIN   J.   NEITZ 
WILLIAM  FAIRBANKS  and  VIVIAN  RICH 
Alec,   B.  Francis,  Sheldon  Lewis,  Bull  Montana 
and  a  host  of  others. 

Produced  and  Distributed  by 

SIERRA    PICTURES 

Incorporated 
316  Taft  Bldg.  729  Seventh  Ave. 

Holl3nvood,  Cal.  New  York  City 


12 


THE 


;gBg^ 


DAILY 


Sunday,  January  24 


Russian  Films  Coming 

(Continued  ftom   Page   1) 

tributors  in  Europe  and  America  by 
his  clear  exposition  of  the  Russian 
industry's  status. 

"Now,  after  I  have  carefully  gone 
over  Mr.  Fredman's  articles,  I  must 
saj',  first  of  all,  that,  in  the  main, 
Mr.  Fredman  undoubtedly  pictures 
correctly  the  development  of  the  cin- 
ema industry  in  the  Soviet  Union," 
he  said.  "I  say  'in  the  main',  because, 
in  spite  of  his  candid  study  of  the 
situation,  he  could  not,  as  a  foreigner, 
during  his  short  stay  in  Russia,  make 
a  complete  study  of  a  problem,  which, 
according  to  Mr.  Fredman  himself, 
is  a  riddle. 

"Still,  to  do  him  justice,  Mr.  Fred- 
man was  the  first  foreign  motion  pic- 
ture man,  who  was  not  afraid  to  enter 
'Red  Russia' — which  many  have  re- 
garded and  continue  to  regard  as  a 
bug-bear  and,  because  of  this  attitude, 
remain  in  the  dark  as  to  the  true 
state  of  aflfairs  there — to  investigate 
on  the  spot  the  Russian  market,  to 
study  the  historic  development  of  our 
motion  picture  industry,  using  the 
material  available  at  the  source. 

"He  has  thus  rendered,  in  my  opin- 
ion, a  valuable  service  to  all  motion 
picture  producers  and  distributors  of 
Europe  and  America,  who  lately  have 
shown  a  marked  interest  in  the  Rus- 
sian film  market.  To  my  mind,  fre- 
quent and  regular  information,  given 
in  the  press  to  the  motion  picture  in- 
dustry, about  the  needs  and  demands 
of  Soviet  Russia,  would  be  beneficial, 
beyond  a  doubt. 

"I  think  that  those  interested  in 
the  study  of  the  status  of  the  Russian 
motion  picture  industry  would  find 
it  useful  to  send  directly  from 
America  a  representative  to  Soviet 
Russia,  who  would  at  his  leisure  in, 
perhaps,  a  couple  of  months  study 
the  conditions  of  our  motion  picture 
industry  and  would  present  a  clear 
picture  to  American  producers  and 
distributors,  which  would  give  them 
a  correct  line  of  orientation  and 
would  serve  as  a  bridge  for  a  com- 
mercial rapprochement  in  this  field 
between  two  great  countries. 

"When  I  speak  of  a  thorough 
study  of  the  Russian  film  industry,  I 
have  in  mind  especially  a  number  of 
producing  organizations,  to  which  Mr. 
Fredman  did  not  devote  much  space 
in  his  articles,  which  have,  however, 
especially  within  the  last  year  been 
centers  of  great  activity  and  have 
produced  a  number  of  big  artistic 
features — such  organizations,  as  the 
lJ|kr)anian  pho.to-cinema  administra- 
tion and  the  'Gruzprom',  the  organi- 
zation  working  on   the   Caucasus. 

"A  few  of  the  pictures,  mentioned 
by  Mr.  Fredman  and  having  an 
artistic  value,  not  for  Russia  alone, 
but  for  the  world  in  general,  are  on 
their  way  to  this  country  and,  by  in- 
troducing them  to  the  American 
spectator,  I  shall  let  him  judge  for 
himself  as  to  their  value  and  show 
the  American  producers  the  progress 
made  by  the  Russian  motion  picture 
industry. 

"Although  I  stated  in  the  beginning 
that  in  the  main  I  agree  with  Mr. 
Fredman's  conclusions,  I  must  re- 
mark that  in  the  matter  of  attracting 
foreign  capital  for  the  greater  devel- 
opment   of    the    cinema    business    in 


Soviet  Russia,  I  must  differ  from  him 
and  ascribe  his  point  of  view  to  in- 
complete information  on  this  subject. 
I  know  that  constructive  capital  from 
well  established  firms,  in  the  form  of 
a  serious  proposition,  will  always  be 
considered  and  welcomed  by  Sovkino, 
the  organization  controlling  the  en- 
tire Russian  motion  picture  industry. 
The  exceptional  position  of  the  Sov- 
kino in  the  Soviet  Union  opens  a 
wide  perspective  to  those  firms,  which 
within  the  next  ten  to  fifteen  years 
will,  together  with  the  Sovkino,  de- 
velop the  cinema  industry,  and  there- 
fore cannot  be  compared  with  the 
position  of  any  organization  in  any 
other    country." 


Washington  All  Het  Up 

Officials  in  Washington  are  busy 
figuring  out  what  would  happen  to 
Charlie  Chaplin  if  he  accepted  the  So- 
viet Government's  offer  to  appear  in 
"The  Overcoat."  Officialdom  fears 
for  Red  propaganda.  If  Chaplin  left 
for  Russia — but  there  is  no  reason  to 
imagine  that  he  will — he  may  have 
difficulty  in  reentering  because  he  is 
now  a  legal  alien  resident  here. 

Norma  Shearer  Here 

Norma  Shearer  arrived  from  the 
Coast  yesterday.     At  the  Commodore. 


Ten    Eyck   to   Build    Another 

Trenton,  N.  J.— Georgfe  B.  Ten 
Eyck,  operating  three  houses  in 
Trenton,  and  a  fourth  under  con- 
struction, plans  a  new  house.  Ten 
E-i-rk  owns  the  South  Broad,  Tren- 
ton, which  plans  vaudeville,  and  the 
Orpheum  and  Gaiety,  both  of  which 
pla-i'  pictures.  The  new  house,  to 
be  called  the  Olympia,  is  a  $250,000 
theater  and  may  play  a  combination 
policy. 


Negro  Theater  Company  Formed 

Durham,  N,  C, — The  First  National 
Ne,gro  Theater  Corp.,  an  organization 
with  a  capital  of  $100,000,  has  been 
formed  here  by  F,  K.  Watkins,  Will 
Scales,  operator  of  the  colored  the- 
aters of  Winston-Salem,  and  S,  H, 
Vick,  banker.  The  new  unit  will 
operate  theaters  and  produce. 


Sax  Signs  "Peter  the  Great" 

Hollywood — The  police  dog  star 
"Peter,  the  Great"  has  been  placed 
under  contract  by  T.am  Sax  to  ap- 
pear exclusively  in  Gotham  Prod, 
"Peter"  will  be  starred  in  two 
"Greater  Gotham   Prod." 


Betty  Jewel  Returns 

Betty  Jewel,  who  went  to  the  Coast 
for  a  part  in  "Partners  Again — with 
Potash  and  Perlmutter,"  is  back  in 
town. 

Working  on  Norris   Story 

Hollywood — Frances  Marion,  who 
recently  signed  with  Samuel  Gold- 
wyn,  has  begun  work  on  an  adapta- 
tion of  "Beauty  and  the  Beast." 


FEBRUARY  28th 


iiniBiiiifflmiii 


New  Fox  Productions 

Hollywood — Frank  Borzage  is  di- 
recting "The  Dixie  Merchant"  for 
Fox,  with  Madge  Bellamy,  Jack  Mul- 
hall  and  J.  Farrell  MacDonald  in  the 
cast.  Emmett  Flynn  has  started 
"Yellow  Fingers,"  with  Olive  Borden 
in  the  lead,  supported  by  May  Fos- 
ter, John  Wallace  and  Josephine 
Crowell.  "Dangers  of  a  Great  City" 
is  another  production  under  way  with 
Chester  Bennett  directing,  with  Paul- 
ine Starke  and  Rockliffe  Fellowes  in 
the  leads. 


Sloane    Finds    Lack   of    Plays 

Hollywood — Paul  Sloane,  of  the  De 
Mille  directorial  staff,  recently  back 
from  the  East,  declares  there  is  a 
dearth  of  material  to  be  obtained  from 
new  plays  and  that  as  a  result,  the 
producer  must  turn  to  late  fiction  and 
the   original    story   for   his    plots. 


New   One   for   Hansen  in  Work 

Los  Angeles — Construction  work 
on  the  new  Marcal,  on  Hollywood 
Blvd,,  between  Bronson  and  Gower 
Sts.,  is  progressing  rapidlv.  The 
house  is  being  built  by  Hansen  The- 
aters, and  is  scheduled  to  open 
around  March  1. 


Chamber   Against    Censorship 

New  Orleans — Emphatic  opposition 
to  a  bill  in  the  Mississippi  legislature 
designed  to  create  a  censorship  board 
is  expressed  in  a  resolution  adopted 
b'-  the  directors  of  the  Pass  Chris- 
tian   (Miss,)    Chamber   of   Commerce, 


Union    Theaters    May    Build 

Sydney,  Australia — Union  Theaters. 
Ltd,,  have  purchased  one  of  the  most 
valuable  sites  in  Sydney  for  $750,000 
?nd  mav  erect  thereon  a  theater  cost- 
insr  $1  000,000.  This  house  will  prob- 
ably be  used  for  vaudeville  and  pic- 
tures. 


"Johnstown    Flood"    Finished 

Hollywood — Irving  Cummings  has 
completed  "The  Johnstown  Flood," 
featuring  George  O'Brien  and  Flor- 
ence   Gilbert. 


Strike  Hits  Theaters 

(Continxed  from  Page   1) 

In  Wilkes-Barre,  an  epidemic  of 
measles  has  resulted  in  a  Board  of 
Health  decision  keeping  children  un- 
der 15  out  of  theaters.  In  Tunkhan- 
TiOck,  authorities  have  closed  theaters 
to  minors  for  30  days  because  of  the 
prevalence  of  scarlet  fever.  In  Potts- 
ville,  soup  and  bread  lines  are  report- 
ed growing  in  length  day  by  day. 


Censors  See  Uptn 

(.Continued  from  Page  1) 

of    the    board,    stated    a    far  (l 
number  of  pictures  was  brougil 
this   territory  for  review  than 
preceding  year.     He  found  a 
able   improvement  in  the  calilj 
type  of  pictures  being  made  f(, , 
lie  consumption. 

Producers  for  the  most  part  i 
ardson    said,    have    abandoned 
meldodramatic  situations.    Theil 
greater  finesse  evident  in  all  tl' 
tures    and   the   sex   question  is 
handled  in   such  a  way  as  notj 
objectionable.      Doubtful    thenni; 
being  superseded  by  plots  atid' 
tions  that  are  equally  as  entert, 
and  engrossing  and   leave  the  ^ 
advantage    of    raising    the    calil  i 
motion   picture   entertainment,  jjl 
opinion. 


Two  Orchestras  at  "Naked  T; 

The  most  brilliant  dancing 
of  all  of  the  "Naked  Truth  Dii 
so  far  is  what's  promised  at  t 
M.  P.  A.  revel  at  the  Astor,  f 
Two  of  New  York's  finest  orcli 
have  been  engaged  and  instead 
usual  ■  body  wearying  dancerj 
usually  tire,  there  will  be  short 
py  dances,  when  one  orchestra 
the  other  starts  thus  enabling 
to  dance  with  everybody  and 
body's    friend. 

Charlie   Einfeld   over 
tional  says  those  who  want 
step   lively.     Not  many  tickets 


! 

at   Firs!     ( 
'ant  tickj 


Facing  $1,000,000  5 

{Continued  fiom  Page   1)   \ 

on  the  Thompson  basic  patenti' 
defendants,  in  their  answers,  . 
nize  Thompson  as  the  invente 
refuse  to  discontinue  use  of  tb 
spective  processes  until  the 
have   determined  their  standin| 


Adventure  speakers 
Far  places,  or  films  on 


Bureau  of  Commercial  Economlci 

1108-16tbSt.  N.W.  Wathington.E 


Schools,  Churches  and  Clubs 


using  Motion  Pictures 


Should  Subscribe  for 


THE  EDUCATIONAL  SCREEN 

and  keep  up-to-date  with  the 
new  films  and  new  equipment 

"1001  FILMS*' 

booklet,  listing  nearly  3000  educational  films 
given  free  with  each  subscription 

$1.50  per  year  -  5  South  Wabash  Ave.,  Chicago,  111. 


1 

I 


Unrivaled  for  service  and  quality 


Eastman  Positive  Film,  constantly 
subjected  to  drastic  tests  that  must 
prove  it  right,  is  unrivaled  for  the  serv- 
ice it  renders  and  the  photographic 
quality  it  gives. 

It  carries  quality  from  studio  to 


screen. 


To  make  sure  pictures  are  printed 
on  the  genuine  look  in  the  margin 
for  the  black-lettered  identifica- 
tion,   "Eastman"    "Kodak". 


EASTMAN  KODAK  COMPANY 

ROCHESTER,  N.   Y. 


THE  FIRST  TO  BE  ACCLAIMED  AS  ONE 
OF  THE  GREAT  PICTURES  OF  1926— NO 
MATTER  WHAT  OTHERS  FOLLOW! 


ROBERT    KANE    Presents 


W  IPIECIKiESS 

LADY 


m 


Ititiv 

lutli 
l-arr 


^ySIR  PHILIP  GIBBS  %/^/i 

BELLE  BENNETT 
BEN     LYON 
LOIS  MORAN 
JAMES  KIRKWOOD  ii 
LOWELL  SHERMAN  ll 

ondCMARLIE  MURRAY 


SCtHAftIO  BY  '   5ADA  COWAN 

Directed  bt/M^NmHmU 


(vmANN     '^ 
HEW  rati  >■ 


I 


Her  winnings  are  yours!  And  "The  Reckless  Lady 
is  the  surest  winner  you  ever  played! 

You  know  picture  values.  You  know  what  it  means  t 
group  six  stars,  each  at  the  crest  of  nation-wide  popularity- 
and  give  them  to  your  patrons  in  one  magnificent  productioi 

A  famous  story,  too — selected  for  its  heart-punch  and  screer 
ed  with  sequences  of  drama  that  will  hold  any  audienc 
tense — breathless— still ! 


A  3itAt  national  Pictuie 


Printed  in  U.S.  A. 


*     *     *     *     •     another    from    ihe    Grealett 
Line>Up  the  Industry  ever  taw! 


iTHE 

^  brAdstreet 

FILMDOM 


Authority 


^ 


XXV     No.  20 


Monday,  January  25,  1926 


Price  5  Cents 


LAEMMLE 

By  DANNY 
!v  years  of  pictures.  The 

arl  Laemmle.  Whose 
-ary  occurs  towards  the 
next  month.     Even  now 

the  leaders  of  the  busi- 
\e  sent  him  wires  and 
ulatory  letters.  Certain- 
>■  ileserves  all  the  kindly 
ions;  all  the  praise  that 
ic.  And  more.  For  Carl 
!c  has  devoted  24  hours 

day  to  help  build  this 
Few    have    done    as 
^o  one  has  done  more. 
.line  an  exliiljitor  when  store 

re  the  order  of  the  day.    He 

distributor  when  it  was  all 
ri.ijht    l)usiness:    a    producer 

studio"    was   just   a    phrase. 

one  could  write  endlessly 
icnnnle's     20     years.       Why 

we.     By  golly  we  w^ill.  And 

'  ing  1925  the  Arbitration 
•s  settled  11,887  cases 
ing  $2,542,544.  Only  17 
ii'cnt  to  the  courts  after 
cisions  of  these   boards. 

ivere      5,450      awards 
involving  $1,351,206. 
record  does  not  justify   the 
of    the    Arbitration    Boards 
itlemen,    would   you    like   to 
course   there  are   problems; 

the  contract  isn't  what  it 
e.  Naturally  some  things 
r.  But  isn't  that  record  some- 
i)e  proud  of?  Imagine  the 
lie  litigation  if  those  11,887 
lit  to  the  courts  throughout 
try — and  the  delay! 

Summer  Closing 
iaryland    MPTO    intends    to 
aters    during    the    first    two 

,   (.Continued  on   Page  2) 


To  Discuss   Franchise 

Conference    Scheduled    Between    Sol 
Lesser    and     Arthur    James    on 

Local  1st  Nat'l  Situation 
It  is  understood  that  a  conference 
will  be  held  shortly  between  Sol  Les- 
ser of  West  Coast  Theaters,  Inc.,  the 
company  owning  60  per  cent  of  the 
New  York  First  National  franchise 
and  Arthur  James,  who,  as  spokes- 
man for  a  group  of  exhibitors,  asked 
Lesser  last  Friday  if  the  West  Coast 
interest  in  the  franchise  could  be 
bought.  As  noted,  Lesser  said  that 
West  Coast  would  consider  selling. 

Nathan  Burkan,  who  has  been  more 
or  less  active  in  T.O.C.C.  matters, 
said  on  Saturday  thai  on  several  oc- 
casions Charles  L.  O'Reilly,  presi- 
dent of  the  T.O.C.C,  had  broached 
{Continued  on  Fage  3) 


All-Northwest  Unit 

Oregon   M.   P.   T.    O.   Meets   Feb.   2 

With   Washington  to   Plan   New 

Situation  Disturbs  Exhibitors 

Seattle— The  M.  P.  T.  O.  of  Ore- 
gon will  meet  with  Washington  ex- 
hibitors at  the  Hotel  Benson  in  Port- 
land on  Feb.  2nd,  to  discuss  plans 
for  the  formation  of  an  all-Northwest 
organization.  A  temporary  general 
committee  has  been  formed  to  carry 
out  necessary  details  of  the  meeting, 
which  is  expected  to  be  attended  by 
300  theater  owners.  A  banquet  in  the 
evening  will  close  the  sessions. 
(Continued  on  Page  3) 


Tearing  Feb.  1 

ipolis — Federal  Judge  W.  A. 

set  Feb.  1  as  the  date  for  a 
iring    on    issues    involved    in 

of  stockholders  and  former 
iers  of  the  Miles  Theater  Co. 
M.  L.  Finkelstein,  M.  L. 
n.d  William  Hamm,  officers 
win   City   Amustment   Trust 

'  ys  argued  for  three  days  on 
s  to  a  reception  of  H.  D. 
ister  in  chancery,  and  Judge 
licated  he  would  rule  on 
s  It  issue  in  the  report,  before 
.f(    I   (Continued  on  Page  2) 

■  WYN      Premier      tonight      8:30— 
n— Advt. 


335  Theaters 

Launched   in    1925 — Based    on     Con- 
tracts  Awarded   as   Reported  by 
F.  W.  Dodge  Corp. 

The  statistical  department  of  F.  W. 
Dodge  Corp.  reports  that  335  theater 
contracts  were  awarded  in  2)7  states 
during  1925,  aggregating  a  total  in- 
vestment of  $28,000,000.  The  terri- 
tory covered  includes  practically 
everything  east  of  the  Rockies  and, 
according  to  the  Dodge  Corp.,  rep- 
resents at  least  90  per  cent  of  the 
(Continued  on  Page  3) 


To  Honor  Grainger 
The  Fox  sales  force,  unknown  to 
James  R.  Grainger,  has  set  aside 
February  as  "Jimmy  Grainger 
Month'."  A  concerted  sales  campaign 
will  be  launched. 


Stanley  Plans  Another 
Hazelton,    Pa. — The    Stanley    cor- 
poration  will   open   a   new   house    at 

McAdoo. 


NELL      GWYN      Premier     tonight      8:30— 
Ritz-Carlton — Advt. 


Closing  in  July 

Maryland   Exhibitors  to   Shut   Down 

Two     Weeks  —  Non-Theatrical 

Organization 

"Tommy"  Goldberg,  one  of  the  ac- 
tive workers  of  the  M.P.T.O.  of  A.  of 
Maryland,  was  in  New  York  on  Sat- 
urday. He  reported  that  the  state 
organization  had  practically  perfected 
plans  to  close  down  all  houses,  large 
and  small,  including  first  runs,  in 
Baltimore,  and  through  the  State,  the 
first  two  weeks  of  July. 

"Business  at  that  time  in  Baltimore, 
is  always  poor,"  he  said,  "the  Rivoli, 
the  first-run  house,  has  closed  for 
some  years  at  that  time  to  re-paint 
or  decorate.  The  other  houses  get 
little  or  no  business,  and  we  think  it 
will  stimulate  bu.^iness  and  help 
things  generally  if  all  of  us  close." 

Goldberg  said  that  the  only  real 
trouble  exhibitors  were  having  in 
Maryland  was  the  annoyance  of  non- 
theatrical  showings.  He  maintained 
that  some  of  the  largest  exchanges 
(Continued  on  Page  2) 


"Nell  Gwyn"  Premiere  Tonight 

The  "Nell  Gwyn"  premiere  will 
occur  tonight  at  the  Ritz.  Joseph 
Plunkett  will  make  the  presentation 
and  Carl  Edourde  will  conduct  the 
orchestra.  Dorothy  Gish  will  be  on 
hand.  A  dance  will  follow  the  screen- 
ing. George  T.  Eaton,  and  J.  D. 
Williams,  of  British  National  Pic- 
tures, Ltd.,  will  be  there  with  the 
glad  hand. 

The  New  York  State  Censors,  ac- 
cording to  Jaydee,  have  been  good 
to  our  Nell.  Altogether,  the  af?air 
looks  like  a  party. 


Seek  to  Examine  Lieber,  Spring 

In  the  suit  of  Charles  Chaplin 
against  First  National  the  plaintifif 
has  applied  in  the  Supreme  Court  for 
an  order  to  examine  Robert  Lieber. 
president  and  Samuel  Spring  ,  secre- 
tary, concerning  allegations  that 
$62,000  is  due  on  the  foreign  distri- 
bution of  "The  Kid."  The  defendants 
have  made  a  denial,  and  for  that 
reason  the  application  to  examine 
the  officers  is  made. 


Pathe's  Year  One  of  Its  Best 

Pathe  Exchange,  Inc.,  will  close 
one  of  the  best  years  in  its  history, 
according  to  Elmer  Pearson  in  "The 
Wall  Street  Journal."  He  says:  "Not 
only  will  we  show  an  increase  in  vol- 
ume due  to  a  greater  number  of  pic- 
tures distributed  during  the  year  but 
our  profits  should  also  show  an  in- 
crease over  1924.  I  am  optimistic 
over  the  outlook  for  1926,"  he  said. 


11,887  Gases  Settled 

1925  Arbitration  Involved  $2,542,544, 

As  Compared  to  11,197  Cases  In- 
volving $2,119,622  in  1924 

During  1925,  the  H  Boards  of  Ar- 
bitration throughout  the  country 
settled  a  total  of  11,887  disputes  be- 
tween exhibitors  and  distributors,  in- 
volving $2,542,544,  and  made  5,450 
awards,   representing  $1,351,206. 

Activity  in  1925  was  significant  for 
two  facts,  one  that  only  17  cases  were 
taken  to  the  courts  after  the  Boards 
made  their  award,  and  the  other 
showing  the  extent  of  the  Boards' 
work,  99  per  cent  of  the  total  cases 
having  been  decided  30  days  after 
filing. 

The  number  of  cases  brought  be- 
fore the  Boards  in  1925,  and  the 
money  involved,  show  a  slight  in- 
crease   over    the    previous    vear.      In 

1924,  11,197  cases,  involving  $2,119,- 
622,  came  up,  with  4,269  awards. 

Nearly  all  the  cases  in  1925  were 
decided  by  the  unanimous  vote  of  the 
Board.  Only  22,  totalling  $12,341  re- 
quired the  services  of  a  seventh  arbi- 
trator, while  15  of  the  1924  disputes 
required  a  seventh  arbitrator  and  four 
were    litigated    after    arbitration.      In- 

1925,  in  addition  to  the  5,450  disputes, 

(Continued  on  Page  3) 


Inspiration  Party  Off  to  Coast 

The  company  making  "Ransom's 
Folly"  for  Inspiration  left  on  Satur- 
day for  the  Coast.  Among  the  de- 
partures were  Sidney  Olcott,  J.  Boyce 
Smith,  Lillie  Hayward,  Caryl  S. 
Fleming,  David  W.  Gobbett,  Dan 
Venturini,  Kitty  Bartels  and  others. 
Richard  Barthelmess,  who  is  recover- 
ing from  a  slight  illness,  follows 
shortly. 


Eiu-opean  Arrivals 

The  Leviathan,  due  here  today,  has 
among  its  passengers  Rudolph  Valen- 
tino, who  has  been  vacationing 
abroad;  E.  A.  Du  Pont,  a  German 
director,  who  is  being  brought  to 
thir.  country  by  Universal;  Inedro  de 
Corbo,  Steaila  Doyle  and  Betty 
Boyle,  the  latter  three  European 
players. 


Comerford  Chain  to  Remain  Open 
Scranton,  Pa.  —  The  Comerford 
chain,  the  majority  of  which  play  a 
combination  policy,  will  keep  all 
houses  open  despite  the  inroads  on 
receipts  due  to  the  coal  strike. 


M.  P.  T.  O.  A.  to  Meet 

The  M.  P.  T.  O.  A.  administrative 
committee  meets  here  tomorrow  and 
Wednesday. 


NELL      GWYN      Premier     tonight     8:30—    NELL      GWYN      Premier     tonight     8:30— 
Ritz-Carlton — Advt.  Ritz- Carlton — Advt. 


THC 


-.ggg^ 


DAILY 


Monday,  January  25, 


VelXXXVNo.  20    Monilay,laa.25.1926    PriceSCcnts 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Ire.  Published  Daily  except  Saturday  and  hoi- 
idayi  at  16S0  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  CJreater  New 
York,  $10.00  one  year;  6  months,  $5.00;  i 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Mairlborough  St., 
London,  W.  I.,  Paris — La  Cinematograph!'' 
Francaise,   5,  Rue  Saulnier. 


Quotations 

High    Low    Close      Sales 

Balaban  &   Katz    Not  quoted 

Eastman    Kodak    ...109^    109  109;^      400 

Fam.    Players     105.>^   105.>i  105^      200 

Fam.    Play.    Pfd Not  quoted 

Film    Inspection     Not  quoted 

First    National Not  quoted 

Fox   Film    "A"    7914     7954  79!4       500 

Fox     Theater     "A"       19K'      1954  19}^       100 

-Inter*»'l    PtoJ£Ctor     Not  quoted 

Loew's.    Inc 37^     37^  37^      200 

Metro-Gold.    Pfd.     ..    23J^      23^  23 J4       200 

M.   P.  Cap.   Corp.    ..   20^      19=/^  19H   1.400 

Pathe  Exch.   "A"    .  .    77U     77  77H      600 

Skouras    Brothers    Not  quoted 

Stan.    Co.    of    Am Not  quoted 

Trans-Lux Not  quoted 

Universal    Pictures     Not  quoted 

Univ.     Pict.    Pfd.     Not  quoted 

Warner    Brothers     ..    14^      13J^  14        1,400 

Warner    Pictures    Not  quoted 


LAEMMLE 

(Continued   from   Page    1) 

weeks  of  July.  A  fine  move — a  splen- 
did start  for  the  entire  country  to 
consider  following.  Certainly  all  of 
the  sections  south  of  the  Mason- 
Dixon  line — assuming  it  went  all 
across  the  continent — feel  the  effects 
of  summer  weather.  Right  at  the 
box  office.  No  question  about  that. 
And  many  sections  elsewhere — as 
well. 

It  would  be  a  splendid  thing  if  the 
theaters  showing  pictures  closed  dur- 
ing July — not  only  two  weeks,  but 
the  entire  month.  That  may  be  ex- 
pecting too  much.  Certainly  two 
weeks  closing  will  help  the  business. 
And  cut  some  of  the   losses  as  well. 


I 


Faithfully  Pnrtraj  Full  Ne^alivelHues 


.\ 


Lynch  Building  in  "Windy  City" 

Chicago  —  Downers  Grove  is  to 
have  a  $500,000  fireproof  theater,  ac- 
cording to  the  architect,  Elmer  F. 
Behrns.  The  new  house  will  seat 
1,200.  It  is  to  be  erected  on  the 
east  side  of  Main  St.,  facing  Grove 
Ave.,  and  will  contain  stores  and 
apartments. 

The  Potter  property  has  been 
bought  and  the  theater  will  be  erected 
by  James  J.  Dvorak  and  Vincent  T. 
Lynch,  president  of  the  Lynch  The- 
aters  of   Chicago. 


New  F.  &  R.  House  to  Seat  1,100 

Huron,  S.  D.  —  The  new  house 
which  Finkelstein  and  Ruben  will 
erect  in  the  Spring  will  seat  1,100. 
Purchase  of  property  for  a  theater  in 
Aberdeen  also  is  announced.  The 
company  now  is  completing  a  $300,000 
theater  at  Sioux  Falls,  and  another 
at  Fargo. 


Stoll  Acquires  His  Fifth 
Toledo,  O. — John  Stoll  has  bought 
the  Lion,  Bellevue,  making  the  fifth 
in  his  chain.  He  intends  acquiring 
more.  His  others  are  the  Linwood 
Square  in  Norwalk,  a  house  in  Huron 
and  two  in  Marysville. 


Wood  Plans  Bronx  Theater 

Samuel  J.  Wood  has  bought  a  block 
front  on  Hugh  Grant  Circle,  I77th 
St.  to  Westchester  Ave.,  at  a  subway 
station,  with  two  corners,  as  a  site 
for  a  theater  seating  1,800  and  offices. 


Sidney   to   Manage   Loew   House 

Pittsburgh — Louis  K.  Sidney,  divi- 
sional manager  of  the  Pennsylvania 
territor^r  for  Loew,  will  manage  the 
new  theater  to  be  erected  at  Sixth 
and   Penn. 


Fleischer    on    Directorate 

Dave  Fleischer,  of  the  Inkwell 
comedies  and  Ko-Ko  Sign  Cartunes, 
has  been  given  a  share  of  stock  in 
Out-of-the-Inkwell  Films,  Inc.,  and 
has  been  elected  a  member  of  the 
board. 


Goulding   Back   on    Coast 

Los  Angeles  —  Edmund  Goulding 
has  returned  from  a  visit  of  several 
weeks  in  New  York. 


F.  Richard  Jones  Here 

F.   Richard  Jones  arrived  Saturday 
from  the   Coast. 


Closing  in  July 

(Continued   from  Page    1) 

were  putting  their  shows  in  churches 
and  institutions  to  the  detriment  of 
exhibitors.  So  far  practically  no  help 
has  come  from  the  exchanges. 

Arbitration      work,      according     to 
Goldberg,  was   in  splendid   condition. 

liiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiioiiininiiimiiiiiiiniiniiiiiimiiiii!!^^ 


FEBRUARY  28th 


i'riiiiniiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiraiiiiiiniiiiniimiinniiiiiuiiiiignniininuiafl^ 


"Vet"    Canadian    Exhibitor    Dies 

Toronto  —  The  local  film  colony 
was  shocked  at  news  of  the  death  in 
Barrie  of  Capt.  John  Powell,  manager 
and  owner  of  the  Grand  O.   H. 


Ottawa — Sir  Henry  Egan,  promi- 
nent financier,  who  died  recently  leav- 
ing an  estate  of  several  million  dol- 
lars, was  one  of  the  share  holders  of 
Famous  Players  Canadian  Corp. 


Bars  Tent  Shows 
Hubbard,  Tex. — As  the  result  of 
a  fight  led  by  C  .W.  Nice  of  the  Crys- 
tal theater,  tent  shows  and  circuses 
have  been  barred  from  this  town  by 
an  ordinance  signed  by  Mayor  Meck- 
lin. 


Morrissey  Promoted 

Milwaukee  —  James  L.  Morrissey, 
managing  the  Majestic  and  Burke 
theaters  for  Saxe,  has  been  placed  in 
charge  of  the  Orpheum  and  New 
Rhode,  in  addition  to  the  former  two. 


Bernstein  Finishing  Second 

Universal  City,  Cal. — Planned  as  a 
follow-up  on  "His  People,"  the  story 
of  "The  Ghetto  Shamrock"  is  near 
completion  by  Isadore  Bernstein,  for 
Universal. 


Ezell  in  Charge  in  Atlanta 

Atlanta — John  T.  Ezell  has  been 
named  manager  of  the  Warner  ex- 
change here,  succeeding  O.  P.  Hall, 
resigned. 


New  Studio  for  Northwest 

Eugene,  Ore. — W.  H.  Cope  is  presi- 
dent of  a  new  company  which  has 
started  construction  of  a  new  studio 
here.      Cost    $100,000. 


Hearing  Feb.   1 

(Continued    from    Paac    1) 

Feb.  1.  Then  a  final  hearing  will  be 
conducted,  with  taking  of  testimony 
to  clear  up  remaining  points. 

Stockholders  brought  a  receivership 
action,  asking  that  stock  held  b)'  the 
F.  &  R.  interests  be  canceled  on  the 
ground  they  had  paid  nothing  for  it. 
They  ask  that  profits  of  the  entire 
estate  be  divided  with  them. 

Pierce  Butler,  Jr.,  attorney  for  the 
defendants,  insisted  that  Judge  W.  F. 
Booth,  in  the  original  decision,  al- 
most two  years  ago,  in  which  he  ap- 
pointed a  master  to  work  out  details 
of  the  case,  ruled  definitely  that  only 
the  corporate  status  is  involved  in  the 
present  argument,  and  that  allega- 
tions of  fraud  or  of  bad  faith  were 
left   for   later   consideration. 


I  For  Service  &  Economy  J 


Forward  Your  Film  Shipments 
I  Through 

I  EDWIN  O'BRIEN,  INC. 

Foreign     and     Domestic     For- 
warders, Customs  Brokers,  In- 
surance Agents 

218  West  42nd  St. 
New  York  City 

Telephones:      Wisconsin    0109-6969 


\ 


Levy  Buys  $1,500,000  Si*' '^ 
Louisville — Col.    Fred    Ley 
National    franchise    holder,   hi 
chased    for     investment,    theW'"'' 
Bldg.,    at    4th    and    Guthrie    " 
$1,500,000.      The    estate    was 
from  the  Speed  heirs. 


Edwin  Tilton  Dead 

Los  Angeles  —  Edwin  Boi 
ton,  old  time  actor,  passed  ; 
his  home,  1640  North  Kenmt 
He  was  66  years  of  age. 


;i 


Loew's  7th  Ave.  to  Pict 

Beginning   today    Loew's   7 
reverts   back   to  a  picture  po! 


Hal  RoJL 


This  is  a  'Comerblock'  cut  f^; 
FREE  for  all  Pathecomedie 
exchange. 


♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.•♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦•ijw^ 

**♦♦♦'♦♦•♦♦'♦♦♦♦♦♦♦♦♦•♦♦♦♦♦♦>♦  ♦♦♦♦♦♦♦♦.♦♦•17 

I  Ward  Cine  laboratoi)ji 

xl  216-222   Weehawken  \h 

I  Union  City,  N.  J.    p 

t-J     Telephone   Union   4800 

♦•♦  G.  BERT  WARE 

v> 


:^  btnt 


'.A 

i  FOR   RENT      .  jy ! 

I    Private  office  with  vault^  j^jji^j 
I    and  film  room.  ;  j,  ,,f 

CHAS.  STERN      Won 
,    729  7th  Ave.  Root  faioc! 

I  Phone  Bryant  1067  |ptf  )i 

'kant 


mm 


Negative  Deve/oljs 
and  Printing 

Complete  Title  Sen^ 

n 


SALAND  FILM  LAB0RAT0R1 

Phone  Bryant  7577    729-7th  A« 


read} 

01  til 

iitEai 

SiJCtio 

Hot 
iii?  in 
inf  ii 
Band 


BAY  STA' 


or-  in  I 
^e  will 

ttsian' 
■It  oi  a 

fcjilst 


I 


Second  Oldest  Contii 

Raw   Stocl 


Producer  in  Amerio 
Negative  Positive 


'en  Its  [ 
sekeen 


tat  mot' 

ik  the 

Joping 

needs, 

Betty! 


I 


* 


;^  exc 

irb,  re 


THE 


lay,  January  25,  1926 


red 

'Older, 

em, 

Mk 

ite 


^""""■SS?  Gases  Settled 

(.Continued  from  Page  1) 
[vhich  actual  awards  were  made, 
were  4,269,  involving  $802,747, 
by  conciliation  after  having 
lied,  but  before  being  determ- 
y  the   boards. 

hundred  and  fifty-four  dis- 
I  involving  $124,797,  were  with- 
I  by  complainants;  292  cases,  in- 
g  $87,147,  were  dismissed  by 
s  of  Arbitration.  On  Dec.  31, 
ithere  were  pending  in  the  vari- 
oards  ,  539  disputes,  involving 
16. 

bitration  has  been  a  tremendous 
|;s  in  settling  commercial  dis- 
in  the  motion  picture  industry," 
the  Arbitration  Society  of 
|ica  in  commenting  on  the  work, 
has  made  recourse  to  the  courts 
t  unknown  in  deciding  contro- 
!■»■  between  distributors  and  thea- 
wners.  It  has  saved  tremen- 
sums  that  would  have  been 
in  litigation  and  has  operated 
tntly  and  without  delay  to  the 
laction  of  both  parties, 
pth  in  its  country-wide  scope 
n  its  volume,  the  functioning  of 
[ration  in  the  motion  picture  in- 
y  is  pre-eminently  the  outstand- 
|;xample  of  the  successful  use  of 
Tieans  of  settling  trade  disputes." 
he  experience  of  the  film  indus- 
is  duplicated  by  an  increasing 
^—vCr  of  trade  and  professional  as- 
.tions  which  are  making  more 
more  use  of  the  principle  of  com- 
ial  arbitration,"  according  to 
ard  Washburn  Child,  president 
he  Arbitration  Society,  in  com- 
bing upon  the  report. 
or  the  second  year  the  motion 
ire  industry  has  given  the  Ameri- 
business  world  striking  proof  of 
effectiveness  of  commercial  arbi- 
on  in  the  speedy  and  economical 
ement  of  business  disputes,"  said 
i.  "As  yet,  no  other  industry  can 
ny  way  approximate  either  in 
bar  of  cases  or  in  the  scope  of 
r  distribution,  the  rapid  progress 
e  in  this  industry,  but  the  use  of 
tration  in  other  businesses  and 
'essions  is  becoming  in  the  ag- 
ate an  important  and  a  most 
lificant  factor  in  present-day  busi- 

developments. 
Already     four     States,     including 
e  of  the  greatest  industrial  States 
the   East,  have  enacted  legislation 
sanction    arbitration    as    a    final 
hod  of   settling  business   disputes 
ring    in    interstate    trade,    and    the 
wing  interest  of  national  associa- 
is  and  of  business  men  and  le^is- 
jrs   in   other   States   indicates    that 
re  will   be  a   rapid   spread   of  the 
tessary  legislation.  To  the  develop- 
nt  of  a  public   opinion  which  will 
Tiand  such  laws  and  will  make  use 
them,  the  Arbitration  Society  has 
en  its  best  efforts  and  it  has  in  no 
;e  been  happier  and  more  success- 
ly    than    it    has    in    interesting    the 
jat  motion   picture  industry  in  ap- 
ring  the  principle  of  arbitration  and 
velqping  the  machinery  for  its  spe- 
ll needs." 


;i; 


Betty  Rose  Exchange  Manager 

Washington — Betty  M.  Rose  has 
en  appointed  manager  of  the  Prog- 
ss  exchange,  succeeding  Jerry 
arks,  resigned. 


335  Theaters 

(Continued  from  Page   1) 
total  construction  in  the  entire  coun- 
try, divided  as  follows: 

No.  New  Floor 

1925                Projects  Space                 Cost 
Sq.  Ft. 

Jan 11  50,800  $351,000 

Feb IS  81,900                 497,500 

March    27  491,500  4,890,500 

April 28  674,600  9,111,000 

May    35  234,600  1,217,000 

June     27  365,400  2,378,500 

July     33  372,800  1,985,800 

Autr 46  405,000  2,308,000 

Sept 30  336,400  1,781,300 

Oct 25  186,100  1,208,000 

Nov 27  203,100  1,012;000 

Dec 31  246,400  1,521,000 

TOTAL    335         3,648,600         $28,261,600 

Figures  for  the  first  11  months  of 
1925  compiled  for  this  publication  by 
"Engineeri-ng  News-Record"  and  em- 
bracing theaters  costing  $150,000  and 
over,  showed  that  contracts  for  119 
houses  were  awarded,  involving  a  to- 
tal  investment   of  $55,542,355. 

For  1926,  data  obtained  by  "The 
Architectural  Forum"  directly  from 
architects  places  the  number  of  new 
theaters  for  this  year  at  330,  involv- 
ing an  estimated  outlay  of  $69,783,000. 

All-Northwest  Unit 

(Continued   from  Page    1) 

If  present  jjlans  are  worked  out, 
Oregon  will  join  Washington  and 
soon  after  Idaho  and  Montana  will 
be  invited  to  join. 

It  is  pointed  out  by  those  interest- 
ed in  the  move  that  the  only  handicap 
of  such  an  organization  would  be  the 
question  of  practicability,  inasmuch 
as  the  territory  is  so  large.  District 
meetings,  however,  are  suggested  as 
a  remedy  for  this,  in  addition  to  the 
usual  conventions. 


Exhibitor  Dies 

Albany  —  Charles  McCarthy,  well- 
known  exhibitor  in  Hoosick  Falls,  N. 
Y.,  and  active  in  state  association  af- 
fairs for  a  number  of  years,  died  at 
his   home   after   a   long   illness. 


Heavy  Damage  Done  by  Fire 
Kansas  City — Damage  to  the  ex- 
tent of  $45,000  was  done  to  the  Royal 
and  Globe  by  fire;  loss  at  the  Royal 
being  $30,000  and  $15,000  at  the 
Globe. 


--  To  Be  Made  in  Italy 

Hollywood  — ■  "Beauty  and  the 
Beast,"  in  which  Samuel  GoLdwyn 
will  feature  Vilma  Banky,  will  be 
made  partly  in  Palermo,  Italy,  by 
George  Fitzmaurice. 


In  the  Courts 

The  Appellate  Division  has  af- 
firmed the  judgment  for  Margaretta 
Tuttle,  author  of  the  play,  "Feet  of 
Clay,"  in  the  suit  brought  against 
her  by  Laura  D.  Wilck,  play  broker, 
to  recover  commission  of  $2,350  on 
the  sale  of  the  film  rights  to  Famous 
for  $23,500.  The  defendant  offered 
proof  that  she  paid  another  broker 
for  the  transaction,  although  the 
plaintiff  insisted  that  she  had  started 
the  negotiations  by  conferring  with 
Julian  Johnson  and  sending  a  tele- 
gram to  Cecil  De  Mille. 


On  Broadway 

Apollo— "Stella  Dallas" 

Astor— "The    Big    Parade" 

Broadway     —     "California     Straight 
Ahead" 

Cameo — "Lady   Windermere's    Fan" 

Capitol — "Dance  Madness' 

Cohan — "Ben  Hur" 

Colony— "The   Skyrocket" 

Embassy — "The  Merry  Widow" 

Loew's    New    York — Today  —  "The 
Eagle" 
Tuesday — "The  Golden  Strain"  and 

"S.  O.  S.  Perils  of  the  Sea" 
Wednesday — "Made    for   Love" 
Thursday— "The  Beautiful  City" 
Friday— "The  Desert's   Price"   and 

"One  of  the  Bravest" 
Saturday — "Mannequin" 
Sunday — "The  Unguarded  Hour" 

Loew's  State— "Hands  Up!" 

Mark   Strand— "The   Feckless   Lady" 

Rialto— "The  Yankee  Senor" 

Rivoli — "The  American  Venus" 

Warners — "The  Sea  Beast" 

Brooklyn  Mark  Strand — "That  Royle 
Girl" 

Next  Week 

Apollo— "Stella  Dallas" 

Astor— "The  Big  Parade" 

Broadway — Not  yet  determined 

Cameo — Not  vet  determined 

Capitol— "The'  Blackbird" 

Cohan — "Ben    Hur" 

Colony — "The  Skyrocket" 

Embassy — "The  Merry  Widow" 

Mark  Strand — "Memory  Lane" 

Rialto— "The  Wanderer" 

Rivoli — "The  Song  and  Dance  Man" 

Warners— "The  Sea  Beast" 

Brooklyn    Mark    Strand — "Just    Sup- 
pose" 


To  Discuss   Franchise 

(Continued  from  Page   1) 

the  purchase  of  an  interest  in  the 
local  First  National  franchise  so  that 
exhibitors  in  this  territory  could 
handle  the  allocation  of  first-runs  in 
their  own  manner.  He  declared,  how- 
ever, that,  this  new  move  was  en- 
tirely  unknown  to  him. 

O'Reilly  said  he  knew  nothing  of 
the  Friday  meeting.  He  added  that 
several  groups  in  the  Chamber  had 
been  working  on  various  ideas  for 
some  time  past  but  that  this  develop- 
rnent  at  this  particular  time  was  en- 
tirely new.  He  pointed  out  such  ac- 
tion was  in  line  with  the  intention 
of  important  members  of  his  organi- 
zaiton  to  settle  definitely  the  question 
of    securing    first-run    bookings. 


Will  Represent  Barrington 

Curtis  Brown,  Ltd.  has  been  ap- 
pointed agent  for  E.  Barrington, 
author  of  "The  Glorious  Apollo,"  and 
"The  Exquisite  Perdlta." 


Another  "Big  Parade"  Opening 

San    Francisco — "The   Big  Parade" 
opened  here  last  night  at  the  Curran. 


RUBY    CAMERA   EXCHANGE 

727    Seventh   Ave.,    N.    Y. 

has  EYEMO  Cameras— 

the  new  Bell  and  Howell  standard 
100  foot  automatic  motion  picture 
camera.  Come  up  and  give  them  the 
once  over. 


Arthur  J.   Lamb'  s 

MOLLY  MAY  SERIES 

(INC.) 

(2  reel  comedies) 

Featuring  Violet  Mersereait 
Sole  Direction  of  Joseph  Levering 

No  1.  Her  First  Night  in  Philadelphia 

No.  2.  Her  First  Night  on  Broadway 

No.  3.  Her  First  Night  in  the  Jollies 

No.  4.  Her  First  Night  with  the   Salvation  Army 

No.  5.  Her  First  Night  in  Society 

No.  6.  Her  First  Night  in  Honolulu 

Granfield  and  Clarke  (Inc.) 

Distributors  for  the  World 
1476  Broadway  New  York  City 


iMl 


"I    *'. 


% 


l^:,*-^" 


^ 


.4'n*' 


^. 


.' 1^;^-  4 

<      *«''■ 


% 


=  -*s»^-\*" 


^,  t.^ 


'^^ 


■^  „„::  ■£■■        ^- 

JK* 

■Jr-'^^'- 

*p'? 

,•«  -j^— 

^.  <«■, 

^^^^^^^^^^H 

■  ■   '      • .         ft/' 

^1 

■M 

1 

f^ 

^^^^^^^^  '^ 

1 

^■"       -a- 

^^H 

ir^^ 

^ 

i 

\W 

1 

^^  '    V 

^ 

i^                              .         ■.        -wiff-             "^ 

--  '^  \ 


1 


r     •^'    II*",,  ^f,* 


*W*^ 


a    ^'/^ 


^^    ■-%: 


>• 


.   W 


Reckless 

LADY^^^Ostars 

taesented  at  the  height 
01:  their  success,  out-di^ 
everyr  other  attraction 
on  moadway^  ^and 
thatfe  straight  from  the 
box-office/ 


BEILE  BENNETT-  BEN  lYON  •  •  •      \ 
lOlSMOBAN- JAMES  KIRKWDOD  •  •  • 
'"EU  SHERMANdCHARHE  MORRAS^ 


9resenkdbu 

BOBERT 

KANE 


l« 


V  BRADSTREET 
f  FILHDOM 


2i^^re(ocmize6 
Authority 


Tuesday,  January  26,  1926 


P'ice  5  Cents 


DANGER 

By  DANNY 

JTere  is  much  hullaballoo  and 

fssthese  days.     Over  "presen- 

4  IS,"  special  acts,   "revues," 

for  motion  picture  houses. 

1  first   run    house    vies   with 

fther.     In  trying  to  present 

to  aid  in  putting  over  the 

Ire.     One  tries  to  outdo  the 

Just  where  it  will  end  is 

^ionable. 

|;sentations,   special    features,    all 
trimmings   are   fine.      But   don't 
jok  this,  please:  that  people  who 
picture  houses  want  to  see  pic- 
That  is  why  they  go  to   such 
|s.     There  are  usually  vaudeville 
;s  in  the  larger  cities.     If  people 
vaudeville     they    know    where 
lean  get  it. 
\  Don't  overlook  the  fact  that 
ie   Orpheum   circuit    {vaude- 
llle)  is  showing  a  lot  of  pic- 
Ires — good  pictures;  fine  pic- 
ires.  And  if  you  want  to  know 
that  business  they  are  doing 
^k    the    exhibitors    who    run 
icture  houses  in  these  cities, 
they  will  give  you  the  answer. 
\nd  in  no  uncertain  terms. 
le    one    great    danger    that    the 
-or  advanced — idea  of  presenta- 
is  that  it  will  detract  from  the 
which    the    picture    has    to    the 
)ns   of   the   house.      If   you   want 
|d  the  bill,  fine — splendid — go  the 
But    don't    build    the    rest    of 
show  to  that  extent  that  it  over- 
|ows  the  picture.     You're  inviting 
)le  if  you  do. 
lat  the  picture  is,  after  all,  what 
Ipublic  wants  to  see,  is  evidenced 
{Continued  on  Page  2) 

Gumbiners  to  Build  Five 
hicago — A  2,000-seat  theater  will 
;rected  at  the  northeast  corner  of 
lison  and  Southport  Aves.,  to  cost 
),000.  The  house  has  been  leased 
jumbiner   Bros.,    Inc.,  at   a  rental 

to  rise  from   $15,000  to   $25,000 
ually. 

he  new  house   is  the   first  of  five 
)e  added  to  the  chain  of  Gumbin- 


$1,500,000  Studio 

1st  NatTs  Own  Plant  Ready  June   1 

— General  Expansion  in   Sight 

— Start  Immediately 

Robert  Lieber,  president  of  First 
National,  yesterday  revealed  details 
in  connection  with  the  company's 
own  studio  in  Hollywood.  The  invest- 
ment, including  property,  studios  and 
equipment,  totals  $1,500,000.  Con- 
struction will  start  at  once  with  ex- 
pectations that  the  majority  of  the 
company's  coast  units  will  be  in  their 
new  home  by  June  1. 

"This  studio  will  provide  First  Na- 
tional with  its  own  plant,"  Lieber 
said,  "for  the  continuation  and  the  en- 
largement of  the  policy  which  has 
been  that  of  First  National  from  its 
inception  in  the  production  and  distri- 
bution of  pictures.  Through  First 
National  Productions  Corporation,  we 
will  continue  our  individual  efforts  in 

(Continued  on  Page   6) 


Los  Angeles — The  new  studio  to 
be  erected  by  First  National  will  cost 
$1,500,000.  It  is  understood  that  the 
site  is  in  San  Fernando  Valley  and 
covers  75  acres. 


Grau  Succeeds  Pommer 

ondon — It    is    learned    here    that 
ior  Alexander  Grau  has  succeeded 
;h  Pommer  as  active  head  of  the 
in  Berlin. 


leilan  to  Direct  Marion  Davies 

lollywood — Marion  Davies'  next, 
le  Red  Mill,"  will  be  directed  bj 
'shall  Neilan. 


Britain  Picks  Site 

National  Studio   Planned  on  76-Acre 

Site    Near   Brigton — Will   Cost 

$1,500,000 

The  plan  for  the  establishment  of  a 
British  national  studio  is  assuming 
concrete  form.  A  site  at  Whitehawk, 
at  the  bottom  of  a  picturesque  valley 
near  the  sea  at  Brighton,  has  been  se- 
lected, according  to  a  special  dispatch 
in  the  Times  yesterday. 

The  location  has  an  area  of  76 
acres.  About  $1,500,000  is  required  to 
erect  the  plant  and,  of  this  amount, 
the  British  Government  is  expected 
to  grant  half,  the  Times  declared. 

If  all  goes  well,  the  preliminary 
(Continued  on  Page  6) 


Two  Arbiters 

T.  O.  C.  C.  Would  Settle  Differences 

Over  Uniform  Contract  Through 

Intervention  of  Outside  Parties 

The  Theater  Owners  Chamber  of 
Commerce  will  confer  with  Will  H. 
Hays  upon  the  latter's  return  from 
the  Coast  in  an  endeavor  to  reach 
an  understanding  involving  settlement 
of  the  uniform  contract  dispute. 
(Continued  on  Page  6) 

New  M.  P.  T.  O.  Dep't. 

The  first  function  of  the  Legislative 
Department,  newly  formed  this  week 
by  Joseph  M.  Seider  of  the  M.  P.  T. 
O.  A.,  was  to  take  up  in  Washington, 
a  I^lea  from  the  Wisconsin  unit  of  the 
organization  that  the  railway  com- 
(Continued  on  Page  6) 


Up  Before  Committee 

The  administrative  committee 
of  the  M.  P.  T.  O.  A.  which 
meets  here  toaay  will  discuss 
the  theater  closing  policy 
adopted  by  the  Maryland  M.  P. 
T.  O.  Joseph  M.  Seider,  busi- 
ness manager  of  the  national 
organization,  said  yesterday  the 
question  was  one  of  policy  and 
will  be  taken  up  by  the  com- 
mittee. 


N.    Y.   Shutdown   Held   Unlikely 

According  to  opinions  advanced 
yesterday,  a  summer  closing  of  local 
theaters  is  not  to  be  considered  seri- 
ously. A  move  of  that  nature,  it 
would  seem,  must  develop  through 
the  T.  O.  C.  C.  A  decision  embrac- 
ing uniform  action  from  all  theater 
owners  represents  one  of  the  many 
difficulties  in  the  path  of  such  a  de- 
cision. 


Four  on  Broadway 

Two     More     M.-G.-M.     Openings— 

"Mare  Nostrum"  at  Criterion  and 

"La  Boheme"  at  Embassy 

Metro-Goldwyn-Mayer  has  leased 
the  Criterion  from  Famous  and  will 
open  "Mare  Nostrum"  there  begin- 
ning Feb.   15. 

"The  Merry  Widow"  is  terminating 
its  run  at  the  Embassy  and,  as  noted 
will  be  followed  shortly  by  "'La  Bo 
heme."  This  will  give  the  company 
a  total  of  four  pictures  on  Broadway. 
The  others  are  "The  Big  Parade"  at 
the  Astor  and  "Ben  Hur"  at  the  Co- 
han. 


Watching  5  States 

Aaverse  Laws  Pending  in  Mississippi, 
Kentucky,    West    Virginia,    Mis- 
souri— New  York  Interested 

Legislative  programs  in  five  states 
concern  the  industry  at  the  start  of 
the  new  year.  In  Missouri  where  a 
drastic  censorshinp  bill  is  considered 
a  strong  possibility,  the  situation  is 
most  serious.  1  he  other  states  where- 
in laws  affecting  this  idustry  are  in 
contemplated  legislative  programs 
are  Missouri,  Kentucky,  West  Vir- 
ginia and  New  York. 

In  Mississippi,  a  day  of  prayer  has 
been  set  aside  by  churches  and  wo- 
men's clubs.  Censorship  agitation  is 
under  way  there  and,  according  to  ex- 
cellent authority,  a  bill  will  be  intrf> 
duced  in  the  state  legislature. 

In  Kentucky,  the  Governor  is  con- 
sidering a  10  per  cent,  admission  tajt 
The  M.  P.  T.  O.  is  active  in  prearin^ 

(Continued   on  Page   3) 

Beaverbrook  After  Ingram? 

London  —  "Kine.  Weekly"  reports 
Lord  Beaverbrook  has  gone  to 
Cannes,  not  America  in  order  to  in- 
terest Rex  Ingram  'n  directing  the 
Daily  Express'   £50,000  test  film. 


50%  More  for  Product 

M.-G.-M.     Budget    $15,000,000     This 

Year,  Felix  Feist  Tells  Atlanta 

Sales  Force 

Atlanta  —  Metro-Goldwyn-Mayer 
will  spend  $15,000,00n  on  production 
this  year,  an  increase  of  50  per  cent 
over  last  year,  according  to  Felix 
Feist,  general  sales  manager  when 
visiting  Atlanta  as  part  of  a  tour  of 
Southern  exchanges.  He  said  it  was 
the  largest  budget  for  a  single  12- 
month  period  ever  arranged  by  any 
producing  unit. 

Following  his  visit  here.  Feist  left 
for   New   Orleans. 


Scofield  Free  Lancing 

Paul  Scofield  has  completed  his 
contract  with  Famous  and  will  do  free 
lancing  scenarios  in  the  future.  He 
expects  to  visit  Texas  on  a  vacation 
and  upon  his  return  will  do  at  least 
two   scripts   for   Robert   T.    Kane. 


Reformers  to  Meet  in  Chicago 

The  fourth  National  M.  P.  Confer- 
ence will  be  held  at  Chicago,  Feb.  10- 
12,  under  auspices  of  the  Dept.  of 
Moral  Welfare  of  the  Presbyterian 
church  in  the  U.  S.  A.  Canon  Chase 
is  a  prime  mover. 


Borrow  Mary  Brian 

Los  Angeles — M.-G.-M.  has  bor- 
rowed Mary  Brian  from  Famous  for 
the  feminine  lead  in  "Brown  of  Har- 
vard." 

Hobart  Henley's  next  picture  will 
be  "Bellamy  the  Magnificent,"  star- 
ring Ramon  Novarro. 


Conflict   in   Titles 

The  title  of  Buster  Kcaton's  new 
picture,  originally  called  "Mister 
Nobody."  has  been  renamed  "Tramp! 
Tramp!  Tramp!" 

Harry  Langdon's  initial  picture  for 
First  National  bears  the  same  name. 


Two  Kenosha  Houses  for  Saxe 

Kenosha,  Wis. — Saxe  Enterprises 
will  build  a  new  $500,000  house  and 
also  rebuild  the  Burke,  recently  de- 
stroyed by  fire.  The  new  theater 
will    replace    the    present    Rhode. 


Arthur  Loew  in  Cuba 

Miami  —  Arthur  Loew,  head  of 
Metro-Goldwyn-Mayer's  foreign  de- 
partment, was  here  the  other  day 
from  New  York,  prior  to  leaving  for 
Havana  on  business. 


tH£ 


-fXlK^ 


i 


■ 


DAILY 


Tuesday,  January  26, 1 


t^f 


riLXXXVNo.21     Tut$ilay,lan.26,1926    PriceSCcnts 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  liol- 
idays  at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FIOLKS,  INC. 
.Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausnian,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  1.,  Paris — La  Cinematographic 
Francaise,    S,   Rue   Saulnier. 


Quotations 

High    Low    Close      Sales 

Balaban    &    Katz    Not  quoted 

Eastman  Kodak  ..109^  109>4  109J4  300 
Famous  Players  ..107^4  10SJ4  107J^  5,800 
Fam.    Play.    Pfd.    ..118        118        118  100 

Film    Inspection     Not  quoted 

First     National     Not  quoted 

Fox  Film  "A"  .  .  .  78M  78  78^  600 
Fox  Theaters  "A".  30^  30  3054  4,200 
Intern'l    Projector..    \t  J3  13  100 

.Loew's,    Inc 38  37^      38  800 

Metro-Gold.   Pfd Not  quoted 

M.  P.  Cap.  Corp...  20  19?^  19%  200 
Pathe  Exch.  "A"..  79^^  77M  T^Vi.  2,600 
Skouras  Brothers   ..54  54  54  ... 

Trans-Lux     13  1254      12J4         400 

Stan.    Co.   of  Am Not  quoted 

Universal    Pictures    Not  quoted 

Univ.   Pict.   Pfd Not  quoted 

Warner  Brothers   ..    \Ay%      14  14^i      1,000 

Warner    Pictures    Not  quoted 


Students    Run   Theater 

Rochester,  N.  Y. — A  theater  own- 
ed, managed  and  operated  by  stu- 
dents of  the  University  of  Rochester 
opened    Friday    night. 

Alexander  Dunbar,  a  senior,  is 
manager  and  ushers,  stage  hands, 
operator  and  all  employees  are  stu- 
dents at  the  university.  The  door- 
man is  the  football  captain  and  Dun- 
bar directs  the  university  glee  club 
and  track  team.  The  theater  is  run 
by  the  students  to  earn  their  way 
through  school. 


Santell    Party    Leaves    Sunday 

Al  Santell  and  party  leave  for  Hol- 
lywood Sunday  where  the  director 
will  produce  "Molasses"  for  M.  C. 
Levee.  Vera  Gordon,  one  of  the 
group,  will  appear  in  the  cast. 


FOP      RENT 

BELL-  HOWELL 
AKELEY  CAMERAS 

Willi  or  Without  Cameramen 


SEIDEN    CAMERA    EXCHANGE 

729  Seventh  Ave.  n.y  c 
Bryant   3  9S I 


DANGER 

(Continued   from  Page    1) 

by  that  most  direct  of  tests — the  box 
office.  The  Capitol,  New  York,  the 
Chicago,  in  Chicago,  every  big  house 
in  any  large  city,  has  had  this 
proven:  that  the  difference  in  the 
gross  of  the  week  can — and  does — 
vary,  tremendously,  depending  on  the 
picture  shown.  The  Chicago,  accord- 
ing to  Variety's  figures,  varied  over 
$26,000  from  the  high  to  the  low, 
during  1925.  According  to  the  same 
publication,  McVickers  in  Chicago, 
showed  a  difference  of  over  $16,000 
between  the  attraction  drawing  the 
high,  and  that  doing  the  worst  busi- 
ness of  the  year.  The  Metropolitan, 
Los  Angeles,  showed  a  difference  of 
over  120,000;  the  Capitol,  New  York, 
a  difference  of  over  $40,000  a  week; 
the  Rialto,  New  York,  a  difference  of 
$20,000;  the  Rivoli,  New  York,  a  dif- 
ference of  $15,000. 

Who,  in  the  face  of  these 
figures,  dares  deny  that  the 
picture — not  the  show — is  the 
real  attraction?  And,  there- 
fore, let  us  stray  not  too  far 
in  this  worship  of  new  gods. 
Help  the  picture  all  you  can. 
Don't  overburden  it — don't  kill 
it  with  too  much  show. 


Sees  Over-Seating  Remedy 

Kansas  City — "The  Reel  Journal," 
in  discussing  over-seating  in  Kansas 
City  and  St.  Louis,  says  editorially 
in  part: 

"Kansas  City  is  overseated  and  so 
is  St.  Louis.  But  the  opening  of  the 
new  state  highway  a  few  days  ago 
should  greatly  relieve  the  situation. 
Kansas  City's  drawing  population  is 
not  within  its  city  limits,  nor  is  that 
of  St.  Louis." 


"U"  in  Hastings 

Hastings,  Neb.  —  The  Hostettlcr 
Amusement  Co.,  Universal  subsidiary, 
will  erect  a  $200,000  theater  here. 
Universal  will  spend  $15,000  remodel- 
ing the  North  at  Columbus  converting 
it  into  a  1,100  seat  house.  The  com- 
pany has  secured  an  additional  ten 
year   lease. 


Five    Offices  for   Composers'   Society 

Atlanta — William  E.  Arnaud,  attor- 
ney for  the  American  Society  of 
Composers,  Authors  and  Publishers 
in  the  Southeast  it  back  from  a  trip 
to  Florida  where  he  opened  offices  in 
Jacksonville,  Daytona,  Palm  Beach, 
Miami  and  Tampa. 


Furthman  Heads  Editorial  DIept. 

Hollywood  —  Lasky  has  appointed 
Charles  Furthman,  editor-in-chief  at 
the  Paramount  studio. 


■illHlliimilS 


FEBRUARY  28th 


s 


New  Theater  for   Heights 

The  Upper  West  Side  Develop- 
ment Corp.,  through  L.  J.  Philips  & 
Co.  has  leased  property  on  the  south- 
west corner  of  170th  St.  and  Broad- 
way (Mitchel  Square)  for  21  years 
and  for  more  than  $1,000,000,  total 
rental.  They  will  build  a  theater  on 
the  site,  to  be  constructed  by  M.  Sha- 
piro &  Son. 


Newest  in  F.  &  R.  Chain  Opened 

Eau  Claire,  Wis. — The  State,  new- 
est of  the  F.  &  R.  circuit,  has  opened. 
The  house  means  competition  for  the 
Eau  Claire  Theaters  Co.,  which  op- 
erates a  string  here  and  houses  in 
Chippewa  Falls.  V.  B.  Vallear  is 
manager  of  the  new  State,  built  at  a 
cost  of  $315,000  and  seating  1,300. 


Seek  Abolition  of  A:l-Night   Houses 

Seattle — The  censorship  board  is 
threatening  to  quit,  unless  the  Public 
Safety  Committee  digs  up  the  petition 
to  close  all  night  houses,  which  was 
filed  last  June,  and  gives  an  imme- 
diate decision.  The  petition  has  been 
tabled  several  times,  lacking  sufficient 
evidence. 


Consolidate  Two  Van  Nuys  Houses 

Van  Nuys,  Cal. — The  Van  Nuys 
Theaters,  Inc.,  has  been  formed  by 
N.  Scheinberg  and  M.  P.  Horowitz 
of  the  Van  Nuys  theater,  and  Louis 
Greenberg  of  the  Rivoli,  with  capital 
of  $100,000.  Both  houses  will  merge 
with  Scheinberg  as  manager. 


Robbins   to    Direct   Nagel 
Hollywood — Jess  Robbins  has  been 
engaged  by  M.-G.-M.  to  direct  Con- 
rad  Nagle   in   his   next,   "There    You 
Are." 


Fox  Signs  Kerr 

Hollywood — Robert  Kerr  has  been 
given  a  long-term  contract  by  Fox 
to  direct.  His  first  picture  will  be 
"30  Below  Zero,"  starring  Buck 
Jones. 

Bernstein  Promoted 

Harry  Bernstein  has  been  appoint- 
ed general  sales  manager  of  Red  Seal. 
He  previously  was  head  of  the  New 
York   exchange. 


Sternberg  to  Direct  Edna  Purviance? 

Los  Angeles  —  The  Examiner  re- 
ports that  Joseph  von  Sternberg  may 
direct    Edna    Purviance    in    her    next. 


Mathis  and  Balboni  Coming  East 

Los  Angeles  —  June  Mathis  and 
Sylvano  Balboni  have  left  for  New 
York. 


Harlan's  Next 

Hollywood — Kenneth  Harlan  will 
play  the  lead  in  "Crashing  Timbers" 
for  Universal. 


SliiimiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiinniiiiiiwiiiiiiiiiiiiiiuiiiMigiBHiuim^ 


Young  lady  desires  position,  12 
years  experience  motion  pictures — 
secretary — bookkeeper — stenographer — 
office  and  business  manager — New 
York  representative — correspondent — 
legal  knowledge — capable  of  taking 
charge  of  office  or  department.  Em- 
ployed at  present — seeking  other  em- 
plojmient  due  to  discontinuing  New 
York   office.      Excellent   references. 


Box    S-322 
1650    B'way 


c-o    Film    Daily 
N.    Y.   C. 


Charlotte  Exchanges  Gross  $10 

Charlotte,  N.  C— C.  O.  Ku 
business  manager  of  the  Chamb  ; 
Commerce,  gave  a  luncheon  last  ' 
to  the  managers  of  exchanges'] 
theaters.  It  developed  that  the  vc'r 
of  business  done  here  by  tht ' 
changes  totals  about  $100,000  a  ' 


Powers  Signs   Hale       ^ 

Hollywood   —    P.    A.    PovversL|L 
igned    Creighton    Hale.  f 


/?V/  \   ^'Hal  Roach 

GLENN  f  RYOl 

LON&PAMTl 

This  is  a  'Comerblock'  cut  furnii 
FREE  for  all  Pathecomedies  at  j  > 
exchange.  


i  halperiin;; 


LOBBY  FRAME! 

OF  THE  BETTER  KIND 
LIBMAN-SPANJER    CORP 

1600  Broadway  New  York  C. 

Tel-Chickerlng  5550  Sliow  R. 


.♦♦♦♦.♦♦^♦.^.♦♦.♦•.♦♦.•♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦».»«*},»j.«j.j},jj#«»| 


BRVANT      37.»0-374-* 


REXJBEIST    S^V>HJELS,Il«rC 


i540  broadway 
NewYork 

Insurance   Experts  to  the  Theatri 
And   Motion   Picture   Industry 

♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦•.♦♦.♦♦.♦♦•JMMMl-JMlItJJ 


I»%j 


*sGfoi, 


THE 


Jy,  January  26,   1926 


■S^Hk 


DAILY 


Presentations 


« Hal,' 

A. 


ature  dealing  with   the  man- 

which   first-runs    build    their 

ms  and  written  from  the  an- 

one  who  sits  out  froyit. 

^gned  solely  for  the  purpose  of 

mg   to  exhibitors  ideas   to   be 

developing  their  own  shows. 

Rivoli 
No.      1. — Overture;      "Pique 
'    by    \'on    Suppe."      Time,    7 
s. 

No.  2. — "Winter  Sports  at  St. 
,"     Service   Film   Co.     Time,  5 
s. 
No.    3. — "The   Garden   of   Ka- 
A    dance    drama,    based    upon 
dian   Love   Lyrics  of   Lawrence 
and   set   to   the   music   of   Amy 
ford     Finden.       Arranged     and 
by    John    Murray    Anderson, 
lal     stage    setting     with     raised 
|rm   at   center   back   representing 
castle    doors.      Story    concerns 
f  dancing  girl  for  the   Mahara- 
her     disappointment     when     he 
a  bride,  her  self-destruction  and 
rrow  of  her  lover  when  he  finds 
as  killed  herself  for  love  of  an- 
Oriental  costumes  and  atmos- 
predominating  throughout  with 
s  and  solo  numbers  making  up 
rogram.     Time,  18  minutes, 
it     No.     4. — Rivoli     Movievents. 

10  minutes. 

it  No.  5. — Harold  Ramsay  at  the 

Selections  from  "Rose  Marie." 

5  minutes. 

It     No.     6.— Eddie     Elkins     and 

ion  Revue.     "I   Love  My  Baby," 

enoi    Ostrow/'    and    "American 

s  Revue,"  by  the  orchestra,  fol- 

d    by    (he    fashion    parade.      Girls 

nd  on  stairways  at  either  side  of 

estra    and    walk    out    on    runway 

platform   which   extends  into  or- 

tra.       (Jovvns    displayed    are    the 

le    as    those    used    in    the    fashion 

in   the   feature.     Fav    Lanphier, 

ler     of     Atlantic     City     Bathing 

ty  Contest,  in  person.     Time,  IS 

utes. 

nit  No.  7.— Feature:  "The  Ameri- 
Venus."     Time.  79  minutes. 


Universal  Starts  Four  Pictures 

Hollywood  —  Universal  has  signed 
almost  a  score  of  players  for  forth- 
coming productions.  The  following 
will  be  started  this  week:  "The 
Whole  Town's  Talking,"  Edward 
Laemmle  directing,  starring  Edward 
Everett  Horton  with  Dolores  Del 
Rio,  Trixie  Friganza,  Virginia  Lee 
Corbin,  Malcolin  Waite,  Robert  Ober 
and  Margaret  Quimby;  "The  Beauty 
in  the  Box,"  directed  by  Melville 
Brown  with  Laura  La  Plante.  Mack 
Swain,  Cissy  Fitzgerald,  Billy  Kent; 
"Crashing  Timbers,"  directed  by 
James  O.  Spearing,  with  Viola  Dana, 
Kenneth  Harlan,  Henry  B.  Walthall. 
Frank  Hagney,  DeWitt  Jennings, 
Fred  Kohler  and  Billy  Kent,  and 
"The  Old  Soak,"  directed  by  Edward 
Sloman  with  Jean  Hersholt,  Louise 
Fazenda,  George  Lewis,  June  Mar- 
lowe, George  Seiginan  and  William 
V.  Mong. 


Laura  La  Plante  Starts  Work 

Los  Angeles  —  Laura  La  Plante'.'; 
next,  to  be  called  "The  Big  Night," 
has  just  gone  into  production.  Mel 
ville  Brown  is  at  the  helm,  directing 
This  picture  was  formerly  known  as 
"Doubling  for  Lora." 


Censoring  Posters 

The  Associated  Press  reports 
from  Geneva  that  picture  houses 
in  Switzerland  are  not  permitted 
to  display  posters  which  may 
excite  the  imagination  of  the 
young,  and  every  poster  has  to 
be  carefully  doctored  with  ink 
blots  before  it  may  be  shown. 


Collings  Leaves  for  Coast 
ierre    Collings    left    yesterday 
Laskv    studio    in    Hollywood 
are    the    screen    version    of    "The 
)w-Off."  which   Mai   Si.   Clair  will 
'ct  with   Ford  Sterling  featured. 


for 
to 


Kopman  Replies 

Minneapolis  —  In  reply  to  a  suit 
brought  against  Gold  Seal  Pictures 
by  P.  P.  Craft,  owner  of  "The  Frei- 
burg Passion  Play,"  George  Kop- 
man, of  Gold  Seal  stated  he  does  not 
intend  to  budge  an  inch  in  his  fight 
for  rights,  -According  to  Craft,  Max 
Kopman,  who  purchased  distribution 
rights  to  the  picture,  has  failed  to 
make  payments  as  scheduled,  with 
Craft  serving  notice  of  cancellation 
and  demanding  return  of  the  film  and 
advertising  matter. 


Jersey  Fight  On 

Two     Bills     Introduced     in     Trenton 

Touch  on  "Blue  Law"  Situation 

— Exhibitor  Unit  Busy 

Two  bills,  modifying  "blue-laws" 
arc  now  in  the  hands  of  the  Jersey 
Legislature.  One,  known  as  the  "Lo-, 
cal  Option  Sunday  M.  P.  Bill"  is 
sponsored  by  the  New  Jersey  unit  of 
ihe  M.  P.  T.  O.  and  would  license 
voters  to  go  to  the  polls  and  cast 
their  ballots  for  or  against  Sunday 
shows. 

The  other  bill,  calls  for  the  creation 
of  a  commission  to  be  known  as  "The 
Blue-Law  Revision  Contmission"  and 
to  be  effective  in  1927.  This  bill, 
which  was  introduced  by  Senator 
Williams  on  Jan.  12,  has  been  re- 
ferred to  the  Committee  on  Judiciary. 
The  Williams  Joint  Resolution  now 
being  deliberated  upon  provides  that 
Ihe  Joint  Commission  shall  comprise 
three  members  of  the  Senate,  to  be 
appointed  by  the  President  and  three 
members  of  the  House  of  Assembly 
to  be  appointed  by  the  Speaker  to  in- 
vestigate the  Vice  and  Immorality 
Act  with  a  possible  view  to  amend- 
ments. 


Piccadilly,  Birm'ngham,  Opens 

Birmingham,  Ala.— Willis  F.  West- 
reland  opened  the  new  Piccadillv 
h  "The   Road   to  Yesterdav." 


In  the  Courts 

supreme    Court    Justice    Levy    has 
leld    the    complaint    in    a    suit    by 
ew's   Atlanta   Theater   Co.,  against 
Knickerbocker   Insurance   Co.,   to 
over  $10,000,  on  an  insurance  pol- 
covering  the  Grand  Opera  House 
Atlanta.      The    complaint    alleered 
t  the  plaintif?  had  a  poUcv  for  $50,- 
',  and   that  on    Oct.    17,    1922,    the 
;an  was  entirely  destroved  by  fire, 
ising   the    damage    sued    for.      The 
intifiF     at     first     claimed     onlv     a 
lage  of  $480.  but  filed  an  amended 
of    of    loss    later,    on    the    cround 
t  the  organ  was  useless.     The  in- 
ance      company      demanded      that 
:w  be  compelled  to  make  the  com- 
nt    more    definite    but    the    court 
I  that  it  is  sufficiently  clear. 


"Manhattan  Venus"  Chosen 

"The  Evening  Graphic's"  contest 
to  choose  the  most  beautiful  girl  has 
closed.  The  contest,  conducted  in 
conjunction  with  Publix  Theaters,  re- 
sulted in  the  selection  of  B.  A.  Wil- 
son of  610  West  110th  St.,  as  "Miss 
Manhattan."  Others  were  selected 
as  the  most  beautiful  girls  in  their 
boroughs.  Each  "Venus"  will  be 
featured  one  night  at  the  Rivoli 
where  "The  American  Venus"  is  play- 
ing this  week. 


R.   &  C.  to  Install  Orchestras 

Pittsburgh — Rowland  &  Clark  are 
making  arrangements  to  install  or- 
chestras in  the  Liberty  and  Regent. 
East  Liberty. 


Returns  to  Metropolitan 

Hollywood  —  Marguerite  De  La 
Motte  has  completed  her  role  in 
"Red  Dice,"  for  Cecil  B.  De  Mille  and 
has  returned  to  the  Metropolitan  stu- 
dio  where   she   is   under   contract. 


Henry  King  on  "Box  Office" 
Henry  King,  in  a  talk  to  news 
papermen  yesterday,  said  that  wlia' 
he  considered  the  "box  office"  in  this 
business  was  not  the  ticket  office 
but  the  audience.  He  leaves  for  the 
Coast  in  about  ten  days.  While  here 
he  will  secure  a.  story  for  Ronald 
Colman    and    Vilma    Bank\'. 


Colonial  Amuse.  Co.  to  Build 

Milwaukee — Work  is  to  be  started 
soon  on  the  $300,000  theater,  offict 
and  store  building  to  replace  the  pres- 
ent Colonial,  at  Fifteenth  and  Vliet 
S'ts.      .Architects    are    Dick    &    Bauer. 


Cutting  "The  Volga  Boatman" 

Holl\  wood — "The  Volga  Boatman" 
is  completed  and  cutting  is  now  un- 
der way. 


Watching  5  States 

(Continued  from   Pane   1) 

to  meet  the  situation.  The  Hays  of- 
fice is  likewise  on  the  job. 

In  Missouri,  money  is  needed  to  fi- 
nance further  school  construction.  To 
that  end,  it  is  proposed  to  add  a  ten 
per  cent  tax  to  admissions.  The  issue 
will  come  up  at  a  referendum  in  No- 
vember. 

In  West  Virginia,  a  move  is  on  to 
impose  an  admission  tax  aggregating 
ten  per  cent. 

In  New  York,  considerable  inter- 
est is  still  evinced  in  the  ultimate  re- 
moval of  the  censorship  commission. 
Much  depends  on  the  exact  text  of 
the  Hughes  report  dealing  with  econ- 
omies  in   state  administration. 


St.   Louis   Primed  for  Fight 

In  response  to  a  telegram  from 
the  M.  P.  T.  O.  A.,  exhibitors  in  St. 
Louis  have  signified  their  intent  to 
fight  to  a  finish  any  additional  amuse- 
ment   tax   in    Missouri. 


Kentucky  Bill  Reported  Checked 

Latest  dispatches  from  the  Ken- 
tucky unit  of  the  M.  P.  T.  O.  A.  to 
national  headquarters  indicate  the 
proposed  bill  to  establish  a  luxury 
tax  which  would  effect  admissions  has 
been  practically  killed. 


"Mel"  Shyer  Back 

Melville  Shyer  has  returned  from 
Miami  where  he  assisted  director 
Lem  F.  Kennedy  on  a  production  for 
Tilford  Pictures,  Inc.  William  Rus- 
sell and  Dorothy  Knapp  are  featured. 


Wm.  H.  Draper  Dead 

Providence,  R,  I.  —  William  H. 
Draper,  president  of  the  William  H. 
Draper  Land  Co.,  and  the  United 
Land  Co.,  and  treasurer  of  Ivan 
Players,   Inc.,  of  New   York,  is  dead. 


Max    Fleischer' s    Ko-Ko   Song 
Car-Tune 

"DOLLY  GRAY" 

This  Week  Plays  New  York 

CAPITOL 


729  Seventh  Ave.,  N.  Y. 
DISTRIBUTORS 


I 


RAMON    ROMEO    AND    ASSOCIATES 


Coast  Group  Here 

Edward  Sutherland  has  arrived 
from  the  coast  to  prepare  for  "It's 
The  Old  Army  Game."  With  him 
came  Tom  Geraghty,  Luther  Reed 
and   Townsend   Martin. 


Anna    Aiken    Patterson    Here 

Anna  A.  Patterson,  publisher  and 
editor  of  the  Weekly  Film  Review 
of  Atlanta,  is  in  town,  stopping  at  the 
Ritz-Carlton. 


Announce    that   they  are   about  to  produce   a   series 
comedies  under  the   general   title 


of   two-reel 


THE  TIN  CAN  TOURISTS 
to  be  released  under  the  following  sub-titles: 


"The    Covered    Flivver" 

■'The   Ancient    Machinist" 

"Desire    Under    the    Cocoanuts" 

"Ballyhoo    Brokers" 

"Eat    Our    Dust" 

"The  Four  Horsepower  of  the  Tropics" 


"The    Lady    of    the    Leg" 
"So   This    Is    Palm    Beach" 
"The    Taming    of   the    Shrewd" 
"A    Merchant    in    Venice" 
•'Hullo    Miami!" 
"Time  to   Re-Tire" 


Wisconsin  1460 


RAMON    ROMEO 

104  West  42nd  St.,  N.  Y.  C. 


Ihis 


man    passed 


up   'Mickey"  eight 


r 


'' 


/. 


rn 


/ 


^Ja 


>> 


!^A 


A 


\ 


't\ 


e  won^t 
pass 


/ 


/ 


/, 


,^ 


V-. 


s^»^\ 


i\ 


Marshall 
Neilan's 

great  covfiedy  hit 


^ 


"^tigi 


Sally  0*Neil ,  Charles  Murray,  William  Haines,  Ford  Sterling 

SK  METRO-GOLDWYN-MAYER 


I 


THE 


Is  Exhibitor  Liable? 

Dakota  Exhibitor  Disclaims  Respon- 
sibility for  Prints   Lost  in  Fire 
Not  Originating  in  Theater 

Minneapolis — Is  an  exhibitor  liable 
for  films  destroyed  in  a  fire  which 
starts  through  no  fault  of  his  in  an 
adjoining  structure? 

This  is  the  perplexing  question  put 
before  the  local  Board  of  Arbitration 
in  a  case  brought  by  F.  B.  O.  against 
the  Gem  theater,  Inkster,  N.  D.,  op- 
erated by  Hilden.  An  F.  B.  O.  print 
was  destroyed  in  a  fire  which  razed 
the  house. 

In  pointing  out  that  the  blaze 
started  in  an  adjoining  building, 
Holden  questioned  his  liability  in  the 
matter,  with  exhibitor  members  of 
the  Board  declaring  they  could  not 
obtain  any  insurance  on  prints,  save 
against  fire  which  starts  in  the  theater 
booth. 


Aschers  to  Build  House  for  Stock 

Chicago — International  Theaters  of 
y^merica,  Inc.,  have  leased  the  Cha- 
teau theater  for  10  years,  beginning 
Sept.  1,  at  a  term  rental  of  $240,000. 
The  lessees  have  an  option  to  buv 
the  house  at  $1,000,000.  Ascher 
Bros.  now  have  stock  in  the  house 
ani  their  lease  holds  until  the  last 
of  August.  Ascher  Bros,  will  build 
a  new  theater  within  a  block  of  the 
Chateau  for  the  use  of  the  stock 
company  now  in  the  Chateau.  It  is 
to  cost  $1,000,000  and  have  1,200 
seats. 


Orders  Paramount  Picture  Cut 

■  Milwaukee  —  The  first  censorship 
elimination  in  more  than  a  year  oc- 
curred at  the  Wisconsin,  when  the 
Milwaukee  board  ordered  the  cutting 
of  100  ft.  from  "The  New  Command- 
ment." 


Rivers  Buys  Two  Houses 
Eugene,  Ore. — Paine's  Colonial  has 
been  taken  over  by  Eddie  Rivers,  who 
has  also  acquired  the  Arcade,  Walla 
Walla,  Wash.  He  has  renamed  both 
theaters  the   Strand. 


Wall,    Detroit    Paramount    Exploiter 

Detroit — Edward  J.  Wall  has  been 
transferred  from  Washington  to  the 
local  Paramount  office,  as  manager  of 
the   exploitation   department. 


"Don  Q"  in  Los  Angeles 

Los  Angeles — "Don  Q"  will  open 
here  for  the  first  time  on  Thursday 
at  the  Million  Dollar  theater. 


New  M.  P.  T.  O.  Dep't. 

(Continued  from   Page   1) 

panics  again  place  film  on  the  perish- 
able list.  For  a  long  time  the  M.  P. 
T.  O.  A.  has  been  contemplating  the 
establishing  of  this  department.  It 
has  now  been  completed. 

Seider.  aware  that  local  efforts  for 
this  classification  would  be  practically 
futile,  communicated  with  the  Inter- 
state Commerce  Commission,  re- 
questing relief.  Seider  calls  the  at- 
tention of  the  Commission  to  the  fact 
that  prior  to  Government  ownership 
of  railways,  film  was  included  on  the 
oerishable  list,  but  since  the  return 
of  the  railroads  to  their  respective 
companies,  shipments  have  had  no 
preference. 


Incorporations 

Dover,  Del. — Photoplay  Publishing  Co., 
to  publish  fail  magazine.  Capital  $600,000. 
Incorporators,  T.  L.  Croteau,  et  al.  Attor- 
ney, Corporation  Trust  Company  of  America, 
Du    Pont    Bldg.,    Wilmington. 


Albany,  N.  Y. — Parward  Productions,  Inc.. 
New  York.  To  operate  theaters.  Incorpora- 
tors, H.  Stearns,  C.  Beale  and  L.  Randell. 
Attorneys,  Goldsmith,  Goldhlatt  and  Hanover, 
1540   Broadway,   New   York. 


Albany,  N.  Y. — -Dinero  Cafeteria,  Inc., 
New  York;  to  operate  theaters  and  restau- 
rants. Capital  $1,000.  Incorporators,  A. 
Sokal,  H.  Krauss  and  L.  Feingold  .  Attor- 
ney, F.  S.  Marshall,  154  Nassau  St.,  New 
York. 


Albany,  N.  Y. — Semel-Edelstein  Amuse- 
ment Corp.,  Brooklyn;  to  operate  theaters. 
Capital  $10,000.  Incorporators,  S.  Semel, 
M.  Semel  and  R.  Edelstein.  Attorney,  H. 
S.   Axelrod,   261    Broadway,   New   York. 


Albany,  N.  Y. — Noble,  Ryan  and  livy. 
Inc.,  New  York.  Capital  $50,000.  Incor- 
porators, D.  Sydney,  R.  Eisenberg  and  M. 
Berk.  Attorney,  M.  Livy,  233  Broadway, 
New   York. 


Albany,  N.  Y.  —  Hoffman  Development 
Corp.,  New  York  ;  to  operate  theaters,  hotels, 
etc.  Capita!  $2,000.  Incorporators,  W. 
Hoflman,   J.    Dempsey   and   H.    Calaam. 


Albany,  N.  Y. — ^Apro  Amusement  Corp.. 
Mt.  Vernon ;  to  operate  theaters.  Capital 
$5,000.  Incorporators,  B.  Appell,  L.  Ap- 
pell  and  C.  Rosner.  Attorney,  B.  Tunick, 
Mt.   Vernon. 


Albany,  N.  Y. — Short  Features  Advertising 
Association,  New  York ;  to  foster  common 
interest  in  short  subjects. 


Boston,  Mass.  —  National  Theater,  Inc., 
Boston  to  operate  theaters.  Capital  $100,- 
000.  Incorporators,  F.  Cronin,  J.  Good- 
man and  S.  Soul. 


B.>?ton,  Mass. — ^The  Embassy,  Inc.,  Bos- 
toi  ;  real  estate  and  operate  theaters.  In- 
corporators, J.  Draper,  W.  Hoblitzelle,  Jr. 
and   G.    Slade. 


Hartford,  Conn. — 'The  State  Amusement 
Co.,  Hartford ;  to  operate  theaters.  Incor- 
porators, T.  Harris,  M.  Harris  and  S.  Harris. 


Salem.  Ore.— Avalon  Theaters  Corp.,  Ort- 
land.  Capital  $25,000.  Incorporators,  E. 
Potter,   P.   Potter  and  K.   Cockerline. 


Albany,  N.  Y. — A.  and  L.  Film  Adver- 
tising Co.,  New  York.  Capital  $1,000.  In- 
corporators, L.  Appelton,  F.  Lincoln  and  S. 
Kramer.  Attorney,  H.  Turchin,  498  Broad- 
way,  New   York. 


Albany,  N.  Y. — Greater  Service  Theater 
Tickets,  New  York;  to  conduct  a  theater 
ticket  agency.  Capital  $75,000.  Incorpora- 
tors. T.  Bell  and  C.  Christie.  Attorney,  R. 
C.   Brown,   342   Madison  Ave.,   New   York. 


Albany,  N.  Y.  —  Woodrock  Amusement 
Corp.,  Queens ;  to  operate  theaters.  Incor- 
porators ,E.  Spieger.  C.  Fisher  and  I.  Racer. 
Attorney,  S.  Goodman,  1560  Broadway,  New 
York. 


Trenton,  N.  J. — Hey-Day  Amusement  Co., 
Paterson.  Capital  $100,000.  Incorporators, 
F.  Eathorne,  K.  Larkin  and  M.  Gilson.  At- 
torneys, Hudson  &  Joelson,  Paterson. 


Albany,  N.  Y. — Kingdun  Producing  Co., 
New  York;  to  produce.  Capital  $10,000 
Incorporators,  H.  Bloomberg,  R.  Amado  and 
I.  Finkel.  Attorneys,  Bloomberg  and  Bloom- 
berg,   1482    Broadway,    New    York. 


Albany,  N.  Y. — Boheme  Film  Producing 
Co.,  New  York;  to  produce.  Capital  $10. 
000.  Incorporators.  A.  Florino,  J.  Laino 
and  D.  Cassios.  Attorneys,  Lo  Piccoli  & 
Satriano,  Italian  Savings  Bank  Bldg.,  New 
York. 


Albany,  N.  Y. — Fitzer,  Inc.,  Syracuse  and 
Auburn.  Capital  $10,000.  Incorporators,  G. 
liiessing  and  J.  Schwartzwalder.  Attorney. 
J.    M.    Meetyard,    Syracuse, 


Two  Arbiters 

{Continued  from  Page   1) 

The  exhibitor  attitude  is  this: 
That  it  is  futile  to  continue  further 
conferences  because  of  their  appar- 
ent inadequacy.  For  that  reason,  it 
is  proposed  to  appoint  two  arbiters, 
Judge  Moses  H.  Grossman,  head  of 
the  Arbitration  Society  of  America 
for  the  T.  O.  C.  C.  and  one  other 
for  the  Hays  office.  It  is  felt  that 
with  this  impartial  audience,  both 
sides  can  be  presented  and  then  a 
decision  satisfactory  on  all  sides 
made. 

It  is  understood  the  Hays  office 
feels  that  a  settlement  along  these 
lines  will  not  be  satisfactory  because 
trade  practices  which  an  outsider  will 
have  difficulty  in  understanding  but 
which  enter  into  any  such  discussion 
present  a  barrier  too  difficult  to  sur- 
mount. 


Elaine  Hammerstein  Hiu-t 

Hollywood,  Cal.  —  Although  pain- 
fully cut  and  knocked  unconscious 
while  tobogganing,  Elaine  Hammer- 
stein is  recovering  under  care  of  doc- 
tors. The  accident  occurred  while 
Miss  Hammerstein  and  a  number  of 
friends  were  at  Arrowhead. 


Theater  Owners  to  Select  Attorney 

Kansas  City— The  M.  P.  T.  O.  of 
Kansas-Missouri  decided  at  their  last 
meeting  to  select  an  attorney  to  act 
as  counsellor  and  to  represent  the 
body  in  all  legal  matters.  R.  R.  Bie- 
chele  and  A.  F.  Baker  will  make  the 
selection. 


Lynn  Censors  Abolished 

Lynn,  Mass.  —  There  will  be  no 
more  free  passes  for  policemen  and 
firemen  in  Lynn  theaters.  Mayor 
Bauer  has  declared  that  practice  out. 
He  also  has  placed  Lynn  theater 
managers  on  their  "nonor  to  present 
only  clean  entertainment  and  has 
abolished  the  censorship  board. 


Bloom    on    "Skyrocket"    Exploitation 

Dewey  Bloom  of  the  Associated 
Exhibitors'  publicity  department  is 
in  Altoona  and  Pittsburgh  handling 
special  exploitation  on  "The  Sky- 
rocket." 


Britain  Picks  Site 

(Continued   from   Page   1) 

[)reparations  on  the  site  will  be  begun 
in  two  months. 

The  British  Government  intends  to 
introduce  legislation  to  prohibit  block 
hooking.  The  Government  abandoned 
its  intention  to  fix  a  legal  quota  for 
British  films  for  the  present,  but  it 
will  possibly  hold  it  over  the  exhibi- 
tors' heads,  unless  by  voluntary  ac- 
tion they  show  a  fair  proportion  of 
home  productions,  the  dispatch  said 
in   conclusion. 


Mr.  Exhibitor:  A«k  at  the  Film  Exchange! 
for  the 


yAvmiiticMv 


-ILaEj 


Cue  wSAcc^' 


It's  littU  to  atk  for,  but  it't   the   only 
reliable  aid  you  can  give  your  muucinnt 
t.     to  help  put  the  picture  over. 


$1,500,000  Stuc 

(Continued  from  Page  1 

making  pictures  for  the  enti 
As  a  distributing  company 
continue  to  handle  not  only  i 
uct  but  that  of  independetit 
ers. 

"Our   selling    policy   will  l' 
oped  along   the   same   lines  ; 
past   and   changed  only  by  t 
of  the  business  as  it  expands, 
meet    all    changes    in    condit  i 
meet    them    in    the    spirit   oil 
that  has  always  characterized 
icies  of  First  National.     And; 
continue  to  conduct  our  selliil 
tions   in   our   own   way   and  \t 
with    an    ever-increasing    nu! 
exhibitors. 

"The   very   fact   that   we  an 
ing  into  this  studio  project  is  il 
of    our    intention    to    meet  i\ 
needs.     It  is  evidence  also  oii 
tention    to    continue    First   K 
part,  and  in  a  bigger  way,  it 
ing  the  exhibitors  of  the  ^*o 
the    only    necessity   that   they 
for     the     growth     of     their   1 
namely,   good    pictures." 

Special  lighting  system  and 
cold  temperature  for  stages  v 
feature,  also  experimental: 
graphic  laboratories  will  be.: 
for  the  obtaining  of  novel 
Plans  call  for  the  largest  i 
the  world  with  sufficient  spac 
many  stages  as  necessary 


I 


Levy  Heads  Warners'  K 

Kansas  City — Joe  Lev>',  11 
special  representative  with 
Chicago,  has  been  appointed  il 
of  the  Warner  exchange  he 
succeeds  Louis  Reichcrt,  tra 
to   Washington.  ', 


Schenck  Signs  Pidgeor 

Los  Angeles — Joseph  M, 
has  signed  Walter  Pidgeon 
rear  contract. 


WANTED 

News  cameramen  in  every  Jewii 
ter    throughout    the    world    to 
graph     the     most     important 
events  of  today  and  scenes  pi 
to    ancient     Jewish     history, 
weekly  "JEWISH   PICTORI 
VIEW." 

For  terms,   write   or   cabl( 

IVAN  ABRAMSON,  Pr 

JEWISH    EDUCATIONAL  I 

TURES,    INC. 

729   Seventh  Avenue 

Cable    Address,    "JUDPICT, 

New   York 


IF  YOU  ARE  IN  THE 
MARKET  FOR  ANY  /CINE 

MOTION  PICTUl 
APPARATUS 

CO/VSULr  us- AND  SAVE  M6 
SEND  FOR  OUR  PRICE  LIST 


Chas.   G.  Willoughby,   In 

Motion  Picture  Departmei 

110  West  32nd  St..  New  Y 

Phone    Penn.     6564 


I 


A  NEW  PAGE  OF  PROGRESS  FOR  1926 

With  the  new  year  we  started  delivering  to  our  clients — at  the 
same  old  price  of  $4.00  per  week — a  still  further 

ADVANCE  in  TRAILER  SERVICE 

a  new  and  more  impressive  presentation  of  coming  attraction 
announcements  that  cannot  fail  to  attract  the  eye  and 

SELL  YOUR  PICTURES 
TO  "SHOW  ME"  AUDIENCES 

In  less  than  two  years  we  have  lined  up  over  twenty-five  hundred 
theatres  for  our  economical  service,  and  by  the  end  of  this  year 
we  confidently  expect  to  have 

5000  SATISFIED  CUSTOMERS  SUCH  AS  THESE: 


"If  your  service  is  to  be  judged  by  that  rendered  to 
us  then  I  may  well  recommend  it  to  all  exhibitors 
seeking  a  consistent  money  making  advertising  medium 
for  their   features."      Rialto  Theatre,  Pittsburgh,  Pa. 

"Words  of  praise  are  never  too  late,  so  add  my  in- 
dorsement to  those  you  have  already  on  file.  1  am 
thoroughly  satisfied  with  your  trailers  and  besides 
your  printed  material  carries  a  strong  and  fine  argu- 
ment why  patrons  should  see  the  picture." 
W.  F.  Burke,  Pres.  &  Mgr.,  Mecca  Enterprises,  N.  Y.  C. 

"Thanks  for  your  prompt  attention  to  our  orders. 
When  you  render  service  like  this  it  is  useless  to  wish 
you  a  Prosperous  New  Year;  you  can  have  nothing 
else  but."  Rialto   Theatre,  Hartford,  Conn. 

"1  have  been  using  your  trailer  service  for  the  past  six 
months  and  have  found  it  first-class.  It  has  done  con- 
siderable, toward  increasing  my  attendance  and  I  can 
heartily  endorse  and  recommend  it  to  my  fellow  exhibi- 
tors. Your  opening  and  closing  trailers  are  A-1.  Your 
service  on  quick  bookings  has  been  the  same.  In  fact, 
there  is  not  one  single  thing  that  I  could  complain  of. 


LET  US 


SELL  THE 
PICTURES 
YOU  BUY 


Keep  it  up  and  your  success  is  assured. 
Nicnolas  !> .  Powers,  Mgr.,  Strand  Thr,  Doylestown,  Pa. 
"Your  service  is  proving  very  satisfactory.  Trailers 
on  the  pictures  are  very  good.  Service  like  this  ought 
to  improve  any  exhibitor's  business,  and  it  is  well 
worth  the   price."  Capitol   Theatre,  Canton,  III. 

"Your  service  is  novel,  unique  and  superior  to  any- 
thing of  its  kind  I  have  ever  seen,  and  at  the  same 
time  costs  considerably  less." 

Warner  Bros.  South.  Theatres,  Charlotte,  N.  C. 
"We  have  in  the  past  used  another  company's  trailers, 
but  feel  confident  that  we  will  receive  a  superior  trailer 
service   both   from  the   advertising  of  attrac- 
tions and  service  you  will  render. 

Robb  &  Rowley  Theatres,  Dallas,  Tex. 
"Your  service  fills  a  long  felt  want,  as  previ- 
ous prices  on  trailers  made  them  prohibitive 
for  theatres  in  smaller  cities." 

— Capitol  Theatre,  Delphos,  Ohio 
"Since    using    your    trailer    service 
my  receipts  have  increased  20%." 
Cliff  Queen  Theatre,  Dallas,   Tex. 


F 
AD-VANCE  TRAILiER  SERVICE  CORP. 
^^    111    Westchester   Sq.,    N.    Y.    City 

THEATRE    

ADDRESS    

CITY    

NAME    

POSITION    • 


(■' 


/j 


olLi 


IBRADSTREET 

Ifilmdom 


Authority 


■CKV     No.  22 


Wednesday,  January  27,  1926 


Price  5  Cents 


[L  GWYN 

By  DANNY 
ise  fulfilled.  An  expec- 
[■nost    completely    real- 
fine    effort.      And    a 
|w  o  r  t  h  y  result.  "Nell 
produced     by     Herbert 
!)£    London ;    presented 
jh    National     Pictures, 
released    in   America 
the  largest  companies, 
deserves  it. 

iwyn,"    incidentally,    is    the 
f    triumphs     for     Dorothy 
steps    into    stardom   as   a 
inedienne.        Certainly      no 
director   or   producer,   ever 
ch    work    from    Dorothy. 
he  best   work  of  her   long 
|nd  she  is  a  delight. 
e    of   oitr   largest   dis- 
g    organizations    fails 
86  "Nell  Gwyn"  it  will 
■sgrace.     Not  that  it  is 
than   some   of   the   pic- 
mde  here.     It  isn't.     It 
lort  of  many.    But  it  is 
)han  a  tremendous  num- 
de  and  released  by  our 
mt  companies. 
be   hoped — sincerely  hoped 
ell    Gwyn"    finds    a    release 
mportant   distributor.      Not 
use   it  is   deserving  of   such 
But   because — considering 
ening    situation    abroad — it 
xemendously  in  solving  the 
roblems  which   face  Ameri- 
cers  all  over  the  world. 
of  the  leaders  of  the  in- 
recently   declared   that 
Id  be  a  terribly  difficult 
on   if   it   came    to   pass 
American  producers 
be  compelled  to  produce 
worth    while    pictures 
e  next  decade.      He    is 
It  would  be.     We  need 
le     aid     possible — from, 
nd,  from,  Germayiy,  from 

everywhere. 
[Continued  on  Page  2) 

Seal  Exchanges 

Del. — Red   Seal   Exchanges, 
e    formed    yesterday,   listing 
$20,000. 


al    Pictures,    now    operating 

)ranches  in   New  York,   San 

and    Los    Angeles,    intends 

xchanges  in   other  cities  as 

is  is  the  reason  for  the  for- 

the  above  company.     Much 

vork    will    rest    with    Harry 

newly    appointed    general 

lager. 


Another  Broadside 

Again   H.   M.   Richey   Hits  from  the 
Shoulder — Ethics  in  the  Business 

His  Topic 
Detroit — H.  M.  Richey,  business 
manager  of  the  M.  P.  T.  O.  of  Mich- 
igan, is  at  it  again.  His  observations 
on  Michigan  theater  conditions,  first 
published  in  THE  FILM  DAILY, 
created  much  interest  last  week.  Now 
in  the  "Michigan  Film  Review"  he 
talks  about  ethics  and  tells  some 
things  that  will  undoubtedly  cause  a 
lot  of  reflection  and  not  a  little 
squirming.  Most  of  his  remarks  are 
reorinled   herewith: 

"Mr,  Theater  Owner,  when  you  negotiate 
with  a  salesman  for  his  product  are  you 
carried  away  by  the  verbal  part  of  the 
transaction?  Or  do  you  carefully  analyze 
what  you  are  contracting  for?  Have  you 
fortified  yourself  with  information  a-s  to 
what  these  pictures  have  done  elsewhere, 
(Contitined  on   Page  6) 


Solution  at  Hand 

"Play    Date    Availability"    Clause    in 

Uniform    Contract    Being    Ironed 

Out— I.  M.  P.  A.  to  Meet 

What  Joseph  M.  Seider  of  the  M. 
P.  T.  O.  A.  heralds  as  a  solution  to 
the  "availability  of  play  dates"  prob- 
lem is  embodied  in  a  clause  which  he 
advances  for  incorporation  in  revised 
uniform  contracts.  The  M.  P.  T.  O. 
A.  and  the  M.  P.  P.  D.  A.  have  been 
working  jointly  for  a  long  period. 
Seider  also  substitutes  this  clause 
for  the  Burkan  clause  in  the  Standard 
Uniform    Exhibition    Contract.      Dis- 

iContinned  on   Page   6) 


To  Fight  Tax 

Missouri    Exhibitors   to   Wage    Cam- 
paign Against  Proposal  to  Levy  10 
Per  Cent  Tax  on  Amusements 

St.  Louis — Exhibitors  intend  wag- 
ing a  campaign  against  the  proposal 
made  by  Governor  Baker  that  a  10 
per  cent  tax  be  levied  on  amusements 
for  the  support  of  public  schools  and 
higher  educational  institutions  of  the 
state.  The  tax  would  be  included  in 
the  constitutional  amendment  to  be 
submitted  to  voters  at  the  general 
elections  next  November.  The  pro- 
(Continued  on  Page  6) 

Daytona  Theaters  Will  Test  Law 

Daytona  Beach,  Fla. — Harry  Som- 
erville,  Publix  Theaters,  was  arrested 
by  deputy  sheriffs  here  on  the  initial 
opening  of  the  Sunday  night  theaters. 
.A.dmission  was  free,  the  only  ticket 
being  sold  was  one  to  Deputy  Sheriff 
Joseph  Adney  for  the  purpose  of  a 
test  case. 


Star  Deals  Pending 

p.   A.    Powers   Negotiating   for   Two 

Prominent  Players — Three  Units 

Start  for  Associated  Feb.  1 

Hollywood — P.  A.  Powers  is  ne- 
gotiating for  two  important  feminine 
stars,  which  will  result  in  additional 
units  starting  work  immediately  at 
the  Associated  Studio. 

Within  30  days,  the  Associated  lot 
will  reach  the  height  of  its  activity. 
Thomas  L.  Griffith,  who  will  make  a 
series  of  comedy-dramas,  and  Bert 
D.  Carber,  who  will  star  Bill  Cody  in 
a  Western  series,  are  largely  installed, 
with  a  third  producer,  as  yet  un- 
named, to  begin  operations  immedi- 
ately. Judy  King  will  be  co-starred 
in  tire  Griffith  series  with  an  unnamed 
player. 

S.  S.  Hutchinson  is  transferring  his 
organization  from  Hollywood  to  As- 
sociated. Hutchinson  will  produce 
three  additional  pictures,  starring  Ed- 
ward  Everett   Horton. 


"Ben   Hur"  in  Chicago 

Chicago — "Ben    Hur"   will   open   at 
the  Woods,  Feb.  8. 


Gish  Ueal  Closed 

Dorothy   to    Make    Three    More    for 
British    Nat'l    Pictures — Herbert 

Wilcox  Probably  Will  Direct 
When  Herbert  Wilcox  arrived  in 
New  York  several  days  ago.  he  stated 
a  deal  was  on  with  Inspiration  to  fol- 
low "Nell  Gwyn"  with  three  more 
nirtures  starring  Dorothy  Gish.  J.  D. 
Williams,  of  British  National  Pic- 
tures, Ltd.,  announced  yesterday  the 
■^ntract  had  been   signed. 

Miss  Gish  is  under  a  five-vear  con- 
tract to  Inspiration  with  which  com- 
nanv  Williams  made  his  arrangerAent. 
It  is  considered  probable  that  Her- 
bert Wilcox  will  direct  all  three  iK 
London. 


Seeks  to  Examine  1st  Nat'l  Executives 

The  Osida  Prod.,  Inc.,  which  with 
George  Fitzmaurice  and  the  George 
Fitzmaurice  Prod.,  is  suing  First  Na,; 
tional  over  "A  Thief  in  Paradise," 
"His  Supreme  Moment"  and  "The 
Dark  Angel,"  which  the  plaintiffs  al- 
lege the  defendants  are  distributing 
under  an  unfair  rental  value  which 
will  reduce  the  inrnme  of  the  plain- 
tiffs more  than  $500,000,  applied  in 
the  Supreme  Court  vesterdav  for  an 
order  to  examine  officers  of  the  de- 
fendant, inciudine  Robert  Lieber, 
Samuel  Spring  and  Richard  A.  Row- 
land. 


Smith  Back;  Illness  Over 

F.  J.  .^mith.  peneral  sales  manager 
of  .Associated  Exhibitors,  is  back  at 
his  desk,  following  a  week  in  Atlan- 
tic Citv  where  he  recuperated  from 
the    grippe. 


Fineman  to  1st  Nat'l 

Quits  F.  B.  O.  to  Become  a  Produc- 
tion Supervisor — Latter  to  Adopt 

Unit  System 
Hollywood — B.  P.  Fineman,  for 
many  years  with  F.  B.  O.,  has  ten- 
dered his  resignation  as  production 
manager,  to  join  First  National  as  a 
supervisor.  His  new  contract  pro- 
vides for  the  making  of  four  pictures 
during  the  year  under  his  supervis- 
ion, and  becomes  effective  March  1. 
He  leaves  F.  B.  O.  on  Saturday  and 
will  then  go  East  for  a  vacation. 

Arrangements  have  also  been  con- 
cluded whereby  Jeun  Mathis  will  su- 
pervise  four  for   First   National. 

The  resignation  of  Fineman  places 
J.  I.  Schnitzer,  vice-president,  tem- 
porarily in  charge  of  production  at  F. 
B.  O.  He  will  immediately  reorgan- 
ize and  introduce  the  unit  system. 


Montana  and  Idaho  to  Meet,  Too 

Seattle— The  Montana  M.  P.  T.  O. 
and  the  state  exhibitor  organization 
of  Idaho  wiir  join  with  Oregon  and 
Washington  in  discussion  of  an  "All- 
Northwest  exhibitor  unit,  to  be 
brought  up  at  a  meeting  in  Portland 
on   Feb.   2. 


Committee   Adjourns   Until   Today 

The  administrative  committee  of 
the  M.  P.  T.  O.  A.  held  its  first 
session  yesterday  and  adjourned 
around  six  o'clock  until  this  morning. 
It  is  understood  matters— pertaining 
to   First  National   were   discussedX 


Frank  Lloyd's  Next 

Los  Angeles — "The  Wise  Guy,"  an 
original  by  Jules  Furthman,  has  been 
selected  as  Frank  Lloyd's  next  for 
First  National.  Adela  St.  Johns  is  at 
work  on  the  adaptation. 


/^  Aileen  Pringle  to  Star" 
Aileen  Pringle,  through  an  arrange- 
ment with  M.-G.-M.,  will  be  starred 
by  Robert  Kane  in  "The  Wilderness 
Woman."  No  director  has  been  se- 
lecte 


Pathe   Dividend 

Pathe  Exchange,  Inc.  yesterday 
declared  a  two  per  cent  dividend  on 
the  preferred  stock,  payable  on  March 
1  to  stockholders  of  record  Feb.  8. 


Rowland  Due  Today 

Richard    A.    Rowland    is    expected 
in  town  today  from  Hollywood. 


Hays  Leaves 

Los    Angeles— Will    H.    Hays    left 
for   New   York  yesterday. 


Pearson  Going  South  on  Vacation 

Elmer  Pearson  of  Pathe  leaves  for 
the  South  on  a  vacation. 


THE 


-a&m 


BAiLV 


1|i 


Wednesday,  JanuaryJ 


ViLXXXVNo.22  Wednesday, Ian. 27. 1926  PriceSCcnts 

Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,   5,  Rue  Saulnier. 


Quotations 

High    Low    Close      Sales 

Balaban  &  Katz Not  quoted 

Eastman  Kodak  ..109^  109'/^  109^  30'' 
Famous  Players  ..109-5^  106^  107H  14,800 
Fam.   Play.   Pfd.    ..118M   118       11854        400 

Film  Inspection   Not  quoted 

First   National Not  quoted 

Fox  Film  "A"  ...  7854  77J4  ^^y^  1.000 
Fox  Theaters   "A".   31         30^     30j4     1.400 

International   Projector    Not  quoted 

Loew's,    Inc '  38.;^     37J4     3754     1.400 

Metro-Gold.  Pfd.   ..23         23         23  100 

M.  P.  Cap.  Corp...  19J4  19  19^4  1.800 
Pathe  Exch.   "A"..    7951     77'/^     77^4      1,100 

Skouras    Brothers..    54         54         54  

Stan.   Co.   of  Am...   50^     50^     50/^         100 

Trans-Lux 12^     12/.      \2V^     1,000 

Universal    Pictures    Not  quoted 

Unir.  Pict.  Pfd.  ..  93^  93'/^  93^  200 
Warner  Brothers  ..  14^  13^  13?i  1,500 
Warner   Pictures    ..10         10         10  100 

Hoffman  En  Route  West 

M.  H.  Hofifman,  vice-president  of 
Tiffany  Prod.,  has  left  for  Los  An- 
geles, to  be  gone  several  weeks. 


i/^iaAadei^ya> 


Properly  Present  Your  Photoplay 


TFAen  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  I  N  S 

Spoeialistt  in  Motion  Picture 

and  Theatrical  insurance  f-or 

the  past  fifteen  years. 

Arthur  W.  Stebbins  &  Co.,  Inc. 
1540  Broadway  N,  Y.  C. 

Bryant  3040 


NELL  GWYN 

(Continued  from  Page  1) 
And  the  Wilcox  production  shows 
that  American  producers  will  not  be 
compelled  to  carry  this  burden.  The 
production  is  all  that  could  be  asked; 
the  direction  superb;  the  acting  ex- 
cellent. Perhaps  a  story  better  knit; 
or  less  episodical  might  have  been 
better.  Editing  will  help  "Nell 
Gwyn" — but  it  should  be  a  simple, 
easy  thing  to  do  this.  It  needs  little 
cutting  to  remedy  this.  A  minor  dif- 
ficulty.    Easy  to  be  set  right. 

Congratulation  to  Wilcox.  He  is 
entitled  to  all  that  is — and  will  be 
said.  He  has  come  through.  That 
J.  D.  Williams  was  shrewd  enough 
to  purchase  an  interest  in  "Nell 
Gwyn"  for  British  National  is  only 
proof  of  his  astuteness. 


Frank  Shellabarger  Dead 

Frank  Shellabarger  died  early  yes- 
terday of  heart  disease,  at  the 
Plainfield  Hospital,  N.  J.,  where  he 
had  been  confined  for  the  past  ten 
days.  He  was  about  48  years  old. 
His  experience  in  motion  picture  pub- 
licity started  some  years  ago  with 
Selznick  and  later  embraced  Associ- 
ated Exhibitors,  Vitagraph  and  War- 
ners. Services  will  be  held  from  the 
Runyon  Funeral  Parlors,  402  Park 
Ave.,  Plainfield,  tomorrow  morning. 


Drastic  Licensing  Sought  in  London 

London — The  Theaters  and  Music 
Halls  Commfttee  has  reported  to  the 
London  County  Council  that  it  is  in 
favor  of  asking  Parliament  to  restrict 
theater  licenses  to  British  citizens 
only.  There  are  many  well-known 
exhibitors  who  are  not  English-born 
or  who  are  not  naturalized. 


Local  Fox  Dep't  Moves 

The  film  shipment  and  advertising 
accessories  department  of  Fox's  New 
York  exchange  has  moved  to  tempor- 
ary quarters  in  the  home  office  build- 
ing at  850  10th  Ave.  Upon  the  com- 
pletion of  the  new  exchange  at  343-45 
W.  44th  St.,  all  departments  will  be 
transferred. 


McDiermott  Gets  "U"  Contract 

Hollywood — Under  terms  of  a  new 
contract,  Jack  McDermott  will  direct 
a    series   for   Universal. 


To  Film  Africa 

Carl  Akeley  will  head  an  expedition 
which  leaves  here  Saturday  for  Af- 
rica to  explore  the  Kivu  regions  of 
Africa.     Pictures  will  be  taken. 


Opposes  Favoring  "Spoken   Drama" 

Washington — Charging  that  exemp- 
tion of  the  "spoken  drama"  from  the 
admission  tax  would  be  a  discrimina- 
tion against  other  forms  of  theatrical 
entertainment,  the  >enate  Finance 
Committee,  in  reporting  on  the  pend- 
ing revenue  bill,  disclosed  this  as 
one  of  its  reason  for  not  accepting 
the    House    amendment. 


"Daily   Express"  Film   Off? 

London — "The  Cinema"  says  the 
"Daily  Express"  £50,000  film  may 
not  be  made.  The  publication  ap- 
parently bases  its  opinion  on  the 
fact  that  there  has  been  nothing  said 
following  the  announcement.  M. 
Aubert,  French  theater  owner  and 
producer,  has  volunteered  to  release 
the  picture  in  France  without  charge. 


Glynne  to  Build  at  Bay  Shore 

Mike  Glynne  has  abandoned  plans 
to  rebuild  the  Carlton  O.  H.  at  Bay 
Shore,  with  the  purchase  of  a  big 
plot  on  Merrick  Road  for  a  new  thea- 
ter, office  building  with  store  front. 
The  theater  will  have  a  capacity  of 
2,500. 


Schoen   and   Stem   to    Build    House 

Joe  Schoen  of  the  Palace,  Bound 
Brook,  N.  J.,  in  conjunction  with  Joe 
Stern  of  Newark  is  erecting  a  house 
in  Bound  Brook,  costing  $300,000.  It 
will  seat  L800.  Ground  has  already 
been  broken  and  the  house  will  open 
Oct.  L 


Slight  Appeal  in  Palestine 

Washington — -With  a  population  of 
800,000,  seventy  per  cent  of  whom  are 
illiterate  Arabs,  there  is  a  limited 
marlcef  for  motion  pictures  in  Pales- 
tine, according  to  Trade  Commission- 
er R.  A.  May  of  the  Department  of 
Commerce  at  Alexandria,  Egypt. 


Crisp  to  Make  Three 

Hollywood — Donald  Crisp's  con- 
tract with  Cecil  B.  De  Mille  provides 
for  the  direction  of  three  productions 
this  year. 


Massce  Sailing  Saturday 

William  Massce  of  Massce  and  Co., 
film  forwarders,  sails  for  Europe 
Saturday  on  the  Aquitania. 


The 

an 


finiihlne  touch  of  refinement  on 
elaborate    production    is    the 
handcoloring    by 


/c7mt/\. 


The  Perfect  Handcoloringof  Film 
S28    Riverside    Drive        Telephone 
New    York         Momingside    1776 


CHROMOS      TRADING      COMPANY 

1123  broadway 
Motion  Picture  Financing 

Funds  for  Production 
or  Loans  on  Negatives 


Suite   1207-8 


'Phone  Watkint  4S22 


This  Is  a  'Comerblock'  cut  i 
FREE  for  all  Pathecomediw 
exchange. 


10 


♦♦•♦♦♦♦♦♦♦♦#♦•♦♦♦>♦♦♦>♦♦♦•♦♦♦♦•♦♦♦♦♦♦« 

I  Ward  Cine  Laboratoi] 

216-222   Weehawken  l\ 
Union  City,  N.  J.  : 
H    Telephone  Union  4800 
♦j{  G.  BERT  WARD.j 

*>«♦« V«>*V*V«V«  WV^W^^W*  »>•♦♦♦♦♦♦>•>»(  I 


if 


Look  Out 
Here  He  Comes  h 


FOR  RENT 
Private  office  with  vault  qj 
and  film  room.  j 

CHAS.  STERN 
729  7th  Ave.  Room  j 

Phone  Bryant  1067 


For  Service  &  Econw 

Forward  Your  Film  Ship 
Through 


EDWIN  O'BRIEN, 


!    Foreign    and    Domestic 
I    warders,  Customs  Broker 
surance  Agents 

218  West  42nd  St. 
New  York  City 

Telephones:      Wisconsin   O109-6i 


'WE  NEVER  OISAPPOIN 


„^BORAT0Ri 

INCORPORATED 

220  WEST  42^1°  STRE- 

NEW  YORK 


PHONE-CHICKERING    29, 


ALLAN  A.LOWNES.  CEN.MCf 


iTiOlBIOX  OFFICE 


MEASURE/ 

GIRLS-.       .    • 

/oo  p^ifipinA. 

APPEAL" 
GOWNS  - 


THRILLS-//// 


•    *   *  i 


LAUGHS-^  , 

QneQerfect 

B&jcQMce 

QUJuSk 


mup 

the 

VOLI 

New  Qork 

Ill's  week 


a 
BIG 

(paramount 
Qicture 


ESTHER  RALSTON 
FORD  STERLING 
LAWRENCE  GRAY 
*MISS  AMERICA" 
(^ay  /jinphier) 

AND 
THE  ATLANTIC  CITY 
BATHING  BEAUTIES 

FRANK  TUTTIE 

PROOUCTlOn 

BY  TOWN  SEND  MARTIN 

SCENARIO  ■  -   BY 
FREDERICK  STOWERS 


ERICAN  VENUS 


II 


7;.S:^^l 


^  S 


*^5  £ 

'^  ^  0, 

2:^  o 


a  X  a  £  w 

O     C     —     Q     ^ 

^  42  :  I  ^ 


c  g  ^,  3  o 


2  e,    O 

3  g   « 

bo  S  3 


% 


7; 
o      »^. 


'^ 


\ 


-.  ^-,  i  %  ^^ 


\ 


"{^ 


<2. 


t     t«     "> 
O     ^     ■0.      "^     '^ 


o 

Eh 

(0 

&4 

^ 

^-1 
k1 

e 

to 

^ 

M 

Eh 

g 

!^ 

• 

S 

C--" 

M 

» 

D 

M 

lo 

tJ 

o 

o 

CO 

i 

1 

SH 

o 

in 
w 
o 

CO 

< 

PS 

e-i 

EH. 

B 

<4 

tn 

CO 

to 

w 

K 

M 

CO 

a 

o 

CO 

M 

fe 

a< 

^ 

w 

«3: 

fe 

o 

h> 

^ 

EH 

EH 

to 

s 

Pd 

CO 

CO 

to 

«< 

« 

w 

fQ 

f§ 

CQ 

E-I 

tt 

s 

O 

D 

2; 

W 

o 

S 

s 

fQ 

M 

K 

EH 

OS 

Eh 

to 

en 

@ 

a. 

CO 

CO 

g 

EH 

01 

m 

M 

a 

M 

<: 

K 

CO 

CQ 

g 

s 

f3 
o 

c5 

EH 

M 

C5 

iJ) 

a< 

M 

S 

cc: 

W 

O 

G 

Eh 

>-< 

o 

S 

tH 

Vx 

tt 

a 

^ 

M 

EH 

?3 

g 

a 

w 

Q 

O 

O 

M 

O 

o 

C-H 

W 

S 

to 

PS 

EH 

OS 

5? 

CU 

e-i 

M 

►< 

?^ 

W 

W 

m 

o 

O 

?< 

EH 

CO 

•^ 

CO 

fc 

M 

»-^ 

w 

!>^ 

o 

g: 

o 

u 

to 

M 

^ 

13 

<: 

^ 

O 

EH 

w 

> 

EH 

W 

M 
OS 
Pi 

CO 


H        CO 


w 


CO 


^^.  % 


•a 


%. 


*-*!?:? 


% 


r  .E  -1  -^  -^  :£ 


^ 


t^ 


-a   w   o 


^£ 


«      t 


%i    *-    "£i 


\ 


>.       W       O       rt    »-N    '*- 

2  «« *-  ^  "^  ^ 

H    E"^     O    B    O 

o   o  .-  ^  >»  o 
*f  ji   '^    «>    w    C 


S3   B    of.fe^    -. 


VI 


o    «> 


£  J£  E  B  ^ 


'a: 


Wednesday,  Januarj 


Another  Broadside 

(Continued  from   Page   1) 
or    have    you    assured    yourself    that    they    are 
the     type     of     picture     that     will     bring     you 
profits    from    the   people   of   your    community? 
If   you   have,    fine ! 

"Or  were  you  almost  bewildered  by  the 
florid  statements  that  he  made,  are  you 
carried  away  with  the  excellent  presenta- 
tion of  his  side  of  the  story  {which,  be- 
cause of  the  number  of  times  he  used  it, 
approaches  perfection)  to  tlie  point  that 
you  forget  that  society  dramas  have  al 
ways  flopped  in  your  town  and  there  isn't 
much  reason  to  believe  that  these  are  any 
different? 

"Have  you  considered  the  transaction 
from  the  angle  that  when  you  sign  your 
name  to  the  contract,  regardless  of  whether 
you  make  money  at  the  price  of  the  picture 
or  not,  you  must  complete  the  contract,  even 
if   it    forces   you   to   close   up? 

"If  you  have,  let's  go  further.  How 
many  pictures  did  you  buy?  Were  you  busy 
selling  tickets  at  20  cents  apiece  when  tlie 
salesman  made  out  the  contract,  and  did  you 
sign  without  looking  at  it,  with  the  result 
that  you  bought  twice  the  number  of  pic- 
tures you  understod  you  were  buying?  *  *  * 
Were  you  one  of  those  who  bought  a  con- 
tract because  a  salesman  told  you  that  un- 
less he  got  a  contract  he  would  lose  his  job? 
Better  that  he  lose  his  job  than  you  your 
theater  !   Don't  forget  that ! 

"Did  you  appreciate  the  fact  that  you  were 
obligating  yourself  to  a  contract  that  will 
cost  you  between  $500  and  $5,000  in  real 
money,    not    paper    or    promises? 

To  the  Salesman 

"How  do  you  regard  your  job?  Is  it  to 
sell  the  exhibitor  all  tlie  pictures  you  can, 
at  the  highest  price  obtainable,  regardless 
of  your  own  future  or  his?  If  you  did.  you 
have  no  place  in  this  industry.  Did  you 
leave  a  lot  of  things  unsaid  that  you  sliould 
have  said,  therefore  technically  not  telling 
him  anything  that  was  untrue,  but  leaving 
him  under  a  mistaken  impression?  If  you 
did,  how  would  you  like  to  have  someone 
do  that  to  you? 

"'Or  did  you  carefully  sit  down  with  him, 
and  with  full  justice  to  the  company  that 
is  paying  you,  intelligently  present  your 
story,  seeing  that  the  man  with  whom  you 
were  doing  business  was  ignorant  or  unac- 
quainted with  the  fine  points  of  the  game, 
try  and  explain  to  him  just  what  he  was 
buying,  what  his  obligation  was,  and  what 
he  would  have  to  do?  Did  you  sell  him  so 
that  he  would  stay  sold,  or  are  you  a 
'one-timer,'  who  gets  in  while  the  getting  is 
good   and   says,    'To   hell   with   the   future' 

"Are  you  one  of  the  majority  of  fine,  high- 
type  salesmen  that  Michigan  can  boast  of, 
who  realize  that  unless  the  exhibitors  they 
sell  are  successful,  they  are  not  going  to 
be  future  prospects,  and  therefore  the  ex- 
change for  wliom  they  are  working  will  not 
be  successful?  Are  you  one  of  those  fine 
fellows  who  try  to  help  exhibitors,  giving 
them  the  benefit  of  your  advice  and  your  ex- 
perience? When  you  see  that  an  exhibitor 
is  over-sold,  do  you  try  and  make  a  bad 
matter  worse  by  selling  him  more,  or  do  you 
help  him  out  of  the  difficulty,  knowing  that 
eventually   you   will   profit   by   that   policy? 

Or,  are  you  one  of  the  minority  who, 
unfortunately,  are  retained  in  the  business 
and  knowingly  employ  tactics  that  are  wrong, 
unfair,  unreliable  and  in  some  cases  down- 
right misrepresentations?  If  you  do,  how 
do   you   sleep   nights? 

To  the  Manager 

"What  is  the  reputation  of  your  sales- 
men? If  after  receiving  a  number  of  com- 
plaints along  these  lines  you  still  keep  him, 
there  is  no  use  of  your  reading  this  message. 
Silence  of  inaction  in  these  matters  can  only 
mean    consent    that   they   be   carried    on. 

"Yes,  it  is  true  that  some  unfair  exhibi- 
tors will  blame  the  salesman  for  things  that 
they  themselves,  through  their  carelessness, 
are  responsible  for.  These  cases  are  not 
the  fault  of  the  salesman  or  the  manager, 
but  entirely  the  exhibitor's.  If  an  exhibi- 
tor isn't  a  businessman,  all  the  salesmen  and 
managers  in  the  industry  cannot  change 
the  condition.  But  it  is  certainly  a  bad 
situation  when  one  company  goes  in  and  ties 
up  the  play  dates  of  a  man  in  business  only 
a  few  days,  with  156  pictures?  No  matter 
how  good  a  product  is,  no  exhibitor  can  run 
100  per  cent  anything  and  should  not  be 
asked  nor  permitted  to  !  Therefore  your  re- 
sponsibility   is    doubled  I 

"Yet,  during  the  past  year,  certain  com- 
panies have  invented  new  selling  plans  that 
offered    to    exhibitors    large    blocks    or    quan- 


Demand  for  Color? 

Hollywood — In  discussing  the  fu- 
ture of  color  pictures,  "Science  Ser- 
vice," says  in  part: 

"Black  and  white  motion  pictures, 
now  popular  may  soon  be  superseded 
almost  completely  by  films  taken  and 
produced  throughout  in  natural 
colors,  judging  by  the  activity  of 
several  companies  here. 

"Slapstick  comedies  will  doubtless 
continue  to  appear  in  drab  mono- 
chrome for  some  time,  but  in  fea- 
ture photography  the  large  conserva- 
tive Hollywood  producers  are  now 
capitulating  to  the  demand  for  color. 
At  least  a  part  c?  ."feveral  major 
screen  dramas  now  in  preparation 
will  revel  in  chromatic  glory. 

"With  the  aid  of  super-illumina- 
tion much  in  excess  of  the  usual 
studio  requirement,  the  photogra- 
pher now  takes  two  films  of  the  same 
scene  simultaneously  through  a  sin- 
gle leris.  One  of  these  responds  only 
to  green  light,  and  is  finished  as  a 
green  transparency.  The  second,  re- 
cording only  red,  is  finished  in  red. 
The  two  films,  pasted  back  to  back 
in  exact  register,  are  ready  for  the 
exhibitor.  There  is  no  photographic 
deposit  of  metallic  silver  as  in  the 
case  of  the  ordinary  black  and  white 
picture. 

"To  most  fans  it  will  be  hard  to 
believe  that  red  and  green  alone  can 
yield  such  accuracy  and  variety  in 
shade.  Sky  tints,  anything  you  wish 
in  leaf,  tree-trunk  or  earth  shades, 
every  possible  hair  and  flesh  tint,  and 
even  the  regal  effects  of  warm  black 
plush  and  golden  satWi  are  faithfully 
and  beautifully  recorded.  Pure  lemon 
yellow,  cobalt  blue  and  the  pure  pur- 
ple shades  are  not  available,  however. 
The  three-color  process  must  be 
perfected  for  these.  These  short- 
comings nevertheless  are  not  noticed 
by  the  fan,  who  spends  most  of  his 
or  her  time  appraising  the  flesh  tTirts- 
anvhow.  *  *  *" 


Lew  Lipton,  New  Director 

Los  Angeles — Lew  Lipton,  com- 
edy construction  man  at  M.-G.-M. 
has  been  made  a  director.  His  first 
picture  will  be  "Baby  Mine." 
Charles  \Ray,  Eleanor  Boardman, 
Bert  Roa6h  and-  Gwen  Lee  are  in 
the    cast.  '' 


1,500  Seater  for  Larchmont 

Larchmont,  N.  Y. — Vincent  CuUen 
is  president  of  the  Parkway  Operat- 
ing Co.,  which  will  build  a  1,500-seat 
theater  here.  The  site  is  on  Larch- 
mont  Ave. 


Perkins,  Dstrict  Manager  for  M-G-M 

S.  D.  Perkins  has  been  appointed 
district  manager  for  Salt  Lake  City 
and  Denver.  Joseph  Samuels  is  now 
manager  in  Salt  Lake. 


titles  of  pictures  for  a  lump  sum,  and  the 
result  has  been  that  many  of  the  exhibitors 
I'ave  not  found  the  transaction  profitable  nor 
satisfactory. 

"Consequently,  careful  buying  on  the  part 
of  the  exhibitor,  fair  selling,  on  the  part  of 
the  salesman,  with  the  axe  for  those  who  do 
not  play  fair,  and  more  careful  supervision 
on  the  part  of  managers  will  correct  this 
condition  that  each  day  is  finding  more  and 
more  gray  hairs  not  only  among  exhibitors, 
but  among  al!  those  connected  with  this  great 
motion    picture    industry." 


Wages  Increase 

National  Industrial  Conference  Board 

Shows   Work  Increase  of  6  Per 

Cent  Since  July 

Not  only  has  employment  increased 
since  last  July  but  average  weekly 
earnings  of  those  now  employed  have 
regained  the  high  level  that  prevailed 
early  in  1925,  according  to  studies  of 
monthly  wages,  made  public  by  the 
Niational  Industrial  Conterence  Board. 
This  indicates  that  at  this  level  the 
elements  of  production,  wages  and 
other  costs  and  prices  are  well  bal- 
anced. 

Employment  in  November  showed 
an  increase  of  1.8  per  cent,  over  Oc- 
tober, and  a  total  increase  of  nearly 
6  per  cent,  since  July,  1925,  accord- 
ing to  the  last  monthly  study  cover- 
ing 25  different  industries  employing 
about   700,00    wage   earners. 

Most  notable  during  the  month  of 
November,  was  the  increased  activity 
of  the  agricultural  implement  indus- 
try. Substantial  increases  in  em- 
ployment were  also  reported  by  the 
chemical,  electrical  manufacturing, 
iron  and  steel,  meat  packing,  paint 
and  varnish,  wool  and  rubber  indus- 
tries. In  all,  eighteen  of  the  twenty- 
five  industries  covered  by  the  study 
showed  gains  in  employment.  Aver- 
age work  hours  per  week  in  all  in- 
dustries showed  a  slight  gain,  from 
48.3  to  48.5   hours. 


Akers  Buys  Interest  in  Exchange 

Kansas  City  —  G.  E.  Akers,  well 
known  in  exchange  circles,  has  re- 
entered the  business.  He  has  bought 
an  interest  in  the  Standard  Film  Ex- 
change, becoming  a  partner  of  Jack 
Langan  and  Frank  J.  Warren.  Akers 
will  handle  the  sales. 


Kent  Has  Sore  Throat;  Won't  Talk 

S.  R.  Kent,  one  of  the  A.  M.  P.  A.'s 
"Twelve  Immortals,"  will  be  unable 
to  speak  at  the  regular  weekly  lunch- 
eon tomorrow  because  of  a  sore 
throat.     He  will  talk  at  a  later  date. 

Ernie  Andrews  and  His  Gloom 
Chasers  will  dispense  the  jazz. 


Powell,  Oldest  Exhibitor,  Dead 

Barrie,  Ont. — Capt.  John  Powell, 
owner  of  the  Grand,  and  the  oldest 
exhibitor  in  Canada,  is  dead  at  the 
age  of  83. 


In  the  Courts 

In  the  suit  of  Harry  Houdini  as 
trustee  in  bankruptcy  of  the  Octagon 
Films  against  Elizabeth  D.  Fischer, 
widow  of  Adelbert  H.  Fischer,  to  re- 
cover $77,000  for  unpaid  subscrip- 
tions on  stocks  of  the  company,  and 
for  $24,722  alleged  to  be  due  for 
moneys  of  the  corporation  used  by 
Fischer  for  his  personal  use,  the  de- 
fendant has  applied  in  the  Supreme 
Court  for  permission  to  examine  rec- 
ords of  the  corporation  in  the  posses- 
sion of  the  attorneys  for  the  plain- 
tiff. Mrs.  Fischer  said  that  she  has 
been  unable  to  get  any  trace  of  the 
books  although  she  applied  to  an  as- 
sociate of  Mayer  Walker,  who  was 
her  husband's  attorney,  but  has  been 
informed  by  counsel  for  the  plain- 
tiffs that  they  have  extracts  from  the 
records.  She  wants  to  make  a  copy 
of  all  such  records  that  have  any 
bearing  on  the  case. 


Solution  at  Hji 

(.Continued  from  Page  1 

cussing   the    situation    in   thi 
Bulletin,  he  says: 

"Recently     it     was    reported    in 
papers   that   the   Theater    Owners  i  [| 
Commerce    of    New     York    has    r  I, 
proposed     form    of    Hays'    contrac  ] 
forwarded   to    the   Hays'    organizat 
of     contract     purporting    to     come 
Indpendent    M.    P.    Ass'n    of    Ame  I 
contract    is,    in    fact,    the    one    th. 
submitted    them    and    the    industry' 
and   if   it   is   to    be   used,   we    urgen 
that    a    new    thought    which    we   h; '. 
'availability    of    play    dates'    clause 
simpler    than    the    clause    incorpora 
and    a    clearer    solution    of    the    p 
substituted." 

I.  E.  Chadwick  of  the  I.  '. 
has  received  a  communicati 
Charles  L.  O'Reilly,  sugges 
tain  changes  in  the  proposed 

The  T.  O.  C.  C.  proposes 
sion  for  protection  against  sp 
named  theaters,  and  to  folic 
also  to  be  named,  after  a  p 
be  definitely  prescribed  in 
tract.  Other  changes  suggt 
elude: 

The  right  to  challenge  membe 
arbitration  board  being  limited  t< 
stead  of  three;  that  the  chairmj 
board  of  arbitration  shall  be  elei 
nately  between  distributor  and  thea^j 
representatives ;  that  provision  be 
liquidated  damages  for  breach  of 
tract  which  provides  that  no  | 
specified  in  the  contract  shall  be 
from  old  negative  unless  so  expresti 
Also,  that  the  assignment  of  cor: 
permitted  without  consent,  in  whi 
without  release  to  the  assignor  asi 
may  be;  and  the  elimination  of  the 
Arbitration  Commission  consisting 
exhibitors  and  three  distributor  mci 
be  appointed  by  the  Independent  M. 
and  the  M.  P.  T.  O.  A. 

The  contract  has  not  be^ 
mitted  to  the  association  mem 
so  the  suggestions  of  the  T.  ( 
will  be  referred  to  the  contra 
mittee  consisting  of  Oscar  1 
Jack  Bellman  and  Jos.  A.  '. 
ville.  Neufeld  is  expected  tc| 
meeting  of  his  committee  at  3 
date. 


■'1 


Tolmas  Joins  Sierra 

Ben   Tolmas   has    resigned 
eral  manager  of  Independent 
Philadelphia    to    join    Sierra    II 
as  sales  representative.  He  an(l 
L.   Mayer  leave  this  week  on  | 
trip  to  various  exchanges. 


Ogdensburg  Theater  in  Fi 

Ogdensburg,     N.    Y. — In    tl' 
which    destroyed    the    city    H; 
municipal  theater  was  also  des| 
Total  loss  $250,000. 


Rudolph    Pelisek   DeadBtl 
Ottawa — Rudolph   Pelisek.   c\ 
tor    of    the    Regent    orchestral 
1913,  died  after  a  long  illness. 


To  Fight  Tax 

(Continued  from   Page   1) 

posal  already  carries  a  tax  of 
cent  on  the   sale   of  cigars,  cigl 
and  other  forms  of  tobacco. 

Governor  Baker  anticipate.'] 
this  tax  will  drag  from  $3,000,| 
$4,000,000  into  the  school  fund, 
proposed  arrangement  has  been] 
up  by  the  exhibitors'  organizati] 
St.  Louis  and  Kansas  City  ani 
certain  that  the  organizations 
Eastern  and  Western  sections 
state  will  also  organize  to  defe; 
effort. 


reat  Stuff 

(No.  472  Straight  from  the  Shoulder  Talk  by  Carl 
Laemmle, President  of  the  Universal  Pictures  Corp.) 

J  "FOR  SWIFT  ACTION,  MELODRAMATIC  PUNCH  AND  KEEN  EDGED 
spense  this  film  registers  way  ahead  of  anything  yet  screened  in  the  fire-fighting  line'\  (I 
dn*t  write  that,  but  it  refers  to  a  Universal  picture,  "The  Still  Alarm.") 


"GREAT  STUFF  IN  BOTH  INSTANCES,  CHOCKFUL  OF  VIBRANT 
rills,  splendidly  photographed  and  warranted  to  stir  up  the  most  blase  spectator".  (I 
dn't  write  that.  Isn^t  it  great  stuff  for  you  to  use  in  your  own  advertising  of  this  picture?) 


"A  SCENE  SHOWING  THE  TRAPPING  OF  THE  BATTALION  CHIEF  HERO 
id  his  men  in  a  burning  building  and  their  escape  along  a  narrow  cornice,  pressing 
at  against  the  wall  in  single  file  is  the  very  acme  of  realism  and  one  that  nobody  wit- 
essing  it  is  likely  to  forget",    (I  didn't  write  that  but  golly  1  wish  1  had!) 

"BUT  THE  PICTURE  IS  A  WHIZ  ALL  THROUQH,  AS  STRONG  IN  SEN- 
mental  as  it  is  in  sensational  allure".  (I  didn't  write  that,  and  money  couldn't  have 
ought  it  unless  "The  Still  Alarm"  deserved  it.) 


"WILLIAM   RUSSELL  IS   IMMENSE  IN   THE   HERO   ROLE,  HELENE 
hadwick  excellent  as  the  erring  wife  and  the  support  faultless".   (I  didn't  write  that, 

0  read  it  again.) 

"PRODUCTION  HIGHLIGHTS.  SPEEDY  ACTION,  DEVELOPMENT  OF 
uspense,  romance  and  melo  phases.  Scenes  where  firemen  are  trapped,  Dick's  fight 
vith  Dunn  and  rescue".  (I  didn't  write  that,  but  you  can  when  you  advertise  "The 
kill  Alarm".) 

"DRAWING  POWER.  SHOULD  QET  THE  MONEY  IN  ANY  HOUSE, 
urge  or  small",  (I  didn't  write  that.  I  tell  you  this  unqualified  praise  of  Universal  pic- 
:ure  is  becoming  embarrassing.) 

"SUMMARY.  A  BULLY  FIRE  FILM.  HAS  POWERFUL  MELODRAMATIC 
land  sentimental  appeal.  Rescue  scenes  wonderfully  well  done  and  effective.  Will  please 
fans  everywhere^\   (I  didn't  write  that.  Isn't  it  simply  knockout  stuff?) 

"CATCH  LINES.  PACKED  TO  THE  GUARDS  WITH  SUSPENSE  AND 
exciting  situations."  (I  didn't  write  a  word  of  it.  It  was  written  by  Mr.  George  T.  Pardy, 
screen  critic  of  the  Motion  Picture  News,  and  published  in  the  Motion  Picture  News 
of  Jan.  16,  1926.    Not  a  word  of  it  came  from  the  Universal  organization.    That's  why 

1  say  again  it's  great  stuff!) 


Authority 


CXXV     No.  23 


Thursday,  January  28,  1926 


Price  5  Cents 


6W  MANY? 

By  DANNY 
e    were    578    releases    of 

length.  Made  in  1925 
American  motion  picture 
V.  How  many  had  a 
)  stand  out?  To  attract 
III?  What  we  mean  to  say 

few?      Because,    try    as 
s  you  can,   it  is  difficult 
I  iber  the  outstanding-  pic- 
■  eyond  15  or  20. 

1  leads  to  the  thought:  should 
ke     578     features     for     1926? 
;t   not   prove   a   lot   better   to 
i!)  and   release   a   certain   per- 
of  outstanding  pictures  rather 
\c   a   lot   of   film    resting    un- 
1   the  exchange  shelves? 
I    starts  to  make  a  poor  pic- 
Ihat    IS    admitted.      But    pic- 
king— under  the  existing  sys- 
the     larger     companies — be- 
largely    a    matter    of    percent- 
\    certain    number    make    the 
Others     are     fair     to     poor. 
are  just  trash.     A  large   per- 
of    the    578    made    last    year 
jut  with  no  other  possible  re- 
riiey    cost    little;    they    were 
1  a  few  days  or  a  few  weeks; 
id   no   basis   of   existence   save 
ey  were  on  a  schedule. 

but  about  five  per  cent  of 
output  is  outstanding — 
that's  what  the  figures 
— why  not  decrease  the 
put  and  automatically 
e  for  a  better  product? 

rounds  like  the  old  slogan  of 
iiid  better  pictures.  Well,  why 
They   certainly  are   needed. 

'  hdestly  Expressing  Thanks 

;  with   a   few   words    from    Earl 
ammons,    president    of    Educa- 

I  Films. 

ir  constant  readers,  I  am  sure, 

pressed  any  number  of  times 

the  season  with  the  great  logic 

od  sense  with  which  you  write 

articles.     From  time  to  time, 

ding   these   articles,   I    feel   like 

down  and  immediately  writing 

ut   like   others,   something   else 

(.Continued  oh  Page  2) 

OSS  Jumps  Without  Radio 

year  ago,  the  Strand,  with  ra- 
roadcasting     and     an     ordinary 

program  grossed  an  average 
r  business  of  from  $26,000  to 
D.  Now,  without  radio  and  with 
refully-prepared"  presentation, 
eater  is  doing  from  $24,000  to 
0    weekly,    a\:cording    to    "Var- 


Gharges  Bad  Faith 

M.  P.  T.  O.  A.  Says  Will  H.  Hays 

Hasn't  Kept  Promises  Relative 

To  Arbitration  Work 

In  a  long  statement  issued  yester- 
day, Joseph  M.  Seider,  business  man- 
ager of  the  M.  P.  T.  O.  A.,  charged 
Will  H.  Hays  with  bad  faith  in  mat- 
ters pertaining  to  arbitration. 

Seider  took  exception  to  the  report 
dealing  with  arbitration  in  1925  and 
said,  in  part: 

"Mr.  Will  H.  Hays,  to  say  the  least,  has 
not  played  fair  on  the  contract  and  arbitra- 
tion situation.  By  issuing  a  statement  he  is 
giving  the  impression  that  arbitration  in  the 
motion  picture  industry  has  reached  its  mil- 
lenium  and  is  satisfactory  to  all  factors,  nam 
ing  specifically  the  distributors  who  sell  the 
pictures  and  the  exhibitors  who  purchase  them. 

"The  statement  of  Mr.  Hays  that  the  arbi- 
tration board  consists  of  an  erjual  number  of 
exhibitors  and  distributors  is  not  based  upon 
true  facts.  The  distributors  actually  appoint 
(Continued  on  Page  7) 

Ally  on  Coast 

Independents    to    Organize    There — 
Will  Be  an  Auxiliary  to  the  In- 
dependent M.  P.  Ass'n 

Independent  producers  on  the 
Coast  will  be  organized  as  an  auxil- 
iary to  the  Independent  M.  P.  Ass'n., 
it  was  determined  at  the  regular 
monthlv  meetinor  at  the  Astor  vester- 
dav.  This  meeting  was  attended  bv 
Dale  Hanshaw,  of  Sierra,  and  P.  J. 
Andrews,  of  Hercules  Prod.,  who  re- 
cently returned  from  Los  Angeles 
and  were  enthusiastic  regarding  the 
Drosnect.  The  association  has  recom- 
mended to  the  executive  committee  a 
(Continued  on  Pane  7) 

Changes  at  United 

Sales  Executives   Realigned   in   View 
of  Additional    Product    Forth- 
coming Shortly 

Hiram  Abrams  has  made  spvera' 
f-hanees  in  the  selline  end  of  United 
Artists  in  v'p^v  of  inrreaspd  nrodiii~t 
Rnd  the  antirin^tion  of  additional  in- 
creases in  the  next  few  months. 

E.  A.  Fsf-hmp""  former  sa1p= 
manager  of  First  N^t'onal.  is  now  as- 
sistant to  the  oresideti*^    as  noted.  W. 


Duoont  Arrives 

Ufa  Director  In  from  Berlin  tr,  Start 
Three  Year  Contract  with  Uni- 
versal— To  Coast  Saturday 

E.  A.  Dupont,  European  director 
whose  most  recent  Ufa  picture  is 
"Variety,"  arrived  vesterdav  on  the 
Leviathan,  en  route  to  the  coast, 
where  he  will  direct  for  Universal. 

His  contract  with  Universal  is  for 
three  years.  He  still  has  one  Ufa  pic- 
ture to  make  under  his   contract.     It 

is  not  yet  decided  whether  he  will  re- 
(Continued  on  Pag»  7)    _ 


Harris'  Death  A  Shock 

The  sudden  death  of  Senator  John 
P.  Harris  on  Tuseday  came  as  a  de- 
cided shock  here.  Harris,  a  member 
of  the  Pennsylvania  Legislature  and 
part  owner  of  the  Harris-Davis  En- 
terprises of  Pittsburgh,  died  suddenly 
in  Harrisburg.  He  was  55  years  old, 
is  survived  by  his  widow,  two  sons 
and  two  daughters.  Harris-Davis  En- 
terprises operate  a  chain  in  Pitts- 
burgh and  recently  announced  an 
$8,000  000  theater  and  commercial 
project  in   that  city. 


Boost  "Laugh  Month" 

"Laugh  Alonth"  is  proving  a  suc- 
cess in  the  Pittsburgh  and  Washing- 
ton territories,  according  to  B.  H. 
Moran  and  R.  Clinton  Robin,  Pathe 
branch  managers  in  their  respective 
districts,  who  visited  the  home  office 
recently. 


Famous  Common  Jumps  3^ 

Closing  at  a  new  high  of  111^ 
after  14,100  sales.  Famous  Common 
yesterday  showed  an  increase  of  3% 
points  over  the  previous  day's  closing. 


Valentino  to  Leave  Sunday 

Rudolph  Valentino  will  leave  for 
the  Coast  Sunday,  to  start  on  "The 
Son  of  the  Sheik,"  which  George 
Fitzmaurice  will  direct. 


Will  Censors  Stay? 

Albany  Hears  Hughes  Favors  Com- 
mission's Retention  But  Not  in 
Present  Form 

Albany,  N.  Y. — It  was  reported  last 
night  that  the  Hughes  commission  on 
state  government  reorganization  will 
recommend  that  the  censoring  of  mo- 
tion pictures  be  continued. 

The  commission,  however,  as  it 
exists  now,  will  be  abolished.  Re- 
ports at  the  Capitol  indicate  that  the 
'"'in'-tioii  of  reviewing  pictures  and 
their  regulation  will  be  conferred  on 
•he  new  department  of  education  as 
't  ^I'ill  exist  imder  the  proposed  reor- 
ganization plans.  The  move  is  said 
to    have    been    agreed    upon. 


Nat1  Board  Meeting 

Annual   Conference  on  Today  at  the 
Waldorf  —  Terminates     with 

Luncheon  Saturday 
The  second  conference  of  the  Na- 
tional Committee  for  Better  Films 
stprts  tod?v  at  the  Waldorf,  and  will 
culminate  .Saturdav  in  the  lltb  an- 
•iiinl  luncheon  of  the  National  Board 
of  Review. 

Deieerates  of  all   better   film   move- 
ments in  the  country  are  here,  and  ?t 
least  250  are  expected  to  attend, 
^Continued  on  Page  6) 


Appeal  to  Hoover 

Industry  After  Special  Film  Division 
To  Help  Meet  Foreign  Oppo- 
sition to  American  Pictures 

Washington  —  The  Bureau  of  the 
Budget  is  considering  the  request  of 
Secretary  of  Commerce  Herbert 
Hoover  than  an  emergency  appropria- 
tion of  $26,000  be  made  by  Congress 
to  create  a  full  division  to  handle  the 
problems  of  the  motion  picture  in- 
dustry abroad. 

During  the  past  six  weeks,  the  situ- 
ation in  foreign  countries  in  regard 
to  restrictions  against  American  mo- 
tion pictures  have  reached  such  a 
serious  status  that  Secretary  Hoover 
was  appealed  to  by  the  Hays  office 
for  assistance.  A  survey  of  the  situa- 
tion was  made  and  Dr.  Julius  Klein, 
Chief  of  the  Bureau  of  Foreign  and 
Domestic  Commerce,  appeared  before 
the  Bureau  of  the  Budget  on  Mon- 
day  advocating   this   appropriation. 

A  hearing  on  this  matter  will  be 
held  before  the  sub-committee  of  the 
appropriations  committee  of  Con- 
gress this  week  at  which  time  Jack 
S.  Connolly  of  the  M.  P.  P.  D.  A. 
will  represent  the  Hays  organization. 


"Don  Juan"  on  Broadway 

Although  "Don  Juan,"  Warner's 
second  picture  starring  John  Barry- 
more,  will  not  be  released  until  next 
year,  it  is  planned  to  give  it  a  Broad- 
way run  at  a  theater  aside  from  the 
Warner.  Perhaps  Jack  Warner  will 
bring  the  print  East  in  a  few  weeks, 
timing  his  arrival  to  coincide  with  the 
return  of  Harry  Warner  from  Eu- 
rope. All  four  members  of  the  firm 
will  then  confer  on  production. 


Allen   in   De  Luxe   String 

Cleveland  —  Loew's  Allen  will  be 
booked  directly  from  New  York  un- 
der a  new  arrangement  made  here. 
The  Loew  circuit  is  developing  a 
chain  of  de  luxe  presentations.  There 
are  now  seven  houses  in  that  category 
with  the  expectation  that  it  will  be 
increased   ultimately  to  20. 


Studio  Legally  Transferred 

Los  Angnles — The  United  studios, 
comprising  26  acres,  yesterday  be- 
came the  legal  property  of  Famous 
with  the  signing  over  of  the  plant  by 
M.  C.  Levee  and  R.  W.  Allison, 
representing  United,  to  the  buyers, 
represented  by  Frank  James. 


Sterns  to  Make  "Newlywcds"  Series 
Stern  Bros,  have  contracted  with 
George  McManus,  cartoonist,  where- 
by they  acquire  the  rights  to  the  car- 
toon characters,  "The  Newlyweds  and 
Their  Babv."  which  will  be  produced 
as  a  series  of  13  two-reelers,  for  re- 
lease through  Universal. 


THE 


^agg^ 


DAILY 


Thursday,  January 


yoLXXXVNo.23    Thursday,  Jan.  28, 1926    Price  5 Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks. 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway.  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FiOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one*year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,   S,  Rue   Saulnier. 


Quotations 

High    Low    Close      Sales 

Balaban   &   Katz    Not  quoted 

Eastman  Kodak  ..109J4  109^  109^  200 
Famous  Players  ..111!^  107^  111!4  14,100 
Fam.   Play.    Pfd.    ..118%   II814   HSJi        300 

Film   Inspection   Not  quoted 

First    National    Not  quoted 

Fox   Film   "A"    ...   79         78^^     79  700 

Fox  Theaters   "A".   30K     3054     3054      3,100 

International    Projector    Not  quoted 

Loew's,    Inc 38%     37'A     38%         500 

Metro-Gold.   Pfd Not  quoted 

M.  P.  Cap.  Corp...  19^  1954  1954  100 
Pathe  Exch.  "A"..  77H  77  77^  400 
Slcouras    Brothers..   SS         55         55  .... 

Stan.  Co.  of  Am.   .  .   52         52         52  200 

Trans-Lux     1254      125i      1254         700 

Universal    Pictures    Not  quoted 

UniT.    Pict.    Pfd Not  quoted 

Warner  Brothers  ..  13%  13  '  13  1,700 
Warners   Pictures    Not  quoted 


HOW  MANY? 

(Continued  from  Page    1) 

arises  and  we  forget  it.  This  time, 
fortunately,  I  happened  to  have  a 
piece  of  paper  in  front  of  me  and  a 
pen  and  ink,  when  your  issue  of  Janu- 
ary 26th  came  to  hand,  and  I  read 
your  article  on  "Danger"  with  a 
great  deal  of  interest,  and  as  before 
stated,  in  view  of  the  fact  that  I  have 
a  piece  of  paper  and  pen  and  ink  be- 
fore me,  I  want  to  tell  you  that  you 
have  "hit  the  nail  on  the  head" 
again,  and  it  is  about  time  that  cer- 
tain people  wake  up  and  take  your 
advice.  In  my  opinion  you  are  one 
hundred  per  cent  right  and  you  put 
it  in  mighty  readable  form." 

For  which  we  modestly  say  "thank 
you." 


A  COMPLETE  LABORATORY 
AND  TllXE  SERVICE 


NEW    YORK 
721   7ih    Ave. 


Stewart  M.  Walkinshaw  Dead 

Wilkes-Barre,  Pa.  —  Funeral  ser- 
vices will  be  held  today  for  Stewart 
Maxwell  Walkinshaw,  president  and 
general  manager  of  The  Lyman  H. 
Howe  Films  Co.,  Inc.,  who  died  Mon- 
day. He  was  a  real  pioneer  in  the 
business,  having  joined  Lyman  H. 
Howe  in  1898.  The  deceased  is  sur- 
vived by  his  widow,  Marion  Harrow- 
er  Walkinshaw,  and  one  sister,  Mar- 
garet Walkinshaw,  of  St.  Catharines. 


Romeo    Producing    Series 

Ramon  Romeo,  104  W.  42nd  St., 
Clay  Davis,  and  others  will  go  to 
Florida  to  produce  a  series  of  trave- 
logue-comedies called  "The  Tin  Can 
Tourists."  There  will  be  12  in  this 
series.  In  three  weeks  production 
will  begin  in  Miami.  Romeo  plans 
another  series  in  about  two  months 
depicting  New  York  life. 


Hammell  Seriously  Hurt 

John  Hammell,  one  of  the  sales  su- 
pervisors at  Paramount's  New  York 
exchange,  is  seriously  ill.  He  is  at  a 
private   hospital  on  Long   Island. 


Batigne  Returns 

Rene  Batigne,  American  represen- 
tative of  the  producers  of  "The  Mir- 
acle of  the  Wolves,"  returned  from 
Paris  yesterday  on  the  Leviathan. 


Reissuing  "Outside  the   Law" 

Universal  intends  reissuing  "Out- 
side the  Law,"  starring  Priscilla 
Dean.  New  prints  and  new  accessor- 
ies will   be  supplied  exhibitors. 


Albertini    Back   with   "U" 

Luciano  Albertini,  who  was  a  Uni- 
versal serial  star  several  years  ago, 
will  make  a  series  of  features  for 
Universal,  and  A.  E.  Dupong. 


To  Scenarize  Barthelmess'  Next 

Hollywood  —  Lillie  Hayward  will 
write  the  scenario  for  Richard  Bar- 
thelmess' new  picture,  "Ranson's 
Folly." 


Raquel    Meller   in   Films? 

The  World  yesterday  stated  that 
Raquel  Meller  may  make  a  picture 
at  the  end  of  her  American  tour, 
probably  for  Famous. 


Franklin  Returns 
Harold  B.  Franklin  of  Publix  The- 
aters   has    returned    from    a    trip    to 
Florida. 


Gilmore  Signed  by  M.-G.-M. 

Hollywood — Douglas  Gilmore  has 
been  placed  under  long-term  contract 
by  M.-G.-M. 


Flaherty   Film   at    Rialto   Feb.    7 

"Moana  of  the   South   Seas"  opens 
at  the  Rialto  Feb.  7. 


iiiiiiniiMiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiniiiiuiiiniiiiiii«in 


Six  Arrested  on  Attempted   Robbery 

St.  Louis  Police  are  holding  six 
men,  and  others  are  being  sought 
following  an  alleged  attempt  to  rob 
the  Grand  Central  theater.  Grand 
Blvd.  at  Lucas  Ave. 


Jeanie  MacPherson  Coming  East 

Hollywood — W^ilham  K.  Howard 
and  Jeanie  MacPherson  are  editing 
and  cutting  "Red  Dice."  Miss  Mac- 
Pherson plans  to  take  a  short  vaca- 
tion to  New  York  upon  its  comple- 
tion. 


Fox  Department  Not  Moving 
As  a  result  of  a  last  minute  change, 
the  film,  shipment  and  accessories 
department  of  the  Fox  exchange  will 
not  move  to  the  home  office  but  will 
remain  in  present  quarters  until  its 
new  building  is   finished. 


Mannix  Quits  as  Studio  Manager 

Hollywood — It  is  reported  Edward 
J.  Mannix  has  resigned  as  general  stu- 
dio manager  for  M.-G.-M.  He  intends 
becoming  a  producer  and  is  now 
working  with  Irving  Thalberg. 


Vilma    Banky    111 

Los  Angeles  - —  Vilma  Banky  has 
been  confined  to  her  bed  for  the  past 
few  days  due  to  a  severe  cold. 


Lon  Chaney  at  the  Capitol 

Lon  Chaney  in  "The  Black  Bird" 
will  be  the  attraction  at  the  Capitol 
next  week. 


"Partners    Again"    Print    Here 

Stuart  Heisler,  film  editor  for  Sam- 
uel Goldwyn  Prod.,  arrives  from  Hol- 
lywood today,  bringing  with  him  the 
print  of  "Partners  Again — with  Pot- 
ash and  Perlmutter." 


Dix  Returning  to  Coast 

Richard  Dix's  forthcoming  vehicle, 
"Romance  a  la  Carte"  will  be  made 
on  the  coast.  Dix  will  leave  New 
York  within  the  next  two  weeks  to 
begin  production. 


St.  Clair  Off  for  Coast 

Mai  St.  Clair  left  yesterday  for  Cal- 
ifornia to  direct  Pola  Negri.  Accom- 
panying St.   Clair  was  Lonnie  Dorsa. 


STOCK  SCENES 

NEGATIVE  AND   POSITIVE 

PR  l_N  T  S 

Stone  film   Library 

■Z20  W.   42nd   St.  ROOM   303 

Phone   Wisconsin    3770 


WANTED 

News  cameramen  in  every  Jewish  cen- 
ter throughout  the  world  to  photo- 
graph the  most  important  Jewish 
events  of  today  and  scenes  pertaining 
to  ancient  Jewish  history,  for  the 
weeklv  "JEWISH  PICTORIAL  RE- 
VIEW." 

For   terms,   write   or   cable, 
IVAN  ABRAMSON,  Pres. 
JEWISH    EDUCATIONAL   PIC- 
TURES,   INC. 
729   Seventh  Avenue 
Cable    Address,    "JUDPICT," 
New   York 


Buddy  Stuart  With  Ass  I 

Buddy  Stuart  has  resigr! 
structor  of  the  Publix  Thea 
gers'  Training  School  to  jo 
vertising  and  publicity  depa  j 
Associated  Exhibitors.  His 
signment  will  be  exploitatioi 
Skvrocket"  first-runs. 


Eugene  O'Brien  in  Swansoi 
Eugene     O'Brien     will    b| 
Swanson's    leading    man    in 
picture,     "Fine     Manners," 
around  Feb.   10. 


Ontario  Has  400  Thea 

Toronto — The  Province  oil 
has     400     pictures     and     splil 
houses,     according     to     the 
Dept..   which   has   been   delui| 
applications  for  permits  for 


Hal  Roaci 


GI^ENH  TKYI 


This  is  a  'Comerblock'  cut  tu 
FREE  for  all  Pathecomedies  i 
exchange. 


OFFICE  WANTED 

Two  or  three  rooms  in  good  I 
ing  within  a  few  blocks  of  42ni 
and   Sth  Ave.     Will  buy  furnitur 


Box  M-285 
1650   Broadway 


c/o  FILM  DA 
New  York  I 


EAVE  IT 

0 

«ETRO- 
0  LD  WYN- 

AYER! 


}  I  WeVe  just  signed  him 
^  I  Reginald  Barker 

The  famous  director 

Will  now  make  hits 

For  M-G-M 

You  know  what  that  means 
Great  action  pictures 
Like  his^'White  Desert" 
And  his'^Great  Divide" 
And  many,  many  more 
Every  day  M-G-M  shows  you 
More  good  reasons  why 
It's  fast  taking  leadership 
In  this  showman's  business 


TRO-GOLDWYN-MAYER 

T/ieir  Directors  Are 
THE  TALK  OF  THE  INDUSTRY 


M 


kv,__ 

\  .'.^v^to             ■ 

/'"'                           '        ' 

t  ^v 

\:^ 

L    w 

M^^  k 

-■ 

^^H^ 

J     \ 

^ 

k 

J 

^»j 

Hs^. 


m 


I 


Quinn 


A  Marshall  Neilan  Pvoductiovk, 

From  the  Cosmopolitan  Magazine  Story  by  AdelaRogevs  St  Mm 

Produced  by  Celebrity  Pictures  Inc 

Presented  by  Associated  Exhibitors  Inc. 

Oscai-  A.  Price,  President 


^p 


\ 


AT  THE  COLONY 

PEGGY  HOPKINS  JOYCE 

IN 

"THE  SKYROCKET" 

by  Marshall  Neitan. 

THE  CAST  ,         , 

,-.     _  .  Peeev  Hoplclns  Jovcel 

Sh-i-on   Klinm   .■.  Peggy  ""Ji^gri  Moore  I 

Mlc;:«y;Held Gladys   flulette 

l.uii.   Morgan.. paulette  Duval 

MUdred  Bldeout illvan  T:i?l"naii 

Ruby  WriBht vlrXe  WlUiama 

X\  llftam  ■  Dv;pra'T lifi^iart   Randall 

Sam  Uertzfelt   ^  *rArnold  Gregft 

itanlej*  Cralff...., Beiinv  Hall 

I'el   r  StaiUoii j^'|,.it   Daiidjii 

Vladmir -Strcttn Sanimv   Cohen 

Mtirrla- l'iii'"u» pun   Montana 

Filn'i'Comedlan Eddie  Olllmi  I 

Comedy  Director  ..Hank  Minn 

Comedy  Producer ..Joan   Standing: 

?sW"o§e^MUu/s"»-li;^- •^-^"''  ""^""^  I 

The    fragllely    whUe    arid    Jnterna- 
tionally  provocallvc  Miss  Peggy  HOP   _ 

U,n»   Joyce,    one-time    show    girl   and 
n^arned  ao  importantly  and  so  ofle 
.B  to  have  engaged  the  envy  o      ht 
whole   world   oi    fennnit.ity.    Is   being 
,oen  tand  by  large  and  eag^r  crowds) 

U,ls  week  at  the  Colony  in  a  motion | 
t>toture  called  "The  Skyrocket-  whch 
«  a  story  about  a  motion  picture  .extra  | 

gin  in  lioiiv^yood. 


i 


Wf 


fmore   than  VlltUe  enll^hteninff.   and 
]j?eneraUy  sensible  piece  of  C  rid.-rell.. 

Zf  whS-  h"  '^  ''''''  thanlozens 
r^r,   M.    °''    ^^^'"^    passed    down    tlie 

to  have  held  this  reviewer  tlirougl,  to 
the  end  without  a  struggle 
As  fdr  Miss  Joyce  (I  forget  for  the 

r.rS\"ol:''  '"'•  ''-'"''  «'•  entire  name 
IS)   this  young  woman  appears  hi  the 

Sh: '°'?  ^'^'••^°»  °^  --^—  b/on ': 

coioi  ng.     I  see   no   rea.son    for  denu 
Z  <  -^,beanty  which  .3  .so  riX  heT 

deightfrin,"';'    ^"""^    even- .more 
iT    5  I.         ^     '°''''   "PO"-    allhotigh   one 
'^   willing   to  add    that    ^ith    the   em 
Ployment  of  the  merciful  diffusing  Tse 
,  i<3ow  so  much  hi  favor  will,     hi  7   , 
:  Who  wou,d  fudge  a  litti:       e  Tff  Jf'of 
he  Joyce   facial   perfection   may   v^ry 
wen  have  been  enhanced.     Thl^f  ,.ow! 

~:^^aL::^r'  ^-  '^  ^>- 

of  live  cf  tl,e  ot,I     r,  ^    '°'"'   <^^'t 

seem   Eiited    vvi<i,   .1    """'^"^'   "id  she 
form   her  ir^'ul     "°  ^'•"''•"-  '^^   l"^'-- 

.^-lisstvHshl^eTonSrorr^"     ''"'' 


/. 


.f>' 


./■ 


y  jr 


"^ 


'*^- 


»i*^«*'. 


*^*^..'  '  "^^l-*;^'^'-*- '- ^'  ^\X^~r^t!*^<9^*m» I  w 


tH£ 


DAILY 


■iitaMMHMitatai 
Thursday,  January  2 1 


In  the  Courts 

In  the  suit  of  Charles  Chaplin 
against  First  National,  over  the  for- 
eign receipts  from  "The  Kid,"  Su- 
preme Court  Justice  O'Malley  has 
granted  an  application  to  examine 
Samuel  Spring  before  trial  concerning 
the  contract  with  Chaplin  and  the 
receipts.  The  court  decided  that  if 
sufficient  information  is  obtained 
from  Spring  that  it  will  not  be  neces- 
sary for  Robert  Lieber,  president  of 
the    defendant,   to  be   examined. 


The  R.  &  R.  Realty  Corp.  has  filed 
an  injunction  suit  in  the  Supreme 
Court  against  the  Diamant  Film  Co., 
William  J.  German,  and  Henri  Dia- 
mant Berger.  The  cause  is  not  dis- 
closed in  the  papers  iiled  by  Deiches, 
Goldwater  &  F"lynn,  attorneys  for  the 
plaintiff. 


The  fact  that  the  Fidelity  Pictures 
Co.  is  suing  the  H.  C.  Witwer  Stories 
Prod.,  Inc.,  was  disclosed  in  the  Su- 
preme Court  when  Morris  and  Sam- 
uel Meyers  were  substituted  as  at- 
torneys for  the  defendant.  No  other 
papers  are  on  file. 


The  Equitable  Trust  Co.,  as  execu- 
tor under  the  will  of  William  Kramer, 
has  filed  suit  in  the  Supreme  Court 
to  foreclose  a  mortgage  of  $200,000 
on  the  Thalia  theater  on  the  Bowery. 
The  suit  is  brought  against  the  Acier- 
no  Amusement  Corp.,  on  the  ground 
that  the  defendant  has  defaulted  in 
the  payment  of  taxes  and  the 
premiums  on  $100,000  of  insurance, 
and  has  assigned  rents  of  the  prop- 
erty without  the  permission  of  the 
mortgagor. 


Stock  Issue  for  Up-State  House 

Goshen,  N.  Y. — Property  on  S'outh 
Church  St.  has  been  purchased  by  the 
Shawnee  Development  Co.  from  the 
estate  of  A.  C.  Sutherland.  The 
company  plans  to  erect  a  theater  on 
the  site,  seating  900.  The  company 
will  ofTer  for  sale  10,000  shares  of 
common,  par  value  $10,  non-assess- 
able, at  $10  per  share. 


Sunday    Shows    Win   in    Montevideo 

Montevideo,  Minn.^ — -Sunday  shows 
won  in  the  referendum  conducted 
here,  with  a  majority  of  223,  out  of 
1,535  votes  cast.  Two  years  ago, 
Sunday  shows  were  victorious  by 
about   200   votes. 


M.-G.-M.  Signs  DUlon 

Los  Angeles — John  Francis  Dillon 
has  been  signed  to  direct  "Love's 
Blindness"  for  M.-G.-M.  Pauline 
Starke  will  be  featured. 


New   House  in  Bristol,  Conn. 

Bristol,  Conn. — Plans  are  being 
completed  for  a  new  $350,000  house 
to  be  built  for  the  Colonial  Theaters, 
Inc. 


Ince  Estate  $846,177 

Los  Aneeles — Thomas  H.  Ince  left 
an  estate  valued  at  $846,177,  accord- 
ing to  an  appraisal  filed  in  Superior 
Court. 


"U"  Buys  "Beware  of  Widows" 

"Beware  of  Widows"  has  been  pur- 
chased by  Universal. 


Incorporations 

Albany,  N.  Y.— EyoU,  Inc..  New  York. 
Incorporators,  F.  Wharton,  O.  Gustafson  and 
D.  Whitney.  Attorneys,  Weiss  &  Wharton, 
34    Pine    St.,    New    York. 


Albany,  N.  Y. — Parward  Productions,  Inc., 
New  York ;  to  operate  theaters.  Incorpora- 
tors, C.  Beale  and  L.  Randell.  Attorneys, 
Goldsmith,  Goldblatt  &  Hanover,  1540  Broad- 
way,   New    York. 


Albany,  N.  Y. — Silo  Enterprises^  New 
York.  Capital  $1,000.  Incorporators,  E. 
Gurin,  W.  Resting  and  J.  Casalbore.  At- 
torney, J.  Clifford,  145  W«st  45th  St.,  New 
York. 


Albany,  N.  Y. — Atken  Properties,  New 
York.  Incorporators,  K.  McGuire,  S.  Frank 
and  G.  Murphy.  Attorney,  A.  H.  T.  Banzhaf, 
130   West   42nd   St.,   New   York. 


Trenton,  N.  J. — National  Art  Associates, 
Inc. ;  Hawthorne.  Capital  $50,000.  Incor- 
porators, A.  Dodds,  T.  Malatesta,  W.  Jones 
and  D.  Guggenheim.  Attorney,  Herman  Sha^ 
piro,  Newark, 


Trenton,  N.  J. — Vallsburg  Theatrical  En- 
terprises, Inc.,  Newark ;  to  operate  theaters. 
Capital  $50,000.  Incorporators,  A.  Karl,  S. 
S.  Setel  and  C.  Preuss.  Attorney,  David 
Bobker,  Newark. 


Albany,  N.  Y. — Lloyd  Hamilton  Corp.,  New 
York;  to  produce.  Incorporators,  I.  Michel- 
man,  R.  Liebhoff  and  A.  Johnson.  Attorney, 
H.  Goldman,  120  Broadway,  New  York. 


Albany,  N.  Y. — Bellaire  Amusement  Corp., 
Queens  County;  to  operate  theaters.  Capi- 
tal $2,000.  Incorporators,  R.  Schiff,  J.  Suss- 
man  and  I.  Finkelstein.  Attorneys,  Michael- 
son  &  Bernkopf,  One  Madison  Ave.,  New 
York. 


Trenton,  N.  J. — Hudson  Amusement  Corp., 
Newark;  to  operate  theaters.  Capital  $20,000. 
Incorporators,  I.  Liebman,  B.  Tendler  and 
I.  Gussow.  Attorney,  J.  L.  Bernstein,  New 
York    City. 


Dover,  Del. — Hollywood  Film  Productions 
Co.,  to  produce.  Capital  $1,000,000.  At 
torney.  Corporation  Service  Co.,  Equitable 
Bldg.,   Wilmington. 


Springfield,  111. — Tiffin  Amusementi  Co., 
4059  West  North  Ave.,  Chicago ;  to  operate 
theaters.  Capital  $1,000.  Incorporators,  V. 
Lynch,  G.  Kappus  and  J.  Mellinger.  At- 
torneys, Ryan,  Condon  &  Livingston,  231 
South    La   Salle   St.,    Chicago. 


Springfield,  111. — Lido  Theater  Co.,  4059 
West  North  Ave.,  Chicago;  to  operate  the- 
aters. Capital  $1,000.  Incorporators,  V. 
Lynch,  S.  Simansky  and  W.  Mueller.  At- 
torneys, Ryan,  Conon  &  Livingston,  231 
South   La   Salle  St.,   Chicago. 


Springfield,  111. — Maywood  Amusement  Co., 
4059  West  North  Ave.,  Chicago ;  to  operate 
theaters.  Capital  $100,000.  Incorporators, 
V.  Lynch,  E.  Miller  and  S.  Simansky.  At- 
torneys, Ryan,  Condon  &  Livingston,  231 
South   La  Salle   St.,   Chicago. 


Albany,  N.  Y. — Albion  Attractions,  New 
York.  Capital  $10,000.  Incorporators,  M. 
Kerman,  F.  Speigel  and  A.  Kerman.  At- 
torney, E.  K.  Ellis,  1482  Broadway,  New 
York. 


Dover,  Del. — Mollie  May  Series,  Inc.,  New 
York;  to  produce.  Capital  $100,000.  Attor- 
ney, Corporation  Service  Co.,  Equitable  Bldg., 
Wilmington. 


Dover,  Del. — Dover  Chain  Theaters,  Inc. ; 
to  operate  theaters.  Capital  $1,000.  At- 
torney, Corporation  Trust  Company  of  Amer- 
ica,   Du    Pont    Bldg.,    Wilmington. 


Dover,  Del. — College  Theater  Corp.  Capi- 
tal $500,000.  Attorney,  Corporation  Service 
Co.,  Equitable  Bldg.,  Wilmington. 


Albany,  N.  Y. — Vyse  Amusement  Corp., 
New  York;  to  produce.  Capital  $5,000. 
Incorporators,  R.  Rosenthal,  S.  Pariser  and 
G.  Price.  Attorney,  A.  M.  Parifcr,  51 
Chamber!  St.,  New  Yoifc  . 


Presentations 

A  feature  dealing  with  the  man- 
ner in  which  first-runs  build  their 
programs  and  written  from  the  an- 
gle of  one  who  sits  out  front. 

Designed  solely  for  the  purpose  of 
conveying  to  exhibitors  ideas  to  be 
used  171  developing  their  own  shows. 

Rialto 

Unit  No.  1. — Overture.  "The  For- 
tune Teller."  Victor  Herbert.  Time, 
10   minutes  . 

Unit  No.  2. — "The  June  Bride." 
Aesop  Fable.     Time,  6  minutes. 

Unit  No.  3. — Frank  Siegrist.  Trum- 
pet Virtuoso.     Time,  5  minutes. 

Unit  No.  4. — Rialto  Cinemaevents. 
Time,   11   minutes. 

Unit  No.  5. — John  Barclay  in  char- 
acter impersonations:  Mephisto,  Boris 
Goduonow,  the  American  Indian 
("Pale  Moon")  and  the  Toreador, 
with  the  "Toreador"  from  Carmen, 
the  solo.     Time,  10  minutes. 

Unit  No.  6.— Hy  C.  Geis  at  the 
organ:  "Lonesomest  Girl  in  Town." 
Words  thrown  on  screen.  Time,  5 
minutes. 

Unit  No.  7. — I'eature:  "The 
Yankee   Senor."     Time,   54  minutes. 

Unit  No.  8. — "Buster's  Skyrocket." 
Universal  comedy.    Time,  16  minutes. 


Two    More   for   West   Coast 

Los  Angeles — A  theater  and  office 
building  to  cost  $150,000  will  be 
erected  in  Montabello  by  the  West 
Coast  Junior  Circuit.  A  lot  on  Whit- 
tier  Blvd.  has  been  bought,  on  which 
will  be  erected  a  theater  seating  900. 
A  $150,000  theater  and  store  building 
will  be  built  in  Hawthorne  by  the  Ve- 
nice Amusement  Co.,  a  subsidiary  of 
West   Coast  Theaters,  Inc. 

Construction  will  start  immediately 
en  Hawthorne  Blvd.  The  theater  will 
be  known  as  The   Roosevelt. 


To  Produce  in  Florida 

Kissimmee,  Fla. — Plans  have  been 
made  for  the  immediate  entrance  in- 
to production  by  the  Florawood  M. 
P.  Corp.,  according  to  Charles  A. 
Abbott,  president.  Lester  Park  is  to 
direct  the  first  picture,  "The  Soul 
of  a  Woman." 


Finds  Art  in  M.  P.  Organ  Music 

London  —  The  Royal  College  of 
Organists  will  introduce  lectures  on 
the  motion  picture  organ  and  organ 
music  this  year.  The  college  now 
recognizes  organ  music  for  film  thea- 
ters as  an  art. 


Gloria's  Unit  Returns 

Gloria  Swanson  and  the  unit  mak- 
ing "The  Untamed  Lady,"  in  Florida 
and  the  south,  returned  yesterday  on 
the  S.   S.  Kroonland,  from  Miami. 


Changes  at  United 

(Continued   from  Page   1) 

W.  Hines  continues  as  general  sales 
manager.  Paul  N.  Lazarus,  who  re- 
cently rejoined  the  company  after  a 
flyer  into  another  business,  has  been 
named  general  sales  manager  of  the 
Southern  and  Western  divisions. 
Cresson  E.  Smith,  long  with  the  or- 
ganization, will  handle  the  Mid-West 
and  Moxley  A.  Hill,  the  East. 

The    company    is    approaching    its 
seventh  birthday. 


Defeats  the  "Bk 

Pleasantville,     N.     Y.     Gets 
Shows — Campaign  Can  Bi 
plied  Elsewhere 

Pleasantville,  N.  Y.,  a  i 
about  4,000  population,  will  h. 
day  shows.  I'here  is  an  in 
story  behind  the  campaign  v! 
suited  in  a  victory  for  the  libt 
dismal  defeat  for  the  "blues." 

John   J.    McCutcheon,   the 
lives   in   Pleasantville  which 
,50  miles  from   New    York, 
pens  to  know   Phillips  and  S 
owners  of  the  Rome  theater, 
er  they  mapped  out  a  scheni 
cure   Sunday   shows.     It  rese 
political    checkerboard    in    t^ 
spect.     The  local  newspaper  \ 
while  pretty  women  traveled 
the    town    in    automobiles    ti 
names   on   the   petitions   favoi 
move. 

Pleasantville,      although     a 
town,  has  seven  churches.    A 
ministers  opposed  the   idea, 
petitions  were  therefore  circul 
the    final    vote    tallied    late 
showed  a  six  to  four  ratio  in 
a  liberal  Sunday. 

McCutcheon  explained  yi 
that  the  campaign  might  be 
innumerable  small  towns  wl 
Sunday  situation  is  identical  w 
in  Pleasantville.  He  and  Phil 
Sussman  invite  queries  on 
how  the  campaign  was  put  o 


Nat'l  Board  Mee 

(Continued  from   Page  1) 

"Selection — not  censorship- 
lution"  is  the  slogan  of  the  > 
Committee    and    plans    for    I 
the    strongest    possible    local 
to  exhibitors  throughout  the 
showing  the  best  in  films  will 
cussed  and  a  program  of  loca,JL  , 
eration    formulated.      Over    l,;!    tit 
expected  to  be  present  at  the  U 
Saturd?^'     which    will    have   a 
speaker,     Mayor     James    J.    ^ 
Many  stars  and  persons  promii    ju; 
the   business  will  be  on  hand. 
L.    Laskv,    Dr.    Hugo   Riesenf^Juni 
Rockett,  Milton  Sills,  John  C. 
Horace    D.    Ashton,    Dr.    Geoi 
Kirchwey.  Dr.  A.  A.  Brill  and 
will   speak.     The    topic   will  bi 
New  Dav  in  Motion  Pictures 

A  plan  for  study  clubs  is  a 
ing  promoted  in  an  ei?ort  t 
Better  Films  Committee  a  i 
standard  in  the  promotion  of 
interest  in  better  films.  It  0 
kind  jf  university  extension 
on  the  subject  of  pictures.  Th 
originated  at  the  last  cent 
The  experience  of  local  groi 
carn-ing  into  effect  will  be  dis 
and  new  work  will  be  outlined 

The  conference  committee  c 
of: 

Dr.  William  B.  Tower,  Chairma 
L.  Grant  Baldwin,  Wilton  A.  Barr*  Wil 
Frank  W.  Clark,  Louise  Coruioll! 
James  A.  Craig,  Ernest  L.  Crands 
Elmer  G.  Derr,  Mrs.  Howard  S 
Mrs.  Harry  G.  Grover,  Lee  S.  HaniBi 
Oliver  Harriman,  Rita  S.  HochheilW  Jit 
Charles  Stanley  Jones,  Olive  M.  JM) 
Jasmine  Keith,  Dr.  George  W.  X 
Mrs.  Harry  Lilly,  Mrs.  John  Mai 
Chester  C,  Marshall,  Mrs.  George 
Mrs.  Bloorafield  Moore.  Mrs.  Louis, 
eau  Myers,  Kate  OelelDay,  Mrs.  J.  A, 
Elizabeth  Perkins,  Armstrong  Perry.J 
A.  Perrvj  Ruth"  Rich,  Dr.  Myron 
der,  S.  L.  .Strivings,  Mrs.  Dudley 
land,  George  J.  Zehrung,  Mrs.  Lo! 
ineau  Myers,  and  Alice  Belton  Et< 


k 

Il3l: 

kfll 


fc 


mil 


."X:- 


THE 


r*  y,  January  28,  1926 


■c&^ 


DAILY 


h  rges  Bad  Faith 

ront-hiued  from  Page   1) 

IS  because  of  the  fact  that  their 

the   Film   Board   of   Trade — is   a 

small  unit. 

etching  the  imagaination  to  assume 

ibitor  or  theater  owner  has  a  voice 

:tion    of    his    arbitrators    when    an 

in   which   he  is   not   a  jnember   is 

o   appoint   the   arbitrators   for   him. 

ion  to  the  fact  that  the   arbitrators 

:d    for    the    exhibitor    and    not    se- 

im   the   exhibitor   has   not   even   the 

allenge    any    of    the    exiiiliitors    ap- 

irbitrate   his   case.      We   must    also 

d  that  voluntary  arbitration   is  one 

mpulsory   arbitration    is    another. 

irbitration    is   the   form    in  use   in 

0  picture  industry." 


traft  Revisions 


lU 


ative  Committee  Draws  Up 
ires  in  Contract — Two  Day 
session  Terminates 

ion  of  the  uniform  contract 

dt  goodly  portion  of  the  de- 

of      the      administrative 

of   the    M.    P.    T.    O.    A. 

erminated      yesterday.        In 

lection,    the   following   took 

Cnmittee    instructed    the    Committee 
iti  t  and   Arbitration  to   obtain  a   re- 
the  number  of  days  for  which  the 
15   to   accept  a   contract   because 
i     facilities!    afforded    by     the    air 
Committee    also    condemned    the 
s   ofTered  by   Will   H.    Hays,   be- 
>   form   and   language, 
ntract     Committee     was     instructed 
ipon    a    change    in    the    percentage 
provide   for    a    definite    amount    be- 
the    exhibitor    in    the    event    the 
'  I  jes     not     like     play     percentages. 
t    Committee's    stand    for    a    pro- 
specific  amount   to   reimburse  the 
1    in  the  event  a  distributor  does 
a    percentage    picture,    was    also 
The  selection  of   a  designation  of 
Jause  as  presented  by  Joseph  M. 
^15    endorsed. 

jirst  National   situation   came 

•   !  the  close.  After  being  thor- 

iiisidered  from  all  angles  by 

rtee  its  disposition  was  en- 

the     business     manager. 

an   this   no   statement   was 

stion    that    the    M.    P.    T. 
rganize      sub-headquarters 
li    the  country  was  also   ra- 
the business   manager.     At 
ime  Seider  was  authorized 
^tate  presidents  that   Harry 
!  the  Tax  Free  Music  Bu- 
arranged   a   schedule   when 
-it    their   oragnizations   and 
ihem  with  tax  free  music  in 
Ml       with       their       campaign 
icndments  to  the  copyright 

\  ells  was  named  as  the  con- 

I   t   between   headquarters   and 

state    organization    in    the 

which    Virginia    exhibitors 

,  ing  out  against   a   proposed 

ent  State  tax. 

ind  exhibitors  have  petitioned 
lization  tolntercede  for  them 
ction  with  the  use  for  ex- 
iirposes  of  armories  and  such 
titutes.  Seider  intimated  he 
le  Maryland's  Governor  on 
(■ct. 

ittee  members  present  in- 
A.  Julian  Brylawski  and 
'.rylawski,  Washington;  Syd- 
Cohen,  Joseph  M.  Seider, 
ork;  Jake  Wells,  Virginia; 
Davis  and  M.  J.  O'Toole, 
/ania;  Jack  Harwood,  Ohio, 
imy  Goldberg,  Maryland. 


Newspaper  Opinions 

"The    American    Venus" — Paramount 
Walnut,  Cincinnati 

ENQUIRER—*  *  *  Aside  from  the  rich 
background  and  the  display  of  feminine 
charms,  "The  American  Venus"  has  but  lit- 
tle to  recommend  it.  Although  there  are  a 
few  amusing  incidents  in  the  plot,  the  produc 
tion  is  chiefly  eye  entertainment,  and  as  such 
becomes   a  trifle   wearisome.   *    *    * 

Stanley,  Philadelphia 

BULLETIN  —Gorgeous  costuming  and 
magnificent  scenery  are  the  outstanding  fea- 
tures of  "The  American  Venus,"  *  *  ♦  mark- 
ing the  first  film  appearance  of  Fay  Lanphier, 
•'Miss   America"   of    1925.    *    *    * 

INQUIRER—*  *  *  Fay  Lanphier  is  very 
good  for  a  l)eginner  in  the  movie  game.  Most 
of  the  picture  is  done  in  technicolor  and  the 
fashion   scenes   are  beautiful.    •   •    * 

PLBLIC  LEDGER— *  *  *  Fay  Lanphier, 
who  won  the  title  of  "Miss  America,"  has  a 
part  in  the  picture,  but  she  does  not  photo- 
graph particularly  well.  Some  of  the  color 
photography    is   interesting.    *    •    * 


"The  Clash  of  th  Wolves"— Warners 
Moon,  Omaha 

BEE-  *  *  *  Rin-Tin-Tin  has  a  personality 
that  registers  like  that  of  any  actor,  and  he 
has  an  instinctive  power  of  expressing  emo- 
tion that  makes  everything  he.  does  vividly  real 
and    memorable.    •    ♦    * 


"Durand  of  the  Bad  Lands"— Fox 
Garden,  Baltimore 

NEWS — *  *  *  is  a  colorful,  fast-moving 
drama  of  the  great  Southwest,  in  which  hard- 
riding,  quick-shooting  he-men  and  heroic  girls 
play   important  parts.   •   ♦   ♦ 


"The  Eagle"— United  Artists 
Ohio,  Indianapolis 

STAR — *  *  *  The  story  is  not  so  great  but 
it  IS  the  way  it  has  been  handled  that  makes 
"The  Eagle"  a  notable  picture  and  decidedly 
good    entertainment.    *    ♦    ♦ 

TIMES—*  *  *  "The  Eagle"  is  the  right 
kind  of  a  vehicle  for  Valentino.  Not  a  pow. 
erfnl  story,  but  the  thing  that  one  expects  and 
is  willing  to  pay  to  see  Valentino  appear  in 
on   the  screen.   •   •  • 

Alhambra,  Milwaukee 

SENTINEL — *  *  *  There  are  some  beau- 
tiful love  .scenes  between  Valentino  and  V^ilma 
Banky,  who  in  this,  her  second  appearance, 
reiterates  the  good  impression  made  by  the 
combination  of  her  good  looks  and  ability  in 
"The    nark   Angel."   *   *    * 


"The  Enchanted  Hill"— Paramount 
Park,  Cleveland 

NEWS — *  *  *  involves  sundry  shooting  af- 
fairs, fist  fights,  cattle  rnstling  and  the  like, 
but  the  continuity  is  rather  hashed  up  and  the 
picture  is  not  as  interesting  as  it  might  have 
been.-   *   •  .     ,  j 

PLAIN  DEALER—*  *  *  Airplanes  and 
machine  guns  are  the  only  innovations  in  the 
tale,   but   the   action   is   never  permitted  to  lag. 


"The  Golden  Cocoon" — Warners 
Rialto.   Chicago 

TOURNAI  *  *  *  Hnntly  Gordon.  Frank 
Campeau  and  Margaret  Seddon  are  all  rea 
snnable  in  unreasonable  circumstances  and  the 
picture  is  strong  by  its  very  weakness,  being 
not  at  all  bad  entertainment.  •  *  * 


"The  Golden  Strain"— Fox 
Family.    Cincinnati 

KNOT^T-RER — *  *  "  A  whole  tribe  of  "Tn- 
iiin="  and  a  eallant  reciment  of  ITnited  States 
ravalrv  help  to  make  "The  Golden  Strain"  as 
exciting   as   melodrama   is  suppo.sed  to  be.  *  *  * 


"Televisor"  Shown 

Wireless  Pictures  Shown  in  London 
Before  Royal  Society  of  Engi- 
neers— Not   Perfected   Yet 

Discussion  in  London  over  the 
"televisor"  invented  by  John  L.  Baird, 
a  British  engineer,  again  came  to 
the  fore,  following  a  demonstration 
the  other  daj'  before  the  Royal  So- 
ciety of  Engineers.  The  invention 
broadcasts  pictures  by  wireless. 

The  Evening  Post  yesterday  pub- 
lished the  following  special  dispatch 
from  London  describing  the  inven- 
tion: 

"The  inventor  already  has  a  license  from 
the  British  Post  Office,  and  a  company  which 
has  been  organized  is  now  busy  manufactur- 
ing portable  wireless  'seeing  sets'  to  be  sold 
for   $250. 

"Mr.  Baird's  claims  to  have  invented  a 
successful  television  apparatus  were  borne 
out  by  the  demonstration,  but  he  was  the 
first  to  put  a  modest  estimate  on  the  suc- 
cess so  far  gained,  and  to  admit  that  vital 
improvements   were   still    essential. 

"Through  the  instrument,  however,  one 
could  watch  a  person  through  a  brick  wall 
smoking  a  pipe  in  the  next  room ;  one  could 
see  through  an  inch  board  and  study  the 
internal  workings  of  a  mechanical  doll.  A 
land  wire  was  used  in  the  demonstration,  but 
operation   is  equally   efficient   without   wires. 

"The  televisor  was  described  as  an  elec- 
trical telescope  which  enables  objects  to  be 
seen  not  by  light  but  by  electrical   energy. 

"A  large  disc  containing  lenses  is  used 
with  a  revolving  shutter  to  pass  the  image 
of  the  object  to  be  transmitted  at  an  im- 
mense speed  over  a  special  light-sensitive  cell. 
This  cell  reacts  as  the  light  falls  upon  it 
and  varies  the  current,  which  is  transmitted 
to  the  receiver,  where  it  controls  a  light  be- 
hind an  optical  apparatus  similar  to  a  trans- 
mitter. 

"All  that  is  seen  at  first  glance  is  the 
huge  revolving  disc  of  the  transmitter  and 
a  -smaller  one  going  at  exactly  the  same 
speed. 

"Upon  the  screen  of  the  receiver  a  light 
flickers  and  a  picture  emerges  that  is  com- 
parable to  the  images  produced  in  the  early 
days   of  primitive  motion  pictures. 

"He  admits  he  has  a  long  way  to  go  be- 
fore reaching  perfection.  Until  recently  he 
has  been  hampered  by  a  lack  of  funds,  but 
now  he  believes  he  has  enough  capital  to 
perfec-t   his   invention  in  a   short   time." 


Decide  on  "The  Devil's  Circus" 

Los  Angeles — Final  title  for  Benja- 
min Christiansen's  first  American 
production,  starring  Norma  Shearer, 
is  "The  Devil's  Circus."  It  has  had 
two  titles  previously,  "The  Light 
Eternal"  and  "The  Devilkin." 


Shea  Handling  "Big  Parade"  in  Phila. 

Joseph  C.  Shea,  who  has  been  do- 
ing publicity  work  in  New  York,  has 
been  appointed  business  manager  of 
"The  Big  Parade"  company  at  the 
Aldine,    Philadelphia. 


"Hands   Up"— Paramount 
Metro.    Boston 

GLOBE  —  *  *  *  I'ives  Raymond  Griffith  the 
rhance  to  pro'-e  what  nn  excellent  comedian 
he  reallv  '».  "Hands  TTp"  is  the  sort^^of  pho- 
toplay which  is  generally  described  as  "scream- 
inpK-    fiinnv."   •    *   • 

HK^AT,n — ♦  •  *  Delirious  adventure,  rinne 
with  the  ntmo=t  aplomb  and  swiftness  of  foot 
snd  eesture.  There  have  been  few  moment": 
of   film   comedy  this   season    to  rival    it.    *    *   * 


"Infatuation"— First   NatT 
State.  Minneapolis 

STAR roVirfu!    seHinirs    sre    the    chief    in 

tfrest  in   Corinne   OriflStli's  latest  film   vebicit, 
"Infatuation."  •  •  • 


Next   Week  at  Big  Houses 

"The  Song  and  Dance  Man"  will 
play  the  Rivoli  next  week,  with  the 
Anderson  revue,  "The  Isle  of  Para- 
dise," "The  Wanderer"  goes  into  the 
Rialto  and  "The  Skyrocket"  will  be 
held  over  at  the  Colony. 


Dupont  Arrives 

(Continued  from  Paije   1) 

turn  to  Germany  to  make  it  or  wheth- 
er it  will  be  made  during  his  stay 
here.  No  information  is  available  as 
to  the  first  picture  he  will  do  for  Uni- 
versal. He  will  leave  New  York  Sat- 
urday. Dupont's  pictures  are  "White- 
chapel,"  "The  White  Peacock,"  "Al- 
cohol," and  "The  Ancient  Law."  He 
wrote  the  story  for  "Variety"  as  well 
as  directing  it. 

"I  am  not.  as  far  as  art  is  concerned,  a 
Continental,  but  am  striving  to  build  pictures 
in   an    international    sense"    he    said    yesterday. 

"Europe  has  lots  to  learn  from  the  film  indus- 
try in  America,  and  America  can  learn  cer 
tain  things  from  Europe.  It  is  not  an  impos- 
sil>le  task  to  combine  both  tendencies  in  the 
screen  business,  so  as  to  satisfy  the  public, 
the  art  critic  and  the  box-office,  at  one  and 
the    same    time. 

"1  have  learned  from  American  film  condi- 
tions that  a  director  must  Ite  in  a  position  to 
gauge  public  sentiment  correctly.  In  order 
to  study  the  public  I  assumed  the  direction  of 
a  v.iudeville  theater  and  a  film  theater  for  a 
consideral>le  period.  This  taught  me  much 
and  I  feel  that  my  pictures  are  beginning  to 
show  this  appreciation  of  the  man's  viewpoint 
who  puts  his  miiney  in  at  the  box-office  win- 
dow." 


Ally  on  Coast 

(Continued  from   Page   1) 

classification  of  producer-distributor 
members  and  as  a  result  of  this  action 
it  is  anticipated  that  at  least  15  com- 
panies will  affiliate  with  the  I.  M. 
P.  A. 

The  association  approved  a  short 
animated  trailer  to  be  attached  to  all 
independent  productions.  Several 
company  executives  present  stated 
that  they  had  given  instructions  to 
have  this  trailer  attached  to  their  re- 
leases. 

Oscar  Neufeld,  of  Philadelphia, 
chairman  of  the  contract  committee, 
will  call  a  meeting  here  on  Feb.  6  at 
which  time  the  adoption  of  a  standard 
e(iuitable  exhibition  contract  will 
come  up. 


Ethel    Donoher    Recuperating 

Ethel  Donoher,  whose  story  "Silver 
Lanterns"  has  been  bought  by  Dallas 
Fitzgerald,  for  Arrow,  is  recovering 
from  a  serious  attack  of  influenza. 


Young  lady  desires  position,  12 
years  experience  motion  pictures — 
secretary — bookkeeper — stenographer — 
office  and  business  manager — New 
York  representative — correspondent — 
legal  knowledge — capable  of  taking 
charge  of  oflSce  or  department.  Em- 
ployed at  present — seeking  other  em- 
plojnnent  due  to  discontinuing  New 
York   office.      Excellent   references. 


■     Box    S-322 
IP     16S0    B'way 


c-o    Film    Daily 
N.    Y.  X.. 


"Memory  Lane"  at  the  Strand 

"Memory  Lane"  will  be  the  feature 
at   the    Strand   next   week. 


HERE  HE  COMES 

^   with    a    message    of   cheer    | 

for  the  B.  O. 

^■■■■.^■■■■■■■■■■■■■■■■■■■■■■■*j 


IF  YOU  ARE  IN  THE 
MARKET  FOR  ANY  IflND  OF 

MOTION  PICTURE 
APPARATUS 

CONSULT  LIS- AND  SAVE  MONEY 
SEND  FOR  OUR  PRICE  LIST 


Chas.   G.  Willoughby,  Inc. 

Motion  Picture  Department 

110  West  32nd  St..  New  York 

Phone    Penn.    6S64 


mtm 


I.> 


iTHE 

brAdstreet 

FILHDOM 


:^^RE(0CMIZE6 

Authority 


XXV     No.  24 


Friday,  January  29,  1926 


Price  5  Cents 


jft  We  Forget 

By  DANNY 
1  years  ago  there  was  active 

y  itusiness  a  mighty  fine  indi- 
He  had  great  plans,  great 
s.  For  one  of  the  larger 
;s  with  which  he  was  iden- 
Eventually  he  became  the 
ad  of  that  company.     He  had 

'.  ikvhich  was  unusual;  an  execu- 
""ity  of  a  pronounced  nature. 
ved,  for  instance,  that  "Ben 
Duld  make  a  superb  picture. 
:ved  that  King  Vidor,  when 
e  right  material,  would  de- 
ito    one    of    the    greatest    of 

tiunately,  he  was  stricken  with 
He   was   compelled   to   leave 
is  company  was  merged  with 
Today,  ill,  unable  to  work, 
i  hting  for  his  life  in   Switzer- 
^nd    in    view    of  what    "Ben 
rned  out  to  be;  of  how  King 
IS  become  one  of  the  greatest 
r  tors    —    plu».    other    matters 
lick  of  space  prevents   touch- 
in,  and  lest  we   forget,   let  all 
call  Joe   Godsol,  former  head 
)wyn    Pictures.      And    oflFer    a 
i  yer  for  his  recovery. 
Another  "Month" 
ii  means  the  Fox  sales  organi- 
t  Will  make  an  effort  to  smash 
Sjirds.      For    Jimmy    Grainger, 
ing    next     week.       Just     why 
lies   drives   seem   in   order   is 
to  figure.    This  is  sure.    Jim- 
inger  never  waits  for  any  par- 
onth  to  do  a  lot  of  driving. 
.  ts  in  at  Rockaway  Beach  on 

fand  ends  up  on  Saturday  in 
e  or  Seattle.    He  is  driving  all 
;.     All  of  which  may  account 
unusual   sales   rolled   up    for 
lice  Jimmy  joined  that  organi- 
His   office    is   a    lower   on    a 

so    long    as    the    boys    have 
out  a  "month"  for  his  benefit, 

uld  anyone  else  mind.    Here's 
it  is  all  they  want  it  to  be. 

Moving  Around 
surprising  that  Bernie  Fine- 
as  left  F.  B.  O.  and  joined 
ational.  The  larger  producing 
ations  are  after  young  pro- 
Make  no  mistake  about  that, 
n's  record  at  F.  B.  O.  was 
:.  In  fact,  I  happen  to  know 
her  large  organizations  which 
in  could  have  stepped  into, 
t  trouble. 


Breaks  with  Warners 

Angeles  —  Dorothy  Devore, 
lly  slated  for  stardom  by  the 
rs,  has  severed  relations  with 
npany  by  mutual  consent.  She 

e  lance. 


Big  Laemmle  Party 

Universal     Staff     to     Launch     Their 
Chief's  20th  Anniversary  in  In- 
dustry at  Commodore 

The  initial  function  to  commemo- 
rate the  20th  anniversary  of  Carl 
Laemmle  in  the  industry  will  be  a 
supper  dance  to  be  given  by  execu- 
tives and  employees  at  the  Commo- 
dore a  week  from  tonight.  Laemmle 
is  on  the  Olympic  en  route  from 
Europe  and,  weather  permitting,  will 
arrive  here  on  Tuesday. 

More  than  1,200  will  be  present, 
including  many  leaders  of  the  indus- 
try. Employees  present  will  include 
the  home  office  force,  the  personnel 
of  the  Big  "U"  exchange  and  the 
stafT   of   the   laboratory   at   Fort   Lee. 

The  affair  will  be  held  in  the  main 
ball  room  of  the  Commodore.     Dan- 

(Continued  on  Page  10) 


Reconsidering  Tax 

Exorbitant    Levy    Against    American 

Pictures  by   New    South  Wales 

Government  May  Be  Checked 

Private,  but  authentic  advices  re- 
ceived from  Australia  yesterday  in- 
dicated that  the  tax  of  25  per  cent  on 
gross  receipts  levied  primarily  against 
the  American  industry  may  not  be- 
come a  law. 

The  Premier  of  the  Australian  Pro- 
vinces is  understood  to  have  stated 
that  a  way  will  be  found  to  kill  off 
such  apparently  discriminatory  ac- 
tion against  foreign  trade.  The  pro- 
posed law  which  has  not  as  yet  been 
enacted  would  turn  over  to  that  Gov- 
ernment 25  per  cent  of  the  gross  ac- 

(_Continued  on  Page  10) 


Site  Selected 

First  National  West  Coast  Studios  to 
Be  Erected  in  Burbank,  Suburb 

of  Los  Angeles 
The  new  West  Coast  studios  of 
First  National  will  be  in  Burbank,  a 
suburb  of  Los  Angeles,  and  three 
miles  from  Hollywood,  according  to 
a  statement  issued  yesterday  by  Rich- 
ard A.  Rowland  who  has  just  re- 
turned from  California. 

Arrangements  have  been  completed 
for   building   one   of   the   largest   and 
best  equipped  studios  in  the  world. 
(Continued  on  Page  10) 

Schenck  Here  in  February 

Los  Angeles^oseph  M.  Schenck 
will  leave  for  New  York  about  the 
ISth,  accompanied  by  Norma  Tal- 
madge. 

Fox  Set  in  'Frisco 

San  Francisco — A  theater  and  hotel 
building  to  cost  $5,750,000  will  be 
built  here  by  William  Fox.  The  the- 
ater will  seat  more  than  5,000. 


Erlanger  Plays  Now  Available 

A.  L.  Erlanger,  in  association  with 
Charles  Dillingham,  will  release  for 
films  all  of  the  plays  which  they  have 
produced,  individually  or  together,  in 
the  past  twenty  years.  The  list  in- 
cludes: "Sunny,"  "The  Last  of  Mrs. 
Cheyney,"  "These  Charming  People," 
"Stepping  Stones,"  "Tip  Top,"  "Chin- 
Chin,"  "Jack  O'Lantern,"  "Good 
Morning,  Dearie,"  "Loyalties,"  "The 
Lullaby,"  "Apple  Blossoms,"  "The 
Pink  Lady,"  "Oh,  Oh,  Delphine," 
"Papa's  Darling,"  "The  Soul  Kiss," 
"Chris  and  the  Wonderful  Lamp,'" 
"The  Prince  of  India,"  and  "The  Fair 
God,"  the  last  two  by  Gen.^^ew 
Wallace. 


To  Pay  $807,500  Yearly  Rental 

A  rental  of  $807,500  will  be  paid  by 
Famous  for  the  31  story  Paramount 
Bldg.  being  erected  on  Times  Square. 
The  Paramount  Broadway  Corp.,  a 
wholly  owned  subsidiary  of  Famous, 
is  the  owner  and  lessor  of  the  prop- 
erty. The  lease  runs  for  25  years, 
from  Jan.  1,  1926,  and  the  lessee  is 
obligated  to  make  half-yearly  pay- 
ments of  $403,750,  the  entire  aggre- 
gate rental  to  total  $20,187,500. 


Central  Casting  Bureau  Starts 

Los  Angeles — The  Central  Casting 
Bureau  has  begun  actual  operations. 
All  members  of  the  Hays  organiza- 
tion will  employ  its  extras  only 
through  the  Bureau.  All  extra  play- 
ers will  be  listed  and  investigated 
and  only  those  found  qualified  will 
be  given  work. 


Loew  Off  for  Palm  Beach 

Marcus  Loew,  Mrs.  Loew  and  a 
party  of  four  left  for  Palm  Beach  last 
night  to  remain  five  weeks.  Stop- 
ping off  at  Washington,  Loew  met 
the  President.  Following  the  vaca- 
tion in  the  South,  Loew  will  depart 
for  Europe. 


Wanger,  Schulberg,  Buchowetzki  Go 

Hollywood— Walter  Wanger,  B.  P 
Schulberg,  and  Dimitri  Buchowetzki, 
left  yesterday  for  New  York  on  im- 
portant screen  missions. 

Schulberg  will  stay  in  New  York 
only  two  days. 

Stralem  on  Famous'  Board 

Casimir  Stralem,  of  Hallgarten  & 
Co.,  has  been  elected  a  director  and 
member  of  the  finance  committee  of 
Famous  to  succeed  Maurice  Wert- 
heim,  resigned. 

Kane   Increases   Office    Space 

Robert  Kane  Enterprises  have 
leased  an  entire  floor  at  6-8  W.  48th 
St.,  from  Dougftas  L.  EUiman  & 
Co. 


Scouts  Abroad 

Seek  Traveling  Emissaries  to  Watch 
Trend  of  Foreign  Opinion  Con- 
cerning American  Films 

It  is  believed  serious  attention  is 
being  given  by  Congress  to  the  grant- 
ing of  an  emergency  appropriation 
of  $26,000  to  create  a  special  division 
to  handle  motion  picture  problems 
abroad. 

The  Hays  office  has  been  working 
with  Secretary  Hoover  to  this  end. 
One  of  the  ideas  in  back  of  the  cre- 
ation of  such  a  department  is  to  main- 
tain official  Government  agents 
abroad  in  order  to  watch  the  trend 
in  foreign  tastes.  These  emissaries, 
who  would  have  traveling  commis- 
sions, would  have  as  their  duty  the 
safeguarding  of  American  motion  pic- 
ture interests.  They  would  do  noth- 
ing else.  A  duty  of  prime  importance 
would  be  a  study  of  changes  in  the 
types  of  pictures  favored  by  foreign 
publics  for  ultimate  benefit,  of  pro- 
ducers here. 

The  Government  is  at  present  main- 
taining a  representative  of  the  leather 
industry  in  South  America  where  this 
individual  is  now  on  a  three  year  as- 
signment on  behalf  of  the  American 
shoe  trade. 


Trade  Follows  Film 

American     Pictures     Help     Promote 
Business  and  Cement  Relations 

In  South  America 
Washington — Motion  pictures  are 
one  of  the  most  important  factors  in 
the  development  of  American  busi- 
ness in  South  America  and  in  bring- 
ing about  a  friendly  feeling  which 
will  do  much  to  cement  the  Ameri- 
can republics  together  and  avert  fric- 
tion, according  to  high  officials  of  the 
Pan  American  Union,  the  official  in- 
ternational organization  of  all  the  re- 
publics of  the  Western  Hemisphere, 
founded  and  maintained  by  them  for 
the  purpose  of  exchanging  mutually 
(Continued  on  Page  10) 


To  Publish  "Midnight  Wampps" 
Hollywood— Preparations  are  bej  . 
made  by  the  Wampas  for  a  de  h.,  : 
edition  of  "The  Midnight  Wampas," 
the  magazine  which  they  issue  each 
year  in  connection  with  their  annual 
frolic   and  ball. 

Harry  Hammond  Beal  is  publica- 
tion supervisor,  B.  A.  Holway,  editor- 
in-chief. 


^^^o  Make  "Trail  of  '98" 
Los  Angeles — Robert  W.  Service's 
"The  Trail  of  '98"  will  be  produced 
by  Metro-Goldwyn-Mayer.  Efforts 
will  be  made  to  secure  Clarence 
Brown  to  direct. 


THE 


-JXIK 


DAILY 


Friday,  January  29 


VoLXXXVNo.24  -  Friday.lan.29.1926      PriceSCents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographie 
Francaise,    5,   Rue   Saulnier. 


Quotations 

High    Low    Close      Sales 

Balaban    &    Katz    Not   quoted 

Eastman    Kodak     .  .109'A    109^    109%  100 

Famous  Players  ..113  109?^  112  28,400 
Fam.    Play.    Pfd.    ..119       118J4   119  400 

Film   Inspection    Not  quoted 

First    National    Not  quoted 

Fox  Film  "A"  ...  79>i  791^  79H  400 
Fox  Theaters   "A".    30'A     30         30%     2,700 

International    Projector    Not  quoted 

Loew's,    Inc 38^     38^     38"^         800 

Metro-Gold.  Pfd.  ..  23H  2iVi,  23?^  300 
M.  P.  Cap.  Corp...  \91i  19"^  19%  400 
Pathe  Exch.    "A"..    78         77         77  500 

Skouras     Brothers..    54  54  54  .... 

Stan.    Co.   of   Am Not  quoted 

Trans-Lux     12%      12^      12Ji     2,400 

Universal    Pictures     Not  quoted 

Univ.    Pict.    Pfd Not  quoted 

Warner  Brothers  :  .  13"4  13%  13 H  300 
Warner    Pictures    Not  qnoted 


Pathe  Ties  up  with  Scott  &  Bowne 

The  exploitation  department  of 
Pathe  has  tied  up  with  Scott  & 
Bowne,  of  Bloomfield,  N.  J.,  manu- 
facturers of  Scott's  Emulsion,  where- 
by biographical  publicity  on  the 
Pathe-Roach  "Our  Gang"  comedians 
is  used  in  an  elaborate  booklet,  print- 
ed in  three  colors,  which  will  be  dis- 
tributed throughout  all  Spanish- 
speaking   countries. 

Cast  of  Racing  Special  Completed 

Hollywood — Chadwick  has  com- 
pleted the  cast  for  "Winning  the  Fu- 
turity." It  includes  Cullen  Landis, 
who  will  play  the  lead,  with  Clara 
Horton  opposite;  Ernest  Hilliar,  Eu- 
genie Besserer,  Harry  Todd,  Bruco 
Covington,  Pat  Harmon,  George 
Reed  and  Mattie  Peters. 


^sah(^^& 


Utmost  in  Screen  Brilliancy 


Chaplin  Suit  Advanced 

Los  Angeles  —  Another  step  has 
been  taken  in  perfecting  an  appeal 
from  the  judgment  in  the  suit  brought 
by  Charles  Chaplin  to  prevent  Char- 
les Amador  and  Western  Features 
Prod.,  Inc.,  from  imitating  the  Chap- 
lin costume,  when  the  transcript  on 
appeal  was  settled  and  approved  by 
Judge  John  L.  Hudner,  who  had  ren- 
dered a  decision  restraining  defend- 
ants from  producing  any  picture 
which  would  tend  to  deceive  the  pub- 
lic into  believing  it  was  a  Chaplin 
picture.  The  brief  of  Ben  Goldman, 
counsel  for  the  defendants  was  also 
filed. 


Trouble  Over  South  Dakota  Theater 

Minneapoli  s — Whether  W.  A. 
Stefifes  is  to  be  given  immediate  pos- 
session of  the  Pleasant  Hour  at 
Brookings,  S.  D.,  or  to  take  over  op- 
eration of  the  house  in  June,  1926, 
will  be  decided  in  the  circuit  court 
soon. 

Action  brought  by  the  Fraternity 
company,  owner  of  the  house,  to  evict 
Thompson,  found  the  exhibitor  claim- 
ing his  lease  entitles  him  to  posses- 
sion until  June.  The  companj^  claims 
Thompson's  lease  expired  in  Decem- 
ber, and  already  has  leased  the  house 
to  Steffes. 


Object  to  Navy  Show 

Seattle — Strenuous  objections  have 
been  raised  over  the  showing  of  "The 
Midshipman,"  by  the  U.  S.  Navy  in 
its  theater  at  Bremerton  by  J.  M. 
Home,  secretary  of  the  Washington 
section,  M.  P.  T.«  O.  A.  The  picture 
was  shown  m  advance  of  regular  the- 
aters. 


Hammell  Shows  Improvement 

John  Hammell,  who  is  seriously  ill 
at  a  private  hospital  in  Long  Island, 
had  a  very  good  day  yesterday  and 
was  reported  to  have  "a  figthing 
change  of  pulling  through." 


Pantages  in   Los   Angeles 

Los  Angeles — Alexander  Pantages 
and  his  son,  Rodney,  have  returned 
from  San  Francisco  where  they  have 
been  active  on  the  completion  of  the 
new  $2,500,000   Pantages  theater. 


Louise  Fazenda  to  Be  Starred 

Hollywood  —  Louise  Fazenda  has 
signed  a  new  contract  with  Warner 
Bros.,  under  which  she  will  be  starred 
on  her  own  and  also  co-starred  with 
Willard   Louis. 


First  of  "Melody  Series"  Ready 

Dr.  Hugo  Riesenfeld  is  responsible 
for  the  musical  scores  which  will  be 
furnished  to  theaters  with  the  vari- 
ous subjects  of  Pathe's  new  "'Famous 
Melody  Series,"  the  first  of  which  is 
"Songs  of  Ireland." 


aiiiiiiiiiiniiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiuiiuiiiiiiiiiiuuiiuiiiiiuiiiiiiiiiiiiiiiiiiiiiiiiiinniiiiiiiiiiiiiP 


Burlesque   Reel  at  "Naked  Truth" 

Vic  Shapiro,  editor-in-chief  of  the 
annual  burlesque  news  reel  at  the 
"Naked  Truth  Dinner"  promises 
more  laughs  to  the  square  inch  this 
year  than  ever  before.  Asked  what 
this  year's  reel  will  contain  he  an- 
wered,  "If  you  want  to  find  out — come 
to  the  Astor  on  Feb.  6,  and  you  will 
see  something  you  haven't  seen  be- 
fore." 

Charlie  Einfeld  called  up  yesterday 
and  said:  "Step  on  the  gas,  if  you 
want  a  ticket." 


Three  Jersey  City  Houses 

Three  new  Jersey  City  houses  are 
under  way,  the  first  at  71  Newark 
Ave.,  to  cost  $350,000  and  to  seat 
1,500  by  the  Downtown  Theater  Co. 
At  West  Side  and  Communipaw  Ave., 
the  West  Side  Theater  Co.,  controlled 
by  the  Unites  Theaters  Holding  Co., 
will  erect  a  2,200-seat  house.  This 
company  will  also  erect  a  house  at 
Cator  and  Ocean  Aves.,  seating  1,600. 


To  Turn  Church  Into  Theater 

Plans  have  been  filed  with  the  Man- 
hattan Bureau  of  Buildings  for  mak- 
ing over  the  one-story  church  edifice 
at  127  to  131  West  89th  St.,  recently 
occupied  by  the  Battery  Swedish 
Methodist  Episcopal  Church,  into  a 
picture  theater  at  an  estimated  cost 
of  $5,000.  The  Benkay  Amusement 
Co.  is  the  new  owner. 


New   Film    Delivery   Service 

St.  Louis — A  film  truck  delivery 
service  from  St.  Louis  to  points  in 
Southeast  Missouri  along  State  High- 
way No.  9,  has  started.  Towns  served 
include  Flat  River,  Festus,  Herculan- 
eum.  Crystal  City  and  Farmington. 


Start  Work  on  Loew  House  May   1 

Pittsburgh,  Pa.  —  Construction  of 
the  new  Loew  theater  here,  to  be 
patterned  after  the  Capitol  in  New 
York,  will  start  May  1.  Costing  $2,- 
500,000,   the   house   will   seat  4,000. 


Football   Hero  in   Films 

According  to  reports  from  Holly- 
wood, George  Wilson,  Washington 
?11-American  halfback,  is  to  be  star- 
red by  Warners  in  a  college  story. 


••♦♦♦♦♦ ♦♦>«>♦>«>«>«>«>««♦>««*>«>«>«>♦>«><«« ♦♦ ♦♦ ♦♦ • 

I  Ward  Cine  Laboratoryjnc.  I 


\^  216-222   Weehawken   St. 

J^  Union  City,  N.  J. 

J-J    Telephone   Union   4800 

J^  G.  BERT  WARD,  Pres.   ♦•{ 

**  ♦*• 

♦,♦♦.♦  ♦>♦.♦♦.♦♦.♦  ♦>♦>♦.♦♦>♦>  ♦>♦>♦>♦>•>♦>♦>♦>♦>  '  AfX^^^*  « 


I 


ELECTRIC    GYROSCOPIC 

MOTION    PICTURE 

CAMERA 

Unequalled  for  studio  effects — 

Made    famous    by    U.    F.    A.'s 

"Last    Laugh" — Recently    used 

by    Famous — First     National — 

St.     Regis     and     International 

Newsreel. 

FOR   SALE  FOR  RENT 

B.  M.  Powell 
350  Madison  Ave.,  N.  Y.  C. 

Telephone — Vanderbilt    2080 


Reubenson  Holds  Foreign  R  , 

R.  Reubenson  of  Seventh 
Film  Co.,  Ltd.,  London,  E 
holds  a  three  year  contract  to  s  J  '^ 
output  of  the  Short  Films  Syn 
Inc.,  in  all  countries  except 
States  and  Canada,  despite  all  r 
to  the  contrary. 


I 


s 


Hal  Roach 


GI^ENN  TRYC 

iON&PANI 


This  is  a  'Comerblock'  cut  fun 
FREE  for  all  Pathecomedies  at 
exchange. 


WANTED 

New    model    Akeley    in    go 
condition,     state     lowest    ca 
price,   details.     Adress 
Box  M-283  c-o  Fihn  Dai 

1650  Broadway  N.  Y. 


NATIONAL     EVAN 

LABORATORIES,  In 

Developing — Printing— Title 

1476  Broadway 
Telephones  Bryant  9330-t: 


OFFICE  WANTED 

Two  or  three  rooms  in  good  bui 
ing  within  a  few  blocks  of  42nd  5 
and   5th  Ave.     Will  buy  furniture. 

Box   M-285  c/o  FILM   DAU 

1650  Broadway  New  York  Ci 


HALPERIN 


I  For  Service  &  Econom 

I  Forward  Your  Film  Shipment 
i  Through 

i  EDWIN  O'BRIEN,  INC 

I  Foreign     and     Domestic     Foi 

I  warders,  Customs  Brokers,  In 
i  surance  Agents  | 

I  218  West  42nd  St. 

[  New  York  City 

I  Telephones:      Wisconsin   0109-6969 


J. 


3Bj 
MONTH - 


a 


/y 


\ 


^ 


V 


I 


Horn- 

.that 


K 


'Look  this 
b/^othe/^ 


'\ 


I 


N 


/ 


'Gbfmry 

ZS     ^ 


COMPANYS 
MOHTM   ^ 

Ive  signed 
fon  tkt 


r 


y 


'^1   ^^    ^c 


•-^ 


^ 


Horn-  h. 
rnm  also. 

7i/Ta 


a' 


■<< 


\\ 


\ 


\ 


J 


"■Q 


X 


'1 


T 


/ 


^^M 


/ 


•s- 


7 


Conj(rdtuIatio 


Mr  Exhibitor. 


You're  wise — and  you're  a  fast  worker. 


» 


\ 


I 


You  know  your  public  won't  wait  till  next  Fall  i 
BIG  pictures. 


it 
11 
il 


Ifjiei 


•! 
So  you're  booking  BIG   ones    now — for   immedi^lEi 


1 


release,  from  January  to  June; 


I 


Paramount's  Great  Spring  Grou 

OF  30  SPECIALS 


Mi 


Jia 


You're    booking    tiiem    faster    tlian    any    line-up 
pictures  was  ever  booked  before!  _| . 

AND  WITH  WHAT  AMAZING  RESULTS  ALREAES 
AT  THE  BOX  OFFICE ! 


I 


( 


<^'THE  WANDERER"  is  cracking  all  records  in  Bostc«  ^ 
and  other  key  points. 

"THE    GRAND   DUCHESS   AND    THE    WAITER 
topped    all    previous    highs     at     McVicker's,    Chicagi 
with  $31,000  in  a  week. 

"THE  VANISHING  AMERICAN,"  fresh  from  its  I 
showings,  is  going  like  a  box  office  afire.  1% 


m. 


HAROLD    LLOYD  in    For  Heaven's 

Sake"  (his  first  Paramount  release)  is  on  the 
way. 

"BEHIND  THE  FRONT"  is  the  red  hot  tip  of 
[le  hour  for  a  comedy  cleanup! 

GLORIA  SWANSON  in  "The  Untamed  Lady", 
HOMAS  MEIGHAN  in  "The  New  Klondike", 
>OLA  NEGRI  in  "Because  I  Love  You",  RAY- 
MOND GRIFFITH  in  "Fresh  Paint"— super-star 
Ipecials. 

"DANCING  MOTHERS",  "THE  BLIND  GOD- 
3ESS",  "SEA  HORSES",  "THE  SONG  AND 
3ANCE  MAN",  "THE  RAIN  MAKER"— sensational 
stories  with  casts  studded  with  favorites. 

BEBE  DANIELS,  DOUGLAS  MacLEAN,  RICH- 
fVRD  DIX,  W.  C.  FIELDS— stars  that  draw  and 
iraw  and  draw! 

That's  the  caliber  of  Paramount's  30 — all  coming 
pn  definite  release  dates  between  now  and  June. 

Congratulations,  Showmen! 

You  know  the  World's  Greatest  Picture  Buy  when 
you  see  it — and  you^re  grabbing  it  quick! 


fpanimount  pictures 


nswer 


BRUSH  aside  the  bunk-sweep  away  the  tinsel 
^dust  of  colored  inserts — stuff  your  ears  to 
the  screech  of  noisy  ballyhoo— dig  down  under 
the  extravagant  claims  of  producers-get  down  to 
earth  and  answer  this  question  with  one  word: 

WHO  IS  MAKING  THE  MONEY 
GETTING  PICTURES  THIS  YEAR; 

Who  made  "THE  PHANTOM  OF  THE  OPERA"?  j 

Who  made  "THE  HUNCHBACK  OF  NOTRE  DAME"? 

Who  made  "THE  FLAMING  FRONTIER"? 

Who  made  "THE  MIDNIGHT  SUN"? 

Who  made  "HIS  PEOPLE"? 

Who  made  "THE  COHENS  ^ND  KELLYS?" 

Who    made    REGINALD    DENNY'S    "SKINNER'S 

DRESS  SUIT"? 

Who    made    HOOT    GIBSON'S    "THE    CALGARY 

STAMPEDE"? 

Who  made  REGINALD  DENNY'S  "ROLLING  HOME"? 

Who  made  "THE  TEASER"? 

Who  made  "  WATCH  YOUR  WIFE  "  ? 


I 


The  answer  to  the  above  is  the  name  of 


^** 


«• 


11 


uestions 


Who  made  HOOT  GIBSON'S  "THE  ARIZONA 

SWEEPSTAKES"? 

Who    made    REGINALD    DENNY'S    "WHAT   HAP- 
PENED TO  JONES"? 

Who  made  HOOT  GIBSON'S  "LET  'ER  BUCK"? 

Who  made  REGINALD  DENNY'S  "WHERE  WAS  I?"? 

Who  made  "SPORTING  LIFE"? 

Who  made  "UNDER  WESTERN  SKIES"? 

Who  made  "  THE  STILL  ALARM  "  ? 

Who  made  HOOT  GIBSON'S  "TAMING  THE  WEST"? 

Who  made   HOUSE  PETERS'  "COMBAT"? 

Who  made  HOOT  GIBSON'S  "THE  SADDLE  HAWK"? 

Who  made  REGINALD  DENNY'S"CALIFORNIA  STRAIGHT 

AHEAD"? 

Who  made  HOOT  GIBSON'S  "THE  HURRICANE  KID"? 

Who  made  REGINALD  DENNY'S  "I'LL  SHOW  YOU 

THE  TOWN"? 

Who  made  "LORRAINE  OF  THE  LIONS"? 

Who  made  REGINALD  DENNY'S  "OH  DOCTOR"? 

Who  made  HOOT  GIBSON'S  "CHIP  OF  THE  FLYING  U"? 


I 


ucer  whose  product  you^ll  want  next  year  I 


r 


DAILY 


Friday,  January  29, 


Newspaper  Opinions 

"The   American   Venus" — Paramount 
Granada,  San  Francisco 

BULLETIN—*  *  »  Miss  Ralston  gives  a 
charming  performance  and  some  very  ludi- 
crous situations  are  created  by  Ford  Sterling, 
the  enjoyable  villain  of  the  play.  *  *  * 

CALL  AND  POST—*  *  *  Is  extremely 
clever  in  spots.  But  it  is  spotty.  Its  leaders 
are  downright  clever.  Its  characters  are  all 
well   cast.    ♦    *   * 

EXAMINER—*  *  •  Paramount  had  an 
optic  paralyzer  for  the  American  public — 
a  keg  of  visionary  T.  N.  T.  for  movie  fans 
— when  it  decided  to  film  the  annual  ''Miss 
America"  contest  at  Atlantic  City,  and  built 
around  it  a  simple  plot  to  thread  the  whole 
together.    ♦   ♦    ♦ 

NEWS — *  *  *  Miss  Lanphier  shows  her- 
self to  be  an  actress  of  no  mean  ability  as 
well  as  the  possessor  of  a  form  divine,  and  a 
face  easy  to  gaze  upon.  *  *  * 


"The   Big    Parade"— M.-G.-M. 
Majestic,  Boston 

GLOBE — *  *  *  Is  one  of  the  great  pic- 
tures   of    the    decade. 

"The  Big  Parade"  is  worth  all  the  ap- 
plause it  received.  It  is  not  propaganda,  as 
were  so  many  films  made  during  the  war, 
but  it  is  war  as  it  was  fought.  The  men 
characters  are  not  copy-book  heroes,  and  the 
heroine  is  no  marcelled  atid  manicured  musi- 
cal  comedy  leading   lady.   *   *   * 

HERALD—*  *  *  It  is  without  a  doubt 
one  of  the  finest  things  that  the  films  have 
yet  achieved.  Here,  at  last,  after  what 
seemed  an  endless  procession  of  saccharine 
and  "bathetical"  war  movies,  is  a  film  of  war 
that  has  starkness,  a  brutal  intensity,  a 
pungent  realism,  and  a  mad  and  grotesque 
laughter.   *   *   * 

POST—*  *  *  A  tremendous  film  docu- 
ment *  *  »  the  greatest  war  picture  ever 
filmed.  *  *  *  It  is  a  powerful  and  epochal 
film,  replete'  with  human  moments,- — dra- 
matic, comic  and  romantic — and  it  pictures 
the  World  war  as  the  doughboys  saw  it  in 
all  its  grim  humor  and  horrible  destructive- 
ness.    *   *   * 

TRANSCRIPT—*  *  *  "The  Big  Parade" 
goes  farther  towards  honest  naturalism  than 
any  preceding  film  of  the  German  war.  It 
indulges  in  a  minimum  of  affected  flag-wav- 
ing, and  makes  no  bones  about  allowing  the 
unpleasant  to  intrude.  Mr.  Vidor  is  at  every 
step  quite  sure  of  his  mastery  of  the  medium. 
The  actors  take  their  parts  with  discernment 
and  gusto.   ♦  *  * 

Poli's,   Washington 

HERALD—*  *  *  The  question,  "Who 
made  the  greatest  picture  of  the  war?"  finds 
its  answer  *  *  *  in  "The  Big  Parade,"  King 
Vidor's  picturization  of  Laurence  Stallings' 
gripping  story.  I  am  not  so  sure  that  "The 
Big  Parade"  is  not  the  greatest  movie  ever 
made,  for  that  matter.  *  *  * 

POST — *  *  *  The  picture  both  marks  and 
makes  an  epoch.  Laurence  Stallings  has  put 
into  his  story  the  things  that  are  usually 
thought  because  words  for  expression  are 
inadequate.  The  portrayal  is  accomplished 
without  cant,  tricks  or  hokum.  It  gives 
producers,  authors  and  directors  another  goal 
to  strive  for — another  mark  to  shoot  at.  *  *  * 

STAR—*  *  *  "The  Big  Parade"  is  easily 
the  greatest  war  picture,  and  takes  its  rank 
with  the  greatest  moving  pictures  ever  shown. 
The  marvelous  resources,  the  science  and  art 
of  the  screen  have  combined  to  paint  a  living 
and  a  true  picture  of  war  ;  not  a  pretty  pic- 
ture,  because  it  is  real.   *  *  * 

TIMES — •*  *  *  The  picture  is  immense, 
t)oth  as  to  scale  and  story.  »  ♦  *  Director 
King  Vidor  has  done  miracles  with  the 
battle  scenes.  No  previous  story  of  the 
World  War  has  attempted  with  the  serious- 
ness nor  with  the  magnitude,  a  panorama  of 
war  such  as  we  see  here.  *   *  * 


CHRONICLE—*  *  *  It  is  a  great  per- 
formance that  Chaney  gives,  both  of  the 
saintly  Bishop  and  the  mean-hearted  Black- 
bird. His"  command  of  facial  expression  is 
phenomenal ;  his  art  of  pantomime  superb ; 
Ills   power  marked.   *   *  * 

HERALD—*  *  *  "The  Blackbird,"  unlike 
Clianey's  recent  vehicles,  is  not  horrible,  in- 
deed, it  is  a  strong  and  always  interesting 
drama,  but  it  leaves  a  certain  shuddery  im- 
pression.   *   *   * 

NEWS—*  *  *  As  a  story,  "The  Blackbird" 
is  crammed  with  exciting  incidents  and 
startling  situations.  The  Limehouse  and  the 
denizens  of  the  district  are  interestingly  pic- 
tured. *  *  * 


"Moana" — Paramount 
St.  Francis,  San  Francisco 

BULLETIN—*  *  *  Tells  the  same  con- 
vincing story  of  the  tropics  as  "Nanook" 
told    of    the    arctic.    *    ♦    ♦ 

The  picture  was  made  by  Robert  J.  Fla- 
herty, who  spent  two  years  in  the  South 
Seas  making  the  film.   *  *   ♦ 

CALL  AND  POST—*  *  *  The  picture  is 
filled  With  thrills  incidental  to  primitive  life. 
Ihere  is  the  snaring  of  a  wild  boar  in  the 
jungle  and  the  capture  of  a  giant  tortoise 
after  a  battle  in  the  water.  There  is  drama 
in  the  tribal  ordeal  of  tattooing  and  in  the 
dance  of   courtship.   *   *   * 

EXAMINER—*  *  *  When  the  list  of  the 
"best  pictures  of  1926"  comes  to  be  com- 
piled, "Moana,"  a  simple  story  of  native 
liie  is  certain  to  be  included.   *   *   * 

HERALD—*  *  *  "Moana,"  beautiful  de- 
piction of  Polynesian  life,  untrammeled  by 
Caucasian    influence,    is    being    shown. 

Robert  Flaherty,  noted  for  depiction  of 
life  within  the  Arctic  circle  a  few  seasons 
ago,  is  responsible  for  this  film,  better  de- 
scribed as  an  animated  epic  than  as  a  ro- 
mance.   *   *   • 

NEWS— »  *  *  In  "Moana"  Flaherty  tells 
a  story  of  the  South  Seas  and  its  people, 
not  as  seen  by  the  traveler,  but  as  they 
are  known  to  one  who  has  lived  there.  He 
has  caught  the  beauty  and  glamour  of  the 
land  and  translated  it  into  a  series  of  won- 
derful pictures,  in  which  he  tells  the  story  of 
their  lives,  their  loves  and  their  worries  and 
problems.    *    *    ♦ 


"Seven  Keys  to   Baldpate" — Param't 
Grand  Riviera,  Detroit 

FREE  PKLSS — ■'  *  '  Xn  its  screen  form 
it  provides  a  picture  that  kept  Sunday's  audi- 
ence alternately  thrilled  ana  amused,  because 
It   Is   more   than  a   comedy.    *    *    * 


"Siege" — Universal 
Parkway,  Baltimore 

AMERICAN — '   '  *  "Siege"  is  fine  drama, 

thanks  chierty  to  Svend  Gade  and  Mary  Alden. 

»   *   * 

SL'N — '  *  *  Histrionic  heights  are  trod 
by  luary  Alden,  one  ot  the  screens  finest 
cliaracter  actresses.  As  an  old  lady,  a  veri- 
table tyrant  in  her  own  home  town,  she  is 
truly    excellent.    ♦    »    » 


"Souls  for  Sables"— Tiffany 
Karlton,  Philadelphia 

BCLLEllN — "Souls  for  Sables"  is  a  sug- 
gestive title  tor  the  ottering  this  week  at  the 
Karlton.  It  tells  the  story — the  fine,  smooth 
surfaces  of  life,  beautiful  gowns,  sparkling 
jewelry  and  glittering   scenes.    *   *    * 

PUBLIC  LEDGER-*  *  *  It  is  hard  to 
tell  just  why  this  tale  of  domestic  strife  was 
called  "Souls  for  Sables,"  for  at  no  time  do 
the  ladies   in   question  depart   from  their  souls. 


"The  Splendid  Crime" — Paramount 
Apollo,  Indianapolis 

STAR — *  *  *  The  result  is  not  all  that 
could  be  wished  for  in  the  way  of  entertain- 
ment but  those  "meller"  fans  who  refuse  to 
examine  too  closely  into  the  works  of  the  pres- 
ent piece  will  enjoy  it.  *   *  * 

TIMES — *  *  *  Taken  in  a  general  way  the 
picture  will  entertain,  but  is  not  what  one 
might  expect  were  they  looking  for  something 
big.    ♦    ♦    * 


"The    Blackbird"— M.-G.-M. 
Warfield,  San  Francisco 

BULLETIN—*  *  *  "The  Blackbird"  is 
Chaney's  picture  from  beginning  to  end. 
While  he  is  supported  by  a  most  competent 
cast,  there  is  not  a  scene  he  does  not  domi- 
nate. There  is  very  little  comedy  in  this 
picture.   *   *  • 

CALL  AND  POST— »  *  •  Even  if  "The 
Blackbird"  were  not  the  most  absorbing  sort 
of  screen  tale — which  it  is — it  would  be  thor- 
oughly worth  one's  while  to  see  it,  if  only 
to  speculate  on  how  Chaney  manages  to 
throw  himself  so  completely  out  of  joint 
and  back  again  without  the  aid  of  a  chiro- 
practor. •  •  * 


"The  Road  to  Yesterday"— Prod. 

Dist.   Corp. 

California,   San  Francisco 

BULLETIN—*  *  *  The  leading  characters 
in  the  play  are  victims  of  a  tremendous  col- 
lision between  a  freight  train  and  a  pas- 
senger flyer.  Right  here  it  can  be  said  that 
this  crash  is  the  most  impressive  train  smash 
ever   brought    to   the   screen.    *    *    * 

CALL  AND  POST—*  *  *  The  reincarna- 
tion theme  is  not  well  worked  out  in  the 
picture.  The  modern  story  is  a  good  one — 
the  throwback  of  three  centuries  in  spots 
rather  tiresome.  The  thrills  are  well  staged, 
the   train    wreck    most   realistically.    *    *    ♦ 

CHRONICLE—*  *  *  De  Mille  has  been 
lavish,  as  usual,  but  his  money  has  been  spent 
to  better  use  than  in  organizing  balloon  par- 
ties and  cabaret  entertainments.  The  pa- 
geantry of  feudal  life  is  splendidly  put  on 
the  screen.   *  *   * 

EXAMINER—*  *  *  All  the  De  Mille 
tricks  are  in  full  evidences,  and  the  "credit" 
could  be  admitted  from  all  advertising. 
Photography,  cast,  selection,  direction,  story, 
thrills,    everything    are    typically    De    Milleish. 

This  means  good  entertainment  for  everybody. 

*   *   « 

NEWS — *  *  *  Bears  in  its  every  phase 
the  master  touch  of  Cecil  B.  De  Mille.  It 
has  been  given  a  magnificent  production, 
particularly  the  settings  in  the  medieval  Eng- 
glish  sequences  in  which  the  major  portion 
of   the   action   is   set.   •   *   * 


"Sally,  Irene  and  Mary"— M.-G.-M. 
State,  Cleveland 

NEWS — *  *  *  little  more  than  a  gaudy 
tale  concerning  the  after-the  theater  life  of 
gold-digging  chorus   girls.   *   *   * 

PLAIN  DEALER—*  *  *  The  glamour  of 
stage  life  as  reflected  by  this  film,  should  find 
its  mark  in  film  audiences.  This  story  doesn't 
dift'cr  a  whole  lot  from  most  of  the  other  "back 
stafie"   stories.    *    *    * 

TIMES—*  *  *  The  production  is  elaborate- 
ly staged  and  well  directed  with  some  fair 
acting  thrown  in  here  and  there  and  will 
probably  find  favor  in  the  eyes  of  movie  fans. 


"Sporting  Life" — Universal 
Reade's,  Cleveland 

NEWS — *  *  *  With  one  improbable  situ- 
ation piling  on  another,  it  succeeds  in  carry- 
ing the  audience  along  by  its  sheer  breath- 
taking speed  rather  than  by  any  reasonable 
appeal   to   anyone's   better   judgment.    *   *    * 

TIMES — *  *  *  makes  no  eft'ort  to  be  classed 
as  a  screen  masterpiece,  but  it  does  fill  the  bill 
as  a  fast  moving,  sensational  thriller  of  melo 
drama  type.  It  has  a  horse  race  scene  that 
holds    and    thrills.    *    *    * 


New  Theaters 

Salt    Lake    City — The    Boise    Theatt 
have  opened  the  Rialto.  | 


* 


jil* 


Madison,  111. — Charles  Pauly  &  Soi 
Granite  City,  111.,  are  architects  for  i 
house   to  be   erected  on   Madison  Ave. 


Red  Lodge,  Mont. — The  Iris,  a  new  1 
has  opened.  The  house  was  built  by  a 
syndicate  headed  by  B.  Downard  at 
Pryde. 


(d 


Paris,  111. — The  new  Paris  opened  reel 

Birmingham,  Ala.— The  Piccadilly,  on  j 
St.,  between  First  arid  Second  Aves. ' 
opened. 


( 


Wayne,    Mich. — A    $125,000   house  w 
erected  here.  I 


Detroit — Frank  DeLodder,  owner  o  i\ 
East  End,  will  open  a  new  house  about  'i 
I,   which   will   seat   1,200. 


Denver — Frank  Culp  has  opened  the '! 
ada.     It  is  a  suburban  house,  seating  60ii 


Hill,  N.  H. — A  new  house  has  o ! 
in  Woodward  Hall.  M.  Woodward, 
owner,    will   manage   it. 


Kemmer,  Wyo. — The  Victory  bas  t; 
opened  by  Williams  and  Davis,  owne^ 
the  Kemmer  House.  The  latter  is  li 
closed    shortly.  I 


Theater  Ghangese 

Granville,  N.  Y. — Adolph  Kohan  ol-i 
Pastime  has  sold  his  theater  to  Williaiii 
Benton   who   takes   possession   soon.         | 


Cleveland — Jules     Schwartz     has    rem  ' 
the    Homestead. 


"That  Royle  Girl" — Paramount 
Stanton,  Philadelphia 

BULLETIN—*  *  *  is  a  good  picture.  That 
is,  if  the  audience  knows  nothing  of  crime 
detection.  For  in  every  department,  the  sce- 
nario is  impossible  and  very  badly  assembled. 
The   continuity    is    miserable.    *    •    * 

INQUIRER — When  a  bootlegger  mixes  up 
his  love  with  two  fiery  women,  things  are 
very  likely  to  happen — and  they  do,  in  "That 
Royle  Girl,"  the  D.  W.  Griffith  picture.  *  *  * 
Perhaps  it  cannot  be  called  a  picture  of  start- 
ling   excellence.    *    ♦    * 

PUBLIC  LEDGER—*  *  ♦  Based  on  the 
novel  by  Edward  Balmer  it  breathes  the  very 
essence    of    modern    city   life.    *    *    * 


"The  Unguarded  Hour"— 1st  Nat'l 
La   Salle,   Detroit 

FREE  PRESS—*  *  *  A  particularly  lavish 
and  colorful  photoplay  is  "The  Unguarded 
Hour,"  which  brings  Milton  Sills  and  Doris 
Kenyon   to  the   screen.    *    *   * 


"The  Vanishing  American" — Param't 

Merrill,  Milwaukee 

SENTINEL—*  *  *  Done  on  the  same 
sweeping  and  picturesque  scale  of  "The  Cov- 
ered Wagon,"  this  film  fails  somehow  to  live 
up   to  that   previous   masterpiece.    *    *   * 


COMING  FAST! 


HERE  HE  COMES! 

Don't  Let  Him  Pass  You  By!    3 


Findlay,    O. — C.    L.    Bellinger    is   no»- 
ning    the    Marvin    which    closed    when  G; 
Dupin    failed    to    renew    his    lease.      Bel!! 
ov/ns   the  building. 


Bangor,     Me. — The    Graphic    has    reot 
after   having   been    remodeled   following  a 


St.    Paris,    O. — Ethel    Cooper   has  pure 
the    Strand    from    Gallagher    &    Webster,  I 


Cleveland — Milton  Mott  is  the  new  r. 
of  the  Castle.  It  was  purchased  from  ii] 
Strunk.  1 


Columbus,  O. — John  Pekras,  who  opu 
houses  in  Elyria,  has  purchased  the  D' 
land   here.  I 


Findlay,   O. — The   Marvin  has  closed, 
reported   that    it   will   reopen   in   Februar 


Philadelphia — A  lease  has  been  take 
the  Littleton,  40th  St.  and  Lancaster 
by    Herbert    Effinger.      It    seats    500. 


Lancaster,    Pa. — The    New    Capitol   ha 
opened    after    extensive    remodeling. 


Kansas  City — Frank  Amos  has  openc; 
new  Westport,  at  43rd  St.  and  Mercer 
seats   1,000. 


Max 


Son[ 


Fleischer's    Ko-Ko 
Car-Tune 

"DOLLY  GRAY^ 

This  Week  Plays  New  York 

CAPITOL 


729  Seventh  Ave..  N.  Y.  C. 
DISTRIBUTORS 


jJi 


THE 


■c&m 


DAILY 


^You^ll    Find    One    Everywhere" 


i 


NO  W  BEING  DISTRIBUTED 
TO  ALL  PARTS  OF  THE  WORLD 


THE 


10 


-.ggg^ 


DAILY 


Friday,  January  29, 1 


Trade  Follows  Film 

(Continued  from  Page   1) 
useful  information  and  fostering  com- 
merce,    intercourse,     friendship     and 
peace. 

While  the  feature  picture  acquaints 
South  American  neighbors  to  some 
extent  with  our  mode  of  living,  not 
the  least  important  emissary  is  the 
news  reel,  which  brings  to  them  a  fa- 
miliarity, not  only  with  current  events 
but  also  with  various  places  in  this 
country,  it  is  pointed  out.  As  in  many 
European  countries,  the  showing  of 
pictures  of  our  modern  life,  depicting 
our  styles,  furniture,  automobiles,  etc., 
has  resulted  in  a  real  demand  for 
those  products. 

One  necessity  for  the  continued 
maintenance  of  the  friendship  which 
is  being  built  up  via  the  screen,  it  is 
declared,  is  for  care  in  the  selection 
of  characters.  The  nationality  of 
countries  in  which  the  films  are 
shown  should  not  be  adopted  for  mil- 
lions, and  there  is  a  natural  resent- 
ment which  inevitably  results  from 
such  a  characterization.  American 
films,  however,  in  the  main,  are  now 
free  of  this  defect. 

Representatives  of  the  Latin-Amer- 
ican countries  are  glad  to  see  our 
films  used  in  their  countries,  and  have 
expressed  the  wish  that  South  Amer- 
icans could  see  films  of  their  own_  na- 
tions, depicting  their  modern  cities 
and   their  natural  wonders. 

The  interchange  of  native  films 
between  all  countries,  it  is  felt  in 
some  quarters,  would  do  more  to 
bring  abou't  international  harmony 
than  all  the  treaties  ever  devised.  The 
film,  bringing  its  lesson  in  the  form  of 
a  story,  is  more  potent  than  any 
newspaper  and  is  less  subject  to  the 
sway  of  personal  feeling  or  ambition. 
This  is  especially  true  in  South 
America,  where  a  large  part  of  the 
native  population  is  untutored.  But 
they  need  no  education  to  follow  a 
pic+urized  story. 

"Tt  is  no  exagceration  to  say  that  the  mov- 
ins  oictiire  has  hemme  a  mo<it  important  in- 
fluence in  bringing  the  people  of  Latin  America 
into  rioter  touch  with  the  life  and  thought  of 
the  United  States,"  declared  the  Honorable 
T,.  S.  Row.  Director  Genera!  of  the  Pan 
American  I^nion.  in  a  statement  to  the  repre- 
sentative   of    THE    FILM    DAILY. 

"During  the  early  years  of  the  moving  pic- 
ture industry  the  films  sent  to  Latin  America 
did  not.  as  a  rule,  depict  the  higher  aspects 
of  American  life,  but  a  great  change  is  notice- 
able in  this  respect  in  recent  years.  Instead 
of  the  blood-curdling  dramas  and  melodramas 
of  frontier  life,  the  films  now  being  sent  to 
Central  and  South  America  are  placing  before 
the  people  of  tho«e  countries  an  increasingly 
accurate  picture  of  the  every-day  life  of  the 
peonle   of  the    United    States, 

"One  of  the  important  influences  bringing 
about  this  change  has  been  the  inclusion  of 
'news  films'  in  every  motion  picture  program 
setting  forth  current  events  of  universal  in- 
terest. Motion  pictures  of  the  operation  of 
great  industrial  establishments  are  serving 
better  to  acquaint  the  people  of  Latin  America 
with  those  products  in  which  the  industry  of 
*he  TTnited  .States  excels  and  are  contrbuting 
in  no  small  measure  toward  arousing  interest 
and  even  in  increasing  the  consumption  of  the 
manufactured    products    of    this    country." 


The  Keaton-Langdon  Error 

Due  to  an  error  Metro-Goldwyn- 
Mayer  announced  last  Monday  that 
Buster  Keaton's  next  picture  would 
be  "Tramp.  Tramp,  Tramp."  The 
fact  is  that  Joan  Crawford  was  loaned 
by  M.-G.-M.  to  Harry  Langdon  to 
play  in  "Tramp,  Tramp,  Tramp." 
The  Keaton  picture  is  still  titled 
"Battling  Butler." 


Site  Selected 

(.Continued  from  Page  1) 

Definite  decision  as  to  the  location 
was  reached  at  a  meeting  of  Rowland 
and  the  executive  committee,  follow- 
ing which  John  McCormick,  in 
charge  of  production  on  the  Coast, 
was  authorized  to  purchase  the  land 
comprising  64  acres.  The  site  is 
known  as  the  Providencia  Rancho 
and  Scott  tract  subdivision.  It  adjoins 
the  Lakeside  Golf  course.  A.  V. 
Handorf  is  the  owner. 

Bids  are  now  being  received  for  the 
erection  of  a  group  of  buildings  in  a 
decorative  manner.  There  will  be  no 
delay  as  it  is  planned  to  have  some 
units  installed  in  by  June.  Construc- 
tion will  be  in  charge  of  C.  P.  But- 
ler. 


Balboni  to  Direct  Four 

Hollywood — Sylvester  Balboni  will 
direct  four  productions  for  First  Na- 
tional this  year. 


Big  Laemmle  Party 

(Continued  from   Page  1) 

cing  will  begin  at  9  P.  M.  and  will 
be  interrupted  by  a  supper  at  11:30. 
Following  this,  there  will  be  dancing 
and  entertainment.  Music  will  be 
supplied  by  Ben  Bernie  and  his  or- 
chestra. E.  H.  Goldstein  will  be  mas- 
ter of  ceremonies  and  R.  H.  Coch- 
rane, the  toastmaster. 

Laemm.le's  twenty  years  in  the  busi- 
ness constitute  almost  the  entire  life 
of  the  industry.  When  he  left  the 
department  store  early  in  1906  and 
opened  a  small  store-show  theater 
in  Chicago  on  Feb.  26  of  that  year, 
motion  pictures  consisted  of  split  reel 
pictures,  mostly  of  the  novelty  type. 
The  present  Universal  organization, 
valued  at  millions,  has  grown  from 
an   initial  investment  of  $3,600. 


Reconsidering  Tax 

(Continued  from   Page   1) 

cruing  from  the  exhibition  of  Ameri- 
can pictures,  no  matter  by  whom. 
The  statute  would,  therefore,  hit 
purely  Australian  companies  as  well 
as  American-owned  subsidiaries  of 
American  distributors.  The  Australian 
Press  Ass'n  said  it  was  uninformed 
yesterday  of  this  development.  At 
the  ofiFice  of  the  Australian  Govern- 
ment Commissioner,  no  information 
could  be  secured. 


In  the  Courts 

The  complaint  in  the  suit  of  the 
R.  and  R.  Realty  Corp.  against  the 
Diamant  Film  Co.,  William  J.  Ger- 
man and  Henri  Diamant  Berger  was 
filed  in  the  Supreme  Court  yesterday. 
It  seeks  to  foreclose  a  chattel  mort- 
gage on  the  company's  property, 
most  of  which  is  at  Fort  Lee.  It  is 
alleged  the  sum  of  $5,000  on  a  $7,000 
loan,  secured  by  notes,  has  not  been 
paid.  Plaintiff  seeks  an  order  en- 
joining the  defendant  from  disposing 
of   its   property   and   asks    a   receiver. 


Sierra    Closes    Deal 

Dale  Henshaw  president  of  Sierra, 
has  sold  Tony  Luchese  of  the  Lib- 
erty Film,  Philadelphia,  a  series  of 
two-reel  animal  bed-time  stories  and 
the  Milburn  Morante  series  for  Phila- 
delphia. 


Presentations 

A  feature  dealing  with  the  man- 
ner in  which  first-runs  build  their 
programs  and  written  from  the  an- 
gle of  one  who  sits  out  front. 

Designed  solely  for  the  purpose  of 
conveying  to  exhibitors  ideas  to  be 
used  in  developing  their  own  shows. 

Capitol 

Unit  No.  1.— Orchestra— "'March" 
from  "Tannhauser."  Time,  9  minutes. 

Unit  No.  2. — Baritone  Solo — "Eve- 
ning Star"  from  "Tannhauser."  Scene: 
drop  showing  landscape  in  silhouette, 
evening  effect;  dim  lighting;  spot  on 
singer.     Time,  4  minutes. 

Unit  No.  3. — Short  subject — "The 
Land  of  the  Moose."  Time;  5  min- 
utes. 

Unit  No.  4.— "Neapolitan  Nights"— 
featuring  Celia  Turrill  and  William 
Robyn  in  song  numbers.  Scene: 
painted  drop  showing  skyline  of  Ital- 
ian city;  lake  in  front  with  gondolas 
floating  beside  stone  steps  running 
clear  across  stage;  arched  doorway 
above.  Singers  in  Neapolitan  costume. 
Tenor  makes  his  appearance  in  boat 
that  draws  alongside  steps  on  which 
the  woman  is  seated.  Selections:  "Ne- 
apolitan Nights,"  "Come  to  the  Sea," 
"Mother  Mine."     Time,  7  minutes. 

Unit  No.  5. — Doris  Niles — "Anitra's 
Dance"  from  "Peer  Gynt  Suite,"  by 
Grieg.  Scene:  painted  drop  showing 
vivid  contrast  between  palm  trees 
against  dull  red  sky  with  glowing 
crimson  sun.     Time,  4  minutes. 

Unit  No.  6.— Weekly  magazine. 
Time,  10  minutes. 

Unit  No.  7.— "Ballet  of  the  Snow." 
— Hilda  Butsova,  ballerina,  and  bal- 
let. Scene:  curtain  shows  trees  in  sil- 
houette against  blue  sky- — winter 
scene  with  snow  falling.  Dancers  in 
white  ballet  costumes.  Time,  5  min- 
utes. 

Unit  No.  8.— Feature— "Dance  Mad- 
ness."    Time,   70  minutes. 


De  Bruler  Quits  Majestic 

Houston — Ralph  De  Bruler  has  re- 
si'^ied  his  place  with  the  Interstate 
Amusement  Co.  as  manager  of  the 
Majestic.  He  came  to  Houston  in 
September  from  Atlanta.  He  is  suc- 
ceeded temporarily  by  Bob  O'Donnel 
of  the  Dallas  oflRce. 


Max   Schagrin  to  the   Coast 

Youngstown,  O.  —  Max  Schagrin, 
local  exhibitor,  has  gone  to  Cali- 
fornia  for  the   Winter. 


Keith's  Palace  Win  Not  Change 

Cleveland — The  report  that  Keith's 
Palace  will  change  to  three  shows  a 
dav   with    pictures    is    denied. 


new 


/ 


Some  Title  Changes 

Hollywood    —    A    few 
changes  include: 

"Watch  Your  Wife,"  changed  f 
"Wives  for  Rent,"  (Sven  Gade 
recting  Virginia  Vallie  for  Univen 

"Beware  of  Blondes"  changed  f 
"Poker  Faces,"  (Harry  Pollard 
recting  Laura  La  Plante  for  Uni 
sal). 

"The  Mystery  Club"  changed  f 
"Crimes  of  the  Arm  Chair  CI 
(Herbert  Blache  directing  1 
Moore  for  Universal). 

"The  Lady  of  the  Harem"  chaii( 
from    "The    Golden    Journey,"  f 
"Hassan,"  (Raoul  Walsh  directed 
Paramount). 


Switow   Theater    Co.    Meets'! 

Louisville,   Ky. — The   Switow  T( 
ater  Co.  of  Jeffersonville,  which 
erates  eleven  houses,  has  elected 
fleers    as    follows:    Michael    Swit 
president  and  general  manager;  ( 
C.   Kopp,  vice  president  and  gen 
counsel;     Harry     Switow,    secrets 
Samuel  Switow,  treasurer;  W.  T. 
gram,  Charles  F.  Antz,  John  Glenll 
Geo.  C.  Kopp,  Michael,  Harry,  S.| 
uel  and  Fred  Switow,  directors.    ' 


Benton  Adds  Another 

Glens   Falls.   N.  Y.  —  The  Ri 
which   has   been   entirely   rebuilt 
redecorated  since  the  recent  fire, 
been    leased   from    Keith   by  \W 
Benton,  of  Saratoga  Springs,  who 
continue  to  show  vaudeville  and 
tures.     Benton  also  controls  the  C 
gress  at  Saratoga  Springs,  the  Cai 
at    Whitehall,    Pastime    at    Grami 
and  theaters  at  Ballston  Spa,  Pla 
burgh  and  Mechanicsville. 


Midnight  Shows  Popular 

Dallas — The  midnight   show  is 
coming  more  popular  and  quite  pr 
able,   in    the   opinion   of  Jack  M 
dith,  publicity  director  in  the  Soi^ 
west  for  Universal,  who  has  returi 
from  a  trip  in  the  field. 


School  Picture  Almost  Comole^: 
Sam  Wood,  director  o.f  the  Pi 
mount  school  picture,  "Glorij 
Youth,"  is  at  present  cutting| 
editing.  All  scenes  have  been 
except  an  ice-boat  sequence, 
will  be  shot  when  weather  pi 
at  Red  Bank,  N.  J. 


Washington  Theater  Bum< 

Oakesdale,  Wash. — Fire  comp' 
destroyed  the  Oakesdale  theater 
The  loss  of  F.  C.  Weskle  is  a 
$8,000,  only  partially  covered  b 
surance. 


FOR     SALE 

One  hundred  one  and  two  reel 
comedy  negatives,  all  well  known 
stars.  Released  five  years  ago, 
negatives  in  perfect   condition. 


ADDRESS 


FILM  DAILY 
Box  K-133 


1650  Broadway 
N.  Y.  C. 


i 


LEUJLUSl 


bleweeds  ^ 
Everything 


yy 


"  ^Tumbleweeds'  has  everything  a  film 
best  seller  should  h^ve*  Its  big  scene  is 
the  rush  of  homesteaders — falling  over 
each  other  ,stampeding,  trampling,  and 
dashing  on*  Nothing  like  it  has  ever 
been  screened/*      —Chicago  Journal. 

I) 


\ 


^-^yrS^^ 


istt*^ 


.llS't*  Cha''«^, 


WILLIAM  S.  HART 

IN 

"TUMBLEWEEDS" 

-'    r  b«  HAL  G.  EVARTS         ^daptedfor  ike  screen  hj  C.  GARDNER  SULLIVAN 

"Directed buYOHG  IS AGOOrt 


u. 


\ 


^[e^H  it 

JWRCC 


'1°  <no*v  in  h^^ 


e^. 


W 


'mr^ 


^^1 


We^ 


■  ^'1 


m 


A!" 


■^ 


■ 


»?t 


'ill'    "■»*.. 


national 
Pictures 


ffSf 


i> 


iTHE 

brAdstreet 

iFILMDOM 


AUTHORltY 


XV     No.  25 


Sunday,  January  31,   1926 


Price   25  Cents 


'"he  Most  Spectacular  Western 
'"thriller  Ever  Filmed! 


With  a   Remarkable   Cast 
of  Great  Screen  Favorites 


oot  Gibson 
inne  Cornwall 
teorge  Fawcett 
oe  Bonomo 
Vard  Crane 
loble  Johnson 
Valter  Rodgers 


Dustin  Farnum 
Kathleen  Key 
Eddie  Gribbon 
Harry  Todd 
Harold  Goodwin 
Charles  K.  French 
William  Steele 


Ed  Wilson 


Edward  Sedgwick  Production 


7sented  by 

RL  LAEMMLE 

A      UNIVERSAL 


PRODUCTION ; 


HUGO   RIESENFELD 

ti 

1 

.1 

1 

STEINWA.Y   HALL 

III 

NE\\r  YORK 

r 

January 
21st 

i 

19  2 

6. 

1 

Mr.    John  C.    Flinn, 

Vice  Pres.  &  Gren'l  Manager, 

Producers  Distributing  Corp., 

469  Fifth  Avenue, 

New  York  City. 


I   am  very  happy  indeed  that  the 
choice   of  the  Film  Mutual  Benefit  Bureau  for  the 
special  presentation  at  the  Hotel  Plaza,  New  York, 
on  February  3rd.,   has  fallen  on  Cecil  D©  Mille's 
supervised  production,    "THREE  FACES  EAST". 

I  have  rarely  seen  a  picture  M&ierein 
the   suspense  has  been  sustained  to  the  last  moment 
without  disclosing  the  mystery  surrovuiding  the 
characters,    and  I   sincerely  feel  that  this   picture 
is    splendid  entertainment. 

Very  sincerely. 


^/>     /UtAi^i^^tel%/ 


Foreign  Distributors 

Producers  International  Corporation 

130    West  46th   Street 

New  York,  N    Y 


/RELEASED   BY 

PRDDUCEKS  DISTKIBUTINC 
COKPOKATION 


Member  of  Motion  Picture  Producers  and  Distributors  of  America,  Inc.  WILL  H.  HAYS,  President 


ti 


Authority 


1 OO  Austrian  Tax 


Legislation  Against  American 
Planned  to  Raise  Funds  for 
mestic  Production   There 

ding    to    cables    received    in 
ork    yesterday,    the    Austrian 
rhient   is   seriously   considering 
age  of  a  law  imposing  a  tax 
on    every    foreign     picture 
into  that  country,  in  view  of 
i!|ponderance   of   American   pic- 
own  in  Austrian  theaters,  this 
1^  will  be  the  hardest  hit. 
Ill    that    an    Austrian    "Kon- 
as  been  passed  up  in  favor 
action.      Importers   there,    in- 
K    both    native    companies    and 
siitatives  of  American  distribu- 
ve  therefore  cemented  an  or- 
ison to  combat  the  move.     Ef- 
e   being   made   to   reduce    the 
(Continued    on  Page   4) 


m  Stocks  Active 

illy  Active  Market  Reflected  in 
g    Shares    Yesterday — Pool 
inging  Famous   Common 

stock    market    yesterday    was 

Trading  was  rather  brisk  and 

-neks   made  sharp   advances. 

livity    was    reflected    in    the 

Is    of    various    film    shares. 

common   rose   4%    points   to 

,1  new  high  for  1926  and  1925. 

2,800    shares    changed    hands. 

ferred  also  rose  to  121,atwo- 

(Continued    on    Page   4) 


E"ie  Zukor,  Rachmann  Sailing 

Zukor  and  Samuel  Rach- 
1  pctil  on  the  Aquitania  today, 
frmer's  trip  is  the  usual  yearly 

Zukor  will  be  away  from  New 

ir  six  weeks. 


Starts  Warfield  Plays  Soon 

wood — Production  of  four 
d  plays  will  begin  at  Fox  in 
t  few  months. 


2atures  Reviewed 

Page 
1  Gwyn 

E  ish  Nat'l  Pictures    S 

nkmerican  Venus 

Flamount    5 

?   ry    Lane 

F  •     National     5 

K  if  ankee   Senor 


8 


ianger  Girl 

d.   Dist.  Corp 

of  the  Wild 

umbia — State   Rights    8 

feckless   Lady  • 

it    National     8 

ng  Waters 

n   Booking    Offices    8 

Subjects    9 


Ask  Them 


By  DANNY 


Lubliner  &  Trinz  are  trying  to  ascertain  what  sort  of  film 
fare  the  Chicago  folks  want.  In  the  L.  &  T.  Illustrated  News, 
issued  to  the  fans,  they  have  a  questionnaire  which  the  fans  are 
asked  to  fill  in.  It  might  be  a  good  idea  for  other  exhibitors  to 
develop.     Here  is  a  section  of  the  questionnaire: 

HELP  US  SELECT  YOUR  ENTERTAINMENT 


(Mark  with  an  "X") 
Sex  Drama 
Costume 


Education 

Service,  Ushers,  Courtesy,  etc. 

Prestige,  Size  of  Theater 

Beauty,etc. 


Female 


1. 
2. 
3. 


What  type  of  picture  do  you  like  best? 

Mystery  Comedy 

Melodrama  Historical 

Do  you  like  Scenics? 
(Yes  or  No) 

Answer 

Do  you  like  News  reel? 
(Yes  or  No) 
Answer 

What  attracts  you  to  a  Motion  Picture  Theater? 
(Mark  with  an  "X") 
The  Picture 
Star 

Stage-Show  Story 

Music  Director 

Who  is  your  favorite  Film  Star? 
(Name  Three) 
Male 

1 

2 

3 

Who  is  your  favorite  Director? 

1     

2    

3    

Do  you  pay  any  attention  to  the  names  of 

Assistant  Director?   

Cameraman? 

Scenario  Writer?    

Company  producing  film?  

If  so,  write  name  of  favorite  in  blank  space. 
Are  you  guided  by  the  Reviews  of  Motion  Picture  critics? 
(Yes  or  No) 

Answer   

Who  are  vour  favorite  critics? 
(Name  Three) 

1    

2    i 

3 

If  interested,  write  Louis  P.  Kramer,  L.  &  T.,  Chicago,  for 
additional  information. 

A  SHOWMAN 

Roy  Tillson  runs  the  Fuller,  a  thousand  seat  house,  in  Kala- 
mazoo, Mich.  Roy  has  been  awarded — almost  unanimously — 
the  first  prize  for  the  handling  of  the  "Laugh  Month"  campaign. 
And  he  more  than  deserves  it.  His  street  ballyhoo ;  window  dis- 
plays and  general  handling  of  the  campaign  was  proof  conclusive. 
That  in  many  of  the  small  towns.    Are  live,  alert,  showmen. 

(Continued  on  Page  3) 


18,900  New  Seats 


11   Additional   Houses   File   Plans  in 
Bronx — 75  Theaters  Now  Seat- 
ing 82,453 

Recent  newspaper  reports  on  new 
theaters  for  the  Bronx  have  indicated 
an  unprecedented  building  orgy  in 
that  borough.  In  order  to  ascertain 
to  what  extent  this  activity  is  genuine 
and  not  merely  paper  projects 
THE  FILM  DAILY  checked  the 
files  in  the  Bronx  Department  of 
Buildings. 

The  investigation  covered  July  1  to 
date  and  revealed  that  actual  build- 
ing plans  have  been  recorded  for  11 
theaters,  with  a  combined  seating  ca- 
pacity of  18,900.  According  to  infor- 
mation supplied  by  the  Film  Board 
of  Trade  of  New  York  and  published 
in  the  1926  FILM  YEAR  BOOK, 
there  are  now  in  operation  75  motion 
(Continued   on  Page  4) 


1st  Nat'l  Series 

Charles  R.  Rogers  Signs  to  Make  Six 

Westerns — Now  Has  Three 

Companies 

Hollywood — Charles  R.  Rogers  has 
signed  a  contract  to  make  six  west- 
erns for  First  National.  He  intends 
forming  a  separate  unit  which  will  in 
no  way  interfere  with  his  other  activi- 
ties. 

Rogers  is  now  producing  the  Harry 
Carey  westerns  for  Pathe  and  the  Re- 
naud  Hoffman  productions  for  Prod. 
Dist.  Corp. 


Walker  to  Talk 

Mayor  Walker  will  be  the  chief 
speaker  at  the  annual  luncheon  of  the 
National  Board  of  Review  at  the  Wal- 
dorf today.  Others  will  be  Jesse 
Lasky,  Dr.  Hugo  Riesenfeld,  Al 
Rockett,  Milton  Sills.  John  C.  Flinn, 
Horace  D.  Ashton,  Dr.  George  W. 
Kirchwey  and  Dr.  A.  A.  Brill.  About 
1,200  are  expected. 

The  church  should  take  its  cue  in 
(Continued   on  Page   4) 

Advance  Date  for  M.  P.  T.  O.  Meet 
Dallas— The  date  for  the  M.  P.  T. 
O.  board  of  directors'  meeting  has 
been  advanced  from  Feb.  5th  to  the 
4th. 


What  of  Summer? 

The  Maryland  M.P.T.O.  in- 
tends shutting  all  theaters  the 
first  two  weeks  of  July  when 
the  summer  slump  is  at  its 
height. 

The  policy  of  other  state  ex- 
hibitor units  will  be  outlined  in 
a  special  article  appearing  in 
Monday's  issue. 


THE 


-^B^ 


DAILY 


Sunday,  January  31, 


:l: 


M  XXXV  No.  25    Sunday,  Ian.  31, 1926     Price  25  Ctnts 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager;  Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
•hould  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
473S-4737-4738-4739.  Cable  address  :  Filmday, 
N»w  York.  Hollywood,  California — Harvey 
M.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
»»ranite  3980.  London — Ernest  W.  Fredman, 
ihe  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,   S,   Rue   Saulnier. 


Cheaper  Power  Up 

New  Jersey   M.    P.   T.   O.   Discusses 
Lower   Rates   with    State   Commis- 
sion— Directors  Meet  Feb.  26 

Newark,  N.  J. — A  committee  com- 
posed of  Messrs.  Sydney  Samuelson, 
Gold  and  Unger,  representing  the  M. 
P.  T.  O.  of  New  Jersey  held  a  meet- 
ing yesterday  with  the  Power  Rate 
Commission  of  the  State  of  New  Jer- 
sey to  discuss  lower  rates.  The  M. 
P.  T.  O.  has  been  seeking  a  reduction 
for  several  years. 


Quotations 

High    Low    Close      Sales 

(These    quotations    are    as    of    Friday:) 
Balaban    &    Katz     Not  quoted 

Easman  Kodak  ..11014  10954  HO  1.100 
Famous  Players  ..1175^  112^  116J4  32,800 
Fam.   Play.    Pfd.    ..121        120       121  500 

Film    Inspection     Not  quoted 

First     National     Not  quoted 

Fox  Film  "A"  ...  79^  79  79j4  800 
Fox   Theaters   "A".   32         30^     32         7,100 

International     Projector     Not  quoted 

Loew's,    Inc 4054     38         39^     7,500 

Metro-Gold.  Pfd.  ..  2354  23yi  2354  1,100 
M.  P.   Cap.  Corp...    1954     19         19  300 

Pathe  Exch.   "A"..    79J4     77         79         2,700 

Skouras     Brothers..    51}4      5154      5154       

Stan.    Co.    of  Am Not  quoted 

Trans-Lux     12-54     125i      12^     2,600 

Universal    Pictures    Not  quoted 

Univ.    Pict.    Pfd Not  quoted 

Warners  Brothers.,  li'/z  li'A  1314  500 
Warner   Pictures    Not  quoted 


The  next  meeting  of  the  board  of 
directors  will  be  held  at  Trenton  on 
Feb.  26.  Between  now  and  that  time, 
it  is  anticipated  the  legislative  com- 
mittee will  have  drawn  up  a  resolu- 
tion restricting  the  construction  of 
new  theaters  through  a  control  of 
municipal  licenses.  This  resolution 
will  be  presented  to  the  organization 
and,  if  approved,  then  submitted  to 
the  state  legislature.  It  is  designed 
as  a  move  to  protect  small  town  ex- 
hibitors against  encroachments  by 
larger    theater    interests. 


"Naked   Truth"   Approaches 

The  annual  "Naked  Truth  Dinner" 
is  close  at  hand.  About  1,000  guests 
divided  at  100  tables  will  gather  at 
the  Astor  next  Saturday  night.  No 
speechmaking,  but  loads  of  wise- 
cracks by  Texas  Guinan  will  be  one 
of  the  features.  Three  orchestras  will 
supply  three  minute  dances  with  two 
minuate  intermissions  all  through  the 
evening — and  morning.  Charlie  Ein- 
feld  at  First  National  has  a  few  seats 
left.     They  won't  last  long. 


George  Eastman  to  Africa 

Rochester,  N.  Y. — George  Eastman 
plans  an  African  trip,  sailing  March 
13  on  the  Majestic.  He  will  carry  a 
kodak  and  record  the  trip  from  the 
time  he  leaves  Rochester  until  he 
returns. 


Arkansas   Exhibitors  Split 

Fayetteville,  Ark. — A  deal  has  been 
closed  between  E.  C.  Robertson  and 
W.  F.  Sonneman  whereby  Robertson 
becomes  sole  owner  of  the  Ozark  and 
Sonneman  of  the  Victory. 


Revival   Week   at    Cameo 

The  Cameo,  in  conjunction  with 
the  International  Film  Arts  Guild, 
starting  tomorrow  will  present  a 
week  of  repertoire.  "The  Last  Laugh" 
will  be  shown  Monday,  "Dr.  lekyll 
and  Mr.  Hyde,"  Tuesday,  "A  Woman 
of  Paris,"  Wednesfiav,  "Male  and 
Female,"  Thursday,  "Dr.  Jekyll  and 
Afr.  Hyde  will  be  shown  again,  and 
also  "A  Woman  of  Paris"  on  Friday. 
The  week  culminates  on  Saturday 
with  "The  Last  Laugh"  and  "Cran- 
quebille." 


Kane   Expands 

Robert  T.  Kane  has  formed  a  sec- 
ond unit  to  produce  comedy-dramas 
with  Hampton  Del  Ruth  as  super- 
visor. The  first  picture  will  be 
"The  Wilderness  Woman,"  in  which 
(Aileen  Pringle  is  starred.  Wesley 
'Ruggles  will  direct.  ^ 

\^^.^01cott  Party  on  Coast 

Hollywood — Sidney  Olcott  and  the 
Inspiration  tmit  making  Richard  Rar- 
thelmess'  next,  "Ransom's  Folly," 
have  arrived  from  New  York. 
Barthelmess  will  join  the  company 
in  a  week. 


Goudal   Case   Continued 

Los  Angeles — Continuation  until 
July  1  has  been  made  by  Judge  Holl- 
^er  in  the  suit  of  Jetta  Goudal  against 
Famous  Plavers-Lasky,  involving 
$23.3S0. 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  I  N  S 

Spocialists  in  Motion  Picture 

and  Theatrical  insurance  for 

the  past  fifteen  years. 


Arthur  W.  Stebbins  &  Co.,  Inc. 

1540  Broadway  N.  Y.  C. 

Bryant  3040 


i 


ELECTRIC    GYROSCOPIC 

MOTION   PICTURE 

CAMERA 

Unequalled  for  studio  efifects — 

Made    famous    bv    U.    F.    A.'s 

"Last    Laugh" — Recently    used 

by    Famous — F'Yst    National — 

St.     Regis     and     International 

Newsreel. 

FOR  SALE  FOR  RENT 

B.  M.  Powell 
350  Madison  Ave.,  N.  Y.  C. 

Telephone — Vanderbilt    2080 


Walrath  in  Office  Monday 

Albany — John  Walrath  will  be 
sworn  in  as  chairman  of  the  M.  P. 
Commission  on  Monday.  His  ap- 
pointment was  officially  confirmed 
yesterday  by  Governor  Smith. 

It  is  not  believed  any  action  on 
the  future  of  the  commission  will  be 
taken  until  the  Hughes'  report  on 
reorganization  is  filed  in  about  three 
weeks.  The  Governor  will  undoubt- 
edly abide  by  the  findings  of  the  com- 
mission. 


Two    New    Issues    on    Curb 

The  Board  of  Governors  of  the 
N.  Y.  Curb  Exchange  has  approved 
for  listing  on  a  "when,  as  and  if 
issued"  Fox  Theaters  Corp.,  listing 
800,000  shares  of  Class  A  stock,  no 
par  value  and  200,000  shares  of  com- 
mon stock,  of  no  par  value,  of  the 
International   Projector   Corp. 


Rothstein  Quits  F.  B.  O.  for  "U" 

Nat  G.  Rothstein,  first  advertising 
manager  of  Universal,  rejoins  the 
company,  eflective  Feb.  8th,  having 
resigned  from  F.  B.  O.  His  first  un- 
dertaking will  be  the  exploitation  of 
"The  Flaming  Frontier."  Arrange- 
ments have  nearly  been  consummated 
for  a  Broadway  house. 


Publix  to  Build  in  Tamoa 

Tampa,  Fla.  —  Publix  Theaters 
Corp.,  plans  a  $1,500,000  theater  and 
office  building  downtown.  It  will 
seat  3,500. 


Skouras  Declares  Dividend 

St.  Louis — Skouras  Bros,  have  de- 
clared the  regularly  quarterly  divi- 
dend of  75  cents,  payable  on  Monday 
to  the  stockholders  of  record  Jan.  25. 


nOSTUMEC 

%>  GOWNS— UNIFORMS  C7 

FOR  EVERVBODy  WHO  IS  ANVBODy 
,  0NTHESTA6E0RSCREEN..EXCLUSIVE 
'"^  DESIGNS  By  LEADING  STyii  CREATORS 

■^■^l-r^^I%0  NEwyoRK 

— ■      ■i^ALSO  I5000  COSTllMC^  to  OFWT— — *— 


WANTED 

News  cameramen  in  every  Jewish  cen- 
ter throughout  the  world  to  photo- 
graph the  most  important  Jewish 
events  of  today  and  scenes  pertaining 
to  ancient  Jewish  history,  for  the 
weekly  "JEWISH  PICTORIAL  RE- 
VIEW." 

For  terms,  write  or  cable, 
IVAN  ABRAMSON,  Pres. 
JEWISH    EDUCATIONAL   PIC- 
TURES,   INC. 
729  'Seventh  Avenue 
Cable    Address,    •'JUDPICT," 
New    York 


Rembusch  Heads  Booking  . 
Dover,    Del. — Frank   J.   Rei , 
of  IndianapoliSj  is  named  in 
mation  of  the  Cinema  Bookin 
of  America,  formed  with  a  ca 
$\ ,000,000.      The  '  Corporaton 
Co.    acted    as   attorney. 


It  is  understood  the  above  oi 
was  formed  for  booking  purpj: 
Indiana. 


Smith  on  Sales  Trip  ; 

E.  J.  Smith  has  left  for  a  sa 
to  Toronto,  Buffalo  and  Mid-\i 
cities  on  behalf  of  Associated 

tors. 


Specify 

GOEP 

Raw  Stock  for  QUALITY 
Sole  Distributors: 
FISH-SCHURMAN  COF 

4S  West  45th  Street 
N.   Y.   Bryant  7243 


FILM    CRITIC   AND 
INVESTIGATOR   WANTEIi, 

For  full  time  employment  in 
York  City.  Thorough  Catholic  t 
ing  and  background  essential.  ] 
know  motion  pictures  and  be  ex 
enced  in  screen  criticism.  Spk 
opportunity  for  right  person.  Add 
giving     experience     and     reference 

INVESTIGATOR 
c-o   Film   Daily  1650  B 


km 


ffiMESSELLSEAl 


[fttSAES 


HALPERIJ 


■  ■■■■■■■■■■■«■■■»■■■■■■ ■■ ■ ■  I 


Hotel  Christie 


in 


Hollywood 


I 


One  of  California's  finest  hot*  t(rp 
located  in  the  heart  of  the  bo  tjt^ . 
ness  district  of  Hollywot  i  Sj, ' 
famous  lobby,  personal  sertli  utji;, 
sensible  'prices.  '' 

R.  J.  Matheson 
Owner-Manai  | 


lifi; 


t 
■H'O  t 


.^ 


THE 


ly  January  31,  1926 


-;xi^ 


DAILV 


Ask  Them 


{^Continued  fr 

1  i  that  is  what  this  business  needs.    The  more  showmen 

son,  the  better  the  business  will  be. 
'i^on  reporting  to  the  Committee,  says  Kalamazoo  took  up 
Month"  with  a  bang.     With  such  handling  that  was  to 
p|:ted. 

LAMB,  ARTIST,  BUSINESS  MAN 
ring  to   Tommy   Meighan.     Who,  as   Shepherd   of  the 
awoke  the  actors  to  a  realization  of  how  profitable  the  I 
ilpambol  could  be.    Gambled  by  taking  over  the  Manhattan 
House  for   the   show.     Result :    enormous   business,  and 
all  touting  for  Tommy. 

AN  EXHIBITOR  AND  MR.  WHITE 

;eived  a  long,  and  interesting  letter,  from   L.   O.   Davis, 
ns  a  chain   in  Kentucky,  with   reference   to   Wm.   Allen 
e)[and  our  reply).     In  conclusion  Davis  says: 

"Come  down  from  your  pedestal  of  knowledge,  Mr.  White, 

human  again   for   tonight   and   take   yourself   to   the   movies 

king   enjoyment    and    relaxation    from    your    daily    toils    and 

'eel  sure  you  will  not  be  disappointed.     Come  and  be  enter- 

ned  as  millions  of  other  humans  do.     We  will  take  you  away 

im  the  daily  cares  of  life  and  transport  you  to  the  realms  of 

c^amland  and  happiness.     Yes,  will  instruct  you,  too,  but  we 

vll   give  you   primarily   two   hours    of   entertainment   for   your 

[Itry  admission  and  what  more  could  you  ask?     We  are  not 

£  ling  courses  in  Yale  for  the  price  of  a  movie  but  if  you  will 

cme  with  an  open  mind,  you  will  leave  knowing  just  a  bit  more 

tin  you  did. 

"Proud  that  I  am  a  part  and  parcel  of  this  great  industry 
fen  though  it  be  but  a  very  small  part  indeed,  because  we  are 
c  of  us,  doing  our  honest  best  to  bring  happiness,  knowledge 
!  d  contentment  into  the  lives  of  all  the  people  of  the  world 
;  d  no  greater  task  can  any  man  set  himself  to  .  From  the  im- 
iDrtal  words  of  that  great  poem  'Let  me  live  by  the  side  of  the 
ad  and  be  a  friend  to  man,'  I  would  say,  'Let  me  live  in  my 
l|eater  by  the  side  of  the  street  and  seek  to  instruct,  entertain 
d  bring  joy  into  the  lives  of  all  men."  *  *  * 

FOR  AULD  LANG  SYNE 

ce  upon  a  tiine  P.  A.  Powers,  now  in  Associated  ExTiibi- 

n  an  exchange  in  Rochester.     And  so,  when  J.  J.  Farren 

Rochester  Theater  Co.,  booked  Associated  for  every  week 

he  wrote  P.  A.,  saying  in  part : 

he  reason  I  am  writing  this  letter  mostly  is  to  bring  before 

en  times,  especially  the  incident  where  I  purchased  the 

m  you  had,  when  you  started  the  exchange  in  Rocheste'r 

VIr.  Mock  was  the  manager,  and  I  was  at  that  time,  con- 

with  the  old  Bijou  theater,  which  was  under  the  manage- 

f  Harry  Davis.     Another  incident  which  I  wish  to  recall 

•  mind  is  the  time  I  put  it  over  on  you  and  Mr.  Mock  when 

d  the  Jesse  James  picture  from  you  at  a  rental  price  of  $25 

ill  the  time,  I  had  such  a  film  in  my  possession,  using  the 

1ms  in  consecutive   form   in   a   house   that   seated  but  224 
>» 

BUYING  BY  THE  INCH 

'hotoplay"  uses  this  one : 

'he  lights  had  come  up  over  the  Astor  theater,  throwing 

gh  visibility  the  dense  throng  of  actors,  writers,  directors, 

ives  and  society  people  present  for  the  New  York  showing 

e  Big  Parade.'     It  was  the  intermission  between  the  first 

:ond  half  of  the  picture  and  the  applause  of  the  crowd  still 

the  theater. 

'wo  exhibitors  were  sitting  together  far  back  in  the  theater. 

were  young  men,  each  of  whom  guided  the  destiny  of  a 

;ity  playhouse. 

Say,'  whispered   the   one   in   accents  trembling  with   awe, 

1  think  they'll  sell  this  film  to  us?' 

Sure   they  will   sell   it,'   answered   the   other,   'but  by  the 

oy,  by  the  inch,  and  at  about  three  dollars  an  inch,  too'." 

THE  YEAR  BOOK 

stribution  of  THE  FILM  YEAR  BOOK,  1926,  now  under 


om  Page   1) 

way.  Pretty  big  job.  The  books  weigh  about  three '  pounds. 
The  first  day  they  were  out,  one  enterprising  young  gentleman — 
who  had  a  half  page  ad  in  the  book— wanted  the  presses  stopped. 
Because  he  did  not  like  the  cut  used.  That  gave  the  one  good 
laugh  necessary.     After  all  the  months  of  preparation  and  work. 

ALL  IN  THE  MAIL 

Sol   Lesser  has  an  interesting  article   in   "College   Comics," 

current  issue.     In  part  he  tells  of  some  of  the  mail  which  daily 

reaches  producers.    Among  the  letters  received  are  the  following: 

"I  just  won  the  beauty  contest  at  Hay  Corners.  Wire  your 
offer." 

"My  feet  get  a  laugh  wherever  I  go.  Am  working  in  a 
hardware  store,  but  will  make  pictures  for  you,  if  you  make  it 
worth  my  while."  *  *  ♦ 

"Everyone  tells  me  my  eyes  are  more  expressive  than  Pola 
Negri's.  Even  the  sexton  of  our  church  says  this — and  he  hates 
women." 

"Have  received  a  diploma  from  the  Cinema  Dramatic  Cor- 
respondence School.  Will  not  sign  any  contract  until  I  hear 
from  you." 

"I  have  played  Juliet  and  Charlie's  Aunt  at  our  local  dra- 
matic clubs  and  everyone  raves  over  my  acting.  Will  consider 
going  into  the  movies.  Don't  ask  me  to  play  bathing  girl  roles 
because    I    cannot   swim." 

"See  you  signed  Harry  Langdon's  million  dollar  contract. 
The  kids  in  this  town  ask  me  to  make  faces  for  them  every 
time  I  go  down  the  street.  I  have  been  practicing  this  for  years 
and  am  ready  to  go  in  the  movies  if  you  want  someone  just 
as  good,   but  cheaper  than   Langdon." 

"I  go  to  all  the  Western  pictures,  have  read  'The  Winning 
of  Barbara  Worth,'  and  will  play  the  part  if  you  will  have 
someone  teach  me  how  to  ride  a  horse." 

"if  you  can  change  my  father's  mind  about  it,  I  will  come 
to  California  during  vacation.    P.S.:  I  make  all  my  own  clothes." 


HERE  HE  COMES 

That  Whirlwind  of  Speed! 

EARLE  DOUGLAS 

HE'S  HERE 


Come  On  In — The  Water's  Fine 
The  first  one  of  a  new  series 
you  can't  afford  to  miss! 

Sierra  pictures 

INCORPORATED 

729  Seventh  Ave.  316  Taft   Building 

New  York  Hollywood 


THE 


-^^ 


^ 


DAILV 


Sunday,  January 


Tillson  Wins 

First     $100     "Laugh     Month"     Prize 

Goes  to   Kalamazoo  Exhibitor 

— Other  Awards 

Roy  Tillson,  manager  of  the  Ful- 
ler, Kalamazoo,  Mich.,  won  first 
prize — $100 — for  the  best  entry  for 
the  first  week  in  the  "Laugh  Month" 
exploitation  contest.  Editors  of  na- 
tional trade  papers  were  judges. 

Tillson's  entry  was  perhaps  the 
most  comprehensive  campaign  ever 
displayed  on  a  two-reel  comedy.  Mak- 
ing the  Educational  release,  "The 
fighting  Dude,"  the  center  of  his 
advertising  for  the  first  week  of  the 
month,  Tillson  backed  up  a  lobby  dis- 
play with  newspaper  advertising, 
newspaper  publicity,  street  ballyhoo, 
special  posters,  half  posters  on  the 
fronts  of  street  cars,  trailers  and 
slides  and  practically  every  other 
form  of  advertising  available  to  this 
live   wire   exhibitor. 

The  second  prize  for  the  week — 
$50 — was  awarded  to  F.  V.  Kenne- 
beck.  North  Star,  Omaha,  a  second 
run  house,  for  a  comprehensive  dis- 
play which  was  arranged  to  run 
throughout  the  month  and  which, 
during  this  week,  was  tied  up  to  ex- 
ploit the  Felix  the  Cat  Cartoon, 
"Felix  Trifles  with  Time,"  Pathe  Our 
Gang  comedy,  "Dog  Days,"  and 
Aesop  Fable,  "Noah  Had  Trouble," 
and  the  Fox  Imperial  comedy, 
"Cloudy  Romance."  The  Omaha 
newspapers  were  enlisted  in  support 
of  the  campaign  by  Kennebeck  and 
the  "Laugh  Month"  idea  was  carried 
through  all  the  programs  as  well  as 
through  all  advertising  and  publicity. 

The  third  prize  of  $25  went  to  J) 
A.  Murphy  and  Lou  Williams  of 
Family,  Philadelphia,  a  neighbor- 
hood house  with  a  daily  change.  It 
was  Williams  who  won  the  cup  re- 
cently awarded  by  "The  Exhibitor," 
the  Philadelphia  regional,  for  "the 
best  featurette  exploitation  cam- 
paign." A  large  cut-out  of  a  laugh- 
ing face  with  red  cheese  cloth  over 
the  mouth  was  the  center  of  an  at- 
tractive lobby  display  at  the  Family. 
Behind  this  large  head  was  a  loud 
speaker  connected  by  an  automatic 
appliance  to  a  phonograph  which  was 
kept  continually  playing  a  laughing 
record.  As  a  lobby  ballyhoo  a  col- 
ored mammy  weighing  300  lbs.  de- 
fied all  comers  to  make  her  laugh.  A 
placard  on  her  back  bore  the  words: 
"Janunry  is  Laugh  Month.  Sober 
Sal  gives  one  dollar  to  anyone  who 
can  make  her  laugh.  Sober  Sal  is 
the  only  one  who  won't  laugh  during 
Laugh   Month." 

Sam  Carlton,  manager  of  the 
Strand,  Frankfort,  Ind.,  took  fourth 
prize  of  $12.50,  the  principal  item  of 
his  campaign  for  the  week  being  a 
large  newspaper  display  advertise- 
ment, 3  columns  by  11  inches,  in  the 
form  of  a  proclamation  to  the  citi- 
zens of  Frankfort,  inviting  them  to 
begin  the  year  with  a  month  of  laugh- 
ter. Comedies  released  by  F.  B.  O., 
Universal  and  Educational  were 
shown  during  "Laugh  Month"  by 
Carlton. 

The  fifth  prize— $10— went  to  Guy 
Bays,  Globe  theater,  Buena  Vista, 
Va..  for  a  ballyhoo  in  connection  with 
the  two-reel  Century  comedy  "Queen 
cf  Aces." 


18,900  New  Seats 

(Continued  from  Page   1) 

picture  houses  in  the  Bronx,  with  a 
seating  capacity  of  82,453.  The  popu- 
lation of  the  borough  is  902,560. 

The  Bronx  pr^ects,  with  full  data, 
follow: 

Theater  and  stores  at  White  Plains  Road 
and  Burke  Ave. ;  owner,  Wilgas  Realty  & 
Const.  Corp.,  2836  Webb  Ave. ;  architect, 
Paddon  &  Saxe,  1350  Broadway;  to  cost 
$80,000.    and    seat    700. 

Theater  and  stores  at  Tremont  and  Burke 
Aves. ;  owner,  Empec  Realty  Corp.,  151  W. 
42nd  St. ;  architect  Samuel  Cohen,  45  W. 
57th   St.;   to  cost   $200,000  and  seat   1,500. 

Theater,  stores  and  offices  at  White  Plains 
Ave.  and  224th  St. ;  owners,  Menlo  Bldg. 
Co.,  749  E.  216th  St.;  architect,  J.  W. 
Telson,  250  W.  S7th  St.;  to  cost  $175,000, 
and   seat    1,500. 

Theater  and  stores  at  Jerome  Ave.  and 
199th  St. ;  owner,  Wm.  Hagedorn,  1896  1st 
Ave.;  architect,  Chas.  Schaefer,  Jr.,  148th 
St.  and  3rd  Ave.;  cost  will  be  $250,000,  and 
capacity    2,600. 

Theater  and  stores  at  Jerome  Ave.  and 
190th  St. ;  owner,  Hamford  Realty  Corp., 
145  W.  45th  St.;  architect,  Eugene  De  Rosa, 
no  W.  40th  St.;  to  cost  $300,000,  and  seat 
2,500. 

Theater  and  stores  at  Mt.  Eden  Ave.  and 
Inwood  Ave. ;  owner,  Milnat  Realty  Corp., 
2382  Grand  Concourse ;  architect,  Margon 
&  Glaser,  29  W.  57th  St.;  will  cost  $500,000 
and    seat    1,700. 

Theater  and  stores  at  Morris  Ave.  and 
165th  St.;  owner,  Sam  Berlin,  645  Tremont 
Ave. ;  architect,  Jos.  Orlando,  645  Tremont 
Ave. ;   to  cost  $200,000  and  have  1,700  seats. 

Theater  at  Westchester  and  St.  Lawrence 
Ave. ;  owner,  A.  F.  &  0.  Realty  Corp.,  1300 
Rosedale  Ave. ;  architect,  Meisner  &  Uff- 
ner,  563  Tremont  Ave.;  to  cost  $100,000, 
and    seat    1,400. 

Theater  at  Jerome  Ave.  and  176th  St. ; 
owner,  Jerome  Exhib.  Co.,  5  East  170th 
St. ;  architect,  Moore  &  Landsiedel,  148th 
St.  and  3rd  Ave.;  to  cost  $250,000  and  seat 
2,000. 

Theater  and  stores  at  Tremont  Ave.,  David- 
son and  Jerome  Aves. ;  owner.  Efficient  Bldg. 
Corp.,  252  E  Burnside  Ave. ;  architect,  Nath- 
an Rotholz,  252  E.  Burnside  Ave. ;  to  cost 
$425,000  and  seat   1,600. 

Theater  and  tenements  at  Tremont  Ave. 
and  Eastern  Blvd.;  owner,  Greater  Throggs 
Neck  Synd.,  Inc.,  29  Broadway;  architect, 
Salvadore  S.  Calafati,  110  W.  42nd  St.;  and 
will  cost  $200,000;  to  seat  1,700. 


Film  Stocks  Active 

(Continued  from  Page  1) 
point  increase  as  against  Thursday's 
closing.  A  pool  in  the  street  is  active 
in  Famous,  recent  pronounced  in- 
creases being  attributed  to  this  man- 
ipulation. 

Fox  Theaters  recorded  an  increase 
of  1%  points,  closing  at  32  with  a 
7,100-share  turnover.  Loew's,  Inc. 
likewise  showed  a  gain  of  1%  points, 
closing  at  39%-  Pathe  "A"  closed  at 
79,  or  two  points  over  the  previous 
day's  closing. 

Total  turnover  of  film  shares  was 
57,600.  The  high,  low,  close  and  sales 
of  all  issues  will  be  found  in  Column 
1.  Page  2. 

The  sixth  prize  of  $5  was  awarded 
to  H.  A.  Giles  of  the  Royal,  Garrett, 
Ind.  Giles  mailed  out  envelopes  for 
January  bearing  a  large  type  display 
calling  attention   to   "Laugh    Month." 

As  to  the  results  at  the  box-office, 
Tillson  and  Kennebeck,  winners  re- 
spectively of  the  first  and  second 
prizes,   can   testify. 

"Box-office  pepped  up  at  least  25 
per  cent  during  Laugh  Month  cam- 
paign," is  the  report  wired  by  Till- 
son, while  Kennebeck  closes  his  de- 
scription of  his  campaign  with: 

"We  have  found  that  the  business 
during  this  period  has  shown  a  good 
increase.  *  *  *  Yours  till  another 
Laugh  Month." 


$100  Austrian  Tax 

(Continued  from  Page   1) 

tax  from  $100  to  $50  per  subject.  At 
present,  Austrian  import  duties  place 
a  tax  of  35  cents  on  every  kilo  of 
film.  A  kilo  is  slightly  over  two 
pounds.  Therefore  this  duty  is  un- 
important. 

The  special  tax  is  being  seriously 
considered  as  a  means  of  boosting 
home  production.  It  is  reported  the 
money  thus  secured  would  ultimately' 
reach  Austrian  producers  through 
some  sort  of  a  state  subsidy. 


Hits  Home  Industry 

Proposed    AustraUan   Tax    on    Gross 

Business  Will  Act  as  Boomerang 

on  Country's  Own  Enterprises 

The  action  taken  by  the  Parlia- 
ment of  New  South  Wales  to  impose 
a  tax  of  25  per  cent  on  all  money 
sent  overseas  in  payment  for  films 
will  act  as  a  boomerang  on  compan- 
ies entirely  Australian  owned.  The 
purpose  of  the  law  is  to  check  the 
flow  of  capital  out  of  that  country. 

Australasian  Films,  Ltd.,  perhaps 
the  most  important  of  the  purely 
Australian  companies,  will  have  to 
pay  the  tax  in  the  same  manner  as 
the  Australian  subsidiaries  of  Ameri- 
can companies.  Additional  advices 
received  yesterday  sTiow  that  action 
on  the  special  tax  came  unexpectedly 
the  afternoon  the  Parliamentary  ses- 
sion was  to  end.  The  proposed 
measure  was  held  a  secret  between 
the  premiere  and  the  commissioner 
of  taxation  although  it  had  been 
talked  about  several  months  previous- 
ly by  Hugh  D.  Mcintosh,  one  of  the 
leaders  of  the  agitation  against 
American  pictures  in  Australia.  It 
is  believed  the  premier  did  not  con- 
sult either  the  members  of  his  party 
or  the  cabinet  but  acted  in  his  dual 
capacity  as  premier  and  state  treas- 
urer. 

It  was  the  premier's  intention  to 
attack  American  pictures  only  but  it 
later  became  necessary  to  draft  legis- 
lation which  would  tax  all  films  as 
well.  If  the  measure  becomes  a  law, 
it  will  be  assessed  for  the  year  ending 
June  30  last. 


Loew's  Midland  to  Start  in  April 

Kansas  City — Actual  construction 
work  on  the  new  Midland  will  start 
in  April  as  soon  as  buildings  on  the 
north  side  of  13th  St.  between  Main 
and  Baltimore  can  be  cleared  away, 
according  to  the  Midland  Theater 
and  Realty  Co. 


Theodore  Hays  Loses  Brother 

Minneapolis — Funeral-services  were 
held  last  week  for  Lambert  Hays, 
brother  of  Theodore  L.  Hays,  who  is 
general  manager  for  F.  &  R.   , 


Competition  at  Beresford 

Beresford,  S.  D. — The  American 
Legion  is  operating  a  theater  at  Ber- 
esford, S.  D.  Leo  De  Loy  is  mana- 
ger of  the  house,  which  brings  com- 
petition to  the  town.  Ryan  &  Kundert 
operate  the  Empress. 


Isobel  Elsom  to  be  Starred 

London — A.  G.  Grange  has  gone  to 
Berlin  to  arrange  production  details 
for  a  "super"  production  which  he 
will  make  in  Germany,  starring  Isobel 
Elsom. 


The  Week's  Headl^ 

Monday 

Understood     Sol     Lesser    and    Arthui 
are     to     hold     conference    to    discu:  'w 
First    National    franchise    situation.  ; 

Maryland  exhibitors  to  close  down  \y, 
weeks    in    July. 

Arbitration  boards  throughout  con ' 
1925  settle  11,887  cases  involving  $2 'b 

Federal   Judge   W.   A.    Cant   sets  Fcl  k 
final   hearing  in   Minneapolis  on  Mil 
ater    Co.    case. 

Tuesday 

$1,500,000   studio   to   be   erected  by  Fi!(, 

tional  in  Hollywood.     To  be  ready     i 
Site    for    British    national    studio    will 

Whitehawk;    cost    $1,500,000. 
Censorship   vital   problem   in   five  statfjl 

sissippi,    W.    Virginia,    Alissouri,   K  , 

and  New  York. 
M.-G.-M.    production    budget    this   yei 

000,000,    fifty    per    cent   more   than 
T.iO.C.C.  wants  to  settle  differences  o\  :, 

form   contract   through   intervention 

side  parties. 

Wednesday 

B.    P.    Fineman    leaves    F.    B.    O.   an 

First   National  as  production   super 
Dorothy   Gish  to  make  three  more  for 

National    Pictures.      Herbert    Wilco 

direct. 
P.     A.     Powers     negotiating     for    two 

Three  units  to  start  for  Associated 
Missouri  exhibitors  to  wage  campaign 

proposal     to     levy     ten     per     cent    I 

amusements. 
Red   Seal   exchanges   formed   at   Dover, 

with  $20,000  capital. 

Thursday 

Industry  appeals  to  Herbert  Hoover 

cial   film   division  to   help  meet  forei 

position    to    American    pictures. 
National    Board    of    Review    begins   th 

conference  at  Waldorf. 
M.P.T.O.A.   charges  Will  Hays  has  Di 

promises    relative    to    arbitration   wo^ 
Independents  to  organize  on  Coast,  as 

ary  to  the   I.M.P.A. 
Sales   executives  at   United   Artists  rea 
E.    A.     Dupont    arrives    on    Leviathan 

Berlin    to    start    three    year    contra; 

Universal.       Rudolph     Valentino    on. 

boat. 

Friday 

Universal  stafiF  to  launch  Carl  Lae 
20th  anniversary  in  the  industry  ' 
party   at    Commodore   next    Friday. 

Site  for  First  National  studios  at  Bi 
Cal. 

Exhorbitant  tax  against  American  p 
by  new  South  Wales  Government  n 
reconsidered. 

Saturday 

Eleven    new    theaters   to   seat    18,900  F 

for    Bronx. 
Charles  R.    Rogers  to  make  six   wester 

First    National. 
Austria   may   tax   imported   pictures   $1 

subject. 
National    Board   luncheon   at   Waldorf 

Mayor  Walker  to  be  chief  speaker. 


L 


i? 


Walker  to  Talk 

(Continued  from  Page  1) 
religious  teaching  from  the  ne\ 
dustry,  the  motion  picture,  the 
Dr.  George  Reid  Andrews,  chai 
of  the  Committee  on  Educationa 
Religious  Drama  of  the  Fe 
Council  of  Church  of  Christ  of  A 
ica,  told  the  committee  yesterdaj 
William  D.  Tower,  chairman  the 
tional  Board  of  Review  and  chai: 
of  the  National  Committee,  pre 
at  the  morning  session.  He  sai( 
work  of  the  board  could  be  sun 
up  in  one  phrase,  "suppressing 
by  emphasizing  the  good  and 
wholesome  in  motion  pictures." 
Other  speakers  included  Willia 
Barrett,  Dr.  John  Lovejoy  Elliott 
Professor  Irving  N.   Countrymai 


I 


$2,000  Taken  in  Theater  Robb( 

Hutchinson,  Kans. — After  ki( 
ping  H.  E.  Ulrich,  manager  oi 
Midland,  and  Mrs.  Ulrich,  two  y< 
ful  bandits  forced  them  to  disclos 
combination  of  the  safe  in  the  the 
escaping  with  about  $2,000. 


r 


\a 


JOHN  ADAMS  Presents 


EMON 


m 


TOP,  LOOK 

AND  LISTEN!" 


Adapted  \rom  the  Musical  Comedy — by  Harry  B*  Smith 

Directed  by  Larry  Semon. 

Big  National  Stage  Success  Becomes  a 
\g  Larry  Semon  Hit 


Larry  Semon  as  "Luther  Meek"  is 
Something  to  remember. 

He's  absent-minded  as  a  Tadpole; 
as  innocent  as  a  new  hatched  chick; 
as  funny  as  a  2501b.  songstress  sing- 
ing "Oh  that  I  had  wings  like  a 
dove." 

Dorothy  Dwan  is  the  school-maam, 
easy  to  look  at,  hard  to  forget;  and 


there  are  Josef  Swickard,  Lionel 
Belmore,  Mary  Carr  and  Bull 
Montana  also  in  the  cast. 

A  mixture  of  laughs  and  thrills, 
ending  with  an  auto  chase  that 
shocks  you,  grips  you,  and  has  you 
gasping  for  breath  from  laughing. 

1926  will  be  a  big  year  for  comedy. 
"Stop,  Look  and  Listen"  will  make 
it  bigger. 


Pafh^picture 


TRADE 


w 


MARIC 


.  NUVfiELyv/v 


A  Terrific  Drama  That  Is 
Being  Lived  Today! 

The  front  pages  of  the  newspapers  are  selling  **Casey 
of  the  Coast  Guard^'  for  you» 

Just  look  at  them.  Rum  and  drug  traffic,  smuggling  of 
aliens, — powerful  organized  efforts,  and  it's  up  to  the 
Coast  Guard  to  stop  them* 


Pafheserial 


f^^^-1    MAIIK 


Battles  are  fought,  men  In  the  U.  S^  service  are  killed, — to 
defend  the  law.  This  story  covers  the  inside  lives  of  these 
hardy  men.  It  is  amazingly  thrilling,  yet  it's  also  amaz* 
ingly  true. 

The  title  both  tells  and  sells  the  serial.  Your  public  will 
want  to  see  the  Coast  Guard  as  it  is,  in  a  drama  that's 
being  lived  today. 


Pafhe  serial 


CHARLES  R.  ROGERS  Presen 


HARRY 


a 


DRIFTIN 


You'll  make  more  money 
on  this  than  any  Harry 
Carey  picture  you  ever 
played,  because  it*s  a  better 
picture. 

You  don't  need  to  look 
for  a  better  Western.  There 
aren't  any. 


You   can't   tell    the  half   of   it 
until  you  see  the  whole  picture. 


Pafh^picture 


TRADE 


w 


MARIC 


THE 


u  ay,  January_31,  1926 


■c^al 


DAILY 


Dorothy  Gish  in 

"Nell  Gwyn" 

:    Wilcox  Productions — British 
National  Pictures,  Ltd. 

ioTHY  GISH  DELIGHTFUL. 

[CELLENT  PRODUCTION, 
:  NE  CAST,  MAKE  THIS 
^ITISH-MADE  PICTURE  AN 

JTSTANDING         ACHIEVE- 

ENT. 

In   her   long   career,    she   has 

ver    given    such    a    performance, 
isily  her  best  work. 

..No  name  well  known  here  but 
indle  Ayrton  fairly  satisfactory  as 
ing  Charles  and  Julliette  Comp- 
an  American  hitherto  un- 
lown,  gives  a  striking  perform- 
ce  as  Lady  Castlemaine.  Others 
limportant. 

e  of  Story.  ..  .Comedy;  based  on 
le  historical  character  of  Nell 
wyn  who  sold  oranges  at  the  old 
rury  Lane  Theater  in  London 
hen  Charles  was  King.  How 
harles  is  captivated  by  her  rogu- 
h  wit,  makes  her  an  outstanding 
ctress  and  incidentally  his  mis- 
•ess,  makes   up   this   story. 

The  story  has  been  treated  in 
amewhat  an  episodical  manner 
•hich  culminates  in  Charles'  death 
fter  one  of  the  most  striking  se- 
uenccs  done  of  late.  Here  Dor- 
thy  portrays  grief  and  anguish  in 
larked  contrast  to  the  comedy  an- 
cs  which  make  up  the  greater  part 
f  the  film. 

Director  Wilcox  has  seen  to  it 
lat  there  is  considerable  sex  appeal 
'hich  includes  an  interesting  shot 
f  Dorothy  taking  a  bath  in  a  large 
arrel.  Dorothy  Gish  has  a  beauti- 
:1  back. 

The  picture  needs  editing  and 
tling  to  make  it  an  outstanding 
reduction  for  the  American  screen. 

c   Office   Angle. ..  .Dorothy    Gish 
;  sufF.ciently  well  known  to  prove 
draw.    The  title  should  also  find 
lany  followers. 

jloitation Dwell    particularly 

pon  Dorothy  Gish  for  whom  you 
m  make  extravagant  promises 
'ith  a  full  knowledge  that  she  will 
ve  up  to  whatever  you  say.  She 
;  easily  an  outstanding  comedi- 
tine  among  American  stars.  Where 
ou  have  the  right  kind  of  an  audi- 
nce,  you  can  talk  about  Nell 
rwyn,  the  famous  street  gamin 
'ho  became  a  King's  mistress, 
'ou  have  no  other  names  to  use. 

action.  ..  .Herbert  Wilcox;  excel- 
;nt. 

thor   Marjorie  Bowen 

nario Herbert  Wilcox 

neraman   Roy  Overbaugh 

Jtography Superb  and  out- 

tanding. 

:ale. . .  .Engl.  during  the  reign 

f  Charles  II. 

igth Approximately    9,000    feet 


"The  American  Venus" 

Paramount 
PLENTY  TO  CATCH  THE  EYE 
WITH  PRETTY  GIRLS,  FASH- 
ION SHOW,  SCENES  IN 
COLOR,  A  CUTE  ROMANCE 
AND  SOME  COMEDY  HELP- 
ING THE  ENTERTAINMENT 
ALONG. 
Cast Esther  Ralston  and  Law- 
rence Gray  well  teamed  pair  of 
lovers  and  sure  to  go  big  with 
the  romance  devotees.  Ford  Ster- 
ling not  given  very  much  in  his 
line,  Kenneth  MacKenna  good. 
Fay  Lanphier,  "Miss  America"  of 
last  year's  Atlantic  City  bathing 
beauty  contest,  has  a  small  part. 
Doesn't  screen  as  pretty  as  she 
really  is.  Others  Edna  May  Oliver, 
Louise  Brooks  Ca  mighty  good 
looker),  William  B.  Mack,  W.  T. 
Benda. 
Type  of  Story. ..  .Comedy  romance. 
"The  American  Venus"  is  written 
around  the  Atlantic  City  bathing 
beauty  contest  and  with  a  keen  eye 
for  facts  and  figures,  but  mostly 
figures.  There  are  many  fine  speci- 
mens of  the  "glorified  American 
girl,"  and  as  far  as  pictorial  appeal 
is  concerned,  the  picture  is  a  com- 
plete satisfaction.  There  are  girls 
and  girls  and  the  tableaux  in  color 
are  distinctly  artistic  and  enjoyable. 
The  plot  in  this  case  seems  to  hang 
rather  loose  from  the  rest  of  the 
fixings.  The  comedy  is  intermit- 
tent and  the  romance  rather  an  in- 
terrupted affair  and  to  cap  it  all 
comes  a  comedy  chase  that  is  well 
done  at  least  even  if  it  also  seems 
more  or  less  of  a  disjointed  part. 
In  spite  of  what  fault  you  may 
find  with  the  make-up,  the  produc- 
tion has  entertainment  value  and 
with  such  recommending  angles  as 
a  pretty  heroine,  a  bevy  of  beautiful 
and  shapely  girls,  plus  a  good  look- 
ing hero — it  can't  go  far  wrong. 

Story:  Concerns  the  inability  of 
Mary  Gray's  father  to  make  his 
cold  cream  business  pay.  Chip,  a 
live-wire  salesman,  decides  to  put  it 
over  by  entering  Mary  in  the 
Beauty  Contest,  and  if  she  wins  to 
have  her  credit  her  beauty  to  Gray's 
cold  cream.  Then  come  the  fashion 
show,  beauty  parades,  tableaux,  a 
mad  dash  to  make  the  contest  on 
time,  an  accident,  recovery,  suc- 
cess, marriage  and  that  finishes   it. 

Box   Office  Angle Will  no  doubt 

satisfy  a  big  majority  through  the 
available  tie-ups  with  the  Atlantic 
City  annual  bathing  parade  and  the 
fact  that  the  1925  winner  appears 
in  the  film. 
Exploitation. ..  .Effective  tie-ups  and 
the  usual  possibilities  of  display 
afforded  by  the  material  in  the  pic- 
ture will  easily  make  this  attrac- 
tive. Fashion  shows,  local  beauty 
contests,  beauty  shop  tie-ups  and 
the  like  can  readily  be  arranged. 
Good  names  to  use,  and  stills  of 
Esther  Ralston  and  Lawrence  Gray 
will  go  well  in  the  lobby. 

Direction Frank    Tuttle;    effective 

usually. 

Author Townsend  Martin 

Scenario    Frederick  Stowers 

Cameraman   J.  Roy  Hunt 

Photography    Good 

Locale Small  town-Atlantic  City- 
Length  7.931  feet 


"Memory  Lane" 

Prod.:  Louis  B.  Mayer — 
Dist.:  First  National 

ANOTHER  SPLENDID  JOHN 
STAHL  COMEDY  OF  MAR- 
RIED LIFE.  MANY  SUBTLE 
TOUCHES  THAT  MAKE  THIS 
OUTSTANDING  ENTERTAIN- 
MENT. DELIGHTFUL  LIT- 
TLE STORY  CHARMINGLY 
HANDLED. 
Cast. . .  .Eleanor  Boardman  sweet  and 
appealing  as  the  wife.  Conrad 
Nagel  thoroughly  sincere  and  effec- 
tive as  the  husband  who  strives  to 
win  his  wife's  love.  William 
Haines  good  as  the  lover. 
Type  of  Story. ..  .Domestic  comedy. 
"Memory  Lane"  is  as  subtle  and 
pleasing  a  bit  of  entertainment  as 
anyone  would  want.  It  has  a  sim- 
ple little  story  that  probably 
wouldn't  get  very  far  without  the 
unusually  fine  treatment  given  it  by 
Director  Stahl.  It  is  decidedly  the 
skillful  handling  that  makes  it  so 
charmingly  sweet  and  interesting. 
It  has  unexpected  twists  and  with 
each  new  bit  comes  a  surprise. 
Best  of  all  is  the  ending  which 
comes  as  a  decided  surprise  and 
finds  you  wholly  unprepared.  But 
it  is  the  logical,  only  right  ending, 
for  to  have  the  husband  give  up 
the  wife  whose  love  he  has  finally 
won  would  be  to  spoil  the  illusion. 
Stahl  preserves  it  and  leaves  off 
at  the  right  moment  with  the  hus- 
band, wife  and  baby  quite  happy 
and  content.  There  is  a  baby  in 
this  picture  that  is  vvorth  the  price 
of  admission.  One  shot  showing 
the  tot  sound  asleep  in  a  high  chair 
and  suddenly  awakened,  wholly  un- 
conscious of  camera  or  audience,  is 
a  gem.  Stahl  hasn't  missed  a  trick 
of  audience  appeal  and  his  subtle 
touches  are  noticeable  in  such  bits 
as  a  shot  showing  a  gossipy  neigh- 
bor telephoning  a  bit  of  scandal. 
As  she  reaches  for  the  phone  she 
knocks  over  a  miniature  of  the 
three  monkeys — hear,  see  and  think 
no  evil.  The  story  in  this  case 
cannot  be  done  justice  in  a  brief 
synopsis  since  it  is  wholly  the  ef- 
fective treatment  that  makes  it.  It 
concerns  the  marriage  of  a  girl  to 
one  man  while  she  believes  herself 
to  be  in  love  with  another  and  of 
the  other  man's  final  plan  to  kill 
her  love  for  him  so  that  she  will 
give  her  husband  the  love  that  he 
has  won  and  deserved. 

Box  Office  Angle Decidedly  fine 

audience  picture.  It  has  all  the 
drawing  power  of  a  real  audience 
go-getter  and  will  delight. 
Exploitation. . .  .You  can  make  plenty 
of  promises  for  the  entertainment 
in  store  for  them  in  "Memory 
Lane."  Played  up  in  conjunction 
with  the  song  of  the  same  name 
and  by  boosting  the  names  of 
Eleanor  Boardman,  Conrad  Nagel 
and  William  Haines,  plus  John 
Stalil's  good  direction. 
Direction. ..  .John  Stahl;  unusually 
skillful. 

Authors   John  Stahl  and  Benj. 

Glazer. 

Cameraman Percy  Hilburn 

Photography   Very  good 

Locale    Small   town 

Length    6,825    feet 


Tom  Mix  in 

"The  Yankee  Senor" 

Fox 
TOM  AND  HIS  HORSE  HAVE 
IT  PRETTY  MUCH  THEIR 
WAY  AS  USUAL.  NOT  AS 
MUCH  ACTION  BUT  PLENTY 
OF  DOUBLE  DEALING. 

Star. ..  .Steps  out  of  character  to  do 
a  tango  and  otherwise  participate 
in  a  fiesta.  Gets  over  several  of  his 
good  stunts  but  not  as  many  as 
usual. 
Cast. .  .  .lony  is  Tom's  chief  support. 
He  saves  his  life  twice.  Olive  Bor- 
den, a  dark  skinned  senorita  who 
falls  for  Tom.  Francis  MacDon- 
old  a  curly  headed  Mexican  villain. 
Margaret  Livingston  a  bright  bit  as 
the  dancer.  Others  Alec  Francis, 
Kathryn  Hill,  Martha  Mattox. 
Tyoe  of  Story.  ..  .Western;  adapted 
from  Katherine  FuIIerton  Gerould's 
novel,  "Conquistador."  Mix's  lat- 
est is  probably  a  little  fancier 
from  a  production  angle  than  the 
majorit}'  of  his  pictures.  This  one 
has  a  fiesta  done  in  colors  and 
Tom  forgets  about  Tony  and  the 
saddle  long  enough  to  cavort  about 
to  the  strains  of  guitars.  But  it  is 
better  when  he  gets  back  to  the 
business  of  the  plot.  Tom  can't 
be  convincingly  at  ease  in  fussy 
surroundings.  The  plot  itself  is 
the  regulation  trio  workout  with 
the  villain  doing  his  darndest  and 
hero  doing  his  best  while  the  girl 
waits  around  for  the  ultimate  finish. 
Tony  plays  an  important  part  by 
twice  saving  his  master's  life.  A 
great  horse,  Tony,  if  only  his  feats 
were  possible. 

Story:  Paul  is  the  son  of  old 
Don  Fernando's  disowned  daugh- 
ter. He  inherits  the  Don's  ranch 
much  to  the  disgust  of  Juan,  who 
was  the  expectant  heir  until  Paul 
put  in  an  appearance.  Business 
of  Juan  plotting  to  kill  off  the  un- 
necessarj'  Paul  with  the  scheming; 
making  up  the  action  and  carrying 
along  while  Paul  is  at  the  same 
time  having  trouble  with  the  Yan- 
kee sweetheart  he  brought  along 
and  the  little  native  girl  who  loves 
him.  Exit  Yankee  sweetheart,  Juan 
and  his  desperadoes  are  given 
their  lesson  and  Paul  is  happy  with 
the  little  native  girl. 
Box  Office  Angle. ..  .Good  fare  for 
the  Tom  Mix  fans  and  the  general 
crowd  that  likes  the  western  type 
of  entertainment. 

Exploitation Where  you  know 

you  can  bring  them  in  for  a  Mix 
feature  play  up  the  star's  name 
prominently  and  tell  them  his  horse, 
Tony,  has  an  important  part  in  this 
one.  A  trailer  showing  the  color 
scenes  might  further  enthuse  them 
and  you  can  mention  the  three  at- 
tractive girls  appearing  in  Mix's 
support:  Kathryn  Hill,  Olive  Bor- 
den and  Margaret  Livingston. 
Direction Emmett  Flynn;  satis- 
factory. 

Author Katharine  Fullcrton, 

Gerould. 

Scenario  Eve  Unscif 

Cameraman Dan  Clark 

Photography Good 

Locale Southern  California 

Length  4,902  feet 


m 


i 

! 
i 


FILMDOM'S 
ENCYCLOPEDIA 


1 92  6  FILM  i 


I 

i 

i 

1 

I 

1 


i 

i 


1 
I 

1 
I 

i 

i 
I 

i 


T 


e 


Refii 
Oftli 


Used  Coiullj 
ProducenlFil 

mi 
Prict 


I 


FILM 


t( 

L 


mmmMMmmmmmmmmmMmM^mMmmmmmmMmuMmmm^^ 


EAR  BOOK 

cognized 
ce  Book 


Im  Industry 


NOW  BEING 
DISTRIBUTED 


by  Exhibitors^  Editors, 
Film  Folk  Generally^ 
5rld  Over 


— Cloth  bound  for  permanent  use. 
— Gold  stamped — Nearly  900  pages. 
—A  mine  of  information. 

— Authentic  reference  data  on  production, 
distribution,  exhibition  and  foreign 
market. 

— A  year  in  the  making. 

— A  ready  reference  guide  to  answer  your 
questions. 

—1001  subjects  of  interest  to  everyone  in 
The  Motion  Picture  Industry. 

—Addresses  of  all  Theatres,  Studios,  Com- 
panies, Publications,  State  Righters, 
Agents,  Etc. 

— A  Complete  Production  Chart  of  all  Pro- 
ductions, with  Producer,  Director,  Star, 
Review^  Date  and  Footage. 

— Filmdom's  Encyclopedia. 

— You'll  find  one  everywhere. 


00 
or 

to 


Copy 


LY  Subscribers 


CUT  IT  OUT! 

To 

The  Film  Daily 

1650  Broadway 

T^  New  York  City 

o-day      y<^'" 

Enter    my    yearly    subscription    to    The 
^^  Film    Daily    immediately,    including    Short 

T^  T  ^^^^  m  ^    #     §  Subject     Numbers,     Directors     Number    and    a 

Im^l  ■        ■   mi^#      I  Copy   of   the   1926   Film   Year   Book. 

I  ^  ■        ■     WW  Herewith  my  cheek  for  $10.00. 

NAME 

/theatre 

,.  'address 


THE 


i^< 


DAILY 


Sunday,  January 


Priscilla  Dean  in 

"The  Danger  Girl" 

Prod.:   Metropolitan  Prod. — 
Dist. :    Producers  Dist.  Corp. 

PRISCILLA  IN  ONE  OF  HER 
CLEVER  CROOK  GIRL 
ROLES.  YARN  STRETCHES 
THE  BOUNDS  OF  PLAUSI- 
BILITY BUT  OFFERS  GOOD 
AMUSEMENT  AND  SOME 
FIRST  RATE  SUSPENSE. 

Star.... You  just  know  that  Priscilla 
is  tied  up  with  the  secret  service 
but  you  are  quite  content  to  watch 
her  bag  of  tricks  and  see  how  she 
works  it  out. 
Cast.... John  Bowers  a  likable  hero 
and  Arthur  Hoyt  his  freak  brother 
who  makes  a  study  of  fish.  His 
comedy  interpolations  not  outstand- 
ing. Gustave  von  Seyflfertitz  good 
as  a  butler  who  works  in  this 
capacity  while  plying  his  trade  as 
a  crook. 
Type  of  Story.  ..  .Crook  melodrama; 
adapted  from  "The  Bride,"  bv 
George  Middleton  and  Stuart  Oli- 
vier. A  pretty  girl  in  a  bridal  out- 
fit coming  in  through  a  skylight  at 
midnight,  into  a  handsome  bach- 
elor's apartment,  begging  protec- 
tion— it  certainly  oilers  an  interest- 
gathering  beginning  for  the  picture 
and  Director  Edward  Dillon  main- 
tains the  same  interest  all  the  way 
through,  even  when  the  story  asks 
a  bit  too  much  of  your  imagination. 
Without  requiring  any  explanation 
and  even  after  he  had  reason  to 
suspect  the  girl  of  being  a  thief,  the 
handsome  bachelor  permits  her  to 
remain  in  his  household.  The  plot 
has  been  used  before  and  the  wise- 
acres may  suspect,  long  before  the 
denouement,  that  Priscilla  is  in  the 
secret  service  and  merely  working 
on  the  trail  of  crooks  who  are  after 
the  bachelor's  famous  collection  of 
rubies.  Nevertheless,  the  develop- 
ment casts  all  sorts  of  suspicion 
upon  Priscilla  and  with  her  night 
prowling,  slipping  notes  to  hand- 
organ  grinders,  etc.,  you  have  rea- 
son to  believe  she  may  be  a  crook 
herself.  Of  course,  during  her  stay 
in  the  bachelor's  home,  he  has 
time  to  fall  in  love  with  her  so 
everything  is  all  set  and  pretty  for 
the  clinch  when  the  time  comes 
for  Priscilla  to  expose  the  butler 
and   show  her  own  badge. 

Box   Office  Angle Good  average 

entertaiment  that  will  satisfy  the 
general  run  of  audiences.  Pris- 
cilla Dean's  following  will  like  it 
first  rate. 
Exploitation.  .  .  .This  one  can  best  be 
boosted  by  playing  up  the  opening 
situation  in  catchlines.  Say:  "What 
would  you  do  if  you  were  a  bach- 
elor and  a  girl  in  a  bridal  outfit 
broke  into  your  apartment  at  mid- 
night and  begged  your  protection? 
See  how  it  works  out  lin  'The 
Danger  Girl'."  Use  the  star's 
name  prominently. 
Direction. .  .  .Edward  Dillon;  all  right 
Authors ....  Geo.  Middleton  and  Stu- 
art Olivier. 

Scenario   Finis  Fox 

Cameraman    Georges    Benoit 

Photography    Good 

Locale    New  York 

Length  5,660  feet 


"Lure  of  the  Wild"       ] 

Columbia — State    Rights 

DOG  HERO  PERFORMS  THE 
USUAL  ANIMAL  HEROICS  IN 
PLOT  OF  CONVENTIONAL 
ORDER  BUT  WITH  THRILLS 
THAT  SUFFICE  FOR  THE  AV- 
ERAGE CROWD. 

Cast "Lightning,"    the    dog    hero, 

an  intelligent  and  well  trained  ani- 
mal who  will  no  doubt  win  his 
audience.  Jane  Novak  pleasing. 
Richard  Tucker  the  regulation 
"other  man"  and  Alan  Roscoe  the 
business  man  husband  who  neglects 
his  wife.  Others  Mario  Carillo,  Pat 
Harmon   and   little   Billy   Jean. 

Type   of   Story Marital   drama. 

From  the  husband  who  neglects  his 
wife  for  his  business  to  the  vil- 
lainous "other  man"  who  meets 
the  usual  "over  the  cliff"  death, 
"Lure  of  the  Wild"  runs  true  to 
formula  type  and  at  no  time  gets 
of?  the  beaten  path.  The  introduc- 
tion of  the  dog,  Lightning,  who 
plays  detective  and  otherwise  does 
remarkable  feats,  is  intended  by 
way  of  variation  but  this,  too,  has 
all  been  used  before.  It  is  Light- 
ning that  eventually  tracks  the 
wicked  one  to  the  cliff's  edge  for 
the  well  known  finish.  Director 
Frank  Strayer  hasn't  made  a  very 
strenuous  attempt  to  build  suspense. 
Even  though  the  material  was  trite 
there  could  have  been  a  little  better 
sustained  interest.  The  action  runs 
along  at  about  the  same  gait  all  the 
way  but  the  occasional  feats  of  the 
dog,  his  protection  of  the  little  girl, 
discovery  of  his  master's  murder 
and  his  tracking  down  of  the  mur- 
derer suffice  for  fair  thrills. 

Story:  James  Belmont  goes 
North  with  his  little  daughter  be- 
lieving Daniels,  Ins  friend,  has 
stolen  his  wife's  love.  Daniels 
hires  a  man  to  kill  Belmont  but 
the  guilty  one  is  eventually  traced 
and  exposed  by  Belmont's  pet  dog 
who  had  also  secured  a  protector, 
a  native  trapper,  for  the  little  girl. 
How  Daniels  tries  to  secure  the 
child  and  force  his  attentions  upon 
Mrs.  Belmont  is  followed  by  his 
eventual  death  and  the  marriage  of 
Mrs.  Belmont  and  the  trapper  who 
had  saved  her  child. 

Box  Office  Angle Fair  program 

picture  that  can  be  used  on  the 
regulation  daily  change  program  in 
conjunction  with  good  short  sub- 
ject surrounding  program. 

Exploitation Not  a   great   deal   to 

talk  about  except  the  work  of  the 
dog.  Lightning,  and  you  can  in- 
terest all  dog  fanciers  by  telling 
them  what  he  does  and  the  im- 
portant part  he  plays  in  the  picture. 
Use  Jane  Novak's  name  also. 

Direction. ..  .Frank    R.    Strayer;    fair 

Author   Tom  J.   Hopkins 

Scenario    Not    credited 

Cameraman  Geo.  Meehan 

Photography    Good 

Locale    N.   Y. — Northwoods 

Length  5,570  feet 


"The  Reckless  Lady" 

First  National 
STORY  PATTERNED  SOME- 
WHAT ALONG  THE  LINES 
OF  "STELLA  DALLAS"  BUT 
LACKS  THE  FORCE  AND  AP- 
PEAL OF  THAT  GREAT  PIC- 
TURE. HAS  THE  ADVAN- 
TAGE OF  BELLE  BENNETT 
AND  LOIS  MORAN  AS 
MOTHER  AND  DAUGHTER. 
Cast.  ...  Belle  Bennett  gives  a  first 
rate  performance  but  the  role 
doesn't  provide  her  with  many  big 
moments.  Too  much  weeping  and 
mooning  and  less  live  bits.  Lois 
Moran  sweet  and  charming  as  the 
innocent  daughter.  James  Kirk- 
wood  not  given  very  much  to  do. 
Ben  Lyon  tries  hard  to  be  a  "good 
fellow"  but  he  never  forgets  he's 
•before  the  camera.  Lowell  Sher- 
:ii.-^n  the  suave,  well  tailored  roue. 
Cliirlie  Murray  in  a  minor  comedy 
role. 
Type  of  Story. ..  .Drama;  from  Sir 
Philip  Gibbs'  novL"..  Following  so 
closely  after  "Stella  Dallas,"  bear- 
ing a  resembling  plot  and  with 
Belle  Bennett  and  Lois  Moran 
a,tiain  playing  mother  and  daughter. 
"The  Reckless  Lady"  cannot  but 
suffer  in  comparison.  It  has  not 
the  appeal  nor  the  conviction  of  the 
former  and  althougii  Howard  Hig- 
G:in  has  probably  made  the  most 
of  the  situations.  There  are  occa- 
sional touches  that  he  might  have 
Handled  better.  The  conclusion, 
which  leaves  Lowell  Sherman  hang- 
Ing  on  a  vine  overlooking  a  preci- 
pice while  a  family  reunion  takes 
pla'-t-  within,  may  be  all  right  tech- 
nuaJly  but  it  seems  a  bit  of  mis- 
placed comedy.  And  at  that  Sher- 
man hardly  deserved  the  fate.  Much 
worse  film  villains  have  escaped 
punishment. 

Story:  Mrs.  Fleming  is  a  reck- 
less lady  because  she  flits  from  one 
t;ci]nbling  resort  to  another.  In  this 
way  she  supports  herself  and  young 
dautihter  and  at  the  same  time 
liicles  away  from  tnie  husband  who 
ycavs  before  had  lound  her  with 
the  "other  man,"  Count  Fedor. 
Just  as  little  Sylvia  is  about  to 
happily  marry  a  Grand  Rapids  fur- 
niture salesman  and  have  an  ice- 
box named  after  her,  along  comes 
the  Count  and  the  long  lost  Col. 
Fleming,  her  father.  It  looks 
gloomy  for  a  while  but  eventually 
Airs.  Fleming  and  the  Colonel  make 
up  their  differences,  Sylvia  and  the 
furniture  man  are  happy  and  the 
Count  is  left  hanging  on  the  vine. 
Box  Office  Angle.... Has  its  good 
points  and  may  please  and  amuse 
even  if  some  of  the  twists  tax 
jiKln:mcnt  and  common  sense. 
Exploitation ....  You  have  the  names 
of  Belle  Bennett  and  Lois  Moran, 
who  again  play  mother  and  daugh- 
ter. On  account  of  their  similar 
roles  in  "Stella  Dallas,"  you  can 
play  up  this  point  and  regarding 
the  storv  talk  about  the  woman  who 
_gji:iibled  to  save  her  little  daughter. 
Direction. ...  Howard    Higgin;    varies 

Author   Sir  Philip   Gibbs 

Scenario Sada  Cowan 

Cameraman    Ernest   Haller 

Photography    Good 

Locale    Monte  Carlo 

Length  7,336  feet 


f 


"Flaming  Watei 

Film  Booking  Offic< 
OLD     TIME     "PENNY 
LER"  WITH   MODERN 
MINGS.         STORY       Q 
FIELDS  LOADED  WIT 
OFFICE       HOKUM. 
PRODUCTION     FOR 
HOUSES. 

Cast Malcolm  McGreg< 

hard  and  makes  a  far-fete 
seem  fairly  plausible. 
Garon  lends  him  able  an< 
tive  support.  M!ary  C&r 
live  in  her  typical  role  of  i 
in  distress.  John  Miljan  p 
heavy  with  an  ability  wort 
better  story. 

Type  of  Story Th«  scenari 

lined  up  all  the  sure-fire  b< 
hokum  for  this  one.  But 
no  real  story  to  go  with  ; 
poor  old  mother  fleeced 
scoundrel  selling  worthl 
stock.  Her  stalwart  sailor 
turns  to  find  the  old  homesi 
serted  and  mother  washing, 
neighbors.  Then  to  Oil 
hunt  down  the  swindler  and 
him  for  his  trickery.  Lovi 
est  is  literally  dragged  ii 
here.  A  rich  oil  speculato 
the  way  to  the  oil  fields  w 
beautiful  daughter.  The  her 
her  life.  From  then  on  th 
forces.  But  later  the  villai 
vinces  the  girl  that  the  I 
really  the  trickster.  And  s 
lieves  it — for  no  reason  ex<- 
make  the  picture  run  its  n 
footage.  The  only  real  kick 
story  is  when  the  fake  oi 
comes  in  a  real  "gusher." 
the  business  of  the  swindler 
to  double  cross  the  hero  out 
property.  He  hires  a  gang 
stroy  the  well.  Several  ati 
are  made.  These  attempts  b 
tiresome.  The  final  punch 
fetched,  to  say  the  least.  T 
from  the  gusher  is  so  plentift 
they  are  forced  to  dam  it  up 
reservoir  of  drinking  water, 
villain  sets  the  oil  afire.  The 
gates  are  opened  and  the  bt 
oil  surrounds  the  house  contJ 
the  hero  with  his  mother  all 
girl.  A  real  melo  touch  is  givt  l  g 
windup  by  having  the  hero 
the  two  women  to  safety 
swings  along  a  rope  to  the 
opposite.  Of  course,  the  rol 
burned  through  by  the  terrifii 
of  the  blazing  oil  beneath — bu 
until  the  hero  has  reached  safej 
great  picture  to  thrill  children 
we  cannot  believe  that  the 
ducers  seriously  intended  thii 
grown-up  consumption.  It  is  i 
ing  but  Nick  Carter  of  our  c 
hood  delight  placed  in  a  mc 
setting. 
Box  Office  Angle. . .  .You  are  the 
judge  if  the  above  is  what 
people  want. 
Exploitation. . .  .Play  up  the  thrillr 
max  of  a  rescue  from  a  bur*'' 
oil  field.     Also  Mary  Carr. 

Direction Harmon    Weight; 

good  as  his  material. 

Author    Lloyd   Shel 

Scenario  Fred  Mj 

Cameraman William  Mars 

Photography    G 

Locale Oil  fi 

Length  6,591 


1 


■ 


iB:t 
1  i-'i 


" 


*0, 

rtc 
"Gc( 
I 

i. 

IT: 

li;, 
(li:;r 
k: 

IK; 
:, 

..t. 


I;,  January  31,  1926 


THE 


aggg^ 


DAILY 


Short  Subjetts 

l^y  My  Boy"— Roach— Pathe 

A  Good  Comedy 

;  production. .  .  .2  reel  comedy 

•s  a  gloom  chaser  that  should 

tity   of   laughter   out    of   your 

Chase  is  seen  as  a  dumb  but 

oung  man  who  gets  a  job  as 

in  the  office  of  a  man   with 

laughter  he  has  flirted.  Daugh- 

et  to  marry  an  old  widower 

irst  name  is  Charlie  and  when 

is  given  to  young  Charlie   to 

to    old    Charlie,    he    thinks    it 

nt    for    him    and    accordingly 

his    employer's    invitation    to 

So   does   old    Charlie    and   all 

;re  is  in  the  situation  has  been 

out  of  it  by  Chase.    Then  old 

finds     out     that     they     have 

in  the  house  and  he,  being  a 

1  member  of  the  Volstead  com- 

calls    a    squad    of    policemen. 

Charlie  has  a  fine  time  then, 

;  several  cases  of  liquor  from 

0  room  and  hiding  them,  which 

3  in  very  amusing  fashion.  Al- 

:r  a  good  comedy. 


r  of  the  Day" — Fox — Imperial 

Some  New  Gags 
)l  production. . .  .2  reel  comedy 
1  the  Navy  and  See  the  World" 
slogan,  but  hero  Harold  Good- 
ns  the  Navy  to  see  his  sweet- 
father  and  get   his   O.    K.   on 
rriage  question.     Papa  is  Con- 
Alveria    and    Harold    figures 
St    and    cheapest    way    to    get 
3  via  the  Navy  even  if  it  does 
year  before  they  touch  at  that 
Some  fun  aboard  a  battle  ship 
en   Alveria    where    hero's    first 
comes  when  he  is  forced  to 
e   captain's    uniform   while   his 
left  to   dry.     How  he   is  dis- 
1  by  the  owner  of  the  uniform 
eatened  with  all  sorts  of  court 
s  and  handicaps  in  the  pursuit 
jirl's  hand,  provides  some  good 
and  ends  in  a  whirlwind  com- 
ase    wherein    hero    proves    his 
and    wins    not    only    the    girl 
father's  approval  and  the  cap- 
handshake.       Some    first    rate 


Gray" — Max    Fleischer— Red 
Seal 

Very  Pleasing 

if  production 1  reel  novelty 

Co,  the  Inkwell  clown,  and 
rtette  render  the  old-time  favo- 
Joodby,  Dolly  Gray."  With 
orchestration,  this  should 
everyone.  The  crowd  at  the 
.,  New  York,  seemed  to  like 
much  this  week.  There  is  the 
ntroduction,  with  Ko-Ko  and 
artette  coming  up  out  of  the 
jttle  and  assuming  dramatic 
;s;  then  the  words  are  flashed 
screen  and  the  audience  is  en- 
to  sing  together  by  watching 
;le  moving  ball  which  hits  the 
as  they  are  to  be  sung. 


lot  of  fun  out  of  it.  Some  trick  stuff 
has  been  used  to  afford  a  thrill,  show- 
ing the  child  being  raised  in  the  air 
by  a  bunch  of  toy  balloons  after 
which  she  floats  over  the  city's 
streets.  A  reward  has  been  offered 
for  her  return,  and  Alt  collects  it. 
Good  average  comedy. 


>ful    Al" — Century — Universal 

Good  Comedy 
)f  production. . .  .2  reel  comedy 
is  an  entertaining  Century 
y,  featuring  Al  Alt.  A  little 
out  two  or  three  years  old  is 
;ed  to  considerable,  advantage, 
ime  is  not  mentioned,  but  she 
ite  kiddie  and  seems  to  get  a 


"Time    Flies" — Lupino    Lane — Educ'l 

Lane  Is  Funny 
Type  of  production. ..  .2  reel  comedy 
The  plot  of  this  comedy  centers 
about  a  watch.  First  we  see  grand- 
father being  saved  in  his  youth  by 
the  watch.  In  a  duel,  the  bullet 
meant  for  his  heart  hits  the  timepiece 
and  thus  saves  him.  It  is  handed 
down  from  generation  to  generation 
and  finally  comes  to  a  young  lad 
about  to  set  out  for  the  cruel  city. 
His  mother  gives  him,  besides  the 
watch,  a  little  dove,  in  case  he  should 
want  to  send  a  message  home.  The 
parting  scene  is  done  excellently  by 
Lane.  Of  course,  he  goes  to  the 
city,  gets  mixed  up  with  a  vicious 
vamp  and  her  scheming  pal,  who 
plan  to  keep  him  in  the  family  after 
they  find  that  his  grandfather  has 
left  his  entire  fortune  to  him  and  that 
he  can  only  be  identified  by  the 
watch.  However,  he  escapes  in  time. 
One  extremely  funny  scene  that  is 
probably  one  of  the  best  things  Lane 
has  ever  done  comes  when  he  is 
starving  in  the  city.  He  has  just  one 
dime  and  if  he  eats,  he  cannot  sleep. 
Finally,  after  many  agonies,  he  de- 
cides to  flip  the  dime  and  if  it  comes 
up  "heads,"  he  will  eat.  He  flips. 
And  the  dime  comes  down — ^into  a 
tough  guy's  cup  of  coffee.  In  vain 
Lane  tries  to  scoop  it  up  with  a  fork 
when  the  man  isn't  looking.  Finally, 
the  fellow  drains  the  cup.  Also  the 
dime.     A  very  funny  bit  of  business. 


Searchlight    "B"— Urban-Kineto- 
Red  Seal 

Diverting,  Engrossing 
Type  of  production. .  .1  reel  magazine 
This  magazine  reel  contains  some 
excellent  material.  Extremely  inter- 
esting experiments  with  liquid  air  are 
shown  first.  Among  these  experi- 
ments showing  live  eels  being  frozen 
by  immersion  in  liquid  air  and  a 
plum  is  frozen  by  t"he  same  method. 
Next  comes  some  views  of  flowers 
unfolding  from  buds  to  full-blown 
blossoms.  These  include  tiger  lilies, 
narcissus,  daffodils,  anemonies  and 
roses.  The  third  and  last  subject 
deals  with  wild  water  birds  and  con- 
tains some  edifying  shots  of  strange 
and  unfamiliar  birds  as  well  as  some 
known  to  all,  such  as  the  pelican, 
kingfisher,    etc. 


Pathe    Review   No.   6 

Interesting  as  Usual 
Type  of  production.  .  .1  reel  magazine 
The  ancient  accomplishment  of  the 
Indians,  archery  is  dealt  with  in  this 
issue  of  Pathe's  Review.  Then  comes 
a  botanical  subject  which  shows  the 
Anderson  Aster,  the  Chokecherry  and 
the  Blazing  star,  all  American  wild- 
flowers,  in  natural  colors.  By  means 
of  the  time-lapse  camera,  the  flowers 
are  shown  in  different  stages  of 
growth.  A  Tolhurst  microscopic 
study  entitled  "Enemy  Submarines" 
deals  with  the  growth  and  anatomy 
of   the  mosquito. 


Mannix  A  Supervisor 

Ed  J.  Mannix  who  resigned  as  gen- 
eral studio  manager  for  Metro-Gold- 
wyn-Mayer  the  other  day,  will  be- 
come a  supervisor  of  production 
there. 


First  Nat'l  Signs  Mulhall 

First  National  has  signed  Jack  Mul- 
hall on  a  five  year  contract  .  His 
first  featured  part  will  be  in  "Mol- 
asses." 


Sixty  from  F.   B.   O. 

F.  B.  O.  will  produce  60  features 
this  year.  Joseph  I.  Schnitzer  will 
handle  production  detail,  now  that  B. 
P.  Fineman  has  joined  First  Na- 
tional. 


Gruen's  First  for  Fox 
"A-1    Society,"    Fox's   latest    "East 
Side,  West  Side"  comedy,  is  in  pro- 
duction    under     direction     of     James 
Gruen.    This  is  Gruen's  first  for  Fox. 


Change  Title  on  Griffith  Film 

"Get  Off  the  Earth"  has  been  se- 
lected as  the  final  title  for  the  pic- 
ture that  Raymond  Griffith  will  make 
following  "Fresh  Paint." 


Signs  Washburn 

Famous  has  signed  Bryant  Wash- 
burn for  "Wet  Paint,"  formerly 
"Fresh  Paint,"  starring  Raymond 
Griffith. 


Vidor   Editing   "La    Boheme" 

King  Vidor  is  rapidly  completing 
the  editing  of  "La  Boheme"  in  which 
Lillian  Gish  and  John  Gilbert  are 
starred. 


Now  Eva  Novak  with  Roach 

Eva  Novak  has  been  engaged  at 
Hal  Roach's  for  the  lead  opposite 
Glenn  Tryon  in  a  new  comedy,  under 
direction  of  Fred  Guiol. 


Du  Pont-Pathe  Building  Plant 

The  Dupont  Pathe  Film  Manu- 
facturing Corp.  is  erecting  its  own 
office  building  here.  More  than  300,- 
000,000  ft.  of  film  are  consumed  in 
this  district  annually. 


Change  Warner  Titles 

Changes  in  the  titles  of  three  pic- 
tures now  in  work  at  Warners,  were 
announced  this  week. 

"Outlawed,"  new  Rin-Tin-Tin  pic- 
ture has  been  changed  back  to  "Hero 
of  the  Big  Snows."  Herman  Ray- 
maker  is  directing. 

"The  Grifters"  will  be  known  as 
"The  Little  Irish  Girl."  This  is  the 
next  production  in  which  Dolores 
Costello  will  appear,  with  John  Har- 
ron,  Dot  Farley,  Mathew  Betz,  Lee 
Moran,  Gertrude  Clair,  Joseph  Dow- 
ling  and  Henry  Barrows  in  the  sup- 
port.    Roy  Del  Ruth  is  directing. 

"Leave  It  to  Me,"  an  original  be- 
ing directed  by  William  Beaudine, 
will  be  released  as  "The  Honeymoon 
Express."  This  will  be  Dorothy  De- 
vore's  next  picture. 


Farnham  Titling  "Auction  Block" 

Joseph    Farnham    is    titling    "The 
Auction  Block"  for  M.-G.-M. 


Bara  in  "High   Explosives" 

Theda    Bara's    two-reeler    for    Hal 
Roach   is   "High    Explosives." 


Van  Bibbers  Again  m  Production 
Once    more    Earle    Foxe    is    "Van 

Bibber"    in    the    latest    Van    Bibber 

comedy,  "The  Reporter." 


Fox  Gets  Ingleton  Library 

Fox  has  just  acquired  the  George 
Ingleton  research  library  of  rare 
books.     Ingleton  is  in  charge. 


Porter  in   Hollywood 

Verne  Hardin  Porter,  editor-in- 
chief  of  Paramount  productions,  has 
arrived  here  with  story  material. 


Helene  Chadwick  with  Tiffany 
Helene  Chadwick  signed  a  contract 
to   star   in   two   pictures   for   Tiffany 
Prod.,  the  first  to  start  immediately. 


Roche  to  Write  for  Warners 

Arthur  Somers  Roche,  who  has 
been  engaged  by  Warner  Bros,  to 
write  a  series  of  original  stories,  will 
arrive  here  about  April  2nd,  and  will 
remain  all  summer. 


Cast  on  "Yellow  Fingers" 

Ralph  Ince  plays  the  leading  male 
role  in  "Yellow  Fingers,"  in  which 
Olive  Borden  is  starred.  The  cast 
includes  Claire  Adams,  Nigel  de  Bru- 
lier.  Otto  Matieson,  Armand  Kaliz, 
Edward  Piel,  John  Wallace,  Charles 
Newton,  Josephine  Crowell  and  May 
Foster.     Emmett  Flynn  will  direct. 


STUDIO  SPACE 

For  Independent  Producers 
Excellent  facilities  with  every 
convenience. 


CALIFORNIA  STUDIOS 

1420-22-24  Beachwood  Drive 
Hollywood 


Ji 


t   Mintz,    Studio   llgr 
Phone    HO -01 62 


When  in  Hollywood 
stop  at 

THE  NEW  HOTEL  REGENT 

Every  room  nuith  Bath  and  Radio 

■    A  beautifully  appointed  moderately 
priced  hotel. 

In  the  heart  oj  Hollywood 

6162  HOLLYWOOD  BLVD. 

Phone:  Holly.  0487 


i 


THE 


10 


■c^^ 


1 


DAILY 


Sunday,  January  31 


/' 


?  •  *  '-^ 


Announcement 
Extraordinary ! ! ! 

TEXAS  GUINAN 

New  York's  Greatest  Favorite  and 

Broadway's  Most  Sparkling  Personality 

Will  Be  the 

GUEST  CONDUCTOR  OF  WISE  CRACKS 


(AT  THE) 


That    will    set    the    record    for    all    revels 
in  the  history  of  the  Motion  Picture  Industry 

2 -MARVELLOUS  ORCHESTRAS— 2 
100  STARS 100  TABLES 


The  Twelve 
Movie  Immortals 


ASTOR  HOTEL 
SAT.  EVE.,  FEB.  6th 

Tickets  $10— Tables  Seating  Ten  $100 


\ 


t 


NAT  ROTHSTEIN— Master  of  Ceremonies 


Tickets  (if  there  are  any  left)    from  Charlie  Einfeld, 
at  Ist  National,  383  Madison  Ave.,  New  York 


t.,^J_ 


^a(  January  31,  1926 


DAILY 


11 


e|spaper  Opinions 

New  York 

'  'he  American   Venus" 
Paramount 
Rivoli 

(■AN_»    .    *    Is    long.       Probably 
he    in    order    to    do    full    justice    to 
e;i.y  and  comedy,   and  since  the  bath- 
es  are    the   picture's    great   drawing 
just  as  well  to   leave  them  in   their 
i  it  stands,   the    film   has   something 
who     want     to     laugh     and     those 
lidl  to  gasp.  *  *  • 

tl  MIRROR—*  *  *  The  result  is 
a  about  nothing  and  ''The  American 
,"  vith  Esther  Ralston  in  the  name 
ither,  for  the  first  time  in  her 
,   idrapes  and  reveals  a   lovely   figure. 

[]■  NEWS—*  •  •  Although  the   plot 

iHs.    too    silly    to    bother    about,    you 

i    it   with   good   grace,   for  the   story 

only    to    amuse    you.       It    should 

liurpose,    unless    you're    dreadfully 

INg' JOURNAL— *    *     *    Famous 

asky   tied   up  with   the  recent  beauty 

I  iml    the  result   is   a   bewildering   suc- 

ij)f    events    that    range    from    artistic 

ijto  a   Keystone   comedy  chase.   *   ♦    * 

ING  WORLD—*  *   *  As  a  whole, 

that  "The  American    Venus"   would 

:  been  missed  had  it  not  been  filmed. 

the  stills   would  do   nicely   for   lobby 

in    a    burlesque    house,    but    patrons 

5    disappointed.       It     is     not     risque. 

ely  stupid  and  tiresome.  *  *  * 

HIC— *   *   *   While  the  story  itself   is 

t's    a    plausible    background    for    the 

bf    feminine    pulchritude    that    adorns 

And     honestly     and     frankly,     we 

Iw   so   many   pretty   girls   gathered   to- 

1  one  film    *  *  • 

iLD-TRIBUNE— *  *  *  Is  a  charm- 
edy  with  some  scenes  in  technicolor 
!light  the  eye.  At  least  three  famous 
s  were  concerned  in  the  making  of 
vnsend  Martin  wrote  the  story,  a 
ficult  task  we  should  imagine.  •  *  ♦ 
^JING  TELEGRAPH— *  *  *  Such 
iing  display  of  pulchritude  has  been 
seen  in  any  film  house.  There's  no 
bout — "The  American  Venus,"  with 
ground  of  beauties,  its  inclusion  of 
Atlantic  City  contest,  and  its  cast 
lar  favorites,  spells  dollar  signs  at 
office   until   the   negative   wears   out. 

— Glorifying  the  more  commercial 
)f  the  Atlantic  City  Beauty  Pageant, 
nerican  Venus"  •  «  ♦  oflfers  a  some- 
wildering  mixture  of  slapstick  com- 
nely  sentiment,  gaudy  spectacle  and 
clad  bathing  beauties.  ♦  ♦  • 
-•  *  *  It  is  an  expensive,  jazzy 
er  incoherent  affair  running  all  the 
n  lavish  costume  displays  in  techni- 
a  slapstick  automobile  cha.se.  As  a 
feature  it  will  serve — though  it 
n  that  something  a  hit  finer  in  tex- 
]ld  have  followed  the  waves  of  pub- 
ich  preceded  it.  *  *  * 
S— *  *  *  This  is  an  elaborate  pro- 
with  a  hit  and  miss  story.  Some 
hotographic  skill  in  the  colored  se- 
is  most  ingenious.  »  *  *  But,  after 
;  is  no  use  taking  this  story  seri- 
I  it  is  something  that  might  have 
itten    as    the    production    was    being 

^D — *  *  •  It  presents  a  raw  and 
desire  to  photograph  scantily  at- 
mg  women  without  any  sensible  or 
le  tendency  to  tell  a  reasonably 
plausible  story.  Any  nervous  high 
oy  might  have  done  the  plot  and 
t  a  director  in  captivity  who  could 
told  the  cameraman  when  and  where 
to  shoot.   *   *   • 


bob  and  some  gorgeous  frocks.   •  •  • 

EVENING  WORLD— *  ♦  *  "Dance  Mad- 
ness" is  likely  to  accelerate  gum  chewing  in 
the  audiences.  It  is  one  of  those  "intimate" 
pictures — interpreted  either  way — with  a  small 
cast  and  many   bedrooms.   *   *  * 

HEI^ALD-TRIBUNE— *  ♦  ♦  Mr.  Nagel  is 
so  obviously  bent  upon  being  funny,  though 
he  perish  in  the  process,  that  it  seems  likely 
"Dance  Madness"  was  intended  humorously. 
Both  Nagel  and  the  picture  are  about  equally 
unsuccessful.   *   ♦   ♦ 

MORNING  TELEGRAPH—*  •  *  Though 
flimsy  to  the  point  of  nothingness  in  plot, 
it  has  been  directed  with  such  a  light  and 
clever  hand  and  is  acted  with  such  charm 
that  it  is  delightful — that  is,  it's  delightful 
to  any  one  whose  taste  runs  to  such  light 
and  charming  bits  as  "The  Trouble  with 
Wives,"    "Her    Sister    from    Paris.    »    *    ♦ 

POST — *  *  *  Here  we  have  most  of  the 
sly  complications  of  Lenore  Ulric's  "The 
Harem,"  without,  to  be  sure,  many  of  the 
indiscretions.  "Dance  Madness"  is  a  movie 
and  it  is  consequently  careful,  with  one  eye 
on  the  censor.  *  ♦  »  "Dance  Madness"  serves 
excellently  as  frothy  entertainment  of  the 
farcical    variety. 

SUN — *  *  *  When  it  is  desired  to  give 
a  drawing  power  to  a  script  that  doesn't 
make  sense  or  good  nonsense  the  Metro-Gold- 
wyn-Mayer  Corporation  dresses  it  up  in  lav- 
ish, garish  but  striking  costumes  and  parades 
it  before  stunning,  magnificent  settings. 
"Dance  Madness"  is  consequently  handsome- 
ly  festooned.    *   •    * 

TELEGRAM—*  »  *  For  hell  hath  no  fury 
like  a  woman  scorned.  Which  is  what 
"Dance  Madness"  goes  out  of  its  way  and 
round  ninety-nine  corners  to  prove.  The 
way  is  long  and  the  unexpected  never  hap- 
pens. But  there  is  plenty  of  fun  and  harm- 
less  entertainment   en   route.    *   *    * 

TIMES—*  *  *  An  extraordinarily  beauti- 
ful production  which  is  equipped  with  a  reck- 
less sort  of  yarn  that  flounders  along  in  a 
mildly  funny  way  and  then  becomes  very 
silly.  It  might  have  been  a  comedy,  but  it 
is  a  farce  that  occasionally  is  fractious.  *  *  * 
WIORLD— *  ♦  *  Conrad  Nagel  is  a  correct 
and  excessively  handsome  young  man  with 
a  special  gift  for  soulful  scenes  in  the 
movies.  ♦  «  »  Humor,  however,  has  been 
denied  him,  which  is  probably  the  reason 
why  tie  has  been  cast  in  this  picture  for  a 
rowdy  clown  in  an  all   but  slap-stick  comedy. 


POST—*  »  *  Belle  Bennett  and  Lois 
Moran  play  sacrificing  mother  and  loyal 
daughter  with  great  efTect  in  "Stella  Dallas," 
so  there  is  no  particular  reason  why  they 
should  not  engage  in  a  feeble  imitation  of 
the  same  tearful  situation  in  something  en- 
titled   "The    Reckless    Lady."    *    *    • 

SUN—*  ♦  ♦  With  such  a  tried  but  untrue 
story  as  "The  Reckless  Lady"  offers  for 
delectation,  Howard  Higgins  has  done  rather 
well.    *   *   • 

^^  Despite  silly  sections  and  bad  substitutes 
'  The  Reckless  Lady"  is  not  uninteresting 
program   fare.    ♦    ♦    ♦ 

TELEGRAM—*  *  *  Piping  a  feeble  and 
a  rather  foolish  echo  to  Sam  Goldwyn's 
"Stella    Dallas."   »    *    ♦ 

Belle  Bennett,  in  different  attire  and  a 
Hohenzollern  coiflure,  is  steered  through 
scene  upon  scene  of  tortured  mother  love, 
while  Lois  Moran,  again  the  unsophisticated 
oflspring  of  an  unhappy  parent,  finds  her 
domestic  ties  wreaking  havoc  with  the  course 
of  true  love    *   *  • 

TIMES—*  *  *  Rather  reminds  me  of  a 
achoolboy's  nervous  rendition  of  "Casa- 
bianca,"  as  the  incidents  are  set  forth  clearly 
but  in  a  tedious,  unimaginative  monotone. 
Even  the  dramatic  episodes  are  portrayed  in 
a  conventional  fashion,  and  are  therefore 
not  in  the  least  disturbing  to  spectators  with 
weak  hearts.   *  »   ♦ 

WORLD— *  *  *  Throughout  "Stella  Dal- 
las" this  talented  Miss  Moran  tripped  gayly, 
snuggled  closely  and  sympathized  lovingly 
with  the  poor  parent,  Miss  Bennett,  who  lived 
only  for  her  daughter's  happiness.  And  here 
in  "The  Reckless  Lady,"  there  is  more,  hours 
more  it  seems,  of  the  same.    *   *   * 


"Dance  Madness" 
M.-G.-M. 
Capitol 
ICAN— •    *    *    The    situation    soon 
into      one      reminiscent      of      "The 
"The    Guardsman"    and    such    plays 
sed    personalities.       The    husband    is 
ool   of  so  many  times  that  he  finally 
t    himself.    *    »    * 

r  MIRROR—*  •  ♦  If  you  like  your 
;iyn  served  by  other  hands  and 
irem"  in  the  same  manner,  the 
ire  you'll  be  able  to  survive  this 
nedy-drama  of  a  youthful  married 
)set  by  Parisian  allurements.  »  *  * 
ING  JOURNAL—*  *  *  It's  a  hght- 
lining  story,  written  for  the  screen 
r  Kaufman.  The  settings  are  quite 
id    Claire    (Windsor)    wears    a    new 


"The  Reckless  Lady" 

First  National 

Strand 

AMERICAN—*  *  *  Until  the  final  reel 
the  story  is  straightforward  and  interesting. 
The  carnival  scenes,  with  Lois  Moran  breath- 
less with  excitement,  are  well  directed  and 
acted.  After  the  frustrated  suicide  scene, 
however,    the   story   runs   a  little   wild.    *   *    * 

DAILY  MIRROR— With  nary  an  apology 
to  "Stella  Dallas,"  "The  Reckless  Lady" 
unreels  its  vapid  story  ♦  *  *  featuring  Belle 
Bennett,  Lowell  Sherman,  James  Kirkwood, 
Ben    Lyons   and   Lois   Moran.    ♦   *   ♦ 

DAILY  NEWS—*  *  *  "The  Reckless 
Lady,"  we  think,  is  one  of  the  best  pictures 
of   the   month. 

The  only  fault  we  could  find  is  that  there's 
considerable  weeping  in  it,  but  then,  most 
women  shed  tears  when  they  are  having  trou- 
ble and  Belle  Bennett  and  Lois  Moran,  as  the 
reckless    lady    and    her    daughter    respectively, 

have    a    pretty    wretchti    time    for    a    while. 

«   *   » 

EVENING  JOURNAL— •  *  *  Belle  Ben- 
nett is  "The  Reckless  Lady."  ♦  *  *  Lois 
Moran  is  the  daughter  who  shares  her  moth- 
er's social  ostracism.  But  there  all  resem- 
blance to  "Stella  Dallas"  ceases,  for  its 
quite  obvious  that  the  scenario  writer  and 
the  director  did  their  best  to  imitate  the 
appeal   of   that   photoplay.    *   *    * 

EVENING  WORLD—*  *  *  The  cast  is 
uniformly  capable,  but  to  Miss  Moran  go 
the  honors  for  the  only  strikingly  excellent 
acting.  *  ♦  »  Few  screen  players  have  such 
facility  in  expressing  emotions  by  merel 
changes  of  expression.   *   *  * 

HERALD-TRIBUNE—*  *  *  Tells  an  in- 
teresting story  without  managing  to  be  in 
the  least  an  interesting  picture.  All  of  the 
people  in  it  seem  to  be  doing  what  they  are 
doing    because    they    were   told   to    do    so    and 

never   because    they   happened    to   think    of    it. 

*   *   * 

MORNING  TELEGRAPH— •  *  »  With 
a  sure  touch  and  the  utmost  delicacy  in 
handling  the  situations,  Howard  Higgin  has 
succeeded  in  making  a  photoplay  that  con- 
tains none  of  the  stereotyped  impresses  of 
the  rubber  stamp  and  the  scenes  with  little 
Lois  Moran  in  particular  bubble  with  youth- 
ful charm  and  spontaneity.  Belle  Bennett 
once  again   plays   the  girl's  mother.   •   •   • 


"The   Skyrocket" 

Associated  Exhibitors 

Colony 

AMERICAN—*  *  *  Although  we  seldom 
found  Peggy  possessed  more  than  ordinary 
prettiness,  there  are  many  who  consider  her 
beautiful.  Her  screen  personality  was  not 
particularly  interesting  but,  under  Marshall 
Neilan's  direction,  she  proved  herself  quite 
a   capable  actress.    ♦   *   * 

DAILY  MIRROR—*  *  *  Miss  Joyce 
makes  an  auspicious  screen  bow.  She  photo- 
graphs beautifully  in  most  of  her  scenes  and 
though  her  histrionic  scope  is  sadly  limited 
in  this  flicker,  she  stands  out  as  a  well-de- 
fined   personality.    •    *    * 

DAILY  NEWS— *  •  *  She  (Peggy  Joyce) 
can't  act.  She  depicts  the  entire  range  of 
emotions  by  a  peculiar  grimace  like  the 
smile  of  a  sweet  invalid.  If  she  was  hired 
for  her  talents  as  a  clothes-horse,  these 
talents  are  wasted  because  the  triumphant 
costume    of    the    piece    is    a    gaudy    business 

made    of    pearls    as    big    as    Brussels    sprouts. 

*    *    * 

EVENING  JOURNAL—*  *  *  Adela  Rogers 
St.  John's  story  was  a  frothy  recital  of  the 
inner  doings  of  Hollywood,  but  whoever  made 
the  adaptation,  and  Marshall  Neilan,  who 
directed,  turned  out  an  unsustained  plot  that 
lacks   conviction.    •    •   ♦ 

EVENING  WORLD—*  *  *  Miss  Joyce 
is  supposed  to  be  the  possessor  of  great 
qualities  of  the  "it"  of  personality.  *  ♦  » 
"It"  is  present  in  "The  Skyrocket"  only 
in  limited  quantities.  The  film  is  generally 
creditable  for  a  first  effort,  but  it  is  not 
nearly  as  "big"  as  the  producers  would  have 
us   believe. 

GRAPHIC—*  *  *  There's  a  very  good 
box  office  story,  well  directed,  plenty  of 
heart  appeal,  a  peep  behind  the  scenes  of 
a  motion  picture  studio,  and  a  good  sup- 
porting cast  in  addition  to  the  glorious  Peggy 
herself.    •   *    * 

HERALD-TRIBUNE—*  *  *  You  won't 
be  disappointed  in  Peggy  Joyce  nor  in  her 
first  picture,  "The  Skyrocket."  Both  are 
exactly  what  one  would  expect.  •  •  • 

MORNING  TELEGRAPH—*  *  *  Peggy 
Hopkins  Joyce  in  this  role  photographs  well 
and  satisfies  the  slight  demands  made  upon 
acting.  She  wears  her  many  rich  costumes 
with  accustomed  distinction  and  is  as  sure  of 
herself  as  a  screen  veteran.  She  is  mag- 
netic and  appealing  by  reason  of  her  physi- 
cal frailness  without,  however,  any  warmth 
or  depth  of  feeling,  but  should  make  money 
for  the  picture  because  of  her  pictorial  value 
and  the  publicity  attached  to  her  name. 
*    *    * 

POST — *  *  *  The  picture  was  directed  by 
none  other  than  Marshall  Neilan,  who  has, 
apparently,  lost  his  sense  of  humor  somewhere 
along  the   way.   *   *   * 

The  star.  Miss  Joyce,  goes  through  the 
motions  well  enough  and  appears  really  de- 
sirous of  becoming  a  film  actress.  She  also 
wears    a    number    of    handsome    gowns    with 

tifi  CO       www 


SUN — *  *  *  As  a  screen  actress  (Peggy 
Joyce),  the  fair  girl  is  'way  below  par.  She 
has  the  self-conscious  air  of  a  newcomer  about 
her  and  seems  to  be  playing  the  part  of 
the  "great  stage  star  who  is  making  her 
screen  debut"  rather  than  any  character  in 
the   story   of   "The   Skyrocket."    *   ♦   ♦ 

TELEGRAM  —  A  humorless,  extravagant 
and  consistently  unconvincing  piece  of  cine- 
matographic eflfort.  ♦  •  *  Peggy  is  piloted 
through  the  picture  more  or  less  as  an  ex- 
cuse, it  would  seem,  to  display  one  decora- 
tive costume  after  another.  Of  screen  per- 
sonality she  has  little,  of  natural  film  talent, 
still  less.  But  as  a  mannequin  she  is  su- 
preme. •  •  * 

TIMES—*  *  *  Miss  Joyce's  face  is 
seen  continually  throughout  this  production, 
and  considering  this  is  her  first  film  effort, 
she  gives  a  creditable  performance.   *   *   • 

This  is  a  fair  diversion,  the  interest  in 
which  is  heightened  by  the  scenes  in  Holly- 
wood   rather    than    by    the    trend    of    the    tale. 

WORLD—*  *  *  Miss  Joyce  is  now  »  •  • 
as  well  equipped  in  screen  acting  as  are  four 
out  of  five  of  the  old  timers,  and  further- 
more, she  gives  promise  of  a  fine  future. 
Especially,  I  thought,  did  she  seem  gifted 
with  the  ability  to  perform  her  serious 
scenes  with  effect.  •  »  * 


"The  Yankee  Senor" 

Fox 

Rialto 

AMERICAN— Tom  Mix  «  •  »  seeks  to 
prove  his  versatility  in  "The  Yankee  Senor." 
*  *  *  Mix  lays  aside  the  famous  gloves,  the 
glittering  spurs,  the  always  handy  guns,  and 
becomes  a  fancy  danced  extraordinaire.   »   ♦  * 

DAILY  MIRROR—*  *  *  The  only  differ- 
ence betwen  this  and  previous  Mix  flickers 
is  Tom  dresses  more  like  a  musical  comedy 
cowboy  than  his  wont ;  dances  a  tango  with 
elephantine  charm ;  and  surrounds  himself 
with  three  women,  whose  job  it  is  to  register 
"I'm    crazy    for    you."    *    •    • 

EVENING  JOURNAL^*  *  ♦  As  "The 
Yankee  Senor,"  »  ♦  •  Tom  Mix  tries  to 
do  a  Rudolph  Valentino.  And  the  result  is 
what  might  be  expected  if  Rudy  were  to 
do   a   Tom    Mix.    ♦   •   « 

EVENING  WORLD—*  •  *  Something 
has  happened  to  Tom  Mix.  Something  revo- 
lutionary I  His  current  film  ♦  •  •  suggests 
that  he  had  developed  a  "Latin  lover"  lean- 
ing. For,  believe  it  or  not,  in  this  film  he 
not  only  is  supposed  to  be  a  half-breed  with 
a  Mexican  mother,  but  has  no  less  than 
three— count  them,  three — girfs  contesting 
for  his  aflfections  and  only  one  villain  and  an 
assistant  villain  to  overcome.  *   *  * 

HERALD-TRIBUNE—*  *  »  The  picture 
is  cut  to  the  usual  Mix  pattern,  though  this 
time  the  plot  is  less  complicated  than  usual 
and  there  is  less  action.  In  fact,  the  ex- 
citement is  confined  to  a  few  scenes  at  the 
beginning  and  end   of  the  film    »   •  » 

MORNING  TELEGRAPH— •  •  •  All  the 
faults  and  few  of  the  virtues  of  the  usual 
Tom  Mix  pictures  are  present  in  "The 
Yankee  Senor,"  opened  at  the  Rialto  yes- 
terday. The  swift  riding,  sudden  shooting 
and  magnificent  scenery  for  which  the  Mix 
pictures  are  justly  famous  play  little  part  in 
this  film.   »  •   • 

PpST- *  *  *  In  the  course  of  the  pro- 
ceedings, Mr.  Mix  rides  the  great  Tony  but 
seldom,  contributes  one  or  two  of  his  well- 
known  tricks  and  essays  the  tango.  This 
dancing,  if  it  can  be  called  that,  is  put  upon 
the  screen  in  color  and  may  be  termed  color- 
ful.  *   *   * 

SUN — *  *  *  Mr.  Mix  also  gives  his  ad- 
mirers a  new  stunt  to  talk  about — he  dances 
gayly  throughout  a  reel  or  so.  The  ter- 
psichorenn  sequence  is  done  in  color  and  is 
rather  effective.   *  •  • 

TELEGRAM—*  •  *  In  common  with  all 
the  recent  Tom  Mix  pictures,  some  lovely 
scenery  has  been  used  in  the  backgrounds, 
and  there  are  one  of  two  good  color  effects 
in  the  courtyard  scenes  of  the  old  Spanish 
hecienda.    *   *   * 

WORLD—*  *  •  Practically  no  riding  of 
wild  intensity  has  been  inserted  in  the  scen- 
ario for  Mr.  Mix,  who  can  only  delight  the 
admirers  of  his  horsemanship  here  by  ex- 
hibiting his  dismounting  ahilitiek.  Tony, 
the  wonder  horse,  without  his  rider,  does 
his   bit.    »    *    » 


Out-of-Town 

"His  People"— Universal 
Colonial,  Indianapolis 

STAR—*  *  *  Much  of  the  picture's  charm 
comes  from  the  characterization,  the  quaint 
philosophy  of  the  aged  Corainsky  and  the  tru«- 


THE 


-SH^ 


d 


DAILY 


Sunday,  January  31 


926 


to-life  setting  of  the   Ghetto.   ♦  ♦   ♦ 

TIMES — Although  it  has  just  a  simple  lit- 
tle theme  of  home  life,  "His  People"  is  so 
human,  true  and  magnificent  in  its  realism 
that  it  becomes  one  of  the  ten  wonders  of  the 
movie   world.    *    ♦    * 


"Infatuation"— First   Nat'l 
Capitol,  Cincinnati 

ENQUIRER—*  *  *  The  London  and  Egyp- 
tian settings,  the  loveliness  of  Corinne  Griffith, 
the  romance  and  drama  of  the  story  will  read- 
ily win  popular  approval.  *  •   * 

Allen,  Cleveland 

NEWS — The  presence  of  Corinne  Griffith 
on  the  screen  is  quite  pleasing  enough  to  com- 
pensate   for   many   of   the   minor   shortcomings. 

*  *  *  but  it  does  not,  however,  cause  one  to 
forget  the  obvious  straining  for  effect  which 
is  evident  in  certain  chapters  of  this  photog- 
raphy.   •    *    • 

PLAIN  DEALER—*  *  *  not  even  Miss 
Griffith's  beauty  saves  "Infatuation"  from  be- 
ing fairly  dull  for  a  good  portion  of  the  time. 

*  *    * 

State,  Detroit 

TIMES — •  *  *  Pretty  Corinne  Griffith  is 
almost  the  whole  works  in  the  film  feature  en- 
titled "Infatuation."  Her  director  loses  no 
opportunity  to  keep  the  star's  face  close  to  the 
camera,  with  the  result  that  the  plot  is  almost 
obscured.   •   •   • 

Circle,   Indianapolis 

STAR — *  *  *  The  film  was  made  from  the 
novel  and  stape  play,  "Caesar's  Wife,"  by 
W.  Somerset  Maugham,  and  gives  Miss  Grif- 
fith more  than  her  usual  opportunity  for  emo- 
tional  acting.   •    •   * 


"The  Iron  Horse"— Fox 
Monroe,  Chicago 

AMERICAN — *  *  *  No  two  ways  about  it, 
it's  one  of  the  greatest  cinema  plays  ever  pho- 
tographed, and  a  great  step  forward  along  the 
progress   road.   *   •   * 


"Just  Suppose"— First  Nat'l 
Capitol,  Detroit 

FREE  PRESS — *  *  *  The  story  is  not 
new,  as  tbe  plot  has  been  used  on  a  dozen  oc- 
casions, but  Barthelmess  is  just  good  enough 
to  lift  is  above  the  ordinary,  and  the  artistic 
settings  and  colorful  photography  will  delight 
the  eve.   *   »   •  ... 

TTME.'> — *  *  •  has  been  produced  in  lavish 
stvle,  including  a  fine  cast  and  closes  with  a 
climax   that    is    surprisingly    novel.    ♦    •    • 


"The  Keeper  of  the  Bees"— F.  B.  O. 
Zaring's,   Indianapolis 

5XAR — *  *  *  It  is  easy  to  see  from  this 
picture  why  Mrs,  Porter's  books  have  sold  in- 
to the  millions.  The  plot  is  a  unique  one,  with 
an    altogether  unlooked-for  twist.   •   *   * 


"Lady    Windemere's   Fan" — Warners 
Metro,   Baltimore 

AMERICAN — *  *  *  Once  more  the  movies 
have  done  a  marvel.  They  have  taken  that 
essentially  word-clever  play  of  Oscar  Wilde's 
"Ladv  Windemere's  Fan,"  and  made  an  es- 
sentially action-clever  comedy  of   it.   *   *   * 

Circle,  Cleveland 

NKWS — Mr.  Ernest  Lubitsch,  one  of  the 
surprisingly  few  motion  picture  directors  who 
have  the  courage  to  reflect  on  the  screen  their 
beliefs  that  cinema  audiences  possess  at  least 
a  smattering  of  intelligence,  has  laid  at  the 
feet  of  the  multitude  another  artistic  photo- 
pl,-iv.   ♦   ♦   • 

PLAIN  nFAT.ER — *  •  *  is  liighly  recom- 
mended, not  onlv  because  of  its  simplicity  with 
a  finely  maintained  suspense,  but  because  it 
is   tirusiially    rood    entertainment.    *    *   * 

PRESS —  *  *  *TTere  is  suave  and  subtle 
filming.  The  result  is  sophisticated  and  in- 
telligent. The  characters  of  this  high-society 
play   actually   seem   human.    •   •   • 


"The   Lure   of  the   Wild"— Columbia 
Garden,   Milwaukee 

SENTINEL—*  *  *  is  doubly  fortunate,  for 
not  only  does  it  boast  a  cunning  youngster 
in  its  cast,  but  a  clever  dog  as  well,  both  of 
whom  help  to  tide  over  a  dizzily  melodramatic 
plot    and    prosaic    situations.*    *    • 


"Mannequin" — Paramount 
Century.    Baltimore 

NEWS — *  *  *  Tt  is  good  old  melodrama  of 
the  lost  cbeeild,  filled  with  fancy  clothes  and 
imposing  scenery.  All  of  which  has  been  in- 
tellicently   directed   by   James    Cruze.    •    •    • 

SUN — After     looking     at     Fannie     Hurst's 


"Mannequin,"  which  won  the  $50,000  offered 
by  a  weekly  magazine,  we  shudder  to  think 
how  bad  the  other  entries  in  the  contest  must 
ha\'e  been.  Our  own  valuation  of  the  story 
would   amount   to   about   $1.47.    *    ♦    * 


"The    Masked    Bride"- M.-G.-M. 
Orpheum,   Boston 

GLOBE—*  *  *  The  story  of  a  stirring 
drama  of  adventure,  mystery  and  underworld 
plot  mainly  set  in  the  spectacular  cafes  of 
Paris    in    the    strange    haunts   of    the    Apaches. 


"The  New  Commandment"— 1st  Nat'l 
Wisconsin,  Milwaukee 

SENTINEL—  *  ♦  *  Fortunately  for  the 
story,  which  has  any  number  of  senseless 
complications,  it  was  produced  by  Robert 
Kane,  who  has  spared  nothing  to  give  it  an 
elaborate  background  and  a  cast  of  distin- 
guished  principals.    *   *   * 


"Old    Clothes"— M.-G.-M. 
Strand,  Cincinnati 

ENQUIRER-*  *  *  The  story  of  "Old 
Clothes"  is  as  juvenile  as  the  star  (Jackie 
Coogan).  The  comedy  is  as  broad  as  a  church 
door,  but  the  fact  remains  that  it  is  good  for 
many  a  laugh.     And  what  more  can   one  ask? 


"The  Phantom  of  the  Opera"- Univ. 
St.  James,  Boston 

GLOBE — In  the  splendid  presentation  of 
this  operatic  fantasy  Lon  Chaney  is  highly 
effective  as  the  half  devil  who  holds  ghostly 
sway. 

POST— •  *  *  a  wonderful  love  story, 
screened  in  the  midst  of  some  of  the  biggest 
thrills  ever  produced,  a  baffling  mystery  told 
amid   gorgeous   scenes.    *   •    * 


"The   Road  to  Yesterday"— 

P.  D.  Corp. 

Keith's,  Cleveland 

NEW.S— *  *  *  Mr.  De  Mille  would  do  well 
to  go  back  to  the  di.nmond-studded  bathtubs 
ind  forget  all  contemplated  attempt  to  reveal 
further  the   secrets   of    G^d's  kingdom.    •   *  * 

PLAIN  DEALER-*  *  *  Magnificent  back- 
'^rounds  and  gorreous  costumes  there  are  ga- 
lore. Tbe«e.  with  a  story  that  is  not  startling- 
Iv   new  but    is    fascinating  and   well   told,   make 

"Road     to    Yesterday"    exceptional    film    fare. 

»    ♦    * 

TIMES-*  *  *  Tt  is  tnilv  an  epochal  ad- 
vance in  motion  picture  arbie^^ement  and  a  ro- 
mantic, anpealinc  and  delightful  triumph  of 
screen    art.    *    *    • 

Strand.   Detroit 

FREE  PRESS—*  *  *  introduces  the  sub- 
iect  of  reincarnation  in  an  interesting  way. 
tending  to  show  that  lovers  of  the  present  day 
were  also  lovers  back  in  the  days  of  the  sev- 
enteenth century,  and  their  experiences  at 
that  time  provide  some  of  the  most  interest- 
inr^   spf.,Tpc;   ever   filmed.    *    *   * 

NEWS—*  •  *  _  Cecil  B.  De  Mille  pours 
forth  his  usual  lavi^hness  and  to  top  it  all  off 
he  staces  a  train  wreck  scene  that  will  knorV 
a  lot  of  boys  and  girls  out  of  their  seats.  *  •  * 


"Sally,  Irene  and  Mary"— M.-G.-M. 
State,  Boston 

POST—*  *  ♦  There  may  be  no  subtleties 
nor  any  pretense  at  art  in  this  picture,  but  it 
is  a  perfect  box-office  film.  There  is  plenty 
of   colorful   atmosphere.    *   *    » 


Tea    Matinee 

Findley,  Ohio — With  the  showing 
of  "East  Lynne"  at  the  Majestic  a 
series  of  tea  matinees  was  arranged 
through  co-operation  with  a  number 
of  local  merchants. 


Barry  Curran  Resigns 

Barry  Curran  has  resigned  as  pub- 
licity  head   of   Columbia   Pictures. 


Presentations 

A  feature  dealing  with  the  Tnan- 
ner  in  which  first-runs  build  their 
programs  and  written  from  the  an- 
gle of  one  who  sits  out  front. 

Designed  solely  for  the  purpose  of 
coyiveying  to  exhibitors  ideas  to  be 
used  in  developing  their  own  shows. 
Colony 

Unit  No.  1. — Overture:  "Musical 
Tid  Bits,"  introducing  Matilda  Lo- 
cust, solo  pianist.     Time,  5  minutes. 

Unit  No.  2. — C  o  1  o  n  y  Current 
Events.     Time,  10  minutes. 

Unit  No.  3.— "Plain  Beach  Frolics" 
featuring  Jimmy  Carr  and  his  orches- 
tra. Setting:  Shore  resort  atmos- 
phere with  appropriate  backdrop,  dec- 
orative garden  wall,  flowers,  wicker 
furniture,  girls  in  sport  costumes  and 
men  in  dark  jackets  with  white  flan- 
nel trousers.  Numbers:  1.  "Florida," 
entire  company;  2.  "Doctor  of  Mel- 
ody," Jimmy  Carr  and  his  orchestra; 
3  Dance  Don  Apeno  and  Mae;  4. 
"Then  I'll  Be  Happy"  and  "Louis- 
ville," the  five  Locust  Sisters;  5.  "I 
Love  My  Baby,"  Jimmy  Carr  and  his 
orchestra;  6.  Dance,  Norma  Gallo; 
7.  "Boots"  and  "Who,"  Jimmy  Carr 
and  his  orchestra;  8.  Dance,  Norma 
Gallo;  9.  "Skyrockets,"  Ralph  Soule 
with  entire  company.  Time,  25  min- 
utes. 

Unit  No.  4.— Feature:  "The  Sky- 
rocket".    Time,  80  minutes. 

Unit  No.  5. — Organ  solo.  Time,  3 
minutes. 


Strand 

Unit  No.  1. — Overture:  "March 
Slav,"  Tschaikowsky.  Time,  8  min- 
utes. 

LTnit  No.  2. — Strand  Topical  Re- 
view.   Time,  8  minutes. 

Unit  No.  3.  —  Joseph  Plunkett's 
"New  Mark  Strand  Frolics."  (a) 
The  Six  Empire  Girls,  dance  number, 
(b)  Jack  Smith,  the  Whispering  Bari- 
tone, in  popular  songs.  Accompanies 
himself  at  the  piano,  (c)  "Song  of 
India."  Peter  Higgins,  tenor,  and 
Amelia  Allen,  dancer.  Setting:  Hig- 
gins, in  Egyptian  costume,  seated 
upon  dais  which  is  draped  with  gold 
cloth,  canopy  of  gold  cloth  with 
slave  attendant  standing  by.  Rear 
curtain  parted  in  triangle  revealing 
dancer  with  green  and  amber  light 
coming  from  concealed  point  at  floor. 
Green  and  amber  lighting  on  setting 
to  left  of  stage.  Soloist  renders  num- 
ber while  Miss  Allen  dances.  (d) 
Borrah  Minnevitch,  harmonica  vir- 
tuoso, (e)  "Then — and — Now."  Sec- 
tional backdrop  composed  of  six 
pieces  and  representing  Fifth  Ave.  in 
the  80's.     The  Polka  and  Schottische 


performed  by  Mile.  Klemova  ;  v 
Bourman  and  Strand  ballet  co:  » 
tired  in  quaint  costumes  of  the  Wf^t 
Second  part:  six  girls  place  {5,. 
selves  in  centers  of  backdrop  s  M 
each  section  revolves,  revealinj  "■ 
Ave.  today  and  six  dancing 
Five  short  dancing  numbers  Igj 
Time,    28    minutes.  ' 

Unit  No.  4.— Feature:  "The  Id. 
less    Lady."     Time,   75   minute 

Unit  No.  5. — Organ  Solo.  T 
minutes. 


Song  Car-Tune  at  Capito, 

"Dolly  Gray,"  a  Song  Car-Tu  te- 
leased     by     Red     Seal     coraple|} 
week's  run  at  the  Capitol  toniglj 
is  Unit   No.  9  and  the  final  nilia' 
on   the   program. 


Objects  to  Theater  Openb 

Woonsocket,  R.  I. — Strenuou  ib. 
jections  to  the  reopening  of  theSlnd 
have  been  raised  by  Mrs.  Willi  }. 
Smith,  president  of  the  Trinity  ab 
and  various  women's  organiza  is, 
The  Strand  burned  down  New  ^  -'s 
Day  and  plans  are  being  made  e- 
open  the  house.  The  objections  re 
that  it  permitted  children  to  ajid 
unaccompanied  by  elders  and  tljit 
was  a  fire  trap.  | 


$250,000  N.  C.  House 

Wilson,    N.    C. — Plans    have 
completed  here  for  the  erection 
new  theater  to  cost  $250,000  andu 
over  1,000  by  Dr.  Saliba.    It  is  h 
to  have  the  house  ready  by  the  ;l 
of  November. 


Oliver   Signed  by  Famous  \ 

Hollywood — Guy    Oliver   has 
signed   for  a    character   role   in 
Blind  Goddess,"  which  Victor  F 
ing  is  directing  for  Paramount,    ^ji 
tured    players    are    Ernest    Torre] 
Jack  Holt,  Esther  Ralston  and  Lcl 
Dresser. 


"PUBLIC  SERVICE' 

Adventure  speakers  froi 
Far  places,  or  films  onl] 


I 


Bureau  of  Commercial  Economics 

1108-16thSt.  N.W.  Washington.  D.C 


lllililllilllllilllll 


lllllllllllllli? 


Schools,  Churches  and  Clubs 

using  Motion  Pictures  Should  Subscribe  for 

THE  EDUCATIONAL  SCREEN 

and  keep  up-to-date  with  the 
new  films  and  new  equipment 

"1001  FILMS*' 

booklet,  listing  nearly  3000  educational  films 
given  free  with  each  subscription 

$1.50  per  year  -  5  South  Wahash  Ave.,  Chicago,  III 


Unrivaled  for  service  and  quality 


Eastman  Positive  Film,  constantly 
subjected  to  drastic  tests  that  must 
prove  it  right,  is  unrivaled  for  the  serv- 
ice it  renders  and  the  photographic 
quality  it  gives. 

It  carries  quality  from  studio  to 


screen. 


To  make  sure  pictures  are  printed 
on  the  genuine  look  in  the  margin 
for  the  black-lettered  identifica- 
tion,   "Eastman"    "Kodak". 


EASTMAN  KODAK  COMPANY 

ROCHESTER,  N.   Y. 


1 


Nobody  ever  believed  there         / 
could  be  Such  an  astonisher/ 


JOHN  M^CORMICK^ 


tesents 


^n  het  gi-eaUsi  comedy  achievement 


O 


Qida^ied  Pum  ike 
Pamouf  musical 
turned f  irium^h 


l\f 


w" 


3^ 


w 


James  Monltfomo^T 

H4ny  Tieirney 
0.^  Joseph  M^caithy 

-i*  LLOYD  HU0HE9 

GEORGE  K- ARTHUR 

WCHMUiE  MURRAT 

tiietcie4  bif 

ALFRED  EGREEM 
JUNE  MATHIS 

Sditorial  Direciof 

H  ni/>i  ikiuoxuil^ 


4' 


fictttte 


Dotionol 


Ihe  world's  greatest  rashionishow. 


/r 


iTHE 

irAdstreet 

FILMDOM 


7teVi^OOm% 

Authority 


L.  XXXV     No.  26 


Monday,  February  1,  1926 


Price    5    Cents 


VISION 

By  DANNY 

.ooking  ahead.    Two  or  three 
rs.     And  trying  to  visualize 
picture  business. 
\    keen    observer   —   an    old 
er  in  the  business — thinks  it 
1  look  like   this : 
\.     closer     co-operation     and 
■rking  arrangement.     Between 
ee  of  the  largest  corporations 
the  business. 

A.nother  very  large  corpora- 
n  formed  from  several  exist- 
j  large  corporations  in  pro- 
cing  and  distributing.  The 
dership  in  the  hands  of  the 
)st  aggressive  of  the  execu- 
es  not  identified  with  the 
mer  group. 

*  *         * 

A.  working  arrangement,  along 
ry  broad  lines,  between  these 
o  huge  organizations.  With 
^ard  chiefly  to  production  and 
itribution  costs.  Neither  of 
;se  large  organizations  inter- 
;ed  in  theaters  which  are  not 

first  or  second  run  impor- 
ice.  With  the  third  run 
d  smaller  houses,  as  well  as 

houses  in  very  small  com- 
mities,  to  operate  practically 
they  do  today. 

*  *         ♦ 

A.  broader  market  in  America 
•  first  class  pictures  made 
road ;  with  considerable  rep- 
sentation  from  England,  Ger- 
my  and  France.  A  number  of 
table  players  from  American 
idios  working  abroad.  The 
velopment  of  artists  for  Am- 
ican  companies  chiefly  feom 
■eign  countries  as  well  as  an 
ditional  number  of  directors 
d  producers  from  over-seas. 

*  *         * 

This  is  how  this  man  visual- 
is  the  industry  within  two  or 
-ee  years.  Whether  his  vision 
11  become  a  fact;  what,  in  ac- 
ality,  will  occur,  remains  to 
seen.  Certainly  his  idea  is 
:eresting.  And  well  worth 
itching. 


The  Month's  Pictures 

What  January   Brought  Forth  in  the 

Way   of    Interesting   Productions 

— A  New  Feature 

A  resume  of  current  productions 
will  appear  month  by  ynonth  in  THE 
FILM  DAILY.  Pertinent  comment 
on   January   revieivs   folloivs : 

The  month  brought  to  Hght  such 
features  as  Herbert  Brenon's  "A  Kiss 
for  Cinderella"  with  Betty  Bronson, 
of  "Peter  Pan''  fame  playing  the  role 
of  imaginative  little  slavey  whose 
dreams  send  her  into  realms  of  lux- 
ury and  beauty.  Elegant  production 
but  not  the  entertainment  that 
"Peter  Pan"  was. 

Taking  them  in  the  order  in  which 
they  were  reviewed,  next  conies 
"Bluebeard's  Seven  Wives,"  a  story 
about  moving  picture  folks,  full  of 
good  laughs  and  should  please  im- 
mensely. 

Fox's  "First  Year,"  an  adaptation 
of    Frank    Craven's    delightful    stage 

(.Continued   on  Page   6) 


Missouri  Tax  Off 

Gov.    Baker    Abandons    Referendum 

Scheme  on  10  Per  Cent  Measure 

— Strong  Criticism  Responsible 

Jefferson  City,  Mo.  ■ —  Governor 
Baker  on  Saturday  announced  the 
abandonment  of  the  plan  to  submit 
a  constitutional  amendment  at  the 
November  election  to  create  special 
tax  funds  for  public  education.  He 
had  planned  to  include  a  ten  per  cent 
[tax  on  amusements  and  tobacco. 
Explaining  his  action,  the  Governor 
says    : 

;  "I  don't  often  quit  and  I  don't  like 
to  give  up  but  I  received  adverse 
criticism  on  this  proposal  and  have 
decided  not  to  submit  it  in  this  form. 
I  undoubtedly  will  have  something 
to  submit  to  the  next  Legislature  in 
January,  1927,  but  don't  know  yet 
what  form  it  will  take." 


Conference  Ends 

1,200   Attend   Nat'l   Board   Luncheon 

— Many      Stars      Present — "New 

Day"   in   Pictures   Discussed 

The  National  Committee  for  Bet- 
ter Films  and  the  National  Board  of 
Review  terminated  their  three  day 
annual  conference  with  a  luncheon  at 
the  Waldorf  on  Saturday  at  which 
about  1,200  were  present. 
;  Among  the  stars  in  the  audience 
w.re  Mae  Murray,  Milton  Sills,  Dor- 
bthy  Gish,  Doris  Kenyon,  Norma 
Shearer,  Edna  Murphy,  May  McAvoy 
and    Johnny    Hines. 

(Continued  on  Page  6) 


Barbara  LaMarr  Dies  Suddenly 

Los  Angeles — Barbara  LaMarr  died 
suddenly  at  her  home  in  Altadena 
Saturday  afternoon.  She  had  been 
ill  for  several  months,  complications 
having  set  in  following  a  nervous 
breakdown. 


Harold    Shaw    Killed 

Los  Angeles  —  Harold  Shaw  was 
killed  here  Saturday  morning  in  an 
auto    accident. 


Hunting  New  Faces 

Warners  Letting  Certain  Players  Go 

and    Hiring    Others    in    Constant 

Search  tor   Unknown   Talent 

Hollywood — It  is  understood  that 
the  Warners  are  not  exercising  op- 
tions on  some  of  their  stock  and  feat- 
ured players.  Two  or  three  have  al- 
ready disappeared  from  the  Warner 
ranks  and  others  whose  contracts 
still  have  some  time  to  run  will  like- 
wise go  when  their  agreements  run 
out. 

These  frecjuent  changes  are  trace- 
able to  a  desire  on  the  part  of  the 
Warners  to  secure  hitherto  unknown 
talent  and  develop  these  men  and 
women  into  box-office  bets.  This 
policy  is  not  entirely  new  with  the 
organization.  Promising  players  and 
directors  have  been  signed  on  short 
term  contracts  with  a  series  of  op- 
tions. Usually,  the  options  have 
been  exercised  several  times  in  order 

(Continued   on  Page   6) 


Beaudine   Resigns 

Los     Angeles  —  William     Beaudine 
has   resigned   from  Warners. 


Six  New  Houses 

To  Be  Built  in  "Windy  City"— Five 

Will   Represent  Investment  of 

$5,400,000 

Chicago — Plans  for  six  new  large 
theaters  are  developing  in  many  parts 
of  Chicago.  At  Ashland  and  Milwau- 
kee, a  $2,000,000  development  is  con- 
templated as  soon  as  the  Ashland 
Ave.  widening  project  is  accom- 
plished. 

At  Ogden  and  Ashland  Ave.  a  lar- 
ger development  is  planned. 

Two  large  theaters  are  announced 
—a  $2,000,000  project  on  7Sth  St.  on 
a  site  covering  the  block  from  Essex 
to  Kingston  Av.,  and  a  second  at  the 
southeast  corner  of  Main  St.  and  Dix- 
ie Highway,  Homewood. 

The  Homewood,  costing  $650,000, 
and  containing  1,500  seats,  will  be  de- 
(Continued  on  Page  6) 

Columbia  Signs  King  Meighan 

King  Meighan,  brother  of  Tom, 
has  been  signed  by  Columbia  to  star. 
Meighan  was  introduced  to  trade  and 
newspaper  editors  at  an  Astor  lunch- 
eon  Saturday. 


Shutdowns 

Colorado,    Indiana,    Iowa,    Nebraska, 

N.   Y.,  Washington,   D.  C, 

Against  Closing 

E  aitor  leaders  in  five  states  and 
one  important  city  see  no  good  rea- 
son for  closing  their  theaters  in  the 
summer  in  keeping  with  the  policy 
adopted  last  week  by  the  M.P.T.O. 
of  Maryland.  That  organization,  as 
noted,  will  darken  all  of  its  houses 
the  first  two  weeks  in  July  when 
"dog  days"  hit  Maryland  at  their 
wors'. 

]•'  response  to  communications 
sci:  out  broadcast  by  THE  FILM 
D.'  .Y,  there  reached  New  York 
Sa  diiy  ten  replies,  by  wire  and 
mai'.  Colorado,  Indiana,  Iowa,  Ne- 
bras  a  and  the  city  of  Washington, 
thr^  gh  their  respective  exhibitor 
pre  ienls,  come  out  flatly  in  opposi- 
tion o  the  plan.  Minnesota  and  Ohio  | 
are  \  jv  it,  although  W.  A.  Steffes  can  1 
offer  no  official  statement  and  Wil- 
liam James  doubts  if  all  exhib.itcrf 
will  act  in  unison.  North  Carolina 
offers  no  clue  to  its  policy  while  Ok- 
lahoma points  out  small  town  thea- 
ters there  close  anyway. 

The   reports   in   detail   follow: 
Colorado 

Denver — H.  E  Huffman,  president  Colo- 
rado   M.P.T.C: 

"Colorado  is  so  cool  that  many  picture 
theaters  do  their  best  business  during  thf 
summer.  The  world  comes  to  Colorado  tc 
cool  off.  Therefore,  we  have  never  con 
sidered    closing." 


Indiana 

Indianapolis — Frank     J.     Rembusch,     prea 
dent   of   the   Indiana    M.P.TjQ. : 

(Continued   on  Page  6) 


Miles  Theater  Hearing  Today 

Minneapolis— The  final  hearing  on 
issues  involved  in  the  case  of  stock- 
holders and  former  stockholders  of  J 
the  Miles  Theater  Co.  against  M.  L.  1 
Finkelstein,  M.  L.  Ruben  and  William 
Hamm,  officers  of  the  Twin  City 
Amusement  Trust  Estate,  is  sched- 
uled for  today. 


Float   Issue   on   Paramount   Studio 

Prudence  Bonds  Corp.  are  floating 
an  issue  of  $M00,000  on  land  and 
buildings  of  the  Paramount  studio, 
Long  Island  City,  held  by  the  Sen- 
eca Holding  Corp.,  which  leases  it  at 
1233,000  annually. 


New  House  for  Jersey  City 
The  Academy  Theater  Corp.  of 
Jersey  City  has  closed  a  deal  through 
Godnick  &  Freeman,  32  Cort  St., 
Brooklyn,  to  erect  a  1,800  seat  house 
in  Jersey  City  which  will  cost  around 
$425,000.  Henry  L.  Mulstein  was 
the  broker. 


J    \ 


THE 


Vol  XXXV  No.  26     Monday,  Feb.  1, 1926     Price  5  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FiOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
ijranite  3980.  London — Ernest  W.  Fredman, 
1  he  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,   5,   Rue   Saulnier. 


Quotations 

High    Low    Close      Sales 
(These  quotations  are  as  of  Saturday) 

Balaban    &    Katz    Not  quoted 

Eastman    Kodak     ..109^    109?^    1095^         100 

Fam.     Players     117^    115^    117J4    15,500 

Fam.    Play.    Pfd.    ..12254    12154    122^4         300 

Film    Inspection     Not  quoted 

First     National      Not  qiloted 

Fox    Film    "A"     ..   80         79H     80         3,000 
Fox  Theaters  "A"     3214     315^     315^      1,600 

Intern'l     Projector     Not  quoted 

Loew's,     Inc 39%      38M      39  1,000 

Metro-Gold.     Pfd Not  quoted 

M.   P.    Cap.    Corp.     20         1954      19J4     1,200 
Pathe    Exch.    "A"      7954     7954     7954         600 

Skouras     Brothers      Not  quoted 

Stan.    Co.    of   Am Not  quoted 

Trans-Lux      Not  quoted 

Universal  Pict Not  quoted 

Univ.     Pict.     Pfd Not  quoted 

Warner     Brothers       13Ji      135i      135i      1,000 
Warner     Pictures     Not  quoted 


New  Film  Boards  in   Canada 

St.  John,  N.  B. — A  Film  Board  of 
Trade  has  been  organized  here  with 
the  following  officers:  president,  R. 
G.  March,  (Fox);  vice-president,  P. 
J.  Hogan  (Famous);  secretary-treas- 
urer, W.  A.  Sault  (Universal).  J.  S. 
O'Loghlin,  general  manager  of  Fox 
in  Canada,  presided  over  the  election. 


Vancouver,  B.  C. — A  Film  Board 
of  Trade  has  been  organized  here  and 
the  following  offi,cers  elected:  presi- 
dent, G.  M.  Ballantyne  (Fox);  vice- 
president,  Jack  Welch  (Canadian 
Educational) ;  hon.  secretary-treasur- 
er, J.  E.  Archer  (First  National). 
C.  R.  Dippie,  553  Granville  St.,  has 
been  appomted  executive  secretary- 
treasurer.  The  Film  Board  represen- 
tatives on  the  Board  of  Arbitration 
are  R.  A.  Scott  (Canadian  Universal) 
C.  C.  Kenning  (Regal)  and  R.  W. 
Wilson    (Warner). 


May    Form    Additional    Film    Guilds 

Intern'l  Film  Arts  Guild,  through 
the  medium  of  Collier's  Weekly,  will 
attempt  to  organize  subsidiary  Film 
Guilds  in  other  cities.  A  governing 
board  now  embraces  Fannie  Hurst, 
Sidney  Olcott,  Robert  E.  Sherwood, 
John  Cohen,  Jr.,  Quinn  Martin, 
Ralph   Block  and  Anita  Loos. 


New  One  for  J.  &  H. 

Portland,  Ore. — Portland  will  soon 
have  a  new  theater  to  be  operated  by 
Jensen  &  Von  Herberg,  as  soon  as 
a  suitable  site  can  be  determined  upon 
and  plans  prepared. 


Acquires  a   Second  in   Seattle 

Seattle — Mrs.  S.  Z.  Williams,  own- 
er of  the  Yesler,  has  bought  Jos. 
Bradt's  Good  Luck  on  Jackson  St. 
Bradt  will  relocate  either  here  or  in 
Portland. 


Bloomer  Now  Has  Three 

Belleville,  111. — Noah  Bloomer,  who 
recently  took  over  The  Gem,  Mascou, 
tah,  111.,  and  the  Gem,  New  Baden, 
111.,  will  rename  both  the  Rex,  to  con- 
form to  his   Belleville  house. 


Another   West   Bronx  Theater 

A  theater  project  is  planned  for 
the  West  Bronx  section  on  a  plot  on 
the  west  side  of  White  Plains  Ave., 
about  200  feet  north  of  216th  St. 
It  was  sold  by  the  Marant  Realty 
Corp.  to  John  A.  Lauria  of  Lauria 
Bros.  Construction  Co.  The  buyer 
plans   a    picture   theater. 


Cohen  on  Brooklyn  Eagle 

Julius  Cohen,  filrn  and  dramatic 
editor  of  the  New  Yorker  Staats- 
Zeitung  and  New  Yorker  Herold,  has 
taken  over  theater  advertising  of  the 
Brooklyn  Daily  Eagle. 


Tom  Byerle  Improving 

Kansas  City — Tom  Byerle,  First 
National  manager  here,  is  reported  to 
be  slightly  improved,  by  physicians  at 
Research  hospital.  He  has  been  criti- 
cally ill  with  typhoid  fever. 


On  Broadway 

Apollo— "Stella  Dallas" 

Astor— "The   Big  Parade" 

Broadway — "The  Red  Kimona" 

Cameo — Today — -"Dr.  Jekyll  and  Mr. 
Hyde" 
Tuesday— "A  Woman  of  Paris" 
Wednesday — "Male  and  Female" 
Thursday — "Dr.     Jekyll     and     Mr. 

Hyde" 
Friday — "A   Woman   of   Paris" 
Saturday — "The    Last    Laugh"    and 
"Cranquebille" 

Capitol— "The    Black    Bird" 

Cohan— "Ben   Hur" 

Colony — "The  Skyrocket" 

Embassy — "The    Merry    Widow" 

Loew's    New    York — Today — "Hands 
Up!" 
Tuesday — "The    North    Star"    and 

"The   Little   Giant" 
Wednesday — "Lord  Jim" 
Thursday — "The    Pleasure    Buyers" 
Friday — "Lover's   Island"  and  "Six 

Shooting  Romance" 
Saturday — "Soul  Mates" 
Sundaj' — "Rocking   Moon" 

Loew's  State — "Mike" 

Mark    Strand — "'Memory    Lane" 

Rialto — "The  Wanderer" 

Rivoli — "The  Song  and  Dance   Man" 

Warners — "The  Sea  Beast" 

Brooklyn    Mark    Strand — "Just    Sup- 
pose" 

Next  Week 

Apollo— "Stella    Dallas" 
Astor— "The  Big  Parade" 
Broadway — Not  yet  determined 
Cameo — Not  yet  determined 
Capitol — "The   Auction   Block" 
Cohan— "Ben    Hur" 
Colony— "The   Sky  Rocket" 
Embassy — "The    Merry    Widow" 
Mark  Strand — "The  Grand  Duchess" 
Rialto— "Moana  of  the  South  Seas" 
Rivoli — "Behind  the  Front" 
Warners — "The  Sea  Beast" 
Brooklyn  Mark  Strand — "Lady  Win- 
dermere's Fan" 


Dorothy  Phillips  Joins  M.-G.-M. 

Hollywood — Dorothy  Phillips  has 
been  engaged  under  a  long  term  con- 
tract   by    Metro-Goldwyn-Mayer. 


Harry  Bernstein  on  Sales  Trip 

Harry  Bernstein,  sales  manager  of 
Red  Seal  Exchanges,  leaves  today 
for  a  sales  trip  to  Chicago  and  sur- 
rounding territory.  He  will  be  gone 
a  week. 


Wilton  Elected  Alderman 
Hamilton,     Ont.— H.     E.     Wilson 
manager    of    the    Strand,    has    been 
elected  alderman  for  Ward  One  in  the 
Hamilton    City   Council   for    1926. 


liiiiiiiiiiiiiiiiiiiiiiiiiiinniiiiiiiiiniiiiinini 


^^btAathii^ 


Utmost  in  Screen  Brilliancy 


FEBRUARY  28th 


illUDIHIIiillllllillllllllDlilillllliJIlililllllillillilllllllilli^ 


Al  Parker  Here 

Al  Parker,  director  of  Douglas 
Fairbank's  latest  production,  "The 
Black  Pirate,"  is  here  from  the 
Coast.     At  the  McAlpin. 


Sascha  May  Resume  Production 

Vienna — It  is  reported  that  Sascha 
will  again  start  producing,  also  the 
"Vita." 


For  Service  &  Economy 

Forward  Your  Film  Shipments 
Through 

I  EDWIN  O'BRIEN,  INC. 

Foreign    and     Domestic     For- 
warders, Customs  Brokers,  In- 
surance Agents 


I 


218  West  42nd  St. 
New  York  City 

Telephones:      Wisconsin   0109-6969 


Cleveland  Dinner  Tonight 

Cleveland — The    Cleveland 
Exhibitors  Assn.  will  hold  its 
dinner    dance    tonight    at    the 
Box. 


Off  on  Sales  Trip 
Louis    L.    Mayer   and    Ben   Tol 
of    Sierra    Pictures    left    Saturday 
an  eight  weeks'  trip. 


Hal  Roach 


mitUtf 


TUs  is  a  'Cornerblock'  cut  funudu>  < 
KKEE  for  all  Pathecomedies  at  yoi| 
exchange. 


Negative  Developing 
and  Printing 

Complete  Title  Service 

SAUND  FILM  LABORATORIES,  Inc. 

Phone  Bryant  7577    729-7th  Ave,  N.  Y. 


i  Ward  Cine  Laboratory,  Inc.  i 


216-222   Weehawken   St. 
Union  City,  N.  J. 
Telephone  Union   4800 

G.  BERT  WARD,  Pres. 
♦.♦♦.♦♦.♦•.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.••,♦♦.♦♦,♦♦.♦♦.•♦,♦♦,•♦.♦♦.*'.♦♦  ♦«♦#•] 


ELECTRIC    GYROSCOPIC 

MOTION   PICTURE 

CAMERA 

Unequalled  for  studio  effects — 

Made    famous    by    U.    F.    A.'s 

"Last    Laugh" — Recently    used 

by    Famous — First    National — 

St.     Regis     and     International 

Newsreel. 

FOR  SALE  FOR  RENT 

B.  M.  Powell 
350  Madison  Ave.,  N.  Y.  C. 

Telephone — Vanderbilt   2080 


IF  YOU  ARE  IN  THE 
MARKET  FOR  ANY  KIND  OF 

MOTION  PICTURE 
APPARATUS 

CONSULT  US- AND  SAVE  MONEY 
SEND  FOR  OUR  PRICE  UST 


Chas.  G.  Willoughby,  Inc. 
Motion  Picture  Department 
110  West  32nd  St..  New  York 
Phone   Penn.   6564 


^«L 


THE 


IF 


i<'ebruary  1,  1926 


i^E^ 


DAILY 


MMMmmmmmmmmMmMmMmmmmM^M^^mMmmm^^^ 


J.  S.  GRAUMAN 


presents 


"THE 


CHARLESTON 


tn 


SIX  LESSONS" 


with 


Clear  and  Explicit  Instruction 

by 

ARTHUR  MURRAY 

The  man  who  taught  the  Prince  of  Wales 

and  400,000  others 


Scenario  and  Titles  by  Morrie  Ryskind 


A  series  of  six  one  reelers  \ 

that  is  guaranteed  to  teach  \ 

\     your  patrons  the  Charleston  \ 

\     and  allow  you  to  cash  in  on  \ 
\     the  greatest  craze  in  America 
I     today. 


A  sensational  comedy 
\  novelty  that  is  shuffling  your 
\     feet  when  it  isn't  tickling 


I 


I 


1     your  ribs! 


I 


For  Territorial  Rights  Wire 

M.  D.  WEINBERGER,  Sales  Mgr. 

J.  S.  GRAUMAN,  Inc. 

117  West  45th  Street 


New  York  City 


I 

I 

I 

I 

I 
c 

i 


i 

i 
I 

I 
I 

I 

I 


I 
i 


m 


V 

WeVe  proud  to  reprint;; 


Variety 

"Nell  Gwyn" 

Presented  by  British  National  Pictures, 
Ltd.,  starring  Dorothy  Gish.  From  the 
itory  of  Marjorie  Bowen.  Scenario  and  di- 
rection by  Herbert  Wilcox.  Special  pre- 
sentation at  the  Ritr  Carlton  Hotel  Jan.  25. 
Running    time,    82    minutes. 

Nell     Gwyn Dorothy     Gish 

King     Charles     II Handle     Ayrton 

Lady     Castlemaine Juliette      Compton 

Mrs.    Gwyn Sidney    Fairbrother 

Toby     Clinker Judd     Green 

Dickon Edward    Sorley 

This  English  screen  production  of  "Nell 
Gwyn"  is  going  to  lead  a  great  many 
people  to  believe  that  they  have  discovered 
a  new  Dorothy  Gish.  But  she  is  the  same 
Dorothy  Gish  as  always,  but  here  at  last 
has  come  a  part  that  gives  this  consum- 
mate screen  player  a  chance  to  really  show 
what  she  can  do.  "Nell  Gwyn"  on  the 
screen  as  played  by  Dorothy  Gish  is  going 
to  do  as  much  to  bring  Miss  Gish  back  as 
the  presentation  in  this  country  did  to  bring 
Pola  Negri  to  these  shores  and  to  make  a 
screen  star  of  her  in  the  American  sense 
of   the   word. 

As  for  "Nell  Gwyn"  itself  and  as  repre- 
sentative of  the  advancement  of  British 
photopl^  production,  it  'simply  goes  to 
prove  that  the  English  have  grasped  the 
idea  of  sexy  stuflf  and  proceeded  to  undress 
their  players — or,  at  least,  some  of  their 
women  players — and  if  not  to  actually  un- 
dress them,  at  least  give  the  suggestion  of 
imdress.  That  Nell  was  the  mistress  of 
the  king  is  not  left  to  the  imagination, 
even  though  it  is  not  expressed  in  so  many 
words  in  a  sub-title;  but  the  action  conveys 
the    story    completely. 

In  the  high  spots  (the  de  luxe  houses) 
"Nell  Gwryn"  should  get  money,  and  a  lot 
of  it.  The  picture  as  it  stands  could  go  into 
any  of  the  Broadway  hooises  and  go  for 
two    weeks,    taking    in    the    biggest    house. 

Just  what  its  fate  will  be  in  the  smaller 
houses  is  going  tjo  be  something  of  a  ques- 
tion, but  the  chances  are  that  Dorothy 
Gish's  name  and  her  extr*aordinary  per- 
formance here  will  bring  it  through  a  win- 
ner. True,  it  is  a  costume  picture.  One 
knows  what  the  aT^erage  exhibitor  says  about 
"those  French  Revolution  pictures"  (to  the 
exhibitor  anything  in  costume  is  French 
Revolution),  but  this  one  seems  to  have 
enough  of  that  something  in  the  sex  line 
to    overcome    the    costume    handicap. 

A  pretty  touch  of  sentiment  about  the 
presentation  of  the  story.  The  little  open- 
ing and  closing  shot  of  St.  Martin's,  London, 
with  the  tolling  of  the  chimes,  is  most  ef- 
fective. The  story  takes  Nell  as  an  oratige 
girl  at  the  door  of  the  Drury  Lane,  her 
gamin  battle  for  existence  amid  poverty, 
her  meeting  with  King  Charles,  her  rise  as 
his  mistress  and  her  unfailing  loyalty  to  the 
people  from  whom  she  sprang  and  the 
monarch  to  whom  she  remained  true,  even  in 
death. 

All  is  tofd  with  a  touch  of  comedy  amid 
hJptoric  fact.  The  clash  between  Lady* 
Castlemaine  and  Nell  for  the  affections  of 
the  King  is  the  principal  theme.  The  bit 
with  Nell  on  the  stage  of  Old  Drury,  bur- 
lesquing in  exaggerated  costume  the  aflfec- 
tions  of  Lady  Castlemaine,  is  superbly 
handled. 

As  a  matter  of  fact,  there  isn't  a  single 
fault  to  be  found  with  the  direction  of  the 
picture    in    any   manner. 

But  it  is  to  Dorothy  Gish  that  the  great- 
est tribute  should  be  paid.  Superb  isn't 
the  word  that  fits  her  performance ;  tremen- 
dous would  possibly  more  actually  convey 
the  work  she  does.  She  is  at  once  Gish, 
Pickford,  Negri  and  Swanson  in  one.  In- 
cidentally, Juliette  Compton  as  Lady  Castle- 
maine is  a  bet  that  shouldn't  be  overlooked, 
for  that  girl  looks  like  a  million  dollars,  and 
she  can  troup.  Both  of  the  ladies  are  most 
generous  in  _  the  display  of  their  feminine 
charms.  It  is  quite  possible  there  may  be  a 
little  censor  trouble  here  and  there  in  this 
country   on   some   of   the   scenes. 

Randle  Ayrton  in  the  role  of  the  King 
registered  emphatically.  He  is  of  the  Hol- 
brook  Blinn  type  and  rather  suggests  him, 
so   finished   is   his   work. 

Sidney  Fairbrother  plays  Nell's  mother,  a 
character  part,  while  to  the  lot  of  Judd  Green 
and  Edward  Sorley  fall  the  two  character 
roles  of  the  old  soldier  and  sailor. 

To  Herbert  Wilcox  and  the  British  Na- 
tional Films,  Ltd.,  it  must  be  said  that 
"Gwyn"  is  the  first  British  picture  this  re- 
viewer has  seen,  coming  from  the  British 
Isles,  that  seems  to  have  a  chance  in  the 
best  houses  in  America.  "Nell  Gwyn"  not 
only  has  that  chance,  but  should  more  than 
make  good   in  those  houses.      Fred. 


Film  Daily 

Dorothy  Gish  in 

"Nell  Gwyn" 

Prod.:    Wilcox    Productions — British 
National    Pictures,   Ltd. 

DOROTHY  GISH  DELIGHTFUL. 
EXCELLENT  PRODUCTION, 
FINE  CAST,  MAKE  THIS 
BRITISH-MADE  PICTURE  AN 
OUTSTANDING  ACHIEVE- 
MENT. 

Star. ...  in  her  long  career,  she  has 
never  given  such  a  performance. 
Easily  her  best  work. 

Cast.. No  name  well  known  here  but 
Randle  Ayrton  fairly  satisfactory  as 
King  Charles  and  Juliette  Comp- 
ton, an  American  hitherto  un- 
known, gives  a  striking  perform- 
ance as  Lady  Castlemaine.  Others 
unimportant. 

Type  of  Story. ..  .Comedy;  based  on 
the  historical  character  of  Nell 
Gwyn  who  sold  oranges  at  the  old 
Drury  Lane  Theater  in  London 
when  Charles  was  King.  How 
Charles  is  captivated  by  her  rogu- 
ish wit,  makes  her  an  outstanding 
actress  and  incidentally  his  mis- 
tress, makes  up  this  story. 

The  story  has  oeen  treated  in 
somewhat  an  episodical  manner 
which  culminates  in  Charles'  death 
after  one  of  the  most  striking  se- 
quences done  of  Tate.  Here  Dor- 
othy portrays  grief  and  anguish  in 
marked  contrast  to  the  comedy  an- 
tics which  make  up  the  greater  part 
of   the    film. 

Director  Wilcox  has  seen  to  it 
that  there  is  considerable  sex  appeal 
which  includes  an  tnteresting  shot 
of  Dorothy  taking  a  bath  in  a  large 
barrel.  Dorothy  Gish  has  a  beauti- 
ful back. 

The  picture  needs  editing  and 
titling  to  make  it  an  outstanding 
production  for  the  American  screen. 

Box  Office  Angle ....  Dorothy  Gish 
is  sufficiently  well  known  to  prove 
a  draw.  The  title  should  also  find 
many  followers. 

Exploitation Dwell    particularly 

upon  Dorothy  Gish  for  whom  you 
can  make  extravagant  promises 
with  a  full  knowledge  that  she  will 
live  up  to  whatever  you  say.  She 
is  easily  an  outstanding  comedi- 
enne among  American  stars.  Where 
you  have  the  right  kind  of  an  audi- 
ence, you  can  talk  about  Nell 
Gwyn,  the  famous  srtreet  gamin 
who  became  a  King's  mistress. 
You   have   no  other  names   to  use. 

Direction. ..  .Herbert  Wilcox;   excel- 
lent. 
Author Marjorie     Bowen 

Scenario Herbert   Wilcox 

Cameraman Roy   Overbaugh 

Photography Superb  and  out- 

stpnding. 

Locale.  ...  England,  during  the  reign 
of   Charles   II. 

Length. ..  .Approximately    9,000    feet 


M.  P.  News 

"Nell  Gwyn" 

(British  National — Nine  Reels) 
(Reviewed  by  L.  C.  Moen) 
Nell  Gwyn,  who  charmed  the  heart 
of  a  king  and  a  nation,  comes  to  life 
again,  this  time  on  the  screen,  in  what 
is  certainly  the  best  English  produc- 
tion which  this  reviewer  has  yet  seen. 
It  has  life,  it  has  sparkle  and  fresh- 
ness, and  the  general  production 
values  are  of  an  order  comparable 
with  those  in  the  best  Hollysvood 
product. 

Without  detracting  in  any  way 
from  the  glory  due  to  Herbert  Wil- 
cox for  the  story  and  direction,  it  is 
only  fair  to  say  that  the  J.  D. -Wil- 
liams instinct  of  showmanship  seems 
to  us  fairly  evident  throughout,  and 
that  the  picture  can  scarcely  be  im- 
agined without  Dorothy  Gish,  so 
neatly  does  the  role  fit  her  and  she 
the  role. 

Miss  Gish  is  truly  magnificent  in 
the  role.  She  literally  "has  every- 
thing." A  well  chosen  cast  surrounds 
her.  Juliette  Compton  is  excellent 
as  Nell's  rival  for  the  king's  affec- 
tions. This  is  a  strictly  first-class 
production  and  should  stand  on  its 
own  bottom  anywhere. 

Theme.  Romantic  comedy-drama 
based  on  the  life  of  Nell  Gwyn,  fav- 
orite of  Charles  II  during  the  Resto- 
ration. 

Production  Highlights.  Miss  Gish's 
breath-taking  performance.  Compe- 
tent work  by  other  members  of  cast. 
Excellent  atmosphere  in  settings, 
photography  and  details.  Well-knit 
construction   of  story  and   continuity. 

Exploitation  Angles.  Play  up  Miss 
Gish.  Advertise  as  one  of  the  most 
fascinating  romances  in  history, 
filmed  amidst  actual  settings.  Sell 
along  romantic,   heart   interest   angle. 

Drawing  Power.  With  a  particu- 
larly strong  appeal  to  feminine  pat- 
rons, not  to  forget  the  men,  this 
picture  has  the  necessary  "class"  and 
punch  to  put  it  across  anywhere, 
suitably  backed  up  with  proper  ad- 
vertising. 

Summary.  Offers  a  pleasing  blend 
'f  romance,  comedy,  sentiment,  dar- 
ine  and  color,  and  presents  Dorothy 
Gish  in  an  unforgettable  and  incom- 
parable screen  performance. 

THE  CAST 

Nell  Gwyn Dorothy  Gish 

King  Charles  II Randle  Ayrton 

Lady   Castlemain.  .  .Juliette   Compton 

Mrs.    Gwyn Sidney    Fairbrother 

Toby    Clinker    Judd    Green 

Dickon    Edward    Sorley 

From  the  storv  by  Marjorie  Bowen. 
Scenario  and  direction  bv  flerbert 
Wilcox.  Photography  by  Roy  Over- 
baugh. 

Synopsis.  Nell  Gwvn  is  seen  first 
as  an  -orange  girl  at  Old  Drury  thea- 
tre, London.  She  attracts  the  eye  of 
the  King  and  he  makes  her  one  of 
the  plavers  at  His  Majesty's  theatre. 
She  succeeds,  and  winning  the  King's 
affection  .becomes  his  favorite,  vieing 
with  Ladv  Castlemaine  for  his  fav- 
ors. Through  her  efforts,  a  palace 
which  he  is  btiilding  for  her  is  con- 
verted into  a  home  for  disabled  sol- 
^'ier«  and  sailors.  When  his  hour  of 
death  comes,  he  dies  in  her  arms, 
with  her  name  on  his  lips. 


British  Nation,    Jj 
Dorothy  Gish  Is  WondeiljJ 
lish-Made    Feature  TH  ()1 
Splendid  Entertair   ^ ' 
Reviewed  by  C.  S. 

CAST:      I 

Nell  Gwyn DJDt}] 

King  Charles  II Raile.l 

Lady   Castlemaine.  .Juliet ;  fl 

Mrs.  Gwyn Sidney 

Toby  Clinker 

Dickson    Ed-. 

Story  by  Marjorie 
Scenario    and    direction    1 

Wilcox.   Length,  about 

By   far   the   best   pictuv 
been    brought   to   this   cc 
England,  and  one  that  i 
parison    wdth    the   best   c, 
product  is  "Nell  Gwyn,"  .^j^ 
National    Pictures,    Ltd.,  'WK 
starring    Dorothy    Gish,    fflP 
brought  to  this  country  b)   Dl 
Hams,   former   manager  o'  -: 
tional    and    a    keen    judgi 
values. 

In   construction,  "Nell 
fers   from   the   usual    fiiir. 
that  it  does  not  follow  a 
fined  plot  or  attempt  to  n 
story   at   the    close.      Frar 
character    study   of   one   ■> 
fascinating  characters  of  1 
dition,    presenting   on   the 
career   of   this   girl     of     i 
slums  who  in  the  time  of 
Second,  through   her  beau 
attracted    the    attention   of 
ijecame  the  most  popular 
actress  of  her  day  and  the 
people,  and   finally  was  en< 
the  palace  of  White  Hall  i 
orite   of  the  monarch.     Th  r 
angle   of   the    film   is   suppl 
jealousy  of  Lady  Castelmaii  ;i 
vious    favorite    and    in   the 
gust  and   dislike  of  this  ' 
by   the    heir   apparent   to  ; 
whose  accession  to  the  crov 
Nell's  career  to  an  end. 

The  presence  of  Dorothy  i- 
insure     American     audieno 
this  picture  at  least  open-r  c 
tention  and  her  work  will  ' 
admiration.     Miss   Gish  pr 
an   absolutely   ideal   select i 
role    of    clever,    buoyant, 
irrepressible    Nell.      We  kn 
other    actress    who    could   1 
the   role   nearly   so  well.     ^ 
to    it    beauty,    vivacity,    the 
joyousness  and  abandon  req; 
her   charming  personality, 
formance    is   a    delight    and 
the  best  thing  she  has  ever 
dominates  the  picture  and 
audience  fascinated  at  all  tit 

The  other  plavers  give  h 
able  support.  We  believe 
spite  the  handicap  of  bein.i 
unknown  to  American  audie 
will  be  entirely  satisfactory 
Ayrton  gives  a  fine  perfor 
the  jolly  king  and  the  unnai 
er  who  portrayed  the  sour-f.i 
of  York  is  as  perfect  a  ty 
have  ever  seen. 

Herbert  Wilcox's  directio 
picture  is  excellent  and  the! 
duction  details,  the  lighting 
camerawork  of  Roy  Overb' 
American  cameraman,  is  Ic 
with  our  high  class  films, 


I 


i 


■r  Today 

yn"  Will  Win 
merica 

s;  has  hoped  for  an 
in  of  British  motion 
r  to  demonstrate  what 
:en  asserted,  that  the 
;et  wanted  good  mo- 
10  matter  who  made 
A  failiire  to  appre- 
ements  of  the  Ameri- 

been  a  British  fault 
has  been  the  fault  of 

producers  who  found 
et  in  this  country  for 
irefully  but  mistaken- 

een  printed  on  both 
Atlantic  much  that 
subject  of  discrimina- 
I  matter  of  plain  fact, 
ble  lay  with  a  differ- 
ent of  view.  America 
eceived  German  pro- 
let  its  market  and  has 
n  pictures  that  didn't. 
"Deception"  are  con- 
pies  of  the  former, 
has  welcomed  Italian 
net  its  entertainment 
•ejected  others,  which 
too  tragic  treatment, 
its  approval.  The 
:tions  have  had  less 
)f  rapidity  of  gesture 
view  not  grasped  by 
lublic.  It  has  remain- 
ritain  to  rise  to  an  in- 
ation  and  finally  pre- 
that  without  question 
led  by  the  American 
Icture  is  "Nell  Gwyn," 
le  distinguished  direc- 
'ilcox  for  British  Na- 
Ltd.  and  now  about 
nerican    premier. 

an    American,    Miss 

as   we   look   over   the 

al    available    for    this 

venture  that  she  was 

:ause  of  her  national- 

se    of    her    suitability. 

eveals    Miss    Dorothy 

;  she  never  has  acted 

beyond  measure  than 

■  admirers  could  have 

so   much   the   ideal   of 

1    breathing    character 

that    Americans    will 

)t  only  that  a  country- 

jlected    for    so    choice, 

i  so  wonderful  a  role, 

as  done  it  better  than 

lan  of  any  country  in 

d  have  done  it.     With 

;  establishes  herself  as 

Girl. 

as  a  production,  ap- 

the   first   really   great 

cture.     It  tells  us  defi- 

e  no  longer  is  a  differ- 

American   and    British 

that     good     pictures 

are   certain   of   success 

merica  but   throughout 

ny  theatre  in  America 

nate  in  presenting  this 

attraction  and  without 

ill    roll    up    box    office 

lendid  height  before  it 

its  showings. 

ARTHUR  JAMES 


"Nell  Gwyn^^  notices 


Ex.  Herald 

English  Picture  Wins  Ova- 
tion  at   "Nell   Gwyn" 
N.  Y.  Premiere 

Nearer  American  Than  Any  Previous 

British    Film— J.    D.    Williams'    Part 

in    Production    and    Dorothy    Gish's 

Acting  Credited 

By  JOHN  S.  SPARGO 

New  York,  Jan.  26. — England  has 
seen  its  finest  reception  of  a  motion 
picture  in  America.  In  "Nell  Gwyn" 
the  spirit  of  reciprocity  seems  to  have 
reached  a  climax.  "Nell  Gwyn"  is 
nearer  to  American  than  any  previous 
English  film. 

There  are  several  reasons  for  this. 
In  the  first  place,  J.  D.  Williams, 
who  knows  American  standards,  has 
had  a  lot  to  do  with  the  production 
of  the  picture.  Secondly,  they  have 
chosen  wfsely  in  selecting  Dorothy 
Gish,  an  American  actress,  for  the 
title  role. 

Valuable  to  American  Theatre 

"Nell  Gwyn"  illustrates  that  Brit- 
ish productions  given  an  American 
twist  by  a  showman  who  understands 
Ameiican  proclivities  can  be  of  ines- 
timable value  to  the  American  thea- 
tre. 

Exemplary  of  this  is  Billy  Brandt's 
statement  that  he  would  like  this 
picture  to  open  his  new  Carlton  thea- 
tre in  Brooklyn.  Brandt,  however, 
was  not  the  only  one  to  view  this 
picture  in  that  light.  Charles  O'Reilly, 
Lee  Ochs  and  others  were  of  the 
same  opinion. 

One  of  the  greatest  and  most  bril- 
liant audiences  that  has  attended  .  re- 
cent premieres  was  present  at  the 
Ritz-Carlton  last  night.  The  ovation 
accorded  the  production  was  tremen- 
dous, and  a  glowing  tribute  to  the 
advancement    of    British    productions. 

Director    Wilcox    Praised 

Herbert  Wilcox,  director  of  the  pic- 
ture, has  definitely  illustrated  his 
ability  to  handle  the  megaphone  on 
pictures  which  will  meet  with  Ameri- 
can approbation.  In  the  reception 
accorded  the  picture  last  night,  he 
received  well   deserved  credit. 

"Nell  Gwyn"  demonstrates  that 
English  made  pictures  can  be  made 
to  cope  with  our  best  American  box 
office  attractions. 

The  presentations  for  this  special 
showing  was  staged  by  Joseph 
Plunkett,  whose  Broedway  frolics 
have  sounded  a  new  no.te  in  motion 
picture  theatre  entertainment.  The 
excellent  music  with  the  theme  song 
"Nell  Gwyn,"  was  arranged  by  Carl 
Edourde. 

"Nell  Gwyn"  is  a  character  study 
of  a  street  gamin  who  romps  her 
way  into  the  heart  of  royalty.     . 


Within  the  year 

Dorothy  Gish 

will  be  definitely 
established  as 


"The 
Box 


Offi 


ice 


Girl" 


We  are  starring  her 
in  three  more  pic- 
tures and  each  one 
will  be  ''  box  office. ' ' 


Jaydee 


BRITISH  NATIONAL  PICTURES,  Ltd. 

GEO.  T.  EATON,  President 


X 

p 

d 

B 

o 


•ho 

o 

C 

o 

o 


ps^s's'^  Od  gi 

f  B.  1 5.  ^  |.  o    ^  f 

3    n>    n>    !^    O    O 

ft 


5  bq 

I  o 

§  a- 

^ ~  g        £?  3- 

Q  •  a  in. 

a        


4 


?    3 


o 


O         vP 


P 


(X) 

P 

CO 


O 
G- 

P 


P 

^-^ 

P 
C 

^-^ 

<' 
ft) 

O 

o 


C/3 

P 


GO 

ft 


o 

CO 


O 

fD 


cr 

fD 
O 

o 


fD 

P 
•I 

CO 


3fD 

CO  o" 

^   ^  ^ 

K     fD  cro. 

2      P  fD 

r*    •-{  M 

^  c 

Cfo.  »<! 
era 

fD        I 
QO 


V 


iTHE 

4ff  brAdstreet 

/*  FILMDOM 


Authority 


XXXV    No.  27 


Tuesday,  February  2,  1926 


Price  5  Cents 


E  UHLE  FELLOW 

By  DANNY 
hat  about  the  exhibitor  in  the 
s  of  3,000  and  under?  Is  his 
t  the  same  the  country  over 
,  Michigan?  Does  he  "face  ex- 
on"  as  Richey  says?  And 
ey — the  hustling  general  man- 
of  the  M.P.T.O.  of  Michigan 
a  star  chaser.  Neither  is  he  a 
mist.  He  happens  to  be  one 
hose  lean,  energetic  men  who 
^s  his  job.  And  does  it 
)ughly. 

far  as  we  know  Richey  is  one  of 
few  officials  of  state  exhibitor 
nizations  who  ever  went  out 
igh  the  sticks.  To  talk  to  mem- 
analyze  their  problems,  and  try 
dp  them  at  first  hand.  (One  of 
reasons  why  Michigan  is  one  of 
best  organized  states  in  the 
try.) 

id  Richey  says  the  radio,  the 
roads  (leading  the  small  town 
to  the  big  towns  near-by),  high 
of  deliveries  and  'supers  which 
to  supe'  are  giving  exhibitor  in 
1  towns  many  problems.  Why 
y  of  them  remain  in  business, 
ng  extinction"  as  he  puts  it  is 
Dblem. 

//  what  Richey  says  is  true 
-and  lacking  authoritative 
iformation  otherwise  it  is  as- 
xmed  he  knows  of  what  he  is 
liking — then  it  is  time  for  a 
>t  of  folks  to  get  together  and 
0  something. 

(.Continued  on  Page  2) 


Galls  Nat'l  Confab 

F.  J.  Rembusch  Wires  all  Exhibitors 

to  Discuss  Uniform  Contract  at 

French  Lick,  Feb.  24-25 

Indianapolis — Frank  J.  Rembusch, 
president  of  the  Indiana  M.  P.  T.  O. 
yesterday  wired  important  exhibitor 
leaders,  identified  with  the  national 
M.  P.  T.  O.,  the  Allied  group  or  any 
other  group  to  attend  a  two-day  con- 
ference at  French  Lick  to  discuss  the 
uniform  contract.  He  has  set  Feb. 
24-25  as  the  dates.  The  wire  says, 
in  part: 

"A  national  survey  made  last  week  dis- 
closes these  facts:  that  for  past  14  months 
theater  owners  everywhere  have  talked  and 
complained  much  about  the  uniform  con- 
tract but  have  done  nothing  because  of  past  or- 
ganization political  differences,  a  national 
(.Continued   on   Page   4) 


Marine  Corps  Film 

M.-G.-M.  Gets  Exclusive  Contract — 

Other  Producers  Ruled  Out  for 

Full  Year 

Washington — The  U.  S.  Marines 
will  be  featured  in  a  picture  to  be 
made  by  M.-G.-M.,  according  to  a 
contract  which,  it  is  understood,  pro- 
vides that  the  marines  shall  not  ap- 
pear in  pictures  for  other  producers 
until  one  year  after  release  of  the 
M.-G.-M.  production.  The  negative 
cost  will  range  between  $100,000  and 
1300,000. 

It  is  understood  that  Fox  sought 
permission  from  Major-Gen.  John  A. 
Lejeune,  commandant  of  the  marines, 
who  signed  the  new  contract,  to  use 
the  marines  for  "What  Price  Glory?" 
and  was  refused. 


Agitation  Against  American  Films 

Prevails  in  16  Foreign  Countries 


French   May   Increase   Duties 

Reports  from  Paris  state  that  the 
Minister  of  Finance,  in  an  effort  to 
increase  the  Government  revenue,  will 
shortly  introduce  a  bill  raising  French 
import  duties  about  30  per  cent. 
Films,  of  course,  are  included. 


Hays  Satisfied 

i   from    Coast    and    Encouraged 
ver  Production  Progress — ^Sees 
a  New  Day 

'ill    H.    Hays    returned    yesterday 

I  a  trip  to  Los  Angeles  on  busi- 
which  included  the  formal  open- 

of  the  free  Casting  Bureau.     He 

bis  Free  Casting  Bureau  is  only  one  of 
lany  fine  things  that  the  California  pro- 
s  are  doing  to  improve  conditions  on  the 

II  of  us  in  the  industry  are  entitled  to 
safisfastion  at  the  progress  the  studios 
laking.  We  are  surely  seeing  a  new  day 
oduction  with  a  tremendous  increase  in 
lumber  of  really  great  pictures  and  an 
Mus    raise    in    the    standard    of    all    pic- 

(Continued   on   Page   4) 


Here's  An  Idea 

olivar,  Pa.  —  Mr.  and  Mrs. 
rles  M.  Johnston  who  operate  the 
ra  House  adopted  a  novel  way  in 
:h  to  celebrate  their  golden  wed- 
',  anniversary.  Open  house  was 
[  at  the  Opera  House  for  two 
(Continued   on   Page  4) 


Won't  Join  Hays 

Texas  Merely  To   Use  Salesmen  of 

Big  Companies  to  Increase  Its 

Own  Membership 

Dallas — H.  A.  Cole,  president  of 
the  Texas  M.  P.  T.  O.,  denies  his 
organization  intends  joining  the  Hays 
ofifice,  as  stated  in  THE  FILM 
DAILY  on  Jan.  22. 

It  was  stated  in  that  article  that 
the  M.  P.  T.  O.  had  accepted  the 
offer  of  Charles  C.  Pettijohn  to  use 
salesmen  affiliated  with  members  of 
the  Texas  Film  Board  of  Trade  to 
(Continued   on   Page   4) 

More  on  Shutdown 

Springfield,  111.  —  Discussing  the 
Maryland  move  to  close  all  theaters 
for  two  weeks  in  July,  K.  W.  Watts, 
president  of  the  M.  P.  T.  O.  of  East- 
ern Missouri  and  Southern  Illinois, 
said  yesterday. 

"In  the  past  we  have  had  some 
discussion  on  the  subject  locally,  but 
could  never  fully  agree  on  the  ques- 
tion. 

(Continued  on  Page  4) 


Studio  for  Canada 

Vancouver  Mentioned  as  Selection  for 

Production  Center  by  Important 

British  Company 

Ottawa — When  Raymond  S.  Peck, 
director  of  the  Canadian  Government 
M.  P.  Bureau  was  in  New  York  last 
week,  he  held  a  number  of  meetings 
regarding  production  in  Canada. 

It  is  understood  one  conference 
was  held  with  New  York  represen- 
tatives of  an  important  British  com- 
pany which  has  expressed  a  desire 
to  produce  in  Canada.  A  studio  in 
Vancouver  is  being  considered,  one 
of  the  principal  reasons  for  the  lo- 
cation being  the  relative  proximity 
to  Hollywood.  The  idea  hinges 
largely  around  the  ultimate  disposal 
(Continued   on  Page   4) 


Situation  Abroad  Causing  Con- 
cern, Washington  Legislators 
Are  Informed 


Alleged  a  Bankrupt 

Petition     on      $3,625      Claim      Filed 

Against  Enterprise  Dist.  Corp., 

By  Atlanta  State   Righter 

Atlanta — An  involuntary  petition  in 
bankruptcy  has  been  filed  by  Alex- 
ander Marks,  of  New  York,  against 
Enterprises  Dist.  Corp.,  one  of  the 
largest  state  right  distributors  in  the 
Southeast.    The  claim  was  for  $3,625. 

About  two  years  ago  Enterprise 
was  formed  by  William  Jenkins  and 
John  W.  Mangham,  Jr.,  to  distribute 
in  Kansas,  Texas,  Oklahoma,  Illi- 
nois and  other  states.  Almost  coinci- 
dent with  the  bankruptcy  proceed- 
ings, Mangham  formed  the  Enter- 
prise Film  Corp.  to  distribute  in  the 
territory  formerly  covered  by  Enter- 
prises Dist.  Corp. 

Famous  Abandons  Barrie  Film 

Famous,  according  to  Jesse  L. 
Lasky,  has  abandoned  plans  to  make 
another  fantasy  for  release  about 
Christmas.  Sir  James  Barrie  was  to 
write  the  story  for  production  in  Lon- 
don. 


Washington^ — Speaking  before  the 
House  committee  on  appropriations 
on  behalf  of  the  adoption  of  the  sup- 
plemental appropriation  of  $26,000 
for  the  establishment  of  a  motion  pic- 
ture section  in  the  Bureau  of  Foreign 
and  Domestic  Commerce,  Jack  S. 
Connolly,  Washington  representa- 
tive of  the  Hays  organization,  said 
legislation  and  agitation  against 
American  pictures  were  now  under 
way  in  the  following  countries: 

England,  Germany,  France, 
Czechoslovakia,  Austria,  Hungary, 
Poland,  Cuba,  Australia,  Italy,  Den- 
mark, Sweden,  India,  Japan,  Hol- 
land and  Spain. 

"Within  the  past  six  weeks,"  the 
committee  was  told  by  Connolly, 
"the  situation  in  a  number  of  foreign 
countries,  expressed  either  in  legis- 
lation or  proposed  legislation,  has 
become  more  adverse  towards  Ameri- 
can motion  picture  interests  than 
ever  before. 

"The  whole  trend — particu- 
larly in  Europe — is  so  marked 
for  legislation  which  discrimi- 
nates in  fact  though  not  in 
name  against  American  films 
that  it  has  created  a  crisis  new 
(Continued  on  Page  5) 


"Naked  Truth"  A  Sell-Out 
One  thousand  tickets  have  been 
sold  for  the  "Naked  Truth"  Dinner 
at  the  Astor  Saturday  night.  This 
is  a  complete  sell-out  and  those  who 
have  been  tardy  in  securing  their 
seats  will  now  have  to  depend  upon 
cancellations.  There  will  be  a  recep- 
tion at  7  o'clock  and  dinner  half  an 
hour  later. 


Brinch    Joins    M.-G.-M, 

P.  N.  Brinch,  formerly  in  charge 
for  Famous  in  Vienna,  sailed  on  the 
Aquitania  Saturday  to  represent  M.- 
G.-M.  in  that  city. 


Famous  Continues  Rise 
Famous  common  closed  at  119^^ 
yesterday,  an  increase  of  2}^  points 
over  Saturday's  close.  Over  11,000 
shares  changed  hands.  The  pool  is 
still  operating. 

F.  &  R.  Buy  in  Two  Houses 

Faribault.  Minn.— Will  Glaser  has 
sold  a  50  per  cent  interest  in  the  Sun 
and  Grand  theaters  to  Finkelstein  & 
Ruben.  Glaser  will  continue  as  man- 
ager. 


THE 


■S&< 


DAILY 


Tuesday,  February  2,  1926 


Vol.XXXVNo.27     Tuesday,  Feb.  2, 1926     PriceSCents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FiOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filraday, 
Now  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London— Ernest  W.  Fredman, 
ihe  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,   5,   Rue   Saulnier. 


Quotations 

High  Low  Close  Sales 
Balaban  &  Katz  . .  71  70/^  70?4  ■  •  •  • 
Eastman  Kodak  ..110]^^  110^4  110^  400 
Famous  Players  ..120i/4  117;^  119>i  11,000 
Fam.   Play.   Pfd.    ..123       121       121  800 

Film    Inspection    Not  quoted 

First   National    Not  quoted 

Fox  Film  "A"  ...  80J4  78  78  1,600 
Fox  Theaters  "A".  32         3\Y^     31'^     2,900 

International   Projector    Not  quoted 

Loew's,    Inc 40'^     39         40         6,000 

Metro-Gold.  Pfd.  ..  23?^  20^  235^  300 
M.  P.  Cap.  Corp...  19^  19  19J4  1.400 
Pathe  Exch.   "A"..   SOJ^     78J4     80!4     3,300 

Skouras    Brothers..    52         52         52  

Stan.   Co.   of  Am Not  quoted 

Trans-Lux     12^     12         12^4     2,000 

Universal    Pictures.   37         37         37  100 

Univ.   Pict.   Pfd.    ..   "il         93         93  100 

Warner  Brothers  ..  MVt,  UV%  MVz  1.400 
Warner   Pictures    Not  quoted 


Testing  Stage  Notables 

Helen  Mencken,  Vivenne  Osborne 
and  Katharine  Cornell  had  screen 
tests  taken  at  Fox  yesterday.  R.  A. 
Walsh  is  hunting  faces  for  "What 
Price  Glory?"  but  players  for  other 
pictures  are  also  being  sought. 


La  Marr  Funeral  Friday 

Los  Angeles — ^The  body  of  Barbara 
La  Marr,  who  died  Saturday  in  Alta- 
dena,  will  lie  in  state  for  three  days 
to  be  viewed  and  will  then  "be  re- 
moved to  Hollywood  where  the  fun- 
eral will  take  place  Friday, 


Steinberg  Joins  Associated 

St.  Louis — Nat  E.  Steinberg  has 
been  appointed  manager  here  for 
Associated  Exhibitors. 


FOa     R.ENT 


BELL  -  HOWELL 

AND     

AKELEY  CAMERAS 

with  or  Without  Carmramen 


SEIDEN    CAMERA    EXCHANGE 

72<(  Seventh  Ave.  N.Y.c. 
Br>'5nt   395  1 


THE  LiniE  FELLOW 

(Continued  from  Page  1) 
Just  who  should  start  the  move- 
ment seems  uncertain.  If  the  pro- 
ducers, or  the  Hays  organization  at- 
tempt to  analyze  and  remedy  the 
situation  you  know  just  what  will 
be  said.  The  national  M.P.T.O. 
cannot  be  expected  to  do  it — Michi- 
gan is  out  of  that  organization.  If 
the  Michigan  organization  does  it  the 
officials  will  be  charged  with  trying 
to  get  film  for  nothing.  Or  some- 
thing of  that  sort.  And  yet  here  is 
apparently  a  problem,  a  very  grave 
problem,  which  calls  for  serious 
consideration.     Plus  action. 

Stepping  Along 

One  Charley  Rogers.  Who  comes 
pretty  near  being  at  the  top.  Of  the 
"independent"  producers.  He  has  a 
finger  in  the  Corinne  Griffith  series 
going  through  First  National;  is  in 
charge  of  the  Harry  Carey  series  go- 
ing through  Pathe;  the  Renaud  Hoff- 
man series  going  through  Producers 
Distributing;  a  series  of  Westerns 
for  First  National  for  next  season — 
so  you  see  Rogers  is  a  busy  boy.  A 
few  years  ago  he  started  to  produce. 
Today  he  has  his  hands  full — with 
about  20  pictures  a  year.  That's 
moving. 


Warners  Division  Chiefs  Shifted 

Three  of  Warners'  division  managers 
have  been  transferred.  Lloyd  Willis, 
in  charge  of  the  Eastern-Central  di- 
vision, becomes  home  office  represen- 
tative, with  headquarters  here;  Her- 
bert Elder,  former  Eastern-Southern 
head,  succeeds  Willis,  while  the  va- 
cancy by  the  transfer  of  Elder  results 
in  the  promotion  of  C.  C.  Ezell  as 
Southern   division   manager. 


Finds  Hollywood  Normal 

Hollywood — The  Rev.  Clinton  Wun- 
der,  known  as  the  "$100,000  preacher" 
of  Rochester,  N.  Y.,  in  a  statement  to 
the  United  Press  declared  Hollywood 
was  neither  holy  nor  horrible,  but  a 
normal  city.  A  series  of  lectures 
along  this  line  will  be  delivered  on 
his   return. 


More  Trouble  in  Sioux  City 

Sioux  City,  la. — Some  local  exhibi- 
tors are  disturbed  over  the  free  shows 
introduced  in  all  of  Alexander  Frank's 
houses,  for  an  indefinite  period.  Frank 
has  arranged  with  merchants  to  issue 
passes  in  connection  with  purchases, 
good  at  all  of  his  theaters. 


New  First  Run  for  Florida 

Miami — Henry  Michel  and  Elmer 
Day  of  Hollywood,  Fla.,  are  spon- 
soring a  new  first  run  in  that  town, 
to  be  called  the  Hollywood  Beach 
theater. 


liiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiimiiMiiniiinimmm 


FEBRUARY  28th 


iliiiiiiiiMiiiiiiiiiiiiiiiiiiiiiiiiiiiiHiiiiiiiiiiiiiiiiiiniiiiniiiiiiiiiiiiiuiiiiiMmiiiiniiiiiiiiiM 


More  Westerns  for  Associated 

It   is   understood   P.   A.    Powers   is 
about  to  close  for  two  more  series  of 
Westerns    for    Associated     Exhibitor 
release.     The  stars  are  Buddy  Roose- 
velt and   Buffalo   Bill,   Jr.,   now   sold 
state  rights  by  Weiss  Bros.  Artclass 
Pictures.     If  the  deal  is  closed,  Les- 
ter  F.   Scott  would   continue  produc- 
tion  for   Weiss   Bros.,   who  would  in 
turn   release  through  Associated. 


Wanamaker  in  "Sea  Beast"  Tie-Up 

"The   Sea   Beast"   came   in   for   an 
unusual    bit   of    exploitation    recently, 
when   a    tie-up   was   effected   between 
Warners   and   the   John   Wanamaker 
store.     A  "Moby  Dick  Week,"  later 
called  "Sailing  and  Whaling  Week" 
was   staged   at   the   store,   where   old 
whaling  relics,   scenes  from  the  pic- 
ture and  portraits  of  Barrymore  and 
Miss    Costello   were    exhibited.     The 
Ritz  quartette,  winners  of  the  Wana- 
maker   cup,    sang   a    number    of    old 
sailor    songs    and    illustrated    lectures 
were  given  in  the  Wanamaker  audi- 
torium.   Thos.  Cook  &  Sons  also  co- 
operated by  advertising  in  New  York 
newspapers  and  by  a  window  exhibit 
in  their  Fifth  Ave.  office. 


Butterfield   Adds   Another 

Grand  Rapids,  Mich. — The  Butter- 
field  circuit  has  acquired  the  Idle 
Hour,  seating  250.  This  gives  But- 
terfield six  houses  here,  the  others 
being  the  Powers.  Majestic,  Strand, 
Isis  and  Orpheum. 


Signs  Creighton  Hale 

Los   Angeles — Creighton   Hale   has 
signed   a   long  term   contract   to   star 
in    the    productions    of    Thomas    L. 
Griffith,   to   be   released   through   As- 
sociated  Exhibitors. 


New    Orpheum    House    for    Omaha? 

Omaha — It  is  understood  that  a 
new  first  run  theater  will  be  built 
by  the  Orpheum  interests  on  15th 
St.  The  house  will  seat  3,000  and 
cost  $1,000,000. 


Red  Seal  Set  in  Philadelphia 
Philadelphia — Under  the  plan  of 
operating  their  own  exchanges,  Red 
Seal  has  concluded  arrangements  with 
Ben  Amsterdam  to  distribute  its 
product  in  this  territory. 


STOCK  SCENES 

NEGATIVE  AND   POSITIVE 

PR  l_N  T  S 

Stone  film    Library 

■J20  W.   42nd   St.  ROOM    303 

Phone   Wisconsin    3770 


Young  lady  desires  position,  12 
years  experience  motion  pictures — 
secretary — bookkeeper — stenographer — 
office  and  business  manager — New 
York  representative — correspondent — 
legal  knowledge — capable  of  taking 
charge  of  office  or  department.  Em- 
ployed at  present — seeking  other  em- 
ployment due  to  discontinuing  New 
York   office.      Excellent   references. 


Box    S-322 
1650    B'way 


c-o    Film    Daily 
N.    Y.   C. 


Laemmle  Signs  German  Actor 

Carl  Laemmle  is  bringing  And 
Mattoni,  a  German  actor,  whom  1 
placed  under  contract,  with  him  ( 
the  Olympic.  Due  to  heavy  seas,  tl 
ship  will  probably  not  reach  he 
until    tomorrow. 


Tyrone  Power  with  Chadwick 

Hollywood  —  Tyrone  Power  k 
been  engaged  by  Chadwick  for  "Tl 
Test  of  Donald  Norton,"  Geor| 
Walsh's  next. 


HAtRoACB 


is  a  'Coraerblock'  ciU  fiviiAii' 

E  for  aH  Pathecomeoles  at  yo! 
exchange.  > 


LOBBY   FRAME 

OF  THE  BETTtR  KIND 
LIBMAN-SPANJER    CORP 

1600  Broadway  New  York  C> 

Tcl-Ch.cl,ering  5^50'  Sliou  -, 


♦♦♦♦♦♦♦♦♦  ♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦f.tfttS 
»>•♦♦♦♦>♦♦♦♦♦♦♦♦♦♦♦♦•♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦*•*■ 

BRVANT     3740-374.4 

Reuben  S^ajviuels.Iktc 


insurance; 


i540  broadway 

NewYork 

Insurance  Experts  to  the  Theatric 
And   Motion   Picture   Industry 


♦♦♦♦♦•♦.♦♦.♦•.♦♦.♦♦.•♦.♦♦.♦♦.♦♦.•♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.••.♦♦.♦•.♦Mft 


•W 


CO^u'MO^'^ 


teT'2  (SO, 


4E.  4ri.S.- 


J^DMV"!!^' 


Boy! 


F^R  THE  Love 


The 
Comedy 

Hit  of 
Years! 


MARSHALL 
NEILAN'S 

Sig  comedy  hit 
Sally  O'Neil ,  Charles  Murray, 
William  Haines,  Ford  Sterling 


Sy  Don  Heroid 


THE  famous  cartoonist  of  the  New  York 
World- Will  B.  Johnstone-now  joins 
the  comic  artists  and  writers  who  hail 
"Mike"  as  the  laughing  hit  of  a  lifetime. 

ETRO  -  GOLDWYN  -  IVI  AVER 


m 


Mi 


THE 


ia^m 


DAILY 


MBiiMMiiiMirHM 
Tuesday,  February  2,  15 1 


State  Gutting  Down 

Refuses  Added   Revenue   to   Censors 

— Much  Hinges  Around  Hughes 

Reorganization  Report 

Albany,  N.  Y.— The  State  Board  of 
Estijnate  and  Control,  in  preparing 
its  annual  budget  for  the  coming  fis- 
cal year,  cut  $6,410  out  of  the  amount 
requested  by  the  censorship  com- 
mission for  expenses. 

The  commission  wanted  more  mon- 
ey to  pay  the  salaries  of  an  added  of- 
ficial and  to  increase  the  pay  of  those 
now  employed.  The  money  requested 
for  the  new  position  was  eliminated 
entirely  but  |400  was  allowed  to  in- 
crease the  pay  of  four  reviewers  to 
$1,800  each. 

It  is  possible  that  this  state  board 
of  highly  paid  officials  may  be  abol- 
ished, its  fate  is  now  in  the  hands  of 
the  Hughes  non-partisan  reorganiza- 
tion committee  which  is  formulat- 
ing plans  for  the  consolidation  of 
sorne  120  state  departments  into  21 
branches. 

It  has  been  reported  that  the  cen- 
sorship commission  may  be  abolished, 
as  recommended  by  Governor  Smith 
in  his  several  messages  on  the  sub- 
ject submitted  to  the  Legislature. 
The  Hughes  report  will  probably  be 
filed  shortly  after  Feb.  15. 


More  on  Shutdown 

(.Continued  from  Page  1) 
"I  have  heard  some  very  good 
arguments  "pro"  and  "con,"  and  I 
believe  the  idea  a  very  good  one  for 
some  localities,  but  not  so  good  for 
the  larger  cities.  However,  the  ques- 
tion is  not  up  for  our  consideration, 
and  I  don't  believe  it  will  be." 


No  Closing  in   Oregon 
Portland,    Ore.    —    C.    S.    Jensen, 
speaking    of    summer    closing,     said 
yesterday: 

"On  account  of  the  splendid  cli- 
matic conditions  prevailing  in  the 
Pacific  Northwest,  we  find  it  unneces- 
sary and  inadvisable  to  close  our  the- 
aters during  the  summer.  We  have 
no  offensive  heat  waves  here.  No 
action  relative  to  closing  is  therefore 
contemplated." 


Won't  Join  Hays 

^Continued  from  Page   1) 
increase   the  membership   in   the   ex- 
hibitor unit. 

This  is  correct,  but  the  original 
report  carried  an  erroneous  impres- 
sion because  of  its  caption  which  read 
"Texas  May  Join  Hays."  Cole  is 
emphatic  in  stating  no  affiliation  is 
contemplated. 


NOW   BOOKING 

St.    Patrick's    Day    Special 
week  of  March  lith.  Fleischer 
Ko-Ko  Song  Car-Tune 

"HAS    ANYBODY    HERE 
SEEN  KELLY.?" 

Hand  Colored  by  Brock 


729  Seventh  Ave.,  N.  Y.  C. 
DISTRIBUTORS 


MAKING  THE  GRADE- 


By  Kesslei 


I  LET 


4JAMUA  60 
ro  Ttl'  AAAGiC 

^s,^     T/gi&UT  ? 


/IST  BOB  T 
VA  LOOK.  AT 
ttOlT  BED  COOWT 

SWAW  ATT 
m !' 


T(liJ>  IP  WiACACA  WLIT  <M 

tiE  \uiNTE£  -  Km  Here  ^ 

WME  "te  LEAMIMG  T(WER  OF  Pm 

An'  mext  is  a  proism  xwateR- 

ViJHEEU- 


M 


'  MMK  UXK 
AT  1MAT  ONE 
OF  THE 
SfrtlMX  ! 


7 


'QjX&Zi  LlEeJER,.    PRE?IDE)OT  OF   FIGPT  A)ATI0AML  RCIUfitr  WG. 
STARTED  •  DEAAOWfT(?ATlW<S    THE   i^ECEOfCOPE    )W  UJP  BITUCBJP 
ART  S^Cm.  IM  <WDlAWAPOLlP.  (WD. 


(Reprinted  by  permission  from  the  New  York   Graphic.) 


Here's  An  Idea 

(Continued  from  Page   1) 

days,  at  which  time  the  residents  of 
Bolivar,  and  surrounding  towns,  were 
invited  to  attend  the  theater  free  of 
charge,  in  honor  of  the  anniversary. 
Johnston  has  been  a  justice  of  the 
peace  for  35  years,  postmaster  for  five 
years,  and  a  notary  public  for  23 
years  in  addition  to  his  activity  as  an 
exhibitor. 

On  one  of  the  days  almost  every 
family  in  town  was  represented,  the 
town  folks  called  all  day  to  gay  their 
respects  to  the  old  residents,  who 
have  lived  the  entire  50  years  in  the 
liome  in  which  they  went  housekeep- 
ing. Every  one  who  came  received 
a  generous  helping  of  turkey  and  all 
the  trimmings.  The  gifts  were  of  gold 
or  trimmed  in  gold  and  the  couple 
received  $90  in  gold  and  a  valuable 
desk. 


"Sea  Beast"  in  "Windy  City"  Feb.  12 

The  first  out-of-town  showing  of 
"The  Sea  Beast"  will  be  at  the  Or- 
pheum,  Chicago,  on  Feb.  12,  to  be 
followed  shortly  by  the  Circle,  Indi- 
anapolis; Alhambra,  Milwaukee,  and 
Palace,  Dallas. 


To  Adapt   "The   Red    Mill" 

Los  Angeles — Frances  Marion  will 
do  the  scenario  and  adaptation  of 
"The   Red   Mill." 


Grainger  Back 

James    R.     Grainger    has    returned 
from  a  trip  to  Cuba  and  the  South. 


Studio  for  Canada 

(Continued  from  Page  1) 
of  the  quota,  problem  in  Great 
Britain.  If  the  Government  there  de- 
cides upon  such  a  move,  the  Van- 
couver studio  will  undoubtedly  be- 
come a  fact.  Under  the  quota  plan, 
Canadian  production  would  enjoy  all 
the  rights  of  pictures  actually  made 
in   England. 


Galls  Natl  Confab 

(Continued  from  Page  1) 
united  action  has  been  impossible  up  to  this 
iime.  The  buying  season  opens  within  9U  days 
stop,  unless  theater  owners  unite  and  make 
immediate  demands  for  a  fair  contract  we  will 
be  forced  to  continue  using  the  same  old  one- 
sided contract.  In  interviewing  leaders  of  na- 
tional, allied  and  other  groups  X  find  all  are 
willing  to  join  into  a  national  conference  to 
decide  a  uniform  contract  on  the  following 
conditions: 

"That  the  conference  shall  be  entirely  free 
from  politics,  personalities,  elections  and  or- 
ganization differences  and  that  there  shall  be 
no  old  organization  atiairs  discussed  or  new 
organization   work   undertaken; 

"That  no  producers  shall  participate  in  the 
deliljerations; 

"That  the  Hays  organization  will  be  obliged 
to  recognize  the  deliberations  and  demands  of 
this  conference.  Because  such  a  conference 
called  by  any  particular  group  might  fail  and 
being  neutral  and  friendly  to  all  concerned, 
we  are  calling  upon  all  the  theater  owners  of 
the  United  States  and  Canada,  large  or  small, 
in  or  out  of  organization  to  come  to  French 
Lick,  Ind.,  as  theater  owners  for  a  two-days' 
conference  on  the  uniform  contract  exclusively, 
Wednesday    and   Thursday,    Feb.    24-25. 

"We  are  able  to  do  this  through  the  cour- 
tesy of  the  French  Lick  Hotel  Springs  Co. 
and  other  hotels  in  the  Lost  River  Valley. 
Theater  owners  of   Indiana   will  act   as  hosts." 


Hobart  Funeral  Undecided 

Cumberland,  Md. — The  funeral  of 
George  V.  Hobart,  who  died  Sunday 
following  a  long  period  of  illness  had 
not  been   set  up   until   late  yesterday. 


According  to  THE  FILM  YEAR 
BOOK,  Hobart's  last  scenario  was 
"Bad  Company,"  starring  Madge 
Kennedy  and  released  through  As- 
sociated Exhibitors. 


Hays  Satisfied 

(Continued  from   Page   1) 
tures.       I    am    convinced,    too,    that    we    have 
seen    only    the    start   of    the    movement.      Pro- 
duction   is  on   a   new   basis. 

"In  my  trip  across  the  United  States  and 
back  I  met  many  persons  who  reflect  accur- 
ately the  attitude  of  the  public  toward  ottr  in 
dustry.  All  thinking  people  are  our  friends. 
They  know,  of  course,  that  we  are  sincere  and 
that  we  are  delivering  week  in  and  week  out 
the  kind  of  entertainment  that  is  satisfying 
and  which  proves  completely  our  ability  to 
move  to  still  finer  things." 


Newspaper  Opinior| 

"All  Around  Frying  Pan"— F.  B, 
Hip,   Baltimore 

NEWS—*   *   *  The  famous  Alturas  re 
up    has    been    built    into    the    story    of   I  [{.■ 
Richardson  Pierce,  with  Fred  and  Silver    t 
as    actual    contestants.      Fred's    great   rr  [ 
takes    an    acting    role     that     tests    his 


r 


"The   American   Venus" — Paramc 
Metro,   Boston 

GLOBE—*  *  *  It  is  written  around! 
great  Atlantic  City  beauty  pageant,  and 
the  plot  isn't  so  much,  the  gorgeously  col 
scenes  of  the  radiant  beauty  contestants 
quite  euougli  to  make  one  forget  the  ill 
rjuate   story.   *   *   * 

HER.VLO- *  *  *  The  scenes  made  all 
intic   I  ity  and   during  the  prologue  are  i| 
ically    done    in    Technicolor.       Comedy 
n   abundance   is   furnished   by   a   wild  ant 

iiile    cliase    replete    with    giggles    and    tb! 
I'lie    picture    on    the     whole    is    entertaiil 

*  *  • 

TRANSCRIPT—*  *  *  For  "The  Ameii 
Venus"  is  unmitigated  ballyhoo,  press  ag  jf 
puffery    of    tlic    least    mistakable    sort,   a 
of   bench-made   boob-catcher,   dedicated  Xt\ 

eaders   of   tabloid    dailies    and   festooned 
symbolic    dollar-signs.      And    this    despitetf 

act  that  numerous  lirst-rate  talents  have  ■ 
bined   to   produce   it.    *    *    * 


"Before  Midnight"— Ginsberg  (S.]!' 
Central,  Washington 

TIMES—*  *  *  "Before  Midnight"  ' 
crook  drama  in  which  ''Big  Bill"  Rt 
has  ample  opportunity  to  display  his  ; 
cularity    as    well   as    his    finesse    as   an  a 


"The    Best    Bad    Man"— Fox- 
St.  James,  Boston 
HERALD—*  *  *  In  addition  to  Tom 
the   cast   includes   Clara   Bow,   who   is  see 
a   real  drugstore  cowgirl ;   the  inimitable 
Wilson,    with    a    lot    of    new    blackface 
and    a     group     of     hard-riding    and 
shooting  cowboys.  *  *  * 


"Bluebeard's    Seven    Wives 
National 
Park,  Cleveland 
PLAIN  DEALER— *  *  *  Here  is  the 
of     the     many     tales     from     studioland    a 
studioland.      It    pokes    a    healthy    lot   of 
at    temperamental   directors,   burn-'em-up  ■ 
licity  agents.   ♦   *   • 

PRESS — *    *    *    Its   an    interesting  pic 
splendidly   portrayed.    *   •   * 


"Bright  Lights"— M.-G.-M. 
Family,  Cincinnati 
ENQUIRER—*  *  *  Besides  con^ 
those  vital  elements  of  popular  appew 
mance,  pathos,  humor  and  glitter,  "8 
Lights"  presents  Charles  Ray  in  the 
of  role  for  which  he  is  best  fitted — tha 
the   bashful   and   uncouth  country   lad. 


"Clothes  Make  the  Pirate"— 1st  N 
Eastman,  Rochester 

DEMOCR.VT— *    *   *    More   amusing 
ever,    Leon    Errol    establishes    himself   unq 
tionably    as   a   shining   light   in    cinema  t 
edy.   *  *   * 

HERALD—*  *  *  It  has  an  elemW 
originality  and  some  quaint  humor  which 
been  used   to  fairly  good   advantage.   *  *  ' 

JOURNAL  _  ♦  ♦  ♦  "Clothes  Make 
Pirate"  is  funny  all  the  way  through, 
uproariously  so,  enough  to  send  you  OU 
the  theater   happy.   *   *   • 

TIMESUNION— *  *  *  The  film  is 
cellently  staged  and  directed,  the  seem 
the  battle  between  the  pirate  ship  and 
prey   being  very   well   done.   *   ♦   ** 


"Dance  Madness"— M.-G.-M. 
Garrick,  Minneapolis 

STAR — *  *  *  It  does  go  to  extrem< 
several  instances,  but  it  is  a  fast  mo' 
vehicle  with  numerous  laughs  punctuating 
triangle   story.    •    *   • 


"The  Dark  Angel"— First  Nat'l 
State,  Minneapolis 

STAR — *  *  *  It  is  a  war  story  with 
usually  fine  settings  and  photography  an 
story   of  great   interest.   •    *   * 


day,  February  2,  1926 


THE 


j?B^ 


DAILY 


I  Eastern  Studios 

ramount  Production  Active 

mas  Meighan  finished  "The 
Klondike"  last  week,  and 
d  Dix  also  completed  work  at 
ime  on  "Let's  Get  Married." 
stories  are  planned  for  both. 
ry  La  Cava  will  direct  Dix' 
which  will  be  made  on  the 
"Romance  a  la  Carte."  Gloria 
on  is  still  working  in  "The  Un- 
Lady,"  and  after  completing 
.ill  do  "Fine  Manners,"  with 
e  O'Brien  as  male  lead.  The 
vas  written  by  James  Ashmore 
lan  and  Frank  Vreelman. 
Iphe  Menjou  finished  work  on 
Dcial  Celebrity,"  Malcolm  St. 
directing.  Menjou  will  start 
)rrows  of  Satan,"  which  D.  W. 
1  will  put  into  production  about 
5. 


First  National  Active 
I  Cowan  has  completed  the 
tion  on  "The  Crystal  Cup," 
las  started  the  scenario  on 
ates"  which  will  probably  fea- 
loris  Kenyon. 

n  of  Steel"  will  not  be  com- 
for  another  two  or  three  weeks. 
Dpets,"  A.  L.  Rockett's  first 
tion  under  the  new  unit  plan, 
ch  Milton  Sills  will  be  starred, 
inbaud  directing  will  start 
Feb.  15. 

;  Savage,"  with  Ben  Lyon  and 
iIcAvoy  is  in  the  second  week 
)duction.  The  compaiiy  will 
■  leave  for  Florida  for  exteriors, 
joodrich  is  still  adapting  "On 
inph,"  for  Sills. 


"The  Nest"  Begun 

ine  Frederick  started  work 
/eek  on  "The  Nest,"  under 
lan  Bennett's  supervision.    This 

Excellent  Pictures,  of  which 
1  Zierler  is  president,  and  Al 
erg,  secretary  and  treasurer. 
Jigh  is  directing  with  Holmes 
rt,  Wilfred  Lucas,  Martha 
)n,  Reginald  Sheffield  and  Jean 

in  the  cast.  The  story  was 
1  by  Paul  Geraldy  and  adapted 
arles  E.  Whittaker. 


ree   MoUie   Mays   Finished 

ph  Levering  has  completed  the 
t  of  the  third  Mollie  May  re- 
The  first,  "Her  First  Night  in 
elphia,"  will  be  released  on 
,  by  Cranfield  &  Clarke.  Vio- 
:rsereau  is  featured. 


Burton  King  Editing 

on  King  is  cutting  and  editing 

Zleaner  Flame,"  which  he  com- 
last  week  at  Whitman  Ben- 
studio.  The  cast  included 
Carter,    Alice    Lake,    Warner 

an     and     Kenneth     McKenna. 

Werner  is  titling. 


Coast  Departures 

:olm  St.  Clair  is  en  route  to 
aast,  also  Wallace  Beery  and 
ly  Tearle. 

olph  Valentino.  Al  Santell  and 
Gordon  have  also  left. 


afFt  Titling   Hines  Pictures 

1  Krai^t  has  finished  titling 
y  Hines'  latest,  "Rainbow 
'  This  is  the  third  Hines  pic- 
LtafiFt  has  titled. 


Presentations 

Rivoli 

Unit  No.  1 — Overture:  "Morning, 
Noon  and  Night  in  Vienna,"  von 
Suppe.    Time,  7  minutes. 

Unit  No.  2. — Famous  Music  Mas- 
ter Series,  presented  by  James  A. 
Fitzpatrick:  "Ethelbert  Nevin."  Time, 
10  minutes. 

Unit  No.  3. — Harold  Ramsaye  at 
the  organ,  playing  "I  Never  Knew." 
Time,  5  minutes. 

Unit  No.  4. — Eddie  Elkins  and  his 
orchestra.  Three  numbers:  "I  Won- 
der Where  My  Baby  Is  Tonight," 
"Wagneriana"  and  "Don't  Wake  Me 
Up,  Let  Me  Dream."  For  the  last 
number  there  is  a  tableau  showing  a 
street  scene  in  Chinatown;  a  sweat- 
ered  white  man  leaning  against  a 
lamp  post  sings  "Don't  Wake  Me 
Up,  Let  Me  Dream."  A  Chinaman 
sits  on  the  curb  smoking  a  long  pipe. 
Time,  11  minutes. 

Unit  No.  5. — Rivoli  Movievents. 
Time,  9  minutes. 

Unit  No.  6— "Paradise  Isle,"  John 
Murray  Anderson's  presentation,  with 
Prince  Lie  Leni,  Thelma  Harvey  and 
the  Royal  Samoans  in  tneir  native 
dances  and  songs.  Prince  L'e  Leni, 
in  native  garb,  sings  introductory 
song  before  blue  silk  curtain  with 
elaborate  tulip  design  decorative 
scheme,  worked  out  in  spangles.  Cur- 
tain rises  disclosing  Royal  Samoans, 
in  native  garb,  seated  upon  floor  with 
five  grotesque  figures  evidently  in- 
dicative of  the  Samoan's  gods  or 
idols,  seated  upon  raised  dais  to  back 
of  stage.  Settings  consists  of  cur- 
tains and  side  pieces  of  futuristic  de- 
sign. Follow  a  .steries  of  diances, 
drills  and  songs  with  Thelma  Har- 
vey doing  a  Gilda  Gray  Hawaiian 
dance.  For  finale  the  scene  changes 
to  two  raised  daises  toward  back  of 
stage  with  another  scenic  setting  of 
futuristic  design.  Samoans  seated  on 
elevated  platforms  go  through  an- 
other dance  or  drill  ending  with  solo 
and  chorus  number.  Time,  16  min- 
utes. 

Unit  No.  7. — Feature:  "The  Song 
and  Dance  Man."    Time,  72  minutes. 


Hammell    Much   Better 

John  Hammell,  who  is  seriously  ill 
in  a  private  hospital  on  Long  Island, 
will  no  doubt  recover  unless  un- 
looked  for  complications  set  in,  ac- 
cording to  his   doctors. 

Atlanta   Board  Moves 
Atlanta— The  Film  Board  of  Trade 
has    moved    from    the    Haas-Howell 
Bldg.   to   the   Marietta   Bldg. 

Solomon  in  Charge  of  Publicity 

Julian  M.  Solomon  has  been  ap- 
pointed advertising  and  publicity  head 
of  Columbia. 


Mr.  Exhibitor:  A«k  at  the  Film  Exchange* 
for  the 


It't  little  to  Bik  for,  but   it'i   the   onlr 
reliable  aid  you  can  Kive  your  muciciana 
to  help  put  the  picture  over.    ■ 


Balconies  by  Sexes 

Omaha — A  separate  balcony 
for  each  sex  will  be  one  of  the 
features  at  the  new  theater  to 
be  built  at  29th  and  Leaven- 
worth Sts.  by  the  Nebraska 
Theaters  Corp.,  sponsored  by 
the  World  Realty  Co.,  and  Ep- 
stein Bros.  The  house  is  to  cost 
$45,000. 


Agitation  Abroad 

iC'oiifiiiKcd  from   Page   1) 

to  the  American  producer  and 
non-existent  only  a  little  more 
than  a  year  ago." 

Citing  from  an  article  in  the  Janu- 
ary 3  issue  of  THE  FILM  DAILY 
regarding  the  foreign  situation,  Con- 
nolly declared. 

"The  aid  which  the  Depart- 
ment of  Commerce  can  give 
the  industry  during  the  next 
few  years  in  fighting  off  these 
tendencies  will  be  of  great  im- 
portance in  determining  wheth- 
er American  motion  pictures 
will  continue  to  secure  nearly 
30  per  cent  of  their  revenues 
from  abroad  or  whether  this 
will  be  cut  down  with  the  con- 
sequent dislocation  of  the  trade 
here  at  home." 

Our  foreign  trade  in  films  brings 
in  a  revenue  of  approximately  $75,- 
000,000  a  year,  although  the  declared 
exports  show  a  value  of  only  $7,- 
500,000,  the  larger  figure  representing 
the  actual  earnings  of  American  films 
abroad.  There  is  a  wide  field  of 
permanent  effort  open  to  the  pro- 
posed motion  picture  section,  the 
committee  was  told,  in  addition  to 
the  urgent  need  which  is  now  felt  for 
Federal  aid  in  meeting  the  simul- 
taneous attacks  of  a  score  of  coun- 
tries. 

The  adoption  of  the  appropriation 
was  transmitted  to  the  House  of 
Representatives  last  week  by  Presi- 
dent Coolidgc  after  approval  by  the 
Bureau  of  the  Budget  and  was  urged 
upon  the  committee  on  appropriations 
by    Connolly. 


Buster  Brown  Comedy  at  "Hip" 

The  Hipixxlrome  is  showing  Bus- 
ter Brown's  "Buster's  Hunting  Par- 
tv"  this  week. 


New  Theaters 

Kansas   City — The    Rialfo   lias   been   opened 
by   Ed   Rhodeman.      It   is   a   suburban   hou^e. 


Ivanhoe,  Minn. — Seating  400,  the  new  State 
was  opened  recently.  H.  P.  Faulds,  owner 
oi    I  lie    Gem,    operates    the   new    house. 


Omaha — Ernest  A.  Harms  is  planning  a 
new  house  at  45th  St.  and  Military  Ave.,  to 
cost   about   $75,000. 


Tremotit,     N?b. — A    new     theater    is    being 
plrnned    for    this    city. 


Dickens,  la. — C.  A.   Doty  and  Oiville  Van 
Cleve  will  erect  a  house  here. 


Henderson.  Tex. — Plans  for  a  new  theater 
seating  750  have  been  put  in  work  by  Poweri 
&    Chambcrlin. 


Brookings,  S.  D. — F.  R.  Thompson  will 
build  a  $30,000  house.  Thompson  at  present 
operates  the  Pleasant  Hour,  recently  pur- 
chased by  W.  A.  Steffes.  The  Fad,  oper- 
ated by  P.  G.  Estee,  is  ?rooj<ings'  other 
house. 

Clarinda,  Ta. — Cecil  Gwynn  now  is  present- 
ing  pictures   here. 


Menominee,   Wis. — Work    has   been   started 
on  a  new  local  house. 


Kingsford,  Minn.  —  Work  is  practically 
completed  on  the  Capitol,  which  is  being 
erected  by  G.  W.  Brassington,  The  house 
cost  $68,000   and   will  seat   1,000. 


Beenier,    Neb.— The    New    Gem    has    been 

opened   by   I\I.    Grosse. 


Fox  Film 
Gorporatiott 


I 


Nozv  in  Preparation 
For  Production  Season  1926-27 

"A  Woman's  Heart" 

"Unknown  Treasure" 

"Closed  Gates" 

HENRY  GINSBERG  DIST.  CORP. 


i        1540  Broadway 


»i)^^0^^  <>^i»<t«B»'i  >•« 


»(»«»<  >^H»-0« 


New  York  City 


< 


/ 


/ 


iTHE 

r^dtlADSTREET 
<'  FILMDOM 


:0$^RECOCHIZE6 

Authority 


XXXV     No.  28 


Wednesday,  February  3,  1926 


Price  5  Cents 


^RALLELS 

By  DANNY 

Dne  side  you  see  this :  that 
•  1925  exports  of  film  pro- 
in  America  totaled  over 
illion  feet.  That  they  had 
e  of  over  ten  million  dol- 
(Incidentally  an  increase 
;r  a  million  dollars  from 
eceding  year.) 
on  the  other  side  you  can 
!s :  that  in  16  foreign  coun- 
there  is  agitation  against 
can  films. 

his  isn't  a  decidedly  unique 
n  we'd  like  to  know.  Here 
business  increasing  in  volume, 
tation  developing  in  practically 
country  (of  importance)  in 
we  do  business. 

:  this  proves  anything  it 
ainly  proves  this:  that  it 
ligh  time  that  we  changed 
methods  of  doing  business 
sad.  And  if  we  do  not 
ce  these  changes,  we  are 
ig  to  get  less  foreign  busi- 

3. 

t  is  needed  for  the  foreign 
)n  is  a  better  understanding  of 
deas;  a  better  appreciation  of 
itiments  of  those  countries,  and 
irt  to  meet  these  conditions  as 
xist.  Rather  than  force  upon 
American  ideas.  In  our  typical 
:an  manner. 

Summer  Closing 
I,   it   looks   as   if   exhibitors    all 
le  country  will  keep  open  house 
mmer.      When    the    Baltimore 

decided  on  closing  down  for 
eeks  in  July — ^golly,  it's  hot  in 
ore  in  July — we  figured  the 
light   appeal   broadly.     So   we 

a  lot  of  exhibitor  leaders  all 
iContinued  on  Page  2) 


Tell  It  to  Marines' 

Fox   Declares   Effort   Will   Be   Made 

to  Break  M.-G.-M.  Contract  with 

the  Marine  Corps 

The  contract  made  by  M.-G.-M.  for 
the  exclusive  services  of  the  Marine 
Corps  for  a  year  will  be  taken  to 
court  in  an  effort  to  have  this  con- 
tract nullified,  and  if  this  fails  a  furth- 
er effort  will  be  made  through  the  of- 
fice of  the  Secretary  of  the  Navy  Wil- 
bur and  perhaps  President  Coolidge 
will  be  called  into  the  controversy. 

This  was  made  clear  yesterday  by 
Saul  E.  Rogers,  counsel  for  the  Fox 
Film  Corp.,  which  has  filed  a  protest 
with  the  M.  P.  Prod,  and  Dist.  of 
America  against  the  Metro-Goldwyn- 
Mayer   Marine    Corps,   contract. 

"The  contract  made  in  behalf  of  the 
Marine  Corps  is  illegal,"  said  Rogers, 
yesterdav.  "No  official  of  the  Govern- 
ment can  sign  away  the  rights  of  the 
public  for  what  is  really  governmen- 
tal property  to  be  used  for  profit.  If 
(Continued  on  Page  7) 


^id-West   on    Secret   Mission 

rhornton-Kelly,  of  the  Grant- 
leater.  Palisades,  N.  J.,  and  di- 

of  the  M.  P.  T.  O.  of  New 
,  has  been  entrusted  with  a 
ential  mission  on  behalf  of  the 
al  M.  P.  T.  O.  He  leaves  for 
?o  on  Tuesday  and  then  goes 
:troit,  Michigan,  Madison  and 
lukee,    Wisconsin    and    Minne- 

Minnesota. 


Christie  Shutdown 

Annual    Two    Months'    Lay-Off    in 

February — Charles  Christie  and 

E.  W.  Hammons  to  Coast 

Charles  Christie  and  Earl  W.  Ham- 
mons leave  for  Hollywood  today  or 
tomorrow.  While  no  mention  has 
been  made  of  new  distributing  ar- 
rangements for  Christie  two-reelers, 
it  is  anticipated  there  will  be  no 
change.  The  fact  that  Christie  and 
Hammons  will  travel  west  together 
lends  color  to  the  Impression  that 
Educational  will  continue  releasing 
the  two-reelers. 

Toward  the  end  of  February,  the 
Christie  studio  will  close  down,  as  is 
usual,  for  two  months,  reopening 
on  May  1  when  the  two-reelers  for 
1926-1927   will   be    launched. 


Iberg,   Vidor,    Gilbert    Leave 

Angeles  —  Irving  Thalberg, 
Vidor  and  John  Gilbert  left  for 
York  yesterday  where  they  will 
s  future  production  and  attend 
remiere  of  "'La  Boheme." 


Syd  Chaplin  Switch? 

Deal  Reported  on  with  United  Artists 
— Abe  Warner  Says  Present  Con- 
tract Continues  Indefinitely 

It  was  reported  from  the  Coast 
yesterday  that  Syd  Chaplin  is  finish- 
ing his  last  production  for  Warners 
under  a  three  picture  contract  and 
that  he  was  considering  the  forma- 
tion of  his  own  company  to  release 
through  United  Artists.  The  renort 
added  the  first  for  United  would  be 
a  comedy,  part  to  be  made  abroad. 

Abe  Warner  of  Warner  Bros,  de- 
clared the  report  ridiculous,  pointing 
out  that  Chaplin  was  under  long- 
cerm  contract  with  his  company.  Ar- 
thur Kelley  at  United  Artists, ,  said 
the  report  was  new  to  him. 


Move  Against  U.  S. 

London — Budapest  dispatches 
declare  Hungarian  producers 
and  exhibitors  have  issued  a 
call  for  film  interests  in  all 
European  countries  to  meet  in 
that  city  and  frame  drastic 
measures  to  counteract  the 
growth  of  American  films. 


Germany  Unenthused 

Trade   Papers  Wary  of  Famous-M.- 

G.-M.  Deal  with  Ufa — Express 

Concern  Over  the  Future 

Berlin — The  German  trade  press  is 
not  particularly  joyful  over  the  Fam- 
ous Players-M.-G.-M.  deal  with  Ufa. 
It  does  not  welcome  the  new  ar- 
rangement and  openly  expresses  its 
concern  over  the  future  of  the  en- 
tire German  industry,  since  Ufa  is 
the  bulwark. 

A  change  in  Ufa  production  policy 
Is  looked  for  with  less  attention  be- 
ing paid  to  the  big  specials  and  more 
to  the  average  picture.  Since  the 
deal,  the  Deutsche  Bank  is  believed 
to  have  secured  a  closer  control  with 
the  intention  of  operating  the-  com- 
pany along  lines  that  seem  more 
certain   of  financial   success. 

American  pictures  are  denounced 
(Continued  on  Page  7) 


Exports  Grow 

$10,266,274  the  1925  Total  As  Against 

$8,762,863  in  1924 — 1925  Footage, 

290,190,973    Ft. 

Washington  —  Export  figures  for 
1925  illustrate  better  than  words  why 
the  industry  is  disturbed  over  the 
present  agitation  agamst  American 
pictures  in  no  less  than  16  foreign 
countries. 

Total  exports  for  1925  amounted  to 
290,190,973  ft.  valued  at  $10,266,274, 
as  compared  whh  237,930,085  ft, 
valued  at  $8,762,  863,  in  the  previous 
year. 

Exports  by  classes  included  225,- 
656,  151  ft  of  positive,  valued  at  $6,- 
787,687,  in  1925,  against  170,347,342 
ft,  valued  at  $6,081,917,  in  1924; 
74,605,179  ft  of  raw  stock,  valued  at 
$1,585,529,  against  59,482,479  ft., 
valued  at  $1,261,087;  and  9,929,643  ft 
of  negatives,  valued  at  $1,893,058, 
against  8,100,264  ft,  valued  at  $■"{,- 
419,859.  / 

With  the  exception  of  Japan, 
where  a  slight  reduction  was  indi- 
(Continued  on  Page  6) 


Pommer   to    Produce 

Berlin — It  is  reported  Erich  Pom- 
mer, who  retires  April  1  as  managing 
director  of  the  Ufa,  will  produce  on 
his  own. 


Intern'l  After  Rescue  Films 

It  is  understood  that  International 
Newsreel  is  about  to  close  a  deal  by 
cable  for  the  Antinoe  rescue  films 
=;hot  from  the  decks  of  the  President 
Roosevelt  while  the  life  boats  were 
being  launched.  The  money  is  to  go 
toward  a  relief  fund  for  the  survivors. 


M.-G.  Meeting  Tomorrow 

The  annual  meeting  of  stork- 
holders  of  the  Metro-Goldwyn  Pic- 
tures Corp.  will  be  held  tomorrow. 
Directors  will  be  elected. 


Drama  League  Ratifies  Contract 

At  a  meeting  at  the  Hotel  Roose- 
velt yesterday  the  American  Dramat- 
ist's League  unanimously  adopted  the 
new  contract  which  had  been  pre- 
pared by  the  special  committee,  invol- 
ving adoption  of  the  "closed  shop" 
which  requires  Broadway  producers 
to  deal  only  with  members  of  the  as- 
sociation. Dudley  Field  Malone  as 
counsel  stated  that  the  contract  would 
be  kept  secret  until  copies  had  been 
submitted  to  all  producing  managers. 


Not  Excited  Over  Rembusch  Idea 

Charles  L.  O'Reilly  received  a  wire 
yesterday  from  Frank  J.  Rembusch 
suggesting  a  conference  at  French 
Lick  to  discuss  the  uniform  contract. 
The  T.  O.  C.  C.  will  take  it  up  at  a 
directors'  meeting,  probably  after  the 
annual  ball  at  the  Astor  on  the  12th. 


Hard    Hit    by    Strike 

Pittsburgh — Theaters  in  the  min- 
ing districts  are  reported  to  be  suffer- 
ing the  worst  box-office  slump  in 
vears,   due   to   the  coal   strike. 


McConnell  Quits  "U" 

F.  J.  McConnell,  manager  of  Uni- 
versalis short  product  department, 
has  resigned.  Julius  Singer  has  been 
appointed  hi?  successor. 


Jersey  "Blues"   Less  Blue 

Joseph  M.  Seider,  telephoning  M.  P. 
T.  O.  headquarters  from  Trenton 
vesterday,  declared  the  Senate  voted 
to  appoint  a  committee  to  revise  the 
"blue   laws." 


"Wampas"  Ball  Tomorrow 
Hollywood — The    annual    Wampas 
Ball  will  be  held  tomorrow  night  at 
the    Shrine    Civic    Auditorium. 


Laemmle   May  Get  In  Today 

Weather  permitting,  Carl  Laemmle 
will  arrive  here  today  aboard  the 
Olympic. 


/ 


THE 


j?B^ 


DAILY 


Wednesday,  February 


Vol.XXXVNo.28    Wednesday,  Feb.  3, 1926    PricoSCtnts 


Copyright  1926,  Wid's  Films  and  Film  Folks. 
\nc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York.  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
x^er;  Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
•hould  remit  with  order.  Address  alt  com- 
•lunications  to  THE  FILM  DAILY,  1650 
iSroadway,  New  York,  N.  Y.  Phone  Circle 
j?3J-4737-4738-4739.  Cable  address  :  Filmday, 
N«w  York.  Hollywood,  California— Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Cranite  3980.  London— Ernest  W.  Fredman, 
ilie  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,   S,  Rue   Saulnier. 


Quotations 

High    Low    Close      Sales 

Balaban    &    Katz    Not   quoted 

Eastman  Kodak  ..110.5^  110}^  110^  200 
Famous  Players  ..119?^  117i^  117J4  9.100 
Fam.    Play.    Pfd.    .. 12314    121        121  800 

Film    Inspection    ..      SVi       Syi       5 'A         100 

First   National    Not  quoted 

Fox  Fihn  "A"  ...  79j4  79  79^4  600 
Fox  Theaters  "A".  3l'A  iOVg  30^4  2,000 
Intern'l    Projector..    12>4      12^      12j4         100 

Loew's,    Inc 40^      40         40  2,000 

Metro-Gold.    Pfd Not  quoted 

M.  P.  Cap.  Corp...  19J4  19->4  20  1,000 
Pathe   Exch.    "A"..    80  ^8^4      79^      1,200 

Skouras    Brothers    Not  quoted 

Stan.   Co.   of  Am...   49J4     49M     49}4         100 

Trans-Lux     12^     12         I2/2     7,200 

Universal    Pictures    Not  quoted 

Univ.    Pict.    Pfd Not  quoted 

Warner  Brothers..  \3^  UVz  UVi  1,500 
Warner   Pictures    Not  quoted 


Stanley  Co.  Drops  2^ 

Stanley  Co.  of  America  stock  hit 
a'  new  low  yesterday  closing  at  49>4, 
a  drop  of  2^  points.  Only  100  shares 
changed  hands.  The  market,  in  gen- 
eral, was  slightly   depressed. 


Sax  Signs  Ethel  Shannon 

Hollywood — Ethel  Shannon  has 
been  signed  to  a  five-year  contract  by 
Sam  Sax  for  Gotham  Prod.  She  has 
left  for  New  York  to  play  the  lead  in 
"The  Cherry  Tree." 


Wh«n  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  I  N  S 

Spticialista  in  Motion  Picture 

and  Theatrical  insurance  for 

the  past  fifteen  years. 

Arthur  W.  Stebbins  &  Co.,  Inc. 
1540  Broadway  N.  Y.  C. 

Bryant  3040 


PARALLELS 

(.Continued  from  Page   1) 

over  the  country.  For  their  reaction 
to  the  same  idea.  You  read  what 
they  think.  And  they  have  turned 
thumbs  down  on  the  plan.  So  that's 
that. 

Moves 

Considerable  buzzing — that  an  im- 
portant deal,  affecting  several  com- 
panies is  in  the  wind.  Probabilities 
are  that  nothing  will  occur.  But  that 
will  not  deter  the  old  line  gossips 
from  having  a  kaffeeklatsch  and  talk- 
ing it  over.  What  a  world  of  rumors 
we  live  in — in  the  picture  business! 
"Tell  It  to  the  Marines" 

Looks  like  the  Marine  Corps  con- 
tract with  M.-G.-M.  will  hold  the 
center  of  the  stage  for  a  few  days 
at  least.  Meanwhile  Saul  Rogers  is 
doing  some  tall  talking  for  Fox 
Film.  So  let's  sit  back  and  be  patient 
And    see    what    happens. 


De  Forest  Out  as  Phonofilm  Head 

Dr.  Lee  De  Forest  has  resigned  the 
presidency  of  De  Forest  Phonofilms, 
Inc.,  to  devote  himself  to  research 
work.  This  has  resulted  in  some 
changes  and  several  new  directors,  in- 
cluding Lorillard  Spencer,  engineer, 
H.  J.  Frey,  of  RayD.  Lillibridge, 
Inc.;  Robert  E.  Welsh,  of  Associated 
Exhibitors  and  William  Wright,  have 
been  added.  Dr.  De  Forest  now  be- 
comes second  vice-president  and  tech- 
nical director  and  Wright,  first  vice- 
president,  treasurer  and  general  man- 
ager. 


Phonofilms   on  Canadian   Program 

Hamilton,  Ont. — A  series  of  De 
Forest  Phonofilm  creations  has  been 
booked  by  the  Tivoli  as  an  extra 
novelty,  one  release  being  presented 
each   week,  starting  with   Feb.    1. 


To  Sell  Complete  Programs 

Kansas  City — Standard  Film  Ex- 
change has  inaugurated  a  "Standard 
Standardized  Service."  Complete 
programs  including  a  five-reeler,  a 
two-reeler,  and  a  serial  are  sold  ex- 
hibitors. G.  E.  Akers,  sales  man- 
ager, says  if  an  exhibitor  buys  104 
complete  programs,  he  will  be  entitled 
to  a  smaller  price  per  program  than 
if  he  only  bought  one  or  52. 


Comerford  Adding  to  Chain 

Scranton.  Pa. — The  Opera  House, 
Susquehanna,  and  the  Ideal,  Mon- 
trose, have  been  taken  over  by  the 
Comerford  Amusement  Co.  M.  E. 
Comerford,  E.  C.  Amerman  and 
Charles  Ball,  have  purchased  the 
Hand  estate  property  at  518-528 
Spruce  St.  in  the  heart  of  the  Scran- 
ton business  district.  Reports  that  the 
property  was  purchased  for  a  theater 
site  are  denied. 


Frank  Van  Hoven  in  Pictures 
Baltimore — Frank  Van  Hoven,  vau- 
deville comedian,  has  been  signed  by 
Harry  Van  Hoven,  advertising  man- 
ager of  the  Whitehurst  string,  for 
comedies.  Jack  Curley,  boxing  pro- 
moter, heads  a  producing  coinpany 
which  promises  to  build  studios  at 
Great  Neck,  L.  I.  Present  headquar- 
ters, 1011  N.  Calvert  St. 


Change  Plans  on  "U"   House 

Grand  Island,  Neb. — Construction 
will  start  this  month  on  the  new 
Hostettler  house,  to  have  a  capacity 
of  1,400  instead  of  the  original  1  300. 
For  Universal. 


Hitchum  to   Make   Series 

August  Hitchum  will  make  a 
series  of  12  two-reeT  comedies  at  a 
studio  at  965  Yonkers  Ave.,  Yonkers, 
to  be  distributed  through  the  Moel- 
ler  Theater   Service. 


Takes  Over  Horsely   Studio 

Los  Angeles — Ben  Wilson  has  tak- 
en  over  the   Horsely  studio. 


Abrams   Appoints  District  Managers 

Hiram  Abrams  has  appointed  six 
district  managers  for  United  Artists. 
They  are : 

Kenneth  Hodkinson.  supervisine  San  Fran- 
cisco, '.Seattle.  T^os  Angeles,  Denver  and 
Salt  Lake ;  W.  F.  Seymour.  Pittsburgh, 
Washington,  Atlanta  and  Dallas;  Morris 
Safier,  Chicago.  Cleveland,  Cincinnati.  In- 
dianapolis and  Detroit ;  T.  Y.  Henry,  Kan- 
sas City.  St.  Louis.  Omaha  and  Minneapolis: 
Henry  T.  Scully,  Boston,  New  Haven  and 
Portland,  and  Jack  Von  Tilzer,  New  York, 
Philadelphia  and   Buffalo. 


In  from  Coast 

Walter  Wanger,  Dimitri  Buchowet- 
zki  and  B.  P.  Schulberg  are  in  from 
the  Coast.  The  latter's  stay  will  be 
limited  to  approximately  48  hours. 


Another  for  "U"  in  Florida 

Lake  City,  Fla. — LTniversal  will  re- 
build'the  Grand  at  a  cost  of  $75,000. 


Th*  finiahinc  tonch  of  refinement  on 

an    elaborate    production    U    the 

bandcelorinc    by 


/^fzTc/T- 


The  Perfect  Hofulcolorm*  0/  F4m 
S28    Rivenide    Drive        Telephone 
New    York         Mominfside    1776 


CHROMOS     TRADING      COMPANY 
1123    BROADWAY 

OUR  clients  so  often  compliment  us  on  the 
speediness  of  our  service  and  the  facileness  of 
our  financing  plan.  We  are  not  telling  you  of  the 
other  advantages  of  banking  through  us. 

Investigate  for  Yourself  Sometime 


Suite   1207-8 


'Phone  Watkins  4522 


H 


Colby  Harriman  Opens  0| 
Colby   Harriman,   presen'at 
ducer,    has    opened    offices 
Broadway.     A  feature  will  b( 
tention  to  programs  for  small 
ters.      He    has    a    series    of 
Classics"  now  in  production, 
formerly  at  the  Mosque,  New 


if 


in 


This  is  a  'ConMrbkck'  cot  fu  U 
FREE  for  aU  Pathecomediet  14 
exchange. 


LABORATORIES 

We  are  looking  for  the  s«c^ 
negative  of  the  Selznick  pici 
"CONCEIT"  with  flash  til' 
The  laboratory  holding  ' 
negative  will  kindly  commti 
cate  with  UNIVERSAL  P, 
TURES  CORP.  OF  DEI 
WARE,  730  Fifth  Ave.,  ^ 
York  City. 


I  Ward  Cine  Laboratory,  I 

S  216-222  Weehawken  St. 

S$  Union  City,  N.  J. 

S  Telephone  Union  4800 

it  C.  BERT  WARD,  I 


AU  Poster  and.  Supply  Houses  li 
ing  any  stock  of  posters,  photos,  ' 
for  Selznick  pictures  are  requested 
send  in  a  complete  list  together  » 
prices  so  that  if  need  be  <seleclt 
can  be  made  quickly  and  orders  pla 
without  loss  of  time.  The  receipt 
all  lists  will  be  specifically  ackno 
edged.  UNIVERSAL  PICTUR 
CORP.  OF  DELAWARE,  730  F 
Ave.,    New    York   City. 


WE  NEVER  DISAPPOINT'"' 


[ROMIOW  Fll 

,£SBORAiORii 

*.  I  N  C  O  P  P  O  P;-  AT  f^;  o 

220WEST42     STREt 

NFW    YORK 


PhONE-CHICKERINC     T!  O 


ALL^.hJ  A.LOWNLS.  CEN.  MCR 


cfear  the  Tracfc/ 

^  ritt  v>^  ^^„x^<i  fade/ 

with  \«»»»6  J^"^^ 


I 


A!    .' 


,*• 


HOPIQNS  JOYCE 


in 


I 


SKYROCKET 

A  Marshall  Neilan  PvoductiovK 

From  the  Cosmopolitan  Magazine  Stov/ by  AdeUiRDgevs  StJohm 
Pvoduced  by  Celebrity  Fictuves  Inc 

Presented  by  Associated  Exhibitors  Inc. 

V.  \        Oscai*  A.  Price. President: 


i> 


\ 


ProviaeiiC*.  «•  *•  fr^-  long  I 


I  .  Victory  (1,960;  16-40).  P«gS7 
tJ«yc«  in  ^'Th€j  Skyrocket"  (A,  B3.). 
tJtLH_  :n   ajl  w4ek  to  about  |9,000. 


\A3 


K6  tfaeHtion 

gure  ^te 


Ijoyoe 


1  Peg 


a&lburtf'  worth  Irooi  the  baaafs  ^uu^Ie  I 


/^•'''  'SSf^w  ^.i'lfe; 

/  outBJde    Of    s!l^'*'^«  Of  her  yifS^I 
|«tar,.of  ajrarae    ^^  «««8on  u*  », 


\ 


^r^^^ 


V-   ^vV     «rf  ^^*^**  iioy^e  on  S^tecto^ 


"^..^ 


[director  wh,f^  *i^  ▼'^tue  f^  ^'^- 

tathi^*^    But.'-.rf  -"  S 

f  ^vo?£  *^^K^L*ith  her  3oe^^   ^.'^ 
they  do^Tl'l  stand    o^V'^"'lf°'- 

bit  i.®^„"""y  Cohen    toT^'n  ex- 
,pont  forget  tUl       *  ^""^  *»  do. 


'■rjf.  J"  ' 


lfii<r. 


;.i*>»ni^i^ 


^':^^/ 

'<^^^-^^ 


•m 


THC 


j5^^ 


DAILY 


Wednesday,  February  3, 1 


Newspaper  Opinions 

"Hands  Up" — Paramount 
Ohio,  Indianapolis 

STAR — *  *  *  There  is  little  use  in  trying 
to  pick  out  the  funniest  scenes.  They  are 
all    funny    and    the    windup    is   a   real   novelty. 


"Hearts  and   Fists" — Assoc.   Prod. 
State-Lake,   Chicago 

NEWS — *  *  *  The  picture  is  an  adapta- 
tion of  an  American  Magazine  story  by  Clar- 
ence Buddington  Kelland,  and  all  in  all  it 
is  one  of  the  most  entertaining  of  this  sea- 
son's   group    of   program   releases.    *    *    * 

TRIBUNE—*  *  *  Has  been  well  directed, 
boasts  lots  of  action,  and  has  some  fine 
scenery  to  recommend  it,  in  addition  to  its 
good  cast,  who  sure  do  keep  things  hum- 
ming.  *    *    ♦ 


"The  Man  on  the   Box"— Warners 
Alhambra,  Milwaukee 

SENTINEL—*  *  *  Syd  Chaplin  is  just 
naturally  funny,  particularly  in  female  attire, 
and  the  balance  of  the  cast  are  merely  present 
to    "feed"    his    gags 


*    »    * 


"His  People"— Universal 
Rialto,   Washington 

HERALD—*  *  »  Rudolph  Schildkraut  on 
the  screen  was  just  as  effective  as  he  ever 
was  on  the  stage.  He  did  make  his  audience 
cry    and    laugh.    »    *    * 


"His  Secretary"— M.-G.-M. 
Stanley,  Philadelphia 

BULLETIN—*  *  *  Miss  Shearer  enhances 
the  humor  of  a  truly  funny  comedy  part  by 
her  portrayal  of  the  secretary  in  the  first 
part  of  the  film.  ♦  •  * 

PUBLIC  LEDGER—*  *  *  There  is  so 
much  good,  straightforward  comedy  in  the 
picture  that,  even  though  the  directorial 
touch  is  not  always  of  the  lightest,  the  degree 
of  amusement  which  it  affords  as  a  whole  is 
high.    *   *    * 


"The  Jazz  Bride"— Warners 
Orpheum,    Chicago 

POST — *  *  *  It  is  a  frothy  little  story, 
but  while  not  one  of  those  offering  '"you 
simply  must  see,"  it  will  entertain  you  suffi- 
ciently well  while  you  are  looking  at  it,  and 
vanish  from  your  memory  almost  as  soon 
as    its    last    scene    flickers    from    the    screen. 


"The    Man    Upstairs"— Warners 
Circle,    Cleveland 

PLAIN  DEALER—*  *  *  Here  is  a  mys- 
tery yarn  that  is  so  mysterious  and  filled 
with  so  many  complications  that  you  won't 
know  what  it  is  all  about  until  the  denoue- 
ment— and    then    you   may    not   be   any    wiser. 


New  Theaters 

Hightstown,  N.  J, — The  John  and  Mary 
Hight  Amusement  theater  will  be  erected  at  a 
cost   of   $150,000. 


Exports  Grow 


Forest     City,     Pa. — Julius     Freedman     has 
opened   the   new   Family.      It   seats    1,000. 


Chicago — The  new  Ascher  Bros,  house, 
the  Terminal  at  Lawrence  and  Spaulding 
Aves.,   has  opened.      It  cost   $2,000,000. 


"The  Masked  Bride"— M.-G.-M. 
State,  Detroit 

FREE  PRESS—*  *  *  The  picture  is  a 
colorful  offering,  nevertheless,  and  for  those 
who  like  to  see  this  former  Follies  girl  dance, 
the  piece  promises  rich  entertainment,  because 
Mae  (Murray)  does  dance,  her  efforts  in 
this  direction  surpassing  any  previous  pic- 
ture.   ♦    *    ♦ 

Apollo,  Indianapolis 

STAR — *    *    *    The    picture    was    made    in 

this    country,    but    Director    Christy    Cabanne 

has    created    a    real    Parisian    atmosphere    for 
jj    »   «   * 


"Mannequin" — Paramount 
Chicago,  Chicago 

AMERICAN—*  *  *  Don't  pass  up  "Man- 
nequin"  if  you  can   help  it.     It's  one  of  the 

year's  better  films.   *  *   * 

Walnut,   Cincinnati 

ENQUIRER—*  *  *  The  rather  fantastic 
pattern  of  the  plot  is  more  or  less  forgotten 
because  of  the  painstaking  character  delinea- 
tions and  the  thoughtful  acting  of  the  prin- 
cipals. *  *  * 

TRIBUNE—*  *  *  It  is  good  work-a-day 
melodrama,  well  presented  and  well  acted.  It 
is  a  picture  which  may  be  recommended  as 
good  entertainment.   *  ♦  * 


"Joanna" — First  National 
State,  Cleveland 

PLAIN  DEALER *  *  *  It's  sublimated 

hokum,   and  great   if   you   like   it — just   as   ev- 
erything else  is.   *   *   * 

Metro,  Washington 

HERALD — *  *  *  Bits  of  pathos  and  dashes 
of  humor,  together  with  an  excellently  staged 
production.   *   *   * 

TIMES — •*  *  *  Edwin  Carewe  has  directed 
the  picture  and  in  so  doing  has  brought  a 
finished,  artistic  and  sometimes  elaborate 
production   to   the   theater.   *   *  * 


"Tust  Suppose" — First  National 
Olympia,  Boston 

HERALD — *  *  *  It  is  a  smooth  and  un- 
pretentious little  film,  with  some  delightful 
acting  by  Richard  Barthelmess  and  Geoffrey 
Kerr.   *   *   * 

POST — *  *  *  "Just  Suppose"  is  a  pleasant 
but    unexciting    little   screen    tale   of    a    prince 

who    wants    to    be    free    from   princely    duties. 

•    •    * 

TRAVELER—*  ♦  *  "Just  Suppose"  is  one 
of  those  pictures  that  the  whole  family  can 
enjoy.   •   *   * 

Allen,  Cleveland 

PLAIN  DEALER—*  *  *  The  play,  itself, 
is  quite  entertaining,  though  perhaps  does 
not  quite  come  up  to  Barthelmess'  "Class- 
mates."   *    •    ♦ 

PRESS — *  *  *  The  movie  makers  have 
gone  to  great  pains  to  revise  this  unusual 
love  play  into  the  usual  movie  pattern  with 
a   usual  happy   ending.   »   ♦   * 


"Lying  Wives" — Emerald  Films 

(S.  R) 

Randolph,  Chicago 

HERALD—*  *  *  Is  rather  a  trashy  story, 
but  very  well  done.  There  is  Richard  Ben- 
nett to  play  Margery's  father  and  Madge 
Kennedy  to  play  Margery.  And  Miss  Young 
gives  a  restrained  and  convincing  perform- 
»nce.   •   •   * 


"The   Merry   Widow"— M.-G.-M. 
Walnut,    Cincinnati 

ENQUIRER—*  *  *  To  miss  seeing  this 
production  is  to  miss  one  of  the  most  mag- 
nificent, colorful,  amusing  and  emotionally 
stimulating    photoplays    of    the    present    year. 


Okeechobee,  Fla. — Construction  will  begin 
shortly  on  the  new  $.^00,000  theater,  hotel 
and  business  block,  the  Inland  Realty  Co., 
announces.     The   theater  will  seat    1,000. 


Eau  Gallic.  Fla.— A  new  $75,000  house 
will  be  erected  by  A.  E.  VaTi  Croix,  making 
his  third  house  in  the  state. 


Martins  Ferry,  W.  Va. — The  Fenray  Photo- 
play Co.  has  leased  property  which  they  will 
convert  into  a  theater.  The  building  was  at 
one   time   operated  as   the   Rex. 


Georgetown,   Tex. — A.    C.   Moore   will   open 
his   new   theater   in   the  near   future. 


Arkadelphia,    Ark. — Cecil    Cupp    will    open 
his   new   Co-Ed  theater  soon. 


1 

ran  I 
negil 

nl 


(Continued  from   Page  1)'  t 

cated,  all  of  the  principal  ma; 
which    this    country    exports 
ported  decided  gains  over  the 
ing  year.  _ 

In  1924,  Europe  bought  frOD 
U.  S.  about  60,000,000  ft  of  ne^j 
and  positives.  In  1925,  thi 
exceeded  86,000,000  ft.  Latin 
ica,  to  which  in  1924,  we  sent  i 
47.500,000  ft  received  about  63 
000  ft  in  1925.  The  Far  East, 
about  45,000,000  ft  in  1924,  incn 
this  total  to  53,500,000  in 
Figures  for  1925  covering  Africa 
the  Near  East  are  not  as  yet  ; 
plete. 

With  regard  to  individual  mar 
the  United  Kingdom  continue 
lead.  The  figures  here  show  i 
36,500,000  ft— a  gain  of  above 
000,000  ft  over  1924.  Australia 
just  24,500,000  ft  has  displaced 


hi 


w 


in 


Springfield,   111.— The  Pantheon,  815   North 
Ave.,  has  opened. 


Cheyenne,  Wyo. — A  new  $200,000  house 
will  be  erected  here  to  seat  1,000.  Fred  J. 
Carlson   is  the   builder. 


San    Antonio,    Tex. — Construction    of     the 
new  Lytle  on  Houston  St.,  will  begin  at  once. 


Palestine,  Tex. — Demolition  of  the  old  Gem 
has  started.  The  new  house  will  be  erected 
by  the  R.  &  R.  Theater  Enterprises  of  Dallas, 
J.  S.   Bonner  is  manager. 


"The  Midnight  Flyer"— F.  B.  O. 
Modern,  Boston 

POST — *  *  *  Has  many  dramatic  qualities 
to  make  it  a  thrilling  photoplay  which  quali- 
ties include  a  West  Virginia  feud,  train 
wreck,  fights  and  a  race  between  two  speed- 
ing locomotives.  Excitement  rules  the  wit- 
nessed action.    •   *   * 


"Paint  and  Powder" — Chadwick 

(S.  R.) 

Garden,  Milwaukee 

SENTINEL—*  *  *  For  once  life  and  art 
are  permitted  to  take  precedence  over  the 
popular  demand  for  miraculously  happy  end- 
ings.   *   *    * 


"The  Phantom  of  the  Opera"— Univ. 
Stillman,   Cleveland 

PLAIN  DEALER—*  *  *  It  is  frank  melo- 
drama, a  little  too  long  getting  at  its  meat, 
but  sufficiently  exciting  once  it  settles  down 
to  the  business  of  terrifying  you.  It  is  not 
only  frank  melodrama,  but  also  richly  ap- 
pointed melodrama.  *  *  * 

PRESS — *  *  *  Lon  Chaney  is  made  up 
to  look  a  little  more  dreadful  than  usual  in 
"The  Phantom  of  the  Opera"  (a  mystery 
thriller   which   takes   itself   seriously).    *   ♦   * 

TIMES—*  *  *  Gorgeous  in  setting.  Thrills 
galore.  Splendid  acting.  Action  that  holds 
one  spellbound  and  a  story  mystifying  as  well 
as  romantic.  *  *  * 


"Too  Much  Money"— First  National 

Strand,  Cincinnati 

ENQUIRER—*    •    *    Is    the    film    version 

of    a   large   play   by    Israel    Zangwill,    and    it 

is    a    much    better    entertainment    than    most 

of    that    novelist's    attempts    at    play    writing. 

«    »    * 

TRIBUNE—*  *  ♦  In  its  own  right  the 
film  isn't  at  all  hard  to  take  and  Stone'i 
work  makes  it  even  easier.   •   *  • 


CotuUa,  Tex. — McNeese  Bros,  of  Dallas 
will  shortly  erect  a  new  house.  They  recently 
took   over   the  .Dixie. 


Oklahoma    City   in    Lead 

The  week  before  the  close  of  the 
"First  National  Month  Sales  Drive" 
found  Oklahoma  City  well  in  the  lead 
and  four  other  branches  in  close  com- 
petition for   second   and  third  places. 


June  Mathis  and  Balboni  Here 

June  Mathis  and  Balboni,  the  direc- 
tor, reached  New  York  yesterday, 
from  the  coast.  As  noted.  Miss  Mathis 
will  produce  four  features  each  year 
for  First  National. 


Seena   Owen   Injured 

Los  Angeles — Seena  Owen  is  laid 
up  with  two  broken  ribs,  following 
an  accident  while  on  location  in  San 
Pedro. 


Badger   to    Direct   "The    Rainmaker" 

Hollywood — Clarence    Badger    will 

direct  "The  Rainmaker"  with  Georgia 

Hale  and  William  Collier,  Jr.,  for  Fa- 


mous. 


At  Tomorrow's  A.   M.   P.  A. 

A  "nationally  famed"  columnist, 
identity  secret,  will  attend  the  A.  M. 
P.  A.  luncheon  tomorrow  at  the  Hof- 
brau. 


ada    for   second   place.     This  be 
Australia's  1924  total  by  about  6, 
000   ft.      Canada,   as   indicated, 
to  third  place,  even  tnough  her 
of  23,000,000  ft  topped  1924  by  n 
4,000,000  ft.     One  of  the  most  s 
ling  gains  recorded  was  the  20,00. 
ft   total   from   the   Argentine — a 
of  more  than  7,000,000  ft  over  li 
which     put     her     in     fourth     i 
France    is    fifth    with    a    S,000,OC 
gain    over    1924,    her    total    for 
being  14,500,000  ft. 

The  next  five  markets  in  their  c 


are  Brazil,  Japan,  Mexico,  Gerr 
and  the  Straits  Settlements, 
these  Brazil's  2,000,000  ft 
brought  her  up  over  Japan,  v 
stood  sixth  in  1924.  Brazil's  ; 
was  10,500,000  ft  and  Japan's  a  : 
over  9,000,000  ft,  the  Japanese  ' 
being  a  decline  of  about  half  a  mi 
feet  from  1924.  Mexico's  eighth,}; 
total  of  7,500,000  ft  bettered  thi 
record  by  2,000,000  ft,  and  Gen 
in  ninth  place,  in  spite  of  her  "] 
tingent"  system,  took  just  over  2, 
000  ft  more  in  1925  than  in  1924 
figures  here  being  6,500,000  ft  ag 
a  trifle  under  4,500,000  ft. 

Exports  from  the  United  State; 
films  sensitized  but  not  exi 
amounted  in  1925  to  74,605,179  1; 
ft  valued  at  $1,585,529  as  comi 
with  59,482,479  linear  ft,  value 
$1,261,087  for  1924, 


\t, 


old 
(Hi 


in.' 
lit 

it 


fc 


German  Editor  Here 
S.  H.  Wagener,  editor  of 
Filmwoche,"  Berlin,  is  here  for  a 
manent  stay.  He  will  review 
tures  and  is  seeking  press  ma; 
from  all  interested  in  Germany,  j 
ent  address,  341  W.  51st  St. 


Toumexir  Joins   M.-G.-M. 

Hollywood — Maurice  Tourneur  has 
signed  with  M.-G.-M.  to  direct  "The 
Mysterious  Island." 


Corinne's  Next 

Hollywood^ — Corinne  Griflfith's  next 
vehicle  will  be  "Into  Her  Kingdom." 


Curwood  Story  for  Barker 
Los  Angeles — Reginald  Bar 
first  picture  under  his  new  M.-C 
contract  will  be  "The  Flaming 
est,"  a  James  Oliver  Curwood  : 
for  Cosmopolitan.  Waldemar  Y' 
is  doing  the  script. 

Beaudine  Renews 

Los  Angeles — William  Beatl 
has  signed  a  new  contract  with  J 
ners.  Several  of  next  year's  sp^ 
will  be  assigned  him. 


Roach   Leaves 


Hal  Roach  left  for  California 
terday. 


X 


>v. 


I 


/ 


THE 


esday,  FeHruary  3,  1926 


i^^ 


DAILY 


ell  It  to  Marines' 

(Continued  from  Page   1) 

jrts  to  nullify  this  contract  fail 
■t,  we  will  certainly  take  the 
to  the  Secretary  of  the  Navy 
and  if  necessary,  direct  to 
nt  Coolidge." 

Fox  organization  desired  the 
the  marines  for  certain  se- 
5  for  "What  Price  Glory"  and 
iderstood  that  when  an  effort 
ide  to  secure  the  marines  at 
ego  the  Fox  organization  was 
d  of  the  existing  contract  be- 
the  Corps  and  M.-G.-M. 


The  Terms 


lington — Metro-Goldwyn-May- 
ntract  with  the  Marine  Corps 
production  of  a  picture  show- 
life  and  activities  of  a  marine 
ily  for  the  contribution  by  the 
jf  such  personnel  as  may  be 
ry  in  scenes  in  which  marines 
and  assistance  in  handling  the 
il  details,  it  was  stated  yes- 
by  General  Lejuene's  aid. 
:  is  no  change  in  the  attitude 
Marine  Corps  towards  the 
eels,  and  cameramen  will  be 
he  same  opportunities,  facili- 
1  assistance  as  they  have  in  the 
was  emphasized.  The  picture 
lade  will  be  similar  in  charac- 
"The  Midshipman,"  dealing 
e  in  the  navy.  The  scenario 
gnally  written  by  Col.  Greecy, 
Marine  Corps,  who  tried  un- 
fully  to  interest  practically  all 
?e  producers  in  it.  He  finally 
the  interest  of  M.-G.-M.  in 
)ject. 

company  purchased  Col. 
's  idea,  although  it  will  not  use 
nario.  The  picture  will  be  made 
and  at  the  expense  of  M.-G.- 
d  the  Marine  Corps  will  have 
rest  in  it  other  than  to  see  that 
y  and  other  technical  points 
ht. 


t  Publix  Managers 

following  promotions  and 
rs  have  been  made  in  the  or- 
:ion   of   Publix   Theaters: 

romery  S.  Hill,  district  manager  of 
oHna  district,  headquarters  at  Cliar- 
ransferred  to  the  Atlanta  district, 
"K  J.  J-  Franklin,  transferred  to 
"■k.  J,  J.  Fitzgibbons,  manager  of 
5f.  district,  goes  ta  Charlotte  to  suc- 
II. 

t     Morrison,     formerly     manager     of 

jerial,    Asheville,     appointed    manager 

Howard,    Atlanta,    succeeding    Charles 

don,  resigned.     C.    B.   Stiflf  goes   from 

>erial,    Columbia,    S.    C,    to    the    Im- 

Asheville,        succeeding        Morrison. 

Holliday,    transferred    from    the    Al- 

Charlotte,    to    the    Imperial,    Colum- 

his    place    in    Charlotte    is    taken    by 

McKoy,    graduate    of    the     Managers 

:   School.      L.   A.    Shead,   former   man- 

the   Uptown,    Chicago,    has    been    ap- 

manager  of  Loew's   Palace,   Memphis. 

eeds  George   Brown,   who  goes  to   the 

Birmingham,       succeeding       Roscoe 

resigned. 


^IMadeii^anl 


iBellerandWear  longer 


Buys  36  Features 

Rayart  Secures  Anchor  Film  Output 

Including  a  Series   of   12   Bobby 

Ray   Comedies 

A  deal  has  been  consummated  be- 
tween Rayart  and  Anchor  Film  Dist., 
Hollywood,  whereby  Rayart  will  dis- 
tribute Anchor  product.  Included 
are  48  subjects,  36  features  and  12 
comedies. 

The  features  are  divided  into  three 
groups,  eight  starring  Al  Hoxie,  of 
which  four  are  completed;  railroad 
"melos,"  starring  Helen  Holmes,  of 
which  four  are  completed,  and  a 
third  group  with  Bob  Reeves.  Four 
of  this  series  are  completed.  The 
comedies  star  Bobby  Ray.  Five  are 
completed. 


Broadway  Features  Next  Week 

"Moana,"  opens  at  the  Rialto  Sun- 
day. The  Rivloi  will  play  "Behind 
the  Front."  while  "The  Grand 
Duchess  and  the  Waiter"  will  be  the 
feature  at  the   Strand. 

Ed.  Hyman  has  booked  Vincent 
Lopez's  orchestra  for  the  week  be- 
ginning Feb.  20  at  the  Brooklyn 
Strand. 


New  One  for  Gore 

Los  Angeles — Work  will  soon  start 
on  a  $150,000  theater  and  store  build- 
ing, by  the  Venice  Amusement  Co., 
headed  by  Adolph  Kamish  and  .A.be 
Gore.  The  site  is  on  Hawthorne 
Blvd.  and  Broadway.  It  will  be 
called  the   Roosevelt  and  seats   1,000. 


"Carnival"  Tonight 

The  M.  P.  Carnival  of  the  Film 
Mutual  Benefit  Bureau  will  be  held 
tonight  at  the  Plaza.  The  premiere 
of  "Three  Faces  East"  will  be  held, 
with  a  special  score  arranged  h\y 
Hugo  Riesenfeld. 

Calcagni  Signs  John  Gildo 

John  Gildo,  Italian  actor,  brought 
here  by  H.  M.  Karper,  has  been  en- 
gaged by  David  Calcagni  of  Vera 
Arte  Pictures,  Inc.  as  juvenile  m 
"Every  Man's  Chance,"  which  goes 
in  production  this  week  at  Fort  Lee 
Studios,  under  direction  of  Adeline 
Hendricks  and  Calcagni 

Inspiration  Stars  to  Coast 

Dorothy  Gish  leaves  for  the  Coast 
on  the  18th  to  visit  her  sister,  Lillian. 
She  will  then  come  back  to  New  York 
and  leave  for  London.  Richard  Bar- 
thelmess  will  probably  leave  tomor- 
row to  join  his  unit  in  Hollywood. 


IF  YOU  ARE  IN  THE 
MARKET  FOR  ANY  KIND  OF 

MOTION  PICTURE 
APPARATUS 

CONSULT  US- AND  SAVE  MONEY 
SEND  FOR  OUR  PRICE  UST 

Chas.  G.  Willoughby,  Inc. 
Motion  Picture  Department 
110  West  32nd  St..  New  York 
Phone    Penn.    6564 


Presentations 

Capitol 

Unit  No.  1. — Capitol  Grand  Orchestra. 
"Romeo  and  Juliet,"  Tchaikovsky.  Time, 
II    minutes. 

Unit  No.  2. — Carlo  Ferretti,  baritone  from 
Moscow  Grand  Opera.  "Toreador  Song" 
from  "Carmen,"  Bizet.  Setting:  Backdrop 
of  Spanish  street  scene.  Two  girls  in  Span- 
ish costume  seated  at  table,  one  does  tango 
prior  to  Ferretti's  entrance.  Two  girls  re- 
main at  table  during  rendition  of  number. 
Time,   5   minutes. 

Unit  No.  3.— "The  Quest  of  the  Big  'Un," 
Educational.     Time,   3   minutes. 

Unit  No.  4. — Jose  Fuchs,  concert  master. 
"Hejre  Kati,"  Hubray.  On  the  violin.  Time, 
4    minutes. 

Unit  No.  5. — Irving  Berlin's  newest  song, 
".\lways."  Setting:  Black  circle  frame  with 
scene  representing  deck  of  the  Leviathan. 
Gladys  Rice,  seated  in  steamer  chair,  and 
W'illiam  Robyn  sing  Berlinls  new  song, 
"Always."      Time,    5   minutes. 

Unit  No.  6. — Capitol  Magazine.  Time,  9 
minutes. 

Unit  No.  7. — A  Persian  Market,  with  Doris 
Niles,  Jack  Triesalt  and  the  Capitol  Ballet. 
Setting:  Persian  edifice  with  ballet  entering 
through  center  aperture.  Ballet  in  garbs  of 
slave  girls.  Dances  and  ensemble  with  Doris 
Niles  and  Jack  Triesalt  into  solo  numbers. 
"Musezzin's  Prayer."  sung  by  Mr.  Robyn 
from  balcony  of  edifice.     Time.   7  minutes. 

Unit  No.  8.— Feature:  "The  Black  Bird." 
Time,    71    minutes. 


History  Films  Part  of  Curriculum 
Cleveland  —  "The     Chronicles     of 
America"    series    will    be    made    part 
of      the      curriculum      of      Cleveland 
schools.  . 


Gurming   with   First    National 

Los  Angeles — Wid  Gunning  has 
joined  First  National  to  agsist  on 
stories  for  Colleen  Moore. 


Germany  Unenthused 

(Continued  from  Page   1) 

daily  in  trade  publications.  Pro- 
ducers, exhibitors  and  the  public  con- 
tinue to  deplore  their  importation  and 
yet  it  is  obvious  that  American 
product  represents  the  trade's  real 
profit.  One  American  recently  made 
the  statement  that  American  films 
are  consuming  sixty  per  cent  of  the 
playing  time  of  all  German  theaters 
but  that  of  the  total  receipts  at  the 
box-office  only  three  per  cent  go  to 
American  distributors. 


Fox  Film 
Garporatioa 


Arthur  J.   Lamb 

presents 

THE  MOLLY  MAY  SERIES 

(INC.) 

12-2  reel  comedies 

Written  by  A.   J.   LAMB 
Featuring  VIOLET  MERSEREAU 
Direction  of  JOSEPH  LEVERING 

Number  four  will  be 

"Her  First  Night  with  the 
Bootleggers" 


L 


Cranfield  and  Clarke  (Inc.; 

Distributors  for  the  World 
1476  Broadway  New  York  City 


■■■ ti 


y^ 


\ 


you  didn't  take  the  reliable  old  box-office's  advice 

and  so  you  missed  First  Nationars  unprecedented 

line-up  of  star-hits  and  specials,  February 

will  be  another  tough  month  for  you. 

Look  what  you're  up  against!    Colleen  Moore  in 

''  Irene,"  three  great  shows  in  one !  Johnny  Nines 

In  "Rainbow  Riley."     it's  a  riot!     Michael 

Arlen's  "Dancer  of  Paris"  starring  Conway 

Tearle  with   Dorothy  Mackaill.     And 

"The  Far  Cry,"  with  Blanche  Sweet, 

Jack  Mulhall  and  a  cast  that 

would  hoist  the  S.  R.  O.  at 

the  Roman  Coliseum. 

They're  First  National's  hits  for  February.    Knock- 
outs!    Record-smashers!     Four  Box-office  bo- 
nanzas  in    one   month.     Nothing  can  beat 
them-*and  if  you  haven't  got  them,  there's 
only  one  hope  for  you— 


Shut  Up  Tour.  Sho 
Und  Go  To  Florid 


1  ^ 


y 


brAdstreet 

FILHDOH 


iTHE 


Authority 


XXV     No.  29 


Thursday,  Febmary  4,  1926 


.Prica  5  Cents 


4Y  SUCH? 

By  DANNY 

Red  Kimono"  is  being 
It  the  Broadway.  It  deals 
hite  slave  traffic.  Mrs. 
;  Reid,  who  produced  this 

sensationalism,  offers  it 
reachment,   and  with   an 

intent  to  correct  the  evil 
vhite  slave  traffic.     Mrs. 

probably  sincere.  But 
led  Kimono"  will  have 
f  the  result  Mrs.  Reid 
[.  And  the  probabilities 
;  unless  it  is  changed,  and 
lly  changed,  that  it  will 

lot  of  trouble  to  the  in- 


have  been  a  number  of  pic- 
idiiced  which  contained  cer- 
aences,  or  plot  development 
vere  far  from  satisfactory, 
unately  most  of  these  pic- 
t  nowhere.  But  no  picture 
1  in  years  goes  so  far  in  de- 
detail  of  the  lives  of  these 
ate  women  as  this.  There  is 
ne  particularly  where  the 
is  awaiting  "callers,"  which 
the  limit. 

stributors  say  they  intend  to 
rtain  changes  in  the  story 
ill  go  far  to  remove  the  ob- 
voiced  against  the  picture. 
it  hoped  they  do.     Not  only 

own  good,  but  for  the  good 
idustry.     Otherwise  not  only 

(.Continued  on  Page  2) 

Ban  in  St.  Louis 

ns  Not   Pledged  Entirely  to 
ct  of  Three  Leading  Com- 
lies,  Skouras  Bros.  Say 

)uis — A  good  many  distribu- 
'  be  interested  in  an  explana- 
he  first-run  situation  here,  at 
ofar  as  Skouras  Bros,  and  the 
is    Amusement    Co.    are    con- 

lissouri,  operated  by  Skouras 

a  Paramount  first-run  while 

d  the  First  National  franchise 

t  Skouras  Bros,  say  they  will 

(.Continued  on  Page  6) 


May  Sign  Tomorow 

ilurray's  future  activities  will 

'    be    settled    tomorrow.      A 

has  been  pending  for  several 


1  for  Studio   Improvements 
/ood — Improvements   costing 
3    are    to    be    made    at    the 
s-Pickford  studio. 


For  Rembusch  Plan 

Many  Exhibitor  Leaders  Promise  to 

Attend   French   Lick   Conference 
on  Uniform  Contract 

Indianapolis — Frank  J.  Rembusch, 
father  of  the  idea  to  hold  a  conference 
at  French  Lick  at  which  the  uniform 
contract  would  be  discussed,  said  yes- 
terday the  response  to  his  invitational 
telegrams  was   splendid. 

H.  M.  Richey,  of  the  Michigan  M. 
P.  T.  O.,  wired  his  state  will  be  there 
on  the  24th.  W.  A.  Steffes  of  the 
Minnesota  and  Dakotan  units  said 
the  same  of  the  Northwest.  Fred 
Dolle  of  the  Kentucky  M.  P.  T.  O. 
thinks  the  idea  is  great.  Charles  Na- 
than of  Peoria,  111.,  wired  he  was 
heartily  in  accord  and  felt  certain 
concerted  action  would  bring  results. 

William  James,  president  Ohio  M. 
P.  T.  O.  congratulated  Rembusch  on 
(Continued  on  Page  6) 


Ginsberg-Kann  Go. 

New  Organization  Enters  Local  Field 
and  Will  Release  12  to  18  Pic- 
tures Next  Year 

Henry  Ginsberg  and  George  E. 
Kann,  both  long  known  in  the  field, 
have  formed  a  partnership  for  dis- 
tribution in  the  independent  market 
in  this  country  and  abroad.  The 
corporate  name  will  be  Ginsberg- 
Kann  Dist.   Corp. 

The  contracts  of  the  Henry  Gins- 
berg Dist.  Corp.  for  Banner  and 
Royal  Prod,  will  be  taken  over  by 
the  new  concern  which,  for  the  com- 
(Continued  on  Page  6) 


Publix  in  Toledo 

To   Erect  3,000   Seat  House  in   One 

of  Biggest  Realty  Deals  Ever 

Made  in  That  City 

Toledo — Publix  Theaters  have  en- 
tered into  a  contract  with  Orra  L. 
Brailey  for  the  construction  of  a  the- 
ater to  seat  not  less  than  3,000. 
Brailey  has  leased  an  entire  office 
block  in  the  downtown  section  run- 
ning from  the  northeast  corner  of 
Huron  and  Adams,  to  the  southeast 
corner  of  Jackson  and  Huron.  The 
total    cost    of    improvements    will    be 

(Continued  on  Page  6) 


Wisconsin  Uncertain 


Milwaukee — Henry  Staab,  secretary 
of  the  Wisconsin  M.  P.  T.  O.  has 
this  to  say  on  summer  closing: 

"It  would  be  a  rather  difficult  task  to 
inform  you  just  how  many  theaters  in  Wis- 
consin would  be  willing  to  close  for  a  period 
of   two   weeks   in   July. 

"Closing  for  a  period  of  time  in  the  sum- 
mer has  been  tried  by  some  of  our  exhibitors 
and   found  very    unprofitable. 

(Continued  on  Page  6) 


To  Change  Gharter 

Stock   Exchange   Then   Expected  to 

Approve  Listing  of  800,000  Shares 

of  Fox  Theaters  Corp. 

William  Fox  will  return  from 
Florida  in  a  day  or  so  at  which  time 
Saul  Rogers,  general  counsel,  will 
likewise  have  returned  from  Detroit. 
There  will  then  be  discussed  changes 
in  the  charter  of  Fox  Theaters  Corp. 

Revisions  are  necessary  before  the 
Stock  Exchange  will  permit  the  list- 
ing of  800,000  shares  of  non-voting 
common. 

In  order  to  meet  the  Exchange's 
requirements,  it  may  be  necesary  to 
make  changes  in  the  financial  struc- 
ture of  the  company. 


Fox  Film  Retires  Bonds 

Fox  Film  has  completed  the  retire- 
ment of  its  7H%  first  mortgage  real 
estate  bonds  on  the  Fox  office  build- 
ing and  studios.  This  bond  issue  orig- 
inally $1,300,000,  was  placed  on  the 
property  in  1922.  Retirement  has  been 
accomplished  largely  through  earn- 
ings. 


Gharge  Favoritism 

Some  Independent  Exchanges  Allege 

Army  M.  P.  Service  Deals  with 

National  Distributors  Only 

Charges  of  discrimination  against 
independent  producers  and  distribu- 
tors by  the  U.  S.  Army  M.  P.  Service 
have  been  filed  with  the  Independent 
M.  P.  Ass'n  by  distributors  in  the 
South  and  Southwest. 

It  is  alleged  this  service  which  buys 

films    for    War    Department    theaters 

is    favoring    national    producers    with 

bookings,     notwithstanding    the    fact 

(Continued  on  Page  6) 


Ghicago  Theater  Rush 

xhousands  of  New  Seats  rCmbraced 

In  New  Houses — Karzas'  North 

Central  Opens 

Chicago — The  Spring  is  to  see  un- 
precedented theater  activity  here. 

Neighborhood  business  men  held  a  parade 
of  decorated  floats  and  celebration  yester- 
day in  connection  with  opening  of  Andrew 
Karzas'  new  North  Central,  a  3,000  seat 
theater.      Rex   lO.    Lawhead    is    manager. 

B.  &  K.'s  Oriental,  now  nearing  comple- 
tion, is  to  have  a  remarkable  mechanica) 
stage,  constructed  by  B.  C.  Emon.  The  stage 
rises  nine  feet  into  the  "flies"  and  lowers 
into  the  basement,  operating  on  oil-hydrauHc 
lifts ;  it  splits  into  four  parts  and  moves 
backward  and  forward  and  to  each  side,  and 
represents  an  investment  of  $100,000.  The 
Oriental  is  expected  to  open  the  middle  of 
March. 

Marks  Bros,  are  seeking  a  name  for  their 
$8,000,000  theater  in  the  exclusive  North 
Shore  residential  district.  It  seats  5,000  and 
(Continued  on  Page  7) 


"U"  Leases  Golony 

Will   Use   Broadway   House  for   Its 

First- Runs  from  February  to 

September 

Universal  yesterday  closed  long- 
pending  negotiaitons  for  the  lease  of 
the   Colony. 

Under  the  terms  of  the  agreement, 
the  company  will  operate  the  theater 
for  a  six  months'  period,  beginning 
next  week  with  "What  Happened  to 
Jones,"  and  terminating  some  time 
in  September. 


About  62  from  "U" 

Complete   1926-1927  Line-Up  Ready, 

Months  Before  Actual  Season 

Gets  Under  Way 

Universal  yesterday  captured  foi 
itself  the  distinction  of  being  the  first 
national  distributor  to  announce  its 
complete  program  for  1926-1927.  The 
announcement,  coming  as  it  does,  ful- 
ly six  months  before  the  new  season 
opens,  is  held  to  be  somewhat  unique. 

Beside  several  specials  such  as  "The 
Flaming  Frontier,"  "The  Midnight 
Sun,"  "Uncle  Tom's  Cabin,"  "Gulli- 
ver's Travels"  and  "  Les  Miserables," 
there  will  be  five  or  six  Reginald 
Denny  Prod.,  to  be  ijiarketed  sepa- 
rately; 28  Jewels,  24  Blue  Streak 
Westerns  and  a  strong  array  of  se- 
rials and  shorts.  Denny's  first  will 
(Continued  on  Page  7) 


Famous  Signs  Lya  de  Putti 
Lya  de  Putti  has  been  signed  to  a 
long-term  contract  by  Paramount  and 
will  arrive  next  month  from  Germany 
to  be  starred.  Her  first  appearance 
here  will  be  in  "Variety,"  made  by 
E.  A.  Dupont  for  Ufa,  and  one  of  the 
productions  to  be  released  in  America 
as  a  result  of  the  alliance  between 
Ufa,  Paramount  and  Metro-Goldwyn. 


Canadian  Boards  Fully  Organized 

Calgary — ^With  the  organization  of 
the  Calgary  Film  Board  of  Trade, 
there  are  now  six  in  the  Dominion. 
Officers  here  are  E.  H.  Teel,  First 
National,  president;  L.  C.  Smart, 
United  Artists,  vice-president,  and  J. 
H.  Huber,  Fox,  secretary-treasurer. 


Royalty  to  Write  Scenario 
Los  Angeles — Queen  Marie  of  Rou- 
mania  will  write  an  original  for 
M.-G.-M.  Film  rights  to  her  other 
published  material  also  goes  to  the 
company. 


Diaeuss  Northwest  Unit  Today 
Portland,  Ore.— The  Pacific  North- 
west   states    will     discuss     an     "AU 
Northwest"  exhibitor  unit  at  a  meet 
ing  here  today. 


THE 


-pn^ 


DAILY 


Thu-sday,  February 


Vii:XXXVN(i.29     Thursday,  Feb.  4, 1926     Price  SCents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
%ic.  Published  Daily  except  Saturday  and  hol- 
•days  at  1650  Broadway,  New  York,  N.  Y.,  by 
■SriD'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
i.  W.  Alicoate,  Treasurer  and  Business  Man- 
•ger ;  Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager ; 
ilalph  Wilk,  Traveling  Representative.  En- 
vred  as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
liunications  to  THE  FILM  DAILY,  1650 
iroadway.  New  York,  N.  Y.  Phone  Circle 
y3«-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
tiranite  3980.  London — Ernest  W.  Fredman, 
ihe  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,    5,   Rue   Saulnier. 


Quotations 

High    Low    Close      Sales 

Balaban   &   Katz    Not  quoted 

Eastman    Kodak    ..110       110       110  200 

Famous    Players    ..1185^   116^^   116^^     5.300 
Earn.    Play.    Pfd.    ..120^    120^    UQYz         100 

Film    Inspection     Not  quoted 

First   National    105        105        105  200 

Fox    Film    "A"     ..   79iA     78^     79         1,600 

Fox  Theaters   "A".   31^     30i4     31f|       

International    Projector    Not  quoted 

Loew's,    Inc 40j4     39^     39%     1,000 

Metro-Gold.    Pfd Not  quoted 

M.  P.  Cap.   Corp...   20         19i4     19%     1,000 
Pathe  Exch.   "A"..   79 -4     79         79  200 

Skouras     Brothers     Not  quoted 

Stan.    Co.   of  Am Not  quoted 

Trans-Lux     12^      12i4      12%     3,200 

Universal    Pictures    Not  quoted 

Univ.    Pict.    Pfd Not  quoted 

Warner     Brothers..    14%      13%      14^^      2,100 
Warner   Pictures    ..    10%      10%      10%         100 


"Roxy"   Signs   for   Fox   News 

The  first  contract  for  film  service 
at  the  new  Roxy  theater  was  signed 
yesterday  when  "Roxy"  closed  for 
Fox  News.  James  R.  Grainger, 
sales  manager  and  Truman  Talley, 
managing  director  of  Fox  News,  at- 
tended the   ceremony. 


Mullin  Joins  Publix 

M.  J.  Mullin  has  been  appointed 
supervisor  of  maintenance  for  Pub- 
lix with  headquarters  in  New  York. 
Plans  involve  the  establishing  of 
warehouses  at  convenient  points 
throughout  the  country,  similar  to 
Atlanta  and  Dallas. 


Jay  Kaufman  at  A.  M.  P.  A. 

S.  Jay  Kaufman  will  be  the  guest 
of  the  A.  M.  P.  A.  at  the  Hofbrau 
today.  ^ 


FOR.     RENT 


BELL  -  HOWELL 

AND 

AKELEY  CAMERAS 

With  or  (vitliout  Cameramen 


SEIDEN    CAMERA    EXCHANGE 

729  Seventh  Ave  N.Y.c. 
B  ryan t   3  9S l 


WHY  SUCH? 

(.Continued  from  Page  1) 
will  "The  Red  Kimono"  fail,  but  the 
effect  on  motion  pictures  may  be 
marked.  Of  course,  such  a  release 
had  to  occur  while  State  legislative 
bodies  are  assembled  all  over  the 
country. 

"Shows"  or  "Names"  in  Film  Houses 

Under  this  caption,  "Variety"  has  a 
most  interesting  editorial.  Current 
issue.     In   part   "Variety"  says: 

"Shortly,  all  over  the  country,  will 
come  another  test  fon  'shows'  or 
'names'  as  best  box  office  draw.  A 
'name'  in  the  show  business  is  some- 
thing    different,     according     to     who 

owns   or  owned   it   and   his   capacity. 

*  *  * 

"Yet  a  certain  show  or  brand  of 
show  may  be  built  up  to  a  draw  for 
the  houses  played.  That's  Publix 
Theaters  (Famous  Players)  plan.  It 
can  be  done,  but  wit^i  a  hazard.  The 
show  must  be  good  every  week;  it 
must  be  at  a  certain  standard,  for  if 
not,  two  bad  shows  in  a  row  will 
require  five  good  shows  in  a  row  to 
re-establish  the  lost  prestige  of  that 
theater. 

"This   isn't   theory;   it's  the  record. 

*  *  * 

"Show  business  never  changes.  Its 
policies  may  change;  attractions  may 
change;  managements  may  change; 
circuits  may  change,  but  while  a  the- 
ater has  a  box  office,  show  business 
can  never  change,  for  when  the  box 
office  is  there,  the  one  idea  of  the 
showman  will  be  to  have  people  pat- 
ronize that  box  office." 


Fazekas,    Playwright,    in    Hollywood 

Hollywood — Irme  Fazekas,  third  of 
a  group  of  European  playwrights 
signed  by  Paramount  to  write  origi- 
nals, arrived  yesterday  to  write  a 
story  for  Pola  Negri. 


Vital   in   New   England 

Boston — Vital  Exchanges  of  New 
England  have  been  formed  here. 
Vital  recently  purchased  the  Astor 
Prod.,  Inc.  exchange  from  Harry 
Segal.  There  is  also  an  exchange  in 
New   Haven. 


New  Federal  Censoring  Plan 

Chicago — -Nelson  L.  Green,  editor 
of  "Educational  Screen,"  will  suggest 
a  new  method  for  Federal  regulation 
at  the  Federal  M.  P.  Council  in 
America   conference   here   Feb.    10-12. 


Cranfield  and  Clarke  Expansion 
Cranfield  and   Clarke,   Inc.,   yester- 
day    increased     their     capital     from 
$10,000   to  $100,000.     The   new    stock 
is   paid   up. 


Chaliapin  to  Appear  with   Negri 

Feodor  Chaliapin,  opera  star,  will 
appear  in  a  picture  with  Pola  Negri 
next  winter. 


Ward    Lascelle    Here 

Ward  Lascelle,  coast  producer,  is 
in  town  from  the  Coast.  Stopping 
with  friends. 


Denny's  Latest  for  Colony 

Commencing  Feb.  7,  the  Colony 
will  show  "What  Happened  to 
Jones,"  starring  Reginald  Denny. 


Rothacker  Officers  Re-Elected 

Chicago — The  following  have  been 
re-elected  officers  of  the  Rothacker 
Film  Mfg.  Co.,  for  1926:  Watterson 
R.  Rothacker,  president;  Douglas  D. 
Rothacker,  vice-president;  C.  E.  Pain, 
Jr.,  treasurer;  John  G.  Hahn,  secre- 
tary; John  Mammoser,  assistant 
treasurer,  and  E.  H.  Seifert,  assistant 
secretary. 


Hollywood — At  the  annual  meet- 
ing of  Rothacker-AUer  Laboratories 
the  following  were  re-elected,  for 
1926:  Watterson  R.  Rothacker. 
president;  Joseph  AUer,  vice-presi- 
den;  Wesley  Smith,  secretary-treas- 
urer. 


Fifty  Actors  Escape  Drowning 

Los  Angeles — Fifty  actors,  includ- 
ing Joseph  Schildkraut  and  Seena 
Owen  landed  yesterday  in  the  wind- 
jammer "Indiana"  after  drifting  help- 
lessly for  hours  off  the  coast  during 
a  hurricane.  The  boat,  used  for  scenes 
in  "Shipwrecked,"  became  helpless 
after  heavy  seas  had  torn  down  masts 
and  rigging. 

Adler  Put  Over  Campaign 

"The  Sea  Beast  Week"  arranged 
with  Wanamaker's  on  behalf  of  the 
Barrymore  picture  was  arranged  by 
Bert  Adler.  Grossett  &  Dunlap,  book 
publishers,  sponsored  distribution  of 
5,000  eight-page  folders  describing  the 
picture  and  containing  scenes  from 
it. 


Souvenirs   at    T.N.T.    Dinner , 

Specially  selected  souvenirs  will  be 
given  to  the  ladies  attending  the 
"Naked  Truth  Dinner"  Saturday  at 
the  Astor.  These  novelties  will  be 
but  one  of  many  unusual  features  of 
the   big  revel. 


Montague   Glass  at   Premiere 

"Partners  Again — With  Potash  & 
Perlmutter"  opens  at  the  Strand, 
Feb.  14.  Montague  Glass,  the  au- 
thor will  be  present. 


Capitol  Has  New  Radio  Set 

The  new  broadcasting  studio  of 
the  Capitol  is  now  in  operation.  It 
is  so  constructed  as  to  eliminate  vi- 
brations of  every  kind. 


Seek   Used   Films   for   China 
Shanghai — The  Dong  Chong  Cycle 
&   Motor   Co.,   P  344  Nanking  Road, 
is   in   the   market   for  American   pic- 
tures. 


Johnnie  Burke  with  Sennett 

Los  Angeles — It  is  understood  that 
Johnnie  Burke,  monologist,  has  been 
signed  by  Mack  Sennett  on  a  star- 
ring contract  for  five  years. 


Young     lady     desires     position,      12 
years     experience     motion      pictures — 
\     secretary — bookkeeper — stenographer — 

■  office  and  business  manager — New 
f,  York  representative — correspondent — 
p     legal     knowledge — capable     of     taking 

H     charge    of   office   or   department.      Em- 

■  ployed  at  present — seeking  other  em- 
\     ployment    due    to    discontinuing    New 

York   office.      Excellent   references. 


C     Box    S-322 
m     1650   B'way 


c-o    Film    Daily 
N.  y.  C, 


First   National   Changes 

The  title  of  Edwin  Cqrewl 
coming  picture  has  been  SL-t 
Steppers."     This  is   an  adaplir' 
"Heirs  Apparent."     Another 
nounced    by    First    National 
Second     Chance"     instead 
Second   Chance." 


Sixth  Annual  T.   O.   C.  C.   m:. 

Governor   Smith  and   Majini 
ker  will  attend  the  sixth  ani.U 
ner-dance  of  the  T.  O.   C.  ( iti 
Astor    on    Feb.    12.      Vincen  Li 
and    orchestra   will    play. 


Sanders    Is    Booker    for     ibii 

Earl  P.  Sanders  has  been  .a 
as  booker  of  acts  playing  \.tx 
the  Publix  theaters.  Office  1 
Broadway. 


Thif  is  a  'Cornwblock'  cut  f u  ib 
FREE  for  all  Pathecomedies  ;  /c 
exchange. 


NEW   YORK 

Bmnt  1410.1  ^\jt^x-\ 

HOLLYWOOD 


-,rt?\ 


A 


^. 


V 


0.% 


/5. 


^e. 


A; 


'^ 


^4 


:> 


^^ 


o>..<^ 


^^'^^ 


\ 


(/'> 


% 


%°^ 


fp. 


/# 


> 


o 


'A 


^/> 


^^ 


^^^ 
% 


.y/ 


with 

Dolores  Costello 

IScotn 

Herman  Melville"*, 
^'MOBY  dick:' 


Scenario  by 

BESS  MEREDYTH 


Directed  by 

Millard  Webb 


the  Bi^dest 
Thinfon 
Broadway  • 


JOHN  BARRYMORE  in  "The  Sea  Beast"  has  been  a 
sell-out  at  Warner  theatre,  New  York  City,  since  it 
opened  on  January  15th!  That  makes  it  BIG.  But  its 
advance  sale  —  the  biggest  on  record  of  any  photodrama 
on  Broadway — makes.it  BIGGER! 

**The  Sea  Beast"  has  caught  on — and  it's  holding  fast.   It's 
the  best  entertainment  bet  on  the  screen  today,  because  itW^ 
built   right   for   the   box   office.     Press   criticisms   and  its 
Warner   theatre   record   prove   it.     Watch   it   growr-^-No,, 
picture  this  year,  last  year  or  next,  will  touch  its -money' 
making  record.  ^^ 


^\H 


THE 


Thuisday,  February 


For  Rembusch  Plan 

(Continued   from  Page    1) 

the  constructive  manner  in  which  he 
was  taking  hold  of  "a  proposition  of 
the  most  vital  importance  to  every 
independent  theater  owner  in  Amer- 
ica " 

Rembusch  said  Charles  L.  O'Reilly 
of  the  New  York  T.  O.  C.  C.  will  at- 
tend, although  the  impression  pre- 
vails in  New  York  he  will  not.  From 
Rochester,  N.  Y.,  comes  another  en- 
dorsement. Nathan  Ascher  of  Chi- 
cago promises  to  be  on  hand  and  from 
Jack  Miller,  of  the  Chicago  Theater 
Owners  Ass'n  there  emanates  a 
pledge  of  attendance  if  politics  is 
eliminated.  A  long  distance  call  from 
Iowa  compares  the  meeting  with  a 
"Locarno  of  theater  owners." 

Thirty  Day  Limit 

Charles  C.  Pettijohn,  general  coun- 
sel of  the  Hays  organization,  has 
given  exhibitors  30  days  in  which  to 
state  definitely  what  they  desire  or 
else  the  present  uniform  contract  will 
be  enforced  for  next  season,  accord- 
ing to  a  wire  received  last  night 
from  Frank  J.  Rembusch,  who  quoted 
Pettijohn  as  follows: 

"We  agree  that  the  uniform  contract  is 
far  from  perfect.  The  Constitution  of  the 
United  States  was  amended  19  times.  You 
may  not  believe  it,  but  Mr.  Hays  and  the 
producers  want  the  theater  owners  to  have 
a  fair  and  equitable  contract,  but  the  theater 
owners  are  divided  into  so  many  groups  that 
we  cannot  get  the  matter  settled.  And_  if 
you  do  not  wire  us  a  united  expression 
within  30  days  of  what  you  want,  the  old 
contract    will    be   enforced    next    season." 

Rembusch  gives  this  as  a  prin- 
cipal reason  for  the  French  Lick 
meeting. 

"Talk  is  cheap  and  action  alone 
counts,"  says  Rembusch.  "I  have  a 
written  expression  from  practically 
half  of  the  States  of  the  Union  say- 
ing they  are  in  favor  of  this  con- 
ference." 

He  is  due  in  New  York  tomorrow 
to  interest  New  York  in  attending. 
Rembusch  promises  political  influence 
is   out. 


Incorporations 

Dover,  Del. — Photoplay  Publishing  Co.  Cap- 
ital $600,000.  Incorporators,  T.  L.  Croteau, 
et  al.  Attorney,  Corporation  Trust  Company 
of    America,    Du    Pont    Bldg.,    Wilmington. 


Trenton,  N.  J. — White-Pach,  Inc.,  Broad 
and  Mechanic  Sts.,  Red  Bank.  Capital  $100,- 
000. 


Boston,      Mass. — National      Theaters,      Inc.; 
Boston,  to  operate  theaters.      Capital   $100,000. 


Springfield,  111. — Clark-Howard  Theater  Co., 
190  North  State  St.,  Chicago;  to  operate  the- 
aters. Incorporators,  L.  Weiss,  G.  Fried  and 
D.  Klass.  Attorneys,  Sonnenschein,  Berkson, 
Lautmann  &  Levinson,  Chicago  Temple  Bldg., 
Chicago. 


Dover,  Del. — Bridge  Theater  Co.,  to  operate 
theaters.  Capital  $100,000.  Attorney,  Corp- 
oration Service  Co.,  Equitable  Bldg.,  Wil- 
mington. 


Dover,  Del. — College  Theater  Corp.,  to  op- 
erate theaters.  Capital  $500,000.  Attorney, 
Corporation  Service  Co.,  Equitable  Bldg.,  Wil 
mington. 


Dover,  Del. — Chain  Theaters  Co.,  Inc.,  to 
operate  theaters.  Capital  $1,000,000.  Attorney, 
Corpor.itinn  Trust  Company  of  America,  Du 
Pont  Bldg.,  Wilmington. 


Dover,  Del. — Colored  Players'  Film  Corp., 
to  produce.  Capital  $75,000.  Attorney,  Cor- 
poration Guarantee  &  Trust  Co.,  927  Market 
St.,    Wilmington. 


Dover,  Del. — Mollie  May  Series,  Inc.,  to 
produce.  Capital  $100,000.  Attorney,  Cor- 
poration Service  Co.,  Equitable  Bldg.,  Wil- 
mington. 


Dover,  Del. — National  Cinema  Studios  Cor- 
poration of  Florida,  to  build  and  operate  a 
studio  and  produce.  Capital  $25,000.  Attor- 
ney,   United    States   Corp.    Co.,    Dover. 


Springfield.  III. — Quincy  Theaters,  Inc.,  162 
North  State  St.,  Chicago;  to  operate  theaters. 
Incorporators,  M.  Leonard,  S.  Siegel  and  I. 
Gevirtz.  Attorney,  Morris  G.  Leonard, 
Conway    Bldg.,    Chicago. 


Springfield,  111. — South  Shore  Theater  Build- 
ing Corp.,  6760  Stony  Island  Ave.,  Chicago; 
to  build  and  operate  theaters.  Capital  $20,000. 
Incorporators,  E.  Bloom,  N.  Dougherty  and 
T.  Cochran.  Attorney,  Charles  S.  Deneen,  29 
South    La    Salle    St.,    Chicago. 


No  Ban  in  St.  Louis 

(Continued  from  Page  1) 
not  confine  their  purchases  to  First 
National  and  Paramount.  Their  pol- 
icy has  been  to  buy  any  big  picture 
they  believed  would  make  money, 
and  they  have  paid  record  prices  for 
film  bought  on  the  open  market. 

The  St.  Louis  Amusement  Co.,  con- 
trolled by  Skouras  Bros,  and  Harry 
Koplar  which  operates  24  houses 
maintains  it  has  also  been  willing  to 
purchase  any  desirable  picture  re- 
gardless of  the  brand.  A  check  of 
these  houses  on  Jan.  31  showed  the 
following:  Metro-Goldwyn-Mayer,  7; 
First  National,  4;  Paramount,  3; 
Prod.  Dist.,  1;  Warners.  2;  Fox,  3; 
United  Artists,  1  and  State  Right 
Pictures,   5. 


Ginsber^-Kann  Co. 

(Continued  from   Page  1) 

ing    season,    will    handle    from    12    to 
18  pictures. 

For  the  past  two  years,  Kann  has 
been  a  member  of  Simmonds-Kann 
Enterprises.  Inc.  Under  the  new 
deal,  he  will  handle  foreign  sales  and 
Ginsberg,   domestic. 


Austin,    Texas. — Ella   B.    Moore   Amusement 
Co.,  Dallas;  to  operate  theaters.     Capital   $50 
000.      Incorporators,    E.   Moore,   C.    Moore  and 
W.    James. 


Albany.  N.  Y. — Efficient  Stage  Lighting 
Corp.,  New  York.  Capital  $5,000.  Incorpor^ 
ators,  S.  TafiFet.  J.  Conklin,  and  I.  Taffet.  At 
torney,   L.  D.  Volk,  52   Court   St.,  Brooklyn. 


Newspaper  Opinions       Revolutionai7\F 


"Cobra" — Paramount 
State,  Boston 
HERALD—*  *  •  Nita  Naldi,  more  allur- 
ing than  ever  before,  is  the  cobra  woman 
and  does  some  excellent  work.  Casson  Fer- 
guson and  Gertrude  Olmstead  give  fine  sup- 
port in  their  important  roles.   *  *  * 

TRANSCRIPT—*  *  *  More  here,  perhaps 
than  in  any  former  effort,  Mr.  Valentino 
appears  to  advantage  as  a  thoughful  player 
of  parts  rather  than  a  maker  of  passionate 
faces.  How  much  of  the  credit  for  this  should 
go  to  him  and  how  much  to  Director  Joseph 
Henabery   is   an   open   question.   *   *   * 


"The    Eagle"— United    Artists 
Bowdoin  Square,  Boston 

GLOBE—*  •  *  Rudolph  Valentino  is 
shown  as  the  staT  in  "The  Eagle,"  a  thrilling 
romance  in  which  he  again  appears  in  a 
series  of  picturesque  and  exciting  episodes 
as  soldier,  bandit  and  rover.   *  *  * 

POST—*  *  *  Rudolph  Valentino  in  "The 
Eagle,"  a  story  in  which  the  ideal  lover 
is  given  an  opportunity  to  display  his  talents. 
As  the  soldier  and  bandit  he  is  good  but 
as   the  lover   he   is   ideal.    •    •    * 

Columbia,  Washington 

HERALD—*  *  *  Mr.  Valentino  has  shown 
a  marked  improvement  in  acting  ability 
since  his  return  to  the  screen,  and  it  is 
generally  agreed  that  in  "The  Eagle,"  he 
has   surpassed   his   former   best   efforts.    *    *    ♦ 


"The  Enchanted  Hill" — Paramount 
Metro,  Baltimore 

SUN — *  *  *  There's  plenty  of  action — 
swift,  sizzling  and  spectacular — and  for  good 
measure,  not  only  two  love  themes,  as  the 
saying  goes,   but  two  bad  men  as  well.   *   *  * 

McVickers,  Chicago 

AMERICAN—*  *  *  Due  to  the  acting  of 
Florence  Vidor  and  Jack  Holt,  and  to  some 
splendid  photographic  scenes,  and  to  an  un- 
usual touch  or  two,  it  really  ranks  far  above 
the  average  ranch-life  photoplay.  *  •  * 

NEWS—*  *  *  Silks  and  satins  and  all  the 
myriad  fabrics  with  which  women  decorate 
their  persons  in  the  name  of  modesty.  Quite 
a  style  show  in  "The  Mannequin"  and  quite 
a  group  of  young  ladies  to  adorn  it.  *  *  * 

TRIBUNE — *  *  *  It's  a  clever  western 
that  pauses  in  many  of  its  most  serious  mo- 
ments to  give  you  a  gay  little  dig  in  the 
ribs.    *    *    * 


"Flaming  Waters"— F.  B.  O. 
Hippodrome,  Cleveland 

PLAIN  DEALER—*  *  *  Except  for  a 
few  minor  details,  "Flaming  Waters"  does 
not  differ  from  the  usual  Horatio  Alger  type 
of   melodrama.    ♦    *    • 

PRESS—*  *  *  Throwing  thrills  and  ro- 
mance into  a  mad  jumble  of  unreality,  the 
movie  writer  attempted  to  make  a  highly  en- 
tertaining  picture   out   of    nothing.    *    »    * 


Albany.  N.  Y. — Obenaus  Studios,  Albany. 
Capital  $25,000  Incorporators,  J.  Obenaus 
and  S.  King.     Attorney,  F.  W.  Rieck,  Albany. 


Dover,     Del. — Red     Seal     Exchanges,     Inc., 
Wilmington,   to   distribute.      Capital   $20,000. 


Dover,     Del. — Stern     Film     Corp.       Capital 
$500,000. 


Tallahassee,  Fla. — Sun  City  Studios  Co.. 
Bradentown;  to  build  and  operate  a  studio  and 
produce.      Capital   $100,000. 


Albany.  N.  Y. — William  K.  Hedwig  Picture 
Enterprises,  New  York.  Capital  $10,000.  In- 
corporators, E.  Hedwig,  E.  Makholm  and  W. 
Hedwie.  Attorney,  H.  H.  Oshrin,  1476  Broad- 
way, New   York. 


Albany,  N.  Y. — Cynosure  Projecting  Ma- 
chine Co,,  New  York;  to  manufacture  and  dis- 
tribute protection  machines.  Capital  $10,000. 
Incorporators,  P.  May,  P  Ludwig  and  E. 
Doolev.  Attorney.  A.  E.  Hinrichs,  140  Lib 
crty  St.,   New   York. 


Albany,   N.   Y. — Schulman-Goldberg  Theatri- 
cal  Corp.,   New   York.      Capital   $150,000. 


"The  Gilded  Butterfly"- Fox 
Boston,   Boston 

TRAVELER—*  *  *  The  picture  has  all 
the  Fox  characteristics.  There  are  no  titles. 
Opportunities  for  colorful  scenes  are  made 
the  most  of,  often  with  disregard  for  con- 
sistency or  continuity.  *  *  * 


"The   Gold   Rush"— United   Artists 
Strand,  Minneapolis 

STAR — *  *  *  Here  is  a  picture  that  will 
make  everybody  laugh  from  grandfather  to 
the  baby.   *  *  • 


Big  Russian  Production,  Usmj 
sands   of   Extras,    Based  on 
rising  of  1905 

Washington — "The      Russia  Jl 
view,"  published  semi-monthlj  .ji 
Russian    Information   Bureau,   ir, 
that    the     Northwestern    M.      \ 
(Sevzapkino)  is  producing  an 
ate    picture   dealing   with   the 
tion  of  1905  and  called  "Ninth  j 
uary."      In   many   of  the  early 'e 
500  actors  and  over  2,000  extn  ( 
used. 

The   picture   will    be   shown 
celebration   of   revolutionary  a 
saries.     In  one  portion,  an  ent 
tion  of  Leningrad  was  turned  1.. 
years.  Horse  cars  ran  on  the  Kji 
ny  Ostrov  instead  of  electric  i, 
and    streets    leading    into    this  n 
oughfare  were  shut  off  to  the  i;ei 
public. 

The  Cultural  M.  P.  Co.  (Kuik 
intends   producing  rural   films, 
ing  in   conjunction  with   the  P 
Commissiariat     for    Agricultur 
other   organizations.     One  poriii 
each    subject     will     contain    a 
throwing  light  on  production  : 
and  the  remainder,  a  scientific 
ment  of  farming  methods. 


"The  Golden  Strain"— Fox 
Washington,  Detroit 

FREE  PRESS—*  *  *  Putting  over  a  big 
barrage  of  thrills,  offering  a  wealth  of  beauti- 
ful photography,  and  a  plot  with  original 
touches  and  sentimental  lure.  *  •  • 


"The   Great   Love"— M.-G.-M. 

Rialto,   Chicago 

TRIBUNE—*  •  *  Ordinary.  Uninspired. 
Unfunny.  Borders  on  tTie  stupid  and  vul- 
gar.   •   •   • 


Charge  Favoritis 

(Continued  from  Page  1) 

that  independents  say  they  ha\ 
action  westerns,  melodramas  ar,| 
tures  of  that  type  which  are  hel< 
able  for  soldiers.  The  head  of  tt| 
vice  is  charged  with  issuing  ordl 
bookers  to  patronize  national  df 
utors  only.  Frederick  H.  Elliott 
eral   manager   of  the   I.   M.   P. 
taking  up   the  matter  with  Wa 
ton. 


Wisconsin  Uncerttj 

(Continued  from  Page  1) 
"Wisconsin  in  the  summer  months  I 
of  the  playgrounds  of  the  nation,  i 
about  the  first  day  of  June  until  til 
day  of  September,  there  are  approx  | 
70,000  tourists  traveling  in  our  state  »j| 
small  town  exhibitor  in  the  lake  regiot|| 
Wisconsin  is  nearly  all  lake  regions,  fill 
the  business  of  July  and  August  is! 
profitable  than  the  entire  winter  seasoj 
in  view  of  this  condition,  it  would  bl 
for  the  theater  owners  of  Wisconsin  tj 
at  any  time  during  the  summer." 


Publix  in  Toledol 

(Continued  from  Page  1) 

about  $5,000,000,  a  15  story 
building  being  included.  Wor 
the  theater  will  start  June  1. 
lease  has  been  acquired  for  99 
and  will  aggregate  over  $10,0( 
in  rentals.  Brailey  owns  thfe 
cess. 


Meeting  the  Competition 
Uxbridge,  Ont. — Manager  I. 
man  of  the  Strand,  has  establisl 
co-operative  basis  with  the  peof 
the  town  with  respect  to  counti 
tractions  in  the  form  of  h( 
matches  which  excite  great  inti 
He  closes  the  Strand  tight  or 
night  that  the  weekly  hockey  I 
is  played.  In  return  he  expect! 
public  to  extend  him  better  patro 
on  the  other  five  nights.  The  ^Br 
has  taken  kindly  to  the  suggestil 


/1 926 


THE 


<S^ 


DAILY 


ieater  Rush 

,litinucd  from  Page   1) 
n     Spanish    Renaissance    style.       A 
the  interior   is  a  huge   dome   which 
multi-colored    lights.       The    house 
early   in   March. 

:tion  of  Marks  Bros.'  Paradise  the- 
est  side  to  start  within  ten  days, 
under  way  on  Ascher  Bros,  new 
heater  on  the  North  Side. 


ivity  Elsewhere 

theater   projects    as    reported 
;    FILM    DAILY    yesterday 

Idaho — Thornberg    &    McDermott 
a  new  thaeter  here  this  Spring. 


-Frank    Culp    has   just    opened   the 
)n    West    25th    Ave.    and    Federal 


)range,   N.   J. — A   permit   has   been 
Frank  Ross  to  build  a  new  theater 
*ood,     a     residential     section     pre- 
tricted. 


rd,    N.    J. — Plans    are    being    com- 
the    new    theater    to    be    built    on 


r,  N.  Y. — A  new  neighborhood 
:>  be  erected  at  a  cost  of  $200,000 
f  and  Merchey. 


,   111. — Charles  Pauly   and   Sons,  ol 

ty   have  been   chosen  as  the  archi- 

new  theater  to  be  erected  here. 


ille,  Fla. — Citizens  of  Wauchula 
1  funds  toward  the  building  of  a 
000  community  theater,  plans  of 
being  drawn   up   by   Roy  A.    Ben- 


Pa. — ^William  G.  Boyd  will  erect 
use  to  seat  2,000  at  Eagle  Road 
Chester   Pike. 


lolis — Property  has  been  purchased 
Talbot  St.  and  will  be  razed  to 
for  a  house  to  be  opened  by  April. 


e,  Tex. — The   Gem,   owned   by   Mrs. 
glas  and  burned  down  a  few  months 
be   replaced    by    a    new    house. 


,  Ky. — Work  has  started  on  a  new 
;ng  built  here  by  M.  Sitlow  &  Sons, 
ille. 


Theater    Openings 

ancisco — ^^Samuel  H.  Levin  Enter- 
i  opened  the  Portal  in  the  West 
trict. 


Oakland  Theater  Leased 

Oakland,  Cal. — Herbert  A.  Harris 
and  Edward  P.  Levy  have  secured  a 
long-term  lease  on  the  Lurie,  12th 
St.  and  Broadway,  and  will  open  the 
house  under  the  name  of  the  Hippo- 
drome, Jan.  23.  First-run  pictures 
and  Ackerman  &  Harris  vaudeville 
will  be  booked. 


To  Show  First   Runs 

Kansas  City,  Mo.  —  The  Garden, 
Thirteenth  and  McGee  Sts.  is  under 
new  management.  A.  L.  Greene,  for- 
merly of  Goodland,  Kas.,  and  C.  F. 
Case  have  leased  the  theater  from  the 
Davidson  estate  for  first  runs. 


Downes  in  Charge  of  Loew  Theaters 

Cleveland — Emory  N.  Downes, 
manager  of  the  Allen,  has  been  pro- 
moted to  the  newly  created  post  of 
field  manager  of  the  nine  local  Loew 
theaters. 


Yakima  Theaters  Acquire  American 

Sunnyside,  Wash. — The  American, 
operated  for  several  years  by  Wm. 
Farrell,  will  be  operated  by  Yakima 
Theaters,  Inc.,  of  Yakima.  Farrell, 
whose  lease  has  expired,  is  seeking  a 
new  location. 


To  Build  in   Oil   City 

Oil  City,  Pa. — Plans  have  been 
completed  for  the  erection  of  a  1,200- 
seat  theater  here  by  F.  L.  McCul- 
lough,  to  be  located  across  the  street 
from  the  Lyric  and  Venango. 

Fort  Lee  Theater  Sold 

The  Fort  Lee  theater,  the  only  pic- 
ture house  in  the  northern  end  of 
Fort  Lee,  has  been  sold  for  $60,000 
by  Peter  Grieb  to  James  D.  Moore. 


Chicago  House  to  Open  in  March 

Chicago — Announcement  has  been 
made  that  the  Oriental,  new  B.  &  K. 
house  on  Randolph  St.,  will  be 
opened  to  the  public  in  March. 

Another  for  Frank 

Bode,  la. — Another  theater  has 
been  added  to  the  list  owned  by  the 
Frank  chain  with  the  purchase  of  the 
Princess. 


Idaho — The   new    Kenworthy    has 


-The    Jewel    is    scheduled    to    open 
It   is   at   the   corner    of   Jewel    and 


iver.  Conn. — The  new   Essex  Square 
d. 


?ort,    Pa. — Frank    Pepe    has    opened 
lOuse   here. 


,   Pa. — Hugh   McMahon    has   opened 
,  seating  250.     it  will  change  shows 


neral  Amus.,  Ltd.  Starts 

'a — The    Imperial,   long   oper- 

tiie  late  Harry  Brouse,  has 
quired  by  a  new   Ottawa  en- 

Gcneral  Amusements,  Ltd., 
ig  term.  Those  identified  with 
pany  also  control  and  operate 
rier  and  Eden  in  Hull,  Que. 
i^aquin    is    president,    and    as- 

with   him   are    Harry    O'Re- 

James  T.   Moxley. 


Woodwards  Buy  Two 

Brighton,  Colo. — Woodward  Bros, 
have  bought  the  Grand  at  Storey 
City,   la.,  and   the   Star  at   Kanawha. 


In   "Perch    of   the   Devil" 

Lincoln  Steadman,  Gertrude  Oak- 
man,  George  Kuwa  and  Martha 
Franklin  have  been  added  to  the  cast 
of  "Perch  of  the  Devil,"  King  Bag- 
gott's  next  for  Universal.  Mae 
Busch,  Pat  O'Malley,  Jane  Winton, 
Theodore  Von  Eltz  and  Mario  Cor- 
illo  have  leading  roles. 


Start  New  Puffy  Series 

Production  of  a  new  series  of  com- 
edies starring  Charles  Puffy,  has  been 
started  at  Universal.  Dick  Smith  is 
directing  with  Elsie  Tarron,  feminine 
lead. 


Baxter  and   Bow  in   "The  FHght" 
Warner  Baxter  and  Clara  Bow  will 
have  the  leading  roles  in  "The  Flight 
to    the     Hills."    whicti    William    De 
Mille  will  direct  for  Famous. 


About  62  from  "U" 

(.Continued  from  Page   1) 

be  "Beware  of  Widows";  the  others 
were  unannounced.  The  Jewels  will 
include  five  La  Plantes,  seven  Gib- 
sons, two  Philbins,  two  Kerrys,  one 
House  Peters  and  others  with  various 
players.  The  Blue  Streak  Westerns 
will  embrace  six  each  from  Jack 
Hoxie,  Art  Acord  and  Fred  Humes 
as  well  as  others.  They  will  be  re- 
leased the  weeks  where  no  Jewels  are 
available.  All  told  there  will  be  at 
least  62  features.  The  short  subject 
line-up  will  include  six  short  comedy 
series  made  by  the  Stern  Bros.,  in- 
cluding the  Buster  Brown  Comedies, 
the  "The  Newlyweds  and  Their 
Baby"  Comedies.y  the  "What  Hap- 
pened to  Jane"  Comedies  and  other 
series,  five  "Popular  Author  Serials," 
104  issues  of  the  International  News- 
reel,  a  series  of  weekly  of  short  west- 
ern dramas  and  other  special  shorts. 
The  1927-1927  output  will  be  known 
as  "The  Greater  White  List,"  and 
will  be  marketed  on  a  special  "Golden 
Rule  Contract." 
The  Jewels  are: 

September 

"Poker  Faces,"  co-starring  Edward  Eever- 
ett  Horton  and  Laura  La  Plante  and  directed 
by    Harry    Pollard. 

"The  Old  Soak,"  featuring  Jean  Hersholt, 
and   directed   by   Edward    Sloman. 

"The  Texas  Streak,"  starring  Hoot  Gib- 
son. 

October 

"The  Star  Maker,"  starring  Mary  Philbin 
and   directed  by   Lois  Weber. 

"Perch  of  the  Devil,"  featuring  Mae  Busch 
and  Pat  O'Malley  and  directed  by  King 
Baggot. 

November 

"The  Ice  Flood,"  featuring  Kenneth  Har- 
lan and  Viola  Dana  and  directed  by  James 
O.    Spearing. 

"The  Prairie  King,"  starring  Hoot  Gib- 
son. 

December 

"The  Whole  Town's  Talking,"  featuring 
Edward  Everett  Horton  and  directed  by 
Edward   Laemmle. 

"Prisoners  of  the  Storm,"  starring  House 
Peters  and   directed   by   Lynn    Reynolds. 

"The  Big  Night,"  starring  Laura  La 
Plante  and  directed   by   Melville   Brown. 

January 

"The  Buckaroo  Kid,"  starring  Hoot  Gib- 
son. 

"The   Runaway   Express." 

"The  Nerve  of  Foley,"  featuring  Jack 
Daugherty  and  directed  by  Edward  Sedg- 
wick. 

February 

"Riding  Like  Fury,"  starring  Hoot  Gib- 
son. 

"The  Mystery  Club,"  directed  by  Herbert 
Blache. 

"Butterflies  in  the  Rain,"  starring  Laura 
La    Plante. 

March 

"Too  Many  Women,"  starring  Norman 
Kerry    and    perhaps    featuring    May    McAvoy. 

"Brides  Will  Be  Brides,"  starring  Laura 
La    Plante. 

"Taxi,    Taxi." 


Presentations 

Strand 

Unit  No.  1.— (a)  Prelude,  (b)  The  Bird 
Song  from  "Pagliacci,"  Leoncavallo.  Kitty 
McLaughlin,   soprano.      Time,   5   minutes. 

Unit  No.  2. — Strand  Topical  Review. 
Time,    8   minutes. 

Unit  No.  3. — Vincent  Lopez  and  his  or- 
chestra. Popular  melodies,  violin  solo,  vocal 
solos,  piano  number  by  Lopez,  radio  broad- 
casting. Setting :  Garden  scene  with  high 
hedge  in  three  sections.  Two  large  urns  with 
flowers  decorating  either  side  of  center  sec- 
tion. As  curtain  rises  orchestra  is  heard 
in  opening  strains  of  "I  Love  My  Baby." 
Center  section  of  hedge  revolves  with  Lopez 
and  his  men  seated  on  reverse  side  of  plat- 
form.     Time,    23    minutes. 

Unit  No.  4. — Feature :  "Memory  Lane." 
Time,   66  minutes. 

Unit  No.  5.— "Ko  Ko  Baflfles  the  Bulls," 
Max  Fleischer  Cartoon.     Time,  S  minutes. 

Unit  No.  6.^0rgan  solo.  Time,  5  min- 
utes. 


Gordon    in    Warner    Pictures 

Huntley  Gordon  has  been  signed 
by  Warner  Bros,  for  the  leading  male 
role  in  "Silken  Shackles,"  Irene  Rich's 
next  for  Warners,  with  Walter  Mor- 
osco  as  director. 


Arthur    Miller    to    Photograph 

Arthur  Miller  has  been  selected  to 
photograph  Leatrice  Joy's  next  "Eve's 
Leaves."  Paul  Sloane  will  direct. 


"Brute    Breaker,"   Spearing's   Next 
"The   Brute-Breaker,"  by  Johnston 
McCuUey  has   been  selected  by  Uni- 
versal   as    the    first   which   James    O. 
Spearing  will  direct. 


Roach  Signs  Vivien  Oakland 

Hal  Roach  has  signed  Vivien  Oak- 
land on  a  long  term  contract. 


April 

"A  Hero  on  Horseback,"  starring  Hoot 
Gibson. 

"Another  Woman's  Life,"  starring  Mary 
Philbin. 

"Down    the    Stretch." 

May 

"Spangles,"    directed    by    Edward    Sloman. 

"Take    It   from    Me." 

"The   Silent   Rider,"   starring  Hoot   Gibson. 

June 

"A  Savage  in  Silks,"  starring  Laura  La 
Plante. 

"The  Love  Thrill,"  probably  starring  Laura 
La   Plante. 

"The  Big  Gun,"  starring  Norman  Kerry 
and   directed   by   Edward   Sedgwick. 

July 

"Ace     High,"     starring     Hoot     Gibson. 


20,0OQOOO 

arcrcaaing  < 


Now  in  preparation 
For  Production  Season  1926-27 


** Tongues  of  Scandal" 
"The  Cruel  Truth" 


Henry  Ginsberg  Dist.  Corp. 

1540  BROADAVAY  N.  Y.  C. 


-the 
Sensation  «/'''^  year 


Fox  Filmi 
Gorporatioa 


\ 


v\ 


iTHE 

brAdstreet 

FILMDOM 


TAeUEXOmm 

Authority 


XV     No.  30 


Friday,  February  5,  1926 


Price  5  Cents 


EPPING 

By  DANNY 
sal   announces   a    com- 
;-up  of  its  product  for 
'.      Sixty-two    features 

Perhaps  a  few  more. 
:Ties  of  titles,  casts,  all 
d  made  public  during 
week  of  February.  If 
;  beating  all  the  others 
irrier  we  would  like  to 

■  words.  Universal   is  ready 
ness  for  next  season.     Boy, 
of  getting  an  early  start  is 
St.     Up  to  a  few  years  ago, 
ncements  began  arriving  in 
Spring.     Of  what  the  com- 
lected  to  have.     For  the  fol- 
ason.     The   sales    rush   was 
e  and  July.     Now  it   looks 
selling    season    will    start 
an    ever    before.       But    re- 
f  this,  it  surely  is  a  feat  for 
to   be   ready   with   its   pro- 
early  in  the  year.  It  shows 
production    department    of 
is   on   the   job. 

Congratulations 

i  Players  will  distribute 
yn."  And  "Nell"  was  made 
rt  Wilcox  of  London.  In 
And — as  has  been  men- 
eviously — is  a  darned  good 
For  making  this  decision. 
Players  is  to  be  congratu- 
1  also  is  Wilcox.  Also  Brit- 
nal  Pictures  in  which  J.  D. 
plays  an  important  part. 

[ays  issues  a  statement  on 
action.  Glad  to  find  good 
nade  abroad  finding  a  mar- 
Right.  Time  they  did. 
(Continued  on  Page  2) 


26  the  First  Year 

State    Righters   to    Handle    American 
Cinema  Ass'n  Product — Oxford 
Gets   Local   Rights 

Following  a  meeting  of  a  number 
of  state  right  exchangemen  in  Detroit 
on  Wednesday,  the  American  Cinema 
Ass'n  was  formed  in  that  city  with 
a  capital  of  $500,000.  The  company, 
backed  by  Detroit  capital,  was  incor- 
porated in  Delaware  and  will  produce 
and  acquire 'for  release  26  features 
the  first  year,  for  independent  dis- 
tribution. 

A.  J.  Moeller,  former  general  man- 
ager of  the  Michigan  M.  P.  T.  O. 
and  later  active  in  a  like  capacity 
with  the  M.  P.  T.  O.  A.,  is  president 
of  the  company.  He  has  for  some 
time  past  operated  the  Moeller  The- 
ater Service  at  1650  Broadway  and, 
as  part  of  that  activity,  released 
scattered  pictures  direct  to  exhibitors 
the  physical  handling  resting  with 
various   state  .right    exchanges. 

David  M.  Hartford  who  now  heads 

(Continued   on  Page   3) 


The  Trend  Abroad 

China  now  proposes  an  im- 
port duty  of  20  per  cent  on 
certain  commodities.  The 
Chinese  market  for  films  is 
practically  untouched  and  as 
yet,  there  is  no  definite  indica- 
tion that  films  are  included, 
but  this  move,  like  many  others, 
indicates  the  attitude  of  many 
foreign  Governments  towarri 
American  manufacturers  and 
producers. 

In  France,  a  30  per  cent  duty 
is  proposed  on  all   imports. 


12  New  Exchanges 

Cranfield  and  Clarke  Plan   Own  Of- 
fices  to    Handle    12   to    14    Series 

of  Short  Subjects 
The  increase  of  capital  of  Cran- 
field and  Clarke,  Inc..  from  $10,000 
to  $100,000  presages  the  opening  of 
the  company's  own  exchanges  in 
key  cities.  The  first  will  be  in  New 
York,  probably  at  723  or  729  7th 
Ave.,  and  according  to  present  plans, 
will  be  followed  by   11   others. 

The     company     is     developing     its 
plans   to   embrace    12   to   14   series   of 

(Coiitii  ued   0)1    Page    11) 

Repeal  Moves  On 

Albany     Legislature     Gets     Bill     to 


German  Move  to  Combat  Ame-'  — 

London — It  is  reported  from  Br 
lin  that  prominent  exhibitors  are  cm 
sidering  a  move  to  combat  the  d'^s- 
sible  purchase  of  German  theatcr^^  '  y 
American  interests.  A  membershir^ 
fee  of  3,000  gold  marks  has  been 
fixed  to  make  the  organization  finan- 
cially powerful.  The  Llfa-Famous- 
M.-G.-M. -Universal  deal  is  held  re- 
sponsible for  the   move. 


"Gwyn"  to  Famous 

English     Picture     Starring     Dorothy 
Gish  to  Be  Released  by  Para- 
mount in  the  Fall 

American  distribution  of  Herbert 
VVilcox's  Engish  production,  "Nell 
Gwyn,"  went  to  Paramount,  after 
bids  on  the  part  of  several  compan- 
ies, according  to  a  joint  statement 
yesterday  by  S.  R.  Kent  and  J.  D. 
Williams.  It  is  understood  First  Na- 
tional and  Prod.  Dist.  Corp.  were  ne- 
gotiating for  the  rights. 

George  T.  Eaton,  president  of  Bri- 
tish National  Pictures,  Ltd.,  immedi- 
ately cabled  the  news  to  the  London 
office,  together  with  the  following 
message  to  English  producers:  "Bri- 
tish National  Pictures,  Ltd.  assures 
British  producers  that  the  American 
pul)lic  welcomes  fine  pictures  and  that 
the  market  is  wide  open  to  British 
productions  of  quality." 

No  arrangements  have  been  made 
for  the  three  Dorothy  Gish  produc- 
\\u\\s  to  be  directed  by  Herbert  Wil- 

(Coiitinued   on    Page    3) 


Remove 


Build  5  Stages 

d  Pickford-Fairbanks  Studio 
ouse  Majority  of  United 

Artists  Units 
'ood — Five  new  stages  will 
at  the  Pickford-Fairbanks 
It  is  at  this  plant  that  the 
Inited  Artists  production  will 
d  on. 

and    Constance    Talmadge, 
Valentino,    Mary    Pickford, 
Fairbanks    and    all    specials 
:d  release  will  be  made  here. 
I.  Schenck  declares  fully  $2,- 
^'ill  be   spent  on  new   stages 
dings.      His    own    units    will 
m  the  United  studio  in  about 
:eks.      It    is    anticipated    six 
will    be    spent    on    the    con- 
program. 


All     Supervision 
News  Reels 


Over 


Albany — A  bill  introduced  yester- 
dav  by  Assemblyman  F.  Trubee 
Davison  and  Senator  J.  Griswold 
Webb  provides  that  news  reels  need 
not  be  submitted  to  the  Board  of 
Censors.  Many  believe  this  is  the 
first  move  looking  toward  a  possible 
ultimate   repeal   of   censorship.     In   a 

(Continued   on   Page    11) 

De    Mille    Plans    "Legit"    House 

Los  Angeles— Cecil  B.  De  Mille 
will  start  construction  at  once  on  a 
1  100  seat  theater  tor  legitimate  pro- 
ductions. A  site  ar  Vine  St.  and 
Hollywod  Blvd.  has  been  secured. 
De  Mille's  interest  is  for  investment 
only  since  Wilkes  Bros,  will  run 
the  house  under  a  20  year  lease, 
which  involves  over  $1,000,000. 


Six  Big  Markets 

55  Per  Cent  of   1925  Exports  Center 

in    Half    Dozen    Countries    with 

United   Kingdom   Leading 

Washington — Further  analysis  of 
export  trade  shows  that  approximate- 
ly 55  per  cent  of  the  negative  and 
positive  film  shipped  abroad  during 
1925   was   absorbed   by   six   markets. 

These  mar4<ets,  in  the  order  of 
their  importance,  were  the  United 
Kingdom.  Australia,  Canada.  Argen- 
tina, France  and  Brazil.  Figures 
just  compiled  by  the  Department   of 

(Continued  on   Page    11) 


Meighan-Talmadgc  Film  0£f 
Tom  Meighan  and  Norma  Tal- 
madge will  not  co-star  in  a  picture 
for  Joseph  M.  Schenck.  It  is  un- 
derstood Meighan  was  scheduled  to 
make  the  picture  before  launching  on 
his  new  two  year  contract  with  Fam- 
ous, but  the  latter  agreement  is  about 
to  become  effective. 


Laemmle  Sati*=fied 

Well    Pleased    with    Ufa    Deal    and 

What   It  Means  to   "U"— Home 

Office  Honors  Him  Tonight 

Carl  Laemmle  returned  from  Ber- 
lin late  Wednesday  night  bn  the 
Oylmpic,  well  satisfied  with  the  out- 
come of  the  Ufa  deal  which,  origin- 
ally framed  with  Universal  as  the  sole 
participant,  resulted  in  a  three-cor- 
nered  arrangement,    the    other    inter- 

(Continued   on   Page    11) 


Zukor,  Lasky,  Katz  to  Florida 

Adolph  Zukor,  Jesse  L.  Lasky  and 
Sam  Katz  left  for  Florida  yesterday 
on   a   vacation. 

The  motion  picture  contingent  now 
in  the  South  includes  Marcus  Loew 
and  Elmer  Pearson.  William  Fox 
is  on  his  way  back. 


Army  Dep't  Denies 

Washington — Independent  films  as 
well  as  those  of  national  distributors 
arc  used  by  Army  theaters,  accord- 
ing to  officials  of  the  War  Depart- 
ment vesterday  in  discussing  charges 
that    state    right    distributors    in    the 

(Continued   on   Page    11) 


Seidelman    to    Meet    Shauer    Abroad 

Joseph  Seidelman  of  the  Famous 
foreign  department  sails  on  the  Olym- 
pic tomorrow  to  meet  E.  E.  Shauer, 
head  of  the  department,  in  Europe. 
The  latter  is  returning  from  Aus- 
tralia,  via   India. 


Beery  Signs  with  Famous 
Wallace  Beery  has  signed  a  new 
two  year  contract  with  Famous.  This 
year  he  will  appear  in  "Old  Iron- 
sides," "The  Greatest  Show  on 
Earth"  and  "Beau  Geste." 


Storm  Damages  Coast  House 
Los  Angeles— Terrific  storms  rag- 
ing all  along  the  Coast  have  caused 
considerable  damage  to  theaters  and 
amusement  places  generally  in  sea- 
shore towns. 


4>~r 


THE 


■a&an 


DAILY 


Friday,  February 


ViLXXXVNo.30      Fri<lay,Feb.5,1926       PriceSCegts 

Copyright  1926,  Wid's  Films  and  Film  Folks, 
%ic.  Published  Daily  except  Saturday  and  hol- 
idayi  at  1650  Broadway,  New  York,  N.  Y.,  by 
triD  S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
>.  W  ^'.Hcoate,  Treasurer  and  Business  Man- 
^ef;  Maurice  D.  Kann,  Managing  Editor; 
>enild  M.  Mersereau,  Advertising  Manager ; 
iblph  Wilk,  Traveling  Representative.  En- 
.^red  as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
■lonths,  $3.00.  Foreign  $15.00.  Subscribers 
ihould  remit  with  order.  Address  all  com- 
Jiunications  to  THE  FILM  DAILY,  1650 
iroadway,  New  York,  N.  Y.  Phone  Circle 
>36-4737-4738-4739.  Cable  address  :  Filraday, 
N«w  York.  Hollywood,  California — Harvey 
£.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
tJranite  3980.  London^Ernest  W.  Fredman, 
ifce  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,   5,  Rue   Saulnier. 


Quotations 

High    Low    Close 

Balaban   &   Katz    Not 

Eastman    Kodak    ..110       110       110 
Famous    Players    ..118>4    \\(>%    11754 

Fam.    Play.    Pf d Not 

Film    Inspection    ..      5J4        5J4       SH 
First    National     ...106       106       106 
Fox   Film   "A"    ...   79^     79         79 
Fox   Theaters   "A".    Z\\i     iWi     31 
Intern'l    Projector..    13J^      13J4      13J^ 

Loew's,    Inc 40         39J^     40 

Metro-Gold.  Pfd.  ..23^4  2354  2354 
M.  P.  Cap.  Corp...  20  1954  19% 
Pathe  Exch.  "A"..  78"/^  78}^  795^ 
Skouras    Brothers..    515^     5154     SIH 

Stan.   Co.   of  Am Not 

Trans-Lux     1234     12         12^ 

Universal    Pictures    Not 

Univ.    Pict.    Pfd Not 

Warner  Brothers  ..  1454  13J4  13H 
Warner    Pictures    Not 


Sales 

quoted 
100 

7,600 

quoted 

200 

100 

600 

1,800 
100 

2,100 
100 
100 
100 

quoted 
7,100 

quoted 

quoted 
3,100 

quoted 


Warfield   a    M.-G.    Pictures    Director 

At  the  annual  meeting  of  the 
Metro-Goldwyn  Pictures  Corp.  yes- 
terday, all  directors  were  re-elected. 
David  Warfield  replaced  W.  E.  At- 
kinson on  the  board.  A  meeting  to 
be  held  Monday  will  elect  officers. 


Another  Big  House  for  London 

London — Belgravia,  Ltd.,  a  new 
company  has  paid  £200,000  for  a  site 
at  Vauxhall  Bridge  and  Wilton 
Roads  upon  which  a  3  000  seat  pic- 
ture theater  will  be  built.  A.  E. 
Abrahams  is  reported  interested. 


La   Marr    Funeral   Today 

Los  Angeles — Prominent  folk  will 
attend  the  funeral  of  Barbara  La  Marr 
today.  Burial  will  be  in  Hollywood 
Cemetery^ 


"Sweet  Rosie  O'Grady"  in  Films 
Columbia   has   purchased   rights    to 

the    song,    "Sweet    Rosie    O'Grady," 

for  immediate  production. 


Shaw  Services  Held 
wood — Funeral  services  for 
Harold  Shaw,  killed  by  an  automo- 
bile last  Saturday,  were  held  yester- 
day under  auspices  of  the  Two- 
Thirty-Three  Club. 


STEPPING 

(Continued  from  Page  1) 
And  this  is  sincerely  hoped:  that 
more  pictures  made  abroad  will  be 
released  here  by  the  larger  com- 
panies. It  is  a  splendid  step  in  the 
right  direction.  It  will  do  more  to 
offset  movements  abroad  against 
American  pictures  than  anything  else 
that  could  be  done  in  America.  Again, 
congratulations! 

Among  Those  Present 
All  of  us  know  how  little  the  short 
subject  is  featured.  All  of  us  know 
how  Mister  Average  Exhibitor  fails 
to  credit  this  important  part  of  his 
entertainment.  All  of  us  know  that 
the  producers  of  such  material  usu- 
ally fail  to  secure  the  credit  to  which 
they  are  entitled.  All  of  which  is 
wrong — dead  wrong.  And  so,  because 
these  men  are  so  often  lost  sight  of, 
let's  not  forget  a  word  or  two  of 
praise.  For  James  A.  Fitz  Patrick. 
Whose  novelties  have  been  giving 
thousands  of  fans  real  delight  for  sev- 
eral years.  His  Music  Master  series 
is  splendid;  but  not  better  than  Great 
American  authors.  If  you  haven't 
played  them,  or  aren't,  you  might 
take  a  look  at  least.     Fine  stuff. 


"Vet  Manager  Resigns 
Seattle — The  Palace  Hip,  managed 
by  Joe  Muller  for  many  years,  has 
been  placed  under  management  of 
Bill  Fay,  manager  of  the  Portland 
Hippodrome.  Muller,  who  has  been 
with  A.  &  H.  for  over  25  years,  is 
going  to  California  for  a  long  vaca- 
tion. 


Bryon  Foy  En  Route 

Los  Angeles — Bryon  Foy.  "gag" 
man  for  Syd  Chaplin,  is  en  route 
East. 


Stefles    Expected 

W.  A.  Steffes  of  the  Minnesota 
M.P.T.O.  is  expected  here  tomorrow 
on  a  pleasure  trip. 


W.  &  F.  Buy  "Sea  Wolf" 

London — W.  and  F.  Film  Service 
has  purchased  "The  Sea  Wolf,"  pro- 
duced by  Ralph  Ince  for  England. 


Cheney    Film    Held    Over 

"The    Black    Bird"    will    be    held    a 
second    week   at    the    Capitol. 


Mitchell  Joins  Ginsberg-Kann 

L.  H.  Mitchell  has  joined  Ginsberg- 
Kann  Dist.  Corp.  as  director  of  ad- 
vertising and   publicity. 


Barthelmess  Leaves 
Richard  Barthelmess  left  yesterday 
for  the  Coast  to  begin  production  on 
"Ransom's    Folly." 


Dave    Lustig   Resigns 

Dave  Lustig  has  resigned  as  man- 
asfing  director  of  the  Regun  theater. 
Harlem. 


NATIONAL     EVANS 
LABORATORIES,   Inc. 

Developing — Printing — Titles 
1476  Broadw^ay 


Tdepbone 


Bryant  9330-9331 


L.  &  T.  Form  Publishing  Unit 

Chicago — Lubliner  &  Trinz  have 
formed  the  Illustrated  News  Co.,  to 
take  over  the  publication  of  the  "L. 
&  T.  Illustrated  News,"  a  tabloid 
weekly  issued  to  patrons.  At  the 
initial  stockholders'  meeting,  Louis 
P.  Kramer,  who  has  been  editor,  was 
elected  president,  and  J.  J.  Hess, 
Secretary  and   treasurer. 


Special    Theater    for    Children 

An  Associated  Press  dispatch  from 
Constantinople  yesterday  told  of  an 
arrangement  between  the  Turkish 
Women's  Union  and  exhibitors  in 
Constantinople,  whereby  a  theater 
will  be  built  in  Constantinople  for 
children  only.  Upon  its  completion, 
kiddies  under  16  years  of  age  will  be 
barred  from  all  other  houses. 


Service  De  Luxe 

At  the  height  of  yesterday's  snow- 
storm, two  splendidly  liveried  door- 
men at  Loew's  New  York  met  in- 
coming patrons  with  whisk  brooms 
and  proceeded  to  diveSt  the  snow- 
flakes   from   the   public. 


Olvera  Returns  to  Mexico 

General  N.  C.  Olvera,  president  of 
Ajusco  Pictures  Co.,  Mexico  City, 
and  head  of  the  Film  Board  of  Trade 
there,  has  completed  a  business  trip 
here,  during  which  he  acquired  18 
Columbias  for  Mexico. 


Fifty  Boats  Bought  by   Cruze 

Los  Angeles — With  the  purchase 
oP  12  Chesapeake  B^y  'schooners, 
a  total  of  fifty  boats  have  been  col- 
lected by  James  Cruze  to  make  up 
the  fleet  to  be  used  in  the  filming 
of  "Old  Ironsides." 


Hagedorn  Arrives  on   Coast 

Los  Angeles — Hermann  Hagedorn 
who  is  collaborating  with  John  Rus- 
sell in  preparing  "The  Rough  Riders" 
for  Paramount,  has  arrived  here,  fol- 
lowing a  5,000  mile  trip  in  search  of 
material. 


Coast  Exchange  Head  Coming  East 

San    Francisco — George    N.    Mont- 

'^^" president,     Supreme     Film 

Co..  has  left  for  New  York,  via  the 
Canal.  He  will  vacation  in  Havana 
and  Florida  and  then  go  to  New 
York,    arriving   there    March    1. 


Trevor   Leaves   for    Coast 

Norman  Trevor  left  yesterday  for 
Hollywood  to  start  Work  on  "Beau 
Geste,"  Herbert  Brenon's  next  for 
Paramount. 


Jersey   Board   Meets   Today 

Directors  of  the  M.P.T.O.  of  Ne 
Jersey  will  meet  today  in  Newark. 


I  gtiiiiiiiiiiiniiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiniiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiii 


(^,i4"» 


To    Aid    Writers  iilli^ 
Paramount  intends  introdiff 
methods    of    magazine    publ 
handling     authors     in     the 
Verne    Porter    is    responsibli 
plan  which  provides   for  dir 
being  kept  on  every  author 
nence   in   the   United    States  | 
sultation  purposes.     A  club-i 
library    for    writers    will    be 
in    the    new    Paramount    bui 


Coast  Office  for  Kelley 

Kelley  Color  Laboratory, 
Palisade,  N.  J.,  will  shortli 
laboratory  on  the  Coast, 
cent  meeting,  J.  B.  Harris, 
of  the  State  theater,  Jersey  i 
elected  treasurer,  and  J.  B 
Jr.  vice-president.  Other 
remain  the  same. 


Gavazzi  King  Resigr.^ 

London — William  Gavaz: 
has  resigned  as  secretary 
Cinematogra.ph  Exhibitors' 
There  is  talk  that  rccognitic 
long  services  will  take  concn 


t 


This  is  a  'Con><H-block'  cut  fi 
FREE  for  all  Pathecomedies 
exchange. 


♦,♦♦,♦♦.♦♦,♦♦  •♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦•.♦♦.♦♦.♦♦.♦♦.♦♦>♦.♦*• 
♦«♦♦♦•♦♦♦♦♦♦♦♦•♦♦♦♦>♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦* 

I  Ward  Cine  Laboratory 

Xi  216-222   Weehawken  £ 

^  Union  City,  N.  J.j|ic.«:i 

!•;    Telephone   Union   4800  *•«( 

ft  G.  BERT  WARDJ''I« 

♦♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦  ♦.♦♦.♦♦.*  ♦.♦  ♦.*  ♦.♦♦.♦♦.♦♦.♦  ♦.♦  *J^' 


i  HALPER 


il(«!i 


IF  YOU  ARE  IN  TI 
MARKET  FOR  ANY  KIN^p,, 

MOTION  picn 

APPARATUS 

CONSULT  VS—AND  SAVE  *__ 
SEND  FOR  OUR  PRICE  LlO'w 


Chas.   G.  Willoughby,  ^-^^ 
Motion  Picture  DepartiBjiujj'i 

110  West  32nd  St.,  New  lli»' 

Phone    Penn.    6564 


ebruary  5,  1926 


THE 


1  Music  Week     i      Meet  Wednesday 


anization   and   24    Musical 
'ie-Up  in  Country-Wide 
jaign  Set  for  May  2 

r  a  great  national  drive  to 

jpreciation  for  music  were 

yesterday  by  the  National 

5ek    Committee,    of    which 

I  is  chairman. 

le  plan  proposed,  the  Gen- 
ation  of  Women's  Clubs, 
Week  Committee  repre- 
national  organizations  with 
;hip  totalling  millions,  and 
,  picture  industry  will  join 
a  musical  demonstration 
ure  theaters,  prior  to  and 
sic  Week,  May  2nd  to  8th. 
isical  selections,  known  as 
ssics  and  familiar  through- 
luntry,  will  be  chosen  for 
;  national  music  memory 
the  feature  of  the  cam- 
irough  local  organizations, 
al  Federation  will  enlist 
ation  of  theater  managers 
ese  latter  will  play  the  sc- 
aring their  showings  for  at 
)nth  in  advance, 
same  time,  school  super- 
teachers  will  be  asked  to 
by  having  these  selections 
sung  in  classrooms,  so  that 
■eni  may  become  familiar 
.  Other  ciViC  organizations, 
stations,  and  churches  are 
o  cooperate. 

during  National  Music 
aters  will  be  asked  to  play 
5  of  the  selections  during 
rmance,  either  in  overtures 
the   exhibition  of   pictures. 

II  be  supplied  the  children 
ames  of  the  compositions, 
s  of  the  composers,  and 
lestions    will    be    answered. 

the  relation  of  the  motion 
music    are    also    conteni- 


le    Theater    Unit    Elects 

le,  Ky.— The  Majestic  The- 
eld  its  annual  stockholders' 
ecently  and  re-elected  the 
of  directors  to  serve  for 
y  are  Laban  Phelps,  W.  H. 
E.  Wathen,  L.  J.  Dittmar, 
imer,  Geo.  M.  Clark,  Char- 
ebs,  J.  Graham  Brown  and 
;holtz,  Jr. 

npany  owns  the  Rialto  and 
ed  in  the  operation  of  the 
Mary  Anderson  and  Majes- 
der  the  management  of  B. 


Coast  Producers  to  Discuss   Organi- 
zation Which  Will  Affiliate  with 
I.  M.  P.  A. 

Los  Angeles — Independent  produc- 
ers are  to  meet  Wednesday,  following 
the  issuance  of  a  call  by  I.  E.  Chad- 
wick,  president  of  the  Independent 
M.   P.  Ass'n. 

It  is  the  purpose  of  the  meeting  to 
perfect  an  organization  to  serve  as  an 
auxiliary  to  the  I.  M.  P.  A.,  with  a 
complete  roster  of  officers,  including 
a  vice-president  who  is  to  be  elected 
to  a  similar  office  in  the  Independent 
Association. 

In  perfecting  this  new  unit  Chad- 
wick  will  have  the  assistance  of  sev- 
eral of  the  Association  officers  and 
directors  who  are  now  on  the  Coast 
including  M.  H.  Hoffman  of  Tiffany, 
Sam  Sax  of  Lumas,  Harry  Cohn  of 
Columbia  with  Morris  Schlank  rep- 
resenting Rayart.  Dale  Hanshaw  of 
Sierra,  and  P.  J.  Andrews  of  Hercu- 
les expect  to  leave  for  the  coast  from 
New  York  this  week  to  attend  the 
meeting. 


yn"  to  Famous 

'ontinued  from  Page  1) 
ritish  National  this  year.    It 
ood  that  "Nell  Gwyn"  will 
;d   next   August    as   one   of 
t's  fall  group. 

nting  on  the  "Nell  Gwynn" 
Will  Hays  yesterday  said: 
mt  in  America  the  very  best 
herever  they  are  made.  Too, 
can  motion  picture  industry 
ly  from  foreign  countries 
reatment  which  the  merit  of 
es  command.  It  is  splendid 
)ur  good  pictures  in  every 
id  it  is  splendid  to  have  the 
ures  of  every  country  dis- 
ere." 


Contract  Committee  Meets  Tomorrow 

The  contract  committee  ^of  the  I. 
M.  P.  A.  of  which  Oscar  Neufeld,  De 
Luxe  Film,  Philadelphia  is  chairman, 
will  hold  a  meeting  here  tomorrow. 
President  Chadwick  yesterday  ap- 
pointed Gene  Marcus  of  20th  Century 
Film,  Philadelphia  and  Edward  A. 
Golden  of  Golden  Dist.  Corp.,  Bos- 
ton, as  members  of  the  committee 
which  also  comprises  Jack  Bellman, 
Renown,  New  York,  and  Joseph  A. 
McConnville,  Independent  Films, 
Boston. 


Rogell  Editing  Three 

Hollywood — Ed  Rogell,  directing 
Westerns  for  Universal,  is  editing  his 
three  last  pictures,  mcluding  "'Raleigh 
of  the  Range,"  "The  Desperate 
Game"  and  "Grinning  Guns,"  all 
starring  Jack  Hoxie. 


New  Chicago  Theater  Firm 

Chicago — H.  A.  Feickes,  A.  E. 
Hathaway  and  C.  E.  Richie  have 
formed  a  company  to  run  theaters. 
Offices  at  410  S.  Michigan  Ave. 


Canastota  for  Sunday  Shows 

Canastota,  N.  Y. — The  town  has 
voted  in  favor  of  Sunday  shows.  The 
Avon  is  operated  by  M.  J.  Kallet. 


"Wampas"  Frolic 

6,400  At  Big   Coast  Function— Thir- 
teen New  "Baby  Stars"  Presented 
Last  Night 

Hollywood — Sixty  four  hundred 
tickets  were  sold  and  used  for  the  an- 
nual "Wampas"  Ball,  which  was  held 
last  night  at  the  Shrine  Civic  Audi- 
torium. The  party,  usually  one  of  the 
highlights  of  the  Hollywood  film  func- 
tions, was  a  success. 

Bert  Lytell,  Lew  Cody  and  Char- 
lie Murray  were  masters  of  ceremon- 
ies. The  Metropolitan  theater  or- 
chestra opened  the  party.  Ballet 
dances  under  the  direction  of  Ernest 
Belcher  was  one  of  the  features.  As 
the  climax  Sid  Grauman  staged  a 
chariot  race,  in  conjimction  with  Met- 
ro-Goldwyn-Mayer. 

Colleen  Moore,  not  so  long  ago  a 
"Baby  Wampas"  star  herself,  acted 
as  hostess  for  the  1926  stars  who  in- 
cluded: 

Mary  Astor,  Mary  Brian,  Joyce 
Compton,  Dolores  Costello,  Joan 
Crawford,  Marceline  Day,  Dolores 
Del  Rio,  Janette  Gaynor,  Sally  Long, 
Edna  Marion,  Sally  O'Neill,  Vera 
Reynolds  and    Fay  Wray. 

As  this  dispatch  is  filed,  the  party 
is  on   in   full   swing. 


26  the  First  Year 

(Continued  from  Page   1) 

a  producing  unit  bearing  his  name, 
will  make  four  pictures  a  year  for 
the  company.  His  umt  is  an  offshoot 
of  the  ill-fated  Detroit  M.  P.  Corp. 
with  which  David  Kirkland,  director, 
was  affiliated  at  one  time  and  which 
later  ran  into  financial  difficulties.  It 
is  understood  American  Cinema  will 
sponsor  other  production  and  acquire 
whatever  remaining  product  is  neces- 
sary to  round  its  proposed  program. 
There  will  be  at  least  one  series  of 
comedies,  these  to  be  made  by  the 
Hitchum  M.  P.  Corp.  in  Yonkers. 

Ben  Levine  of  Oxford  has  secured 
local  distribution.  Other  territorial 
distributors,  in  part,  are:  Harry 
Grelle  of  Supreme  in  Pittsburgh; 
Gene  Marcus  of  20th  Century,  in 
Philadelphia;  Stern  Bros,  of  Inde- 
pendent Film  in  Omaha,  and  Fav- 
orite Film,  in  Detroit. 


News  from  Atlanta 

Atlanta — George  Allison,  Fox  man- 
ager has  returned  from  a  two-weeks' 
stay  in  Florida. 

Dan  Michalove  has  left  for  Florida, 
to  return  next  week. 

A.  J.  Borders,  Liberty  salesman  for 
Tennessee,  is  in  town  after  a  trip 
through  his  territory. 

L.  C.  Lowe,  Atlanta  representative 
for  United  Artists  in  Tennessee,  and 
Ray  Beall,  represented  the  Film  fra- 
ternity of  Atlanta  at  the  Fred  Martin 
funeral  in  Chattanooga. 

Hank  Hearn  has  left  for  New  York 
to  confer  with  officials  of  Associated 
Exhibitors,  preparatory  to  taking 
over  the  Southern  district. 

M.  Waldron,  general  manager  of 
Wallerstein  Theater  Co.,  of  Miami 
and  Dania,  Fla.,  is  here  on  a  visit. 
His  new  theater  opened  at  Dania 
yesterday. 


Incorporations 

Albany,  N.  Y.— F.  G.  Short  Films,  Inc., 
New  York.  Capital  $5,000.  To  produce  and 
distribute. 


Albany,    N.    Y. — Parward    Productions,   New 
York;   to  operate  theaters. 


Alliany,    N.     Y. — Oriam    Film    Corp.,    New 
York;  to  produce.     Capital  $25,000. 


Albany,   N.    Y. — Bellaire  Amusement   Corp., 
Queens   Borough;    to   operate  theaters. 


Albany,     N.     Y. — Apro     Amusement     Corp., 
New    York.      Capital   $5,000. 


Albany,      N.      Y.— Semel-Edelstein      Corp., 
Brooklyn.     Capital   $10,000. 


Albany,     N.     Y. — Aitken     Properties,     Inc., 
New   York;  theaters. 


Albany,  N.  Y. — Hoffman  Development  Corp., 
New  York;  to  operate  theaters,  hotels  and  res- 
taurants.    Capital   $2,000. 


Springfield,  111. — Lawrence  Theater  Co., 
3308  Lawrence  Ave.,  Chicago;  to  operate  the- 
aters. Incorporators,  S.  Halper,  A.  Feder 
and  E.  Blackman.  Attorneys,  Hall,  Spitz  & 
Rooks,    307    North    Michigan   Ave.,   Chicago. 

Springfield,  111. — Gregory-Bernsack  Theater 
Corp.,  190  North  State  St.,  Chicago;  to  oper- 
ate theaters.  Capital  $1,000,000.  Incorpora- 
tors, S.  Gregory,  B.  Bernsack  and  J.  Craidon. 
Attorneys,  Ela,  Grover  &  March,  140  North 
Dearborn  St.,  Chicago. 


Robbers   Working  in  Kansas   City 

Kansas  City — Police  officials  are 
working  on  a  clew  in  connection  with 
many  recent  robberies  in  the  film  dis- 
trict. Thieves  broke  into  the  Film 
Inn  and  stole  money  from  the  safe. 
Recently,  A.  H.  Chaffee^  First  Na- 
tional cashier,  was  held  up  and 
robbed  and  later  the  safe  of  the  Edu- 
cational office  was  entered. 


Springfield,  111. — National  Florida  Exhibi- 
tors, Inc.,  732  North  Van  Buren  St.,  Chicago. 
Capital  $50,000.  Incorporators,  E.  Clocksin, 
M.  Kallis  and  M.  Ehrenberg.  Attorney,  H. 
Finder. 


Columbus,  Ohio — ^The  Pythian  Theater  Co., 
Columbus ;  to  operate  theaters.  Capital 
$500.  Incorporators,  W.  James,  A.  O'Ryan, 
J.    Connor   and   F.    Hyman. 


Columbus,  Ohio  —  Coschocton-Cinderella 
Theater  Co.,  Coschocton ;  to  operate  the- 
aters. Capital  $500.  Incorporators,  L  Rich, 
H.  Luckay,  H.  Clark,  M.  Fishel  and  L. 
London. 


Columbus,  O. — Dover-Weber  Theater  Co., 
Cleveland;  to  operate  theaters.  Capital  $500 
Incorporators,  L.  Rich,  H.  Luckay,  H.  Clark, 
L.   London  and   M.   Fishel. 


Columbus,  O. — Logan  Ruble  Theater  Co., 
Cleveland;  to  operate  theaters.  Caiptal  $500. 
Incorporators,  H.  Rich,  H.  Luckay,  L.  Lon- 
don and  M.  Fishel. 


Columbus,  O. — Canton  Windsor  Theater 
Co.,  Cleveland;  to  operate  theaters.  Capital 
$500.  Incorporators,  L.  Rich,  H.  Luckay, 
H.    Clark,   L.   London   and   M.   Fishel. 


Columbus,  'O. — Muskingham  Theater  Co., 
Cleveland ;  to  operate  theaters.  Capital  $500. 
Incorporators,  L.  Rich,  H.  Luckay,  H.  Clark, 
L.  London  and  M.  Fishel. 


Wales'  Travel  Film  Shown 
Vancouver,  B.  C. — The  official  pic- 
tures of  the  British  Admiralty  of  the 
trip  taken  through  South  Africa  and 
South  America  by  the  Prince  of 
Wales  and  made  into  a  10-reeler 
called  "The  Prince  of  Wales'  Toiir  of 
South  America  and  South  Africa," 
were  given  their  premier  in  Canada 
at  the  Strand. 

United  Salesman  Joins  Exhibitor 

Kansas  City— M.  Koeppler,  a  sales- 
man for  United  Artists,  has  taken 
over  the  Buyers  Theater  at  Excelsior 
Springs  and  will  reopen  the  house 
March  1. 


Columbus,  O. — Sidney  Majestic  Theater 
Co.,  Cleveland ;  to  operate  theaters.  Capi- 
tal $500.  Incorporators,  L.  Rich,  H.  Luck- 
ay, H.  Clark,  L.  London  and  M.  Fishel. 


Lansing,  Mich. — ^McGee  Theatrical  Enter- 
prises, Inc. ;  to  operate  theaters.  Capital 
$20,000.      Headquarters    in    Detroit. 


Lansing,  Mich. — L.  F.  Sunlin  Amusement 
Enterprises,  Flint ;  to  operate  theaters.  Capi- 
tal $50,000. 


Trenton,  N.  J. — Hamilton  Amusement  Co., 
Newark ;  to  operate  theaters.  Incorporators, 
S.  Griffinger,  E.  Hopkins  and  M.  Ryder,  all 
of   Newark. 


Albany,  N.  V. — Frank  Clark,  $nc..  New 
York ;  music  publisher.  Incorporators,  A. 
Bryan,    S.    Klein   and   T.    Schickling. 


Albany,  N.  Y. — Vyse  Amusement  Corp., 
Bronx;  to  operate  theaters.  Capital  $5,000. 
Incorporators,  R.  Rosenthal,  S.  Pariser  and 
G.    Price. 


ere*sGoM 

in  them 
tbarStiUs 


,,<. )  t 

.^*■.''  ' 
i.ii    ,:    '. 


n  :■ 
J. 


"Paramount 


Pictures 


I 


1 


^E  BLIND 
;ODDESS 


// 


BooK&emNOW/, 
Play  them  NOW/ 


.  J . 


I 


watch  for 
announcement 


Si^ 


\. 


PRODUCEF  f 


I 


1 


)TKI  BUTI NG  COKPORATIOJM 


TKC 


iJS^ 


DAILV 


Newspaper  Opinions 
New  York 

"The  Black  Bird" 

M.-G.-M. 

Capitol 

AMERICAN—*  *  *  Lon  Clianey  is  at  his 
best  in  crook  roles.  "The  Black  Bird"  is 
not  a  second  "The  Unholy  Three."  But  it 
is  the  same  type  of  story,  smoothly  directed, 
well   cast.    *    ♦   * 

DAILY  MIRROR—*  •  •  In  its  way,  it  is 
a  superb  screen  offering.  It  throbs  with 
primitive  emotions.  Its  action  swirls  in  the 
cesspool  of  hate,  love,  fear  and  subordinating 
emotions.    *    *    * 

DAILY  NEWS—*  *  *  An  interesting 
story.  The  squalor  of  the  London  slums 
is  well  depicted  in  scenery  and  by  some 
exceptionally  good  character  people  arrayed 
as   "background"   for   thie   principals.    *    *    ♦ 

EVENING  JOURNAL—*  *  *  Browning 
has  picked  startingly  unusual  types  for  the 
picture.  *  *  *  But  it's  the  weird  atmosphere 
and  the  creepy  thrill  of  Limehouse  that 
makes  it  all  so  thrilling.  If  you  like  crook 
play,  you'll  stay  to  see  this  one  a  second 
time.     ♦    ♦    • 

EVENING  WORLD—*  *  *  Unless  1926 
is  a'  year  of  most  unusual  pictures,  "The 
Blackbird"  will  be  a  strong  contender  in  the 
lists  of  best  pictures.  It  is  the  picture  of 
the   month   by   a   comfortable   margin.    •   •   • 

HERALD-TRIBUNE—*  *  *  "The  Black 
Bird"  is  a  fascinating  picture,  at  least  100 
times    better    than     "The    Tower    of    Lies." 

*  *  *  Renee  Adoree  is  charming  ♦  ♦  ♦ 
Lon  Chaney  is  a  generous  star  to  have 
Miss  Adoree  in  the  picture.  She  almost 
steals    it   away   from   him.    »    »    * 

MORNING  TELEGRAPH— *  *  *  Chan- 
ey's  characterization  is  replete  with  deft 
touches.  He  can  toss  away  a  cigarette  in 
3!  manner  to  send  a  shiver  down  the  spine 
of  the  apprehensive ;  can  pluck  a  ^aisy  from 
Miss  Adoree's  bouquet  with  a  sinister  im- 
plication    that     cannot     be     put     into     words. 

*  «    « 

POST — *  *  *  Lon  Chaney,  as  usual,  is 
blest  with  a  most  effective  contrasted  dual 
role — that  of  a  Limehouse  crook,  who  mas- 
querades as  his  brother,  the  crippled  "Bish- 
op" of  the  neighborhood  welfare  mission — 
and  Mr.  Browning  has  seen  to  it  that  a 
story  of  more  than  a  little  interest  ac- 
companies his  setting  and  his  star.   *  •  • 

SUN—*  *  *  His  (Tod  Browning)  excep- 
tional talent  for  eerie,  malevolent  melodrama 
is  visible  in  almost  every  scene  of  "The 
Blackbird,"  and  perforce,  it  is  the  best  of 
its  kind  since  Mr.  Browning  made  screen 
history  with  a  few  unholy  grotesques  from 
a   sideshow.   *   *  • 

TELEGRAM—*  *  *  Lon  Chaney,  while  he 
does  not  approach  the  nadir  of  repulsiveness 
which  he  achieved  in  his  Phantom  makeup, 
still    contrives    to    be    commendably     sinister. 

*  *   » 

TIMES—*  *  *  Tod  Browning,  who  pro- 
duced "The  Unholy  Three,"  strikes  the  gong 
again  with  a  production  which  possesses  a 
streak  of  "Jekyll  and  Hyde,"  glimpses  of 
"Limehouse  Nights"  and  incidents  of  Horn- 
ung's  "Raffles."  *  *  *  Mr.  Chaney's  depic- 
tion of  the  two  types  of  crook  is  one  of  the 
finest  exemplifications  of  screen  artistry  one 
would  hope  to  behold.   *  *  » 

WORLD— *  *  *  Mr.  Chaney  acts  as  him- 
self, a  thug,  and  his  brother,  a  Bishop, 
and  unjoints  himself  to  beat  the  very  devil 
in  arriving  at  grotesquerie  in  makeup.  Still. 
Mile.  Fifi  (Renee  Adoree)  is,  to  my  way  of 
thinking,  far  the  most  interesting  person 
treading  the  screen  where  "The  Blackbird" 
is   showing.    *    •   • 


"Memory  Lane" 

First  National 

Strand 

AMERICAN—*  *  *  A  picture  that  is  just 
so  much  candy  to  wives  and  an  equal 
amount  of  poison  to  husbands.  The  number 
of  husbands  who  are  going  to  sink  way 
below  the  zero  mark  in  their  wives'  esti- 
mation because  of  "Memory  Lane"  is  appal- 
ling. 

Sweetness  simply  oozes  out  of  its  every 
reel.   *   •   • 

DAILY  MIRROR—*  *  »  The  story,  fea 
turing  Conrad  Nagel  and  Eleanor  Board- 
man,  scales  into  the  bantam  class,  being 
amazingly    light    and    lilliputian     in    plot. 

Eleanor  Boardman  contributes  a  grace- 
ful, lovely  performance  as  the  girl  Mary, 
beloved  by   two  men.    *   •   * 

EVENING  JOURNAL—*  *  *  It's  a  sim- 
pel  tale  about  two  boys  and  a  girl,  and  is 
mildly    enjoyable.      There    is    some    delightful 


pantomime    when     the     neighbors     start     gos- 
siping,   and     all     the    players    are    well    cast. 

*  »   * 

EVENING  WORLD— *  *  *  Every  one 
connected  with  this  production  deserves  full 
credit,  but  Director  John  M.  Stahl  probably 
earned  the  credit  for  all.  See  "Memory 
Lane" — particularly  if  you  are  in  the  habit 
of  damning  the  movies  for  their  manifest 
sins.      "Memory   Lane"   is  different.    *   *   * 

GRAPHIC—*  *  *  The  settings  are  at- 
tractive and  the  production  is  well  directed. 
It  would  have  to  be,  for  such  a  slim  story 
poorly  handled  would  be  banal.  Inciden- 
tally there  is  the  sweetest  baby  in  this  pic- 
ture that  we've  ever  seen  on  the  screen. 
«-   *   » 

HERALD-TRIBUNE—*  *  *  That  master 
of  comedy,  John  Stahl,  has  fashioned  one  of 
the  saddest  picture-plays  we  ever  saw.  *  *  * 
It   is   a   story   of  a   girl   who   marries   the   man 

she    respects    instead    of    the    man    she    loves. 

*  «    * 

MORNING  TELEGRAPH—*  *  *  Some 
"dififerent"  shots  of  the  cutest  year-old  baby 
ever  seen  on  the  screen.  *  ♦  •  The  scenes 
in  which  he  (?)  appears  are  delightful,  and 
it's  a  great  pity  that  they  are  so  few  and 
are  preceded  by  so  many  feet  of  utterly 
actionless   and   uninteresting   film.    •    »    * 

PlOST — *  *  *  Eleanor  Boardman,  Conrad 
Nagel  and  William  Haines  deport  them- 
selves well  enough  throughout  the  not  very 
exciting  proceedings,  making  "Memor> 
Lane"  just  one  of  those  nice,  sweet  pic- 
tures, restful  to   the  eyes.   *  *   * 

TELEGRAM—*  *  *  Is  good  enough  en- 
tertainment *  *  *  and  it  contains  the  best 
work  that  Conrad  Nagel  has  produced  in 
some    time.    *    •    * 

TIMES — *  *  *  An  amusing,  smoothly 
running  small  town  comedy  *,  *  *  In  it  a 
baby  shares  honors  with  the  natural  and 
charming    Eleanor    Boardman.    *    •    * 

WORLD — *  *  *  Among  the  illustrious  sob 
sipters  of  the  current  year  may  be  noted  in 
heavy  red  ink  "Memory  Lane."  *  *  •  It 
is  perfectly  true  that  this  may  represent  a 
slice  of  life  in  the  towns  out  yonder,  but 
it  seems  pretty  dull  stuff  to  me.   *   *   * 


"The   Song  and    Diance   Man" 

Paramount 

Rivoli 

DAILY  MIRROR—*  *  •  Is  good  all 
around  hokum,  sliding  helter-skelter-ish  from 
"sob"    to    love    spirited   action.    *    *    * 

DAILY  NEWS—*  *  *  The  picture  is  well 
worth  viewing,  however,  if  for  no  other 
reason  than  to  watch  Bessie  Love  dance  the 
Charleston.    *    •    * 

EVENING  JOURNAT.— *  *  *  The  film 
follows  the  George  M.  Cohan  play  faithfully, 
and  there  is  plenty  of  color  and  entertain- 
ment.   *    »    * 

EVENING  WORLD—*  *  *  In  this  oic- 
ture,  Mr.  Brenon  made  particularly  effec- 
tive use  of  close-ups,  showing  how  one  char- 
acter and  another  reacted  to  dramatic  mo- 
ments in  the  action.  "The  Song  Dance 
Man"  is  good  entertainment  of  the  lighter 
sort.    •   ♦   • 

HERALD-TRIBUNE— •  *  *  No  great 
contribution  to  the  art  of  the  motion  nic- 
ture  is  this  "Song  and  Dance  Man,"  but 
aided  considerablv  by  the  attractive  perfor- 
mance of  Tom  Moore  in  the  Cohan  stage 
role,  it  does  manage  to  be.  despite  its  sen- 
timental exaggerations,  reasonably  pleasant 
entertainment.    *   *   * 

MORNING  TELEGRAPH— *  *  *  Proved 
agreeable  entertainment.  In  fact,  some  of 
the  titles  contributed  more  than  that.  The 
audience  freouently  laughed  heartily  at  them. 
But  there  always  seemed  a  let-down  when 
the   action   was   resumed.    *   *   * 

POST — *  *  *  Measures  up  verv  well  in- 
deed to  the  old  movie  formula :  "Give  'em 
a  tear  and  then  a  smile,  then  another  tear 
and  another  smile,  but  end  up  on  a  smile." 
»   *   ♦ 

SUN — *  *  *  In  its  motion  picture  rein- 
carnation, borders  at  times  on  conventionali- 
ties, although  it  is  a  passably  entertaining 
production.    •   *   • 

TIMES — *  *  *  The  story  of  which,  ex- 
cept for  a  few  good  comedv  interludes  and 
an  occasional  flash  of  originality,  is  iust 
about  what  one  might  expect  from  such  a 
title.  It  contains  spongy  sentiment  without 
much  that  could  be  construed  as  suspense. 
*    »    » 

WORLD — *  *  *  Mr.  Brenon  has  made  ex- 
cellent use  of  fleeting  incidents  which  spell 
out  the  characters  of  his  people.  A  prac- 
tice all  too  seldom  engaged  in.  if  I  know 
anything  about  directors  of  the  cinema.  And 
largely  because  of  this  he  has  given  to  the 
screen  an  almost  continuously  entertaining 
play.    •    •    » 


GRAPHIC—*  *  *  There  is  much  "back 
stage"  atmosphere,  which  is  always  in- 
triguing, in  this  picture,  many  beautiful 
girls  and  gorgeous  gowns.  Yes,  Herbert 
Brenon  has  done  another  good  job  in  di- 
recting  his    latest    film.    *    *    * 

SUN — *  *  *  Innocent  and  harmless,  meek 
and  mild — that  string  will  describe  "The 
Song  and  Dance  Man,"  a  movie  version  of 
George  M.  Cohan's  play.  *  ♦  *  Probably  its 
one  authentic  gleam,  its  one  spark,  is  the 
Uather  ingratiating  performance  given  by 
Tom  Moore,  as  Happy  Farrell,  the  vaudeville 
trouper    of    the    title.    *    ♦    ♦ 


Out-of-Town 

"Clothes  Make  the  Pirate"— 1st  Nat'l 
Capitol,  St.  Louis 
GLOBE-DEMOCRAT—*   *   *   Leon   Errol 
is     the    principal     figure    in     the    entertaining 

satire,   in   which   there   is   not   a   dull   moment. 

»   »   # 

POST-DISPATCH— *  *  *  Clothes  may 
make  the  pirate,  but  they  do  not  make  the 
play.  Nor  will  a  pair  of  collapsible  legs 
support  a  feature  length  comedy.  These  re- 
flections  must  come   to   anyone   who   has   seen 

Leon       Errol's       disappointing       performance. 
*  «   * 

STAR—*  •  •  The  story  is  fun  clear 
through,  and  amply  fills  its  mission  of  usher- 
ing in  Laff  Week  at  the  Skouras  houses. 
Leon  Errol  of  the  famous  comic  legs  is  the 
transformed   Tidd.   *   *    * 

TIMES—*  •  •  There  are  a  goodly  num- 
ber of  laughs  in  "Clothes  Make  the  Pirate." 
And  the  action  is  effected  by  a  minimum  of 
slap-stick    devices.    *    •    * 


"The  Keeper  of  the  Bees"— F.  B.  O. 
Strand,   Detroit 

FREE  PRESS—*  *  *  The  picture  is  not- 
able also  for  its  scenic  views,  providing  a 
picture    that    will    delight    the   eye    and    appeal 

to    the    intelligence    of    an    audience    as    well. 
*    *    * 

St.  Louis,  St.  Louis 

GLOBE-DEMOCRAT—*  *  *  As  it  stands, 
the  film  is  good  entertainment.  There  is 
just  enough  of  the  old-fashioned  home  and 
living  atmosphere  to  make  it  interesting.  •  •  ♦ 

PiOST-DISPATCH— *  *  *  There  are  two 
long  death  scenes,  plenty  of  bees,  an  uncom- 
monly picturesque  setting  and  an  always  en- 
tertaining  story.    •    *    * 

STAR—*  •  •  All  are  related  in  pictures 
with  much  of  the  charm  of  the  original 
novel.  Lovely  rustic  scenes  and  seabeach 
views   abound.   •   •   • 

TIMES—*  *  *  A  strong  vein  of  humor 
threads  the  story,  despite  the  affluence  of 
pathos  and  sob  stuff  introduced  by  Clara 
Bow,   who   does   a   death-bed   scene.    •   •   • 


"Lights  of  Old  Broadway"— M.-G.-M. 
New,  Baltimore 

AMERICAN—*  *  *  But  after  all  its  Mar- 
ion Davies  you're  going  to  be  thinking  about 
when  you  leave.  Marion  who  can  make  you 
weep   and    forget    it   with   laughing.    *    »    * 


"The   Only  Thin?"- M.-G.-M. 
State.  St.  Louis 

GLOBE-DEMOCRAT—*  *  *  It  is  senti- 
ment, clumsily  and  unhealthily  handled ;  the 
only  reason  for  its  scoring  at  all  being  some 
artistically  designed  sets.  Conrad  Nagel  and 
Eleanor  Boardman.    •   •   • 

STAR— •  •  •  The  story  is  depicted  with 
a  background  of  glitter  and  pageantry,  and 
an  accompaniment  of  quick  passion  that 
sweeps  the  lovers  off  their  feet  and  will  not 
be   denied     •    •   • 

TIMES— •  •  •  Elinor  Glyn's  greatest 
glories  are  not  so  apparent  in  "The  Only 
Thing,  •  «  •  but  the  picture  is  not  without 
merit.  The  author  and  the  producer  have 
sought  to  put  a  thing  into  pictures  that 
goes  very  much  better  in  printed  words.  •  •  • 


"The    Road    to    Yesterday"— Prod. 

Dist.  Corn. 

Caoitol.    Cincinnati 

ENQUIRER—*  •  *  Embodies  all  those 
elements  of  popular  anneal  which  usually  may 
l)e  found  in  a  De  Mille  feature — picturesque 
settings,  throbbing  romance,  a  bit  of  humor 
and  spectacular  scenes    ♦  •  * 

TRIBUNE—*  »  *  It  is  the  delirium  or 
dream  or  nightmare  section  of  "The  Road 
to  Yesterday,"  showing  at  the  Caoitol  this 
week,  which  makes  the  picture  worth  seeing. 
Here  melodrama  and  tragedy  join  hands  for 
an   effective   episode.   *   *   * 


Friday,  February  5, 


"Sally  of  the  Sawdust"— M.- 1 
Madison,  Detroit 

FREE    PRESS—*    *    *    is    lackin 
many    little    touches    of    pathos    and  < 
tinguishing   marks  that   set   Griffith  aj  : 
other    directors,    but    it    is   a    picture 
entertain  and  delight   from   first  to  la 

NEWS—*  *  *  There  is  more  la, 
the  picture  than  in  any  Griffith  has  e 
and  the  customary  melancholy  colo: 
works  is  surprisingly  absent.  *  *  • 


"The  Splendid  Road"— First 
Circle,   Indianapolis 

STAR—*  *  •  There  is  somethir 
every  minute  and  those  who  like  t 
of  picture  with  a  strong  love  stor; 
background  will  thoroughly  enjo 
Splendid  Road." 


"Sporting  Life" — Univers 
Piccadilly,  Rochester 

DEMOCRAT— ♦   *   *   The  play,  a 
on  the  screen,   is  what  may  be  terme( 
fortable     melodrama ;     one     doesn't 
think   much.   *   *   * 

JOURNAL—*    »    *    Melodrama, 
but     intelligent,     plausible    melodram; 
since     andiences     seem     to     love     me 
"Sporting    Life"    ought    to    please.    * 

TIMES-UNION—*  *  *  Maurice  1 
has  been  very  successful  in  his  dire 
the  old  Drury  Lane  success,  and  it  1 
given  elaborate  setting  and  good  photi 


"Steel  Preferred"— Prod.  Dist. 
Fay's,  Rochester 

DEMOCRAT—*  *  *  A  romance 
steel  industry  with  a  picturesque  bac 
and    exciting   melodramatic    scenes.    • 

HERALD—*  *  *  Melodrama  wit 
of  realism  in  its  background  and  mv 
ring  action.    *   »   ♦ 


"The  Unguarded  Hour"— First 
Rivoli,  Baltimore 

SUN— •  *  *  Doris  Kenyon  is 
opposite  the  stern  Mr.  Sills  in  a  p( 
would  better  have  been  given  to  sol 
hoyden  as  Colleen  Moore,  to  meni 
first  name  that  comes  to  mind.  Miss 
is  such  an  attractive  and  utterly  I 
creature  that  we  hate  to  see  her  a 
such   things.    *   *   » 


"Wages  for  Wives"— Foi 
Fox,  Philadelphia 

BULLETIN— Guy    Bolton's    stage 
"Chickenfeed"    comes   to   the    screen   " 
"Wages  for  Wives,"  and  it  is  a  corkii^ 
comedy.    *  * 

PUBLIC    LEDGER—*    *    *    The 
kept    well    in    control    and    Mr.     Born 
brought    out    the     simple,    homely    cobI 
everj^day   life   to   a   fine   degree.    * 


"The    Wanderer"— Paramoi 
Adams,  Detroit        ii 
FREE  PRESS—*  *  *  "The  Wan^i 
not    a    great    photoplay,    but    it    is    pl«| 
entertaining    throughout,    with    a    nun 
scenes    that    while    they    may    shock   t 
sophisticated,    will   afford  an   interestin(| 
of    the    female    form,    because    little 
to   the  imagination.   *   *   • 


"We   Modems"— First  Nat 
Arcadia,  Philadelphia 

BULLETIN—*  *  *  With  Colleen, 
portraying  one  of  her  finest  character!! 
this  is  a  spell-binding  picture  which  ii 
woven  about   a  London  background.   *  * 

PUBLIC  LEDGER— *  *  *  The  uni 
story  of  a  flighty,  thrill-seeking  girl 
missing  having  her  wings  singed  befot 
ing  to  realization  of  the  true  worth  of 
hie,  conservative  husband  is  frankly  littl 
than  a  backdrop  against  which  the  St 
display  her   graces.    •    *    * 

Regent,  Rochester 

DEMOCRAT— •  *  *  Falls  below  tl 
entertainment  standard  we  have  come 
pect  of  this  little  player's  (Colleen 
films.   *   •   • 

HERALD—*    *    *    She   does    a   grd 
of    grimacing,    but    fails    to    make    thi 
acter    at    all    human.      The    picture    is 
fair   to    Colleen    Moore.    *    •    * 

JOURNAL—*  *  "The  picture, 
intensely  interesting,  is  saved  by  the 
and  charm  of  Colleen  Moore,  who  gi^ 
other    good    picture    of    a    hare-braineiw 


^.. 


^H*^i^ 


ll 


^tlAA^ 


Pleases  Critic 
And  Exhibitor 

"*Tumbleweeds'  in  our 
opinion  is  by  far  the  best 
picture  of  this  year.  Am 
holding  it  oven" 

-The  Pollard,  Guthrie,  Okla. 

"Comedy,  villainy  and  ex- 
citing adventure  in  ^Tum- 
bleweedsj  a  splendid  Hart 
'comeback.'  The  mad  dash 
of  homesteaders  is  an  epic 
of  its  kind." 

— MaeTiiiee,in  Chicago  Tribune. 

"We  think  Tumbleweeds' 
the  best  Bill  Hart  picture 
for  several  years." 

—  Chicago  News. 

"Star  will  draw  them  in 

and  the  film  should  please 

Hart  fans  and  prove  strong 

at  the  box-office." 

-M.RWorid. 


ViP^ 


1% 


4*1 


%}tl^}Si 


Storfj 


BA^ 


;*iboot 


j^>jSLo.a^w^^aa^a/naaaOaaaa^/ 


W.M, 


Now  Booking 

UNITED    ARTISTS    CORPORATION 

lAary  Pickford  Charles  Chaplin 

Douglas   Fairbanks  DMQriffifh 


Joseph  M.Jchenck, 
Chairman ,  Zoard  of  Directonr. 


Jiiram  Qbramj; 
President 


V 


10 


"What  Happened  to  Jones"— Univ. 

Colonial,   Indianapolis 

STAR — *   *    *   The   picture   is   good   enter 
tainment.     Just  good,  clean,  wholesome  com- 
edy.      Most    of    the     film    comes     from     the 
work    of    Reginald    Denny    in    the    title    role. 


"When  the  Door  Opened"— Fox 
Washington,  Detroit 

NEWS — *  *  *  it  is  taken  from  a  James 
Oliver  Curwood  story,  and  is  a  stirring  ro- 
mance of  the  north  woods.  The  settmgs  in- 
clude  many   beautiful   outdoor   scenes.   *   *    * 


"Winds  of  Chance"— First  Nat'l 
Roosevelt,  Chicago 

AMERICAN — *  *  *  It  deals  with  no  sim- 
ple triangle  so  familiar  in  most  films.  It  has 
instead  a  huge  cast,  admirably  handled,  in 
episode  after  episode  of  the  famous  Yukon 
rush.    *    *   * 

JOURNAL — *  *  *  is  good  entertainment, 
having  all  the  sure-fire  material  that  has  made 
all  such  offerings  a  success  since  the  Broncho 
Billy   days.    »   »   • 

POST — *  *  *  The  picture  is  a  good  one 
of  its  type  and  will  be  enjoyed  by  those  who 
like  outdoor  melodramas.  It  has  action,  ex- 
citement and  humor,  with  a  dash  of  romance. 
«    #    « 

TRIBUNE—*  *  *  "Winds  of  Chance"  has 
good  acting,  good  staging,  good  direction,  and 
lots  of  action  to  recommend  it.  Don't  see 
why  on  earth  you  shouldn't  like  it.  *   *   * 

Strand,  Milwaukee 

SENTINEL— Frank  Lloyd  has  turned  out 
an  impressive  production,  massive  in  its  scope 
of  detail  and  the  number  of  people  employed, 
in  "Winds  of  Chance,"  a  Rex  Beach  story 
of  the  gold   rush  days.   *    »   ♦ 


"The  Winding  Stair"— Fox 
Keith's,  Cleveland 

PLAIN  DEALER — *  *  *  Exotic  back- 
grounds help  to  make  the  foreground  of 
action  in  this  ambiguously  titled  photoplay 
seem  much   more   interesting   that    it   really   is. 


"A  Woman  of  the  World"— Para- 
mount 
Century,   Baltimore 

AMERICAN—*  *  *  Pola  (Negri)  is  more 
aloof  than  usual.  Mr.  St.  Clair  gives  her 
small  opportunity  to  overact  and  keeps  as 
clear  of  emotional  scenes  as  is  possible.  *  *   * 

Wisconsin,  Milwaukee 

SENTINEL—*     *     *     The     subtitles     are 

spontaneously    clever    and    Director    Mai    St. 

Clair    has    introduced    several    novel    touches. 
«  *  * 

WISCONSIN  NEWS—*  •  »  The  stage 
presentations  are  splendid — worth  the  price 
of  admission   alone.   *   *   * 

New  Lyric,  Minneapolis 

STAR — *  *  *  Pola  Negri,  as  always,  domi- 
nates each  scene.  Her  manner  is  statuesque, 
silently  suffering,  and  then  impulsively  dra- 
matic.   *    *    * 


"Womanhandled" — Paramount 
Strand,  Milwaukee 

SENTINEL—*  *  *  The  picture  is  not 
spectacular  nor  great  but  it  is  subtly  hu- 
morous, entertaining  and  intelligently  present- 
ed.  *   *   * 

Missouri,  St.  Louis 

GLOBE-DEMOCRAT— •  *  *  The  joke  is 
on  the  women  all  the  way  through  in  this 
film,  but  even  the  women  get  a  hearty  laugh 
out  of  it.  It  is  fun  and  romance,  combined 
with  Richard  Dix  and  Esther  Ralston  to 
make  a  good  "movie."  *  *  * 

POST-DISPATCH— ♦  *  •  A  neat  theme, 
deftly  handled  at  the  start,  but  the  satire 
gets   heavier   and  heavier.   *   *   • 

STAR—*  *  *  Western  farce,  punctuated 
with  situations  that  make  it  worth  seeing 
for  its  comedy,  though  probably  for  nothii.a 
else.  *  •  * 

TIMES—*  *  •  After  a  somewhat  weary 
and  cluttered  start,  the  action  turns  comical 
and  from  then  on  the  picture  is  at  least 
interesting.  *  •  • 


THE 


■c^Hk 


DAILY 


Friday,  February  sK|tB 


Theater  Changes 

Harrisburg,  Pa. — The  Colonial  has  been  re- 
modeled. 


Brewton,  Ala.— The  Vaudette  has  been 
taken  over  by  M.  Hendricks  from  J.  M. 
Morgan. 


Cleveland,    Okla.    —   The    Olympic    seating 
capacity   has  been   enlarged. 


Mount  Pleasantj  Tex. — Robert  Baker  has 
bought  from  M.  J.  Chapman  the  Dixie,  a 
negro  house. 


Crowell,  Tex. — J.  D.  Vaughn  has  sold  the 
Home  to  M.  M.  Hart,  Jr.,  and  Bill  Norman 
who  have  taken  charge. 


Williams,  la. — Earl  H.  Johnson  is  the  new 
owner   of   the   Strand. 


Omaha — A.  R.  Hansen  has  opened  his  New 
Dundee  at   Dundee,  a  suburb. 


Sloan,   la. — F.   M.   Beam  has   reopened  the 
Sloan. 


Columbus,  Neb. — The  North  has  been  re- 
opened. Pictures  are  presented  on  Sundays 
with  roadshows  the  balance  of  the  week. 
Will    Jewell    is    manager. 


Phillips,  Wis. — A.  L.  Sorenson  is  the  new 
owner  of  the  Garden,  which  George  Miner 
and  W.  L.  Crouse  were  scheduled  to  take 
over. 


Marathon,  la. — The  'Opera  House  was  sold 
for  taxes.  It  formerly  was  operated  as  a 
picture  theater. 


Claremont,  Minn. — A  committee  of  business 
men  has  taken  over  the  Opera  House. 


Kanawha,   la. — Woodard   Bros,   have   taken 
over    operation    of    the    Star. 


Marcus,     la. — Herman     Drefke    has    taken 
over  the  Kay  from  Kenneth  J.  Livingstone. 


Brunswick,  Neb. — Leslie   Stevens  has  taken 
over  management  of  the  Brunswick. 


Virginia,   Minn. — The   Rex  has   been   closed 
by    Finkelstein    &    Ruben. 


Duluth — Work  has  been  started  on  a  new 
addition  to  the  Orpheum,  which  will  give 
the   theater  an  entrance  on   Superior   St. 


Muscatine,  la. — Extensive  improvemente 
are  planned  at  the  Palace,  operated  by  Capi- 
tol   Enterprises. 


New  Market,  la. — The  Isis  has  moved  to  a 
new  location. 


Corning,  la. — Stanley  &  Cecil,  new  owners 
of  the  American,  are  remodeling  the  house, 
presenting  shows  at  the  Opera  House  mean- 
while. 


Selfridge,  N.  D. — Charles  Pulling  has  taken 
over  the  City  Hall,  presentng  pictures  once  a 
week. 


Kilbourne,    Wis. — Cyrus    Knudson    now    is 
operating  the  Mission. 


Miami,  Okla. — Sarah  C.  Staton,  owner  of 
the  Glory  B,  will  take  over  the  operation 
of  the  house  at  the  end  of  the  present  lease. 


Elk   City,   Okla.— W.  H.  Hughes  has  com- 
pleted  remodeling   a  site   for   a   theater. 


Houston — The  Cozy,  which  has  been  closed 
since  it  was  taken  over  by  the  J.  W.  Lytle 
interests  several  months  ago,  has  opened. 


McCook,  Neb. — Improvements  to  the  Tem- 
ple  have  been   completed  by   O.   F.   Glasi. 


Doon,  la. — G.  McAllister  of  Madison,  S. 
D.,  will  operate  the  Cosmo  here,  which  his 
father,  C.  McAllister  recently  purchased  from 
August  Kahl. 


Ackley,  III. — James   Drobas  has  taken  over 
the   Plaza   from    C.    S.    Gross. 


FROM 


Motion  Pictures  To-Da) 


ISSUE  FEB,  6th  1926 


ADVERTISEMENT— Have    you    got    your    copy    oi 


Danny's  Film  Year  Book  yet? 


¥  F  you  haven't — get  busy — it's  the  most  valuable  and 
comprehensive  reference  volume  ever  compiled  in  the 
history  of  the  industry  and  you  can't  afiford  to  be  with-i 
out  it. 

Merritt  Crawford. 


Thanks  Merritt 


"^ 


;'  I.. 


THE 


(  February  5.  1926 


DAILY 


11 


.  emmle  Satisfied 

(Continued  from  Page   I) 

ompanies  being  Famous  and 
Joldwyn-Mayer. 
ary  to  that  part  of  the  con- 
hich  calls  upon  Famous  and 
loldwyn-Mayer  each  to  dis- 
five  Ufa  pictures  yearlj'  in 
untry  for  a  period  of  years 
nderstopdl    Universal    is    not 

0  such  an  arrangement  and 
a  will  get  its  sole  representa- 

American  screen  through  the 

two  companies. 

rsal  is   relieved  of   the   neces- 
dvancing  a  loan  of  15,000,000 

rks  ($3,600,000)  to  Ufa.  By 
iment    with    Famous    and    M.- 

Univtrsal  will  secure  a  cer- 
lount  of  added  revenue  over 
lated  period  from  the  Ameri- 
eaters  allied  with  these  two 
lies.  Speciticallj'  from  Ufa, 
ill  is  assured  of  the   distribu- 

Germany   of    a    certain    num- 

Jewels   for   a   period   of   years 

ertain    clauses    covering    time 

jns. 

inlerchsnge    of    players    which 

;n    reported    from    Berlin   will, 

r,      include      Universal.         As 

Famous  has  secured  Emil 
rs  and  Lya  de  Putti.  Metro 
idouhtcdly  get  others.  Uni- 
first  acquisition  was  E.  A. 
,  German  director  who  has 
Dw  worked   for   the   Ufa.      He 

here  last  week.     The  second, 

Mattoni,  a  leading  man.  ar- 
ith  Laemmle  on  the  Olympic. 
imle  expects  to  leave  for  Cali- 
a  week  from  tomorrow.  At 
nmodore  tonight,  the  Univer- 
Tie    office    win    tender    him    a 

1  in  honor  of  his  20th  anni- 
as  an  exhibitor. 

le  returning  Laemmle  party 
s  children,  Miss  Rosabelle  and 
:.,  Sigmund  Moos  and  Henry 
on,  his  personal  representa- 
id  Charles  Ross,  his  secretary. 


he  Colony  Deal 

Is  of  the  deal  whereby  Uni- 
will  operate  t'ae  Colony  for 
nths  were  announced  yestet- 
Universal  will  retain  the  entire 
t  the  house  and  control  the 
f,    management    and    advertis- 

it  Happened  to  Jones,"  with 
Id  Denny,  is  the  first  "U" 
to  play  under  the  new  agree- 
jpening  on  Sunday  and  run- 
definitely.  Following  the  Den- 
ure  will  be  "The  Cohens  and 
'  "Watch  Your  Wife,"  "Com- 
The  Flaming  Frontier"  and 
lidnight   Sun." 


es  Signs  Five  Year  Contract 
fwood — Fred  Humes  has  been 
by  Universal  under  a  five-year 
r  contract.      He   will   continue 
:ar  in  westerns. 


New  Post  Created 

ita — The  educational  depart- 
f  Pathe  has  just  inaugurated  a 
ilicy  by  which  a  traveling  rep- 
tive  is  assigned  to  Atlanta  and 
tte.  Mrs.  Elizabeth  Dessez, 
f  the  department,  placed  Miss 
lion  in  the  newly  created  post. 


How  1925  and  1924  Exports  Compare 

1924  •     1925 

Lin.    Ft.  Value  Lin.   Ft.  Value 

Negatives      8.100.264  $1,419,85"  9,929,643  $1,893,058 

I'ositive     170,347.342  $6,031,917  225,656,151  $6,787,687 

Total  motion-picture   films  e-xposed    ....  178,447,606  $7,501,776  235,585,794  $8,680,745 
Exported   to — 

Denmark     2,615,477  $     109,878  3.075,811  $     115,367 

i-rance      9.375,321  262,974  14,575,429  438,344 

Germany      4,447,012  216,059  6,513,941  436  600 

Spain      2,946,775  135,740  4,297.214  115,761 

Sweden     4,567.103  164,065  4,355,104  133,085 

United     Kingdom     26,087,555  1,867,963  36,786,400  2,301,750 

Other     Europe     10,421,817  487,226  17,067,227  530.970 

Canada      19,734,009  857,331  23.037.094  914,665 

Central    America     2,315,943  59,052  3.015,111  56,863 

Mexico     5,601,873  204,067  7,633,043  246,364 

Uritisli    West    Indies     5.618,407  125,810  5.620,555  143,225 

Cuba    4,586.687  172,171  5.926,834  201,389 

Argentina      13,996,998  536,434  20,505,682  640,315 

Brazil     8,405,094  295,746  10.725.826  337,209 

Chile     2,369,406  77,102  4,105,393  129,298 

Other   South   America    3.683,890  109,321  5,908,962  178,898 

Uritish    East    Indies    5,418,611  171,424  6.035.314  194,413 

China     3,320,884  74,105  2,779,943  62,696 

Dutch    East    Indies    1,988,840  55,452  3,044,840  74,579 

lapan     9,821,249  399,674  9.124,030  239,590 

Philippine    Islands    2,111,249  87,166  3,g53,955  86.837 

Australia     18,647,232  656,606  24,488,797  712.249 

New    Zealand     3,959,894  145,958  5.027,369  151,463 

British   South  Africa    4,020,957  168,862  3,397,730  131,568 

Other    countries    2,355,324  61,584  5,484,190  107,247 


Change  in  Newman  Policy 

Kansas  City,  Mo. — The  Newman 
will  start  showing  pictures  Saturday 
instead  of  Sunday  beginning  Jan.  30. 
The  change  is  made  largely  to  ac- 
commodate the  showing  of  the  revues 
which  are  produced  in  New  York, 
first  featured  at  the  Rivoli  in  that  city 
and  then  sent  westward  by  Publix. 
They  will  play  the  Missouri  the  week 
before   the  Newman. 


Bates  Recovering  from  Accident 
Cleveland — Jack  Bates,  who  recent- 
ly recovered  sufficiently  from  a  two- 
year  illness  to  rejoin  Pathe  as  sales- 
man, suffered  a  severe  automobile 
accident  last  week  and  is  recovering 
slowlv. 


Transferred  to  Boston 

Boston — Philip  Spitalny  is  now  con- 
ducting the  orchestra  at  Loew's  State. 
Boston.  He  was  a  leading  musical 
figure  in  Cleveland  first  run  theaters 
for  the  past  ten  years. 


Exton  Back  in  Exhibition 

Toledo,  O. — Billy  Exton,  who  took 
a  "flier"  in  Florida  real  estate,  is 
back  in  the  theater  business  again, 
as  manager  of  the  Temple. 


12  New  Exchanges 

(Continued  from  Page   1) 

one  and  two  reelers.  The  present 
line-up  includes  12  MoUie  May  two- 
reel  comedies;  12  two-reel  Make  Me 
Laugh  comedies;  12  two-reel  Famous 
Paintings  series,  produced  on  the 
Coast  by  Arthur  Maud;  the  "Interna- 
tional 12,"  each  in  one  reel,  and  a 
new  series  of  "Gems  of  the  Screen." 
Frank  Rogers,  for  years  with 
Pathe,  has  been  engaged  as  general 
sales   manager. 


^OSm^^^ 


Utmost  in  Screen  Brilliancy 


Postpone    'Silence" 

Hollywood — The  starting  date  of 
"Silence,"  which  will  feature  H.  B. 
Warner,  has  been  set  ahead  by  De 
Mille  studio  to  allow  Warner  to  do 
"Whispering  Smith"  for  Metropoli- 
tan. 


Wells  Buys  Summer  Resort 

Richmond  Va.  —  Jake  Wells  has 
purchased  Forest  Lodge,  a  summer 
resort  between  Richmond  and  Ash- 
land. 


Repeal  Moves  On 

iContinncd   from   Page   1) 

joint  statement  the  introducers  of  the 
measure,   said: 

"The  State  should  not  exercise  its  drastic 
power  of  censorship  except  in  very  extreme 
cases.  There  is  no  more  reason  to  censor 
motion  picture  films  which  portray  exclu- 
sively current  events  of  the  day  than  there 
is  to  censor  newspapers.  It  is  our  belief 
tliat  tlie  censorship  of  motion  pictures  should 
be    liberalized    to    this    extent. 

"We  underscore  the  fact  that  the  bill 
does  not  in  any  way  change  the  censorship 
law  in  relation  to  ajjv  other  type  of  film. 
Thus,  it  does  not  unde.-.iine  the  theory  of 
film  supervision  which  is  the  basic  idea:  of 
the   censorship   law." 

It  is  held  significant  that  Davison 
is  party  to  the  bill.  It  had  been 
anticipated  he  would  lead  a  Repub- 
lican fight  for  censorship  repeal. 
Now  he  favors  a  compromise  mea- 
sure. The  conclusion  drawn  in  some 
quarters  is,  therefore,  that  the  Re- 
publicans would  offer  no  opposition 
to  a  complete  repeal. 


NOW    BOOKING 

St.     Patrick's     Day     Special 

week  of  March  14th.  Fleischer 

Ko-Ko  Song  Car-Tune 

"HAS    ANYBODY     HERE 

SEEN   KELLY.?" 

Hand  Colorod  by  Brock 


729  Seventh  Ave.,  N.  Y.  C. 
DISTRIBUTORS 


Six  Big  Markets 

(Continued   from   Page    \) 

Commerce  show  that,  in  value,  only 
one  market,  the  United  Kingdom, 
took  films  with  an  export  \a/uation 
of    more    than    $1,000,000. 

Seven  countries  imported  less  film 
in  1925  than  in  1924.  These  are 
Spain,  which  dropped  from  $135,746 
to  $115,761;  Sweden,  from  $164,065 
to  $133,085;  Central  America  from 
$59,052  to  $56,863;  China,  from  $74.- 
105  to  $62,696;  Japan,  from  $399,674 
to  $239,590;  Philippines,  from  $87,166 
to  $86,837,  iMid  British  South  Africa, 
from  $168,862   to  $131,568. 


Army  Dep't  Denies 

(Continued   from   Page    1) 

South  and  Southwest  are  being  dis- 
criminated   against. 

Independent  productions  are  among 
those  shown  in  the  Potomac  Depart- 
ment which  covers  activities  in  the 
vicinity   of   Washington. 

In  a  bulletin  sent  lo  all  Army  the- 
aters, dated  Jan.  13,  Thomas  H.  Mar- 
tell,  director  of  bookings  of  the  Army 
M.  P.  Service,  pointed  out  that  prac- 
tically all  Army  theater  needs  could 
be  supplied  from  programs  of  nation- 
al distributors.  He  said  that  because 
of  the  general  high  type  of  picture 
and  the  eciuitable  price  arrangements 
made  for  them,  there  might  be  little 
recourse  to  state  right  pictures  neces- 
sary. This  bulletin  is  believed  to  be 
the  basis  of  the  charges. 

Martell  has  just  returned  from  a 
trip,  duriner  which  he  dprlares  be 
closed  for  a  number  of  state  right 
pictures.  He  explained  the  policy 
was  merely  one  of  good  pictures  se- 
cured at  a  price  which  the  Army 
theaters  could  pay.  Talk  of  dis- 
crimination, he  characterized  as  silly 
and  ridiculous. 

There  are  94  Ami)-  posts  in  this 
service. 


Reichert  to  New  York 
Kansas  City — Louis  Reichert.  for- 
mer manager  for  Warner  Bros,  here, 
has  left  for  New  York.  It  is  under- 
stood that  Reichert  will  join  an  East- 
ern  company   shortly. 


Fox  Film 
QirpDiuttoa 


/ 


J 


J:^,;i^.>  .i-yg: ,- 


$|U^ 


.•   ...'  > ' 


lOlT! 


*«^.:*:- 


"i^<^ 


a  BIG/ 
OlREtodoAat/ 


^d»; 


buis" 


*Tpr' 


vfr 


^"«fiAfa,.e. 


X 


•A 


A  3\rA{  notional  Picture 


o-*- 


<T>'octucC 


brAdstreet 

\  FILMDOM 


•  Tf^ 


7Ae\ 
AUTHORltY 


^XV     No.  31 


Sunday,  February  7,  1926  / 


Price  25  Cents 


^/ 


Eatiie  Iiulustiy  \Vill VoteThisTtie  Most 
orious  Picture  Of  IheWestEverMade/ 


■with    this    ^veat    assemblage 

HOOT  GroSON  DUSTIN  FARNUM  ANNE  CORNWALL 

EDDIE  GRIBBON    GEO.  FAWCETT  KATHLEEN  KEY  •  HAROLD  GOODWIN   JOE 
DONOMO    HARRY  TODD    NOBLE  JOHNSON  •  WARD  CRANE  •  C.K.  FRENCH 

A  UNIVERSAL  PRODUCTION 


Evctything  a  picture 
nccos  is  in  Bravchcatf 


LA  ROCQUE 


MAE  TINEE  Chicago  Tribunr 


"Emil  Jannings  has  been  quoted  as  saying  that  Rod 
La  Rocque  is  his  favorite  American  screen  actor. 
Wait'll  he  sees  him  in  'Braveheart' !  He'll  be  crazy; 
about  the  boy. 

'Braveheart'  has  a  fascinating  and  intensely  dramatic 
story.     The  papa  of  the  photoplay  was  'Strongheart,' 
a  play  by  William  De  Mille,  and  the  hero  is  a  young ' 
Indian  brave,  son  of  a  chief,  Standing  Rock.  *  *  * 

Want  you  to  know  that  engrossing  situation  after 
engrossing  situation  follow  rapidly  after  each  other; 
that  the  action  is  swift  and  convincing  and  the  acting 
throughout — immense ! 

Some  of  the  most  magnificent  scenery  you  ever  saw 
is  in  'Bravheart.'     The  football  scenes  are  thrilling.; 
The  love  interest  is  grave,  tender  and  beautiful  and  is 
given  a  satisfying  and — right! — finale. 

The  film  ends  as  all  good  white  and  red  men  alike 
would  wish  it  to. 

With  which  woids  I  cry  selah  to  this  paean  of  praise 
and  will 


See  you  tomorrow!" MAE  TINeE 


IVITM 

LILLIAN  RICH 
ROBERT  EDESON 
TYRONE  POWER 

JEAN  ACKER 

JIdaptfd  by  MARY  O'HARA 
from  the  playSTRONCHEART- 
by  WILLIAM  C.OEMILLE 


i 


RELEASED    BY 

PRODUCEKS  DISTKIBUTINCCOKPORATION 


L 


f,  C   MUNROt    rrf»«(n<        BAVMOND  PAWLEV.  Vn»  r....d.f>l»nj  Tr, 


lOHN  C  TLINN.  VKtPtn 


•  od  C(i> 


Member  of  Mormn  Pururc  ProJuccrs 

and  Diitnhufof >.  nf  America.  Inc- 

Wh.i  H.HAYv.r'oi.ifm 


stnbulora   Producers    tntemational  Corporation 
130    Wtst  46th  Street 
/Vew  York.  N.    Y 


iTHE 

e  brAdstreet 

^  FILMDOM 


J^^RECOGMIIEfi 

Authority 


[XXV     No.  31 


Sunday,  February  7,  1926 


Price  25  Cents 


)01  at  "T.  N.  T" 

iner-Dance  at  Astor   Tonight 
Tardy  Applicants  Disap- 
pointed 

sixth  annual  "Naked  Truth 
'  the  big  annual  function  of 
sociated  M.  P.  Advertisers 
.  somewhat  comparable  to  the 
Gridiron  Dinner  in  Washing- 
be  held  at  the  Astor  tonight. 

will  be  1,001  persons  present 
)se  holding  tickets  attend.  The 
ividiial  will  be  an  unnamed 
an  who  will  attend  alone  and, 
be  hoped,   find   solace   in   the 

his   right   or   on   his   left — as 
;  may  be. 

•eservations  were  limited  and 
)ld  out  earlier  in  the  week. 
)mers  to  the  number  of  400 
rned  down  by  the  committee 

{Continued   on   Page   4) 


.  W.  Idea  Fails 

Votes  to  Continue   Its   Own 
e    Organization — Tri-State 

Affiliation  Off 
md,  Ore.— The  M.  P.  League 
?on  has  voted  to  retain  its 
It  would  therefore  seem 
iporarily  at  least  the  idea  of 
■Northwest"  exhibitor  unit  to 
;  Washington,  Oregon  and  Id- 

not  materialize, 
meeting  at  the  Benson  Hotel, 
vere     102    exhibitors    present 
ese  three   states.     The  work- 
the  Washington  M.  P.  T.  O. 

{Continued  on  Page  12) 


1  Firms  to  Build  15  Houses 

a — Following  the  merger  of 
rid  Realty  and  Epstein,  an- 
ient has  been  made  that  this 
ition  will  erect  IS  houses  in 
:a  cities  this  year.  The  first 
be  built  will  be  at  Columbus 
?mont. 


eatures  Reviewed 

Page 

Black   Bird 

tro-Goldwyn-Mayer    6 

Song  and   Dance   Man 

ramount    6 

Shadow   on  the   Wall 

tham-Lumas — S.    R 6 

e    Madness 

rtro-Goldwyn-Mayer   6 

1  Star 

sociated    Exhibitors    7 

;  for   Love 

id.  Dist.  Corp 7 

Beautiful    Cheat 

liversal     7 

Cowboy  and  the  Countess 

X    7 

t    Subjects    8 


Fox  in  Kansas  City 

Reported    That    Company    Will    Oc- 
cupy New  First-Run  Planned  As 
Part  of  Eight-Story  Building 

Kansas  City — An  eight-story  office 
and  theater  building  will  be  erected  at 
13th  and  Grand  Sts.,  sponsored  by  the 
S.  W.  Strauss  Co. 

It  is  reported  that  Fox  will  occupy 
the  house  upon  completion.  The  site 
is  two  blocks  east  of  Loew's  Midland, 
now  being  built  by  Shanberg  &  Wolff. 


After  Product 

Eight    Offers    Up    Before    American 
Cinema  Ass'n,  A.  J.  Moeller  De- 
clares— Directors  to  Decide 

The  executive  board  of  the  newly 
formed  American  Cinema  Ass'n  will 
shortly  discuss  the  offers  of  eight 
producers  to  make  pictures  for  the 
organization  which,  as  noted,  will 
operate  through  32  exchanges  in  this 
country. 

In    addition    ot    those    independent 

{Continued  on  Page  12) 

More  Prize  Winners 

The  Short  Feature  Advertising 
Ass'n  met  yesterday  and  announced 
the  three  winners  of  the  second  week 
of  the  "Laugh  Month"  contest.  First 
prize  went  to  H.  G.  Olfon  of  the  Ma- 
jestic. Reedsburg,  111.;  second  to  F. 
V.  Kennebuck  of  the  North  Star, 
Omaha  and  third  to  David  J.  Lustig 
of  the  Regun,  600  W.  116'th  St.,  New 
York. 


Regarding  Syd  Chaplin's  Plans 

The  following  wire  was  forwarded 
by  Syd  Chaplin  yesterday  to  Warner 
Bros.: 

"Very  sorry  to  hear  that  an  erron- 
eous rumor  has  been  circulated  to  the 
effect  that  I  am  leaving  Warner  Bros. 
This  is  entirely  misleading  and  I 
have  never  contemplated  such  a  move. 
Warner  Bros,  have  given  me  an  ideal 
engagement  and  this  has  been  proven 
by  the  success  of  my  Warner  Bros, 
pictures." 

The  report  published  was  to  the 
effect  that  Chaplin  was  considering 
the  formation  of  his  own  producing 
unit  with  release  through  United  Ar- 
tists. 


Pass  Dividend  on  Techicality 

Warner  Bros.'  directors  yesterday 
decided  to  omit  the  usual  quarterly 
dividend  of  37l4  cents  a  share  on  the 
Class  A  stock  due  at  this  time.  Pass- 
ing of  the  dividend  was  said  to  be  not 
due  to  anything  concerning  earnings 
or  the  financial  position  of  the  com- 
panv.  Warners  recently  paid  out  $2,- 
000,000  .for  production  which  was 
charged  to  earnings,  although  this 
was  really  a  capital  expense.  The 
passing  of  the  dividend  was  said  to 
be  due  to  a  technicality  and  therefore 
had  no  effect  upon  the  market  for  the 
stock. 


Signs  with  F.  B.  O. 

Los  Angele.s — Adamae  Vaughn,  sis- 
ter of  Alberta,  has  signed  a  long- 
term  contract  to  be  featured  by  F.  B. 
O. 


An  Idea 


By  DANNY 


Conferences  On 

Exhibitor     Leaders     Here — Reported 

Uniform    Contract   Has    Brought 

Them  to  Town 

There  was  a  considerable  air  of 
mystery  around  certain  rooms  at  the 
Biltmore  yesterday  afternoon.  It  was 
a  difficult  matter  to  pin  anybody 
down  to  a  definite  statement  of  fact. 
One  passed  the  inquirer  on  to  an- 
other  and   so   it   went. 

However,  the  future  of  the  pro- 
posed French  Lick  conference  de- 
pends a  good  deal  on  what  happens 
in  New  York  in  the  next  few  days. 
There  may  be  no  necessity  for  such 
a  meeting  and  again,  the  need  may 
become  more  pronounced.  All  this 
alleged  mystery  surrounds  that  much- 
mooted  question:  the  framing  of  a 
uniform  contract  which  exhibitors  de- 
clare will  be  more  equitable. 

A  number  of  individuals  import- 
ant in  exhibitor  organization  arrived 
(Continued  on  Page  12) 


Jesse  Lasky  talking.  Suggests  that  some  of  the  money  now 
spent  for  censorship  be  used  to  raise  the  taste  of  theater-goers. 
And  as  a  sohition,  that  a  course  for  the  appreciation  of  pictures 
be  established  in  the  public  schools. 

That  seems  sane  enough.  Certainly  the  thousands  and  thou- 
sands of  dollars  now  wasted  on  censorship  might  easily  be  used 
for  much  better  service.  And  if  such  a  course  as  Lasky  sug- 
gests can  be  put  into  operation,  so  much  the  better.  But  who  will 
start  this,  who  will  pave  the  way,  seems  difficult  to  figure. 

Those  agitators  who  are  so  busy  knocking  pictures  would 
certainly  be  in  the  front  line  of  opposition  to  such  a  move.  That 
can  be  depended  upon.  _    ^   

PRESS  STUFF 

Bebe  Daniels  fears  she  is  to  be  poisoned.  So  sends  a  box  of 
candy  received  in  the  mail  to  be  analyzed.     Reggie  Denny  be- 

(Conttnued  on  Page  10) 


Organize  in  South 

"U"  Forms  Special  Theater  Depart- 
ment    in      Atlanta      with      Dan 
Michalove  in  Charge 

Atlanta — The  theater  department 
of  Universal  in  Atlanta  was  entirely 
divorced  from  the  distribution  de- 
partment when  Dan  Michalove 
moved  his  offices  from  the  quarters 
in  the  Universal  exchange  to  a  suite 
in  the  new  101  Marietta  Bldg.  The 
theater  department  will  function  as  a 
division  of  the  newly  organized  Uni- 
versal  Chain   Theaters   Corp. 

With  Michalove  went  Marjorie 
Lagen  who  has  been  connected  with 
Universal  in  Atlanta  in  an  important 
capacity  for  years,  and  G.  Russell 
Baker,  head  of  the  accounting  depart- 
ment  of  the   theater   department. 

Some  interesting  developments  by 
Universal   are  anticipated. 


More  New  Theaters 

15  Additional  Projects  Announced  or 

Advanced     to     New     Stage     of 

Development 

New  theater  construction  from 
various  sections  of  the  country  as 
reported  to  THE  FILM  DAILY 
yesterday  involves  IS  theaters.  Some 
of  them  are  new,  others  have  been 
advanced  to  a  new  stage  in  their 
development.     The  projects  are: 

Albany,  N.  Y. — A  new  house  is  be- 
ing built  here  by  the  Mark-Strand 
chain. 


Chelan,  Wash.— R.   A.   Kelsey  has 
purchased    property    upon    which    he 
{Continued   on   Page  4) 


■'I 


THE 


j?e^ 


DAILY 


Sunday,  February  7, 


Vol.  XXXV  No.  31     Sunday,  Feb.  7, 1926    Price  25  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FlOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Mariborough  St., 
ijondon,  W.  I.,  Paris — La  Cinematographie 
Francaise,   5,   Rue  Saulnier. 


Quotations 


(These   quotations   are 
High 


Eastman  Kodak 
Famous  Players 
Fam.  Play.  Pfd. 
Fox   Film   "A"    . 


..110 

..118J4 

.A20H 

..   81 


Fox  Theaters   "A".  31^ 

Loew's,    Inc 39% 

Metro-Gold.  Pfd.   ..  23^4 

M.  P.  Cap.  Corp...  20 

Pathe  Exch.   "A"..  74 J4 

Skouras  Brothers  . .  52 

Trans-Lux     12M 

Warner  Brothers   . .  14^ 


as   of 

Low 

110 

117^ 

120Ji 

79 

30^ 
39Ji 

23  H 
1914 
74  J4 
52 
12 


Friday.) 
Close     Sales 


110 
11754 

80 

39H 

23  J4 

20 

74^ 

52 

1254 

13J4 


200 
4,500 

100 
8,800 
2,500 

500 

100 
1,400 

100 

2,700 
7,100 


"Wampas"  to  Entertain  Editors 
Hollywood — Barrett  C.  Kiesling, 
publicity  director  for  Cecil  De  Mille 
has  been  named  by  the  "Wampas" 
as  chairman  of  committee  to  devise 
ways  and  means  for  the  entertain- 
ment of  2,000  editors  of  the  National 
Editorial  Ass'n  during  the  Los  An- 
geles convention  next  July.  Will  H. 
Hays  asked  the  "Wampas"  to  take 
this  matter  in  hand.  Other  members 
of  the  committee  include  Arch  Reeve, 
Pete  Smith,  Tom  Reed,  Hal  WalHs, 
Harry   Brand  and   Harry  Wilson. 


New  Western  Circuit 
Salt  Lake  City — Louis  Marcus  is 
now  operating  four  theaters  under 
the  name  of  Louis  Marcus  Theaters, 
Inc.  He  controls  the  Paramount- 
Empress  and  Victory,  Salt  Lake  City; 
the  Paramount,  formerly  the  Alham- 
bra,  in  Ogden,  and  the  Idaho  Falls, 
at  Idaho  Falls,  Id.  Marcus  is  also 
district  manager  here  for  Famous. 
The  new  circuit  is  to  be  increased. 


Two  Universal  Units  Increase  Capital 

Dover,  Del. — The  Universal  Pic- 
tures Corp.  of  Chile,  headquarters  in 
New  York,  and  the  Universal  Pic- 
tures Corp.  of  Peru,  likewise  of  New 
York,  have  filed  capital  increases,  the 
latter  from  $5,000  to  $25,000  and  the 
Chile  company  from  $10,000  to 
$25,000. 


Morrison  to   Manage   Howard 

Atlanta — Ernest  Morrison,  now 
city  manager  for  Publix  Theaters  in 
Asheville,  N.  C,  will  take  over  the 
management  of  the  Howard  here,  suc- 
ceeding Charles  G.  Branham  who  re- 
signed to  join  Dan  Michalove  in  the 
operation  of  Universal's  theater  in- 
terests in  Florida. 


Gilbert,  Vidor  and  Thalberg   Here 

Irving  G.  Thalberg,  King  Vidor, 
and  John  Gilbert,  arrived  here  yes- 
terday to  attend  the  premier  of  "La 
Boheme,"   at   the    Embassy. 


Now  It's  "Greater  Movie  List" 

Universal's  1926-1927  product  which 
was  to  have  been  designated  as  the 
"Greater  White  List,"  will  be  released 
as  the  "Greater  Movie  List." 


Pictures,  Navy's  Chief  Pastime 

A  United  Press  dispatch  from 
Washington  states  that  pictures  out- 
rank all  other  forms  of  entertainment 
in  the  navy.  According  to  a  statisti- 
cal comparison  films  contribute  42.6 
per  cent  of  the  "recreation,  content- 
ment, amusement  and  comfort  of  the 
enlisted  personnel." 


New   1,800   Seater  for  New  Rochelle 

J.  A.  Mahstedt  is  head  of  a  syn- 
dicate which  will  build  a  theater  seat- 
ing 1,800  on  the  corner  of  North  and 
Winvah  Aves.,  New  Rochelle,  to  cost 
$400,000.  H.  Lansing  Quick,  archi- 
tect. 


Warners  Buy  All  of  Roche's  Works 

Hollywood — Arthur  Somers  Roche, 
who  has  been  engaged  by  Warners 
to  write  originals,  will  arrive  here 
about  April  2.  Warners  have  pur- 
chased rights  to  all  of  Roche's 
Works. 


Johnston  Again  at  the  Broadway 

Charles  Johnston  is  again  manag- 
ing the  Broadway  after  an  absence 
of  five  years.  During  this  time  he 
was  with  Harry  Davis  in  Pittsburgh 
and  for  Fox.  Assisting  Johnston  is 
George  Terhune,  former  assistant  of 
the  Colony.  They  succeed  Manager 
Stanion   and   James   Devlin. 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  I  N  S 

Specialists  in  Motion  Picture 

and  Theatrical  insurance  for 

the  past  fifteen  years. 


Arthur  W.  Stebbins  &  Co.,  Inc. 

1540  Broadway  N.  Y.  C. 

Brjrant  3040 


Marcus  Returns 

Lee  Marcus,  general  sales  manager 
of  F.  B.  O.,  has  returned  after  a  trip 
to  the  Coast,  visiting  Los  Angeles, 
San  Francisco,  Denver,  Portland,  Salt 
Lake,  Seattle  Minneapolis  and  Chi- 
cago. He  reports  business  conditions 
are  excellent  everywhere. 


Harris  to  Hollywood 

Jos.  B.  Harris,  Jr.,  of  Kelley  Color 
Laboratory,  Inc.,  left  yesterday  for 
Hollywood  to  make  plans  for  the 
opening  of  a  Coast  plant. 


M.-G.-M.  Borrows  Clarence  Brown 

Los  Angeles — Louis  B.  Mayer  has 
borrowed  Clarence  Brown  from  Jos- 
eph M.  Schenck  to  direct  "The  Trail 
of  '98"  for  M.-.G.-M. 


Seiter  Here  for  Denny  Premiere 

William  A.  Seiter  arrives  today  for 
the  premiere  of  "What  Happened  to 
Jones"  at  the   Colony. 


"Sea  Beast"  in  L.  A.  Feb.  19 

Los  Angeles — "The  Sea  Beast"  is 
to  have  its  local  premiere  at  Miller's 
new   Figueroa  theater  on   Feb.   19. 


Monroe  Theater  Opens  Tuesday 

The  Monroe  at  1st  Ave.,  and  76th 
St.,  will  open  next  Tuesday.  Gilbert 
P.   Josephson   is   manager. 


Spertfv 


Raw  Stock  for  QUALITY 

Sole  Distributors: 

FISH-SCHURMAN  CORP. 

45   West  45th   Street 
N.   Y.   Bryant  7243 


Verschleiser   to    Make   "Good   Luck" 

Hollywood — Ben  Verschleiser,  has 
contracted  to  make  "Good-  Luck"  for 
First  National.  Carey  Wilson  adap- 
ted this  to  the  screen.  Conway  Tearle 
will  head  the  cast,  work  to  start 
about  Feb.  10,  at  Metropolitan. 


GOWNS— UNIFORMS 


FOR  EVERyeOOy  who  is  ANVBOOy 
ON  THE  STA6E  OR  SCREEN..EXCLUSIVE 
DESIGNS  By  LEADING  STYLE  CREATORS 

BROOKS '4^v^» 


-ALSO  I5.O0O  COSTUMES  TO  RENT- 


!  HALPERIN  i 


ill!  ■■■.■  !■»■■»■  ■  JJJ 


Lichtman's  First 

Al  Lichtman's  initial  prod 
will  be  "Charley's  Niece,"  wo 
which  starts  tomorrow  at  Te 
under  direction  of  Harley  K 
Universal  will  release.  The  s 
production  will  be  the  "Cherry 

Two   More    Units   for   De  J 

Los  Angeles — Cecil  B.  De  M 
planning  new  expansion  pro 
The  first  of  two  new  units  wi! 
ture  Vera  Reynolds  and  I 
Ames.  The  second  will  be  a  st; 
unit  for  Jetta  Goudal. 


Now  in  preparation 
For  Production  Season  1926-27 

"In  the  First  Degree 

by  Reginald  Wright  Kauffn 


'^Bankrupt" 


Henry  Ginsberg  Dist.  Coi 

1540  BROADAVAY  N.V 


I909       BUTTONWOOD 

PHILADELPHIA..^^. 


When  m  Hollywood 
stop  at 

THE  NEW  HOTEL  REGEI 

Every  room  nvith  Bath  and  Rad 

A  beautifully  appointed  moderati 
priced   hotel. 

In  the  heart  oj  Hollywood 

6162  HOLLYWOOD  BLVD 

Phone:  Holly.  0487 


■  "■■■' 


1 


i 


It  seems  to  be  the 
loveliest  bit  of  color 
work  these    old    eyes 
ever  have  rested  on.  Miss 
Hampton  is  exquisite .... 
Don't  miss  this. 

N.  Y.  HERALD-TRIBUNE 

Exquisitely  tinted  . . .  .The  story's 
a  charming  fantasy  ....  The  colors 
are  unusually  lovely,   the  picture  is 
very  effective. 

NEW  YORK  JOURNAL 

Of  the    short   films    and    novelties  in  the 
Broadway   motion    picture  houses  this  week 
Hope  Hampton  in  "Marionettes"  at  the  Rivoli 
seems  to  have  led  by  an  easy  margin. 

NEW  YORK  EVENING  WORLD 


Remember  ''THE  VOICE  OF  THE  |NlGHTINGALE'' 

Winner  of  the  Riesenfeld  Qold  Medal! 

Here's  another  beautiful  fantasy  in  colors 

that's  making  the  same  kind  of  record 

everywhere — cheers  from  the  audience, 

praise  from  the  critics  and  extra  profits 

at  every  box-office — 

''MARIONETTES  «* 

with 

HOPE 
HAMPTON 

Directed  by 
Henri  Diatnant  Berger 


Photography  by 

Technicolor 

Process 


WESTERN  UNION 
TELEGRAM 


LOS  ANGELES  CALIF 
MARIONETTES  IN  TECHNICOLOR  IS  A  MARVELOUS 
LITTLE  FEATURE  AND  A  GREAT  SUCCESS  HERE 
THIS  WEEK   DRAWING  APPLAUSE  AND  HIGHEST 
PRAISE  PROM  AUDIENCE  AT  EVERY  SHOWING 
H  B  WRIGHT  MANAGER 

LOEWS  STATE  THEATRE 


A  lovely  fantasy, 
made   adorable  by 
the  presence  of  its  star. 
Miss  Hampton  is  a  mar' 
velous  subject  for  the  won- 
ders  of  technicolor.     The 
beauty  of  her  coloring  is  accen- 
tuated by  stunning  settings  and 
fine  lighting  effects, which, all  com- 
bined, become  marvelous. 

ZITS  WEEKLY 


Produced  by  DIAMANT  FILM  COMPANY  of  America 


f  (QdoAza-ticruxi  (j-CctuAjLA^ 


^^.£i 


■THE  SPICE  OFTHE  PROGRAM" 


Member,  Motion  Picture  Producers 

and  Distributors  of  America,  Inc. 

Will  H.  Hays,  President 


EDUCATIONAL 
FILM  EXCHANGES.  Inc. 


^uy^Uut^ 


President   ' 


J 


THE 


■S^ 


DAILY 


Sunday,  February 


More  New  Theaters 

(Co)iiinued  from  Page   1) 

will  erect  a  $30,000  house.  Work  will 
start  in  the  Spring  and  the  house  will 
open  in  September. 


Goshen,  N.  Y.— The  Shawnee  De- 
velopment Co.,  has  purchased  prop- 
erty to  build  a  $100,000  house,  to 
seat  900. 


Hart,  Mich — Plans  have  been  made 
for  the  erection  of  a  new  house  here 
by   Fred   N.    Harris. 


Johnstown,  Pa. — George  Pananga- 
toco's  new  house  which  he  is  erect- 
ing is  almost  complete. 


Kingsville,  Tex. — A  new  house  is 
to  be  erected  here  by  the  R.  &  R. 
Enterprises. 


Oakland,  Gal. — The  Beach-Krahn 
Amuse  Co.  will  erect  an  1,800  seat 
house  at  College  and  Claremont 
Aves.,   to  cost  $250,000. 


Parkersburg,  W.  Va. — Ben  Nathan 
will  build  a  new  State  theater  on  7th 
St.  It  will  seat  900,  and  Pete  Thomas 
will   manage. 


Quincy,  Mass. — Ground  has  been 
broken  for  a  new  theater  to  be 
erected  at  Hancock  and  Cushion  Sts. 
It  will  cost  $90,000. 


Reno,  Nev. — The  Reno  Theaters 
Co.,  Charles  Dorimo,  manager,  is 
erecting  a  new  theater  across  from 
the   Hotel   Golden. 


Richmond,  Ind. — Plans  have  been 
completed  for  a  two-story  brick  the- 
ater to  cost  $150,000  by  the  Remeyl 
Corp. 


Utica,  N.  Y. — Harry  Brooks  is 
erecting  a  new  900  seat  house,  which 
S.  L.  Wolf  will  manage. 


Washington  Park,  111.  —  Orville 
Boswell  has  purchased  a  site  upon 
which  he  will  build  a  house  to  cost 
$25,000.     Work  will  start  shortly. 


Wauchula,  Fla. — A  900  seat  house, 
to  be  called  the  Strand,  costing  $125,- 
000  will  be  erected  here. 


Wayne,  Mich. — Ground  has  been 
broken  near  the  Henry  Ford  factory 
for  a  $125,000  theater. 


Theater    Openings 

Aliceville,  Ala. — Walter  Connor, 
proprietor  of  the  Lyceum  at  Macon, 
Miss.,  has  opened  a  house  at  Alice- 
ville, near  the  Mississippi  and  Ala- 
bama line. 

Anadarko,  Okla. — Wade  Moore  has 
opened  the  new  Moore. 


Chelsea,  Okla. — The  500-seat  thea- 
ter which  was  recently  erected  by 
I.  R.  Ketchum,  William  Pittsenber- 
ger,  R.  A.  Williams  and  Lee  Pratt 
has  opened. 


Delano,  Gal. — Frank  P^nero  is 
erecting  a  new  house,  to  open  some- 
time  this  month. 


And  Now  This 

Cincinnati  —  The  Salvation 
Army  has  obtained  a  tempor- 
ary injunction  to  prevent  erec- 
tion of  a  theater  adjoining  the 
Catherine  Booth  Home  for 
Girls,  on  the  ground  that  music 
from  the  theater  would  instill 
"jazz  emotions"  in  babies  born 
at  the  home. 


Detroit — A  new  theater  to  seat 
1200  is  to  be  opened  June  1,  by  Frank 
De  Lodder,  owner  of  the  East   End. 


Georgetown,    Tex. — A.    C.     Moore 
will   open   his  new  theater   in   March 


Gotebo,  Okla. — A  new  house  open- 
ed  recently   in   the    Conner    Building. 


Hamburg,  N.  Y. — The  Palace  was 
opened  recently  by  George  Biehler, 
who  for  many  years  operated  the  old 
Palace. 


Houston,  Tex. — The  New  Ritz  has 
opened. 


Mayfield,     N,     Y. — Louis     Jerome 
will  open  the  Jerome  shortly. 


Mentor,   Minn. — Charles   Knudtson 
has  opened  a  theater  here. 


Mount  Shasta  City,  Cal— The 
Shastona  has  been  opened  by  J.  W. 
Bascom. 


Notart,  Okla. — The  Rialto  has  been 
opened  by  W.  E.  Wolfenterger. 


Richwood,  W.  Va. — Holt  and 
Hamilton  will  open  shortly  a  new 
house  to  seat  650.  Wendell  Holt  will 
manage. 


Roselle,    N.    J. — The    new    Roslyn 
theater   has   opened. 


Walla     Walla,     Wash. — The     new 
Strand  has  opened. 


San  Francisco — The  new  theater  at 
30th  and  Alberta  is  practically  com- 
pleted. 


Sioux  Falls,  S.  D. — March  15  is  the 
tei^tative  date  for  the  opening  of 
Finkelstein  &  Ruben's  new  State 
theater. 


Springfield,  111. — The  Pantheon  has 
opened  under  management  of  Theo- 
dore  Gray  and   Charles    Coutrakon. 


Three  Rivers,  Mich. — A  new  thea- 
ter opened  here  recently  under  man- 
agement of  L.   H.  Warner. 


Waco,  Tex. — A  new  theater  is  to 
be  opened  here  shortly  by  Q.  R. 
Thompson. 


Carey  in  Realty  Deal 

Los  Angeles — Purchase  of  a  1,272 
acre  ranch  in  San  Fernando  Valley 
has  been  made  by  Harry  Carey,  who 
also  owns  a  large  tract  in  San  Fran- 
cisquito  Canyon.  The  deal  involves 
$200,000. 


Granted  Injunction 

Famous    Gets    Temporary    Order    in 

Suit  Involving  Cooney 

Bros,  of  Chicago 

Chicago — Ihe  plea  of  Cooney  Bros. 
for  a  dismissal  ot  a  suit  brought 
against  them  by  Famous  for  an  ac- 
counting has  been  denied  and  Fa- 
mous has  been  granted  a  temporary 
injunction  restraining  the  Cooneys 
from  changing  or  auditing  their  books 
in  any  manner. 

I'amous  IS  expected  to  ask  for  an 
order  from  the  court  permitting  an 
examination  of  the  Cooney  accounts 
in  about  twenty  days.  It  is  charged 
Cooneys  kept  a  double  set  of  books 
in  order  to  confuse  Famous  on  the 
business  done  with  certain  Paramount 
pictures  under  a  percentage  arrange- 
ment. The  action  involves  about 
$12,000. 

In  commenting  on  the  action,  Ben 
J.  Cooney  asserts  the  suit  consum- 
mated a  long  attempt  by  "recent  as- 
sociates" of  Famous  to  defame  the 
character  of  Cooney  Bros,  and  the 
National  Theaters  Corp.  He  said  the 
Cooneys  have  enjoyed  a  distinct 
measure  of  success  in  the  operation 
using  independent  product  with  Uni- 
of  the  Capital  and  Stratford  theaters, 
using  independent  product  with  Uni- 
versal as  the  backbone.  He  asserts 
National  Theaters  have  paid  less  than 
$8,000  for  Paramount  service  in  the 
past  year,  thereby  making  the  suit 
lUiculous  and  preposterous. 


Capitol  Increases  House  Staff 

Major  Edward  Bowes,  of  the  Capi- 
tol, is  reorganizing  and  augmenting 
the  house  staff.  rwenty  additional 
ushers  have  been  engaged,  increasing 
the  total  number  of  the  uniformed 
staff  to  110  men. 


Howard  Emmett  Rogers  Joins  Par- 
amount 
Howard  Emmett  Rogers,  author  of 
vaudeville  sketches,  has  been  added  to 
the  scenario  staff  at  the  Paramount 
Long  Island  studio.  His  first  assign- 
ment is  "Paradise  for  Two." 


Karzas  Erecting  Big  Indiana  House 

Hammond,  Ind. — Work  is  under 
way  on  a  theater  said  to  be  the  largest 
and  most  beautiful  in  that  state.  It 
is  being  erected  by  Andrew  Karzas 
of  Chicago. 


Yates  Buys  Babylon  Property 

Herbert  J.  Yates  has  purchased 
from  Upjohn  &  De  Kay,  12  acres  on 
the  Montauk  Highway,  Babylon, 
Long  Island,  for  $75,000. 


Purchase   Road    Show   Rights 

The  Continental  Feature  Film 
Corp.  of  San  Francisco  has  pur- 
chased road-show  rights  of  "William 
Tell"  for  the  Middle  West  and  West. 


Theater  Damaged  by  Fire 

Wininpeg — A  serious  fire  in  the 
heart  of  the  retail  section  caused  con- 
siderable damage  to  the  Lyceum. 
Damage   to   the    theater   was   $10,000. 


Famous  House  Turns  to  Stock 

London,  Ont. — The  Grand  theater 
is  now  playing  dramatic  stock.  J. 
R.  Minhinnick  is  manager.  It  is 
controlled   by  Famous. 


1,001  at  "T.N.I! 

(Continued  from  Page  1) 

— regretfully  but  firmly,  neveii 
Dinner    will    be    served    prom 
seven.  Nine  Pinkerton  men  ha| 
engaged   to   keep   a    watchful 
the    jewels.       The    committee! 
this  seriously. 

Texas  Guinan  and  her  gang! 
present,  Texas  to  be  in  cf 
charge  of  all  wisecracks.  Ii 
will  be  abetted  by  Nat 
There  will  be  no  speeches,' 
one  news  reel — the  usual  annil 
ject.  There  will  be,  howeveij 
ing  and  lots  of  it.  Three  ore  I 
have  been  engaged  to  wear| 
selves  out.  • 

"Crashers"    are    warned    to 
away  from  the  gates.     There 
two   special   policemen  there — I 
armed    and    determined    to   call 
their  duty. 


Banker  on  Eastern  Boat 

Toronto — W.  D  Ross,  well 
banker,  has  been  elected  to  th( 
of  directors  of  Eastern  Theater 
affiliated  with  Famous  Players 
is  a  director  of  the  bank  of 
Scotia.  A  financial  statement 
first  quarter  of  the  fiscal  year 
ing  September  last,  showed 
stantial  increase  over  the  earnii 
the  same  three  months  of  t! 
vious  year. 


7 


Canadian    Managers    Cha; 

Sault  Ste.  Marie,  Ont.— T 
goma  is  now  under  the  nianai 
of  W.  P.  McGeachie  who,  for 
was  manager  of  the  Capitol  a 
land,  Ont.  Ray  Tubman,  fo 
manager  of  the  Algoma,.is  t 
charge   of  the   Capitol,   Hamill 


Schine  Deal  in  GloversviC 

Gloversville.  N.  Y.  —  The  ■ 
Theatrical  Corp.  has  taken  pos!: 
of  the  Kasson  Opera  House  ■ 
housing  the  Family.  Stamps  a1 
to  the  deed  indicate  that  th 
paid  for   the  property  was  $10 


Mueller   Sells    His   Two   He 

Jefr'erson  City,  Mo. — Billy  I 
has  sold  his  Jefferson  and  Mil 
Dubinsky   Bros. 


Educational,    Omaha,    Mot 

Omaha — The  Educational  exi 

has    moved    into   the    Film    Bid 

was   formerly   at    1511    Chicago 

In  the  Courts 

A  judgment  has  been  filed 
Supreme  Court  in  favor  of  the 
gram  Publishing  Corp.,  for  $5, 
the  suit  of  the  Bay  State  Film 
Co.,  Inc.,  in  which  a  jury  befor 
tice  Grain  gave  a  verdict  for  t 
fendant  on  its  counter-clair 
$5,089.  Bay  State  sued  on  tra 
ceptances  amounting  to  $12,952 
in  April  and  May  1925,  and  foi 
674  for  raw  stock  delivered  bt 
May  and  Julv  of  that  year,  ma 
total  of  $29,627.  In  its  counter 
Kinograms  asserted  that  undi 
contract  Bay  State  agreed  to 
the  prices  for  raw  film  by  the 
man  company  and  for  that  feasi 
defendant  was  entitled  to  a  reb 
$34,260  on  payments  already 
The  jury  upheld  the  contention 


ir,  February  7,  1926 


THE 


SsSE_!_££ 


DAILV 


Many  New  Corporations 
ral   important   companies   have 
hartered,  including  the  follow- 
Red      Seal      Exchanges,      Inc., 

in  Delaware  with  a  capital  of 
;  The  Stern  Film' Corp.,  also 
ed  in  Delaware,  with  a  capital 
),000. 

Coshocton  Cinderella  Theater 
le  Dover  Weber  Theater  Co., 
)gan  Ruble  Theater  Co.,  the 
Windsor  Theater  Co.,  the 
igum  Theater  and  the  Sidney 
ic  Theater  Co.,  all  formed  in 
headquarters  in  Cleveland,  by 
1,  H.  Luckay  and  M.  Rich  and 
ing  a  capital  of  $500. 

short  Features  Advertising 
ition  was  formed  recently  in 
ork.  This  is  the  organization 
red  by  localinterests  interested 
t  subjects. 

Gregory,  operating  a  chain  in 
,  is  head  of  the  Gregory  The- 
)rp.,  chartered  in  Illinois  with 
al  of  $1,000,000. 


Jome  Corporate  Cl^nges 

ny,  N.  Y.— The  Pine  Hill 
ment  Co.,  a  Buffalo  corpora- 
is  been  dissolved. 


:r,  Del. — The  Elevated  Amuse- 
'o.  and  the  Strand  Theater  Co., 
Delaware  corporations,  have 
:instated. 


gfield.  111. — The  Kedzie-Roose- 
orp.  has  increased  its  capital 
25,000  to  $50,000. 


t  Issue  to  Back  New  House 

•  Lake,  Minn. — The  Commer- 
lub  of  Prior  Lake,  plans  to 
r  formation  of  a  stock  com- 
/hich  will  build  a  theater. 
;r  present  plans,  the  Palace  is 
Drn  down  to  make  way  for  the 
)use,  which   is  to  seat  2,200. 


Remodeling  Saxe  Houses 

)sha.  Wis. — The  Burke  theater, 
the   Saxe  houses,  is  being  re- 
d.     A  $20,000  Barton  organ  is 
nstalled. 


ard  Dayton  has  resigned  as 
;r  of  the  Orpheum  to  devote 
e  to  other  interests. 


is,  District  Chief  for  Arrow 

ias  City — Floyd  Lewis,  form- 
strict  manager  for  Associated 
tors  in  this  section,  has  been 
red  by  local  interests  interested 
11  make  his  headquarters  in  St. 


rley  Employees   Organize 

nectady,  N.  Y. — Employees  of 
riev  Theater  Enter,  have  or- 
1  the  W.  W.  Farley  Ass'n  to 
:  entertainment  after  working 


s  in  Seattle  with  Custer  Film 
:le — Wm.  Cutts  is  here  with 
r's  Last  Fight"  which  he  if 
ig  independently.  He  was  for- 
lanager  of  the  Columbia  for 
sal. 


Gross  Back 
Gross  has  returned  from  Hol- 
l  where  he  developed  gags  for 
w  Chaplin  comedy. 


Lewiston  in  Community  Film 

Lewiston,  Pa. — Globe  Films  and 
the  Pastime  theater  will  soon  produce 
a  local  picture  which  is  to  be  shown 
at  the  Pastime  and  afterwards  to  be 
run  in  nearby  towns. 

"The  Story  Without  an  End"  is  the 
name. 


Inspection  Bill  Up 

St.  Louis— At  the  request  of  the 
Director  of  Public  Safety,  a  bill  has 
been  introduced  into  the  Board  of  Al- 
dermen raising  the  inspection-  fee 
from  a  $2  flat  price  to  a  sliding  scale 
with  a  minimum  of  $5. 


New  Agricultural  Film 

Washington— A  new  U.  S.  Depart- 
ment of  Agriculture  four-reeler, 
"From  Ranch  to  Ranch  in  Califor- 
nia," has  been  issued.  It  was  made 
in  cooperation  with  the  University  of 
California. 


Casey  Reappointed  Censor 

Boston — John  M.  Casey  has  been 
reappointed  city  censor  for  four  more 
years  by  the  new  mayor,  Malcolm 
E.  Nichols.  Casey  has  served  in  this 
capacity  for  16  years  under  four  dif- 
ferent administrations. 


Jack  Plant  New  Manager  of  Merrill 

Milwaukee — The  Merrill,  one  of  the 
Saxe  houses,  has  a  new  managing  di- 
rector. He  is  Jack  Plant,  former  man- 
ager of  the  Grand  of  Green  Bay.  He 
will  succeed  S.   J.   Kennedy,  resigned. 


Elwell  Commences  New  Duties 
Atlanta — Jack  Elwell,  formerly  of 
the  M.-G.-M.  exchange,  is  the  mana- 
ger of  Liberty  Film's  Atlanta  branch, 
succeeding  Hank  Hearn,  now  district 
manager   for   Associated   Exhibitors. 


Competition  at  Winona 
Winona,  Minn. — Bringing  real  com- 
petition to  the  town,  the  Apollo,  built 
by  Beyerstedt  Bros.  &  Hodge,  has 
opened.  The  house  has  1,340  seats 
and  was  built  at  a  cost  of  $150,000. 


New  Illinois  Company  Formed 

Evanston,  111. — Clyde  Elliott,  Ralph 
Obenchain  and  Charles  Harvey  have 
organized  the  University  Theaters 
Co.,  with  offices  at  1560  Sherman 
Ave. 


Benton  Acquires  Two 

Glen  Falls,  N.  Y.— The  Rialto  and 
Park  have  been  taken  over  by  Will- 
iam E.  Benton  who  now  controls  the 
entire  stock  of  the  Glen  Falls  Oper- 
ating Co. 


Van  Praag,  a  Universal  Manager 

Washington  —  Morton  Van  Praag, 
formerly  Universal  salesman  is  now 
managing  the  local  exchange,  suc- 
ceeding Morris  Epstein. 

Gallanty   Managing   Exchange 

Washington  —  Sam  Gallanty  has 
succeeded  Norman  J.  Ayers  as  man- 
ager for  Independent  Film. 

"Classified  Week" 
Seattle— The  Mayor  designated  one 
week,  during  the  showing  of  "Classi- 
fied"   at    the    Liberty,    as    "Classified 
Week." 


"The  Cup,"  Hurlbut  Play,  Purchased 
P.  D.  C.  has  bought  "The  Cup,"  a 
play  by  William  Hurlbut. 


Just  Arrived! 


Bell  and  Howell 


E-Y- E-M-0 

The  MOTION  PICTURE  CAMERA 
NEWS  MEN  HAVE  LOOKED  FOR 


The  extreme  portability,  flexibility  and  speed 
of  "EYEMO"  makes  it  the  perfect  instrument 
for  the  busy  nevv^s  photographer. 

No  heavy  weight  to  carry 
around  —  no  tripod  —  no 
cranking. 


When  the  "call"  comes, 
he  simply  picks  up  his  7- 
pound  automatic  "EYE- 
MO"  and  a  few  rolls  of 
day-light  loading  nega- 
tive— and  is  off. 

Once  on  the  scene,  he 
puts  "EYEMO"  to  his 
eye,  adjusts  the  focus,  sets 
the  diaphragm,  pulls  the 
trigger — and  the  picture 
is  taken. 


"EYEMO"  loads  in  day- 
light— shows  at  all  times 
how  much  film  has  been 
exposed — assures  absolute 
maximum  speed  from  the 
pull  of  the  trigger  to  its 
release. 


Now  on  Demonstration  or  Booklet  on  Request. 

WILLOUGHBY'S 

MOTION  PICTURE  DEPARTMENT 

110  W.  32nd  St.  New  York 


THE 


Sunday,  February  "} 


Lon  Chaney  in 

"The  Black  Bird" 

Metro-Goldwyn-Mayer 

CHANEY  IN  ANOTHER  MAS- 
TERFUL PERFORMANCE 
WITH  CROOK  STORY  BACK- 
GROUND THAT  IS  BOTH 
NOVEL  AND  INTERESTING. 
GREAT  SUSPENSE  AND  DRA- 
MATIC ACTION. 

Star.  ...  Plays  dual,  contrasting  roles 
with  his  usual  finesse.  As  "The 
Black  Bird,"  a  notorious  crook  and 
his  masquerade  as  the  Bishop  of 
Limehouse,  Chaney  reaches  his 
customary  heights  for  unusual  char- 
acterization. The  character  of  the 
crippled  bishop  is  somewhat  simi- 
lar to  that  which  he  played  in  "The 
Miracle  Man." 
Cast.  .  .  .Renee  Adoree  a  pleasing  ad- 
dition as  Fifi,  the  little  French  pup- 
pet performer.  Owen  Moore  first 
rate  as  the  English  dude  crook. 
Doris  Lloyd  good  in  small  part. 
Type  of  Story ....  Crook  melodrama. 
Tod  Browning  may  have  conceived 
the  idea  for  this  story,  for  which 
he  is  credited  as  author  as  well 
as  director,  from  "The  Miracle 
Man."  At  any  rate  Lon  Chaney 
plays  a  similar  part,  that  of  a 
crook  who  manocuvers  his  escapes 
by  a  masquerade  shift.  When  he 
isn't  plying  his  trade  he  dons  the 
hideous  make-up  of  the  Bishop  of 
Limehouse,  distorting  his  body  into 
that  of  an  unsightly  cripple  and 
playing  the  saver  of  souls  in  a  tiny 
Limehouse  mission.  The  idea  is 
cleverly  worked  out  and  reaches 
some  heights  in  dramatic  action  as 
well  as  bringing  in  some  effective 
romantic  touches  that  offset  the 
rather  gruesome  cripple  business. 
It  is  mightly  cleverly  done  but 
may  be  just  a  trifle  unpleasant  in 
detail  for  some  tastes,  particularly 
when  they  show  Chaney  in  the  act 
of  bringing  his  joints  out  of  the 
cripple  posture,  and  vice  versa. 

Story:  Concerns  the  elaborate 
scheme  of  the  Black  Bird  who 
takes  turns  at  robbing  and  playing 
bishop  to  the  poor  in  Limehouse, 
of  his  great  love  for  a  little  French 
girl  and  his  trick  to  break  up  her 
love  affair  with  English  Eddy,  a 
gentleman  crook,  of  his  subsequent 
actual  crippling,  the  result  of  a  fall 
when  trying  to  elude  the  police,  of 
his  agonizing  death  and  the  re- 
union of  Fifi  and  her  lover. 
Box  Office  Angle.... A  Lon  Chaney 
release  is  always  a  momentous  oc- 
casion. "The  Black  Bird"  is  no  ex- 
ception. May  be  a  bit  gruesome 
for  some  people. 
Exploitation.  . .  .You  can  go  the  limit 
on  promises  regarding  Chaney  and 
his  latest  role,  or  dual  role.  Tell 
them  about  the  remarkable  con- 
trast between  the  two  parts  he  plays 
and  run  a  trailer  to  further  bring 
home  the  contrast.  Boost  Chaney's 
niame  for  all  it  is  worth  to  you. 

Direction Tod   Browning;    good 

Author    Tod    Browning 

Scenario    Waldemar    Young 

Cameraman    Percy    Hilburn 

Photography    Good 

Locale.  .  .Limehouse  District,  London 
Length    6,600  feet 


"The  Song  and  Dance  Man" 

Paramount 

GEORGE  M.  COHAN'S  STAGE 
PLAY  MAKES  FOR  RATHER 
AMUSING  PICTURE— GOOD 
DIRECTION  AND  FINE  SET 
OF  TITLES  HELP  CONSIDER- 
ABLY. 

Cast.  .  .  .Tom  Moore  and  Bessie  Love 
a  fine  pair  of  troupers.  Both  es- 
pecially well  suited  and  do  excel- 
lent work.  Bessie  Love  pleasing 
and  entertaining  as  usual.  Others 
in  good  cast  include  Harrison  Ford, 
Norman  Trevor,  "Bobby"  Watson. 
Type  of  Story. ...  Comedy  romance; 
adapted  from  George  M.  Cohan's 
stage  play.  Cohan's  play  gets  away 
from  the  beaten  track  for  one 
thing  and  even  though  it  isn't  an 
easy  matter  to  make  up  for  the  loss 
of  the  dialogue  that  carried  the  play 
through  to  amusing  heights,  a 
clever  set  of  subtitles  help  in  no 
small  way  to  make  up  for  the  defic- 
iency. They  get  over  most  of  the 
laughs  since  most  of  the  gags  are 
dependent  upon  words  to  make 
their  point.  The  struggle  of  the  oft 
"panned"  "ham  actor"  is  the  basis 
of  the  story  and  makes  for  some- 
thing out  of  the  ordinary.  The 
fans  may  be  a  bit  disappointed  that 
they  don't  pair  off  Bessie  Love  and 
Tom    Moore   in   the  usual   clinch. 

Story:  "Happy"  Farrell's  ambi- 
tion is  to  play  the  "big  time."  He 
finally  wins  the  opportunity  of  a 
tryout,  taking  along  with  him 
Leola.  a  dancer  whom  he  had  be- 
friended. It  happens  that  Leola 
is  signed  on  a  long  contract  while 
Farrell  fails  to  shake  off  the  rating 
of  "ham."  Leola  becomes  a  fam- 
ous star.  Meanwhile,  "Happy"  de- 
cides to  try  another  "line"  and 
makes  good  because  Nelson,  the 
producer,  had  faith  in  him  to  the 
extent  of  a  thousand  dollar  loan. 
In  three  years  "Happy"  returns, 
a  success,  but  still  yearning  to  be  a 
"song  and  dance  man."  Leola  is 
about  to  give  up  her  career  to 
marry  Murdock,  a  playwright. 
"Happy"  arrives  in  town  leaving 
success  behind  him  to  resume  his 
"song  and  dance  man"  act,  claim- 
ing that  he  can  be  happy  in  no 
other  role.  Murdock,  fearing  to 
lose  Leola,  decides  to  allow  her  to 
continue  her  career  after  they  arc 
married. 
Box  Office  Angle. ..  .Will  please  the 
average  audience.  Has  goodly 
share  of  laughs  and  amusing  situa- 
tions to  keep  them  interested. 
Exploitation. ..  .George  M.  Cohan's 
name  and  the  fact  that  "The  Song 
and  Dance  Man"  was  one  of  his 
plays  will  be  a  good  start  for  this 
one.  You  have  Bessie  Love  and 
Tom  Moore  to  attract  them  also. 
Amateur  night  performance,  Char- 
leston contest,  etc.,  can  be  used  to 
boost  the  picture.  Throwaways  in 
the  form  of  name  cards  can  read: 
"  'Happy'  Farrell,  The  Song  and 
Dance  Man — Songs,  Dances  and 
Snappy  Sayings." 

Direction Herbert   Brenon;   good 

Author   Geo.   M.  Cohan 

Scenario    Paul    Schofield 

Cameraman    Jas.    Howe 

Photography    Good 

Locale    New  York 

Length  6,997  feet 


"The  Shadow  on  the  Wall" 

Prod. :   Gotham  Prod. 

Dist. :  Liimas  Film  Corp. — 

State  Rights 

MYSTERY  DRAMA  PACKS  SUS- 
PENSE AND  HUMAN  INTER- 
EST. STORY  FAR  FETCHED 
—BUT  STRONG  CAST  AND 
DIRECTION  GET  IT  ACROSS 
CONVINCINGLY. 

Cast Eileen    Percy   is   featured   in 

a  .part  that  leaves  her  nothing  to 
do  but  be  appealing — which  suits 
her  down  to  the  ground.  Creigh- 
ton  Hale  carries  the  story  in  a 
sympathetic  part  that  he  handles 
admirably.  William  V.  Mong  is  a 
very  powerful  figure  casting  the 
proper  sinister  air  over  the  picture. 
Dale  Fuller  and  Jack  Curtis  create 
two  underworld  parts  that  are 
'way   above    the    ordinary    run. 

Type  of   Story Mystery   drama. 

Adapted  from  the  novel.  "The  Pic- 
ture on  the  Wall,"  by  J.  Brecken- 
ridge  Ellis.  Here  is  a  story  that 
the  producers  were  able  to  transfer 
to  screen  terms  graphically.  It  has 
all_  the  elements  that  make  for  a 
gripping,  entertaining  story.  Full 
of  improbabilities,  it  is  true — but 
the  development  or  tense  situatioi  > 
is  so  well  handled  by  cast  and  di- 
rector that  the  entertainment  values 
make  you  forget  any  lapses  in  plot. 
Creighton  Hale  starts  right  off  to 
grab  the  sj'mpathy  as  a  youth  domi- 
nated by  a  heartless  bully,  and  he 
holds  this  sj'mpaihy  to  the  end. 
One  of  those  parts  screen  actors 
pray  for.  The  bully  forces  him  to 
pose  as  the  son  of  millionaire  War- 
rinjg,  kidnapped  when  a  baby.  Hale 
falls  in  love  with  Warring's  daugh- 
ter. He  finds  that  the  millionaire's 
attorney  is  slowly  poisoning  the  old 
man.  Then  the  underworld  bully 
enters  the  picture,  and  frames  a 
deal  with  the  lawyer  to  get  rid  of 
Hale  so  they  can  share  the  mil- 
lions. How  the  hero  brings  the  two 
scoundrels  to  justice  makes  a  very 
tense  picture  full  of  human  inter- 
est from  a  varietv  of  angles.  A 
very  unusual  finish  fight  is  staged 
wherein  Dale  Fuller  as  the  wife  of 
the  bully  helps  the  hero  to  over- 
come her  brutal  worse  half.  An- 
other unique  touch  is  "the  shadow 
on  the  wall" — being  the  painted 
shadow  of  the  twin  brother  who 
recentlj'  died.  Half's  shadow  fits 
the  painterl  wall  shadow  perfectly, 
thus  establishing  him  as  the  miss- 
ing son.  It  develops  in  the  end 
that  Hale  really  is  the  long  lost 
son.  The  girl  turns  out  to  be  an 
adopted  daughter — so  the  love  fin- 
ish is  secure. 

Box  Office  Angle....  A  real  family 
I'icturc.  An  audience  picture,  too. 
Good  buy  for  average  house. 
Exploitation.  ...  Play  up  strong  cast. 
Press  book  contains  real  novelty 
for  "shadow"  contest  in  connec- 
tion with  a  one-sheet  that  any  ex- 
hibitor can  use  without  expense. 
Direction.  .  .  .Reeves  Eason;  first  rate 

Author   J.   B.   Ellis 

Scenario .  Elsie  Warner 

Cameraman Ray  June 

Photography    Fair 

Locale    City 

Length 6,200  feet 


(^ 


"Dance  Madness' 

Metro-Goldwyn-Mayer 

GAY  HUBBY  IN  PARIS  TA 
TO      STAY      HOME     Nil 
SLIGHT  STORY.  NOT  N 
OR     NAUGHTY— BUT 
WITH  CHARM. 

Cast.  .  .  .Conrad  Nagel  seems  i 
in  farce-comedy  part — a  b 
parture  from  his  usual  role. 
Windsor  delightful  as  the 
who  teaches  hubby  to  tre. 
"straight  and  narrow." 
Hopper  fascinating. 

Type     of     Story Farce-ci 

Nothing      original      in      ide 
originally  handled.     Follows 
what  the  idea  of  "Her  Siste 
Paris."      Nagel    as    the    An 
husband    is    a    good    scout   \ 
overcome    by    the    night    life 
trip  to   Paris.     He   becomes 
ated   with   a   masked   dancer 
opera.      His   wife   iearns   of  ■ 
fair,  and  discovers  that  the  d 
husband  is  her  old  dancing  ii 
tor     in     New     York.       So    a 
frame-up      is      arranged, 
walks  into  it.     The   French  i 
strings    him    along    until    tb 
dons  the  mask  and  leads  thei 
one    a    merry    chase.      The  i 
idea    is    light    and    frothy 
hands    of    a    less    clever   dire' 
would   have   fallen   flat.     Th<l 
cdy  values  are  all  contained 
husband's     awkward     attemp 
steal    awa>'    nights    on    pretel 
going   to    the    club,    and   the 
apparent     innocence     in     be 
him  when  all  the  time  she  is 
ing  him  in  deeper  and  deeper 
the    sort    of    thing   that    Ern; 
bitsch    would    have    fashionc 
a   screen  classic — that  Adolph'' 
jou    playing    the    part    of    hi 
would  have  revelled  in.     .A.nc 
ert    Leonard    did    remarkabi; 
with   a.  theme   so   slight   that 
quired   fine  directorial   ingcni 
carr\'    through    to    feature 
and  still  hold  the  audience, 
it    did.      The    Broadway    an 
chuckled  audibly  throughout- 
cially  the  women.     It  was  qui 
dent    that    the    idea    of    a    si 
husband  being  kidcied  along 
clever  wife  made  a  great  hit 
doubt    it    will    wherever    the: 
women  with  husbands  who  ai 
ceptible  to  "dance  madness." 
settings  are  up  to  the  usual 
ard    of    Metro.      The    casti 
Nagel  in  a  farcical  role  isn't 
The  comedy  titles  aided  him 
rially  in  getting  over  the  lai 
for    his    farce    pantomine    w< 
always  highly  successful. 

Box  Office  Angle. ..  .Good  foi 
entertainment  and  sophis' 
chuckles.      Not   for   children. 

Exploitation.  .  .  .Good  title  to  pi 
Also  work  of  Claire  Windso 
over  idea  of  erring  husband 
taught  a  lesson — with  laug 
Paris. 

Direction   Robert  Z.  Le 

clever 


\» 


m 


, 


Author    S.    Jay    Ka 

Scenario    ....■• Alice  '. 

Frederica   Sagor 
Cameramen   John  / 

William    Daniels.  — ^ 

Photography    E»ff*" 

Locale    ■  • 

Length 6,35 


fe 


I, 


<"ebruary  7,  1926 


THE 


-^^tf^ 


DAILY 


» 


Strongheart"  in 

North  Star" 

iociated  Exhibitors 

DOG  DRAMA  GIVES 
JGHEART"  EVERY 
E  TO  SHOW  HIS 
CLEAR  CUT  SCEN- 
PUTS    OVER    AN    AV- 

STORY. 
itrongheart"  holds  the  in- 
henever  he  gets  before  the 
oes  nothing  startlingly  new 
s  regular  stunts  are  good 
to  please  the  fans. 
irginia  Lee  Corbin  has  the 
light  part  that  has  been 
iized  for  heroines  in  dog 
.  Stuart  Holmes  very  much 
;  as  the  heavy.  Ken  May- 
id  Clark  Gable  divide  the 
e  between  them  acceptably, 
rossley  and|  J'eilry  Mandi 
eccentric  tramp  skit  that 
le  story  pepped  up  and  full 
kles. 

Story.  ..  .Melodrama    star- 
)g.      The    story    interest    is 
he   average    for   pictures   of 
e.     The  ihcnie  is  slight  but 
ectorial   touches   throughout 
;  niterest.     The  girl's  broth- 
:s  he  has  killed  a  man  in  a 
and   escapes   to   the   North 
with  his  dog.     The  latter  is 
it   eventually   picked    up    by 
o.      Meanwhile   the   girl    re- 
letter  from  her  brother  and 
tut   in   search   of   him.     The 
is  posing  as  a  friend  of  the 
jt    in    reality    he    is    black- 
her   brother   in    connection 
he     crime.       This     situation 
all  parties  eventually  to  the 
in     the     woods     where     the 
is    in    hiding.      The    black- 
gets  there  first.     He  is  forc- 
;   boy   to    sign    a    confession 
ic  hero  and  dog  come  to  the 
With  the  dog  at  his  throat, 
nits     the     "killing"     was     a 
ip  to  blackmail  the  brother, 
e  escapes  from  the  cabin,  but 
g    pursues    him    relentlessly. 
lish   is   the  best   part   of   the 
for  real  suspense  and  thrills. 
)ne    of    the    best    man    hunts 
Dg  that  has  yet  appeared  in 
pc    of    production.      A    half 
times  you  think  the  dog  has 
;d     his     quarry.       Sut     each 
le  hunted   human   gives   him 
p.      He    climbs    some    dizzy 
Here  Strongheart  does  some 
d    work   in   pursuit.      Finally 
g   corners    him   on    the   edge 
ecipice.    To  escape  the  dog's 
he    is    forced   over    the    cliff, 
thrill   in   thts  wind-up.      But 
ork     of     the     two     eccentric 
that   runs   through   the   pic- 
a   real    novelty.     And   they 
:t  the  laughs. 

ice    Angle A    dog    story 

ne  human  interest  and  corn- 
ill  appeal  widely. 
tion,  .  .  ."Strongheart's"  name 
ing  enough  to  bring  in  the 
ins.  See  press  book  for  a 
but  effective  street  ballyhoo. 

1 Paul    Powell ;    good 

Rufus   King 

Not  credited 

nan    Not   credited 

aphy    Good 

North  woods 

4,692  feet 


Leatrice  Joy   ir. 

"Made  For  Love" 

Producers   Dist.   Corp. 

EGYPTIAN  LOVE  —  ANCIENT 
AND  MODiERN  —  MINGLES 
ROMANCE  AND  MELO- 
DRAMA PLEASINGLY.  HAS 
GOOD  BOX  OFFICE  APPEAL. 


Star. .  .  .Leatrice  with  her  boyish  bob 
is  captivating  in  a  part  that  shows 
her  ofif  to  the  best  possible  advan- 
tage. Will  please  her  admirers — 
and    create    new   ones. 

Cast- •..  Edmund  Burns  a  satisfactory 
hero.  Ethel  Wales  as  an  old  maid 
Egyptologist  creates  an  amusing 
characterization.  Bertram  Grassby 
gives  an  entertaining  characteriza- 
tion of  a  very  modern   sheik. 

Type  of  Story Melodrama  with 

strong  romantic   flavor.      Evidently 
based    on    the    discovery    of    King 
Tut's     tomb     by     Lord     Carnavon. 
Burns  as  a  young  archaeologist  is 
busy     with     his     men     digging     up 
treasures     from     the     tomb.       The 
desert    scenes    are    very   well    done. 
Enter    the    young    explorer's    wife. 
She  feels  that  hubby  should  spend 
more    time    with    a-  modern    jewel 
like  herself  rather  than  digging  up 
ancient     junk.       And     one     screen 
flash    of    Leatrice    leaves    no    argu- 
ment.     But    hubby    keeps    on    dig- 
ging.     Wifey    gets    peeved.      Starts 
flirting      around      with      Mahmoud 
Bey,    an    oily   native   prince.      Here 
is  introduced  a  sequence  of  ancient 
Egypt  that  cleverly  hooks  up  with 
the     modern     story.       Two     royal 
lovers  of  Pharaoh's  court  are  killed 
by  the  king  and  buried  in  the  tomb 
the    modern    explorer    is    about    to 
enter.      In    like    manner    Mahmoud 
seeks  to  get  rid  of  Burns  and  steal 
his    pretty   wife.      But    in    dynamit- 
ing   the   itoml^    as     Burns;    enters, 
Leatrice  is   also  imprisoned.     Then 
ss    thev   face   death    Burns   realizes 
that  life   was  "made  for  love"   and 
not    for    salvaging    mummies.       A 
last    minute    rescue    occurs.      Good 
punch  in  climax.     Fine  mixture  of 
ancient    and    modern    atmosphere 
that     melts     into     one    harmonious 
story.      Sloane's    direction    sparkles 
with  sprightly  touches.     Keeps  the 
interest    pepped    up    all    the    way. 
But   business   of  three   admirers  of 
heroine   doing   alleged   comedy   not 
so    good.      They    use    old    musical 
comedy  gag  of  executing  every  ac- 
tion   together — like    dummies    on    a 
string.       And     from     out     front     it 
looks  dumb. 

Box    Office   Angle New   brand   of 

melodrama     with     romantic     trmi- 
mings  will  appeal  to  any  audience. 

Exploitation Fine    title.      Oriental 

atmosphere  in  lobby.     Advertise  as 
"a    new    style    sheik"    film. 

Direction    •  •  •  •    Pa"1    Sloane ; 

first    class 

Author    Garrett   Ford 

Scenario    ....•■ Same 

Cameraman Arthur  Miller 

Photography    Above    par 

Locale    Egypt 

Length   6,645  feet 


Laura  La  Plante  in 

"The  Beautiful  Cheat" 

Universal- Jewel 

MOVIE  ATMOSPHERE  AND 
THE  RISE  OF  A  STAR  PRO- 
VIDE EXCELLENT  MATERI- 
AL FOR  STORY  THAT  GETS 
OVER  SOME  PERTINENT 
COMEDY  SITUATIONS  AND 
MANY  GOOD   LAUGHS. 

Star Pleasing    in   role   that   she 

handles  very  nicely.  From  Mary 
Callahan  to  Meritz  Callahansky 
for  exploitation  purposes  and  star- 
dom is   the   rise  of  the  heroine. 

Cast.  ..  .Harry  Myers  not  the  best 
suited  lead  but  able  for  the  comedy 
business  that  comes  his  way. 
Alexander  Carr  great  as  the  pic- 
ture producer.  Kate  Price  and 
Walter  Perry  a  typical  Irish  team 
who  help  the  laughs  over. 

Type  of  Story. ..  .Comedy ;  from  a 
Nina     W^ilcox     Putnam      Saturday 


Evening  Post  story.  The  attempt 
of  a  motion  picture  producer  to 
foist  a  new  star  on  the  American 
public  and  the  extreme  methods  of 
exploiting  the  laiest  ready-mad^ 
"find"  is  the  gist  of  "The  Beauti- 
ful Cheat,"  a  story  with  stud,<i 
atmosphere  and  production  gags 
and  with  enough  laughs  to  make  it 
entertaining  for  the  average  person 
"out  front"  who  Ts  not  actually 
familiar  with  the  inside  workings. 
It  will  probably  hand  them  a  big 
laugh  but  for  those  in  the  "know" 
it  isn't  always  so  funny.  The 
comedy,  especially  the  antics  of 
Alexander  Carr,  the  ambitious  pro- 
ducer, has  some  decidedly  amusing 
turns  and  if  only  the  laughs  could 
have  held  to  the  starting  the  pace 
"The  Beautiful  Cheat"  could  go 
down  as  a  sure-fire  hit.  Only  they 
don't.  They  run  the  footage  to 
excess  for  one  thing  and  the  com- 
edy situations  get  weaker  toward 
the  end. 

Story:  Concerns  the  efforts  of 
Goldringer,  the  producer,  to  put 
Mary  Callahan  over  as  a  star,  un- 
der the  name  of  Callahansky,  his 
great  Russian  "find,"  of  Goldrin- 
ger's  sudden  bankruptcy  and  Mary's 
threatened  fall  just  as  she  is  about 
to  reach  the  heights,  of  the  unex- 
pected appearance  of  a  bankroll  in 
the  person  of  a  young  "extra"  who 
is  trying  to  make  a  go  of  it  in  the 
movies,  and  subsequent  success 
and  happiness  for  all. 
Box  Office  Angle Effective  audi- 
ence material.  Movie  atmosphere 
will  make  it  thoroughly  attractive 
for  average  crowd. 

Exploitation Tell    them    the    story 

deals  with  the  rise  of  a  shop  girl 
who  becomes  a  movie  star.  Let 
them  know  how  she  goes  to  Paris 
to  acquire  an  accent  so  that  she 
can  be  boosted  as  a  great  foreign 
star.  Use  Laura  La  Plante's  name 
and  photographs  liberally,  also 
Alexander  Carr,  whose  Yiddish 
characterizations  are  well  known. 

Direction Edward    Sloman;    good, 

but  should  have  curtailed  footage 
in   latter   reels. 

Author Nina  Wilcox   Putnam 

Scenario A.  P.  Younger 

Cameraman Jack  Rose 

Photography    Good 

Locale    Paris — Long   Island 

Length  6,583  feet 


Buck  Jones  in 

"The  Cowboy  and  the 
Countess" 

Fox 

JONES  TAKES  IT  EASY  MOST 
OF  THE  WAY  BUT  THERE  IS 
A  GRAND  SMASH  FOR  THE 
FINISH  THAT  WILL  LIKELY 
SEND  THEM  OUT  SATIS- 
FIED. 

Star. ...  Atmosphere  a  little  out  of 
his  line  but  he  has  some  customary 
opportunities  for  heroics  which  he 
does  in  his  usual  effective  way. 

Cast Helena    D'Algy    good    type 

as  the  Countess  and  Diana  Miller 
pleasing  as  her  friend.  Harvey 
Clark  struggles  with  a  weak  com- 
edy role.  Others  Chapelle  Dos- 
sett,   Fletcher   Norton. 

Type  of  Story Comedy-drama. 

Buck  Jones  forsakes  the  desert  and 
travels  afar  for  atmosphere  in  his 
latest  and  all  because  a  Countess 
had  smiled  upon  him.  Buck  joins 
a  circus  and  thereby  retains  his 
cowboy  uniform  but  otherwise  there 
isn't  a  great  deal  of  the  typical  at- 
mosphere and  action  of  which  Jones 
is  a  part.  They  introduce  situations 
that  give  him  a  chance  at  rescues, 
and  the  like,  but  it  is  not  the  wide 
ojjen  spaces  of  the  west  nor  the 
thrilling  action  that  is  usually  iden- 
tified with  the  Buck  Jones  westerns. 
The  story  is  a  bit  out  of  the  or- 
dinary for  Jones,  but  Director  Neill 
has  handled  it  rather  cleverly  and 
made  the  most  of  the  material. 

Story:  Buck  decides  to  join  a 
traveling  circus  only  because  it  will 
take  him  to  Europe  and  posavbly 
to  the  girl  whose  life  he  had  saved. 
It  happens,  however,  that  Justina 
is  betrothed  to  a  Duke  as  per  an 
arrangment  made  by  her  father 
when  the  Duke  loaned  him  a  large 
sum  of  money.  The  Duke  becomes 
suspicious  of  the  Yankee  and  in- 
sists upon  a  hurried  marriage.  It 
happens  that  the  circus  takes  part 
in  the  fete  preceding  the  ceremony 
and  during  it  Buck  kidnaps  the 
bride.  Follows  a  chase  and  after 
the  usual  conflict  the  unwanted 
Duke  is  sent  on  his  merry  way 
and  Buck  wins  the  fair  Justina. 
Box  Office  Angle. . .  .Buck  Jones'  ad- 
mirers may  accept  the  variation 
and  as  long  as  it  winds  up  with 
some  good  action,  they'll  go  out 
satisfied. 

Exploitation. . .  .The  title  is  out  of  the 
ordinary  and  you  can  play  it  up 
with  catchlines  relative  to  hero 
Buck's  adventures  in  winning  the 
hand  of  a  Countess  in  opposition 
to  a  Duke  and  a  band  of  despera- 
does. Street  ballyhoos  will  work 
out  nicely  and  the  usual  trailer; 
throwaways,  etc. 

Direction R.  William  Neill;  satis- 
factory. 

Authors Maxine  Alton  and  Adele 

Buffington. 

Scenario   Charles  Darnton 

Cameraman    Reginald  Lyons 

Photography    Good 

Locale  Europe-U.  S. 

Length   5,345  feet 


THE 


i^m 


DAILV 


i 


Sunday,  February 


Short  Subjects 

"Casey  of  the  Coast  Guard"— 
Grey  Prod.,  Inc.— Pathe 

Box-Office  Serial 
Type  of   production.  10-chapter   serial 

"Casey  of  the  Coast  Guard,"  Pathe's 
latest  chapter  play,  contains  all  the 
elements  necessary  in  a  successful  se- 
rial. From  the  hrst  three  chapters 
seen  for  review,  we  shauld  say  that 
the  serial  gains  in  interest  and  mo- 
mentum with  each  succeeding  chap- 
ter. The  third  episode  was  much 
tighter  so  far  as  action  and  suspense 
are  concerned  than  the  first. 

The  picture  has  been  produced  with 
the  cooperation  of  the  U.  S.  Coast 
Guard.  This  should  be  of  consider- 
able pulling  power  for  advertising 
purposes,  and  it  actually  does  give 
many  realistic  touches  to  the  picture. 
U.  S.  Navy  boats,  sea  planes,  air- 
planes, and  crews  have  been  used 
with  telling  effect. 

George  O'Hara  and  Helen  Fergu- 
son are  the  featured  players  and  the 
cast  includes  J.  Barney  Sherry,  Jean 
Jarvis,  Coit  Albertson  and  others. 
O'Hara  has  been  doing  some  nice 
work  recently — particularly  in  "The 
Sea  Beast,"  and  this  might  also  prove 
a  talking  point  for  you.  You  can  also 
mention  Will  Ntgh's  direction.  It  is 
entirely  satisfactory. 

The  story  deals  with  the  efforts  of 
Ensign  George  Casey,  of  the  Coast 
Guard,  to  avenge  his  brother's  death 
and  capture  the  gang  of  smugglers 
who  perpertrated  it.  The  brother,  also 
in  the  Coast  Guard  service,  is  mis- 
taken for  Casey  and  shot  by  the 
smugglers  in  an  attempted  get-away. 
Casey  is  still  in  love  with  beautiful 
Doris  Warren,'  wealthy  daughter  of 
John  Warren,  a  widower,  who  is  in- 
fatuated with  a  bogus  countess.  She, 
together  with  another  society  crook, 
posing  as  her  brother,  are  the  ring- 
leaders of  the  gang,  whose  chief  pur- 
pose in  life,  other  than  smugglihg  dia- 
monds and  drugs,  is  to  'get'  Casey 
before   he   'gets'   them. 

Where  your  folks  enjoy  serials,  and 
particularly  where  the  "crook"  atmos- 
phere is  liked,  you  should  be  able  to 
please   with   this. 


"The  Quest  of  the  Big  'Un"— Educ'l 

Decided  Novelty 

Type   of   production 1-reel   scenic. 

This  one  is  a  decided  "fish"  story, 
either  way  you  take  it,  but  decidedly 
novel  and  interesting  for  all  that.  You 
are  treated  to  an  enchanting  trip  up- 
stream in  the  Catskills  where  a  lone 
trout  holds  sway  without  interference 
until  his  presence  is  discovered  by  the 
ever-persistent  fisherman.  Long  after 
the  patience  of  the  average  human  be- 
ing would  have  been  exhausted  the 
true  fisherman  sticks  to  his  post  and 
is  finally  rewarded  by  a  nibble,  is 
dragged  well  down  stream  by  the 
frigTitened  trout  which  he  finally 
lands.  A  disappointed  woman  angler 
begs  to  admire  the  big  trout, — she 
does  but  the  trout  wiggles  through 
her  fingers  and  before  his  captor 
knows  it  he's  well  down  stream  and 
of?  to  freedom.  Imagine  the  careful 
fisherman  trusting  his  catch  to  a  wo- 
man's hands.  That's  the  fish  story 
part  of  it.  But  "The  Quest  of  the 
Big  'Un"  is  as  enjoyable  a  short  sub- 
ject as  you  could  find  and  certain  to 
delight  any  audience,  men  particu- 
larly. 


"Careful  Please" — Hamilton — Educ'l 

Sure  to  Please 
Type  of  production. ..  .2  reel  comedy 
Lloyd  Hamilton's  latest  depends 
on  novel  gags  rather  than  slowly 
built  up  series  of  incidents  making 
for  ludicrous  situations  to  get  the 
laughs.  The  first  reel  gives  Lloyd 
some  good  opportunities  to  be  the 
usual  bashful  boy  that  he  does  so 
well.  He  is  seen  as  the  collector  for 
a  furniture  house  and  is  sent  to  col- 
lect a  bill  from  a  tough  guy  who  is 
the  terror  of  the  neighborhood.  Not 
being  able  to  collect,  he  throws  all 
the  furniture  out  of  the  window,  but 
on  meeting  the  tough  downstairs,  and 
getting  one  look  at  his  face,  turns 
around  and  carries  all  the  furniture 
back  upstairs.  A  gag  that  should 
give  them  a  thrill  is  used  in  the  sec- 
ond reel,  when  a  limousine  filled  with 
people  gets  hoisted  into  the  air  by 
mistake  and  without  their  knowledge, 
and  they  step  out  of  the  car,  one  by 
one,  each  on  a  different  errand,  one 
to  get  some  chewing  gum,  another  to 
crank  the  car,  etc.  "Careful  Please" 
should  have  no  trouble  in  pleasing 
them  . 


"All  for  a  Queen" — Hal  Hodes — 

Short  Films  Syndicate,  Inc. 

Interesting 

Type   of   production. ...  1    reel    scenic 

This  is  an  extremely  well-photo- 
graphed reel,  showing  in  detail  the 
beautiful  Taj  Mahal  in  India,  built 
centuries  ago  by  the  Emperor  Shah 
Jahan  for  his  Queen.  The  camera- 
man has  managed  to  get  many  differ- 
ent and  varied  shots  of  the  tomb, 
showing  the  approach,  the  marble 
terrace,  several  close-ups,  and  finally 
a  part  of  the  interior  and  the  view 
obtained  from  the  vast  entrance  gate. 
The  reel  might  well  be  used  on  any 
program,  but  would  be  particularly 
effective  when  used  with  a  feature 
that  has  an  Eastern  tlieme  or  setting. 


"Mother     Goose's     Movies" — Lyman 
H.  Howe— Educ'l 

Type  of  production....!  reel  novelty 
This  is  a  cleverly  presented  collec- 
tion of  unrelated  scenes,  with  cap- 
tions and  cardboard  cut-out  borders, 
greatly  enhancing  their  attractiveness. 
A  cut-out  figure  of  Mother  Goose 
introduces  each  scene  and  nursery 
rhymes  are  inserted  wherever  they 
will  fit  in.  For  instance,  in  showing 
a  shot  of  the  Wall  of  China,  first 
comes  a  drawing  of  Humpty  Dumpty 
sitting  on  a  wall,  and  then  that  fades 
into  the  actual  photograph.  Other 
scenes  show  Mount  Assiniboine  in 
Canada,  natives  of  the  Phillipines, 
and  the  tiniest  motion  picture  in  the 
world. 


"Lighter  Than  Air"— Aesop's— Pathe 

Bubbles  With  Fun 
Type  of  production. .  1   reel  animated 

cartoon 

Paul  Terry's  studio  outdid  them- 
selves in  this  one.  It  is  by  far  the 
most  clever  and  original  subject  which 
they  have  released  for  a  long  time 
past.  The  Mice  Family  take  to  the 
air  on  bubbles  blown  from  a  pipe 
with  soap  suds.  There  is  very  little 
repetition,  new  gags  being  introduced 
at  such  frequent  intervals  that  the 
fun  is  kept  diversified  and  highly 
original.  Of  course  Mr.  Cat  plays 
an  important  part.     He  has  a  funny 


sequence  where  he  sells  bubbles  to 
the  mice,  picking  them  from  his  pipe 
after  he  blows  them  and  tying  a 
string  around  them,  for  all  the  world 
as  if  they  were  made  of  rubber.  This 
is  a  fair  sample  of  the  originality  of 
the  entire  cartoon.  You  can  book  this 
with  a  confident  feeling  that  it  will 
please   the   hardest   boiled   audience. 


"Sea    Scamps"— Juvenile— Educ'l 

Kiddies  Do  Delightful  Stuff 

Type  of  production. ..  .2  reel  comedy 

A  bunch  of  assorted  kids  in  par- 
ticular one  wonderful  one,  who  goes 
by  the  name  of  "Big  Boy" —  and 
Pal,  the  dog,  make  this  Juvenile 
Comedy  an  enjoyable  twenty  minutes 
or  so.  The  action  deals  with  the 
antics  of  a  bunch  of  wild  young  or- 
phans who  are  taken  for  an  outing 
on  an  excursion  by  a  kind-hearted 
elderly  lady.  Of  course,  the  kids  turn 
the  boat  upside  down,  creating  havoc 
generally  and  in  particular,  getting 
the  captain's  goat.  The  action  is 
rapid  and  many  of  the  gags  funny, 
but  it  is  the  scenes  between  "Big 
Boy"  and  Pal  that  will  bring  the 
laughs  most  spontaneously  and  make 
the  ladies  in  your  audience  chorus 
"Oh.  isn't  he  cute!"  "Big  Boy"  is 
just  about  big  enough  to  walk,  but 
he's  got  a  personality — plus. 


In  Eastern  Stu( 

Tom  Meighan  in  the  So 

Tom    Meighan    is    in    Florii 
vacation. 


"Savage"  Company  on  Loc 

"The  Savage"  cast  (First  N 
will  leave  tonight  for  Florida 
exteriors. 


"Montana  of  the  Ranges" — Mustang 
Universal 
Pleasing  Western 
Type  of  production. . .  .2  reel  western 
Josie  Sedgwick,  featured  player  of 
this  two-reel  western,  makes  a  thor- 
oughly likable  heroine  for  this  type 
of  picture.  She  certainly  has  been 
given  ample  opportunity  to  demon- 
strate her  ability  to  ride  in  this  one, 
which  sums  up  as  a  satisfactory  and 
average  western.  Ruth  Spear,  a  flap- 
per, educated  in  the  East,  is  left  the 
owner  of  the  ranch  at  her  father's 
death.  Montana  is  the  ranch  boss 
and  forbids  Ruth  to  see  Mel  Bromwell, 
a  scoundrel  who  is*  after  the  ranch 
and  incidentally,  Ruth.  Montana's 
sweetheart,  Dave,  is  shot  in  an  effort 
to  capture  a  gang  of  rustlers  of 
which  Bromwell  is  the  leader  and 
later  Ruth  is  lured  away  to  Brom- 
well's  camp  in  the  hills,  ostensibly  to 
be  married.  However,  Montana  pur- 
sues her,  true  to  form,  and  of  course, 
rescues  the  gal  and  gives  the  villain 
his  just  deserts,  with  the  help  of  the 
sheriff  who  rides  up  just  in  time. 

"Egypt   Today"— Fox   Variety 

Egyptian  Architecture 
Type  of  production....!  reel  scenic 
This  latest  Fox  Variety  deals  chief- 
ly with  the  unique  style  of  Egyptian 
architecture  and  gives  a  sort  of  anal- 
ysis of  the  designs  followed.  Ac- 
cording to  the  subtitles,  the  lotus 
flower  was  used  extensively  in  the 
patterning  of  columns,  etc.  The  reel 
includes  views  of  the  Sphinx,  King 
Tut's  tomb,  the  massive  pile  of  Kar- 
nak.  the  lotus  beds  along  the  Nile, 
a  variety  of  temples,  tombs  and  pyra- 
mid ruins.  It  is  interesting  material 
and  offers  pleasant  variation  for  a 
program. 


Templin  in  Flint 
Flint,    Mich. — Forrest    C.    Templin 
has  assumed  management  of  the  Gar- 
den.    Templin   comes   to   Flint   from 
Steubenville,  O. 


Another   for  Johnny  Hi' 

Johnny    Hines'    picrure   aft( 
Brown  Derby"  will  be  "Kid 
(First    National),    by    C.    B.  i 
ton,  Jr.  I 


"Old  Army  Game"  to  S 

"It's  the  Old  Army  Game, 
mount),   starring  W.    C.    Fiek 
Louise     Brooks,     wiiT    start 
weeks.     Eddie  Sutherbmrl  wil 


Haas  Art  Director 

Robert  M.  Haas  is  art  direi 
"The  Wilderness  Woman"  (Fi 
tional),  which  goes  into  pro 
on    the    8th    at    Cosmopolitan. 


Nellie   Savage  in  "Tnitl 

Nellie    Savage    has    complel 

role  in  a  True   Story   Prod.  " 

and   will    shortly    begin    work 

other    Hugh    Dierker    product 


"The  Nest"  Well  Under  \ 

Will  Nigh,  directing  Paulim 
erick   in   "The   Nest"    (Excelle: 
tures)    at    Whitman     Bennett  d 
has  work  well  under  way.    Ml 
will  be  completed  in  about  m\ 


Higgin  to  Direct  Anodv 

Howard  Higgin  will  direct  i 
for  Robert  Kane.  As  soon  at 
hide  has  been  selected,  Pau^i 
will  go  to  work  on  the 
Production,  as  usual,  at  C 
tan. 


Clay    Davis    ilere    So 

Clay  Davis,  associated  witl; 
Romeo    in    the    production 
Tin  Can  Tourists"  series,  wi| 
here  shortly  from  Miami  to 
leasing  arrangements. 


Wally  Merrill  in  Comedy 

Wally  Merrill  having  compk 
role  in  Lem  Kennedy's  "Florii 
bles,"  has  been  engaged  as 
lead  for  a  series  of  Billy  Rui 
edies  now  being  produced  ii 
sonville. 


Hitchcum  to   Make  "Lost 

August  Hitchcum  will  stai 
Lost  Soul"  at  his  studio  at  9( 
kers  Ave.,  within  two  weeks, 
both  direct  and  play  the  leadil 
Others  in  the  cast  are  Sylvia 
Joseph  Franse,  Elaine  Dav 
Freda  Anchin. 


"Men  of  Steel"  Near  Fii4 

Shooting  on  "Men  of  Sti 
First  National  and  Cosmopol: 
almost  complete.  Work  will 
ished  next  week. 


Organs  for  Martin's  Three  H(| 
Galveston,  Texas — Purchase  ofi 
special    Reproduco   organs   from] 
H.    Pierce   of   Dallas,  to  be  is' 
in  the  Dixie  No.  2,  Key  and  Di 
3  theaters,  has  been  consummat 
A.  Martini. 


You'll  Find  One  Everywhere 

1926  FILM  YEAR  BOOK   NOW   BEING   DISTRIBUTED 


-Cloth  bound  for  permanent  use. 

-Gold  Stamped— Nearly  900  pages. 

-A  mine  of  information. 

-Authentic  reference  data  on  produc- 
tion, distribution,  exhibition  and 
foreign  market. 

-A  year  in  the  making. 

-A  ready  reference  guide  to  answer 
your  questions. 

-1001  subjects  of  interest  to  everyone 
in  M.  P.  Industry. 

-Address  of  all  theatres,  studios,  com- 
panies, publications,  state  righters, 
agents,  etc. 

-A  complete  production  chart  of  all 
productions,  with  producer,  director, 
star  and  footage. 

-Filmdom's  Encyclopedia. 

-You'll  find  one  everywhere. 


The  Recognized 

Reference  Book  of  the 

Film  Industry 


Used  constantly  by  Exhibitors, 

Editors,  Producers  and  Film  Folk 

Generally,  The  World  Over 


Price,  $5.00  a  Copy 

OR 

FREE  TO 

FILM    DAILY 

SUBSCRIBERS 

Cut  It  Out! 

TO 

,       The  Film  Daily 

1650  Broadway 

To-day 

•^  Date    

^LT  Enter  my  yearly  subscription  to   The  Film 

I  ^J  ^^XA7  Daily     immediately,     including     Short     Subject 

X  ^  ^J  TT  Numbers,    Directors    Number    and   a    Copy   of   the 

1926   Film   Year  Book,   herewith  my   check   for  $10.00 

NAME    

THEATRE  

ADDRESS    


^ 
^ 


i 


THE 


10 


■^Hk 


DAILY 


Sunday,  February  7 


An  Idea 


^Continued  from  Page  1) 

lieved  lost  at  sea.  Pola  Negri  and  Valentino  happen  to  meet  at 
Albuquenque.  Are  they  to  be  married?  Some  of  the  stufif  ap- 
pearing in  print  the  past  week.  No  press  agent  sob  stuff;  canned 
material  or  old  time  stuff  can  match  this. 

QUIMBY  HAPPY 

Over  at  the  Fox  plant  Fred  Quimby  is  all  smiles.  Closed 
an  exclusive  deal  for  the  news  weekly  to  go  into  the  new  "Roxy." 

THE  SHERWOODS 

Robert  E.,  a  rotund  bookman  of  Washington  Square  section, 
w:ell  over  60,  secured  by  Famous  to  play  the  title  role  for  "Bar- 
num."  Because  he  looks  like  the  greatest  showman  America 
ever  knew.  (Sid  Grauman  and  "Roxy"  notwithstanding.)  And 
another  Robert  E.  Sherwood — the  editor  of  life,  will  do  the  titles 
for  "Barnum."  The  Sherwoods  seem  to  be  monopolizing 
"Barnum." 

Incidentally,  "Barnum"  should  make  a  picture.  For  weeks 
and  months  Monte  Katterjohn  worked  on  the  script.  He  believed 
in  it  to  the  very  last.  And  for  a  time  it  looked  as  if  he  would 
have  trouble  getting  this  one  placed.  But  Famous  finally  took  it. 
P.  T,  Barnum  was  a  great,  outstanding  character,  beloved  by  the 
boys  of  all  ages,  and  the  picturization  of  his  career  should  prove 
unusually  interesting.  Just  think  what  can  be  done  with  the 
freaks  and  the  circus  stuff? 

THOSE  MARINES 

Incident  to  the  troubles  of  the  Marine  Corps  and  several 
picture  companies,  "Beau  Broadway"  writing  in  The  New  York 
Telegraph,  says : 

"The  next  time  we  send  the  U.  S.  Marines  to  quell  an  uprising 
in  one  of  the  banana  republics,  the  program  will  have  to  carry 
a  credit  line:  'Loaned  to  the  War  Department  by  the  Metro- 
Goldwyn  Corporation'." 

SHARPSHOOTERS  BUSY 

The  moment  First  National  announced  the  purchase  of  acre- 
age out  Dark  Canyon  Pass,  near  Hollywood,  all  the  realty  sharp- 
shooters got  busy.  And  bought  up  all  the  nearby  acreage. 
Natural.  Studio  development  has  always  been  followed  by  booms. 
25  YEARS  IN  SERVICE 

In  January,  1901,  Jake  Wells  opened  the  old  Granby  theater 
in  Richmond.  He  brought  his  brother  Otto  up  from  Florida — 
where  he  was  in  the  mercantile  business — to  be  manager  of  the 
house.  Since  then  the  Wells  boys  have  been  in  the  front  line  of 
theater  activities  in  the  South.  And  a  few  weeks  ago  his  asso- 
ciates in  the  Wells  enterprises  tendered  Otto  a  silver  loving  cup. 
For  his  25th  anniversary.  The  papers  used  a  lot  of  space  telling 
about  it.  The  best  part  of  all  is  that  the  press  thinks  so  highly 
of  a  man  who  has  put  a  quarter  of  a  century  of  work  in  the  show 
business. 

There  aren't  many  men  active  in  work  today  who  were  in 
pictures  25  years  ago.    That's  sure. 

"FILM  PLAYS  AND  PUBLIC  TASTE" 

Commenting  on  Lasky's  ideas — as  expressed  at  the  annual 
luncheon  of  the  National  Board  of  Review — The  New  York  World 
said,  editorially,  in  part: 

"The  moving  pictures  are  the  people's.  The  industry  is 
the  people's  industry.  They  make  it  reflect  just  what  they 
want.  The  producers  are  business  men,  catering  to  the  public 
like  all  other  business  men,  but  to  a  greater  extent.  If  the 
people  want  trash  and  will  take  nothing  else,  then  the  producer 
must  furnish  just  that  or  go  into  bankruptcy.  Mr.  Lasky  is 
clearly  right  when  he  says  that  until  the  public  taste  demands 
the  best  it  will  be  disastrous  financially  to  produce  film  plays 
of  that   description." 

KITCHEN'S  HUMOR 

In  the  N.  Y.  Evening  World,  Karl  Kitchen  runs  this: 

Friends  of  Dolores  Costello,  daughter  of  Maurice  Costello, 
the  first  movie  matinee  idol,  sent  her  the  following  telegram 
after  the  opening  of  "The  Sea  Beast,"  in  which  she  appears 
with  John   Barrymore: 


I 


I 


"You  are  one  of  the  screen's  greatest  artists." 
The  young  actress  sent  the  following  reply: 
"So's  my  old  man." 

MARY'S   FIRST  FALL 

Up  to  the  time  Mary  Pickford  consented  to  fall  in  th(|  ""^ 
saic  River.     She  was  getting  $25  a  week.     When  she  agrt 
get  wet  she  got  a  raise.     Interesting ;  very.     One  of  the 
anecdotes   which   appear   in   "When   the   Movies   Were  Yc 
written  by  Mrs.  Linda  Griffith. 

SERVICE 

Oscar  Neufeld,  of  De   Luxe  Film,  Philadelphia,  belie\ 
service.     And  practices  what  he  preaches.     When  contract 
acknowledged,  a  policy  is  in  effect  at  De  Luxe  that  the  exh 
is  thanked  for  the  business,  and  then  advised  that  if  De  U' 
can  perform  any  service  for  him  that  will  save  him  a  trip  1, 
city  it  will  cheerfully  be  done.    Neufeld  conceived  the  idea  di 
the  Xmas  rush,  but  it  proved  so  effective  that  it  will  be  carrit 

More  of  such  ideas  would  help  this  entire  business.    Wj' 
too  much  about  service ;  and  render  too  little. 

A  DICTIONARY 

Of  studio  people.    Compiled  by  Buster  Kenton. 

PRODUCER — Man  who  signs  the  checks  which  some- 
times come  back.  Likes  Will  Hays  and  would  do  anything 
to  please  him. 

STAR — Person  who  rents  house  and  furniture  to  have  stilli 
pictures    of    himself    made    for    fan    magazines.      Is    paying   ono 
three  autos.     Person   whom  studio  gateman  fails  to  recognized 
because    of   super-make-up.      Has   police   dog   for   photographic " 
purposes. 

DIRECTOR — Formerly   wore   puttees;    now   wears   knick- 
erbockers.    Has  name  on  back  of  his  chair  on  set.     Is  modest 
person,   but  is  inclined   to  pick  flaws   in   "The   Birth  of  a   Na-Jl 
tion,"  "Humoresque,"  "The  Miracle  Man,"  and  other  box  office  |« 
successes. 

ASSiSTANT  DIRECTOR— Gentleman  who  agrees  with* 
director   so   long  as   he  is  on   payroll. 

SECOND  ASSISTANT  DIRECTOR— Yes  man  to  first 
assistant  director. 

SCENARIO  WRITER— One  who  can  improve  on  the 
works  of  Shakespeare,  Milton,  Anatole  France  and  Charles 
Dickens. 

TITLE  WRITERS- — Coterie  of  males  and  females  who 
are  responsible  for  such  titles  as  "Dawn,"  "That  Night"  and 
"Then   Love   Came." 

•  PRODUCTION  MANAGER— The  man  who  lays  out  a 
four-week  working  schedule  for  a  picture  that  takes  16  weeks, 
to  make.  Efficiency  expert  who  cuts  down  expenses  by  firing 
property  man  and  raising  star's  salary. 

CAMERAMAN — Gentleman  who  blames  bad  photography 
on  electrician. 

ELECTRICIAN — Man  who  takes  blame  from  cameraman 
so  he  can  hold  job. 

PROPERTY  MAN— Disappointed  director.  Man  whoj 
thinks  he  can  do  better  than  director  if  only  given  chance 

FILM  CUTTER— Person  who  admits  he  "saved  the  pi 
ture"  after  director  and  star  failed  miserably. 

GAG  MAN — Well-paid  loafer  with  mentality  two  degree 
higher  than  scenario  writer.  Suggests  tides  and  situations  foi 
comedians  that  are  never  accepted. 

STAR'S  MANAGER— Gentleman  who  has  no  visibl 
means  of  support. 

PUBLICITY  MAN — Impossible  person  who  writes  ream; 
of  copy  for  newspapers,  most  of  which  is  not  printed.  Mem- 
ber  of  Wampas,  with  no  other  bad  habits.  Is  addicted  to  show- 
ing  box  clipping  that  appeared  in  metropolitan  newspaper  wit 
circulation  of  ISO.  Admits  he's  good,  but  can't  prove  it.  Fail 
ure  as  a  newspaper  man. 

ART  DIRECTOR — Former  sign  painter  or  correspond- 
ence school  graduate  in  art  who  is  self-admittedly  better  than 
Michael  Murillo,  Van  Dyke,  Sargent  and  Whistler.  Incidentally 
gets  ten  thousand  times  the  money  that  Michael  Angelo  pulled 
down. 

TECHNICAL  DIRECTOR— Formerly  known  as  boss 
carpenter.  Has  beautiful  title,  but  doesn't  get  much  money  or 
credit. 

STUDIO  VISITORS— Those  persons,  who  are  blamed  by 
director  when  picture  is  behind  schedule.  / 

/ 


I 


Is 


mi- 


lOLLYWOOD 
lAPPENINGS 


:^<?bradstreet 

OJ^FILHDOH 


f^RECOCMIZED 

Authority 


By 
Harvey  E.  Qausman 


Granite  3980 


Sunday,  February  7,  1926 


6411  Hollywood  Blvd. 


rUrg  Back  with   Chaplin 
\'on    Sternberg   has    signed 
lie   Chaplin   to  direct   Edna 


L  Picks  First  for  '26-27 
(Rogers    St.    John   is   writing 
»k  Hat,"  an  original  for  Tom 
will   be    Mix's    first   picture 
[(season. 


Kyne    Yarn  for   Jack   Ford 

ob  Kelly's  Benefit,"  by  Peter 
will    be    Jack    Ford's    next 
It  will  be  released  as  "The 
k  Handicap." 


St  for  Mary  Philbin  Picture 

:r  Oland,  Caroline  Snowden, 
jomer  and  Grace  Darmond 
:n  chosen  for  roles  in  "The 
ker,"  which  Lois  Weber  will 
ith  Mary  Philbin  starring. 


oylan  to  Write  Titles 

for  "The  Prince  of  Pilsen" 
written    by    Malcolm    Stuart 

He  will  also  title  "The  Man 
;  Brooding  Eyes,"  starring 
Jarrymore  for   Banner   Prod. 


jrray    Rock    Promoted 

y  Rock,  for  a  year  produc- 
lager  of  Standard  and  Blue 
comedies,  has  been  elevated 
office  of  general  production 
for  all  of  his  brother  Joe's 


irion    Finishes    Titling 

;  Marion  has  finished  titling 
er  Women's  Husbands,"  a 
feature,  made  by  Erie  Ken- 
Monte  Blue  and  Marie  Pre- 
jntley    Gordon    and    Phyllis 


on    "Money   Talks"    Script 

Burns  and  Bernard  Voor- 
:    writing    the    continuity    of 

Talks,"  a  Rupert  Hughes 
ich  Archie  Mayo  will  direct 
}.-M.  Claire  Windsor  and 
oore  in  leads. 


Blackton  at  Work 

rt  Blackton  is  making  "Hell 
Heaven."  Fatsy  Ruth  Mil- 
ne leading  role  supported  by 
rron,  Gayne  Whitman,  Gard- 
es, James  Marcus,  Wilfred 
id    Evelyn    Selbie,   for   War- 


f   Barnes   Completes  First 

rst  of  a  series  of  comedy 
tarring  T.  Roy  Barnes  with 
lannon,  by  Sierra  Pictures, 
ler  direction  of  Horace  B. 
r,  has  just  ■oeen  completed, 
elmore,  Stuart  Holmes,  Ber- 
irburgh,  Ernest  Wood  and 
Jones  are  in  the  cast. 


Green  to  Direct  Colleen 
Al      Green      will      direct      Colleen 
Moore's  next  picture,  "Ella  Cinders," 
adapted  from  a  comedy  strip  running 
in   the  Times   by  Bill   Counselman. 


Hoxie  on  "Fighting  Three" 

Jack  Hoxie  has  started  work  on 
"The  Fighting  Three,"  for  Univer- 
sal with  Al  Rogell  directing,  and 
Olive  Hasbrouck  as  feminine  lead. 


Famous   Signs   Hungarian  Actress 

Irma  Kornelia,  Hungarian  actress, 
has  been  signed  by  Famous  on  long 
term   contract. 


"Scarlet    Letter"    Started 

"The  Scarlet  Letter,"  being  directed 
by  Victor  Seastrom,  was  put  into  pro- 
duction last  week.  Jules  Cowles  and 
H.   Tooker  are  in  the   cast. 


Making    His    Last    for    Famous 

William  Powell,  George  Bancroft 
and  Edyth  Chapman  have  been  added 
to  the  cast  of  "The  Flight  to  the 
Hills,"  William  De  Mille's  last  for 
Famous. 


At    Work    on    "Kiki" 

Work  on  "Kiki,"  starring  Norma 
Talmadge,  is  under  way.  The  sup- 
porting cast,  under  the  direction  of 
Clarence  Brown,  includes  Ronald 
Colman,  Gertrude  Astor,  Marc  Mc- 
Dermott,  George  K.  Arthur  and 
Frankie  Darrow. 


James  Flood  Starts  Shooting 
"Why  Girls  Go  Back  Home,"  se- 
quel to  "Why  Girls  Leave  Home," 
was  started  this  week.  James  Flood 
is  directing.  Patsy  Ruth  Miller  will 
have  the  principal  role  supported  by 
Clive  Brook,  George  O'Hara,  Myrna 
Loy  and  Jane  Winton. 


McDermott's  Next  for  "U" 

Jack  McDermott's  first  under  his 
new  contract  with  Universal  will  be 
"The  Love  Thief."  McDermott  was 
originally  signed  as  a  writer,  but  was 
switched  to  the  directorial  staff  fol- 
lowing his  work  on  the  adaptation  of 
"Rolling  Home." 


Big  Cast  for  La   Plante   Picture 

Lee  Moran,  Zasu  Pitts,  Mack 
Swain,  Tully  Marshall,  Tom  Rick- 
etts,  Cissy  Fitzgerald,  Walter  Mc- 
Grail  and  William  Austin  have  been 
cast  in  "Beauty  in  the  Box,"  featur- 
ing Laura  La  Plante  with  Einar  Han- 
son, male  lead;  Melville  Brown  di- 
recting. 

M.-G.-M.'s    Fire    System     . 

Metro-Goldwyn-Mayer  is  now 
equipped  with  a  complete  fire  fighting 
system.  The  system  consists  of  a 
600,000  gallon  reservoir,  a  water  tower 
144  ft.  high,  holding  a  reserve  sup- 
ply of  100,000  gallons,  two  electric 
pumps  capable  of  hurling  3,000  gal- 
lons of  water  a  minute  through  12 
hose  lines  at  a  pressure  of  120  lbs. 
to  the  square  inch  for  a  distance  of 
200  ft. 


Le  Roy  Gets  New  Contract 

First   National   has   signed   Mervyn 
Le  Roy,  "gag"  man,  for  another  year. 


Anna  Q.  Nilsson's  Next 

Anna  Q.  Nilsson's  next  will  be 
"Collusion,"  according  to  John  Mc- 
Cormick. 


Clara  Bow  at  Work 

Clara  Bow  will  have  as  her  first 
role  at  Paramount  here,  the  feminine 
lead  in  "The  Flight  to  the  Hills." 


Preparing  Leatrice  Joy   Story 

Tack  Jevne  is  collaborating  on  the 
continuity  of  "Eve's  Leaves,"  Leat- 
rice Joy's  next  picture  for  De  Mille. 


Acord   Starts  Another 
_  Art  Acord  has  begun  "The  Fron- 
tier  Rider,"   under  direction  of   Cliff 
Smith. 


Start   Rin-Tin-Tin's   Next 

Rin-Tin-Tin's  next,  "Hero  of  the 
Big  Snows,"  from  a  story  and  scen- 
ario by  Ewart  Adamson  and  directed 
by    Herman    Raymaker,    has    started. 


M.-G.-M.  Signs  Ridgewell 

George  Ridgewell,  fiction  writer. 
has  been  placed  under  contract  by 
M.-G.-M.  as  a  scenarist  and  contipu- 
ity  writer. 


Fred  Myton  on  Script 

Fred  Kennedy  Myton  is  at  work 
on  the  scenario  for  "The  Isle  of  Re- 
tribution," at   F.   B.   O. 


"Brown    of    Harvard"    Begun 

Jack  Conway  directing  "Brown  of 
Harvard,"  for  M.-G.-M.,  is  in  Sac- 
ramento en  location  with  a  company 
headed  by  Jack  Pickford,  William 
Haines,  Francis  X.  Bushman,  Jr.  and 
Edward    Connelly. 


Clara  Horton,  Feminine  Lead 

Clara  Hoitcn  has  tlie  feminine  lead 
in  "Tl.''  Winning  of  Futurity,"  which 
C'harles  R.  Rogers  is  producing  for 
Chadwick,  with  Scott  Dunlap  direct- 
ing 


Lefty  Flsmn   Finishes 

Lefty  Flynn  has  finished  "The 
Traffic  Cop,"  adapted  from  Gerald 
Beaumont's  story  "The  Kitten  and 
the  Kinp-."  an  F.  B.  O.  production. 


Irene    Rich    Starts    Next 

Irene  Rich  has  started  "Silken 
Shackles,"  by  Walter  Morosco  and 
Philip  Klein.  It  will  mark  the  debut 
of  Morosco  as  a  director.  Huntly 
Gordon,  Bob  Schnable  and  Victor 
Varconi    are    in    the    cast. 


Lionel    Barrymore    Starts 

Production  of  "The  Man  with  the 
Brooding  Eyes,"  starring  Lionel  Bar- 
rymore, has  started  under  direction 
of  Edward  Le  Saint.  Samuel  J.  Bris- 
kin  is  supervising.  In  the  cast  are 
Ruth  Clifford,  Montague  Love,  Alma 
Bennet.  Lucien  Littlefield,  John  Mil- 
jan  and  William  V.  Mong. 


D'Algy  in  "Toto" 

Antonio  D'Algy  has  been  added  to 
the   cast  of   "Toto"   at    M.-G.-M. 


Anthony  Writing  "Don  Juan"  Titles 

\V Tiller  Anthony  is  writing  the  titles 
for  "Don  Tuan." 


M.-G.-M.    Renew    with    Gilmore 

Douglas    Gilmore   has   renewed   his 
contract  with   M.-G.-M. 


On  Pola  Negri's  Next 

Mai  St.  Clair,  upon  his  arrival,  will 
direct  Pola  Negri's  next,  an  original 
by   Ernest   Vajda. 


Neeley  Edwards  Starts  Another 
Neeley   Edwards   has   started  on    a 

new   picture  at  Universal   City  under 

direction    of    Dick    Smith. 


Kirkwood  in  "The  Guy" 

Frank  Lloyd  has  arranged  a  deal 
whereby  James  Kirkwood  will  play 
the  title  role  in  "The  Wise  Guy," 
Lloyd's   next   for   First   National. 


Guihan    with    M.-G.-M. 

Frances  Guihan,  scenario  writer, 
has  been  signed  by  M.-G.-M.  under 
a  long  term  contract. 


Hutchinson    in    Arrow    Serial 

Charles  Hutchinson  is  at  work  on 
"Lightining  Hutch,"  the  10  episode 
serial  which  Arrow  will  release.  Four 
episodes    have    been    completed. 


Stallings   on   "Old   Ironsides" 

Laurence  Stallings  is/  making  a 
stay  of  a  month  here  conferring  with 
James  Cruze,  Wal,ter  Woods  and 
Harry    Carr   on    "Old    Ironsides." 


Fleming  Completes  "Blind  Goddess" 

Victor  Fleming  has  completed  "The 
Blind  Goddess,"  with  Jack  Holt,  Er- 
nest Torrence,  Esther  Ralston,  Louise 
Dresser  in  the  cast. 


"Desert  Gold"  Finished 

George  B.  Seitz  and  Lucien  Hub- 
bard, director  and  supervising  editor 
on  "Desert  Gold,"  are  adding  the 
final  touches  in  the  cutting  room. 
Shirley  Mason,  Neil  Hamilton,  Rob- 
ert Frazer  and  William  Powell  are 
featured. 


Hotel  Christie 


m 


Hollywood 


One  of  California's  finest  hotels, 
located  in  the  heart  of  the  busi- 
ness district  of  Hollywood, 
famous  lobby,  personal  service, 
sensible  prices. 

R.  J.   Matheson 
Owner-Manager 


THE 


12 


i^Bg^ 


DAILY 


Sunday,  February  I 


After  Product 

(Continued  from  Page    1) 

exchangemen  who  attended  the  first 
meeting  in  Detroit  on  Thursday,  were 
the  following  who,  it  is  expected,  will 
be  identified  with  the  A.  C.  A.  pro- 
duction  and   distribution: 

David  Hartford  and  Edward  Leszcynski, 
trustees  of  Hartford  Prod.,  Detroit;  A.  J. 
Moeller,  president  and  Harry  S.  Manus,  vice- 
president  of  the  Moeller  Theater  Service, 
Inc.,  New  York;  A.  C.  Snyder,  Dependable 
Pictures  Corp.,  Boston;  Ben.  F.  Simpson, 
Pacific  Coast  Distributors,  San  Francisco ; 
and  representatives  of  the  Allied  Distribu- 
tors of   Chicago,   Indianapolis  and  Milwaukee. 

The  board  of  directors  is  com- 
prised of  Gene  Marcus,  William  Hul- 
burit,  Joseph  Stern,  Ben  Simpson, 
Leonard  Leszcynski,  Joseph  P.  Wolf?, 
Adam  J.  Blake,  and  A.  J.  Moeller, 
Detroit,  and  Harry  Manus,  New 
York.  Offilcers  are:  A.  J.  Moeller, 
president;  Josfph  Ff  'WolfTj  vice- 
president;  Harry  S.  Manus,  second 
vice-president;  Adam  J.  Blake,  sec- 
retary and  Edward  Lesczynski, 
treasurer. 

Moeller,  telegraphing  from  Detroit 
yesterday,  took  exception  to  several 
statements  made  in  this  publication 
yesterday  regarding  the  company.  He 
said,  in  part: 

"In  my  opinion  it  is  most  important  to 
correct  the  impression  that  American  Cinema 
Association  product  is  intended  for  'iti>- 
dependent  distribution.'  That  term  is  a  mis- 
nomer— what  is  independent  distribution? 
The  term  describes  nothing.  There  are  two 
channels  by  which  pictures  may  be  distributed 
— either  upon  a  territorial  basis  (which  is 
the  channel  now  termed  'State  Rights')  or 
on  a  national  basis.  American  Cinema  As- 
sociation is  in  all  respects  a  new  national 
producing  and  distributing  organization.  Its 
productions  will  be  made  for  national  distri- 
bution. 

"It  is  reported  that  the  company  is  backed 
by  Detroit  capital.  This  is  not  correct.  The 
company  is  being,  if  you  want  to  term  it 
'backed.'  from  within  its  own  ranks,  by  the 
producing  and  distributing  factors  which  go 
to  make  up  the  new  organization  in  its  en- 
tirety. The  exchange  factors  which  go  to 
make  up  the  corporation  are  as  vitally  in- 
terested in  it,  and  as  much  a  part  of  it, 
as  the  producing  factors  which  will  make  its 
pictures. 

Furthermore,  David  Hartford  Prod,  is  not 
an  ofifshoot  of  Detroit  M.  P.  Corp.  There 
is  no  connection  between  the  two — they 
were  and  are  entirely  separate  and  distinct 
enterprises.  During  the  filming  of  David 
Hartford's  first  production  for  A.  C.  A.,  the 
studios  built  by  the  Detroit  M.  P.  Company 
were  used.  But  they  were  designated  as  the 
David  Hartford  Studios,  and  owned  and  con- 
trolled   by    David    Hartford    Productions. 

"There  will  be  two  series  of  short  length 
productions  but  up  to  the  present  time  no 
contract  has  been  entered  into  with  any 
producer  by  American  Cinema  Association 
for  their  production." 


Eleanor  Boardman  Coming  East 

Eleanor   Boardman  is   due   in  from 
the  Coast  in  a  few  days. 


Honored  on  Coast 

M.-G.-M.  was  advised  yesterday 
that  at  the  "Wampas  Frolic"  in  Hol- 
lywood Thursday  night,  announce- 
ment was  made  that  Los  Angeles 
dramatic  and  picture  critics  had  se- 
lected Eleanor  Boardman  as  the 
"Wampas  Baby  Star"  who  made  the 
most  progress  in  the  past  four  years. 
Joan  Crawford  and  Sally  O'Neill 
were  presented  and  were  named  cus- 
todians of  a  cup  which  Miss  Board- 
man  will  receive  upon  her  return  to 
Hollywood. 


Cuban  Firms  Open  Office  Here 

Select  Pictures  and  the  Victory 
Amusement  Co.,  both  of  Havana, 
have  opened  an  office  at  130  West 
46th  St.,  with  Jose  Alcarez  in  charge. 


The  Week's  Headlines 

Monday 

Barbara  LaMarr  dies  suddenly  at  Altadena, 
Cal. 

Gov.  Baker  of  Missouri  abandons  referen- 
dum plan  of  10  per  cent  tax.  Strong 
public    criticism    responsible    for    change. 

1<200  attend  National  Board  tof  Review 
luncheon,  terminating  three  day  confer- 
ence   at    the    Waldorf. 

Six  new  Chicago  houses  involve  total  in- 
vestment  of   $5,400,000. 

Warners  letting  out  number  of  players ;  hunt- 
ing   new     talent. 

Colorado,  Indiana,  Iowa,  Nebraska,  New 
York  and  Washington,  D.  C,  against 
summer    closing    of    theaters. 

Reteume  of  month's  pictures  appears  Hn 
THE  FILM  DAILY.  A  monthly  fea- 
ture  hereafter. 

Tuesday 

Agitation  against  American  films  now  on 
in  16  foreign  countries.  Situation  abroad 
causing    concern. 

F.  J.  Rembusch  wires  all  exhibitors  to  at- 
tend conference  at  French  Lick,  Ind., 
on  Feb.  24-25  to  discuss  uniform  con- 
tract. 

M.-G.-M.  signs  contract  for  exclusive  use 
of  Marine  Corp,  with  other  producers 
ruled   out  for  a   year. 

Will  H.  Hays  returns  from  Coast  satisfied 
with    progress    in    production. 

Texas  M.  P.  T.  O.  not  to  join  Hays  organi- 
zation. 

Vancouver  mentioned  as  studio  center  for 
Canada  production  by  important  British 
company. 

Enterprise  Dist.  Corp.  of  Atlanta  alleged  a 
bankrupt    on    $3,625    claim. 

Wednesday 

Fox  declares  effort  will  be  made  to  break 
M.-G.-M.    contract    with    Marine    Corps. 

Chtristie  will,  as  heretofore,  close  studio  for 
two  months  beginning  the  end  of  Feb- 
ruary. 

Reported  Syd  Chaplin  will  leave  Warners 
and  make  own  pictures  for  United  Art- 
ists.     Abe    Warner    denies. 

1925  exports  reach  total  of  $10,266,274  as 
against    $8,762,863     in     1924. 

German  trade  papers  fail  to  enthuse  over 
Famous-Metro-Ufa  deal.  Express  concern 
over    the    future. 

Thursday 

Many  exhibitors  promise  to  attend  Rem- 
busch   conference    on    uniform    contract    at 

French     Lick. 
Universal   leases   the    Colony,    New    York,    for 

six    months.      Announces    complete    1926-27 

line-up   of  about  62   pictures. 
William     Fox    may    change    charter    of    Fox 

Theaters    Corp.     to    get    800,000    shares    of 

stock    on    Stock    Exchange. 
Some     independent     exchanges     charge    Army 

M.     P.     Service     deal     only     with     national 

distributors. 
Henry    Ginsberg   and    George   E.    Kann    form 

organization    to    release    12    to    18    pictures 

a    year. 
Publix   to   erect   3,000   seat   house  in    Toledo. 

Friday 

Famous      to      distribute      "Nell      Gwyn"      in 

America. 
American     Cinema    Ass'n     formed    in    Detroit 

with     $500,000    capital.       State    righters    to 

handle    26    a    year. 
Cranfield    and    Clarke   plan    12    exchanges. 
Pickford-Fairbanks    studio    to    build    five    new 

stages.      United    Artists    production    to    be 

centered    there. 
Albany    legislature     gets    bill     to    remove    all 

supervision    over    news    reels.       May    mean 

final    repeal    of    all    censorship. 
Carl     Laemmle     back     from     Germany,     satis- 
field     with     Ufai     deal.       Employees     hold 

celebration  at  Commodore  to  commemorate 

20th    anniversary. 
Army     denies     discrimination     against     statje 

righters  in  booking  for  94   war  theaters. 

Saturday 

Oregon  votes  to  continue  its  own  organiza- 
tion,   tabooing    tri-state    affiliation. 

Universal  forms  special  theater  department 
in    Atlanta. 

Eight  producers  make  offers  to  American 
Cinema    Ass'n.      To    operate    32    exchanges. 

1,001  attend  "Naked  Truth"  Dinner  at  Hotel 
Astor,   New  York. 


Virginia    Morris   Joins    Lichtman 

Virginia  Morris  has  resigned  from 
the  publicity  department  of  Fox  to 
handle  publicity  for  Al  Lichtman 
Prod. 


Fires 

Bonner    Springs,    Kan. 

Bonner  Springs,  Kan.  —  Loss  of 
$30,000  occurred  at  the  Royal  when 
fire  of  unknown  origin  razed  the 
house. 


D  eland,  Fla. 

Deland,  Fla. — The  Athens,  man- 
aged by  I.  L.  Kennedy,  was  partially 
destroyed  by  fire  when  the  furnace 
became  overheated. 


Duquoin,   111. 

Duquoin,  111. — Fire  of  unknown 
origin  starting  shortly  before  the 
afternoon  show  recently  totally  de- 
stroyed the  Grand.  Damage  at  $150,- 
000.     The  house  seated  1200. 


Fitchburg,  Mass. 

Fitchburg,  Mass.  —  The  Majestic, 
valued  at  $150,000,  burned  to  the 
ground  in  a  fire  that  destroyed  prac- 
tically an  entire  block. 


Fonda,  N.  Y. 

Fonda,  N.  Y. — After  raging  un- 
checked for  four  hours,  a  fire,  which 
threatened  to  wipe  out  the  entire  bus- 
iness section  was  brought  under  con- 
trol after  completing  destruction  of 
the  local  picture  theater  and  three 
other  buildings.  The  loss  is  estimated 
at  $50,000,  partially  covered  by  insur- 
ance. 


Haverhill,  Mass. 

Haverhill,  Mass. — Fire  which  de- 
stroyed Haverhill's  oldest  theater, 
the  Academy  of  Music,  caused  a  loss 
estimated  at  $150,000. 


Kansas    City,    Mo. 

Kansas  City- — Damage  to  the  ex- 
tent of  $15,000  was  done  to  the  Globe 
when  fire  broke  out  backstage. 
About  $12,000  was  lost  in  receipts 
during  the  week  that  the  house  was 
subsequently  closed. 


Midland,  S.  D. 

Midland,  S.  D. — Fire  caused  by  the 
tossing  of  a  match  in  a  wastebasket, 
burned  the  Rex  to  the  ground  and 
destroyed  two  adjoining  houses. 
Damage  $6,000  covered  by  insurance. 


New  Britain,  Conn, 

New  Britain,  Conn. — Fire  did  dam- 
age to  the  extent  of  $75,000  in  the 
Palace,  one  of  the  oldest  houses  in 
the  state. 


Ogdensburg,   N.  Y. 

Ogdensburg,  N.  Y. — An  explosion 
and  fire  wrecked  the  Opera  House 
here  recently.     Loss,  $400,000. 


i 


Conferences  0 

(Continued  from  Page  1) 

from  the  Mid-West  yesterd 
immediately  did  a  good  deal 
phoning.  Maybe  some  of  tl 
were  directed  at  Charlie  O'Re- 
Seider  and  Charlie  Pettijohn. 
actually  occurred  was  hard  ti 
However,  here  are  cold,  har 
and  as  such  cannot  be  disputei 

Frank  J.  Rembusch,  presiden 
Indiana  M.  P.  T.  O.  arrived  ii 
So  did  W.  A.  Stefifes,  presiden'" 
Minnesota  M.  P.  T.  O.;  so  did 
Richev,  general  manager  of  thd 
igan   "M.    P.   T.    O.     R.    R.  B, 
president  of  the  Kansas-Missoij 
is  expected  today.     And  so  is 
Cole,  president  of  the  Texas  M 
O. 

Everybody  apparently  has 
talking  of  the  uniform  contra 
its  faults.  Why  not  conjectu 
it  is  that  which  the  Mid-V 
group   will   discuss?     Why  nol 


T.  E.  Mortensen,  publisl 
"Greater  Amusements"  of  M' 
ois,  arrived  yesterday  with  th 
west  group. 


N.  W.  Idea  Fail 

(Continued  from  Page   1) 

were  discussed.  Then  followed  i 
eral  meeting  on  the  affijiationl 
which  resulted  in  Oregon  decid 
maintain  its  own  identity  and 
its  by-laws  to  hire  a  paid  sec 
An  assessment  of  five  cents  p( 
was  determined  upon  in  order  i| 
ate  the  initial  fund.  A  com 
will  report  on  this  matter  later.- 

The  "All-Northwest"  idea  \ 
be  developed  through  subs 
meetings  in  Spokane,  Butte 
Boise  and,  according  to  the  pre 
impression  here,  was  expected 
voted  upon  favorably. 


"PUBLIC  SERVICI 


Adventure  speakers  fro 
Far  places,  or  films  om 


Bureau  of  Commercial  Economics 

1108-16thSt.  N.W.  Washington,! 


Schools,  Churches  and  Clubs 


using  Motion  Pictures 


Should  Subscribe  for 


THE  EDUCATIONAL  SCREEN 

and  keep  up-to-date  with  the 
new  films  and  new  equipment 

"1001  FILMS'' 

booklet,  listing  nearly  3000  educational  films 
given  free  with  each  subscription 

$1.50  per  year  -  5  South  Wabash  Ave,,  Chicago,  IlL 


You  can  check  up 

There  is  no  question  about  the  popular 
demand  for  photographic  quality  on  the  screen. 
Your  patrons  expect  it. 

Eastman  Positive  is  the  film  that  carries 
the  quality  of  the  negative  through  to  the 
screen. 

And  you  can  check  up — the  black-lettered 
identification  ^'Eastman"  ^^Kodak"  is  in  the 
transparent  margin.      Look  for  it. 


EASTMAN  KODAK  COMPANY 

ROCHESTER,  N.   Y. 


v.,  x: 


^  \^ 


brAdstreet 

FILMDOM 


:S^^RE(0CMIZE6 

Authority 


XV     No.  32 


Monday,  Febniary  8,  1S25 


Price  5   Cents 


TALK 

By  DANNY 
ich  of  it.  In  this  busi- 
meone  or  the  other  is 
liking.  Advising;  sug- 
and  where  does  all  the 
to? 

stance :  discussing  with 

embusch — that    stormy 

om    Indiana — the    con- 

lation.      Expressed   the 

there  had  been  so  much 

until  the  matter  clari- 

would    wait.       Before 

.     And  to  our  amaze- 

Vank      said :        "Think 

ight — think    there     has 

much  talk.     Think,  by 

e  talked  too  much  my- 

tlie  past  few  days  another 
n  statement.  From  an  "in- 
"  producer.  Who  expresses 
length.  On  "What  the  Ex- 
Facing."  There  is  the  usual 
ustification,  and   "exhibitors 

awakened   too   late  to   find 

s    wrecked    on    the    shoals, 

of    indifference,    but    of    ig- 

>f  the  true  state  of  affairs." 

lis  is  sure:    if.,  after  all  that 

written  and  said  on  this 
uiy  exhibitor,  anywhere,  is 
nt"  or  "ignor,an,t"  of  the 
e  of  affairs"  then  is  it  to  be 

that     reading     one     more 

will  awaken  him? 

Three  Faces  East" 

i  suspense.  Lots  of  thrills. 
5tery  story  with  the  back- 
)f  the  Great  War,  and  a 
ir  attack  by  air  craft  on 
should  awaken  a  tremendous 
erest.  The  mystery  atmos- 
cks  the  love  story,  but  that 
i  difference.  The  thrills  and 
carry  this  over.  Rupert 
irection  at  times  outstanding 
Lidal  triumphs. 


Fox  Earns  $2,527,241 

1925    Profits    Equivalent   to   $5.05    on 

500,000    Shares— $1,000,000    More 
Than    1924 

The  Fox  Film  Corp.  reports  net 
profits  of  $2,527,241  for  the  first 
eleven  months  of  1925.  The  statement 
covers  the  period  from  Dec.  27,  1924 
to  Nov.  28,  1925.  The  earnings  are 
equivalent  to  $5.05  a  share  earned  on 
a  combined  500,000  shares  of  Class 
A  and  B  stock. 

After  certain  deductions  there  was 
a  balance  of  $2,387,534  available  for 
dividends.  A  total  of  $750  000  was 
distributed  in  the  form  of  cash  divi- 
dends during  the  period.  The  profit 
and  loss  surplus  on  Nov.  28,  1925. 
amounted  to  $12,404,438.  Total  as- 
sets amounted  to  $26,655,000. 

The  balance  sheet  showed  current 
and  working  assets  valued  at  $17,656.- 
000,  of  which  $4,268,000  was  in  cash 
{Continued  on  Page  2) 


Warners  Show  Loss 

Financial   Statement  for  Six   Months 

Ending    Sept.    26,    1925    Reveals 

Deficit  of  $333,413 

The  financial  statement  of  Warner 
Bros.  Pictures,  Inc..  and  subsidiaries 
for  six  months  ending  Sept.  26,  1925, 
shows  a  net  loss  of  $333,413  after  in- 
terest, amortization,  etc.  The  con- 
solidated income  account  for  that 
period  follows: 

Gross   profits    $1,337,525 

E.xpenses     1,537,549 


Operating    loss     $200,024 

Interest,    amortization,    etc 129,563 


Balance     $329,587 

Min.    interest    proper 3,826 


Net   Loss    $333,413 


ik  Lloyd  with  Famous 

Lloyd  has  been  signed  to  a 
1  contract  by   Famous.     He 

Paramount  -at  the  termina- 
s  present  contract  with  First 

for  whom  he  has  one  more 
'The  Wise    Guy,"   to   make. 


)0,0000    P.D.C.    Program 

igeles — The  De  Mille  studio 
ropolitan  Pictures  will  make 
es  for  1926-1927  distribution 
1  expenditure  of  $10,000,000. 


Notables  at  "T.  N.  T." 

Gentle  Fun  Aimed  at  "12  Immortals" 
— Guests    Numbering    1,0000    In- 
clude Many  Stellar  Lights 
For   once   in   this   business   at  least 
advance    advertising   justified   the   at- 
traction.    The  yells  from   the  house- 
tops   about    the    "Naked    Truth    Din- 
ner" while  loud  were  not  improperly 
too  much  so  because  the  long-talked 
dinner-dance  took  place  at  the  Astor 
Saturday    night.      More    correctly,    it 
(Continued  on  Page  2) 


"Closed  Shop" 

The  Dramatists'  Guild  has  reveal- 
ed terms  of  the  "closed  shop"  agree- 
ment which  has  been  submitted  to 
theatrical  managers.  It  is  drastic 
and  sews  the  producers  up  to  iron- 
clad terms  that  protect  the  play- 
wrights in  every  possible  angle.  The 
(.Continued  on  Page  2) 


F.B.O.  Changes  Hands 

Control     Passes  from  English  Inter- 
ests to  J.  P.  Kennedy  of  Boston 
— H.  C.  S.    Thomson  Remains 

At  midnight  Friday  negotiations 
were  consummated  wherelj)'  control 
of  R-C  Pictures  Corp.  and  Film 
Booking  Offices  of  America  and  their 
various  subsidiaries  was  transferred 
by  Lloyd's  bank  and  the  Grahams 
of  London,  to  Joseph  P.  Kennedy, 
Boston  financier. 

The  arrangement  was  concluded  by 
Kennedy  and  Lord  Inverforth,  rep- 
resenting Lloyd's  and  Grahams,  who 
came  to  New  York  with  Major  H.  C. 
S.  Thomson,  president  and  managing 
director  of  the  companies,  a  few  weeks 
ago.  Thomson  will  continue  as  presi- 
dent and  managaing  director  and  the 
executive  and  operating  personnel 
will  remain  unchanged.  W.  W.  Lan- 
caster, representing  Lloyd's  in  Ameri- 
ca,  will   continue  as   a   director. 

The  policy  will  also  continued  un- 
changed. 

The  corporations  included  are 
(Continued  on  Page  3) 

Laemmle's  Homecoming 

By  DANNY 

The  Universal  chief  was  all  smiles. 
He  beamed  approval  on  the  big  party. 
At  the  Commodore  Friday  night — 
that  is  to  say,  Saturday  morning. 
Incidentally  Carl  Laemmle  never 
looked  in  better  health.  Never  ap- 
peared  in   better   spirits. 

*  *         * 

Constantly  surrounded  by  well 
wishers.  From  Will  Hays  to  the  lad 
who  had  been  the  first  operator.  Of 
his  first  theater.  In  Chicago.  Charles 
Chasteen,  who  hasn't  seen  CL  in 
something  like  20  years.  And  they 
talked   over   old   times   with   a    lot   of 

satisfaction. 

*  *         ♦ 

Then    there   was   a    group   of   wild, 
roaring  exhibitors.     From  the   West. 
Led   by   Al    Steffes.      His   "cowboys" 
(Continued  on  Page  3) 

25    Mid-West    Houses    Merge 

Sedalia,  Mo. — Announcement  of  a 
$500,000  merger  of  approximately  25 
theaters  in  Missouri  and  Kansas  by 
the  American  Theaters  Co.  is  made 
by  Jack  F.  Truitt.  in  connection  with 
the  closing  of  a  lease  with  S.  C.  Car- 
ter of  Nevada,  Mo.,  for  the  Sedalia 
and  Liberty  of  Sedalia  and  the  Strang 
theater  from  Lee  Jones  of  Kansas 
City. 


Agree  on  Contract 

M.  P.  T.  C,    Alied    Group    and    Will 

Hays    Reach    Equitable    Basis   of 
Adjustment — Differences    End 

An  agreement  designed  to  end 
contractual  disputes  in  the  industry 
was  reached  Saturday  at  a  luncheon 
given  by  Will  H.  Hays,  for  the  of- 
ficials of  the  important  exhibitor  or- 
ganizations. 

The  group — representing  all  the 
factors  in  the  industry — agreed  upon 
a  .Star.dard  E.xhibition  Contract 
which  \\iil  be  used  by  all  theater 
owners  and  distributing  companies. 
The  exhibitors  of  the  L^nited  .States 
were  represented  by: 

R.  F.  Woodhull,  President,  Joseph 
M.  Seider.  Business  Manager,  and  A. 
Julian  Brylawski,  Chairman  of  the 
Administrative  Committee  of  the  M. 
P.  T.  O.  A.;  Charles  L.  O'Reilly. 
President  of  the  T.  O.C.C;  W.  A. 
Steffes,  President,  M.  P.  T.  O.  of 
Minnesota;  H.  M.  Richey,  General 
Manager,  M.  P.  T.  O.  of  Michigan; 
R.  R.  Biechele,  President,  M.  P.  T. 
O.  of  Kansas  and  Missouri;  Frank 
Rembusch,  President,  M.  P.  T.  O.  o\ 
Indiana;  Jules  Michaels,  President, 
M.  P.  T.  O.  of  New  York  State,  Buf- 
falo-Albanv  Zone,  and  H.  A.  Cole, 
President, 'M.    P.   T.    O.   of   Texas. 

At    the    same    time    arrangements 
(Continued  on  Page  3) 


T.O.C.C.   Party   Friday     ■ 

The  si.xth  annual  dinner-dance  of 
the  T.O.C.C.  is  next  important  social 
function.  It  takes  place  at  the  Astor 
Friday  night  and  will  be  attended  by 
about  2,000.  Governor  Smith  and 
Mayor  Walker  have  definitely  prom- 
ised to  attend.  As  usual,  practically 
all  of  the  important  film  companies 
will  take  boxes. 


Mary   and   Doug  in  Alpine   Picture? 

A  dispatch  to  the  Times  from  Gen- 
eva states  that  Mary  Pickford  and 
Douglas  Fairbanks,  accompanied  by 
the  French  author,  Pierre  Benoit, 
will  arrive  at  Montreux  in  March  to 
make  an  Alpine  film  named  "Boots 
of  Giants,"  specially  written  for  them 
bv   Benoit. 


State  Tax  Up  '.n  'Virginia 

Richmond,  Va.— Delegate  Robert 
O.  Norris  has  introduced  a  ten  per 
cent  admission  tax  bill.  Revenue 
from  this   source  would  be  $600,000. 


Cantor    &    Brandell    to    Produce 

Cantor  &  Brandell,  vaudeville  pro- 
ducers, will  make  two-reel  comedies 
at  Cosmopolitan,  starting  about  Feb. 
IS.  Vaudeville  artists  will  be  used. 
Bryan  Foy  has  been  engaged  to  di- 
rect the  first  in  which  Donald  Kerr 
will   be   featured. 


Universal  Takes  Over  Boston  House 

Boston — Universal  has  taken  over 
the  Franklin  Park  Theater,  Dorches- 
ter from  C.  H.  Williams.  The  house 
holds  a  Keith  vaudeville  franchise. 


I 


THE 


Y«LXXXVNt.32     MoRday,  Fet.  8, 1926    Price  5 Celts 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS.  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
Jjjndon,  \V.  L,  Paris — La  Cinematographit 
Francaise,   5,   Rue  Saulnier. 


Quotations 

(These   quotations  are  as  of   Saturday) 

High    Low    Close      Sales 

Balabaii     &    Katz     Not  quoted 

Eastman  Kodak  ..109?i  109^  109U  100 
Famous  Players  ..118  117^  117 K  4,000 
Fani.    Play.    Pfd.     ..121        121       121  100 

Film  Inspection   ....     6  6  6  100 

First     National     Not  quoted 

Fo.K  Film  "A"  .  .  81  80  81  1,200 
Fox    Theaters    "A"      3154      31         31'A   1,000 

Intern'l     Projector     Not  quoted 

Loew's,    Inc 39i/$     39-/$     39yi       100 

Metro-Gold.  Pfd.  ..  23^  23^  23J^  100 
M.  P.  Cap.  Corp.  20  19^  19^i  300 
Pathe  Exch.  "A"   ..    78J-g     78J^     785^       100 

Skouras    Brothers    ..    S2'4      5254      52^4     

Stan.   Co.   of  Am Not  quoted 

TraiisLux     Not  quoted 

Universal     Pictures     Not  quoted 

Univ.    Pict.    Pfd Not  quoted 

Warner  Brothers  ..  13j4  1354  13M  1,800 
Warner     Pictures     Not  quoted 


Brandt's   Carlton   Opens  Thursday 

The  Carlton,  at  7th  and  Flatl)ush 
Aves.,  Brooklyn,  built  1)y  William 
and  Harry  Brandt,  will  open  on 
Thursday.  Alayor  Walker  will  at- 
tend. 


"Closed  Shop" 

(Continued  from  Page   1) 
contract  provides  a  50  per   cent   cut 
to  authors  on  screen  rights  and  for- 
eign rights,  and   the  privilege  to  ob- 
tain bids  tor  such  rights. 

The  "closed  shop"  c'ause  that  puts 
teeth  in  the  contract  reads: 

"The  manager  agrees  to  make  no  contract 
concerning  any  play  or  dramatic-musical 
composition,  for  the  United  States  and  Can- 
ada, without  the  consent  of  the  Council  of 
the  Guild,  with  any  playwright,  author; 
writer  or  composer  who  is  not  a  member 
in  good  standing  of  the  Guild.  The  manager 
shall  be  entitled  at  all  times  to  be  informed 
of  the  names  of  members  of  the  Guild  in 
good    standing." 

Managers  who  liavc  signed  are: 
Charles  Frohman,  Inc..  Henry  Mil- 
ler, Patterson  Mc^utt,  Horace  B. 
Liveright.  It  is  expected  that  the 
Theater  Guild,  the  Actors'  Theater 
and  William  A.  Brady,  Jr.,  will  soon 
sign. 


Army  Chief  Denies  Favoritism 

Following  denials  of  Thos.  Martell, 
chief  booker  for  the  Army  M.  P. 
Service,  that  favoritism  was  shown 
n  booking  only  national  distributors 
for  War  Dcpt.  Theaters.  R.  B.  Mur- 
ray, director  of  the  Service,  in  a  let- 
ter to  Fred.  H.  Elliot,  head  of  the 
Independent  M.  P.  Ass'n..  likewise 
refutes   the   charges. 


Mrs.  Prevost  Killed;  Others  Hurt 

Los  Angeles — Mrs.  H.  Prevost, 
mother  of  Marie  Prevost,  was  killed 
and  Vera  Steadman  and  AI  Christie 
injured  in  an  auto  accident  near 
Lordsburg,  N.  M.,  Saturday.  Miss 
Steadman  and  Christie  are  in  a  hos- 
pital in  Lordsburg  with  lacerations 
and   cuts. 


10,000  More  Seats  for  Detroit 

Detroit — With  new  downtown  the- 
aters to  be  erected  by  Balaban  & 
Katz-Kunsky  Enterprises,  Charles  H. 
Miles  and  Wi.lliam  Fox,  Detroit's 
capacit5^  in  the  loop  will  be  increased 
by  at  least  10,000  seats. 


$2,000    Demand    Causes    Resignation 

Chicago — Charges  that  Alderman 
Frank  J.  Nosek,  alderman  in  Berwyn, 
demanded  $2,000  to  permit  them  to 
continue  business,  as  filed  by  Biba 
Bros.,  local  theater  owners,  have  re- 
sulted in  the  resignatron  of  Nosek. 


British    One-Reelers   Sold 

R.  Rcubciison  of  Seventh  Ave. 
Films,  Ltd.,  London,  has  sold  Short 
Films  Syndicate  a  series  of  12  Eng- 
lish one-reelers  called  "Twisted 
Tales,"  produced  by  G.  B.  Samuel- 
son. 


In  Control  at  Prinoetown,  W.  Va. 

Princetown,  W.  Va. — Control  of 
the  three  theaters  here  is  in  the  hands 
of  Goodwill  Theaters,  Inc.,  following 
the  acquisition  of  the  Roj'al  from  F. 
F.   Von   Couit. 


Illinois   Exhibitor   Dead 

Danville,  111. — John  McCurry,  66 
years  old  and  for  20  years  connected 
with  local  thcater.s,  is  dead  as  a  re- 
sult  of   pneumonia. 


London  Theater  Opening  Delayed 

London — The  Plaza,  new  Para- 
mount house,  will  not  open  Monday 
as  originally  planned.  The  premiere 
will  take  place  in  March. 


Bishop  Back  in  New  York 

Kenneth  J.  Bishop,  of  Tcnnek 
Film,  has  returned  from  the  Coast 
•with  five  two  reel  subjects,  each  the 
first  of  five  new  series. 


K.   C.   M.P.T.O.  to   Meet 

Kansas  City— The  M.  P.  T.  O.  of 
Kansas  and  Missouri  will  meet  at 
the  Baltimore  Hotel  here  today  and 
tomorrow. 


Notables  at  "T.  N.  T." 

(.CoHtitiued  from  Page   1) 
started   Saturday  night  and  broke  up 
— well,   the   time   varied. 

The  "12  Immortals,''  as  seen 
through  A.M. P. A.  eyes,  came  in  for 
much  kind  kidding.  Lt  made  no 
difference  that  all  twelve  were  not 
present.  One  inquisitive  mind  saw 
something  ulterior  in  the  presence, 
at  this  night  of  nights,  of  Adolph 
Zukor,  Jesse  Lasky,  Sam  Katz  and 
Marcus  Loew  in  Florida,  but  nobody 
paid  very  much  attention   to  him. 

Dinner  started  shortly  after  seven. 
Caricatures  of  the  "12  Immortals" 
who  are  Adolph  Zukor,  D.  W.  Grif- 
fith, Marcus  Loew,  Will  Hays,  Jesse 
Lasky,  Sidney  Kent,  Carl  Laemmle, 
Joseph  M.  Schenck,  William  Fox,  S. 
L.  Rothafel,  Sam  Katz  and  Richard 
Rowland  graced  the  boxes  occupied 
or  held  by  each  of  these  gentlemen 
and  so,  even  those  who  weren't  act- 
ually present  were  razzed  anyway. 
Later,  the  drapings  over  each  were 
dropped. 

Texas  Guinan  was  the  wisecrack- 
ing lady  who  poked  fun  at  everybody 
and  everything  in  the  industry.  Nat 
Rothstein  was  not  so  slow  either  at 
this  stage  of  the  proceedings. 

Toward  the  end  of  the  dinner  a 
skit  called  "It's  All  for  the  Sake  of 
the  Grandchild"  was  put  on.  It 
proved  to  be  a  takeoff  of  Messrs. 
Zukor  and  Loew  and  was  set  to 
slides  and  music  in  which  the  assem- 
blage   participated. 

Vic  Shapiro  who  prepared  the  an- 
nual reel  did  a  great  job.  His  com- 
I)inations  of  action  and  titles  were 
hugelj"  ludicrous  and  got  over  with 
a   couple  of  bangs. 

Along  about  this  time  the  waiters 
Ijcgan  to  clear  the  floor  and  when 
that  job  was  done,  the  dancing  began 
in  earnest.  Jimmy  Caruso  and  his 
Naked  Truth  Orchestra  and  Duke 
Ycllman  and  his  bunch  alternately 
played  for  three  minutes  and  rested 
for   two. 


Fox  Earns  $2,527,241 

(Continued   from   Paric    1) 

and  $500,000  in  call  loans.  Inven- 
tories were  carried  at  $8,554,000  and 
land,  buildings  and  equipment  at  $7,- 
862  000. 

The  net  income  compared  with 
$1,515,000  for  the  same  period  in 
1924.  The  increase  is  said  to  be  due 
largely  to  the  signing  of  contracts  in 
the  latter  part  of  1924  and  running 
into  last  year,  which  increased  gross 
business  between  40  and  60  per  cent, 
and  resulted  in  a  net  income  of  $954,- 
000  in  September,  October  and  No- 
vember, 1925,  compared  with  $437,000 
in   the   corresponding  period   of   1924. 


iiiiiiuiiiiiiiiiiiiiiiiiiiiiiiiiiiHiiiiiiiiiiiiiiiiiiHiimiimiiiiiiiiiiiiiiiiiiiiim 


FEBRUARY  28th 


^linillllllllllililliiiiiiiiiiiiliiiiiiiiHiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiuiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiii 


On  Broadwi 


Apollo — "Stella  Dallas" 
Aster— "The  Big  Parade" 
Broadway — "The  Midnigl 
Cameo^"That  Royle  Gir 
Capitol— "The  Black  Hire 
Cohan — "Ben  Hur" 
Colony — "What  Happenec 
Embassy — "The  Merry  W'u 
Loew's  New  York — Toda  ) 
Tuesday- — -"The     Gilded  j 

and  "The  Fighting  E( 
Wednesday — "The  Wed 
Thursday — "'California 

Ahead" 
Fridav — "The   Palace  oiti 
Saturday— "Don't" 
Sunday — "New  Brooms" 
Loew's  State — "The  Song 

Man" 
Mark   Strand — "The   Gran 

and  the  Waiter" 
Rialto^"Moana   of   the  Si 
Rivoli — "Behind  the  Front 
Brooklyn  Mark  Strand— "l*) 
dermere's  Fan" 


Next  Week    ' 

Apollo— "Stella    Dallas" 
Astor — "The   Big  Parade" 
Broadway — Not  yet  deterir 
Cameo — Not  yet   deterniim 
Capitol— "The    Auction    Bl 
Cohan— "Ben  Hur" 
Colony — Not  yet  determim 
Criterion — "Mare    Nostruim 

Feb.   15. 
Embassy — "The    Merry  W^ 
Mark   Strand — Not   yet  detji 
Rialto — "Three   Faces  East 
Rivoli — "Dancing    Mothers' 
Warners — "The  Sea  Beast" 
Brooklyn      Mark    .Strand- 
Lane" 


This  is  a  'Cornerblock'  cut  ' 
FREE  for  all  Pathecomedie 
exchange. 


♦  ♦♦•♦'#♦♦♦♦♦♦••♦♦♦♦♦♦•>♦••♦♦♦♦•♦♦♦♦*#*' 

I  Ward  Cine  Laborator 

\l  216-222   Weehawken 

i}  Union  City,  N.  J, 

li    Telephone   Union   4800 

••♦  G.  BERT  WAR] 

♦V 

««*»»>  ♦.♦  ♦.♦  ♦>  ♦  >  •>  ♦>•>  *>  ♦,♦  ♦,♦  •>  ♦>  ♦>  ♦>*»*fl 


" 


Negative  Develoi 
and  Printing 

Complete  Title  SeM 
SALAND  FILM  LABORATORIE 

Phone  Bryant  7577    729-7th  Ave 


THE 


,>niay,  February  8,  192o 


DAILY 


emmle's  Homecoming 

iCniiliiiiird   from   Piiiic    I  I 

irlcd     Fri'iik     RembusL-h,     H.     M. 
cv    from     Michigan    and    others. 

CL   was   (IcliKhted   to   sec    them. 

I  *  *  * 

l-.d  when  IrviiiR  '^i  hali)erg  arrived 

was  quite  a  scene.      There  is  a 

cndous     affection     between     the 

producer   and   CL.      Incidentally 

!l)crg    owes    his    start    as    a    pro- 

r    to    Lremmle.      He    had    been 

.    secretary    until    CL    made    him 

production     head     of     Universal 

And   the   whole   world   knows 

1      Thalberg     has      accomplished 

*  *         * 

young  girl  congratulated  CL. 
u  don't  know  who  I  arii?"  she 
(1.      CL    beamed.      "Yes    I    do," 

aid,  "you  are  Miss   "     "No," 

-aid.  "I'm  Miss  "     And  CL 

embarrassed. 

*  *         * 

hen    supper    was    served    a    life 

portrait    of    the    Universal    chief 

uiulrapeidl,    and    again    he    was 

h   embarrassed,     t^ater   when   the 

! -ra   sharks   got   him   to   stand   up 

shake  hands  with  Hays  he  could 

smile   sufficiently.     "Bigger,   big- 

'    yelled    the    cameramen.      They 

ily   got   a    grin   that    suited   them. 

*  ♦         * 

he     moment     the     grand     march 

;:  ted    Laemmle,    his    daughter,    and 

Vll  Hays  took  front  position.     They 

about  1.500  employees  around  the 

several  times,  and  then  when  the 

ing    started    Will    Hays    led    off 

1  Miss  Laemmle.     It  was  a  great 

rt.       The     head     of     the     industry 

n't  forgotten  how  to  dance.     And 

Ncd  it. 

*  *         * 

i')Ob''  Cochrane  was  on  hand; 
L-t.  modest,  keeping  in  the  back- 
und.  As  he  always  does.  What 
ombination  these  two  men  make? 
H.  was  as  happy  over  Laemmle's 
ight   ?s    if   he   was   being   honored. 


Saxe  to  Build  $1,000,000  House 

Madi.son,  Wis. — The  Saxe  enter- 
ses  will  erect  a  theater  here  cost- 
$1,000  000  to  be  known  as  the 
pitol. 


Films  In  'Planes 

From  Berlin,  the  Times  reports  that 
the  German  Air  Service  Co.  plans  to 
install  radio  and  projection  machines 
on  passenger  planes,  as  a  means  of 
entertaining  passengers.  The  first 
showing  in  Germany  of  "The  Lost 
World"  was  made  in  an  airplane 
while  in  flight  over  Berlin,  and  music 
furnished  by  the  Berlin  Broadcasting 
Station. 


.To  Continue  "Strand  Frolics" 

tjfe  Mark  Strand  has  decided  to 
ntihue  "Joseph  Plunkett's  Strand 
dies"  as  a  regular  weekly  feature. 
th  a   new   program   each   week. 


Agree  on  Contract 

(Continued  from  I'ayr    1) 

were  made  for  the  further  considera- 
tion of  the  matter  with  an  Advisory 
Committee,  aided  by  an  Advisory 
Commission  if  necessary. 

The  following  signed  statement 
was  issued  by  those  participating  in 
the   conference: 

"The  undersigned  have  today  ap- 
proved a  new  standard  Exhibition 
Contract.  This  contract  shall  be  put 
into  use  immediately.  Concurrent 
with  this  approval  an  arrangement 
has  been  effected  for  the  appointment 
of  an  Advisory  Committee  to  consult 
with  the  Motion  Picture  Prod,  and 
Dist.  of  Am^/ica  relajiv/i'  to  'still 
further  improving  the  conltract,  if 
possible.  This  Advisory  Committee 
consists  of  the  following:  Charles  L. 
O'Reilly,  R.  F.  WoodhuU.  W.  A. 
Steffes,    and    E.    V.    Richards. 

"In  addition  there  has  been  desig- 
nated an  Advisory  Commission  con- 
sisting of  Hon.  Henry  W.  T?ft  and 
Judge  Moses  H.  Grossman,  who  shall 
be  jointly  consulted  by  the -Advisory 
Committee  and  the  Motion  Picture 
Prod,  and  Dist.  of  America  in  the 
event  such  Advisory  Committee  and 
the  Motion  Picture  Prod,  and  Dist. 
of  America  are  unable  to  agree  on 
any  further  changes  which  may  be 
decided    advisable. 

"The  contract  agreed  upon  today 
is  mutual  and  contains  many  sub- 
stantial improvemeii«s.  It  is  our 
purpose  sympathetically  to  interpret 
its  provisions,  to  carry  it  out  and  to 
aid   in   efforts   to   improve   it." 


.B.O.  Changes  Hands 

(Continued  from  Par/e    1) 

C*^  Pictures  Corp,  F.  B.  O.  (of 
merica.  Inc.,  F.  B.  O.  of  Canada, 
td.,  and  F.  B.  O.  Studios,  Inc.  In 
mimenting  upoii  the  transfer  of 
Mitrol,  Major  Thomson  said  in  part: 

"Graham  and  Lloyds  have  loiiR  felt  that, 
cause  of  the  fact  that  tlicir  inlcrests  are 
most  entirely  confined  to  EnRland  and 
at  these "  companies  represented  virtually 
eir  only  hig  husincss  interest  in  America, 
at  the  development  of  the  companies  could 
at    he   carried    out   under    resident    control." 

Kennedy,  the  new  owner,  former 
resident  of  the  Columbia  Trust  Co 
E  Boston,  was  at  one  time  connected 

ith  the  Bethlehem  Shipbuilding  Co., 
nd  with  Haydeii,  Stone  &  Co.,  and 
i  a  director  and  trustee  of  many 
lew   England   enterprises. 


Better   Business  Bureaus  Help 

Innumerable  Better  Business  Bur- 
eaus and  Ad  Clubs  throughout  the 
country  are  cooperating  with  the 
Havs  organization  in  enlightening  the 
public  on  "fake"  scenario  schemes, 
schools  and  the  like.  The  Better 
Business  Bureau  of  Kansas  City,  Mo., 
recently  published  in  its  weekly  bul- 
letin facts  concerning  scenario  writ- 
ing. A  booklet  on  this  subject,  issiied 
by  the  Hays  organization,  is  being 
widely   distributed. 

Denver  Theater  Owners  Elect 
Denver— The  Theatrical  Managers' 
Ass'n  of  Denver,  an  organization  of 
first-run  picture  houses  and  the  legi- 
timate theaters,  held  its  annual  elec- 
tion recently.  J.  Mulvchill  was  re- 
elected president  and  Joseph  Roth, 
manager  of  the  Isis.  secretary  and 
treasurer,  succeeding  Ricketson.  This 
organization  is  in  no  wav  connected 
with  the  M.  P.  T.  O.  of  Colorado  of 
which  TT.   E.  Huffman  is  president. 

Dunlap  Signs  with  Rogers 

Los  .\ngelcs — Scott  Dnnlap  has 
signed  with  Charles  R.  Rogers  to  di- 
rect. 


LEE-BRADFORD  CORPORATION 

ARTHUR  A.  LEE,  President 


Presents 


JANE  NOVAK 


IN 


The  BLACKGUARD 


From  the  book  by  RAYMOND  PATON 


Directed  by  GRAHAM  CUTIS 


Greater  New  York  and  Northern  New  Jersey  Distribution 

By 

GOLDMARK  FILM  CO. 

SUITE  408 

729  SEVENTH  AVE.  NEW  YORK 

PHONE  BRYANT  7519 


\ 


feitiii 


PfiSi. 


r 


/^ 


-!; 

Hi  ( 


Authority 


XXV    No.  33 


Tuesday,  February  9,  1926 


Price  5  Cents 


II  CONTRACT 

^        By  DANNY 

,  like  all  the  squabbling; 
I    ussions,  the  fighting,  is 

(  mporarily,  at  least — re- 
the  exhibition  contract. 

memorable  and  history 
i    session  exhibitor  leaders 

hi  Hays  ironed  out  many 
.  lifficulties  existing  in  the 

tract.    And  a  new  one  is 

()  be  in  effect  by  March. 

robabilities  are  that  when  the 
1  niment  is  in  actual  usage  that 

nd  problems  will  develop 
t  s      But  it  is  to  be  hoped  that 

ill  be  ironed  out  at  a  subse- 

-leeting  of   the    parties    inter- 

'    only  regret  of   the  en- 
'    situation   is    that   it   has 
'    about   two   and   a   half 
js  to  get  this  newer  instru- 
',  ejected.  One  must  real- 
he   many   difficulties   and 
lems   which   face   the   ac- 
ince    of    such    an    instru- 
t.     But    tivo    and   a    half 
8    is    too    long    a    period, 
■tever     changes     and     im- 
ements     must     be     made 
Id  be  done  every  year. 
as  Hays  has  so  often  said,  it 
the  distance   of   the   step,   but 
ection  which  counts.     A  step 
ight  direction  has  been  made, 
will  be  made,  and  from  time 
?    annoyances    will    be    ironed 
Vhich    is    as    it    should    be. 
credit  for  the  assembling  of 
d    working    out    this    difficult 
n  belongs  to  Gabriel  L.   Hess 
Hays  organization.    This  work 
isumed  a  vast  amount  of  time; 
rips  to  discuss  matters  with  ex- 
leaders   throughout   the  coun- 
"or   all   this    Hess   will   receive 
ward.     He  is  entitled  to  much, 
spirit    in    which    the    Saturday 
g  worked  out  proved  satisfying 
tely    to    the    exhibitor    leaders. 
Saturday    night     Frank     Reni- 
the    Stormy    Petrel — who   has 
omplaining  of  the  contract  for 
declared  that  the  day's  work 
great  triumph,  and  he  was  en- 
itic  to  a  degree  over  the  result. 
id  it  was  a  great   day  for  the 
(Continued  on  Page  2) 


1st  Nat'l  to  Make  40 

Hollywood — John  McCormick  an- 
nounced on  behalf  of  First  National 
yesterday  that  the  company  will 
spend  $8,000,000  on  forty  pictures  for 
1926-927. 


Heavy  Production   Scehdule 

First  National  and  allied  units  will 
commence  production  on  seven  pic- 
tures within  the  next  week  or  ten 
days.  They  are  "Ella  Cinders,"  "Miss 
Nobody,"  "Good  Luck,"  "Molasses," 
"The  Wise  Guy"  "Pals  First"  and 
"Ransom's   Follv." 


De  Milk  Coming  East 

Los  Angeles — Cecil  B  De  Mille  is 
expected  to  leave  for  New  York  on 
the  16th. 


Convention   Off 

In  view  of  the  agreement 
reached  by  the  Hays  organiza- 
tion, the  M.  P.  T.  O.  A.  and 
the  Allied  group  regarding  the 
Standard  Exhibition  Contract, 
Frank  Rembusch  has  aband- 
oned his  plan  to  hold  a  confer- 
ence at  French  Lick.  However, 
the  Indiana  M.  P.  T.  O.  will 
meet  there  as  per  schedule  on 
the  23rd. 


Bernie  Fineman  Here 

Bernie  Fineman,  who  will  super- 
vise a  number  of  Coast-made  pictures 
for  First  National,  arrived  yesterday 
from  Hollywood.  Here  on  a  vaca- 
tion. 


King  to  Direct 

Sam     Goldwyn     Buys     "Barbara 
Worth"  from   Sol  Lesser — Plan- 
ned as  Important  Special 

Samuel  Goldwyn  has  purchased 
"The  Winning  of  Barbara  Worth" 
by  Harold  Bell  Wright  from  Sol 
Lesser.  Henry  King  will  direct  it. 
Production  plans  call  for  a  picture 
in   the   special   class. 

Production  will  be  through  United 
Artists  as  would  have  been  the  case 
had  Lesser  carried  out  his  original 
plans.  He  first  intended  making  it 
under  the  Principal  Pictures  banner 
with  Charles  J.  Brabin  directing.  In 
commenting  on  the  sale  to  Goldwyn, 
Lesser  said  yesterday  he  found  that 
it  was  difficult  to  be  both  a  producer 
and  an  exhibitor  and  that  he  intend- 
ed devoting  all  of  his  time  to  devel- 
oping  his   theater   interests. 


Up  in  Arms 

Film    Interests    of    Several    Foreign 

Countries  Plan  Demonstration 

Against  American  Product 

Copenhagen — The  film  industries 
of  Norway,  Sweden,  Denmark  and 
Finland  have  decided  to  take  drastic 
action  against  the  invasion  of  Ameri- 
can product.  A  congress  has  been 
called  for  sometime  in  May,  at  which 
these  nations  will  be  represented  and 
which  is  expected  to  develop  into  a 
huge  demonstration  against  pictures 
bearing  the  mark:  "Made  in  Amer- 
ica." 

The  Scandinavian  industry  is  par- 
ticularly upset  over  the  Americaniza- 
tion of  the  German  market,  which, 
until  the  past  few  years,  was  to  some 
(Continued  on  Page  5) 


In  Effect  in  March 

New    Contract    Becomes    Operative 

Speedily — What   the    Changes 

Mean  to  the  Trade 

Following  Saturday's  important 
meeting  at  which  the  differences  over 
the  uniform  contract  were  discussed 
and  settled,  little  time  was  lost.  Cop- 
ies of  the  amended  agreement,  which 
now  bears  the  name  of  the  Standard 
Exhibition  Contract,  will  be  printed 
this  morning.  It  is  anticipated  film 
will  be  bought  under  the  new  form 
contract  by  March. 

There  are  a  number  of  interesting 
changes.  From  the  theater  owners' 
angle,  the  following  are  perhaps  of 
chief  import: 

Clause  8  dealing  with  the  designa- 
tion  of  play   dates. 

The  insertion  of  a  new  clause  car- 
rying a  warranty  that  distributors 
subscribing  to  the  Standard  Exhibi- 
tion Contract  use  it  in  complete  form 
at  all  times. 

A  clause  which  pietiycs  distribu- 
tors not  to  insert  in  their  productions 
advertising  matter  for  which  they  re- 
ceive compensation. 

(Continued  on  Page  5) 


Asher  Stays  in   Boston 

:on — It  is  understood  Harrj|.r 
of  American  Feature  Film, 
Sngland  distributor  for  Univer- 
as  turned  down  an  attractive 
:rom  the  latter  company  in  or- 
continue  with  American. 


Building  20  Houses 

Los  Angeles — West  Coast  Thea- 
ters, Inc.,  is  spending  over  $6,580,000 
on  new  houses  which  will  add  30,700 
seats  to  the  circuit.  The  chain  at 
present  totals  168  theaters. 

The  following  theaters  are  now 
under  construction  in  Los  Angeles, 
some  of  them  practically  completed: 

Location  Cost  Seats 

Balboa,   Slauson  and   Mesa.  .$340,000  1800 

Belmont,   1st  and  Vermont..    485,000  1800 

.Wilshire    and    Alvarado 435.000         1800 

*      ffin    and    Main 175,000  900 

ire    and    Sycamore 375,000  1600 

Viv^  nd    Lamirade 175,000  900 

87th        \    Vermont 280,000         1600 

Wester  and  Maplewood..  380,000  1800 
'Continued  on  Page  5) 


Earns  $3,459,862 

Famous  Players  Nine  Months'  State- 
ment   Out — $2    Dividend    Declared 
by  Directors 

Famous  in  its  consolidated  state- 
ment which  includes  earnings  of  sub- 
sidiary companies  reports  net  profits 
of  $1,408,330.19  for  the  three  months 
and  $3,459,862,90  for  the  nine  months 
to  Sept.  26,  1925,  after  deducting  all 
charges  and  reserves  for  Federal  in- 
come and  other  taxes. 

The  directors  yesterday  declared 
the  regular  quarterly  dividend  of  $2 
per  share  on  the  common  stock,  pay- 
able April  1,  1926,  to  stockholders  of 
record  at  the  close  of  business  on 
March  15,  1926.  The  books  will  not 
close. 


Zeldman  Resigns  from  Warners 

Hollywood — Bennie  Zeidman,  one 
of  the  production  heads  at  Warners, 
has  resigned.  He  will  announce  his 
new  affiliation  when  he  arrives  in 
New  York  shortly.  Irving  Asher  has 
also   left   the   Warner   ranks. 


Abe  Warner  said  several  well- 
known  figures  in  production  were  be- 
ing considered  for  Zeldman's  post. 


Chain  for  Ohio 

Columbus,  O.— It  is  understood 
that  expansion  plans  of  the  James 
Amusement  Co.,  operating  six  thea- 
ters in  Columbus,  and  one  in  Louis- 
ville, Ky.,  provide  for  a  large  chain 
throughout  the  State.  At  present,  the 
James  enterprises  are  erecting  a  large 
theater  and  office  building  on  State 
St.,  on  the  site  of  the  old  City  Hall. 
The  Ohio  James  Co.  has  been  formed 
to  operate  the  latter. 


John  Fitzgerald  in  F.  B.  O.  Deal 

Boston— John  F.  Fitzgerald,  for- 
mer mayor,  will  have  an  active  part 
in  the  management  of  F.  B.  0.,  just 
acquired  by  a  group  of  Boston  and 
New  York  interests  headed  by  Fitz- 
gerald. Joseph  P.  Kennedy,  an- 
nounced as  the  purchaser,  is  Fitz- 
gerald's   son-in-law. 


St.  Louis  "Blues"  Again 
St.  Louis— Plans  for  a  crusade  to 
eliminate  salacious  posters  and  mag- 
azines are  now  being  made  by  a  new 
committee  on  public  morals. 


Billy  Goldman  Here 
William  Goldman,  of  the  Kings  and 
other    St.    Louis    theaters,    is   at    the 
Biltmore. 


"Ben  Hur"  Opens  in  "Windy  City" 

Chicago— "Ben  Hur"  opened  last 
night  at  the  Woods  for  an  indefinite 
run. 


l{f 


THE 


Tuesday,  February  9, 


Val.XXXVNi.33      Tui$ilay,Feb.9,1926    Price  5  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographie 
Francaise,   5,   Rue  Saulnier. 


Quotations 

High    Low?    Close      Sales 

Balaban    &    Katz     Not  quoted 

Eastman    Kodak    ..110       10954   HO  600 

Famous    Players    ..11954   116       119%   35,200 

Fam.    Play.    Pfd Not  quoted 

First  National  Pfd.  106       106       106  100 

Film    Inspection    .  .      654       6  6  300 

Fox  Film  "A"  ..  80^  79H  80  1,790 
Fox  Theaters   "A"     Sl'A     SOyi     30         1,900 

Intern'l    Projector    Not  quoted 

Loew's,    Inc 40         3954     3954      1,400 

Metro-Gold.  Pfd.  ..  2354  2i'A  23'A  300 
M.  P.  Cap.  Corp.  1954  19'A  19?4  200 
Pathe   Exch.    "A"     77?4     77         77  100 

Skouras  Brothers  . .   49         49         49  

Stan.   Co.  of  Am Not  quoted 

Trans-Lux     1254      12         12         2,000 

Universal     Pictures     Not  quoted 

Univ.    Pict.    Pfd Not  quoted 

Warners  Brothers  1354  135^  1354  600 
Warner    Pictures     Not  quoted 


The  CONTRACT 

{Continued  from  Page   11 
exhibitor.    Other  leaders  while  not  so 
enthusiastic    were    apparently    grati- 
fied over  the  result. 

Now,  let  us  see  how  this  new  in- 
strument works  out.  But  be  patient. 
It  probably  is  far  from  perfect.  It 
probably  needs  fixing  here  and  there. 
But  that  will  be  done  in  time.  We 
happen  to  be  optimistic  over  the  fu- 
ture relations  of  exhibitor  and  dis- 
tributor. Good  business  prompts 
that  there  should  be — that  there  must 
be. 


May  Use  Original  Locale 

Universal  is  reported  considering 
filming  a  large  part  of  "The  Star 
Spangled    Banner"    in    Maryland. 


Robert  Fairbanks  Here 

Robert  Fairbanks  arrived  from  the 
Coast  yesterday  en  route  to  Europe. 
He  will  arrange  for  the  premeire  of 
"The  Black  Pirate"  at  the  Tivoli, 
London,  and  attend  to  other  business 
for  Douglas  Fairbanks  on  the  Conti- 
nent. Doug's  new  picture  will  open 
here  about  March  1. 


Ingram  Starts  Feb.  15 

Production  will  commence  Feb.  15 
on  "The  Magician,""  to  be  made 
abroad  by  Rex  Ingram  with  a  cast 
headed  by  Alice  Terry  and  Paul 
Waegner.  Ingram's  "Mare  Nostrum" 
will  have  its  premiere  at  the  Criter- 
ion Feb.  15. 

Barker,  President  of  M.P.D.A. 

Holywood — Reginald  Barker  has 
been  elected  director  (president)  of 
the  M.P.  Directors  Ass'n.,  succeed- 
ing William  Beaudine.  Henry  Otto 
is  assistant  director,  Rupert  Julian, 
technical  director,  Francis  Bowers, 
secretary  and  Frank  Cooley,  treas- 
urer. 


VOR      RHNT 


lU  LI  -  HOWELL 
AKH I Y  CAMhk AS 


^.L!|)1:N     i.V»,VitRA    EXCHANGE 

7:'<   iovor.tli  .Av,-    N.YC. 


Fine   Arts  to  Expand 

Hollywood — The  Fine  Arts  studio 
will  spend  $200,000  in  expansion. 
Plans  include  the  building  of  50  ady 
ditional  dressing  rooms,  six  new  cut- 
ting rooms,  four  property  rooms  and 
work  shops,  and  an  administrative 
building. 


Coast  Departures 

Los  Angeles  —  Robert  McGowan 
and  his  wife;  Fred  Jackman  and  wife; 
Warren  Doane  and  wife,  and  Benja- 
min Shipman,  attorney  for  Roach, 
are  en  route  to  New  York,  arriving 
Feb.  11. 


Crandall  to  Build  in  Frederick 

Frederick,  Md. — Harry  M.  Cran- 
dall has  purchased  the  Schley  prop- 
erty on  Patrick  St.,  downtown,  for 
$75,000.  March  1  the  building  will  be 
razed  to  make  way  for  a  2,000  seat 
theater. 


Cameo  to  Show  More  Revivals 

The  Cameo,  which  in  cooperation 
with  the  International  Film  Arts 
Guild,  presented  a  week  of  revivals, 
plans  to  show  another  week  of  reper- 
tory next  month. 


Three  New  Pathe  Managers 

Three  new  branch  Pathe  managers 
have  been  appointed,  Roy  O.  Pear- 
son at  Omaha,  F.  W.  Gebhardt  at 
Kansas  City  and  John  R.  Mahan  at 
New  Haven. 


i 


Fred  Balshofer  Here 

Fred  Balshofer,  who  is  handling 
the  Bob  Horner  series,  has  arrived  in 
New  York.  He  has  closed  the  fol- 
lowing deals  on  the  series:  to  R.  A. 
Cohen,  of  E.  L.  C.  Co.,  San  Fran- 
cisco, for  Northern  California  and 
Nevada;  to  Griever  Prod.,  Chicago, 
for  Illinois  and  Indiana,  and  to 
George  Slater,  of  Los  Angeles,  for 
Southern    California   and    Arizona. 


Marian  Ainslee  Going  Abroad 

Hollywood — Marian    Ainslee,    who 
has  just  finished  titling  "La  Boheme," 

is   leaving   for   a   vacation   in   Europe. 

iiiiiiiiiiiiii^^ 


FEBRUARY  28th 


Publix    Buys   Plastex   Novelty 

The  Plastex  film  novelty,  "Man 
or  Illusion,"  which  was  shown  at 
the  Rivoli  in  January,  has  been 
bought  by  Publi.x  Theaters  for  show- 
ing in  conjunction  with  the  John 
Murray  Anderson  presentation , 
"Skvlarks." 


Pauline  Frederick  with  Gregi 

Hollywood — A  report  statet 
Arthur  Gregor  had  signed  I 
Frederick  to  appear  in  a  picture 
he  will  produce  independent!) 
Krellberg  of  Excellent  Pictures 
have  Miss  Frederick  under  cd 
for  several  pictures,  said  yes 
that  as  far  as  he  knew  there  v 
truth  to   the   statement. 


$500,000  Operating  Losses 

Chicago — Evidence  that  operating 
losses  of  almost  $500,000  were  incur- 
red by  the  Consolidated  Theater  & 
Realty  Co.,  while  the  concern  was 
selling  $3,696,000  of  its  stock  to  about 
6,000  investors,  was  offered  by  the 
prosecution  in  the  trial  of  officials 
of  the   bankrupt    concern. 


"Charleston"   Series  Complete 

J.  S.  Grauman  has  completed  a  se- 
ries of  six  one-reelers,  called  "The 
Charleston,"  in  which  Arthur  Murray 
instructs  the  dance.  Morrie  Ryskind 
wrote  the  scenario  and  titled  the  pic- 
tures. 


Colonial  Theater  Bankrupt 

The  Colonial  theater,  481  Willis 
Ave.,  the  Bronx,  has  filed  a  volun- 
tary petition  in  bankruptcy.  Liabili- 
ties are  listed  at  $2,000  with  no  as- 
sets. Alexander  and  Hyman  Radalin- 
sky  are  the  owners.  ^. 


^  Bill  Fairbanks'  First 

■'The  Mile-A-Minute  Man,"  art 
original  by  Ed.  J.  Meagher,  is  the 
first  of  the  Camera  Picture  series 
starring  William  Fairbanks,  for  re- 
lease through  Lumas. 


iGarrie  Ward  Dead 

Los  Angeles  —  Funeral  arrange- 
ments are  being  made  for  Carrie 
Clark  Ward,  pioneer  actress,  who 
passed  away  at  her  home  following 
a   12  weeks'  illness. 


George  Walsh  Coming 

Hollywood  —  Immediately  upon 
completion  of  "The  Test  of  Donald 
Norton"  for  Chadwick,  George  Walsh 
will  leave  for  a  "vacation  in  New 
York. 


^iiiiiiiPiiiiiiiuiiiinuiiiiniiiiininiiiiiiiiiiniiiimiiiiiuiiiiiiiiiniiDiiiiiiiiiiiiiiniiiiiiiiiiiiif. 


IF  YOU  ARE  IN  THE 
MARKET  FOR  ANY  KIND  OF 

MOTION  PiaURE 
APPARATUS 

CONSULT  US- AND  SAVE  MONEY 
SEND  FOR  OUR  PRICE  LIST 


Chas.  G.  Willoughby,  Inc. 

Motion  Picture  Department 

110  West  32nd  St..  New  York 

Phone    Penn.    6564 


This  is  a  'Cornerblock'  cut  furr 
FREE  for  all  Pathecomedies  at 
exchange. 


ffl 


HALPERI^ 


LOBBY   FRAME 

OF  THE  BETTER  KIND 

LIBMAN-SPANJER    CORN 

1600  Broadway  New   York     i 

Tcl^Chiikcnni;  ^^'0  ^1,..^  i 


^m\ 


BRVANT     3740-3T44 


REtJ:BEI>f    S^AJVIUELS.lK 


1540   BROADWAY  L  , 

NewVork  ^II  ^ 

Insurance   Experts  to  the  Theal 
And   Motion   Picture    Industi 


u-thurMuiTay  taught  the  Prince  ^/Wales/ 
Let  him  teach  your  Patrons/ 


J  ■  S  •  GRAUMAN 

presents 


IN  riX  LESION! 

A  series  oF  six  one-i-eelei-s 
with  instructions  by- 
ARTHUR     MURRAY 


^' 


i-s-v^' 


The  timeliness  of  this  sensational  comedy 
novelty  means  big  profits  for  you!  Its  practi- 
cability was  recently  proved  when  forty  New 
York  girls  who  were  novices  at  the  Charles- 
ton became  experts  after  watching  these 
six  instructive  and  mirth  provoking  reels ! 


. 


t 


For  territorial  rights,  u/ire 

Mack  D.  Weinberger, 

Sales  Manager 

J.  S.  Grauman,  Inc. 

117  West  45th  Street 
New  York  City 


;( 


\ 


™^-5Bg^ft Jf 

^^r^^^  DAILV  Tuesday.  February 


ONE  NIGHT  IN  A  THOUSAND 

Lincoln^s  Birthday  Night 

FRIDAY,  FEBRUARY  12th 

Don't  Miss 

The  Greatest  Motion  Picture  Event 

of  the  Year 

SIXTH  ANNUAL 

DINNER  and  DANCE         H 

at 

HOTEL  ASTOR 

Under  the  Auspices  of  the  Theatre  Owners  Chamber  of  Commerce 

Stars  and  Celebrities  Galore! 
VINCENT  LOPEZ 

IN  PERSON 

and  his  celebrated 
CASA  LOPEZ  ORCHESTRA 


y,  February  9,  1926 


THE 


■cM^ 


DAILY 


i 


Effect  in  March 

(Continued  from  Page  i) 
niore    imporiant    trade    prac- 
lich  undergo  changes  as  a  re- 
ijthe  new  contract  follow: 
!)n  Print  Loss — Clause  3 
r    the    new    clause,    exhibitors 
four   cents   per   foot   instead 
For    colored    prints,    the    re- 
bascd  on  laboratory  costs. 
ime  of   Exhibition — Clause   4 
time   for   performance   is    now 
Mach   exhibitor   will    hereafter 
s  own  exhibition  year,  begin- 
the  date  upon  which  he  plaj's 
t    picture    under    his    contract. 
.    designed    to    eliminate    over- 
Tlie    cxhi;l)i'tion    period     is 
nfined  to  one  year. 

On  Play  Dates 

clause  hp.s  been  modified  so 
bsequent  runs  will  no  longer 
1  up  unreasonably  in  securing 
ted  pictures.  Distributors  will 
it  that  second-runs  do  not  put 
lying  pictures  unduly,  there- 
aking  it   difficult    for   the    later 

secure  film. 

nance  Prevention — Clause  10 
ly  conditions  specified  in  the 
t    such    as    censorship,    fire    or 

damage   by   the   elements,   in- 

ions,     "acts    of     God     or     the 

enemy"      excuse       pdrform- 

n   either   side   for   a    continued 

of   three   months,-  either    may 

the  contract  upon  notice  of 
itcntion.  For  example,  if  an 
Dr's  theater  burns  down  and 
period  of  three  months  he 
re  cannot  show  pictures  for 
he  has  contracted,  he  can  be 
1  of  his  obligation  by  notify- 
;  distributor  Likewise,  if  a 
;r,  because  of  star  illness  or 
een  production  problems,  can- 
liver  a  promised  picture,  he 
relieved  of  his  contract  by  so 
ng  the   exhibitor. 

n  Admissions — Clause  15 

clause  is  amended  so  that  the 
m  admission  is  ten  cents. 
n  Advertising — Clause  6 
exhibitor  now  agrees  not  to 
;e  a  picture  unless  for  first- 
'ior  to  the  completion  of  the 
1.  This  clause  covers  every 
;  advertising  medium  from 
pers  down  the  line  to  screen 
ir  lobbies.  It  is  aimed  espec- 
t  smaller  towns  where  the 
)rhood  exhibitors  urge  the 
to  see  the  downtown  picture 
house  later  for  ten  or  fifteen 
as  against  thirty-five  or  fifty 
larger  theater. 

Acceptances — Clause  18 
clause  has  been  altered  to  cut 
he  time  limit  until  now  used 
ributors  to  approve  exhibitor 
ts.  In  effect,  it  makes  every 
je  center  an  authority  to  ac- 
'  reject  contracts  for  service. 
n  Arbitration — Clause  19 
operations  of  the  arbitration 
remain  unchanged.  Each  side 
point  three  arbitrators  as  in 
it,  but.  in  addition,  there  will 
Dinted  one  alternate  represent- 
libitors  and  one  representing 
?es.  Ff  one  side  challenges 
lings  of  two  arbitrators  on  the 
ide,  the  alternate  steps  in.  Un- 
old  clause,  there  was  no  right 


of  challenge,  although  distributors 
maintain  exchanges  have  often  per- 
mitted this. 

Additions 

All  distribubtors  using  the  Stand- 
ard Exhibition  Contract  pledge  that 
every  clause  appearing  in  this  form 
of  contract  will  be  embraced  in  every 
copy  that  they  use.  There  may  be 
additions,  resulting  from  the  develop- 
ment of  some  one  company's  own 
sales  policy,  but  the  guarantees  as- 
sured exhibitors  by  the  various  sec- 
tions of  the  basic  contract  will  al- 
ways be  his.  Exhibitors  feel  for- 
eign   riders    cannot   now   be   inserted. 

If  an  exhibitor  fails  or  delays  to 
forward  a  print  to  a  waiting  exhibitor 
and  the  latter  exhibitor  therefore  suf- 
fers a  loss,  the  injured  theater  owner 
will*  have  the  right  to  file  a  claim  di- 
rectly against  the  laulty  exhibitor 
through  the  local  arbitration  board. 
On  Advertising 

The  distributor  agrees  not  to  in- 
clude any  advertising  in  his  pictures 
for  which  he  received  a  compensa- 
tion. 


"Unknown    Soldier"   in    Court 

Hollywood — The  question  of  who 
wrote  '"The  Unknown  Soldier,"  was 
brought  before  Superior  Court  when 
James  J.  Tynan  filed  suit  against 
Rcnaud  Hoffman  Prod..  Inc.,  Re- 
naud  Hoffman,  Dorothy  Farnum 
and  P.  D.  C.  for  an  injunction  to  re- 
strain exhibiting  any  print  bearing 
anv  name  other  than  his  as  author. 


Dunn   Acquires   His   Fourth 

Seattle — The  Fremont  has  been 
acquired  by  C.  M.  Dunn,  who  also 
owns  houses  in  Rosb'n,  Cle  Elum 
and  Rcnten.  H.  Monting  soJd  the 
Fremont. 


New  Dog  Series 
Chesterfield  will  release  a  series  of 
six  features  starring  "Sandow,  the 
Police  Dog."  Van  Pelt  Bros,  are 
making  them  in  California.  The  first 
is  "His  Brother,"  directed  by  Frank 
Mattson. 


Up  in  Arms 

(Continued  from  Page   1) 

extent  held  by  Sweden.  It  is  under- 
stood that  the  Swedish  Parliament 
has  already  held  a  long  debate  to 
consider  ways  and  means  of  counter- 
acting American   competition. 


A  special  dispatch  to  "The  Post" 
yesterday  said  the  Hungarian  Films 
Ass'n  has  decided  that  the  all-Euro- 
pean Conference  of  Film  Industries 
which  it  has  called,  will  concern  it- 
self exclusively  with  organizing 
against  .American  films. 


Krofta,  President  Milwaukee  Ass'n. 

Milwaukee — Max  Krofta  of  thi 
Idlehour  has  been  elected  prcsiden' 
of  the  Milwaukee  exhibitor  associa- 
tion. Other  officers  are:  Bert 
Fischer,  vice-president;  Ernst  Lange- 
mack,  treasurer;  George  Smith,  sec- 
retary. 


Harry  Scott  on  Sales  Trip 

Harry  Scott,  general  sales  mana- 
ger of  Pathe  is  on  a  sales  trip  durinj.' 
which  he  will  visit  Butte,  Seattle 
Portland,  San  Francisco,  Los  Ange- 
les, Salt  Lake  City,  Denver  and 
Omaha. 


Ethel  Shannon  En  Route  East 

Hollywood — Ethel  Shannon  has 
left  for  New  York  to  appear  in  "The 
Cherry  Tree,"  upon  completion  of 
which  she  will  return  to  start  work 
on   her   first    for   Gotham   Prod. 


M.-G.   Meeting  Postponed 

The  meeting  of  Metro-Goldwyn 
Pictures  Corp.,  scheduled  for  yester- 
day to  elect  officers,  has  been  ad- 
journed until  Wednesdaj'. 


To  Start  "Mysterious  Island"  Mar.  1 

Hollywood — Maurice  Tourneur  will 
start  work  on  "The  Mysterious  Is- 
land"  about    March    1,    for    M.-G.-M. 


Klein  Going  to  Europe 

Edward  L.  Klein,  who  recently  re-( 
turned    from    an    eight    months'    sales 
trip    to    Europe,    will    again    sail    for 
England  and  the  Continent  sometime 
this  month. 


Bebe  Daniels  Leaves 

Los  Angeles — Bebe  Daniels  has 
left  for  the  East  to  appear  in  "The 
Palm  Beach  Girl." 


Oklahoma  City  Wins 

Oklahoma  City  is  the  winner  in  the 
First  National  sales  drive,  which  ter- 
minated  on  Jan.  30. 


Building  20  Houses 

(Cnntinucd   from   Parie    1) 

Construction  on  those  outside  of 
Los    Angeles: 

Location                                      Cost  Seats 

Rialto,    .Soutli    Pasadena $.^nO,()no  1700 

California,    Huntinprton    Park   42.S,onn  2000 

New     house.     Wilniinpton.  .  .    240.000  1200 

New    house,     hong    Reach..    2O.S.0O0  900 

Building  projects  in  the  northern 
part  of  the   State: 

Town  Cost  Seats 

.San    lose $400,000  1600 

Fruitvale    .140.000  1 600 

Taft     300.000  12.S0 

OaklamI,     2     houses 985,000  .MOO 


Hillstreet,  L.   A.,  First   Run 

Los  Angeles — Beginning  March  1, 
the  Hrllstreet  will  be  a  first-run, 
showing  Famous,  .  M.-G.-M.  and 
First  National  in  conjunction  with 
its    Orpheum  vaudeville. 


Sonin  Touring   M.-G.-M.   Exchanges 

Charles  Sonin,  purchasing  agent 
for  M.-G.-M..  left  on  a  tour  of  the 
exchanges    yesterday. 


Pivar  Edits  "Flaming  Frontier" 

Hollywood  —  Maurice  Pivar  has 
completed  editing  "The  Flaming 
Frontier"    for    Universal. 


Buys  "Second  Honeymoon" 

Hollywood — "Their  Second  Honey- 
moon" has  been  bought  by  M.-G.-M. 
from  Donna  Barrell,  who  has  been 
engaged  to  adi'pt  her  story. 


Mr.  Exhibitor:  A*k  ml  the  Film  Exchange* 
for  the 


It'*  little  to  ■*k  for,  but   it'f   the   only 

reliable  aiil  70U  etJt  cive  rour  muMcian* 

to  help  put  the  picture  over. 


Presentations 

Strand 

Unit  Xo.  1. — Overture:  In  Commemoration 
of  Lincohi's  Birthday:  "North  and  South," 
Gerstenberger.     Time.  8  minutes. 

Unit  No.  2.— Mark  Strand  Topical  Re- 
view.     Time.    8    minutes. 

Unit  No.  3. — "New  Mark  Strand  Frolic." 
fa)  "Idyll"  with  Mile.  Klemova  and  Mark 
Strand  Ballet  Crops.  Setting :  Tamara  Ut- 
goff  Harp  Ensemble  (six  girls  in  quaint 
costumes)  seated  upon  dais  toward  back  of 
stajfe  in  oval  frame  with  scrim  curtain  in 
front.  Upon  completion  of  number  light 
fades  leaving  only  figures  of  girls  obvious  in 
the  dim  light.  Front  stage  lights  up  disclos- 
n|t  ballet  corps,  in  white  ballet  costumes 
and  white  wigs.  Numbers:  "Rustle  of 
Spring,"  Sinding ;  Rrahm's  Valse  and  Pizzi- 
alo.  Delibes.  (b)  "Billboard  Antics."  George 
Stickney.  the  man  on  stilts  from  "The  Mon- 
key Talks."  Setting:  A  billboard  with  a 
cig.arette  ad  reading :  "Longfellow  Cigarettes, 
Within  the  reach  of  everyone."  Picture  of 
extremely  tall  man  at  one  end  of  board  turns 
out  to  be  George  Stickney.  Does  Charles- 
ton, on  stilts.  Attired  in  brilliant  red  jacket 
and  bright  green  trousers.  Powdered  wig 
and  clown  make-up.  (c)  "Song  of  Songs," 
De  Moya.  Sung  by  .Tohn  Quinlan  and  Paul- 
ine Miller.  Scene:  Flower  covered  garden 
ijate  with  soloists  in  1860  costumes.  (d) 
"The  Bo.\  of  Tricks."  Setting:  Huge,  deco- 
ratcil  bandbox  with  performers  appearings 
through  door  in  center.  Song  and  dance 
■lumbers  with  finale  wherein  the  lid  of  box 
is  lifted  and  forms  chandelier  of  glittering 
go'd  tinsel.  Bandbox  open;  out  revealing 
tlie  saxophone  sextette  and  12  dancing  girls, 
all  in  gold  cloth  costumes.  Gold  cloth  lin- 
ing of  bandbox  which  opens  straight  out 
makes  attractive  back  setting.  Time,  25  min- 
utes. 

Unit  No.  5. — Feature:  "The  Grand  Duchess 
and    the    Waiter."      Time,    69    minutes. 

Unit  No.  6. — Organ  solo.  Time,  5  min- 
utes. 


Beck  Series  for  "U"? 
It    was    reported    from    Hollywood 
yesterday  Arthur  F.  Beck  will  make  a 
new  series  for  Universal  distribution. 
This  could  not  be  confirined. 


Off  for  Hollywood 
James  Kirkwood  and  Lila  Lee  left 
for    California    vesterdav. 


NOW    BOOKING 

St.    Patrick's    Day    Special 

tveek  of  March  lith.  Fleischer 

Ko-Ko  Song  Car-Tune 

"HAS  ANYBODY  HERE 

SEEN  KELLY?" 

Hand  Colored  by  Brock 


729    Seventh   Ave..    N.    Y.    C. 
DISTRIBUTORS 


WANTED 

800  sq.  ft.  in  modern  office 
bldg.  in  Times  Square  section. 

Either  lease  or  sub-lease. 
Must  be  adaptable  for  three 
private  offices. 

Give    details. 

Box  K-134  c/o  Film  Daily 

1650  Broadway  N.  Y.  C. 


2M2 


o  "5  •£ 

C    tzj  G 

^  4)  O 

^  b  S 

•^  P 

-^   •OC  C 

0)    C  ;h 

^  ;::  o 

O  Jm  u 

O    G  (S 

(»*i3  ^ 

•^    <»  — 

-V    1)  G 

CD    j;  (U 

ffi.H  g 


a 

O    "OX 
GO     G 

"J  I 
III 

c    §    " 


09 

J5 


CO 

•OJD 
G 

^    G 

^  >^ 

•  •^   r 


o 

H 


o 

2-n 


o 


09 

G 

•OC"V  pfi 

G 

09 


< 


fHf^i^ 


/ 


\r«>^ 


I 


,«*»«!r*f* 


1 


•  brAdstreet 

'  FILMDOM 


Authority 


XXV     No.  34 


Wednesday,  February  10,  1926 


Price  5  Cents 


CTURES 

By  DANNY 
nt  entertainment.     Good  for 

of  house — except  a  "grind 
lere  it  doesn't  belong:  "The 
jchess  and  the  Waiter."  A 
[enjou  picture.  Superb  di- 
r  Mai  St.  Clair.  With  a  great 

Florence  Vidor.  Doubt  if 
has  had  a  better  role.  And 
joes  through  with  it!  A  de- 
n't  someone  of  the  new  pro- 
owers  that  be  in  Famous 
ook  this  one  over  a  second 
me.  And  then  cast  Florence 
lere  she  belongs?  She  will 
,  money  in  at  the  box  office 

lackbird."  Yes,  should  have 
week  ago.  But  you  cannot 
vhere.  So  that's  that.  (Only 
orm  kept  me  from  "Irene," 
itional,  at  a  preview  last 
Anyway,  "The  Blackbird" 
a  lot  of  money.  A  typical 
ney  characterization.  Taken 
loubt  if  it  will  create  the  in- 
lich  resulted  from  his  last 
id  Browning,  because  you 
one  like  "The  Unholy 
ver  so  seldom.  More's  the 
:nee  Adoree  comes  through 
fine  performance;  so  does 
oore.  What  a  corking  good 
is. 

a,"  made  by  Robert  J.  Flah- 
Famous  down  in  the  South 
{Continued  on  Page  2) 


)tate  Control 

sey  M.  P.   T.  O.  Moves  To 
Mon-Theatrical   Competition 
ough  Legislative  Action 

n,  N.  J. — A  bill  has  been  in- 
by    Assemblyman    Siracusa, 
leader,    at    the    request    of 
'.   O.    of   New   Jersey   in   the 
re,  providing  for  the   super- 
theaters,  carnivals  and  other 
nts   by   the    State    Tenement 
)ept.     This   bill,   it   is  hoped, 
the  efifect  of  eliminating  un- 
jetition  by  the  non-theatrical 
ns    with    tax-paying    picture 
This  bill  is  in  the  nature  of 
forked  out  bv  the  State  De- 
and  the  M.  iP.  T.  O.  in  com- 
(.Continued  on  Page  9) 


\,  I.  Seeks  Quota 

n — The  Federated  British  In- 
has  made  public  its  plan  for 

quota.  This  action  has  been 
or — in  fact,  it  has  been  as- 
certainty  that  even  when  the 
jmmittee     voted     down     the 

(.Continued  on  Page  9) 


Big  Deal  Impending 

Rumblings    of    Renewed    Activity    in 

West      Coast     Theaters,      Inc. — 

Executives  to  Meet 

Mike  Gore  of  West  Coast  Theaters, 
Inc.,  is  due  here  from  the  Coast  to- 
morrow. •  Mike  Rosenberg  will  ar- 
rive on  Sunday. 

Sol  Lesser  and  Abe  Gore  have  been 
here  for  some  time  and,  upon  the  ar- 
rival of  the  remaining  two  executives, 
there  will  be  a  series  of  meetings  re- 
garding important  developments  in 
West  Coast. 

New  financing  will  be  discussed.  As 
noted  yesterday,  the  big  Pacific  chain 
has  no  less  than  20  theaters  in  vari- 
ous phases  of  construction  or  planned. 
Aside  from  this,  however,  other  mat- 
ters are  scheduled  to  come  up  involv- 
ing  policy   and    future   operations. 


Fox  Going  Ahead 

Will   Build  in   St.   Louis— Theater  at 

Grand  and   Washington   Blvd. 

Will   Seat  5,000 

St.  Louis — Although  there  has  been 
no  official  word  from  Fox  regarding 
a  St.  Louis  theater,  it  is  reported  that 
the  5000-seat  theater  and  office-apart- 
ment building  at  Grand  and  Washing- 
ton   will  go   through. 

During  the  week  papers  were 
signed  whereby  the  Theater  Realty 
Co..  a  holding  company  for  Fox,  came 
into  possession  of  property  at  Grand 
and  Washington.  Involved  in  the 
transfer  is  the  Humboldt  building, 
two    small    buildings    just     west     on 

(Continued  on  Page  9) 


Five-Year  Contract 

Hoblitzelle    Circuit   Closes   Extensive 

Deal  with  Fox  for  Southern 

Key  Theaters 

"Jimmy"  Grainger,  general  sales 
manager  of  Fox,  yesterday  secured 
the  signature  of  Karl  Hoblitzelle, 
president  of  the  Interstate  Arnuse- 
ment  Corp.,  controlling  the  Majestic 
theaters  in^  Dallas,  Forth  Worth,  San 
Antonio  and  Houstor.,  the  Majestic 
in  Little  Rock,  Ark,  and  the  Lyric, 
Birmingham,  Ala.,  to  a  contract  call- 
ing for  100  per  cent  first-run  of  Fox 
(Continued  on  Page  12) 


Fox  Scouting  in  Northwest 

St.  Paul — Fox  scouts  are  reported 
looking  over  theater  sites  here  in 
Minneapolis,  and  in  other  Northwest 
cities. 


"U"  After  Missouri  Houses 

Moberly,  Mo.— J.  W.  Cotter  has 
sold  the  4th  St.  theater  to  Universal. 
Lee  Jones  has  been  named  manager. 
Universal  is  said  to  contemplate  other 
purchases   in   smaller   Missouri  cities. 


The  New  Contract 

The  complete  text  of  the 
Standard  Exhibition  Contract, 
which  is  expected  to  go  into  ef- 
fect about  March  1,  will  be 
found  on  pages  10  and  11,  this 
issue. 


New  Arbitration  Rules 

The  development  of  the  Standard 
Exhibition  Contract  has  caused  sev- 
eral changes  in  the  new  rules  govern- 
ing arbitration.  New  provisions  in- 
clude: Two  alternates  will  be  allowed 
for  each  side  in  any  dispute;  the 
right  is  given  to  either  party  to  secure 
adjournment  to  next  meeting:  on 
complaint  of  exhibitor,  who  attends 
the  meeting  and  wins  the  award,  the 
Board  iliay  include  in  award  the  cost 
of  exhibitor's  fare  to  and  from  the 
meeting;  the  secretary  will  notify  the 
exhibitor's  organzation  as  well  as  the 
parties  to  the  litigation. 


Prevost  in  "Up  in  Mabel's  Room" 

Marie  Prevost  is  to  star  in  "Up  in 
Mabel's  Room,"  which  has  been  pur- 
chased by  Al  Christie,  for  P.  D.  C. 
release. 


2  P.  D.  C.  Stars 

Negotiations  On — De  Mille  Plans  to 
Outdistance    "Ten   Command- 
ments"— Two  from  Christie 

Los  Angeles — In  giving  next  year's 
production  plans  for  P.  D.  C.  in  de- 
tail, F.  C.  Munroe  declared  yesterday 
negotiations  were  on  for  two  new 
women  stars  to  contribute  to  the  44 
pictures    on    the    new    schedule.      He 

said: 

"Mr.  De  Mille  himself  will  personally 
direct  a  great  picture  of  size  and  importance 
equal   to   'The   Ten    Commandments.' 

''At  the  De  Mille  studio,  twenty-two  pro- 
ductions will  be  made.  Last  year,  Mr.  De 
Mille  made  but  twelve,  two  directed  by  him- 
self. 

"We  are  arranging  for  a  studio  improve- 
ment program  of  $500,000,  which  will  greatly 
increase  our  power  to  give  employment.  Wil- 
liam Sistrom  will  start  shortly  upon  the  con- 
(Continued  on  Page  9) 


To  Build  Studios 

Rex  Hedwig    to    Construct    Plant    in 
Flushing — Laboratory  Included 

in  New  Acquisition 
Rex  Hedwig  Labojatories,  Inc., 
have  taken  over  the  Gaumont  prop- 
erties. Flushing,  L.  I.  The  deal  em- 
braces a  laboratory  until  now  oper- 
ated by  Lee-Bradword  Corp.  and 
known  as  the  Ritz  Laboratory. 

The   Rex   Hedwig  plant  at  220  W. 
19th  St.  has  been  moved  to  Flushing 
where  both  plants  have  been  consoli- 
dated.    The  total  machine  capacity  is 
(Continued  on  Page  9) 


Harmony  Again? 

M.    P.    T.    O.    and    So-Called    Allied 

Group   Brought   Closer  Together 

By  Contract  Negotiations 

A  closer  measure  of  cooperation 
between  the  M.  P.  T.  O.  A.  and  the 
so-described  "Allied"  group  of  state 
exhibitor  organizations  is  looked  for, 
as  a  result  of  the  joint  deliberations 
which  resulted  in  the  Standard  Exhi- 
bition   Contract. 

The  friction  which  developed  at  the 
M.  P.  T.  O.  A.  directors'  meeting  in 
Detroit  last  year  when  those  confer- 
ences ended  with  the  Allied  group 
breaking  off  relations  with  the  Na- 
tional exhibitor  body  has  now  been 
somewhat  eased.  It  is  understood 
Renibusch  of  Indiana,  Biechele  of 
Kansas-Missouri,  Steffes  of  Minne- 
sota and  Richey  of  Michigan  have 
either  promised  or  indicated  that  their 
respective  groups  will  attend  the  Los 
Angeles  convention  in  June. 

One  fact  is  certain:  there  has  been 
nothing  over  a  long  period  of  time 
on  which  so  important  a  gathering  of 
state  exhibitor  leaders  has  generally 
agreed  on  as  the  practicability  and 
workability  of  the  new  contract.  It  is 
true  a  serious  rift  threatened  for  a 
time.  This  near  storm  involved  one 
individual  who  was  charged  with 
playing  politics  when  he  wasn't. 
However,  the  tempest  that  was  then 
brewing  subsided  later.  The  incident 
is  now  relegated  to  the  background. 


"Barbara"  First  of  Three  for  1926 

"The  Winning  of  Barbara  Worth" 
will  be  the  first  of  three  productions 
to  be  made  by  Samuel  Goldwyn  for 
United  Artists  in  1926.  Henry  King 
will  direct  the  Wright  story  and  Ron- 
ald Colman  and  Vilma  Banky  will  be 
featured.  Work  starts  in  April.  The 
other  two  will  be  "Beauty  and  the 
Beast"  and  "The   Garden  of  Allah." 


King  Leaves  for  Hollywood 

Henry    King    left    for    Hollywood 
last  night. 


May  Build  in  RockvUle  Centre 

It  is  reported  Irving  M.  Lesser 
will  build  a  2,500  seat  theater,  store 
and  office  building  on  Observer  St., 
Rockville  Center,  Long  Island,  and 
that  the  policy  will  be  combination 
vaudeville,  road  shows  and  pictures. 
The  project  will  cost  $550,000.  Lesser 
could  not  be  reached  yesterday,  but 
his  office  admitted  there  had  been 
such  negotiations  under  way. 

Rowson  Heads  British  K.  R.  S. 

London — Simon  Rowson  was  elect- 
ed chah-man  of  the  Kinematograph 
Renters  Society  yesterday.  John 
Pearson    is   vice-chairman. 


THE 


iPitK 


w 


DAILY 


Wednesday,  February 


Vel.XXXVNo.34  Wiilnesilay,Feb.10,1926  PriceSCents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographie 
Francaise,   S,   Rue  Saulnier. 


Quotations 

High    Low    Close      Sales 

Balaban   &   Katz    Not  quoted 

Eastman  Kodak  ..110  109M  109^  300 
Famous  Players  ..120  117J4  118  10,800 
Fam.  Play.  Pfd.  .  .  38J<  38^  38}4  2,200 
Film    Inspection    ..5^       554       5^4        200 

First   National    Not  quoted 

Fox  Film  "A"  ...  79J4  78J4  78^4  200 
Fox  Theaters  "A".   30Ji     30^     30!4     1,600 

International    Projector    Not  quoted 

Loew's,    Inc 37J4     39J4     39fi     1,500 

Metro-Gold.  Pfd.  ..  24^4  23^  24J4  800 
M.  P.  Cap.  Corp...  19J4  19^  19^  900 
Pathe  Exch.  "A"..   77^4     77         77^        300 

Skouras    Bros.    ..    4954      4954      4954  

Stan.   Co.   of  Am Not  quoted 

Trans-Lux   125^      12  12  2,000 

Universal  Pictures..    3954      395^      395^         200 

Univ.    Pict.    Pfd Not  quoted 

Warner  Brothers..  \Wi  ^3%  1454  1,400 
Warner    Pictures    Not  quoted 


"Irene"  Premiere 

"Irene"    was    previewed    last    night 
at  the  Playhouse,  Mamaroneck. 


^BMadeii^} 


Properly  Present  Your  Photoplay 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  C  B  B  I  N  S 

Spocialista  in  Motion  Picture 

and  Theatrical  insurance  for 

the  past  fifteen  years. 


Arthur  W.  Stebbins  &  Co.,  Inc. 
1540  Broadway  N.  Y,  C. 

Bryant  3040 


PICTURES 

(Continued  from  Page  1) 
Seas.  Here  is  ont  of  those  unusual 
pictures  which,  for  the  right  audience, 
may  go  over  excellently.  But  your 
audience  must  be  right  for  it.  Not 
as  absorbing  in  interest  as  "Nanook 
of  the  North"  which  he  made  several 
years  ago;  but  still  very  interesting, 
full  of  the  daily  labors  and  pleasures 
of  a  fine  race  of  islanders.  The  lead- 
ing characters  are  physically  perfect, 
and  while  this  is  in  the  nature  of  a 
super  travelogue  still  it  will  find  favor 
with  a  lot  of  people.  Some  women 
may  find  the  tat-tooing  incident  grue- 
some. 

One  of  the  difficulties  of  the  Broad- 
way shows  today  is  that  there  is  so 
much  "entertainment"  that  too  few 
pictures  are  seen.  But  even  a  long 
bill  at  the  Capitol  could  not  crowd 
out  a  great  series  of  shots  from  In- 
ternational News  of  wild  beasts — they 
were  remarkable,  and  an  unusual  line 
of  material,  even  for  those  energetic 
hounds  of  the  news  reels. 


Open  Sunday  in  Urbana,  111. 

Urbana,  111. — Picture  houses  were 
open  Sunday,  as  a  result  of  the  de- 
cision of  Judge  Smith  of  the  Cham- 
paign County  Circuit  Court  that  a 
city  ordinance  prohibiting  Sunday 
shows  was  illegal.  He  dismissed  suits 
against  the  managers  of  two  local 
houses. 


Sedalia  Theaters  in  Merger 

Sedalia,  Mo.— The  $500,000  merger 
involving  25  theaters  in  Missouri 
and  Kansas  and  consummated  by  the 
American  Theaters  Co.,  with  S.  C. 
Carter  of  Nevada,  Mo.,  and  Lee  Jones 
of  Kansas  City,  involves  the  Sedalia, 
Liberty  and  Strand  theaters  in  this 
town. 


Carlos  in  Conference  on  Units 

Los  Angeles — Abe  Carlos,  who  is 
organizing  five  units,  is  here  confer- 
ring with  Richard  Talmadge.  He 
intends  to  establish  one  for  Westerns, 
another  for  a  female  comedienne  in 
features  and  a  third  to  produce  com- 
edy dramas. 


Pennsylvania  Exhibitors  Meet 

Philadelphia — Oscar  Neufeld,  head 
of  De  Luxe  Film,  was  host  to  a  num- 
ber of  Eastern  Pennsylvania  exhibi- 
tors at  the  Penn  "Harr  Hotel,  Harris- 
burg,  recently.  The  gathering,  spon- 
sored by  Neufeld,  was  called  to  dis- 
cuss matters  concerning  the  better- 
ment  of   conditions   in   this   territory. 

It  was  discovered  at  the  meeting 
that  Neufeld  was  celebrating  his  41st 
anniversary,  and,  as  a  token  of  appre- 
ciation, every  exhibitor  present  sub- 
scribed to  a  blanket  contract,  giving 
to  Neufeld's  exchange,  bookings  for 
open  dates. 


Masked  Players  Film  Goes  Over 

Metro-Goldwyn-Mayer's  Masked 
Players  Film  has  been  so  successful 
in  the  fifteen  big  key  cities  where  it 
is  now  running  serially,  that  it  has 
been  decided  to  add  at  least  ten  more 
cities  to  the  list  by  making  additional 
subjects.  This  idea,  which  has  se- 
cured vast  front  page  newspaper 
space,  was  conceived  by  Pete  Smith 
and  iilined  under  his  supervision,  at 
the  studios.  Howard  Dietz  worked 
out  the  distribution  end.  This  was 
done  through  the  AI.-G.-M.  exploita- 
tion force. 


Ruggles  to  Saranac  Lake 

Wessle  Ruggles,  Aileen  Pringle  and 
Lowell  Sherman  left  last  night  for 
location  at  Saranac  Lake.  Making 
"The  Wilderness  Woman"  for  Rob- 
ert T.  Kane. 


Bess  Meredyth  Remains 

Hollywood  —  Bess  Meredyth  has 
been  given  a  new  year's  contract  by 
Warner  Bros.  At  present  she  is 
working  on  "The  Tavern  Knight," 
for  John   Barrymore. 


Buys  Patton  Studio 

Los  Angeles — William  Wolcott  has 
purchased  the  Patton  Studio  at  6050 
Sunset  Blvd.,  and  renamed  it  Wol- 
cott Studio. 


Lascelle  at  Astor 

Ward  Lascelle,  who  recently  ar- 
rived from  the  Coast  with  a  print  of 
the  first  of  a  series  of  Ruth  Mix  feat- 
ures, has  moved  to  the  Astor  where 
he  will  make  his  headquarters  during 
his  stay  in  New  York. 


Cranfield  &  Clarke  in  London 

Cranfield  and  Clarke  will  open  an 
English  office  in  April. 


Montague  Glass  to  Address  A.M.P.A. 

The  guest  at  this  week's  A.M.P.A. 
luncheon  at  the  Hofbrau  Haus  to- 
morrow will  be  Montague  Glass. 


The   fioitliing  touch  of   refinement   on 

an    elaborate    production    is    the 

handcotoring    by 


/SvxA. 


Th< Perfect  Handcoloringof  Film 
I     528    Rirenide    Drive         Telephone 
!  New    York         MomingBide    1776 


CHROMjOS      TRADINIG    flCOMPANY 
1123    BROADWAY 

IITHILE  we  are  in  a  position  to  finance  big  prop- 
•'  ositions,  we  will  lend  our  co-operation  to  any 
sound  one,  regardless  of  its  size.  Terms  to  suit 
individual  requirements.  That's  one  of  the  reasons 
why  you  will  enjoy  doing  business  with  us. 


'Phone  Watkins  4522 


Suite  1207-8 


Ass'd  Exhibitors  Boi 

Associated  Exhibitors 
chased  "The  Earth  WorM 
by  Walter  Lang,  with  1 
Russell  Simpson,  Priscj 
Johnnie  Walker  and  "Thd 
directed  by  George  Ter\ 
uring  John  Lowell  anc 
Russell. 


Sails  on  the  IG 
Berlin— -Lya    de    Putti, 
by    Famous,    will    probat 
the     Olympic     on     Feb. 
States. 


Publix   Miami  House   Odt   ^ 

Miami,  Fla.— The  Oly^   ^ 
lix   Theater   house,   will    " 
18th. 


This  is  a  'Cornerblock'  ci 
FREE  for  all  Pathecomee 
exchange. 


♦«♦♦♦♦♦♦♦♦♦ ♦♦•♦♦♦ #*>«««*«>«>•««  w 

I  Ward  Cine  LaboratI 

jl  216-222   Weehawke 

Jjt  Union  City,  N. , 

K    Telephone   Union   4800 

:':  G.  BERT  wy 

♦V 

♦>v#v*v>v#v*v#*^»v#v#«.>*v»>  »♦♦♦♦♦♦>> 

iimiiiiiiiiiiiiiniiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiinHiiiiiiiiiiiiiiiiniiiiini] 


FEBRUARY 


eiiiiiiiiiDMiiiiiiiiiinyiiiHiiiiiiiiiiiuiiiiiiHiiiiiiiiiiiiiiiiiiiuiiiiiiii  •  '  - 


'WE  NEVER  OISAPP^ 


INCORPORATE! 

220  WEST  42^-°  ST 

NEW  YORM 


PHONE-CHICKERINa 


ALLAN  A.LOWNES,  CEN 


I 


S.F.BuUetin 


-~v^' 


■has 


■beeiT  1 


)        AS 


ai" 


_,seTi*-^' 


IS 


\  ^^^^'^.  ol  a  ^^-^  ^^fT'tbe  Picture  ^n 

\  ^hlch     ^^^f  deWt  on  1^«  pic 

\  maKV^g  ^ad  premiere   ot^^^,,  ,s 
I       TV^e    world    >         ^^  St.  c 

J,  t^i^-^f  "interest;-  ^^/^.^red 

\  very.  ■^"^^'*^L    has    ^«^",Hat    ^^^^ 
tf  Ve.   V«^f  the    i-'^Sie   picture. 


in 
an  une 


S^--«^^:;ou;a-^-- 


to  s«e--   •      ^al 


tV^e  Prr  Ttories  V.aV 
T>.apy  sensa 

^'°r::usanas 


curlosUy 
so 


tteen 


tVie 


Tms  purpo««  t°  t  awaUenlnB-  ^  - 

came  »■/     ^y  a  pViotop__ 
saw  ^°^.  °"  nuaUties 


Thdusa"""-  and   ^"' 


;i;ctive\ya«J 
";^e  director^ 
mey  a^BO  sa^^ 


^^^'•"'ttitul  actress 


irely 


nfter 
at   hom^' 


_  vit-aut""'  ^  ^„p    enti 

»-         <.rformance 

iui    P^'^^^g  camera. 

^etove  the  .    <?,[ 

GOOD    P^^^Iv    dra^vV"0  ^^   peeing 
T^e-  o^-^^f^,  of   smA'^Xas    £or- 
the   Pi^^^'^!;-  the    s<=re«":„r  actress 


star 


oh 


y" 


./ 


y' 


y 


'^^\   """in    tVie 
the    P'^^- 


tbe 


dua 


,Ut\es 


art    of 

of    tne    V--    ^y,at   c'l^^' „rs  of  lo""  , 
performance       ^^^^^„  ^'^' t^raAness  ' 

of  any  ol   ^^^ere    is   f^^^  registers  , 
3,andmg^  J  ^^,^^io.n   that       ^^    ^^e 
^^   "^'"teTy    and    P^^^slngly 
accurately 


Chronicle 


Daily  News 


Pe^li   Honl^-'"      ^'^^"^'^'^^      -hen 
^esgy    Hopkins      Jovrp       i«.    , 

screen    debut    In    "Th^    <^  *'^'" 

Marshall  Neilan  directed 


'and  18  of  thetyn!  E'^*  '"^'^««  her 

,  the    Calf,    in  "^^J^f  ^"^  n<>^  ha. 

Bankr,   Consfai^r^      '''tars— Vilma 

Costeho  '^'^^  Bennett,  Dolores 

PCNsrVE    BEAUTY    type 

beantiful  front  fac^I^f"''  T  ^""^'^ 
1.-J  nearly  al\^av<,  «  !;,'^'^  ""'^ich  there 

beauty,  but  her  face  l,Vhf=     P^^sl^" 

|to^s?^dfotn7^;;:r'|^-  t..thf.,  ,. 
'out     ex;*^^^l.^/f''"  staf  life,  with 


PpesenUd  by  Associated  Exhibitors  Inc.  Oscar  A .  Price  Pi\ 


/' 


y 


A  Marshall  Neilan  Production. 


r 


isco  Says: 


rated 
tier  old. 


^"^'"    !  fil^ea  ^-'^^  A  late,  o^^  f 

ied  as  -.^^)- i    a^t^o-^S  ^^'^"'^ 

lias   J°V<f  atoW^ty.   «   ^  trans"';.\l,c 
the  sP""^'  vvY^icb  sn«  t<=  5 

•*"*rK  vanity,  ^^le  V>oy^°°\e  l.a^ 
n'^er^^^^" '"same  tvme  ^^^  ^,,, 
and^e*^  At   t^c  f^^^^  usual  c^       ^„ 

'«^::fperfov«»ance^^^  ^^fers-- " 


I 


7i(e  SKYROCKET 


Here  Are  Just  A  Few  ojf  | 

'*  Who  is  Maki 

Pictures 


"UNIVERSAL  AND  CARL  LAEMMLE  DESERVE 

a  world  of  praise  for  making  sure  -profits  possible  for  the 
small  exhibitor." 

Louis  Damw,  Damm  Theatre,  Osgood,,  Itid. 

"I  HAVE  BEEN  USING  UNIVERSAL  FOR  15 
years,  and  every  other  make  of  picture,  and  I  find  Univer- 
sal aiR  good  as  any  and  better." 

F.  C.  Astels,  Bijou  Theatre,  Cobalt,  Ont. 

•I  AM  BANKING  ON  UNIVERSAL,  KNOWING 
that  whenever  I  play  one  of  your  pictures  I  am  assured  of 
a  profit." 

Joe  George,  American  Theatre,  Idaho  Falls,  Ida. 

"MORE  POWER  TO  UNIVERSAL  AND  THEIR 
White  List." 

J.  W.  Kellog,  Sedgwick  Theatre,  Colo. 

"A  GOOD  LINE  OF  PICTURES.  AUDIENCES 
have  taken  a  liking  to  everyone  shown  so  far." 

H.  Witherspoon,  Glenboro  Theatre,  Glenboro,  Can. 

"I  WISH  TO  JOIN  THE  RANKS  OF  BOOSTERS 
for  Universal  and  wish  you  continued  success." 

N.  K.  Furey,  Patriot  Theatre,  De  Kalb,  Tex. 

•FOR  10  YEARS  WE  HAVE  MADE  MONEY  ON 
every  Universal  we  have  shown  and  from  the  looks  of 
coming  attractions,  we  will  continue  to  do  so." 

Coos  Bay  Amusement  Co.,  North  Bend,  Ore. 

"YOUR    JEWELS    HAVE   ALWAYS   BEEN 

money-makers.     I  intend  to  play  them  as  long  as  I  am  in 
the  business." 

Tourney  Theatre,  McPherson,  Kan. 

"UNIVERSAL  PICTURESARETHE  ONLY  REAL 
money-makers  I  run.  My  Universal  night  doubles  and 
sometimes  triples  my  other  nights." 

Princess  Thegtre  Waynesbor^o,  Miss. 

"1  SAY  HIP,  HIP  HOORAH  FOR  CARL 
Laemmle.    Run  Universal  and  make  money." 

F.  N.  Harris,  AtnUse  Theatre.  Hart,  Mich. 

"I  CONSIDER  THE  PICTURES  ON  YOUR 
Second  White  List  the  cream  t)!  the  new  pictures  offered 
to  the  public." 

Ef  F.  Dunlap,  Legion  Theatre,  Derby,  la. 


"I  WANT  TO  THANK  YOU  FOR  YOUR  11 
class  shows,  your  service  and  square  dealing  with  J 

F.  E.  Toy,  Jewel  Theatre,  Viennc\ 

"KEEP  UP  YOUR  POLICY  AND  REAPi 

everlasting  reward  due  you  for  your  live-and-ll 
policy." 

A.  E.  Gates,  Liberty  Bell  Theatre,  Flemington, 

"I  HAVE  ALWAYS  FOLND  UNIVERSAL 

and  square  in  their  deal-ngs  and  true  to  promises.*' I 
H .  A.  Felps,  C  met  Theatre,  Sheltonl 

"HAVE   BEEN   USING   UNIVERSAL  SER 

for  four  years  and  have  always  been  treated  fairly  as 
not  have  to  fight  for  a  square  deal." 

W.  M.  Lodge,  Fulton  I heatre,  McConnetsbur\ 

"YOUR    NEW   PRODUCT  THE   BEST 
have  ever  made.    Best  wishes  for  continued  success] 

B.  Raful,  Rialto  Theatre,  Kenmo\ 

"INDUSTRY  OWES  YOU  A  VOTE  OF  THAN 
Harry  McClure,  Strand  Theatre  Corp.,  Emporia,] 

"I  HAVE  MORE  CONFIDENCE  IN  THE 

tures  on  my  Universal  contract  than  in  any  other  I 
Elmer  Uhlhorn,  Dicke  Theatre,  Downersgrov 

"MY  HAT  IS  OFF  TO  YOU.    BEST  WISHES  | 
the  silent  partner  of  small  town  exhibitors."  | 

F.  D.  Moore,  Liberty  Theatre,  Robertsdale 


DU 


II  Iron 


ilw 


m: 


uie; 


"HAVE  BEEN  USING  UNIVERSAL  PICTU 

almost  100  per  cent  since  the  first  one  was  produced 
have  found  them  consistently  good." 

F.  Lissman,  Cardella  Theatre,  Oroville, 

"NEVER  MORE  PLEASED  WITH  ANY  GRC 
of  pictures  than  I  am  with  these.  We  exhibitors  owe 
Laemmle  one  big  debt." 

fV.  A.  Simon,  Liberty  Theatre,  Fromberg,  M 

"YOUR  FILMS  HAVE  BEEN  MONEY-MAKl| 

for  us." 

fV.  E.  How  rd,  Art  Theater,  Langley,  Wh 

"IT  WON'T  BE  LONG  BEFORE  YOU  Ha) 
me  playing  Universal  100  per  ceiit."  **t 

P.  K.  Butterworth,  Lyric  Thiatre,  Minnedosa,  M 


\.nswers  to  the  Question 

rheBest 

the  Business  ?^^ 


Y,  UNIVERSAL  HAS  THE  PICTURES  THIS 
Made  money  witheveryone." 

IV.  H .  Hall,  Gem  Theatre,  Memphis,  Tex. 

.M  100  PER  GENT  UNIVERSAL  BECAUSE 
ave  been  100  per  cent  with  me.  My  motto  is  Uni- 
from  now  on." 

H.  D.  Youse,  Pantheon  Theatre,  Market,  Ind. 

M  NOW  100  PER  CENT  UNIVERSAL  AND 

ilways  be  one  of  your  good  accounts." 

L.  J.  Bennett,  Liberty  Theatre,  Mason  City,  III. 

;yond  doubt  the  best  programs  I 

leen  able  to  secure  .  .  .  every  one  a  picture  that 
J  all  classes." 

G.  E.  Foosher,  Fungo  Theatre,  Golden  Pond,  Ky. 

IIVERSAL  COMEDIES  FILL  A  LONG  FELT 

nd  their  features  never  fail  to  please." 

A.  W.  Martin,  Lesion  Theatre,  Blunt,  S.  D. 

RY  GRATEFUL  lO  YOU  FOR  THE  SPIRIT 

ve  shown  in  the  matter  of  the  small  town  exhibitor." 
J.  P.  Vinyard,  Star  Theatre,  Winslow,  Ind. 

)UR  PICTURES  ARE  AS  GOOD  AS  ANY 
lur  treatment  of  the  exhibitor  is  fair  and  more  rea- 
e  than  competitors." 

W.  H.  Dean,  Ideal  Theatre,  Windfall,  Ind. 

:CEPT  MY  HEARTY  CONGRATULATIONS 

r  evident  wiTlingness  to  cooperate  with  the  exhib- 

Max  Patterson,  Star  Theatre,  Waynesboro,  Va. 

HAVE  ALWAYS  USED   UNIVERSAL  PIC 

is  far  back  as  1915. 

r.  H.  Hartley,  Border  Theatre,  Rock  Island,  Que. 

BELIEVE   I  HAVE  BOUGHT  THE  FINEST 

pictures  there  is  to  be  found  on  the  market. 

C.  H.  Bills,  Opera  House,  Lenora,  Kan. 

WE  FOUND  UNIVERSAL  PICTURES  TO 

lost  100  per  cent  for  the  small  town  exhibitor  and 
rsal  is  the  whitest  exchange  to  do  business  with. 

J.  S.  Kenneaster,  Mystic  Theatre  Clovis,  Cat. 


"THANK  YOU  FOR  ASSISTING  EXHIBITORS 
who  need  assistance  such  as  myself." 

Cameo  Theatre,  Brewster,  N.  Y. 

"I    HAVE    PLAYED   UNIVERSAL    PICTURES 

for  some  time  and  you  are  giving  us  as  good  and  consist- 
ent pictures  as  anybody." 

M.  C.  Madison,  Rex  &  Elk  Theatres,  Rexburg,  Ida. 

"I  WISH  YOU  SUCCESS  IN  EVERY  WAY  AND 

hope  you  can  keep  up  the  good  work." 

John  H.  Wetz,  Rialto  Theatre,  Middletown,  Ind. 

"UNIVERSAL  DOES  NOT  OWN  MY  THEAT&E 

but  they  make  it  possible  for  me  to  own  it." 

D.  'M.  Hix,  Garden  Theatre,  So,  Charleston,  0. 

"BOTH  PICTURES  AND  SERVICE  ARE  ABOVE 

the  average." 

L.  J.  Graffort,  Cosmo  Theatre,  New  Carlisle,  Ind. 

'WE  HAVE  ALL  BEEN  GRACIOUSLY  THANK- 

ful  to  you  in  the  past,  but  you  have  certainly  come  to  the 
front  for  us  this  time.    More  power  to  you." 

Ed.  Buckley,  Idle  Hour  Theatre,  Olivia.  Minn. 

"YOU  ARE  TO  BE  CONGRATULATED  FOR 

giving  exhibitors  such  a  square  deal.     I  am  for  you  one 
hundred  per  cent." 

Opera  House,  Newark',  Del. 

"HAVE  BEEN  USING  UNIVERSAL  PICTURES 

for  eight  or  ten  years  and  have  always  found  them  to  be 
of  the  highest  type  of  entertainment." 

J.  Nowatske,,  Park  Theatre,  Mukwonago,  Wis. 

"MR.  LAEMMLE,  YOU  DESERVE  A  LOT  OF 
credit  for  saving  the  small  toWT»  exhibitor.' ' 

L.  4^  Hutnick,  Fairview  Theatre,  Fairview,  N.  J. 

"YOURS  IS  THE  BEST  POSSIBLE  SERVICE.TO 
be  found  in  the  reach  of  the  exhibitor." 

John  W.  Priour,  Casino  Theatre,  HebbronviUe^Wx. 

"FOR  GOOD,  CONSISTENT   BUSINESS  THE 
Universal  product  is  hard  to  beat. 

F.  Beatty,  Garden  Theatre,  St.  Clair,  Mich. 


f ' 


Lincoln's 

BirthdaY 

OaigiitFiiday 

February 


ss 

the  greatest 
motion  picture 
event  of  the  year 


^^l 


«»^ 


T 


/i 


«^^^^ 


^ 


^•csfi 


'"mm 


ANNUAL 


DINNEH 

eDMCE 

HOTELASTORj 

Under  the  auspices  of  theTheatre 
Owners  Chamber  of  Commerce  • 


STARS  celebrities  GALORE 

VINCENT  LOPEL 

in  person   and   his  celebrated 

CASALOPEl  ORCHESTRA 

TICKETS,    $12.50    PER    PERSON 

Can  be  secured  at  the  Theater  Owners  Chamber  of  Commerce 
Suite  908,  Times  Building  Telephone:  Bryant  2496 


I, 


\ 


Ai 


THE 


^e  ay,  February  10,  1926 


itigher  Earnings 


.^nths'  Profits  (1925)  Increase 
:  38,020  over  Same   Period 
of  Last  Year 

'anions  Players'  profits  for 
nine  months  of  1925  which, 
ted  yesterday  totaled  $3,459,- 
an  increase  of  $538,020  over 
period  in  1924.  The  cur- 
pfits  represent  earnings  of 
share  on  the  common,  as 
d  with  $10.35  a  share  in  the 
riod  of   1924. 

he  quarter  ended  Sept.  26, 
e  net  profit  was  $1,408,330, 
larges  and  Federal  taxes, 
lit  after  allowing  for  dividend 
lents  on  8%  preferred  stock 
'  a  share  earned  on  243,341 
:f  no  par  common  stock.  This 
IS  with  $695,724,  or  $2.15  a 
1  the  preceding  quarter  and 
10,  or  $6.01  a  share  in  the 
arter  of  1924. 


Changes  Its   Name 

\elley  Color  Laboratory,  Inc., 
eafter  be  known  as  Kelley 
ilms.   Inc.     The   capital   stock 

lave  been  increased  from  1,000 
o  5,000  shares  to  provide  for 
>n.  Wm.  T.  Crespinel  leaves 
17th    for    Hollywood    to   take 

oi  photographic  camera  work. 


ri. 


fCenton  to  Direct  Bebe 

C.  Kenton  has  been  signed  to 
5ebe  Daniels  in  her  next  pic- 
rhe  Palm  Beach  Girl."  In- 
are  to  be  shot  at  the  Para- 
Long  Island  Studio. 


lula  Gould  to   Universal 

I  Gould,  for  four  years  general 
presentative  for  F.  B.  O.,  has 
1,  to  join  the  publicity  depart- 
'f  Universal.  She  will  assist 
othstein  on  "The  Flaming 
r"  campaign,  and  will  later  be 
il  to  special  work. 


Jix  Units  at  Paramount 

wood — The  five  stages  at  the 

lunt   studio   are   entirely   occu- 

six  different   companies   now 


r  to   Produce   for   Associated 
wood — Bert     D.     Carber    will 
a  series  of  westerns  for  As- 
1    Exhibitors,    with    Bill    Cody 


ii 


State  Control 

(Continued  from  Page   1) 

with  the  terms  of  Senate  Bill 
-sed  by  last   year's  legislature. 
h   M.   Seider,  president  of  the 
rsey  unit,  sets  forth  some  in- 
•■4     figures     in     this     relation. 
ire  at  the  present  time  in  com- 
^  with  a  population  under  10,- 
ihe    State  of   New   Jersey    195 
^    with    a    seating    capacity    of 
and  65  halls  with  a  seating  ca- 
'.f    233,361.      Thirteen    of    the 
iters  are  on  the   second   floor, 
I  these  with  balconies.  Twenty 
65    halls    are    on    the    second 
id  ihree  on  the  third  floor.  Al- 
1  of  the  65  halls  operate  with- 
e-proof   booths     and     without 
exits. 


Fox  Assets  $26,655,224 

The  consolidated  balance  sheet  of  Fox  Film  Corp.  and  subsidiary  com- 
panies as  of  Nov.  28,  1925,  follows: 

<-'ash      $   4,267.528.94 


Call    Loans 

Marketable    Securities  at    Cost    

Mortgages    Owned    

Accounts   Keceivable  Less   Reserves : 

Film    customers     5S2  722.19 

Advance    to   otificers,    employees    266,470.76 

Miscellaneous     123,706.19 


500.000.00 

23,000.00 

101,679.50 


972,899.14 


Inventories : 

Released    negatives,    positives    residual    value    $3,830,832.49 

Unreleased    negatives,    positives    3,186,843.09 

'  VVork    in   process    480,565.52 

Advertising    matter     216,274.14 

Scenarios   unproduced 689.416.97 

Investment    in    stage    productions     150,345.92 


8,554,278.13 


Investment    in   other  companies    3,236,31 1.66 


Total   Current  and  Working  Assets    $17,655,697.37 

Cash    m    Hands    of    Trustees    for    retirement    of    bonds    and    pa>ment    of    bond 

interest    $82,320.73 

Land    Kuilding   Machinery    Equipment: 

Furniture    and    fixtures     $9,557,191.90 

Less    depreciation     1,694,928.50     7,862,263.40 


Sundry   Investments    $26,344.28 

Cash    Surrender    Value    of   Life    Insurance    Policies    93.592.95 


Charges  Against   Foreign   Branches  not   reported  by  them 
Deferred    Charges    


119,937.23 

17,009,75 
917,995.98 


$26,655,224.46 


LIABILITIES 

Accounts    Payable,    Accrued    Expenses: 

Sunday   trade  creditors,   accrued  e-xpenses    $886,140.81 

Federal  incoine  tax,   1924    53,779.44 


Total    Current    Liabilities    $939,920.25 

Purchase   Money    Obligation    for   Investment   in    Other    Companies    1,624,400.00 


Advance   Payment   for   Film   Service    (self   liquidating) 
Funded  Debt : 

First    Mortgage    7^2%    serial    gold    bonds.    Fox    Film    Realty 
Corp.   maturing   serially   to   Jan.    30,    1937: 

Authorized    and    issued    $1,300,000.00 

Less:    retired    and    cancelled    $245,000.00 

Held    in    treasury    81,700.00       326,700.00 


221,327.20 


First  Mortgage   7%   serial  gold  bonds  of   Broadway   Bldg.   Co, 
maturing   serially   to    Feb.    1,    1936: 

Authorized  and  issued    $450,000.00 

Less :    retired    and    cancelled    54,000.00 


$973,300,00 


396,000.00 


First  Mortgage  Leasehold  6^4%  serial  gold  bonds  of  Fox 
Philadelphia  Bldg.,  Inc.,  guaranteed  by  Fox  Film  Corp., 
maturing  serially,  June   1,   1926   to  June   1,    1945    1,800,000.00 


Other   Mortgages    

Reserve   for   Federal   Income   Ta.x   to   Nov.   28,    1925 


3,169,300.00 

470,531.68 
225,306,62 


Total    Lia-bihties     $  6,650,785,75 

Capital   Stock  : 

Consisting  400,000  shares  Class  A,  no  par  value  (900,000  shares  au- 
thnri^ed).  and  100,000  shares  Class  B,  no  par  value  (authorized  and 
issued)     7,600,000.00 

Surplus,    as   per   annexed   account    12,404,438.71 


$26,655,224.46 


CONSOLIDATED    STATEMENT 


Surplus,    Dec.   27,    1924    $10,766,904,67 

ProHts,     Dec.     27,     1924     to     Nov.     28,     1925,     before     providing     for     income 

taxes     $2,752,547.78 

Deduct :    provision   for  taxes    225,306.62 


$2,527,241.16 


Deduct : 

Expenses   of  issuing  Fox   Phila.   Bldg.   Inc.   bonds $78,775.02 

Expense  of   new   stock   issue      60,932.10 

Dividends      750,000,00 


$13,29?„145.83 


889,707.12 
Surplus    Nov.    28,    1025    $12,404,438.71 


Daab  Succeeds  Rothstein 

Hy  Daab,  at  present  handling  F.  B. 
O.  publicity  at  the  studio,  will  assume 
charge  of  national  publicity  and  ad- 
vertising in  the  home  office,  succeed- 
ing Nat  Rothstein  who  had  joined 
Universal.  Daab  arrives  next  Wed- 
nesday. 


Fox  Signs  Gladys  McConnell 
Hollywood — Fox  has  placed  Gladys 
McConnell  under  contract. 


Rights  to  Wills-Lenglen  Match 

An  Associated  Press  dispatch  from 
Cannes,  France,  reports  that  the  rights 
to  film  the  match  between  Helen 
Wills  and  Suzanne  Lenglen  has  been 
sold  to  an  American  producer  for 
over  $100,000. 

in  evidence,  urauiger  ana  \->.  a. 
Remy,  Southern  district  manager  for 
Fox,  first  approached  Hoblitzelle 
with  the  idea  of  making  a  long-term 
contract. 


2  P.  D.  G.  Stars 

^Continued  from  Page   1) 
struction    of   a    stage   300   by    150    feet   at    the 
De   Mille   studio. 

"At  the  Metropolitan  studio,  work  will 
be  continued  to  increase  stage  4  from  100  by 
143  to  280  by  140.  A  new  motor  generator 
set  is  to  be  installed  and  our  woodworking 
lacilities  will  be  nearly  doubled, 

"Marie  Prevost,  just  aimounced,  is  but 
one  of  the  three  new  stars  who  will  be  of- 
fered upon  the  P.  D.  C.  program  for  the 
first   time. 

"At  the  De  Mille  studio  three  big  specials 
will  be  made  in  addition  to  Mr.  De  Mille's 
own   large  production. 

"Cliarles  and  Al  Christie  will  give  us  two 
of  their  laughmakers,  the  first  of  which  will 
be  the  hilarious  New  York  success,  'The  Ner- 
vous   Wreck.' 

"Mr.  De  Mille  is  now  completing  the 
cuttmg  of  'The  Volga  Boatman,'  and  im- 
mediately thereafter  will  leave  for  New  York 
to  complete  the  signing  of  the  papers  cover- 
ing the  1926  program,  details  of  which  have 
been  arranged  here  with  myself  and  Frank 
Wilson,  president  of  the  Motion  Picture 
Capital    Corp. 

"Next  May  we  are  contemplating  a  big 
national  convention  of  our  sales  force,  headed 
by  John  C.  Flinn,  vice-president  and  general 
manager.  It  is  more  than  possible  that  the 
convention  will  be-  held  in  Los  Angeles  the 
first    lime  in   our   history. 


F.  B.  I.  Seeks  Quota 

(.Continued  from  Page   1) 

quota  scheme  the  F.  B.  I.  would 
eventually  suggest  its  own  to  the 
Government. 

It  is  significant  that  Sir  Philip 
Cunliffe-Lester,  president  of  the 
Board  of  Trade,  is  only  mildly  in- 
terested in  the  proposal.  His  pres- 
ent attitude  contrasts  rather  broadly 
with  his  rather  pronounced  quota 
leaning  of  a  short  time  back.  The 
trade's  rejection  is  held  to  be  respon- 
sible. 

The  F.  B.  I.  plan  would  require 
every  exhibitor  to  show  one  foot  of 
British  film  for  every  eight  feet  of 
foreign.  The  ratio  is  increased  to 
three  feet  of  British  to  five  feet  of 
foreign  after  two  years. 


To  Build  Studios 

(.Continued  from  Page  1) 
placed  at  3,000,000  ft.  per  week.  Un- 
der   a    separate    arrangement,    all    of 
Lee-Bradlord's   printing  will   be  han- 
dled by  Rex  Hedwig. 

Present  plans  call  for  the  construc- 
tion of  a  studio  beginning  July  1. 
There  .is  considerable  acreage  around 
the  Gaumont  property  which  is  avail- 
able for  building  purposes.  Simultan- 
eously with  this  acquisition  William 
K.  Hedwig  announces  the  association 
of  A.  G.  Steen,  of  A.  G.  Steen,  Inc. 
and  Sensitized  Films,  Inc.,  with  Rex 
Hedwig. 

J.  A.  Kent,  vice-president  of  Rex 
Hedwig  is  seriously  ill.  Steen  has 
just  recovered  from  a  long  siege  of 
sickness. 


Fox  Going  Ahead 

(Continued  from  Page   1) 

Washington  and  the   Midway  theater 
building  on   Grand  Blvd. 

The  theater  will  be  the  largest  in 
St.  Louis,  surpassing  by  lOOO  seats 
the  St.  Louis  Theater,  now  the  larg- 
est and  the  Ambassador,  being  erect- 
ed  bv   Skouras   Bros. 


Renown  Handling  Plastic  Film 
Renown      Exchange      is      releasing 
"Girls     of     Illusions,"     a     Burkhard 
Plastic  Film. 


10 


THE 


-<^^ 


DAILY 


Wednesday,  February 


Siandard  Contract 

Agreement,    made    in  cate    this 

day    of  19 
between 

a'    corporation     (heriiiafter     called  "the     Dis- 
tributor"),     party     of     the      first  part,      and 

an    exhibitor   operating   the 
Theater,    No.  Street, 

City,  State 

(hereinafter    called     "the     Exhibitor"),    party 
of   the  second  part, 
WITNESSETH: 
The   parties    hereto    agree   as    follows : 

Warranty  As  to  Form 
FIRST:  The  Distributor  warrants  that 
there  is  contained  herein  all  of  the  numbered 
Articles  of  the  "Standard  Exhibition  Con- 
tract" filed  with  the  Motion  Picture  Pro- 
ducers &  Distributors  of  America,  Inc., 
identified  by  the  signature  of  its  President 
on    the    1st    day    of    March,     1926.      Articles 

hereof   are    in 

addition   thereto. 

License 
SECOND  :  The  Distributor  hereby  grants 
to  the  Exhibitor,  and  the  latter  accepts,  a 
license  under  the  respective  copyrights  of 
the  several  photoplays  designated  and  de- 
scribed, in  the  schedule  herein,  subject  to 
the  terms  and  conditions  hereinafter  stated 
to  exhibit  (during  the  year  commencing  with 
the  date  fixed  or  determined  as  hereinafter 
provided  for  the  exhibition  in  the  above  named 
theater  of  the  first  photoplay  deliverable 
hereunder)  each  of  such  photoplays  at  the 
said  theater  only,  for  the  number  of_  suc- 
cessive  days   in    the   said   schedule   specified. 

Such  license  shall  be  specifically  for  the 
exhibition  of  such  photoplays  at  said  theater 
on  the  exhibition  date  or  dates  specified  in 
said  schedule  or  determined  as  hereinafter 
provided  and  for  no  other  purpose. 
Time  and  Place  of  Exhibition 
THIRD  :  The  Exhibitor  agrees  to  exhibit 
said  photoplays  but  only  at  the  theater  above 
specified  on  the  said  date  or  dates  and  will 
not  allow  any  positive  print  thereof  to  leave 
the  Exhibitor's  possession  during  the  period 
specified  for  the  exhibition  thereof  by  the 
Exhibitor,  nor  exhibit  or  permit  the  exhibi- 
tion of  any  such  positive  print  at  any  other 
time  or  place  than  those  herein  specified  or 
determined  as  herein  provided. 

Payment  of  Fixed  Sums 
FOURTH :  The  Exhibitor  agrees  to  pay 
for  such  license  as  to  each  of  such  photo- 
plays the  fixed  sums  herein  specified  at  least 
three  (3)  days  in  advance  of  the  date  of 
shipment  from  the  Distributor's  exchange 
or  from  the  last  previous  Exhibitor  of  the 
positive    print    thereof. 

Percentage  Bookings 
FIFTH :  If  this  contract  calls  for  pay- 
ment or  any  part  thereof  computed  upon  the 
Exhibitor's  gross  receipts  the  Exhibitor  shall 
furnish  to  the  Distributor  daily  a  correct 
itemized  statement  of  the  gross  receipts  of 
said  theater  for  admission  thereto  upon  the 
exhibition  date  or  dates  of  each  photoplay 
for  which  payment  is  so  required  to  be  made. 
Should  the  Distributor  so  requiire,  such 
itemized  statements  shall  be  made  upon  forms 
furnished    by    the    Distributor. 

The  Distributor  shall  have  access  during 
the  period  of  exhibition  of  each  such  photo- 
play and  for  a  period  of  sixty  (60)  days 
after  the  receipt  by  the  Distributor  of  the 
final  box  office  statement,  for  the  purpose 
of  inspection,  to  the  box  office  and  to  all 
books  and  records  relating  to  the  Exhibitor's 
box  office  receipts  during  the  period  of  ex- 
hibition   of    each    such    photoplay. 

Payments  or  any  part  thereof  computed 
upon  the  Exhibitor's  box  office  receipts  shall 
be  made  daily  during  the  exhibition  of  the 
print  of  each  photoplay  for  which  payment 
is   so  required  to   be  made. 

Payment    on    Account 
SIXTH:      Pajmient,   if  any,  made  upon  the 
execution    hereof    by    the    Exhibitor    shall    be 
deemed  payment  on  account  of  the  sums  last 
payable   hereunder. 

Protection  and  Run 
SEVENTH:  During  the  life  of  this  con- 
tract the  Distributor  agrees  not  to  author- 
ize or  license  the  exhibition  of  any  such 
photoplays  in  violation  of  the  run  or  pro- 
tection period,  if  any,  in  the  schedule  speci- 
fied. Unless  otherwise  provided  herein  such 
protection  period  shall  be  computed  from  the 
first  date  of  exhibition  of  each  photoplay 
as    fixed    herein. 

Delivery   of   Prints 
EIGHTH  :      The   Distributor   agrees   to   de- 
liver to  the  Exhibitor  during  the  period  speci- 
fied in  Article   Second  hereof  a  positive  print 


Text  of  Standard  ^Exhibition  jContr  act 

A  number  of  entirely  new  clauses  have  been  inserted 
in  the  uniform  contract  which  now  bears  the  name  of 
the  Standard  Distribution  Contract. 

These  clauses  and  other  new  phrases  or  series  of 
phrases  appear  in  the  text  in  boldface  type. 


of  each  of  such  photoplays  in  time  for  exhi- 
bition at  the  said  theater  on  the  dates  speci- 
fied or  on  the  dates  determined  as  herein 
provided.  Delivery  of  such  positive  prints 
by  the  Distributor  to  the  Exhibitor  at  the 
Distributor's  K.xchange  or  to  a  common  car- 
rier or  to  the  United  States  postal  authori- 
ties for  mailing  or  to  any  agent  of  the  Ex- 
hibitor shall  be  deemed  delivery  by  the  Dis- 
tributor   to    the    E.xhibitor    hereunder. 

Selection  or  Designation  of  Play  Dates 

NINTH :  The  exhibition  date  or  dates 
of  each  of  the  photoplays  unless  definitely 
specified  in  the  said  Schedule  or  otherwise 
agreed    upon   shall    be   determined   as    follows : 

(a)  The  Distributor  shall  mail  the  Exhibi- 
tor at  least  fifteen  (15)  days'  notice  in  writing 
of  the  date  upon  which  each  photoplay  will 
be  available  for  exhibition  by  the  Exhibitor 
consiiStent  with  prior  "runs'  and/or  "pro- 
tection" heretofore  or  hereafter  granted  to 
other   Exhibitors. 

(b)  Within  fourteen  (14)  days  after  the 
mailing  of  such  notice  the  Exhibitor  shall 
select  the  exhibition  date  or  dates  within  the 
four  (4)  weeks'  period  commencing  writh 
such  Qate  of  availability  by  giving  written 
notice  to  the  Distributors  of  the  date  or  dates 
so  selected. 

If  the  exhibition  date  or  dates  so  selected 
by  the  Exhibitor  are  not  available  to  the 
Exhibitor  then  the  exhibition  date  or  dates 
shall   be   designated   as   follows : 

1.  If  other  dates  within  said  four  (4) 
weeks'  period  shall  be  available  the  Exhibitor 
shall  immediately  select  from  such  other 
available  dates  another  date  or  other  dates 
failing  which  the  Distributor  shall  designate 
the  date  or  dates  by  mailing  two  (2)  weeks' 
notice  thereof  to  the  Exhibitor,  but  such  date 
or  dates  so  designated  shall  not  be  fixed  earlier 
than  two  (2)  nor  later  than  six  (6)  weeks 
from  the  exhibition  date  first  selected  by  the 
Exhibitor; 

2.  If  no  other  date  or  dates  within  said 
four  (4)  weeks'  period  shall  be  available 
(after  the  Exhibitor's  written  request  there- 
for) the  Exhibitor  shall  designate  the  date  or 
dates  by  immediately  giving  written  notice 
thereof  to  the  Distributor  but  such  date  or 
dates  £0  designated  shall  not  be  fixed  earlier 
than  two  (2)  nor  later  than  six  (6)  weeks 
from  the  last  day  of  the  said  four  (4)  weeks' 
period.  If  the  Exhibitor  fails  to  so  immed- 
iately designate  such  date  or  dates  as  pro- 
vided in  this  paragraph  (2)  the  Distributor 
shall  designate  the  date  or  dates  within  the 
period  last  specified  by  mailing  to  the  Ex- 
hibitor two  (2)  weeks'  notice  of  such  date 
or  dates. 

(c)  If  the  Exhibitor  fails  to  make  such 
selection  within  fourteen  (14)  days  after  the 
mailing    of    such    notice    of    availability    then 

(1)  the  distributor  may  at  any  time  there- 
after designate  the  exhibition  date  or  dates 
(no  such  date  to  be  prior  to  the  initial  date 
of  availability)  by  mailing  notice  thereof  to 
the  Exhibitor  at  least  Jourteen  (14)  days 
before  the  first  exhibition  date  so  designated; 

(2)  provided  that  the  Distributor  shall  have 
then  entered  into  a  contract  with  any  other 
Exhibitor  in  which  contract  is  specified  a 
"run"  of  any  of  the  photoplays  prior  in  point 
of  time  and  immediately  preceding  the  "run" 
(specified  in  the  Schedule)  granted  the  Ex- 
hibitor and  provided  further  that  such  photo- 
play shall  have  been  exhibited  by  such  other 
Exhibitor  the  Distributor  shall  in  the  man- 
ner specified  in  Sub-division  1  of  this  Para- 
graph (c)  designate  the  exhibition  date  or 
dates  of  such  photoplay  within  the  period  of 
forty-five  (45)  days  commencing  with  the 
date  of  availability  specified  in  the  notice 
provided  for  in  paragraph   (a)   of  this  Article. 

(d)  In  case  the  exhibition  date  or  dates 
of  any  of  the  photoplays  shall  be  designated 
by    the     Distributor     pursuant    to     paragraph 

A-»;^i»  th.  "-'-^o'ati  De  Sect 


Suite  908,  Times 


of  the  phfttoplays  selected  by  the  Exhibitor 
(if  available)  or  designated  as  above  pro- 
vided or  otherwise  agreed  upon  between,  the 
Distributor  and  the  Exhibitor  shall  be  for 
all  purposas  the  exhibition  date  or  dates  of 
such  photoplay  as  though  definitely  specified 
in  the  said  Schedule. 

(f)  In  case  this  contract  embraces  a  series 
of  feature  photoplays,  five  reels  or  more  in 
length,  ana  featuring  a  particular  star  or 
director,  the  Exhibitor  shall  not  be  required 
hereunder  to  exhibit  more  than  one  photo- 
play   of    such    series    every    five    (5)    weeks. 

Return  of  Prints 
TENTH  :  The  Exhibitor  agrees  to  return 
each  positive  print  received  by  the  Exhibitor 
hereunder,  with  the  reels  and  containers 
turiiished  therewith,  to  the  exchange  of  the 
Distributor  from  which  the  Exhibitor  is  served 
or  as  otlierwise  directed  by  the  Distributor 
immediately  alter  the  last  exhibition  of  such 
positive  print  licensed  hereunder,  in  the  same 
condition  as  when  received  by  the  Exhibitor, 
reasonable  wear  and  tear  due  to  the  proper 
use  thereof  excepted.  The  Exhibitor  agrees 
to  pay  ail  costs  ot  transportation  of  such 
positive  prints,  reels  and  containers  from  the 
Distributor's  exchange  or  the  last  previous 
exhibitor  having  possession  ot  any  such  posi- 
tive print  (as  the  case  may  be)  and  return 
to  the  Distributor's  exchange;  or  if  directed 
by  the  Distributor,  to  ship  such  positive 
prints  elsewhere  than  to  the  Distributor's 
cxohange  transportation  charges  collect.  It 
is  agreed  that  the  delivery  of  a  positive 
print  properly  directed  and  packed  in  the 
container  furnished  by  the  Distributor  there- 
for, to  a  carrier  designated  or  used  by  the 
Distributor  and  proper  receipt  therefor  ob- 
tained by  the  Exhibitor,  shall  constitute  the 
return  of  such  positive  print  by  the  Ex- 
hibitor. 

If  the  Exhibitor  fails  to  or  delays  the  re- 
turn of  any  positive  print  to  the  Distributor 
or  fails  to  forward  or  delays  forwarding 
(as  directed  by  the  Distributor)  any  such 
print  to  any  other  Exhibitor  the  Exhibitor 
agrees  in  addition  to  paying  the  Distributor 
the  damage,  if  any,  so  caused  the  Distributor 
to  pay  to  such  other  Exhibitor  the  damage, 
if  any,  so  caused  such  other  Exhibitor  as 
shad  be  determined  by  Arbitration  as  pro- 
vided for  in  Article  Twenireth  hereof.  In  case 
the  Exhibitor  shall  be  damaged  by  reason 
of  the  failure  or  delay  of  any  other  Exhibitor 
in  returning  any  print  to  the  Distributor  or 
in  forwarding  (as  directed  by  the  Distributor) 
any  such  print  to  the  Exhibitor  the  Exhibitor 
agrees  to  assert  such  claim  for  damages  only 
against  such  other  Exhibitor  and  that  such 
claim  and  the  damage,  if  any,  shall  be  de- 
teimined  by  Arbitration  provided  for  as 
aforesaid. 

Loss  and  Damage  to  Prints 
ELEVENTH:  The  Exhibitor  shall  pay 
to  the  Distributor  the  sum  of  four  (4)  cents 
for  each  linear  foot  of  any  positive  print 
lost,  stolen  or  destroyed  or  injured  in  any 
way  in  the  interval  between  the  delivery 
thereof  by  the  Distributor  and  the  return 
thereof  by  the  Exhibitor  in  full  settlement 
of  all  claims  for  such  loss,  theft,  destruction 
or  injury.  If  any  such  positive  print  or  any 
part  thereof  is  colored,  then  for  any  such 
print  or  part  thereof  the  Exhibitor  shall  pay 
to  the  Distributor  the  laboratory  cost  thereof 
instead  of  four  (4)  cents  per  linear  foot. 
(Laboratory  invoice  for  such  colored  print 
or  part  thereof  shall  be  conclusive  of  such 
laboratory  cost  upon  the  parties  hereto). 
Such  payment,  however,  shall  not  transfer 
title  to  or  any  interest  in  such  positive 
prints  to  the  Exhibitor  or  any  other  party, 
nor  release  the  Exhibitor  from  liability  aris- 
ing out  of  any  breach  of  this  agreement. 
The  Distributor  shall  repay  or  credit  to  the 
Exhibitor  any  sums  paid  by  the  latter  for 
lost  or  stolen  prints,  excepting  new  reels, 
upon  their  return  to  the  Distributor  within 
sixty  (60)  days  after  the  date  when  the  same 
should  have  been  returned  hereunder.  The 
Exhibitor  shall  immediately  notify  the  Dis- 
tributor's exchange  by  telegram  of  the  loss, 
theft   or   destruction  of  or   damage   or   injury 


Vfxd 


to  any  positive  print.  If  any  pti 
received  from  the  Exhibitor  by  1 1 
tor  or  any  subsequent  Exhibitor  I 
aged  or  partially  destroyed  condi: 
be  deemed  to  have  been  so  dami 
stroyed  by  the  Exhibitor  unless  I 
on  the  day  of  receipt  of  such  prir,! 
to  the  second  public  showing  tt  I 
have  telegraphed  the  Distributor'! 
that  such  print  was  received  by  I 
damaged  or  partially  destroyed  f 
and  setting  forth  fully  the  natul 
damage  and  the  amount  of  foota,  f 
aged    or    destroyed. 

Titles    of    Photoplays:    ReisI 
TWELFTH  :     The  Distributor  iH: 
right  to  change  the  title  of  any  of  H;:  i:  1 
plays   specified  in   the  said   schedulH.  itdl 
not    substitute    any    other    photopliH  jsif 
without    the    consent    of    the    ExhiT 
warrants    that    none    of    such    phot  I 
reissues   from    old   negatives   or   are! 
lives  renamed   excepting  those   spec| 
forth  as  such  in   the  said  schedule. 

Assignment    and    Sale   of   Thl 

THIRTEENTH:      The   contractl 
be  assigned  by  either  party   withou;taaiS| 
ten   acceptance   of   the   assignee  and'Htij  tJ 
ten    consent    of    the    other    party;  ■^jid 
that   if   the    Exhibitor   sells   or   dispcH,  jj 
interest     in     the    theater    above    sp(H|ti| 
may    assign    this    contract    to    the 
of    such    interest   without   the   writtel 
of   the   Distributor  and   such   assignil 
become  effective  upon   the   written  il 
thereof     by     the     assignee,     such     a: 
however,    not   to   relieve   the    Exhibi 
liability     hereunder,     unless     the     I  y 
consents   in   writing   to    release   the  i 
trora    such    liability. 

Exhibition  and  Advertising 
FOURTEENTH:      The    ExhibitJ 
to    run    photoplays    as    delivered    w»| 
teration,     except    with     the     written  J 
graphic    approval    of    the    Distributoil 
to   requirements   of   competent   publidi 
ties    necessitating    any    change.      Thi| 
tor    also    agrees    to    advertise    and 
each    photoplay   as   a   " 
In  all  newspaper  advertising  and  pull 
lating    to    said   photoplays    issued   by  f 
hibitor,     the     Exhibitor    shall     adher«j 
form    of    announcement    contained   inl 
vertising    matter   issued   by    the    Distil 

All     advertising     accessories     used! 
Exhibitor    in    connection    with    the   (| 
of    said    photoplays    must    be    leased 
through     the     Distributor     and     must-l 
sold,    leased  or  given   away   by   the  B^ 

Unless     this     contract     expressly 
for  the  "first  run"  in  the  City  or  TowJ 
in  the  theater  hereinabove  specified  is)| 
the    Exhibitor   agrees   not   to   advertisii 
the    phtoplays    herein    provided    for   b^ 
of   lithographs,   slides,   trailers,   lobby 
newspaper      announcements,      advertiil 
otherwise    prior    to,    and   until    after  t| 
pletion    of,    the    exhibition    of    such   pi 
by    any    other    Exhibitor    having    the  :l 
the   "finst  run"   thereof  in  said   City  a| 

The  Distributor  shall  not  in  any 
liable  for  any  breach  of  the  provision] 
immediately  preceding  paragraph  contl 
any  other  Standard  Exhibition  Contrsl 
any   other   Exhibitor. 

Warranty    As    to    Advertisii 
FIFTEENTH:      The   Distributor  v 
that   the   photopays    herein    provided  ; 
not  contain  any  advertising  matter  foil 
compensation   is   received. 

Taxes 

SIXTEENTH:      The    Exhibitor   ag 
pay  to  the  Distributor  upon  demand  a 
fee    or    other    like    charge    now    and/O 
after    imposed    or     based    upon    the    i 
and/or    the    exhibition    of    positive    pr 
the  photoplays  and/or  upon  the  sums 
under   this    contract    by   the    Exhibitor 
Distributor.       If    under    any    statute   0 
nance  any  such   tax,   fee   or   other   like 
is   or   shall   be   payable   or    paid    by  tl 
tributor   and   the   exact   amount   payabli 
under    by    the    Exhibitor    is    not    therd 
nitely   fixed   or   cannot   be   exactly   dete 
then    the    Exhibitor    agrees   to    pay   sue 
of      any      such      tax,      fee      or      othei 
charge,    paid    or    payable    by    the    Dist 
as    shall    be    fixed    in    the    manner    dete 
by    the    then     President    of    the    ArWI 
Society    of    America. 

Minimum    Admicsion    Charge 

SEVENTEENTH:  The  exhibitor 

and    agrees    that    during    the    period    Ol 

of    the   photoplays    herein  provided  for 

be    exhibited    in    said    theater    the    Ex 


hi 


Feb, 


'OiariJ 


February  10,  1926 


THE 


-e&ank 


DAILV 


11 


•"""  IJUlJ 

'  Ike! 


'Illy  J 


1  scidl, 
lilt  of 

•<■  conli 

rty.iU 

S'fnet 
tr  pj, 

iliove 
<  lot! 
Ike 
id; 
:  wrild 
SliCt 


for  admission  to  said  theater  in 
ission  fee  which  shall  not  be  less 
ents,  unless  a  greater  minimum 
:harge  is  herein  elsewhere  speci- 
each  exhibition;  and  that  such 
shall  not  be  exhibited  unless  such 
:ee  is  charged. 

n  or  Prevention  of  Performance 
ENTH :       In    case    the    Exhibitor 
layed    in    or    prevented    from    the 
e    of    this     Contract    writh     respect 
the   photoplays   herein  specified   by 
censor   rulings,    the   elements,    acci- 
es,   fire,   insurrection,   acts  of    God, 
enemy,    public    calamity    or    order 
urt  of   competent  jurisdiction,    then 
or    failure    of    preformance    with 
such    photoplay    shall    be    excused 
ims   or    causes   of    action    for    dam- 
or  arising  therefrom,  are  hereby 
aived  by  the   Distributor.      In   any 
,  the  time  of  the   Exhibitor  to   per- 
Contract   with   respect   to   any   such 
shall  be  extended  for  a  period  equal 
le    of    such    delay,    unless    perform- 
of  because  of  the  happening  of  any 
or  contingency  is   rendered   impos- 
fhich  case   performance   by   the    Ex- 
th    respect    to    any   such    photoplay 
waived.       The    resumption    of     per- 
by      the      Exhibitor      shall      begin 
after   the    removal    or    abatement    of 
gencies   or   causes  of  such   disability 
"     lion   of   performance,    provided,    that 
,1^^     ;lay   and/or   prevention    of   perform- 
ed  as   aforesaid,    shall    continue   for 
uj|Bof    three     (3)    months    either    party 
,  fi      ly    cancel    this    contract,     but    only 
*  *       ',.    »_    „„„u    „u«» — 1,,.    .u.    •„_ 


Itastii 

dverts 

EiJi 
iterej 

»rii 
lisiiili 
:iit  pt 
i?t- 
Be 


:ct  to  any  such  photoplay  the  ex- 
ereunder  of  which  has  been  .so  de- 
prevented,    by    sending    within    ten 

after  the  expiration  of  such  three 
is'   period  to   the  other   party   notice 

to  such   effect. 


the  Distributor  shall  be  delayed  in 
ited  fqom  the  performance  of  this 
with  respect  to  any  of  the  photo- 
ein  specified  by  reason  of  the  ele- 
:cidents,  strikes,  fire,  insurrection, 
od,  the  pubic  enemy,  public  calam- 
t  orders,  censor  rulings,  delays  of 
ion  carrier,  delays  in  production  or 
the  producers  of  any  of  such  photo- 
make    or    deliver    them    to    the    Dis- 

Itt  Bflor  of  any  star  or  other  performer 
r  therein  in  time  for  delivery,  as 
ovided,  or  the  failure  or  delay  of 
Exhibitor  in  returning  any  positive 
the  Distributor  or  in  forwarding 
ive  print  to  a  subsequent  Exhibitor, 
h   delay    in    or    prevention    of    perfor- 

prs^llPiall    be    excused    and    all    claims    or 

action  for  damages  therefor  or  aris- 

cfrom    are    hereby    expressly    waived 


idvffl    Sxhibitor 


In    any    such    event,    the 


the   Distributor   to   perform   this   con- 
th    respect    to    any    such    photoplay 
extended   for   a    period    equal    to    the 
such    delay,    unless    performance    be- 
the  happening  of  any  such  cause  or 
'S  il^tcy  is  rendered  impossible,   in  which 
formance    by    the     Distributor    with 
any  such  photoplay  shall  be  waived, 
[imption   of    performance   by   the    Dis- 
shall    begin    promptly    after    the    re- 
|r  abatement   of   the   contingencies   or 
such  disability  or  prevention  of  per- 
and  the   Distributor  shall  deliver  to 
ibitor    any    such    photoplay    at    the 
■  available    date    thereafter,    and    such 
I  in   any  such   case  shall  be   the   same 
effect  as  though  delivery  took  place 
lie  period  herein  above  limited  and  the 
Ir  agrees  to   accept,   pay   for   and  ex- 
ly   such   photoplay   at   any   such   later 
fursuant  to  the  terms  hereof,  provided, 
such  delay  and/or  prevention  of  per- 
le,  caused   as  aforesaid,   shall  continue 
|riod  of  three   (3)  months  either  party 
ay    cancel    this    contract,    but    only 
bpect  to   any   such   photoplay   the   de- 
nereunder    of   which    has    been   so   de- 
Ir    prevented,    by    sending    within    ten 
\y^  after  the  expiration  of  such  three 
Jths'  period  to  the  other  party  notice 
to  such  effect. 

Waiver 

ETEENTH :  The  waiver  by  either 
f  any  breach  or  default  by  the  other 
hall  not  be  construed  as  a  waiver  of 
er  or  subsequent  breach  or  default  by 
her  party. 

Arbitration 

!NTIETH:  The  parties  hereto  agree 
fore  either  of  them  shall  resort  to  any 
to  determine,  enforce  or  protect  the 
ights  of  either  hereunder,  each  shall 
to  the  Board  of  Arbitration  (estab- 
or   constituted   pursuant    to   rules   and 


regulations  now  in  file  in  the  office  of  the 
Motion  Picture  Producers  and  Distributors 
of  America,  Inc.,  bearing  date  March  1st, 
1926.  and  identified  by  the  signature  of  its 
President,  a  copy  of  which  will  be  furnished 
to  the  Exhibitor  upon  request)  in  the  city 
wherein  is  situated  the  branch  office  of  the 
Distributor  from  which  the  Exhibitor  is 
served  or  if  there  be  no  such  Board  of  Arbi- 
tration in  such  city  then  to  the  Board  of 
Arbitration  in  the  city  nearest  thereto  (un- 
less the  parties  hereto  agree  in  writing  that 
such  submission  shall  be  made  to  a  Board 
of  Arbitration  located  in  another  specified 
city),  all  claims  and  controversies  arising 
hereunder  for  determination  pursuant  to  the 
rules  of  procedure  and  practice  adopted  by 
such    Board   of   Arbitration. 

The  parties  hereto  further  agree  to  abide 
by  and  forthwith  comply  with  any  decision 
and  award  of  such  Board  of  Arbitration 
in  any  such  arbitration  proceeding,  and 
agree  and  consent  that  any  such  decision  or 
award  shall  be  enforceable  in  or  by  any 
court  of  competent  jurisdiction  pursuant  to 
the  laws  of  such  jurisdiction  now  or  here- 
after in  force ;  and  each  party  hereto  hereby 
waives  tlie  right  of  trial  by  jury  upon  any 
issue  arising  under  this  contract,  and  agrees 
to  accept  as  conclusive  the  findings  of  fact 
made  by  any  such  Board  of  Arbitration,  and 
consents  to  the  introduction  of  such  findings 
in   evidence  in  any   judicial  proceeding. 

In  tlie  event  that  the  Exhibitor  sliall  fail 
or  refuse  to  consent  to  submit  to  arbitra- 
tion any  claim  or  controversy  arising  under 
this  or  any  other  film  service  contract  pro- 
viding for  arbitration  which  the  Exhibitor 
may  have  witi:  this  or  any  other  Distributor 
or  to  abide  by  and  forthwith  comply  with 
any  decision  or  award  of  such  Board  of 
Arbitration  upon  any  such  claim  or  con- 
ti'oversy  so  submitted,  or  if  the  Exhibitor 
shall  be  found  by  such  Board  of  Arbitration 
in  any  sucli  arbitration  proceeding  to  have 
been  guilty  of  such  a  breach  of  contract 
as  shall  in  the  opinion  of  such  Board  of 
Arbitration  justify  tiiis  or  any  other  Dis- 
tributor in  requiring  security  in  dealings  with 
tlie  E.xhibitor,  the  Distributor  may,  at  its 
option,  demand,  for  its  protection  and  as 
security  for  the  performance  by  the  E.xhibitor 
of  tliis  and  all  other  existing  contracts 
between  the  parties  hereto,  payment  by  the 
Exhibitor  of  an  additional  sum  not  exceed- 
ing $500  under  each  existing  contract,  such 
sum  to  be  retained  by  the  Distributor  until 
the  complete  performance  of  all  such  con- 
tracts and  then  applied,  at  the  option  of 
the  Distributor,  against  any  sums  finally  due 
or  against  any  damages  determined  by  said 
Hoard  of  Arbitration  to  be  due  to  the  Dis- 
tributor, the  balance,  if  any,  to  be  returned 
to  tlie  Exhibitor;  and  in  the  event  of  the 
E.xhibitor's  failure  to  pay  such  additional 
sum  within  seven  days  after  demand,  the 
Distributor  may  by  written  notice  to  the 
Exhibitor  suspend  service  hereunder  until  said 
sum  shall  be  paid  and/or  terminate  this 
contract. 

In  the  event  that  the  Distributor  shall  fail 
or  refuse  to  consent  to  the  submission  to 
arbitration  of  any  claim  or  controversy  aris- 
ing under  this  or  any  other  film  servic* 
contract  providing  for  arbitration  which  the 
Distributor  may  have  with  the  Exhibitor,  or 
to  abide  by  and  forthwith  comply  with  any 
decision  or  award  of  such  Board  of  Arbitra- 
tion upon  any  such  claim  or  controversy  so 
submitted,  or  if  the  Distributor  shall  be 
found  by  such  Board  of  Arbitration  in  any 
such  arbitration  proceeding  to  have  been 
guilty  of  such  a  breach  of  contract  as  shall 
in  the  opinion  of  such  Board  of  Arbitration 
justify  the  Exhibitor  in  refusing  to  deal  with 
the  Distributor,  the  Exhibitor  may  terminate 
this  and  any  other  existing  contract  between 
the  Exhibitor  and  the  Distributor  by  mail- 
ing notice  by  registered  mail  within  two 
(2)  weeks  after  such  failure,  refusal  or  find- 
ing and  in  addition  the  Distributor  shall  not 
be  entitled  to  redress  from  such  Board  of 
Arbitration  upon  any  claim  or  claims  against 
any  Exhibitor  until  the  Distributor  shall  have 
complied  with  such  decision,  and  in  the 
meanwhile  the  provisions  of  the  first  para- 
graph of  this  Article  Twentieth  shall  not 
apply   to   any   such  claim  or  claims. 

Any  such  termination  by  either  party,  how- 
ever, shall  be  without  prejudice  to  any  other 
right  or  remedy  which  the  party  so  ter- 
minating may  have  by  reason  of  any  such 
breach    of    contract    by    the    other    party. 

The  provisions  of  this  contract  relating 
to  arbitration  shall  be  construed  according 
to  the  law  of  the   State  of   New  York. 

Representations 
TWENTY-FIRST:     No  promises  or  r^ep- 


resentations  have  been  made  by   either  party 
to  the  other  except  as  set  forth  herein. 

Acceptance   of   Application 

TWENTY-SECOND:  This  instrument 
shall  be  deemed  an  application  for  a  license 
under  copyright  only  and  shall  not  become 
binding  until  accepted  in  writing  without 
alteration  or  change  by  an  oiificer  of  or  any 
person  duly  authorized  by  the  Distributor  and 
notice  of  acceptance  sent  to  the  Exhibitoi 
as  herein  provided.  The  deposit  by  the  Dis- 
tributor of  any  check  or  other  considera- 
tion given  by  the  Exhibitor  at  the  time  of 
application  as  payment  on  account  of  any 
sums  payable  hereunder  shall  not  be  deemed 
an    acceptance   hereof    by    the    Distributor. 

Unless  notice  of  acceptance  of  this  ap- 
plication by  the  Distributor  is  sent  to  the 
Exhibitor  by  mail  or  telegraph  within  the 
number  of  days  after  the  date  thereof  here- 
inafter specified  immediately  following  the 
name  of  the  city  wherein  is  situated  the 
branch  office  of  the  Distributor  from  which 
the  Exhibitor  is  served,  said  application  shall 
be  deemed  withdrawn  and  the  Distributor 
shall  forthwith  return  any  sums  paid  on  ac- 
count thereof  by  the  Exhibitor.  Albany,  10; 
Atlanta,  15;  Boston,  10;  Buffalo,  10;  Char- 
leston, 15;  Charlotte,  15;  Chicago,  15;  Cin- 
cinnati, 15;  Cleveland,  15;  Dallas,  20;  Den- 
ver, 20;  Des  Moines,  15;  Detroit,  15; 
El  Paso,  25;  Indianapolis,  IS;  Jacksonville, 
15;  Kansas  City,  15;  Los  Angeles,  25;  Little 
Rock,  15;  Louisville,  IS;  Memphis,  15;  Mil- 
waukee, 15;  Northern  New  Jersey,  7;  Min- 
neapolis, 20;  Butte,  30;  New  Haven,  10; 
New  Orleans,  15;  New  York  City,  7;  Ok- 
lahoma City,  20;  Omaha,  15;  Peoria,  15; 
Philadelphia,  10;  Pittsburgh,  10;  Portland, 
Ore.,  30;  St.  Louis,  15;  Salt  Lake  City, 
20;  San  Francisco,  20;  iSeattle,  20;  Washing- 
ton,  D.   C,   10. 

A  copy  of  this  application,,  signed  by  the 
Exhibitor  shall  be  left  with  the  Exhibitor 
at  the  time  of  signing,  and  in  the  event  of 
acceptance  thereof  as  above  provided  a  dup- 
licate copy,  signed  by  the  Distributor,  shall 
be  forwarded  to  the  Exhibitor. 
SCHEDULE 

In  the  schedule  there  shall  be  provided 
space  in  which  shall  be  specified  either  the 
title  of  each  photoplay,  or  the  name  of  the 
star,  director  or  author  thereof  or  the  brand 
by  which  such  photoplays  are  known. 

The  schedule  shall  also  contain  the  words 
"Protection  Period"  and  word  "Run''  vnth 
space  to  specify  the  protection  period  or  run, 
if   any,    agreed    upon. 

♦Cancellation 

*OPTIONAL  CANCELLATION 
CLAUSE:  If  this  contract  designates  cer- 
tain photoplays  by  title,  it  shall  be  non- 
cancellable  as  to  such  photoplays.  If  it 
embraces  a  series  of  photoplays  not  desig- 
nated by  title  it  may  be  cancelled  as  to  such 
series  by  either  party  after  two  photo- 
plays of  such  series  have  been  played 
and  paid  for,  by  notice  in  writing  to  the 
other  party  after  playing  the  second  of  said 
photoplays,  such  cancellation  to  take  effect 
after  (         ) 

additional    photoplays     shall    have    been    ex- 
hibited and  paid  for. 

*It  is  optional  with  Distributors  to  incor- 
porate or  omit  this  clause  from  their  Standard 
Exhibition  Contract. 

DIRECTIONS  TO  SALESMEN:  While 
you  have  every  right  ot  trade  among  pro- 
spective customers  to  obtain  the  best  offer 
possible  for  your  product,  after  you  have 
selected  a  particular  exhibitor  whose  ofier 
you  believe  to  be  the  best  obtainable  and 
take  a  written  application  from  such  ex- 
hibitor, you  are  hereby  directed  to  forward 
the  application  to  the  office  of  your  com- 
pany and  make  no  further  effort  to  sell  the 
same  service  to  any  other  exhibitor  directly 
competing  with  such  exhibitor  until  the 
application  has  been  duly  rejected  or  accepted 
or    withdrawn    in    accordance    with    its    terms. 


Chamberlain  to  Expand 
Pottsville,  Pa.  —  Chamberlain 
Amusement  Enterprises  will  erect  a 
theater  here  seating  2800.  Prop- 
ertv  has  acquired  in  the  business  dis- 
trict for  $395,000.  The  house  will  be 
the  largest  in  the  Chamberlain  string 
and  will  include  a  hotel,  office  and  a 
200  car  garage.  The  Chamberlain 
Enterprises  contemplate  other  houses 
throughout  Pennsylvania. 


Form    Holding    Unit 

San  Francisco — The  Granada  Real- 
ty Co.,  a  holding  corporation  which 
will  operate  the  Granada  theater  and 
other  realty  at  Market  and  Jones  St. 
recently  purchased  by  Famous  Play- 
ers, has  been  formed.  The  company 
is  capitalized  at  $3,000,000,  and  was 
organized  by  Attorneys  Nat  Schmulo- 
witz  and  Gavin  McNab. 


Shorewood   to   Have    Another 

Milwaukee — Shorewood,  exclusive 
Milwaukee  suburb,  which  refused  to 
allow  a  theater  within  its  confines 
but  withdrew  in  the  face  of  bitter 
opposition  a  year  ago,  will  now  al- 
low a  second  to  go  up.  The  North 
Shore  Investment  Ass'n.  will  build 
the  new  house,  to  cost  $135,000  and 
seat  500.  The  former  theater  cost 
$250,000. 


Jenkins  111 

Samuel  A.  Jenkins,  publicity  mana- 
ger for  Grosset  and  Dunlap,  book 
publishers,  who  have  arranged  many 
exploitation  tie-ups  with  distributors, 
is  at  St.  Luke's,  because  of  a  minor 
operation. 


Next  Week  on  Broadway 

"Three  Faces  East"  opens  at  the 
Rialto  on  Sunday.  The  Rivoli  will 
have  "Dancing  Mothers"  as  the  fea- 
ture, while  the  Strand  will  play 
"Partners  Again  with  Potash  and 
Perlmutter." 


Michigan  Theater  Man  a  Suicide 

Fenton,  Mich. — Marc  Peck,  local 
exhibitor,  is  dead  in  a  Flint  hospital, 
a  suicide.  He  had  been  in  ill  health 
for  some  time. 


Brooklyn  M.P.T.O.  Dance  Tomorrow 

The  M.P.T.O.  of  Brooklyn  will 
hold  its  annual  dinner-dance  at  the 
Bossert  Hotel  tonight. 


Hines  Going  South  Feb  15th 
Johnny     Hines     and     his     "Brown 
Derby"  company  leave  for  Miami  on 
Feb.  15. 


Five-Year  Contract 

(Continued  from  Page    1) 

product  for  five  years,  beginning  with 
next  season's  releases. 

This  means  that  the  Hoblitzelle  cir- 
cuit will  play  every  feature,  comedy, 
Variety  and  news  reel  released  by 
Fox;  until  1931. 

Last  October,  when  active  theater 
movements  all  over  the  country  were 
in  evidence,  Graniger  and  L.  B. 
Remy,  Southern  district  manager  for 
Fox,  first  approached  Hoblitzelle 
with  the  idea  of  making  a  long-term 
contract. 


Joseph  C.  Reichenbach  has  been  ap- 
pointed Eastern  representative  for 
Joe  Reichenbach  Represents  Sanford 
Sanford  Prod. 


Washington   M.P.T.O.    Meets 
Seattle— The    M.P.T.O.    of    Wash- 
ington  held   a  get-together   luncheon 
yesterday  at  the  Calhoun  Hotel. 


Eileen  Percy  Returns 

Eileen  Percy  has  returned  to  the 
Coast,  having  completed  work  in 
"Self  Defense." 


Dillon  to  Direct  Glyn  Story 
Hollywood — John     Francis    Dillon 
will    direct    "Love's    Blindness"    for 
M.-G.-M. 


COLLEEN  MOORE  IN  iRENL 
HAS  SENSATIONAL  TRY-OU 


{By  Wire  to  Film  Daily) 


H 


MAMARONECK,  WED.  FEB.   10,  (12:20  a.  m.)- Applause 
Colleen  Moore  has  just  ended  after  the  most  enthusiastic  |i 
view  in  the  industry's  history.    The  capacity  audience  at  m 
Playhouse  clamored  to  see  the  picture  again  and  many  refu" 
to  leave  the  theatre  until  the  last  two  reels  containing 
fashion-parade  in  colors  had  been  re-screened.     Disinterest 
film-men  present  rate  the  comedy,  drama  and  style-revue  at  lOi 
each  at  the  box-office,  and  the  combination  of  the  three  grij 
shows  in  one  makes  ^^Irene'^  the  year's  surest  hit. 


Thanks 

First  National  thani 
Film  Daily  for  holdiii 
its  presses  to  recein 
news  of  the  "Irent 
premier  at  Maman 
neck;  and  while  accef 
ing  full  responsibilii 
for  any  delay  in  tl 
delivery  of  Film  Dai 
to  its  readers,  Fir 
National  believes  thsi 
news  of  an  event  s 
important  to  exhib 
tors  is  well  worth  wai 
ing  for! 


iTHE 

brAdstreet 

FILMDOM 


Authority 


Thursday,  February  11,  1926 


Price  5  Cents 


'jDEALS 

''fill      By  DANNY 

\np{  Y  all  along  the  line.  Fox 

Spioblitzelle.  For  his  big 

JCgi    tring.      (Great      move. 

lit   il'  S^'^^  the  folks  in  Fa- 

tJlsmething  to  think  about. 

;( there  has  been  a  lot  of 

'  gC  a  deal  between  Famous 

cilitzelle.     And  the   Fox 

mans  a  lot.) 

)ing  into  Texas.  Big  houses 
T  large  cities.  Which  will 
life  interest  in  the  South.  Fox 
ver  Minneapolis,  St.  Paul 
points  where  Finkelstein  & 
ritrol.     Also   going   into   St. 

kiniversal  gets  a  Broadway 
!  alk  of  Fox  also  breaking  in 
^\aivay. 

ofnatter  which  way  you  turn. 

of   more    and    more    deals. 

ity    of    the    larger    concerns 

Mljf  ts.     Which   kept   the   excite- 

iti  fever  pitch  a   few  months 

recto   seems  to  have  cooled  down 

I     lit  don't  think  that  the  move- 

"^^$  ver.     Far  from  it.     Incident- 

jmi  lis  regard,  keep  your  eye  on 

Cist.     Something  big  likely  to 

JCCiP  from    those    quarters    in    the 

,,  ire. 

>''"  Sales  Policies 
[AiieDf  the  more  important  men. 
g-  companies.  Discussing  at 
D;  e  idea  of  getting  away  from 
J.,  ooking  for  next  season. 
fit  ties  are  that  their  ideas  will 
(.Continued  on  Page  2) 

s  ;i        

[][  ')  Produce  "Boadicea" 

icn   —   Stoll    will    produce   the 
111  c|  Queen  Boadicea  on  a  lavish 
lany  of  the  exteriors  will  be 
Italy. 


New  Chain  Active 

Latest    Mid-West    Combine    Busy — 
Not    Acting   for    New    York    In- 
terests,   As    Reported 

Sedalia,  Mo. — American  Theaters 
Co.,  formed  to  acquire  a  chain  of  25 
theaters  throughout  Kansas  and  Mis- 
souri, has  negotiations  under  way  for 
two  theaters  in  Moberly.  One  is  to 
be  built  at  a  cost  of  $150,000  seating 
1,000,  by  George  Sparks,  Jr.  'The 
other  is  the  Grand  and  is  now  in 
operation. 

Jack  F.  Truit,  manager  of  Ameri- 
can Theaters,  denies  a  report  current 
here  that  Universal  is  interested  in 
the  transactions,  declaring  that 
"neither  the  Universal  Film  Co.  or 
any  other  company  has  anything  to 
do  with  these  theaters." 


Blame  the  Public 

Industry    Giving    the    Masses    What 

They  Want,  Terry  Ramsaye  Tells 

Nat'l  M.   P.   Conference 

Chicago — Canon  CTiase  and  others 
interested  in  a  complete  reformation 
of  the  industry,  launched  their  sec- 
ond National  M.  P.  Conference  here 
yesterday. 

Terry  Ramsaye,  author  of  "A  Mil- 
lion and  One  Nights — The,  History 
of  the  Motion  Picture,"  delivered  an 
address  last  night  in  which  he  told 
the  assemblage  a  thing  or  two  that 
made  them  smart.  He  maintained  the 
"movies"  are  and  always  will  be  just 
whdt  the  American  public  wants  them 
to  be.     He  said: 


New  Theaters 

New  and  interesting  develop- 
ments in  the  theater  construc- 
tion field  will  be  found  on  page 
8. 


To  Advance  Peace  Cause 

The  fact  that  closer  cooperation 
may  result  between  the  M.  P.  T.  O. 
A.  and  the  Allied  group  because  of 
the  mutuality  of  interests  in  the 
proper  functioning  of  the  uniform 
contract,  will  not  alter  Joseph  M. 
Seider's  plan  to  send  E.  Thornton 
Kelly  as  a  special  emissary  to  visit 
states  comprising  the  Allied  group  in 
order  to  bring  about  a  greater  meas- 
ure of  harmony. 


>'>in,    Jackman,    Doane    Arrive 

fcGowan,  Fred  Jackman  and 
Doane,  all  of  Hal  Roach 
rive  in  town  from  the  Coast 


p  to  Make  Three  in  London 

n — It    is    reported    here    that 

1  Allen,   who    has   been    signed 

T  mbia  in  New  York,  will  make 

his  five  pictures  in  London. 


a  isr  Series  of  Scientific  Shorts 

•  Fleischer,  president  of  Red 
preparing  a  series  of  scien- 
ilar  short  reels  which  will  be 
next  season. 


1  Hx  Organizes   in  Missouri 
n^on    City,    Mo.— The     Publix 
Corp.     has    been    chartered 
ih  a  nominal  capital  of  $500. 


(Continued  on  Page  9) 


"Lab"  War  in  U.  K. 

Price     Cutting     Goes     on     Merrily— 

Ralph  Pugh  Almost  Ready  to 

Start  Production 

By  ERNEST  W.  FREDMAN 
The    Film   Renter    and    M.    P.    News 

London — There  is  a  small  war  pro- 
ceeding at  the  present  moment  among 
film  printing  concerns  and  prices  have 
been  cut  to  pieces.  Three  companies 
are  printing  at  prices  less  than  a  pen- 
ny, one  of  them  being  one  penny  less 
ten  per  cent,  another  one  penny,  less 
seven-and-a-half  per  cent  and  still  an- 
other less  five  per  cent.  How  any  of 
them  make  a  living  at  these  prices  is 
beyond  one's  comprehension  when  it 
is  remembered  that  the  price  for  Ko- 
(Continued  on  Page  9) 


Bebe   Daniels  Here 

Bebe  Daniels  is  due  here  today 
from  the  Coast.  In  the  party  are 
Monte  Brice  and  Tom  Gibson,  com- 
edv  constructors  attached  to  her 
unit. 


Split  Costs  on  Two  Films 

B  e  r  1  i  n — Ufa  is  to  start  two 
pictures  at  once,  the  cost  to  be  met 
in  the  following  manner:  Ufa  to 
supply  50  per  cent  and  Famous  and 
M.-G.-M.  50  per  cent  combined.  Ufa 
will  handle  sales  in  Germany;  the 
rest  of  the  world  wilt  be  sold  by  the 
American   companies. 


B.  &  K.  Dickering  in  Danville 

Danville,  111.  —  Negotiations  are 
understood  to  be  close  to  consumma- 
tion, whereby  Balaban  &  Katz  will 
take  over  the  Palace  and  Fischer 
here  from  the  Home  Theater  Co. 


Loew  in  Texas 

Theaters  in  Houston,  Dallas  and  San 

Antonio  Mark  Entrance  in  State 

— Work   Started  in  Houston 

The  Loew  chain  will  be  augmented 
by  three  new  theaters  in  Texas,  a 
new  field  for  that  organization.  The 
first,  already  started  in  Houston,  will 
be  a  theater  seating  3,000  and  a  ten- 
story  office  building.  The  others,  in 
Dallas  and  San  Antonio,  will  prob- 
ably be  built  along  the  same  lines. 

Property  in  Houston  was  acquired 
through  Jesse  Jones,  representing 
the    Houston    Properties    Corp. 


.  Two   More   Local   Houses 

It  is  understood  that  the  3,000  seat 
theater  and  office  building  now  be- 
ing built  on  Sutphin  Blvd.,  near  Ja- 
maica .A.ve.,  Jamaica,  will  be  taken 
over  by  the  Loew  circuit.  The  house 
will  be  ready  about  May  1  and  is 
about  two  miles  from  Loew's  Wil- 
lard.  Stern  and  Jaffer,  interested  with 
Loew  in  the  Gates,  are  also  inter- 
ested in  this  theater  with  Herman 
Weingarten  who  built  the  Kameo, 
Brooklyn. 

The  theater  on  Bedford  Ave.  and 
(Continued  on  Page  9) 


Frederick  Films  for  Ideal 

London — Harry  Rowson  declares 
Pauline  Frederick  is  making  a  series 
of  three  pictures  in  New  York  for 
Ideal.  Will  Nigh  is  to  direct.  One 
subject  will  be  "A  Butterfly  on  the 
Wheel." 


Miss  Frederick  is  now  finishing 
"The  Nest"  under  the  Excellent  Pic- 
tures brand.     Sam  Zierler  is  president. 


Hamilton  with  Famous? 

It  is  understood  Sam  Sax  has 
placed  Lloyd  Hamilton  with  Famous 
for  a  series  of  two-reelers.  'Para- 
mount is  reported  ready  to  carry  out 
its  plan  for  a  short  subject  depart- 
ment. 


Aliens  in   "Comeback?" 

Montreal — What  is  regarded  as  a 
"comeback"  of  the  Aliens  in  Eastern 
Canada  occurred  with  the  opening  of 
the  new  Amherst,  at  Amherst  and 
St.  Catherine  St.,  East.  The  Amherst, 
built  by  the  George  Rabinovitch  In- 
vestment Corp.,  is  under  a  long-term 
lease  to  H.  Allen,  a  member  of  the 
Allen  group  which  formerly  oper- 
ated and  controlled  a  chain  across 
Canada. 


Wehrenberg    Acquires    His    Seventh 

St.  Louis — Fred  Wehrenberg  has 
added  the  Red  Wing,  4557  Virginia 
Ave.,  to  his  chain  of  South  St.  Louis 
houses.  The  Red  Wing  seats  600  and 
formerly  was  operated  by  Sam  Hor- 
wich.  Other  houses  operated  by  Weh- 
renberg are  the  Cherokee,  Melba, 
New  Michigan,  Ivorv  Lidel  and  Mar- 
guerite.    The  latter  three  are  closed. 


Stanley,  Camden,  Opens  Friday 
Camden,    N.    J.— The    Stanley,    at 
Broadway  and  Market  St.,  newest  in 
the    Stanley    chain,    opens    tomorrow 
night. 


Play  Bought  by  Columbia 

Columbia  has  purchased  "The  Price 
of  Honor,"  stage  play  by  James  R. 
Carey. 


Universal-Mexican  Unit   Chartered 

Dover,  Del. — Incorporation  papers 
have  been  filed  by  the  Universal 
Pictures  Corp.  of  Mexico,  listing 
capital  of  $10,000.  The  Corporation 
Trust  Co.  of  America,  Wilmington, 
acted  as  attorney. 


Brooklyn  M.  P.  T.  O.  Holds  Dinner 
The  M.  P.  T.  O.  of  Brooklyn  held 
a  dinner-dance  last  evening  at  the 
Hotel  Bossert.  Rudy  Sanders,  new 
president,  and  other  executives  were 
inducted  into  office. 


\ 


fj^ES 


DAILY 


Thursday,  Februarj 


TiLXXXVNe.35    Thursday, Feb.  11, 1926    PriceSCints 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS.  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
X^ondon,  W.  I.,  Paris — La  Cinematographie 
Francaise,   5,  Rue   Saulnier. 


Quotations 

High    Low    Close      Sales 

Balaban    &   Katz    Not  quoted 

Eastman  Kodak  ..UOli  109^  110^  600 
Famous  Players  ..118;4  116  117%  5,800 
Fam.  Play.  Pfd.  .  A21U  120J4  120J4  200 
Film    Inspection    .  .     SVi       5%       S'A        200 

First   National    Not  quoted 

Fox  Film  "A"  ...  78Ji  78J4  78^  310 
Fox   Theaters   "A".    30fi      29 J^      30'A      2,500 

International    Projector    Not  quoted 

Loew's.    Inc 39^     39         39Ji      1,000 

Metro-Gold.  Pfd.   ..24         24         24  100 

M.  P.  Cap.  Corp...  19H  19'/2  19'A  1,100 
Pathe  Exch.   "A"..    77H     75^     75^         700 

Skouras    Bros 49  49  49  

Stan.   Co.  of  Am Not  quoted 

Trans-Lux   12^      12         12         1,300 

Universal  Pictures.  .    40%      40^      40%         200 

Univ.    Pict.    Pfd Not  quoted 

Warner  Brothers  ..  IS'A  UVs  15;4  2.400 
Warner   Pictures    ..     9Ji       9J4       9H        300 


Solomon  Joins  Red  Seal 

Martin  Solomon  has  joined  Red 
Seal's  New  York  exchange  to  do  spe- 
cial work  in  this  territory. 


"Sea  Beast"  in  Chicago  Friday 

Chicago — "The  Sea  Beast"  opens 
at  the  Orpheum  tomorrow  for  an 
indefinite  run. 


"The  Auction  Block"  at  the   Capitol 
"The  Auction  Block"  opens  at  the 
Capitol  on  Sunday. 


Ceder  Here 

Ceder,     director     of     "The 

series  for  F.   B.   O., 

Will  remain 


Ralph 
Fighting  Heart" 
is  here  from  the  Coast, 
only  a  few  days. 


FOR.     R.ENT 


BELL-  HOWELL 
AKELEY  CAMERAS 

coit/i  or  loittiout  Cameramen 


SEIDEN    CAMERA    EXCHANGE 

729  Seventh  Ave.  n.y.c.  j 

B  ryan t  3  95  1  / 


DEALS 


(Continued  from  Page  1) 
get  nowhere — that  block  booking  will 
be  in  effect  as  now.  But  there  is  a 
lot  of  talk  against  the  idea;  and  con- 
siderablbe  discussion  of  the  desirabil- 
ity of  playing  percentage — even  in  the 
smaller  houses — especially  with 
known  attractions. 

No  doubt  of  the  need  and  desirabil- 
ity of  percentage  booking  with  known 
attractions,  or  stars  which  have  a 
definite  drawing  power.  But  not  prac- 
ticable for  pictures  of  all  other  types. 
For  the  average  program  picture  per- 
centage playing  is  out  of  the  ques- 
tion. It  cannot  be  done  to  satisfac- 
tion. For  the  big  ones, — well,  that's 
another  story. 

Early  Selling 

This  coming  season  will  probably 
develop  the  earliest  selling  that  the 
trade  has  ever  known.  All  of  the 
important  companies  will  be  out  with 
the  proverbial  "best  ever"  in  the 
Spring.  A  lot  of  pictures  will  be 
booked  up  by  June. 

The  "Peepul" 

Terry  Ramsaye  hit  the  nail  on  the 
head  last  night.  Talking  to  the  Canon 
Chase  crowd  in  Chicago.  He  pointed 
out  a  never-to-be-forgotten  fact — that 
"nobody  is  for  the  motion  picture  but 
the  people."  How  right  he  is,  is  at- 
tested by  over  10  millions  of  folks 
every  day.  If  you  annoy  them. 
About  their  pet  diversion.  You  are 
liable  to  get  hurt.  Bear  this  in  mind, 
you.  Canon  Chase,  and  your  assoc- 
iates. 


Urges  Ban  on  German  Films  Lifted 
Ottawa — Col.  John  A.  Cooper 
president  of  the  M.  P.  Dist.  and 
Exhibitors  of  Canada,  while  here  the 
other  day  said  that  it  was  time  that 
the  Ontario  Government  raised  its 
ban  on  German-made  pictures.  On- 
tario is  the  only  province  which  for- 
bids the   showing  of  German  films. 


In  "Borrowed  Plumes"  Stunt 
Arrow  is  sending  out  to  the  trade 
a  half-dozen  brightly  colored  plumes 
on  which  appears  a  tag  with  the 
wording  "Feather  Your  Nestl  'In 
Borrowed  Plumes'  A  Bird  of  a  Com- 
edy." 


Heisler  Returns  to  the  Coast 

Stuart  Heisler,  editor  of  Samuel 
Goldwyn  Prod.,  has  returned  to  Hol- 
lywood after  completing  cutting  of 
"Partners  Again — with  Potash  and 
Perlmutter." 


•Moana"   Banned   in   Toronto 

Toronto — The  Board  of  Censors 
has  ruled  that  "Moana,"  cannot  be 
screened   here. 

iiiiiiiiiiiii^^ 


FEBRUARY  28th 


amuuiiiiDiiiiiiiiJiiiiiiiiiiMiiHiiiinii 


iiiiiiig]iiiiiDiiiiiiiiiiiiffliiiiniiiiiBiiiiiiiiii@ 


British  National  Formed  Here 

Albany — British  National  Pictures 
were  incorporated  here  yesterday  list- 
ing capital  of  $200,000. 


J.  D.  Williams  pointed  out  yester- 
day that,  despite  the  fact  the  above 
company's  papers  called  for  its  en- 
trance in  the  theater  field,  British  Na- 
tional would  not  engage  in  exhibition. 
It  is  an  American  ally  of  the  parent 
British  company  bearing  the  same 
name. 


Returns  as  "U"  Theater  Manager 

Los  Angeles — C.  L.  Theuerkauf  is 
back  in  the  Universal  fold.  He  was 
forn.erly  manager  of  the  Universal 
exchange  here,  and  is  now  at  the 
Cameo  as  manager,  a  position  he  left 
only  a  few  weeks  ago. 


Coal  Shortage  Up-State 
A  number  of  up-state  houses  are 
feeling  the  coal  shortage.  Three 
houses  in  Troy  are  reported  using 
wood  in  their  furnaces  and  com- 
plaints are  coming  in  from  the  smaller 
towns  of  the  scarcity  and  high  prices 
of  coal. 


La  Marr  Left  Less  Than  $10,000 

Los  Angeles — According  to  a  pe- 
tition for  letters  of  administration 
filed  by  her  father,  W.  W.  Watson. 
Barbara  La  Marr  left  an  estate  of 
less  than  $10,000. 


Swedish  Star  with  Universal 
Universal  Pictures  has  signed  a 
five-year  contract  with  the  Enar  Han- 
son, stage  and  screen  actor.  He  will 
co-star  with  Laura  La  Plante  in 
"The   Big   Night." 


Smith  on  Another  Trip 

K.  J.  Smith  left  last  night  on  an- 
other sales  trip  for  Associated.  He 
will  visit  Philadelphia,  Washington 
and  Richmond  to  close  first-runs  for 
"The  Skyrocket." 


Baker  to  the  Coast 

C.  Graham  Baker,  scenario  writer, 
has  left  for  Hollywood  on  a  vacation, 
after  which  he  expects  to  sign  a  long- 
term  contract. 


STOCK  SCENES 

NEGATIVE   AND   POSITIVE 

P  R  l_N  T  S 

Stone  film    Library 

"220   W.    42nd    St.  ROOM    303 

Phone   Wisconsin    3770 


IF  YOU  ARE  IN  THE 
MARKET  FOR  ANY  KIND  OF 

MOTION  PiaURE 


'?  •"! 


COJVSULT  US— AND  SAVE  MONEY 
SEND  FOR  OUR  PRICE  LIST 


Chas.  G.  Willoughby,  Inc. 

Motion  Picture  Department 

110  West  32nd  St..  New  York 

Phone    Penn.    6564 


"Roxy"   Buys   Herbert's 

S.  L.  Rothafel  has  pure! 
tor  Herbert's  musical  libra 
Roxy  theater  from  Ella 
daughter  of  the  composer. 


"Connie's"   Next,  "Silkj 

Hollywood— "Silky  Ann" 
selected  as  the  next  vehicle 
stance  Talmadge.  Sidney 
will  direct. 


cU* 


M.-G.-M.  Signs  Fiction 
George  Ridgewell  has  b(| 
by  M.-G.-M.  to  a  contract  a! 
writer  and   to  do  continuiti 


Screen  Advertisers  to 

New  Orleans — The  ann 
ing  of  the  National  Screen 
er's  Ass'n  starts  today  and 
urday. 


Routine    Meeting. 

The  meeting  of  the  dii 
Metro-Goldwyn  Pictures  ( 
terday  was  purely  routine.  ; 

Denny  Film  Held  0 

"What  Happened  to  Jc 
be  held  a  second  week  at  tl 


Thtsday,  February  11,  1926 


ZjffS^ 


DAILY 


mmmm\mm\mm§\ i iiiiiiimiii iiiiiiiipniiiiim mi i iiiiiiiiiiiiMiMiiiii^     m iiii^iiiiiiiiiiiiiiiiiiii»qiiiiiii mmmmm^wm^ 


They  Live  and  Breathe  on  the  Screen! 

A  Most  Astounding  and  Startling  Novelty  Film! 
It  is  so  Marvelous  and  Remarkable  that  the  Largest  Theatres  in 

the  United  States  are  Playing  It 


RENOWN  PICTURES,  Inc. 

Presents 

BURKHARD'S  PLASTIC  FILMS 

"GIRLS  OR  ILLUSIONS" 

So  Realistic  are  These  Films  That  Audiences  Hardly  Believe 
They  are  Witnessing  A  Motion  Picture 


These  are  the  Theatres  who  have  hooked  this  sensational 

Screen  Novelty 


HIPPODROME 

RIVOLI 

SHEA'S  BUFFALO 

STANLEY 

STANLEY 

STANLEY 

ALDINE 

FABIAN'S  MOSQUE 

FABIAN'S 

CAPITOL 

MISSOURI 

POLI'S  PALACE 

POLI'S  MERIDAN 

POLI'S  PALACE 

POLI'S  PLAZA 

POLI'S  PALACE 

POLI'S  MAJESTIC 

POLI'S  BIJOU 


NEW  YORK 
NEW  YORK 
BUFFALO,  N.  Y. 
PHILADELPHIA,  PA. 
ATLANTIC  CITY,  N.  J. 
CAMDEN,  N.  J. 
WILMINGTON,  DEL. 
NEWARK,  N.  J. 
PATERSON,  N.  J. 
DETROIT,  MICH. 
ST.  LOUIS,  MO. 
SPRINGFIELD,  MASS. 
MERIDAN,  CONN. 
HARTFORD,  CONN. 
WORCESTER,  MASS. 
WATERBURY,  MASS. 
BRIDGEPORT,  CONN. 
NEW  HAVEN,  CONN. 


METROPOLITAN 
CHICAGO  ) 

TivoLi    y 

UPTOWN   ) 
LOEW'S  ALDINE 
LOEW'S  STATE 
LOEW'S  ALLEN 
LOEW'S  PALACE 
HOWARD 
NEWMAN 
PALACE 

PANTAGES' 
PANTAGES' 
PANTAGES' 
PANTAGES' 
PANTAGES' 


BOSTON,  MASS. 

CHICAGO.  ILL. 

PITTSBURGH,  PA. 
ST.  LOUIS,  MO. 
CLEVELAND,  O. 
MEMPHIS,  TENN. 
ATLANTA,  GA. 
KANSAS  CITY,  MO. 
DALLAS,  TEX. 

SAN  FRANCISCO,  CAL. 
LOS  ANGELES,  CAL. 
SAN  DIEGO,  CAL. 
LONG  BEACH,  CAL. 
SACRAMENTO,  CAL. 


To  hook  this  Novelty  Film  get  in  touch  with 

RENOWN  PICTURES,  Inc. 


HOME  OFHCE:     1540  BROADWAY 


NEW  YORK  CITY 


Ji 


Cparamaunt 


and  you  can  book  and 


xjyou 


Braadwtuj/ 

CfiAND  DUCHESS^ 

AND  THE  WAITER* 

Unes  two 
blocks  lony^ 


. 'l!*. 


Foreign  Diatributon 

Producers  International  Corporation 

130   West  46th  Street 

New  York,  N   Y 


Previ 
the  Star  with 
Audience  Apf 


J 


A  Three-Ply  Combination  That  Shouts  Box  Office! 

j\/icirie  Prevost — public-made  star,  who  scored  distinct  personal  triumphs  in  "Tarnish," 
"The  Marriage  Circle,"  "The  Dark  Swan,"  "Recompense"  and  "Kiss  Me  Again,"— 

Will  Star  in 
"Uf)  In  MaheVs  Room/*  A.  H.  Woods'  sensational  stage  farce  hit  that  created  a  furore 
in  New  York,  Boston,  San  Francisco,  Los  Angeles  and  other  big  theatrical  centers,  playing 
to  unprecedented  business  for  extended  runs,  and  startling  audiences  and  critics  by  its 
daring  situations  and  inimitable  comedy — 

Produced  by — 

Al  Christie — who  made  "Charley's  Aunt"  and  "Madam  Behave,"  the  greatest  box  office 
feature  comedies  of  recent  years. 

BOY,  OH  BOY!    HERE'S  A  BOX  OFFICE  BONANZA! 

ISTKIBUTING  COKPOBATION 


THE 


'^H 


DAILY 


Thursday,  February 


New  Theaters 

Additional  theater  projects  covering 
activity  in  six  cities  follow: 
Buffalo 

Buffalo — Jim  Cardina  will  erect  a 
new  vaudeville-picture  house  on 
Bailey  Ave.,  work  to  start  in  the 
spring. 


Detroit 

Detroit — A  new  house  will  be 
erected  at  Hamilton  Blvd.  and 
Seward  St.  The  owner's  name  is  be- 
ing withheld. 


Kansas  City 

Kansas  City — A  1,000  seat  house 
at  27th  St.,  and  Troost  Ave.,  will  be 
erected  by  A.  Bier. 


Maryville,   Mo. 

Maryville,    Mo. — ^J.    F.    Cook    will 
build  a  $50,000  house. 


Smackover,  Ark. 

Smackover,  Ark. — W.  A.  Lightman 
and  M.  J.  Prumiski  are  building  a 
600  seat  house  here.  This  will  be 
one  of  a  chain. 


Tulare,  Cal. 

Tulare,  Cal.— A  1,400  seat  house 
will  be  erected  here  by  the  Tulare 
Theater  Co.  Construction  begins 
shortly. 


Theater  Openings 

Berkeley,  Cal. — The  Campus  has 
opened.  It  is  owned  by  Frank  At- 
kms,  and  run  by"  the  Golden  State 
Theater  &  Realty  Corp.    Seats  1,500. 


Oriskany,  N.  Y. — Servatius  and 
Wagner  are  opening  the  new  Star 
soon. 


Theater  on  Morrison  Site 
A  New  York  syndicate  headed  by 
Saul  Mandel  intends  going  ahead 
with  a  large  hotel  and  theater  on  the 
property  formerly  occupied  by  Mor- 
rison's theater,  Rockaway  Beach. 


Three  New  Houses  for  Winsted 
Winsted,    Conn. — Three    new    mo- 
tion picture  houses  are  planned  here 
with  a  total  seating  capacity  of  over 
4,000. 


New  One  in  Florida  Goes  to  Chain 
Miami — Opening  of- the  Rosetta  in 
Little  River  is  scheduled  for  early 
in  February.  Paramount  Enter- 
prises, Inc.,  has  leased  the  house, 
which  seats  1,100.  Bert  Schrieber 
built  the  structure.  It  is  on  the  Dixie 
Highway,  one  block  north  of  Ever- 
glades Ave.  and  adjoins  the  Profes- 
sional Bldg. 


New  $50,000  Theater  for  Boulder 
Boulder,  Colo. — A  new  theater,  to 
be  called  the  State,  has  been  an- 
nounced for  Boulder.  This  new  house 
will  be  erected  by  the  Boulder  Thea- 
ter Co.,  a  new  $50,000  corporation. 
The  new  theater  will  be  located  at 
1429  Pearl  St.  and  will  have  600  seats. 
E.  N.  Bisney,  recent  owner  of  the 
Curran  theater,  has  been  named  man- 
ager. 


Site   Bought  for   Theater 

Kansas  City,  Mo. — The  transfer  of 
a  99-year  leasehold  on  the  northeast 


corner  of  13th  St.  and  Baltimore  Ave. 
from  the  Mokanokla  Improvement 
Co.,  Wallace  N.  Robinson,  presi^ 
dent,  to  the  Woolford  Investment 
Co.,   has   been   completed. 

The  corner  is  part  of  property  as- 
sembled for  a  theater,  shop  and  office 
project.  The  acquisition  of  the  lease- 
hold is  preliminary  to  the  exercise 
of  a  purchase  option,  under  which  the 
ground  will  be  bought  for  $300,000. 


Pontiac  Theaters  Open  Soon 
Pontiac,  Mich.— C.  B.  and  D.  R. 
Wilson,  Pontiac  manufacturers,  are 
building  the  new  State,  on  Saginaw 
St.  for  W.  S.  Butterfield  interests, 
who  now  control  45  theaters.  Kleist 
Amusement  Enterprise,  Inc.,  owners 
of  the  new  Orpheum  theater,  will 
have  it  ready  in  another  month  and 
will  add  to  its  string  of  four  theaters 
now  in  operation. 


World  to   Lease   New  House 

Columbus,  Neb. — Plans  are  being 
prepared  for  a  picture  and  vaudeville 
theater  to  seat  918,  to  be  erected  on 
the  north  side  of  13tfi  St.  by  •a  new 
company,  organized  by  local  inves- 
tors. Upon  completion,  the  theater 
is  to  be  leased  to  ana  operated  by  the 
World  Realty  Co.,  of  Omaha,  as  one 
of  a  chain  of  20  houses. 


New  House  for  Manhasset? 
It  is  understood  that  Manhasset, 
L.  I.,  is  to  have  a  theater.  Interested 
parties  have  gone  so  far  as  to  have 
plans  prepared  for  the  building, 
which  is  to  seat  1,200,  according  to 
the  reports.  Three  different  sites, 
all  on  Plandome  Road,  are  under 
consideration. 


Stoddards  Will  Not  Build 

Milwaukee — Stoddard  Bros,  have 
abandoned  plans  for  a  new  theater  at 
Berlin.  It  was  reported  the  proposed 
house  would  be  leased  to  Saxe  Enter- 
prises. Decision  not  to  build  follows 
action  of  Ed.  Starkey,  Opera  House, 
in  obtaining  control  of  the  city's  two 
theaters. 


Colonial  Theaters  I'lan  Another 

New  Britain,  Conn. — Bristol's  new 
theater  to  house  vaudeville  and  pic- 
tures and  seat  1,800,  with  a  ball  room 
on  the  second  floor,  will  be  in  opera- 
tion by  Nov.  1,  according  to  Colonial 
Theaters,  Inc.  The  new  theater  is 
to  be  erected  on  Main  St.  and  work 
will  be  started  within  a  few  days. 


Wetzman  Building  in  Dearborn 

Dearborn,  Mich.  —  Barney  Wetz- 
man, brother  of  Frank  Wetzman,  has 
started  work  on  a  new  house  on 
Michigan  Ave.  Ground  has  already 
been  broken  and  the  contracts  let. 
The  building  will  contain  stores,  of- 
fices and  a  theater  and  will  be  com- 
pleted in  the  late  summer. 


South  Shore  Building  in  "Chi" 

Chicago — The  South  Shore  Theater 
Building  Corp.  has  completed  plans 
for  a  $2,000,000  theater  to  be  built  on 
75th  St.  The  house  is  to  seat  3,500, 
contain  14  stores,  30  offices  and  90 
apartments. 

The  Harper  theater  block,  contain- 
ing a  1,250  seat  theater,  has  been  sold 
to  Le  Grand  Burton  for  $440,000. 


New   Westbury,   L.   I.   House 

Westbury,  L.  I. — The  Calderone 
Amusement  Co.  has  leased  a  new  the- 
ater to  be  built  here  at  a  cost  of  $225,- 
000.  The  house  is  to  be  located  on 
Post  Ave. 


New  Theater  Unit  Formed 

Milwaukee — With  100  shares  of  no 
par  value,  J.  S.  Grauman,  Inc.,  of 
Milwaukee,  has  been  incorporated. 
William  and  Elsie  Kaumheimers  and 
Jessie   F.   Townley  are   sponsors. 


Two  Houses  for  Detroit 

Detroit,  Mich. — Two  theaters  are 
planned  for  Detroit,  one  to  be  built 
at  Hamilton  Blvd,,  near  Seward  Ave.; 
the  other  at  Van  Dyke  near  Eliot. 
Owner  of  the  latter  is  A.  Kozdron. 


Two  First  Runs  for  Lansing,  Mich. 

Lansing,  Mich. — Remode'img  has 
begun  on  the  Garden  and  Orpheum. 
They  are  to  show  first-runs  in  the  fu- 
ture. 


Big  House  for  Greensboro,  N.  C. 

Greensboro,  N.  C. — The  National 
Amuse.  Corp.  will  erect  a  $500,000 
theater,  to  seat  2,500.  To  show  Keith 
vaudeville  and  pictures. 


To  Build  in  Columbus,  O. 
Columbus,  O. — The  James  Theater, 
Ent.,   are    planning    a    new    on    East 
Maia    St.      C.    H.    Crane,    Detroit,   is 
the  architect. 


After  Up-State  Theaters 
Glen  Falls,  N.  Y.— The  Rivoli  has 
been    purchased    by    William    Benton 
of  Saratoga  Springs.     He  is  now  ne- 
gotiating for  the  Park. 


New  Cleveland  House 

Cleveland — William  T.  Arnos  is  re- 
ceiving bids  on  a  theater  to  be  erected 
in  South  Euclid  at  a  cost  of  $200,000. 
To  be  located  on  Mayfield  and  Green 
Roads. 


Rasch    Ballets    for    Stanley    Theaters 

Philadelphia  —  Mme.  Albertina 
Rasch,  who  has  produced  a  number 
of  ballet  offerings  for  the  Keith-Albee 
Circuit,  has  contracted  with  the  Stan- 
ley Company  to  produce  one  ballet  a 
month. 


Another  Universal  Club 

Dallas — Choosing  "The  Universal 
Club  of  Dallas"  for  its  name,  the  per- 
sonnel of  the  local  branch  of  Univer- 
sal exchanges  met  recently  and 
formed  an   organization. 

Officers  elected  were:  President,  R. 
I.  Payne;  vice-president,  H.  A.  Wort- 
ham;  treasurer,  J.  B.  Brecheen,  and 
Miss    Vera   Turner. 


Special  Quarters  for  Members 

Toronto — Club  quarters  for  mem- 
bers of  the  Ontario  Division  of  the 
M.  P.  T.  O.  have  been  established  in 
the  Hermant  Bldg.,  21  Dundas  St., 
East. 


Keen  Competition  at  Little  Falls 
Little  Falls,  Minn. — Competition 
here,  will  be  made  keener  through 
reopening  of  the  Harwha  by  H.  B. 
Smoots,  who  also  operates  the  Lowell. 
The  Lyric,  opposition  house,  is  oper- 
ated by  Ben  A.  Neitzel. 


Putting  It  Ovi 

Campaign  for  "The  Skyrockt 

Altoona,  Pa.— The  State 
of  the  first  houses  in  smalle 
to  put  across  an  extensive  c 
for  "The  Skyrocket,"  starrini 
Hopkins  Joyce.  Dewey  Bl  j^ 
the  Associated  Exhibitors,  ha( 
of  the  publicity,  which  started 
first-page  streamers  in  "Th( 
i"g  Star."  "The  Tribune" 
life  of  Miss  Joyce  serially,  'm\ 
stallments,  begmning  the  day  'i 
ture  opened  at  the  State.  Thi  t 
zation  was  preceded  in  "The  Ti 
by  front  page  streamers  annjj 
the  story,  ihe  fact  that  the;! 
was  playing  the  State  wji 
brought  in. 

Meanwhile,  "The  Mirror,"  £:|  .'. 
noon   paper,   had   started  a  s!   f 
beauty  articles  by  Miss  Joyce  't  ■ 
woman's  page.     This  series  i 
as  it  appears  in  the  Associatei 
book.     Window  displays  app(  i 
the  most  prominent  establishn  j 
town  and  the  Penn-Alto  Hotfn 
"Peggy  Hopkins  Joyce  Dance i 
augurate    the    premiere.      Th(j 
was     extensively     advertised  i 
dailies.      At    the    conclusion 
dance,    photographs    of    Miss 
were    distrbiuted    to    ladies 
On    the    day    following    the  c 
"The  Tribune"  turned  over  its 
page    to    a    cooperative    doub 
advertisement  on  the  picture,  i 
by  merchants. 

Advertisements    of    a    lead 
cream  manufacturer  announce  ] 
Peggy    Joyce     Brick,"    which 
matically     resulted     in     confec: 
posting  signs  in  their  stores, 
stores     arranged     "Wonderful 
windows,  this  song  being  the  :i 
the  picture.       Innumerable  oth 
dows  were  secured,  besides  th 
theater  advertising  boosting  ti 
duction. 


Films  in  Churches  Not  Tax  1 

Bridgeport,  Conn. — Pictures, 
in  Connecticut  will  not  be 
from  taxation  merely  becaus 
are  shown  in  churches  or  othe 
ious  or  educational  institutio 
cording  to  an  opinion  given  by 
ney  General  Prank  Healey  1 
Commissioner    William    H.    Bl 


Oehman  Heads  Woodridi' 

Washington,  D.  C. — At  the  1 
meeting  of  the  directors  of  the 
ridge  Theater  Co.,  Inc.,  Col.  J( 
Oehman  was  re-elected  pri 
Work  is  to  start  immediatel} 
new   theater  to   cost   $175,000. 

Kemp  Buys  the  Ball  Laborat 

San   Francisco — Edward  H. 
supply  dealer,  has  announced 
quisition    of   the    Waldron    Bal 
Laboratories.     Kemp  retires  a; 
tributor  of  the  Motiograph  Pre 
Machines. 


Independent  to  Distribute  'Sna 

Kansas       City — The       Indep 
Film    Corp.    has    arranged   to 
the  distribution  in  Kansas  and 
ern   Missouri  of  "Screen   Snap 
released   by    Columbia. 


THE 


February  11,  1926 


iS^aUk 


DAILY 


resentations 

Rivoli 

1. — Overture:      ''II     Guaranyf" 
me,    6   minutes. 

2. — "Love    Nest,"    Colored    Pic- 
i^v.      Service    Film    Corp.      Time, 


m 


3. — Harold   Ramsay  at  the  Rivoli 
(^an     playing      "Paddlin'      Madelin 
ustrated     with     slides     on     screen. 
nutes. 

4. — Eddie  Elkins  and  his  Melody 
(a)  "Someone  to  Love,"  (b) 
a,"  (c)  A  Charleston  Medley. 
John  Giolia,  World's  Champion 
Endurance  Winner,  with  Chappie 
libby    Kay.      Time.    IS   minutes. 

5. — "Sailing,"     a     Ko-Ko     Car- 
d    Seal.       Time,     4    minutes. 
).     6. — Rivoli     Movievents.       Time, 

3.  7. — "The  Bughouse  Cabaret." 
ray  presentation.  Scene:  Curtain 
g  interior  of  padded  cell  with  an 
rth"  on  either  side.  Furnishings 
'  tables  and  chairs  built  out  of 
I  and  painted  in  bright  colors.  Huge 
cks  "go  off"  after  each  number. 
[rmers  are  attired  after  the  fashion 
I  persons  whose  eccentricities  run 
'  lines  of  queer  make-ups.  The 
lumber  is  a-  selection  by  the  Bug- 
liestra  with  tin  pans,  a  clothes- 
tc.  as  the  "instruments."  A  con- 
act,  dance  numbers,  solos,  all  done 
lesque  vein,  follow  with  the  com- 
nse  derived  chiefly  from  the  od- 
Idress  and  the  actions  of  the  per- 
Time,  18  minutes. 
.  8. — Feature:  "Behind  the  Front." 
minutes. 


Loew  in  Texas 

(.Continued  from  Page   1) 

Lincoln  PI.  built  by  Levy  Bros,  is 
also  reported  annexed  to  the  Loew 
string.  It  is  believed  the  circuit  will 
lease  its  Fulton  in  the  same  neighl)or- 
hood  when  the  new  house  is  taken 
over. 


New  President  of  Loew's  Theaters 

Buffalo,  N.  Y. — The  new  board  of  di- 
rectors of  Loew's  Buffalo  Theaters, 
Inc.,  controlling  Loew's  State,  has 
elected  Max  M.  Yellen,  president.  He 
is  also  president  of  the  Buffalo-Biloxi 
Corp.,  and  treasurer  of  the  Main-Go 
Realtv  Co.,  Inc.,  which  is  building  a 
theater  in  North  Tonawanda. 

Other  directors  are  George  P.  Rea, 
Marcus  Loew,  Maurice  L.  Parry,  Dr. 
John  R.  Perry,  Maurice  Yellen  and 
J.  Chester  Goldberg. 


lame  the  Public 


{Continued  from  Page  1) 

jdy  is  for  the  motion  pictures 

people.     The  movies  have  al- 

een    a    shining    mark    because 

|e  a  success.     Someone  is   al- 

_.ompIaining    about    a    success. 

rflig  that  moves   is   sure   to   en- 

nt    some    censorship    opposition. 

.?  \-y  week  that  the  theater  career 

• '-•'films  was  born,  back  in   .\nril 

he    Rev.    Asa    D.    Blackburn 

Church    of    the    Strangers    in 

ork,    preached    a    sermon    en- 

You    cannot    serve    God    and 

on  a  bicycle.'    Nobody  care? 

-     motion     picture,     for     itself 

except     the     $55,000,000     cus- 

who   go   to   the    box   office    to 

nat  they  want." 

'■"se   ^vho    find    t:nilt    \v\X\\    the 

-\     pictures  now  being  shown  and 

10  emand  that  thev  be  more  seri- 

s    ■   of   higher    intellectual    quality 

s  11  teach  more  or  preach   more, 

»  jeak-r  offered  this  prrctical  sug- 

-t-ln:  "If  there  are  enough  people 

:istes    in    coninT~in    to    support 

i-cial   sort   of   picture   or   grade 

nture.  tbcy  have  but  to  organize 

ei  buying    power    ;ind    it    will    be 

rvi." 

"]  you  fear  or   find   ^'-rious  trans- 

es  ons    by    makers    of    the    motion 

you  have   plenty  of  legal  ma- 

.    to  use  for  the  normal  Ameri- 

■thod  of  depling  with   such   of- 

ic    support,    the    speaker    con- 

•\.  and  solely  that    's  responsible 

•rjiictures    as    thev    ^re,    the    stars 

'i.i'^lay  in  them,  and  the  producer.? 

iiake    them,    and    the    public    is 

tisfied  with  all  three  and  does 

•nt  any  legislative   interference 

IT  them. 


New  $2,000,000  Theater  in  Ft.  Worth 

Ft.  Worth,  Tex. — It  is  understood 
that  within  the  next  year  the  citv  will 
have  a  $2,000,000  theater  located 
about  two  blocks  from  the  business 
section  of  the  city  at  Seventh  and 
Throckmorton  Sts.  At  present  there 
are  two  vaudeville  houses,  six  pic- 
ture and  one  stock  theater  in  the 
city. 


Two  Houses  for  Houston 

Houston,  Tex.- — Jesse  Jones  is  to 
build  two  new  houses  here  at  a  cost 
af  $350,000  and  $275,000. 


To  Open  the  24th 
a  Boheme"  will  now  open  at  the 
assy  on  Feb.  24th. 


In  the  Courts 

In  a  suit  by  Beverly  C.  Rule 
against  the  officers  of  the  Crystal 
Film  Co.,  on  the  ground  that  they 
dissolved  the  corporption  in  1920 
without  making  any  arrangement  to 
pay  its  debts,  Supreme  Court  Justice 
Gavegan  has  found  that  the  officers 
got  assets  of  the  corporation  reason- 
ably worth  $35,000.  The  suit  was 
brought  against  Josejih  A.  Golden, 
Georgie  W.  Roscngartcn,  and  Amiel 
and  Ada  Alperstein  to  compel  them 
to  pay  a  judgment  obtained  b}-  Rule 
against  the  corporation  in  1920.  The 
Alpersteins  were  not  served,  but  the 
judgment  in  the  case  directs  the  other 
two  defendants   to  pay   Rule  $577. 


Supreme  Court  Justice  Levy  has 
denied  the  application  by  Ernest 
Stern,  as  stockholder  of  Filmlab  Inc., 
to  prevent  the  other  stockholders, 
Joseph  H.  Burscb  and  William  J. 
Wcstber.g  from  ousting  him  as  presi- 
dent and  treasurer.  He  has  been  re- 
moved and  Bursch  is  now  acting. 
The  court  declined  to  accept  the 
statement  of  .Stern  that  he  received 
no  notice  of  the  meeting  at  which  he 
was  ousted,  and  said  there  was  no 
occasion  for  not  sending  him  word 
because  they  had  the  stock  to  out- 
vote him  anyhow.  The  court  also 
found  that  Stern  had  issued  a  share 
of  stock  to  himself  without  author- 
ity. Westberg  asserted  that  Stern 
tried  to  induce  him  to  join  in  an  ef- 
fort to  oust  Bursch,  and  that  Stern 
also  tried  to  strip  the  corporation  of 
its  funds  and  to  ruin  it  with  its  cus- 
tomers. 


"Lab"  War  in  U.  K. 

iContiHueil  from  Page    .) 

dak  stock  alone  is  seven-tents  of  a 
penny  per  foot.  Add  to  this  the  cost 
for  chemicals,  labor,  overheads  and 
tins  and  one  can  see  how  utterly  im- 
possible it  is  for  any  company  to  prof- 
itably print  at  this  price.  More  than 
one  film  printing  concern  is  being 
starved  out  of  existence,  and  there  is 
quite  a  possibility  of  some  of  them 
closing  down  in  the  very  near  future. 


When  the  Kinematograph  Renters' 
Society  met  to  discuss  the  Joint  Com- 
mittee for  British  Films  recommenda- 
tions to  press  for  the  abolition  of 
block-booking  and  to  support  the 
scheme  for  a  central  saidio,  the  K.  R. 
S.  threw  out  the  suggestions  of  the 
Joint  Committee,  moving  a  resolution 
to  the  effect  that  "whilst  this  meeting 
of  renters  is  in  favor  of  suitable  meas- 
ures for  the  abolition  of  blind  and 
block-booking,  it  is  of  the  opinion 
that  the  elimination  of  block-bookiiig 
as  submitted  from  the  Joint  Trade 
Commission  whether  by  legislation  or 
otherwise,  will  not  by  itself  or  in  con- 
junction with  a  Central  Studio 
scheme,  increase  the  number  of  Brit- 
ish films  produced,  and  that  the  Joint 
Trade  Committee  be  informed  that 
this  meeting  of  renters  declines  to 
consider  any  block-booking  proposals 
except  as  part  of  a  more  comprehen- 
sive   scheme." 


rr-i 


circles  here;  and  his  proposition  for  a 
tribunal  is  rejected  by  exhibitor  and 
distributor  alike.  It  is  felt  that  J-ord 
Aihfield  will  have  to  amplify  his 
plans  very  considerably  if  they  are  to 
meet  with  any  trade  support.  Mean- 
while, feeling  is  rife  in  the  industry 
that  .Sir  Philip  Cunliffe  Lister  will  do 
nothing  to  enforce  a  compulsory  quo- 
ta on  the  trade. 


Lord  Ashfield's  proposed  remedies 
for  the  British  film  industry  have 
come  in  for  drastic  criticism  in  trade 


Ralph  J.  Pugh  was  the  guest  of 
honor  at  a  luncheon  tendered  him  by 
the  London  and  Home  Counties 
Branch  of  the  C.  E.  A.  recently.  A 
large  gathering  of  distributors  and 
exhibitors,  together  with  Gilbert 
Frankau,  well-known  novelist.  Sir 
Charles  Higham,  the  publicity  expert, 
Mitchell  Hedges,  well-known  explor- 
er, Thomas  Ormiston,  President  of 
the  C.  E.  A.,  A.  George  Smith,  chair- 
man of  the  K.  R.  S.,  were  present  to 
do  honor  to  Pugh. 

Many  eulogistic  references  were 
made  to  the  excellent  qualities  of  the 
late  managing  director  of  First  Na- 
tional, who,  it  was  plain  to  sec,  was 
very  popular  in  the  industry.  Pugh,  in 
the  course  of  his  remarks,  stated  that 
he  would  announce  his  plans,  which 
embraced  the  making  of  British  pic- 
tures, in  the  course  of  the  next  five 
or  six  weeks.  It  is  understood  that 
he  has  all  the  finance  available  and 
has  lined  up  a  number  of  well-known 
authors  who  will  cooperate  with  him 
in  his  venture.  There  are  believed 
to  include  Arnold  Bennett,  Sir  Hall 
Caine,  Sir  Philip  Gibbs  and  other 
well-known  novelists.  Pugh  is  ex- 
pected  to  leave   for   America   shortly. 


The  Qosh — 
Darnedest 
Yunniest 
Jackass  on 
4  Legs. 


UNIVERSAL 
Does  it  Againl 


Lincoln's 

BirthdaY 

nfUgh)^iiday 

V   February 


the  greatest 
motion  picture 
event  of  the  year 


^1 


6h» 


T 


/■/ 


ANNUAL 


DINNEH 

eDANCE 

HOTELASTORj 

Under  the  auspices  of  theTheatre 
Owners  Chamber  of  Commerce  - 


STARS  celebrities  GALORE 

VINCENT  LOPEL 

in  person   and  his  celebrated 

CASALOPEl  ORCHESTRA 

TICKETS,   $12.50   PER   PERSON 

Can  be  secured  at  the  Theater  Owners'  Chamber  of  Commerce 
Suite  908,  Times  Building  Telephone :  Bryant  2496 


THE 


February  11,  1926 


■c&m 


DAILY 


11 


■ 


rtest  Admissions 


I,  a' 


.; 


ripolis — "Hardly  a  week  goes 
here  isn't  sounded  *  *  *  the 
wn's  protest  against,  50  cent 
ns.  This  charge,  insisted  upon 
distributors  of  big  pictures, 
,  is  hurting  business  in  the 
wn,"  according  to  "Greater 
ents,"  which  says  editorially: 

jld  be  fallacy  to  argue  that  some 
le  '  ily  worthwhile  pictures  are  not  en- 
l  tc  ;et  SO  cents  in  the  small  town.  But 
:  h;:  been  too  many  poor  50-cent  at- 
ion  which  have  failed  miserably  to  live 
o  :  'ance  promises  and  the  small  town 
)n8  iven't  forgotten  how  they  have  been 
■n  i  on  these  alleged  big  pictures. 
Vnoer  thing:  usually  before  the  50 
\  p  ure  reaches  the  small  town,  it  has 
aed  everal  runs  in  the  key  center,  with 
sma  town  exhibitor's  patrons  aware  that 
pic  e  has  been  played  in  the  cities  at 
price    and    feeling,    in    consequence, 

local  man   is   cheating   them. 

rgy   of   SO  .'cents   pictures    which    has 

rom  the  success  of  a  few   really   big 

jrei  is    bad    business,     for    it     is    driving 

tronage    in    the    small    town,    which 

ope    to    compete    with    the    big    city 

in    presentation    and    so    is    able    to 

ons   less   for    their   money. 

,ely,  the  small  town   is  making  most 

id    pleasing    more    patrons    with    the 

program   pictures.    Fast   action   com- 

s  aj   westerns  are  going   over  big,   while 

the    'big'    ones    are    flopping.      Why 

rrangement  of   the  system  on   a  basis 

which   will   assure   a   fair   break   for 

sm    town?" 


.we 
th 

The 
Itei 


y 

lot 
ter 

•  P 


ly 
a  I 
■qu 


5S 

lie 
itl: 

■mi 


io  Causes  Japanese   Slump 

lington — A  big  slump  in  busi- 
Japan  has  been  caused  by  the 
according  to  a  statement  re- 
issued by  the  Deparament  of 
rce. 


.  iK.  House  Will  Be  "Oriental" 

■  ,,go_The  new  Balaban  &  Katz 

in  the   Masonic  Temple,  now 

completion,  will  be  called  the 

i!.     It   is  expected   the   theater 

\\  \  ready  the  last  week  in  March. 

Jnited  to  Increase   Chain 

Giford,    Conn.— United    Theaters, 

ic,  which    operates    a    niimber    of 

in  this  state  and  outside  of  the 

will   erect  a  new   theater  here. 

sfc  is   now   under  consideration. 


L 
an 
ra 
ro< 

ire 


Harry    Carey's    Next 

Angeles   —  The   next    Harry 

film    will    be    "The    Frontier 

which  Charles  R.  Rogers  will 

ce  for  Pathe.    Scott  Dunlap  will 


T.  Expect  40,000,000  Admissions 

cago — Patrons  totaling  21,838,- 
itered  the  Lubliner  &  Trinz  the- 
during  1925.  With  the  opening 
e  Tower,  Belmont  and  Grove 
xt  60  days,  it  is  expected  that 
:ircuit  will  play  to  more  than 
O,(t),000  admissions  in  1926. 


N/   Device   Eliminates    Make-Up 

I. Ily  wood— Photography  of  play- 
.  linus  make-up  is  claimed  to  have 
proven  a  success  with  the  com- 
)n  of  "Sea  Horses,"  which  Al- 
)wan  directed.  None  of  the  male 
hers  of  the  cast  used  any  make- 
Florence  Vidor  used  only  a  little 
Jer,  nothing  else.  Superior  light- 
facilities  and  improved  camera 
:es  make  the  fact  of  photography 
out  make-up  possible,  according 
ames  Howe,  chief  cameraman. 


Films  in   Germany 

Berlin — During  the  period  begin- 
ning April  1,  1924,  and  ending  Dec.  31, 
1925,  the  German  censors  passed  the 
following  pictures:  German,  380;  Am- 
erican, 351;  French.  65;  Austrian, 
49;  Italian,  23;  Danish,  18;  English, 
18:  Swedish,  12;  Czechoslovakian,  8; 
Hungarian,  8;  Russian,  2;  Spanish,  2; 
Polish,  1;  Norwegian,  1;  Dutch,  1; 
total,  939.  There  are  559  foreign 
films,  against  380  German.  The  Ger-~ 
man  market  supplied  40  per  cent, 
while  60  per  cent  were  imported. 


Borger  Resigns  from  Universal 

Cleveland — Homer  C.  Borger,  for 
nine  years  office  manager  of  the  Uni- 
versal exchange,  has  resigned  to  be- 
come associated  with  Associated  Ex- 
hibitors. C.  L.  Tiejen,  formerly  in 
the  auditing  department,  succeeds 
Borger. 

Dan  Phillips,  for  many  years  as- 
sociated with  Vitagraph,  and  then 
with  Warners,  is  now  with   Security. 


Split    Policy    House   for    N.    O. 

New  Orleans — The  tirst  all-steel 
suburban  theater  to  be  erected  here 
will  open  March  1,  when  the  Cen- 
tral Enterprises,  Inc.,  open  their  Tiv- 
oli  theater  on  Washington  Ave.  near 
South  Broad  St.  The  structure, 
erected  at  a  cost  of  $150,000,  has  a 
capacity  of  1,500. 


Progress  Secures  "Northern  Code" 

Washington — "The  Northern  Code" 
has  been  bought  by  the  Progress 
from  Lumas  Film,  for  Maryland, 
Virginia,  District  of  Columbia  and 
Delaware. 


The   foreign   rights   have   been   dis- 
posed of   to   Ferdinand  P.  Adam. 


Warners'    Circle  on   New   Policy 

Cleveland  —  Warner's  Circle  has 
started  its  new  policy  of  combination 
pictures  and  vaudeville.  The  opening 
attraction  was  "The  Man  Upstairs." 
Monte    Blue    appeared   in   person. 


News  from  Salt  Lake 

Salt  Lake  City — Prod.  Dist.  Corp. 
has  a  new  salesman  in  Harry  Kreiter. 

Dave  Frazer,  district  representa- 
tive for  Prod.  Dist.  Corp.,  is  here  on 
a    visit. 

Pathe  has  a  new  salesman,  George 
Jenson,  who  formerly  covered  Mon- 
tana for  Warner. 

Louis  Marx,  complete  service  man 
for  Universal,  is  here,  working  out 
in  the  territory. 

L.  J.  Schlaifer,  division  manager 
for  Universal,  is  visiting  for  a  week. 

Branch  manager  George  L.  C. 
Howard,  of  the  Metro-Goldwyn- 
Mayer  office,  has  resigned.  Jos  F. 
Samuels,  who  has  worked  Utah  for 
M.-G.-M.  in  now  manager  here. 

C.  M.  Stern,  formerly  with  the 
home  office  foreign  department,  has 
joined  Metro-Goldwyn  and  will  cover 
Idaho. 

Seth  B.  Perkins,  formerly  assistant 
district  manager  for  M.-G.-M.,  has 
been  made  district  manager  for  Salt 
Lake  and  Denver. 

The  American  is  lo  be  remodeled. 
About  $175,000  will  be  spent. 

George  Carpenter,  manager  of  the 
Paramount  Empress,  is  vacationing  in 
California. 


Incorporations 

Albany,  N.  Y. — Laconia  Amusement  Corp., 
New  York;  to  operate  theaters.  Capital 
$10,000.  Incorporators,  S.  Sollfrey  and  M. 
Fruitstone.  Attorney,  M.  Hart,  287  Broad- 
way,   New    York. 


Albany,  N.  Y. — Tismer  Theater  Corp.,  Roch- 
ester. Capital  $100,000.  Incorporators,  B. 
luppa,  J.  Paulen  and  J.  luppa.  Attorney, 
j.    Kosenzweig,    Rochester. 


Springfield,  111. — Manor  Amusement  Co., 
40S9  West  North  Ave.,  Chicago ;  to  operate 
theaters.  Capital  $100,000.  Incorporators,  V. 
Lynch,  C.  Fricke,  W.  Stewart,  J.  Lynch 
and  M.  Savage.  Attorneys,  Ryan,  Condon 
&  Livingston,  983  Illinois  Merchants  Bank 
Bldg.,-231   South  La  Salle  St.,   Chicago. 


Springfield,  111. — Manor  Theater  Co.,  4059 
West  North  Ave.,  Chicago;  to  operate  the- 
aters. Capital  $1,000.  Incorporators,  V. 
Lunch,  C.  Fricke,  W.  Stewart,  J.  Lyncli 
and  M.  Savage.  Attorneys,  Ryan,  Condon  & 
Livingston,  983  iTlinois  Merchants  Bank 
Bldg.,  231  South  La  Salle  St.,  Chicago. 


Springfield,  111. — Crystal  Theater  Co.,  2701 
West  North  Ave.,  Chicago ;  to  operate  the- 
aters. Capital  $1,000.  Incorporators,  F. 
Schaefer,  F.  G.  Schaefer  and  P.  Schaefer. 
.-\ttorneys,  Ryan,  Condon  &  Livingston,  983 
Illinois  Merchants  Bank  Bldg..  231  South 
La   Salle   St.,    Chicago. 


London,  England — -John  Drummond  and 
Co.,  Ltd.,  London.  Capital  £1,000.  To 
operate  theaters. 


London,  England — Bramilow  Productions, 
Ltd.,    London;     to    produce.       Capital     £100. 

London,  England — North  Ormesby  Enter- 
tainment Co.,  Ltd.,  London,  to  operate 
theaters.       Capital     £1,000. 


Springfield,  111. — I.  and  I.  Theaters  Corp., 
156  Vermillion  St.,  Danville.  Capital  $25,000. 
Incorporators,  F.  Terry,  W.  Craft  and  R. 
Parks.  Attorneys,  Burton  &  Hamilton, 
Peoria   Life  Bldg.,   Peoria. 


Austin,  Tex. — ^^State  Amusement  Co.,  Fort 
Worth;  to  operate  theaters.  Capital  $50,000. 
Incorporators,  R.  J.  Stinnett,  C.  Simon  and 
S.    Charnisky. 


Albany,  N.  Y. — Hi-Art  Theater  Corp.,  New 
York;  to  uperute  theaters  and  other  places 
of  amusement.  Capital  $5,000.  Attorney, 
Austin  C.  Keough,  48S  Fifth  Ave.,  New 
York. 


Albany,     N.     Y. — Theater     Creative,     Inc., 
New  York.     Attorney,   Sherman   &   Sterfling, 

55    Wall    St.,    New    York. 


Albany,  N.  Y. — Albion  Attractions,  Inc., 
New  York ;  to  produce  and  distribute.  Capi- 
tal $10,000.  Attorney,  E.  K.  Ellis,  1482 
Broadway,    New    York. 


Albany,  N.  Y. — Number  Six  Corp.,  New 
York;  to  produce  and  manage  theater  pre- 
servations. Capital  $10,000.  Attorneys,  Ben- 
nett  &  Wallenberg,  36  West   44th   St.,   New 

York. 


Albany,  N.  Y. — Level  Short  Films,  Inc., 
New  York.  Capital  $20,000.  Attorney,  Max 
Gelles,    no  West  40th   St.,   New  York. 


Sacramento,  Cal. — The  Mary  Pickford  Mo- 
tion Picture  Co.,  Los  Angeles. 


Albany,  N.  Y. — Jewish  Educational  Pic- 
tures, New  York;  to  produce.  Capital  $250,- 
000.  Incorporators,  H.  Einhorn,  E.  Sachs 
and  D.  Kornbluth.  Attorney,  M.  A.  Sachs, 
350  Broadway,  New  York. 


London,  England — Independent  Supers, 
Ltd.,  London;  to  produce  and  deal  in  cine- 
matograph m.achinery.  Capital  £1,000.  In- 
corporators, A.  Thomas,  M.  Levi  and  P. 
Levi.  Attorney,  B.  Janner,  6  Working  St., 
London. 


London,  England — Cheltenham  Playhouse 
Co.,  Ltd.,  Cheltenham ;  to  operate  a  the- 
ater. Capital  £20.000.  Incorporators,  A. 
Martyo,  J.  Boulter,  et  al.  Atotrney,  J. 
Wagherne,  2   Crescent  Place,  Cheltenham. 


Lobby  Decorations 

"Lobby  decorations  are  a  very  im- 
portant thing,"  states  Elward  L.  Hy- 
man,  manager  of  the  Brooklyn  Mark 
Strand. 

"I  think  they  should  be  given  as  much  at- 
tention as  any  other  angle  of  the  theater. 
Too  often  you  have  probably  noticed  the  the- 
aters whose  lobbies  present  the  same  appear- 
ance week  after  week,  month  after  month. 
Their  marble  walls  and  exquisite  panels  may 
have  been  very  attractive,  but  if  the  house 
caters  to  the  same  people  regularly  the  beau- 
ty of  things  is  bound  to  wear  off  and  become 
monotonous.  When  that  point  is  reached, 
the  patrons  will  take  the  theater  as  a  matelr 
of  course,  which  is  always  a  bad  condition 
for   the  house  to  get   itself   into,"   he  says. 

"I  believe  in  constantly  changing  the 
lobby  decorations  so  that  something  new 
reaches  the  patrons  every  few  weeks.  Hav- 
ing a  wide  passage  way  running  across  the 
marble  staircases  it  was  a  comparatively 
easy  matter  to  put  the  hedge  row  across  and 
hide  striplights  on  the  tloor  in  front  of  them 
with  which  to  light  them.  The  result  is  an 
effect  which  catches  the  eye  of  every  one  who 
comes  in.  *  *  *  The  two  large  mirror  mo- 
saic vases  which  sit  at  either  end  of  the 
hedge  row  are  at  present  lighted  by  vari- 
colored spot  lights.  This,  also  is  a  simple 
matter.  The  spot  light  is  placed  about  three 
ft.  in  front  of  the  vase  and  shoots  directly 
at  the  center.  A  rainbow  gelatine  sheet  is 
placed  over  the  spot-light  and  the  trick  is 
done." 

Hyman  is  also  a  great  believer  in 
special  photographic  enlargements 
and  special  paintings  for  his  lobby. 
These  generally  run  20x50  and  40x60 
inches  in  size. 


Western    Showman    Dies 
Fort   Morgan,   Colo. — B.  Niven,  46 
years  old,  part  owner  and  manager  of 
the  Cover  and  U.  S.  A.  theaters,  was 
found  dead  at  his   home   here. 


WILLIAM  K.  HEDWIG 

PRESIDENT 

Rex  Hedwig 
Laboratories  Inc. 

Announces 

the 

ACQUISITION  OF 

the 

Entire  Plant  and  Properties 

Known  as 
THE  GAUMONT  PROPERTIES 
;( jn  Flushing,  Long  Island 


The  Rex  Hedwig 
Laboratories 

are  now  operating  the  plant 
and  the  office  of  the  Corporation 

is  now  located  at 
1650  BROADWAY,  Room  1007 

Phone  Circle  8981 


&f^ 


St 


Iff 


WILLIAM  FOX 

presents 


■       ric  sensation 

VICTOR 

SCHERTZINGER 
Production 


Fox  Film  Cbriioraf  loa 


^Sg  fe''^"'^  Soul. 

S"d  rntrigue'7^  n^  ^^^ 
Russia  '"   Darkest 

with 


I 

I 


■*f 


iTHE 

brAdstreet 

FILMDOM 


Authority 


Friday,  February  12,  1926 


Price  5  Cents 


QUESTION 


By  DANNY 
di  itor    leader    talking.      A 

•vio  commands  much  re- 
t  his  own  section.  And 
nniderable  lot  elsewhere, 
ing  the  future  of  the  ex- 
.oi)  who,  operating  on  his 
,    )    called    "independent." 

h  sees  for  this  type  of  ex- 
;oi  a  period  of  difficulty — 
)u  difficulty. 

on    of  us  who  could  see  a  few 
i  io  the  movements  now  in  ef- 
trd  to  tell  some  of  these  men," 
;ai     "that    they    should    protect 
ise  es.     For  their  own  good.  But 
rti  ately  jnaiiy   of   these    exhibi- 
we   willing   to   leave   things  as 
vre.    'They   may   hit   the  other 
\v;)ut  they  won't  touch  me'  was 
uial  plea.    Many  of  them  know 
vvj    today,  that  their  ideas  have 
tFai  a  lot.     In  one  form  or  an- 
r    he     circuits     have     absorbed 
y  xhibitors    who    hitherto    have 
at  I  their  own  houses." 
!•    cited   that    today,    in    a 
large    State    there    were 
Kix  toivns  of  10,000  popu- 
:i  and  over,  in  which  the 
its  had  not  extended  their 
toiings.  He  was  far  fromop- 
initic  over  how  long  it  woxdd 
)e  before   all   of   these   towns 
'  (M  be  in  the  hands  of  cir- 

operators. 
luipractice   in   efTect   was   simple, 
;le  ired,  either  the  circuit  was  al- 
ec ;o  buy  in,  or  control  the  local 
se  or  without   hesitation   the   cir- 
^m\d  build.     That  was  the  ulti- 
lu|    The  result,  he  said,  was  sim- 
{Continued  on  Page  2) 


5,000  to  Attend 

nnual  Supper-Dance  of  T.  O. 
at  Astor  Tonight — Gover- 
r  Smith  Expected  There 
sixth  annual    supper   dance   of 
heater     Owners'     Chamber     of 
m|erce  will  be  held  at  the  Astor 
'•      The  function   this  year   has 
1   significance   in   that   the   T. 
.  is  trying^  to  raise   sufficient 
'o  finance  its  own  club  house, 
jccrnor  Smith  and  his  party  will 
'    the    state    box,    according    to 
t  plans.     There  will  be  a  num- 
(.Continued  on  Page   5) 


Pommer  Here 

Former  Head  of  Ufa  in  New  York — 

Says  He's  Resting  but  Important 

Deal  Is  Reported 

Erich  Pommer,  former  managing 
director  of  the  Ufa  who  resigned 
several  weks  ago  following  the  Ger- 
man company's  tri-cornered  deal  with 
Famous,  M.-G.-M.  and  Universal,  ar- 
rived in  New  York  Wednesday  on 
the  Mauretania.  He  declared  yester- 
day he  was  here  for  a  rest. 

It  is  understood,  however,  that 
Pommer  was  called  in  to  confer  with 
the  heads  of  an  important  American 
company  regarding  the  German  situa- 
tion and  that,  before  his  departure 
for  Berlin  on  the  20th,  his  new  af- 
filiation  will   be   consummated. 

In  discussing  general  conditions  in 
Germany    yesterday,    he    said    at    one 

(Continued  on  Page   5) 


ert   Fairbanks  Leaves  Today 

ert  Fairbanks  leaves  todav  on 
aris  to  launch  "The  Black  Pi- 
in  Europe. 


News  Reels  Balk 

Inform  Tennis  Ass'n  They  Will  Not 

Pay  to  Shoot  Scenes  of  Wills- 

Lenglen  Match  in  France 

Fox,  International,  Kinogranis  and 
Pathe  news  reel  executives  held  a 
meeting  yesterday  as  a  result  of 
which  a  protest  was  forwarded  to 
J.  W.  Mersereau,  president  of  the  U. 
S.  Lawn  Tennis  Ass'n  against  paying 
for  the  privilege  of  filming  the  ten- 
nis match  between  Helen  Wills  and 
Susanne  Lenglen  at  Nice,  France  on 
Monday. 

The  Associated  Press  reported  ear- 
lier  in   the  week  that   the  rights   had 
been    sold    to    an    American    named 
(.Continued  on  Page  S) 


Action  Not  Final 

Bill     Eliminating    Admission     Taxes 

Must  Go  Before  the  Senate  Again 

for  Another  Vote 

Washington — The  action  of  the 
Senate  Wednesday  in  agreeing,  by  a 
vote  of  36  to  34,  to  the  elimination  of 
taxes  on  admissions  is  not  to  be  con- 
sidered the  final  action  of  Congress, 
or  even  of  the  Senate  for  that  matter, 
on  that  question.  If  upheld,  Wed- 
nesday's vote  would  mean  the  total 
repeal  of  all  taxes  on  admissions,  but 
the  vote  was  taken  by  the  Senate  "as 
in  committee  of  the  whole,"  during 
the  reading  of  the  tax  bill. 
(Continued  on  Page  S) 


Coast  Confab  Put  Off  to  16th 
Los  Angeles- — The  meeting  of  inde- 
pendents  to   discuss   a   subsidiary   or- 
ganization   allied    with    the    Indepen- 
dent  M,   P.  Ass'n  of   New  York  did 
not    take     place     on     Wednesday    as 
I  scheduled.      It    will    be    held    on    the 
16th  after  the  arrival  of  two  or  three 
I  individuals  from  New  York. 


"Movies"  and  Bible 

Chicago — Addressing  the  Na- 
tional M.  P.  Conference  yester- 
day. Judge  Ben  Lindsey  of 
Denver  said,  in  part: 

"I  believe  the  movie  is  a 
healthy  pastime  for  youth.  It  is 
a  legitimate  refuge  from  the 
perils  of  the  pool-room  and  al- 
ley. In  the  movies  virtue  is  al- 
ways triumphant,  while  the  vil- 
lain ignominiously  bites  the 
dust,  which  may  certainly  be 
called  a  wholesome  lesson. 

"All  wars,  inquisitions,  perse- 
cutions, and  crimes  may  be  di- 
rectly traced  to  a  mistaken  in- 
terpretation of  the  Bible.  There 
are  more  incentives  to  misdi- 
rected passion  and  immorality 
in  the  'Songs  of  Solomon'  than 
in  all  the  motion  pictures  ever 
produced.  And  more  girls  have 
been  led  astray  on  their  way 
home  from  Sunday  school  than 
in  4,000,000  cinema  palaces." 


Nothing  But  Rows 

Clashes     Extraordinary    Mark    Final 
Sessions  of  Nat'l  M.  P.  Confer- 
ence in  Chicago 

Chicago— The  National  M.  P.  Con- 
ference which  ended  yesterday  was 
anything  but  harmonious.  The  clash- 
es which  marked  the  first  session  on 
Wednesday  came  to  the  fore  again 
yesterday. 

Mrs.  Robbins  Gilnian,  executive 
secretary  of  the  Woman's  Co-opera- 
tive Alliance  of  Minneapolis,  started 
the  rumpus  when  she  sounded  an 
alarm  that  "movies  are  schools  of 
crime,  a  menace  to  the  young"  and 
otherwise  one  of  the  most  serious 
(Continued  on  Page  5) 


Repeal  Bill  Up 

Legislature  at   Albany   Gets  Measure 

for    Complete    Abolishment    of 

Censorship   Commission 

Albany — Assemblyman  Fred  L. 
Hackenburg  (Democrat)  of  New 
York  yesterday  introduced  a  bill  for 
the  entire  repeal  of  the  Motion  Pic- 
ture Commission. 

Thus  once  again  the  annual  meas- 
ure looking  toward  the-J:£nioval  of 
(Continued  on  Page  5)        \ 

^-^^"^ '\  ) 

Woody  to  Produce 

John  S.  Woodv  has  entered  the 
production  field.  He  has  acquired  the 
rights  to  "The  Rise  and  Fall  of 
Jesse  James,"  by  Robertus  Love,  now 
ibeing  published  by  Putnam.  The 
(Continued  on  Page  S) 


Vital  Ex.  in  Court 

Three    Employees    FUe    Petition    in 

Bankruptcy — Davis  Dist.   Div. 

Ready  to   Act 

An  involuntary  petition  in  bankrupt- 
cy against  Vital  Exchanges,  Inc.,  has 
been  filed  in  the  U.  S.  District  Court 
by  three  employees  with  claims  total- 
ing $1,500.  George  A.  Balsdon,  Mil- 
ton Kempner  and  Max  Goosman  are 
the  petitioners,  each  having  filed  a 
claim  of  $500. 

Judge  Goddard  yesterday  appointed 
Matthew  B.  Sentner  of  42  Broadway 
the  receiver  in  bond  of  $10,000  and 
ordered  that  the  business  continue 
for  a  period  of  ten  days. 

Efforts  to  secure  a  statement  from 
officials  of  Vital  proved  unavailing 
yesterday.  However,  Davis  Dist. 
Division  which  recently  closed  with 
Vital  for  the  latter  to  handle  its 
domestic  sales  over  a  period  of  five 
years  announced  it  was  taking  steps 
to  protect  its  interests.  A  statement 
on  behalf  of  J.  Charles  Davis,  2nd, 
said: 

"It  came  as  a  complete  surprise 
to  him,  as  he  had  been  advised  by 
the  president  of  the  Vital  that  it  was 
in  a  flourishing  condition,  but  was 
hampered  by  lack  of  cooperation  by 
the     controlling     financial     interests. 

(Continued  on  Page  2) 


Five  More  for  Stanley 

Philadelphia — A  decree  by  Judge 
Gest  in  Orphan's  Court  authorizes 
the  executors  of  Samuel  P.  Nirdling- 
er's  estate  to  dispose  of  the  estate's 
interest  in  the  Garrick  and  Forrest 
here,  the  Ford  in  Baltimore  and  the 
Apollo  in  Atlantic  City. 

The  Stanley  Co.  of  America  is 
named  as  purchaser.  The  considera- 
tion was  $170,000. 


Pittsburgh— The  Med  Theater  Co. 
takes  over  Nixon,  at  rental  of  $90,000 
yearly,  with  an  option  of  buying  for 
$1,650,000  within   nine  years. 

Miller   Conferring  with   Seider 

Jack  Miller  of  the  Chicago  Theater 
Owners'  Ass'n  is  in  New  York  con- 
ferring with  Joseph  M.  Seider,  busi- 
ness manager  of  the  M.P.T.O.A.,  on 
exhibitor  cooperation.  Miller's  pres- 
ence here  is  the  first  direct  result  of 
the  visit  to  the  Mid-West  of  E. 
Thornton-Kelly,  special  peace  emis- 
sary of  the  national  exhibitor  organi- 
zation. 


"Black  Pirate"  Opens  March  8 

"The  Black  Pirate"  will  open  at  the 
Selwyn  on  Monday,  March  1.  Doug 
Fairbanks  will  arrive  here  in  a  few 
weeks  to  attend  the  opening. 


THE 


VoLXXXVNo.36      Friday,  Feb.  12, 1926     PriceSCents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographie 
Francaise,   S,  Rue  Saulnier. 


Quotations 

High 

Low 

Close 

Sales 

•Balaban  &   Katz. 

.   71 

70^ 

70J4 

Eastman    Kodak    . 

.110^ 

noH 

110^ 

400 

Famous    Players    . 

.118?^ 

116J4 

n77A 

1,500 

Fam.    Play.    Pfd. 

..120 

120 

120 

200 

*FiIm  Inspection. . 

S'A 

S'A 

5/. 

200 

•First  Nat'l  Pfd.   . 

.106 

106 

106 

100 

Fox   Film    "A"    .. 

79-^ 

78^ 

78 '4 

500 

Fox  Theaters  "A" 

30 

29^ 

30 

900 

•Intern'l    Projector 

13'A 

13J4 

13A 

100 

Loew's,    Inc 

39^ 

39  J4 

39J^ 

700 

Metro-Gold.     Pfd.. 

.   23M 

23^ 

23H 

200 

M.  P.  Cap.  Corp.. 

20 

19J4 

20 

1,000 

Pathe  Exch.   "A". 

75'A 

7554 

TS'A 

100 

Skouras    Bros.    . . . 

50 

50 

SO 

.... 

Stan.  Co.  of  Am.. 

49^ 

49  }4 

4954 

100 

Trans-Lux 

125^ 

UH 

12 

3,400. 

Universal  Pictures. 

40>i 

41 

40J< 

200 

*Univ.    Pict.    Pfd.. 

93 

93 

93 

100 

Warner  Brothers  . 

i6H 

15% 

ISH 

8,500 

Warner   Pictures    . 

.    10 

10 

10 

300 

*  Last   figures   quoted. 

New  House  in  Brookljm  Opens 

The  Ambassador,  at  Saratoga  Ave. 
and  Livonia  St.,  Brooklyn,  newest  in 
the  chain  of  the  Premier  Circuit,  has 
opened  with  pictures  and  elaborate 
presentations.  It  seats  2,100,  cost 
$500,000  and  has  a  20-piece  orchestra. 
Other  houses  controlled  by  Premier, 
of  which  Samuel  Lesselbaum  is  presi- 
dent, are  the  Stone,  Stadium,  Shef- 
field, Supreme  and  Capitol. 

Hammond  House  Turns  to  Stock 
Hammond,  Ind. — Charles  Primrose 

has  given  up  a  lease  on  the  Temple. 

George  Webster  and  Harry  Gourfain, 

the  new  lessees,  plan  a  changed  policy 

of  stock. 


1,500-Seater  for  Flushing 

Rosenzweig  Bros,  have  acquired  in 
Bayside-Flushing,  L.  I.,  property  be- 
tween Elmwood  and  Linwood  Aves., 
on  Northern  Blvd  and  intend  to  erect 
a  picture  house,  the  Coolidge,  to  seat 
1,500.  The  cost,  including  the  land, 
is  about  $2,000,000.  Schwartz  & 
Gross,  architects,  are  preparing  the 
plans.  Morton  Frank,  Inc.,  negotiated 
the  deal.  D.  &  J.''Freiberger  repre- 
sented the  purchasers. 


Recites  Hollywood  Experiences 

Montague  Glass  and  Milt  Gross  at- 
tended the  meeting  of  the  A.  M.  P.  A. 
'eslerday  and  recited  several  humor- 
ous experiences  encountered  in  Hol- 
lywood. 


After  City  Hall  Theater 

The  Loew  circuit  is  said  to  be  ne- 
gotiating for  the  City  Hall  theater, 
a  "grind"  house  on  Park  Row.  The 
house  seats  700  and  is  now  controlled 
by  Joe  Weinstock  who  built  the  Em- 
bassy and  later  leased  it  to  Loew. 


Mary  and  Doug  Tour  Indefinite 

Hollywood — The  trip  abroad  which 
Marv  Pickford  and  Douglas  Fair- 
banks have  been  planning  is  likely  to 
be  postponed,  owing  to  the  illness  of 
Marv's  mother. 

Schine   to   Build   in   Rochester 

Rochester.  N.  Y.  —  The  Schine 
Theatrical  Co.  will  construct  a  $250,- 
000  house  at  1337  Main  St.  east.  To 
seat  1,500.  The  company  alreadv 
has  one  theater  here,  the  Grand. 


Eckhardt  Transferred  to  Chicago 

Clyde  W.  Eckhardt,  for  the  past 
three  years  assistant  to  Winfield  R. 
Sheehan,  at  Fox,  has  been  made  dis- 
trict manager  with  supervision  of 
Chicago,  Milwaukee  and  Minneapolis. 
George  F.  Dembow,  at  present  mana- 
ger in  Chicago,  will  be  transferred  to 
the  home  office  as  special  representa 
tive. 


Famous  Strong,  Says  Financial  Organ 

The  Wall  Street  Journal  remarked 
yesterdav  that  the  strength  of  Fa- 
mous is  based  on  sound  developments. 
For  the  last  two  quarters  it  showed 
a  total  of  $11.11  a  share  earned  on  its 
370,114  common   shares. 


QUESTION 

(Continued  from  Page  1) 
pie.     Sooner  than   have  circuit  com- 
petition the  exhibitors  involved  made 
a  deal. 

From  what  he  said  it  would  be  but 
a  comparatively  short  while  before 
circuit  operations  extended  practi- 
cally throughout  his  entire  section. 
That  this  was  a  natural  development, 
did  not,  in  his  opinion,  affect  the 
gravity  of  the  situation.  What,  if 
anything,  could  be  done,  to  offset  the 
movement,  was  a  problem.  Whether 
the  circuit  and  chain  operation  has 
extended  too  far  to  be  stopped  by 
any  movement  of  individuals  at  this 
time  seemed  far  too  difficult  a  ques- 
tion for  him  to  answer.  But  he  felt 
that  the  movement  had  gone  too  far. 
Perhaps  something  might  be  done. 
Probably  not. 

Here  is  a  situation  which,  Mr.  Ex- 
hibitor, has  develepod  in  one  State 
within  a  period  of  two  years.  Where 
do  you  stand?  And  what  is  the  gen- 
eral condition  in  your  town,  and 
State? 

-r— ->\, 

Serial  in  Feature  Form 
Pathe   will    release    a    feature    ver- 
sion   of    "The    Bar-C    Mlystery,"    a 
forthcoming  serial, 


Film  with  International  Settings 

William  M.  Resh  has  returned  from 
abroad  with  what  he  says  is  a  film 
featuring  scenes  of  action  in  all  parts 
of  the  world,  called  "King  for  a 
Night." 


Pick  Cast  for  "Toto" 

Hollvwood — Players  thus  far  chos- 
en bv  Metro-Goldwyn-Mayer  to  play 
in  "Toto."  are:  Lew  Cody,  Marceline 
Day,  Carmel  Myers,  Countess  De- 
sano,  Dorothy  Phillios,  Edward  Con- 
nelly and  Antonio  D'Algy. 


Brandt's  Carlton  Open 

The  Carlton,  at  7th  and  Flatbush 
Aves.,  Brooklyn,  opened  last  night 
with  "The  Beautiful  City."  It  was 
built  by  Harrv  and  William  Brandt 
and  seats  1,800. 


M.-G.-M.  Signs  Joan  Crawford 

Los  Angeles — Joan  Crawford  has 
just  been  signed  to  a  new  long  term 
contract  with  M.-G.-M.  She  appeared 
as  Irene  in  "Sally,  Irene  and  Mary." 
Plans  are  being  made  to  feature  her 
next  year. 


Friday,  February  12, 


Vital  Ex.  in  Gour 

(Continued  from  Page  1) 
That  he  had  arranged  for  fir 
on  the  Coast,  and  that  he  caiii( 
specially,  arriving  on  Tuesda 
the  purpose  of  refinancing  the 
and  purchasing  the  control  fro 
A.  Price  and  his  associated 
panics. 

"That  while  conducting  .ne; 
tions  for  this  purpose  and  aw 
Mr.  Price's  definite  answer  as  t 
amount  that  he  would  accept  f( 
control,  a  petition  in  bankruntn 
filed. 

"That  all  the  product  of  the 
Exchanges,  Inc..  was  obtained  ; 
the  Davis  Dist.  Division.  Inc.,  a 
is  taking  immediate  action  to  pi 
the  interests  of  the  producers  ■ 
creditors  of  the  Davis  Dist.  Div 
Inc.,  and  the  carrying  out  of  a 
hibitor  contracts  on  Davis  pr 
tions."  i 

In  the  petition,  the  following 
graph  appears: 

"Your  petition  represents  tha 
said  Vital  Exchanges,  Inc.,  whil| 
solvent,  and  within  four  months 
ceding  the  date  of  this  petition  ' 
mitted  acts  of  bankruptcy  in  tl 
did  heretofore,  to  wit: 

"(1)  Convey,  transfer,  conce;r' 
remove  its  property  or  part  o 
property  with  intent  to  hinder  c 
lay  its  creditors  or  by  conveyir 
permititng  to  be  conveyed  an 
part  of  its  property  to  the  R 
Factoring  Corp.,  a  sum  the  avr 
to  be  of  $7,000  per  week  for  < 
three  months  past." 


Helene  Costello  Opposite  Griffith 

Hollywood — Helene  Costello  has 
been  selected  to  plav  opposite  Rav- 
niond  Griffith  in  "Wet  Paint,"  film- 
ing of  which  began  this  week  at  Par- 
amount. 


Buddy   Rogers   Coastward 

Buddy  Rogers,  Paramount  "junior 
star,"  who  has  been  cast  for  "Beau 
Geste."  and  Ralph  Lewis  have  left 
for   Hollywood. 


Metro-Goldwyn   Declares   Dividend 

The  board  of  directors  of  Metro 
Goldwyn  Pictures  Corn,  have  de- 
clared a  dividend  of  1^/%  on  pre- 
ferred, payable  March  15.  1Q26,  +n 
stockholders    of    record    on    Feb.    27. 


Chase  Leaves  Sunday 

Charley  Chase,  Roach  comedian 
who  has  been  vacationing  here,  leaves 
for  the  Coast  Sunday. 


Kent  III 

S.  R.  Kent,  general  manager  of 
Famous,  is  confined  to  his  home  as 
a_  result  of  an  annoying  case  of  ton- 
silitis. 


NATIONAL     EVANS 
LABORATORIES,   Inc. 

Developing— Printing— Titles 

1476  Broadw^ay 
Td«phM«  Bryant  9330-9331 


Daab  Leaves  for  East 
Los   Angeles — Hy   Daab   leaves  for 
New  York  today  to  head  the  advertis- 
injj  and  publicity  departments  for  F. 
B.  O. 


Buster  Keaton  Hurt 

Hollywood — Buster  Keaton  sus- 
tained severe  head  and  body  bruises 
yesterday  when  he  fell  from  a  prize 
fight   ring,  built   for   his   new  picture. 


piiiiuiiiiniinniiiiiiiiiiiiiiiiiiiiiniimiiii 


§ 


I  FEBRUARY  28th 


.      "OuROANG'CoMBDy 
"BURIED  TREASUIIE' 

PathecomeJV 


This  is  a  'Cornerblock*  cut  furni 
FREE  for  all  Pathecomedies  at 
exchange. 


I  Ward  Cine  Laboratoryjni 

S  216-222   Weehawken  St. 

j|  Union  City,  N.  J. 

:•:    Telephone  Union  4800 

H  G.  BERT  WARD,  Pre 

♦V 

♦.♦♦.♦  ♦.♦♦.■•♦.♦  •,♦♦>♦,♦♦>♦>♦>♦>♦.♦  ♦.♦•.'••.•♦.♦•>»>*>'.**^ 


i^SlMadei^(i> 


Utmost  in  Screen  Briliian' 


%h:#:#:«s#:#x# 


WILLIAM  S.  HART 

IN 

TUMDLEWEEDS 

Stonj  ba  HAL  G.  EVARTS         ^daptedfor  Ih  screen  hv  C.  GARDNER  SULLIVAN 

"Directed ByKlHG  DAGGOT 

New  York  Liked  ^^Tiimhleweeds^^ 

"We  believe  *Tumbleweeds^  will  have  a  long 
and  vigorous  box  office  life*  New  York  audi- 
ences liked  it/^ M.  p.  News  Editorial. 

"New  York  liked  Tumble weeds\^' — Trade  Review. 


Now  Booking 

UNITED    ARTISTS   CORPORATION 

'Jdary  Pickford  Charlej-  Chaplin 

Douglaj-    Fairbanks  D.W.Qriffifh 


Joseph  M  Jchenck, 

Chairman .  Board  of  Direcforj- 


Tiirgm  Jlbcom.r 
Presicfent 


tHE 


^^ 


DAILV 


Friday,  February  12;  1 


Incorporations 

Albany,  N.  Y. — Production- Display  Stu- 
dio, New  York.  Incorporators,  C.  Harri- 
man,  M.  Machlis  and  H.  Sragow.  Attor- 
neys, Heiman  &  Rubien,  1440  Broadway, 
New    York. 


Albany,  N.  Y. — Spur  Amusement  Corp., 
New  York ;  to  operate  theaters.  Incorpor 
ators,  R.  Hildreth,  R.  Batkin  and  W.  Kess 
ler.  Attorney,  S.  Schwartzman,  117  West 
45th  St.,  New   York. 


Albany,  N.  Y. — Brandon  Brothers,  Inc., 
New  York.  Capital  $20,000.  Incorporators, 
W.  Brandon,  F.  Miller  and  S.  Berthoff  At 
torney,  L.  C.  Schultz,  1674  Broadway,  New 
York. 


Albany,  N.  Y. — Whitefields  Productions, 
New  York.  Capital  $10,000.  Incorporators, 
M.  Kurz,  C.  Kurz  and  A.  Kurz,  25  West 
47th    St.,   New    York. 


Albany,  N.  Y.— 235  West  46th  St.  Co., 
New  York.  Capital  $2,000.  Incorporators, 
J.  Mayer,  F.  Ascher  and  S.  Gilbert.  Attor- 
ney, Frank  Locker,  299  Broadway.  New 
York. 


Albany,  N.  Y. — Rosereb.  Amusement 
Corp.,  Brooklyn.  Capital  $10,000.  Incorp- 
orators, M.  Goodman,  R.  Goodman  and  S. 
Strauseberg.  Attorneys,  Gutman  &  Gold- 
berg, 277   Broadway,  New   York. 


Albany,  N.  Y. — Crystal  Palace  Theater, 
Buffalo;  to  operate  theaters.  Capital  $100,- 
000.  Incorporators,  B.  Colegrove,  J.  Quider. 
Attorney,  Charles  Olshel,  Buffalo. 


Albany,  N.  Y. — Shelter  Production  Co., 
New  York;  to  produce.  Capital  $600.  In- 
corporators, A.  Greenberg,  A.  Snyder  and  A. 
Rappaport.  Attorney,  L.  H.  Ba«r,  1440 
Broadway,   New   York. 


Albany,  N.  Y. — Henry  M.  Hobart  Produc- 
tions, New  York;  to  operate  theaters.  In- 
corporators, M.  Lesser,  H.  Hobart  and  S. 
Budd. 


Albany,  N.  Y. — Fred  C.  Curtis,  Inc., 
New  York.  Capital  $10,000.  Incorporators, 
F.  Curtis,  H.  Klinedinst  and  H.  Factor.  At- 
torney, E.  Morganlander,  1440  Broadway, 
New    York. 


Albany,  N.  Y. — G.  and  F.  Amusement 
Co.,  Brooklyn;  to  operate  theaters.  Capi- 
tal $5,000.  Incorporators,  G.  Conroy,  J. 
McCooey,  Jr.,  and  M.  Riskin.  Attorneys, 
McCooey  &  Conroy,  32  Court  St.,  Brooklyn. 

Boston,  Mass. — Northeastern  Theaters 
Corp.,  Boston;  to  operate  theaters.  Incor- 
porators, A.  Robinson,  J.  Troy  and  N.  Troy. 
Address,  N.  Troy,  Room  941  Tremont  Bldg., 
Boston. 


New  Haven,  Conn. — Palace  Theater  of 
New  Britain,  Inc.;  New  Britain;  to  operate 
theaters.  Capital  $25,000.  Incorporators,  I. 
Hoffman,   et  al. 


Jersey  House  in  Fire 

Point  Pleasant,  N.  J.— What  might 
have  been  a  serious  fire  was  averted 
by  the  prompt  work  on  the  part  of 
a  fireman,  when  film  at  the  Grove 
caught  fire  while  being  shown.  Frank 
Warden,  the  operator,  was  severely 
burned. 


Weaver    Preparing    Next 

Tacoma,  Wash.— Plans  for  the 
next  of  the  H.  C.  Weaver  Prod,  are 
under  way  and  the  picture  has  been 
given  the  tentative  title  of  "The 
Totem  Pole  Beggar."  E.  C.  Max- 
well has  completed  work  on  the 
script.      For   Associated    Exhibitors. 

Lease  Grange  Theater 

William  Brainson  and  Edw.  H. 
Freedman  have  leased  the  Grange,  at 
1  Hamilton  Place,  from  the  Hama 
Realty  Co.,  for  a  period  of  years. 
They  have  redecorated  the  house. 


Small  Change 

Dallas  —  Famous  Players,  at 
the  last  hearing  of  the  local 
Arbitration  Board,  brought  up 
a  claim  for  $1.05  against  the 
Opera  House  at  Whitney.  The 
claim  was  thrown  out  because 
it  was  held  to  be  "too  small  to 
use  up  the  time  of  six  or  eight 
busy  men  on  trivial  items." 


Won't  Run  Film,  Morals  Involved 
Minneapolis — Refusal  of  L.  P 
Charles,  Grand  O.  H.,  Chetek,  Wis., 
to  play  "A  Woman  of  Paris,"  on  the 
ground  that  it  is  "not  fit  to  run  in 
his  town,"  brought  him  before  the 
Minneapolis  arbitraBon  board  on 
complaint  of  United  Artists  for 
breach  of  contract.  The  board  ren- 
dered a  compromise  decision  direct- 
ing the  contending  parties  to  share 
equally  the  amount  involved  which 
totaled  $18.04.  The  amount  repre- 
sented expenses  incurred  by  the  dis- 
tributing firm  in  addition  to  the 
rental  of  $15. 


Newspaper  Opinions 

"As  No  Man  Has  Loved" — Fox 
Walnut,  Cincinnati 

TIMES-STAR—*  •  •  Despite  indifferent 
Jirection,  poor  camera  work  and  a  lot  of 
mediocre  acting  of  the  ham  variety,  the  in- 
lierent  appeal  of  the  plot  is  strong  enough 
to  engage  and  hold  the  attention.   ♦   »  * 

TRIBUNE—*  *  •  The  change  in  the  title 
is  about  as  clever  as  the  interpretation  of 
the  book  and  there  is  no  cleverness  there — 
simply  trash.  *  •  • 


"The  Beautiful  City"— First  Nat'l 
Zaring's  Indianapolis 

STAR — •  •  •  There  is  a  touching  love 
story  throughout,  the  photography  is  beauti- 
fully done  and  the  picture  well  directed.  *  •  « 
Good  entertainment. 

"The  Blackbird"— M.-G.-M. 

Garrick,  Minneapolis 

STAR — *    •    •    A    good    picture    from    the 

dramatic  standpoint  •  *  •  where  Lon  Chaney 

that    remarkable    character    artist,    is    starred 

in   "The   Blackbird."    •    •    • 


"Bluebeard's  Seven  Wives"— 1st  Nat'l 
Metro,   Boston 

TRANSCRIPT—*  •  •  But  perhaps  it  is 
more  fun  to  believe  than  habitually  to  dis- 
believe. At  any  rate,  "Bluebeard's  Seven 
Wives"    is    an    hilarious    confection.    ♦    •    • 

Capitol,  Detroit 

NEWS—*  *  *  The  picture  is  a  light- 
hearted  and  amusing  satire  on  the  film  people 
and  the  disguises  of  several  are  so  thin  there 
is     no     difficulty     in     seeing     through    them. 

Manchester,  Los  Angeles 

EXPRESS—*  *  •  With  its  movie  box- 
office  title,  its  list  of  stars  *  *  •  and  its 
clever  mixture  of  sentiment  with  satire,  it 
will  make  money.  •  •  • 

Eastman,  Rochester 

DEMOCRAT—*  *  •  An  occasional  pic- 
ture like  this  and  James  Cruze's  ''Holly- 
wood," the  first  clever  satire  on  movies, 
is  good  for  the  public — and  infinitely  good, 
we  should  judge,  for  the  majority  of  stars 
who  take  themselves  and  their  "art"  too 
seriously.    •    •   • 

HERALD— •  •  •  A  clever  burlesque  of 
the  motion  picture  industry  and  the  manner 
in  which  the  public  is  made  to  read  roman- 
tic things  about  certain  heroes  of  the  kleig 
lighU.  •  •  • 


JOURNAL—*  *  *  It  is  fairly  amusing  and 
makes  a  good  entertaining  film.  It  offers 
Ben  Lyon  a  splendid  role  as  the  bashful  John 
Hart.   *  *   • 

TIMES-UNION—*  *  *  Delicious  comedy 
—clean,  amusing  and  with  an  underlying 
thread  of  satire  on  the  directorial  and  pub- 
licity methods  of  making  a  movie  sheik 
to   give   it   added   piquancy.    •    *    • 

Warfield,  San  Francisco 

BULLETIN—*  *  *  Is  one  of  the  most 
enjoyable  bits  of  nonsense  combined  with  a 
pretty  love  story.  ♦  *  ♦ 

CALL  AND  POST—*  *  *  Laughs  aplenty, 
sometimes  just  a  suspicion  of  a  tear,  and 
delicious   satire.    »   ♦   * 

CHRONICLE—*  *  *  It  is  light  comedy, 
done  deftly  and   with  a  sensitive  touch.   *   *   « 

EXAMINER—*  *  *  A  choppy  sort  ol 
story    saved    by    unctuous    bits    of    acting,    a 

few     comic     situations     and     bright     titiSng. 

«    *    * 

NEWS — *  *  *  Exposes  with  a  screamini 
flare  of  comedy,  the  modus  operandi  preval 
ent  in  the  youthful  l>ut  strong  and  lustv 
industry.    •    *    * 

Capitol,  St.  Louis 

GLOBE-DEM«CRAT— *  *  *  "Blue 
beard's  Seven  Wives"  is  the  most  clevei 
satire   we've   ever   seen    ot    the   movies.    *    •    • 

POST-DISPATCH—'  *  *  Pokes  fun  at 
the  movies,  then  it  pokes  lun  at  the  dear 
old    movie    public.    *    *    '' 

TIMES—*  *  *  It  is  a  wholesome,  laugh- 
producing  picture,  with  nothing  of  the  tragic 
or   melodramatic  about   it.    *    *    * 


"Clothes  Make  the  Pirate"— 1st  Nat'l 
Rieviera,  Detroit 

FREE     PRESS—*     *     *     "Clothes     Make 


the  Pirate"  is  one  of  the  best  laugl 
ever  made.    *   *    *  I 

State,  Los  Angeles 

EXAMINER—*  *  *  Errol  has  wi 
for  the  grotesqueries  that  have  \ 
fame  in   musical  comedy.   *   *   • 

EXPRESS—*  *  *  Errol's  alter 
sumption  of  bluster  and  fright  throu 
episodes   is   horseplay   of  the  best  kin 

HERALD—*    *     ♦    Mr.    Errol's 
is    in    a    constant    uproar    and    that  I 
several    other     reasons     why     one    sb 
joy    "Clothes    Make   the    Pirate."    *  " 

RECORD—*  *  *  Leon  Erroll  is  r. 
types  of  a  comedian — slapstick  am 
tically  a   sympathy  getter.    «    »   • 

TIMES— •  *  *  A  slow  start  is  i 
only  serious  defect — that  and  occas 
certain  jumpiness.  ♦  *  * 


"Cobra" — Paramount 
Regent,    Rochester 

DEMOCRAT— »  *  *  Not  only  is  t 
acting    below    the    standard    he    has 
in    other    productions ;     the    play    itsi 
poor   adaptation   of    the   stage   p!ay,  i 
to   direction    and    scenario    detail.   *  * 

HERALD—*  *  *  It  is  mere  "se; 
and  pretty   slow    for   the   most  part.  • 

JOURNAL—*     *     *     Ardent    aditi 
Mr.    X'alentino    will    fjnd    plenty    in 
ture  to   rave  about.   *   *    • 

TIMES  UNION— *  *  *  It  almost 
lacks  the  dramatic  power  of  the  St: 
sion  however,  and  the  nnal  10  moir 
the  film  drag  owing  to  the  effort 
director  to  give  Rudolph  Valentino 
portunity    for   super-heroics.    *   *   * 


To- Night!  #1 

AT  THE  HOTEL  ASTOR 

6th  Annual 

DINNER 

AND 

DANCE 

Under  the  Auspices  of  the 
THEATER  OWNERS'  CHAMBER  OF  COMMERCE  1 


-«®»- 


SIAKS        CELEBRITIES  CjAL/Olvrly 
VINCENT  LOPEZ 

In  Person  and  His  Celebrated 

CASA  LOPEZ  ORCHESTRA 

TICKETS  $12.50  PER  PERSON 

Can  Be  Secured  at  the 
THEATER  OWNERS'  CHAMBER  OF  COMMERCE 
Suite  908  Times  Building  Phone:  Bryant  2496 

To-l^ght! 


THE 


\tion  Not  Final 

Continued  from  Page   1) 
nate  has  yet  to  go  ihrough 
gain    for    final    voting,    and 
time  comes,  it  was  declared 
by  Senator  Smoot  of  Utah, 
e   debate,   he  will   ask   for  a 
otc  upon  ihis  action,  which 
likely  result  in  the  restora- 
lie   tax   and   the   adoption    of 
liittee  recommendation   for  a 
[xemption. 
the  Senate  did  ratify  Wed- 
action    when    the    bill    is    up 
consideration,     the     House 
ve    to   agree,      Wednesday's 
admissions  and  other  taxes 
the    Senate    something    to 
ith  when  the   measure   goes 
lence.     It  was  something  of  a 
in  the   Senate,  the    Republi- 
ng  the  opportunity  to  "ride"' 
ocrats,  who  have  been   seek- 
er tax  cuts,  by  voting  to  cut 
ore  in  the  way  of  taxes  than 
lally  be  agreed  to. 


id 
■0, 

n. 


En  Detroit-Made  Picture 
It — A  screening  for  the  stock- 
f  the  Detroit  Motion  Picture 
heir  first  picture  under  the 
;ation  took  place  recently  at 
o.  It  was  "Then  Came  the 
written  and  directed  by 
lartford.  The  stars  are  Frank 
Cullen    Landis    and    Mildred 


s    "U,"    Joins    Associated 

Francisco — Eugene  Gerbase 
(■me  manager  for  Associated 
■rs.  He  has,  for  the  past  8 
ten  the  manager  of  Univer- 
■  Denver.  He  succeeds  H.  L. 
;\   resigned. 


Brody  on  a  Vacation 
and— Dr.    B.    I.    Brody,    head 
iH    Broadway    Theater     Circuit, 
ccntly    completed    the    Cedar- 
on  a  vacation  trip  to  Cuba. 


A.  B.  C.  Buys  Serial 

)rbit— A.  B.  C.  has  acquired  the 
ode-serial,  "The  Phantom  Po- 


JpS^ 


DAILY 


Repeal  Bill  Up 

(Continued  from  Page  1 ) 
censorship  in  this  state  made  its  ap- 
pearance. It  is  possible  a  duplicate 
bill  will  be  introduced  in  the  Senate 
or  that  this  bill  will  later  come  up 
in  the  upper  house. 

Hackenburg's  statute  would  cause 
the  transfer  of  all  papers  and  records 
to  the  State  Comptroller  who  would 
be  charged  with  winding  up  the  Com- 
missioner's  activities. 

The  situation  here  continues  to  be 
peculiar.  Now  that  all  members  of 
the  Commission  are  Democrats,  the 
Republican  Party  can  no  longer  look 
for  patronage  in  this  direction.  For 
this  reason,  it  is  quite  possible  that 
the  G  O.  P.  will  listen  to  a  complete 
rejieal   with   sympathetic  ears. 


Yvette  Gilbert  in  "Faust" 
Yvette,  Gilbert,  French  actress,  has 
been  engaged  to  play  the  part  of 
Martha  in  "Faust,"  which  F.  W. 
Muriiau,  director  of  "The  Last 
Laugh,"  is  completing  at  the  Ufa 
station,  in  Berlin.  Einil  Jannings 
plaj's  the  part  of  Mephisto,  and 
Costa    Ekman    the    title    role. 


Curtis   Buys   Home  TJnder    Hammer 

Dexter,  la.- — William  Curtis,  owner 
of  the  People's  theater  at  Redfield, 
has  purchased  the  Princess  at  a  fore- 
closure sale.  The  house  formerly  was 
operated  by  V.  J.  Hudson,  whose  al- 
leged mismanagement  caused  closing 
a  few  weeks  ago,  according  to  Mrs 
W.  A.  Sage,  former  owner. 


News  Reels  Balk 

(Continued  from  Page    1) 

Bulm  Blumenthal.  One  news  reel, 
it  is  understood,  had  been  approached 
and  it  was  this  proposition  involving 
a  sale  of  the  rights  that  prompted  the 
joint  action  of  all  four  news  reels. 
The  U.  S.  Lawn  Tennis  Ass'n  has 
forwarded  the  protest  to  the  allied 
French  association  while  the  former 
will  hold  a  meeting  today  to  discuss 
the  matter. 


Pommer  Here 

(Continued   from  Page    1) 

point  that  in  order  to  break  into  the 
German  market.  Fox  was  arranging 
to  make  10  pictures  there  and  United 
Artists,  fifteen.  This,  of  course,  is 
being  done  to  get  around  the  "kon- 
tingent"  system.  Pommer  is  at  the 
Biltmore. 


Guaranty    Pictures    Move 

The  Guaranty  Pictures  Co.,  ex- 
porters and  importers,  has  moved 
from  130  West  46th  St.,  to  729  Sev- 
enth  Ave. 


2,000  to  Attend 

(Continued  from  Page    1) 

btr  of  stars  present  and  among  the 
guests,  many  important  executives  in 
the  industry  and  the  heads  of  many 
cit\'  departments. 

Lee  A.  Ochs,  chairman  of  the  ball 
committee,  has  been  active  in  arrang- 
iig  the  program,  one  of  the  features 
of  which  will  be  the  presence  of 
Helen  Ford  and  the  entire  "Dearest 
Fneinv"  company.  Vincent  Lopez 
and  the  Casa  Lopez  orchestra  will 
supply  the  music.  His  orchestra  for 
this  occasion  will  be  considerably 
augmented. 

The  committee  declares  one  of  the 
real  features  will  be  the  rendition  of 
"The  Star  Spangled  Banner"  and 
"Dixie"  by  Cecil  Arden,  mezzo  so- 
prano of  the  Metropolitan. 

All  told  about  2,000  are  expected. 
There  will  be  an  assemblage  of  stars 
on  the  stage  at  midnight. 


Forest  Back 
Dr.  Lee  De  Forest  will  arrive  here 
Monday   from    Cuba. 


r^thing  But  Rows 

(Continued   from   Page    1) 

IS   in   modern    civilization.      E. 
I  ee,    New    York,   a   member   of 
lid  of  Review,  decried  the  dis- 
of  facts  as  given  by  Mrs.  Gil- 
-.  ad  declared  the  reviewing  work 
s  Irried  on  by  men  "who  are  just 
'^lest,    if    not    as    intelligent,    as 
Uting   in   the   audience." 
David    Ross    of    Indianapolis, 
the   delegates,    and    Frank    J. 
>ch,  president  of  the  M.  P.  T. 
Indiana,  charged  that  the   con- 
was  packed  with  delegates  to 
the  Upshaw  bill.  Canon  Chase 
that  there  was  any  idea  of  rail- 
any    such    measure    through 

■-S. 

lusch  told  the  delegates  that 
cent  of  the  people  do  not  want 
hip.  "Nobody  wants  censor- 
it  a  few  of  you,"  he  said,  "and 
I't  tell  me  that  you  know  more 
low  this  country  should  be  run 
he  99  per  cent,  who  are  op- 
to  your  ideas." 


Declares  Sunday  Shows  by  Vote 

Montevideo,  Minn. — A  majority  of 
223  votes  out  of  1535  cast  were  in 
favor  of  Sunday  motion  pictures  at 
a  recent  election  sponsored  by  local 
exhibitors. 


McCloskey,  Manager  Pittsburgh  Ritz 

Pittsl)urgh — Dean  McCIoskcy  has 
resigned  from  the  Arsenal  in  Law- 
rcnceville  to  become  manager  of  the 
Ritz  here. 


Woody  to  Produce 

(Continued  from   Page    1) 

story  has  already  been  run  serially  by 
the  Thompson  Feature  Service.  Most 
of  the  exteriors  will  be  made  in  Mis- 
souri. Woody  plans  to  spend  $250,- 
000  on  the  picture. 

Arrangements  have  been  made  with 
F.  B.  O.  to  release  the  picture.  Woody 
expects  to  maintain  a  permanent  pro- 
ducing organization  and  will  make 
from  one  to  three  pictures  a  year. 


NOW    BOOKING 

St.    Patrick's    Day    Special 

week  of  March  lUh.  Fleischer 

Ko-Ko  Song  Car-Tune 

"HAS  ANYBODY  HERE 

SEEN  KELLY?" 

Hand  Colored  by  Brock 


729    Seventh    Ave.,    N.    Y. 
DISTRIBUTORS 


To  Make  Miliions  Cheer    , 
on  both  sides  of  the  Mason-  Dixon  •Line/ 


The  Supreme  Epic  oP  the  South 

UNIVEP^AL 

Does  it  a^a^in/ 


-K\. 


Wherefore  dosf  ...  ■■'Vb 

•^'se  enooeh  /*  """'  mock  «., 

^orftheass  a. 
'  wrtS''""'>"»o*i.tet''''-'*'*»y,  but  I  u 


C.C.BURR  pmmts 


^ 

^ 

i 

>i 


'>ow  THOMPSON  BUCHANAN  S 
TJirecUdby CHARLES  I, 


2^^RE(0CMIZEI 
AUTHORltY 


Coming  Wiih  a  Rush  I    The  Qreatest  Box- Office 
Western  of  Them  All  I 

HOOT  GIBSON,  DUSTIN  FARNUM,  Anne  Cornwall,  George  Fawcett,  Kathleen  Key 

and  thousands  of  others. 
An  EDWARD  SEDGWICK  Production  Presented  by  CARL  LAEMMLE 

A       UNIVERSAL       PRODUCTION 


i 


Cecil  B.  DeMill 

^  PRESENTS 


feHRE  SENTS        -^  ■ 

atrice J  qy 


Y 


/N 


MADE/orLOVE 

aPAUL    SLOANE    pro  duct/o  /w 
STORY  AND  ADAPTATION  BY  GARRETT  FORT 

WITH 

EDMUND  BURNS,   BERTRAM  CRASSBY 
AND  ETHEL  WALES 


% 


PRDDUCEKS  DISTKIBUTINC  COI\POf\ATION 

Foreign  Distributors  Producers   Internationa  J  Corporation       130    West  46  th   Street      New  York,  N.    Y. 


iTHE 

brAdstreet 

FILHDOM 


lAekEiocmai 
Authority 


XV     No  37 


Sunday,   February    14,    1926 


Price  25  Cents 


^\}'  Coast  Studio 


ibi 
idi 


ed 

I'es 
Ibil 
o 


Takes      Over     California 
and  Drops   Waldorf  as 

Brand  Name 
ngeles — Harry  Cohn  an- 
eslerday  the  name  Waldorf 
as  been  dropped  in  favor  of 
and  that  the  company  has 
r  the  California  Studio  on 
as  the  base  for  future  pro- 


nt  contains  more  space  than 
lb   can  use,  although  the  com- 
Iwi  probably   increase   its   1926- 
prluction    schedule    as   against 
For    that    reason,    space 
ased  to  outside  units. 


Ill  Atop  1560  B'way 

'learned  at  the  sixth  annual 

.iuce  ot  the  T.  O.  C.  C.  last 

t  it   a   move   is   under   way   to 

a  Im  club  in  the  real  sense  of 

vol.      Lee    A.    Ochs    is    under- 

tjbe  the   sponsor  of  the   idea 

j;    the   quarters    located    atop 

cw   building   at    1560    Broad- 

O.  C.  C.  has  been  consider- 
)wn  club  house  for  several 
id  may  supply  the  basic   tin- 

iCoiitinucd   on   Fage    2) 

lise    Studio   for   Wilcox 

n«  n — British   National   Pictures 

l^sed  the   George   Clark   studio 

nsfield  where,  beginning  next 

Herbert  Wilcox  will  start  his 

pture.     The  Elstree  studio  will 

eady  in  time. 


3e ' 


Ju 


katures  Reviewed 

Page 

ehjd  the  Front 

P  amount    6 

he  Million    Dollar    Handicap 
Fd.  Dist.  Corp 6 

ht  Phantom  of   the   Forest 

C:ham-Lumas    Films — S.  R 6 

01  lat 

I  iversal     6 

h  Count   of    Luxembourg 
<|adwick — State   Rights    8 

n   of    Diamonds 
Im   Booking    Officee    8 

1.    .   S.    Perils  of   Sea 

<  lumbia — State  Rights 8 

.•or's  Island 

.  sociated    Exhibitors    8 

>i:  Shootin'   Romance 

liversal     9 

Red  Kimono 
tal   Exchanges    9 

Pleasure  Buyers 
arners     9 

n    Love   Grows    Cold 

Im   Booking   Offices    9 

n.  Subjects   10 


n 


Creditors  to  Meet 

Feb.   18  Set  for  Date  on  Which  Pe- 
titioners Against  Enterprise  Dist. 

Corp.,  Atlanta,  will  Confer 
Atlanta — Notices  have  been  issued 
by  Harry  Bo'dd,  referee,  that  a  meet- 
ing of  creditors  of  Enterprise  Dist. 
Corp.,  bankrupt,  will  be  held  Feb.  18, 
at  Room  325  Grant  Building,  for  the 
purpose  of  examining  the  bankrupt, 
allowing  claims,  selecting  trustee, 
passing  orders  of  sale  of  assets  and 
taking  such  other  proceedings  as  may 
be  proper.  The  schedule  of  debts  of 
Enterprise  furnished  by  ofificers  of  the 
defunct  corporation  and  admitted  by 
them  to  be  incomplete,  shows  a  total 

{Continued  on  Page  2) 


Publix  Theater  for  Oakland 

Oakland,  Cal. — Rex  Midgley,  owner 
of  the  American,  will  build  a  3,000 
seat  theater  here  in  association  with 
Publix  Theaters.  A  downtown  site 
has  been  secured. 


Barthelmess  in  Neilan  Studio 

Hollywood — Inspiration  has  rented 
the  Marshall  Neilan  studio  for  the 
production  of  "Ransom's  Folly,"  star- 
ring Dick  Barthelmess. 


The  Future 

A  well-known  Chicago  ex- 
hibicor,  speaking  of  the  theater 
building  orgy  in  this  city,  said 
yesterday: 

"Nobody  knows  where  it  is 
all  going  to  end.  Somebody 
some  day  is  going  to  get  badly 
burnt.  Then  squawks  will  be 
heard  all  the  way  to  New  York. 

"We  have  several  houses 
building  and  no  more  are 
planned." 


Building  Boom 

Many  New  Houses  Planned  for  Chi- 
cago suburbs — B.  &  K.  to  Buiid  3 
Ihrough  Great  Lakes  Theaters 
Chicago — Many     Chicago     suburbs 
and  near-by   towns  are  included    in   a 
theater    building    boom.    Great    Lakes 
Theaters,  a   subsidiary   of    Balaban   & 
Katz,   and   operating   only    outside    of 
(Continued  on  Fage  12) 


Pugh's  Plan  Involves  Exhibitors 

London — It  is  understood  Ralph 
Pugh's  plan  involves  exhibitor  par- 
ticipation.    Details  not  public. 


Millions 


By  DANNY 


Not  dollars.  People.  The  common  folk — those  who  love 
motion  pictures.  Something  like  55  million  of  them  travel  to 
the  picttire  houses  weekly.  Probably  more — when  the  good 
pictures  are  to  be  seen.  (A  lot  less  when  the  poor  ones  come 
along.) 

And  it  is  this  force  of  millions.  Which  Terry  Ramsaye  re- 
ferred to.  When  he  told  a  few  plain  truths  to  the  Canon  Chase 
organization  meeting.  In  Chicago  during  the  week.  Ramsaye 
minced  no  words.  "Nobody,"  he  said,  "is  for  motion  pictures 
but  the  people."  And  later  he  warned  the  Chase  crowd  that  these 
people  might  have  something  serious  to  say  to  anyone  who  at- 
tempted to  interfere  with  their  pleasure.     And  he  is  right. 

The  great  jury  which  will  pass,  always  has,  and  naturally 
should  pass  on  motion  pictures  are  the  masses  who  enjoy  them. 
Never  doubt  that  they  will  do  the  judging.  Any  time  the  move- 
ment justifies  their  interest.  Look  at  Massachusetts.  A  few 
years  ago  some  busybodies  thought  there  should  be  censorship 
in  Massachusetts.  They  overlooked  the  interesting  fact  that  the 
original  colonists  of  Massachusetts  were  folks  who  wanted  lib- 
erty. Who  wanted  to  do  their  own  thinking.  And  settle  their 
own  problems  in  their  own  way.    Well,  the  people  of  Massachu- 

(Continued  en  Page   11) 


Fox  in  Northwest? 

Invasion    of    Pacific    Towns,    Where 
Jensen    and    Von    Herberg    Hold 

Sway  Looked  For 
From  a  well-informed  source,  it  is 
learned  the  Fox  Theaters  Corp.  has 
about  completed  plans  to  build  thea- 
ters in  four  or  five  Pacihc  Northwest 
chies  where  Jensen  and  Von  Herberg 
are  at  present  the  dominating  factors. 
The  cities  mentioned  in  this  con- 
nection are  Portland,  Ore.,  Seattle, 
Tacoma  and  Salem,  while  others  are 
a   possiiulity. 


Duluth,  Too? 

Duluth — Fox  will   build  a    first-run 
here,  according  to  report. 


The  Twin  Cities 

Minneapolis — A  3,500-seat  theater 
will  be  erected  here  by  Fox,  according 
to  information  which  is  believed  to  be 
thoroughly  reliable. 

Another  big  theater  for  St.  Paul  is 
also  considered  a  strong  possibility. 

Sams  Owns  70  Per  Cent  of  Stock 
Winston-Salem,  N.  C. — Senator  A. 
F.  Sams,  president  of  the  Piedmont 
Amusement  Co.,  which  operates  the 
Auditorium,  Amuzu  and  Pilot,  is  now 
in  control  of  70  per  cent  of  the  stock 
in  First  National  Pictures,  of  the 
Southeast,  Inc.  His  recent  deal  with 
R.  D.  Craver  gave  him  35  per  cent, 
but  he  had  already  owned  the  35  per 
cent  previously  controlled  by  Frank 
H..  Fleer.  Sams  will  probably  be 
elected  president  at  the  annual  meet- 
ing in   the   spring. 


Wilson  Won't  Produce  for  Vital 

Hollywood — Al  Wilson  has  can- 
celled his  contract  to  produce  five 
remaining  aviation  features  for  the 
Davis  Dist.  Div.  Vital  Exchanges, 
which  have  been  distributing  the  Wil- 
son pictures,  will  continue  to  handle 
'Flyin'  Thru,"  the  first. 


Monte  Blue  Renews 
Los      Angeles — Monte      Blue      has 
signed  a  new  long-term  contract  with 
the  Warners. 


Danish    "Don    Quixote"    Film 

Berlin — The  Palladium  of  Copen- 
ha"-en  will  produce  a  "Don  Quixote" 
film  under  direction  of  Lau  Laurit- 
zen. 


Denies  Deal  with  Ideal 
Sherman  Krellberg  of  Excellent 
Pictures  yesterday  denied  the  report 
from  London  that  Harry  Rowson  had 
contracted  with  Pauline  Frederick  to 
make  three  pictures  for  his  company. 
Krellberg  declared  the  U.  K.  rights 
to  only  "The  Nest,"  first  of  the  Fred- 
erick series,  has  been  sold  to  Ideal. 


THE 


■c^Hk 


. 


DAILY 


Sunday,   February   14,  192 


Vol.  XXXV No.  37    Sunday,  Feb.  14. 1926    Price  25  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  i,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris— La  Cinematographic 
Francaise,   S,  Rue  Saulnier. 


Quotations 

(These  quotations  are  *  of  Thursday. 
Yesterday  being  a  legal  holiday,  the  market 
was  closed.) 


High 

•Balaban  &   Katz.  .   71 
Eastman    Kodak    ..UOJi 
Famous    Players    ..118% 
Fam.    Play.    Pfd.     ..120 
*Film  Inspection..      5J4 
•First  Nat'l  Pfd.   ..106 
Fox   Film    "A"    ...   79 Ki 
Fox  Theaters   "A".   30 
*Intern'l    Projector.    13J/2 

Loew's,    Inc 39^2 

Metro-Gold.     Pfd...   23^ 
M.  P.  Cap.  Corp...   20 
Pathe  Exch.   "A"..   75 V^ 

Skouras    Bros 50 

Stan.   Co.   of   Am..  .    49'/^ 

Trans-Lux 12  !4 

Universal  Pictures..   AOYt 
♦Univ.    Pict.    Pfd...   93 
Warner  Brothers   .  .    1654 
Warner   Pictures    ...    10 
*  Last   figures   quoted. 


L>ow    Close     Sales 


7054 
110J4 
116M 

120 

5/8 

106 
78M 
29^8 
13J4 
39^ 
23^ 
1954 
75/2 
50 
4954 

im 

41 
93 

15/8 

10 


70J4 
110% 

117% 
120 

5/8 

106 
78% 
30 
1354 
39/8 
23% 
20 
7554 
SO 
4954 
12 

40% 
93 

15/8 

10 


400 

1,500 

^•200 

200 

100 

500 

900 

100 

700 

200 

1,000 

100 

'ioo 

3,400 
200 
100 

8,500 
300 


"Sea   Beast"  in  Chicago 

Chicago— "The   Sea   Beast"   opened 
last  night  at  the   Orpheum. 


"Mare  Nostrum"  Opens  Monday 

"Mare  Nostrum"  opens  at  the  Cri- 
terion   Monday    night. 


A.  C.  S.  Ball  on  the  20th 

Los  Angeles — The  American  Socie- 
ty of  Cinematographers  will  hold  its 
annual  ball  at  the  Biltmore  on  the 
20th.     Arthur  Edeson  is  chairman. 


Starts  Rockett's  First  Feb.  23 
"Puppets,"  the  production  to  be 
supervised  by  Al  Rockett  for  First 
National,  will  go  into  production  on 
Feb.  23.  Milton  Sills  will  be  starred 
with  Gertrude  Olmstead  playing  op- 
posite. Others  selected  for  the  cast 
are  Francis  McDonald  and  Matilda 
Comont.  George  Archainbaud  will 
direct. 


Ronkel  to  Start  "Gumps"  Again 
Hollywood — Samuel  Von  Ronkel, 
producer  of  the  "Andy  Gump"  com- 
edies for  Universal,  will  start  a  new 
series  of  12  next  week.  Hughie  Fay 
will  direct  the  first  with  the  old  team 
of  Joe  Murphy,  Fay  Tincher  and 
Jackie  Morgan. 


Makes  Sunday,  Monday  Record 

"Moana"  grossed  $6,100  at  the 
Rialto  Sunday,  breaking  previous 
Sunday  records  for  three  years  past. 
On  Monday,  the  gross  was  $3,100, 
the  highest  on  any  Monday  for  two 
years. 


Favors  Exhibitor  Speakers'  Bureau 

R.  F.  Woodhull,  president  of  the 
M.  P.  T.  O.  A.,  favors  the  formation 
of  a  speakers'  bureau  at  national  head- 
quarters to  oflfset  propaganda  against 
the  business.  He  voiced  this  idea  at 
the  dinner-dance  of  the  Brooklyn  M. 
P.    T.    O.    on   Wednesday    night. 


Washington    Unit    Chartered 

Bellingham,  Wash.— Dr.  E.  T.  Ma- 
thes,  former  mayor  of  Bellingham  and 
Albert  Kinkelstein,  former  manager 
of  local  theaters,  have  filed  articles 
of  incorporation  for  the  Standard 
Theaters  Co.  of  Bellingham.  Dr. 
Mathes  and  Mr.  Finkelstein  are  trus- 
tees of  the  company  until  March  10. 
1926.  The  company  will  shortly  open 
a  picture  house  on  Magnolia  St.  near 
Cornwall  Ave.  Stock  was  listed  as 
100  shares,  preferred,  of  a  par  value 
of  $100  per  share  bearing  8  per  cent 
interest  per  annum,  200  shares  of  non- 
par value  stock,  and  initial  capital  of 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  C  B  B  1  N  S 

Spvcialiats  in  Motion  Picture 

and  Theatrical  insurance  for 

the  past  fifteen  years. 

Arthur  W.  Stebbins  &  Co.,  Inc. 

1540  Broadway  N.  Y.  C. 

Bryant  3040 


Club  Atop  1560  B'way 

(Continued  from  Page   1) 

ances  for  this  scheme.  One  of  the 
reasons  of  the  party  last  night  was 
to  raise  funds  for  this  very  purpose. 

Should  the  plan  go  through  with 
T.  O.  C.  C.  backing,  it  would  in  no 
wise  mean  that  individuals  identified 
with  phases  of  the  business  aside  from 
exhibition  would  be  barred  out. 

Sketches  have  been  drawn.  Those 
who  have  seen  them  declare  they  pro- 
vide for  surroundings  that  are  digni- 
fied, but  yet  ornate  in  the  proper  de- 
degree.  The  sketches  call  for  dining 
room,  card  rooms  and  the  usual  fea- 
tures that  are  considered  part  of  a 
modern,   up-to-date   club. 


Creditors  to  Meet 

(.Continued  from  Page  1) 
of  $80,889.40,  liabilities,  while  the  ap- 
praised value  of  the  company's  assets 
is  $492. 

Among  the  items  included  in  the 
schedule  of  debts  is  one  of  $21,000  in 
favor  of  Jenkins  Securities  Corp.;  an- 
other of  $2,167  in  favor  of  Enterprise 
Film  Corp.,  a  third  of  $1,379  to  En- 
terprise Film  Corp.  of  Dallas  and 
two  items  listed  as  "unpaid  salaries." 
One  of  these  shows  the  creditor  as 
John  W.  Quillian  for  $375,  and  an- 
other of  $600  owed  to  Wm.  K.  Jen- 
kins. 

An  involuntary  petition  in  bank- 
ruptcy was  filed  on  Jan.  22.  On  Jan. 
25,  1926,  a  form  letter  was  sent  out 
by  Enterprise  Film  Corp.,  Atlanta, 
Ga.,  over  the  signature  of  John  W. 
Mangham,  Jr.,  president,  announcing 
the  formation  of  Enterprise  Film 
Corp.,  to  better  and  more  efficiently 
meet  the  demands  of  exhibitors  of  the 
South." 

The  foregoing  letter  would  suggest 
that  Enterprise  Film  Corp.  was  or- 
ganized subsequent  to  the  filing  of 
involuntary  bankruptcy  by  creditors 
of  Enterprise  Dist.  Corp.  However 
this  inference  is  refuted  by  another 
letter  from  Enterprise  Film  Corp., 
dated  Feb.  2,  and  addressed  to  the 
publisher  of  the  "Weekly  Film  Re- 
view." This  letter,  likewise  signed 
by  John  W.  Mangham,  president, 
says  in  part: — 

"For  a  considerable  length  of  time 
the  Enterprise  Film  Corp.  and  Enter- 
prise Dist.  Corp.  of  Texas,  both  of 
which  are  entirely  distinct  from  the 
Georgia  corporation  mentioned  above 
(Enterprise  Dist.  Corp.  of  Georgia), 
have  been  in  existence  and  have  been 
purchasing  and  distributing  state 
right   film." 


Olympic  Theater  Holds  Election 

Utica,  N.  Y.— The  Olympic  The- 
ater Corp.,  at  its  recent  annual  meet- 
ing, elected  W.  H.  Linton,  presi- 
dent; Benjamin  Gerwig,  vice-presi- 
dent; Evan  Linton,  treasurer  and 
Elmer  Bauder,  secretary.  The  board 
of  dirc-.tor?  includes  Gerwig,  Lin- 
ton and  Linton,  Aaron  Eaton,  B.  W. 
Wood,  W.  J.  Lewis  and  Edwin  C. 
Smith. 


"Dancing  Mothers"  at  Rivoli 

"Dancing  Mothers,"  goes  into  the 
Rivoli  on  Sunday.  Gus  Edwards  will 
present  his  first  revue,  "Garden  of 
Girls." 


Florence   Turner   in  "Padlocked" 

Hollywood — Florence  Turner  has 
been  selected  for  a  role  in  "Pad- 
locked,"   bv    Paramount. 


Alexander  Joins  Southern  Equipment 
Atlanta — W.  C.  Alexander  has  been 
added  to  the  sales  force  of  the  South- 
ern Theater  Eqiupment  Co.  and  will 
travel   Alabama. 


GOWNS— UNIFORMS 

FOR  EVERVBODy  WHO  IS  ANVBODy 
ON  THE  STA6E  OR  SCREEN..EXCLUSIVE 
DESIGNS  By  LEADING  STVLE  CREATORS 

BROOKS 'n^v^^^^;^ 


-ALSO  I5.000  COSTUMES  TO  RENT- 


Gade  Loaned  to  Griffit 
Los  Angeles — Universal  has 
Svend  Gade  to  Corrine  Griifii 
to  direct   "Into  Her  Kingdon 


English  Version  of  Wells ;  jpK'' 
London — F.  Alfted,  chiefly 
as  an  importer  and  exporter,  I 
chased  the  rights  to  "The  Wa 
Worlds,"  by  H.  G.  Wells  a 
make  it  here. 


Compson,  Carr  in  Lloyd  ( 
Los  Angeles — Betty  C 
Mary  Carr  and  George  Coop  I 
been  signed  for  "The  Wistj 
Frank  Lloyd's  last  picture  f(' 
National.  James  Kirkwood  ! 
yesterday  to  play  the  lead.    ! 


"Torrent"  at  Capitol  Feb 
The   New  York  premiere  c 
nez'   Torrent"   will  take  place 
Capitol  Feb.  21. 


Sunday  Pictures  at  Illion  Dr 

lilion,  N.  Y. — Sunday  pictu 
cenlly  maugurated  in  this  c 
drawing  big  crowds,  the  Moha 
Y. )    Herald  says. 


Says  Films   Lower  Stand 

Milwaukee — Harold  A.  Ehr 
ger,  lecturer  on  drama  and  ar 
address  before  the  Milwaukee: 
Club,    declared   that    motion 
are  lowering  American  stand; 


t'M 


[iiJlil 

-jiiit 


m 


Specify 

GOEP 


Raw  Stock  for  QUALITY  ( 
Sole  Distributors: 
FISH-SCHURMAN  CO! 

45  West  45th  Street 
N.   Y.   Bryant   7243 


t^fll 


I909       BUTTON  WOOD       ST 
PHILADEUPHrA.PA- 


Hotel  Christie 


m 


Hollywood 


One  of  California's  finest  hot 
located  in  the  heart  of  the  bii 
ness     district     of     Hollsrwoll 
famous  lobby,  personal  serv|j 
sensible  prices. 

R.  J.   Mathesoiji 
Owner-Manaf 


ifOLLYWOOD 
APPENINGS 


)ho 


rS^BRAOSTREET 
oypiLMDOM 


«RE(OCMIZED 

Authority 


Harvey  E.  Qausman 


Granite  3980 


Sunday,  February  14,   1926 


6411  Hollywood  Blvd. 


lix  Vorldng    at    Paramount 

npanies  are  now  at  work  at 

mount   studio.     Allan   Dwan 

"Padlocked;"   Betty   Bron- 

iRicardo   Cortez  are   co-star- 

;'The   Cat's    Pajamas;"   Wil- 

J|  Mille    is    directing    Warner 

,  Zara    Bow,    William    Powell 

Gc'  ge  Bancroft  in  "The  Flight 

he  lills;"    Raymond    Griffith    is 

rli  "Wet  Paint;"  Victor  Flem- 

iiking  "The   Blind  Goddess," 

jest  Torrence,    Esther   Rals- 

,if   Holt  and   Louise   Dresser; 

Ciamce  Badger  is  finishing  Bebe 

ieis  "Miss    Brewster's    Millions" 

^prearing  to  start  on  "The  Rain- 


F  ming  Rounds  Out  Cast 

-le  :ast  for  Victor  Fleming's 
imunt  production,  "The  Blind 
-de.' "  has  been  completed,  with 
•  :  JdU,  Esther  Ralston,  Ernest 
ren;,  Louise  Dresser.  Ward 
le,  Lichard  Tucker,  Louis  Payne, 
rle  Lane  and  Charles  Clary. 


~ar 
D. 

jne 


iariret  Morris  with  MacLean 
iret    Morris    will    play    oppo- 
glas  MacLean  in  "That's  My 
The    cast    includes    Claude 
_-_^  ater,  Eugenie  Forde,  Richard 
i,ke    Wade    Boteler    and    Harry 
ilesj  William  Beaudine  is  direct- 
he    story    is    an    original    by 
J.  Crone  and  Wade  Boteler. 


'rg 


ol 
tec 


Byram  Technical  Advisor 

el  George  L.  Byram  will  act 

nical   and   military   advisor   in 

ne  ion    with    "Ranson's    Folly," 

<ch  vill  start  shortly  under  direc- 

Sidney   Olcott  with   Richard 

ess. 


'(■^  c  S 
'thine 


■tkjdio  to  Photograph  "Toto" 
Gaudio  has  been  selected  to 
aphy    "Toto"     for     M.-G.-M. 
Alger    is    assistant    director; 
Florey,     technical     director; 
Pye,   art   director,   and   Char- 
C  idon,  production  manager. 


or| 

to 

Tie 

l)ei 

-ri 


Alice  Calhoun  as  Lead 
/aier  Bros,  have  selected  Alice 
hoi  to  play  the  feminine  lead  in 
ie  !ero  of  the  Big  Snows."  Others 
he:ast  will  be  Rin-Tin-Tin,  Don 
-arlo,  Lee  Willis  and  Baby  Blos- 

3erman  Raymaker  will  direct. 


na  May  Wong  in  Legend 

nont    Prod,    has    completed    a 
legend     feature,      featuring 
May     Wong,      called  _  "The 
itrii   Horse."     Mark  Goldaine  di- 
supervision     of     George     L. 


w|d  Directing  La  Rocque's  Next 
iam  K.  Howard  will  direct 
:lor  Brides,"  Rod  La  Rocque's 
starring    vehicle.      C.    Gardner 

li^n  has  written  the  screen  adap- 


01 


Seven  to  Start  for  First  National 
Seven  pictures  for  First  National 
release  are  scheduled  to  go  into  pro- 
duction during  the  next  week  or  ten 
days.  They  are  "Ella  Cinders,"  "Miss 
Nobody,"  "Good  Luck,"  "Molasses," 
"The  White  Way,"  "Pals  First"  and 
"Ranson's  Folly." 


Moomaw  Film  Titled 
Lewis  H.  Moomaw  has  decided 
upon  "Flames"  as  title  of  "Only  the 
Brave."  Cutting  and  editing  of  this 
picture  has  been  completed.  He  yill 
leave  shortly  for  New  York  19, 'pur- 
chase several  vehicles. 


Film  Test  Library  Announced 

Announcement  of  the  establishment 
of  the  Screen  Library  Service,  an 
organization  which  will  supply  cast- 
ing directors  with  films  showing  ac- 
tors in  characteristic  poses,  is  an- 
nounced by  Brooks  B.  Harding. 


Chadwick  Company  to  London 

Reeves  Eason  will  direct  Eve  Bal- 
four and  George  Walsh  in  "Sunshine 
of  Paradise  Alley,"  by  Denman 
Thompson  for  Chadwick.  The  com- 
pany may  go  to  London. 


Franklin  Finishing  Davies  Picture 
Sidney  A.  Franklin  has  completed 
"Beverly  of  Graustark"  with  Marion 
Davies  and  is  now  cutting  the  feature. 
He  will  then  direct  Constance  Tal- 
madge. 


Vilma   Hanky  with   Valentino 

Vilma  Banky  has  been  chosen  as 
Valentino's  leading  lady  in  "The  Son 
of  the  Sheik,"  which  will  start  soon, 
under  the  direction  of  George  Fitz- 
maurice. 


Sign  Two  Scenarists 
Elliott  J.  Clawson  and  Donna  Bar- 
rell  have  been  added  to  the  scenario 
department  of  M.-G.-M.  Miss  Barrell 
is  the  author  of  "Their  Second 
Honeymoon." 


Titling  "The  Torrent" 

Katherine  Hilliker  and  Capt.  H.  H. 
Caldwell  are  writing  titles  on  "The 
Torrent,"  directed  by  Monta  Bell 
with  Ricardo  Cortez  and  Greta 
Garbo  in  the  leading  roles. 


New  Companies  at  Fine  Arts 

Among  the  new  comnanies  at  Fine 
Arts  studio  are  Bruce  Mitchell  Prod, 
and  Hercules  Prod.  This  makes  12 
producing  organizations  leasing  quar- 
ters there. 


Cross  to  Title  Western 
Barr  Cross  has  iust  completed  ar- 
rangement.s  with  T.  Josenh  Sameth 
of  the  Lariat  Prod,  to  title  the  fifth 
Pete  Morrison  Blue  Streak  Western 
for  Universal,  "The  P»ghting  Romeo." 


Hogan   Cutting   Picture 

Director  James  P.  Hogan  is  super- 
vising the  cutting  of  "King  of  the 
Turf,"  F.  B.  O.  Patsv  Ruth  Miller 
and   Kenneth   Harlan   head   the  cast. 


Arbuckle  Signs  with  M.-G.-M.? 

It  is  reported  that  "Fatty"  Ar- 
buckle has  signed  a  contract  with 
M.-G.-M.,  using  the  name  of  Wil- 
liam Gopdrich,  to  direct  "Over  Night," 
featuring    Conrad   Nagel.    ^/^ 

Forbes  in  "BeSiTGeste" 

Ralph  Forbes  will  have  a  part  in 
'Beau  Geste."  Other  members  of  the 
cast  are  Neil  Hamilton,  Buddy  Rog- 
ers, Wallace  Beery  and  Norman  Tre- 
vor. 


Kirkland  Back  to  Direct 
David  Kirkland  returned  from  nor- 
thern California  and  will  begin  direc- 
tion of  Fred  Thomson's  new  produc- 
tion "Hands  Across  the  Border"  at 
F.  B.  O.  studios. 


Harry  Carey  on  Location 

Harry  Carey  is  on  location  on  "The 
Frontier  Trail."  Carey  has  a  new 
leading  woman,  Mabel  Julienne  Scott. 
Scott  R.   Dunlap   is   directing. 


Dillon   Directing   Serial 

Bob  Dillon  is  directing  the  new 
Beacon  serial,  "The  Phantom  of  the 
Police,"  featuring  Herbert  Rawlinson 
and  Gloria  Joy. 


Added  to  "Unknown  Soldier" 

Claire  McDowell  and  Jess  Daver- 
ska  have  been  added  to  the  cast  of 
"Unknown  Soldier,"  Renaud  Hoff- 
man  production. 


Corinne    Griffith's    Next 

"Into  Her  Kingflom,"  by  Ruth 
Comfort  Mitchell,  will  be  Corinne 
Griffith's  next,  according  to  E.  M. 
Asher. 


Film  "Diavy  Crockett" 

Kathryn  McGuire  has  been  signed 
by  Sunset  Prod,  and  will  be  co-fea- 
tured with  Roy  Stewart  in  "Davy 
Crockett." 


Beresford   to    Adapt 

Frank  Beresford  has  been  engaged 
to  do  the  continuities  for  the  Lew 
Cody  series  and  write  original  stories. 


In    "The    Scarlet   Letter" 

Jules  Cowles  and  Fred  Herog  have 
been  added  to  the  cast  of  "The  Scar- 
let Letter,"  an  M.-G.-M.  production 


Marley  Loaned  to  Julian 

Peverell  Marley  has  been  loaned  to 
Rupert  Julian  to  photograph  "Sil- 
ence," a  De  Mille  production. 


Marion  to   Title  "The   Sap" 

George  Marion,  Jr.  has  been  en- 
gaged by  Warner  Bros,  to  title  "The 
Szp"  starring  Kenneth  Harlan. 


Harry  Langdon  Finishing 

Harrv  Langdon  is  nearing  the  fin- 
ish of  "Tramp,  Tramn.  Tramp."  his 
first  feature  for  First  National. 


Fox  to  Start  Four 
Two  originals  by  Peter  B.  Kyne 
are  included  among  four  pictures 
just  started  by  Fox.  John  Ford  will 
direct  "The  Shamrock  Handicap," 
with  Janet  Gaynor,  Leslie  Fenton 
and  J.  Farrell  MacDonald.  Irving 
Cummings  is  directing  "Rustling  for 
Cupid,"  with  George  O'Brien,  Anita 
Stewart,  Russell  Simpson,  Frank  Mc- 
Glynn,  Jr.,  Herbert  Prior,  Edith 
Yorke  and  Sid  Jordan..  Tom  Mix 
started  "Hard  Boiled,"  under  the  di- 
rection of  J.  G.  Blystone.  Mat* 
Moore  and  Kathryn  Perry  has  beea  .» 
given  roles  in  "Early  to  Wed,"  di4y,^iiU' 
rected   by   Frank   Borzage.  -    o- •  'A  ^V^ 

Blackton's  Cast  Selected 

The  complete  cast  for  "Hell  Bent 
for  Heaven,"  J.  Stuart  Blackton's 
next  for  Warners  includes  Patsy 
Ruth  Miller,  John  Harron,  Gayne 
Whitman,  James  Marcus,  Wilfred 
North,  Evelyn  Selbie  and  Gardner 
James. 


ilU^ 


Glazer  and  Thalberg  to  Collaborate 

Benjamin  Glazer  has  signed  a  con- 
tract with  M.-G.-M.  to  collaborate 
with  Irving  G.  Thalberg  on  a  con- 
tinuity for  "Trail  of  '98." 


Added  to  "Eve's  Leaves" 

Lionel  Braham  and  Arthur  Hoyt 
have  been  added  to  the  cast  of  "Eve's 
Leaves." 


Oxford  with  M.-G.-M. 
Buckleigh   Oxford  has   been   addcff 
to  the  writing  staff  of  M.-G.-M. 


Anna  Nilsson's  Next 
Anna  Q.  Nilsson  will  star  in  "Col- 
lusion" for  First  National. 


Tom  Ricketts  in  Paramount  Film 

Tom  Ricketts  has  been  added  to 
the  cast  of  "The  Cat's  Pajamas,"  by 
Famous. 


Second  Syd  Chaplin  Finished 
"Oh,  What  a   Nurse!"  is  the  title 
of  the  second  Syd  Chaplin  picture  for 
the  Warners. 


Fox  Cutting  Two  Westerns 

"Tony  Runs  Wild,"  starring  Tom 
Mix,  and  "The  Fighting  Buckaroo," 
Buck  Jones'  picture,  are  in  the  cut- 
ting room. 


JV/ien  tn  Hollywood 
stop  at 

THE  NEW  HOTEL  REGENT 

Every  room  nviih  Bath  and  Radio 

A  beautifully  appointed  moderately    ; 
priced  hotel. 

In  the  heart  oj  Hollywood 

6162  HOLLYWOOD  BLVD. 

Phone:  Holly.  0487 


THE 


-ffif^ 


DAILY 


Sunday,  February  ) 


Putting  It  Over 

Cash  In  on  "Old  Fiddlers"  Contest 

Cleveland  —  When  newspapers 
throughout  Ohio  were  printing  col- 
umns of  space  on  Henry  Ford's  dis- 
covery of  Mellie  Dunham,  the  old 
fiddler,  Ned  Holmes,  Fox  exploita- 
tion director,  hit  upon  the  idea  of 
staging  old  fiddler's  contests  in  con- 
nection with  "The  Golden  Strain." 
Bookings  were  arranged  to  conform 
with  dates  of  several  such  contests  in 
many  Ohio  cities.  Roger  Ferri  han- 
dled the  stunt  in  which  the  following 
theaters  participated. 

Rivoli,  Elyria;  Plaza,  Sandusky; 
Hippodrome,  Youngstown;  Mozart, 
Canton;  Colonial,  Akron;  Temple, 
Toledo;  Ritz,  Mansfield;  Palace,  Ash- 
tabula; Temple,  Bellaire;  Marion, 
Marion,  and   Duchess,  Warren. 

Each  theater,  in  conjunction  with 
newspapers  in  each  town  awarded  a 
medal,  symbolic  of  the  local  cham- 
pionship, and  paid  the  winner's  fare 
to  and  from  Cleveland,  where  the 
finals  were  held  to  determine  the 
State  championship.  The  finals  were 
held  at  the  Hippodrome,  which,  aside 
from  paying  expenses  while  the  can- 
didates were  in  Cleveland,  also 
awarded  a  medal  to  ttie  winner.  And, 
in  addition  to  the  medal,  the  local 
Ford  agency  presented  the  winner 
with  a  1926  touring  car. 

Similar  tieups  are  planned  by 
Holmes  in  Michigan,  Illinois,  Indi- 
ana, Wisconsin  and  other  States, 
with  the  ultimate  object  of  having 
the  various  state  champions  compete 
in  a  "National  Fiddler's   Contest." 


In  Eastern  Studios 


"Men    of    Steel"    Finished 

First  National's  special  "Men  of 
Steel,"  starring  Milton  Sills  and  di- 
rected by  George  Archainbaud  has 
been  finished  and  is  now  being  cut. 
About  March  1,  Archainbaud  will  be- 
gin direction  on  Sills'  next,  "Pup- 
pets," for  which  John  Fish  Good- 
rich  is   writing  the   scenario. 


Bebe    Here    for   "Palm    Beach    Girl" 

Bebe  Daniels  arrived  Thursday  to 
make  "The  Palm  Beach  Girl,"  which 
Erie  Kenton  will  direct.  It  is  from 
a  story  by  Byron  Morgan  and  adapted 
by  Forrest  Halsey.  Larry  Grey  will 
be  the  lead.  Production  will  start  the 
end  of  the  month  at  Paramount. 


A  Novel  Announcement 

When  Fleishman  &  Goldreyer's 
Manor  theater,  in  Brooklyn,  recently 
played    "Counsel    for    the    Defense," 

"Subpoena — 

"Court  of  Justice,  County  of  Kings,  Bor- 
ough  of   Brooklyn. 

"The   People   of   the   City   of   New   York. 

"We  command  you,  that  all  business  and  ex- 
cuses being  laid  aside,  you  are  hereby  sum- 
moned to  appear  and  attend  at  the  Manor 
Theater,  of  the  City  of  New  York,  Borough 
of   Brooklyn. 

"At  the  said  theater,  located  at  Coney  Isl- 
and Ave.,  and  Avenue  K,  on  the  18th  day  of 
January,  1926,  to  attend,  witness,  and  enjoy 
the  presentation  of 

"Betty  Compson  and  House  Peters 

"And 

"Counsel   for  the  Defense 

"Defendant 

"And  for  failure  to  attend  you  will  be  guilty 
of  not  witnessing  a  tense  drama  that  will  en 
trance  you  with  the  remarkable  acting. 

"Witness:   Manor  Theater,"  etc.,  etc. 
The  above,  of  course,  was  laid  out 
in  regulation  form,  with  seals  and  the 
like. 


"The   Nest"   Nearly   Complete 

"The  Nest,"  being  made  at  Whit- 
man Bennett's  studio  with  Pauline 
Frederick  starring,  will  be  finished 
next  week.  Will  Nigh  is  directing. 
Rolland  Flander  has  been  added  to 
the  cast. 


Hines    Sailing    Southward 

Johnny  Hines  leaves  for  Florida  to 
take  exteriors  for  "The  Brown  Derby" 
Monday,  on  the  Alexander.  Head- 
quarters will  be  at  Miami.  In  the 
party  will  be  C.  C.  Burr,  Diana  Kane, 
leading  lady,  Ruth  Dwyer,  Bradley 
Barker  and  Harold  Forshay  of  the 
cast.  Harold  Woodmansee  and 
George  Ackerson  of  the  scenario 
staff.  Howard  Green,  Benny  Burke, 
George  Amy  and  a  technical  force  of 
18.  Charles  Hines  and  Charles  Ber- 
ner  left  Tuesday  in  advance. 


Dix  to  Make  Another  Here 

Richard  Dix  is  at  present  confined 
to  bed  with  influenza,  but  will  shortly 
make  another  picture  in  the  east,  to 
be  directed  by  Gregory  La  Cava.  He 
will  then  go  west  to  make  "Romance 
a  la  Carte." 


Wheeler  Dryden  Active 

Wheeler  Dryden  Is  appearing  in  a 
"Famous  Melody  Series"  subject  for 
Fitzpatrick  at  Tec  Art  Jackson  stu- 
dio and  is  also  playing  the  part  of 
Prince  Itamura  in  "'The  Cherry  Blos- 
som" in  Newark. 


"The  Savage"  Unit  in  Florida 

Ben  Lyon,  May  McAvoy,  Sam 
Hard5%  P'hilo  McCullough,  Charlotte 
Walker  and  Tom  Maguire  left  for 
Florida  for  locations  this  week.  They 
will  be  gone  for  three  weeks  film- 
ing "The  Savage"  for  First  National. 
Fred  Newmeyer  is  directing.  Don 
Hetrick  and  Smith,  with  Nick  Bar- 
rows, gag  man.  cameraman  George 
Folsey  and  a  large  technical  staff 
were  in  the  party. 


Frank  Tuttle   Busy 

Frank  Tuttle  has  been  chosen  to 
direct  "Glorifying  the  American 
Girl,"  written  by  Rex  Beach,  and  will 
start  early  in  April.  He  will  direct 
Gloria  Swanson's  next,  "Fine  Man- 
ners" first,  however.  Eugene  O'Brien 
will  play  opposite. 


McCarthy  Goes  to  Milwaukee 

Milwaukee — L.  J.  McCarthy,  for- 
mer manager  of  the  First  National 
exchange  at  Omaha,  has  been  named 
manager  of  the  local  branch,  suc- 
ceeding  E.   T.    Dollendorf,    resigned. 


Tom    Meighan   Looking   for    Story 

Thomas  Meighan  is  still  looking 
for  story  material  for  his  next  for 
Paramount. 


Kane  Company  on  Location 

"The  Wilderness  Woman"  com- 
pany is  in  Saranac  Lake  shooting  ex- 
teriors. Aileen  Pringle  is  featured; 
Wesley  Ruggles  directing,  under 
Hampton  Del  Ruth's  supervision. 


On    Another    Phonofilm 

Helen  Lewis  and  her  jazz  band  are 
being  feature^  in  the  De  Forest 
Phonofilm  being  shot  at  Tec-Art  48th 
St.,  under  Bertram  Phillips'  direction. 


Ordered  to  Curb  Crowding 

Providence — A  general  police  order 
has  been  issued  which  provides  for 
a  drastic  inspection  of  theaters  to 
prevent  overcrowding  and  obstruction 
of  aisles. 


Films  for  Educational  Showing 

The  Community  Councils  of  New 
York  City  have  devised  a  plan  where- 
by an  entire  evening's  program  con- 
sisting of  an  episode  of  "The  Chron- 
icles of  America,"  a  comedy  if  de- 
sired, and  an  industrial  or  educa- 
tional picture,  is  furnished  at  a  nomi- 
nal cost,  with  projection  equipment 
and  licensed  operator,  to  any  educa- 
tional, patriotic  or  church  organiza- 
tion making  the  request  of  Frank 
P.  Beal,  Secretary  of  Recreation, 
Community  Councils,  Room  2240. 
Municipal   Building. 


Ruth  Rich,  Sec'y  of  Nat'l  Commission 

Ruth  Rich  has  been  appointed  sec- 
retary of  the  National  Committee  for 
Better  Films.  Her  new  duties  also 
include  the  editorship  of  the  National 
Committee's  publications. 


New   Up-State    Company 

Syracuse,  N.  Y. — A  new  theater 
corporation,  known  as  Fitzer-Syra- 
cuse,  Inc.,  has  been  formed.  Ben- 
jamin Fitzer  of  this  city  and  Char- 
les D.  Blessing  and  Joseph  N. 
Schwartzland,  Auburn,  are  directors. 
The  corporation  was  formed  for  the 
purpose  of  purchasing-  leasing  and 
managing  theaters.  The  capital  is  at 
$10,000,  with  100  shares  at  $100  a 
share. 


Incorporation 

Albany,    N.    Y. — Level    Short  F  !  i 
New  York.     Capital  $20,000.  ■ 


IE 

1 1-  0 


Albany,     N.     Y. — Vyse     Amuseii 
New   York.      Capital   $5,000. 


Albany,     N.     Y. — Tismer     Theal  A 
New  York.     Capital  $100,000.  ""^^ 


Albany,  N.  Y. — Laconia  Amuaoi 
New  York.      Capital  $10,000. 


Albany,    N.    Y. — Albion    Attracti 
New   York.      Capital   $10,«00. 


Albany,    N.    Y.— Oriam    Film   C 
York.      Capital   $25,000. 


Albany,    N.    Y.— F.    G.    Short  F 
New  York.     Capital  $5,000. 


Albany,     N.     Y. — Silo     Enterpri 
New    York.      Capital   $1,000. 


Albany,    N.     Y. — Schulman-Gold    \ 
atrical   Corp.,    New   York.      Capital  'i^ 


Albany,  N.  Y. — Parward  Product,) 
New   York. 


Albany,    N.    Y. — ^Aitken    Proper 
New  York. 


Albany,  N.   Y.— Schulman  &  Gol  {' 
atrical   Corp.,    New   York.      Capital  JH 
Incorporators,   N.   Schulman  and  L.  H    " 
Attorney,    A.    H.    Sarnsohn,    245 
New  York. 


Dover,     Del.— William     E.     Spa 
Wilmington ;  deal  in  scenery.  Capit  2iJ 
Attorney,   Corporation  Service  Co. 
BIdg.,    Wilmington. 


il 


Albany,  N.  Y.— Semel  Edelstei  fn 
ment  Corp.,  New  York ;  to  operat 
Capital  $10,000.  Incorporators,  S.  da 
M.  Edelstein  and  Semel  Edelstei  M 
ney,  H.  S.  Axelrode,  261  Broad  ,  1 
York. 


Salem,    Ore. — Featherstone    Pict 
Portland ;    to    produce. 


London,     England — Art    Theater  '  Li 
don,     Ltd.,     London ;     to     operatt.j 
Capital    £100. 


t 


Springfield,   111.— I.  and  I.  Thea 
Danville.      Capital    $25,000;    to   oij 
aters.      Incorporators,    R.    Parks, 
and  F  .Terry.     Headquarters,  156  ]| 
million   St.,    Danville. 


Sacramento,     Cal. — West     Coast  ■ 
Theaters,     Inc.,     Sacramento.       Cil 
000,000;   to   operate  theaters.     Inc  J 
E.    Arkush,    D.    Arkush,    M.    GiS-\^ 
Samuels. 


Jos.   Paquin  to  Build  in   Hull 

Hull,  Que. — A  new  theater  will  be 
erected  on  Main  St.  opposite  the  Post 
Office  by  Joseph  Paquin. 


Jupiter    Film    Co.    Moves 

The   Jupiter    Film    Corp.,    formerly 
located    at    1600    Broadway,    has    re- 
I  moved  to  1457  Broadway. 


Steinberg  Out  of  Columbia 

St.  Louis — Barney  Rosenthal  and 
Bob  Tyler  have  purchased  the  inter- 
est in  Columbia  Pictures  Corp.  of 
Nat  Steinberg,  who  is  undecided  as 
to  his  future  plans.  The  exchange 
will  celebrate  its  second  anniversary 
in   March. 


Dover,  Del. — Ascher  Theatrical  IS 
Inc.,  Wilmington ;  to  operate  theat 
tal   $3,000,000.     Attorney,    Corpora  .i. 
Company   of  America,   Du  Pont  Ij-i^ 
mington.  | 


Springfield,     111.— University  Th 

Evanston  ;  to  operate  theaters.  Ca|i', 

000.     Incorporators,   C.   Elliot,  R, 
and  C.  Harvey. 


Springfield,  III. — Aristo  Theater 
cago ;  to  operate  theaters.  Capi 
Incorporators,  C.  Soenuth,  J.  Mr 
P.    Levy. 


Springfield,     111. — Power    Amuse 
Chicago ;  to  operate  theaters.     Cap    ' 
Incorporators,  H.  Brandell,  L.  Tr.lP" 
W.   Shirra.  | 


Rogers    Back   to    Omaha 

Omaha — James  Rogers  is  back 
again  as  manager  of  the  local  Enter- 
prise exchange. 


Trenton,    N.    J. — Drafalk    Amus^ 
Caldwell ;     to    operate    theaters, 
tors,    W.    Drake,    C.    Hinck    and 


Trenton,  N.  J. — Polish  Amus(k'' 
Newark ;  to  operate  theaters.  Ca  W  ' 
000.  Incorporators,  J.  Weskowsk  C. ' 
kowsky  and  E.  Twartus.  1 


THE 


ebruary  14,  1926 


■c^ai 


DAILY 


^paper  Opinions 

Behind  the  Front" 

Paramount 

Rivoli 

-*  *  *  Making  no  pretense 
ore  than  a  rapid  succession  of 
mUitrue  gags  dressed  up  in  khaki, 
he  gags  are  a  bit  too  tried  and 
the  succession  is  always  rapid, 
at  you  haven't  time  for  reminis- 
quick    laugh,    and    another    joke 


RIAN- 


ig 


esihe 


til 
id 


L'i  MIRROR— • 


of 

K' 

lig 


*  *  Has  rare  mo- 
jarkling  fun.  It  has  also  Wallie 
jeously  unkempt  and  as  playful 
Jane  dog.  Then,  too,  Raymond 
iren  to  leers,  sneers,  and  stage 
tpdies  most  entertainingly  with 
they  go  forth  to  fight  the  enemy. 


wfa 


■LTlNEWS — *  *  *  We  are  shown 
o:  comedy,  a  little  fighting  and  a 
o  pretty  French  girls.  And  there 
ho!  too.  We  see  the  rain  and  the 
balall  soldiers  remember  as  typical 
inc 

...iNtG  JOURNAL—*  *  *  There's  an 
tempt  to  burlesque  "The  Big 
But  there  is  comedy — some  of  it 
everyone  works  hard.  *  *  * 
>:N|JG  world — *  *  *  It  is  good 
;k  ^  a  pair  of  well  recognized  slap 
10  rise  to  a  new  high  level  of 
>m^  f. 

VP|LC — *    *    *    The    war    atmosphere 

iig,    the    direction    very    good,    and 

written   by    Ralph    Spence,   are    ex- 

jdeed,  they  go  a  long  way  toward 

.  {  t    picture  one  of  the  most  delightful 

.  ies  Iroadway  has  seen  in  a  long  while. 


Filling  the  Theater 

Hamilton,  Ont.  —  George 
Swanwick,  of  the  Lyric,  has 
established  a  "Children's  Hour" 
at  the  theater,  between  4  and  5 
P.  M.  daily,  when  they  are  ad- 
mitted for  hve  cents. 


RING   TELEGliAPH— *    »    *    It   is 

Bi  Parade"    with    a    reverse    English, 

hU  the    M.-G.-M.    feature    is    a    tense 

c  the    war,   relieved    with    flashes    of 

'\t  jmedy,   "Behind   the   Front"    is   all 

It  )medy,   shot  with   flashes  of  pathos 

a  ays    end    up     with    an    unexpected 

wl:  h  sends  the  audience  off  into  howls 

M*    •    • 

*    *    *    It    Starts    out    rather    well, 

s   badly,   and   pretty   soon   we   have 

er    one     of    those    comedy    things, 

ar    background    to    remind    one    of 

pictures.  *   *  ♦ 

*    *    Beery    and    Hatton    smirked 

faces   and   fell   down   and    bumped 

.  another   and    performed    with   good 

hey    are    both    natural    and    capable 

dnedians,   and   in   consequence   some 

*  t  les  were  really  funny.  *  *  • 

'LI  RAM — *    *    *    Is   sprinkled    with  a 

>U!  quantity    of    old    gags    and    a    few 

.nl    generated,    it    would    seem,     from 

otion   that  any   old   laugh   is  better 

'  *   *   * 

Lii — *    *    *    There   are   long    intervals 
en  ;ally  good  humorous  points  in  "Be- 

tl  Front,"  the  current  offering  at 
iv  ,  which  strikes  one  as  a  burlesque 
he  lig  Parade."  *  *  * 
IKD — *  *  *  Needless  to  say,  "The 
'aaie"  itself  is  seventy-five  times  fun- 
'e  humor  of  "Behind  the  Front" 
.  <  t  from  situations  common  to  the 
r    rm   of  the   cinema.      It   is   a   "gag" 

T   facial  expressions  of  Wallace  Beery 
doughboy,    faces   the   enemy    in   the 

.   France   are   priceless.    •    *    * 


The  film  is  a  gay  comedy  of  Continental 
life,  with  Menjou  absolutely  perfect  as  the 
uland  boulevardier.  *  ♦  * 

EVENING  WORLD—*  *  *  With  St. 
Clair  and  Menjou  it  is  a  crisp  and  brittle 
comedy  of  manners,  moving  along  with  a 
leer  here  and  a  wink  there,  never  dull  and 
never  quite  risque  in  spite  of  bathroom  and 
bed  chamber  sequences.  *  *  * 

GRAPHIC—*  *  *  At  least  a  godly  share 
of  the  success  of  this  picture — and  we've 
seen  no  better  comedy  on  Broadway  this 
year — can  be  credited  to  Malcolm  St.  Clair, 
who  directed  it  with  a  discnminatnig  eye  and 
a  sophisticated  touch.   •   *   * 

HERALD-TRIBUNE — *  *  *  Mr.  Menjou 
is  just  the  same  as  he  was  in  "A  Woman 
of  Paris,"  and  that's  good  enough  for  me. 
In  "The  Grand  Duchess  and  the  Waiter" 
Malcolm  St.  Clair,  the  director,  has  still 
turtlier  endeared  himself  to  us.  *  *  * 

MORNING  TELEGKj\PH— *  *  *  Moving 
along  at  an  extremely  liesurely  gait  and 
serving  as  an  average  vehicle  lor  Adolphe 
Meiijou's  personality,  tne  really  "big"  mo- 
ment in  the  picture  occurring  when  the 
clumsy  waiter  pours  a  pitchertul  of  cream 
on  the  decollette  shoulder  of  the  duchess 
and  her  black  velvet  frock  is  quite  ruined. 
"The  Grand  Duchess  and  the  Waiter"  is, 
as  you  may  have  guessed,  light.  *  *  * 

jj(jSX — *  *  *  Mr.  Menjou  is  his  old  de- 
lightfully suave  self,  which  is,  surely,  quite 
enough  to  make  any  one  picture  most  pleas- 
ant, but  there  is  also  Florence  Vidor.  Never, 
we  think,  has  Miss  Vidor  shone  as  she  shines 
here.    »   *   * 

SUN — *  *  *  Is  what  critics  call — for 
want  of  something  more  appropriate — "spark- 
ling high  comedy."  *  *  *  Is  built  up  of 
little  episodes  joined  together.  They  are 
touched  with  faint  satire,  for  the  most  part, 
and  cleverly  picturized  by  Mr.  St.  Clair. 
*   *   * 

TELEGRAM—*  *  *  It  skims  lightly  along 
the  keen  edge  of  comedy,  without  once  fal- 
tering into  burlesque.  It  calls  not  for  the 
raucous  laughter  of  slapstick  but  for  happy 
chuckles  of  sustained  enjoyment.  And,  what 
is   more,   it   gets   them   right   along.    ♦    ♦   * 

TIMES — *  *  *  Mr.  Menjou  surpsasses  him- 
self in  many  of  the  scenes.  By  a  mere 
raising  of  his  eyebrows  he  is  able  to  stir 
up  peals  of  laughter.  He  is  never  really 
abashed,  except  possibly  when  he  is  caught 
with  a  maid's  head  reposing  on  his  unwill- 
ing  shoulder.    *    ♦    * 

WORLD — *  *  *  The  unusual  spectacle  of 
giving  to  the  amusement-going  public  Some- 
thing which  in  the  pictmes  is  considerably 
better  than  it  proved  to  be  behind  footlights. 
But  to  stick  to  the  art,  it  niya  be  said  that 
M.  Savior's  play  as  a  motion  picture  is  far 
cleverer  than  the  so-called  society  comedies 
which  come  through  from  week  to  week  on 
the    screens.    *   *   * 


and  Duchess  and  the  Waiter" 
Paramount 
Strand 

illy  1 ICAN— *  *  *  St.  Clair  has  Adolphe 

■<  I      direct   again.      Menjou,   of    course, 

iished    an    actor    as    St.    Clair    is    a 

"■'    Together    they    have    played    vvith 

of    a   grand    duchess    and    a    waiter 

_  u   entirely   different   spheres    until   it 

■  Ijleems  important.  *  •  • 

,  I  r   MIRROR—*  •   •   Mr.   Menjou  is 

■  .  ightful  and  though  his  infectious 
:t  zation  differs  not  at  all  from  the 
■u  ones,    still,    he    is    Menjou,    and    we 

^<e  im  much.  As  the  millionaire  turf- 
■«)  masquerades  a»  the  clumsy,  but 
waiter,  to  be  near  the  Grand  Duch- 
n  he  adores,  he  is  charming.  *  *  * 
■'  NEWS — *  *  *  Charming  farce, 
cast,  ably  directed  and  well  photo- 
except  for  a  small  section  of  film 
me  unlovely  dark  spots  appeared  on 
Vidor's  lovely  countenance.  Even 
forgivable,  for  the  rest  of  the  film 
lisfying.  *  *  * 
;  iNG  JOURNAL—*  *  *  Malcolm 
a  one  of  the  megaphoned  white  hopes 
e  [idustry,  directed  the  Alfred  Savior 
ai  the  result  is  divertingly  delightful. 


"Moana" 

Paramount 

Rialto 

AMERICAN—*  *  *  As  a  story,  "Moana" 
is  not  absorbing.  As  a  picture  upon  which 
to  feast  your  eyes  it  is  amazingly  lovely. 
Flaherty  has  brought  all  the  enchantment 
of  island  settings  and  island  life.  *  *  * 
Those  who  enjoyed  "Nanook  of  the  North" 
should   certainly   see   "Moana."   *   ♦   * 

DAILY  NEWS—*  *  *  Has  no  plot  and 
it  is  not  based  on  fiction.  The  picture  rec- 
ords the  customs  and  natural  graces  of  the 
Samoans,  perhaps  the  noblest  of  the  Poly- 
nesian races,  a  fast  disappearing  people.  *  *  ♦ 
EVENING  JOURNAL—*  *  *  The  photog- 
raphy is  excellent,  and  natives  participate 
with  no  trace  of  self-consciousness.  There 
is  no  suspense,  no  menace,  no  manufactured 
plot  involving  a  last-minute  rescue  by  the 
United  States  Navy.  Simply  a  pictorial 
statement   of   facts.    *   •   • 

EVENING  WORLD—*  *  *  In  this  film, 
Flaherty,  the  dramatist  of  "Nanook,"  turns 
painter  and  artist.  "Moana"  is  distinguished 
primarily  by  its  pictorial  beauty.  It  has 
continuously  what  the  art  student  strives 
for  in  "composition"  of  a  canvas.  ♦  *  • 
"Moana"  is  a  rare  combination  of  poetry, 
biography  and  drama.  It  should  not  be 
missed  by  any  motion  picture  patron.  *  •  * 
HERALD-TRIBUNE—*  »  *  The  picture 
is  just  the  short  and  simple  annals  of  the 
poor  South  Sea  islanders.  There  is  a  reel 
or  two  of  the  tattooing  of  Moana  when  he 
reaches  man's  estate,  and  for  his  sake  we  hope 
that  it  didn't  take  any  longer  than  it  ap- 
peared in  the  film.  •  •  ♦ 

MORNING  TELEGRAPH—*  *  *  It  is 
more  than  a  scenic  film  for  it  has  the  quali- 
ty of  intimacy  which  comes  only  from  a 
full  and  sympathetic  knowledge  of  human 
life  and  the  ability  to  present  it  by  means 
of  pictures.  ♦  *  •  "Moana"  as  it  stands  is 
a  perfect  thing  to  be  enjoyed  by  the  thought- 
ful, to  leave  unmoved  those  who  take  their 
pictures  casually.   *   *   * 

POST — *  *  *  The  photography  is  beyond 
reproach  and  many  of  the  scenes  are  beauti- 
ful to  behold,  while  the  matters  of  trapping, 
spearing,  gathering  and  preparing  the  daily 
bread  are  interesting  and  instructive.  •  *  * 
"Moana"  might  well  be  termed  a  glorified 
travel  picture,  better  made,  perhaps  more 
beautiful  than  most  travel  pictures,  and 
about  three  times  as  long.  ♦  •  • 

SUN — ■*  *  *  The  golden  beauty  of  primi- 
tive beings,  of  a  South  Sea  Island  that  is 
an  earthly  paradise,  is  caught  and  imprisoned 
in  Robert  J.  Flaherty's  "Moana"  which  is 
being  shown  at  the  Rialto  this  week.  The 
film  is  unquestionably  a  great  one,  a  poetic 
record  of  Polynesian  tribal  life.   *  *   ♦ 

TIMES—*  *  *  In  ';Moana"  Mr.  Flaherty 
has  captured  the  spirit  of  the  Polynesians 
and  reflected  their  blissful  content  in  their 
own  surroundings.  Here  we  have  a  poem 
which  is  filled  with  charm,  without  any  make- 
shift villain  to  interfere  with  the  effort — 
which  was  produced  in  the  small  village  of 
Safune  on  the  Island  of  Savau — and  the 
consequence  is  that  it  is  a  joyful  and  at  the 
same  time  a  thoroughly  artistic  contribution 
to  motion  pictures.   *   *   * 

WORLD — *  *  *  There  is  a  completeness 
about  the  episode  which  becomes  amazing 
when  it  is  realized  there  exists  no  dramatic 
story  other  than  whatever  drama  and  ro- 
mance may  lie  in  the  straightway  presenta- 
tion of  the  rise  to  maturity  of  youth  in  a 
far    away,    strange    and    unenlightened    land. 


GRAPHIC—*  *  *  As  comedies  go,  "What 
Happened  to  Jones"  is  better  than  the  aver- 
age. If  it  so  chances  that  you  are  also  a 
Reginald  Denny  fan,  you'll  like  the  extremely 
good-looking  screen  star  in  the  role  of  Jones, 
as  well  as  in  anything  of  the  kind  you've 
seen  him  do.   *   *   * 

HERALD-TRIBUNE— *  *  *  Mr.  Denny 
does  not  depend  on  situations.  He  has  not 
only  a  delightiul  sense  of  humor,  but  he  has 
the  ability  to  put  it  across.  Besides  that, 
he   is   handsome   and   agile.   *   •   * 

POST — *  *  *  It  IS  all  very  mad  and 
not  very  uplifting,  no  doubt,  but  it  is  funny, 
and  it  moves  along  without  waiting  for  much 
of    anything,    including    plausibility.    *    *    * 

SUN — *  *  *  There  is  not  much  to  say 
about  it.  Its  humor  is  old — the  "Charley's 
Aunt,"  petticoated  variety — but  it  seems  to 
wear  well  enough.  Certainly  the  audience 
at  the  Colony  laughed  as  though  it  was  a 
newly   minted    brand   of   fun.    *    ♦   * 

TELEGRAM—*  *  *  It  is  funny,  openly 
and  unashamedly  laugh  provoking  surface 
comedy  that  brings  laughs.  It  seeks  not  to 
delve  into  subtle  depths  nor  to  invoke  pathos 
in  its  protagonist ;  it  is  replete  with  gags 
and  they  make  the  audeince  laugh  often 
and   loudly.    *    •    * 

TIMES — *  *  *  The  idea  of  a  young  man 
on  the  evening  before  his  wedding  being  in 
a  poker  game  that  is  raided,  followed  by  his 
escape  to  a  Turkish  bath  on  ladies'  night, 
in  itself  offers  possibilities  for  fun,  and  it  is 
true,  that  Reginald  Denny  goes  through  the 
whole  gamut  of  "W'hat  Happened  to  Jones" 
with   good   nature  and  fortitude.   •   *   * 

WORLD — *  *  *  Hardly  a  man  is  now 
alive  who  has  not  observed  on  stage  and 
screen  ladies'  night  in  the  Turkish  bath 
used  for  sterling  comedy  material.  Low 
and  old  fashioned  as  it  is,  Mr.  Denny,  as- 
sisted by  Otis  Harlan,  a  round  little  fat 
man  with  queer  paddling  feet,  made  it  all 
funny   again.    *    *    * 


Si 
I 
ti 

lift!. 


"The    Midnight    Limited" 

Rayart— S.  R. 

Broadway 

AMERICAN—*  *  ■*  The  expected  train 
wreck  proved  effective,  with  the  blowing  up 
of  a  high  bridge  to  add  excitement.  The 
Broadway  theater  audience,  which  relishes 
melodrama,   seemed  quite  satisfied.   *   *   * 

DAILY  MIRROR—*  *  *  The  flicker  is 
so  sodden  with  "drammer"  and  players  heav- 
ing all  over  the  place  that  the  trains  are 
compelled  to  take  second  place  until  the 
very  end.  Otherwise,  the  picture  might  have 
been  more  entertaining.   *   *   *      ,   .  .  ^  , 

MlORNING  TELEGRAPH—*  *  *  It's  an 
exciting  tale,  full  of  good  touches,  and  not 
overdone  as  to  heart  throbs.  The  suspense 
is  well  sustained  and  works  up  to  a  good 
climax,  and  there's  always  a  thrill  in  fast 
trains  rushing  through  the  night  to  prob- 
able destruction.  It's  old  stuff,  but  it  holds 
up  well,  and  in  this  case  it  proves  very  en- 
tertaining.  •   *  *  ,,.,.,     -  .    .     ,„      .„ 

POST *  *  *  "The  Midnight  Limited     will 

never  win  a  prize  for  originality,  but  it  runs 
along  nicely.  The  cast,  including  Gaston 
Glass,  Wanda  Hawley  and  Richard  Holt, 
helps. 


Skirbolls  Change  to  Split  Policy 

New  Philadelphia,  O.— The  Opera 
House  will  have  a  combination  policy 
starting  Feb.  8  and  for  the  first  three 
days  of  the  week  only.  The  straight 
picture  policy  will  prevail  the  last 
half.  The  house  is  owned  by  W.  N. 
and  H.  R.  Skirboll,  of  Ohio  Educa- 
tional  and    Gold    SeaT   exchanges. 


McWilliams    With    Fischer    Chain 

Madison,  Wise. — Frank  J.  McWil- 
liams, veteran  theater  manager,  has 
been  named  manager  of  the  remod- 
eled Parkway,  reopened  last  week  by 
the  Fischer-Paramount  chain.  The 
theater    has    been    virtually    rebuilt. 


"What  Happened  to  Jones" 

Universal 

Colony 

AMERICAN—*  *  *  There's  a  snap  to 
this  picture  that  Denny's  recent  films  have 
lacked.  The  situations  were  the  kind  that 
gagmen  adore,  and  the  action  has  been 
speeded  up  to  keep  something  doing  every 
minute.  There  is  very  little  that  doesn't 
happen  to  Jones  in  the  newest  and  one  of 
the  funniest  Denny   farces.   *  *  * 

DAILY  MIRROR—*  *  *  Mr.  Denny  is 
our  most  adroit  screen  farceur.  He  injects 
such  sincerity  and  emotion  into  the  most 
preposterous  and  outlandish  situations  that 
one  simply  sits  back  and  shouts  with  ain.use- 
ment.   *   *  * 

EVENING  JOURNAL—*  *  *  Zasu  Pitts 
as  the  maid  is  gorgeously  funny.  Denny 
does  good  work,  and  both  Miss  Nixon  and 
Margaret  Quimby  are  pretty.  *  ♦  • 

EVENING  WORLD—*  *  *  It  is  ai  rol- 
licking bit  of  foolery.  Denny  has  something 
about  him  that  makes  him  enjoyable  where 
many  another  comedian  would  be  boresome. 
He  canters  along  to  a  boisterous  accom- 
paniment. *  •  * 


Woman  Mayor  Flays  "Blues" 

Minneapolis  —  Warning  against 
"blue  laws"  was  sounded  in  a  recent 
radio  address  by  Elizabeth  K.  Ries, 
of  Shakopee,  Minnesota's  only  woman 
mayor. 


Pathe,  Ltd.,  Buys  Two  Shorts 
Red  Seal  has  sold  "The  Silvery 
Art,"  a  one  reel  sKiing  reel,  and 
"Flirting  with  Death,"  a  two-reel 
skiing  film,  to  Pathe,  Ltd.,  through 
R.  Reubenson,  for  Great  Britain. 


Adds   to  Wisconsin  Chain 

Milwaukee — The  Northern  Wis- 
consin Amusement  Co.,  which  op- 
erates a  chain  in  the  state,  has  taken 
over  the  Grand  at  Mondovie.  R.  T. 
Laatsch   is   manager. 


Ohio    Rights    Bought 

Cleveland — The  Ivanhoe  Film  Ex- 
change has  purchased  "Abie's  Im- 
ported Bride"  from  Philip  Green- 
berg,  of  Philadelphia,  for  Ohio. 


Montreal   Exhibitors  Hold   Party 

Montreal — The  Montreal  Theater 
Managers  Ass'n  held  a  bal  masque  at 
the    Venetian    Gardens    last   night. 


THE 


DAILY 


Sunday,  February  1 


» 

"Behind  the  Front" 

Paramount 

/lOT  EVEN  THE  WORLD'S 
WORST  GROUCH  COULD  RE- 
SIST THE  ROLLICKING  COM- 
EDY OF  THIS  ONE.  DIREC- 
TOR EDWARD  SUTHERLAND 
WITH  BEERY  AND  HATTON 
MAKE  IT  A  LAUGH  RIOT. 
Cast. . .  .Wallace  Beery  and  Raymond 
Hatton  come  forth  as  about  the 
funniest  comedy  team  on  the 
screen.  Just  a  look  at  this  pair  is 
enough  for  a  laugh.  Get  their  stuff 
over  in  great  shape  and  never  mufif 
a  trick.  Mary  Brian  pretty  but  not 
important  as  the  girl.  Tom  Ken- 
nedy has  some  innings  as  the  Ser- 
geant. 
Type  of  Story. ..  .Comedy.  "Behind 
the  Front"  is  built  solely  for  the 
purpose  of  making  you  laugh  and 
if  there  are  those  who  don't  enjoy 
a  laugh,  "Behind  the  Front"  is  no 
picture  for  them.  They'll  howl  in 
spite  of  themselves.  Wallace  Beery 
and  Raymond  Hatton  as  a  couple 
of  war  buddies  have  been  filling 
the  Rivoli  with  joy  seekers  who, 
once  in,  have  a  hard  job  of  keeping 
in  their  seats.  There  is  real  com- 
edy in  "Behind  the  Front."  You 
can  go  to  work  on  it  and  pick  it 
apart  from  various  angles:  it 
smacks  of  Chaplin's  old  "Shoulder 
Arms" — it's  comedy  is  broad,  sel- 
dom subtle — it  has  its  slapstick  and 
it  has  certain  comedy  sequences 
that  have  been  used  before — and 
yet  with  it  all,  "Behind  the  Front" 
still  deserves  the  vote  of  being  one 
of  the  funniest  shows  on  the 
screen.  Edward  Sutherland,  not 
entirely  new  because  he  ran  the 
comedy  high  in  Raymond  Grif- 
fith's "A  Regular  Fellow,"  has  put 
this  over  in  fine  style.  He  has  great 
help  in  the  comedy  team  of  Beery 
and  Hatton  which  makes  it  a  great 
triumvirate.  The  comedy  concerns 
the  antics  of  a  couple  of  "misfits" 
who  join  the  army,  through  no  fault 
of  their  own,  and  continue  on  the 
battlefields  for  the  same  reason.  To 
attempt  to  give  the  comedy  inci- 
dents of  the  battlefield  would  be 
wholly  inadequate.  They  have  to 
be  seen  to  be  appreciated.  Suffice 
it  to  say  that  they  are  a  great  bag  of 
laughs  and  great  comedy  entertain- 
ment. 

Box  Office  Angle You  can't  lose 

out  on  this  one  unless  you  cater 
to  a  morbid,  laugh  avoiding  crowd. 
If  you  want  to  please  and  amuse 
them,  show  "Behind  the  Front." 
Exploitation. . .  .Don't  stop  at  signing 
up  for  the  picture.  Do  your  level 
best  to  convince  them  that  this  is 
one  of  the  funniest,  laugh  provok- 
ing pictures  they  have  ever  seen. 
Boost  Beery  and  Hatton  and  run 
a  trailer  well  in  advance.  Para- 
mount's  press  sheet  has  some  cork- 
ing good  novelty  exploitation 
stunts. 

Direction Edward    Sutherland; 

splendid. 

Author Monty  Brice;  from  Hugh 

Wiley's     Saturday     Evening     Post 
short   story,  "The  Spoils  of  War." 

Scenario  Ethel  Doherty 

Cameraman  Charles  Boyle 

Photography    Good 

Locale    N.   Y.— France 

Length  S,SS5  feet 


"The  Million  Dollar 
Handicap" 

Prod. :  Metropolitan  Prod. 
Dist.:   Producers  Dist.  Corp. 

FINE  AUDIENCE  PICTURE 
WITH  PLENTY  OF  BOX  OF- 
FICE HOME  RUNS.  RACE- 
TRACK MELLER  WITH  SOME 
FAIRLY  FAMILIAR  TWISTS 
BUT  THEY  GET   OVER  BIG. 

Cast.... Well  balanced  and  all  do 
very  good  work.  Vera  Reynolds 
a  cute  and  vivacious  young  heroine 
and  Edmund  Burns  a  goad  look- 
ing hero.  Ward  Crane  the  hand- 
some, nius/tached  villain.  Ra'Jph 
Lewis  good  as  the  horse  fancier. 
Type  of  Story. ..  .Racetrack  melo- 
drama; adapted  from  W.  A. 
Eraser's  novel  "Thoroughbreds." 
The  money  is  needed,  and  the 
horse  has  to  win  the  race  and  who 
brings  him  in  to  victory  but  the 
owner's  daughter?  Sounds  trite, 
and  probably  is,  but  nevertheless 
"The  Million  Dollar  Handicap" 
serves  plenty  of  good  thrills,  sus- 
pense galore,  action,  romance  and 
all  the  rest  of  the  hokum  that 
makes  for  a  good  audience  num- 
ber and  subsequent  Al  box  office 
bet.  Director  Scott  Sidney  uses 
many  of  the  stock  suspense  tricks 
but  he  certainly  gives  them  new 
life  and  even  a  hardboiled  specta- 
tor is  more  than  apt  to  succumb 
to  the  excitement  of  the  race  and 
the  grand  victory  of  the  little  girl 
who  rides  her  father's  horse  to 
first  place,  wins  the  million,  saves 
her  brother  from  going  to  prison 
and  is  happy  with  the  man  she 
loves.  They  really  stir  up  a  lot 
of  enthusiasm  in  this  one  in  spite 
of  the  old  racetrack  stuff.  There 
are  innumerable  good  comedy 
turns  and  some  reliable  darkey 
humor  that  gets  over  big.  Of 
course  there  is  a  wicked  willun 
who  leaves  no  stone  unturned  to 
spoil  the  girl's  chances,  make  her 
dependent  upon  him  financially 
and  thus  pave  the  way  to  winning 
her  for  himself.  Director  Sidney 
works  up  to  a  great  climax  and 
gets  it  over  splendidly.  A  snappier 
finish  following  the  actual  climax 
would  end  the  picture  in  better 
fashion.  It  lingers  a  bit  too  long 
after  the  finish  is  sighted. 
Box  Office  Angle. ..  .Sure-fire  mate- 
rial for  many  exhibitors  and  can 
be  counted  on  to  serve  up  thrills 
and  suspense  that  will  send  them 
out  talking  about  it. 
Exploitation.  .You  have  had  enough 
of  these  racetrack  mellers  coming 
your  way  to  know  how  best  to  ex- 
ploit them.  Plenty  of  ballyhoo 
stunts  available  and  the  usual 
jockey  parade,  etc.,  will  work  out 
nicely.  If  you  are  in  the  vicinity 
of  a  track  you  can  post  handbills 
conspicuously  announcing  "The 
Million  Dollar  Handicap."  Good 
names  to  use  also. 

Direction Scott  Sidney; 

good 

Author W.  A.  Eraser 

Scenario  •  • F.  McGrew  Willis 

Cameraman    Dev.   Jennings 

Photography    Good 

Locale   •  •    South 

Length  •• 6,905  feet 


"Thunder"  in 

"The  Phantom  of  the 
Forest" 

Prod.:  Gotham  Prod. 
Dist.:  Lumas  Film  Corp.    . 

HOLDS  ITS  OWN  WITH  OTHER 
DOG  DRAMAS.  GORGEOUS 
SETTING  IN  CALIFORNIA 
REDWOODS  HELPS  ALONG 
A  RATHER  RAGGED  SCRIPT. 

Star.... This  dog  "Thunder"  looks 
just  like  all  the  other  canine  stars. 
He  may  act  better  than  some  oi 
them  because  his  trainer  knows  his 
job  better. 

Cast. ..  .Betty  Francisco  scores  ev- 
ery time  she  shows.  Eddie  Pnu- 
lips  just  "another  hero. "  James 
Mason  the  best  in  the  line-up — 
plays  the  heavy  with  a  real  punch. 
Frank  Davis,  the  dog's  trainer,  is 
a  terrible  actor — but  he  is  only 
there  to  coach  the  dog,  who  acts 
for  him. 

Type    of    Story Melodrama,    built 

to  exploit  the  dog  "Thunder."  Ul 
the  last  twenty  dog  pictures  seen, 
this  one  rates  wiiii  the  nrst  five 
for  novel  stunts  and  thrills  supplied 
by  the  canine.  The  story  has  plenty 
of  action — but  the  scenario  fails 
down  on  continuity.  It  does  not 
build  steadily  toward  the  big  cli- 
max. Too  choppy.  But  the  dog's 
trainer  wrote  the  story,  so  perhaps 
he  s  to  blame.  'I'raining  the  dog 
star,  acting  in  the  picture,  ana 
writing  it  besides  is  a  heavy  as- 
signment. Anybody  who  can  put 
an  animal  through  its  paces  as 
irank  i'oster  Davis  does  can  af- 
ford to  rest  on  his  laurels.  At  that 
the  tale  has  a  big  human  interest 
appeal.  It  travels  the  well  worn 
theme  of  the  dog  classics  where 
the  villain  is  trying  to  get  posses- 
sion of  the  girl's  property,  while 
the  hero  and  the  canine  star  fight 
him  at  every  turn.  It  works  up  to 
quite  a  spectacular  climax.  This 
involves  a  forest  fire,  in  which  the 
scoundrel  perishes.  It  was  quite  a 
relief  to  see  the  bad  man  die  some 
other  way  than  at,  by  or  through 
the  fangs  of  the  four  footed  aven- 
ger. Here  is  a  real  novelty  in  this 
type  of  film.  But  "Thunder"  has 
plenty  of  other  opportunities  to  dis- 
tinguish himself.  lie  pulls  a  new 
one  by  throwing  his  man  and  pin- 
ning him  to  the  ground.  His 
trainer  "doubles"  for  the  fight 
scene  between  villain  and  dog.  It 
is  one  of  the  best  fights  between 
a  human  and  canine  yet  filmed. 
"White  Fawn,"  a  pure  white  police 
dog  plays  opposite  "Thunder"  very 
effectively. 

Box  Office  Angle. ..  .Good  for  any 
house  where  dog  dramas  bring 
them  in.     Fine  scenic  background. 

Exploitation Bill   "Thunder"   in   a 

couple  of  new  stunts  no  dog  actor 
has  done.    Big  forest  fire. 

Direction   Henry   McCarty ;  fair 

Author Frank  Foster  Davis 

Scenario Jas.  Tynan 

Cameraman   Ray  June 

Photography   Above  par 

IrOcale California  redwoods 

Length    ...^ 5,800   feet 


House  Peters  in 

"Combat" 

Universal-Jewel 

HOUSE  PETERS  IN  ANC 
OF  THOSE  HE-MAN  ] 
WITH  THE  HEROICS 
ING  HIS  WAY.  STOR^ 
VENTIONAL  BUT  GOC 
TION  AND  ATMOSI 
GET  IT  OVER. 

Star.  ...One   of   those  "diam  i 
the    rough."      You    know  1 
the  knock-about  lumber  car 
that  he  pretends  to  be.    A 
turns    the   trick,   as   usual. 
well  suited  and  likable  in  t 

Cast. ..  .Wanda   Hawley  adec 
the   girl    and    Walter    McGi 
cad.     Others  include  C.  E.  ■ 
son,     Charles     Hill    Mailes 
Clemento  and  Howard  Tri 

Type   of   Story Melodra ' 

lumber  camp,  a  driving  car 
a  girl,  a  forest  fire, — they  ; 
in    correctly   and    even   tho 
plot    resembles    others;   th;i 
come  before  there  is  enouj 
action    and   interesting  atn 
to    refresh    it    somewhat, 
suffiiciently    to    get    it    eve' 
forest  fire  climax  too,  thou 
many     times     before,    furni 
first  rate  thrill  and  Lynn  Fr 
has  secured  some   mighty 
and    thrilling   shots   of  huj 
succumbing     to     the     grea 
House     Peters,     Universal! 
virile  star,  comes  forth  in  i 
of   his   he-man   characteriz : 
this  time  a  seeming  brute 
you  know  all  the  while  tl- 
tenderness  beneath  and  in  i, 
a   woman   is   going   to  aw' 
Sure  'nough  the  gal  makes  ; 
of  Peters  and  you  find  hia 
the   great   sacrifice   stunt  ( 
into  the  flaming  forest  to 
man     he     thinks     she    lov 
though  he  wants   her  him 
House  gets   the   best  brea 
ally  and  he  comes  out  of  ti 
alone  and  all  set  for  a  clii 
the  girl  who  realizes  now 
other  man  was  not  worth; 
Lynn    Reynolds   gives   his 
the  climax  sequence.     A  I 
encounters  liven  up  the  e 
sodes     and     the     develop 
smooth  and  consistent  for 
part.     Production  is  good 
cations  excellent. 

Box    Office   Angle Good 

entertainment.  Will  go  t 
the  crowd  that  likes  a  vi 
door  picture  with  plenty 
force  and  a  forest  fire  cl 
Exploitation.  .Play  up  Hous 
name  and  recall  recent  1 
pictures  in  which  he  i 
notably  "The  Storm  ; 
Trailer  of  the  fire  seqiit 
also  serve  to  get  them  ir 
picture. 

Direction Lynn  I 

good 

Authors   J.   G.   Ha 

Edw.  J.  Montagne 

Scenario   J.   G 

Cameraman Chas 

Photography  1 

Locale Northern  lum' 

Length ' 


RS!( 


i 


I 

You'll  Find  One  Everywhere 

1926  FILM  YEAR  BOOK   NOW   BEING   DISTRIBUTED 


-Cloth  bound  for  permanent  use. 

-Gold  Stamped— Nearly  900  pages. 

-A  mine  of  information. 

-Authentic  reference  data  on  produc- 
tion, distribution,  exhibition  and 
foreign  market. 

-A  year  in  the  making. 

-A  ready  reference  guide  to  answer 
your  questions. 

-1001  subjects  of  interest  to  everyone 
in  M.  P.  Industry. 

-Address  of  all  theatres,  studios,  com- 
panies, publications,  state  righters, 
agents,  etc. 

-A  complete  production  chart  of  all 
productions,  with  producer,  director, 
star  and  footage. 

-Filmdom's  Encyclopedia. 

-You'll  find  one  everywhere. 


The  Recognized 

Reference  Book  of  the 

Film  Industry 


Used  constantly  by   Exhibitors, 

Editors,  Producers  and  Film  Folk 

Generally,  The  World  Over 


Price,  $5.00  a  Copy 

OR 

FREE  TO 

FILM    DAILY 

SUBSCRIBERS 

Cut  It  Out! 

TO 

...      The  Film  Daily 

1650  Broadway 

To-day 

•^  Date    

J^T  Enter  my  yearly  subscription  to   The  Film 

1^1  ^XV  AT  Daily     immediately,     including     Short     Subject 

I  ^  ■■  W  Numbers,    Directors    Number   and   a    Copy   of   the 

•     '  ^^    '  1926   Film   Year  Book,   herewith  my  check  for  $10.00 

NAME    

THEATRE  

ADDRESS    


THE 


j5S^ 


"The  Count  of  Luxem- 
bourg" 

Chadwick — State  Rights 
RATHER  WELL  MADE  PIC- 
TURE WITH  AN  INTEREST- 
ING LITTLE  STORY.  WILL 
PROVIDE  AN  AVERAGE  EN- 
TERTAINMENT, WITH  ONE 
OR  TWO  MINOR  ELIMINA- 
TIONS. 

Cast George    Walsh   completely 

disguised  with  a  small  mustache. 
Hardly  the  he-man  George  they  re- 
member from  Fox  pictures.  Helen 
Lee  Worthing  a  pictorial  addition 
as  the  lovely  Parisian  stage  queen. 
Michael  Dark  fair  as  the  palsied 
Duke.  Lola  Todd  cute  and  pleas- 
ing. Others  Charles  Requa,  James 
Morrison,  Joan  Meredith. 
Type  of  Story. . .  .Dramatic  romance; 
adapted  from  the  operetta  of  Franz 
Lehar.  The  story  has  been  quite 
nicely  handled,  the  production  is 
good  and  the  direction,  with  one  or 
two  trifling  exceptions,  is  effective. 
But  with  it  all  me  picture  only 
strikes  about  the  average  line  in 
entertainment.  The  story  is  prob- 
ably its  chief  drawback.  It  is  a 
bit  unusual  but  relies  so  strictly 
upon  coincidence  in  its  develop- 
ment that  it  loses  in  conviction 
what  it  gains  in  originality.  One 
or  two  comedy  touches,  the  inci- 
dent of  the  girl  losing  an  under- 
garment on  a  dance  floor,  for  in- 
stance, should  come  out. 

Story:  Angele  Didier,  French 
stage  favorite,  is  keeping  her  bar- 
gain to  marry  the  old  Duke.  The 
King  prevents  the  marriage  be- 
cause the  girl  is  not  of  nobility. 
The  Duke  arranges  to  have  her 
marry  a  nobleman  and  divorce  him 
im,mediately,  thereby  leaving  An- 
gele a  Countess.  She  never  sees 
the  man  she  goes  through  the  cere- 
mony with.  It  happened  that  the 
man,  the  Count  of  Luxembourg, 
merely  went  through  the  thing  to 
obtain  money  which  would  permit 
an  operation  on  a  friend.  The 
irony  of  fate  was  that  he  then  in- 
herited a  large  fortune,  returning 
to  the  Duke  the  marriage  "fee." 
Ang.ele  never  marries  the  Duke 
and  later  meets  and  falls  in  love 
with  the  Count,  neither  knowing 
they  are  really  husband  and  wife. 
Of  course,  they  eventually  are  hap- 
py to  have  the  marriage  stand. 
Box  Office  Angle. ..  .Fair  program 
number  that  will  undoubtedly 
please  a  majority  without  causing 
much  of  a  sensation  either  for  or 
against  it.  Hits  the  average  line 
most  of  the  time. 

Exploitation If  you   figure   there 

may  be  some  drawing  power  in 
George  Walsh's  name,  play  it  up. 
They  may  not  recognize  him  in 
the  make-up  of  a  French  Duke, 
however.  Helen  Lee  Worthing  is 
an  attractive  addition  and  you 
might  use  stills  of  her  in  the  lobby. 
Title  will  need  catchlines  to  ex- 
plain  it.     Means  little  by  itself. 

Direction Arthur  Gregor;  ample 

Author Franz  Lehar 

Scenario   Arthur  Gregor  and 

John  F.  Natteford. 

Cameraman   Steve  Smith,  Jr. 

Photography   All  right 

Locale    France 

Length   6,400   feet 


Evelyn  Brent  in 

"Queen  of  Diamonds" 

Film  Booking  Offices 
LIVELY  CROOK  YARN  WITH 
EFFECTIVE  SUSPENSE  AND 
PLEASING  ROMANCE  WORK- 
ED IN.  EVELYN  BRENT  GO- 
ING WELL  IN  THIS  TYPE  OF 
OFFERING. 

Star.  . .  .Pleasing  and  does  good  work 
in  contrasting  dual  roles,  that  of 
cute  little  chorus  girl  and  then  as 
the  actress  who  is  accomplice  to 
her  diamond  smuggling  husband. 

Cast. ..  .Theodore  Von  Eltz  suitable 
lead.  William  N.  Bailey,  the  smug- 
gler and  other  Phillips  Smalley  and 
Elsa  Dorimer. 

Type  of  Story Crook  melodrama. 

Evelyn  Brent  has  another  of  her 
series  of  girl  crook  roles,  this  time 
a  dual  performance  in  which  she 
plays  two  rather  difficult  parts  clev- 
erly and  in  effective  contrast.  The 
actual  plot,  mechanical  enough  and 
relying  on  some  old  tricks  for  its 
development,  manages  to  hold  your 
interest  and  director  Chet  Whitney 
has  injected  some  good  touches 
that  keep  it  moving.  There  is  a 
general  round-up  for  a  climax  and 
it  signs  off  with  the  usual  clinch. 
Grammatical  errors  in  titles  should 
be  corrected. 

Story:  Jerry  Lynn,  chorus  girl 
and  sole  inspiration  of  her  sweet- 
heart, David  Hammond  who  is  try- 
ing to  find  a  producer  for  his  play, 
is  persuaded  to  impersonate  Jean- 
ette  Durant,  a  famous  actress 
whom  she  resembles,  and  thereby 
becomes  implicated  in  a  diamond 
smuggling  deal  in  which  a  man  is 
killed.  Jerry  escapes  and  is  just 
about  to  land  David's  play  into  the 
hands  of  a  big  producer  when  she 
is  traced  and  held  in  connection 
with  the  murder.  How  Jerry  man- 
ages to  scale  through  the  maze  of 
incriminating  circumstances  that 
pile  on,  and  how  she  finally  traps 
the  man  who  led  her  into  the  fray, 
follows  in  rapid  succession  and  ends 
with  David's  play  on  the  road  to 
production  and  Jerry  and  David 
happy  with  each  other. 

Box  Office  Angle. ..  .Fairly  absorb- 
ing and  interesting  little  crook 
story  and  with  Evelyn  Brent  help- 
ing to  get  it  over. 

Exploitation. .  .Talk  about  the  chorus 
girl  whose  ambition  for  her  sweet- 
heart's success  led  into  a  smuggling 
deal  which  nearly  brought  disaster 
to  both  of  them.  Play  up  Evelyn 
Brent  and  her  dual  role.  If  they 
have  seen  any  of  her  previous  per- 
formances you  might  say  that  she 
is  again  a  girl  crook  and  recall  the 
titles  of  any  of  the  pictures  you 
may  have  played. 

Direction. . . .  Chet   Withey ;   adequate 

Author Fred    Kennedy    My  ton 

Scenario Fred  Kennedy  Myton 

Cameraman   Roy  Klaff ki 

Photography  All  right 

Locale   New  York 

Length  5,129  feet 


PAILV 


"S.  0.  S.  Perils  of  the  Sea" 

Columbia — State  Rights 

MELODRAMA  OF  AVERAGE 
CALIBRE.  PLOT  OF  A  CON- 
VENTIONAL ORDER  WITH 
ENOUGH  ACTION  AND 
THRILLS  TO  SATISFY  THE 
CROWD  THAT  LIKES  THIS 
KIND  OF  VARIETY. 

Cast Elaine-   Hammerstein,    the 

poor  worried  heroine  who  has 
rough  sailing  for  most  of  the  film. 
Robert  Ellis  her  noble  lover  with 
Pat  Harmon  his  no  good  brother. 
William  Franey  has  the  comedy 
end  of  it. 

Tsrpe  of  Story Melodrama.  Ship- 
wrecks provide  the  big  thrills  of 
the  picture  and  where  they  are  not 
too  observing  nor  over  critical 
these  wrecks  may  provide  a  real 
thrill.  They  haven't  been  especi- 
ally well  executed  and  the  stock 
shots  of  sinkings  are  obvious  in 
contrast  to  the  rest  of  the  film.  It 
is  apparent  that  they  were  keeping 
down  cost  of  production  which  was 
probably  the  right  order  of  pro- 
cedure since  the  story  wasn't  big 
enough  to  warrant  a  more  spec- 
tacular presentation.  It  is  the 
trite  situation  of  a  fortune  at  stake, 
and  what  happens  before  it  fin- 
ally reaches  the  rightful  heiress. 
The  development  Is  smooth  enough 
and,  although  you  know  that  even- 
tually the  girl  will  come  in  for  the 
fortune  left  by  her  grandfather,  you 
are  sufficiently  interested  to  wait 
around  for  the   denouement. 

Story:  Rose  La  Coeur  is  a  lone 
survivor  of  a  shipwreck,  picked  up 
by  fishermen  and  reared  by  them, 
never  knowing  that  her  grand- 
father died  and  left  her  a  huge  for- 
tune. The  fishermen,  Jim  and 
Ralph  Seldon,  keep  Rose  aboard 
their  boat.  Ralph  and  Rose  fall  in 
love  and  then  Ralph  is  given  a 
nlace  as  first  mate  on  a  steamship 
owned,  unknown  to  him  or  to  Rose, 
bv  the  girl's  grandfather.  Jim 
learns  Rose's  identity  and  with  a 
crafty  lawyer  who  is  scheming  to 
get  the  fortune  himself  they  plan 
to  cheat  Rose.  Complications  pile 
on,  another  shipwreck  follows,  with 
Rose  saved  a  second  time  at  sea 
and  eventually  happy  with  Ralph 
and  a  fortune  which  finally  comes 
to  her. 

Box  Office  Angle. ..  .Average  pro- 
gram number  with  fair  amount  of 
action  and  thrills  to  get  it  over  with 
an  even  majority. 

Exploitation. ..  .The  S.  O.  S.  angle 
might  be  exploited  effectively  and 
tie-ups  with  radio  shops  and  dis- 
play cards  with  the  title  prominent 
might  work  out  nicely.  You  have 
Elaine  Hammerstein's  name  to  use 
and  Robert  Ellis'  if  you  think  he  is 
well  enough  known.  You  might 
run  a  trailer  of  the  shipwrecks  also. 

Direction James  P.  Hogan;  fair 

Author Tom  J.  Hopkins 

Scenario Tom  J.  Hopkins 

Cameraman  Geo.  Meehan 

Photography    Fair 

Locale At  Sea— N.  Y. 

Length  5,300  feet 


Sunday.  February  14^  i  -^p 

"Lovers'  Island" 

Associated  Exhibitm  Ifci 


STARTS  OFF  IN  A  WAY 
GIVES  HIGH  HOPES 
SOMETHING  VERY  IN 
ESTING  BUT  INTP 
DWINDLES  AS  ST 
TAKES  ON  ATMOSPHEK 
FAMILIARITY  AND  Ml 
ON  DRAMATIC  ACTION. 

Cast. . . .  With  James  Kirkwood, 
mg  for  Hope  Hampton  you  ' 
pate  proceedings.  Kirkwo 
rather  handicapped  by  lack  i 
portunities.  Hope  Hampton 
and  pleasing  though  hardly  • 
ful  enough  for  the  role  of  '  _ 
sixteen."  Louis  Wolheim  anc 
Linow  typical  seafaring  mer 
possiWi^ties  for  effective  c 
terizations  but  not  given  thei 
tunity  of  development.  ( 
Flora  Le   Breton  and  Flora 

Type  of   Story Romantic  i 

Arcadia,  a  remote  fishing  vill 
the    scene    of    this    romana 
starts   off  with   every  indicat 
uncovering  some  decidedly  in 
ing  dramatic   twists  but  witl 
succeeding  turn  in  the  develo| 
the  anticipation  wanes.    Tliisi 
might    have    been    developed 
more     dramatic     lines     and 
through  a  far  more  interestii 
ture.      As    it    is    there    isn't 
concern    felt    by    the    audienl 
the    plight    of    the    heroine 
father  insists  that  she  marry 
who  visited  Lovers'  Island,  a 
ing    place    for    betrothed   c 
with  her.     The  truth  was  tl 
girl  had  been  surprised  there 
bathing    in    a    pool    and    th 
was  the  burly  mate  of  her  f 
crew.     Instead  of  giving  his 
when  her  father  forces  her  i, 
close  the  man,  she  gives  the 
of    a    man    she    didn't    kno 
believed   herself   in    love  wit 
course,    the    man   is   a   hero 
willing  to  .go  through  with  it 
than   have   the  girl   marry  a 
And      anyway,      his      fiancei 
turned  jazzy  and  was  steppi 
with    another.      Comes   the 
ending     again.       Director 
didn't  have  very  good  workii 
terial,  for  a  start  but  he  migl 
gotten   a   little   more  action 
it    and    certainly    provided  a 
natural     looking     swimming 
than  the  obvious  studio  settii 
is   used. 

Box  Office  Angle. . .  .Best  sui 
double    feature    program, 
strong   enough    to    hold   up 
main  support  of  a  program, 

Exploitation. . . .  You  have  nai 
use  if  that  angle  of  expk  • 
interests  your  folks,  or  it  i 
all  doubtful  but  what  you  ■ 
terest  other  clientele  by  a  tr, 
the  swimming  pool  episod'i 
long  shots  of  Hope  Ham[ 
the  nude. 

Direction Henri    Diaraa 

gere;   fair. 

Author   Howarc 

Scenario    Arthur 

Cameraman Alfred 

Photography    

Locale   j 

Length    4,6 


ilJl 

0 

0" 


'M 


IIH 


si) 
Ilk 


ife! 


E 

:;is(r 

nil! 

Si  to 

1*0(1 

dip 


THE 


bruary  14,   1926 


-JS&^ 


DAILY 


\jack  Hoxie  in 

X  Ihootin*  Romance" 

Universal 

IE  N  ANOTHER  OF  HIS 
!:STRNS  WITH  ACTION 
D  DMANCE  VIEING  FOR 
)NC:S.  ABOUT  EVENLY 
LAICED  WITH  SOME 
IR  HRILLS  TOPPING  IT 
F. 

.His    usual    confident    self. 

le's  going  to  win   the  girl 

?et  excited  about  it.     Does 

^.jd  riding  and  gets  over  the 

al  cota  of  stunts 

Olive   Hasbrouck,  the   girl 
.  ^A  Ham  A.  Steele,  the  villain 
lersflattie  Petejs,  Carmen  Phil- 
ar 


m  t 


Virginia  Bradford. 


1  k 

is  t 
ce 

1  y 

h  % 
lilii 
;  a' 
i  d 

SF 
th< 
/el( 
oot 
ed 
ste 

ha 
ilt 


><!S 


of  story ....  Western ;   adapted 
story,  "Dashing,"  by  Ruth 
tnfol  Mitchell.     The   same   old 
)  ujto  the  same  old  tricks:  the 
OMS  the  ranch,  hero  is  work- 
fo  her  interests  but   she  puts 
fah    in    the   wrong   man    and 
iw  from  the  first  shot  that 
t  sure  'nough  villain  of  the 
The  work-out  is  the   same 
have    a    series    of    events 
lain  doing  the  plotting,  hero 
the  plot  and   finally  com- 
und   all    set   for    the    clinch 
;  recognition  from  the  girl, 
e    of    the    gross    familiarity 
story  and   the   conventional 
ment    it    seems    that    "Six 
'  Romance"  is  about  as  well 
to    please    the     admirer    of 
\  entertainment  as  an-<'^  other, 
the    natural    requisites    and 
...   ip     with     action,     romance, 
■nei'  and  thrills,  it  conveys  the 
•t  <  atmosphere  and  action  that 
ps  ons  admire.     Jack  Hoxie  is 
ttl  too  over-confident  for  a  hero. 
>  nially  seems  a  trifle  over  im- 
with  his  heroics  but  he  can 
11,  rescues  the  heroine  grace- 
lugs  his  opponents  a  wicked 
it  and  otherwise  lives  up  to 
e  cowboy  type  of  idol.  Olive 
ist[)uck  is  a  pert  little  heroine 
ust    won't    admit     that    she 
._him,    but    once    another    girl 
;psin  and   there   is   competition 
field   she   starts    getting   in- 
d  in  the   good  looking   fore- 
'ith  everything  riding  smooth 
etty  for  the  clinch  fade-out. 

C|ice  Angle The   regulation 

n  with  all  the  necessary  re- 
s  to  please  the  crowd  that 
nd  enjoys  a  western  thriller. 

>  ition . . . .  You  know  best  how 
i  to  work  on  a  western.  If 
3  [oxie  they  like  play  up  his 
■"  or  if  a  trailer  of  the  stunts 
them  in,  shoot  one  a  few 
v.pefore  the  showing.  You  can 
fk  ibout  the  action,  thrills,  ro- 
ar;, comedy,  etc. 

icin Clifford   S.   Smith;  ade 

la 

tc   Ruth  Comford  Mitchell 

la 


St  I 


te 


J Alvin  J.  Neitz 

man   William  Nobles 

tc  raphy    Good 

il 

•51 


.Western  ranch 
.4.837  feet 


"The  Red  Kimono" 

Prod.:  Mrs.  Wallace  Reid-Dist.: 
Vital  Exchanges,  Inc. 

INTENT  OF  MORAL  PREACH- 
MENT INSUFFICIENT  EX- 
CUSE FOR  SORDID,  SENSA- 
TIONAL WHITE  SLAVE 
STORY.  UTTERLY  UNFIT 
FOR  WOMEN  AND  CHIL- 
DREN. 

Cast.... A  good  assemblage  of  per- 
formers with  Priscilla  Bonner  pleas- 
ing and  sincere  in  a  most  unattrac- 
tive role.  Makes  a  sincere  effort 
to  win  sympathy.  Theodore  Von 
Eltz  the  one  bright  spot — a  wise- 
cracking chauffeur  who  falls  in  love 
with  the  little  white  slave.  Vir- 
ginia Pearson  suitable  as  a  social 
uplift  publicity  seeker. 

Type  of  Story. . .  .White  slave  drama. 
Mrs.  Wallace  Reid  began  her  pro- 
ducing career  with  a  sensational 
picture  dealing  with  drugs.  It 
proved  a  sensational  box  office  bet. 
Mrs.  Reid  now  attempts  a  moral 
preachment  with  regard  to  white 
slave  traffic  which  not  only  fails 
to  justify  its  existence  but  which  is 
likely  to  bring  upon  the  industry 
further  and  more  difficult  problems 
with  reference  to  censorship.  If 
ever  there  was  a  crying  need  for 
censorship,  "The  Red  Kimono" 
proves  it. 

The  story  shows  how  a  girl  is 
betrayed  into  white  slavery  under 
the  promise  of  marriage  and  with 
sickening  detail  presents  what  oc- 
curs with  these  unfortunates.  She 
finally  kills  her  betrayer,  is  ac- 
quitted, seeks  employment,  is  un- 
successful and  is  about  to  return 
to  her  former  life  when  the  chauf- 
feur, who  has  fallen  in  love  with 
her,  arrives  to  save  her.  Mrs. 
Reid's  preachment  intent  may  have 
been  100  per  cent.  The  net  result 
will  be  zero.  "The  Red  Kimono" 
will  attract  only  sensation  seekers. 
The  development  of  the  central 
idea  might  easily  have  been  ac- 
complished without  the  use  of  so 
much  footage  of  a  sordid  and  un- 
pleasant nature.  But  the  shots  of 
the  Levee  district  of  New  Orleans, 
with  its  miserable  atmosphere  and 
sickening  detail  leave  nothing  to 
the  imagination,  and  certainly  add 
nothing  to  the  entertainment  value 
of  the  production. 

Box  Office  Angle The  grind  show 

might  get  away  with  this.  Other- 
wise utterly  unsuited  for  family 
trade  or  neighborhood  houses. 
Certainly  not  first  run  material. 
Unless  you  run  a  grind  show  you 
had  better  forget  this  one.  If  you 
have  it  coming  you  had  better  look 
it  over  a  second  time  before  you 
attempt  to  show  it.  If  you  do, 
remenber  the  possibilities  of  po- 
lice difficulties  and  be  governed  ac- 
cordingly. 

Direction Walter   Lang;   crude 

Author  Adele  Rogers  St.  John 

Scenario   Dorothy  Arzner 

Cameraman   James  Diamond 

Photography  All  right 

Locale    New   Orleans 

Length  About  6,500  feet 


Irene  Rich  in 

"The  Pleasure  Buyers" 

Warner  Bros. 

MURDER  MYSTERY  WITH 
GOOD  SUSPENSE.  EVIDENCE 
TOO  PLANTED  aNDI  DEVEL- 
OPMENT VERY  MECHANI- 
CAL. IRENE  RICH  PLEAS- 
ING. WILL  UNDOUBTEDLY 
BAFFLE  THEM  AT  THAT. 

Star. ...  Hasn't    a    great    deal  to    do. 

A    lengthy    supporting    cast  pretty 

well    evens    up    the    acting  oppor- 
tunities. 

Cast Clive  Brook  not  over-im- 
portant either  as  the  hero.  To 
Charles  Conklin,  black  face  valet,  is 
left  the  comedy  relief  which  he  sup- 
plies by  way  of  the  usual  darkey 
superstitions.  Among  the  murder 
suspects  are  Winter  Hall,  June 
Marlow,  Frank  Leigh,  Edward 
Piel.  Don  Alvarado.  Frank  Cam- 
peau  a  typical  "movie"  detective. 
Tsrpe  of  Story. ..  .Murder  mystery; 
from  a  story  by  Arthur  Somers 
Roche.  The  plot  is  one  of  those 
complicated  affairs  with  incriminat- 
ing evidence  involving  at  least  six 
persons  and  with  sufficient  reason 
to  suspect  each  one.  It  certainly 
provides  the  necessary  baffling  at- 
mosphere and  it  is  doubtful  if  they 
will  actually  figure  it  out  before 
the  denouement.  So  much  for 
Chet  Withey's  successful  manoue- 
vering.  And  yet  there  is  a  mechani- 
cal process  about  the  plot  develop- 
ment that  somewhat  detracts  from 
the  interest.  Some  bit  of  evidence, 
intended  to  cast  suspicion  on  each 
of  the  possible  suspects,  is  deliber- 
ately planted.  This  has  the  proper 
effect  but  it  might  have  been  put 
over  with  less  precision  and 
methodical  regularity.  Neverthe- 
less, it  is  very  likely  that  the  plot 
will  baffle  many  and  the  denoue- 
ment surprise  the  best  guessers. 

Story:  Revolves  about  the  mur- 
der of  a  gambler  and  the  attempt 
of  the  police  to  place  the  crime  on 
the  guilty  one.  Two  women  and 
four  men  are  suspected  but  it  fin- 
ally narrows  down  to  the  guilty 
one,  the  disclosure  bringing  about  a 
surprise. 
Box  Office  Angle. . .  .Will  bring  them 
in  where  they  like  the  suspense 
that  goes  with  a  murder  mystery 
and  should  send  them  out  rather 
surprised  with  the   denouement. 

Exploitation The    title   isn't   the 

kind  that  will  tell  them  you  are 
showing  a  mystery  picture,  so  you'll 
have  to  resort  to  other  means. 
Run  catchlines,  such  as:  "A  gam- 
bler was  murdered  and  six  people 
suspected  of  the  crime  with  evi- 
dence pointing  to  each  as  the 
guilty  one.  See  how  the  mystery 
narrows  down  to  the  real  culprit 
in  'The  Pleasure  Buyers!'" 
Direction Chester  Withey,  ade- 
quate. 

Author Arthur  Somers  Roche 

Scenario    Hope    Loring    and 

Louis  Leighton. 

Cameraman   Joseph  Walker 

Photography    Good 

Locale Palm  Beach 

Length  7,202  feet 


Natacha  Rambova 

"When  Love  Grows  Cold" 

Film.  Booking  Offices 

PICTURE  WILL  NO  DOUBT 
REAP  THE  BENEFIT  OF  THE 
VALENTINO  DIVORCE  PUB- 
LICITY BUT  AS  ENTERTAIN- 
MENT IT  FALLS  WAY 
SHORT. 

Star.... At  times  flashes  a  rather  in- 
teresting personality  and  her  ex- 
otic tastes  in  clothes  and  head- 
dress m.ay  prove  attractive.  Not 
pretty  and  at  times  photographs  to 
poor  advantage. 

Cast. ..  .Clive  Brook  far  too  capable 
a  performer  to  be  snowed  under 
in  such  a  weak  characterization. 
Sam  Hardy  suitable.  Johnny  Cough 
a  grating  comedian.  Kathryn  Hill 
wholly  unconvincing  as  a  Broad- 
way butterfly. 

Tyic  of  Story. ..  .Domestic  drama; 
based;  on  novel  by  Laura  Jeian 
Libbey.  It  is  obvious  that  the  pic- 
ture has  been  designed  to  capitalize 
on  the  publicity  of  the  Valentino 
divorce  case  and  as  such  it  will 
undoubtedly  attract  a  curious 
throng  who  will  be  anxious  to  get 
a  glimpse  of  the  second  woman 
to  bear  the  sheik's  name,  just  as 
they  were  curious  to  get  a  peep 
at  Jean  Acker  when  she  divorced 
Valentino.  The  film  will  prove  ade- 
quate bait  but  they'll  get  the  hook 
and  sinker  with  it  and  hardly  feel 
the  urge  to  come  out  for  another. 
If  Miss  Rambova  intends  to  stick 
to  pictures,  seriously,  it  would 
have  been  far  more  to  her  advan- 
tage to  have  sought  a  worth  while 
vehicle,  offered  a  better  production 
and  given  a  little  more  thought  to 
fitting  herself  for  the  public.  She 
does  not  make  herself  as  attractive 
as  she  might.  Trie  story  hardly 
needs  comment.  It  is  Laura  Jean 
Libbey  with  no  effort  on  the  part 
of  Director  Harry  Hoyt  to  con- 
ceal the  shoddiness  of  the  plot. 
There  is  no  sympathy  for  anyone 
and  the  story  of  a,  woman's  great 
love  and  sacrifice  for  the  father 
of  her  child  rolls  along  in  a  hum- 
drum tone  to  an  unconvincing  and 
haphazard  finish.  You  have  the 
about-to-be-reunited  husband  and 
wife  in  their  apartment  in  one  shot 
and  in  the  next  they  are  both  div- 
ing to  rescue  their  boy  from  under 
the  wheels  of  a  Pillsbury  flour 
truck. 

Box  Office  Angle. . .  .Names  and  pub- 
licity will  likely  bring  them  in. 
Figure  the  rest  out  for  yourself. 

Exploitation You   need   only   to 

promise  them  the  appearance  of 
Valentino's  recently  divorced  wife. 
The  publicity  accorded  the  event 
should  have  been  sufficient  advance 
boosting  without  much  further  ef- 
fort on  your  part. 

Direction Harry  O.  Hoyt;  ama- 
teurish. 

Author  Laura  Jean  Libbey 

Scenario  John  C.  Brownell 

Cameraman   William   Miller 

Photography  All  right 

Locale  New  York 

Length  6.500  feet 


THE 


10 


■<Stl 


DAILY 


Sunday,  February  14 


Short  Subjects 

"No    Woman's    Land"— Short    Film 

Ssmdicate,   Inc. 

A  Novelty  Thriller 

Type  of  production 1  reel  novelty 

With  camera  men  scouring  the 
world  for  the  unique  and  unusual,  it 
would  seem  that  there  were  no  ab- 
solutely new  scenes  to  be  offered  on 
the  screen.  But  in  this  view  of 
Grecian  monasteries  is  presented  a 
genuine  novelty.  It  shows  the  life 
of  a  handful  of  monks  who  spend 
their  days  far  removed  from  the  rest 
of  humanity  in  their  dwellings  on  top 
of  a  cliff  five  hundred  feet  high.  And 
it  is  no  ordinary  cliff.  A  mountain 
of  solid  rock  rising  sheer  from  the 
ground.  The  walls  are  as  straight 
as  those  of  a  skyscraper.  You  won- 
der how  those  quiet,  bearded  monks 
who  look  anything  but  athletic  ever 
scaled  that  dizzy  height.  Then  comes 
a  real  thrill.  At  the  bottom  of  the 
mountain  a  monk  places  himself  in  a 
rope  mesh  that  resembles  a  fish  net. 
Two  men  gather  up  the  ends,  and 
sling  them  over  a  hook  on  the  end 
of  a  rope.  Then  we  see  at  the  top 
of  the  cliflf  four  monks  pushing  the 
wooden  arms  of  a  windlass  which 
slowly  draws  the  human  freight  up 
the  dizzy  height.  And  when  you 
watch  the  monk  in  the  net  swinging 
round  and  round  as  the  rope  slowly 
ascends,  you  get  a  real  thrill.  Here 
is  no  stunt — it  is  the  real  goods.  And 
this  rope  has  been  in  use  for  twenty- 
five  years  hauling  the  monks  up  and 
down.  It  looks  it.  The  camera  shows 
several  frayed  strands.  A  real  shiver 
here.  This  film  has  you  guessing 
how  they  ever  got  the  material  to 
build  the  monasteries  of  stone  up  that 
dizzy  height.  The  quiet  life  of  the 
monks  far  above  the  Grecian  village 
is  shown.  A  genuine  novelty  in  ev- 
ery sense  of  the  word.  It  will  ap- 
peal to  any  audience. 


"Your  Husband's  Past"— Roach— 
Pathe 
Decidedly  Worth  Booking 
Type  of  production. . .  .2  reel  comedy 
"Your  Husband's  Past"  has  been 
most  excellently  directed  by  Fred  L. 
Guiol.  It  is  upon  the  clever  bits  of 
business,  timed  to  a  nicety,  and  also 
upon  the  fine  work  of  the  cast  that 
the  laughs  depend.  But  no  matter 
what  it  is  they  depend  on,  they're 
there  with  more  than  the  ordinary 
fervor.  The  action  deals  with  a  gen- 
tleman crook  and  his  tough  pal,  both 
of  whom  have  gone  comparatively 
straight.  At  a  theater  they  become 
acquainted  with  the  mayor's  daugh- 
ter and  a  few  months  later  the 
gentleman  crook  and  the  daughter 
are  about  to  be  married.  Some  ex- 
cellent business  is  inserted  here,  when 
the  tough  pal  mistakes  a  detective 
hired  to  guard  the  weddings  gifts, 
for  a  crook.  A  man  from  head- 
ouarters  recognizes  the  bridegroom 
as  a  famous  thief,  and  goes  to  get 
papers  to  prove  it.  However,  the 
couple  is  married  despite  the  dam- 
aging evidence,  but  not  before  there 
ensues  screamingly  funny  business 
involving  a  ieweled  dog-collar  be- 
longing to  one  of  the  guests'  pets. 
The  tough  pal  steals  the  collar  and 
gets  rid  of  it  by  dropping  it  into  the 
detective's  hat,  whence  it  is  carried, 
all  unknown  by  the  detective,  to  his 


bald  head,  where  it  rests  like  a 
crown.  This  one  should  be  in,  by  all 
means.  The  cast  includes  Tyler 
Brooks,  James  Finlayson,  George 
Cooper  and  others. 


"Love  Nest"— Service  Film  Corp. 

Color  Novelty 
Type  of  production....!  reel  novelty 
"Love  Nest"  certainly  permits  of 
appropriate  musical  accompaniment 
and  being  a  subject  dealing  with  birds 
it  is  especially  fitting  that  the  music 
should  be  effective.  The  picture  pre- 
sents a  variety  of  feathered  friends 
photographed  in  their  natural  haunts 
and  in  natural  color,  the  Prizma  pro- 
cess being  used.  The  coloring  is  at- 
tractive and  for  still,  or  nearly  still 
scenes,  very  good  but  where  there  is 
rapid  motion  the  colors  blur,  the  red 
p'articularly.  Part  of  the  offering 
deals  with  the  "labor  of  love"  of  an 
old  gentleman  who  makes  bird 
houses.  The  entire  procedure  of  the 
making  of  the  litle  clay  houses  is 
given  in  detail  and  attractive  in  col- 
ors. Good  novelty  and  well  suited 
as  a  program  variation. 


"Soul  of  the  Cypress" — Gem  Series — 
Red  Seal 

Splendid  and  Distinctive 
Type  of  production....!  reel  novelty 
One  of  the  rare  artistic  productions 
which  comes  along  only  too  infre- 
quently. The  scene  is  a  grove  of  an- 
cient, gnarled  cypresses  on  the  Cali- 
fornia coast.  In  this  romantically 
appropriate  setting  is  told  the  story 
of  the  love  of  a  young  musician  for 
a  forest  dryad.  As  the  youth  plays 
his  lute,  the  dryad  is  enticed  from  the 
trunk  of  the  cypress.  Siren  like,  she 
lures  him  deep  into  the  forest.  At 
last  she  tells  him  it  is  impossible  for 
her  to  allow  mortal  man  to  even 
touch  her  fairy  raiment.  But  if  he 
loves  her.  let  him  leap  into  the  sea, 
and  then  they  two  will  be  joined  to- 
gether in  immortality.  The  youth 
strup'eles  betwixt  his  love  of  life  and 
love  for  the  dryad.  The  dryad  wins. 
He  leaps  from  the  cliff.  Then  by 
some  very  clever  and  artistic  photog- 
raphy the  soul  of  the  musician  which 
has  become  the  Voice  of  the  Sea  is 
seen  to  melt  into  the  form  of  the 
dryad.  The  kind  of  production  that 
all  the  "better  film"  movements  keen 
crying  for.  This  number  will  lend 
tone  to  any  program. 


James   A.    Fitzpatrick   Music   Master 
Series 

Especially  Interesting 

Type  of  production.  .1-reel  biography 
The  latest  of  the  Music  Master  Se- 
ries is  of  particular  interest  because 
it  deals  with  one  of  the  best  known  of 
the  modern  composers  and  because 
he  was  an  American,  born  near  Pitts- 
burg. "The  Rosary"_  and  "Mighty 
'Lak  a  Rose"  immediately  identifies 
Ethelbert  Nevin  for  these  two  com- 
positions have  reached  such  heights 
of  popularity  that  it  seems  certain  his 
name  will  go  down  with  the  best  of 
the  earlier  moderns.  The  picture  is 
delightfully  handled  and  gives  some 
lovely  views  of  the  countrv  which  in- 
spired tbe  writed  to  write  his  best- 
known  ballads.  It  includes  pictures 
of  Nevin  and  his  wife  and  oicturesque 
views  of  Nevin's  homeland.  The  or- 
chestral accompaniment  of  the  com- 
poser's songs  enhances  the  entertain- 


ment value  and  appeal  of  the  number 
greatly.  Splendid  variation  for  your 
program. 


"Long  Pants"— Roach— Pathe 

Very  Amusing 

Type  of  production 2  reel  comedy 

Here's  one  of  the  most  amusing 
comedies  Glen  Tryon  has  been  seen 
in.  Glenn  is  the  proud  possessor  of 
his  first  pair  of  long  trousers.  There 
isn't  a  tailor  in  town  so  the  dress- 
maker made  them.  They're  extra- 
long  and  extra-wide  and  otherwise 
"collegiate."  A  dashing  young  wo- 
man dashes  by  in  a  roadster  and 
Glenn  is  thrown  in  the  air  and  comes 
down  through  the  roof  of  the  car. 
She  drives  him  home  and  has  another 
smash-up  on  the  way  so  she  stays 
overnight  with  Glenn's  folks.  Of 
course,  Glenn  falls  hard  for  her  and 
even  borrows  his  sisters  silk  stockings 
so  that  it  will  appear  that  he  has  a 
nifty  pair  of  socks.  However,  his 
joy  is  short-lived  for  grandpop 
dumps  a  pitcher  of  water  in  his  lap 
and  the  trousers  shrink  so  that  they 
become  running  pants.  Some  very 
clever  touches  in  this  give  it  pep. 
Fred  L.  Guiol  directed,  and  the  cast 
includes  Vivian  Oakland,  Cissy  Fitz- 
gerald,    Jack    "Rube"     Clifford    and 

Sue  O'Neal.        

"Burmah  Blues"— Short  Film  Sjmdi- 

cate,    Inc. 

Oriental  Jazz 

Type  of  production....!  reel  novelty 

A  highly  colored  bit  of  life  in  In- 
dia, showing  the  dancing  girls  in  an 
outdoor  bazaar.  Here  they  do  the 
latest  native  dances  where  all  the 
public  can  view  them.  The  profes- 
sional Burmese  dancing  girls  trot  out 
their  steps  in  competition,  and  it  will 
startle  most  people  to  note  the  strik- 
ing similarity  between  the  popular 
native  dance  and  what  we  consider 
the  American  discovery  of  the  Char- 
leston. The  Burmese  eddition  is  a 
mild,  languid  edition  of  our  popular 
craze.  The  orchestra  consist  chiefly 
of  a  drummer  who  sits  within  a 
circle  of  small  metal  discs  which  he 
keeps  vibrating  with  his  drum  sticks. 
Our  own  trap  drummer  seems  to 
have  an  easy  job  compared  to  his 
oriental  brother.  That  kids  arc,  kids 
the  world  over  is  proven  by  a  group 
of  youngsters  who  go  through  a  lot 
of  amused  antics  as  the  dancing  beau- 
ties strut  their  stuflf.  A  program  filler 
that  should  be  well  received  in  large 
and  small  houses. 

Animated    Hair    Cartoon — Issue    4 — 
Red  Seal 

Very  Entertaining 
Type  of  production....!  reel  cartoon 
Again  Marcus,  the  newspaper  car- 
toonist, demonstrates  his  cleverness  in 
the  manipulation  of  his  crayon  to 
transform  one  well  known  character 
into  another.  By  simply  transposing 
a  few  strands  of  hair  from  the  face 
and  head  of  William  Taft,  he  pro- 
duces a  striking  portrait  of  Marshall 
Joffre.  Napoleon  likewise  becomes  J. 
P.  Morgan.  Several  other  transfor- 
mations are  accomnlished,  simply  by 
the  manipulation  of  bits  of  mustache, 
beard,  or  a  wisp  of  hair  from  the  head. 
The  last  sketch  is  a  clever  novelty. 
Marcus  draws  a  nightingale  singing 
on  the  bough  of  a  tree.  Then  he 
takes  the  bough  bit  bv  bit  and  dis- 
poses it  about  the  bird.     The  sketch 


IS  then  inverted,  and  the  nigh 
has  appropriately  become  thf 
smger  Galli  Curci.  A  very  em 
ing  novelty  that  has  the  st; 
real  class. 


"Three  Blind  Mice"— Paul ' 
Pathe 

Animated  Fun 
Type  of  production,  .l-reel  ai 

cartoon. 

Here  is  a  good  comic  fe 
three  mice  who  pose  as  blind  t 
There  is  one  especially  good  s 
where  one  of  the  mice  has  a 
fun  with  the  traffic  cop.  T 
held  up  while  he  helps  the  si 
blind  mouse  across  the  street 
here  on  a  variety  of  laughat 
ations  are  worked  up.  Th 
other  incidents  involving  th^ 
table  cat,  who  tries  to  steal  tl 
ey  the  mouse  has  collected  wl 
ging.  Of  course    Mr.  Mouse  ti 


"Ko-Ko    Baffles    the    Bulls' 
Fleischer — Red  Seal 
Entertaining  as  Aiwa 
Type  of  production 1  reel; 

comedy. 

Ko-Ko,  the  inkwell  imp,  ru 
from    the    artist,   with   his  p: 
at    his    heels.      The    reel   de 
Ko-Ko's    many    attempts   t 
the  detectives  which  the  artiii 
to    pursue   him   and   bring  h 
Some  of  the  disguises  are  ve 
and    all    are    unexpected, 
touch  has  been  used  toward ! 
ish  when   Ko-Ko,   finally  ba':i 
again,    looks    in   vain    for  "tl  i- 
as  he  calls  Fleischer.     These  i 
comedies  are  always  enterta ; 


kiet 
1 

m 


tn 


"The    Wicked    City"— Aesop.l 

More  Cat  Fun     i    j  jr: 
Type  of  production. ...  1  ret j« 

Paul  Terry's  pen  and  ink  \\  ^ 
of    Mr.    Cat   and    his    pals    ;i   i; 
have  no  end  to  variety.     In^   r.% 
the  setting  is  Times  Squarfji 
York.     The  mouse  takes  hi    ''' 
a   lunch,   where  the   cat  kidi  ' 
The  entire  police  force  is  cal 
to  aid  in  the  chase,  but  as  1)  ,. 
the  mouse  who  proves  the  ;;    \ 
rescues    his    sweetheart.      Ifj     ' 
usual    Terry    standard. 


"Wandering  Papas"- Hal 
Pathe 
Good  Mirthmakei 
Type  of  production. . .  .2  rei 
Clyde   Cook  supplies  the 
this   one — and   they  come  v 
regularity.      He   is   shown  ; 
for   a    section    gang   on    thf 
One  day  they  demand  a  vai  yj 
the  bean  diet  and  insist  on  '^ 
and  rabbit  pie.     So   Clyde    !i-l 
goes   out   with   his  rod   and.i» 
leaves    them    sitting   at    the 
his   return.     He   manages  1 
a  trout,  but  instead  of  a  rat 
home    a    skunk.      Comedy 
there  are  who  still  feel  th; 
genuine    wit    and    humor    i 
of    this    unpleasant    animal 
get    few    lauerhs    from    be 
audiences.      With    the    ex( 
this    unfortunate    lapse,    t! 
packs   fun  all   the  way.     T 
mixes     merriment     with     t 
Clvde    is    caught    in    a    de 
which    hangs    halfway    ove 
pice.     He   does   some  com 
that  make  you  hold  your  bi  tk 
hangs  over  the  chasm. 


ril 


ny,  Ibruary  14,  1926 


zs^ElS 


DAILY 


11 


vo 


the  Atlantic  Ocean.     Buzzard's  Bay  wasn't  deep  enough. 


Millions 

(Continued  from  Page   1) 


d  on  the  proposed  censorship.     And  kicked  it  far  out 


Chase  crowd  may  well  bear  in  mind  what  Ramsaye 
d  so  may  some  others.  Some  right  in  this  business  of 
d  consequently  we  are  giving  some  of  the  more  pertinent 
made  by  Ramsaye : 


rht 

rk: 

Now  the  very  letter  which  invited  me  to  this  function  bore 
the  image  of  a  mailed  knight  riding  in  a  field  of  blue  under 
the  logan,  'I  have  joined  the  Crusade  for  Clean  Movies.'  The 
ma;d  knight  suggests  gory  combat.  I  judge  that  the  Feder- 
ate Motion  Picture  Council  in  America,  Incorporated,  is  out 
to  Ihristianize  somebody  by  the  methods  of  Richard  III. 

'That  letter  of  invitation  was  accompanied  by  some  inter- 
g  literature.  It  contained  charges  that  the  screen  is  guilty 
L'duction,  attempted  murder,  subornation  of  burglary,  arson 
other  diverting  pastimes.  There  was  also  an  intimation  that 
;  is  a  great  racial  conspiracy  afoot,  aimed  at  the  domination 
merica  and  the  world  for  the  purposes  of  evil.  *  *  *  Since 
V  thtlracial  question  has  been  raised,  I  desire  to  point  out  that 
tht 
coi 
til( 


an< 
-  tht 

f  of 


Motion    Picture    Patents    Co.    was   under   a   complete   and 
cious  Gentile  control.     Nine  of  its  ten  members  were  Gen- 
and  there  was  only  one  Jewish  motion  picture  maker  among 
thtfifteen  or  twenty  motion  pictures  makers  in  the  whole  world. 


Tl- 

bu 
-ha 


or 


su 
_mt 

m; 

53 


man  was  tolerated  in  the  Patents  Company  by  his  brethren 
they  had  a  majority  policy  of  exclusion  toward  others.     I 
their  word  for  it.  *  *  * 


"Realize  this:  not  one  of  these  famous  stars  was  made  by 
motion  picture  industry.     Not  one  of  them  was  advertised 
ven  named  on  the  screen  until  they  had  become  great  even 
'"th<  gh  nameless.     It  is  hard  to  believe  it,  but  it  took  the  motion 
pi(ire  business  seventeen  years  to  learn  to  advertise.     It  has 
ly  learned  it  now.     D.  W.  Griffith  evolved  the  foundation  of 
ern  screen  technique  in  total  obscurity  and  was  the  admitted 
ter  of  the   art   for    nearly   five   years   before   his   name   ever 
type  or  screen.     The  motion  picture  industry  probably  has 
r  made  a  star,  and  likely  never  can.    I  recall  now  two  beau- 
young   women   upon   whom    millions,   literally   millions   of 
f  dears,  have  been  spent  in  vain  in  the  efifort  to  make  them  stars. 
Miey  and  power  can  make  them  well  known,  but  it  can  not 
'm&  the  public  accept  them,  or  any  one  else.     Publicity  helps 
'  •  it  does  not  create  and  the  masters  of  the  screen  are  merely 
ants,  succeeding  as  they  serve.  *  *-  *" 

his  point  Ramsaye  told  how  the  Canon  Chase  movement 

;horse  racing  in  New  York  drove  Charles  Baumann  and 

essel  into  pictures;  and  how  later  they  secured  Chaplin, 

his  best  judgment,  to  make  pictures.     "The  motion  pic- 

thus  a  large  debt  to  Canon  Chase,"  says  Ramsaye. 

"The  movies  have  been  a  shining  mark  because  they  are  a 
ess.     Some  one  is  always  complaining  about  a  success.    The 
real  criticism  of  a  motion  picture  that  I  have  been  able  to 
came   from  a   great  authority.     In   1907,   there   was   a   pic- 
entitled  'The   Great  Thaw  Trial.'     The   Children's   Society 
the  exhibitors  of  this  picture  into  court  and  Harry  K.  Thaw 
I  was  busy  elsewhere  at  the  time,  sent  his  lawyer  with  a 
lal  criticism  in  which  he  desired  to  inform  the  world   that 
hought  the  shooting  scenes  were  badly  done  and   that  the 
!ires  of   Evelyn  Nesbit   did   not   do   her  justice.     Mr.   Thaw 
clearly  the  first  film  critic. 

"When  the  independents  of  1908  got  into  the  production 
1  pictures  became  a  great  deal  better,  as  evidenced  by  the 

that  they  began  to  command  better  audiences.     The  rival- 

of   the    business    were    rivalries    of   production.      The    new 

nres   improved  in  artistic   content  and  at   least   their   moral 

erties  were  no  worse  than  those  that  had  gone  before.     The 

ness  went  to  the  makers  of  the  best  pictures  and  the  Inde- 
dents  took  control — among  them  Carl  Laemmle,  William 
:  and  others  who  had  evolved  out  of  the  nickelodeon  field 
the  screen's   lowly  origin.     Nearly  every  important   name  in 

industry  today  dating  from  that  period  is  an  Independent. 

"In  1912,  along  came  another  independent,  also  of  five  cent 

ter  experience,  Adolph  Zukor,  who  had  a  bigger  picture  idea. 

Itj:  thought  that  if  pictures  were  good  enough  a  great  many  of 

:  better  people  would  become  patrons  and  the  business  would 

ovti'sper  with  quality.    He    got  laughed  at  a  great  deal.     He  was 

Bjing  to  reach  beyond  the  slums  and  compete  with  the  stage 

flifd  the  opera.     It  was  ridiculous.     Zukor  tried  it  and   he  had 

iny  troubles  with  that   absurd   notion  of  making  pictures   so 


long  that  they  took  an  hour  of  screen  time,  presenting  stories 
of  famous  plays  enacted  by  famous  players.  He  met  large 
resistance  in  one  faction  of  the  patents  combine  on  racial 
grounds,  and  through  the  industry  in  general  because  it  was  a 
disturbing  notion.  But  once  again  the  patronage  of  the  public 
decided  and  gave  the  Zukor  idea  the  power  to  go  ahead  and 
dominate  the  screen  with  a  better  product. 

"If  the  motion  picture  on  the  average  is  bad  today  then 
the  American  public  has  gone  wrong  by  the  largest  plurality^ 
ever  polled.  The  motion  picture  of  today  is  made  and  con- 
trolled by  the  box  office.  Successively  we  have  seen  the  domina- 
tion of  the  motion  picture  pass  in  thirty  years  from  the  inventor 
to  the  producer  to  the  distributor  and  lastly  down  to  the  retailer, 
the  exhibitor,  the  man  who  meets  the  public  at  the  door  and  gets 
its  judgment  every  night.  Men  who  began  as  producers  have 
had  to  travel  the  whole  route  to  keep  their  places  in  the  in- 
dustry.    The  public  made  them  do  that." 

PERSONAL  APPEARANCES 

Regarding  which  Karl  Kitchen  says  in  the  N.  Y.  Evening 
World : 

"The  appearance  of  movie  stars  at  movie  social  functions 
are  becoming  less  noticeable  as  the  years  go  on.  Last  Satur- 
day's function  at  the  Astor  Hotel  had  only  a  handful  of  them 
and  they  were  of  the  less  important  variety.  The  year  before 
revealed  a  galaxy  of  them,  paraded  in  their  finery.  Some  of 
them  claim  it  hurts  their  value  as  box  office  cards  when  in- 
timacy enters.  Others  dislike  the  inconvenience  they  have  to 
undergo,  while  others  have  been  spoiled  by  cash  considerations 
for  recent  appearances — and  argue  it  is  better  to  sell  their  ap- 
pearances than  give  them  away.  One  female  star  claims  she 
had  a  $750  evening  gown  ruined  by  souvenir  hunters  who 
clipped  bits  of  it  as  she  left  the  ballroom.  Such  is  fame,  especi- 
ally in  the  movies."  " 

MATERIAL 

No  matter  whom  you  talk  to.  In  the  producing  end  of 
the  business.  You  find  their  chief  problem  has  to  with  material. 
Where  to  get  it.  What  will  make  a  good  picture.  Do  you  know 
anything  outstanding?     Etc.,  etc.     So  the  hunt  goes  on  merrily. 

Each  succeeding  year  the  difficulty  of  finding  material  grows 
more  so.  Each  year  there  is  less.  The  various  producing  units 
all  have  their  troubles.  Many  of  the  stage  plays  are  unfit  for 
various  reasons.  Some  make  fairly  good  material.  Good  books, 
fit  for  pictures,  are  difficult  to  find.  And  when  you  figure  that 
the  leading  companies  absorb  something  like  400  pieces  of  mate- 
rial year  after  year  it  is  easily  appreciated  that  the  search  becomes 
more  strenuous  all  the  time. 

There  is  one  great  field  which,  however,  has  been  but  lightly 
touched — the  foreign  field.  Here  there  must  be  thousands  of 
plays  and  stories,  some  of  which  must  have  definite  values.  Of 
course  many  of  them  are  not  of  practical  use.  For  various 
reasons.  But  there  must  be  a  vast  source  of  ideas,  suggestions, 
hints,  which  the  American  producer  could  use  to  advantage. 

TELEGRAMS 

Franchise  holders  of  Columbia  Pictures  have  forwarded  a 
round  robin  telegram  to  Joe  Brandt  and  the  Cohn  boys.  Con- 
gratulating them  on  finishing  their  program  of  18  pictures  ahead 
of  schedule. 

We  know  a  lot  of  state  righters  who  usually  send  telegrams 
of  a  contrary  nature. 

ANOTHER  RETIRING  STORY 

Grace  Kingsley  quotes  Norma  Talmadge  as  saying  that  she 
will  retire  in  three  years.  Maybe  so.  But  we  have  a  hunch  that 
Joe  Schenck  isn't  taking  his  business  tips  from  the  Los  Angeles 
Times,  or  any  newspaper. 

FAR  AWAY 

Postcard  from  Fred  Niblo.  From  Egypt.  Where  the  Niblos 
are  vacationing.  Will  go  into  Persia  before  they  return  to  Holly- 
wood.    Making  quite  a  visit 


THE 


12 


-gn^ 


•1 


DAILV 


Sunday,  February  14 


The  Week's  Headlines 

Monday 

M.P.T.O.  of  A.,  Allied  gioup  ami  Will  Hays 
finally  agree  on  uniform  contract.  Differ- 
ences   end. 

Control  of  F.H.O.  passes  from  English  in- 
terests to  .1.  P.  Kennedy  of  Boston.  H. 
C.    S.    Thomson    to    remain. 

Fox  1925  proHts  amount  to  $2,527,241, 
equivalent  to  $5.05  on  500,000  shares. 
Earnings  $1,000,000  more  than  year  pre- 
vious. 

Warner  Bros,  financial  statement  for  six 
months  ending  Sept.  26,  1925,  show  deficit 
of    $333,413. 

Tuesday 

New  Standard  Exhibition  Contract  to  go 
in  eflfect  in  March.  Frank  liembusch 
abandons  plan  to  hold  conference  at  French 
Lick,    Feb   23. 

Famous  Players,  for  nine  months  ending 
Sept.  26,  1925,  earns  $3,459,862.  Declares 
$2   dividend. 

Sam  Goldwyn  buys  "The  Winning  of  Bar- 
bara Worth,"   and   Henry   King   will   direct. 

West  Coast  Theaters,  Inc.,  building  20  houses. 
Chain    now    totals    168. 

Film  interests  of  Norway,  Sweden,  Denmark, 
and  Finland  to  take  drastic  action  against 
invasion    of    American    product. 

Wednesday 

THE     FILM     DAILY    prints    complete    text 

of    the    Standard    Exhibition    Contract. 
Rex    Hedwig    to    construct    studio    in    Flush- 
ing.     Rit2    Laboratory    included   in   deal    for 

Gaumont    properties. 
Negotiations    under    way     for    two    stars    for 

P.D.C.     DeMille  plans  to  outdistance  "The 

Ten    (Commandments." 
Fox   to   build   in    St.    Louis.      House   will   seat 

5,000.      Hoblitzelle   circuit   closes    with    Fox 

for   five   years'   service. 
New    Jersey    M.P.T.O.    moves    to    check    non- 

theartical     competition     through     legislative 

action. 
Federated     British     Industries     makes     public 

a    quota    plan. 

Thursday 

Loew    to    build    in    Houston,    Dallas    and    San 

Antonio,    Tex. 
National      M.      P.      Conference     in      Chiclago. 

Terry    Ramsaye    says    that    the    industry    is 

giving  public   what   it   wants. 
Price     cutting     laboratory      war     in     U.      K. 

Ralph    Pugh    ready    to    start    production. 

Friday 

Vital  Exchanges,  Inc.,  thrown  into  involun- 
tary bankruptcy  by  three  employees  with 
total  claims  of  $1,500. 

Erich  Pommer,  former  nianagin.g  director  of 
Ufa    here.       Big    deal    reported    under    way. 

News  reels  balk  at  paying  for  rights  to  film 
Wills-Lenglen  tennis  match  at  i\iee,  France. 

Theater  Owners'  Chamber  of  Commerce  holds 
sixth  annual  supper-dance  at  Astor  with 
over   2,000    in   attendance. 

John  S.  Woody  enters  production  field.  "Life 
of  Jesse  James"  his  first  for  F.  B.  O.  re- 
lease. 

Bill  to  repeal  censorship  introduced  in  Al- 
batiy. 

Senate  in  Washington  votes  to  remove  all  ad- 
missions. Action  far  from  final  and  is,  in 
fact,    largely    political. 

Saturday 

Columbia  Pictures  buy  California  studio, 
Hollywood. 

Building    boom    continues    in     Chicago. 

Fox  reported  about  to  enter  Pacific  North- 
west with  theaters  in  principal  cities.  New 
activity  in  Minneapolis  and  St.  Paul 
reported. 


Georgia  House  Sold 
Brunswick,  Ga. — The  Brunswick  O. 
H.  has  been  sold  to  the  McClure 
Realty  and  Investment  Co.,  of  At- 
lanta, for  $50,000.  Improvements  are 
to  be  made  on  the  building  which  is 
to  reopen  in   the  next  month. 


To  Show  Films  and  Plays 

Lawrence,  Mass. — The  Cosmopol- 
itan has  changed  its  program  and  in 
the  future  will  have  a  presentation  of 
a  short  play  or  sketch  before  pictures. 


West   Coast   House   Opens   March   6 

Oakland,  Cal.— The  Grand  Lake, 
being  erected  by  the  West  Coast 
Theaters,  Inc.,  is  nearly  finished  and 
will  open  March  6. 


Theater  Changes 

Schenectady.  N.  Y. — Plans  have  been  com- 
pleted for  the  enlarging  of  the  Woodlawn 
and    Star    in    the    spring. 


Schenectady,  N.  Y. — Plans  have  been  made 
for  the  re-opening  of  the  Broadway  by 
lames  K'of.cl;,  manager  of  the  Farash  The- 
aters. 


Watertown.  .V.  Y.  —  Carl  Phillips  has 
bought  the  Antique  from  the  Robins  group 
and   will   start   operations   March.    1. 


Monogh,  W.  Va. — George  Hall  has  re- 
opened the  Lyric.  The  House  will  operate 
three  nights  a  week.  It  has  been  closed 
for    over    two    years. 


Portsmouth,  Va. — The  Olympic  is  now 
under  new  management.  Improvements  will 
be   made. 


Hanford,  Cal. — Robert  McNeil  has  se- 
cured an  interest  in  the  T.  &  D.  theater, 
and  will  remodel  it. 


Dixon,    Cal. — The    Palace    has    been    taken 
over  by   I.   W.   Ware. 


Colusa,  Cal — Jack  Dunfield  has  disposed  of 
his  local   interests. 


Hamburg,  N.  Y'. — The  new  Palace  has 
reopened.  George  Biehler  is  operating  the 
house. 


New  Bedford.  Mass. — The  State  has  been 
renamed  the  Greater  State.  Manager  Bay- 
lies   has    installed   a    15    piece   orchestra. 


Wauseon,  O. — Joseph  E.   Rex  has  sold  the 
Princess    for    $11,500.      It    seats    400. 


Bend,     Ore.— T.     M.     O'Donnel     is     com- 
pletely   remodeling    his    600    seat    Liberty. 


Cabool,    Me. — S.    W.    Brown    has    sold    his 
theater  to   C.   E.   Brawner. 


Elsberry.    Mo. — Knapp    &    Crank's    Morris 
O.   H.   has   been   taken   over  by   T.   C.    Knapp. 


Mcintosh.  Minn. — ^John  Reek  of  Erskine. 
is  in  charge  of  the  Grand,  which  he  pur- 
chased from  M.  C.  Howe. 


St.  Charles.  la. — Bean  &  Prusha,  Winter- 
set,  will  begin  showing  pictures  at  the  Opera 
House,   St.   Charles,   la.,   at  an  early  date. 


Schlesswig,  la. — E.  Jacobson  of  Sioux 
City  has  taken  over  the  Palace  from  Henry 
Rickert.      L.    Sampson   is    to   manage. 


Red  Cloud.  Neb. — A.  Beams,  Geneva,  who 
recently  sold  his  Pawnee  City  house,  has  taken 
over   the  Auditorium. 


Kansas  City — Sid  C.  Alexander  and  Rob- 
ert Fulton  recently  opened  the  Paramount, 
at   Oscelo,    Mo. 


Montevideo,  Minn. — L.  E.  Prince,  former 
Regent,  N.  D.  exhibitor,  has  taken  over  the 
Star  from  J.   L.   Hasbrouck. 


Bode.  la. — W.  B.  Franke  has  taken  over 
the  local  theater,  changing  the  name  to 
"The   Strand." 


Monroe,  la. — James  A.  MflChes-teV  of 
Des  Moines  is  the  new  owner  of  the  Monroe, 
purchased  from  G.  A.  Den  Hoedy  and  C.  H. 
Young. 


Aurora,     la. — Motion    picture    shows    have 
been  discontinued   here. 


Callaway,  Minn. — Emil  Nester  has  pur- 
chased the  interest  of  J.  Sebesta  in  the 
Sewal. 


New    Uum,    Minn. — Ed    Wagner    has    pur- 
chased  the   Grand. 


Building  Boom 

{.Continued  jrom  Page  1) 
the    "Windy    City,"    will   erect    three, 
one    each    in    Highland    Park,    Lake 
Forest  and  Waukegan. 

The  Great  Lakes  program  in  High- 
land Park  provides  for  a  1,500-seater 
costing  §750,000  and  including  a 
building  with  stores,  offices  and 
apartments.  A  site  has  already  been 
purchased.  In  Lake  Forest,  a  house 
seating  between  1,000  and  1,200  will 
be  erected,  and  at  Waukegan,  prop- 
erty has  been  leased  from  the  Y.  M. 
C.  A.  for  a  house. 

Michael  Clamage  and  Albert  Bas- 
kind  have  purchased  the  corner  site 
at  Main  St.  and  Dixie  Highway, 
Homewood,  for  a  new  theater  and 
business  building. 

The  University  Theater  Co.,  headed 
by  Clyde  Elliot,  will  shortly  com- 
mence work  on  a  theater  costing 
1300,000  and  seating  2,000  at  Evans- 
ton.  Besides  the  theater,  there  will 
be  a  dance  hall  on  the  third  floor,  of- 
fices on  the  second  and  stores  on  the 
street  level.  Opening  scheduled  for 
Nov.  25. 


Many  Michigan  Theaters  Closed 

Detroit — The  following  theaters 
are  reported  closed  in  Michigan: 

Commimity  at  Bentley,  Elkton  at 
Elkton,  Dreamland  at  Farwell,  Com- 
munity at  North  Adams,  Rondavoo 
at  Brown  City,  Orpheum  at  Weid- 
man.  Montclair  at  Detroit.  Lakeside 
at  Beulah,  Colonial  at  Roscommon. 
Gem  at  Quincy.  AuGres  at  AuGres, 
Palace  at  Capac.  Pastime  at  Atlanta. 
Rex  at  Utica,  and  Lincoln  at  Claw- 
son. 

Theaters  reported  closed  and  now 
operating  again  are:  Regent  at  Ban- 
gor, Strand  at  Jackson,  and  Elk  at 
Elk  Rapids. 


Presentations 

Colony 

Uni  No.  1. — Overture.  Melodies 
Time,  6  minutes. 

Unit     No.     2. — Colony     Comedy 
Scene     1.     (a)     Miss     Prologue.     1 
Mignon    Hawks    begs    the    audience 
in    the    spirit    of    the    carnival   and 
Appears   before   curtain.      Wears  cu 
costume    with   hat   to    match,     (b) 
Little     Bit,"     sung     by     Leroy    M( 
Scene    2.     Symphony     in    Pink.      \% 
girls    in    attractive    black    costumes 
w-ith  silver  and  skirt  of  varied  color 
Scene   3.   A    Study   in   Blue  and  Go 
and    gold    combination    drapes   with 
and     his    orchestra    togged    out   in 
silk     clown     costumes     and     caps. 
variety   of   song  and   dance   numbers 
dancing     girls     appearing     in     two 
changes    and    members    of    the  orcl 
fering    musical    novelty    numbers. 
minutes. 

Unit  No.  3. — Colony  Current  Evei 
8    minutes. 

Unit  No.  4. — "The  Shadowgraph.' 
number  in  which  green  and  red  g 
used  and  objects  appear  to  come 
you.      Time,    6    minutes. 

Unit  No.  5. — Feature:  "What 
to    Jones."      Time,    74    minutes. 


License  Ordinance  Declared 
Terre  Haute,  Ind.— With  tl 
ment  that  the  city  exceeded 
thority  as  vested  in  it  by  t 
legislature,  the  Superior  Cc 
declared  a  city  ordinance  ca 
the  licensing  of  motion  pictur 
tors  invalid.  The  decision  wi 
up  as  a  precedent  for  othii 
throughout  the  state. 


Smith  Heads  Milwaukee  Board 

Milwaukee — At  the  annual  meeting 
of  the  local  Film  Board  of  Trade, 
George  Smith,  manager  for  Para- 
mount,   was    elected    president. 


Welfare  Committee  Shows  Pictures 

Portland.  Me. — A  series  of  pictures 
are  to  be  shown  at  Keith's  under  the 
guidance  of  the  Child  Welfare  Com- 
mittee of  the  Women's  Literary  Un- 
ion for  school  children. 


Greater  Features  Move 

San  Francisco — Greater  Features, 
Inc.,  and  B.  F.  Shearer,  Inc..  are  to 
move  their  offices  to  a  new  film  build- 
ing being  erected  on  12th  St. 


British    War    Picture   in  C 

Toronto — Regal  Films,  Ltc 
ing  up  a  campaign  ror  the  { 
tion  of  a  British  war  pn 
"Ypres,"  for  the  Canadian  i| 
The  premiere  takes  place  si 
the  Regent,  following  "Thij 
Widow." 


"PUBLIC  SERVl! 


Adventure  speakers  (| 
Far  places,  or  films  <i 


II 
Bureau  of  Commercial  Econoi 

1108-16thSt.  N.  W.  WathingK  1^ 


Schools,  Churches  and  Chit 


using  Motion  Pictures 


Should  Subscribe  for 


THE  EDUCATIONAL  SCREEl 

and  keep  up-to-date  with  the 
new  films  and  new  equipment 

"1001   FILMS*'  ] 

booklet,  listing  nearly  3000  educational  films 
given  free  with  each  subscription 

$1.50  per  year  -  5  South  Wabash  Ave.,  Chicago,  II 


You  can  check  up 

There  is  no  question  about  the  popular 
demand  for  photographic  quality  on  the  screen. 
Your  patrons  expect  it. 

Eastman  Positive  is  the  film  that  carries 
the  quality  of  the  negative  through  to  the 
screen. 

And  you  can  check  up — the  black-lettered 
identification  ^^Eastman"  ^^Kodak"  is  in  the 
transparent  margin.      Look  for  it. 


EASTMAN   KODAK  COMPANY 

ROCHESTER,  N.   Y. 


'  ,■* 


-i^ 


<^vi 


"IBP      ^•^^^^H 


rf/i^y  throuqh  d 
cliipajc  of  flame 


w- 


^^%  ro 


0C\l»*^fJ. 


tedbM   ctdi^°''= 


lalD'^" 


,ct<"' 


^# 


Adapted  by  KATHERINE  KAVANAUGH 


TT^S  a  scene  (or  every 
audience  to  gasp  at 
— ^when  fire  sMreeps 
among  the  f  casters  at 
a  Venetian  pageant 
and  tongues  leap 
across  the  canal  at  the 
escaping  gondolas. 

^IVID  as  that  cli- 
^  max  is  the  story  is 
vivid,  too:  a  poiver- 
Eul  portrayal  oS  ^van- 
derers  abroad,  defi' 
ant,  pleasure-mad 
people  deriding  the 
Far  Cry  from  home. 


notionol 


These  Days  When  Showmen  Talk  Showman- 
ship,   You  Know  They're  Talking  About— 

A  l\rhi  national  Picture 


3  MORE  HITS 
for  FEBRUARY 

COLLEEN   MOORE 

in     "Irene" 

JOHNNY     HINES 

in   ''Rainbow   Riley" 

MICHAEL    ARLEN'S 

"The     Dancer     of     Paris"    i 

starring     Conway     Tearle,     su 

ported    by     Dorothy     Mackaillj 


iTHE 

hJbrAdstreet 

FILMDOM 


:s^^rec0cmze6 
Authority 


>CV     No.  38 


Monday,  February  15,  1926 


Price  5  Cents 


,  on  Headlines 


"The  New  Yorker") 
Bjr  "RED" 

ncjnt  announces  "It's  the 
Game"  and  for  once  ex- 
ec. 

«  N:  * 

signs  Marine  Corps  on 
contract  and  Bill  Fox 
at  price   for   qlor^r  now? 

*         *         * 

Steel,"  a  First  National 
vd  Mid-West  wants  to 
's  about  film  salesmen. 

FH  Rough  Riders"  will  be 

mount  special  next  year 

C^rlie  O'Reilly  asks  if  it's 

n  former  uniform  con- 


aa ) 


auses. 

* 


brings  out  "Mare  Nostrum" 
uirse,   wisecracking  exhibi- 
'Never  heard  of  her." 
^         *         * 

[Joyd  makes  "For  Heaven's 
i  theater  owners  say  the 
'  ntals. 

*  *         * 

//   in   M.   P.    T.    0.   ranks 

on  the  horizon  and  Sydney 

ontinnes  to  dabble  in  Flor- 

unestate. 

j      *         *         * 

revost  to  be  seen  in  "Up  in 

oom"    and    "The    Nervous 

pears  on  P.  D.  C.  program. 

*  *         * 
^amount    announces    "The 
Wst  Show  on  Earth"  and 
I  :ors    say    the    millenium 
»  irived. 

*  *        ifi 
n\  IS    acting    "The    IJntamed 

nd     Omaha     theater     builds 
ltd  balconies      for     men     and 


kyrocket'  Is  Coming,"  reads 
'I  md  exhibitors  think  summer 
»   ir  United  Artists  are  out. 
*        *        * 

n    Rembusch's     French     Lick 
'.y    is    off    and    exhibitors    say 
li  aght  New  Orleans  "mutuels" 
,  g)d  enough  anyway. 

F  nk  Lloyd  joins  Lasky  and 
r;  National  picks"  The  'Wise 
Ji  for  Lloyd's  last  picture. 


arbitration  board  hears 
fought  by  Famous  against 
r  for  $1.06  and  Paramount's 
nth  profits  total  $3,459,862. 


"Blues"  Getting  Busy 

Church     Organizations     Frame     Law 

for  District  of  Columbia  As  Model 

for   Nation-Wide  Use 

Washington  —  Efforts  to  induce 
Congress  to  consider  Sunday  legis- 
lation for  the  District  of  Columbia, 
"to  be  used  as  a  model  for  the  vari- 
ous States."  will  probably  be  made 
in  the  near  future. 

A  Sunday  closing  bill  has  already 
been  introduced  in  Congress,  and  it 
is  understood  that  both  the  Lord's 
Day  Alliance  and  the  Methodist  Sab- 
bath Crusade  Committee  will  seek  to 
have  their  measures  introduced  in 
Ijoth  the  Senate  and  the  House  in 
the  near  future. 

Reformers  from  all  oxer  the  coun- 
try met  in  Chicago  last  week  to  con- 
{Continued  on  Page  3) 


Vital    Suit    Friendly 

Receiver    Busy    Holding    Meetings — 

Petitioning    Creditors    to    Confer 

This  'Week 

F.  Dudley  Kohlcr,  attorney  for  the 
petitioning  creditors  in  the  bank- 
ruptcy proc-eedings  brought  against 
Vital  Exchanges,  Inc.  last  week, 
described  the  action  on  Saturday  as 
"a  friendly  one."  A  meeting  of 
creditors  will  be  held  shortly,  per- 
haps   the   end   of   this   week. 

At  that  time,  Kohler  stated  it  is 
planned  to  elect  a  trustee  arid  to  con- 
sider methods  of  working  with  the 
Federal    Court    receiver,    Matthew    P. 

(Continued   on  Page  3) 


Convention  Plans 

M.  P.  T.  O.  Committees  in  New  York 

and  Los  Angeles  Start  Actual 

Work 

First*  definite  announcement  as  to 
the  forthcoming  annual  convention  of 
the  M.  P.  T.  O.  A.  was  made  on  Sat- 
urday. Convention  committees  in  the 
East  and  on  the  Coast  have  started 
functioning.  .  The  Ambassador  Hotel, 
Los  Angeles,  has  been  selected  as 
headquarters  for  the  convention, 
which  opens  on  June  1  and  closes  on 
the   5th. 

Arrangements  have  been  completeti 
(Continued  on  Page  3) 


Laemmle    Off   for    Hollywood 

Carl  Laemmle  left  Friday  for  Uni- 
versal City,  to  supervise  production 
on  "The  Greater  Movie  List,"  Uni- 
versal schedule  for  pictures  for  1926- 
1927.  He  was  accompanied  by  Carl 
Laemmle,  jr.,  and  by  two  noted  Con- 
tinental personages.  One  is  Andre 
Mattoni,  who  has  been  engaged  by 
Laemmle  to  appear  in  Universal  pic- 
tures. The  other  is  E.  A.  Dupont. 
Hans  "Winter,  a  technical  expert, 
was  also  in  the  transcontinental  party. 


Buys  "Pompadour" 

Famous  Continental  Success  Secured 

by  British  National  For  Dorothy 

Gish — Party   Sails 

Herbert  Wilcox,  George  T.  Eaton 
and  J.  D.  Williams  sailed  for  Lon- 
don Saturday  on  the  Paris. 

Dorothy  Gish  sails  the  middle  of 
March  to  make  her  next  picture. 

One  of  the  final  pieces  of  business 
closed  here  was  for  the  purchase  of 
"Madame  Pompadour"  from  Joseph 
M.  Schenck.  (t  wil,l  be  Tec'alled 
Schenck  secured  this  famous  Con- 
tinental success  several  A'cars  ago  in 
Europe  and  planned  to  make  it  a 
special  for  First  National  with 
Norma  Talmadge.  Dorothy  Gish  will 
appeb.r  in  it  for  British  National 
Pictures  Ltd.  It  will  probably  be 
the  last  of  the  three  remaining  pic- 
tures in  the  Gish  series.  The  other 
two    will    be    modern    stories. 

Wilcox  was,  of  course,  delighted 
over  the  fact  that  Paramount  has 
taken  over  "Nell  Gwyn."  He  said 
before  his  departure  that  the  recep- 
tion this  picture  had  received  here 
had  encouraged  him  greatly.  His 
other  pictures  will  be  made  largely 
with  the  idea  of  hitting  the  accepted 
production  and  entertainment  stand- 
ards of  America. 


Still  They  Gome 

Three  Big  Theaters  Added  to  Heavy 

Construction     Program     Under 

Way    in    K.    C.   Territory 

Kansas  City — The  theater  building 
fever  in  the  Kansas  City  territory 
continues.  Three  new  theaters  are 
to  be  built  in  Joplin,  Springfield  and 
Pittsburg,  Kas.  The  steel  work  in 
the  Springfield  house  has  already 
been  put   in  place. 

Wingo  and  Wingo,  Springfield  at- 
torneys, are  representing  foreign  in- 
terests in  the  erection  of  the  house 
which  is  to  be  completed  Sept.  L 
They  have  not  revealed  the  parties  to 
(Continued  on  Page  3) 


Barthelmess   Signs 

Will  Star  Directly  for  First  National 
"When   Contract   with  InspiraMon 

Ends  in  the  Fall 
Richard  Barthelmess  has  signed  a 
contract  with  First  National  Pictures, 
Inc.,  to  star  in  eight  productions  to 
be  made  within  two  years  after  he 
completes  his  present  contract  with 
Inspiration.  He  is  about  to  start 
work  in  "Ransom's  Folly"  on  the 
Coast  and  will  wind  up  his  relations 
with    Inspiration   in   the  fall. 

The  deal  was  closed  by  Richard 
A.  Rowland  the  day  before  Barthel- 
mess left  for  Hollywood.  Insofar 
as  releasing  arrangements  are  con- 
cerned, there  will  be  no  change  since 
the  Barthelmess  pictures  have  been 
handled  by  First  National  for  several 
years.  Walter  Camp.  Jr.,  president 
of  Inspiration,  in  discussing  the  new 
contract  emphasized  the  point  that 
Inspiration's  arrangements  with  First 
National  remain  perfectly  harmonious 
and  indicated  that  many  of  its  fu- 
ture production  plans  may  be  car- 
ried out  in  conjunction  wiih  F'irst 
National. 


Health  Conditions  to  be  Investigated 

Will  H.  Hays  has  arranged  with 
Dr.  Lee  K.  Frankel,  head  of  the  wel- 
fare work  of  the  Metropolitan  Life 
Insurance  Co.,  to  make  a  general  sur- 
vey of  health  conditions  in  the  in- 
dustry. Dr.  Frankel  made  a  similar 
investigation  of  the  Post  Office 
Dept.  when  Hays  was  in  charge 
there. 


Buchowetzki  Leaves 

Dimitri  Buchowetski  left  for  Hol- 
lywood yesterday  to  direct  a  special 
for  Famous.  He  is  under  long- 
term   contract. 


Building  Two  Texan  First-Runs 

William  Epstein  of  San  Antonio 
and  Houston  is  in  New  York.  He  is 
building  a  big  first-run  at  St.  Mary's 
and  Commerce  Sts.,  in  the  former 
city.  It  is  practically  ready.  In 
Houston,  Epstein  who  is  president 
of  the  Main  Realty  Co.  is  now  re- 
ceiving bids  for  a  theater  to  cost 
$404,000.  This  does  not  include  fur- 
nishings or  the  ten  story  hotel  to  be 
part  of  the  entire  structure.  Actual 
construction  starts  March  6,  with 
nine  months  set  for  the  building 
period. 


Underwood  Acquires  More  Theaters 

Dallas — W.  G.  Underwood,  presi- 
dent of  Specialty  Film  Co.,  has  in- 
creased his  theater  holdings  with  the 
purchase  of  three  more  houses  from 
L.  W.  Brophy,  including  Brophy's 
Yale  at  Muskogee,  Okla.,  and  houses 
at  Claremore  and  Venita.  Under- 
wood has  also  bought  the  Strand, 
Muskogee,   from   Dan   Myers. 


Loew   Leases  the  City  Hall 

Loew's,  Inc.  has  leased  the  City 
Hall  theater  from  Joseph  Weinstock 
and  associates  for  32  years,  starting 
May  1,  at  a  total  rental  of  $820,000. 


Fox  Party  at  "Quaker  City"  Showing 

Philadelphia — William  Fox,  Court- 
land  Smith,  his  assistant,  and  John 
Zanft,  general  manager,  headed  a 
party  from  New  York  which  attended 
the  premiere  showing  of  "The  First 
Year"  at  the  Fox  theater  last  night. 


DAILY 


Monday,  February  l 


Vol.XXXVNg.3B     Monday, Feb.  15, 1926    PriceSCents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographie 
Francaise,   5,   Rue  Saulnier. 


Quotations 

High  Low  Close  Sales 
(These   quotations   are  as   of   Saturday) 

►Balaban   &    Katz    ..    71  70^      70}^     

Eastman    Kodak    ..llO^^s   110!4    HOJi  200 

Famous    Players     ..118!4    117K    n7!4  1,500 

»Fam.     Play.     Pfd.     120       120       120        

•Film    Inspection    ..      5%       5%       i]/i  .... 

First   Nat'l   Pfd.    ..107       107       107  200 

Fox    Film    "A"     ..   79         78'4     79  300 

Fox   Theaters   "A"      29^      29^      295^  200 

•Intern'l     Projector       13}^      13'A      13^     

Loews,  '  Tnc.     .;. .   39J^     39         39  800 

Metro-Gold.  Pfd.   ..   23U     23H     23?4  100 

"M.    P.    Cap.    Corp.      20         19>4     20         

Pathe    Exch.    "A"      76^      76         76  300 

•Skouras     Brothers       50  50  50         

Stan.    Co.   of   Am.    ..    49/^      49^      49'/^     100 

Trans-Lux      12          IIM      12  800 

•Universal     Picture       40J^      41  40^     

•Univ.     Pict.     Pfd.       93  93  9i         

Warner  Brothers   ..    ISJ^      15Ji      ISyi  1,200 

•Warner    Pictures    ..10  10  10         

*   Prices    last    quoted. 


Wells    to    Help    Fight    Virginia    Tax 

Richmond,  Va. — Jake  Wells  has 
been  designated  by  the  M.  P.  T.  O.  A. 
and  by  the  Virginia  M.  P.  T.  O.  to 
head  a  campaign  against  the  pro- 
posed 10%  admission  tax  on  all  the- 
aters in  this  state.  The  measure 
would  become  effective  July  1. 

Contact    Bureau   at   M.   P.   T.    O.   A. 

A  Contact  Bureau  has  been  organ- 
ized at  national  exhibitor  headquar- 
ters with  E.  Thornton-Kelly  in 
charge.  It  is  anticipated  a  number  of 
field  men  will  be  assigned  to  differ- 
ent territories. 

The  M.  P.  T.  O.  A.  declares  it  will 
shortly  inaugurate  a  drive  against 
overseating  and  the  practice  of  build- 
ing new  theaters  in  territories  where 
pioneer  exhibitors  now  have  suffi- 
cient seats  to  take  care  of  amusement 
needs  adequately. 


Four   New   Paramount   Exploiteers 

Famous  has  augmented  its  field 
staff  by  four  new  appointments,  My- 
ron Shellman  assigned  to  Charlotte. 
Carl  O.  Weaver  to  Cleveland,  Elmer 
Burger  to  Des  Moines  and  Omaha, 
and  F.  L.  Collins  to  Indianapolis  and 
Louisville. 


News  Reels  Won't  Budge 

It  was  reported  from  Cannes  Sat- 
urday that  the  Carlton  Courts  where 
the  VVills-Lenglen  tennis  matches 
will  be  held  had  decided  not  to  go 
through  witli  its  arrangement  with 
Ben  Blumenthal,  who  had  secured  an 
option  on  the  film  rights  to  the 
matches,  but  was  now  receptive  to 
bids  from  news  reels  direct.  The 
action  followed  a  protest  from  Pathe, 
Kinograms,  Fox  and  International. 
This  latest  move  will  not  alter  their 
stand  in  any  manner.  They  are  de- 
termined not  to  pay  to  film  the 
matches  and  have  so  instructed  their 
representative   at    Cannes. 

It  is  expected  a  last  minute  change 
of  front  will  develop  and  that  tennis 
officials  will  allow  the  news  reels  to 
shoot  the  contests. 


Refuses  to  Aid  in  Membership  Drive 

Dallas  —  The  original  offer  of 
Charles  C.  Pettijohn,  of  the  Hays 
office,  to  aid  the  membership  drive  of 
the  Texas  M.P.T.O.,  by  having  ex- 
changemen  belonging  to  the  Dallas 
Film  Board  compete  to  secure  new 
members  for  the  exhibitor  organiza- 
tion,  has   been  withdrawn. 


Senate    Bill    to    Abolish    Censors 

Albany,  N.  Y. — Senator  Bernard 
Downing,  of  New  York,  Democratic 
leader  in  the  Senate,  has  introduced 
a  bill  designed  to  repeal  the  State 
censorship  law.  A  similar  measure 
was  introduced  in  the  lower  house  of 
by  Assemblyman  Frederick  Hacken- 
burg,   of   New   York   City. 


Senate    Passes    Tax    Bill 

Washington  —  The  tax  reduction 
bill  of  1926  has  passed  the  Senate. 
This  includes  the  repeal  of  taxes  on 
theater  admissions.  The  bill  now 
goes  to  the  Senate  and  House  con- 
ferences before  the  final  vote  is 
taken. 


Two  Stories  Bought  for  "Peter" 

Hollywood — "King  of  the  Pack" 
and  "The  Silent  Avenger"  have  been 
bought  for  "Peter  the  Great,"  who 
will  appear  in  a  new  series  for 
Gotham   Prod. 


Lubitsch  Pictures  on  Special  Bills 

The  International  Film  Arts  Guild 
will  present  two  weeks  of  repertoire 
at  the  Cameo,  commencing  March 
7.  during  which  films  directed  by 
Ernst   Lubitsch   will   be    shown. 


Verne  Porter  En  Route  East 

Los  Angeles — Verne  Porter,  editor 
of  Paramount's  story  department,  has 
left  for  New  York  with  new  story  ma- 
terial. He  will  stop  off  at  Indianapo- 
lis. 


Holt  Injiu-ed  at   Polo 

Del  Monte,  Cal. — Jack  Holt  is  suf- 
fering from  an  injury  sustained  when 
he  was  hit  by  a  ball  while  playing 
polo  on  the  Midwick  Polo  Team. 


Negative  Developing 
and  Printing 

Complete  Title  Service 
SALAND  FILM  LABORATORIES,  Inc. 

Phone  Bryant  7577    729-7th  Ave,   N.  Y. 


Plans   Completed   for   Canton    House 

Canton,  (jhio — Definite  plans  have 
been  completed  for  the  new  theater 
which  will  be  erected  here  by  Marcus 
Locw.  The  site  is  at  Fifth  and  Mar- 
ket Sts.,  and  work  will  start  immedi- 
ately. The  cost  is  $750,000  and  plans 
provide   for  3,000  seats. 


New   Orleans  House   Opens  in  April 

New  Orleans,  La. — Loew's  new 
State,  now  in  construction  at  Canal 
St.,  near  Rampart,  will  be  ready  for 
an  early  April  opening.  The  seating 
capacity  is  3,200  and  the  cost,  $1,- 
500,000. 

Loew  now  operates  the  Crescent 
here,  but  upon  completion  of  the 
State,  the  former  will  be  taken  over 
by  Saenger  for  long  runs. 


Loew's  in  Cleveland  Changes  Policy 

Cleveland — Loew's  Allen,  a  first- 
run  picture  house,  has  changed  its 
policy  to  vaudeville  and  pictures. 
There  are  now  six  such  houses  here. 


$1,500,000    Rental   for   Two   Theaters 

San  Francisco — Louis  R.  Lurie,  lo- 
cal theater  owner  and  realty  operator, 
has  purchased  two  new  theaters,  the 
Harding,  at  Divisadero  St..  near 
Hayes,  seating  1,800,  and  the  Balboa, 
at  38th  Aye.,  seating  1,200,  from 
Samuel  Levin  and  immediately  leased 
them  back  to  their  former  owner  for 
99  years,  at  a  total  rental  of  $1,500,000. 


Michigan  Exhibitor  Dead 

Fenton.  Mich. — Marc  Peck,  50 
years  old,  owner  of  a  local  theater, 
passed  away  at  a  hospital  in  Flint. 
The  end  came  following  two  self-in- 
flicted gunshot  wounds. 


Gray    Opposite    Bebe    Daniels 

Bebe  Daniels  will  have  Lawrence 
Grav  as  leading  man  in  "The  Palm 
Beach   Girl." 

Ceder    Returns 

Ralph  Ceder,  F.  B.  O.  Director, 
who  arrived  in  town  from  the  Coast 
last  Wednesday  returned  to  Holly- 
wood on   Saturday. 


Mayo  in   Vaudeville 

Frank  Mayo  is  appearing  this  week 
at  Loew's  American  in  a  sketch 
titled   "The   Unexpected." 


To  Remodel  Capitol  Stage 
The    stage    of    the    Capitol    will    be 
completely     redecorated,     with     new 
curtains,    draperies    and    settings    in- 
cluded. 


Lincoln  Theater   Co.   Expands 

Seattle — The  Lincoln  Theater  Co., 
of  Port  Angeles,  has  purchased  the 
1,100  seat  Mack  theater  in  that  town 
from  Mack  J.  Davis.  The  Lincoln 
Theater  Co.  also  operates  the  Lincoln, 
Port    Angeles. 

iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiimiiiiHiimiinmiiiimiiniiiimniiiiiiiiiiiii 


FEBRUARY  28th 


^■unniiiiiiiiiiiiiiiiniiiiiiiiiinniniiiiniiDiiiiiiiiiiDiiDiiiiiiiiaiiiiiiniiiiuiimi^^ 


Producers  Denounce  Dramatb 

West  Palm  Beach,  Fla.— Tl 
producing  managers  at  a  coi 
here  vigorously  denounced  tl 
mum  basic  agreement  adoptee 
Dramatists'  Guild  of  the 
League    of    America. 


0(1 1 


Films   Donated  to  Leper  ( 

Metro-Goldwyn-Mayer,  l 
and  Famous  have  contribute 
200  reels,  including  featui 
shorts,  to  the  leper  colony  in 
Canal   Zone. 


F* 


-i'l 


r 


May  Build  in  Lankersh 

Hollywood — Joe   Rock  is  i 

ing   for  a   studio   site  in  Laii' 

At   the   present   time  he  is  pi 

at    Universal    Citv. 


•  *♦♦•*♦♦♦♦♦>•#♦♦•>•♦♦>♦♦♦♦•♦♦♦•♦♦♦♦♦•♦' ' 

I  Ward  Cine  Laboraton 

%  216-222    Weehawken 

:|  Union  City,  N.  J 

li  Telephone  Union  4800 
♦•♦  G.  BERT  WARM 

♦*♦  . 


IF  YOU  ARE  IN  Tl 
MARKET  FOR  ANY  Klb 

MOTION  picn 

APPARATU: 

CONSULT  US— AND  SAVE  Jl 
SEND  FOR  OUR  PRICE  L 


Chas.   G.  Willoughby, 
Motion  Picture  Departi 

110  West  32nd  St.,  New> 
Phone    Penn.    6564 


bit 


I  I'm 


Si 


February  15,  1926 


DAILY 


(n  Broadway 

"iclla    Dallas" 
'      Big   Parade" 
riiat    Royle    Girl" 
'   Vatiishing   American" 
le    Auction    Block" 
■  .1    Hur" 
y— f.hat    Happened   to   Jones" 
(j  Id  •io4- 'Mare     Nostrum" 

•^s^  The  Merry   Widow" 
I  '«,  s  'f  "    York — Today — ''The    Song  and 


>anc 
sda 
■  lai 

::di 


St 


erB- 
tljrr 


Man" 

-"Why    Women    Love"    and    "Tlie 

Signal" 
y — "The    Splendid    Road" 
irSBl— "The  Yankee  Senor" 

Queen       O'       Diamonds"       and 

,   ""Joanna" 

>  "Dance  Madness" 

ite — "The    Wanderer" 

nd — "Partners    Again" 
'  hree    Faces    East" 
'  anting    Mothers" 

"The    Sea     Beast" 

Mark    Strand — "Memory    Lane" 
/  Next  Week 

/  o —  Stella    Dallas" 
'   —'  he   Big   Parade" 
Iwj  — Not     yet     determined 
a-«-  ot    yet    determined 

CoW  The    Torrent" 
n—  ?en    Hur" 
,iy^  lot    yet    determined 
ri«|-"Mare    Nostrum" 

'La    Boheme"    starting    24th 
S|and — Not    yet    determined 
'he    Girl    from    Montmarte" 
lea    Horses" 
r  j-"The   Sea   Beast" 
'.Mark  Strand — "The  Grand  Duchess 
the    Waiter" 


pires"  Getting  Busy 

(Continued  from  Page   1) 

e  better-ment   of  their  fellow- 
d  it  is  probable  that  much  of 
ciission    will    revolve    around 
p(|sibilities  of  reviving  the  Puri- 
k   Sfday.  Reformers  recently  visit- 
or 'Washington    declared    that    not 
ould  there  be  no  amusements 
KJays    but    that    they    were    in 

1)f  stopping  newspapers,   trains 
other  activities,  regardless  of 
ct  of  such  action  on  the  busi- 
ul  welfare  of  the   country, 
iires    sponsored    by    the    two 
ations       named       will       prob- 
brought   tQ  Washington   fol- 
1'^  the    Chicagb    meeting. 


tal    Suit    Friendly 

(Continued  from  Page    1) 

for  the  continuation  of  the 
^.  The  latter  held  a  meeting 
iirday  afternoon  at  which  in- 
1  parties  were  present.  He 
ther  conferences  would  be  held 
it,  pending  these  the  business 
u  be  carried  on  without  inter- 
)tn. 

:re  has  been  no  schedule  of  lia- 
it  5    filed    as    yet    in    the    Federal 
The    assets    are    believed    to 
the   neighborhood   of   $10,000. 


rt; 


till  They  Gome 

(Continued  from  Page   1) 

he  theater  has  been  or  will  be 
The  house  will  cost  $400,000. 
iictt,  Mo.,  contractor  has  ob- 
jJ  a  site  in  Joplin  for  a  2,500-seat 
jer  to  cost  $500,000.  Construc- 
lis  to  start  March  1. 
other  report  is  to  the  effect  that 
phson  and  Finkelstein,  Kansas 
exhibitors,  have  formed  a  com- 
to  acquire  a  new  circuit,  and 
ilanning  the  erection  of  an  1,800- 
theater  in  Pittsburg,  Kas. 


Smile 

The    Film    Daily, 
New    York    City. 

Gentlemen : 

Thanks  sincerely  for  your  notice 
in     Sunday's    FILM     DAILY. 

It     would     be     wonderful     if    every- 
body    got     together     in     this     business . 
and    smiled    at    each    other    from    the 
heart    instead    of    trying   to    figure    out 
how   you    can    beat    the   other   guy. 

Want  to  advise  you  that  we  are 
just  instituting  a  new  service.  We  are 
sending  to  every  exhibitor  in  our  ter- 
ritory a  telephone  number  and  the 
address  of  a  man  that  they  can  reach 
twenty-four  hours  a  day,  who  will  ren- 
der quick  service  to  them  on  miss- 
outs,  mis-shipments,  quick  accessory 
needs,  etc.,  whether  it  is  for  our  ex- 
change or   not. 

Very    truly    yours, 

DE   LUXE   FILM    CO.,   INC. 
OSCAR    NEUFELD, 

President. 


Gonvention  Plans 

(Continued  from  Page  1) 
with  the  New  York  Central  Lines, 
whereby  through  trains  will  leave 
Grand  Central  Station.  The  commit- 
tee in  charge  of  transportation  is  at 
work  on  details  and  will  shortly  an- 
nounce the  complete  schedule.  The 
Middle  Atlantic  group  will  have  a 
special  train   leaving   Chicago. 

Innumerable  social  functions  will 
be  tendered  the  visiting  delegates. 
Cecil  B.  DeMille  will  give  a  ban- 
quet and  ball  at  his  Culver  City  stu- 
dio on  one  of  the  convention  nights. 


Party   Held  to  Defray   Expenses 

Milwaukee — Funds  necessary  to  de- 
fray the  expenses  of  local  M.  P.  T.  O. 
delegates  to  the  convention  in  Los 
Angeles  were  raised  at  a  "movie" 
ball    held   here   last  week. 

Similar  affairs  may  be  held  in  other 
sections  of  the  country  to  raise  ex- 
pense funds. 


Appointed  American  Representative 

S.  L.  Debalta  has  been  appointed 
American  representative  for  the  fol- 
lowing French  trade  publications' 
"Cinemagazine,"  "Almanach  du  Cin- 
ema" and  "Annuaire  Generel  de  la 
Cinematographic."  Headquarters, 

Hotel  Brevoort. 


"Big  Parade"  in  Baltimore 

Baltimore    —    "The     Big     Parade" 
opens  tonight   at  the   Auditorium. 


Distributors  - 


We  can  furnish  you 
with  HERALDS  at 
prices  that  will  save 
you  real  money. 

Send  fof  samples  and  prices 

National  Poster  &  Ptg.  Co. 

729  S.  Wabash  Ave. 

Chicago 


"Jazzbo   Club"   Ball 

The  first  annual  ball  of  the  "Jazzbo 
Club"  of  Prod.  Dist.  Corp.  will  be 
held  at  the  Astor,  March  26,  J.  K. 
Burger,  president,  announces  that 
the  sale  of  tickets  will  be  limited  to 
400. 


Fulton    Back    from    Trip 

Chicago— C.  H.  Fulton,  president 
of  the  E.  E.  Fulton  Co.,  manufac- 
turers and  distributors  of  motion 
picture  equipment  has  returned  from 
an   eastern   trip. 


Color  in  "Monte  Carlo" 

Hollywood  —  Warren  A.  New- 
combe,  who  produced  two  opening 
Technicolor  scenes  for  M.-G.-M.'s 
"The  Torrent,"  has  been  assigned 
to  film  color  scenes  for  "Monte 
Carlo." 


New  Salt  Lake   House   Opens 

Salt  Lake  City — The  Mission,  a 
new  neighborhood  house  owned  by 
Mr.  and  Mrs.  J.  B.  Harrison,  opened 
Saturday. 


Frank    Leonard    to    Universal 

Frank  'Leonard,  for  the  last  four 
years  exploiteer  with  the  New  York 
exchange  of  F.  B.  O.,  has  resigned, 
to  join  Universal. 


Moskowitz  Joins  Kaplan 

Irving  Moskowitz,  well  known  in 
the  local  equipment  field,  has  joined 
Sam  Kaplan,  accessory  dealer  at  729 
7th   Ave. 


Reubenson  Sails 

R.  Reubenson  of  7th  Ave.  Film 
Co.,  Ltd.  sailed  for  London  Satur- 
day on  the  Paris. 


Arthur  J.  Lamb  presents 

THE  MOLLY  MAY  SERIES 

(INC.) 

2  Reel  Comedies 
Featuring  Violet  Mersereau 
Direction  Joseph  Levering 


"T' was  her  first  night  in  Philadelphia, 

"She  looked  so  sweet  in  her  old  fashioned  clothes; 

'  'The  boys  all  said  'Now  she  is  as  modest  as  can  be, 

"  'You  can't  even  see  the  color  of  her  hose. 

"  'She  has  the  baby  stare,  she  doesn't  bob  her  hair. 

"  'She'll  never  go  astray"  ! 

"T'was  her  first  night  in  Philadelphia, 

Philadelphia,  P.  A." 

For  further  information  apply  to 

Cranfield  and  Clarke  (Inc.) 

Distributors  for  the  World 
1476  Broadway  New  York  City 


i 

A., 


^rif^ 


lBX' 


811 

if 


3 

9 
•S 

& 


EL  W 


cr 

QTQ     O 

cr  n 

I— • 
N 


P 


H 
cr 


o 
o 

^    rD 


0 
d 


rD 
rD 


^  3 

Ct     d 

d   cr 

rD    ^ 

'-  d 

rD 

rD 


cr  ^ 
rD    5- 

>^  ^ 

rD     c3 

r^   rD 
S    I 

hJ.  rD 
C  rD 

rD    h5 


O  C/) 

rD  o 

^  I 

2.  S 

p 

rD 

3  ci 

3  - 

a  rD 

7  CL 


rD    P  r- 1 

^   {:::r.  (TQ 

rD    ^  5^ 

rD 


d 

rD 


o 

I-t 


T 


tr  p 
^    rD 

M-t  a 


o 
c 


cr 
rD 

i-t 
rD 

CO 


^ 


iTHE 

4i  brAdstreet 

>  FILMDOM 


2^^RE(OCMIZE6 

Authority 


XV     No.  39 


Tuesday,  February   16,   1926 


Price   5    Cents 


IbI  isiness 

'      '2/  DANNY 

itn  the  blizzard   in- 

the    Broadway    pic- 

hcses  are  doing  real  busi 

.    (  his  does  not  refer  only 

'  e    no-  run  specials,  but  the 

change    houses    particu- 

■  ut  the  interesting  ques- 

ire  they  making  money? 

he  houses  indicated  are  giv- 

idous  bills.    "Entertainment" 

cd.     Perhaps  it  is.     Undeni- 

.     are     doing    business — big 

Perhaps    the    big    business 

n    have  developed  without  the 

i-ta  nienl"  features.  But  this  is 
ti:  le  Broadway  picture  houses 
It  bill  that  is  but  little  differ- 
high-grade  vautleville — with 
included. 

Publix    idea    of    enter- 
ut  started  it.    The  rest 
houses  followed  suit  to 
h.eir  business.    Or  to  im- 
it.      Whether    they    are 
ij  money  with  these  huge 
'■  another  story. 
w  far  they  will  go.  To  what 
se  bills  will  be  strengthened 
lasses.     Also   remains   to   be 
i;re  is  a  limit.     Even  to  what 
house  can  do.     The  crowds 
ug.      No    doubt    about    that, 
liusiness  is  a  lot  better  than 
n.     But  any  time  you  mini- 
importance   of    the    feature. 
^t   the   rest  of  the   program, 
taking  a  long  chance.      Be- 
n  people  want  to  see  vaude- 
know  where  they   can   get 
<  cret  as  to  where  vaudeville 
layed.    And  when  they  want 
ihey    also    know    where    the 
re  to  be  seen. 

MJecialty  bills  are  of  undeni- 
's'th  and  value  where  the  fea- 
oor.  They  bolster  a  bad 
And  when  a  picture  is  bad 
it  give  it  too  much  nursing, 
has  been  proven.  But  when, 
11  to  a  mighty  good  picture, 
,  tainment"  is  also  considered 
ihen  another  problem  devel- 

s  this  is  a  phase  of  the  show 

which     must     be     accepted. 

passed  through.     Most  chil- 

j  to  live  through  a  period  of 

And  chicken   pox.     Usually 

ive  these   minor  annoyances, 

.    to   be   healthy   individuals. 

after  this  period  the  picture 

;.   will  continue  on   its   healthy 

ileanwhile    like   all   the   uncles 

its  who  must  await  the  coriya- 

period,  we   stand   on   the   side 

\nd  view  the  show. 


More  Fox  Houses 

Minneapolis,     St.     Paul    and    Duluth 
Theaters  Behaved  To  Be  Fore- 
runners of  Northwest  Chain 

Minneapolis — Fox  is  preparing  an 
invasion  of  the  Northwest.  It  may 
be  stated  that  the  next  year  will  see 
the  opening  of  theaters  in  Minneapo- 
lis and  St.  Paul  and  Duluth,  with  a 
number   of  others    proposed. 

Under  the  plans  reported  to  have 
been  adcpted.  theaters  of  3,500  seat 
capacity  will  be  erected  in  the  Twin 
Cities,  with  the  Duluth  house  to  have 

(Continued    oil    Page    4) 


The  Fox  Policy 

It  is  understood  that  the  Fox  the- 
ater policy  includes  an  idea  to  de- 
velop several  large  first  run  neigh- 
borhood houses  and  suburban  houses, 
where  Fox  decides  to  build  a  first  run 
downtown  house.  This,  it  is  said,  is 
for  the  purpose  of  insuring  the  down- 
tow  n  liouse,  a  policy  put  into  effect 
by  a  number  of  first  run  operators. 
Balaban  &  Katz.  for  instance,  in  Chi- 
cago, have  on  the  South  Side  the 
Tivoli,  y.  very  large  house,  and  on  the 
North   Side,  the  big  Uptown. 


Fox  Donates  $250,000 

William  Fox,  chairman  for  New 
York  of  the  $15,000,000  United  Jew- 
ish Campaign,  has  contributed  $250,- 
000  to  the  fund. 


Publix  in  Florida 

To   Spend   More    Than   $2,000,000   in 

New  Houses  at  Miami  Beach  and 

Buena  Vista 

Miami — Paramount  Enterprises  plan 
to  spend  more  than  $2,000,000  in 
erecting  houses  here  at  Miami  Beach 
and  Biiena  Vista.  When  completed 
there  will  be  ten  houses  controlled  by 
Famous  in  Greater  Miami. 

The  Miami  house,  the  Olympia, 
will  open  on  the  18th.  It  cost  $500,- 
000  and  is  on  West  Flager  St.  This 
house  and  the  Buena  Vista  house  are 
financed  by  the  corporation  itself.  At 
Miami  Beach,  Joseph  B.  Leach  and 
Ernest  W.  Patterson  are  sponsoring 
the  theater  and  will  lease  it  to  the  or- 
ganization. The  Buena  Vista  theater 
will  cost  $500,000  and  the  Miami 
Beach  structure,  $650,000. 


Antinoe  Rescue  Films  on  B'way 

With  the  arrival  yesterday  of  the 
President  Roosevelt,  International 
News,  which  had  closed  by  cable  for 
pictures  of  the  Roosevelt's  rescue  of 
the  Antinoe  crew,  rushed  the  nega- 
tive to  the  laboratory  and  succeeded 
in  delivering  prints  to  Broadway  first- 
runs  before  four  o'clock. 


Name  Equity  Receiver 

Action  Filed  Against  Davis  Dist.  Div. 

Described  as  a  Friendly  Move  to 
Preserve  Assets 

On  a  claim  of  Marilyn  Mills  Prod, 
for  $5,700,  a  receiver  in  equity  for  the 
Davis  Dist.  Div.,  Inc.,  was  appointed 
yesterday  in  the  Federal  Court  by 
Judge  Goddard.  Henry  C.  Rowe  was 
named  as  receiver  and  D.  W.  Kahn, 
attorney  for  the   receiver. 

This  action,  like  the  one  involving 
Vital  Exchanges,  Inc.,  was  described 
as  entirely  friendly  by  J.  Charles  Da- 
vis, 2nd,  president  of  Davis  Distribu- 
ting. He  said  the  move  was  deter- 
mined upon  by  his  company  in  order 

{Continued   on    Page   4) 


Combine  Reported  Off 

Not  Held  Likely  That  Ten  Local  Cir- 
cuits Will  Band  Together  Under 
Wall   Street   Guidance 

It  is  understood  that  the  principals 
of  ten  important  local  circuits  who 
have  been  considering  one  holding 
company  to  embrace  from  70  to  100 
theaters  are  still  discussing  the  mer- 
ger. However,  the  opposition  of  sev- 
eral  important  factors  first  embraced 

(.Continued   on   Page    S) 


To  End  Trade  Abuses 

General     House-Cleaning     to     Stamp 
Out    Unethical    Business    Tactics 

About  to  Start  in  Des  Moines 
Des  Moines — Determined  to  stamp 
out  trade  abuses  in  this  territory,  ex- 
change managers  are  planning  to 
weed  out  all  the  undesirables  in  vari- 
ous local   sales  forces. 

The  shake-up,  which  is  just  getting 
under  way,  promises  to  be  far-reach- 
ing and  serve  as  an  object  lesson  to 

(Continued    on    Page    4) 


New  Distributor 

Film  Associates,  Inc.,  to  Specialize  in 
Importations — Showings   Here 
in  March 

The  Film  Associates,  Inc..  66  5th 
Ave.,  have  incorporated  to  distribute 
in  New  York  and  in  other  cities  new 
American  and  foreign  films  and  to 
arrange  for  revival,  as  the  first  an- 
nouncement states,  "of  pictures  little 
appreciated  when  they  were  first 
shown    here." 

The  board  includes:  Christian  Brin- 
ton,  art  critic:  Sheldon  Cheney,  au- 
thor of  several  books  on  the  theater; 
(Continued    on    Page   4) 

The  "Motion  Picture  Club" 

The  social  and  business  club  which 
may  come  into  being  atop  of  the 
building  at  1560  Broadway  shortly, 
will  probablv  be  called  "The  Motion 
Picture  Club." 


Supply  Merger  On 

146  Accessory  Houses  Throughout  U. 

S.  May  Be  Consolidated — Move 

Launched  in    Chicago 

Under  the  leadership  of  Harry  Dut- 
ton,  president  of  the  Exhibitors  Sup- 
ply Co.  of  Chicago,  an  important  sup- 
ply house  which  operates  in  Boston, 
Charlotte,  Denver,  Detroit,  Indian- 
apolis, Milwaukee,  Omaha  and  St. 
Louis,  a  merger  of  the  146  supply 
houses  in  this  country  into  a  group 
of  possibly  50  is  being  seriouslj'  con- 
sidered. 

The  purpose  is  chiefly  to  reduce 
operating  costs.  It  is  common  knowl- 
edge in  the  accessory  field,  that  most 
supply  houses  have  been  earning 
meagre  existences  for  years.  Long 
lines  of  credit  have  been  extended  to 
this  class  of  business.  The  Nicholas 
Power  Co.  and  the  Precision  Ma- 
chine   Co.,    leaders    in    the    projection 

(Continued    on   Page    4) 


Shaw  Turned  Down  $1,000,000 

The  Times  reports  from  London 
that  George  Bernard  Shaw  rejected 
an  offer  of  $1,000,000  for  the  film 
rights  to  his  works,  because  he  felt 
the  market  for  his  stage  plays  would 
be  killed.  Samuel  Goldwyn  is  said 
to  have  made  the  offer  several  years 
ago. 


Pantages    Opens   with    Chaplin    Film 

San  Francisco — The  new  Pantages 
theater,  which  cost  several  millions  to 
build,  will  open  tonight  showing  Syd 
Chaplin  in  "Oh,  What  A  Nurse!" 


"Oh,  What  A  Nurse!"  goes  into  the 
Strand  Sunday. 


West  Coast  in  Ventura 

Ventii'a,  Cal. — The  West  Coast 
Junior  7.  heater  Circuit.  Inc.,  has  ac- 
quired a  50  per  cent  interest  in  the 
American  Amusement  Co.,  including 
the  American  and  Apollo.  Charles 
Corcoran  will  remain  in  charge. 


Coast  Confab  Today 

Los  Angeles — The  meeting  of  inde- 
pendents to  discuss  a  subsidiary  or- 
ganization allied  with  the  I.  M.  P.  A. 
of  New  York  is  scheduled  for  today. 


Riesenfeld  Won't  Join  Publix 
Hugo    Riesenfeld    denied   yesterday 
that  he  would  join   Publix  theaters  in 
charge    of    mu.sic,    as    reported.      He 
characterized  the  report  as  silly. 


Break  in  Famous 
Famous-Players    common    dropped 
four     points     yesterdav.     closing     at 
1135^.     Sales  were  13,200. 


THE 


j^E^ 


DAILY 


Tuesday,  February  l(i 


yel.XXXVNo.39    Tne$day,Feb.16,1926    Price  5  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway.  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
aiger;  Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wtlk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematogfraphie 
Francaise,   5,  Rue  Saulnier. 


Quotations 

High 

Low 

Close 

Sales 

Balaban  &  Katz   . 

68 

6754 

6754 

Eastman    Kodak    . 

.11054 

109^ 

109  J« 

900 

Famous    Players    . 

.116^ 

11354 

11354 

13,200 

Fam.   Play.   Pfd.    . 

.12054 

119^ 

n9H 

200 

•Film  Inspection  . 

5% 

SH 

5% 

•First    Nafl    Pfd.. 

107 

107 

107 

Fox  Film   "A"    .. 

77J4 

76 

7654 

1,700 

Fox  Theaters   "A" 

29  Vs 

27?< 

2854 

4,100 

•Intern'l    Projector 

.   1354 

1354 

1354 

.... 

Loew's,  Inc 

.  sm 

ssyi 

3854 

1,000 

Metro-Gold.  Pfd.   . 

2354 

2354 

2354 

100 

M.  P.  Cay.  Corp.. 

19% 

19J4 

19^ 

200 

Pathe  Exch.   "A". 

7554 

735^ 

73% 

2,200 

Skouras   Bros.    . . . 

49 

49 

49 

.... 

•Stan.   Co.  of  Am. 

4954 

495^ 

4954 

.... 

Trans-Lux 

im 

1154 

1154 

2,500 

Universal  Pictures. 

41 

405^ 

41 

300 

*Univ.    Pict.    Pfd.. 

93 

93 

93 

Warner  Brothers. . 

15^ 

IS'A 

IS'A 

500 

•Warner    Pictures. 

10 

10 

10 

.... 

•  Last  prices  quoted. 

Hammell  Much  Better 

John  Hammell,  who  has  been  seri- 
ously ill  at  a  Long  Island  Hospital, 
has  improved  so  much  that  he  may 
be  able   to   return   home   next  week. 


Start  "Douglas  MacLean"  Drive 

A  "Douglas  MacLean"  drive  has 
been  started  by  Associated  Exhibi- 
tors on  the  four  pictures  made  for 
them  by  him.  They  are  "Going  Up," 
'The  Yankee  Consul,"  "Never  Say 
Die"  and  "Introduce  Me." 


"The  Distributor,"  M.-G.-M.  Organ 
Paul  F.  Burger  of  the  Sales  De- 
velopment Dep't  of  M.-G.-M.,  is  edi- 
tor of  a  new  house  organ,  "The  Dis- 
tributor," issued  weekly  in  the  inter- 
ests of  the  sales  force. 


FOR.     R.ENT 


BELL  -  HOWELL 
AKELEY  CAMERAS 

WiLfi  or  Uiit/icut.  Cameramen 


SEIDEN    CAMERA    EXCHANGE 

729   Seventh  Ave.  NYC. 
B  ryan  t   3  9S i 


Saxe    Takes    Over    Racine    House 

Racine,  Wis. — Saxe  Enterprises  has 
taken  over  the  Bijou  from  Owen  Mc- 
Kivitt.  McKivitt  will  remain  here  op- 
erating the  Orpheum. 


Saxe  in  Madison,  Wis. 

Madison,  Wis.  —  Saxe  Enterprises 
will  build  a  $1,000,000  house  here  on 
State  St.,  across  from  the  new  Or- 
pheum. It  will  seat  3,000.  Saxe  will 
affiliate  Madison  interests  with  the 
local  Strand  theater  and  the  Chris. 
Schroeder  &  Son  Investment  Co.  of 
Milwaukee,  will  handle  the  first  mort- 
gage bonds. 


Second  Suit  Against  Lloyd 

Owen  Davis  has  filed  suit  for  $250,- 
000  against  Harold  Lloyd,  Hal  Roach 
and  others  for  alleged  infringement  of 
"The  Nervous  Wreck,"  the  rights 
for  which  are  now  owned  by  P.  D. 
C.  Davis  claims  "Why  Worry"  is 
based  on  his  play.  In  1923,  the  play- 
wright brought  suit  in  State  courts 
on  a  similar  charge  but  the  court 
rule_d  it  was  a  question  involving  Fed- 
eral   jurisdiction. 


Biltmore  Making  Color  Series 

Biltmore    Film    Co.    have  finished 

the  first  two  of  a  series  of  six  nat- 
ural color  novelty  films. 


George    Walsh   in   Town 

George  Walsh  is  here  on  a  vaca- 
tion. He  will  go  to  Europe  before 
returning  to   the   Coast. 


"Mare  Nostrum"  Premiere 

"Mare  Nostrum"  opened  last  night 
at  the  Criterion  for  an  indefinite  run. 


Alice  Joyce  Leaves 

Alice  Joyce  left  yesterday  for  the 
Coast.  she  will  have  a  part  in 
"Beau    Geste." 


New   Stanley  House  to  Open 

Camden.    N.   J. — The   new   Stanley 
theater   will  open   on   Friday. 


Northwest  Deal  for  "Othello" 

Milwaukee  —  "Othello,"  starring 
Emil  Jannings,  has  been  purchased  by 
Ludwig  Film  Exchange  for  Minne- 
sota, North  and  South  Dakota,  Wis- 
consin and  Upper  Michigan. 


Shows  Patriotic  Pictures 

The  Film  Library  of  the  Roosevelt 
Memorial  Ass'n  is  celebrating  "Pat- 
riotic Wf  ek"  by  showing  a  Washing- 
ton and  Lincoln  picture.  Today  at 
Roosevlt  House,  a  performance  will 
be  given  and  one  also  at  eight  in  the 
evening.  The  life  of  Lincoln  is  the 
featuie  with  one  reel  on  George 
Washington. 


Purchases  His  Competitor 

North  English,  la. — Elimination  of 
competition  was  completed  with  pur- 
chase of  the  Main  St.  theater  by 
Vance   Smith,  Orpheum  owner. 


Bronx  House  Changes  Hands 
The  Jerome  Exhibition  Co.  sold 
the  site  at  17Sth  St.  and  Jerome  Ave., 
to  Boone  D.  Hite.  A  theater  to  cost 
$1,100,000  with  3,000  seats  is  pro- 
posed. Plans  were  drawn  by  Eu- 
gene DeRosa,  and  Moore  &  Land- 
seidcl   were   architects. 


Beck  to  Produce  for  "U" 

Hollywood — Arthur  Beck  will  pro- 
duce a  series  for  Universal.  Beck 
is  now  making  pictures  for  Arrow 
and  Associated  Exhibitors,  and  it  is 
understood  that  a  deal  with  a  fourtii 
distributor  is  under  way. 


Sues  for  Commission 

Eleanor  Boardman  was  sued  for  an 
accounting  in  Supreme  Court  yester- 
day by  Murray  Phillips  who  alleged 
he  and  Miss  Boardman's  agent  ob- 
tained a  contract  for  her  with  M.-G.- 
M.,  and  that  she  failed  to  pay  him  the 
percentage  of  profit  the  contract 
called   for. 


Supple  With  Advertising  Agency 

Ed  Supple,  who  resigned  last  week 
as  publicity  manager  for  Pathe,  has 
joined  the  Whitman  Advertising  Ser- 
vice where  he  will  handle  national 
motion   picture  advertising. 

S.  Barrett  McCormick,  it  is  under- 
stood, has  taken  over  Supple's  duties 
at  Pathe  in  addition  to  his  duties  as 
exploitation   manager. 


Belmont  to   Open  Next  Week 

Los  Angeles — Washington's  Birth- 
day will  be  the  opening  date  for  the 
new  West  Coast  house,  the  Belmont. 
It  cost  $750,000  and  seats  1,800. 


Stern  Bros.'  Fourth  Series 

Hollywood — The  fourth  series  of 
comedies  to  be  produced  by  Stern 
Bros,  for  Universal's  1926-27  pro- 
gram, will  be  a  group  of  13,  titled 
"The  Excuse  Maker."  The  fifth  and 
last  series  for  next  year  has  not  been 
selected.  Walter  Anthony  is  writing 
the  stories  for  "The  Excuse  Maker," 
which    will    feature   Charles    King. 


Andrew  Erwin  Elected 

Atlanta — Andrew  C.  Erwin,  former 
mayor  of  Athens  and  part  owner  of 
the  palace  in  Athens,  has  been  elected 
to  the   General  Assemblv. 


Mackaill  in  "Ransom's  Folly" 

Dorothy  Mackaill  will  play  the  lead 
opposite  Richard  Barthelmess  in 
"Ranson's  Folly,"  being  made  on  the 
Coast. 


STOCK  SCENES 

NEGATIVE  AND  POSITIVE 

p  R  r/y  T  s 

Stone  Film   Library 

"{20  W.   42nd   St.  ROOM    303 

Phone    Wisconsin    3770 


X  De  Luxe  Projection  Room 
Adds  Tone  to  the  Picture 

De  Forest  de  luxe  projection 
room,  beautifully  appointed  and 
modernly  equipped,  is  available 
to  the  trade  for  screening  of 
productions. 
Jlbsolutely  Fireproof-  (Sxcellenl 

Screen — New,  Clean,  Comfortable 
Write    or    Phone    for    Appointments 

DeFOREST  PHONOFILMS,  Inc. 

1 560  BROADWAY  BRYANT  4685 


Reissuing  "The  Circular  Staii 
J.  M.  Goldstein  of  Exclusiv 
tures,  Inc.,  will  reissue  "The  (I 
Staircase"  on  the  state  right  if 
The    picture   is    based   on  a  wl 
Mary     Roberts     Rinehart    an 
made  by  Selig  a  number  of  yea 


This  is  a  'Cornerblock'  cut  fu 
FREE  for  all  Pathecomedies  ; 
exchange. 


HALPERII 


LOBBY  FRAMi 

OF  THE   BETTER  KINDI 

LIBMAN-SPANJER    COR| 

1600  Broadway  New  York| 

Tcl-CKickcring  iS>0  ^l•.,  «  '<| 


DRVANT     37.40-3744 


1540  broadway 

NewYork 

Insurance   Experts  to  the  Th< 
And   Motion    Picture    Indu! 


si 

i. 

iB> 


MAJOR  E.  J.  BOWES, 

of    the    Capitol    Theatre,    New 
York,  says: 

"It  is  the  most  remarkable 
picture  of  the  sea  that  I  have 
ever  seen.  International  News- 
reel  deserves  no  end  of  credit 
for  enabling  the  American 
people  to  see  the  thrilling  ex- 
ploits of  the  brave  men  of  the 
Roosevelt." 


Aikrmtional 

'Nemreel 

An  actual  film  record  of  the  greatest  sea  exploit  of  the   century,    shown   exclusively   by    International 
Newsreel  in  issue  No.  15,  without  additonal  cost  to  exhibitors. 


not  a  set  of  stills  **lifted*'  from  theitiewspapers^but  an  actual,  thrill- 
ing motion  picture  record  of  the  greatest  sea  rescue  ever  made, 

APPEARING  EXCLUSIVELY  IN  INTERNATIONAL  NEWSREEL 


More  Fox  Houses 

(.Continued  from  Page  1) 
a   capacity   slightly  under  this.     It  is 
stated    on    good    authority    that    sites 
have  been  acquired  and  contracts  let. 

The  tliree  houses  planned  will  prob- 
ably form  the  nucleus  of  a  string  of 
theaters  in  the  IMorthwest.  It  is  con- 
sidered quite  probable  that  the  com- 
pany will  enter  the  Milwaukee,  Oma- 
ha and  Des  Moines  fields. 

Fox  has  experienced  difficulties  in 
the  Minneapolis  territory,  so  far  as 
the  first  run  situation  is  concerned.  In 
the  Twin  Cities  and  Duluth,  the  com- 
pany was  out  for  nearly  three  years, 
f  tally  suing  F.  &  R.  to  force  tulhll- 
ment  of  contract.  Last  Fall,  James 
R.  Grainger  was  successful  in  closing 
a  deal  over  the  F.  ik  R.  circuit,  but 
with  renewal  of  the  arrangement  con- 
sidered improbable,  invasion  of  the 
territory  was  considered  inevitable. 


Supply  Merger  On 

(Continued  pom  tage   \) 

field,  know  this  through  long  experi- 
ence. It  is  believed  that  it  was  in 
order  to  better  handle  current  con- 
ditions in  the  accessory  held  that 
these  two  companies,  in  association 
with  several  others,  formed  the  inter- 
national  Projector   Corp. 

It  is  Dutton's  idea  that  consider- 
able expense  can  be  saved  by  form- 
ing one  central  organization  where 
two  existed  previously.  He  returned 
to  Chicago  over  the  week-end  after 
spending  about  three  weeks  here  dis- 
cussing the  plan  with  local  supply 
houses.  It  was  reported  yesterday 
that  in  several  cities  the  scheme  has 
caught  on.  I^or  instance,  this  con- 
dition prevails  in  Philadelphia. 

One  individual  who  has  spent  years 
in  this  end  of  the  business  said  yes- 
terday that,  while  he  was  personally 
not  interested,  he  felt  the  consum- 
mation of  such  a  plan  as  Dutton's 
would  prove  a  positive  boon  to  the 
rank  and  hie  of  supply  dealers. 


"Applesauce  " 

Frank  Kembusch,  speaking 
before  the  Nat'l  M.  P.  Confer- 
enc  in  Chicago,  said: 

"I  wish  I  could  re-edit  the 
dictionaries  of  the  country.  I'd 
cnange  just  one  thing — the  defi- 
niiion  for  censorship.  Suppose 
you  were  working  out  a  cross- 
word puzzle  and  you  came  to  a 
ten-letter  word  meaning  'cen- 
sorship.' You'd  open  my  dic- 
tionary and  run  down  to  'Cen- 
sorship' and  there  you'd  find 
the  word. 

"  'Censorship',  it  would  say. 
And  the  definition — 'a  p  p  1  e  - 
sauce.' " 


Incorporations 

.Mbany,  N.  Y. — Efficient  Stage  Lighting 
Curp.,  Aew  York;  lighting  equipment  Cap- 
ital $5,000.  Incorporators,  S.  Taffet,  J. 
Conklin  and  ].  Taffet.  Attorney,  L.  D. 
\  oik,    32    Court    St.,    Brooklyn. 

Springleld,  111. — Manor  Amusement  Co., 
Chicago;  to  operate  theaters.  Capital  $100,- 
OUO.  Incorporators,  V.  Lynch,  C.  Fricke, 
W.  Sieweert,  J.  Lynch  and  iVX.  Savage.  Ad 
dress,    4059    Manor    St.,    Chicago. 

.Mbany,  N.  Y. — Greater  Service,  Inc.,  New 
V  ork,  to  operate  a  theater  ticket  agency. 
I  apital  $75,000.  Incorporators,  T.  Bell,  K. 
lirown  and  C.  Christie.  Attorney,  K.  L. 
lirow,    342    Madison    A\e.,    New     Vork. 


In  the  Courts 

Winnipeg  —  A  decision  has  been 
handed  down  by  the  Manitoba  Court 
of  Appeals  in  dismissing  the  appeal 
of  R.  Kershaw,  owner  of  the  Os- 
borne, against  a  judgment  in  the 
County  Court,  disrnissing  an  action 
by  him  against  United  Artists  in 
which  he  made  claim  to  $800  dam- 
ages for  alleged  non-delivery  of  "The 
Thief  of   Bagdad." 


To  Censor  Posters  in  St.  Louis 

St.  Louis — About  50  representatives 
of  various  social  agencies  attended 
a  conference  at  the  Chamber  of  Com- 
merce to  form  a  committee  to  cen- 
sor posters,  magazines,  books  and 
other  literature.  Rev.  Howard  Bill- 
man,  of  the  Church  Federation,  long 
an  advocate  of  censorship,  was  re- 
sponsible for  the  inclusion  of  posters 
and  advertising. 


"Cleaner  Pictures"  on  Platform 

Cedar  Rapids,  la. — With  a  cleaner 
pictures  platform  and  an  expressed 
determination  to  make  the  city  a  "9 
o'clock  town,"  Effie  Cherry  has  again 
filed  for  nomination  for  mayor  of 
Cedar  Rapids.  Two  years  ago.  Miss 
Cherry  was  a  candidate  for  the  office 
and  was  defeated  by  1,000  votes. 


New  Distributor 

(.Continued  from  Page   I) 

Jane  Heap,  editor  of  the  Little  Re- 
view; iriednch  Kiesler,  organizer  of 
the  International  Theater  iixposition; 
Lawrence  Langner,  autnor  and  direc- 
tor ot  1  heater  Guild;  Kenneth  Mac- 
gowan,  of  the  Greenwich  Village 
theater,  and  Gilbert  Seldes,  formerly 
editor  of  The  Dial,  with  Montgomery 
Hvans,   2nd,  as  director. 

1  he  tirst  pictures  will  be  given  sin- 
gle showings  at  the  Klaw  in  March, 
and  will  consist  of  European  hlnis 
never  shown  in  America.  The  first 
will  be  Marcel  L'Herbillier's  "L'ln- 
humaine,"  featuring  Jacques  Catelain 
and  Georgette  LeBlanc-Maeterlinck, 
with  modernistic  settings  by  Fernand 
Leger,  Mallet-Stevens,  and  others. 
Following  this  will  appear  four 
others,  trench,  German  and  Danish, 
to  be  announced  later.  These  are  al- 
ready in  this  country,  as  are  the  ex 
perimental  abstract  films  made  by  Pi 
cabia  and  the  Comte  de  Beaumont. 


Albany,  N.  Y.— E.  H.  C.  Kea  ty  Corp., 
i\'ew  York;  to  operate  theaters.  tap.tai 
$25,000.  Incorporators,  1.  Capian,  U.  Uwss 
aiul  K.  Capian.  Attorney,  J.  jacub.  i, 
liroadway,   New    York. 


Springfield,  111. — Maywood  Amusement 
Co.,  Chicago;  to  operate  theaters.  capita 
$100,000.  Incorporators,  V.  Lynch,  E.  .Mil- 
ler,   S.    Simansky   and    \\  .    Muelier. 


Albany,  N.  Y. — A.  and  L.  Fihn  Advertis 
ing  Co.,  Inc.;  iNcw  York.  Capital  $1,000. 
Incorporators,  L.  .\ppelton,  F.  Lincoln  and 
S.   Kramer. 


Albany,  N.  Y. — Gromor  Amusement  Corp., 
Brooklyn;  to  operate  theaters.  Capital  $100,- 
000.  Incorporators,  H.  Grossman,  657  Cro- 
tona   Parkway,    Bronx,   et  al. 


Albany,  N.  Y'. — Woodrock  Amusement 
Corp.,  New  York;  to  operate  theaters.  In- 
corporators, E.  Spiegel,  C.  Fisher  and  1. 
Kacer. 


Albany,  N.  Y. — Kingdun  Productions, 
Inc.;  New  York.  Capital  $10,000.  Incor- 
porators, H.  Bloomberg,  K.  Amado  and  I. 
I'inkel. 


Fire  Threatens  Arcaae  in  Milwaukee 

Milwaukee — A  panic  at  the  Arcade 
was  averted  by  four  persons,  two  of 
them  detectives,  when  fire  threatened 
the  house. 


$600,000  House  for  Cicero 

Cicero,  111. — R.  Levine  &  Co.  have 
awarded  contracts  on  their  new  $600,- 
000  theater,  store  and  apartment 
building  at  2Sth  and  53rd  Aves. 


Vatican    Film    Opens    in    'Frisco 

San  Francisco — "Treasures  of  the 
Vatican,"  Pathe's  feature  on  the  artis- 
tic aspects  of  the  Vatican,  has  opened 
at  the  Capitol,  a  legitimate  house, 
for  an  indefinite  run. 


Mullins  &  Patterson  Dissolve 

Palmyra,  111. — The  partnership  of 
Mullins  &  Patterson  has  been  dis- 
solved. Mullins  will  operate  the 
Star,  Palmyra  and  Patterson  the  Prin- 
cess at   Hettick. 


"Life  of  Luther"  in  Films 
St.  Louis — "Martin  Luther,  His 
Life  and  Time,"  an  eight-reeler,  had 
its  first  showing  at  the  Holy  Cross 
Lutheran  Church  auditorium.  Most 
of  the  scenes  were  made  in  Germany. 


Marshall   Quits  for   Stock 

Maplewood,  Mo.  —  The  Marshall 
has  discontinued  pictures  for  dra- 
matic stock. 


New  Haven,  Conn. — The  Scenic  Theater 
of  New  Britain,  inc.;  New  Britain,  to  op- 
erate theaters.  Capital  $25,000.  Incorpora- 
tors,  John   Contaros,   et  al. 


New  Haven,  Conn. — State  Theater  Realty 
Corp.,  Stamford ;  to  operate  theaters  and 
real  estate.  Capital  $25,000.  Incorporators, 
A.    Strauss,   New    York   City,   et  al. 


Dover,  Del. — Hollywood  Film  Productions 
Co.,  to  produce.  Capital  $1,000,000.  Incor- 
porators, S.  L.  Mackay,  et  al.  Attorney,  Cor- 
poration Service  Co.,  Equitable  Bldg.,  Wil- 
mington. 


Trenton,  N.  J. — Hudson  Amusement  Co., 
Newark ;  to  operate  theaters.  Capital  $20,- 
000.  Incorporators,  1.  Liebman,  B.  Tendler 
and  I.  Gussow.  Attorney,  J.  L.  Bernstein, 
New    York. 


Springfield,  111.— Aristo  Theater,  Inc.,  2560 
Lincoln  Ave.,  Chicago ;  to  operate  a  theater. 
Capital  $1,000.  Incorporators,  C.  Soenuth, 
J.  Mussatoo  and  J.  Levy.  Attorneys,  H. 
Berman,   139  North  Clark  St.,   Chicago. 


Springfield,  111. — Power  Amusement  Co., 
5743  West  Chicago  Ave.,  Chicago;  to  op- 
erate theaters.  Capital  $1,000.  Incorpora- 
tors, H.  Brandell,  L.  Traegerm  and  W. 
Shirra.  Attorney,  W.  Shirra,  10  South  La 
Salle   St.,   Chicago. 


Tuesday,  February  16,fc; 


To  End  Trade  Abi 

(.Continued  from  Page  I) 

Other  territories  where  similar 
tions  prevail.  While  there  hav 
no  statements  made,  conditions 
are  destroying  conhdence  betwe 
hibitors  and  distributors  are  s 
exist. 

Plans  are  under  way  for  the 
ing  of  a  special  meeting  in  New 
to  cope  with  the  situation,  fol, 
which  drastic  orders  tor  correci 
existing  evils  may  be   expected 

v^uc  oo.server  deciares  that  ' 
of  booze"  contracts  arc  the  rule 
than  the  exception  in  the  Iowa 
tory,  and  that  side  agreemen 
tween  salesmen  and  exhibitoi 
^rearing  havoc  in  the  ettort  t( 
coii tracts  enforced.  This  prac 
inserting  "trick"  clauses  in  the  c 
lur  s  copy  ot  contract  with  a  di 
iorni  submitted  to  the  company 
be  stamped  out,  distributors  ha 
solved  and  they  are  preparing  t 
determined  steps  to  bring  abo 
reform. 

At  the  recent  get-together  of 
men,  as  the  guests  of  the  Des  J 
Film  Board,  several  speakei 
raigned  what  they  described 
tolerable  sales  tactics,  indicatin 
the  campaign  for  betterment  \ 
get  under  way  at  once. 


Name  Equity  Rece 

{Continued  from  Page  1) 
to  protect  the  interests  of  the  p: 
ers  releasing  through  Davis.  "T 
ject  of  the  equity  receivershij 
said,  "is  to  protect  the  intere 
the  various  producers  rel 
through  our  organization  and  J 
protect  our  creditors  who  niij 
affected  by  the  bankruptcy  of 
Exchanges,  Inc.  It  is  our  p 
to  carry  on  the  releasing  of  ou 
gram  through  the  exchanges 
handling  our  product  and  also  ti 
up  the  remainder  of  the  te: 
which  will  give  us  100  per  cei 
tribution." 

He  said  that  in  seven  weeks 
operating  in  only  52  per  cent 
country,  Vital  had  written  bt 
of  over  $500,000.  New  excl 
were  ready  to  open  at  the  time 
bankruptcy  action  and,  accord 
Davis,  the  financing  necessa 
their  opening  will  be  carried  out 
out   interruption. 


ih 


Hartford,  Conn. — C.  and  K.  Amusement 
Co.,  Inc.,  Norwalk ;  to  operate  theaters.  Capi- 
tal $80,000.  Incorporators,  S.  Kantor,  A. 
Collins  and  W.  Tammany. 


Albany,  N.  Y. — City  Camera  Co.,  New 
York ;  cameras,  accessories,  etc.  Capital 
$20,000.  Incorporators,  H.  Stein  and  M. 
Cohen.  Atorney,  I.  Sack,  110  West  40th 
St.,    New    York. 


Dover,  Del. — Cinema  Cooking  Corporation 
of  America,  Wilmington ;  film  booking  agen- 
cy.     Capital   $1,000,000. 


Dover,  Del. — Peoples'  Theater  Co.,  Dover; 
to    operate    a    theater.      Capital    $100,000. 


Stemple   Expanding 

St.  Charles,  Mo.— Bob  Sti 
who  operates  the  Strand,  and  \ 
building  a  new  house  here,  has 
over  the  theater  in  Pine  Law 
Louis  County,  formerly  operat 
Jim  Drake.  The  Pine  Lawn 
800. 


)tt 


Joins  Famous  In   Canada 

Toronto — Irviin    WaterstreCt,  of; 
merly  of  Indianapolis,  where  he 
i     exploiteer  for  Famous,  has 
(he   local   office   of   Famous. 


King  Bee  in  St.  Louis  Reve. 

St.  Louis — A  lease  on  the  Kin 
just  recorded  reveals  that  M.  J. 
et  al  are  to  receive  an  annual 
of  $12,300.  The  lease  was  giv 
P.  E.  K.  Collins  and  later  tra 
red  to  the  King  Bee  Theater  Cc 
is  served  by  the  St.  Louis  A 
ment  Co. 


'1 


:sd 


r,  February  16,  1926 


THE 


j2jC*_DAI 


DAILY 


Rice  in  Building 


eeJ  S.  D.,  Scene  of  Interesting 
ua  3n — Competition  Hitting 
Other  Towns 

rd  n,  S.  D. — A  building  race 
pect  with  two  new  houses 
d  to  the  six  now  in  the  city. 
I'.t  R.  preparing  to  build  some 
th  summer,  Harry  Walker, 
i;mber  of  Walker  Amuse. 
miunces  plans  for  a  $200,000 
r. 

:  nA-  house  will  be  located  be- 

and  5th  Aves..  and  will  have 

capacity  of  1,000.     It  will  be 

le  Mecca.     Construction  will 

bnce.     Walker  operates   the 

:uj    Rialto   and    Lyric. 


Impetition  in  Jackson 

,    Minn. — Competition   is    in 

eel  s  a  result  of  plans  announced 

A  Matuska  for  a  new  theater. 

m  brothers  operate  the   Sandon 


High  Aspirations 

Lemmon,  S.  D. — Even  though 
he  planned  q  theater  in  a  town 
of  but  1,162,  John  Messer  had 
high  aspirations,  and  prepared 
to  give  his  town  a  real  treat.  He 
intended  to  open  the  new  house 
with  either  "Ben  Hur"  or  "The 
Big  Parade,"  transmitting  his 
request  to  M.-G.-M.  Of  course, 
the  exchange  told  him  the  pic- 
tures would  not  be  available  for 
months  to  come.  Messer  has 
therefore  abandoned  plans  for 
the  theater,  which  would  have 
brought  competition  here. 


mine  Reported  Off 

Continued  from  Page   1) 

1  pn  has  developed  to  the  point 
is  believed  the  deal  will  not 
;h. 

rpose  of  the   merger   which 
each  circuit  to  pool  its  the- 
a  general  company  with  the 
dijs    to    receive    voting    power 
the  extent  of  their  holdings 
)resent    sufficient   or    greater 
lower    than    the    Loew    and 
qcuits  and  in  that  way  secure 
The  deal  made  it  compul- 
each  participant  not  to  play 
since  the  Loew  circuit  has 
h4i  the  more  flagrant  offender. 
.  this  idea  was  believed  feas- 
vvhen  a  check  on  current  pro- 
is  made,  several  decided  they 
no   reason    for   passing    up 
o  output  and  declared  them- 
favor  of  following  the  Loew 
rather  than  not  play  M.-G.- 


ro 

Tf 

in 


itto 

■  "UT. 

fo 

.-1 


;  iaje  1< 
'  mient 


loan  was  to  be  floated  by 
Wall  Street  firm  as  soon 
erger  had  been  perfected,  to 
ew  construction. 


ebraska   House   Burns 

tiJ;view,  Neb.— $15,000  is  esti- 
'llss  caused  by  an  early  morn- 
t  the  Springview  auditorium. 
.i.,ies  had  been  burning  for  sev- 
hirs    before    being    discovered. 


Films  in  Buenos  Aires 

As  Many  as  40  Reels  on  Single  The- 
ater  Program — American   Pic- 
tures Predominate 

Buenos  Aires — Picture  fans  here 
are  treated,  in  several  theaters,  to 
as  many  as  40  reels  on  the  same  pro- 
gram for  40  centavos. 

American  films  control  the  market, 
and  American  stars  are  practically  as 
well  known  as  in  the  United  States. 
News  reels  from  the  States  are  popu- 
lar. Most  of  the  houses  show  a  local 
news  reel,  which  always  includes  sev- 
eral notices  from  the  newspapers  in 
which  the  authors,  the  printer  or  the 
proofreader  has  made  a  laugh-pro- 
ducing error. 

The  section  system  in  vogue  in 
legitimate  theaters  holds  forth  in  the 
picture  houses.  The  film  sections 
last  from  two  to  three  hours,  and 
each  section  is  made  up  of  at  least 
four  features.  In  the  cheaper  houses, 
dividing  reels  by  centavos,  the  pat- 
ron pays  about  one  centavo  for  each 
reel. 

The  more  expensive  houses  give 
their  audiences  fewer  reels  for  more 
money,  but  the  releases  arc  more  up 
to-date.  Pictures  are  usually  shown 
in  Buenos  Aires  from  two  to  three- 
months  after  their  premiere  in  New 
York. 


u 


3t;e  Atlanta  Police  Benefit 

"la  a  —  Willard      C.     Patterson 
,,;dpidnight  jubilees  for  the  bene- 
e  Police   Band  at   the   Metro- 
in  connection    with   the    "At- 
eorgian." 


"-■  Jse  Wells  in  Realty  Deal 
•i^rsonville,   N.   C— Jake   Wells 
associates  have  sold  800  acres 
to  the  Countrv  Club  Estates, 
1    about  $1,000,000. 


Mack    Back   from    Sales   Tri? 

W.  A.  V.  Mack,  short  subject  sales 
manager  of  Pathe,  has  returned  from 
a  two  weeks'  tour  during  which  lie 
visited  exchange  centers  in  ten  cities. 


'  j-aft  to  Direct  Bill  Cody 

'iJ\ngele.s — William  Craft  will 
ill  Cody  in  his  series  of  Wes- 
■r    Associated    Exhibitors. 


ahy  a  Manager  for  First  Nat'l 

i!  aukee— L.    J.    iicCarthy,    for- 

"  imager   of   the    First    National 

f  apes  at  Omaha,  is  the  new  man- 

the  Milwaukee  exchange,  suc- 

E.  T.  Dollendorf,  resigned. 


Tie-Up  on   Rice  "Sportlights" 

A  tie-up  has  been  conchuled  be- 
tween Pathe's  Dept.  of  Public  Re- 
lations and  the  Playground  and  Re 
creation  .A.ss'n  of  .\mcrica  on  the 
Grantland  Rice  Sportlight.s.  distri- 
buted by  Pathe.  Through  a  co-op- 
erative plan  this  association,  a  semi- 
civic  organization,  has  asked  its  fiela 
representatives  to  encourage  the  ex- 
hibitor in  the  showing  of  the  "Sport- 
lights."  


Mr.  Exhibitor:  Aik  at  the  Film  Exchange* 
for  the 


It'i  little  to  ask  for.  but   it'f   the   only 

reliable  aid  you  can  sriTO  your  musiciant 

to  help  put  the  picture  orer. 


Newspaper  Opinions 

"The    Eagle"— United    Artists 
Roosevelt,   Chicago 

AMERICAN—*  *  •  As  a  matter  of  fact, 
"The  Eagle"  is  a  "bird"  of  a  movie  and 
one  which  you  ought  not  to  miss. 

NEWS—*  ♦  *  "The  Eagle"  has  the  ad- 
vantage of  a  rapid-fire  plot,  full  of  action 
and  romance,  with  a  background  of  beauti- 
ful  and   interesting   settings.    *    •    * 

TRIBUNE— •  *  ♦  This  is  a  charming 
photoplay.  It  has  a  spicy  combination  of 
romance,  adventure  and  humor.  It's  beauti- 
fully staged  and  costumed.   *  *   * 


"The  Fighting  Heart"— Fox 
Washington,  Detroit 

FREE  PRESS—*  *  *  It  is  one  of  the 
finest  things  tliis  rising  young  William  Fox 
player  (George  O'Brien)  lias  done  on  the 
screen.    *    *    * 

Colonial,  Indianapolis 

STAR—*  *  *  Action  throbs  through  tlu- 
picture  from  first  to  last.  There  are  three 
fights.    •   *    * 

TIMES — *  *  *^  Is  pleasant  entertninnunl 
with  a  bunch  of  good  fight  scenes.   *  *   * 


the  makings  of  a  charming  little  actress.  *  *  * 
TIMES — *  *  *  The  picture  is  directed  by 
Marshall  Neilan,  to  whom  is  also  accredited 
the  story,  and  therefore  two  hours  of  thrills, 
comedy   and   love-interest   comes    forth.    »   *  ♦ 


"Morals  of  Men"— Tiffany  (S.  R.) 
Fenway,  Boston 

TRAVELER—*  *  *  Because  modern  con- 
ditions have  increased  the  discussfon  of  the 
"double  standard"  this  picture  is  especially 
interesting    at    this    time.    •    ♦    * 


"The  Golden  Strain"— Fox 
Delmonte,  St.  Louis 

GLOBE-DEMOCRAT— ♦  *  *  The  plot 
and  the  characters  are  of  exceptional  inter 
est    in    themselves.    »    *    * 

POST-DISPATCH-*  *  *  "The  Golden 
Strain"   is   a   clean,   ingenuous    western.   ♦   *   * 


"Hands    Up"— Paramount 

RivoH,   St.   Louis 

Missouri,   St.  Louis 

STAR—*  *  *  Raymond  Griffith,  genteel 
comedian,  does  one  of  the  best  roles  of  his 
career  as  the  rebel  spy.   •  *  • 


"Joanna" — First    National 
State,    Minneapolis 

STAR — *  *  *  Is  just  one  thrill  after 
another,  melodrama  holding  forth  through  a'l 
of  the  numerous  reels.   *   ♦   * 


"Just  Suppose"— First  National 
Circle,   Indianapolis 

STAR — *  *  *  It  is — decidedly  good — 
plentifully  sprinkled  with  comedy  and  with 
a   strong    biu    conventional   love   story. 

TIMES — *  *  *  The  story  gets  into  your 
lieart.  Am  sure  of  that.  And  Barthelmess 
registers   with   ease. 


"Lights  of  Old  Broadway"— M.-G.-M. 
Chicago,  Chicago 

AMERICAN — *  *  *  As  a  matter  of  fact, 
■Lights  of  Old  Broadway"  is,  in  our  opin- 
ion.   Miss    Davies'    best    photoplay,    bar   none. 


"The   Only  Thing"— M.-G.-M. 
Apollo,  Indianapolis 

ST.\R— *  *  *  Those  who  like  the  Elinor 
Glyn  type  of  melodrama  will  find  Ahis 
picture  fully  as  interesting  and  entertaining 
as    anything    she    has    done.    ♦    *    • 

TIMES — *  *  *  The  costumes  rival  the 
most  splendid  written  descriptions  by  any 
author    and    the    cast    is    perfect    in    its    parts. 


"Mike"— M.-G.-M. 
Palace,  Washington 

HERALD — *  *  *  There  is  just  enough 
mixture  interspersed  throughout  the  play 
to  accentuate  both  the  humorous  and  the 
pathetic   side.   •  *  * 

POST *  *  *  There  arc,  of  course,  mo- 
ments of  thrill  and  of  riotous  laughter— 
and  in  this  latter  item  the  pictuj-e  ^possesses 
a    rare    entertainment    value.    *  ,    ,      • 

.STAR *    *    *    The   picture    as    a    whole    is 

highly    entertaining,    and    Sally    (O'Neill)    has 


NOW    BOOKING 

,S^     Patrick's    Day    Special 

veek  nf  March  lith.  Fleischer 

Ko-Kn  Song  Car-Twne 

"HAS  ANYBODY  HERE 

SEEN  KELLY?" 

Hayid  Colored  by  Brock 


729    Seventh  Ave.,   N.   Y.   C. 
DISTRIBUTORS 


"Satan   in   Sables"— Warners 
St.  Louis,  St.  Louis 
GLOBE-DEMOCRAT—*    *    *    "Satan    in 
Sables"    literally    drips    atmosphere.    •    •   • 

STAR — *  *  *  It  is  a  good  drama,  en- 
livened particularly  by  the  acting  of  Pauline 
Garon.    *    *    * 


"The   Splendid   Road"--First   Nafl 

McVickers,  Chicago 
AMERICAN—*    *    *    The    bursting    of    a 
river    dam    and    destruction    of    a    town    fur- 
nish   the    ''big   scenes"    in    this   and   are   well 
worth   waiting  for.    *    *   * 


"The  Unguarded  Hour"- First  Nat'l 
Piccadilly,  Rochester 

HERALD—*  *  *  The  picture  is  not  dull, 
but  it  is  very  much  scattered.  There  are 
some  fair  thrills  in  it,  and  some  amusing 
comedy.   *   *  * 

TIMES-UNION—*  *  *  Actors  and  act- 
resses are  placed  against  elaborate  settings 
and  put  through  a  succession  of  impossible 
dramatic    incidents.    *   *   * 


DON'T 


MISS 


THE 


FILM 


DAILY 


FEBRUARY  28th 


^illlllilllllii;Wli!lllliliWlli;illllilllllllllllllllllllll"llllllllll"ll' lllllllllllllllllilHIlh: 


i 


o 


c/i\; 


^  brAdstreet 

/  FrLMDOM 


:S^^RE(0CMIZE6 

Authority 


No.  40 


Wednesday,  February  17,  1926 


Price  5  Cents 


CTURES 

By  DANNY 

est  Ingram — always  an 

g  moment.    Usually  an 

pictures.      But   "Mare 

'is  not  to  be  compared 

Four   Horsemen"   and 

m  Ingram  at  his  best. 

beautiful  at  times,  and 

;tion  on  occasions  rises 

eights.    How  exhibitors 

this  title — "Mare  Nos- 

s  sure   to   prove   of   in- 

cations,    authentic    shots    of 

cities,      demonstrates      once 

value  of  true  surroundings 

locations  for  pictures.     The 

zations,   all   foreigners,   save 

;>  lend  certain  values  to  the 

n.      While   this   runs   long — 

jiecial  showing — it  will  in  all 

|!  be  cut  for  showing  in  pic- 

jis.    This  will  help  consider- 


"Partners  Again" 
test  of  the  Potash  and  Perl- 
M-ries.      The    argumentative 
are   at   it   again.      This    time 
lutomobile    business.       Inci- 
ihis   hasn't   as   many   laughs 
ling  "Potash"   pictures   have 
;t  has  several  sequences  that 
funny.     There  is  a  great  riot 
•r  early  in  the  picture  when 
ies  to  drive  a  car  and  it  gets 
in  him.     The   Strand   crowd 
e   house   when   this   episode 
Then  the  laughs  drop  off 
finish   when    Abe   is   on   an 
pl^e.       There     the     stunts     are 
nny.     But  there  is  too  much 
equence,  and  it  would  be  far 
■    cut.      But    it    was    built   for 
jrposes  and  it  will  get  along 
)ugh  where  your  folks  aren't 
crical;  and  especially  where  they 
ih  type  of  comedy. 

"Behind  the  Front" 
nef)f  my  good  friends  writes  in: 
ive  been  seeing  some  Broad- 
res.  But  you  have  overlooked 
one  of  the  best  comedies  that 
bi|  street  has  seen  in  months — 
the    Front,"   in   which    Ray- 
latton  and  Wallace  Beery  are 
ly  funny.     You  had  better  see 
hen  you  will  get  a  real  laugh." 
ocjbad  we  missed  it.     Wish  we 
to  see  more  pictures.     Will 
:atch  it  later. 

The  Johnstown  Flood" 

is  hailed  as  one  of  Fox's  big 
)r  the  Spring.     And  it  carries 
(Continved  on  Page  2) 


■pi:  e. 


hijl 

id 

su 


iff=9 


«r 


West  Coast  Deal  On 

Negotiations    Being   Conducted    May 

Result   in    Retirement   of    Sol 

Lesser  from  Organization 

As  the  result  of  negotiations  now 
in  progress  it  need  not  prove  surpris- 
ing if  Sol  Lesser  retires  from  active 
management  of  the  West  Coast  The- 
aters, Inc. 

A  number  of  conferences  relative 
to  the  new  financing  of  West  Coast 
have  been  held  and  it  is  expected  that 
the  West  Coast  matters  will  be  com- 
pletely settled  by  the  end  of  the  week. 


Amending  Albany  Bills 
Albany— The  Webb-Davison  Bill 
which  provides  for  elimination  of 
censorship  in  news  reels  will  be 
amended  to  meet  certain  clauses  em- 
bodied in  the  statute  covering  cen- 
sorship and  the  Freiberg  bill  to  ad- 
mit children  to  theaters  when  under 
the  age  of  16  provided  there  is  con- 
trol tlircugh  matrons,  will  be  changed 
to  embrace  all  cities  in  that  state. 


Scene  from  Pauline  Frederick's  greatest  picture,  "The  Nest."  Produced  by 
Excellent  Pictures  Corporation  from  the  William  A.  Brady  stage  success. 
Personally  directed  by  Will  Nigh. — Advt. 


$11,000,000  Budget 

For  First  National  Next  Year — 40  on 
Coast  and  About  15  to  Be  Made — 
Here 

Richard  A.  Rowland  announced 
yesterday  First  National's  production 
budget  for  next  vear  would  be  close 
to  $11,000,000.  A'bout  40  pictures  are 
to  be  made  on  the  Coast  and  about 
14  here  in  New  York. 

At  the  Eastern  studios,  A.  I     '^ 
ett  and   Earl   Hudson  will  make  four 
(Continued  on  Page    11) 


Busy  on  Contract 

The  Standard  Exhibition  Contract 
is  now  in  the  hands  of  the  printer. 
When  the  copies  are  off  the  press, 
there  will  be  a  meeting  of  the  sales 
managers  of  important  distributing 
companies  to  discuss  it. 

From  present  indications,  the  con- 
(Continued  on  Page   11) 


Seeks  Listing 

Toronto — N.  L.  Nathanson,  man- 
aging director,  has  made  application 
for  the  listing  on  both  the  Toronto 
and  Montreal  stock  exchanges  of  $4,- 
150000  first  preferred  and  $7,500,000 
common  of  the  Famous  Players  Can- 
adian. It  is  intimated  that  the  appli- 
cation has  been  favorably  received. 


Set  in  Two  Weeks 

Harry  Button  Looks  for  Consumma- 
tion of  Supply  House  Merger  by 
That  Time 

Chicago — Plans  for  the  merger  of 
146  houses  throughout  the  country 
have  not  reached  the  stage  where  an 
official  indication  can  be  made  as  to 
exactly  in  what  manner  the  individual 
owners  will  be  affected. 

Harry  Button,  president  of  the  Ex- 
hibitors Supply  Co.,  prime  mover  in 
(Continued  on  Page   11) 


Coast  Convention 

The  annual  sales  convention  of  Fox 
will  be  held  at  the  Ambassador  Hotel, 
Los  Angeles,  beginning  April  12  and 
terminating  on  the  17th.  A  special 
train  will  carry  the  Eastern  group  to 
the  Coast. 

There  will  be  present  the  com- 
(Continued  on  Page   11) 


10  Cities  Routed 

Publix  Theaters  presentations  now 
cover  10  cities  and  12  theaters.  Ad- 
ditions will  be  made  as  soon  as  the 
proper  theater  links  in  the  chain  can 
be  forged.  All  presentations  are 
routed   in   the  following  manner: 

Rivoli,    New    York;    Metropolitan, 
(Continued  on  Page   11) 


Bavis  Assets  Placed  at  $1,000,000 
The  assets  of  Davis  Bist.  Bivision, 
Inc.,  which  is  now  in  the  hands  ot 
a  receiver  in  equity,  are  placed  at 
$1,000,000,  and  the  liabilities  at  $400,- 
000.  Vital  Exchange's  indebtedness 
to  Bavis  is  said  to  total  $250,000. 

"U"  Foreign  Business  at  Peak 

Universal  reports  that  foreign  busi- 
ness in  the  fiscal  year  ended  Nov.  7, 
1925,  showed  a  substantial  increase 
over  the  previous  year  and  attained 
a  new  high  record. 


Rock  Closes  Beal 
Los  Angeles — Joe  Rock  has  se- 
cured the  output  of  Van  Pelt  Prods. 
which  will  be  distributed  by  Chester- 
field Pictures  of  New  York.  The  deal 
involves  30  pictures  including  six  po- 
lice dog  features,  starring  "Sandow;" 
12  two-reel  police  dog  comedies,  star- 
ring "Fearless,"  and  12  two-reel 
'Swede'  comedies. 


Levee  Plans  Three  a  Year 

Hollywood — "Molasses"  has  been 
started  on  the  United  lot  under  di- 
rection of  Al  Santell.  This  is  to  be 
the  first  of  three  to  be  made  by  M. 
C.    Levee   this   year. 

Ground  will  be  broken  soon  for 
Levee's  new  prop  building  in  Holly- 
wood. 


Moeller  Back  from  Detroit 
A.  J.  Moeller,  president  of  the 
newly  formed  American  Cinema 
Ass'n,  returned  from  Betroit  yester- 
day where  the  organization  was 
formed   recently. 


ss\o^^ 


RAOUL  WALSH 

PRODUCTION 
WITH 

ERNEST  TORRENCE 
GRETA  NISSEN 

WILLIAM  COLLIER/ JR. 
WALLACE   BEERY 
TYRONE  POWER 

KATHLYN  WILLIAMS 

FROM  THE  STAGE  SPECTACLE 
BY  MAURICE  SAMUELS/  SCREEN 
PLAY  BY  JAMES  T.  O'DONOHOE 

d  paramount  Qicture 


etv^Lrt.ov^*::. 


%^ 


s\vea-3e\^f^^e^ 


W^^lt  K^*^ 


v<e 


elR& 


!!5dtHcnI^/ 


;f.A 


Wednesday,  Februar?    jj 


Newspaper  Opinions 

"The    Great    Love"— M.-G.-M. 
Criterion,  Los  Angeles 

HERALD—*  *  *  Situations  are  ultra- 
farcical,  verging  upon  the  orthodox  slapstick. 
«    »    « 

RECORD—*   *   *   "The    Great   Love"    will 

furnish  an  hour  of  fluf?y   entertainment  which 

will     prove     of    more     than     passing     interest. 
*    *   ♦ 

TIMES—*  *  *  If  one  will  accept  Neilan's 
kidding,  he  will  find  "The  Great  Love" 
laughable  and  good  featherweight  entertain- 
ment— featherweight,  in  spite  of  the  elephan- 
tine   angle.    *    *    * 


Havoc" — Fox 
California,  San  Francisco 

BULLETIN—*  *  *  The  incUnation  is  to 
inject  realism  into  the  story,  to  tell  of  life 
behind  the  lines  and  in  the  trenches  as  it 
existed.    *   *    * 

CALL  AND  PIOST— -  *  *  There  are  side 
lights,  some  of  them  with  a  touch  of  humor 
and   others   of   true   pathos.    *    *    * 

CHRONICLE—*  *  *  Lee  has  told  the 
story  vividly  and  vitally,  and  has  been  es- 
pecially happy  in  getting  fine  acting  from 
his  people.   ♦   •   * 

EXAMINER—*  *  *  O'Brien  has  a  thrill- 
ing role;  quite  his  best  since  "The  Iron 
Horse."   *   •   * 

NEWS — *  *  *  "Havoc"  tells  a  stirring 
and  interest-holding  story  of  London  society 
in  wartime.   »  *  * 


"His  Secretary"— M.-G.-M. 
Century,    Baltimore 

AMERICAN—*  *  *  It's  been  a  long 
time  since  we've  enjoyed  a  movie  any  more 
than    we    did    "His    Secretary."    *    *    * 

NEWS — *  *  *  Norma  Shearer,  Lew  Cody 
and  Willard  Louis  are  extremely  good  in  the 
leading   parts.    *    *   * 

SUN — *  *  *  It  is  revealed  as  a  sprightly 
little  farce-comedy  evolved  from  an  original 
screen   story    by    Carey    Wilson.    ♦    ♦    ♦ 


"Infatuation"— First    Nat'l 
Rivoli,   Baltimore 

AMERICAN—*  *  *  And,  though  Percy 
Marmont  only  scowls  and  Malcolm  McGregor 
only  looks  pleasant,  Corinne  Griffith  is  a 
joy  forever.  In  "Infatuation"  she  is  too 
lovely    for    words.    *    ♦    * 

SUN — *  *  *  As  a  screen  entertainment 
"Infatuation"  impresses  one  as  mostly  blah- 
blah.  Its  scenario  provides  little  action,  a 
minimum  of  interesting  drama  and  an  over- 
abundance  of   subtitles.    *    *    * 

Metro,   Washington 

STAR — *  *  *  Should  provide  much  en- 
joyrnent,  for  there  is  hardly  a  flash  of  the 
screen  that  does  not  show  Corinne  (Grif- 
fith)   in   one   graceful   pose   or   another.    *    •    * 


"Lady  Windermere's  Fan" — Warners 
Rialto,   Washington 

HERALD—*  '  *  Wilde's  drama  depends 
much  on  epigram  and  witty  dialogue,  impos 
sible  to  bring  to  screen.  However,  Lubitsch 
has  filled  the  picture  with  such  clever  bits 
that  the  omission  of  the  witty  remarks  finds 
ample  compensation.  *  *  * 

POST — *  *  *  Herr  Lubitsch  accomplished 
the  seemingly  impossible.  He  has  trans- 
ferred to  the  screen  in  pantomime  and  pic- 
ture the  keen  incisive  wit  of  one  of  the 
world's    greatest   satirists.    ♦   *   * 

STAR — *  *  *  Lubitsch's  direction  in  this 
particular  instance  seems  to  lack  the  fire 
that  has  always  characterized  his  creations. 
True,  the  picture  has  its  great  and  splendid 
moments,  but  there  are  times,  when  it  is 
more  or  less  commonplace.   ♦  *   * 

TIMES — *  *  *  The  great  German  director 
is  about  the  only  director  we  have  who  can 
get  the  most  out  of  apparently  trivial  situa- 
tions, and  his  imprint  is  heavy  upon  this 
work.    *   *   * 


"Little   Annie   Rooney" — United  Art. 
Capitol,  Chicago 

TIMES-STAR— *  *  *  As  the  star  of  "Lit- 
tle Annie  Rooney,  she  (Mary  Pickford) 
is  at  her  best,  eflfectively  blending  laugh- 
ab'e  tomboy  outbursts  with  emotional  touches 
of  genuirie  tenderness.   *  *  * 

Ti<IBUNE — *  *  *  Child  characterizations 
made  Mary  Pickford  famous  and  in  her 
picture,  "Little  Annie  Rooney  ♦  *  «  she 
:lot.s    some    of    the    best    work    of    her    career. 


"Memory  Lane" — First  Nat'l 
Olympia,  Boston 

TRAVELER—*  *  *  We  enjoyed  immense- 
ly the  work  of  Conrad  Nagel  and  found  the 
film  on  the  whole,   worth  while.   *  *   * 


"The  Midnight  Flyer"— F.  B.  O. 
Fay's,  Rochester 

HERALD—*  *  *  Cullen  Landis  has  ap- 
peared prominently  in  a  number  of  pictures, 
but  he  has  never  had  the  opportunity  he 
has    in    "The    Midnight    Flyer."     »     »    » 


"The    Palace    of    Pleasure" — Fox 
New  Aster,  Minneapolis 

STAR — *  *  *  There  are  some  pretty  scenes 
in  this  picture  but  it  is  just  an  average 
film.    *   *   * 


"The  Phantom  of  the  Opera"— Univ. 
La  SalJe,  Detroit 

FREE  PRESS—*  *  *  It  is  a  lavish,  costly 
production,  with  some  of  the  largest  sets 
ever  constructed.  For  this  picture  the  fam- 
ous  Paris   opera   house   was   rebuilt.    *    *    * 


"The  Plastic  Age"— Schulberg 
Randolph,  Chicago 

POST — *  *  *  Its  college  atmosphere  and 
a  certain  air  of  plausibility  and  reality  keep 
"The  Plastic  Age"  from  being  "just  an- 
other"  of   those   wild   youth   dramas.    *    *    ♦ 


"Red   Hot   Tires"— Warners 
Forum,  Los  Angeles 

EXAMINER—*  *  *  Maybe  it's  trivial,  il- 
logical,  obvious   hokum,   but  it's  funny.   •   *   ♦ 

EXPRESS—*  *  *  Monte  Blue,  playing 
Alfred  Jones,  is  delightfully  comical  as  the 
hero.    *    *    * 

HERALD — Multiply  thousands  of  laughs 
by  hundreds  of  giggles  and  you  have  the 
entertaining  value  of  "Red  Hot  Tires."  *  •   * 

RECORD — *  *  *  Is  a  rattling  good  com- 
edy which  kept  the  audience  in  roars  of 
laughter.    *    ♦    * 


"Sally,    Irene    and    Mary"— M.-G.-M. 
State,  Detroit 

FREE  PRESS—*  *  *  "Sally,  Irene  and 
Mary,"  one  of  the  most  colorful  of  recent 
photoplays.    *   ♦    » 

NEWS — *  *  *  Is  a  fascinating  succession 
of  Broadway  jazz  babies,  heavy  sugar  papas, 
liJxurioi>}  apartments,  giorgeously  gowned 
women   and   wild   parties.   *   *   * 


"Sally  of  the  Sawdust"— United  Art. 
Ohio,    Indianapolis 

STAR — *  *  *  From  mediocrity  by  dashes 
of  comedy,  most  of  which  are  furnished'  by 
W.  C.  Fields,  and  by  the  more  or  less 
clever   work   done  by    Carol    Dempster.    *    *   ♦ 

TIMES — *  *  *  It  is  just  an  ordinary  story, 
but  Griffith  with  the  aid  of  Fields  and  Carol 
Dempster,  lifts  the  picture  to  the  place  where 
it  entertains  with  ease  because  it  is  a  human 
little  afifair.    ♦   *   * 


"Soul    Mates"— M.-G.-M. 
Rialto,   Chicago 

TRIBUNE—*  »  *  "Soul  Mates"  is  a  fool 
thing  with  subtitles  suggestive  of  the  aver- 
age   servant    girl's    idea     of    swell     literature. 


"The   Sporting   Chance"— Truart 

(S.    R.) 

Mid-West,   Chicago 

JOURNAL—*  *  *  The  triumph  of  virtue 
over  villainy  has  always  been  too  popular, 
especially  when  a  race  enters  the  plot,  to 
fail    this    time.    *    *   * 

"That  Royle  Girl"— Paramount 
R  alto,  Los  Angeles 

EXAMINER— ♦  *  *  Carol  Dempster  as 
the  girl  with  the  jazz  and  idea's,  gives  an 
amazing   display    of    versatility.    *    ♦    ♦ 

EXPRESS—*  *  *  Carol  Dempster  has 
come  into  her  own;  she  is  alluring,  gay  and 
vibrant,  and  in  addition,  displays  surprising 
emotional  strength.   ♦  ♦   ♦ 

HERALD—*  *  ♦  Taking  the  picture  as 
melodrama,  and  that  is  all  anyone  could 
take   it   to  be.  it  is  good   entertainment.    *   *   » 

RECORD—*  *  *  Grifilth  has  his  usual 
sensational  punches  and  melodramatic  thrills 
— that     is     to    be    expected,     and     hoped     for. 


"What  Happened  to  Jones" — Univ. 
Hippodrome,   Cleveland 

TIMES—*  *  *  Denny  has  a  style  all  his 
own  in  delivering  screen  comedy  entertain- 
ment and  in  this  picture  he  hits  the  bulls 
eye    every    shot.    *  *    ♦ 

Metro,  Los  Angeles 

EXAMINER—*  ♦  *  Coincidence,  inven- 
tion and  delightful  improbability  joined  merry 
hands   in  the  preparation   of   the  script.    *   *   » 

EXPRESS—*  *  *  Frankly,  "What  Hap- 
pened to  Jones"  ranks  with  "Charley's  Aunt" 
and  "The  Man  on  the  Box"  in  its  comedy 
range.   *   *   * 

HERALD — *  *  *  Bazsu  Pitts  gives  a  good 
characterization  of  the  outwardly  dumb,  in- 
wardly  scheming   maid.    *    *    » 

RECORD—*  *  *  Denny,  naturally,  is  his 
usual  speedy  self,  evidently  liking  his  role 
immensely.    *    »    ♦ 

TIMES—*  *  *  If  Universal  can  hold  on 
to  William  A.  Seitei,  who  directed  this,  they 
are  going  to  have  the  greatest  line  of  com- 
edies put  out  by  any  studio,  except  the 
Chaplin  and   Lloyd  workshops.   *   *   * 

Granada,  San  Francisco 

BULLETIN—*  *  *  Reginald  Denny  has 
appeared  in  many  humorous  pictures  in  the 
past  two  years,  but  "What  Happened  to 
Jones"  will  go  down  in  history  as  his  fun- 
niest   screen    effort    up    to    date.    *    *    ♦ 

CALL  AND  POST—*  *  *  Funny?  This 
picture  would  make  a  dummy  laugh  its  head 
off.    *    *   * 

EXAMINER—*  *  *  It's  a  laugh  from 
beginning  to  end,  and  Reginald  Denny  makes 
an   excellent  comedian.   *   *   * 

NEWS — *  *  *  Reginald  Denny  gives  an- 
other outstanding  exhibition  of  his  ability 
as  a   farceur.   *   *   * 


"A  Woman  of  the  World"— Para- 
mount 
•  Orpheum,  Boston 

GLOBE — *  *  *  An  up-to-date  story,  with 
an  American  setting  and  a  modern  love 
theme.   ♦  *  * 

TELEGRAM—*  *  *  A  vital,  modern  love 
drama,  packed  with  dazzle  and  comedy,  as 
well     as     romance     and     emotional     strength. 


Putting  If  Ov( 


Here  is  how  a  brother  i 
itor  puts  his  show  over, 
along  your  ideas.  Let  the 
fellow  know  how  you  c\\ 
up. 


An  Exhibitor  Aid 

The  Bristol  Barber  Co.,  I 
E.  14th  St.,  has  made  inni 
tie-ups  with  exhibitors  in  Ni 
anH  suburbs,  whereby  a  cc 
equipped  radio  set  is  awarden 
rons. 

The  plan  works  someth' 
this:  Bristol  Barber  supply! 
hibitor  with  the  radio  and  al! 
000  keys.  A  campaign  is  pi 
the  theater,  announcing  the  I 
the  radio  will  be  given  to  th' 
holding  the  master  key  whi( 
the  radio   set. 


"Quicksands"  to  be   Mar 

Sam    Marx,    representing 
ducers   of    "Quicksands,"  maj 
years  ago,  is  now  planning  tpj 
unsold  foreign  rights  and  po;il 
issue  it  in  this  country.     Int( 
ficulties    in    the    former    Sel; 
ganization   are   said   to   have 
release  until  now. 


m 


Karzas  Opens  His  Nev, 

Chicago— Andrew    Karzas 
ing    several    houses   here,  haii 
his   newest,   the   North   Centii' 


"Womanhandled" — Paramount 
Strand,  Cincinnati 

TIMES-STAR—*  *  *  A  highly  amusing 
farce,  satirizing  the  popular  misconception  of 
the  great  open  spaces  of  the  wild  and 
woolly    West,    is    "Womanhandled."    ♦    *    » 

TRIBUNE—*  *  *  One  of  the  brightest, 
satirical  comedies  which  has  come  along  in 
a   good   while.    *    *    * 


"The  Yankee  Senor"— Fox 
Moon,    Omaha 

BEE — *  *  *  It  is  a  colorful  romance,  the 
locale  of  which  is  laid  in  Old  Mexico  and 
it  affords  Mix  splendid  opportunities  to  show 
that  he  is  an  actor  as  well  as  cowboy.   *   *   * 

WORLD-HERALD—*  *  *  Tom  Mix 
and  his  horse,  Tony,  manage  to  crowd  the 
usual  number  of  thrills  into  his  picturiza- 
tion  of  "The  Yankee   Senor."   *   *   ♦ 


Butterfield's   New   Company 

Detroit — W.  S.  Butterfield's  new 
$3,000,000  corporation,  known  as  W. 
S.  Butferfield  Theaters,  Inc.,  was 
formed  to  act  as  a  holding  company 
for  all  the  various  theater  units  which 
have  hereto  operated  his  theaters.  It 
is  expected  that  a  large  block  of  stock 
will    be   placed   on   the   market. 


Independent  Buys  Sierra  Serial 
Boston — Sierra     Pictures    has    sold 
their  serial,    "Vanishing   Millions,"   to 
I  he    Independent    Film    for   New   En- 
gland. 


Former  Manager  Elected  Sheriff 
Poughkeepsie — George    Davis,    for- 
mer  manager   of  the    Bardavon  thea- 
ter,  has   been   appointed   under-sheriff 
of   Duchess    County. 


New   Policy  at  Ascher  I 

Chicago — Ascher  Bros,  hal 
duced  a  five-act  vaudeville  i 
the  Mid-West,  in  connecti 
pictures.  Program  change! 
weekly. 


Films  in  Finla 

Over    Three-Fifths    of    All 
Shown  in  That   Country  1 
1925  Were  American 

Washington  ■ —  More  thai 
fifths  of  all  the  films  exh 
Finland  during  1925  were  A 
according  to  the  Finnish  Sta 
of  Censors,  states  Vice 
Frank  P.  S.  Glassey  at  He 
in  a  recent  report  to  the  De 
of  Commerce.  A  total  of  I 
were  passed  upon  during 
year,  and  339  of  those  were  o 
can  origin. 

Germany  comes  first  as  a 
tor,  with  62  films  having  b 
mitted  to  the  censor's  offic 
Finland,  France  and  Swedei 
in  order.  Two  hundred  twe 
films  were  of  the  so-calle( 
variety  (i.e.  ordinary  picture: 
tertainment  only),  while  2 
were  "art  pictures."  "educati 
tures,"  and  the  like.  Five 
jected. 

Besides  the  339  pictures  t 
United  States,  62  were  fr< 
many;  52,  Finnish;  25,  Fr( 
were  Swedish;  11  were  D 
were  Italian;  5  were  Austria 
Norwegian;  1  was  Russian 
ture  was  English  and  2  wer 
known  origin. 


THE 


lesd^,  February  17,  1926 


Inorporations 


bus, 
■>     oi 

iCS, 

StoU 

.n.  I 
li 
.  'apil 

y,    1 

■>  pr 

I.   Br 

0   V. 


D. — Ohio    James    Co.,     Colum- 

ate     theaters.        Inciorporators, 

Neth,    J.     Connor,    J.    James 


J?S^ 


DAILV 


J. — Lyceum  Theater,  Inc.,  20 
e,  Newark,  to  operate  the- 
$125,000. 


Y. — Cantor  Comedies.  New 
uce.  Incorporators,  L.  Cantor, 
dell.  Attorney,  H.  F.  Spell- 
t   42nd   St.,   New   York. 


y,    j-i  Y.    —    High    Tide    Producing 
Vew^ork;    produce.      Capital    $20,- 
nconrators,    M.    Reilly,    S.    Nichol- 
K.  [eimburger. 


Pidgeon  in  "The  Desert  HeaTer" 

Hollywood — Marion  Fairfajc  has 
engaged  Walter  Pidgeon  for  "The 
Desert  Healer,"  in  which  Lewis  Stone 
is  to  star. 


Moore  Joins  Aschers 

Chicago — George  H.  Moore,  for  20 
years  manager  of  the  Orpheum  thea- 
ter, has  resigned,  and  after  a  short 
vacation  will  manage  one  of  Ascher 
Bros',    new    houses. 


ew 
rate 

i. 

n, 
.    I 
,000 
an 


Y. — Shetler     Producing     Co., 
)rk ;    to   produce.      Capital   $600. 
B.    MacoUum,   T.    Hynes    and 


At 


iss. — Vital    Exchanges    of    New 
.,    Boston;    to    distribute.    Capi- 
Incorporators,    H.     Segal,    M. 
L.   Yacker. 


y,  .  Y. — Shelter  Producing  Co., 
jrlc.  To  produce.  Capital  $600.  In- 
ors  H.    Macollum,   H.    Ford   and   T. 


::ew   ork. 


11.- 


d  s 


Dramatone     Corp.,    manufac- 
devices  of   all   kinds   pertaining 
picture     industry.       Capital 
J  ;orney.    Corporation   Trust   Com- 
A:rica,    Du   Pont    Bdg.,   Wilming- 


}rk 


rney,  J.  A.  O'Leary,  220  Broad- 


ol.    —    Sixteenth    Street    Realty 
Deiler ;    to    operate   theaters. 


.    Y. — Marlboro    Pictures    Corp. 
Capital  $7S,000. 


■I'T. 


r.    Y. — Basil     Dean,    Inc.,    New 


Catal  $10,000. 


ork 


!^.     Y. — Neslein     Picture     Corp., 
Capital  $3,000. 


orl 


orl 


.    Y. — Mosholu    Theater    Corp. 
to  operate  theaters. 


.    Y. — Level    Short    Films,    Inc., 
to   produce   short  reels.     Capital 


j|,iy,  ^.    Y. — Vyse    Amusement    Corp., 
To    operate    theaters.      Capital 


N.     Y. — Tismer     Thea'ter     Corp., 
;     to     operate     theaters.       Capital 


ly, 'J.    Y. — Albion   Attractions,    Inc. 
foi      Capital    $10,000. 


Viy,  M.    Y. — Oriam    Film    Corp.,    New 
I   C  ital   $25,000. 


N.    Y. — ^Jewish    Educational    Pic- 
New   York;    to   produce.      Capi- 


c 


N.    Y.— Schulman-Goldberg    The- 
p..    New    York ;    theaters.      Capi- 


ly  ^.  Y. — Parward  Productions,  Inc., 
0 


N.    Y. — Aitken    Properties,    Inc. ; 


r,  )el. — National  Cinema  Studios  Cor- 
Florida,  operate  a  studio  in  Flor 
reduce.  Capital  $25,000.  Incor- 
I.   Hand.  M.  Castaldi  and  R.  Gor- 

^iirney,    United    States    Corporation 


^oj   England — British   Acoustic   Films, 
''Ai\on ;    to    deal    in    and    manufacture 
''  lis,   etc.      Capital    £5,000. 


N^.    Y. — Marlboro    Pictures    Corp., 
Capital   $75,000.     Incorporator*, 
E.   Powell   and   H.   Flavin. 


Hawks    Will    Supervise 

Hollywood — The  continuity  for 
'Her  Honor  The  Governor,"  recently 
purchased  by  F.  B.  O.,  Hyatt  Daab 
and  Weed  Dickinson,  is  in  work  un- 
der the  supervision  of  scenario  edi- 
tor, J.  G.  Hawks. 


"Born  to  Battle"   Completed 
Hollywood — Tom    Tyler    has    com- 
pleted "Born  to  Battle"  for  F.  B.  O., 
under  the  direction  of  Bob  De  Lacev. 


Artists'    Representatives    Formed 

Hollywood — The  Artists'  Represen- 
tatives, Inc.,  a  new  organization,  has 
opened  offices  at  6404  Sunset  Blvd., 
to  act  as  representative  of  actors  and 
directors.  The  corporation  includes 
Jack  Sherrill  and  Phil  Friedman,  for- 
merly connected  with  the  Edward 
Small  agency;  Freddie  Shuessler,  of 
the  casting  office  of  M.-G.-M.  and 
Universal  studios;  Virginia  Van  Upp. 
formerly  with  Edward  Small,  and 
Walter  Leslie. 


At  the  Astor —  At  Lindys 

On  Seventh  Ave, — 
In  projection  rooms  — 
At  M.  P.T.  O,  A»  gatherings  — 
On  the  road —  In  the  home 

EVERYWHERE  — 


44 


UNIVERSAL 


Is  Making  the 
Best  Pictures  In 
the  Business  !^^ 


■mmM 


10 


KM 


—JX0^ 


DAILY 


Wednesday,  February  U 


Presentations 

Rivoli 

Unit    No.    1. — Overture:    "Zanipa."      Time, 

5  minutes. 

Unit  No.  2. — "Land  of  Dreams."  Scenic. 
Service  Film   Corp.     Time,   5  minutes. 

Unit  No.  3. — Elmer  Cleve  in  syncopated 
xylophone  selections.  Cleve  in  Scotch  cos- 
tume. Silk  curtain  with  his  initials  in  circle. 
Plays  popular  numbers.     Time,   6  minutes. 

Unit  No.  4. — Movievents  of  the  World. 
Time,    8   minutes. 

Unit  No.  5. — "Melodies  Are  Memories." 
Harold    Ramsay   at    the    Rivoli   organ.      Time. 

6  minutes. 

Unit  No.  6. — "Garden  of  Girls."  Gus  Ed 
wards'  Revue.  Setting :  Garden  scene  with 
old  fashioned  garden  flowers  the  chief  decora- 
tion. Garden  wall  and  center  stairway 
through  which  performers  enter.  Opening 
number  "Six  Little  Gardeners  Are  We," 
sung  by  six  boys  in  overalls  and  straw 
hats.  Carry  garden  implements.  Rest 
of  revue  in  dance  and  song  numbers 
with  several  specialty  dance  numbers.  Vin- 
cent O'Donnell,  the  boy  tenor,  sings  several 
Irish  airs.  Dancing  chorus  with  costume 
changes  and  dance  novelty  numbers.  Time,  21 
minutes. 

Unit  No.  7. — Feature:  "Dancing  Mothers." 
Time,    75   minutes. 


Corporate  Changes 

Albany,  N.  Y.— The  Pine  Hill 
Amusement  Co.,  of  Buffalo,  has  filed 
dissolution   papers. 


Dover,  Del. — The  Aldine  Amuse- 
ment Co.,  of  Philadelphia,  has 
changed  its  name  to  the  Penn  Fed- 
eral Corp.  and  increased  its  capital 
from  $50,000  to  $8,500,000. 


Albany,  N.  Y. — The  American  Brit- 
ish Improvement  Corp.,  of  Tallahas- 
see, Fla.,  has  been  designated  to  op- 
erate in  New  York  with  a  capital  of 
$165,000.  The  Secretary  of  State  is 
named  as  representative. 


Extra  Dividend  on  Theater  Stock 

Moline,  111. — The  directors  of  the 
Lafayette  Square  have  declared  an 
extra  dividend  of  $1  a  share  on  the 
$100  par  capital  stock  in  addition  to 
the  regular  quarterly  dividend  of 
$2.50  a  share. 


Examinations  for   Censor  Post 

Chicago — Effie  Sigler,  Ethel  R. 
McDowell  and  William  R.  Foust,  are 
announced  as  three  highest  of  65  can- 
didates who  took  the  examination  for 
the  local  censorship  board. 


Winner  of  Arrow  Contest  Announced 

St.  Louis — Miss  P.  Curtice,  2115  Ad- 
elaide Ave.,  is  the  winner  of  the  St. 
Louis  Times-Arrow  Pictures  contest. 
She  will  be  given  a  four  weeks'  try- 
out  in  an  Arrow  picture  in  New  York. 


Labor  Film  in  St.  Louis 
St.  Louis — Screens  of  neighborhood 
theaters  are  showing  "Labor's  Re- 
ward," the  American  Federation  of 
Labor's  film  depicting  the  history  of 
the   Labor  Movement  in  America. 


Pictures  taken  at  the  17th  annual 
convention  of  the  Nat'l  Ass'n  of 
Merchant  Tailors  in  St.  Louis,  will  be 
used  to  educate  the  men  of  the  coun- 
try in  the  proper  way  to  dress. 


Michigan  Theater  Corp.  Elects 

Michigan  City,  Ind. — The  Michi- 
gan City  Theater  Corp.  has  elected 
the  following  officers:  K.  S.  Fitzpat- 
rick.  president  and  treasurer;  John 
Ledbetter,  secretary,  and  Herbert  Le- 
vin, assistant  treasurer. 


Among  Exchangemen 

Omaha — Carl   Nedley,  formerly  cf  Warners, 
is   now   selling  for   P.    D.    C. 


Washington — Two    new    salesman    are    with 
Universal,   Harry    Milstein   and  J.    L.   Schram. 


BufTalo — Harry  E.  Lotz  has  engaged  How- 
ard Riehl  as  salesman.  Lotz  has  acquired  the 
Golden  Arrow  franchise  for  Albany  and  this 
territory. 


Washington — Norman  J.  Ayers^  forjner 
manager  of  Independent  Film,  has  joined 
Warners   and    will   cover   Virginia. 


Washington — E.  J  .Martin  is  now  sales- 
man in  Virginia'  and  Henry  Berman  in  Mary- 
land for  Independent   Film. 


Washington — Max     Milder     has     been     ap- 
pointed  special   representative   for    Fox. 


Buffalo — J.     H.     Silbar    is    here    from    Mil- 
waukee   and    has    joined    Dependable. 


Washington — Herbert    Thompson    has    been 
promoted    to    salesman    for    Paramount. 


Washington — A.    G.    Ford    has   joined   First' 
National. 


Washington     —     Louis     Ribnitzki,     former 
booker,    is    now    salesman    for    Universal. 


Boston — Seymour  Stone,  former  salesman 
for  Metro-Goldwyn,  has  been  transferred  to 
Pittsburgh. 


Dallas,     Tex. — K.     Weinburger     has     joined 
P.   D.   C. 


Portland,  Ore. — Art  Hile  has  joined  Greater 
Features  sales   staflf  for   Oregon. 


Saettle — R.    C.    Montgomery   is  now   cover- 
ing key  towns  for  Western  Film   Corp. 


Salt  Lake  City — W.  K.  Bloom,  formerly 
with  local  F.  B.  O.,  ha'S  been  transferred  to 
Seattle. 


Renton,  Wash. — W.  C.  Gowen  has  rejoined 
the   Warner   staff. 


Seattle — W.  K.  Bloom,  formerly  with  F.  B. 
O.  in  Salt  Lake  City,  has  joined  the  local 
staff. 


Salt    Lake    City — ^Joe    Down    has    resigned 

from   United   Artists. 


Seattle — H.     M.     Glandfield     has     resigned 
from  P.   D.   C.  to  join  Associated  Exhibitors. 


Sanford,  Fla. — Expenditures  totaling  $10,- 
000  are  being  made  to  repair,  decorate  and 
add   new   equipment   to   the   Princess. 


Little  Falls  ,M!nn. — A.  J.  Hand  has  pur- 
chased interest  of  William  Anderson  in  the 
Lyric.  Hatid  and  H.  Griff  are  now  the 
owners. 


Portland,  Ore. — Charley  Beale,  San  Fran- 
cisco, has  been  added  to  the  sales  staff  of 
F.    B.    O.,    working    in    Southern    Oregon. 


San     Francisco — Karl     Kruger     has     joined 
Universal. 


Schenectady,  N.  Y. — Frank  Braymeier  has 
been  made  exploitation  manager  for  Farash 
Theaters. 


Albany,  N.  Y. — Alfred  J.  Marchetti  has 
been  elected  president  of  the  First  National 
Club. 


Albany,    N.    Y. — Ted    R.    Hayes    has    been 
appointed  salesman  for  Warners. 


Dallas — S.    R.     Simpson    has    joined    Pathe 
as    a    two-reel    comedy    salesman. 


Minneapolis — Wiliam  Grant  has  been  as- 
sierned  to  the  sales  staff  of  Pathe.  Harry  L. 
Muir   replaces   him   as   booker. 


Pittsburgh — Meyer  E.  Goldstein  has  joined 
the  sales  force  of  Coliunbia  Film  Service, 
Inc. 


Theater  Changes 

Stigler,    Okla. — C.     D.    Milam    is    planning 
complete  repairs  and  alterations  on  the  Lyric. 


Norristown,  Pa. — The  Colonial,  damaged 
by  fire  last  April,  has  been  resurrected  and 
its  new  name  is  the  Gloria.  It  will  open 
.<-hortly.  The  house  seats  600,  and  Charles 
I.   Tremont   is  manager. 


Lewis,  la. — Poor  business  has  caused  clos-. 
ing  of  the  Legion,  operated  by  the  American 
Legion. 


Mandovi,    Wis. — R.    T.    Laatsch    has    taken 
over   the    Grand. 


Perry,  la. — William  Youngclaus,  of  Jef- 
ferson, has  purchased  the  Grand  from  R.  M. 
Harvey. 


Kimballton,  la. — Hulsubus  &  Lehr  have 
taken  over  the  Strand,  from  Huffman  and 
Hansen. 


Akron,  la. — J.  C.  Kennedy  is  the  new 
owner  of  the  Empress,  purchased  from  Char- 
les  P.   Buswell. 


Meadow,     S.     D. — Halliburton    Bros,    have 
leased  the  Woodman  hall. 


Marissa,  111. — Noah  Bloomer  has  taken  over 
the    Gem. 


Nettleton,  Ark. — O.  R.  Kern  has  purchased 
houses    here    and    in    Lake    City. 


New    Berlin,    111. — ^George    Kiefer    has    pur- 
chased the  Home  from  J.  J.  Tranquilly. 


Mexico,  Mo. — Ray  Miller  has  sold  the 
Grand  to  Smith  &  Josephson  of  Kansas  City, 
Mo. 


Kansas  City — The  Gradem,  13th  and  Mc- 
Gee  Sts.,  has  reopened  after  having  been 
dark    for    several    months. 


Ithica,  N.  Y. — The  Lyceum,  after  having 
been  dark  for  several  weeks  for  remodeling, 
has   reopened. 


Belleville,  III. — Noah  Bloomer  has  pur- 
chased the  Gem  in  Mascoutah,  111.,  from 
Frank   Leitz. 


Livingston,    111. — The    Eagle    is    being    re- 
modeled,   a    new    stage    b"eing    installed. 


Delta,   Mo. — The  Hiway  is  now  under  new 
m.anagement. 


Cobool,    Mo.    —    Brown's    theater    is    now 
owned   by    Sherman   Brown. 


Eminence,     Mo.    - — ■    The    Opera    House    is 
closed,   now   being  repaired. 


Arenzville,  III. — The  Princess  is  undergoing 
alterations,    and   will    reopen   shortly. 


Paris,     Mo. — The     Liberty     is     now     closed 
Monday   nights,   due   to    a   slump   in   business. 


Caldwell,  N.  J. — The  Faulkner  Theater  Cir- 
cuit has  taken  over  the  Park,  formerly  con- 
trolled by   C.    M.    Metzger. 


Boston — Frank    Cronin    has    taken    over   the 
National. 


Fitchburg,  Mass. — -N.  Faulke  has  taken 
over  the  Strand  and  will  operate  it  with 
a    double    bill    weekly. 


Hoboken,    N.    J. — Frank    and     Ben    Worth 
have  purchased  the  Eureka. 


Bettendorf,     la. — JacR     Georgan    has    pur- 
chased the  Princess  from  F.  J.  Georgan. 


Marshalltown,  la.^ — The  Strand  and  Odeon 
has  been  purchased  by  the  Hostettler  Amuse. 
Co.   from  A.   H.   Blank. 


Ohio  Theater  De 

Harry    Charnas    and    Jesse  Fi ' 
Buy  Six  Houses  from  Hon 
Frankel 

Cleveland  —  Howard  Franll 
closed    a    deal    wtih    Harry  C!| 
president   of   the   Standard  Filii 
vice,  and  Jesse  Fishman,  gener; 
ager,   whereby  he  disposes  ot 
theaters  in  Ohio  to  Charnas  an! 
man,    who    now    operate   the 
House  and   Southern  theaters  j 
cyrus.     The   theaters  included  i 
deal   are  the   Weber,  at  Dovei 
derella,  Coshocton;  Windsor, ( 
Rivoli,  Zanesville;  Ruble,  Log 
Majestic,   Sidney. 


F.  B.  O.  Completing  Sche 
Hollywood— F.  B.  O.'s  stud 
complete  their  current  schei 
April.  Three  more  "Gold  Bo 
cials"  remain  to  be  made. 
Johnson  is  shooting  sea  see 
a  naval  story,  "The  Non-Stop 
"The  Isle  of  Retribution,"  by 
Marshall  and  "A  Poor  Gir 
mance"  by  Laura  Jean  Libb 
scheduled  to  go  into  prodm 
the  near  future. 

Among  other  features  yet 
filmed  are  "Secret  Orders," 
Evelyn  Bfent,  with  Chet  Wit 
recting;  Tom  Tyler's  "The 
Streak,"  an  original  by  F.  A.  1 
Fred  Thomsdn  in  "Hands  Ac 
Border." 


.IIlilOS 

;:uiiig 

Kt  1 

',  f  aoili 
■■■•■gi  ol 

|:s)llW 

,  •[  irtt 

|i:)iiri 

■in 

Irif' 

vfedt 

\l  k, 
■■fcua 
ttaii! 

;ii:te 
•I'i  ifc 
•au 
d'ki 
.■.-.ilai 

ll".M 


London,  England — ^British  Screen  Classics. 
Ltd.,  London;  to  produce.  Capital  £2,000 
Attorney,  White  &  Co.,  28  Sackville  St., 
London. 


"U"  Cameraman  Leaves  Si 

Seattle— Hans  Scholz,  U 
photographer  of  Berlin,  who 
ing  pictures  of  harbors  and  ; 
and  transportation  facilities 
ports  visited  on  his  tour  of  th 
sailed  from  Seattle  recently 
Nippon  Yusen  Kaisha  lia 
Maru. 


pi  in 

We 


\  i 


Cast  for  "Hearts  and  Spai 
Sam  Sax  wires  from  the  cc 
the  cast  is  completed  and  a:n 
era  work  under  way  for  'He; 
Spangles,"  tenth  in  the  cur 
ries  of  Gotham  Prod.  Wand 
ley  and  Robert  Gordon  h 
leads,  supported  by  Barbara  ' 
Eric  Mayne,  J.  P.  Lockney, 
Darro,  Larry  Steers,  George 
boro  and  Charles  Force. 
Frank  O'Connor  is  directinj 


Hill  Succeeds  Franklii 
Atlanta — Montgomery  S.  ' 
pervisor  of  theaters  in  the  ( 
for  Publix  Theaters  has  bee 
ferred  to  Atlanta  to  succee 
Franklin  who  goes  to  Nev 
The  Atlanta  district  includes 
bama  and  Georgia,  with  head 
at   SSyi   Cone   St. 


Arcade,  Milwaukee,  in  I 

Milwaukee — A  fire  in  an  i 
building  drove  500  persons  i 
Arcade  into  sub-zero  weath' 
day  night.  The  theater  sufi 
serious   damage. 


mn ' 


!:■» 


m 
"4 11 1 


It;  ' 


ttir 


111 


Frustrates    Robbery 
Seattle— P.      E.      Irving, 
back  his  till  from  a  robber,  j 
the    latter   had   robbed   his  c: 
the  Madrona  Garden. 


oust 
n 

illRi 


& 


'esda 


THE 


February  17,  1926 


s^E^ 


DAILV 


11 


lie 
Tr 


Ta 

eve 

o 


of 

^t  i 


,000  Budget 

yt\nued  from  Page   1) 

.  j  Robert  Kane  will  con- 
11  more  to  the  program. 
liins  two,  starring  Johnny 

ng  "The  Brown  Derby," 
■s  now  working,  and  it  is 
It    Richard    Barthelmess 

other  production  in  the 

ilis  will  have  charge  of 
:  of  four  features.  She 
■  East  making  plans  for 
iAlso  in  the  East  at  this 
1.  Fineinan,  who  will  su- 
pictures  during  the  com- 

lore  will  star  in  four,  the 
ilrene."  Corinne  Griffith 
iir  and  Harry  Langdon's 

St  of  which  is  "Tramp, 
ip."     Four  westerns  are 

d  by  Charles  K.  Rogers. 

e,  in  addition,  vehicles 
ma  Talmadge  and  Con- 
ladge.       Edwin     Carewe, 

Sam  Rork,  Marion  Fair- 
ers  are  included  in  the 
ied    producers. 

r  will  take  charge  of  the 


le  new  Coast  studios.  His 

hat  of  business  manager. 

■ter  formerly  with  Lasky,  will 

1   with  Mr.   Butler.   Dave 

,  ill  hold  the  post  of  pro- 

iiuager  with   Dan   Kelly   as 

Hirtor.     The  auditing  divis- 

!nder  management  of  A. 


"^1   in  Rogers'  Westerns 

eles — It      is      understood 
d  will  be  featured  in  the 
-tern  which  Charles  Rog- 
iBve  for  First  National. 


lE 


Nat'l  Buys  Two 

onal  has  purchased  screen 


o  fhe  Sheik  of  Florida"  by 
Worts  and  "The  Lying 
Ralph  Spence. 

'ictres  on  Chinatown   Stage 

isco — Realism  has  invad- 
ijithgaters.  In  a  stage 
llej  "TTTeGolden  Butterfly," 
"  (cture  showing  a  river  was 
as  part  of  the  scenery. 
=  tood  back  of  the  screen, 
i  be  on  the  banks  of  the 
hey    spoke   their   lines   in 


{cHnge  in  Trinidad  Fire 

''"'7    to    word    received    here 
f  Spain,  Trinidad,  the  Co- 
Exchange    recently    suf- 
vy   fire  loss.     Besides  the 
large   quantity   of   prints 
cd.     W.    P.    Humphreys, 
liain  of  theaters  in  Trini- 
Guinea  and   British   Gui- 
o\.er  of  Capitol. 


h\. 


m 


ise   in    Hollywood    (Fla.) 

3d,  Fla. — Construction  has 
the  Hollywood  Beach  the- 
■y  Michel  and  Elmer  Day, 
ess    men,    are    behind    the 


2ity  Forming  Company 

ty,  Okla. — Plans  for  a  new 
)e  erected  bv  Eugene  Wet- 
Calkins,   George  H.   Brett 
A.  Douglas,  are  progres- 
;h  &  Senter  are  architects. 


Novy  Gets  Possession  of  House 

Austin,  Tex. — Louis  Novy,  former 
manager  of  the  Hancock  O.  H.,  has 
been  given  possession  of  the  house  by 
a  jury  in  the  county  court.  The  ver- 
dict of  a  jury  last  July  giving  Novy 
possession  of  the  house,  was  upheld 
by   the   decision. 


New  Illinois  Theater  Unit 

Evanston,  111. — Clyde  Elliott,  Ralph 
Obenchain  and  Charles  F.  Harvey 
have  organized  the  University  thea- 
ter Co.,  with  offices  at  1560  Sherman 
Ave.,  to  build  the  new  University. 
The  new  company  has  a  capital  of 
$400,000. 


P.  H.  Schafer  in  Kalamazoo 

Kalamazoo,  Mich. — The  Regent  is 
now  under  management  of  Peter  H. 
Schafer,  former  manager  of  the  Poli 
house  in  Scranton,  Pa.  He  succeeds 
James  J.  Finan,  who  has  gone  to 
Jacksonville,    Fla. 


$2,500,000  House  for  Springfield,  111. 

Springfield,  111. — A  new  subsidiary 
of  the  Great  States  Theater,  Inc.,  will 
build  and  operate  a  $2,500,000  house 
here,  to  seat  2,750.  A  first  mortgage 
bond  issue  of  $1,000,000  has  been  un- 
derwritten bv  S.  W.  Straus  &  Co. 


Cooneys  to  Build  on  South  Side 

Chicago — Cooney  Bros.'  National 
Theater  Corp.  will  build  a  new  house 
at  Cottage  Grove  Ave.,  between  91st 
and  92nd  Sts.  South  Side.  The 
house,  which  will  seat  2,000,  will  be 
called    the    Victory. 


New   House  for   Kansas    City 

Kansas  City — A  large  theater  is  to 
be  built  on  Troost  Ave.  by  A.  Brier, 
according  to  an  announcement  made 
last  week.  Construction  is  to  start 
the   latter  part  of  the  month. 


Canadian  Showman  Joins   Regal 

Toronto — James  Eastwood,  former 
manager  of  the  Bloor,  has  joined  the 
staff  of  Regal  Films.  Ltd. 


Coast  Convention 

(Continued  from  Page  1) 

pany's  foreign  managers  from  eight 
countries,  including  Germany,  En- 
gland and  Australia.  The  total  as- 
semblage will  be  100,  this  number  to 
include  all  district  and  branch  man- 
agers. Seventeen  salesmen,  winners 
in  a  drive  to  be  inaugurated  previous 
to  the  convention,  will  be  sent  to 
Hollywood  as  their  reward.  The  spe- 
cial train  will  leave  here  on  the  12th 
and  return  on  the  23rd. 

Winfield  R.  Sheehan  leaves  for  the 
Coast  momentarily  to  watch  produc- 
tion. 


Fox    in    'Frisco    Realty    Deal 

San  Francisco — William  Fox  has 
bought  a  half  interest  in  a  block  of 
Market  St.  property  in  conjunction 
with  the  Capitol  Co.,  a  subsidiary  of 
the    Bancitaly   Corp. 

The  purchase  price  was  said  to  be 
in  excess  of  $4,000,000.  The  property 
is  on  the  south  side  of  Market  St., 
and  extends  west  from  the  Whit- 
comb  Hotel  to  Market  and  Tenth 
Sts.,  and  is  across  Market  St.  from 
the  site  on  which  a  picture  theater 
seating  more  than  5000  would  be 
erected. 


Three  New  Theater  Units 

Chicago — The  Manor  Amusement 
Co.  has  been  organized  by  V.  T. 
Lynch  and  associates  to  operate  the 
new  Manor  at  4059  West  North  Ave. 
The  new  company  has  a  capital  of 
$100,000.  Another  company  has  been 
organized  by  the  same  parties,  to  be 
known  as  the  Manor  Theater  Co..  to 
look  after  the  real  estate  and  busi- 
ness  holdings. 


At  Work  on  Denny's  Next 

Hollywood — Harvey  Thew  is  work- 
ing on  his  12th  scenario  for  Reginald 
Denny.  The  story  Is  an  adaptation 
of  the  play,  "Beware  of  Widows.'' 
William  Seiter  will  direct. 


Name    Hendron    Receiver 

Indianapolis  —  O.  H.  Hendron, 
president  of  the  Hendron  Printing 
Co.,  has  been  named  received  for  the 
defunct  Twentieth  Century  M.  P. 
and  Dramatic   Clubs  of   Indianapolis. 


Plan  New  Oakland  House 

Oakland,  Cal. — A  new  theater  to 
seat  2,000  and  be  named  the  Sena- 
tor is  being  planned  tor  the  down- 
-.own  section  by  Beach  and  Kraht 
A  limited  amount  of  stock  is  being 
offered. 


Cooper  to  Build  at  Carlisle 
Carlisle,  Pa. — Construction  is  to 
start  on  a  new  $100,00  theater  the 
first  of  April  by  David  Cooper.  The 
Orpheum,  now  operated  by  Cooper, 
will  be  sub-leased. 


Film  Board   Pays  Tribute  to  Shea 

Buffalo,  N.  Y. — As  a  tribute  to 
Michael  Shea,  member  of  the  Film 
Board  of  Trade,  presented  him  with 
a  framed  resolution,  inscribed  on 
parchment.  The  resolution  praises 
the  veteran  on  his   success. 


Du  Pont  Coast  Office 

Los  Angeles  —  Newton  I  Steers, 
vice-president  and  general  manager 
of  the  Du  Pont-Pathe  Film  Mfg. 
Corp.,  is  here  in  connection  with  open- 
ing a  branch.  Steers  has  appointed 
Simon  Aller  and  J.  Wesley  Smith  as 
local  sales  agents. 


Busy  on  Contract 

{Continued  from  Page   1) 

tract  will  be  ready  by  the  end  of 
March.  It  will  undoubtedly  come 
into  general  usage  in  signing  con- 
tracts for  the  fall  season.  It  is  antici- 
pated that  many  distributors  who  are 
not  members  of  the  Hays  organiza- 
tion will  use  the  new  agreement.  In 
innumerable  instances,  independent 
exchanges  belong  to  the  various  Film 
Boards  of  Trade  and  for  that  reason 
will  function  under  uniform  contract 
provisions. 

New  York  City  typifies  a  situation 
that  exists  in  a  variable  degree  in  all 
key  cities.  Here,  the  following  ex- 
changes are  members  of  the  Film 
Board  and  not  members  of  the  Hays 
organization  and  yet  they  will  use 
the  Standard  Exhibition  Contract: 

Associated  Exhibitors,  Apollo,  Ay- 
won,  Capitol,  Commonwealth,  De- 
pendable, Emblem,  F.  B.  O.,  Merit, 
Oxford,  Pathe  (New  York  and  New 
Jersey),  Renown  and  United  Artists. 


Set  in  Two  Weeks 

(Continued  from  Page   1) 

the  merger  plan,  admitted  yesterday 
that  the  scheme  was  afoot.  Steps  to- 
ward the  merger  were  being  taken  in 
order  to  save  overhead  which  will,  of 
course,  reflect  itself  in  savings  to  the 
Dwners  and  induce  a  quicker  and  bet- 
er  service  to  the  exhibitor.  He  ex- 
pects to  announce  full  details  in  two 
weeks. 


10  Cities  Routed 

(Continued  from  Page   1) 

Boston;  Buffalo,  Buffalo;  Capitol, 
Detroit;  Chicago,  Tivoli  and  Uptown, 
Chicago;  Missouri,  St.  Louis;  New- 
man, Kansas  City;  Palace,  Dallas; 
Palace,  Memphis  and  Howard,  At- 
lanta. 

At  present.  Jack  Partington  is  pre- 
paring acts  for  use  in  Los  Angeles 
and  San  Francisco.  Pacifif-  Coast  the- 
aters are  not  now  embraced  in  the 
Publix  route,  because  of  the  traveling 
distances  between  Southwestern  and 
Far  Western  theaters.  When  the  pro- 
posed Famous  house  in  Denver  is  fin- 
ished, San  Antonio  will  probably  be 
added  to  follow' Dallas  with  Denver 
then  to  follow   San  Antonio. 


Frank  Newman,  Jr..  at  School 

The  second  term  of  the  Publix 
Theater  Managers'  Training  School 
opens  on  Saturday  under  general  di- 
rection of  John  F.  Barry.  Frank  New- 
man, Jr.,  son  of  the  veteran  show- 
man now  managing  Publix  theaters 
in  Los  Angeles,  will  have  the  duties 
formerly  handled  by  Buddy  Stuart. 


Some  Important   Coast   Charters 

Sacramento,  Cal. — Among  the  im- 
portant incorporations  chartered 
within  the  past  few  days  are  the  fol- 
lowing: 

West  Coast  Santa  Ana  Theaters,  Inc., 
headquarters  in  Los  Angeles,  and  a  subsidi- 
ary of  West  Coast  Theaters,  Inc.  Capital 
$300,000.  The  incorporators  are  Mike  Gore, 
Abe  Gore,  Sol  Lesser,  E.  Walker  and  E.  P. 
Walker,  the  latter  two  of  Santa  Ana. 
Schweitzer  &  Hutton,  of  the  Citizen's  Nat'l 
Bank    Bldg.,    acted    as    attornej-s. 

The  Associated  Studios,  Inc.,  Los  Angeles, 
was  formed  with  a  capital  of  $500,000,  by 
P.  A.  Powers,  Emil  lOflfeman,  Glen  Beh- 
meyer,  D.  Howard  Painter  and  C.  T.  Dono- 
van. 

The  Lloyd  Hamilton  Corp.,  formed  in 
New  York  last  month,  has  been  authorized 
to   do   business   in   California. 

The  Stern  Film  Corp.,  formed  in  Dela- 
ware in  Jatiuary,  has  also  received  permis- 
sion to  operate  in  California. 


To  Conduct  Show  in   Church 

Booner  Springs,  Miss. — As  a  result 
of  a  recent  fire  that  totally  destroyed 
his  Royal,  George  German  has  con- 
tracted to  show  picrures  in  a  local 
church  until  a  new  house  is  completed. 


TILFORD  PICTURES,  INC.    i 

announces 
The  Completion  of 

"FLORIDA  BUBBLES" 

A  Six  Reel  Feature  Production 
Made  in  Florida 


TILFORD  PICTURES,  INC. 
Astor  Hotel        New  York  City 


1 

^^^^Kp^?ss^^ 

|H| 

SNOimS  MOTHER, 


.--•..^r-i^^'-''^'^^^ 


■*;*-s.  j^C^.^-  ^  -'Vii-*^  •.•^c!«*^C^AH«^  •aty^y'o 


f^w,"^" 


•>«' 


■■■■  ^^  s^^^.y^^ 


Skouras  Brothers  of  St.  Louis, — tough  buyers 
of  the  biggest  pictures — are  latest  to  fall  in 
line  with  contracts.  One  statement  of  fact 
that  says  more  than  all  the  adjectives  that 
can  be  found  in  a  showman's  dictionary. 


'■^StS^tgii^.i 


^  SKYROCKE 

Fi/om  the  Q)smopoUtanMagazimJtov/b/ Adda  RogevsJlJokm-P^^^ 

Vx^^cr)Xc&  bx Associated  Exhibitors  Inc.        |k 

Oscai'A.Price,Pre5ident:  I 


Authority 


By 
I- 

1o 


ai^in  Still  Talks 

duction    Continues  to   Ex- 

lemendous   Interest   But 

tk  >f  Importance  Develops 

RNEST  IV.  FREDMAN 
71    Renter    and    M.    P.    News 

-Although  the  British  film 

still      excites      tremendous 

N'  in  the  press  it  cannot  be 

lliere  has  been  any  real  de- 

i  outside  of  the  F.  B.  I.  dep- 

ich  waited  upon   Sir  Philip 

ister   recently.     The   K.    R. 

■    Sub-Committee's   decision 

dio  scheme   were  not   alto- 

.xpected   so   that   the    trade 

fieen    unduly    excited    about 

isure. 

felt  that  the  K.  R.  S.  in  re- 
have   nothing  to_  do   with 
-booking    proposals    would 
ttitude  they  did  and  it  has 
le   support  of  the  whole  of 
..;  ibutors      in      the      industry, 
t!    central  studio  scheme  pro- 
sed jy   Mr.    Behrens   was    never 
tie  other  than  a  part  of  the 
sc;me    so   that    the    Sub-Com- 
ere    quite    right    in    dealing 
[Centinued  on  Page  2) 


)i -Theatricals  Hit 

si)i  Legislature  Passes   Rigid 


rs 


Lgainst  Traveling  Shows 
In  Thai   State 

ississippi    State    Senate   has 

ed    a    bill    which    imposes    a 

tax  upon  traveling  picture 

ording  to  Joseph  M.  Seider, 

nanager  of  the  M.  P.  T.  O. 

11  was  drafted  to  protect  ex- 
from  these  non-theatrical 
(Continued  on  Page  3) 


f  e  Fourth  Largest 

/  shington — The        Govern- 

r    in    a    communication    to 

louse    of    Representatives 

!    President    Coolidge,    offi- 

ij  rates  the  industry  as  "the 

lii  largest  in  the  country  in 

'!^i  of   capital   invested." 

lie  communication  was  dat- 

Jm.   29  and  transmitted  an 

tiiate  of  H.  M.  Lord,  Direc- 

t\<f  the   Bureau  of  the  Bud- 

'  1  which,  among  other  re- 

s,  was  one  asking  for   an 

npriation  of  $26,000  to  es- 

bih  a  motion  picture  section 

Bureau   of  Foreign   and 

Stic  Commerce. 

s  is  the  first  authentic  and 

i:  al      statement      concerning 

(  ating  of  the  film  industry. 


Scene  from  Pauline  Frederick's  greatest  picture,  "The  Nest."  Produced 
by  Excellent  Pictures  Corporation  from  the  William  A.  Brady  stage 
success.     Personally  directed  by  Will  Nigh. — Advt. 


Tangle  Over  Star 


Checking  With  Critics 


Arthur  Gregor  Claims  Pauline  Fred- 
erick    for     One — Excellent     Pic- 
tures Corp.  Denies 

Pauline  Frederick  left  yesterday  for 
the  Coast  to  confer  with  her  attorney 
regarding    her    contractual   relations. 

A  telegram  received  by  this  publi- 
cation from  Arthur  Gregor  said  in 
part: 

"I  have  Pauline  Frederick  signed 
(.Continued  on  Page  3) 


Back  from  Florida  Sunday 
Adolph  Zukor,  Jesse  L.  Lasky  and 
Sam   Katz  return  from  their   Florida 
vacation  Sunday  night. 


Tiffany   Exchanges  Planned 

Tiffany  Prod,  intends  developing 
its  own  exchanges.  M.  H.  Hoffman, 
now  in  California,  will  start  East 
the  end  of  the  week. 


Roach  Fractures   Collar   Bone 

Los  Angeles — While  at  polo  prac- 
tice at  the  Midwick  Country  Club 
Hal  Roach  fell  from  his  horse  and 
fractured  his  collar  bone. 


Hays    Organization    Gathering    Data 

From  Newspapers  on  Standards 

Of  Last  Year's  Productions 

The  Hays  office  has  sent  out  about 
75  letters  to  important  newspaper 
critics  asking  their  opinion  on  the 
standard  of  values  struck  by  last 
year's  productions.  Specific  inquiries 
have  been  made  regarding  the  moral 
and  artistic  equations,  the  general 
(Continued  on  Page  3) 


Serial  Field  Active 

Independents     Reviving     Interest     in 

Chapter  Plays — Production 

Picks  Up 

More  serials  are  promised  for 
spring  and  summer  release  than  at 
any  one  time  for  several  years  past. 
Aside  from  the  consistent  schedule 
maintained  by  Pathe  and  Universal, 
independent  companies  are  displaying 
considerable  more  serial  production 
activity   than   they    have    in   months. 

Pathe  has  yet  to  release  "The 
Green  Archer,"  "Casey  of  the  Coast 
Guard"  and  "Bar  'C  Mystery"  on 
this  year's  program.  Next  year  there 
will  be  six. 

This  season  Universal  produced  six 
serials,  the  last  two  being  "The  Radio 
Detective."  starting  April  19,  and 
"String  of  Steel,"  a  telephone  story, 
starting  June  21.  "The  Famous  Au- 
thor's Five,"  will  be  the  five  serials 
which  Universal  plans  for  1926-27 
output.  There  will  be  one  circus  pic- 
ture, a  railroad  picture,  one  Buffalo 
Bill,  a  fireman  and  a  western  serial. 
They  will  be  written  by  well-known 
(Continued  on  Page  3) 


Mae  Murray  Deal  About  Set 

It  is  understood  that  Mae  Murray's 
negotiatnons  with  one  of  the  leading 
producers  in  the  business  yesterday 
approached  a  stage  very  close  to  con- 
summation. 


Greta  Nissen  Out  of  Famous 
Greta  Nissen  is  no  longer  with 
Famous,  contractual  relations  with 
the  company  having  ended.  It  is  un- 
derstood she  has  signed  with  Univer- 
sal   for   one   picture   at   least. 


Revise   Raymond   Griffith  Contract 

Hollywood  —  Famous  has  revised 
its  contract  with  Raymond  Griffith. 
It  is  undcrstod  he  gets  a  cash  bonus 
now   with   each   picture. 


Barrymore  with  United  Artists 

It  is  understood  that  John  Barry- 
more,  following  the  completion  of 
"The  Tavern  Knight,"  his  third  and 
last  for  Warners,  will  produce  two 
pictures  for  United  Artists.  Bennie 
Zeidman,  who  recently  resigned  from 
Warners,  will  probably  be  in  charge 
of  the  unit. 


Bagdad    Yarn  for   Niblo? 

Coast  reports  declare  Fred  Niblo's 
next  will  be  a  huge  spectacle  dealing 
with  ancient  Bagdad.  The  report  has 
no  definite  foundation  in  fact. 


Fields  in  "So's  Your  Old  Man" 

"So's  Your  Old  Man,"  will  be  made 
by  W.  C.  Fields  upon  completion  of 
"It's  the  Old  Army  Game."  Fields 
is  expected  to  begin  work  on  his  first 
film  next  week  under  direction  of  Ed- 
ward Sutherland. 


Authors'  League  Hold  Ball 

The   Authors'   League   held   its   an- 
nual ball  last  night  at  the   Roosevelt. 


Reade  Purchases  More  Houses 
Walter  Reade  has  purchased  two 
houses  in  Kingston,  N.  Y.,  the 
Keeney  and  Opera  House,  from  O. 
S.  Hathaway.  This  brings  Reade's 
chain  up  to  30,  operating  in  Asbury 
Park,  Long  Branch,  Freehold,  Tren- 
ton, New  Brunswick,  Plainfield,  Perth 
Amboy  and  Red  Bank,  all  New  Jer- 
sey; New  York  City  and  Cleveland, 
O.  Reade  will  remodel  and  operate 
under  a  Keith  vaudeville-picture 
policy. 


Two  New  Chicago  First-Runs 

Chicago — Two  new  first-runs  will 
be  built  here,  one  at  Kominsky  Ave. 
and  12th  St.,  seating  3,000  and  to  cost 
$1,000,000,  the  other  to  be  erected  at 
Niles  Center,  a  suburb,  costing  $1,- 
500,000.  Morris  Sider  is  backing  the 
latter  project,  while  the  Lawndale 
Theater  Corp.  will  operate  the  Kom- 
insky Ave.  house. 


K^sa 


THE 


jJB^ 


DAILY 


Thursday,  Febniaiy  ] 


VoLXXXVNo.  41  Thursday, Feb.  18, 1926    PriceSCents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FlOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
I^ondon,  W.  I.,  Paris — La  Cinematographic 
Francaise,   5,  Rue  Saulnier. 


Quotations 

High 

Low 

Closa 

Sales 

Balaban   &   Katz   . 

685^ 

68 

68  5i 

.  .  .  . 

Eastman    Kodak 

iim 

110^ 

111 

1,000 

Famous    Players    . 

118^ 

IH-^ 

U8 

17,300 

Fam.   Play.   Pfd.    . 

120 

119 

120 

200 

*Film     Inspection. 

,   . 

SJi 

.... 

•First   National    . . 

107 

.... 

Fox  Film   "A"    . . 

76 

73'/, 

75 

8,100 

Fox   Theaters   "A" 

28  ?i 

2SH 

28^ 

900 

Intern'l   Projector. 

\2Y2 

ny. 

1254 

100 

Loew's,    Inc 

39 

3m 

38Ji 

900 

"Metro-Gold.     Pfd. 

23  H 

M.  P.  Cap.  Corp.. 

19?^ 

19^ 

19^ 

900 

Pathe  Exch.   "A". 

7354 

73 

73 

400 

Skouras   Bros 

48 

47 

47 

.... 

*Stan.  Co.  of  Am.. 

4954 

Trans-Lux   

im 

11 

1154 

3,000 

•Universal  Pictures 

.  , 

,   , 

40Ji 

•Univ.  Pict.  Pfd.   . . 

.  . 

,   , 

93 

.... 

Warner  Brothers  . 

y.sH 

1SJ4 

15H 

200 

•Warner   Pictures. 

. . 

U 

•  >   .   . 

*  Last  price-  quoted. 

Schenck  Leaves  for  East  the  20th 

Hollywood  —  Joseph  M.  Schenck 
and  Norma  Talmadge  leave  for  New 
York  on  the  20th. 


Rothstein  Handling  the  Colony 

Nat    Rothstein    is    supervising    the 
Colony  for  Universal. 


"Broken  Hearts"  at  Cameo 

"Broken  Hearts,"  produced  by  the 
Jaffe  Art  Film  Corp.,  will  go  into  the 
Cameo   Feb.  28. 


Boas  Buys  Two  from  Clinton 
Clinton,  Mass. — Louis  Boas,  of  the 
Boas  Amusement  Co.,  has  purchased 
the  Philbin  and  Globe  from  the  Clin- 
ton Theater  Co.  Joseph  H.  Wood- 
head  will  continue  as  manager. 


FOR.     R.ENT 


BELL  -  HOWELL 

AND 

AKELEY  CAMERAS 

With  or  CDittiout  Cameramen 


SEIDEN    CAMERA    EXCHANGE 

729  Seventh  Ave.  n.y.c. 

Bryan  13951  / 


Britain  Still  Talks 

{Continued  from   Page    1) 

with  it  as  such.  With  these  two  de- 
cisions reached  the  position  is  very 
much  that  of  status  quo,  and  it  can 
not  be  said  that  it  is  at  all  satisfac- 
tory. 

In  point  of  fact  the  trade  itself  feels 
that  the  block-booking  proposals  if 
carried  into  law  will  not  mean  the 
making  of  one  single  British  picture 
and  it  is  up  against  an  impasse  which 
at  the  moment  does  not  look  as  if  it 
is  likely  to  be  overcome.  All  sorts  of 
stories  are  in  circulation,  mostly  in- 
vented by  press  correspondents,  as  to 
what  Sir  Philip  Cunliffe  Lister  is  and 
is  not  going  to  do,  but  the  program 
for  the  ensuing  session  does  not  con- 
tain a  single  reference  to  film  legisla- 
tion in  any  shape  or  form  so  it  is 
pretty  obvious  that  the  President  of 
the  Board  of  Trade  is  going  to  take 
the  least  line  of  resistance  and  do 
nothing. 

The  Federation  of  British  Indus- 
tries' deputation  was  headed  by  Col- 
onel Willey  and  included: 

Charles  Tennyson,  C.  M.  G.,  of  the  Fed- 
eration of  British  Industries ;  the  Hon.  Sir 
John  Cockburn,  K.  C.  M.  G.,  M.  D..  and 
Major  Gen.  The  Hon.  Sir  Newton  Moore, 
K.  C.  M.  G.,  V.  D.,  of  the  British  Empire 
League;  Harold  Pooley  of  the  British  Em- 
pire Producers  Organization ;  Edgar  Jep- 
son  and  Arthur  Applin  of  the  Inc.  Society 
of  Authors,  etc. ;  J.  L.  Ridley  of  the  Na- 
tional Union  of  Teachers ;  Guy  Eden  of  the 
Navy  League;  Major  E.  W.  Pither  of  the 
Overseas  League ;  Prof.  A.  P.  Newton  of 
the  Royal  Colonial  Institute;  Mr.  Friese- 
Greene  of  the  Royal  Society  of  Arts ;  Sir 
Johnston  Forbes-Robertson  of  the  Stage  Guild 
and  representative  from  the  Empire  Develop- 
ment  Union   and    League   of   the   Empire. 

Meanwhile,  the  L.  C.  C.  have 
taken  the  field,  and  at  a  meeting  the 
report  of  the  Theaters  Committee 
came  up  for  discussion,  and  Sir  Percy 
Simmons,  the  chariman  of  the  The- 
aters and  Music  Halls  Committee 
said  he  thought  that  the  report  was 
very  moderate.    It  recommended  that 

(i)  It  is  desirable  that  a  fair  proportion 
of  the  films  shown  in  kinematograph  halls 
should  be  of  British  origin,  and  that,  if  this 
object  cannot  be  obtained  by  other  means, 
legislation  should  be  promoted  to  give  effect 
thereto.  I   '.*1WI 

(ii)  An  improvement  in  the  standard  of  the 
films  shown,  especially  those  exhibited  to 
children,   should  be  secured. 

(iii)  Legislation  should  be  at  once  pro- 
moted to  deal  with  the  question  of  block- 
booking  of  films  for  exhibition  in  kinemato- 
graph halls. 


McConnell  on  Daily  Review 

Fred  J.  McConnell,  who  recently 
resigned  from  Universal,  yesterday 
joined  the  Exhibitors'  Review  Pub- 
lishing Co.,  publishers  of  the  "Ex- 
hibitors' Daily  Review"  as  vice-presi- 
dent and  editor,  succeeding  Willard 
C.  Howe,  resigned.  McConnell  has 
purchased  a  substantial  interest  in  the 
company. 


Clayton  Sheehan  Heads  Fox  Foreign 
Clayton  P.  Sheehan,  for  nine  years 
with  Fox,  has  been  appointed  mana- 
ger of  the  foreign  department. 


K.  R.  S.  Meets  in  London 

London — On  Tuesday,  the  9th,  the 
annual  meeting  of  the  Kinematograph 
Renters'  Society  took  place.  The 
chairman  elect  was  John  Pearson, 
general  manager  of  the  Vitagraph 
Company. 


Dahnken  After  More   Houses 

The  Dahnken  family  of  San  Fran- 
cisco intends  developing  a  circuit 
in  New  York  City  and  State;  the  first 
house,  a  $750,000  project  in  Richmond 
Hill,  was  taken  over  on  Tuesday. 
Fred  Dahnken,  Jr.,  is  now  making 
his  headquarters  in  New  York. 


First  Nat'l  Joins 
London — First  National  has  joined 
the  K.  R.  S.     The  move  is  important 
in  the  trade  here. 


Lester  Allen  Guest  of  A.  M.  P.  A. 

Lester  Allen  will  be  the  guest  of 
the  A.  M.  P.  A.  at  the  Hofbrau  to- 
day. 

The  treasurer's  report  of  "The 
Naked  Truth"  dinner  shows  $8,530 
derived  from  the  sale  of  tickets.  Ex- 
penses were  $7,940,  leaving  a  profit  of 
$590. 


Rodner  Buys  Tennek  Shorts 

Harold  Rodner  has  purchased  for 
his  "One  Man  Exchange,"  two  se- 
ries of  two  reelers.  One  is  the  "Shad- 
ows of  the  Jungle"  series,  and  the 
other  a  group  of  12  "International 
Detective  Stories."  The  deal  was 
closed  v/ith  Tennek  Film. 


"Wampas"    Elects   Smith 
Los     Angeles — Officers     for     1926 
were  elected  by  the  Western  M.   P. 
Advertisers  at  the  Writer's  Club. 

An  engraved  gold  watch  was  pre- 
sented to  the  retiring  president, 
Harry  Brand,  by  Pete  Smith,  who 
was    elected   president. 

Other  officers  were:  first  vice-presi- 
dent, H.  H.  Beall;  second  vice-presi- 
dent, Francis  Perett;  secretary,  Sam 
W.  B.  Cohn;  treasurer  Hal  Wallis. 


May  Vote  on  Sunday  Law 

Southbridge,  Mass. — The  Sunday 
closing  question  has  so  aroused  the 
public  here  that  an  eflfort  is  being 
made  to  have  the  State  Legislature 
permit  a  referendum  on  the  issue  for 
the  town  election  on  March  1.  Se- 
lectmen refuse  permits  for  Sunday 
shows  because  of  the  opposition  of 
clergymen.  There  is  a  strong  senti- 
ment for  Sabbath  shows. 


Davis  Back  from  Coast 
George  Davis  of  Banner  Prod,  re- 
turned from  the  Coast  yesterday 
where  he  conferred  with  Sam  Briskin 
on  production  for  next  year.  The 
schedule  is  about  set.  The  current 
program  will  be  finished  with  com- 
)letion  of  "Whispering  Canyon"  now 
n  work  under  direction  of  Tom  For- 
man. 


"Mickey"  Walker  Sued  for  $25,000 

Stadium  Pictures,  Inc.,  yesterday 
filed  suit  against  "Mickey"  Walker, 
pugilist,  for  $25,000.  The  action  in- 
volves fight  pictures.  Through 
O'Brien,  Malevinsky  &  Driscoll, 
Walker  has  filed  a  bill  of  particulars 
seeking  information  on  how  the  al- 
leged  damages  are  arrived  at. 


Kley    Leaves    Picture    Business 

Los  Angeles — Fred  Kley,  formerly 
general  manager  of  the  De  Mille 
studio,  has  retired  from  the  pic- 
tures. He  is  now  associated  with  the 
West  Coast  Mortgage  Securities  Co., 
of  which  he  is  vice-president. 


Kent  Improving 

S.  R.  Kent  of  Famous,  wj ' 
ly  had  his  tonsils-  remaved  j 
ported   doing  well  yesterdal 


Goldstein  and  Fsdt  L! 
E.   H.   Goldstein,  general  i 
of    Universal,    left    for    Fl( 
night  on  a  vacation.     Al  F ' 
tor  of  theaters,  who  accomp; 
is  on  an  inspection  tour. 


Lardner  Stories  to  Stem 
Stern  Bros,  have  closed  i 
Lardner  for  his  "You  Knov  •! 
stories.     A   series  of   12  or, 
reelers    will    be    made    for 
release.  I 


Colman  in  "Beau  Gei 

By      arrangement      with  I 
Goldwyn,  Famous  has  secti 
aid    Colman    for    the    lead 
Geste." 


Mae  Busch  with  M.-G  . 

Hollywood — Mae    Busch 
placed   under  a  new  long  f  i 
tract  by  the  M.-G.-M. 


This  is  a  'Comerblock'  cut  _ 
FREE  for  all  Pathecomedie  ifi 
exchange. 


A  COMPLETE  LABORATOR' 
AND  TITIE  SERVICE 


<aiH[S|iSSlB 


NEW  YORK 
IJJ  7th  Av«. 
Sfvani  14KVI 


•%da 


THE 


February  18,  1926 


-^E^ 


DAIUY 


jusiness  Aids 

tti    &     Ruben    Urge     Their 

lirs  to  Adopt  "Thank  You" 

1; — Summer  Suggestions 

tpolis — Finkelstein  &  Ruben, 

_;>r    Business,"    the    organiza- 

luse   organ,   urge   their    man- 

f  dopt  the  "Thank  You"  plan 

;ing  their  theaters.    Managers 

o  instruct  their  cashiers  and 

:  to  say  "Thank  You"  at  the 

very    transaction    they    may 

.  1  patrons.     The  following  is 

a  ion  managers: 

i    hen  he    ticket    is    purchased    it    should 

kno  edged   with   a   'Thank   You'   and  a 

\  len    the    ticket    is    dropped    in    the 

'  the  ame   thing   should   be   said   by   the 

len.  Long  continued  experiments   with 

_.mal  iddition  *  *  *  has  proved  its  value 

'     late." 

'ers   are  also   urged   to   "Get 

-r    the    summer."      The    fol- 

Inggestions    are    set    forth    to 

I'summer  box  office   receipts: 

ut  now  what   you   intend  to   do  to 

at     2   summer    depression.      Figure   out 

ise    ductions   that   you  may   be  able   to 

jt^i.         the'  same   time   schedule    whatever 

ess  uilders   you  can  evolve   for  holding 

'  s    (  n.      Some    places,    bathing    beauty 

sts  idoubtedly  would  mean  more  money 

let:  office.     Other  places,  strict  econ- 

_  wc  d   be   the    best   move   on    the   man- 

3     •  rt.       Still     another     scheme     would 

/he   istallation    of    additional     fans    and 

/gini  over    your   front    to    lend   an    atmo- 

:e    '    coolness    to    your    theater.      Again 

naj  iccide  that  summer  time  is  the  ideal 

d     r    you    to    'hook'    up    on    benefits. 


fJc 


[i-Theatricals  Hit 

(Continued  jrom   Page    1) 

liich  flooded  the  state  during 

nier  months  causing  the  legi- 

)0x  offices  to  suffer.     It  pro- 

.'  s  ■  tax  of  $200  on  a  show  where 

i  s-  ting    capacity    is    more    than 

lO.  The   tax   of   a   show   carrying 

|n    SO  to  1  000  seats  is  $150  and 

•a    low  with  less  than  750  seats, 

'.    If    an    exhibition    is    given    in 

iiw  with  a  population  of  between 
0   id   2,500,   the   tax  is   $25   and 
\v  :re  the  population  is  less  than 
the  show  is  given  in  a  dance 
Wi^  a  hall,  the  tax  is  $10. 


angle  Over  Star 

(Continued  from  Page   1) 
ertontract  to  produce  one  picture 
^  -Ijiy  personal  direction." 

lent  Pictures,  to  whom  she  is 

n  contract     for     three     pictures, 

m    Miss    Frederick    signed    with 

?gj   with    the   understanding   that 

ijoduction    would    not    be    state 

according  to  Sherman  Krell- 

.  ho    expects    Miss     Frederick 

;    ithin  thirty  days  to  begin  her 

I    picture. 

r  or  is  to  make  one  picture  for 
icJ  ick,  but  at  their  offices  it  was 
lown    whether    Miss    Frederick 
be   in   it  or   not. 


il 


fbfa   Luddy  Gets   New   Contract 

ywood — Fox  has  renewed  the 
-X  of  Barbara  Luddy  for  three 
.ears.  She  is  at  present  work- 
the  "East  Side,  West  Side"  se- 


Blank  Theater  Closes 

Moines — Blank's  Rialto  closed 
veek   to   make   way   for  a    new 
ig  to  be  erected  by  the  "Regis- 
ild  Tribune  News." 


Pidgeon  Signs  with  Schenck 

Hollywood — Walter  Pidgeon  has 
signed  a  two  year  contract  with 
Joseph  M.  Schenck.  He  has  been 
loaned  to  other  producers  until  now 
but  his  first  role  for  Schenck  will  be 
opposite  Constance  Talmadge  in 
"Silky   Ann." 


Fox  Departments  Merged 

Fox  has  combined  its  mail  order 
and  non-theatrical  departments.  The 
combined  unit  will  be  in  charge  of 
Aaron  Fox,  who  has  been  operating 
the  mail  order  branch. 


Scott  Here 

Lester  F.  Scott  of  Action  Pictures, 
Inc.,  producer  of  the  Buddy  Roose- 
velt, Buffalo  Bill  and  Wally  Wales 
westerns  is  at  the  Astor. 


Des  Moines  Film  Board  Moves 

Des  Moines,  la.— The  Film  Board 
of  Trade  has  removed  from  410  Iowa 
Bldg.  to  larger  offices  in  Suite  210- 
211,  the  same  building. 


Eastman  Perfects  Amateur  Projector 

Rochester,  N.  Y. — Following  sever- 
al months  of  experimental  work,  East- 
man Kodak  has  perfected  a  projector 
for  use  in  the  home.  The  new  ma- 
chine weighs  nine  pounds. 


Swedish  Film  Acting  School 

Washington — The  Dept.  of  Com- 
merce has  been  informed  through 
William  O.  Jones,  American  Vice- 
Consul  at  Malmo,  Sweden,  that  a 
school  for  training  film  players  has 
been  opened  to  supply  the  demand  for 
local  actors.  The  school  is  backed  by 
Bengt  Djurberg  and  is  located  in  the 
Metropol  theater. 


To  Film  the   North 

Montreal — A  party  headed  by  Com- 
mander F.  A.  Worsley,  will  leave  En- 
gland in  June,  for  the  Devon  Island 
on  the  far  northern  outskirts  of  Can- 
ada, where  they  will  remain  for  ten 
months  making  pictures.  An  explora- 
tion and  survey  of  the  territory  will 
also  be  made. 


Another  for  Goldman 

St.  Louis — William  Goldman's  has 
completed  plans  for  a  $175,000  thea- 
ter for  Union  blvd.  and  St.  Louis  Ave. 


Liberty  in   Fire 

East  St.  Louis,  111. — Fire  started  by 
a  short  circuited  electric  motor  did 
$2,000  damage  to  the  Liberty  recently. 


Gayer  Dead 
Echlin  Gayer,  who  appeared  in  sev- 
eral pictures  for  Famous,  is  dead.  The 
end  came  from  pneumonia. 


Technicians  to  Hold  Ball 

The  annual  ball  of  M.  P.  Local  52, 
I.  A.  T.  S.  E.,  will  be  held  May  1st 
at    the    Commodore. 


New  Fan  Paper 

St.  Louis — "Movie  News"  is  the  ti- 
tle of  a  new  St.  Louis  monthly  fan 
magazine.  Wallace  P.  Mullen  is  edi- 
tor. Mullen  has  been  connected  with 
various  producing  companies  in  Cali- 
fornia. 


Presentations 

Capitol 

Unit  No.  1. — Capitol  Grand  Orchestra: 
Overture :  "Evolution  of  'Dixie,"  Lake.  Time, 
9   minutes. 

Unit  No.  2. — "Old  Virginia."  Fox  Variety 
Film.  Scrim  curtain  in  front  of  screen  with 
Marjorie  Harcum,  standing  off  to  one  side, 
singing  "Carry  Me  Back  to  Old  Virginia." 
Faint  spot  on  singer  who  is  dressed  in  cos- 
tume of  old  mammy.     Time,   7  minutes. 

Unit  No.  3. — Doris  Niles  in  "Danza  Si- 
beriana."  Backdrop  of  futuristic  design. 
Dancer  in  Oriental  costume.  Time,  4  min- 
utes. 

Unit  No.  4. — Louise  Loring,  dramatic  so- 
prano. "Tacea  la  Notte  Placida,"  from  "II 
Trovatore,"  Verdi.  Singer  in  costume.  Set- 
ting:   decorative    curtain.      Time,    5    minutes. 

Unit  No.  5. — Capitol  Magazine.  Time,  10 
minutes. 

Unit  No.  6. — "Pastel  Amoureuse,"  with 
Hilda  Butsova,  Chester  Hale  and  Capitol  bal- 
let." Setting:  Background  of  cathedral  win- 
dow effect,  lighted  from  behind,  with  garden 
wall  and  floral  decorations  in  the  foreground. 
Dancers  in  quaint  costumes  and  powdered 
wigs.      Time,    7    minutes. 

Unit  No.  7.  —  Feature:  "The  Auction 
Block."       Time,    59    minutes. 

Unit  No.  8. — "Our  Four-Footed  Pals." 
Service    Film     Corp.      Time,    5    minutes. 

Unit  No.  9.^0rgan  solo.     Time,  5  minutes. 


A  Coast  Idea 

"Motion  picture  presentations  have 
become  an  art  in  themselves,"  says 
Sol  Lesser,  vice-president  of  West 
Coast  Theaters,  who  discusses  at 
length  this  phase  of  exhibition.  "They 
are  recognized  as  a  vital  part  of  ev- 
ery well  balanced  program  in  the  best 
motion  picture  theaters,"  Lesser  de- 
clares, and  continuing: 

"The  future  possibilities  of  presentations 
is  little  realized  today.  No  one  can  foretell 
what  great  developments  will  be  made  along 
these  lines. 

"While  some  of  the  large  exhibitors  feel 
that  a  presentation  should  be  an  atmospheric 
prologue  to  the  feature  picture.  West  Coast 
lias  been  giving  the  public  presentations  that 
have  no  connection  with  the  theme  or  locale 
of  the  picture.  This  we  feel  is  the  only  cor- 
rect way  to  balance  the  program.  For  ex- 
ample, many  precede  a  Spanish  picture  with 
a  Spanish  prologue.  This  makes  too  much 
of  the  same  atmosphere  on  the  program.  In- 
stead we  would  give  a  presentation  that 
would  be  the  exact  opposite  of  the  Spanish 
atmosphere. 

"It  is  very  important  that  the  presentation 
appeal  to  the  masses,  it  should  contain  enough 
variety  so  that  all  in  your  audience  will  be 
entertained  by  it.  While  popular  music  or 
jazz  is  the  rule  today  and  most  presenta- 
tions are  built  around  this,  there  is  a  trend 
toward  a  higher  class  of  music  and  enter- 
tainment. There  is,  however,  the  danger  of 
having  it  too  classical.  In  connection  with 
this  subject  it  is  interesting  to  note  how 
much  music  that  accompanies  a  picture  has 
progressed  from  the  jazz  music  of  a  few  years 
ago  to  the  symphonies  from  classical  musi- 
cal compositions  by  famous  composers  which 
are  played  today  to  accompany  the  feature 
picture.  Motion  picture  audiences  have  been 
educated  to  enjoy  and  expect  the  best  in  mu- 
sic. In  the  same  way,  presentations  will 
advance   until    they    contain    the    finest    talent. 

"The  greatest  reason  for  entertainment  is 
to  provide  a  means  for  the  masses  to  escape 
from  their  every  day  surroundings,  their  wor- 
ries and  troubles.  There  is  an  unconscious 
longing  for  the  beautiful.  Motion  pictures 
being  the  largest  form  of  entertainment  for 
the  public,  the  foremost  exhibitors  have  at- 
tempted to  give  a  well  balanced  program 
of  music,  pictures  and  stage  craft.  The  use 
of  presentations  is  an  attempt  to  give  a  touch 
of  the  'land  of  make  believe,'  of  romance, 
scenes  of  exquisite  beauty. 

"The  sooner  exhibitors  realize  this  and  be- 
gin working  up  to  the  point  where  they  be- 
come a  perfect  blending  of  setting,  costume 
and  music,  when  they  contain  that  some- 
thing which  will  stimulate  the  imagination 
of  the  audience,  then  will  presentations  begin 
to  fill  their  most  important  part  on  the  pro- 
gram. It  is  here  that  beautiful  lighting  and 
scenic  effects  will  put  over  the  entire  show. 
Great  is  the  progress  that  will  be  made  along 
these  lines.  This  is  bound  to  come  for  every 
now  and  then  one  sees  excellent  examples 
of    the   perfect   presenta'tion. 


Serial  Field  Active 

(Continued  from  Page   1) 

authors  like  Arthur  B.  Reeve,  Frank 
Spearman  and  Courtney  Riley  Cooper. 

Arrow  at  present,  is  planning  but 
one  serial,  "Lightnin'  Hutch."  It  is 
of  the   society-action  type. 

A  dog  serial,  "The  Silent  Flyer,"  is 
being  finished  by  Levine-BishofT. 

Rayart  for  1926-27  will  make  four 
serials,  the  first  an  aviation  picture, 
"The  Masked  Pilot."  This  year  only 
three  were  produced,  the  last  two  yet 
to  be  released  are  "The  Flame  Fight- 
er" and  "The  Phantom   Police." 

Sierra  Pictures  have  "Vanishing 
Millions,"  on  this  year's  program. 

Davis  made  three  this  year  and 
plan  three  for  1926-27  season.  This 
year's  releases  are  "The  Mystery 
Box,"  "The  Power  God"  and  "The 
Flying  Squadron." 


Levine    Here 

Nat  Levine  is  in  town  from  the 
Coast.  Actual  shooting  on  "The  Si- 
lent Flyer,"  a  dog  serial,  and,  accord- 
ing to  Levine  the  first  of  its  kind, 
was  completed  before  he  left.  "Sil- 
ver Streak,"  a  German  police  dog,  is 
starred.  Cutting  and  editing  are  now 
under  way.  William  Craft  directed, 
the  cast  including  Malcolm  MacGreg- 
or,  Louise  Lorraine,  Hughie  Mack. 
Anders  Randolf,  and  Edith  Yorke. 
Sam  Bischoff  will  bring  the  com- 
pleted print  East  in  a  few  weeks. 


Checking  With  Critics 

(Continued  from  Page   1) 
tone  of  newspaper  advertising  and  the 
tenor  of  theater  presentations. 

The  majority  of  the  replies  have 
been  received  and,  it  is  understood, 
they  reflect  favorably  on  the  indus- 
try as  a  whole.  Other  critics  have 
not  as  yet  forwarded  their  responses. 
Efforts  are  now  under  way  to  secure 
these  so  that  a  fairly  comprehensive 
survey  of  the  entire  country  can  be 
drawn. 


Praises  Hays  Organization 

In  a  recent  issue  of  "Fire  Protec- 
tion," one  of  the  leading  fire  preven- 
tion magazines,  the  Hays  organiza- 
tion is  commended  for  its  work  in  the 
prevention  of  fires  in  the  industry. 
"The  M.  P.  P.  D.  A.  is  now  the  lead- 
ing trade  organization  of  the  country 
in  point  of  efficient  supervision  of  th", 
fire  hazards  to  be  found  in  its  mdus- 
try,"  the  publication  stated. 


Clawson  and  Partlow  Merge 
Tippecanoe,  O. — Clarence  Clawson, 
operating  the  Auditorium,  and  Louis 
Partlow,  owner  of  the  Majestic  here 
and  the  Star  at  New  Carlisle,  have 
merged.  Partlow  recently  bought  out 
the  half  interest  of  his  former  part- 
ner, M.  Gates,  in  the  Majestic  and 
Star. 


Cameramen  to  Hold  Party 

Los  .\ngeles — The  American  So- 
ciety of  Cinematographers  will  give 
its  fifth  amuial  ball  and  entertain- 
ment  at   the    Biltmore   Saturday. 


Jack  Retlaw  Resigns 

Los  Angeles — Jack  Retlaw  has  re- 
signed as  one  of  the  chief  executives 
for  West  Coast  Theaters,  Inc.  He 
is  now  connected  with  the  Venice 
Amusement  Co. 


^^1  ■iiwa— ^« 


^bane 


A  BIG  CAST!  ¥ 

Ricardo  Cortez 
Greta  Garbo 

Gertrude  Olmstead 
Edward  Connelly 
Tully  Marshall 
Mack  Swain 
Arthur  E,  Carew 
Lucien  Littlefield 
Martha  Mattox 
Lucy  Beaumont 
Mario  Carillo 
Lillian  Leighton 

Scenario  by  Dorothy  Farnum 
Jrom  Vicente  Blasco  Ibancx.''  no'vel. 
Titles  by  Kaiherine  Hilliker  and 
H.  H.  Caldivell 

A  MONTA  BELL 

Productmt 


Metr 


4  GREAT  NEW 
PRODUCTION  ARRIVES! 


Not  since 

''Enemies  of  Women" 

Has  Cosmopolitan 

Given  exhibitors 

A  more  positive  hit 

Tiian  ''Ibanez'  TORRENT'r 

A  great  production 

Of  a  powerful  story 

Witll  a  money  cast 

Of  12  Big  Names 

Badced  by  nationwide 

Cosmopolitan  promotion 

We  are  proud 

To  add  this  picture 

To  M-G-M's  big  hits 


A  Cosmopolitan  Production 


hldwunWxfti 


iTHE 

tftfRADSTREET 
^PILMDOM 


7Aek£(OCmE^ 


,V     No.  42 


Friday,    February    19,    1926 


Price   5   Cents 


By  DANNY 

I  Ccjciis  and  the  Kelleys."  Re- 

ve.  Just  an  "Abie's  Irish 

ilm   tans.      Not  that   it   is 

the    great    stage    success. 

the    same    elemental    ap- 

boys,  it  is  a  sure-fire  box 


\er  produced  the  picture 
'on  with  Universal.  Eph 
on  the  idea,  and  went  to 
way.  The  result  is  there 
land  a  yard  wide  so  far 
iinent  goes.  And  that  is 
to  it.  It  was  built  for 
i([;e,  and  Harry  Pollard,  the 
cd  out  a  perfect  fit. 


the    usual    row    between 

and    the    Kelleys.      They 

le  time — every  member  of 

ni  s,     including     the      dogs. 

.    A    except    the    son    of    the 

:  d     the     daughter     of     the 

ou   guessed  it.     They  fall 

w  :i  each  other,   are  married 

.  al  the  baby  unites  the  fami- 

uniot    before   you    have    had 

;     Jghs;   and   a    tear   or   two. 

d    ast    —    Charles     Murray, 

;Jney,    Vera    Gordon    and 

-i  ,    Mickey    Bennett    and    a 

Gordon    put    this    over — 


Wild  Money 

ht  operators,  notably  dis- 
eem  imbued  with  the  idea 
kij  pictures  is  a  five  minute 
lii  anyone  living  in  HoUy- 
,Hi  do.  From  the  way  some 
aerators  have  rushed  into 
a  Df  producing  you  would 
a  pictures  can  be  made  over 
ly  anyone  from  the  carpen- 
fcii.itice  to  the  driver  of  the 
J't  From  several  cities,  in- 
^  jfTalo,  Boston  and  New 
\i :  reports  that  some  inde- 
m  stributors  are  busily  en- 
m  lanning  to  make  pictures. 
">they  have  their  own  ideas 
existing  producers  from 
usually  buy  pictures.  That 
which  does  not  concern 
i  «  is  their  business.  Their 
Lmvolved.  But  if  distribu- 
I  li^  Boston  or  anywhere 
I  ''that  sitting  about  a  table 
(m  g  about  financing  is  all 
Jl  o  picture  making.  They 
fli  •  guess  again.  Or  they 
■  to  Harry  Ascher  of  Bos- 
^  1  had  considerable  experi- 
'  ij  distributor-producer,  sever- 


Scene  from  Pauline  Frederick's  greatest  picture,  "The  Nest."  Produced 
by  Excellent  Pictures  Corporation  from  the  William  A.  Brady  stagie 
success.     Personally  directed  by  Will  Nigh. — Advt. 


34  From  Warners 

To  Produce  That  Number  in  1926-27, 

At   Cost  of  $12,500,000— Eight 

Specials    Scheduled 

Los  Angeles — The  Warner  prog- 
ram for  1926-27  has  been  definitely 
decided  on.  There  will  be  34  pic- 
tures, representing  a  budget  of  $12,- 
500,000.  Eight  specials  are  included. 
These  will  be  made  by  Ernst  Lub- 
itsch,  John  Barrymore  and  Syd  Chap- 
lin. 

A  report  current  in  studio  circles 
that  the  Warners  intend  disposing  of 
their  studio  and  centralizing  produc- 
tion at  the  Vitagraph  plant  is  denied. 

Producers  in  Pact 

Hollywood — At  a  meeting  of  the 
M.  P.  Producers  Ass'n.,  I.  E.  Chad- 
wick  and  Arthur  Beck  were  elected 
a  committee  of  two  to  form  an  or- 
ganization of  independents  on  the 
West  Coast.  Among  those  in  atten- 
dance were  Harry  Cohn,  Sam  Bis- 
chofif,  John  Ince,  Charles  Hutchinson, 
H.  J.  Brown,  ClifT  Boughton,  Re- 
naud  Hofifman,  Sam  Sax,  Abe  Car- 
los, Phil  Goldstone,  Rex  Thorpe, 
(Continued  on  Page  7) 


36  Comedies  for  Artclass 
It   is   understood    Louis   Weiss   of 

Artclass  Pictures  is  about  to  close  a 
deal  with  George  and  Billy  West  for 
36  two-reel  comedies,  in  three  series 
of  12.    Billy  will  not  appear  in  them. 


Deals  for  Westerns 

Leo    Maloney    on    Pathe    Program — 

Three  Series,  Made  by  Lester 

Scott,  for  Asso.  Exhib. 

The  deal  launched  by  P.  A.  Powers 
on  the  Coast  some  weeks  ago  for 
three  series  of  westerns  has  been 
Signed.  Lester  Scott,  of  Action  Pic- 
tures, will  supply  Associated  Exhibi- 
tors with  three  series  of  westerns,  six 
to  the  group.  They  will  star  Buddy 
Roosevelt,  Buffalo  Bill,  Jr.  and  Wally 
Wales.  Until  now,  Artclass  Pictures 
have  been  handling  them. 

Leo  Maloney  has  been  signed  by 
Pathe,  it  is  understood,  to  make  about 
six  pictures  a  year  for  three  years. 
These  will  alternate  with  the  Harry 
Careys  on  that  company's  program 
for  1926-1927. 


Hearing  in  Albany 

Albany,  N.  Y. — A  public  hearing 
will  be  held  before  the  Assembly  Cit- 
ies Committee  Feb.  23  on  the  bill  in- 
troduced by  Assemblyman  Freiberg 
of  Buffalo  which  is  designed  to  per- 
mit children  between  the  ages  of  10 
and  16  years  to  attend  the  picture 
theaters  unaccompanied  by  parent. 
Freiberg  has  amended  his  bill  so  as 
to  provide  licensift?*1tlithority  for  such 
performances. 

(Continued  on  Page  7) 


Mae  Murray  Signs  with  M.-G.-M. 

Mae  Murray  has  signed  a  starring 
contract  with  Metro-Goldwyn-Mayer. 


The  West  Coast  Deal 

Negotiations  Looking  Toward  Change 
In    Ownership    Far   from   De- 
termined at  This  Time 

It  was  reported  yesterday  that  the 
negotiations  relative  to  a  change  in 
ownership  of  the  control  of  West 
Coast  Theaters,  Inc.,  were  far  from 
settled.  It  need  not  prove  surprising, 
so  it  was  said,  if  they  were  not  fin- 
ally closed  for  some  time. 

As  exclusively  announced  in  THE 
FILM  DAILY,  these  negotiations 
will  likely  include  the  sale  of  the 
holdings  of  Sol  Lesser,  who  is  ex- 
pected to  retire  from  West  Coast. 
Lesser  and  the  Gore  brothers  con- 
trol, it  is  said,  about  60  per  cent  of 
the    holdings   of   West    Coast. 

Among  the  reports  in  circulation 
yesterday  was  one  to  the  effect  that 
several  First  National  franchise  hol- 
ders and  Hayden,  Stone  &  Co.,  were 
actively  interested  in  securing  con- 
trol of  the  West  Coast. 


Creditors  Meet 

Hearing    in    Atlanta    on    Enterprise 
EHist.    Corp.    Bankruptcy    De- 
velops Interesting  Tangle 

Atlanta- — What  was  expected  to  be 
a  quiet  proceeding  developed  into  an 
interesting  occasion  when  an  array  of 
creditors,  represented  by  half  dozen 
different  lawyers  appeared  at  the 
creditors'  hearing  yesterday  in. tlie 
Enterprise  Dist.  Corp.  bankruptcy 
and  brought  out  evidence  to  ^how 
that  stockholders  of  the  three  cor- 
porations involved  in  the  case,  name- 
ly the  Jenkins  Securities  Corp.,  En- 
terprise Dist.  Corp.,  and  Enterprise 
Film   Corp.,   are   practically   identical. 

Testimony  offered  by  John  W. 
Quillian,  stockholder  in  the  above 
(Continued  on  Page  7) 


Big    Brooklyn   House 

Harold  E.  Wittman,  Brooklyn 
builder,  has  purchased  a  plot  40,000 
sq.  ft.  in  area  at  Flatbush  Ave.  ex- 
tension, De  Kalb  Ave.  and  Hudson 
Aves.,  on  which  he  will  build  a  14 
story  building  and  a  5,000-seat  theater. 
The  plot  embraces  a  large  parking 
space  adjoining  the  Werba  theater 
which  is  now  owned  by  the  Brooklyn 
Strand  Theater  Corp.  It  is  anticipated 
the  house  is  being  built  for  a  large 
producing  and  distributing  company, 
possibly  Fox. 


No  Paper  Monday 

Monday,  February  22,  being 
Washington's  Birthday  and  a 
legal  holiday,  there  will  be  no 
issue  of  THE  FILM  DAILY 
published. 


U<M 


THE 


J  AS 


DAILY 


Friday,  February 


VtL  XXXV  No.  4^  Friday,  Feb.  19, 1926     Price  5  Cents 

Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FlOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wflk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
mot>ths,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographie 
Francaise,   5,  Rue  Saulnier. 


^t:  -'  ■  ■ '  = « — — 

Quotations 

Hich 

Low 

Close 

Sales 

Balaban   &   Katz    . 

68 

68 

68 

.... 

Eastman    Kodak    . 

111 

111 

111 

200 

Famous    Players    . 

H8J4 

117 

UTA 

8,300 

*Fam.  Play.  Pfd.  . 

120 

.... 

•Film  Inspection  . 

S'A 

•First    National     . 

107 

.... 

Fox   FUm   "A"    .. 

75 

72J4 

73  J4 

6.S00 

Fox  Theaters  "A" 

28^ 

26 

27 

4,600 

•Intern'l    Projector 

.    . . 

12% 

Loew's,    Inc 

3894 

38^^ 

3m 

500 

•Metro-Gold.  Pfd.. 

2^ 

*M.  P.  Cap.  Corp. 

,  , 

19^5- 

.... 

Pathe  Exch.  "A". 

7iH 

7354 

74}i 

400 

Skouras   Bros.    . . . 

48 

46/, 

47 

.... 

•Sun.  Co.  of  Am. . 

49  Vi 

.... 

Trans-Lux     

.    UH 

11 

11J4 

1,900 

•Universal  Pictures 

.       .  . 

40H 

.... 

•Univ.  Pict.  Pfd.  . 

.       .  . 

9i 

.... 

Warner  Brothers  . 

.  1654 

15J^ 

15 

2,300 

•Warner   Pictures. 

.   . . 

11 

.... 

•  Last   prices   quoted. 

M.  P.  Capital  Assets  $6,915,030 
The  M.  P.  Capital  Corp.  reports 
a  net  income  of  $281,776,  after  de- 
duction of  taxes,  for  the  year  ended 
Dec.  31.  Current  assets  are  listed 
at  $6,762,106,  compared  with  current 
liabilities  of  $4,056,277.  Totals  assets 
are  $6,915,030. 

The  consolidated  statement  of 
profit  and  loss  for  the  year  ending 
Dec.  31,  1925,  follows: 

Income : 

Commissions    $345,606.81 

Interest  on  loans  and 

bank  balances    ...    155,824.37 

$501,431.18 

Deduct — Financial  expenses : 
Interest  on  borrowed 

money    $  91,413.17 

Commissions  on  bor- 

borrowed  money. .     17,676.06 


Gets  $3,000  in  Dues 

Treasury  of  M.  P.  T.  O.  A.  Bolstered 
by  Payment  of  Dues  from   Con- 
necticut and  Ohio  Exhibitors 

Within  the  past  week  over  |3,000  in 
dues  has  been  paid  into  national  head- 
quarters of  the  M.  P.  T.  O.  A.  by  af- 
filiated state  units.  One  of  the  largest 
payments  was  made  by  L.  M.  Sagal 
of  the  Poli  circuit,  New  Haven.  His 
check  for  $1,040  represents  the  total 
of  dues  for  his  own  Connecticut  thea- 
ters. In  the  same  mail  came  one  from 
the  M.  P.  T.  O.  of  Ohio  which  brings 
the  total  of  that  State's  payment  up 
to  $1,648. 

Joseph  M.  Seider  says  he  is  elated 
over  the  way  the  new  system  of  dues 
for  direct  membership  and  payment 
to  the  national  organization  is  func- 
tioning. Under  this  system,  an  exhib- 
itor can  belong  to  both  his  state  and 
national  organization  without  dupli- 
cating his  dues. 

The  honor  roll  of  state  units  pub- 
lished in  the  OtTicial  Bulletin  is  also 
considered  by  the  business  manager 
as  another  medium  for  stimulating 
exhibitors   into  meeting  dues. 


Olympia,  Miami  Opens 

Miami — The  Olympia,  new  Pub- 
lix  house,  seating  3,000,  opened  last 
night  with  "The  King  on  Main 
Street,"  and  Paul  Whiteman  and  his 
orchestra.  Tickets  were  sold  at  $5 
per  person.  Adolph  Zukor,  Jesse 
Lasky  and  Sam  Katz  attended. 


De  Roche  Here  from  Paris 

Charles  De  Roche  is  here  from 
Paris  with  a  print  of  "The  Princess 
and  the  Clown,"  in  which  he  is  star- 
red. It  was  made  by  Aubert  Films 
of  Paris.  De  Roche  is  making  his 
headquarters  with  Ramon  Romeo. 


Goldbeck  to  Direct  for  Famous 

Los  Angeles — Willis  Goldbeck,  who 
has  signed  with  M.-G.-M.  to  adapt 
Carey  Wilson's  original,  "Women 
Love  Diamonds,"  joins  Famous  in 
May  to  direct. 


Party   En   Route   East 

Los  Angeles — Ricardo  Cortez,  Al- 
ma Rubens,  Gertrude  Olmstead  and 
Charles  Van  Enger  are  en  route  to 
New  York. 


Roach  Recovering 

According  to  W.  B.  Frank,  Hal 
Roach  who  broke  his  collor  bone  re- 
cently while  playing  polo  on  the 
Coast,  is  recovering  rapidly. 


109,089.23 


Gross   income    $392,341.95 

Deduct — General      operating     ex- 
penses           67,989.01 


Net   income   before   taxes    $324,352.94 

Deduct — Provision  for  1925  taxes       42,576.84 


Banks    Here   from    Coast 
Monty  Banks  is  here  from  the  Coast. 
Ike  Libson  of  Cincinnati  and  Den- 
nis Harris  of  Pittsburgh  are  visiting 
for  a  few  days. 


5  Hollywood  Houses 

$3,700,000  for  New  Picture   Theaters 

— Warner  Houses,  Costing  $2,- 

000,000,  Head  the  List 

Hollywood — The  Examiner,  sur- 
veying theater  construction  in  Holly- 
wood, declares  that  of  the  ten  new 
theaters  building  or  planned,  five  will 
be  devoted  to  motion  pictures.  Their 
total  cost  will  be  $3,700,000. 

The  list  is  headed  by  the  Warner 
$2,000,000  house.  A  site  has  been  pur- 
chased at  the  intersection  of  Holly- 
wood and  Wilcox. 

Alice  Calhoun  heads  a  syndicate 
now  building  a  house  to  cost  $250,000 
at  6025  Hollywood  Blvd. 

Three  new  West  Coast  theaters 
will  soon  open  their  doors.  They  in- 
clude the  Maplewood,  at  Western  and 
Maplewood,  cost  $250,000;  the  La 
Brea,  at  Wilshire  Blvd  and  Sycamore, 
cost  $450,000,  and  the  Belmont,  at 
First  and  Vermont,  which  will  open 
in  a  few  days.  This  is  a  $750,000  in- 
vestment. 


Corporate  Changes 

Albany,  N.  Y.— Cranfield  &  Clarke 
have  received  permission  from  the 
Secretary  of  State  to  increase  its  capi- 
tal stock  from  100  to  6,000  shares,  of 
which  1,000  have  a  par  value  of  $100 
and  5,000  shares  of  common,  no  par 
value. 


Dover,  Del. — Frank  Rembusch's 
recently  formed  Cinema  Booking 
Corp.  of  America,  operating  in  In- 
diana, has  changed  its  name  to  As- 
sociated Cinema  Theaters  Corp., 
headquarters  in  Marion,  Ind. 

Inspiration  Pictures  has  been  char- 
tered here  with  a  capital  of  $100,000. 
The  Corporation  Trust  Co.  of  Am- 
erica acted  as  attorney. 

Jules  E.  Mastbaum,  head  of  the 
Stanley  Co.  of  America,  has  formed 
the  Rodin  Museum  of  Philadelphia, 
Inc.,  the  purpose  of  which  is  to  col- 
lect and  exhibit  works  of  art. 


Albany,  N.  Y. — The  Schine  Enter- 
prises, headquarters  in  Gloversville, 
have  been  chartered.  E.  Barnes,  A. 
Radeloflf  and  A.  Schimel  are  incor- 
porators. 


Two  Coast  Premieres 

Los  Angeles— "The  Sea  Beast" 
opened  at  the  Figueroa  last  night  and 
Ibanez'  "Torrent"  at  Loew's  State. 


Robbins  to  Direct  "There  You  Are" 

Hollywood — Jess  Robbins  will  be- 
gin direction  of  "There  You  Are" 
Monday  at  M.-G.-M.  Joan  Crawford 
will  play  the  lead. 


Roach  Signs  Ethel  Clayton 

Hollywood — Hal  Roach  has  signed 
Ethel  Clayton  for  a  two-reel  comedy. 


Net  income  carried  to  bal- 
ance  sheet    $281,776.10 


Evansville  Exhibitor  Here 
Marc     Sonntag     of     the     Victory, 
Evansville,   Ind.,   is   here. 


^^Ip^MelS^anti, 


LooliBellerand Wear  Longer 


A  De  Luxe  Projection  Room 

Adds  Tone  to  the  Picture 

De  Forest  de  luxe  projection 
room,  beautifully  appointed  and 
modernly  equipped,  is  available 
to  the  trade  for  screening  of 
productions. 

Jlbiolultly  Fireproof— Excellent 
Screen — New,  Cleart,  Comfortable 
Write     or    Phone    for    Appointments 

DeFOREST  PHONOFILMS,  Inc. 

1 560  BROADWAY  BRYANT  4685 


^■■■■^■■■■■■■1 


Washington  "Blues"/ 

Washington — The    JudicI 
committee     of     the     Housil 
Committee  will  take  up  a 
bills    for    executive    consid<| 
Saturday.      The    last   on  t 
measures    to    be    considen  1 
Lankford   bill,    providing  {(i] 
observance    in    the    Distric 
lumbia,    which    would    cloi 
shows  and  other  amuseme  I 


Frederick  Not  With 

Pauline  Frederick,  report  I 
signed  a  contract  with  Ull 
make  "Devil's  Island,"  lu||l 
such  thing,  according  to  ^| 
fices. 


Nigh  with  M.-G.-lj 

Will  Nigh  has  been  sign! 
G.-M.  to  direct  and  will  lesj 
Coast  upon  the  completi(| 
editing  of  "The  Nest." 


This  is  a  'Comerblock'  cui  i 
FREE  for  all  Pathecomed^l 
exchange.  \' 


NATIONAL     E^j 
LABORATORIES* 

Developing — Printing- 

1476  Broadway  \ 
Tdaphatiw  Bnrtat  Mt^ 


I  Ward  Cine  Laborato, 

if 


216-222   Weehawker^ 
J^  Union  City,  N. 

|-|    Telephone  Union  4800 

ft  G.  BERT  WA| 

♦V 


IF  YOU  ARE  IN  l\ 
MARKET  FOR  ANYkI 

MOTION  PI( 
APPARA^ 

CONSULT  US- AND  SAytl 
SEND  FOR  OUR  PRICE  I 


Chas.  G.  WiUoughbjl 
Motion  Picture  Depai  m<4 
no  West  32nd  St..  NejYoJ 
Phone    Pena.    6564'      " 


i 


PICTURES  OF  THE  RESCUE  OF 

THE  "ANTINOF^  BY  THE 

"PRESIDENT  ROOSEVELT" 

Major  E.  J.  Bowes,  Mgr.  Director— CapUol  The- 
atre, N.  Y.  says: 

'It  is  the  most  remarkable  picture  of  the  sea  that  I  have 
ever  seen.    International  Newsreel  deserves  no  end  of 
credit  for  enabling  the  American  people  to  see  the  thrill- 
ing   exploits    of    the    brave    men    of    the 
Roosevelt." 

Quinn  Martin,  critic  of  N.  Y.  World  says: 
"By  all  odds  the  most  exciting  thing  moving 
upon  the  screen  at  the  Rialto  this  week  is  the 
International  Newsreel  showing  the  steam- 
ship Roosevelt  rescuing  the  crew 
of    the  freighter  Antinoe." 

Your  audiences  can  see  this  remark- 
able   rescue    only    in    International 
Newsreel — no  other  has  it. 


As  usual— 

Without  extra  cost 

to  exhibitors  I 


)» 


EASED    BY   UNIVERSAL 


THE 


jg^ 


DAILV 


Friday,   February  19 1 


Newspaper  Opinions 

"The  Ancient  Highway" — Paramount 
La    Salle,    Detroit 

FREE  PRESS—-*  *  *  It  is  a  typical  Cur- 
wood  story,  taking  the  audience  into  the  land 
of  snow  and  perpetual  forests.   •  *   ♦ 


"Arizona    Sweepstakes" — Universal 
Strand,  Montreal 

STAR — *  *  *  For  those  who  like  cowboy 
stories  with  plenty  of  good  riding  atid  fight- 
ing,   this    will    prove    interesting.    *    *    ♦ 


"The  Auction   Block"— M.-G.-M. 
Warfield,  San  Francisco 

CALL  AND  POST—  **  ♦  Fred  and  Fan 
nie  (Hatton)  have  done  a  lot  of  great  work 
in  their  time ;  but  you'd  never  think  it  to 
look  at  the  hash  they  have  made  of  what 
was    a    corking    good    piece    of    fiction.    *    *    * 

CHRONICLE—*  ♦  •  It  is  a  fascinating 
story,  full  of  humor,  and  its  romance  has 
enough  obstacles  to  make  it  suspensive.   *   *   * 

EXAMINER—*  *  *  The  demerits  of  the 
production  in  the  departments  of  acting, 
titles  and  ideas  are  perhaps  too  obvious  to 
make  it  acceptable  to  the  critical.  It  seems 
hastily    put    together.    •    *    • 

HERALD-—*  *  *  (Charles)  Ray  is  at  his 
best  as  the  ingenious  young  man  in  a  dil- 
emma. In  "The  Auction  Block,"  his  dilem- 
mas are  many.  •  •  • 

NEWS — *  *  *  Ray  gives  a  delightful  per- 
formance and  is  admirably  supported  by 
Eleanor  Boardman  as  the  girl  wife.  *  *   * 


"Bluebeard's    Seven   Wives"— First 
National 
Capitol,    Cincinnati 
ENQUIRER—*     *    *     Like    "Hollywood" 
and    "Merton    of    the    Movies,"    this    produc- 
tion   satirizes    the    whole    motion    picture    in- 
dustry,     including      stars,       directors,      press 
agents  and  producers.  *  •  * 

Stanley,  Philadelphia 

BULLETIN—*  *  *  Is  probably  the  tru- 
est expose  of  the  pictures  ever  filmed,  al- 
though  it   is   intended   for  a   burlesque.    *    *    • 

INQUIRER—*  *  *  A  hilarious  comedy 
and  a  delightful  surrounding  bill.  There  is 
a  movie  within  a  movie,  and  lets  the  public 
in  on  the  know  of  motion  picture  pub 
licity.    •   »  • 

PUBLIC  LEDGER—*  *  *  From  begin- 
ning to  end  the  movies  are  "kidded"  with  an 
insight  that  could  only  have  come  from  a 
person  thoroughly  acquainted  with  their 
workings.   •   •   • 

RECORD—*  *  *  Was  marked  by  comedy 
as  well  as  straight  drama,  and  had  the  ele- 
ments of  a  thriller  as  well  as  of  a  costume 
romance.    •   •  • 


"The    Eagle" — United   Artists 
Rivoli,  Baltimore 

AMERICAN—*  *  *  Withal,  Mr.  Valentino 
is  dignified  and  suave,  restrained  and  fiery, 
brilliant  and  dramatically  true.  It  is  real 
acting   thai    he   does    in    "The    Eagle."    ♦    *    ♦ 

SUN — *  *  *  An  ambitious  and  eminently 
successful  attempt  on  the  part  of  Rudolph 
Valentino  to  recapture  his  wilting  popular- 
ity. We  found  it  vastly  entertaining  and 
easily  the  best  thing  he's  done  since  *  ♦  " 
well,    for   a    mighty   long   time.    *    *    * 

Imperial,  San  Francisco 

BULLETIN—*  *  *  "The  Eagle"  might 
be  described  as  a  romantic  comedy-drama. 
Certainly  it  has  all  of  these  elements  plus 
a  pictorial  beauty  that  delights  the  eye.   ♦  ♦  • 

HERALD—*  *  *  Women  most  certainly 
will  like  "The  Eagle."  Men  will  find  it 
better    than    other    Valentino    films.    *    *    * 


"The    Fighting    Edge" — Warners 
State-Lake,  Chicago 

TRIBUNE—*  *  *  On  the  whole,  "The 
Fighting    Edge"   may   be    guaranteed    to   keep 

you    awake    and    interested    in    its    outcomt. 

*   ♦    # 

"The  Fool"— Fox 
Alhambra,  Milwaukee 

SENTINEL — *  *  *  People  who  enjoyed 
the  play  of  religious  theme  will  find  the 
same    measure    of    enjoyment    in    the    picture. 


"Bobbed   Hair"- Warners 
Modem,  Boston 

TRANSCRIPT—*  *  *  A  tasty  hotch- 
potch of  fights,  races,  hi-ja'ckers  and  a  roll 
of    "fifty    grand."    •    •   • 


"Clothes  Make  the  Pirate"— 1st  Nat'l 
Strand,   Milwaukee 

SENTINEL—*  *  *  Leon  Errol's  col- 
lapsing legs  are  good  for  laughs  on  the 
screen   as   well   as   over   the   footlights.    ♦    •    • 


"Dance    Madness" — M.-G.-M. 
Park,  Cleveland 

NEWS — *  *  *  Claire  Windsor  is  excep 
tionally  pleasing  to  the  eye  in  this  vehicle, 
but  the  result  of  Conrad  Nagel's  venture 
into  the  field  of  light  comedy  is  still  in 
doubt.   *   •  • 

PLAIN  DEALER—*  *  *  It  really  is  quite 
funny.  A  Lubitsch  would  have  simplified  it 
and  made  it  a   laugh   knockout.   ♦  ♦   * 

TIMES — *  *  *  Is  the  modern  wayward 
husband  type  of  picture  whicb  at  times  gives 
nne  the  feeling  that  he  has  seen  it  before. 
»   *   • 

Columbia,  Washington 

HERALD — *  *  *  The  thing  is  labored  and 
antiouated,  depending  on  stunning  sets  and 
exotic  atmosphere  for  its  interest.  It  is  a 
living  answer  to  what  is  wrong  with  the 
pictures.    •    •    • 

STAR — *  *  *  Like  many  of  Leonard's  pre- 
vious pictures,  "Dance  Madness"  h^s_  a 
Parisian  atmosphere  and  runs  in  farcical 
tempo.   *    *   * 

TIMES — •  *  •  Provides  one  amusing  situ- 
ation after  another  with  the  regulation  eter- 
nal triangle  for  a  plot,  but  with  a  most 
satisfactory  ending.  •  •  • 


"The    Gilded    Butterfly"— Fox 
Washington    Detroit 

FREE  PRESS—*  *  *  By  way  of  thrills, 
a  new  kind  of  wreckage  is  introduced  which 
more  than  fulfills  its  purpose.  Scenes  of 
Monte  Carlo  with  a  dash  of  the  life  there 
are  very  aaroitly  injected.   •   ♦   ♦ 

NEWS — *  *  *  The  acting  is  uniformly 
good,  with  Miss  Rubens  displaying  one  or 
two  exceptionally  fine  emotional  scenes.   •  •   ' 

Fox,  Philadelphia 

BULLETIN—*  *  *  Is  rather  an  enter- 
taining picture,  and  then  Alma  Rubens,  who 
plays  her  lead  role  excellently,  enhances  the 
picture    with    her    wistful    charm.    ♦    *    • 

INQUIRER—*  *  *  The  combination  of 
Miss  Rubens  and  Bert  Lytell  is  a  happy 
one,  for  such  a  combination  of  tragedy  and 
comedy,  all  nicely  overlaid  with  a'  film  of 
melodrama    as    the   picture    is.    *    ♦    * 


CHRONICLE—*  *  *  St.  Clair's  direction 
calls  for  great  praise,  for  he  has  not  done 
a  gauche  thing  throughout  the  picture,  and 
there  are  many  opportunities  to  overstep 
the  proprieties   for  a   laugh.    *   *   * 

EXAMINER—*  *  *  There's  first  rate 
acting  in  "The  Grand  Duchess."  Menjou 
as  the  philandering  turfman  who  turns  waiter 
— and  a  rotten  one — to  woo  the  fair  Russian, 
exhibits    a    sparkling    deviltry.    *    *    ♦ 

NEWS—*  *  *  Holds  nothing  but  comedy 
in  its  purest  vein,  delightful  and  delicious, 
brought  cut  to  its  last  lingering  laugh  by 
Malcolm    St.    Clair.    »    *    ♦ 


"Mike"— M.-G.-M. 
State,    Boston 

GLOBE—*  *  *  There  is  very  little  plot, 
but  there  is  a  lot  of  humor  in  the  situations 
that   abound   throughout   the  story. 

HERALD—*  *  *  As  Mike,  Sally  O'Neill 
exhibits  a  rare  beauty  and  an  individuality 
that    will    doubtless    carry    her    far.    *    •    * 

TRANSCRIPT—*  *  *  The  pleasure  of 
the  picture  comes  from  its  savorsome  com- 
ments on  life  and  character,  its  understand- 
ing of  men  and  of  children,  its  hearty  and 
una'flfected    enjoyment    of    a    comic    situation. 


♦   #    * 


"The   Girl   from   Montmartre" — First 

National 

Strand.    Cincinnati 

ENQUIRER—*  *  *  The  utter  banality  of 
this  production  is  saved  by  the  beautiful 
photography  and  the  heroic  efforts  of  Lewis 
Stone    to    make    something    out    of    nothing. 


"Go    West"— M.-G.-M. 
Regent,  Rochester 

DEMOCRAT—*  *  *  In  "Go  West,"  the 
serious  sequences  retard  the  action  of  the 
nlay  lamentably  and,  at  the  same  time,  fail 
in  their  obiective  as  illuminating  relief  for 
the  lighter  diversion  of  the  comedy  moments 
♦   *   » 

HERALD — *  *  *  There  are  many  pood 
gags  in  the  picture,  and  the  whole  thing 
ouo-ht  to  apneal  strongly  to  Buster  Keaton 
admirers,    *   *    * 

TIMES-UNTON— *  *  *  Call  it  burlesque, 
farce,  sheer  idiocy,  or  what  vou  will,  there 
is  no  doubt  that  Buster  Kea+nn's  latest 
series  of  comical  gags  entitled  "Co  West," 
provides   continuuous    amusement.    ♦    *    * 


"The  Grand  Duchess  and  the  Waiter" 

Paramount 

Metro.   Boston 

HERALD—*  *  *  Adolphe  Menjou  does 
the  "millionaire  turfman."  turned  waiter  for 
love  of  the  Grand  Duchess,  with  his  cus- 
tomary  urbanitv   and   sly    humor.    *   *   ♦ 

TRANSCRIPT—*  *  »  The  farcical  values 
of  the  play  remain  clear.  The  characteriza- 
tions arc  sharp  and  amusing,  if  not  always 
so   pungent   as   at   first.    »   •   » 

Granada.  San  Francisco 

BULLETIN—*    *    *    Proves    a    refreshing 

and  thoroughly   enjoyable  farcical  production. 

*    *    « 

CALL  AND  POST—*  *  •  Menion  is  too 
much  of  an  artist  to  mnke  a  sex  nlay  or  a 
bedroom  farce  of  this  thing,  and  his  inter- 
pretation of  the  scenes  that  might  have  been 
risque  and  could  very  easilv  have  been  made 
vulgar  reveals  a  whimsicality  which  is  re- 
freshing.  ♦  •   • 


Chicago,  Chicago 

HERALD—*  *  *  As  a  matter  of  fact, 
"Mike"  has  as  much  form  as  a  pudding, 
but  just  when  you  get  to  thinking  "Where 
is  the  plot,"  Neilan  gives  you  another 
laugh.    *    *    * 

TRIBUNE—*  *  *  The  picture  is  a  lively 
thing,  with  spasms  of  real  and  near  humor, 
and  some  originality — not  a  great  deal  of  the 
latter.   *   *   * 

Allen,  Cleveland 

NEWS — *  *  *  The  author-director  has 
inserted  nevcra'  really  humorous  episodes,  but 
at  times  he  wanders  far  from  anything  that 
might  be  deemed  probable  in  his  quest  for 
comedy.   *   *   * 

PLAIN  DEALER— »  *  *  It  is  as  full  of 
humor  as  Colleen  Moore's  "The  Desert 
Flower"  was,  and  of  the  same  brand  of 
humor.   ♦   *   * 

PRESS — *  *  *  This  movie  contains  ab- 
solutely   nothing   that   is   original.    •   •   * 

TIMES—*  *  *  Neilan  has  certainly  put 
over  a  picture  he  can  be  proud  of,  both 
in  story,  direction,  cast  and  entertainment 
value.    *    *    * 

Garrick,  Minneapolis 

STAR — *  *  *  Persons  who  like  the  bur- 
lesque type  of  comedy  will  find  this  pic- 
ture  extremely   amusing.   *   *   * 

State,  St.  Louis 

GLOBE-DEMOCRAT—*  *  *  "Mike"  is  a 
lot  of  fun.  There  is  no  gainsaying  that. 
There  is  so  much  in  it  that  it  spills  over 
in  sentiment,  humor  and  thrills.   •  •  • 

POST  DISPATCH—*  *  *  If  Mike  is 
nothing  more  than  a  bright  comedy,  it  at 
least  is  nothing  less  than  that,  for  the  in- 
cidents are  laugh  provoking  from  start  to 
finish.    •    «•    • 

TIMES — *  *  *  It  ofiFers  nothing  new, 
iust    nlenty    of    sure    fire    laughs    and    shivers. 


"Seven  Days"— P.  D.  C. 
Capitol,  St.  Louis 

POST-DISPATCH—*    *    •    p,jp 
situations,     a    great    deal    of    shiftini 
and    disappearing    furniture   keeps  th( 
up    to    a    warm    pitch    all   the   way 
Imbecile,  but  laughable.   *  *  ♦ 


».'« 
-* 


"The  Splendid  Crime"— Parar 
Earle,  Washington 

STAR—*  *  *  Good  acting  un 
cellent  direction  goes  a  long  way  tow: 
ing      the      picture      enjoyable     corned 


"Sporting    Life" — Univers 
Boston,  Boston 

TRANSCRIPT—*  *   *   Is  wild-eyi 
drama    well    suited    to    the   possibilitle  \ 
camera  ;    although    by   no   stretch  of 
gination    could    it   lend   any   lustre  to 
ema  as  an  art.  *  *  ♦ 


"Steel  Preferred"- Prod.  Dist, 
Keith's,    Cleveland 

PLAIN  DEALER—*  *  *  It  denV 
the  usual  hero-versus-villain  hackneye 
with    the   hero   finally    getting  his  en(l 
plans   accepted   after   sa'ving  the  hero 
a  fiery   death.   »   *   * 

PRESS—*  *  *  The  theme  is  rath, 
but  some  spectacular  scenes,  actual 
in    a    steel    plant,    make    up    for   that 


"That  Royle  Giri"— Paramc 
State,  Minneapolis     ' 

STAR—*     *     *    This    vivid    melod' 
the    Chicago    underworld,    features  th 
tive     Carol     Dempster.       The    melod 
well   handled,   even   to    the   cyclone.  ' 


"Three    Faces    East  —P.  E 

Colonial,    Indianapolis  .| 

STAR—*   *   *   But  even   without  t 

tery    the    picture   would    have   been  fj 

cause   it   contains   a   powerful   story  ( 

man's  sacrifice  for  her  country.  *  * 


"Morals   for   Men"— Tiffany    (S.    R.) 
Gifts,  Cincinnati 

ENQUIRER—*  *  *  The  old  theme  of  the 
double  standard  of  moralitv  is  discussed  in 
this  picture  in  the  same  old  way  and  with 
the    .same   old   conclusion.    »   *    * 


"The  Only  Thine:"— M.-G.-M. 
Caoitol,  Detroit 

FREE  PRESS — *  *  *  Lacks  the  shock 
and  thri'ls  which  people  expect  from  an 
Elinor   Glyn   story.    *   •   * 


"Parisian    Love"— Schulberg    (S.    R.) 
Strand,   Detroit 

FREE  PRESS — *  *  *  The  action  of  the 
drama  is  fast  and  the  plot  is  filled  with  hu- 
man   -nterest   situations.   *   *  * 

NEWS — *  '  *  There  is  a  lot  of  action 
and  many  impossible  situations,  and  for  the 
patron  with  a  penchant  for  dramatic  fire- 
works  it   should  prove  entertaining.    •   ♦   • 


"The  Phantom  of  the  Opera"— Univ. 
Lvric,  Cincinnati 

ENQUIRER — *  *  *  As  a  boxofl^ce  at- 
traction. "The  Phantom  of  the  Opera"  hasn't 
a  ghost  of  a  chance  of  being  a  failure. 
It   couldn't   fail   if  it  tried.    •   •   • 


"Too    Much    Money"— First 
Criterion,  Los  Angeles 

EXAMINER—*    *    *    Lewis   Ston 
stick    is    the    surprise,    as    well    as  tl 
light     of     the     picture     and     Ralph 
titles   rank   second    in    interest.   *  *  ' 

EXPRESS—*  *  *  It  is  one  of  i 
delicious  bits  of  spoofing  we  have 
manv   a  dav.   *   *   * 

TIMES—*  *  *  Several  sequence: 
most  excrucia^tingly  dull  and  drea 
stick   that   has   been   seen   in   months. 


"The  Unguarded  Hour"— Firs 
State,  Los  Angeles 

EXAMINER— •  *  *  Milton  Sill; 
Italian  duke  is  as  virile  and  domin 
ever  but  seems  too  typically  Sills 
popular  conception  of  a  Europcm 
man.    *    *    * 

EXPRESS—*    *    *    The    picture 
Kenyon's.      In    this    photoplay    she  r 
Mabel    Normand    more    than    any   scr 
ress   we  have  ever  seen.   *  ♦  * 

TIMES — *     *    *     Occasional    outb 
comedy,    which    come    close    to    the 
line  at  time  to  be  broadly  amusing. 


"The  Vanishing  American"- 
mount 
Madison,    Detroit 

FREE    PRESS—*    *    *    Dix    is 
figure,    a   splendid   leader    throughout 
ture,  and   in   the   dramatic   scenes  reai 
power.    *   *   * 

StiUman,   Cleveland 

NEWS—*     *     *    In     tragic     granr: 
scenic    beauty    the   screen   has   probab 
ofifered     anything     to     surp.ass     the 
scenes   of   this  picture,    •    *   ♦ 

PLAIN     DEALER—*     *     *    The 
sweep    and    surge    through    most    of 
never    caught    before   by    a    picture, 
near    as    the    photo    play    has    ever 
that    quality    called    epic.    •    *    * 

PRESS — *  *  *  The  movie  is  a  i 
emotionally  and  by  not  being  qi 
enough  fails  to  be  great.   *   •   * 


"The   Wanderer"— Paramc 
Adams,  Detroit 

FREE   PRESS—*   *   *   It   is  a  pi 
of     lavish     settings     and     tremendous 


«? 


4 


tHC 


DAILY 


U.u 


1  Ui 

■ners 

\nd 

big 


Publicity 


es  Neighborhood  Theater 
o  Use  Unusual  Methods 
ot  Stereotyped  Ideas 

eighborhood  house  should 

M-sj|et    stands    wherever    pos- 

is    is    Sydney    S.    Cohen's 

owners,    of    neighborhood 

an   article   on   "bhowman 

h    appears    in    the    curren, 

•"irst   National    News." 

ighborhood    house,"     say 

the    most    vital   factor    in 

ry,"     and,     continuing,     he 

wners      of      neighborhood 

uld   not   keep    their    shows 

If  they  want  to  success- 

ete  with  their  fellows  they 


1 

I    tc 
s,   ii 

wh 

of 
le 

indu 

s   si 
lent  . 
con: 


(ell  the  world  and   his   wife'   in 
)le    terms    what    they    are 
the  public.     Far  too  many 
our  own   localities   do   not 
we  have  a  certain  fine  pic- 
after    it    has    played    our 


itak 

iig 

ns 
thj 
unt 
♦ 

n't 

met 
ually 
wa 
lowii 
som 

veri 


Dalton  Joins  Marks  Bros. 

Chicago — Raymond  Q.  Dalton,  en- 
gineer and  authority  on  theater  illu- 
mination, has  been  added  to  the  staf? 
of  Marks  Bros.  Theaters.,  Inc.  He 
is  the  inventor  of  the  method  of  pro- 
ducing artificial  sunlight  on  the  stage. 
This  will  be  used  in  two  Marks  the- 
aters   now   under   construction. 


Back  from  Coast 
Alfred  T.  Mannon  of  the  Tec-Art 
Svudios,  has  returned  from  Holly- 
wood. Tec-Art  is  building  the  sets 
for  "Ransom's  Folly,"  now  in  pro- 
duction at  the  Marshall  Neilan  studios, 
Hollywood.  Albert  D'Agastino  of 
Tec-Art  is  still  on  the   Coast. 


content   with   your    usual    stereo- 
ds    of    reaching    the    public.    Seek 
o  reach   them  in  a  new   and  indi- 
as    benefits     the    attraction     you 
The   exploitation   aids    you   get 
of   the    film    companies    help,    but 
best     exploitation     will     be     that 
yotl'ourself    devise.      You   know    your 
yc    must    also    know    all    about    the 
es    ;  1    are    playing.       Don't     be     con- 

0 

"Our 
est 
)e    t 
ad\ 
ville 


may 

any 
istui 
^rs 
ses, 


ihg'    one    portion    of    your    show — 

hief    feature — to    the   exclusion    of 

the    show.       Particularly    should 

case    in    all    your    front    of    the 

tising.      Play    up    your    bill   as   the 

ouses   do   theirs;   name   every  part 

ur   jlgram    distinctly,    so   that    'he    who 
ead.' 

heater     owners     who     are     shrewd 

buyers    of    film,    who    are    clever 

men,  and   who,   to  all   intents   and 

un    their    houses    perfectly,    fail    to 

e  tl:   measure   of   success   which   would 

to   I   rightfully    theirs.   They   lack   some 

of  lowmanship.      It   is  not  enough  to 

"^ 'sure-fire'     attraction,    at    a    right 

then    just    make    an    ordinary    an- 

regarding     it.        Showmen — real 

nust    not    keep    secrets    from    the 

e  their  shows  are  concerned.  *  *  * 

eighborhood   house  should,   if   pos- 

;4-sheet   stands   whenever   possible; 

;ands     for     exceptional     attractions 

ypei  stands  for  general  use.      These  not 


New  Western  Stars  at  "U" 
Los  Angeles — Curley  Witzel,  Fred 
Gillman  and  King  Nestor  have  been 
elevated  to  stardom  in  two-reel  West- 
erns at  Universal.  Fred  Humes  has 
been  promoted  to  features  and  is  now 
making  "Prowlers  of  the  Night,"  un- 
der direction  of  Earnst  Laemmle. 


Billie  Dove  in  Philbin  Role 

Los  Angeles — Universal  has  made 
a  change  in  production  plans  as  a  re- 
sult of  which  Billie  Dove  will  be  feat- 
ured in  "The  Star  Maker,"  which 
Lois  Weber  will  direct,  instead  of 
Mary   Philbin,  as   planned. 


Morosco    Bankrupt 

Oliver  Morosco  yesterday  filed  a 
voluntary  petition  in  bankruptcy  in 
the  U.  S.  District  Court,  his  liabili- 
ties at  $1  033,404.52  and  his  assets  as 
$200. 


nen- 
wl 
big 
use 

ial 


disi 


y    in    catching    style    the    pictures 


re    owing,  but   they  keep   the   name   of 
?r    prominently    before    the    eyes    of 
2    whom    you   desire    to    attract — 
ial  patrons.  ♦  *  * 

mailer  neighborhood  houses  should 
he  mistake  of   using  only   a   couple 

le   .'{•ets   and   a    set    of    photos    as    some 

tunply   do.   •   *    * 

of   course,    the    biggest    part 

borho'od   theater's    claim   for    recog- 

they   are   not    everything    there    is 

ut.      Let  every  theater   owner  keep 

tself    in    such   order,    so    spick    and 

inviting,    that    he    can    brag    about 


lak 


ctu 
nei 
,    \ 


tifiable  pride.  A  clean,  wholesome 
house  is  as  necessary  to  success, 
ood    picture    show    on    the    screen." 

.._  in    conclusion,    Cohen    urges 

birs  to  "remember  that  the  full 

su 

n 

;d 

t. 

Ill 

>n< 


P.  D.  C.  Answers  Agnes  Ayres 

Los  Angeles — In  an  answer  to  the 
suit  for  $93,000  filed  by  Agnes  Ayres, 
Prod.  Dist.  Corp.  declares  Miss  Ayres 
permitted  herself  to  become  over- 
weight. 


Creditors  Meet 

(.Continued  from  Page   1) 

three  corporations  and  vice-president 
of  the  bankrupt  concern  under  oath 
indicates  that  when  the  bankrupt 
company  became  insolvent  stockhol- 
ders "stepped  out  and  took  the  as- 
sets." Quillian  admitted  in  his  tes- 
timony that  the  Jenkins  Securities 
Corp.  of  which  he  and  Mr.  and  Mrs. 
William  K.  Jenkins  were  only  stock- 
holders threatened  to  foreclose  the 
mortgage  they  held  on  Enterprise 
Dist.  Corp.,  whereupon  the  now  bank- 
rupt company  executed  a  bill  of  sale 
disposing  of  all  holdings  to  the  Se- 
curities Corp.  and,  in  turn,  the  Jen- 
kins Securities  Corp.  executed  a  bill 
of  sale  disposing  of  the  aforesaid  as- 
sets  to   Enterprise   Film   Corp. 

Immediately  when  these  facts  were 
brought  out.  Judge  Harry  Dodd,  re- 
feree, adjourned  the  hearing  to  be 
resumed  Feb.  26th,  when  the  bank- 
rupt is  ordered  to  appear  with  stock, 
books,  certificates  of  stock  and  papers 
of  incorporation  covering  all  three 
above   named   companies. 

Evidence  brought  out  further  shows 
that  although  Enterprise  Film  Corp. 
continues  to  serve  film  acquired  from 
Jenkins  Securities,  and  for  whith 
Enterprise  Dist.  Corp.  owes  pro- 
ducers and  distributors,  no  moneys 
are  being  paid  creditors  represented 
at  hearing  from  such  rentals.  Addi- 
tional evidence  brought  out  by  Quil- 
lian's  testimony  is  to  the  effect  that 
the  paid  in  capital  of  Jenkins  Securi- 
ties Corp.  was  only  $30,000,  all  of 
which  was  paid  in  cash  to  S.  A. 
Lynch  for  the  Triangle  franchise  and 
other  assets  of  Enterprise  Dist.  Corp. 
The  question  arose  as  to  where  Jen- 
kins Securities  received  additional 
money  to  finance  Enterprise  Dist. 
Corp.  for  several  large  loans  claimed 
to  have  been  made  but  no  satisfac- 
tory   answer    was    forthcoming. 


Bowes  Plans  Florida  Trip 

Following  the  premiere  next  week 
of  "La  Boheme."  at  the  Embassy, 
Major  Edward  Bowes  will  leave  for 
a    two   weeks'   vacation   in   Florida. 


Fire  Causes  Damage  of  $11,000 

Walden,  N.  Y. — Fire  of  unknown 
origin  caused  damage  of  $11,000  to 
the  Didsbury.  The  house  was  crowded 
at  the  time,  but  a  safe  exit  was  made 
by  the  patrons  to  the  tune  of  "There's 
a  Hot  Time  in  the  Old  Town  To- 
night,"   played    by    the    organist. 


01 


of  showmanship  is  reached 
)u  have  not  only  carefully  sc- 
our film  program,  bought  it 
lut    your    house    in    order    by 

it  effilciently,  but  have  let  ev- 
you  can  reach  know  in  every 
u  can  devise  just  what  you 
ring  to  your  public." 


lobbery  Attempt  Foiled 

or    Beach,   Cal— An  attempt  by 

js  o  rob  the  Capitol  theater  was 

d  ifter    they    had    succeeded    m 

kif  a  safe  that  contained  $1,200. 

n  were  frightened  away  by  a 
olan. 


To  Improve  Plant 

Columbia,  New  Owners  of  California 

Studio,  Will  Spend  $250,000  on 

Improvements 

Discussing  the  purchase  of  the 
California  Studio,  Hollywood,  Colum- 
bia stated  yesterday  the  deal  involves 
grounds,  comprising  eight  acres  with 
a  350  ft.  frontage  on  Gower  St.,  three 
stages,  administration  buildings  and 
various   producing  equipment. 

More  than  $250,000  will  be  spent 
on  improvements.  A  modern  stage 
measuring  150  x  270  ft.  will  be  erec- 
ted and  additional  equipment  in- 
stalled. The  name  of  the  studio  will 
be  known  in  the  future  as  Columbia 
Pictures  Studio.  The  company's  pro- 
duction activities  were  formerly 
housed  in  the  Clune  Studios,  under 
the  name  of  Waldorf  Prod. 


Producers  in  Pact 

(Continued  from  Page   1) 

Joe  Rock,  Charles  Rogers  and  Jesse 
Goldburg. 

A  meeting  will  be  held  in  the  near 
future  to  determine  the  working  basis 
between  the  independent  organiza- 
tion and  the  producers'  association, 
which  is  allied  with  the  Hays  or- 
ganization, regarding  actors. 

The  new  association  will  enter  no 
alliance  as  an  organization  with  the 
AL  P.  Producers'  Ass'n. 


New  Milwaukee  House  Opens 

Milwaukee,  Wis. — The  Studio,  un- 
der management  of  J.  B.  Cullen,  for- 
mer manager  of  the  Jackson,  opened 
last  week. 


Gas  Explosion  Wrecks  House 

Philipsburg,  Pa. — An  explosion  in 
the  gas  mains  under  the  Star  com- 
pletely wrecked  the  house.  It  is  plan- 
ned  to  rebuild. 


Greta  Nissen  in  Kerry  Film 

Los  Angeles — Greta  Nissen  has 
been  signed  by  Universal  to  play  the 
lead  opposite  Norman  Kerry  in  "The 
Love  Thief,"  to  be  directed  by  John 
McDermott. 


NOW    BOOKING 

St.    Patrick's    Day    Special 

week  of  March  lith.  Fleischer 

Ko-Ko  Song  Car-Tune 

"HAS  ANYBODY  HERE 

SEEN  KELLY?" 

Hand  Colored  by  Brock 


729   Seventh   Ave.,   N.   Y.   C. 
DISTRIBUTORS 


Hearing  in  Albany 

(Continued  from  Page    1) 

Special  pictures  are  to  be  shown  for 
hese  children  who  are  not  to  be  ad- 
mitted to  the  theater  until  after  two 
o'clock  in  the  afternoon  and  shall  not 
remain  in  the  theater  afer  six  at  night. 
The  children  are  to  be  segregated 
from  a  portion  of  the  theater  occupied 
by  other  patrons.  The  management 
shall  provide  a  matron  to  have  charge 
of  the  children  while  in  attendance. 
J  he  license  fee  for  such  performances 
shall  be  $10.  This  proposed  law  does 
not  apply  to  the  City  of  New  York. 
If  enacted  it  will  take  effect  May  1, 
1926. 

Freiberg  is  the  chairman  of  the  As- 
sembly Cities  Committee.  Other 
members  of  the  committee  are:  Whit- 
comb  of  Broome;  Hackett  of  Dutch- 
ess; Lewis  of  Oswego;  Smith  of 
Onondaga;  Cilano  of  Monroe;  Gren- 
ihal  of  New  York;  Ferguson  of 
Oneida;  Linen  of  Albany;  Dyckman 
of  Kings,  Meegan  of  Erie;  Vaughan 
of  Richmond  and  Miller  of  Kings. 


^^  Cutting  the 
Qraft  Out  of  the 
Movies^^ 

This  is  the  second  of  a 
series  of  constructive 
articles  on  the  movies 
to  appear  in 

Complete  Novel 
Magazine 

Good-bye  relatives! 
Good-bye  sweethearts! 

Qraft  Must  Qoll 

Get  the  February  issue 
of  Complete  Novel  Mag- 
azine from  your  news- 
dealer   or    send    25c    to 

Novel  Magazine  Corp. 

188  West  4th  Street 
New  York 


''Irene's''  First  Love  Letter 


And  there'll  be  plenty  more 
because  she's  a  popular  gal 


Authority 


This  is  a  reproduction  of  the  6  sheet,  only  one  of  the  great  posters  on  a  great  picture. 


UNIVERSAL        PRODUCTION 


I 


A  ROBERT  G.VIGN01 


SPECIAL 


"-the  title  i 

'FIFTH   AVENUE' 

offers  a  world  of  suggestions 
for  exploitation  angles,  and 
when  you  add  to  that  the 
excellent  castas  and  director's 
names,  and  the  fact  that  the 
picture  represents  REAL 
ENTERTAINMENT,  you 
have  a  real  offering  to  make 
a  noise  about/' 

THE  SPOTLIGHT 


Cash  in  on  the  title 

that  exploits  itself  \ 

RELEASED   BY 

PKODUCEKS  DISTKIBUTINI 
COKPOKATION 

Foreign  Distributors      Producers  International  Corporation       130   West  46th  Street    jl 
Member  of  Motion  Picture  Producers  and  Distributors  of  America,  Inc.  WILL  H.  HAYS,  Presij"'  I 


H 


iTHE 

brAdstreet 

FILHDOH 


Authority 


x: 


KV    No.  43 


Sunday,  February  21,  1926 


Price  25  Cents 


54 


State  Righters 


n  ][siness — Survey  Shows  No 
reas    over    1925 — 21    Operat- 

ng  in  New  York 
re  1  s  been  no  falling  off  in  the 
r  f  independent  exchanges 
ate  right  buyers  this  year,  as 
red[vith  a  year  ago,  according 
ilation  just  completed  by 
iclftl.  Elliott,  general  manager 
Irependeiit  M.  P.  Ass'n,  and 
>eir  prepared  for  distribution 
',  n-mbers. 

re   ere  254  exchanges  and  buy- 

th  beginning  of  1926,  operat- 

4;  cities  scattered  throughout 

tesmd  the  District  of  Colum- 

arda  has  IS  exchanges  in  six 

iiaing  a  total  of  269.     Of  the 

r,ge  in  the  United  States,  New 

hei  s  the  list  with  35  of  which 

inplew  York  City.     California 

ontinued    on    Page   4) 


ion  Postponed 

set  Virginia  Admission  Tax  Re- 
ed :o    Subcommittee — Unac- 
pta  e  to  Finance  Committee 
nmid,  Va. — Anticipated  action 
isir  the   proposed    10  per  cent 
ta  on    motion    picture   theater 
sic;  has  been  deferred,  follow- 
h<ring  before   the   House    Fi- 
Cdmittee.  The  bill,  sponsored 
0  Norris,  Jr.,  has  been  refer- 
I  a;ubcommittee.     It  is  under- 
th  bill   in  its   present   form   is 
jptjle    to    the    Finance    Com- 


icajonal  leaders  of  Virginia  are 
f  the  tax,  which  would  add 
Continued    on   Page   4) 


or 


Hwkins  Action  Settled 

tion    of    Wilmont    Comfort 
the  M.  P.  Prod,  and 
merica,  Inc.,  and  others  has 


eted. 


Futures  Reviewed 


Page 

Cind  Duchess  and  the  Waiter 
lount     6 

Again 
1    Artists     6 

acoR    East 
rol  Dist.   Corp 6 

laris 

rsal   6 


(jar 

^itni  1 

rni 

ee 


la 
ni 

I't 
[el 

ki 
•t 


-Goldwjm-Mayer    7 

Thru' 

7 

ich   Hitter 

iated    Exhibitors    < . .  7 

lount     7 

ubjects   8 


Two  New  Chains 

Six  Houses  Lined  up  for  Iowa  Cir- 
cuit, Backed  by  Samuel  Coston — 
Pell  Mitchell  Active  in  Florida 

Two  new  theater  chains  are  in  the 
early  stages  of  formation,  one  for 
Iowa  and  the  other  to  be  developed  in 
Florida. 

Anamosa,  la.,  is  the  headquarters 
of  the  Eastern  Iowa  Theater  Co.,  re- 
cently formed  with  a  capital  of  $100,- 
000.  The  company  has  lined  up  six 
theaters,  including  the  Grand  at  Ana- 
mosa; Gem,  at  Oelwein;  the  Cascade, 
at  Cascade,  and  houses  in  Mechanics- 
ville,  Lisbon  and  Dyersville.  Sever- 
al other  acquisitions  are  near  consum- 

(Continued    on   Page   4) 


Censors   in   Education   Dep't 

The  State  Reorgnaization  Commit- 
tee headed  by  Charles  Evans  Hughes 
will  recommend  to  the  Legislature 
that  the  M.  P.  Commission  be  placed 
under  control  of  the  Department  of 
Education   at    Albany. 


More  New  Theaters  Projected 

A  number  of  interesting  develop- 
ments ill  the  theater  field  are  report- 
ed. In  detail,  these  will  be  found  on 
page  4. 


Warners    Renew   with    Patsy    MiUer 

Los  Angeles — The  Warners  have 
signed  a  new  long-term  contract  with 
Patsy   Ruth    Miller. 


Tax  Up  to  75  Cents; 

To  Be  Repealed 

Washington — The  Conference 
Committee  has  agreed  to  repeal 
the  tax  on  admissions  up  to  75 
cents. 

Such  action  will  mean  relief 
for  practically  the  entire  exhibi- 
tion field. 


Off  to  Coast 

Over  30  New  Productions  to  Occupy 

W.  R.  Sheehan  at  Studio— Busy 

Schedule  Drawn  Up 

Winfield  R.  Sheehan,  vice-president 
and  general  manager  of  Fox,  leaves 
today  for  California  to  remain  until 
next    season's    product    is    completed. 

Immediate  production  at  the  Fox 
plant  embraces  many  of  its  impor- 
tant subjects  for  1926-1927,  including 
"What  Price  Glory?",  "The  Auction- 
eer," "The  Music  Master."  "The  Re- 
turn of  Peter  Grfmm,"  "Seventh 
Heaven."  the  several  plays  purchased 
from  Sam  H.  Harris,  the  Selwyns, 
"Is  Zat  So,"  "One  Increasing  Pur- 
pose," and  upwards  of  30  other  pro- 
iContinued   on   Page   4) 


Renew  with  Universal 

Los  Angeles — Ed  Montague  and 
William  Lord  Wright  have  signed 
new    contracts    with    Universal. 


Tears 


By  DANNY 


Charley  Whittaker  sobs  his  way  into  print.  "I  burst  into 
bitter  tears"  says  Charles,  "after  reading  your  paragraph  headed 
'Material'  in  last  Sunday's  issue.  The  great  picture  of  the  year 
is  'The  Big  Parade,'  based  upon  an  original  story. 

"Novi^  try  and  sell  one. 

"P.  S. :  I  haven't  any  to  sell.  I  quit  two  years  ago." 
Why  the  tears,  Charles?  Why  the  sobs?  Do  you  expect 
producers  to  be  guided  by  one  great  success?  Is  that  suffi- 
cient-reason for  them  to  change  their  plans?  My,  my,  how 
feiu  producers  you  really  knoiv.  You  must  broaden  your  edu- 
cation. After  a  dozen  successes  come  from  originals  they  will 
then  begin  to  consider  to  plan  to  perhaps  make  an  original. 
And  then  something  will  happen.  And  they  will  quit.  Before 
it  is  completed. 

Meanwhile  all  the  good  scenario  writers  are  working  on 
adaptations. 

{Continued  on  Pag*  3) 


Booking  Combine 

Ascher    Bros.    Sponsoring    Move    io 

Chicago  Embracing  Independent 

Circuits  and  Theaters 

Chicago  —  It  is  understood  that 
Ascher  Bros,  are  sponsoring  the 
formation-of  a  booking  combine  with 
independent  theaters  and  circuits  in 
and  around  Chicago.  Max  Ascher  is 
to  concentrate  on  the  buying  end. 

The  Aschers  operate  nearly  20 
houses  in  Chicago  and  suburbs  and 
are   building  several  others. 


Henry  Twinz  Dead 

Chicago  —  Funeral  services  for 
Henry  Trinz,  who  died  of  heart  di- 
sease at  Hot  Springs.  Ark.,  Thurs- 
day, will  be  held  from  Pisner's 
Chapel,  936  Broadway  on  Monday. 
Trinz  was  chairman  of  the  board  of 
Lubliner  and  Trinz,  and  with  his 
brothers  Aaron,  Samuel  and  Joseph, 
started  one  of  the  first  picture  houses 
in  Chicago  in  1903.  He  was  66  years 
old  when  the  end  came.  He  is  sur- 
vived by  his  widow  and  six  children. 


26   from    Gotham 

Word  has  been  received  from  Sam 
Sax  on  the  Coast  that  Gotham  will 
make  20  features  for  1926-27.  There 
will  be  six  "Greater  Gothams,"  six 
Standard  Productions,  and  eight 
"Thrill-O-Dramas,"  which  will  be 
produced  in  conjunction  with  Cam- 
era Pictures,  Inc. 


Seider  Suffers  Breakdown 

Joseph  M.  Seider,  business  mana- 
ger of  the  M.  P.  T.  O.  A.,  is  suffering 
from  a  nervous  breakdown.  His  doc- 
tor has  ordered  cessation  from  all 
work  for  at  least  three  weeks.  Seider 
will  probably  go  down  to  Atlantic 
City  today  for  ten  days. 


De  Mille  and  Party  Here  Monday 

Cecil  B.  De  Mille  and  his  family, 
L.  M.  Goodstadt  and  Bertram  Mil- 
hauser  arrive  from  Hollywood  Mon- 
day. They  will  stop  at  the  Ambas- 
sador. 


Orpheum  Profits  Drop 
The  Orpheum  Circuit,  Inc.,  in  its 
annual  report,  shows  a  net  income 
of  $2,174,820,  after  depreciation.  Fed- 
eral taxes,  etc.,  for  the  year  ending 
Dec.  31,  1925,  against  $2,897,314  for 
1924. 


No  Paper  Monday 

Monday,  February  22,  bein^; 
Washington's  Birthday  and  a 
legal  holiday,  there  will  be  no 
issue  of  THE  FILM  DAILY 
published. 


THE 


VtL  XXXT  No.  43    Sunday,  Fib.  20, 1926    Prica  25  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
ibould  remit  with  order.  Address  all  com- 
^lunications  to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
»736-4737-4738-4739.  Cable  address  :  Filmday, 
"f«w  York.  Hollywood,  California — Harvey 
S  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Spinite  3980.  London — Ernest  W.  Fredman, 
Tb-»  Film  Renter,  58,  Great  Marlborough  St., 
VoPidon,  W.  I.,  Paris — La  Cinematographie 
9°rancaise,   5,  Rue  Saolnier. 


Bowling   Notes 

Famous  won  two  games  Thurs- 
day night  at  Dwyers'  in  the  M.  P. 
BowHng  League.  The  scores  were: 
Famous  872,  First  National,  749; 
Famous  804,  Fox  697;  First  National 
674,  Fox  646.  Next  week's  games 
will  be  played  by  Universal,  Educa- 
tional and  M.-G.-M.  Standing  of  the 
clubs. 

Won 

Famous   2 

Pathe    2 

First    National    1 

P.    D.    C 1 

Fox    0 

M.-G.-M 0 

Educational    

Universal     


Lost 

P.O. 

0 

1000 

0 

1000 

1 

.SCO 

1 

.500 

2 

.000 

2 

.000 

School  Graduates  at  the  Ritz 

The  graduation  exercises  of  the 
Paramount  Picture  School  will  be 
held  at  the  Ritz  on  March  2.  There 
will  be  a  reception  and  dinner  fol- 
lowed by  the  premiere  of  the  school's 
first    picture,    "Fascinating    Youth." 


Quotations 

High 

Low 

Close 

Sales 

•Balaban  &  Katz  . 

68 

.... 

Eastman    Kodak    . 

AlVA 

110 

1105^ 

1,600 

Famous    Players    . 

nsvt 

117 

n7H 

6,000 

•Fam.  Play.  Pfd.  . 

120 

.... 

Film    Inspection    . 

5 

5 

5 

400 

•First    National     . 

.  , 

.   , 

107 

.... 

Fox   Film,  "A"    . . 

72^ 

66V^ 

70 

20,000 

Fox  Theaters   "A" 

26?i 

25 

26H 

10,500 

•Intern'l    Projector 

1254 

.... 

Loew's,  Inc 

iS'A 

38^ 

3854 

1,100 

Metro-Gold.  Pfd.   . 

Ziyi 

23^ 

2354 

100 

M.  P.  Cap.  Corp.. 

21 

2154 

21 

1,500 

Pathe  Exch.  "A". 

73'A 

69 

70^ 

4.700 

•Skouras    Bros. .  .  . 

47 

.... 

•Stan.  Co.  of  Am.. 

,  , 

, , 

49  5i 

Trans-Lux   

iiy* 

11 

1154 

1,500 

Universal    Pictures 

..   39 

39 

39 

400 

•Univ.    Pict.    Pfd.. 

93 

.... 

Warner     Brothers. 

1654 

16 

1654 

1,000 

•Warner    Pictures. 

11 

•  Last   prices   quoted. 

Cameramen's  Ball  Tonight 

Los  Angeles — ^The  American  So- 
ciety of  Cinematographers  will  hold 
its  fifth  annual  ball  at  the  Biltmore 
tonight. 


Leeper  Goes  to  Florida 

Dwight  C.  Leeper,  vice-president 
of  Richmount  Pictures,  left  yesterday 
for  Ballair,  Fla.,  on  a  three  weeks' 
fishing  trip,  after  which  he  will  join 
W.  Ray  Johnston  of  Rayart  on  the 
Coast. 


Shorts    Sold   for   Abroad 

The  Hank  Mann  comedies  and 
the  Fatty  Lamon  comedies,  each  se- 
ries consisting  of  12  two-reelers,  pro- 
duced by  Tennek  Film  Corp.,  have 
been  sold  for  England  and  Europe 
to  the  M.  C.  Distributing  Co. 


Levin  Acquires  Two  More 

San  Francisco  —  Sam  Levin  has 
taken  over  the  Coliseum  and  Alex- 
andria, making  seven  under  the 
Levin  banner. 


Shannon  in  "Golden  Web" 

Ethel  Shannon,  who  is  appearing  in 
"Charley's  Niece,"  an  Al  Lichtman 
production,  will  be  starred  in  "The 
Golden  Web,"  by  E.  Phillips  Oppen- 
heim.     Sam  Sax  will  produce  it. 


Ennis  on  "Roxy"  Tour 

Bert  Ennis  will  conduct  a  special 
advance  campaign  for  "Roxy  and 
His  Gang"  of  broadcasters  in  Asbury 
Park,  New  Brunswick,  Jersey  City 
and  Freeport.  Ennis  will  later  han- 
dle advertising  for   Artclass  Pictures. 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  C  B  B  1  N  S 

Spvcialista  in  Motion  Picture 

and  Theatrical  insurance  for 

the  past  fifteen  years. 

Arthur  W.  Stebbins  &  Co.,  Inc. 
1540  Broadway  N.  Y.  C. 

Bryant  3040 


Proctor  Theater  Near  Completion 

Schenectady,  N.  Y. — Construction 
of  the  $1,250,000  Proctor  is  progress- 
ing rapidly  and  it  is  expected  the 
opening  date  will  be  announced 
shortly. 


Back  to  Hollywood  Soon 

Capt.  H.  H.  Caldwell  and  Kather- 
ine  Hilliker,  M.-G.-M.  title  writers, 
will  return  to  Hollywood  next  week. 
They  recently  titled  "The  Torrent" 
and  "The  Devil's  Circus." 


Denies  Deal  with  Famous 

Poughkeepsie,  N.  Y.  —  George 
Cohen,  owner  of  the  Rialto,  Strand 
and  Best,  and  several  other  houses 
in  the  Hudson  Valley,  has  denied  a 
report  v/hich  gained  considerable  cir- 
culation in  this  city  that  he  had  sold 
his  theater  properties  to  Famous 
Players.  The  latter,  through  its  sub- 
sidiary, the  New  England  Theater 
Corp.,  operates  the  Bardavon,  Strat- 
ford and   Liberty. 


Ohio    Favors    July   Shutdown 

Columbus,  O. — Contrary  to  indi- 
vidual statements  made  concerning 
proposed  closing  during  the  first  two 
weeks  of  July  the  Ohio  M.P.T.O. 
executive  board  showed  that  as  a 
group  it  favored  closing  for  the  en- 
tire month  of  July,  in  the  hope  that 
business  would  be  stimulated.  The 
board  may  act  upon  the  matter  of- 
ficially at  its  meeting  on  March  10. 


Paramount,  a  Morosco  Creditor 

Famous  appears  among  the  credi- 
tors of  Oliver  Morosco,  who  filed  a 
voluntary  petition  in  bankruptcy 
Thursday,  with  a  claim  of  $75,000. 
Other  creditors  are  Peggy  Joyce, 
$15,000,  Charles  Tuttle  and  William 
Klein,  $18,884. 


Red   Seal   Exchange   in   Chicago 

Max  Fleischer,  president  of  Red 
Seal,  is  in  Chicago  arranging  for  a 
new  exchange  there  to  open  March  1, 
at  Wabash  Ave.  Charles  Lundgren 
will  manage. 

Fred  V.  Greene,  Jr.,  has  joined  Red 
Seal  as  assistant  to  Fleischer. 


Site  Enlarged  for  Loew  Theater 

Additional  property  has  been  se- 
cured by  Loew  on  Main  St.,  New 
Rochelle,  on  which  will  be  erected  a 
theater  seating  2,244,  one  of  the 
largest   in  Westchester   County. 


Walter  Hiers  Here 

Walter  Hiers  is  in  from  the  Coast. 
At  the  Biltmore. 


Morgan   in   Los    Angeles 

Los  Angeles — W.  J.  Morgan,  sales 
manager  for  P.  D.  C,  has  arrived 
here  on  the  last  leg  of  an  inspection 
tour  of  the  country. 


rjOSTUMEC 

>^  GOWNS-UNIFORMS   k-7 

FOR  EVERYBODy  WHO  IS  ANyBOOy 
ON  THE  STA6E  OR  SCREEN^EXCLUSIVE- 
DESIGNS  BY  LEADING  STVIi  CREATORS 

BROOKS 'n^e^v^I^^^ 


-ALSO  IS.OOO  CO«?TijMES  TO  RENT- 


1 


W^en  m  Hollywood 
stop  at 

THE  NEW  HOTEL  REGENT 

Every  room  luith  Bath  and  Radio      \ 

A  beautifully  appointed  moderately 
priced  hotel. 

In  the  heart  oj  Hollywood 

6162  HOLLYWOOD  BLVD. 

Phone:  Holly.  0487 


Hitchcum  to  Make  26 

August  Hitchcum  declan 
gotiating  with  Edwin  Mih 
for  the  latter  to  distribute 
26  one-reel  comedies.  In 
this  he  is  making  a  series 
of  12  two-reelers  for  th 
Theater  Service.  Work  w 
Yonkers  March  1. 


"Cohens  and  Kellys"  at 

"The  Cohens  and  Kellys' 
a  run  at  the  Colony  Sund; 
ing     "What     Happened    t| 
which  played  for  two  wet 


Ohio  Preparing  for  Con 

Columbus,     O. — Two    sf: 
have  been  chartered  by  th 
P.T.O.    for    the    national 
at  Los  Angeles  in  June. 


Specif 


Raw  Stock  for  QUALI 

Sole  Distributor 

FISH-SCHURMAN  ( 

45  West  4Sth  Street 
N.   y.   Bryant  7243« 


LaaORATORYj 
PBOOUCTIOHS* 


COMMEBCIAL 


I909       BUTTOrslV/OOD  t 

PHILADELPHIA.  PA. 


HAILPER: 


Distributors  - 

We  can  furnislpfv 
with  HERALl^lig 
prices  that  wil  af 
you  real  monej  I  '^ 

Send  for  samples  and  j 

National  Poster  &  Pt( 
729  S.  Wabash  Av 
Chicago 


L' 


THE 


i  bruary  21,  1926 


DAILY 


Tears 


{Continued  from  Page  1) 


=ir 


WELL  WORTH  WHILE 

ly  house.  But  get  it  quickly.  The  International  News- 
ing  the  rescue  of  the  "Antinoe"  by  the  "Presidein^t 
Darn  unusual  pictures.  The  rescue  of  the  crew  is 
i  most  remarkable  pictures  ever  shown.  Just  a  little 
But  what  a  picture!  And  timely  to  a  degree.  Don't 
nning  it.     Use  it  while  public  interest  remains. 

EXPLOITATION 
ad  appeared  in  the  Yuma  (Ariz.)  Herald: 

"Comedy" 

LYRIC    THEATER 

THURSDAY— FRIDAY 

"PERCY." 

It  was  in  Yuma  under  the  title, 

"The  Desert  Fiddler." 

One  of  the  actors  was  drowned  here. 

It's  a  dandy  comedy-drama. 

— Ad  in  the  Yuma  (Ariz.)   Herald. 

SEEKING  INFORMATION 

^rtie  Beatty  of  the  Hays  office  has  issued  the  following 
to  newspaper  critics : 
\  int  to  find  out  from  the  critics,  the  men  and  women  who 
t  i  pictures  and  who  are  most  competent  to  judge,  whether 
<rDl)n  picture  in  the  last  year  has  advanced  in  art,  in  en- 
'  ^~  nt  value,  in  educational  value  and  in  moral  value.  Are 
.*^'cl|res  better  in  every  way? 

the  advertising  been  more  truthful  and  in  better  taste? 
tit  theaters  improved  in  presentations,  in  music?" 
pTi  vering  the  query  Chester  B.  Bahn  of  the  Syracuse  Herald 
I  |n)art: 

jT     I  do  think  that  the  movies  during   1925  advanced   in  art, 

|l|i  ntertainment  value,  in  educational  value  and  in  moral  value. 

llE^ii  so  it  follows,  naturally,  that  the  pictures  made  during  the 

|l[f'-e'  were  better  in  every  way. 

[[i     Proof:     The  past  year  saw  these  notable  pictures  completed 

=ar  presented:  "The  Big  Parade,"  "Stella  Dallas,"  "The  Merry 
^  low,"  "Ben  Hur,"  "The  Sea  Beast,"  Don  Q,  Son  of  Zorro," 
■  Lost  World,"  "Kiss  Me  Again,"  "The  Last  Laugh,"  "The 
1  Rush,"  "The  Freshman,"  "The  Phantom  of  the  Opera," 
er  Pan,"  "The  Unholy  Three"  and  many,  many  others. 
To  be  sure,  several — perhaps,  indeed,  a  majority — of  those 

,,Tiitioned   are    open    to    adverse    criticism    in    some   particular. 

i[»    * 

Truthful  advertising  is  coming  more  and  more  into  its  own. 
I  hink  producers   might  pay   more   attention    to   some   of   the 
irne  and  insane  blurbs  that  occasionally  come  from  their  pub- 
Mi  ty  men,  but,  fortunately,  no  editor  is  compelled  to  use  that 
=siff  and   very   few,   indeed,   do.    *   *   * 

TOM  MIX  ON  SOFT  MEN 

Larry   Carr's   column   in   the   Los  Angeles   Times,   Tom 

-  a  lot  of  space.     Relative  to  some  ideas  he  has  on  the 

en  of  today.     In  a  nutshell  Tom  thinks  they  are  soft; 

.  -y  know  not  how  to  fix  a  door,  mend  a  plow;  and  cannot 

^[e  implest  thing  that  goes  wrong  in  his  car.    Tom  yearns  for 

.^l(  days  when  men  were  men.     In  other  words,  for  the  days 

i  became  a  great  cowboy ;  and  later  developed  into  a  star. 

"'■at  a  husky  he  is ! 

ROWSON'S  COMMENT 

ly    Rowson    of    Ideal    Films,    London,    just    back    from 

.  "The  Cinema"  reports:     "Of  exhibitor  methods  he  had 

'jhings  to  say,  particularly  regarding  the  new  Balaban  and 

':hemes  in  connection  with  the  Rivoli  and  Rialto  theaters 

^tadway,  where  these  two  great  showmen  are  almost  sub- 


merging the  film  in  the  exploitation  of  added  big  stage  attractions. 
"One  therefore  gets  the  idea  that  the  'picture'  is  quite  sec- 
ondary and  comparatively  unimportant — and  in  view  of  the  big 
film  interests  controlling  these  theaters  it  is  somewhat  surprising. 
It  can  be  construed  into  an  admission  that  the  'pictures'  are 
incapable  of  providing  adequate  entertainment!" 

SOME  SCOOP 

The  Fox  organization  put  one  over  in  Detroit.  They  landed 
the  front  page  of  "Detroit  This  Week"  which  has  a  circulation 
of  10,000  copies,  and  the  front  cover  of  which  cannot  be  bought. 

THE  WAMPAS  PROGRAM 

Those  boys  on  the  Coast  know  how  to  do  things.  When  they 
had  their  last  Midnight  Frolic  they  issued  a  program.  And  what 
a  book  it  turned  out  to  be.    Those  boys  overlook  no  bets. 

THE  COAST  GUARDS 

No  film  company  has  so  far  tied  up  the  Coast  Guards.  All 
of  which  allowed  Grey  productions  to  shoot  "Casey  of  the  Coast 
Guard"  directed  by  Will  Nigh.  Pathe  release.  Now  which  com- 
pany will  come  along  and  tie  up  the  Coast  Guards? 

NOT  SO  GOOD 

Economy  Film  Service,  Kansas  City,  is  issuing  what  is 
apparently  a  mourning  card ;  with  a  heavy  black  border,  the  top 
line  of  which  reads : 

NO— WE  ARE  NOT  DEAD 

and  then  goes  on  to  say  Economy  is  the  livest  exchange  in  the 
territory.     Some  people  may  think  this  clever.     We  don't. 

REPETITION 
The  editors  of  First  National  News — a  house  organ — asked 
us  for  a  contribution.  No — not  cash — something  to  print.  So 
we  did.  And  they  printed  it.  And  now,  reading  it,  we  kinda 
like  it  enough  to  use  some  of  it.  The  editors  wanted  advice  as 
to  what  to  print.    So,  in  part,  we  told  'em : 

"Keep  your  paper  lively  with  the  names  of  exhibitors. 
What  they  are  doing.  No — not  who  they  are  doing.  (It's 
libelous.) 

"Let  your  reporters  dig  up  all  the  activities  of  chain  oper- 
ators. Print  all  of  them.  The  smaller  exhibitors  love  to  see 
how  their  big  brothers  are  gobbling  up  theaters,  here,  there, 
and  almost  everywhere.  It  makes  them  feel  so  cheerful.  They 
know  the  big  chain  operators  will  never  come  to  their  town. 
Certainly  not.  They  have  a  special  dispensation.  So  that 
makes  good  reading. 

"Don't  start  a  column  about  exhibitors  praising  a  picture. 
We  had  that  idea  a  long  time  ago.  But  we  discarded  it.  There 
were  so  many  exhibitors  rushing  into  print  praising  a  picture 
that  we  had  room  for  nothing  else.  You  know  exhibitors  love 
to  rave  over  a  picture.  Because  they  are  so  anxious  to  pay 
more  for  the  next  one  made  by  the  star  or  producer.  And 
they  are  so  philanthropic.     So  big  hearted. 

"Once  upon  a  time  we  almost  started  a  column  called 
'What  the  Picture  Did  to  Me.'  We  had  a  nice  drawing  made, 
and  a  cut,  and  then  we  decided  that  the  li'l  old  paper  was  no 
place  for  such  scandal.  But  if  the  editors  of  First  National 
News  want  to  use  such  a  feature  we  will  supply  the  cut. 
Free,  gratis — just  like  all  accessories. 

"Don't  talk  about  the  service  your  publication  is  going  to 
render.  Every  publisher  does  that.  Be  different.  Render  that 
service — and  let  your  readers  do  the  talking. 

"You  will  surely  please  your  readers  if  you  give  a  page 
over  to  your  best  producer  and  let  him  rave  to  his  heart's  con- 
tent. On  how  big,  and  fine,  and  wonderful,  and  grand,  and 
superbly  beauteous  his  next  picture  is  going  to  be.  This  is  a 
brand  new  idea.  It  has  never  been  done.  Exhibitors  love  to 
read  about  producers'  promises.  They  have  never  done  so  be- 
fore.    It  will  be  novel.'" 


THE 


Sunday,  February  21 


New  Theaters 

Some  new  theater  projects  as  re- 
ported to  THE  FILM  DAILY  in- 
clude: 

Albion,  Mich. — Geo.  E.  Bohm  an- 
nounced recently  that  the  contract  for 
finishing  his  new  theater  will  be  let 
this  month.  The  contract  will  call 
for  completion  of  the  theater  inside 
of  four   months   from    April   first. 


Electra,  Tex. 

Electra,  Tex. — The  Grand  Theater 
Co.  here  will  erect  a  three  story  build- 
ing. 


Goshen,  Ind. 

Goshen,  Ind. — The  Shawnee  De- 
velopment Co.  will  shortly  begin  the 
construction  of  a  new  theater  on 
South  Church  St.  The  house  will 
seat  900. 


Groveland,  Fla. 

Groveland,  Fla. — A  new  theater  is 
to  be  constructed  here  by  Judge  J. 
B.  Kline. 


Miami 

Miami— Bids  are  being  considered 
for  the  construction  of  a  new  motion 
picture  house  at  Seventh  St.  and  Col- 
lins Ave.  by  Dr.  E.  D.  Longacre  and 
James  J.  O'Hara.  Dr.  Longacre  is 
a  banker.  Mr.  O'Hara  is  a  theater 
owner. 


Pittsburgh 
Pittsburgh — Plans  have  been  made 
for   a    new    downtown   house   by    M. 
A.    Rosenberg,   owner   of   the    Rialto 
and   American. 


Plymouth,  Wis. 

Plymouth,  Wis.— A  $100,000  the- 
ater is  planned  by  a  syndicate  of 
Sheboygan  and  Chicago  parties.  A. 
H.  Friese  of  Elkhardt  Lake,  is  to 
manage  or  lease  the  house. 


Rice  Lake,  Wis. 

Rice  Lake,  Wis. — A  new  combina- 
tion theater  to  seat  800,  is  being  plan- 
ned here  by  George  E.  Miller,  Ma- 
jestic owner. 


Rochester,  Minn, 

Rochester,  Minn. — Decision  on  sale 
of  the  library  site  by  the  city  on 
which  hinges  a  plan  for  a  new  theater 
in  this  city,  is  to  be  made  in  May. 
Some  time  ago,  Finkelstein  &  Ru- 
ben began  negotiations  for  the  site, 
announcing  plans  for  a  $250,000  the- 
ater. 


San  Fernando,  Cal. 

San  Fernando,  Cal. — The  new  Ren- 
nie  being  constructed  on  Macaley 
Ave.,  and  which,  when  completed, 
will  represent  an  outlay  of  about 
$100,000.  will  be  ready  by  March  1. 
The  new  house  will  seat  1,000. 


Springfield,   111. 

Springfield,  111. — Plans  have  been 
completed  for  a  $1,500,000  theater  by 
the  S.  W.  Straus  and  Co.,  who  have 
agreed  to  finance  the  project.  Ex- 
cavation wofk  is  nearing  completion. 


St.  Charles,  Mo. 
St.  Charles.   Mo. — Robert  S-tempfle 
of  the  Strand  has  awarded  the  con- 
tract  for   his   new   theater   to    E.    M. 


An  Idea 

Montreal — An  interesting  re- 
served seat  plan  has  been  evol- 
ved by  H.  W.  Conover,  of  the 
Imperial,  a  large  downtown 
house.  Five  rows  of  seats  on 
the  orchestra  floor  are  reserved, 
as  well  as  the  boxes,  every 
night  except  Saturdays,  Sun- 
days and  holidays.  Patrons  may 
reserve  seats  one  week  in  ad- 
vance or  subscribe  for  the 
same  seats  for  a  season  in  ad- 
vance, without  advance  charge. 
If  the  subscribed  seats  are  not 
taken  before  a  Specified  hour, 
they  are  sold. 


Humphrey.  The  building  will  be  two 
stories  and  basement,  of  brick,  steel 
and  concrete  and  mill  construction. 


Tulsa,  Okla. 

Tulsa,  Okla. — Work  on  the  Ritz  is 
progressing  rapidly  and  it  is  expected 
to  be  opened  to  the  public  by  the 
first  week  in  April,  according  to  Ralph 
Tolbot. 


Openings 

Theater  openings  in  the  past  few 
days  include: 

Allentown,  P)a. — The  new  Globe 
at  4th  and  Wyandotte  Sts.,  where 
stood  the  old  opera  house,  was  for- 
mally opened  last  week.  Aaron  Pot- 
ruch  is  owner.  Benjamin  Levine  has 
leased  the  theater  for  21   years. 


Bethlehem,  Pa. 

Bethlehem,   Pa. — B.  A.   Levine  has 
opened  the  new  Globe. 


Childress,  Tex. 

Childress,  Tex. — The  new  Palace 
theater  was  recently  completed  by 
Phipps  &  Layton.  It  seats  1,000  and 
cost  $65,000. 


Copperfield,  Utah 

Copperfield,  Utah — A  new  house, 
the  Diana,  has  been  opened  here  by 
Ernest  Pappas. 


Eugene,  Ore. 

Eugene,  Ore. — The  Colonial,  closed 
for  the  past  year,  is  to  be  reopened 
under  another  name  after  being  re- 
modeled. It  has  been  taken  over  by 
G.   O.   Garrison,  of  Portland. 


Fresco,   Calif. 
Fresno,     Cal. — The     Wilson,     with 
Floyd    Rice    as    manager,    will    open 
sometime   this  month. 


Miami 

M'ami,  Fla. — The  Beach  theater 
h?.o  been  opened  here  by  Elmer  Day 
&  Son,  of  Evansville,  111. 


Pontiac,  Mich. 

Pontiac,  Mich. — The  Orpheum  the- 
ater, owned  by  the  Kleist  Amusement 
Co.,  opened  Feb.  15. 


Robbinsdale,   Minn. 

Robbinsdale,  Minn.  —  With  big 
crowds  in  attendance  Mrs.  Nellie 
Gruss  opened  the  new  Robbinsdale 
recently. 


Toledo,  Ohio 

Toledo,  O. — The  Ross  opened  last 
week. 


254  State  Righters 

(Continued  from  Page    1) 

is  second,  with  '26,  of  which  14  are 
in  Los  Angeles  and  11  in  San  Fran- 
cisco. Pennsylvania  is  third,  with  25, 
of  which  15  are  located  in  Philadel- 
phia and  nine  in  Pittsburgh.  Massa- 
chusetts is  fourth,  with  14,  all  located 
in  Boston.  There  are  11  in  Chicago, 
while  Detroit  and  Minneapolis  have 
nine  each  and  Oklahoma  City  and 
Milwaukee  eight  each.  Cleveland,  St. 
Louis,  Atlanta,  Indianapolis,  Kansas 
City,  Dallas  and  Washington,  D.  C. 
have  seven  respectively. 

The  list  has  been  carefully  checked 
in  various  ways,  and  is  alphabetically 
arranged  by  states,  cities  and  ex- 
changes. Any  changes  in  the  person- 
nel or  addresses  will  be  reported  by 
the  association  through  the  medium 
of  its  bulletins  to  members. 


Two  New  Chains 

(Co)itinued  from   Page    1) 

mation.  Samuel  Coston,  formerly  of 
Chicago,  is  president  of  the  new  com- 
pany, and  Clifford  L.  Niles,  of  Ana- 
mosa,  is   secretary-treasurer. 

A  chain  throughout  Florida  is  con- 
templated by  Miami  and  Boston  in- 
terests headed  by  Pell  Mitchell,  for- 
merly with  the  Gaumont  Co.,  London, 
and  Fox. 

The  first  link  will  be  a  $200,000 
structure  for  Miami,  work  on  which 
starts  within  10  days.  This  will  seat 
1.200  and  is  located  in  the  Allaphattah 
district,  near  17th  Ave.  and  36th  St., 
N.  W.  The  nearest  competitor  is 
nearly  a  mile  away.  Mitchell's  head- 
quarters are  at  8538  Strand  Arcade 
Bldg.,  Miami. 


Test  Case  Pendiil 

Fond  du  Lac  Exhibitor  Charge 
Cutting   Admissions  Contrar 
Contract,  May  Sue  Exchanji 
Fond    du     Lac,     Wis.— Thre; 
with     cancellation    of    contract 
cause    't    is    alleged    to   have 
pictures    for    lower    admissions 
the    contract    calls    for,   the  Fo 
Lac   Theater    Co.,   operating  tl 
jou   and   Orpheum   here,  is  pre  j 
to  make  a  test  case  if  the  ma 
brought   into  the   courts. 

The  exchanges  from  whic 
company  books  contend  that  t 
cent  admission  of  the  Orpheui 
Bijou  for  more  important  pi. 
contracted  for  at  higher  adm 
injures  the  prestige  of  the  pictu 
causes  complaints  from  other  ( 
tors  showing  the  same  pictu 
higher    prices. 


\ 


Action  Postponed 

(Continued   from    Page    1) 

$500,000  to  the  State  treasury  for  dis- 
bursement to  the  educational  system. 
Some  of  the  educators  who  appeared 
for  the  bill  declared  that  the  people 
of  Virginia  would  willingly  pay  the 
extra  cost  for  diversion  in  order  to 
help  the  cause  of  education,  while 
Jake  Wells,  and  F.  W.  Twyman,  the 
latter  owner  of  two  houses  in  Char- 
lottesville, spoke  against  the  measure. 
A  vigorous  campaign  has  been 
waged  by  the  M.  P.  T.  O.  in  recent 
weeks  against  the  bill. 


Off  to  Coast 

(Continued  from   Page    1) 

ductions.  Sheehan  plans  to  have 
production  at  its  peak  by  the  time 
the  annual  Fox  convention  is  held  in 
Los  Angeles   in  April. 


Four   New   Pictures   Started  by  Fox 

Hollywood — Four  new  productions 
have  been  started  at  Fox.  including 
"The  Shamrock  Handicap,"  "Rust- 
ling for  Cupid,"  "Hard  Boiled"  and 
"Early  to  Wed."  Three  others  are 
nearing  completion. 


New  Policy  at  Ward's  House 

Stratford,  Ont.— John  V.  Ward,  of 

the  Classic,  has  installed  vaudeville  at 

the    Classic    in    addition    to    pictures. 

There  will  be  three  acts  of  vaudeville. 

Open  Parkersburg  Strand 

Parkersburg,  W.  Va.— The  Strand, 
owned  by  the  Strand  Amusement  Co., 
has   opened. 


Teach  Care  of  Fish  with  Fi 

Albany,  N.  Y.— The  State  C 
vation  Commission  has  compl 
picture  showing  the  work  c 
planting  from  the  time  the  youi 
leave  the  hatchery  until  they  a 
posited  in  the  stream.  The  pic  | 
part  of  the  Commision's  educ; 
campaign. 


Stock  in  Aschers'  Adelpb< 
Chicago- -Ascher  Bros,  will! 
the  Adelp  li,  in  the  Loop,  into;| 
house,  opening  with  the  new 
on  March  7.  As  noted,  the  A>, 
will  also  put  stock  into  the  CI 


Van    Beuren    in    Florida 

Palm  Beach,  Fla. — Amedee  ,' 

Beuren,  of  Fables  Pictures,  In- 

Timely  Films,  Inc.,  is  spendingl 

months'  vacation  here. 


Goldmark  in  Deal  with  Lee-Br 

Lee-Bradford      have      sold 
Blackguard"    to   the    Goldmarl 
Co. 


New  P.  D.  C.  Manage 
Salt  Lake  City— C.  F.  Par: 
has  been  managing  the  local 
Dist.  Corp.  exchange,  has  resif 
join  M.-G.-M.  here.  He  ha: 
assigned  the  Idaho  territory, 
will  be  succeeded  by  Al  O'Ke 


Bradt    Obtains    Control    of  R 

Seattle — Joe  Bradt,  who  r 
sold  his  Good  Luck  theat 
Jackson  St.,  has  purchased  thi 
croft,  formerly  operated  by 
Carey.  The  Roycroft  is  one  o 
tie's  newest  houses,  and  seats 


Purchases  Series  of  Six 

Toronto   —   Canadian    Indcf  ■ 
Films,  Ltd.,  has  purchased  the 
of  six  "Bill"  Sullivan  action  p 
They      are:      "The      Fear     Fi 
"Fighting     Fate,"     "Patent    1 
Plug,"    "The    Goat    Getter," 
Champion"    and)    "Broadway 
Canadian     Independent     opera 
principal   Canadian   cities. 


Safe  Taken  from  Schine  H' 

Salamanca,  N.  Y.— The  safe 
office  of  the  Andrews,  opera 
the  Schine  interests,  was  take 
recently  by  bandits.  Saturdi 
Sunday's  receipts  were  remove 
to  the  robbery. 


whole  face  of  the  Short  Feature  field 
has  come  a  remarkable  change  within  the  past 
year.  The  full  length  picture,  during  1925,  stepped 
out  with  a  full  stride.  The  Short  Feature  kept 
pace  with  it,  and  in  the  matter  of  relative  change, 
eclipsed  the  performance  of  its  big  brother    .  .  . 

Great  things  will  be  done  in  the  Short 

Feature  field  in  1926. 

WILLIAM  J.  REILLY 
in  Moving  Picture  World. 


And-- 


are  doing  them 

Right  Now! 


They  are  doing  great  things 
in  comedies.  The  records  of 
such  great  laugh-makers  as 
"The  Fighting  Dude,"  with 
Lupino  Lane,  prove  it! 

They  are  doing  great  things 
in  novelties   and   timely 
specials.    The  inspiring  re- 
ceptions given  to  such  pic- 
tures as  "Marionettes"  and  "Parisian  Modes  in 
Colour,"  the  superb  colour  subjects  with  Hope 
Hampton,  prove  it! 

All  along  the  line — in  providing  the  best  pictures 
and  the  best  national  exploitation  to  back  them 
up — they  are  doing  great  things.  The  hundred 
new  exhibitors  who  are  every  week  joining 
the  thousands  who  show  Educational  Pictures 
prove  it! 


EDUCATIONAL 
FILM  EXCHANGES.  Inc. 


■^UfyloAU^ 


Pre-<iden(   ■ 


Member.  Motion  Picture  Producers  and  Distributors  of  America,  Inc. 
Will  H.  Hays.  President 


THE 


-.%g^ 


DAILY 


Sunday,  Februai" 


_     _    Adolphe  Menjou  in 

"The  Grand  Duchess  and 
the  Waiter" 

Paramount 
ONCE  AGAIN  MENJOU,  IN 
ONE  OF  HIS  TYPICAL  ROLES 
PROVES  A  DELIGHT  BUT  HE 
IS  FORCED  TO  SHARE  HON- 
ORS THIS  TIME  WITH  FLOR- 
ENCE VIDOR  IN  A  CORKING 
FINE  STORY. 

Star. ..  .Never  better.  A  millionaire, 
he  disguises  himself  as  a  waiter 
so  that  he  may  be  near  the  woman 
he  loves,  a  Russian  grand  duchess. 
All  of  his  old  tricks  polished  to  suit 
any  emergency. 

Cast.  ..  .Florence  Vidor  gives  prob- 
ably the  finest  performance  she 
ever  presented  to  the  screen  and 
best  of  all  she  looks  the  part  of 
the  grand  duchess.  She  has  a  re- 
finement and  dignity  that  few 
women  of  the  screen  possess. 
Other  first  rate  performances  con- 
tributed by  Andre  de  Beranger, 
Lawrence  Grant,  Brandon  Hurst, 
William  Courtright  and  Dot  Far- 
ley. 

Type  of  Story. ..  .Romance;  adapted 
from  the  play  by  Alfred  Savoir. 
Menjou  is  running  in  fine  luck 
when  it  comes  to  good  stories.  He 
has  been  fortunate  in  securing  the 
most  appropriate  vehicles,  the  sort 
that  allow  for  his  whimsical,  sly 
mauoeuvering  in  a  comedy  vein 
that  is  distinctive  and  wholly  a 
Menjou  concoction.  He  has  a  way 
of  getting  over  a  subtle  touch  that, 
done  by  someone  else,  might  not 
mean  a  thing.  But  one  look  at 
Menjou  when  he  is  flattered  by  the 
attentions  of  a  maid,  one  glance  at 
him  when  he  kisses  his  grand 
duchess's  foot,  and  you  can't  resist 
him.  The  story  in  this  case  is 
ideally  suited  and  as  the  millionaire 
who  accepts  the  humiliation  (that 
is  the  waiter's  lot)  he  is  great.  By 
day  he  •  serves  as  the  awkward 
waiter,  doing  the  menial  labors  for 
a  grand  duchess  and  all  because  he 
loves  her.  At  night  Albert  returns 
to  his  own  luxurious  quarters  hop- 
ing for  better  luck  the  next  day. 
Albert's  persistence  finally  wins  the 
duchess  in  spite  of  her  desire  to 
keep  the  insolent  waiter  in  his  place. 

Box  OfPce  Angle.... If  your  folks 
haven't  been  coming  in  for  Men- 
jou, you  had  better  educate  them 
now  because  he  is  proving  a  bet 
in  many  houses.  Particularly  suit- 
able for  first  runs. 

-Exploitation Just    promise    them 

an  entertainment  gem  and  go  the 
limit  on  promises  of  Menjou's  per- 
formance. Play  up  Florence  Vidor 
also  and  use  plenty  of  stills  in  your 
lobby  and  local  newspapers.  Give 
them  an  idea  of  the  story  by  talk- 
ing up  the  millionaire  who  played 
-waiter  to  be  near  the  woman  he 
loved. 
Direction ....  Mai  St.  Clair;  splendid; 
his  best. 

Author   Alfred  Savoir 

Scenario    Pierre   Collings 

Cameraman    Lee    Garmes 

Photography     Excellent 

Locale    P?ris 

Length   6,314  feet 


"Partners  Again" 

United  Artists 

POTASH  AND  PERLMUTTER 
UP  TO  THEIR  OLD  ARGU- 
MENTS. MARVELOUS  COM- 
EDY IN  EARLY  REELS  BUT 
INTEREST  SLACKENS  UNTIL 
FINISH  WHICH  IS  FUNNY 
BUT  TOO  LONG. 

Cast George    Sidney   plays   Abe 

Potash  and  does  very  well.  Alex- 
ander Carr  is  again  Perlmutter  and 
the  title  writer  has  given  them 
their  usual  humorous  argumenta- 
tive lines.  Allan  Forrest  has  un- 
important role  as  hero.  Betty 
Jewel  acceptable  as  the  heroine. 
..  Others   unimportant. 

Type  of  Story. ..  .Comedy,  based  on 
the  stage  play.  They  start  this 
one  with  a  bang  with  Perlmutter 
trying  to  show  his  partner,  as  well 
as  prospective  buyers  for  the  car 
they  are  handling,  how  well  this 
car  works.  This  sequence  is  a  riot 
culminating  with  the  car  tipping 
on  the  edge  of  a  jackknifc  bridge 
where  only  the  weight  of  Mama 
Potash  keeps  the  car  from  toppling 
into  the  river.  But  after  this  great 
laugh  the  story  slows  down.  The 
comedy  fails  to  be  funny  until  the 
finish  when  Abe  and  his  partner, 
seeking  to  avoidi  investors  in  a 
trick  motor,  are  on  a  plane  headed 
for  Canada.  Abe  is  in  his  night 
shirt  and  finally  escapes  to  the  top 
of  the  plane  where  they  do  a  Sen- 
nett  thrill  comedy  stunt  as  the 
plane  topples  and  Abe  slides  from 
one  end  to  the  other  with  his 
night  gown  eventually  catching  in 
a  hook  from  which  he  is  about 
to  fall  to  his  death  when  he  is 
rescued  by  another  plane  contain- 
ing the  hero  and  heroine.  If  the 
airplane  sequence  was  cut,  it  would 
be  much  funnier.  It  starts  off  with 
a  gale  of  laughter  but  it  is  held  so 
long  that  it  loses  the  punch. 

Box  Office  Angle.... For  the  right 
crowd — those  who  like  the  Potash 
and  Perlmutter  type  of  comedy — 
this  one  will  do  splendidly.  A  great 
hit  naturally  with  Jewish  audiences. 

Exploitation You    have    enough 

thrill  stuff,  what  between  the  wild 
motor  ride  and  the  airplane  chase 
to  easily  get  them  back  if  you  use 
a  trailer.  If  your  fol1<s  have  liked 
the  preceding  Potash  pictures,  you 
pretty  well  know  what  to  do  to  in- 
terest them  in  this.  You  have  few 
names  of  particular  value  to  use  un- 
less Montagu  Glass  is  well  known 
in  your  community  as  a  writer,  in 
which  event  you  can  capitalize  his 
name. 

Direction Henry  King;  fair 

Author    Montagu   Glass 

Scenario  ....Frances  Marion;  not  up 
to  her  standard. 

Cameraman   Arthur  Edeson 

Photography    Good 

Locale    California 

Length  5,562  feet 


"Three  Faces  East" 

Producers  Dist.  Corp. 

LOTS  OF  SUSPENSE,  SEVERAL 
FINE  THRILLS  KEEP  THE 
INTEREST  WELL  SUSTAIN- 
ED UNTIL  THE  VERY  FIN- 
ISH. SENTIMENTAL  SCENES 
MIGHT   WELL  BE   CUT   OUT. 

Cast. . .  .Jetta  Goudal  gives  an  excel- 
lent and  unusual  performance  as 
the  spy  during  the  Great  War.  You 
don't  know  until  the  very  last  reel 
whether  she  is  employed  by  the 
British  or  German  secret  service. 
Robert  Ames,  as  her  boyish  lover, 
very  good.  Rupert  Julian  gives  a 
brief  characterization  of  the  Kaiser 
which  is  very  splendidly  portrayed. 
Henry  B.  Walthall  very  good  as 
Ames'  father.     Others  unimportant 

Type  of   Story Mystery  drama; 

adapted  from  Anthony  Paul  Kelly's 
play.  From  the  start  "Three  Faces 
East"  looks  like  it  is  going  to  ham- 
mer its  way  into  being  one  of  the 
greatest  box  office  releases  of  the 
day.  The  suspense  is  carried  per- 
fectly for  several  reels  during  which 
your  audience  will  be  on  the  edge 
of  their  seats  trying  to  figure  it  out 
and  then  it  slips  and  becomes  com- 
monplace, picking  up  at  the  fiinish 
and  ending  in  a  very  satisfactory 
manner. 

Jettu  Goudal  appears  first  behind 
the  German  lines  and  is  decorated 
by  the  Kaiser  fur  her  secret  ser- 
vice v/ork.  Later  you  see  her  in 
England  as  a  spy,  ostehsibly  in  the 
employ  of  the  British  Secret  Ser- 
vice, living  in  the  home  of  her  chief. 
Here  events  develop  rapidly.  The 
great  Boelke,  head  of  the  German 
secret  service,  is  employed  as  a  but- 
ler in  the  home  of  the  chief  of  the 
British  secret  service.  Boelke  falls 
in  love  with  Jetta  who,  in  turn,  is 
loved  by  Ames,  the  son  of  the 
Britisn  chief.  Boelke  wants  in- 
formation regarding  the  British 
anti-aircraft  guns  and  Jetta  helps 
inm  jre^  it.  On  the  strength  of  Ih'i 
lui'ii  i;;iition  Bo-:il<f  sends  a  wire- 
less 'o  the  German  air  fleet  <.j  at- 
f'ck  London.  Ti;o  late  he  learns 
till  information  is  false  and  ^be 
German  air  fleet  is  smashed  to 
smithereens.  Boelke'  is  shot  by 
Jetta  who  tells  him  she  loves  him 
but  a-.spite  this  he  is  her  prisoner. 
She  is  in  the  British  Secret  Ser- 
vice. In  the  end  you  feel  Ames 
will   win  her. 

Box  Office  Angle. . .  .Where  they  like 
suspense  and  thrills  and  melodrama 
"Three  Faces  East"  should  more 
than   satisfy. 

Exploitation. ...  By  all  means  get  a 
trailer  of  this  one  showing  the 
German  air  fleet  on  its  way  to  at- 
tack London.  Then  show  some 
of  the  attack.  This  should  prove 
very  interesting  and  help  get  your 
folks  back  to  see  Rupert  Julian's 
splendid  picture.  Very  few  in  the 
cast  sufficiently  notable  to  talk 
about  unless  Jetta  Goudal  has  made 
a  dent  among  your  people. 

Direction Rupert  Julian;  very 

good. 

Author    . . .' Anthony  Paul   Kelly 

Scenario    C.   Gardner   SuIUvan 

and  Monte  Katterjohn 

Cameraman    Peverall    Mor!;y 

Photography    Very  good 

Locale England-Germany;  dur- 
ing 'he  Great  War. 

Length 7.419  feet 


d 


a; 


Mary  Philbinii 

"Stella  Maris  !j 

Universal-jSt^  Wtf\ 

CHARACTER       STUDV 
TWO       DISTINCTLY  Ifci 
SITE      TYPES     DEVP' 
STORY  SEEMS  TOMliW' 
FOR  SOME  INEXPLi 
REASON. 

Star.... In  a  dual  role  thai 
dies    very    well,      .^s  tli 
slavey   she  assumes  an 
not    somewhat    grotesqu 
which   conceals    every  tr  i 
real     Mary     Philbin.     !: 
work    as    the    slavey.    li 
appealing  as  the  rich  litt  | 
girl.  j  ,1 

Cast.... A   weak   male  supj  •* 
liott  Dexter  far  from  th( 
type   that  he   should  be 
Robards   more   concerneci 
importance  of  his  role  tli 
ting    it    across.      Gladys 
good  but  overacts.    Othe 
portaiit. 

Type  of  Story Drama 

from  the  story  by  Williami 
Something    is    wrong  wi 
Maris"   but  it   is   rather  ( 
define    exactly    what    it 
'  tory  is  rather  unusual  an 
aome  quite  effective  dran 
ations  but  it  does  not  con' 
sufiici'-ntlj'  strong  to  mak' 
trasting  characterizations 
There  is  the  rich  little  ci 
the     homely     little     slavejl 
separate    existences   are  i 
contrast.      The    slavey's 
the    more    colorful    and 
seem   that   if   they   had  m 
of  her,   built  to  greater  h 
her  character  development,! 
ture  might  have  been  farij 
terestinn^.        Charles      Br;f 
worked    hard    for    effects  il 
success.      The   regal  settii 
rich   girl   is   gaudy  and  n. 
tive.     Some  of  the  double  ) 
effects    are    distinctly  goo 
Story:   Deals   with  the 
little  =!avey  for  the  master' 
friended  her  after  his  wife 
jailed  for  torturing  her,  o| 
votion    to    him    and    of  hi 
quent   supreme    sacrifice  \i 
kills   the  wife  who  stands  ii 
her    master    and    his   love 
rich    h'ttle    cripple    who   1 
cured,  and  of  her  own  sell 
tion.     This  makes  way  for  i 
piness   of   the   man   she  !o 
the  one  he  loves. 

Box  Office  Angle Uncert:  I 

may  be  left  in  more  or  1 
quandary.  "Stella  Maris 
that  feeling.  Mary  Philt 
work  is  well   worth  seeing 

Exploitation You  can  i 

talk  about   the   unusually 
role  of  Mary  Philbin  and  tj 
interested  when  you  show 
ing  pictures  of  the  two  pa 
of  the  beautiful  rich  girl  ; 
the  homely  little  slavey. 
Direction.  .  .  .  Charles    Brabiii  r 
fire;   has  done  many  bette; 

Author   William  ^ 

Scenario   Chas.  Brabii 

Scully. 

Cameraman    Miltoi 

Photography UsuaH 

Locale    

Length     5 


nm 


.y. 


THE 


ebruary  21,  1926 


"Don't" 

'3  i  i^ro-Goldwyn-Mayer 


7.L 

V  »  X 


PLOT  STRUNG  TO- 
R  ON  SUB-TITLES 
3ITS  OF  BUSINESS 
lAKE  FOR  SOME  FAIR 
S  BUT  NOT  A  WELL 
NED  INTEREST. 


lly    O'Neill   cute  and  win- 

t    even    her    capers    aren't 

to    keep    the    piece    hum- 

[ohn    Patrick    is    supposed 

persistent    suitor    but    he 

n'tlippear   over-enthused   with 

TJ     DeWitt  Jennings   is   the 

Kvith      the     "don't"     habit. 

Madehne     Fields,     Evelyn 

)orothy  Seay,  Johnny  Fox, 

ache,  James   Morrison. 

of  Story.  .  . .  Comedy-romance. 

ert  Hughes   is   responsible    for 

ve'  slight  romantic  yarn  that 

chiefly  on  a  Coney  Island 

for    its    comedy.      A    long 

\    is    devoted    to    the    trick 

;nt  devices  of  the  park  with 

cipals    of    the    plot    partici- 

|in    the    hilarities.      Mirrors 

ort  the  appearance,  sudden 

ts  \  wind  that  play  hovoc  with 

fs,  jlling  barrels,  whirling  plat- 

ns  md   greased  slides,  all   con- 

ut(  to     some     mildly    amusing 

ine   but  this  is  obviously  pulled 

in    le   hope   of   bolstering  up   a 

ik    tie  yarn  that  isn't  sufficient- 

str^  g   in    its   romance   to   stand 

le.  Sally  O'Neill  as  the  girl,  is 

oir  bright  spot  the  feature  can 

st  f  and  she  does   her   best  to 

p    linngs    interesting    but    the 

d        too    heavy    for    her    slim 

iul(  rs.       She     is     the     daughter 

mall    town    man,    who    the 

naintain,      talks      in      terms 


urs 
ce, 
;  I- 


-nc 

od 
jen 

isei 

pr 
ng 


■d. 
it  1 


/t."     Sally  makes   the   most 

t  her  capricious  nature  leads 

iiD   girlish    deviltries    that    in- 

romance  with  a  young  man 

ns  a  roadster.     Abel  Totem, 

ther's     choice     of     husband, 

res  ially.     She  walks  out  on  Pa 

ht.      There    is    some    belter 

action  following  but  eventu- 

lly  and  her  man  are  headed 

ritrimony    and    following    the 

nter"  title,  you  see  Pa  quite 

■d   over    his    grandchild. 

ce   Angle. ..  .Laughs    pretty 

but  if  you  cater  to  the  type 


de 
o  r 


e    1? 


Itc 


ear 

tht 

O 

irc 


;nt 
^hi 
oit 

b< 
ini 

■w 
nd 
th 
:al 


ciwd  that  enjoys  the  amuse- 
resort  tvpe  of  fun,  they'll 
ly  like  "Don't." 
ion.... Sally  O'Neill  seems 
a  pretty  popular  name  and 
steadily  so  you  might  go 
rk  on  the  Marshall  Neilan 
and  get  your  folks  familiar 
er.  Stills  in  your  lobby  and 
apers  will  help.  Title  doesn't 
art  great  deal,  so  you'll  have  to 
>rkt  up  with  catchlines.  A  trailer 
th  amusement  part  episode  may 
ra 

cti|) Alf  Goulding;  fair 

Rupert  Hughes 
Rupert    Hughes 

lan    Max    Fabian 

iphy    All  right 

..Small  New  England  town 
5,529    feet 


lOl 

ar 
er; 
og 
le 
ftl 


Harry  Carey  in 

"Driftin'  Thru" 

Pathe 

CAREY  HAS  CHARACTERISTIC 
ROLE  THAT  IS  ONE  OF  HIS 
BEST  YET.  WELL  BAL- 
ANCED WESTERN  WITH 
FULL  BOX  OFFICE  QUOTA 
OF  POPULAR  APPEAL. 

Star.... The  part  was  just  made  for 
Harrj'  Carey's  individual  style.  He 
creates  an  outstanding  characteri- 
zation of  3  lovable  drifter  that  is 
intensely   human  and   natural. 

Cast Harriet    Hammond    is    not 

only  alluring  to  the  eye,  but  she 
possesses  acting  ability  far  above 
the  usual  type  of  colorless  western 
heroines.  Raymond  Nye  goes 
through  the  role  of  heavy  effective- 
ly. Bert  Woodruff  as  an  old  pros- 
pector builds  a  portrait  that  is  good 
for  many  chuckles. 

Type   of   Story Western   drama. 

Here  is  a  feature  that  affords  a 
welcome  relief  from  the  usual  stereo- 
typed Western  with  its  machine 
made  plot  of  gun  play,  hard  riding 
and  heroics.  The  producers  offer 
you  a  refreshing  story  full  of  hu- 
man touches,  yet  possessing  all  the 
suspense  and  thrills  that  any  Wes- 
tern fan  could  desire.  Of  course, 
it  is  Harry  Carey  who  makes  it  all 
very  much  worth  while  your  book- 
ing this  one.  Without  doubt  one 
of  his  very  best.  He  sure  has  you 
rooting  for  him  all  the  way.  The 
kind  of  part  that  made  "Lightnin'  " 
stand  out.  But  is  also  full  of  some 
zippy  action,  a  pleasing  love  story 
and  unexpected  twists.  As  a  drif- 
ter, with  a  little  burro  for  his  pal, 
Harry  lands  in  a  gambling  joint 
and  gets  mixed  in  the  affairs  of 
Walters,  a  crooked  foreman,  who 
is  scheming  to  get  possession  of  the 
girl's  ranch.  He  alone  knows  that 
it  contains  a  placer  gold  mine.  Wal- 
ters is  in  love  with  the  wife  of 
the  gambling  den  proprietor.  She 
shoots  her  husband,  and  pins  the 
crime  on  the  Drifter  who  happens 
along.  From  here  on  the  story  is 
full  of  unexpected  twists  and  fast 
action  that  will  keep  them  on  the 
edge  of  their  seats.  Of  course, 
Harry  falls  in  love  with  the  girl 
who  owns  the  ranch.  With  the  aid 
of  the  old  prospector,  he  keeps 
the  foreman  from  gaining  posses- 
sion of  the  property  and  also  clears 
himself  of  the  killing.  Harry  Carey 
injects  some  fine  human  touches 
throughout  in  his  inimitable  man- 
ner.     Real    entertainment. 

Box    Office    Angle High    grade 

western.      Has   all   the   elements   of 
popular  appeal.     Sure  fire  bet. 
Exploitation.  ..  .Harry    Carey's   name 
is    a   sure    drag.      You    can   go    the 
limit   on    promises.     Ballyhoo   with 
man  dressed  as  prospector   leading 
burro  or  donkey  through  streets. 
Direction. ..  .Scott   R.    Dunlap;   good 
Authors.  ..  .Basil   Dickey   and    Harry 
Haven. 

Scenario    Harvey    Gates 

Cameraman  Sol  Polito 

Photography    First  rate 

Locale    West 

Length  4,820  feet 


Glenn  Hunter   in 

"The  Pinch  Hitter" 

Associated  Exhibitors 

BUSH  LEAGUE  YARN  WITH 
BOOB  HERO  PULLING 
GRAND-STAND  FINISH. 
WILL  BRING  IN  ALL  THE 
YOUNG  BASEBALL  FANS 
AND  SEND  THEM  OUT 
THOROUGHLY  THRILLED. 

Star.  ..  .Slips  into  a  Charlie  Ray  role 
and  does  it  rather  well.  One  of 
the  small  town  college  boys,  the 
butt  of  all  jokes  but  a  crowned  hero 
at  the  finish. 

Cast. .  .  .Constance  Bennett  not  given 
much  chance  to  shine  in  this  one. 
Suffices  as  the  girl  in  love  with 
Glenn.  Reginald  Sheffield,  college 
"wise  guy"  and  the  leauc.  of  the 
mob   that   pulls  the   jokes  on   hero. 

Type  of  Story. .  .  .Comedy.  You  know 
the  story  from  the  first  flash  when 
a  fond  mother  sends  her  one  ar.c; 
only  son  off  to  college  with  strict 
warning-  to  wear  heavj'  underwear 
in  winter,  take  a  tonic  once  a  week, 
a  bath  on  Saturday,  etc.  Glenn 
Hunter  is  the  boy  who  wants  to  d 
l)ig  things  but  only  succeeds  ir 
playing  the  boob.  It's  a  typical 
Charlie  Ray  vehicle  with  Hunter 
doing  it  rather  well  though  not 
quite  as  amusingly  as  Charlie  might 
have  done  it.  The  story  is  thin 
and  built  up  of  comedy  incident 
that  is  fairly  thin  too,  but  will  no 
doubt  thrill  the  small  boy  whose 
own  ambitions  are  much  in  sym- 
pathy with  Glenn's.  Most  of  the 
laughs  come  from  the  tricks  played 
on  hero  by  the  college  boys  who 
"ride"  him  to  death.  Of  course, 
there  is  a  girl  who  believes  in  hero 
and  comes  to  his  rescue  at  various 
times.  The  best  hero  can  do  is  to 
land  the  place  of  mascot  on  the 
college  baseball  team.  In  his  spare 
time,  however,  hero  works  on  an 
invention  which  gives  him  practice 
in  batting.  He  bides  his  time  wait- 
ing for  his  chance  at  pinch  hitting. 
The  chance  comes  when  the  team 
is  losing  the  big  game  of  the  year 
and  hero  is  the  only  remaining  pos- 
sibility. He  goes  in,  bats  to  vic- 
tory and  is  hailed  the  hero.  The 
girl  is  waiting  around  for  the  clinch 
and  even  hero's  crabby  uncle  ac- 
claims him  a  great  boy. 

Box  Office  Angle.... If  you  cater  to 
a  crowd  of  boys,  or  men,  you  can 
count  on  getting  their  interest  by 
talking  about  a  baseball  picture. 
The  title  too  will  bring  them  in. 

Exploitation. ..  .Get  your  local  base- 
ball teams  working  with  you  on 
this  one.  Should  be  easy  to  put 
the  picture  over  with  their  coopera- 
tion. Title  is  good  and  you  have 
names  of  Glenn  Hunter  and  Con- 
stance   Bennett    to   use. 

Direction   ....Joseph  Henabery;  fair 

Author  C.  Gardner  Sullivan 

Scenario   C.  Gardner  Sullivan 

Cameraman    Jules   Crcnjager 

Photography   All  right 

Locale    Small  town 

Length  6,259  feet 


"Moana" 

Paramount 

SUPERB  PICTURIZATION  OF 
LIFE  IN  THE  SOUTH  SEAS 
HANDLED  WITH  MASTER- 
FUL TOUCHES.  MAKES  FINE 
ENTERTAINMENT  FOR 
HIGH  CLASS  PATRONAGE. 

Cast. .  .  .Natives  of  the  islands  consti- 
tute the  entire  cast.  Untrained  for 
the  camera  yet  they  furnish  excel- 
lent subjects  for  what  they  are  sup- 
posed to  do. 

Type  of  Story.... The  picturization 
of  the  daily  life  of  the  islanders 
really  shows  the  development  of 
the  career  of  a  youth  culminating 
in  a  tottooing  episode  which  indi- 
cates that  he  has  reached  bis  ma- 
jority and  that  he  is  now  a  man. 
The  incidents  pictured  prior  to 
this,  while  full  of  interest  and  at 
times  absorbing,  contain  little  or 
no  drama  as  it  is  usually  known  in 
pictures,  nor  for  that  matter,  com- 
edy, ;uid  yet  it  holds  the  interest 
to   a   marked   degree  all  along. 

This  is  doubtless  due  in  a  great 
measure  to  the  superb  photograph}' 
and  the  use  of  a  special  grade  of 
film  which  results  in  photography 
of  a  most  unusual  and  beautiful  na- 
ture. Some  of  the  more  interesting 
shots  are  those  which  present  a 
hunt  for  a  huge  sea  turtle,  the  cap- 
ture of  a  wild  boar,  the  smoking 
out  of  a  giant  crab  and  a  Samoan 
dance.  The  tattooing  episode  refer- 
red to  may  prove  disagreeable  to 
some  women. 

Box  Office  Angle For  the  right 

audience  this  will  prove  particularly 
good  and  a  clean-up.  Where  your 
folks  like  wild  thrills  and  meller  en- 
tertainment this  may  not  satisfy. 

Exploitation ....  I  n  every  community 
there  are  thousands  of  folks  who 
are  eagerly  awaitmg  just  such  type 
of  entertainment  as  this.  They  are 
usually  the  people  who  do  not  at- 
tend i)ictures  as  a  rule  and  you 
know  best  how  to  reach  them.  By 
all  means  go  after  tliem  and  strong. 
They  are  sure  to  be  pleased  with 
"Moana."  For  your  regular  pat- 
rons, make  no  false  promises.  Let 
them  know  just  what  this  is.  A 
trailer  may  prove  effective.  Lobby 
decorations  of  a  type  suitable  for 
South  Sea  entertainment  will  help. 
Grass  mats  and  palms  will  help 
create  atmosphere  in  the  lobby  and 
you  can  use  your  newspaper  folks 
to  unusual  advantage  because  this 
is  the  type  of  picture  that  many 
writers  like.  It  offers  fhem  good 
material. 

Direction. .  .Robert  Flaherty;  assisted 
by  Mrs.  Flaherty  and  David  Flah- 
erty; excellent. 

Author   Robert  Flaherty 

Scenario Robert  Flaherty 

Cameraman  Robert  Flaherty 

Photography    Superb 

Locale  South  Sea  Island 

Length  6,133  feet 


THE 


s?S^ 


DAILV 


Sunday,  Februa: 


Short  Subjects 

"On   Thin    Ice"— Mutt   and    Jeff- 
Short    Films    Syndicate,    Inc. 

Animated  Fun 
Type  of  production. ...  1  reel  cartoon 
In  this  animated  the  famous  com- 
edy strip  characters  do  their  stunts 
on  the  ice,  showing  their  ability  as 
fancy  skaters.  Jei?  poses  as  a  skating 
instructor,  and  finds  himself  with  a 
very  fat  lady  as  a  pupil.  His  troubles 
in  helping  her  to  keep  her  feet  on 
the  ice  furnish  the  chief  fun.  Mean- 
while Jeff  is  showing  his  ability  as  a 
fancy  skater,  and  here  the  cartoon- 
ist exercises  his  imagination  to  good 
advantage  in  digging  up  some  new 
stunts  for  his  brain  child.  A  typical 
Mutt  and  Jeff  offering  that  should 
please  their  army  of  fans. 


"Whispering  Whiskers" — Sennett — 
Pathe 
Average 
Type  of  production. ..  .2  reel  comedy 
Here's  a  typical  Sennett  comedy. 
Plenty  of  slap-stick  and  trick  photog- 
raphy. Things  getting  smashed  and 
floors  being  torn  up.  The  motive 
this  time  is  the  search  for  a  stolen 
ruby.  Madeline  Hurlock  is  seen  as 
a  clairvoyant  crook  who  aids  the 
gang  in  concealing  the  ruby.  The 
cast  includes  Billy  Bevan,  Andy 
Clyde,  Kewpie  Morgan  and  others, 
but  the  Bathing  Beauties  are  not  in 
evidence.  Much  of  the  action  is 
amusing,  all  of  it  is  rapid.  Should 
give   average   satisfaction. 


merges  with  the  ocean  waves.  Fine 
effects  in  Pathecolor.  A  clever  com- 
bination of  educational  and  entertain- 
ing pictures. 


"Land  of  Dreams" — Service  Film 
Corp. 

Pretty  Scenic 
Type  of  production. ...  1  reel  scenic 
"Land  of  Dreams"  goes  in  for 
mountain  scenery  and  the  natural 
beauties  of  the  mountain  regions. 
You  have  gorgeous  shots  of  high 
mountain  peaks,  lazy,  picturesque 
waterfalls  and  mountain  lakes.  In 
order  to  bring  out  the  beauty  of  the 
placid  l-'ikes,  dancers  cavort  at  the 
water's  edge  and  you  have  some  in- 
teresting studies  in  reflections  and 
shadows.  The  reel  is  short  but  there 
are  many  lovely  scenes  and  for  pic- 
torial  value   it  is   well   recommended. 


Pathe  Review  No.  8.— Pathe 

Interesting  Views 
Type  of  production. .  1  reel  magazine 
Further  pictorial  record  of  Knud 
Rasmussen's  recent  trip  in  the  far 
North.  The  range  of  smoking  moun- 
tains is  shown.  This  interesting 
phenomtnon  is  a  scientific  wonder, 
with  perpetual  smoke  from  a  slum- 
bering volcano  coming  up  through 
the  snow  covered  mountains.  An  im- 
mense herd  of  caribou  in  a  reserva- 
tion is  pictured,  and  the  manner  in 
which  the  Eskimos  carry  on  their 
new  industry  of  raising  these  valu- 
able animals  for  shipment  to  the 
United  States.  The  next  subject 
gives  interesting  views  of  Sarajevo, 
known  as  the  "cradle  of  war"  in  the 
restless  Balkan  states.  The  daily  life 
and  customs  of  the  inhabitants  pro- 
vide some  entertaining  views.  The 
Review  closes  with  a  pictorial  presen- 
tation of  Longfellow's  poem,  "The 
Book  of  the  Wave,"  showing  the 
ocean's  inception  in  the  tiny  moun- 
tain stream,  which  grows  into  a  tor- 
rent   and    then    a    river — and    at    last 


"The   Perfect  Lie" — Blue   Bird- 
Universal 
Good  Golf  Gags 
Type  of  production. .  .  .1  reel  comed\' 

Neely  Edwards  is  here  cast  as  a 
golf  enthusaist,  much  against  his  will, 
as  he  is  a  boob  player.  But  the  father 
of  his  girl  matches  him  in  a  game 
with  his  hated  rival  for  the  hand  of 
the  daughter.  The  rival  is  one  of 
these  birds  who  usually  shoots  par  or 
better — so  poor  Neely  feels  that  he 
has  a  tough  battle  on  his  hands.  He 
has.  But  the  girl,  who  loves  Neely, 
does  some  clever  manipulation  with 
the  golf  balls.  So  when  they  reach 
the  eighteenth  hole,  only  a  short  put 
is  necessary  for  either  contestant  to 
win.  Betty  stretches  her  hair  net 
over  the  hole  when  the  rival  shoots. 
He,  of  course,  misses.  Neely  makes 
the  hole  and  wins  the  girl.  Golf 
fans  wi'.l  enjoy  this  one.  But  it  has 
plenty  of  merrinient  for  even  golf 
widows  to  appreciate. 


for  his  animated  drawings  are  scarce, 
the  words  occupying  most  of  the 
reel.  Good  novelty  if  you  can  use 
this  sort  of  number. 


"Moving  Day" — Fox 
Comedy  Repetition 
Tj'pe  of  production.  .  .  .2  reel  comedy 
"Moving  Day"  is  another  of  the 
series  of  pictures  based  on  Mabel 
Herbert  Urner's  "The  Married  Life 
of  Helen  and  Warren."  In  this  one 
Helen  and  Warren  are  moving  from 
an  apartment  into  a  private  house 
and  the  complications  arrive  with  the 
moving  men  when  they  find  Helen 
taking  a  bath  and  wholly  unprepared 
for  the  moving.  Some  helter  skelter 
business  follows  with  Helen  dodging 
in  and  out  of  rooms  clad  in  a  bath 
towel.  This  doesn't  get  the  piece  off 
to  a  very  hilaroius  start  and  the  sub- 
sequent episodes  are  not  blessed  with 
very  much  genuine  comedy  either. 
The  subway  sequence  could  have 
served  for  some  first  rate  laughs  but 
like  many  a  gag  that  is  spoiled  by 
being  overdone,  the  idea  is  repeated 
to  such  length  that  Director  Albert 
Rav  seems  at  a  loss  to  find  an  exit. 
The  well  known  subway  rush  is  the 
basis  of  the  comedy  with  Warren 
trying  to  conceal  his  wife's  pet  dog 
under  his  coat.  After  a  wild  ride 
they  arrive  at  the  new  house  and  are 
glad  to  get  in  out  of  the  rain.  For 
a  final  fling  you  have  Helen  and  War- 
ren still  under  shelter  of  an  umbrella, 
the  roof  of  the  new  home  resembling 
a  sieve.  More  mild  coniedy.  It 
would  seem  that  they  could  have  done 
a  little  better  with  the  material  at 
hand.  Repeating  gags  and  overdoing 
them  is  a  great  fault  of  comedy  di- 
rectors and  is  especially  the  fault  to 
be  found  with   "Moving  Day." 


"The  Flaming  West"— Mustang- 
Universal 
Fast  Western 
Type  of  production.  .  .  .2  reel  western 
Featuring  Edmund  Cobb  in  a  clear 
cut  storv  with  plenty  of  hard  and 
fast  riding.  It  concerns  the  adven- 
tures of  the  hero  in  defending  the 
heroine  and  her  young  brother  from 
the  villainy  of  two  outlaws.  The 
brother  is  suspected  of  killing  a  man 
in  a  gun  fight,  and  is  in  hiding.  The 
outlaws  know  his  secret,  and  force 
him  through  fear  of  exposure  to  act 
as  their  tool.  There  are  some  good 
twists  to  the  plot,  which  although 
lacking  originality,  has  a  good  con- 
tinuity which  keeps  the  hero  before 
the  lens  almost  continuously  in  his 
fast  riding  and  stunts.  Cobb  makes 
a  god  showing,  and  should  please 
the  western  fans  in  this  peppy  offer- 
ing. .A  safe  booking  wherever  snappy 
western?  are  well  received. 


"Buster's  Nose  Dive" — Century — 
Universal 

Plenty  op  Chuckles 
Type  of  production. ..  .2  reel  com  dy 
Arthur  Trimble  as  Buster  goes 
through  some  lively  paces  when  he 
borrows  his  father's  airplane  for  a 
joy  ride  with  his  girl  and.  Tige,  his 
dog  pal.  They  go  clear  through  the 
brick  wall  of  his  father's  office  build- 
ing, and  so  on  through  the  town  with 
destruction  threatening  them  every 
minute.  This  wild  airplane  ride  is 
well  staged.  Plenty  of  thrills  and 
comedy.  But,  of  course,  it  is  that 
clever  canine,  Tige,  who  collects  most 
of  the  honors.  Tige  more  than  sus- 
tains his  reputation  in  his  undisputed 
field  as  the  dog  comedian.  All  lovers 
of  these  famous  cartoon  characters 
will  eujoy  this  latest  of  the  series. 
It  maintains  the  standarrd  of  enter- 
tainment set  by  its  predecessors.  And 
Tige  pulls  some  new  antics  that  are 
good  for  chuckles  anywhere. 


ti 


number  to  interest  the  sch 
The  second  half  of  the  n  || 
an  interesting  journey  in 
concealed  in  the  ordinary  ! 
ble.  We  learn  that  the 
fresh  water  has  a  support  , 
This  explains  why  certain 
able  to  walk  upon  a  laij 
sinking.  It  also  explains  i 
able  resisting  qualities  of  ; 
ble.  Various  experiment  i| 
ducted  with  bubbles  undc 
nifying  glass.  A  series 
join  together  and  form 
face  that  much  resembl 
mense  honeycomb.  The 
come  hexagonal  in  shapi 
duce  a  perfect,  uniform  p 
no  air  spaces  between, 
striking  example  of  the 
the  ordinary  soap  bubble 
que  experiments  are  perfo  4 
illustrate  graphically  the 
sistance  of  water.  Sciem 
from  a  popular  angle.    \\ 


"Sailing"— Ko-Ko    Song    Car-Tune— 
Red  Seal 

Illustrated  Song 
The  latest  novelty  offered  by  Max 
Fleischer  in  his  Ko-Ko  cartoons  is  an 
illustrated  song  number  with  the 
words  of  the  song  flashed  on  the 
screen  and  trick  cartoon  figures 
decorated  the  sides  and  playing  about 
the  words.  The  organ  accompani- 
ment makes  this  a  friendly  little  get- 
together  number  with  the  old  sea 
song,  "Sailing,"  the  tune  for  this 
particular  one.    Fleischer  gets  off  easy 


"The  Mail  Coach"— Aesop's  Fables— 

Pathe 

A  Merry  Fable 

Type  of  production. .  1  reel  animated 

cartoon. 

Paul  Terry  here  has  his  funny 
animal  creations  portray  a  burlesque 
On  the  Wild  West  with  its  famous 
stage  coach.  The  driver  of  the  coach 
is  taken  sick,  and  grandson  mouse 
offers  to  drive.  Indians  appear  and 
kidnap  the  girl  who  is  riding  on  the 
coach  with  the  young  driver.  With 
the  aid  of  his  faithful  horse  he  pur- 
sues and  after  a  tough  fight  with  the 
Indians,  rescues  his  lady  love.  The 
usual  mixture  of  Terry  fun  and  clev- 
erness. 


"Elsie  in  New  York"— O. 
ries — Fox 
Not  Much  O'He) 
Type  of  production.  .  .  .2 

Elsie   arrives   in   New  ^\ 
to    ward    off    all    advanc 
sumptuous   males.      Elsie 
and  her  troubles  commeii' 
manager  of   the   modiste 
she  works  invites  her  to 
consults   her  little  book  ( 
Avoid  the  Pitfalls  of  New 
decides  that  the  best  proi 
announce  that  she  is  eng 
sends  herself  flowers,  am 
delivering    them    in    pcrs( 
duced  to  her  fiance.     Con  j  i 
wife    and    Elsie    gets    he 
great  mix-up,  the  clerk  vu 
her   explains    that   he    is 
son,  and  Elsie  is  ready  fi 
ending.     Not  any  comed\  ip 
in  this  one.     Mildly  amus  fii 
serve  to  round  out  a  prog  ni 
can't  boost  it  for  great  i  ghi 
lam    Cooley    and    Gladys  i:' 
have    the    principal    roles    i: » 
Rav   directed. 


fri 


Animated    Hair    Cartoon  \%n 
Red  Seal        i 
Magic  Drawin 
Type  of  production  ....  1     i 

Marcus,  the  newspape  -.ii 
presents  another  series  of  ^iif 
tion  line  drawings  of  far  u!  i 
By  the  transposition  of  v  p>  | 
from  head  or  face  or  a  ;.v  i 
the  profile,  Shakespeare  bi60 
Barrymore.     Other  persofilti 


Searchlight — Issue    C — Red    Seal 

Science  and  Nature  Wonders 
Type  of  production.  .  1  reel  magazine 
The  first  half  shows  the  evolution 
of  the  silkworm  under  the  powerful 
lens  of  rhe  microscope.  First  we  see 
the  larvae  of  the  moth,  and  soon  the 
little  grub  worms  burst  their  shells 
and  start  on  life's  journey — which  for 
them  is  very  short  but  eventful.  For 
they  wind  up  as  beautiful  moths. 
Very   fascinating  stud}'   this.     A   fine 


trayed  are  Bebe  Daniels, 
Dorothy  Dalton  and  To 
Here  is  a  good  offering 
the  audience  who  love 
contest.  It  is  a  clever  ii 
portraits    are   very   strikii 


11  ' 


"Mama  Behave"— Hal  R  ch- 

A   Screen  Srea      "■ 
Type  of  production. . .  .2   el   '' 

This   looks   like   the   bij  ESt 
maker    Charley    Chase    1  I  ! 
peared  in.      It   is   a   situai  B  f'* 
right   up   to    the   minute,    «li 
its  theme  the  Charleston  H^ 
story  tells  of  the  trials  of 
ness    man    whose    wife    ti, 
him   out   nightly   to   danc  tli( ' 
craze.     Charley  is  an  exp  It  ^' 
the    Charleston,    but    he  li 
his  Avife  know  it.     So  he  S'len 


THE 


ebruary  21,  1926 


■^^ 


DAILY 


o    fool    wifey.      Charley 

twin   brother  who   likes 

in  an   effort   to   find  out 

;e   is   true  to  him.     Com- 

1  se  when  the  wife's  pretty 

•i  s    the    hall    accompanies 

,  azz  palace.     Just    clever, 

I  ,  with  the  laughs  coming 

;  fter   the    other.      Charley 

ro:s    himself    to    be    one    of 

irsatile  of  screen   comedi- 

jj   overlook    this    booking 

dbriving   your   people   of   a 

n^l     fest.       Highly     recom- 


^ape   Review    No.    8 

•'ine  Diversity 
pduction. ...  1   reel  maga- 

I  ces  in  One"  shows  Elsie 
i  kill  in  make-up.  With  a 
n  r  and  a  pencil  and  grease 
s  )me  verv  fine  contrasting 
is  f  types,  ranging  from  the 
a  work  to  the  Christy  girl. 
"Ic  s  the  American  wild  flow- 
leiddition  to  the  Pathecolor 
Vth  the  time-lapse  camera 
VI  specimens  growing  in  the 
e  fational  Park,  such  as  the 
a  ulip,    trillium,    and    purple 

jhe  new  series,  "The  Magic 
I  ws     commonplace     things 

powerful  lens  of  the  mic- 

n  this  number  the  eye  of 
irry  house  fly  is  the  sub- 
■  S)ws  that  this  pesky  insect's 
3!  posed  of  thousands  of  len- 
.sucted  on  the  principle  of 
a  ins.  A  novelty  finely  pre- 
sthis  one,   full   of   entertain- 

ducational  values.    A  well 

ill,  as  usual. 


The  Antinoe  Rescue  Film 

A  thrilling  and  graphic  record  of 
the  sinking  of  the  Antinoe,  photo- 
graphed by  a  passenger  with  a  port- 
able camera  from  the  decks  of  the 
rescue  ship,  S.  S.  Roosevelt,  is  the 
most  outstanding  feature  of  recent 
news  weekly  releases.  International 
is  showing  some  mighty  interesting 
semes  of  what  is  heralded  as  the 
greatest  of  all  rescues  at  sea. 

For  the  camera  used,  and  in  the 
hands  of  an  amateur,  the  sinking  of 
the  ship  has  been  graphically  recorded 
and  the  shots  include  scenes  of  the 
doomed  vessel  at  different  stages  of 
the  sinking  and  what  is  probably  the 
most  tragic  note  of  all  is  the  sighting 
of  an  empty  life  boat  from  which  two 
of  the  rescuers  were  tossed  to  their 
death.  The  decorating  of  the  heroes 
by  the  King's  emissary  is  also  in- 
cluded, as  well  as  shots  of  the  retun. 
of  the  crew  and  the  ovation  accorded 
themj  upon  their  landing  in  N'ew 
York. 


Berman,  of  United,  on  Tour 
Toronto  —  J.  Berman,  Canadian 
general  manager  for  United  Artists, 
is  making  a  six  weeks'  tour  of  the 
West,  checking  up  on  the  situation 
in  that  territory  where  prosperity  is 
now  reigning  because  of  the  immense 
wheat  crop. 


')man  of   Letters" — Fox 

Fair   Laughs 
oduction. . .  .2  reel  comedy 
another    of    the    "Married 
lelen    and    Warren"    series 
■   stronger   in   laughs   than 
lay."     It  concerns  the  sus- 
Helen   when  she  finds  her 
his  office  with  a  woman, 
law  client,  who  is  smoth- 
with   kisses.      Warren   ex- 
situation  well  enough  and 
apparently    satisfied    but    a 
omplications    pile    on    that 
id  to  implicate   Warren   in 
'     How  it  works  out  hap- 
Warren  establishing  his  in- 
iid  Helen  happy  once  more 
ome  fairly  good  amusement 
eter  sort. 


./body  Here  Seen  Kelly?"— 
.  Song  Cartune— Red  Seal 
Song  Novelty 

'jJiroduction 1  reel  novelty 

'Mtest    in    the    Max    Fleischer 

popular    song    screenings. 

d  of  treatment  leaves  little 

\    for   varying   the    method 

ijiation.     Ko-Ko  appears  with 

Jquartet,  the  title  of  the  song 

need,    and    the    audience    is 

join   in   the   singing  as   the 

,e    presented    on    the    screen. 

nical  device  of  the  little  white 

icing  from  one  word  to  the 

mark    the    time    is    used    as 

revious   numbers.     This   old- 

g  will   no   doubt   bring  back 

s  to   the   adults   in   the  audi- 

t  it  will   mean   little   to   the 

generation. 


General  Amusements  Chartered 

Ottawa  —  A  charter  has  been 
granted  General  Amusements,  Ltd., 
capital  $22,000.  This  is  the  new  com- 
pany, headed  by  Donat  Paquin  of 
Hull,  which  has  the  Imperial  under 
lease,  with  J.  T.  Moxley  as  manager. 
Paquin  also  operates  the  Laurier 
and  Eden  in  Hull. 


Regent,  Ottawa,  Manag^er  Resigns 
Ottawa  —  Pete  Gagnier,  formerly 
with  the  Regent,  has  gone  to  De- 
troit. Charles  St.  Denis,  also  for- 
merly with  the  Regent,  has  returned 
to    that    house,    succeeding    Gagnier. 


Presentations 

Strand 

Unit  No.  1. — Overture:  "First  Hungarian 
Rhapsody,"    Liszt.      Time,    19    minutes. 

Unit  No.  2. — Strand  Topical  Review.  Time, 
11   minutes. 

Unit  No.  3. — "New  Mark  Strand  Frolic." 
(a)  "Fete  de  Jardin,"  Gruenberg :  1.  "You 
and  1,"  sung  by  John  Quinlan  and  Pauline 
Miller,  both  in  elaborate  Colonial  costumes. 
Setting:  garden  scene  with  high  hedge  in 
background,  stairways  leading  down  from 
either  side  of  center.  Flower  garden  in 
foreground  with  two  large  flower  urns  on 
either  side.  Garden  statuary  placed  to  each 
side  of  center  opening  in  hedge,  closed  dur- 
ing this  number  but  opening  in  a  later 
number. 

2.  Mile.  Klemova  and,  ballet  dance  to 
"The  Glow  Worm."  Closing  this  number, 
lights  are  lowered,  ballet  (also  in  Colonial 
costumes)  ascends  side  stairways,  hedge  parts 
in  center  and  each  half  rolls  to  right  and 
left  respectively,  disclosing  singers  again, 
standing  before  fountain  made  of  tinsel. 
Sing  concluding  strain  of   "You  and  I." 

(b)  Gene  Austin,  at  the  piano.  Popular 
numbers,  (c)  Betty  Hale  and  Banjophiends. 
Curtains  part  on  darkened  stage  with  side 
spots  revealing  three  clown  faces  seen  at 
graded  heights.  When  lights  go  up  you  see 
three  banjoists  seated  upon  stools  of  dif- 
ferent heights,  garbed  in  black  and  stools 
in  black,  disclosing  the  reason  for  just  the 
face  being  visible  in  the  opening  scene. 
Betty   Hale  dances   to   banjo   accompaniment. 

(d)  Robert  Stickney,  the  man  on  stilts, 
as  "The  Traffic  Cop."  Dances  on  stilts. 
Dressed   as   policeman. 

(e)  "Valentines."  Scene:  Huge  envelope 
addressed  to  "My  Valentine,"  with  a  heart 
for  a  stamp  and  arrows  for  the  post  office 
cancellation.  John  Quinlan  sings  "I'll  Be 
Your  Valentine,"  with  Pauline  Miller  sliding 
back  the  "heart  stamp"  and  putting  her  head 
through  the  opening,  singing  the  refrain. 
Liveried  attendants  open  the  "envelope"  by 
swinging  open  each  half,  revealing  a  valen- 
tine :  envelope  interior  takes  the  form  of 
a  fancy  satin  box  with  gold  and  red  color 
scheme,  stairways  to  either  side  with  girls 
in  red  costumes  standing  one  on  each  step. 
Ribbon  ties  are  hoisted  from  the  top  of  the 
envelope  for  "hanging"  purposes.  Helen 
Santry  and  James  Norton  come  through  the 
"heart"  center  of  the  valentine,  garbed  as 
"East  Siders" ;  dance  number.  Mile.  Klem- 
ova and  Strand  Ballet  complete  the  bill. 
Time,  25   minutes. 

Unit  No.  4. — Feature :  "Partners  Again." 
Time,  61  minutes. 

Unit  No.  5.— "The  Glorius  Good-Bye"— 
Prizma  Fantasy.     Time.   5  minutes. 


To  Operate  in  Church 

Kansas  City — While  waiting  for  his 
new  theater  to  be  completed  follow- 
ing the  destruction  of  the  Royal,  in 
Bonner  Springs,  Charles  German  will 
have  the  use  of  a  local  church. 


Bars   School   Children 

Highland  Park,  Mich.-— An  ordi- 
nance passed  by  the  city  council 
makes  it  illegal  for  children  to  at- 
tend shows  during  school  hours  un- 
less accompanied  by  their  parents. 


Liberty  in  Murphysboro  Burns 

Murphysboro,  III— The  Liberty 
was  damaged  by  fire   recently. 

Announces  Five  New  Releases 

St.  John,  N.  B.— R.  J.  Romney, 
general  manager  of  Vital  Exchanges 
of  Canada  Ltd.,  has  announced  the 
release  in  Canada  of  five  James  Oliver 
Curwood  features  as  wefl  as  "The 
1001  Nights."  Vital  now  has  four  of- 
fices in  Canada,  St.  John,  Montreal, 
Toronto  and  Winnipeg. 


"Lubitsch    Weeks"   at    Cameo 

The  Cameo,  in  conjunction  with  the 
International  Film  Arts  Guild  will 
give  two  weeks  of  repertoire  starting 
March  7,  to  be  known  "As  Ernst 
Lubitsch  Weeks."  During  the  first 
week,  "Passion,"  "The  Marriage 
Circle,"  "Forbidden  Paradise"  and 
"Kiss   Me   Again"  will  be   shown. 

"Three  Women,"  "Rosita,"  "Mont- 
martre,"  "The  Marriage  Circle"and 
"Forbidden  Paradise"  will  be  pre- 
sented the  second  week.  Prepara- 
tions for  a  "Von  Stroheim  Week" 
are  under  way. 


The  Week's  Headlines 

Monday 

Richard  Barthelmess  to  star  in  eight  First 
National  pictures  after  completion  of  In- 
spiration    contract. 

British  National  Pictures  purchase  "Madame 
Pompadour"    for    Dorothy    Gish. 

Church  organizations  frame  "blue"  law  for 
District  of  Columbia,  to  act  as  national 
model. 

M.  P.  T.  O.  A.  starts  work  on  convention 
which   opens   in   Los   Angeles   June    1. 

Tuesday 

146   supply   houses    throughout   United    States 

in    merger. 
Action     filed     against     Davis     Dist.     Division, 

and   equity   receiver  appointed. 
Fox   plans    Northwest    houses. 
Publix  to  spend  $2,000,000  in   Florida  houses. 

Wednesday 

West  Coast  negotiations  now  under  way 
may  result  in  the  retirement   of   Sol   Lesser. 

First  National  to  spend  $11,000,000  on  pro- 
duction budget.  Fifty-five  pictures  to  be 
made   next    year. 

Annual  Fox  sales  convention  to  be  held  in 
Los    Angeles    April    12. 

Thursday 

Serial  field  active  with  independents  reviving 
production. 

Tangle   over   Pauline   Frederick's   contract. 

Britain  home  production  still  continues  to 
excite  discussion  but  no  definite  action 
develops. 

Mississippi  legislature  passes  rigid  tax  against 
traveling    shows. 

Hays  organization  gathering  data  from  news- 
paper critics  on  standards  of  last  year's 
output. 

Friday 

West  Coast  negotiations  toward  change  in 
ownership    far    from    set. 

Creditors  of  Enterprise  Dist.  Corp.,  of  At- 
lanta   meet. 

Warners  to  produce  34  for  next  season. 
$12,500,000  to  be  the  cost.  Eight  spe- 
cials   mcluded. 

Deals  for  westerns  signed.  Leo  Maloney  on 
Pathe  program.  Three  series  from  Lester 
Scott     for     Associated     Exhibitors. 

Saturday 

Ascher  Bros,  of  Chicago  reported  forming 
Mid-West   booking    combine. 

New  theater  chains  developing,  one  in  Iowa 
and  one  in  Florida. 

Winfield  R.  Sheehan  of  Fox  leaves  for  Hol- 
lywood to  supervise  next  year's  production 
schedule. 

Independent  M.  P.  Ass'n  surveys  state  right 
field  and  reports  254  exchanges  and  buyers 
operating    at    beginning    of    1926. 


Fire    Damage  $10,000 

Salamanca,  N.  Y. — Fire  that  gut- 
ted the  Strand  building  did  a  dam- 
age in  excess  of  $10,000,  according  to 
the  manager. 


Quits  "U"  Exchange,  Now  Manager 

Winnipeg — Fred  W.  Crosbie,  for- 
merly exploitation  manager  for  Uni- 
versal in  Western  Canada,  has  been 
appointed  manager  of  the  Starland, 
by  Charles  A.  Meade,  supervisor  of 
theaters  for  Universal,  the  latter  con- 
trolling the  Starland  and  two  others. 

College   Man  Joins   M.-G.-M. 

Los  Angeles — Charies  L.  Fernberg, 
formerly  of  the  University  of  Wis- 
consin, has  joined  the  Metro-Gold- 
wyn-Mayer  scenario  staff. 

New  Quarters  for  T.  &  D.  Circuit 

San  Francisco — The  T.  &  D.  Jr. 
Enterprises  will  move  to  the  War- 
field  Theater   Bldg. 


Incorporations 

Albany,  N.  Y. — Orpheum  Booking  Corp., 
New  York ;  to  operate  a  booking  agency. 
Incorporators,  J.  Mertens,  Jr.,  L.  Mabis, 
anl  M.  Brenneman,  Attorneys,  Holmes, 
Lynn,  Paul  &  Havens,  15  William  St.,  New 
York. 


Albany,  N.  Y. — British  National  Pictures, 
New  York.  Capital  $20,000.  Incorporators, 
K.  Maguire,  S.  Frank  and  G.  Murphy.  At- 
torney, H.  T.  Banzeh,  130  W.  42nd  St., 
New   York. 


Albany,  N.  Y. — Herab  Amusement  Corp., 
New  York.  Capital  $1,000.  To  operate 
theaters.  Incorporators,  H.  Savage,  A.  Shim- 
berg  and  M.  Wilson.  Attorney,  L.  B. 
Shimberg,  277   Broadway,  New  York. 


Springfield,  III. — Vogue  Amusement  Co., 
4059  West  North  St..  Chicago ;  to  operate 
theaters.  Capital  $100,000.  Incorporators, 
V.  Lynch,  W.  Mueller  and  D.  Jerka.  At- 
torneys, Ryan,  Condon  &  Living:ston,  983 
Illinois    Merchants    Bank    Bldg.,   Chicago. 


Springfield,  111. — Speci'alty  Curtaih  (3o., 
2960  Lincoln  Ave.,  Chicago.  Capital  $20,- 
000.  Incorporators,  J.  Bambrach,  L.  Nudd- 
man  and  G.  Brownstein.  Attorneys,  Kanlcr, 
Horwitz,  Halligan  &  Daniels,  HI  West 
Washington   St.,   New   York. 


Springfield,  111.  —  Illustrated  News  Co., 
307  North  Michigan  Ave.,  Chicago;  to  pub- 
lish a  weekly  fan  publication.  Incorporators, 
L.  Kramer,  J.  Hess  and  I.  Rooks.  Attor- 
neys, Hall,  Spitz  &  Rooks,  307  North  Michi- 
gan  Ave.,   Chicago. 


.1 


1 


HOLLYWOOD 
HAPPENINGS 


M^^  :m»re(ocmized 
^  ^  ^^  Authority 


Harvey  E.  Qausmi 


Telephone  Granite  3980 


Sunday,  February  21,  1926 


6411  HoUji 


M.-G.-M.  Starts  Three 

Three  pictures  were  put  into  pro- 
duction last  week  at  M.-G.-M.  John 
Frances  Dillon  began  work  on 
"Love's  Blindness."  "Money  Talks" 
was  put  into  production  by  Archie 
Mayo;  and  Harry  Millarde  began 
"Lovey   Mary." 


Stewart  in  Cummings   Picture 

Anita  Stewart  has  been  cast  for  the 
leading  feminine  role  in  "Rustling  for 
Cupid  (Fox).  George  O'Brien  is  the 
male  lead,  the  others  including  Rus- 
sell Simpson,  Edith  Yorke,  Herbert 
Prior.  Sid  Jordan  and  Frank  Mc- 
Glynn,  Jr.  Irving  Cummings  is  di- 
recting. 


Nev?    Tulare    House 

Plans  are  being  prepared  by  J.  R. 
Miller  and  T.  L.  PHueger,  San  Fran- 
cisco architects,  for  a  theater  at  Tu- 
lare and  L.  Sts.,  Tulare,  for  the  Tu- 
lare Theater  Co.  It  will  contain  1.440 
seats. 


Verschleiser  on  "Good   Luck" 

Ben  Verschleiser  has  signed  Ed- 
ward Roskan  as  film  editor,  Fred  Ty- 
ler as  a.ssistant  director  to  Alan  Hale 
and  Horace  Jackson  as  art  director 
for  "Good  Luck."  Barbara  Bedford, 
Ward  Crane  and  Charles  McHugh 
have  been  cast  for  parts. 


Brown    Completes    Howe's    Pictures 

Director  Harry  J.  Brown  has  com- 
pleted shooting  "The  Self  Starter," 
for  Rayart  release.  This  is  the  latest 
of  the  Reed  Howes  vehicles.  Mildred 
Harris  and  Sheldon  Lewis  are  promi- 
nent in  the  cast. 


"Silence"  Cast  Complete 

The  ci.st  for  "Silence"  is  now  com- 
plete. It  includes  Jack  Mulhall,  Vera 
Reynolds,  Raymond  Hatton,  H.  B. 
Warner  and  Rockcliffe  Fellowes.  A 
De  Mille  production,  Rupert  Julian 
directing. 


Betty  Compson  Signs 
Betty  Compson  has  been  signed 
by  FranK  Lloyd,  who  will  direct  "The 
Wise  Guy"  for  First  National.  James 
Kirkwood,  Mary  Astor,  Mary  Carr 
and  George  Cooper  are  others  in  the 
cast. 


Lola  Todd  in  "Star  Maker" 

Lola  Todd  will  have  an  important 
role  in  "The  Star  Maker,"  which  will 
go  into  production  under  direction 
of  Lois  Weber.  Francis  X.  Bush- 
man will  play  opposite  Mary  Phil- 
bin. 


House  Peters'  Next 
House  Peters  will  star  in  "Pris- 
oners of  the  Storm"  under  the  direc- 
tion ofy  Lynn  Reynolds,  for  Univer- 
sal. Eileen  Percy  and  Allan  For- 
rest will  have  supporting  roles. 


Ready  for  "Love's  Blindness" 

Antonio  Moreno  will  play  opposite 
Pauline  Starke  in  "Love's  Blindness." 
John  Frances  Dillon  will  direct. 


Columbia  Personnel  Announced 

Harry  Cohn,  of  Columbia  Pictures, 
announces  the  personnel  of  his  or- 
ganization for  the  coming  year.  Har- 
ry L.  Kerr,  general  production  man- 
ager. Amos  Myers,  art  director. 
Burt  Wayne,  charge  of  the  electrical 
department.  E.  A.  Patterson,  pub- 
licity. The  staff  of  writers  includes 
George  Scarborough,  Douglas  Bron- 
son,  Thomas  Hopkins  and  Paul  Gan- 
gelin. 


Second    Kyne    Story    Started 

"The  Shamrock  Handicap"  is  the 
second  Kyne  story  to  go  into  work 
at  Fox.  It  is  an  adaptation  of  "Corn- 
cob Kelly's  Benefit,"  and  is  directed 
by  John!  Ford,  Casit  includes  '  J. 
Farrell  Macdonald,  Janet  Gaynor, 
Leslie  Fenton,  Willard  Louis,  Claire 
MacDowell,  Andy  Clark,  Georgie 
Harris  and  Ely  Reynolds. 


Jones   Starts  Another 

Buck  Jones,  having  completed  all 
his  pictures  for  the  present  season, 
has  started  on  next  year's  product, 
with  "Thirty  Below  Zero."  Eva  No- 
vak will  play  opposite,  others  in  the 
cast  are  E.  J.  Radcliffe,  Frank  But- 
ler, Paul  Panzer,  Harry  Woods,  Fred 
Walton    and    Henry   Murdock. 


Borzage    Begins    "Elarly    to   Wed" 

Frank  Borzage  has  started  "Early 
to  Wed"  with  Matt  Moore  and  Kath- 
ryn  Perry.  Others  in  the  cast  are 
Albert  Gran,  Julia  Swayne  Gorden, 
Rodney  Hildebrand,  Ross  McCut- 
cheon,  .Arthur  Housman,  Belva  Mc- 
Kay and  Harry  Bailey. 


Lubitsch  to   Start 

Ernst  Lubitsch  is  preparing  to 
start  work  on  his  first  picture  with 
a  real  American  locale.  Irene  Rich 
has  been  selected  to  again  play  the 
lead  in  "The  Door  Mat." 


Trevor  Arrives 

Norman  Trevor  has  arrived  from 
New  York  for  a  role  in  "Beau  Geste." 
Herbert  Brenon,  the  director,  left  for 
Yuma,  Ariz.,  where  exteriors  will  be 
shot. 


Heath  Back  at  F.  B.  O. 

Percy  Heath  has  returned  to  F.  B. 
O.  as  scenario  editor  following  the 
elevation  of  J.  G.  Hawks  to  the  posi- 
tion of  editorial  supervisor  of  pro- 
duction. 


Sparks  in  "Love's   Blindness" 

Ned  Sparks  has  been  cast  in 
"Love's  Blindness,"  production  of 
Elinor    Glynn's    novel    for    M.-G.-M. 

Charles  Lane  in  "Padlocked" 

Charles  Lane  has  been  added  to 
the  cast  of  "Padlocked,"  Allan 
Dwan   Prod,  for   Famous. 


Mae  Busch  Back 

Mae  Busch,  recently  loaned  to  Un- 
versal  to  play  in  "Perch  of  the  Devil," 
returned  last  week  to  the  studio. 


New  Directors  at  Universal 
Two    scenario   writers   are   making 
their    bow   as    directors   at   Universal 
City.     They  are  Melville  Brown  and 
James    O.    Spearing. 

Willy  Wyler,  who  has  just  been 
promoted  to  a  full  director,  will  di- 
rect Art  Acord  in  "Lazy  Lightning," 
as  his  first. 


Banner  Prod,  in  Work 

Banner  Prod,  has  in  work  "Whis- 
pering Canyon,"  based  on  John  Mer- 
sereau's  novel.  Tom  Forman  is  di- 
recting. The  cast  includes  Jane 
Novak,  Joseph  Swickard,  Eugene 
Pallette,  James  Mason  and  Edward 
Brady. 


Moomaw  to  Spend  $1,500,000 

Coincident  with  the  departure  for 
New  Y,.i.  of  Fletcher  Linn,  treasurer 
of  the  company,  Lewis  H.  Moomaw, 
announces  production  to  start  imme- 
diately at  one  of  Hollywood's  stu- 
dios. An  outlay  of  over  $1,500,000  is 
planned,  says  Moomaw. 


Jetta    Goudal's    First 

Garrett  Fort  is  collaborating  with 
Jeanie  MacPherson  on  an  original  to 
be  used  as  the  initial  starring  vehicle 
for  Jetta  Goudal  under  the  supervi- 
sion of  Cecil  B.  De  Mille. 


Alberta   Vaughan  in  Features 

Alberta  Vaughan  has  begun  work 
under  her  new  F.  B.  O.  contract 
which  will  elevate  her  to  feature  pic- 
tures as  soon  as  the  series  of  "Fight- 
ing Hearts"  is  completed. 


Andrews  Joins  Universal 
Del  Andrews  has  been  added  to 
the  Universal  directorial  staff  to  di- 
rect Fred  Hume,  now  being  featured 
in  five  reelers.  "The  Yellow  Back" 
is  the  first. 


Finish    Another    Comedy 

Kathryn  Perry  and  Hallam  Cooley, 
"Helen  and  Warren"  in  the  Fox  se- 
ries, have  finished  their  latest,  "Too 
Many  Relations." 


Gordon  in  "U"  Picture 

James  Gordon  has  been  signed  for 
a  role  in  "The  Runaway  Express," 
which  Edward  Sedgwick  is  directing 
for  Universal. 


Filmcraft  Studios  Formed 

Robert  Power  will  play  the  lead- 
ing role  opposite  Gladys  Roye,  in  the 
first  production  of  Filmcraft  Studios, 
a  newly  formed  company. 


Brown  Starts  First 

Melville  Brown  has  filled  the  cast 
of  "The  Big  Night,"  his  first  direc- 
torial vehicle  for  Universal,  in  which 
Laura  La  Plante  is  to  star. 


Five  Units  at  Sennett 
Five  two-reel  comedy  units  arc 
working  at  the  Sennett  studio  headed 
by  Ralph  Graves,  Ben  Turpin,  Alice 
Day,  Raymond  McKee  and  Rnlli 
Hiatt  and  Billy  Bevan. 


Final  Negri  Title  S| 

"The   Crown   of   Lies" 
title  of  Pola  Negri's  lates- 
picture    directed    by    Dini 
wetzki. 


Additions  to  "To  I 

Marceline  Ray,  Malcolnf 
and    Roy    D'Arcy    have 
to  the  cast  in  "Toto,"  atij 
M.  studio. 


Finish    "The    Frontiei^ 
The     Harry    Carey    coiS 
completed    "The    Frontiei| 
Chas.   R.    Rogers   Prod., 
Scott  R.  Dunlap. 


"Tucker  in  "That's  Mj 
Richard  Tucker  has  beeJ 
the  cast  of  "That's  My  Bl 
ring     Douglas     MacLean.| 
Beaudine  is  directing. 


Hoffman    Signs    Film : 
Leonard   Wheeler  has  bj 
as    film    editor    of   all    Rer<' 
man    Prod.,    including   tho;  ioi 
mas  and  P.  D.  C.  release. f" 


Elinor  Fair,  La   Rocqui 

Elinor    Fair   has   the   fentnel 
opposite   Rod   La   Rocque 
elors'  Brides,"  which  Wm.l 
ard  is  directing  at  De  Mill! 


Varconi    in   Warner   Pl 
Victor  Varconi  is  playini 
ken     Shackles,"     for     Warjf 
Irene  Rich  heads   the  cast 


"U"  Loans  Hanso^ 

Einar  Hanson,  has  been 
Universal   to   E.    M.    AsherJ 
inne   Griffith's  next. 


M.-G.-M.  Signs  William 

William  Daniels,  cameral 
been  signed  under  a  long  l| 
tract    by    M.-G.-M. 


"Rex's"  Latest    _ 

"The   Devil    Horse,"  "Re:W 
est,   is   being  edited   by   Cai| 


Start  Rayart  Picturi| 

Work  has  started  on  the 
of  a  series  of  melodramas 
are    release,    produced    by   El 


Hotel  Christie 

in 
Hollywood 

One  of  California's  finest  I ' 
located  in  the  liearl  of  Iheji 
ness  district  of  Holly! 
famous  lobby,  personal  se|l 
sensible  prices. 

R.  J.   Mallre 
Owner-IVI.i 


bruary  21,  1926 


'" '    'pictures.     The  current  re- 

,:iecl   "Perils   of   the   Coast 

N.   Natteford  is   the   au- 

^^h  cast  includes  Cullen  Lan- 

"-^oy  Dwan  and  Jimmy  Au- 

1  He,      

==:'ilmadge   on    Next 

T,,,-(ralmadge  has  started  work 

'*'"ersal  on  his  fifth  F.  B.  O. 
ara  Horton,  Jack  Richard- 
West,  Eddie  Gordon  and 
rrington  are  in  the  cast, 
amt  Fool"  was  written   by 

"~~HA'ard  Clark.     Mason   Noel 

"i':ii:. 


10."  Ipt 
;ch 


ro!f 


,ipton  a  Director 

on  former  "gag"  man. 
lis  first  film,  "Baby  Mme," 
s  Ray  and  Eleanor  Board- 
.-G.-M. 


5  Vino  on  Script 
;.  Le   Vino  is  writing  the 
f  his  original   story,   "Ma- 
from     Armentieres,"     for 
homas  Prod. 


) 

^'Olord   with    M.-G.-M. 

h  Oxford,  scenarist,  and 
n  editor  in  the  story  de- 
i  Universal,  has  been  added 
ing  staff  at  M.-G.-M. 


la  Gregory  Loaned 
\gory   has   been   loaned   to 
by    Universal    to    play    in 
f     Harvard,"    which    Jack 
irji  directing. 


San  Fernando  House 

Rennie  at  San  Fernando, 
structed  on  Macaley  Ave., 
100,000,    will    be    ready    by 


f«|ow   Fingers"   Finished 

Fingers"    has    been    com- 
Fox.     Emmett  Flynn  direc- 


*T  >aglen   Returns  West 

McLa"-'en  has  been  signed 
.i-Jacter  part  in  "Beau  Geste." 
tued  this  week  from  the  East. 


f  M.   Buys  "Tree   Souls" 
ouls,"    a    novel    by    Adela 
Johns  has  been  purchased 

■Q-M.  ^^'^ 


rn 

a 

•tt 

tyS 
in 


amers'Loan  Players 
"^ros.   has   loaned  Willard 
1   Heine   Conklin   to   Fox. 


THE 


;gBg^ 


DAILY 


11 


Boyd  in  Chaplin  Film 

ioyd  is  playing  in   Charley 
new  comedy,  "The  Circus. 


gell  Directing  Acord 

'ell   is   directing  Art   Acord 
Ranch." 


"l.-M.   Sign  Andre-Ani 

vni,     costumer,     has     been 
a  ew  contract  by  M.-G.-M. 


Ifoung  on   Scenario 

lid  nar  Young  is   preparing  the 
(  "The  Four  Stragglers,"  by 
Packard  for  Tod  Browning. 


In  Eastern  Studios 


Gloria  Starts  Soon 
Gloria    Swanson    will    start    "Fine 
Manners"   next   week  at   Paramount. 
Frank  Tuttle  will  direct. 


Griffith   Still   Preparing 
D.  W.  Griffi'th  is  still  on  the  pre- 
liminaries of  "Sorrows  of  Satan."  He 
is  now  rehearsing  at  Paramount. 


Finish  "The  Nest" 

Will  Nigh  has  finished  "The  Nest," 
starring  Pauline  Frederick  at  Whit- 
man Bennett  studio.  It  is  now  in  the 
cutting  room. 


e  for  Griffith   Picture 

)fif   the    Earth"   is   the   final 
Raymond  Griffith's  new  pic- 


Lamb  to  Produce  Feature 

Arthur  J.  Lamb  will  produce  a 
feature  based  on  "The  Bill  of  Sale," 
featuring  Violet  Mersereau.  Produc- 
tion will  start  around  April  1.  About 
half  of  the  picture  will  be  done  in 
Kelley  Color. 


"Puppets"  Starts  Tuesday 

Al  Rockett's  first,  "Puppets,"  starts 
Tuesday  under  George  Archainbaud's 
direction.  At  present  the  cast  in- 
cludes Milton  Sills,  Gertrude  Olm- 
stead,  Francis  McDonald,  who  just 
got  in  from  the  Coast,  and  Matilde 
Comont.     At  First  National. 


Vera  Arte  Starts 


Vera  Arte  Pictures,  Inc.,  will  start 
Mondav  on  "Every  Man's  Chance," 
which  David  Calcagni  will  co-direct 
with  Adeline  Leitzbach,  the  author, 
at  Paragon,  Fort  Lee.  The  cast  will 
include  John  Gildo  Anna  Dale,  Vin- 
cent Delivio  and  K.  P.  West.  The 
leads  have  not  yet  been  chosen.  M. 
De  Francisco  will  be  at  the  camera, 
with  M.  H.  Karper  in  charge  of  ex- 
ploitation. 


"Savage"    Unit    on    Location 

"The    Savage"    cast    has   arrived   in 
Florida  and  is  at  work  on  exteriors. 


Working  at  Pathe  Studio 

Bryon  Foy  is  directing  a  Cantor 
and  Brandell  comedy  at  Pathe  studio 
on  134th  St. 


'    "Charley's  Niece"  Under  Way 

Harley  Knoles  is  directing  "Char- 
ley's Niece,"  the  first  Al  Lichtman 
Prod.,  at  Tec  Art.  The  cast  indues 
Madge  Kennedy,  Little  Billy,  Creigh- 
ton  Hale,  Flora  Finch,  Ethel  Shan- 
non and  David  Butler.  It  will  be 
released  through  Universal. 


"Cherry  Tree"  Next 

"The  Cherry  Tree"  will  be  the  sec- 
ond Al  Lichtman  picture  to  go  into 
production.  George  Jessel  will  be 
starred. 


"Wildernes  Woman"  Back 
"The  Wilderness  Woman"  cast  is 
back  from  Saranac  Lake,  and  is  now 
working  at  Cosmopolitan.  Harriet 
Sterling  and  Henry  Vibart  have  been 
added  to  the  cast.     For  Robert  Kane. 


"Take  a  Chance"  with  Dix 
Richard  Dix  will  shortly  start 
"Take  a  Chance"  at  Paramount  with 
Gregory  La  Cava  directing.  It  is 
an  original  by  Howard  E.  Rogers 
and  adapted  by  Ray  Harris.  Alyce 
Mills  will  appear  opposite. 


Elmer  Clifton  Working 
"The  Virgin  Wife"  is  being  di- 
rected by  Elmer  Clifton  at  Tec  Art 
Jackson  studio  for  True  Story  Films. 
The  cast  includes  Pauline  Garon, 
Fritzi  Brunette,  Niles  Welch.  Char- 
les Beyer,  Orville  Caldwell,  Joseph 
Allen,  Ricca  Allen,  Marie  Shaffer  and 
Willima  Wolcott.  Lewis  Allen  Brown 
wrote  the  scenario;  Alexander  G. 
Penron  is  cameraman.  Work  will 
be  finished  in  another  week. 


Bebe  Daniels  to  Florida 
The  unit  making  "The  Palm  Beach 
Girl,"  Bebe  Daniels'  next  for  Para- 
mount, left  last  night  for  Florida. 
Erie  Kenton  is  directing.  'In  the  cast 
are  Larry  Gray,  Joseph  Drake,  Ar- 
mand  Cortez,  Roy  Byron  and  Maude 
Turner  Gordon.  Lee  Barnes  is  cam- 
eraman. 


Wingart   Goes    South 

E.  W.  Wingart  is  in  Tamoa  to 
look  for  locations  for  W.  C.  Fields' 
next  picture,  "It's(  the  Old  Army 
Game."  Others  in  the  cast  are  Louise 
Brooks,  Mickey  Bennett  and  Mary 
Foy.  Eddie  Sutherland  will  direct. 
It  is  scheduled  to  start  within  ten 
days  with  Alvin  Wyckoff  as  camera- 
man. 


Fazenda  in  "The  Old  Soak" 

Hollywood — Louise  Fazenda  has 
been  added  to  the  cast  of  "The  Old 
Soak."  George  Lewis,  June  Marlowe, 
George  Siegmann  and  William  V. 
Monp  will  be  in  the  cast,  in  which 
Jean  Hersholt  stars  for  "U." 


Jerry    Marks   Joins   Sierra 

Sierra  Pictures  have  added  Jerry 
Marks  to  their  sales  force.  Marks' 
first  stop  will  be  Atlanta  and  from 
there  he  will  make  a  trip  through 
the  southern  territory. 


In  the  Courts 
Schwartz  Enterprises,  Inc.,  have 
filed  a  judgment  in  the  Supreme 
Court  against  the  Cosmopolitan  Prod. 
Ltd.,  for  breach  of  a  contract  made 
Jan.  13,  1925,  by  which  the  plaintiff 
agreed  to  deliver  to  the  defendant  26 
Cross  Word  Puzzle  Films  for  $3,000 
which  the  defendant  had  the  right  to 
distribute  in  the  British  Isles.  The 
plaintiff  got  a  default  judgment  for 
$1,509  on  the  ground  that  the  defend- 
ant failed  to  pay  acceptances  amount- 
ing to  this  sum. 


Newspaper  Opinions 

"The  Auction  Block" 

M.-G.-M. 

Capitol 

AMERICAN—*  ♦  •  Eleanor  Boardman 
has  a  sweet  graciousness  and  lack  of  camera 
consciousness  that  makes  her  fit  naturally 
into  the  part  of  a  small  town  girl.  Her 
acting  is  simple  but  effective,  as  the  character 
is  not  complicated.   «  *   * 

DAILY  MIRROR—*  •  *  However,  it  is 
airy  film  fare,  with  light,  digestible  roman- 
tic flavoring.  It  brings  Charles  Ray  to  the 
screen  in  a  role  hitherto  foreign  to  him. 
Mr.  Ray  dresses  with  the  consummate  care 
of  the   well-dressed  man.   *   *   • 

DAILY  NEWS—*  *  *  Mr.  Ray  is  a  big 
boy  now  and  his  simpering  manners  are  less 
entrancing  than  he  or  his  director  or  both 
obviously  think  them  to  be.  He  simpers  with 
his  hands,  with  his  feet.  He  simpers  from 
head  to  heel.  *  »  * 

EVENING  JOURNAL—*  •  •  Every- 
thing's nicely  cleared  up,  however,  and  El- 
eanor and  Sally  look  very  pretty.  But 
while  Charlie  is  no  longer  the  barefoot  lad, 
someone  should  tell  him  he's  a  big  boy 
now   and   shouldn't   act   so   bashful.    •   *    ♦ 

EVENING  WORLD—*  *  *  Charles  Ray 
does  not  recover  from  his  gawky  manner- 
isms to  a  degree  that  makes  him  eflfective  as 
a  gay  Pittsburgh  spender.  Sally  O'Neill 
steals  the  piece,  although  it  is  only  petty 
larceny.  Hobart  Henley  directed  and  Fred- 
eric and  Fanny  Hatton  made  the  adaptation. 
I  have  an  idea  that  it  will  do  better  at  the 
box  office  than  it  deserves.  •  *  * 

GRAPHIC— •  •  •  "The  Auction  Block" 
in  book  form,  is  really  a  vivid  and  intrigu- 
ing story  of  theatrical  life  and  the  society 
that  plays  around  it.  This,  the  second  movie 
version  of  the  popular  story,  is  absolutely 
unrecognizable  to  any  one  who  has  read  the 
book.  It  is  silly,  sappy  and  saccharine  to 
the    nth    degree,    •    •    • 

HERALD-TRIBUNE— •  •  •  Grant  the 
photoplay,  if  you  can,  its  unappetizing  char- 
acters, its  wise-cracking  titles  and  its  inability 
to  make  up  its  mind  whether  to  go  in  for 
light  comedy  or  farce,  and  "The  Auction 
Block"  can  be  accepted  as  a  rather  enter- 
taining comedy.   *   *   • 

MORNING  TELEGRAPH— •  •  •  Is  so 
filled  with  deft  and  clever  touches  of  whole- 
some comedy  that  it  keeps  you  interested 
and  amused  all  the  way.  You  don't  laugh 
uproariously  more  than  a  dozen  times,  but 
you're  chuckling  all  the  time  between  them. 
»   •   • 

POST — *  *  •  Charles  Ray  has  stopped  be- 
ing a  shy  country  boy  and  the  change  is 
welcome  though  not  exactly  complete.  He 
still  retains  some  of  his  twisting  motions, 
needing  only  a  straw  in  his  mouth  to  bring 
back   glimpses   of   the   old   barnyard.    •    *    • 

SUN — •*  *  *  As  far  as  I  am  concerned,  it 
belongs  with  "Mike,"  with  "Dance  Madness," 
with  "A  Slave  of  Fashion" — those  money 
making  indiscretions  of  Metro-Goldwyn- 
Mayer.   *   •   *     The  audience  laughed   at   the 

film  and  it  will  probably  make  much  money. 

•   »   * 

TELEGRAM — •  •  •  Is  more  or  less  all 
"city  guy"  so  far  as  the  leading  role  is 
concerned,  but  notwithstanding,  Charles 
Ray's  predilection  for  peeping  out  wistfully 
from  behind  tree  trunks  seems  as  deep  rooted 
as  ever.  The  characterization  has  a  hazy, 
uncertain  quality  about  it  that  fails  to  carry 
conviction.    •   •    • 

TIMES—*  •  •  Although  it  may  reap  an 
occasional  ripple  of  laughter,  "The  Auction 
Block"  •  •  •  is  not  an  effort  betokening 
much  verility.  It  just  about  stands  on  its 
entertainment    legs,    and    that's    all.    •    •    * 

WORLD — •  •  •  To  be  sure,  "The  Auction 
Block,"  as  drama,  is  thin  and  a  little  syrupy. 
It  is  the  performance  of  the  star  which  at- 
tracts. •  *  *  It  is  a  pleasure  to  see  Charles 
Ray  in  a  believable  bit  of  acting.  It  is 
great  actually  to  see  a  man  come  back.  •  •  • 


"Dancing  Mothers" 

Paramount 

Rivoli 

AMERICAN—*  •  *  Develops  into  a  prob 
lem  story,  which  ends  with  the  problem  still 
unsolved.  Famous  Players-Lasky  for  once 
has  forgotten  the  tradition  of  the  happy  end- 
ing. The  final  scene  is  hopeful,  but  hardly 
cheerful.    *   *   • 

DAILY  MIRROR—*  *  *  A  pathetic 
flicker.  It  can't  make  up  its  mind  what  to 
do  and  flounders  in  a'  hackneyed  plot  swamp. 
Director  Brenon  has  personalized  his  char- 
acters with  unspeakable  crudeness  and  even 
coarseness.  There  is  much  night  life  and 
necking  and  cocktails  and  cigarette  smoking. 


THE 


12 


-^^ 


DAILV 


Sunday,  Febru 


DAILY  NEWS—"  •  •  A  picture  we  re- 
commend for  your  diversion  is  "Dancing 
Mothers,"  a'  film  version  of  the  successful 
play.  Here  a  woman  tires  of  being  left 
alone  every  night  by  her  cabaret-haunting 
husband  and  daughter  and  sets  out  to  amuse 
herself  and,  at  the  same  time,  to  sa've  her 
daughter's  reputation.  •  •  • 

EVENING  JOURNAL—*  *  *  The  picture 
drags,  has  too  many  titles  and  not  enough 
humor.     Conway  (Tearle)   is  well  cast.   »  •  * 

EVENING  WORLD—*  *  *  Conway 
Tearle's  vogue  as  »  heartbreaker  of  the  films 
has  been  somewhat  of  a  mystery  to  me,  a'nd 
"Dancing  Mothers"  does  not  explain  it.  Clara 
Bow  takes  the  honors  with  the  rest  of  the 
cast  performing  creditably.   *   *   * 

HERALD-TRIBUNE—*  •  *  Considering 
the  vast  age  and  constant  usage  of  its  theme 
as  the  subject  of  motion  pictures,  Herbert 
Brenon  has  done  rather  well  with  his  pro- 
duction   of    "Dancing    Mothers."    *    *    * 

MORNING  TELEGRAPH—*  *  *  be- 
comes keenly  interesting  at  the  first  meet- 
■  ing  of  Conway  Tearle  and  Alice  Joyce  and 
from  that  point  it  holds  attention  with  in- 
creasing strength  until  one  of  the  most  satis- 
factory, because  the  most  sane,  endings  is 
achieved.   *   *   • 

POST—*  *  *  The  direction  of  Herbert 
Brenon  is  not  distinguished — in  fact  the 
treatment  is  heavy-handed  more  than  once. 
The  so-called  "daring"  ending  is  retained  in 
the  screen  version.   *   ♦   * 

TELEGRAM—*  *  *  The  photography, 
particularly  in  the  initial  cabaret  scenes,  is 
exceptionally  good.  But  its  lack  of  proper 
motivation  has  weakened  what  might  other- 
wise have  materialized  into  an  interesting 
photoplay.  *  *  * 

WORLD—*  *  *  Mr.  Brenon  contemplates 
the  conventional  subject  and  proceeds  to 
treat  it  with  all  the  conventionalism  at  his 
command.  "Dancing  Mothers"  plays  upon 
that  old  subject  of  the  younger  generation 
in  conflict  with  its  mother.  At  the  Rivoli 
it  is  done  up   brown.   *   *   * 

TIMES—*  *  *  Actually  "Dancing  Moth- 
ers," while  not  essentially  new,  is  a  good 
story,  but  in  this  screen  edition  it  is  told 
in  a  humdrum  fashion,  with  the  consequence 
that  one  is  not  perturbed  about  what  hap- 
pens. Mr.  Tearle  resorts  to  lifting  his  right 
eyebrow;  Miss  Joyce  looks  attractive  but 
placid.   *  •  • 


"Mare   Nostrum" 

Metro-Goldwyn 

Criterion 

AMERICAN—*  *  *  Ingram  has  dared  an 
unusual  ending,  one  that  it  would  take  a 
director  of  his  understanding  and  sincerity 
to  film.  He  has  avoided  fantasy.  But  into 
the  drama  he  has  brought  poetry  and  legend. 
The  underwater  scenes  are  nearly  as  thrill- 
ing in  their  loveliness  as  the  spectacle  of 
the  great  ships  destroyed  at  sea.   *   *   • 

DAILY  MIRROR—*  *  *  It  fails  to  stir 
sympathy  for  its  characters.  It  stultifies  with 
its  vicious  honesty,  yet  leaves  you  cold.  It 
spills  gallons  of  blood  in  wholesale  killings. 
It  unfolds  against  the  heavy  background  of 
century-old  European  civilization.  Heavy, 
very  heavy,  and  sluggish  with  human  frail- 
ties.   •   *   * 

DAILY  NEWS—*  *  *  Rex  Ingram  has 
made  a  daring  picture  with  a  wealth  of 
scenid  background.  He  traveled  to  many 
countries  to  furnish  authenticity  to  the  lo- 
cales prescribed  by  the  author  of  the  story, 
Senor   Blasco   Ibanez.   •   *   ♦ 

EVENING  JOURNAL—*  •  •  With  Alice 
Terry  as  the  blonde  heroine  and  Antonio 
Moreno    as    Ulysses,    a    Spanish    sailor. 

His  adventures  from  Barcelona'  to  Mar- 
seilles, makes  this  a  cinematic  Odyssey  with 
a  modern  Ulysses  placed  beteween  the  sea, 
and  the  Charybdis  of  the  German  spy  sys- 
tem.  *   *   * 

EVENING  WORLD— ^Whatever  else  it 
may  be,  "Mare  Nostrum,"  as  filmed  by  Rex 
Ingram,  is  one  of  the  rare  things  in  film- 
dom,  a  tragedy  carried  to  its  logical  con- 
clusion and  with  no  attempt  to  add  a  "happy 
ending."  ♦  *  *  The  whole  production  was 
sinecerely  and  ably  directed.  The  surge  of 
the  sea  runs  through  it  all,  and  the  tragic 
mood   grows   steadily   to   an   efiective   climax. 

It   is   an    effort   not    to   be   lightly   dismissed. 

•    *    * 

GRAPHIC—*  •  *  Each  individual  scene  is 
beautiful  as  to  composition  and  lighting, 
and  indicates  that  Rex  did  a  lot  of  studying 
of  locations  before  he  brought  his  cameras 
into  play,  and  the  result  is  a  marvelous 
travelogue  of  southern   Europe. 

Beyond  this  and  the  very  fine  acting  of 
Michael  Brantford,  a  youthful  "discovery" 
of  Mr.  Ingram's,  the  picture  has  little  to 
recommend  it.   *  *   * 


HERALD-TRIBUNE—*  *  *  Been  pro- 
duced upon  the  actual  scenes  of  its  story, 
amid  the  beauty  of  the  ancient  Latin  civiliza- 
tion about  the  Mediterranean.  But  this  does 
not  account  in  full  measure  for  the  pictorial 
loveliness  of  the  photoplay.  Each  scene  has 
been  photographed  with  a  keen  eye  for  beauty 
of  composition  and  design,  so  that  the  drama 
achieves  at  times  the  eflfect  of  painting  rather 
than  photography.    *   •   • 

POST — *  *  *  Mr.  Ingram's  first  care, 
apparently,  was  for  beauty  of  scene,  and  his 
efforts  are  abundantly  rewarded.  "Mare  Nos- 
trum" is  photographically  beautiful,  scenic- 
ally  authentic — it  was  made  abroad — and  ob- 
viously a  sincere  effort  to  do  something  dif- 
ferent in  the  cinema.  *  *  *  Is  well  worth 
seeing,  but  its  first  half  is  unbelievably  slow 
in  development  and  the  picture  as  a  whole, 
considering  Mr.  Ingram's  past  performances, 
is  a   disappointment.    •   *   • 

SUN — *  *  *  Mr.  Ingram  has  not  achieved 
any  great  triumph  in  dramatic  of  melodra- 
matic suspense  with  "Mare  Nostrum." 
Rather  does  its  symbolic  tale  of  "dat  ole 
devil"  sea  unwind  in  a  sort  of  mild  E.  Phil- 
lips Oppenheim  haze.  Its  pace  and  drama 
are  considerably  lessened  by  what  seemed 
to  the  writer  to  be  the  most  inadequate  jig 
sawing   continuity.    •   *    * 

TELEGRAM — *  *  *  Artistically  the  pic- 
ture is  a  distinct  achievement,  but  much 
of  the  dramatic  value  of  Ibanez's  novel  has 
been  lost  in  the  screen  translation.  Many 
good  pictures  are  slow,  but  it  does  not  neces- 
sarily follow  as  the  fire  the  smoke  that  all 
slow  pictures  are  good.  Situations  that 
might  have  lent  themselves  to  tensely  com- 
pelling effect  have  been  dragged  out  and 
dramatically  dulled  in  the  interest  of  artistic 
insistence.    •    •    • 

TIMES—*  *  •  Aside  from  the  effective 
photography  in  Spain,  Italy  and  France  and 
the  dramatic  sequences  concerned  with  the 
submarine's  deadly  work  and  the  shooting  of 
a  woman  spy,  this  production  does  not  do 
justice  to  the  talent  of  the  man  who  made 
"The  Four  Horsemen  of  the  Apocalypse" 
and  Scaramouche."   •  ♦  • 

WORLD — *  *  *  It  rates  pretty  good 
largely  for  the  reason  that  even  though  lack- 
ing in  dramatic  form  this  semi-fantastic  story 
of  the  Mediterranean  lends  itself  to  indi- 
vidual pictvu-es  of  great  charm.  These  pic- 
tures, these  exquisitely  photographed  scenes 
of  the  beauties  of  the  sea,  at  its  most  pic- 
turesque and  at  its  most  furious,  have  been 
moulded  into  enchanting,  at  times  thrilling, 
episodes  of  humaTi  existence  over  and  be- 
neath its  booming  billows.   •  •   * 


"Partners  Again" 

United   Artists 

Strand 

AMERICAN—*  *  *  There's  not  a  title 
that  doesn't  get  a  laugh.  "Partners  Again — 
with  Potash  and  Perlmutter,"  is  a  merry 
tale  and  something  more.  It  is  an  unusual 
characterization.  The  picture  has  been  well 
cast  and  directed  as  Mr.  King's  other  pic- 
tures.   •    *    • 

DAILY  MIRROR—*  •  "  It  gets  off  un- 
der full  steam  to  a  hilarious  start.  Then 
Director  King  trips  in  a  maze  of  detail 
that  allows  the  action  and  the  fun.  If 
much  of  this  were  cut,  the  comedy  would 
almost  measure  up  to  previous  Potash  and 
Perlmutter   hits.    •    *    • 

DAILY  NEWS—*  *  *  It  is  a  hilarious 
lot  of  foolishness,  with  George  Sidney  and 
Alexander  Carr  fitting  perfectly  into  the  roles 
of    Potash    and    Perlmutter.    •    •    • 

EVENING  JOURNAL—*  *  *  The  story 
is  a  riot,  and  Montague  Glass's  sub-titles  are 
worth  the  price  of  admission  in  themselves. 
The  fifty-fifty  partners,  played  by  George 
Sidney  and  Alexander  Carr,  try  to  sell  the 
Schenckman  Six — "everything  makes  a  noise 
but    the    horn."    •    •    • 

EVENING  WORLD—*  *  *  Henry  King's 
comedy  situations  were  ingeniously  developed, 
but  he  trifled  too  long  with  Abe  rolling 
around  on  the  upper  wing  of  an  airplane. 
Those  who  had  enjoyed  previous  editions  of 
the    Potash    and    Perlmutter    adventures    will 

not    be    disappointed    in    the    current   offering. 

*    •    • 

GRAPHIC— •  •  *  Henry  King  directed 
the  production,  and  did  a  very  good  job  of 
it  indeed.  While  this  picture  isn't  as  funny 
as  its  predecessor,  "Potash  and  Perlmutter 
in     Hollywood,'"    it    is     too    good    to    miss. 

HERALD-TRIBUNE—*  •  •  The  direc- 
tion is  by  Henry  King,  who  turned  from 
the  tearful  orgy  of  "Stella  Dallas"  to  try 
his  hand  at  slapstick.  The  trouble  with  his 
photoplay  seems  to  be  that  he  has  relied  too 
heavily  for  humor  on  his  subtitles.  Most 
of  them  are  effective  in  their  way — as  wit- 
ness the  laughter  of  yesterday's  Strand  amdl- 


ence — but  a  screen  comedy  leaning  too  much 
on  captions  for  its  humor  is  bound  to  be 
short  of  satisfying.  ♦  •  • 

MORNING  TELEGRAPH—*  *  *  Is 
good-natured  fun,  rambling  along  from  one 
unimportantly  humorous  situation  to  another 
without  much  thought  of  the  laws  of  logic, 
encroaching  on  the  preserves  of  the  comic 
strips  for  a  few  hundred  feet  and  then  meand- 
ering into  the  realm  of  sentiment  for  a  ro- 
mantic high-light.   *  •   • 

POST—*  *  *  Strictly  speaking,  the  piece 
is  a  long  series  of  sub-titles  illustrated  by 
moving  pictures.  The  director,  Henry  King, 
appears  to  have  relied  to  a  great  degree  os 
these    titles    for    his    himior.    •    •    • 

SUN—*  *  *  Amusing  for  half  of  its 
slapstick  length,  silly  for  the  other  and 
lesser  half.  *  *  •  Mr.  (Henry)  King  gambles 
for  your  laughs  and  guffaws.  Several  times 
he  wins  them.   *  *   • 

TELEGRAM^*  *  *  Potash  and  Perl- 
mutter are  good  food  for  children,  grownups 
who  take  their  comedy  straight,  and  simple 
suburban  folks  who  do  not  wish  to  exercise 
their  gray  matter  before  the  screen.  It  is  a 
film    for    the    eyes   alone. 

TIMES — *  *  *  This  production  is  not  as 
witty  as  its  predecessors,  but,  as  Samuel 
Goldwyn  believes  in  hearing  when  it  comes 
to  comedy,  one  might  say  that  there  were 
frequent  bits  of  horseplay  that  did  arouse 
unexpected   mirth   yesterday   afternoon.    •   •    • 

WORLD—*  *  *  It  its  first  two  reels, 
"Partners  Again"  is  as  uproarious  as  any 
comedy  burlesque  film  which  I  have  seen 
in  a  year.  Heterogeneous  it  is,  and  a  most 
amazing  study  in  good  and  bad.  Like  the 
hundred-yard  dash  man  who  tries  for  t 
mile,  "Partners  Again,"  brilliant  at  the  gun, 
wilts  down  by  the  roadside  of  utter  ex- 
haustion.  *    *    ♦ 


"Three  Faces  East" 

Prod.  Dist.  Corp. 

Rialto 

AMERICAN—*  *  *  Jetta  Goudal  has  a 
diflficult  part  to  struggle  with.  She  is  the 
graceful  and  crafty  spy  pledged  to  the 
service  of  the  Kaiser  and  King  George. 
Even  in  so  distinctly  unsympathetic  a  role, 
she    keeps    the    audience    with    her.    »    •    • 

DAILY  MIRROR—*  *  *  Jetta  Goudal 
has  the  dual  feminine  role.  She  struts  and 
slinks  in  amazing  gowns.  She  widens  and 
narrows  her  optics.  She  crinkles  up  her  face 
in  what  may  be  meant  a  good  fellowship 
smile,  though  it  conveys  a  totally  different 
expression.    *    •    • 

DAILY  NEWS—*  *  •  The  picture  is  a 
faithful  adaptation  of  the  play  by  Anthon) 
Paul  Kelly.  It  is  ably  directed  by  Rupert 
Julian,  who  himself  appears  briefly  on  the 
screen  in  the  role  of  the  kaiser.  *  •  • 

EVENING  JOURNAL—;  *  *  In  "Three 
Faces  East,"  Jetta  Goudal  is  the  heroine,  a 
lady  spy  working  two  countries  at  the  same 
time  in  a  manner  so  complicated  that  I  won't 
explain  and  spoil  perfectly  good  entertain- 
ment.  *   *   * 

EVENING  WORLD— *  •  •  Most  enter- 
taining if  you  happen  to  be  one  who  enjoys 
mystery  melodrama  with  the  mystery  well 
sustained.    ♦    •    • 

HERALD-TRIBUNE—*  *  *  Towards  tht 
end  of  this  cinema  melodrama  there  is  an 
increase  in  speed,  so  that  a  number  of  reason- 
ably exciting  moments  are  provided,  but 
on  the  whole  the  film  is  but  moderately  in- 
teresting— particularly  to  those  who  have  seen 
the  play  and  so  hold  the  key  to  the  plot's 
solution.    •    •    • 

MIORNING  TELEGRAPH— •  *  "  Is  gor- 
geously entertaining.  It  is  a  smashing  melo- 
drama of  the  secret  service  during  the  war, 
with  more  heart  interest,  suspense  and  thrills 
than   are   usually   found  in   ten  pictures  of  the 


same  sort.  Intelligent  enou 
critical.    *   *    * 

POST—*  *  *  In  spite  o 
sistencies,  which  cannot  be  j 
tail  just  now  without  giving 
ling  finale,  "Three  Faces  Ea 
and  very  much  like  sittin 
dead  of  night  to  a  smash-ba 
with     a     shutter     flapping    i 

TELEGRAM—*  *  *  It  , 
the  producers,  in  the  deten 
the  picture  steeped  in  m; 
bitter  end,  have  just  overs 
of  public  credibility.  Ever; 
situation  they  have  charge 
wealth  of  subtle  or  symbolic 
the  general  effect  is  to  mu' 
to  mystify   the   audience.    *  • 

WORLD—*  *  *  As  mj 
"Three  Faces  East"  is  not  i 


Two  Fires  in  Cle, 

Cleveland — Two  fires  i 
son,  one  of  the  chain  I 
the  Scovill,  Essick  &  i 
caused  $1,750  damage.  ] 
curred  in  the  projectior 
of  a  print  of  "The  Mi' 
was  destroyed, 

A  fire  on  the  fourth 
Standard  Theater  Bldg 
Standard  theater  to  b 
smoke  and  water,  cai 
thousand  dollars  dam 
Wollcott  is  the  owner. 


Sentenced   to    Federal 
Chicago — Frederick   l  ] 
and  his  son,  Frederick  < 
been  sentenced  to  severt 
in  the  Federal  penitentii 
part  in  the  fraudulent  < 
the  Consolidated  Realty  > 
Corp.     Five  others  foun 
be  sentenced   March  8.  i'j 
6,000  investors  lost  close 
in  the  venture. 


Viola   Dana,  in  "Crashir 
Hollywood — Viola   Da  1 
selected  by  Universal  to 
Kenneth    Harlan   in   "Cr 
bers"  with   Henry   B.  V  I 
supporting  role.     James 
directing. 


*TUBL1C  SER  I 

Adventure  speake 
Far  places,  or  filn 


Bureau  of  Commercial  Ei 

n08-16thSt.  N.W.  Walk 


Schools,  Churches  and  Clt 

using  Motion  Pictures  Should  Subscribe  (o 

THE  EDUCATIONAL  SCRE 

and  keep  up-to-date  with  the 
new  films  and  new  equipment 

"1001  FILMS*' 

booklet,  listing  nearly  3000  educational  films 
given  free  with  each  subscription 

$1.50  per  year  -  5  South  Wahash  Ave.,  Chicago, 


t 


=\~ 


U: 


lu- 


You  can  check  up 

There  is  no  question  about  the  popular 
demand  for  photographic  quality  on  the  screen. 
Your  patrons  expect  it. 

Eastman  Positive  is  the  film  that  carries 
the  quality  of  the  negative  through  to  the 
screen. 

And  you  can  check  up — the  black-lettered 
identification  "Eastman"  <^Kodak*'  is  in  the 
transparent  margin.      Look  for  it. 


EASTMAN  KODAK  COMPANY 

ROCHESTER,  N.   Y. 


m,ii>»»i.  mni'nn' 


^jc  world's  (jimtcst^hion^how 


''Ain't  that  the  truth! 
A  big  picture  always 
has  lots  of  imitators, 
BUT  --..-/'' 


From  the  famous  musical  comedy  by  James  Montgomery,  author;  Harry  Tierney  and  Joseph 
McCarthy,  composers.    With  LLOYD  HUGHES,  George  K.   Arthur  and  Charles  Murray. 


\ 


:4e  brAdstreet 

>/*  FILMDOM 


/ 


:9^^re(ocmize0 
Authority 


L.  XXXV     No.  44 


Tuesday,  February  23,   1926 


Price  5  Cents 


Wnes  on  Headlines 

By  "RED"  KANN 

ox  finishes  "Too  Many  Relations" 
Film  Row  asks  when  the  shake- 
took  place. 

*         *         * 

Take    a    Chance"    stars    Richard 
and  M.-G.-M.   signs   Mae   Mur- 


Ray  Griffith  stars  in  "Get  Off 
le  Earth"  and  Publix  acquires 
aore   and    more    and    more    the- 

ters. 

*        *        * 

f.  P.  T.  0.  A.  collects  $3,000  in 
dbitor  dues  and  Joe  Seider  suffers 
lervous  breakdown. 


Valdeii  (N.  Y.)  theater  catches  fire 
1  patrons  march  out  to  tune  of 
here's  A  Hot  Time  in  the  Old 
wn  Tc'Tght." 


kfr.  Loew's  fourth  long-run,  "La 
■  heme,"  opens  at  the  Embassy  to- 
rrow  and  suspicion  grows  Broad- 
y   should    be    changed    to    Metro- 

y- 

*  *         * 

Vital   writes   $650,000   in   busi- 
■  aess   in  seven  weeks,   says  yarn 
and  W.  C.   Fields  stars  in  "So's 
Your  Old   Man." 

*  *        * 

Mary  and  Doug  sport  in  Califor- 
X  sunshine  and  Morning  Telegraph 
nounces  their  safe  arrival  in 
yme. 

*  *        * 

Hal  Roach,  flopping  from  horse, 
:nts  his  Collar  bone  and  the  Prince 
turns   to   the   saddle. 

*  •     *         * 

Los  Angeles  bans  "Desire  Under 
le  Elms"  and  Eugene  O'Neill  ob- 
;rves:  "Isn't  that  where  the  mov- 
ig  picture  people  are?" 

*  ♦         * 

De  Mille  finishes  "The  Volga 
Boatmen"  and  one  exhibitor 
says  nothing  rough  can  play  his 
theaters. 

*  *         * 

Bill  Fox  donates  $250,000  to  char- 
ty  and  his  theater  stock  slides 
ilently    downward. 

*  *         * 

Richard  Rowland  signs  Barthel- 
ness  and  another  Dick  joins  the 
First   National   family. 


Scene  from  Pauline  Frederick's  greatest  picture,  "The  Nest."  Produced  by 
Excellent  Pictures  Corporation  trom  the  Wuliam  A.  brady  siage  success. 
Personally  durected  by  Will   Nigh. — Advt. 


A  dmissions 


By  DANNY 


How's    this    box    office    title?      Nell    Gwyn — 
Paramount — Advt. 


What  is  the  average  admission  price  for  motion  picture  en 
tertainment  throughout  the  country? 

This  is  always  an  interesting  question.  But  it  is  particularly 
apropos  when  the  type  of  "entertainment"  now  being  offered  by 
some  of  the  larger  theaters  is  taken  into  consideration.  And', 
when  it  is  realized  that  to  meet  this  competition,  exhibitors  will 
either  put  on  bills  of  corresponding  interest  or  take  the  chance  of 
missing  out  with  the  fans.  If  they  put  on  these  larger  bills  will 
they  be  a,t>le  to  increase  admission  prices?  If  they  do  not  increase 
admissions,  how  can  they  afford  to  put  on  the  new  type  of  "enter- 
tainment"? 

So  information  regarding  admission  prices  was  sought.  From 
all  parts  of  the  country.  Here  are  some  of  the  replies  (all  from 
authoritative  sources)  : 

New  Haven,  Conn.:  Adults,  30  cents;  children,  15. 

Cleveland  :  adults  25  cents. 

Atlanta,  Ga. :  Average  admission,  15  to  25  cents. 

Portland,  Ore. :  First  run,  average,  50  cents ;  subsequent  runs, 
25  cents.     Nearby  territory,  about  30  cents. 

Butte,  Mont.:  Average,  30  cents;  children,  10  cents.  Key 
cities  charge  up  to  40  cents  for  Saturday,  Sunday  and  holidays. 

Cincinnati:  Average,  25  cents. 

(.Centinutd  on  Page  2) 


Record  Year  for  "U" 

1925     Earnings     Sufficient     to     Meet 
Dividends    Eight    Times — Profits 

$1,925,506 
Report  of  Universal  Pictures  Co., 
Inc.,  for  the  year  ended  Nov.  7,  1925, 
shows  the  year  to  have  been  the  best 
in  the  company's  history,  net  earn- 
ings available  for  dividends  amount- 
ing to  $1,925,506.  This  is  equivalent 
to  more  than  eight  times  annual  divi- 
dend requirements  on  the  first  pre- 
ferred outstanding,  and  after  allowing 
for  annual  dividends  on  the  first  and 
second  preferred  stocks  is  equivalent 
to  $6.18  per  share  on  the  common 
stock  compared  with  $5.62  per  share 
in    1924 

(Continued  on  Page  3) 


Lesser  to  Sell 

Final  papers  whereby  the  Hoyt 
Syndicate  will  take  over  the  Sol  Les- 
ser interest  in  the  West  Coast  The- 
aters, Inc.  are  expected  to  be  signed 
in    a    few    days. 


Upset  Over  Patents 

Industry  Seeks  Exemption  from  Bill 

Protecting    Patented    Designs   to 

Avoid  Production  Difficulties 

Washington — A  request  that  the 
pending  patent  design  registration 
bill  be  amended  so  as  not  to  bring 
the  industry  within  the  scope  of  its 
operations,  has  been  presented  to  the 
House  Committee  on  Patents  by  Ar- 
thur W.  Weil  on  behalf  of  the  M.  P. 
Prod,  and  Dist.  of  America,  Inc.  Weil 
was  accompanied  by  Louis  E.  Swartz, 
of  that  association. 

This  bill  is  intended  to  provide  a 
simple  and  effective,  as  well  as  cheap 

(Continued  on  Page  2) 


Censoring  at  Source 

Philadelphia  —  Harry  L.  Knapp, 
chairman  of  the  Pennsylvania  Board, 
has  just  returned  from  a  visit  to  Los 
Angeles  where,  in  conference  with 
Joseph  M.  Schenck  and  others,  he 
suggested  that  all  scripts  and  scenar- 
ios be  submitted  prior  to  being 
placed  in  a  director's  hands  to  an  in- 
(Contitiued  on  Page  3) 


Loew  to  Build  in  Syracuse 
Syracuse,  N.  Y. — The  JeflFerson 
Hotel  Bldg.  has  been  sold  to  Mar- 
cus Loew  for  $1,600,000.  The  hotet 
will  be  demolished  and  a  ten-story 
theater  building   erected   on    the   site. 


B.   and   K.    in   Mexico? 

The  Times  reports  the;  visit  of 
Herbert  L.  Stern,  president  of  B. 
and  K.  to  Mexico  City  for  the  pur- 
pose of  extending  his  company's  in- 
terests  in   that   field. 


THE 


•^t!k 


DAILY 


Tuesday,  February  23,  19 


r 


VsL  XXXV  No.  44;tTuesilay,  Feb.  23, 1926  .(Price  5  Cents 


Copyright  1926,  Wid's  Films  and  Film  Follcs, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway.  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  POLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Rklph  Wilk,  Traveling  Representative.  En- 
tereid  as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
^ould  remit  with  order.  Address  all  com- 
<*unicatioiis  to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
■»736-4737-4738-4739.  Cable  address  :  Filmday, 
R«w  York.  Hollywood,  California — Harvey 
K  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
Ttr^  Film  Renter,  58,  Great  Marlborough  St., 
X,oadon,  \V.  I.,  Paris — La  Cinematographic 
Vrancaise.    5,   Rue   Saulnier. 


Quotations 


High    Lov7    Close 
(Theee    quotations    are    as    of    Saturday, 
market    being    closed    Monday.) 

•Balaban    &    Katz 68 

Eastman     Kodak      ..11154    HOH  \\\Vi 

Famous    Players     ..    117^   117^  117J4 

•Fara.    Play.    Pfd 120 

Film    Inspection    ...      5  5  5 

First    National     10554    105^^  105}4 

Fox    Film    "A"    68J4      67         6? 

Fox    Theaters    "A"      26         25         2j'4 
Intern'l    Projector    ..11  11  11 

Loew's,     Inc 38^      38J4     38J4 

•Metro-Gold.     Pfd 23^ 

I.I.    P,    Can.    Corp.    .  .    21  20J4      20J4 

Patl.c   E.x.-h.   "A"    ..    72         71>4     71H 

'Skouias     Brothers        47 

"Stan.    Co.   of  Am. 39 

•Trane-Lt^x      1 154. 

•Universal  Pictures      39 

•Univ.      Pict.     Pfd.        93 

Warner    Brothers    ..16  16         16 

•Warner    Pictures 11}4 

•  Last    price    quoted. 


Sales 
the 


1,400 
1,200 

200 
100 
2,400 
3,600 
400 
300 

400 

500 


100 


♦#♦♦•♦♦♦♦♦*♦♦♦•♦♦♦♦♦♦♦♦•♦#♦♦•♦♦•♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦• 

I  Ward  Cine  Laboratory,  Inc.  | 

216-222   Weehawken   St.         ij. 
Union  City,  N.  J.  H 


I?    Telephone  Union   4800  ^ 

«5  G.  BERT  WARD,  Pres.    K 


Admissions 


(Continued  from  Page   1) 

Salt  Lake  City:  Adults,  25  to  35  cents;  children,   10  to   15 
cents. 

Detroit :  Average,  30  cents. 

When  you  consider  these  figures  you  discover  that  some- 
where about  30  oents  is  the  average  price  of  admission — ex- 
cepting in  the  very  large  cities  in  the  big  first  run  houses.  This 
should  offer  food  for  thought — in  several  directions. 


Upset  Over  Patents 

(.Continued  from  Page  1) 
means  of  providingi  protection  for 
designs  used  for  ornamental  effect  in 
various  industries.  It  was  introduced 
in  the  House  by  Representative  Al- 
bert H.  Vestal,  of  Indiana,  chairman 
of  the  Patents  Committee,  and  has 
received    much    support. 

Weil  told  the  committee  he  did  not 
wish  either  to  oppose  or  criticize  the 
bill,  but  to  urge  upon  the  members 
to  make  it  perfectly  plain  that  there  is 
nothing  in  the  bill  which  is  to  be  held 
to  affect  motion  pictures  or  deemed 
to  imply  that  the  photographing  of 
designs  is  an  infringement  of  their 
copyright.  

A  great  deal  of  embarrassment 
might  be  caused  the  industry,  Weil 
contended,  if  afifected  by  the  pro- 
posed law.  The  producer  would  find 
it  an  extremely  hard  matter  to  tell 
when  he  stood  in  violation  of  its  pro- 
visions through  taking  scenes  where 
patented  designs  might  exist.  He  in- 
timated that  it  was  all  very  well  to 
discuss  the  matter  at  the  hearings 
and  for  the  proponents  of  the  bill  to 
give  assurance  that  nothing  therein 
could  be  taken  to  mean  that  the  pro- 
ducers in  filming  a  picture  stood  in 
violation  of  the  proposed  law,  when 
should  a  case  be  brought  to  court  it 
would  be  for  a  judge  and  jury  to  de- 
cide the  question. 

Difficulties  might  easily  arise  in 
filming  a  building  already  existing 
wherein  there  were  wallpaper  or  rug, 
or  tapestry  designs  that  had  been 
copyrighted,  but  the  matter  might 
be  aggravated  where  the  director  pro- 
ceeds to  set  up  a  replica  on  location  or 
in  the  studios.  Further,  in  a  mob 
scene  it  is  not  without  the  realms 
of  possibility  that  the  gowns  worn 
by  some  of  the  female  participants 
bore  registered  designs,  but  there 
would  be  no  way  for  the  director  to 
determine  the  fact   in  advance. 

Weil  suggested  the  adoption  of  a 
proviso  "that)  nothing  in  thiife  act 
contained  shall  be  deemed  to  apply  to 
any  reproduction,  copy,  use,  sale  or 
public  distribution  of  any  design 
copyrighted  under  this  act  in  any  mo- 
tion picture  or  in  any  advertising 
matter  of  any  kind  and  in  whatever 
form  used  in  connection  with  the 
distribution,  or  sale,  use  or  other  dis- 


»•♦•*♦♦•»♦•»♦■♦♦■♦♦*♦♦•«♦•♦♦•♦♦■♦♦•»♦>»•♦♦•»♦"♦»•«♦•♦♦>«*♦♦  ♦♦V»>»V»lj 


^BpiA(uA»fii^ 


Faithfully  Portray  Full  Ne^atlveUes 


Coal   Strike   Made   Pinch  Severe 

Philadelphia — Local  exchanges  and 
theaters  throughout  the  mining  sec- 
tions felt  the  worst  pinch  in  many 
years  during  the  recent  coal  strike. 
The  Comerfords  were  forced  to  close 
28  of  their  houses  on  all  or  part  time. 
Rentals  were  cut  to  make  the  burden 
for  exhibitors  easier.  Where  con 
tracts  were  violated,  exchangemen  re 
fused  to  take  action.  In  most  mining 
towns  theaters  were  closed. 


Texans   to   Run   Morning  Telegraph 

E.  S.  Fentress,  president  and 
Charles  E.  Marsh,  editor-in-chief  of 
the  Fentress-Marsh  newspapers  in 
Texas,  have  arranged  with  E.  R. 
Thomas,  editor  and  publisher  of  the 
Morning  Telegraph,  to  manage  that 
publication.  Thomas  will  remain  in 
financial  control. 


Lya   de  Putti  Arrives 

Lya  de  Putti.  formerly  under  con- 
tract to  Ufa  and  about  to  star  for 
Famous  Players,  arrived  yesterday 
from  Berlin  on  the   Minnewaska. 


Nine    "U"    Films    in    Cutting    Room 

Hollywood  —  Universal  has  nine 
pictures  in  the  cutting  room,  includ- 
ing five  Jewels,  two  comedies  and 
two  Westerns.  They  are  "Rolling 
Home,"  "The  Mystery  Club,"  "Perch 
of  the  Devil,"  "The  Runaway  Ex- 
press," "Poker  Faces,"  and  a  Charles 
Puffy  and  a  "Sweet  Sixteen"  com- 
edy. The  Westerns  are  "Lazy  Light- 
ning"  and    "Prowlers   of   the    Night." 


New  Ruling  in  Effect 

Columbus,  O. — Both  the  Cinci^a 
and  Cleveland  Boards  of  Arbitr 
are  abiding  by  the  resolution  rec 
passed  by  the  M.  P.  T.  O.,  st 
that  exhibitor  members  would 
sit  in  cases  where  non-membei 
the  M.  P.  T.  O.  were  being  tried. 
ruling  has  resulted  in  a  materia' 
crease  in  membership  in  the  exhi 
organization. 


%{      0 


H/kl  ROACH- 


position   or    motion    pictures." 

Chairman  Vestal  indicated  that 
serious  consideration  would  be  given 
to  this  suggestion.  Representative 
Fritz  Lanham,  of  Texas,  expressed 
the  belief  that  it  would  not  be  possible 
to  affect  the  unauthorized  use  of  de- 
signs in  the  way  suggested  by  Weil. 
Representative  Sol  Bloom,  of  New 
York,  showed  great  interest  in  the 
matter  and  questioned  the  various 
witnesses  at  considerable  length  with 
a  view  to  bringing  out  the  actual  ef- 
fect of  all  of  the  provisions. 


IF  YOU  ARE  IN  THE 
MARKET  FOR  ANY  KIND  OF 

MOTION  PICTURE 
APPARATUS 

CONSULT  US-AND  SAVE  MONEY 
SEND  FOR  OUR  PRICE  LIST 


Chas.   G.  Willoughby,  Inc. 

Motion  Picture  Department 

110  West  32nd  St..  New  York 

Phone    Penn.    6564 


CHARlEVCHASt 

'Mama  Beh9\>e" 


This  is  a  'Cornerblock'  cut  fumisid 
FREE  for  all  Pathecomedies  at  y\a 
exchange. 


LOBBY  FRAMES 

or  THE  BETTtR  KIND 
LIBMAN-SPANJER    CORP 

ISOO  Broadway  New  York  Citjl  ? 

Tcl-CHi.-kering  5550  Show  Roon.f 


Negative  Developing 
and  Printing  \ 

Complete  Title  Service 
S ALAND  FILM  LABORATORIES,  Inc. 

Phone  Bryant  7577     729-7th  Ave,   N.  Y. 


BRVANT     37-40  -374  4 

Reuben  S.AjMUEr,s,lT«-< 


1540  broadway 
NewYork 

Insurance    Experts  to   the   Theatric|^ 
And   Motion    Picture    Industry 


3Ui 

lia 
«« 
fill 


f 


THE 


Tuesday,  February  23,  1926 


•I 


Final  Prizes  Awarded 

"Laugh  Month"  Contest  Ends— Third 

and  Fourth  Week  Winners  Are 
Named 

At  a  meeting  held  yesterday,  the 
Short  Features  Advertising  Ass'n  an- 
nounced the  distribution  of  $390  in 
prizes,  thus  terminating  the  competi- 
tive contest  which  ran  all  month  of 
January,  "Laugh  Month." 
'    The  third  week  winners  are: 

1 — David  Schafer,  exploitation 
manager  of  the  Haring  and  Blumen- 
thal  Enterprises,  operating  in  Jersey 
City.     Prize.  $100. 

2 — F.  V.  Kennebeck,  exploitation 
manager  of  the  North  Star,  Omaha. 
He  also  won  second  prizes  the  first 
and  second  weeks.     Prize  $50. 

3 — Roy  Tillson,  manager  of  the 
'  uller,    Kalamazoo,    Mich.      He    also 

on  the  first  prize  during  the  first 
week  of  the  contest.     Prize  $25. 

4 — Miss  Verne  Ross,  of  the  Ross, 
Toledo,  Ore.     Prize  $12.50. 

The  fourth  week  winners: 

1 — Walter  Fenney,  of  the  Beldorf, 
Independence,  Kans. 

2 — Sam  Carlton  of  the  Strand, 
Frankfort,  Ind.  He  was  a  previous 
winner,  too. 

3 — Bud  Silverman,  of  the  Gould, 
Pittsburgh. 

4 — Philip  Rand  of  the  Rex,  Salmon, 
Ore. 

5 — M.  L.  Markowitz  of  the  Pom- 
peii, San  Francisco.     Prize  $10. 

6— R.  Guy  Bays  of  the  Globe, 
Buena  Vista,  Cal.     Prize  $5. 


i^^ 


DAILY 


Record  Year  for  "U" 

{Coiitinued  from   Page    1) 

A  comparison  of  1924  and  1925 
operations  follows: 

1925  1924 

Gross   income    $24,823,526  $22,799,924 

Net    earnings    1,925,506  1,785,011 

Net  for  common    ...      1,545,506  1,405,011 

Per  share  of  common.            $6.18  $5.62 

Early  last  year  the  company  an- 
nounced an  expansion  in  production. 
This  increase  in  production  is  re- 
flected in  the  balance  sheet  by  an  in- 
crease in  inventory  from  $6,057,920 
in  1924  to  $8,030,769  last  year.  In- 
fliided  in  the  inventory  are  the  films 

liich  were  completed  or  in  process, 
l)ut  which  will  be  released  during  the 
current  year.  Earnings  from  these 
films  will  be  reflected  in  the  state- 
ment for  1926. 

A  further  evidence  of  recent  expan- 
sion was  the  establishment  of  Uni- 
versal Chain  Theaters  Corp.,  a  sub- 
sidiary corporation  organized  to  op- 
erate theaters  in  all  parts  of  the 
country.  Negotiations  are  reported 
under  way  toward  the  acquisition  of 
additional  chains. 

Universal  holds  an  arrangement 
with  Famous  and  M.-G.-M.  whereby 
nine  Universals  will  be  given  first 
run  showings  in  Broadway  houses 
operated  by  these  companies.  In  ad- 
dition the  lease  of  the  Colony  for  six 
months  assures  the  company  Broad- 
way representation  for  much  of  its 
product    for   some    months    to    come. 


Woodhull  in  Seider's  Post 
R.  F.  Woodhull,  president  of  the 
M.P.T.O.A.,  will  handle  the  duties 
of  business  manager  during  the  ill- 
ness of  Joseph  M.  Seider  who  is  now 
in  Atlantic  City  recuperating  from  a 
nervous  breakdown. 


New  Kansas  Chain 

Josephson-Finkelstein      Circuit      Ac- 
quires Five   Houses  As  First 
Step— To  Control  25 

Kansas  City,  Kan. — Following  an- 
nouncements of  new  chains  in  vari- 
ous sections  of  the  country,  comes 
word  that  the  Josephson-Finkelstein 
interests  contemplate  a  circuit  of  25 
theaters  throughout  Kansas.  Five 
houses  have  already  been  acquired 
and  negotiations  consummated  for 
the  leasing  of  property  at  Pittsburgh, 
Kans.,  on  which  will  be  built  another. 
Deals  for  ten  more  are  near  the  clos- 
ing stage,  all  in  widely  scattered  parts 
of  the  State. 

The  group  behind  the  circuit  it, 
headed  by  Archie  Josephson,  with 
headquarters  at  1201  Chambers  Bldg. 
The  chain  operates  as  the  Josephson 
Amusement  Co.  and  the  Josephson- 
Finkelstein  Circuit,  with  the  follow- 
ing officers:  Archie  Finkelstein,  presi- 
dent; Rube  Finkelstein,  vice-presi- 
dent and  general  manager;  Reuben 
Josephson,  secretary  and  treasurer; 
Leonard  Uhlman,  general  counsel; 
Moe  Epstein,  second  vice-president; 
and  Herman  S.  Gould,  director  of 
publicity  and  presentation. 

Theaters  already  under  control  in- 
clude the  Gillham,  Penn  Valley  and 
Lincoln  in  Kansas  City;  Main  St., 
Lexington,  Mo.,  and  the  Grand,  Mex- 
ico, Mo. 


Censoring  at  Source 

(Continued  from  Page   1) 

dividual  familiar  with  the  censorship 
requirements  of  the  country  at  large 
for   approval. 

He  Dointed  out  that  such  a  plan 
would  not  only  effect  a  great  sav- 
ing in  footage  and  costs,  but  would 
make  all  of  the  pictures  practically 
censor-proof  and  alleviate  the  cost 
of  reconstruction  that  has  been 
necessary  in  the  case  of  many  big 
productions  that  State  Boards  have 
refused   to   approve. 

Famous,  Knapp  said,  has  adopted 
such  a  plan  and  has  engaged  Harry 
Carr  as  one  qualified  to  judge  intel- 
ligently of  the  ethics,  situations  and 
themes  of  a  picture,  to  review  the 
scripts  before  they  go  into  produc- 
tion. Knapp  believes  that  United 
Artists  and  First  National  will  also 
put   the   idea   into   effect. 

Mr.  Knapp  is  probably  unaware  of 
the  fact  that  all  important  producers 
exercise  such  a  supervision  in  a 
broad,   general  way. 

British  to  Aid  Home  Industry 

The  Times  reports  the  British 
Government  is  set  to  aid  the  home 
industry.  The  national  studio  pro- 
ject will  be  fostered  for  one  year  and 
if  unsuccesful  at  that  time,  legisla- 
tion will  be  passed  making  purchases 
in  block  illegal.  In  this  way  home 
product  will  be  assured  of  bookings. 


On  Broadway 

Apollo— "Stella     Dallas" 

Astor— "The   Big   Parade" 

Broadway — "What  Happened  to  Jones" 

Cameo — "The    American    Venus" 

Capitol— "The    Torrent" 

Cohan — "Ben   Hur" 

Colony— "The    Cohens   and    Kellys" 

Criterion — "Mare     Nostrum" 

Embassy — Starting   tomorrow,    "La   Boheme" 

Loew's    New    York — Today — "The    Outsider" 

Tuesday — "Flaming    Waters"    and    "When 
Love    Grows    Cold" 

Wednesday — -"The    Wanderer" 

Thursday — "Infatuation" 

Friday— "The    Blue    Streak"    and    "Under 
Western  Skies" 

Saturday — "Fine   Clothes" 

Sunday — -"The   Auction    Block" 
Loew's    State— "The    Black    Bird" 
Mark    Strand — "Oh,    What    a    Nurse" 
Rialto — "The    Girl    from    Montmarte" 
Rivoli — "Sea   Horses" 
Warners — "The   Sea    Beast" 
Brooklyn   Mark  Strand — "The  Grand  Duchess 

and  the   Waiter" 

Next   Week 
ApoUo— "Stella    Dallas" 
Astor — "The   Big    Parade" 
Broadway — "The    Vanishing    American" 
Cameo — "Broken    Hearts" 
Capitol — Not     yet     determined 
Cohan — "Ben    Hur" 
Colony — Not    yet    determined 
Criterion — "Mare    Nostrum" 
Embassy — "La    Boheme" 
Mark    Strand — Not    yet   determined 
Rialto — "The    Cave    Man" 
Rivoli — "Let's    Get    Married" 
Warners — "The    Sea    Beast" 
Brooklyn    Mark    Strand — Not    yet   determined 


Metzger  Back,  Closes  with  B.  &  K. 
Louis  B.  Metzger,  Western  Univ- 
ersal sales  director,  is  back  in  town 
from  Chicago  where  he  closed  a  deal 
with  Balaban  &  Katz  whereby  "The 
Cohens  and  Kellys",  "Skinner's  Dress 
Suit"  and  "Rolling  Home",  will  plav 
the  Chicago  ih'oater. 


$200,000  Loan   on  Theater 

The  Weingarlcn  Construction  Co.. 
H.  Weingarten,  president,  secured 
a  first  mortgage  permanent  loan  of 
$200,000  for  five  years  at  six  per  cent 
through  clients  represented  by  the 
office  of  Senator  Charles  C.  Lock- 
wood  and  former  Deputy  Attorney 
General  Nathaniel  L.  Goldstein,  at- 
torneys, on  the  Roosevelt,  just  com- 
pleted on   Broadway,   Flushing,   L.   I. 


Brooklyn    House   in    Deal 

The  Boro  Hall  theater.  Court  St., 
Brooklyn,  operated  by  Samuel  Strass- 
berg  and  Morris  Goodman,  has  been 
sold  to  Albert  GoIdl)erg  and  Frank 
Koren,  former  operators  of  the  New- 
Atlantic  Garden  on  the  Bowery.  The 
deal  was  consummated  through  Berk 
&  Moross. 


Tribute  to  Carl  Laemmle 

Hollywood — Carl  Laemmle  will  be 
tendered  a  reception  at  the  Hotel 
Ambassador  on  Feb.  26,  in  honor  of 
his  20th  anniversary  in   the  industry. 


NOW    BOOKING 

St.    Patrick's    Day    Special 

week  of  March  lith.  Fleischer 

Ko-Ko  Song  Car-Tune 

"HAS  ANYBODY  HERE 

SEEN  KELLY?" 

Hand  Colorpd  by  Brock 


729    Seventh    Ave.,    N.    Y.   C. 
DISTRIBUTORS 


Heiury  Trinz  Buried 
.Chicago — Leading  theatrical  mcM 
in  Chicago  and  vicinity  attended  the 
rites  yesterday  for  Henry  Trinz,  of 
Lubliner  and  Trinz,  who  died  sud- 
denly at  Hot  Springs,  Ark. 


Here  from  Coast 

Ricardo  Cortez  and  Alma  Rubeni 
are  in  town  from  the  Coast,  and  are 
at  the  Plaza. 

Gertrude  Olmstead  and  Francis 
AIcDonald  arrived  on  the  same  train. 


AN  EASTER  WEEK 
SPECIAL! 

"George  Fredrick  Handel" 

ONE  OF 

James  A.  FitzPatrick^s 

FAMOUS  MUSIC  MASTERS 
SERIES 

A  One-Reel  Masterpiece 

Issued  with  full  orchestrations, 

including  solo  piano  and  organ 

parts   compiled  by 

Hugo  Riesenfeld 

Picturizing  Handel's  Famous 

LARGO 
and  HALLELUJAH  CHORUS 

The      greatest      Easter      Week 
music  ever  written 


Booked     direct     to  First     Run 

Theatres      anywhere      in      the 

United    States! 


FitzPatrick  Pictures,  Inc. 

729  Seventh  Avenue  N.  Y.  C. 

Order  your  Print  andMusic  noiv! 


WATCH  THIS  SPACE  FOR 

GREATER 


\  \»  > 


PRODUCT  I0M7 


1926-27 


B^^^^^^^^^^^^^Bhnp^ 


t-^     'tW-.V*','^!' 


^A'/^fofiSk'-i^'* 


William  Fcsx  presents 


K 


i^U#! 


,^M)^: 


^^m 


.^Nf, 


vies  ^^' 


o^^-^\0 


I  lln 


IW 


\^ 


N/\ 


vaO 


Here  it  is — showmen!     Ju! 
wJiat   you   have   been    impjjf« 
tiently  waiting   for — the  2n|S 
KYNE-FOX   big   clean-up! 


Action!  It  sizzles  with  it!  Ri\^ 
mance!  Scenic  Beauty!  Stonf  ^* 
Box-office  name  values! 


Slim 
!  i  (C 


Pox  Film  Corporatioa. 


Em 


It's  another  big  profit  mak< 
in  the  KYNE  series. 


i> 


a* 


iTHE 

\4fi  brAdstreet 

y  FILMDOM 


Authority 


|L  XXXV    No.  45 


Wednesday,  February  24,  1926 


Price  5  Cents 


lOur  Films  Abroad 

Ir  the  Agitation  Against  American 
llupremacy  Now  Stands — North 

Makes  Statement 
l^ashington — Speaking    before    the 
lise   Committee   on  appropriations 
|ehalf  of  a  supplemental  appropria- 
te create  a  motion  picture   see- 
in  the    Bureau   of    Foreign   and 
Inestic    Commerce   as   reported    in 
IE   FILM    DAILY    recently,    Dr. 
In,  Director  of  the  Bureau,  pointed 
Jhe  fact  that  there  was  legislation 
lial     or     proposed     and     agitation 
jinst  American  hlms  in  no  less  than 
Itoreign  countries.     As   this   state- 
lit  did   not  indicate   the   character 
he  legislation  in  each  of  the  for- 
countries     in     question     THE 
.M     DAILY     has     asked     C.     J. 
'th,  who  is  in  charge  of  the  mo- 
picture  work  of  the   Department 
Jommerce  to  give  a  brief  resume 
the   situation    as   it   stands    today, 
■th's   statement   follows: 
There    are    16    foreign    countries    now    by 
ll    count    which    have    concerned    them- 
with     film    legislation     of     some     sort 
ither   and   which   if    put   into   practice   as 
have  been  in  certain  of  them  will  affect 
American    motion     picture     industry     in 
ter    or    less    degree.      This    number    may 
(Continued    on  Page  4) 


Scene  from  Pauline  Frederick's  greatest  picture,  "The  Nest."  Produced  by 
Excellent  Pictures  Corporation  from  the  William  A.  Brady  stage  success. 
Personally  directed  by  Will  Nigh. — Advt. 


yi  Missouri  "Blue" 

te-Wide  Campaign  for  Closed 
Sunday  in  the  Otiing — Lord's  — 

Day  Alliance  Busy 
t.  Louis — Reformers  are  preparing 
a  drive  to  enforce  Sunday  closing 
all  forms  of  amusements.  They 
template  steps  to  compel  the  pros- 
ting  authorities  and  police  of  every 
nicipality,  and  sheriffs  and  prose- 
ing  attorneys  of  all  counties  to  en- 
e  Section  3596,  which  prohibits 
forms  of  activity  on  Sunday  except 
isehold  duties. 

idvocates  of  Sunday  closing  have 
en   heart    since    the    Kansas    City 

(Continued  on   Page  4) 

After  Volume 

ited  Artists  Out  for  Bulk  Business, 
Discarding  Old  Selling  Plan — 
Scaling  Prices  Accordingly 

linneapolis — United  Artists  has  de- 

;d  on  a  radical  revision  in  its  sell- 
policy.  In  the  future,  the  company 

1  strive  for  volume  business,  seal- 
its  prices  to  meet  the  new  policy. 

e  sales  force  will  not  be  revamped. 

I  minimum  of  15  pictures  will  be 
(Continued   on   Page   4) 


17  in  Aschec  Chain 
-hicago — Ascher  Bros,  chain  of  15 
aters  will  be  enlarged  to   17  next 
nth  when  the  Highland  and  Col- 
f  open. 

:  George   Weeks   about    Nell   Gwyn.     He 
'  it.  with   audience. — Advt. 


Another  Chain 

M.  T.  &  O.  Corp.  Formed  in  Chicago 
—Will      Spend     $10,000,000     on 

New  Theaters 
Chicago— The  M.  T.  &  O.  Corp. 
has  been  formed  here  by  M.  E.  New- 
man, George  Tearney  and  Carl 
Meeks,  who  formerly  operated  the 
Archer.  Incorporation  papers  state 
that,  besides  operating  theaters,  the 
company  will  finance  outside  pro- 
jects. It  is  understood  present  plans 
call  for  the  expenditure  of  $10,000,000 
on  new  theaters.  Four  sites  are  al- 
ready under  consideration  in  widely 
scattered  sections  of  the  city.  All 
will  seat  3,000  or  more,  while  an- 
other on  the  North  Side  will  seat 
4,500. 


Vital  of  Canada  Not  Afifected 

St.  John_,  N.  B.— The  financial  diffi- 
culties of  Vital  Exchanges  in  New 
York  will  in  no  way  affect  Vital  Ex- 
changes of  Canada,  Ltd.,  which  is  a 
separate  organization,  according  to  R. 
J  Romney,  president  of  the  Canadian 
company. 


North  American  in  Bakersiield 
Bakersfield,  Cal. — Tentative  plans 
for  a  new  theater  for  North  Ameri- 
can Theaters,  Inc.,  were  made  known 
when  a  group,  including  Harry  C. 
Arthur,  Frank  R.  Wilson,  and  How- 
ard P.  Ingles  stopped  here. 


One  Censor  Plan 

Hughes   Committee   To   Recommend 

Board  be  Transferred  to  Education 

Dept.  Under  Individual's  Control 

Albany,  N.  Y. — Present  indications 
are  that  the  State  Censorship  Com- 
mission will  not  be  abolished,  for  a 
while  at  least,  but  its  functions  trans- 
ferred to  the  State  Dept.  of  Educa- 
tion, as  an  added  bureau  with  one 
commissioner  who  would  have  entire 
jurisdiction  in  supervising  and  licen- 
sing pictures  shown  in  New  York. 

This  is  the  anticipated  recommen- 
dation which  the  Hughes  non-parti- 
san organization  will  file  with  the 
Legislature  on  March  1.  It  was  first 
(Continued  on  Page  4) 


Warners  to  Produce  in  England 

London — The  Warners  yesterday 
announced  pfans  to  produce  in  Eng- 
land. Future  British  distribution 
will  be  handled  through  Vitagraph, 
Ltd. 

Harry  M.  Warner  sailed  last 
night  for  New  York  on  the  Beren- 
garia. 


Schrock  at  Warner  Studio 

Los  Angeles — Ray  Schrock  has  re- 
signed from  Schenck  Prod,  to  take 
over  Bennie  Zeldman's  duties  at 
Warners. 


Embassy,  Baltimore,  Opens  Sunday 
Baltimore — The  Embassy  will  open 
Sunday.     It  is  one  of  the  Indepedent 
Theaters  Corp.  chain. 


Lesser 's  Share,  30% 

Hoyt     Syndicate,     Buyer     in     West 

Coast   Theaters,    Includes    Many 
Important  1st  Nat'l  Officials 

The  Hoyt  Syndicate  which  is  about 
to  close  for  the  purchase  of  Sol  Les- 
ser's  interest  in  West  Coast  Thea- 
ters, Inc.,  is  composed  of  many  im- 
portant First  National  franchise 
holders  and  Hayden,  Stone  and  Co., 
prominent  Wall  Street  bankers. 

The  First  National  representation 
includes  Robert  Lieber,  Richard  A. 
Rowland,  Moe  Mark,  the  Fabians, 
the  Skouras  Bros.,  and  the  Gore  Bros. 
The  deal  provides  that  the  Gores  are 
to  manage  the  big  coast  chain  which, 
at  its  fullest  growth,  will  embrace 
about  250  theaters. 

Sol  Lesser's  interest  in  the  com- 
pany is  about  30  per  cent.  Together 
with  the  Gores,  sixty  per  cent  ol  the 
stock  was  thus  controlled. 


1st  Nat'l  Conventions 

To    Hold    Three    Sales    Meetings — 

Eastern  Contingent   Meets   Here 

Aprd  26 

First  National  is  making  arrange- 
ments to  hold  its  Spring  sales  conven- 
tions, which  will  be  attended  by  all 
branch  managers  in  the  United  States 
and  Canada.  The  Eastern  contingent 
will  meet  here  April  26.  The  Southern 
district  will  assemble  at  Chicago, 
(Continued  on  Page  4) 


Hobart  Film  for  1st  Nat'l 
It    is    understood    Henry    M.    Ho- 
bart will  make  one  picture  for  First 
National. 


No  Eteal  with  Frederick 
Reports  current  in  Hollywood  that 
Arthur  Beck  would  make  four  Paul- 
ine Frederick  features  for  First  Na- 
tional are  declared  to  be  without 
foundation  at  the  company's  offices 
here. 


Row  in  Iowa 

Trade  Abuses  and  Unethical  Business 
Tactics  Result  in  Des  Moines 
Scrap 
Des   Moines — Ludy   Bosten   of  the 
Amuzu,  Muscatine,  la.,  and  salesman 
for  Prod.  Dist.  Corp.  is  being  sought 
on  a  warrant  charging  him  with  as- 
sault and  battery  in  connection  with 
an  attack  on    Mannie   Gottlieb,   Uni- 
versal manager.    The  attack  followed 
(Continued  on  Page  4) 


Famous  to  Build  in  Canada 

Toronto — A  large  theater  will  short- 
ly be  erected  in  Saskatoon,  Sask.,  by 
Famous  Players.  Famous  operates 
the  Daylight  in  that  city. 


I 


THE 


-3&^ 


DAILY 


Wednesday,  February  24  192t 


Vol  XXXV  No.  45  Weduesday,Fib.24,1926  Prices  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Ine.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
•C«r ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mcrsereau,  Advertising  Manager; 
Ralph  WJlk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
^hould  remit  with  order.  Address  all  com- 
tiunications  to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
•736-4737-4738-4739.     Cable  address :  Filmday, 

'«w  York.  Hollywood,  California — Harvey 
\    Gausman,  6411   Hollywood  Blvd.;  'Phone, 

r^nite  3980.  London — Ernest  W.  Fredman, 
Tk  t  Film  Renter,  58,  Great  Marlborough  St., 
t^oi«don,  W.  I.,  Paris — La  Cinematographic 
Xrancaiae,   5,  Rue  Saulnier. 


De  Mille  Here 

Planning     Next     Year's     Program— 

WUl     Be    in    Town     For    Four 

Weeks    Lining    Up    Product 

Cecil  B.  De  Mille,  Bertram  Mill- 
hauser,  production  editor,  and  Lou 
Goodstadt,  assistant  general  man- 
ager of  the  De  Mille  studio,  are  here 
to  hold  conference  with  P.  D.  C. 
and  the  eastern  financial  group  inter- 
ested in  De  Mille,  Metropolitan,  and 
P.   D.    C.   activities. 

De  Milk's  arrival  marks  the  close 
of  his  first  fiscal  year  with  P.  D.  C. 
The  Producer  will  remain  in  the  East 
for  four  weeks  and  it  is  anticipated 
that  a  list  of  titles  for  his  new  pic- 
tures will  be  announced  before  he 
leaves  for  Los  Angeles. 


Quotations 


Balaban   &   Katz 
Eastman  Kodak   . 
Famous    Players 


High    Low  Close 

. .   70J4     68  70 

.111?^     Ill  111 

..\2\Vi   UTA  121 


Fam.     Play.     Pfd.     120^  120J4  120Ji 

Film    Inspection    ..6  5J4       6 

First  National  Pfd.  106  106       106 

Fox    Film    "A"     ..    71  6734     69^ 


Salet 

500 
23,100 
200 
400 
100 
5,000 


fox  Theaters   "A" 

26H 

25 

25 

5,100 

"Intern'l   Projector 

11 

*  *  •  • 

Loew's.     Inc 

38^ 

3854 

38^ 

600 

Metro-Gold.  Pfd.   .. 

23  J4 

2354 

23H 

100 

M.    P.    Cap.    Corp. 

22 

20^ 

22 

2.000 

Pathe    Exch.    "A" 

72^ 

71 

7VA 

SOU 

•Skouras    Brothers 

47 

. . . . 

•Stan.  Co.  of  Am. 

•  •  • 

39 

.... 

TranS"Lux     

11^ 

11 

n% 

4;ooo 

'Universal  Pictures 

39 

.... 

•Univ.    Pict.    Pfd. 

93 

... 

•Warner    Brothers 

1654 

15J4 

16 

1,500 

•Warner   Pictures 

n% 

.... 

•■Last  price  quoted. 

Remains  With  M.-G.-M. 

Los  Angeles- — Louis  B.  Mayer  has 
taken  up  a  long  term  option  for  ex- 
clusive services  of  Norma  Shearer. 
M.-G.-M.  has  purchased  an  original 
"The  Next  Generation,"  by  Edmund 
Goulding. 

Expansion  Program  for  Frank  Circuit 

Des  Moines — New  theaters  in  Des 
Moines,  Sioux  City  and  Omaha  are 
planned  by  the  Frank  Amusement  Co. 
It  is  intimated  that  all  three  will  be 
first  runs. 


Milwaukee  Aroused 

Battle  Against  Zoning  Law  Starts — 

Theaters  in  Certain  Section  Now 

Restricted 

Milwaukee — War  against  the  zon- 
ing law  which  prohibits  the  building 
of  theaters  in  certain  sections  of  the 
city  has  been  launched  by  the  M.P. 
T.O.  of  Milwaukee.  The  fight  was 
brought  about  by  the  refusal  of  W. 
D.  Harper,  building  inspector,  to 
grant  a  permit  to  the  Colonial  Amuse- 
ment Co.  for  the  erection  of  a  new 
$300,000  theater  on  the  lower  west 
side. 

In  this  part  of  the  city,  the  zoning 
law  does  not  permit  the  first  floor 
of  the  building  to  be  more  than  23 
ft.  above  the  grade  of  the  street 
The  Colonial  company  has  taken  their 
case  before  the  board  of  appeals. 


Columbia  Not  in  Combintj 
Commenting  on  an  alleged  cl 
nation  of  independent  producers! 
Cohn,  treasurer  of  Columbia,  saiil 
terday,  "You  can  deny  that  rutr 
strongly  as  you  wish.  Colum 
not  in  any  merger  or  combine.' 

Youngstown   May  Go   "Blul 

Youngstown,  O. — It  is  intiil 
by  officials  that  the  City  CouncI 
tends  forcing  a  vote  on  the  ell 
of  all  stores  and  theaters  on  Surl 


$500,000  Butterfield  House  in  Saginaw 

Saginaw,  Mich.— W.   S.  Butterfield 
plans  a  $500,000  house  here. 


Northwest  Business  Gains 

Minneapolis — G  e  n  e  r  a  1  business 
throughout  the  Northwest  has  in- 
creased between  30  and  40  per  cent  in 
the  past  five  years,  according  to  the 
Federal  Reserve  Bank. 


Two    San    Diego    Houses 

San  Diego,  Cal.^ — San  Diego  is  to 
have  two  new  theaters  to  cost  $1,000,- 
000,    according   to    report. 

One  is  said  to  be  a  Sid  Grauman 
house,  at  Second,  Third  and  A  Sts. 
Joseph  Schenck  was  named  as  as- 
sociated with  Grauman.  The  other 
house  is  to  be  sponsored  by  either 
the  Junior  Orpheum  or  Loew  in- 
terests. 


M/kl  nOACH-' 


Chaplin  in  Stage  Role? 

The  Telegram  reported  yesterday 
Charlie  Chaplin  will  make  a  stage 
appearance  presently  in  a  Greek 
tragedy. 


^BofAathti^, 


Properly  Present  Your  Photoplay 


Minnesota  Town  for  "Blue"  Sundays 
Bertha,  Minn. — Petitions  are  being 
circulated  here  to  prohibit  shows  on 
Sunday.  The  question  will  be  settled 
at  the  Spring  election.  The  poplace 
is  strongly  in  favor  of  "blue"  Sun- 
days. 


Los  Angeles — No  information  is 
available  from  Sid  Grauman,.  Schenck 
denies  any  connection  with  the  San 
Diego  project. 

Hearing  on  Sunday  Closing  Bill 

Washington — A  public  hearing  on 
the  Lankford  bill,  providing  for  the 
closing  of  all  picture  theaters  in  the 
District  of  Columbia,  will  be  held 
before  the  judiciary  subcommittee  of 
the   House  committee  on  March  4. 


CharleV  Chase 

"M^mi  Beh3\/e" 

PithecomedY 


This  is  a  'Cornerblock'  cut  fu; 
FREE  for  all  Pathecomedies  at 
exchange. 


at  in 


National   Secretary  in  Atlanta 

Atlanta — Dorothy  Kenney,  national 
secretary  of  the  Film  Boards  of 
Trade,  has  left  here  for  Jacksonville, 
Fla.,  following  inspection  of  local  ex- 
changes. 


WATCH  THIS  SPACE  FO. 

GREATER 


c\~\<  o 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  1  N  S 

Specialiats  in  Motion  Picture 

and  Theatrical  insurance  f'or 

the  past  fifteen  years. 


Arthor  W.  Stebbins  &  Co.,  Inc. 
1540  Broadway  N.  Y.  C. 

Bryant  3040 


Chelsea  Quits  Pictures 

The  Chelsea,  25th  St.  and  Eighth 
Ave.,  one  of  the  Yost  Circuit,  has  dis- 
continued its  picture  policy  for  bur- 
lesque. The  Chelsea  was  once  the 
home  of  Miner's  burlesque. 


Jobyna  Ralston  Loaned  to  Levee 

Hollywood— The  Harold  Lloyd 
Corp.  has  loaned  Jobyna  Ralston  to 
Mike  Levee  for  "Molasses." 


Dryden  Signed  by  Fitzpatrick 

James  A.  Fitzpatrick  has  signed 
Wheeler  Dryden  to  appear  in  the  re- 
maining "Famous  Melody"  series. 


♦- 


The  finishing   touch   of   refinement   on 

an    daborate    production    is    the 

handcoloring    by 


/^fe^g/f- 


orvngol 
S28    RiTCTSlde    Drive         Telephone 
New    York         Momingside    1776 


CHROMOS      TRADING      COMPANY 
1123    BROADWAY 

WE  are  fortified  by  experience  and  contact  with 
every  phase  of  the  film  business  to  advise 
you  on  its  varied  financing  problems.  Confer 
with  us  and  get  a  new  slant  on  yours. 

PRODUCERS— DISTRIBUTORS— LABORATORIES 
"Make  a  note  on  it" 


PRODUCTION 


1926—27 

"THE  GOLDEN  WEl^ 
by  E.  Phillips  Oppenheii 


i 


'Phone  Watkins  4522 


Suite  1207-8 


"WE  NEVER  DISAPPOINT'' 


EMHlflW  FjlH 

.CABORATORics 

^  INCORPORATED 

220  WEST  42^^  STREET 

NEW   YORK 


PHONE-CHICKERINC    2931 


ALL.AN  A.  LOWNES.  CEN.  MCR. 


PI 


asaa>« 


:::ii- 


let:  I 


comlnor 


MARSHALL 

NEILAN'S 


* 


>       i 


i 


t 


P^rmign  Distributors 
'ue«r«  lat^mtionmt  Corporatton 
t30  Wmat  46th  Street 
ffew  York,  N.  Y. 


GMABUNO  CHAP 


I 


IVEN  a  story  that  deals  with  real  human  characters 
in  a  real  human  way,  Marshall  Neilan  is  in  a  class 
by  himself. 

The  maker  of  "Stella  Maris,"  "Tess  of  the  D'Urbervilles," 
"Rebecca  of  Sunny  Brook  Farm,"  "The  Sporting  Venus" 
and  more  recent  big  money-makers,  has  in  "WILD  OATS 
LANE"  the  kind  of  gripping,  thrilling  human  dramatic 
material  that  has  made  his  productions  sure'fire  box  office. 

Watch  for  this  one! 

It^s  one  of  Neilan^s  Best! 


L 


fKELEASED   BY 

PRODUCEKS  DISTKIBUTINC  COKPOBATION 


Member  of  Motion  Picture  Pcoducen  and  Distributors  of  America,  Inc  Will  H.  HKtS,Prtsidtnt 


THE 


^E^ 


DAILY 


Wednesday,  February  24,  1926 


Row  in  Iowa 

{Continued  from  Page   1) 
criticism   of  tactics  employed  by  the 
exhibitor-salesman    as    an    outgrowth 
of  a  decision  rendered  against  him  by 
the  Des  Moines  arbitration  board. 

Attention  of  Will  H.  Hays  to  con- 
ditions in  the  Des  Moines  territory 
has  been  called  and  attention  will  be 
focussed  on  the  Bosten  case,  with 
drastic  action  expected. 

Bosten  was  instructed  by  the  arbi- 
tration board  to  play  or  pay  on  a  con- 
tract involving  around  $1,100  with 
Premier  Pictures.  Soon  after  it  is  al- 
leged, in  travelling  for  P.  D.  C,  he 
began  a  series  of  attacks  ag,iinst  the 
arbitration  md  film  boards.  Gottlieb 
at  a  meeting  of  the  board  is  said  to 
have  stated  that  Producers  Distribu- 
ting corporation  should  rebuke  its 
salesman.  It  was  this  alleged  state- 
ment which  resulted  in  the  attack  At- 
tention to  practices  declared  to  be 
flourishing  in  Iowa  was  called  last 
week  by  "Greater  Amuseoients,"  of 
Minneapolis,  following  a/  survey 
which  indicated  the  territoty  is  a  hot- 
bed of  trade  abuse.  Distributors  are 
said  to  have  begun  a  camt^aign  to 
weed  out  undesirables.  \ 

The  Hays  ofifice  yesterday  de- 
scribed the  Iowa  incident  as  a  per- 
sonal altercation  between  an  ex- 
hibitors and  a  salesman  and  there- 
fore of  no  interest  beyond  that. 


Minneapolis — "Greater  Amuse- 
ments"  states  editorially: 

"Iowa  needs  a  housecleaning  for  its  own 
good.  Distributors  who  are  not  afraid  to 
face  the  issue  squarely  admit  the  fact  and 
already  are  tajting  action  to  weed  out 
the  undesirables  who  are  giving  the  state 
a  black  eye  in  the  motion  picture  business. 
Confidence  and  cooperation  between  exhibi- 
tors and  distributors  in  the  territory  is 
hardly  to  be  hoped  for — or  expected — until 
the  tricksters  are  removed  and  discarded  and 
exhibitor  and  salesmen  made  to  understaiid 
that  the  territory  is  going  to  be  conducted 
on  a  clean  and  above  board  basis." 


All  Missouri  "Blue" 

(Continued  from  Page  1) 
Court  of  Appeals  sustained  a  $25  fine 
assessed  against  Jack  Kennedy,  exhi- 
bitor of  Howard  County,  for  violating 
the  law.  Missouri  has  had  these  "blue 
lavvs"  since  1825  and  there  are  a  long 
string  of  Missouri  Supreme  Court  de- 
cisions sustaining  their  constitution- 
ality. They  will  get  little  co-opera- 
tion from  the  officials  and  police  of 
St.  Louis  and  Kansas  City  and  other 
large  cities,  but  counsel  for  the  Lord's 
Day  Alliance  and  other  bodies  have 
stated  there  are  ways  of  forcing  such 
co-operation. 


To  Build  $1,000,000  House  for  Saxe 

Milwaukee — Walter  Schroeder,  lo- 
cal realty  and  hotel  operator,  has  been 
named  president  of  the  newly  formed 
New  Capital  Investment  Co.,  which 
will  build  a  theater  costing  $1,000,000 
at  Madison.  The  Saxe  enterprises 
will  take  over  the  house  on  a  lease. 


"F.  B.  O.  Month"  in  Canada 
Toronto — P.     C.     Taylor,     general 
manager  of  F.  B.  O.  in  Canada,  has 
designated     March     as     "F.     B.     O. 
Month." 


Stanley  Gets  the  Ardmore 
Ardmore,  Pa. — The  Stanley  Co.  will 
direct   the  Ardmore   theater   starting 
March  1.     It  seats  1,500. 


1st  Natl  Conventions 

(Continued  from  Page   1) 
April  30  and  the  West  Coast  at  Los 
Angeles,  May  6. 

Sam    Spring  will  preside   over   the 
meetings. 


West  Coast  Contact  Division 

Los  Angeles — The  installation  of  a 
Sales  Promotion  Dep't  for  First  Na- 
tional units  is  announced  for  the  pur- 
pose of  establishing  a  direct  contact 
between  production  and  the  sales 
force.  George  Landy  will  be  in 
charge. 


Ned  Marin  on  Trip 

Ned  Marin  is  on  a  six  weeks'  trip 
tc  the  Coast,  primarily  in  the  interests 
of  "Irene"  and  "Kiki^^r 


Buys  "Lady  Be  Good" 

First    National    has    purchased    the 
rights  to  "Lady  Be  Good." 


For  Colleen  Moore 

Los  Angeles — "Daphne  Grows 
Down"  will  be  a  future  production  for 
Colleen  Moore.  L.  B.  Fowler  will 
adapt  "The  River"  from  Patrick 
Hasting's  play. 

One  Censor  Plan 

(Continued  from  Page   1) 
believed   that  the   Hughes  committee 
would  recommend  the  entire  abolish- 
ment of  the  board,  in  line  with  wishes 
and  the  plans  of  Governor  Smith. 

The  censorship  bureau  would  work 
under  an  entirely  different  system  un- 
der the  Hughes  plan.  The  bureau 
would  be  established  in  the  Education 
Dept.  and  one  commissioner  appoint- 
ed by  the  Governor,  who  would  have 
full  supervision.  The  commission 
would  control  the  entire  situation  with 
the  assistance  of  a  staff  of  reviewers 
and  inspectors.  This  plan  would  have 
the  effect  of  ousting  from  office,  John 
Walrath,  of  Syracuse;  Mrs.  Kather- 
ine  Colbert,  of  Albany,  and  Arthur 
Levy,  of  New  York,  the  present 
board.  Walrath's  name,  however  is 
mentioned  as  inspector  of  the  new  de- 
partment, should  this  plan  be  adopted. 


After  Volume 

(Continued  from  Page   1) 
released  this  year,  with  a  strong  possi- 
bility   that    this    number    will    be    in- 
creased,   according    to    E.    A.    Esch- 
mann. 


Acting  as  advance  guard  for  the 
Pickford-Fairbanks  party,  Robert 
Fairbanks,  general  manager  for 
"Doug,"  is  on  his  way  to  Paris.  While 
abroad,  he  will  arrange  for  the  open- 
ing of  "The  Black  Pirate"  in  London. 
The  picture  opens  in  New  York  at 
the  Selwyn  on  March  8th. 

The  date  of  departure  of  the  Pick- 
ford-Fairbanks  party  for  its  world 
tour  has  not  as  vet  been  settled.  It 
depends  entirely  on  the  recovery  of 
Mary's  mother. 


••♦  ♦♦♦♦♦♦♦♦♦•♦♦♦♦  ••V«1^«V«W<»V«V*V*«V«VV»««i  **>vw* 

I  Ward  Cine  laboratory,  Inc.  i 

**         216-222  Weehawken  St.         8 


if 


K  Union  City,  N.  J 

K    Telephone  Union  4800 
»  G.  BBR1 


BERT  WARD,  Pret.  S 


J««»K«»»««K«.»»»»K»»«««««^ 


Our  Films  Abroad 

(Continued  from  Page  1) 
change  tomorrow  either  I  addition  or  sub- 
traction, because  one  of  the  features  of  the 
situation  is  the  speed  with  which  agitation 
develops  as  likewise  the  speed  with  which 
it  sometimes  dies  down.  It  should  also  be 
understood  that  lack  of  space  prevents  giv- 
ing more  than  the  barest  essentials  of  the 
legislative  proposals  that  have  been  made  or 
in  certain  cases  their  general  trend.  These 
are  presented  as  statements  of  fact  and  with 
no  implication  on  the  part  of  the  Depart- 
ment as  to  their  fairness  or  their  possible 
results   to   the   trade   here. 

ENGLAND— Proposals  for  the  establish- 
ment of  a  quota  system  by  which  British 
films  would  have  to  be  shown  on  the  basis 
of  one  in  ten  rising  progressively  to  one  in 
four  were  defeated  by  the  exhibitor  vote  in 
December.  Since  then  it  has  been  believed 
that  the  British  Board  of  Trade  wou  d  lix 
its  own  quota  system  probably  on  the  basis 
of  one  in  seven  going  up  to  three  in  five 
by  iy30.  Whether  this  will  lie  done  or  noi 
it  is  impossible  to  forecast.  Legislation  has 
also  been  proposed  against  block  booking  and 
for  help  to  the  industry  probably  by  creat.ng 
a   national   studio. 

FRANCE — ^While  there  has  been  consid- 
erable talk  of  a  "contingent"  no  one  knows 
on  what  basis — no  official  proposals  have 
been  made  along  this  line.  There  is  further 
a  general  tariff  bill  pending,  which  would 
increase  by  30  per  cent  or  more  the  duties 
on  American  films.  Finally,  the  decree  that 
after  Jan.  1,  1928,  all  films  exhibited  must 
be  non-inflammable  stock  is  as  yet  unmodi- 
fied, though  whether  it  will  go  into  effect 
or   not  will  depend  on  tests  now   being  made. 

GERMANY — It  is  understood  that  the 
"one  for  one"  contingent  plan  will  be  in 
effect  again  next  year  with  even  severer 
restrictions,  as  for  e.xample  that  two  German 
educational  films  must  be  presented  to  se- 
cure one  foreign  film  and  also  the  retroactive 
feature  of  the  first  contingent  plan  has  been 
cut   down. 

HOLLAND — The  basis  of  assessing  duties 
on  American  films  into  Holland  has  been 
changed  from  their  invoice  value — of  perhaps 
3^2  cents  a  foot — to  their  exhibition  value — 
this  latter  to  be  determined  by  the  authorities 
on  the  basis  of  the  average  exhibition  returns 
on  a  number  of  American  films.  In  all 
cases  the  exhibition  value  would  be  construed 
as  being  considerably  larger  than  the  invoice 
value  and  duty  assessed  accordingly.  There 
is    a    possibility    that    this    may    be    modified. 

AUSTRIA — Proposals  for  a  "contingent" 
on  the  basis  of  one  jn  ten  is  now  being  of- 
fered plus  a  censorship  tax  which  may  run 
as  high  as  $100  a  picture.  This  is  now 
being    negotiated. 

I'lALY — The  recent  proposal  to  compel 
local  exhibitors  to  show  Italian  films  one 
week  each  month  has  been  sidetracked  and 
probably  will  not  be  raised  in  the  near 
future. 

CZECHOSLOVAKIA — A  film  contingent 
on  the  basis  of  one  in  ten  has  been  offered 
on  at  least  two  occasions,  but  at  the  present 
moment   stands  little  chance   of   adoption. 

PlOLAND — A  movement  is  on  foot  to 
place  a  special  tax  on  foreign  distributors  of 
motion  picture  films.  This  so  far  as  is  now 
known  has  not  crystallized  into  any  definite 
proposal  and  its  chances  are  of  going  into 
effect  if  it  is  proposed  do  not  seem  favorable. 

HUNGARY — A  contingent  on  the  basis 
of  one  in  thirty  was  decreed  last  July  but 
has  not  yet  gone  into  effect.  At  the  present 
time  negotiations  are  being  conducted,  which 
will  result  either  in  its  adoption  or  its  dis- 
missal. No  predictions  possible.  There  is 
also  super  tax  on  foreign  films  of  3000  paper 
crowns  per  meter. 

SWEDEN — There    has    been    agitation    in 


WILL    SELL 

DEBRIE     CAMERA 

DISSOLVING  SHUTTER 

35  m.m.  GOERZ  F.  3.  Lens 

Zeiss  Tessar  F.  3.5  50  m.m. 

SPECIAL  METAL  BASE 

WOODEN    MODEL 

Perfect  Condition 

with  CAMERA  CASE 
and  MAGAZINE  CASE 

Address   Box  M-288 
c/o  Film  DaUy,  1650  B'way,  N.  Y.  C. 


Sweden  for  some  time  for  a  large  increat 
in  the  tariff  on  foreign  films,  but  no  pr< 
posals  have  as  yet  been  made  so  far  as 
known.  Sweden  likewise  became  conside 
ably  interested  in  possibility  of  a  genera 
association  of  European  film  producers  I 
compete  with  the   American   industry. 

DENMARK— The  situation  in  Denmar 
is  somewhat   similar  to  that  in  Sweden. 

CUBA — The  Cuban  Congress  has  und« 
consideration  a  censorship  law  which  carric 
with  it  a  censorship  fee  of  $5  per  reel.  1 
is   difficult   to    predict   what    its    chances   ar< 

BRAZIL— The  Brazilian  budget  law  fo 
1926  places  a  consumption  tax  on  all  film 
effective  June  1,  1926,  in  the  country  at  tha 
time  regardless  of  when  imported  and  whetht 
released  or  not.  It  should  be  added  that  th 
law  applies  to  a  number  of  other  commodi 
tics    as    well. 

AUUSTKALTA— There    has    been    consid 
erable    agitation    in    Australia    against    Anieri 
can     films.       Proposals     have     been    made    t< 
increase    the    duties    on    I'lnis.       Likewise    thill 
Parliament     of     Victoria     introduced     a     prolj 
vision     into     its     censorship     law     by      wliicl  ' 
1000     ft.    ol     British    made    film     would    hav( 
to    be    shown    in    every    program.       This    ha: 
not     been     enacted,     however.       Finally,     jus 
alter    Christmas    the    New    South    Wales    Par 
lianient   passed  a   law   taxing   the   gross   reven 
ues   of   film   distributors  at   the  rate   of   5   shil 
lings  in  the  pound.     This  law  is  being  testec 
in    the   courts   as   to    its    constitutionality. 

JAPAN — The  recent  national  censorship 
law  imposes  a  censorship  fee  of  S  ser 
(about  2  cents)  for  each  3  meters  (about 
10  feet)  of  film.  Negotiations  are  now  being 
carried  on  with  the  possibility  of  this  being  •  3 
reduced. 

)    1 


Germans  Wary  on  Credits 
Washington  —  The     recent     Ufa 
agreement     with     several     American 
firms,     states     the     Department     ofl 
Commerce    has    more    than    ever   at* 
tracted    public    attention    to    the    in 
dustry  in  Germany.     The  "Lichtbild- 
buehne"  published  an  article  recently,^! 
in   which   it   was   stated    that  the   in- 
dustry belongs  to  that  class  of  Ger- 
man  industries    receiving   the    lowest 
amount  of  credit  as  compared  to  its 
working     capital.        For     example — 
whereas  in   the  mining  industry  32.4 
per  cent,  in  the  iron  and  steel  indus- 
try 26.2  per  cent,  and  in  the  textile 
industry  39.3  per  cent  of  the  working  |' 
capital    is    covered    by    credits,    only 
0.6   per   cent   of   the   working  capital  |^ 
of    the    film    industry    is    covered    by 
credits. 


The  ONLY  exclusive 
leasing  plant  in  L.  A. 

Fine  Arts  Studio 

Los  Angeles,    Calif. 

offers  to  producers  the  most 
modem  and  best  equipped  plant 
in  California.  Four  large  stages, 
scores  of  dressing  rooms,  of- 
fices, etc.  Best  of  electrical 
equipment  and  props.  Write 
or  wire  for  details. 

FINE  ARTS  STUDIO 

4500  Sunset  Blvd. 
Los  Angeles,  Calif. 


Films  Beneficial  to  Eyes 
Motion  pictures  are  beneficial  to  the  |i| 
eyes,  according  to  Dr.  W.  H.   Bates, 

eye  specialist. 


^ 


THE 

W^esday,  February  24,  1926 m^M  H^  DAILY 


:<?e^^ 


m 


>!lllillll>li:illllllillllll!lilllllllllllllllllll!llllllll!lllllll! 


illlllllllilllHIIIIIICIlllli 


NEXT  SUNDAY 

Carl  Laemmle  Edition 


OF 


of  FILMPOH  ^^wHl^  ^  ^^AUTHORtTY 


Over  200  Pages 


<-<<»>-> 


A  Splendid  Tribute 


To 


A  Wonderful  Personality 


DON'T    MISS    IT 


.IMlli 


,||p|lllll,lllllllllllllllllll|i||||||||||y|||||||||||||||||||||||lli||i|||il|||l^^^  Illllllllllllllllllllllll Illlllllllllll llllllllllllllH 


1 


What 


This 


m  Sf"'^ 


"''"■'"»<'«^>"^'«ENE 


By    "fPtKr^.. 


"'f'ionEj,. 


'Pert.  ^ 


^EAR 


^P*cia/t 


reason,  after  -^""  ""'"^ 


.    *'^  Ausband 
77  coflected  the 

^°"««»  Moore  in 
J«"«'"  exhibitors' 

WTJi  wear  dfatv,      . 
^^   °^^   man    S         '^''  yrhUe 


boK-omce 

li^edll  oet  'cm! 


%%e'' smashes  all  records  in  Hartford,  Conn. 

Read  the  bigi^ws:  ^'Colleen  Moore  in 'Irene' breakfitg  all  records 
at  Strand,  Hartford.^  A  heavy  rainstorm  and  extremely  cold 
weather/ did  not  stop  tremendous  crowds  from  flock- 
ing to  see  this  production.  Engagement  will  beat 
'Sally' business  by  several  thousand  dollars.'' 

Blocks  traffic  in  Oklahoma  City.  More  Records! 


Oklahoma  City  wires:     "'Irene'  opened  to  capacity  Empress 

Theatre.     Crowds  blocked   traffic.     Standing-room   only 

from  2  p.  m.  unt^l  closing  last  show.     Second  day 

exceeded  firsl^    Weather  condition  cold,  but  in 

face   of  this  'Irene'-  is   breaking   records.'" 


^stL^sm. 


Vppfi 


>u^M^^mDr\ 


a£tcr  IVe  played 

CoUeen  Moore 
in'lrene'  you 
can  havg. 


^ — r 


-» — /      y' 


/^ 


£ 


\ 


MM^ 


7Aff  brAdstreet 

y/'  FILHDOH 


i 


;9^^REC0CMIZEi 

Authority 


"DL.  XXXV     No.  46 


Thursday,  February  25,  1926 


Price  5  Cents 


THE  TREND 

By  DANNY 
All  through  the  industry.  You 
)te  indications  of  a  closing-in. 

I'  a  getting  together.  An  effort 
ubtJess,  to  reduce  operating 
d  overhead  costs.  The  latest 
come  into  the  focus  of  news 
therers  being  the  possibility 
a  combination  between  the 
)thacker  and  the  Consolidated 
^oratories. 
There  has  been  talk   for  sev- 

Ial  years.  That  this  consolida- 
m  might  become  an  actuality. 
During  the  next  few  days,  it  is 
ticipated  that  official  announce- 
:nt  will  come.  Of  the  consolida- 
in  of  a  large  number  of  supply 
alers  throughout  the  country. 
Several  months  ago  the  consolida- 
in  of  several  large  manufacturers 
projection  machines  became  a  fact, 
id  onlj'  a  short  while  ago  the  litho- 
aphers  got  together. 

Moi-e  and  more  the  trend  is 
evideyit.  More  and  more  this 
will  develop.  The  first  signs  of 
these  amalgamations  were  dis- 
cussed in  THE  FILM  YEAR 
BOOK,  1924.  The  indications 
then  in  sight  have  become  an 
actuality.  In  many  branches. 
It  tvill  become  an  actuality  in 
other,  and  more  definite  lines, 
of  exhibition  and  distribution, 
particularly,  during  this  year. 

From  time  to  time  there  has  been 
Ik  of  the  "independent"  distribu- 
rs  working  out  some  sort  of  a  solu- 
3n,  by  combination,  to  the  problems 
hich  meet  this  field.  The  one  real 
jpe  for  "independent"  distributors  is 

work  out  such  a  scheme.  Oper- 
ing  individually,  with  an  almost  in- 
rmountable  overhead,  they  are  fight- 
g  against  terrific  odds.  Personal 
ejudices,  some  natural  antipathy  of 
le  group  against  others,  makes  this 
imbination  difficult  to  put  into  ef- 
ct.  But  certainly  the  larger  opera- 
Ts  should  know  by  now  what  prob- 
ms  are  to  be  met;  to  be  overcome. 
The  development  of  the  chain  the- 
er  idea — as  noted  in  many  preced- 
g  issues — has  materially  affected 
le  sales  possibilities  of  the  distribu- 
TS.  In  all  probability  there  are  to- 
ly  perhaps  30  per  cent  less  buyers 
lan  two  years  ago.     Another  proof 

the   trend. 

ttl      What    Nell    Gwyn    would   do   to   those 
tlantic    City    Beauties! — Advt. 


Scene  from  Pauline  Frederick's  greatest  picture,  "The  Nest."  Produced  by 
Excellent  Pictures  Corporation  from  the  William  A.  Brady  stage  success. 
Personally  directed  by  Will  Nigh. — Advt. 


West  Coast  Deal 

Final    Papers    Likely    to    be    Signed 

About  March  7  in  Los  Angeles — 

Hoyt  Syndicate  to  Control 

Attorneys  representing  Sol  Lesser 
and  the  Richard  Hoyt  Syndicate, 
which  will  take  over  control  of  the 
West  Coast  Theaters,  reached  an 
agreement  yesterday  that  will,  for  all 
practical  purposes,  place  the  West 
Coast  in  the  hands  of  the  syndicate 
sometime  after  March  7. 

As  noted  in  yesterday's  issue,  the 
Hoyt  syndicate  includes  Hayden, 
Stone  &  Co.  and  a  number  of  fran- 
chise holders  and  important  execu- 
tives of  First  National  Pictures. 

Sol  Lesser  will  likely  leave  for  the 
Coast  in  a  few  days.  A  number  of 
signatures   will   be   necessary   for   the 

(Continued   on  Paye  4) 

Foreign  Canvass  On 

Continental     Governments     Carefully 

Surveying  Film  Situation  to  End 

American    Control 

Los  Angeles — The  Times  reports 
by  cable  from  Paris  that  the  economic 
importance  of  motion  pictures  and  its 
tremendous  value  for  propaganda  arc 
causing  the  principal  governments  of 
Europe  to  canvass  the  situation  with 
a  view  to  making  concerted  efforts  to 
halt  the  steadily  increasing  American 
domination   of  that  field. 

The  dispatch  says  the  first  move 
seems  to  be  carefully  scattered  innu- 
endoes that  the  American  domination 
(Continued  on  Page  4) 


Trying  to  Reorganize 

Moves  on  by  Davis  and  Vital — David 
Hochreich  Announces  Brand-New 

Company 
Davis  Distributing  Division,  Inc. 
for  which  a  receiver  in  equity  was  ap- 
pointed last  week,  is  endeavoring  to 
effect  a  reorganization.  A  number  of 
conferences  for  this  purpose  are  under 
way. 

Matthew  Sentncr,  receiver  for  Vital 
Exchanges,  has  ordered  an  examina- 
tion of  A.  L.  Price  of  the  Associated 
Banking  Corp.,  and  others  interested 
in  the  company,  but  at  the  same  time 
reports  that  the  business  is  continu- 
ing as  usual,  but  under  his  direction. 
He  added  that  out-of-town  exchange 
allies  had  voiced  their  sympathy  with 
the   reorganization  idea. 

JiCoiitinncJ  on  Page   4) 


Big  Deal  in  "Labs" 

Extended  Negotiations  Between  Con- 

;  Dlidated    and    Rothacker    Plants 

Reported  Near  a  Close 

egotiations  between  the  Consoli- 
d  d  Film  Industries,  Inc.,  and  Wat- 
te )n  R.  Rothacker  covering  a  pe- 
ric  of  almost  two  years,  are  reported 
ne       consummation. 

-nsolidated,  operating  the  Erbo- 
gr^i-h.  Republic  and  Craftsmen  labor- 
atories in  the  East  and  the  former 
Standard  plant  in  Hollywood,  figures 
in  the  reports  in  a  dual  role.  One 
story  has  it  that  the  company  has 
purchased  outright  the  Rothacker 
plant  in  Chicago  and  the  Rothacker- 
Aller  "lab"  in  Hollywood.  The  other 
angle  is  that  Rothacker  and  Consoli- 
dated are  figuring  on  a  consolidation 
similar  to  the  one  embracing  Erbo- 
graph  and  Republic  and  .  Craftsmen 
and  which  brought  Consolidated  into 
existence. 

(Continucit  on  Page  4) 


Report  Favorably  on  News  Reel  Bill 

Albany,  N.  Y. — The  Assembly 
Ways  and  Means  Committee  has  re- 
ported favorably  the  bill  which  pro- 
vides that  news  reels  may  be  shown 
without  censorship.  The  measure  was 
introduced  by  Assemblyman  F.  T. 
Davison  (R).  No  opposition  has  ap- 
peared and  the  bill  will  be  passed  in 
the  Assembly  shortly.  A  similar 
measure  has  been  brought  before  the 
upper  house  by  Senator  J.   G.   Webb 

(R.). 


First  Run  Confab 

T.    O.    C.    C.   to   Discuss   Bronx  and 
Queens  Situation  at  a  Conference 

to  be  Held  Shortly 
It    is   understood   the   T.    O.    C.    C 
members  will  hold  an  important  con- 
ference   in    about    a   week   relative   to 
what  is  always  an  important  problem 
with  them:  the  question  of  a  different 
allocation    of    product    so    that    mem- 
bers can  secure  a  share  of  first-runs. 
The  situation  in  the   Bronx  and   in 
Queens  is  to  be  discussed  at  length. 
In    the    meantime    members    are    dis- 
cussing    the     methods     of     bringing 
about  a  concentrated  buying  power  to 
(Continued  on  Page  4) 


Shaw  Turns  Down  Warner  Offer 

George  Bernard  Shaw,  who  reject- 
ed Samuel  Goldwyn's  offer  of  several 
years  ago  to  sell  his  plays,  has  turned 
down  another  generous  bid  from 
Harry  M.  Warner,  according  to  yes- 
terday's Herald-Tribune.  Warner 
stated  before  leaving  London  that 
Shaw  would  not  even  see  him. 


Deny  Split  with  Universal 
Omaha — Reports  that  John  Hostet- 
tler  -has     severed    connections     with 
Universal  to  join  the  Goldberg  Bros, 
circuit  are  denied. 


Metro-Goldwyn  Name  Change 
The  corporate  title  Metro-Goldwyn 
Corp.,  was  changed  yesterday  to  the 
Metro   Goldwyn    Corp.    of   Delaware, 
headquarters  in  New  York. 


Walsh  Through  with  Chadwick 
George    Walsh,    who    arrived    from 
the    Coast   yesterday,    has    completed 
his   Chadwick  contract. 


Edeson  Continues  with  De  Mille 
Hollywood — Robert    Edeson's   con- 
tract with  Cecil  B.  De  Mille  has  been 
extended. 


THE 


-;xi^. 


DAILY 


Thursday,  February  25,1926 


ViL  XXXV  No.  48    Thursday,  Feb.  25, 1926   Prici  5  Cents 

Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  AHcoate,  Treasurer  and  Business  Man- 
■ger ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wtlk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
»736-4737-4738-4739.  Cable  address :  Filmday, 
■Jew  York.  Hollywood,  California — Harvey 
Sf  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Gr%nite  3980.  London — Ernest  W.  Fredman, 
Thi  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
francaise,   5,  Rue  Saulnier. 


Quotations 


1W% 

2554 


High 

Balaban  &   Katz   ..69^ 
Eastman    Kodak    ..111 
Famous    Players    .  AlZYi 
•Fam.    Play.'   Pfd. 
Film    Inspection    . 
•First    Nat'l    Pfd. 
Fox    Film    "A"    . 
Fox  Theaters  "A" 
•Intern'l  Projector 
Loew's,     Inc.     . . . 

♦Metro-Gold.    Pfd. 
M.    P.    Cap.    Corp. 
Pathe    Exch.    "A" 
•Skouras    Brothers 
*Stan.   Co.   of  Am. 
Trans-Lux      ...... 

Universal  Pictures 
•Univ.  Pict.  Pfd. 
Warner  Brothers 
Warner    Pict.    Pfd. 


Low 

6854 
110^ 
118'^ 


5^  IV2 


68 


zryi    38^ 


24J4 
72 


11^ 
38 


16 

11^ 


22y2 

691/2 


11 
38 


Close 

697^ 
110^ 
12014 
120^ 

106 
69 

25?4 

11 

38^ 

23J4 

22  J4 

70 

47 

39 

n% 

38 
93 

15H 
11^ 


Sales 

600 
17,000 

100 

4,800 
3,100 

2,700 

4,300 


3,500 
100 

400 
100 


•   Last  prices  quoted. 


Weshner  Joins  Scott 
David  Weshner  leaves  for  the  Coast 
Saturdav  to  enter  production  with 
Lester  F.  Scott,  producer  of  the  Bud- 
dy Roosevelt,  Buffalo  Bill,  Jr.,  and 
Wally  Wales,  westerns.  Weshner  has 
been  handling  publicity  for  Charles  C. 
Burr.  Scott  expects  to  leave  tomor- 
row. Dick  Thorpe,  one  of  his  direc- 
tors, is  in  Havana  on  a  vacation. 

Newspaper  Women's  Ball  on   12th 

The     Newspaper     Women's     Club 

will  hold  its  annual  ball  at  the  Ritz 

on  March   12.     AH  of  the  prominent 

stars    then   in   the    East   will   attend. 


Hammell  Recovering 
John  Hammell  is  recovering  quick- 
ly from  his  recent  serious  illness  and 
leaves  the  hospital  today  for  home. 


FOR.     R-ENT 

BELL  -  HOWELL 
AKELEY  CAMERAS 

WttA  or  Without  Cameramen 


SEIDEN    CAMERA    EXCHANGE 

729  Seventh  Ave.  N.YC. 
Bryant   39S 1 


Some    New    Corporations 

Several  companies!  have  received 
charters  in   Albany,  among  them: 

The  Oxford  Producing  Co.,  capitalized  at 
$30,000,  headquarters  in  New  York.  B. 
Schrier,  A.  Nunesand,  W.  E.  Berkowitz  are 
incorporators.  J.  S.  Klein,  of  1560  Bway., 
acted    as    attorney. 

"Just  Life,"  Inc.,  of  New  York,  formed 
by  W.  O.  Lindsey,  S.  Roseman  and  W.  Gor- 
ham.  The  attorney  is  J.  W.  F.  Thompson, 
36    Madison    Ave. 

Embassy  Finance  &  Service  Co.,  also  of 
New  York,  of  which  A.  Thompson  and  E. 
Bregstein  are  the:  incorporators.  H.  G. 
Kosch,    1540    Bway.,   is  representative. 

Namkcid  Amusement  Corp.,  New  York. 
Capital  $10,000.  Incorporators,  A.  Nunes 
and  B.  Schrier,  both  incorporators  of  Ox- 
ford   Producing    Co. 


Dover,  Del- — The  Vince  M.  P. 
Corp.,  capital  $75,000;  John  Gorman 
Prod.,  Inc.,  capital  $25,000,  and  the 
Ardmore  Theater  Co.,  capital  $10,000; 
have  received  charters  here.  The 
Corporation  Guarantee  &  Trust  Co. 
acted  as  attorney  for  the  Vince  com- 
pany and  also  Ardmore,  while  Gor- 
man Prod,  was  represented  by  the 
Corporation  Service  Co. 


Bardy  Co.,  Philadelphia,  Bankrupt 

Philadelphia — At  a  meeting  of  the 
stockholders  of  the  Bardy  M.  P.  Ma- 
chine Co.,  it  was  voted  to  put  the 
organization  into  bankruptcy,  al- 
though sufficient  funds  are  not  avail- 
able for  the  purpose.  The  company 
which  was  capitalized  at  $250,000, 
absorbed  all  the  patents  and  assets 
of  the  Bardy  Projector  Co.,  organ- 
ized primarily  to  develop  and  market 
a  projector  on  which  Sam  Bardy 
spent  several  years  of  experiment. 


"Bill"  Fairbanks  in  New  Series 

Hollywood  —  William  Fairbanks 
will  appear  in  a  new  series  of  eight 
"Thrill-O-Dramas"  for  Lumas.  The 
initial  picture  will  be  "The  Mile-A- 
Minute  Man,"  in  which  Fairbanks 
will  be  supported  by  Virginia  Brown 
Faire,  George  Periolat,  Jane  Keck- 
ley,  George  Cheseboro,  Hazel  How- 
ell, Paul  Dennis  and  Barney  Furey. 


To  Confer  on  Zoning  System 
Columbus,  O. — A  committee  con- 
sisting of  N.  B.  Horwitz,  of  Cleve- 
land; A.  Simmons.  Akron;  J.  J.  Har 
wood,  Cleveland,  has  been  appointed 
to  represent  the  Ohio  M.  P.  T.  O. 
in  a  conference  to  be  held  with  the 
Film  Board  of  Trade  in  Cleveland, 
regarding  the  zoning  system. 


Charles   Hutchinson  in  Town 

Charles  Hutchinson  has  arrived  in 
New  York  from  the  Coast  with  the 
third  and  fourth  episodes  of  the  series. 
"Lighting  Hutch,"  of  which  he  is 
star  and  director.  Arrow  will  re- 
lease. 


British  Nat'l  Opens  Here 

British  National  Pictures,  Ltd. 
have  opened  a  New  York  office  in 
the  Strauss  Bldg  with  C.  L.  Yearslev 
in  charge.  Yearsley  will  work  with 
Famous  on  the  exploitation  of 
"Nell  Gwvn." 


Wyoming  Theater    Opens 

Thermopolis,    Wyo.  —  Wm.     Dela- 
hoyde    opened    the    Whiting    Sunday. 


Fischers  Add  Another  to  Chain 

Milwaukee  —  A  theater  to  cosi 
$750,000  will  be  erected  in  Oshkosh 
by   the    Fischer   Paramount   theaters. 


lik 


Stanley- W.    &  V.   Deal? 

Philadelphia — It  is  reported  nego- 
tiations are  pending  between  the 
Stanley  Co.  and  Wilmer  &  Vincent 
for  the  purchase  of  the  latter's  in- 
terests in  the  theaters  now  operated 
jointly    by    the    two    companies. 


The  local  office  of  Wilmer  &  Vin- 
cent declares  the  above  report  to  be 
without    foundation. 


James  to  Build  1,500  Seater 

Colunil)us,  O. — The  Ohio  James 
Amusement  Co.,  a  new  chain  organi- 
zation headed  by  Wm.  James,  will 
erect  a  1,500  sent  theater  in  Clinton- 
ville,  a  suburb  of  Columbus,  and  cost- 
ing $250,000.  The  house  will  first 
have  a  straight  picture  policy,  but 
later  will  add  road  shows. 


Pictures   Supplanting   Road   Shows? 

Richmond,  Va. — In  a  recent  issue 
of  "The  Times-Dispatch",  the  follow- 
ing  appears,    editorially: 

"From  the  theatergoer's  viewpoint, 
the  small-time  road  show  is  in  straits. 
Such  a  town  as  Richmond,  for  in- 
stance, sees  nowadays  a  dozen  or  so 
first-rate  performances  of  good  plays, 
whereas  ten  or  even  five  years  ago 
it  was  iiccustomed  to  seeing  30  or 
more  in  the  same  period  of  time. 
Partly,  the  movies  are  the  cause.  *  *  *  " 


Three  Vehicles  Selected  for  Banky 

Hollyv.ood — By  arrangement  with 
Samuel  Goldwyn,  Vilma  Banky  is  to 
start  work  immediately  opposite  Ru- 
dolph Valentino  in  "A  Son  of  a 
Sheik,"  to  be  made  by  Joseph  M. 
Schenck.  Following  that,  she  will 
appear  in  "The  Winning  of  Barbara 
Worth,"  with  Ronald  Colman  oppo- 
site, and  then  "Beauty  and  the  Beast." 
in  which  Colman  will  also  have  the 
lead. 


"Roxy"   to    Quit   Radio 

"Roxy"  broadcast  last  night  for 
the  last  time  until  his  new  theater 
opens    in   the   fall. 


Weiner  in  Philadelphia  for  A.  E. 

E.  J.  Smith,  of  Associated  Exhibi- 
tors, Inc.,  has  appointed  H.  E. 
Weiner  Philadelphia  branch  man- 
ager. 


STOCK  SCENES 

NEGATIVE  AND  POSITIVE 

PR  rN  T  S 

Stone  film   Library 

■J20   W.    42nd    St.  ROOM    303 

Phone    Wisconsin    3770 


IF  YOU  ARE  IN  THE 
MARKET  FOR  ANY  KIND  OF 

MOTION  PICTURE 
APPARATUS 

CONSULT  US- AND  SAVE  MONEY 
SEND  FOR  OUR  PRICE  LIST 


Chas.  G.  Willoughby,  Inc. 
Motion  Picture  Department 
110  West  32nd  St..  New  York 
Phone    Penn.    6564 


Midwest   Film  Adds  to   Chain 

Kansas  City — Midwest  Film  Dist 
Inc.,  has  added  another  theater  to  il 
chain,  the  Casino  at  Excelsic 
Springs,  which  has  been  acquire 
from  R.  B.  Christian,  effective  Marc 
1.      "Curley"    Wilson   will   manage. 


This  is  a  'Cornerblock'  cut  {urnisfa( 
FREE  for  all  Pathecomedies  at  yoi 
exchange. 


WATCH  THIS  SPACE  FOR 

GREATER 


to  Wonrdei 


1 


.'    -y.  ..."-* '^'  ■ 


/ 


■!^. 


fi's-*^  « 


ms  (Biigir 
m 


■  ■  ■    * 


BEMIMD 


.^ 


RRONH 


"UGH  WrLEvl?'^  "^^f^"     BY 


^Mg^aB^aro^^aMyiiJ 


THE 


■oM^ 


DAILY 


Thursday,  February  25,  1926  I  1^ 

I  Iliiirsii 


Kiddie  Problem  Up 

Up-State     Exhibitors    in    Albany    as 
Proponents  of  Measure  Allowing 

Minors  in  Theaters 
Albany — The  question  of  whether 
children  bteween  10  and  16  years  shall 
or  shall  not  be  permitted  to  attend  the 
picture  theaters  unaccompanied  by  a 
parent  was  discussed  at  a  public  hear- 
ring  before  the  Assembly  Cities  Com- 
mittee on  the  proposed  law  intro- 
duced by  Assemblyman  Freiberg  of 
Buffalo.  At  the  last  session  of  the 
Legislature  a  similar  bill  was  defeat- 
ed, but  since  that  time  considerable 
sentiment  has  developed  in  favor  of 
the  enactment  of  such  a  law. 

The  principal  speaker  in  support  of 
the  measure  was  Valentine  E. 
O'Grady  of  Buffalo,  representing  up- 
state exhibitors  who  was  of  the  opin- 
ion that  the  bill  would  correct  many 
of  the  evils  in  connection  with  chil- 
dren attending  theaters.  He  stated 
that  the  Women's  Club  of  New  York 
and  the  Erie  County  Federation  of 
Women's  Club  numbering  18,000,  fa- 
vored the  bill.  Representatives  of  the 
Society  of  Prevention  of  Cruelty  to 
clnildren   spoke   against   the    measure. 


Big  Deal  in  "Labs" 

(Continued  jrom  Page   1) 

H.    J.    Yates    of    Consolidated    said 
last   night: 

"We    have    been    discussing    a    deal 

L        for    two    vears.    but    there    has    been 

\      nothing  closed." 
}  Rothacker  is  at  present  in  the  Med- 

,        iterranean  on  a  cruise. 

'  Consolidated   took  over  the   G.   M. 

laboratory  from  Jules  E.  Brulatour 
several  months  ago  and  is  now  about 
to  open  it.  The  plant  is  a  modern 
one  and  will  have  a  capacity  of  2,000,- 
000  ft.  a  week.  The  G.  M.  plant  was 
one  of  three  which  Brulatour  planned 
to  operate  in  order  to  offset  the  activ- 
ities of  the  now  inoperative  Allied 
Laboratories  Ass'n.  It  never  became 
active  because  of  a  subsequent  agree- 
ment by  which  the  Allied  members 
agreed  not  to  use  any  foreign  raw 
stock. 


New  Exchange  for  Salt  Lake 

Salt  Lake  City — A  new  film  ex- 
change building  will  be  erected  here. 
Leases  have  been  sierned  and  plans 
prepared   for  a   $200,000  structure. 


Doug  and   Mary  to  Start  for  N.  Y. 

Los  Angeles — Douglas  Fairbanks 
and  Mary  Pickford  expect  to  leave 
for  New  York  Tuesday  on  the  first 
lap    of    their    world    tour. 


Seider  Much  Better 

Joseph  M.  Seider,  who  suffered  a 
nervous  breakdown  last  week  and  is 
at  present  resting  in  Atlantic  City, 
will  return  to  his  desk  sometime  next 
week. 


"La  Boheme"  Opens 

"La   Boheme"  opened  last   night  at 
the   Embassy. 


First  Run  Confab 

(Continued   from   Patje   1) 

influence  important  distributors  into 
pllncatine  some  first-runs  to  indepen- 
dent theater  owners  as  against  the  im- 
portant local  circuits,  such  as  Locw 
and  Keith. 


West  Coast  Deal 

(Continued  from  Page   1) 

final  papers  to  become  effective.  It  is 
anticipated  that  all  of  these  signatures 
will  have  been  affixed  and  the  final 
papers  will  be  signed  in  Los  Angeles 
about  the  date  indicated. 

The  Gore  brothers  will  have  charge 
of  the  operation  of  the  property,  and 
Sol  Lesser  will  resign  from  the  or- 
ganization, although  he  will  for  some 
time  remain  on  the  directorate. 

Lesser  has  no  definite  plans  for  the 
future.  In  all  likelihood  he  will  take 
a  long  rest  before  again  becoming  ac- 
tive in  pictures.  A  silly  report  was 
published  yesterday  that  he  had  I)een 
in  Atlantic  City  with  Adolph  Zukor 
over  the  Washington  Birthday  holi- 
daj^  As  a  matter  of  fact  he  was  va- 
cjitioning  in  Pinehurst,  N.  C.  He  ad- 
mitted yesterday  that  he  had  no  defi- 
nite plans  for  the  immediate  future. 

The  First  National  franchise  for 
Southern  California,  as  well  as  a  large 
part  of  the  New  York  franchise  is  in- 
cluded in  the  deal. 

For  his  share  of  the  West  Coast, 
approximately  30  per  cent.  Lesser  will 
receive  over  $1,100,000,  the  first  pay- 
ment of  which  is  to  be  25  per  cent, 
and  the  remaining  payments  carry 
over  a  period  of  about  18  months. 


Trying  to  Reorganize 

(Continued  from  Page   1) 

David  R.  Hochreich,  president  of 
Vital,  announced  vesterday  that  he 
had  formed  tlie  World  Wide  Film 
Corp.  with  offices  at  25  Broadway. 
The  company,  he  explained,  will  be 
a  $5,000,000  corporation:  will  have  30 
exchanges  here  and  in  Canada  and 
branches  abroad.  He  stated  there  \\\\\ 
be  a  total  of  not  less  than  67  offices 
handling  his  product  which  in  1926- 
1927  will  consist  of  52  features,  52 
comedies.  2  serials  and  short  reel  nov- 
elties. F.  Dudlev  Kohler,  receiver  for 
some  of  the  Vital  creditors  was 
named  as  first  vice-president  and 
treasurer  :  Milton  Keftipner,  one  of 
the  three  creditors  who  threw  Vital 
into  bankruptcy,  the  secretary  and 
Henrv  E.  Genet,  assistant  treasurer. 

This  information  was  embodied  in 
a  verbose  statement  in  which  Hoch- 
reich discussed  the  Vital  situation.  He 
claims  he  did  not  know  internal  dis- 
sension had  reached  the  point  where 
a  "complete  disorganization"  was 
about  to  occur.  He  accuses  the  in- 
terests behind  Vital  with  retrenching 
shortly  after  the  sales  convention  here 
in  December.  In  this  connection  he 
maintains  half  of  the  sales  force  was 
discharged  and  salaries  discontinued. 
He  added  that  later,  certain  employ- 
ees of  Vital  learned  that  the  control- 
ling financial  interests  contemplated 
applving  for  a  receivership,  contend- 
ing they  had  only  made  a  series  of 
loans. 

Hochreich,  at  another  point,  asserts 
when  he  became  fully  aware  of  the 
state  of  affairs,  he  negotiated  to  buy 
control  of  Vi<.-iJ,  but  that  he  could  not 
even  obtain  an  option.  Then,  accord- 
ing to  his  statement,  he  arranged  with 
his  backers  to  float  another  company 
snd  in  this  manner,  describes  how 
World    Wide    Film    came    into    being. 


Two  Weeks  for  "Cohens  and  Kellys" 

"The    Cohens   and    Kellvs"   will   be 
held  another  week  at  the  Colony. 


Foreign  Canvass  On 

(Continued  from  Page   1) 

of  the  cinema  may  produce  political 
complications.  Generally  the  Euro- 
pean nations  express  the  fear  that  the 
popularity  of  the  American  films  con- 
stitutes a  subtle  persuasion  of  Eu- 
rope's masses  to  see  all  questions 
from  the  American  point  of  view  and 
this  may  some  day  be  used  to  swing 
public  opinion  in  important  interna- 
tional disputes,  the.  article  declares 
and  continues: 

"In  France,  as  in  all  other  important 
European  countries,  there  is  passionate  dis- 
cussion, though  often  in  whispers,  as  to 
how  the  government  can  use  its  political 
power    to   protect    the   home   cinema   industry. 

"But  %yhat  the  French  lack,  as  well  as 
the  English,  German  and  Italians,  is  pro- 
ducers and  personnel,  not  to  speak  of  the 
marvelously  efficient  American  methods, 
against    which    Europe    is   unable   to    compete. 

"In  the  view  of  many  heated  European 
patriots,  American  films  with  jazz  consti- 
tute a  flank  attack  supporting  the  American 
financial  penetration.  Hitherto  Europe's 
efforts  to  hold  the  trenches  have  been  fruit- 
less. Nearly  all  the  European  producing 
concerns  are  either  fighting  for  their  lives 
or  are  living  by  permission  of  American  in- 
terests. 

"Meanwhile,  American  interests  are  en- 
gaged in  an  intensive  campaign  to  buy  up 
European  theaters  and  to  crowd  out  local 
producers.  European  film  men,  therefore, 
are  divided  into  two  classes — those  who 
have  given  up  the  fight  for  importance  and 
have  sold  out  to  Americans,  virtually  be- 
coming American  agents,  and  those  who  are 
fighting  for  elbow  room  by  alliance  with 
tlie  Americans,  that  is,  producing  films  with 
Americin  stars,  money,  photography  and  lo- 
cal    labor. 

"The  national  film  congress  recently  called 
in  Tt.ily  to  revive  Italian  motion  pictures 
was  called  ofif  at  the  last  minute  when  it 
was  realized  that  inevitably  it  would  be  a 
failure. 

"In  these  circumstances  the  film  men  of 
France  and  Italy,  as  well  as  those  of  Eng- 
land and  Germany,  are  urging  such  desper- 
ate measures  by  their  govtrnments  as  pro- 
hibitive tariffs  a-nd  the  compulsory  exhibi- 
tion   of   national    films. 


Would  Tax  Receipts 

New     Move     On     In     British     Press 

Against     American     Films — Idea 
Gaining   Momentum 

Several  English  newspapers  have 
launched  a  campaign  to  tax  Ameri- 
can producers  on  the  gross,  similar 
to  proposed  legislation  in  New  South 
Wales.  According  to  the  Herald- 
Tribune  the  promoters  of  this  cam- 
paign alle.ge  that  the  British  Treas- 
ury is  losing  at  least  £500,000  an- 
nuallv  because  American  companies 
are  dodging  payment  on  the  income 
tax  on  pictures  exhibited  there.  It 
is  charged  that  most  of  the  big 
American  production  firms  which  are 
able  to  be  registered  separately,  as 
the  limited  liability  companies  are 
actually    controlled    from    America. 

If,  the  dispatch  states,  an  Ameri- 
can film  makes  a  profit  of  £100,000 
in  Eneland  the  American  controller 
will  charge  th^  Enelish  subsidiary 
company  with  £80,000  as  part  of  the 
cost  of  the  manufacture  of  the  pic- 
ture. With  this  charge  and  other 
distributing  costs  in  England,  which 
are  re.-koned  at  about  40  per  cent, 
there  is  generally  a  paper  loss  on 
these  transactions  and  as  there  is  no 
paper  profit,  so  there  is  no  income 
tax   to  pay. 

This  camoaicn  to  tax  American 
company  magnates  is  gathering  in 
intensitv  as  fhn  time  approaches  for 
Chancellor  of  the  Exchequer  Church- 
ill   to   frame   his  budget. 


America  Interested? 

Producers    Reported    Willing    to    Fi- 
nance  Pictures   for   German   Ex- 
hibitor  Organization — Rejected 

Berlin — It  is  reported  here  several 
important  American  producers  have 
offered  considerable  sums  of  money 
to  the  recently-formed  German  M. 
P.  Syndicate— the  Deutsche  Licht- 
spiel  Syndicat— to  finance  production. 

The  D.  L.  S.  was  organized  re- 
cently primarily  to  offset  American 
film  mfluence  within  Germany. 
While  it  will  seek  to  secure  an  ad- 
justment of  rentals,  one  of  its  pur- 
poses is  to  later  enter  production  on 
a  cooperative  basis.  It  is  here  that 
the  reported  financial  assistance  from 
America  enters.  However,  the  pro- 
posals   have    been    rejected. 

Emil  Schilling,  of  Cologne  i 
president  of  the  D.  L.  S..  which  hai 
hxed  membership  fees  at  3,000  mark« 
a  sum  which  is  prohibitive  for  th 
rank   and    file   of   German    theaters 

'^Tr^^,  Decembrists,"  Soviet  Film   ' 

_  Washington— "The      Russian      Re- 
view"   reports     the     most     importan 
film   event   of  the   current   season   it™ 
Russia    IS    the    release    of    "The    Del 
cembrists,"    in    connection    with    the*i 
100th   anniversarv   of  the  uprising  of 
Dec.   14,  1825.     The  picture,  in  scale, 
surpasses  anything  made  to  date  by 
the  Soviet. 


1   ' 


Race   Over  Tennis   Films 

The  incoming  Olympic  vesterdaj, 
brought  in  first  pictures  of  the  Willsl 
Lenglen  tennis  match  at  Nice.  Boti 
Fox  News  and  Pathe  News  sent  tugs 
down  the  bay  to  take  off  the  negatives 
and  rushed  them  through  the  labora- 
tories. 

Here  is  what  the  principal  Broai 
way  theaters  reported: 

Capitol— Fox  at  2:30. 

Colony — Pathe    at    3. 

Rialto — Fox,    time   not    recorded. 

Rivoli — Fox,    time    not   recorded. 

Strand — Pathe  at  3 


yorli 
Idco 
.iiioi 


hn.v, 
J.i;  t( 

(tilJet.  • 
llbU!, 

:l  Oil 
Iil2tl.  K. 

fccl-radi, 

Ii(nl(B, 
Iltoitt  Co 
Ci:.,iil  }5( 
St''  loJ 
I,  .It,  .\e< 

l.tlbai)', 
,  Ktf 

IflUO,  I 

\A. 


•  khuj- '. 
Voii 

titaj, 


Sons,  Inc., 
Ilmi  litil  ii 


Vork 

:  tide 

lit.'  .\llfe 

I  .lfc«y. 
Jim  Vorli 
fci,W.  A 
Bay,  X™ 


McManus   Cartoons  to   Stems 

Negotiations  between  the  Sters 
Bros.,  and  George  McManus,  can 
toonists,  have  just  been  completel 
whereby  the  Sterns  get  screen  rightl 
to  the  cartoons  "Let  George  Do  It.' 
Stern's  1926-1927  schedule  now  er 
braces  six  series. 


Patsy  Ruth  Miller  a  Star 
Hollywood— Patsy  Ruth  Miller  ha 
been  elevated  to  stardom  by  Warne 
Bros.  Her  old  contract  has  expire! 
and  an  option  taken  up.  She  will  stal 
in  four  this  season,  one  to  be  directeq 
by   Ernst  Lubitsch. 


.\lbny. 
|K(»  Vorl 
lO'Learr, ; 

AIllffiY. 

I!«c.,  Br'osl 
t'O.OOfi,  }, 

fmj;  ^• 

■\:':,.. 
I  '"It  Enitii 

m  Atto 

I  Allcr:  * 
TiH 

Alldit, 
jog  Co.,  K 

k  pwjeci 
lontv,  H) 


■iloajt. 

itw  y;,i 

Mricli  S 


Four  Runs  for  "Ben  Hur" 

With  the  opening  in  Boston  Ivlon 
day  last,  "Ben-Hur"  is  now  showing 
in  New  York,  Chicago,  Philadelphia, 
and  Boston.  These  will  be  the  only 
engagements  anywhere  until  next 
autumn. 


Series  from   Howes,   Sullivan,   Perrin 

Contracts  have  been  signed  by  W. 
Ray  Johnston,  president  of  Rayart 
Pictures,  whereby  Reed  Howes,  Billy 
Sullivan  and  Jack  Perrin  will  each  ap 
pear  in  new  series  of  eight  on  next 
year's  schedule. 


■  -at 

iiill 


ittui 


illM>'l>1il 


i 


Thursday,  February  25,  1926 


Incorporations 

Albany,  N.  Y. — Display  Service  Corp., 
New  York;  display  devices.  Capital  $100,- 
000.  Tncorporators,  A.  Blanek,  and  A.  Zan- 
ger.  Attorney,  M.  E.  Scliattman,  160  broad- 
way,   New    York. 


u-taa 


ZS?BK: 


moiVB 


DAILY 


Albany,  N.  Y.— Crystal  Palace  Theater, 
Buffalo;  to  operate  theaters.  Capital  $100,- 
000.  Incorporators,  B.  Colgrove  and  J. 
Oiiilder.      Attorney,    C.    Oishel,    Buffalo. 


Albany,   N.   Y.^Fitzer-Kenniore   Co.,    Syra- 
nse.       Capital     $50,000.       Incorporators,     M. 
I'ltzer,    K.    Fitzer   and   M.    Fitzer.      Attorneys, 
Mackenzie,   Smith   &   Lewis,   Syracuse. 


Trenton,  N.  J. — Central  and  Harrison 
I  heater  Corp.,  Newark;  to  operate  theaters. 
I  ipital  $50,000.  Incorporators,  A.  Karl,  S. 
S'  tel  and  C.  F.  Preuss.  Attorney,  David 
l'>'i<er,    Newark. 


.Ubany,  N.  Y. — Boheme  Film  Producing 
(  o..  New  York;  to  produce  and  distribute, 
tapital  $10,000.  Attorneys,  Le  Piccole  & 
Satriano,    Italian    Savings    Bank    Bldg.,    New 

York. 


Albany,  N.  Y. — Kingdon 
New  York;  to  produce. 
Attorneys,  Bloomberg  & 
Broadway,    New    York. 


Productions,  Inc., 

Capital     $10,000. 

Bloomberg,     1482 


Baird  and  O'Connor  Signed  by  Beck 

Hollywood — Leah  Baird  and  Frank 
O'Connor  have  been  signed  by  Ar- 
thur Beck  to  collaborate  on  scripts 
for  Embassy  pictures.  O'Connor 
will  also  direct.  His  first  will  be  the 
initial    iclease    through    Universal. 


German  Author  Arrives 

Ludwig  Biro,  playwright,  arrived 
yesterday  on  the  S.  S.  Deutschland. 
He  will  leave  immediately  for  the 
Coast  to  write  scenarios.  He  is  the  au- 
thor of  "Czarina"  and  "Moonfiower." 


Albany,  N.  Y. — Henry  M.  Hobart  Produc- 
tions, Inc.,  New  York;  to  operate  theaters 
and    deal    in    negative    and    positive    film. 


Albany,  N.  Y. — Greater  Service,  Inc., 
New  York.  Capital  $75,000;  to  operate 
thater  ticket  agency.  Attorney,  R.  C.  Bow, 
342    Madison    Ave.,    New    York. 


Albany,  N.  Y.— E.  H 
New  York ;  to  operate 
$25,000.  Attorney,  J.  F. 
way,    New    York. 


C.  Realty  Corp.. 
theaters.  Capital 
Facob,    111    Broad- 


Another  Tennek  Deal 

Los  Angeles — Arrangements  have 
been  made  between  L  E.  Chadwick 
and  Jesse  J.  Goldburg  with  Sid  Smith, 
for  the  production  of  12  two-reel  com- 
edies to  be  made  under  supervision  of 
Goldburg,  for  Tennek  release. 

Koppin  Takes  Larger  Quarters 

Detroit — George  Koppin  has  taken 
the  entire  third  floor  of  the  Peninsu- 
lar State  Bank  Bldg  as  offices.  He 
has  just  added  the  Catherine  to  his 
siring,  leasing  it  from  Richard  Lynch. 


Joseph  Stem  Incorporates 

Trenton,  N.  J. — The  Joseph  Stern 
Theatrical  Enterprises,  Newark,  has 
been  chartered  here  to  act  as  holding 
company  for  Stern's  theaters  and 
realty  ventures.  Capital  $125,000,  and 
incorporators:  J.  Israel,  L.  Stern  and 
J.    Karu. 


Wilmer  &  Vincent  House  Opens 

Easton.  Pa. — The  State,  a  new  Wil- 
mer &  Vincent  house,  which  cost 
$600,000,  has  opened  under  supervi- 
sion of  J.  Fred  Osterstock. 


Sam  Bullock  111 

Columbus,  O. — Sam  Bullock,  for- 
mer field  representative  for  the  Ohio 
M.  P.  T.  O.,  is  seriously  ill  at  his 
home    with    congestion    of   the   lungs. 


Albany,  N.  Y. — The  Presentation  Company 
of  New  York,  Inc. ;  to  produce  and  stage 
presentations.  Capital  $10,000.  Attorney, 
P.   R.   Gordon,   790   Broadway,   New   York. 


Theater   Stockholder   Dies 

Louis  Cohen,  a  large  stockholder 
in  Small-Straseberg  circuit,  is  re- 
ported among  the  missing  as  a  re- 
sult of  ?.  hotel  fire  at  Hurleyville, 
N.  Y.  on  Monday. 


Poor  Business  Causes  N.  W.  Closings 

Seattle — Houses  in  St.  John,  La 
Crosse  and  Endicott,  all  in  Eastern 
Washington,  have  closed  because  of 
poor  business. 


Lloyd  Replies  to  Davis 

Hollywood— The  suit  of  $250,000 
damages,  filed  by  Owen  Davis, 
against  Harold  Lloyd,  is  the  refiling 
of  a  former  suit  that  was  dismissed 
on  a  technicality,  according  to  the 
Lloyd  studios.  Davis  charges  "Why 
Worry"  was  pirated  from  "The  Ner- 
vous Wreck."  Demand  of  plaintiff  of 
an  injuction  to  prevent  further  exploi- 
tation of  the  picture  will  have  little 
result,  according  to  the  Lloyd  studio, 
since  "Why  Worry"  was  released  two 
years  ago. 


Industry    Loses   a    Friend 

St.  Louis— W.  K.  Matthews,  edi- 
torial direction  of  "The  Times"  and 
a  warm  friend  of  the  industry,  is 
dead  here. 


Plan    New    House   for    Austin,    Tex. 

Austin,  Tex.— J.  L.  Brown,  owner 
of  the  Texas,  is  negotiating  for  prop- 
erty on  Guadalupe  St.,  where  he  plans 
tc.  have  a  new  theater  ready  by  June  1. 


Daniels  Troupe  Depart  for  Soutn 

Bebe  Daniels,  heading  a  company 
of  30,  yesterday  started  for  Miami,  to 
begin  "The  Palm  Beach  Girl  "  ^"*•'- 
Kenton  is  directing. 


Earl« 


Albany,  N.  Y. — Shelter  Producing  Co., 
New  York.  Capital  $600.  Attorney,  J.  A. 
O'Leary,   220    Broadway,   New   York. 


Albany,  N.  Y. — Dolinsky  Concessions, 
Inc.,  Brooklyn ;  to  operate  theaters.  Capital 
$20,000.  Attorney,  J.  L.  Bernstein,  5  Beek- 
man    St.,    New    York. 


Albany,  N.  Y.— William  K.  Hedwig  Pic- 
ture Enterprises,  New  York.  Capital  $10,- 
000.  Attorney,  H.  H.  Oshrin,  1476  Broad- 
way,   New    York. 


Albany,  N.  Y. — ^Woodrock  Amusement 
Corp.,  Queens  Borough ;  to  operate  theaters. 
Attorney,  S.  Goodman,  1560  Broadway,  New 
York. 


Albany,  N.  Y. — A.  and  L.  Film  Advertis- 
ing Co.,  New  York;  to  manufacture  advertis- 
ing projection  machines.  Capital  $1,000.  At- 
torney,   Hyman    Turchin,   New   York    City. 


Albany,  N.  Y. — Avenue  Investing  Corp., 
New  York;  to  operate  theaters.  Attorneys, 
Enrich  &  Maticher,  67  Exchange  Place,  New 
York. 


New  B.  and  K.  House  Opens  March  1 

Chicago — Balaban  &  Katz's  new- 
est, the  Norshore.  on  Howard  St., 
near  Clark,  will  open  on  March  1. 
It    seats    3,000. 


"Charley's   Niece"   Now  "Oh   Baby!" 

Al  Lichtman,  now  making  his 
first  picture  at  the  Tec  Art,  has 
changed  its  title  from  "Charley's 
Niece"  to  "Oh  Baby!" 


Bray  and  Darmour  on  Coast 

Los  Angeles — J.  Bray  and  L.  J. 
Darmour,  the  latter  vice-president  of 
the  Standard  Cinema  Corp.,  are  here 
conferring  with  Joe  Rock  on  produc- 
tion and  distribution. 


Big  Campaign  for  "U"  Westerns 

Universal  will  shortly  launch  an  ex- 
tensive national  exploitation  cam- 
paign for  "The  Flaming  Frontier," 
which  opens  at   the  Colony  in   April 


Urges  Discontinuance  of  Showings 

Minneapolis — Declaring  that  in- 
flammable films  are  used  in  pubic 
schools  here  and  non-union  operators 
employed,  the  Minneapolis  operator's 
union  has  requested  the  discontinu- 
ance of  such  showings  in  local 
schools. 


DeMille  Signs  Rudolph  Schildkraut 

Hollywood — Rudolph  Schildkraut 
has  been  placed  under  contract  by 
Cecil  B.  DeMille.  He  will  first  ap- 
pear in  "Young  April." 


Sailing  to  Open  London  Office 

R.  T.  Cranfield  sails  for  London 
on  the  20th  to  open  an  office  in 
London  for  Cranfield  and  Clarke. 


Split   Policy  at  Schade's   House 

Sanduskv.  O.— On  March  1,  George 
Schade  will  introduce  a  combination 
vaudeville  picture  policy  at  the 
Schade. 

Keith-Albee  House  Opens  Sunday 

Youngstown,  O.— The  new  Keith- 
Albee  theater  opens  Sunday  with  a 
three-a-day  picture  and  vaudeville 
policy. 


Albany,  N.  Y. — Noiram  Realty  Corp., 
Long  Island  City  ;  to  operate  theaters,  hotels 
and  restaurants.  Capital  $150,000.  Attor- 
neys, Hallinan  &  Gros,  35  Na.ssau  St.,  New 
York. 


Albany,  N.  Y.— 275  Grove  Street  Corp., 
New  York.  Incororators,  A.  Snyder,  A. 
Greenberg  and  A.  Rappaport.  Attorney,  L. 
H.   Baer,   1440   Broadway,   New  York. 


Albany,  N.  Y.— Studio  Electrical  Acces- 
sories Co.,  New  York;  to  distribute  electri- 
cal accessories  to  studios.  Incorporators,  A. 
Tackson,  H.  Bittel  and  J.  Strong.  Attorneys, 
United  States  Corp.,  150  Broadway,  New 
York. 


Trenton.  N.  J.— Valisburg  Theatrical  En- 
terprises, Inc.,  Newark;  to  operate  theaters. 
Capital    $50,000. 


H.  B.  FILMS,  Inc. 


announce  a  motion  picture 
for  early    release   entitled 

"THE  CITY  OF  SIN 

All  rights  fully  protected 


»» 


AN  EASTER  WEEK 
SPECIAL! 

"George  Fredrick  Haodel" 

ONE  OF 

James  A.  FitzPatrick^s 

FAMOUS  MUSIC  MASTERS 
SERIES 

A  One-Reel  Masterpiece 

Issued  with  full  orchestrations, 

including  solo  piano  and  organ 

parts  compiled  by 

Hugo  Riesenfeld 

Picturizing  Handel's  Famous 

LARGO 
and  HALLELUJAH  CHORUS 

The      greatest      Easter      Week 
music  ever  written 


Booked     direct     to  First'    Run 

Theatres      anywhere      in      the 

United     States! 


FitzPatrick  Pictures,  Inc. 

729  Seventh  Avenue  N.  Y.  C. 

Order  your  Print  andMusic  now! 


A  COMPLETE  LABORATORY 
AND  TITLE  SERVICE 


NEW   YORK 

-iivn 

jir,Djsif~5 

FORT  LEE,  N.  J 

72)   7<h  Ave. 

H/? 

^mf^ 

Ton  In  16»-7 

9nM  54;o.i 

■-lei 

J^at^o*^^ 

M( 

ll.l.YWOOD 

- 

They  re  all  playing 
FOX  FOR  PROFITS! 


Two  great  triumphs  come  to  the  screen 
with  this  one. 

A   personal   triumph    for   that   popular 
young  artist,  Olive  Borden. 

A  producing  achievement  for    Fox  Film 
Corporation. 

This  picture  has  S.  R.  O. 
written  all  over  it. 


f^Jie 


lAA 


't^^^st-;?--^. 


""'^^o^'^^^t 


Am 

.a  s' 

llayei 

xitel 

D,  1 


i  It  S' 


I  wilt 


P  a: 


&f- 


J 


Pox'Hlm  Corporatioiv 


-I'l'ltlnfltiB^--- 


lost 


i-^i'inilS; 

ike 
lithf 
iias 
Meet: 

Uec 

BOIDf 

1  eve 

'^e  in 

•ysta 

f  'lere 


jiorne 

Sit 
IIS»e; 

fise. 

N. 

!tO 

'  lince, 


•IK^—^ 


■r 


iTHE 

rAe  brAdstreet 

»/  FILMDOM 


)L.  XXXV    No.  47 


Friday,  February  26,  1926 


Price  5  Cents 


I" 

In: 


BOHEME 

By  DANNY 
Another    big    money    maker, 
th  King  Vidor's  name  on  it. 
started  with  "The  Big  Par- 
"      And    "Boheme,"    which 
1  will  doubtless  play  ahead  of 
other  success  (which  will  be 
d  shown)    again   hits.     Also 
)ther  success  for  Metro-Gold- 
n-Mayer. 
Countless  people  know  the  story  of 

Boheme"  from  the  famous  opera, 
fortunately  the   score  of  the  great 
poser,    Puccini,    cannot    be    used 
h   the    picture.      But    a    fine    score 
s    prepared    for    the    picture,    and 
times  it  seems  remarkably   similar 
some   of    the   more   popular   melo- 
s  of   the   opera.     This    score    will 
ibtless    be   obtainable;    and    should 
used  with  the  picture, 
.illian    Gish    makes    her    debut    in 
Dheme,"  and   gives  a  striking  per- 
mance    as    Mimi,    the    seamstress, 
in    Gilbert    is    remarkably    fine    as 
dolpho.     At    times,    together   they 
e   a    marvelous    performance,    es- 
;ially    in    their    early    love    scenes 
ich    brought    applause    time    and 
lin  from  the  notable  first  nighters. 
The  story  of  "Boheme"  is  wistfully 
,  almost   tragic,   especially   at   the 
I  when  Mimi  dies.     But  the  wom- 

folk    who    like    love    stories    will 
't   their    full    of    weeping,    and    as 

Plunkett  put  it,  they  should  serve 
ra  handkerchiefs  to  the  ladies  with 
h  admission.  Not  a  bad  idea, 
nto  the  tender  story  of  this  love 
lir  of  the  artists  quarter  of  Paris, 
lor    has    put    many    fine    touches; 

(production  shows  much  care  and 
ught,  especially  in  the  detail,  and 
entire  cast  is  superb.  There  are 
ne  moments  where  the  story  tugs 
d  at  even  the  hardest;  and  where 
rs  are  inevitable, 
vlany  stars  visiting  town  from  the 
ast  were  on  hand.  The  usual  crowd 
annoying  fans  with  their  autograph 
)ks  were  on  hand  to  bother  them, 
in  Gilbert  and  Norma  Shearer  hid 
a  corner  of  the  theater  to  keep 
m  the  mob,  and  Mae  Murray  was 
lost  swept  from  her  feet  as  she  left 
house.  Police  protection  was  of 
le  avail.  Even  Mayor  Walker  had 
able  to  get  by.  These  pestering 
majcel  Broadway  openings  an 
loyance. 

t  will  be  interesting  to  watch 
ether  "Boheme"  breaks  the  seven 
nths'  record  set  by  "The  Merry 
dow"  at  the  Embassy. 


PH 

HHB' 

Mi 

E^ 

^^^^H, 

■■.-«.:> 

H|^^^^^^^^H^^  ^^B  ^^P 

^ 

tmt^^^^^^^K^'    '^     1 

1 

fck3^^  L 

mt 

^n 

1 

Hj 

^^K,           ''^^^^^^^^^^^^^1 

1 

^^H 

^^^H 

■ 

Scene  from  Pauline  Frederick's  greatest  picture,  "The  Nest."  Produced  by 
Excellent  Pictures  Corporation  trom  the  William  A.  Brady  stage  success. 
Personally  directed  by  Will  Nigh.— Advt 


Pathe  at  Peak 

1925  Financial  Statement  Will  Show 

Record    Earnings,    According    to 

Wall    Street    Belief 

It  is  understood  from  authoritative 
sources  having  their  origin  in  Wall 
Street  that  the  financial  statement  of 
Pathe  Exchange,  Inc.,  for  1925  will 
show  record  earnings  for  that  com- 
pany. The  statement  is  now  in 
preparation. 

Pathe  has  applied  to  the  Board  of 
Governors  of  the  Stock  Exchange 
to  increase  its  issue  from  190,000  to 
290,000  shares  of  common.  This  is 
no  par  value  stock  of  which  about 
160,0006  shares  are  in  now  on  the 
exchange. 

Late  in  January,  Elmer  Pearson 
stated  to  the  "Wall  Street  Journal" 
that  1925  will  be  one  of  Pathe's  best 
years. 


New  Glass  Starts 

35  Enrolled  in  Publix's  Theater  Man- 
agers School  —  12  Paramount 
Managers  to  Take  Course 

The  second  class  of  Publix  Theater 
Managers  Training  School  has  com- 
menced. The  class  was  welcomed  by 
John  F.  Barry,  director  of  the  school. 
Terry  Ramsaye,  author  of  "A  Mil- 
lion ai<d  One  Nights— A  History  of 
the  Motion  Picture,"  delivered^  the 
first  of  a  series  of  lectures  on  "The 
History  of  the  Motion  Picture." 
■  Twelve  managers  and  assistant 
managers  of  Publix  theaters  will  take 
this  course.  A  total  of  35  is  enrolled, 
{Continued  on  Page  7) 


Stocks  Moving 

Famous,  M.  P.  Capital  and  Fox  Ac- 
tive on  the  Exchange — Denial  of 
New  Paramount  Issue 

Motion  picture  stocks  have  been 
generally  absorbed  during  all  of  the 
recent  reactionary  period  on  the  Stock 
Exchange  under  the  leadership  of 
Famous  and  M.  P.  Capital  Corp. 

The  American  reported  yesterday 
that  Famous  has  been  influenced  by 
the  report  current  on  the  Street  that 
the  separation  of  the  theater  holdings 
from  production  and  distribution  is 
to  result  in  the  flotation  of  a  new  is- 
sue. This  was  denied  yesterday  by 
(Continued  on  Page  3) 


Verdict  foi  Ccmmuiiwcakh 

Supreme  Court  Justice  Gibbs  yes- 
terday decided  a  $6,220  verdict  for 
Commonwealth  in  a  suit  filed  by  that 
exchange  against  East  Coast  Films, 
Johnny  Hines  and  C.  C.  Burr.  The 
action  was  based  on  the  sale  of  "The 
Speed  Spook"  by  East  Coast  to  Com- 
monwealth for  this  territory.  The 
papers  alleged  Commonwealth  paid 
$22,000  for  the  rights  and  was  guar- 
anteed a  $35,000  gross,  with  East 
Coast  to  make  up  the  deficit  if  there 
should  be  any.  Commonwealth  took 
in  $29,156,  it  was  alleged.  Therefore 
the  court  ordered  payment  of  the 
difference,    $6,220. 


Philbin    as    Juliet 

Los  Angeles — Mary  Philbin  will 
star  in  "Romeo  and  Juliet"  for  Uni- 
versal. 


PPy.    pretty    Nell    Gwyn    makes    Dorothy 
I   box    office   girl  1 — Advt. 


Suit  Over  Invention 

Los  Angeles  —  Several  producers 
are  named  in  a  suit  filed  by  Pierre 
Artigue  who  claims  to  be  the  person 
through  whose  invention  the  produc- 
tion of  shadowgraphs  was  made  pos- 
sible He  alleges  producers  have 
made  $1,000000  to  date  through  his 
scheme  and  that  he  has  received 
nothing. 

Education  Board  Frowns  on  Bill 

The  Board  of  Education  yesterday 
voiced  disapproval  of  the  measure 
now  before  the  legislature  in  Albany, 
which  would  permit  children  under 
16  years  of  age  to  attend  theaters 
without  a  parent  or  guardian. 


New  Paramount  Director 

Los  Angeles — Famous  has  elevated 
John  Waters  from  assistant  director 
to  full-fledged  director.  His  first  will 
be  "The  Deer  Drive,"  a  Zane  Grey 
yarn. 

"Uncle"   Smith   Retires 
London— George  Henry   ("Uncle") 
Sni^th  has  resigned  as  director  of  the 
Vitagraph  Co.  of  England,  which  po- 
sition he  held  since    1907. 


Fox  in  Baltimore  March  1 

Baltimore— It  is  understood  Fox 
will  take  possession  of  the  Century, 
Garden,  Parkway  and  New  on 
March  1. 


Norma  Talmadge  was  at  one  time 
to  appear  in  the  famous  Shakespearian 
love  story.  Samuel  Goldwyn  more 
recently  announced  his  intention  of 
producing  it.  However,  he  refused 
to  discuss  the  matter  yesterday. 

Capitol  and  Dependable  Merge 

The  Capitol  Film  Exchange  and  the 
Dependable  Film  Exchange  yesterday 
signed  contracts  in  a  distribution  mer- 
ger, whereby  the  former  will  distribute 
Dependable's  product.  In  the  future 
both  concerns  will  buy  product  to- 
gether, but  separate  sales  forces  will 
be  maintained.  Both  operate  in  the 
New    York    territory. 

Ash  Coming  to  New  York? 
It  is  reported  but  unconfirmed  that 
Paul  Ash  whose  jazz  band  has  been 
an  unprecedented  success  at  the  Mc- 
Vicker's,  Chicago,  will  be  brought  to 
New  York  in  the  fall  to  play  at  the 
new  Paramount  theater. 


tHC 


j?B^ 


DAILV 


Friday,  February  26,  1926  B^ 


Vol  XXXV  No.  47      Friday,  Feb.  26, 1926     Pries  5  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FiOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man 
ager;  Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
»736-4737-4738-4739.  Cable  address  :  Filmday, 
3tw  York.  Hollywood,  California — Harvey 
£  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Gs-^nite  3980.  London — Ernest  W.  Fredman, 
Ttt  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  1.,  Paris — La  Cinematographie 
francaise,   5,  Rue   Saulnier, 


Quotations 

High 

Low 

Close 

Sales 

Balaban   &  Katz    . 

68J4 

68 

68 

.... 

Eastman    Kodak    . 

.111 

11054 

110/ 

500 

Famous    Players     . 

.niVi 

118 

118 

10,500 

Fam.    Play.    Pfd.    . 

.112/8 

12154 

121/ 

200 

*Film  Inspection   . 

5/ 

First  Naf  1  Pfd.   . . 

lOS-^ 

105/ 

105/ 

400 

Fox   Film    "A"    .. 

.   70H 

67/ 

67/ 

3,500 

Fox   Theaters   "A" 

.   26^ 

25/ 

25/ 

2,800 

Intern'l    Projector. 

.    13 

12 

12 

500 

Loew's,  Inc.  ' 

38M 

38/ 

38/ 

2,000 

Metro-Gold.   Pfd... 

.   23^ 

23/ 

23/ 

200 

M.  P.   Cap.  Corp., 

.   23'A 

22  J^ 

22  J4 

5,000 

Pathe   Exch.   "A". 

.    73 

69/ 

69/ 

1.500 

Skouras    Bros.    . . . 

.   49H 

49  H 

49J< 

.... 

*Stan.   Co.  of  Am. 

39 

.... 

Trans-Lux   

■  n% 

11 

11 

2.800 

'Universal  Pictures 

.     ,  . 

38 

.... 

*Univ.  Pict.  Pfd.  . 

.     .  . 

9i 

Warner  Brothers   . 

.    15/ 

15/ 

15/ 

300 

*Warner    Pictures. 

11/ 

.... 

*  Last   prices    quoted. 

In  "Duchess   from  Buff aT6"^:;r^ 

Los  Angeles  —  Constance  Tal- 
madge's  next  picture  will  be  "The 
Duchess  from  Buffalo."  This  will 
be  followed  by   "Silky  Ann.' 


TTTe 


"eater  Encroachments   Next 

"The  Official  Bulletin,"  organ  of 
the  M.P.T.O.  of  A.,  states  that  the 
next  problem  it  will  take  up,  will  be 
theater   encroachments. 


♦♦♦♦♦♦♦♦♦♦♦#♦♦♦♦♦♦♦♦♦♦♦♦♦♦•♦♦♦•♦•♦••♦♦♦♦♦•♦*•♦♦♦** 

I  Ward  Cine  laboratory,  Inc.  i 

ii  216-222   Weehawken   St.         J]{ 

\i  Union  City,  N.  J.  Ij 

II    Telephone  Union  4800  ii 

\\  G.  BERT  WARD,  Pres.  j-j 

•♦..♦•♦♦♦.♦♦.♦♦.♦  ♦.♦  ♦,♦  ♦,♦  ♦.♦  *.*  ♦.*  ♦,*  ♦.♦  ♦.♦  ♦.♦♦.*  ♦.♦  ♦.* '  .♦♦.^.♦*>*M 


^b6im^^; 


Properly  Present  Your  Photoplaj' 


New   $180,000   Bronx   Theater 

The  Bronx  will  have  another  new 
theater.  Plans  have  been  filed  for  a 
new  house  to  be  erected  on  Webster 
Ave.,  near  Ford  St.  It  will  be  a  two- 
story  theater-store  structure  and  cost 
$180,000. 


Columbia    Staff    Enlarged 

Hollywood  - —  Columbia  has  made 
several  appointments  to  the  produc- 
tion staff.  Harry  L.  Karr  is  general 
production  manager.  Art  and  techni- 
cal work  will  be  in  the  hands  of 
Amos  Myers,  formerly  with  Marshal 
Neilan.  The  installation  and  hand- 
ling of  the  new  electrical  equipment 
will  be  in  the  hands  of  Bert  Wayne. 

The  staff  of  writers  has  been  aug- 
mented by  George  Scarborough, 
Douglas  Bronson,  Thomas  Hopkins 
and  Paul  Gangelin.  E.  A.  Patterson 
is   in   charge   of  studio   publicity. 


New  Print  Process 

John  F.  Lyons,  for  ten  years  with 
Joe  Miles  and  for  six  with  First  Na- 
tional, has  taken  over  the  National 
Filni  Renovating  and  Process  Co.  of 
729  7th  Ave.  The  company  holds  a 
cleaning  process  which  lengthens  the 
life  of  prints.  Lyons  states  18  First 
National  exchanges  are  already  equip- 
ped with  the  apparatus  and  that  Fam- 
ous, United  Artists  and  Educational 
are   about   to   inaugurate   the   service. 


Next  Week  on  Broadway 

Features  at  Broadway  theaters  next 
week  include:  "Broken  Hearts,"  at 
the  Cameo;  "Ibanez'  Torrent,"  Capi- 
tol; "The  Cohens  and  Kellys,"  Col- 
ony; "The  Cave  Man,"  Rialto;  "Let's 
Get  Married,"  Rivoli,  and  "Irene,"  at 
the  Strand.  "The  Cohens  and  Kel- 
lys" and  "Torrents"  are  hold-overs. 


"Stone    Hall    of    Nations" 

The  Paramount  theater,  now  under 
construction  in  Times  Square,  will 
have  a  "Stone  Hall  of  Nations." 
Stones  from  32  foreign  countries  have 
been  collected  by  representatives  of 
Famous  and  these  will  be  placed 
around  the  lobby  with  plates  and  ap- 
^opriate  panels. 


"Winnie  Winkl^fcm-*ilms 

Chicagc^— Martin  M.  Brannelty>(vho 
pens  the  "Winnie  Winkle"  cartoons, 
syndicated  throughout  the  country  by 
the  Chicago  "Tribune,"  has  signed 
with  the  George  and  Billy  West  M. 
P.  Corp.,  to  make  a  series  of  two- 
reel  comedies  based  ojj...-th€  comic 
Sti^p_^__ 

Discourafite  "Notoriety"  Contracts 

R.  F.  Woodhull,  president  of  the 
M.  P.  T.  O.,  yesterday  secured  the 
support  of  publicists  and  advertisers 
belonging  to  the  A.  M.  P.  A.  to  dis- 
courage contracts  with  persons  who 
possess  no  real  talent  and  who  seek 
only  to  commercialize  notoriety 


Holmes  Transferred  to   Coast 

Ned  Holmes,  Fox  exploitation  di- 
rector, has  been  transferred  to  the 
studio.  Charles  Cohen,  formerly  his 
assistant,  has  been  placed  in  charge 
of  the  department. 


Harris  Left  $1,500,000 
Pittsburgh— Senator  John  P.   Har- 
ris, who  died  recently,  left  an  estate 
of  $1,500,000. 


Grainger  on  Sales  Trip 

James  R.  Grainger,  general  sales 
manager  of  Fox,  left  yesterday  for 
the  Middle  West.  He  will  visit  Chi- 
cago, St.  Louis,  New  Orleans  and 
Atlanta. 


Lubitsch's  Next,  "Reveillon" 

Los  Angeles — Ernst  Lubitsch's  pic- 
ture to  follow  "The  Door  Mat"  will 
be  "Reveillon."  Monte  Blue  will  have 
the  lead. 


Sailing  April  3 
Los    Angeles — Mary    Pickford   and 
Douglas  Fairbanks  sail  for  Europe  on 
April  3rd.    They  leave  for  New  York 
Tuesday. 


Dembow  Quits  Fox  for  Kane 

George  F.  Dembow,  for  the  past 
two  years  manager  of  the  Cchicago 
office  of  Fox,  has  resigned  to  become 
general  manager  of  the  Robert  T. 
Kane  Enterprises. 


"Pompeii"  Sold  to  C.  &  M.- 
London— English  rights  to  the  Ital- 
ian spectacle  "The  Last  Days  of  Pom- 
peii," have  been  sold  to  C.  &  M.  Prod. 
Carmine  Gallone  is  the  producer  of 
the  new  version. 


White  Signs  "Big  Boy" 

Hollywood — Jack  White  has  sign- 
ed "Big  Boy,"  two  year  old  star  of 
Educational  Juvenile  comedies,  for 
next  year's  series. 


De  Putti  in  "Satan"  Cast 

Lya  de  Putti,  Hungarian  actress, 
who  arrived  in  New  York  recently, 
has  been  selected  for  an  important 
lole   in   "The    Sorrows  of   Satan." 


Selects   Final   Title 

Los  Angeles — "The  Runaway"  is 
the  final  title  of  William  De  Mille's 
current  picture,  made  as  "The  Flight 
to    the    Hills." 


Von  Hierberg  Convalescing 

Seattle — J.  H.  Von  Herberg,  who 
was  seriously  ill  last  fall  in  New 
York,  is  now  in  California  convales- 
cing from   septic   poisoning. 

Cleveland  House  Opens 

Cleveland — Max  Lefkowitz  and  Abe 
Polster,  who  operate  one  of  the 
largest  chains  in  this  city  has  opened 
their   new    Lyric. 


Lew  Borzage  to  Assist   Frank 

Hollywood— Lew  Borzage,  brother 
of  Frank  Borzage.  Fox  director,  will 
assist  his  brother  in  the  direction  of 
"Early   to  Wed." 

Beck  Signs  Frederick 

Hollywood — Arthur  Beck  states  he 
has  signed  Pauline  Frederick  for  four 
features,  under  the  Embassy  banner. 


Hanshaw  Leaves 

Dale  Hanshaw,  president  of  Sierra 
Pictures,  is  on  his  way  to  the   Coast. 


WANTED 
Dark   room   man   for    film   laboratory. 
Must  have  all  around  training.     Write 
giving  references  and  past   experience 
also   salary   desired. 

Box  M292 
c-o  Film  Daily     1650  B'way,  N.  Y.  C 


i 


'\ 


New  Fresno  House  for  Pantagec 

Fresno,    Cal.— The    $2,000,000    tl 
ater    being    erected    here    will    hoi 
Pantages  vaudeville  and  pictures.  T 
structure  also  contains  a  12  story 
fice  building. 


Pommer    Sails    Tonight 

Erich  Pommer,  former  managi 
director  of  the  Ufa,  sails  on 
Olympic  tonight  for  Berlin.  He  T 
probably  produce  on  his  own  in  G 
many. 


Negri    in    "Naughty    Cinderella' 

Hollywood — -"Naughty  Cinderell 
Avery  Hopwood's  farce,  has  been  pi 
chased  by  Famous  for  Pola  Nej 
Mai  St.  Clair  will  direct  and  T< 
Moore  will  have  the  lead. 


iiaya 

,  Strie 
i]Illvai> 


'  Rav 

.:*,  las 
:;tions 
?ii!liv 
jspear 
Kst  yt 
'le  Hoi 
ii  and 


iwn. 


5 


Fac; 
1"  "Tt 
'  Scoi 

Rem 

im'es  I 
Ho 


This  is  a  'Cornerblock'  cut  furnisl 
FREE  for  all  Pathecomedies  at  y^ 
exchange. 


iV 


i\WATCH    THJS  SPACE  FOm 

G  RE  ATER 


lectei 

The' 


PRODUCTION 


1926—27 


"THE  GOLDEN  WElm 
by  E.  Phillips  Oppenhei  I 


'Ecan, 
tar:- 


(( 


t*i^   T» »" 


PETER  THE  GREATS 

in  NAT! 

''KING  OFTHEPACl  LAB( 

"SINEWS    OF    STEEI 
by  Ed.  J.  Neagher 


1 


riday,  February  26,  1926 


THE 


-:7H^ 


DAILY 


Rayart's  New  List 

;w    Series    With    Howes,     Perrin, 
Sullivan — Stories  in  Most  In- 
stances Selected 

W.  Ray  Johnston,  president  of 
lyart,  has  signed  new  contracts  for 
oductions  starring  Reed  Howes, 
lily  Sullivan  and  jack  Perrin,  each 
appear  in  three  groups  of  eight 
1  next  year's  program. 
The  Howes  pictures  will  be  pro- 
iced  and  directed  by  Harry  J. 
rown.  Stories  purchased  include 
The  Racing  Fool,"  "The  Night 
wl,"  "The  Kentucky  Handicap," 
The  Scorcher,"  "The  Birdman," 
The  Romantic  Rogue."  "The  Lost 
imited"  and  "The  Royal  American." 
Stories  for  Perrin  are:  "Where 
orth  Holds  Sway,"  "Hi-Jacking 
ustlers,"  "The  Code  of  the  Range," 
The  Grey  Devil."  "A  Ridin'  Gent," 
A/^est  of  the  Rainbow's  End,"  and 
rhunderbolt's  Tracks."  One  story 
yet  to  be  selected. 
The  Sullivan  series  includes  "Smil- 
g  Billy,"  "The  Trouble  Shooter," 
Jpeedv  Fists,"  "The  Soeed  Cop," 
[Tie  Heart  of  a  Coward,"  "The  Gal- 
nt  Fool,"  "Daring  Deeds"  and  "The 
lent  Alarm." 

Rayart  has  also  closed  with  H.  H. 
an  Loan  for  three  stories  to  be  used 
the  series  of  "Ravart  Superior  Melo- 
amas."  They  are  "The  Midnieht 
fatch,"  "Surging  Seas,"  and  "The 
ixie  Fiver."  Others  will  include 
;peed  Crazed,"  "The  Show  Girl," 
ymoke  Eaters,"  "Step-Sisters"  and 
le  more  to  be  selected. 
Billy  West  will  appear  in  four  com- 
ly  dramas  the  first  three  to  be  "The 
uckv  Fool."  "The  Trouble  Chaser," 
Thrilling  Youth"  and  one  to  be 
lected. 

The  balance  of  the  Rayart  pro- 
am  will  be  26  Ravart-Radiant  Com- 
lies,  produced  bv  Morris  R.  Schlank. 
aturing  Bobby  Rav.  and  four  serials. 
he  first  will  be  "The  Masked  Pilot," 
arring  Rex  Lease  and  Kathryn  Mc- 
uire.  The  second,  "Troooer  IIT 
'ightin^r  for  F?me"  will  be  the  third, 
d  the  fourth  is  yet  to  be  selected. 
Johnston  will  go  to  the  Coast  short- 
to  consult  with  these  units  first. 


Plans    Boy    Scout    Serial 

Rayart  will  produce  "Scotty  of  the 
•outs."  a  Boy  Scout  serial,  for  next 
ason's    distribution. 


Roach   Signs  Mabel   Normand 

Los  Angeles— Hal  Roach  has  sign- 
1  Mabel  Normand  to  appear  in  one 
imetly. 

Richard  Wallace  will  direct. 


i'Rin-Tin-Tin"  Injures  His  Master 

Los  /.ngeles— "Rin-Tin-Tin"  acci- 
'  ntally  knocked  his  master,  Lt.  Lee 
iiincan,  over  a  cliflf  on  location. 
'uncan  received  a  broken  leg  and 
ther  inturies.  


NATIONAL     EVANS 
LABORATORIES,   Inc. 

Developing — Printing — Titles 

1476  Broadway 
Tdephones  Bryant  9330-9331 


Divided  Over  Tax 

New   South   Wales   Papers   Disagree 

Over  Proposed  Drastic  Measure 

Against    American    Films 

Sydney — Leading  newspapers  here 
take  opposite  views  on  the  proposed 
provincial  tax  against  the  gross  on 
American  pictures. 

The  Daily  Telegraph  attacks  the 
bill  in  no  uncertain  manner  and  de- 
clares it  is  iniquitous.  This  opinion 
is  based  on  the  fact  that  £20,000,000 
are  invested  in  Austrahlan  picture 
theaters.  Over  25,000  people  are  em- 
ployed permanently.  The  newspaper 
argues  that  90  per  cent  of  the  em- 
ployees are  Australians  and  therefore 
denounces  the  proposed  measure  as 
pure  class  legislation.  Aside  from 
that,  of  the  100,000  000  people  who 
paid  admissions  last  year.  New  South 
Wales  contributed  40,000,000,  most 
of  them  workers,  small  farmers  and 
low   wage   earners. 

The  Sun  declares  the  State  esti- 
mates it  loses  £25,000  yearly  through 
non-payment  of  taxes  on  American 
pictures.  Thirty  million  people  who 
paid  admissions  last  year  will  be 
forced  to  pay  so  much  more,  the  paper 
maintains.  The  Sun,  like  the  Daily 
Telegraph,  says  it  is  absurd  to  main- 
tain that  distributors  do  not  pay  in- 
come tax.  John  W.  Hicks  of  Para- 
mount states  his  company  pays  on  an 
average  of  £4,000  a  year  in  Federal 
and  State  levies. 

F.  H.  Doyle,  managing  director  of 
Union  Traders,  Ltd.,  has  told  the 
Morning  Herald  that  the  legislation 
would  hit  his  company — whi(ch  is 
purely  Australian — as  it  would  the 
others. 

The  Sunday  Times  forecasts  a  situ- 
ation which  will  prove  even  more 
alarming  to  American  companies. 
This  newspaper  states  legislation 
similar  to  this  bill  is  being  framed 
in  other  Provinces  of  the  Common- 
wealth. "In  a  very  short  time,"  as- 
serts the  Times,  "the  whole  of  Aus- 
tralia will  be  in  a  position  to  insist 
that  these  profiteering  outlanders 
shall  either  pay  or  get  out." 


De  Mille  House  to  Seat  1,100 

Hollywood— The  legitimate  theater 
which  "Cecil  B.  De  Mille  will  erect 
at  Vine  St.  and  Hollvwood  Blvd.  will 
cost  $400,000  and  seat  1.100.  ac- 
cording \o  plans  fited  by  MyVon 
Hunt  and  H.   C.  Chambers. 


Florida    House   Threatened    by    F  re 

Jacksonville,  Fla— Quick  work  of 
firemen  prevented  the  Duval  frorr 
being  totally  destroyed  by  fire  when 
a  blaze  broke  out  hack  stagc^ 


NOW    BOOKING 

St.    Patrick's    Day    Special 

week  of  March  Uth.  Fleischer 

Ko-Ko  Song  Car-Tune 

"HAS  ANYBODY  HERE 

SEEN  KELLY?" 

Hand  Colored  by  Brock 


7J9    S«*«nth  Av«.,   N.  Y.   C. 
DISTRIBUTORS 


Fake  Scheme  in  South 

Advertising  Solicitors   Defraud  Exhi- 

tors — Money  Collected,  But  Films 

Are    Not   Forthcoming 

Atlanta — The  next  solicitor  who 
comes  South  to  perpetrate  a  film  ad- 
vertising scheme  involving  theaters  is 
likely  to  find  anything  but  a  healthy 
reception.  And  even  though  he 
should  represent  a  sound  concern,  he 
would  fiPid  hard  sledding  in  uhis  sec- 
tion where  resentment  is  strong  for 
one  F.  J.  Halsey  and  the  Imperial 
Films  of  Boston,  and  the  Monarch 
Film  Co.  of  Boston. 

The  aforesaid  Halsey,  who  put 
over  his  scheme  in  Charleston,  S.  C, 
and  later  in  Gainesville,  Fla.,  each 
time  to  Lis  evident  satisfaction,  since 
he  secured  and  cashed  checks  from 
merchants  participating  in  the  plan, 
but  to  the  consternation  of  those  mer- 
chants as  well  as  the  theaters  in- 
volved, since  films  were  not  delivered 
found  a  third  victim  before  his 
schemes  were  uncovered. 

That  third  victim  is  J.  M.  O'Dowd 
of  the  O'Dowd,  Florence,  S.  C.  Hal- 
sey did  not  reap  a  very  rich  harvest 
in  Florence,  however,  because  most 
of  the  merchants  approached  remem- 
bered a  similar  scheme.  But  there 
were  two  concerns  which  fell  for  the 
scheme,  and  gave  their  checks  to  Hal- 
sey. Those  checks  were  cashed 
promptlv  and  came  back  to  the  mer- 
chants in  question  bearing  the  en- 
dorsement of  F.  J.  Halsey  with  the 
name,  "Imperial  Film  Co.."  written 
on  the  typewriter. 

But  no  films  were  delivered,  and 
although  O'Dowd  has  written  to  Hal- 
sey, he  has  never  received  any  reply. 


Keith  Robbery  Frustrated 

Syracuse,  N.  Y.— A  bold  attempt 
to  brtak  into  the  Keith  theater  was 
frustrated    by    a    night    watchman. 


Stocks  Movini» 

(Continued   jrom    I'lUic    I) 

Flek  J.  Ludvigh.  The  common  closed 
at  118  yesterday,  a  drop  of  2%  i)()inls 
over  Wednesday's  close.  Tlie  range 
was  high  121^.  low  118  and  close. 
118  and  the  sales,  10.500.  The  pre- 
ferred closed  at  \2\%.- -a  gain  of  ^^ 
points   over    Wednesday;    sales.   200. 

Larger  dividends  are  looked  from 
M.  P.  Capital  Corp.  The  stock  has 
been  active,  too,  of  late.  Yesterday 
range  was  high  23%,  low  22.)^  and 
close,    22.]i     The    sales   were    5,000. 

Fox  "A"  lost  1^  points  over  Wed- 
nesday's close  yesterday.  The  range 
was  high  70K;  'ow  67%  and  close 
67%.     Sales   3,500. 

Recent  selling  of  Fox  on  the  be- 
lief that  there  was  not  much  of  a 
spread  between  current  earnings  and 
dividend  rec|uirenients  has  led  an  offi- 
cial to  issue  a  statement  to  "set  reports 
at  rest."  He  states  that  the  companv 
will  show  earnings  for  1925  of  be- 
tween $9.50  and  $10  a  share  on  the 
averacre  amount  of  stock  outstanding 
and  $5.50  and  %6  a  share  on  total  stock 
now  outstanding.  He  further  said 
that  earnings  had  increased  rapidly 
since  September  of  last  year  and  that 
November  business  showed  an  in- 
crease of  140  per  cent.  "Total  as- 
sets of  the  company  are  eighteen  and 
one-half  times  the  current  liabilities," 
says  this  ofificial. 

The  statement  savs:  "Gross  busi- 
ness in  the  LTnited  States  and  Canada 
from  Sept.  1  to  Feb.  1,3  last  was  39 
per  cent  greater  than  in  the  same 
period  a  year  previous.  Gross  busi- 
ness in  other  countries  showed  an 
increase  of  19.3  per  cent  in  the  per- 
iod. These  figures  reflect  little  or 
none  of  the  possible  earnings  from 
the  almost  $7,000,000  of  new  money, 
about  25  per  cent  of  the  total  assets 
of  the  company,  obtained  by  the  new 
financing    in    1925." 


O    <^    >s    <u 

■■  -is 
U 


-5^ 


mm 


1  > 


;^=^  • 

Is  «^  o 

3       2 

TOO 

5-2< 


111  tc 

oc  o 

H  O 

<  u 

baoe 


(A 
111 


« 


■a 


O 
u 


C 
C 


o 


T3 


-73 

o 

(J 


00 

♦ 

o 

o  ^^ 


c 

O 

H 


o  .t:  ^ 


(L) 


a 

u 


i-< 


a; 


C/3 

03 

o 


SSox 


c  "^  ^ 
C  <L>  p 

cr  <L)  o 

0<(A 
IkMU 


111 

>- 
< 


Q 
O 

I 

O 

Ge 

111 


1 1 


I  -I 


i 


\\ 


I 

THE 


T 


-c^ai 


Q/^II^Y  Friday,  February  26,  16 


m 


I 


..:.. ill!l Illllllllllllll Illllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllillllllll^^ 


OUT  TOMORROW 

1 

Carl  Laemmle  Edition 


OF 


iDisi. 

■  111! 
ill 

kiiiid 
3  B, 
btral 
teise 

hi 

|:ki 


it  comp 
,     .i 

|],i;o 

is  W) 
to  pi 
oi  m 
Dnccnm 
Ibtp 
cittj,  t 


7Ae  BRADSTREET  ^^^M  VSVK|^r¥«RECOCMIZED 

ISIIIK 


Over  200  Pages 


A  Splendid  Tribute 


To 


(Cw: 

whon 

lliOB. 

« em 
Hows, 

Iprira 
b 

Ml 
I  JC 

;  fill  1 

'oi,  Kivt; 
.1. 

i;  I, 


1. 1-,. 

Ind, 

son, 
igan 
:>  51,1, 

..Ml, 

Vo, 

-;  L 

dort 


A  Wonderful  Personality 


DON'T    MISS    IT 


lllililllilllllillllllllillllllllllllliillRM 


fnv- 
"  4... 

¥«; 
hen 

■TSlI 

for  It 

Si 

■ghf.; 


h 


Friday,  February  26,  1926 


In  the  Courts 

The  Ideal  M.  P.  Co.  has  sued  Topical 
Inis,  Film  Library  and  Herbert  Miles  in 
■  Supreme  Court  for  $2,600.  The  plain 
I  alleges  that  the  defendants  sold  it  3 
•ial  for  $3,750,  but  failed  to  deliver  it, 
i  returned  $1,500,  leaving  due  the  sum 
id  for.  The  plaintiff  has  applied  for  an 
ler    to    take    the    testimony    of    Mrs.    I'au  a 

Rogers,  who  negotiated  the  terms,  be 
ISC  she  is  ill  in  the  Neurological  ilospitai 
I  will    be   unable    to    testify    ni    court    wne, 

case    is   called   soon. 


v'athan      Burkan,     wlio     holds     an      unpaid 
jjim:nt      for      $1,617      against      the      Grand 
ler    Dist.    Corp.,    which    is    unpaid,    has    ap 
id  in    the    Supreme    Court    lur    the    appo.iii 
It    of    a    receiver    for    the    company    becaus.. 
admitted    in    testimony     already    given     by 
liam     li.     Levy    and     Edward    James     tLai 
corporation    had    something    coming    from 
release    of    "Racing    l^uck,"    altliough    the 
ducers.    Banks    and    Triplett,    are   suing    to 
ul     the     contract.       'Ihe     sum     of     $19,000 
already     been     paid     into     court     in     the 
;.      All    the    property     of     Grand-Asher    is 
ined     under     an     assignment     to     him     by 
ineth    Sherburne   for   advances   of    $250,000 
tlie    company,    and    it    is    admitted    that    if 
"•'cts    all    its    assets    he    will    not    collect 
of  the  sum  due  him. 


ii.  H.  Carson,  who  received  a  judgment 
$J,170      against      Cosmoramic      Pictures, 

:li    is    unpaid,   has   app.ied   in   the   Supreme 

rt  to  punish  the  corporation  for  con- 
t  of  court  for  failure  to  appear  and  tes- 
concerning    its    ability    to    pay    the    judg- 

t.  The  papers  were  served  on  on  J  ames 
ackey,   treasurer   of    Cosmoramic,   and  an 

arance    was    ordered. 


New  Glass  Starts 

(Continued  from   Page    1) 

of  whom  are  students  who  have 
previous    experience    in    theater 

ration.  The  average  age  of  the 
is  28. 

hose  enrolled  for  the   session  are 

oUows: 

:orge    Baker,    Kansas    City,    Kans. ;    Louis 
mgarten,     Santa    ,Pauia„     Cal. ;     D.     K. 
tn.    New    York;    J.    A.    Coburn,    Auburn, 
Ray    Coller,    Lockport,    N.     Y. ;     Char- 
Conner,    Auburn,     Me. ;     Arthur     Cooper, 
a    Scotia;    W.   J.    Cotta,    Little   Compton, 
;    Paul    Doblin,    New    York;    Fred    Eh- 
Peoria,    111. ;    Al    Fourmet,    Atlanta ;    D. 
ox.    Riverside,    N.    J. ;    A.    Roy,    Cleve- 
A.     G.     Shear,     New     Orleans;     Louis 
,   New   York;   Roy   Slents,   Forth   Worth, 
E.    D.    Steel,   Lincoln,   Neb.;    R.    Stone- 
:,     Hampton,     la.;     M.     Sherman,     New 
;   Joe    Wade,    Van    Dalia,    Mo. ;    Norman 
p,    Los    Angeles;    P.    Worthen,    Hartford 
Ind. ;   Virgil  Wadkins,  Atlanta;   Edward 
son,     Oklahoma     City ;      Louis     Finske, 
gan    City,    Ind. ;    Louis    Hinckel,    Wor- 
,     Mass. ;     Frederick     Kislingbury,     Lin- 
Neb. ;     Billy     Lauire,     Austin,     Texas; 
.    Mason,    New    York ;    Homer   Maynard, 
York ;       Walter      McKnight,      Helena, 
Louis     Merrill,    Jamestown,     N.     Y.; 
lore     Mohr,     Iowa     City,     la. ;     George 
,     Sunbury,     Pa.,     and     Joihn     O'Shea, 
lyn,    N.    Y. 


Day  and  Night  Service 

Philadelphia — De  Luxe  Film 
has  introduced  an  emergency 
night  service  for  exhibitors  in 
this  territory.  The  service  ex- 
tends to  those  who  do  not  book 
L»e    JLuxe   pictures,   too. 

Cards  are  being  sent  out  to 
all  showmen  in  the  territory 
vviin  tns  emergency  'phone 
number. 


Abrams   Back  from   Cuba 

Hiram    ,\l)ranis    lias    rcturiied   from 
trip  to  Havana. 


D'Arrast  to  Direct  for  M.-G.-M. 

Hollywood— H.  D'Abbadie  D'Ar- 
rast has  been  signed  as  a  director  by 
Metro-Goldwyn-Mayer,  D'Arrast  has 
been  connected  with  Chaplin  as  as- 
sistant   director. 


Red  Seal  in  Chicago 
Chicago — Harry  Bernstein,  general 
manager  of  Red  Seal,  will  open  offices 
at  831  S.  Wabash  Ave.,  on  March  1, 
which  will  be  Red  Seal's  headquarters 
for  the  Midwest. 


Jack  Gould  on  His  Own 

Jack  Gould,  brother  of  Paula  Gould 
of  Universal,  has  opened  an  indepen- 
dent publicity  bureau  at  114  W.  16th 
St. 


Wash.  M.P.T.O.  to  Meet  Monthly 
Seattle— The    M.P.T.O.    of    Wash- 
ington vvill  hold  monthly  get-together 
luncheons   at    the    Hotel    Calhoun    on 
the   second   Tuesday   of   each   month. 


Incorporations 

Alb.-my,  N.  Y. — Production-Display  Studiol 
Inc.  Incorporators,  C.  Harriman,  M.  Mach- 
lis  and  H.  Ragow.  Attorneys,  Heimann  & 
Rubien,     1440    Broadway,    New    York. 


Albany,  N.  Y. — Spur  Amusement  Corp., 
New  York.  Incorporators,  R.  Hildreth,  R. 
Batkin  and  W.  Kessler.  Attorney,  S. 
Schwartzman,  117  West  45th  St.,  New  York. 


Albany,  N.  Y. — Brandon  Brothers,  New 
York.  Capital  $20,000.  Incorporators,  W. 
Brandon,  F.  Miller  and  S.  Berthoflf.  At- 
torney, L.  C.  Schultz,  1674  Broadway,  New 
York. 


ixe  Acquires  House  in  Racine 

waukee — Saxe  Enterprises  have 
lased  the  lease  of  the  Bijou,  Ra- 
from  Owen  McKivitt.  Mr.  Mc- 
t  will  retain  his  lease  on  the 
eum,  also  in  Racine. 


lontest   Winner    Goes    West 

rothy  Kitchen,  choosen  as  "Miss 
York"  in  the  beauty  contest 
here  several  months  ago  by 
rsal   in   connection   with   the    N. 

lirror    and    Keith    theaters    has 

or    Universal    City. 


'ting   Story  for   Hobart   I*rod. 

wood — "Three  Nights  of  Don 
is    being    adapted    by    Clara 

ger  for  Hobart  Prod.     Release 

jh  First  National. 


Albany,  N.  Y. — Gromer  Amusement  Corp., 
Brooklyn.  Capital  $100,000.  To  operate  the- 
aters. Incorporators,  H.  Gross,  W.  Gross 
and  H.  Friedman.  Attorney,  S.  Levy,  Gut- 
man   &   Goldberg,   277    Broadway,   New   York. 


Albany,  N.  Y. — -Official  Coach  Schedules, 
Inc.,  Syracuse;  advertising  and  motion  pic- 
tures. Incorporators,  A.  Malcomb,  E.  Castle 
and  R.  Jeffreys.  Attorneys,  Dixson,  Searly, 
Jeffrey  and   Cole,   Syracuse. 


Albany,  N.  V. — The  Beekman,  Inc.,  New 
York;  theaters.  Capital  $1,000.  Incorpora- 
tors, L.  Markham,  F.  Wald  and  A.  Bernfield. 
Attorneys,  Shaine  &  Weinrub,  299  Broad- 
way,  New   York. 


Springfield,  111. — ^Trans-Continental  Produc- 
tion Corp.,  407  South  Dearborn  St. ;  to 
stage  prologues,  presentations,  in  motion  pic- 
ture houses.  Capital  $10,000.  Incorpora- 
tors, E.  Beving,  G.  Hennebery,  G.  Hoskyn 
and  E.  Deane.  Attorneys,  Bathell  &  Run- 
dall,  208  South  La  Salle  St.,  Chicago. 


Trenton,  N.  J. — National  Art  Associates, 
Inc.,  99  Royal  Ave.,  Hawthorne;  theater*. 
Capital  $50,000.  Incorporators,  A.  Doodi, 
T.  Malatesta,  W.  Jones  and  D.  Guggenheim. 


O'Reilly  Again  Nominated 

Charles  L.  O'Reilly  has  again  been 
nominated  for  the  presidency  of  the 
T.O.C.C,  which  will  hold  its  an- 
nual election  in  March.  The  board 
of  directors  will  be  nominated  next 
Tuesday. 


Overbuying   in   New   England 

Buddy  Stuart,  special  exploitation 
representative  for  Associated  Exhibi- 
tors, Inc.,  is  back  from  a  month's  trip 
through  New  England  where  he 
found  that  in  a  great  number  of  in- 
stances   exhibitors    were    overbought 

Former  Exhibitor  Buys  Newspaper 

Lima,  O. — J.  D.  Raridan,  former 
exhibitor,  has  purchased  the  control- 
ling interest  in  "The  Evening  Ga- 
zette." Both  Lima  newspapers  are 
now  operated  by  former  picture  men. 
The  other,  "The  Morning  Star,"  is 
under  the  management  of  George 
Clark,  formerly  of  the  Faurot  O.  H. 


Eastman  Making  Amateur  Projector 

Rochester,  N.  Y. — Eastman  Kodak 
announces  that  a  new  projector,  the 
Kodascope  C,  is  to  be  placed  on  the 
market  shortly.  The  machine  is  be- 
ing built  for  the  amateur  trade  and 
sells  at  $6U.  The  model  weighs  nine 
pounds  and  is  described  as  the  most 
compact  and  complete  projector  that 
has  yet  been  constructed.  Pictures 
are  able  to  fill  a  30  by  40  inch  screen 
at  a  distance  of  18  feet. 


New  Reel  on  Antinoe  Rescue 

"History  in  the  Making,"  is  the 
title  of  a  1  600  ft.  picture  of  the  res- 
cue of  the  Antinoe,  by  the  U.  S.  liner 
President  Roosevelt^  This  picture 
was  compiled  by  Leonard  Mitchill  of 
the  U.  S.  Lines,  in  collaboration  with 
International  Newsreel  and  was  orig- 
inally used  in  connection  with  the 
official  entertainment  of  Capt.  Fried 
by  the  city.  The  film  shows  the 
President  Roosevelt  leaving  New 
York  on  her  history  making  trip, 
the  call  for  help,  the  dash  to  the 
rescue  and  operations  during  the  four 
days  preceding  the  actual  rescue. 
The  Keith-Albee'  theaters  have 
booked    it. 


Expedition  to  Film  Arctic 
An  Arctic  expedition  to  study  the 
habits  and  make  motion  pictures  of 
the  narwhal,  the  Greenland  basking 
shark,  seal  and  walrus,  is  annouccd 
by  the  American  Museum  of  Na- 
tural History  and  George  Palmer 
Putnam,  the  publisher,  its  joint  spon- 
sors. It  will  sail  from  New  York 
the   latter  part  of  June. 


Leonard   Returns  to  M.-G.-M. 

Los  Angeles — On  completion  of 
Corinne  Griffith's  "Mile.  Modiste," 
Robert  Z.  Leonard  will  return  to 
M.-G.-M.  to  direct  "The  Waning 
Sex." 


CHICAGO 


The 


{Balaban  &  Katz'  Qreat  Chicago  Theatre) 


HAS  BOOKED 

"The  COHENS  and  KELLYS" 

REGINALD  DENNY  in 
"Rolling  Home" 

REGINALD  DENNY  in 
"Skinner's  Dress  Suit" 


r«rther  "UNIVERSAL 

THAT  "  Making  the 

^=  Best  Pictures  in 

the  Business!" 


»1 


* 


es 


woith  milGoiLS 
to  the  movies 


^  p  OBERT  KANE  scooped  the 
^ly  industry  in  getting  Arlen  first 
5— just  when  the  public  clamors  to 
^iee  his  stories  screened! 
^"The  Dancer  of  Paris"— the  rich- 
I  est  tale  Arlen  ever  wrote — stars 
iGonway    Tearle,    supported    by 
jDorothy  Mackaill;  it's  an  Alfred 
fSantell  production! 
I  Showmanship  adds  those  box-of- 
f^fice  names  to  clinch  a  production 
|that  will  command  the  whole  na- 
Ltion  as  its  audience! 


^DANCER  of  PABIS'i! 

anofdier  mon^-spiime] 

P^w  UrAt  nationcil 


iTHE 

tfi  brAdstmet 

o/'  FILMDOM 


js^^recocmized 
Authority 


M 


'P'ISlii 


,•««' 


I 


I 


I 


I 


.  P.  News 


"^^. 


METROPOLIT/ 
PRODUCTIOI 


JOHNvC.  FLINN     pf^esents 


II 


PRISULLA  DEAN 


Tfie  nANGEH  GIBL 

WITH    cJOHN      BOWERS 

ADAPTED     BY     FINIS     FOX      FROM   "THE     BRIDE"     BY     GEORGE    MIDDLETON      6^    STUART     OLIVIER 
RELEASED    BY  DIRECTED       BY       EDWARD       DILLON 

PRDDUCEKSDISTKIBUTING  COKPOKATION 

ForeTgn  Distributors -Producers  International  Corporation     130    West  46th   Street    New  York.  N.   Y. 


iTHE 

IfAfi  brAdstreet 

»/*  FILMDOM 


2^^RE(OCMIZE6 

Authority 


IL.   XXXV     No.  48 


Sunday,  Febmary  28,  1926 


Price  25  Cents 


Vew  German  Deal 

elka,  Through  Theater  Merger 
rith  Sued  Film,  Now  Gains  New 

Importance  in  German  Field 
Berlin  —   The     Emelka     company, 
)ugh  a  theater  merger  with   Sued 
n,  has  increased  its  theater   hold- 
;  to  42  houses.     By  the  same  deal, 

"kontingent"  privileges  embrace 
pictures.  Assets  of  the  new  com- 
ition  are  placed  approximately  at 
jO.OOO  marks. 

|i  several  quarters  here,  the  Emel- 
tdeal  is  said  to  have  made  the 
ipany  second  in  the  German  field. 
luir  Ziehm  will  be  the  contact 
It  for  Emelka  in  the  American 
ket. 


Still   Negotiating 

kh  American  Theaters  Deal  with 
Pantages     Still     in     Indefinite 
Stage 

is  understood  that  not  more  than 
leek  ago,  Frank  Wilson  of  North 
ierican  Theaters  Corp.  was  still 
jiotiating  with  the  Pantages  cir- 
I  on  the  important  theater  deal 
ich  is  believed  to  have  been  launch- 
'n  New  York  some  weeks  previous 
ijiVilson's  departure  for  the  Coast, 
jelegrams  from  Hollywood  yes- 
itay  indicated  there  has  been 
liiing  of  a  definite  nature  decided 
lin  and  intimate  that  there  is 
I'  a  question  of  whether  or  not 
•'deal  will  ever  be  closed. 


|lj  Klein   Sails 

jidward  L.  Klein,  who  spent  seven 
liths   of  1925   in   Europe   surveying 

:    field,    sailed    last    night    on    the 

mpic  for  another  trip. 


Features  Reviewed 

Page 

rhe    Far    Cry 
First   National    185 

Hearts    and   Fists 
Associated    Exhibitors    18S 

Dancing    Mothers 
Paramount     185 

litfare   Nostrum 

n    Metro-Goldwyn    185 

i?ifth   Ave. 

i    Prod.  Dist  Corp 187 

jrhe  Traffic   Cop 

i    Film   Booking   Offices    187 

Irhe   Auction   Block 

Metro-Goldwyn-Mayer    187 

I  Short  Subjects   187 


:  ain't  respectable,"   but   Nell   Gwyn   just 
bed.      Dorothy    Gish     Paramount. — Advt. 


Laemmle 


By  DANNY 


Carl  Laemmle  celebrates  his  twentieth  anniversary — as  an 
exhibitor — today.  Of  the  small  group  of  executive  veterans  he 
is  the  first  to  reach  this  important  mile  stone.  It  is  natural  that 
there  should  come  to  him  thousands  of  letters,  wires  and  cables 
of  congratulation  from  the  remote  sections  of  the  world.  For 
Carl  Laemmle  was  the  first  to  recognize  the  values  of  interna- 
tionalism in  motion  pictures. 

Many  of  the  congratulatory  expressions  carry  such  fulsome 
praise ;  many  are  so  replete  with  lovable  terms,  that  it  seems 
difficult  to  appreciate  that  they  are  ofifered  to  a  man  in  business, 
and  a  business  of  such  competitive  phases  as  motion  pictures, 
where  petty  pride  and  vanity  occupy  a  place  of  such  seeming 
importance. 

And  the  probabilities  are  that  no  other  executive  of  im- 
portance in  the  industry  could  gather  such  expressions  from 
so  many  quarters.  Because  Carl  Laemmle  happens  to  be  the 
type  of  man  who  is  so  easily  admired,  respected  and  highly  re- 
garded. He  has  so  many  lovable  traits.  His  kindness,  his  chan- 
ties, his  unselfishness,  make  him  an  outstanding  figure.  No  one 
could  harbor  ill  feelings  against  such  a  man  and— so  far  as  we 
know— no  one  in  this  business  does.  Rather,  indeed,  he  seems 
to  be  beloved  by  a  very  large  number  of  people,  many  not 
connected  with  his  organization. 

(^Continued  on  Page  2) 


Scene  from  Pauline  Frederick's  greatest  picture.  "The  Nest.  Produced  by 
Excellent  Pictures  Corporation  from  the  William  A.  Brady  stage  success. 
Personally  directed  bv  Will  Nigh.— Advt. 


Tax  to  75  Gents  Off 

President  Signs  New  Revenue  Bill — 

Probably  Effective   on 

March  28 

Washington  —  President  Coolidge 
yesterday  morning  signed  the  Reve- 
nue Revision  Bill  providing  for  an 
increase  in  the  admission  tax  exemp- 
tion to  seventy-five  cents. 

Under  the  provisions  of  the  bill,  the 
change  in  exemption  will  take  effect 
thirty  days  after  approval,  and  offi- 
cials of  the  Treasury  Department  are 
now   figuring  out  the  exact  time. 

It  is  believed  that  the  new  exemp- 
tion will  become  effective  on  the 
morning    of    March   28th. 


Behind  Chicago  Move 

Chicago — It  is  reported  that  Fox 
will  wield  considerable  influence  in 
the  development  of  the  proposed  buy- 
ing combination  which  the  Aschers 
are  about  to  launch  here  in  conjunc- 
tion  with  other   Chicago   exhibitors. 

As  noted,  Fox  holds  a  five  year 
contract  with  the  Aschers'.  Andrew 
Karzas  and  Cooney  Bros,  for  service. 
James  R.  Grainger  who  is  on  a  Mid- 
West  sales  trip,  is  expected  here  in  a 
few  days.  His  visit  is  said  to  be  in 
connection  with  the  Ascher  move  and 
the  possible  sale  of  a  number  of  long- 
term  franchises  for  service. 


7,500  More  Seats 

Chicago — Construction  will  start 
immediately  on  at  least  three  new 
theaters,  with  a  total  seating  capacity 
of  7,500  and  a  cost  of  $2,050,000.  All 
are  in  outlying  districts. 

A  $750,000  structure  will  be  erected 

(Continued   on   Page    195) 


Banquet   on   Coast  for   Laemmle 

Los  Angeles— Carl  Laemmle  was 
the  guest  of  honor  last  night  at  a 
banquet  held  at  the  Hotel  Ambassa- 
dor, in  celebration  of  his  20th  anni- 
versary in  the  industry.  Those  pres- 
ent included  prominent  film  folk.  As 
a  feature  of  the  banquet,  a  replica  of 
Lacmmle's  first  theater  in  Chicago 
was    reconstructed. 


Credit 

Through  the  courtesy  of  Ter- 
ry Ramsaye,  the  author,  and 
Simon  &  Schuster,  publishers 
of  Ramsaye's  book,  "A  Million 
and  One  Nights,"  a  number  of 
photographs  and  excerpts  from 
that  historical  book  appear  in 
this  issue. 


THE 


These  tributes  are  offered  to  Carl 
Laemmle  for  his  twenty  years  of  service 
and  for  his  twenty  years  of  kindnesses. 
They  are  offered  sincerely.  They  are 
offered  to  Carl  Laemmle,  who  has  proven 
through  twenty  long — often  hard  fought 
— years,  that  it  is  seemingly  easy  to  be 
a  gentleman  and  in  every  sense  of  the 
word,  a  man,  despite  all  of  the  problems, 
the  difficulties,  through  which  he  has 
made  his  way. 

It  is  extremely  doubtful  if  Laemmle 
can  ever  obtain  from  the  people  of  this 
industry  that  credit  to  which  he  is  en- 
titled. For  to  Carl  Laemmle  more  so 
than  any  other,  belongs  the  credit  for 
many  moves,  all  of  which  have  helped — 
and  helped  materially — in  the  develop- 
ment of  the  motion  picture  as  it  stands 
today.  Of  all  the  group  who  were  promi- 
nent when  he  entered  the  business  in 
1906  no  other  remains  in  an  outstanding 
position  in  this  industry.  Some  have 
passed  away,  others  have  retired,  others 
have  been  pushed  to  the  rear  by  the 
whirlwind  events  which  have  always 
characterized  the  movements  of  this  in- 
dustry. But  Laemmle  remains.  And 
with  good  health  will,  for  a  long  time 
to  come.  Because  in  his  hourly  service 
to  motion  pictures  he  finds  not  only  en- 
joyment, but  recreation  as  well.  The 
head  of  an  organization  which  spells  its 
earnings  in  millions,  he  gives  himself 
with  indefatigable  zeal  to  matters  which 
many  men  would  consider  the  veriest 
of  trifles. 

It  has  been  my  good  fortune  to  have 
been  with  him  in  many  places.  From 
Carlsbad,  (where  he  takes  the  "cure" 
every  summer),  to  Tia  Juana,  Mexico, 
where  he  occasionally  passes  week  ends 
watching  the  horses.  To  have  dinner 
with  him  in  Carlsbad  I  flew  four  hours 
in  a  plane,  from  Paris.  His  apparent 
delight  over  this  effort  was  more  than 
one  can  imagine.  He  beamed  all  over. 
He  kept  saying,  "You  flew  from  Paris! 
You  flew  from  Paris!"  as  though  it  was 
an  incredible  sort  of  thing.  His  naive 
enjoyment  of  the  idea  was  comparable  to 
that  of  a  child.  He  was  the  personifica- 
tion of  innocent  delight.  And  half  an 
hour  later  he  was  dictating  to  his  then 
secretary,  Harry  Zehner,  meticulously  go- 
ing over  trifling  matters  which  even  the 
vigilance  of  the  home  office  four  thou- 
sand miles  away  could  not  keep  from 
him. 

At  Tia  Juana  one  Sunday  afternoon,  in 
the  midst  of  the  racing,  he  turned  to 
Zehner.  "Remind  me  tomorrow  about 
that  exhibitor  in  Illinois  w'hose  letter 
we  could  not  find."     That  "exhibitor  in 


;%g^ 


DAILY 


Sunday,  February  28,  1926 


Laemmle 

(.Continued  from  Page   1) 

Illinois"  was  complaining  of  poor  prints. 
That  is  Laemmle. 

When,  several  years  ago,  Universal 
began  using  that  famous  column  of  space 
in  The  Saturday  Evening  Post,  Laemmle 
hit  upon  the  idea  of  asking  the  sev- 
eral million  readers  of  that  publica- 
tion for  ideas,  suggestions,  etc.  Little 
did  he  reckon  what  would  happen.  Hun- 
dreds, literally  thousands  of  letters  came 
to  him  from  the  Post  readers.  The  ac- 
cumulation of  mail  would  have  staggered 
anyone  other  than  Laemmle.  It  did  not 
fease  him.  It  did  not  upset  his  routine 
for  a  moment.  He  spent  hours,  almost 
every  hour  every  night,  reading  this  mail. 
He  wanted  to  know  what  this  advertising 
leturned.  Despite  the  labor,  the  fatigu- 
ing hours,  he  enjoyed  it.  It  was  well 
over  a  year  before  he  allowed  the  handl- 
ing of  this  mail  to  pass  to  others.  And 
then,  with  the  strict  injunction  that  he 
wanted  to  see  anything  out  of  the  or- 
dinary- 
He  is  wrapped  up  in  his  work.  His 
business  is  his  sole  interest.  He  does 
not  know  how  to  play  or  loaf.  He  likes 
to  gamble,  but  then  only  when  the  pres- 
sure of  work  allows.  He  would  no  more 
think  of  going  off  to  watch  a  horse  race 
(if  there  was  anything  important  to  do 
otherwise)  than  to  take  a  nap  in  the  mid- 
dle of  the  afternoon.  He  isn't  built  that 
way. 

His  pride  in  Universal  is  enormous; 
far  more  so  than  anything  which  affects 
him  personally.  At  Milwaukee,  when  he 
gave  the  M.  P.  T.  O.  A.  a  donation  of 
$50,000,  many  considered  this  a  gesture 
for  the  purpose  of  advertising  Universal, 
When  this  was  mentioned  to  him,  he 
snorted,  "How  can  people  think  things 
like  that?"  he  wanted  to  know. 

Not  that  he  isn't  a  believer  in  advertis- 
ing. It  would  be  difficult  to  find  any  exec- 
utive of  this  industry  who  was  a  greater 
believer  in  the  value  of  the  printed  word 
than  Laemmle  himself.  He  has  proven  it 
for  years.  And  when  you  mention  adver- 
tising in  conjunction  with  Laemmle,  you 
automatically  think  of  Robert  H.  Coch- 
rane, who,  more  than  any  other,  is  re- 
sponsible first  for  Laemmle's  entry  into 
this  business,  and  who  later,  more  than 
any  other,  developed  that  line  of  adver- 
tising which  has  made  the  name  of  Uni- 
versal respected  and  admired  wherever 
pictures  are  shown — from  the  hinterland 
of  Korea,  to  the  stretches  of  Iowa  prairie. 
What     Laemmle     might     have     accom- 


plished without  Cochrane  is  an  u 
written  book.  This  is  certain :  the  boc 
as  it  is  written  could  never  have  bet 
the  same  without  the  uncanny  ability  c 
"Bob"  Cochrane  to  weld  words  into  nev(| 
to  be  forgotten  phrases.  Cochrane's  a 
sociation  with  Laemmle  has  made  hiii 
a  wealthy  man.  Cochrane's  associatic — ■ 
with  Laemmle  has  made  Laemmle  i 
international  figure. 

One  hesitates  and  halts,  realizing  thi 
within  limitations  of  space  only  so  mu( 
can  be  told-  But  in  a  life  so  full  of  a 
tivity  much  must  obviously  be  omitt©  wu 
his  virtues  as  well  as  other  matters.  B^ 
one  cannot  pass  by  his  home  life  easil 
Since  the  death  of  his  wife — and  what 
loss  that  was  to  him ! — Carl  Laemmle  h; 
devoted  himself  to  his  two  children,  Ros; 
belle  and  Julius.  His  large  apartment  c 
West  End  Avenue  is  open  but  a  fe 
months  of  the  year ;  the  rest  of  the  tiir 
they  are  in  California  or  Europe.  Ar 
every  moment  his  children  are  with  hir 
He  did  not  marry  young — another  reasc 
why  he  dotes  on  his  children.  And  whe 
he  tries  to  "boss"  them,  it  is  delightft 
Of  course,  they  do  as  they  wish ;  and,  ( 
course,  he  thinks  they  do  as  he  wishe 
He  brought  Julius  to  one  of  the  Film  Go 
Tournaments  several  years  ago.  Yc 
should  have  seen  the  delight  with  whk 
he  watched  Julius  as  the  lad  drove  f( 
one  hundred  yards !  No  "pro"  ever  ha 
a  braver  gallery.  As  for  Miss  Rosabel 
Laemmle,  it  is  hoped  she  will  never  d 
sire  to  know  if  the  moon  is  made  of  gree 
cheese.  Because  her  father  might  be  pei 
suaded  to  start  an  exploring  expedition 

One  of  Laemmle's  few  weaknesse 
and  really  one  of  his  delights,  is  to  mC' 
prominent  people.  That  is  the  one  thin 
which  gives  him  an  actual  kick.  Seven 
years  ago  I  happened  to  be  with  his  part 
in  Washington  when  he  was  to  meet  tli 
late  President  Harding.  The  engagemer 
was  for  noon.  All  that  morning,  Ca; 
Laemmle  was  nervous.  You  would  hav 
thought  that  this  was  the  first  time  in  hi 
life  he  was  to  meet  a  great  personalit) 
And  when,  finally,  the  time  arrived,  an 
he  met  and  talked  with  President  Hard 
ing,  he  was  aglow  with  delight-  Am 
when  it  was  suggested  that  he  and  tb 
President  pose  for  a  photograph  he  wa 
tickled  pink. 

The  past  twenty  years  have  been  ful 
to  the  brim  for  Carl  Laemmle.  May  the 
next  twenty  years  grant  him  all  that  he 
would  wish  himself — certainly  he  has 
earned  it.  In  turning  over  to  him  the, 
pages  of  this  issue,  it  is  our  thought  that 
this  is  the  least  that  could  be  done  by  an 
industry  wHich  owes  him  so  much. 


THE  FILM   DAILY 


ViLXXXVN«.48 


SundaT.Fik.28.1926 


Prici25Cint$ 


Copyright  1926,  Wid's  Films  and  Film  Folks,  Inc. 
Published  Daily  except  Saturday  and  holidays  at  1650 
Broadway,    New    York,    N.    Y.,   by   WID'S   FILMS    and 


FILM  FOLKS,  INC.  Joseph  Dannenberg,  President 
and  Editor;  J.  W.  Alicoate,  Treasurer  and  Business 
Manager ;  Maurice  D.  Kann,  Managing  Editor ;  Donald 
M.  Mersereau,  Advertising  Manager ;  Ralph  Wilk,  Trav- 
eling Representative.  Entered  as  second-class  matter 
May  21,  1918,  at  the  Post  Office  at  New  York,  N.  Y.. 
under  the  act  of  March  3,  1879.  Terms  (Postage  free) 
United  States,  outside  of  Greater  New  York,  $10.00 
one   year;    6    mpnths,    $5.00;    3    months,    $3.00.      Foreign 


$15.00.  Subscribers  should  remit  with  order.  Addres 
all  communications  to  THE  FILM  DAILY,  1650  Broad- 
way, New  York,  N.  Y.  Phone  Circle  4736-4737-4738- 
4739.  Cable  address:  Filmday,  New  York.  Hollywood, 
California — Harvey  S.  Gausman,  6411  Hollywood  Blvd., 
'Phone,  Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St.,  London, 
W.  I.  Paris— \La  Cinematographic  Francaise,  5,  E>" 
Saulnier. 


THE 


day,  February  28,  1926 


MOTION  Picture  Producers  a  Distributors  of  America.  Inc. 
469  Fifth  Avenue 

New  York  City 
will  h.  hays 

president 
carl  e.  milliken 

secretary  office  of  the  president 


January  8,  1926 


Mr.  Carl  Laemmle, 
Universal  Pictures  Corp-, 
730  Fifth  Avenue, 
New  York,  N.  Y. 

My  dear  Mr.  Laemmle : 

I  am  pleased  indeed  to  join  with 
the  others  in  commemorating  the 
twentieth  anniversary  of  your  success- 
ful career  in  the  motion  picture 
industry  as  exhibitor,  distributor  and 
producer. 

I  congratulate  you. 

Your  years  in  the  industry  have 
been  years  of  useful  service—service  to 
the  industry  and  service  to  the  public 
whose  servant  the  industry  is. 

As  splendid  as  these  years  have 
been  there  are  ahead  of  you  those  of 
still  greater  fullness,  of  still  further 
constructive  service  and  the  greater 
consequent  happiness. 

For  all  you  have  done  for  the 
industry,  I  am  grateful  and  with  the 
others  I  rejoice  in  your  success. 

With  kindest  personal  regards,  I 
am 

Sincerely  yours, 

WILL  H.  HAYS 


CITY    OF    NEW    YORK 

OFFICE    OF    THE    MAYOR 


February 
twenty-five 
1  926 

Mr.  Carl  Laemmle, 
Universal  Pictures, 
730  Fifth  Avenue, 
New  York  City 

My  dear  Mr.  Laemmle, 

Twenty  years  of  service 
in  a  profession  marked  with 
service    to    the    people— a    real 
and    splendid    achievement. 

Congratulations. 

Sincerely  yours, 

JAMES  J.  WALKER 

Mayor 


i 

i 


t  is  a  real  pleasure, 
Mr  Laemmle,  to  extend  to 
you  my  sincere  congra  - 
tulations  as  you  celebrate 
your  twentieth  year  of 
praiseworthy  achievement 
in  the  motion  picture 
industry  and  to  wish 
you  a  long  future  of 
continued  success. 


IMP        r 


Sunday,  February  28,  1926 


THE 


A  CLOSE-UP  OF 

By  R.  H. 

Carl  Laemmle,  The  Man — 
that's  a  subject  worthy  of  a 
far  better  pen  than  mine. 

It  would  require  a  Rex 
Beach  to  describe  Laemmle, 
The  Fighter.  None  less  than  a 
Steinmetz  could  draw  an  ade- 
quate comparison  between 
Laemmle  and  a  human  dynamo. 
Edison  himself  will  never  dis- 
cover anything  more  closely 
approaching  perpetual  motion 
than  Laemmle.  As  for  Laem- 
mle's  more  personal  attributes, 
his  gentleness  of  spirit,  his 
blandly  child-like  qualities  of 
nind,  his  marvelous  faith  and  belief  in  his  fellow  man  despite 
nnumerable  instances  which  would  have  destroyed  the  faith 
)f  most  men,  well  Barrie  himself  would  have  to  use  his  most 
lelicate  touch  to  do  justice  to  the  task. 

For  twenty  years  I  have  known  Laemmle.    For  twenty  years 

have  seen  him  work  like  a  truck  horse,  day  and  night  when  the 

ccasions  required  it  and  in  many  instances  all  night  when  some 

ort  of  a  crisis  was  on  hand.     For  twenty  years  his  work  has 

een  his  play,  for  the  only  sort  of  play  he  indulges  in  is  work. 

His  is  a  restless  spirit.  Often  when  his  life's  goal  has  seemed 
0  be  in  sight,  his  insatiable  desire  to  go  on  and  on  with  work 
nd  more  work  has  caused  him  to  discover  some  newer  and 
Teater  goal.  Repeat  this  ad  infinitum  and  you  have  a  picture 
f  Laemmle  at  work. 

He  never  burdens  his  mind  unnecessarily  with  things  to 
emember.  He  has  a  funny  little  habit  of  carrying  in  his  pocket 
funny  little  book.  Whenever  he  hits  upon  an  idea,  whether 
is  own  or  advanced  by  others,  he  tears  a  funny  little  leaf  of 
aper  from  the  funny  little  book,  writes  a  word  or  two  of  re- 
linder  on  the  funny  little  page  and  stows  it  in  his  pocket  for 
eference.  I  have  seen  him  come  to  his  desk  in  the  morning  and 
uU  memo  slips  of  paper  from  his  pocket  enough  to  cover  the 
op  of  his  desk  like  a  snowstorm.  One  may  deal  with  an  idea 
or  producing  a  picture  costing  upward  of  a  million  dollars,  the 
ext  may  be  a  memo  to  be  sure  to  find  a  job  for  the  boy  who 
/rote  him  a  letter  the  day  before,  and  the  next  may  remind 
im  to  be  sure  to  have  his  hair  cut.  That's  Laemmle  again — 
lie  queerest  possible  mixture  of  the  important  and  the  non-es- 
ential. 

As  for  his  memory,  I  have  never  seen  its  equal.  The  Uni- 
ersal  company  has  offices  all  over  the  world,  yet  without  the 
:ast  effort  I  have  seen  Mr.  Laemmle  in  looking  over  a  weekly 
r  monthly  or  yearly  report  of  some  office  draw  a  comparison 
nth  what  it  did  the  week,  month  or  year  before — all  from 
lemory  and  without  consulting  the  previous  records.  He 
emembers  names,  faces  and  incidents  with  the  same  startling 
amera-like  accuracy. 

Not  realizing  that  he  has  unusual  qualities  of  mind  and  an 
bnormal  desire  to  work,  he  is  often  impatient  with  others  who 
0  not  manifest  the  same  desire  to  work  their  heads  off.  He 
oesn't  golf,  he  doesn't  swim,  he  doesn't  skate,  he  is  too  restless 
5  enjoy  the  theater  and  he  never  has  time  to  read  books  because 
e  carries  home  with  him  a  stack  of  papers  and  letters  which 
'ould  be  a  day's  work  for  the  average  man.  He  has  never  quite 
nderstood  why  others  like  to  golf,  skate,  attend  the  theater  or 
ftn  smoke,  because  each  of  these  things  takes  the  mind  off  of 
ork. 

He  is  at  once  the  shrewdest  and  most  gullible  of  men.  Try 
)  take  an  undue  advantage  of  him  in  a  business  deal  and  he  will 
rive  a  bargain  as  hard  as  nails.  But  approach  him  on  his  softer 
de,  lay  yourself  wide  open  to  him,  put  the  cards  on  the  table  and 
:11  him  the  honest  truth  and  he   at  once  becomes  the   easiest 


CARL  LAEMMLE 

Cochrane 

mark  you  ever  traded  with.  Do  him  a  wrong  and  he  will  forgive. 
Do  him  another  and  he  will  forgive  again.  Do  him  another  and 
he  will  begin  to  suspect  that  you  are  not  exactly  the  kind  of  a 
friend  he  wants  nor  the  kind  of  man  he  cares  to  do  business  with. 


Many  a  young  fellow  has  gone  wrong  while  in  our  employ, 
as  is  sure  to  happen  with  any  large  corporation.  There  is  no 
cold  blooded  offhand  judgment.  I  have  seen  Laemmle  talk  with 
such  unfortunates  as  he  would  to  his  own  child,  then  pat  them 
on  the  back,  say  "Forget  it"  and  give  them  another  chance. 

Keenly  sensitive  to  criticism,  nevertheless  if  the  criticism 
is  fair  he  profits  by  it.  If  unfair  he  suffers  genuine  mental 
anguish,  regardless  of  the  complete  unimportance  of  the  critic. 

During  the  course  of  a  year  we  receive  thousands  upon 
thousands  of  letters  in  answer  to  our  advertising.  Laemmle  per- 
sonally reads  nearly  every  one  of  them,  except  perhaps  in  the  case 
of  an  extremely  lengthy  one,  in  which  instance  one  of  his  secre- 
taries marks  the  parts  which  seem  to  be  worth  while.  As  he 
reads  these  stacks  and  stacks  of  letters,  he  has  his  funny  little 
memorandum  book  before  him.  He  jots  down  notes,  tears  out 
pages  and  jots  down  more  notes.  Possibly  the  name  of  a  book 
is  suggested  by  a  correspondent — a  book  which  the  correspondent 
thinks  would  make  a  good  picture  story.  Down  goes  the  little 
memorandum,  and  on  that,  same  day  the  scenario  department 
receives  a  personal  note  from  Mr.  Laemmle  to  read  the  book 
and  report  on  it. 

Liberal  to  a  fault  in  charities  in  various  part  of  the  world, 
giving  large  amounts  wherever  he  thinks  they  will  do  the  most 
good,  nevertheless  if  his  bank  has  credited  him  with  two  dollars 
too  little  he  knows  it  and  he  sees  that  that  it  is  corrected.  He 
will  fight  half  a  day  over  the  terms  of  a  contract,  exacting  every- 
thing he  thinks  he  is  entitled  to,  only  to  volunteer  to  make  the 
terms  easier  for  the  other  fellow  in  actual  practice  once  the  con- 
tract is  signed,  sealed  and  delivered. 

He  never  tires  of  meeting  men  in  public  life  or  men  who  have 
made  their  mark  in  business  affairs.  He  asks  them  questions. 
He  does  it  with  such  a  disarming  smile  and  with  such  humility 
that  no  one  is  ever  offended  by  even  the  most  personal  sort  of 
a  question.  He  invariably  comes  away  from  such  interviews 
loaded  with  new  ideas  to  apply  to  his  own  business.  He  figures 
that  if  a  successful  business  man  applied  a  certain  principle  to  his 
business  there  is  no  reason  why  the  same  principle  cannot  be  ap- 
plied with  equal  success  to  the  making,  selling  and  showing  of 
moving  pictures. 

There  is  none  of  the  show-off  in  his  nature.  He  will  sit  at 
the  foot  of  the  very  humblest  if  he  believes  this  humble  soul 
can  furnish  one,  lone  idea  which  can  be  converted  into  a  reality. 
Turning  ideas  into  things,  making  thoughts  into  actualities — 
that's  his  hobby  and  he  gives  it  a  ride  during  all  his  waking  hours. 


M. 


I'll  never  forget  the  first  time  a  newspaper  published  his  pic- 
ture and  used  the  caption,  "A  Film  Magnate."  He  showed  it 
to  me  in  high  glee  and,  with  a  broad  grin,  exclaimed,  "See.  I  told 
you  I'd  make  them  recognize  me."     That  was  in  his  early  days 

(Continued  on  Page  7) 


I 


o^jl 


UNITED  ARTISTS  CORPORATION 

Extends  Its  Greetings  to 

Mr.  CARL  LAEMMLE 


1906    -     February  26     -     1926 

Our  heartiest  congratulations  to  the  man 

who  has  given  so  many  years  of  his  Hfe 

to  and  has  achieved  such  great  things  in 

the  motion  picture  industry. 

UNITED  ARTISTS  CORPORATION 


Mary  Pickjord 
Douglas  Fairbanks 

Joseph  M.  Schenck, 
Chairman  Board  oJDirectors 


Charlie  Chap/in 
D,  JV.  Griffith 

Hiram  Abrams, 
President 


Sunday,  February  28,  1926 


THE  GREATER  MOVIE  LIST 


The  day  of  the  Greater  Motion  Picture 
is  at  hand. 

Instead  of  looking  backward,  and  pat- 
ting ourselves  on  the  back  for  what  the 
industry  has  accomplished  in  its  short 
span  of  existence,  let  us,  rather,  look 
forward  and  see  what  the  future  will 
bring  forth.  We  cannot  afford  to  rest 
on  our  laurels;  we  must  advance;  each 
forthcoming  year  must  show  a  progres- 
sive improvement. 

Universal  has  made  some  powerful  pic- 
tures in  its  long  and  successful  career; 
but  the  mere  fact  that  we  broke  box- 
ofifice  records  in  1924  with  "The  Hunch- 
back of  Notre  Dame,"  or  established  new 
attendance  marks  in  1925  with  "The 
Phantom  of  the  Opera,"  isn't  going  to 
help  the  exhibitor  make  money  in  1926- 
27. 

I  wish  I  could  tell  you  a  formula  where- 
by the  Greater  Motion  Picture  will  be- 
come almost  a  reality  this  year.  I  am 
almost  tempted  to  tell  you  there  is  no 
such  formula;  but,  after  considerable  re- 
flection, I  realize  that  in  every  one  of  the 
twenty  years  I  have  been  in  the  moving 
picture  business,  each  year  has  seen  a 
distinct  and  noticeable  improvement  in 
productions  over  the  year  before.  In 
some  years  this  advance  has  been  a  great 
deal  more  spectacular  than  in  others ;  but 
on  the  whole  the  progress  has  been  quite 
even  and  always  clearly  discernible.  For 
an  industry  that  started  with  men  who 
knew  little  about  photography  and  less 
about  acting,  it  will  be  readily  admitted 
by  everyone  that  the  progress  made  has 
been  phenomenal,  and  such  as  a  critic  of 
twenty  years  ago  would  never  have  con- 
ceived in  the  wildest  moments  of  his 
imagination. 


By  R.  H.  Cochrane 

For  that  reason,  then,  I  have  not  the 
slightest  hesitation  in  predicting  that  the 
pictures  of  1926-27  will  exceed  in  every 
respect  all  pictures  which  have  gone  be- 
fore, with  a  few  possible  exceptions.  In 
the  aggregate,  moreover,  they  will  be 
Greater  Motion  Pictures.  A  great  many 
men  whose  opinions  are  usually  published 
at  the  commencement  of  a  new  season 
must  necessarily  talk  from  the  standpoint 
of  prediction.  I  presume  I  have  predicted 
about  as  much  as  anybody;  but  in  this 
instance  I  don't  have  to  predict  nearly 
as  much  as  to  declare,  because  many  of 
the  pictures  Universal  will  release  have 
already  been  made,  or  are  now  in  pro- 
duction, have  been  tried  out  through  our 
exhaustive  experimental  methods,  and  I 
have  no  hesitancy  in  saying  they  are  the 
best  pictures,  taken  by  and  large,  I  have 
ever  made. 

There  is  a  great  deal  of  luck,  a  great 
deal  of  good  fortune,  and  a  very  consider- 
able gamble  in  the  moving  picture  busi- 
ness. But  I  take  pride  in  saying  it  isn't 
a  matter  of  luck  that  Universal's  1926-27 
pictures — the  Greater  Movie  List — are 
the  sort  of  productions  they  are.  They 
were  made  under  a  formula.  And  that 
formula  is  the  formula  which,  in  the  best 
minds  of  the  many  men  contributing  to 
the  making  of  Universal  Pictures,  will 
produce  the  best  pictures  which  the  mo- 
tion picture  art,  as  it  stands  at  present, 
can  produce.  There  isn't  any  secret  about 
this  formula.  It  can  be  used  by  Ameri- 
can producers,  by  English  producers, 
French  producers,  Italian  producers,  Ger- 
man producers,  Swedish  producers,  or  the 
producers  of  any  land  under  the  sun.  But 
I  claim  it  is  the  only  formula  on  which 
pictures    with    a    universal    appeal    and 


which  can  rightly  be  called  Greater  Mo- 
tion Pictures  can  possibly  be  made. 

In  the  first  place,  they  were  selected 
from  thousands  of  stories  which  were  sub- 
mitted or  which  were  read  in  our  con- 
stant endeavor  to  find  plots  which  would 
interest  not  a  few  people,  not  the  idle  rich 
or  the  desperately  busy  poor,  not  the  ball- 
room crowd  or  the  factory  hands  alone; 
but  stories  which  had  the  spark  of  human 
appeal,  stories  calculated  to  strike  a  re- 
sponse in  every  breast.  Furthermore, 
every  one  of  the  stories  accepted  had  to 
have  a  clean  bill  of  health.  There  is  no 
place  in  the  Greater  Movie  List  for 
soiled,  unclean,  revolting  or  cheap  stories. 
The  Greater  Motion  Pictures  of  1926-27 
and  of  every  year  to  follow  must  be  made 
from  honest  stories,  from  stories  whose 
reaction  is  a  healthy  one,  and  from  which 
the  spectator  will  go  out  with  a  feeling 
of  satisfaction,  of  wholesome  enjoyment. 
In  other  words,  these  pictures  must  be, 
and  will  be  WHITE  pictures. 

In  the  second  place,  the  people  who 
made  these  pictures  were  white  people — 
our  directors,  our  actors,  our  extra  people, 
the  technicians,  the  artisans,  who  per- 
formed such  an  important  part  in  the  ad- 
vance of  the  motion  picture — all  are  care- 
fully selected  for  the  part  they  are  to 
play.  When  we  realized  what  he  had  and 
how  all  of  the  component  parts  of  our 
program  had  been  welded  into  a  perfect 
whole,  then  and  not  until  then  did  we  de- 
cide to  call  this  array  the  Greater  Movie 
List,  because  that  is  exactly  what  it  was. 
It  fitted  its  name  perfectly. 

Having  seen  the  pictures  in  this  list, 
you  will  readily  realize  I  don't  have  to 
do  any  predicting  as  to  the  Greater  Mo- 
tion Pictures  of  1926-27. 


in  the  picture  business,  before  he  was  a 
big  factor,  and  when  he  was  fighting  for 
his  business  existence  against  seemingly 
hopeless  odds. 

In  this  picture  of  Laemmle  as  I  see 
him,  I  have  omitted  one  vital  spark  which, 
I  firmly  believe,  has  enabled  him  to  con- 
tinue this  amazing  grind  of  work.  I  refer 
to  his  keen  sense  of  humor.  It  has  saved 
him  on  innumerable  occasions — saved  him 
from  others  and  saved  him  from  himself. 
My  experience  has  shown  me  that  the 
average  man  who  turns  himself  into  a 
human  dynamo  of  work  soon  loses  his 
sense  of  humor,  if  he  ever  had  one. 
Laemmle  has  been  spared  this  disaster. 
More  than  once,  when  everything  had 
gone  dead  wrong  and  our  company  had 
taken  a  severe  licking,  I  have  seen  Laem- 
mle lifted  from  the  depths  of  depression 
to  the  height  of  glee  by  some  simple,  fun- 
ny story  or  by  a  chance  humorous  re- 
mark. 

To  complete  the  picture,  take  his  knack 


A  Close-  Up  of  Laemmle 

(Continued  from  Page  5) 

of  making  friends.  I  don't  know  how  he 
does  it,  but  he  does.  He  is  not  a  great 
big  brute  of  a  man  physically.  He  is  short, 
a  little  rounded  as  to  shoulder  and  with 
just  a  touch  of  plumpness  around  the 
waist  line. 


Once  a  big  strapping  Californian  came 
into  Laemmle's  office  and  met  him  for  the 
first  time.  He  had  received  letters  from 
Laemmle  and  had  read  many  of  his  fire- 
eating  advertisements.  When  he  first 
caught  sight  of  Laemmle  and  was  intro- 
duced, he  said:  "What!  Do  you  mean  to 
tell  me  you're  Carl  Laemmle !  Why  I 
thought  you  were  at  least  eight  feet  tall, 
had  fists  like  hams  and  that  you  would 
give  a  fellow  a  sock  on  the  nose  if  he 
looks  hard  at  you.  You !  Why,  say,  you 
wouldn't  hurt  anybody  if  you  could." 
There  was  in  his  tone  a  little  touch  of 
strange  affection  which  Laemmle  attracts 
almost  instantly  from  man,  woman  or 
child.  Call  it  magnetism  or  charm  or  sim- 
plicity or  what  you  will,  Laemmle's  full 
cause  of  others  which  I  cannot  find  words 
to  describe  that  I  have  had  twenty  won- 
derful and  happy  years  of  partnership  and 
association  with  Laemmle,  The  Man. 

It  is  because  of  all  these  traits  and  be- 
of  it  and  yet  unconscious  of  it. 


Mi 


\V/HILE    the   whole   motion   picture 


w 


industry  is  joining  in  paying  tribute 


to  you,  MR.  LAEMMLE,  on  this  notable 
anniversary,  we  know  that  your  greatest 
satisfaction  still  must  come  from  your  own 
conviction  that  these  twenty  years  of  actiV' 
ity  have  also  been  twenty  years  of  service 
to  an  art  and  an  ideal  that  you  have  loved, 
and  from  the  knowledge  that  this  unselfish 
service  will  make  your  name  known  and 
respected  as  long  as  motion  pictures  exist. 


u^i« 


•  •  • 


,^^c0'34tx4i)u^^^<^-^^^ 


8 


T""^! 


THE 


Sunday,  February  28,  1926 


■c^< 


DAILY 


0 


STARS  OF  OLDEN  DAYS 


Www 


X 


Ti 


iwi 

Ispj 

i  T  i 


*  4-* 


Car/  Laemmle 

who  has  won  the  esteem  and 
friendship  of  all  his  fellow- 
men,  by  his  kindliness,  genius 
and  generous  contributions 
to  the  upbuilding  of  the 
motion  picture  profession. 

To  him,  1  join  with  others 
and  tender  my  respects  on 
this,  the  celebration  of  his 
twentieth  anniversary,  and 
wish  him  even  greater  pros- 
perity for  the  future. 


10 


*. 


ti' 


^  * 


_L 


THE 


Sunday,  February  28,  1926 


LAEMMLE'S  VARIED  CAREER 


The  infant  industry  is  not  too 
young  to  have  traditions.  Con- 
sider the  legend)  surrounding  Carl 
Laemmle's  early  activities  in  motion 
pictures,  and  his  fight  against  the 
Trust. 


Mrs.  Mollie  Netcher,  of  the  Boston 

Store,  Chicago — C.  L.  worked  there 

OS  a  lad. 

Laemmle  was  not  a  youngster  when 
he  defied  the  monopolistic  General 
Film  Company  and  the  Motion  Pic- 
ture Patents  Company,  nor  was  he  a 
stripling  when  he  opened  his  first 
theater,  The  White  Front,  in  Chi- 
cago. 

Laemmle  was  in  his  fortieth  year 
when  he  gave  up  a  profitable  position 
to  stake  his  life's  savings  on  a  veri- 
table gamble. 

Despite  his  lack  of  previous  ex- 
perience in  the  amusement  world, 
Laemmle,  solely  through  his  talent 
for  selling,  in  a  few  short  years  made 
himself  a  dominant  factor  in  the  mo- 
tion picture  industry.  Where  did 
Laemmle  gain  his  salesmanship  abil- 
ity? 


^^^^^^^^^^p<^ 

^3p:^ 

mi 

w^S^^w^^^ 

m 

■■■■H  1  Ira  t 

IllJr  III ' 

i 

S 

gllll  ap 

Almost  before  he  could  walk, 
Laemmle  used  to  accompany  his 
father,  an  itinerant  vendor,  on  his 
daily  trips  to  the  back  doors  of  Laup- 
heim  homes.  Proudly  holding  the 
reins  of  the  patient  nag,  young 
Laemmle  would  listen  to  his  father 
describing  the  merits  of  whatever  ar- 
ticle he  was  trying  to  sell. 

Years  later,  he  went  to  work  in  a 
small  general  store  in  his  native 
town.  The  proprietor  was  evidently 
both  a  kindly  man  and  an  expert  in- 
structor in  the  art  of  salesmanship, 
teaching  the  youngster  many  things, 
because,  for  many  years  on  his  an- 
nual trip  to  his  birthplace,  Laemmle 
invariable  made  a  point  of  visiting 
his  former  employer  to  whom,  he  ad- 
mitted,    he     was     indebted     for     his 


a  meagre  outlet,  and  he  went  to 
work  in  the  Morris  stock-yards.  He 
stuck  to  this  job  for  several  months, 
devoting  his  nights  to  study,  and  soon 
saved  enough  money  to  travel  far- 
ther   west. 

Arriving  at  Mitchell,  South  Dak- 
ota, Laemmle  became  a  hired  hand 
on  a  farm,  spending  his  all-too-short 
nights  in  study.  Eventually,  he  re- 
turned to  Chicago.  Although  handi- 
capped by  his  ignorance  of  the  Eng- 
lish language  and  American  business 
methods,  he  obtained  employment  as 
a  clerk  in  The  Boston  Store.  His 
next  job  was  with  the  E.  B.  Butler 
Store,  now  one  of  the  greatest  houses 
in  the  Middle  West.  From  Butler's 
he  went  to  the  jewelry  firm  of  Otto 
Young  &  Co.,  as  a  bookkeeper. 


The  Continental- 


-the  Stern  clothing  store  at   Oshkosh—from  which 
C.  L.  developed  into  pictures. 


Butler    Brothers'    store    in    1893 — 
when  Laemmle  worked  in  Chicago. 


knowledge    of    salesmanship    as    well 
as  his  business  training. 

While  still  in  his  'teens,  Laemmle 
set  out  for  America,  arriving  in  New 
York  with  less  than  $50,  carefully 
pinned   to  an  inner   pocket. 

His  first  job  was  that  of  errand 
boy  in  a  Bowery  drug  store.  The 
hours  were  long,  the  work  tiresome 
the  pay  inconsiderable;  but  the  young 
immigrant  applied  himself  to  his  work 
with  characteristic  diligence  and,  in 
a  dingy  hall  bedroom,  devoted  his 
spare  hours  to  mastering  the  English 
language,  the  better  to  fit  himself 
for  his  struggle  to  gain  a  living  in 
the   land   of   his   adoption. 

He  managed  to  save  a  few  dollars 
and,  impressed  by  the  sage  advice 
of  Horace  Greeley  to  young  men, 
bought  a  ticket  to  Chicago.  Here,  as 
a   newsboy,  his   selling  ability  found 


Crilly   building,  Chicago,  with  flag- 
pole on  roof — home  of  first  Laemmle 
Film,  Exchange. 

His  last  contact  with  the  mercan- 
tile trade  was  in  Oshkosh,  where  he 
worked  for  the  Continental  Clothing 
Co.,  owned  by  Sam  SteFn,  who  was 
also  proprietor  of  the  Stern  Clothing 
Store  in  Chicago.  Here  Laemmle 
became  general  manager.  Ever  am- 
bitious, he  decided  to  go  in  business 
for  himself. 

It  had  long  been  his  intention  to 
inaugurate  a  chain  of  five-and-ten 
cent  stores.  He  had  about  $3,000. 
He  went  to  Chicago  to  choose  a  site 
for  his  store.  Instead,  he  discovered 
the  Nickelodeon  and  determined  to 
sell  entertainment  to  the  public.  And 
for  twenty  years  he  has  done  nothing 
else. 

Had  Laemmle  remained  in  the 
clothing  business  one  of  the  most 
interesting,  most  lovable  and  most 
unusual  characters  that  has  devel- 
oped in  the  picture  industry  would 
have  been  missing.  In  view  of  the 
battle  he  led  against  the  old  Trust — 
it  is  interesting  at  least,  to  speculate, 
as  to  what  might  have  occurred  in 
this  business,  had  Laemmle  remained 
in  clothing.  Almost  anything  can  be 
imagined — but  whether  the  result 
would  have  been  the  same  is  some- 
thing that  even  the  historians  might 
well   speculate   upon. 


Morris  &  Co.— out  in  the  stockyards— yes;  Laemmle  worked  <{;^rf'  «^»°- 
morns  oc  (Photoaravhs  from  Terry  Ramsay e  Collection.) 


{Photographs  from  lerry 


12 


To 

CARL  LAEMMLE 

On  His 

Twentieth  Anniversary 

As  An  Exhibitor 

1906-1926 


THE  FILM  DAILY 


»k 


'ii 


I 


r 


in 


■^ 


^'■^^ 


i^ 


W  w    W 


t 


Exhibitors  Herald 

congratulates 

CARL  LAEMMLE 

on  the  occasion  of  his 
20th  Anniversary  as 


1 


if. 


IT* 

w 


w  ^  w 


t 


\i/  I  m 


m 

ift 

1 1  i 


ui  Y  ^ 

5?? 


X 
A 


A 


!>!_?  1  I  I  Ql— ..■^..-^.x 


FELICITATIONS  T(i( 


vJn  this,  the  twentieth  anniversary 
of  your  entry  into  the  Motion 
Picture  Business,  in  which  you 
have  been 

EXHIBITOR, 

PRODUCER, 

DISTRIBUTOR, 

and    always,    in    all    ways,    the 

Advance  Agent 

of 

Progress^ 

EXHIBITORS   REVIEW 

Exhibitors  Review 


P3 


LI 


WK" 


CARL  LAEMMLE! 

It  is  our  Most  Sincere  Hope  as  it  is  the  Hope 
of  all  your  friends  — 

That  the  distinguished  Success  you  have  achieved 
in  these  two  decades  may  be  utterly  dwarfed  by 
what  you  will  accomplish  in  the  next  two; 

That  you  may  long  continue  the  Friend  of  those 
who  value  Friends,  the  foe  of  those  who  do  not 
work  for  the  advancement  of  the  Motion  Picture 
Industry; 

That  your  conception  of  Good  Will  may  spread 
throughout  the  industry,  to  the  benefit  of  all; 

That  in  all  you  undertake,  visioning  as  you  do 
the  worldwide  power  of  the  screen,  success  may 
equal  your  ideals,  appreciation  may  support  your 
striving  toward  a  higher  art. 

LISHING    CORPORATION 


Exhibitors  Daily  Review 


10  tk 

ANNIVERSARy 


qjjp 


W  y'/    <t 


I 


f 


•    •     - 


Carl  Laemmle's 

First 
Advertisement 


tn 


Motion  Pifture 


News 


19  0  8 


My   sweet   competitors 

are  hammering  at  me  again 

with  anonymous  letters  to  exhibitors. 
If  it  wasn't  so  disgusting  it  would  be  funny. 
Utterly  lacking  the  nerve  to  come  out  in  the 
open,  they  are  adopting  the  tactics  of  the  gue- 
rilla, working  in  the  dark  and  behind  the  back. 
It  only  goes  to  prove  that  the  rush  of  exhi- 
bitors to  my  different  offices  is  hurting  the 
anonymous  letter  writers.  But  all  the  letters 
in  the  world  can't  damage  the  quality  of  my 
service  nor  the  quality  of  my  genuinely  in- 
dependent films.  I  have  become  the  biggest 
film  renter  in  the  world  by  sticking  to  quality 
and  I'm  going  to  stick  to  that  same  thing 
through  thick  and  thin.  If  you  care  to  get  in 
on  a  winning  game,  write  to  me  this  day. 

CARL   LAEMMLE,  Pres. 

The  Laemmle  Film  Service 

THE  BIGGEST  AND  BEST  FILM 
RENTER  IN  THE  WORLD 

196-198  Lake  Street  -  CHICAGO 
111  E.  Fourteenth  St.,  NEW  YORK 

MINNEAPOLIS       OMAHA       PORTLAND 
EVANSVILLE      SALT  LAKE  CITY       MONTREAL 


16 


Sunday,  February  28,  1926 


Carl  Laemmle's  parents. 


Julius  and  Rosabelle  Laemmle,  when  children. 


L^UPHEIM  DAYS 


Probably  the  best  insight  into  Carl 
aemmle's  character  may  be  gained  from 
le  fact  that,  although  he  is  one  of  the 
usiest  of  men,  he  makes  a  yearly  pil- 
rimage  to  the  home  of  his  parents  where 
•e  enshrined  all  his  earliest  memories. 
Carl  Laemmle,  pioneer,  financial 
enius;  above  all,  is  a  sentimentalist — 
yal  to  his  friends,  his  home,  his  family, 
is  ideals  and,  dearest  of  all,  his  memo- 
es. There  is  no  ostentation  connected 
ith  his  yearly  pilgrimage  to  his  birth- 
lace  ;  merely  a  longing  to  enjoy  again 
le  surroundings  so  dear  to  his  boyhood, 
)  taste  once  more  the  sad,  sweet  sor- 
)w  of  recalling  the  remembrance  of  his 
ther  and  mother. 

Of  his  sincerity,  concerning  his  deep 
notional  nature,  there  can  be  no  doubt 
'ter  one  has  seen  him  in  the  scenes  of 
s  childhood.  Each  turn  of  a  lane,  ev- 
y  grove  of  trees  reminds  him  of  some- 
ling. 

One  wonders  at  the  greatness  of  Carl 
aemmle's  father ;  his  must  have  been  an 
spiring  nature  to  implant  in  his  chil- 
'cn  so  deep,  so  lasting  a  reverence.  An 
inerant  vendor — country  stores  were 
rtually  unknown  then- — his  laden  cart 
as  a  familiar  and  welcome  sight  to  the 
ligent  haus-fraus  for  whom  the  elder 
aemmle  always  had  a  cheering  word,  to 
e  rosy-cheeked  children  for  whom  a  lit- 
;  trinket  could  always  be  found. 
Laupheim  is  now  a  prosperous  town  in 
uth  Germany.  It  is  a  clean,  thriving 
:tle  community,  far  greater  than  when 


By  FELIX  L.  SENFF 

Carl  Laemmle  used  to  make  the  rounds 
of  its  pretty,  tree-lined  streets,  sitting 
atop  his  father's  cart. 

Each  year  he  visits  the  girl — she  is  now 
an  old  woman — who  wrote  in  his  album 
a  message  of  well-wishing  when,  more 
than  forty  years  ago,  he  set  sail  for  Am- 
erica with  but  a  few  dollars  carefully 
pinned  to  an  inner  pocket.  On  every  trip 
to  Laupheim  he  makes  a  point  of  calling 
on  the  man  to  whom  he  attributes  much 
of  his  success,  the  keeper  of  a  small  store 
whose  training  proved  the  foundation  of 
his  success. 

His  visits  to  Laupheim  are  more  than 
house-to-house  calls ;  they  partake  more 
of  the  nature  of  an  Old  Home  Week. 
From  surrounding  hamlets,  from  nearby 
villages  come  the  many  who  know  and 
love  Carl  Laemmle.  Night  after  night 
they  gather  at  the  old-world  inn  to  pay 


Where  Laemmle  was  born. 


homage  to  one  of  their  most  illustrious 
sons. 

His  benevolence  needs  no  chronicler. 
In  fact,  one  hesitates  to  narrate  the  count- 
less charities,  the  generous  endowments, 
Carl  Laemmle  has  effected.  Race  or 
creed  matter  not,  if  there  is  need  or  want; 
he  is  willing,  eager,  to  make  someone's 
path  a  little  easier,  make  somebody's  sad 
heart  a  little  lighter.  Hearing  that  the 
magnificent  cathedral  at  Ulm,  a  neigh- 
boring city,  was  in  need  of  repair,  he  gave 
a  substantial  sum,  sufficient  to  save  its 
lofty  spire,  considered  to  be  the  tallest 
in  the  world — on  the  same  day  he  had 
already  given  liberally  to  two  other  chari- 
ties. 

"You're  doing  too  much !"  a  pastor 
once  told  Mr.  Laemmle.  "You  are  really 
doing  more  than  is  necessary — the  people 
have  as  much  as  they  need,  perhaps  more 
th:in  they  know  what  to  do  with." 

"So  have  I,"  was  Mr.  Laemmle's  re- 
sponse. "Fortune  has  smiled  on  me;  the 
least  I  can  do  is  dispense  it  where  it  will 
do  the  most  good.  Tell  me  how  I  can 
help  the  people  of  Laupheim — my  people, 
my  father's  people." 

Many  civic  improvements  now  appar- 
ent in  Laupheim  owe  their  existence  to 
Laemmle's  largesse.  Gymnasiums,  rows 
of  beautiful  shade  trees,  pulDlic  build- 
ings— .  He  is  especially  proud  of  having 
brought  motion  pictures  to  Laupheim, 
just  as  he  did  to  Oshkosh,  Wisconsin, 
six  thousand  miles  away. 


Sunday,  February  28,  1926 


LAEMMLE'S    MONUMENT 
E' 


LEVEN  years  ago,  on  March  15,  1915, 
to  be  exact,  Carl  Laemmie  inserted  the 
golden  key  which  unlocked  the  gates  of 

Universal   City — the   first   municipality   in  the 

world  devoted  exclusively  to  motion  pictures. 
Jjlt  was  an  impressive  ceremony  and  a  fitting 

climax  to  the  great  vision  which  had  made  this 

city  possible. 

Ten  days  before,  a  special  train  had  pulled 
out  of  the  Grand  Central  Station,  New  York, 
on  its  way  across  the  continent  to  Universal 
City.     It  carried  Mr.  and  Mrs.  Carl  Laemmie, 
Louis   Laemmie,   Frederick   Schraeder,   P.   A. 
Powers,   Mr.    and    Mrs.    M.    H.   Hofifman,   Hy 
Mayer,  who  drew  cartoons  for 
the  Animated  Weekly;  Homer 
Croy,  the  humorist  and  official 
recorder    of    the    journey;    M. 
Fishel,   Mr.  and    Mrs.    Robert 
Grau,  Mr.  and  Mrs.  Harry  Wolf 
and  George  McGee  and  others, 
t  was   given   a   real   send-off. 
Artists  from  Universal's   East- 
ern Studios,  who  came  to  bid 
their  chief  farewell,  numbered 
imong  their  ranks  King  Bag- 
?ot,  William  Garwood,  Hobart 
Henley,    Matt    Moore,    Violet 
Mersereau,    Harry    C.    Myers, 
"harles     Ogle,     Ben     Wilson, 
f'rances    M.    Nelson   and   Wil- 
iam  Welch. 

At  each  stop  on  its  way  to 
he  Coast  the  train  took  on 
nore  cheering  Universalites 
rom  the  exchanges  until  by  the 
ime  it  reached  Universal  City 
t  was  a  big  special  of  twelve 
:oaches. 


The  first  stage  on  the  old  Universal 
City  lot. 


Entrance  to  Universal  City. 


UNIVERSAL   CITY 


President  R.  H.  Cochrane  and  Treasurer  P. 
A.  Powers  presiding  as  associates  on  the 
bench. 

Then  there  was  a  scene  put  on  by  Francis 
Ford  and  his  company;  Allen  Curtis  and  his 
"Kategory  of  Kurious  Kritters"  side-show ; 
aeroplane  stunts  with  Aviator  Frank  Stites  at 
the  controls,  and  a  cameraman  riding  on  the 
wings. 

Universal   City   was   new   then,   brand  new. 
Its  machinery  was  stifif  and  its  facilities  were 
somewhat  of  the  experimental  order.     But  the 
world  did  not  know  this.     To  all  appearances, 
Universal  City  was  perfect.    And,  as  a  matter 
of  fact,  it  was  as  perfect  a  stu- 
dio as  it  was  possible  to  con- 
struct at  that  time.    It  was  the 
best  in  existence. 

Universal  City  proper  con- 
sists of  two  hundred  and  thirty 
acres  in  which  are  included  sev- 
eral mountains,  two  so-called 
rivers,  plains,  a  miniature  des- 
ert, a  drill  ground  where  ten 
thousand  troops  could  easily 
maneuver,  and  which  has  form- 
ed the  background  of  innumer- 
able Universal  pictures,  typical 
ranch  buildings  and  environ- 
ment, as  well  as  locations  which 
one  might  expect  to  see  in  any 
city,  whether  east  or  west  of 
the  Mississippi  River.  Inci- 
dentally, it  is  highly  probable 
that  under  the  ground  are  very 
valuable  oil-bearing  strata. 

Naturally,  one  expects  to  find 
people  living  in  a  city.  In  this 
respect.  Universal  City  will  be 
a  disappointment.  Its  actual 
night  inhabitants,  those  who 
actually  live  there  and  have 
In  its  daytime 


After  getting  their  first  taste 
i  how  the  movies  were  made, 
he  visitors  were  treated  to  a 

eview  of  the  cowboys,  cavalry  and   Indians,  actors  working  in  homes  there,  are  limited  to  nine  or  ten  persons 

Jniversal's  Western  pictures.     After  luncheon  the  party  went  to  aspect,  however,  there  are  seldom  less  than  a  thousand  people  in 

/atch  Henry  McRae  and  his  company  of  101  Bison  players  make  these  forty-two  acres  of  sets  and  stages  and  buildings,  and  fre- 

spectacular  scene  where  a  village  was  destroyed  by  flood.   Then  quently  when   such   big  pictures   as  "The   Hunchback   of   Notre 

n  hour  was  spent  with  Al  Christie,  Eddie  Lyons  and  the  Nestor  Dame,"  "The  Phantom  of  the  Opera"  and  "The  Flaming  Fron- 

lomedy    Company,    who    conducteci    a   farcical    court   and    haled  tier"  are  being  made,  this  number  increases  to  more  than  four 

lany  of  the  better  known  visitors  to  the  bar  to  answer  the  va-  thousand.      In   order  to   get  them   to   and   from   Universal    City, 

ious  charges.     President   Laemmie   acted   as   judge  with   Vice-  Universal  has   established   its  own  bus  service.     In  addition  to 


A  panorama  view  of  Universal  City. 


I 


qp 


y  V  V 


X 


7      •     • 


m 


1 


4 

1 


Sincere  Congratulations 


to 


CARL  LAEMMLE 


"The  Man  Who  is  Known  Universally" 


^ 


Agfa  Raw  Film  Corp. 

ALFRED  WEISS,  President 

209  West  38th  Street,  New  York  City 


c^ 


Www 


X 


^1  I  ^ 


m 


x 


''ft 


t 

1 


i 

A 


20 


Sunday,  February  28,  1926 


that,  Universal  owns  a  fleet  of 
twenty-five  Cadillac  touring-  cars, 
eighteen  Reo  busses  and  five 
Flageol  trucks.  These  cars  are 
frequently  "inadequate  .for  pic- 
ture purposes  and  the  automo- 
bile agents  of  Los  Angeles  and 
Hollywood  are  called  upon  to 
supply  cars  numbering  as  high 
as  one  hundred  at  a  time.  To 
keep  Universal's  transportation 
department  in  repair  requires 
thirty-four  men,  mechanics,  driv- 
ers, painters,  designers  and  re- 
pair men.  A  huge  garage  is  one 
of  the  features  of  this  strangest 
city  in  the  world. 

When  one  reaches  Universal 
City,  one  is  impressed  with  the 
beauty  and  utility  of  every  sin- 
a^le  building  on  the  lot.  The  ad- 
ministration buildings  and  offices 
[or  the  most  part  built  in  the 
prevailing  style  of  Spanish  arch- 
tecture  so  suitable  for  Califor- 
lia,  have  formed  the  background 


fi?e^ 


DAILY 


21 


'fft"'^ 


Another  view  of  Universal  City, 
showing  some  of  the  big  sets. 

In  order  to  dress  and  undress  these  sets,  a  veritable  army  of 
carpenters  is  required.  Inasmuch  as  Universal  City  is  thoroughly 
unionized,  every  carpenter  has  his  own  place  and  kind  of  work. 
The  standing  requirements  of  the  studio  are  fifty-five  stage  car- 
penters, twelve  stand-by  carpenters,  fifty  field  carpenters,  and 
thirteen  grip  carpenters.  To  this  number  are  frequently  added 
four  or  five  hundred  carpenters  when  some  tremendous  set  is 
required  for  quick  delivery.  Most  of  this  work  is  done  at  night 
under  electric  light,  so  that  the  "shooting"  can  be  performed  in 
or  innumerable  office  buildings  in  pictures.  Their  utility  in  this  the  daytime, 
espect  has  many  times  paid  their  cost  in  construction.  Their  In  addition  to  the  stages,  there  are  fifty-one  permanent  build- 
)rincipal  business,  however,  is  housing  the  many  departments  ings  within  the  confines  of  Universal  City.  These  buildings  are 
nd  department  heads  controlling  the  arteries  of  this  busy  city.  all  practical,  livable  buildings,  but  in  addition  to  that,  there  are 
In  the  front  line  will  be  noticed  a  post  office.  This  post  office  something  like  six  hundred  which  look  perfectly  practical  and 
s  a  regular  United  States  post  office  and  is  so  listed  on  the  pos-  livable  from  the  front.  If  one  walks  around  to  the  back,  how- 
al  maps.  It  is  one  of  the  busiest  post  offices  for  its  size  in  the  ever,  one  discovers  that  they  are  merely  shells,  propped-up  fronts 
Jnited  States.  In  fact,  if  you  wish  to  correspond  with  any  actor  and  front  elevations.  From  the  angle  of  the  camera  man,  how- 
a  California,  a  letter  addressed  to  Universal  City  Post  Office  ever,  they  are  as  complete  as  any  moving  picture  requires.  Civic 
.'ill  reach  him.  The  reason  for  this  is  the  efficient  Casting  De-  pride  usually  calls  upon  most  cities  and  citizens  to  put  up  a  front, 
artment  which  Universal  maintains.  Four  people  are  required  but  that  is  the  watchword  of  Universal  City.  It  puts  up  the 
0  keep  in  efficient  working  order  the  filing  system  whereby  Cast-  greatest  front  of  any  community  in  the  world, 
ig  Director  Kohner  can  put  his  fingers  at  a  moment's  notice  on 
he  photograph,  address,  telephone  number  and  general  details 
f  appearance  and  experience  of  every  actor  in  California,  and 
aere  are  thousands  of  them. 

Another  feature  which  will  attract  immediate  attention  is  the 

hospital.  Erected  in  the  first 
place  as  a  prop  in  a  moving 
picture,  it  has  developed  into  an 
actual  necessity.  Two  doctors 
and  two  trained  nurses  are  al- 
ways in  attendance.  There  is 
a  waiting  room  with  a  clerk, 
there    is    an    operating    room, 

two  wards  and  a  clinic.  Among   the   permanent  buildings  are  a   chicken   ranch   estab- 

Universal  City  boasts  five  of  '"shed  in  June,  1924,  by  Mr.  Laemmle,  which  has  proven  not  only 
the  biggest  stages  in  the  world,  f"  adjunct  to  picture  makmg,  but  has  actually  turned  a  very 
sta-es  which  will  hold  three  to  handsome  profit  on  the  mvestment.  The  California  chicken  is 
five  settings  all  thoroughly  about  the  saddest  piece  of  eating  in  the  world.  It  is  thin,  scrawnv 
electrified  Universal  recently  ^"^  boney.  The  toothsome  article  which  the  Easterner  regards 
finished  a  stage  whose  propor-  ^s  chicken  is  absolutely  foreign  to  California.  Laemmle  deter- 
tions  are  250  feet  in  length  by  mined  to  show  California  what  real  chicken  was  like,  and  $54,000 
1150  feet  wide  with  a  45-foot  ^^^  expended  to  make  a  real  chicken  ranch.  At  the  present  mo- 
elevation  in  height.  This  is  the  "^^"^  t^ere  are  six  thousand  white  leghorns  there,  and  their  num- 
most  enormous  stage  ever  pro-  ^^^J^  mcreasing  by  leaps  and  bounds,  for  the  capacity  of  the 
jected  and  is  built  of  Grade  A  rnodern  incubator  is  fifty  thousand  chickens  every  three  weeks, 
structural  steel  upon  concrete  '^^is  occupies  two  acres  of  unused  land  and  the  whole  works  are 
foundations.     On  these  stages  ^"trolled  by  one  man      A  very  thriving  industry  in  broilers  and 

twelve     companies,    consisting  I,"  ^^^  h^^^^^"  ^^^f^fP^^  '"  t^'«  ^  The  Studio  Inn 

iwcivc  I  ,       ,        ,     °  at  Universal  City  and  the  several  restaurants  across  the  Lanker- 

of  anywhere  from  one  hundred  ^^-^  Boulevard  from  the  studio  proper  absorb  a  great  proportion 
to   five  hundred    persons,    can  of  the  eggs  and  the  chickens,  but  gradually  others  are  learning 
,  -.  ,         ,  „    „    ^    ,  "^ake  pictures  without  interfer-  of  the  succulent  chickens  which  Universal  raises  and  it  seems  as 

ForTTtZudfng%nZ''rZvt     '"?  >"  ^"^  ^^.^  ^^^^  ^"^  ^^  '^^  though   this  experiment   will    develop    into     one   of  the   biggest 
<tern  studio.  other  companies.  money-makers  on  the  lot. 


The  first  group  of  buildings  erected  on  the  old  lot  about  1915. 


cp 


t 


iwi 


* 


Mi 


ili 


A 


X 


.;*.ifV 


A  Man  Who  Makes 
Millions  Happier 

The  directors,  the  officers,  and  the  per- 
sonnel of  the  Manufacturers  Trust  Com* 
pany  congratulates  Mn  Carl  Laemmle 
on  the  completion  of  twenty  years  of 
service  to  the  motion  picture  industry* 

With  the  film  as  his  medium,  Mn 
Laemmle  has  brought  entertainment, 
happiness  and  education  to  millions  of 
persons  in  all  parts  of  the  globe*  With 
pleasure  we  join  in  public  appreciation 
of  his  work* 


Manufacturere 
tCruet  CompaniP 


NATHAN  S.  JONAS,  President 


4r 


i(0 


f 


m 


iwi 

*■  T  "I 

I 

vn 


4 

JL 


If  w 


^e? 


Sunday,  February  28,  1926 


THE 


23 


\     Laemmle's   next  experiment  is  go- 
^  iiig  to  be  a  blooded  cattle  ranch  and 
,  ht  is  now  looking  for  a  suitable  acre- 
\  age  in    which    to    establish   a   bovine 
^  prototype  of  the  chicken  farm.      He 
has   had    a    most    gratifying    success 
with    his    recently    established    breed- 
ing  stable,    containing    some    of    the 
imest    Arab    stallions    and    mares    in 
the  United  States.     Besides  one  hun- 
dred Arabs,  several  score  Percherons 
,  and  many  fine  Hackneys,  there  are  on 
\  the  ranch  more  than  one  hundred  cow 
ponies  and  untamed  bronchs,  some  of 
them   extremely    valuable.      A   stable 
gang  of  twelve   men  is   required  for 
their  care. 

Other  institutional  buildings  which 
are  permanent  include  the  zoo,  which 
houses  animals  trained  especially  for 
moving  picture  work,  elephants,  cam- 
els, lions — fourteen  of  them — mon- 
keys, wolves,  bears,  tigers,  kanga- 
roos and  leopards.  Many  of  these 
come  from  famous  zoos,  and  Univer- 
sal City  is  momentarily  expecting  a 
full-grown  gorilla,  said  to  be  the  only 
one  in  captivity  amenable  to  direc- 
tion. A  specially  constructed  con- 
crete cage  has  already  been  built  for 
this  "Joe  Bonomo"  among  animals. 
The  zoo  is  built  around  a  quadrangle 
with  working  cages  wherein  pictures 
of  desperate  action  involving  the  use 
of  animals  can  be  easily  photograph- 
ed while  the  cameraman  and  the  di- 
rector are  in  positions  of  safety  and 
only  the  actors  are  exposed  to  dan- 
gers which   frequently   threaten. 

The  building,  dressing  and  wreck- 
ing of  the  elaborate  sets  built  on  the 
five  main  stages  occupy  the  constant 
efforts  of  from  five  hundred  to  one 
thousand  individuals,  whose  offices 
and  workshops  require  many  acres  in 
the  city  proper.  Incidentally,  every 
one  of  these  buildings  is  of  such  a 
character  that  it  can  be  used  as  a 
background  or  an  appurtenance  of  a 
set  if  the  occasion  requires.  In  ad- 
dition to  the  carpenters  who  draw 
their  raw  material  from  a  lumber 
yard  which  would  do  credit  to  a  mil- 
lion-dollar building  concern,  and 
which  alone  occupies  a  whole  acre 
and  the  services  of  six  laborers,  there 
are  many  workers  in  wood  and  trim 
constantly  used  for  the  sets.  There 
are  two  wood  carvers  and  upon  occa- 
sion Universal  City,  with  their  as- 
sistance, can  present  a  room  or  fur- 
niture which  would  flatter  Sheraton 
or    Chippendale. 

In  the  mill  shop  there  are  also 
eight  mill  hands,  three  trimmers, 
twenty  painters,  two  scenic  artists, 
three  graduate  interior  decorators 
and  two  sign  writers.  Sign  painting, 
back  drops  and  unusual  efifects  which 
under  artificial  lighting  must  look  like 
the  real  thing,  occupy  the  constant 
attention  of  forty-four  sign  painters. 
On  manv  occasions  these  forty-four 
are  doubled.  For  the  dressing  of  the 
scenes  there  are  eleven  plasterers  and 
apprentices,  ten  paper  hangers,  five 
canvas  stretchers  and  four  seam- 
stresses, while  the  art  and  dressing 
department  proper  maintains  a  Jugu- 
lar corps  of  eighteen  experienced  and 
high  salaried  artists  and  technicians. 
With  the  sets  erected  and  ready  for 
work,  the  next  important  department 
called  upon  is  the  electrical  depart- 
ment. Universal  City  maintains  an 
electrical  department  both  for  actual 
operation  of  its  working  facilities,  and 
for   experimental    work,    working    to- 


ward discovering  new  facilities  and 
better  methods  of  utilizing  better 
ones,  which  would  do  credit  to  the 
Westinghouse  or  General  Electric. 
All  told,  135  men  are  employed  in 
this  department  alone.  Two  of  the 
largest  turbines  in  any  except  water 
driven  power  houses,  provide  the  dyn- 
amic force  behind  the  tremendously 
powerful  flood  lights,  searchlights  and 
arc  lights.  Many  inventions  along 
electrical  lines  owe  their  being  to  the 
inventive  genms  of  the  electrical  en- 
gineers in  this  department.  At  the 
time  of  the  power  shortage  through- 
out California,  due  to  the  drought. 
Universal  equipped  itself  with  mech- 
anism that  cost  $200,000,  which  would 
enable  it  in  such  an  emergency  to  be 
entirely  independent  of  power  from 
the  Los  Angeles  Power  Company, 
which  ordinarily  supplies  sufficient 
current  for  use  in  the  studios. 

With  the  lights  provided  and  all  the 
sets  erected  the  services  of  twenty- 
five  cameramen,  under  normal  con- 
ditions, are  required.  The  cameras, 
very  valuable  in  themselves,  many  of 
them  costing  $2,000,  are  stored  in  a 
camera  shop  which  of  itself  employs 
five  men  to  keep  these  delicate  in- 
struments in  repair  and  thoroughly 
tested. 

When  the  scene  is  over,  and  the 
director  issues  his  laconic  order  to 
"strike,"  a  wrecking  crew  of  fifty 
men  is  available  for  taking  the  set 
down  in  jig  time. 

The  directors  and  stars  are  hc)used 
in  cute  little  dressing  rooms  lining 
what  is  called  Bungalow  Row.  There 
are  twenty  of  these  bungalows  and 
many  of  them  are  livable.  In  addi- 
tion to  the  fourteen  or  more  highly- 
salaried  directors  and  thirty  or  more 
assistants  at  the  present  time  on  the 
payroll.  Universal  keeps  constantly 
in  stock  fifty  actors,  actresses  and 
stunt  people  who  are  available  for  all 
kinds  of  pictures  and  all  sorts  of 
characters.  For  the  three  thousand 
to  five  thousand  extra  people  requir- 
ed for  super-productions.  Universal 
erected  a  huge  temporary  dressing 
room  contiguous  to  the  costume  de- 
partment in  which  the  costumes  could 
be  assigned,  changed,  fitted  and  al- 
tered. The  wardrobe  department  or- 
dinarily employs  from  ten  to  twelve 
people,  including  costume  designers, 
seamstresses,  tailors,  hairdressers  and 
clerks,  but  for  special  occasions  twen- 
ty to  thirty  persons  are  required  in 
this  department,  mostly  tailors.  The 
costumes  rented,  bought  and  made 
for  "The  Hunchback  of  Notre  Dame 
ran  over  $100,000. 

Another  department  which  is  of 
great  interest  to  a  sightseer  and  tre- 
mendously important  to  the  company 
is  the  property  department.  In  it 
are  included  an  arsenal  with  weap- 
ons of  every  period,  every  army,  and 
every  branch  of  the  service  of  these 
armies  and  periods  which  an  able  an- 
tiquarian and  military  genius  can  lay 
his  hands  on. 

A  laboratory  for  the  development 
and  printing  of  negatives  and  posi- 
tives and  still  pictures  occupies  the 
attention  of  forty  people,  in  a  thor- 
oughly up-to-date  building. 

In  the  executive  offices  one  finds 
the  general  manager's  office,  the  pro- 
duction department's'  offices,  the  busi- 
ness manager's  office,  and  the  execu- 
tive rooms. 


The  scenario  department,  with  for- 
ty-two people,  is  one  of  the  most  im- 
portant departments  of  the  company, 
ihe  accounting  department  employs 
twenty  people.  The  advertising  de- 
pariment  has  six;  the  publicity  de- 
partment eight,  the  still  department 
eight,  and  the  laboratory  department 
forty.  Universal  City  maintains  a  po- 
lice department  of  ten  uniformed 
cops,  duly  authorized  by  the  City  of 
Los  Angeles  as  policemen.  In  addi- 
tion to  that  there  are  ten  janitors 
and  men  whose  duty  it  is  to  keep  the 
gardens,  lawns  and  shrubbery  in  first- 
class  appearance. 

Universal  City  has  constructed  its 
own  sewerage  at  a  tremendous  ex- 
pense and  maintains  a  corps  of  men 
schooled  in  drainage  and  sewage  dis- 
posal. Its  municipal  water  supply 
consists  of  two  sources:  one  from  the 
Los  Angeles  River,  which  is  the  only 
stream  of  water  within  twenty  miles 
of  the  city,  and  which  runs  straight 
through  the  environs  of  the  city.  In 
addition  to  its  own  river  banks,  Uni- 
versal has  leased  considerable  area 
along  this  river  for  the  purpose  of 
maintaining  the  purity  of  the  river 
itself.  The  water  used  for  drinking 
purposes  and  for  the  many  uses  of 
the  studio  is  drawn  from  the  artesian 
wells,  bored  on  the  opposite  side  of 
the  river  itself  by  an  ingenious  water 
forcing  plan,  invented  at  Universal 
City,  and  thence  to  two  huge  water 
towers  on  the  top  of  Laemmle  Moun- 
tain, whence  by  force  of  gravity  it 
is  useable  in  all  the  studio. 

The  City  has  a  thoroughly  equipped 
fire  department,  with  apparatus  of  the 
most  up-to-date  character. 

Every  phase  and  development  of 
Universal  City  is  a  lastfng  monument 
to  the  genius  and  vision-of  one  man — 
Carl  Laemmle. 


Old  Man  Overhead 

To  almost  everyone  who  applies 
at  Universal's  offices  on  Fifth  Avenue 
for  admission  to  the  Universal  Stock 
Company,  a  polite  gentleman  replies, 
with  the  stock  phrase:  "All  our  pro- 
duction is  done  at  Universal  City, 
California." 

And  then,  realizing  that  Universal 
has  one  of  the  largest  studios  in  Fort 
Lee  still  in  operation,  he  hopes  that 
said  applicant  does  not  know  about 
that,  because  a  lot  of  explaining  will 
have  to  be  done  to  tell  the  applicant 
why  it  is  that  no  Universal  produc- 
tions are  ever  made  there. 

Universal  City  was  opened  in  1915, 
and  while  it  was  not  planned  on  the 
gigantic  scale  which  it  has  now  at- 
tained, it  gave  the  company  facilities 
for  production  such  as  it  had  never 
had  before,  and  which  it  was  hoped 
would  be  sufficient  for  its  growing 
needs.  But,  hopes  are  vain  things — 
they  seldom  materialize  100  per  cent. 

Hopes  for  Universal  City  didn't — 
at  first.  In  the  meantime  Universal 
had  entirely  outgrown  its  little  studio 
at  Coytesville,  and  it  had  virtually 
been  ordered  out  of  its  old  ramshackle 
studio  on  Eleventh  Avenue  by  the 
fire  department.  So  Universal  set 
to  work  to  build  a  studio  in  Fort 
Lee. 

The  highest  point  of  land  in  the 
Fort  Lee  township  was  acquired,  and 
with    it    a    famous    old    mansion.      It 


occupied  the  site  which  was  designed 
for  the  studio.  But,  before  it  was 
turned  over  to  the  ruthless  hand  of 
the  wreckers.  King  Baggott  requisi- 
tioned it  for  a  picture  he  was  pro- 
ducing. And  then,  to  save  the 
wreckers  trouble,  he  decided  to  have 
fire  scenes  in  this  picture.  When 
Baggot  got  through  with  that  house 
the  wreckers  had  nothing  much  to  do 
except  to  clear  away  ashes  and  char- 
red beams.  Then,  to  give  it  the  de- 
sired publicity  flavor,  Carl  Laemmle 
and  R.  H.  Cochrane  together  posed 
in  a  furrow,  each  holding  the  handle 
of  the  plough  which  was  to  start  the 
excavation  of  the  site  for  the  studio. 
The  plans  were  drawn  by  Archi- 
tect Post,  who  designed  the  Singer 
Building,  and  combined  the  very  lat- 
est ideas  of  fire  proofing  and  elimina- 
tion of  fire  hazards.  To  prove  cer- 
tain theories  which  underwriters  and 
fire  chiefs  had,  two  million  feet  of 
film  were  burned  in  a  specially  con- 
structed vault,  while  fire  experts  from 
every  city  in  the  United  States  looked 
on  and  took  notes,  and  valiant  cam- 
eramen fell  back  with  hair  singed 
and  cameras  blistered  as  galloping 
flame  shot  out  of  a  little  glass  barred 
doorway  for  a  distance  of  seventy- 
five  feet.  The  test,  however,  proved 
that  film,  properly  stored  and  venti- 
lated, was  not  subject  to  combustion, 
and  that  given  a  proper  vent  and 
room  to  exhaust  itself,  was  not  a 
menace  to  surrounding  property. 

One  of  the  most  remarkable  things 
in  the  building  of  this  studio,  and  of 
the  laboratory  which  still  turns  out 
all  of  the  Universal  product,  was  the 
fact  that  there  was  no  contractor  or 
builder.  Every  bit  of  this  work,  call- 
ing for  bids,  deciding  on  the  success- 
ful bidders,  the  overseeing  of  their 
work,  etc.,  was  done  entirely  by  Wil- 
liam Sistrom,  (now  with  Metropoli- 
tan Pictures),  who  was  then  Purchas- 
ing Agent  of  Universal.  It  was  one 
of  the  most  remarkable  accomplish- 
ments in  the  history  of  Universal, 
and  one  which  eventually  led  to  giv- 
ing Sistrom  the  job  of  General  Man- 
ager of  the  studio  and  later  of  Uni- 
versal City. 

Why  did  Universal  give  up  this 
studio?  The  answer  is  "Overhead." 
There  came  a  day — as  numberless 
title  writers  have  said — when  the  ac- 
counting brains  of  the  company  got 
together  and  compared  notes  of  pro- 
duction in  the  East  and  in  the  VVest. 
They  figured  it  out  that  old  man 
"Overhead"  was  a  very  tough  guy 
and  that  two  "Overheads"  were  still 
tougher — and  that  the  only  thing  to 
do  was  to  reduce  this  disagreeable 
quantity  to  one.  It  all  figured  out 
very  nicely  on  paper,  and  inasmuch 
as  there  were  plenty  of  other  people 
willing  to  pay  a  handsome  rental  for 
the  Fort  Lee  studio,  the  Eastern  com- 
panies were  closed  up  or  sent  out  to 
the  Coast. 

Since  that  time,  old  man  "Over- 
head" has  been  served,  and  has  only 
had  one  production  to  kick  about — 
that  was  "The  Little  Giant''— the 
picture  which  Will  Nigh  made  for 
Universal. 


.^^: 


ta 


0«' 


»»' 


<s. 


'^^^.. 


^»S« 


i'     _ft^*^     '-,0  "      «r.  "■ 


-'■'^jfi 


So 


'fl* 


WESTER  UNION 


-"fs 


Jj 


/ 


/ 


GREETINGS 


•u  UUv«i>*  IM  dlf  leiun,  IM  Dm  tilM  «l 


*^..M 

L 

CUSS  or  suvm 

smeoi 

TItfGRMI 
DAY  IFTTIK 

fLU[ 

NICHl  IfTTtIt 

BITC 

HI 

C  tend 

■k  SUNOADO  II  Ml 


y,^„  "aO    HI..  ^-T  ''TlJtr  M 


'T)" 


^ollywoal^,•  California.    1055. a.™,    'eb  3.    1936. 


UniverjilClty.Oal. 
D.oar  Cirl  on  thld   auapioioua  oco&dlon  '^llow  ii.e    to  add  iny  con£T':ilulatlona 
.jlncerely  ./our  friend. 

irlts  Chaplin. 


Ciiar 
ll:;iri.a.T. 


ll:;iri.a.T. 


! 
•//^■//////////y/'A 


""■""^  ».  uas. 


\1-' 


iJe*4* 


.v»» 


,lf.'^^'" 


.»' 


..l-* 


v.ov"-fio 


■er 


,.<>*"••«  Co«° 


.rt"^" 


468.^ 


Ut 


e*'' 


<^rV 


tff->^ 


,/(W-'^"" 


,,JI//''^''' 


„„«-/".*'■'"■""■ 


w»t  ^    .  ^o  ^    ,o4'^<'°  ,.  10 

*  ^>^"  ,,„^n\r^  -;:^r> 


}      ..e  »='  ,,>«  f'-V  ^<^0  %,s  V\°  ^.,o  't^^iM'^^'  „rO'^ 


*     lilt  70     J 

eonn,cti.„  '  learned   th 

V-  «.»     ;  °'  """'  -".  .n    '         ""  "•  "°«  -  CO 

\  ^  "•"•tract,  „  """Inu. 

W'"  Bor*  ..  ••1  <rr«.. 

r-— :r:::-. •'•..r.:rr '•'••- 

t  ■"«  con,,,,,;         "■"  *•  "^  .ha'i\:         "^°'"  -"ic. 

I -Cor,"-' -  - -11  Ur-v. 


I 


Vm/m/S//, 


;,;,„I0''"' 


;>'"'" 


^^^^^--^^J 


f 
I 


24 


^"^VEi 


«OLovmv     .,rr" 


II.:'*  ^  ^^otf 


.xj^a'^ 


ce*^ 


U^^     ,^.^^  ^''' 


l8S 


.3ttl« 


fOli- 


BtU^ 


OT 


90C' 


.ct»« 


4 

\ 

i 


^o 


,^\' 


.o^ 


?vc< 


>J?^'- 


^v\t^ 


.•x»^° 


.^^' 


*»* 


o« 


..At*^ 


.\C^ 


''  '•r.o;: "'""« 


■y«  at 


?•' 


,X>^' 


CLASS  W  »*VICf 

rtuciuui 

STWSOl 

o*»  tion 

NIGHT  MESUC( 

HIGH  I  itniii 

OtU( 
WtTt  __ 
Nl 

00^ 


VO'^ 


ao»- 


Received  at 


10.S.H!I.45.N10HT-LeTT«I'. 
L05   A'-^- 


t.  tt  MAMIAII0  KMC 


.o''^?-^*^ 


1»03 


.-/"^ 


•_I'?3I>'T1».    jtT!A»''    ?6.    13?«. 


r" 


Carl   ^«*Tml«, 

unl-.fr5«l  city,   CnUrorrie. 
My   Ctnr  yr.    L»-!T.-nle-    can^rt tuUHons    on   this   tbr   t.-nU»th  »nr.1»^rsarT    o 
your  BPlfndld  sctrltlei   In  6a-   iPOuitry  •»  o.s  yov.  •  d^bt   of  nr.tlt.'- 
vour   loy.l  e-j  stir^frti   fndeo«)r   to  r>lac   eur  tterd.rd  .nd  ire  ;r.,tn' th« 
emflcenc*   ihr  FJclU  ''''■°    :  l«  =  e<'  *"  "••  Sincerely. 

ir«r»   PlckfonJ. 
9;CS.o.n.    :i-'ln. 
7/////////////////////////f/////////''/^^^ 

MOTION  ncnn«EP«°°^^P,^^v«.v. 

January  8.  ^^^.. 


llr.  carl  I'»*'^^Jb 


^-0^te>^..^^J^-,. 


^^'^^'•'^Vo-^oW 


*^o.vt--vvrVi:«  -",.  <coV,: .«,:..- 


^e^v  ec^^  a\o^ 
o> 


00' 


'•* 


^!°f.'.*^.^°  '^'"^^  NATrONAL  Pictures.  ,.c 

TRCCT      I~OI»NAPOUS    INO 


2«  WtST  WaSm.noION  Str 


8*« 


lOTk, 


■  ««BfMl  oars"'         „roi«o«''' 


January  9th.  1926. 


e,r»ioe 


of 


ndl4 


»»• 


eJi«»* 


of  JO" 


tbOBO  of 


bU 


U  P 


Btlll  f« 


tbor 


COOBO 


,uent.  bBPP 


gxsto 


For 

tul 


oonstrno 
inoee 


tl-»e 


aervi 


«!»" 


«fr-    Carl   Uooml., 

^  H»»  Iforlt  Ci£y. 

^>ear  Br.   laemmle : 

tot   'hatthra^laarVjIa.'""  .'"JS"'   '"   "■• 

|n%r„«??o%-";Ln£:""-»--'-a--' 

I 


''■•    14. 


If  36, 


4on» 


for 


ioiuBtry . 


1  »» 


J^'l  70Ur  work  hae   h?!:   .?^?"?^   «"   »f   this  l?»=s.  '"«  7ou    on  yo„r  w» 


ovnere 


I  rojoio* 


JJ> 


your 


gOOOB** 


I       ' 


nb.1 


gar4"^ 


,l,t  ^i"*""  ""  3V00"i*a 


1  affi 


::^^ir^~ 


,^/////////i»: 


,y,,.^/^m^^^'^^'''^''' 


.M^/zz/y-^'"''''''^''' 


//">  7oar  work  haa  h..„  .,      7^     "''  "'    this 

|.t  m  the  adv^o:::°t\rfhfr?L°f.!-".i'>«t 

|tlU  oBod  ,ou-no;-';.":-jr[n^  Jh%%Ti, 

I 


t  Of   thl8    Industry   of 

tn^ir^fat'^oVr  "'"  "°''°«    to 
.d   =»'   '  f"  °"'W  yosra  to  cooB 


i' 


ture 


J'O'ir  ircnder* 


SXaoerel^^  yours 


^;i,^  "rly  St 

f  r'<!i   ""^  ^-   t  "ishos  for 


I 


/^-Z/X///-^///^/^^//^^^^^ 


the 
oth 
?es, 

continued 


--^^^^./...^^,,.,,,^^^^^^^J 


polr.cerely, 

I 


I 


i 


'y^y/y/y-^y^^^y. 


'-----^-vv^.^,,. 


'--/•-vvy/>v,,. 


'""^-'^y/'w^,^ 


25 


cip 


•     •    • 


^//  my  sincere  admiration 
and  lasting  friendship  for 
my  old  friend  Carl 


:ns 


<e1 


Www 


•    • 


Jules  E.  Brulatour 


•OJ 


^ 


15  V 


I  Bill 


llltllD 


pe,i 


KlDl 

Wiiii 


26 


THE 


Sunday,  February  28,  1926 


« 


27 


"LAEMMLE  LUCK" 

Carl  Laemmle's  Spectacular  Rise  in  the  Film  World 
Seemed  Uncanny  to  His  Slower-Witted  Critics.  "He's 
Lucky— That's  All,"  They  Said,  and  "LAEMMLE 
LUCK"  Became  a  Tradition. 


//^    I    AHE    greatest    piece    of    good    luck 

I**       I        that    ever    struck    Carl    Laemmle," 
I        said  R.  H.  Cochrane,  retniniscently, 
"was    his    winning    of    the    verdict 
against  the  General  Film,  or  Patents  Company, 
as  it  was  familiarly  known.    At  one  stage  of  the 
suit  'C.   L.'  was  licked.     He  was  up  agamst  a 
jtone  wall  of  patent  laws^  regulations,  proced- 
are  and  red  tape.    Besides  which,  if  he  couldn  t 
produce    in    court    the    next    day    evidence    and 
3roof  of  the  prior  use  of  perforations  similar  to 
hose  of  the  sprocket   holes  on  motion  picture 
film,  the  defendant  would  have  established  his 
:laim  to  a  basic  patent  and  'C.  L.'  would  have 
anly   the  melancholy   satisfaction   of   paying 
lis  bill  and  remembering  he  had  given  them 
1   fight   they   would   remember.     We    didn't 
icnow   it    at   the    time,   but   'Laemmle    Luck' 
was  just  around  the  corner,  for  at  the  last 
moment,  when  there  was  barely  time  to  pre- 
pare the  evidence  for  the  court,  one  of  the 
associate  attorneys  recalled  the  perforations 
on  rolls  of  paper,  in  common  use.  and  made 
it  stick.     The   defendant's   claim  of   a  basic 
patent  was  "smashed  to  smithereens  and  the 
motion   picture   business   was    freed   from   a 
crushing  monopoly.  . 

"The  story  of  that  fight,  waged  single 
handed  by  Carl  Laemmle,  who  supplied  the 
facts,  the  lawyers  and  the  necessary  money, 
is  too  long  to  be  repeated  here,  but  it  m- 
volved  the  payment  by  all  exhibitors  of  roy- 
alties to  the  Patents  Company  on  the  so- 
called  'Latham  Loop'  for  projection  ma- 
chines. As  then  arranged  this  constituted 
a  tax  so  burdensome  that  it  would  speedily 
have  put  them  all  out  of  business.  In  fact, 
it  is  in  no  way  short  of  the  truth  to  say- 
that  if  Carl  Laemmle  had  not  won  his  fight 
against  the  absolute  monopoly  then  involved, 
we  would  have  no  motion  picture  industry 
today.  .      . 

"Affecting   as    it    did,   their   very  business 
existence,  it  is  needless  to  say  that  this  cele- 
brated   case    was    known    and    discussed    by 
every     exhibitor      in     the     country.        Carl 
Laemmle's    rise    in    the    industry    had    been 
spectacular.     Determined  from  the  outset  to 
be  independent,  he  hoed   his  own  row,  and 
like   other    independent    spirits   he    was   fre- 
quently   involved    in    a    battle    for    what    he 
considered    his    rights.      Uniformly    success- 
ful   in    these    business    engagements,   he   be- 
came, with  the  rising  of  his  star,  a  marked  man. 
To  his  more  conservative  contemporaries  there 
was  something  almost  uncanny  in  his  being  al- 
ways right. 

"Soon,    'Laemmle    Luck'    became    proverbial, 
and  in  the  industry  at  least  a  tradition. 

"Unlike  most  traditions,  however,  its  origin 
was  not  shrouded  in  the  mists  of  time;  it  was 
not  a  mystery  of  the  past,  nor  was  it  based  on 
superstition.  To  psychologists  and  character 
analysts  we  may  safely  leave  the  P[oblem  o* 
what  part  Carl  Laemmle's  foresight,  pl^.^k-  good 
judgment  and  fighting  spirit  played  m  tnose 
fascinating  business  incidents  upon  which  ine 
tradition  of  'Laemmle  Luck'  was  based.  By  the 
same  reasoning  we  might  attribute  to  luck  tnc 
success  of  John  D.  Rockefeller  John  W  Gates, 
Senator  William  A.  Clark,  F  W..  Woolworth 
or  any  one  of  the  scores  of  American  business 


leaders  who  saw  or  created  opportunities  which 
their  duller  witted  fellows  overlooked. 

"Twenty  years  ago  the  chief  problem  of  the 
few  hundred  exhibitors  who  were  showing  ele- 
mental one-reelers  and  'chase  pictures'  in  such 
make-shift  auditoriums  as  vacant  stores,  skat- 
ing rinks  or  town  halls,  was  to  get  pictures — 
something  to  show — it  didn't  matter  much  what. 
The  public  had  shown  itself  willing  and  eager 
to  patronize  this  new  form  of  entertainment, 
but  after  the  novelty  had  worn  off,  the  fans  of 
the  day  rivalled  their  present  day  brothers  and 
sisters  in  their  sophistication.  You  couldn't  get 
'em  in  to  see  the  same  show  twice,  and  the  ex- 


Collapse  of  the  Trust*s 
Colossal  Bubble 


After  nearly  two  years  of  unsuccessful  bluffing, 
the  Trust's  bluff  bubble  has  busted!     Instead  of 

threatening  the  exhibitors  of  America  with  all  sorts  of  gh.istly  things,  it  is  now 
wheedling  them,  feeding  thein  with  flattery  and  honeyed  pmmises  and  trying  its 

Wimfdcsl  In  will  thcrn  aivay  (roni  (lu  ranli  ot  the  ImlriiuLKiit.  ■      Id  ..i.iny  C3«t  it   i-   actually     'inT-- '■  - ' 


thiilfr*  lu  mix  »  (iw  Inilcpendciil  suUjccIs  in  »illi 
>sc(l  Iiils!  U  hill  uould  hair  hafpcHfd  to  anv  /)' < 
Irr  a  yeoi  ago.  or  ci.cn  lii  moitHis  agoT 


ivli  rxl»b<1oi<.  (r.Mii  ilic 
I    l„<lrf.nd.-nt   film   m   hn 


What  is  the  cause  of  this  sudden   change  in 
tactics?    The  answer  is  simple.    The  trust  has 

seen  its  customers  leaving  it  byiundreds  and  by  thousands  during  the  past  year 
or  two.    It  has  finally  awakened  to  the  fart  that  the  exhibitors  of  .America  arc  not 


;  br;iiny  li(;Iiicf  on  ilic  ifu.i 


II  U  ^luffrd;  and  ilial  there  »tc  ten  good  fighters  on  the   !iiile|itniler 

^iile    it  now  it-fh  10  gain  by  flatttry  v/kat  1/  lotl  by  bone-headed  miimonogcmetil. 

You've  won  a  tremendous  fight  and  it*s  up  to 
you  to  reap  the  benefits.     Don't  be  wheedled  or 

flattered  into  giving  up  the  fruits  of  your  victory.  The  Japs  licked  the  very 
dickens  out  of  Russia  on  the  field  of  battle  ana   then  lost  on   the  field  of 

•liI'lomKy.  Don't  let  chat  hippen  to  yoM  Don't  believe  jr>»  .>!  iIk  jiron.i^s  of  ihe  wry  iru»i  thai  ined  ti  il.f.nle  juti. 
I'late  your  failh  in  the  Iiidciicndcnti ,  in  tlic  film  txchangci  »hidi  h-ve  hcipeJ  you  make  a  «.>.ininf  fighi .  m  the  Inde- 
iTniicni  manufjciurcrs  who  mide  il  posiible  for  you  to  be  yout  o"n  boss  and  who  »re  turning  out  Urllcr  films  every 
•Ij)  io  that  you  can  crush  your  eonipclition  by  mean*  of  Q-u-a-1-i-ty  !  and  not  by  t)lufl»  or  threali,  Haok  uf  tmtk 
Lammlt  filmi.  Unnmle  terimt  and   ■Lofminle  luck"  and  make  the  frofili  you  ere  tntilltd  lol 

CARL  LEAMMLE.  Prttident 

%e  LAEMMLE  FILM  SERVICE 

N«w  Wumber  294  West  L&ke  Street.         it        ii       ::        Chlc&go.  III. 

Sykes  Block     -  Mittfieapolis,  Mifin.         .sis' Mttlberry  Street,  DcsMoines.  low.j 

1517  Fartiam  St.        -         OiTiaha,  Ni^b.         itio  Wydiidyite  St  .  Katisas  City,  My. 

THE   BIGGEST   AND    BEST     FILM     RENTER    IN     THE    WORLD 


So  relentless  were  Carl  Laemmle's  public  at- 
tacks on  the  Trust  that  Government  investi- 
gation was  inevitable.  "Laemmle  Luck"  in 
this  instance  benefited  the  entire  industry. 


hibitors  were  usually  in  a  state  of  despair.  Carl 
Laemmle,  in  1906,  had  opened  his  first  theater, 
a  hundred  and  ninety  seat  house  (store  build- 
ing) on  Milwaukee  Avenue,  Chicaeo,  and  see- 
ing great  possibilities  in  this  new  form  of  en- 
tertainment for  the  masses,  had  backed  his 
judgment  by  opening  a  second  within  ninety 
days.  No  exhibitor  in  the  country  had  more 
to  lose  from  the  shortage  of  pictures  than  he, 
and  his  solution  of  the  problem  was  character- 
istic. He  began  to  produce  his  own  pictures, 
which — in  the  time-vvorn  phrase — is  another 
story.      In   vain   the    Patents    Company    threat- 


Heading  of 
an   adver- 
tisement 
used  in 
1909. 


ened  to  refuse  him  any  more  of  its  releases. 
He  went  ahead  with  his  plans  and  established 
the  first  independent  motion  picture  producing 
company  in  the  United  States,  and  called  it 
Independent  Motion  Pictures.  For  years  the 
initials  of  the  sturdy  young  company  gave  it 
its  popular  name,  and  before  it  was  aban- 
doned 'Laemmle  Luck'  had  forced  the  show- 
ing of  'Imp'  pictures  all  over  the  world. 

"So  rapidly  was  motion  picture  history 
being  made  in  those  palmy  days  that  it  is 
almost  impossible  to  cite  further  instances 
of  'Laemmle  Luck'  in  their  chronological  se- 
quence. However,  the  reader  must  imag- 
ine Carl  Laemmle,  young,  energetic,  bound 
heart  and  soul  to  the  industry  for  which  his 
faith  and  untiring  efforts  were  largely  re- 
sponsible; producing  'Imp'  pictures  on  the 
one  hand,  on  the  other  guiding  his  string  of 
theaters,  the  while  his  busy  brain  was  in- 
volved in  working  out  distribution  plans  that 
would  release  his  fellow  exhibitors  from  the 
Patent  Company  shackles,  from  which  he 
had  barely  released  himself. 

"And  so  we  come  to  another  story,  that 
of  'Traffic  In  Souls,'  Carl  Laemmle's  first 
ambitious  attempt  at  a  full  lejigth  photoplay. 
After  such  griefs  and  delays  as  can  come 
only  to  the  pioneer  and  experimenter,  'Traffic 
In  Souls'  had  been  completed  for  Carl 
Laemmle  by  George  Loane  Tucker,  and  in 
ten  reels.  It  was  for  the  same  Carl  Laemmle 
to  explain  to  an  irate  and  hostile  board  of 
directors  what  he  meant  by  spending  $5,690 
on  a  single  picture.  They  used  unprintable 
language,  to  which  Laemmle  listened  with 
a  poker  face.  Though  his  heart  was  un- 
doubtedly in  his  boots,  he  faced  them  all. 
With  all  the  courage  he  could  muster  he 
defended  his  action,  and  offered  to  take  'the 
damned  thing'  off  their  hands  and  pay  them 
$10,000  for  the  privilege.  Perhaps  some 
prescient  inkling  of  'Laemmle  Luck'  troubled 
the  minds  of  the  angry  directors,  mingled, 
maybe,  with  a  bit  of  awe,  and  a  grudging 
admiration  of  the  sturdy  little  figure  that 
called  their  bluff.  True  to  human  nature,  they 
changed  their  minds,  and  refused  to  sell.  Still, 
they  had  $5,690  tied  up  in  four  reel  cans,  and 
they  put  it  up  to  Laemmle  to  get  it  out. 

"Again  the  unprecedented.  The  young  'Imp' 
president  rented  Weber's  Theater,  Twenty- 
eighth  Street  and  Broadway,  and  opened  'Traffic 
In  Souls'  with  a  matinee  performance  at  a  one 
dollar  admission. 

"The  cost  of  the  film,  not  only  extravagant, 
but  revolutionary  in  those  days,  the  rent  of  the 
theater,  the  advertising  and  other  expenses,  had 
deepened  the  gloom  among  the  directors,  and 
none  of  them,  not  even  'C.  L.'  himself,  had  any 
desire  to  attend  the  opening — or  perhaps  they 
hadn't  the  courage  to  face  what  they  consid- 
ered a  sure  flop.  A  little  after  two  P.  M.  the 
phone  bell  rang.     The  house   treasurer  on  the 


I 


ti 


m" 


i!" 


YVyiTH  an  appreciation  based  upon  long  and 
pleasant  business  and  personal  association, 
we  felicitate  Mr.  Carl  Laemmle  upon  his 
twentieth  anniversary  as  a  motion  picture 
exhibitor,  and  wish  him  many  years  of  con- 
tinued achievement. 


LINCOLN  OFFICE 

IRVING  BANK-COLUMBIA  TRUST  COMPANY 

EAST  FORTY-SECOND  STREET     (opposite  Grand  Central)     NEW  YORK 


Resources  $400,000,000 


\^'y't 


tit 


iilsm 


Ui 


lisi 


28 


THE 


unday,  February  28,  1926 


29 


vire.  'Come  down  and  see  your  show,'  he  said, 
there's  a  double  line  at  the  box-office  two 
locks  long' — and  this  in  one  of  New  York's 
'loomiest  of  drizzling  rains.  'Laemmle  Luck'? 
I'ou  tell. 

In  three  days  'Traffic  In  Souls,'  playing  con- 
inuously  to  S.R.O.',  had  attracted  the  attention 
)f  the  Shuberts — Lee,  Sam  and  Jake.  Just 
'etting  into  their  stride  as  theatrical  managers, 
ircuit  owners  and  producers,  it  is  possible  that 
hey  saw  in  the  success  of  this  less  than  pop- 
ilar  priced  amusement  a  competition  worthy  of 
heir  investigation.  To  make  a  long  story  short, 
hey  the  Shuberts,  bought  a  third  interest  in 
Traffic  In  Souls'  for  |33,333.33,  Carl 
Laemmle's  directors  having:  condescended 
;o  recognize  the  $5,690  white  elephant  as 
1  business  property,  and  put  a  $100,000 
.aluation  upon  it. 

"It  may  surprise  some  who  read  this 
0  learn  that  our  leading  theatrical  mag- 
lates  were  ever  so  deeply  involved  in 
notion  pictures  of  the  early  days.  They 
,vere  not — for  long.  Possibly  because 
hey  had  never  heard  of  'Laemmle  Luck' 
hey  could  only  balance  $33,333.33  against 

third  interest  in  four  cans  of  film,  but 
he  operation  gave  them  cold  feet  and 
hey  asked,  and  were  permitted,  to  with- 
Iraw.  The  $33,333.33  was  returned  to 
hem,  a  bit  of  'Laemmle  Luck'  that  netted 
C.  L.'  more  dollars  than  he  would  ever 
dmit. 

"Likely  enough  'Laemmle  Luck'  was 
)eginning  to  affect  its  possessor,  for  his 
lext  move  was  to  rent  nine  theaters  in 
jreater  New  York  (New  York  and 
kooklyn),  for  the  simultaneous  showing 
f  'Traffic  In  Souls.' 

"This  is  unquestionably  the  first  time 
hat  any  form  of  entertainment  was  ever 
'ffered  to  the  public  in  nine  theaters  at  the 
ame  time  and  in  the  same  city.  This 
nulti-engagement  proved  amazingly  suc- 
essful  and  launched  the  picture  on  a  long 
nd  profitable  career.  But  'Traffic  In 
jpuls'  did  more  than  net  a  fortune  for  its 
reducers.  It  proved  that  a  full  length 
icture  or  motion  picture  entertainment 
ould  be  produced  in  this  country,  and 
hat  the  public  would  pay  to  see  it.  It 
:ave  the  'Imp'  company  an  unvoiced  in- 
entive  toward  the  'bigger  and  better'  pic- 
ures  but  recently  so  phrased.  It  revived 
he  drooping  courage  of  the  other  inde- 
endents,  most  of  them  suffering  from 
inancial  weakness,  or  disability  of  the 
reasury.  Perhaps  it  was  a  bad  picture 
r^ii  the  present  critical  standpoin*^  _  but 
0  one  can  deny  that  the  traditional 
Laemmle  Luck'  that  marked  its  career, 
tamped  upon  'Traffic  In  Souls'  the  sig- 
ificance  of  a  milestone  of  the  industry, 
nd  one  of  incalculable  importance  to  its 
uture. 

"Out  of  all  the  cards  in  the  deck,  to 
/in  a  stake  with  a  two-spot  would  most 
ssuredly  be  called  luck.  There  came  a 
ime  when  Carl  Laemmle,  busy  produc- 
ig  pictures  and  in  defying  the  Patents 
•ompany,  had  reached  the  point  where  he  own- 
d  in  addition  to  his  studio  and  circuit  of  thea- 
ars,  nine  distributing  exchanges.  But  the  old 
ugbear,  or  nightmare,  of  not  enough  pictures 
}  supply  the  demand  still  haunted  him,  and  he 
I'elcomed  an  opportunity  to  buy  certain  foreign 
ictures  outright.  There  were  ten  of  these  pro- 
ared  in  France,  Germany  and  Italy  by  J.  J. 
llurdock,  now  of  the  United  Booking  Offices, 
len  actively  engaged  in  pictures. 

"Murdock  had  taken  a  chance  and  brought 
ver  from  Europe  ten  one-reelers,  and  Carl 
.aemmle  bought  them.  They  flopped.  Total 
tss.  But  somehow,  there  had  been  included  a 
)lit,  or  half  reel,  thrown  in  for  good  measure, 
F  the  cavalry  maneuvers  of  the  Italian  Army. 

s  faithfully  recorded  on  the  then  magic  screen. 


4( 


LAEMMLE  LUCK 


?  9 


daring  riders  accomplished  unbelievable  feats  of 
horsemanship;  they  rode  their  beautiful  and  high- 
spirited  mounts  down  cliff  sides  that  seemed  per- 
pendicular; they  cleared  tremendously  high  walls 
and  fences,  and  ditches  of  fearsome  width.  In 
short  they  put  a  thrill  into  motion  pictures  that 
made  the  old  dash  of  the  Empire  State  Express 
into  the  very  faces  of  the  spectators  seem  mild 
by  comparison.  So  the  little  half-reel — the  two- 
spot — saved  the  day.  It  was  popular  for  years. 
Many  a  house  played  it  over  and  over  again  at 


own  firm  convictions.  Applied  to  horse  racing 
this  attitude  might  be  termed  'taking  a  chance.' 
But  Laemmle  was  never  a  gambler.  He  studied 
and  mastered  every  business  problem.  Never 
satisfied  with  surface  evidence,  he  dug  into  ex- 
isting conditions,  past  examples,  the  present 
demand;  a  tireless  question  asker,  he  knew  bet- 
ter what  the  people  wanted  than  they  did  them- 
selves. He  never  guessed.  He  knew.  Over 
and  over,  the  pros  and  cons,  he  studied,  he  rea- 
soned, until  he  arrived  at  a  conclusion.  More 
thought,  and  the  exercise  of  a  rare  and  unique 
critical  and  judicial  faculty,  and  'C.  L.'  reach- 
ed  his   convictions — from    which    nothing   could 

shake  him. 

"Such  an  instance  was  the  purchase  of 

the    celebrated — almost   another   milestone 


I  Have  Quit  THE  Patents  Company 


Her««,ft«r  I  wilt-buir 

Sl.OOO  wcth  of  N«w 

>-v»ry  day  in  th.*>  y««r 

«(ea<t    at    buyirtg    on 

j>l«n-    l»n.*l  ft,|4i:-<Ka,(: 


nKlional  Proiecttnif 
*nd  Produc{n«[  Com- 
pomy  hn«  01v«n  m«> 
proof  poslUv*    tb«t  It 

tlon  ofhijCh  cItUM  Aim 
■uk^vcta  in  *h«»  ^nrortidl 


tt  aa  iDfd^lgate  ia*g  mm  to  dcvca  w«ks.  ami  iavcsHgate 


MTf  LETTER.  TO  THJT,  PATENTS  CO.. 


■Bat  fitoe  m  Dtiier  rosaoi  tor  tk  (Sasgc  most  importamt  of  wtiidi  b 


J 


No  More  Ucenses!       No  More  HeartbreaRs! 

Nothiag  but  a  straight  business  proposition,  the  best  of  films,  the 
most  reUabSe  service,  aad  prices  that  are  within  your  easy  reach 

CAKt.  IJ^EMMLE.  Pr«»ja»i»t 

The  I^aemmle  Film  Service 

HEADQUARTER*^       196-198  LaKe  Street       CHICAGO. 


aCECIAI.  NOTICK 

iti™  in  B*y  <»tti*^  (rfOe«»  So 
MINNEAPOI.I».  Mlon.  POR.TLAND.  Or«.  SAXH  LAnC  CITY.  U««l» 


An 
the 


interesting  example  of  Carl  Laemmle's  independence,  upon 
successful  outcome  of  which  tvas  based  the   tradition  of 
"Laemmle  Luck." 

intervals.  It  rolled  up  rentals.  It  made  so  much 
money  that  'C.  L.'  could  afford  to  junk  the  ten 
one-reel  flops  without  a  pang.  Perhaps  the  half- 
reel  was  'Laemmle  Luck.' 

"It  may  have  dawned  upon  the  reader's  con- 
sciousness that  'Laemmle  Luck,'  as  recorded 
here,  is  exclusively  confined  to  his  association 
with  the  motion  picture  industry.  A  philosopher 
might  point  out  that  such  faith,  love,  hard  work 
and  singleness  of  purpose  as  Carl  Laemmle  put 
into  the  business  is  but  'luck'  in  polysyllabic 
spelling.  But  there  is  another  important  feat- 
ure of  'Laemmle  Luck'  that  deserves  specific 
mention.  In  every  incident  noted  here  Laemmle 
backed  his  best  judgment;  unmoved  by  the 
pleas  or  arguments  of  his  conservative  asso- 
ciates, he  lived  up  to  and  acted  only  upon  his 


— Paul  J.  Rainey's  'African  Hunt'  pic- 
ture. The  pri^e  was  $15,000.  He  was 
told  that  he  was  crazy;  that  the  people 
wouldn't  pay  to  see  a  lot  of  wild  animals; 
that  the  wise  movie  fans  would  brand  the 
picture  as  a  fake.  Who  ever  heard  of 
hunting  wild  animals  with  a  camera? 
Give  'em  comedy.  That's  what  they 
wanted.  They  wanted  to  laugh.  Show 
'em  scenes  they  could  recognize.  That's 
what  put  a  kick  in  a  picture.  'Goodby 
$15,000,  was  the  mildest  criticism  hurled 
at  them  by  men  who  knew  both  of  them 
well  enough  to  call  them  by  their  first 
names. 

"How  much  money  that  picture  made 
is  buried,  but  for  three  or  more  years  it 
was  an  outstanding  picture,  shown  and 
shown  and  shown  until  it  had  been  book- 
ed by  practically  every  theater  in  the 
world.  It  was  the  first  of  its  kind.  The 
then  greatest  novelty  the  screen  had  ever 
shown.  Perhaps  'C.  L.'  knew  this,  or  was 
it  'Laemmle  Luck?' 

"If,  in  citing  these  few,  though  out- 
standing, instances  which  have  served  in 
part  to  create  the  'Laemmle  Luck'  tra- 
dition, you  have  been  given  the  impres- 
sion of  a  man  who  acted  upon  instinct, 
moved  by  impulse,  indulged  in  snap  judg- 
ments, and  otherwise  exhibited  the  char- 
acteristics of  a  'plunger,'  you  have  not 
read  aright.  If  ever  an  ultra-progressive 
executive  deserved  the  adjective  'sane' — 
Laemmle,  whose  judgment  is  honored  by 
every  individual  in  the  industry — is  that 
man.  Yet  so  consistent  has  been  his 
success  that  even  the  most  conservative 
ot  observers  of  his  career  cannot  but  have 
a  feeling,  that  shrewd  or  not,  Laemmle's 
luck  has  never  deserted  him.  Whether 
or  no,  the  fact  remains  that  from  every 
branch  of  motion  picture  activity;  from 
studio  and  laboratory;  from  behind  the 
megaphone  and  the  camera,  the  type- 
writer and  the  brush  and  pencil;  from  be- 
hind the  mahogany  desks  of  the  high  sal- 
aried executives,  the  highest  talent  flocks 
to  the  Universal  banner — eager  to  serve 
under  the  man  who  has  proven  that  he 
can  be  right  so  much  oftener  than  he  can 
be  wrong  that  the  latter  instances  really 
do  not  count.  Therefore,  the  stars,  di- 
rectors and  executives  that  'C.  L.'  has  made — 
their  name  is  Legion — is  a  fascinating  story 
told  elsewhere  in  these  pages.  Perhaps,  again, 
it  is  the  'Laemmle  Luck'  that  attracts  them. 

"Of  the  seemingly  plain  cases  of  'luck'  that 
have  come  to  Carl  Laemmle  in  the  past  twenty 
years,  there  is  one  which  viewed  from  another 
angle,  seems  to  reveal  a  flash  of  genius — that 
instant  recognition  of  the  ultra  desirable  which 
picks  unerringly  and  without  hesitation,  the 
ripest  plum  on  the  tree  of  opportunity.  Such 
an  instance  was  the  choice  of  the  word  'Uni- 
versal' as  the  name  of  the  new  company  formed 
in  1912  by  a  group  of  independent  producers. 
Of  the  then  producers  there  were  two  camps, 
each  nameless,  which  emerged  presently  as 
'Mutual'  and  'Universal.'     It  was  at  an  organ- 


ill 

W 


*M«. 


Xl 


,;t 


i» 


ui  y  i' 


To  CARL  LAEMMLE,   President 

UNIVERSAL  PICTURES  CORPORATION 

Heartiest  Congratulations  on  Your 
Twentieth  Anniversary 

Your  joy  on  this  occasion  should  be 
unbounded  as  you  realize  what  your  20  years 
of  successful  activity  have  meant  to  many 
twenty  times  twenty  individuals  throughout 
the  entire  world,  whose  prosperity,  in  a  large 
measure,  reflects  their  contact  with  you. 


HOWARD  S.  TIERNEY.  Inc 


Eighty  William  St« 


New  York  City 


specializing  in  Insurance  for  the  Film  Industry  Throughout  the^World 


c^ 


Www 


X 


t 


'tliji 

•ins 

Hit 


m 

I. 

i  1 


4 

k 


1 


30 


THE 


Sunday,  February  28,  1926 


I 


■^^ 


DAILY 


31 


ation  meeting  of  the  latter  when 
arl  Laemmle,  R.  H.  Cochrane  (who 
one  are  still  with  Universal),  Jules 
rulatour,  Charles  Bauman,  Adam 
:essel,  David  Horsley,  William 
wanson,  P.  A.  Powers  and  one  or 
vo  more  independent  producers, 
Doled  their  individual  properties  and 
)ok  the  equivalent  value  in  stock 
1  the  new  company  promoted  by 
arl  Laemmle.  The  question  of  a 
orporate  name  came  up,  and  after 
le  usual  futile  suggestions  had  been 
lade,  'C.  L.,'  who  had  been  standing 
y  the  window  looking  down  into  the 
reet,  turned  to  the  group.  'I've  got 
le  name,'  he  said,  and  paused  to  get 
tieir  full  attention.  'Universal, 
'hat's  what  we're  supplying — univer- 
jl  entertainment  for  the  universe,' 
ad  enthused  by  his  own  words  he 
ammered  that  name  into  the  ears 
f  his  associates  until  they  were  con- 
inced  that  in  any  other  selection  lay 
nly  ruin  and  disaster. 
"After  the  meeting  someone  said: 
j  L.,  how  did  you  happen  to  pick 
le  word  "Universal?"'  The  little 
iant  displayed  his  familiar  boyish 
rin  as  he  answered:  'I  was  look- 
ig  down  on  the  street  as  a  covered 
:uck  went  by.  On  the  top  was 
ainted  "Universal  Pipe  Fittings."  I 
ad  never  thought  of  the  word  be- 
)re.  Good  name,  eh?' 
Laemmle  Luck?' " 


bought  124,000  feet  of  brand 
new  fUiti  in  one  d&y  last 
week! 

link  of  It'     O'e     -■     •",!'-  of  Fresh 


In**  B'^ 


& 


} 


) 


from    Jbc 
iot<i  from 
....       .   ker*  * 
!. to  lit  J  reguiisr  %prMPf 
r.d    I  m    »'>«     gitiiiiii:    Ui 
1  i?xtr«  for  '  &TM  run 
f  new  en»t<mifr>.   wiU 

*"  b«  a  raft  of  !u-^  •  !  I  .4 

r«  wsHii  thtJ"  !i. »'   '•I 'if  ''• 

iS»  sbow^   }•'■  1    \viiMt  1  tl.in«v  k!   thr 
■pit>\in^    )ucui'»      ixi-incafc- it     pr<i\«;^ 

Khnt  1   '■<                         '  •  ""»•'-    »)"«t 

.*U   th.-  ■  ' 

tbar-    \h>  t  - 

I      CARL  LAE.MMLB,  Preaideot 

heLaemmleFilniSenfice 

I96.J98  LAKE  STREET,  CHICAOO 

.  •iii>l.»-t«ly  e<iulpp<><l  Htth 

ev«»s»/«e,  /orf-Maiu  &  etb  Str*<-t« 
tMiempbU,  lema.-:^  south  Fr.^.t  m 

-    /V«»y   Vor*     »■  T   t  '''""-' 

Loaaoa        Berlm        fmris 


Opening  Exchanges 

The  film  business  is  now  so  dis- 
tinctly settled  as  a  business  in  such 
well-orde'red  and  carefully  thought 
out  grooves  that  it  is  amusing  to  look 
back  eighteen  years  and  realize  the 
hit  or  miss  fashion  in  which  Carl 
Laemmle  and  the  progenitors  of  the 
film  business  broadened  their  distrib- 
uting endeavors  in  the  dawn  of  mov- 
ing   picture    history. 

Less  than  two  years  after  he  es- 
tablished his  first  picture  theater  on 
February  26,  1906,  Laemmle's  film 
exchange  business  was  growing  at 
such  a  rate  that  he  found  it  extreme- 
ly difficult  to  supply  outlying  cities 
economically  from  Chicago.  The 
proper  thing  to  do,  obviously,  was  to 
establish  exchanges.  But  these  men, 
new  in  the  film  business  and  new  in 
all  manner  of  distributing  machinery, 
were  utterly  ignorant  of  the  proper 
centers  from  which  they  should  work. 
Julius  Singer,  one  of  Laemmle's  first 
lieutenants  and  one  of  the  most  ready 
advisors  that  a  man  ever  had,  took 
a  map  of  the  United  States  and  gave 
it    a    hasty   glance. 

"This  looks  like  a  good  place,  Mr. 
Laemmle.  It's  in  big  type  on  the 
map  and  looks  like  a  big  city." 

"What  is  it?" 

"Evansville." 

"All  right.  Take  some  film  and  go 
down   there   and   open   up   an   office." 

As  casual  as  if  you  had  offered  a 
man    a    cigar! 

Singer  collected  all  the  film  he 
could  and  went  down  to  Evansville, 
some  seven  hours  away  from  Chi- 
cago. The  basement  of  the  Ameri- 
can Trust  and  Savings  Bank  Build- 
ing had  a  "To  Let"  sign  on  it  and 
Singer  approached  Marc  Sonntag, 
president  of  the  Bank.  Arrange- 
ments were  satisfactorily  made  and 
the  Laemmle  Film  Service  opened  its 
first  exchange  outside  of  Chicago  in 
the  basement  of  the  bank,  with  a  big 
sign  saying  "Laemmle  Film  Service." 

But  inside  of  three  months  Mr. 
Sonntag  became  aware  that  the  in- 
surance adjusters  were  about  to  raise 
the  rate  of  insurance  on  the  building 
to  an  alarming  extent.  Without  more 
ado  he  summarily  ejected  the  Laem- 
mle Film  Service  from  the  building 
and  it  moved  up  the  street. 

This  circumstance  was  laughingly 
related  to  the  Editor  of  the  Film 
Daily,  when  they  were  sitting  to- 
gether in  the  Universal  projection 
room  the  other  day  looking  at  "The 
Cohens  and  Kellys."  Sonntag 
is  still  the  President  of  the  American 
Trust  and  Savings  Bank,  but  it  has 
grown  into  a  tremendous  financial 
institution,  and  a  splendid  building 
erected  on  the  site  of  the  little  old 
bank  of  eighteen  years  ago.  Further 
than  that,  Sonntag  is  also  the  Presi- 
dent of  the  Standard  Realty  Corp. 
which  controls  the  new  Victory  The- 
ater, a  million  dollar  proposition  with 
2300  seats,  the  pride  of  Evansville. 
His  first  interest  in  the  picture  busi- 
ness w?.5  occasioned  by  the  presence 
in  his  building  of  the  Laemmle  Film 
Service. 

Many  other  exchanges  were  de- 
cided upon  and  established  in  the 
same  seemingly  careless  manner. 
For  instance,  Council  Bluffs  was  in 
heavy  type  on  the  map  that  Singer 
showed   Laemmle. 


"That  looks  like  a  good  place,"  said 
Singer. 

"All  right,"  said  Laemmle.  "Let's 
establish  an   exchange  there." 

Singer  knew  an  operator  in  Chi- 
cago named  Harry  Lewis.  Lewis 
passed  away  several  years  ago.  He 
called  up  Lewis  and  told  him  to  run 
down  to  Council  Bluffs  and  open  an 
exchange.  Lewis  got  on  the  train 
that  night  and  the  next  day  arrived 
in  Council  Bluffs  and  spent  the  en- 
tire day  in  looking  for  a  possible  site 
for  the  exchange.  But  the  property 
owners  of  Council  Bluffs  were  cold 
to  the  proposition.  They  had  heard 
of  the  moving  picture  business  and  to 
their  mind  it  was  a  very  inflammable 
one.  No  landlord  would  have  a  film 
exchange  in  his  building  for  love  or 
money.  At  his  wit's  end,  Lewis 
called,  up  Chicago  on  the  long  dis- 
tance telephone  and  got  hold  of 
Singer.  He  told  him  that  he  had 
spent  the  whole  day  and  still  was  un- 
able to  find  a  place  to  locate  the  ex- 
chpnge.  "But,"  said  Lewis,  "there's 
a  city  right  across  the  river  which 
looks   yr,='tty   good   to    me." 

"What's  the  name  of  it?"  said 
Singer. 

"Omaha,"  said  Lewis. 

"All  right.  Go  over  there  and  see 
if  3  ou  can  find  a  place  there." 

That's  how  the  Universal  exchange 
got  started  in  Omaha,  and  the  rea- 
son that  Council  Bluffs  hasn't  one  to 
this  day. 

Singer  seems  to  have  been  a  sort 
of  Richard  III  as  far  as  the  Laem- 
mle early  exchanges  were  concerned. 
The  story  of  the  Memphis  exchange 
is  just  as  bizarre  as  Evansville  and 
Omaha.  It  seems  that  Maurice 
Fleckles  had  just  married  the  sister 
of  Carl  Laemmle's  wife.  There  had 
been  an  intense  rivalry  between 
Fleckles  and  Singer,  and  Singer  sat 
up  all  night  thinking  of  some  way 
in  which  he  could  destroy  the  new 
influence  which  he  feared  since 
Fleckles  had  married  into  the  family. 
Fleckles  went  on  his  honeymoon  to 
Memphis  and  the  crafty  Singer  ap- 
proached Mr.  Laemmle  and  told  him 
that  he  thought  they  ought  to  have 
an  exchange  in  Memphis  to  cover 
the  whole   South. 

From  the  looks  of  the  afore-men- 
tioned map,  it  seemed  like  the  most 
ideal  situation  and  the  presence  of 
Fleckles  there  made  it  an  easy  thing 
to  accomplish.  They  decided  to  do 
it.  So  Singer  called  up  another  op- 
erator.    This  time  F.  R.  Richardson, 


who  later  was  to  figure  as  the  pro- 
jection expert  of  the  Moving  Picture 
World.  All  night  Singer  packed 
reels,  carbons,  moving  picture  ap- 
paratus and  everything  that  the 
Laemmle  Service  supplied  to  exhibi- 
tors, and  the  next  day  sent  Richard- 
son down  to  Memphis,  following  a 
telegram  which  he  had  sent  in  Laem- 
mle's name  to  Fleckles,  asking  him 
to  get  a  site  and  to  assist  Richard- 
son in  opening  the  exchange.  On 
one  pretext  and  another  Singer  kept 
the  honeymooning  Fleckles  in  Mem- 
phis for  something  like  nine  weeks 
while  Singer  was  cock  o'  the  walk. 
Then  Fleckles  smelled  a  rat  and  sent 
an  indignant  telegram  to  Singer  say- 
ing that  he  was  coming  right  straight 
back    to    Chicago. 

In  alarm.  Singer  told  Laemmle  that 
he  thought  it  was  time  for  him  to 
establish  an  exchange  himself.  So 
he  got  together  all  of  the  parapher- 
nalia he  could  lay  his  hands  on  and 
again  looking  at  the  trusty  map, 
placed  his  finger  on  Des  Moines  and 
got  a  ticket  for  that  city.  That's 
how  the  Universal  became  established 
in    Des    Moines. 

The  Minneapolis  office  was  also 
one  in  which  chance  and  circum- 
stance figured.  James  V.  Bryson, 
now  general  manager  of  the  Euro- 
pean Motion  Picture  Company  which 
releases  the  Universal  product  in 
Great  Britain  was  also  an  operator. 
In  1907  he  had  traveled  to  California 
and  back  with  W.  S.  Rand,  now  one 
of  Universal's  sales  managers,  and 
his  father,  who  were  investigating 
theatrical  property  in  the  West.  So 
strong  was  Bryson  for  this  kind  of 
thing  that  he  told  Laemmle  that  he 
wanted  to  go  to  California  and  estab- 
lish an  exchange  there.  But  Cali- 
fornia seemed  a  tremendous  long 
ways  away  from  Chicago,  and  Laem* 
mle  told  him  that  he  didn't  want  to 
have  an  exchange  so  f-ar  away  from 
his   base   of   supplies. 

"But,"  he  said,  "you  get  on  the 
train  tonight  and  the  next  morning 
you  stop  off  at  the  biggest  town  you 
go  through  and  let  me  know  what, 
you  think  of  it." 

The  next  morning  Bryson  awoke 
at  Minneapolis  and  looked  out  the 
window,  and  liked  it.  He  got  off 
there  and  established  the  Universal 
exchange. 

In  1926  Universal  finds  itself  with 
forty  exchanges  covering  the  United 
States. 


Snhfjifnbrnt  Uloiimg    •putitrpa   (Eomvana 

j^i  Am^nra.. 


(f«r    ftprrUltJl 


PHONC*   726  •TUYVC»*NT 
72T 


II  nenrpaBBrb 


arrerntrtiSg 


CARL  LAEMMLE.  PRCS 

in  last  IFnurtPpntli  ^XxttX 

C.  L.'s  first  business  card. 


X 


*  f  V 


«  /  w  I  *  * 

iWi 

m 


¥ 


1 

i  X 

1    ^ 


TWENTY  MARVELOUS  YEARS 


From  the  "Store  Show"  to  the  Aladdin's  Palace 

From  the  flight  of  the  Empire  State  Express  to  the  chariot  race 
of  Ben  Hur 

From    the    "Imp"    comedies  to  "The    Hunchback   of   Notre 
Dame" 

From  nothing  to  the  Niagara  of  modern  business 

TWENTY   MARVELOUS  YEARS! 

Henry  Ford  struck  the  patent  shackles  from  the  automobile  and 
made  it  a  household  necessity 

Carl  L^aemmle  struck  the  patent  shackles  from  the  motion  picture 
and  made  it  the  entertainment  mecca  for  countless  millions  the 
whole  wide  world  around 

And  always  in  the  vanguard  of  the  mighty  march  of  the  movies 

CARL  LAEMMLE 

SALUTATIONS  -  FELICITATIONS 


LARRY  GIFFEN 


W  u  W 


\ 


•    •     • 


if! 


ill 


1 


t 


32 


THE 


Sunday,  February  28.  1926 


«^^ 


DAILY 


33 


POSTERS    MIRROR  —  TRADE'S    ADVANCE 


By  BEN  WELLS 

Just  as  the  motion  picture  is  a  de- 
•elopment  and,  occasionally,  an  im- 
)rovement,  of  the  legitimate,  so  is 
he  motion  picture  poster  an  off-shoot 
f  the  theatrical  poster. 

Theatrical  posters  had  attained  con- 
iderable  development  before  the 
)irth  of  the  silent  drama,  yet  the  vig- 
)r  and  youth  of  the  budding  industry 
nstilled  into  lithographic  "paper"  a 
ew  vitality,  a  greater  scope  for  imag- 
native  and  artistic  ability. 

The  first  motion  picture  posters 
arried  only  the  title  of  the  produc- 
ion  and  the   name   of  the   company, 


were  printed  in  one,  two  and  three 
colors,  and  ranged  in  size  from  a  one 
and  three  to,  occasionally  an  eight- 
sheet.  Sometimes  the  name  of  the 
company  on  the  poster  would  be 
altered  four  times  as  the  picture 
changed  hands  on  its  rounds  from 
one  states  right  organization  into  an- 
other. This  chaotic  condition  con- 
tinued until  the  larger  companies  sys- 
tematized the  business,  at  least  as 
far  as  distributors'  titles  were  con- 
cerned. 

The  smaller  concerns  bought  stock 
posters,  stripping  in  a  new  title.  How- 
ever,  if   a    picture   company   filmed  a 


stage  play,  this  alteration  was  not 
necessary.  In  either  case,  the  poster 
company  benefitted,  the  lithographing 
industry  enjoying  a  tremendous  boom 
and  disposing  of  huge  quantities  of 
surplus  stock. 

The  early  motion  picture  posters 
had  stock  borders,  made  up  to  repre- 
sent elaborate,  ornamental  frames. 
These  were  succeeded  by  pictorial 
"paper"  in  which  a  scene  still  was  en- 
larged to  requisite  size.  That  the 
scenes  selected  were  of  the  most 
blood-and-thunder  variety  goes  with- 
out saying,  as  there  were  few  re- 
strictions  until   about    1910-11.      Cer- 


tain subjects,  however,  had  always 
been  taboo,  such  as  scenes  showing 
men  shooting  one  another,  stabbings 
and  too-scantily  clad  female  figures. 
The  last-named  prohibition  was  not 
necessitated  by  offending  motion  pic- 
ture posters,  but  dated  back  to  the 
regulating  of  "paper"  for  burlesque 
shows. 

Although  the  coloring,  situations 
and  action  of  the  early  movie  pos- 
ters were  very  lurid,  some  of  the  ear- 
ly efforts  were  better  than  present- 
day  examples,  because  the  artist  had 
a  freer  rein. 

At   first   motion   picture    companies 


c««,^  nU  no-iters  from  the  George  Kleine  collection,  referred  to  in  Terry  Ramsaye's 
''RoZntc  mstorv  of  the  Motion  Picture,"  published  by  "Photoplay'^  'and  "A  M^l- 
liZandOne  Nights,''  published  by  Simon  &  Schuster.    Used  by  perrmasion. 


?,  t' 


•     •    • 


Our  Sincere  Congratulations  to 


Mr.  Laemmle 


THE   MORGAN   LITHOGRAPH   COMPANY 


10  tk 

ANNIVERSARy 


UUUMi\\\\\\\^ 


34 


(  iii^i  > 


•    • 


ssepii 

IK  I 


iiieiil 
fii 
ns  thi 
ihhee 
mo 
loliced 
tkeaK 
pos 
Ede 


Bf  es 

!;,  pla 
tseqi 
i,  as  t 
jader 
3  stick 
tougk 

N-sliee 
1  ii  tv 


01  cir 


'  mat 


•f 


THE 


•unday,  February  28,  1926 


med    out    their    poster    jobs    from 

DP    to    shop    of    the    various    litho- 

iphers.     About   1909,   some   of  the 

;  lithographers    took   over   the    en- 

e   poster    production    and    distribu- 

n,  paying  the  motion  picture  com- 

nies  so  much  a  week  for  the  yearly 

vilege.     These  contracts  gradually 

tended  from  one  year  to  three  and 

jntually  five  years,  the  bonus  to  the 

mpany  increasing  as  the  volume  of 

siness    enlarged.       This    continued 

til  after  the  war,  when  the  bonus 

..s    dropped    and    a    mutual    profit- 

iring   arrangement  was   adopted. 

\t  the  time  of  Carl  Laemmle's  en- 

V  into  the  motion  picture  industry. 

Ire  was  very  little  demand  for  pos- 

i]s,  orders  for  runs  as  low  as  125  or 

;)  frequently  being  received.     Nat- 

ililly,  little  effort  was  spent  in  mak- 

j:  these  picayune  quantities  artistic, 

1  it  was  not  until  Laemmle  deter- 

ned   to   back   up   his   3-reel    super- 

p,  "From  the  Bottom  of  the  Sea" 

h  an  unprecedented  number  of   1-, 

and   6-sheets,   that    the    quality   of 

ependent    motion    picture    posters 

Droved. 

t  was  this  picture  that  gave  birth 
the  6-sheet,  a  poster-size  even  now 
:uliar  to  this  industry.  Laemmle 
I  noticed  on  his  own,  as  well  as 
|ier  theaters,  that  the  maximum 
h  possible  on  the  boards  outside 
Nickelodions  was  a  3-sheet;  wish- 
to  double  the  size  of  this  display, 
[arranged  to  have  6-sheets  printed, 
bling  exhibitors  to  utilize  two 
rds,  placed  side-by-side.  The  idea 
ved  equally  feasible  on  bill  board 
nds,  as  these,  being  four  sheets 
h,  made  it  possible  for  the  exhibi- 
to  stick  on  a  1-sheet  date  strip, 
klthough  theaters  and  particularly 
tuses  have  often  used  28,-  32-  and 
n  64-sheets,  the  motion  picture  has 
lom  if  ever  exceeded  the  24-sheet 
;.  One  of  the  first  instances  of  a 
tion  picture  poster  following  the 
le  of  circus  "paper"  was  Laem- 
;'s  displays  for  his  film  of  the  Paul 
ney  big  game  hunt;  these  chromos 
■e  done  in  the  best  Barnum  & 
ley  manner  and  crowded  more 
d  beasts  onto  a  1-sheet  than  are 
)e  found  in  a  half-dozen  of  Africa's 
St  be-animaled  water  holes. 


Universal  made  the  first  "telegram 
poster."  Delay  in  the  arrival  from  the 
studio  of  production  stills  from  which 
posters  were  designed  necessitated 
sending  a  wire  to  the  production  de- 
partment asking  for  an  immediate 
reply  sketching  the  dramatic  punches 
of  the  forthcoming  picture.  When 
this  arrived  the  posters  were  based  on 
the  telegraphic  suggestions,  a  method 
now  frequently  used  when  emergency 
requires.  It  was  Laemmle's  keen 
sense  of  advertising  and  exploitation 
that  resulted  in  the  first  "teaser"  pos- 
ter. 

One  of  the  first  examples  of  a  16- 
sheet  used  for  a  picture  was  its  in- 
clusion in  the  then  comprehensive  ar- 
ray of  posters — 16's,  8's,  3's,  I's  and 
J/^-sheets— for  "Traffic  in  Souls". 
That  "paper"  then  as  now  possessed 
patron-pulling  power  is  shown  by  the 
fact  that  there  were  almost  nightly 
riots  at  the  Weber  &  Field  Music  Hall 
where  the  film  was  being  shown. 

Following  the  first  pictorial  posters, 
crude  chromos  quickly  made  from 
stills,  an  era  of  better  and  more  dig- 
nified billboard  advertising  began. 
Many  prominent,  able  and  high-salar- 
ied artists  were  engaged,  including 
such  well-known  designers  as  Willy 
Poganny,  Charles  B.  Falls,  Arthur 
Cbbey,  Arthur  Triedler,  George  II- 
lian,  Lou  Fancher,  Edward  Penfield 
and  George  Peters.  Their  designs 
were  mostly  done  in  the  flat,  German 
technique,  examples  of  the  school  es- 
tablished by  the  Beggarstafif  broth- 
ers, two  English  artists,  pioneers  in 
the  use  of  the  pure  poster  style. 

The  next  phase  in  development  of 
poster  technique  was  another  Univer- 
sal innovation,  the  combination  of 
partially  flat  and  partially  modelled 
style.  This  style  is  now  in  general  use 
by  most  motion  picture  companies. 

Universal  has  made  and  distributed 
more  posters  than  any  other  motion 
picture  company,  more  than  20,000 
designs  having  gone  through  their 
poster  department.  Millions  of  sheets 
of  Universal  posters  have  been  pro- 
duced and  displayed;  the  greater  por- 
tion of  these  were  distributed  in  con- 
nection with  Universal  Serials  when 
Chapter-plays  were  at  the  height  of 
their    popularity. 


35 


'Papa  Carl"  being  vamped 
by  Carmel  Myers 


The  Old,  Old  Days 

BY   ISIDORE   BERNSTEIN 

Three  men  on  horseback,  on  a 
balmy  day  in  the  summer  of  1914 
rode  down  a  dusty,  dirt  road  north 
of  Hollywood,  surveying  the  mustard 
fields  which  surrounded  them  on  all 
sides. 

Except  for  a  few  shacks  where 
Mexican  families  lived,  there  was  not 
a  single  indication  of  human  exist- 
ence, and  it  would  have  appeared 
preposterous  that  any  ereat  industrial 
plant  would  ever  be  built  there. 

The  three  men  were  Carl  Laemmle, 
Otis  Turner,  one  of  the  leading  di- 
rectors of  the  day,  and  myself — then 
general  manager  of  Universal. 

Choosing  a  wide,  flat  location  front- 
ing on  the  road,  Mr.  Laemmle  out- 
lined his  plans  for  a  great  motion 
picture  studio,  a  veritable  city  de- 
voted  exclusively   to  one   occupation. 

While  other  producers  were  just 
beginning  to  arrive,  Mr.  Laemmle  al- 
ready had  foreseen  that  studios  lo- 
cated in  the  city  of  Los  Angeles 
would  eventually  be  crowded  out. 

Twelve  years  ago,  he  saw  the  in- 
dustry as  it  would  develop  in  the 
next  decade,  and  he  prepared  for  the 
future  with  amazing  foresight. 

The  location  was  chosen,  the  land 
was  purchased,  and  by  October  of 
the  same  year,  ground  had  been 
broken. 

In  March  IS  of  the  following  year, 
Universal  City  officially  became  the 
home  of  Carl   Laemmle's   picture  ac- 


tivities, and  the  studio  was  moved 
from  the  little  group  of  buildings  at 
Sunset  and  Gower  Streets  in  Holly- 
wood, now  the  home  of  Stern  Bros. 
Comedies,  to  the  great  sea  of  tre- 
mendous buildings,  stages  and  sets 
on  Lankershim  Boulevard. 

While  general  manager  of  Mul- 
tiple Films  in  New  York,  I  first  met 
Mr.  Laemmle  in  1912.  I  had  am- 
bitious plans  to  make  a  great  film  pro- 
duction based  on  the  book  of  Daniel, 
and.  armed  with  an  outline  of  my 
plans,  with  a  number  of  sketches.  I 
sought  an  interview  with  Mr. 
Laemmle.  We  talked  for  several 
hours.  "It's  a  splendid  idea,"  Mr. 
Laemmle  said,  "but  you  are  too  far 
advanced  for  the  picture  industry  in 
its  present  stage." 

Before  the  interview  ended,  I  haa 
been  engaged  as  general  manager  of 
Universal's  production  activities,  and 
shortly  after  took  charge  of  the  tiny 
studio  where  Mr.  Laemmle  started 
his    activities    in    Hollywood. 

The  old  Universal  studio  was  the 
first  big  film  plant  in  the  west,  and 
its  bustling  activity,  and  its  host  of 
personalities  astounded  the  quiet  vil- 
lage of  Hollywood.  J.  Farrell  Mc- 
Donald, Al  Chlristie,  Lois  Weber, 
Otis  Turner,  Allan  Dwan,  Charles 
Giblyn,  Dave  Hartford  were  Uni- 
versal's leading  directors. 

Warren  Kerrigan,  Marie  Walcamp, 
Pauline  Bush,  Edwin  August,  Sidney 
Ayres,  Wallace  Reid,  Cleo  Madison, 
Grace  Cunard,  Francis  Fi^rd,  Robert 
Z.  Leonard,  Margarite  Fischer,  Harry 
Pollard,  Ella  Hall,  Anna  Little  were 
the  reigning  stars. 

Production  activity  was  increased 
when  the  company's  headquarters 
were  moved  to  Universal  City. 

"Sampson  and  Delilah,"  a  four- 
reel  super-production  starring  J.  War- 
ren and  Kathleen  Kerrigan  was  the 
first  big  picture  to  be  made  in  the 
new  studio,  and  it  was  followed  a 
short  time  after  with  "Damon  and 
Pythias,"  starring  Herbert  Rawlin- 
son,  William  Worthington  and  Ann 
Little. 


The  first  miniature  used  in  motion  pictures.   From  "The  Burbling  of  San  Francisco"  made  in  the  early  days  by  Biograph. 

{Terry  Ramsaye  collection.     Used  by  permission). 


it 


i 


!0: 


« 


1 


i  t  V      ?.  J  i  J  ' 


Carl  Laemmle 


A  unique  and  friendly  personality  in 
motion  pidtures,  one  of  the  pillars  in 
its  ^rudture,  one  of  the  solid,  depend- 
able and  lovable  men,  who  compels 
our  admiration  and  who  commands 
our  enthusiasm. 

None  save  Carl  Laemmle  could  in- 
duce us  to  spend  our  money  in  a  rival 
publication  to  extend  to  him  our 
be^  wishes. 


'^ 


MOTION     PICTURES 


w^  w 


•  •  • 


m 


I  fill 


^ 


u 


36 


■"^M 


lunday,  February  28,  1926 


37 


Developing  California 

The  Part  Played  by  Motion  Pictures 

in  the  Progress  and  Rise  of 

Los  Angeles 

The  motion  picture  industry  has 
been  the  greatest  single  factor  in 
he  development  of  Southern  Califor- 
lia. 

That  is  the  surprising  but  unani- 
nous  opinion  of  business  men,  city 
officials  and  realty  experts  in  Los  An- 
geles, who  with  one  voice  declared 
hat  the  decision  to  center  film  pro- 
ductions in  that  city  some  fifteen 
,'ears  ago  was  the  deciding  factor  in 
iiaking  the  movie  city  the  metropolis 
)t  the  west. 

The  motion  picture  plants  of  Los 
\ngeles  constitute  the  real  reason  for 
he  city's  tremendous  prosperity,"  de- 
iared  H.  L.  Averill,  prominent  An- 
;eIeno  capitalist  and  real  estate  ex- 
lert. 

"I  have  always  regarded  the  action 
f  Carl  Laemmle,  of  the  Universal 
omptny  as  the  leader,  for  he  was 
he  first  man  to  recognize  the  future 
f  the  mdustry  and  the  fact  that  its 
ennanent  home  should  be  located 
lere  in   Southern   California. 

'In  the  first  few  years  of  the  in- 
■ustry's  existence  in  Los  Angeles, 
he  studios  were  ramshackle  affairs, 
nd  the  business  seemed  to  be  too 
nftable  to  interest  business  men. 

"However,  when  Mr.  Laemmle. 
iith  his  vision  of  the  future,  founded 
he  tremendous  plant  at  Universal 
;ity,  it  was  the  beginning  of  a  new 
ra  for  the  business,  and  for  the  city 
f  Los  Angeles. 

"Other  studios  followed  Mr. 
,aemmle's  action  and  acquired  large 
ludio  sites,  and  began  to  invest  in 
he  gigantic  studios  which  now  give 
mpioyment  every  year  to  hundreds 
It  thousands  of  persons. 

"1  have  not  figures  on  the  subject, 
lut  I  imagine  that  the  film  industry 
rives  employment  to  more  workers 
han  any  other  one  business  in  the 
ity.  Universal  alone,  I  am  told,  em- 
iloys  about  two  thousand  persons 
tcac'ily. 

"The  industry  has  brought  the  for- 
unes,  and  the  business  brains  of 
uch  men  as  Mr.  Laemmle,  Joseph 
it.  Schenck,  Mr.  Lasky  and  the 
)thers  to  the  west,  and  aside  from 
heir  picture  activities,  these  men 
lave  had  a  great  influence  on  other 
)usinesses." 

Sheriff  William  A.  Traeger  and 
lis  aide,  Eugene  Biscailuz,  who  are 
)oth  regarded  as  among  the  West's 
nost  prominent  public  officers;  Boyle 
A^orkman,  of  the  City  Council;  Sam 
iehrendt,  prominent  business  man; 
)l!icials  of  the  Chamber  of  Com- 
nerce,  and  scores  of  others,  voiced 
iimilar  sentiments  on  the  "fifth  in- 
lustry"  and  its  tremendous  benefits 
0  Los  Angeles. 

"The  celebration  of  the  twentieth 
mniversary  of  Mr.  Laemmle's  par- 
icipation  in  the  motion  picture  in- 
ustry  is  really  an  event  of  importance 
0  evelryone  in  this  city,"  Sheriff 
r^aeger  declared.     "Another  import- 

nt  date  would  be  that  on  which  Mr. 
^aemmle  first  established  his  studio 
ti  this  city,  for  I  can  think  of  no 
nore  important  event  to  Los  Angeles 
han  this. 

"I  have  been  a  public  officer  m 
.OS   Angeles  for   as   many  years   as 


"Papa  Carl"  surrounded  by  the  Singer  Midgets 


Mr.  Lijtmmle  has  been  in  the  motion 
picture  industry,  and  I  have  watched 
the  growth  of  the  studios  with  keen 
interest. 

"From  the  standpoint  of  law  en- 
forcement, which,  naturally,  is  mine, 
the  industry  is  an  ideal  one.  Labor 
troubles  are  virtually  unknown.  The 
worucis  are  happy,  they  are  good 
citizens,  and  the  average  wage  paid 
by  all  branches  of  the  studios  is 
probably  the  highest  of  any  industry 
in    America. 

"Mr.  Laemmle  and  his  business 
associates  have  done  Los  Angeles  an 
inestimable  service  by  choosing  the 
city  as  the  home  of  their  gigantic  in- 
dustry." 


The  First  "Big"  Mob  Used 


Every  January  the  lay  and  trade 
press  critics  publish  a  list  of  the  ten 
greatest  pictures  of  the  past  year.  Oc- 
casionally they  print,  if  in  a  reminis- 
cent mood,  a  list  of  the  more  import- 
ant productions  of  earlier  years.  In 
the  latter  list  one  usually  finds 
"Judith  of  Bethulia,"  "The  Birth  of 
a  Nation,"  "Blind  Husbands,"  "Brok- 
en Blossoms,"  and  other  worthwhile 
productions. 

But,  because  memories  are  short 
and  fame  ephemeral,  seldom  is  men- 
tion made  of  one  of  the  greatest  sen- 
sations of  its  time,  "The  Great  Train 


•cacD 


ff^i 


-■f^^ 


The  "big"  mob  scene  shot  in  "The  Great  Train  Robbery" 
{Terry  Rarnsaye  collection.) 


Robbery,"  the  first  of  the  super- 
thrillers.  Made  when  Carl  Laemmle 
was  starting  his  career,  "The  Great 
Train  Robbery"  was  considered  the 
last  word  in  elaborate  production,  not 
when  it  was  first  conceived,  but  when 
released! 

This  peculiar  situation  arose  from 
what  may  be  termed  a  fluke.  When 
E.  R.  Porter  started  making  "The 
Great  Train  Robbery,"  his  idea  was 
to  produce  an  ordinary  picture  of 
conventional  length,  a  few  hundred 
feet  at  most. 

Wishing  to  keep  his  expenses  at  a 
minimum,  he  told  the  members  of  the 
cast  to  invite  as  many  of  their  friends 
as  they  desired,  to  see  how  movies 
were  made.  He  had  chartered  an 
Erie  train  for  the  day,  so  a  few  dozen 
extra  passengers  meant  no  additional 
expense. 

So  keen  was  the  interest  in  motion 
pictures,  however,  more  than  150 
vi.=iting  guests  arrived  at  the  depot. 
When,  later,  these  people  were  stam- 
peded out  of  the  train  by  t}  r-  sup- 
poso<l  bandits,  they  looked  lik.  many 
more. 

Eric  von  Stroheim,  years  after- 
wards, duplicated  the  idea  of  obtain- 
ing crowds  gratis  when  he  invited 
all  the  guests  of  a  California  hotel  to 
appear  as  atmosphere  in  "Foolish 
V*  ives,"  but  to  E.  R.  Porter  must 
go  the  credit  for  staging  the  first  big 
mob   scene. 

Porter's  scene  showing  the  hundred 
and  fifty  passengers  lined-up  by  the 
hold-up  men  looked  so  big,  he  de- 
cided to  build  up  the  rest  of  the  pic- 
ture to  correspond.  He  inserted  extra 
footiige  and  released  what  was  actu- 
ally the  first  big  picture,  which 
achieved  tremendous  success. 


•    • 


Our  heartiest  congratulations  and 
best  wishes  to  you,  Mr.  Laemmle,  on 
the  anniversary  of  your  twenty  years 
association  in  the  moving  picture 
industry,  and  wish  you  many,  many 
more  years  of  that  warm  friendship 
and  goodwill  that  your  nature  and 
personality  inspires. 


'^ 


H.    L.    HEPPE,    President 

ELCO  GELATONE   PUBLISHING  CORP. 

49-57  Ninth  Avenue         : :  : :  : :         New  York  City 


7.0  tk 

ANNIVERSARy 


38 


W  y  tf 


t 


1  ♦  1  •  t 

I  ••  V  1 


1^ 


i 


JL 


1 

1 


;unday,  February  28,  1926 


Cornering  the  Star  Market 


THE 


i?B^ 


DAILY 


39 


BY   GEORGE  E.   KANN 


Carl  Laemmle  was  one  of  the  first 
0  see  the  advantages  of  featuring 
(roadway  stage  stars  in  pictures.  At 
his  time  I  was  his  secretary. 

He  insisted  only  stars  of  nation- 
vide  popularity  be  engaged.  This 
resented  some  difficulties  as,  at  that 
imc,  a  star  to  be  famous  all  over 
he  United  States  must  have  spent 
ears  on  the  stage  and  appeared  in 
Imost  every  city.  That  a  star  had 
ttained  prestige  on  Broadway  meant 
othing.  Laemmle  was  banking  on 
heir  appeal  to  the  picture-goers  liv- 
ig  in  the  other  sections  of  the  coun- 
ry.  Naturally,  the  choice  narrowed 
own  to  the  best-known  legitimate 
tars,  most  of  whom  were  not  so 
oung  as  their  newer  rivals  on  Broad- 
/ay. 

Undaunted  by  this  obstacle, 
^aemmle  signed  up  a  galaxy  of  talent 
robably  greater  than  has  ever  before 
r  since  been  enrolled  under  the  ban- 
ler  of  one  producer.  Among  the 
otables  contracted  for  by  Universal 

ere  Lulu  Glaser,  Helen  Ware,  Her- 
lert  Kelcey,  Effie  Shannon,  Henri- 
tta  Grossman,  George  Fawcett,  Wil- 
on  Lackaye,  Marie  Cahill,  Lawrence 
)'Orsay,    Pavlova   and   many   others. 

To  procure  such  a  formidable  line- 
p  of  celebrities  was  no  mean  feat; 
lecause  of  the  youth  and  as  yet  un- 
eveloped  artistry  of  the  motion  pic- 
urej  many  stars  considered  it  be- 
leath  their  dignity  to  appear  on  the 
creen.  Nor  were  the  stage  stars 
low  to  express  their  contemptuous 
ttitude  towards,  what  they  con- 
idered,  the  dumb  drama. 

In  justice  to  the  legitimate  stars 
vho  apparently  high-hatted  those  in 
he  studio,  it  may  be  said  that  the 
lirectors  of  that  day,  and  the  scen- 
irio  writers  as  well,  were  not  up  to 
he  present   standard.     They  did  not 


know  how  to  handle  with  tact  or 
finesse  these  interlopers  from  the 
legitimate  stage,  and  were  quick  to 
resent   any   evidence    of    superiority. 

Despite  factional  jealousy  and  in- 
ternal disputes,  production  eventually 
progressed  and  a  marked  advance  in 
the  motion  picture  resulted.  That 
a  higher  type  of  screen  entertainmient 
was  the  outcome,  may  be  attributed 
to  Carl  Laemmle's  vision  and  far- 
sightedness. 

Universal  at  this  time  made  the 
first  large  feature  comedy,  starring 
Lawrence  D'Orsay  in  a  six-reel  ver- 
sion of  his  stage  success,  "The  Earl 
of  Pawtucket."  Directed  by  Harry 
Myers,  the  picture  paved  the  way  for 
most  of  the  latter  efforts  along  these 
lines. 

Pavlova's  first  and  only  appearance 
on  the  screen  was  in  Universal's  "The 
Dumb  Girl  of  Portici."  Her  salary 
was  the  largest  ever  paid  a  screen 
player  (at  that  time)  which  fact  went 
far  in  establishing  in  the  public  mind 
a  better  appreciation  of  the  magni- 
tude and  possibilities  of  the  motion 
picture. 

For  the  first  time  in  motion  pic- 
ture history,  a  company  was  moved 
from  the  studio  to  another  city.  This 
was  the  result  of  Pavlova's  appear- 
ance in  the  Chicago  Opera  at  the 
time;  Phillips  Smalley  and  Lois 
Weber,  co-directors,  transporting  an 
entire  unit  2,000  miles  from  Universal 
City  to  Chicago  in  order  to  film  Pav- 
lova without  interrupting  her  operatic 
engagement. 

Continuous  rain  for  several  weeks 
impeded  production  and  it  was  neces- 
sary to  hire  a  special  train  to  take 
the  com.pany  back  to  the  Coast.  Rup- 
ert Julian,  director  of  many  of  Uni- 
\c;rsars  later  successes,  and  Douglas 


Gerard  both  played  bits  in  the  Pav- 
lova  flm. 

About  this  time  Helen  Ware  ap- 
peared in  "That  Lass  o'  Lowrie's," 
re-:n?de  years  later  as  a  starring  ve- 
hicle for  Priscilla  Dean.  Miss  Ware's 
director  virtually  scoured  all  Los  An- 
geles in  mid-summer  heat  trying  to 
find  sufficient  coal  to  dress  the  set 
supposed  to  represent  a  Welsh  col- 
liery. 

Julia  Dean's  screen  debut  was  made 
at  Universal  City,  in  "Judge  Not!"; 
while  Marie  Cahill  began  her  pic- 
ture career  in  a  vehicle  by  the  then 
unknown  Avery  Hopwood,  "Judy 
Forgot."  In  both  these  productions 
there  appeared,  as  an  extra  girl,  one 
of  Broadway's  later  popular  stars, 
Roberta  Arnold. 


*  ■»■  -r  * 


********  *4^^S* 


o  2  a 


JL» 


CAGI- 
LAEMMLE 


Producing  Under  Difficulties 


BY  CHARLES  S.  ARNOLD 


Necessity's  other  child.  Economy — 
twin  sister  to  Invention — was  born 
and  reared  in  the  early  moving  pic- 
ture studios.  As  an  assistant  direc- 
tor in  those  money-tight  days  in  the 
old  Imp  studio,  I  did  everything  from 
cutting  newspaper  snow  storms  and 
suping  in  three-reel  specials  to  seek- 
ing cactus-spotted  locations  on  Staten 
Island  tor  Westerns  and  painting  fur- 
iture  on  scenery,  that  is,  when  I  was 


per  comprised,  when  cut  into  little 
bits,  an  entire  blizzard,  and  for  an  ex- 
tremely violent  hurricane  two  elec- 
tric fans  were  used  mstead  of  one. 
(A  single  electric  fan  was  considered 
ample  for  a  moderate  gale  effect,  as 
more  than  this  number  frequently 
blew   the   set  over.) 

Borrowing  was  developed  to  a  fine 
art,  one  of  the  unsung  patrons  of  the 
infant   art    being   the    bartender   of   a 


r.  L.  Tally's  first  show  shop,  Los  Angeles.     {Courtesy  Terry  Ramsaye.) 


unable  to  borrow  the  required  pieces 
from  nearby  homes. 

As  casting  director,  I  frequently 
scoured  the  streets  in  search  of  types. 
The  agency's  market  price  on  supers 
was  $3  a  day;  I  saved  the  company 
considerable  money  by  picking  up 
types  and  paying  them  $1.50  and 
their  meals. 

Although  six  bits  was  big  money 
in  those  days — Miriam  Battista's 
father  (my  barber  then)  thought  his 
little  girl  was  rolling  in  wealth  when 
Imp  paid  her  $1.50  a  day;  and  the 
Lee  Kid's  mother  was  tickled  to  death 
when  Jane  or  Katherine  was  given 
a  day's  work  at  that  figure — the 
extras  then,  as  now,  were  not  slow 
to  seek  even  more  princely  stipends. 

One  of  the  first  strikes  in  the  in- 
dustry occurred  when  a  troupe  of 
extras  from  an  agency  insisted  they 
should  be  paid  a  double  check  if 
kept  working  after  midnight.  As 
paying  more  than  $1.50  to  each  of 
a  dozen  extras  would  probably  have 
put  Imp  on  the  rocks  in  those  days, 
the  director  let  the  supers  go,  and, 
donning  their  wigs  and  costumes,  the 
studio  staff,  including  "grips,"  car- 
penters, electricians  and  scene-shif- 
ters, "scabbed"  until  the  picture  was 
finished  in  the  early  morning  hours. 

Effects  in  those  days  were  of  the 
crudest  sort.  A  man  on  a  ladder  with 
a  sprinkling  can  furnished  rain  for 
torrent  scenes;  one   Sunday  newspa- 


nearby  saloon.  It  was  he  who,  when- 
ever bottles  (empty)  and  glasses 
(ditto)  were  required  for  a  gin-mill 
setting,  always  lent  these  properties, 
occasionally  forgetting  to  empty  all 
the  bottles. 

When  unable  to  borrow  furniture 
from  neighborhood  homes  to  dress  a 
set,  a  sign  artist  would  paint  the  re- 
quired piece  on  the  scenery.  This  i 
method,  however,  was  considered  in- 
ferior to  the  former,  as  actual  furni- 
ture could  be  moved  about  and  pic- 
tures rehung  to  give  the  effect  of  a 
different  setting.  As  four  or  five  pic- 
tures were  completed  in  a  week,  it 
will  be  seen  the  borrowed  furniture 
received  plenty  of  usage  before  and 
if   returned. 

Many  of  the  early  pictures  were  re- 
markable for  the  animation  of  the 
furniture  on  the  sets.  A  table  photo- 
graphed in  one  corner  of  the  room 
would  suddenly  disappear,  only  to 
make  its  reappearance  on  the  other 
side  of  the  set;  framed  pictures  would 
frequently  change  places  on  the  wall, 
or  a  potted  palm  would  mysteriously 
metamorphose  into  a  jar  of  ferns. 

This  was  the  result  of  several  di- 
rectors using  the  same  set,  and  casu- 
ally forgetting  to  replace  articles  of 
furniture  they  had  moved  to  suit  their 
particular  ideas  of  interior  decorating. 
These  alterations  usually  took  place 
on  rainy  days  when  the  director, 
rather   than   expose   himself   and   his 


HIGH  GRADE  COLOR  WORK 


imy 


MAGAZINES   CATALOGUES 


225  WEST  39TH  STREET 


Hew  York, 
January  29th,    1926. 


q^ 


•  •  •. 


Mi 


My  dear  Mr.  Laenunle:- 

It  is  with  genuine  pleasure  that  I 
add  my  expreseions  of  congratulations  and  good 
will  to  the  many  you  have  received  from  your 
legion  of  friends. 

Your  trilliant  aocoxoplishsients  in 
the  Motion  Picture  industry  are  and  ever  will  be 
a  shining  example  for  younger  men  in  the  business 
to  emulate. 

Your  fine  sense  of  fairness  and  your 
practice  of  the  Golden  Rule  have  endeared  you  not 
alone  to  your  associates  but  to  all  who  have  come 
in  either  social  or  business  contact  with  you. 

This  Twentieth  Anniversary  should 
prove  one  of  the  happiest  events  of  your  long  and 
useful  life  and  it  is  with  a  great  sense  of  admira- 
tion and  respect  that  I  add  my  very  aincerest  good 
wishes  for  your  continued  success  and  your  good 
health  and  happiness. 


NC:BR 


Hr.  Carl  Laemmle 
7 SO  Pifth  Avenue 
Hew  York  City 


uoat  cordially  yours, 


MOHBOS  PBXSS 


oi 


ill 


40 


THE 


iday,  February  28,  1926 


W 


mpany  to  the  elements,  would  start 
new  picture,  shooting  interior  scenes 

the  studio  and  postponing  the  ori- 
nal  picture's  exterior  shots  until 
e  next  sunny  day. 

Those  who  remember  the  early 
up  pictures  may  recall  seeing  white 
pes  stretched  across  the  floor  of  the 
ttings.  These  were  placed  as  mar- 
rs  to  show  the  players  how  far 
ey  could  move  without  stepping  out 

camera  range.  Many  of  the 
reen's  earliest  and  most  dramatic 
oments  were  marked  or  marred  by 
e  hasty  downward  glances  of  a 
ayer  to  see  if  he  or  she  was  within 
e  lateral  limits  of  the  lens,  their 
tention  having  been  called  to  their 
is-position  by  the  cameraman's 
;nzied  warning:  "Get  inside  where 
use  belong!" 

Not  only  Westerns  but  also  North 
cods  pictures  were  filmed  at 
otch  Farms,  Staten  Island.  To 
idents  of  American  flora  and  fauna, 
is  may  prove  of  surprising  inter- 
t;  but  in  answer  to  their  taunt  that 
e  Borough  of  Richmond  looks  noth- 
y  like  the   Canadian  forests,   let   it 

remarked  that  it  resembles  them 
3t  as  much  as  it  does  the  sage- 
ush  wastes  of  the  far  West.  To 
nance  the  authenticity  of  these  early 
orts,  pictures  depicting  packs  of 
)Ives  impressed  into  service  every 
ailable  dog  to  be  found  between 
11  van  Kull  and  tTie  Narrows.  If 
iny  of  the  ertswhile  wolves  showed 
narked  Collie  or  Fox  Terrier  cross, 

the  motion  picture  foxes  exhibited 

noticeable  Terrier  or  Spaniel 
•ain what  of  it? 


'^S^ 


DAILV 


41 


One  of  our  early  experiences  wit»i 
a  canine  screen  player  is  of  interest 
inasmuch  as  it  evidences  the  paucity 
of  money  in  the  early  days,  a  scarcity 
proven  by  the  fact  that  even  a  few 
years  later  Carl  Laemmle  was  loath 
to  invest  $6,000  in  producing  "Traf- 
fic in  Souls,"  a  picture  which  grossed 
more  than  $90,000  profit  in  its  first 
year. 

To  save  the  $15  salary  of  a 
trained  dog  the  writer  scouted  the 
neighborhood  of  44th  Street  and  11th 
Avenue,  finally  obtaining  and  bring- 
ing to  the  Imp  studio  a  huge  St. 
Bernard  dog  which,  its  owner  de- 
clared, could  do  anything  and  every- 
thing, all  for  $2.50  per  diem. 

The  dog  was  required  to  cross  the 
set  and  lie  at  the  feet  of  the  star 
who  was  reading  a  book.  Repeated 
attempts  to  make  the  St.  Bernard 
do  his  stuff  were  futile.  "Get  some 
meat,  and  let  Miss  Lawrence  conceal 
it  between  the  pages  of  her  book," 
was  suggested.  It  was  a  great  idea 
but  it  didn't  work;  so  the  director 
rewrote  the  scene  and  had  a  butler 
serve  tea  to  the  star,  putting  the 
raw  meat  into  one  of  the  tea  cups, 
which  he  had  let  the  dog  sniff  off- 
stage. 

Evidencing  a  temperament  which 
to  a  later  day  star  would  have  been 
worth  an  extra  thousand  dollars  on 
a  contract,  the  dog  refused  to 
budge.  The  scene  was  finally  taken 
by  means  of  an  invisible  wire  pulling 
the  visibly  unwiUing  dog  across  the 
set,  its  paws  doggedly  set  against 
its  removal. 


modern  exploitation.  This  daring  in- 
novation consisted  of  a  striking  lobby 
display  designed  to  represent  a  rail- 
way terminal.  The  attendants  garbed 
in  railway  uniforms  sold  admissions 
printed  to  resemble  railroad  tickets; 
the  box-office  resembled  a  ticket  of- 
fice in  a  station,  and  patrons  entered 
through  the  observation  platform  of  a 
bona-fide  train  coach. 

Entering  the  car,  one  sat  in  typical 
railway  carriage  seats.  When  the 
coach  was  filled,  a  starting  bell 
sounded,  a  steam  whistle  blew,  and 
the  chug-chug  of  a  puffing  locomotive 
was  heard.  A  system  of  vibrators 
made  the  seats  sway  and  tremble  to  a 
surprisingly  effective  degree. 

Most  of  the  pictures  had  been  pho- 
tographed from  a  locomotive,  so  the 
spectator  enjoyed  the  sensation  of  be- 
ing on  an  actual  train.  Occasionally 
scenes  of  train  hold-ups  were  shown, 
and  three  or  four  masked  desperadoes, 
armed  to  the  teeth,  would  actually 
come  through  the  car  brandishing 
fire-arm.s,  thus  heightening  the  illusion 
to  a  superlative  degree. 

This  was  the  first  of  the  Hale's 
Tours,  which  later  spread  all  over  the 
country  and,  owing  to  their  novelty, 
attained  considerable  popularity.  It 
is  of  interest  that  these  were  financed 
by  William  A.  Brady,  who  later  be- 
came a  prominent  motion-picture  pro- 
ducer, but  who  eventually  confined 
his   activities  to  the  legitimate   stage. 

Interesting  as  these  early  shows 
were,  it  was  not  until  several  years 
later  that  pictures  began  to  show 
promise  of  developing  into  something 
greater  than  a  mere  novelty,  con- 
cludes Mr.  Sargent.  It  was  not  until 
stiff  competition  necessitated  superior 
production  that  the  movies  began  to 
rise  above  the  standard  of  a  five-cent 
peep  show. 


Some  Early  Shows 


Helping  Ince 

BY   ISIDORE   BERNSTEIN 

When  Universal  City  was 
first  opened  a  cycle  of  civil 
war  pictures  had  started  and 
every  studio  was  making  war 
productions. 

The  late  Thomas  H.  Ince 
was  then  producing  at  Inceville, 
down  near  Santa  Monica,  and 
he  was  engaged  in  a  big  pro- 
duction called  "The  Battle  of 
Gettysburg,"  when  a  fire  de- 
stroyed practically  his  whole 
studio,  and  all  the  hundreds  of 
costumes  and  guns  which  were 
being  used  in  the  picture. 

It  was  a  desperate  sittaation 
for  Tom  Ince,  for  he  was  op- 
erating then  on  a  small  mar- 
gin, and  it  seemed  impossible 
for  him  to  finish  the  picture. 

A  day  after  the  news  of  the 
fire  reached  New  York,  I  re- 
ceived a  telegram  from  Mr. 
Laemmle.  It  ordered  me  to 
turn  over  all  our  costumes  and 
guns  to  Ince,  and  to  offer  him 
all  our  facilities  for  making  pic- 
tures so  that  "The  Battle  of 
Gettysburg"  could  be  finished. 
The  last  line  of  the  wire  said: 
"DO  NOT  CHARGE  HIM  A 
CENT  FOR  THEM." 

I  turned  over  ever}^hing  to 
Ince,  who  was  almost  speech- 
less at  this  unsolicited  and  over- 
whelmingly generous  aid.  He 
had  just  about  decided  that  it 
was  impossible  to  finish  his 
picture.  He  looked  at  me  in 
amazement,  sat  silent  for  sever- 
al moments,  then  said:  "He  is 
the  only  man  in  the  industry 
who  would  do  that.  I  believe 
he  is  one  of  the  few  men  in  the 
world  who  would  do  as  much 
as  that  for  a  business  competi- 
tor." 


New  York's  first  "store  show,"  es- 
bUshed  in  the  early  'nineties,  was 
tuated  in  a  basement  on  lower 
roadway  somewhere  between  Trm- 
Y  Church  and  St.  Paul's,  says  Epes 
/■inthrop  Sargent,  who  has  edited 
is  department  in  Moving  Picture 
/orld  continuously  since  September 
I,  1911,  and  prior  to  that  had  several 
Jars'  experience  in  the  trade  paper 
jld. 

The  first  New  York  showing  with 
1  Edison  Kinetoscope — the  "store 
low"  used  an  Idealscope — was  in  a 
enny  Arcade  located  in  a  basement 
ineath  the  old  Princess  Theater,  be- 
ireen  28th  and  29th  Streets.  There 
as  no  shutter  on  these  machines;  an 
ectric  spark  flashed  sufficient  illu- 
ination  when  the  picture  or  "frame" 
as  in  place  according  to  Sargent. 
Later,  about  1895,  B.  F.  Keith  ob- 
jned  a  Lumiere  machine  and  some 
m  for  his  Union  Square  Theater. 
he  hire  of  the  projector  included 
m  rental  in  those  days,  and  pictures 
ere  presented  until  worn  out,  or  un- 
l  the  exhibitor  could  "swap"  pro- 
•ams  with  another  theater  manager. 
Motion  oictures  were  first  regularly 


exhibited  in  the  Eden  Musee  by  Rich- 
ard Hollman,  wno  later  became  as- 
sociated with  the  Simplex  Projector. 
At  that  time— the  "fifty-foot  days," 
no  one  dared  imagine  a  longer  pic- 
ture, as  producers  were  stumped  at 
the  possibility  of  what  might  happen 
if  a  patron  should  come  in  in  the  mid- 
dle of  the  film!— Hollman  was  using 
a  Lumiere  projector  and  Lumiere 
films.  These,  made  in  France,  usu- 
ally depicted  chases  wherein  the  ob- 
ject of  the  pursuit  always  hid  in  a 
trunk  which  later  fell  from  a  wagon, 
bounded  down  long  flights  of  steps 
and'  eventually  landed  in  the  River 
Seine.  A  popular  novelty  of  thattime 
was  the  animation  of  various  objects; 
dishes  washing  themselves  and  stack- 
ing themselves  up  in  neat  piles,  or  the 
cutting  and  marking  of  a  suit,  or  fur- 
niture moving  about  a  room,  without 
any  human  agency  apparent.  Thus, 
scissors  would  snip  out  patterns, 
needles  would  sew  pieces  of  cloth  to- 
gether, without  a  hand  being  visible. 
In  1898-9,  considerably  before  Carl 
Laemmle's  advent  into  motion  pic- 
tures, a  Penny  Arcade  on  Union 
Square  evidenced  the  fore-runner  of 


X 


m 

iTi 

^  T  i 


4 


4 

1 


Congratulations 
and  Greetings  to 

CARL  LAEMMLE 

Motion  Pictures' 
Man  of  the  Hour 


% 


EDWARD    SMALL    COMPANY 

FOUNDED  1910 

HOLLYWOOD         :  :         NEW  YORK 


ANNIVERSARy 


yl//il/A\\K^\^< 


42 


w  A   \/ 


4r 


f 


a,   I    ^ 


•    • 


ti< 


ll" 

w 


1 


4^ 


.f. 


li 


THE 


Sunday,  February  28,  1926 


-^^ 


DAILY 


43 


THE  VALUE  OF  LARGE  SETS 


.         7              .         ...^  nf  Universal  City  for  "Foolish  Wives,"  "Merry-Go.Round,""Hunchback  of  Notre  Dame"  and  "The  Phantom  of  the  Opera 
tome  large  sets  erected  at  Univei sat  Vicy  f 01  ,     ,  .,     .„„._...      T,„.t,„.  .i,..,   a..il  himse 


Carl  Laemmle  was  one  of  the  first 
roducers  to  realize  the  advertising 
alue  of  massive  settings  for  motion 
ictures. 

It  would  have  been  less  expensive, 
o  doubt,  for  Laemmle  to  have  sent 


an  entire  company  to  Monte  Carlo 
to  film  "Foolish  Wives"  in  its  actual 
locale;  but  Laemmle  knew  that  to 
piect  a  replica  of  the  Riviera  pleasure 
resort  in  California  would  be  of  im- 
measurable value  in  obtainrng  uews- 


paper    publicity    and    word-of-raouth 
advertising   for   Universal    City. 

The  French  Government  would, 
one  may  safely  assume,  have  been 
glad  to  accord  every  facility  in  film- 
ing "The  Hunchback  of  Notre  Dame" 


in  Paris.  Rather  than  avail  himself 
of  this  cooperation,  however,  the 
Universal  chief  preferred  to  under- 
take the  prodigious  feat  of  reproduc- 
in.u'  twtnty  blocks  of  medieval  Tans, 
at  his  studio. 


q(^ 


ti?  : 


As  Exhibitors 


to 


An  Exhibitor 

on  his 

20th  Anniversary 

We  Congratulate  You  and  Wish  You 
Continued  Success 


Schine  Theatre  Company 


I.  MYER  SCHINE 


LOUIS  W.  SCHINE 


W  u  W 


•  •  4  T  1  •  . 

••  *  •  T 

m 


^ 


THE 


Sunday,  February  28,  1926 


■c&< 


DAILV 


45 


EXECUTIVES  DEVELOPED  BY  CARL  LAEMMLE 


Carl  Laemmle's  success  while  due 
lostly  to  his  own  perservering  ef- 
)rts,  vision  and  fighting  spirit,  may 
Iso  be  attributed  in  part  to  the  fact 
hat  he  has  been  able  to  detect  and 
evelop  hidden  talent  in  his  subordi- 
ates.  A  glance  at  a  list  of  the  in- 
ustry's  outstanding  figures  will  re- 
eal  a  considerable  quota  of  men 
'hose  abilities  were  first  brought  to 
ght  and  fostered  by  Carl  Laemmle. 


Probably  the  most  notable  of 
Laemmle's  proteges  is  Irving  Thal- 
berg,  whose  sensational  and  meteoric 
rise  dates  back  to  his  "discovery" 
by  the  Universal  president.  A  few 
short  years  ago,  Thalberg  was  one  of 
several  score  stenographers  em- 
ployed at  the  Universal  Home  Office 
at  1600  Broadway.  Today  he  is  one 
of  the  most  important  figures  in  the 
producing  field,  recognized  as  one  of 


nam.c  JAdP  (Independent  Moving 
Pictures)  in  case  a  court  injunction 
should  restrain  the  latter  company 
from  making  pictures  because  of  in- 
fringing on  The  Trust's  rights. 
(Laemmle's  defeat  of  the  monopolists 
rendered  the  latter  contingency  un- 
necessary). 

Rothacker,  then  on  The  Billboard, 
was  to  run  the  newly-formed  sub- 
sidiary  company.  Later  it  was  turned 


(•H'l''^' -** 


Es\» 


the     brainiest     executives     on     either 
Coast. 

Detecting   this   youth's    genius   was 
no  mean  feat,  as  Thalberg  was  then, 
as    now    a    bashful,   retiring,    modest 
lad  whose  shy  nature  restrained  him 
from  pushing  himself  forward.  Laem- 
mle seemed  to  sense  his  possibilities, 
however,  and  made  him  his  assistant 
secertary,  soon  promoting  him  to  full 
secretaryship.     As   is  his  custom,   he 
took   Thalberg   with   him   on    one    of 
his  frequent  trips  to  the  Coast. 
A  Producing  Chief  at  21 
Still    in    his    teens,    Thalberg    dis- 
played   a    masterly    grasp    of    studio 
management,  and  every  evening  ten- 
dered   certain    suggestions    to    Laem- 
mle,   ofilering    remedies    for    various 
faults    he    had    detected    in    his    day's 
inspection.      Impressed    by    the    lad's 
capabilities,     Laemmle    left    him     at 
Universal  City  as  his  personal  repre- 
sentative.    Thalberg  continued  to  im- 
prove   his    knowledge    of    production 
and  the  "U"  chief  showed  his  confi- 
dence in  the  youngster  by  making  him 
director    general   of   Universal    at   21. 
Despite  his  extreme  youth.  Thalberg 
displaved  a  marked  faculty  for  getting 
the    niaximum   results    from    his    col- 
leagues.     Although    the    studio    per- 
sonnel  was   composed   of   all   classes 
of  persons,  all  of  varying  personah- 
ties,    Thalberg    was    able    to    obtain 
splendid    results    by   working   with— 
not  over — his  subordinates. 

Another  of  the  industry's  notables 
who  owes  his  start  in  motion  pic- 
tures to  Carl  Laemmle  is  Watterson 
Ro-1-.ackcr.  Mr.  Laemmle  and  R.  H. 
Cochrane  formed  the  Industrial  Mo- 
tion Picture  Company  for  two  rea- 
sons: fi'M,  to  make  advertising  pic- 
tures and,  second,  to  project  the  b  and 


ing  out  into  the  laboratory  field, 
wherein  he  is  now  one  of  the  leading 
figures. 

Cohn  and  Brandt 

Two  names  long  associated  with 
that  of  Carl  Laemmle.  under  whose 
guidance  they  obtained  their  great 
knowledge  of  motion  pictures,  are 
those  of  Joe  Brandt  and  Jack  Cohn. 
Brandt  was  originally  the  first  pub- 
ficity  director  for  the  Imp,  later  gain- 
ing promotion  to  the  general  man- 
agership of  that  company.  When  the 
Universal  was  formed,  Brandt  became 
publicity  director,  eventually  becom- 
ing sales  manager  and,  finally,  gen- 
eral manager. 

Jack  Cohn,  Laemmle's  laboratory 
manager,  received  his  comprehensive 
training  with  the  Laemmle  Film  Ser- 
vice, Imp  and  Universal  companies. 
Starting  his  career  at  a  time  when 
the  laboratory  worker  had  to  know 
every  phase  of  his  job  from  mixing 
developer  to  printing,  editing  and 
even  acting  in  a  film,  Cohn  attributes 
his  present  success  to  the  experinece 
gained  by  working  under  Mr.  Laem- 
mle. It  was  Cohn  who  was  largely 
responsible  for  the  present  develop- 
ment of  the  news  reel,  his  Animated 
Weekly  and  Screen  Matra^ine  being 
the  fore-runners  of  many  of  to-day's 
topical   gazettes. 

E.  J.  Smith,  now  general  manager 
for  Associated  Exhibitors,  started 
his  motion  picture  career  as  a  film 
salesman   for   Universal.      His  ability 


over  to  him,  Laemmle  and  Cochrane 
to  be  paid  back  their  investment  from 
the  profits  he  made.  Always  a  great 
business  builder,  Rothacker  devel- 
oped the  Industrial  Motion  Picture 
Company  to  a  remarkable  degree,  and 
later  augmented  his  activities,  branch- 


1 — Irving    Thalberg    and    Carl 
Laemmle. 

2 F.  A.  Van  Husen,  Jr. 

3 — Ned  Depinet. 
4 — George  E.  Kann. 
5 — Frank  Brockliss. 
(3 — Henry  McRae. 


Www 


i 


t 


1  •     I      •  1 

1      *^ »      1 


Congratulations  to  Carl  Laemmle 
20  years  an  exhibitor 


HARDING 

PHOTO-ENGRAVING  COMPANY 


'PHONE  CHELSEA  0680        106-110  SEVENTH  AVE.,  N.  Y. 


'\^ 


W  V  W 


X 


t 

•  •    • 


*  1  •  I 


Oi 


Sunday,  February  28,  1926 


THE 


;%g^ 


DAILY 


47 


d  not  remain  unheeded  by  Carl 
aemmle,  and  he  soon  was  made  ex- 
lange  manager,  followed  by  further 
omotion  to  general  sales  manager, 
is  organizing  and  executive  ability 
suited  in  his  being  chosen  manag- 
g  director  of  European  Motion  Pic- 
res,  Ltd.,  Universal's  representatives 

the  United  Kingdom.  The  or- 
mization  he  built  up  there  is  still 
garded  as  one  of  the  most  efficient 
stributing  bodies  in  England  and  is 
sponsible  in  no  small  degree  for 
e  present  popularity  of  Universal 
oduct  in  that  country. 
Art  Schmidt  is  another  example  of 
rl  Laemmle's  policy  of  promoting 
mbers  of  his  own  organization  to 
portant  positions.  Starting  as  a 
n  salesman,  Schmidt  rapidly  mer- 
d  the  confidence  Laemmle  had 
ced  in  him,  and  became  exchange 
nager,  eventually  being  named  gen- 
1  sales  manager  for  Universal. 

Graham   Another 
fohn   C.    Graham,   another  protege 

Carl  Laemmle,  soon  worked  his 
y  up  from  the  bottom  of  the  lad- 
■  to  general  manager  as  well  as 
leral  sales  manager.  His  ability, 
;t  recognized  and  fostered  by  Mr. 
emmle,  soon  encouraged  other 
npanies    to    bid    for    his    services. 

is  now  managing  director  of  Fam- 
,  Players-Lasky  in  the  United 
igdom,  recognized  as  one  of  the 
ding    figures    in    the    Continental 


Another  of  Carl  Laemmle's  "finds" 
ames  V.  Bryson,  one  of  the  hard- 
working men  who  ever  got  into 
motion  picture  industry.  Starting 
a  film  salesman  for  Universal, 
:mmle  soon  recognized  his  ability 
:  made  him  manager  of  the  Min- 
polis  exchange.  He  next  went 
Australia,  opening  up  that  terri- 
er for  Universal,  and  reorganized 
:mmle"s  office  in  the  Orient.  He 
i  then  promoted  to  the  position 
export  manager,  was  later  given 
[iplete  charge  of  road  shows  of 
lie  Hunchback  of  Notre  Dame," 
is  now  managing  director  of  the 
•opean  Motion  Picture  Company's 
■en  offices  in  the  United  Kingdom, 
;re  he  is  obtaining  unprecedented 
ilts. 

ed    Depinet    first    attracted    Carl 

mmle's  attention  by  his  work  for 

3srs.    Oldknow    and    Fichtenberg, 

)Se  Consolidated  Films   &   Supply 

npany  had  a  Universal  franchise. 

en     Oldknow     resigned.     Depinet 

given  more  responsibility  by  the 

chief    and    forged    to    the    fore. 

later    was   made   one    of    the   tri- 

nrate  of  Universal  Sales  Managers 

was  one  of  the  best-liked  execu- 

s  ever   engaged    in    that    capacity, 

lining  the  greatest  possible  loyalty 

n  those   under   him.     He  is   now 

aged    as    one    of    the    three    sales 

lagers    of    First    National,    where 

traits  developed  by  Carl  Laemmle 

standing  him  in  good  stead. 

'an    Lederman,    now    one    of    the 

t  important  sales  executives  with 

ociated  Exhibitors  obtained  virtu- 

his  entire  motion  picture  experi- 

under   Laemmle's   tutelage.     In 

long   and    varied    career    he    has 

1  secretary  to  Mr.  Laemmle,  ex- 

ige  manager,  general  manager  of 

Home    Office,    and    was    instru- 

ital      in      developing      Universal's 

th      American      business      to     its 


present  high  level,  accomplishments 
for  which  his  training  under  and  de- 
velopment by  Carl  Laemmle  well 
equipped  him. 

George  E.  Kann,  one  of  the  best- 
informed  authorities  on  the  motion 
picture  export  trade,  entered  Univer- 
sal without  any  motion  picture  ex- 
perience. Answering  an  advertise- 
ment, Kann  immediately  "sold  him- 
self" to  Laemmle  and  started  as  his 
secretary.  At  once  grasping  the  fun- 
damentals of  his  new  career,  Kann 
was  given  more  and  more  responsi- 
bility. His  first  coup  was  the  out- 
come of  a  business  trip  to  London 
where  he  effected  a  distributing  con- 
tract with  the  Clavering  Brothers, 
which  assured  Universal  product  a 
splendid  outlet  throughout  the  United 
Kingdom.  Soon  afterwards,  he 
was  appointed  foreign  manager, 
succeeding  James  V.  Bryson.  His 
good,  loyal,  faithful  work  in  this 
position  attracted  the  attention  of 
outside  companies,  and  he  ac- 
cepted the  position  of  Foreign 
Manager  for  Goldwyn  Pictures.  Find- 
ing that  working  for  a  huge  corpora- 
tion did  not  give  his  abilities  sufficient 
scope,  Kann  determined  to  be  his 
own  master  and,  in  partnership  with 
Joseph  Simmonds.  started  the  suc- 
cessful Simmonds-Kann  Enterprises. 
Other  Producers 

In  the  production  field,  the  name 
of  Henry  McRae  looms  formidably, 
and  has  long  been  associated  with 
that  of  Universal.  One  of  its  first 
directors,  McRae  was  directing  Wes- 
terns when  Universal  City  opened, 
later  taking  a  serial  company  to  the 
Orient  to  film  "The  Dragon's  Claw." 
Impressed  by  McRae's  tact  and  dip- 
lomacy, Laemmle  made  him  general 
manager  of  the  vast  studios  at  Uni- 
versal City,  a  position  he  again  oc- 
cupies after  several  years'  absence 
from  the  "U"  banner. 

William  Sistrom,  another  outstand- 
ing figure  in  the  industry,  began  his 
career  under  Carl  Laemmle  soon  after 
the  formation  of  Universal.  Brought 
into  the  company  by  William  Swan- 
son  as  an  efficiency  expert,  he  was 
put  on  the  job  of  following  a  pro- 
duction from  its  purchase  as  a  story 
through  all  the  stages  of  its  develop- 
ment to  its  eventual  presentation  on 
a  theater  screen.  So  able  did  he 
prove  at  eliminating  waste  and  domg 
away  with  "loss  of  motion,"  Laemmle 
promoted  him  to  purchasing  manager. 
He  was  next  put  in  charge  of  Uni- 
versal's Fort  Lee  studios,  where  he 
acquitted  himself  so  creditably  he 
was  sent  to  Universal  City.  There 
he  worked  so  conscientiously  and  dih- 
gentlv  his  health  suffered  and  he  was 
forced  to  discontinue  temporarily  his 
production  activities. 

Another  "old  timer"  developed  by 
Laemmle  is  Henry  Hoffman,  one  of 
the  most  efficient  sales  executives  ot 
his  day.  Starting  as  a  salesman, 
Laemmle  noted  his  earnest  efforts 
and  put  him  in  charge  of  one  of  Uni- 
versal's two  New  York  City  ex- 
changes (at  that  time  the  U  had 
both  an  uptown  and  a  downtown  dis- 
tributing center).  He  was  later  made 
General  Sales  Manager,  a  position  he 
filled  with  great  satisfaction  until  his 
resignation  several  years  ago. 
Brockliss  and  Van  Husen 
Frank  W.  Brockliss,  one  ot  tlie 
oldest  and  most  popular  motion   pic- 


tures executives  in  the  United  King- 
dom, virtually  started  his  career  at 
Carl  Laemmle's  request.  Seeking  a 
European  representative,  Laemmle 
detected  in  Brockliss  the  makings  of 
a  high-class  executive  and  organizer. 
Turning  over  to  him  the  entire  dis- 
tribution of  Universal  product  not 
only  in  Great  Britain  but  also  the 
entire  continent  of  Europe,  Carl 
Laemmle  made  Brockliss  his  first 
foreign  representative.  Brockliss  is 
now  managing  director  of  First  Na- 
tional's organization  in  the  United 
Kingdom,  having  recently  succeeded 
Ralph  Pugh. 
F.  A.  Van  Husen,  Jr.,  now  owner 


of  one  of  the  largest  motion  picture 
supply  companies  in  the  country, 
started  with  Universal  as  a  film  re- 
pairer in  its  Evanston  exchange  in 
1907-08.  On  one  of  his  periodic  trips 
around  the  offices,  Laemmle  noticed 
the  boy's  application  to  his  work  and 
transferred  him  to  Omaha  where 
there  was  an  opening  for  a  salesman 
expected.  Van  Husan  made  good, 
was  eventually  promoted  to  manager- 
ship of  the  exchange  and,  had  he  not 
left  the  distributing-and-sales  end  of 
the  industry  to  sell  supplies  would 
have  undoubtedly  been  one  of  the  big 
figures  in  the  motion  picture  business 
today. 


Yes,  We  Have  No  Press  Books 

Hard  to  Imagine  How  They  Did  Without  Them— But 
They  Did — A  Glance  Backward  at  the  Development 
of  the  Press  Book  Now  Considered  as  Necessary  as 
the  Positive  Print. 


It 

ture 


was  in  1909  that  a  motion  pic- 
trade  paper  stated  in  a  brief 
article  that  "Exhibitors  have  ex- 
pressed a  desire  to  obtain  photo- 
graphic enlargements  of  scenes  from 
feature  films  for  display  in  their  lob- 
bies. *  *  *  Many  high  class  houses 
will  not  exhibit  posters,  who  would 
be  pleased  to  provide  a  suitable  frame 
for  photographs  *  *  *  but  the  manu- 
facturers do  not  see  it  in  the  same 
light.  It  is  doubtful  if  it  would  re- 
sult in  the  sale  of  any  more  copies 
of  the  film.  Some  (exhibitors)  cut 
pictures  and  story  from  this  paper 
and  exhibit  them  on  bulletin  boards 
in  front  of  their  theaters.  The  local 
newspaper  is  a  good  medium,  and  it 
pays,  as  it  usually  begets  a  lengthy 
mention   of  the   show   in   the   paper." 


Advertising  men,  publicity  experts, 
press  representatives  and  exploitation 
bugs,  read  this  and  weep.  Where 
are  they  gone — those  happy  and  in- 
nocent days  when  exhibitors  cried  to 
be  fed  what  they  are  now  popularly 
supposed  to  be  fed  up  on? 

To  revert  to  history.  The  first 
mention  of  advertising  accessories 
other  than  posters  to  be  found  in  the 
trade  press  of  the  day  is  an  adver- 
tisement of  a  frame  and  mat  for  stills. 
Individual  players  were  not  mentioned 
in  the  advertising  until  1911,  and  then 
but  infrequently.  Carl  Laemmle  broke 
the  ice  by  running  a  page  size  sil- 
houette of  King  Baggott's  head,  and 
mentioning  him  in  the  copy;  another 
block   in    the    paving   that   led  to  the 


From  one  of  the  earliest  press  books  on  "The  Master  Key" 


Www 


t 


m 


* 


Mi 


Carl  Laemmle 

0«^    (?/  l/ie  honof'ed  figures    in   our  industry 


J4^e  extend 
on  his  twentieth  anniversary  our 
heartfelt  greetings  and  felicitations 


May   his  future  be    crowned  with    health   and  success! 


Www 


Y 


if 


i 


iT;: 


i<i 


sih 
ttii 


no 

liizc 

rst 

IcoDtr 

llOt  SI 

nil,! 
inen 


Sunday,   February  28,   1926 


THE 


mm 


OMl^ 


49 


ipplying  of  advertising  props  other 
lan  posters,  the  sale  or  cataloging 
•  which  eventually  made  the  press 
Dok  necessary. 

A  year  or  so  after  Laemmle  began 

reducing  under  the  "Imp"  brand  in 

)10,  he  issued  "The  Imp  Book,"  no 

)py  of  which,  unfortunately,  remains 

.  existence.      From    current    adver- 

sing,    however,    we    gather    that    it 

as  intended    to   help    the    exhibitor 

jit  over  "Imp"  pictures,  and  one  is 

:prced  to  the  conclusion  after  an  ex- 

iiustivc  search  of  contemporary  rec- 

|ds,  that  the  "Imp   Book"  was   the 

igitimate  sire  of  the  press  book  of 

26.    In  1912,  Laemmle  began  pub- 

ihing  "The    Implet,"   a   sassy   lltth: 

)use    organ    which    carried    on    the 

lod   work    of    educating   exhibitors, 

w  of  whom  were  trained  showmen. 

Few    there    are    who    will    concede 

y  degree  of  normalcy  to  any  phase 

the  motion  picture  industry,  and 
rtainly  is  this  negative  comment 
ie  in  the  matter  of  the  development 
advertising  supplies  and  press 
loks.  No  steady  improvement  is 
own.  Only  the  old  phrase  "by 
ips  and  bounds"  describes  the 
1  anges  that  have  taken  place  from 
ne  to  time.  For  instance,  one  of 
e  first  and  most  popular  of  serials 

its  day  was  Universal's  "Trey  of 
earts."  The  press  book  was  a 
elve  page  affair  about  six  by  nine 
:hes    in    size,    printed    in    red    ink. 

contained  a  few  advertisements  of 
lall  size  for  exhibitors'  use,  some 
blicity  stories,  and  a  catalog  of  the 
iagre  supplies  then  thought  neces- 

ry- 

By  contrast  and  in  support  of  the 
ess  book's  uneven  progress,  we  cite 
!  next  serial  press  book  issued  by 
liversal,  that  for  "The  Master  Key," 
eased  in  December,  1914.  In  al- 
JSt  every  respect  this  would  bear 
rarable  comparison  with  any  press 
ok  of  1926,  even  to  the  cataloging 

novelties,  a  generous  supply  of 
eparcd  ad  cuts,  and  other  props. 
In  every  act  or  deed,  Carl  Laemmle 
8  always  aligned  himself  with  the 
hibitors.  His  innovations  in  the 
itter  of  exhibitor  help  are  not  mat- 
's of  guess  or  opinion.     They  may 

found  first  in  "The  Imp  Book," 
sn  in  "The  Implet,"  and  finally  in 
i  "Universal  Weekly,"  which  was 
pplying  showman's  helps  at  a  time 
len  no  other  similar  publication 
isted. 

With  the  advent  and  growth  of  the 
w  (to  most  producers),  idea  of 
Iping  the  exhibitor  to  put  over  his 
ograms,  the  press  book  assumed  its 
il  importance.  But  where  another 
ecutive  might  have  seen  fit  to  aban- 
n  the  costly  "Universal  Weekly," 
icmmie  saw  in  it  his  most  eflfec- 
e  mieans  of  giving  the  exhibitor 
eded  assistance.  Today  it  is  un- 
ubtedly  the  most  notable  house  or- 
n  in  the  industry.  From  the 
Universal  Weekly,"  the  exhibitor 
ts  the  low-down  information  on 
liversal  releases.  Week  after  week 
•  nearly  fifteen  years,  under  the 
Ie  direction  of  Paul  Gulick,  it  has 
isentcd  not  only  these  matters,  but 
o  a  vigorous  stand  upon  the  many 
jblems  confronting  the  exhibitor, 
^nsorship,  wherever  threatened, 
i^atious  tax  questions;  unfair  sales 
1  ictices,  these  and  a  thousand  mat- 


ters affecting  the  motion  picture  the- 
aters throughout  the  country  are  dis- 
cussed in  the  "Universal  Weekly." 

Like  every  other  producer  the 
Universal  has  experimented  with 
press  books.  That  the  press  book 
might  be  used  to  boost  sales  is  not 
a  new  thought,  but  a  few  trials  of 
this  convinced  Carl  Laemmle  that  the 
closer  he  stuck  to  his  original  idea 
of  rendering  a  service  to  the  exhibi- 
tor, the  better  he  satisfied  his  own 
conscience,  and  that  no  sales  argu- 
ment could  have  an  equal  appeal. 

From  the  appearance  already  noted, 
of   the   press   book   for   "The    Master 


Key,"  exhibitors'  aids  multiplied  rap- 
idly. Frame  and  novelty  manufac- 
turers, prints  of  postcards,  heralds 
and  lobby  displays,  photographers 
and  artists;  every  man  in  the  world  it 
seemed,  with  the  advent  of  the  ex- 
ploitation idea,  swooped  down  upon 
the  producers  to  pick  up  some  easy 
motion  picture  money.  Here  again 
the  Carl  Laemmle  idea  of  a  press  or 
service  book  for  exhibitors  proved  its 
value.  For  through  the  sifting  pro- 
cess of  the  Universal's  advertising 
and  exploitation  experts,  little  that  did 
not  actually  help  the  exhibitor  ever 
reached  their  attention. 


The  first  nickelodeon — Harry  Davis,  proprietor.     Located  in  Pittsburgh. 
From  an  old  issue  of  The  Implet. 


An  Old  Laboratory  Record 

Here  is  an  old  record.  From  the  laboratory  of  the  old 
Imp  plant  on  14th  St.  It  belongs  to  Jack  Cohn,  of  Columbia 
Pictures,  who,  in  those  days,  was  chief  aid  and  general  as- 
sistant to  the  whole  works. 

(On  many  of  the  releases  it  will  be  noted  that  two  sub- 
jects appear — this  was  the  custom  at  that  time.) 

Releases  From  Sept.  22,   1910,  to  Dec.  15,  1910 

£)3tg  Director  Remarks 

Sept    22  The   New   Butler Mr.  Solters  Passed  by  B.  of  C. 

Sept.  26  Pressed  Roses    Mr.  Solters  Passed  by  B.  of  C. 

Sept.  29  Annie Mr.  Powers  Passed  by  B.  of  C. 

Oct       3  All  the  World's  a  Stage Mr.  Powers  Passed  by  B.  of  C. 

1000  ft. 

Oct.       6  The   Deciding  Vote Mr.  Smiley  Passed   by  B.  of  C. 

Oct  10  Jes'  Plain  Dog,  and   A  Game  of     Mr.  Smiley  Exhibited  to  B.  of  C.  Sept.  28 

Hearts   Passed  by  B.  of  C. 

Oct  13  The  Garden  of   Fate Mr.  Powers  Exhibited  to  B.  of  C.  Sept.  28 

Oct  17  Mother   and   Child Passed  by  B.  of  C. 

Oct  20  The   Fur   Coat Mr.  Powers  Exhibited  to  B.  of  C.  Oct.  12 

Oct  24  The    Count    of    Montebella Mr.  Smiley  Exhibited  to  B.   of   C.   Oct.    12 

Oct  27  The   Hobble    Skirt    and   That            Mr.  Smiley  Exhibited  to   B.   of    C.   Oct.    12 

Mendelssohn   Spring   Song .Mr.  Powers  Exhibited  to  B.  of  C.   Oct.   12 

Oct  31  Idol's  Eye    Mr.  Smiley  Exhibited  to  B.   of   C.   Oct.   25 

Nov  3  Willie    Mr.  McGlynn  Exhibited  to   B.   of   C.   Oct.   25 

Nov  7  Keeping  His   Word Mr.  McGIynn  Exhibited  to   B.   of   C.   Oct.   25 

Nov  10  The    Model's    Redemption Mr.  Smiley  Exhibited  to  B.   of   C.   Oct.   25 

Nov  14  The    Double     Mr.  Smiley  Exhibited  to  B.  of   C.   Nov.   10 

Nov  17  Fortune's   Wheel    Mr.  McGIynn  Exhibited  to  B.  of  C.  Nov.   10 

Nov  21  Their    Day   of    Thanks Mr.  Smiley  Exhibited  to  B.  of  C.  Nov.   16 

Nov.  24  The   Country    Boarder .Mr.  McGIynn  Exhibited  to  B.  of  C.  Nov.   16 

Nov  28  The    Revolving    Doors Mr.  McGIynn  Exhibited  to  B.  of  C.  Nov.   21 

Dec.  1  A    Child's    Judgment Mr.  Smiley  Exhibited  to  B.  of  C.   Nov.  21 

Dec  5  The  Aspimtions  of   Percy Mr.  Smiley  Exhibited  to  B.  of   C. 

Dec  8  Twixt   Loyalty    and    Love Mr.  Smiley  Exhibited  to  B.  of   C. 

Dec  12  A    Clever    Ruse Mr.  Smiley 

Faithful   Max    Mr.  McGIynn  Exhibited  to   B.  of  C. 

Dec  15  The    Poor    Student Mr.  McGIynn  Exhibited  to  B.  of  C. 


Ice  Box  Camera's 

How  the  Independent  Producers  Had 

to  Scheme  to  Outwit  the  Patents 

Company 

"Carl  Laemmle  used  to  shoot  pic- 
tures through  an  ice  box,"  says  Epes 
Winthrop  Sargent,  veteran  of  the  ear- 
ly motion  picture  combats,  whose  as- 
sociation with  the  then  Trust  furn- 
ished him  manv  first-hand  experi- 
ences with  the  wily  ruses  employed 
by  Laemmle  and  other  "Independent" 
producers  to  outwit  the  powerful  "oc- 
topus" of  twenty  years  ago. 

"Exteriors  were  photographed  by  a 
camera  artfully  concealed  in  a  closed 
express  wagon.  Certain  patent  rights 
controlled  by  his  opposition  necessi- 
tated Laemmle's  taking  pictures  with 
'bootleg'  cameras.  In  the  studio,  the 
players  never  saw  a  camera,  as  the 
machine  was  hidden,  together  with  its 
operator,  in  a  huge  ice  chest.  This 
was  done  so  that,  in  the  event  of  a 
law  suit,  the  actors,  if  called  to  the 
witness  stand,  could  truthfully  testify 
they  had  seen  no  camera  in  any  way 
resembling  that  protected  by  the  now 
famous  Latham  Loop  patent. 

"Outside  the  studio,  which  was  then 
located  at  Columbus  Ave.  and  100th 
Street,  the  camera  was  always  con- 
cealed in  a  closed  express  wagon,  its 
shutter  projecting  through  a  small 
aperture  in  the  back  of  the  van.  The 
Trust  had  two  detectives  constantly 
employed,  whose  duty  it  was  to  de- 
tect and  seize  or  smash  any  'outlaw' 
cameras  in  use  by  Laemmle  and  the 
other  independents  or,  as  they  were 
then  called,  'pirates.' 

"As  the  two  detectives  were  known 
by  every  'pirate'  then  operating,  the 
minute  they  were  seen  approaching, 
scouts  reported  their  presence,  and. 
the  express  wagon  drove  away,  later 
to  meet  the  director  and  company  at 
an  appointed  rendezvous,  where  film- 
ing was  continued  until  the  'bulls' 
again  hove  in  sight,  where  the  pro- 
cedure was  repeated^  As  to  detecting 
patents  rights  violation  in  a  studio,  it 
was  virtually  taking  his  life  in  his 
hands  for  one  of  the  Trust  detectives, 
or  any  suspicious-looking  stranger 
to  be  found  in  a  studio  without  multi- 
countersigned  credentials. 

"Dummy  cameras  were  a  frequent 
occurrence.  More  than  once  Laemmle 
used  an  'extra  man'  to  turn  the  crank 
of  a  fake  camera  to  distract  attention 
from  the  real  machine,  artfully  ca- 
mouflaged on  some  other  portion  of 
the  set.  At  one  time,  Laemmle  was 
forced  to  send  his  entire  company  to 
Cuba  to  avoid  having  his  enemies 
captured. 

"On  another  occasion,  Carl  La- 
emmle and  R.  H.  Cochrane  were 
forced  to  hide  in  a  Fort  Lee  cellar 
all  night  with  the  company's  cameras, 
while  sleuths  fiom  the  Palejits  Com- 
pa:.>  scoured  the  neigli'j"! '  ood.  A:? 
a  ni-i'.ter  of  fact,  camennun  'vere  siv 
hvted  in  th;,-  early  days,  not  for  their 
artistic  ability,  but  for  their  fislic 
prowess.  Pitched  battles  between  ri- 
val factions  were  frequent,  and  the  ul- 
timate release  of  a  picture  i;sually  de- 
pended on  the  fleetness  of  the  cam- 
eraman in  escaping  his  pursuers, 
plug-uglies  especially  recruited  from 
unsavory  neighborhoods  to  interfere 
with  the  opposition's  production  ac- 
tiviiies.  In  fact,  some  of  the  best 
gang  fights  of  the  period  to  )k  place 
over  the  possession  of  the  motion  pic- 
ture cameras." 


w  ^  w 


•     •    • 


m 

u  T  * 


ili 


4 

A 


1 


J/r.  Carl  Laemmk 

We  extend  to  you  on  your  20th 
Anniversary  our  sincere  congratulations  and 
best  wishes  for  continued  success  and  good 
health 


JOHN  D.  TIPPETT,  INC. 


Los  Angeles  Office 

6040  Sunset  Boulevard 
HOLLYWOOD 


1540  BROADWAY 
NEW  YORK 


London  Office 


91  Shaftesbury  Avenue 


ANNIVERSARy 


//,IIJIIIA\\K\^ 


i^i^ 


i  w 


f 


•    •      - 


•    S   •  I 
■  ^  *  « 

•^*      1 

.      't      T 

m 


tit 


ill 


50 


(tare 
loratc 
ledi' 
\[\ 
nto 
«§;til 
ro-ree 
lalizec 
ttsas 
lid 
ithis 
tbec; 
IIS  to 

iish 

% 

ir's  V 
iiice 
endei 
is  a 
iservi 
rose 
asei 


irl] 
Wtli 
if  ni 

itiliisi 
Pictur 
Kssai 
peat 
tUi 
1 

T«, 


THE 


>unday,  February  28,  1926 


j5B^ 


DAILY 


51 


"TRAFFIC  IN  SOULS" 

(From  Terry  Ramsaye's  "Million  and  One  Nights,"  published  by  Simon  &  Schuster.) 


m 

■ 

V^' 

P 

^ 

^^■^ 

^ 

l^^H 

Jk 

♦'^^  ^ 

THE  actor-directors  of  motion  pictures  of  the  time — 1913 — 
were  but  newly  from  the  stage,  and  the  drama  of  the  stage 
still  occupied  their  most  serious  attention.  The  larger  destiny 
of  the  motion  picture  was  still  uncertain.  Among  these  actor- 
directors  was  the  late  George 
Loane  Tucker,  now  famous  as 
the  maker  of  "The  Miracle 
Man,"  the  picture  which  made 
Betty  Compson,  Thomas  Mei- 
ghan  and  Lon  Chaney  stars. 
But  in  1913  Tucker  was  merely 
one  of  the  several  young  meen 
engaged  in  grinding  out  one 
reel  program  pictures  for  the 
"Imp"  release  on  the  Universal 
Program. 

Tucker  saw  everything  on 
Broadway  including  "The 
Lure"  and  "The  Battle"  both 
of  which  were  so  highly  colored 
that  they  brought  police  inter- 
vention. 

Tucker  came  away  from  the 
theater  aglow  with  inspiration 
He  would  make  a  great  reveal- 
ing   motion    picture,    a    police 
picture   dealing   with   the   white    slave   traffic.     At   the    studio 
laboratory  he  bubbled  his  idea  to  Jack  Cohen,  the  film  cutter 
and  editor  of  Imp  releases 

It  was  part  of  the  scehming  economy  of  the  Imp  administra- 
tion to  try  to  induce  its  directors  to  photograph  what  they 
thought  were  one-reel  pictures  and  then  to  pad  them  into 
two-reel  releases  in  the  cutting  room.  If  the  directors  had 
realized  fully  that  they  were  engaged  on  such  pretentious  pro- 
jects as  two-reel  pictures  their  prices  and  the  cost  of  production 
would  have  gone  up.  A  great  deal  of  the  practical  diplomacy 
of  this  technique  fell  upon  Cohn.  In  execution  of  the  policy 
he  became  interested  in  talking  picture  story  ideas  to  the  direc- 
tors to  decoy  them  into  exposing  enough  film  footage  to  permit 
the  application  of  the  amplification  process  in  the  cutting  room. 
This  had  made  him  a  literary  confident  of  Tucker. 

Jack  Cohn's  Background 

Now  fate  had  laid  exactly  the  proper  background  for  Tuc- 
ker's white  slave  picture  idea.  Jack  Cohn's  father  had  been  a 
police  outfitter,  with  an  establishment  not  far  from  the  old 
Tenderloin  station.  In  his  pre-picture  days  Master  Jackie  Cohn 
was  a  raid  fan  who  answered  all  of  the  exciting  calls  for  the 
reserves  along  with  the  officers.  Jack  knew  the  subject.  He  of 
rourse  caught  fire  with  Tucker's  enthusiasm.  Walter  McNamara 
was  enlisted  in  the  elaboration  of  the  idea  and  soon  the  whole 
studio  force  was  involved  in  the  excitement. 

"With  the  assurance  born  of  this  interest,  Tucker  went  to 
Carl  Laemmle,  the  president  of  Universal,  to  get  authority  to 
put  the  picture  into  production.  Laemmle  and  the  chieftams  of 
the  motion  picture  industry  in  general  in  that  day  were  con- 
cerned with  concentration  on  the  business  of  controlhng  the 
industry  of  the  motion  picture  and  not  at  all  interested  m  the 
pictures  themselves.  The  film  was  a  mere  incidental,  but  nec- 
cessary,  instrument  of  the  pursuit  of  money  and  power.  The 
?reat  war  between  Laemmle  and  Pat  Powers  over  the  control 
of  Universal  was  still  raging. 

The  great  slogan  of  the  moment  was  "Let  who  will  make 
the  picture,  but  let  me  make  the  money." 

Tucker   with   his   white   slave   picture   project   got   put   out. 
Laemmle    was    of   short   patience   with   silly   young   men   who 


wanted  to  bother  him  with  such  details  especially  since  Tucker 
admitted  he  wanted  to  spend  $5,000  on  his  picture.  That  was 
enough  money  to  make  a  dozen  Imp  program  pictures. 

Tucker  went  back  to  the  studio  to  report  defeat.  A  con- 
spiracy was  born.  Five  of  the  enthusiasts  plotted  to  make  the 
picture  even  without  the  approval  of  the  big  boss,  and  then 
if  in  the  last  resort  he  could  not  be  won  by  a  screen  demonstra- 
tion, to  pay  the  cost  themselves.  The  five  conspirators  agreed 
to  stand  good  for  a  thousand  dollars  each. 

Four  Financiers 

They  were  Tucker,  Herbert  Brenon,  King  Baggot,  Jack 
Cohn  and  Bob  Daly. 

Luck  played  into  their  hands.  Julius  Stern  then  the  Imp 
studio  manager  was  called  away  to  Europe  to  settle  a  dispute 
between  Baggot  and  Brenon  who  had  been  sent  to  England  to 
make  "Ivanhoe."  Stern  was  connected  with  Laemmle  by  family 
ties  and  was  the  watchdog  of  the  administration  at  the  studio. 
In  his  absence,  Mark  M.  Dintenfass  owner  of  the  Champion 
Brand  pictures  on  the  Universal  program  was  brought  across 
the  river  from  New  Jersey  to  take  charge  of  the  Imp  studio.. 
Now  as  has  been  indicated  in  early  chapters.  Dintenfass  was 
up  to  his  ears  and  sometimes  over  them  in  the  internal  wars 
of  Universal  and  the  battles  at  1600  Broadway. 

While  Dintenfass  was  busy  concentrating  his  attention  on 
the  affairs  of  the  Powers-Laemmle  war,  the  boys  at  the  studio 
were  merrily  engaged  in  photographing  "Traffic  in  Souls,"  a 
scene  at  a  time,  in  odd  moments  when  opportunity  permitted, 
keeping  up  meanwhile  the  continuous  grind  of  one  and  two- 
reel  pictures.  "Traffic  in  Souls"  was  cast  by  Jack  Cohn  and 
directed  by  Tucker. 

Tucker  in  Row,  Quits 

In  four  weeks  the  picture  was  photographed.  It  was  10 
reels  long  without  titles.  By  this  time  Dintenfass  had  begun 
to  spare  more  attention  to  the  studio,  resulting  among  other 
things  in  alercations  with  Tucker,  who  quit  and  went  to  the 
London  Film  Co.  in  England. 

Meanwhile  Universal  was  unaware  of  the  existence  of  the 
ten-reel  negative.  Tucker  sailed  with  a  final  admonition  shouted 
at  Cohn  at  the  steamer  dock  not  to  cut  the  picture  below  seven 
reels  in  length. 

Cohn  was  left  alone  with  the  ten  reels  of  negative  and 
Laemmle  to  face.  He  hid  the  negative  in  the  bottom  drawer 
of  his  safe  and  worked  on  it  secretly  at  night  with  the  door 
locked.     In  a  month  he  had  it  in  six  reels,  including  titles. 

The  day  had  arrived  for  the  showing.  Cohn  swallow'edl 
the  lump  in  his  throat,  loaded  the  film  into  a  taxicab  and  headed 
for  1600  Broadway. 

The  home  office  viewing  committee  was  called  together  and 
filed  into  the  projection  room  to  look  at  "Tucker's  Folly."  But 
the  home  was  all  agog  with  the  latest  shower  of  bricks 
in  the  Powers-Laemmle  fight.  Carl  Laemmle  and  one  of  his 
lieutenants  sat  through  the  picture  in  angry  whispered  discourse 
about  their  new  line  of  action. 

Cohn  Downhearted 

Cohn  left  downhearted.  It  looked  as  though  he  was  going 
to  be  liable  for  his  share  of  the  guaranty  of  the  five  underwrit- 
ing plotters  of  the  project.  It  also  looked  very  much  like  he 
was  going  to  be  the  goat  in  a  most  dismal  failure. 

Late  that  night  Cohn  reached  the  desperation  of  a  deci- 
sion. He  had  to  put  this  thing  through.  In  the  middle  of  the 
night  he  went  over  to  Laemmle's  residence  and  aroused  him. 
"I've  come  about  'Traffic  in  Souls.'  You  talked  all  through  the 
picture  and  you  didn't  see  it.  Nobody  can  look  at  a  picture  and 
talk  business  all  the  time.  Won't  you  come  down  now  and 
really  see  it?" 

Laemmle  promised  to  see  it  the  next  night. 


m 


,RTS  AND  SCIENCES  IN  ONE  AND  THE 
SAME  CENTURY  HAVE  ARRIVED  AT 
GREAT  PERFECTION,  AND  NO  WON- 
DER, SINCE  EVERY  AGE  HAS  A  KIND 
OF  UNIVERSAL  GENIUS,  WHICH  IN- 
CLINES THOSE  THAT  LIVE  IN  IT  TO 
SOME  PARTICULAR  STUDIES;  THE 
WORK  THEN,  BEING  PUSHED  ON 
BY  MANY  HANDS,  MUST  GO 
FORWARD." 

Dry  den. 


^h^ 


90  John  Street 

NEW  YORK 


10  tk 

ANNIVERSARy 


!■    id 


m 


li 


/^^//..i/im.tvyjj 


52 


THE 


Sunday,  February  28,  1926 


-^s&an 


DAILY 


53 


The  film  fared  better  on  its  next  showing.  It  was  admitted 
to  be  a  picture.  But  there  was  a  big  question  as  to  what  might 
be  done  with  it.  The  Universal  Program  was  made  up  of  one 
and  two-reel  subjects.  This  was  a  six-reeler.  No  motion  pic- 
ture theater  of  the  day  considered  such  a  monstrosity.  The  few 
long  pictures  that  had  been  shown  before,  such  as  the  "Fall  of 
Troy,"  "Quo  Vadis,"  "Queen  Elizabeth"  and  the  like  had  gone 
to  the  legitimate  theaters  and  town  opera  houses.  The  situation 
wM  further  complicated  by  the  internal  politics  of  Universal. 
The  opponents  of  Laemmle  were  charging  him  with  having 
squandered  the  company's  money  on  a  fool  director's  fool  ideas. 
Investigation  proved  that  "Traffic  in  Souls"  had  cost  $5,700. 

It  became  the  text  of  a  violent  meeting  of  the  board  of 
directors. 

"All  right,  I'll  take  the  picture  off  the  company's  hands  and 
pay  $10,000  for  it,"  Laemmle  shouted.  Then  came  a  lull,  a 
whispering  in  conference.  Dire  suspicion  arose  in  the  opposi- 
tion. "If  you'll  put  up  $10,000  it  must  be  worth  a  million," 
taunted  the  opposition,  crying  a  bid  of  $25,000. 

This  of  course  resulted  in  the  film  remaining  the  property 
Df  the  Universal. 

Reaching  for  a  channel  of  distribution  a  representative  of 
the  Shubert  theater  system  was  called  in  to  see  the  production, 
rhe  Shuberts  bought  a  third  interest  in  the  picture  for  $33,000 
ind  took  on  its  exploitation.  Universal  now  had  a  profit  of 
527,300  on  an  investment  of  $5,700  and  retained  a  two-third 
nterest  in  the  production. 


"Traffic  in  Souls"  opened  at  Joe  Weber's  Theater  on  M(jn- 
day  afternoon,  Nov,  24th,  1913:  The  announcing  advertisement 
read: 


"TRAFFIC  IN  SOULS— The  sensational  motion  picture 
dramatization  on  the  Rockefeller  White  Slavery  Report  and  on 
the  investigation  of  the  Vice  Trust  by  District  Attorney  Whit- 
man— a  $200,000  spectacle  in  700  scenes  with  800  players  show- 
ing the  traps  cunningly  laid  for  young  girls  by  vice  agents—' 
Don't  miss  the  most  thrilling  scene  ever  staged,  the  smashing  of 
the  Vice  Trust." 

A  Great  Gross 

The  picture  played  to  30,000  spectators  in  the  first  week. 
There  were  four  showings  daily  and  five  Sunday.  The  ad-" 
mission  price  was  a  flat  25  cents  all  over  the  house.  In  a  short 
time  the  picture  was  playing  to  a  total  of  28  theaters  in  Greater 
New  York.  Its  gross  receipts  totaled  approximately  $450,000. 
The  cast  included  Jane  Gail,  Matt  Moore,  Ethel  Grandin,  Wil- 
liam Welsh,  Howard  Crampton,  William  Turner,  Arthur  Hun- 
ter and  Laura  Huntley. 

George  Loane  Tucker,  meanwhile,  was  in  England  with 
the  London  Film  Co.  He  never  saw  "Traffic  in  Souls"  in  its 
completed  form  on  the  screen,  although  its  astonishing  suc- 
cess contributed  considerably  to  his  career.  By  the  time  he 
returned  to  the  United  States  it  was  off  the  screen,  and  never 
to  the  day  of  his  death  some  years  later  did  opportunity  present 
itself  for  him  to  screen  it. 


Pirating  Pictures 


In   the   early  days   of  the  industry, 

distributor's  life,  to  paraphrase  Sul- 
ivan,  was  not  a  very  merry  one. 
'irating  and  bicycling  of  films  were 
frequent  occurrence,  causing  the 
istributor  to  lose  thousands  of  dol- 
irs  in  uncollected  revenue. 

The  worst  offenders  were  agents  of 
xpress  companies,  many  of  whom 
/ere  "in  cahoots"  with  exhibitors  of 
ontraband  prints.  These  agents  also 
sed  to  collect  the  film  rentals  on  de- 
ivery  of  the  print,  but  occasionally 
eing  in  need  of  ready  cash,  used  the 
loney  to  meet  their  grocers'  and 
utchers'  bills. 

Through  the  connivance  of  an  ex- 
ress  agent  an  exhibitor,  the  city  clerk 
f  a  town  in  Tennessee,  was  in  pos- 
5ssion  of  several  hundred  reels  for 
'hich  he  had  paid  a  rental  on  but 
■velve.      When     discovered    by    the 

presentative  of  the  Laemmle  Film 
ervice,  he  was  running  a  nice  little 
mtal  business  of  his  own — on  Laem- 
ile's  films! 

One  of  the  most  sensational  cases 
jcorded  was  brought  to  light  by  the 
imbined  detective  ability  of  Mr. 
inger  and  Earl  Crabb,  another  early 
■nployee  of  the  Laemmle  Film  Ser- 
ice.  Crabb  showed  Singer  an  entry 
I  the  books  where  an  exhibitor  had 
lid  $5  cash  on  an  order  aggregat- 
g  more  than  $500.  The  shipment 
as  traced  through  the  American  Ex- 
•ess  to  the  Southern  Express.     The 

iginal  consignee  claimed  never  to 
ive  received  the  order  (a  projec- 
r)  and  the  Southern  Express  and 
e  Laemmle  Film  Service  were  at 
1  impasse,  as  the  latter  company 
luld  not  show  a  receipt  from  any 
press  company  except  the  first  one 
.nded  them  by  the  representative  of 
e  American  Express. 
The  matter  was  almost  completely 
rgotten  when,  many  months  later, 
.  exhibitor  in  Alabama  wrote  re- 
lesting   the   cost   of    repairs   to   his 


machine.  Purely  on  a  hunch.  Singer 
wrote  to  the  man  and  said  he  couldn't 
tell  what  type  projector  the  man  had 
and  asked  him  to  send  the  serial  num- 
ber of  the  machine.  When  this  ar- 
lived,  a  glance  at  his  books  showed 
it  to  be  the  one  which  had  disap- 
peared in  transit  many  months  be- 
fore. 

fnvestigation  disclosed  the  reason 
that  no  receipt  had  been  obtained 
from  the  Southern  Express  Company 
was  because  its  freight  shack  in  the 
town  of  delivery  had  burnt  to  the 
ground  the  very  night  the  consign- 
ment arrived.  The  discovery  of  the 
pro;ector  in  actual  use  started  further 
sleuthing  and  a  wholesale  fraud  was 
uncovered. 

A  gang  of  seven,  including  the  ex- 
hibitor and  the  express  agent,  had 
ordered  goods  from  all  over  the  coun- 
try, timing  their  orders  so  the  con- 
signments would  arrive  approximate- 
ly together.  When  the  freight  depot 
was  full  of  this  unpaid-for  merchan- 
dise, the  gang  secretly  removed  the 
goods  from  the  cases  and  burnt  the 
shack  to  the  ground,  using  what 
goods  they  could,  and  selling  the  re- 
furore  arose,  the  seven  fraud  artists 
mainder  to  "fences."  Considerable 
were  rounded  up  and  sentenced  to 
long  terms  in  prison. 

N>t  content  to  pirate  prints — he 
had  hundreds  of  reels  of  unpaid-for 
pictures  in  his  vault  when  detectives 
visited  his  theater— this  exhibitor 
thought  to  extend  his  activities  into 
projector  pirating  as  well.  That  the 
severe  jenalty  inflicted  did  not  deter 
other.s  from  engaging  in  the  same  il- 
licit tactics  is  evidenced  by  the  fact 
that  pirating  continued  for  many 
years.  In  justice  to  the  great  body 
of  exhibitors,  it  must  be  said  that  in- 
stances of  unethical  practices  of  the 
.sort  were  infrequent,  and  not  repre- 
sentative of  the  exhibiting  industry. 


The  Fighter 

By  HENRY  MACRAE 

A  keen  sense  of  justice  is  to  be 
found  in  the  makeup  of  any  great 
man.  And  to  my  mind,  it  is  the 
most  striking  thing  in  the  personality 
of  Carl  Laemmle. 

In  all  of  my  reading,  I  have  been 
most  interested  in  biographies  of 
great  men.  And  one  point  I  have 
always  observed  in  statesmen,  war- 
riors, great  business  men  and  kings 
who  have  been  truly  great  is  an  over- 
whelming sense  of  justice.  Accom- 
panying this  love  of  justice  is  the 
determination  to  fight  to  the  last  to 
preserve  and  foster  it. 

This  is  a  quality  I  have  observed 
in  Mr.  Laemmle  as  long  as  I  have 
known  him. 

When  he  widened  his  scope  of  ac- 
tivity years  ago,  from  the  exhibition 
to  the  production  end  of  the  business 
it  was  this  fight  for  freedom  and 
justice.  Small  exhibitors  were  being 
squeezed  out  because  the  big  pro- 
ducing companies  would  not  sell 
them  pictures.  Mr.  Laemmle  invest- 
ed and  risked  his  whole  fortune  in 
an  entirely  new  field,  to  establish 
freedom  for  himself  and  other  similar 
men. 

Later  on  in  his  motion  picture 
career  he  fought  the  Patents  com- 
pany and  was  the  leader  of  the  group 
known  then  as  the  independent  com- 
panies. He  was  fighting  for  the  right 
to  make  pictures,  not  only  to  gain 
that  right  for  himself,  but  for  any- 
one else  who  wished  to  enter  the 
business.  He  was  fighting  tremen- 
dous competition,  but  he  won,  by 
waging  his  battle  in  the  theaters  and 
in  the  courts.  The  patent  cases 
went  all  the  way  to  the  U.  S.  Su- 
preme Court  before  his  fight  was 
won. 

Today  he  is  still  fighting  for  the 
rights  of  independence  in  the  motion 


picture  industry.  Now  his  war  is 
against  the  theater  monopoly.  He  is 
taking  sides  with  companies  in  which 
he  has  no  personal  interest.  His 
own  product  is  so  well  known  and 
so  popular  that  the  fight  hardly  holds 
a  personal  aspect,  but  that  blind 
love  of  justice  and  right  will  always 
command  him. 

It  is  this  quality,  combined  with  his 
generosity  and  his  great  heart,  which 
make  him  one  of  the  truly  great  men 
of  his  age. 


"Shoot"  Meant  Something 

When  the  present  day  director  in- 
structs his  cameraman  to  "shoot"  he 
probably  does  not  realize  that  a  sim- 
ilar order  a  couple  of  decades  ago 
might  have  been  taken  literally.  A 
six-shooter  was  part  of  a  camera- 
man's equipment  in  the  early  days, 
according  to  Jack  Cohn,  veteran  of 
the  Laemmle  Film  Service,  Imp  and 
Universal. 

Cameras  were  nailed  up  in  camou- 
flaged boxes,  to  prevent  spies  of  the 
powerful  Motion  Picture  Patents 
Company  detecting  their  presence,  as 
all  the  machines  were  supposed  to 
violate  certain  patent  rights  controlled 
by  the  monopolistic  Trust.  These 
sleuths  were  always  lurking  around 
the  Imp  and  other  independent 
studios,  seeking  to  prevent  the 
"pirates"  (as  Laemmle  and  his  co- 
independents  were  known)  from  us- 
ing the  contraband  machines. 

Immediately  the  studio  hands  man- 
aged to  sneak  into  tlieir  plant  (!) 
shades  were  drawn  and  every  pre- 
caution taken  to  prevent  the  spies 
viewing  the  taking  of  scenes  from 
adjacent  roofs.  The  trust's  hirelings 
were  sometimes  sufficiently  enter- 
prising to  gain  entrance  by  devious 
means  into  the  studio.  Their  pres- 
ence detected,  production  halted 
while  the  entire  staff  joyously  and 
strenously  ousted  them. 


m 

■til: 


International  Newsreel 


226-238  VnuAMSTiiEEr 
NewYobkQty 


-i? 


INTERjNATIONAL  NEWSREEL  salutes  you, 
Mr.  Carl  Laemmle,  and  extends  sincere  congratu- 
lations upon  your  completion  of  twenty  years  in 
the  motion  picture  industry.  You  have  accom- 
pHshed  great  things  during  those  twenty  useful  years 

and  International  Newsreel  has  been  one  of  the 
many  beneficiaries.  May  your  great  success  con- 
tinue uninterrupted  through  twice  twenty  years. 

Edgar  B.  Hatrick, 

General  Manager 


c^ 


A  * 


INTERNATIONAL    NEWSREEL 

Released  Through  UNIVERSAL 


ANNIVERSARy 


54 


Sunday,  February  28,  1926 


The  battle  of  the  "Independents"  was  on  in  full  force  back 
in  1906,  when  Carl  Laemmle  opened  his  historical  fight  against 
the  Trust."     The  cartoons  appearing  above  were  used   in  the 


THE 


i5B^ 


DAILY 


55 


Twenty  Years  of  Battling 


trade  papers  then  in  existence,  but  there  is  no  doubt  that  the 
Laemmle  advertising,  doubtless  prepared  by  R.  H.  Cochrane, 
was  the  opening  gun  against  the  old  Patents  Company. 


CARL   LAEMMLE   SAYS   TO   EXHIBITORS: 

"Stick    to    the    Original    Independents'' 

Here's  the  ^Inside  Storv"  of  What  Has  Been  Going  On  in 
Independent  Film  Manufacturing  Circles— Evqry 
JEuxhiWtor  Should  Read  E\er\'  Word  of  It 


Tfc.  "i-^ri.-,..^^.^to"   hnitl^^  in  fhp  old  days.     Note  the  caption  in  the  "ad"  used  in  The  Implet;  also  one  of  the  cartoon  ads,  "Everybody  works 
bt!  fithe?"  alsThJ^^^^  The  other  cartoons  are  from  the  Terry  Ramsaye   collection   of  photographs  used   in  "A   MMion  and   One 

out  jatner,    also  from  i  ne  imp  Nights,"  and  presented  herewith  by  permisston. 


More  Power  to  You 

Mr.  LAEMMLE 
is  the  wish  of 


m 


4i 


M.  J,  MINTZ  and  JAMES  C.  BRADFORD 


ll 
1^ 


Cameo  Music  Service  Corporation 

315-317  West  47th  Street 
NEW  YORK 


.11 

$  ¥  lit 


56 


■'-^: 


Vi 


nday,  February  28,  1926 


FOURTEENTH    STREET 


When  Carl  Laemmle 
entered  the  moving 
picture  industry  he 
took  with  him,  as  the 
entire  trade  knows,  R. 
H.  Cochrane,  one  of 
the  mainstays  of  the 
Witt  K.  Cochrane  Ad- 
vertising Agency.  Soon 
afterwards,  I  enlisted, 
another  recruit  from 
the  advertising  field, 
had  been  one  of  the  first  men  to  enter 
le  Hampton  Advertising  Agency  which 
umbered  on  its  staff  many  who  have 
nee  made  their  mark  in  motion  pictures, 
itnong  these  were  Arthur  James,  Wil- 
am  A.  Johnston,  J.  D.  and  Ben  Hamp- 
30,  Joe  Brandt,  Arthur  Leslie,  G.  A. 
V^eeks  and  many  others. 
Back  about  nineteen  years  ago,  there 
ras  something  buzzing  in  my  ears  about 
le  motion  picture  industry.  I  had  years 
f  training  in  advertising,  and  I  figured 
le  picture  business  was  the  coming  in- 
ustry.  I  quit  Hampton  and  joined  Carl 
.aemmle,  who  at  that  time  was  about  to 
ranch  out  into  the  independent  field. 
In  those  days  we  developed  and  printed 
Im  in  a  small  room  and  we  were  fortun- 
te  in  making  even  a  one-reeler.  We 
/ould  advertise  the  picture  long  before 
rt  started  to  make  it.  We  would  take  a 
itle  and  write  a  picture  around  that  title, 
s  we  had  to  get  the  advertising  into  the 
rade  papers  before  a  picture  was  even 
tarted.  George  Loane  Tucker,  Florence 
.awrence,  Mary  Pickford,  King  Baggot 
nd  Tom  Ince  were  all  extra  people  then. 
There  was  a  very  small  stock  company ; 
don't  believe  there  were  more  than  two 
eople  on  a  regular  salary  those  days. 
Our  pictures  were  made  over  in  Con- 
umers  Park  in  Brooklyn,  in  back  of  a 
eer  garden.  We  had  no  studio  and  had 
o  make  pictures  wherever  we  could  find 
ipace.  "Hiawatha"  was  the  first  inde- 
)endent  picture  ever  made.  We  had  our 
)attles  day  and  night  with  the  Patents 
"ompanies  who  tried  to  enjoin  our  cam- 
:ras  and  printing  machines  which  they 
•.laimed  they  had  patented.  At  one  time 
hey  got  an  injunction  against  the  whole 
•.ompany,  and  the  nearest  place  we  could 
fo  to  make  pictures  was  Cuba.  This  was 
he  time,  I  remember,  when  Mary  Pick- 
ord  and  Owen  Moore  were  married. 

We  were  then  releasing  one  reel  a 
veek.  There  were  other  independent  con- 
:erns,  like  Kessel  and  Bauman,  who  were 
naking  one-reel  cowboy  pictures. 
Those  the  Happy  Days 
"Those  were  the  happy  days,"  Carl 
Laemmle  and  the  big  men  say.  They 
nade  more  money  then  than  they  do  to- 
iay.     They  had  no  worries  about  stars 


By  Jack  Cohn 

and  stories.  The  actors  would  go  out  at 
night  and  see  a  show,  and  in  the  morning 
come  back  and  make  a  picture.  I  remem- 
ber one  set  of  actors  at  Staten  Island 
going  out  in  the  morning  to  make  a  pic- 
ture and  'phoning  in  about  noon  ^hat  the 
picture  was  finished.  We  dug  up  another 
idea  for  a  picture,  and  they  made  it  that 
afternoon,  which  meant  two  pictures  in 
one  day. 

(Editor's  Note  :  This  was  prior  to  Stro- 
heim's  entry  into  the  motion  pictures.) 

A  good  many  of  our  pictures  were  so 
short  we  had  to  go  out  to  find  a  little 
scenic  to  put  into  it  to  make  it  a  full 
reel.  It  is  not  so  long  ago  that  Henry 
Lehrman  made  a  couple  of  half-reel  com- 
edies. He  was  years  ahead  of  the  crowd 
on  slapstick  comedies,  but  there  was  no 
one  in  the  organization  who  appreciated 
these  pictures,  and  he  was  laid  oflf  before 
he  ever  screened  his  work. 

Tom  Ince  played  a  sailor  in  a  picture 
called  "The  Idol's  Eye,"  one  of  his  first 
pictures.  I  worked  on  these  pictures  at 
the  time  and  can  remember  when  George 
Loane  Tucker  was  our  first  leading  man. 
He  left  the  pictures  to  go  on  the  stage 
years  after.  Getting  tired  of  stage  work, 
he  came  back  as  a  director.  There  were 
lots  of  wild  experiences  those  days. 

I  well  remember  the  place  where  we 
spent  the  first  year  or  so  developing  our 
pictures  in  a  small  floor  on  East  14th 
Street.  We  only  had  a  very  limited  num- 
ber of  racks  to  hang  the  films  on  to  dry. 
After  we  used  up  the  racks  we  would  sit 
around  for  hours  waiting  for  the  film  to 
dry  before  we  could  go  ahead  with  more 
developing.  We  also  sat  around  for  days 
at  a  time  waiting  for  raw  stock.  In  those 
days,  the  Eastman  Kodak  Company  never 
sold  us  any  stock.  We  used  positive  stock 
wherever  and  whenever  we  could  get  it. 
It  was  all  made  abroad  by  three  or  four 
different  companies.  Whenever  there 
was  a  storm  or  bad  weather,  a  ship  was 
late  in  coming  in  and  we  had  nothing 
to  do  at  the  factory  for  days  until  the 
steamer  arrived.  Exchanges  were  wiring 
for  prints  and  we  had  no  stock  on  which 
to  print  them. 

Waiting  for  Raw  Stock 

Brulatour,  who  was  agent  for  Lumiere, 
supplied  most  all  of  the  stock.  We  used 
to  sit  around  on  the  street  waiting  for 
the  wagon  to  come  in  with  stock.  Every 
independent  laboratory  had  a  crew  wait- 
ing and  as  soon  as  a  wagon  would  arrive 
everyone  would  make  a  dive  to  grab  a 
couple  of  cans  of  stock  and  get  back  to 
the  laboratory  with  it.  There  was  al- 
ways a  wild  scramble  for  raw  stock.  Stuff 
used  to  come  in  as  short  as  50-foot  length, 
never  more  than  150  feet.  When  the 
first  batch  of  Eastman  stock  in  rolls  400 


feet  long  was  given  to  the  independent 
producers,  the  laboratory  men  were  the 
happiest  persons  in  the  industry,  because 
the  waste  was  tremendous,  printing  on 
miscellaneous  stock  with  lengths  so  small. 
The  Eastman  method  saved  lots  of  time 
in  printing  and  developing. 

The  printing  room  accomodated  six 
hand-driven  machines  and  six  operators 
^all  in  a  space  eight  feet  long  by  three 
wide.  There  was  no  ventilation ;  in  hot 
weather  the  men  could  work  only  at 
night.  As  each  of  the  machines  could 
print  but  3,000  feet  daily  (if  run  continu- 
ously), the  output  was,  consequently, 
meagre.  Today  one  girl  can  operate  three 
machines,  each  one  capable  of  printing 
20,000  feet. 

Despite  these  handicaps,  we  had  the 
reputation  of  having  the  best  printing  and 
developing  in  the  field.  Many  exhibitors 
thought  the  Imp,  a  branch  of  Biograph — 
the  finest  company  in  the  country  in  those 
days,  thanks  to  D.  W.  Griffith  and  his 
able  staff. 

The  Imp  was  the  first  company  to 
adopt  and  develop  every  new  device,  its 
enterprise  resulting  in  the  most  excellent 
laboratory  work  of  the  time.  Credit  is 
due  "Doc"  Willat,  then  studio  laboratory 
manager,  for  the  quality  of  developing 
and  printing.  The  title  of  Studio  Labora- 
tory Manager — or  any  title,  for  that  mat- 
ter— meant  little  in  those  days.  There 
were  no  departments  or  heads  of  depart- 
ments ;  every  man  had  to  know  all  ends 
of  the  game,  from  mixing  developer  and 
directing  pictures  to  acting  in  and  selling 
films.  In  his  spare  time  (if  any)  a  de- 
partment head  was  occasionally  called  on 
to  write  a  scenario,  title  a  picture,  cut  a 
print  or  take  part  in  a  mob  scene. 

One  of  the  things  I  will  never  forget 
as  long  as  I  live  is  the  first  two-reel  pic- 
ture ever  made  by  any  independent  con- 
cern. This  was  entitled  "From  the  Bot- 
tom of  the  Sea."  It  was  a  picture  for 
which  J.  Parker  Reade  had  obtained  the 
rights  to  use  submarines,  and  Tom  Ince, 
then  the  director,  had  a  wonderful  pic- 
ture we  could  not  cut  down  to  one  reel. 
Director  Ed  Le  Saint  and  Eddie  Lyons 
were  both  working  as  extras  in  the  crew, 
and  when  we  looked  at  this  picture,  Mr. 
Laemmle  thought  it  was  so  wonderful 
that  it  could  be  released  in  two  reels. 
The  next  big  job  was  to  get  the  ex- 
changes to  buy  a  two-reel  picture  when 
they  had  been  accustomed  to  buying 
nothing  longer  than  a  single-reeler,  and 
we  had  a  terrible  time  in  the  organiza- 
tion, and  wired  everybody  we  had  made 
a  wonderful  picture,  but  nobody  wanted 
it,  because  it  was  two  reels  long.  They 
claimed  the  public  would  never  sit 
through  two  reels  of  any  one  picture. 


t 


*  ;* 


iwi 


I  know  the  man 


My  association  with  CARL  LAEMMLE 
for  a  period  of  twenty  years,  has  not  been 
a  moment  too  much. 


//  has  been  a  privilege  and  a  pleasure 


If 


m 


58 


'«fli 


THE 


inday,  February  28,   1926 


■pn^ 


DAILY 


59 


Ramsaye,  The  Historian,  On  Laemmle's  Early  Days 

From  "A  Million  and  One  Nights,"  by  Terry  Ramsaye,  published  by  Simon  &  Schuster. 


In  19  04  in 
Chicago,  the 
Cochrane 
Brothers,  Bob, 
Phil  and  Witt, 
were  conduct- 
ing an  adver- 
tising agency. 
One  of  their 
major  accounts 
was  the  promo- 
tion service  of 
a  large  clothing 
manufacturi  n  g 
Terry  Ramsaye  and  wholesaling 

icern.     A  side  line  of  less  importance 
s    a    ready-made    advertising    service 
small     ready-made     clothing     con- 
ns.    *  *  *     Among    the     many     cus- 
•rs    of    this    predigested    advertising 
vice  of  the  Cochranes  was  the  Stern 
thing    Company's    store   at    Oshkosh, 
isconsin.       The     manager     was     Carl 
emmle,  who   had   married   a   niece   of 
muel  Stern,  the  owner  of  the  business. 
This  Laemmle  made  himself  conspicu- 
s  in  the  mail  of  the  Cochrane  agency 
Chicago.     Laemmle  not  only  used  the 
(chrane  ready-made  ads,  he  took  them 
riously    and    studied    them,    amendmg 
em  for  his  special  purposes.     He  con- 
lually  wrote  in  comment  and  inquiry. 
e  wanted   a  lot  of  advice.     This  was 
ther  outside  the  purpose  of  the  ad  ser- 
:e,  and  Robert  Cochrane,  who  dictated 
e  replies  to  the  mail  order  clients  of 
e  agency,  was  by  turns  annoyed  at  the 
jublesome   customer   at   Oshkosh,   and 
eased   at  his   aggressive   interest.     He 
.ve  Laemmle's  letters  faithful  attention 
d  a  good  deal  of  service  that  was  not 
the  regular  line  of  business. 
This  disinterested  labor  on  the  part  of 
Dbert    Cochrane,   this    time    and    effort 
ent  without  an  eye  on  the  dollar,  was 
•iore  long  to  be  rewarded  beyond  the 
Ivertising  man's  largest  dreams  of  af- 
tence. 

Laemmle  took  these  letters  to  heart, 
le  man  in  Chicago  whom  he  had  never 
en  was  a  real  friend.  Also  as  to  the 
tie  clothing  salesman  in  Oshkosh,  this 
licago  person  was  an  imposing  figure 
the  business  world,  a  master  of  the 
ience  of  merchandising.  This  mail  ac- 
laintance  grew.  Laemmle  had  some 
:rsonal  problems  that  he  ventured  to 
nfide  to  Cochrane,  seeking  advice  One 
,y  in  the  winter  of  1905,  when  Cochrane 
t  down  to  his  desk  and  went  at  the 
orning  mail,  there  was  a  larger  letter 
an  usual  from  Oshkosh  ^Wonder 
hat's  on  his  mind  now?"  Cochrane 
.used  in  his  dictation  and  scanned  the 
.ges.     In  substance,  Mr.  Laemmle  said 

"l'  am  sore  and  tired  of  this  job.     I'm 


just  a  figurehead  manager  here.  The 
store  is  full  of  relatives  and  they  won't 
pay  any  attention  to  what  I  say  and  they 
go  over  my  head  to  Mr.  Stern  when  I 
try  to  make  them  do  anything.  I  am 
thirty-nine  years  old  now  and  I've  got 
$2,500.  I  want  to  get  into  business  for 
myself  if  I  can?     What  do  you  think?" 

Bob  Cochrane  cleared  his  throat,  hit- 
ched his  chair  a  little  closer  to  the  desk 
and  as  the  stenographer  sat  with  pencil 
poised,  started  a  reply,  couched  in  the 
best  Bruce-Barton-Frank-Crane  holy  ef- 
ficiency language  of  the  inspirational  ad- 
vertising writer  of  the  day.  That  letter, 
read  today,  reminds  one  atmospherically 
of  Coue,  Doctor  Munyon,  Herbert  Kauf- 
man and  Elbert  Hubbard. 

"Don't  be  a  salary  slave,"  it  opened. 

"If  you  are  going  to  be  anything  in  this 
world,  you  must  start  before  you  are 
forty,  before  your  period  of  initiative  has 
ended. 

"Do  it  now ! 

"Today  is  the  day.  Delay,  procrastina- 
tion, uncertainty — these  are  the  negative 
sins  of  the  business  man. 

"Action — etc.,  etc." 

Having  unloaded  himself  of  these  and 
more  sparkling  generalities,  calculated  to 
be  inspiring,  authentic  and  above  all  to 
make  the  client  know  that  he  was  get- 
ting personal  attention,  Cochrane  went 
on  through  his  mail.  By  the  time  a  lunch 
at  the  Palmer  House  and  a  busy  day  had 
intervened,  this  letter,  just  a  tiny  frag- 
ment of  the  day's  work,  had  been  for- 
gotten. But  the  letter  that  went  flutter- 
ing down  the  mail  chute  at  the  five 
o'clock  clean  up  in  he  Cochrane  office  that 
afternoon  carried  a  heavy  freight  of  un- 
born events. 

When  Laemmle  got  the  letter  up  there 
in  the  Oshkosh  clothing  store  he  opened 
it  with  expectancy.  The  writing  of  it 
had  not  been  much  in  Cochrane's  life,  but 
it  was  a  great  deal  to  Laemmle.  Laem- 
mle was  seeking  an  answer  to  the  biggest 
problem  of  his  life.  He  read  the  letter 
several  times  that  day.  Also  he  took  it 
home  with  him  and  read  it  to  his  wife. 
There  had  to  be  a  family  decision.  It 
was  a  grave,  important  day. 

Two  weeks  later  a  secretary  entered 
Robert  Cochrane's  office  and  announced, 
"There's  a  Mr.  Laemmle  from  Oshkosh 
wants  to  see  you."  "Oshkosh-Laem- 
mle?"  Then  Cochrane  remembered  the 
letter  with  inward  alarm.  "Gosh — Oh 
well,  show  him  in."  The  client  had  fol- 
lowed the  doctor's  advice  with  a  com- 
pleteness that  was  overwhelming.  Laem- 
mle, a  solid,  smallish  chap  with  an  im- 
ported German  accent,  came  in. 

"I  have  resigned  and  I  am  ready  to 
start  over.    What  shall  I  do"? 

Inwardly  Cochrane  made  a  resolve  to 


be  more  careful  in  writing  advice  to  out- 
of-town  clients  thereafter.  His  copy  was 
evidently  too  powerful.  It  worked  alarm- 
ingly. 

Meanwhile  here  was  Carl  Laemmle  in 
Chicago,  aged  39,  capital  $2,500,  waiting 
to  be  shown  the  route  of  delivery  from 
salary  slavery,  waiting  to  start  something 
"before  forty." 

There  was  considerable  conferring. 
Cochrane  was  in  touch  with  the  whole- 
sale clothing  business.  Laemmle  had 
experience  in  the  clothing  trade.  Simply 
enough  the  first  quest  led  in  that  direc- 
tion. The  Cochrane  agency  put  out  some 
feelers  to  find  a  small  clothing  store  into 
which  Laemmle  might  put  his  money 
and  services.  There  was  some  delay  in 
getting  promising  responses.  Meanwhile 
Laemmle  was  looking  Chicago  over  and 
getting  some  ideas  for  himself. 

One  day  the  man  from  Oshkosh  was 
walking  down  State  Street  wondering 
what  was  to  be  done  next  when  he  ob- 
served a  line  of  people  standing  before 
some  sort  of  a  show  place.  Closer  in- 
spection developed  that  this  was  one  of 
those  new  Hale's  Tour  devices,  a  railway 
coach  theater  in  which  scenery  went 
sweeping  by  on  a  moving  picture  screen. 
The  admission  was  ten  cents  and  the 
dimes  seemed  to  trinkle  in  all  day. 

Laemmle  watched  a  while,  then  sought 
his  friend  Cochrane  up  at  the  advertising 
agency.  "I've  found  a  good  business — 
faster  than  selling  clothes." 

"Steady,  now — don't  be  in  a  hurry." 
Cochrane  interrupted.  "You  want  to 
look  into  this  thing  carefully.  You  can't 
afford  to  make  any  mistakes  with  a  thing 
like  that."  Cochrane  was  highly  dubious 
about  the  amusement  business  in  general 
and  this  novelty  of  the  motion  picture 
especially.  He  liked  this  earnest  little 
chap  from  Oshkosh  and  wanted  to  see 
him  started  right.  There  was  a  certain 
sense  of  responsibility  about  that  very 
convincing  letter  he  had  written. 

"Now  Mr.  Laemmle,  you'd  better  get 
all  the  facts  about  this  business  so  we  can 
make  some  sort  of  an  analysis  of  it  on 
a  real  business-like  basis.  Go  count  the 
number  of  customers,  find  out  how  much 
the  place  costs  to  operate,  help,  films, 
light  and  all  that  kind  of  thing." 

Laemmle  went  diligently  about  those 
very  errands.  This  man  Cochrane  was 
a  scientific  business  man  and  Laemmle 
knew  it.  This  was  the  way  to  do  it,  be- 
cause Cochrane  said  so. 

Cochrane  had  a  stretch  when  Laemmle 
went  out.  This  would  keep  the  man  from 
Oshkosh  busy  for  a  day  or  so — mean- 
while there  would  probably  be  something 
interesting  turn  up  by  way  of  a  clothing 
store  opportunity  and  that  would  be  the 
end  of  it. 


Wishing  You  Continued  Success 

Joe  Hornstetn 


•  •    • 


5  Servant  and  master  am  1 ;  servant  of  those 
dead,  and  master  of  those  living.  Through 
me  spirits  immortal  speak  the  messages  that 
make  the  world  weep,  and  laugh,  and  won- 
der, and  worship. — I  AM  MUSIC 


To 


I  tell  the  story  of  loves  the  story  of  hate,  the 
story  that  saves  and  the  story  that  damns.  I 
am  the  incense  upon  which  prayers  float  to 
Heaven.  I  am  the  smoke  which  palls  over 
the  field  of  battle  where  men  lie  dying  with 
me  on  their  lips. — I  AM  MUSIC 


Carl   Laemmle 

WHO  HAS  MORE  FRIENDS  THAN  ALL  THE  FRIENDLY  MEN  ON  EARTH 

Our   'Sxnctrest   'S^ish.ts   For  A   Long,  Happy   And 
Successful  Life 

BELWIN,  Inc. 


5  I  am  cloie  to  the  marriage  altar,  and  when 
the  graves  open  I  stand  nearby.  I  call  the 
wanderer  home,  I  rescue  the  soul  from  the 
depths,  I  open  the  lips  of  lovers,  and  through 
me  the  dead  whisper  to  the  living. 

—I  AM  MUSIC 


Music 

Publishers 
and 

Dealers 


1  know  no  brother,  yet  all  men  are  my 
brothers ;  I  am  the  father  of  the  best  that  is 
is  in  them,  and  they  are  the  fathers  of  the  best 
that  is  in  me,  I  am  of  them  and  they  of  me. 
For  I  am  the  instrument  of  God. 

—I  AM  MUSIC 


III 


60 


THE 


iday,  February  28,   1926 


or  two  days  the  little  man  from 
ikosh  stood  down  in  State  Street, 
nng  just  enough  to  keep  from 
ig  conspicuous,  while  he   counted 

attendance  that  went  in  to  see 
Hale's  Tours  pictures.     When  he 

through  he  had  a  rather  good 
ion  of  what  kind  of  people  went 
see  the  pictures,  what  hours  of 
day  they  found  the  time  to  do  it 

("  and  how  many  of  them  there  were 
hour  and  per  day. 
Vith  judicious  questions  in  various 
:es  Laemmle  discovered  what  it 
t  to  go  into  the  business  and  how 
IS  were  bought  and  rented  from 
hanges.     He  made  a  rapid   inten- 

study  of  his  tediously  acquired 
:s.  Then  he  went  back  to  Coch- 
e's  office.  He  had  listened  to  a 
from  Cochrane.  It  was  Laemmle's 
1  to  talk.  Laemmle  had  facts  and 
ires,  whole  columns  and  rows  of 
m.  He  talked  hard  and  fast  to 
;hrane.  Probably  there  was  a  no- 
i  in  his  shrewd  head  that  if  he  was 
;  to  sell  the  idea  to  Cochrane  it 
aid  be  a  rather  good  indication 
t  he  was  right. 

here  is  no  suspense  to  this  story. 
;  world  rather  generally  knows 
t  Carl  Laemmle  went  into  the  mo- 
1  picture  business,  still  sticking 
reciativel}'  to  Bob  Cochrane  and 
advice.  Laemmle  eflfectively  sold 
motion  picture  idea  to  Cochrane 
t  afternoon.  This  conversation 
ie  it  the  big  day  in  the  business 
s  of  both  of  them.  Laemmle 
ced  about  for  a  location,  one  that 

not  too  expensive  and  one  on 
sort  of  a  street  where  the  traffic 
"led  plenty  of  the  kind  of  people 
i  he  saw  going  into  the  Hale's 
ir  show  in  State  Street. 
'ebruary  24,   1906,  at  909  Milwau- 

Avenue,  in  Chicago's  west  side, 
1  Laemmle  opened  the  ticket  of- 
of  his  theater  and  made  ready 
receive  the  first  dime.  This  may 
nd  like  the  end  of  the  excitement, 
!i  plain  sailing  ahead.  But  it  was 
slighest  beginning.  Mr.  Laemmle 
just  set  up  his  tent  on  the  edge 
the  battleground,  as  he  was  soon 
liscover. 

But  ever  since  that  date 
Carl  Laemmle  and  Bob  Coch- 
rane have  been  factors  to  be 
counted  in  every  move  in  the 
motion  picture  industry.  Their 
issociation  and  friendship 
through  thick  and  thin — but 
more  especially  the  thick — of 
notion  picture  affairs,  continues 
oday  as  sincere  and  warm  as 
n  the  beginning,  with  them 
)oth  sharing  a  personal  good 
mil  both  unique  and  reassuring 
imong  the  bickerings  of  the 
screen  people. 
i^ithin  six  months  Laemmle  had  a 

exchange  in  operation  and  was 
■nding  his  theater  business  with 
e   shows.      He   was    on   his   way. 

about  decided  he  was  through 
I  the  clothing  business  for  a  long 

Old  Time  Advertisers 
he  picture  column  in  the  Dramatic 
ror  grew  rapidly  and  in  the  adver- 
ig  pages  of  that  summer  of  '08 
finds  the  names  of  Carl  Laemmle 
I  his  system  of  exchanges  in  the 
die  west,  the  American  Muto- 
>e  &  Biograph  Company  announc- 


mg  its  pictures,  and  a  line  of  adver- 
tisements of  "The  Humanovo"  with 
"A.   Zukor,  proprietor." 


Starts  Producing  in  1909 

Laemmle  with  his  big  system  of 
independent  exchanges  was  among 
those  to  feel  the  pressure  of  the  de- 
mand for  the  film,  and  by  mid-sum- 
mer of  '09  he  was  thinking  of  pro- 
ducing. In  the  fall  Tom  Cochrane 
one  of  the  Cochrane  brothers  of  the 
advertising  agency,  which  had  served 
Laemmle  with  syndicate  advertising 
when  he  was  selling  clothing  back  in 
Oshkosh,  came  to  New  York  to  es- 
tablish the  Laemmle  producing  con- 
cern, to  be  known  as  The  Independ- 
ent Motion  Picture  Company,  soon 
abbreviated  to  the  famous  "Imp." 
Studio  space  was  rented  at  Dinten- 
fass'  Actophone  studio  and  produc- 
tion started  with  William  V.  Ranous, 
employed  away  from  Vitagraph,  as 
director.  The  first  subject  was  "Hia- 
watha" a  one-reel  version  with  Ran- 
ous playing  opposite  Gladys  Hulette. 

Success  encouraged  Laemmle's  ef- 
forts and  soon  he  had  his  eye  on  the 
better  players  of  the  Patents  Com- 
pany studios.  A  big  raid  on  Biograph 
was  forming  in  his  mind. 

And  the  Patents  Company  had  its 
eye  on  Laemmle.  Here  was  an  up- 
start to  be  wiped  out  under  the  steam 
roller  of  the  law. 


Cochrane's  Biting  Advertising 
Carl  Laemmle  stood  forth  conspic- 
ulously  among  the  Independents  with 
his  extensive  exchange  system  and  an 
aggressive  merchandising  war  pol- 
icy. He  waved  aloft  a  flaming  torch 
and  shouted  from  the  housetops.  In 
the  trade  journals  he  carried  the  fight 
into  the  face  of  the  enemy  with  a  line 
of  cartoon-illustrated  advertisements, 
couched  in  simple  but  wily  words  and 
as  graphic  as  Brisbane  editorials. 

Robert  Cochrane,  the  Chicago  ad- 
vertising man  identified  with  Laem- 
mle's entry  into  the  motion  picture 
field  as  related  in  an  earlier  chapter, 
was  the  author  of  those  stirring,  bel- 
ligerent advertisements.  "The  Film 
Trust"  was  his  daily  target. 


The  Star  System  Begins 

Laemmle  observed  with  a  jealous 
eye  the  evident  superiority  of  Bio- 
graph's  product,  the  best  of  the  li- 
censed film,  and  the  product  was  after 
all  the  strongest  club  in  the  film  war. 


Ihe  theater  men  could  be  depended 
on  to  follow  where  the  best  pictures 
could   be   found. 

One  of  the  most  conspicuous  screen 
figures  of  the  day  was  Florence  Law- 
rence, known  to  the  patrons  of  the 
theaters  as  "The  Biograph  Girl."  She 
was  in  fact  a  star,  but  the  motion  pic- 
ture did  not  know  it.  *  *  *  It  was  not 
long  after  the  formation  of  Laemmle's 
"Imp,"  that  Miss  Lawrence  vanished 
from  the  Biograph  studios. 

A  story  reached  the  newspapers 
from  out  in  St.  Louis  that  she  had 
been  mysteriously   slain. 

Then  on  April  2,  1910,  a  due  and 
proper  sequel  to  any  such  story  dated 
April  first,  Miss  Lawrence  appeared 
under  Laemmle's  auspices,  whole  and 
sound  and  in  person  on  the  stage  to 
let  the  world  know  that  "The  Bio- 
graph  Girl"  was  now   "an   Imp." 

Laemmle  had  hit  at  the  Biograph 
and  the  "Trust"  to  make  a  spectacu- 
lar play  before  the  customers  of  his 
exchanges.  And,  along  with  Miss 
Lawrence,  he  acquired  the  services  of 
Harry  Salter,  her  husband  and  direc- 
tor. 

This  move  was  the  beginning  of 
the   system. 

Latham  Loop  Litigation 

Meanwhile,  or  rather  simultaneous- 
ly, just  to  keep  the  morale  of  the  sit- 
uation up,  the  Patents  Company  in- 
stituted a  new  action  against  the  Imp, 
charging  infringement  specifically  of 
the  "Latham  Loop"  patent.  The  "La- 
tham Loop"  was  the  slack  film  or 
loop,  first  applied  in  Woodville  Lath- 
am's picture  machines,  which  enabled 
the  successful  manipulation  of  long 
films.  This  one  patent  was  definite 
and  specific.  The  Patents  Company 
had  many  others,  but  experience  and 
legal  advice  made  it  seem  advisable 
not  to  risk  some  of  those  other  frailer 
claims  in  the  courts.  A  whole  series 
of  separate  and  successive  court  ac- 
tions were  brought  against  "Imp," 
but    they   can    now   be    considered    as 

one. 

*     *     * 

While  the  battles  of  the  courts 
raged  on,  the  "Imp"  merrily  proceed- 
ed to  make  pictures  and  profits. 

"Imp,"  as  the  leader  of  the  inde- 
pendents, began  to  draw  heavily  on 
the  trained  forces  of  Biograph.  Bio- 
graph, under  Griffith  was,  in  effect, 
the  training  school  for  actors  and  di- 
rectors and  the  experimental  research 
establishment  for  the  evolution  of  the 
art. 


Ince  Breaks  In 

In  the  late  fall  of  1910,  Joseph 
Smiley,  a  member  of  the  "Imp"  stock 
company,  was  strolling  Broadway  at 
the  lunch  hour  when  he  encountered 
his  friend,  Thomas  F.  Ince,  an  actor 
Ince  was  in  ofT  the  road  at  the  end  of 
an  indifferent  summer  season,  broke 
and  "resting,"  as  they  say  on  Broad- 
way. Smiley  volunteered  the  infor- 
mation to  his  stage  associate  that  he 
was  now  working  in  the  pictures. 
Ince  made  a  wry  face  to  indicate  his 
sympathy  with  this  sad  plight  and 
in  the  next  instant  eagerly  inquired: 

II Any  chance   for   me?"  ' 

"S-ure,"  Smiley  answered,  "come 
on." 

Salter,  the  director,  took  Ince  into 
the  cast  of  the  picture  in  progress  as 
a  "heavy"  at  five  dollars  a  dav 

*         *         * 

While  Ince  was  working  on  his 
first  picture  at  "Imp"  Mrs.  Ince 
known  to  the  stage  as  Alice  Kershaw, 
found  an  engagement  playing  in  Bio- 
graph pictures  under  the  direction 
of  Frank  Powell.  The  director  sug- 
gested that  she  might  bring  her  hus- 
band to  his  studio.  So  Thomas  Ince 
made  his  one  and  only  Biograph  ap- 
pearance in  a  comedy,  entitled  "His 
New  Lid,"  the  Biograph  release  of 
November   24,    1910. 

But  when  Ince  next  encountered 
Smiley  he  was  invited  back  to  "Imp." 
"You  rnade  a  hit,"  Smiley  informed 
him.  "Go  See  Tom  Cochrane — he 
likes   your   work." 

By  this  time  the  shrewd  young  Mr. 
Ince  had  made  a  discovery  for  him- 
self. He  was  rather  short  and  un- 
heroic  of  proportions.  He  decided 
that  he  was  not  of  the  architecture 
of  which  stars  of  the  screen  would 
be  made.  He  therefore  decided  that 
he  would  be  a  director  and  plotted 
to  that  end.  Now  was  his  oppor- 
tunity. 

Ince    the    Director 

Ince  argued  with  Cochrane  that, 
if  he  returned  to  "Imp"  he  should  be 
given  the  first  opening  as  a  director. 
This    was   reluctantly   agreed. 

Then  came  the  day  when,  over- 
hearing a  telephone  conversation 
Ince  discovered  that  a  director  had 
quit.      He    marched   up   to   Cochrane. 

"That  makes  me  a  director,"  Ince 
announced. 

Cochrane  hesitated.  Presumably 
he  had  not  intended  this  development 
at  all,  but  Ince  was  cocky  and  in- 
sistent. 

"Yes,   sure."     A   smile  spread  over 


When  Will  Hays  entered  the  industry.     Note  the  important  leaders  gathered. 


I 


VIZ 


t 


iWi 


To  Mr.  CARL  LAEMMLE 


Congratulations  on  your  deserved  success  and 
every  good  wish  for  its  continuance. 


From 

AFRICAN  FILMS,  Ltd. 

Represented  by 

I.  V,  T.  A,  Inc.,  218  West  42nd  Street 


/^N  our  second  anniversary  we  extend  best  wishes 

and  congratulations  to  MR.  CARL  LaEMMLE  on 

his  twentieth  anniversary. 


W  w  W 


\t 


I 


•   t     • 


m 

m 


c< 


THE 


mday,  February  28,  1926 


^5^ 


DAILY 


63 


Dchrane's  face.  He  had  to  see  it 
rough.  "You  start  now." 
The  actors  of  the  "Imp"  Company 
id  seemingly  less  enthusiasm  for 
jf^'ice  as  a  director  than  Cochrane. 
ffhe  cast  gave  the  new  director  the 
"'  lid  shoulder.  Ince  was  annoyed 
ith  the  amateurish  high  school  girl 
enarios  available  and  resurrected 
bit  of  verse,  entitled  "Little  Nell's 
obacco"  for  his  first  production, 
ayvvard  Mack,  later  a  director,  play- 
I  the  lead. 

When  the  picture  was  completed, 
aemmie  accompanied  by  Mr.  and 
rs.  Ince,  went  down  to  Fourteenth 
reet  to  see  it  in  the  "Imp"  projec- 
in  room.  Throughout  the  screen- 
g  of  the  picture  Ince  plied  Laem- 
le  with  rapid  conversation  and  ex- 
)unded  vigorously  on  the  super- 
erit  of  the  picture.  It  seems  to 
ve  been  a  masterpiece  that  needed 
good  deal  of  boosting.  Then,  as  it 
lished  on  the  screen,  Ince  seized 
lemmle  by  the  arm  and  rushed  him 
it  of  the  room  before  any  adverse 
mments  from  the  rest  of  the  audi- 
ce  could  be  overheard. 
Ill  this  fashion  Ince  made  himself 
director. 
Laemmle  Gets  Mary  Pickford 
'Imp"  was  growing  more  and  more 
urageoUs. 

The  raiding  of  Biograph  for  Fier- 
ce Lawrence  had  proven  a  decided- 
profitable  move.  Now  an  emis- 
y  was  sent  down  to  Biograph  again 
see  if  "Little  Mary,"  a  rising 
reen  favorite,  could  be  lured  away 
)m  Griffith.  She  could— for  $175 
week,  a  most  amazing  salary. 
Owen  Moore,  with  whom  Miss 
ckford  had  been  playing  at  Bio- 
aph,  came  along.  They  were  as- 
ned  to  the  direction  of  Thomas 
ce.  Presently  "Imp"  announced 
r  release  "Their  First  Misunder- 
inding"  with  "Little  Mary"  in  the 
iding  role.  The  name  of  Pickford 
IS  yet  unknown  to  the  screen  pub- 
She  was  just  "Little  Mary." 
But  the  Patent's  Company's  law- 
rs  were  pressing  hard  and  "Imp" 
:ed  the  immediate  possibility  of  be- 
?  shut  down  by  injunction  over- 
?ht.  Carl  Laemmle  had  been  plan- 
ig  to  send  Ince  and  his  company  to 
ilifornia,  but  an  escape  from  the 
risdiction  of  the  United  States 
>-rt  seemed  advisable.  Hastily, 
ins  were  made  for  a  flight  to  Cuba. 
C.  A.  Willat,  known  in  all  the  mo- 
•n  picture  world  as  "Doc,"  labora- 
ry  chief  for  "Imp,"  was  sent  ahead 
make  studio  arrangements. 
The  vessel  on  which  Ince  and  his 
mpany  sailed  had  hardly  cleared 
nbrose  Channel  when  Mrs.  Pick- 
rd,  mother  of  Mary,  in  great  ex- 
ement  demanded  of  Ince  and  the 
ptain  of  the  ship  that  it  be  put 
out  and  returned  at  once  to  New 
)rk.  She  had  discovered,  not  en- 
ely  to  her  pleasure,  that  "Little 
ary"  and  Owen  Moore  had  been 
cretly  married  in  New  York,  short- 
before  the  sailing. 
Peace  was  restored  with  difficulty 
d,  in  due  season,  the  party  was 
ided  in  Cuba — followed  by  sleuths 
the  Motion  Picture  Patents  Com- 
ny  and  J.  J.  Kennedy's  intelligence 
•vice. 

Doc  Willat  had  leased  a  forbidding 
)ne  structure  as  quarters  and  studio 
■   the    company.      There    was    that  | 


about  the  place  which  seemed  chilling 
and  inhospitable  to  the  actors.  They 
were  vastly  reassured,  however,  when 
it  was  explained  that  this  was  nothing 
less  than  the  Palacio  del  Carneado 
of  Vevado.  Joseph  Smiley  and  King 
Baggot,  however,  did  some  inquiring 
on  their  own  account  and  found  that, 
in  spite  of  its  sumptuous  name,  the 
Palacio  was  in  fact  an  abondoned 
jail.     They  moved. 

The  company  had  been  at  work 
but  a  few  days  when  everyone  be- 
came mysteriously  and  desperately 
ill.  The  situation  was  doubly  critical. 
"Imp"  in  New  York  was  dependent 
for  its  very  existence  on  the  uninter- 
rupted output  of  the  company  in 
Cuba. 

Ince,  recovering,  first,  made  a 
searching  investigation.  He  found 
that  Charlie  Weston,  the  property 
man,  with  an  eye  to  business  and  per- 
sonal profits,  had  taken  to  Cuba  with 
him  a  very  large  wholesale  tin  of 
cold  cream.  Weston  calculated  that 
there  would  be  no  drug  stores  in 
Cuba  and  that  he  would  make  a  for- 
tune out  of  selling  his  cold  cream 
to  the  actors  for  the  nightly  removal 
of  their  makeup.  So  far  so  good. 
But  he  stored  his  drum  of  cold  cream 
in  the  kitchen  ice  box.  The  Cuban 
cook  decided  it  was  just  a  fancy 
perfumed  American  lard  and  pro- 
ceeded accordingly. 

"That,"  remarked  Ince,  "explains 
everything — fried  chicken  a  la  Col- 
gate." 

In  Havana,  Ince  met  J.  Parker 
Read,  who  had  been  adventuring 
about  Cuba  as  a  salesman.  He  em- 
ployed Read  as  an  interpreter  for 
his  dealings  with  the  Cubans. 
"Watty"  Becomes  a  Producer 

The  war  of  "Imp"  against  the  Mo- 
tion Picture  Patents  Company  had 
an  incidental  result  of  interest  in  the 
formation  of  totally  unrelated  busi- 
ness. Watterson  R.  Rothacker,  the 
Chicago  representative  of  Billboard, 
an  amusement  journal,  in  the  oppor- 
tune year  of  1910  was  struck  with  the 
possibilities  of  a  business  devoted  to 
the  making  of  motion  pictures  for 
industrial  and  advertising  purposes. 
He  looked  about  for  backing  and  dis- 
cussed his  project  with  Carl  Laemmle 
and  Robert  Cochrane. 

Cochrane  and  Laemmle  were  not 
especially  interested  in  advertising 
pictures,  but  they  saw  a  handsome 
legal  loophole  in  sight.  They  agreed 
to  finance  Rothacker's  project  if  he 
would  name  it  "Industrial  Moving 
Picture  Company" — thus  giving  it 
those  same  valuable,  trademarked  in- 
itials, IMP.  In  the  event  the  Inde- 
pendent Company  was  shut  down  by 
the  Courts,  the  producing  activities 
could,  at  an  instant's  notice,  be  shift- 
ed over  to  the  Industrial  Company 
and  the  trademark  would  be  saved 
along  with  the  product — at  least  un- 
til a  new  injunction  should  issue. 

Meanwhile  the  trend  of  the  court 
war  shifted.  The  emergency  situa- 
tion which  gave  Rothacker  his  op- 
portunity passed  without  a  crisis  and, 
two  years  later  he  purchased  the 
"Imp"  interests.  Presently  the  con- 
cern took  on  its  present  name,  the 
Rothacker  Film  Manufacturing  Com- 
pany. 

Another  Battle  Brews 

The  prosperity  of  the  "Imp"  con- 
cern  and   Laemmle's   film   service   in 


defiance  of  the  trust  increased  the 
general  courage  of  the  independent 
field,  and  others  rapidly  rose  to  co- 
operate and  compete.  A  brand  new 
war,  a  desperate  civil  war  among  the 
independents  was  brewing,  long  be- 
fore the  main  issue  with  the  Patents 
Company  had  come  to  a  conclusion. 

*  ^f  if 

With  the  Independents  aligning 
themselves  with  some  semblance  of 
cohesion  into  the  two  camps  of  the 
newly-formed  Mutual  Film  Corpora- 
tion and  the  Universal  concern,  the 
industry  of  the  motion  picture  en- 
tered upon  a  new  phase  in  the  early 
months  of  1912. 

*  *        * 

In  the  new  Universal  group  some 
of  the  most  intricate,  eccentric  and 
delicious  film  politics  of  the  day  was 
played.  *  *  *  The  first  round  of  con- 
flict resulted  in  the  secession  of  C. 
O.  Baumann  and  Adam  Kessel,  who 
went  over  to  the  Mutual.  This  re- 
duced the  strong  personalities  in  the 
Universal  camp  to  P.  A.  Powers  on 
one  side  and  Carl  Laemmle  and  Rob- 
ert Cochrane  on  the  other.  For  the 
purpose  of  the  chess  game  of  the 
picture  industry,  Cochrane  and  Laem- 
mle may  be  considered  ^by  the  his- 
torian as  one  man.  As  a  team  they 
have  put  on  the  only  continuous  per- 
formances in  the  history  of  the  mo- 
tion  picture.   *  *  * 

The  war  began  at  once.  There 
were  plenty  of  pretexts  on  all  sides, 
if  any  pretext  had  been  needed. 

William  Swanson,  David  Horsley 
and  Mark  Dintenfass,  the  other  fac- 
tors in  Universal  were  part  of  the 
pieces  on  the  chess  board,  but 
Powers  and  Laemmle  were  the 
players. 

Dintenfass  and  Horsley  occupied 
most  uncomfortable  positions  on  the 
fence,  while  Swanson  dashed  from 
side  to  side  as  the  vantages  of  battle 
changed. 

The  top  of  the  fence  became  ex- 
ceedingly uncomfortable  and  Mark 
Dintenfass  wanted,  down,  off  and 
out.  His  stock  was  for  sale.  Since 
there  was  considerable  question  in 
those  hurly-burly  days  as  to  whether 
that  stock  was  ever  to  be  worth  any- 
thing, there  were  no  bids  from  either 
side. 

Dintenfass  became  highly  dis- 
turbed. The  ructions  in  Universal 
were  doing  him  and  his  Champion 
brand  pictures  no  good.  And  move 
any  day  might  bring  ruin. 

Enter   L.   J.    Selznick 

At  this  especially  fateful  period, 
Lewis  J.  Selznick  was  conducting 
with  most  indiflferent  success,  a  jewel- 
ry store  in  Sixth  Avenue,  near  Four- 
teenth Street,  in  New  York.  The 
business  was  falling  ofif.  In  fact,  it 
was  so  anaemic  that  Selznick  decided 
to  turn  his  defeat  into  a  victory  by 
holding  an  auction,  the  conventional 
and  often  profitable  last  resort  of 
ailing  jewelry  stores.  The  auction 
left  Selznick  with  nothing  to  do  and 
a  whole  waiting  world  to  do  it  in. 
History  shows  that  this  is  a  time 
when  things  happen.  Dintenfass 
presently  returned  from  Chicago.  He 

called  Selznick  on  the  telephone. 

*  *        * 

They  got  together  for  a  talk  about 
the  old  days,  the  jewelry  shop  and 
the  salt  herring  and  all-schoen 
gemuthlich. 


And  then  came  the  film  business 
into  their  discussion,  along  with  it 
Dintenfass'    troubles    and    his    efforts 

to  negotiate  with  P.  A.  Powers. 

*  *        * 

Selznick  with  a  profound  sense  of 
humor,  scented  both  amusement  and 
opportunity.  Now  that  he  had  auc- 
tioned himself  out  of  the  jewelry 
trade  there  might  be  something  to  do 
here. 

Not  long  after  this  conference, 
Selznick  *  *  *  presented  himself  at 
the  office  of  P.  A.  Powers.  No,  he 
would  not  state  his  business.  He 
would  speak  only  to  Mr.  Powers  in 
person  and  privately,  and  it  was  about 
a  matter  in  which  Mr.  Powers  was 
profoundly  interested.  This  eventu- 
ally got  Selznick  private  audience  in 
the  Powers  sanctum. 

*  »         * 

This  day  Selznick  was  ostensibly 
selling  diamonds  of  great  value  at, 
oh,  the  merest  song  of  a  price.  As 
he  had  calculated,  Powers  was  inter- 
ested and  enough  appreciative  of  a 
bargain  to  feel  friendly.     He  bought. 

Selznick  brought  his  chair  a  bit 
closer. 

"Why  don't  you  buy  my  friend 
Dintenfass's  stock  in  this  Universal 
company?  He  only  wants  seventy- 
five  thousand." 

Powers  grinned— so  that  was  it. 

"I  don't  want  his  stock — if  I  did 
I'd  get  it." 

"Yes,  but  you  do  want  it — it  would 
give  you  control — that's  what  makes 
it   worth   the    price."      Powers   would 

not  deal. 

*  *         ♦ 

With  the  little  white  paper  of 
stones  Selznick  went  to  call  on  Laem- 
mle. They  got  along  famously, 
dickering  back  and  forth  over  the 
sparkling   blue-whites. 

"Now  this  fellow  Dintenfass,  may- 
be you  think  his  stock  isn't  worth 
much,  but  it  would  give  you  control 
of  the  company." 

This  time  it  worked.  Laemmle 
bought  the  stock  and  Dintenfass  was 
happy,  for  the  moment  anyway. 
Laemmle  was  now  the  biggest  stock- 
holder    in     Universal,     but     he     said 

nothing  about  that  for  the  time. 

*  *         * 

Selznick  Lands  in  Pictures 

A  little  more  conversation  resulted 
in  Selznick  ingratiating  himself  into  a 
somewhat  undefined  job  and  a  desk 
in  the  office  of  the  Universal.  It  was 
the  hazy  general  understanding  that 
he  was  to  be  useful  to  the  corpora- 
tion in  general  and  to  the  Laemmle 

interests  in  particular. 

*  *         * 

One  of  Mr.  Selznick's  first  discov- 
eries was  that  the  corporation 
did  not  have  a  general  mlanager. 
This  was  a  grievous  oversight  to  be 
remedied.     He   appointed   himself  at 

once. 

*  *        * 

A  vigorous  dispute  between  Powers 
and  Laemmle  soon  broke  into  the 
open.  Powers  contended  that  his  ex- 
changes were  not  getting  the  bene- 
fit of  the  same  low  prices  from 
Universal  that  Laemmle  enjoyed.  He 
wanted  a  rebate.  He  got  refusal. 
Selznick  was  rejoicing  in  his  self- 
made  job  of  general  manager  one 
morning  in  this  period  when  the  man- 
ager of  one  of  the  Universal  studios 


MANY  HAPPY 

RETURNS 
OF  THE  DAY 


»m* 


CHARLES  ZENKER 
]ULIUS  A.  LEWIS 


PROSPECT  PRESS,  Inc. 

188  WEST  FOURTH  STREET 
NEW  YORK  CITY 


H)'^^0^^0^^<)«i>-0'« 


A  A  * 


The  Wyanoak  Publishing  Co.  extends 

to  Mr.  Carl  Laemmle  on  this,  his 

20th  Anniversary, its  best  wishes 

for  the  continuance  of   his 

Good  Health,  Happiness 

and 

Success 


-^ 


20tk    H 

ANNIVERSARy 


^ 


64 


THE 


lunday,  February  28,  1926 


-gm^ 


DAILY 


65 


New  York  called  up  in  great  ex- 
ement. 

'Pat  Powers  is  up  here  with  a 
ig  of  trucks  moving  the  props 
ay,  and  we're  right  in  the  middle 
a  picture.  What  shall  I  do?  Selz- 
k  grinned.  "Call  the  police  and 
;n  report  again  to  rrye  in  half 
ur." 

\t  the  end  of  the  half  hour  the 
idio  manager  was  on  the  phone 
lin.  "Did  the  police  come?  How 
:  you  getting  along?"  "Yes,  the 
lice  came,"  the  voice  on  the  wire 
)lied.  "And  they  are  getting  along 
e.  They  are  helping  Pat  Powers 
d  the  trucks."  So  ran  the  comedy 
the    Universal    war    from    day    to 

Selznick  is  "Fired" 
Jut  the  time  came  when  Selznick's 
)anding  powers  in  his  self-ap- 
nted  post  undid  him — and  liberated 
1  for  further  adventures.  One 
;rnoon  a  secretary  from  Laemmle's 
,ce  went  to  Selznick's  desk  and 
ii  a  letter  before  him,  glancing  up 
the  clock  as  he  did  it. 
Mr.  Laemmle  went  to  Chicago  on 

Century — he  told  me  to  give  this 
you  two  hours  after  the  train  left, 
ielznick  opened  the  letter,  but  he 
iild  read  it  without  looking  at  it. 
was  "accepting  your  resignation." 
Did  he  think  I  would  dynamite 
train?"  Selznick  smiled  and 
ched  for  his  hat.  He  was  on  his 
)r  out  into  the  world  of  opportun- 

to  play  the  new  game  he  had 
rned.  A  busy  ten  years  were 
:ad. 

The    Powers-Laemmle    war    mean- 
ile  progressed  merrily. 
Vhen    in    doubt.    Powers    attacks. 

about  this  juncture  he  caused  a 
eivership  action  to  be  brought 
linst  the  Universal.  Nothing  espe- 
lly  resulted  but  more  fighting, 
rhe  annual  meeting  of  1913  found 
5  situation  at  high  climax.  The 
eting  opened  in  a  highly  dignified 
nner  at  the  company's  offices  at 
lO  Broadway.  There  was,  how- 
!r,  an  electrical  tension  in  the  air 
1  a  good  many  private  policemen 
the  hall.  The  Laemmle  strong- 
d  was  well  manned. 
The  reading  of  the  minutes  was 
■ely  under  discussion,  however, 
en  Mr.  Powers  and  his  occasional 
"tner,  William  Swanson,  ventilated 
situation  by  neatly  tossing  the 
Dks  and  the  great  seal  of  the  cor- 
ration  out  of  the  window  into  the 
per  air  of  Broadway. 
This  may  have  been  connected  with 
;  presence  of  certain  persons  wait- 
r  below.  Anyway  it  was  a  valiant 
tve  with  every  promise  of  success, 
t,  some  way,  fate  so  often  inter- 
les  in  the  affairs  of  melodrama. 
le  nick  of  time  is  always  being 
ked. 

The  lone  horseman  galloping  across 
;  horizon  in  this  thriller  chances  to 
ire  been  William  Oldknow  of  the 
nsolidated  Film  Co.  New  Orleans, 
i  elsewhere  southerly.  Mr.  Old- 
ow  had  just  arrived  from  the 
uth  and  was  making  his  way  with 
jtening  steps  to  the  office  of  his 
;nd  Carl  Laemmle.  We  left  the 
Dks  and  the  seal  going  out  of  the 
rd  floor  window  of  the  Mecca 
Ig.  When  they  came  down  it  was 
the  feet  of  Oldknow.  H  his  train 
i   arrived   one-hundredth   of  a  sec- 


ond earlier  he  would  have  been  pre- 
cisely under  the  books  and  the  great 
seal  as  they  arrived  at  the  sidewalk 
level.  As  it  was,  the  visitor,  stum- 
bled over  the  crashing  heap  and  then 
picked  it  up.  A  glance  at  the  books 
told  him  volumes.  They  obviously 
belonged   to   Laemmle's   office. 

A  crowd  surged  about  Oldknow 
and  the  police  rushed  in.  They  took 
the  visitor  and  his  catch  up  to  the 
offices  of  the  Universal.  A  police 
police  court  action  ensued  and  the 
books  were  tied  up  in  the  courts  for 
a  long  period. 

In  one  of  the  many  alignments  on 
the  checkerboard,  Horsley's  stock  be- 
came of  vital  importance.  Laemmle 
held  an  option  on  it,  so  did  Powers. 
One  afternoon,  in  this  merry  war  of 
1913,  Robert  Cochrane  and  Carl 
Laemmle  raced  about  the  banks  of 
New  York  to  get  $179,000  in  cash 
to  take  up  the  stock.  Horsley  de- 
manded spot  cash.  After  a  quest  of 
hours,  the  taxicab  was  laden,  with 
small  bills.  The  entire  sum  was  in 
denominations  of  ones,  fives  and  tens 
— mostly  ones.  The  motor  car  raced 
across  the  Hudson  river  to  Horsley's 
New  Jersey  establishment.  He  had 
prevailed  on  a  bank  to  stay  open  to 
receive  the  money,  and  insisted  that 
it  be  counted  three  times,  personally 
inspecting  each  bill.  At  four  o'clock 
in  the  morning  the  tired  bank  clerks 
for  the  third  time  verified  the  total, 
marked  the  bundles  and  tossed  them 
in  the  safe.  But  Powers  contended 
with  some  measure  of  success  that 
the  stock  could  not  be  delivered  to 
Laemmle  because  of  his  option. 
Laemmle  contended  the  Powers  op- 
tion expired  at  noon,  Powers  said 
midnight. 

When  the  fighting  was  all  over 
and  endless  changes  and  manoeuvers. 
Universal  was  practically  divided  be- 
tween Laemmle  and  Powers,  the  lat- 
ter holding  some  forty-odd  per  cent 
of  the  stock.  In  May  1920,  he  sold 
to  the  Laemmle-Cochrane  interests 
and  the  reports  of  the  price  run  from 
one  to  two  millions. 

*         *  * 

U's  First  Chapter  Play 

April  4th,  1914,  Universal  released 
the  first  installment  of  "Lucile  Love" 
starring  Francis  Ford  and  Grace 
Cunard,  with  the  story  syndicated  by 
the  Chicago  Herald. 


Four  years  had  now  elapsed  since 
Selznick  invaded  Broadway  to  sell 
diamonds  to  Pat  Powers  and  Carl 
Laemmle.  *  *  *  Officially  Selznick 
was  vice-president  and  general  man- 
ager of  the  World  Film  Corporation. 
*  *  *  Selznick  scored  with  Nazimova 
in   "War   Brides." 

*  *         * 

The  roaring  success  of  Selznick 
was  dazzling  Broadway.  At  Uni- 
versal *  *  *  a  new  appreciation  of 
Selznick  arose.  *  *  *  Now  for  a  mo- 
ment Selznick  and  Laemmle  became 
almost  chummy.  A  temporary  com- 
mon interest  drove  them  together. 
Both  of  them  wanted  for  their  pic- 
tures a  share  of  the  glamour  of 
Broadway.  The  two  important  thea- 
ters of  the  street  were  closed  to  them. 
The  Strand,  first  of  the  great  houses, 
was  under  contract  and  filled  with 
the  pictures  of  Paramount.  The 
Rialto  was  playing  Triangle  pictures 
exclusively.  These  dominant  first 
run  theaters  on  the  world's  greatest 
amusement  street  were  of  large  com- 
mercial value  in  prestige.  In  their 
joint  quest  of  a  place  among  the  lights 
of  the  great  white  way  Selznick  and 
Laemmle  joined  in  a  lease  of  the 
Broadway  theater,  where  their  pic- 
tures were  to  be  presented  alternately. 
Neither  of  them,  could  then  main- 
tain a  continuous  supply  of  feature 
pictures  for  a  theater,  but  between 
them  they  could  achieve  a  program. 
Meanwhile  Selznick  had  so  ably 
demonstrated  the  power  of  his  sales- 
manship that  Laemmle  delivered  his 
feature  entitled  "Twenty  Thousand 
Leagues  Under  the  Sea"  to  Selznick 
for  distribution  in  New  York  terri- 
tory. Selznick  appreciated  the  com- 
pliment and  piled  up  an  amazing 
total   for   the    Laemmle   picture. 

*  *         * 

Court  Decision  But  An  Eicho 

On  April  9,  1917,  the  United  States 
Supreme  Court  handed  down  a  de- 
cision holding,  in  the  cast  of  the  Mo- 
tion Picture  Patents  Company  vs. 
the  Universal  Film  Mfg.  Co.,  that 
it  was  not  lawful  to  enforce  the  use 
of  licenced  film  only  on  patented  pro- 
jection machines.  To  all  practical  in- 
tents the  patent  war  had  been  won 
outside  the  law  by  the  Independents 
some  years  before.  The  decision 
came  only  as  an  echo  of  other  days. 


Alan  Dwan,  in  group  with  Laemmle,  -when  Dwan  was  with   Universal — 

a  long  time  ago. 


Adolph  Zukor,  as  he  appeared  dur- 
ing the  days  of  Laemmle's  early  bat- 
tles. {Photo  from  Terry  Ramsaye 
collection.) 

Trade  Marks  on  Trees 

Also     on     Furniture — Necessities    of 

Old-Time    Producers   to    Protect 

Negatives  from  Being  Duped 

In  the  early  days  of  the  industry, 
one  of  the  evils  confronting  produc- 
ers, was  the  prevalence  of  duplicat- 
ing pictures  by  rival  concerns.  It  was 
a  common  occurrence  for  a  producer 
to  find  one  of  his  pictures  duped  and 
distributed  within  twenty-four  hours 
of  its  release. 

Occasionally,  this  practice  was  tol- 
erated by  a  group  of  allied  producers, 
but  often  legal  talent  was  employed 
to  prosecute  the  offenders.  The  dam- 
ages collected  were  inadequate  com- 
pensation for  the  loss  involved.  By 
the  time  the  duping  had  been  de- 
tected, and  the  long-drawn-out  law 
suit  terminated,  the  damage  had  been 
done,  and  the  original  version  was 
almost  worthless  in  territories  where 
the  duped  copy  had  received  prior  re- 
lease. 

Often  it  was  difficult  to  prove  act- 
ual piracy,  claims  of  duping  being 
met  by  the  indignant  response  that 
the  suspected  print  was  the  original 
picture,  and  the  claimant's  picture  a 
spurious  copy.  When  a  set  had  been 
"struck,"  how  was  it  possible  to  prove 
whether  a  scene  had  been  shot  in  one 
studio  or  another? 

Infringements  on  a  registered  trade 
mark,  however,  were  a  most  serious 
offense,  and  some  unsung  genius  had 
the  bright  idea  of  including  a  copy- 
righted trade  mark  in  all  the  scenes 
photographed.  This  served  a  double 
purpose:  it  established  the  ownership 
of  the  picture,  and  gave  the  owner  of 
the  original  picture  valid  and  concrete 
grounds  for  suits  against  infringe- 
ments. 

It  was  not  long  before  Carl  Laem- 
mle's figure  of  an  imp  was  seen  more 
or  less  conspicuously  placed  in  every 
scene  photographed  by  the  Indepen- 
dent Moving  Picture  Company,  fol- 
lowed almost  immediately  by  the 
crowing  rooster  of  Pathc,  the  A.  B. 
monogram  of  the  American  Biograph 
Company,  and  the  many  distinctive 
trade  marks  of  the  various  producing 
companies.  In  interior  settings  these 
trade  marks  (about  six  inches  in 
height),  were  placed  on  the  wall, 
along  the  floor  moulding,  or  leaning 
against  the  leg  of  a  table  or  chair;  on 
exterior  scenes  the  miniature  symbols 
were  tacked  on  tree  trunks,  leaned 
against  rocks  or,  if  there  was  noth- 
ing against  which  to  rest  them,  a 
stake  was  driven  into  the  ground  to 
serve  as  a  support. 


4. 


rr 


Mi 


Ul  Y  <^ 


CARL  LAEMMLE 

HEAD  OF  THE  UNIVERSAL  FAMILY 


COOLING  SYSTEM 

is  now  in 

UNIVERSAL  USE 

Bringing  prosperity  to  thousands  oj 

progressive  theatre  owners  and 

operators  thruout  the 

ENTIRE  WORLD 

WRITE  FOR  OUR  ILLUSTRATED  DESCRIPTIVE  CATALOG 


ARCTIC  NU'AIR  CORPORATION 


8i8  State  Lake  Building 
CHICAGO,  ILL. 


20  ^4 

ANNIVERSARy 


,,//!, ilAi.\xxy 


*. 


m 


^ 


4i 


66 


^ 


SHM 


THE 


fiday,  February  28,  1926 


-^^. 


DAILY 


67 


Carl  Laemynle  in  1906. 

amples  of  business  minouyicements 
ich  alternated  with  "C.  L.'s"  reg- 
ular advertisements. 


The    Development 
of  Film  Advertising 

How  the  Growth  of  the  Film  Industry  Is  Reflected  in 
the  Display  Advertising  of  1906-1926 — Paid  Business 
Announcements  Took  the  Place  of  Present  Day  Pub- 
licity— Examples  of  Innovations  That  Gave  Incentive 
to  Present  Advertisement  Progress. 


T 


aDie    in 
ginning  as 
his   vision 
in    three    years 
most    influential 


HAT  advertising  writers, 
like  poets,  ''are  born,  not 
made,"  is  the  fixed  convic- 
tion of  the  best  critics  of  business 
literature.  A  knowledge  of  the 
English  language,  familiarity  with 
type  styles,  and  the  ability  to  make 
effective  layouts— these  are  things 
that  any  man  can  acquire  by  per- 
sistent practice.  But  that  inner 
spirit  that  makes  words  living 
things;  that  carries  conviction  to 
the  most  skeptical  reader— that,  as 
Abe  Potash  would  say,  "is  some- 
thing else  again." 

The  hard  work,  singleness  of  purpose,  and 
enthusiasm,  that  marked  the  rise  of  Carl 
Laemmle  in  the  film  business  is  clearly  trace- 
ble  in  his  earliest  advertisements  when,  be- 
a  small  and  unimportant  exhibitor, 
of  the  future  of  pictures  made  him 
the  boldest,  most  daring,  and 
individual  in  the  industry. 
Using  less  space  in  the  trade  press  than  almost 
any  one  of  his  competitors,  he  managed  to  put 
such  ringing  sentences  into  his  weekly  adver- 
tisements that  they  still,  even  under  vastly 
changed  conditions,  and  with  our  small  knowl- 
edge of  the  problems  that  gave  them  birth,  have 
alfthe  punch  and  knockout  quality  that,  twenty 
years  ago,  marked  every  move  that  Carl 
Laemmle  made. 

The  truth  is  that  Laemmle  advertised  as  he 
worked  If  he  had  a  business  fight  on  his 
hands  he  did  not  hesitate  to  use  paid  advertis- 
inc-  as  a  powerful  weapon  against  his  antagonist 
whether  that  meant  the  "Trust,"  or  crooked 
competition,  or  any  other  evil  which  his  keen 
eve  saw  the  moment  it  bobbed  up  over  the  pic- 
ture horizon.  Carl  Laemmle's  advertisements 
•n  the  trade  press  from  1906  to  the  present  date 
give  an  actual  history  of  his  twenty  years  m 
e  pictu'-e  industry.  It  is  also  a  biographv  ot 
the  man  or  one  might  say,  an  autobiography, 
save  only  the  details  of  his  personal  life.  Con- 
ditions in  the  then  very  limited  trade  paper  held 
encouraged  his  method.  Publicity  as  we  know 
it  now,  was  hardlv  known  then.  As  m  alniost 
every  other  periodical  field  in  those  days,  if  a 
Inisiness  man  favored  a  publication  with  an 
advertisement,  he  was  entitled  to  a  "puff,"  that 
is  a  few  inches  of  reading  matter,  usually  a 
laudatory  description  of  his  plant  or  his  prod- 
bald,  and  uninteresting  to  the  point  of  re- 
;i<r  the  ••eader. 
Laemmle  put  his  publicity  into  his  advertise 
What   he   had  to  say  he  said  in 


uct. 


ments. 


/ords 


Carl  Laemmle  in  1926. 

Trust  busting  advertisements  that 
did   the   work. 


2?  '^ 


with   the   bark  on.      Beginning   with   a 
and   uiucty   scat    house    on    Milwaukee 


hundred 
Avenue, 


THE 


68 


-Stl 


DAILY 


Sunday,  February  28,  kfo ' 


:««i, 


Chicago,  he  had  in  three  years  acquired  a  chain  of  theaters,  had  bid  defi- 
ance to  the  "Trust"  and  its  "two  dollar  a  week  permission  to  shave  your- 
self," as  he  put  it  in  an  advertisement;  he  had  established  hirnself  as  a 
"film  renter,"  with  six  or  seven  exchanges,  and  modestly  proclaimed  him- 
self as  "the  biggest  and  best  film  renter  in  the  world." 

So  interwoven  are  his  personal  activities  and  the  advertised  expressions 
of  his  ideas,  plans  and  visions  of  the   industry's  future;  his  fight   for  inde- 
pendence, not  alone  for   himself,  but   for  all   exhibitors   whether   they   were 
his    customers   or    not,    that   his    entire    career   may    be    traced    through    the 
printed  pages  of  the  trade   press.     He   himself  would   be  the  last   to  claim 
that    he   wrote    every   advertisement    himself.      But    he    supplied  the   weekly 
subject.     He  told  what  he  wanted  to  have  written,  and  he   criticized,   cor- 
rected   and    "pepped    up"    the    copy   submitted   to   him    so    thoroughly    that 
every   printed    display    became   a    faithful    mirror    of   his   mind.     No   matter 
who  wrote  the  copy,  the  advertisement  was  the  work  of  Carl  Laemmle's 
brain.     It   is   not   strange   then,  that   today,  a   score   of   years  later,  the 
strong,   punchy   copy   of   the    Universal    still   reflects    the   virility   of   its 
fighting  president. 

As  the  examples  accompanying  this  article  show,  Carl  Laemmle's 
first  advertisements  were  on  "Laemmle  Service,"  but  he  never  hesi- 
tated to  include  a  paragraph  urging  exhibitors  to  follow  his  lead  and 
become  independent.  Releases  were  none  too  plentiful,  and  many 
times  only  a  shrewd  coup  enabled  the  aggressive  "film  renter"  to 
supply  his  customer's  demands.  Note  the  advertising  beginning,  "I 
bought  124,000  feet  of  brand  new  film  one  day  last  week."  When  he 
opened  a  new  exchange,  or  turned  a  trick  against  the  "Trust,"  or  un- 
covered one  of  its  monopolistic  practices,  he  told  about  it  in  a  paid 
advertisement.  In  words  that  scorched,  and  burned  and  stung,  he 
pounded  away  week  after  week.  It  was  these  public  exposures,  paid 
for  by  Carl  Laemmle,  that  brought  about  the  government  investiga- 
tion that  proved  to  be  the  beginning  of  the  end  of  the  "Trust." 

Though  the  space  used  was  small,  the  inevitable  heavy  border,  and 

the  portrait  with   the   diagonal   line    back- _ 

ground,  always  "dominated  the  page,"  as  if 
the  advertising  men  say,  and  commanded 
attention.  As  for  the  "straight  from  the 
shoulder"  copy,  that  was  read  every  week 
by  everyone  in  the  business,  whether 
friends  or  enemies.  No  literary  graces 
mark  these  verbal  weapons.  Frequently 
slangy,  always  written  in  the  language  of 
the  man  on  the  street,  they  put  over  Carl 
Laemmle's  messages,  and  rapidly  lifted 
him  head  and  shoulders  above  his  com- 
petitors. 

Occasionally    large    space    was    used    to 
make    special    announcements.      No    "ad- 
vance    publicity,"     other     than     word     of 
mouth    gossip,    heralded    the    progressive 
moves    of   the    man    who    always    did    the 
unexpected,   and  who,   having  no   hobbies 
but    his    business,    accomplished    seeming 
miracles    by    the    simple    pro- 
cess of  always  sticking  to  his' 
job.     Whether  the  men  in  the 
industry  throughout  the  coun- 
try  believed    in    him     or     not,' 
there    was    a    constant    tricklel 


The  Pathe  advertisement  in  the  average  style  of  1906-7;  an  Im 
feature  ad;  King  Baggot  (1912)  in  the  first  and  nearest  ai 
proach  to  1926  styles;  another  modern  style  (1912),  and  obven 
and  reverse  of  one  insert  from  the  famous  Blue  Bird  Series — 191( 


PATHB  FRBR.es 

^  FILMS  ^ 


This  Week  s  Novelties 


Ttie  Electilc  Bell 


43.!!0 


ler, 
a  c 

\k 

'Sta 

•IWi 

iijfi 
't  cr 
imai 


ot    supporters 
Laemmle      banner      of 
dependence,    to    develo; 
length  in  a  rush  to  ge 
the   band   wagon   when 
at  length  bid  defiance  to 
"Trust"  and  began  pro( 
ing    pictures    on    his    o 
His  fight  against  the  M    Ij 
ing    Picture    Patents    C( 
pany,    and    later    the    G 
eral    Film    Company 
his    subsequent    victory, 
one  of  the  most  notable 
cidents    in    the    history 
motion   pictures.     The 
nificance    of    the    statem 
so  far  as  this  record  is  c 
cerned    is    that    the    wh 
fight  was  made  public  wi 
after  week  in  the  "Laemr 
Service"    and   the    "Imp"    adverti 
ments. 

So    far    this    has    dealt    only   w 
what  after  all  were  almost  perso 
advertisements,    and    these    cont 
ued   with   but   little    change   in   fo 
or  content  until  the  year   1910.     It  is 
teresting   to   note   what   others    were 
ing  in  the  trade  press   during  this  pei 
Biograph   was  using  quarter   pages,  \  '-'"i 
graph   and    Pathe   full    pages,    and    in 
light  of  their  subsequent  advertising  ■« 
making  but  poor  use   of  their  space.      The  5 
vertisements    of   these    two   then    leaders   repi  '' 
duced    here    are    typical    of    the    advertising 
features  of  the  period  from  1906  to  1910.     Of 
of  the  first   strange   things  to  strike  the  read  '''' 
who   pores   over   these   old   volumes    is   the  fa  '^\ 
that   players  were   never   mentioned   by  name.      Evi"" 
Florence    Lawrence,    popularly    known    as    the    "Hi  *' 
graph   Girl,"  was  not  mentioned  in  the   Biograph  alT't' 
vertisements.      Her   picture   anoears   in   an    "Imp"  Z' 
vertisement    in    December,    1909,    the    first    picture 

I 


!■ ;:; 


llJt 
lit' 


fee 


B . 


THE 


nday,  February  28.  1926 


i^^ 


DAILY 


69 


individual  player  to  be  found  in  the  trade  pa- 
rs.    Ten  months  later  "Reliance"  films  (later 
become  part  of  Universal)  announced  "Ready 
release — the    finest    moving    pictures    in    the 
Hjrld  will   be   issued  under   the   name    Reliance 
ir'  *  interpreted  by  talented  actors  of  reputation 
:luding    Marion    Leonard,    James    Kirkwood, 
aiiry     Walthall,      Phillips     Smalley,     Frankie 
irns,  Anthony  O.  Sullivan,  Gertrude  Robinson, 
hvard   Morrissey  and   Eugene   San- 
r,    the    latter    acting    as    director." 
ne    week    later    these    names    were 
splayed    in    bold-faced    type.      Evi- 
ntly  the  star  system  had  not  even 
en  heard   of.      Even  in   the   current 
fc'iews  players  were  never  mention- 
Carl      Laemmle's     Independent 
otion    Picture    Company,    popularly 
own,  and  releasing  under  the  "Imp" 
md,    for    some    time    followed    the 
evailing   style    of    feature    advertis- 
j:  announcement   of   the  title,   with 
short    synopsis    of    the    story,    and 
ually  the  length  of  the  film.     In  the 
rrent  review  of  the  first  "Imp"  re- 
ise,  "Hiawatha,"  the  reviewer  men- 
med  no  individual  players,  but  said 
le  various    parts  were    depicted   by 
:  entire   company  in  a  sympathetic 
inner."      But   the   players   were   be- 
ining     to      get      recognition.     The 
oving    Picture    World,    every    week 
so,  ran  a  column  under  the  head- 
"Picture    Personalities,"   the   sub- 
:ts    might    be    "manufacturers,"    as 
oducers   were   then   called,   or   busi- 
ss  executives,  or  leading  "renters," 
d  at  last  a  leading  player.      Thus, 
orence     Lawrence's     portrait     and 
)graphy      appeared     in     December, 
[)9,  and   Pearl  White's  in  the  win- 
•  of  the  same  year.     Maurice   Cos- 

10  was  similarly  honored  in  De- 
mber,   1910,  and  Mary  Pickford,  as 

"Imp"  star,  not  until  a  year  later. 
But  a  change  was  coming.  Produc- 
were  beginning  to  see  that  pic- 
res  in  their  advertisements  would 
Ip  sell  their  screen  pictures,  and  in 
:tober,  1910,  the  Reliance  company 

d  a  one  column  cut  of  its  star, 
iss  Marion  Leonard,  in  a  page  ad- 
rtisement.     No  mention   was   made 

her,  however,  other  than  her  name, 
d  "Star  of  the  Reliance  Company" 
derneath  the  cut.  Scene  stills  were 
ming  into  general  use;  in  less  than 
igle  column  sizes  at  first,  and  one 
imagine  the  talk  caused  by  the 
i   Thanhouser    company's   use   of   a 

11  that  filled  half  its  page  advertise- 
;nt.  But  this  was  nothing  to  the 
ring  of  Laemmle,  who  put  out  a 
pecial   Imp  Feature"  which  depict- 

the  life  of  "Count  Beaufort,'"  a  ti- 
d  adventurer  who  had  married  the 
ughter  of  a  wealthy  Chicago  family, 
d   been    promptly    told    that    he   was    persona 
in   grata   until    he   went   to  work.     The    irre- 
essible  Laemmle  used  two  pages  for  his  an- 
luncement   of  this   plunging  enterprise,  and   a 
sek   later   a    full    page   portrait    of   the    Count, 
p  hat,  monocle  and  all. 

But  "C.  L."  had  too  many  irons  in  the  fire  to 
e  all  his  advertising  space  for  the  purpose  of 
losting  his  features.  It  was  in  1910  that  he 
gan    a   series   of   cartoon   advertisements   that 

the  film  industrv  were  as  important  as  the 
homas  Nast  cartoons  were  to  its  citizens 
len  the  series  at  last  out  the  notorious 
'weed  Ring"  out  of  business  in  New  York 
ty.  and  sent  the  hitherto  all-powerful  Boss 
weed  to  tl;ie  penitentiary.  The  Patents  Com- 
nv.  his  old  antagonist,  had  been  absorbed  by 
e  General  Film  Company,  and  the  Laemmle 
rtoons  characterized  it  as  a  thick-necked, 
w-browed  military  man  always  referred  to  as 


"General  Flimco."  Some  of  the  cartoon  subjects 
and  accompanying  opening  lines  of  the  adver- 
tisements seem  positively  libelous  today,  but 
that  was  the  period  of  "muck-raking"  all  big 
businesses  and  little  businesses  that  showed  the 
slightest  sign  of  monopolistic  tendencies  or 
methods;  and  "Gen.  Flimco"  had  indulged  in 
these  to  an  extent  that  made  any  attempt  at 
public  or  printed  defence   impossible.     So,   joy- 


>Ol.V£„ 


a^tio 


'?"^^X'- 


^'*'^^,v,^'  ~  smuon 


of 


■  "T  n, 

"'"Ill 


(Above)  Universal  the  first  producer  to  ad- 
vertise nationally  for  the  benefit  op  exhibitors. 
Large  spaces  were  used  in  the  principal  daily 
papers  of  the  United  States.  (Below)  An  ar- 
ray of  names  that  marked  the  beginning  of 
the  practice  of  featuring  players  (1914). 


ously  the  "General's"  doughty  and  tenacious 
little  enemy  jabbed  away  at  him  week  after 
week,  until  as  he  stated,  in  a  paid  advertise- 
ment of  course,  "When  I  started  after  Gen. 
Flimco'  he  had  7,000  customers— today  he  is  in 
luck  to  have  4,000— the  other  3,000  having  join- 
ed me  in  declaring  independence."  In  another 
advertisement  he  said,  "You  can  Gulliverize 
Gen  Flimco  and  tie  him  hand  and  foot  by  work- 
ing together.  Assert  your  independence  now 
while  the  asserting  is  good."  For  his  New 
Year's  advertisement,  1911,  the  cartoon  showed 
an  exhibitor  kicking  the  general  out  the  door, 
and  the  copy  began:  "Now  that  you  are 
through  with  1910,  start  the  New  Year  right 
by  putting  the  boots  to  Gen.  Flimco." 

The  force  of  Laemmle's  advertised  statements 
regarding  the  "Trust"  was  due  in  no  small 
measure  to  the  circumstance  that  he  was  al- 
ways  right.     He   always   had  the   facts.      The 


"Trust's"  most  damaging,  threatening  letters  to 
exhibitors  would  be  sure  to  find  their  way  into 
Laemmle's  hands,  sent  in  by  some  exhibitor 
who,  though  helplessly  bound  to  it,  was  at  heart 
an  independent  and  doing  everything  he  could 
to  shake  himself  free  of  the  "Trust's"  shackling 
contracts,  royalties  and  other  impositions.  Thus 
he  had  always  ample  ammunition;  the  signifi- 
cant fact  being  that  he  did  not  hesitate  to  use 
it.  It  seems  simple  enough  now,  the 
things  Laemmle  did  in  advertising. 
Easy  after  it  is  all  over  to  trace  the 
successive  steps  by  which  he  won 
independence  for  the  entire  exhibitor 
body;  but  that  is  merely  an  exam- 
ple of  the  saying  that  "hindsight  is 
easier  than  foresight."  This  adver- 
tising battle  was  waged  at  a  time 
when  Laemmle  was  fighting  for  his 
business  life.  Fighting  against  a 
strongly  intrenched  monopoly  that 
had  the  power  and  the  capital  and 
other  means  to  utterly  crush  him  out 
of  existence.  The  one  thing  they 
lacked  was  Laemmle's  business  abil- 
ity, his  shrewdness,  and,  too,  his  in- 
domitable   fighting   spirit. 

If  the  reader  wonders  what  these 
wordy  attacks  had  to  do  with  the  de- 
velopment of  film  advertising,  the  an- 
swer is  ready.  It  taught  many  an 
inexjDerienced  advertiser  the  power  of 
the  printed  word.  It  marked  the  first 
definite  step  away  from  the  conven- 
tional business  advertising  of  the  day, 
and  laid  the  foundations  for  the  fur- 
ther differences  which  now  distin- 
guish entertainment  advertisement 
from  that  of  commercial  lines.  Every 
man  in  the  industry  knows  that  the 
show  business  has  elements  peculiar 
to  itself,  and  that  these  must  be  ex- 
pressed in  showman's  language.  That 
circuses  had  indulged  in  overstate- 
ment and  culled  every  superlative  ad- 
jective from  the  dictionary  long  be- 
fore Laemmle  started  his  own  aggres- 
sive style,  is  beside  the  question. 
Laemmle  used  even  stronger  stuff 
than  the  circuses,  but  he  stuck  to 
facts,  to  the  truth,  without  "fear  or 
favor,"  an  old-time  locution  that 
proves  on  examination  to  be  a  meaty 
one,  and  not  a  mere  catch-phrase. 

To   digress   for   a     moment     from 
Laemmle's    personal    advertising    ac- 
tivities, it   is  interesting  to  note  how 
slowly    the    present    advertising    sup- 
plies  and    props   came    into  use.     In 
July.    1909,    under    the    heading    "Ad- 
vertising   Feature    Films,"   the    Mov- 
ing Picture  World  said:     "Exhibitors 
have   expressed    a    desire     to     obtain 
photographic   enlargements   of  scenes 
from  feature  filins  for  display  in  their 
lobbies.     Some  manufacturers  are  go- 
ing   to    great    expense    in     providing 
large  posters,  lithographed  in  many  colors,  but 
there  are  many  of  the  high-class  show  houses 
that  will  not  exhibit  posters,  no  matter  how  at- 
tractive,  who   would   be    pleased    to    provide   a 
suitable  frame  for  photographs.     Manufacturers 
do  not   see  it   in   the   same  light.      If  they  pro- 
vided  photographs   at   great   expense   to  all   ex- 
hibitors, it  is  doubtful  if  it  would  result  in  the 
sale    of    any    additional    copies    of    the    film." 
(And   get   this) :     "Some    exhibitors   adopt   the 
method  of  cutting  pictures  and  the   story  from 
the   Moving  Picture  World,  and  from  circulars 
sent  by  the  manufacturers,  and  exhibiting  them 
on    bulletin    boards    in    front   of    their    theaters. 
Local  famijy  newspaper  is  also  a  good  medium, 
and  we  would  like  to  see  more  exhibitors  adopt 
this  method.     It  pays,  for  generally,  it  begets 
a   lengthy  mention   of  the  show  in   the   paper." 
Shades    of    all    bygone    press    agents,    where 
were  you  twenty  years  ago? 


THE 


70 


As  for  the  enlarged  photographs  it  was  not 
until  November,  1910;  that  an  advertisement 
of  a  photograph  frame,  with  space  in  the  mat 
for  seven  pictures,  appeared  in  the  advertising 
columns  of  the  World.  But  the  following  week 
Thanhouser  advertised  the  "photoframe,"  at 
$3,50  each,  which  held  portraits  of  the  twelve 
members  of  the  Thanhouser  stock  company. 
Laemmlc  was  not  behind  in  recognizing  the 
value  of  the  suggestion,  only,  in  characteristic 
fashion  he  refused  to  be  hurried  into  putting  an 
inferior  article  on  the  market,  so  that  a  week 
or  so  elapsed  before  he  offered  the  portraits 
of  the  "Imp"  company,  also  twelve  in  number, 
in  a  handsome  frame,  the  nearest  approach  of 
the  time  to  the  modern  lobby  display  frames. 
The  price  was  only  five  dollars,  and  consider- 
ing the  novelty,  the  quality,  and  the  fact  that 
it  formed  a  permanent  and  profitaijle  display 
was  a  good  investment  for  the  exhibitors  who 
welcomed  the  innovation  with  rush  orders  from 
all   parts   of   the   country. 

There  was  surprisingly  little  change  in  the 
trade  paper  advertisements  of  features  from 
1906  up  to  1911.  True,  in  January  of  that  year, 
Laemmle's  "Imp"  advertisement  was  a  full 
page  half-tone  cut,  the  upper  two-thirdt  of 
which  was  a  silhouetted  head  of  King  Baggot, 
against  a  gray  background,  and  King  was  actu- 
ally mentioned  by  name.  This  was  the  first 
and  nearest  approach  to  the  present  style  that 
an  exhaustive  search  of  the  files  reveals.  Later 
in  the  same  year  Vitagraph  began  running  six 
or  more  thumb  nail  half-tone  portraits  of 
players  in  each  advertisement.  Just  why,  can- 
not be  determined  at  this  time,  but  it  was  not 
until  November,  1911,  that  another  half-tone 
pictorial  "Imp"  advertisement  appeared.  In 
the  previous  September,  however,  was  a  strik- 
ing double  spread;  a  background  of  the  froat 
page  of  the  "Charleston  Evening  Post,"  with 
the  "Imp"  advertisement  superimposed  and 
surrounded  with  a  heavy  black  border.  The 
occasion  was  the  Charleston  Flood,  and  the 
heading  reads  "The  'Imp'  Was  There!"  It 
was  a  bit  of  enterprise  that  must  have  caught 
the  Pathe  Weekly,  established  some  months 
before,  napping,  as  the  Pathe  advertisement 
in  the  same  issue  makes  no  mention  of  the 
disaster.  Without  the  adventitious  aid  of  the 
airplanes  of  today,  while  the  disaster  occurred 
on  August  28th,  the  "Imp"  announcement  of 
this  "Special  Release"  did  not  appear  until 
September   16th.     But  it  was  a  "scoop"  at  that. 

As  already  mentioned  the  changes  in  feature 
advertising  were  slow  in  finding  general  ac- 
ceptance. Only  three  times  during  1911  did 
the  "Imp"  use  the  large  still  display,  tiiough 
other  companies  had  followed  the  Thanhouser 
lead  and  begun  the  use  of  one  large  still  in 
place  of  the  customary  four  to  six  small  ones. 
Players'  names  appeared  with  singular  infre- 
quency  in  the  disp'ay  pages,  but  began  creep- 
ing into  the  text  pages  with  publicity  stories 
in  constantly  increasing  numbers.  Scene  stills 
were  used  more  freely  by  the  editors,  some  of 
them  of  half  page  size.  Double  spreads  were 
unusual,  except  that  in  1911  David  Horsely's 
Nestor  company,  afterwards  a  part  of  the  Uni- 
versal, ran  them  frequently.  A  truly  modern 
touch  is  found  in  one  double  spread  used  by 
the    old    World    Films    to    advertise    an    Italian 

production      "The 


■^Hk 


DAILY 


Sunday,  February  28,  IJ 


A  "TrMst-biisting"  advertisement  cartoon  of 
1911 — Fifteen  years  later  appeared  another 
"Last  Stand"  illustration."     {Below) 

tedious  to  trace  the  gradual  improvement  in 
the  copy  and  style  of  all  the  feature  advertisers 
of  that  time,  particularly  so,  as  the  change  was 
really  gradual,  sometimes  imperceptible  from 
issue  to  issue,  but  the  changes  were  being  made 
nevertheless. 

The  first  "insert"  to  be  discovered  was  four 
pages  of  buff  stock  printed  in  green  ink.  In 
the  table  of  contents  it  is  listed  as  "Imp  In- 
sert," but  the  pages  were  shared  by  Kalem 
and  a  manufacturer  of  drummer's  traps.  The 
next  was  in  two  colors  on  buff  stock,  and  ap- 
peared a  month  or  so  later.  Aside  from  the 
use  of  colored  inks  on  tinted  stock  there  was 
nothing  to  distinguish  these  inserts  from  the 
ordinary  page  ads,  except  that  in  the  "Imp" 
insert  is  found  the  first  use  of  a  reproduction 
of  a  strip  of  film,  these  with  scenes  from  the 
Charleston   Flood,  forming  a  border  down  each 


Crusader,'  a  mor- 
tised pen  drawing 
occupying  two  full 
pages.  Except  for 
the  occasional  de- 
oartures  here  men- 
tioned the  adver- 
tising of  motion 
pictures  from  1906 
to  1911  was  about 
as  bad  as  it  could 
be.  The  real  a- 
wakening  came  in 
1912.     It  would  be 


"Custer's  Last  Stand"  is  shown  in  "The  Flam- 
ing Frontier" — an  achievement  which  marks 
Carl  Laemmle's  20th  anyiiversary. 

side  of  the  page.  But  these  were  the  high  spots, 
and  there  is  no  way  of  telling  why,  after  dis- 
covering the  attention-getting  value  of  the  un- 
usual in  a  desert  of  mediocrity  and  the  com- 
monplace, the  principal  user,  the  "Imp,"  (three 
in  a  year),  and  one  or  two  others  even  less 
frequently,  did  not  keep  to  the  style;  why  after 
a  single  splash  they  all  reverted  to  the  previous 
uninteresting  display.  The  "Imp"  advertise- 
ments must  be  considered  exceptions,  however, 
for  Laemmle  was  running  separate  ads  for  his 
Laemmle  Service  and  his  feature  ads  w-ere  like 
nothing  else  in  the  book.  They  were  still  of 
the  "straight  from  the  shoulder"  type,  but  pic- 
torially  less  interesting  than  his  own  innova- 
tions noted  above. 

The  formation  of  the  Universal  Film  Manu- 
facturing Company  in  1912  brought  into  one 
organization  ten  or  a  dozen  of  the  leading 
"brands"  and  the  appellation  "Big  U"  crept  into 
the  earliest  announcements.  Double  spreads 
were  frequently  used.  The  Laemmle  Film  Ser- 
vice, later  part  of  the  new  organization,  to- 
gether with  the  distributing  facilities  of  the 
original  owners  of  the  other  brands  establishing 


I 

Tis  was  |.\M^ 


a  nation  wide  exchange  system.  Thi 
tensively  advertised,  two  or  three  exchani*  ^ 
to  an  advertisement,  the  whole  exchange  J^T. 
nouncement  forming  a  series  that  in  dou|f|'A 
spreads    continued    weekly    for    several    montlj^Vf 

In   the   latter  part  of   1914.  and  with   the  it 
expectedness     of    a     lightning    flash     came    i 
actual  forerunner  of  the  modern  advertiseme   Nil 


a   wash    drawing   of   Uncle    Sam   holding  in  1 

:     ai 
nounced    the    release    of    an    augmented    reisa 


hands     a     submarine.       In     this     Laemmle 


Cj3 


of  "At  the  Bottom  of  the  Sea,"  previous  *i 
mentioned,  and  made  with  the  cooperation  /JiV 
the  U.  S.  Government.  The  Universal  WeekF 
established  in  1912,  took  the  lead  in  the  use 
drawings  instead  of  stills  for  illustration  puj 
poses,  and  soon  set  a  pace  that  was  reflect 
in  the  advertising  pages  of  the  trade  prei 
Universal  at  this  time  was  releasing  tweiit; 
eight  reels  a  week,  principally  one,  two  a: 
three  reelers,  the  latter  being  considered  '•{' 
length"  features.  Special  subjects  being  co:. 
stantly  added  to  the  "Universal  Program,"  tlj 
pictorial  style  was  constantly  used  for  thes 
exploitation.  It  was  not  until  Universal  begaji 
the  making  of  "Broadway  Universal  Featuresl 
in  five  and  six  reels,  with  stars  drawn  from  tM 
legitimate  stage,  that  the  pictures  overshadow 
ed  the  type  matter  in  the  weekly  advertising 
Close  upon  the  heels  of  that  series  came  th 
famous  "Bluebird  Features,"  and  if  ever  Laeir 
mle  showed  himself  to  be  a  daring  and  inspire( 
advertiser  it  was  in  that  notable  series  of  coIo 
inserts,  still  considered  the  high  water  mjtfl 
of  film  advertising.  Like  most  of  Laemmft' 
innovations  the  "Blue  Bird"  series  was  bdp 
of  an  emergency.  There  was  none  too  mwl 
time  to  "get  Blue  Birds  over"  to  the  exhffij 
tors,  and  a  radical  departure  from  all  knowr 
film  advertising  was  required.  The  right  idta 
and  the  right  artist  were  found,  and  if  'C.  L. 
thought  his  instructions  to  produce  somethtpg 
"different"  had  been  exceeded,  he  kept  it  stricfly 
to  hiniself.  Original  and  daring  himself, 
appreciated  the  originality  and  daring  of 
"Blue  Bird"  inserts.  Attracting  world  wt5e 
attention  they  put  "Blue  Birds"  on  the  map 
quicker  than  any  similar  series  of  big  features 
had  ever  been  popularized  and  marketed  be- 
fore. 

Inaugurated  early  in  1916,  the  "Blue  Birds" 
became  the  forerunner  of  such  vigorous  and 
telling  advertisements  as  the  industry  had  never 
dreamed  of.  The  advertising  department  was 
expanded,  an  art  department  added,  and  the 
foundation  laid  for  the  notable  advertising 
product  for  both  itself  and  the  exhibitor  that 
has  since  marked  the  Universal's  advertising 
policy. 

It     is     interesting,     however,     to     note,     that 
great   as    has    been    the    change    in    the    layouts, 
illustrations,     and     physical     aspects     of     Uni- 
versal's  advertisements,    there   still   remains   the 
old    spirit    of    independence;    the    insistence   on 
the      rights      of      the      exhibitor;      the      ringing 
phrases,     and     "straight     from     the     shoulder" 
messages    that    made    his   first    small    announce- 
ment  stand   out   from   all   the   rest   then   appe; 
ing  in   the  one   trade   paper,   way   back   in   191 
Laemmle    has    reached    the    heights    as    a    pro- 
ducer, as  a  distributor  of  pictures.     Few  know 
him    as    an    advertising    expert;     or    pause    to 
think     that     so     busy     an     executive     ever    has 
time    to    give    even    a    thought    to    such    details. 
But  the  record  is  plain.     'To   have  carried  to  a 
gloriously     successful     conclusion,     and     with- 
out     deviation, 
an     advertising 
policy       laid 
down    twenty 
years       ago 
marks    him    as 
one  of  the  great 
advertising   ex- 
perts      of     the 
world   of    busi- 
ness. 


4^ 


m 


cjjjp 


*  If  * 


T 


Anniversary  Greetings 


to 


President  Carl  Laemmle 

UNIVERSAL   PICTURES    CORPORATION 


Heckscher  Building 


New  York,  U.  S.  A. 


Distance  is  no  bar  to  friendship,  and  from 
far  Vienna,  we  send  this  warm  hand  clasp  to 
convey  to  you  our  heartiest  greetings  on  this 
eventful  occasion.  Your  long  and  unblem- 
ished career,  now  marked  by  this  Twentieth 
Anniversary,  is  not  unknown  on  this  side  of 
the  Atlantic,  and  is  to  us  a  constant  source 
of  inspiration  which  should  be  gratifying 
to  you.  It  is  our  earnest  wish  that  your 
Golden  Anniversary  will  find  you  still 
extending  the  felicitations  of  your  friendship 
in  both  business  and  personal  relations. 


EDUARD  WEIL  &  CO 

WEIN  VII,  Neubaugasse  IS 

Distributors  for 
AUSTRIA      ::      ROUMANIA  BULGARIA 


20tft 

ANNIVERSARy 


71 


•  • 


Ui: 


T 


^    T    0^ 


ili 


s^ 


President  CARL  LAEMMLE     Jil 

Universal  Pictures  Corporation 


Heckscher  Building 


New  York 


G  R  E  ir 


^  ^  ^r^  privileged  to  extend  congratulations  avi\ 
May  the  years  ahead  bring  you  the  joy  and  peace  ^  am 
of  productive  activity  you  have  laid  so  sure  and  stro) 
relations  that  have  existed  between  us  in  the  past. 


3llSyi!fe 


72 


5 


c^^- 


rom 


Filmhouse  Bruckmann  &  Company 

Actiengesellschaft 


Friedrichstrasse  25 


Berlin,  Germany 


n  NGS 


ho  ^  from  long  and  close  business  association  with  you  ^ 
'St  wishes  to  you  on  this  your  20th  Anniversary, 
itinued  prosperity^  for  which  through  twenty  years 


i  foundation;  and  may  we  continue  to  share  the  cordial 


iTi 


II 


Greetings  from  Budapest 

to  Mr.  CARL  LAEMMLE 

President  of  the 
UNIVERSAL  PICTURES  CORPORATION 

New  York  City 
on  the  occasion  of  his 

Twentieth  Film  Anniversary 

It  is  with  the  sincerest  feeling  of  cordial  regard  that  we 
extend  to  you  on  this  auspicious  occasion  our  heartiest 
congratulations.  To  have  built  up  so  great  an  institution 
as  the  Universal  is  a  real  achievement;  to  have  made  its 
name  synonymous  with  high  quality  and  the  strictest 
business  integrity,  is  greater.  May  we  express  the  hope 
that  the  pleasant  business  relations  which  have  always 
existed  between  us  will  continue  on  the  same  basis  of 
good  will. 
Again  our  heartiest  felicitations. 


Star    Film    Fabrik   &    Film    Vertrieb   A.G. 
Budapest  IV,  Kossuth-Lajos  Utca  13 

Territory.  HUNGARY,  JUGO  SLAVIA 


10  tk 
ANNIVERSARy 


^ 


/j,ii,„ii^\\^^\^^^ 


74 


Sunday,  February  28,  1926 


m 


75 


HOW  THE  LAEMMLE   EXCHANGES  STARTED 


One  of  the  biggest  surprises  that 
Carl  Laemmle  ever  had  in  his  whole 
,ife  confronted  him  on  February  5th. 
That  was  the  night  of  the  Dinner  and 
Dance  given  at  the  Commodore  Hotel 
by  the  Universal  employees  in  iionor 
of  his  twentieth  anniversary  in  the 
moving   picture   business. 

The  Dinner  and  Dance  wasn't  any 
urprise  to  him;  he  knew  all  about 
that.  But  he  didn't  know  that  his 
,ery  first  employee  in  the  moving  pic- 
ture business  was  going  to  be  there. 
You  can  imagine  his  surprise,  there- 
fore, when,  in  the  midst  of  greet- 
ing some  thousands  or  more  em- 
ployees ?nd  friends,  a  tall  young  maji 
^tood  in  front  of  him,  and  taking  off 
lis  glasses,  said: 

'Do  vou  remember  me,  Mr.  Laem- 
Inle?" 

Laemmle  has  a  famous  memory  for 
faces.  He  can  pick  a  face  that  he 
lias  seen  out  of  a  crowd,  and  he  can 
ell  you  almost  exactly  what  any  one 
if  his  exchanges  did  on  almost  any 
month  of  any  year  that  you  might 
iiention  to  him.  And  he  was  not 
tumped  by  this  face,  although  he 
ladn't   seen   it  for   nineteen  years. 

Peering  intently  up  at  him,  he  star- 
ed "you  used  to  work  for  me — in 
me  of  my  theaters — you  were  an  op- 
erator. By  gosh,  I  believe  you  were 
he  first  man  I  ever  employed  in  the 
noving  picture  business." 

'I  am,"  said  the  tall  man,  "and  I 
ook  off  my  glasses  so  that  I  would 
ook  as  nearly  like  I  did  when  I 
ivorked  for  you  as  I  possibly  could — 


I  cannot  help  the  grey  hair.  I've 
come  by  it  honestly.  I  don't  suppose 
you  remember  the  name,  so  I'll  tell 
you — Charles  Chasteen.  I  started  to 
run  the  old  machine  in  your  place 
several  weeks  after  you  opened. 
George  Gilmore  recommended  me  to 
you." 

"Well.  I  am  mighty  glad  to  see 
you,  Charlie"  —  and  "I'm  mighty 
glad  to  see  you,"  said  Chasteen.  "I 
want  to  congratulate  you  on  this 
twenty  years,  the  start  of  which  I  re- 
member so  plainly." 

"And  do  you  know,"  he  said,  as 
he  turned  away  after  a  few  minutes 
talk  witii  Mr.  Laemmle,  "that  it  was 
due  to  an  unpardonable  mistake  on 
my  part  that  Mr.  Laemmle  rose  so 
rapidly  in  the  business." 

And  this  is  the  astounding  story 
that  he  told: 

"I  had  come  up  to  Chicago  from 
St.  Louis  where  I  had  been  on  the 
fringe  of  the  show  business  for  a 
little  while.  I  had  always  been  in- 
terested in  machinery  and  machines, 
and  whei-  I  saw  one  of  those  Hale's 
Tours  operating  in  Chicago,  I  wanted 
to  see  more  than  the  front  of  it,  so 
I  went  back  and  examined  the  pro- 
jecting ;,  achine.  It  did  not  take  me 
more  than  a  day  or  so  before  I  knew 
all  about  how  that  machine  worked, 
and  when  an  opportunity  came 
I  jumped  in  and  started  to  run  one 
myself  for  George  Gilmore.  Gilmore 
was  one  of  the  few  operators  in  Chi- 
cago at  that  time.  I  don't  believe 
that  in  a'l  there  were  more  than  nine. 


"I  was  in  Chicago  when  Mr. 
Laemmle  saw  his  first  moving  picture 
theater.  It  was  Dan  Lingarda's 
house  down  in  the  Italian  section  on 
Halstead  and  Taylor  Streets,  and  I 
remember  well  Dan's  telling  me  how 
Laemmle  came  and  carefully  counted 
the  number  of  people  that  went  in  to 
every  single  show,  and  estimated  the 
amount  of  money  that  the  cvistomers 
left  in  the  box-office.  It  was  that 
show  thyt  determined  him  to  go  into 
the  moving  picture  business.  I  didn't 
operate  his  first  machine — George  Gil- 
more installed  the  machinery  and  ran 
it  for  a  few  weeks.  Then  he  intro- 
duced me  to  Mr.  Laemmle,  and  with 
one  other  man  I  was  the  only  one 
outside  of  his  immediate  family  whom 
he  employed. 

"The  great  mistake  which  turned 
out  so  happily  was  this: 

"One  day  we  were  running  a  pic- 
ture called  "The  Fat  Woman's 
Trouble,'  and  you  can  iiet  that  she 
caused  us  trouble  enough  that  day. 
For  some  reason  or  other,  old  man 
Lewis,  who  ran  one  of  the  few  Chi- 
cago exchanges,  wanted  his  film  back, 
and  I  v-as  dumb  enough  to  let  him 
take  it  away  from  me  just  before  the 
heater  \\j,s  to  open  for  the  day.  When 
I  realized  that  he  was  going  to  cart 
it  vay  I  was  almost  crazy.  I  don't 
know  how  I  ever  let  that  happen, 
but  I  did,  and  there  we  were  with- 
out any  show.  When  Laemmle  came 
around  I  was  afraid  to  tell  him,  but 
I  had  to.  He  took  it  much  better 
than   I   expected  he  would. 


■'  'Well.'  said  he,  'you  let  the  show 
pet  away,  what  do  you  propose  to 
do   now:'  " 

"Then  an  inspiration  came  to  me.  I 
lemembered  I  had  seen  an  old  Pathe 
picture  called  'The  Pearl  Fisher's 
Dream,'  which  had  several  hand- 
colored  scenes  in  it,  and  I  knew  that 
it  was  for  sale,  so  I  suggested  to 
Laemmle  that  he  buy  it — there  being 
nothing  else  to  do.  Laemmle,  with 
some  di'Ticulty,  dug  up  ninety-six  or 
so  necessary  dollars,  and  went  down 
and  bought  'The  Pearl  Fisher's 
Dream." 

"In  tliosc  days  we  either  ran  the 
film  until  it  was  worn  out,  or  until  we 
got  another  one.  In  this  case  we  got 
another  one  pretty  quick,  and  I  sug- 
gested something  to  Laemmle  which 
might  h;.ve  changed  his  whole  out- 
look on  the  moving  picture  business. 
I  suggested  that  he  rent  out  this 
film  to  other  theaters;  and  that  is  ex- 
actly what  he  did.  'The  Pearl  Fisher's 
Dream'  was  the  start  of  Carl  Lacm- 
mle's  exchange  business.  It  was  the 
first  picture  he  ever  owned  outright, 
and  the  first  one  he  ever  leased  to 
an>'  othjr  theater,  and  I  don't  know 
when  he  would  have  started  to  do 
that — although  I  know  that  he  would 
have  done  it  eventually,  if  it  had  not 
been  for  my  darn  foolishness  and 
stupiditv  in  letting  old  man  Lewis  get 
away  with  'The  Fat  Woman's 
Troubles  ' 

Chasteen  is  now  manager  of  the 
Forest  Hills  Theater,  in  Forest  Hills, 
L.  I. 


THEY  WORE  UNIVERSAL   PUTTEES 


If  the  Universal  screen  has  been  a 
veritable  stamping  ground  for  the  de- 
relopment  of  stars,  its  prop  rooms 
lave  equipped  many  a  stalwart  and 
imbitious  director  with  pattees  and 
■negaphone.  Many  directing  geniuses 
lave  learned  their  craft  in  Univer- 
sal  studios,   and   the   names   ^i  many 


Thomas  H.  Ince,  in  his  Imp  days 


of  the  industry's  greatest  picture 
makers  have  been  emblazoned  on  the 
canvas  backs  of  its  studio  camp- 
chairs. 

Back  in  the  old  days  of  the  Imp 
Company  one  traces  the  beginnings 
of  the  careers  of  men  who  have  writ- 
ten screen  history.  The  late  George 
Loane  Tucker  carved  out  a  niche  for 
himself  in  the  hall  of  fame  by  mak- 
ing for  $6,000  the  six  reel  "Traffic 
in  Souls"  picture  which  grossed  a 
quarter  of  a  inillion  dollars.  Herbert 
Brenon  directed  "Neptune's  Daugh- 
ter," as  well  as  scores  of  other  lesser 
Imp  pictures.  Thomas  H.  Ince  soon 
graduated  into  the  directing  class,  and 
almost  as  rapidly  into  the  more  select 
one  of  producers.  Robert  Leonard 
for  many  years  played  in  pictures 
which  he  himself  directed,  with  Flla 
Hall,  until  he  became  a  feature  direc- 
tor. Rupert  Julian  developed  on  the 
Universal  lot  from  a  star  into  a  direc- 
tor. Jack  Dillon,  Tod  Browning, 
Elmer  Clifton,  Francis  Ford  and  Jack 
Ford,  King  Baggot.  Hobart  Henley, 
Marcel  de  Saiio.  Phil  Rosen,  Jack 
Conway,  Ben  Wilson,  John  Adolphi, 
O.  A.  C.  Lund,  Clarence  Badger, 
Reginald  Barker,  William  Beaudine. 
Louis  Chaudet,  Al  Christie,  Joseph 
de  Grasse,  Alan  Dwan,  Reeves  Kason, 
Harry  Franklin,  Louis  Gasnier,  Char- 
les Giblyn,  Alan  J.  Holubar.  T. 
Hayes  Hunter,  Rex  Ingram,  Jacques 
Jaccard,  Erie  Kenton,  Henry  Lehr- 
man,  Henry  MacRae,  Harry  Millardc, 


William  Nigh,  John  Noble,  Stuart 
Paton,  Leonce  Perret,  George  L.  Sar- 
gent, Al  Santell,  Paul  Scardon,  Mau- 
lice  Tourneur,  Laurence  Trimble, 
Travers  Vale,  Charles  Brabin,  Eric 
von  Stroheim  and  Wallace  Worsley, 
are  all  names  well  known  in  the 
realm  of  the  feature  photoplay. 

Universal  also  has  the  distinction 
of  having  developed,  more  than  any 
other  company,  the  woman  director. 
The  most  famous  in  this  category  is 
Lois  Weber,  who  began  in  the  old 
Rex  Company,  and  who  is  again  on 
the  Universal  lot  directing  Mary 
Philbin  in  "The  Star  Maker,"  adapted 
from  Dana  Burnett's  "Technic."  Ida 
May  Park  made  a  number  of  splendid 
productions  for  LIniversal  in  the  old 
days,  as  did  Ruth  Anne   Baldwin. 

Universal  also  has  a  corps  of  splen- 
did directors  on  its  lot  at  the  present 
time,  many  of  whom  it  has  developed. 
William  A.  Seiter,  for  instance,  one 
of  Univcrsal's  best  directors,  secured 
his  first  job  on  the  Universal  lot  as 
an  extra.  King  Baggot,  with  the 
exception  of  one  or  two  years,  has 
been  in  Laemmle's  employ  for  four- 
teen years  as  actor  and  director.  He 
is  now  producing  Gertrude  .^therton's 
picture,  "Perch  of  the  Devil."  Her- 
bert Blache,  who  has  just  finished 
"The  Mystery  Club,"  is  much  for 
famous  as  a  Universal  director  than  ho 
ever  was  in  the  old  days  of  the  Solax. 
when    you    could    count    the   principal 


producers  on  the  fingers  cf  Iniii 
hands.  Fd  Slomaii.  who  is  now  di- 
recting "The  Old  Soak,"  <-tarted  with 
L'nivcrs;i)  in  the  old  "Trey  ot  Hearts" 
serial,  and  his  first  director's  work 
was     "Under     the     Crescent"     series. 


King  Baggot,  in  his  early  days 
with  Imp. 


w 


CARL  LAEMMLE 

PRESIDENT 
UNIVERSAL  PICTURES  CORPORATION 

New  York,    U.    S.   A. 

It  gives  us  the  greatest  pleasure 

To  be  permitted  to  join 

In  the  World-wide 

Outpouring  of 

Congratulations, 

Friendship  and 

Good  will — 

On  the  occasion  of  your 

20th  Motion  Picture  Anniversary 

Will  you  accept  this 

Tribute 

As  an  expression  of 

Our  sincere  best  wishes 

For  your  continued 

Success  in  the  field 

Where  you  have 

Dominated  for 

Twenty  historic  years. 

From  far  oflF  Athens 

We  salute  you. 

JOSEPH  MARGULIES 


CANINGOES  STREET 


ATHENS,  GREECE 


ANNIVERSARy 


76 


Sunday,  February  28,  1926 


nth  Princess  Ibrahim  Hassan.     Ed 
;ard   SedgAvick,   who   has   just   com 
leted  "The  Flaming  Frontier,"  star- 
ted  with    Universal    as    a    comedian, 
nine  years   ago.      Edward    Laemmle, 
I  who  is   directing   the    John    Emerson 
ind    Anita    Loos    stage    play,    "The 
Whole   Town's   Talking,"    began    his 
picture  career  with  Carl  Laemmle  as 
in  errand   boy   in    the    White    Front 
r.'ieater    on    Milwaukee    Avenue    in 
Chicago,  twenty  years  ago. 

Harry  Pollard,  who  will  make  "Un- 
:le  Tom's  Cabin,"  went  to  Califor- 
lia  with  Laemmle's  first  company  to 
ake  advantage  of  the  Los  Angeles 
iunshine.  Lynn  Reynolds,  who  sev- 
!n  years  ago  was  regarded  as  the 
icreen's  premier  outdoor  director,  is 
)ack  again  at  Universal  City,  direct- 
ng  House  Peters  in  "Prisoners  of 
he  Storm,"  by  James  Oliver  Cur- 
vood.  Sfven  Gade,  the  director  to 
vhom  L^niversal  gave  the  first  op- 
)ortunity  in  this  country,  has  just 
ompleted  "Watch  Your  Wife."  And 
Jniversal  will  introduce  to  America 
hat  excellent  German  director,  E.  A. 
)u  Pont,  whose  "Variety"  is  now 
aking  Europe  by  storm. 


Old  Time  Deliveries 

So  rapid  was  the  growth  of  the 
.aemmle  Film  Service  that  its  sh:p- 
)ing  facilities  frequently  proved  in- 
idequate  to  handle  the  suddenly-aug- 
nented  business,  according  to  Abe 
stern,  now  vice-president  of  Stern 
Brothers,  who  with  Louis  Laemmle 
lad  charge  of  despatching  programs 
0  exhibitors  of  twenty  years  ago. 
"urther  difficulties  were  encountered 
lecause  the  express  companies  were 
low  to  realize  the  importance  of  de- 
ivering  consignments   promptly. 

The  Laemmle  Film  Service  at- 
ained  its  success  almost  overnight. 
Hie  sudden  response  to  Laemmle's 
)Iea  that  exhibitors  support  his  cam- 
>aign  for  Independence  overwhelmed 
IS.  Our  business  grew  by  leaps  and 
)ounds,  and  where  during  the  pre- 
'ious  week  we  had  shipped  one  pro- 
;ram  to  a  city,  a  week  later  we  were 
lespatching  three,  four  and  five  times 
hat  many. 

"So  flooded  were  we  with  orders 
hat  we  had  to  work  at  top  speed, 
lay  and  night,  to  get  our  shipments 
)Ut  on  time.  Frequently,  after  an 
:ighteen  hour  day,  mistakes  would 
)ccur,  and  we'd  get  the  labels  mixed. 
kVhen  the  exhibitor  frantically  tele- 
graphed to  us  saying  we'd  sent  him 
he  same  picture  he'd  shown  a  week 
)r  two  before,  we  told  him  he'd  have 
o  run  it  again,  as  we  didn't  have 
;nough  product  on  hand  to  supply 
he  ever-increasing  market. 

"The  worst  offenders  in  adding  to 
he  already  existing  confusion  were 
he  baggage  men  on  the  trains.  Not 
ealizing  the  importance  of  prompt 
lelivery,  they  would  often  find  their 
•apn'age  cars  contained  film  cans 
hat  should  have  been  dropped  off 
everal  stations  back.  Their  idea  of 
ighting  matters  was  to  throw  the 
tuff  off  at  the  next  stop,  regardless 
^f  the  destination  on  the  label,"  Mr. 
stern  concludes.  "Considering  the 
landicrips  under  which  they  operated, 
t's  a  marvel  to  me  that  exhibitors  in 
he  early  days  functioned  as  well  as 
hey  did." 


The  First  Tie-up 

The  first  recorded  one,  at  all  events. 
Appearing  in  "The  Implet,"  the  old 
house  organ  of  Imp.  Here  it  is,  14 
years  old,  and  as  good  a  tie-up  as 
may  be  noticed  as  an  average  today. 


The  Imp  Films  Company,  with  offices  in 

New  Vork,  Chicago  and  a  dozen  European  cities,  u*e«  /« 
Ikmund  lilttriaJi  s  writ— or  520.000  a  yeai-— »ometime« 
many  more  than  thai.  The  conuMoy  imc«  OLD  COUNCIL  TREE 
BON  O  nciiHiTctr.  tad  the  reaKMH  Prcvtkm  C«H  Laenunle  livn  in  t>r*r 
"The  men  that  I  write  to  m  vide.ewake  ud  mj  much  Mp.todate.  If 
1  ■AhTtd  Umn  oa  Uster  aalidnry   Ihr/d  |K  wr».      Vatj  vtwld  'nfanl  .t    u 


NeiMh  FVpeh  Company 

-■        \V«a    U  X  A. 


The  advertisement  appeared  in  The 
Chicago  Tribune  and  other  publica- 
tions, and  in  the  newspapers  was 
about  eight  times  as  large  as  the 
cut. 


What  Will  We  Use 
for  Money.'' 

By  Julius  Singer 

One  Edison  projector  comprised 
the  stock  of  machines  available  for 
customers  of  the  Laemmle  Film  Ser- 
vice during  the  first  year  of  busi- 
ness. This  machine  was  sold  and 
resold  to  exhibitors  who  were  com- 
pelled to  wait  until  another  projector 
was  shipped — C.  O.  D.,  no  credit — 
from  New  York.  The  customer 
thought  he  was  buying  the  sample  on 
view;  but  Carl  Laemmle  wasn't  tak- 
ink  any  chances  of  having  his  "prop- 
ci         projector  leave  the  premises. 

Orders  for  additional  machines 
were  scribbled  on  bits  of  scratch  pa- 
per, and  Maurice  Fleckle's  handwrit- 
ing being  as  illegible  as  Horace 
Greeley's,  shipment  from  the  Edison 
factory  usually  was  held  up  until  a 
telegram  query  solved  the  mystery  of 
his  pencilled  hieroglyphics.  The  pro- 
jection machine  manufacturers  were 
not  the  only  ones  to  suffer,  as  the 
Laemmle  Film  Service  was  continu- 
ally ordering  new  supplies  of  car)>ons, 
condensers,  chairs,  booths  and  even 
bed  sheets  (for  screens)  as  well  as 
graphaphones  (for  orchestral  pur- 
poses"). 

Later,  Laemmle  gave  up  the  Edison 
for  the  Nicholas  Power  projector,  not 
only  because  he  thought  it  a  bet- 
ter machine,  but  because  its  manu- 
facturer allowed  him  ten  days' 
credit.  Money  was  so  scarce  that, 
even  with  ten  days'  credit,  it  was 
frequently  necessary  to  "forget"  to 
si^n  checks  that  were  mailed  to  manu- 
facturers, in  order  to  "stall  for  time." 


An  abject  apology  always  followed 
the  "oversight,"  a  delay  of  a  few 
days  thus  being  gained  to  enable  the 
Laemmle  Film  Service  to  collect  en- 
ough money  to  back  up  its  checks. 

Partly  due  to  the  scarcity  of  money 
and  partly  to  the  paucity  of  product, 
Laemmle  was  compelled  to  operate 
with  a  limited  number  of  films.  There 
were  no  states  rights  or  territorial 
concessions  twenty  years  ago,  and  all 
exchanges  handled  the  same  pictures. 
Often  an  exhibitor  would  receive  the 
same  subjects  from  different  ex- 
changes, while  it  was  a  frequent  oc- 
currence for  two  houses  in  the  same 
neiphborhood  to  show  identical  pro- 
grams concurrently. 


A  Modern  Fairy  Tale 

Many  books  have  been  written 
about  the  success  achieved  in  the  land 
of  opportunity  by  sons  and  daughters 
of  the  old  world.  They  are  the  sil- 
ver lining  of  our  immigration  history 
— the  high  spots  in  the  tale  of  im- 
migration which  began  with  the  voy- 
age of  the  Mayflower. 

But  in  all  this  library  of  gilded 
literature,  there  is  no  tale  more  as- 
tounding than  that  of  the  four  young 
men  who  came  over  from  Germany 
on  the  Steamship  Neckar,  and  landed 
in  New  York  in  1885.  Their  names 
were  Julius  Klugman,  Leopold  Hirsh- 
field,  Julius  Hilder  and  Carl  Laem- 
mle. Each  had  $50  in  his  pocket  af- 
ter paying  his  passage  money.  Each 
of  them  became  a  millionaire  in  the 
land   of   opportunity. 

On  the  day  they  landed  these  young 
men  decided  to  keep  in  touch  with 
each  other,  but  they  did  it  only  at 
intervals,  and  it  was  not  until  thirty- 
five  years  after  that  they  had  an  an- 
niversarj'  of  their  entry  into  this 
country.  At  that  time  Leopold  Hirsh- 
field  was  the  millionaire  president  of 
a  candy  company.  He  has  since  pas- 
sed away.  Julius  Hilder  was  a  part- 
ner in  the  big  export  and  import  firm 
of  Samstag  &  Hilder  Brothers,  Jul- 
ius Klugman,  head  of  the  fur  com- 
pany of  Julius  Klugman  &  Sons,  and 
Carl  Laemmle  was  president  of  the 
Universal  Film  Mfg.  Co..  now  the 
Universal  Pictures  Corporation. 

Thus  does  opportunity  reward 
those  who  pursue  it  with  honest  pur- 
pose and  whole-hearted  endeavor. 


Bob  Leonard's  company  at  Universal. 
Note   Valentino  at  upper  right. 


A  Travellin'  Man 

Carl  Laemmle — globe-trotter  extra- 
ordinary. 

The  most  widely  traveled  man  in 
the  industry  is  Carl  Laemmle.  who 
has  covered  more  miles  during  his 
twenty-year  motion  picture  career 
than  Marco  Polo,  Burton  Holmes  and 
Edward  Payson  Weston  combined. 
Even  now,  on  the  twentieth  anniver- 
sary of  his  entry  into  the  industry, 
instead  of  staying  at  the  Universal 
Home  Office  in  New  York  to  receive 
the  plaudits  of  his  many  admirers 
and  well-wishers,  he  is  adding  a  few 
thousand  miles  to  his  travel  log,  pay- 
ing a  hurried  visit  to  Universal  City, 
California. 

The  twentieth  anniversary  of  Carl 
Laemmle's  entry  into  motion  pictures 
is  also  being  signalized  by  another 
record  established  by  the  "U"  chief. 
This  month's  trans-continental  trip 
brings  Laemmle's  mileage  to  the  half- 
million   mark. 


Mae  Murray  golfing,  with  "Bob" 
Leonard  instructing. 

Eleven  round  trip  crossings  of  the 
Atlantic  since  his  entry  into  the  in- 
dustry establishes  a  total  of  77,(X)0 
miLss  of  water  traversed  by  Laem- 
mle. On  each  of  these  trips  to  Eu- 
rope he  has  traveled  the  length  and 
breadth  of  the  continent — England, 
France,  Germany,  Czecho-Slovakia. 
Switzerhmd,  etc.,  etc. — averaging  5,400 
miles  of  land  per  trip.  On  his  eleven 
European  journeys  he  has  traveled 
by  train  and  auto  no  less  than  59,400 
miles.  This,  together  with  his  nauti- 
cal niilc.igc,  gives  him  a  total  of  136- 
400  miles  traveled  outside  the  United 
States. 

In  this  country,  Carl  Laemmle  has 
made,  on  the  average,  three  round 
trips  to  Universal  City  per  year  since 
1910.  In  the  past  sixteen  years  he 
has  traversed  the  continent  ninety-six 
times,  running  up  a  total  of  336,000 
miles.  Added  to  his  European  and 
Atlantic  mileage,  this  establishes  a 
total  of  472,000  miles.  A  yearlv  trip 
to  Chicago  since  1912  adds  28,000 
miles  to  his  total,  giving  Carl  Laem- 
mle an  aggregate  of  500,400  miles,  ex- 
clusive of  pleasure  trips,  equivalent 
to  twenty-one  trips  around  the  world. 

From  the  standpoint  of  compari- 
son with  planetary  distances  500,400 
miles  is... well,  it's  a  lot  of  miles  for 
one  man  to  have  traveled  since  his 
fortieth  birthday. 


qp 


CARL  LAEMMLE 


President 
Universal  Pictures  Corporation 

New  York,  U.  S.  A. 


May  the  great  achievements  of  your 
past  twenty  years  be  but  the  burst  of  an 
effulgent  dawn — Ughting  your  path  on- 
ward to  the  highest  pinnacle  of  success 
in  the  future. 

As  your  years  increase,  may  they  con- 
tinue to  bring  to  you  the  blessings  of 
health,  happiness  and  prosperity,  and 
the  amenities  of  good  will  and  friend- 
ship— as  well  as  the  unswerving  loyalty 
of  your  business  associates,  among 
whom  we  are  proud  to  be  numbered. 


C^l^ 


raissi  freres 


CARL  LAEMMLE 


President 
Universal  Pictures  Corporation 

Congratulations 
on  Your  20th  Motion 
Pifiure  Anniversary 


Since  not  the  least  of  your  accom- 
plishments during  the  past  twenty  years 
has  been  the  establishment  of  your  lead- 
ership in  the  international  film  market, 
it  gives  us  great  Jpleasure  to  send  you 
from  this  far-flung  distributing  point 
our  sincere  wishes  for  your  continued 
happiness  and  prosperity. 

We  are  glad  to  be  connected  with 
your  marvelous  organization  whose 
efforts  have  made  possible  the  fact  that 
"  The  sun  never  sets  on  Universal  Pitfures." 

Again   our  hearty   congratulations. 


american  films 
consortium 


«M  9 


OJ: 


IM 


hi 


78 


THE 


Sunday,  February  28,  1926' 


79 


Hobbies 


A  cartoon  showing  some  of  C.  L.'s  hobbies. 


To   Hiose    who    see    Carl    Laemmle 

ily  in  the  office  or  upon  l)usiness,  it 

ight   seem   that   he   had   no   hobbies 

iiatever.    and    apparently    he    hasn't. 

e  is  a  man  with  an  insatiable  desire 

id  capacity  to  work.     He  leaves  very 

;tle  time  to  play  in  his  schedule.  He 

living   refutation   also   of   the   most 

[iivcrsally  accepted  axiom  that  to  be 

big   executive,    a    man    must    leave 

tails  entirely  to  others. 

Bv  pure  force  of  application,  Lacm- 

le'  not    only    plans    his    campaigns. 

s  organization,  and  his  far-reaching 

jsiness,    but    no    drudgery    of    detail 

too  unimportant   for   him   to  know 

)out  or  concern  himself  with 

nd  still  this  man  has  hobbies.  It 
n't  unnatural  that  a  man,  whose 
asiness  life  is  as  full  of  thrills, 
locks  and  excitement  as  Laemmle's 
s  been,  would  need  a  rather  violent 
■nusement  to  satisfy  him.  It  is  prob- 
)ly  true  that  the  greatest  relaxation 
the  way  of  a  hobl)y  with  Laemmle 
horse  racing.  If  anything  can  tear 
111  aw^ay  from  his  desk  on  a  busy 
!.v,  it  is  an  invitation  to  Belmont, 
le  Empire  track,  Tia  Juana  or  Long- 
lamps.  He  is  a  true  lover  of  horse 
esh — not  only  on  account  of  the 
irill  which  racing  gives  him,  but  be- 
luse  he  knows  horses  and  loves 
lem. 

At  Universal  City  recently  he  es- 
blished  a  stable  to  which  he  is  con- 
antly  adding  thorough-breds  which 
ivc  taken  his  fancy.  These  not  only 
e  a  gratification  of  his  love  for 
)rscs,  but  they  also  play  a  utilitarian 
irt  in  the  scheme  of  things  at  Uni- 
>rsal  City,  and  arc  very  frequently 
en  in  Universal  pictures. 
.\nother  hobby  of  Laemmle's— and 
lu  will  notice  that  very  few  of  his 
ibbies  are  without  some  reasonable 
:cuse  other  than  the  mere  collection 
animals  or  things  in  which  he  is 
tcrested — is  a  chicken  farm  on  the 
niversal  City  back  ranch.  Laemmle 
very  fond  of  chicken,  and  when  he 
St  went  to  Califronia  the  prevalent 
iccies  there  was  as  thin  and  cadaver- 
is   as   a    Tennessee   razor-back.      In 


fact,  the  whole  of  California  scarcely 
knew  what  a  real  chicken  looked  like, 
or  tasted. 

Now,  it  seems  that  in  Laemmle's 
eager  youth,  he  made  up  his  mind 
what  he  intended  to  do  at  some  time 
in  his  life.  He  once  spent  a  year  on 
a  South  Dakota  farm.  He  frequently 
ascribes  to  that  year  the  splendid 
foundation  of  health  which  has  en- 
abled him  to  put  in  twelve  to  eighteen 
hours  a  day  of  the  hardest  kind  of 
application  in  business.  But  here  he 
came    to    love    animals    as    he    never 


had  loved  them  before,  and  while  he 
was  on  that  farm  an  ambition  took 
possession  of  him  to  have  a  farm  or 
ranch  or  an  estate  of  his  own  upon 
which  he  could  raise  every  kind  of 
animal  and  every  sort  of  vegetable 
and  shrub.  Almost  every  year  of  his 
life  since,  he  has  planned  that  ranch 


in   anticipation. 

Some  day  he  may  realize  it.  He 
hasn't  yet.  If  he  docs,  it  will  be 
the  supreme  hol)by  of  all;  but  so  far 
he  has  been  too  busy  to  devote  suffi- 
cient time  to  plan  and  acquire  the 
only  big  dream  of  his  life  for  him- 
self. 


Development  of  the  News  Weekly 


By  'WM.   J.   GANZ 

(One    of    the    first    cameramen    em- 
ployed by  the  Old  Animated  Weekly) 

Originally  released  once  a  week, 
the  (Universal)  Animated  Weekly 
was  one  of  the  first  news  reel  to  alter 
its  polic)'  and  appear  semi-weekly. 
Considerable  hesitation  delayed  this 
innovation,  however,  as  Universal 
feared  the  additional  expense  would 
be  prohibitive;  but  Mr.  Laemmle  was 
insistent. 

Although  the  enterprising  feats  of 
the  early  news  reel  cameramen  were 
at  the  time,  considered  daring  and 
brilliant,  they  would  pale  into  insig- 
nificance if  compared  with  the  coups 
of  the  present  day  photographers.  The 
old  timers,  it  must  be  said,  established 
a  tradition  of  courage  and  quick-wit- 
tediiess  that  has  imbued  in  the  cam- 
eramen of  today  a  desire  to  manifest 
the  same  alertness   and  efficiency. 

In  obtaining  my  biggest  scoop— -ex- 
clusive   shots    of    the    munitions    ex- 


The  chicken  ranch  at  Universal  City;  Laemmle's  pet  hobby. 


plosion  at  Kingsland,  N.  J. — I  was 
wounded  by  flying  shell  fragments, 
but  kept  on  grinding  until  a  piece  of 
siirapncl  carried  away  the  leg  of  the 
tripod,  causing  the  camera  to  crash. 
Two  other  Animated  Weekly  cam- 
eramen, U.  K.  Whipple  and  Joe 
Rucker,  also  had  narrow  escapes  while 
on  duty.  During  the  Bayonne  riots, 
strikers  attacked  them  and  tried  to 
demolish  their  cameras,  as  they  feared 
the  pictures  would  be  used  as  evi- 
dence against  them  in  court  if  they 
were  brought  up  on  charge  of  riot- 
ing.      Both    narrowly    escaped    with 

their  lives and  the  pictures! 

My  camera  was  almost  ruined  in 
the  Suffragist  demonstration  at 
Washington  on  the  eve  of  Wilson's 
second   inauguration. 

Although  scenes  protographed  from 
an  aeroplane  now  appear  with  such 
frequency  as  to  be  considered  in  the 
nature  of  "stock  shots,"  Laemmle's 
Animated  Weekly  was  the  first  news 
reel  to  send  a  cameraman  up  in  a 
plane.  Mort  IHanders,  piloted  by  the 
late  Lawrence  Sperry,  photographed 
New  York  City  from  the  air  for  the 
first  time,  for  which  feat  his  weekly 
salary  was   raised  from  $20   to  $25. 

In  the  early  days,  when  twenty  or 
twenty-tive  copies  of  a  reel  were  sold 
as  against  three  or  four  hundred  to- 
day, every  effort  was  made  to  keep 
expenses  at  a  minimum.  An  amusing 
story  is  told  of  a  novice  cameraman 
on  the  Animated  Weekly  who,  heed- 
ing his  superior's  constant  injunction 
not  to  waste  film  thought  to  econo- 
mize by  grinding  his  camera  slowly 
on  a  funeral  procession.  The  result, 
although  perhaps  economical,  was 
startling.  Just  as  rapid  cranking 
results  in  slow  motion,  so,  inversely, 
did  the  film-sparing  novice's  slow 
grinding  have  the  effect  of  making 
the  hearse  and  cortege  race  across 
the  screen  in  the  best  slapstick  com- 
edy manner. 

This  policy  of  strict  economy 
placed  me  on  the  Animated  Weekly 
payroll.  Jack  Cohn,  in  charge  of 
the  news  reel,  did  not  wish  to  in- 
crease the  company's  pay  roll  and. 
when  I  asked  for  a  job,  he  suggested 
I  go  to  Philadelphia  where  a  free 
lance  photographer  was  needed.  As 
a  free  lance.  T  made  so  much  money 


Wuh    compliments    to 

Mr.  CARL  LAEMMLE 


PHONE     C   C   Q  O 
CIRCLE:     ^    ^   O  O 


Carranza  &  Co.,  Inc. 

Quality  Printers 


tl 


The  Spanish  and  Portuguese 

PRINTERS 

of  the  Leading  Houses  of  the 
Moving  Picture   Industry 


136  WEST  52nd  STREET 
NEW   YORK    CITY 


iwi 

m 

*  T  * 


»<>-^^U^^(l^^(l« 


>-l)-^H»il«H»l)« 


EVERY    GOOD     WISH    TO    YOU 
MR.  CARL  LAEMMLE 

ON    TOUR     20th     ANNIVERSARY 


STEREOtYPERS 
5HE  MAT  MAKERS 

225  West  39  Si.  NEWYORK 


TELEPHONE 

PENnsylvania 
0845-6-7 


10  tk 

ANNIVERSARy 


-/'^^""^"'"^M'ij 


"T^y.' 


ill 

w 

1      A. 

:  -  : 


80 


THE 


jnday,  February  28,  1926 


th    the    Animated    Weekly,    Cohn 
lought   it   would   be    less   expensive 
put  me  on  the  pay  roll. 

While  stationed   in   Philadelphia,    I 

ceived  a  tip  that  the   "Deutchland" 

ould,    on    her    maiden    trip,    make 

altimore    her    port    of    call.      Tele- 

loning  New  York  to  ask  if  I  should 

)ver  her  arrival,   I   was   told   not  to 

I  )ther   as    the    assignment    would   be 

"  indled   by   the   local   cameramen   in 

orfoik  and  Baltimore.     Several  days 

ter   a    frenzied    long    distance    call 

om  New   York  rushed  me   to   Bal- 

Tiore  to  get  some  shots  of  the  liner, 

the  opposition  news  reels  already 

ere  showing  pictures  of  her  at  the 

roadway  theaters.  After  getting  the 

ots,  eager  to  discover  why  the  op- 

sition    had    scooped    the    Animated 

eekly,    I    found    that    the    Norfolk 

erator  was  in  church  when  the  liner 

amed  up  the  Chesapeake,  while  the 

iltimbre  cameraman  had  decided  he 

uld  make   more   money  selling   his 

:ture  post   cards   of  the  submarine 

d  was  still  busily  engaged  in  ped- 

ng  these  on  the  streets. 

That    finance   and    photography   go 

nd-in-hand  is  evidenced  by  the  story 

the  Animated  Weekly  cameraman 

Mexico  who  found  it  necessary  to 

d  his  expense  account.     When  his 

windle   sheet"  arrived   containing  a 

arge  for  a  horse  he  claimed  to  have 

ught  to  enable  him  to  follow  a  rebel 

neral  into  the  interior,  nothing  was 

id.    But  when  a  subsequent  account 

ntained  a  charge  for  a  second  horse 

the  first  had  died,  he  said — investi- 

tion  was  made,  disclosing  the  fact 

It   "the    horses"   were   of   the    race 

ick  variety.     When  the  cameraman 

xt   reported   he   found   out    that    he 

d  not  only  lost  his  mount  but  also 

>  job. 

One  of  the  first  examples  of  cam- 
iman  enterprise  was  effected  by  Bill 
jnson,  formerly  a  still  photographer 
ecializing  in  baseball  pictures, 
ven  his  first  movie  camera  with 
itructions  what  to  get,  but  not  how 
take  them,  Ironson  went  to  Flor- 
1  with  the  Giants  and  got  along  all 
fht  until  it  came  time  to  obtain, 
per  instructions,  a  panoramic  view 
the  team.  Not  knowing  how  to 
an,"  Ironson  lined  the  squad  up  in 
3nt  of  his  camera  and  made  the 
en  slowly  sidle  along  in  front  of 
e  shutter. 

A  more  recent  example  of  news 
el  enterprise  occurred  last  month. 
International  Newsreel  photog- 
pher  was  sent  post-haste  to  Provi- 
nce from  New  York  to  get  some 
iportant  shots.  Arriving  at  the 
rand  Central  station,  the  cameraman 
und  that  the  next,  and  last  train, 
mposed  entirely  of  sleeping  cars, 
IS  booked  solid,  and  that  he  would 
unable  to  board  it.  Calling  up  a 
tective  friend  of  his  the  cameraman 
d  him  come  to  the  Grand  Central, 
sh  his  badge,  and  tell  the  conduc- 


tor it  was  imperative  he  take  "this 
convict"  on  that  particular  train.  The 
ruse  worked. 

Probably  the  most  important  of 
the  Animated  Weekly's  many  achieve- 
ments was  winning  a  law  suit  brought 
by  Mrs.  Grace  Humiston.  demanding 
$20,000  damages  for  having  her  pic- 
ture appear  without  her  consent  in 
one  of  its  issues.  In  the  public  eye 
at  the  time  for  having  discovered  the 
body  of  a  young  girl  who  had  been 
kidnapped,  attacked  and  killed  by  the 
Italian  Proprietor  of  a  Harlem  bicycle 
repair  shop,  Mrs.  Humiston  wished 
to  establish  a  principle  that  news 
reels  exceeded  their  rights  in  photo- 
graphing and  distributing  motion  pic- 
tures of  private  individuals  without 
their  permission. 

The  case  was  thrown  out  of  court; 
Mrs.  Humiston  appealed,  but  the 
higher  tribunal  decided  in  Universal's 
favor.  This  established  a  most  im- 
portant precedent,  placing  news  reels 
in  a  class  with  newspapers  and  en- 
titling them  to  similar  privileges.  A 
news  reel,  the  court  decreed,  had  just 
as  much  right  to  publish  photographs 
as  a  newspaper. 

The  Animated  Weekly  was  not 
the  first  news  reel  in  the  field.  It 
had  been  preceded  by  some  years  by 
Pathe  which  had  a  very  well  estab- 
lished business  before  the  Animated 
Weekly  ever  was  thought  of  by  Mr. 
Laemmle,  in  fact,  so  well  established 
that  he  saw  a  profit  in  a  news  reel  to 
go  with  his  own  service  of  pictures. 
Aubrey  Kennedy  was  the  man  who 
had  charge  of  the  first  issues  of  the 
news  reel.  Its  office  was  in  the 
Eleventh  Avenue  studio  and  its  first 
cameraman  was  U.  K.  Whipple,  who 
is  still  going  strong  as  one  of  In- 
ternational New's  first  string  photog- 
raphers. After  six  months,  Kennedy 
was  given  other  work  to  do  and  the 
news  reel  was  put  in  charge  of  the 
late  Hal  Reid,  father  of  Wally  Reid, 
who  at  the  time  was  working  as  as- 
sistant to  Otis  Turner,  one  of  the  Imp 
directors.  Reid  conducted  it  for  about 
vx  months. 

Then,  fearing  that  Jack  Cohn  didn't 
have  enough  work  to  do  in  editing, 
titling  and  supervising  the  six  com- 
panies using  the  little  Imp  studio, 
Laemmle  gave  him  charge  of  the 
news  reel.  Jack  conducted  it  with 
astonishing  success,  considering  all  of , 
the  difficulties  of  the  gathering  of 
news  in  that  day  and  the  appropria- 
tion he  had  to  work  with.  He  had 
charge  of  it  as  long  as  Universal 
owned  and  operated  a  news  reel  of 
its  own.  It  was  his  idea  to  get  out 
a  second  news  reel  a  week,  and  this 
was  called  Current  Events. 

Eventually  both  of  these  were  dis- 
continued when  Universal  undertook 
the  release  of  the  International  News. 
made    by    the    Hearst    organization. 


^/^7t 


Pioneer  House  Organ 


The  Implet,  predecessor  of  the 
Universal  Weekly  and  pioneer  house 
organ  of  the  motion  picture  indus- 
try, was  founded  for  two  reasons,  ac- 
cording to  R.  H.  Cochrane.  The  first 
was  that  no  trade  magazine  could 
afford  to  print  advertisements  as  Imp 
wanted  them  printed;  the  second  was 
to  print  full-page  illustrations  of  pro- 
duction scenes  for  exhibitors  to  use 
as  lobby  displays. 

Carl  Laemmle's  anti-Trust  adver- 
tisements carried  so  much  dynamite, 
were  so  outspoken,  trade  paper  edi- 
tors w-ere  continually  asking  Imp  to 
modify  the  vigorous  style  in  which 
it  was  attacking  the  General  Film 
Company  and,  later,  the  Motion  Pic- 
ture Patents  Company.  To  print 
these  straight-from-the-shoulder  on- 
slaughts verbatim  would,  they  said, 
cause  the  Trust  to  withdraw  its  own 
most  remunerative  advertising. 

Week  after  week  Laemmle's  ad- 
vertisements had  fearlessly  told  the 
truth  regarding  the  dangers,  as  well 
as  the  opportunities  then  prevalent. 
Rather  than  give  up  its  right  to  free 
expression,  the  Imp  decided  to  pub- 
lish its  own  journal  and,  in  the  win- 
ter of  1911-12,  Uie  first  issue  of  The 
Implet  appeared. 

Its  instantaneous  success  showed 
Mr.  Laemmle  that  his  efforts  were 
being  appreciated  by  the  many  inde- 
pendent exhibitors,  and  he  inaugur- 
ated many  innovations  which,  because 
of  the  high  advertising  rates  main- 
tained by  the  trade  press,  he  had  not 


One  of  the  first  copies  of  "The 
Implet." 

paper — the  trade  press  was  then  us- 
ing a  coarse  newsprint  stock — the  il- 
lustrations of  scenes  from  Imp  pro- 
ductions were  affixed  to  lobby  walls 
by  means  of  thumb  tacks. 
Implet.  Made  with  finer  screen  half- 
tones and  printed  on  better  quality 
page    illustrations    published    in    the 


W  lll'RI'    IMP  MI.M.S    \\<\    .SHOW  N 


li- !Mi- 


BOND  THEATRE,  Pontii>c,  IlhnoU 


How  "The  Implet"  advertised  exhibitors  who  were  showing  Imp  pictures. 


been  able  to  effect  through  the  regu- 
lar advertising  channels.  Unham- 
pered by  editorial  policies  dictated  by 
outside  advertisers,  he  intensified  his 
campaign  against  the  existing  mon- 
opolies, eventually  driving  them  out 
of  business. 

The  first  lobby  displays  ever  used, 
it  is  interesting  to  note,  were  the  full- 


One  of  the  first  lobby  frames  in 
the  industry  was  made  and  distri- 
buted by  the   Imp    Company. 

When  the  Imp  became  the  Univer- 
sal in  1912,  it  changed  the  name  of 
its  house  organ  to  The  Universal 
Weekly.  This  soon  grew  in  size  to 
forty  pages  and  today  its  circulation 
embraces  every  corner  of  the  globe. 


To  Mr.  Carl  Laemmle: 


ON  YOUR  TWENTIETH  ANNIVERSARY 
WE  EXTEND  TO  YOU  OUR  HEARTIEST 
CONGRATULATIONS  WITH  THE  HOPE 
THAT  THE  MOTION  PICTURE  INDUSTRY 
MAY  CONTINUE  TO  BENEFIT  FOR  MANY 
YEARS  BY  YOUR  VALUABLE  EXPERIENCE 
AND  HIGH  IDEALS. 


w    > 


International  Projector  Corporation 

90  Gold  Street,  New  York/N.  Y. 


4i 


Simplex  Projectors 
Power's  Projectors 
Acme  Projectors 


82 


THE 


unday,  February  28,   1926 


83 


FROM  OSHKOSH,  BY  GOSH  I 


A  good  many  years  ago,  a  young 
hap,  with  fifty  dollars  in  his  pocket, 
nd  a  lot  of  ambition  and  enthusiasm, 
ime  over  from  Germany  to  see  if 
le  Statue  of  Liberty  told  the  truth. 

f-  le  had  read,  or  heard  somewhere, 
lat  some  great  man  had  said  some- 
ling  about  young  men  going  west 
)  grow  up  with  the  country.  So, 
e  remained  in  New  York  only  long 
lOUgh  to   purchase   a  ticket   to   Chi- 

go,  and,  about  the  time  the  World's 
air  was  in  progress  we  find  him 
rapping  bundles  in  one  of  the  big 
ores.  Now,  we  must  admit  there  is 
)mance  in  business,  and  this  youth 
as  romantic.  However,  he  saw 
)thing  romantic  in  wrapping-paper 
id  twine,  and  so,  he  was  not  con- 
nt  to  stay  in  this  lowly  vocation, 
ith  the  result  that  a  little  later  we 
id  him  a  clerk  in  a  music  store, 
lit,  being  ever  on  the  alert  for  bet- 
r  opportunities,  he  soon  left  this 
)sition  and  was  lured  to  Oshkosh, 
isconsin.     You  may  ask,  "Did  any- 

ng  really  worth  while  come  out  of 
shkosh?''  Well,  read  on:  this  youth 
going  to  answer  that  question.  In 
at  much  maligned  town,  this  boy 
Dm  Germany  entered  the  employ  of 
clothing  firm,  where,  in  a  space  of 
veral  years  he   rose  from  clerkship 

manager. 

In  1906,  feeling  that  he  had  ex- 
usted  the  possibilities  of  his  Osh- 
ish  job,  and  with  an  idea  born  of 
bat  he  had  read,  that  the  then  in- 
nt  five-and-ten  cent  store  field  of- 
red  unlimited  opportunity,  he  gave 
I  his  managership,  packed  his  be- 
ngings,  and  moved  his  family  and 
couple   of   thousand   dollars'   saving 

Chicago,  where,  he  looked  about 
r  a  site  on  which  to  establish  the 
St  link  in  a  chain  of  five-and-ten 
nt  stores.  Fate  intervened,  bow- 
er, and  instead  of  renting  a  store, 
e  young  man,  impressed  by  a  queue 

people  wating  to  pay  their  nickels 
a  few  minutes'  entertainment, 
nted  a  vacant  store  and  opened  a 
^e-cent  theater,  using  what  crude 
ms  were  available  at  that  time. 
In  renting  and  buying  films  for  his 
ra  little  theater,  he  found  that  he 
luld  cooperate  with  other  small  the- 
er  owners  by  making  longer  leases, 

more  extensive  purchases  and  pro- 
ting  the  expense.  This  led  to  the 
tablishment  of  a  film  exchange.  Its 
ccess  was  immediate,  and  he  went 

New  York  and  branched  out  into 
e  exchange  business  in  earnest.  At 
is  time,  the  General  Film  Com- 
ny  was  known  as  "The  Trust,"  and 
e  young  man  found  that  to  remain 
business,  as  matters  stood,  was  to 
ke  dictation  from  the  bigger  con- 
rn.  He  had  broad  visions. 
He  saw  ahead,  and  visualized  a 
eat  industry,  an  ample  field  for  ar- 
itic  development  of  pictures,  and 
so  a  great  field  for  the  producer 
le  to  serve  the  needs  of  the  thou- 
nds  of  small  exhibitors  beginning 
spring  up  everywhere.  He  decided 
produce  his  own  pictures,  and  then 
oceeded  to  organize  the  Independ- 
t  Moving  Picture  Company,  later 
own  as  the  Imp,  for  this  purpose. 

doing  this,  he  started  something! 
le  Trust  declared  war.     It  was  will- 


{Editors  Note:  In  this  article,  printed  by  courtesy  of  THE  STORY 
WORLD,  the  writer — a  noted  pioneer  of  the  eighth  great  art — describes 
Carl  Laemmle  as  one  who  has  been  responsible  to  a  considerable  degree 
for  the  progress  of  this  industry,  and  who,  in  his  opinion,  is  entitled  to 
be  listed  among  the  ten  greatest  names  in  the  motion  picture  world.) 


L^^KyiiilLK  i 


i»J    "i,    rf    /    1    f  J    f  < ,  . 


The  first  Laemmle  Film  Exchange,  in  Chicago. 


ing  he  should  stay  in  the  exchange 
business — but  he  mustn't  produce,  the 
bigger  firm  decided.  His  answer  was 
to  put  out  the  first  Imp  pictures.  The 
clamps  were  put  on,  but  he  stood 
firm.  Picture  after  picture  issued 
from  the  Imp  studios  as  the  trust 
withheld  its  own  pictures  from  ex- 
hibitors. He  laid  his  cards  on  the 
table  to  the  theater  owners  using  his 
films.  He  explained  every  detail  of 
his  fight — and  the  theater  owners 
backed   him   up. 

Even  in  those  days,  the  idea  of  the 
big  picture  was  in  his  mind.  He  sent 
King  Baggot  and  a  company  to  Eng- 
land to  film  Sir  Walter  Scott's  "Ivan- 
hoe"  in  its  original  setting.  This 
revolutionized  the  picture  business  in 
England  and  established  the  film  ex- 
change there.  The  Trust  finally  capi- 
tulated, and  his  exchanges  handled 
both  Trust  and  Imp  pictures  from 
then  on.  Always  an  organizer,  this 
young  David  of  the  industry  estab- 
lished new  exchanges,  often  in  vir- 
gin territory,  until  today  he  controls 
more  exchanges  than  any  other  or- 
ganization in  the  world.  His  ex- 
changes fairly  dot  Europe  as  well  as 
America. 

"We'll  break  you!"  he  was  in- 
formed by  The  Trust.  But  he 
smiled,  and  putting  on  his  armor. 
went  into  battle.  He  proved  that 
right  always  overcomes  might.  It 
takes  money  to  form  a  trust;  it  takes 
brains  to  smash  one. 

In  1909,  an  ugly  cobra,  in  the 
form  of  the  Motion  Picture  Patents 
Company,  was  stretched  out  along 
the  trail  of  the  independent  produc- 
ers, filling  their  hearts  with  fear  and 
scorn.  This  cobra  was  collecting 
two  dollars  a  week  for  each  licensed 


projection  machine  used  by  the  ex- 
hibitors, in  addition  to  paying  a  li- 
cense on  each  film  shown  and  a  li- 
cense for  running  his  theater.  Our 
friend  from  Oshkosh  said  this  was 
outrageous  and  should  be  fought. 
The  other  independents  agreed  with 
him,  but  few  of  them  had  the  cour- 
age to  go  into  battle.  So,  he  gathered 
some  more  ammunition  and  led  the 
fight.  For  years  that  battle  waged, 
going  from  one  court  to  another;  for 
it  must  be  remembered  The  Trust 
had  money  and  each  time  a  decision 
was  rendered  it  was  appealed  and 
taken  to  a  higher  court.  Finally  it 
reached  the  Supreme  Court,  and  that 
august  body  rendered  its  final  ver- 
dict in  favor  of  the  plaintiffs.  The 
giant  had  been  slain  and  The  Trust 
smashed  ignominiously,  and  beaten 
by  a  man  who  doesn't  stand  five  feet 
with  his  shoes  off.  But,  every  inch 
of  his  stature  is  composed  of  courage, 
determination  and  grit;  a  man  who 
kicked  the  word  defeat  out  of  his  life 
before  he  left  his  cradle.  He  has 
never  known  the  meaning  of  the 
word  fear.  To  illustrate;  in  the  very 
thickest  of  the  Patents  war  he  de- 
livered a  strategic  blow  to  the  adver- 
sary; a  blow  which  left  it  gasping. 

And,  in  the  same  move  he  altered 
the  course  of  the  industry  and  made 
the  actor  forever  indebted  to  him. 
At  that  time,  Florence  Lawrence, 
known  to  the  picture  patrons  as  "The 
Biograph  Girl"  was  working  for  a 
member  of  The  Trust.  Suddenly, 
she  vanished  from  the  Biograph 
studios.  A  little  later,  the  St.  Louis 
newspapers  printed  a  big  story  that 
she  had  been  mysteriously  slain.  A 
short  time  afterwards  the  announce- 
ment was  made  she  had  left  the  Bio- 1 


graph  studios  and  joined  the  Imp 
Company.  It  was  a  master  stroke, 
and  meant  that  The  Trust  had  lost 
its  greatest  box-office  attraction.  In 
addition  to  this,  it  marked  the  be- 
ginning of  the  star  system.  It  also 
meant  that  henceforth  the  actor  would 
receive  the  biggest  salary  he  had 
ever  received  in  the  history  of  his 
profession.  For,  when  Florence 
Lawrence  signed  that  contract,  it 
stipulated  that  she  was  to  receive  one 
thousand  dollars  a  week.  Such  a  sal- 
ary, for  an  actress,  was  beyond  the 
wildest  imaginings  of  a  distorted 
mind.  For  years  Florence  Lawrence 
was  the  "Queen  of  the  Screen,"  and 
her  name  was  a  household  word,  and 
she  was  idolized  by  every  patron  ot 
the  picture  theater.  She  amassed  a 
fortune  and  purchased  a  beautiful 
estate  at  Westwood,  N.  Y.,  where 
many  ot  us  have  spent  enjoyable 
week-ends. 

But  to  return  to  our  man  from 
Oshkosh.  In  1912  he  amalgamated 
the  leading  independent  companies 
including  the  Bison  101,  Nestor, 
Powers,  Imp  and  others,  as  the  Uni- 
versal Company,  and  two  years  later 
established  the  first  Universal  studio 
in  Los  Angeles,  in  an  old  brewery 
at  the  corner  of  Sunset  Boulevard 
and  Gower  Street.  But  the  small 
studio  was  entirely  inadequate  to  his 
belief  in  the  future  of  pictures. 

The  result  was,  in  1912,  the  pur- 
chase of  1200  acres  in  the  San  Fer- 
nando Valley,  where  the  present  Uni- 
versal City  was  started.  Today  the 
largest  studio  in  the  world  stands  on 
this  former  ranch  property — a  city 
of  sets  and  scenery,  in  which  every 
part  of  the  world  may  be  found  in 
mimic.  It  is  a  monument  to  the 
greatest  fighter  in  filmdom — Carl 
Laemmle.  He  is  undoubtedly  the 
little  giant  of  the  motion  picture  in- 
dustry, and  has  never  lost  a  battle; 
because  he  always  fights  for  the 
right.  Some  have  said  that  he  has 
been  gifted  with  "Laemmle  Luck," 
but  those  who  know  this  little  man 
realize  the  absurdity  of  such  a  state- 
ment. Carl  Laemmle  always  makes 
certain  he  is  right  and  that  his  cause 
is  just,  before  he  goes  into  battle. 
\\  ii.ilevcr  he  does  is  for  the  good  of 
the  iihlustry,  and  he  is  never  in- 
spired bv  selfish  motives.  He  fought 
The  Trust  almost  single-handed  and 
spent  a  fortune  to  do  it.  He  is  quiet, 
reserved  and  benevolent.  He  seldom 
raises  his  voice,  and  is  one  of  the 
most  gracious  men  in  America.  He 
speaks  freely  and  frankly,  but  not 
obtrusively.  In  fact,  modesty  is 
the  first  quality  one  observes  in  him. 
He  is  primarily  an  euthusiast — an 
idealist.  His  generosity  is  one  of 
his  noblest  traits.  He  has  given 
thousands  of  dollars  to  people  he 
didn't  even  know.  He  is  absolutely 
self-made.  He  has  risen  from  obscur- 
ity to  the  title  of  "Napoleon  of  the 
Motion  Picture  Industry"  by  his  own 
efforts. 

He  smashed  The  Trust;  he  defeat- 
ed the  Motion  Picture  Patents  Com- 
pany; he  started  the  system  of  ex- 
changes; he  was  the  first  producer 
to  send  a  company  abroad  to  make  a 


Mr,  Carl  Laemmle 


\  70ICING  the  sentiments  of  the 
Theatre  Owners  of  Eastern 
Penna. ,  Southern  New  Jersey  and 
Delaware  of  which  we  are  the  mouth- 
piece we  extend  to  you  congratulations 
upon  the  fruition  of  20  years  of  useful 
service  and  the  wish  for  many  more 
years  of  the  good  things  of  life 


\/  w  W 


W     i 


m 


KT^s^issr^ 


THE   EXHIBITOR 

OF  PHILADELPHIA 

DJFE  BARRIST  FRED  SULLY     J 

CHARLIE  GOODWIN         "PAUL" 
"EMO"  "LUKS" 

JACK  "SERVICE'  BROWN 


me 

Uiiit, 


84 


a 


THE 


Sunday,  February  28,  1926 


picture  in  its  actual  settings;  he 
brought  the  stage  to  the  screen  when 
he  signed  up  in  one  day  fifty  Broad- 
way stage  stars  to  appear  in  five-reel 
pictures;  he  made  the  first  sensa- 
tional pictures,  entitled  "Traffic  in 
Souls,"  which  cost  less  than  twenty 
thousand  dollars  and  made  more 
than  a  million  for  his  company;  he 
presented  Sarah  Bernhardt  in  her 
last  moving  picture,  called  "Jeanne 
Dore";  he  made  the  first  million  dol- 
lar picture,  "Foolish  Wives";  he 
started  the  star  system,  when  he  in- 
troduced Florence  Lawrence  and  paid 
her  one  thousand  dollars  a  week, 
which  should  endear  him  to  the  heart 
of  every  screen  actor;  he  has  intro- 
duced more  stars  to  the  public  than 


■^&^ 


DAILY 


85 


any  other  producer;  he,  alone,  is  re- 
sponsible for  the  high  salaries  being 
paid  to  screen  actors;  he  is  the 
greatest  friend  of  the  original  writer; 
he  has  done  more  for  the  industry 
than  any  other  individual  in  it.  In 
addition  to  all  this,  he  built  Universal 
City,  the  most  complete  studio  in  the 
world — and  it  will  remain  a  lasting 
monument  to  his  ability. 

In  view  of  these  accomplishments, 
I  believe  he  is  rightfully  entitled  to 
be  listed  among  the  ten  greatest 
names  in  the  motion  picture  industry. 
His  name  will  go  down  in  film  his- 
tory. He  cannot  be  eliminated,  he 
has  done  too  many  big  things,  and 
the  industry  is  proud  of  him.  He 
came   out   of   Oshkosh,   too! 


Advertising  20  Years  Ago 


Carl  Laemmle  entered  the  indus- 
try in  1906 — but  he  commenced  to 
make  a  noise  in  1909.  Laemmle  and 
his  company  effected  the  first  intelli- 
gent advertising  done  for  motion  pic- 
tures. Laemmle's  frank  and  candid 
style  created  a  sincere  and  lasting  im- 
pression. 

Universal's  black-and-white  striped 
backgrounds  were  the  first  used  in 
picture  advertising  of  a  distinctive 
lay-out.  One's  attention  was  always 
caught  and  held  by  the  heavy  rules 
in  which  these  ads  were  boxed,  and 
one  always  recognized,  and  read 
these  advertisements  on  seeing  the 
diagonal  parallel  stripes  serving  as 
background  for  the  half-tone  illustra- 
tions. 

Besides  being  the  first  man  in  the 
industry  to  realize  the  value  of 
brightening  up  his  advertising  with 
cartoons,  Laemmle  was  a  pioneer  in 
appreciating  the  potency  of  wit  and 
satire.  Exhibitors  in  1909  were  more 
interested  in  seeing  one  of  the  Laem- 
mel  Film  Service  caricatures  lam- 
pooning the  Trust  than  they  were  in 
reading  the  news  sections  of  the  early 
trade  papers.  Always,  in  a  conspicu- 
ous position  among  the  pithy  para- 
graphs of  these  courageous  attacks  on 
the  so-called  Octopus,  would  be  some 
satirical  and  amusing — but  never  bit- 
ter or  venomous — shaft  launched  at 
the  oppressive  monopolists  controlling 
the  field  in  those  days. 

The  cartoons  and  lampoons  were, 
in  1909,  for  the  most  part,  directed 
against  the  imposition  of  a  weekly  $2 
patents  royalty  on  motion  picture  pro- 
jectors which,  although  usually  owned 
by  the  exhibitor,  were  subject  to  this 


tax.  Although  the  theater  managers 
were  justly  angry  at  having  to  pay 
for  machines  they  already  owned, 
nothing  was  done  about  it  until 
Laemmle   fought   on   their   behalf. 

Cudgel  is  hardly  the  right  word, 
because  Laemmle's  weapons  were 
lighter,  though  no  less  effective. 
Shafts  of  biting  sarcasm  in  cartoon 
and  printed  form  soon  aroused  the 
exhibitors  to  the  folly  of  accepting 
further  dictation  from  the  Trust, 
which  they  had  long  feared.  Every 
week  a  new  cartoon  attacking  and 
ridiculing  the  Trust  would  appear  in 
his  advertisements.  The  Trust  was 
sometimes  pictured  as  an  elephant  in- 
side a  picture  theater,  his  sides  burst- 
ing out  the  walls  of  the  house  while 
a  dejected  rube  (the  exhibitor)  pitch- 
forked huge  loads  of  two-dollar  bills 
into  the  pachyderm's  gaping  maw.  At 
other  times  the  Trust  was  drawn  to 
resemble  a  fat,  pig-faced  gentleman 
in  silk  hat  and  dollar-marked  vest, 
before  whom  where  kneeling  shackled 
slaves  bearing  offerings  of  bales  of 
two-dollar  bills. 

Laemmle's  caustic  wit  and  humor 
found  continual  expression  in  his 
pointed  jibes  at  the  imposition  of  the 
weekly  two-dollar  tax.  Each  of  his  ads 
carried  a  squib  aimed  at  the  oppressive 
royalty  levied  by  the  Trust:  "Good 
morning,  have  you  paid  two  dollars 
so  you  can  kiss  youd  wife?"  "Good 
morning,  have  you  paid  your  tax  so 
you  can  smoke  your  pipe?"  and 
"Good  morning,  have  you  coughed 
up  two  simoleons  to  be  allowed  to 
breathe?"  were  a  few  of  the  clever 
shafts  launched  at  the  obnoxious  tax. 


The  Rainey  Pictures 


Paul  j.  Rainey's  African  Hunt,  a 
picture  that  established  more  records 
than  any  subsequent  production  of 
any  sort,  was  the  outcome  of  a 
chance  remark  of  Mr.  Rainey  that 
the  dog  was  the  king  of  beasts. 

Maae  when  Carl  Laemmle  was  in 
his  fourth  year  of  bis  motion  pic- 
ture career,  it  is  tiiTiely  that  we  w'.; 
are  now  celebrating  the  twent'cth 
anniversary  of  his  entry  into  the  in- 
dustry should  recall  a  few  incidents 
concerning   this    picture's    rele.'sc. 

In  1908,  two  years  before  his 
iiieinorable  trip  to  Africa,  Rainey 
and  Ilarrv  Payne  Whitney  went  on 
a  specially  equipped  yacht  to  Gr'^cn- 
land  where  they  hunted  and  ilio'o- 
grapl'cd  (he  big  game  of  the  Antic 
regions.  Unfortunitely  thov  di'i  noi 
take  sufficient  negative  with  them 
and  niisEcd  several  worth  while  shots, 
although  Rainey  was  able  to  bring 
back  a  remarkable  scene  showing  a 
mother  i  olar  bear  sacrificing  herself 
to  the  hunters  to  save  her  cub's  life. 
Rainey  v.as  accompanied  on  this  Irij) 
by  several  of  his  prized  Airedales 
which  rendered  valuable  aid  in  track- 
ing and  cornering  big  game. 

The  following  year  while  hunting 
in  the  cane  brakes  of  Louisiana, 
Rainey  told  of  the  wonderful  work 
his  Airedales  had  accomplished  in  the 
Arctic  and  casually  mentioned  that 
he  considered  the  dog  to  be  the  king 
of  beosts.  A  warm  discussion  ensued 
and  Rainey  offered  to  prove  it  by 
taking  a  pack  of  them  to  Africa  on 
a  big  gr.me  hunt. 

In  191G,  accompanied  by  the  late 
Jack  Hemment,  who  had  been  offi- 
cial photographer  of  the  U.  S. 
forces  at  the  entry  into  Pekin  during 
the  Boxer  rebellion,  and  Carl  Ake- 
ley,  who  had  been  to  Africa.  Rainey 
cahtered  a  ship  and  went  to  the 
East  Coast  of  Africa.  There  he 
chartered  an  entire  train  and  con- 
tinued to  Nairobi,  where  a  safari  of 
nearly  eight  hundred  natives  was  ar- 
ranged. 

Considerable  delay  was  experi- 
enced because  100,000  feet  of  nega- 
tives sent  from  America  via  England 
was  held  up  by  a  stevedores'  strike. 
This  film  stayed  on  the  Liverpool 
dock  in  the  sun  for  weeks,  with  the 
result  that,  later,  careful  manipula- 
tion was  required  to  get  any  results 
in    the    finished    print. 

Although  nearly  four-fifths  of  the 
footage,  containing  many  marvelous 
shots,  were  spoiled  because  of  its 
long  exposure  on  the  docks,  nineteen 
or  twenty-thousand  feet  were  saved, 
including  the  phenomenal  water  hole 
scenes  as  well  as  the  remarkable  shots 
of  the  Airedale  going  up  into  a  thorn 
tree  after  a  cheetah  and  driving  it 
out. 

On  his  return  to  America,  Rainey 
edited  the  picture  to  10,000  feet  and 
showed  it  to  members  of  the  Union 
League  Clubs  in  Cleveland  and  New 
York,  the  Smithsonian  Institute  in 
Washington  and  the  American  Mu- 
seum of  Natural  History  in  New 
York.  Of  the  ten  thousand  feet  of 
film  shown — or  the  entire  hundred 
thousand  feet  photographed,  for  that 
matter — not  one  single  inch  was 
faked.  It  is  probably  the  only  hunt- 
ing   picture    ever    made    wherein    re- 


course to  faking  was  not  necessary. 
(Even  had  it  been  necessary,  the 
writer  doesn't  think  Rainey  would 
have  permitted  it  if  Hemment  had 
known   how — which   he   didn't.) 


Advertising  The  Rainey  Picture. 


Eager  to  go  on  another  hunt, 
Rainey  turned  the  film  over  to  Hem- 
ment. It  seems  strange  that  Rainey 
should  manifest  such  indifference 
towards  the  disposal  of  a  property 
which  had  cost  him  more  than  $250,- 
000  to  produce,  his  only  stipulation 
being  that  Hemment  should  receive 
a  certain  amount  from  its  sale,  equal 
to  the  bonus  which  Rainey  had 
promised  him.  Rainey's  annual  in- 
come was  $666,000,  the  U.  S.  Gov- 
ernment having  guaranteed  him,  his 
brother  and  his  sister  $2,000,000  an- 
nually for  ninety-nine  years  for  their 
coke  interests  in  West  Virginia,  so  a 
quarter -of-a-million  was  of  secondary 
importance  to  a  hunting  trip. 

Hemment  showed  the  picture  to 
Poseph  P.  Bickerson  at  the  writer's 
suggestion.  Later,  the  writer  ar- 
ranged a  meeting  of  Carl  Laemmle, 
Hemment,  Bickerton  and  H.  B.  and 
William  Harris,  Jr.  Mr.  Laemmle 
agreed  to  furnish  the  money,  the  Har- 
ris interests  to  supply  a  theater  where 
the  picture  would  be  shown  on  a  per- 
centage basis.  It  is  of  interest  that, 
because  of  its  instantaneous  and  con- 
tinued j-uccess,  it  was  never  necessary 
to  pay  a  single  dollar  rental  in  any 
New  York  theater  during  the  ex- 
tended run  of  the  Paul  J.  Rainey's 
African    Hunt. 


Another  Rainey  advertisement. 


Among  the  many  records  establish- 
ed in  connection  with  the  Rainey 
African  Hunt  are  the  following:  It 
was  the  first  picture  to  cost  $250,000 
to  produce;  it  was  the  first  time  so 
much  footage  (100,000  feet)  was  pho- 
tographed in  making  a  picture;  it  was 
the  forerunner  of  all  big  game  pic- 
tures; it  was  the  first  time  a  ship 
or  train  had  been  chartered  for  a 
long  journey  in  connection  with  the 
making  of  a  picture. 


w  i  w 


Mr.  Carl  Laemmle 


We  extend  our  congratulations 
and  sincere  good  wishes  to  you  on 
your  2oth  anniversary  as  an  exhib- 
itor and  hope  for  your  continued 
success  and  happiness. 


c^N^.. 


•  •  • 


PITTSBURGH  MOVING  PICTURE  BULLETIN 

MAYER  PUBLISHING  &  PRINTING  CO. 

PUBLISHERS 

231-235  Collins  Avenue  Pittsburg,  Pa. 


THE 


lunday,  February  28,  1926 


^^ 


DAILY 


87 


It  was   the   first   motion   picture   to 

cceive    full    page    publicity;    it    was 

he  first   picture    to    break    down   the 

liscrimination     against     the     movies; 

he  first  motion  picture  to  be  review- 

■d  by  dramatic  critics,  its  New  York 

jremiere     receiving     unanimous     and 

,iiperlative  praise  from  such  eminent 

uthorities    on    the    drama    as    Alan 

!  Dale,    Burns    Mantle,    Robert    Gilbert 

■"  Welsh,  Charles  Darnton,  Acton  Dav- 

^  es,    Louis    Sherwin,    Rennold    Wolf, 

Charles  P.   Sawyer,  Louis  Defoe  and 

Adolph    Klauber. 

It  was  the  first  picture  to  play  the 
Lyceum  Theater,  where  it  ran  for 
live  motlths,  then  being  moved  to  the 
Bijou,  where  it  played  nine  months — 
joth  record-breaking  engagements — 
establishing  a  total  of  fourteen  con- 
secutive months  on  Broadway.  It 
ivas  the  first  picture  to  get  weekly 
publicity  for  the  duration  of  its  run; 
or  almost  fourteen  months  pictures 
)f  an  elephant,  a  lion  or  a  water 
JufTalo  would  appear  next  to  the  por- 
rait  of  some  Broadway  star  in  the 
ay-outs  of  the   Sunday  papers. 

It  was  the  first  picture  to  be  road- 
showed,  at  one  time  no  less  than 
;even  companies  were  touring  the 
:ountry,  establishing  records  in  every 
:ity.  It  was  the  first  time  a  lecturer 
iccompanied  a  picture,  each  com- 
)any  having  as  expositor  of  the  pic- 
ure's  finer  points,  a  veteran  Shake- 
spearian actor,  especially  chosen  for 
he  resonance  of  his  voice. 

It  was  the  first  picture  to  play  a 
egitimate  theater  in  London.  The 
English  considered  it  almost  a  sacri- 
ege,  for  a  picture  to  be  shown  in  a 
A^est  End  House,  so  a  theater  was 
■anted.  The  house  had  long  been 
:onsidered  a  jonah,  but  the  Rainey 
)icture  put  it  back  on  the  map. 

In  Hamburg  the  picture  played 
ive  months;  in  Italy  it  scored  a  tre- 
nendous  success,  as  the  Italians  were 
;ager  to  see  scenes  of  Abyssinia  with 
(vhich  their  country  was  then  at  war. 
[t  was  shown  and  scored  a  tremen- 
ious  hit  i  nevery  country  in  Europe. 

It  was  the  first  time  in  which 
icenes  of  a  picture  were  cheered. 
Crowds  vociferously  applauded  the 
istounding  scenes  at  the  water  hole 
(for  which  Rainey  had  to  wait  seven 
jweeks)  and  the  remarkable  shots  of 
the  dog  pursuing  a  cheetah  up  a  tree 
as  well  as  the  charge  of  a  wounded 
buffalo  which  demolished  a  camera 
and    nearly    cost    Hemment    his    life. 

It  was  the  first  picture  which  made 
as  much  money  for  the  states  right 
Irepresentatives  as  it  did  for  its 
priginal  distributors.  It  was  the  first 
picture  to  be  handled  in  a  dignified 
way,  presented  in  as  imposing  a 
manner  as  E.  H.  Sothern  or  Richard 
Mansfield  would  have  handled  one  of 
their  own  shows. 

It  was  the  first — and  probably  the 
last — picture  ever  to  receive  so  terrific 
.1  tribute  as  that  printed  in  the  De- 
troit Free  Press  by  George  P.  Good- 
ale,  dean  of  dramatic  critics  who  had 
reviewed  thousands  of  productions  in 
his  sixty  year's  career.      He   wrote: 

"Nothing  has  ever  thrilled  me  as 
this,  the  finest  of  all  dramas  of  ferra 
natura. .  .this  marvelous  play  and 
spectacle  produced  and  directed  by 
the  One  and  Living  God,  Who,  to 
show  His  versatility,  built  the  stage, 
painted  the  scenery  and  created  the 
character  types  to  enact  the  roles." 


Making  "Theodore  Roosevelt  in  Africa"  in  an  American  studio.      {From 
the  Terry  Ramsay e  collection  of  photographs.) 


Universal  Fought  First  Copyright  Battle 


One  of  the  most  unsatisfactory 
situations  in  the  moving  picture  busi- 
ness, as  in  many  other  businesses, 
is  the  copyright  angle.  It  has  al- 
ways been  an  extremely  difficult  and 
problemptical  thing  to  copyright  a 
moving  picture.  It  didn't  seem  to 
follow  r.ny  of  the  classifications  which 
were  originally  laid  down  in  the 
Copyright  Law  and  so  far  none  of 
the  bright  minds  in  the  industry  have 
evolved  a  complete  and  fool-proof 
method  cf  copyrighting  which  would 
protect  the  film  not  only  in  America 
but  abroad  as  well.  Every  company 
follows   the   course  it  prefers. 

In  the  old  days  when  Carl  Laem- 
mle  was  laying  the  foundation  of  his 
moving  picture  career,  the  pirating 
of  film  was  one  of  the  easiest  and 
most  lucrative  of  get-rich-quick 
schemes.  In  the  fever  and  tumul- 
tous life  of  the  films,  there  was  no 
way  of  protecting  a  film  except  by 
eternal  vigilance  or  catching  a  thief 
red-handed.  One  of  the  expedients 
which  was  adopted  was  the  placing 
in  a  set  of  a  little  round  disk  about 
eight  inches  in  diameter,  bearing  the 
brand  insignia  of  the  company  on  it. 

One  of  the  greatest  shocks  that 
ever  came  to  Universal  in  these  early 
days  was  in  connection  with  the  ex- 
pedition which  the  Mary  Pickford- 
Owen  Moore  company  made  to  Cuba. 
R.  H.  Cochrane,  vice  president  of 
Universal,  took  this  occasion  to  va- 
cation a  little  on  the  Island  and  was 
therefore  a  party  to  the  aforesaid 
shock. 

It  seems  that  a  bland  individual 
came  to  him  with  the  ofifer  to  permit 
the  Universal  to  do  business  in  Cuba, 
and,  preposterous  as  that  may  seem, 
he  had  acquired  the  right  to  make 
such  an  ofifer.  No  one  had  thought 
to  register  these  trade  marks  in  Cuba, 
and  this  individual,  profiting  by  the 
omission,   had  registered  not  only  all 


tb  trade  marks  of  the  film  com- 
panies. Universal  and  others,  but  the 
trade  names  of  numberless  other 
American  made  products,  like  type- 
writers, pianos,  sewing  machines,  etc. 
It  was  an  amazing  situation. 

In  no  unmistakable  terms  he  told 
the  bland  individual,  where  he  could 
find  an  ;'biding  place  which  was  still 
more  tropical  than  Cuba  was  and  im- 
mediatelv  started  suit  in  the  Cuban 
courts  to  obtain  redress.  In  this  in- 
stance. Universal  was  again  fighting 
the  battle  for  others  as  well  as  it- 
self. In  this  fight  they  were  success- 
ful and  obtained  not  only  the  right  to 
do  busi;iess  in  Cuba  for  themselves, 
but  for  all  other  American  manufac- 
turers. 


n    f    a^ 


"  REWARD 


FOR  INFORMATION  LEADING 
TO  THE  ARREST  AND  CON- 
VICTION  OF  ANY  PERSON 
DUPING  THE  FILMS  OF  THE 
MANUFACTURERS  WHOSE 
TRADE  MARKS  SURROUND 
THIS  NOTICE 


The  First  Daily 

When  the  Exhibitors  League 
met  in  convention  in  Chicago 
in  1912,  The  Implet  issued  a 
daily  bulletin  of  news  of  the 
gathering.  Incidentally  Laem- 
mle  devoted  considerable  space 
to  his  attack  on  the  Trust. 

This  was  the  first  "news- 
paper" issued  in  the  industry. 
The  first  issue  of  THE  FILM 
DAILY  appeared  about  six 
years  later. 


m 
S 


Hill  or  PAID  81  ini 


MOTION   PICTURE  DIST. 
AND  SALES  CO. 

ni   tAST  I4trt  STREET  NEW  VORK 


<^^ 


S^ 


£^. 


An  old-time   advertisement  intended 
to  protect  trade  marks. 


Studios 

Because  the  Trust  had  comm.an- 
dered  all  the  available  studios  in  its 
attempt  1o  freeze  out  Carl  Laemmle 
— and  possibly  because  he  might  not 
fiave  h-id  sufficient  cash  to  rent  one, 
had  he  found  it — the  Imp  chief's 
first  pictures  consisted  almost  en- 
tirely of  outdoor  scenes.  With  the 
profits  obtained  from  these  first  all- 
exterior  pictures,  Laemmle  was  able 
to  rent  studio  space  in  a  converted 
warehouse  at  56th  Street  near  the 
North  River,  New  York  City,  To 
prove  that  money  was  tight  in  those 
days,  let  it  be  mentioned  that  one 
wall  paper  design  was  used  in  eigh- 
teen pictures, 

.So  successful  were  the  efforts  of 
Tom  Cochrane,  the  company's  gen- 
eral manager,  and  "Doc"  Willat,  stu- 
dio chief  and  laboratory  supervisor, 
Laemmle  would  have  been  able  to 
move  into  more  commodious  produc- 
tion quarters,  had  any  been  avail- 
able. But  at  this  time,  1912,  the  Trust 
was  concentrating  its  attack  on  Laem- 
mle, and  nobody  whose  existence  de- 
pended on  the  monopoly's  support 
dared  aid  the   Imp   chief. 

However,  Laemmle's  opportunity 
came.  When  Ed  Porter  became  di- 
rector general  of  Universal,  soon  af- 
ter its  formation,  Laemmle  took  over 
his  Rex  studio,  at  44th  Street  and 
11th  Avenue,  and  made  Julius  Stern 
its  general  manager.  Modern  devices 
were  installed  and.  under  Stern's  di- 
rection, the  studio  prospered  and 
many  notable  productions  were  made. 

Need  for  larger  space  soon  became 
apparent,  and  Laemmle  took  over  the 
Victor  Studio  on  West  43rd  Street, 
now  the  site  of  Universal's  ware- 
house. The  distance  of  these  studios 
from  exterior  locations  suitable  for 
the  outdoor  type  of  pictures  Univer- 
sal specialized  in  at  that  time  per- 
uaded  Carl  Laemmle  to  establish  pro- 
duction centers  outside  New  York, 
and  he  started  operations  in  the  old 
Champion  studio  at  Coytesville,  N. 
J.,  and  bought  the  Nestor  plant  in 
Bayonne,  N.  J. 

It  was  also  in  1912  that  Laemmle, 
realizing  the  climatic  and  topographi- 
cal advantages  of  California,  started 
production  on  the  West  Coast,  in  a 
converted  brewery  on  Gower  Street, 
Hollywi'od.  Constant  and  prohibitive 
increases  in  this  studio's  rental  deter- 
mined Laemmle  to  own  his  own  stu- 
dio and,  a  year  or  so  later,  he  pur- 
chased several  hundred  acres  on  the 
site  of  the  present  Universal  City. 

While  waiting  for  this  waste  land 
to  be  transformed  Laemmle  erected 
the  huge  Universal  studio  at  Fort 
Lee. 


Y 

4> 


t 

4t  1 1 


Congratulations! 


CARL 
LAEMMLE 

on  your 

20th  Anniversary 

as  a  showman 


It 


THE 


Sunday,  February  28,  1926 


s50^ 


DAILY 


89 


THE  STAR  MAKER 


It  is  doubtful  if  any  man  in  the  moving  picture  business 
has  made  or  advanced  so  many  stars  as  has  Carl  Laemmle. 

In  the  old  days  producers  hesitated  to  put  the  names  of 
the  players  on  the  screen.  There  were  a  number  of  reasons  for 
this,  and  they  were  probably  all  good  reasons,  from  the  stand- 
point of  the  producers.  Not  so  good,  though,  from  the  stand- 
point of  the  actors.  When  Laemmle  came  along  with  his  old 
Company  to  buck  the  then  powerful  Biograph,  Kalem,  Vita- 
graph,  Edison,  Essanay,  Selig,  Lubin  combination,  he  had  to 
have  something  beside  an  ofifer  of  more  money  to  induce  players 
to  desert  these  "old  line  companies"  for  a  new  and  untried  one. 

It  was  the  advertising  and  the  placing  of  the  name  on  the 
screen  which  turned  the  trick  in  many  instances.  Among  the 
original  screen  stars  who  were  influenced  by,  these  inducements 
were  Mary  Pickford,  who  came  to  the  Imp  from  Biograph,  Flor- 
ence Lawrence,  from  the  same  company ;  Owen  Moore  and  Mary 
Fuller,  who  came  from  Edison.  Before  joining  Universal  they 
were  known  as  "Little  Mary,"  "The  Biograph  Girl,"  and  "the 
Edison  Girl," 

Harry  Myers  and  Rosemary  Theby  joined  Laemmle  when 
"Pop"  Lubin  relinquished  the  hold  he  had  on  the  old  Philadel- 
phia studio.  Lois  Weber  and  Philip  Smalley  were  acquired  when 
the  old  Rex  Company  was  bought  outright,  and  it  was  only  a 
few  weeks  after  that  purchase  that  the  business  end  of  it,  Ed 
Porter,  Benny  Schulberg  and  several  others  were  raided  away 
from  him  by  another  company.  Harry  Carey,  who  was  known 
as  the  "Biograph  Burglar,"  became  a  modern  Western  hero  in 
Laemmle's  hands,  and  was  developed  into  a  big  box-office  draw- 
ing card.  J.  Warren  Kerrigan  received  his  first  recognition  in 
Universal  pictures,  and  for  years  was  one  of  the  mainstays  of  the 
Universal  program.  Harry  Pollard  and  Marguerita  Fischer  were 
in  the  first  company  which  Laemmle  sent  to  California  to  make 
productions  under  the  direction  of  E.  J,  Le  Saint.  Dave  Hors- 
seley  was  in  charge  of  this  expeditionary  force. 

It  is  not  generally  known  that  Larry  Semon  received  his 
first  opportunity  in  the  picture  business  in  the  old  Imp  studio  at 
43rd  Street  and  Eleventh  Avenue,  then  under  the  management  of 
Julius  Stern.  Another  to  receive  his  apprenticeship  in  this  stu- 
dio, though  in  back  of  the  camera,  not  in  front  of  it,  was  Ben 
Turpin.  J.  Farrell  McDonald,  now  a  well  known  character  actor, 
began  in  the  old  Imp  Company  and  soon  developed  directorial 
genius  of  a  high  order.  One  of  his  greatest  directorial  accom- 
plishments was  "Samson,"  starring  J.  Warren  Kerrigan. 

Lon  Chaney  began  his  work  on  the  Universal  City  lot,  and 
there  acquired  the  technique  which  has  made  him  today  one  of 
the  greatest  character  delineators  before  the  public.  Edith  Rob- 
erts and  Priscilla  Dean  started  as  "atmosphere"  in  the  same  old 
Imp  Company  on  Eleventh  Avenue,  and  so  did  Jack  Pickford 
and  Lottie  Pickford.  William  Worthington's  first  big  role  was 
in  "Damon  and  Pythias,"  with  Kerrigan.  Rudolph  Valentino, 
though  he  did  not  actually  start  on  the  Universal  lot,  came  there 
while  he  was  still  doing  a  dance  turn  in  the  precursor  of  the 
modern  cabaret,  and  played  in  Universal  pictures  with  Mae  Mur- 
ray, then  a  Universal  star,  and  Dorothy  Phillips  ,for  upwards 
of  four  years.  Dorothy  Phillips  was  an  acquisition  from  the 
Essanay  Company  of  Chicago,  where  she  supported  that  high 
and  mighty  star— Francis  X.  Bushman— now  working  on  the 
Universal  lot  in  "The  Star  Maker."  But  it  was  Laemmle  who 
gave  her  and  her  husband,  Allan  Holubar,  an  opportunity  by 
which  both  profited  tremendously. 

The  famous  Wally  Reid  started  in  the  picture  business  as 
assistant  to  Otis  Turner,  when  he  was  making  Western  pictures 
on  upper  Broadway  and  had  to  be  extremely  careful  that  the 
all-revealing  camera  did  not  take  in  the  tell-tale  Broadway  cars 
which  every  once  in  a  while  skimmed  along  back  of  a  bunch 
of  painted  Indians  and  Broadway  cowboys.  Later,  on  the  Uni- 
versal City  lot,  he  and  Dorothy  Davenport  made  a  series  of  pic- 


tures which  established  both  as  stars  of  the  first  water. 

The  late  Thomas  H.  Ince  began  as  a  Universal  extra,  and 
later  as  a  director  of  this  Imp  Company,  as  did  Hobart  Henley, 
and  King  Baggot,  now  one  of  Universal's  first  string  directing 
geniuses.  Annette  Kellerman  made  her  debut  in  Universal  pic- 
tures, as  did  James  J.  Corbett,  Jess  Willard,  Jack  Dempsey, 
Anna  Pavlova,  and  several  others  whose  fame  does  not  rest 
solely  on  their  cinema  triumphs.  Colleen  Moore,  Jack  Holt, 
Louise  Glaum,  Pearl  White,  Neal  Hart,  Louise  Lovely,  were  all 
brought  to  stardom,  and  virtually  started  in  Universal  Com- 
panies. Lois  Wilson  came  to  Universal  through  the  first  na- 
tional Beauty  Contest  ever  conducted.  Raymond  Griffith  began 
the  career,  which  has  only  recently  reached  its  apogee,  in  El-Ko 
Comedies,  in.  support  of  Billy  Ritchie,  "Mr.  Mcldiott's  Assas- 
sination," being  a  typical  title.  Joe  Murphy  was  another  whose 
peculiar  talents  lent  themselves  to  El-Ko  Comedies  long  before 
Andy  Gump  was  born  in  the  brain  of  Sydney  Smith.  Eddie 
Lyons,  William  Franey,  Max  Asher,  Lee  Moran,  Gale  Henry 
and  Milburne  Moranti  were  among  the  best  known  comedians 
of  a  decade  ago,  and  now  Moranti  is  turning  his  talents  to  direct- 
ing, having  just  finished  his  first  five-reeler  with  Pete  Morrison, 
another  star  to  be  developed  on  the  Universal  lot.  Marie  Pre- 
vost  emerged  from  bathing  girl  comedies  to  stardom  on  the  Uni- 
versal lot. 

Among  the  many  who  started  as  children  on  the  Universal 
lot  may  be  mentioned  Clara  Horton,  Miriam  Battista,  Ben  Alex- 
ander, Baby  Peggy,  Lina  Basquette,  Violet  Horner,  Lincoln 
Steadman,  Antrim  Short,  Billy  Kent  Schaeffer,  the  Lee  sisters, 
and  Lois  Alexander,  now  a  feature  of  the  Follies,  who  played 
the  little  girl  in  "20,000  Leagues  Under  the  Sea." 

Gertrude  Astor  played  her  first  part  in  a  Universal  picture, 
as  did  Mary  McLaren,  Betty  Compson,  Ella  Hall,  Mildred  Har- 
ris, Cleo  Madison,  Violet  Mersereau,  Ralph  Graves,  Herbert 
Rawlinson,  Zazu  Pitts,  Eric  Von  Stroheim,  Frank  Mayo,  Frank 
McGlynn,  (now  known  for  his  impersonations  of  Abraham  Lin- 
coln), Lulu  Glaser,  Effie  Shannon,  Grace  Cunard,  Francis  Ford, 
Jack  Ford,  Rupert  Julian,  Louise  Fazenda,  Esther  Ralston,  Ken- 
neth Harlan,  Carmel  Myers  and  Eddie  Polo. 

Among  those  whose  prestige  Universal  has  greatly  en- 
hanced, although  they  did  not  start  on  the  Universal  lot,  are 
Gladys  Brockwell,  Hobart  Bosworth,  Ruth  Stonehouse,  Paul 
Panzer,  Mitchell  Lewis,  Patsy  Ruth  Miller,  Emory  Johnson, 
Monroe  Salsbury,  Alan  Hale,  Tyrone  Power,  Jane  Novak,  Roy 
Stewart,  Neal  Burns,  Carter  de  Haven,  Flora  Parker,  Helen 
Terome  Eddy,  Maude  George,  Mae  Busch,  Ben  Wilson,  Mabel 
Ballin,  Walter  Miller,  Betty  Blythe,  Wallace  Beery,  Niles  Welch, 
Edna  Murphy,  Helen  Holmes,  Billy  Dove  and  Renee  Adoree. 

In  the  list  of  stars  now  appearing  at  Universal  City  there 
are  also  several  who  began  their  careers  on  the  Universal  City 
lot :  Hoot  Gibson,  Universal's  premier  Western  star,  is  one  of 
them.  Reginald  Denny,  though  he  had  made  one  of  two  incon- 
spicuous appearances  in  other  companies,  is  almost  entirely  a 
Universal  product.  Rudolph  Schildkraut  made  his  picture 
debut  in  "His  People,"  which  also  included  Virginia  Brown 
Faire,  who  came  to  Universal  City  as  the  winner  of  a  beauty  con- 
test. Laura  La  Plante,  although  she  played  extra  parts  in  Chris- 
tie Comedies,  has  almost  exactly  paralleled  Denny's  successful 
rise.  Mary  Philbin  was  one  of  Laemmle's  discoveries,  while 
Jack  Hoxie  is  playing  his  second  long  starring  engagement  on 
the  Universal  lot.  The  first  one  was  under  the  name  of  Hart 
Hoxie,  Jean  Hersholt.  now  under  five  years'  contract,  began  his 
American  screen  career  as  a  character  man  in  several  of  Dorothy 
Phillips'  pictures  made  at  Universal  City.  Although  House 
Peters  has  been  on  the  screen  for  many  years,  it  was  not  until 
"The  Storm"  was  released  that  he  came  into  his  greatest  vogue 
and  popularity.  That  picture  also  was  the  start  of  the  starring 
career  of  Virginia  Valli, 


tpMU 
W  w  \/ 


tl 


# 


4 


Jl 


f. 


Accept  Ours, 

Mr.  LAEMMLE 


FILM 


The  Washington  Regional 


NEWS 


Published  Twice  A  Month 


Read  by  Every  Exhibitor  in  the  Region 

ATLAS  BUILDING  ::  WASHINGTON,  D.  C. 


10  th. 

ANNIVERSARy 


90 


9m  3* 


f 


m 

•   f 


ill 

51? 


JL 


k 


f 


H 


Sunday,  February  28,  1926 


—J&^ 


DAILY 


91 


rhe  FIRST  and  BIGGEST 
BEAUTY  CONTEST 

A  Contest  As  Is  a  Contest — Carl  Laemmle  Set  a  Pace 
Ten  Years  Ago  That  Has  Never  Been  Equalled — How 
Fifty-six  American  Beauties  Saw  Their  Homeland 
First  From  a  Special  Train  De  Luxe — A  Mere  Jog  of 
3,500  Miles  From  New  York  to  Universal  City,  Cal. 

rHE  highest  authorities  estimate  that  of  the  millions  of  girls 
of  eighteen  or  older  in  these  United  States,  all  but  2,397 
I  have  at  some  time  been  participartts  in  a  "Beauty  Contest," 
le  of  those  sweetly  competitive  affairs  that,  perennially  or  oft- 
ler,  yields  to  the  Sunday  roto  editor  his  crying  need  for  pul- 
iritudinous  portraits. 

It  none  of  these  entrants,  if  we  accept  their  own  birthdate 
itements,  and  who  would  doubt  a  woman's  word  on  so 
licate  a  question,  was  old  enough  to  participate  in  the 
ddy  of  them  all— the  "Nation  Wide  Beauty  Contest" 
jged  by  Carl  Laemmle  ten  years  ago,  in  the  Spring  ^ 
;  1916.  On  that  attention-arresting  occasion,  not 
ily  were  fifty-six  of  the  more  or  less  fairest  of 
eir  sex  chosen  as  winners  from  forty-six  states, 
om  Canada  and  from  Chicago  and  Greater  New 
)rk,  but  thev  were  selected  by  forty-six  of 
i  leading  daily  newspapers  of  the  United 
ites  and  Canada.  Further,  they  comprised 
train-load  of  fair  femminity — a  specia' 
lin  de  luxe,  if  you  please — that  luxuriated 


strenuous  program  of  sight-seeing 
that  included  the  beauty  spots  of 
many  municipalities,  but  the  Grand 
Canyon,  Mt.  Tamalpais,  the  Cliff 
House,  and  innumerable  other 
places  of  interest  or  local  pride. 

The  train  was  in  charge  of  Joe 
Brandt,  Nat   Rothstein  and  H.   H. 


Traffic     blocked     tin 
Denver. 


It    I., mild    Canyon,    Garden  of 
the  Gods. 


ee    hours    tn 


Los  Angeles 
staged  an  elab- 
orate  Wild 
West  parade. 


om  set,  specially  built  for  the 
the    Beauty   Squad. 


Not  Bathing  Beauties,  but  Beauties 
Bathing  in  Great  Salt  Lake,  Salt 
Lake  City. 


in  the  hospitality  of  warm- 
hearted citizens  at  all  stops 
between  New  York  and  Uni- 
versal City,  Cal 

A  mere  jog  of  3,500  miles, 
yet  it  gave  these  "home 
town"  girls  such  an  oppor- 
tunity to  "See  America 
First,"  as  is  rarely  enjoyed 
even  by  a  retired  butter  and 
egg  man.  At  all  daylight 
stops  they  were  met  by  wel- 
coming committees;  four  or 
five  banquets,  lunches  and 
impromptu  spreads  every 
twenty-four  hours  for  five 
days,   were   offset    not   only   by    a 


Van  Loan.  A  half-dozen  chaperones 
were  provided,  gold  vanity  cases  were 
distributed,  and  fifty-six  hearts  were 
kept  in  a  fluttering  state  for  two 
weeks — from  both  the  lavish  hospital- 
ity of  Carl  Laemmle  and  the  possi- 
bility of  being  chosen  for  stellar  cin- 
ema honors. 

Arriving  at  Universal  City  new 
unexpected  attentions  awaited  the 
winning  fifty-six.  A  gorgeous  throne 
room  had  been  prepared  on  one  of 
the  largest  stages,  guarded  by  pretty 
girls  in  pages'  costumes:  while  seated 
on  the  throne  itself,  ready  to  abdicate 
in  favor  of  the  "winner  of  winners," 
sat    J.   Warren    Kerrigan   himself,   at 


that  time,  as  since,  the  very  idol  of 
the  female  fans.  The  winner  proved 
to  be  Ruth  Purcell,  of  Washington, 
D.  C,  wlio  later  saw  fit  to  forego 
stardom  for  a   state  of  married  bliss. 

What  hopes  and  ambitions  died 
aborning;  what  undeveloped  talent 
was  doomed  to  early  blight,  only  the 
subsequent  history  of  the  chosen 
fifty-six  would  disclose.  The  fact  re- 
mains that  of  them  all  one  bright, 
particular  star  still  illuminates  the  sil- 
ver screen — one  lovely,  talented  girl 
of  all  that  representative  American 
group  saw  her  dreams  come  true,  and 
more  than  true,  as  she  climbed  the 
perilous  ladder  of  motion  picture 
fame.  To  Carl  Laemmle's  shrewd 
judgment  she  owes  her  first  oppor- 
tunity. Her  subsequent  career  is 
known  to  the  fans  the  world  around. 
Her  name,  the  sole  survivor,  is — 
Lois  Wilson. 

Since  that  historic  occasion  there 
have  been  and  doubtless  will  continue 
to  be  Beauty  Contests  galore.  In 
time  there  may  be  formed  an  exclu- 
sive society  with  membership  limited 
to  "the  most  beautiful  girl  in  Amer- 
ica." For  since  Carl  Laemmle  set  the 
pace  her  name  is  legion.  We  nomi- 
nate for  honorary  president  of  that 
society  "the  man  who — "  etc.,  Carl 
Laemmle. 


3  A\A\'2.-^ 


V  .-^  '^ 


e  Years 


.tact  ^itl^  "° 
,«  of  weln«=%llr  WBine=«- 
t-Tortr.  Wori^o«  of  ^^,,. 

,lou4  on  „^servaUo«  i» 


7^^^ 


iday,  February  28,   1926 


^hat  Becomes  of 

Win 

ver  since   the   spectacular   beauty 
itest  of   1915,   Universal   has   been 
nark  for  this  most  interesting  and 
sational  method  of  newspaper  cir- 
ation  builder.     A  dozen  a  year  is 
;afe  estimate  of  the  number,   until 
casting  director,  tne  management, 
directors  and  even  the  press  de- 
tment  grow  sick  with  the  sight  of 
m.      The    question    is     frequently 
:ed:    "What  becomes  of  the  beauty 
iners   of  these  contests?" 
Jnfortunately,    beauty    is    not    the 
y  requisite  that  a   screen  star  has 
have  in  order  to  become  a  draw- 
card  in  pictures.     One  must  have 
iins,    and    the    ability    to    portray 
ling    sympathetically    and    graphi- 
ly.      Where    these    are    combined 
h    beauty,    and    such    a    combina- 
a    has    enabled    a    girl    to    win    a 
luty    prize    contest,    it    has    usually 
ulted   in    making   that   girl   a    pic- 
e    proposition.      But    out    of    the 
ire     forty-eight     girls     who     were 
te  winners  in  that  first  great  con- 
t,  and  who  went  to  Universal  City 
the  greatest  beauty  train  ever  to 
1   into    San    Bernardino,    only    one 
!  weathered  the  vicissitudes  of  the 
nera's  cruel  partiality,  matrimonial 
irement,  and   the   obvious   difficul- 
facing    one    in    the    struggle    to 
nb    the    ladder   ot    success.      That 
:  is   Lois  Wilson, 
t  is  understating  it  to  say  that  in 
intervening  years  there  have  been 
least   one   hundred   other   winners 
beauty  contests  at  Universal  City. 
t  those  who  have   left   their  mark 
i  who  are  favorites  today,  can  be 
y  easily  enumerated.     Mary  Phil- 
i  is   probably   the   outstanding  ex- 
ple.     It  is  true  that  Mary  did  not 
ti  a  beauty  contest;  she  w^s  in  one 
Chicago,  and  attracted  the  atten- 
n  of  Laemmle  and  Erich  von  Stro- 
m.     Though    she   did   not    receive 
:  award  of  the  judges.    Laemmle  in- 
ed  her  to  Universal  City  and  gave 
r  a  contract.     The  winner  of  that 
itest  was   Gertrude   Olmstead. 
Another    prize    winner    is    Virginia 
owne  Faire,  who  is  at  present  sup- 
rting  Hoot  Gibson  in  "Chip  of  the 
ying  U."     Wanda  Wiley  came   to 
s  movies   also   as  a   beauty  winner 
d  she  is  there  to  stay.     But  outside 
these    few,   what    others   can   you 
e?     Very  few — and  those  few  too 
w    in    the    business    to    hazard    a 
ess  as  to  their  permanence. 
What  becomes  of  the  others?  Most 
thern  went  back  home,  thoroughly 
sillusioned  as  to  their   own   qualifi- 
tions   for   moving   picture   stardom, 
thers,  who  were  unable  to  get  back 
me,  or  who  were  too  proud  to  re- 
rn,   have   found  occupation  in   Cali- 
rnia.     They   say   that   Los   Angeles 
S  the  most  beautiful  waitresses  and 
op   girls  of  any  city  in  the  world, 
d  that  for  the  most   part  they  are 
cruited  from  the  disappointed  win- 
rs  of  beauty  contests  of  every  city 
the  world. 
There  is  one  authenticated  instance 
a  beauty  winner  who  came  to  Los 
ngeles   as   a  prize  winner  but  who 
;ver  went  to  the  studio,  never  had  a 
St   made,    never   saw   a    Hollywood 
ar.      She    had   a    return    ticket   and 


the  Beauty  Contest 
ners? 

vi/hen  she  had  spent  all  her  money 
sightseeing  in  Los  Angeles  she  went 
back  home.  And  the  studio  execu- 
tives who  had  watched  her  board  the 
train  said  she  was  the  pretties  girl 
they  had  ever  seen.  No  movies  for 
her.     Sounds  fishy,  doesn't  it? 

But  in  spite  of  the  discouragements, 
of  the  lack  of  success  of  others,  the 
contests  go  merrily  on,  and  the  win- 
ners, all  undaunted,  advance  in  ser- 
ried ranks  on  the  great  picture 
metropolis  of  Los  Angeles. 


Block^Booking 

You  may  not  know  it,  but 
block  booking  as  it  is  under- 
stood today  became  effective 
back  in  the  days  of  the  first 
serials. 

Competing  against  the  serial 
"The  Adventures  of  Kathleen," 
a  Patents  Company  release,  was 
"Lucille  Love,"  an  Imp  release. 
In  order  to  get  "The  Adven- 
tiu"es  of  Kathleen,"  exhibitors 
were  compelled  to  buy  the  en- 
tire output  of  the  Patents  Com- 
pany. Imp  sold  "Lucille  Love" 
otherwise  and  did  a  whale  of  a 
business. 


Naming  the  Baby 

Every  exhibitor  in  the  land  was  facing  poverty — not  a 
shortage  of  many,  or  of  patronage — but  of  pictures,  releases, 
shows.  Everyone  of  them  was  in  the  mood  to  anticipate  Irv- 
ing Berlin  by  writing  and  composing  "What'll  I  Do."  That 
was  in  1912.  Laemmle  was  an  exhibitor  and  a  "renter,"  who, 
to  get  enough  pictures,  had  begun  producing.  He  couldn't 
produce  enough  "Imps"  to  help — much.  Reliance,  Nestor, 
Bison,  Rex,  Powers,  and  a  half  dozen  more  independents  were 
in  the  same  boat.  Independence,  preached,  practiced  and 
fought  for  by  Laemmle,  was  in  the  air.  "Never  surrender," 
was  their  motto.  So  they  got  together,  pooled  their  holdings, 
and  had  a  new  organization.  A  meeting  was  held,  business 
discussed,  and  the  question  of  naming  the  new  company  was 
brought  up.  The  usual  number  of  silly  suggestions  were  made. 
Every  film  man  has  sat  in  on  title  conferences,  and  knows — 
when  Laemmle,  who  had  been  standing  by  the  window  look- 
ing down  on  the  street,  said,  "Gentlemen,  I  have  the  name — 
'Universal' — what  is  more  universal  than  entertairunent  for 
the  masses  which  we  are  producing  and  selling?  We  haven't 
touched  even  the  high  spots.  The  time  is  coming  when  every 
spot  on  the  globe,  civilized  and  uncivilized,  will  clamor  for 
pictures,"  and  so  on,  inspired  by  his  own  words.  His  en- 
thusiasm sold  the  whole  crowd  and  the  name  was  unanimously 
adopted. 

Leaving  the  meeting  with  Mr.  Laemmle,  R.  H.  Cochrane 
said,  "C.  L.,  where  did  you  pick  up  the  name  'Universal,'  and 
how  long  have  you  had  it  in  mind?"  C.  L.  grinned  his  fam- 
ous shrewd,  yet  boyish  grin.  "R.  H.,"  he  said,  "I've  been 
so  busy  I  haven't  had  time  to  think  about  a  name.  I  just 
happened  to  see  the  name  on  top  of  a  passing  delivery  wagon 

'Universal  Pipe  Fittings,'  I  think  it  was,  and  many  a  child 

has  been  named  for  no  better  reason." 


Executives  Who  Started  As  Laemmle 

Secretaries 


Probablv  no  man  in  the  moving 
picture  business  has  ever  been  so  well 
served  with  secretaries  or  had  the 
good  fortune  to  secure  men  of  such 
high  caliber  or  who  later  develooed 
into  more  responsible  positions  than 
Carl  Laemmle.  One  reason  why  this 
latter  is  so,  is  that  Laemmle  has  al- 
ways been  perfectly  willing,  and  in 
fact,  desirous,  that  his  secretaries. _  in 
addition  to  performing  the  routme 
duties  which  devolve  upon  them,  un- 
dertake other  matters  of  a  business 
nature  which  are  more  or  less  re- 
lated. And  when  they  have  proven 
their  ability  in  executive  capacities,  he 
has  been  more  than  willing  to  assist 
them  In  establishing  themselves  in 
more  individual  positions. 

Carl  Laemmle's  first  secretary  was 
Joe  Brandt.  He  came  to  Laemmle 
with  a  splendid  background  of  news- 
paper and  trade  paper  experience, 
having  been  on  the  Evening  World 
and  the  Billboard  and  the  Mirror.  Joe 
had  a  l»j;al  training  and  was  admitted 


to  the  Bar,  all  of  which  was  impor- 
tant in  the  early  days  of  the  indus- 
try. As  the  business  developed  out 
of  the  old  Sales  Company,  Joe's  ex- 
perience in  publicity  naturally  led 
him  in  that  direction,  and  George  E. 
Kann  was  engaged  as  private  secre- 
tary, relieving  Brandt  to  undertake 
the  publicity  and  eventually  the  gen- 
era! management  of  the  Universal. 

To  Kann  also  fell  more  responsible 
duties.  One  of  them  was  the  pur- 
chase of  books,  plays  and  the  signing 
pn  of  Broadway  stars  at  the  time 
Universal  attempted  to  corner  the 
market  in  this  particular.  Eventually 
he  became  manager  of  Universal's 
foreign  department  and  from  that 
branched  out  into  business  for  him- 
self. 

Dan  Lederman,  one  of  the  original 
Laemmle  adherents,  who  joined  him 
when  Universal  started  its  first  ex- 
change system  radiating  from  Chi- 
cago, was  the  next  secretary.  But 
his    natural    field    was    selling   and    it 


wasn't  long  before  he  undertook  the 
job  of  carrying  the  Universal  banner 
into  South  America. 

He  was  succeeded  by  Al  Tuchman, 
who  joined  Universal  to  take  execu- 
tive charge  of  Laemmle's  private 
holding.-,  in  several  pictures  which 
were  released  through  Universal. 
Later,  he  became  purchasing  agent 
and  is  now  serving  in  a  similar  capa- 
city  with   F.   B.    O. 

While  he  was  still  with  the  com- 
pany, Irving  Thalberg  was  recom- 
mended to  Mr.  Laemmle  through  a 
social  acruaintance  and  was  taken  in- 
to his  office  to  do  special  work.  This 
snecial  work  was  so  well  done  and 
his  ability  so  impressed  Laemmle 
that  he  eventually  took  him  to  Cali- 
fornia with  him  and  left  him  in 
charge  of  the  studio.  Though  he  is 
one  of  the  best  known  production 
managers  in  the  industry  at  the  pres- 
ent time,  the  title  which  he  then  ac- 
quired of  "The  Boy  General  Man- 
ager," still  clings  to  him. 

E.  H.  Goldstein,  who  for  a  num- 
ber of  years  prior  had  served  in  vari- 
ous capacities  in  the  exchange  sys- 
tem, was  then  called  into  Laemmle's 
office  as  secretary.  Like  the  others, 
he  broadened  his  usefulness  to  in- 
clude the  office  management,  and  is 
now  the  Treasurer  of  Universal. 

He  was  succeeded  by  Harry  E. 
Zehner,  who  served  Laemmle  in  the 
capacity  of  secretary  for  more  years 
than  any  other  of  the  secretaries.  His 
service  was  rewarded  by  Mr.  Laem- 
mle with  an  executive  position  at  Uni- 
versal City  as  Assistant  to  the  Gen- 
eral Manager,   Henry  MacRae. 

Laemmle's  present  secretari'  is  J. 
H.  Ross,  who  was  appointed  just 
prior  to  the  recent  trip  which  took 
Laemmle  to  Europe. 


Tough  Sledding^ 

When  Carl  Laemmle's  Film  Ser- 
vice opened  in  Chicago,  it  attained 
almost  instant  success,  and  embol- 
dened him  to  establish  branches  in 
Minneapolis,  Des  Moines,  Omaha 
and  other  cities  in  the  Middle  West. 
Its  mushroom-like  prosperity  nearly 
proved  a  boomerang,  however,  for 
not  only  did  this  overnight  success 
make  Laemmle  overconfident  but  also 
it  incurred  the  displeasure  of  the 
powerful  and  monopolistic  Trust.  It 
was  not  until  he  opened  an  exchange 
in  the  midst  of  the  fight  against  the 
Patents  Company,  that  Laemmle  be- 
gan to  feel  the  force  of  the  enmity 
he  had  aroused.  With  almost  pro- 
phetic apprehension  that  this  belliger- 
ent independent's  presence  in  the 
field  might  have  undesirable  results, 
the  Motion  Picture  Patents  Company 
centered   its   attack   on    Laemmle. 

Realizing  the  impossibility  of  ob- 
taining from  the  sources  then  avail- 
able sufficient  product  to  supply  his 
customers  with  programs,  Laemmle 
decided  to  carry  the  warfare  into  the 
enemy's  camp  and,  in  1912-13,  turned 
his  downtown  exchange  into  a  manu- 
facturing office  and  opened  a  distribu- 
ting center  at  23rd  Street  and  4th 
Avenue. 

More  in  the  nature  of  a  defiant 
gesture  than  because  the  territory 
required  more  than  one  exchange, 
Laemmle  opened  an  uptown  distri- 
bution office  at  1600  Broadway. 


THE    MERCHANTS    NATIONAL   BANK 
OF  OMAHA,  NEB. 


Capital  and  Surplus,  $1,500,000.00 


/^UR  congratulations  to   Mr.   Carl   Laemmle  for   his 
splendid  work,  during  these  many  years,  in  upbuild- 
ing an  industry  which  has  done  so  much  for  both  the 
pleasure  and  the  education  of  our  people. 

Sincerely, 

FRED  P.  HAMILTON, 

President 


the 


llaen 
loiion 


f 


»<>-^^()^^l)'^^0'«^<)^i»()-^^<)«i»(|'^B»-0^^<  >'^^(I^^O-^^(>«H»'(}^^(  1 4 


»-(>«ii»(>-^»(»T4 


i.  ml 


I  the  ■ 


To 


\ii 


Mi 


in 


Carl  Laemmle 

On  his  twentieth   anniversary   as  an 
exhibitor 


"This  bank,  as  your  Company's  depository  in 
Charleston,  its  officers  and  employees,  who  meet  con- 
stantly with  your  local  representatives,  extend  to  you 
heartiest  congratulations,  and  to  the  wonderful  organ- 
ization you  have  built  up,  continuous  growth  and 
prosperity  in  the  years  to  come." 

THE  BANK  OF  COMMERCE, 

Charleston,  W.  Va. 


ill 


f 


llOlIip; 


94 


THE 


)  day,  February  28,  1926 


)l 


j2^ 


DAILY 


95 


BLAZING  THE  TRAIL 


n  Export  Department  with  a  per- 
nel  of  one  signalized  the  birth 
Jniversal's  present  foreign  organ- 
ion  of  no  less  than  eighty-seven 
riches  and  sub-branches  abroad, 
jr  to  that  time,  1912-'13,  Universal 
1  its  product  outright  to  foreign 
s  agencies,  particularly  for  the 
;ish  Empire,  at  so  much  per  foot, 
ire  was  not  enough  product  to 
ply  the  Continental  European 
ket;  export  commission  agents 
difficulty  in  supplying  the  needs 
heir  customers  in  England's  vari- 
colonies. 

arl  Laemmle  was  the  first  Ameri- 
motion  picture  magnate  to  recog- 

ithe  possibilities  of  the  foreign 
I,  which,  to  other  companies,  for 
ly  years  remained  a  terra  incog- 
Ever  a,  pioneer,  and  seeing 
value  of  distributing  his  pictures 
)ad,    he    grasped    the    opportunity 

in  1915,  sent  Toiri  D.  Cochrane 
;he  Far  East,  where  he  opened 
es  in  Manila,  Bombay,  Singapore, 
dong  and  Tokio.   Although  many 

offices  have  since  been  establish- 
n  the  Orient,  Universal's  Asiatic 
inization  /as  at  present  consti- 
d,  was  founded  then  by  Mr. 
hrane. 

t  the  same  time,  I  went  on  an 
t  months'  trip  through  South 
srica    breaking    into    virgin    terri- 

as  far  as  American  motion  pic- 
s   were    concerned,    by    establish- 

a  Universal  office;  at  Rio  de 
ero   and   establishing  sales   agen- 

in    Chile,    Argentina    and    Peru. 

Laemmle  soon  afterward  in- 
sed  the  number  of  South  Ameri- 

offices  to  embrace  the  entire 
inent. 

he  Imp  films  were  handled 
)ad  by  Frank  W.  Brockliss,  re- 
:ly  appointed  Managing  Director 
First  NaJtional  Pictures  in  the 
ted  Kingdom.  Later  these  were 
tracted  for  by  John  D.  Tippett 
,  when  increased  product  enabled 

Laemmle  to  supply  the  Euro- 
a  market,  on  the  Continent  by 
ar  Einstein. 

Producing   Abroad 

ealizing  the  importance  of  gain- 
the  native  good  will  as  well  as 
ertising  his  activities  on  foreign 
,  Carl  Laemmle  conceived  the 
I  of  producing  pictures  abroad. 
:  first  efforts  along  these  lines 
e  in  1914  and  1915,  when  Univer- 
companies  journeyed  to  and  made 

ijures  in  both  England  and  Japan, 
er,  other  countries  formed  the  lo- 
:    of    Universal    pictures;    all    of 

l^ch  served   to  build   up  immeasur- 

I '  the  prestige  both  of  Mr.  Laem- 

1  and  his  organization. 
1  1920,  Universal  sent  James  V. 
'^on  to  establish  a  sales  distri- 
uii  in  Australia,  which  he  did 
1  such  satisfactory  results  that 
ly,     under     the     directorship     of 

^c.       C.       Mclntyre,       Universal's 

i  itralasian  organization  is  regarded 

one    of    the    most    comprehensive 

efficient    distributing    companies 

he  many  since  founded  in  Austral- 

i  nd  New  Zealand. 


By  KURT 

Carl  Laemmle's  success  abroad 
may  be  attributed  to  the  fact  that 
Mr.  Laemmle  is  a  product  of  Ger- 
many, a  land  dependent  on  foreign 
trade,  where  exporting  has  developed 
to  a  science.  This,  combined  with 
Mr.  Laemmle's  vision  and  farsighted- 
ness, is  largely  responsible  for  the 
rapid  advances  made  by  Universal 
in  the  foreign  field. 

Manheim's  Comnuent 

"The  reason  Universal  has  not 
opened  up  any  new  foreign  offices  in 
several  years   is   because   Carl   Laem- 


W.  LINN 

mle  was  already  represented  there 
years  before  any  other  company  re- 
alized the  possibilities  and  opportun- 
ities of  the  export  market,"  says 
Nate  L.  Manheim,  "U"  Export  Man- 
ager. 

"Universal  distributes  its  product 
directly  all  over  the  world,  except  in 
Central  Europe  and  South  Africa. 
The  present  channel  of  distribution 
in  Central  Europe  is  through  a  ilfe- 
long  friend  of  Mr.  Laemmle,  a  mat- 
ter of  sentiment  and  yet  so  satisfac- 
tory as  to  preclude  the  possibility  of 


TESTIMONIALS 

A.  M.  P.  A. 

WHEREAS:  Carl  Laemmle  is  now  celebrating  the 
Twentieth  Anniversary  of  his  entry  into  the  Motion 
Picture  Industry,  concluding  the  second  decade  of  a 
career  distinguished  by  its  consistently  clean  tactics, 
unfailing  independence  and  ceaseless  worthiness  of  ef- 
fort and 

WHEREAS:  Carl  Laemmle  has,  by  virtue  of  his 
tireless  efforts,  been  instrumental  in  advancing  the 
progress  of  the  Motion  Picture  Art,  and  enhancing  the 
prestige  of  our  great  industry ;  and 

WHEREAS:  Carl  Laemmle  has,  in  recognition  of 
his  splendid  achievements,  been  justly  described  as 
one  of  the  Immortals  of  the  Motion  Picture  Industry; 
and 

BE  IT  RESOLVED :  That  we,  The  Associated  Mo- 
tion Picture  Advertisers,  Incorporated,  do  hereby  ten- 
der to  Carl  Laem.mle,  President  of  The  Universal  Pic- 
tures Corporation,  our  heartiest  congratulations  on  the 
occasion  of  his  Twentieth  Anniversary  in  Motion  Pic- 
tures, and  do  extend  to  him  our  sincerest  good  wishes 
for  the  continuance  of  his  long  and  deserved  success 
as  a  Producer,  Distributor  and  Exhibitor  of  Motion 
Pictures. 

W.  A.  M.  P.  A. 

WHEREAS:  Carl  Laemmle  has  for  twenty  years 
exerted  a  powerful  and  beneficial  influence  in  mould- 
ing the  destiny  and  character  of  the  motion  picture 
industry,  bringing  to  bear  the  same  forcefulness,  in- 
tegrity and  honesty  that  have  distinguished  his  entire 
career;  and 

WHEREAS:  Carl  Laemmle  has  ever  been  a  pro- 
ponent of  a  clean  screen,  a  staunch  advocate  of  fair 
play  and  one  of  the  outstanding  figures  in  the  develop- 
ment of  the  motion  picture  art ;  and 

WHEREAS:  Carl  Laemmle,  by  never  swerving 
from  his  lofty  ideals  nor  deviating  from  his  persistent 
efforts  to  advance  the  motion  picture  industry,  has 
achieved  a  signal  success  in  furthering  the  progress 
of  the  cinematographic  art;  therefore 

BE  IT  RESOLVED:  That  we.  The  Western  Mo- 
tion Picture  Advertisers,  Incorporated,  do  hereby  ex- 
tend to  Carl  Laemmle,  President  of  The  Universal 
Pictures  Corporation,  our  most  heart-felt  congratula- 
tions on  this  memorable  occasion  of  his  Twentieth 
Anniversary  of  activity  in  the  Motion  Picture  Indus- 
try, voicing  with  our  admiration  for  his  many  splen- 
did traits  our  sincerest  good  wishes  for  his  continued 
and  deserved  success  and  prosperity. 


any  alteration.  In  South  Africa, 
Universal's  relations  with  the  I.  V. 
T.  A.  are  so  pleasant  and  satisfac- 
tory, Mr.  Laemmle  would  not  con- 
sider any  change. 

"Carl  Laemmle's  success  abroad  is 
due  to  the  universal  appeal  of  his 
pictures.  Universal  does  not  make 
pictures  for  any  particular  country 
in  Europe,  Asia,  Africa,  Australasia 
or  South  America.  He  long  ago 
realized  the  cosmopolitan  make-up  of 
American  audiences  assured  for  his 
product  a  like  appreciation  ^n  [all 
parts  of  the  globe.  Mr.  Laemmle 
knows  that  if  an  American  audience 
composed  of  representatives  of  every 
race,  nationality  and  religion  likes  a 
picture,  that  film  will  enjoy  a  similar 
success  in  those  countries  from  which 
America's  heterogeneous  population 
is  made  up." 

That  Carl  Laemmle's  theory  is 
practical  is  evidenced  by  the  rapid 
and  tremendous  growth  of  Univer- 
sal's foreign  activities.  In  a  few 
short  years  it  has  expanded  from 
virtually  nothing  to  twenty-four  main 
offices  and  sixty-three  sub-branches. 
In  sixteen  of  the  former  and  forty 
of  the  latter,  it  is  claimed  Universal's 
business  exceeds  that  of  any  com- 
petitive  company. 

BERLIN 

Mr.  Laemmle  is  a  genius  for  him- 
self. Insignificant  were  the  begin- 
nings of  his  work,  but  he  understood 
how  to  conquer  the  world  and  create 
for  himself  a  world  position. 

Mr.  Laemmle  was  a  pace-maker 
for  the  film-industry.  Being  an  in- 
dependent manufacturer  he  had  to 
fight  hard  against  the  Trusti  and 
owing  to  his  energy,  his  character  and 
his  respectability  he  came  forth  vic- 
torious. 

Reviewing  the  past  of  the  film- 
industry  and  drawing  a  parallel  we 
must  state  that  Mr.  Laemmle  is  the 
only  one  in  the  whole  world,  con- 
sidering the  founders  of  that  period, 
who  has  reached  this  height.  Mr. 
Laemmle  is  a  great  go-getter  and 
understands  how  to  win  his  collabora- 
tors by  his  gentle  heart  that  feels 
with  all  others.  Whoever  had  the 
opportunity  to  make  Mr.  Laemmle's 
personal  acquaintance  is  charmed  by 
his  sincerity  and  his  good-natured 
smile. 

His  power  lies  also  in  the  ability 
to  carry  away  with  him  by  his  rest- 
less and  indefatigable  work  all  the 
others. 

No  wonder,  that  his  organization 
is  a  leading  one.  And  all  this  has 
come  forth  from  the  very  smallest  be- 
ginnings! Indeed  he  is  a  "Napoleon" 
in  the  film  industry. 

To  no  other  man  may  the  word 
"Live  and  let  others  live"  be  better 
applied  than  to  Mr.  Laemmle.  He 
supports  the  poor  in  a  very  refined 
way  and  gives  them  money  without 
hurting  them  in  the  least.  He  is 
overjoyed,  to  do  charitable  deeds,  and 
this  without  difference  of  religion 
and  nationality.     He  has  helped  most 


Heartiest  Congratulations 

and 

Sincere  IVishes 

for  many  more  years  of  continued  success 


^Sf  ^* 


•  •  • 


•  •  • 


Ul' 


A  1  A 

01  Y  ^ 


X 


Jl 


f. 


Mr,  Carl  Laemmle 

I  beg  to  extend  to  you  my  sincere  felicitations  on  the 
20th  anniversary  of  your  association  in  the  motion  picture 
industry.  Your  ever-ready  support  to  the  progress  and 
development  of  the  industry  in  general,  does  you  great 
credit  and  has  been  a  wonderful  inspiration,  not  only  to 
those  directly  associated  with  you,  but  to  the  trade  thru- 
out   the  world.     With   best   wishes   for   your   continued 


success. 


(o.    ty^  ^y&tcc^iAt 


'et'7?z-e'?* 


1650  Broadway 
New  York  City 


20f^ 

ANNIVERSAKy 


-■ii 


w 


unday,  February  28,  1926 


97 


enerously  widows  and  orphans 
irough  the  terrible  years  and  has 
iven  large  sums  for  the  blind  and 
eaf  during  his  stay  in  Europe, 
ome  thousand  persons  were  given 
leals  for  Christmas,  which  were 
reatly  appreciated,  and  the  poor 
ind  and  deaf  and  dumb  persons  sat 
abundant  tables  on  New  Year's 
ve  and  drank  to  the  health  of  the 
nd  benefactor. 

OSKAR   EINSTEIN 


of  your   friendship    in   both   business 
and   personal   relations. 

EDUARD  WEIL  &  CO.,  Vienna. 


GREECE 

It  gives  us  the  greatest  pleasure  to 
be  permitted  to  join  in  the  world- 
wide outpouring  of  congratulations, 
friendship  and  good  will — on  the  oc- 
casion of  your  20th  Motion  Picture 
Anniversary. 

JOSEPH  MARGULIES,  Athens. 


FRANCE 

Having  been  with  Mr.  Laemmle 
for  nine  years  and  travelled  the 
world  I  know  he  has  the  respect  of 
every  exhibitor  in  foreign  lands. 
All  his  foreign  managers  are  under 
instructions  to  give  exhibitors  white 
pictures  and  white  treatment.  Good 
pictures  and  honesty  is  the  keynote 
of  love  and  respect  by  not  aJone  ex- 
hibitors but  his  managers  for  him. 
BROOKHEIM 


sonally  since  two  years,  and  I  can- 
not conceal  my  admirataon  for  his 
personality.  It  is  really  amazing  to 
see  how  everyone  of  his  managers  is 
looked  upon  by  him  like  upon  a  mem- 
ber  of   a   great   family. 

Although  he  is  staying  in  Karls- 
bad to  take  the  cure,  he  cannot  aban- 
don his  business  affairs.  Last  year 
I  had  also  the  pleasure  of  being  in- 
terviewed together  with  Mr.  Laemmle 
by    our    worthy    president    Mr.    Ma- 


AROUND    THE  WORLD  w'^*"  CARL  LAEMr^LE 


HUNGARY 

It  is  with  the  sincerest  feeling  of 
rdial  regard  that  we  extend  to  you 
I  this  auspicious  occasion  our  heart- 
3t  congratulations.  To  have  built 
)  so  great  an  institution  as  the  Uni- 
irsal  is  a  real  achievement;  to  have 
ade  its  name  synonymous  with  high 
aality  and  the  strictest  business  in- 
grity,  is  greater.  May  we  express 
]e  hope  that  the  pleasant  business 
lations  which  have  always  existed 
tween  us  will  continue  on  the  same 
isis  of  good  will. 
Again  our  heartiest  felicitations. 
STAR  FILM  FABRIK  &  FILM 
ERTRIEB   A.   G.,   Budapest. 


AUSTRIA 

Distance  is  no  bar  to  friendship, 
:<1  from  far  Vienna,  we  send  this 
irm  hand  clasp  to  convey  to  you 
ir  heartiest  greetings  on  this  event- 
1  occasion.  Your  long  and  unblem- 
lied  career,  now  marked  by  this 
wentieth  Anniversary,  is  not  un- 
lown  on  this  side  of  the  Atlantic, 
id  is  to  us  a  constant  source  of  in- 
iration  which  should  be  gratifying 
you.  It  is  our  earnest  wish  that 
)ur  Golden  Anniversary  will  find 
lu    still    extending    the    felicitations 


EGYPT 

May  the  great  achievements  of 
your  past  twenty  years  be  but  the 
burst  of  an  effulgent  dawn — lighting 
your  path  onward  to  the  highest  pin- 
nacle of  success  in  the  future. 

As  your  years  increase,  may  they 
continue  to  bring  to  you  the  blessings 
of  health,  happiness  and  prosperity, 
and  the  amenities  of  good  will  and 
friendship — as  well  as  the  unswerv- 
ing loyalty  of  your  business  asso- 
ciates, among  whom  we  are  proud 
to   be   numbered. 

RAISSI   FRERES,  Cairo. 


Since  rot  the  least  of  your  accom- 
plishments during  the  past  twenty 
years  has  been  the  establishment  of 
your  leadership  in  the  international 
film  market,  it  gives  us  great  pleasure 
to  send  you  from  this  far-flung  dis- 
tributing point  our  sincere  wishes  for 
your  continued  happiness  and  pros- 
perity. 

We  are  glad  to  be  connected  with 
your  marvelous  organization  whose 
efforts  have  made  possible  the  fact 
that  "The  sun  never  sets  on  Universal 

Again  our  hearty  congratulations. 
AMERICAN  FILMS  CONSORT- 
IUM, Cairo. 


BRAZIL 

Commemorating  Carl  Laemmle's 
appearance  on  the  film  field  two  de- 
cades ago  the  writer  and  the  entire 
Brazilian  orgianiz;ation  congratulate 
their  chief  and  friend  for  the  mar- 
velous success  which  has  crowned 
his  twenty  years  strenuous  and  un- 
tiring efforts  to  place  the  industry 
where  it  belongs,  and  can  assure  him 
of  their  constant  and  heartiest  co- 
operation, and  express  their  best 
wishes   for   his   personal   welfare. 

AL    SZEKLER 


CZECHOSLOVAKIA 

Every  year  Mr.  Laemmle  is  visit- 
ing our  country  to  take  a  cure  in 
Karlsbad.  No  soon  June  has  ar- 
rived than  we  receive  every  day  in- 
quiries as  to  when  Mr.  Laemmle  will 
be  here,  when  it  will  be  possible  to 
speak  with  him,  or  whether  he  would 
buy  manuscripts  or  engage  actors — 
in  a  word — everybody  wants  to  see 
Mr.  Laemmle.  For  everybody  knows 
that  he  is  very  willing  to  lend  his 
ear  to  everybody  and  that  he  has  an 
open  purse.  And  there  are  really 
many   who   owe   him   their   living. 

I  have  known  Mr.  Laemmle  per- 
saryk.     Mr.  Laemmle  was  received  by 


our   president   very   cordially. 

Last  year  about  40  theater  owners 
from  all  parts  of  the  country  came 
to  Mr.  Laemmle  to  show  him  their 
cratitude  and  admiration  for  the 
splendid  pictures  he  had  made.  There 
was  arranged  a  festival  banquet  in 
his  honor.  All  that  were  present 
will  always  like  very  much  to  re- 
member that  day. 

"The  Phantom  of  the  Opera"  met 
with  the  greatest  success  which  a 
picture  ever  had  in  this  country.  In 
appreciation  of  this  masterpiece  the 
Association  of  the  cinema  owners  in 
Czechoslovakia  arranged  a  masked 
ball  on  January  7  under  the  device: 
"Phantom  of  the  Opera."  All  promi- 
nent members  of  our  officialdom  and 
of  the  theater  owners  took  part. 

FRITZ  TAUSSIG,  Prague. 


MEXICO 

The  large  gains,  the  conspicuous 
careers  wrought  out  in  our  country 
in  the  past  and  to  be  attained  in  the 
future,  have  resulted  or  will  result, 
from  change  in  conditions,  from  the 
exploitation  of  new  projects  by  men 
of  intelligence  and  daring  originality. 
Such  has  been  the  career  of  Carl 
(CoiUMued  on  Page   109) 


0(p 


•    • 


m 


To  CARL  LAEMMLE,  President 


UNIVERSAL  PICTURES  CORPORATION 

New  York  City.    U.   S.   A. 

Hearty  Congratulations  and  Sincere  Good  Wishes. 
May  the  Occasion  of  this 

Your  20th  Motion  Picture  Anniversary 


Encourage  You  to  Continue 

In  the  High  and  Notable  Endeavors 

That  in  the  Past  Have  Led  To 

Those  Remarkable  Achievements 

In  Which  the  Entire  Motion  Picture 

Industry  Has  Shared. 


THE  OFFICERS  AND  EMPLOYEES  OF  THE 


European  Motion  Picture  Company 

Distributors  of  Universal  Pictures  in  Great  Britian 
LONDON,   ENGLAND 


S^^ 


\  r  .. 


98 


ay,  February  28,  1926 


99 


The  Man  Who  Never  Falters 


By  R.  F.  WOODHULL 
President   Motion  Picture  and  Theater  Owners  of  America 

In  my  travels  up  and  down  the  country  although  I 
ave  often  read  that  the  word  of  some  men  is  as  good 
s  gold,  I  find  that  the  market  of  humanity  is  not  sur- 

ited  with  men  who  measure  up  to  the  strict  letter  of 
lis  description.  Of  course,  I  am  forced  to  hasten  and 
ualify  this  observation  before  my  hosts  of  friends  are 
ambling  as  to  who  amongst  them  are  really  qualified 
)r  this  classification.  But  right  deep  in  my  heart,  I 
m  mention  without  mental  reservation  the  name  of 
arl  Laemmle. 

Carl  and  I  are  old, friends.  We  have  been  in  motion 
ictures  together  a  long  time — Carl  as  a  producer  and 


and  then  renege  because  they  have  not 
the  fortitude  of  will  and  farsightedness  of 
purpose  to  continue.  Carl  Laemmle,  par- 
ticularly the  Carl  Laemmle  that  I  know,  is 
a  man  when  he  once  makes  up  his  mind  to 
a  sincerity  of  a  purpose,  never  falters 
until  that  worthy  objective  is  completely 
realized. 

That  Carl  Laemmle's  word  is  as  good  as 
gold,    coincidently,   was   literally    evidenced 
during  the  past  year.     His  word  was  given 
at  Milwaukee  when  the  Theater  Owners  of 
the  country  were  in  need  of  something  more 
than  verbal  encouragement.    With  hundreds 
of  exhibitors  deliberating  in  convention  and 
in  the  stress  of  an  atmo- 
sphere   of    hectic    patriot- 
ism,  many   pledges    were 
made  to  aid  the  most  val- 
uable asset  of  the   indus- 
try-exhibitor organization. 
Carl  Laemmle  was  one  of 
the  strong  men  who  made 


nyself  as  an  exhibitor.  Such  a  comparison  may  seem  a  little 
elf-assuming  on  my  part  but  I  make  mention  of  it  to  show 
ny  thorough  understanding  of  one  of  the  finest  characters  ever 
Lcknowledged  by  the  industry.  The  greatness  of  Carl  Laemmle 
s  appreciated  not  only  by  those  friends  of  long  standing  but 
)y  those  of  brief  acquaintance ;  in  fact,  by  many  who  have  never 
haken  his  hand  and  who  have  never  seen  him  except  for  a 
ut  in  a  newspaper,  magazine  or  trade  paper.  Those  who  know 
ittle  about  him  personally  can  tell  his  sterling  type  by  just  a 
)rief  study  of  his  photograph.  Laemmle's  deeds  are  founded 
ipon  sincerity  and  sincerity  is  stamped  upon  the  face  of  the 
•resident  of  the  Universal  Film  Corporation.  His  sincerity  is 
real  sincerity!  Many  men  are  sincere  as  far  as  their  ideals 
re  concerned  but  oftentimes  the  execution  of  these  ideals,  neces- 
itating  a  sacrifice  of  physical  and  mental  exertion,  reduces 
hat  sincerity  to  such  a  minimum  that  it  is  no  longer  definable 
n  the  true  sense  of  the  word.  Relatively  there  are  men  who 
vant  to  do  things  but  fail  when  favored  with  the  opportunity. 
Sometimes  the  failure  is  attributed  to  a  weakness,  but  more  often 
t  is  caused  through  fear  and  greediness.  There  are  other  men 
vho  carrv  out  the  sincerity  of  their  ideals  up  to  a  certam  pomt 


such  a  pledge.  For  the  Universal  Film  Corporation  he  gave 
his  word  to  contribute  $50,000.  It  was  purely  a  matter  of  verbal 
sincerity.  The  first  date  for  the  material  execution  of  these 
pledges  fell  due  and  as  you  all  know  some  of  them  were 
executed.  Some  of  them  weren't.  Some  of  the  pledgees  wrote 
long  letters.  Some  of  the  pledgees  spoke  long  sentences.  But 
Carl  Laemmle  had  spoken  at  Milwaukee.  He  had  nothing  fur- 
ther to  write  about.  Nothing  further  to  say  except  to  submit 
to  the  National  Headquarters  of  the  Motion  Picture  Theater 
Owners  of  America  his  check  for  $10,000.  On  the  next  date 
for  the  execution  of  these  Milwaukee  pledges  some  fell  by  the 
wayside  with  alibis  long  and  short ;  others  just  "forgot ;"  but  Carl 
Laemmle's  sincerity  remained  steadfast.  National  Headquarters 
received  another  check  for  $10,000  from  the  chieftain,  of  the  Uni- 
versal Film  Corporation.    And  so  it  has  been  on  each  and  every 

one  of  these  dates. 

Since  this  is  more  or  less  a  world  of  material  things,  I  am 
talking  about  material  things  in  association  with  Carl  Laemmle. 
Materiality,  however,  is  but  a  mere  scratching  of  a  verbal  sur- 
face wlien  it  comes  to  describing  his  true  character. 


Heartiest  Good  Wishes  to 

CARL  LAEMMLE 

PRESIDENT 

UNIVERSAL  PICTURES  CORPORATION 

ON  THE  OCCASION  OF  HIS 

,--'■"' 

'      20th  Motion  Pidure  Anniversary 


•    • 


M   t    Ml 


'  <•     f  >f  ■      >  , 

It  is  with  the  greater  pleasure  that  we  avail  ourselvi^ 
of  this  opportunity  to  pay  tribute  to  you,  with  whom 
we  have  so  long  enjoyed  the  warmed  personal  and 
business  relations.  From  your  high  achievements  in 
the  past,  we  venture  to  prophesy  that  your  Twentieth 
Anniversary  is  but  the  threshold  to  biggeffand  better 
things  than  you  have  accomplished  i^  the  pa^.  With 
the  hope  that  your  great  success  m  the  international 
field  may  continue,  and  with  sincere  expressions  of 
of  our  higher  regard  we  send  this  greeting  across 
the  sea  to  you. 


T.  G.  Sarbenindu^rie  Adliengesellschaft 

Di^ributors  of  AFGA  Raw  Stock 

BERLIN,  S.  O.  36  - :  -  GERMANY 

NEW  YORK :    209   WEST  THIRTY  -  EIGHTH  STREET 


•  • 


M 


junday,  February  28,  1926 


tEt)e  i^attonal  BoarD  of  UebiefaD 
of  ilotion  |)ittareB 

ESTABLISHED  BY   THE    PEOPLE'S    INSTITUTE 

70    FIFTH    AVENUE 

NEW    YORK    CITY.    N.    Y. 

TILCPHONE:    WATKINS    7946 

PLEARE    ADD9ESS    ALL    CORRESPONDENCE    TO    THE    NATIONAL    BOARD    OF    BEVrEW 

February  18th,  1926 
Mr.  Carl  Laemmle, 

Universal  Pictures  Corporation, 

730  Fifth  Avenue,  New  York  City. 

My  dear  Mr.  Laemmle: 

Twenty  years  ago  on  the  coming  February  26th  you  opened  your 
first  motion  picture  theatre.   Fifteen  years  ago,  approximately,  the 
Universal  Company  began  submitting  its  product  for  review  to  the 
National  Board.  You  alone,  among  the  present  heads  of  the  great 
producing  and  distributing  companies,  remain  as  one  who  directed  a 
company  showing  films  to  the  Board  at  that  time  -  a  decade  and  a  half 
ago.  As  the  twentieth  anniversary  of  your  entering  the  film  business 
approaches,  the  thought  of  the  Board,  of  its  Executive  Committee  and  of 
its  staff,  naturally  turns  to  the  long  and  fruitful  years  of  your 
cooperation  with  us,  with  a  full  sense  of  appreciation  of  your,  and 
Universal 's,  steadfast  support  of  all  that  the  National  Board  stands 
for  in  its  own  work  and,  beyond  that,  of  the  cause  of  motion  pictures 
themselves  and  what  pertains  to  their  best  interests  and  their  finest 
growth. 

When  recalling  that  of  all  those  who  in  the  beginning  were 
identified  with  motion  pictures  and  their  development  you,  personally 
and  as  the  head  of  Universal,  have  so  signally  endured  the  many  changes 
and  vicissitudes  that  have  taken  place  in  the  industry,  the  pleasant 
knowledge  is  borne  in  upon  us  that  you  have  reached  that  solid  ground, 
in  this  new  day  in  motion  pictures,  that  is  only  attained  as  a  result 
of  character,  vision  and  courage. 

It  seems  appropriate  to  our  Executive  Committee,  acting  on 
behalf  of  the  Board,  to  take  this  opportunity  to  convey  our  recognition 
of  your  success  and  Universalis  in  that  field  of  activity  to  which  you 
have  devoted  your  life,  your  best  thought  and  energies  for  the  last 
twenty  years.   We  congratulate  you  upon  the  attainment  of  the  position 
so  truly  merited  that  you  now  hold,  and  so  long  have  held,  not  only  in 
the  mind  of  the  motion  picture  industry,  but  outside  as  well,  in  the 
thought  of  the  public  who  patronize  the  great  entertainment  of  the 
screen. 

In  wishing  you  long  life,  happiness  and  the  continued 
prosperity  you  deserve,  the  Executive  Committee  express  the  desire  to 
tender  you  a  luncheon,  at  such  date  in  the  near  future  as  your  time  best 
affords  as  the  Board's  recognition  of  the  occasion  which  you  are  now 

celebrating. 

Sincerely  yours, 

WILTON  A.  BARRETT 
WAB.DLG  Executive  Secretary 


Www 


4> 


•  •  • 


iwi 

m 


Mi 


*  A* 


CARL    LAEMMLE 


J^or  Twenty  Tears 
A  Benefa&or  in 
Motion  PiBures 


HAGOPIAN  PHOTO -ENGRAVING  CO 

39    EAST    20th    STREET 
ISJew  York  City 

FOR  FORTY  YEARS  A  FACTOR  IN  PHOTO-ENGRAVING 


ANNIVERSARy 


Www 


i 


m 


1^ 


1  A. 


4 


102 


Ik 


THE 


iinday,  February  28,  1926 


-a&^ 


DAILV 


103 


JNIVERSAL'S  UNIQUE? 
FOREIGN  EXPEDITION 

Early  Venture  Made,  Not  To  Get  Foreign  "Atmo- 
sphere," But  To  Solve  Production  Problem 

\  QUESTION  that  seems  perpetually  to  bother  the  inquiring  layman 
is,  "Why  don't  the  motion  picture  people  go  abroad  to  make  their 
foreign  scenes?" 

The  oft-repeated  and  somewhat  complicated  answer  of  increased  pub- 
:ity,  foreign  rivalry,  the  advantage  of  having  the  locations  or  sets  always 
'ailable,  instead  of  having  to  depend  upon  the  whims  of  foreign  officials 
•  custodians,  which  combined,  mean  eventual  economy,  are  not  of  special 
incern  here.  That  the  present  rule  is  born  of  experience  is  more  to  the 
)int,  foreign  expeditions  for  the  purpose  of  filming  original  locations  hav- 
g  been  a  common  practice  in  the  earliest  days  of  the  industry. 

Among  these  "foreign  invasions"  fathered  by  the  Universal,  and  which 
suited   in   notable   pictures   in   their   day,   are   King   Baggot   in    "Ivanhoe," 
ade   in   England,   and   "Absinthe,"  made    in    France;    Eddie    Polo   in   "The 
anishing    Dagger,"    a    serial    laid    and    produced    in    the 
rient;   another  serial,   starring    Marie    Walcamp,  and   di- 
eted by  Henry  McRae,  also  filmed  in  the  Far  East.     Of 
lecial  Universal  expeditions  there  may  be  mentioned  the 
Ider-Laemmle     expedition     to     Borneo;     the     Universai- 
nithsonian    Institute    expedition    to    Africa;    the    Smith- 
tnian   expedition    Cape    Town   to    Cairo,   and   the   subjeci 
the  present  article,  the  queerest  of  all — two  companies 
nt  to  Cuba  in  1910  to  make  pictures  of  American  sub- 


jrsonnel  of  the 
ban  invasion : 
ck  'em  out.  In 
e  several  groups 
e  Murdoch  Mc- 
larrie.  Isabel 
y.  King  Baggot, 
;  Daly,  Mary 
ckford.  David 
iles,  Edith  Bost- 
ck.  Jack  Pick- 
d,  Joe  Smiley, 
!orge  L  o  a  n  e 
cker,  J.  Far- 
11  McDonald  and 
to   White. 


and    stories    in   American    settings, 
foreign    atmosphere    meant    noth- 
ing,   and    had    nothing    to    do    with    the 
purpose   of   the    trip,    strange   as   it   may 
-n,    for   there    were    plenty    of    tropical    scenes   and    Spanish    architecture 
.  ly  to  hand  within  a   short  distance   of  the  Coast  studios.     There  was, 
)  uever,  a  production  problem  to  be  solved,  and  a  mechanical  one  at  that, 
that  time  there  were  perhaps  twenty  different  American  made  cameras 
use,  most  of  which  were  infringements  upon  the  rights  of  some  foreign 
tentee.     Vastly   inferior   to   the   foreign   machines,,  these   native   cameras 
ve  anything  but  sure  results.    The  use  of  the  foreign  makes  involved  the 
tiyment  of  an  almost  prohibitive  royalty,  and  many  were  the  subterfuges 
"foTted  to  by  the  producers  to  evade  this  tax  in  their  struggle  to  contmue 
the  business  of  picture  making.     Having  secured  severa    of  thej^est  for- 
m  makes.  Universal  was  little  better  off  than  without  them 


Thomas  H.  Ince,  directing  Mary  Pickford  and  company;  Joe  Smiley,  di- 
recting King  Baggot,  Isabel  Ray  and  company;  David  Miles,  Joe  Daly, 
Farrell  McDonald,  Murdock  McQuarrie,  Owen  Moore,  Edith  Bostwick, 
George  Loane  Tucker,  Doc  Willat,  and,  then  a  lad  in  his  early  teens, 
Jack  Pickford. 

Isabel  Ray,  then  a  bright,  particular  star  in  the  film  firmament,  recalls 
some  of  the  incidents  of  the  trip,  which  have  little  to  do  with  the  technique 
of  picture  production.  Mary  Pickford,  then  just  bursting  into  screen  fame, 
though  supposedly  always  under  the  watchful  eye  of  her  mother,  revealed 
to  Mrs.  Pickford  on  the  southern  steamer  trip  that  for  some  months  she 
had  been  married  to  Owen  Moore.  King  Baggot  was  the  reigning  screen 
idol,  but  was  not  above  serving  with  Messrs.  Ince,  Smiley  and  Miles,  as  a 
scenario    committee,    if    such   it    may    be    called.     The    two   companies   took 

with  them  the  synopses  of 
some  thirty  scripts,  and 
from  this  material  evolved 
the  photoplays  produced  in 
Cuba. 

Quarters     for     the     party 
were  found  in  a  former  hotel, 
the     "Pase     Verdada     Ade- 
lante,"  in  the  suburb  of  Ver- 
dada,   some    five   miles   from 
Havana.      The   owner,   a   lo- 
cally    prominent     citizen, 
housed  several  families  bear- 
ing   his   name,  •  in    the    base- 
ment   and    outhouses    of    the 
place.     "The   children,"   says 
Miss    Ray,    "were    a    never- 
ending  source  of  amusement. 
Our    efforts    to    teach    them 
to  speak  English  resulted  in 
even    the    smallest 
tots  reducing  their 
lessons    to    a    for- 
mula;      that       is, 
whenever   we   met 
any  of  them   they 
, --  would  bow  grave- 

ly and  say  'Hello. 
Goodby.      Go     to 
hell.'       We     were 
there  three  months 
and  made,  I  don't 
know    how    many 
one    reel    pictures, 
but      they      were 
mostly        all        in 
American   settings 
such    as    we    were 
accust  o  m  e  d     to 
make   tn   the    New 
York   studio   of    the    'Imp'   company.      Many 
companies  have  been  sent  to  all  parts  of  the 
world   to  get   the  true   foreign   locations  and 
atmosphere,    but    I   think   ours   was   the   first 
and  only  time  a  troupe  ever  went  abroad  to 
make  American  pictures." 

An   examination   of   the   old   records,   how- 
ever,   discloses    that    whether    the    directors 
were  lured  by  the  scenic  beauty  of  the  land, 
the    locale    fitted    available    scripts,    or    that 
they  thought  pictures  of  the  land  of  manana 
would    prove    a     popular      novelty,   they   im- 
proved the  opportunity  by  making  a  split  reel,  "The  Dynamiter  and  Cuban 
Army   Maneuvers,"   and    several   one    reelers — "Secret    of   the    Palm,"    "The 
Fishermaid"  and  "In  Old  Madrid." 

Again  Carl  Laemmle  had  proven  that  "It  can  be  done." 


Their  use 


;  this  country  was  too  expensive,  and  so  the  problem  was  solved  by  send- 
;.  two  companies  to  Cuba,  far  from  the  watchful  eyes  of  the  scouts  of 

1=  "Trust"  and  the  dangers  of  confiscation.  

Altogether  the  party  numbered  forty  or  n^^"'  '"^^"^'"^  .^^^^T,  \l^ 
I5ir  staffs:  cameramen,  actors,  business  managers,  etc.     It  mcluded  the  late 


Humanity 

By  Hugh  Hoffman 
A  nunnery  in  the  town  of  Ginsberg,  Germany.  A  sweet-faced 
nun  reading  a  poem  of  gratitude  and  thanks.  Composed  by  the 
Sisters.  In  honor  of  Carl  Laemmle,  who  stood  with  bowed  head, 
his  chin  upon  his  breast.  One  leg  was  slightly  bent  before  him 
and  he  rested  on  the  other,  with  his  hands  clasped  before  him. 
Smaller  than  most  anyone  in  the  room,  he  reminded  me  of  Napo- 
leon on  some  height,  serene  in  thought,  while  the  battle  of  life 
raged  on  in  the  deep  dim  valley  below.  There  stood  this  Jewish 
gentleman  in  the  temple  of  the  Christians,  which  all  but  him  had 
neglected  and  left  these  Catholic  women  for  a  Jew  to  save.  Here 
was  prejudice  and  intolerance  reduced  to  nothing  and  in  their  place 
was  kindness  and  humanity.  Jew  helping  Catholic,  with  Protestant 
looking  on  in  admiration. 


cjp 


•    • 


'W 


f  A- 


i 


Tribute  From 
The  Testing  Laboratory  of  the  Finished  Product 

•e     "8?     "s 
THE  UNIVERSAL  THEATRE  DEPARTMENT 
Where  CARL  LAEMMLE  takes  his  own  medicine 
and  thrives  on  it 


LEO  BRECHER,  Qeneral  Manager 
F.  A.  FLADER,  Assistant 


DOROTHEA  PENSEL,  Secretary 
M.  E.  HENRY,  Auditor 


A.  H.  Bachman,  Randolph.fChicago,  111.;     W.  R.  Bender,  Columbia,  Seattle,  Wash.;    R.  R.  Boomer,  Clemmer, 

Spokane,  Wash.;     James  A.  Carrier,  Broadway-Strand,  Detroit,  Mich.;     Samuel  Carver,  Liberty,  Kansas  City, 

Mo.;       Simon  Charninsky,  Capitol,  Dallas,  Texas;       Jack  Edwards,  Rivoli,  St.  Louis,  Mo;       James  Jackson, 

Tudor,  Atlanta,  Ga.;    Livingston  Lanning,  America,  Denver,  Colo.;   Harry  E.  Long,  Alhambra,Milwaukee, 

Wis.;       Fred  J.  Sarr,  Rialto,  Washington,  D.  C;       K.  Strachan,  Cameo,  Pittsburgh,  Pa.;       E.  Marshall 

Taylor,  Columbia,  Portland,  Ore.;     C.  L.  Theuerkauf,  Cameo.  San  Francisco,  California; 

J.  B.  Whitney,  Olympic,  Buffalo,  N.  Y. 


Warmest  Congratulations 
and  Sincere  Good  Wishes 

To  President  CARL  LAEMMLE  of  the 

UNIVERSAL  PICTURES  CORPORATION 

zJYLkY  you  long  CONTINUE  TO  LIVE  AND  TO 
ENJOY  THE  SUCCESS  YOU  HAVE  SO  SOLIDLY 
ACHIEVED,  AND  NOW^  SO  MEMORABLY 
MARKED    BY   YOUR 

20th  Motion  Picture  Anniversary 

LABORATORY  CARL  GEYER 

BERLIN,  GERMANY 


AMNIVERSARy 


104 


(uflday,  February  28,  1926 


Jan.    17,   1867 

Born  in  Laupheim,  Wuerttemberg, 
lermany.  Son  of  Julius  Baruch  and 
:ebekki  Laemmle. 


THE 


105 


Carl's  Chronology 


Feb.   14,  1884 

Landed   in    New   York. 


1885 

Employed    on    a     farm    in    South 
akota,   at  $4  a  month. 


1886 

Employed  at  Butler  Bros.,  in  Chi- 
igo. 


1888 

Employed  as  bookkeeper  in  whole- 
ile  jewelry  firm  of  L.  Heller  &  Co. 


1889 

Clerk    in    stock    yards    for    Nelson 
[orris   &   Co. 


Aug.  28,  1898 

Married    Recha,    daughter   of   Loeb 
Stern,    of    Flieden,    Germany. 


Feb.  24,   1906 

Opened  his  first  theater,  the  White- 
front,  at  Milwaukee  Ave.,  Chicago. 
Two  months  later  opened  second 
theater  on  Halstead  Street. 


June,    1909 

Chose    title    I.    M.    P.    by    contest. 


Oct.  25,  1909 

First     Imp     release,     "Hiawatha.' 
988  feet. 


y*  governs  the  Head  and  Face, 


July,    1912 

Opened    first    independent    foreign 
office. 


March  15,  1915 

Opening   of  Universal    City. 


1916 

Universal     studio     constructed     at 
Fort   Lee,   New  Jersey. 


March  16,  1920 

Laemmle  and  R.  H.  Cochrane  buy 
out  P.  A.  Powers  and  obtain  control 
of  Universal. 


J^  Feet. 


Oct.    1,    1906 


Established  Laemmle  Film  Service, 
in  Crilly  BIdg.,  Monroe  &  Dearborn 
Sts.,    Chicago. 


1894 

'.Vent    to    Oshkosh    as    bookkeeper 
I  Continental   Clothing  House. 


April,   1909 

Quit  the  Patents  Company  and  be- 
came an  independent. 


1909-1912 
Fought  Patents  Company. 


May  20,   1912 

Carl  Laemmle,  Charles  Bauman, 
David  Horsley,  P.  A.  Powers,  W. 
H.  Swanson  combined  their  interests 
and  formed  Universal  Film  Mfg.  Co., 
offices  opened  at   1   Union   Sq. 


October,  1924 

Universal     moved     to      Heckscher 
Building,    Fifth    Ave.,    New    York. 


1925 

Universal    Pictures.    Inc.    issue   ap- 
pears on  New  York  Stock  Exchange. 

Universal     Chain     Theater     Corp., 
with    $3,000,000    capital,    formed. 


1926 

Makes  deal  with  U.   F.  A.  of  Ger- 
many. 


ACI«»A 


cjh 


X' 


it 


•     •    •, 


I  •    1    *  1 
T  ♦♦•*T 


All  good  wishes  for  continued  success 

from 


iliiniiiiii:iiiiiiiiii 


illllllllllllS 


INTEB-OCEAN  pILM  GORPOMTION  | 


jnlllllllilllllll 


iiiiiniiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii 


imniiiin© 


LACY  W.  KASTNER 


President 


T^o  The  Little  Qiant 

CARL  LAEMMLE 


10$       ) 


T 


*  I    if 


■I 


^\Ik\i\ 


m 


:VJ:  \   II 


28,  1926 


THE 


s%g^ 


DAILY 


107 


'Straight  From  The  Shoulder  Talks" 


Origin  of  Pungent  Articles  That  As  Either  Advertisements  or 
Editorials  Have  Proven  Powerful  Weapons  in  Laemmle's  Fight 
for  Exhibitors — Many  Motion  Picture  Evils  Crushed  Through 
Their  Terse  and  Ringing  Truths — Common  Sense  Expressed  in 
Biting  Words,  That  Knew  Neither  Fear  Nor  Favor,  Their  Most 
Potent  Characteristic.  , 


-CONTINUITY  of  effort;  single- 
ness of  purpose;  going  straight 
-^  to  the  mark;  keeping  your  eye 
the  ball;  playing  hardest  when 
eat  is  at  your  elbow — how  best  can 
expressed  that  gritty,  plucky,  un- 
ering,  unswerving  determination 
t  is  bound  to  achieve  victory  in  the 
i— no  matter  what  the  odds? 
n  the  biographies  of  the  doers  of 
world  we  read  of  the  possession  of 
5  one  trait — the  particular  one 
ich  all  successful  men  seem  to 
re  in  common.  Seldom,  however, 
these  big  men  leave  so  clear  and 
in  a  record  of  its  continuous  pos- 
sion  as  we  find  in  the  "Straight 
)m  the  Shoulder  Talks,"  which, 
r  Carl  Laemmle's  signature,  and 
isecutively  numbered,  have,  with 
jrief  hiatus,  appeared  in  print 
;kly  for  more  than  a  decade, 
t  is  strange  and  regrettable  that 
musty  files  disclose  "Talk  No.  1." 
.  Laemmle,  himself,  does  not  re- 
.  when  or  why  these  vigorous  ar- 
es were  so  aptly  named;  nor  does 
H.  Cochrane,  usually  a  fountain 
id    of    facts    in    the    Laemmle    his- 

y- 

Jut  the  origin  of  their  spirit  is 
5  obscure;  it  is  in  fact  patent  to  the 
;  of  any  who  cares  to  turn  to  the 
icle  on  "The  Development  of  Film 
vertising"  in  this  issue.     There,  in 

miniature  reproductions  of  Carl 
emmle's  first  printed  advertise- 
nts  will  be  found  the  same  virility 

phrase;  the  same  hard-hitting 
rds;  the  same  utter  disregard  of 
:  amenities  of  language.  Based  on 
:  best  of  all  reasons  for  writing — 
ich  is  having  something  to  say — 
)se  early  advertisements,  frequent- 
but  three  or  four  inches,  single  col- 
m,  or  less  in  size,  absolutely  domi- 
ted,    through    their    forceful    vigor, 

the  advertisements  in  the  current 
de  press. 

Carl  Laemmle  was  an  exhibitor, 
ying  a  crushing  financial  tribute  to 

then  all-powerful  "Trust."    While 

first   advertising   in   1907   marked 

entry  into  film  distribution,  he 
>n  found  that  the  best  way  to  gain 
herents  in  his  fight  for  independ- 
:e  was   to   expose   "trust"   evils   in 

weekly  advertisements,  and  to  ask 
fellow  exhibitors  to  join  him. 
lat  fight  is  not  only  historic,  but 
)ved  to  be  the  foundation  of  the 
)tion  picture  industry  as  we  know 
:oday;  but  it  need  not  be  elaborated 
on  here.  It  is,  however,  pertinent 
this,  that  it  developed  Carl  Laem- 
e's  fighting  powers;  revealed  those 
wers  to  himself,  and  above  all 
ight  him  the  inherent  magic  of  the 
"ceful  Qtinted  word, 
[n  this  particular  form  of  address- 
r  his  market  and  his  fellow  exhib- 


itors he  was  not  only  the  pioneer, 
but  his  advertising  developed  indi- 
vidual characteristics  that  could  never 
be  copied.  Through  the  trade  press 
of  the  day  can  clearly  be  traced  the 
conformity  to  a  single  style  of  copy. 
It  must  be  remembered  that  press 
conditions  were  vastly  different  in 
those  days.  Motion  pictures  were  not 
recognized  by  the  newspapers  as  the 


cles,  not  strictly  advertisements,  in 
which  C.  L.  said  what  was  on  his 
mind  in  the  matter  of  a  current  sub- 
ject. Look  at  the  miniature  repro- 
ductions which  appear  here,  and  their 
similarity  to  the  later  "Straight  From 
the  Shoulder  Talks"  will  be  appar- 
ent. These  "Implet"  articles  may 
truly  be  said  to  be  the  genesis  of  the 
"Talks";      the      similarity      extending 


Below — A  re- 
cent "Talk" — 
still  hammer- 
ing away  in  the 
exhibitor's  in- 
terest. 


THt  -rMPurr- 


^-^;sr 


Exhibitors,  Wake  Up! 

[Br  Ctrl  Lstmml,\ 

Do  you  know  that  you  have  the  power  tr- 

make  or  unmake  any  man  oc  jny  set  of  men  in  thr  - 

Do  you  know  ihat  hc/opt  •!>,  caching*  o,  ' 
'    I  »ik*h- 


At  Left — An  early 
article  from  "The 
Implet"  ■ —  before 
they  were  num- 
bered and  titled 
"Straight  From 
the  Shoulder 
Talks." 


■Mkc  the  txiitiioti  ■otx,.' 

•  you!     Vow  ifc  ihc  poi 
a//  thf  (imc 


•bout  itf   WhM  — 


the  following  subject,  gave  the  week- 
ly articles  added  force  and  power. 

In  the  rapidly  changing  and  fast 
growing  motion  picture  business  there 
was  never  a  lack  of  a  suitable  or 
timely  weekly  subject  for  the  "Talks." 
Thus  one  week  found  a  straight  right- 
hand  jolt  to  the  solar  plexus  of  the 
nigger  concealed  in  some  unjust  tax 
woodpile;  then  a  forceful  talk  on  a 
big  Imp,  or  later.  Universal  produc- 
tion; again  a  shot  straight  between 
the  eyes  as  some  censorship  evil 
showed  its  ugly  head.  Abuses  with- 
in the  industry  were  summarily  dealt 
with;  impending  attacks  on  the  ex- 
hibitor were  foiled  by  premature  dis- 
closure in  the  virile  "Straight  From 
the  Shoulder"  language;  the  at  one 
time  vital  question  of  higher  admis- 
sions, was  fought  out  in  the  same 
vigorous  manner — many  a  weak- 
kneed,  or  timid,  or  brow-beaten  ex- 
hibitor was  brought  to  see  the  light, 
and  his  business  saved  for  him  by 
the  facts  as  persistently  presented  in 
the  weekly  "Talks."  Whatever  the 
subject,  and  they  are  by  far  too  nu- 
merous to  mention,  the  independence 
of  the  exhibitor,  his  inherent  right  to 
run  his  own  business,  was  never  for- 
gotten. Like  a  golden  thread  this 
thought  runs  through  every  one  of  the 
some  five  hundred  articles  which  have 
appeared  subsequent  to  the  unnum- 
bered ones  previously  appearing.  No 
producer  has  been  in  closer  touch 
with  exhibitors  and  their  problems. 
It  is  for  this  reason  then  that  it  safe- 
ly may  be  said  that  whether  he  shows 
Universal  Pictures  or  not,  there  is 
not  an  exhibitor  in  the  land  who  does 
not  read  Carl  Laemmle's  "Straight 
From  the  Shoulder  Talks." 


entertainment  entity  they  have  smce 
become,  and  publicity,  as  we  know 
and  use  it  now,  was  unheard  of.  In 
fact  the  columns  of  even  the  trade 
press  were  singularly  free  of  an- 
nouncements or  advance  news  re- 
garding projected  motion  picture  ac- 
tivities In  short,  if  a  film  man  had 
anything  to  say  to  his  clientele  there 
was  but  one  way  to  say  it,  and  that 
was  in  a  paid  advertisement. 

Having  learned  the  efficacy  of  cold 
facts  put  into  burning  words  Carl 
Laemmle  sought  to  widen  their  influ- 
ence by  the  publication  of  a  house 
organ.  He  was  then  president  of  the 
Independent  Motion  Picture  Com- 
pany, producing  the  "Imp"  brand. 
The  house  organ  was  named  The 
Implet."  Unhampered  by  considera- 
tions of  space  limits,  full  pages  were 
used  in  the  little  publication  for  arti- 


even   to   the   typography. 

There  is  no  denying  the  fact  that 
the  printed  form  of  attack  used  in  the 
trade  press  and  in  the  "Implet"  by 
Carl  Laemmle  was  the  first  cause  of 
the  ultimate  downfall  of  the  "Trust." 
But  this  was  through  no  scattered  or 
hit-and-miss  effort.  Constantly  ham- 
mering away,  week  after  week,  with 
never  a  let-up,  one  wonders  that, 
vital  as  the  issue  was  to  him,  the 
sturdy  little  trust-buster  did  not  tire 
of  his  self-appointed  and  always  on- 
erous task;  but  he  did  not,  and  as 
is  now  known,  he  gathered  strength 
from  the  fight.  However,  there 
gradually  came  about  a  more  con- 
crete concentration  of  effort  that 
eventually  shaped  its  own  expression 
in  the  "Straight  From  the  Shoulder 
Talks."  In  fact,  the  mere  adoption  of 
the  permanent  heading,  regardless  of 


Katz's  First' Job 

Mordaunt  Hall,  in  a  bio- 
graphical sketch  of  Sam  Katz 
in  the  New  York  Times,  says 
in  part: 

"His  first  theatrical  experi- 
ence came  when  Carl  Laenunle, 
now  president  of  the  Universal 
Pictures  Corporation,  gave 
Samuel  Katz  a  job  as  pianist 
in  a  small  theater,  in  which 
the  boy  had  a  better  oppor- 
tunity to  continue  his  studies, 
as  he  worked  in  the  evenings 
from  7  until  10:30,  for  which  he 
received  $12  3  week.  That  was 
in  1906.  To  this  day  Mr.  Katz 
remembers  the  red-whiskered 
manager." 

At  this  time  Katz  was  13. 


I  iijki  « 


•   • 


*  A- 


Carl  Laemmle 

President   Universal    Pictures  Corp. 


RING  LARDNER 
GEO.   McMANUS 
RUBE  GOLDBERG 
R.  F.  OUTCAULT 
BUSTER  BROWN 
MARY  JANE 


TIGE  AND  THE 

STERN  BROS. 

6100  Sunset  Blvd.,    Hollywood,   Cal. 

Join  in  extending  to  you  their 
hearty  congratulations  and 
best  wishes  on  the  occasion  of 
your  20th  Motion  Picture 
Anniversary, 


ANNIVERSARy 


unday,  February  28,  1926 


109 


Brief  Expressions  from  Hundreds  of  Congratulatory  Letters  and  Wires 


(Continued  from  Page  97) 
leramle,  President  of  Universal  Pic- 
res  Corporation.  A  career  twenty 
ars  as  an  exhibitor,  distributor  and 
oducer  of  moving  pictures.  A 
reer  of  success  and  triumphs,  actu- 
:d  by  an  ambition  to  better  the 
3tion  picture  throughout  the  world, 
venty  years  of  excitement,  but  al- 
lys  a  real  diplomat  liked  by  all 
:n,  combining  keen  enthusiasm  with 
tistructive  initiative.  Twenty  years 
joys  and  worries,  but  always  an 
:rt  business  vision  coupled  with 
ourcefulness  in  emergencies.  A 
;at  business  success,  always  a  step 
ead  of  conditions — Never  a  trailer 
the  world  of  Motion  Pictures. — A 
:at  personality.  —  Here's  wishing 
n  another  such  twenty  years. 

UNIVERSAL  PICTURES, 

Sucursal  en  Mexico, 
Jack  R.  Hayes,  Manager. 


ENGLAND 

London 

fames  V.  Bryson,  officers  and  em- 
)yees  of  European   Motion   Picture 

I.; 

May  the  occasion  of  this,  your 
entieth  motion  picture  anniversary, 
courage  you  to  continue  in  the  high 
d  notable  endeavors  that  in  the 
St  have  led  to  those  remarkable 
:ievements  in  which  the  entire  mo- 
n  picture  industry  has  shared. 

Newcastle 
Here's  wishing  Carl   Laemmle  an- 
ler  20  years  of  prosperity  and  inde- 
ndence     in     the     Moving     Picture 
orld. 
This  message  is  from  all  the  hearts 

the  exhibitors  and  showmen  in 
i  four  Northern  Counties  of  Eng- 
id,  and  they  hope  Universal  will  go 

the  same  as  it  has  done  in  the 
St,  always  fighting  for  its  own. 

GORDON  CHESTER 


ARGENTINE 
(By  Cable) 
Upon  Carl  Laemmle's  twentieth 
anniversary  permit  me  to  convey 
through  the  Film  Daily  my  deepest 
admiration  for  the  pioneer  of  the 
motion  picture  industry,  one  who 
has  faithfully  devoted  his  whole 
life  and  energy  to  its  furtherance 
and  development.  Carl  Laemmle's 
success  has  been  worldwide  and 
epoch  making.  May  the  next  twenty 
years  prove  to  be  even  more  sensa- 
tional. 

MONROE  ISEN 


Birmingham,  England 
I  am  convinced  that  I  am  voicing 
B  earnest  opinion  of  the  whole  of 
B  Trade  in  this  Territory,  when  I 
y  that  we  hope  that  there  will  be 
any  more  20,lth  Anniversaries  of 
r.  Laemmle's  activities  in  the  In- 
jistry. 

|0n  behalf  of  the  Birmingham  Ex- 
lange  we  send  our  "Heartiest  greet- 
|gs  to  Carl  Laemmle  for  his  con- 
liued  good  health,  and  success, 
hich  will  then  mean  that  the  prog- 
iss  of  Universal  will  be  no  less 
;pid  in  the  next  20  years,  than  it 
IS  been  in  the  past. 
."HERE  IS  MORE  POWER  TO 
|IS  ARM." 

A.    BRAITHWAITE 


BRUSSELS 

It  gives  great  pleasure  to  be  able 
express  my  great  appreciation  of 
le  "pioneer"  of  the  cinema — Mr. 
aemmle — who  has  done  so  much  in 
inging  the  "trade"  to  its  present 
gh  state  of  perfection. 
The  whole  world  is  now  benefiting 
r  his  twenty  years  hard  work. 
Here  goes  for  another  twenty  of 
e  best. 

M.  STEIN,  Brussels. 


GERMANY 

We  venture  to  prophesy  that  your 
twentieth  anniversary  is  but  the 
threshold  to  bigger  and  better  things 
than  you  have  accomplished  in  the 
past. 

T.   G.   SARENINDUSTRIE   ACTI- 
ENGESELLSCHAFT, 
Distributors   of   Agfa   Raw    Stock, 

Berlin. 

May   you    continue    to   live    and    to 
enjoy  the  success  you  have  so  solidly 
achieved. 
LABORATORY  CARL  GEYER, 

Berlin. 

EXHIBITORS 

C.  D.  Sigler,  East  Side  Theater, 
10555  Ewing  Ave.,  Chicago. 

"Always  got  a  square  deal,  also 
made  money." — S.  J.  Sardino,  Strand, 
Old  Forge,  N.  Y. 

Sol  Brill. 

A.  W.  Goodman,  Orpheum  The- 
ater,  Utica,   N.    Y. 

M.  Gore,  West  Coast  Theaters,  Inc. 

Lyons  Biocolor  Picture  Theaters, 
Ltd.,  London. 

C.  L.  Theuerkauf,  San  Francisco, 
Cal. 

Phil  Gleichman. 

Mrs.  Francis  McGraw,  Rialto  The- 
ater, Little  Falls,  N.  Y. 

Gavazzi  King,  London,  England. 

H.  G.  Lux,  Alhambra  Amusement 
Co.,  Inc.,  Utica,  N.  Y. 

"The  undersigned  has  and  is  one 
of  the  oldest  accounts  on  the  Univer- 
sal books." — A.  H.  Abrams,  Mozart 
Theater,  Canton,  O. 

lona  May  Redden,  Mgr.,  Lyric 
Theater,  Dover,   N.   H. 

Julius  Leopold,  Manager,  Mecca 
and  Midget  Theaters,  Dayton,  Ohio. 

"The  industry  owes  you  much." — 
D.  A.  Harris,  Harris  Amusement  Co., 
Pittsburgh,  Penn. 

L.  V.  Hepinger,  Mgr.  Orpheum 
Theater,   Clarion,    Penn. 

Silverman    Bros.,    Strand,    Altoona. 

H.  L.  Berinstein,  William  Berin- 
stein  Theaters,  Elmira,  N.  Y. 

"You  have  indeed  been  a  true 
friend  to  the  exhibitor."— A.  Kinzeler, 
The  Elite  Movie  Co.,  Dayton,  Ohio. 

W.  F.  Maginnis,  Capitol  Theater, 
Elyria,  Ohio. 

John  Pekras,  RivoH  Theater,  Ely- 
ria, Ohio. 

A.  Lehman,  Canton  Theater,  Can- 
ton, Miss. 

M.  J.  Kallet,  Madison  Theater, 
Oneida,  N.  Y. 

Carl  L.  Brattin,  Princess  Theater, 
Sidney,   Mont. 

"You  have  done  big  things  and  1 
am  quite  sure  vou  are  not  through 
doing  them."— Homer  V.  Guy,  Mgr. 


Apollo  and  Ideal  TBeaters,  Dayton, 
Obiow 

Edwin  B.  Rivers,  Gen.  Manager, 
Inland  Theaters  Co.,  Walla  Walla, 
Wash. 

Louis  Rosenzweig,  Victoria  Thea- 
ter, Greenfield,  Mass. 

Gavazzi   King,    England. 

Joe  Mcgler,  president.  Exhibitor's 
League,  St.  Louis:  "You  have  proved 
a  faithful  friend  to  exhibitors  through- 
out  the   country." 

B.  S.  Moss,  New  York:  "It  must 
be  a  source  of  pride  and  great 
pleasure  to  achieve  a  name  honored 
as  your  is." 

W.  J.  Clark,  Strand,  Vacaville, 
Calif.:  I  hope  you  will  continue  to 
make  pictures  for)  another  twenty 
years. 

0.  J.  Lambiotte,  Tivoli,  Misha- 
waka,  Ind.:  Twenty  years  of  grati- 
fying work  and  success  is  an  envia- 
ble record  to  establish,  and  you  are 
in  my  estimation  certainly  "The 
Grand   Old   Man   of  the   Industry." 

Mary  A.  McDonnel,  Elite,  Santa 
Rosa,  Calif:  You  certainly  are  the 
small    exhibitors    best    friend. 

Harry  E.  Long  and  staff,  Alham- 
bra, Milwaukee. 

John  Kaiser,  Royal,  Chillicothe,  O. 

E.  Rhodes,  the  Rhodes,  South 
Bend,  Ind. 

N.  Calbeck,  manager.  Auditorium, 
Nappanee,  Ind.:  We  need  your  as- 
sistance in  the  future. 

A.  P.  Botzum,  Orpheum,  Akron,  O. 

Mayer  &  Schneider,  New  York 
City. 

Walter  Decker,  manager.  Empire, 
Frederick,  Md.:  Here's  to  you — the 
Daddy  ot  the  industry. 

T.  Evans,  Provincial  Cinema  The- 
aters,  London. 

1.  Schwartz,  Schwartz  circuit,  Cin- 
cinnati. 

"Your  record  is  one  to  be  proud 
of." — George  L.  Law,  Law  Theaters, 
Portsmouth,  O. 

"You  are  truly  the  benefactor  to 
the  small  exhibitor." — Cecil  McDon- 
ough,  Auditorium  Theater,  Liberty- 
ville,  111. 

E.  E.  Brennemann,  Colonial  Thea- 
ter, La  Salle,   111. 


Over  70  and- 

"1  wish  to  congratulate  you 
on  your  twenty  years  as  a  pro- 
ducer of  pictures.  Your  pic- 
tures are  very  good,  you  know 
they  must  be  good.  I  have 
been  playing  them.  For  ten 
years  I  hope  to  play  them.  For 
ten  more  if  I  can  live  that 
long,  I  hope.  I  am  now  72 
years  the  12th  of  April,  1926, 
and  I  wish  you  all  the  good 
health  and  happiness  that  are 
to  be  had  in  this  life." 

EDWARD   HENDRICKS, 
Web  Theater,   Savana,   111. 


H.  C.  McDonough,  Majestic  Thea- 
ter,  Milford,  111. 

"If  we  had  more  Carl  Laemmles  as 
Distributors,  we  would  have  less  use 
for  Arbitrating  Boards." — Geo.  M. 
Butler,  Mgr.  Opera  House,  Wash- 
burn, 111. 

"Our  greatest  wish  for  vou  i""  that 
the  next  twenty  years  of  your  life 
may  be  spent  in  advancing  the  mo- 
tion picture  industry  as  much  as  you 
have  in  the  past  twenty  years."— W. 
C.  Geer,  Princess  Theater,  Vermont, 
111. 

"Twenty  years  of  Service!  What  a 
record  to  be  proud  of." — W.  L. 
Pracht,  St.  Charles  Theaters  Co.,  St. 
Charles,    111. 


STARS,    DIRECTORS,    PRO- 
DUCERS, Etc. 

Georg:  Fitzmaurice:  The  celebra- 
tion of  the  twentieth  anniversary  of 
your  advent  into  the  motion  picture 
business  reminds  mc  that  it  must  be 
just  about  twenty  years  ago  that  I 
first  applied  to  you  for  a  job. 

You  were  so  busy  pioneering  that 
I  haven't  yet  received  my  answer. 

This  little  oversight,  however,  does 
not  seem  to  have  stopped  your  for- 
ward march  and  with  all  my  heart 
I  hope  that  the  next  twenty  years 
will  see  duplicated  your  tremendous 
past   successes. 

(Continued   on    Page    112) 


^  ^ 

.^  »  ^ 

In  1913  someone  inveigled  Carl  Laemmle  into  a  studio  where  they^  do  this 
sort  of  thing.  A  disgruntled  competitor  suggested  the  caption,  "A  Typ- 
ical Laemmle  Conference."  One  guess  as  to  whose  opinion  prevailed  at 
this  meeting. 


m 

A    * 

A      1 

:      • 

t 


GREETINGS  and  C(K 

To  CARL  LAEMMLli 


Morris  Alin 
Celestine  Aronson 
Ralph  Aderer 
Cecilia  A.  Aaron 
Mrs.  R.  V.  Anderson 
R.  V.  Anderson 
Joseph  Arney 
Hugh  Arney 
Daisy  Alexander 
Frank  G.  Adams 
P.  Adams 

B 

Walter  Blum 
Barnard  Briskman 
Edward   Barison 
Max  Berg 
Oscar  C.  Binder 
David  Bader 
David  Beehler 
Paul  Baron 
Robert  Beckley 
Geo.    Brown 
Wm.  Bollman 
Wm.  Bruns 
E.  Bartsch 
Max  Berger 
R.  S.  Biggert 
Rose  Burrell 
Henry  J.  Blood,  Jr. 
Meyer  Beran 
Richard  C.  Behrens 
Louis   Bemheim 
Ben  Blum 
Joseph  Butler 
Henry  C.  Bate 
Ethel  Black 
Cornelius  Berk 
Charles  E.  Burden 
Leo  Brecher 
Julius  Bemheim 


Bert  F.  Carmichael 


730  FIFTH  AV 


Efl 


Adrian  C.  Chartier 
Letitia  Carney 
Valeria  Contini 
Marion  Chambers 
Geo.  Cochrane 
R.  H.  Cochrane 
P.  D.  Cochrane 
Joseph  Cantor 
Eugene  Curley 
Eugene  F.  Cox 
Raymond  Cavanagh 
Geo.  D.  Cobb 
Margaret  M.  Corrigan 
Winifred  Corwin 
Janet  Clayton 
Vincent  Carney 
Fred  Cameron 
Anna  C.  Carroll 

D 

Thomas  F.  Dunne 
Gladys  Dillon 
John  Draghl 
Chas.  E.  Dwinell 
Anna  I.  Dobson 
Lorene   L.  Daghistah 
Howard  Dillinger 
Cecilia  R.  Danna 
Phelps  Decker 
Katherine   Dwyer 
S.  C.  Davidson 

£ 

George  Epp 
M.  J.   Etchingham 
Henrietta  Enders 
Dorothy  Eisenstadt 

F 

Madeline  Foss 
Hannah  Fahrer 
Albert  E.  Fair 
Mrs.   Ford 
F.  A.   Flader 
Estelle  Fried 
Joseph  Friedman 
John  B.  Finn 


Helen   Feinberg 
Leonard  Fields 
Helen  R.  Farley 
Henriette  Friedman 
Geo.  A.  Fish 
Helen  M.  Fetten 
Catherine  Feehan 
Anna  Fanning 
August  M.  Froehlich 
Rubye  Fuller 
Marion  Flanagan 
Erick  M.  Fimmen 


Irving  M.  Crolde 
Bernard    Greenbaum 
Carl  Grosz 
Irving  Goldman 
Dorothy  Guernsey 
Edwin  Garry 
David  M.  Gould 
Grace  F.  Gaugh 
Emilie    Gallinger 
Lillian  Goodell 
Daniel    George 
Thos.  W.   Gerety 
Eda  Galantiere 
Frank  Giles 
M.  Goodman 
James  J.  Geller 
Paul  Gulick 
E.   H.  Goldstdn 
Gus  Gardner 
James  M.  Goss 
Paula  Gould 

H 

Helen  E.  Hughes 
Lillian  Hodge 
Fred  R.  Herche 
Freda  Henseler 
Philip  J.   Hum 
Mrs.  Alvin  Haifner 
Edward    Hladik 
Edw.  I.  Hewitt 
Ehzabeth   Hragjril 


Frances  Higgins 

Cora  E.   Haffner 

Marie  Horowitz 

Grace  Hayes 

Carrie  Hall 

Lillian  Hirsch 

Ruth  Hilbert 

Violet  M,  Hirsch 

G.   Hyatt 

M.   E.   Henry 

Mildred  Hartridge 

Catherine  Healcy 

Frances  Hoffman 

Nicholas  P.  HaUey 

Marjorie   G.   Holmstrom 


Rebecca  Joffee 
Burritt  Jacocks 
Edward  Johnson 

K 
Chas.  A.  Kirby 
Chas.   Kemer 
Theresa   Keane 
Vera  Kostick 
Florence  D.  Kane 
E.  W.  Kramer 
Lillian  Kastenbaum 
Bert  Kadish 
R.   Kasse 
Edward  Kelly 
Eidward  Klinger 
Wm.   J.   Kauertz 
Eugene  Kenna 
Siegfried  Kaufman 
Irma  Kendrick 


Pierre  Ludwig 
Louise  C.   Lamkin 
Dick  Lascalzo 
Ralph  Lund 
Ben  Lowenthal 
Simon  Lehr 
Virginia  Lee 
Frank  Leonard 


i 


I 

I 
I 

I 


20  f^ 

ANNIVERSARy 


GRATULATIONS 

rom  the  Home  Office  Staff 


lEW  YORK 


Romeo  Lacorte 
Murry  G.  Levine 
Otto  Lehnherr 
Minnie  Lax 
Otto  Lang 
E.  D.  Leishman 
E.  G.  Lobb 
Josephine    Levin 
Marion   D.   Lay 
Ivy  Leeson 
Catherine  Levy 
Kurt  Linn 
J.     Ludwig 
Sidney  Lehman 
Minna  Linsenmayer 
Nettie  Lefkowitz 
Barney  London 

M 

Jas.  J.  McHugh 
Forest   McGinn 
Sara  E.   McNeiU 
Blanche  Mott 
Rose   McGuishen 
C.  Joseph  de  Maio 
Margaret  McGowan 
Ethel  Marx 
Gladys  M.   Mooney 
F.  H.  Mastroly 
Charles  Meyer 
Mellanea    Mayer 
Irene  McKillop 
Marie  Meditz 
Samuel  Maas 
J.  H.  MacFarland 
Grace  McDevitt 
Sol    Mittelman 
Sam  Minter 
Louis  B.  Metzger 
Alphonsus  J.  Myles 
William  McKee 
N.  L.  Manheim 
Thos.  Meehan 
Daga    L.    McKibben 
Fred  Maas 


Jamies  A.  Mead 
Helen  A.  Marshall 
Frank  J.   Murray 
Madeline  McMeel 
Benjamin  Margolis 
Carl  R.  Mos 
Agnes  Mullin 
Thos.  Minicucci 

N 

Mabel  E.  Nutley 
R.  T.  Newton 
James  Nussbaum 

O 

Claire   M.   O'Brien 
Louis  Olshan 
Helen  A.  Ollen 
Alfred  J.  Olsen 
Simon   Oshrin 


Frank  Pinque 
Melvin  H.  Potts 
Henry  Pinkenfield 
Sebastian  Pampalone 
H.  W.   Pollock 
Joseph   Porte 
Pauline  J.  Pope 
Chas.  B.  Paine 
Lillian   R.   Prager 
Margaret  Puvogel 
August  Pontius 
Dorothy  Pensel 
Paul  Perez 
Katherine  Phippen 
J.  Pfeifer 

R 

Jesse  M.  Riley 
Maude  E.  Roth 
Reuben  Rosenberg 
Phil   L.   Ryan 
Edw.  Rosenbaum 
J.  H.  Ross 
Gonsala  Rivero 
Esther   Rose 


Ann  M.  Rourke 
Jerome  Robinson 
Dan  Rosenthal 
Wm.  O'Rourke 
Jos.  J.  Rock 
Harriet  B.  Ratner 
H.  E.  Rosenquest 
Jay   H.   Ross 
Nat  Rothstein 
Wm.  Rosenbaum 

S 

May  C.  Smith 
Rose  Setlow 
Barney  Samuels 
M.  S.  Stanoyevich 
Julius  Singer 
Chas.  R.  Stadler 
M.  Schneider 
Julie  C.  Senior 
Beulah  Sinclair 
Monroe  Steinbacker 
L.  Solomon 
Albert   Scheinhaus 
Jack  R.  Savage 
Ina   H.  Spoer 
Carl  H.  Sumell 
Gladys  Southworth 
Murray  Spector 
Caroline  Schuman 
Sophia   Szemitz 
Harold  Sanders 
Frederick  B.  Schwebel 
L.  J.  Schlaifer 
Samuel  Sedran 
Ida  Slavitt 
Bertha   Schatz 
Flora  Stewart 
Richard  Schwalm 
Felix   Senee 
Milton  L.  Silver 
Martha  Schaumburger 
Leonard  Sanders 
Roy  Schatt 
S.   Singerman 
Anna   A.   Slattery 
Claire  V.  Scheldt 


Martin   Schiff 
Frances  Stafford 
Wesley  Snyder 
ElFa   Siemsen 


Paul  Tobin 
A.  F.  Tobosky 
John  Tiemey 
Mae  Taube 
Arthur  Trotter 
Ray  Turtletaub 

U 

Edgar   Ulmer 
Leon  Urban 


Katherine  Van  Worth 
Bertha  L.  Van  Gilder 

W 

Eleanor  F.  Wilson 

Marion  Wallace 

Martha  Wolf 

H.  N.  Wenzel 

R.  B.  Williams 

Irving   Weiss 

Joe   WeU 

Lawson  Williams 

John  V.  Ward 

Jack  Warren 
David  C.  Werner 
Eugene  F.  Walsh 
Eli  Wolkowitz 
Helen  R.  Worthington 
Katherine  Wallack 
N.  B.  Williams 
Arthur  A.  Wakoff 
LucUle  S.  Whitlyn 
Charles  Wenzel 
Frances  Wiener 


S.   R.  Zweriim 
Solomon    Zom 
Bernard  E.  Zerman 


•    • 


JL      1 


111 


THE 


112 


■^m 


4 


OlAILV 


Brief  Expressions  from  Hundreds  of  Congratulatory  Letters  and  Wires 


t 


(Continued   from   Page    109) 

William  A.  Seiter:  If  the  old 
adage  that  "the  first  twenty  years 
are  the  hardest"  is  correct,  every- 
thing is  bound  to  be  clear  sailing. 

Elmer  Glifton: 

May  your 

Twenty  years  of  victory 

In  this  world  of  strife 

Bring  twenty  years  of  happiness 

To   be  added   to  your   life. 

Al  Santell. 

Henry   MacRae. 

Bebe  Daniels:  May  you  retain  the 
spirit  of  youth  which  you  have  always 
evidenced  and  may  I  be  privileged 
to  offer  you,  after  another  score  of 
years  have  passed,  equally  felicitous 
greetings. 

Virginia    Lee    Corbin. 

Pete    Morrison. 

Matt  Moore:  The  picture  industry 
needs  you  for  twenty  years  more. 

Dick   Smith. 

Frank  Lloyd:  "Through  those 
twenty  years,  Mr.  Laemmle,  you 
have  remained  like  a  genial  Colossus, 
watching  the  triumphs  and  falls  of 
others,  but  always  going  forward  and 
upward  yourself.  You  are  to  be  ad- 
mired. 

Harry  Langdon:  All  of  us  who 
think  we  know  everything  about  the 
business  should  hear  your  story.  I 
doubt  if  your  association  in  this 
great  business  can  be  more  colorful 
and  interesting  and  I  am  glad  of  the 
opportunity  of  expressing  in  these 
few  words,  my  good  thoughts  toward 
you  and  the  many  achievements  for 
which   you   are   responsible. 

Edwin  Carewe. 

Sam  E.  Rork:  Not  only  are  you 
to  be  congratulated  on  having  accom- 
plished the  stupendous  task  of  creat- 
ing from  a  negligible  beginning  such 
a  huge  enterprise  as  Universal  Films, 
but  you  are  also  to  be  admired  for 
retaining  the  friendships  with  which 
you  started,  and  increasing  them, 
proving  that  a  great  man  need  not 
be    a    friendless    man. 

Colleen  Moore:  You  entered  the 
business  when  it  started  and  have 
grown  up  with  it  and  in  just  as  great 
a  way  as  the  industry  itself. 

John  E.  McCormick:  You  are  one 
of  the  real  pioneers  in  the  business 
which  has  grown  from  a  tiny  seed 
to  be  classed  as  the  third  greatest  in- 
dustry   in    the    World. 

June  Mathis:  You  are  one  of  the 
important  spokes  in  our  wheel  and 
it  is  indeed  a  pleasure  to  know  you 
and  know  of  the  many  truly  big  ac- 
complishments that  are  to  your 
credit. 

Mat   Carr. 

Eddie   Laemmle. 

E.  M.  Ascher:  Your  fairness  and 
high  principles  have  been  a  cerdit 
to  this  industry. 

J.  V.  Hogan. 

Laura  La  Plante. 

Vera  Gordon:  "Tonight  while  light- 
ing my  Sabbath  candles  I  prayed  to 
God  to  save  you  to  carry  on  your 
glorious  work  for  your  people  and 
keep  you  a  pride  for  our  race." 
George    Lewis. 

Otis  Harlan:  "May  you  always  be 
the  acknowledged  leader,  as  you  con- 
stantly have  been  in  the  past."_ 

"The  industry  today  occupies  its 
marvelous     position,     thanks     in     no 


Brulatour. 

"God  grant  you  long  life  and  good 
health."— Al   Lichtman. 

"To  those  who  have  been  fortunate 
enough  to  possess  your  friendship 
for  this  score  of  years,  I  offer  my 
congratulations." — Isadore    Bernstein. 

"Without  a  semblance  of  exaggera- 
tion, in  rubbing  elbows  with  all  ele- 
ments of  our  industry,  I  have  often 
noted  that  no  individual  therein  is 
more  highly  respected  and  beloved 
than  Carl  Laemmle."- — C.  C.  Petti- 
john. 

"If  all  of  us  have  profited  by  as- 
sociation with  you  during  the  past 
few  years  could  be  gathered  together 
in  one  place,  the  gathering  would  tax 
the  largest  auditorium." — Jeanie  Mac- 
pherson,  DeMille  Studio,  Culver 
City,   Cal. 

"You  have  surely  been  one  of  the 
greatest  factors  in  the  building  of  this 
splendid  industry  by  producing  what 
is  probably  a  bigger  share  than  any 
other  one  company  of  the  world's 
entertainment."- — Charles  H.  Christie, 
Al   E.   Christie.  - 

Edwin    J.    Loeb. 

Sam  Van  Ronkel. 

Tom  Reed. 

"It  has  been  a  period  of  brilliant 
achievement." — Sam    Behrendt. 

W.  F.  Haddock,  243  W.  55th  St., 
N.   Y. 

F.  H.  Richardson 

Joseph  Dannenberg 

V  R.  Carrick,  Universal  Film  Ex- 
change,   Philadelphia,    Pa. 

Charles  R.  Rogers,  Great  Western 
Productions. 

"Your  record  has  been  one  of  un- 
daunted perserverance  and  unending 
accomplishment."  —  Abraham  Lehr, 
Samuel  Goldwyn,  Inc. 

Sigfrid  M.  Adler,  2327  So.  Marne 
Ave.,  Los  Angeles,  Cal. 

"You  have  gained  ninety-nine  per 
cent  good  will  of  all  exhibitors" — 
Ludwig  Hess,  Mgr.,  St.  Louis  Ex- 
change. 

Irving  Thalberg. 

Ned   Marin. 

Ned  E.  Depinet. 

William  A.  Dever,  Mayor  of  Chi- 
cago. 

"Illinois  greets  you  as  a  Dis- 
tinguished Citizen  and  Powerful  Fac- 
tor in  the  wonderful  motion  picture 
world." — Governor  Len  Small,  Chi- 
cago,  111. 

George  Smith,  Chairman  Kinema- 
tograph  Renters  Society  of  Great 
Britain  and  Ireland. 

Watterson  R.  Rothacker,  Chicago, 
111. 

E.  W.  Hammons,  Educational  Film 
Exchanges,   Inc. 

C.  A.  Nathan,  San  Francisco. 

George  L.  Levine,  Milwaukee. 

Louis  Laemmle,  Chicago. 

H.  Taylor,  Kansas  City  . 

W.  E.  Truog,  Kansas  City. 

John  Eberson,  architect,  Miami. 

"Your  wonderful  leadership  of  the 
picture  business  shall  never  be  for- 
gotten."— Jack  Hoxie. 

"May  your  next  twenty  be  even 
greater." — Pat   O'Malley. 

Curtis  Benton. 

Lola  Todd. 

"This  is  one  of  the  most  import- 
ant events  since  this  business  began." 
— Hoot  Gibson. 


Bernice  E.  Lewis. 

"You  have  led  the  industry  wisely 
and  well." — Jean  Hersholt 

"You  have  played  a  major  part  in 
building  the  greatest  industry  of  our 
times  and  posterity  will  not  forget 
it." — King   Baggot. 

Charles  H.  Puffy. 

Henry  MacRae,  Director-General, 
Universal  Pictures  Corp.,  Universal 
City,    Cal. 

House  Peters. 

Lillian    Rich. 

"What  a  wonderful  career  you  have 
had  through  all  these  years." — Betty 
Bronson. 

"Few  people  have  enjoyed  such  a 
tremendous  career  as  yours" — Ernest 
Torrence. 

"Your  record  of  achievement  and 
success  in  the  picture  industry  dur- 
ing the  past  twenty  years  has  made 
you  an  internationally  esteemed  and 
respected    figure" — Reginald    Denny. 

Bebe    Daniels. 

"A  record  without  parallel" — 
Charles   Maigne. 

Anne   Cornwall. 

Raymond  Keane. 

"All  honor  to  you.  Uncle  Carl!" — 
Norman   Kerry. 

"As  one  old-timer  to  another,  I 
send   you    greetings" — Bill    Desmond. 

Constance  Talmadge. 

Norma  Talmadge. 

Buster   Keaton. 

Frederick  Streiff,  and  associates, 
Cincinnati  exchange. 

George    L.|    Lavine,    Milwaukee. 

H.  Frasier  Kruege  and  associates, 
San    Francisco    exchange. 

Clair  Hague  and  associates,  Tor- 
onto   exchange. 

S.  Wittman  and  staff,  Philadelphia 
exchange. 

Cecil  I'i.  De  Mille:  Twenty  years  in 
motion  pictures  is  not  only  a  novelty 
but  a  distinct  honor.  You  stand  al- 
most alone  among  the  pioneers,  who 
stood  by  this  business  when  all 
laughed — and  none  applauded.  And 
because  nothing  stopped  you,  we, 
who  came  afterwards,  wish  to  extend 
sincere  congratulations  on  this,  your 
twentieth  anniversary. 

Wm.  A.  Johnston,  Motion  Picture 
News:  You  have  meant  much  to  one 
of  the  greatest  of  the  world's  insti- 
tutions; and  my  sincere  wish  is  that 
you  continue  to  give  us  your  good 
leadership  for  many  years  to  come. 

Martin  J.  Quigley,  The  Exhibitor's 
Herald:  You  have  done  much  for 
the  motion  picture  and  for  the  indus- 
try; there  are  few  persons  in  the 
great  motion  picture  family  who  may 
not  be  genuinely  thankful  that  you 
have  lived  and  worked  in  this  busi- 
ness. 

Fred  W.  Beetson,  Asso.  of  Motion 
Picture  Producers,  Hollywood.  You 
have  stamped  yourself  as  a  great 
leader  in  a  great  industry  and  your 
personality  is  reflected  throughout 
your  entire  organization.  Yours  has 
been  indeed  a  huge  accomplishment. 

Charles  D.  Pike,  Union  Pacific 
R.   R. 

L.   J.    Schlaifer,    Seattle,    Wash. 

J.    H.   Linordlinger,    Pittsburgh. 

H.  N.  Bundeson,  Commissioner  of 
Health,   Chicago. 

T.   M.   Klotz,  Cincinnati. 

Roscoe  W.  Sear,  Portland,  Oregon. 

J.    Molitor.    Tampa,    Fla. 


Milwaukee.   Wise. 
February  17,  1 
Carl    Laemmle, 
Universal    Film    Exchange, 
730   Fifth  Avenue,   N.   Y. 

The    directors   of  the   Motion 
ture    Theater    Owners    of    Wisco 
in  meeting  assembled  extend  to 
heartiest  congratulations  on  this  3 
Twentieth    Anniversary.      May   3 
health   and    vigor    permit    you   to 
main   on   the    firing   line   for   ano' 
twenty   years    in    the   same    exhib 
service  that  you  have  rendered  t 
ing  the  past.     Your  interests  are 
interests   for  a   progressive   and  1 
cessful  future. 

MOTION    PICTURE    THEATl 
OWNERS  OF  WISCONSIN 

Henry  A.  Staab, 
Executive  S 


W.  W.  Brumberg,  Chicago. 

Louis  Marx,  Blue  Roundup, 

Stern,  Ullman  Co.,  Chicago:  E 
did  we  dream  that  our  little  frj 
with  the  jovial  smile,  who  mana 
our  Continental  Clothing  Store 
O'shkosh,  Wis.,  would  some  day 
one  of  the  richest  and  most  prosj 
ous  figures  in  the  great  picture  fi 

Frank  O.  Lowden,  former  G 
ernor  of  Illinois. 

Capitol  Film  Exchanges,  Chica 
To  the  little  giant,  Carl  Laemi 
May  he   never   stop  growing. 


I 


H 


Gave  Independents  First  Bvray  O 

Edward  C.  White,  present  se 
tary  of  the  Pacific  Lodge,  F.  & 
M.,  was  the  first  exhibitor  to  si 
independent  motion  pictures 
Broadway.  As  manager  of 
Weber  Theater  on  29th  Street 
Broadway,  one  of  the  distino 
houses  of  the  time,  White  confi 
his  programs  to  releases  of  the  ] 
tion  Pictures  Sales  Company,  wl 
included  Imp,  Rex,  Eclair,  So 
Lux,  Champion,  Reliance,  Majei 
Powers  and  other  independent  < 
cerns. 

Originally  built  as  the  Imperial 
sic  Hall  by  Tim  Sullivan  and  Gee 
Krauss,  the  house  had  met  with 
verses  until  Joe  Weber  and  1 
Field  put  it  back  on  its  feet  finant 
ly  with  a  series  of  successful  re^ 
in  which  appeared,  besides  Weber 
Field,  such  notables  as  David  AA 
field,  Frankie  Bailey,  William  Col 
Lillian  Russell,  Dan  Daly,  Cha 
Fenton   and    Mabel    Ross. 

When  Weber  and  Field  dissol 
partnership.  White  took  over 
theater,  lowered  the  admissions 
ten  and  fifteen  cents,  and  preset 
pictures  continuously  from  10  A 
to  11  P.  M.  Pat  Powers  bougt 
25  per  cent  interest  in  the  proj 
and  arranged  with  the  Sales  C 
pany  that  all  its  pictures  play  Web 
first-run  and,  occasionally,  pre 
lease. 

Although  the  Sales  Company's 
change  was  at  3rd  Avenue   and 
Street,  many  of  the  producers  of 
time  personally  carried  over  the  ( 
and  two-reel  films  to  the  Weber  1 
ater,   either   for  reasons    of   econ( 
or  because   they   hesitated   to   entst 
their  precious  product  to  alien  ha^s, 
so  prevalent  was  pirating  and  dui  E 
in  those  days. 


0/ 


11 

il 


i 


cip 


U( 


Greetings  from 

THE  FIRING  LINE 


FROM  far  beyond  the  Northern  Boundary  to  the 
blue  waters  of  the  Gulf  of  Mexico,  and  from  the 
Atlantic  to  the  Pacific  Seaboard,  we  men  and  women 
of  the  Universal  Film  Exchanges  are  happy  to  join  in 
this  sincere  expression  of  our  great  good  will  to  you — 
Carl  Laemmle — our  President — and    Friend. 

To  those  of  us  who  have  the  privilege  of  knowing  you 
personally  your  20th  Motion  Picture  Anniversary  is  an 
occasion  of  great  rejoicing,  and  even  those  who  have  not 
are  glad  to  be  included  because  of  your  constantly  ex- 
pressed   interest    in    the    welfare    of  even  the  humblest. 

We  are  proud  to  be  enrolled  under  the  "Universal" 
banner;  proud  of  the  high  standing  and  popularity  of 
"Universal"  with  our  Exhibitors;  proud  of  the  wonder- 
ful pictures  which  your  genius  supplies;  but  above  all, 
we  are  proud  of  our  association  with  you  and  the  merit 
which  such  contact  reHects. 

One  and  all,  we  believe  that  your  marvelous  record  of 
the  past  twenty  years  is  but  the  foundation  of  the  bigger 
and  better  things  you  will  achieve  in  the  future. 

It  is  therefore,  with  the  deepest  feeling  of  loyalty  and 
sincerity  that  on  the  following  pages  we  append  our 
names  to  this  Anniversary  Greeting. 


20  f^ 

ANNIVERSARy 


atitiuwwv 


113 


c^ 


I 


EASTERN  DIVISION 


EARL  W.    KRAMER,  Sales  Director 


ALBANY 


H.  C.  Bissell 
C.  R.  Halligan 
Fred  Duffy 
R.  Smith 
L.  Herman 


Manager 
Sales  Staff 
Sales  Staff 
Sales  Staff 
Sales  Staff 


H.  Fowser 
M.  Cole 


Sales  Staff 
Sales  Staff 


BUFFALO 


C.  E.  Goodwin 
0.  T.  Schroeppel 
H.  Manheim 
A.  T.  Barnett 
J.  J.  Spandau 
H.  L.  Levvy 
Geo.  Schaeffer 
C.  N.  Johnston 


Manager 
Assistant  Manager 
Exploiteer 
Sales  Staff 
Sales  Staff 
Sales  Staff 
Sales  Staff 
Sales  Staff 


NEW 

Morris  Joseph 
A.  L.  Titus 
L.  F.  Britton 
L.  A.  Herman 
S.  Jacobs 
Bob  Wood 


CLEVELAND 


A.  J.  Mertz 
L.  C.  Tietjen 
A.  Sharick 
J.  Lefky 
Cowan  Bain 
J.  Krenitz 
J.  Schoeninger 
D.  Stearns 
S.  Gerson 


Manager 
Assistant  Manager 
Exploiteer 
Sales  Staff 
Sales  Staff 
Sales  Staff 
Sales  Staff 
Sales  Staff 
Sales  Staff 


HAVEN 

Manager 
Sales  Staff 
Sales  Staff 
Sales  Staff 
Sales  Staff 
Exploiteer 

PHILADELPHIA 

S.  Wittman  Manager 

Vernon  R.  Carrick  Treasurer 

A.  W.  Young  Assistant  Manager 

Al  Feinman  Exploiteer 

Dave  Miller       Short  Product  Manager 

Sales  Staff 
Sales  Staff 
Sales  Staff 
Sales  Staff 
Sales  Staff 
Sales  Staff 


W.  J.  Doyle 
J.  G.  Gill 

Nat  Levy 
Ray  Smith 
M.  Shulman 
J.  P.  Stapleton 


R.  E.  Moon 
Wade  Allen 
F.  R.  Cleaver 
Geo.  McCoy 
C.  Davie 
S.  Gilbert 


DETROIT 


Manager 

Assistant  Manager 

Exploiteer 

Sales  Staff 

Sales  Staff 

Sales  Staff 


E.  H.  Ginzburg  Sales  Staff 

J.  Marks  Sales  Staff 

PITTSBURGH 

H.  M.  Herbel  Manager 

H.  A.  Weinberger  Assistant  Manager 

Lon  Ramsdell  Exploiteer 

W.  Lee  Barton  Sales  Staff 

T.  Sweeney  Sales  Staff 

H.  Greenblatt  Sales  Staff 

S.  Jacobson  Sales  Staff 

J.  Harris  Sales  Staff 

G.  Wilson  Sales  Staff 


i 


114 


WESTERN  DIVISION 


t 


LOU  METZGER,  Sales  Director 


MIDWESTERN   DIVISION 


CHICAGO 


MILWAUKEE 


L.  W.  Alexander 

Director 
W.  Brumberg 
Louis  Laemmle 
E.  Brichetto 

A.  Astrachan 
M.  Rosenberg 
J.  Schuster 

J.  St.  Clair 
W.  Baker 
R.  Funk 

B.  Eisenberg 
J.  O'Connell 
M.  Dunas 

B.  Godshaw 


Assistant  Sales 

Mid-West.  Division 

Manager 

Assistant  Manager 
Salesman 
Salesman 
Salesman 
Salesman 
Salesman 
Salesman 
Salesman 
Salesman 
Salesman 
Exploiteer 


MINNEAPOLIS 


P.  Dunas 
H.  Quinn 
J.  Jacobs 
I.  Schlank 
M.  Ross 
W.  Brass 


Branch  Manager 

Assistant  Manager 

Salesman 

Salesman 

Salesman 

Exploiteer 


G.  Levine 

M.  Lavin 

J.  Camp 

Mrs.  Ann  McCurdy 


Branch  Manager 

Salesman 

Salesman 

Exploiteer 


DES  MOINES 


M.  Gottlieb 
G.  Naylor 
C.  Ross 
J.  McGivern 
H.  H.  Cass 
F.  Walters 


Branch  Manager 
Salesman 
Salesman 
Salesman 
Salesman 
Exploiteer 


OMAHA 


H.  Lefholtz 
G.  McCool 
H.  Craig 
B.  Greenblatt 
A.  Seymour 
F.  Walters 


Branch  Manager 
Salesman 
Salesman 
Salesman 
Salesman 
Exploiteer 


SIOUX  FALLS 


H.  Chapman 
M.  Thompson 


Branch  Manager 
Salesman 


ll 


m 


II 


mm 


WESTERN  DIVISION 


LOU  METZGER,  Sales  Director 


WESTERN  DIVISION 


SAN  FRANCISCO 

L.  J,  Schlaifer  Assistant  Sales 
Director — Western  Division 

C.  Nathan  Branch  Manager 

C.  F.  Baker  Assistant  Manager 

I.  Wolfe  Salesman 

J.  Huff  Salesman 

J.  Frazier  "        Salesman 

W.  Getty  Exploiteer 

LOS  ANGELES 


M.  Aparton 
E.  Winward 
J.  Beale 
M.  Hartford 
C.  Lounsberry 


SALT  LAKE 

Branch  Manager 

Assistant  Manager 

Salesman 

Salesman 

Exploiteer 


DENVER 


D.  Mitchell 
C.  Griffiths 

B.  Cadman 
J.  Frey 

J.  Halstead 

C.  McVickers 

E.  Hitchcock 


Branch  Manager 
Assistant  Manager 
Salesman 
Salesman 
Salesman 
Salesman 
Exploiteer 


G.  Rosenwald 

B.  Rose 
S.  Cain 

J.  M.  Skorey 

C.  Lounsberry 


Branch  Manager 

Salesman 

Salesman 

Salesman 

Exploiteer 


SEATTLE 


PORTLAND 


G.  Jackson 
F.  Talbert 
J.  Moran 
E,  Hudson 
A.  Kennedy 


Branch  Manager 
Assistant  Manager 
Salesman 
Salesman 
Exploiteer 


J.  B.  Reilly 
Al  Bloom 
M.  Winstock 
J.  Cohen 
A.  Bruce 
A.  Kennedy 


W.  Heineman 
J.  Henson 


Branch  Manager 

Assistant  Manager 

Salesman 

Salesman 

Salesman 

Exploiteer 


BUTTE 


Branch  Manager 
Salesman 


ANNIVERSARy 


'I ' 


141  a 


IM    I    ^ 


4 


T 


"     1 

m 


RALPH  B.   WILLIAMS,   Sales  Director 


ASSISTANT   SALES   DIRECTORS 
Dan  Michalove  W.  E.  Truog 


BRANCH  MANAGERS 


Ben  Y.  Cammack 

Atlanta 

E.  F.  Dardine 

Charlotte 

J,  E.  Daly 

Charleston 

Frederic  Strief 

Cincinnati 

R.  C.  Mcllheran 

Dallas 

G.  L.  Wood 

El  Paso 

Wm.  Esch 

Indianapolis 

J.  R.  Barton 

Jacksonville 

Harry  Taylor 

Kansas  City 

W.  E.  Sipe 

Memphis 

W.  M.  Richardson 

New  Orleans 

Lou  Hess 

St.  Louis 

W.  P.  Moran 

Oklahoma  City 

ASSISTANT  MANAGERS 

R.  I.  Payne 

Dallas 

W.  A.  Wilson 

Indianapolis 

A.  W.  Gebauer 

Kansas  City 

V.  A,  Maurin 

New  Orleans 

L.  E.  Goldhammer 

St.  Louis 

HEAD   BOOKERS 

R.  B.  Gann 

Atlanta 

J.  A.  McWhorter 

Charlotte 

Carl  Goff 

Charleston 

F.  Schreiber 
E.  Shumati 
Chas.  P.  Lester 
J.  B.  Loomer 
M.  J.  Dowling 


Cincinnati 

El  Paso 

Jacksonville 

Memphis 

Oklahoma  City 


EXPLOITEERS 

Earle  E.  Griggs  Chas.  Loewenberg 


Miss  Josephine  Thayer 
W.  R.  McCormick 


R.  C.  Gary 
C.  T.  Charack 


SALESMEN 

ATLANTA— J.  W.  Greenleaf,  C.  Jor- 
dan, H.  Williams,  S.  C.  Ware,  P.  C. 
Williams. 

CHARLESTON— G.  Porter,  B.  Eskew. 

CHARLOTTE— C.  Cheek,  C.  S.  Ander- 
son, A.  Rook. 

CINCINNATI— H.  Woolfe,  W.  La 
Sance,  J.  Johnston,  M.  Margolis, 
H.  E.  Shaw. 

DALLAS— G.  McDonnell,  M.  Graetz,  J. 
Lutzer,  L.  Brauer,  G.  Blackburn, 
J.  C.  Petit. 


20  ik 

ANNIVERSARy 


{Ullllllt'^^WWW^ 


117 


i 


A  A 


O.  Blumenthal 
A.  Jacobson 
N.  Sauber 
L.  Stephens 


EASTERN  DIVISION— Cont'd 


WASHINGTON 

M.  Van  Praag  Manager 

Assistant  Manager  H.  Millstein 

Sales  Staff  A.  Garner 

Sales  Staff  W.  Davis 

Sales  Staff  V.  L.  Schram 


Sales  Staff 

Sales  Staff 

Sales  Staff 

Sales  Staff 


TORONTO 


Clair  Hague 
Harry  Law 
M.  H.  Wilkes 
L.  M.  Devaney 
S.  Taube 
J.  Davidson 
F.  Gilbert 


General  Manager 

Manager 

Exploiteer 

Sales  Manager 

Sales  Staff 

Sales  Staff 

Sales  Staff 


MONTREAL 

D,  Leduc  Manager 

H.  N.  Hooper  Sales  Staff 


ST.   JOHN 

W.  A.  Sault  Manager 

E.  Whelpley  Sales  Staff 

WINNffEG 

Geo.  F.  Law  Manager 

H.  Swartz  Sales  Staff 

CALGARY 

Frank  Vaughan  Manager 

E.  Carruthers  Sales  Staff 

VANCOUVER 

R.  A,  Scott  Manager 


SOUTHERN  DIVISION— Cont'd 


SALESMEN  (Continued) 

INDIANAPOLIS— E.  Donnelly,  S.  C. 
Saffell,  P.  B.  Elliot,  C.  W.  Tyler,  L. 
B.  Davis,  T.  McConnell. 

JACKSONVILLE— H.  Simpson. 

KANSAS  CITY— C.  Reynolds,  J.  Ros- 
enberg, J.  E.  Dodson,  S.  W.  Kidd, 
W.  Haynes,  M.  C.  Brodsky,  L.  Na- 
thanson,  T.  M.  Taylor. 


MEMPHIS— H.  Finney,  T.  0.  Tuttle. 

NEW  ORLEANS— P.  Spindler,   C.  C. 
Nungesser,  E.  W.  Leland. 


OKLAHOMA    CITY— G. 

Quade,  M.  Tritch. 


Ellison,    W. 


ST.  LOUIS— L.  Goldhammer,  S.  Rose, 
H.  Sanders,  C.  L.  Hickman,  F.  S. 
Fissinger. 


« 


118 


11 


itx 


m 


w 


Ol 


CARL  LAEMMLE 


-^ 


T/ie  BIQ  ^^U"  sends  you  its  heartiest 
Qreetings  and  Congratulations  on  the 
occasion  of  your  20th  Film  Anniversary, 
If  we  seem  to  take  to  ourselves  a  particular 
personal  pride  in  sharing  the  event,  it  is 
because  of  our  close  association  with  the 
home  office  where,  as  the  chief  executive, 
your  judgment  is  our  never -failing  guide. 

May  each  of  the  coming  years  prove  to 

he  a  milestone  to  mark  only  your  health, 

happiness  and  prosperity. 


^ 


BIG  "U"  FILM  EXCHANGE 

W.  C.  HERMAN,  Manager 

1600  Broadway      :  :     New  York  City 


ANNIVERSARy 


qp 


V  V  w 


X 


w  I    ^ 


m 


\U 


^  k  K 


^  I  m 


(greetings    and   Qongratulatio7is  |  X  W  ENXY   YEARS 


I 

to  \ 

\ 

CARL  LAEMMLE  | 

I 
I 
I 
i 
i 
I 
i 
i 
I 
I 
I 
i 
I 
j 
I 
I 
I 
j 
i 
I 
i 
I 

i 
i 
1 

! 
i 
1 
i 


President 

Universal  Pictures  Corporation 
Heckscher  Bldg.  New  York  City 

On  the  Occasion  of  Your 

Twentieth 
Film  Anniversary 

May  Tou  Have  Twenty 
Tears  More  Of 

''LAEMMLE  LUCK" 

And  May  We  Be  Here  to  Share  It 


W)m: 


Universal  Laboratories 

FORT  LEE,  NEW  JERSEY 
Irving  Stoe/zer,        Henry  Eysmann, 
Laboratory  Mgr.      Reclamation  Mgr. 


I 


Mr.  Laemmle,  is  a  long  time 

For  any  man,  in  any  business, 

To  maintain  supreme  leadership. 

You  will  receive 

Many  cordial  expressions 

Of  good  will  on  this  occasion — 

Because  of  your 

Unblemished  record. 

May  I  add  mine 

On  the  grounds  of 

Sincere  appreciation 

Of  our  cordial 

Business  relations, 

And  a  personal  friendship 

Which  each  succeeding  year 

Continues  to  strengthen. 

We  hope  to  greet  you 

As  warmly  this  time  hence 

TWENTY    YEARS 

American  Feature  Film  Company 

Harry  Asher,  President 

37  Piedmont  Street  Boston,  Mass. 


i 


•  •  • 


ill. 

m 


120 


']r\^^vx\  /iuf>  1^  /^ 


^■^u^^-n.  j/rt-^^-^—J^-  i^r 


'  ■IK.MrwiAv  ^ 

Husz  ^vea     raUktJdds^hez  fogadja 
legjcbb  3zere«C3ekiv4natainkat 

CONGRATULACOCS  AO  SNR  LAEIQILE  ?£L0   SEU 

VI0E3IU0   ANNIVER3ARI0.    -„      ^    _    . 

Portugese 


"^i 


»^J-o    (So        -itn.    c^jGltt,  Q  ^        ^O  0->3 


J 


i;  <5  £)  c  -£""? 


'O  0 


^ 


/=N 


7 

AN 

1 


^H  I  N  ff  sc 


.^lf^-2y>v.yi>^^^V/( 


5UNIVERSAL  Pictures 

speak  a  universal  lan- 
guage. They  know  no 
race,  creed,  color, 
tongue,  or  geographical 
boundary. 

*IFrom  Thirty-two  Uni- 
versal Distributors  have 
come  the  tributes  printed 
here,  each  in  its  native 
form— an  interesting  and 
graphic  illustration  of 
the  universality  of  Uni- 
versal Pictures. 

5WITH  but  slight  varia- 
tions this  is  the  senti- 
ment expressed: 

^'Congratulations  to 
CARL  LAEMMLE 
on  his  20th  Motion  Pic- 
ture Anniversary. 


'm.MrM.M.M.».M.M.M.M.MLM.M.M.M.M.M.M.KrrK-mrmL 


Ofpua 


["'■^^--.P.a.,,, 


PAHHAAT      OCNEN'TOIVOTUKBET      HERRA      LAE«l!IF 
TFITAN      I   0      VUOTISJUHLAKN'^     JOHDOSTA. 

'^^^^'^"  HJEPTELIGOBE    LYKANS   KHINOER   TIL   HERR    UEMTiStn 

MBBetu.  PA  A    HANS   TYVE   AARS  JUBELEUM. 

lA^rr^yy^ia.^  <^     f'Cec^h        feje       Danish' yAjy''^     ' /f' 

.  'ir^h   Opt  _    'Jl3'c  ^  S>:>->^1     joife 
-n'c    s^J^J     ji^Zy      j)3i^-j^      '"'J^      -o^ar 

Lyekonstoingar  till  Mr-Laemrie 


Serbian 


Ceatitaria   Ooopodlne   Laenmle 
na  Vafioj   dvadeseto- 
godisrioj   proB- 
lavl . 

APSREICAM    FUS   LAEMMLE    RUNCS    DIRDESMITGADU 

JUBILEJAA  Latvian 

"baNJJIX   SLAMaY   TOEAN  LAEMMLE    8AMA 
SOBAT  poenja  tahoen  BAROE  doewa 
POELOE.         Msday 

LE3  PLUS   SINCERES  U.    LAEUMtt   vSeuX 

,POUB  Ih.  fStE   0E    20   lEUE   L  '  ANI VERSAIRE 

French 

fELIGITATIES   MIJNHEER  LaEUULE   TER 

GELEGESHEID  UW   TWINTIGSTE   HERDENKINO. 

Dutch 

feliohamos  a  vd.  sebor  laemmle  con  toda 

OORDIALIDAD,    ADMIRaOION    Y   RESPECTO   EN   EL 
7IGESIU0  AHIVEH3ARI0.   .  Spanish 

7^^   COROI^X    AL    SIGNOR  LAEMMLE   P.„ 
SO   AinVERSARlO 

Italian 

DIE   HER2LICHSTEH   GLUECKWUEN3CHE   HERR 

LAEa:.'LE   7.\M  20   JAEHRIOEH   JUBILAEUM. 

Germaa 
URIME   0:    UEMMLE    PER   ANM  VE.ISAR  IM.  (jJi;-:i;T. 

.«lbinian 


^ 


'\\3k^ 


M 


""^XaprjT^p, 


'"ouTrJc 


3-eCA.vv-M.ctL2;       0>\X  'A      ^<A2->n>n  ^ai4  <*-*^ 


if 

ill 


/C?  7///  U- 


^''aUu^  '""• 


20  ^/t 
ANNIVERSARY 


iiri 


Mi 


*  4^-^ 


^  Tribute  from  the 

EXPORT  DEPARTMENT 


THE  entire  personnel  of  the  Export  Department, 
from  one  end  of  the  world  to  the  other,  welcomes  this 
opportunity  publicly  to  pay  its  respects  to  its  guiding 
spirit — to  the  greatest  organizing  genius  in  the  motion 
picture  industry — to  the  man  whose  very  name  is  a 
symbol  of  progress  and  achievement — to  you — CARL 
LAEMMLE! 

Vast  stretches  of  land  and  water  separate  us.  Although 
farthest  away  from  you  geographically,  you  have  made 
us  feel  closest  to  you  in  devotion,  in  loyalty,  in  under- 
standing. 

You  have  always  been  sympathetic,  always  eager  to  point 
-  out  to  us  the  quick,  the  sure,  the  right  way  in  the  con- 
duct of  our  business.  For  this  we  thank  you,  but  our 
feelings  go  far  deeper  than  those  of  grateful  employes. 
We  know  you  and  love  you  as  a  friend. 

We  rejoice  with  you  in  that  twenty  years  of  service  have 

happily  passed  in  the  field  to  which  you  have  dedicated 

your  life.     May  you  continue  to  reap  the  harvest  of  your 

generous  sowing,  to  which  end  we  pledge  our  constan 

loyal  efforts. 

In  genuine  admiration  we  subscribe  our  names  to  the 
following  pages: 


10  tk 

ANNIVERSARy 


%J  ' 


^ 


•    •     • 


tiJ: 


^ 


I 


* 


qjp 


i 


*  i  * 


i 


m 


Mi 


I 


1 


i 

i 


N.  L.  MANHEIM,  Export  Manager 


AUSTRALASIAN  DIVISION 


Hercules  C.  Mclntyre,  General  Manager 

AUSTRALIA 

H.  Mclntyre,  General  Manager 
SYDNEY  ADELAIDE 

D.  Martin  Manager         R.  H.  Perry 

And  Staff  And  Staff 

BRISBANE  PERTH 

R.  Jones  Manager         H.  McCrae 

And  Staff  And  Staff 

MELBOURNE 

D.  Casey  Manager 

And  Staff 

NEW  ZEALAND 

WELLINGTON 

C.  F.  Eskell,  Manager 

E.  Bolton,  Sales  Manager 

And   Staff 


Manager 


Manager 


E.  B.  Rowe,  General  Manager 

CHINA 

SHANGHAI 

N.  Westwood,  Manager 

K.  C.  Way,  Mgr.  Tientsin 

And   Staff 

JAVA 

E  F.  K.  Borner,  Acting  Manager 

And   Staff 

BANDOENG  SOERBAYA 

Mr.  Flinzner,  Asst.  Mgr..  and  Staff         E.   Lambert,   Manager,   and   Staff 


V  w  W 


123 


ZZZJZC 


\k 


r»"" 


FAR  EASTERN  DIVISION,  Con't 


PHILIPPINE  ISLANDS 

MANILA 

J.  N.  Weir,  Manager 
And   Staff 

CEBU 

H.  W.  Hope  and  Staff 
ILOILO 

W.  Horstman  and  Staff 

STRAITS  SETTLEMENTS 

SINGAPORE 

K.  H.  Tann,  Manager 
And   Staff 

JAPAN 

L.  Prouse  Knox,  Manager 

And   Staff 

TOKYO  KYUSHU 

A.  Sherlock        Assistant  Manager         Nagayama 

Arata  Tsukadi     Business  Manager  ^^^^  Staff 

OSAKA  HOKAIDO 

Makiguchi  Manager         S.  Shirokane 

And  Staff  And  Staff 


Manager 


Manager 


INDIA 

Chunilal  Munim,  Manager 
And   Staff 
BOMBAY  CALCUTTA 

Vasantreu  H.  Desai  Asst.  Manager         A.  V.  Row  Manager 

And  Staff  And  Staff 

MADRAS  LAHORE 

N,  R.  Desai  Manager         A.  S.  Pandya  Manager 

And  Staff  And  Staff 


m 


If  I  ll 


^i 


III 
ill 

^    4 


i 


1 


SOUTH  AMERICAN  DIVISION 


Monroe  Isen,  General  Manager 

ARGENTINE 

BUENOS  AIRES 

Leo  Beran,  Manager 
And   Staff 


ROSARIO 

A.  R.  Fernandez  Manager 

And  Staff 

CORDOBA 

Luis  A.  Sarmiento  Manager 

And  Staff 


SANTA  FE 

Antonio  Jones  Manager 

And  Staff 

BApiA  BLANCA 

Carlos  Wilkinson  Manager 

And  Staff 


Vi 


BRAZIL 

Al  Szekler,  General  Manager 


RIO  DE  JANEIRO 

A.  Judall      Rio  Branch    Manager 
And  Staff 

BAHIA 

Waldemar  Barros  Manager 

Caetano  C.  Gemino  Asst.  Manager 

And  Staff 

BELLO  HORIZONTE 

Fernando  Rangel  Manager 

And  Staff 


Manager 


CAMPOS 

Jose  Cardoso  Filho 

And  Staff 


Manager 


CURITYBA 

Jacob  Holzmann  Manager 

Lauro  Holzmann      Asst.  Manager 

And  Staff 


RECIFE 

Renzo  G.  Baglia 

And  Staff 

PORTO  ALEGRE 

Julia  Marpas  Manager 

J.  B.  Vieira       Assistant  Manager 

And  Staff 

RIBEIRAO  PRETO 

Isaac  Bergstein  Manager 

And  Staff 

SAO  PAULO 

E.  Trucco  Manager 

And  Staff 

DE  SOLEDADE 

Octacilio  Jose  Barra         Manager 

And  Staff 

UBA  MINAS 

Jose  Rocha  Manager 

And  Staff 


ANNTIVERSARy 


J^/WJAUMVl 


125 


nzzzz 


mm 


iTi 


W 


\k 


SOUTH  AMERICAN  DIVISION 


CHILE 

Jorge  Suarez  Orrego,  Manager 

SANTIAGO  VALPARAISO 

Rauld  E,  Hector        Asst.  Manager         Onofre  Arriagada  Manager 

And  Staff  And  Staff 

CONCEPCION 

Osvaldo  Lobos  Manager 

Vincente  Inostroza  Asst.  Manager 

And  Staff 

PERU 

LIMA 

A.  Fernandez  Nogiiera,  Manager 
And   Staff 

MEXICO 

Jack  Hayes,  Manager 
MEXICO  CITY 

Juan  C.  Alarcon,  Assistant  Manager 
And   Staff 

TORREON,  COAH.,  MEXICO 

S.  C.  de  la  Garza,  Manager 
And   Staff 


PANAMA 

COLON 

E.  N.  Ferro,  Manager 
And   Staff 

CUBA 

HAVANA 

Nat  Liebeskind,  Manager 

F.  G.  Planas,  Assistant  Manager 

And  Staff 


VENEZUELA 

CARACAS 

Ernesto  Aue,  Manager 
And   staff 

PORTO  RICO 

SAN   JUAN 

A.  F.  W.  Frohlich,  Manager 
And   Staff 


i 


r% 


20tk 

ANNIVERSARy 


126 


c 


Ift^a. 


iTi 


EUROPEAN  DIVISION 


L.    Burstein,  Supervisor 

FRANCE 

C.  L.  Brookheim,  Manager  of  Latin  Europe 


PARIS 

J.  Viguier  Assistant  Manager 

And  Staff 

STRASSBOURG 

M.  Muller  Manager 

And  Staff 

BRUSSELS 

M.  Stein  Manager 

M.  Wittebol        Assistant  Manager 

And  Staff 


DE  LYON 

M.  Aubert  Manager 

Martin  Comptable     Asst.  Manager 

And  Staff 

MARSEILLE 

M.  Gardelie  Manager 

And  Staff 

LILLE 

A.  Vael  Manager 

And  Staff 


SPAIN 


MADRID 

Jose  Fernandez  de  Alzola,  Manager 
And  Staff 

VALENCIA 

Jaime  Torruella  Manager 

And  Staff 

BILBAO 

Meliton  de  Eiguren  Manager 

And  Staff 

SAN  SEBASTIAN 

Gregorie  Landazabal  Manager 

And  Staff 


A.  Torres,  Manager 

And   Staff 

PALMA  DE  MALLORCA 

Jose  Planas  Manager 

And  Staff 

MURCIA 

Miguel  Lopez  Manager 

And  Staff 

MALAGA 

Eduardo  Diaz  De  Cossio    Manager 
And  Staff 

LA  CORUNA 

Jaime  Lameyer  Manager 

And  Staff 


POLAND 

WARSAW 

S.  Burstein,  Manager 

GERMANY 

BERLIN 

0.  Einstein,  Manager 
And   Staff 


SWEDEN 

STOCKHOLM 

Eskil  Wahlstrom,  Manager 
And   Staff 

HOLLAND 

AMSTERDAM 

H.  Van  Veen,  Manager 
And   Staff 


m 


« 


Hi 


1 


jt 

i 


•    • 


iTi 


EGYPT 

ALEXANDRIA 

Paul  Schlatermund,  Manager 
And   Staff 


CZECHO  SLOVAKIA 

PRAGUE 

Fritz  Taussig,  Manager 
And   staff 


ITALY 

H.  Gunderloch,  Acting  Manager 

And    Staff 


A.  Scherk 


ROME 

Assistant  Manager 
And  Staff 


GENOA 

Mastrelli  Ifiuo 

And  Staff 


MILANO 


B  Andreoli 

And  Staff 

TRIESTE 

Attilio  Lippo 

And  Staff 


Manager 


Manager 


Manager 


PALERMO 

Ing.  Mario  Fedolino  Salesman 

And  Staff 


BOLOGNA 

A.  Borelli  Manager 

M.  Schiavina      Assistant  Manager 

And  Staff 

NAPOLI 

Guido  Pulga  Manager 

And  Staff 

BARI 

Cataldo  Lippo  Salesman 

And  Staff 

TORINO 

Sig.   Tito  Vaudetti  Salesman 

And  Staff 


GREAT  BRITAIN  DIVISION 


James  V.  Bryson,  General  Manager 


London,  England 
Birmingham,  England 
Liverpool,  England 
Leeds,  England 
Manchester,  England 


Newcastle,  England 
Cardiff,  Wales 
Dublin,  Ireland 
Belfast,  Ireland 
Glasgow,  Scotland 


C^ 


^ 


k 


128 


i 


T 

*  !  * 


W 


A    M._A 

lli 

i      Ji 

•       1      • 

f. 


UNIVERSAL 
CITY 


SENDS 


GREEIINGS 


TO 


CARL  LAEMMLE 


10  tk 

ANNIVERSARy 


129 


X 


•    •     - 


«^  T  ^ 


1 


i 

i 


MAY  GOD  BLESS 


Laemmle 


The  Dispenser  of  the 
Golden  Rule 


with  many  such  anniversaries 


ANNIVERSARy 


W  u  W 


if 


it 


^ 


i  1 
fit 

f 


130 


^«w 


I 


i 


m 


I 


V  tf  V 


V 


*  li  * 


m 

m 


* 


ib' 


I 

1 


f 


THREE  CHEERS  FOR 
Carl  Laemmle 


ON  HIS  20th  ANNIVERSARY 


May  there  be  many 
"RETAKES" 


From  The 

PHOTOGRAPHIC  DEPARTMENT 


Roy  C.  Hunter 

Arthur  Todd 

E.  G.  UUman 

Harry  C.  Neumann 

Jerry  Ash 

John  Stumar,  A.S.C. 


Edward  A.  Kull,  A.S.C. 
Chas.  Stumar,  A.S.C. 
Ray  L.  Ramsey 
Jackson  J.  Rose,  A.S.C. 
Edw.  Linden 
Elmer  Dyer 


20  f4 

ANNIVERSARy 


if 


m 


.4t 


I    '    t 


A. 


1 

i 


W  y  W 

4> 


it 


m 


^ 


Mt 


A    1_A 

ill 


X 

1 


X 


Greetings  to 

Carl  Laemmle 


Svend  Gade 


20  ^/i 

ANNIVERSARy 


lit 


f! 


•  • 


ft 


■■^■ai 


4 


To  One  of 
God's  Noblemen 

Carl  Laemmle 


133 


iTi 


CONQRATULATIONS  TO 

Carl   Laemmle 

from 
A  BVhlCH   OF  THE  BOYS 


FRANK  S.  EATON 
PAUL  PERRY 
HARRY  TURNER 
A.  S.  SERVICE 
BURT  HOWELL 
S.  J.  TWINNING 


CHARLES  HUBBARD 
WARREN  S.  EATON 
HARRY  BURKE 
JOHN  SCHELLBERG 
C.  A.  DE  LANE 
HARRY  KROHN 


P.  S. — The  First  Twenty  Years  Are  The  Hardest 


My  Best  To  You   ''Unclc   CaH'' 

On  This— 

Your  Twentieth  Anniversary 
In  The 

Motion  Picture  Business  — 
May  You  Have  — 

Many — many  — 

Happy  Returns 

Of  The  Day. 

Sincerely, 

JACK  HOXIE 


20  ^^ 

ANNIVERSARy 


134 


I 


"I 


m 

iyii 


llll 

k    k 
:      : 

f 


•  i 
i 


il 

:i 


4^ 


^ 


Mt 


ill 


X 

k 


Carl  Laemmle 


IVhose  Twenty  Years  of 
Faithful  Enterprise  Inspires 
Ambition  and  Admiration 


Marian  Nixon 


ANNIVERSARy 


yw  >   ^ 
•  •    • 


iwi 

m 


tp 


iM 


I  '  t 


A. 


1 

i. 


■  1-^  • 


'■ff 

4 


t 


i 


^ 


\k 


ill 
If? 

A      1 

: 

f. 


Mr.  Laemmle 


1  EXTEND  MY  SINCERE 
CONGRATULATIONS 
THIS  20th  ANNIVER- 
SARY. 

MEL  BROWI^ 


•%>«»(l^^<>-^^0'«H»-l>'4a»<>^^U«^a^^O^i»<>^^O'^^O^^O«H»-(>^^O'^^0^Hi»(>'«^(>^^M)4^»O'^^O«»(l« 


^f  >^B^(  >'^^n-^»(  A 


CONGRATULATIONS 

TO -CARL    LAEMMLE - 
FROM  -  SOME  —  OF  — 
THE  —  BOYS  —  WHO  — 

DO  —  A  LOT  —  OF  —  WORK  — 


ACCOUNTING  DEPT.         ::         ::         PAY-ROLL  DEPT. 
PERSONAL  and  INSURANCE 
CENTRAL  PILES 


UNIVERSAL  CITY  —  CALIFORNIA 


20th 

ANNIVERSARy 


136 


! 


1 


f 


iWi 


1 
I  '  I 


* 

k 


L 


t 


Ml 


7<?  0;^^  ^/4d?  Is 
A  Fiiend  in  the 
Fullest  Meaning 
of  the  Word, 


CARL    LAEMMLE 


HARRY  POLLARD 

DIRECTOR 
In  Preparation 

''Uncle   Tom's   Cabin" 

SUPER-JEWEL 


''California  Straight  Ahead" 

''Oh,  Doctor" 

"I'll  Show  You  the  Town" 

"Sporting  Youth" 


W  V  U 


1 


f 


*  I    * 


tii: 


)<4 


137 


4- 


^ 


Mi 


Congratulations  to 

Carl  Laemmle 

from 

Hoot  Gibson 


»(>^^ii«i  ^o-^^ii^^c;  ^^(  I'^^o  ^^(  >'^^<>^^<>'^^(  >^^0'^^()-«^(i-^M-<>-^^()^^()^^(  >^i»<).^»^i*% 


To 


Carl  Laemmle 

MAKER  OF  PICTURES— AND  OV  MEN 


• 


V  u  W 


f 


I,; 


*  *  I  T  !• 

■  -    L  • 


J. 


^ 

c^ 


Www 


i 


fl 


Mi 


A   A_A 


^ 


A%/  Tou  Live  to  Enjoy  Many 
More  Such  Anniversaries 


SINCERELY  YOURS 


J.  JOSEPH  SAMETH 


PRESIDENT 


LARIAT  PRODUCTIONS,  Inc. 


featuring 


Pete  Morrison 


for 


UNIVERSAL 


10  tk 

ANNIVERSARy 


V  w  V 


it 


11 


V  i  V 


I 


«    I  fit 

•     •    • 


iWi 


m 


I 


ill 

i       Jl 

: 


To  ''UNCLE  CARL" 

THE  CHANCE-GIVER 
/rom  his 


;4 


NEPHEWS" 


PUFFY 

and  his  Director 

"DICK"  SMITH 


»'U-«B»'a^^(l^^(>«^()-«^O^^<>4^0«^()^^0-^»-0'^^()'^^0'^^(>'«H»C>^^0-^»-O-^^<)-^^<)'^^<>'^^(>« 


»<)^^()-a^o^Hfr<>^^<>« 


•■()-^M-(>^i»<)'« 


J'O  A  PIONEER  AND  A  VETERAN     %i.      &« 

Mr,  Carl  Laemmle 

Heartfelt  congratulations  on  the  Twentieth 
Anniversary  of  the  birth  of  UNIVERSAL 

Harry  D.  Brown 

Cinema  Studios  Supply  Corporation 


20  tk 

ANNIVERSARy 


//,llJlJI,\\\i^\\^ff 


V  V  y 


i 


If 


iWi 


1 


i. 


f 


140 


Www 


Y 
4 


I    WW 

«    • 


Wi 


W' 


A    X_A 

il 


1 


^1 


CARL  LAEMMLE 


Who  has  kept  faith  for  twenty  years 
and  has  more  friends  than  there  are 


O'Malleys  in  the  history  of  the  world. 

Always, 

PAT 


qp 


S4^  A 

V  w  y 


1 

4r 


*   I    * 


I 


ill 


141 


To   CARL   LAEMMLE 


Congratulations  and  Best  JVishes 
for   Your  Continued  Success 


MATT   MOORE 


"The  Narrow  Street" 

(Warner  Bros.) 

"How  Baxter  Butted  In" 

(Warner  Bros.) 


"The  Cave-Man" 

(Warner  Bros.) 

"The  First  Year" 

(Fox) 


"The  Mysterv  Club" 

(Universal) 


cp 


*T«>^»»^»()« 


»t>^^04^(}^^O^^I>-fl 


»()'^^()'^^t?-« 


CARL   LAEMMLE  is  the  World's  Qreatest  Producer! 


TOM   REED 


Didnt  he  engage  me  as  his  press  agent? 


\ii 


142 


>l 


143 


cip 


*  mi 


* 


Mi 


1 


4 

A 


To  that  Pioneer  of  Picture  Progress: 

Carl  Laemmle 

WINNIFRED  EATON  REEVE 

iOnoto  Watanna) 
Author 


SCENARIO  EDITOR 
'and  LITERARY  ADVISOR 


UNIVERSAL  PICTURES 


•'O^i^Ol^lO 


Serials! 

The  Serials  of  Motion  Pictureland  carry  romance, 
speed  and  thrills!  Clean  and  Colorful  with  Power, 
Punch  and  Pep!  BUT xh^  story  of  Carl  Laemmle' s 
twenty  years  in  Movieland  with  its  thrills, — and 
romance^  —  its  accomplishments  y  makes  the  most 
colorful  of  Serials  do  a  Fade  Out. 


Leigh  Jacobson 
George  Plympton 
Carl  Krusada 
William  Lord  Wright 


Arthur  Henry  Gooden 
Lola  D.   Moore 
George  Morgan 
Fred  J.  McConnell 


20tk 

ANNIVERSARy 


Hi 


i 


4' 


■i 


a; 


iwt 


I 


I 

i  ■,' 

i  I 


LYNN  REYNOLDS 

Director 

Had  three  pictures  named  by  leading  journals  among  the  First  Fifty-two  Box  Office  attractions  of  1925. 

They  Were 

"RIDERS  OF  THE  PURPLE  SAGE" 
"THE  RAINBOW  TRAIL" 
"THE  DEADWOOD  COACH" 

This  tops  a  record  of  seventy-three  feature  productions  made  by  him  during  the  past  eleven  years.  Not 
a  single  flop  and  many  outstanding  successes.  Fifty-six  of  the  continuities  were  written  by  him  and 
eleven  were  his  original  stories.     As  a  record  of  consistency  this  is  seldom  equaled. 

P.  S.     Mr.  LAEMMLE: 

Everyone  is  offering  you  congratulations  on  your  splendid  record  of  twenty  years  of  honest  service. 
I  am  sitting  way  back  in  the  corner  and  recalling  the  days  when  you  gave  me  my  start  directing  on  the 
old  Gower  street  lot.  I  am  thankful, 

LYNN  REYNOLDS 


1 


1 


145 


To  CARL  LAEMMLE : 


Who  hardly  needs  an  anniversary  to  remind  his 
loyal  employees  of  his  sterling  qualities  which 
have  endeared  him  to  everyone  who  has  had 
the  privilege  to  serve  under  his  banner. 

EMIL  FORST 


ikl 


•■<l'«W-0-^M-()-^W-(  >•• 


'\ii 


To  UNCLE  CARL 

You've  heard  about 

THE  WARNER  BROTHERS,     THE  CHAPLIN  BROTHERS, 

and 
THE  DE  MILLE  BOYS 

Now^  you're  going  to  hear  about 

THE  WYLER  BROTHERS 

WILLY   and   ROBERT 


^ 


*  A  i 


20tk 

ANNIVERSARy 


146 


i 


1 


20tk 

ANNIVERSARy 


II 


\| 


147 


4> 


t 


i  I  * 


ill 


1 


X 


f. 


To   Carl    Laemmle: 


///  profound  admiration. 


Charles    Kenyon 


''The  Still  A/arm'' 
''The  Old  Soak" 
"Flaming  Borders'' 


»'(>-W-»^^(>^i»(>^^C)«»'CI^^O« 


May  there  be  20  and  20  and  20  more  years 
bringing  your  life  to  120  —  the  Talmudic 
allotment  to  all  good  Jews. 

Vrom  ISADORE   BERNSTEIN 


AutKor  0/ 

"His  People" 

"Kol  Nidre" 

"The  Ghetto  Shamrock" 

"The  Cobbler" 


10  tk 

ANNIVERSARy 


r//i/;,Vtuv>^^ 


148 


W  w   W 


liii 


•    • 


m 

it  I 

I 


irn 


I 
i 


C 


¥ 


ill 

m 


\ 


<5i 


^ 


•etV\  Anniversary 


<^r. 


to 


»^i-.  f   ■♦    r 


'^S 


Carl  Laemmle 

The  Father 
of  Motion  Pictures 


FROM 


CLIFFORD  S.  SMITH 

and 


JOSEPH  S.  BARRY 


qjjp 


V  V  W 


I 


•    •    T 


Carl  Laemmle: 

A  man  who  wins  confidence,  respect  and  affection 
from  every  man  capable  of  appreciating  genuineness. 

JAMES  O.  SPEARING 


»0^^(>4^»U^i»l  I^IW'i  )^H»(I^^O^^O^^(l-^^(I^^O^i»'(  I4^»0«i^(>« 


»-<»^H»-lJ'^i»()^^C)  )«H»0^^()-« 


To  CARL  LAEMMLE: 

JVith  every  good  wish 

from 

EDWARD    SLOMAN 

and 

"HIS    PEOPLE" 


10  tk 

ANNIVERSARy 


«M  « 


■V: 


liUtt 


•    •     •     ! 


f 


ity 


c~ 


m 


Dear  Mr.  Laemmle: 


"THE  WHOLE  TOWN'S  — 
TALKING"—  about  you— 

Your  twenty  years — of — service — in- 
the  industry — is — unparalleled. 


Congratulations 
EDWARD  LAEMMLE 


PS. 


Your  friendly — rivals — are 
STILL— alarmed. 


20  tk 

ANNIVERSARy 


'<^""''"">ti; 


151 


S^i  « 


X 


fwi 

■A.     ..•     . . 

X  $  I 
:   * 


Www 


To  ''The  Little  Giant  of  the  Movies^'' 

CARL  LAEMMLE 

BEHRENDT-LEVY    CO.,    Inc. 
General  Insurance 


Insurance   Exchange   Building 
NINTH  AND  OLIVE  STREETS 


I-OS  ANGELES 
CAL. 


I 


3m  « 


152 


W  w  V 


X 


fl 


:£aJ  i 


Mi 


Congratulations 

Mr.  CARL  LAEMMLE 


RED  ARROW  COMPANY 


INCORPORATED 


Congratulations  to 

Mr.  Carl  Laemmle 

from 

Bess  Schlank 


Hollywood 


6528  Hollywood  Boulevard 

Hempstead  9945 


California 


20  tk 

ANNIVERSARy 


153 


5~J 


W  u  W 


X 


•  •    • 


X  •.J.*  i 


^ 


i 


Our  Qood  Wishes  and  Congratulations 

ON  YOUR 

TWENTIETH  ANMVERSARY 


from 

WARDROBE  DEPARTMENT 

E. 

N. 

Woolf 

Johanna 

Mathieson 

S. 

B. 

Ware 

Edward 

Ware 

Lily  Lashian 

Sol  Finnerman 

»-(>-^^0-^»'0«^(>^l»0-^»-(>-^»-()-^M-C)^^0^^()« 


»()^^>-^»>t>-«^<>-^»-(  )-^w-<  >^^<)^^(>^^(>'« 


To 


"Uncle  Carp' 


from 

EDNA 


EDNA  MARION 


AND 


FAY  WRAY 


FAY 

UNIVERSAL'S    WAMPUS    STARS    OF    1926 


i 


4-  5  T 


1 


-     •   • 


m 


w 


! 


m 

: 

•  ^ 


I  Am  Grateful 

For 
Universal  City! 
Universal  Pictures 
Universal  Business  Methods 

T/ie 
Universal  Cordiality 
Universal  Sincerity 

And 
I  Am  More  Than  Grateful 

for 

Carl  Laemmle 

Who 
Was  and  Is  the  Inspiration 

of 

This  Gigantic  Enterprise 

Hugh  S.  Jeffrey 

Hugh  S.  Jeffrey  Co 


ANNIVERSARy 


155 


qp 


y  u  V 


1 


Wi 


^: 


[^ 


CARL  LAEMMLE 

Ma^  We  Long  Enjo-^  the 
Sunshine   of   Your   Smile 


-^ 


EN  A  QREQORY 


"SPORTING  LIFE" 

"THE  OVERLAND  TRAIL" 

"RED-HOT  LEATHER" 


"THE  CALGARY  STAMPEDE" 

"GRINNING  GUNS" 

"VALLEY  OF  THE  RANGE" 


CARL   LAEMMLE 

I  Write  to  You  '^Personally* 
Congratulations 

CHARLES  A.   LOGUE 

Recent  Originals  and  Continuities 

'THE  MAN  ON  THE  BOX"— SYD  CHAPLIN 
"BELOW  THE  LINE"  ) 

"CLASH  OF  THE  WOLVES"    \    RIN-TIN-TIN 
"THE  NIGHT  CRY"  ) 

JAZZ  BRIDES"— MARIE  PREVOST  AND  MATT  MOORE 
"ARIZONA  SWEEPSTAKES"— HOOT  GIBSON 
"PRISONERS  OF  THE  STORM"— HOUSE  PETERS 
"FORBIDDEN  WATERS"— PRISCILLA  DEAN 


ANNIVERSARy 


156 


C^ 


I 


«« 


H 

11 


ii  i 

1/  y  III 

ill 

m 


r; 


1 


i 


W  u  w 


t 


(iXS 


Mi 


CONGRATULATIONS 

Mr.  Laemmle 

On   Your  Twentieth  Anniversary 
with  our  si?tcere  wishes  for  your  continued  success 

FROM 

ART  AND  TECHNICAL  DEPARTMENTS 

CHARLES  D.  HALL 
EDGAR  G.  VLMER 
ARCHIE    H.    HALL 


»l>«»0^i»'l>^i»<t«i»0^H»C>^^>)-^^>)-^W-c)-^»>t)'«^>)-«l^f>^^f)'^^r^^<i4 


•■o«w-()-^Mi()i«»'(  I'^^l  •^■frd-a 


To  Carl  Laemmle: 


Congyatuiations  on  Your  Twentieth 
Anniversary  in  the  Motion  Picture 
Industry 


i 


V 


*4  « 


\i 


m 


1 
I 


ill 
m 


Eleanor  fried  Dariing 

and  her  husband,  Scott 

Dear  Uncle  Carl:— 

If  you  hadn't  given  me  a  job  at 
Universal  City,  I  w^ould  never  have 
met  her. 

Then  I  had  to  marry  her  to  get 
the  pictures  edited  MY  way. 

SCOTT 


Raymond  Cannon 

ADA 

"The  Whole  rown's  rdking'' 


20tk 

ANNIVERSARy 


\ 

'1 


H 


\k   \ 


158 


■ 


r 


ill 
w 

qc6 


I 


i  L 

il" 


4 

A 


Congratulatiom 

Mr.  Laemmle 

on  your  twentieth  anniversary, 
sincere  wishes  for  your  continued 
success  from  the 

TRANSPORTATION 
DEPARTMENT 


Maurice  Kurland — 

Transportation  Manager 
Frank  Gross 
John  Mutaw 
John  Lynch 
Paul  J.  Murphy- 
Leslie  D.  Smith 
Grady  Whittington 
Harry  Divver 
Dewey  Skipworth 
H.  George  Smith 
Roland  Strathearn 
Frederick  E.  Manning 
Frank  Gorback 
Arthur  Fields 
Elmer  Randall 
Marion  S.  Smith 
William  Rabb 
David  Brodie 
George  Patterson 
Wallace  Munyan 
Cye  West 
Albert  L.  Gregory 
Jack  Gannon 
Henry  Perez 
Henry  Janssen 
Arthur  L.  Pinney 
Charles  J.  Love 
Morris  Moore 


Congratulations 


to 


i  Mr.  Laemmle 

i 

I  On  His 

i 

i 

I  Twentieth 

1  Anniversary 


RENTAL  DEPARTMENT 

THOMAS  K.  LITTLE,  Mgr. 

UNITED   STUDIOS 

5341  MELROSE  AVENUE 

Phone:  Hollywood  4080 

LOS  ANGELES  CALIFORNIA 


ANNIVERSARy 


m 


159 


W  u  w 


m 


Mi 


To  a  Leader  among  Leaders 


Carl  Laemmle 


LOS  ANGELES  FIREWORKS  CO. 

W.  H.  WILLSON,  Mgr. 

410  EAST  THIRD  STREET 
Tel.  VAndike  5031  LOS  ANGELES,  CALIF. 


>-n-^^o«^i>^^U-^^()'^^i)-M»-()« 


»■<  >-«^0-^^<>^H»0^^0^^<>'« 


TO 


To 


''The  Little  Qiant  of  the  Movies''      \         Carl     La^CITimlc 


Carl  Laemmle 


More  a  Friend 
Than  a  "Boss" 


1 


I 


w^  w 


yu 


*k 


m 


X  W  4- 


ijJ 


un 


''If 


i 


i; 


■\ 


I 


160 


w 


Www 


X 


If 


m 

u  T  k^ 


ill 


4 

1 


HEARTIEST  CONGRATULATIONS 

to 

CARL  LAEMMLE 

on  his 

Twentieth  Anniversary 

With  the  Friendship 
and  Good  Wishes  of 


•Ti'-figf-f'^''''^ 


LOIS  WEBER 


W  u  W 


X 


•  •    - 


m 
m 

<«*  T  ^t* 


1 


.1 


161 


Congratulations 

Mr.  LAEMMLE 

ON  YOUR  TWENTIETH  ANNIVERSARY 

DURING  twelve  of  these  years  I  have  w^atched  your  climb  to  the  foremost  place  in 
the  industry  with  unusual  and,  I  might  say,  personal  interest — 

For  it  was  twelve  years  ago  that  I  sold  my    first    motion    picture    story — TIMELY 
REPENTANCE — to  you.     And  it  was  this  sale  that  started  me  in  the  business — 

It  is  unique  that  in  the  peculiar  turn  of  events  in  this  industry  I  should  again  be  with 
you  and  at  a  time  when  you  are  celebrating  your  TWENTIETH  ANNIVERSARY. 

And  it  seems  fitting  that  the  past  year,  just  closed,  should  be  a  banner  year,  marked  by 
such  pictures  as 

HIS  PEOPLE 

THE  GOOSEWOMAN 

THE  MIDNIGHT  SUN 

THE  FLAMING  FRONTIER 

THE  PHANTOM  OF  THE  OPERA 

THE  HOME-MAKER 

SIEGE 

THE  STILL  ALARM 

SPORTING  LIFE 

I'LL  SHOW  YOU  THE  TOWN 

THE  COHENS  AND  THE  KELLYS 

CALIFORNIA  STRAIGHT  AHEAD 

WHAT  HAPPENED  TO  JONES 

SKINNER'S  DRESS  SUIT 

I  am  proud  of  my  association  with  these  pictures.  I  am  espe- 
cially proud  of  THE  FLAMING  FRONTIER,  SKINNER'S 
DRESS  SUIT,  THE  STILL  ALARM,  and  THE  COMBAT 
— for  which  I  personally  wrote  the  scenarios  or  adaptations. 
Every  one — the  public  and  exhibitors  alike — are  looking  to 
you  to  carry  on — as  you  have  for 

TWENTY  YEARS 


EDWARD  J.  MONTAGNE, 

Supervising  Edttot 


20  tk 

ANNIVERSARy 


c;^ 


//ii/ii//i\\\\\\\^\ 


162 


4 


t 


m 


■tf 


i  -i- 

111 
1  ♦ 


Carl 
Laemmle 

TAe  Amiable  Father  of  the  Films 
And  the  Beloved  Universal  Uncle 

r 
Curtis  Benton 

Originals     :     Adaptations 
Continuities 


Author  of 


(( 


CONSCIENCE" 


"SPORTING  LIFE" 

Universal 

"COHANS  AND  KELLYS" 

In     Collaboration  « 

"WHITE  HEAT" 

Metro-Goldwyn 

"THE  UNINVITED  GUEST" 

Metro-Technicolor 


(Universal's  "WOW"  Three-Reeler  in 
1914) 


''MIGHTY  LAK  A  ROSE" 

First     National 

"IT  IS  THE  LAW" 

Wm .     Fox 

"FREIGHT  PREPAID" 

Fatty     Arbuckle 

"HALF-A-DOLLAR  BILL" 

Metro 


(  ( 


IN    PRODUCTION 

THE  ROCKY  MOUNTAIN  FLYER" 

Universal     Super-Jewel 

Undet  Exclusive  Service  Contract  With  Universa/x.  ..-i  /^t  y  :-     b 


qp 


If)?, 


Mr.  CARL  LAEMMLE  - 

Universal  -  Pictures  -  Corp.  - 

730  -  5th  -  Avenue  - 

New  -  York  -  City  - 

DEAR  -  MR.-  LAEMMLE  - 

I  -  respectfully  -  report  -  that  - 
Director  -  Public  -  has  -  cast  -  you  -  as  -  the  -  best  - 
loved  -  figure  -  in  -  motion  -  pictures  -  for  -  another 
twenty  -  years, - 

Cordially  — 


HAROLD  -  DODDS 
BILLY  -  GORDON 
BILL  -  MAYBERRY 
ASSISTANTS 


Casting  -  Supervisor  — 
Universal  —  City  —  Cal, 


L  APPROVE  -  HEARTILY 


To  CARL  LAEMMLE 


-♦ 


•    •     • 


\ 


p 

5 


M 


Mi 


Trail-blazer  and  pioneer 
in  the  Empire  of  Dreams  — 

1?    -^    u 

May  the  years  to  come  be 
added  "JEWELS"  in  your 
crown  of  UNIVERSAL  success. 


Harry  Wurtzel 


GUY    COBURN,    Inc. 


ANNIVERSARy 


Y/^""'"'"^' 


Guy  Coburn 


h  * 


164 


1 1 


i 


r 


The  Best  Press  Agent 
On  The  Coast 

Is 


cither  Tom  Reed  or 


EDDIE 
HITCHCOCK 

"rhe  Man  With  A  Load  of  Mischief 


PUBLICITY  DIRECTOR 
Universal  Film  Exchange 

Los  Angeles 
Criterion    Theatre 
Boulevard  Theatre 
Uptown     Theatre 


Louis  J.  Golden 

Managing  Director 

West  Coast  Boulevard  Theatre 


C-J 


M5  Best  Wishes' 


^■ 


V... 


r 


^/--.r- 


j  ;^^  JFof  Anoth^/^         Years 


=5?  ' 


^:   HOBART  HENLEY 


ciljjp 


te 


Illllllllllllllllh 


iilllllllilllllllllllM 


i=i 


OUR  TOKEN  OF  ESTEEM  AND  BEST  WISHES  TO 

CARL  LAEMMLE 


Let  us  continue  to  help  "'cut"  the  way  to  still  higger^ndUttetipk^uhrlv^'^'[-'^^^^ 
The  Editorial  Departmen 


rMENT 


Unlvprsai,West  Coast  Studios 


:  \ 


EDITOR-IN-CHIEF 
MAURICE  PIVAR 


ASS'T  EDITOR-IN-CHIEF 
MARTIN  G.  COHN 
OFFICE  STAFF 
Grace  Johnson  Sam  Timbrell 


WALTER  ANTHONY 


Gilmore  Walker 
Thomas  Pratt 
Raymond  Curtiss 
Harry  Lieb 


Edmond  Hanna 
DeLeon  Anthony 
Alvin  Todd 


TITLE  WRITERS 
GARDNER  BRADFORD 

FILM  EDITORS 

Desmond  O'Brien 
Ted  Kent 
Byron  Robinson 
Thomas  Malloy 


Max  Cohen 


Jack  Kelly 
Daniel  Mandell 
Eleanor  Fried 
Edward  Todd 

ASSISTANT  EDITORS 
Philip  Kahn  Robert  Wayne 

Harold  Tarshis  Jack  Irwin 

Donald  Lindberg  M.  C.  Dewar 

PROJECTIONISTS 
Jean  Havelik  Oliver  Emert 

ART  TITLE  DEPARTMENT 
Harry  Kaufman  John  MacCormack 


JACK  COLLINS 


J.  R.  Rawlins 
Charles  Craft 
Corbett  L.  Joiner 


A.  C.  Schaefer      \ 
Edwin  Meyer       ' 


Lindsay  Thomson 


JIM 


jlllll'iiB 


167 


X 


Sincere  Qood  Wishes  to 


CARL  LAEMMLE 


%  CONSTANTLY    EXTENDED   THROUGH    THE    YEARS    SINCE    I 

—  BOUGHT  MY  FIRST  IMP  RELEASE  "HIAWATHA"— 
—BOUGHT  "THAT  UNIVERSAL  PROGRAM"— INDIANAPOLIS— 

—  OPENED  THE  UNIVERSAL  EXCHANGE— INDIANAPOLIS — 
—OPENED  THE  UNIVERSAL  EXCHANGE— ST.  LOUIS— 
-OPENED  THE  UNIVERSAL  EXCHANGE— KANSAS  CITY— 
—OPENED  THE   UNIVERSAL  EXCHANGE— OKLAHOMA  CITY— 

AND  NOW 
—STARTING  PRODUCTION  "SPANGLES"— UNIVERSAL  JEWEL— 


ARTHUR  F.  BECK 


1 


168 


THREE  CHEERS  FOR  OUR 

"UNCLE   CAKL" 

ON  THE 

20th  ANNIVERSARY  OF  HIS  ENTRANCE  INTO 
THE  MOTION  PICTURE  INDUSTRY 

f''°'"  THE  ELECTRICAL  AND  MECHANICAL  BOYS 
AND  THEIR  CHIEF       -    :^  universal  city,  calif. 

1926 


Arthur  E.   Shadur. 

Joe  Lapis, 

Frank    O.    Graves, 

F.   Artman, 

Phillip  J.   Shuler, 

J.  Ritter, 

R.   Ammons, 

T.   Johnston, 

C.  McFadden,  Sr., 

Frank  Munroe, 

A.  N.  Dubeau, 

H.    Graham, 

V.  Groger, 

H.  Chambers, 

R.  Lacey, 

L.   MacFarlane, 

J.   Moulin, 

Thos,  Valdez, 

H.  L.  Huston, 

M.   Mathieson, 

R.    Cov<;ney, 

A.  Baffert, 

E.  Kirkpatrick, 

F.  Pinhey, 

G.  Merhoff, 

A.    H.   Froelich, 

R.   Saxton, 

W.   Hedgecock, 

E.   Burkhalter, 

E.   W.    Munroe 

W.   Evans, 

T.  C.  Pullins. 

P.   Stith, 

E.  Keiser, 

W.  R.  Munroe, 

E.   Cooley, 

I.   Smith, 

C.  McFadden,  Jr., 

E.  Hobson, 

F.  Dyer, 

R.   Fullerton, 
A.  H.  Harding, 

F.  Feichter, 
W.   Monk, 
J.  Mertes, 

G.  Tobey, 

C.   F.   Johnson, 
C.   Moffatt, 
P.  Nippell, 
H.   Kohler, 
L.  H.   Searle, 
J.   Bellah, 
W.  Wheeler, 
F.  Chaney, 


W.   F.   Hughart, 
J.  Long, 
H.   Sanborne, 
E.   L.   Cannon, 
J.   D.   Brooks, 
C.   Canepa, 
W.   Tonsor, 
C;.  Lundy, 
C.  C.  Stoll, 
H.  W.  Tiedeman, 
R.  V.   Manring, 
T.  Vashkulat, 
Warren    Munroe, 

B.  Graves, 
W.   Lipscomb, 
Al.   Manring, 
E.  Heim, 

C.  Mehlman, 


J.   H.   Putnam, 

E.  Wulsten, 
W.   Ormond, 
L.  Kearns, 
M.  Nippell, 
H.  Todd, 

H.  C.  Moran, 
R.  J.  Thompson, 

F.  Knudtson, 
S.  Mihailoff, 
M.   Dattelbaum, 
J.   McCristal, 
N.  Kurland, 

B.  Carter, 

G.  Morton, 

R.  J.   Pritchard, 

C.  McCarty, 
G.  Oliver, 


T.   S.   Soderberg, 
W.   McPheeters, 
A.   Hall, 
R.  McGaughey, 
Frank  Valdez, 
A.   Barnes, 

A.  Boeckmann, 
J.  Gutekunst, 
H.   Martin, 

G.    E.  'Anderson, 
D.   Johnson, 
H.  Hauser, 

B.  Dyer, 

R.   Mescher, 
J.   Fernandez, 
R.  Lindsay, 
M.   Starkman, 
W.  R.  Gruel, 


E.  Cunningham, 
L.   Malak, 

N.  Goodman, 

C.   A.   Cooper, 

A.   MuUer, 

C.   Hullmrd, 

M.  Woods, 

A.  E.  Boeckman, 

J.   C.  Franklin, 

F.  G.  Monroe, 
E.  Blore, 

J.  N.  Kennedy, 
W.   Dickinson, 
T.    Evans, 
S.  D.  Tenny, 
A.   Serbin, 
C.  Meyers, 
L.   E.   Gregory, 
C.  Blacke. 


169 


^■■^^ 


is^i; 


w 


X! 


f 


•  •  • 


Iti 


Cy  : 


3^N.- 


¥\ 


,  Sincere  St  Congratulations 


[/i  ^/--      '^  -j:4( 


"V^l 


/O 


._•' ^.  >; 


MR:  LAEMMLE 

LAURA  LA  PLANTE 


'.\<: 


/  Salute   You 

Mr.  Laemmle 

on  Your  Twentieth  Anniversary 

This  is  one  thing  on  which  Vvzv  not  'lost  out  to  sea' 

So  Here's  To 

Your  Greater  Success 


REGINALD  DENNY 


ANNIVERSARy 


""""^'"■"■i 


I 


I 


u 


111 
I?? 


■I 


im 


_ 


•    • 


■f 


WENTY  years  ago,  Mr.  CARL  LAEMMLE, 

.  you  began  your  career  in  the  motion  picture  industry 
as  one  of  the  few  far-seeing  doers  and  believers  among 
those  pioneers.  Today  you  are  beginning  your  next 
"twenty*' — still  a  leader!  You  have  made  "Universal** 
the  trademark  of  the  finest  in  screen  entertainment- 
You  have  my  sincerest  admiration  and  respect,  and 
my  heartiest  congratulations  on  YOUR  TWENTIETH 

ANNIVERSARY. 

Wm.  A.  Seiter 

P.  S. — //  will  cheer  you  up  to  k^ow  that  the  first  twenty 
years  are  the  hardest  I 


'{llllilUiWM 


20tk 

ANNIVERSARy 


I 


•    •     - 


171 


CARL  LAEMMLE       i 


ff^ith  heartfelt  congratulations  and 
keen  appreciation  of  his  kindness, 

from 

C ARM  EL  MYERS 


I 


Twentieth  Anniversary 
Greetings 

Lefs 
Give  Three  Cheers 


For  Our 


and 


Brother  ZION 


Carl  Laemmle 

VIRGINIA  VALLI 


A,. 


To 


1:0 


Carl  Laemmle         "Uncle  Carl" 


^^^^^^S9iie 


AN 
APPRECIATION 


! 


Nanie  Reis 

sa'^s  you've  the  biggest  heart 

of  any  man  she  knows — 

and  we  know  it's  true 


(rasfiQlse^ 


JACQUES   JACCARD  I  ^^^INA  and  GRETTA 

Diream  DOYLE 


20  ^^ 

ANMIVERSARy 


3 


\ 


ilk   - 


* !  ^ 


m 


i 
i 


I     I 

u 

U.. 

m 


\i 


I 


X  '  X 


I  ••.''••  X 

:^  : 
U  T  «f 


PFishing 
CARL  LAEMMLE 

Health  and  Happiness 

Always— 

Jack  Ford  and  Harry  Carey 


W  w  w 


i 


^  I  yi, 


} 


/- 


Qreetings  to 


M}'  Beloved  Chief 

Carl  Laemmle 

The  Best  Boss  and  the  Best  Friend 
1  ever  had 


Congratulations  to 

Mr.  Laemmle 

on  your 

Twentieth  Anniversary 

from 

Marion  Jackson 


riUCjii     riC)rrM.AN  1  Onginals,  Adaptations  and  Continuities 


Cp 


•   • 


To  Carl  Laemmle 

IN  APPRECIATION    FOR  THE   CREATION   OF 

UNIVERSAL  CITY 

20  years  ago 


The  wonderful  film  industry  of  Holly- 
wood is  due  to  his  energy  and  courage. 

His  efforts  for  clean-artistic  productions 
are  recognized  by  the  Citizens  of  Los 
Angeles. 


Congratulations 


TO 


Mr.  CARL  LAEMMLE 

ON  HIS 

Twentieth  Anniversary 


MAX  MEYBERG  COMPANY   I 


1 

I  from 

j     ASTON    MOTION    PICTURE    TITLE    CO 

I 


Distributors  of  Westinghouse  Lamps 


I 


NEW  address: 

3823  Lankershim  Boulevard,  Universal  Citjr 

Phone  Lankershim  403 


ANNIVERSARy 


171 


■ii 


*f* 


:  ti? 


i 


a 


'zyi^nniversary    Greetings 

to 

Carl    Laemmle 

The  man  who  does  hig  things  in  a  big  way^"* 


UNIVERSAL  picked  a  FAGEOL  TRUCK  for  their  6,000  mile  cross-country 
tour.  Result:  Not  one  cent  for  repairs.  An  uninterrupted  trip,  a  credit  to 
Universal  and  to  FAGEOE  MOTORS. 


Fageol  Safety.  Coaches 


Fageol  Compound  Trucks 


FAGEOL  MOTORS  COMPANY 

OAKLAND  CALIFORNIA 


X 


i' 


•    •     • 


m 


rki 


W 


U  \t  \i 


9  £- 


•      ;    ,  • 


p.Clf.C  CO.SI  STUDIOS 


„      u-      ^cseier,  President 

l,y   deer  ».r  •   a^-'«'i«''  = 

„,•   rv    pxeasent   and 

^P.catatlo   experlen  ^^^^^^,,,,    "Perch 

i,  Vtchell  and   tne  r-i 

^ry»  .,„  has   been 

,,r<i  01-    tne    Photograpny  f  %,<,^„<i  that 
Tne   standard  01        ^^^tion.   I   'y^.^ver. 
,,erveUous  and  V  ^^g,,endous   time 
^ne  lAtcneU   la  enthus^.s 

-^^^rinind^r:^:^^"- ^^^-^^"' 

loin  nlm  in  «■'" 


Sincerely,  yo"'-»' 


E.  R.  Spellman 

wishes  you 
CONTINUED  SUCCESS 

Mr.  Carl  Laemmle 


•8? 


Spellman  Desk  Company 

6159  Santa  Monica  Blvd. 
Hollywood,  Calif. 


»-o-^^<>^^o« 


Samuel  C.  Shine 

GREETS  YOU 

Mr.  CARL  LAEMMLE 

ON  YOUR 

TWENTIETH  ANNIVERSARY 

IN  MOTION  PICTURES 


ON  SERVICE  WITH  SERVICE  TRUCKS 


GENERAL  TRUCKING 

Ph.  Ho.  2672 

6568  Santa  Monica  Blvd.,  Hollywood 


ANNIVERSARY 


_  '///^""''■''^''WWi 

176 

>    * 


1 


m 


:a^ 


^ 


1 


CARL  LAEMMLE^S 

Twentieth  Anniversary 

— JVot  only  twenty  years  devoted  to  the 
discovery  and  exploitation  of  stars 

— But  also  twenty  years  of  square  deal- 
ing in  the  development  of  the  Screen 
as  a  respected  industry. 

Congratulations,  Uncle  Carl  I 

front 

GRANT  E.  DOLGE 


and  his  exclusively  managed  artists 

Henry  B.  Walthall 

Charles  Emmett  Mack 
Chester  Conklin  Kate  Price 

Harland  Tucker  Laska  Winter 


Claire  Adams 

Mack  Swain 
Ethel  Wales 


Director,  Ralph  Ince 


904  GUARANTY  BLDG. 
HOLLYWOOD 


OR.  4308 
GL.  6806 


*^* 


! 


n 


iWi 

if! 

ill 


177 


cijjp 


i 


li* 


Mi 


ill 


1 


7k/y  Sincerest  Congratulations 


to  you 

Mr.  LAEMMLE 

o;^  your 

Twentieth  Anniversary 


••o-^M@^ 


GEORGE  A.  SIEGMANN 


i»>>'^*'"^B*'<>4H^<>-^i*-')-4H*-(  >-«i*-(>'^»-0'^^0'^^0'^^  0'4^»'a'^l»0-«H»-0-«a»  O-^M' I  >-^^(>« 


»()  ^^o-^^o  ^^o-« 


»( )'^^(>-^^M  >'^^<)'^i»0-^^()-^l»()'^^(>-^a»(  >'^^M)-« 


HARRY   M.  LICHTIG 
BEN  A.  ENGLANDER 

say 


"A  long  life  to  Carl  Laemmle'' 


ANNIVERSARy 


178 


qjp 


f 


iwi 


iM 


■4^ 


4r 


:  tl? 


^  T  0) 


i  I 

ili 


THEIPROPERTY  DEPARTMENT  GREETS  YOU 

MR.    LAEMMLE 

ON  YOUR 

Twentieth  Anniversary 


HARRY  GRUNDSTROM 

PAUL  KAMP 

WALLIE  KIRKPATRICK 

J.  VALE 

WM.  DAVIDSON 

H.  D.   GLADDEN 

WM.  LARABY 

WM.  LOW 

M.  HEITEL 


R.  A.  Gausman 

ERIC  WILKINSON 

LYNN   SUTTON 

HUGH  HEINDL 

J.   CHALLSTROM 

E.  SMITH 

J.  HINDS 

M.  CICHY 

T.   KELLY 

V.  WAHLGEMUTH 


LESTER  HYDEMAN 
R.  D.   SMITH 
HARRY  LONSDALE 
T.  OFFENBECKER 
FRED  FRANKS 
J.  SEALY 
MRS.  H.  DODGE 
C.   W.   ANDREWS 
AL.  THAYER 


To  Carl  Laemmle: 


At  the  end  of  twenty  TEA RS  you  are 
the  greatest  figure  in  motion  pictures  — 


But 


Every  twenty  HOURS  I  make  a  picture. 


Wu   W 


If 


iwi 

m 


lii 


ill 


179 


•     •    • 


i 


»    " 


To  Carl  Laemmle: 

On  the  Twentieth  Anniversary  of  his  entrance 
into  the  Motion  Pidure  World  which  his  en- 
ergy has  Simulated,  his  wisdom  has  promoted, 
his  integrity  has  inspired  and  his  charader  has 
adorned  —  to  Carl  Laemmle,  a  gentleman  by 
the  grace  of  God. 


WALTER  L.  STERN 

BUSINESS  MANAGER 

Pacific  Coast  Studios  Universal  Pictures  Corporation 


►I  >'^^  I  >-^^i  >-«i»'<  }•« 


^O^^O-^^O'^^O^^O^M^O'^^O* 


»'(>^^0^i»'04 


•■<  >'^^n'^^(  >«B»0'«^)^^( A 


Congratulations  to 

MR.  LAEMMLE 

0/?  your 
Twentieth  Anniversary 

r 

FROM 

Edith  Roberts 


Kindest  Reagrds 
And  Si  nee  re  St 
Congratulations 


to 


Carl  Laemmle 


FROM 

Blanche  Mehaffey 


hjJHAty^s.K\yy^ 


ANNIVERSARy 


^J|^J2J^^^^M 


180 


\  \3ik  Si 
w  ^  y 


if 


m 


^ 


i 


4> 


m 


i 


m 


A_A 


ill 


4 

A 


4 

1 


c^N^. 


M}'  Sincerest  Congratulations 
To  You 

MR.  LAEMMLE 

On  Your 

Twentieth  Anniversary 
WARNER  OLAND 


a 


Best  Wishes" 

— Viola  Foster 


»()'^^<)-^^(  t-^^i )'« 


»i  i«i» ;  I4^»  (>  ^^»  < )  ^^»  I  )^^»(  >  «i^O^V  ^^«  ^i*4  i^H^O^^^f  H 


•(>«^f  i-^»-<>-«^<  >^^(  )4 


Congratulations  Mr.  Laemmle  "j" 

on  your  Twentieth  Anniversary   j     Congratulations 


To  Yc 


ou 


from  Gertrude  Astor 


MR.  LAEMMLE 

On   Tour  Twentieth 
Anniversary 

White  Pine  Lumber  Co. 

GUS  LUELLWITZ.  President 

3430  South   Grand  Avenue  Los  Angeles 

HUmbolt  6060-1782 

Supplying  the  foremost  studios  on  the  Coast 


V 


AMNIVERSARy 


1 


•  •  • 


i 


r' 


1  $  I 


Oi 


^ 


i 

A. 


i 


qp 


•   •  • 


iWi 


^ 


yu 


lb 


Partners  in  Progress  Through  The 

Changing  Tears 


Carl  Laemmle 

and 

Independence 

are 

Synonymous 


GREATER  AMUSEMENTS  and 
CARL  LAEMMLE  have  been 
friends  for  the  last  eleven  years.  Since 
its  inception  Greater  Amusements 
has  commended  the  principles  and 
policies  which  have  enabled  the  able 
Universal  Leader  to  reach  his  pre- 
sent high  pinnacle  in  the  industry's 
hall  of  fame.  Side  by  side  we  have 
progressed  and  the  friendship  [has 
been  cemented  by  strong  adherence 
to  the  ideals  which  have  guided  the 
development  of  both;  and  so  it  is  as 
pioneer  to  pioneer  and  friend  to 
friend  that  Greater  Amusements  ex- 
tends its  congratulations  to  you,  Carl 
Laemmle,  on  the  occasion  of  your 
Twentieth  Anniversary  with  the 
wish  that  this"]  treasured  friendship 
may  be  perpetual 

GREATER  AMUSEMENTS 

America 's  Foremost  Motion  Picture  Regional  Trade  Journal 


ANNIVERSARy 


182 


cp 


4i 


ill 


Jl 


i 

L 


Mb 


Mi 


ill 

w 


Greetings 


to 


CARL  LAEMMLE 


A  pioneer  and  leader  whom  the 
Motion  Picture  Industry  honors ! 
Congratulations  on  the  record  that 
he  has  established  during  his  twenty 
years  in  business. 

And  to  this,  we  add  our  thanks 

for  Carl  Laemmle  is  the  man 

responsible  for  our  being  in 

the  motion  picture  industry. 

May  he  live  and  prosper  exceedingly 

to  celebrate  many  more  anniversaries ! 

Anna  Aiken  Patterson,  Fuhlisher 

WEEKLY  FILM  REVIEW 

ATLANTA    ::    QEORQIA 


20t/i 

ANNIVERSARy 


qjjp 


w  u  w 


r 


iwi 


« 


i  ^ 


and  It  gives  us  a 
great  deal  of  real 
pleasure  to  kno^r 
*we  played  a  part 
In  aiding  you  to 
achieve  your  suc- 


We   Congratulate  You 

Mr.  LAEMMLE 


on  your 

TWENTY  YEARS 


of  Progresssion 

and  -wish  you 


CONTINUED 
SUCCESS 


.!"9wj„r 


J««u, 


lary  4 


^926 


MOVIE  AGE 

Cohering  Nebraska,  Iowa  and  South  Dakota 

414  So.  13th  Street 
Omaha  Nebraska 


184 


k.^ 


THE 


inday,  February  28,  1926 


-.gEg»*£ 


DAILY 


185 


"The  Far  Cry" 

First  National 

ifORY  IS  NOT  VERY  STRONG 
BUT  DRESSY  PRODUCTION 
AND  SOMETHING  BRAND 
NEW  IN  THE  WAY  OF  A 
JAZZ  PARTY.  RUNS  LONG 
FOR  MATERIAL  OF  THIS 
KIND. 

tist. ..  .Blanche   Sweet   attractive   as 
the      millionaire's      daughter      who 
busies  herself  with  Paris  flirtations, 
lack  Mulhall,  the  Yankee  artist  who 
loves   her   and   John    Sainpolis,   the 
moneyed    Frenchman    with    an    eye 
on    Blanche.      Myrtle   Stedman  and 
Hobart  Bosworth  not  important  as 
ihe   father  and   mother   of    Blanche 
and    William    Austin   an   effeminate 
.little  playmate  for  Myrtle.     Others 
JLeo  White,  JuHa  S'wayne   Gordon. 
>/pe  of  Story. ..  .Romance;   adapted 
from    Arthur   Richman's   play.    Bal- 
boni,  who  makes  his  directorial  de- 
hut    with    "The    Far    Cry,"    didn't 
have   much   to   go   to   work  on   but 
he    courageously    decided    that    he 
iwould    make    something   of    it    and 
Iso    you    have    a    picture    with    little 
story,    dressy    settings,    a    modern 
jazz  party  in  the  form  of  a  Caesar- 
ian orgy  (done  in  a  conglomeration 
of  color)  and  some  comedy  that  is 
forced  in.     The  result  is  much  ado 
about  nothing — or  practically  noth- 
ing.     Claire    Marsh    squanders    her 
father's    money    on    Paris    divorces 
and     Mrs.     Marsh    amuses    herself 
with   the    ladylike    Erick   Lancefield 
who  parks  in  her  boudoir  while  she 
has   her    face    lifted   and   her   corns 
pared.      Claire    falls    in    love    with 
Dick    Clayton,    artist,    but    Dick's 
mother   intervenes    and   it   is   called 
off,     Claire  follows  Dick  to  Venice, 
however,    and    everything    is    rosy 
until  Dick's  jealousy  of  Count  Stu- 
rani    drives    Claire    back    to    Paris. 
The   Count   follows  and   stages   the 
Roman  fete  in  Claire's  honor.     The 
guests   wear   Roman   costumes,   the 
setting  is  after  the  fashion  of  Caesar 
and     negro      waiters      serve     huge 
chunks    of    beef    on    long    daggers. 
Oh,  it's  a  Roman  orgy  all  right  and 
sets    the    stage    for    a    thrilling    re- 
union   of    the    lovers.      The    drapes 
catch    fire,    hero    rushes    in — clinch. 
The  color  sequence  is  rather  attrac- 
tive but  the  set  is  so  elaborate  and 
so  crowded  that  the  colors  are  lost 
in   the   confusion. 

lox  Office  Angle Average  num- 
ber. May  have  a  little  difficulty 
holding  them  at  the  start  but 
should   send   them   out   satisfied. 

ixploitation A   trailer    of   the 

Roman  fete  may  easily  interest  your 
folks  and  you  can  use  Blanche 
Sweet's  name  in  your  announce- 
ments. The  title  isn't  very  strong 
so  you  will  have  to  work  it  up  with 
catchlines  and  other  stunts  to  get 
it  over.  Trailer  is  probably  the  best 
bet  on  this  one. 

Jirection Balboni ;  fair 

Author    Arthur    Richman 

Jcenario  Katherine  Kavanaugh 

ii^meraman John  Boyle 

Photography   All  right 

:^cale    Venice-Paris 

Length 6.868  feet 


"Hearts  and  Fists" 

Prod.:  H.  C.  Weaver 
Dist.:  Associated  Exhibitors 
LUMBER  CAMP  YARN  WITH 
ACCOMPANYING  ACTION 
AND  SOME  GOOD  CLIMAX 
SUSPENSE.  STORY  TRITE 
BUT  WELL  SUSTAINED  IN- 
TEREST A  GOOD  ASSET. 

Cast John  Bowers  the  likable, 

curly-haired  lumberjack  whose  op- 
timism and  whole-heartedness 
make  his  performance  interesting. 
Marguerite  De  La  Motte,  pleasing 
as  his  sweetheart  and  Alan  Hale 
good  as  the  villain  who  doesn't 
overdo  the  part,  which  is  a  rare  ex- 
ception. Dan  Mason  an  amusing 
old  codger.  Jack  Curtis  especi- 
ally well  suited  as  the  burly  lum- 
berjack.    Others  not  important. 

Ts^pe  of  Story. . .  .Dramatic  romance; 
from  a  magazine  story  by  Clar- 
ence Budington  Kelland.  With  a 
story  that  makes  no  pretense  of 
disguising  its  familiarity,  Director 
Lloyd  Ingraham  has  done  a  pretty 
good  job.  He  has  injected  a  wealth 
of  fme  lumber  camp  atmosphere 
iind  detail  with  the  accompanying 
action  and  thrills  and  woven  in  the 
ronantic  thread  without  breaking 
in  on  the  main  plot.  The  story 
winds  up  in  a  first  rate  climax 
that  carries  plenty  of  good  sus- 
pense of  the  last  minute  variety. 
The  rush  to  get  the  logs  down  in 
time  and  hero's  battle  against  odds, 
with  villain  doing  his  best  to  pre- 
vent the  completion  of  hero's  deal 
and  h;s  efTorts  to  win  hero's  sweet- 
heart, all  goes  toward  good  action. 
Story:  Hero  Larry  Pond's  father 
dies  leaving  his  lumber  business  in 
dire  straits.  Tolly,  a  local  com- 
petitor, plans  to  get  control  of  the 
Fond  concern  and  blocks  all  efforts 
of  Larry  to  secure  loans.  Tolly 
ali-o  manages  to  engage  himself  to 
Alexia,  Larry's  childhood  sweet- 
heart. The  girl  eventually  realizes 
that  Tolly  is  not  on  the  level  and 
through  her,  Larry  secures  funds  to 
put  his  plant  in  operation.  The 
remainder  of  the  plot  is  the  fight 
between  Larry  and  Tolly  with 
Larry  eventually  successful  in  put- 
ting his  business  back  on  its  feet 
and  winning  Alexia. 

Box    Office    Angle Good    average 

entertainment  that  will  no  doubt 
please  the  usual  crowd,  especially 
the   tvpical   fan   crowd. 

Exploitation John   Bowers  does  a 

lot  to  make  this  interesting.  You 
might  concentrate  on  his  perfor- 
mance as  the  happy-go-lucky  lum- 
beriack  who  won  in  spite  of  all  ob- 
stacles. The  fan  crowd  will  no 
doubt  know  that  Bowers  and  Mar- 
guerite De  La  Motte  were  married 
recently  so  you  can  count  on  bring- 
ing them  in  if  you  play  up  both 
names. 
Direction  ....  I^loyd  Ingraham;  good 

Author Clarence  Budington 

Kelland 

Scenario  Abe  Schultz 

Cameraman    Not   credited 

Photography    Good 

Locale   Lumber  camp 

Length 5,438  feet 


"Dancing  Mothers" 

Paramount 
ANOTHER  SLANT  ON  THE 
MODERN  GIRL.  NOTHING 
VERY  NEW  IN  THE  STORY 
BUT  HERBERT  BRENON'S 
DIRECTION,  WITH  ALICE 
JOYCE  AND  CLARA  BOW  IN 
THE  CAST  MAKE  IT  ABSORB- 
ING. 

Cast Alice   Joyce    delightfully 

pleasing  and  there  are  innumerable 
lovely  shots  of  her  although  she  is 
"close-upped"    a    trifle    too    much. 
Clara    Bow   a    devilish    little    piece 
but    she    gives    a    corking    perfor- 
mance.    Conway  Tearle,  as   usual, 
takes  himself  too  seriously.    Other- 
wise   does    good    work.      Norman 
Trevor  suitable  as  Alice's  husband 
and    ethers    Donald    Keith,    Elsie 
Lawson,  Dorothy  Cumming.     Inci- 
dentally Dorothy  Cumming  should 
get  somewhere  if  she  ever  gets  the 
right  opportunity. 
Type    of    Story. ..  .Domestic    drama; 
adapted  from  Edgar  Selwyn's    and 
Edmund  Goulding's  play  of  the  same 
name.     The  old  triangle  has  given 
way  to  the  latest  in  domestic  prob- 
lem plays  and  you  have  the  quad- 
rangle.   The  newcomer  is  the  mod- 
ern daughter  and  besides  having  a 
husband    who     "steps    out,"     poor 
Ethel    Westcourt    has    a    daughter 
who   is   a   "chip   of   the   old   block." 
The  idea  isn'i  new  nor  is  the  manner 
in  which   Ethel  solves  the  problem 
entirely  original  but  Herbert  Bren- 
on  has   so  deftly  directed  this   that 
it    quite    overcomes    its    own    weak 
spots  in  interesting  bits  that  make 
it  a   good   proposition  for   the   ma- 
jority    of     entertainment     seekers. 
Alice    Joyce    is    lovely.      Her    per- 
sonality  and   easy   grace   command 
your  attention  at  all  times  and  Clara 
Bow's  cute  naughtiness  holds,  too. 
There  is   the  usual   round  of  night 
clubs  of  unique  design  and  a  liberal 
display    of    jazz    atmosphere    while 
Dad  and  daughter  make  merry  and 
then   when   Alice  decides  to  shake 
ofT  her  old   fashioned  notions   and 
enjoy  life  there  is  more  in  the  way 
of    jazz.      Alice    pulls    the    mother 
sacrifice     idea     by     vamping     her 
daughter's   suitor   and    losing   both 
husband  and   daughter  as  a   result. 
In  the  end  they  beg  her  to   come 
back   and    you   are    left    to    believe 
that  perhaps  she  will. 
Box    Office   Angle Sort   of   atmo- 
sphere   that    will    appeal    to    many 
and  the  story  has  been  so  capably 
handled    that    it    is    likely    to    hold. 
Exploitation. ..  .In   showing  the   pic- 
ture   the    Rivoli    requested    patrons 
to  fill  in  the  blank  on  the  program 
stating   whether   or   not   they   liked 
the    uncertain    ending    or    if    they 
would   rather  have  had  the  family 
reunited.      A    good    stunt    and    it 
might  pay  you  to  work  it  out  this 
way,  too.     Plenty  of  talking  points 
especiajly  work  of  Alice  Joyce  and 
Clara    Bow,    plus    Brenon's    direc- 
tion. 
Direction. . .  .Herbert    Brenon;    very 
good. 

Authors Edgar    Selwyn — Edmund 

Goulding. 

Scenario    Forrest  Halsey 

Cameraman  J.  Roy  Hunt 

Photography    Excellent 

Locale   N.  Y. 

Length  7,169  feet 


"Mare  Nostrum" 

Metro-Goldwyn 

INGRAM'S  USUAL  ARTISTRY 
IN  PRODUCTION  AND  HAND- 
LING OF  STORY.  THEME 
NOT  ONE  OF  UNIVERSAL 
APPEAL  AND  TRAGEDY  OF 
HEROINE'S  EXECUTION 
SHOULD  BE  SHORTENED. 

Cast.  ..  .Alice  Terry  lovely  and  very 
beautiful  in  many  splendid  close- 
ups.  Still  a  little  cold  but  her  love 
scenes  with  Antonio  Moreno  are 
not  under  the  same  influence.  Mor- 
eno's performance  excellent.  Mich- 
ael Brantford  a  capable  and  likable 
youngster.  Hughie  Mack  a  Sen- 
nett  sort  of  comedian  who  depends 
on  his  bulk  to  register  the  laughs. 
Others  all  foreign  players,  good 
types  but  no  outstanding  perfor- 
mances, except  that  of  Mme.  Pa- 
c|ueretle  as  Doctor  I'edelmann,  who 
is   first   rate   as  the   spy  ringleader. 

Type   of  Story Tragedy;   from 

Blasco     Iljanez'    novel.       As    might 
be    expected,    "Mare    Nostrum"    is 
another  exposition  of  Rex  Ingram's 
masterful  directorial  genius  and  his 
ability   to   do   the   unusual   is   again 
portrayed   in  his   stirring  picturiza- 
tion  of  the  Ibanez  sea  story,  a  war 
tragedy    that    allows    for    a    wealth 
of     atmosphere     and     action     and 
builds  to  great  heights  its  romantic 
element.    The  picture,  made  abroad, 
has     a     wealth     of    colorful     back- 
grounds which  make  for  added  in- 
terest.    Only  at  times  it  seems  as 
though   Ingram   has   gone   in   a   bit 
for  travelogue  views — when  he  has 
the    hero    and    heroine    meeting    in 
various  historic  spots.     The  devel- 
opment is   smooth,   the  action  well 
timed  and  even  though  the  comedy 
antics  of  Hughie  Mack  are  obvious- 
ly   forced    in    for    relief,    they    are 
well  registered.     The  stark  tragedy 
in   the  death   of  the  heroine   is   the 
regrettable  incident  of  the  picture. 
To  stand  the  heroine  against  a  fir- 
ing  squad,    to    show    the   execution 
and  to   flash  a  shot  of  the  waiting 
wagon  and  its  casket  is  piling  real- 
ism  on    too   thick.      To    be    sure   it 
braves  conventions  and  is  far  from 
the    sugar-coated    end'"-    that    the 
searchers  for  realism   so  often  flay 
but  it   is   unpleasant.     Hero  dies   a 
martyr    to    the    U-boat    and    for    a 
finale    you    see    the    souls   of    hero 
and    heroine    meeting   under    sea. 
3ox  Office  Angle Will  undoubted- 
ly draw  through   the  power  of  In- 
gram's  name   but   title   is   not   well 
suited    for    .general    box    oflicc    pur- 
jioses. 
Exploitation. . .  .Again  the  trailer  is  a 
good  bet  and,  of  course,  you  have 
plenty  to  talk  about  in  the  author's 
name,    Ingram's   foreign-made   pro- 
duction,   historic    locations,    beauti- 
ful   views,    excellent    performances 
of  Moreno  and  Terry  and  stills  of 
beth  for   lobby  and   newspaper  ad- 
vertising.     Enough   to   talk  about; 
the  rest  is  up  to  you. 
Direction. ..  .Rex    Ingram;    splendid, 
as  usual. 

Author    Blasco   Ibanez 

Scenario    Willis   Goldbeck 

Cameraman John  F.  Seitz 

Photography    Excellent 

Locale    Italy-Spain-Francc 

Length    10,050    feet 


Greetings,  Mr.  Laemmle 


In  this  hurly-burly  American 
life  of  ours  twenty  years  is  a 
long  career  in  any  business. 
Especially  so  is  it  in  the 
motion  picture  industry, 
where  everything  seems  to  be 
a  sort  of  the  will  o'  the  wisp 

and  daily  change  is  the  com- 
mon thing.  So  we  feel  it  an 
honor  to  congratulate  you 
upon  the  fifth  of  the  century 
of  consistent  progress  and 
successful  accomplishment 
as  an  exhibitor  since  the 
pioneer  days. 


tit 


Fraternally  yours y 


REELAND  REVIEWS 


ANNIVERSARy 


y/<y/;;A\>v>^^y 


186 


Sunday,  February  28,  1926 


OMur 


187 


"Fifth  Avenue" 

Prod.:  A.  H.  Sebastian 
Dist.:  Producers  Dist.  Corp. 

,juld  have  been  a  pleas- 

NG  LITTLE  COMEDY  RO- 
MANCE BUT  THE  OLD 
STRUGGLE  OF  A  LITTLE 
3IRL  IN  A  BIG  CITY  TAKES 
DN  SOME  UNNECESSARILY 
DISTASTEFUL  TURNS. 

St Marguerite  De  La  Motte  the 

nnocent  young  thing  from  the 
^outh.  Makes  the  most  of  the 
ole  and  Allan  Forrest  is  likable 
IS  her  sweetheart.  Louise  Dresser 
las  the  rather  obnoxious  character 
li  a  disorderly  house  proprietress. 
^Villiam  V.  Mong  a  mild  sort  of 
Jaredcvil  old  fogey.  Crauford  Kent 
jne  of  the  "birds  of  prey."  Others 
lot  important. 

.'ve  of  Story Dramatic  romance; 

uiggested  by  Arthur  Stringer's 
Saturday  Evening  Post  Story. 
Fifth  Avenue"  could  really  have 
jeen  developed  into  a  pleasing 
enough,  thus  not  auspicious,  little 
-(.mance  with  a  comedy  angle  suf- 
ficient to  keep  it  interesting  and 
imusing  in  turn.  But  intsead  of 
kicking  to  the  even  more  conven- 
ional  alternative  they  have  drag- 
,'ed  in  considerable  distasteful  busi- 
less  that  may  damage  its  appeal 
or  family  trade.  The  heroine 
ming  to  New  York  to  make  a 
me  for  herself  as  a  designer  of 
wns,  meets  Mrs.  Kemp,  a  busi- 
;•  ss  woman,  on  the  train  and  is  in- 
stalled in  the  Kemp  home  until  she 
;ets  settled.  By  very  obnoxious 
•neans  and  methods  you  are  given 
;r  understand  that  Mrs.  Kemp's 
business"  is  supplying  young  girl 
lompanions  for  rich  butter  and  egg 
nen.  "One  "sugar  baby"  appears 
3n  the  scene  wearing  a  gorgeous 
:ur  wrap  and  the  title:  "I  wore  it 
lome  for  fear  he  might  change  his 
mind"— speaks  for  itself.  Of  course 
the  very  good  heroine  escapes  an 
ignominious  fate  and  finds  refuge 
n  the  arms  of  a  rich  young  man 
who  pretends  he  is  poor.  The  poor 
?al  is  in  for  more  hard  luck  when 
the  lad's  uncle  explains  that  she 
had  been  his  companion  in  Mrs. 
Kemp's  home.  Fortunately  hero 
won't  believe  anythmg  wrong  about 
Barbara  and  even  Mrs.  Kemp  has 
a  change  of  heart,  proves  the  girl 
innocent  of  all  wrong  doing  and  be- 
comes conscious  stricken  for  her 
own  past.  Hero  and  Barbara  do 
the  usual  clinch  exit. 

)x  Office  Ani?le All  depends  on 

patronj'.ge  you  cater  to.  A  pity 
they  dragged  in  these  unsavory  bits. 
They  might  have  gotten  around 
them  in  a  less  offensive  manner. 

Kploitation A  good  title,  good 

cast  and  no  doubt  enough  talking 
points  to  bring  them  in.  Unless 
atmosphere  of  certain  sequences 
can  be  toned  down,  though,  you 
cannot  present  this  to  discriminat- 
ing family  trade. 

irection Robert  G.  Vignola ; 

should  have  avoided  unpleasantries. 

uthor Arthur  Stringer 

lenario    Anthony    Coldewey 

uneraroan   Jas.   C.   Van  Trees 

notography    Good 

Jcale N.  Y. 

sagth 5,503  feet 


"The  Traffic  Cop" 

Film  Booking  Offices 

COMEDY-ROMANCE  COMBINA- 
TION THAT  DOESN'T  BLEND 
WELL  BUT  HAS  LAUGHS 
EVEN  THOUGH  THEY  DO 
INTERRUPT  THE  ROMANCE. 

Star. ..  .Makes  a  handsome  cop  and 
has  a  first  rate  role  that  he  does 
very  well.  Not  much  of  the  com- 
edy comes  his  way  but  he  takes 
good  care  of  the  romantic  part  of 
it. 

Cast Kathleen    Myers    pretty   but 

that  is  about  all.  She  is  the  girl 
Lefty  falls  in  love  with.  James 
Marcus  is  jovial  as  her  father  and 
Adele  Farrington  is  one  of  those 
rich  women  whose  pet  diversion  is 
high  priced  "ailments."  Nigel  Bar- 
rie,  the  fortune  hunter,  and  Ray 
Ripley,  a  French  tutor  who  looks 
like  a  barber.  Little  Jerry  Murphy 
cute. 

Type  of  Story Romantic  comedy; 

adapted    from    Gerald    Beaumont's 
story,  "The  Kitten  and  the  King." 
There   is  comedy  and  there  is  ro- 
mance in  "The  Traffic  Cop,"  but  it 
is   a   toss   up   between   the   two   as 
to  which  one  will  come  out  ahead. 
They   don't   mix  well,    or   at    least 
Harry  Garson  hasn't  improved  on 
a    poor    continuity.      It    is    episodic 
and    in   almost    every    instance    the 
comedy  breaks  in  on  the  romance 
in    irrelevant   fashion.     Those   who 
are    willing    to    take    their    laughs 
now   and   then   may   not   mind  the 
jogging  development.     Some  of  the 
comedy   business   is   first    rate,    es- 
pecially such  bits  as  the  traffic  cop 
collecting  his  Christmas  gifts  while 
on  duty  with  one  man  handmg  him 
a    nicely    wrapped    bottle    of    gm 
which   he   drops  and   quickly   kicks 
under  his  standing  platform.  Some 
of  the   gags  in  and  about   a   sani- 
tarium    where     rich     women     are 
"done  good"  are  amusing.    The  ro- 
mance is  the  usual  affair  of  a  so- 
ciety doting  mother  trying  to  marry 
off    her    daughter    to    a    highbrow 
while  her  husband  favors  the  hap- 
py-go-lucky  traffic   cop   as   a    son- 
in-law.     How  the  mother  is  cured 
of   her   big   league   notions   and   all 
hands  "come  down  to  earth,"  even 
the    mother    doing   away    with    her 
French  tutor  and  accepting  the  cop 
as  the  best  bet. 
Box   Office  Angle.... Average    com- 
edy with  enough  laughs  to  amuse. 
Some    deliberate    looking    boosting 
for  Smith  Bros,  cough  drops,  Coca 
Cola    and    Lux    that    you     might 
watch. 
Exploitation....  Perhaps     you     could 
work  a  deal  with  your  local  traffic 
cops  for  exploiting  the  picture.  Title 
should    be    easy    to   put    over    and 
stills   of    Lefty    Flynn   in   the    uni- 
form will  attract  your  feminine  pat- 
ronage 

Direction Harry  Garson;  fair 

/Author   Gerald  Beaumont 

Scenario.  .  ..Jimmy  Gruen  and  John 
Grey. 

Cameraman    Gilbert   Warrenton 

Photography    Good 

Locale   California 

Length 5.193  feet 


"The  Auction  Block" 

Metro-Goldwyn-Mayer 

A  COMPLETELY  RENOVATED 
EDITION  OF  THE  REX 
BEACH  NOVEL.  EASY  SORT 
OF  COMEDY  THAT  MAY  GET 
OVER  NTCELY  WITH  MANY 
AND  I^jOT  GET  VERY  FAR 
WITH   OTHERS. 

Cast Charles    Ray    comes    from 

Pittsburg,  wears  Broadway  togs, 
and  sports  a  fat  bankroll — which  is 
stepping  entirely  out  of  character 
for  Charlie.  Ray  gets  the  part  over 
well  enout(h  but  it  is  obvious  that 
he  doesn't  find  it  easy  to  overcome 
his  old  tricks  as  the  bashful  coun- 
try boy.  Sally  O'Neill  easily  the 
outstanding  bright  spot.  Far  out- 
shadows  Eleanor  Boardman  who 
has  a  drab,  unattractive  role. 
Others  Ernst  Gillen,  Charles  Clary, 
David  Torrence,  Ned  Sparkes. 

Type  of   Story Comedy.     Hobart 

Henley  probably  used  splendid 
judgment  at  that  when  he  let  "The 
Auction  Block"  go  for  a  slapstick, 
wise-cracking  comedy.  There  is  a 
big  crowd  that  enjoys  the  type  of 
smart  alec  that  Ray  portrays  as  the 
rich  Pittsburger  who  has  free  ac- 
cess to  his  father's  bankroll  and 
alternates  spending  money  and 
spillincf  wise-cracks.  Whoever  did 
the  titling  certainly  put  some  cor- 
kers in  Charlie's  mouth.  All  good 
laughs  for  the  right  crowd.  The 
story  isn't  much  and  at  times  it 
runs  quite  low.  This  is  especially 
the  case  when  the  moral  code  of 
the  South  sends  an  irate  father 
and  brother  gunning  after  Charlie 
because  he  was  out  all  night  with 
Sally.  There  is  real  Sennett  twang 
to  this  sequence,  good  for  a  laugh 
at  first  but  lost  in  the  repetition. 

The  story  concerns  the  elopement 
of  Lory  Knight,  beauty  contest 
winner  from  South  Carolina,  and 
Bob  Wharton,  rich  rounder.  Lory 
walks  out  when  she  finds  a  lot  of 
girls'  pictures  in  Bob's  apartment, 
trails  back  to  South  Carolina  and 
forgets  Bob.  He  decides  to  pass 
up  his  father's  cTtieck  book  and 
make  good.  He  becomes  a  star 
shoe  salesman  and  after  dire  mis- 
fortunes and  complications,  etc. — 
clinch. 

Box  Ofb.ce  Angle If  you  have  the 

right  crowd  for  this  one  you  can 
probably  sell  out  for  each  perform- 
ance.     Good   names   to   use. 

Exploitation Title  may  be  mislead- 
ing if  they  remember  the  picture 
made  in  1917.  But  they  probably 
won't.  Comedy  will  no  doubt  go 
bie  with  many.  You  have  Ray's 
name,  Sally  O'Neill  and  Eleanor 
Boardman  to  boost. 

Direction Hobart  Henley;  prob- 
ably used  material  to  best  advan- 
tage. 

Author   Rex  Beach 

Scenario   Frederic  and  Fanny 

Hatton. 

Cameraman   John  Arnold 

Photography    Good 

Locale Pittsburg-Chicago-S.  C. 

town. 
Length  6.239  feet 


Short  Subjects 

"Colorful    Fashions   from   Paris" 
McCall  Fashion  News 

Educational 
A   Beauty   Eye-filler 
Type  of  production....!  reel  fashion 
display. 

Another  of  the  McCall  Fashion 
series  in  natural  colors  in  which  Hope 
Hampton  will  delight  the  ladies  with 
the  display  of  Parisian  creations.  All 
the  famous  costume  creators  of  Paris 
display  their  latest  styles  through  the 
medium  of  Miss  Hampton's  form  and 
personality.  Every  costume  milady 
wears  from  boudoir  to  street  is  dis- 
played. A  dazzling  array  that  will 
surely  delight  the  feminine  heart 
wherever  screened.  The  coloring  is 
unique  in  that  only  two  tints — red 
and  green — are  employed.  Yet  it 
seems  that  every  shade  in  the  spec- 
trum results  as  one  model  follows  an- 
other in  a  veritable  festival  of  beauty, 
fashion  and  color.  Here  is  a  com- 
plete fashion  show  ready  to  hand — 
for   the  price  of  a   one-reeler. 


"Ko-Ko's  Paradise"— Out-of-the-Ink- 
well— Red  Seal 
Original  and  Clever 
1  ype  of  production....!  reel  cartoon 
Max  Fleischer  seems  to  have  limit- 
less ideas  for  his  clown  born  of  the 
Inkwell.  Here  is  one  of  his  clever- 
est. The  artist  rigs  up  a  miniature 
shooting  gallery,  and  puts  the  clown 
with  his  dog  to  work  holding  the  tar- 
gets. He  accidentally  shoots  them. 
Then  they  are  seen  floating  to  heaven. 
The  dog's  conception  of  heaven  is 
especially  funny.  It  consists  of  Bone 
Street  and  Marrow  Avenue.  And 
these  two  thoroughfares  are  lined 
with  those  two  dog  dainties.  Ko- 
Ko  has  a  lot  of  trouble  manipulating 
his  halo  and  wings.  The  dog  is 
chased  by  a  cop  for  stealing  halos. 
Both  land  up  on  the  back  of  ducks 
swimming  in  a  canal  in  the  outer 
precincts  of  heaven.  Then  comes  a 
clever  surprise  ending.  The  line  of 
swimming  ducks  winds  up  in  the 
shooting  gallery  where  the  picture 
started.  And  Fleischer  opens  his 
eyes  wide  as  his  Ko-Ko  and  the  dog 
come  back  alive  as  ever  where  they 
started.  No  factory  made  cartoon, 
this.  Full  of  originality  and  clever- 
ness. 


Pathe   Review   No.   10— Pathe 

Science  and  Travel 
Type  of  production..!  reel  magazine 
The  process  of  manufacturing  op- 
tical lenses  at  the  Government  plant 
in  Washington  furnishes  novel  and 
instructive  entertainment.  It  takes 
five  days  to  heat  the  furnace  to  the 
necessary  2  597  degrees  Fahrenheit 
before  the  glass  mixture  is  placed  in 
the  clay  pot.  All  the  interesting  steps 
are  shown  till  the  glass  is  finally  pol- 
ished and  ground  into  the  completed 
optical  glass.  The  second  half  of  the 
Review  gives  another  fascinating  in- 
stallment from  the  camera  record  of 
Dr.  Will-am  Beebe's  Arcturus  Ocean- 
ographic  Expedition.  Here  we  see 
the  exploring  party  at  work  in  the 
Galapagos  Islands.  The  scientists  are 
shown  on  board  ship  doing  labora- 
tory work  on  the  specimens  oi  zm- 
mal  life  collected.  Rare  views  of  the 
Conolophus,  a  reptile  resembling  a 
Chinese  dragon  will  prove  exciting  to 


cjp 


•    •   • 


m 


Sincere  Congratulations 


to  you 


Carl  Laemmle 


on  your 


Twentieth  Anniversary 


as  an 


Exhibitor 


ay,  February  28,  1926 


"Hold    Your   Hat"— Mermaid 

Educational 

Thrillaughs 
(C  of  production. . .  .2  reel  comedy 
hrills  and  laughs  combine  nicely 
eature  Al  St.  John  in  an  offering 
ch  has  all  the  ingredients  of  popu- 
appeal.  Al  goes  courting.  The 
,  Virginia  Vance,  has  a  dad  who 
lard  boiled.  The  old  man  and 
ake  to  each  other  like  two  strange 
dogs.  The  comedian  plays  the 
b  lover  with  some  clever  gags 
:  score  nicely.  A  lot  of  slap- 
k  is  introduced,  but  it  is  handled 
a  light  touch  by  director  Ste- 
n  Roberts  and  St.  John.  One 
thful  gag  is  where  Al  stands  out- 
:  the  girl's  home  and  whistles 
der  to  join  him  in  an  elopement, 
each  whistle  a  batch  of  dogs  in 
corners  of  the  town  respond, 
n  the  hero  is  surrounded  by  an 
ly  of  canines  ranging  from  a 
die  to  a  stag  hound.  Finally  Al 
ipes  with  his  sweetheart  in  a  hired 
pursued  by  pa  and  ma  in  the 
lily  flivver.  A  good  chase  sequence 
ows,  and  winds  up  on  the  edge  of 
ancrete  wall  protecting  a  cliff  with 
city  far  beneath.  A  first-rate 
ic   for    that   jaded   audience   appe- 


especially  when  a  member  of  the 
y  sv/ings  the  vicious  looking  ani- 
from  the  ground  by  its  tail.  Un- 
il  birds  such  a  the  albatros  are 
vn.  Here  is  a  finely  balanced  Re- 
i  in  every  way. 


sued  by  the  police,  jumps  into  the 
instrument  while  Puffy's  attention  is 
elsewhere.  Innocently  the  fat  man 
delivers  his  load  in  triumph  to  the 
girl  who  is  entertaining  her  father's 
police  lieutenants.  The  real  fun  comes 
when  Charles  tries  to  play  the  piano 
with  the  convict  inside.  His  eventual 
discovery  makes  the  comedian  the 
hero  of  the  occasion.  Nothing  very 
original,  but  Puffy  scores  all  the 
chuckles  it  is  possible  to  extract. 


le  Only  Son"— Hal  Roach— Pathe 

Funny  Nonsense 

pe  of  production 1  reel  comedy 

'aul  Parrot  is  featured  in  a  laugh- 

absurdit'"   wherein    as    the   only 

he  prepares  to  leave  home  to  seek 

fortune.     The  town  is  so  glad  to 

rid   of   him   that   they    arrange    a 

send-off  at  the   station.     At   last 

jI  steps  aboard  the  rear  platform 

the    train.      As    it    pulls    out,    the 

o    is    revealed    standing   Vaving 

)dby  on  a  hand  truck  on  the  other 

e  of  the  track.     In  his  excitement 

had  stepped  clear  across  the  train 

tform.    The  villagers  leave  him  in 

fust.      So    Paul    dons    his    uniform 

lin  and  takes  up  his  discarded  job 

baggage    smasher   at    the    station. 

t  the   real   fun   comes   when    they 

ke  him  sheriff.     A  bad  man  is  at 

ge  who  has  a  reputation  as  a  man- 

ler.     So  the  job  Is  wished  on   the 

0.    Through  a  fluke  he  cleans  up 

:  bandit  and  his  gang  and  is  pro- 

imed  a  real  hero.    Good  fun  all  the 

y.      Will    go    nicely    wherever    the 

)grani  needs  a  laugh  tonic. 


"Flying  Wheels"— Century 
Universal 
Sport  Burlesque 
Type  of  production. ..  .2  reel  comedy 
Wanda  Wiley  proves  herself  a  real 
comedienne  and  somewhat  of  a  stunt 
performer  in  this  lively  hodge  podge 
of  golf  and  auto  racing.  The  first 
half  picturizes  the  trials  of  a  girl 
trying  to  play  an  honest  game  of 
golf  while  two  male  tormentors  try 
their  darndest  to  gum  up  her  game. 
Some  original  gags  are  introduced 
that  call  for  strenuous  action  on  the 
part  of  Wanda.  She  plays  into  the 
middle  of  a  lake,  and  goes  through 
some  fancy  underwater  shots  in  her 
efforts  to  salvage  the  little  white  ball. 
The  second  reel  has  to  do  with  the 
comedienne's  entry  in  an  auto  race, 
where  she  drives  the  car  of  her  father, 
an  auto  dealer.  Her  racer  is  one  of 
those  toy  sized  machines,  and  it  does 
everything  but  climb  the  perpendicu- 
lar. In  the  final  sequence  she  hits  a 
haystack,  and  carries  it  along  with 
her.  Quite  a  mixture  of  events  in 
this  one — but  Wanda  is  at  her  best 
and  gets  over  the  laughs  with  snap 
and   action. 


certain  facts  regarding  the  natural 
splendor  of  the  islands.  The  scene 
switches  to  Lake  Champlain  with 
more  lovely  shots  of  nature  at  its 
best.  Ausable  Chasm  lends  more 
charm  to  the  reel  and  views  of  Lake 
George  and  Lake  Placid  conclude  the 
offering  which  is  well  vested  in  pic- 
torial appeal  and  worthy  of  a  place 
on  your  program. 

"The  Great  Arena"— Grantland  Rice 
Pathe 
Great  Water  Sports 
Type  of  production....!   reel   Sport- 
light. 

Here  is  shown  in  a  highly  enter- 
taining way  that  a  big  proportion  of 
the  outdoor  sports  take  place  on 
water.  Scenes  at  Florida  coast  re- 
sorts show  all  the  varieties  of  aquatic 
sports  indulged  in.  Especially  inter- 
esting are  the  views  of  swimming 
events  in  the  pool.  To  those  who 
cannot  sport  in  Florida,  this  reel  gives 
a  fine  presentation  of  how  they  amuse 
themselves  with  the  many  water  di- 
versions. The  second  half  depicts 
sports  at  Lake  Placid  in  the  Adiron- 
dacks,  when  the  water  carries  a 
frozen  surface.  Here  all  the  ice 
events  of  this  famous  resort  are  de- 
picted graphically.  Sportlight  has 
gone  through  practically  all  phases 
of  sport,  but  here  again  they  have 
assembled  something  different  and 
diverting.  Will  appeal  to  all  lovers 
of  outdoor  sports. 


Incorporations 

Albany,  N.  Y.— Bellaire  Amuieraent  Corp., 
Queeni;  to  operate  theaterf.  Capital  $2  000 
Incorporator!,  R.  Schiff,  J.  Sustman  and  I. 
Finkelstein.  Attorneys,  Michelson  &  Bern- 
kopt,   1    Madison  Atc.,   New   York. 


Trenton,  N.  J. — Hudson  Amusement  Co., 
Newarlc ;  to  operate  theaters.  Capiul  $20,000. 
Incorporators,  I.  Liebmao,  B.  Tendler  and 
I.  Gussow.  Attorney,  J.  L.  Bernstein,  New 
York    City. 


Dover,  Del.— Hollywood  Film  Productions 
Co.,  to  produce.  Capital  $1,000,000.  At- 
torney, Corporation  Service  Co.,  EquitabU 
Bldg.,  Wilmington. 


Albany,  N.  Y.— Eyiof,  Inc.,  New  York. 
Incorporators,  J.  Wharton,  O.  Gustafson  and 
D.  Whitney.  Attorneys,  Weiss  and  Wliar- 
ton,   34    Pine   St.,    N.    Y. 


Trenton,  N.  J.— Oriam  Film  Corp.,  Capl 
tal  $25,000.  Incorporators,  M.  Visco,  D. 
Portnova  and  R.  Fanoelle.  Attorney,  V 
Semetis.  125  Thompson  St.,  New  York. 


Albany,  ^.  Y. — Cynosure  Projectinc  Ma- 
cmne  Co. ;  to  manufacture  and  distribute 
projectors.  Capital  $5,000.  Incorporators,  J. 
GoldUrb,  F.  Goldfarb  and  L.  Goldfarb  At- 
tortiey.  I.  Cohn,  1540  Broadway.  New  York. 


Dover,  Del. — Cinema  Booking  Corporation 
of  America.  Capital  $1,000,000.  Incorpora- 
tors, Frank  J.fl  Rambusch,  et  al  Attorney, 
Corporation  Service  Co.,  Equitable  Bldg., 
Wilmington. 


Tune  Up" — Bulls  Eye — Universal 

Musical  (?)  Comedy 
pe  of  production  ....  1  reel  comedy 
That  amusing  stout  person,  Charles 
iffy,  enters  the  field  of  music  to 
tract  the  laughs  for  this  one-reeler. 
le  fun  all  centers  around  a  piano 
lich  he  has  bought  for  his  girl,  the 
ughter  of  the  police  chief.  The 
ro  has  a  lot  of  anxious  moments 
ing  to  deliver  the  purchase  to  his 
eetheart,  as  he  is  not  an  expert 
ino  mover  by  any  means.  The  gag 
the  piano  falling  from  the  truck 
d  running  up  and  down  hill  is  too 
ig,  and  grows  a  trifle  tiresome, 
itting  here  would  improve  im- 
insely.     An    escaped   convict,    pur- 


"Felix  the  Cat  in   Blunderland" 
Pat  Sullivan 
Educational 

Fairyland  Cartooned 
Type  of  production..!  reel  animated 
Felix  the  Cat  comes  back  in  this 
one  strong.  He  yearns  to  join  Alice 
in  Wonderland  after  reading  of  her 
fairy  adventures.  Her  wish  is  grant- 
ed. In  turn  he  mixes  in  clever  ad- 
ventures with  such  old  friends  of 
childhood  as  Old  King  Cole,  Bean- 
stalk Jack,  Little  Bo  Beep,  and 
others.  One  of  the  highlights  comes 
when  he  is  chased  by  a  dragon.  Felix 
steals  a  seed  from  Jack  in  the  Bean- 
stalk, plants  it,  and  climbs  the  vine 
which  instantaneously  sprouts  heaven- 
ward. But  the  dragon  cuts  the  stalk 
with  his  saw-like  tail.  Felix  right 
there  loses  one  of  his  nine  lives  when 
he  hits  the  ground  with  a  dull  thud. 
The  atmosphere  of  Wonderland  is 
finely  produced  in  the  cartoonist's 
drawings.  They  compare  favorably 
with  the  famous  color  art  pictures 
featured  in  the  fairy  book.  A  chil- 
dren's classic  in  Shorts.  Will  delight 
kids  everywhere.  But  Felix's  antics 
are  funny  enough  to  entertain  their 
parents  as  well.  Will  lend  sparkle 
to  any   showman's   screen. 


"Drops  from  Heaven" — Fox  Variety 

Study  in  Lakes 
Type  of  production....!  reel  scenic 
"Drops  from  Heaven"  specializes 
in  the  beauties  of  American  and  Can- 
adian lakes  and  opens  with  a  birds- 
eye  view  of  the  Thousand  Islands, 
proceeds  with  picturesque  views  of 
some  of  the  more  interesting  and 
beautiful  of  them  and  with  the  titles 
giving  interesting  bits   of   detail  and 


Theater  Changes  in  Akron 

Akron,  O. — The  Astor,  closed  for 
the  past  year,  has  been  reopened  un- 
der the  ownership  of  Harry  C.  Wil- 
liams. The  house  has  been  renamed 
Rex. 

O.  F.  Baker,  formerly  with  the 
Allen,  has  bought  the  Royal,  closed 
for  the  past  few  months,  from  John 
Wolf. 

Robert  Courson  has  purchased  the 
Pastime  from  Mike  Ratoff. 


New  'Frisco  House  Near  Ready 

San  Francisco  —  The  Park  View 
owned  by  Mark  Harrison,  is  near- 
ing  completion  and  will  be  open  in 
about  two  weeks.  The  theater  is  lo- 
cated at  46th  and  Irving. 


Dover.  Del.— People's  Theater  Co.,  to  oper- 
ate theaters.  Capital  $100,000.  Incorporators, 
Harry  C.  Hand,  et  al..  New  York  City.  At- 
torney, United  States  Corporation  Co., 
Dover. 


Albany,  N.  Y.— 235  West  46th  Street  Co.. 
New  York.  Capital  $2,000.  Incorporators, 
J.  Mayer,  F.  Scher  and  S.  Gilbert.  Attor- 
ney,  F.      Locker,   299   Broadway,   New   York. 


Albany,  N.  Y.— Rosereb  Amusement  Corp., 
New  York.  Capital  $10,000.  Incorporators. 
M.  Goodman,  R.  Goodman  and  S.  Strause- 
berg.  Attorneys.  Levy,  Gutman  &  Gold- 
berg,   277     Broadway,     New    York. 


Albany,  N.  Y. — Whitefields  Productions, 
New  York.  Capital  $10,000.  Incorporators, 
M.  Kurz,  C.  Kurz  and  A.  Kurz.  Attorneys, 
Kurz  &  Kurz,  25   West  43rd  St..  New  York. 


Dover,  Del. — Gasparilla  Productions,  Inc. ; 
to  produce.  Capital  $400,000.  Attorney. 
Corporation  Trust  Company  o(  America,  Du 
Pont     Bldg.     Wilmington. 


Fischer  Buys  Two  for  Ohio 

Cleveland — Fischer  Film  has  pur- 
chased "She"  and  "The  Blackguard," 
from  Lee  Bradford  for  Ohio.  "She" 
will  be  a  March  release  and  "The 
Blackguard"  for  April. 


Queen   in    Ontario    Destroyed 

Niagara  Falls,  Ont. — The  Queen 
was  destroyed  in  a  fire  which  broke 
out  in  the  projection  room,  while  the 
house  was  crowded.  The  loss  was 
estimated  by  Manager  A.  Huttel- 
meyer  at  $6,000. 


Lee-Bradford  in  Ohio  DIeal 

Cleveland — Rex  Film  Co.,  operated 
by  J  E.  Loeffler  and  F.  W.  Mast, 
has  purchased  four  picturees  from 
Lee-Bradford  for  Ohio.  They  are 
"'Male  Wanted,"  "The  Lure  of  Love," 
"Slaves  of  Scandal,"  and  "Paying  the 
Price." 


Cleveland  House  Changes 

Cleveland — Joseph  Tittl  has  taken 
over  the  Park  Vine,  formerly  oper- 
ated by  Joseph  Fink. 


Dover,  Del. — Bell  Theaters  Co. ;  to  oper- 
ate theaters.  Capital  $10,000.  Attorney, 
Corporation  Guarantee  &  Trust  Co.,  927 
Market    St.,    Wilmington. 


Albany,  N.  Y. — Percival  Productions, 
New  York.  Capital  $20,000.  Incorporators. 
C.  Jeffers,  L.  Whicher  and  W.  Percival.  At- 
torneys, Parker  &  Aarons,  30  Broadway, 
New    York. 


Albany,  N.  Y— W.  J.  Moral  Laboratories. 
New  York.  Capital  $10,000.  Incorpora- 
tors, W.  Morat,  E.  Mielezarek  and  E.  Lagu 
noff.  Attorneys,  L.  Forst,  165  Broadway, 
New    York. 


Albany,  N.  V. — Hightide  Producing  Corp., 
New  York.  Capital  $20,000.  Incorporators, 
M.  Reilly,  S.  Nicholson  and  K.  Heimburger. 
Attorneys,  Greene  &  Kurd,  52  Broadway, 
New  York. 


Trenton,  N.  J. — Hey-Dey  Amusement  Co., 
Paterson;  to  operate  theaters.  Capital  $100,- 
000. 


Albany,  N.  Y. — Masque  of  Venice,  Inc., 
New  York;  to  produce.  Incorporators,  J. 
Wharton,  O.  Gusfafson  and  D  Whitney. 
Attorneys,  Weiss  &  Wharton,  34  Pine  St., 
New   York. 


Albany,  N.  Y— Stanhope-Bimberg  Pro- 
ductions. Incorporators,  F.  Stanhope,  M. 
Minskoflf  and  A.  Bimberg.  Attorneys,  Frost, 
Watson,   Cass   &   Looby,   Albany. 


'^ 


Congratulations   To 


CARL  LAEMMLE 


—*-'^m^^r*— 


JACOB      WILK 


CONGRATULATIONS 

TO  YOU 

MR.  LAEMMLE 

ON  YOUR 

20th  ANNIVERSARY 
STEINBERG   PRESS 

PRINTERS    OF    UNIVERSAL    WEEKLY 
EVER    SINCE    THERE    WAS    A    UNIVERSAL 


10  tk 

ANNIVERSAKy 


v; 
It 

:ti:: 


JGi 

titS 
eitct 
iitb 
I8D- 


New 


Pa 

rsdj 


;sd: 

ickmi 

!  ail 


1 
itxtr 

K.    1 

Mat 


• 


IXE 
!'.iu 


foss 

itiii 


Ntw 


ill 

r 


itKs 


fa 


Fo 
a.\-i 

ad 

•Irii 


it;  I 

?•* 
'ii 

IJi. 
'mi 
lil 
% 
% 


iJ^ 


toy,  February  28,  1926 


f-^5^ 


DAILY 


191 


[ewspaper  Opinions 

"Hands    Up" — Paramount 
Walnut,   Cincinnati 

■QUIRER— *  »  *  It  would  require  the 
ower  of  a  medieval  hermit  not  to  laugh 
le    ludicrous    events    that    are    depicted. 

Karlton,  Philadelphia 

FLLETIN— •  •  *  It  is  a  combined  Civil 
and  Western  comedy  and  provides  Grif- 
with     some     highly     amusing     situations. 

QUIKER— *    •    •    The    picture    is    full 

ughs    from   start    to    finish,    while    Mack 

and  Griffith  divide  the  honors.   *   *   * 

'BLIC  LEDGER—'  *  •  Raymond  Grif- 

IS   the    Southern    spy   knows    his   comedy 

s  perfectly    and   while   he   plays   farce   up 

le   hilt    he    never    once    overacts.    *    *    • 

iCORD— •    *    »    It    is    all    pure    comedy 

some    satiric    touches    which    are    amus- 

though  too  much  of  it  is  mere  slap- 
»   *    • 

New  Lyric,  Minneapolis 

AR — *    *    *    This    is    an    amusing    film, 

an    incoherent    story    as    a    background 

foil    for    Mr.    Griffith's   many    witticisms. 

Palace,  Washington 

;RALD— *  *  ♦  And  while  it  is  slap- 
comedy  to  the  'nth  degree,  it  is  still 
,    suave    and    a    tiny    bit    sophisticated. 

AR — *  *  *  Particularly  colorful  are  the 
s  with  the  Indians.  Somehow,  "Hands 
just    misses    being   a    really    clever    com- 


"His  Jazz   Bride" — Warners 
Circle,  Cleveland 

AIN   DEALER—*   *   ♦    In   this  tale  of 
bickerings    and    mushy     sentimentalism 
)ven   another   broken   romance.    *   •    * 


chuckle  merrily   over  a  splendid   hour's  enter- 
tainment.   *   *   * 

TIMES — *  *  •  The  diadem  of  praise  goes 
to  Ernst  Lubitsch  for  the  making  of  a  pic- 
ture production  of  super-spohistication,  that 
to  all  intents  and  purposes  is  going  to  prove 
a  surpassing  attraction  for  film-going  audi- 
ences. *  ♦  * 

Capitol,  Montreal 

STAR — *  *  *  To  take  an  epigrammatic 
play  with  little  action  and  transform  it  into 
a   notable   film   is  a   feat  indeed.    •   •    • 


"Lorraine    of   the    Lions" — ^Universal 
Rialto,  Washington 

HERALD—*  ♦  ♦  The  play  is  one  of  con- 
tinuous  thrills.    ♦    ♦    » 

STAR — *  *  *  Would  make  a  nice,  imagina- 
tive nightmare,  but  is  too  great  a  tax  upon 
credulity  in  broad  daylight.  It  has  all  the 
delightful  lack  of  logic  which  characterizes 
dreams.    *    *   * 


"Mannequin" — Paramount 
Palace,  Montreal 

STAR—*  *  *  A  thrilling  drama  of  mod- 
ern life,  with  speedy  action  from  the  first 
reel  to  the  last,  and  some  very  good  acting 
on   the  part   of   the   four    principal   characters. 


"Hogan's  Alley" — Warners 
Metro,  Baltimore 

fN — *    *    *    The    juiciest    piece    of    bunk 
has   been    drawn    across    the   screen    for 
time.      But   bunk   or   not,   we   sat   there 
laughed.   *  *  * 


'Infatuation"— First   Nat'l 
Wisconsin,  Milwaukee 

;NTINEL— ♦  *  •  Corinne  Griffith  it 
er  loking  than  ever  in  her  latest  pic- 
Infatuation,"  which  made  the  tawdry 
nee  and  slow  moving  plot  much  easier 
iar  through  its  seven  reels.  *  *  » 
ISCONSIN  NEWS—*  *  *  The  trouble 
it  in  what  it  offers — but  what  it  doesn't 
It  is  in  no  way  original ;   no  climaxes 

impress    or    thrill ;    the    Egyptian    atmo- 
e    is    colorless    and    without    mystery — it 

every   way  unworthy  of   Corinne.   •  •   * 


"Irish   Luck" — Paramount 
New  Grand,  Minneapolis 

/AR — *  *  *  Mr.  Meighan  is  much  at 
;  in  this  picture  and  there  is  a  charm 
t  his  presentation  tliat  Meighan  fans 
like.   •   •   * 


'Just  Suppose"— First  Nat'l 
Grand  Central,  St.  Louis 

JOBE-DEMOCRAT- ♦  *  *  Is  an  imi- 
n  of  many  past  suctesses,  and,  as  imi- 
ns  go,  is  weak.  But  it  is  entertaining 
degree,  and  has  the  virtue  of  starring 
helmess.   *  ♦  * 


dy  Windermere's  Fan" — Warners 
Forum,  Los  Angeles 

<AM1NER— •  *  •  Sans  all  the  sophis- 
ion  and  cynicism  of  the  written  play, 
ly  Windermere's  Fan"  at  the  Forum 
week  brings  a  new  triumph  for  Lubitsch. 

KPRESS— *  •  •  As  Lubitsch  has  trans- 
ed  it  the  plot  is  engrossing,  because  he 
elaborated  on  details  which  were  mere 
ications  in  Wilde's  play,  and  done  it  with 
vivid  style,  humor,  dramatic  sense  and 
al  to  universal  emotions  that  the  picture 
s  one  spellbound.  *  •  ♦ 
ERALD — *  *  *  Lubitsch  has  given  his 
tion  of  the  popular  play  a  delicate  inter- 
ition  with  the  characteristic  "Lubitsch" 
h.  *  ♦  * 

ECORD — *  •  •  Director  Lubitsch  con- 
the  mighty  switchboard  of  dramatic 
ents,  dallying  delightfully  with  theme, 
ing  out  fuses  and  then  finally,  tired  of 
ing  with  his  htunan  dolls,  he  calls  a 
inserts    a    happy    ending    and    lets    us 


"The    Masked    Bride"— M.-G.-M. 
State,  Cleveland 

NEWS—*  *  *  Clever  subtitles,  pleasing 
directional  touches  and  scenic  art,  coupled 
with  efiicient  acting,  tend  to  make  "The 
Masked  Bride"  rather  agreeable  entertain- 
ment for  the  average  audience.   *   ♦   * 

PLAIN  DEALER—*  *  *  Rathbone,  as 
the  Apache,  does  the  best  work,  and  the 
passing  years  appear  to  have  rested  very 
lightly  on  Francis  X.  Bushman's  matinee  idol 
smile.   *   •   * 

TIMES — *  *  *  The  scenes  are  elaborate 
and  much  money  was  probably  spent  to  get 
the  right  effect,  but  with  a  worn-out  story 
and  weak  acting,  the  poor  director  couldn't 
do  much.  *  *  * 

Piccadilly,  Rochester 

DEMOCRAT — *  *  *  We  infer  that  the 
director  did  as  well  as  could  be  expected  with 
such  existing  conditions  as  a  banal  plot,  a 
dominating  and  mistaken  leading  woman  and 
a    superfluity    of    detail    in    setting.    •    *    • 

HERALD —  •  ♦  *  The  settings  are  elab- 
orate, the  atmosphere  is  "colorful,"  and  Mae 
Murray  is  her  usual  self,  and  that  about 
sums  up  the  picture.  •  *  * 

JOURNAL — *  *  *  It  is  a  colorful  adven- 
ture story  laid  in  Paris  and  the  Montmartre 
with  Miss  Murray  as  a  French  dancer,  en- 
meshed in  a  strange  Apache  plot.  *  ♦  * 

TIMES-UNION—*  *  *  Is  a  rather  trashy, 
flashy  vehicle,  displaying  Mae  Murray's  phy- 
sical   charms    and    her    ability    as    a    dancer. 


"What  Happened  to  Jones" — Univ. 
Orpheum,   Chicago 

AMERICAN—*  *  •  Reginald  Denny  is 
one  of  the  most  entertaining  men  in  films, 
judging  from  "What  Happened  to  Jones," 
which  is  making  the  Orpheum  again  resound 
with    hilarity.    •    *   • 

HERALD—*  *  •  There  isn't  much  sense 
to  the  Denny  comedies.  But  who  cares 
when  you  can  laugh  a  lot?  Laughter  was 
loud  in  the  Orpheum,  and  there  was  plenty 
of    it.    *    *    * 

NEWS—*  *  *  A  farce,  a  study  in  the  art 
of  the  provocation  of  human  laughter,  is 
what   we   may   find   in   this   exhibit.    *    ♦    • 

TRIBUNE—*  *  *  It's  a  fast  and  funny 
farce  comedy — -foolish  and  improbable  and 
ludicrous.    *   *  • 


"When    Husbands    Flirt" — Columbia 
Kings,  St.  Louis 

TIMES—*  *  *  The  film  will  never  be 
ranked  as  a  great  or  original  work  of  art, 
but  it  affords  good  amusing  entertainment 
with  a   world   of  laughs.    ♦    •   * 


"When  the  Door  Opened"— Fox 
Figueroa,  Los  Angeles 

EXAMINER— •    ♦    •    It    is    directed    by 

Reginald  Barker,  who  has  built  about  the 
emotional  stress  of  the  title  an  elemental 
atmosphere    of    suitable    and    powerful    force. 


California,  San  Francisco 

BULLETIN — *  *  *  Mae  Murray  is  at  her 
best  in  the  colorful  environments  of  the 
Parisian  night  life.  This  is  again  proven  in 
her    latest   picture.    *    *    * 

CALL  AND  POST—*  *  *  There  is  very 
little  instruction  or  edification  to  be  gamed 
from  seeing  Mae  Murray  in  "The  Masked 
Bride,"  but  there  is  mighty  good  entertam- 
ment.    •   •    • 

CHRONICLE — *  *  *  Miss  Murray  looks 
very  pretty  indeed,  although  she  has  gone 
back  to  the  squared  mouth  makeup  and 
does  several  of  the  scenes  with  a  consider- 
able amount  of  art. 

EXAMINER—*  *  *  There's  a  heap  of 
action,  plenty  of  romance,  fair  contmuity  and 
a  complicated  enough  plot  to  satisfy  the 
most  blase  of   thrill-seekers.    •   *    * 

NEWS — *  *  *  An  entertainmg  picture, 
written  to  order  for  Mae  Murray  and  suc- 
cessfully giving  her  wide  opportunity  to  dis- 
play   her    peculiar    charms.    *    *    * 


"A    Woman    of    the    World"— Para- 
mount 

State,    Detroit 

FREE  PRESS-*  *  *  Although  there  are 
bits  of  real  drama  in  the  piece,  it  is  es- 
sentially  a   comedy    with    Chester    Conklin,    in 

one  of  the  richest  roles  he  has  ever  enacted. 

»   «   » 

Missouri,  St  Louis 

GLOBE-DFMOCRAT— •  *  *  On  the 
whole,  it  is  a  sophisticated  and  humorous 
splurge  that  owes  its  merit  to  the  excellent 
direction   ol    Malcolm    St.    Clair.    ♦    *    ♦ 

TIMES—*  *  *  The  picture  is  devoid  of 
interest  and  slow  in  action.  Pola  Negri's 
acting  is  nothing  wonderful  and  neither  are 
her   gowns.    *   *   * 


Hold  Convention  in  April 
Pittsburgh,  Pa.— The  M.  P.  T.   O. 
of  Western  Pennsylvania  will  hold  its 
sixth    annual    convention    here    April 
19-20. 


Manager  Averts  Riot 

Whiting,  Ind. — Gentle  words  issued 
from  the  stage  to  the  backs  of  the 
audience  by  Mrs.  Anna  Grogan,  man- 
ager of  the  Hoosier  during  a  fire,  are 
held   responsible    for   averting  a   riot. 


Warn  Houses  to  Get  Licenses 
Philadelphia — A  warning  has  been 
issued  to  theater  owners  to  take  out 
their  new  licenses  by  the  fire  warden, 
who  threatens  to  close  all  houses  who 
have  not  done  so  by  March  1. 


Lease    Up-State    House 

Syracuse,  N.  Y. — Fitzer-Syracuse, 
Inc.,  have  taken  a  10  year  lease  on 
the  new  community  theater  built  by 
the  Davidson  &  O'Brien  Co.  The 
house,  which  seats  1,500,  is  expected 
to   open   April   1. 


New  House  for   Buffalo 

Buffalo— A  1,500  seat  theater  is  to 
be  erected  in  the  South  Park  section, 
according  to  announcement  by 
George  Hanny,  Jr.,  of  the  South  Park 
Amusement  Co.  It  is  to  open  in  the 
fall. 


Completes    "Bom    to    Battle" 

Hollywood — "Born  to  Battle"  has 
been  completed  by  Tom  Taylor  for 
F.  B.  O.  under  direction  of  Bob  De 
Lacey.  Taylor  will  shortly  start  on 
the  "Arizona  Streak." 


"What  Fools  Men"— First  Natl 
Metro,  Washington 

POST *    *    *    The    picture    is    merely    a 

train  of  events  in  which  a  daughter  con- 
tributes to  the  downfall  of  her  father  and 
helped  to  set  him  on  his  feet  again,  but 
interesting   at    that.    *    *    * 

TIMES — *  *  *  It  is  a  picture  that  makes 
a  good  effort  to  grapple  with  life  and  it 
does  so  with  fair  success.  It  is  an  enter- 
taining production.  •  •  * 


"Womanhandled" — Paramount 

Grand   Riviera,   Detroit 

FREE  PRESS—*  *  *  It  is  a  picture  of 
alternate  thrills  and  laughs,  with  pretty  views 
of    western    scenery    and   a    lot    of    interesting 

situations,    *    *    * 

Metro,  Los  Angeles 

EXPRESS—*  *  *  It  is  a  cleverly  ironic 
picture  that  combines  hilarity  with  sly  ridi- 
cule   of    popular    Western    romancing.    »    *    * 

HERALD — *  *  *  "Womanhandled"  is  very 
entertaining  and  must  be  classed  as  good. 
It  is  full  of  good  clean  humor  with  a 
very  clever  love  story.   *   *   * 

RECORD — *  *  *  As  for  Director  La  Cava 
he  is  rather  new  at  the  megaphone  game, 
and  lacks  a  true  sense  of  continuity  and  even 
tempo.    *   *   * 

TIMES — *  *  *  This  is  the  neatest,  witti- 
est little  picture  put  on  the  screen  in  a 
long  time.  Arthur  Stringer  wrote  the  origi- 
nal story.   *  *   • 

Eastman,  Rochester 

DEMOCRAT—*  *  *  "Womanhandled"  is 
really  a  delightful  bit  of  nonsense  for  the 
most  part,  well  acted  and  well  directed.  •  •  * 

HERALD — *  *  *  It  shows  in  an  amusing 
and  entertaining  manner  the  reverse  side  of 
the  West  as  pictured  by  Zatie  Grey  and 
other  famous  writers  of  Western  fiction,  pok- 
ing good  natured  fun  at  the  popular  con- 
ception of  ranch  life.  *  •  * 

JOURNAL — *  *  *  Mr.  Dix  gives  a  good 
picture  of  Bill  Dana  and  does  not  seem  to 
see  that  most  of  it  is  bosh.  He  plays  him 
earnestly  and  sincerely,  two  qualities  which 
Mr.    Dix  always   has   in   his  acting.    *   •    * 

TIMES  UNION— *  *  *  The  picture  is 
delightful  in  its  burlesque  of  the  popular 
"western'  film  and  it  is  crammed  with  ridicu- 
lous   incidents.    •    •    * 


Metropolitan  Completes  Three 

Los  Angeles — "Paris  at  Midnight," 
"Whispering  Smith"  and  "Forbidden 
Waters"  have  been  completed  at  Met- 
ropolitan   Studios. 


In  Control  in  Princeton,  W.  Va. 

Princeton,  W.  Va. — Goodwill  The- 
ater, Inc.,  through  a  number  of  re- 
cent deals,  has  gained  control  of  the 
entire  theater  field  here. 


Gardiner  Representative  in  Atlanta 
Atlanta — F.  F.  Sturgis,  European 
representative  of  L.  J.  Gardiner, 
manufacturer  of  Gardiner  Velvet 
Screens,  is  here  on  a  brief  visit,  pre- 
liminary to  sailing  for  Europe. 


Amundsen  on  Tour  with  Polar  Film 
Raold  Amundsen,  explorer,  is  ap- 
pearing in  a  number  of  theaters 
throughout  the  country  in  connection 
with  "The  Amundsen  Polar  Flight." 
Further  publicity  is  being  given  the 
picture  through  a  series  of  syndicated 
newspaper  articles  written  by  Lin- 
coln Ellsworth,  partner  of  Amund- 
sen in  the  flight  to  the  North  Pole. 


Consensus  of  newspaper  opinions 
of  pictures  at  Broadway  houses  this 
iveek  will  be  found  on  page  197. 


New  Wyoming  Unit  to  Build 

Cheyenne,  Wyo. — Articles  of  incor- 
poration for  the  Capitol  Investment 
Co.,  organized  to  construct  a  theater, 
store  and  office  building  on  the  cor- 
ner of  18th  St.  and  Capitol  Ave.,  were 
filed  with  the  Secretary  of  State. 

The  incorporators  are:  Percy 
Smith,  of  the  Percy  Smith  Mercan- 
tile Co.;  Wm.  Dubois,  architect;  C. 
C.  Riner,  of  the  C.  W.  Riner  real  es- 
tate and  insurance  agency;  and  N.  F. 
Gobe,  of  the  Stock  Growers  National 
Bank.  The  corporation  is  capitalized 
at  $300,000. 


MORE  POWER  TO 

CARL  LAEMMLE 

Squarc'rounded  corners 

:-;^  A  man  of ''BULLDOG"  tenacity 
^y      and  "SQUARE  DEALING" 


Square 


BULLDOG" 


USED  BY  THE 

Universal  Film  Exchanges 


'NU-CODE" 


RUSSAKOV  CAN  COMPANY 


cv 


Ell 

Oli 

«[' 
I  ft 


is; 

!. 


Film  Case  Department 


CHICAGO,  ILL. 


Congratulations  MR.  LAEMMLE 
on   Your  Preference  For  Bell  &  Howell  Cameras  and  Equipment 
AND   HERE'S  A  NEW  BELL  &  HOWELL  CAMERA  FOR  FIELD  AND  STUNT  USE 


Standard  Automatic 
Professional   Camera 

Details  and  Specifications 
sent  upon  request 


Kcw  torn*.       HOU.VWOOO 


laOl  LARCHMOKT  AVL 

CHICAGO. 


Requires  No  Tripod 
Has  Direct  Sighting-  Feature 
Is  Entirely  Automatic 
Weighs  only  7  pounds 
Combines  Portability 
and  Flexibility 


Manufacturers  of  95%  of  the   Professional   Cameras  and   Equipment   Used 


I 


Ls. 


itdc! 


B6Jt 


Bn, 


192 


y» 


t 


day,  February  28,  1926 


THE 


■^< 


DAILY 


Presentations 

Rivoli 

Jnit  No.  1. — Overture:  "Southern  Rhap- 
y,"  Hosmer.  Time,  4  minutes. 
loit  No.  2. — Jas  A.  Fitzpatrick  presents 
ephen  Foster,"  one  of  the  famous  Music 
ster  Series.  Quartette  off  stage  singing 
y  'Old  Kentucky  Home,"  one  of  Fos- 
s  compositions.  Time,  12  minutes. 
Jnit  No.  3. — "A  Castilian  Fantasy,"  Jack 
Hand  and  Jean  Barry,  dancers,  in  Spanish 
tumes,  do  a  tango  to  marimba  accompani- 
it  of  Adrienni  Troubadours.  Troubadors 
:t  in  guitar  number.  Dance  Charleston 
their  own  accompaniment.  Holland  and 
rry  in  second  dance.  Setting :  Backdrop — 
inish  scene.  Time,  7  minutes. 
Jnit  No.  4. — Rivoli  Movievents.  Time,  9 
lUtes. 

Jnit  No.  S. — Harold  Ramsay  at  the  organ 
ying  "A  Ballad  of  the  Sea."  Time,  4 
lUtes. 

Jnit  No.  6. — "Great  Moments  from  Grand 
era."  Prologue  announced  by  man  in 
tume  of  knight,  preceding  each  scene. 
The  first,  the  Prayer  Scene  from  "Caval- 
a  Rusticana."  Curtain  backdrop.  Oper- 
ensemble  kneeling  in  prayer  (garbed  in 
isant    costumes). 

second  scene:  "Miserere"  from  "II  Trovar 
e."  Scene :  exterior  of  prison  with  Man- 
0,  the  lover,  seen  in  a  prison  window ; 
onora  on.  the  outside.  Ensemble  off  stage. 
Third  scene:'  Prison  scene  from  "Faust." 
tting :  Interior  of  prison  with  Marguerite 
ng  on  bed  of  straw.  Faust  and  Mephisto- 
eles  ente-.-  and  the  trio  commences.  At  the 
ise,  as  Marguerite  denounces  Faust  and 
Is  dead  upon  the  bed  of  straw,  a  place 
the  floor  of  the  stage  opens,  smoke  issues 
lamed  with  red  light  and  Mephistopheles 
igs  Fanst  down.  Curtain  to  the  back  rises 
d  Marguerite  is  shown  rising  toward  Hea'v 

escorted    by    angels.      Time,    19    minutes. 
Unit  No.  7. — Feature:  "Sea  Horses."  Time, 

minutes. 
Unit   No.   8. — "When   Hell   Freezes   Over." 
utt   &  Jeff  Cartoon.     Time,   5  minutes. 


Next  on  Rockett's  Program 

The  second  picture  Al  Rockett  will 
supervise  for  First  National  will  be 
"Sadie,"  adapted  from  "Sadie  of  the 
Desert,"  by  Mildred  Cram.  The 
scenaris:  was  Adele  Conandimi.  Dor- 
othy Mackaill  and  Jack  Mulhall  will 
be  featured  and  Al  Santell  will  come 
on  from  the  Coast  to  direct.  Produc- 
tion is  to  begin  April  IS.  About 
June  ISth,  the  third,  "The  Sheik  of 
Florida,"  will  begin  with  Ben  Lyon. 
The  story  is  by  George  L.  Worts. 
Santell  will  also  direct. 


Strand 

Unit   No.    1. — Overture:    "Mignon,"   Thorn- 
Time,  8  minutes. 
Unit  No    2. — Strand  Topical  Review.  Time, 
minutes. 
Unit    No.    3. — "New    Mark    Strand    Frolic. 

(a)  "Tulip  Time  in  Holland."  1.  "Tulip 
me,"  sung  by  Pauline  Miller.  2.  Wooden 
loe  Dance  by  Mile.   Klemova  and  M.   Daks. 

Ensemble.  All  in  Dutch  costumes.  Set- 
ig :  Light  blue  backdrop  with  varied  size 
utch  windmills  silhouetted  aganist  it  and 
lip    garden    in    foreground. 

(b)  Bernard  De  Pace,  madolin  virtuoso. 
;tting ;  black  drapes  and  stage  dark.  Spot 
I  De  Pace,  garbed  as  Pierrot,  and  seated  on 
ver  crescent. 

(c)  Rita  Owin,  in  freak  make-up,  does 
irlesque  on  classic  dance.  Metal  cloth  cur- 
in  backdrop  with  green  georgette  curtam 
rer  it.  _  ,, 

(d)  "Collegians"  with  Maryland  Collegians 
chestra.  Setting:  four  pennants  bearing 
e  name  of  the  orchestra  conceal  the  cheer- 
g   collegians   as    the   curtain    rises.      Number 

preceded  by  John  Quinlan  singing  "Don't 
ou  Remember."  Orchestra  and  novelty  num- 
;rs  by  Collegians,  include  vocal  and  dance 
limbers.  Rita  Owen  does  another  of  her 
icentric  comedy  dances.  Huge  slate  to  back 
stage,  upon  which  are  written  comedy 
nes,  gives  way  to  scrim  curtain  revealing 
trand  ballet  in  red,  white  and  blue  cos- 
imes  and  white  wigs,  dancing  for  finale. 
ime,   29  minutes. 

Unit     No.     4.— Feature  :■     "Oh!     What     a 
ursel"      Time,    75    minutes. 
Unit   No.    5. — Organ    solo.      Time,    5    mm- 
tes. 


"Puppets"  in  Work 

"Puppets"  started  Wednesday  when 
this  First  National  company  went  to 
Fort  Schuyler  to  shoot  exteriors.  Mil- 
ton Sills  is  starred  with  George  Ar- 
chainbaud  directing.  The  cast  con- 
sists of  Gertrude  Olmstead,  Francis 
McDonald,  Matilde  Comont,  William 
Ricciardi,  Lucien  Prizal  and  Nick 
Thompson.  Al  Lena  is  assisting  Ar- 
chainbaud  in  the  direction  and  Char- 
les Van  Enger  is  cameraman. 


James   Rennie   Signed 

David  Calcagni  of  Vera  Arte  Pic- 
tures has  signed  James  Rennie  and 
Dagmar  Godowsky  to  play  the  leads 
in  "Every  Man's  Chance."  Produc- 
tion started  Thursday  at  Paragon. 


Clifton  to   Finish   Shortly 

Elmer  Clifton  will  shortly  complete 
"The  Virgin  Wife"  for  True  Story 
Films  at  the  Tec  Art  Jackson  studio. 
Lucia  Backus  Seger  has  been  added 
to  the  cast. 


'ercentage  Contracts  Must  Be  Played 

Philadelphia— Percentage  contracts 
lust  be  played  out  entirely,  according 
0  a  ruling  handed  down  by  the  Phila- 
elphia  Board  of  Arbitration.  Ex- 
hanges  are  entitled  to  a  return  on 
he  business  actually  done,  it  was  de- 
ided. 


Fields   on   Location 

The  W.  C.  Field's  troupe  making 
"It's  the  Old  Army  Game,"  with 
Eddie  Sutherland  directing  is  en  route 
to  Ocala,  Fla.,  to  take  exteriors.  The 
cast  includes  Louise  Brooks,  Blanche 
Ring,  Mickey  Bennett,  William  Gax- 
ton  and  Mary  Foy.  Tom  Geraghty 
is  supervising  and  J.  M.  Jerauld  is 
handling  publicity  for  both  this  and 
the  Bebe  Daniels  unit  which  is  also 
in    Florida. 


Sheldon  Joins  Bebe  Daniels 

E.  Lloyd  Sheldon,  supervising  edi- 
tor of  Bebe  Daniels'  production,  "The 
Palm  Beach  Girl,"  left  Tuesday  to 
join  the   unit. 


Working   on   Hines   Picture 

Johnny  Hines  is  at  work  on  ex- 
teriors for  "The  Brown  Derby"  at 
Miami.  The  company  expects  to  re- 
turn in  two  weeks. 


On  Richard   Dix'  Next 

Scenarists  are  still  working  on 
"Take  a  Chance,"  Richard  Dix'  next 
for  Paramount.  Alyce  Mills  is  in 
from  the  Coast  for  the  feminine  lead. 


Dorothy  King  Opposite  Ken- 
Dorothy  King  has  been  selected  by 
Cantor  and  Brandell  to  play  the  lead 
opposite  Donald  Kerr  in  "Some 
Baby,"  the  first  of  a  series  of  10  two 
reel  com.edies  which  Cantor  and 
Brandell  will  make  at  the  Pathe  stu- 
dio.    Bryant  Foy  is  directing. 

"The  Savage"   Back  Soon 

After  about  three  weeks  of  exteri- 
ors in  Florida  the  cast  of  "The  Sav- 
age" is  expected  back  at  the  First 
National  studio  tomorrow  or  Mon- 
day. Ben  Lyon  and  May  McAvoy 
are  featured. 


"Fine    Manners"    Started 

Frank  Tuttle  is  directing  Gloria 
Swanson  in  "Fine  Manners"  at  Para- 
mount. Eugene  O'Brien  appears  op- 
posite. 


Nearly  Finish  "Oh!   Baby!" 

"Oh!  Baby!"  formerly  known  as 
"Charley's  Niece,"  will  be  finished 
next  week  at  Tec  Art.  Harley-  Knoles 
is  directing  for  Al  Lichtman. 


Griffith    Ready 
D.    W.    Griffith    is    ready    to    begin 
"Sorrows   of   Satan."      Shooting   will 
start  any  day. 


Service   Code 

Edward  L.  Hyman.  managing  di- 
rector of  the  Brooklyn  Mark  Strand, 
and  one  of  the  progressive  showmen 
in  this  territory,  has  compiled  a  "Ser- 
vice Code"  for  his  employees.  It 
may  suggest  an  idea  to  other  exhibi- 
tors  and   therefore   follows,   in  part: 

"From  the  time  a  patron  enters  the  outer 
lobby  it  is  our  purpose  and  our  duty  to  make 
him  feel  that  the  'house  is  his.'  The  car- 
riage man  and  the  outside  attendant  can  both 
pave  the  way  by  courteous  service  that  cre- 
ates a  welcome  air  before  the  patron  ever 
enters.  The  cashier  must  realize  that  pleas- 
antness was  made  for  the  box  office  as  well 
as  other  places,  and  greet  patrons  with  ac- 
curate and  prompt  service  accompanied  by  a 
smile.  Expressions  of  pain  or  boredom  or 
impatience  or  curtness  have  no  place  in  the 
scheme  of  things.  A  percentage  of  every 
coin  laid  down  by  the  patrons  must  be  earned 
for  the  theater  by  the  cashier  with  pleasant 
personality  and   correct  service. 

"The  patron  expects  every  employee  to 
answer  any  question  intelligently,  and  the 
management  expects  every  employee  to  give 
the  best  possible  reply  to  anything  asked. 
If  explanations  are  in  order,  the  wise  and 
intelligent  employee  will  inform  the  patron 
in  a  manner  that  will  create  admiration  and 
respect  for  the  theater  and  for  the  employee. 
"The  doormen,  in  their  manner  of  taking 
a  ticket  from  the  hand  of  the  patron,  may 
either  add  to  or  detract  from  the  pleasure 
of  the  patron,  while  in  the  theater.  The 
doorman  who  'grabs'  a  ticket  instead  of  'ac- 
cepting' it  is  exercising  a  lack  of  judgment 
incompatible  with  the  general  tone  of  the  the- 
ater, and  the  doorman  who  jabs  ai  stub  back 
at  the  patron  instead  of  placing  it  in  his 
hand   will   not   long  remain. 

"At  the  inner  door,  the  directress  must 
contribute  an  important  service  by  directing 
patrons  to  those  portions  of  the  theater  in 
which  are  the  best  remaining  seats.  If  the 
directress  says :  'To  the  right,  please,'  and 
the  patron  wishes  to  go  to  the  left  instead, 
the   patron  must    be   accomodated. 

"The  ushers  must  be  alert  and  endeavor 
to  seat  patrons  where  they  want  to  sit,  or 
make  the  patron  feel  that  he  will  be  seated 
in  a  location  just  as  good.  The  usher  will 
not  disagree  with  the  patron  on  any  point, 
no  matter  how  provoked,  for  the  good  work 
of  a  whole  week  may  be  entirely  spoiled  by 
an   indiscreet  answer. 

"Good  service  extends  further.  Patrons 
losing  articles,  no  matter  how  trivial,  must 
be  given  wholehearted  attention  by  ushers, 
head  ushers  and  attendants,  and  honest  ef- 
forts must  be  made  to  find  the  article  for 
the  loser.  Each  member  of  the  force  is  valu- 
able to  use  only  in  proportion  to  his  or  her 
ability   to   serve  our  patrons.    *   *   *" 

J.  F.  Cook  to  Build 

Marysville,  Mo. — J.  F.  Cook,  father 
of  C.  E.  Cook,  business  manager 
of  the  M.  P.  T.  O.,  will  build  a 
$50,000  theater.  The  house  is  to 
open    July    1st. 


Bennett  in  Kane  Picture 

J.  Moy  Bennett  is  playing  a  part 
in  "The  Wilderness  Woman,"  for 
Robert  Kane.    At  Cosmopolitan. 


Goodrich  to  the  Coast 

John  Fish  Goodrich,  First  National 
scenarist,  has  departed  for  the  Coast. 


Bethlehem   House  Back  to   Pictures 

Bethlehem,   Pa.— The   Colonial  has 
reverted  to  pictures  and  vaudeville. 


Managing  Strand,  Shenandoah 
Shenandoah,   Pa.— Edmund  Water- 
bury  has  succeeded  O.  E.  Taylor,  as 
manager  of  the  Strand. 


Compete  with  Free  Shows 
Chicago— Theaters  in  the  "looP" 
re  being  forced  to  compete  with 
eal  estate  agents  who  offer  a  free 
how  to  induce  prospects  into  their 
.ffices.  The  show  consist  of  motion 
lictures  of  Florida. 


Galvin  in  'Frisco 
St  Louis— Frank  Galvin,  formerly 
publicity  director  for  William  Gold- 
man's houses  here,  is  now  pubhcity 
man  for  the  San  Francisco  office  of 
Prod-  Dist.  Corp. 


Sunday  Shows  Up  at  Friend,  Neb. 

Friend.  Neb. — The  Sunday  shows 
issue  will  be  voted  on  at  the  April 
elections. 


Veteran  Theater  Man  Dies 

York,  Pa. — John  D.  Raffesnberger 
connected  for  many  years  with  the 
Orpheum  and  York  O.  H.,  is  dead 
from  a  heart  attack. 


Pastor  Presents  Films 
Sebnng,  Fla.— Dr.  O.  S.  Michael, 
of  the  Church  of  the  Good  Shepherd, 
announces  he  will  show  pictures  on 
Sundays.  The  first  is  to  be  the  "Lit- 
tle Church  Around  the  Corner." 


New  Hostettler  House  in  Hastings 

Hastings,  Neb. — The  new  house 
on  Burlington  Ave.  and  Second  St. 
by  the  Hostettler  Amuse.  Co.,  Uni- 
versal subsidiary,  will  cost  between 
$100,000  and  $150,000,  and  is  to  be 
completed  by  Aug.  1. 

Bring  Up  Old  "Blue"  Law 

Memphis— This  city  is  seeking  to 
enact  a  blue  law  passed  in  1803,  in  a 
campaign  to  enforce  a  "Sour  Sab- 
bath." All  persons  who  sought  to 
transact  business  on  a  recent  Sun- 
day were  served  with  summons  to 
appear  in  court. 

Two  New  St.  Louis  Houses 

St.  Louis — The  new  house  on  Union 
Blvd.,  near  St.  Louis  Ave.,  erected  by 
Sam  Inger  and  associates,  is  ready. 
It   has   1,700   seats. 

The  Columbus,  on  Southwest  Ave., 
has/  opened  under  management  of 
Mrs.  B.  F.  Schuler. 


\H 


"I 


1 


1 


M}'  respeds  to 
the  kid  himself 

Carl  Laemmle 


to  you 

Mr.  Carl  Laemmle 


on  your 


20th  Anniversary 


AL  GREENSTONE 

1547  Broadway,  New  York 

Telephone,     Chickering     265/ 


-^ 


COLUMBIA  ENGRAVING  CO. 

165  William  Street     -     New  York  City 


Sincere  Qood  Wishes 

and 

Warmest  Congratulations 

To   President  CARL  LAEMMLE 

On  the  Occasion  of  His 
20th  Motion  Picture  Anniversary 


TRANSOCEANIC    FORWARDING   CO. 

61  Greet  Street,  Soho  Square  W.  1 

LONDON,  ENG. 
PARIS 


ROBERT    HABERLING 

Schonberger  Strasse  13 


f 


m 

« T I 


V  III 

I! 


m 


I 


hJkUm 


THE 


inday,  February  28,  1926 


■<Si< 


DAILV 


195 


he  Week's  Headlines 

Monday 

jal    holiday. 

Tuesday 

5    a   record   year    (or    Universal.      Earnings 

uflicient     to     meet     dividends     eight    times. 

'rotits    $1,925,506. 

lustry    seeks    exemption    from    bill    protect- 

iig  patented  designs  to  avoid  difficulties  in 

iroduction. 

rry    L.    Knapp,   chairman   of    Pennsylvania 

Joard  of   Censors  proposes  that  censorship 

)e    invoked    at    production    source    through 

upcrvision    of    scripts. 

lal    "Laugh    Month"    prizes    awarded. 

w    Kansas    chain    formed.      Josephson-Fin- 

telstein     circuit    acquires     five    houses    and 

)lans  to  control  25. 

Wednesday 

ita'tion    against    American    films    in    16    for- 
ign  countries   still   exists, 
formers    preparing    state-wide    campaign    to 
nake    Missouri    "blue."      Lord's    Day   Alli- 
ince  busy. 

lited  Artists  discard  old  selling  plan,  and 
low  aim  for  volume  business.  Scaling 
prices   accordingly. 

other  Mid-West  chain  formed.  M.  T,  & 
0.  Corp.  organized  in  Chicago  to  spend 
flO,000,000  on  new  theaters. 
ighes  committee  to  recommend  censor 
Soard  be  transferred  to  State  Educational 
Department. 

rst  National  to  hold  sales  convention. 
First  begins  here  April  26  for  Eastern  divi- 
sion. 

Thursday 
est   Coast   deal   to   be   signed   about   March 
7    in    Los    Angeles.       Sol    Lesser's    30    per 
cent  share  to  be  taken  over  by  the  Richard 
Hoyt     Syndicate,     composed     of     Hayden, 
Stone    and    Co.    and    important    First    Na-  \ 
tional     executives.       To     receive     $1,100,000  ( 
for    his    interest.      First    National    franchise  i 
for    Southern     California    included.  I 

g  laboratory  deal  pending.  Extended  nego-  I 
tiations  between  Consolidated  and  Roth-  | 
acker  plans  coming  to  a  close. 

O.    C.    C.    to    hold    conference    to    discuss 
Bronx   and   Queens    first   run    situation. 
wis  and   Vital  trying  to  reorganize.     David  | 
Hochreich     announces     formation     of     new 
company,    World    Wide    Films. 

Friday 

ithc  earnings  for  1925  expected  to  reach 
peak. 

m  stocks  on  the  Exchange  active.  _  Report 
that    Famous    plans    new    issue    denied, 
icond    class    at    Publix    Theater    Managers' 
■Training     School     started.       Twelve     Para- 
mount   managers    taking    course. 

Saturday 

esident    signs    Revenue    Bill    exempting    tax 
on   admissions    up    to   seventy-five   cents, 
ooking    combination    in     Chicago    may    gain 
impetus   through   backing   of    Fox   organiza- 
tion. 

jurteen  new  theaters  under  way  in   Chicago, 
heater  deal  in  Germany  makes  Emelka  sec- 
ond  largest    company    there, 
orth     American     Theaters     deal     with     Pan- 
tages  circuit  still  being  discussed. 


1 4  Chicago  Houses 

Chicago  —  No  less  than  14 
new  theaters  will  be  built  in 
Chicago  during  1926.  Many  of 
them  have  already  been  started. 
It  is  quite  probable  that  there 
will  be  more. 


Propose  More  Drastic  Law 

Little  Rock,  Ark. — Censorship  more 
severe  than  any  proposed  in  Little 
Rock  is  embodied  in  the  new  legis- 
lation suggested  by  City  Council.  Off- 
setting the  local  rules,  which  have 
been  in  force  for  nearly  two  years, 
this  new  ordinance  was  approved  by 
the  local  board  of  sensors  also. 

Under  the  regulations  of  the  ordinance, 
ridicule  of  the  18th  Amendment,  or  aTiy 
scene  in  which  drinking  is  made  attractive, 
or  any  scene  which  portrays  drinking  in 
violation  of  the  Volstead  Act,  is  an  infrac- 
tion of  the  laws  of  the  ordinance,  the  pen- 
alty being  a  fine  of  from  $50  to  $200.  Other 
provisions  prohibit  nakedness.  All  scenes  de- 
picting obscenity  or  suggestiveness,  in  mar- 
riage or  lovemaking,  are  barred.  No  sho\ys 
which  portray  the  life  of  the  underworld  in 
an  attractive  way,  love  scenes  between  whites 
and  negroes,  white  slavery,  long  love  scenes 
or  ridicule  of  religion  or  patriotism  can  be 
exhibited. 

The  ordinance  was  referred  to  the  Police 
Committee. 


Plan  Theater  for   Salt  Lake 

Salt  Lake  City— A  new  theater  will 
soon  be  erected  in  the  Westerly  sec- 
tion, if  present  plans  of  Lee  Stall- 
ings,  of  Richfield,  Utah,  and  Clifton 
Pierce,  of  Brigham,  materialize.  The 
theater  will  seat  400. 


Protest    Bans    Rochester    Permit 

Rochester,  N.  Y.— The  City  Coun- 
\  has  refused  to  grant  penrission 
S.  Vclpe  to  erect  a  $200,000  the- 
ter  on  Culver  Road  at  Rosewood 
errace.  Volpe  sought  permission  to 
uild  a  house  seating  900.  Protests 
cm  citizens  in  the  vicinity  of  the 
roposed  theater  was  the  reason  for 
le    Council's    refusal. 


ieneral  Amusements,  Ltd.,  Chartered 

Toronto  —  The  General  Amuse- 
lents,  Ltd.,  has  been  chartered  at 
•ttawa  with  capital  of  $20,000.    This 

the  new  company  headed  by  Donat 
aquin,  which  has  leased  the  Im- 
erial  at  Ottawa.  Paquin  also  oper- 
les  the  Eden  and  Laurier  at  Hull. 


Zasu  Pitts  in  "Early  to  Wed" 
Hollywood — Zasu  Pitts  has  been 
-st  for  a  part  in  "Early  to  Wed." 
latt  Moore  and  Kathryn  Perry  play 
lie  loads.  Fox  has  added  Ethel  Gray 
>rry  to  the  cast  of  "Hard  Boiled." 


New  Film  Board  in  Canada 
St.  Johr.  N.  B. — A  new  Maritime 
I- ilm  Board  of  Trade  has  oeen  formed 
here,  with  the  following  officers: 
President,  R.  March;  vice-president, 
P.  Hogan;  and  secretary-treasurer, 
W.  Sault. 


7,500  More  Seats 

(Contimied  from  Page   1) 

on  West  Irving,  seating  2,500.  It 
will  be  ready  by  Oct.  1,  and,  besides 
the  theater,  will  include  an  18  apart- 
ment and  office  building.  Mitchell 
Bros,  are  sponsoring  the  project. 

The  Lawndale  Theaters  Corp.  will 
erect  a  $1,000,000  house,  with  3,000 
seats,  at  Roosevelt  Road  and  Kom- 
ensky  Ave.  Stores,  offices,  apart- 
ments and  a  bowling  alley  will  be 
part  of  the  structure. 

Glenn  Ellyn,  a  suburb,  will  have  a 
2.000  seat  house,  costing  $300,000. 
This  one  is  backed  by  Charles  Hadley, 
of  Wheaton,  Roy  Spaulding  and  A.  C 
How,  of  Glen  Ellyn.  Edward  Mc- 
Laughlin and  John  Mitchell  have 
leased  the  theater  for  20  years. 


Start  $125,000  Seattle  Theater 

Seattle — Construction  has  started 
on  the  $125,000  Granada  on  Califor- 
nia Ave.  and  Hudson  St.,  West  Seat- 
tle. The  building  is  being  erected 
for  George  Herpwick  and  Frank  Ed- 
wards, now  operalting  the  Winter 
Garden.  The  new  theater  will  be  one 
of  the  largest  suburban  play  houses 
in  this  vicinity  and  will  seat  1,000. 
The  building  is  to  be  completed  bv 
May   15. 


New    One   for    Schine    Chain 

Rochester,  N.  Y.  —  Negotiations 
have  been  completed  by  the  Schine 
Theatrical  Co.  for  the  erection  of  a 
new  theater  at  1337-1343  Main  St. 
east.  The  new  structure  will  seat 
1,500. 


Acquire  Additional  Territory 

Denver— The  Denver  Theater  Sup- 
ply Co.  has  taken  on  additional  ter- 
ritory as  representatives  of  the  Motio- 
graph  De  Luxe  Projector.  The  new 
territory  is  Arizona  and  Southern 
New  Mexico. 


Bill  Warner  in  Charge 

Kansas  City — Bill  Warner,  repre- 
sentative of  First  National  in  the  key 
cities,  has  been  named  temporary 
manager  of  the  local  office,  pending 
the   recovery  of  Tom   Byerle. 


Bar  Films  in  Boston  Temple 

Boston — The  opposition  of  mem- 
bers of  Tremont  Temple  to  the  ex- 
hibition of  pictures  in  the  Temple 
building  has  resulted  in  the  executive 
committee  voting  to  discontinue  this 
policy. 

First  Manager,  Now  Salesman 

Salt  Lake  City— C.  F.  Parr  has 
tendered  his  resignation  as  manager 
for  P  D.  C.  to  join  M.-G.-M.  as  sales- 
man, covering  Idaho.  He  is  succeeded 
by  Al  O'Keefe  of  Denver. 

Cleveland  House  Burns 

Cleveland— Fire  broke  out  m  the 
Madison,  9613  Madison  Ave.,  during 
a  matinee,  and  caused  damage  esti- 
mated at  $2,000 

Raymond    Quits    Publicity    Post 

Kansas  City  —  Charles  Raymond, 
publicity  manager  of  the  Ne^vman 
and  Royal,  has  resigned.  He  will  go 
to  the  Coast. 

In  the  Courts 

Cumberland,  Md.— A  jury  in  the 
suit  of  the  Palace  Theater  Co.,  Inc., 
of  Frostburg,  against  the  Superior 
Fire  Insurance  Co.,  Inc.,  Pittsburgh, 
tried  in  the  Circuit  Court,  brought  in 
a  verdict  for  $3,198  in  favor  of  the 
theater  company. 


Property  Leased  for  New   House 

Toledo,  O. — First  actual  movement 
of  tenants  to  make  way  for  the  15 
story  office  building  and  theater  to 
be  built  at  Adams  and  Huron  Sts. 
by  Orro  L.  Brailey  and  Famous  oc- 
curred when  Jamles  F.  McManus, 
president  of  the  McManus-Troup  Co.. 
announced  the  completion  of  negotia- 
tions for  a  long  term  lease  on  prop- 
erty at  713-15  and  17  Jefferson  Ave. 


Indian  River  Company  Building 

Titusville,  Fla. — The  Indian  River 
Theatrical  Enterprises  is  erecting  a 
$250,000  theater  here,  which  is  ex- 
pected to  open  the  latter  part  of 
March. 


Fails   to    Exercise   Theater   Option 

Springfield,  Mo. — Universal  did  not 
exercise  the  option  which  it  held  on 
the  Jefferson.  S.  E.  White  is  the 
present  lessee. 


WATCH   THIS  SPACE  FORC 

GREATER 


Theater  in  New  Masonic  Temple 

Roseville,  Cal— With  the  interior 
decorators  already  at  work  on  the 
structure,  Roseville  Masons  are  mak- 
ing plans  for  the  dedication  of  their 
new  temple  about  April  1st.  The 
lower  floor  has  been  leased  by  the 
West  Coast  Theaters  for  a  picture 
theater. 


Another  for  Chamberlain,  Comerford 

Williamsport,  Pa.  —  Chamberlain 
and  Comerford  interests  will  erect  a 
$625,000  theater  on  the  site  of  the 
old  Sterling  hotel.  It  will  seat  over 
2,500.      Work    will    start   shortly. 

Buys  Two  WoodviUe  Houses 

Woodville,  Tex.— E.  A.  Swearin- 
gen  has  purchased  the  Crescent  and 
Airdome  from  E.  B.  Buffington  and 
has  already  taken  possession. 

To  Represent  Enterprise  in  'Frisco 
San  Francisco— The  Enterprise  Op- 
tical Mfg.  Co.,  of  Chicago,  who  manu- 
facture the  motiograph  machine,  has 
appointed  Preddy  Supply  Co.  as  their 
distributor  here. 


Exhibitors  to   Back   Local   Film 

Akron,  O.— H.  S.  Wagner,  director 
of  the  Summit  County  metropolitan 
park  board,  states  that  the  Akron  M. 
P.  T.  O.  has  agreed  to  finance  mo- 
tion pictures  of  winter  and  summer 
scenes  of  beauty  spots  in  the  county. 
A  well  known  Akron  merchant  has 
donated  3,000  ft.  of  film. 


PRODUCTIONS 


1926-27 

"THE  GOLDEN  WEB" 
by  E.  Phillips  Oppenheim 

"PETER  THE  GREAT" 

in 
'KING  OF  THE  PACK" 

"SINEWS    OF    STEEL" 

6y  E^.  J.  Meagher 

'♦QUARANTINED 
RIVALS" 

by  George  Randolph  Chester 


i 

I 
I 

! 

i 


I 


i 

i 

i 

i 

I 

i 
i 


I 

I 

I 

i 

I 
i 

I 

I 

i 


You'll  Find  One  Everywhere 

1926  FILM  YEAR  BOOK   NOWi  BEING   DISTRIBUTED 


The  Recognized 

Reference  Book  of  the 

Film  Industry 


Used  constantly  by   Exhibitors, 

Editors,  Producers  and  Film  Folk 

Generally,  The  World  Over 


-Cloth  bound  for  permanent  use. 

■Gold  Stamped— Nearly  900  pages. 

-A  mine  of  information. 

-Authentic  reference  data  on  produc- 
tion, distribution,  exhibition  and 
foreign  market. 

-A  year  in  the  making. 

-A  ready  reference  guide  to  answer 
your  questions. 

-1001  subjects  of  interest  to  everyone 
in  M.  P.  Industry. 

-Address  of  all  theatres,  studios,  com- 
panies, publications,  state  righters, 
agents,  etc. 

-A  complete  production  chart  of  all 
productions,  with  producer,  director, 
star  and  footage. 

-Filmdom's  Encyclopedia. 

-You'll  find  one  everywhere. 


Price,  $5.00  a  Copy 

OR 

FREE  TO 

FILM    DAILY 

SUBSCRIBERS 

Cut  It  Out! 

TO 

The  Film  Daily 

1650  Broadway 

To-day 

•^  Date    

T^T  Enter  my  yearly  subscription  to  The  Film 

1^1  ^^V  AT  Daily     immediately,     including     Short     Subject 

1  ^  \J  wlf  Numbers,    Directors    Number    and   a    Copy   of   the 

•        ^^  ..-■'        1926  Film  Year  Book,  herewith  my  check  for  $10.00 

NAME    

THEATRE  

ADDRESS 


t 


MiMto 


THE 


iday,  February  28,   1926 


i^^ 


DAII.Y 


197 


sjewspaper  Opinions 

"The  Cohens  and   Kellys" 

Universal 

Colony 

MERKAN— *  *  *  Except  for  a  few 
es  Ml  rather  poor  taste,  "The  Cohens 
Kellys"  is  a  picture  which  should  delight 
followers  of  the  "Abie's  Irish  Rose"  and 
sher  Kitty  Kelly"  school  of  comedy. 
* 

AILY  NEW.S^*  *  *  Enough  tears  are 
I   by    the   Cohens   and    the    Kellys   to    wash 

snow     off    the    streets.       They    fight    and 

and,  at  last,  they  smile,  but  the  story, 
:h    has   been    used    so    many    times    tliat    it 

bit  frayed,  seemed  to  us  fearfully  long 
vn   out.    ♦   •   • 

VENING  JOURNAL—*  *  *  Slapstick 
edy  built  on  verbal  and  gesticulatory  ar- 
ents.  The  only  difference  between  it  and 
ie's    Irish    Rose"    is    that    in    this    tale    it's 

Irish     lad     who     loves     the     Jewish     girl. 


VENING  WORLD—*  *  *  George  Sid- 
and  Vera  Gordon  and  Charlie  Murray 
Kate  Price  as  the  Cohen  and  Kelly  par- 
indicate  that  they  could  have  made  ex- 
nt  comedy  with  a  semi-passable  story, 
ch  they  did  not  have.  Harry  Pollard 
3ted  and  directed  the  picture  and  deserves 
blame.    •    •    * 

ERALD-TRTBUNE— *    *    *    The    entire 
edy    was,    I    thought,    excessively    witless, 
then    it    amused    me    about    as    much    as 
''Abie's    Irish    Rose."      In    the    entire   pic- 
;    there    are,     I    suppose,    ten    legitimately 
ising    moments.      There    are    provided    en- 
ly   by   the  acting   of   such   competent    play- 
as     George     Sidney,     Vera     Gordon,     and 
rlie  Murray.   *  *  • 
llORNING    TELEGRAPH—"     *     *     The 
gives     all     that     is     necessary     to     know 
ut   the  story,   but   it  doesn't   begin   to   give 
n    an     idea    about    all    the    glycerine    that 
used   in   the  many   heart-throbbing   scenes 
about    the    Irish-Jewish    gags    which    have 
n    cleansed    of    the    dust    of    years    to    form 
backbone  of   this    "comedy."   *   *   • 
OST — *    *    *    Some    unusually    clever   per- 
has    hit    upon    the    notion    of    having    the 
h  son   fall  in   love   with   the  Jewish   daugh- 
instead    of    the    other    way    around,    and 
result    will    probably    delight    the    souls   of 
se  discriminating  patrons  of  the  drama  who 
e  already  managed   to   see   "Abie"   four   or 
times.   *   *  * 
UN — *     *     *     It    is    cheap,     manufacutred 
l)ie's   Irish    Rose"    hokum. 

have    not    recently    seen    such    a    cinema 

ich    gave    pff    to    such    an    extent    the    air 

having   been    put    together,    bit    by    bit,    for 

box   office   purposes   as    "The    Cohens   and 

llys."     ♦     ♦    * 

TELEGRAM—*  *  *  This  rehash  of  in- 
nerable  anaemic  variations  of  the  "Abie's 
ih  Rose"  theme  will  probably  still  find 
ne  votaries  who  want  to  sigh  when  the 
hen's  sigh  and  cry  when  they  cry.  which 
)pens  at  not  infrequent  intervals.  ♦  ♦  * 
TIMES — *  *  *  Good-natured  horseplay 
ips  through  "The  Cohens  and  the  Kel- 
"  •  •  ♦  vvhich  appeals  to  one  as  a  sort 
step-child  of  "Abie's  Irish  Rose."  It  is 
eptionally  well  cast.  *  •  • 
kVlORLD —  *  *  *  a  rickety  old  wheeze 
ed  on  Irish-Jewish  marital  entanglements 
ich  runs  the  accustomed  length  of  time 
1  is  scarcely  ever  what  you  might  call 
Dd.    »   *   * 


The   Girl   from   Montmartre" 
.  First    National 
Rialto 

AMERICAN—*     *    *     From    the    cabarets 

Paris    to    the    dance    halls    of    Spain,    "The 

rl   from   Montmartre"    wanders,   pausing   oc- 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  I  N  S 

Spocialista  in  Motion  Picture 

and  Theatrical  insurance  for 

the  past  fifteen  years. 

Arthur  W.  Stebbins  &  Co.,  Inc. 
1540  Broadway  N.  Y.  C. 

Bryant  3040 


I 


casionally  for  a  peek  at  a  gambling  house. 
The  story  never  seems  quite  sure  where  it 
IS    going.    ♦    »    • 

T  ^iV^'T  MIRROR-*  •  *  She  (Barbara 
La  Marr)  is  exquisite  in  this  picture.  Gone 
IS  the  vo'uptuous  lure  of  previous  produc- 
tions. Gone  is  the  abundance  of  sex  appeal 
that  made  her  a  screen  vamp.  There  is  a 
lovely,  etheral  quality  about  this  film,  gallant 
film  shadow  that  stirs  sadness  and  awe  in 
one's     heart.*   *   * 

EVENING  JOURNAL— *  *  *  the  last 
picture  in  which  the  late  Barbara  La  Marr 
appeared.     ♦   *   ♦    It's    a    melodramatic    story. 

EVENING  WORLD— ♦  *  »  It  is  just 
about  as  near  cinema  hash  as  could  be 
imagined,  and  is  less  because  of  the  acting 
than  because  of  the  story.  The  title  and  the 
final  subtitle^"You'd  Marry  Me,  Knowing 
What  the  People  Say  About  Me?"— will 
tell  the  tale  to  those  who  have  a  morbid 
mterest     in     motion     picture     garbage     cans. 

GRAPHIC—*  *  *  We  feel  glad  that  this 
last  picture  shows  Barbara  La  Marr  in  her 
real  nature — a  generous,  impulsive,  whole- 
souled  and  loving  girl,  wlio,  despite  her  hectic 
environment,  has  the  wisdom  to  know  the 
true   from    the   false.    ♦   ♦   ♦ 

HERALD-TRIBUNE—*  *  *  Miss  La 
Marr's  last  vehicle,  it  is  my  unpleasant  duty 
to  report,  is  a  dull  and  conventional  roman- 
tic drama,  with  the  star's  flaming  presence  its 
only  asset.  The  heroine  is  one  of  those 
masked  dancers  of  Paris  of  whom,  if  we 
can  believe  the  motion  pictures,  there  must 
be    millions.    ♦    •    ♦ 

MORNING  TELEGRAPH—*  *  *  A  great 
deal  of  sunlight  has  been  retained  in  the 
process  of  transferring  the  story  to  the  screen, 
but  it  would  seem  that  about  everything  e'se 
has  been  overlooked  for  the  characters  are 
unreal,  chiefly  because  their  motives  are  not 
understandable.  Titles  by  George  Marion.  Jr.. 
do  little  or  nothing  to  solve  the  puzzle,  but 
only   add   to   the  confusion.    ♦   *    • 

POST — *  *  *  So  many  ppop!e  in  this  film 
are  equipped  with  unexplained  "pasts"  and 
so  many  others  seem  to  be  included  for  the 
one  purpose  of  complicating  the  plot  that  it 
is  difficult  to  say  exactly  what  went  on  after 
tlie  war  closed  and  everybody  went  back  to 
sunny    Spain.    ♦    ♦    * 

SUN — *  *  *  The  movie  is  second  rate 
pictorial  m.elodrama.  It's  ramifications  are 
unimportant  and  not  worth  remembering. 
Due  to  efficient  acting,  it  reaches  a  notch 
slightly  below  the  level  of  the  average  pro- 
gram picture.  *  »  »  Mjss  La  Marr's  image 
is    distinctly    beautiful.    ♦    *    ♦ 

TELEGRAM—*  *  *  There  is  much  danc 
ing,  fighting,  shooting,  scheming  and  love 
making  to  be  digested  before  ye  old-fashioned 
church  looms  in  the  moonlight,  but  with 
all  its  action  the  piece  lacks  homogeneity 
and  histrionic  distinction.   •   *   * 

WORLD — *  *  *  A  comedy  of  no  special 
merit,  but  rather  one  stamped  with  the 
frenzied  production  plans  which  rushed  in 
upon  its  directors  wlien  the  star,  grown  too 
ill  to  go  on,  was  taken  out  of  the  cast,  so 
the  story  goes,  and  replaced  by  a  young 
woman    who    looked    a    great    deal    like    her. 


"Ibanez'    Torrent" 

Metro-Goldwyn-Mayer 

Capitol 

AMERICAN—*  *  *  Monta  Bell  directed 
"Ibanez'  Torrent,"  which  means  a  carefully 
chosen  cast  and  sensitive  direction.  This 
sympathetic  tale  of  a  singer,  who  finds  every- 
thing but  the  simple  love  she  longs  for, 
lias    been    beautifully    and    effectively    filmed. 


Distributors  - 


We  can  furnish  you 
with  HERALDS  at 
prices  that  will  save 
you  real  money. 

Send  for  samples  and  prices 

National  Poster  &  Ptg.  Co. 

729  S.  Wabash  Ave. 

Chicago 


DA.ILY  MIRROR—*  *  *  In  Greta  Garbo, 
Swedish  actress,  the  screen  welcomes  a  grace- 
ful, s  ender  girl  who  capitvates  with  her 
youth,  allure  and  vitality.  She  is  highly 
individualistic  and  dashing  as  the  tcmpestu 
ous  Leonora,  famous  prima  donna,  though 
in  a  remote  way  she  resembles  Carol  Demp- 
ster  and    Natacha    Rambova.    «    »    ♦ 

EVENING  JOURNAL—*  *  *  Miss  Garbo 
makes  her  American  debut  in  "Ibanez'  Tor 
rent"  at  the  Capitol  this  week,  and  the 
combination  of  star,  story  and  director  is  an 
excellent  one.  It's  a  highly  romantic  tale, 
laid    in    Spain.    *    '*    * 

EVENING  WORLD— *  *  *  The  produc 
tion  is  beautifully  conceived  and  executed. 
Motita  Bell's  handing  of  provincial  types 
and  small  town  characters  is  again  excellent. 
The  humor  is  sly  and  mildly  satirical.  The 
characters  are  people.  The  action  is  natural 
and   sincere.    *   *   ♦ 

GRAPHIC— *  *  *  The  shots  of  the  torrent 
might  have  been  thrilling  if  they  had  been 
brought  in  in  a  convincing  sequence,  but 
as  it  is,  they  seemed  to  be  dragged  in.  This 
is  not  one  of  Monta  Bell's  (the  director's) 
best  efforts.  The  picture  is  decidedly  choppy, 
which  may  be  due  to  bad  cutting.  In  any 
event,    it   lacks   dramatic   climaxes.    *    *    * 

HERALD  TRIBUNE— *  *  *  Pictorially  it 
is  lavish,  tasteful  and  always  beautiful.  Dra- 
matically it  is  effective  and  succeeds  in  cap- 
turing to  a  considerable  degree  a  half-tear- 
ful   romantic    spirit    that    is    appealing.    *    •    * 

MtVRNING  TELEGRAPH— *  *  *  It 
shimmers  with  beauty,  intelligence,  skill  and 
at  all  times  is  a  p'easure  to  contemplate. 
Audiences,  however,  have  a  way  of  demand- 
ing more  than  a  fine  production  in  deciding 
the  merits  of  a  picture.  That  is  why  "The 
Torrent,"  in  spite  of  Ibanez,  Monta  Bell  and 
all  the  others  who  are  given  screen  credit 
have  not  made  more  than  a  passing  picture. 
♦    ♦    * 

POST — *  *  *  Has  a  rain  storm  followed  by 
a  flood — a  sad,  sad  love  story,  slow  moving 
plot  matter — and  Greta  Garbo.  Movie-goers 
with  violent  objections  to  stories  with  so- 
called  unhappy  endings  may  not  enjoy  "Iban- 
ez" Torrent,"  but  nobody  can  help  enjoying 
Miss  Garbo,  recent  importation  from  Swed- 
en.  *  *   * 

SUN — *  *  *  The  film  is  a  Spanish  love 
tale,  a  tracing  of  the  lives  of  sweethearts 
who  were  not  destined  for  one  another.  The 
audience  obviously  enjoyed  its  manufactured 
melancholies  and.  as  far  as  the  writer  is  con- 
cerned, ""The  Torrent"  is  far  better  than 
average    Spanish    hokum.    *    *    •■ 

TELEGRAM — *  *  *  Without  laying  claim 
to  any  particular  brilliance  or  distinction,  it 
is  an  honest,  conscientious  piece  of  work 
that  affords  scope  for  more  than  mere  optical 
exertion  on  the  part  of  the  audience.  It 
would  not  lose  much,  however,  by  the  elimi- 
nation of  one  or  two  color  effects  that  havp 
been  used  to  glorify  the  opening  scenes.   •  »  * 

TIMES—*  *  *  Greta  Garbo,  a  Swedish 
actress,  who  is  fairly  well  known  in  Germany, 
makes  her  screen  bow  to  American  audi- 
ences. As  a  result  of  her  ability,  her  un- 
deniable prepossessing  appearance  and  her  ex- 
pensive taste  in  fur  coats,  she  steals  most 
of  the  thunder  in  tliis  vehicle,  which  was 
directed   by   Monta   Bell.    •    *   * 


r^OSTUMES 

>^  GOWNS— UNIFORMS   L^ 

FOR  EVERVBOOy  WHO  IS  ANYBOOy 
ON  THE  STAGE  OR  SCREEN..£XCLUSIVE<- 
DESIGNS  By  LEADING  STVLE  CREATORS 

BROOKS  "'^'^^''^ 


'NEWyORK 


-ALSO  IS.OOO  COSTUMES  TO  BENT- 


Hotel  Christie 

in 
Hollywood 

One  of  California's  finest  hotels, 
locaied  in  (he  lienrl  of  the  busi- 
ness (lisliict  of  Hollywood, 
famous  loh!)y,  personal  service, 
sensible   prices. 

R.    J.    M:itbesoi) 
Owner  MaiiaK<'i 


WORLD—*  *  •  In  it  there  are  to  be 
found  numerous  extremely  pretty  pictures, 
flashes  of  brilliance  in  photography,  an  oc- 
casional episode  of  equisite  treatment  in  se- 
quence, and  a  new  actress — Swedish — who  is 
fairly  good  looking  and  pretty  terrible  as 
an    actress.    •    ♦    ♦ 


Earle,  Atlantic  City,  Opens  July  4th 

Atlantic  Cit}',  N.  J.— The  Staiile)- 
Co.'s  new  Earle  will  be  ready  for 
formal  opening  on  July  4th.  The 
house  will  have  a  policy  of  vaudeville 
and   pictures. 


New   Gemiantown   House 

Philadelphia  —  Colder  Bros,  will 
erect  a  new  1,000  seat  theater  in  Ger- 
mantown  at  Chelten  and  Ogotnz 
Aves.,  to  cost  $200,000. 


Kapner  to  Build  Philadelphia  House 
Philadelphia — L.  Kapner,  owner  of 
the  Park  and  Jefferson,  will  erect  a 
house  at  31st  and  Diamond  Sts.,  to 
seat   1,800. 


Specify 


Raw  Stock  for  QUALITY 

Sole  Distributors: 

FISH-SCHURMAN  CORP. 

45   West  45th   Street 
N.    Y.    Bryant    7243 


irresiifrilms 


KIISSELLMS 


i  HALPERIN 


UNIFORMS 

For  Ushers,  Door- 
men, Footmen.  Or- 
chestras, Bands, etc. 

Made  to  individual 
measures,  fit  guaran- 
teed. Special  cata- 
logue, with,  correct 
up-to-date  st-jles,  and 
samples  sent  free 
postpaid. 

WESTERN  UNIFORM  CO. 

206  So.  CI«rU  Street 
Chicago,  III. 


W  u  V 


t 


m 

Hi 


iTi 


Mi 


i 


H 
H 


pi 


Sm9 

V  V  W 


t 


w\ 


iTi 


4i 


Ci^i 


ill 

Glc 


iivi 


"Ike 


1^ 


<^Btt 


i^": 


HOLLYWOOD 
HAPPENINGS 


:S^BRAOSTREn 
o/'FILMDOHi 


^         fl^HB 

^ 

Jrtf  Vn^^  2»«RE€0CNIZED 

^^m^^  ^  ^^  Authority 

Han-t^}'  E.  Qciusnian 

ephone  Granite  3980 


Sunday,  February  28,  1926 


6411  Hollywood  Blvd. 


"U"   Buys  Stories 

li versa!  has  purchased  "Beware 
Widows,"  from  the  stage  success 
CJwen  Davis,  for  Reginald  Denny. 
[\il  Taxi!"  a  Saturday  Evening 
4  story  by  George  Weston,  Pat 
\lallev    to    probably    be    featured 

'Tal<e  It  from  Me,"  musical  com- 

by   William  Johnston. 


Cast  for  "Old  Soak"  Filled 

he  cast  of  Universal's  "The  Old 
ik,"  to  be  directed  by  Edward  Slo- 
11,  has  been  completed  with  Jean 
rsliolt  starring  and  George  Lewis, 
K'  Marlowe,  Louise  Fazenda, 
Drge  Siegmann,  William  V.  Mong, 
rtrude  Astor,  Lucy  Beaumont  and 
da  Gleason.  Camera  work  has 
rted. 


Gordon  in  "Runaway  Express" 

anies  Gordon  has  been  signed  for 
role  in  "The  Runaway  Express," 
ich  Edward  Sedgwick  is  directing 
Universal.  Blanche  Mehaffey, 
:k  Daugherty,  Harry  Todd,  Les 
lor,  Tom  O'Brien,  Charles  K. 
snch  and  William  Steele  fill  the 
it. 


"The  Love  Thief"  Started 

'The  Love  Thief,"  Norman  Kerry's 
thcoming  Universal  picture,  will 
rt  this  week  with  Greta  Nissen. 
irc  McDermott,  Charles  Puffy, 
gel  Borrie  in  the  cast.  John  Mc- 
rmott,  directing. 


Dexter  on  "Stella  Maris"  Tour 

Elliott  Dexter,  who  supports  Mary 
lilbin  in  "Stella  Maris,"  will  tour 
;  country  in  a  one  act  play  in  con- 
ction  v.ith  the  picture. 


Sigmund    Moos    Back 

Sigmund  Moos  has  returned  from 
irope,  resuming  activities  at  Uni- 
rsal  City  as  head  of  the  leasing  de- 
rtment. 


Jackson  Adapts  "The  Big  Gun" 

Josepli  Jackson  has  completed  the 
laptakion  of  "Thti  Big  GunyT  a 
ive!  by  Richard  Berry,  for  Uni- 
rsal. 


Added  to  "Love  Thief" 

Jack  Santoro  has  been  added  to  the 
St  of  "The  Love  Thief,"  Universal 
eduction. 


Tiffany  at  Fine  Arts 
Tiffany  Prod,  has  made  its  head- 
larters  at  Fine  Arts  Studio,  and  will 
art  "Vindicated,"  a  story  by  Ar- 
ur  Strmger,  with  L.  J.  Gasnier  di- 
eting. 


Dorothy  Devore  Signs 

Dorothy  Devore,  until  two  weeks 
JO  a  contract  player  with  Warners. 
IS  signed  to  play  opposite  Edward 
verett  Horton  in  a  Hutchinson  pro- 
4ction  for  Associated  Exhibitors. 


Theaters   Under  Way 

Plans  are  being  prepared  by  John 
Paxton  Perrine  tor  the  erection  of  a 
theater  building  on  C.  St.  between 
Third  and  Fourth  Sts.,  San  Diego,  for 
Kass  &  Ruben.  The  structure,  which 
will   cost  $400  000,  will  seat  2,000. 

Plans  are  under  way  for  a  $400,000 
theater  at  Vine  St.  and  Hollywood 
Blvd.,  by  Myron  Hunt  and  H.  C. 
Chambers,  for  Cecil  B.  De  Mille.  It 
will  accommodate  1,100. 

Plans  are  being  made  by  Morgan, 
Walls  &  Clements  for  the  erection 
of  a  $150,000  theater  building  at  6120 
Hollywood  Blvd.,  for  the  Hollywood 
Music  Box,  Inc.     To  seat  950. 


Barthelmess  At  Work 

Richard  Barthelmess  started  on 
"Ranson's  Folly"  at  the  Marshall 
Neilan  studio  last  week.  Sidney  Ol- 
cott  is  directing  with  Dorotliy  Mac- 
kaill,  Pat  Hartigan,  William  Norton, 
Baily,  Brooks  Benedict,  Col.  C.  T. 
Smith  and  Colleen  Ness  Grover  in  the 
cast. 


Dean  Starts  Third 

Priscilia  Dean  has  started  on  "The 
Dice  Woman,"  her  third  Metropoli 
tan  production.  John  Bowers,  Gus- 
tave  von  Seyffertitz,  Malcolm  Denny, 
Lionel  Belmore,  Phillips  Smalley  and 
George  Kuwa  are  in  the  cast.  It  was 
written  by  Percy  Heath,  who  also 
prepared  the  continuity.  Georges 
Benoit   is   cameraman. 


Complete  "Donald  Norton" 

"The  Test  of  Donald  Norton,"  at 
Chadwick,  h,as  been  completed. 
George  Walsh,  Eugenia  Gilbert,  Ed- 
ward Coxen,  Evelyn  Selbie,  Tyrone 
Power,  Micky  Moore,  Virginia  True 
Boardman  Robert  J.  Graves,  Vir- 
ginia Marshall.  John  T.  Dillon  and 
Frank   Lanning   are    in   the    cast. 


"Desert  Healer"  Nearly  Finished 

Marion  Fairfax  expects  to  finish 
"The  Desert  Healer"  this  week 
Lewis  Stone  has  the  title  role  and 
Maurice  Tourneur  directed.  Barbara 
Bedford  has  the  feminine  lead.  Others 
are  Tul!y  Marshall,  Walter  Pidgeon 
Katherine  McDonald,  Arthur  Rankm 
Ann  Rork  and  Albert   Conti. 


Cast  for  "Beau  Geste" 

Mary  Brian  has  been  awarded  a 
featured  role  in  "Beau  Geste."  The 
cast  now  includes  Ronald  Colman, 
Neil  Hamilton,  Ralph  Forbes,  Buddy 
Rogers,  Alice  Joyce,  Wallace  Beery 
and  Norman  Trevor. 


Appointed    to    Film    Congress 

Edward  L.  Bernays  of  New  York 
has  been  appointed  Connnissioner  for 
the  United  States  of  the  International 
Film  Congress  to  be  conducted  in 
Paris  next  June.  The  congress  is  the 
result  of  a  resolution  adopted  by  the 
League  of  Nations  in  July,  1924,  and 
will  convene  June  26,  it  was  said. 


Willard  Louis  in  Henley's  Next 

Willard  Louis  will  appear  in  Hob- 
art  Henley's  next,  "Bellamy,  the  Mag- 
nificent," to  be  produced  early  in 
March. 


Added   to    "Silence"    Cast 

Virginia  Pearson  and  Louis  Na- 
theaux  i'ave  been  added  to  the  cast 
of  "Silence."  Rupert  Julian's  latest 
for  De  Mille. 


Goldberg  on  Comedies 

Jesse  Goldberg  is  making  a  series 
of  two  itel  comedies  for  Tennek  Film 
Corp.,  starring  Sid  Smith.  The  first 
"North  of  6ys,"  has  been  finished  and 
the  second   is   now   in   production. 


Monitague  Love  in  Valentino  Film 

Monta.o;ue  Love  has  been  selected 
to  play  the  villain  in  Rudolph  Valen- 
tino's next,  "The  Son  of  a  Sheik." 
Production    starts    this    week. 


Helen  Eddy  in  "Padlocked" 

Helen  Jerome  Eddy  has  l)een  added 
to  the  cast  of  "Padlocked,"  which 
Allan  Dwan  is  directing  for  Fam- 
ous. 


Sign    Florence    Ulrich 

Florence  Ulrich  has  been  signed 
to  play  the  feminine  lead  in  "The 
Love  Fighter,"  to  be  produced  by 
Van  Pelt  Prod,  at  the  Wolcott  stu- 
dios. 


Logan  Comoletes  Film 

Jacqueline  Logan  hrs  concluded 
work  as  leading  lady  to  Tom  Mix 
in   "Tonv   Runs   Wild." 


"Young  April"  for  De  Mille 

"Young  .Xpril,"  Egerton  Castle's 
romance,  has  been  secured  by  Cecil 
B  De  Mille,  and  Joseph  Schildkraut 
will  plav  the  leading  role.  Jeanie 
Macphcrson  is  working  with  Doug- 
las  Doty  on   the   adaptation. 

Garson  Prod,  at  Fine  Arts 

Harry  Garson  Prod,  starring  "Lef- 
ty" Flynn,  has  established  headquar- 
ters at  the  Fine  Art  Studios. 


Henry    King    Here    Again 

Henry  King  has  returned  from  New 
York  to  put  "The  Winning  of  Bar- 
bara Worth"  into  production. 


Smalley  in  "Money  Talks" 

Phillips  Smalley  has  been  added  to 
the  cast  of  "Money  Talks,"  now  be- 
ing directed  by  Archie  Mayo  at  M.- 
G.-M. 


"The  Bat"  Finished 

"The  ].'at"  lias  just  been  finished  by 
Roland  West.  The  cast  includes 
Jewel  Carmen,  Jack  Pickford,  Louise 
Fazends,  Emily  Fiizroy,  Robert  Mc- 
Kim,  Tullio  Carminati,  Andre  de 
Beranger,  Eddie  Gribbon,  Arthur 
Houseman,  Charles  Herzinger,  Lee 
Shumway    and    Sojin    Kamiyama. 


Warners  to   Star  Dolores   Costello 

Harry    M.    Warner    will    star    Dol- 
ores Costello. 


Willis  and  Conklin  at  Work 

F.  McGrew  Willis  and  Frank  R, 
Conklin  are  adapting  "Up  in  Mabel's 
Room." 


Webb   with   Columbia 
Robert    Webb    has   been   signed   by 
Columbia  Pictures  as  casting  director. 


Harlan  in  Chadwick  Picture 

Otis  Harlan  has  been  engaged  by 
Chadwick  for  a  part  in  "Winning  the 
Futurity." 


Jones  Back 

F.  Richard  Jones  has  returned  from 
New  York. 


The  ONLY  exclusive 
leasing  plant  in  L.  A. 

Fine  Arts  Studio 

Los   Angeles,    Calif. 

offers  to  producers  the  most 
modern  and  best  equipped  plant 
in  California.  Four  large  stages, 
scores  of  dressing  rooms,  of- 
fices, etc.  Best  of  electrical 
equipment  and  props.  Write 
or  wire  for  details. 

FINE  ARTS  STUDIO 

4500  Sunset  Blvd. 
Los  Angeles,  Calif. 


Mary   Pickford   Finishes    Picture 

Mary  Pickford  has  finally  completed 
"Sparrows"      William    Beaudine 
rected. 


di- 


Boylan    TitUng    Two 

Malcolm  Stuart  Boylan  has  been 
engaged  to  title  "Miss  Brewster's 
Millions"  and  "The  Cat's  Pajamas," 
for  Famous. 


W/ien  tn  Hollywood 
stop  at 

THE  NEW  HOTEL  REGENT  ■ 

Evety  room  ivith  Bath  and  Radio 

A  beautifully  appointed  mocierately    J 
priced   hotel. 

In  the  heart  of  Hollywood 

6162  HOLLYWOOD  BLVD. 

Phone:  Holly.  0487 


! 


200 


I 


I 


li 


ij 


C 


iwi 

m 


^  ±-' 


^ 


Wishing 

Mn  Laemmle 

another  twenty  years^  success 
as  an  Exhibitor 

Geometric  Stamping  Co.   j 


221  East  131st  Street 


Cleveland,  Ohio 


^>'^^0'^a»c)^^<>^^<)-« 


»04^»(>^i»ii^^<)-« 


»'(i^^r  ^^()'«^()4^»()'« 


^Cl-^^f  l-^H^O^^f  I'^^t  l'«^(  H 


Bes/^  Wishes  for 
your  continued  success 


*j*    Congratulations   To 


ADV.  CO    '« 


DISPLAY  CARDS  CUT  OUTS 

BANNERS  GILDING 

1600  BROADWAY 

NEW  YORK 

Phones:  Chickering  3636-3137 


CARL     LAEMMLE 

A  Real  Leader  in  the  Industry 


MOTION  PICTURE  RECORD 

'  The  Only  Weekly  Regional  on  the  Coast ' 

SEATTLE 


ANNIVERSARy 


iHllill'\\\\\W\^ 


W  w   W 


\k 


201 


cjp 


•    • 


iTi 


Ui 


MR.  CARL  LAEMMLE 

PRESIDENT 
UNIVERSAL  PICTURES  CORPORATION 

rhe 
RIALTO  THEATRE 

(IN    THE    NATION'S    CAPITAL) 

WASHINGTON,  D.  C. 

Extends  heartiest  greetings  and  congratu- 
lations, commemorating  your  twenty    • 
years  of  wonderful  achievement 
in  the  motion  picture  world. 


HEARTIEST  CONGRATULATIONS  AND  EVERY 
BEST    WISH    FOR    YOUR    CONTINUED 
SUCCESS  AS  A  LEADER  IN  THE 
FOURTH    LARGEST    IN- 
DUSTRY IN  THE 
UNITED 
STATES 


! 


1? 


FRED  J.  SARR 

Managing  Director 

MOREAU  PRESTON 

House  Manager 


MISCHA  GUTERSON 

Director  of  Music  and  Presentations 

CORBIN  SHEILD 

Director  of  Publicity 


Neo-Gravure  Printing  Co. 

380  Second  Avenue 
New  York 


ART-CLASS        i  With  Every  Good  Wish 


h.ithograph  and  Printing  Co.    \ 

\ 
I 

SEND  THEIR  j 

Heartiest  Congratulations  \ 

and  Every  Best  Wish  \ 

on  Your  20th  Anniversary 


owned  AND  CONTROLLED  BY 
Uneedour  Printing  Sewice 

Twenty    Years    in    the    Printing    Business      | 


to 

CARL  LAEMMLE 

on  his 

Twentieth  Anniversary 

in  the  Motion  Picture  Industry 

FRANKLIN  TRUST  AND 
SAVINGS  BANK 

100  East  35th 


202 


•    •     • 


ill 


I 


i 


11 


i 


qp 


w  A  w 


X 


•  11  • 


•  •  • 


m 
m 


:^ 


'\ii 


ii^4 


Mr.  Carl  Laemmle 


We  beg  to  extend  our  sincere  congrat- 
ulations on  your  20th  anniversary 
as  an  exhibitor.     With  best 
wishes  for  your  continued 

SUCCESS 


MiCHAELSON  Lithograph  Co. 

INCORPORATED 

Alfred  H.  Michaelson,  President 

53-55  THIRTY-THIRD  STREET 
BROOKLYN,  N.  Y. 

Letterheads    -    Billheads    -    Noteheads    -    Statements    -    Envelope! 
Labels    -    Posters    -    Car  Signs    -    Show  Cards    -    Cut  Outs 

Commercial  and  Color  Work 


Mr.   Carl   Laemmle 


President  of  The  Universal  Pictures  Corporation 

New  York  City 

Dear  Mr.  Laemmle : 

As  agents  for  foreign  Authors  and  Play- 
wrights we  wish  to  express  to  you  our 
appreciation  for  the  great  fairness  with 
which  you  always  dealt  with  us. 

Kindly  accept  our  heartiest  congratula- 
tions with  our  best  wishes  for  your  health 
and  prosperity. 

Very  sincerely  yours, 

DR.  EDMOND  PAUKER 
BORY  OSSO 


T^o  (Sari  Jjtemmk 


genius  of  Cinema  Produc- 
tions, the  creator  of  art  and 
beauty,  the  educator  of 
Nations,  the  philanthro- 
pist, the  great  organizer  of 
business  and  patron  of  con- 
temporary art — the  E.  M. 
Diamant  Typographic 
Service  joins  with  his  many 
many  admirers  in  this  in- 
adequate tribute  on  his 
Twentieth    Anniversary. 


Best   Wishes 

on  Your 
20th  Anniversary 


LEITNER'S    EXPRESS    CO.,    Inc 

*  GENERAL  TRUCKING  &  SHIPPING 

I         to  all  Railroads  Depots  and  Steamship  Lines 

\ 
\ 


414-416  West  54th  Street 


JBet.  9th  &  10th  Aves. 


ANNIVERSARY 


c^ 


\k  * 


'jtwiiii\\\\\\\sii 


203 


c 


iv^ 


ongratulations 


«4(S)CI<!^^l?N(3V 


M.  S.  ROSENFIELD 

1540  Broadway 

New  York  City 


State  Right 
Representative 


Foreign 
Distributor 


•     •    • 


E  TOO,  lend  our  voice 
to  add  to  the  thunderous 
congratulations  that  are  being 
"Universally  "tendered  to  that 
master  of  Filmdom — CARL 
LAEMMLE,  on  the  advent 
of  his  passing  the  second 
decade  of  a  career  that  knows 
no  equal ! 

The 

SKILPRINT  CO. 

INCORPORATED 

136  West  21st  Street  New  York 


Congratulations 

to  you 

Mr.   Carl   Laemmle 

on  your 
20th  Anniversary 


Mutual  Window   Cleaning  and 
House  Renovation  Co.,  Inc. 

145  West  41st  Street 
New  York  City 


i 


LIKE  CARL  LAEMMLE 

"BIO" 

CARBONS 


j      Are  Known  Wherever 
Pidures  Are  Shown 


m 


204 


A 


You  can  check  up 

There  is  no  question  about  the  popular 
demand  for  photographic  quality  on  the  screen. 
Your  patrons  expect  it. 

Eastman  Positive  is  the  film  that  carries 
the  quality  of  the  negative  through  to  the 
screen. 

And  you  can  check  up — the  black-lettered 
identification  "Eastman"  "Kodak"  is  in  the 
transparent  margin.      Look  for  it. 


EASTMAN  KODAK  COMPANY 


tr 

n 

S' 

■u 
n 
la 
a 
d 
ic 
ai 


s 
I 


P 

ROCHESTER,  N.   Y.  k 

a: 
ii 


e: 

a' 

le   Barnes    Printing   Company,    Inc.,   229   West  28th   Street,   New   York.  31 


'F- 


Qo  Qarl  laemrmt- 


CV 


C%0  €%> 


TF  he  had  achieved 
^  but  one -tenth  of 
what  his  efforts  have 
actually  attained  in 
upbuilding  the  mo- 
tion picture  industry, 
the  personnel  of  First 
National  Pictures  still 
would  be  happy  to 
pay  this  tribute  to 
him* 


i 


national 


1 


iTHE 

fAff  brAdstreet 

>/  FILMDOM 


Authority 


/!L.  XXXV     No.  49 


Monday,  March  1,  1926 


Price  5  Cents 


FIRST  NATIONAL 

By  DANNY 

jjever     has      First     Natioiical 

c'ked  so  strong  as  today.    The 

ring  over   of   a   large   part   of 

1    Coast  Theaters    (through 

,     Richard     Hoyt     syndicate) 

\ile  not  finally  set,  seems  cer- 

t\  of  accomplishment,  and  with 

)  strong  California  chain  con- 

lled  by  leaders  in   First  Na- 

lal  it  need  not  prove  surpris- 

if   this   was    the    first   of   a 

nber    of    moves,    the    impor- 

ce   of   which    should    not   be 

llerestimated. 

he   Spring   meeting   of    First    Na- 

al  executives  occurs  in  April.     Do 

be  surprised  if  by   then  a  move 

(gigantic   size   is    set.      Do   not   be 

jrised    if    you    see    the    franchise 

iers    of     First     National,     backed 

_i  millions  from  Hayden,  Stone  & 

;,  and  other   bankers,   in  an  active 

,t  for  a  large  number  of  important 

liters. 

Do  not  be  surprised  to  see 
18  the  nucleus  of  such  a  move 
I  combination  tvhich  will  in- 
clude the  Mark  Strand  chain 
.n  New  York  and  New  Eng- 
and;  the  Fabian  circuit  in 
Wew  Jersey;  the  Rowland  & 
JIark  chain  of  Pittsburgh, 
ind,  not  unlikely  ivith  this 
jroup  the  Stanley  Co.  which 
tperates  through  Eastern 
Pennsylvania  and  Philadel- 
phia. 

'uch    an    alliance    would    make    a 

Bit   formidable    organization    which 

"  '!'!  easily  prove   the   nucleus   of   a 

iial   organization    into    which    all 

franchise  holders  of   First  Na- 

threw    their    theater    holdings. 

h  a   move  developed   First  Na- 

would  be   in  almost   impregna- 

Msition  to  meet  the  developments 

i    are    certain    to    occur    in    the 

r  chain  operations  of  the  future. 

this     organization     would,     of 

c  rse,  go  the  West  Coast. 

It  u'ill  also'  be  well  to  keep 
in  eye  on  Richard  Hoyt,  whose 
onnections  in  banking  circles 
ire  of  importance.  If  Hoyt 
hould  happen  to  have  a  posi- 
ion  of  unusual  significance  in 

(Vst  National  in  the  future  it 
could  be  quite  within  the 
cheme  of  things. 

(Continued  on  Page   3) 

imce    the    "wyn"    in    Nell     Gwyn    like 
Box    office    sure.      Paramount. — Advt. 


Scene  from  Pauline  Frederick's  greatest  picture,  "The  Nest."  Produced  by 
Excellent  Pictures  Corporation  from  the  William  A.  Brady  stage  success. 
Personally  directed  bv   Will  Nigh.— Advt.  


The  Month's  Pictures 

What  February  Brought  Forth  in  the 

Way  of  New  and   Interesting 

Productions 

A  resume  of  current  productions 
will  appear  month  by  month  in  THE 
FILM  DAILY.  Pertinent  comment 
on  February  reviews  follows: 

Paramount  carried  off  the  bulk  of 
comedy  honors  of  the  month  with 
two  laugh  riots.  Wallace  Beery  and 
Raymond  Hatton,  a  team  of  war  bud- 
dies with  chuckles  galore,  made  this 
a  knockout  comedy,  and  Adolphe 
Menjou  in  another  of  his  rollicking, 
politely  comical  portrayals  made  "The 
Grand   Duchess  and   Uie  Waiter"  an- 

(Continiied  ,  .■'^age  4) 


"Bow  to  Europe" 

A  More  Complete  Understanding  on 
America's    Part    Would    Help 
Abroad,  Lee  States 
Rowland    V.   Lee,  the   director,  left 
Saturday  for   the   Coast   following  an 
extei  sive    tour    of      Europe,      during 
which   he   studied  conditions   in  prin- 
cipal   countries.     He    disclosed    some 
interesting  facts   pertaining  to  condi- 
iContinued  on  Page  S) 


F.  B.  O.  Convention 

F.  B.  O.  will  terminate  'he  current 

selling  season  with  a  sales  convention 

at    Los   Angeles,   an    April    1-3.     The 

staff   of   the    entire    company,    includ- 

(Continued  on  Pagt  5) 


Contract  Pointers 

M.  P.  T.  O.  A.  Advises  Exhibitors  to 

Exercise     Judgment     when     Using 

Standard  Exhibition  Contract 

If  care  is  exercised  by  the  exhibitor 
in  his  contractual  dealings  with  pro 
ducer  and  distributor,  the  new  Stand- 
ard Exhibition  Contract  should  prove 
a  real  boon,  according  to  an  article  by 
Joseph  M.  Seider,  business  manager 
of  the  M.  P.  T.  O.  A.,  in  that  organi- 
zation'"  "Official  Bulletin." 

€--  "Arable-  of  the  difficulty, 
Seiuer  says,  is  due  to  exhibitors  be- 
coming careless  after  the  price,  run 
and    time    of    protection    have    been 

agreed  upon. 

(Continued  on  Page  5) 


Pommer  With  Famous 

Will   Make   Series  in   Germany,   Fol- 
lowing  Visit   to    Hollywood 
in  the  Spring 

It  is  understood  Erich  Pommer, 
until  recently  managing  director  of 
the  Ufa  in  Berlin,  will  make  a  series 
of  pictures  in  Germany  for  Famous. 
Pommer  left  for  home  on  the  Olyrn- 
pic  early  Saturday  morning,  but  will 
return   here   in   April. 

At  that  time  he  will  go  to  Holly- 
wood to  watch  American  production 
methods  and,  upon  his  subsequent  re-} 
turn  to  Germany,  will  start  producj 
tion.  The  despatch  of  several  Paraj 
mount  players  to  Germany  for  thi? 
series  would  not  prove  surprising.       •. 

It  was  under  Pommer's  regime  at 
the  Ufa  that  the  special  productions 
of  that  organization  were  made.  To 
his  credit  there  must  be  mentioned 
"Siegfried,"  "Tartuffe,"  "Varieties," 
"The  Waltz  Dream"  and  "Metrop- 
olis," now  in  its  final  stages. 


Report  Full  Harmony 

All  Factors  Concerned  in  Davis  Dist. 

Divis'.on    Reorganization    in    Ac- 
cord, Davis  and  Adams  Assert 

J.  Charles  Davis  and  J.  K.  Adams 
report  they  are  working  with  their 
counsel  and  certain  financial  inter- 
ests on  the  reorganization  of  Davis 
Dist.  Division  and  the  exchanges 
controlled  by  Vital  Exchanges,  Inc. 
(Continued  on  Page  S) 


Bureau  Balked 

Only  $15,000  Voted  for  Film  Section 

in     Commerce     Dep't.— $26,000 

Will  Be  Sought 

Washington— Only  $15,000  is  car- 
ried for  the  establishment  of  a  motion 
picture  bureau  in  the  Department  of 
Commerce  in  the  Appropriation  Bill 
reported  to  the  Hojase  by  the  Appro- 
priations   Committee. 

This  amount,  it  is  declared,  will 
make  it  impossible  for  the  proposed 
division  to  carry  out  the  program  of 
service  to  the  industry  originally 
planned,  and  when  the  bill  comes  be- 
fore the  Senate  Appropriations  Conir 
mittee  an  effort  will  be  made  by  t\i£ 
trade  to  have  the  original  amount  oJ 
$26,000  restored. 

The  full  appropriation  has  received 
the  endorsement  of  both  the  Presi- 
dent and  the  Budget  Bureau. 


Associated  Signs  for  18  Westerns 

Associated  Exhibitors  have  signed 
contracts  with  Lester  E.  Scott,  Jr.,  for 
18  Westerns.     Expectat'  '  6  if  the  an- 


r^i 


FILM  DAILY  recentlj  .  pictures 
are  to  be  divided  into  three  groups; 
six  starring  Buddy  Roosevelt,  six 
starring  Buffalo  Bill,  Jr.,  and  six  star- 
ring Wally  Wales. 


To  Produce  Abroad 

Edwin     Miles     Fadman,     formerly 
president   of   Red    Seal,    will   sail   for 
Europe    in    April,    to    make   arrange- 
ments for  the  production  of  novelties 
(Continued  on  Pagt  4) 


Seven  Long  Run  Films  on  B'way 
When  "The  Black  Pirate"  opens 
at  the  Selwyn  next  Monday  night 
there  will  be  seven  long  run  pictures 
on  Broadway.  They  are:  "The  Big 
Parade,"  "Stella  Dallas,"  "Ben  Hur," 
"The  .Sea  Beast,"  "Mare  Nostrum," 
"La  Boheme"  and  "The  Black 
Pirate." 


THE 


Vol  XXV  No.  49  Monday,  Mar.  1,  1926  Price  5  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Ine.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS.  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man 
ager;  Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wi:lk,  Traveling  Kepresentative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
^ould  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
♦736-4737-4738-4739.  Cable  address  :  Filmday, 
Slew  York.  Hollywood,  California — Harvey 
£  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Cnnite  3980.  London — Ernest  W.  Fredman, 
Tb»  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
francaise,   5,  Rue  Saulnier. 


Quotations 


High    Low    Close  Salei 

(These  quotations  are  as  of  Saturday) 

•Balaban   &  Katz 68         

Eastman     Kodak     ..108J4   108  J4   108  J4  400 

Famous     Players     ..118^   117 J4   11754  2,700 

Fam.    Play.    Pfd.    ..120J4   120J4   UOVi  100 

*Film     Inspection       ..          ..            Syi  .... 

•First    Nat.    Pfd 105^4     

Fox   FUm   "A"    68J4     67         67  700 

Fox   Theaters    "A"      25 J^     25'A     25'A  1.200 

•Intern'l    Projector       . .  . .  12         . 

Loew's,     Inc 38^     37H     37M  800 

Metro-Gold.    Pfd.    ..23        23        23  100 

M.  P.  Cap.  Corp.  ..  23        22J4     225^  800 

Pathe  Exch.   "A"   . .   yoyi     69         69H  400 

Skouras   Brothers    ..   ASyi     48^     48}^     

•Stan.    Co.   of   Am 39         

Trans-Lux     10^     lOJi     10}4  800 

•Universal    Pictures      . .          . .         38  .... 

•Univ.   Pict.   Pfd 93         

Warner    Brothers    . .   47         47         47  100 
•Warner   Pictures    ....          ..          11 J4     .... 

*  Last  prices  quoted 


Lines  on  Headlines 

By  "RED"  KANN 
"Money    Talks"    enters    production 
at    M.-G.-M.    and    Sol    Lesser    with- 
draws from  West  Coast  Theaters  for 
$1,100,U00— no  less. 


Gilda  Gray  to  shimmy  on 
Broadway  with  "Aloma"  and 
First  National  buys  "  Lady  Be 
Good." 

*  *         * 

David  Hochreich's  World  Wide 
Films  to  establish  52  offices  and  "Is 
Zat  So?"  goes  to  Fox. 

*  *        * 

Carl  Laemmle  celebrates  his  20th 
anniversary  and  Universal  gets  "The 
Whole  Town's  Talking." 

*  *        * 

Hiram  Abrams  returns  from  Cuba 
and  "The  Black  Pirate"  opens  at  the 
Selwyn  next  Monday. 

*  *         * 

"Let's  Get  Married"  opens  at 
the  Rivoli,  New  York,  and 
Peggy  Hopkins  Joyce's  name 
is  linked  with  a  film  magnate 
in  HoUsrwood. 

*  *        * 

Lya  de  Puiti  arrives  from  Berlin 
and  AL  Lichtman  produces  "Oh, 
Baby!" 

*  *        * 

Lewis  J.  Selznick  continues  to  sell 
Southern  real  estate  and  "The  Sheik 
of  Florida"  is  announced  for  Ben 
Lyon. 


Shauer  Returning  Soon 

E.  E.  Shauer,  head  of  the  foreign  de- 
partment at  Famous,  will  return  from 
a  business  trip  which  took  him  around 
the  world  in  a  few  weeks.  Joseph 
Seidelman,  his  assistant  who  met  him 
in  Europe,  will  return  with  him. 


Internat'l    Projector   Dividend 

The  International  Projector  Corp. 
has  declared  regular  quarterly  divi- 
dends of  25  cents  on  common  and 
$1.75  on  the  7  per  cent  preferred 
both  payable  on  April  1  to  stock  of 
record  March   15. 


Two  "Sea  Beast"  Openings 
Bert  Adler  has  just  returned  from 
making  arrangements  for  the  premi- 
eres of  "The  Sea  Beast"  in  Philadel- 
phia at  the  Stanton  and  in  Richmond, 
at  the  National,  both  to  open  tonight. 


Schencks  Coming  East 

Joseph  M.  Schenck  and  Norma 
Talmadge  will  arrive  in  New  York 
from  the  Coast  the  second  week  in 
March. 


New    Projection   Device 

San  Francisco — A  new  projecting 
device,  said  to  combine  every  fea- 
ture of  stationary  slide  and  motion 
picture  film,  has  been  perfected  by 
William  J.    Citron. 

The  new  device  permits  film  to  be 
exposed  to  the  full  rays  of  the  pro- 
jection light  without  burning  the  film 
when  it  is  stopped  for  a  number  of 
seconds  before  the  contact  point. 


Walsh  in  Six  for  Excellent  Pictures 

Excellent  Pictures,  which  has  just 
finished  "The  Tvlest,"  with  Pauline 
Frederick.  George  Walsh  will  star 
in  a  series  of  six.  The  first  will  be 
"The  Kickoff,"  a  football  story.  Ex- 
cellent also  plans  to  start  soon  on 
"Heroes  of  the   Sea." 


Lesser  Leaves 
Sol  Lesser  left  for  the  Coast  Satur- 
day where  final  papers  transferring 
his  interest  in  West  Coast  Theaters 
to  the  Hoyt  Syndicate  will  be  signed. 
He  will  eventually  resign  from  about 
40  corporations  in  which  he  is  now 
interested. 


Plaza   Opening  Tonight 
London — The   Plaza  opens  tonight 
with  "Nell  Gwyn."     It  is  one  of  Fa- 
mous' new  theaters  here. 


^Sbt/kihiiM 


Utmost  in  Screen  Brilliancy 


Charleston    Contests    Banned 

Milwaukee — The  District  Attorney, 
following  complaints  of  the  Welfare 
Dept.  of  public  schools  and  the  juv- 
enile court,  has  issued  a  ruling  for- 
bidding Charleston  contests  for  chil- 
dren in  picture  theaters. 


George  Smith  Here 

George  Henry  Smith  is  here  from 
London.  He  recently  resigned  from 
his  post  as  director  of  the  Vitagraph 
Co.  of  England  which  he  held  since 
1907. 


W.  J.  Morgan  Returns 
W.  J.  Morgan,  sales  manager  of  P. 
D.  C,  returned  to  New  York  Friday, 
after  a  tour  during  which  he  covered 
all  branches. 


Vidor   Leaves    Today 

King    Vidor    leaves    for    the    Coast 
today. 


WANTED  TO  BUY: 

Laboratory  equipment  tanks,  step 
printer,  16  M.M.  printer,  developing 
racks,  drying  drums,  etc.,  also  light- 
mg      equipment      for      small      studio. 

Address 
M-29S  c-o     Film     Daily 

1650  Broadway  N.   Y.    C. 


•♦♦♦♦•♦•♦•♦♦'♦ 


I  Ward  Cine  laboratory,  Inc.  I 


216-222   Weehawken    St. 


g  Union  City,  N.  J 

j-j    Telephone  Union  4800 


t'JJJKSJt'lI*****  ♦.♦♦.♦♦.♦  V 


G.  BERT  WARD,  Pres.    || 


Charles  Simone  Returning 

Charles  Simone,  who  in  1923-24 
established  the  Fox  office  in  Italy, 
and  who  since  has  organized  an  in- 
dependent sales  and  distributing 
company  with  headquarters  at  Via 
delle  Finanze,  6,  Rome,  Italy,  has 
concluded  a  number  of  deals  for  in- 
dependent product  and  is  returning 
shortly  to  Europe. 


Move   to   Halt   "Death   Film" 

The  Herald-Tribune  reported 
urday  that  the  French  Embassy 
moving  to  confiscate  the  "death  fi 
showing)  a  Parisian  aviator's  f 
attempt  to  fly  under  Eiffel  To\ 
The  print  is  reported  en  re 
on  a  French  liner.  An  American 
tributor  is  said  to  be  negotiating 
the    picture. 


>^ 


"^^ 


''^:> 


GlennTryon 

.-THE  HUG  Bi;e '   p„k„„„. 


This  is  a  'Cornerblock'  cut  furnisll 
FREE  for  all  Pathecomedies  at  yvf 
exchange. 

WATCB   THIS  SPACE  PCl\ 

GREATER 


Greek  Producer  Plans  "Pericles"  Film 

Los  Angeles — The  Grecian  Art 
Kinema  Corp.  will  produce  a  story  of 
the  time  of  Pericles  with  George  Mc- 
Daniel  in  the  title  role.  It  will  be 
made  at  Culver  City  and  will  cost 
$500,000.  Costes  Brania,  general  man- 
ager, states  there  are  4,500  Greek  the- 
ater owners  in  America. 


Heath  Back  at  F.   B.   O. 

HoITywood  —  Percy  Heath  has 
returned  to  F.  B.  O.  as  scenario  edi- 
tor, following  the  elevation  of  J.  G. 
Hawks  to  editorial  supervision  of 
production. 


«»»»:;«««^ 


IF  YOU  ARE  IN  THE 
MARKET  FOR  ANY  KIND  OF 

MOTION  PICTURE 
APPARATUS 

CONSULT  US— AND  SAl^E  MONEY 
SEND  FOR  OUR  PRICE  UST 


Chas.  G.  Willoughby,  Inc 
Motion  Picture  Department 
110  West  32nd  St..  New  York 
Phone    Pena.    0564 


PROD 


1926-27 

"THE  GOLDEN  WEI 
by  E.  Phillips  Oppenhei  i 

*TETER  THE  GREAT 

in 
''KING  OF  THE  PACl 

"SINEWS    OF    STEE) 

by  Ed.  J.  Meagher 

♦♦QUARANTINED 
RIVALS'' 

by  George  Randolph  Chest 

"HEROES  of  the  NTGH1 

by  Frank  O'Connor 


—  •  ^ 


THE 


londay,  March  1,  1926 


-Ptf^ 


DAILY 


FIRST  NATIONAL 

(Continued  from  Page  1) 
•syl 

S|Uiitil    individual    franchise    holders 
First  National  became   interested  in 
est  Coast  there  was  nothing  to  indi- 
te that  they  desired  to  wander  out- 
le  of  their  own  individual  locations, 
deed  that  spirit  has  been  manifest 
r  years.     Clark  was  interested  only 
Pittsburgh;   Von   Herberg  only  of 
e  Far  Northwest;   Finklestein  only 
his  own  section,  etc.     Few  indeed 
Jj  First  National  have  looked  to  the 
I;tional     problem    which     First     Na- 
zi )nal  presumably  faces.     But  the  ac- 
f  ;ity    demonstrated    regarding    West 
4  Dast   indicates    an   awakening.     And 
^here    that    awakening    will    end    no 
le  today  can   foretell.     This_^  is   cer- 
in:   there   is   a   spirit  of  nationalism 
'ident;   a   spirit   of   mutuality   of   in- 
rest  which   has  only  developed  re- 
ntly. 

If.  in  the  scheme  which  may  be 
;veloped  between  now  and  the 
|mc  of  the  April  meeting,  there  is 
1  evident  interest;  if  the  chains  in- 
caled  decide  to  pool  their  resources, 
id  thus  form  the  nucleus  of  a  na- 
anal  chain,  spreading  from  Coast  to 
oast,  then  First  National  will  be  a 
Hctor  which  must  be  counted — and 
)unted  definitely— for  all  future  op- 
stions. 
I  The  Mark-Strand  chain  includes 
' -arly  30  houses,  according  to  THE 
ILM  YEAR  BOOK;  the  Fabians 
-ivc  11  houses  in  Jersey;  Rowland  & 
lark  24,  and  the  Stanley  Co.  77 
ith  several  building.  These  figures 
■hiie  not  exact,  are  approximately 
jrrect. 

Many  of  these  houses  are  first 
lass,  first  run  properties,  with  values 
jnning  into  the  millions. 
With  these  properties  combined, 
,  le  nucleus  of  a  national  organizafion 
rould  easily  be  set.  The  rest  of  the 
anchise  holders,  whose  holdmgs 
re  enormous,  might  easily  be  ex- 
acted to  join  such  a  movement, 
ome  figures  with  reference  to  these 
lokHngsi  will  be  presented  in  to- 
lorrow's  issue. 


Metropolitan  Increases  Capital 

Dover,  Del. — Metropolitan  Pictures 
Corp.  of  California,  Hollywood,  hold- 
ing a  Delaware  charter,  yesterday 
filed  an  increase  in  capital  of  from 
$200  000  to  $302,000. 


In  the  Courts 

The  suit  of  the  Graphic  Prod.,  Inc, 
gainst  Eugene  Spitz  to  recover 
2,500  on  a  note,  went  to  trial  in  the 
upreme  Court  of  New  York  County 
nd  resulted  in  a  verdict  for  the  de- 
endant.  Spitz  alleged  that  the  note 
/as  given  merely  as  an  accommoda- 
ion,  and  that  the  plaintiff  broke  an 
greement  with  him  by  failing  to 
•roduce  a  film  from  which  he  was  to 
:et  half  the  net  profits  after  he  had 
rranged  for  a  studio  in  which  it  was 
o  be  made. 


German  "La  Boheme"  Here 

The  La  Boheme  Film  Co.,  with  of- 
;ces  at  220  West  42nd  St.,  has  been 
ormed  to  release  "La  Boheme,"  pro- 
uced  by  the  National  Film  Corp.,  of 
terjin. 


Metropolitan    produces    for    Prod. 
Dist.  Corp. 


Pro-Dis-Co.  Dist.  Convention  Held 

The  annual  convention  of  the  field 
force  of  the  P.  D.  C.  was  held  at  the 
Commodore,  Fridav  and  Saturday. 
Cecil  B.  De  Mille,  W.  J.  Morgan  and 
Ralph  FI.  Clark  were  the  principal 
speakers  with   H.  O.  Duke  presiding. 


Negative  Developing 
and  Printing 

Complete  Title  Service 
SALAND  FILM  LABORATORIES.  Inc. 

Phone  Bryant  7577    729-7th  Ave,  N.  Y. 


Rayart's   36    Sold   to   Security 

Irving  Mandel  of  Security  Pictures, 
Chicago,  has  closed  for  Rayart's  "Re- 
liable 36,"  for  Northern  Indiana  and 
Illinois. 


Sheehan   Back  on   Coast 

Hollywood  —  Winfield  R.  Sheehan 
has  returned  to  the  Fox  studio  after 
a   five   weeks   stay   in   New    York. 


Marion  Davies   Here  Today 

Marion    Davies    is    due    to    arrive 
from  the   Coast  this  morning. 


Associated  Leases  More  Space 

The  accounting  and  statistical  de- 
partments of  Associated  Exhibitors 
have  been  moved  to  the  Powers 
BIdg.,  723  7th  Ave.  Additional  floor 
space  has  been  taken  bv  headquarters 
at  3.S  W.  4Sth  St. 


Fox    Scenarists    Busy 

Hollywood — Fox  is  assembling  a 
large  staff  of  scenario  writers  to  pre- 
pare' next  season's  stories  for  the 
screen. 


Kansas  City  Speculates 

Kansas  City — Spyros  Skouras,  of 
St.  Louis,  and  former  Mayor  Henry 
W.  Kiel  the  other  day  visited  a  local 
group  associated  with  picture  enter- 
prises Skouras  said  the  visit  was 
indicative  of  new  construction  op- 
portunities. 

Several  other  St.  Louisans  were  in 
the  party  who  are  prominent  in  the- 
ater activities.  Their  visit  has  started 
another  round  of  reports  that  an- 
other big  house  may  be  in  prospect 
here. 


Staffs  for  Schulberg,  Turnbull 

Hollywood — G  e  n  e  r  a  1  production 
staffs  for  B.  P.  Schulberg  and  Hector 
Turnbull,   include: 

For.  Schulberg,  William  Shea,  Ruth 
Brenner  and  Alfred  Hustwick.  Turn- 
bull's  aides  will  be  Garnett  Weston, 
Dorothy  Cams  and  Ethel  Doherty. 
William  Griffith  will  continue  as 
TurnbuH's  personal  assistant  and  Sam 
Jaffe  is  retained  in  the  same  capacity 
by  Schulberg. 


Educational  Use  of  Films  Growing 
Washington  —  The  appearance  of 
motion  pictures  in  schools  and  col- 
leges has  made  great  strides,  accord- 
ing to  the  National  Academy  of  Vis- 
ual Instruction. 


Beth   O'Shea  Back  from  Europe 

Beth  O'Shea  has  returned  to  the 
publicity  department  of  Fox  after  a 
three  months'  stay  in  Europe. 


Arrow  Departments  Merge 

The  publicity,  advertising  and  ex- 
ploitation departments  of  Arrow  have 
merged  with  Lee   Kugel   in   charge. 


Fight  Against  Bldg.  Restriction  Won 

Milwaukee — The  Colonial  Amuse- 
ment Co.,  which  was  denied  a  per- 
mit for  the  erection  of  a  $300,000  the- 
ater on  the  west  side  by  the  Building 
Dep't.,  because  of  restrictions  in  that 
section,  has  won  its  case  before  the 
Board  of  Appeals.  Work  on  the  pro- 
posed new  house  will  begin  immed- 
iately. 


Monrovia  House   Sold 

Monrovia,  Cal. — The  Colonial, 
owned  by  Frank  Alexander  and  lo- 
cated in  the  heart  of  the  down-town 
district,  has  been  sold  to  the  Associ- 
ated Theaters  Corp.,  a  new  chain  re- 
cently  organized   by    C.    L.    Langley. 


Kellenberg    Acquires    Three    Houses 

Pittsburgh  —  C.  C.  Kellenberg  has 
taken  over  three  West  Virginia 
houses,  the  Grand  and  Hippodrome 
at  Elkins  and  the  Grand  at  Belington, 
all  formerly  owned  by  R.  H.  Talbott. 
Ray  Shoemaker  will  manage. 


Steffes  Gives  Up  Claim 
Minneapolis — Declining  to  enter  a 
legal  battle  for  possession  of  the  the- 
ater, following  a  move  to  dissolve  the 
corporation  owning  the  house,  W.  A. 
Steffes  has  relinquished  a  lease  held 
on  the  Pleasant  Hour,  Brookings, 
S.  D. 


Business  Good  Around  St.  Louis 

St.  Louis — Nat  Steinberg,  manager 
for  Associated  Exhibitors,  reports 
business  exceptionally  good  the  past 
few  weeks. 


Pauline  Neff  in  "Hanson's  Fdly" 
Hollywood — Pauline  NefT  has  been 
added  to  the  cast  of  "Ranson's  Folly." 


HELD  OVER  FOR  ANOTHER  WEEK 
EC  that  thousands  can  continue  to  battle   their   way   into   the    Colony   and 
scream   hilariously   at   "THE   COHENS     AND     KELLYS,"     Universal's 
Harry  Pollard   production  now  rocking  New  York.     The  laugh  explosions 
are  in  the  hands  of  George  Sydney,  Charles  Murray  and  Vera  Gordon. 


THE 


mn 


H 


DAILY 


Monday,  March  1,  1926 


The  Month's  Pictures 

(Continued  from  Page   1) 

Other  mirth  provoker.  Florence  Vi- 
dor  scored  an  inning  all  her  own  as 
the  Duchess.  United  Artists'  "Part- 
ners Again,"  one  of  the  Potash  and 
Perlmutter  stories  with  George  Sid- 
ney and  Alexander  Carr,  put  over 
some  fine  comedy  also. 

Lon  Chaney  in  another  of  his 
unique  characterizations  made  a  two 
weeks'  stay  at  the  Capitol.  The  pic- 
ture was  "The  Black  Bird,"  Metro- 
Goldwyn-Mayer  release,  a  crook  story 
with  the  Parisian  underworld  for  a 
background.  Chaney  in  a  dual  role  of 
remarkable  contrast,  his  usual  fine 
performance  and  Tod  Browning's  ex- 
cellent direction  made  the  picture 
mighty  absorbing   entertainment. 

Producers  Distributing  came  forth 
with  a  neat  little  box  office  bet  in 
"The  Million  Dollar  Handicap,"  the 
old  race  track  yarn  again,  but  with 
some  corking  fine  suspense  and  thrills. 
P.  D.  C.  also  had  "Three  Faces  East" 
at  the  Rialto.  The  adaptation  of  An- 
thonj'^  Paul  Kelly's  stage  play  served 
up  some  fine  suspense  and  thrills  to 
f.ne  business. 

Robert  Flaherty,  whose  "Nanook 
of  the  North"  won  such  a  great  deal 
of  favorable  comment  and  which  was 
voted  one  of  the  best  pictures  in  the 
year  it  was  released,  brought  an- 
other delightful  epic  of  life  to  the 
screen  in  "Moana,"  a  South  Sea  Is- 
land story  which  Paramount  showed 
at  the  Rialto.  Beautiful  picture  with 
particular  appeal  for  high  class  pat- 
ronage. "Dancing  Mothers,"  another 
Paramount,  was  commendable  chiefly 
for  the  splendid  work  of  Alice  Joyce, 
lovelier  than  ever  in  this. 

Rex  Ingram's  latest  contribution, 
"Mare  Nostrum,"  reopened  the  Cri- 
terion as  a  picture  house.  The  direc- 
tor's usual  artistic  handiwork  is  out- 
standing and  the  fact  that  the  pic- 
ture was  made  entirely  on  foreign 
soil  lends  picturesque  atmosphere. 
Alice  Terry  and  Antonio  Moreno  are 
excellent  as  the  lovers.  The  title  and 
tragic  ending  somewhat  handicap  the 
picture  as  a  box  office  attraction. 
Metro-Goldwyn  release.  "The  Auc- 
tion Block"  (M.-G.-M.),  a  second  pic- 
turization  of  tlie  Rex  Beach  novel, 
came  to  the  Capitol  very  much  dis- 
guised in  modern  settings,  atmo- 
sphere and  slang.  Charlie  Ray  makes 
the  big  leap  from  hick  to  wise  guy 
and  manages  very  well.  In  "The 
Auction  Block,"  as  in  practically  75% 
of  the  pictures  shown  lately,  the 
Charleston  is  one  of  the  modern 
touches.  The  Charleston  even  found 
its  way  into  Ibanez'  "Torrent,"  con- 
ment  on  which  must  be  reserved  for 
March's  resume. 

Mrs.  Wallace  Reid's  latest  propa- 
gandic  effort,  "The  Red  Kimono," 
was  shown  at  the  Broadway  for  a 
week.  Its  flagrant  handling  of  white 
slave  traffic  entirely  precludes  its  en- 
tertainment possibilities.  Billed  as: 
Natacha  Rambova  (Mrs.  Rudolph 
Valentino)  found  a  one  day  showing 
at  a  daily  change  Broadway  theater 
for  her  picture,  "When  Love  Grows 
Cold"  (F.  B.  O.).  Neither  Mrs.  Val- 
entino nor  her  initial  screen  effort 
make  anv  great  promises. 

"The  Far  Cry,"  a  First  National 
production,  was  Balboni's  initial  di- 
rectorial effort.  Some  subtle  comedy 
and  an  elaborately  staged  Jazz  party 
by  way  of  a  Roman  orgy,  attractively 


done  in  colors,  were  the  high  lights. 
Other  pictures  included  in  the 
month's  reviews  were:  "The  Song 
and  Dance  Man,"  Paramount;  "Dance 
Madness"  and  "Don't,"  M.-G.-M.; 
"The  North  Star,"  "Lover's  Island," 
"The  Pinch  Hitter"  and  "Hearts  and 
Fists,"  Associated  Exhibitors;  "Made 
for  Love"  and  "Fifth  Ave.,"  Produc- 
ers Distributing;  "The  Pleasure  Buy- 
ers," Warners;  "The  Beautiful  Cheat," 
"Combat,"  "Six  Shootin'  Romance," 
and  "Stella  Maris,"  Universal;  "The 
Cowboy  and  the  Countess,"  Fox; 
"The  Queen  of  Diamonds"  and  "The 
Traffic  Cop,"  F.  B.  O.;  "Driftin' 
Thru,"  Pathe;  "The  Shadow  on  the 
Wall"  and  "The  Phantom  of  the  For- 
est," Gotham  Prod.;  "The  Count  of 
Luxembourg,"  Chadwick,  and  "S.  O. 
S.  Perils  of  the  Sea,"  Columbia. 


To  Produce  Abroad 

(Continued  from  Page   1) 

in  France,  England  and  Germany. 
Both  American  and  European  capital 
will  be  interested.  Fadman,  who  will 
have  his  own  releasing  company  in 
Americawill,  at  the  same  time  open 
distribution  offices  in  the  larger  cities 
while  abroad. 

Fadman  intends  opening  his  own 
offices  in  this  country.  He  will  be 
in  the  market  for  product  aside  from 
that  which  he  will  arrange  for  in 
Europe.  When  he  sails,  he  expects 
to  take  over  a  number  of  pictures 
suitable    for    Continental    distribution. 

Although  Fadman  retains  a  finan- 
cial interest  in  Red  Seal,  he  is  not 
actively  engaged  in  its  management. 
The  new  company,  he  states,  will 
have  no  connection  with  Red  Seal. 
Arrangements  are  under  way  with 
August  Hitchcum  for  the  production 
of  26  one  and  two-reel  comedies  for 
1926-27  distribution. 


Incorporations 

_  London,  Eng. — Charles  Wilcox  Produc- 
tions, Ltd.,  London;  to  produce  and  distri- 
bute.     Capital    £100. 


London,  England — Haven  Hotels,  Ltd..  to 
build  and  lease  theaters  and  hotels.  Capital 
£1,000. 


Hartford,     Conn. — State     Amu'sement     Co 
41   Village  St.,   Hartford;   to  build   and  oper- 
ate a   theater.      Incorporators,   T.   Harris,   M. 
Harris  and  S.  Harris. 


Boston,  Mass.  —  National  Theater.  Inc. 
Boston;  to  operate  a  theater.  Capital  $100,- 
000.  Incorporators,  F.  Cronin,  J.  Goodman 
and    S.    Soul. 


Olympia,  Wash. — Inland  Empire  Theaters 
Co.,  Walla  Walla;  to  operate  theaters.  Capi- 
tal $25,000.  Incorporators,  E.  Rivers,  H 
Peck   and   M.   Terhune. 


Dover,  Del. — Gasparilla  Productions.  Inc., 
Wilmingotn;    to   produce.      Capital    $100,0o6! 

Springfield,  111. — Vogue  Amusement  Co., 
Chicago;  to  operate  theaters.  Capital  $100- 
000. 


Albany,     N.     Y. — Novelty    Theatrical     En- 
terprises, New  York;  to  stage  prologues,  pre- 
sentations,   etc.       Incorporators,    W.     Smith 
P.    Warsaw    and    ,T.    Becker.      Address:    1650 
Broadway,    New   York. 


fP'^'opfield,  III. — University  Theater  Co., 
1560  Sherman  Ave.,  Evanston ;  to  operate 
Jl^aters.  Capital  $400,000.  Incorporators, 
C.   Elhot,   R.   Obenchain  and   C.   Harvey. 


Harrisjbnrgh,     Pa.— Lusse     Bros.,     Philadel- 
phia.      Capital     $25,000.       Incorporators      T 
Lusse,  R.  Lusse  and  Richard  Lusse      ' 


Presentations 

Capitol 

(Week  Ending  Feb.  28) 

Unit  No.  1. — Capitol  Grand  Orchestra. 
Excerpts  from  the  grand  Opera  "Natoma," 
by    Victor    Herbert.      Time,    11    minutes. 

Unit  No.  2. — Celia  Turrill,  mezzo-soprano. 
"Elegie,"  Massanet.  Solist  in  summer  frock 
and  carrying  leghorn  hat.  Setting :  Decora- 
tive scrim  curtain  in  back  which  fades  into 
garden  scene.     Time,  4  minutes. 

Unit  No.  3. — "Deep  River,"  an  A.  B.  Car- 
rick  film.  Southern  scenes  with  scrim  cur- 
tain which  rises  at  conclusion  of  film  and 
fades  in  upon  Jubilee  Singers.  Setting: 
Levee  scene  with  river  boat  tied  up  at  pier. 
Baggage  and  dock  paraphernalia  for  atmo- 
sphere. Singers  in  plantation  clothes.  Light 
on  water  in  background  gives  moonlight 
effect.  Singers  render :  "Deep  River,"  "Levee 
Tune,"  "I  Got  Shoes"  and  "Dis  Boat  Am 
Bound   to    Go."      Time,    4   minutes. 

Unit  No.  4. — Yasha  Bunchu,  solo  cellist, 
plays  "'Traumerei,"  by  Schumann,  from  or- 
chestra pit.     Time,  4  minutes. 

Unit     No.     5. — Capitol     Magazine.       Time, 

4  minutes. 

Unit  No.  S. — Capitol  Magazine.  Time,  9 
minutes. 

Unit  No.  6. — "Spanish  Rhythms."  Set- 
ting :  background  a  doorway  setting  with  a 
red  lattice  door,  black  and  red  drapes  on 
either  side,  also  standing  flower  baskets. 
Four  dance  numbers  all  in  Spanish  cos- 
tumes: "Pavanne,"  with  Alice  Wynne  and 
Mile.  Desha;  "Flamingo,"  with  Doris  Niles; 
"Tango,"  Mignon  Dallet  and  Ruth  South- 
gate;   "Valse,"   Miss  Niles  and  ballet.     Time, 

5  minutes. 

Unit  No.  7. — Feature:  "Torrent."  Time, 
73    minutes. 

Unit  No.  8. — Capitol  Grand  organ.  Time, 
5  minutes. 


Colony 

(Week   Ending  Feb.   28) 
Unit  No    1. — Overture:  American  Fantasy, 
\  ictor    Herbert.       Tableau :     bust    of    George 
Washington   on   pedestal   with    wreath    decora- 
tions.     Time,    5    minutes. 

Unit  No.  2.— Colony  Current  Events.  Time, 
6    minutes. 


Unit    No.    3. — "Prisoner's    Song,"    by 
Massey,    sung    by    Gudio    Chiccolini.      5 
flooded  with  dim  violet  light,  cell  cot  v: 
and    faint    light    coming    through    grated 
dow     at     which     singer,     in     prison     unii 
stands  and  sings.     Time,  3  minutes. 

Unit  No.  4. — Scenic:  "To  the  Top 
Tumbledown."  Service  Film.  Time,  4  i 
utes. 

Unit  No.  5. — "Just  Girls."  Vanity  : 
Orchestra.  All  girl  orchestra.  Blue 
orange  silk  curtain  backdrop.  Girls  of 
chestra  in  fancy  costumes  and  14  Col 
da'ncing  girls  appearing  in  dance  numb 
(two  costume  changes).  James  Doyle, 
comedy  cop  uniform,  does  trick  dance 
Ruby  Keeler  in  clog  dance.  Musical  n 
bers :  "Always,"  orchestra ;  dance,  Dan< 
Dollies;  "That  Certain  Party,"  orches 
Syncopated  ballet  novelty,  Dolores  Far 
Queens  ot  Melody,  Wainwright  Sisti 
"George  M.  Cohan's  Medley,"  orchesi 
Tips  and  Taps,  Ruby  Keeler;  "An  Off 
of  the  Law,"  James  Doyle;  Bam  Bam  B 
my  Shore,  entire  company.  Time,  18  n 
utes. 

Unit    No.    6. — Feature:    "The    Cohens 
Kellys."     Time,  79  minutes. 


[out 


Buy  Baseball  Club 

Toledo,  O. — 'Oscar  Smith  and  Jo 
McMahon  have  purchased  the  Tole 
American  Baseball  Club.     Smith  a 
McMahon    are    associated    with 
Mandelbaum  in  the  Temple. 


I!  ■!■: 


Brown  Joins  Associated 

Cleveland — Harry     Brown,    form  "» 

manager  for  "U,"  and  recently  wr  Jj.^ 

Jacob  Baker  in  the  Baker  studios  i  ],• 

Cleveland  and  Winterhaven,  Fla.,  hi  s,  «m 
become  Associated  Exhibitors  brant^ 
manager  in  Boston. 


New  Policies  at  Moore  Houses  , 

Tacoma,   Wash. — H.  T.   Moore,  « 

the    Moore   Amusement   Co.,   has  \ 

troduced  a  split-week  policy  at  bot 

the   Rialto  and   Colonial. 


liW 


llT 


JOE   ROCK 


presents 


FEARLESS 


in 


"The 


Love  Fighter" 


George  Larkin,  Florence  Ulric 

Sylvia  Nadina,  Tui  Lorraine 

Burton  Rupp 

12-2  Reel  Van  Pelt  Productions 

Distributed  by 

Chesterfield  Motion  Pictures  Corporation 


1540  Broadway 


New  York 


^Sm££s^^^ 


!■ 


THE 


iday,  March  1,  1926 


Contract  Pointers 

(Continued  from  Page   1) 

fficial  information  which  the  busi- 
manaper  extends  to  exhibitors  in 
ig  them  to  interpret  the  new  con- 
t  so  that  they  may  appreciate  its 
kabihty  is  contained  in  the  fol- 
ng: 

Vatch  for  and  read  carefully  the  provis- 
that  are  written  in.  See  to  it  that  your 
rstandinc  is  clearly  expressed  in  these 
en    provisions. 

Vatch    the    allocation    of    prices.      A    lump 
for  the  entire  contract  would   not  he  dan- 
is   if   all   the   pictures   contracted   for   were 
ered.       In    the    case    where    the    hest    pic- 
with    the    smallest    price    allocated    is    not 
M  ered.    you    are    very    much    co;icerned. 
9  [ave     your     protection     clearly     set     down, 
Jl     mn,    wh.nt   theaters   you   follow,   the   num- 
of    days     of     protection,    the     number     of 
after    your    preceding    run    that    you    .ire 
ed    to    receive    the    photoplay    for    exhilji- 

F  you  want  to  make  sure  that  a  certain 
er  will  play  the  picture  (exploitation  rea- 
)    have    the    followinfj    words    written    in: 

nistriliutor    warrants    that    all    the    photo- 
described     in    the    schedule    herein    will 

a   first   run   showing   in  the    theater 

lis    city.' 

lake    sure    that    the    exhihitor's    copy    that 

receive    conforms    with    the    other    copies 

you  sign  and  with  your  understandinc;. 
not  take  anyone's   word,  not  even  the  dis- 

manager's.  Have  every  representation 
promise  written  into  the  contract. 
Vhen  your  contract  is  returned  to  you 
■)ved,  compare  it  carefully  with  the  'F,x- 
nr's  Cony'  that  you  have  in  your  pos 
on.  _  If  there  are  any  alterations  or 
ges,  immediately  bring  it  to  your  organi- 
fl. 

^ou  have  the  right  at  any  time  within  the 
id  that  the  exchange  has  to  accept  your 
Ication  and  prior  to  its  acceptance  to  can- 
pr  withdraw  your  application. 
f  your  application  is  not  accepted  within 
specified  period,  it  is  void. 
f  you  give  a  date  for  a  picture  designated 
he  apnlication  and  the  date  is  accented,  or 
ou  play  a  picture,  even  though  the  con- 
:    may    not    formally    have    been    accepted, 

may  consider  the  contract  accented  be- 
e    of    the    partial    performance.      Likewise 

are    bound    through    the    partial    perform- 

t  is  always  best  to  insist  upon  the  deliv- 
of  the  approved  contract  in  preference  to 
•eeding  to  book  your  picture  upon  the 
al  assurance  of  the  manacer  that  the  con- 
t  is  O.  K.  You  will  thereby  avoid  a  com- 
ation  in  the  event  the  applications  are 
nered  with  bv  the  distributors,  a  la  'Van- 
it  American'  and  'Connuered.' 
ff  you  doubt  on  anv  point  at  any  stage  of 
process  consult  with  the  M.  P.  T.  O.  A. 
s  or  directly  with  headquarters. 
If  you  have  taken  every  precaution  and 
a  dispute  arises,  bear  in  mind  that  you 
5  as  much  right  to  cite  the  distributor  to 
arbitration    proceeding    as     it    has    against 

You  have  the  right  to  challenge  two  ex- 
tor    arbitrators    and    two   .exchange    arbitra- 

In  the  case  of  fraud,  bias  or  illegal  pro- 
ire,  you  may  have  recourse  to  the  courts 
the  land. 

In  arbitration  proceedings  it  is  most  im- 
ant  that  vou  prepare  your  case  very  care- 
Tlie  distributor  is  alwavs  well  equipned 
h  legal  advice  and  compVte  records.  The 
P.  T.  O.  A.  will,  from  headnuarters 
)ugh  its  units  and  where  it  has  no  affiliated 
ts  directlv  with  the  theater  owner  involved, 
nare  and  present  and  prosecute  its  mem 
s    cause." 


Bowling:    League    Results 

The  usual  three  games  were  nlayed 
larsdav  night  at  Dwver's  M.-G.- 
defcated  Educational.  8.34  to  549. 
i  Universal  823  to  780.  Universal 
m  from  Educational  860  to  601. 
•xt  week's  games  will  be  played  bv 
mous.  Educational  and  P.  D.  C. 
inding  of  the  clubs. 

Won         Lost         P.  C. 

nous    2  n  inoo 

he   2  n  innn 

G.-M 2  2  .500 

St    National    1  1  -'SS 

■DC  1  1  •5"'' 

.ers^-.:::::.......j      j       -^ 

jcationaiV;.:;: O  2  .000 


"Bow  to  Europe" 

(Continued  from  Page   1) 

tions  abroad.  He  offers  some  sug- 
gestions which  he  thinks  would  tend 
to  alleviate  the  acute  situation  in  most 
European  countries,  caused  by  the 
position  of  American  films  in  Europe. 

Lee  points  out  American  produc- 
ers will,  in  the  not  distant  future, 
have  something  to  think  about,  for 
several  European  countries  are  deter- 
mined that  pictures  "Made  in  the  U. 
S.  A."  shall  not  dominate.  The  Aus- 
trian Government,  he  said,  has  pass- 
ed a  ruling  providing  for  the  showing 
of  one  Austrian  picture  for  every  30 
made  in  foreign  countries,  and,  as  an 
incentive,  has  set  aside  about  $125,000 
for  use  of  domestic  producers.  "Can 
you  imagine  how  far  an  American  or- 
ganization can  go  with  $125,000?"  he 
asked. 

He  urges  American  producers  to 
forget  about  New  York  and  Los  An- 
geles and  "produce  for  Europe."  He 
suggests  that  European  film  men,  fa- 
miliar with  their  own  audiences  and 
censorship  restrictions,  should  be 
brought  to  American  studios,  and 
that  each  scenario  and  adaptation 
should  be  carefully  gone  over  by  an 
individual  acquainted  with  European 
standards. 

"He  would  reveal  to  our  producers 
certain  twists  in  the  story  that  could 
be  filmed  to  meet  the  demands  of 
certain  countries,"  said  Lee.  "For  in- 
stance, a  story  would  provide  for  a 
German  sequence,  or,  say  an  Aus- 
trian sequence.  The  producer  could 
easily  develop  this  sequence  more  so 
than  he  ordinarily  would.  Film  an 
extra  1,000  ft.  of  this  particular  twist. 
This  would  strongly  appeal  to  the 
people  of  the  countrv  mentioned  in 
the  story.  The  'padded'  foreign  se- 
quence does  not  necessarily  have  to 
be  included  in  the  American  negative. 
American  pictures  now  being  screen- 
ed in  Europe  are  cut  bevond  recogni- 
tion, as  a  rule.  I  saw  'Havoc'  on  the 
other  side,  and  it  was  turned  and 
twisted  and  slashed  to  bits.  The  same 
with  a  Keaton  picture  and  one  sfar- 
ring  Novarro  which  I  saw  while 
abroad." 

By  adapting  some  such  method  as 
set  forth  above,  the  director  thinks 
American  films  would  be  received 
much  more  favorably  bv  foreign  gov- 
ernments. They  would  not  contain 
so  much  American  propaganda,  he 
thinks.  For,  after  all,  that  is  the 
main  reason  why  16  foreign  countries 
desire  to  put  their  foot  down  on 
American   pictures,  according  to  Lee. 

"American  film  men  forget  about 
the  huge  audience  thev  have  in  Eu- 
rope," he  stated.  "When  an  Ameri- 
can executive  visits  Europe,  he  meets 
onlv  those  of  his  own  kind.  He  could 
derive  great  benefits  by  a  visit  out 
into  the  sticks  of  Europe  and  find 
out  in  a  first-hand  way  what  audi- 
ences of  foreign  countries  want  in 
the   line   of  pictures." 

Lee's   future   plans  are  indefinite. 


Expert  with  a  thorough  knowledge  of 
the  distributing  organization  of  all 
prominent  American  Producers  and  of 
American  film  production,  offers  his 
services  to  all  those  anxious  to  de- 
velop their  business  in  EUROPE  and 
LATTN-AMERICA  specially  in 
SPAIN. 

Box    M-293  c-o   Film   Dailv 

16S0  Broadway  N.   Y.  C. 


Report  Full  Harmony 

(Continued  from  Page   1) 

"Owing  to  the  statement  published 
by  David  R.  Hochreich,  late  presi- 
dent of  Vital,  we  wish  it  distinctly 
understood  that  our  plans  are  entire- 
ly separate  and  distinct  and  have  no 
connection  with  plans  announced  by 
Mr.  Hochreich,"  said  Davis  on  ,Sat- 
urday.  "In  our  new  organization, 
the  interests  hostile  to  us  in  Vital 
Exchanges,  Inc.  are  entirely  elimi- 
nated, and  our  producers,  Rcx-Hed- 
wig  Laboratories  and  the  exchanges 
formerly  asociatcd  with  Vilal  are 
working  in  full  harmony;  and  we 
are  in  control  of  the  negatives,  prints 
and  accessories  for  the  Davis  Dist. 
Division  productions  already  made 
and  any  statements  indicating  thai 
our  productions  will  be  distributed 
by  any  other  organization  are  with- 
out foundation  of  fact. 

"Mr.  Adams  and  T  originally  form 
ed  Vital  Exchanges,  Inc.  and  Davi.s 
Dist.  Division  today  is  the  largest 
creditor  of  the  Ijankrupt  corporation 
Had  the  control  of  Vital  remained  in 
our  hands,  as  was  originally  planned 
it  would  be  functioning  cfficienth' 
today." 


Hallberg   Controls   Port  Angeles 

Port  Angeles  Wash.— W.  A.  Hall- 
berg, who  operates  the  Lincoln,  has 
bought  Mack  J.  Davis'  Mack  theater, 
eliminating  competition  in  this  town 
Hallberg  will  shortly  build  a  new 
house  in  Mount  Vernon,  ready  late  in 
March. 


St.    Lou's  Gem   Damaged 

St.  Louis — The  Gem,  14  South  6th 
St..  was  damaged  by  smoke  and  water 
when  crossed  electric  wires  started  a 
fire. 


F.  B.  O.  Convention 

(Continued  from  Page   1) 

ing  executives  of  the  home  office  and 
the  34  exchanges,  will  atend. 

Plans  for  distribution  during  the 
coming  season  will  be  formulated 
then.  A  special  train  will  carry  the 
New  York  contingent  to  the  conven- 
tion. Head(|uartcrs  are  to  be  the  Ho- 
tel  .Ambassador. 


F.  B.  O.  Signs  Gertrude  Short 
Hollywood— F.    B.    O.    has    signed 
Gertrude   Short  on  a  five  year  con- 
tract.    To  appear  in   two-reelers. 


Ife's  donna 
stepout 
in  his  new 


Ttamp-tiainp-tramp/ 


I 

j  Watch  for  the  Big  Box-Off  ice  Smash! 


Excellent  Pictures  Corp. 
begs  to  announce  the 
first  of  a  series  of  six 

George 
Walsh 

Specials 

"The  Kick-off" 

A  thrilling  football  story 


"  Heroes 

of  the 

Sea" 

Att  Excellent 
Super-Special 
Photoplay 


FYr»#all*Mif  Pict"''es  Corp. 

J_jA.^dldll       729  7lb  Aye.,  New  York 


_4 


lov 


,,c|^«?l5^t^M?J^l^»:^-*3?*j*|^^^ 


^_^^ 


iteii^^^——^ 


iim^^^^^^^^^^^^'^^^^^'^^m^^f^i, 


^"XSx^XV';::;.^ 


•'"'*'"'""    'Vt^^S' 


lATlON 

r,«u  ■ 

t  I.H -         .. .- ^  , 

Tain  j(Stoii"4«  ot  ntt'^ 

ihMt-  *i  Sy 

KR.    The  tjowl  hou»fii?., 

h  thik  one  .^"J 

1  n,ll  b«vr  ii.  ao  <-^ 

■?? 


;Cormick  presents : 


tleen  Moore  in  ** Irene" — a  comedy  riot! 
Here's  how  they  love  her! 


INOMENAL  business  at  War- 

d,  San  Francisco;  T  &  D  Thea- 
akland;  and  Senator  Theatre, 
lento. 

t  receipts  of  the  year  at  Garrick 

e,  Duluth. 

ndous  at  Circle,  Indianapolis, 
eds  turned  away  every  evening. 

'Sally"  by  thousands  at  Strand, 
rd. 

ty  at  Grand  and  Liberty,  Pitts- 


i^XXTE  never  handled  such  crowds 
▼  ▼    at    the    Alhambra,"    reports 
John  Kessler,  Canton,  Ohio. 

Wisconsin  Theatre,  Milwaukee,  stood 
them  in  line  on  the  sidewalks  for  mat- 
inees. 

Scored  records  for  attendance  and 
gross  at  Pantheon  Theatre,  Toledo. 

Stand-out  at  every  show  at  Main 
Street  Theatre,  Kansas  City. 

Held  over  at  Adams  Theatre,  Detroit. 


PLAYED  simultaneously  to  knock- 
out business  at  Grand  Central, 
West  End,  Lyric  and  Capitol  Theatres, 
St.  Louis. 

Records  anticipated  at  Branford  Thea- 
tre, Newark. 

Beat  all  opposition — and  tough  oppo- 
sition— by  $500  in  first  two  days  at  the 
Rialto,  Providence. 

Akron,  Ohio :—  "  'Irene'  knocking 
them  cold!" 

Crowds  blocked  traffic  in  Oklahoma 
City.  Despite  zero  weather,  "Irene" 
broke  records. 


lecQtds 

smashed 

in  one  week 


THIS  SPACED 
RESERVED 


FOR  MORE  RECORDS 
THAT  HAVE  BEEN 
BROKEN  SINCE  THIS 
AD  WAS  WRITTEN- 
BECAUSE  "IRENE"  IS 
BREAKING  THEM 
EVERY  DAY! 


J  A  Txul  national  Picturi 


ajAB—^MeiHMitai 


-iTHE 

7Afi  BRADSTREET 
of  FILHDOM 


VOL.  XXXV    No.  51 


Wednesday,  March  3,  1926 


Price  5  cMts 


PLANS 


By  DANNY 

Selling  plans  for  the  coming 
season.  All  of  the  larger  organi- 
zations have  about  determined 
on  policy.  Four  companies  meet- 
ing in  Los  Angeles  in  April  will 
also  discuss  this  vital  question. 
When  the  meetings  have  ad- 
journed; when  all  the  talk  is 
over,  the  chances  are  that  the 
prevailing  system  of  block  book- 
ing, with  some  modifications, 
some  variations,  will  be  in  force 
by  most  of  the  larger  companies. 

It  should  noi  be  surprising,  how- 
ever, if  some  of  the  very  large  com- 
panies did  not  modify  the  block  book- 
ing sales  policy  to  make  room  for 
morr  "specials"  than  has  been  the 
case  previously.  The  disposition  of 
the  large  special  productions  has  al- 
ways been  a  problem  to  the  sales  or- 
ganizations. With  more  big  pictures 
promised  for  next  season  than  before, 
it  means  that  the  problem  will  be- 
come more  acute.  That  is  all.  For 
the  regular  run  of  program  material, 
the  chances  are  that  the  sales  poli- 
cies will  generally  prove  the  same  as 
{Continued  on  Page  2) 


M.  and  S.  Expanding 

The  Meyer  &  Schneider  Circuit  will 
open  the  Hollywood,  Avenue  A,  be- 
tween 6th  and  7th  Sts.,  tomorrow 
night.  This  is  the  newest  in  the  M. 
&  S.  chain,  which  includes  nearly 
a  dozen  on  the  East  Side,  half  of 
that  number  in  Harlem  and  about 
10   in   Brooklyn. 

Building  is  nearing  completion  on 
another  new  M.  &  S.  house  on  2nd 
Ave.  It  is  understood  that  several 
sites  have  been  acquired  in  the  Har- 
lem district  for  new  houses.  Plans 
are  now  being  drawn  for  a  num- 
')er  of  theaters. 


Warner  and  Motley  Flint  Back 
Harry    M.   Warner  and   Motley   H. 
Flint  arrived  in  New  York  last  night 
aboard  the   Berengaria. 


Warners  Buy  Three  Stories 

The  Warners  have  purchased 
"Black  Ivory,"  by  Polan  Banks;  "The 
Better  'Ole,"  by  Bruce  Bairnsfather, 
and  "Revillion,"  by  Meilhac  and  Hal- 
evy.  Syd  Chaplin  will  appear  as  "Old 
Bill"  in'  "The  Better  'Ole."  Lubitsch 
will  make  "Revillion"  as  his  next,  in- 
stead of  "The  Door  Mat,"  as  planned. 


Is     Dorothy     Gish     real    boxofficestar?       See 
Nell     Gwyn. — Advt. 


Shapiro  With  United  Artists 

Victor  M.  Shapiro  today  joins 
United  Artists  and  will  be  in  charge 
of  exploitation  and  advertising.  For 
some  time  past  Shapiro  has  been  with 
Samuel  Goldwyn.  He  originally  left 
Pathe  Exchange  to  succeed  Harry 
Reichenbach,  who  had  been  handling 
the    Goldwyn   publicity. 


"Laugh  Month"  a  Success 

The  committee  in  charge  of  "Laugh 
Month"  of  the  Short  Subject  Adver- 
tisers' Ass'n  in  reporting  on  results 
of  the  campaign,  points  out  that,  al- 
though onlj'  15  per  cent  of  the  exhib- 
itors throughout  the  country  partici- 
pated, the  benefits  derived  were  more 
than  anticipated.  Plans  will  be  laid 
for  a  more  elaborate  "Laugh  Month" 
for  January,    1927. 


Will  Not  Merge 

Report   of   Consolidation  Among   In- 
dependents in  Phila.  Unfounded — 
Exhibitors  Hit  by  Coal  Strike 

Philadelphia — A  report  involving 
leading  independent  exchanges  in  a 
consolidation  is  unfounded.  The  re- 
port was  traceable  to  the  coal  strike 
which  worked  considerable  hardships 
on  all  exchanges  here. 

The  six  months'  coal  strike  has  left 
exhibitors  in  all  of  the  small  towns, 
and  in  many  large  ones,  too,  in  a  sad 
condition.  It  is  expected  that  condi- 
tions will  not  be  normal  for  at  least 
three  months.  Exchanges  have  cut 
their  rentals  about  35  per  cent  in  all 
but  first-run  houses.  This,  however, 
floes  not  include  short  subjects. 


Detroit  Later 

Equipment  Manufacturers  at  Astor  as 

Prelude   to    National    Convention 

in  July 

Between  50  and  75  manufacturers 
of  equipment  or  their  representatives 
will  meet  at  the  Astor  March  13-14 
in  what  will  be  the  prelude  to  the  na- 
tional convention  of  the  Ass'n  of  M. 
t^.  Equipment  Dealers  of  America  in 
Detroit,  July  15-17.  At  this  second 
convention,  several  hundred  dealers 
will  be  present. 

It  is  the  Manufacturers'  Division 
which  will  meet  in  New  York  on  the 
13th.  This  group  holds  associate 
memberships  in  the  National  Ass'n  of 
which  the  retail  supply  dealers  form 
the  nucleus  The  Detroit  meeting 
will  be  marked  by  an  entire  absence 
of  exhiliits  because  the  national  con- 
vention of  the  M.  P.  T.  O.  A.  sched- 
uled for  Los  Angeles  will  have  been 
held  l)y  that  time. 


Tilt  in  Albany 

Unexpected   Opposition  to   Non-Cen- 
soring  of    News    Reels   Develops 

in  State  Capital 
Albany — When  discussion  of  the 
Davison  bill  for  the  elimination  of 
censorship  of  news  reels  came  up  in 
the  Assembly  yesterday,  there  devel- 
oped unexpected  opposition.  Assem- 
blyman Cuvillier  of  New  York,  Boyle, 
Jr..  of  Suffolk  County  and  Gedney  of 
Nyack  objected  to  advancing  the 
measure. 

They  made  the  point  that  if  the  bill 
is  passed — and  there  is  a  similar  one 
in  the  Senate  where  Senator  J.  Gris- 
wold  Webb  introduced  it — such  ob- 
scene pictures  as  have  recently  ap- 
peared in  several  of  the  New  York 
(Continued  on  Page  7) 


Southern  Bill  Dead 

Censorship     Measure     in     Mississippi 

Killed    Yesterday    in    the    Senate 

Danger  Spot  Removed 

Jackson,  Miss. — The  Senate  yester- 
day defeated  the  censorship  bill  by  a 
vote  of  27  to  14.  The  measure  is 
now   detiriitcly   killed. 


4  Conventions  Set 

Universal,  Fox,  F.  B.  O.  and  P.  D.  C. 

Decide  to  Hold  Sales  Pow-wows 
In  Los  Angeles  This  Year 

Selling  plans  for  the  1926-1927  sea- 
son will  be  discussed  somewhat  ear- 
lier than  usual  this  year.  Already 
four  of  the  big  national  distributors 
have  formulated  their  plans  and,  in- 
terestly  enough,  each  city  is  Los  An- 
geles. 

Universal   will   hold   five   meetings, 
the    first   to   get   under   way    in    NrnV 
York    not    later    than    April    1.     l%e 
second    will    be    held    in    Cleveland, 
then,    in    turn,    Chicago,    San    Fran-,  ' 
Cisco  and  Los  Angeles.  Lou  B.  Metz- 
ger,  Ralph  Williams  and  Earl  Kram- 
er, the  Universal  sales  managers,  wiM 
attend  each  meeting  which  will  be  olf' 
two    days'    duration. 

Prod.  Dist.  Corp.  has  not  set  nK 
dates   for   its   convention   as   yet, 

(Conliiiued  on  P.^t.   Tj 


The  censorship  law  proposed  in 
Mississippi  was  the  most  drastic  piece 
of  that  type  of  legislation  the  indus- 
try has  had  to  fee  this  year. 


F.  B.  O.  Schedule  Lined  Up 

Hollywood — Besides  12  "Gold  Bond 
Specials,"  F.  B.  O.  will  have  48  others 
on  its  1926-27  schedule,  including  six 
each,  starring  Fred  Thompson,  Eve- 
lyn Brent,  Lefty  Flynn  and  Alberta 
Vaughn.  Tom  Tyler,  Richard  Tal- 
madge  and  Bob  Custer  will  appear  in 
eight  each. 


Ohio  Appeals  on  Copyright  Law 
Columbus,  Ohio— The  State  M.  P. 
T.  O.  has  appealed  to  Ohio  Repre- 
sentatives and  Senators  in  Congress 
to  vote  against  the  proposed  amend- 
ment to  the  copyright  law  which  is 
supported  by  the  Society  of  Authors, 
Composers  and  Publishers. 


42  Foreign  Offices 

Operated    by    First    Nat'l — BranC 
Opened   in    Bombay,    Singapore, 

Soerabaya,  Batavia,  Shanghai 
First  National  now  operates  a  total 
of  42  branches  in  foreign  countries, 
with  the  opening  of  five  new  branches 
by  Bruce  Johnson,  foreign  manager. 
The  new  offices  are  in  Bombay,  In- 
dia; Singapore,  in  the  Federated 
Malay  States;  Soerabaya  and  Ba- 
tavia in  Java,  and  one  in  Shanghai, 
China. 

The  company  now  operates  in  the 
following   foreign   cities: 

Birmingham,  t^ardiff,  Leeds,  Liverpool, 
London,  Manchester  and  Newcastle,  EnKlanij; 
Lille,  Lyons,  Marseilles,  Paris,  Toulouse  ',nd 
Straussburg,  France;  Adelaide,  ISrisbane, 
Melbourne,  Perth  and  Sydney,  Australia ;  Pet- 
(.Continued  on  Page  7) 


Baltimore   House  for   Stanley? 
Baltimore — Negotiations      for      the 
purchase   of   the   Academy   of   Music 
by  the  Stanley  Co.,  are  under  way. 


"Kiki"  Previewed 

Hollywood— "Kiki,"  Norma  Tal- 
niadge  latest,  was  previewed  here  last 
night.  Those  who  were  on  hand  say 
she  gives  the  best  performance  of  her 
screen    career. 


On  the  Sick  List 

Sidney  R.  Kent  has  completely  re- 
covered   from    his    recent    illness   and  , 
has    returned    to    his    desk    at 
mount. 

Joseph  Scider,  of  the  M.  P.  T. 
A.,  now  convalescing  at  Atlantic 
from  a  nervous  breakdown,  is  expi 
ed  back  the  latter  part  of  this  w^ 

John  Hammell,  a  local  sales  ma 
ger  of  Paramount,  is  conval^sc 
from  a  serious  illness. 

Hal  Roach-still  has  his  arm  encal 
in  a  sling.     He  sustained  injuries  ii 
fall   from  a  horse  while  playing  po^ 
in   Hollywood. 


Chamisky  to  Build  Toronto— N.    L.    Nathanson,    man. 

Dallas— -Si    Charnisky   contemplates    ging  director  of  (he   Famous  Playej" 
building    a    new    $250,000    theater    in   and    T.    J.    Bragg,    comptroller,    hal 
Dallas.     He   operates   several  in   this   both  returned  to  their  desks,  folic" 
territory.  /  I  '"K   recent   illnesses. 


THE 


-Pll^ 


DAILY 


Wednesday,  March  3,  1926 


PLANS 


i  XXV  No.  51  Wednesday,  Mar.  3,  1926    Price  5  Cents 

jpjright   1926,   Wid's  Films  and  Film  Folks, 

||k.  >'ublisbed  Daily  except  Saturday  and  hot- 

VS  at  1650  Broadway,  New  York,  N.  Y.,  by 

US   FILMS   and    FILM    FOLKS,    INC. 

.  ';il,Jl3nnenberg,     President    and    Editor ; 

ft}.  WTAlicoate,  Treasurer  and  Business  Man- 

lager;    Maurice    D.    Xann,    Managing    Editor; 

IftDonald  M.  Mersereau,  Advertising  Manager; 

HRalph    VVilk,    Traveling    Representative.      En 

lltered   as    second-class    matter    May    21,    1918, 

■  jt  the  post  office  at  New   York,  N.  Y.,  under 
I     the  act   of   March   3,    1879.      Terms    (Postage 

■  itee)   United   States,   outside   of   Greater    New 
'      York,   $10.00  one   year;    6   months,   $5.00;    3 

months,   $3.00.      Foreign   $15.00.      Subscribers 

)lhould  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
W36-4737-4738-4739.  Cable  address:  Filmday, 
Sew  York.  Hollywood,  California — Harvey 
i  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Civite  3980.  London — Ernest  W.  Fredman, 
Tit  Film  Kenter,  58,  Great  Marlborough  St., 
London,  W.  1.,  Paris — La  Cinematographic 
Francaise,   5,  liue  Saulnier. 

y    i        Quotations 

High  Low  Close  Sales 

Balaban  &   Katz    ..67  67  67           

Eastman    Kodak    ..108  107J^  107J4  1,000 

Banous    Players    ..llSyi  115  115 J4  16,800 

'Fam.  Play.  Pfd 117^       

tb   Inspection    ..     5Ji  S'A       5li  1,000 

%st  Nat'l  Pfd 105J4       

I  Film   "A"    ...   66  63j4  63^  3,300 

VTheaters   "A".   25 Ji  25  25  6,000 

mtern'l  Projector..    ..  ..          12  .... 

.oew's,  Inc 36J^  34Ji  3SJ4  8,800 

etro-Gold.     Pfd...   23  22"^  22J4  300 

IM.  P.  Cap.   Corp...   22^  20)4  22  1,100 

PatKe  Exch.   "A"..   68}4  63%  64  5,200 

•Skouras  Bros . .  48}^       

Stan.  Co.  of  Am 38  

Trans-Lux     10J4  8           8  11,800 

'Universal  Pictures.    ..  ..         93  .... 

I     Univ.   Pict.   Pfd.    ..   91 J4  91H     91 J4  2,100 

I   Warner  Brothers  ..    15 J4  14M     14J4  1,000 

I   Warner   Pictures    ..115^  11^     HJ^  200 
f   *  Last  prices  quoted. 

"Lubitsch  Week"   Starts  Sunday 

The  International  Film  Arts  Guild 

will    inaugurate    its    "Ernst    Lubitsch 

Weeks  of  Repertoire"  at  the   Cameo 

Jti  Sunday,  with  "Passion."       


(Continued  fivm  Page   1) 
this  year.     The  only  difference  is  that 
the  selling  will  be  started  earlier  than 
usual. 

Shapiro  Advances 
There  are  a  lot  of  clever  boys  in 
the  advertising  end  of  the  picture 
business.  Occasionally  something 
happens — too  rarely,  where  one  steps 
out  and  attracts  unusual  attention. 
Today  Victor  Shapiro  takes  charge 
of  United  Artists  advertising  depart- 
ment having  resigned  from  his  con- 
nection with  Samuel  Goldwyn.  Sha- 
piro has  demonstrated  for  a  long 
time  that  he  is  a  very  clever  work- 
man; he  knows  his  business.  Inci- 
dentally, he  is  a  showman.  We  need 
a  lot  more  showmen  in  the  advertis- 
ing departments  of  all  the  companies. 

An  Example 

Louis  Rosenthal,  who  operates  a 
chain  in  New  Jersey.  Whose  devel- 
opment within  the  past  ten  years 
matches  with  many  others,  the  ro- 
mance that  lies  in  almost  every  branch 
of  this  business.  It  was  only  about 
15  years  ago  that  Louis  Rosenthal 
sold  newspapers.  And  when  he  star- 
ted with  one  little  house  things 
didn't  look  so  bright.  Five  years  ago 
when  he  tried  to  borrow  a  tew  thou- 
sand dollars  he  wasn't  so  welcome. 
In  any  bank.  Today  he  can  borrow 
a  quarter  of  a  million  without  any 
banker  seriously  being  worried.  Be- 
cause Rosenthal  has  made  good;  be- 
cause he  has  prospered.  Probably  the 
best  qualification  Rosenthal  has  is 
that  "he  is  on  the  level."  When  they 
say  that  about  you  in  the  picture 
business  it  means  something. 


JSTOCK  SCENES 

NEGATIVE  AND   POSITIVE 
P^R  hN  T  S 

STONE    FILM     LIBRARY 
•{20   W.  42nd   St.  ROOM   303 

^ Phone   Wisconsin    3770 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  I  N  S 

Sptfcialieta  in  Motion  Picture 

and  Theatrical  insurance  for 

the  past  fifteen  years. 

I  Arthur  W.  Slebbins  &  Co.,  Inc. 
1540  Broadway  N.  Y.  C. 

Bryant  3040 


Ontario  Bans  "The  Last  Laugh" 

Toronto — "The  Last  Laugh"  has 
been  banned  in  Ontario,  because  of 
the  country  of  origin.  Ontario  is  said 
to  be  the  only  province  or  country  in 
the  world  that  still  holds  a  ban 
against  German  productions.  Many 
prominent  personages  have  appealed 
to  the  Legislature  to  lift  the  ban  to 
no  avail. 


En  Route 

Hollywood— Douglas  Fairbanks, 
Mary  Pickford,  Paul  Madeux  and 
George  Thomas  left  for  New  York 
yesterday.  Mrs.  Pickford  and  little 
Mary  will  follow  later.  Madeux  will 
have  charge  of  the  Fairbanks  trip 
abroad.  Thomas  is  Miss  Pickford's 
studio  publicity  representative.  Pas- 
sage has  been  booked  on  an  Italian 
steamer  leaving  New  York  for  Naples 
on  April  3. 


Parker  in  Town 

Albert  E.  Parker,  who  directed 
"The  Black  Pirate,"  returned  from 
Boston  yesterday  where  he  has  been 
working  in  the  Technicolor  laboratory 
on  the  print  to  be  used  at  the  open- 
ing of  the  newest  Fairbank's  picture 
Monday  next  at  the   Selwyn. 


British  Importing  More  Films 
Washington — British  imports  in 
1925  amounted  to_179,297,380  linear 
ft.,  valued  at  £1,279,801,  an  increase 
over  1924  of  more  than  56  per  cent 
in  footage,  while  the  value  rose  only 
by  slightly  more  than  one  per  cent, 
according  to  a  survey  made  by  Alfred 
Nutting,  of  the  American  Consulate 
General's  Office,  London,  for  the  Bur- 
eau of  Foreign  and  Domestic  Com- 
merce. 


115  Rejections  in  Free  State 

Washington — Harold  M.  Collins, 
American  Consul  at  Dublin,  in  a  re- 
port to  the  Dept.  of  Commerce,  says 
Irish  Free  State  Censors  reviewed 
5,451,326  ft.  in  1925,  an  increase  of 
507,526  ft  over  1924.  There  were  115 
dramas  rejected. 


Warns   Exhibitors  on  New   Clause 

In  "The  Official  Bulletin,"  current 
issue,  members  of  the  M.  P.  T.  O.  A. 
are  warned  that  unless  the  new 
Availability  of  Play-Date  clause  is 
given  a  thorough  trial  and  its  me- 
chanical structure  operated  from  a 
practical  point  of  view,  certain  hard- 
ships may  be  encountered  by  the  the- 
ater owner. 


Bebe  Daniels  in  Accident 

Miami — Bebe  Daniels  and  her  di- 
rector, Erie  Kenton,  were  suffering 
from  shock  yesterday,  when  the  speed 
boat  in  which  they  were  riding 
crashed  into  a  yacht  and  sank. 


Dietz  to  Coast 

Howard  Dietz,  advertising  and  pub- 
licity director  for  M.-G.-M.,  leaves 
for  the  coast  today  to  confer  with 
Louis  B.  Mayer  and  Pete  Smith  on 
next  vear's  schedule. 


The   finishing   touch  of  refinement   on 

an    elaborate    production   is    the 

handcoloring  by 


/cTmxy/^. 


The    Perfect   Handcoloring    of   Film 
528  Riverside  Drive  Telephone 

New  York  Morningside  1776 


CHROMOS      TRADING      COMPANY 
1123    BROADWAY 

Mr.  Producer: 

We  offer  a  very  advantageous  financing  plan  if  you 
have  a  contract  for  a  series  of  productions. 

Feel  Free  to  Discuss  It  With  Us 

'Phone  Watkins  4522  Suite   1207-8 


Vital  Exchanges  of  Canada  Chartered 

Ottawa — Vital  Exchanges  of  Can- 
ada, Ltd.,  has  been  chartered  here 
with  a  nominal  capital  of  $25,000.  R. 
J.  Romney  is  president  and  general 
manager.  Headquarters  are  at  St. 
John. 


This  is  a  'Cornerblock'  cut  furnished 
FREE  for  all  Pathecomedies  at  your 
exchange. 


•.•♦.••.♦•.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦.♦♦-♦♦.♦♦.♦♦.•♦.•♦.■*♦.••.♦♦••♦.**•**•• 

I  Ward  Cine  Laboratory Jnc.  | 

H  216-222    Weehawken    St.         :jl 

it  Union  City,  N.  J.  H 

K    Telephone   Union  4800  g 

ft  G.  BERT  WARD,  Pres.   U 

*'*  ■    S» 

»♦•.••.•♦.♦♦.♦•.•♦.*♦.♦•.*•.•♦.*».*•.•♦.•♦.•♦.♦♦.♦♦.♦♦.♦♦••*. ♦♦.♦♦•♦♦.'••HI 


EASTERN 

STUDIO   FOR   RENT 

EXCEPTIONAL   FACILITIES 

VERY  LARGE  STOCK  OF 
PROPS  AND  FURNITURE 

Telephone    Dewey    8600 


WANTED 

ORIGINAL      NEGATIVES 

SKATING    AND    RACING 

IN  HOLLAND 


-?■■ 


W.  D.  KELLY 
Phone    Bryant   9850 


'WE  NEVER  DISAPPOINT" 


CRiMfiiH 


INCORPORATED 

220  WEST 42^-°  STREET 

NEW  YORK 


PHONE-CHICKERINC    2937 


ALLAN  A.LOWNES,  CEN.MCR. 


Q^nd  Ho 


THIS  La 


Tife^  BIG  Stars. 
1/ieBIG  Hits- 

You  get  them 

now,  as  always, 

from 

Qaramount 


\ 


% 


ao 


VARIETY 


'AMERICAN  VENUS'  DRE 
IN  LOOP,  AGAINST  DPI 


"Bcn-Hur"  Started  to  $16,000  at  $2— "Behin^ront 
Got    $33,000    at    McVicker's  —  "Parade"    Drew 
$16,800  at  $2  in  Sixth  Week  at  Garrick 


Ohlcaco.  Feb  16 
While  the  upUfters  of  the  coun- 
try were  hoUlinK  their  convention 
at  the  Conj^resp  Hotel  Inst  weeli  the 
'lot  poUol  weie  flocking  In  consid- 
prabk-  niimhers  to  view  "The  Amer- 
tcan  Venus"  at  the  ChlcaKo  theatre. 
The  riot  of  nudity  dlahcd  up  by 
Fomous  Players  Intt-rested  the  com- 
mon 'pee-pul'  more  than  whai  the 
rofjvmerf  h;id  to  say  the  latter 
drnwing:  a  thin  irallery.  while  Bnla- 
han  and   Kalz  had  a  J42.flOO  week 

Metro-Ooldvvyn.  with  two  of  the 
four  theaticf  pn  the  main  stem  tied 
up  with  specials.  18  huildtng  plenty 
of  preatlKe.  "Th»*  Big  Parade"  is 
Htlll  popular  and  "Ben  Hur"  has 
started    strong       They    turned    in    w 

The  arrival  of  the  Warner  Broth 
ers  "Sea  Beast"  was  the  occasion  for 
a    boost    in    prices  at    the    Orpheum 
from  50  to  85 


PORTLAND  HAS  GOOD 
WEEK  IN  GENERA 

stars  of  "Behave"  Popular— 

"Secretary"  Couldn't  Hop 

Up  2nd  Week 


PICTURES 


le  o: 
tcny 
Use   bl 
Isistanj 
;utive. 
few     in; 
lolds 
'thing 

The  grafter  upon  efff^oting 
a  booking,  baldly  aska  the 
agent  of  the  act,  "Can  i  buy 
myself  anything''"  and  then, 
upon  notifying  the  agent  of  a 
hold -over  works  the  same  (rag 
twice 

The  ^raft  is  nominal   such  as 
aat   or   tijf    but   an 
agent! 


Wedaeiday.  Pebruary  ^7.  19Jto 


Baltimore.  Feb  16- 
The  heavy  snow  storm  Tuesday 
slowed  up  the  box  office  trend.  It 
was  the  heav-iest  fall  of  the  season 
locally  and  within  an  inch  of  last 
years  demoralizing  fall  This  time 
there  was  no  transportation  break- 
down, however,  and  conditions  re- 
turned  to   normal  Thursday 


Fox     Drops     to     $16,500 

—''Splendid  Road" 

Flopped 


Portland,  Ore     Feb,  16 

{Drawing   Population.  300,000) 

Al     Christ  If  "8    'Madame     Behave 

al     the    A      &     H     Hip.     registered 

around    Jin.OOO.    top    money    for    the 

■|0wn  that   week       Tula  house  Is  hlt- 

im  on  all  six   with   its  new  policy 

a  udevUle    and    producers*    plc- 

res       Second    money    went    to    the 

liberty      Jensen     &     Von     Herberg'a 

e  playhouse   which  pulled  them  In 

Ih    "Mannequin 


Gross    Only    Limited    by 


original  backers  hep;ime  Involved 
in  a  tranrtal  into  whicb  prominent 
politicians  wore  dragged  The 
house  has  an  uptown  location  on  a 
wide  croHSiown  thoroughfare  and 
on  t  he  fringe  of  the  city's  most 
fashionable  suburb-  It  plays  sec- 
ond  runs. 

The   Whltehurst-b"ox   dual    is  srill 

in    process   of    the    final    Ironlnj;    "ut 

There  hav,e  been   several  stockhold- 

er-r     meetings    to    romp'**lj^ 

but    Jegal   lechnlcalltit 

ditfifuUles  still  retard 

cation 

According     to     late,     but 

limed   reports,   th&  eai^e^ 

the    Century    and 

■es.     the     Whil*hu 

,trol   of  the  Garde 

^e    legit    Auditt»riu' 

he  .  films    tempora 

'The  Big  Parade"  came  ii>  for 
^Ited    run  at  %2  toi) 

(^■(.ent    re-aliKPment    of    flrsi 

^     leases     ffives     the     Hivoll 

ted    Artists'    first    showing. 

Hippodrome     to     follow 

films,  howevei    go  straight 

ipp.     it    looks   like    Metro 

n    thf  Century    to    replaca. 


taer-MetropoIltan      will 

rprlse  next  week   when 

iast"   comes   in   at   reg- 

prices.    establishing    a 

edent   for  this  super- 


eard-s  Seven  Wives" 
Inr  drew  well  from 
th,    Victor    barl- 
m    Tuesday    crip- 
ight  and   perhaps 
to    a    lesser    de- 
select    uptown 
andicaps    fairly 
about    $12.0 
shins    Ame: 
Big    weste 
e     draw     b 
,fflce    L^ny 
better  lil 
Libera 
w"  (1,S0 
,at  cauq: 
ling    re 
ilorlur 
He 
13.0( 


Fox  0,000 

e"   (Fox.L 
weather; 

0.     Picture 

Iped. 

Stanton     ( 
jplendid    Roa| 

uple  of  W' 
fad  taken  off 
J7.000.    way  lol 

Karlton  (1, 
tion"  (1st  N; 
making  It  worse 

Arcadia     <$00, 
(F     P 
ticep. 


lej',  with  the  third  picture  in  five 
weeks  which  had  had  an  original 
showing  at  the  AldJne,  tared  rather 
poorly  The  film  was  "The  Wan- 
derer" Hilda  Ferguson,  billed  as 
equally  Important,  saved  the  da" 
from  belne  much  worse  than  It  was. 
and  the  gross  was  about  t23.noo 
The  house  might  have  dropped  be- 
low 420.000  for  the  first  time  in  sev- 
eral  seasons   if  i(    had   not   been   for 


hird 

lace 

t  h  ^^■^^^■^C  n  dc  r 

The    ^^^Hl^rincluded 

Git^^HT    >l3"     Kuhin. 

igel.  a 

atea    ^ 

4.000]^^^^^^"The 
First   fM^H^here  at 
Aldine    last    fall.      Not    much    of    a 
draw      Hilda    Fergruson.    hilled   with 
equal  prominence,  helped  lot.     Gross 
only  about  $23,000.  considerably  un- 
der nortnal 
.Aldine    tl.BOO.    J2)— "Big 
(M-G    8th  week.)  Off  a 
or  .so,  due   to  weather 
j.sfaciory  and 


About   $1,750 
501 — "Mannequin" 
1st    week)     Quite   good    no- 
Rusiness     fair     considering 


"Sea   Beast"   in   Figueroa 
Reserved  Seat  Run  Film 

Los  Angeles.  Feb    16. 

Figueroa.  one  of  the  newer  pic- 
ture houses  located  In  a*  outlying 
district,  has  b«oked  Warner -Broth- 
ers "The  Sea'Beast"  and  will  open 
with  it  at  a  $6  top  Feb    19.  .  ^^^J 

The  house  wilt  operate  with  a  re-! 
served  seat  policy  during  the  run 
of  the  picture  It  will  be  closed  for 
one  day  prior  to  the  opening 

Bmlle  Pe  Recat  who  has  been 
appointed  producing  director  of  the 
house  will  stage  an  atmospheric 
prolog  In  conjunction  with  the  pic- 
ture 


VON  STERNBERG   RETURJffS 

Los  Angeles    Feb    IR 
Joseph  von  Sternberg    who  dlreci- 
The      Exquisite     Sinner*       tor 
fjiro-Goldwvn -Mayer    and    ha.stily 
the   lot    before   the   picture    wa.s 
foi    a    European    trii).    has    re- 
ed to  the  studio  In  Culver  City 
now    engaged    in   cutting    the 
When      completing      thai 
e  will  go  over  to  the  Charlie 
Studio    where  he  u*  to  pro- 
picture   atarrins;    Edna    Pur- 


ist    Natl.'s     "Wasterns" 

La>s  Angeles    V'eb     Ifi 

a'rles    K     Rogers,    who    producetj 

Hurry  Carey   Western   subjects. 

signed    a    contract    with    First 

nal  to  make  a  series  of  West- 


rry  J  Brown  will  Hupervtse 
thf  peries.  for  which  Marlon  Jack- 
son will  make  the  screen  adapta- 
tions 


you  don't  advertise  tn 
VARIETY 
don't  advertise 


Wednesday,  February  17.  1926 


PICTURES 


VARIETY 


31 


BROADWAY'S  Bl 


Busmcris  on  Broadway  pretty  yen- 
era  liy  recovered  from  the  storm  Ihmi 
woi'k  Top  money  went  to  the  Capi- 
tol with  a  holdover  attraction.  "Thp 
Khu-k  Bird, "  which  got  almost  JTi*  - 
000  on  the  week  and  giving  the  (Mc 
lurc  neiu'bl  MM.fiOO  on  Its  Iwd 
wee 


lOEf  S  STATE.  L  A,  AT  $22,700 
BIG  SHOWING  AND  IN  LEAD 


Got   $54,j 
$25,000-F^ea  Beast'*  Leads  Specials 


LOST  BATTALION"  IN    P'VENUS"   FLOPI  "^^^  ^^'^'^'"  ^^'^^^  ^^ 


State's  Capacity  2,300  as  Against  3,700  for  Met, 
Doing  $21,500  Last  Week  with  "Am.  Venus"— 
"Auction  Block"  and  Rube  Wolf  at  State 


AT  50c  FLAT,  DID  $3,800 


Cameo 


lo    Jonci 

ihe      'Royle     Girl' 

pulled    $4,550. 

A  new  special  came  on   the  street 
Mciidiiy   with   the  opening  of  "Mare 
Nostrum"    at    the    Criterion.    Metro- 
taken  the  house  ' 


the  houses  last  week  The  town  got 
umKled  up  in  a  fierce  snowstorm 
that  knocked  evcryihinfi  tn  the 
amusement  line  completely  oui 
"The  Rojid  ti»  Yesterday."  the  arm 
rush  through 
hBicod  the  storm 
o-'^s  recorded  foi^ 
ok.s  good  when 
Into  conyidcra- 
The  Am 
(>     lattf  r  s 


U       _ 

weekT     Feemti 

own    with    business    remaining    firm 

in  neighborhood  of  $li;.600. 

Aster-  "Big  Parade"  iM-G-M) 
tl.1^0.  »3.10-?2.20>  (13th  week) 
J(ump  of   almost    $700   Vast    week,  to 

Cameo—  -That  Royle  GirV  (K 
L)     (54S;      50-86)        Little     bus 
fiere.    but    under    average    for 
house,  showing  J4,550 

_.      — Rird'    ( 

feld  ovj 
vlng 

(Inal 

brough 

two 

(M 

fter 

belore' 

Hght     b; 

and    took    almost    $X.600    jump    laat 
week,  getting  $1U,970. 

Colony  —  "  What  Happened  to 
Jones"  (U)  (1,9«0.  50-83)  l*'or  first 
week  of  Universals  tenancy  house 
got  $24,3115  picture  taking  greatest 
pan  of.  thQ  credit  for  the  pull  at  the 
box  ofijce.'. 

Criterion — "Mare  Nostrum"  (M- 
iB-M)  (60S',  $1.10-$2.20)  (1st  week) 
Opened  Monday  night  Not  of-,  $i. 
road  show,  type  of  picture,  but  may 
hold  on  here  for  poasibly  three 
months  because  of  limited  capacity 
and  plugfsing  that  will  be  given  pic- 
ture ' 
Emba«sy— "The  Merry  Widow' 
(M-G-M)  (600,  $I,.l0-$2.20)  Final 
week  of  Mae  Murray  picture  here, 
the  run  bavin-  been  over  six  mbnths 
in  duration  'La  Boheme"  next 
week  Last  week's  receipts,  $6,565 
Riatto — "Moana  of  the  South 
Seaa'  (F'  P -L.)  (1.960:  3t.-60-S5- 
9$)  Combination  of  circumstances 
last  week  thai  shot  business  up 
Tlunning  of  screen  tests  of  depart- 
ment store  girls  pulled  and  picture 
Itself  carried  considerable  draught 
at  box  ofnce.    Almost  $25,000. 

Rivoli — "Behind  <the  l?"ront'  (F 
P  Ut  (2.^00.  3a-^-8^-i(y>  Cork 
Ing  laugh  producing  picture  together 
with  best  revuo  presentation.  "The 
Bughouse  Cabaret,*  which  Publix 
has  as  yet  put  i>n  ran  busineys  up 
to  best  figure  theatre  has  had  since 
"Madame  Sans  Gene."  Take.  $32  ^ 
600. 

Strand — "The  Grand  Duchess  and 
the  Walter"  (F  P -L.)  (2.900,  35- 
50-85)  Menjou's  name  draw  and 
in   good   picture   togflher    with  cork- 

Warner — "Ihe  Sea  Beast"  (W;ir- 
Iner  Bros.)  (1.380.  $1  lO-$2.20).  AI- , 
1  roost  lift  of  $1,100  here  last  week 
[over  storm  figures  of  week  before 
I  That  means  picture  is  doing  capac- 
llty  and  standing  them  up  on  two-a- 
f  day  policy      $21,965 

Bert  Ennis'  Serial 

Bert  Ennis.  former  publicity  di 
r«ctor  for  Sawyer  A  Lubin,  and 
personal  press  ag-^m  of  the  late 
Barbara  La  M-m.  hiia  signed  to 
writo  12  arllclea  on  the  picture  busi- 
ness for   "Photoplay   Magazine," 

Ennis  will  deliver  one  article  of 
a,600  words  monthly  for  one  year 
under  the  title,  "Thorn  Were  the 
Happy  Days."  The  storiea  win  be 
reminiscent  and  cover  t^loturea  since 
ifllO, 


Last  Week 

merican    V'en 

35-50)      Bad  re^ 

•  I    luined  works 

itan,  "Roati  to  Ye; 

(1.542.     35-50) 

.nds   names.     T'. 

weather  cut  in  considerably     $8,500 

Palace,    Lon     Chaney     in      'Black 

Bird"    (M-Gl    (2.432.    35-50)        Had 

it  maintained  pace  of  opening,  would 

have  broken   house  record-     $14,500 

"Big     Parade"     (M.-G.-M.) 


mall  Tol 
on  Wee 
— Other  Flops,  Too 


TopeKa.   Kans.    b'eo    lf> 
(Drawing    Population,    75,000) 

Yesterday"    failed 

ox    office    of    the 

r    0    week's    ru 

■saw  It   wondert 

Fibout    and  llio  oth' 

"gruesome 


The 


I  Hway 


ing  picture  oi  the 
andled  "  At  the 
Venus"  was  run 
heavy  tidvertls- 
,us"  scored  an- 
other Hop,  though  not  80  heavy  as 
that  at  the  Coxy 

Estimates  for    Last   We^k 
Isis     (700.      40>— "The     American 
Venus'    Just   bathing  beauty   parade 
Folks    here   did    not    care   for    small 
own  stuff      $1,400 
Cozy  (400,    30)— "Road  to   Vester- 
"    did  not  get   business      Picture 
irety 


500, 

This   Week 

Columbia.  "Mannequin  Metro- 
politan, "Bluebeani's  Seven  Wives". 
Palar-e.  "Song  and  Dance  Man*  , 
President.  "Lost  Battalion"  <2d 
week)     Kialtt*,  "P>«lace  of  Pleasure" 


BOSTON  REPEATS 

Storm   and    Business   Same   As   Pre- 
'  v<ous  Weclt 


Cond^ion< 
la.st   week   ' 
the  previou; 
that    swept 
nesday  cr 

(int^    the    w . 

Despite  the  storm,  'The  Big  Pa- 
rade' at  the  Majestic  did  $17,000 
This,  \tas  on  a  par  with  the  busi- 
ne.ss  ^^the' week  before  The  pic- 
ture ^ir  its  fifth  week  has  so  far 
;ss  as  any 
:ed  in 
.rl"  and 
'enwayj 
The 
,000. 
aro 
busines-s  is  still  luttmg  n  high  fig- 
ure under  the  n.w  policy,  which  Is 
in  direct  competition  i^tth  the  big 
■Met 


f,  total  r6r  week  up  to  normal- 
"Peacock  Feathers,"  first  half,  good 
picture,  but  this  theatre  "Just  one  of 
those  weeks."     Total.  $600. 


Tt'pt^n 
oeks       KIK*n* 
lith      the      PuMiX 
Liokt-tl      thruush 


.•tli  more  weeks 
Theatres  Corp. 
VVilljani      Morris, 


hd    he    will   probably    rotate   m   the, 
her    Puhllx   hou.ie."*  to  play  out   t 
n  tract 

The  JH/-Z  pulley  ai  tti«  Riv 
iiidn'i  click.  It  being  decided  th 
the  pii  orchestra  and  the  Jot 
.Murray       Anderaon       units       we 

enough 


let    N.    Exeh.   in    Sioux    Falls 
Los  Angele.s    Keb    IC 
First    National    i^   t<.    establish 
exchange   here   wiihin   the   near    f 


turc  it  Is  rumored  A  lease  (oi  si 
room.s  has  been  sent  to  New  Y 
tor    approval 

Paramount    I'nrvfr.iat  and  K    F^ 
each  have  an  exchange  liere 


K.  C.  Houses  Dropped  Off 
BadJy  Last  Week— No  Out 

(Drawing   Population,  600,000) 

Kansas  City    Feb._16 
Last  week's    _ 
leems  to  bi 
ich  lecerf 
lie  to  picturi 
,  gave  It 
ictures,    "Th; 
but    the 

y    sen.sati'         _ 

ggest  show  on  the  street  was  the 
offering  at  the  Newman,  where  an 
elaborate  preservtation  was  given  in 
connection  with  the  film,  "The 
American  Venus'  Seve, 
contestants     In     the 


PROVIDENCE;  HELD  OVER 


Warners' Film  Made  Big  Show- 
ing in  Bad  Week — Snow- 
storm Kicked  Grosses 


Providence.  Feb  16 
'The  Sea  Beast'  held  over  by  the 
Rialto.  where  it  played  to  $8,500. 
breaking  all  records  last  week, 
Bu.siness  elsewhere  in  town  was 
below  par  The  stormy  weather 
slowed  it  up.  and  the  pictures  lacked 
the  right  appeal,  after  weeks  of, 
similar    stuff 

MajeSi^  (2.r>00,  10-40)  "The 
Woman  of  the  World'  iK  Pj,  "The 
Unwritten   Law"    ilndep)      \Veek  off 

Rialto— (1,448,  15-40)  "The  Sea 
Beast"  (Warners)  $8,500  Excep- 
tionally good.     Held  over 

---  tory — (1.950;   15-40)  "Palace^ 

.\Tmin^en'.H  PolS^ Viishf  d'ot h e ) 
Good  except  (or  .storni\  'Ko -^  J".- 
300 

Strand — (2,200.  l5-40>  "The  Koad 
10  Yesterday*  (P  D  C)  Manage- 
ment claimed  picture  over  public's 
heads      $5,800 

Thia  Week 
Majestic.  'Far  Cry"  "C(l^e  Man", 
Strand,  "Bvaveheini.'  "Fifth  Ave- 
nue"; Victory.  "Sally,  Irene  and 
Mary'  and  "Stella  Maris":  Rialtc. 
'The  Sea  Beast"  (holdover) 

Playing  Ic  Ante? 

I,,os   Angelcii.  Feb    li>. 

Quito    a    few    inctiire    actors    and 
-siudlo  employes  at  the  Fox  lot,  vis- 
ited  a    soft    drink    establi.shmeni 
Western    avenue   and    were    playi 
poker/  When    the    police    walked 
they  fcKind  $2. 45  on  the  table 

They  look   ihe  following  into  cuj 
tody      Joseph    Planch.    29     direrl 
Thomas    Smith     31     property    mr 
Leo    Collins,    22.    film    cutter.    .1 
Fox,    25;    Fred    Davis.    32.     Richa 
Humphreys,    29    Rupert    N'arvtl 
John  C    We.fkey    52    Billy  Beaumi] 
lohn   Brown 

All  of  them  proved  to  be  actors 
as  they  had  their  make-up  on  and 
were  tn    costume 


Lo.s  Angeles,  Feb    16 
(Drawing    Population,    1^50,000) 
l.oevv'.s  Stale,  \vith  2.300  capacity, 
e  the  road   up  last   week  against 
.sister    compotllor.    Metropolltnn. 
ich     h:ta    ii     holding     -iti'ongth     of 
i>0        Tluj    cause    foi     ll    wa.-*    tfie 
)ut  of  Ruhe  Wolf  and  hft  Gi'cutor 
nd      Wolf  Is  one  of  those  inuRl- 
n -entertainers    who    can    do   any- 
11^  iind  amuse  an  audience      The 
vn   went    wild   over  him   from  the 
rt     ns   they    had    been    lipped    off 
to    what    he    had    tiunt?    at    the 
uievard,    whence    he    came    from 
th    the    tesiilt    that    the    evening 
ide  at    this  house  was  holdout, 
l-'aiurhon  and  Marco  .seem  to  have 
ipiieii  over  ft  great  "idea"  (n  plac- 
ik'    their    brother   here   and   at   this 
rue,    as   he    has   set   a    pace   which 
erne  Buck    who  is  coming  Into  the 
l*-iroiioHtan    with    a    big    blare    of 
triinipttH  and  similar  style  of  enter- 
tainment, will  find  hard  to  keep  up 
with-     There  was  little  difference  in 
the  actual  gro.ss.  if  any.  of. both  of 
these    houses,    with,    of   courSe,    the 
mailer    house    thereby    entitled    to 
irst   place. 
Tile   feature   punm-e   at   the   State 
us  J  Hobart  Henley  opus.  "Auction 
lock  "      At    the    Metropolitan    they 
id  Just  one  of  those  average  stage 
hows     in      conjunction      with      the 
screen    showing    of   "The    American 
Venus  "      No   one   got    over-enthus- 
la.stic    about    aeeing    the    unclothed 
females,  as  that  is  nothing  novel  out 
here.    One  evening  early  in  the  week 
by    actual    count    at    9    p.    m.    there 
were  III  persons  scattered  about  the 
vast   Ijulcony  of  the  Metropolitan. 

Gr.tumon'H  Egyptian,  with  "The 
Bl;.^  Parade"  in  its  14th  week,  kept 
Hbreust  of  the  two  doxvntown 
houses.  It  Is  hard  to  figure  how 
long  "The  Parade"  will  last  here,  as 
the  profits  each  week  at  Grauman's 
are  way  In  excess  of  $6,000. 

"Don  Q,"  in  its  third  week,  ran 
along  at  a  good  gait  In  the  Million 
Dollar  The  Rialto  sort  of  began  to 
lose  hold  with  "That  Royle  Glfl" 
last  week,  and  it  looks  as  though  a 
ban  

'Lady   Wlndermere'a  Fan,"   In   ital 
second  week  at  the  Forum,  stlU  kept  ^ 
up  at  a  remarkable  gait,  only  run- 
ning about  $1,000  less  than  the  Ini- 
tial  week.     It   Is  carded   this  week  | 
for  its  third  and  last  stanza. 

"'The  Jazz  Bride."  at  the  Flgueroa,1 
caused  a  bit  of  excitement  with  the  I 
cash  buyers,  who  brought  up  the! 
gross  just  a  bit  above  that  of  the] 
week  before. 


F 

oyal 

,., 

rhe  B 

lu< 

k  Bird"  T52 

0    a 

501 

■P 

lie 

(lid 

not    mean    so 

much 

Tr. 

Lht 

f.- 

n.s     . 

R 

the     n.Tnu' 

bf 

m 

Ch 

inoy 

Hoy^ 

I 

Syncopalor 

s 

n 

Linea^^^^g^vanci  director 
Tiii-'I^i^Bimici  Brothers 
canine  star  ijiokc  his  te^:  in  Jump- 
ing from  a  clifi  at  Elysion  Park 
which  at  the  same  time  stopped 
production  of  the  hero  of  the  bis 
ynow.s. 

Look  place  when 
anotliei  dug  wcrt 
.«»e']  fake  fight 
he  aninialb  wei>T  at 
I  mud*  a  leap  lo 
houi  his  muKiei 
Rin  Tin  Tin  will  not  work  .so  the 
picture  niurii  In.  held  up  until  hl.s 
t>oss    rpn    ;,-ei    on    the    Jul. 


wave    It    inoH 
proouction    but  diaw  wa»  not    up  to 
ixpeCtationH,       Abt)Ul    $12,000 

Liberty.      I.is    P«-f.i>l«-    (V  >    i  i  .muk 

Ixtnt 


"^  BoMt  fn  «'S«a  BM»t" 

^  Chlcmivo,  r*h.  U. 

Thm  Orphaum.  Warner  Brotttera 
tli«a«i%  sbowtnc  tli*  Chioa«a  -pre- 
mlM*  oT  tb«  "Sea  Bea«t,-  ^&  taken 
ftdi«at«t«  of  th*  p6^>aiarft7  t  Jotu 
Barrymura  and  booated  thatr  jM-< 
mlaaton  from  M,  oenu  to  II  tf«Bta. 
Xhe#«  prteea  aealin  to  ha««  made-ao 


turc  made  prioi   to  hei    fatal  lllnll■s^ 

Miss     La      Marr's     name     will 
.liniinaied   froni    the   title   and    fronj 
hilling    with   the   new    r>ame   tlili| 
idtnR 

First   National   Prertpnt^ 

'The    Gin    fi'om    Montlu;iilie 

with 

LcwiH    LewiB 


milker  last  week  with  the  Ellnoi 
Glyn  iiroduct,  "Th«  Only  Thing." 
Th)?<  is  the  flrs.t  time  In  several 
months  that  the  house  got  out  of  the 
"rriV    column 

Estimates   for    Last   Week 

Metropolitan — "American  Venus" 
(F  r  L.)  (3.700,  :;5-65  )  Too 
many  of  th«-  "Venus'  type  in  this 
conuruinily  to  cause  people  to  bo 
curli»iis  enough  to  see  how  they  look 
on    screen        Poor    week       $21,600 

Million  Dollar — 'Don  Q'  (V  A) 
( 2.200  2h-  85  )  Thi.s  Doug  Fair- 
l,>;ink>  pntui-e  m  third  week  did 
very     Wf'll        $21,000 

Grauman's  Egyptian— "The  Big 
Fariide'        (M-G-M>  (1.800.       50- 

$1,50  I  Sid  Graiiman  carried  this 
pictnit  through  Its  I4lh  week  to 
ver\      healthy     returns        $20.'jOO 

Loew's  State — 'Auction  Block" 
lM-t;-.\I  .  (2,300  2S-85  »  Great 
ballast  in  Rube  Wolf  and  ori-nestra. 
with  icsull  that  it  brought  most 
ple.-.sinp    gross       $22,700. 

Criterion — "The  Only  Thing' 
M-G  M)  (l.SOO,  15-35)  That 
Olnioi  Glyii  name  on  piece  oi  cellu- 

iO    rne>in.s    greni    deal    more    thaii 

igiiiJI'i'iMyi.roiiii'"-"" 

Forum — "Lady  Windermere's  Fan' 
(Warner)  (1.800.  15-50.)  Held  u 
.tmazingly  ftell  for  second  week 
no. 700.  


3 


..)       H.ifj    iM-gun    (■)    skid 


.   iUMronoe  with  tba  ^b:ia.  wh*-«r« 


ff  Kjttc  tbe  houoe  at  all  performaaoca* 
AHa  tti*  Viaaagement  will  probably] 
rotatii    thlM    ao^    throuctrout 


Denver  Changes 

Denver    Fei.    H^ 

,1  W  Eaton  has  taken  charge  as 
utcei  or  thv:  local  Slate,  succeed- 
J  Q  Clemmer  who  has  gone 
I  iht^    Coast 

i-nt-  Gerl»a?*e,  tor  »«j\<'r:il  >  e  iifl 
(h.iiii;*       nianiiKtT     fpr      rniversal 
has    iesigiu?(l    to    ninnii;*-    the 
■1    exchonpe  of  Aaso.  uitf.i    Kx- 
hnorn 


Figueroa-- "The  Jazz  Bride"  (War- 
ner)        (1.650.      25-76.»        Title     and  , 
type    picture    as    well    aa    featured 
pliiyers  liked  here      Result  satlsfa 
ory       $5.700, 


SCREEN  STAR  SUBBING 
Salt  Lake  City,  Feb    I6 

Mary  Newit>n  leading  woman  of 
the  Raltih  Clonlnger  Players  (Wilkes 
theattp)  has  been  forced  out  of  thr 
company  through  a  minor  opera- 
tion and  may  be  out  indefinitely. 

Helene  .Millard,  formerly  in  pic- 
tures, luis  bnen  called  here  to  sub 
fur  Miss  Newton  Mies  Millard 
opened  in  "Silence,' 

Anothei  new  VVllkew  company 
member  I*  Fana  Whltnoy.  secon^ 
lead. 


THE 


-.gBg^ 


DABLY 


Wednesday,  March  3,  1926 


Row  Over  Vital 

David    Hochreich    Counter     Charges 

Davis   Statement  with  a  Long 

One   of   His    Own 

David  R.  Hochreich,  new  president 
of  World-Wide  Film  Corp.,  and  for- 
mer president  of  Vij:al  Exchanges,  is- 
sued a  long  statement  yesterday  re- 
garding Vital  and  Davis  Dist.  Div. 
It  said,  in  part: 

"I  wish  it  to  be  emphatically  understood 
that  the  plans  of  the  World-Wide  Film  Corp. 
are  in  no  way  connected  with  any  plans 
or  projects  instituted  by  the  Davis  Dist.  Divi- 
sion, or  anyone  connected   with   them. 

"Mr.  Davis'  statement  that  the  exchanges 
comprising  Vital  Exchanges.  Inc.,  are  work- 
ing in  harmony  with  his  company  in  their 
effort  now  being  made  to  raid  Vital  Ex- 
changes, Inc.,  and  make  it  part  of  a  re- 
organization plan  in  the  mind  of  Mr.  Davis 
and  his  associates,  is  very  much  out  of  line 
with    the   facts. 

"Believing  their  statement  that  they  (Davis 
Dist.  Div.)  had  this  quantity  of  product 
ready  (30  features  and  20  comedies),  I 
joined  in  the  plan  to  interest  Mr.  Leo.  A. 
Price  and  his  associates  in  the  Associated 
Banking  Corp.  to  finance  Vital  Exchanges, 
Inc.,  and  it  was  only  after  these  gentlemen 
hecame  part  of  Vital  Exchanges,  Inc.,  that, 
to  the  intense  amazement  of  Mr.  Price  and 
myself,  we  discovered  one  fine  day,  Nov. 
10,  1925,  a  full  two  months  after  we  started 
our  exchanges,  that  only  four  features  out 
of  the  mythical  thirty  promised  by  Mr.  Davis 
for  Sept.  10,  and  eight  comdeies  out  of  twen- 
ty were  ready." 


Deals  on  "Vanishing  Millions" 

The  Capitol  Prod.  Exporting  Co. 
has  disposed  of  "Vanishing  Millions," 
a  serial,  to  Universal  for  Argentine 
and  the  West  Coast;  to  Fox,  for  the 
I  Philippine  Islands,  to  Akra  Film 
"Sales,  for  Porto  Rico  and  Santo  Do- 
mingo: to  Alliance  Trade  Agency, 
for  India,  Ceylon  and  Burma,  and  to 
F.  Matarazzo  &  Cia,  ior  Brazil^ 


Pollard  on  "Uncle  Tom's  Cabin*' 

Harry  Pollard  is  reported  to  be  at 
Franklin,  Pa.,  shooting  ice  scenes  for 
"Uncle  Tom's  Cabin."  Pauline  Fred- 
erick is  said  to  be  on  her  way  back 
East  for  the  leading  role.  Universal 
wired  the  coast  yesterday  for  confirm- 
ation, but  at  a  late  hour  had  received 
v.no  word. 


^^^    George  Smith   Here 
George    Smith,    managing    director 
of  P.  D.  C.  of  England,  who  arrived 
here    last  week,   may   return   to   Lon- 
don Saturday. 


At  the  Rialto-Rivoli  Next   Week 

"Miss  Brewster's  Millions"  will 
plav  the  Rivoli  next  week,  while  the 
feature  at  the  Rialto  will  be  "The 
First  Year." 


Decision  Near 

In     Enterprise     Bankruptcy     Case — 

Creditors    May   Allow  Company 

To    Continue    Operations 

Atlanta — A  more  sympathetic  at- 
titude on  the  part  of  creditors  re- 
sulted from  the  second  hearing  in 
the  case  of  Enterprise  Dist.  Corp., 
bankrupt,  when  Wm.  K.  Jenkins, 
president,  explained  that  the  forma- 
tion of  Enterprise  Film  Corp.  was  an 
emergency  move  designed  to  protect 
the  assets  which  Jenkin's  Securities 
Corp.    held   in   the   bankrupt   concern. 

In  lengthy  testimony  before  Judge 
H.  Dodd.  Jenkins  declared  the  action 
of  Jenkins  Securities  in  threatening 
foreclosure  of  a  mortgage  which  the 
latter  company  held  on  Enterprise, 
and  the  subsequent  action  of  Enter- 
prise in  executing  a  bill  of  sale  dis- 
posing of  assets  to  the  securities  com- 
pany as  well  as  the  later  action  of 
Jenkin's  Securities  in  executing  a  sec- 
ond bill  of  sale  redisposing  of  those 
assets  to  Enterprise,  prin^arily  to 
save  the  assets  of  the  company — 
mainly  prints  of  pictures — whose  only 
value  rested'  in  the  fulfillment  of 
contracts 

Jenkins  asserted  that  if  the  court 
grants  him  permission  to  continue  to 
operate  Enterprise,  the  revenue  ac- 
cruing from  rentals  will  be  set  aside 
to  satisfy  the  claims  of  creditors  as 
rapidly  a?  possible. 

While  no  decision  has  been  handed 
down,  it  seems  certain  that  the  more 
sympathetic  attitude  evidenced  by 
creditors  at  the  hearing,  when  sev- 
eral of  the  larger  creditors  expressed 
a  willingness  to  allow  Enterprise  to 
continue  to  operate,  may  result  in  a 
decision  from  the  Court  providing 
for  the  newly  formed  company  to 
carry  on. 

In  such  an  event,  it  is  anticipated 
that  Enterprise  would  continue  to 
operate  under  the  jurisdiction  of  the 
court  and  through  a  receiver. 

Testimony  brought  out  at  the  hear- 
ing, and  substantiated  by  records, 
shows  that  while  Enterprise  was 
origin?lly  capitalized  at  $250,000.  only 
$25,000  in  stock  was  issued.  When 
Jenkins,  John  W.  Quillian.  Jenkins 
Securities  Coro.  and  St.  Elmo  Mas- 
sengale  negotiated  the  purchase  of 
Enterorise  from  S.  A.  Lynch,  the 
capital  stock  actually  issued  showed 
as  only  $25,000.  The  rest  was  turned 
over  to  Jenkins  and  others  m?rkcd 
"cancelled"  and  had  actually  never 
been  issued  so  far  as  the  records 
show. 

It  is  expected  that  a  decision  will 
be  handed  down  this  week. 


If  You  Are  in  the 
Market    for    Any    Kind    of 

MOTION  PICTURE 
APPARATUS 

CONSULT   VS-AND  SAVE  MONEY 
SEND   FOR   OUR   PRICE  LIST 


Chas.  G.  Willoughby,  Inc. 

Motion  Picture  Department 

110  West  32nd  St.,  New  York 

Phone    Penna.    6564 


St.  Louis  Courts  Busy 

Famous    Sues    the    Delmonte — L.    A. 

Cella's     Estate     Reaches     the 

Calendar  There 

St.  Louis — Famous  has  filed  suit 
for  $6,705  in  the  local  Circuit  Court 
against  Fred  L.  Cornwell,  who  for- 
merly operated  the  Delmonte,  alleg- 
ing that  amount  due  for  rentals  on 
Paramount  Pictures  used  between 
Aug.  6  and  Dec.  23,  1925.  The  Del- 
monte was  closed  last  week  i)y  Jack 
Ray  and  R.  M.  Miller,  of  Mexico, 
Mo.,  lessees.  The  Delmonte  Invest- 
ment Co.  owns  the  building.  Corn- 
well,  who  was  formerly  president  of 
the  Delmonte  Investment  Co.,  denies 
that  he  owes  Famous  $6,705,  which, 
as  set  forth,  is  claimed  to  be  the 
amount  due  from  $14  182  rentals. 

A  suit  brought  against  the  execu- 
tors of  the  estate  of  the  late  Louis 
A.  Cella,  St.  Louis  theater  and  hotel 
owner,  to  recover  $272,470,  was  dis- 
missed by  Circuit  Court  Judge  Itt- 
ner,  when  it  developed  that  all  actions 
of  the  executors.  Cliarles  J.  Cella  and 
Joseph  Martin,  had  been  approved  by 
the  Probate  Court  of  St.  Louis  Coun- 
ty and  that  the  prices  paid  for  assets 
of  the  estate  sold  by  the  executors 
were  based  upon  the  clear  market 
value  of  the  stock. 

A.  J.  Bott,  orchestra  leader  of  the 
O'Fallon  theater,  St.  Louis,  has  with- 
drawn his  suit  against  the  Musician's 
Mutual  Benefit  Ass'n,  Local  No.  2 
of  St.  Louis.  Bott  had  asked  the 
Court  to  enjoin  the  union  from  ex- 
pelling him  from  membership,  inter- 
fering with  his  contract  as  orchestra 
leader. 


Siegfried  Laemmle  Arrives 

Siegfried  Laemmle  arrived  last 
night  on  the  Berengaria  to  make  a 
surprise  visit  to  his  brother.  Carl  and 
his  two  sons,  Ernst  and  Walter,  all 
of  whom  are  at  Universal   City. 


Texas  County  in  Bad  Shape 
Taylor,    Tex. — AVilliamson    County, 
n   which   Taylor   is   situated,   is   rated 
agriculturally  this  year  as  "the  hard- 
est   hit    spot   in   the   state,"   according 
to  a  prominent  film  man  of  Dallas. 


The  ONLY  exclusive 
leasing  plant  in  L.  A, 

Fine  Arts  Studio 

Los    Angeles,    Calif. 

offers  to  producers  the  most 
modern  and  best  equipped  plant 
in  California.  Four  large  stages, 
scores  of  dressing  rooms,  of- 
fices, etc.  Best  of  electrical 
equipment  and  props.  Write 
or  wire  for  details. 

FINE  ARTS  STUDIO 

4500   Sunset   Blvd. 
Los  Angeles,  Calif. 


The  West  Coast  Deal 

Official     Announcement     from     First 

National   Tells   of   Signing  for 

Transfer  of  Interests 

Announcement  was  made  yesterday 
by  First  National  that  contracts  have 
been  signed  whereby  the  interests  of 
Sol  Lesser  in  West  Coast  Theaters 
will  be  acquired  by  a  group  consist- 
ing of  First  National  franchise  hold- 
ers  and    others. 

The  Gore  Bros,  have  not  sold  any 
of  their  interests  in  West  Coast  The- 
aters and  will  remain  in  charge  of 
operation  with  the  control  held  joint- 
ly by  the  First  National  Pictures 
group  and  the  Gore  Bros. 

The  closing  of  this  deal,  which  has 
been  in  negotiation  for  a  considerable 
period,  will  mark  another  important 
development  in  the  progress  of  First 
National.  The  West  Coast  Chain  is 
one  of  the  most  valuable  theater  prop- 
erties in  the  country,  comprising  ap- 
proximately 169  houses.  It  was  start- 
ed five  years  ago  in  association  with 
Gore  Bros.,  and  has  steadily 
grown  to  its  present  dominant  po- 
sition. 


AN  EASTER  WEEK 
SPECIAL! 

"George  Fredrick  Handel" 

ONE  OF 

James  A.  FitzPat rick's 

FAMOUS  MUSIC  MASTERS 
SERIES 

A  One-Reel  Masterpiece 

Issued  with  full  orchestrations, 

including  solo  piano  and  organ 

parts  compiled  by 

Hugo  Riesenfeld 

Picturizing  Handel's  Famous 

LARGO 
and  HALLELUJAH  CHORUS 

The      greatest      Easter      Week 
music  ever  written 

*  *         * 

Booked     direct     to  First     Run 

Theatres      anywhere      in      the 

United    States! 

*  ♦        ♦ 

FitzPatrick  Pictures,  Inc. 

729  Seventh  Avenue  N.  Y.  C. 

Order  your  Print  andMusic  now! 


^BMaci^S^iml 


look  Betterand  Wear  longer 


►jfei^. 


Wednesday,  March  3,  1926 


fHl: 


i^^ 


DAILY 


42  Foreign  Offices 

(Continued  from  Fuge  1) 
liii,  Germany;  Vienna,  Austria;  (Jslo,  Nor- 
way; Stockholm,  Sweden;  Copenhagen,  Den- 
mark; Dublin,  Ireland;  Glasgow,  Scotland; 
Brussels,  Belgium ;  Amsterdam,  Holland ; 
Zurich,  Switzerland;  Rome,  Italy;  Warsaw, 
Poland;  Prague,  Czecho-Slovakia ;  Budapest, 
Hungary;  Wellington,  New  Zealand;  I'okyo 
and  Kobe,  Japan;  Mexico  City,  Mexico; 
Havana,  Cuba;  Bombay,  India;  Singapore, 
Federated  Malay  States;  Soerabaya.  Java, 
and    Shanghai,    China. 

Financial  Statetment 

The     consolidated     financial     state- 
ment of  First  National    e'ictiircs.  Inc.. 
for  the  quarter  ended   Sept.  26,   1925 
as   .compared    with    the    same    period 
last   year,    follows,    in    detail: 

1925  1924 

Operating     income....    $.S,.S6y,193      $4,903,754 
Expenses,    &c 3,844,315        3.408,765 

Balance      $1,724,878     $1,494,989 

Other    income    99,313  18,562 

Total    income     $1,824,191      $1,513,551 

Federal  tax,  tilm  ex- 
haustion,   &c.     1,446,948        1,174,656 

Net    profit    ..... 377,243         $338,895 

Consolidated      income      account      for      nine 

months   ended    September   26,    1925,    compares 

as  follows : 

Operating  income $17,892,477  $16,326,425 

Expenses,  &c 12,528,152     12,608,217 

Balance     $5,364,325     $3,718,208 

Other    income    232,961  108,511 

Total  income   $5,597,286     $3,826,719 

Federal   tax,  film  ex- 
haustion, &c $3,971,952       2,570,558 

Net    profit    $1,625,334      $1,256,161 


Work    Starts  on   New   Studio 

Los  Angeles — Actual  construction 
work  has  commenced  on  First  Na- 
tional's new  studio. 

Following  "Ella  Cinders,"  Colleen 
Moore  will  appear  in  "Twinkle  Toes." 
After  this  will  come  "Delicatessen" 
and  then  "Daphne  Grows  Down." 


Hatch  Assumes  Additional  Duties 

S.  W.  Hatch,  of  the  First  National 
distribution  department,  in  addition  to 
supervising  franchises  will,  in  the  fu- 
ture, have  charge  of  open  market  sell- 
ing. This  arrangement  follows  the 
resignation  of  C.   W.   Bunn. 


"Savage"   Company   Returns 
Director  Fred  Nevvmever  and  meni- 


TusttoU 

•'jxiles 

Awstbaum 

III  he  back 

mPhihj 
^  soon . 
'bJcay  ", 
saidjtiles 


tS^^IS^^^^I^S^ 


bers  of  "The  Savage"  unit  have  re- 
turned from  Miami.  In  the  party 
were  May  McAvoy,  Ben  Lyon,  Philo 
McCullough,  Sam  Hardy,  Charlotte 
Walker,  Tom  McQuire,  George  Fol- 
sey,  Russell  Ball,  Nick  Barrows, 
Business  Manager  Joseph  H.  Nadel 
and   Don   Hetrick. 


"Stanley  Hand  Week" 

The  Kew  Mitk  exchange  of  First 
l.dLiunai  lias  uesignated  ilie  week 
commencing  April  11  as  "Stanley 
l-!an(l  Week."  m  honor  of  their  man- 
ager. 


Rogell  to  Direct  Maynard 

Hollywood — Ihe  series  of  West- 
erns, featuring  Ken  Maynard,  which 
Charles  R.  Rogers  will  produce  for 
First  National,  will  be  directed  by  Al 
Rogell. 


Sixteen  Paramount  School  Graduates 

Contracts  starting  at  $75  a  week 
were  the  diplomas  handed  last  night 
to  the  16  students  of  the  Paramount 
Pictures  school  at  the  graduation  ex- 
ercises held  at  the  Ritz.  Immediately 
following  a  dinner,  "Fascinating 
Youth"  was  screened.  The  students 
were: 

Ivy  Harris,  Atlanta ;  Josephine  Dunn,  New 
York;  Iris  Gray,  Wichita;  Thelda  Kenvin, 
Brooklyn ;  Jeanne  Morgan,  Medford  Hillside, 
Mass.;  Dorothy  Nourse,  Roxbury,  Mass.; 
Mona  Palma,  New  York;  Thelma  Todd,  Law- 
rence, Mass. ;  Charles  Rogers,  Olathe,  Kan. ; 
Robert  Andrews,  New  York ;  Greg  Blackton, 
Brooklyn;  Charles  Brokaw,  Columbus,  O. ; 
Claud  Buchanan,  Boston;  Walter  Goss,  New 
York ;  Irving  Hartley,  New  York ;  Jack 
Luden,    Reading,   Pa. 


One  Year  Old 

"Open  Door"  Policy  Launched  by  the 
Hays    Organization    Reaches    Its 

First  Milestone 
The  "Open  Door"  policy  of  the  in- 
dustry, launched  by  the  Hays  office, 
has  ended  its  first  year.  A  year  ago 
this  month,  the  Committee  on  Public 
Relations  of  the  M.  P.  P.  D.  A.  was 
developed  into  the  Dept.  of  Public 
Relations.  All  interested  groups  and 
individuals  throughout  the  country 
were  invited  to  cooperate  with  the  in- 
dustry by  offering  helpful  suggestions 
and  constructive  criticism.  This  has 
rnet  with  tremendous  response,  ac- 
cording to  its   sponsors. 


Tieup  on  "Black  Pirate" 

United  Artists  has  arranged  a  tie- 
up  with  "The  Evening  World"  "The 
Black  Pirate."  The  tieup  is  in  the 
nature  of  a  lost  key  hunt. 


Capt.  Haug  Sails  Thursday 
Captain  Haug,  in  charge  of  the  film 
department  of  the  Hamburg-Ameri- 
can Line,  sails  for  a  vacation  in  Eu- 
rope tomorrow  aboard  the  Deutsch- 
land. 


4  Conventions  Set 

(Continued  from  Page   1) 

the  city  will  be  Los  Angeles  and  the 
month,    April. 

F.  B.  O.  will  meet  on  the  Coast 
April  l-,3.  There  will  undoubtedly  be 
several  special  cars  engaged  to  carry 
the  Eastern  members  to  Los  Angeles. 

The  Fox  group  has  engaged  a  spe- 
cial train  from  New  York  direct  to 
Hollywood.  The  meetings  will  run 
five  days,  from  April  12-17. 

In  each  instance,  the  designation 
of  Los  Angeles  as  the  convention 
city  has  been  influenced  very  largely 
by  the  fact  that  the  various  sales 
forces  will  be  enabled  to  see  many  of 
next  year's  releases  actually  in  the 
making. 


Tilt  in  Albany 

(Continued  from  Page    1) 

City  tabloid  newspapers  might  be 
photographed  and  inserted  in  news 
reels  as  topical  events. 

The  bill  was  finally  advanced,  how- 
ever. It  will  come  up  for  final  pas- 
sage in  two  days  at  which  time  the 
opponents  announce  they  will  contest 
it. 


IT'S  THE  WEARIN'  OF  THE  LONG  GRIN  WITH  THOUSANDS 
screaming  at  "The  COHENS  AND  KELLYS"  these  days.  George  Syd- 
ney, Charles  Murray  and  Vera  Gordon  are  shamelessly  breaking  the 
house  record  of  the  Colony  Theatre  while  audiences  are  losing  their  dig- 
nity in  continued  hysterics  at  this  Universal  Harry  Pollard  Production. 
'  Advt. 


12  Next  Season 

From  Ginsberg-Kann  Corp. — Stories^ 
and  Titles  Already  Selected — 
Ginsberg  to  the  Coast 
The  recently-formed  partnership  of 
Henry  Ginsberg  and  George  E.  Kann 
has  completed  production  plans  for 
next  year.  Twelve  pictures  are  sched- 
uled, under  the  name  of  Sterling  Pro- 
ductions. They  include:  "In  the 
Third  Degree,"  "Unknown  Treas- 
ures," "Red  Signals,"  "A  Woman's 
Heart,"  "Tongues  of  Scandal,"  "Bank- 
rupt," "Her  Next  Step,"  "Closed 
Gates,"  "The  Cruel  Truth,"  "Men  of 
the  Night,"  "Wolves  of  the  Air"  and 
"She's  My  Baby." 

Ginsberg  leaves  for  the  Coast  soon 
to  start  work  on  the  first  and  com- 
plete arrangements  for  the  rest.  On 
his  return  he  will  visit  key  cities. 


:  \WATCtJuTHIS'. SPACE  FOR\^ 

GREATER 


PRODUCTIOM7 


1926-27 

"THE  GOLDEN  WEB'* 
by  E.  Phillips  Oppenheim 

"PETER  THE  GREAT" 

in 
'KING  OF  THE  PACK" 

"SINEWS    OF    STEEL" 

^y  Ed.  J.  Meagher 

♦♦QUARANTINED 
RIVALS" 

by  George  Randolph  Chester 

'HEROES  of  the  NIGHT" 

by  Frank  O'Connor 

"THE  WOMAN  WHO 
DIDN'T  CARE" 

by  Rida  Johnson  Young 

"PETER  THE  GREAT" 

in 
"TheSILENT  AVENGER'^ 


Capitol,  YiXpkfs 

"KIKI"  (Upril  4k 


\ 


rfi, 


!•/ # 


fry 


'JJaot 


"^acfe^r.^ou/c/       "'^ 


P'-ets,.:^'"'f'fuZet*''f^'-tis. 


th. 


'S^hs.   "^'  ^. 


'ess 


o/ 


'as 


Put 


o^/?3; 


^^fe 


1.  ■  Jf  '# 


is 


t/i 


;x 


JOSEPH  M.  SCHENCK^  - — presents 

NORMA 


// 


^  '^irhk 


Ronald  Colman 

Scrt&n  storij  bij  ■ -~  HANS  KRALY 

Based  on  the  sto^e  plcuf  'KI KJ"  IVriiien  by  ANDRE  PICAPJD 
and  DAVID  BELA8CO 

c4  CLARENCE  BROWN  9rodmilion^^ 


Rational  Picture 


-iTHE 

7Ao  BRADSTREET 
o/*  FILMDOM 


2^«RE(0€NIZE6 

Authority 


VOL.  XXXV    No.  52 


Thursday,  March  4,  1926 


Price  5  Ceuts 


NEW  FACES 

By  DANNY 

16 — count  'em — 16. 

All  new  faces.  New  people. 
New  possibilities.  Perhaps  stars. 

Sounds  like  circus  stuff, 
doesn't  it?  But  it  isn't.  It's 
real.  Genuine.  The  unexpected 
has  happened.  And  happened  in 
large  and  interesting  chunks. 

The  "graduation"  exercises  of  the 
first  Paramount  Pictures  School. 
With  16  graduates,  each  receiving  a 
diploma,  and  better  still,  a  contract 
for  $75  a  week.  To  appear  in  Para- 
mount Pictures. 

Of  the  16  a  few  show  real  possibil- 
ities. That  boy  "Buddy"  Rogers  looks 
like  he  will  go  a  long  way.  He  comes 
from  out  Kansas  way — and  maybe 
you  won't  think  the  corn  and  hog 
raiscra  of  Kcinsas  vvoii't  want  to  see 
"Buddy."  Then  there  is  Ivy  Harris. 
Hailing  from  Atlanta — who  wanted 
to  go  back  to  her  "mammy"  and  fi- 
nally showed  the  greatest  promise  of 
the  girls.  She  looks  like  a  comer. 
Didn't  think  so  much  of  the  rest,  ex- 
cepting Jeanne  Morgan,  who  seems 
to  promise  a  lot. 

Jesse  Lasky  happy  over  the  result. 
Will  start  immediately  developing 
possible  entrants  for  the  next  class, 
which  begins  work  next  July.'  They 
had  40,000  entries  for  the  first  class. 
and  this  list  worked  down  to  16.  So 
you  imagine  the  interest  in  the  prop- 
osition. 

The  group  made  a  picture — "Fasci- 
nating Youth" — not  a  great  picture, 
but  should  get  some  real  money.  Be- 
cause of  its  exploitation  possibilities. 
{Continued  on  Page  2) 


Import  Duties  Stir  France 

Reports  reaching  New  York  from 
Paris  indicate  that  the  French  Gov- 
ernment has  been  considering  an  in- 
crease of  15  per  cent  in  customs  du- 
ties on  motion  pictures.  Investiga- 
tion proved,  however,  that  while  the 
reports  had  some  foundation  in  fact 
there  has  been  no  decision  to  indicate 
that  such  an  increase  will  go  through. 


Studio  Payroll  $1,500,000  Weekly 
"The  Wall  Street  Journal"  stated 
yesterday  that  the  weekly  payroll  at 
Los  Angeles  studios  amounts  to  $1,- 
500,000.  M.-G.-M.  and  Famous  ex- 
pend $200,000  a  week,  Universal 
about  $155,000,  and  Warner  Bros., 
$150,000  weekly,  according  to  the 
article. 

Justlovelyl    says  Nell  Gwyn  inre  Paramount- 
distribution.       Dorothy     Gish    marvel.-r-Advt. 


May  Ban  Hungary 

"Kontingent"  Demands  by  That  Gov- 
ernment May  Force  Important 
Distributors  Out 

The  insistence  of  the  Hungarian 
Gov't  for  a  "kontingent"  based  on  a 
ratio  of  one  home-made  production  to 
every  JO  foreign  shown  m  that  coun- 
try may  result  in  important  Ameri- 
can distributors  withdrawing  entirely 
trom  that  territory. 

Fox,  M.-G.-M.  and  First  National 
have  their  own  exchanges  there,  while 
Paramount,  like  the  majority  of 
American  companies,  releases  through 
a  local  medium.  The  revenue  derived 
from  Hungary  is  far  too  small  to  war- 
rant production  there  in  order  to  per- 
mit imports  to  flow  in  without  inter- 
ruption. The  Hungarian  Government 
(Continued  on  Page  4) 


To  Produce  Abroad 

Warners  Will  Make  Pictures  in  En- 
gland,  Germany  and  France — 
Arrangements  Made 

The  Warners  intend  producing  in 
England,  Germany  and  France.  Ar- 
rangements were  made  by  Harry  H. 
Warner  while  abroad. 

In  an  interview  in  the  New  York 
Times,    Warner    declared: 

"The  people  of  every  country  in 
Europe  think  that  the  United  States 
Government  is  behind  the  motion  pic- 
ture industry  for  political  and  busi- 
ness reasons. 

"I  am  positive  that  as  soon  as  the 
masses  start  going  to  the  picture  the- 
iContitiued  on  Page  4) 


A  13-Gar  Special 

M.    P.    T.    O.  Train   to   Leave   New 

York  for  Los  Angeles  Convention 

on  May  23 — An  Idea  of  Expense 

The  special  train  which  will  carry 
the  Eastern  delegation  to  the  forth- 
coming exhibitor  convention  in  Los 
Angeles  on  June  1  will  travel  to  Chi- 
cago over  the  N.  Y.  Central  Lines 
and  will  be  known  as  the  "M.  P.  T. 
O.   of  America  Special." 

It  will  be  composed  of  13  cars  with 
sufficient  accommodations  for  135 
persons.  Already,  90  reservations  fill- 
ing four  cars   have  been  made.     The 

{Continued  on  Page   4) 

Stock  Later  Perhaps 

Mark  Strand  Circuit  May  Float  Any 
Issue,  but  Financial  Hook-Up  at 

Present  is  Denied 
Moe  Mark  admitted  yesterday  that 
there  is  a  possibility  that  the  Mark 
Strand  circuit  will  issue  its  own  stock 
issue  later,  at  some  undetermined 
date,  but  denied  reports  appearing  in 
{Continued  on  Page  4) 


Delivered  by  Plane 

Hollywood — The  Carl  Laem- 
mle  Tribute  Number  of  THE 
FILM  DAILY  was  delivered 
by  aeroplane  at  Universal  City 
yesterday.  The  ship  circled  sev- 
eral times  over  the  studio  and 
deposited  a  copy  of  the  edition 
wrajjped  in  silk  streamers  and 
roses  on  a  canvas  40  feet 
square  which  was  held  by  20 
employees. 

All  Universal  stars,  directors 
and  employees  were  present. 
The  news  weeklies  and  Los  An- 
geles dailies  photographed  the 
event.  The  paper  was  then 
presented  to  Mr.  Laemmle  by 
Harvey  E.  Gausman,  West 
Coast  representative  of  THE 
FILM  DAILY. 


Publix  Convention 

Theater    Unit    to    Meet    in    Atlantic 

City,  March  16-18 — Paramount 

The  Following  Week 

Publix  Theaters  Corp.  will  hold  its 
first  annual  convention  on  March  16- 
18,  at  the  Hotel  Ambassador,  Atlan- 
tic City.  Most  of  the  important  offi- 
cials of  the  home  office  and  all  those 
who  can  be  spared  from  the  field  will 
attend. 

The  meeting  will  open  on  the  16th 
with  the  introduction  of  Adolph  Zu- 
kor,  Jesse  Lasky,  Sidney  R.  Kent, 
and  George  W.  Weeks,  of  Famous, 
followed  by  John  Kunsky,  Detroit; 
Spyros  Skouras,  St.  Louis;  William 
{Continued  on  Page  4) 

3  School  Films 

Paramount    Graduates    to    Assemble 

Every    Three    Months   for   Joint 

Appearances 

The  16  graduates  of  the  Paramount 
School  for  Acting  will  appear  jointly 
ill  three  more  pictures  to  be  made 
at.  intervals  of  three  months. 

Jesse  L.  Lasky  explained  at  the 
graduating  exercises  which  were  held 
until  an  early  hour  yesterday  morn- 
ing at  the  Ritz  that  some  of  the 
graduates  will  remain  here  and  others 
will  go  to  Hollywood  for  parts  in 
new  Paramount  pictures.  In  three 
months  they  will  assemble  to  appear 
in  a  second  picture. 


Cooperation 

Will  H.  Hays  was  one  of  the  speak- 
ers at  a  dinner  given  last  night  at 
the  Waldorf  by  the  Federal  Council 
of  Churches  of  Christ  in  Arnerica.  In 
discussing  the  relative  positions  of 
^Continued  on  Page  5) 


Stocks  Hold  Up 

Despite  Violent  Movements  in  Wall 
Street,  Film  Issues  Show  Re- 
markable Steadying  Powers 

A  highly  significant  development  is 
taking  place  in  Wall  Street  this  week. 
In  the  throes  of  financial  markets 
which  are  described  by  veterans  as 
the  most  hectic  and  violent  since  the 
outbreak  of  the  Great  War  in  1914. 
the  18  film  stocks  which  are  traded 
in  on  the  Exchange  and  on  the  Curb 
have  shown  an  unprecedented  and  en- 
tirely unusual  power.  Where  leaders 
in  the  list  have  suflfered  falls  from 
high  and  mighty  places,  films  stocks 
have  fallen  off  an  insignificant  ex- 
tent. It  speaks  volumes  for  amuse- 
ment stocks  which  in  the  not  distant 
past  were  the  first  to  tumble  when 
the  market  was  under  pressure. 

Yesterday  the  Exchange  turned 
over  3,525,000  shares,  the  heaviest 
trading  in  its  history.  Where  Fam- 
ous coniuion  dioppcu  ..yx  points  yes- 
terday, American  Can  dropped  23 
{Continued  on  Page  2) 


New  Talking  Film 

It  is  reported  from  Paris  that  M. 
Faucon-Johnson  has  perfected  a  cel- 
luloid film  which  is  capable  of  repro- 
ducing motion  pictures  as  well  as  mu- 
sic. The  completed  film  shows  marks 
similar  to  the  scratching  of  a  pin. 


Kane  Signs   German   Director 

Robert  Kane  has  signed  Lothar 
Mendez,  now  a  Ufa  director,  for  a 
year.  Mendez  arrives  from  Germany 
about  March  13. 


,         "Blue  Danube"  in  Films 
;  London — Wardour  Films,  Ltd.  will 
produce  "The  Blue  Danube,"  adapted 
from  the  famous  waltz  piece. 


Curtis  Schedule  Filed 

The  schedule  of  assets  and  liabili- 
ties of  the  Cathrine  Curtis  Corp.  of 
347  E.  42nd  St.  has  been  filed  in  the 
U.  S.  District  Court.  Associated  First 
National  is  one  of  the  chief  creditors 
with  a  claim  of  $310,000  secured; 
Blanche  E.  Veeder  has  a  claim 
$168,000  secured,  while  Albert  Flower 
has  a   claim   of  $24,500.  * 


Drs   . 
:d;   \ 


Levee's  Warehouse  Launched 
Los  Angeles — Ground  was  broken 
yesterday  of  a  seven-story  Class  A 
loft  building  at  5341  Melrose  Ave.  for 
M.  C.  Levee.  The  structure  will  cost 
$400,000,  and  will  be  used  for  the 
storage  of  stage  properties  and  equip- 
ment. 


Guy  Morgan  Joins  B.  a.  H. 
C.  C.  Burr  has  appointed  Guy  Mor- 
gan general  manager  of  B.  &  H.  En- 
terprises 


THE 


■^^ 


DAILY 


h\ 


Thursday,  March  4,  1926 


V(ri.XXVNo.52    ThDrsilay.Mar.4, 19261   PriceSCents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Publi^jhed  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
aiger ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wrlk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
»736-4737-4738-4739.  Cable  address  :  Filmday, 
Sew  York.  Hollywood,  California — Harvey 
f  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Cr«nite  3980.  London — Ernest  W.  Fredman, 
Tbt  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,   5,   Rue   Saulnier. 


Quotations 


High 
.   66 
.108 
.11754 
.119« 


Balaban   &   Katz 
Eastman    Kodak 
Famous    Players 
Fam.   Play.   Pfd. 
Film    Inspection 
•First  Nat'l  Pfd.   .... 
Fox   Film   "A"    ...   6354 
Fox  Theaters   "A".   25 
•Intern'l    Projector.    .. 

Loew's,  Inc. 36 

Metro-Gold.  Pfd.  ..2254 
M.  P.  Cap.  Corp.  .  21  }4 
Pathe  Exch.  "A"..   6554 

Skouras   Bros 

•Stan.   Co.  of  Am..    .. 

Trans-Lux 105^ 

Universal  Pictures. .  35 
Univ.  Pict.  Pfd.  ..  92 
Warner   Pictures    ..   1154 

Warner    Bros 14^ 

•  Last  pictures  quoted. 


Low 
65 
107J4 
1135i 
119J4 
5 

61 
2154 

35 

2254 
20^ 
6054 


35 
92 
11 
14H 


Close 

65 

107H 
11454 
119J4 

5 
10554 

61'/ 

25 

12 

35 

2254 

2m 

6054 
4854 
38 
ZH 
35 
92 
11 


Sales 

600 

81,300 

100 

200 

1,600 
14,500 

7,000 

100 

1,400 

3,600 


7,700 
100 
100 
300 
600 


Stocks  Hold  Up 

{Continued  from  Page  1) 
points;  where  Loew's,  Inc.  dropped 
J^  point  over  Tuesday's  close,  Gen- 
eral Electric  dropped  \W2-  AH  of 
the  film  stocks  showed  slight  losses, 
the  heaviest  drop  being  met  by  Pathe 
"A"  which  lost  3H  points.  _  However, 
by  comparison  with  other  industrials, 
film  issues  came  out  with  flying  col- 
ors. As  a  matter  of  fact,  Universal 
preferred  recorded  a  gain  of  one- 
fourth  of  a  point. 


MAN     ALIVE 

with  ideas 
■   for  copy 

and   layout^ 
thoroughly  ex- 
perienced  in 
motion    picture 
field — can 
connect  with 
good    position 
by   seeing 
George    Brown 
Advertising     Director 

UNIVERSAL 

Pictures  Corporation 

730  Fifth  Ave. 


NEW  FACES 

(Continued  from  Page  1) 
Best  of  all  is  that  Lasky  has  broken 
the  ice.  The  effort  to  get  new  faces 
on  the  screen  has  materialized  in  a 
real  way.  Now  won't  some  other  pro- 
ducer keep  the  ball  rolling? 

"Irene" 

Colleen  Aloore's  triumph.  A  real 
box  office  bet,  too.  Don't  forget  that. 
If  you  have  it  coming  pat  yourself 
on  the  back.  If  you  haven't,  get  it. 
If  you  cannot  get  it,  weep,  and  regret. 
Here  the  cunning  Colleen  has  every- 
thing her  own  way — and  how  she 
romps  through  the  picture!  You  see 
the  work  of  a  lot  of  clever  people 
from  June  Mathis  and  Al  Green  down 
the  line.  Some  real  showmanship  in 
the  picture — some  great  hokum.  Trust 
Charley  Murray  for  that.  And  the 
fashion  show  in  color  is  a  delight. 
Some  splendid  stuff  for  the  women 
folk.  And  after  all  who  keeps  your 
house  open?  Not  the  husbands  and 
brothers.  Nary  a  bit.  It's  the  wo- 
men— God  bless  'em,  who  make  it 
possible  for  you  to  keep  the  show 
shop  open.  And  Colleen  plays  to 
them  as  if  "Irene"  was  her  middle 
name. 

Keep  an  eye  on  this  Colleen  girl. 
Because  when  Norma  passes  off  the 
First  National  schedule — well,  you 
know  what   I  mean. 


"Some  Baby"  at  Special  Preview 

"Some  Baby."  first  of  a  series  of 
12  Cantor  comedies,  being  produced 
by  Cantor-Brandwell,  will  be  shown 
at  the  George  Jessel  dinner  at  the 
Friars  Club  March  14.  Donald  Kerr, 
who  is  starred,  will  speak  on  his  pic- 
ture   experiences. 

Work  on  "Out  of  Luck,"  by  Bert 
Hanlon,  second  of  the  series,  will 
start  March  15  at  the  Pathe  studio. 
Bryan  Foy  will  direct,  with  Jay  Tur- 
ner as   cameraman. 


British  Taxes  in  Jan.  £574,000 

London — During  January,  the  Eng- 
lish Government  received  £574,000 
in  entertainment  taxes,  the  highest 
since  last  October,  and  the  second 
highest  in  a  year.  Below  will  be 
found  returns  for  the  past  ten 
months. 

April,    1925    £  504.000 

May     429,000 

June    306,000 

July   389,000 

August    447,000 

Sept 543,000 

Oct 590,000 

Nov 491,000 

Dec      421,000 

Jan.,    1926    574,000 


Secures  Winkle  Cartoons 

Artclass  has  secured  rights  to  the 
Winnie  Winkle  cartoons  by  M.  H. 
Branner.  Through  the  Daily  News 
Syndicate,  it  is  estimated  the  Winkle 
cartoons  reach  a  daily  circulation  of 
millions.  West  Bros.  Prod.,  Inc., 
will  make  them  in  two-reel  form  for 
Artclass.  There  will  be  two  other  se- 
ries of  12  each,  the  second  to  be  called 
Izzie  and  Lizzie. 


Morgan  Erfthused  Over  Conditions 
W.  J.  Morgan,  sales  manager  of  P. 
D.  C,  is  back  in  New  York  from  a 
six  weeks'  tour  of  the  country  which 
brought  him  as  far  West  as  Los  An- 
geles. Discussing  business  prospects 
for  the  year,  Morgan  stated  that 
everywhere  he  found  a  gradual  and 
steady  improvement  in  business. 


De  Mille  Talks  Over  Radio 
Cecil  B.  De  Mille  spoke  on  "Star- 
Picking"  over  Station  WEAF  and 
affiliated  radio  stations  last  night.  He 
pointed  out  that  stars  are  picked  sole- 
ly by  the  public. 


"Death   Film"   Seized 

Paris — The  French  Government 
has  secured  possession  of  the  "death 
film"  which  was  enroute  to  America 
on  the  S.  S.  France.  The  film  shows 
the  aviator  Collot  meeting  his  death 
while  attempting  to  fly  under  the 
Eiffel  Tower. 


Mary  in  Crook  Story 

Los  Angeles — -Mary  Pickford's  next 
picture  will  probably  be  a  crook  story 
with  an  international  appeal.  Ernst 
Lubitsch  may  direct. 


Arrested  on  Fake  School  Charge 

'Chicago — Michael  Costello  and  five 
others  were  arrested  yesterday  on  a 
charge  of  operating  the  Kingston  M. 
P.  Co.  as  a  fake  school  for  acting. 


Coast  Suit  on  Patent  Starts 

Los  Angeles — Pierre  Artigue's  suit 
involving  the  invention  and  patent  of 
the  "Shadowgraph"  has  been  filed. 
Many  notables  in  the  Coast  colony 
and  practically  all  of  the  large  pro- 
ducing companies  are  defendants. 


This  is  a  'Cornerblock'  cut  furnishec" 
FREE  for  all  Pathecomedies  at  you) 
exchange. 


EASTERN 

STUDIO   FOR   RENT 

EXCEPTIONAL  FACILITIES 

VERY  LARGE  STOCK   OF 
PROPS  AND  FURNITURE 

Telephone    Dewey    8600 


Says  34  Features  are  Ready 
J.  Charles  Davis,  2nd,  of  Davis 
Dist.  Div.,  in  denying  charges  of  lack 
of  available  product,  made,  by  David 
R.  Hochreich,  former  president  of  Vi- 
tal Exchanges,  said  yesterday  that 
on  Aug.  8,  21  features  were  ready  for 
distribution  and  that  34  are  now 
ready. 


Fox  Building  New  Exchange 

Cleveland — Fox  has  started  con- 
struction on  a  new  one-story  ex- 
change building  at  East  22nd  St.  and 
Payne  Ave. 


M>«  |{| 


FOa     R.ENT 


BELL  -  HOWELL 

AND 

AKELEY  CAMERAS  . 

<<OlVi  or  Without  Cameramen 


SEIDEN    CAMERA    EXCHANGE     ; 

729  Seventh  Ave.  n.y.c.  4 

■    Bryant   3951  f 


Julia  Faye  Here 

Julia  Faye,  under  contract  with  Ce- 
cil De  Mille,  has  arrived  in  town  from 
the  Coast  on  a  vacation. 


com/na  n 


FROM   A.  H.  WOODS 
SENSATIONAL  STAGE  FARCE- 
WRITTEN   BY  WILLSON 
RBLeASBOBY  WUISON  tOTTO  HARBACH 

PRODUCERS  DISTRIBUTING  COKP' 


AL 
CHRISTIES^ 

Surprise 
Special 

ION 


A  COMPLETE  LABORATORY 
AND  TITLE  SERVICE 


FORT  LEE,  N.  J 
Fort  Lm  I«^? 


I 

i 

i 


riv% 


■■V  ^ 


V- 


•\ 


AND  STILL 


THEY  COME! 


(from  Metro-Goldwyn-Mayer 
of  course) 


X 


'/ 


L 


<^^^^  ^^^^"^  ^^^^ 


o*^ 


.^i^ 


•\P 


^^^ 


# 


<e2f> 


.  ^0' 


,.0."    „.^^^ 


#^ 


^ 


1^ 


^ 


^^' 


#^ 


Nl^^ 


^^^     ^ot>^     ^>- 


3?:^ 


>it«> 


^"^ 


co^' 


6*^ 


Vv  AIT  *till  you  see  how  CosmO' 
politan's  nation-wide  promotion 
resources  get  behind  this  greatest 
COSMOPOLITAN  PRODUCTION 

METRO-GOLDWYN-MAYER  EXHIBITORS  WEAR 

the  smile  that  ivorCt  come  off  I 


THE 


DAILY 


I 


Thursday,  March  4,  192 


Vf 


To  Produce  Abroad 

{Continued  from  Page  1) 
aters  it  will  be  necesary  to  manufac- 
ture pictures  for  their  particular  de- 
sires, made  with  characters  of  their 
own  countries,  and  for  them  exclus- 
ively. It  is  not  surprising  to  note  that 
the  majority  of  picturegoers  in  Eu- 
rope want  to  see  their  own  lives  por- 
trayed, as  they  understand  their  own 
conditions  and  history  so  much  more 
thoroughly  than  we  can  depict  them 
in  America." 

Warner  said  that  he  had  signed  a 
long-term  contract  with  a  man  in  Ber- 
lin named  Lieberman,  whom  he  called 
the  greatest  writer  for  pictures  in  Eu- 
rope. He  added  that  he  had  several 
deals  pending  with  other  people  of 
prominence,  particularly  in  Germany, 
to  come  to  Hollywood. 


A  13-Gar  Special 

(Continued  from  tage    \) 

30-day  trip,  which  will  include  practi- 
cally the  entire  United  States,  pro- 
vides an  individual  with  all  the  luxur- 
ies of  a  compartment  and  covers  all 
expenses  on  the  road  for  $585.  The 
New  York  Central  is  not  defraying 
expenses  in  Los  Angeles  on  June  1-5, 
but  the  special  rates  made  by  the  Am- 
bassador makes  a  resonable  estimate 
for  the  five  days  at  $75  a  couple.  This 
figure  includes  a  room  for  two  per- 
sons and  also  meals. 


Stock  Later  Perhaps 

{Continued  from  Page   1) 
Variety    that    a    refinancing    plan    in 
which  Hayden,  Stone  and  Co.  figured 
was  under  way. 

Likewise,  Mark  denied  a  report 
linking  his  circuit  with  the  chain  in 
New  Jersey.  He  declared  he  scarcely 
knew  Reade,  having  met  the  latter 
but  a  few  times. 

It  has  been  reported  for  some  time 
the  Strand  stock  would  ultimately  ap- 
pear on  the  curb. 


May  Ban  Hungary 

{Continued  from  Page   1) 
would  compel  the  use  of  local  direc- 
tors and  local  talent. 

There  will  be  a  meeting  at  the 
Hays  office  very  soon  at  which  a  dis- 
cussion to  withdraw  completely  will 
probably  be  made. 

Sales  on  "Guess  Who"  Series 

Artclass'  "Guess  Who"  series  has 
been  purchased  by  Specialty  Film  for 
Texas,  Oklahoma  and  Arkansas  and 
by  Liberty  Film  of  Philadelphia  for 
Eastern  Pennsylvania  and  Southern 
Jersey. 


Warning! 

Washington  —  The  Treasury 
Dept.  warns  that  a  new  coim- 
terteit  $5  bill  is  in  circulation. 
It  is  a  note  on  the  Nat'l  Bank 
of  Commerce,  St.  Louis,  series 
1902,  charter  niunber  4178,  bank 
number  A223730,  and  bears  a 
portrait  of  Benjaniin  Harrison. 
The  face  of  the  bill  is  cleverly 
worked  out,  but  the  back  has  a 
smudgy  appearance. 


Lumas  Deal  with  Inter-Ocean 

Lumas  has  sold  its  foreign  rights 
to  Inter-Ocean.  L.  W.  Kastner  of 
Inter-Ocean  which  recently  made  a 
substantial  increase  in  capital,  is  en 
route  to  Europe  to  open  an  office  in 
Italy.  It  is  understood  Inter-Ocean 
plans  a  general  expansion. 


Frankfort  Theater  Biu'ned 

Frankfort,  Ky. — The  Grand,  owned 
by  Mr.  and  Mrs.  William  R.  Pattie, 
IS  a  total  loss  by  fire.  A  new  house 
will   be   erected. 


Kane  to  Film  Gibbs'  Story 

Robert  Kane  will  produce  "The 
Great  Deception,"  from  George  Gibbs' 
"The  Yellow  Dove."  This  will  follow 
"The  Wilderness  Woman." 


Ray  and  Miller  in  Serial 

Adelne  Ray  and  Walter  Miller  are 
being  co-featured  in  "Snowed  In,"  a 
new  Pathe  serial,  and  not  in  a  series 
of  features,  as  reported.  Spencer  Ben- 
nett is  directing  at  the  Fine  Arts  stu- 
dio on   the   Coast. 


In  the  Courts 

•Marie  E.  Wells  has  filed  two  judgments 
in  the  Supreme  Court,  one  against  Walter 
C.  Goodkoop  for  $5,628  on  notes  made  in 
July,  1924,  and  the  other  for  $2,696  against 
Goodkoop  and  Rudolph  E.  Hagenah,  trading 
as  the  Funful  Films  on  a  note  made  in   1920. 

The  Chelsea  Exchange  Bank  has  filed  a 
default  judgment  in  the  Supreme  Court  against 
Colonial  Prod.,  Inc.,  of  1560  Broadway  on 
checks  drawn  by  Geo.  A.  Horth  to  the  de- 
fendant corporation  and  endorsed  to  the  plain- 
tiff,   which    were    not    paid. 

A  suit  of  John  H.  Ryan  against  the  Ge- 
vaert  Co.  of  America,  Inc.,  to  recover 
$10,000  for  alleged  misrepresentations  in  the 
sale  of  raw  stock,  was  dismissed  when 
it  came  to  trial  before  Supreme  Court  Jus- 
tice Tierney  because  the  plaintiff  did  not 
appear.  Ryan  alleged  that  the  defend- 
ant represented  that  the  raw  stock  he 
purchased  would  have  the  speed  of  and 
was  equal  to  the  Eastman  stock  which  he 
alleges  was  not  the  case.  The  defendant  in 
its  answer  denied  any  misrepresentation,  but 
said  it  agreed  to  replace  any   defective   films. 


I  ■  ■  ■  J 


j  Coming 


I  MARCH  21st  i 


Testimonial  to  Joe  Seider 

The  M.  P.  T.  O.  of  New  Jersey 
will  tender  Joseph  Seider,  president, 
a  testimonial  dinner.  A  committee, 
consisting  of  Louis  Gold,  E.  T.  Kelly, 
Louis  Rosenthal,  Sam  Stieffel  and 
William  Keegan,  will  work  out  de- 
tails. 


New  Govt.  Films  on  Farming 

Washington — The  Dept.  of  Agri- 
culture has  completed  four  new  films 
pertaining  to  farming,  "Cooperative 
Marketing — Tobacco,"  "Cooperative 
Marketing — Cotton,"  "Birds  of  a 
Feather"  and  "The  Golden   Fleece." 


Weil  Free-Lancing 
Richard  Weil,  formerly  witli  Arrow 
as  director  of  advertising  and  public- 
ity, is  now  doing  sales  promotion  for 
dififerent  companies  in  diversified 
fields. 

He  is  preparing  a  72-page  announce- 
ment   for    Rayart. 


Riesenfeld  Writing  Score 

Dr.  Hugo  Rie.senfeld  will  conipik- 
a  musical  score  for  "The  Flaming 
Frontier." 


State,  Beacon,  Burns 

Beacon.  N.  Y. — The  State  and  five 
apartments  in  the  same  block  were 
destroyed   by   fire   yesterday. 


Publix  Convention 

(Continued   from   Page    1) 

P.  Gray,  Boston;  Michael  Shea,  Buf- 
falo, and  John  Balaban.  Chicago.  The 
first  morning  session  will  include  ad- 
dresses by  Harold  B.  Franklin  and 
Sam  Katz  on  the  theater  managers' 
business  drive  now  under  way.  The 
personnel  of  the  Publix  production  de- 
partment  will    then    be    introduced. 

Important  discussions  will  be  held 
on  buying  and  booking,  theater  man- 
agement, projection,  the  manager  as 
a  business  man,  on  advertising,  radio, 
and  exploitation.  The  aflfair  will 
close  on   the    18th   with   a   banquet. 

The  following  week  the  annual  con- 
vention of  the  Paramount  distribution 
department  will  be  held  in  Atlantic 
City  for  the  same  number  of  days. 


tmiup- 
-tramp 
-tramp 


PITTSBURG 

t>»  DETROIT  i 

"1 ■ 


Notables  to  Attend  Ball 

The  fourth  annual  ball  of  the  N. 
Newspaper  Women's  Club  will 
held  at  the  Ritz,  March  12.  Be 
holders  include  Jules  Brulatour  a 
Hope  Hampton,  Richard  A.  Rowla 
and  Jesse  L.  Lasky.  Inspiratic 
United  Artists  and  Joseph  M.  Schen 
have  taken  blocks  of  seats. 


Rin-Tin-Tin  on  Tour 

Hollywood — Rin-Tin-Tin     has     1( 
on  a  tour  of  personal  appearances 
connection  with  his  "The  Night  Cr) 


Extra  Week  for  "Cohens  and  Kelly, 

"The    Cohens   and    Kellys"   will   I 
held  a  third  week  at  the   Colony. 

WATCH  THIS  SPACE  F0R\ 

GREATER 


PRODUCTIONS 


1926-27  : 

"THE  GOLDEN  WEB'\ 
by  E.  Phillips  Oppenhein, 

"PETER  THE  GREAT' 

in 
''KING  OF  THE  PACK' 

"SINEWS    OF   STEEL'i 

6y  Ed.  J.  Meagher 

''QUARANTINED 
RIVALS" 

by  George  Randolph  Chesteri 


"HEROES  of  the  NIGHT' i 

by  Frank  O'Connor        I 

"THE  WOMAN  WHO 
DIDN'T  CARE" 

by  Rida  Johnson  Toung 

"PETER  THE  GREAT' 

in  ! 

'TheSILENT  AVENGER' 

"MOUNTAINS  of  MANHAHAN"? 

by  Edward  J.  Meagher 


THE 


sday,  March  4,  1926 


J?^^ 


DAILY 


jwspaper  Opinions 

"Sea  Horses" 
Paramount 
Rivoli 
A^eek  ending  Saturday,   Feb.   27) 
:RICAN— *    *    *    There   are    some    re- 
le    shots    of    the    typhoon    approaching 
the    ship    a«-  it    is    overpowered. 
of     "Sea     Horses"     is     entertaining. 
ory    drags,    to    bt    sure,    and    there    is 
preparation    for    climaxes    which    never 
ff.    •   •   • 

LY   MIRROR—*   •    •   Director   Allan 

viho    formerly    raced    Gloria    Swanson 

1    clothes-horse   and    burlesque    reelers, 

;wise  with  "The   Sea   Horses,"   judging 

lis     results,     though     he     succeeded     in 

some    nifty    scenerv    in    from    time    to 

»    • 

:NTNG  W0RT,D— •  •  •  As  Allan 
made  it,  "Sea  Horses"  is  another  ver- 
f  that  cinematic  staple  dealing  with 
ong   silent   man,    the    beautiful    woman, 

r  husband  who   has   deteriorated    in   the 

* 

LY  NEWS—*  *  *  A  splendid  nlot,  a 
:  typhoon  and  some  good  acting  by 
ellent  cast  tonped  with  lovely  Florence 
and  Jack  Ho't.  make  "Sea  Horses" 
entionallv  entertaining  film.  *  ♦  * 
CNTNG  .TOURNAT.— *  •  *  There  is 
isually  thrilling  tynhoon.  and  the  back- 
s  are  photogranhically  gorgeous.  It's 
eresting  tale,  with  some  excellent  act- 
)ne    by     Powell    and    George    Bancroft. 

?AT.D-TRIBUNE— •  •  •  In  individual 
"Sea  Horses"  is  of  considerable  inter- 
ut  it  suffers,  I  think,  from  a  slow 
Tt  is  not  until  the  action  reaches 
>pics  that  the  picture  attains  any  great 
t.  It  suffers,  too,  from  thf.  effects 
iding  the  spectator  off  into  blind 
•  »   « 

RNTNG  TELEGRAPH—*  •  •  Thankt  ^ 

/an's    direction,    the    picture    yields    in- ' 
every    foot    of   the    way.      He   has    con- J 
to   make   the   ship   scenes   as   intimately  I 
ting    as    if    the    spectator    were    aboard, 
Iso     has    seen     to    it    that     Jack    Holt, 
ce  Vidor.  William  Powell,  George  Ban- 
md,    for   that   matter,    every   member   of 
ist,    acts    as    if    they    had    never   played 
fhpr    part.    •    •    • 

5T — *  *  *  Is  unusually  effective  at- 
erically  and  photographically.  It  is 
the  avemge  in  film  fare  from  start  to 
being  likewise  equipped  with  an  im 
cast.  •  •  • 
^ — •  •  •  Unfortunately  the  tale  told 
ea  Horses"  is  rather  silly  and  ostenta- 
■  familiar  to  the  screen.  And,  un- 
ately,  no  amount  of  clever  direction 
jke  the  synthetic  imprint  off  of  "Sea 
s."  with  its  myriad  titles  and  its  typi- 
■tion  situations.  •'  •  * 
,EGRAM — •  •  •  The  climax  of  the 
;  is  an  extraordinarily  well  presented 
m,  ccntrived  with  reverse  photography, 
ich  the  greater  part  of  Panda  is  anni- 
and  the  good  ship  all  but  founders 
.  "Sea  Horses"  reef.  The  picture  has 
veil  directed.  •  •  • 

lES — •    •   •   The   redeeming  feature   in 

icturization    of    Francis    Brett    Young's 

"Sea   Horses."  is  the  change  in   back- 

.     It   is   a  relief   •   •   •   to  be  looking 

aboard   a   ship  bound   for   East   Africa. 

The    story    has    fairly    good    chapters. 

a    whole    it    drags    and    is    far    from 

icing.    •    •    • 

)RLI) *   •   *  Mr.   Dwan  has   fashioned 

cvenely  glamorous  and  occasionaly  sus- 
'ul  picture  play  out  of  a  story  which 
ned  more  detail  than  any  cinema  ought 
:empt.  It  is  photographed-  nicely,  and 
is  in  it  a  considerable  amount  of  the 
office  menace.  •  *  * 


ts 


)X 


"Oh,  What  A  Nurse!" 

Warners 

Strand 

(Week  ending  Saturday,  Feb.  27) 
ILY  MIRROR—*  *  *  That  gay  emula- 
>f  feminine  wiles.  Syd  Chaplin,  frisks 
rolics  *  *  *  in  "Oh,  What  a  Nurse  I 
lurricane  of  laughter  aroused  by  Chap- 
drolleries  pronounce  his  new  funfest  a 
wow   plus.   •   •  *  .    „,  . 

x.'.Y    NEWS    •    •    •    The    crowds 

ned  and  rolled  in  their  seats.  It's  the 
,  funniest,  most  laugh  provoking  film 
jyd  has  yet  made.  Don't  miss  it.  And 
,re  to  take  the  children.  * 
ENING  WORLD—*  *  *  It  has  a  more 
fairly  comic  itory  running  throuii 
more  plausibUity  than  is  to  be  e^Pect'" 
farct.     There  are  dozens  of  lerti"*"'' 


good  laughs  arising  from  the  situations,  and 
to  these  Syd  adds  by  a  full  share  of  falls 
down  stairs,  into  barrels,  over  tables  and 
the  like.   •  «   • 

GRAPHIC— *  *  *  The  comedian  and  the 
gag  men  and  the  director  evidently  got  to- 
gether and  worked  overtime,  and  then  called 
in  a  title  v^riter,  who  put  the  funniest  lines 
imaginable  into  their  mouths.  So,  of  course, 
this  latest  farce  simply  can't  help  going  over 
big.   •   •   • 

HERALD-TRIBUNE—*  *  •  A  reasonably 
bad  farce,  with  a  minimum  of  real  humor 
and  with  Mr.  Sydney  Chaplin  only  moder- 
ately comic.   *   •   • 

EVENING  JOURNAL—*  •  *  Every 
known  gag  and  a  few  new  ones  have  been 
put  into  the  film,  and  the  comedy  is  fast 
and  furious.  Chaplin  has  several  delightful 
pantomimic  bits,  and  one  can't  complain  of 
lack    of  action   or   slapstick   humor.    •    *    • 

MORNING  TELEGRAPH—*  *  *  You 
admire  Syd's  (Chaplin)  cleverness,  you  take 
your  hat  off  to  his  splendid  ability  in  this 
field,  and  you  laugh  heartily  a  few  times  at 
the  best  of  the  new  gags ;  but  on  the  whole 
you    find    the    effect    rather    zipless.    •    •    ♦ 

POST—*  *  *  Is  funnier  than  Mr.  Chap- 
lin's last  slapstick  effort,  "The  Man  on 
the  Box,"  mainly  because  its  authors  now 
and  then  have  felt  called  upon  to  poke  fun 
at  a  number  of  "smashing  situations"  com- 
mon to  our  more  emotional  drama.  ♦  *  * 

SUN—*  *  *  The  film  ar  fas  as  this  re- 
viewer is  concerned  is  far  more  humorous 
than  either  "Charley's  Aunt"  or  "The  Man 
on  the  Box."  Even  so,  it  can  hardly  be 
called  a  great  adventure  in  low  comedy.  *  *  ♦ 

TELEGRAM—*  *  *  Chaplin  uses  his 
hands  with  as  much  pronounced  -effect  as 
any  of  the  screen  comedians,  and  with  more 
success  than  most.  His  gestures  are  as 
varied  as  they  are  expressive  and  he  has  the 
knack  of  manoeuvering  his  facial  muscles  to 
just   the  telling  degree  of  exaggeration.   •   *   « 

TIMES—*  *  *  This  present  offering  is 
an  improvement  on  "The  Man  on  the  Box," 
but  is  far  from  being  as  wildly  funny  as 
"Charley's  Aunt,"  in  which  Sydney  Chaplin 
first  appeared  in  skirts.  He  betook  himself 
to  female  attire  afterward  in  "The  Man  on 
the  Box,"  and  he  continues  to  be  seen  in 
petticoats    in    "Oh,    What   a   Nurse  i"    •    •    * 

WORLD — *  *  *  In  itself  is  the  sort  of 
riotous  and  slip-moving  slapstick  that  moves 
its  audiences  to  delighted  whoops  and  squeals 
of    mirth.    *    *    * 


Wilson  Opening  Another 

DeWitt,  Ark.— DeWitt  Enterprises 
headed  by  R.  A.  Wilson,  will  open  a 
new  theater  here  on  Monday. 

Award  Contract  on  First  Nat'l  Studio 

Los  Angeles — The  Austin  Co.  of 
California  has  been  awarded  the  con- 
tract for  the  erection  of  40  new  studio 
buildings  on  the  new  Burbank  site 
of  the  First  National  studios.  The 
buildings,  according  to  the  contract 
will  cost  $700,000. 


Cooperation 

(Continued  from  Page  1) 
he  church  and  the  industry,  Mr.  Hays 
said,  in  part:  ' 

"The  influence  which  the  Federal  Council 
of  Churches  has,  and  will  have,  with  the 
soiu-ce  of  the  great  majority  of  all  pictures, 
is  an  influence  which  the  church  had  no  idea 
could  be  brought  about.  It  is  invaluable  to 
the  whole  cause.  This  same  kind  of  contact 
is  developed  with  those  great  religious  groups 
not  in  the  Federal  Council.  This  will  all 
continue.  It  is  the  one  effective  way  for 
right    influences    to    bring   right   results. 

"Sympathetic  cooperation  has  been  offered 
by  the  industry  and  has  been  a'ccepted  by 
the  Federal  Council  of  Churches.  The  whole 
chureh  will,  of  course,  cooperate,  as  now  it 
can,  with  this  great  influence  for  good — an 
influence  that  reaches  20,000,000  people  every 
day.  The  church  cannot  refuse,  the  industry 
cannot  refuse.  It  is  the  formula  which  com- 
mands our  support.  It  is  the  one  method  to 
bring  about  better  and  still  better  pictures. 
Political  censorship  of  any  method  of  expres- 
sion, whether  pulpit,  press  or  pictures,  is  as 
utterly  un-American  in  its  conception  as  it  is 
absolutely  ineffective  in  execution.  Sym- 
pathetic cooperation,  such  as  is  proposed,  is 
the  one  and  only  way.  There  never  before 
has  been  a  time  when  the  -organized  church 
could  enfluence  any  organized  business  as 
right  now  it  can  help  guide  motion  pictures — 
and  motion  pictures  are  the  answer  to  every- 
thing that  man  yearns  for  in  his  demand  for 
relaxation." 


Play  to  9,300  Daily 

Minneapolis — Average  daily  atten- 
dances at  Frank  circuit  theaters 
since  Oct.  1  approximates  9,300,  with 
the  month's  average  totaling  around 
300,000.  The  company  has  145  per- 
manent employees  with  a  payroll  in 
excess  of  $5,000  a  week,  spending  an- 
other $5,000  a  week  on  vaudeville  at- 
tractions, $1,800  for  music  and  $2,500 
for  advertising. 


Manager  of  Plaza,  Milford,  Dead 

Milford,  Del— Ira  W.  Otwell,  man- 
iger  of  the  Plaza,  died  in  the  Milford 
Emergency  Hospital  after  a  short  ill- 


ness. 


Barbour  Moves 

Springfield,  Mo. — Enslev  Barbour, 
circuit  owner,  has  moved  his  head- 
quarters from  Toplin  to  Soringfield,  in 
the    Landers-Orpheum    Bldg. 


Epidemic  Closes  Scenic 

Assumption,    111. — A    scarlet    fever 
epidemic  here  has  closed  the  Scenic 


Presentations 

Rivoli 

Unit  No.  1.— Overture:  "The. Fortune  Tel- 
ler."   Herbert.      Time,    8    minutes. 

Unit  No.  2. — "Leaps  and  Bounds,"  Grant- 
land  Rice  Sportlight,  Pathe.  Time,  5  min- 
utes. 

Unit  No.  3. — Rome  and  Dunn.  Harmony 
Duo..  Gentlemen  in  formal  afternoon  dress. 
Render  three  numbers.  Setting :  decorative 
backdrop  curtain  with  easy  chairs  and  lamps 
tastefully  arranged  about  stage.  Time,  10 
minutes. 

Unit  No.  4. — Rivoli  Movievents.  Time,  10 
minutes. 

Unit  No.  5. — Harold  Ramsay  at  the  or- 
gan in  a  review  of  Irving  Berlin  melodies. 
the  words  on  the  screen  for  the  audience's 
benefit.      Time,    6   minutes. 

Unit  No.  6. — A  Garden  Festival,  devised 
and  staged  by  Frank  Cambria.  Curtains  part 
disclosing  a  Watteau  painting  of  large  dimen- 
sions with  deep  gold  frame.  Artist  with 
brush  and  palette  in  the  foreground  presum- 
ably working  upon  the  painting.  Walks 
off  stage  as  music  commences  and  flute  is 
heard  playing  "Call  Me  Thine  Own." 
Painting,  which  is  done  on  scrim  curtain, 
fades  from  view  as  lights  from  behind  show 
up  tableau  posed  after  the  manner  of  those 
in  the  Watteau  picture.  Following  numbers 
rendered  by  those  in  the  tableau :  soprano 
solo,  "Shadow  Song."  fi'om  "Dinorah"  ;  quar- 
tette, Schubert's  "Serenade."  Again  in  the 
foreground  (before  the  picture  frame)  a  bal- 
let in  Colonial  costume  dances  to  "Gavotte" 
by  Gillett  and  "Gavotte"  by  Frances  Joseph 
Gosse.  Classical  dance  number  done  by  Vuri- 
eva  and  Swoboda,  also  in  Colonial  costume. 
Violin  solo :  Chopin's  "Nocturne."  Tableau 
scene  fades  back  into  painting  with  artist 
resuming  his  place  at  the  "cativas."  Time, 
15   minutes. 

Unit  No.  7.— Feature:  "Let's  Get  Mar- 
ried."    Time,   70  minutes. 


Aiding   Bank   Commission 

Conversion  of  the  Federation  Labor 
Bank  of  New  York  from  a  commer- 
cial bank  to  a  trust  company  has  been 
announced.  An  advisory  committee 
of  more  than  200  prominent  persons 
among  the  stockholders,  has  been 
announced,  including  Governor  A] 
Smith.  Mayor  James  Walker,  Charlie 
Chaplin,  Adolph  Zukor  and  Thomas 
Meighan. 


Film    Record    of   African    Expedition 

Washington — Under  the  leadership 
of  Dr.  Wm.  W.  Manh.  Supt.  of  the 
National  Zoological  Park,  and  fi- 
nanced by  Walter  P.  ChrvsJer,  one  of 
the  largest  expeditions  ever  attempted, 
will  leave  here  sometime  this  month 
for  Africa.  Charles  Charlton,  pho- 
tographer, will  make  a  complete  rec- 
ord of  the  trip  in  pictures. 


IN  TURKISH 


OM  SHfil^S  ON    > 

youf.'i  L, 

,  Go  ftJT  SOME 


-ii»  issnao 


^ 


J 


> 


( 


'H 


eg 

op 

a 

CO 

a; 


bo  0) 
bo 

eg    ;j 

^   bo 

o 
o 


o 


3 

CO 


^  5  ^ 


>1 
o 


CO 

0^ 


Q 

en 


^      CO 

£1 


O 

CO 
CO 


0)  ::: 

o  c 

cd  -^ 

0) 


2  p-« 
c5  o 


o 


cd 

B 

I 

s 


o 


0) 


0) 


CO 

cd 

CO 

o 

a 


CO 

0) 


0) 

CO 

Cd 


H 


a; 


s 

o 


CO 

o 

2: 


o     . 
o    cd 

o   >% 


a 


CO 


^    <D 


0) 

CO 


cd 


o 

CO 


< 


o 

Q 


o 
O    . 

<  ^ 


Pt^ 


Pi 

S  111  ^  ^ 


I 


u 

0) 


O 


I  O 


.^ 


CO 


CO 


I  ■  ■   £«!i 


iTHE 
'ifff  brAdstreet 

y  FILMDOM 


Authority 


L.  XXXV.  No.  53 


Friday,  March  5,  1926 


Price  5  Cents 


IVILL  HAYS 

By  DANNY 
our  years  ago  today,  Will 
ys  became  a  factor  in  the  mo- 
1  picture  industry, 
le  undertook  a  task  from 
ch  most  men  would  have 
,iled.  He  found  an  industry 
kvhich  distrust,  lack  of  confi- 
ce,  and  other  silly  ideas  had 
eloped  a  state  of  affairs  which 
J  almost  impossible  to  sur- 
ant. 

nd  in  these  hectic  four  years 
service,  Will  Hays  has  per- 
med his  job.  He  has  more 
n  made  good.  The  motion 
ture  industry — every  branch 
wes  him  a  debt  of  gratitude, 
lebt  which  money  cannot  off- 
lays  entered  this  industry 
t  in  time.  He  was  confronted 
a  very  messy  situation.  News- 
»ers  were  giving  vast  amounts 
space  to  sensational  happen- 
s;  exhibitors  were  fighting 
:ry  move,  whether  good  or 
I,  which  distributors  and  pro- 1 
ers  attempted  to  effect ;  with-  I 
the  lines  of  the  producers  and 
tributors  were  annoyances 
1  evils  which  seemed  impos- 
le  to  straighten  out. 
But  this  man  Hays  seemed  to 
derstand  much  about  this — 
y  something  could  not  be 
le?  And  so  quietly,  unosten- 
iously,  without  any  blare  of 
blicity  trumpets,  he  went  to 
rk.  First  one,  then  another 
loyance  was  taken  up.  To  be 
aightened  out.  And  today, 
th  a  record  of  four  years  he- 
ld hin?.  Hays  might  well  sit 
:k,  cheerfully  contemplating 
:  accomplishments  of  his  or- 
lization. 

Lack  of  space  precludes  the 
ssibility  of  recording  what  the 
lys  organization  has  accom- 
shed.  But  it  is  not  necessary, 
stead,  read  what  Terry  Ram- 
/t  has  to  say  of  Hays.     And 

(Continued  on  Page  2) 


Big  Northwest  Deal 

Jensen    and    Von    Herberg    Houses 

May  Go   to    North  American 

Theaters   Corp. 

Portland,  Ore. — An  imp'-tant  meet- 
ing is  being  held  at  the  Bi-.ison  Hotel. 
It  concerns  the  reported  sale  of  the 
Jensen  and  Von  Herberg  houses  to 
the  North  American  Theaters  Corp. 
which  is  allied  with  Prod.  Dist.  Corp. 

All  the  J.  &  V.  officials  are  here 
as  well  as  stockholders.  North  Am- 
erican is  represented  by  Harry  C. 
Arthur.  It  is  believed  the  sale  is 
imminent.  The  circuit  embraces  22 
theaters  in  the  State  of  Washington, 
eight  in  Oregon  and  four  in  Mon- 
tana. J.  H.  Von  Herberg,  who  has 
been  recuperating  in  Calitornia  from 
his  severe  illness,  came  to  Portland 
for  the  conferences.  It  is  understood 
that  meetings  preliminary  to  those 
here  were  held  by  him  in  California, 
tiius      again     resuming     negotiations 

{ContLiiued  on  fuye   -IJ 


I  atman     wouldn't     fallfor     Nell     Gwyn? — 
£  cofficegirl.      Paramount — Advt. 


"Blue"  Law  Hearing 

Measure  for  District  of  Coliunbia  Up 

— Only  Advocates  for  Bill 

Appear 

Washington — Hearings  were  open- 
ed yesterday  morning  on  the  Lank- 
ford  Bill,  providing  for  Sunday  clos- 
ing in  the  District  of  Columbia,  be- 
fore a  subcommittee  of  the  House 
District  Committee.  Only  a  few 
witnesses  were  heard,  all  proponents 
of  the  bill,  who  were  introduced  by 
Representative   Lankford. 

The  provisions  of  the  measure  were 
explained  by  Mr.  Lankford,  who  de- 
nied that  the  bill  was  in  any  sense 
a  "blue"  law.  The  hearing  was  en- 
livened by  a  passage  between  Repre- 
sentative Blanton  of  Texas  and  Rep- 
resentative Sol  Bloom  of  New  York, 
the  former  having  asked  one  witness 
whether  it  was  not  true  that  all  legi- 
timate theaters  in  New  York  closed 
on  Sunday  and  if  the  Lankford  Bill 
sought  for  the  District  only  the  same 
(CoHtimted  on  Page  4) 


Stocks  Gain 

Rallying  Market  Carries  Film  Issues 

to  Higher  Levels — Fox  Jumps 

Over  Six  Points 

In  a  rising  market  film  stocks 
traded  in  New  York  exchanges  ad- 
vanced yesterday.  Fox  "A"  made  the 
most  notable  increase,  recording  an 
increase  of  6J^  points  over  the  previ- 
ous day's  close.  Farnous  closed  at 
117j^,  an  increase  of  3%  points  over 
Wednesday,  with  14,000  shares  chang- 
ing hands. 

Loew's,  Inc.,  gained  2  points,  clos- 
ing at  37;  Pathe  "A"  which  was 
rather  badly  hit  in  the  frenzied  sell- 
ing on  Wednesday  rallied  and  closed 
at  63ji,  an  increase  of  3j^  points. 

On  the  curb  Universal  dopped  2% 
points,   closing  at   32%. 


Would   Ban   Free    Shows 

Baltimore  —  With  the  object  of 
stopping  Sunday  shows  to  which  no 
admission  is  charged,  a  committee  of 
ministers,  headed  by  the  Rev.  Dr. 
W.  W.  Davis  of  the  Lord's  Day  Al- 
liance, has  attempted  to  enlist  the 
aid  of  Frank  A.  Furst,  Democratic 
political  leader,  in  getting  new  ruling 
on  city's  "blue"  laws  from  Attorney 
General   Robinson. 


Battle  in  Jersey 

Many  Bills  Affecting  Industry  Before 
Legislature — "Blue   Laws"   are 
Included 
Joseph   Seider,  president  of  the  M. 
P.  T.  O.  of  New  Jersey,  reviews  leg- 
islation   now    before    the    Jersey   law- 
making body,  in  the  current  issue  of 
the   national  organization's  house   or- 
gan.    He   lays  particular  stress  upon 
the  Williams  resolution,  passed  by  the 
Senate  and  reported  favorably  in  the 
Assembly    Committee,    urging    every 
exhibitor    to    exert    all    his    mfluence 
with    Senators   and   Assemblymen   to 
(Continued  on  Page  2) 


Queries  on  Big  British  Film 

London — "The  Cinema"  says: 
"What  has  happened  to  the  Daily 
Express  film?  Surely  some  progress 
should  have  been  reported  since  their 
first  announcement  seven  weeks  ago?" 
This  is  the  £50,000  film  planned 
to  demonstrate  the  full  capabilities  of 
the  British  industry. 


Praise  for  Hays 

Leaders  in  Industry  Review  Work  of 

M.   P.   P.   D.   A.  and   Commend 

Its  President 

On  March  5,  1922,  Will  H.  Hays 
assumed  the  presidency  of  the  M.  P. 
jL  reducers  *and  Distributors  of  Amer- 
ica, Inc.  Today,  that  organization 
starts  it_s  fifth  year  of  active  service. 

There  is  apparently  little  doubt  in 
the  minds  of  executives  connected 
with  important  producing  and  distrib- 
uting companies  of  the  manner  in 
which  they  regard  the  Hays  work. 
Asked  to  comment  on  this,  the  fourth 
anniversary  of  Mr.  Hays'  entrance 
into  the  industry,  important  leaders — 
and  many  of  them  are  charter  mem- 
bers of  the  M.  P.  P.  D.  A.,  Inc.— had 
this  to  say  yesterday: 

R.  H.  Cochrane,  vice-president  of 
Universal,   said   in   a  letter   to    Hays: 

"T  don't  know  how  you  feel  after 
four  years  of  moving  picture  work, 
but  I  do  know  that  the  industry  itself 
feels  a  darned  sight  better  lor  your 
having   come   into  it. 

"To  be  plunged  into  the  whirl  of  a 
fast-moving  business  such  as  this,  to 
have  gained  a  good  grasp  of  its  prac- 
tical needs,  to  have  brought  its  vital 
working  parts  into  a  fine  cooperation 
and  still  to  have  clung  to  your  own 
high  idealism  and  to  have  impressed 
it  upon  all  of  us — that  was  no  small 
order,  but  you   filled  it  to  perfection. 

"So,  we're  glad  you're  with  us,  and 
if  the  millions  of  movie  fans  through- 
out the  world  could  know  as  much  as 

(Continued  on  Page  4) 


M.  &  S.'s  Twentieth  Opens 

The  Hollywood,  Avenue  A,  be- 
tween 6th  and  7th  Sts.,  opened  last 
night.  This  is  the  20th  house  in 
the  Meyer  &  Schneider  chain  in 
Greater  New  York.  Four  are  in  con- 
struction. 


"Black  Pirate"  London  Premiere 

"The  F.lack  Pirate"  opens  in  Lon- 
don at  the  Tivoli,  simultaneously  with 
the  New  York  premiere  at  the  Sel- 
wvn  on   March  8th. 


Savage  Joins  Universal 

Universal  has  engaged  Jack  Say- 
age  as  presentation  director.  He  will 
plan  presentation  ideas  in  connection 
with  all  Jewels  and  Universal  specials. 

Maloney  Joins  Pathe 

Pathe  officially  announces  that  Leo 
Maloney  joins  the  company  upon  the 
completion  of  an  existing  contract 
calling  for  one  more  picture. 


Hobart  to  Make  Four 

It  is  understood  Henry  M.  Hobart 
will  make  a  series  of  four  for  First 
National,  and  not  merely  one,  as  first 
reported.  He  leaves  for  the  Coast 
Monday  to  get  "Three  Nights  of  Don 
Juan"  under  way.  Lewis  Stone  will 
be  featured.  The  remaining  three  will 
be  made  in  New  York. 


British  Question  Up  in  October 

London — It  is  anticipated  that  the 
question  of  British  quotas  will  come 
up  again  in  October  at  which  time 
Sir  Philip  Cunliffe-Lester,  president 
of  the  Board  of  Trade  may  have 
something  of  interest  to  say. 


Weeks  Returns 

George  W.  Weeks,  Paramount's 
general  manager,  has  returned  from 
the  Coast. 


Rork  Expected  Back 
Sam    Rork   is   expected    back  from 
the   Coast  about   the  middle  of  next 
week. 


THE 


;$B^ 


DAILY 


Friday,  March  5,  IK 


Vol.  XXV  No.  53      Friday,  Mar.  5, 1926       Price  5  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS.  INC. 
Joseph  Dannenberg,  President  and  Editor; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  WHk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York.  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  D'AILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
»736-4737-4738-4739.  Cable  address  :  Filmday, 
jJew  York.  Hollywood,  California — Harvey 
ff  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
Ttt  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,   5,   Rue  Saulnier. 


Quotations 

High 

Low 

Close 

Sales 

Balaban   &  Katz    . 

65 

64  K 

.6454 

.... 

Eastman    Kodak    . 

28 

27 

28 

2,100 

Famous    Players     . 

117^8 

11454 

117  Ji 

14,000 

•Fam.    Play.    Pfd.. 

11954 

•Film   Inspection   . 

5 

•First  Nat'l  Pfd.   . 

105^ 

Fox   Film    "A"    .. 

68 

63 

68 

5,800 

Fox   Theaters   "A" 

25 

24 

25 

5,400 

*Intern'l    Projector 

12 

.... 

Loew's,  Inc 

37 

34J4 

37 

2,400 

Metro-Gold.  Pfd.   . 

22  H 

22^ 

22  5« 

100 

M.  P.  Cap.  Corp.. 

2m 

21 

21J4 

400 

Pathe  Exch.   "A". 

64 

58 

63H 

3.800 

Skoiu-as   Bros.    . . . 

46 

46 

46 

.... 

•Stan.   Co.   of  Am.. 

38 

.... 

Trans-Lux     

9 'A 

9 

9H 

8,600 

Universal  Pictures. 

32/8 

32/8 

32  Ji 

100 

•Univ.  Pict.  Pfd.  . 

92 

Warner  Brothers   . 

15 

13^ 

14^ 

1,400 

•Warner   Pictures.. 

11 

.... 

*  Last  prices  quoted. 

Film  Section  for  "Britannica" 

Three  supplemental  volumes  to  the 
Encyclopedia  Britannica  are  to  be 
prepared.  There  will  be  approxi- 
mately 10,000  words  devoted  to  the 
motion  picture.  There  will  be  a  tech- 
nological section,  written  by  Dr.  C. 
E.  K.  Mees,  of  the  Research  Depart- 
ment of  the  Eastman  Kodak  Co.; 
Terry  Ramsaye  will  write  a  chapter 
on  the  history  of  pictures;  and  Gil- 
bert Seldes  will  write  a  section  on  the 
art  of  the  motion  picture. 


International  Gets  Exploration  Film 

The  International  News  Reel  has 
acquired  pictures  on  the  American 
Museum  of  Natural  History's  third 
Asiatic  expedition  into  the  Gobi  Des- 
ert of  Mongolia. 


^b(Aadet£^t 


Properly  Present  Your  Pliotoplay 


WILL  HAYS 

(.Continued  from  Page  1) 
Ramsaye,  who  is  accepted  as  the 
historian  of  the  motion  picture 
industry,  is  not  overly  friendly 
to  Hays  personally,  and  is  usually 
brutally  frank  in  his  expressions  and 
ideas.  And  here  is  what  Ramsaye 
says  in  the  closing  chapter  of  "The 
Romantic  History  of  the  Motion  Pic- 
ture": 

"Since  the  coming  of  Hays,  motion 
picture  sensations  have  not  been  so 
sensational.  A  slight  and  normal 
sprinkling  of  divorces  and  the  like 
still  occur  in  the  Latin  quarter  of 
the  films,  but  they  are  not  now  sym- 
bols of  the  industry.  Picking  on  the 
films  is  no  longer  the  national  sport. 
Some  legislative  triumphs  for  the  pic- 
tures have  been  recorded,  and,  most 
important  of  all,  people  with  a  pain 
about  the  films  can  now  tell  it  to 
Hays  instead  of  shouting  to  the  news- 
papers. 

"The  Hays  office  costs  the  motion 
picture  industry,  and  therefore  the 
public,  about  a  half  a  million  dollars 
a  year. 

"It  is  the  biggest  bargain  since 
Thomas  Ekiison  spent  $24,000  in- 
venting the  Kinetoscope  in  1899." 
Back  in  May,  1919,  THE  FILM 
DAILY  published  a  report  of  a  lun- 
cheon gathering  at  the  old  Claridge 
Hotel.  The  caption  read:  "Mystery 
Lunch — Who  Was  the  Little  Man  at 
the  Important  Party,"  That  "little 
man"  was  Will  Hays.  That  was  his 
first  connection  with  important  folk 
of  this  industry.  Three  years  later 
he  became  the  head  of  an  organiza- 
tion which  succeeded  the  old  national 
organization.  For  four  difficult  years 
he  has  made  his  way  solving  prob- 
lems of  vital  import  to  this  industry 
— affecting   every  branch   thereof. 

If  the  executives  of  this  industry 
ever  let  Will  Hays  get  away,  they 
will  deserve  everything  which  might 
so  easily  follow.  We  agree  thor- 
oughly with  Terry  Ramsaye.  He  is' 
the  greatest  bargain — the  finest  in\ 
vestment  this  industry  has  ever  made 


Battle  in  Jersey 

(Continued  from  Page   1) 

bring  pressure  upon  members  of  the 
Commission  whose  duty  would  be  to 
revise  the  "blue  laws"  under  this 
measure.  Opposition  to  Assemblby 
Bill  No.  115  is  urged  by  Seider  on  the 
ground  that  it  "will  permit  a  person 
claiming  that  he  had  been  discrimi- 
nated against  to  sue  for  damages." 

Regarding  Assembly  Bill  No.  397, 
Seider  says  that  it  does  not  provide 
"further  safeguards  for  use  of  moving 
picture  machines  in  Public  Schools" 
which,  he  says,  is  the  contention  of 
its  author.  Miss  Jones.  Regarding 
this  particular  bill,  however,  he  states 
that  there  need  be  little  worry  since 
it  includes  in  its  category  educational 
film  only.  Support  b}'  the  theater 
owners  of  the  Siracussa  Code  Bill  is 
urged.  It  is  described  as  an  import- 
ant aid  in  thwarting  the  overbuilding 
problem. 

A  bill  introduced  by  Assemblyman 
Pascoe  of  Union  County,  the  purport 
of  which,  he  states,  is  to  prevent  a 
theater  owner  from  niaking  a  political 
campaign  contribution.  Backing  of  all 
Jersey  theater  owners  for  Assembly 
Bill  No.  395  providing  for  a  state  su- 
pervision of  the  fixing  of  rates,  is  ad- 
vocated bv   Seider. 


West  Coast  in  Oakland 
Oakland,  Cal. — Construction  o 
15-story  $5,000,000  theater  and  h( 
or  theater  and  office  building,  is  p! 
ned  by  West  Coast  Theaters.  A. 
Bowles  declines  to  either  afiirm 
deny  the  report. 

The  new  building  will  be  on 
old  Southern  Pacific  station  bl( 
owned  by  the  Bancitaly  Corp.,  or 
one  of  two  other  pieces  of  ground 
which  West  Coast  has  options.  ' 
theate-  will  be  the  largest  on 
Coast  outside  of  the  Shrine  At 
torium,  Los  Angeles. 


If 


McRae  Stays  with  "U" 

Los  Angeles — Despite  reports  to 
the  contrary,  Henry  McRae  will. stay 
with  Universal  in  charge  of  produc- 
tion. Henry  Henigson  will  handle 
financial  details. 


Foreign    Offices   for    Warners 

Gus  Schlesinger,  foreign  sales 
manager  for  Warners,  has  opened  an 
office  in  Berlin.  Ronald  A.  Reeder 
has   been    placed   in   charge   in   Paris. 

When  Harry  M.  Warner  was  in 
Berlin,  he  signed  Paul  Ludwig  Stein, 
a  Ufa  director.  The  first  of  the  'pro- 
posed foreign-made  pictures  will 
probably   be  made  in   France. 


Liebrrann,  Former  Ufa  Scenarist 

Robert  Liebmann.  German  scenar- 
ist, who  has  been  signed  by  the  War- 
ners. v;a?  formerly  on  the  Ufa  staflF. 
his  last  wqijc— f«r — chat  orgax^ization 
being ^l!Tfre  Waltz  Dream."  His  repu- 
taji<rn  in  Germany  is"a  spleTrdi4-..£)ne, 


Sign    Peggy   Fears 

Los  Angeles — The  Warners  have 
signed  Peggy  Fears  on  a  long  term 
contract. 


WeBtr-te-Djrect  Na 

Los  Angeles  —  Millard  Webb  has 
been  loaned  by  the  Warners  to  Jos- 
eph M.  Schenck  to  direct  Norma  Tal- 
madge. 


KNOWLEDGE  -  EXPERIENCE 

ORGANIZATION 

Conscientiously    devoted   to    the    Insurance    problems    of    our    clients 
has  made  their   Insurance  doubly  secure. 

Insurance    Policies   can    be    prepared    to    cover    every    contingency    of 
your   business — if   those    contingencies    can   be    anticipated. 

Our  knowledge  and   experience   gives   us   this   facility — our   organiza- 
tion enables  us   to  efKciently  execute. 

We  will  stake  our  reputation  oji  our  service. 


INCORPORATED 


i 


II  l/M  '  I  \  rj^^^^^gl  !i  ^  :  ^-ij 


80  MAIDEN  LANE,  N.  Y.  Q. 


Telephon*  John  3080 


This  is  a  'Comerblock'  cut  furnisl  I 
FREE  for  all  Pathecomedies  at  y<,j 
exchange.  \ 


EASTERN 

STUDIO   FOR  RENT 

EXCEPTIONAL   FACILITIES 

VERY  LARGE  STOCK  OF 
PROPS  AND  FURNITURE 

Telephone    Dewey    8600 


I  Ward  Cine  Laboratory Jnc  I 

ll  216-222  Weehawken   St.  I 

^  Union  City,  N.  J.  ! 

1?^ .^Telephone  Union  4800  \ 
it                           G.  BERT  WARD,  Pm. 

kV .  \ 


NATIONAL     EVANSi 
LABORATORIES,   Inc.; 

Developing — Printing — Titles 

1476  Brojjdway 
Telephone!  Bryant  9330-9331 


If  You  Are  in  the 
Market    for    Any    Kind    of 

MOTION  PICTURE 
APPARATUS 

CONSULT  US-AND  SAVE  MONEY 
SEND   FOR   OUR  PRICE  LIST 


Chas.  G.  Willoughby,  Inc. 

Motion  Picture  Department 

110  West  32nd  St.,  New  York 

Phone   Penna.    6564 


'<^ 


III  ra*-* 


MRS.  EXHIBITOR  :*WHY  SO  GAY  AND  FESTIVE,  JOHN?   YOU  BOUGHT  MB 

THIS  NEW  FUR  COAT -AND  THE  CAR- AND " 

MR.  EXHIBITOR*.  ^THAT'S  ALL  RIGHT.  MARY.   WE'RE  SITTING   PRETTY 

NOW  AND  ALL  MY  BUSINESS  WORRIES  ARE 
OVER  -  I'VE  BOOKED  PARAMOUNT/^ 


tHC 


15^^ 


DAILY 


Friday,  March  5,  1926 


Praise  for  Hays 

(Continued  from  Page   1) 

we  do  about  your  achievements  for 
the  screen,  they  would  be  just  as 
glad." 

Cecil  B.  Dc  Mille  said: 

"It  would  be  difficult  if  not  actually 
impossible  to  estimate  the  great  value 
of  the  work  which  Will  H.  Hays  has 
done  since  his  affiliation  with  our  in- 
uustry.  He  stands  in  much  the  same 
position  as  an  inierpreter  in  the 
World  Court  where,  though  the  high- 
est intelligence  from  every  nation  be 
seated  in  judgment,  nothing  could  be 
generally  understood  and  agreed  upon 
without  the  invaluable  services  of  the 
hnguistic  interpreter. 

"Mr.  Hays  has  been  not  only  our 
representative,  but  our  interpreter  in 
his  untiring  efforts  to  make  us  under- 
stood by  the  people,  the  press,  the 
law-makers,  and  those  organized 
gioups  who,  not  knowing  our  real 
aims  and  ambitions  have  sought  to 
retard  our  progress  and  deprive  us 
of  that  freedom  of  expression  which 
is  as  much  the  inherent  right  of  the 
screen  as  it  is  that  of  the  press." 

John  C.  Flinn,  vice-president  and 
general  manager  of  Prod.  Dist.  Corp.: 

"At  a  time  when  literature  is  filled 
to  the  brim  with  salacious  and  ob- 
scene themes,  it  has  been  Will  Hays 
more  than  any  other  individual  who 
has  held  this  industry  in  a  place  where 
it  has  commanded  the  respect  of  the 
public.  This  he  has  done  by  seeing 
to  it  that  only  fine,  clean  pictures 
have  been  made.  It  has  been  to  Will 
Hays'  fine  sense  of  leadership  with 
those  who  make  pictures  that  this 
condition  exists." 

Elmer  Pearson,  vice-president  and 
general   manager  of   Pathe: 

"It  is  a  privilege  and  a  pleasure  to 
ofTer  heartiest  congratulations  to  Will 
H.  Hays  on  the  occasion  of  his  fifth 
anniversary  as  a  vital  factor  in  the 
motion  picture  industry.  Equally  to 
be  felicitated  is  the  industry  itself, 
which  owes  him  so  much. 

"Mr.  Hays  has  been  a  constructive 
power  in  the  upbuilding  of  our  busi- 
ness. His  name  and  his  wide  influ- 
ence have  added  materially  to  the 
prestige  of  motion  pictures  and  have 
resulted  in  converting  many  from  out- 
spoken hostility  to  friendship  and  sup- 
port for  the  screen  and  its  work. 

"May  he  continue  his  highly  effec- 
tive efforts  in  this  field  which  means 
so  much  to  all  of  us." 

Saul  Rogers,  general  counsed  Fox 
Film  Corp.: 

"Every  wish  in  the  minds  of  the 
various  interests  who  joined  in  the 
movement  to  unite  all  in  a  common 
cause,  under  one  general  leadership, 
has  been  more  than  realized.  The  re- 
sult was  inevitable  under  the  organi- 
zation established. 

"It  is  simply  another  demonstration 
of  the  wisdom  of  unified  action  by  an 
industry  resulting  in  the  solution  of 
a  serious  problem." 

Richard  A.  Rowland,  general  man- 
ager of  First  National: 

"It  is  my  belief  that  the  benefits 
accruing  from  Will  Hays'  administra- 
tion of  the  Motion  Picture  Producers 
and  Distributors  Ass'n  will  be  of  in- 
estimable value  to  all  of  us  for  years 
to  come. 

"In  the  five  years  during  which  he 
has  acted  as  our  spokesman  and  rep- 


representative  he  has  been  directly 
instrumental  in  bringing  about  a  bet- 
ter understanding  of  the  motion  pic- 
ture business  by  the  public  at  large — 
consequently,  a  more  sympathetic  at- 
titude. Many  of  the  accomplishments 
of  Mr.  Hays  are  of  the  kind  not  read- 
ily appreciated.  Through  his  wisdom, 
strength  of  purpose  and  foresight  he 
has  been  able  to  ward  off  legislation 
that  might  have  been,  well-njgh  the 
ruination  of  the  motion  picture  busi- 
ness. Work  of  this  kind  is  not  spec- 
tacular, but  it  is  scarcely  possible  to 
overestimate   its    importance. 

"On  this,,  his  fifth  anniversary  as 
leader  of  our  industry,  I  wish  to  ex- 
tend to  Mr.'  Hays  not  only  congratu- 
lations, but  my  sincerest  thanks  for 
all  that  he  has  done.  The  entire  mo- 
tion picture  world  is  to  be  congratu- 
lated on  having  Mr.  Hays  at  its 
head." 

Nicholas  M.  Schenck,  first  vice- 
president  Metro-Goldwyn-Mayer  Pic- 
tures Corp.: 

"Words  fail  to  adequately  describe 
the  splendid  achievements  which  Gen- 
eral Hays  has  performed  for  the  en- 
tire motion  picture  industry.  He  has 
brought  to  the  industry  a_ccomplish- 
ments  which  have  resulted  in  pro- 
found aids.  In  addition,  General  Hays' 
sincerity  is  a  challenging  mark.  We 
of  the  industry  owe  him  a  great  debt 
of  gratitude." 

Major  H.  C.  S.  Thomson,  president 
and  managing  director  of  F.  B.  O. 
said: 

"The  vigorous  leadership  of  Mr. 
Hays,  through  the  last  five  years  has 
had  a  salutary  effect  upon  the  motion 
picture  industry  the  world  over.  His 
influence  for  good  has  been  far-reach- 
ing. Not  only  should  we  of  the  in- 
dustry bestow  upon  him  our  heartiest 
congratulations,  but  it  is  not  exag- 
gerating to  state  that  the  peoples  of 
the  world  at  large  owe  him  also  a 
debt  of  gratitude." 

Warner  Bros,  made  the  following 
statement: 

"The  record  made  by  General  Hays 
and  his  organization  speaks  for  itself. 
Need  any  more  be  said.  We  here 
hope  to  see  the  day  when  General 
Hays  celebrates  his  fiftieth  anniver- 
sary in   the   industry." 

Adolph  Zukor,  president  of  Famous 
Players: 

"Mr.  Hays  has  a  more  important 
role  in  the  motion  picture  industry 
than  any  other  one  man.  Let  any  per- 
son who  is  in  touch  with  the  indus- 
try compare  conditions  as  they  now 
are  with  conditions  as  they  were 
when   Mr.   Hays  became   president  of 


EVERYBODY'S  BOOKING 

St.    Patrick's    Day    Special 

week  of  March  lith.  Fleischer 

Ko-Ko  Song  Car-Tune 

"HAS  ANYBODY  HERE 

SEEN  KELLY?" 

Hand  Colored  by  Brock 


in   Sarenth  Av«..   N.   Y. 
DISTRIBUTORS 


the  Motion  Picture  Producers  and 
Distributors  of  America,  and  he  can- 
not fail  to  be  greatly  impressed  with 
the  tremendous  influence  for  good 
that  Mr.  Hays  has  exerted. 

"Motion  picture  entertainment  has 
improved  in  every  way,  and  Mr.  Hays 
has  been  a  great  factor  in  this  im- 
provement. The  friendly  relations 
that  now  exist  between  the  motion 
picture  industry  and  the  public,  be- 
tween producers,  distributors  and  ex- 
hibitors, between  the  industry  and 
other  business,  between  the  industry 
and  leaders  of  public  thought 
throughout  the  world,  have  been 
brought  about  almost  entirely  tlirough 
his   ability,   foresight  and  patience. 

"His  tireless  efforts  for  the  im- 
provement of  this  great  business  have 
been  felt  by  the  public,  by  exhibitor.'^ 
distributors  and  producers.  I  wish 
him  many,  many  happy  returns  of 
this,  the  fifth  birthday  of  the  Motion 
Picture  Producers  and  Distributors  o' 
America." 


a 


Blue"  Law  Hearing 

{Continued  from  Page   1) 
regulation  as  applied  in  New  York. 

Representative  Bloom  objected  to 
the  question,  pointing  out  that  only 
shows  in  which  a  curtain  or  costumes 
were  used  were  affected  by  that  or- 
dinance. Representative  McLeod  of 
Michigan,  who  presided  at  the  meet- 
ing, sought  to  develop  whether  the 
bill  was  not  in  fact  class  legislation. 
He  also  asked  whether  working  men, 
who  would  be  most  affected,  should 
not  be  given  an  opportunity  to  be 
heard. 

Representative  Gilbert  of  Kentucky 
declared  he  was  in  favor  of  Sabbath 
observance,  but  doubted  the  advisa- 
bility of  depriving  working  men  and 
women  of  the  one  day  a  week  which 
they  had  for  films  and  other  recrea- 
tion, especially  in  winter. 

The  hearings  were  continued  to- 
night. So  large  an  attendance  was 
present  that  it  was  necessary  to  use 
the  caucus  room  in  the  house  office 
building,  the  largest  room  to  be  had. 


livvers  are  all 


^ts 


Northwest  Deal 

(Continued  from  Page   1) 

which    were    dropped    during   his    re- 
cent illness. 

It  is  also  reported  that  if  the  J.  and 
V.  deal  goes  through.  North  Ameri 
can  will  take  over  the  Multnomai 
chain,  a  group  of  leading  theaters  ir 
Portland   suburbs. 


New  Series  for  Joe  Rock 

Hollywood — Les  Saylor  and  Alici 
Ardell  have  been  signed  by  Joe  Rod 
to    co-star   in   a   series   of   comedies. 


WATCH  THIS  SPACE  FOR 

GREATER 


PRODUCTIONS 

1926-27 

"THE  GOLDEN  WEB" 
by  E.  Phillips  Oppenheim 

"PETER  THE  GREAT" 

in 
**KING  OFTHEPACK*'^ 


"SINEWS    OF   STEEL'' 

by  Ed.  J.  Meagher 

"QUARANTINED 
RIVALS" 

by  George  Randolph  Chested 

"HEROES  of  the  NIGHT" 

by  Frank  O'Connor 

"THE  WOMAN  WHO 
DIDN'T  CARE" 

by  Rida  Johnson  Young 

"PETER  THE  GREAT" 

in 
"The  SILENT  AVENGER"  « 

'MOUNTAINS  of  MANHAHAN" 

by  Edward  J.  Meagher 


"MONEY  TO  BURN" 

by  Reginald  Wright  Kauff man  i 


Ti  ■  i  S^"^ 


^'-^m 


m 


It  s  c^ettind 


..^" 


.#" 


ioi 


,'    A    .y  r    f  ••■/  df  -? 


/    #  i    ^f  /?  /     ^ 
f    i  ^  ^    f>    ^      I 

^' .?  I  /  '^^    r 
f  ^  a  t  :l    4 

^    "^    ?'    / 


everij  daij 


D 


T'S   the   same   story   everywhere.     For  instance,  this 
wire   from   P.   Mortimer   Lewis,    Strand   Theatre,   At- 
lantic City: 

"Peggy  Hopkins  Joyce  in  'The  Skyrocket'  playing 
capacity.  Doing  August  business  in  February.  Patrons 
pleased.     Peggy  a  sure  box-office  bet." 


© 


PE66Y  H(M>KINS  JOYCE  / 

I  Marshall MlmProdach'on'^ From  ILeCDsrnopoIiian Magazine  QoryLylJek Powers ^i^^ 


Oscar  A.  Price.  President 


i 


Roaming    Wives — 
Homing  Husbands — 

THE  ROMANCE  OF 
A  PARIS  DIVORCEE! 

Timely?— They're  sitting 
up  waiting  for  just  this  kind 
oi  show! 


AMAZE BEWILDER 

the  undispukd  masterpiece 
of  the  screen's  newest  genius 

,  BALBONI 

HI  OLiapledJromARTmJR.  RICHMAN'S  Play  fry  KATHERINE  KAVANAUGH 

"^  7.i//.Blanche  Sweet 

N      JackMulhall 

MyrdeStedman  HobartBosworth 

^une  Mathis  6diionai  avwJo,- 

(ArlTHrtaor E.J.SHULTER.      tphotvgraplter JOHN  BOYIE     CfiUnldlhr At. 


mUttt 


^ 


V/ 


rAff  brAdstreet 

>/*  FILMDOM 


Authority 


)L.  XXXV    No.  55 


Monday,  March  8,  1926 


Price  5  Cents 


PROCRAMS      Many  New  Charters      Baltimore  Deal  Off?    Merger  Falls  Through 

L     A  VV-r  V^A^*^M  »  Aki^         TTphrnarv     Tnrnmnratinn<i     Tntal      191       Hit<-Vi      T?«>r.rtr+AH      'Rp'f'uafpn      T7nv      anH     Robbins-Mark      Strand      Consolidation 


By  DANNY 
How   much   attention   do  you 
y    to    your    program?      Yes, 


ur  house  program? 
Do  you  "wish  the  job"  on  to 
ur  printer?  Or  some  cheap 
Miter.  And  get  back  a  county 
b  job?  Or  do  you  really  de- 
IK  some  time  to  it?  Some 
oiight ;  some  work. 
Two  young  fellows  interested  in 
tting  out  a  better  type  of  theater 
ogram  left  us  copies  of  programs 
(lay  or  so  ago.  Some  programs 
lich  rallicr  good  sized  houses  were 
iiig.  And  also  a  few  samples  of 
lat  they  were  doing.  In  an  effort 
improve  the  programs  which  ap- 
rcntly  are  in  use. 

When  you  study  the  programs  now 
use — and  figure  what  might  be  done 
th  them — you  get  a  tiny  bit  sick. 
3U  wonder  why — in  a  business 
which  so  much  depends  upon  pub- 
ity  and  advertising — that  men  who 
11  themselves  exhibitors  would  al- 
w  such  atrocities  to  be  issued  to 
eir  patrons.     And  then  expect  these 

llks  to  come  back. 

R  Most  of  these  programs  are  about 
X  5  inches.  On  flimsy,  cheap  paper, 
ith  poor  to  bad  printing,  and  with 
little  interesting  text  as  could  be 
lagined.  They  use  type  so  small 
at  it  seems  impossible  that  it  can  be 
ad  in  a  picture  house  with  usual 
;hting,  and  where  cuts  are  used 
ey  are  so  poor  that  only  a  genius 
ould  recognize  the  star.  If  you 
nni.  ;  use  a  cut  or  -^hoto  which  al- 
ws  anyone  to  know  ofif  the  bat  who 
)u  are  trying  to  present,  you  had 
:tter  use  no  cut  at  all. 
Another  program  has  on  the  very 
p  vjx  p:ige  one  this  line:  "When  bet- 
r  pictures  are  made  the— will 
low  th".m."  Of  course,  the  thought 
tended  is  that  the  house  is  showing 
le  best  pictures  made.  But  how 
uch  belter,  and  how  much  simpler 
lis  could  be  expressed? 
Many  exhibitors  could  well  af?ord 
I  issue  a  finely  printed  program, 
/ith  the  right  kind  of  an  issue  suf- 
:ient  advertising  should  easily  be 
mailable  from  neighborhood  accounts 

■  more    ban  justify  such  an  exp-'nse. 
Certainly    the    "throw    away"    type 

■  program  so  often  used  can  have 
Jt  little  value.  Either  to  the  ex- 
ibitor  or  the  patron.     If  the  program 

intended  to  be  used  to  whet  an 
)pctrte  for  coming  attractions,  most 
f  them  must  surely  fall  far  short 
i  what  is  intended. 

languisliinp 


February    Incorporations    Total    121, 
Sixty-Six  Will  Engage'  in  Exhibi- 
tion— 123  Formed  in  January 

Corporate  activity  within  the  in- 
dustry for  the  first  two  months  of 
1926  showed  a  slight  falling-of?  over 
the  last  month  of  1925.  In  January, 
123  charters  were  issued  and  in  Feb- 
ruary, 121,  as  compared  with  129  in 
December.  The  January  charters 
listed  a  total  capital  of  $19  177,000, 
while  those  in  February  were  incor- 
porated  for  $9,726,100. 

The  amount  of  capital  listed  by 
new  motion  picture  corporations  in 
January  and  February  does  not  even 
approach  the  record-breaking  total 
listed  by  charters  filed  in  December, 
which  boasted  of  $131,460,500.  Be- 
low will  be  found  a  resume  for  the 
past  three   months: 

Chartered 

No.  of  Cos.  Without 

Month  Chartered         Capital     Capital 

December,     1925..  129  $131,460,500  38 

J.inuary,    1926 123  19,177,000  47 

February     121  9,726,100  36 

The    exhibition    field    is    the    most 
actively      representated,       production 
coming  next.     In   January,   71    com- 
iContinued  on  Page  6) 


24  from  Columbia 

Best    Sellers   Lined    Up  for  '26-'27— 

Two   Popular    Songs   to   Be 

Filmed,  Says  Joe  Brandt 

Chicago — Production  of  series  of 
pictures  taken  from  works  of  such 
writers  as  Rupert  Hughes,  Alfred 
Henry  Lewis,  Gertrude  Atherton, 
William  Hamilton  Osborne,  George 
Bronson  Howard,  and  Richard  Hard- 
ing Davis  will  start  soon,  said  Joe 
Brandt,  president  of  Columbia,  when 
passing  through  to  the  Coast. 

Some  of  the  stories  in  the  group, 
which  involves  24  pictures,  are  listed 
among  best  sellers  of  nast  few  years, 
including  Howard's  "Birds  of  Prey" 
and  Atherton's  "Stolen  Pleasures. 
Several  stage  plays  also  to  be  adapt- 
ed,  including   "Poor  Girls."  from  the 

(Continued  on  Pane  6) 


Hitch    Reported    Between    Fox    and 
Whitehurst  Interests  Over  Trans- 
fer of  Theaters  There 

Baltimore  —  Negotiations  for  the 
purchase  of  the  Century,  Parkway, 
New  and  Garden  by  Fox  have  been 
postponed  indefinitely,  according  to 
the  Sun.  The  paper  declares  au- 
thorities of  both  corporations  admit 
that  the  negotiations  might  be  can- 
celed at  any  time. 

They  said  that  discussions  between 
the  interested  parties  had  reached  an 
impasse  and  that  an  understanding 
appeared  impossible.  Last  week  the 
stockholders  of  the  Century  Theater 
Co.  of  Maryland  announced  they 
would  sell  the  Century  and  Parkway 
to  Fox.  Later  the  iFox  authorities 
stated  the  New  and  Garden  also  were 
included   in   the  deal. 

"There  is  little  likelihood  of  the 
negotiations  being  continued,"  one  of 

(Continued  on  Page  6) 

Virgink  Tax  Killed 

Richmond,  Va.— The  Senate  on 
Saturday  voted  against  the  Beaty 
bill  providing  a  state  tax  of  ten  per 
cent  on  theater  admissions  by  a  vote 
of  24  to  14.  The  measure  is  now 
dead. 

To  those  who  had  been  fighting 
the  bill,  the  vote  came  as  a  surprise. 
They  were  certain  of  victory  in  the 
House,  but  the  Senate  presented  a 
different  story.  Jake  Wells  has  been 
active  in  the  campaign  since  the  bill 
first   came   up. 


Robbins-Mark    Strand    Consolidation 

Fails    to     Materialize  —  Strand 

House  for  Syracuse 

Syracuse,  N.  Y.  —  It  is  reported 
here  that  plans  for  the  consolidation 
of  the  Robbins  Enterprises,  Inc.  with 
the  Mark  Strand  chain  have  fallen 
through.  The  Strand  circuit  will 
erect   a   costly  new   house   here. 

Walter  Hayes,  president  of  the 
Syracuse  Strand  Theater  Co..  and 
vice-president  of  the  Mark-Strand 
Corp.,  was  in  Syracuse  last  week  for 
consultation    with    architects. 

An  imcxpected  hitch  developed  in 
the  Roljbins  merger,  and  the  nego- 
tiations were  ended  as  futile,  meet- 
ing the  same  fate  that  befell  the 
earlier  deal  between  the  Robbins  in- 
terests and  Famous.  With  the  Rob- 
bins merger  off,  it  is  understood  that 
the  Strand  organization  is  preparing 
to  expand  in  Syracuse  on  its  own, 
and  the  plans  for  the  iicw  house  on 
the  Bastable  site  are  the  result. 

Prior  to  the  negotiations  for  the 
purchase  of  the  Robbins  interests 
in  this  city,  Utica  and  Watertown, 
the  Strand  executives  considered  the 
erection  of  a  second  house  here. 
The  Robbins  deal  caused  them  to  be 
(Continued  on  Page  6) 

More  New  Theaters 

Activity  in  the  construction  field 
continues.  Detail  on  new  theaters 
reported  over  the  week-end  will  be 
found  on  page  7. 


car   Mr. 
T    you. 


Le    n. — Nell    Gwyn    is 
Dontchulover  ? — Advt. 


"Blue"  Law  Test 

Memphis  Exhibitor  to  Defy  Tennes- 
see Statute  By  Opening  Theater 

on  Sunday 
Memphis— A  .R.  Richards,  pioneer 
exhibitor,  who  operates  the  Princess. 
Beauty  and  Empire,  has  attracted 
considerable  attention  by  his  an- 
nouncement that  he  intends  to  defy 
the  Tennessee  law  closing  theaters 
on  Sunday.  Richards  bases  his  ac- 
tion on  the  recent  ruling  of  a  circuit 
court  judge  in  Florida  which  techni- 
cally ends  Sunday  at  6  P.  M.  and 
(Continued  on  Page  6) 


New  Move  in  England 

The  British  Government  is  inves- 
tigating charges  that  American  pro- 
ducers are  evading  taxes  in  England, 
according  to  International  News  Ser- 
vice. Under  the  terms  of  the  Brit- 
ish tax  laws,  American  producers  may 
be  taxed  upon  the  profits  their  films 
make  in  England,  or  if  films  are  pro- 
duced in  England  they  may  be  taxed 
upon  total  profits. 


Gothem   1926-27    Schedule   Set 

"The  Woman  Who  Did  Not  Care," 
"The  Golden  Web,"  "Quarantined 
Rivals,"  "Money  to  Burn,"  "King  of 
the  Pack,"  "The  Silent  Avenger," 
"Sinews  of  Steel,"  "Heroes  of  the 
Night,"  "Mountains  of  Manhattan," 
"The  Silent  Power,"  "The  Block  Sig- 
nal," "The  Final  Extra"  are  an- 
nounced by  Gotham  as  its  1926-27 
product. 


Hungarian  Restrictions  Retroactive 

"Kontingent"  restrictions  against 
foreign  pictures  planned  bv  the  Hun- 
garian Government  are  designed  to 
he  retroactive  as  of  July  1,  1925. 
American  distributors  who  are  seri- 
onslv  considering  withdrawing  from 
that  market  have  certain  contracts 
which  must  be  fulfilled  before  such 
a  step  can  be  taken. 


Epidemic  Closes  Sennett  Plant 
Hollvvvood— The      Sennett      studio 
has   closed   down    for   two   weeks   be- 
cause of  vaccinations  made  necessary 
by  a  smallpox  epidemic. 


Independent  Buys  Gotham  Output 

Gotham  Prod,  has  closed  with 
Montague  and  Conville,  of  Indepen- 
dent Films,  of  Boston,  whereby  the 
latter  will  handle  1926-27  product  in 
New    England. 


Baggott  to  Make  "Lovey  Mary" 

Hollywood  —  King  llaggott  has 
been  engaged  by  Metr^-Goldwyn- 
Maver  to  direct  "Lovey  Mary."  Bes- 
sie Love  has  the  title  role. 


Luber  Sails 

Harrv  I.  Luber.  president  of  Chro- 
mos  Trading  Co..  left  on  the  Beren- 
garia  Saturday  for  Europe  to  investi- 
gate foreign  producing  conditions. 


t 


THE 


DAILV 


Monday,  March  8,  1 


i 


MXXXVNo.SS     Minday.Mar.B.  1926      PriceSCents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  POLKS,  INC 
Joseph  Dannenberg,  President  and  Editor 
J.  W.  Alicoate,  Treasurer  and  Business  Man 
ager ;  Maurice  D.  Kann,  Managing  Editor 
Donald  M.  Mersereau,  Advertising  Manager 
Ralph  Wilk,  Traveling  Representative.  En 
tered  as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 


London,    W.    I.,    Pans — L 
Francaise,   S,  Rue  Saulnier 

1    Cine 

matogi 

'aphie 

Quotations 

(These  quotations  are  as  of   Saturday) 

High 

1.0W    C 

;iose 

Sales 

•Balahan   &   Katz    .... 

67 

Eastman     Kodak     ..108^ 

108 

108 

700 

Famous    Players    .  .    116-5^ 

115^ 

116 

4,500 

♦Fam.     Play.     Pfd,       .. 

109  }4 

•Film    Inspection     .  .    .  . 

5 

.... 

*pirst     National      .  .    .  . 

105  54 

.... 

L                              Fox    Film    "A"     ...   67 

64/. 

66J4 

800 

Fox    Theaters    "A"      25  H 

22 

25 

1,000 

*Intern'l     Projector 

12 

Loew's,    Inc 37J/i 

36^ 

37 

500 

♦Metro-Gold.     Pfd. 

223^ 

M.  P.  Cap.   Corp.    ..   23 

2154 

23 

700 

;                              Pathe  Exch.   "A"    ..   65;^ 

63J^ 

64/8 

400 

*Skouras     Brothers 

44 

.... 

tStan.    Co.    of   Am. 

4554 

Trans-Lux     10^ 

lOH 

10/ 

500 

♦Universal    Pictures     . .  . 

,  . 

32% 

*Univ.    Pict.    Pfd 

92 

♦Warner     Brothers 

14 

♦Warner     Pictures 

11 

*  Last    prices    quoted. 

t   Phila.    Exchange. 

War  on  "Lifting"  Poster  Ideas 

London — A  vigorous  campaign  is 
under  way  against  the  "lifting"  of 
poster  designs.  StoU  Pictures  have 
complained  to  the  British  M.  P.  Ad- 
vertisers because  designs  of  posters 
on  Gotham  pictures  are  being  dupli- 
cated  exactly   by   other  renters. 

Attacks   Derogatory   Article 

Frederick  H.  Elliott  of  the  Inde- 
pendent M.  P.  Ass'n.  mailed  an  open 
letter  to  all  exchangemen  on  Satur- 
day in  which  he  attacked  a  deroga- 
tory article  which  had  appeared  in 
"Reeland  Reviews"  in  a  New  York 
regional.     He  said,  in  part: 

"In  this  article  a  New  York  exchange- 
man  is  quoted  as  saying  that  a  few  years 
ago  he  had  paid  as  high  as  $45,000  for  a 
picture  in  the  New  York  territory  and  made 
money  with  it.  During  the  past  season  he 
secured  pictures  at  a  very  small  advance 
and  doubted  if  any  exchange  in  the  terri. 
tory  could  make  any  money  on  such  pic- 
tures. 

"The  exchanges  cannot  buy  good  pictures 
at  poor  picture  prices,  as  production  costs 
have  increased  tremendously  during  the  past 
few  years.  Actors  are  getting  more  money 
than  ever  before,  and  to  maintain  a  standard 
of  quality  production  the  producer  must  ac- 
cordingly increase  negative  costs.  Further- 
more, it  requires  a  capable  and  efficient  or- 
ganization to  make  good  quality  product 
which    alone    will     secure    theater    bookings." 


Still  Disagree  Over  Home  Production 

London- — Thie  C.  E.  A.  General 
Council  has  announced  that  there  still 
exists  a  trade  disagreement  in  regard 
to  the  home  production  problem.  The 
Council  has  called  a  new  conference 
with   renters   and   producers. 


B.  &  K.  Plans  Theater  at  Paris,  111. 

Paris,  111. — Balaban  &  Katz  plan  to 
erect  a  $100,000  theater  in  this  city. 
The  corporation  has  negotiated  with 
Mrs.  D.  I.  Lillard  of  Chicago  for 
the  ground  on  which  stood  the  Ma- 
jestic,   recently    burned. 

Warners    Open    Berlin    Office 

Berlin — Warner  Bros,  have  opened 
offices  at  14  Freiderichstrasse.  Gus 
Schlesinger  is  in  charge. 


Coast   Courts   Busy 

Los  Angeles — A  number  of  court 
actions  involving  film  folk  are  pend- 
ing in   local  courts. 

Lumiere  Studios,  of  New  York, 
have  fifed  suit  against  M.-G.-M.  for 
alleged  use  of  copyright  photos  of 
stars. 

Eleanor  Boardman  is  made  defen- 
dant in  a  suit  for  commissions,  filed 
by  Murray  Phillips,  of  New  York, 
casting  agent. 


Exhibitors    Holding   Corp.   Chartered 

Albany,  N.  Y.  —  Incorporation 
papers  have  been  granted  the  Exhibi- 
tors Holding  Corp.,  of  Buffalo.  The 
company  will  operate  theaters  in 
upper  New  York  State,  according  to 
the  papers.  D.  Michaels,  F.  White 
and  H.  Schonfeld  are  named  as  in- 
corporators. Aaron  &  Dautch,  Buf- 
falo, acted  as  attorneys. 


Here's  Cooperation 

Louisville — The  Paramount, 
First  National,  Educational  and 
Big  Feature  exchanges  have 
conceived  a  novel  idea  in  trade 
showings.  One  day  each  week 
is  set  aside  for  each  exchange  to 
conduct  its  trade  showings  in 
order  to  avoid  conflict. 


Two  New  Loew  Houses  Open  Soon 

The  Loew  circuit  will  open  two 
more  theaters  in  the  next  month,  one 
in   New  Orleans  and  one  in  Norfolk. 

The  New  Orleans  house  will  open 
April  4th.  In  Norfolk  the  new  Loew's 
is  scheduled  to  open  April  15th,  with 
road  shows  playing  full-week  stands. 
Capacity  of  the  two  new  houses  is 
3,200  each. 


Kunsky  Interested  in  New  House 

Birmingham,  Mich. — Construction 
of  a  $300,000  theater  on  South  Wood- 
ward Ave.  will  begin  soon.  The 
building  will  be  ready  by  next  Sep- 
tember. The  Griggs  Investment  Co. 
of  Detroit  will  invest  $200,000,  while 
John  H.  Kunsky  will  invest  $100,- 
000. 


Fined   for   Failure   to   Heat    Building 

Norwich  Conn. — Dr.  N.  B.  Lewis, 
owner  of  the  Strand  theater  building, 
was  fined  $25  and  costs  by  Judge 
Libby,  for  faihire  "to  furnish  heat  at 
a  temperature  equal  to  68  degrees." 
A.  Davidson,  owner  of  the  theater, 
brought   the   complaint. 


Covent   Garden,   Chicago   Sold 

Chicago — The  L.  &  T.  Amusement 
Co.  has  sold  the  Covent  Garden  the- 
ater building  to  Ethel  V.  Tapscott. 
Consideration  not  disclosed.  Theater 
seats  2,250.  Building  is  nine  stories 
high,  and  contains  a  66  room  hotel. 


Costello  in    Ornato    Prod. 

Ornato  Prod.  has  completed 
"Lights  of  New  York,"  starring  Mau- 
rice Costello.  The  company  is  mak- 
ing a  series  of  11  two-reel  comedies 
for  Tennek  Film.  The  second  will 
be  started  this  week,  probably  at  the 
Ideal  studio.  Sid  Smith  and  Charles 
Dorety  will  be  featured  with  Joseph 
Ornato   directing. 


German  Hunting  Film  Shown 

A  trade  showing  was  given  at 
Lloyd's  projection  room  Friday  of 
a  film  entitled  "The  Hunter's  Year," 
showing  a  variety  of  hunting  scenes 
taken  in  the  Bavarian  Alps.  The  pic- 
ture has  been  brought  over  by  George 
Semler,  of  George  Borgfeldt  &  Co., 
Ill  East  16th  St.  The  film  has  no 
story  interest,  being  a  recounting  of 
the  hunting  exploits  of  members  of 
an  association  of  hunters  on  the  great 
game  preserves  in  Bavaria.  The 
methods  in  hunting  all  kinds  of  birds 
and  animals  are  shown  in  detail.  The 
film   runs   about   seven   reels. 


Newman  Becomes  Clarke's  Assistant 
Hollywood — E.  de  B.  Newman,  for- 
mer general  manager  of  Mary  Pick- 
ford's  company,  has  been  appointed 
assistant  to  Victor  Clarke,  manager 
of  studio  operations  for  M.-G.-M. 


In  the  Courts 

An  order  has  been  signed  in  the 
Supreme  Court  advancing  for  trial 
on  March  22,  a  suit  by  Solon  Man- 
dell  as  administrator  of  the  estate  of 
Edwin  L.  Kalish  against  Samuel 
Goldwyn  for  $10,000,  for  legal  ser- 
vices rendered  in  1919  and  1920  which 
sum  the  plaintiff  alleges  is  a  reason- 
able value  of  the  services.  An  an- 
swer has  been  filed  by  Nathan 
Burkan  in  behalf  of  the  defendant 
denying   the   allegations. 


Doug  and  Mary  Here 

Douglas  Fairbanks  and  Mary 
ford    arrived    from    the    Coast    5 
day  and  registered  at  the  Ritz. 
will    attend    the    premiere      of 
Black  Pirate"  at  the  Selwyn  to 


Orpheum  Leases  State-Lake,  Ch 

Chicago — The  State-Lake  Bui  r 
containing     the     State-Lake     th 
has   been   sold  by  the   Orpheum 
cuit,   Inc.,    to  a   syndicate   for  ai 
disclosed     consideration.       The 
pheum    circuit    has    taken    a    21 
lease  on  the  theater  portion. 


Hartford    to    Work   on    Coat 

Los  Angeles — David  Hartford) 
produce  at  the  Fine  Arts  S! 
where  he  plans  to  make  a  serii,, 
12  features.  Gavin  Young  is  hijjj 
sisant  and  Walter  Griffin,  \i. 
cameraman. 


This  is  a  'Cornerblock'  cut  furni  i 
FREE  for  all  Pathecomedies  at  i 
exchange. 


Negative  Developing 
and  Printing         I 

Complete  Title  Service 
SALAND  FILM  LABORATORIES,  ln<  I 

Phone  Bryant  7577    729-7th  Ave,  N.  1 


A  default  judgment  for  $1,279  has 
been  filed  in  the  City  Court  by  S.  M. 
Badler,  Inc.  against  the  National- 
Evans  Laboratory  for  the  installa- 
tion   for    carpentry    and    metal    work. 


♦  ♦  •  ♦  ♦  •  ♦'♦  •  >  ♦>  •  ♦ 


Suit  has  been  filed  in  the  Supreme 
Court  by  the  National-E^-ans  Labora- 
tory against  the  Semler  Cinema  Ser- 
vice Co.  for  $2,295  for  labor  and 
services   in   1925. 


Nathan  Blank  has  filed  a  judgment 
in  the  City  Court  against  Samuel 
Crystal  for  $2,254  on  a  note  of  the 
Crystal  Co.,  Inc.  to  the  City  Theater 
Investment    Co. 


Ward  Cine  Laboratory Jn( 

216-222   Weehawken    St.     \ 
Union  City,  N.  J.  ; 


is 

^;    Telephone  Union  4800 


8 


G.  BERT  WARD,   Pre' 


•>*•**«•«.•«>>«  * 


EASTERN 

STUDIO   FOR  RENT 

EXCEPTIONAL   FACILITIES 

VERY  LARGE  STOCK  OF 
PROPS  AND  FURNITURE 

Telephone    Dewey    8600 


OFFICES  FOR  RENT 

2  Private  Offices 

with  or  without  vault  space 

Godfrey    Building 

729  7th  Ave.,  N.  Y.  C. 

Box  No.  K-135 

Film  Daily 


^Madeti^ 


Faithfully  fort  r^  Full  Nc^ativeWu 


MMi 


*  ™3g^ 


*^iday,  March  8,  1926 ^^^^^  DAILV 


fre 

'lary 


ntoi 

'X\ 
E«il 
til 

m 
'■i\ 
\ 
21 

'oai 

ord 

Si 

trie 


GRATITUDE 


I 


\ 


HOW  CAN  I  EVER  THANK  YOU  ALL  FOR  YOUR  WONDERFUL  EXPRESSION 
of  kindness  and  friendship  in  connection  with  the  twentieth  anniversary  of  my  start  in 
the  moving  picture  business  ? 

I  DON'T  WANT  TO  BE  MUSHY  ABOUT  IT  AND  YET  I  WANT  YOU  TO  KNOW 
that  you  touched  the  very  depths  of  my  heart  with  your  letters,  your  telegrams  and 
other  methods  of  congratulating  me. 

NEVER  DID  I  HAVE  SUCH  A  HAPPY  HOME-COMING  AS  WHEN  I  RETURNED 
from  my  recent  trip  abroad  to  find  stacks  of  telegrams,  letters,  notes  and  flowers — all 
breathing  good  will  and  sentiment. 

I  COULD  NOT  HELP  CONTRASTING  THIS  WITH  MY  FIRST  TRIP  TO  THIS 
country  as  a  boy,  but  I  won't  go  into  that ! 

WHILE  I  POSITIVELY  REFUSE  TO  CONSIDER  MYSELF  MORE  THAN  A  MAN 
of  middle  age,  still  I  am  old  enough  to  appreciate  the  fact  that  I  am  gloriously  blessed 
with  your  friendship,  and  that  real  friendship  is  more  lasting  and  more  profitable  to  the 
heart  and  to  the  soul  than  anything  else  on  earth. 

AS  A  MAN  GROWS  OLDER  HE  GENERALLY  FINDS  HIS  LIST  OF  FRIENDSHIPS 
diminishing,  either  through  death  or  loss  of  contact.  Nothing  is  much  more  pitiful  than 
this.  Imagine,  then,  what  it  means  to  me  to  find  words  of  congratulation  and  even 
affection  coming  from  every  part  of  the  world.  Picture,  if  you  can,  what  it  means  to 
find  my  list  of  friendship  growing  instead  of  decreasing ! 

SO,  I  THANK  YOU  AGAIN  AND  AGAIN  WITH  ALL  THE  SINCERITY  IN  THE 
world.  I  wish  I  could  make  you  feel  even  a  fraction  of  the  happiness  you  have  given  me. 

IN  THE  PRESENCE  OF  THIS  OVERWHELMING  EVIDENCE  OF  YOUR  SENTI- 
ment,  I  am  humbled,  sobered  and— eternally  grateful. 


i.^^. 


{ 


^■ 


m 


^  ^   ^    r^ 
^  ^   V  V  ^ 

\    O-^ 


M 


i>?.fi 


'iS*' 


ins 


THE 


s^ES 


DABLY 


Monday,  March  8, 


New  Camera 

Eastman  Kodak  Co.  Perfects  Mach- 
ine for  Amateur  Use — Uses  Film 
One  Half  Standard  Width 

Rochester,  N.  Y. — Eastman  Kodak 
has  perfected  a  camera  for  amateur 
use,  called  the  Cine  Kodak. 

Until  recently  amateur  photo- 
graphers interested  in  the  making  oi 
motion  pictures  have  been  limited  to 
apparatus  using  standard  width  film. 
This  equipment  was  cumbersome  and 
the  film  upkeep  expensive.  The  Cine 
Kodak  overcomes  both  difhcuiti.es. 
It  weighs  only  seven  pounds,  is  day- 
light loading,  spring  driven,  operated 
from  the  hand  as  easily  as  a  Kodak 
and  the  use  of  film  16  m/m  wide — 
or  less  than  one  half  standard  width — 
effects  a  great  reduction  in  film  cost. 
Five  pictures  on  the  small  film  occupy 
the  same  length  as  two  on  the  stand- 
ard width,  so.  that  100  ft.  of  Cine 
Kodak  film  are  equal  to  250  ft.  of 
standard  and  400  ft.  equal  to  the 
standard  1000  ft.  reel,  giving  a  period 
of  approximately  15  minutes  of  pro- 
jection on  the  screen. 

The  film  is  a  special  type  of  sensitized 
emulsion  coated  on  safety  or  acetate  base. 
With  this  film  the  negative  may  be  developed 
in  the  regular  way  and  then  by  a  new  proc- 
ess reversed  to  give  a'  direct  positive  picture 
ready  for  projection.  Eastman  processes  or 
finishes  the  exposed  film  without  cost  to  the 
user.  Laboratories  for  this  special  purpose 
have  been  established  at  various  points.  After 
being  exposed  the  film  is  replaced  in  its 
original  container  and  special  mailing  carton 
and  forwarded  to  the  nearest  laboratory  where 
it   is   finished   and   returned   to   the   sender. 

The  Kodascope,  which  projects  the  picture, 
is  equally  as  simple  in  operation  as  the  Cine 
Kodak.  It  is  motor  driven,  entirely  auto- 
matic, and  once  a  film  is  threaded  the  mach- 
ine requires  no  further  attention  until  the  reel 
is  exhausted. 

A  lens  of  2"  focal  length  is  used,  the  pic- 
ture filling  a  30x40  inch  screen  at  a  distance 
of   18   ft.   and  a  40x54   inch  screen  at  21ft. 


Many  New  Charters 

(Continued    from    Page    1) 

panies  received  incorporation  papers 
to  operate  theaters.  February  had 
66    theater    units. 

New  York,  as  usual,  leads  in  the 
number  of  companies  chartered  dur- 
ing both  months.  In  January,  47 
companies  were  formed  in  New  York, 
while  in  February,  there  were  52.  A 
comparison  of  incorporations  charter- 
ed in  January  and  February,  by 
states,    follow: 

iState  January  February 

California    11  4 

Colorado    1 

Connecticut    3  4 

Delaware    9  12 

Florida     2  1 

Illinois     14  10 

Iowa     1 

Louisiana     1 

Massachusetts    3  2 

Michigan     1  2 

Missouri      2 

New   Jersey    8  7 

New    York    47  52 

Ohio     1  8 

Oregon     1  1 

Texas 1  1 

Utah     1 

Washington     ] 

West  Virginia    I  2 

Wisconsin    1  2 

Wyoming     1 

Canada     1 

England     18  8 

Totals:     123  121 

W.  H.  Martin  Moves 
West    Palm    Beach,    Fla.— The    W. 
H.     Martin     Photoplays     Corp.     has 
moved  to  new  quarters  at  213  South 
Rosemary    St. 


Baltimore  Deal  Off? 

(Continued    from    Page    1) 

the  interested  attorneys  explained, 
"and  it  can  be  said  that  the  deal  is 
off    indefinitely." 

The  Sun  then  states  that  at  the 
New  York  offices  of  Fox  it  was  said 
that  negotiations  are  still  pending, 
with  no  definite  date  named  for  re- 
sumption of  discussions.  Differences 
have  arisen  on  the  purchase  price,  it 
is  asserted,  although  other  factors 
are  reported  to  have  had  a  part  in 
creating   the   present    situation. 

The  Stanley  Co.  of  America  is 
expected  to  take  over  the  Academy 
of  Music  from  the  Shubert  theatrical 
interests  this  week.  Stanley  is  ne- 
gotiating for  the  purchase  pf  the 
Boulevard  and  other  picture  theaters 
in   this   city. 


Saul  Rogers,  general  counsel  for 
Fox,  declined  to  make  any  statement 
on  Saturday.  It  had  previously  been 
reported  that  Fox  was  to  take  pos- 
session of  the  Baltimore  chain  on 
March    1. 


24  from  Columbia 

(Continued  from  Page  1) 
Story  by  Guy  de  Maupassant,  "Adele" 
and  "The  Girl  Who  Smiles."  Irving 
Berlin's  song,  "Remember,"  will  be 
picturized,  as  will  Maud  Nugent's 
melody,   "Sweet  Rosie   O'Grady." 

Henri  Ellman,  president,  Capitol 
Film  Exchange,  has  purchased  the 
entire  block  of  24.  Cooney  Bros., 
owners  of  Capitol,  have  made  ar- 
rangements to  use  most  of  these  pic- 
tures at  the  Capitol  and  in  their  new 
Paradise  and  Avalon  theaters,  now 
under  construction. 


Merger  Falls  Through 

(Continued    from    Page    1) 

shelved,  the  Strand  people  planning 
to  remodel  and  enlarge  the  Eckel. 
The  new  Strand  will  be  constructed 
along  the  lines  of  the  large  houses 
in  New  York  City.  It  will  have  a 
stage  of  sufficient  size  to  permit  the 
staging  of  elaborate  prologues  and 
presentations. 


Efforts  to  reach  Moe  Mark  or 
Walter  Hayes  on  Saturday  for  a 
statement   failed. 


Title   of   Levee    Picture   Changed 

Hollywood — M.  C.  Levee's  next  for 
First  National,  originally  titled  "Mo- 
lasses," will  be  released  in  May  as 
"Sweet  Daddies."  George  Sidney  and 
Charlie  Murray  are  featured  with 
Vera    Gordon. 


Spence    En    Route    West 

Ralph  Spence  is  on  his  way  to  the 
Coast  from  Florida  to  title  "For 
Heaven's   Sake." 


Stewart  White  Yarns  for  Thomson 

Hollywood — Stewart  Edward  White 
has  sold  "Arizona  Nights,"  "The 
i^wo-Gun  Man"  and  "The  Desert  Le- 
gio^i,"   to   Fred   Thomson.  J 

F.  B.-O.  Annonaces  Two 

Two  of  F.  B.  O.'s  productions  for 
the  coming  season  are  "Bigger  Than 
Barnum's,"  a  circus  story  by  Arthur 
Guy  Empey,  and  "The  Roaring 
Crowd,"  a  fight  story  by  John 
Brownell.     New  York  locale. 


EUbee  Lineup  for  1926-27 
Louis  Baum,  president  of  Ellbee 
Pictures,  announces  the  1926-27  line- 
up. The  titles  are  "Race  Wild," 
"Roaring  Fires,"  "Pursued,"  "The 
Lightning  Reporter."  "The  Warning 
Signal,"  "Duty's  Reward,"  "The  Pay 
Off,"  "Hazardous  Valleys,"  "Riding 
to  Fame,"  "Frenzied  Flames,"  "For- 
est Havoc,"  "Defend  Yourself," 
"Burning  Gold,"  "Thundering  Speed," 
"Fire  and  Steel,"  and  "Accused." 
Baum  will  leave  shortly  on  a  sales 
trip. 


"Blue"  Law  Test 

(Continued    from    Page    1) 

allows    the    Florida   theaters    to    open 
at  that  hour. 

Ralph  Lavis,  a  prominent  attorney, 
has  been  retained  as  counsel  by 
Richards  to  make  a  test  case  of  the 
validity  of  the  law.  The  Princess 
is  the  only  house  which  will  be  used 
in  the  test  case  and  it  will  be  opened 
at  6:30  P.  M.  Sundays. 

This  move  jeopardizes  Richards' 
future  here  inasmuch  as  to  fail  to 
defeat  the  act  will  mean  the  revoca- 
tion of  his  license  forcing  him  to 
either  sell  or  close  his  theaters.  He 
states,  however,  that  he  cannot  con- 
tinue to  operate  his  theaters  profit- 
ably unless  he  can  run  on  Sunday 
and  intends  to  take  his  case  to  the 
highest  tribunal  in  the  country  to 
win  his  point. 


Dallas  Exhibitors  Form  Club 

Dallas — ^To  function  as  a  trade 
luncheon  club,  managers  of  Dallas 
theaters  have  formed  a  permanent  or- 
ganization. 

Si  Charninsky,  of  the  Capitol  and 
Pantages;  Bickert,  of  the  Old  Mill, 
and  John  Friedl,  of  the  Palace,  were 
the  prime  movers.  S.  G.  Howell.  Co- 
lonial and  Parkway — was  named  per- 
manent chairman.  Other  officers  are: 
Bickert,  vice  chairman,  and  Harry 
Burke,  manager  Palace,  secretary- 
treasurer. 


John  D.  Wheelan  of  Dallas  Dead 

Dallas — John  D.  Wheelan,  pioneer 
film  man  of  the  Southwest  and  head 
of  the  J.  D.  Wheelan  Pipe  Organ  Co., 
is  dead. 


"Girls  or  Illusions"  at   Colony 

Renown  Pictures,  Inc.,  have  book- 
ed the  Burkhard  Plastic  Film,  "Girls 
or  Illusions,"  into  the  Colony  for  two 
weeks    commencing   yesterday. 


On  Broadway 

Astor — "The    Big   Parade" 
Apollo— "Stella    Dallas" 
Broadway — "Three    Faces    East" 
Cameo — "Ernst    Lubitsch    Week" 
Capitol— "The  Merry  Widow" 
Cohan — "Ben   Hur" 
Colony — "The   Cohens  and   Kellys" 
Criterion — "Mare    Nostrum" 
Embassy — "La    Boheme" 
I>oew's      Nevy      York— Today — "Behind 
Front" 

Tuesday — ^"The   Road  to   Glory"   and 
Midnight    Limited" 

Wednesday — '"The   Road   to   Yesterda; 

Thursday— "The    Johnstown    Flood" 

Friday— "Stella    Maris"    and    "The 
Champion" 

Saturday — "Let's    Get   Married" 

Sunda> — "Fifth   Avenue" 
Loews    State — "Dancing   Mothers" 
Mark   Strand — -"Irene" 
Rialto— "The   First   Yeas" 
Rivoli — "Miss    Brewster's   Millions" 
Selwyn — "The   Black   Pirate" 
Warners — "The   Sea   Beast" 
Brooklyn      Mark      Strand— "Oh  1        Whj 
Nurse !" 

Next  Week 

Astor — "The    Big    Parade" 

Apollo — "Stella    Dallas" 

Broadway — Not    yet   determined. 

Cameo — -"Ernst   Lubitsch   Week" 

Capitol — Not   yet   determined. 

Cohan — "Ben  Hur" 

Colony — -Not   yet  determined. 

Criterion — "Mare    Nostrum" 

Embassy — "La    Boheme" 

Mark   Strand — "The   Dancer  of  Paris" 

Rialto — "My    Own    Pal" 

Rivoli — "The   Untamed   Lady" 

Selwyn — "The    Black    Pirate" 

Warners — "The   Sea  Beast" 

Brooklyn  Mark  Strand — "Let's  Get  Marrjl 


i 


the  Worlds  Fair  d 

mmmi    ^9io  wiU  look  sm 


TRAMP 

TRAMP 

TRAMP 


touis. 

fo  KANSAS  CITY  i 


I  Coming 


■  MARCH  21st 


ly 


THE 


day,  March  8,  1926 


■c^^ 


DAILV 


New  Theaters 

w  London,  Conn. — Work  on  the  Garde 
leen  held  up  by  the  building  inspector 
le  findings  of  a  wall  to  be  four  inches 
hin.  Construction  will  start  as  soon  as 
can  be  altered. 


Iiil 


Pherson,     Kans. — The    Jackson    Amuse- 
Co.     has    completed    plans     for    a    new 
e  to  be  built  here  in  the  fall. 

ildwood,  Fla. — Plans  for  a  new  theater 
been   announced    by    Meyer    E.    Toddy. 

house  is  to  seat  1,000  and  will  be  erected 
cost  of  $60,000. 


Petersburg,  Fla. — J.  P.  Thomas  has 
e  plans  for  a  new  theater  to  seat  1,600  in 
mit    Park,    local    suburb. 


ethlehem,    Pa. — The   new    Globe    has   been 
led   by   Aaron    Potruch.      The   house   cost 
000. 


Coast  Brevities 

In  "Money  Talks" 
Dot  Farly  has  an  important  role  in 
"Money  Talks,"  which  Archie  Mayo 
is  directing  for   M.-G.-M. 


"Runaway   Express"    Finished 

Edward  Sedgwick  has  finished  "The 
Runaway  Express,"  for  Uni'versal. 
lack  Daugherty  and  Blanche  Mehaf- 
fey   play  the  leads. 


Forbes   in    "Beau    Geste" 

Ralph  Forbes  has  been  added  to  the 
cast   of    "Beau    Geste,"   for    Famous 


•etroit — Waldo     Bros,     have     started     con- 
ction   of  a   new  East   Side   theater. 


I 'all  River,  Mass. — The  Capitol,  seating 
DO,  has  opened  under  management  ot 
than    Yarmins. 


)allas — The  Ritz  has  opened. 


Jillette.  Wis. — J.  T.  Morgan,  owner  and 
nager  of  the  Rex,  has  made  application  for 
building  permit.  It  is  Morgan's  plan  to 
ct  a  new   theater  on  the   site  of  the   Rex. 


Laemmle  Cutting  Feature 

Edward  Laemmle  has  completed 
"The  Whole  Town's  Talking"  at 
Universal,  and  is  now  cutting. 


Young  Fairbanks  in  "Padlocked" 

Douglas  Fairbanks,  Jr.,  has  signed 
for  a  role  in  "Padlocked,"  for  Fam- 
ous. 


Julian    Cutting    F:!m 

Ruperi  Julian,  who  ha.?  ijcimpleted 
directoi'al  work  on  "Silence"  at  the 
De  Mille  studio,  is  now  ed'ting  the 
p-'ctrie. 


5pooner,  Wis.— March  10  is  the  date  for 
joing  of  the  new  Palace  by  Miner  & 
ouse.     The  house  will  seat  500. 


Midland,  S.  D. — Franzel  &  Nelson  have 
mpleted  plans  for  showing  pictures.  Mean- 
liie,  a  new  theater  is  being  planned. 


Knoxville,  la. — Byron  Watson  is  planning 
new  theater.  Work  on  the  house  starts 
aril    1. 



Marathon,  la. — G.  E.  Davis  has  leased  a 
aiding  to  house  a  theater. 


Omaha — Work  started  this  week  on  the 
tw  $100,000  house  being  built  by  George 
(oore. 


Oil  City,  Pa. — Plans  for  a  new  theater 
)r  Oil  City,  with  a  seating  capacity  of 
,200,  have  been  completed  by  a  Company 
eaded  by  J.  W.  Straub  and  F.  N.  Mc- 
miough. 


Carew  in  "Uncle  Tom's  Cabin" 

Arthur  Edmund  Carew  has  been 
signed  by  Uiniversal  to  play  a  fea- 
tured  role   in    "Uncle   Tom's    Cabin." 


Seiter  Back 

Bringing  with  him  the  rights  to 
two  stage  plays,  which  will  provide 
Reginald  Denny  with  vehicles,  Wil- 
liam A.  Seiter  has  returned  from  New 
Yo'k  to  start  a  new  series  for  Uni- 


Newspaper  Opinions 

The    American   Venus" — Paramount 
Chicago,  Chicago 

AMERICAN — *    ♦    *    Its    color    scenes    are 

the    finest    we've    ever    had    the    pleasure    of 

viewing,    proving    doubtless    that    color    work 

is    at    last    out    of    the    experimental    stages. 
»    »    » 

NEWS — *  •  *  The  tricks  of  the  magician, 
who  produces  an  amazing  array  of  gowns 
worn  by  picked  mannequins,  employs  the 
motion  picture  technique  at  what  it  can  do 
most  skilfully.   *   *   • 

TRIBUNE—*  *  *  The  story  isn't  a  world 
beater,  but  it's  an  interesting  little  yarn 
so  well  diiected  and  beautifully  boxed  that  it 
will    sell    anywhere.    *    *    * 

Park,  Cleveland 

NEWS — *  *  *  The  drama  is  essentially 
of  the  one-piece  bathing  suit  variety,  yet 
Ford  Sterling  provides  more  than  a  few 
merry   moments.    ♦   *   ♦ 

PLAIN  DEALER—*  *  *  One  is  invariably 
disappointed  in  the  ravin',  tearing'  beauties 
who  emerge  victorious  from  beauty  contests. 
Miss  Lanphier,  the  "Miss  America"  from  the 
last    boardwalk    enterprise,     is    no     exception. 


To  Roadshow  Foreign  "La  Boheme" 

According  to  Vladimir  Herz,  who 
controls  the  nine  re^l  foreign  ver- 
sion of  "La  Boheme,"  produced  by 
the  National  Film  Co.  of  Berlin,  ar- 
rangements are  being  made  for  road 
shows. 


WATCH  THIS  SPACE  FOR 

GREATER 


"The    Auction    Block"— M.-G.-M 
State,  Cleveland 

NEWS — '  *  *  One  can  scarcely  recog- 
nize any  of  Rex  Beach's  virility  in  the  nar- 
rative, yet  the  picture  is  as  good  as  its  title 
»    *    « 

PLAIN  DEALER—*  *  *  The  titles  are  un- 
usually smart,  the  action  is  swift,  and  the 
comedy    values    are    given    in    full.    •    •    * 

PRESS—*  *  *  "The  Auction  Block"  is  a 
comedy  of  nick-o-time  escapes  filled  with  the 
virtue  and  manly  bashfulness  of  Charles  Ray. 
»    »    # 

TIMES — *  *  *  As  a  comedy  it's  a  scream 
and  Charles  Ray,  who  has  returned  to  the 
screen  in  roles  that  his  employers  dictate,  is 
ideally    cast    for   his   role.    *    *    * 


Jetta  Goudal  in  "Her  Man" 

"Her  Man"  is  the  tentative  title  of 
Tetta  Goudal's  first  starring  picture 
for  De  Mille.  It  goes  into  produc- 
tion soon. 


Opens  New  House  in  Johnstown 

Johnstown,  Pa.— A.  Notopoulos. 
perating  three  houses  in  Altoona 
las  opened  his  New  Strand  theater 
m  Main  St.  It  seats  600  and  cost 
?200,000.  

New  House  in  Milwaukee 

Milwaukee— The  Studio  theater,  an 
east  sid2  neighboorhood  house,  has 
opened.  J.  B.  Cullen,  manager  of  the 
Jackson  theater  for  five  years,  "is 
manager. 

New  Theater  in  Needham 

Boston— The  Needham  theater,  a 
$250,000  enterprise,  sponsored  by 
David  Murdoch  of  Great  Plam  Ave., 
Needham,  was  opened  with  addresses 
by  Lieutenant  Governor  Allen,  Sena- 
tor Samuel  H.  Wragg  and  others. 

New  House  for  Hollywood  Theaters 
Los  Angeles— A  contract  has  been 
awarded  to  A.  V.  Perkinson  at  about 
$200,000  for  a  two-story  and  base- 
ment brick  theater,  store  and  othce 
building  on  Lankershim  Blvd.,  Lan- 
kershim,  for  Hollywood  Theaters, 
Inc. 


"U"    Renews   with    Montagne 

Universal  has  renewed  its  contract 
with  Edward  J.  Montagne  as  super- 
vising scenario  editor  for  the  coming 

The   Bowling   League 

'  Famous  leads  the  M.  P.  Bowline 
Leatriie  by  c'efe^tino^  Educational  721 
to  696  and  P.  D.  C.  748  tn  700,  st 
Dwyer's,  Thursdav  niprht.  P.  D  C 
won  from  Educational,  749  to  585. 
Next  week's  schedule  calls  for  pames 
between  Pathe,  Fox  ?nd  Universal. 
Standing   of   the    clubs^^_^    ^^^^    ^^ 

Famous    ^ 

Pathe    2 

M.-G.-M 2 

P.   D,   C 2 

First    N.Ttional     ' 

Universal     ' 


"Behind  the  Front" — Paramount 
McVickers,  Chicago 

AMERICAN— »  *  *  The  picture  that 
shows  the  "sunny  side  of  the  war,"  is  a 
scream.  It's  so  amusing,  indeed,  that  in  our 
opinion,   it   ranks   as   a   classic.    *    *    * 

POST — *  *  *  Is  remarkable  in  being  un- 
diluted comedy,  with  the  glory  and  the 
tragedy  completely  left  out.  But  the  humor 
is  so  all  pervading  that  you  don't  want 
anything  else.   •  *  * 


Fox 


n 


Educational     " 


innn 
innn 
..son 
..■ion 
son 
..■;nn 

.000 
.000 


Fourth   Added  to  Cleveland  Chain 

Cleveland  —  Paul  Gusdanovic.  who 
owns  the  Orphcum.  Norwood  and 
Corlett,  has  purchased  the  Retrent 
theater'  and  building  from  H.  Pola- 
cek. 


"Ben    Hur"— M.-G.-M. 
Wood's,  Chicago 

HERALD — *  *  *  This  picture  is,  without 
doubt,  the  biggest  and  the  most  beautiful 
thing  ever  screened — just  as  Mr.  Gest's  "Mir 
acle"  is  the  biggest  of  all  stage  produc- 
tions.  •   *    * 

NEWS — *  *  *  Of  all  the  so-called  sacred 
pictures  which  we  have  viewed  on  the  screen, 
this  one  has  a  truer  and  more  reverential 
tone   than   any    we   have   seen.    »    *    • 

POST — *  *  *  A  beautiful  and  stirring  pro- 
duction which  exceeded  even  the  highest  ex 
pectations  in  its  magnitude  and  dramatic 
force.   *   *   • 

TRIBUNE — *  *  *  Too  much  cannot  be 
said  for  all  of  the  acting.  It  is  just  about 
perfect,  Novarro  is  a  picturesque  and  roman 
tic  hero,  and  Francis  X.  Bushman  as  Mcs 
sala  has  at  last  found  his  place.   •  *  * 


"Bluebeard's    Seven   Wives"— First 

National 

Rivoli,   Baltimore 

SUN — *  *  *  It  is  such  pictures  as  "Blue 
beard's  Seven  Wives"  which  makes  movie  re 
viewing  a  joy.   •  *  • 


"The   Cave  Man" — Warners 
Orpheum    Chicago 

TRIBUNE— •  *  *  I'll  tell  you  how  good 
this  picture  is — I  was  sorry  when  it  was 
over !   •  *  i* 


Sonin  in  Seattle 
c^pattle — C.  J.  Son'n,  of  the  M.-G.- 
M.  sales  and  acressorv  department 
is  here,  nuttinp  into  effect  his  plan 
to  stimulate  activity  in  the  accessory 
department. 


"The    Cowboy    and    the    Countess"— 

Fox 

Monroe,  Chicago 

AMERICAN—*  "  *  (Buck)  Jones  has 
never  ben  quite  as  likeable  as  in  this  ve- 
hicle, in  our  opinion,  nor  has  he  had  as  much 
fast    action    to   mix    into.    *    *    *        ,..,,, 

POST *    *    *    This    one    has    a    little    dash 

of  novelty,  without  sacrificing  the  usual 
western  thrills,  and  therefore,  it  passes  as 
satisfactory.    •    *   * 


PRODUCTIOMT 

1926  -  27 

"THE  GOLDEN  WEB" 

by  E.  Phillips  Oppenheim 

*  *      * 

'TETER  THE  GREAT" 

in 

"KING  OF  THE  PACK" 

*  *      * 

"SINEWS    OF    STEEL" 

/>y  Ed.  J.  Meagher 

♦♦QUARANTINED 
RIVALS" 

by  George  Randolph  Chester 

t      *      * 

"HEROES  of  the  NIGHT" 

i?y  Frank  O'Connor 

*  *      * 

♦THE  WOMAN  WHO 
DIDN'T  GARE" 

6y  Rida  Johnson  Toung 

PETER  THE  GREAT" 

in 

'TheSILENT  A  VENGER" 

♦'MOUNTA'^'2-of  MANHAHAN" 

6y  Edward  J.  Meagher 

♦♦MONEY  TO  BURN" 

hy  Reginald  Wright  Kaufman 

♦♦THE  BLOCK  SIGNAL" 

by  T.  Oakley  Crawford 

♦'THE  FINAL  EXTRA" 

by  De/os  Sutherland 

*  ♦       ♦ 

Foreign  Rights  controUed  by 

Inter-Ocean  Film  Corporation 


(( 


H 


national 
PictureA 


BIG 


EDWIN  CA^tw 


rAe  brAdstreet 

^y  FILHDOM 


M^^'^H.^ 


Authority 


>L.  XXXV     No.  56 


Tuesday,  March  9,  1926 


Price  5  Cents 


To  Sell  at  Auction 

uity   Pictures  Corp.  to  be   Finally 
disposed  of  in  New  York  in  Next 
Two  Months 

A^ilmington,  Del. — Two  orders  af- 
ting  the  sale  of  the  assets  of  the 
uity  Picturfes  Corp.  of  New  York 
;e  been  signed  here  by  Chancellor 
Dlcott  sitting  in  Chancery  Court. 
)ne  of  the  orders  directs  the  receiv- 
of  the  corporation,  Christopher  L. 
ard,  Jr.,  of  this  city  and  Wilson 
e  Cannon  o^  New  York,  to  sell  at 
blic  auction  in  New  York  within 
0  months'  time,  the  corporation's 
hts  in  17  pictures  and  the  25  per 
It  stock  interest  it  owns  in  the  Dan- 
Carson  Goodman  Corp.  and  Good- 
n  Prod.,  Inc. 

The  second  order  directs  the  receiv- 
to  accept  the  offer  of  £1,000  made 
(Continued  on  Page  2) 


Bill  to  be  Shelved 

strict  of  Columbia's  "Blue"  Meas- 
ure Won't  Go  Through,  Wash- 
ington Believes 

Washington — Hearings  on  the  Sun- 
y  closing,  law  for  the  District  of 
)Iumbia  were  brought  to  an  end  at 
dnight  Saturday  with  indications 
It  the  subcommittee  having  the  bill 
charge  would  make  a  favorable  re- 
rt  to  the  full  committee  by  a  vote 
four  to  three.  It  is  freely  pre- 
;ted,    however,    that    the    full    com- 

(Contiitued  on    Page   5) 


Leaves  for  Coast  Friday 

Nicholas  M.  Schenck  officially  an- 
unced  yesterday  that  Mae  Murray 
d  signed  a  new  contract  with  M.- 
■M.  She  will  leave  for  the  Coast 
iday. 


Contest  Ends 

ineteen  Exhibitors  Get  Cash  Awards 

In  First  National  Exploitation 

Month   Contest 

Judges    have    selected    the    winners 

the  First  National  Month  Exploita- 

)n    Contest.      Checks    covering    the 

;ards    have    been   mailed   and   those 

the  honor  roll  will  receive  parch- 

ent  testimonials.  The  winners  were 

follows: 

Class   A— Theaters   Above   1,500   Seats 
First    prize    for     complete    campaign:     Joel 
vy,    Capitol,    Reading,    Pa.,    $250. 
Second  prize  for  complete  campaign  :  Leroy 

Johnson,    Liberty.    Seattle,    Wash.,    $150. 
(Continued  on  Page  4) 


Famous  Declares  Dividend 

Famous  yesterday  declared  a  regu- 
-  quarterly  dividend  of  $2  on  the 
eferred,  payable  on  May  1  to  stock- 
ilders  of  record  as  of  April   IS. 


Fox  in  Atlanta 

May    Build    There — Four    Fixst-Runs 

Now  in  Operation  Tied  up  with 

Other  Product 

Atlanta — Fox  will  build  in  Atlanta. 
It  is  understood  James  R.  Grainger's 
visit  here  last  week  was  partially  con- 
cerned with  looking  over  three  loca- 
tions. 

The  four  regular  first-runs  are 
sewed  up  with  other  product:  the 
Howard  and  the  Rialto  controlled  by 
Publix  are  where  Paramount  pictures 
get  the  first  break;  Loew's  Grand,  is 
the  show  window  for  M.-G.-M.,  and 
the  Metropolitan  is  a  First  National 
traiichise  house. 

Two   experts   from  the   real   estate 

(^Continued  on   Page   5) 


:aT    Geo.    W. — Nell    Gwyn    wants    to    meet 
;   Paramount    Boys   at   Atlantic. — Advt. 


49  from  Fox 

It  i*  "idprstoorl  Fox  nlans  to  spend 
in  excess  of  $10,000,000  on  its  1926- 
1927  program.  It  will  contain  49  fea- 
tures and  52  comedies,  besides  the 
novelties  and  news  reel. 


Removal  to  Coast 

United  Artists  to   House   Operations 

in  Hollywood  Building,  Joseph 

M.  Schenck  Says 

Hollywood — Before  leaving  for  the 
East,  Joseph  M.  Schenck  said: 

"Within  a  year,  the  releasing  and 
distributing  facilities  of  United  Art- 
ists, now  centered  in  the  East,  will  be 
moved  to  Los  Angeles. 

"I  am  convinced,  that  it  is  a  logical 
move  from  an  economic  standpoint. 
I  expect,  now,  that  the  entire  organi- 
zation will  be  permanently  located  in 
this  city  by  Oct.  1,  unless  Hiram 
(Continued  on  Page  5) 


■     "U"  Leases  New  Floor 

Universal  has  leased  the  eighth 
floor  of  the  Heckscher  Bldg.  When 
ready  for  occupancy  in  a  month  or 
so,  it  will  house  the  foreign  and  ac- 
counting departments  now  on  the 
7th  floor  and  the  Universal  Chain 
Theaters  Corp. 


News  Reel  Tangle 

Film    Showing    Death    Flight    Under 
Eiffel  Tower  Rouses  French  Gov- 
ernment to  Action 
International    Newsreel    who    own 
the    shots    of    the    fatal    flight    of    the 
French    aviator,    Lieut.    Leon    Callot, 
whose    aeroplane    crashed    as    he    at- 
tempted to  fly  under  the  lowest  arch 
of  the  Eiffel  Tower,  Paris,  is  endeav- 
oring to  obtain  the  reel  from  the  local 
French   Consulate. 
The  film  was  confiscated  aboard  the 
(Continued  on  Page  '4) 


Foreign  Film  at  Klaw  Sunday 

The  Film  Associates,  Inc.,  wijl  pre- 
sent the  American  premiere  of  "The 
New  Enchantment"  by  Marcel  L'Her- 
hier  at  the  Klaw  on  Sunday.  It  is  the 
first  of  a  series  of  foreign  pictures  the 
organization   will   offer. 


Bray's  1926-27  Schedule  Set 

Los  Angeles— J.  R.  Bray,  president 
of  Bray  Prod.,  has  lined  up  his  1926- 
27  schedule.  It  will  include,  besides 
the  regular  cartoon  comedies,  two 
series  of  two-reel  comedies,  12  sub- 
ijects  in  each  group. 


Negri  Going  to  Germany 

Pola  Negri  will  sail  from  New  York 
for  Berlin  the  end  of  April  to  start 
work  in  Berlin  on  June  1  on  what  will 
be  the  first  German-made  pictures  un- 
der the  Ufa  deal  with  Famous.  A 
German  director  will  make  the  picture. 

Lloyd's  Film  Ready 

Los  Angeles  —  "For  Heaven's 
Sake,"  Harold  Lloyd's  first  for  Para- 
mount, has  been  finished.  Lloyd 
leaves  for  the  East  in  a  few  days  on 
a   vacation. 


Denial  from  Iowa 

Des  Moines  Film  Board  Resents  In- 
ference   Illicit    Practices    Hold 
Sway    There 

Des  Moines — The  Film  Board  of 
Trade  has  sent  a  strong  denial  of 
charges  of  shady  business  operations 
on  the  part  of  exchanges  to  "Greater 
Anmsements"  of  Minneapolis.  It  was 
alleged  Iowa  was  a  hotbed  of  business 
politics.     The  letter  says,  in  part: 

"The   constituents  of   the   Des   Moines.  Film 
Board,    as    well   as    the   salesmen   representing 
the    various    exchanges    in    this    territory,    are 
(Continued  on  Page  4) 


In  11  States 

West  Coast  Expected  to  Expand  All 

Through  West  as  Result  of  New 

Ownership  Deal 

Los  Angeles — There  are  indications 
that  the  operations  of  West  Coast 
Theaters,  Inc.,  will  shortly  be  en- 
larged to  embrace  eleven  Western 
states. 

West  Coast,  through  the  medium  of 
the  Southern  California  and  Northern 
California  companies,  is  set  to  reach 
out  after  250  theaters  and  present 
plans  are  being  so  arranged.  How- 
ever, this  expansion  will  include  only 
the  State  of  California.  With  First 
National  franchise  holders  and  the 
Hayden,  Stone  Co.  in  control  of  the 
circuit,  it  is  anticipated  that  extension 
of  activity  into  other  states  will  fol- 
low. 


First  National  Studios  Chartered 

Sacramento,  Cal. — firsc  National 
Western  Studios,  Inc.,  of  Los  An- 
geles, has  been  chartered  with  a  capi- 
tal of  $1,000,000,  to  operate  studios 
at  Burbank.  John  E.  McCormick, 
Western  representative;  C.  P.  Butler, 
Harry  Wilson,  David  Thompson  and 
A.  J.  Hughes  are  incorporators. 

Publix  Theaters  Corp.  and  Inspi- 
ration Pictures,  Inc.,  have  received 
permission  from  the  Secretary  of 
State   to   do  business  in   California. 


Theater  for  Edgemere,  L.  I. 
The  Nosgel  Realty  Co.,  Max  Fogel- 
son,  president,  has  completed  plans 
for  a  2,000-seat  theater  to  be  erected 
at  32iid  and  33rd  Sts.,  Edgemere,  to 
cost  around  $400,000. 


Many  Shorts  from  F.  B.  O. 
F.  B.  O.  shorts  for  1926-1927  will 
embrace  12  "Bill  Grimin's  Progress," 
H.  C.  Witwer's  stories,  and  12  of  an- 
other series.  There  will  also  be  52 
one-reelers. 


New   Haven   House   Opening  Friday 

New  Haven,  Conn.  —  Arthur  S. 
Friend,  president  of  the  Roger  Sher- 
man Theater  Corp.,  will  open  the  new 
Roger  Sherman  Friday.  The  theater 
seats  2,500. 


Notables  Returning  on  Aquitania 
London — Ben  Blumenthal  of  Ex- 
port and  Import  Film  sails  for  New 
York  tomorrow  on  the  Aquitania. 
Others  on  the  boat  will  be  Eugene 
Zukor,  Emil  E.  Shauer  and  Joseph 
Seidelman  of  Famous  Players. 


R.  H.  GiUespie  Here 
R.  H.  Gillespie  arrives  in  New  York 
today   aboard    the    Majestic.      He    is 
managing  director  of  the  Moss  Em- 
pires, a  British  chain  of  64  houses. 


New  House  for  Beechurst,  L.  I. 

A  syndicate  has  bought  a  plot  on 
the  northeast  corner  of  14th  and  30th 
Sts.,  Beechurst,  L.  I.  It  will  build  a 
1,500  seat  theater. 


Film   Inspection   Increases   Capital 
Dover,   Del. — The  Film   Inspection 
Machin2  Co.,  of  New   York,  has  in- 
creased   its    capital    from   $10,000,000 
to  $13,572,800. 


Gets  French  Copyright 

M.  J.  Mintz  has  received  a  French 
patent  for  JJJietnatic  Music  Cue 
Sheets. 


27  Directors  at  M.-G.-M. 
Hollywood — M.-G.-M.  now  has  27 
di^^tors  under  contract. 


THE 


;gBg^ 


DAILY 


Tuesday,  March  9,  19 1 


Vel.XXXVNo.56     Tuesday,  Mar.9. 1926     PriceSCents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,   5,  Rue  SatJnier. 


Quotations 

High 

Low 

Close 

Sales 

Balaban   &   Katz    . 

685^ 

673^ 

68H 

.'. . . 

Eastman    Kodak    . 

108 

10754 

108 

500 

Famous    Players    . 

1205^ 

11454 

119^ 

12,800 

Fam.    Play.   Pfd.    . 

.120 

119 

119^ 

300 

•Film  Inspection   . 

5 

. . . . 

•First    National     . 

105J4 

.  . . . 

Fox   Film   "A"    .. 

66 

64 

66 

1,600 

Fox   Theaters   "A" 

25 

24J4 

25 

600 

•Intern'l    Projector 

12 

. . . . 

Loew's,  Inc 

seyi 

36 

36J4 

1,400 

Metro-Gold.  Pfd.   . 

22ii 

22  ?i 

22^ 

100 

M.  P.  Cap.   Corp.. 

.   22M 

22H 

22H 

1,400 

Pathe  Exch.   "A". 

65J4 

eiVi 

62J4 

2,200 

Skouras  Bros 

46 

46 

46 



**Stan.  Co.  of  Am. 

47 

47 

47 

.... 

Trans-Lux  Screen. 

lOH 

10 

ioy» 

2,200 

•Universal  Pictures 

32H 

. . . . 

Univ.    Pict.    Pfd.    . 

90 

90 

90 

100 

Warner    Bros.    . . . 

1454 

14J4 

14J4 

200 

•Warner    Pictures. 

11 

.... 

•  Last  prices  quoted. 

••  Philadelphia  market. 

Emery  C.  Dunn's  Mother  Dead 

Mrs.  Amelia  Dunn,  mother  of  Em- 
cry  C.  Dunn  of  the  F.  B.  O.  foreign 
department,  died   Sunday  morning. 


LOBBY  FRAMES  | 

OF  THE  BETTER  KIND  | 

LIBMAN-SPANJER    CORP  | 

1600  Broadway  New  York  City 

Tc!-CKu  leering  =550  Shew  Room  | 


If  You  Are  in  the 
Market    for    Any    Kind    of 

MOTION  PICTURE 
APPARATUS 

CONSULT  US-AND  SAVE  MONEY 
SEND  FOR   OUR  PRICE  LIST 


Chas.  G,  Willoughby,  Inc. 
Motion  Picture  Department 

110  West  32nd  St.,  New  York 
Phone   Pcnna.   6564 


Fischer  and  Saxe  Competing 
Oshkosh,  Wis. — Thomas  Saxe  has 
purchased  the  interest  of  W.  G.  Max- 
cey  in  Oshkosh,  and  a  new  $450,000 
house  is  planned.  In  addition,  the 
Milwaukee  firm  will  completely  re- 
build the  Grand  O.  H.  at  a  cost  of 
$100,000. 

Completion  of  a  Fischer  house  here 
will  bring  the  rival  firms  into  direct 
competition  in  three  Wisconsin  cities. 
They  are  now  arrayed  against  each 
other  at  Fond  du  Lac,  with  the  Saxe 
firm  preparing  to  build  at  Madison,  a 
Fischer  stronghold. 


Theater  Fires  Few 

Records  kept  by  the  National  Board 
of  Fire  Underwriters  show  that  every 
day,  on  the  average,  fires  occur  in  var- 
ious classes  of  buildings  as  follows: 
schools,  5;  churches,  5;  dwellings 
(city),  618,  hospitals,  1;  warehouses, 
4;  farms,  96;  public  garages,  81;  dry 
goods  stores,  3;  theaters,  2,  and  print- 
ing plants,  3. 


Langdon  Here  Friday 

For  the  first  time  in  four  5c£ars, 
Harry  Langdon,  who  has  just  com- 
pleted "Tramp,  Tramp,  Tramp,"  for 
First  National,  is  coming  to  New 
York.  Langdon,  accompanied  by  Wil- 
liam H.  Jenner,  will  reach  here  Fri- 
day. His  next  picture  will  be  "The 
Yes  Man." 


Taylor  Quits  Lloyd 

Los  Angeles — Sam  Taylor,  after 
five  years'  directorial  association  with 
Harold  Lloyd,  has  severed  his  con- 
nections with  the  comedian.  He  has 
just  completed  "For  Heaven's  Sake" 
and  will  accompany  Lloyd  East.  Tay- 
lor will  enter  independent  production. 


Stems    Signs    Ethlyne    Clair 

Ethlyne  Clair,  signed  by  the  Sterns. 
to  play  Mrs.  Newlywed  in  "The 
Newlyweds  and  Their  Baby,"  left  for 
the  Coast  yesterday.  She  has  ap- 
peared in  a  number  of  Eastern-made 
pictures. 


Bunn  with  Warners 

C.  W.  Bunn,  formerly  a  sales  exec- 
utive for_  First  National,  is  understood 
to  have  joined  the  Warners  in  an  im- 
portant capacity. 


Seider  Back 

Joseph  M.  Seider,  business  man- 
ager of  the  M.  P.  T.  O.  of  A.,  is  back 
at  his  desk,  following  a  nervous  break- 
down. '  ^' 


To  Sell  at  Auction 

(Continued  from  Page   1) 

by  Cranfield  and  Clarke,  Inc.,  of 
New  York  for  the  Great  Britain  and 
Ireland  rights  to  "Week  End  Hus- 
bands." 

The  offer  of  Cranfield  and 
Clarke  is  subject  to  a  ten  per  cent 
commission  to  be  received  by  them 
for  negotiating  the  sale  of  the  rights, 
and  also  to  the  approval  of  the  Good- 
man Corp,  Both  orders  were  signed 
by  the  Chancellor  at  the  request  of 
the  receivers  who  desire  to  sell  the 
corporation's  assets  so  that  its  affairs 
may  be  wound  up  quickly. 

'len  the  assets  in  question  are 
sold  a  25  per  cent  deposit  will  be 
asked,  under  the  order  of  the  Chancel- 
lor, the  sale  will  be  subject  to  the  con- 
firmation of  the  latter. 

The  pictures  affected  by  the  Chan- 
cellor's first  order  are  "Eyes  of 
Youth,"  "Forbidden  Women,"  "Soul 
of  Rafael,"  "Mid-Channel,"  "Hush," 
"Silk  Husbands  and  Calico  Wives" 
and  "Whispering  Devils,"  which  the 
corporation  owns,  "Straight  from  Par- 
is," "Charge  It."  "What  No  Man 
Knows,"  and  "The  Worldly  Madon- 
na," in  which  the  companv  has  rever- 
sionary rights;  "What's  Wrong  with 
the  Women,"  "The  Worldly  Madon- 
na," "Week-End  Husbands"  and 
"Daring  Years"  in  which  the  corpor- 
ation has  rights  under  contract  to  per- 
centages of  profits,  "Black  Panther's 
Cub."  "Heedless  Moths,"  "Where  Is 
My  Wandering  Boy?"  in  which  the 
corporation  has  rights  under  contract 
to  distribute  and  receive  percentages 
from  payments. 


Estelle  Taylor  to  Coast 

Estelle  Taylor  left  yesterday  foi 
Coast. 


This  is  a  *Corncrblock'  cut  furnis 
FREE  for  all  Pathecomedies  at  j 
exchange. 


Several  in  Work  for  Butterfield 

Detroit  — The  Butterfield  Circuit 
has  many  new  theaters  in  work 
throughout  Michigan.  The  new  Capi- 
tol, at  Owosso,  opened  a  few  days 
ago.  The  new  State,  Pontiac,  is 
scheduled  to  open  the  end  of  this 
month.  Work  has  started  on  a  new 
house  in  Flint,  to  be  called  the  Capi- 
tol. A  99-year  lease  has  been  taken 
on  property  in  Saginaw,  located  at 
Federal  and  Baum  Sts..  on  which  wil' 
be  built  a  new  house. 


Off  for  Hollywood 
Sam  Wood,  director,  Bvron  M<»r- 
srsn,  author;  and  Harrv  Sweet,  com- 
edy constructor,  leave  today  for  the 
Coast.  All  were  associated  in  the  pro- 
duction of  "Fascinating  Youth." 


PERTINENT 

Our  clients'  realization  that  they  have  been  able  to  pur- 
chase better  Insurance  for  less  of  their  money,  through 
this  Company  than  through  alternative  directions,  ex- 
plains why  we  have,  in  seven  years,  risen  from  an  ideal 
to  our  present  position. 

We  will  stake  our  reputation  on  our  service. 

MmmMMMF  MnMUMS^WMMN  €€lw 


INCORPORATED 


Ulujj 


80  MAIDEN  LANE.  N.  Y.  C. 


Telephone  John  3080 


CARBON 

Several  Thousand  cases  of  i 

imported  carbons  now  freed  fii 
duty  problems  and  are  offered  a 
tremendous  bargain  to  the  Ameri 
consumers. 

Quality — The  quality  is  thorou. 
ly  tested  and  every  case  guarantd 
Samples    on    request,    also    refererij 
from  American  users.  il 

Saving—  Will  absolutely  save  J' 
over  50%  according  to  quantity  ji 
chased.  ' 

Delivery — Can    make    immed- 
delivery   in   lots  of  one  case   and 
wards. 

CARBO   KINO   COMPANYi 
Warehouse  85  Reade  St.,  N.  Y,  C 

Telephone  Worth  2944 


♦♦♦♦♦♦♦♦•♦♦•♦••♦♦♦♦♦♦>♦•♦•♦♦  ♦•'♦♦•♦^•••'♦♦V*  ••*♦♦♦«* 

BftVANT    3740-3744 


1540  broadway 

NewYork 

Insurance   Experts  to  the  Theatri' 
And   Motion   Picture   Industry 

;.♦♦.♦♦.♦♦.♦♦.♦».♦♦.*♦>♦.♦•.♦♦.♦♦.♦♦.♦♦.♦♦.»«.•♦.♦•.♦♦.♦♦.♦♦.♦♦.♦♦.♦«  i 


n^ 


v. 

\ 


\' 


"^"^^^^^^^^^^^^^^^^^p^vi^^^^^^^^^^^^^^^^^^^^i 

IjwnS 

■ifSjlim 

i  W.  1  fc^M<  ■ 

9^IITi 


\jHtOH 


national 
PicturGA 


ymmhd  bf  John  McGormick 

cAdapkd  from  tlw  famous  musical  comedy  triumph 

James  MontgomeiT,  Jbdhor,  Hairy  Tierney  aid 

Joseph  NfcCaithy,  Composers 

mth  LLOYD  HUGHES 
GEORGE  K.ARTHUR.«iCHARLE8  MURHAT 

flimjed  I,,  Alfred  EGranJuneKMiisS'fe'iS' 
A  liMt  naiionol  Picture 


THE 


4 


Contest  Ends 

(Continued  from   Page    1) 

Third  prize  for  complete  campaign :  Pete 
Egan,    Capitol,    Calgary,   Alta.,    $100. 

Best  newspaper  ad  :  Frank  Steffy,  Coliseum, 
Seattle,  $50. 

Best  lobby,  David  Scliaefer,  Central,  Jer- 
sey  City,  $S0. 

Most  original  stunt:   H.   B.  Wright,  Loew's 
State,  Los  Angeles,  $50. 
Cla»s  B — Theaters  Seating  from  1,000  to  1,500 

First  prize  for  complete  campaign :  Harry 
E.    Brown,   California,    San   Jose,    Cal.,    $250 

Second  prize  for  complete  campaign:  A. 
S.    Wieder,    Rivoli,    Portland,    Ore.,    $150. 

Third  prize  for  complete  campaign:  B. 
\V.    Bickert.    Old    Mill,    Dallas.    $100. 

Best  newspaper  ad :  A.  S.  Wieder,  Rivoli. 
Portland,  lOre.,   $50. 

Best  lobby :  Harry  E.  Brown,  California, 
San  Jose.   Cal.,  $50. 

Most  original  stunt,  M.  W.  Korach,  New 
Broadway,   Cleveland,   O.,   $50. 

Class  C — Theaters  Seating  Under  1,000 

First  prize  for  complete  campaign :  R.  S. 
Touney,    Rialto,    Fort    Dodge,    la.,    $250. 

Second  prize  for  complete  campaign :  L. 
T.   Lester,  Jr.,   Ideal,   Columbia,   S.   C,   $150. 

Third  prize  for  complete  campaign :  P. 
A.    Boone,   Broadway.   Mt.   Airy,   N.    C,   $100. 

Best  newspaper  ad:  L.  T.  Lester,  Jr., 
Ideal,   Columbia,   S.   C,   $50. 

Best  Lobby  :  John  de  Marce,  Viking,  Ben- 
son,   Minn..   $50. 

Most  original  stunt:  W.  A.  Lanagan.  Pal- 
ace,   Beaumont,    Tex.,    $50. 

Most  effective  newspaper  stunt  for  any 
class  of  theater :  Leroy  V.  Johnson,  Liberty, 
Seattle.    Wash.,    $50. 

On  the  honor  roll  are:  Aubrey  Keil.  Palm, 
Pueblo,  Col.;  J.  Jones,  Palace,  San  Angelo. 
Tex.;  Don  Alexander,  Garrick.  Duluth, 
Minn. ;  A.  F.  Battiston,  Lyric,  Yukon,  Pa.  ; 
T.  Miller  Davidge,  Queen  &  Liberty,  Dur 
ant,  Okla. ;  Bert  Rakestravv,  Electric.  Galena, 
Kans. ;  John  Scanton,  Alhambra,  Torrington, 
Conn. ;  Montague  Salmon,  Rialto.  Macon, 
Ga. ;  O.  F.  Glass,  Masonic  Temple.  McCook, 
Neb. ;  Mr.  Triller,  New  National.  Winnipeg, 
Man. ;  C.  E.  Wagner,  Rex,  Elk  City,  Okla. 
Frank  Newman,  West  Coast,  Long  Beach, 
Cal. ;  Dan  Burgun,  Garden,  Des  Moines,  la. ; 
J.  E.  Newell,  Sumter,  York,  Ala.  ;  Jack 
Cross,  Capitol,  Carthage,  Mo.,  and  Manager, 
D.    &   R.,   Aberdeen,    Wash. 


Loring  and  Lighton  Join  Famous 
Los  Angeles — Hope  Loring  and 
Louis  D.  Lighton  yesterday  became 
members  of  the  Famous  Players  sce- 
nario department  under  a  long-term 
agreement. 


Now  "The  Greater  Glory" 

"The  Greater  Glory"  has  been  se- 
lected as  the  permanent  title  for  "The 
Viennese  Medley."  It  has  its  New 
York  premiere  at  the  Strand  on  April 
11. 


1*11  "tramp 
-tramp 
trauip 

iuto  tlie 
heart  of  the 
heaif  of   I 
Aiueri^a ' 


-JX0^. 


DAILY 


News  Reel  Tangle 

(Continued    from    Page    1) 

French  liner,  France,  from  a  repre- 
sentative of  International  News  by 
Capt.  Joseph  Blancart,  acting  on  or- 
ders from  the  French  Government. 
A  writ  of  replevin  was  served  here 
upon  Blancart,  and  in  order  that  the 
liner  be  allowed  to  sail,  an  agreement 
was  entered  whereby  the  film  would 
be  transferred  to  the  French  Consu- 
late, pending  the  outcome  of  the  liti- 
gation   launched    by    International. 

At  the  newsreel's  offices  it  was 
learned  that  no  official  word  has  been 
received  by  them  from  the  French 
Government  that  the  -latter  did  not 
wish  the  film  to  he  shown.  It  is 
thought,  however,  that  the  seizure  is 
for  sentimental  reasons  as  the  pilot  of 
the  plane  was  one  of  France's  most 
gallant  flyers.  In  the  meanwhile,  the 
French  Consulate  is  holding  on  to  the 
film  and  also  trying  to  get  official 
word  from  Paris. 


Attempt  to  Bomb  Minneapolis, House 

Minneapolis — Edward  Oliver,  man- 
ager of  the  \\'onderland,  frustrated 
an  attempt  to  blow  up  the  house  by 
throwing  a  bomb  he  found  behind 
the  screen,  into  a  snow  drift.  This  is 
the  second  bomb  found  in  the  theater 
in  the  last  few  months.  J.  J.  Camp- 
bell   is    owner. 


Depinet  in  Atlanta 

Atlanta — Ned  E.  Depinet.  First  Na- 
tional sales  chief  in  the  southern  ter- 
ritory, was  here  late  last  week  in  con- 
ference   with    the    local    sales   staff. 


Denial  from  Iowa 

(Continued  from  Page  1) 
as  gentlemanly  a  type  of  film  men  collectively 
as  you  will  find  in  any  territory  in  the  L'^nited 
States.  We  take  great  exception  to  your 
unjustifiable  phrase  with  reference  to  'bottle 
of  booze'  contracts,  because  we  sincerely  be- 
lieve that  there  is  as  little  drinking  in  this 
territory  as  you  will  find  in  any  part  of  the 
country. 

"The  meeting  that  was  held  on  January 
2nd  was  an  annual  good  fellowship  dinner 
given  by  the  Des  Moines  Film  Board,  and 
every  conceivable  subject  in  connection  with 
the  uplift  of  the  industry,  was  discussed, 
including  clean  contracts ;  but  clean  co' 
tracts  was  not  the  major  issue  any  more  th 
any  other  subject  that  was  discussed  thac 
evening.  In  this  territory  we  have  a  flood 
of  requests  from  exhibitors  as  well  as  repu 
table  exchangenien,  to  overcome  the  venom- 
ous reference  to  your  'bottle  of  booze'  and 
'trick'  contract  plirases  as  being  applied  to 
the  methods  of  the  Des  Moines  exchange 
representatives.  There  have  been  obscure 
cases  where  side  agreements  came  to  light 
but   very   few   and   far   between. 

"The  discussion  with  reference  to  clean 
contracts  was  made  from  a  constructive 
standpoint  and  not  because  they  were  un- 
earthed   in    abundance. 

"The  majority  of  managers  and  salesmen 
in  this  territory  are  men  who  have  been 
affiliated  \vith  their  respective  companies  for 
unusually  long  periods  of  time  and  are  the 
type  of  men  that  go  in  daily  pursuit  of  their 
business  with  the  idea  of  serving  their  home 
ofiices   and    exhibitors   in   a   mutual   way. 

"We  want  the  fact  emphatically  brought 
to  yciur  attention  that  the  clean-up  campaign 
in  the  Iowa  territory  was  conceived  by  the 
members  of  the  Des  Moines  Film  Board  of 
their  own  volition,  with  the  unequivocal  de- 
termination of  making  this  territory  spotless 
from  every  standpoint.  There  are  innumer- 
able other  facts  of  which  we  might  convince 
you  that  is  only  an  average  condition  that 
exists  in  this  territory,  but  because  we  have 
taken  the  intiative,  we  have  made  ourselves 
susceptible  to  your  infinitely  unjust  criticism, 
whicli  •  we  desire  to  reiterate  further,  is  de- 
void   of    the    true    facts." 


•>♦>♦>♦.♦♦.♦♦.♦♦.♦♦**♦.♦♦-♦♦>♦>♦>♦.♦♦.♦♦.♦♦>♦>♦.♦♦>♦••♦♦♦♦♦•♦♦*♦♦•♦♦♦»*♦,•♦>♦>♦.♦♦>♦>♦.♦♦.*♦.♦♦.♦♦>♦-♦♦*♦♦.♦•.**>*•**.*  ♦.• 

♦. ♦ 
l.t 

:: 


y 


:.: 


—SPACE      FOR      LEASE— 

A    FLOOR 

In  the  Powers  Building 


COMPRISES  2500  SQUARE 
FEET  of  space,  flooded  with 
light  and  air  from  windows  on  three 
sides — the  neatest  little  office  floor 
in  all  New  York. 

Building  equipped  with  film  vaults 
and  up-to-the-minute  public  projec- 
tion theatres.  Sprinklered  through- 
out. 

Arrange  now  to  house  your  busi- 
ness in  this  centrally  located  build-. 
ing. 

POWERS  BUILDING 

723  SEVENTH  AVENUE 
Corner  48th  Street  Bryant  6067 


:: 


#>♦,♦♦>♦>#>♦>»,»<',»♦>♦.»♦>♦><>».»<■,»♦>♦.»♦,♦  *>♦.»♦>♦>♦,»*.»«'>♦.»♦  ^^*^%^*^^^%*%^»^»^*^^^Jm»^.^^^^^^^ 


PRODUCTIONS 


1926-27 

"THE  GOLDEN  WEE 
by  E.  Phillips  Oppenhei 

TETER  THE  GREAT 

in 

"KING  OF  THE  PACK 


"SINEWS    OF    STEEI 

/?y  Ed.  J.  Meagher 

♦'QUARANTINED 
RIVALS" 

by  George  Randolph  Cbestt 

*  *      * 

"HEROES  of  the  NIGHT 

by  Frank  O^  Connor 

"THE  WOMAN  WHC  i 
DIDN'T  CARE"      ' 

by  Rida  Johnson  Toung    \ 
"PETER  THE  GREA11 

in 

"TheSJLENT  AVENGEIl 

"MOUNTAINS  of  MANHAHAfl 

by  Edward  I.  Meagher 

"MONEY  TO  BURN' 

by  Reginald  Wright  Kaufmk 

"THE  BLOCK  SIGNAI 

by  T.  Oakley  Crawford 

"THE  FINAL  EXTRA 

by  Delos  Sutherland 

♦  •      • 

Released  bf 

LuMAS  Film  Corporaticj 

Sam  Sax,  Pres.         \ 
1650  Broadway,  N.  Y.  Cityi| 

Foreign  Rights  Controlltd  by 

.  INTER  OCEAN  FILM  CORP; 
2i8  W.  42na  St.,  N.  y.  Cit:]    i 


m  eaat 


Tuesday,  March  9,  1926 


THE 


Bill  to  be  Shelved 

(Continued   from    Page    1) 
mittee  will  shelve  the  bill  as  too  full 
of   dynamite    to    be    fooled   with. 

The  bill  which  will  come  up  from 
the  sub-committee,  however,  will  in 
no  sense  resemble  the  one  origin- 
ally introduced,  except  that  it  will 
provide  for  Sunday  closing.  Although 
disclaimed  by  its  proponents  as  hav- 
ing any  religious  basis,  their  claims 
were  punctured  by  pertinent  questions 
from  opponents  as  to  why^'!if'' tl^'s 
is  not  a  religious  bill,  aV . 
churchmen  here,"  and  cha'rj^,^^Jiat 
"the  churches  admit  that  they  can- 
not hold  their  people  and  are  seeking 
a  law  to  aid  them." 

The  Ku  Klux  Klan  was  dragged 
into  the  issue,  when  a  local  news- 
paper reported  that  it  had  thrown  its 
'influence  for  the  bill  as  bringing 
about  a  Protestant  Sunday,  and  the 
entire  hearings  were  devoted  more 
to  the  religious  question  than  to  any 
other  phase  of  the  matter. 

Motion  picture  interests  of  the  city 
kept  away  from  the  hearing,  holding 
that  this  was  a  question  to  be  decided 
by  the  people,  but  the  people  also 
were  absent,  the  battle  being  waged 
almost  entirely  between  the  Lord's 
Day  Alliance  and  its  affiliated  organi- 
zations, on  the  one  side,  and  the 
Seventh  Day  Adventists,  on  the 
Other. 

At  the  close  of  the  hearings,  it  was 
indicated  that  Representatives  Hous- 
ton of  Delaware,  Blanton  of  Texas, 
Hammer  of  North  Carolina  and  Gil- 
bert of  Kentucky  would  vote  in  favor 
of  a  Sunday  observance  law,  while 
Congressman  McLeod  of  Michigan 
(chairman  of  the  sub-committee)  and 
Reid  of  Illinois  would  be-  against  it, 
with  posibilities  that  Representative 
Rathbone  of  Illinois  also  could  be  in- 
fluenced to  vote  in  opposition  to  the 
measure.  It  is  Representative  Mc- 
Leod's  intention  to  bring  the  bill  up 
in   sub-committee  within  a  few  days. 


Moss'  Tilyou  Opens  March  18 

Moss'  New  Tilyou  theater  will 
open  in  Coney  Island  on  the  18th.  It 
seats  2,500  and  will  be  operated  on  a 
split-week  policy,  showing  pictures 
and   Keith  vaudeville. 


European  Actor  Here 
Owen  Gorin,  who  has  played  oppo- 
site Lya  De  Putti  in  several  Euro- 
pean-made pictures,  is  in  New  York 
from  Europe.  Ramon  Romeo  is  his 
representative. 


EASTERN 

STUDIO   FOR   RENT 

EXCEPTIONAL  'FACILITIES 

VERY  LARGE  STOCK  OF 
PROPS  AND  FURNITURE 

Telephone    Dewey    8600 


Mr.  Exhibitor:  A*k  at  tlie  Film  Exchanga* 
for  the 


It'i  little  to  ask  for.  bat   it's   the   onlr 
reliable  aid  jou  can  give  rour  miuiciani 
to  help  put  the  picture  OTcr.   ■ 


A  Nickel  Show 

Hamilton,  N.  Y.  —  Children 
are  allowed  into  the  Lyric  dur- 
ing four  and  five  in  the  after- 
noon for  a  special  show  known 
as  the  children's  hour.  Admis- 
sion   is    five    cents. 


Removal  to  Coast 

(.Continued    from    Page    1) 

Abrams,  president  of  United  Artists, 
an  convmce  me  it  is  not  the  proper 
move. 

"It  will  make  Los  Angeles  the 
headquarters  of  all  United  Artists  fi- 
nancing, and  will  mean  that  all  prints 
of  the  Unit«d  Artists'  pictures  used 
in  the  distribution  will  be  made  in  Los 
Angeles. 

"It  means  additional  millions  for 
this  city  and  the  employment  of  ad- 
ditional  hundreds." 

A  building  to  house  the  combined 
organialions  will  be  erected  in  Holly- 
wood upon  a  site  as  yet  not  definitely 
selected. 


Hiram  Abrams  refused  to  make  any 
omment  yesterday. 

Joseph  M.  Schenck,  Norma  Tal- 
madge,  Sid  Grauman  and  Edwin  J. 
Loeb,  the  latter  Schenck's  attorney, 
arrive  from  the  Coast  today.  The 
Schencks  will  remain  here  for  a 
month:  then  Norma  will  return  to 
the  coast  to  make  a  picture.  Later, 
they  will  join  the  Fairbanks  in  Eu- 
rope. 

Constance  Talmadge  will  complete 
a  picture  and  arrive  here  the  latter 
part  of  April. 


Laemmle  Tribute  March  18 

Los  Angeles — Carl  Laemmle  has  re- 
covered from  his  recent  illness,  which 
necessitated  postponement  of  a  ban- 
quet in  his  honor  on  Feb.  26.  The 
banquet  will  be  held  now  on  March 
18th. 


M.  P.  T.  O.  of  Ohio  Meets  Tomorrow 

Columbus,  O. — A  meeting  of  the 
executive  board  of  the  M.  P.  T.  O.  of 
Ohio  is  called  for  tomorrow.  J.  J. 
Harwood  and  M.  B.  Horwitz  of 
Cleveland  will  attend. 


Fox  in  Atlanta 

{Continued   from   Page    1) 
department    of    Fox    Theaters    Corp 
have  already  examined  the  three  prop- 
ositions on   which   Fox  holds  an   op- 
tion. 


Five  deals  for  Fox  theaters  have 
been  closed  recently  in  as  many  key 
centers.  They  are  in  Detroit  where 
Fox  will  have  a  5000-seat  house; 
Washington,  where  work  has  already 
started  in  wrecking  an  old  building  to 
make  way  for  a  5,000  seat  theater;  St. 
Louis,  where  work  will  start  soon; 
Los  Angeles  and  San  Francisco,  Kan- 
sas City,  Minneapolis,  St.  Paul, 
Brooklyn,  N.  Y..  and  Buffalo  are  be- 
ing considered. 

James  G.  Grainger  returned  from 
his  sales  trip  yesterday,  but  had  no 
comment  to  make  on  theater  plans. 


Baggot  to  Direct  "Lovey  Mary" 
Hollywood — King    Baggot    will    di- 
rect   Bessie    Love    in    "Lovey    Mary" 
for  M.-G.-M. 


Leave  for  Hollywood 

John  S.  Robertson  and  Mrs.  Rob- 
ertson (Josephine  Lovett)  left  for  the 
Coast  yesterday.  The  director,  as 
noted,   has  signed  with  M.-G.-M. 

Howard  Dietz,  director  of  publicity 
and  advertising,  also  left  to  discuss 
nejct  year's  product  with  studio  offi- 
cials. 


Vaudeville  Theme  of  New  Film 
Walter   De  Leon,  a  vaudeville  per- 
former, has  been  signed  by  M.-G.-M., 
to  write  a  story  based  on  life  in  the 
vaudeville   world. 


Leonard  Leaves 
Robert  Z.  Leonard  left  New  York 
yesterday    for    the     Metro-Goldwyn- 
Maver   studios. 


Fire  Destroys  Pittsburgh  House 

Pittsburgh — Fire  of  an  unknown 
origin  destroyed  the  Liberty,  causing  a 
loss  of  $100,000.  The  house  is  owned 
hv  Thomas  Plant. 


Captain  E.  J.  Burke  Dead 

Detroit — Capt.  Enos  J.  Burke,  vice- 
president  of  the  Henry  S.  Koppin 
Realty  and  Investment  Co.,  died  re- 
cently. 


Oppose  End  to  News  Censoring 

Albany,  N.  Y.— The  G.  O.  P.  wo- 
men of  the  State,  including  many  im- 
portant in  party  affairs,  especially  up- 
state are  lining  up  in  an  effort  to  de- 
feat the  bill  to  eliminate  from  censor- 
shi])   news   films. 

George  K.  Morris,  chairman  of  the 
Republican  State  Committee,  is  in  fa- 
vor of  the  measure.  Assemblyman 
Davison's  bill  was  on  the  calendar  for 
final  passage  last  night.  A  like 
bill  introduced  in  the  Senate  by  Sen- 
ator Webb  of  Dutchess  County  has 
not  vet  been  favorably  reported  by 
the   Senate  Finance  Committee. 


This  Week 

—2— 

On  Broadway 

RIVOLI— 
"Soul  of  the  Cypress 

RIALTO— 

"On  the  River  Conway" 

BOTH— 

GEMS  of  the  SCREEN  SERIES 


729  SEVENTH  AVE. 

Phone  Bryant  2566 

MARTIN  SOLOMON 

Mgr.  N.  Y.  Exchange 


IN  GREEK 


MOYtb 


ViTHEN  GREEK, 
MEBTS  Gl?Eec 


'^V'<'*v^d» 


to  brAdstreet 

/*  FILMDOH 


XXXV     No.  57 


Wednesday,  March  10,  1926 


Price  5  Cents 


e  Black  Pirate 

By  "RED"  KANN 

S    is    box-office,    don't    mistake 

Every  minute  will  mean  money 

le    till.      Doug    Fairbanks    has 

d   out    a    corking   good   picture, 

ips    not    fit    for    long-runs,    but 

inly    built    for    first-runs.     "The 

:  Pirate""  runs  about  90  minutes. 

jifors  whose  mental  gymnastics 

to    figures    can   work    out    how 

times   they   can   show   it   in  a 

pjr  day. 

ug  does  his  stuff  again,  but  it's 
ent.  Here  in  the  first  real  pirate 
to  reach  the  screen,  he  goes 
gh  a  number  of  antics  that 
jht  forth  spontaneous  bursts  of 
use  at  the  brilliant  Selwyn  open- 
donday  night. 

e  picture  smells  of  the  sea.  It 
juried  treasure,  pieces  of  eight, 
mtiful  damsel,  the  gallant  hero 
)lenty  of  gore— slightly  too  much 
le  or  two  spots.  It  has  atmo- 
e  that  smacks  aplenty  of  the 
;  tales  of  old. 

e  story  is  slight,  so  slight  in  fact, 
one  often  loses  sight  of  it.  But 
s  the  difference?  Doug  is  skip- 
all  over  the  screen  at  one  time: 
in  the  water  and  out  of  it;  in 
•igging,  slashing  sails  to  strips, 
cannon,  ripping  and  hewing 
his  rapier.  It's  hero  stuff  but 
ids  will  love  it. 

e  Technicolor  process  of  color 
)graphy  has  been  used.  Many 
e  shots  beggar  description.  The 
re  is  by  far  the  finest  example 
e  all-color  feature.  The  explana- 
made  by  United  Artists  that, 
ing  beyond  the  mere  use  of 
was  the  definite  purpose  of  cre- 
the  appearance  of  an  old  picture 
rected  from  the  archives  and 
d  off  for  showing,  has  a  definite 
lation  in  fact.  There  are  no  vio- 
colorings;  there  are  many  rich 
ns  and  lovely  sepias.  And  yet 
•eal  dashes  of  color  make  their 
irance  when  the  action  calls  for 
.  After  all,  what  is  more  ap- 
■iate  than  a  blood-curdling, 
ip-'em-up  pirate  story  done  in 
al  colors? 

d  when  Doug's  fighting  men 
le  their  galley  and  swim  aero- 
:  formation  under  water  to  the 
specting  pirate  ship,  there  is  a 
ed  thrill  in  store.  It's  novel  and 
novelty  angle  in  entertainment 
■  has  lost  or  will  lose  its  Punch. 
irbanks  has  turned  out  a  splendid 
of  work.  The  fate  of  'The 
£  Pirate"  at  the  box-office  is  a 
in  one.  The  picture  is  going 
ake  lots  and  lots  of  money.  It 
•ves  it. 

Mr     Danny:      I   haven't   forgotten   the 
tUnts  you  said.     N.  Gwyn.-^Advt. 


N.  W.  Building  Rush 

Famous  and  Fox  to  Build  in  Seattle 

Following  J.  and  V.  Sale  to  North 
American  Theaters 

Seattle — Fox  will  build  a  first-run 
on  Pine  St.  between  8th  and  9th.  Fa- 
mous will  build  a  4,000-seat  theater 
at  Pine  and  9th  Sts. 

In  these  brief  announcements  there 
is  seen  the  answer  of  at  least  two  big 
organizations  to  the  sale  of  the  Jensen 
and  Von  Herberg  theaters  to  North 
American  Theaters  Corp.,  and  there- 
fore, to  interests  identified  with  Prod. 
Dist.  Corp. 

As  exclusively  noted  in  THE  FILM 
DAILY  of  Friday  last,  the  meetings 
at  Portland,  Ore.,  did  finally  bear 
fruit.  Harry  C.  Arthur,  representing 
North  American,  was  scheduled  to 
(Continued  on  Page  7) 


Advancing  a  Stage 

Assembly     Passes     Bill     Eliminating 

News  Reel  Censorship  from  New 

York  Censor  Board 

Albany,  N.  Y.— By  a  vote  ot  105  to 
13  the  Assembly  has  passed  the  bill 
designed  to  elminate  from  the  super- 
vision of  the  Board  of  Censors  of  films 
showing  news  reels. 

When  the  bill  came  up  for  final  vote 
Assemblyman  Hackenburg  of  New 
York  made  a  motion  to  recommit  the 
bill  for  amendment  before  taking  ac- 
tion on  the  motion.  Speaker  Mac- 
Ginnies  of  the  Assembly  demanded  to 
know  what  were  the  purposes  of  the 
proposed  amendment^.  He  was  in- 
(Continued  on  Page  7) 


Aimed  at  America 

English  Agitating  for  Greater  Tax  on 

Foreign  Films — Government 

Action  Sought 

With  the  opening  of  "The  Sea 
Beast,"  "The  Black  Pirate,"  in  Lon- 
don, and  the  general  release  in  Eng- 
land of  "The  Gold  Rush,"  the  Sun 
reports  English  agitation  is  renewed 
for  some  governmental  step  to  be 
taken  to  levy  a  higher  tax  on  foreign 
films  and  inaugurate  a  system  of  in- 
(Continucd  on  Page  6) 

More  Exchanges 

Cranfield  &  Clarke  Open  Office  Here 
For  Shorts,  and  One  in  Philadel- 
phia—Another for  Chicago 
Cranfield  &  Clarke  have  opened  a 
New  York  exchange  at  729  Seventh 
Ave.,  to  handle  short  subjects.     An- 
other branch  has  been  opened  at  1314 
Vine  St.,  Philadelphia,  while  a  third 
is  planned  for  Chicago. 

A  deal  has  been  closed  to  distribute 
the   output   of    Film   Crafts   Studios, 


Regarding  Gloria 

When  Joseph  M.  Schenck  of 
United  Artists  was  asked  yes- 
terday whether  Gloria  Swan- 
son  was  to  join  his  organization, 
he  said: 

"I  believe  she  will,  but  there 
has  been  nothing  signed." 

Schenck  added  he  expected 
to  make  an  announcement  re- 
garding Miss  Swanson  before 
he  returns  to  the  Coast  four  or 
five  weeks  hence. 

To  all  of  which  Maurice 
Cleary,  Gloria's  business  man- 
ager, yesterday  fully  agreed. 


Blank-Publix  Deal 

Covering    New    Omaha    Theater-Big 

House,  to  Seat  over  3,000,  Will  Be 

Ready  in  October 

A.  H.  Blank  is  in  town  from  Des 
Moines.  He  has  closed  a  deal  with 
Publix  Theaters  whereby  the  latter 
corporation  secures  a  fifty  per  cent 
interest  in  the  big  Omaha  first-run 
which   Blank  is  now  building  in  that 

city.  ,         , 

The  house,  which  will  perhaps  have 
the  largest  seating  capacity  of  any  the- 
ter  in  that  part  of  the  Middle  West, 
(Continued  on  Page  7) 

New  Sunday  Law 

District  of  Columbia  Confronted  with 
New  Bill  to  Make  the  Sabbath 

"Blue" 
Washington — Another  bill  provid- 
ing for  Sunday  blue  laws  in  the  Dis- 
trict of  Columbia  has  been  introduced 
in  Congess  by  Representative  Ed- 
wards of  Georgia. 

(Continued  on  Page  b) 

Broadway  Run  for  "Volga  Boatman" 

"The  Volga  Boatman"  will  have 
its  world  premiere  at  the  Times 
Square  theater  on  April  12.  Hugo  Rie- 
senfeld  will  handle  the  engagement 

Jeanie  Macpherson,  head  of  the  De 
Mille  scenario  staff,  arrives  in  town 
from  the  Coast  tomorrow  to  confer 
wilh  P.  D.  C.  Barrett  C.  Kiesling, 
publicity  director  of  the  De  Mille  stu- 
dio, will  also  arrive. 

"International    Laemmle    Day" 

St.  Louis— Exhibitors  have  respond- 
ed generously  to  Universal's  dedica- 
tion of  April  _  8  as  "International 
Laemmle  Day." 

Fred  Niblo  Returns 
Fred  Niblo  and  Mrs.  Niblo   (Enid 
Bennett)    arrived   in   New   York   last 
night  on  the  Majestic  from  a  tour  ot 
I  Europe. 


15  from  United 

For    1926-1927    Barrymore    Contract 

Signed — Two  Yearly  from  Mary 
Pickford,  One  from  Fairbanks 

United  Artists  will  release  IS  pro- 
ductions next  season,  a  schedule 
v,fhich  may  vary  slightly  from  vear 
to  year  but  which  will  always  aver- 
age that  number,  Joseph  M.  Schenck, 
chairman  of  the  United  Artists  board, 
exp.'iiined  yesterday.-.  He  is  here  from 
California  and  is  expected  to  remain 
for  four  or  five  weeks. 

The  program  will  be  divided  as  fol- 
lows : 

Mary  Pickford,   two. 

Doug  Fairbanks,  one. 

Ch.'i'.iie  Chaplin,  one. 

Rudolph  Valentino,  two. 

Norma  Talmadge,  two. 

Kuster  Keaton,  two. 

John  Barrymore,  two. 

Samuel  Goldwyn  Prod.,  three. 

Schenck   declared   that  last   Friday 
^^cfo'e    leaving    Hollywood    for    New 
York    he    had   signed   what   may   be 
"       ^Continued  on  Page  6) 


Can  Use  Old  Tickets 

Exhibitors    Who    Have     Supply    on 
Hand  Can  Consume  Them  Under 

New  Exemption  Law 
Washington — No  changes  will  be 
made  in  the  regulations  of  the  Inter- 
nal Revenue  Bureau  respecting  the  ad- 
mission tax  other  than  a  change  in  the 
amount  of  exemption  from  SO  to  75 
cents,  it  is  announced. 

The  bureau  has  also  issued  a  state- 
ment that  theaters  having  a  supply  of 
tickets    printed    to   conform   with   the 
(Continued  on  Page  7) 


Grauman  and  Loeb  Here 

Accompanying  Norma  Talmadge 
and  Joseph  M.  Schenck  East  from 
Hollywood  were  Sid  Grauman  and 
Edwin  J.  Loeb,  the  latter  attorney  for 
Schenck.  The  group  arrived  yesterday. 


Marion  Fairfax  En  Route 
Hollywood  —  Marion  Fairfax  left 
yesterday  for  New  York  to  com- 
plete the  cutting  of  "The  Desert 
Healer."  She  was  accompanied  by 
Tully  Marshall,  Patricia  Rooney  and 
Nat  Dyches. 

New  Financing  on  the  Coast 
Hollywood — A  financial  service  for 
producers  has  been  installed  by  Pan- 
chromatic Laboratories.  Headquart- 
ers are  at  6475  Santa  Monica  Blvd.  P. 
L.  Greenburg  is  in  charge. 

Lya  De  Putti  Operated  on 
Lya  de  Putti,  was  operated  on  yes- 
terday for  appendicitis. 


THE 


I 


Wednesday,  March  10,  191 


VlLXXXfN«.57   Wednesday, Mar.lO,  1926  PriceSGents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
iday! at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  POLKS,  INC. 
Joseph  Dannenberg,  President  and  Editor ; 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
•cer;  Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
■hould  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,   5,   Rue  Saulnier. 


Quotations 


High 

Low 

Close 

Sales 

4 

Balaban   &   Katz    . 

.   7154 

69^ 

6954 

•   •   •   • 

Eastman    Kodak    . 

.1*9 

108 

109 

500 

Famous    Players    . 

.1205^ 

119 

119M 

11,500 

Fam.   Play.    Pfd.    . 

.120H 

120/8 

1205^ 

200 

f 

•Film  Inspection   . 
•First    National     . 

•• 

5 
10S54 

? 

Fox   Film   "A"    .. 

.   68J4 

65^ 

66^ 

3,800 

V 

Fox   Theaters   "A" 

.   24?i 

24H 

24^ 

300 

4 

*Intern'l    Projector 

12 

.   •   .   . 

Loew's,  Inc 

.   36'A 

levs 

3654 

300 

•Metro-Gold.   Pfd.. 

22  H 

.... 

S 

M.  P.   Cap.   Corp.. 

22J4 

22  H 

22>4 

100 

\ 

Pathe   Exch.   "A". 

66 

64H 

65 

1,100 

Skouras    Bios.    .  . . 

46  H 

46  H 

4654 

.... 

••Stan.  Co.  of  Am. 

48 

.... 

Trans-Lux  Screen. 

10J4 

1054 

10^8 

2,600 

" 

Universal  Pictures. 

32J4 

32H 

325^ 

100 

•Univ.  Pict.  Pfd.   . 

. . 

. , 

90 

■  <  •  • 

•Warner  Bros.   . . . 

. . 

14)4 

• . .  • 

•Warner  Pictures  . 

•  • 

11 

•  Last    prices    quoted. 

tf 

••  PhUadelphia  market. 

Scandinavian  Film   Congress 

\Va.shington — Representatives  of 
Scandinavian  producers  and  exhibitors 
will  meet  at  Copenhagen  May  20,  to 
discuss  several  problems  pertaining  to 
the  industry,  according  to  a  report  to 
the  Dept.  of  Commerce,  from  the 
cciiimercial  attache  at  Copenhagen. 
Discussions  will  be  held  on  censor- 
ship, taxation,  unfair  competition  in 
the  trade,  advertising  and  the  cultural 
influence   of  pictures. 

It  is  understood  that  the  question 
of  combating  the  dominance  of  Amer- 
ican films  will  also  be  discussed. 


Ufa  Organizes  Swedish  Subsidiary 

Stockholm — The  Ufa  company  of 
Berlin  has  formed  a  subsidiary  con- 
cern in  Stockholm  called  Aktb.  Ufa- 
film,  with  a  capital  of  100,000  crowns 
(,$26,800).  The  corporation  is  report- 
ed to  be  the  result  of  an  agreement 
between  Ufa  and  the  Swedish  Film 
Trust  whereby  the  Swedish  company 
will  take  over  part  of  Ufa's  product 
for  Sweden.  The  directors  of  the  new 
concern  will  be  half  German  and  half 
Swedish. 


New  Exchange  in  Cleveland 

Cleveland— Harris  Dodelson,  for- 
merly of  Pittsburgh,  has  opened  the 
Harris  Film  Company's  new  exchange 
in  401  Film  Exchange  Bldg.  for  north- 
ern Ohio  distribution  of  "Uncle  Tom's 
Cabin,"  "Custer's  Last  Fight,"  "The 
Birth  of  a  Race"  and  "Joseph  and  His 
Brother." 


New  Contract  for  Webb 

Hollywood  —  Millard  Webb  has 
been  given  a  new  long  term  contract 
by  Warners  Bros.  He  hks  been 
loaned  to  Joseph  Schenck  t<i  direct 
Norma  Talmadge's   next.  \ 


Harry   Warner    Leaves 

Harry    M.     Warner    left    for     the 
Coast  yesterday.  \ 


iiSletAadei^ffi 


Utmost  in  Screen  BriUiang 


Whtn  you  think  of 

INSURANCE 

you  art  thinking  of 

S  T  E  B  B  I  N  S 

Sp»oiali8tB  in  Motion  Picture 

and  Theatrical  insurance  for 

the  past  fifteen  years. 

Arthnr  W.  Stebbins  &[Co.,  Inc. 
1540  Broadway  N.  Y.  C. 

Bryant  3040 


Maas  Joins  Fox 

Ernest  Maas,  recently  with  Robert 
Kane,  has  signed  a  long  term  contract 
with  the  Fox  to  engage  in  production 
on  the  Coast.  His  initial  assignment 
will  be  the  supervision  of  two  special 
units.  He  leaves  New  York  within 
the  next  week. 


Richmond  Buys  Tennek  Product 

Richmond  Pictures  Corp.  has  closed 
for  the  foreign  rights  to  "The  Thir- 
teenth Girl,"  the  Sid  Smith  series 
of  12  two-reel  comedies  and  the 
Eddie  Gordon  series  of  12  two-reelers. 
Tennek  is   now  sold    100%   abroad. 


To  Confer  on  Zoning  System 
Cleveland — C.  E.  Amy,  Metro- 
Goldwyn  manager,  Oscar  Ruby, 
Pathc  manager,  and  Gradwell  Sears, 
First  National  manager,  have  been 
appointed  a  committee  of  three  to 
represent  the  Film  Board  of  Trade 
before  the  exhibitor  committee,  com- 
posed of  J.  J.  Harwood,  Allen  Sim- 
mons and  M.  B.  Horwitz,  to  try  to 
straighten  out  the  exhibitor  objec- 
tions to  the  present  zoning  system. 
The  exhibitors  were  appointed  by  the 
M.P.T.O.  of  Ohio. 


New  Exchange  in  New  York 

A  new  exchange  has  been  opened  at 
729  7th  Ave.,  called  New  Era  Pictures, 
Inc.,  in  charge  of  A.  B.  Carrick.  New 
Era  is  handling  one  reel  "Novelti^," 
52  releases,  one  a  week;  12  "Adveh- 
tures,"  released  one  a  month;  12 
"Quaint  People  and  Queer  Places," 
and  a  group  of  "Thru  Life's  Win- 
dows," all  groduced  by  Film  Ex- 
change, Inc.,  of  1650  Broadway. 


Pantages  in  Warner  House 

Bridgeport,  Conn. — The  Cameo,  op- 
erated by  Warners,  will  show  three 
more  pictures  and  then  close  for  re- 
modeling. Additional  property  has 
been  purchased  and  a  large  stage 
erected.  When  the  theater  reopens 
it  will  have  a  policy  of  seven  acts 
of  Pantages  vaudeville  and  two  fea- 
tures. 


Rork  Arrives;  Buys  "Wild  Geese" 
Sam  Rork  arrived  from  the  Coast 
yesterday.  He  has  purchased  "Wild 
Geese,"  a  novel  by  Martha  Ostenso 
which  is  creating  quite  a  fuss  in  liter- 
ary circles.  It  will  be  produced  in 
Hollywood.    Rork  is  at  the  St.  Regis. 


Brabin  and  Bara  Here 

Charles  J.  Brabin  and  Mrs.  B 
(Theda   Bara)    arrived  in   New 
from  the  Coast,  yesterday.     — 


Leatrice  Joy  in  "Clinging  Vii 
Hollywood — Leatrice    Joy    wi 

starred   in    "The    Clinging   Vinej 

De  Mille. 


Banner    Buys   Adams'    Novel 

^  Banner  Prod.,  Inc.,  has  purchased 
the  rights  to  Frank  Adams'  novel, 
"Devil's  Dice."  It  will  be  distributed 
by  Ginsberg-Kann  Dist.  Corp. 


Cruikshank  to  Title 
Herb  Cruikshank,  editor  of  "Cine 
ma  Art,"  has  been  retained  by  the 
Usa  Film  Corp.  to  edit  and  title  two 
releases.  The  first  will  be  "A  Prince 
Among  Lovers,"  dealing  with  the  life 
of  Edmund  Kean,  the  actor. 


The   finishing   touch   of   refinement   on 

an    elaborate    production   is   the 

handcoloring  by 


./SnrcA- 


The   Perfect  Handcoloring   of  Film 
528  Riverside  Drive  Telephone 

Newr  York  Morningside  1776 


CHROMOS      TRADING      COMPANY 
1123    BROADWAY 

OURS  IS  A  SERVICE  OF  FINANCING  AND  COUN- 
SEL, SPECIALIZING  IN  THE  FILM  INDUSTRY. 
LOANS  ARRANGED  ON  A  REASONABLE  BASIS  FOR 
PRODUCTION  HERE  OR  ON  THE  COAST  OUR 
METHODS    WILL   PROVE   A    REVELATION. 

May  We  Have  the  Pleasure  of  a  Call? 
'Phone  Watkins  4522  Suite  1207-8 


Switch  in  Dupont's  Schedu 
Los  Angeles — "The  Affairs  of. 
1"  will  be  made  by  Universal 
.A..  Dupont  will  direct  with 
Philbin  starring;  while  preparini 
"Romeo  and  Juliet."  Dupont 
Paul    Kohner   are  adapting. 


This  IS  a    CorncrDiock    cut  turni(| 
FREE  for  all  Pathecomedies  at 
exchange. 


The  ONLY  exclusive 
leasing  plant  in  L.  A. 

Fine  Arts  Studit 

Los   Angeles,    Calif. 

offers  to  producers  the  moi 
modern  and  best  equipped  plai 
in  California.  Four  large  stage 
scores  of  dressing  rooms,  oi 
fices,  etc.  Best  of  electria 
equipment  and  props.  Writ 
or  wire  for  details. 

FINE  ARTS  STUDIO 

4500  Sunset  Blvd. 
Los  Angeles,  Calif. 


'WE  NEVER  DISAPPOINT" 


INCORPORATED 

220  WEST 42^-^  STREET 

NEW  YORK 


PHONE-CHICKERINC    293 


ALLAN  A.LOWNES.  CEN.MCR. 


V 


I^ROM  THE  STORY  BY  FANNIE  HURST 


FRANK  TUTTLE 

PRODUCTION 


fl  (  P/TYrjyYiryi  lYlt  C  HirfllTP    screen  play  by  james  ashmore  creelahan 

l^/C,      \jLA^I  LA,I  I  LkJLLI  LL      \y    LLyLLL/C'         presenteosy   ADOLPH  ZUKORano  JESSE  LUSKY 


dverybody^s  Doing  It 


t 


IN  5IX  LE5;ONf 

A  series  of  six  one-reelers 
with  instructions  by 

ARTHUR  MURRAT 

The  worlds  Foremost  dancing  teacher 
C/1  few  of  the  3iq  TLouses  that  will  plaij  it  soon 


\ 


/. 


NEW  YORK 

CHICAGO 

B.  F.  Keith  Theatres 

Balahan 

&  Katz  Theatres 

8lst  Street 

Schenectady 

Tivoli 

Chicago 

•    ♦    •    Uptown 

Broadway 
Jefferson 

Syracuse 
Rochester 

huhliner 

&  Trinz  Theatres 

Fifth  Avenue 

Bushwick 

Harding 

Knickerbocker 

Regent 

Flatbush 

Senate 

Lake-side 

Hamilton 

Prospect 

Tower 

Madison  Square 

Coliseum 

Greenpoint 

State 

Michigan 

Ford  ham 

Riviera 

Pantheon 

Oak  Park 

Franklin 

Orpheum 

Covent 

Paramount 

Royal 

Tilyou 

Garden 

Pershing 

23rd  Street 

•         •       • 

Biograph 

Vitagraph 

Alhambra 

•        •       • 

Crawford 

West  End 

Mt.  Vernon 

Newark 

Dearborn 

Wilson 

Albany 

Union  Hill 

EUantee 

Windsor 

Troy 

Jersey  City 

Grove 

PHILADELPHI 

The  Entire 
Stanley  Circuit 

WISCONSIN 

Saxe  Circuit 


\i 


Bijou Racine 

Orpheum    .  .  .  Kenosha 

Park Waukesl 

Jeffries Janesville 

Orpheum    .  .  .  Oshkosh 
Neenah    ....  Neenah 
Orpheum    .  .  .  Menasha 
Majestic    ....  Beloit 

Strand Marinettcl 

Strand Greenbay 

and 

Garden  Theatre 

Milwaukee 


I 


li<ft_a«l« 


I 


lenibody^f  Bookinq  It/ 


1 


DABLY 


Wednesday,  March  10,  15 


Aimed  at  America 

(CofUinued  from  Page  1) 
come  tax  collection  whereby  foreign 
artists,  and  in  particular,  heavily  paid 
Americans,     should    be     mulcted     of 
some   of   their   earnings. 

"The  Gold  Rush"  was  released  yes- 
terday for  exhibition  throughout  Eng- 
land after  a  run  for  nearly  a  year  at 
the  Tivoli,  London.  It  is  stated  that 
English  bookings  for  this  film  have 
already  totaled  $1,000,000. 

The  Sun  declares  'it  is  claimed  in 
London  that  American  films  that  sell 
for  $50,000  pay  a  duty  of  only  10 
cents  on  every  $5,  ^hile  their  ex 
ploitation  value  is  more  than  $2.50 
a  foot. 

English  theaters  are  now  yielding 
Jsl  5,000,000  annually  to  the  Treas- 
ury in  the  form  of  entertainment  tax. 
It  has  been  suggested  that  if  a  33  1-3 
per  cent,  duty  should  be  placed  on 
the  exploitation  value  of  the  films  it 
would  bring  in  to  the  Treasury  fully 
$5,000,000  a  year  even  after  a  cor- 
responding amount  were  .remitted  in 
the    form   of   entertainment   tax. 

There  is  the  further  contention  that 
certain  American  concerns  are  selling 
films  to  their  so-called  "British  bran- 
ches at  prices  which  cannot  leave  a 
profit  on  their  distribution,  thus  evad- 
ing an  income  tax  while  making  sure 
of  the  gold  flow  to  American  coffers. 

One  American  film  which  grossed 
$650,000  paid  an  import  duty  of  only 
$1,040.  Several  famous  American 
stars,  it  is  estimated  in  London,  left 
the  country  with  more  than  $25  000 
each  without  paying  a  penrly  in  in- 
come tax  because  the  assessed  person 
must  reside  there  six  months  under 
the  British  law  before  an  income  tax 
can  be  collected. 


Again    a    British    Revival 

London — The  Joint  Committee  for 
British  films  will  make  another  at- 
tempt to  agree  upon  a  scheme  to  help 
a  revival  of  Britislvfilms.  It  is  agreed 
that  the  meeting  should  be  adjourned 
until  March  24,  to  allow  the  sub-com- 
mittee to  get  together  and  agree  upon 
a    plan. 


New  Sunday  Law 

(Coiitinv.cd  from  Page   1) 

The  bill  provides  for  the  closing  on 
Sunday  of  all  motion  picture  and  other 
theaters  and  all  other  amusements  op- 
erated for  secular  or  commercial  pur- 
poses, fines  from  $10  to  $100  being 
provided  for  first  offenses  and  from 
JflOO  to  $500  for  subsequent  offenses. 
Imprisonment  for  not  exceeding  six 
months  can  also  be  imposed.  All  cases 
a'-ising  under  the  law  would  be  tried 
in  the  police  court. 


Tennek  in  Deal  with  Liberty 
Liberty  Film  Corp.,  of  Philadelphia, 
has  bought  from  Tennek  Film,  the  se- 
ries of  ?id  Smith' comedies,  a  series 
with  Lavman  and  pougherty,  12  star- 
ring Hank  Mannj  12  with  "Light- 
ring,"  the  dog,  and  Eileen  Sedgwick, 
12  "Jungle"  reels  and  12  with  Eddie 
Gordon,  all  two-reelers. 


130,000,000  Weekly 

The  average  weekly  atten- 
dance at  picture  theaters  in  this 
country  is  estimated  at  130,- 
000,000,  according  to  the  Hays 
organization. 


15  from  United 

(Continued  from  Page  1) 
tantamount  to  a  life  contract  with 
John  Barrymore,  who  will  make  John 
Barrymore  Prod,  for  United  Artists 
release.  He  added  that  Buster  Keat- 
on  is  now  finishing  his  last  picture 
for  M.-G.-M.  and  will  then  release 
through    United. 

Contrary  to  general  belief.  Schenck 
declared  that  Constance  Talmadge 
will  not  produce  for  United,  inas- 
much as  she  will  retire  upon  comple- 
tion of  tliree  more  pictures  for  First 
National.  He  declared  that  the  Pick- 
ford-Fairbanks  studio  upon  which 
considerable  money  will  be  spent  by 
way  of  improvements,  will  be  prob- 
ably known  as  the  United  Artists 
studio  and  will  house  all  of  the  units 
allied  with   United. 

When  asked  about  reports  that  the 
present  headquarters  will  be  transfer- 
red to  the  Coast,  Schenck  declared  he 
was  personally  convinced  it  would  be 
for  the  benefit  of  United  Artists  as 
well  as  to  other  national  distributors 
to  make  ttifir  headquarters  in  Mr^Uy- 
wood,  close  to  the  seat  of  production. 
In  that  way.  he  asserted,  publicity, 
exploitation  and  sales  can  be  better 
handled  in  view  of  the  proximity  of 
the  production  units  and  the  better 
understanding  which  would  then 
naturally  ensue.  However,  there  has 
been  no  definite  decision  made  re- 
garding United.  Hiram  Abrams  and 
other  distribution  executives  may 
convince  Schenck  of  the  advisability 
of  remaining   in   New   York. 

In  explaining  the  new  policy  of 
volume  business,  Schenck  said  that 
with  a  greater  numerical  Ime-up  than 
the  company  has  ever  had,  it  will  be 
possible  to  enter  smaller  situations 
which  have  been  largely  neglected 
until  now  because  of  the  expense  of 
selling  one  picture  at  a  time. 

Mary  Pickford's  latest,  "Sparrows," 
will  go  out  in  the  fall  ?s  will  "The 
Black  Pirate."  Charlie  Chaplin's 
new  picture,  dealing  with  circus  life, 
will  likewise  be  a  fall  release. 


Howard,  Washington,  in  Deal 

Washington  —  iKleinfeld  &  Good- 
man, theater  brokers,  have,  sold  for 
J.  Cruppa,  the  11200  seat  Howard 
theater,  to  A.  Lichtman. 


Fire   Damages   Illinois   House 

East  St.  Louis — Fire  did  damage  to 
the   extent    of   $2,000    to   the    Liberty. 


EASTERN 

STUDIO   FOR   RENT 

EXCEPTIONAL   FACILITIES 

VERY  LARGE  STOCK   OF 
PROPS  AND  FURNITURE 

Telephone    Dewey    8600 


I  Ward  Cine  Laboratory,  Inc.  | 

1^  216-222    Weehawken    St.          % 

iX  Union  City,  N.  J.               g 

I'l  Telephone  Union   4800                                  § 

ft  G.  BERT  WARD.  Pres.  K 

* «  •,« 


New  Circuit  Forming 

St.  Louis — Jacob  Inger  and  David 
Fishman  a  few  weeks  ago  took 
over  the  Southampton  on  Southwest 
Ave.  and  will  open  the  New  Palm, 
April  1.  They  are  after  outlying 
houses. 


Sid   Smith  in  Town 

Sid     Smith,     making     a     series 
shorts   for  Tennek   Film,   has  arri 
in  town  from  the  Coast   to  finish 
series. 

George  Matthews,  formerly  vi 
Warners,  has  joined  the  Tennek  sa| 
force. 


YOU  SAID  A  COLUMNFUL,  DANNY  !. 


Vol.  XXXV  No.  55    Monday.  Mar.  8. 1926    Price  5  Cents 

PROGRAMS 

By  DANNY 

How  much  attention  do  you 
pay  to  your  program?  Yes, 
your  house  program? 

Do  you  "wish  the  job"  on  to 
your  printer?  Or  some  cheap 
printer?  And  get  back  a  county 
fair  job?  Or  do  you  really  de- 
vote some  time  to  it?  Some 
thought ;  some  work. 

Two  young  fellows  interested  in 
getting  out  a  better  type  of  theater 
program  left  us  copies  of  programs 
a  day  or  so  ago.  Some  programs 
which  rather  good  sized  houses  were 
using.  And  also  a  few  samples  of 
what  they  were  doing.  In  an  eflfort 
to  improve  the  programs  which  ap- 
parently are  in  use. 

When  j'ou  study  the  programs  now 
in  use — and  figure  w-hat  might  be  done 
with  them — you  get  a  tiny  bit  sick. 
You  wonder  why — in  a  business 
in  whicn  so  much  depends  upon  pub- 
licity and  advertisinsr — that  men  who 
call  themselves  exhibitors  would  al- 
low such  atrocities  to  be  issued  to 
their  patrons.  And  then  expect  these 
folks   to   come    back. 

Most  of  these  programs  are  about 
7x5  inches.  On  flimsy,  cheap  paper, 
with  poor  to  bad  printing,  and  with 
as  little  interesting  text  as  could  be 
imagined  They  use  tyne  so  small 
that  it  seems  impossible  that  it  can  be 
read  in  a  picture  house  with  usual 
lighting,  and  where  cuts  are  used 
they  are  so  poor  that  only  a  genius 
would  recognize  the  star.  If  you 
cannot  use  a  cut  or  photo  which  al- 
lows anyone  to  know  off  the  bat  who 
you  are  trying  to  present,  vou  had 
better  use  no  cut  at  all.  *  *  * 

Many  exhibitors  could  well  afford 
to  issue  a  finely  printed  program.  *  *  * 

Certainly  the  "throw  away"  type 
of  program  so  often  used  can  have 
but  little  value.  Either  to  the  ex- 
hibitor or  the  patron.  If  the  program 
is  intended  to  be  used  to  whet  an 
anpetite  for  coming  attractions,  most 
of  them  must  surely  fall  far  short 
of  what  is  intended. 


There's  no  mysteryJ 
about  the  "two  youngj 
fellows" — we  are  they. 


The  NATIONAL  PROQRAM  J 
SERVICE  relieves  you  of  that  i 
concern — 


Wake  up !   Mr.  Exhibitor,  are ; 
you  the  guilty  party  ? 


I 


Allow  us— William  Slater  and  ' 
Coletnann  Michaels 'producing 
a  four'page  program  designed  'I 
especially  for  the  movie-goer. 


What  are  you  doing  about  this? 
Don't  stay  in  that  rut,  Mr.  Ex' 
hibitor^get  out,  keep  in  step 
with  the  times— tastes  are 
changing,  you  know  that! 


Danny  hits  the  nail  on  the  head  - 
here.  He  explains  exactly  tthy 
"these  two  young  fellows," 
which  means  NATIONAL 
PROGRAM  SERVICE,  "are 
getting  out  a  better  type  of  pro-  " 
gram.  ^ 

The  NATIONAL  PROQRAM 
keeps  your  regular  patron 
"sold" — and  "sells"  new  faces! 


COMPARE! 

...OUR  PRICE  SAVES 
YOU  MONEY. 


ACT  AT  ONCE! 

WRITE— PHONE— CALL 
FOR  PARTICULARS 


I 


NATIONAL   PROGRAM    SERVICE 


1650  Broadway 
William  Slater 
Editor 


Telephone: 
Circle   5543 


New  York  City 

Colemann   Michaels 

Associate    Editor 


: 


Wednesday,  March  10,  1926 


N.  W.  Building  Rush 

(.Continued  fium  Page    1) 

n  final  contracts  late  yesterday, 
lereby  all  of  the  J.  and  V.  holdings, 
luding  31  theaters  in  operation  and 
e  under  construction,  passed  to  his 
mpany.  The  deal  means  the  retire- 
;nt  of  Claude  Jensen  and  J.  G.  Von 
erberg  from  the  exhibition  field. 
le  money  involved  ranges  all  the 
ly  from  |3,000,000  to  5^6,000,000  with 
e  probability  that  a  figure  some- 
lere  between  both  is  about  right. 
J.  and  V.  own  50  per  cent  of  the  op- 
ating  company,  Greater  Theaters, 
c,  in  Seattle.  The  theaters  here  are 
berty,  Coliseum  and  .Strand  and  J. 
d  V.  partners  are  Jake  Gottstein  and 
-ed  Fischer,  fn  Tacoma,  Ed  Moore 
interested  in  the  liouses  operated 
ere.  In  I-'ortland,  the  holdings  are 
ber,y,  Majestic,  Peoples  and  I^ivoli, 
eratcd  in  association  with  J.  J.  Par- 
r  and  Gus  Metzger.  The  new  Pub- 
:  theater  in  Seattle  was  arranged 
rough  Louis  Cohen  who  closed  a  25- 
ar  lease  at  a  total  rental  exceeding 
|i,500,000. 

The  theater  will  cost  $1,250,000  and 
ill  be  launched  at  once.  Regarding 
le  Fox  theater,  Elon  L.  Brown,  man- 
ner of  A.  C.  Blumenthal  &  Co.,  Inc., 
Los  Angeles  states  the  theater 
hich  will  seat  4,000,  will  be  a  radical 
'parture  for  Seattle,  so  far  as  presen- 
tion  is  concerned. 


Various  distributors  have  been  men- 
pned  in  connection  with  the  purchase 
t   the  J.   and   V.   holdings.      Famous 
as  interested  at  one  time.     When  S. 
Kent    was    in    San    Francisco    last 
jmmer    on    the    Rothchild    deal,    the 
latter     was     taken     up     and     later 
ropped.     James  R.  Grainger  of  Fox 
as  in  Seattle  in  July  and  investigated 
e  properties  at  which  time  he  urged 
s  organization  against  the  deal. 
The   reaction   in   New   York  to  the 
le  yesterday  was  this:  It  was  point- 
1  out  that  little  new  construction  had 
een   launched   in   the    Pacific   North- 
est  in  the  last  ten  years  and  that  the 
and  V.  theaters  are  not  of  the  big 
odern  time  which  all  distributors  are 
pparently  now  after.  It  is  understood 
ox  and  Famous  will  probably  build 
Portland,   Ore.,  as  well  as  Seattle. 
|ne  of  the  interesting  sidelights  in  the 
tuation  is  the  fact  that  Grainger  and 
on     Herberg     are     warm     personal 
iends.  However,  Grainger  has  never 
esitated  to  enter  the  Northwest  ter- 
itory    in    a   highly    competitive    man- 
er  whenever  the  occasion  arose.     It 
ras  Grainger  who  influenced  William 
Randolph  Hearst  to  finance  the  John 
lanirick  theaters,  opposition  to  J.  and 
^   in    Seattle,    Portland   and   the   Ta- 
enia to  the  extent  of  $100,000  in  re- 
urn    for    Hamrick's    pledge    to    play 
letro-Goldwyn. 


Regional  Conventions  for  "U" 

Cleveland — Universal  will  hold  a 
onvention  at  the  Hollenden  Hotel  on 
tarch  29-30-31.  Attending  will  be  E. 
Cramer,  Lou  Metzger  and  R.  Wil- 
ams,  sales  manager;  Joe  Friedman, 
pecial  representative  for  Reginald 
)enny;  Julius  Singer,  short  subject 
epresentative,  as  well  as  managers  of 
xchanges  in  this  division.  O'her  re- 
ional  conventions  will  be  held  in  New 
(^ork,  Chicago,  New  Orleans  and  San 
''rancisco. 


Blank-Publix  Deal 

(Cuntinucd  from  Page   1) 

is  now  in  course  of  construction  and 
will  seat  over  3,000.  Blank  declared 
yesterday  that  he  will  operate  it. 

Famous  or  Publix  recently  secured 
a  htiy  pL-r  cent  m  tlie  Kialto  in  Oma- 
ha, another  of  the  Blank  houses,  by 
buying  from  individual  stockholders 
that  share  of  the  control. 


Minncapoli.s — "G  r  e  a  t  e  r  Amuse- 
ments" report  under  a  New  York  date 
line  that  Publix  next  week  is  sched- 
uled to  take  over  the  Blank  circuit  of 
theaters  in  Iowa,  Nebraska  and  Illi- 
nois. 


Shannon  and  Hale  Coast-Bound 

luhei  Sliannon  and  Creighton  Hale 
have  departed  for  the  Coast,  follow- 
ing a  five  weeks'  stay  here  during 
which  they  appeared  in  "Oh,  Baby!" 


Press  Books  Becoming  Popular 

In  the  number  of  entries  received 
and  the  quality  of  the  contributions, 
the  contest  covering  the  advertising, 
publicity  and  exploitation  on  "First 
National  Month"  (January),  is  report- 
ed most  successful.  The  judges  ex- 
perienced difficulty  in  selecting  the 
best  because  there  were  so  many  of 
them.  This  was  especially  true  in 
Class  C  theaters,  houses  with  less 
than  1,000  seats,  which  topped  either 
of  the  other  classes  in  contributions. 

The  judges  were  unanimous  in  their 
opinion  that  the  entries  indicated  a 
marked  advance  in  showmanship,  es- 
pecially in  smaller  houses.  Another 
fact  commented  upon  was  the  increas- 
ing influence  of  press  books  in  news- 
paper advertising.  Whereas  a  few 
years  ago  most  of  the  larger  exhibi- 
tors were  in  the  habit  of  preparing 
their  own  advertising,  it  appears  that 
now  a  great  body,  of  them  rely  upon 
the  lay-outs  and  copy  prepared  by  the 
distributors. 


To  Produce  in  Oregon 

Portland,  Ore. — The  Featherstone 
Feature  Film  Co.  has  been  formed  to 
produce  in  blocks  of  six.  Westerns, 
dog  and  mounted  police  features  will 
comprise   the   program. 


Des  Moines 
uiajr  be  kuowij 
€br  the  corn 
it  keeps  — 

ill  ufake 
my  hit  with 
the  laughs 
I  Grvd^l 


Advancing  a  Stage 

(Continued  from  Page   1) 

formed  that  they  provided  for  the  en- 
tire abolishment  of  the  State  M.  P. 
Censorship  Commission  and  transfer- 
ring its  entire  business  to  the  State 
Comptroller  who  would  be  empower- 
ed to  wind  up  the  business  of  the  cen- 
sorship board  by  June  13,  1926. 
Whereupon  Assemblyman  Hacken- 
burg  immediately  withdrew  his  mo- 
tion. 

The  vote  was  then  taken  on  the 
original  bill  to  relieve  the  news  reels 
trom  censorship,  which  was  passed. 
The  measure  was  sponsored  in  the 
lower  house  by  Assemblyman  Davi- 
son, Republican,  of  Nassau  County. 
No  opposition  was  presented  against 
the  passage  of  the  bill.  The  compan- 
ion bill  in  the  Senate  introduced  by  J. 
Griswold  Webb  of  Dutchess  County 
is  in  committee  and  will  be  reported 
favorably  tomorrow. 


Features  at  Rialto-Rivoli  Next  Week 

Tom  Mix  in  "My  Own  Pal"  opens 
at  the  Rialto  on  Sunday.  The  Rivoli 
\vill  play  "The  Untamed  Lady,"  star- 
ring Gloria  Swanson. 


More  Exchanges 

(Continued  from  Page   1) 

Inc.,  of  Los  Angeles,  including  four 
features  starring  Alice  Calhoun  and 
several  series  of  short-reel  comedie.s. 
Film  Craft  will  represent  C.  &  C.  I-.i 
the  Western  territory,  handling  the 
latter's  product  from  Denver  to  the 
Coast. 

Cranfield  &  Clarke's  1926-27- sched- 
uel  includes  the  "Mollie  May"  series, 
featuring  Violet  Mersereau;  the  "Fam- 
ous Painting"  series,  the  "Interna- 
tional 12"  series,  the  "Novelty  12," 
12  "Round  Corner"  comedies,  13 
"Boys'^  Adventures,"  12  "Make  Me 
Laugh"  subjects  and  miscellaneous 
comedies. 


Excellent   May  Sign  Compson 

It  is  understood  that  Excellent  Pic- 
tures are  about  to  place  Betty  Comp- 
son under  contract  for  three  pictures. 


Moray  Joins  Warners 

Cleveland — Norman  Moray  is  back 
from  a  six  months'  try  at  Florida  real 
estate  and  has  become  manager  of 
the  local  Warner  exchange.  Moray 
was  manager  of  the  First  National 
exchange  when  he  went  South.  He 
succeeds  Jack  Stewart,  transferred  to 
Cincinnati.  James  V.  Allen,  who  was 
Cincinnati  manager,  is  now  holding 
a  similar  position  in  Detroit. 

Nat  Barach  has  been  appointed 
central  division  manager  for  Warner 
Bros.  H.  E.  Elder  has  been  given 
charge  of  the  eastern  division.. 


Can  Use  Old  Tickets 

(.Continued  from  Page   1) 

1924  law  may  continue  their  use  for  a 
reasonable  time  after  midnight,  March 
28,  when  the  new  admission  tax  be- 
comes effective,  in  order  to  dispose  of 
them,  if  sold  at  the  established  price 
of   admission. 

It  is  pointed  out,  however,  that  a 
ticket  marked  "established  price  54 
cents,  tax  paid  6  cents,  total  60  cents," 
may  not  be  sold  for  60  cents,  but  must 
be  sold  at  54  cents. 


Censors  for  Tunis 

Washington — A  decree  instituting  a 
censoring  committee  whicVi  will  meet 
at  Tunis,  is  reported  by  Consul  Leland 
L.  Smith  at  Tunis  to  the  Dept.  of 
Commerce. 

The  committee  will  be  composed  of 
the  following  members:  President,  the 
public  prosecutor,  or  his  representa- 
tive; members,  the  vice-president  of 
the  Municipality  of  Tunis,  or  his  rep- 
resentative; the  chief  of  the  "Surete," 
or  his  representative;  an  inspector  of 
the  Dept.  of  Education;  a  police  com- 
missioner and  a  representative  of  the 
film  agents. 


Changes  in  Texas  Houses 

Houston,  Tex. — Max  Borger,  busi- 
ness manager  of  the  Majestic  and 
Palace,  has  resigned,  along  with  Jay 
Redfro,  assistant  manager. 


IT'S  A  FREE-FOR-ALL  LAUGH  FEST 

at  the  Colony,  where  "THE  COHENS  and  KELLYS"  are  turn- 
ing hundreds  away  from  the  box-office  and  thousands  inside  out 
with  laughter.  "This  film  is  a  darn  good  laugh  picture  that  will 
get  a  lot  of  dough !"  says  Variety.  George  Sydney,  Charles  Mur- 
ray and  Vera  Gordon  are  making  it  come  true  with  this  Univer- 
sal Harry  Pollard  Production. — Advt. 


y^'td^^Afk 


by  om  who  wants  to  be  themi 


Joseph  M.  Schenck  presents  it;  with  RONALD  COLMAN,  screen  story  by  Hans  Kraly, 

based  on  the  stage  play  "Kiki"  written  by  Andre  Picard  and  David  Belasco; 

A  CLARENCE  BROWN  production;  A  First  National  Picture 


ioii 

Tl 
iicti 


Til  So^^ 


A 


7Ae  BRADSTREET 
\9f  FILMDOM 


2f(^RE(0CMIZEP 

Authority 


OL.   XXXV     No.  58 


Thursday.   March   11,   1926 


Price  5   Cents 


"DANNY" 

it  se«  ;  but  yesterday  when 
ist  we  met,  Joe  Dannenberg 
id  I.     His  dream  of  a  daily  pa- 

I  for  the  motion  picture  indus- 
)  was  just  coming  true. 

1  nicknamed  him  "Danny." 
\  e  became  pardners.  Our  agree- 
lent  a  handshake,  our  contract 
Kit  sincerity  of  understanding 
)  hard  to  define. 

rhen  ten  years  of  the  happiest 
>>ociation  ever  enjoyed  by  two 
len.  Ten  years  of  smiles  and 
?ars  with  never  a  cross  word 
elween  them.  Ten  years  of 
iiitual  trust,  understanding  and 
ihniration  that  seem  but  a 
ay. 

"Danny"  has  passed  on  to  the 
|Verlasting  rest.  In  his  own 
lords  he  has  taken  "the  beauti- 
j1  adventure."  He  has  gone. 
ut  his  name  will  live  as  long 
s  motion  pictures  are  shown — 
jiever. 

The  world  has  lost  a  courage- 

us,    dominant    personality.      A 

eautiful  character,  firm   in   the 

/trength      of      his      convictions. 

fJDrcefuUy     honest     in     thought 

^nd    still    with    the    finer    sensi- 

iilities  and  sentimentalities  of  a 

i'oman. 

1  The    motion   picture    industry 
ias  lost  a  sincere,  constructive 
hampion,  a  clear  mind,  a  clean 
cart  and  a  beloved  confidant. 

The     Film      Daily     has     lost 
powerful   leader   and  counsel- 
ir. 

f  have  lost  the  best  pal  a  man 
r  had — my  buddy. 

^JACKAUCOATE. 


Services  at  4  P.  M. 

Funeral  services  for  "Danny" 
will  be  held  this  afternoon  at 
four  o'clock  at  the  Universal 
Chapel,  Lexington  Ave.  and 
52nd  St. 

The  services  will  be  con- 
ducted by  Dr.  Krass. 


January  9,  1878  "DANNY"  March  10,  1926 


At  New  High 

Famous  Players  common  yester- 
day reached  a  new  high  level  for  the 
year,  relative  to  which  the  financial 
editor  of  "The  Evening  World"  com- 
mented: 

"Recent  buying  of  Famous  Players  and 
the  persistent  strength  in  the  stock  today 
was  based  on  the  highly  favorable  earn- 
ing^ of  the  company,  which  have  been 
increased  substantially  through  the  expan- 
(Continued  on  Page  2) 


Equipment  Meeting  Opens  Friday 

The  Manufacturers'  Division  of  the 
Association  of  M.  P.  Equipment  Deal 
ers  of  America,  will  open  its  conven 
tion   Friday  at  the  Astor.     About   75 
or  80  concerns  are  expected  to  attend. 
It  is  understood  that  the  Detroit  con 
vention,    designed    to    be    national    in 
scope,  will  be  called  off. 


Expanding 


"Danny"  Passes  On 

Editor   and    Publisher    of    The    Film 

Daily  Dies — Industry's  Leaders 

Pay  Tribute 

Joseph  Dannenberg,  familiarly  and 
iffectionately  known  throughout  the 
ndustry  here  and  abroad  as  "Danny" 
because  of  his  long  association  with 
The  Film  Daily,  as  editor  and 
pul^lisher,  died  at  the  Post  Graduate 
Hospital,  New  York,  at  9:45  a.  m., 
yesterday. 

The  end  came  after  four  days  of  ill- 
ness, beginning  Saturday  morning. 
That  night  he  underwent  an  opera- 
tion for  appendicitis.  His  condition 
failed  to  respond  to  treatment  and  on 
Tuesday,  his  attending  physicians,  Drs. 
John  F.  Krdmann  and  William  H. 
Maddren  operated  a  second  time. 
Complications  had  set  in  which  gave 
tlie  case  a  decidedly  serious  aspect. 
This  second  operation  likewise  failed 
to  bring  the  anticipated  relief  and 
I'rom  that  time  on  "Danny"  grew 
steadily  worse.  There  was  a  slight 
rally  about  2  o'clock  Wednesday 
morning,  but  it  proved  only  momen- 
tary. The  fatal  ailment  is  described 
as  appendicitis  with  paralysis  oi  the 
intestines. 

Funeval  services  will  be  held  at  four 
o'clock  this  afternoon  at  the  Univer- 
sal Funeral  Chapel,  Lexington  Ave. 
and  52nd  St.  Interment  will  be  made 
tomorrow  afternoon  at  the  Hebrew 
Friendship  Cemetery,  Baltimore,  Md. 

"Danny"  is  survived  by  his  widow, 
Mrs.  Perl  Dannenberg  and  his  two 
sisters,  Mrs.  Edna  Sussman  and  Miss 
.\ddie  Dannenberg,  both  of  Baltimore. 


Montford  Steele,  manager  of  for- 
eign offices  for  United  Artists,  has  left 
for  a  four  months'  tour  of  the  Orient 
for  the  purpose  of  opening  new 
branclus  in  that  territory.  New 
offices  will  be  opened  in  China,  India, 
the  Straits  Settlements  and  the  Philip- 
pine  Islands. 

E.  A.  Eschmann,  assistant  to  Hi- 
ram Abrams,  left  for  the  Middle  West 

(Continued  .on  Page  2) 


Hersholt  and  Stroheim  to  Star 
Los  Angeles — It  is  understood  Jean 

Hersholt  and  Erich  Von  Stroheim  will 

co-star    in    Von    Stroheim's    first    for 

Famous. 

Hersholt   has   also   been    loaned    to 

Fox  for  the  lead  in  a  Warfield  play. 


"Danny's"  Career 

"Danny"  was  born  in  Baltimore 
on  January  9,  1878,  the  son  of  Philip 
H.  and  Lina  Dannenberg.  He  was 
apparently  wooed  to  the  press  from 
his  beginnings,  for  in  his  college  days 
and  when  only  a  boy  of  fifteen,  he 
undertook  his  first  newspaper  work 
for  the  old  Baltimore  Telegram,  pub- 
lished singularly  enough  by  James 
Young's  father. 

This  was  in  1893.  In  1895  he 
"joined  the  staff"  of  the  Baltimore 
World,  at  the  munificent  salary  of  $3 
per  week.  There  he  was  "printer's 
devil,"  police  reporter,  and  whatever 
(Continued  on  Page  2) 


THE 


i^tiK 


DAILV 


Thursday,  March   11,   19i 


Vol  XXXy  Nt. 58   Thursday, Mar.  11, 1926  PriceSCeots 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographie 
Francaise.    5,   Rue   Saulnier. 


Quotations 

High 

I-ow 

Close 

Sales 

Balabani    &     Katz. 

.     71^8 

70/0 

71 

Eastman    Kodak     . 

.109 

109 

109 

600 

Famous    Players     . 

.125^ 

120^i 

125 

4,300 

Fam,    Play.    Pfd.    . 

.123 

121!^ 

123 

200 

•Film      Inspection. 

5 

Fox    Film    "A"    .  . 

.    68K 

67 

68J4 

2,300 

First    National    .  . . 

.103 

103 

103 

100 

Fox   Theaters    "A" 

.   24J4 

24;'J 

241/J 

600 

*Intern'l    Projector 

12 

Loew's,  Inc 

.   377^ 

365^ 

37^ 

2,000 

Metro-Gold.  Pfd.   . 

.   23/8 

23J^ 

2Zyi 

100 

M.  P.   Cap.   Corp.. 

.   23 

23^ 

23 

400 

Pathe    Exch.    "A". 

70 

65  J4 

70 

9,200 

*Skouras  Bros.   .  .  . 

46H 

••Stan.  Co   of  Am. 

48 

48 

48 

Trans-Lux   Screen. 

lOj'^ 

10^ 

10J4 

2,200 

^Universal  Pictures 

32'^ 

Univ.    Pict.    Pfd.    . 

91^ 

9154 

9154 

100 

'^Warner    Bros.    .  .  . 

14H 

Warner    Pictures    . 

15 

15 

IS 

700 

*  Last  prices  quo 

ted. 

**   Philadelphia    market. 

At  New  High 

(Continued  from  Paric  1) 
sion  program  of  the  company  by  new  acquisi- 
tions from  time  to  time.  The  stock  sold  at 
a  new  high  for  the  year  when  it  crossed 
122}^.  Dividends  are  being  paid  at  the 
annual  rate  of  8  per  cent,  and  in  some  quar- 
ters something  more  than  the  usual  distribu- 
tion at  the  next  meeting  was  being  looked 
for.  The  more  conservative  opinion  was, 
however,  that  nothing  along  the  line  of  in- 
creased distribution  could  be  expected  in  the 
immediately  future.  Famous  Players  is  ex- 
panding in  the  foreign  field,  tour  large  the- 
aters having  been  built  on  the  Continent. 
According  to  the  latest  figures  available,  in 
the  first  nine  months  of  1925  net  income  was 
equal  to  $12.16  a  share  on  the  common,  com- 
pared with  $10.28  a  share  in  the  corres- 
ponding period  in   1924." 

The  Stock  reached  a  high  of  125;^ 
and  closed  at  125.  The  turnover  was 
4,300  shares. 


France  Selects  U.  S.  Films 
A  special  cable  to  the  Sun  states 
Ihat  three  American  films  figure  first 
in  the  list  selected  for  the  inaugural 
season  of  the  repertory  screen  thea- 
ter. 

Eight  have  been  chosen,  all  of  them 
French  with  the  exceptions  of  "The 
Kid,"  "Little  Lord  Fauntleroy"  and 
"Robin  Hood." 


"A  Great  Loss"- 

-Hays 

Mr,  Dannenberg  was  a  leader  in  trade  journalism  in 
America.     His  work  for  motion  pictures  was  always  con- 
structive, always  progressive,  always  honest.     Every  man 
was  his  friend  and  he  was  a  friend  of  all  men.     His  death 
is  a  great  loss  to  every  one  of  us. 

WILL 

H.  HAYS 

Canadian  Censors 

Ottawa — The  banning  of  several 
important  publications  by  the  Can- 
adian Federal  Censor  has  led  to  some 
discussion  in  official  circles  as  to 
whether  the  Government  would  de- 
cide to  place  a  Federal  censorship  on 
pictures  Following  the  banning  of 
the  papers,  announcement  was  made 
by  the  Dept.  of  Customs  and  Ex- 
cise regarding  the  legislative  power 
held  by  the  Department  in  prohibit- 
ing the  entry  of  any  publication,  pic- 
ture or  any  printed  view  from  the 
country. 

At  present  the  censorship  of  pic- 
tures has  been  conducted  within  the 
various  Provinces  through  the  estab- 
lishment of  Provincial  boards.  At 
times,  picture  men  have  pressed  for 
a  Federal  censorship  board  to  pas= 
upon  all  pictures  once  and  for  all  for 
showing  anywhere  in  Canada,  thus 
saving  delays,  express  charges,  fees 
and  other  details.  Federal  film  cen- 
sorship has  now  become  a  discussed 
question  again. 


Switch  in  England  in  September 

London — The    Warner    distribution 
contract  with  Gaumont  expires  in  Sep 
tcmber.  Thereafter,  Warners  will  han- 
dle their   own   product   in    Great   Bri 
tain  through  Vitagraph  exchanges. 


Leblang  on  Bank  Directorate 

Joseph  Leblang  has  been  elected  a 
director  of  the  American  United  Bank, 
which  has  opened  a  new  branch  at 
8th  Ave.  and  37th  St. 


Managing  Two  Texas  Houses 
Ranger,  Tex. — Jack  Taggart  is  now 
managing  the  Liberty  and  Lamb.  Tbe 
former  seats  1,000  and  the  latter.  765. 


Niblo  Here  \ 

Fred  Niblo  and  Enid  Bennett,  who 
arrived  yesterday  morning  from  Eu- 
rope, leave-  fcuL  Hollywood  tomoftow 


Famous  to  Make  "Man  Trap" 
"Man  Trap,"  by  Sinclair  Lewis,  will 
be  a  special  on  Paramount's  fall  list 
\^ctor  Fleming  will  direct, 


Lichtman  Starts  April  1 

Al  Lichtman  will  start  work  on  hi; 
second  picture  in  New  York  on  Apri! 
1. 


Expanding 

(Continued  from  Page   1) 

yesterday  in  connection  with  the  com- 
pany's new  policy  of  volume  business. 
As  noted,  towns,  no  matter  what  the 
size,  will  now  figure  in  the  United 
sales   efforts. 


Self-Supporting 

Washington — Only  35  of  the  94  pic- 
ture theaters  operated  by  the  War  De- 
partment showed  a  profit  last  year,  ac- 
cording to  a  report  made  public,  but 
the  surplus  from  those  theaters  was 
sufficient  to  supj^ort  the  houses  at  the 
smaller  posts. 

Something   over   4,800,000   attended 
the  shows  given  at  these  theaters,  the 
report   states,   during   1925.     The  ser 
vice  is  now  self-supporting  and  needs 
no  Government  funds. 


n 


Webb  Back  with  Warners 

Hollywood — It  is  understood  Mil- 
lard Webb  will  not  direct  Norma  Tal- 
madge's  next  picture  as  first  planned 
Dut  will  resume  direction  for  Warn- 
ers. Norma's  next  may  be  a  story  of 
the  life  of  Gaby  Deslvs,  French  ac- 
iress. 


Warner  Richmond  Arrives  on  Coast 

Hollywood  —  Warner  Richmond 
has  arrived  from  New  York.  He 
has  signed  to  appear  in  Pola  Negri's 
"Good  and  Naughty,"  to  be  directed 
by    Mai    St.    Clair. 


Lawton  in  Search  of  Locations 

Jack  Lawton,  location  scout  for 
Universal,  arrived  in  town  late  yes- 
terday from  up-state  where  he  has 
been  on  location  for  "Uncle  Tom's 
Cabin."  He  left  two  hours  later  for 
Memphis  and  New  Orleans  to  find 
suitable  exteriors. 


Leave  for  the  Coast 
Elizabeth  Patterson  and  Maybelle 
Turner,  who  appeared  in  the  stage 
version  of  "The  Book  of  Charm,"  have 
left  for  Hollywood  to  appear  in  the 
picture  version,  to  be  made  by  Metro- 
Goldwyn-Mayer  as  "The  Boy  Friend." 


"Danny's"  Career 

(Continued  from  Page   1) 

else  his  city  editor  deemed  he  shea 
be.       When    the    World    ceased 
publish,    "Danny"    joined    the    Bal 
more      Sun      where      he      continui 
until    1910.      At    that    time    he    w 
sent    to    New    York    to    take    charj 
of  the  Sun's  news  bureau.     Howevi 
his  many  years  with  the  Sun  in  Bali 
more  were   interspersed  with  a  nui 
ber  of  notable  assignments,  many 
them  dealing  with  Maryland  and  iii 
tional  politics. 

When  "Danny"  came  to  New  Yor 
for  the  Sun,  it  was  to  remain  as  Ne 
York  chief  for  about  eighteen  month 
In  the  last  days  of  1911,  he  joini 
the  Fairchild  Publishing  Co..  the 
just  launching  "Women's  Wear 
There  "Danny"  remained  for  sev« 
years  as  advertising  manager  ar. 
general  editorial  counsel.  In  thi 
period,  "Women's  Wear"  grew  froi 
a  four  page  daily  newspaper  to 
present  proportions  and  prestige 
the  official  voice  of  the  garmeB 
trades.  Much  of  that  success  mtu 
be  attributed  to  "Danny." 


»- 


0- 


b' 


IT..- 


id' 


In  1918,  he  saw  the  possibilities  ( 
a  daily  newspaper  in  the  motion  pi* 
ture  industry,  and  with  John  W.  Al\ 
coate,  purchased  an  interest  in  whs 
was  then  "Wid''s  Weekly."  On  Ma 
8,  1918,  "Wid's  Daily"  made  its  af 
pearance,  the  first  newspaper  in  th 
industry.  It  was  the  subject  of  mu<i 
discussion  and  perhaps  equally  a 
much  criticism.  Many  were  cert 
it  could  not  last,  but  it  did. 

In  1921,  control  of  the  paper  passft 
to  "Danny"  and  Alicoate,  and  th 
name     was     changed     to     The     Fill 


iiicli; 
From   that   time   on,  the   reepK'^ ' 


Dail 

ord   is  as  an   open  book.     Under  tb 

guiding   hand  of   "Danny,"   the   prei 

tige    of    the    publication    became    iii 

ternational. 


ir.'j 


Saxe  in  Oshkosh 

Oshkosh,  Wis. — The  Opera  House, 
operated  by  the  Saxe  Amusement  Co., 
\vill  be  completely  remodeled.  The 
Saxe  interests  will  also  build  a  new 
S^450,000  theater  here. 


$3,000,000  Chicago  House  Under  Way 

Chicago — Work  has  begun  on  the 
new  $3,000,000  house  being  erected 
by  Marks  Bros.  Theaters,  Inc.  at 
West  Madison  and  Crawford.  The 
house  will  seat  3,000. 


Dorthy  Gish  Back 
Dorothy  Gish  is  back  in  New  York 
after    a   week    in    Los    Angeles.      She 
sails   for   England   on   the    Aquitania, 
March  20. 


One  of  "Danny's"  greatest  achiev^ 
ments  in  the  motion  picture  publisS. 
ing  field  is  the  Film  Year  Boci^  ^' -! 
which  has  grown  from  160  pages  iftFi.' 
1918,  to  860  in  1926.  This  standa« 
volume,  accepted  far  and  wide  as  filiB' 
dom's  encyclopedia,  is  perhaps  tW 
acme  of  his  efforts.  I 


''Danny"— The  Man 

Nothing    greater    can    be    said 
"Danny"    than    that    he    was    humi 
Those   traits  that  make   for  worth 
character   were  inherent   in   the   mi 
Understanding,     sympathy,     fairnesi 
these   attributes   and   many   more   foi 
which  there  are  vague  and  futile  grop- 
ings  are  synonymous  with  his  memory 

The  industry  knows.  Eulogies  art 
not  necessary.  "Danny"  had  said 
"The  record  speaks  for  itself."  True 
indeed,  and  never  more  fitting  than 
now. 

A  true  immortal — a  prince  of  the  in- 
dustry— the  best  fellow  that  ever  lived 
— these  tributes  and  more  came  yes- 
terday from  the  industry's  leaders 

Ojie  who  has  worked  by  "Danny's" 
side  for  many  years  knows  how  true 
these   encomiums    are. 

"Red"  Kani 


knio! 

:11 

iii 

;  III 
t'.  :«( 


k 


(line 


Int 

Ifrjl 

tiyb 
tkatai 
ftes 
1 

ti  u 
till 
»ij 
tie 
slaiei 

ttUllii 


t 


"¥  ■  »  n^^ 


THE 


lursday.  March   11.   1926 


i^L__££ 


DAILY 


ndustry  Pays   Tribute  to   ^^Danny^^ 


'he  death  of  Mr.  Dannenberg  is  a 
ressing  blow  to  the  picture  indus- 
His  conservatism  and  the  right- 
5  and  righteousness  of  his  view- 
it  about  this  industry  will  make  it 
cult  to  replace  his  influence.  I  am 
ply  distressed  at  his  passing— Mar- 

Loew. 

*         *         * 

he  industry  has  suffered  an  irre- 
jble  loss  in  the  death  of  "Danny." 
ring  the  eight  years  that  he  has 
n  a  part  of  the  motion  picture 
iness,  he  has  won  the  esteem  and 

friendship  of  all  with  whom  he 
ae  in  contact.  His  vital  person- 
y  found  expression  through  a 
ceful  publication  always  keenly 
re  to  the  problems  of  the  moment. 
t  is  doubtful  if  the  industry  pos- 
sed  a  keener  or  more  analytical 
dent  of  the   motion  picture  indus- 

in  all  its  phases.  And  "Danny" 
•ays  tried  to   be  fair   to   all   sides. 

a  frank,  fearless  and  inspiring 
tor    and    as    a    man    whose   friends 

numbered  in  the  hundreds,  he 
1  be  sadly  missed.— Richard  A. 
wland.   General  M'g'r,   First   Nat'l 

rtures. 

*  *        * 

fDanny!"  "Danny,"  who  has  been 
much  a  part  of  the  motion  picture 
jiness.  who  has  been  so  much  a  part 
its  growth— his  death  is  a  sincere 
s.  I  have  known  "Danny"  for  many 
irs.  His  death  was  a  distinct  shock 
me.  I  cannot  express  in  words  the 
■row  which  his  departure  has 
ised.— Jesse  L.  Lasky,  Vice  Presi- 
at.  Famous  Players-Lasky. 

*  *         * 

[  came  to  New  York  first  about  five 
ars  ago  and  at  once  my  relations 
th  "Danny"  became  most  intimate 
were  very,  very  warm  personal 
ends.  I  cannot  begin  to  tell  how 
ep  was  my  regard  for  him. 
Can    I    say   more    than    to   tell   you 


A  Leader  Gone 

In  the  death  of  Mr.  Dannen- 
berg the  motion  picture  indus- 
try has  lost  one  of  its  foremost 
characters — a  man  who  has  held 
the  screen  in  reverence,  and 
who  has  fought  persistently  for 
its  world  recognition  and  for 
the  high  standard  which  it  has 
attained.  Every  member  of 
the  motion  picture  industry 
shares  alike  the  grief  which  his 
death  has  caused.  His  death  has 
stunned  me.  His  is  a  difficult 
gap  to  fill. 

ADOLPH  ZUKOR 


WHEREAS  -  The  Board  of  Directors  of  United 
Artists  Corporation  -  Mary  Pickford,  Charles 
Chaplin,  Douglas  Fairbanks  and  D.  W. 
Griffith;  Joseph  M.  Schenck,  Chairman  of  th§ 
Board,  and  Hiram  Abrams,  President,  learn 
with  deepest  regrets  of  the  sudden  and  un- 
timely demise  of  Joseph  Dannenberg,  editor 
and  publisher  of  The  Film  Daily,  therefore 

BE  IT  RESOLVED  -  That  the  Board  of  Directors 
of  United  Artists  Corporation  and  its  mem- 
bers collectively  and  individually  extend 
their  sincerest  and  heartfelt  sympathy  to 
the  stricken  widow  and  grieving  relatives; 
express  their  profound  regret  at  the  loss 
to  the  motion  picture  industry  of  the_ de- 
ceased as  a  Man  personally  and  as  an  in- 
fluence that  ever  sought  to  point  the  way 
toward  progress,  harmony  and  advancement;  a 
man  and  an  influence  that  never  faltered 
but  always  led  in  thought  and  in  movement 
for  greater  achievement  in  all  the  manifold 
phases  of  photoplay  production  and  presen- 
tation; a  man  and  an  influence  which  may 
never  be  replaced. 


^!^^^ 


^^^^^-^'^'Cf^y^ 


that  I  grieve  for  him  as  I  would  for  a 

member  of  my  own  family? — Dr.  A. 

H.  Giannini,  East  River  Natl  Bank. 

♦         *        * 

Close  friendship  with  "Danny" 
makes  it  difficult  to  put  in  words  the 
ihoughts  that  come  to  mind  at  a  mo- 
ment like  this.  "Danny"  and  I  en- 
tered the  motion  picture  industry 
about  the  same  time.  I  am  proud  to 
feel  that  he  considered  me  a  friend 
ever  since  that  time.  We  cut  our 
eye  teeth  together  in  the  industry,  we 
talked  and   argued   friendlily  over  its 


problems.  I  don't  think  anyone  un- 
derstood the  industry's  problems  bet- 
ter than  he  did — and  I  am  proud  to 
acknowledge  his  friendship,  aid  and 
helpful  advice.  He  will  be  missed  in 
the  industry  and — well,  the  word  does 
not  say  it  all— and  I  will  miss  him. 
— Oscar  Price,  President,  Associated 
Exhibitors,  Inc. 

*         *         * 

Words  fail  us  to  express  our  regret. 
"Danny"  was  the  best  fellow  that  ever 
lived  and  will  be  missed  by  us  all. 
— Warner  Brothers. 


The  untimely  death  of  Joseph  Dan- 
nenberg was  a  great  shock  indeed. 
Danny"  had  risen  rapidly  in  the 
ranks  of  trade  paper  publishers  and 
the  industry  will  ever  remember  his 
unique  style. 

\ye  extend  to  Joseph  Dannenberg's 
survivors  and  many  friends  our  deep- 
est sympathy  in  this  hour  of  their  be- 
reavement.— Joseph  M.  Seider,  Busi- 
ness M'g'r,  M.  P.  T.  O.  A. 

*  ♦         * 

One  of  the  true  immortals  of  the 
motion  picture  industry  has  passed 
on.  "Danny"  was  always  a  power- 
ful factor  for  fair  play  on  the  screen 
and  his  loss  will  be  felt  by  all. — Sid- 
ney R.  Kent,  General  M'g'r,  Famous 

Players-Lasky. 

*  *         * 

We  are  inexpressibly  shocked.  We 
shall  miss  "Danny"  for  the  qualities 
we  know  he  possessed.  A  real  loss. 
— R.  H.  Cochrane,  Vice-President, 
Universal  Pictures  Corp. 

I  cannot  tell  you  how  unutterably 
shocked  was  the  personnel  of  Film 
Booking  Offices  of  America  to  learn 
of  Mr.  Dannenberg's  untimely  pass- 
ing away  To  us  he  represented  one 
of  the  truly  vital  forces  of  this  indus- 
try and  we  know  that  his  going  is  a 
loss  the  industry  can  very  ill  afford. 
— Major  H.  C.  S.  Thomson,  Manag- 
ing Director,  F.  B.  O. 

4=        «         * 

Please  accept  the  sympathy  of  my 
family,  myself  and  the  entire  Finkel- 
stein  and  Ruben  organization.  I  can- 
not realize  "Danny"  has  passed  on. 
— M.  L.  Finkelstein. 

*         *         * 

I  have  enjoyed  "Danny's"  acquain- 
itance  and  friendship  for  a  great  many 
years,  and  always  found  him  ready 
and  willing  to  assist  me  in  connec- 
tion with  any  of  my  organization  ac- 
tivities identified  with  the  motion  pic- 
ture industry.  In  his  sudden  demise 
I  feel  that  I,  too,  have  suffered  the 
loss  of  a  good  friend  and  adviser. — 
Frederick  H.  Elliot,  Gen.  M'g'r,  In- 
dependent M.  P.  Assn. 

*  4>  * 

The  requiem  is  sounded  and  one  of 
the  princes  of  our  industry  gone.  As 
much  as  Joe  Dannenberg  has  been  a 
power  in  the  past,  just  so  much  will 
he  be  missed  in  the  years  to  come. — 
George  W.  Weeks,  General  Sales 
M'g'r,  Famous  Players-Lasky. 

*  ♦        » 

I  am  shocked  beyond  words  at 
"Danny's"  death.— Colvin  W.  Brown, 
Vice-President,  F.  B.  O. 


\ 


THE 


Thursday,  March   11,   19 


$109,679  Claimed 

Tilt    Over    Building   Costs    Involving 

the  New  Ambassador  in  St.  Louis 
—Suit  On 

St.  Louis — A  petition  for  a  mechan 
ic's  lien  and  demand  for  an  accounting 
on  $109,679,  alleged  to  be  due  for  work 
on  the  new  Ambassador  theater  and 
office  building  under  construction  at 
7th  and  Locust,  was  filed  in  the  Cir- 
cuit Court  by  the  Lotz  Construction 
Co.  against  the  Boaz-Kiel  Construc- 
tion Co.  and  the  Central  Properties 
Corp.,  owners  of  the  building.  The 
latter  is  a  Skouras  Bros,  holdmg  cor- 
poration. Boaz-Kiel  are  the  general 
contractors. 

The  Lotz  Construction  Co.  had  the 
sub-contract  to  do  the  wrecking,  ex- 
cavation, caisson  work,  concrete  work 
and  back-filling.  Between  May  8, 
1925,  and  Dec.  10,  1925,  the  work  done 
amounted  to  $258,043.81,  of  which  but 
$148,364.67  has  been  paid  the  petition 
sets  forth.  The  accounting  is  demand- 
ed of  the  general  contractors. 

The  Boaz-Kiel  company  in  refusing] 
to  pay  has  held  that  certain  items  on 
the  bill  were  too  high.  The  petition 
claims  priority  over  $4,500,000  of  first 
mortgage  bonds  on  the  property,  the 
deeds  of  trust  for  which  were  recorded 
May  2,  1925. 

Leo  Rassieur,  Jr.,  treasurer,  Central 
Properties  Corp.,  said  that  corporation 
stands  ready  to  pay  all  bills  for  work 
done  on  the  building,  and  will  pay  the 
Lotz  account  as  quickly  as  the  two 
contracting  companies  can  agree  on  a 
settlement. 


Four  Religious  Pictures  in  Production 
Four  one-reel  pictures  based  on  re- 
ligious tliemes  and  church  history  are 
now  being  produced  by  the  Religious 
M.  P.  Foundation  for  use  in  churches. 
They  will  be  ready  in  two  months. 


Tax  to  Remain  Another  Year 
Winnipeg — No  more  action  will  be 
taken  on  the  10  per  cent  admission 
tax  in  Manitoba  for  at  least  another 
year,  appeals  to  have  the  law  repealed 
having    failed. 


Large   Oakland  House  Opens 

Oakland,  Cal. — The  new  Grand 
Lake  theater  which  cost  $1,000,000  to 
erect  has  opened.  It  seats  2,800  and 
is  a  West  Coast  house. 


l^acrae  Managing  the  York 
Toronto — G.  K.  Macrae  has  been 
appointed  manager  of  the  York,  for- 
merly owned  by  the  late  Harry 
Brouse.  Macrae  succeeds  Douglas 
Fletcher. 


Webb  Handling  Columbia  Casting 

Hollywood^Robert     Webb     has 
joined  Columbia  as  casting  director. 


Heights  Theater  Sold 

H.  &  S.  Sonn,  Inc.,  has  sold  the 
Palace,  176th  St.  and  St.  Nicholas 
Ave.,  to  Gisela  Humphrey. 


Next  Week  at  the  Colony 

House  Peters  in  "Combat"  will  go 
into   the   Colony  on   Sunday. 


"Flaming  Frontier"  Premiere 

Universal's  "The  Flaming  Frontier" 
will  have  its  premiere  at  the  Colony 
midnight,   Thursday,   March   25. 


Judell  Here  from  Chicago 

B.  Judell  who  owns  the  Judell 
Film  Exchange  and  is  Chicago  dis- 
tributor for  Arctic  Nu-Air  Corp.,  is 
here  and  is  making  his  headquarters 
with  Nat  Levine,  1650  Broadway. 

Purchase  New  Building 
Boone,  la.  —  The  Arctic  Nu-Air 
Corp.  recently  purchased  a  new  fac- 
tory building,  where  with  added  ma- 
chinery, the  new  improved  Arctic 
Nu-Air  Cooling  System  is  manu- 
factured. 


Retiring  Stock  Issue 

St.  Louis — The  Metropolitan  Thea- 
ters Corp.,  owners  of  the  St.  Louis 
theater  at  Grand  Blvd.  and  Morgan 
St.,  will  retire  the  entire  issue  of  $800,- 
000  first  mortgage  6  per  cent  bonds 
on  May.  1.  There  will  be  no  public 
financing  in  connection  with  the  re- 
demption of  the  bonds. 


Mandelbaum   Home 


Cleveland  —  H.  J.  Mandelbaum. 
manager  of  the  Virginian,  has  re- 
turned after  a  three  months'  vacation 
in   California. 


A.    &    H.    Reopen    Palace  "Hip" 

Seattle — Joe  Muller,  who  resigned 
as  manager  of  the  Palace  ,"Hip"  two 
months  ago,  has  rejoined  Ackerman 
&  Harris  and  will  reopen  the  Palace 
"Hip"  which  has  been  dark  for  two 
months. 


Now  Managing  Palace,  Memphis 

Memphis,  Tenn. — L.  A.  Snead,  for- 
merly manager  of  the  Roosevelt  in 
Chicago,  is  now  managing  the  Pal- 
ace. 


To  Represent  Automatic  Ticket  Co. 
Omaha — George  Mead,  of  the  Au- 
tomatic Ticket  Register  Co.,  New 
York,  while  here  recently,  closed 
with  the  Western  Theater  Supply  Co., 
to  act  as  representative  in  this  terri- 
torv  for  Automatic. 


New  F.&R.  Theater  Opens  March  15 

Fargo,  N.  D. — The  Fargo,  the  new 
F.  &  R.  theater,  will  open  March  15th 
by  Ted  Force,  who  has  come  to  Far- 
go  from   Battle   Creek  to  manage. 


1/ 


Five    More   for   Aschers?      Lr— 

Chicago— Ralph  Kettering,  t«j 
sentative  of  the  Ascher  Broth 
says,  "Aschers  are  getting  ready 
announce  five  more  theaters  in 
many  suburbs  of  the  citv." 


Moomaw  Floats  $25,000  Stock  Is 
Portland,  Ore.— Lewis  H.  M 
maw  Prod..  Inc.,  has  been  authorf 
to  sell  notes  amountine  to  $25^ 
and  $5,000  worth  of  stock. 


"U"  Transfers  E.  G.  Dobbs 

Auburn,  N.  Y. — E.  G.  Dobbs.  who 
has  been  manager  of  the  Universal 
and  Grand,  has  been  succeeded  by 
C.  J.  Rose,  who  has  been  acting  as 
district  manager  for  the  Schine  En- 
terprises. 


Valley    Co.    Relinquishes    Palace 

Pittsburgh — Floyd  D.  Morrow,  in 
conjunction  with  Louis  Stein,  of  New 
Kensington,  have  acquired  control  of 
the  Palace,  Tarentum,  from  the  Val 
ley  Amusement  Co.  The  deal  com- 
prises theater  and  property. 


Can't    Show    "Birth    of    Nation" 

Columbus,  O. — A  request  by  the 
Ku  Klux  Klan  for  permission  to  give 
private  showings  of  "The  Birth  of 
a  Nation,"  which  was  barred  in  the 
state,  was  refused  by  Attorney  Gen- 
eral C.  C.  Crabbe. 


Two    in    One   Town    Change    Hands 

Pittsburgh — Two  picture  houses  at 
California,  Pa.,  have  changed  hands. 
They  are  the  Lyric,  bought  from 
Joseph  Saeli  by  James  Retter,  owner 
of  the  Capitol,  and  the  Grand,  bought 
by  William  Bulgarius,  former  man- 
ager of  the  Olympic,  from  M.  White. 


Keith  House  Closes  March  27th 

Columbus,  O. — First  steps  in  the 
demolishment  of  the  Keith  theater, 
to  facilitate  the  erection  of  a  bank 
building,  will  start  April  1. 

The  theater  will  close  March  27th 
and  there  will  be  no  Keith  vaude- 
ville in  Columbus  until  the  opening 
of   the   new    Palace. 


"Moana"   Shown  in  Ontario 

Toronto  —  "Moana  of  the  South 
Seas,"  much-disputed  in  Ontario,  has 
finally  been  presented  in  the  Province. 
"Moana"  became  an  issue  between 
the  exchanges  and  the  Ontario  Board 
of  Censors,  following  the  decision  of 
the  board  to  make  certain  deletions. 


To   Foster   Clean   Plays 

Dayton,  O. — The  Dayton  Stage  and 
Screen  Council,  an  organization  to 
"encourage  patronage  and  commenda- 
tion for  clean  and  artistic  plays  and 
films  in  this  city,"  was  organized  at 
a  meeting  held  in  the  office  of 
Attorney  T.  A.  Lind,  727  Dayton 
Savings   and   Trust    building. 


10   Cent   Admissions   at    Park 

Indianapolis — The  old  Park  Has 
been  reopened  as  a  10  cent  picture 
theater. 

A    seven   year    lease    has    been    ob- 
tained by  Louis  B.  Goulden,  manager 
of    the    Indianapolis    office    of    Cele- 
brated Flayers,  and  Al  Feldman,  man 
agar   of  the    Miller-Wohl   store. 


Back  to   Sunday   Opening 

Detroit— John  Kunsky's  State  i 
reverted  to  Sunday  openings.  So 
weeks  ago  openings  were  changed 
Mondays,  but  the  plan  did  not  w« 
out.  The  Capitol  is  now  the  o: 
Kunsky  house  opening  on  Monday 


Carr  &  Schad  Managers  Shiftec 

Reading,  Pa. — Carr  &  Schad  hs 
brought  James  Clay,  manager  of  \ 
Colonial  in  Lebanon,  to  Reading 
take  charge  of  one  of  C.  &  S.'s 
cal  houses.  He  is  succeeded  at  L« 
anon    by    Charles    A.    Campbell. 


S) 


Urges  Exhibitors  to  Aid  New  Bi 
Buffalo,  N.  Y.— J.  H.  Micha 
chairman  of  the  Buffalo  zone.  M. 
T.  O.  ol  New  York,  has  sent  t 
members  a  communication  in  whi 
he  calls  attention  to  the  need  for  ii 
mediate  action  to  aid  Assemblym 
Freiberg  put  through  his  childrei  I 
bill  in  Albany  and  Congressman  Ma 
Gregor  eliminate  the  tax  on  music.  | 


New  President  for  Omaha  Board 

Omaha — Mayer  Monsky,  of  Liber- 
ty Films,  is  the  new  president  of  the 
Film  Board  of  Trade,  succeeding  F. 
W.  Gebhart.  Pathe,  who  has  gone 
to  Kansas  City.  Earl  Bell,  of  Vita- 
graph,  fills  the  first  vice-president's 
chair,  while  Leo  Blank,  of  Educa- 
tional,   is    second    vice-president. 


Chinese    Want    American    Pictures 

"China  and  Chinese  want  Ameri- 
can pictures.  They  love  them."  This 
is  the  report  brought  back  to  this 
country  by  James  Yard,  a  mission- 
ary for  ten  years  in  West  China.  The 
Sze-Chawn  district,  according  to 
Yard,  which  is  about  the  size  of 
Texas,  has  80,000,000  inhabitants. 
There  are  not  more  than  four  the- 
aters  there. 


Golden  State  Leases  New  House 

San  Francisco — Construction  of  a 
new  theater  to  cost  $200,000  was  star- 
ted last  week  on  the  corner  of  Haight 
and  Fillmore  Sts.,  site  of  the  old  Star 
said  to  be  'Frisco's  oldest  picture 
house.  W.  S.  King,  owner  and  build- 
er of  the  new  house,  has  leased  the 
theater  for  fifteen  years  to  the  Golden 
State  Theater  and  Realty  Corp.,  of 
which  E.  H.  Emmick  is  president  and 
R.  A.  McNeil  general  manager.  Mark 
Harrison   will  manage   the  theater.  • 


New  Niagara  Falls  House  Opens 

Niagara  Falls,  N.  Y. — The  ne 
Capitol,  owned  by  the  Niagara  Th 
ater  Corp.,  Thomas  De  Santis,  pres 
dent  and  treasurer,  and  Peter  P 
onessa,  vice  president  and  gener 
manager,  has  been  opened  here  c 
Niagara  St.  near  13th.  The  hous 
which    cost   $300,000,    seats    1,400. 


Eastman  Off  on  African  Trip 

Rochester,  N.  Y. — George  Eastma 
leaves  here  tonight  for  New  York.  H 
sails  on  the  Majestic  Saturday  on 
six-months'  journeny  through  Britis 
East  Africa  to  procure  pictures  of  ai 
imal  life  for  the  proposed  African  Ha 
of  the  American  Museum  of  Natun 
History. 


Elmira    Goes    "Blue" 

Elmira,  N.  Y. — The  ordinance  per 
mitting  the  exhibition  of  pictures  o 
Sunday  has  been  rescinded  by  tli, 
Common  Council,  a  majority  votini 
in  favor  of  stopping  such  shows.  Pro 
vision  has  been  made,  however,  fo 
submitting  the  question  to  the  publi 
in  a  referendum  to  be  held  Nov.  '. 
next. 


Another  5,000  Seat  House  for  Chicag< 

Chicago — Another  new  5,000  sea 
house  is  proposed  for  the  South  Side 
near  Halstead  and  Sixty-third  Sts.  I 
will  be  designed  by  Joseph  Piern 
Nuyttens.  the  famous  Belgian  paintei 
and  etcher.  Herbert  Frankham  ii 
president  of  the  National  Bookings 
Offices,  sponsors  of  the  new  theater 

Work  has  begun  on  the  new  Irving 
a  2,500  seat  house  on  the  West  Side 
The  house,  to  cost  $750,000,  will  b< 
owned  and  operated  by  the  Mitchel 
Bros. 


h 


» 


iTHE 

4o  brAdstreet 

JC  FILMDOM 


7Aek£C0CmSi 

Authority 


..  XXXV     No.  60 


Sunday,    March    14,    1926 


Price  25   Cents 


k 


Quarter    sheets    as    illustrated    below 
available  at  your  Universal  Exchange 


A 


WILL   BE    CELEBRATED 
THIS  YEAR  BY 


AND 


Qeovk  Sidney  Vs 
ChailesMunay  ^^ 

VeraGordon/na 

l^myVoVLdxdrtoduction^ 

RomihepkvTWO  BLOCKS  AWiff " 

by  AARON  HOFFMAN 

y^^/f^Ai/CARL  LAEMMLE 
inassocTviih  FAULTLESS  PICTURES (» 


'^) 


""  f^a 


'<?^ 


E.M.ASCHER.Pres.    ^Cs' 


J  I, 


'if  I 


I'lir^Vn' 


'^, 


A^j 


)^u.;>'i*/uA*ii  " 


u 


iJ 


?Pn^ 


The  LatigK  Hit  o/ 
the  Year/ 

Stellar  ^ooVingsl 

4th  week  at  The  Colony,  New  York 

2  weeks  at  The  Adams,  Detroit 

3  weeks  at  Imperial,  'Frisco 
The  Metropolitan,  Los  Angeles 
The  Chicago  Theatre,  Chicago 
The  Stanley  Co.,  Philadelphia 

Etc.,   etc.,  etc. 


\,i 


9 


y 


w 


^•2 


^V 


^ 


9*'^ 


uy  "    •  »  I 


UNivERSAL'S   WHITE  LIST    i^  MILES -AND  MILES  AHEAD  OF  ALL 


ROD  LA  RDCQUIB 

has  another 


It*s  made  for  the 
puhlic~and  profit! 


presented  by 
Cecil  B.  De  Mille 


A  yielodramatic 

Punch  Picture 

A  story  of  a  strange  bargain  which 
Unks  a  promise  of  death  within 
a  year  with  a  $100,000  life  insur- 
ance  policy. 

A  melodramatic-comedy  expos- 
ing the  greatest  criminal  combin- 
ation in  the  country  today — a 
picture  with  a  thrilling  climax 
and  a  *kick'  in  every  scene! 

A  story  teeming  with  action, 
intrigue,  and  heart  appeal,  with 
Rod  in  the  role  of  a  man  who 
gambled  with  fate — and  won! 


RELEASED   BY 

PRODUCEKS  DISTKIBUTINC  COKPORATION 

Foreign  Distributors     Producers  International  Corporation      130    West  46th  Street    New  York,  N.   Y. 


'     ZL. 


.^  brAdstreet 

(»/'  FILHDOH 


7Aek£iOCmit 

Authority 


C,  XXXV     No.  60 


Sunday,    March    14,    1926 


Price  25   Cents 


^  anufacturers  to  Act 

:  uler   Resigning  from  Equipment 
:alers'  Ass'n  and  Forming  Own 
Organization 

ihc   Hotel   Aster  yesterday,   the 

nl.icturcrs'   Division  of  the  Ass'n 

,  I'.  Equipment  Dealers  of  Amer- 

lr\()ted    the    morning    and   after- 

-rssions  of  their  special  meeting 

.  ^msideration  of  the   question  of 

iiing    from    the    Association    and 

i!iL(    one    of    their    own.      At    the 

IK  inn    session    the    tentative    vote 

I   was  practically  unanimous  that 

( tion   be  taken.     However,   the 

was  held  over  until  today's  ses- 

1     10    o'clock    to    allow    absent 

IS  to  express  their  opinion.  The 

iiicturers  represented  included: 

I    Vallen,  Akron:  William  Kunz- 

Xational  Carbon  Co.,  Cleveland; 

{Continued    on   Page    12) 


Supply   Merger   Nears  Close 

It  is  understood  that  Harry  Dut- 
ton,  president  of  the  Exhibitors'  Sup- 
ply Co.  of  Chicago,  tiie  prime  mover 
in  the  plan  to  consolidate  the  146 
supply  dealers  now  in  operation 
throughout  the  country  into  about  40 
or  50,  is  moving  rapidly.  Dutton  is 
reported  to  have  secured  65  per  cent 
of  those  now  in  operation,  through 
purchases   and   options. 


P.  Engineers  Meet  in  May 
le  annual   convention    of   the    So- 
of  M.  P.  Engineers  is  scheduled 
:  held  at  the  Hotel  Lee,  Washing- 
on  May  3-6. 


Dimatists,  Managers  Get  Together 

result  of  the  joint  meeting  of 
amatists'  Guild  and  the  produc- 
inagers  at  the  Hotel  Roosevelt 
<lay  was  the  appointment  yester- 
1  a  joint  committee  to  consider 
.sic  contract  of  the  dramatists, 
xpected  that  within  a  week  the 

■  ommittee  will  be  able  to  submit 

■  sals  looking  toward  an  amicable 
Mient. 


Features  Reviewed 

Page 

he   Dixie   Merchant 

Fox     ° 

ascinating   Youth 

Paramount     ^ 

hf!   Cave   Man 
Warner    Brothers     6 

In-ltr  Western   Skies 

Univecsal    ^ 

n   Borrowed  Plumes 

Arrow     '^ 

ca  Horses 

Paramount     ° 

Vhite    Mice 
Associated  Exhibitors 8 

iroken  Hearts 
Jaff e  Art  Film— State  Rights 8 

'he  Border  Sheriff 

Universal      " 

liss    Brewster's    Millions 

Paramount     ' 

he    Set-Up 

Universal     

he   King   of  the  Turf 

Film  Booking  Offices    ^- 

;hort     Subjects     /^^ 


^ 


Neilan   with    Famous 

Marshall  Neilan  has  signed  with 
Famous  to  produce  a  series.  They 
will  be  made  on  the  Coast.  The  first 
will  be  with  a  special  cast  and  the 
second  with  Betty  Bronson.  This 
was  intimated  in  THE  FILM 
DAILY  on  Oct.  26,  1925. 


"Danny"  Laid  to  Rest 

Cessation  of  work  in  many  or- 
ganizations throughout  the  in- 
dustry at  1  P.  M.  yesterday  was 
the  final  tribute  of  his  host  of 
friends  to  "Danny,"  for  this 
marked  the  interment  ceremon- 
ies taking  place  at  the  Hebrew 
Friendship  Cemetery,  Balti- 
more. Dr.  Israel,  of  that  city, 
officiated  at  the  final  requiem 
services.  Only  the  immediate 
family  accompanied  the  funeral 
car,  which  left  New  York  yes- 
terday morning  at  8  o'clock,  ar- 
riving in  Baltimore  at  noon. 


Famous  in  Toledo 
Toledo,  O.— More  than  $5,000,000 
will  be  spent  by  Famous  on  a  new 
house  on  Huron  St.,  at  Adams.  Work 
will  start  in  the  summer,  and  will  be 
finished  in  a  year. 


Langdon's  Preview  Last  Night 
Harry  Langdon,  William  Jenner, 
production  manager,  Tim  Wehlen, 
gag  man  and  Frank  Capra,  film  cut- 
ter, arrived  in  New  York  from  Holly- 
wood yesterday  morning  and  are  stop- 
ping at  the  Roosevelt.  Langdon  will 
remain  about  five  days.  A  preview  of 
his  latest,  "Tramp,  Tramp,  Tramp" 
was  held  last  night  in  Rye. 

Orpheum  House  for  Omaha 

Chicago— The  Orpheum  Circuit, 
Inc.,  has  concluded  arrangements  for 
erection  of  a  new  theater  in  Omaha, 
to  seat  more  than  3,000.  It  will  occupy 
the  site  of  the  present  Orpheum  and 
adjacent  property  as  well.  Work  will 
commence  May  I  and  the  new  theater 
is  expected  to  be  ready  March  1,  V)^7. 


E.  G.  King  to  F.  B.  O. 

Edwin  C.  King,  who  has  been  gen- 
eral manager  of  Paramount's  Long 
Island  studio  for  the  last  several  years, 
has  resigned  to  take  charge  of  the  b. 
B  O  studio  in  Hollywood.  An- 
nouncement of  his  successor  as  man- 
ager of  th£j'.i*«««uuit,^d>o  IS  ex- 
•  ^6    be    forthcormrT5*stt  a    few 


Hereyes— herankles     and    (hervvaysl 
>       Gwyn,      yumyum,      ParamouVit.— Advt. 


Buys  "Kosher   Kitty   Kelly"      ^j 
"Kosher   Kittv   Kelly,"   one   of   last 
season's  Broadway  musical  plays  has 
been  acquired  by   F- .^     O.   and   w.ll 
comprise    one    of   their   'Gold    Bond 
features   for  the  coming  season. 


World-Wide  Tribute 

Innumerable  tributes  from  all  parts 
of  the  world  continue  to  pour  into  this 
office,  an  impressive  indication  of  the 
high  esteem  and  affection  in  which 
"D  a  n  n  y"  was  held  universally 
throughout  the  industry.  Among  them 
were  the  following: 

Universal  City — On  behalf  of  the 
whole  Universal  organization  and  my- 
self, who  knew  the  wonderful  quali- 
ties which  made  "Danny"  beloved 
everywhere,  I  extend  sincerest  and 
most  heartfelt  sympathy. — Carl  Lacm- 

mle. 

*  *         ♦ 

I  think  I  know  what  a  tremendous 
loss  you  have  sustained  and  you  have 
my  every  sympathy. 

Having  recently  seen  "Danny"  at 
Pinehurst  in  apparently  good  health 
and  spirits  you  can  imagine  the  shock 
the  news  was  to  me.  The  industry 
has  lost  one  of  its  best  friends  and 
a  host  of  people  have  lost  a  great  pal. 
—Elmer    Pearson,    Pathe    Exchange, 

Inc. 

*  *        * 

London — Sincerely  sympathize  in 
loss  of  your  friend  and  associate. 
Everybody  in  the  picture  industry 
will  feel  a  personal  bereavement. — 
J.  D.  Williams. 

*  *         ♦ 

Los  Angeles— Have  just  learned  of 
your  distressing  loss  and  you  have  the 
heartfelt  sympathy  of  myself  and  my 
entire  organization.  Your  loss  is  the 
loss  of  the  entire  motion  picture  in- 
dustry and  we  grieve  deeply  for  you^ 
— Harold  Lloyd 

*  *         * 

Arrived  at  Ambassador  Hotel  yes- 
terday morning  to  be  shocked  with 
news  of  "Danny's"  death.  William 
Sistrom  wired  from  the  Coast  to 
.state  that  every  star,  player,  direc- 
tor and  official  of  the  De  Mille  and 

(Confi'tii'frf   on   P«9'   3) 


Goldwyn  Action  Up 

Producer  Seeks  Court  Referee  in  Ac- 
tion Against  First  Nat'l — Exhibi- 
tion   Values    Involved 

Three  deveolpments  have  taken 
place  in  the  Supreme  Court  in  the 
litigation  between  Samuel  Goldwyn's 
Osida  Frod.  and  First  National  Pic- 
tures over  distribution  contracts  for 
"The  Eternal  City,"  "Cytherea," 
"Tarnish,"  "A  Thief  in  Paradise," 
"His  Supreme  Moment,"  and  "The 
Dark  Angel."  George  Fitzmaurice 
and  the  George  Fitzmaurice  Prod,  are 
also  plaintiffs  and  in  their  complaint 
asked  that  the  defendant  be  restrained 
from  putting  an  exhibition  value  on 
the  three  last  named  which  would 
result  in  the  plaintiffs  receiving  no 
profit  after  spending  $2,000,000  in 
making   them. 

It  is  alleged  First  National  stopped 
sending  the  plaintiff's  weekly  checks 
after  the  suit  was  brought,  and  on 
that  ground  Nathan  Burkan,  for  the 
plaintiffs,  has  applied  for  an  injunc- 
tion restraining  First  National  from 
continuing  to  distribute  the  films. 
{Continued   on  Page   12) 


Matt  Moore  Ends  Warner  Contract 

A  wire  from  Matt  Moore  states  that 
his  contract  with  Warners  has  been 
terminated  by  mutual  understanding. 
He  is  now  in  Santa  Monica,  Cal.,  and 
intends  to  take  a  vacation. 


Roger  Sherman,  New  Haven,  Opens 

New  Haven — The  Roger  Sherman 
opened  last  night  with  "The  Sea 
Beast."  The  house  is  modeled  after 
the  Rivoli,  New  York  and  cost  over 
$1,000,000.  It  will  show  pictures  with 
a  bi-weekly  change.  Arthur  S.  Friend 
is  president  of  the  Roger  Sherman 
Corp. 


Sail  to  Join  British  Nat'l 

Adrian  Johnson,  scenarist,  and 
Shaw  Lovett,  production  manager, 
sail  on  the  Celtic  today  for  London, 
where  they  will  join  the  production 
staff  of  British  National  Pictures,  Ltd. 
Together  with  Herbert  Wilcox,  who 
will  direct  Dorothy  Gish,  they  will 
prepare  for  the  first. 


To  Aid  in  Music  Drive 

The  board  of  directors  of  the  M. 
P.  T.  O.  A.  yesterday  decided  to  co- 
operate with  the  General  Federation 
of  Women's  Clubs  in  promoting  a 
greater  interest  in  music  throughout 
.\merica.  This  move  follows  an  in- 
itial step  taken  by  the  Hays  office 
earlv  in  February  in  unison  witli  the 
Federation.  National  Music  Week 
occurs  May  2-8. 


THE 


-.ggg^ 


DAILY 


Sunday,    March    14,   1 


Vol.XXXVNo.60    Sunday,  Mar.  14, 1926   Price  25  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Representative.  En- 
ftred  as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,   5,  Rue  Saulnier. 


Quotations 

High    Low  Close 
(These  quotations  are  as  of  Friday.) 

Balaban    &    Katz    ..73          71  72^ 

*Eastman  Kodak 109^4 

Famous    Players     ..12654    124-^  124^ 

•Fam.  Play.  Pfd 123 

*Film  Inspection   ....           .  .  5 

Fox  Film  "A"    ...   68         67  67M 

Fox  Theaters   "A".   26         25  26 

•Intern'l   Projector.    ..          ..  12 

Loew's,  Inc 39^     38  39 

Metro-Gold.  Pfd.    ..   ilV-z     23^  23'/^ 

M.    P.    Cap.    Corp..    23          22.>i  23 

Pathe  Exch.   "A"..    71/2     70J4  1\V% 

♦Skouras  Bros 46 J4 

**Stan.  Co.  of  Am 48 

Trans-Lux   Screen..    10-^      lO^i  lOj^ 

Universal  Pictures..    30Ji      30'/^  ZW% 

♦Univ.  Pict.  Pfd 9m 

♦Warner    Bros 1454 

Warner   Pictures    ..15         15  15 

*  Last  prices   quoted. 
**  Philadelphia  market. 


Sales 


16,300 


1,200 
500 

6,400 
500 
700 

1,200 


1,700 
100 


200 


Bowling  Scores 

First  National  won  two  games,  one 
from  Universal  by  a  score  of  741  to 
739,  and  from  Pathe  by  a  score  of  834 
to  785,  Thursday  night  at  Dwyer's. 
Universal  beat  Pathe  847  to  740.  The 
league  standing  follows: 

Won     Lost         P.C. 

Famous     4  0  1.000 

First   National    3  1  .750 

Pathe    2  2  .500 

Universal    2  2  .500 

M.-G.-M 2  2  .500 

P    D.  C 2  2  .500 

Fox   0  2  .000 

Educational   0  4  .000 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  I  N  S 

Spocialista  in  Motion  Picture 

and  Theatrical  insurance  for 

the  past  fifteen  years. 

Arthur  W.  Stebbins  &^Co.,  Inc. 
1540  Broadway  N.  Y.  C. 

Bryant  3040 


Acquires  Rights  to  Scientific  Film 

Entertainment  Pictures  Corp.  has 
acquired  United  States  rights  to 
".Spiritualism  Exposed,"  now  being 
produced  in  England  by  A.  E.  Coleby, 
scientist. 


Film  Associates'  First  Showing 

The  Film  Associates  will  conduct 
a  matinee  and  night  1  «;rformance 
of  "The  New  Enchantment,"  a  French 
picture  featuring  Georgette  Le  Blanc 
and  Jacques  Catelain  at  the  Klaw  to- 
morrow  night. 


i^sl^isrt 


"  ~— ~J)ouglasMapX^an' 

Hollywood  ^^T)ouglas  MacLean's 
next  picture,  which  is  to  be  directed 
by  William  Beaudine  for  Famous,  will 
be  "Ladies  First,"  not  "Ladies  Night," 
as  originally  announced. 


Fine  Arts  Studios  Expand 

Los  Angeles — The  Fine  Arts  Stu- 
dios have  purchased  an  acre  and  a 
half  of  land  adjoining  their  studio, 
where  four  new  structures  will  be 
erected  to  accomodate  free  lance 
units. 


F.  &  R.  Open  New  House 

St.  Paul,  Minn. — The  new  Alham- 
bra,  rebuilt  on  the  site  of  the  old 
Alhambra,  which  was  destroyed  by 
fire    last    April    has    opened. 

The  new  house  is  the  latest  ad- 
dition to  the  Finkelstein  &  Ruben 
chain. 


Associated  Theaters  Buys  Colonial 

Monrovia,  Cal. — The  Colonial  has 
been  sold  by  Frank  Alexander  to  the 
Associated  Theaters,  Inc.,  a  new  chain 
now  being  organized  by  C.  L.  Lang- 
ley,  who  recently  sold  his  holdings 
in   the   West   Coast   chain. 


New    Theater    in    Somerville,    Mass. 

Somerville.  Mass. — Contract  has 
been  awarded  to  Joseph  Greenwood 
of  Boston  to  erect  a  theater  at  302 
Broadway  for  P.  Vartigian.  It  will 
be  of  terra  cotta  and  limestone  con- 
struction, one  story,  mezzanine  and 
balcony.  James  Tuck  of  Boston,  is 
architect. 


Lurie    Sells    Out 

San  Francisco — Sale  of  the  Hard- 
ing theater  and  building  on  Divisa- 
dero  St.  to  Mrs.  B.  K.  Taylor  for 
$225,000  was  consummated  by  Louis 
R.  Lurie,  realty  operator,  who  pur- 
chased the  holdings  about  three  weeks 
ago.  The  building  is  a  Class  A  struc- 
ture, the  theater  seating  1,500. 


Pittsburgh  Firm  in  Realty  Deal 

Pittsburgh — For  a  reported  con- 
sideration of  $200,000,  a  four-story 
brick  building  has  been  sold  through 
the  Comm.onwealth  Real  Estate  Co. 
for  Jane  L.  Lawrence  to  the  Wes- 
tern Pennsylvania  Amusement  Co.. 
Inc.,  v/hich  operates  a  number  of 
theaters.      H.    Goldberg   is    president. 


Earning  the  Industry's  Stamp 

of   Approval — 

NATIONAL       PROGRAM 

SERVICE 

1650    BROADWAY 

Phone:    Circle    5543 

WRITE— PHONE— CALL 


Famous  Denies  Clara  Bow  Report 
Famous  announces  that  the  report 
from  Berlin  that  Sued  Film  Co.  of 
Munich  has  engaged  Clara  Bow  for 
a  series  is  incorrect.  She  is  still  un- 
der contract  with   Paramount. 


J.  Herbert  Frank  a  Suicide 

Los     Angeles — J.     Herbert     Frank, 
v»'ell-known  "heavy"  is  dead,  a  suicide. 


Henry  Lehrman  Hurt 

Los  Angeles — Henry  Lehrman,  di- 
rector, sustained  a  rather  serious  in- 
jury to  his  knee  while  working  on  a 
production. 


Fourth   for   Gusdanovic 

Cleveland — Paul  Gusdanovic,  who 
owns  the  Orpheum,  Norwood  and 
Corlett,  has  purchased  the  Regent,  a 
1,000  seat  house. 


Western   Pennsylvania   House   Bums 

Tarentum,  Pa. — The  Star,  operated 
by  Guy  Ida,  was  completely  destroyed 
by  explosion  and  fire. 


New    House    for   Gouvemeur,    N.    Y. 

Gouverneur,  N.  Y. — Sol  Kaplan  is 
making  plans  for  the  remodeling  of 
the  second  and  third  story  of  the 
Kaplan  block  into  a  theater. 


Exhibitor  Gets  Civic  Post 

Clarendon,  Tex.  —  Homer  Mulkey 
has  been  appointed  president  of  the 
local  Chamber  of  Commerce.  He  is 
a   veteran   exhibitor. 


To  Manage  Four  in  Texas 

Tyler,  Tex.  —  Robert  Sparks  has 
been  appointed  by  the  Dent-Mussel- 
man  interests  as  manager  of  four 
houses    here. 


First  Nat'l  Cashier  an  Exhibitor 

Pacific  Junction,  la. — T.  W.  Dixon, 
cashier  of  the  Omaha  First  National 
exchange,  has  purchased  the  Lyric. 


Opens   With   New  Policy 

St.  Louis — The  Southampton,  5500 
Lansdov/ne  Ave.,  has  reopened  under 
new  management  with  a  policy  of 
pictures  and  vaudeville. 


Schine    to    Remodel    Coming    House 

Corning,  N.  Y. — The  Schine  The- 
atrical Corp.  will  remodel  the  Strand, 
increasing  the  capacity  to  1,200.  About 
$75,000  will  be   spent. 


Robb  and  Rowley  Growing 

Whitewright,  Tex.  —  Robh  and 
Rov/ley  have  purchased  the  Odeon, 
seating  250,  from  Legg  and  Pace. 
This  makes  the  Slst  theater  in  this 
chain. 


Managing  Butterfield  House 
Owosso,  Mich. — Harry  Easton,  for- 
mer manager  of  the  Blackstone,  in 
South  Bend,  is  now  managing  the 
new  Butterfield  house,  the  Capital, 
which  opened  recently. 


dPSTUMEG 

>^  GOWNS— UNIFORMS    C7 

FOR  EVERVBODy  WHO  IS  ANVBOOy 
ON  THE  STAGE  OR  SCREEN..EXCLUSIVE-. 
DESIGNS  By  LEADING  STVLE  CREATORS 

BROOKS  '^^^  ^^'^^ 


'  NEWyORK 


-AtSO  15,000  COSTUMES  TO  RENT- 


New  Quarters  for  Fox  Excha 

Harrj'  Buxbaum  will  occup; 
new  Fox  exchange  at  343-5  W 
St.  on  March  21st.  Buffet  lun 
will  be  served  to  exhibitors.  I 
dition  to  housing  the  sales  and 
ing  forces,  the  building  will  be 
pied  by  the  accessories  departm' 


Film  Stolen 

Los  Angeles — The  Theater  Su 
Co.  of  Long  Beach  has  notifid 
police  that  one  of  their  trucks 
taining  $3,000  worth  of  film  was 
en  while  making  collections  in 
mington. 


ilfci 

L 
ri 


Its  not  tbe  ah* 
of  Deuver 
that  makes 
me  so  proud 
it'stliefacr 
that  I'm  a 
^Manner  in 
'tramp- 


Specify     

GOERZ 

Raw  Stock  for  QUALITY 

Sole  Distributors: 

FISH-SCHURMAN  CORP, 

45  West  45th  Street 
N.    Y.   Bryant   7243 


ted  ivl 
laiiriv'i 

o:;e ' 

v;as 

!J  V,OI 

ism,  a 


EASTERN 

STUDIO   FOR   RENT 

EXCEPTIONAL   FACILITIES 

VERY  LARGE  STOCK  OF 
PROPS  AND  FURNITURE 


Telephone    Dewey    8600 


HALPERIN 


:ri,  ti 


,.—  m 


oiiis 
Osep 

'Oil 
Cf  f,{ 


«IW, 


THE 


day,    March    14,    1926 


i2S^f»^££ 


DAILY 


^orld-Wide  Tribute 

(Continued  from  Page   1) 

:)politan  Studios  mourns  with 
at    this    time.      Cecil    De    Mille, 

is  here,  has  already  expressed 
iu    his    sympathy.      "Danny"    al- 

secmed   like   one   of   us   on    :he 


irie  Prevost,  Rod  La  Rocque, 
ilia  Dean,  Leatrice  Joy,  Rupert 
1.  George  Melford,  Lilyan  Tash- 
Lillian  Rich,  Joseph  Schildkraut, 
Hale,  Frances  Marion  and  many 
s  of  our  two  studios  asked  me 
resent  personally  an  expression 
e  deep  loss  they  feel  we  have 
uffered. 

mc  personally,  "Danny"  was 
deal  business  man,  tremendously 
informed,  impartial,  scrupulously 
3t,    a    true    and    loyal    friend.      I 

you  boys  must  still  carry  on 
inder  the  new  arrangements  un- 
which  I  will  work  I  want  to 
;e  to  you  every  last  atom  of 
3rt.— Barrett     C.     Kiesling,     De 

Prod. 


u  have  no  idea  how  shocked  I 
to  learn  of  "Danny's"  death. 
:is  cannot  convey  my  feelings.  I 
jst  broken  down  as  a  result  of  it. 
know  "Danny"  was  my  most  in- 
e  chum. — William  Klein. 


'anny"  has  gone,  but  through  our 

association  I  shall  carry  fond  re- 

brances  of  him  which  will  endure 

me  until  the  very  day  I  join  him. 

— Don  Mersereau. 


ords  cannot  express  the  shock  I 
ved  when  I  learned  of  the  news 
Danny's"  sudden  death.  Certain- 
5  one  will  be  missed  more  than 
I  personally  feel  his  loss  greatly 
e  was  always  interested  enough 
ly  work  to  make  some  helpful 
sm,  and  his  judgment  was  al- 
i  sound. — Adolphe  Menjou. 

*  *         * 

licago — Just  learned  of  your  mis- 
me  and  words  fail  me  in  express- 
o  you  my  sincerest  condolence. — 
'A.  Warner. 

*  *        * 

iro,  Egypt — "Danny's"  passing  is 
:at  loss  to  our  industry.  Deepest 
)athy.— Watterson  R.  Rothacker. 


n  Francisco — Just  heard  the  ter- 
news  and  it's  impossible  for  me 
spress  my  feelings  at  the  sudden 
unexpected  loss  of  such  a  friend. 
Dannenberg  and  you  all  have 
sincerest  sympathy  and  I  regret 
inability  to  be  with  you.— George 
Jlair,  Eastman  Kodak. 
*         *         * 

ords  fail  us  to  express  to  you 
deep  felt  sympathy  and  sorrow 
1  your  loss.  "Danny"  was  a 
:e  of  good  fellows  and  will  be 
ed  by  all  of  us.— Mr.  and  Mrs. 
Tt  Warner. 

H:  *  * 

hen  the  industry  loses  as  an  unsel- 
and     intelligent     a      friend     as 
liny"  it  has  suffered  an  incompar- 
loss. — Ward  Lascelle. 


Entire  British  Trade  Mourns 

London — The  whole  British  film  trade  asks  me  to  ex- 
press deepest  sympathy  with  you  and  condolences  in  the 
awful  loss  you  have  sustained.  The  entire  industry  here  is 
stunned  by  the  sad  news  and  acknowledges  it  has  lost  a  dear 
friend.— ERNEST  FREDMAN,  "The  Film  Renter." 

London — On  behalf  of  all  British  renters,  I  hasten  to 
send  you  our  expression  of  universal  sorrow  at  the  sad  news 
of  "Danny's"  sudden  death.  "Danny"  was  always  held  in 
affectionate  regard  by  every  British  renter  who  knew  him 
as  a  true  friend  of  the  British  industry,  not  easily  replaced. 
— S.  ROWSON,  Chairman,  Kinematograph  Renters  Soc. 


It  was  with  a  sense  of  profound 
regret  and  shock  that  I  learned  of 
"Danny's"  death.  It  was  so  sudden 
that  it  is  hard  to  realize  he  has  gone. 
I  know  what  a  distinct  loss  and  grief 
his  death,  is  to  you  and  how  much 
he  will  be  missed,  and  I  am  very 
sorry.  —  Sydney  S.  Cohen,  Motion 
Picture  Theater  Owners  of  America. 

Los  Angeles — I  regret  and  deeply 
sympathize  with  all  at  the  loss  of 
"Danny,"  your  chief. — Rupert  Julian. 

*  *         * 

Culver  City,  Cal. — Shocked  beyond 
words  over  the  passing  of  my  dear 
friend  "Danny,"  and  to  his  family  and 
to  you  goes  my  deepest  sympathy.  The 
character  and  fine  fearless  ideals  of 
"Danny"  were  a  tribute  to  the  picture 
industry  and  his  memory  as  a  square 
shooter  and  true  pal  will  remain  and 
inspire  all  of  us  who  loved  him. — 
Hunt  Stromberg. 

*  *         * 

Please  accept  our  deepest  sympathy 
and  heartfelt  respect  in  your  great  loss 
and  in  our  loss  of  an  inestimable 
friend. — June  Mathis  and  Silvano  Bal- 
boni. 

+         *         * 

London — Shocked  to  hear  the  sad 
news.  Please  accept  by  sincerest  sym- 
pathy.— Harry  Rowson. 

*  *         * 

Please  accept  my  sincerest  sym- 
pathy in  the  great  loss  which  has 
come  to  you. — Jason  S.  Joy. 

*  *         * 

Los  Angeles — Please  accept  my 
deepest  sympathy  in  your  bereave- 
ment.— John  W.  Considine,  Jr. 

*  *        * 

Los  Angeles — Received  news  of 
your  deep  sorrow.  A  great  shock. 
Please  accept  our  sincere  sympathy. 
— Lila  and  James  Kirkwood. 

+         +         + 

The  untimely  death  of  our  poor 
friend  "Danny"  has  left  me  absolutely 
nerve-shattered.  I  heard  of  his  sad 
death  whilst  I  was  out  of  town  and 
on  my  return  this  morning  I  find  that 
the  funeral  has  already  taken  place. 
I  want  you  to  know  that  this  unavoid- 
able absence  was  the  only  thing 
which  prevented  my  attending  and 
paying  my  last  respects  to  my  old 
friend 

The  motion  picture  industry  will 
suffer  greatly  from  his  sudden  death, 
but  all  of  us  who  loved  him  will 
really  never  forget  this  terrible  catas- 
trophe.—J.  E.  Brulatour. 


We  v/ho  knew  and  liked  "Danny" 
so  well,  wish  to  extend  to  you  and 
the  other  boys  who  worked  with  him 
our  deep  sorrow  at  his  passing. 

Silas  F.  Seadler 
William    R.    Ferguson 
R.  W.  Baremore 
H.  A.  Leonard 
Morrie  Ryskind 
Hubert  L.  Voight 
Donald  H.  Clarke 

*  *         * 

My  sincerest  sympathy  goes  out  td 
you  and  all  your  associates. 

Strange  how,  after  years  of  per- 
sonal contact,  one  does  not  appreciate 
one's  friends.  I  was  always  fond  of 
"Danny"  but  I  never  knew  how  fond 
I  was  of  him  until  this  sudden  shock 
out  of  a  clear  sky — I  really  feel  like 
one  of  my  own  had  passed  on. 

Mere  words  will  mean  nothing  to 
you  bvit  I  must  go  on  record  that 
"Danny''  was  the  squarest  shooter  of 
them   all— Fred  J.    Beecroft,   "M.   P. 

News," 

*  *         * 

The  passing  of  "Danny"  has  stun- 
ned me.  I  have  never  met  anyone 
in  the  industry  who  contributed  as 
much  to  the  lifting  of  motion  pic- 
tures from  a  position  of  indifferent 
interest  to  the  fifth  largest  industry 
in  the  United  States. 

He  left  a  heritage  to  us  all  in  the 
memory  of  his  wonderful  friendship, 
his  perfect  understanding  of  motion 
picture  problems  and  the  example  he 
set  to  all  of  us  by  his  untiring,  never 
ceasing  labors  for  the  good  of  all 
concerned  in  this  business. — W.  E. 
Shallenberger,   Arrow  Pictures   Corp. 

*  *        * 

San  Francisco — Was  very  sorry  to 
hear  about  the  loss  of  your  associate 
and  my  friend  and  want  you  to  ex- 
tend for  me  my  sympathy  to  his  dear 

ones. — Sam  Sax. 

*  *         * 

Washington — I  was  inexpressibly 
shocked  this  morning  to  read  of 
"Danny's"  sudden  and  untimely 
death.  It  seems  doubly  hard  to  be- 
lieve this  in  view  of  the  fact  that 
less  than  a  month  ago  I  had  a  long 
talk  with  him  and  at  that  time  he 
seemed  in  the  best  of  health  and  full 
of  plans  for  a  supplement  for  the 
Film  Year  Book. 

I  think  that  in  his  passing  both  the 
Department  and  myself  have  lost  a 
friend.  I  wonder  if  you  would  extend 
my  deepest  sympathy  not  only  to  his 
family  but  also  to  the  members  of 
your  office  force  who  had  the  privi- 
lege of  working  under  him. — C.  J. 
North,  Chief,  M.  P.  Section,  Special- 
ties Division,  Department  of  Com- 
merce. 


Washington — The  death  of  your 
able  editor,  Joseph  Dannenberg, 
comes  as  a  great  loss  to  the  motion 
picture  world  and  to  the  Bureau  of 
Commercial  Economics,  wlio  found 
much  inspiration  by  his  formative 
opinions  and  constructive  criticism. 
Government  officials,  many  of  whom 
knew  him  personally  and  read  your 
daily,  empower  me  to  also  express 
their  regrets  of  his  passing. — Ran- 
dolph M.  Boggs,  Dean,  Bureau  of 
Commercial   Economics. 

*  *        * 

I  had  known  "Danny"  for  many 
years,  and,  like  all  those  who  admired 
and  esteemed  him  as  a  power  for 
good  ill  cur  industry  and  who  loved 
him  for  his  intensely  human,  sym- 
pathetic and  ever  cheerful  outlook  on 
life,  I  rejoiced  in  the  trust  and  con- 
fidence imposed  in  him  by  men  high 
in  executive  positions  in  the  field  he 
served  so  well.  This  was  but  a  just 
reward  for  his  honesty,  his  integ- 
rity and  his  self-sacrificing  desire  to 
advance  the  cause  of  motion  pictures. 
—J.   E.    Storey,   Pathe. 

*  *        * 

The  shock  that  you  must  have  re- 
ceived was  second  only  to  one  you 
probably  experienced  at  the  passing 
of  a  dear  and  beloved  relative.  My 
sincere  and  heartfelt  condolences  to 
you  from  one  who  always  loved  him. 
— Maury    Kraus. 

*  *         * 

On  behalf  of  Ben  Blumenthal  and 
myself,  I  want  to  extend  to  you  my 
sincerest  sympathy  for  the  loss  you 
have  sustained  at  the  demise  of 
"Danny." 

You  can  readily  understand  what  a 
terrible  shock  it  was  to  all  of  us, 
and  to  tell  you  how  much  we  will  all 
miss  him  is  even  impossible  to  put 
into  words.  "Danny,"  with  his  great 
personality,  was  always  ready  to  give 
advice — to  be  a  friend  to  every  one 
of  us. 

He  was  a  great  force  in  the  film 
industry,  and  to  us,  who  knew  him  so 
well,  irrespective  of  his  connections 
with  the  film  business,  he  is  a  loss 
that  is  practically  irreparable. — Louis 
Auerbach. 

*  *        * 

Inexpressibly  shocked  and  grieved. 
— Florence  Strauss,  First  National. 

*  *         ♦ 

Accept  my  deepest  sympathy. — J. 
J.  McCarthy. 

*  *         * 

London — Deeply  grieved  at  "Dan- 
ny's" death.  Heartfelt  sympathy. — 
Tom  Davies. 

*  *         * 

I  was  certainly  shocked  to  hear  of 
"Danny's"  passing.  Let  me  express 
my  deepest  sympathy  and  regret. — 
Edward  Silton. 

*  *        * 

Please  accept  my  sincerest  sym- 
pathy.— Jacob  Wilk. 

*  ♦         ♦ 

Permit  me  to  extend  to  you  my 
heartfelt  and  sincerest  sympathy. — 
Herman  Fellner,  Berlin. 

*  *        * 

I  have  just  read  in  The  Film  Daily 
of  "Danny's"  passing.  Every  tribute 
which  you  publish  rings  with  spon- 
taneous truth.  My  personal  contact 
with  him  impresses  me  with  two  out- 


THE 


-fftH^. 


DAILY 


Sunday,    March    14,   1 


standing  characteristics:  his  forceful 
and  sound  judgments,  and  his  sincer- 
ity  in   giving   expression   to  them. 

r  know  of  no  other  personality  in 
this  industry  who  had  his  breadth 
and  authoritative  power  of  decision 
upon  so  many  and  diversified  activi- 
ties in  all   its  branches. 

The  one  feature  which  I  never 
failed   to  read  was  his  daily  editorial. 

I  shall  miss  it  much. — George  Kleine. 

*  *         * 

We  were  inexpressibly  shocked  to 
hear   the   news   of   "Danny's"    death. 

He  was  a  "regular  fellow"  and  will 
be  very  much  missed  by  the  industry 
and     his     personal     friends. — W.     F. 

Clarke,  Cranfield  and  Clarke,  Inc. 

*  *         * 

"Verily,  a  mighty  cedar  hath  fal- 
len."—Ralph  Wilk. 

*  *         * 

Please  accept  the  deepest  sympa- 
thy of  our  entire  organization.  Your 
loss  is  also  our  loss  and  we  shall  miss 
"Danny"  every  day  both  "  in  person" 
and  "in  print."  Words  are  futile 
things  at  such  a  time  as  this  and  only 
time  can  slowly  close  the  wide  gap 
left  in  the  front  rank  of  filmdom's 
foremost.  There  was  only  one 
"Danny." — Budd  Rogers,  Lumas  Film 
Corp. 

+         *         * 

A  virile  and  trenchant  pen  has  been 
stilled,  but  to  those  who  have  known 
"Danny"  for  his  indomitable  courage 
to  do  the  things  he  thought  were 
right,  he  will  forever  live  as  one  of 
the  tremendous  dj'namic  forces  whose 
words  of  advice,  wisdom  and  caution 
were  ever  a  beacon  light  during  the 
grave  questions  that  arose  to  con- 
front the  industry  he  so  loved. — A.  L. 
Selig,  Tiffany  Productions. 

*  *         * 

Of  all  the  men  affiliated,  directly  or 
indirectly,  with  the  motion  picture 
business,  it  seems  to  me  that  "Dan- 
ny" was  the  largest  single  contributor 
to  the  welfare  of  the  industry.  I  be- 
lieve that  he  did  more  for  common 
sense  in  the  business  and  for  good  pic- 
tures than  any  other  one  single  man, 
and  I  hope  that  his  friends  and  admir- 
ers will  not  let  his  death  go  by  with- 
out signalizing  their  regard  for  him 
in  some  formal  and  permanent  man- 
ner.— W.  N.  Seligsberg. 

*  *         * 

The  sudden  passing  of  "Danny" 
has  been  a  blow  to  every  one  who 
has  ever  come  under  the  pleasant  in- 
fluence of  his  wonderful  personality. 
— Joseph  A.  Hoffenberg,  for  Jacobo 
Glucksmann. 

*  *        * 

Please  allow  me  to  extend  to  you 
and  your  associates  my  heartfelt  sym- 
pathy   in    your    great    sorrow. — T.    J. 

Connors. 

*  *         * 

Just  as  everybody  else  must  have 
been,  who  knew  "Danny,"  I  was 
shocked  beyond  expression  to  learn 
o*  his  untimely  death.  As  a  friend 
and  a  fellow  he  had  no  peer.  In  his 
chosen  work  as  publisher  of  The 
Film  Daily  he  was  a  stabilizer  and 
an  influence  that  the  industry  can 
very    ill    afford    to    lose. — Herbert    R. 

Ebenstein. 

*  *        * 

Newark,    N.    J. — Just    heard    about 

"Danny."     Advise   if  I   can  help  you. 

Yon    can    imagine    how    it    hit    me. 

— Tony  Lynch 


Tributes  from  the  Press 


liih 


Joseph  Dannenberg  was  a  kindly 
and  honorable  man,  an  indefatigable 
worker,  a  trained  and  excellent  editor, 
and  gave  the  very  best  that  was  in 
him  to  the  best  that  is  in  this  indus- 
try. Probably  he  worked  too  hard,  and 
it  is  sad  indeed  that  a  man  who  has 
so  diligently  and  ably  created  for  him- 
self a  respected  and  unique  position 
must  lose  the  fruits  of  his  labor  so 
early  in  life.  And  the  industry,  need- 
less to  say,  suffers  a  genuine  loss. 

"Danny,"  as  he  w-as  wisely  and  al- 
ways afifectionately  known,  was  "Dan- 
ny." His  place  will  not  be  filled;  but 
like  all  well  done  tasks,  his  influence 
will  go  on.  I  have  known  him  well 
since  he  began  his  journalistic  career 
in  this  field  and  invariably  found  him 
a  co-worker  doing  his  own  job  with 
an  exceptional  and  admirable  fairness, 
courtesy  and  manliness. — William  A. 
Johnston,  Editor,  "Motion  Picture 
News" 

*  *      .  * 

Mr.  Dannenberg,  because  of  his 
likable  personal  qualities  and  an  ag- 
gressive and  active  mind,  made  him- 
self felt  throughout  the  industry  al- 
most from  the  beginning  of  his  con- 
tact with  it.  He  was  a  man  of  extra- 
ordinary fine  social  qualities,  with  an 
unusual  capacity  for  making  friends, 
and  even  those,  among  his  competi- 
tors in  his  chosen  field,  were  included 
in  the  wide  circle  of  his  friendships. 
— Arthur  James,  Editor  and  Merritt 
Crawford,  Publisher,  "Motion  Pic- 
tures Today." 

*  *         * 

London — Deeply  grieved  to  learn  the 
sad  news.  Please  convey  my  sincere 
ympathy  to  his  relatives. — J.  Cabourn, 
Editor,  "The  Bioscope." 

*  *         * 

The  passing  of  "Danny"  is  a  shock 
as  well  as  a  genuine  loss.  He  was  a 
picturesque  and  forceful  figure,  as 
trenchant  and  individual  as  a  conser- 
vationalist  as  he  was  a  constructive 
influence  in  the  publication  of  his 
trade  magazine. — Norbert  Lusk,  Mo- 
tion Picture  Editor,  "The  New  York 
Morning  Telegraph" 


With  deepest  regret  I  read  about 
the  sudden  death  of  "Danny,"  and 
I  want  to  extend  to  your  paper  my 
heartfelt  sympathies  as  well  person- 
ally as  on  behalf  of  mj'  paper.  With 
"Danny,"  a  personality  passed  away, 
one  of  the  milestones  in  motion  pic- 
ture journalism  and  you  may  be  is- 
smed  that  his  name  and  his  kind 
memory  will  never  be  forgotten  on 
the  ether  side  of  the  ocean. — Wolff 
M.  Henius,  Lichtbildbuehne,  Der 
Filmspiegel,  Berlin. 

*  *         * 

Pittsburgh  —  Accept  our  greatest 
sympathy  on  the  passing  of  Joseph 
Dannenberg. — "Moving  Picture  Bulle- 
tin." 

*  *         * 

Toronto — Sincere  regret  and  sym- 
pathy extended  to  you  on  your  very 
great  loss  of  "Dannv." — Ray  Lewis, 
"Canadian  M.  P.  Digest." 


"Danny"  was  one  of  the  picturesque 
personalities  of  the  field,  admired  by 
many,  and  motivated  by  the  laudable 
object  of  furthering  the  interests  of  all 
those  engaged  in  the  field. 

Mere  words  are  pitifully  inadequate 
to  express  the  sorrow  and  sadness 
that  follow  in  the  wake  of  his  death. 
Nevertheless,  this  simple  eulogy  is  of- 
fered in  the  sincere  conviction  that  it 
humbly  expresses  the  sentiment  of 
those  who  knew  him  and  knew  of 
him. 

"Danny"  has  gone,  but  his  spirit 
remains  ever  to  glow  with  the  light 
of  affection  and  inspiration  to  his 
memorv. — George  C.  Williams,  Pres- 
ident, "The  Exhibitors'  Daily  Review" 

*  *         * 

"Danny's"  gone.  But  there  will  be 
a  place  for  him  at  every  film  table  in 
the  land.  No  matter  where  the  ban- 
quet or  what  the  fare,  "Danny"  will 
be  a  guest.  He'll  sit  with  us  as  of 
old.  "Danny"  has  left  "Danny"  with 
us. 

God  rest  a  merry  gentlemen,  a  true 
comrade,  a  loyal  friend  and  helper  of 
the  motion  picture. — Bill  Reilly,  Edi- 
tor, "Moving  Picture  World" 

*  *         ♦ 

"Danny"  was  a  popular  figure  in 
the  motion  picture  industry.  He  did 
much  to  encourage  worthj^  produc- 
tions.—"The  New  York  Times" 

*  *  ;;: 

I  was  shocked  when  I  heard  of  the 
death  of  my  good  friend  "Danny" 
yesterday.  It  was  a  sincere  shock 
because  our  relations,  as  publishers 
and  as  individuals,  have  been  of  the 
most  pleasant  sort. — P.  S.  Harrison, 
Publisher,   "Harrison's   Reports." 

*  *         * 

"Danny"  was  truly  one  of  the  great 
figures  in  the  industry.  We  feel  his 
death  keenly. — Boone  Mancall,  "Reel- 
and  Reviews." 

*  *         * 

We  Salute — 

Joseph  Dannenberg,  afTectionately 
known  to  the  entire  picture  industry 
as    "Danny." 

We  saiute  his  accomplishments  and 
his  genuineness.  He  was  a  splendid 
influence  in  motion  pictures  and  he 
will  be  missed  and  grieved  for  by  his 
many  friends. — Dorothy  Herzog,  "N. 
Y.  Daily  Mirror." 

*  *         ♦ 

I  join  the  motion  picture  industry 
in  mourning  the  loss  of  "Danny."  I 
really  cannot  conceive  that  "Danny" 
is  no  more  and  that  his  delightful 
personality  will  no  longer  radiate  at 
motion  picture  gatherings  which  were 
never  complete  unless  he  was  there. 
"Danny"  was  a  constructive  force  in 
the  film  indust5ry.  His  terse  and 
philosophic  column  in  The  Film  Daily 
was  a  distinct  contribution  to  the 
cause  of  bringing  about  good  will 
and  better  understanding  among  the 
various  branches  of  the  industry.  His 
untimely  death  is  a  grievous  loss,  not 
only  to  the  great  host  of  his  friends, 
but  to  the  whole  film  world  as  well. 
— Bernard  Edelhertz,  "The  American 
Hebrew." 


With   deep   regret   I   hear  that 
Dannenberg     has     passed     away 
want    to    extend   to   you    my    dei 
sympathy    and    assure    you    that 
Dannenberg    had    a    wonderful    r 
tation   in    Germany   and   that   he 
considered    the    best    American 
journalist    over    there.      All    Ger 
film   journalists    feel    with   me   a 
is  an  honor  for  me  to  tell  you  tha 
behalf  of  myself,  my  publication, 
Filmwoche"     and     all     German 
leagues. — Siegfried  Wagener. 
*         *         * 

I  certainly  feel  terribly  a 
"Danny's"  death.  My  deepest  s 
pathy  to  all  his  associates. — Eliza' 
Lonergan. 

Baltimore — It  was  with  deep  re 
that    I    learned    of    the    death    of 
friend    "Danny."      The    industry 
lost    a     good    friend    in    "Danny 
Thos.    D.    Goldberg,    Walbrook 
Harford  Theaters. 


May     I     join     the     great     host 
"Danny's"    friends    in    expressing 
you  my   sincere   sympathy   in   ha\ 
lost  so  fine  a  leader  and  doer,  as 
Dannenberg. — Harry   Bernstein. 
*         *         * 


Ini 


lllifi 


00,  !iij 


"Danny" — you   are  gone.      But 
alone.     You  gained  the  good  will, 
your  fellowmen.     And  the  love  of 
who   worked   with  you. 

"Danny" — you  leave  behind  you 
spirit  that  will  never  die.  A  mem 
that  will  live  forever.  In  the  hejjic^  ^ 
of  men  and  women  who  were  pi) 
ileged  to  know  you.  And  will  moi 
your  loss  as  a  brother. 

"Danny" — may    your    soul    rest 
peace. — J.  D.  Trop,  Sierra  Pictures 
*         *         * 


.^:!ijni 

msi  Co. 


IP0-!I01 


Just  heard-  the  sad  news  of  di 
"Danny's"  death.  I'  want  to  exte 
to  you  and  the  entire  force  of  T 
Film  Daily  my  heartfelt  sympat 
and  condolence.  We  have  all  lost  nv'rj^ 
dear,  good   friend. — George   H.   Da'  M 


ri 


bv, 
Votk 

(til. 


hid 

lion 


IS,  a 


It  seems  hard,  even  now,  to  expri 
the    terrible    shock    of    realizing    ti 
"Danny"    isn't    going    to    be    in    | 
close-ups   any   more.      It   seems   ev* 
harder  to  realize  that  only  last  Tue 
day  we   were   seated  around  a   taf 
at  which  all  the  rest  of  us  were  q 
most  of  the  time  in  order  to  get  h 
best  knowledge  of  the  industry.     M 
are  going  to  miss  that  knowledge  at 
more    than    that    we    shall    miss    h 
kindly    smile    and    the    helpful    spilfc 
that  he  has  always  imparted.  v„'i 

Words  are  so  useless  in  trying  1  ^™ 
convey  the  thoughts  that  must  I  i  'I 
pouring  in  on  you  from  all  side 
The  best  we  can  say  is  that  "Danny  fe,. 
has  left  behind  him  an  inspiration  an  h 
ideal  for  us  all  to  live  up  to  in  thi  ?"' 
industry.— Walter  F.  Eberhardt,  Firs  i,^^ 

National. 

*         *         *  . 

■    toy 

It    was    with    most    sincere    regrs  ^ 
that   I    learned   of   "Danny's"   demisJ  B. 

Nothing  that  has  been  said  or  writ 
ten  could  do  him  and  his  characteriS  hti 
tics  justice  and   I   know   that   he  wil  * 
not  be  one  of  those  that  are  quickljl '■ 
forgotten.— J.  Pollak,  National  Sere 
Service. 


Friday,    March    14,   1926 


THE 


-;&-h 


DAILY 


Hi 


Incorporations 


irtford.    Conn.    —    State    Theater    Realty 

.,   Stamford ;    to   operate   a  theater.    Capi- 

"  $25,000.      Incorporators,    A.    Strauss,    et 

t 


irrisburgh,    Pa. — Theater    Lobby    Display 
Pittsburgh ;    exhibitor    supplies    and    ac- 
S  iries.     Capital   $25,000.      Incorporators,  J. 
s,  R.   Soltz  and  Miss  R.  Stoltz. 


iTtford,  Conn. — Capitol  Theater  of  New 
lin,  Inc.,  New  Britain ;  to  operate  a 
er.  Capital  $50,000.  Incorporators,  I. 
man,  et  al. 


ringfield,  111. — The  Illustrated  News  Co., 
ago;  to  publish  a  motion  picture  fan 
ly. 


irrisburgli,    Pa. — Park    Device    Mfg.    Co., 

idelphia.       Capital     $50,000.       Incorpora- 

J.   Lusse,    R.   Lusse   and   Richard    Lusse. 


irrisburgli,  Pa. — Edwardsville  Amusement 
Edwardsville ;  to  operate  theaters.  Capi- 
^20,000.  Incorporators,  M.  Comerford, 
S.    Comerford,   and  J.    Dikas. 


irrisburgh.    Pa.    —    Willows    Beacli    Co., 
nont ;   to  operate  theaters.     Capital  $250,- 
Incorporators.   E.    Woodings,   J.   Ander- 
and    P.    Reinhold. 


irrisburgh.  Pa. — The  Stoneboro  Park  Co., 
eboro ;  to  operate  theaters.  Capital 
100.  Incorporators,  A.  Daily,  H.  Hines, 
Slater   and    C.    Hines. 


nver,  Colo. — Boulder  Theater  Co.,  Boul- 
theaters.  Capital  $50,000.  Incorpora- 
T.  Herbert,  P.  Howard  and  T.  Harg. 


ver,    Del. — Gasparilla   Productions,   Inc., 

lington;  to  produce.  Capital  $400,000. 
rney.  Corporation  Trust  Company  of 
rica,    Du   Pont   BIdg.,    Wilmington. 



)ver,      Del.— Bell     Theaters     Co.,     Phila- 
lia ;     to    c^erate    theaters.       Capital    $10,- 
Attorney,    Corporation   Trust    Guarantee 
rust  Co.,  927  Market   St.,  Wilmington. 


Ualiassee,    Fla.    —    Pinellas    Amusements, 
Harpon    Springs;     to    operate    theaters, 
rporators,    VV.    Butler,    H.    Crawford,    Jr. 
R.    Stockton. 


bany,  N.  Y. — Brandon  Brothers,  New 
;;  to  produce.  Capital  $20,000.  In- 
orators,  W.  Brandon,  F.  Miller  and  S. 
hoff. 


bany,     N.     Y. — Beekmaii     Theater,     Inc., 
York;     theaters.       Capital    $1,000.       In- 
orators,    L.    Markham,    F.    Wald    and    A. 
field. 


bany,     N.     Y. — Bay     Shore     Amusement 
Patchogue;    to     operate    theaters.       In- 
jrators.     M.    McCooey,    Jr.,    M.    Roskin, 
N.  Rafel. 


iston,  Mass. — Colonial  Photoplay  Corp., 
on.  Capital  $25,000.  Incorporators,  H. 
5rs,  H.   Farrell  and  L.   Radi. 


bany,    N.    Y. — Jones    and    Green    Prod., 

York ;   to  produce  and  operate  theaters. 

rporators,   E.    Bloomberg  and    I.    Shumis. 

rney,  W.  Kaufman,  1482  Broadway,  New 


bany,  N.  Y. — G.  and  F.  Amusement 
Brooklyn;  theaters.  Capital  $6,000. 
rporators,  G.  Conroy,  J.  McCooey,  Jr., 
M.  Riskin.  Attorney,  H.  Oslirin,  1476 
dway.    New   York. 


bany,  N.  Y. — Winkler  Film  Corp.,  New 
:;  to  produce  short  reels.  Incorporators, 
Vinkler,  C.  Mintz  and  N.  Mintz.  Attor- 
H.   Oshrin,   1476   Broadway,  New  York. 


ly,  N.  Y. — Rockwell  Amusement  Co., 
>,Li;!,e;  to  operate  theaters.  Capital  $10,- 
Ol  Incorporators,  K.  Dutcher,  P.  Flana- 
a  «nd  C.  Tucker.  Attorney,  E.  C.  Mur- 
I)  Syractue. 


Michaels    Leases    Buffalo    House 

Buffalo,  N.  Y.  —  The  Palace,  on 
Main  St.,  erected  a  decade  ago  by 
Mitchell  H.  Mark,  has  been  leased  by 
the  Michaels  Theatrical  Enterprises, 
Inc.  The  house  has  been  operated 
for  the  last  several  years  by  J.  Smith, 


Reducing  Fire  Hazards 

Seattle — The  Film  Board  of  Trade 
has  taken  further  steps  in  fire  pre- 
vention measures  by  securing  the  co- 
operation of  the  Fire  Dept.,  in  an 
electrical  inspection  of  exchanges. 


Far  Rockaway  Strand  Co.  Dissolved 
Dissolution  papers  have  been  filed 
in  Albany  for  the  Far  Rockaway 
Strand  Theater  Co.,  which  operated 
the  Strand  in  Far  Rockaway,  prior  to 
its  sale  by  the   Moss  Circuit. 


Add  to  Samuel  Levin  Chain 
San  Francisco,  Cal. — Another  the- 
ater will  be  added  to  the  Samuel  H. 
Levin  group  of  citywide,  neighbor- 
hood houses,  with  the  dedication  of 
the  New   Balboa,  on  Balboa  St. 


Lou  Hess  Plans  Trip  to  Europe 

St.  Louis — L.  E.  Goidhammer  has 
succeeded  as  manager  of  the  local 
branch  of  Universal.  Goidhammer 
had  been  assistant  manager.  Hess  is 
going  to   Germany. 


MacMullen  Gets  New  Post 

Chicago — Roy  C.  MacMullen,  who 
has  been  production  manager  for  As- 
cher  Bros.,  has  resigned  to  become 
manager  of  Ascher's  new  Highland 
to  open  in  March. 


Berg  Managing  "U"  House 

Moberly,  Mo. — Ben  Berg  is  the 
new  manager  of  the  4th  St.  theater, 
recently  taken  over  by  Universal.  He 
hails  from  Kansas  City. 


Form   Illinois  Theater  Company 
Carmi,  111.— Frank  E.  Barnes,  Char- 
les  E.   Barnes  and  Charles   B.   Coch- 
rane   have    formed    the    Strand    The- 
aters   Co.,   with   a   $35,000   capital. 


Fire  Destroys  Iowa  House 

Iowa  City,  la.— Fire  completely  de- 
stroyed the  Englert,  causing  a  loss  of 
$125,000.     The  house  seated  600. 

Among  Exchangemen 

Seattle — Melvin  W.  Winstock  has  resigned 
from  Universal  a^ter  many  years  and  has 
joined    Warner    Bros. 

New  Haven,  Conn. — Harry  Krskin  has 
been  transferred  from  the  local  office  of 
Associated   Exhibitors   to    London. 


Albany,  N.  Y.— George  Goldberg  has  re- 
signed from  P.  D.  S.  to  become  a  salesman 
for    Associated     Exhibitors. 


Kansas  City— Guy  S.  Pmnell  has  been 
added  to  the  Educational  force.  He  was 
formerly  Paramount  representative  in  Denver. 

Kansas  City — Thomas  Thompson  has  re- 
siRned  from  Warner's  to  take  a  position  as 
salesman   with  M.-G.-M. 


St  Louis — ^Harry  Saunders  has  been  added 
to  the  sales  force  of  First  National,  taking 
the  place  of  J.  J.  O'Neil,  resigned. 

Denver,  Barney  Gurnette,  former  manager 
of  the  Salt  Lake  Universal  exchange,  is 
now   with   Universal. 


New  Theaters 

Childress,    Tex. — The    new    Palace,    costing 
$64,000,   has   opened. 


Brownsville,    Tex. — John    Planning    has    op- 
ened   the    Texas. 


Brownsville,  Tex. — The  Queen  has  opened. 


Pontiac,    ,Mich. — The     new     Orphcum     has 
opened. 


New    Baltimore,    N.    Y. — Matt    Moran    has 
opened   another    house    here. 


Hazelton,  Pa. — The  new  Capitol,  seating 
2,600,  is  about  half  finished.  The  opening 
is  set  for  May. 


Brownsville,    N.    Y. — The    Brownsville    has 
opened. 


Ivanhoe,     Minn. — William     Lange    has    op 
ened  the   State. 


Larkins,    Fla. — The    new    airdome,    seating 
1,000,   will   open    shortly.     J.   L.   Schwartz   is 

the  owner. 


Ponca    City.    Ark. — A    new    theater    is    to    be 
constructed   here    by    Eugene   Wetzel. 


Utica,    N.    Y. — John   Angello    will   open   his 
new    house    Easter    Week. 

Casey,    la. — R.     F.     Valentine    has    opened 
the   New   theater. 


New    Orleans— The    Charleston,    at    323    S. 
Rampart    St.,    has   opened. 


Orange,    N.    J. — The   Ambassy    has    opened. 


West  Palm  Beach,  Fla.— The  new  Flam- 
ingo at  South  Dixie  and  Wildemere  Road  has 
opened.      It    cost    $30,000. 

Utica.  N.  Y. — P.  Linton's  new  house  will 
open   sometime  in  April. 


Liberty  ville,  111.— G.   C.   Gridley  of  the  Lib- 
erty   i.s   planniiiy    a   new    theater. 


Harligen,  Tex.— The  Rex,  a  new  $40,000 
house,  has  opened  under  management  of 
Jack    Pickens. 


Woodward,      Okla. — The      Woodward      has 
opened. 


Bellingham,  Wash. — The  Standard  Theater 
Co.  will  open  the  new  Avalon  on  March  18. 
E.    T.   Mathis   will   manage. 


East  Hampton  Beach,  Long  Island — Con- 
tracts for  a  $125,000  theater  have  been  let. 
Leonard  A.  Edwards  is  behind  the  project, 
which  will  be  located  at  Main  St.  and  New- 
ton Lane.  Seating  1,100,  the  house  will  open 
July   1. 


Saranao  Lake,  N.  Y. — The  New  has  open- 
ed. It  seats  400  and  is  owned  and  managed 
by    Leon    N.    Sanschagrin. 


Work  Starts  on  5,000  Seat  Theater 

Chicago — Marks  Bros,  have  begun 
work  on  the  new  5,000  seat  house  at 
Madison  and  Crawford  Sts.  It  will 
be  called  the  Paradise. 


Expansion  Program  for   Comerfords 

Scranton,  Pa.  —  The  Comerford 
Amusement  Co.  has  announced  ex- 
pansion plans  that  will  greatly  in- 
crease the  holdings  of  the  company. 

A  theater  at  Lackawanna  Ave.  which 
will  be  patterned  after  the  Embassy, 
is  to  be  erected  by  the  company.  At 
present  a  three-story  building  is  on 
the  property  and  is  being  used  for 
stores.  These  will  be  entirely  re- 
modeled. 

The  Ideal,  Montrose,  recently  taken 
over  by  Comerford,  will  also  be  re- 
modeled at  a  cost  of  $100,000. 

The  Comerford  and  Chamberlain 
companies  have  merged  their  inter- 
ests in  a  proposed  2,500  seat  theater 
on  the  site  of  the  Sterling  Hotel, 
Fourth  St.  and  Government  Place.  It 
is  expected  that  $625,000  will  be  spent 
on  this  venture. 

Flans  are  also  crystalizing  for  the 
erection  of  a  theater  in  Sunbury.  A 
plot  has  been  held  there  by  the  Com- 
erford interests  for  some  time. 


Bethell   to  Cover  Philadelphia 

Philadelphia — John  Bethel],  recent- 
ly special  representative  for  Associ- 
ated Exhibitors,  has  been  transferred 
to  Philadelphia. 

Charles  Martin,  lately  with  Univer- 
sal and  Associated  Exhibitors,  has 
joined  Pathe  and  will  work  at  New 
Haven. 

Pete  Ryan  has  resigned  as  P.  D.  C. 
salesman  here  to  join  Associated  in 
Washington. 


Plans  East  Orange  Theater 

East  Orange,  N.  J. — Postmaster 
Frank  J.  Bock  had  started  construc- 
tion of  a  new  theater  at  Harrison 
and  Central  Aves.  Samuel  Bratter, 
Fred  W.  Falkner,  Samuel  Pollack  and 
Louis  R.  Golding,  who  are  afSliated 
with  a  large  chain  of  theaters 
throughout  the  State  of  New  Jersey, 
have  leased  Bocks  theater  for  a  term 
of   years.      It   will   seat   2,000. 


Raives  Now  Has  Five 

The  Sol  Raives  Circuit  now  oper- 
ates five  in  New  York,  having  ac- 
quired the  Pastime,  at  54th  St.  and 
2ncl  Ave.  Charles  Steiner's  new  14th 
St.  theater  was  recently  purchased. 
Others  include  the  Acme,  Gramercy, 
and  Lyric. 


Local    Theater    Changes 

The  Metropolitan  district  is  having 
its  share  of  theater  changes,  among 
theiri  the  following: 

Goldreyer  &  Fleischman  ha-ve  taken  over 
the  Hughes  in  the  Bronx,  formerly  oper- 
ated   by    Suchman    &    Tendler. 

Morris  Kodel  has  disposed  of  his  Lyric 
at   Elizabeth,    N.   J.,   to   W.    F.   Weld. 

Matthew  Chrystmos  has  taken  over  the 
Roth  Bros.'  interest  in  the  Broadway  and 
Orpheum  theaters,  as  well  as  the  Rosedale, 
seating   2,000,    all    in   the   Bronx. 


"Blues"   Active  in   Sullivan,   Mo. 

Sullivan,  Mo. — The  city  authorities 
have  compelled  the  local  picture  house 
to  close  on  Sundays.  The  reform  ele- 
ment of  the  community  insisted  that 
Section  3596  of  the  Revised  Missouri 
Statutes  be  enforced. 


Getting  Ready  for  Convention 
Cleveland  —  An  executive  board 
meeting  of  the  Cleveland  Exhibitors' 
Ass'n  was  held  recently  to  make  plans 
to  attend  the  national  convention  in 
California    in    June. 


Bernard    Smith    Quits    Reade 

Cleveland — Bernard  Smith,  former 
assistant  manager  at  Reade's  Hip- 
podrome, is  now  manager  of  the  Am- 
erican, East  Liverpool. 


Morrison  Back  in  Cleveland 
Cleveland— H.    S.    ("Pete")     Mor- 
rison, well  known  in  local  circles,  has 
returned    to    Cleveland    as    two-reel 
Pathe  representative. 


— ;gBg^ 


DAILY 


Sunday,   March   14,   19 


» 


'The  Dixie  Merchant 


Fox 

HUMAN  INTEREST  YARN 
WITH  J.  FARRELL  MAC  DON- 
ALD PLAYING  A  VERY  REAL 
AND  INTERESTING  ROLE  IN 
FINE  STYLE. 

Cast J.    Farrell    MacDonald,   best 

known  for  his  comedy  characteriza- 
tion in  "The  Iron  Horse,"  does  an- 
other very  amusing  and  sympathetic 
role  in  "The  Dixie  Merchant." 
Makes  a  very  real  personage  of  the 
vi-ell  n^eaning  but  bungling  old  cod- 
ger, "J.  P."  Madge  Bellamy  and 
Jack  Mulhall  the  romancers  and 
Claire  McDowell  good  as  the 
mother.  Others  Harvey  Clark,  Ed- 
ward Martindel,  Evelyn  Arden, 
Frank  Beal. 

Type    of    Story Comedy-drama; 

adapted      from      Barry      Benefield's 
novel,   "The  Chicken  Wagon  Fam- 
ily."     Here's    an    interesting    story 
about   a    man    who    continually    did 
the   wrong  thing  at  the  wron^  time 
and  whose  intentions,  though  good, 
always  went  wrong.    His  is  a  realis- 
tic   character   and   J.    Farrell    Mac- 
Donald's  handling  of  the  role  makes 
it    doubly    interesting.      There    is    a 
strong    human    interest    element    in 
his    character    and    a    strong    sym- 
pathetic   influence    for    the    old    fel- 
low, his  good  natured  bungling  and 
his  devotion  to  his  horse,   Marseil- 
laise.    Director  Frank  Borzage  has 
handled    the    story    splendidly    and 
his    deft    touches    of    comedy    and 
heart  interest  build  up  to  a  fine  cli- 
max that  comes   in  the   reunion   of 
the   estranged   family.     After   J.    P. 
Flippany's  (known  affectionately  as 
"J-  P-")  wife  had  left  him  because 
of    his    forgetfulness    and    apparent 
neglect   of  her   for   his   horses,   and 
his  daughter  had  decamped  also  be- 
cause of  a  quarrel  with  her   sweet- 
heart, old  J.  P.  realized  that  he  had 
been     all     wrong     in     his     attitude 
toward  his  family  and  its  responsi- 
bilities.     He   sold    his    dearest   pos- 
session, his  horse  Marseillaise,  and 
sent     his    wife     the     check.       This 
caused   a    change    of    heart    in    her. 
How  she  planned  to  bring  J.  P.  out 
of    hiding   by   putting   his   horse    in 
a  race  brings  the  story  through  to 
a    fine    conclusion    with    smiles    all 
around. 

.Box  Office  Angle. ..  .Sure  to  please 
your  folks.  Combination  of  com- 
edy, human  interest  business  and 
bits  of  pathos  certain  to  make  this 
entertaining. 

Exploitation. ..  .The  title,  unfortun- 
ately, is  the  weakest  thing  about 
this  picture.  It  merits  a  better  box 
■office  name  than  this.  You  had 
lietter  do  some  explaining  and  spe- 
cial exploiting  to  get  them  inter- 
ested and  put  the  picture  over.  Be 
sure  to  talk  about  MacDonald's 
work  and  recall  his  great  comedy 
in  "The  Iron  Horse."  Play  up 
Borzage's  name  also. 
Direction Frank  Borzage;  splen- 
did. 

Author  Barry  Benefield 

Cameraman   Frank  B.  Good 

Photography    Good 

Locale  Small  town 

Length   5.1-6  feet 


"Fascinating  Youth" 

Paramount 

THE  RIGHT  KIND  OF  PUBLI- 
CITY SHOULD  PUT  OVER, 
WITHOUT  DIFFICULTY,  THE 
FIRST  OFFERING  OF  THE 
SIXTEEN  JUNIOR  STARS  OF 
THE  PARAMOUNT  SCHOOL. 
STORY    WELL   HANDLED. 

Cast. . .  .The  sixteen  graduates  of  the 
first  class  of  the  Paramount  School 
of  Acting  are  all  in  this,  together 
with  some  other  well  known  stars 
and  players.  The  best  performance 
of  the  newcomers  is  given  by  Bud- 
dy Rogers  of  Kansas,  while  Ivy 
Harris,  from  Atlanta,  does  very 
well  in  the  leading  feminine  role. 
Others  give  good  performances,  not 
outstanding,    but    creditable. 

Type  of  Story. ..  .Comedy.  Byron 
Morgan,  that  veteran  of  the  Para- 
mount scenario  stafif,  needed  all  of 
his  ingenuity  and  Ralph  Block,  su- 
pervising editor,  put  through  un- 
doubtedly a  great  editing  job  in 
this,  the  first  production  made  by 
the  youngsters  who  made  up  the 
first  graduating  class  of  the  Para- 
mount School  of  Acting.  Efiforts 
were  undoubtedly  made  to  have 
these  youngsters  at  their  best  and 
director  Sam  Wood  undoubtedly 
had  his  troubles  also,  but  the  re- 
sult is  quite  all  right.  The  story 
is  trite  and  tells  of  the  development 
of  the  usual  rich  man's  son  into  9 

real  business  personage,  thus  satis- 
fying his  father's  ambitions  and,  of 
course,  he  gets  the  girl  he  loves 
instead  of  the  heiress  his  father  had 
planned   him   to   marry. 

There  is  a  corking  good  sequence 
at  the  finish  where  Buddy  Rogers 
wins  the  ice  yacht  race  and  so  far 
as  is  known,  this  is  the  first  time 
that  ice  yachting  has  been  used  in 
this  direction. 
Box  Office  Angle. ..  .Everything  de- 
pends upon  what  you  do  with  your 
exploitation.  The  right  kind  should 
put  this  over  easily. 
Exploitation. . . .  Something  like  40,000 
young  folks  entered  into  the  con- 
test which  eventuated  with  the  six- 
teen selected  to  appear  in  this  pic- 
ture. All  of  these,  plus  their 
friends  and  relatives  will  be  anxious 
to  see  the  picture  which  they  failed 
to  qualify  for.  In  communities 
where  the  sixteeen  players  hail  from 
there  should  be  unusually  marked 
interest  which  can  be  stimulated  to 
a  great  degree  by  the  right  kind 
of  publicity.  You  will  have  to  get 
back  of  this  but  it  can  be  easily  put 
over  with  the  right  eflfort. 
Direction ....  Sam  Wood;  very  good, 
all    things    considered. 

Author   Byron  Morgan 

Scenario    Paul   Schofield 

Cameraman   Leo  Tovar 

Photography    Very  good 

Locale    N.    Y.-Adirondacks 

Length About  7.000  feet 


"The  Cave  Man" 

Warner  Bros. 

TAKES  GREAT  LIBERTY  WITH 
PLAUSIBILITY  BUT  OFFERS 
SOME  GOOD  BROAD  FARCE 
AND  MANY  LAUGHS.  OCCA- 
SIONAL SLOW  SPOTS  COULD 
BE  ELIMINATED  BY  CUT- 
TING. 

Cast Marie  Prevost  and  Matt 

Moore  a  fine  team.  Moore  great  as 
the  coal  heaver.  Others  haven't 
much  to  do.  They  include  John 
Patrick,  Myrna  Loy,  Phyllis  Haver 
and   Hedda   Hopper. 

Type   of   Story. ..  .Farce.     This   is   a 
rather   well   known   plot  only   swit- 
ched into  reverse  and  you  have  the 
girl  playing  the  cave  man  and   the 
man  playing  the  patronized  one.  In- 
stead of  a  rich   man  amusing  him- 
self by  lavishing  luxuries  on  a  poor 
girl,   there   is   a   rich   girl   who   lav- 
ishes   the    good    things    on    a    poor 
man,  a  coal  heaver.    The  idea  serves 
for  some  first  rate  farce,  absurd  al- 
most to  the  extreme,  but  with  en- 
ough   good    comedy    situations    to 
make  ii   interesting  for  the  average 
audience.      Of    course   you   have    to 
overlook  a  lot  in  the  way  of  plausi- 
bility   if    you    would    enjoy    this    to 
the  full.     There  are  occasional  slow 
spots  when  the  laughs  run  low  but 
this  might  readily  be  eliminated  by 
proper  cutting.     The  story  concerns 
the   effort   of   a   rich   girl    to   find   a 
new   thrill.      Her    manner  of   going 
after    it    is    decidedly    novel.       She 
hurls  a  half  of  a  hundred  dollar  hill 
from  her  Park  Avenue  window  and 
awaits  a  caller  because  an  attached 
note  told  the  finder  to  call  at  Myra's 
apartment  to  receive  the  other  half. 
Mike    Smagg.    coal    heaver,    is    the 
man  and   Myra  decides   to  renovate 
him    and    introduce    him    to    society 
as    the    eccentric    Professor    Smagg. 
Mike  suffers  barbers  and  tailors  and 
comes    through    a    gentleman    to   all 
appearances.      How    Alike    becomes 
the    "rage"   and   then    finds    himself 
loved    bj'    all    the    debs,    but    him- 
self in  love  with  Myra,  is  followed 
by  his  proposal   to   Myra.     She  re- 
pulses   him    and    Mike    realizes    she 
has  made  a   fool  of  him.     He  goes 
back  to  coal  heaving,  but  the  cave 
man  will  out  and  he   carries   Myra 
off   on    his   coal   wagon,   headed    for 
the  minister. 


.  .  .Will    undoubt- 
entertain    an    av- 


Box    Office    Angle 

edly    amuse    and 
erage  audience. 

Exploitation A    trailer    showing 

Matt  Moore  as  the  coal  heaver  and 
followed  by  shots  of  how  he  looks 
after  lieing  "made  over"  is  likely  to 
get  them  interested.  You  can  make 
promises  for  Matt  Moore's  work 
and  use  plenty  of  stills  of  Marie 
Prevost  in  the  lobby.  The  title  is 
a  good  one  and  can  easily  be  ex- 
ploited in  various  stunts  and  bally- 
hoos. 
Direction Lewis  Milestone;  av- 
erage. 

Author     Gilette    Burgess 

Scenario Darryl  Francis  Zanuck 

Cameraman    David   Abel 

Photography    Good 

Locale   New  York 

Length   5  800  feet 


Norman  Kerry  in 

"Under  Western  Skies 

Universal-Jewel 
NOT  QUITE  AS  GOOD  A  STC 
AS  KERRY  SHOULD  UA 
BUT  SOME  FINE  ACTl 
AND  SOME  REALISTIC  Bl 
NESS  OF  PENDLETON 
DEO  MAKES  IT  ENTERTA 
ING. 

Star Kerry   has   a    typical    I- 

Gibson  role  which  he  handles  i 
well  even  though  he  doesn't  s 
quite  the  right  type  for  the  i 
Has   some   grand   heroics. 

Cast Ward   Crane   one   of   tl 

hard  working  villains  who  is  ou 
ruin  hero  and  win  his  girl.  A 
Cornwall  cute  as  the  girl.  Ei 
Gribbon  takes  care  of  the  si 
comedy  business  quite  capa 
Others  George  Fawcett,  Kathl 
Key,  Harry  Todd,  Charles 
French. 

Type  of  Story. ..  .Western.     Edw 
Sedgwick    who    has    been    steer 
Hoot    Gibson   through   most   of 
westerns  both  with  megaphone  ; 
pen,    wrote    and    directed    "Un 
Western  Skies,"  with  Norman  K 
ry.     It  is  really  a  Hoot  Gibson  j 
ture.     Kerry  is  better  suited  to  gi 
tleman-hero  roles  than   the  he-in 
western  things  that  you  immediat 
identify  with  Gibson.     Neverthe^ 
you    have   enough   good  action  i 
thrills    to    keep    you    interested 
gardless  of  who  is  doing  the  h{ 
ing.     The  plot  is  the  age-old  he 
villain-girl  yarn  again  with  the  ii 
running     around     in     its      fami 
course,  villain  plotting  against  h 
both  to  prevent  his  success  in  I  ' 
vesting   the   wheat   for   the   farn 
and   to   spoil   his   romance   with 
girl  in  the  case.     There  follows 
customary    series    of    double-crd 
ings,   captures,   escapes,    fights,   i  i 
cues  arid  the  like  until  the  big  wi 
up  which  comes  in  the  form  of 
Pendleton   Roundup  with   hero 
to    win    the    hurdle    race.       Vil 
has  his  gangsters  make  away  w 
hero   so    he   won't   be   able    to  p 
in  an  appearance  and  thereby  spr 
his    chances    all    around.      In    tr 
hero  style,  Kerry  makes  a  last  mi 
ute    entrance    and,   of   course,    wii 
the  race  and  the  girl.     Trite,  to  I 
sure,  but  it  works  out  with  eno 
good   suspense    and  action   to   h 
them  interested. 

Box  Office  Angle. . . .  Will  fill  the  b 
quite  capably  if  your  folks  like  i 
occasional  good  bit  of  action  ai 
suspense  and  won't  mind  if  it  is 
little  familiar. 
Exploitation. . .  .  A  trailer  again  is  tl 
best  advice.  Show  them  scen( 
from  the  Pendleton  Roundup  wil 
the  various  contests  and  the  accon 
panying  thrills.  You  might  play  tl 
Norman  Kerry's  name  although 
they  come  in  on  the  strength  of  hi 
name,  they  may  expect  a  differei 
story  altogether.  No  other  name 
to  use. 
Direction. ..  Edward    Sedgwick;   goo 

Author    Edward    Sedgwit 

Scenario   Charles  Whittake 

Cameraman Virgil  Mille 

Photography   Very  gow 

Locale   N.  Y.-Oregoi 

Length  6,452  fee 


Ii 


r 


^^^. 


1 


Leon  Brecker,  Harmon  Yaffa,  Charlie  Moses,  Sol.  Brill,  Sam  Bach, 

Matty  Chrystmos,  Jack  Springer,  Harry  Blinderman,  Sam 

Baker,  Jack  Steinman,  Harold  Eldridge. 

These  are  just  a  few  of  the  big  timers  who  now  are  all  set  for  the  early  April  opening 

in  Greater  New^  York  territory  of 


Photoplay 
Magazine's 


$10,000 

MOVIE  LOVERS'  CONTEST 

First  week's  sales  by  limited  staff  closed  fifty  per  cent,  of  this  territory.  New  contracts 
being  signed  hourly.  Only  a  few  more  theatres  can  now  obtain  this  great  business- 
building  attraction. 

ALL    THE    GREAT    STARS    OF    THE    INDUSTRY 

ALL    THE    BEST    LEADING    PLAYERS 

ALL    THE    FOREMOST    DIRECTORS 

Brought  together  for  the  first  time  in  one  mammoth  attraction — the  most  novel  and 

entertaining  serial  ever  released. 

No   Priority   Troubles — No   Playing   Date    Problems 

One  Price  for  All 

Don't  wait  for  salesmen.   They  may  not  be  able  to  reach  you  in  the  very  limited 
time  now  available.  Take  no  chances !  Protect  yourself  by  getting  details  today! 

MOVIE  LOVERS'  CONTEST 

ROOM  705  (  Phone  Bryant  9423  )  729  SEVENTH  AVENUE 


« 


DAILY 


Sunday,   March  14,   1! 


"In  Borrowed  Plumes" 

Arroiv  Pictures — State  Rights 

FAIR  PICTURE  WITH  SOCIETY 
ATMOSPHERE  AND  CROOK 
BUSINESS  MAKING  UP  THE 
BULK  OF  THE  PLOT  WITH 
A  ROMANCE  ON  THE  SIDE, 

Cast Some  well  known  names  but 

no  one  has  any  chance  to  shine. 
Mediocre  roles  handled  as  well  as 
they  deserve  by  Marjorie  Daw, 
Niles  Welch,  Arnold  Daly,  Louise 
Carter,  Wheeler  Oakman,  Dagmar 
Godowsky,  Peggy  Kelly. 

TjT)e  of   Story Comedy   drama. 

"In  Borrowed  Plumes"  may  satis- 
fy a  transient  trade  audience  or  a 
crowd  that  isn't  critical  but  such 
a  weak  story  and  more  or  less 
haphazard  direction  fail  to  find  it 
a  very  high  place  on  the  enter- 
tainment schedule.  The  produc- 
tion is  passable  but  it  is  obviously 
of  studio  manufacture.  The  de- 
velopment doesn't  gather  very  much 
speed  and  the  comedy  business  is 
of  a  weak  order.  Plenty  of  atten- 
tion is  devoted  to  exposing  the  pet 
fad  of  American  society  in  doting 
on  foreign  personages  and  feting 
them  as  Mrs.  So-and-So's  particular 
house  guest  and  her  private  "find." 
The  scheme  whereby  Marjorie  Daw 
impersonates  a  Countess  in  order 
to  help  a  chum  win  a  certain  rich 
lady's  son  is  a  tedious  bit  of  plot- 
ting that  brings  with  it  a  combina- 
tion of  romance,  comedy  and  some 
action  but  runs  pretty  low  on  all 
three.  Such  a  personage  as  the 
erstwhile  famous  Arnold  Daly  in 
a  slap-stick  skit  is  an  indication  of 
the  strange  absurdities  in  "In  Bor- 
rowed Plumes."  They  have  made 
a  rather  strenuous  effort  to  get 
somewhere  in  this  picture  but  it 
seems  an  over-concentrated  effort 
has  spoiled  the  results.  There  is 
.  the  usual  jazz  Tntroduction  with  a 
i  cabaret  scene  and  the  inevitable 
Charleston  again  scoring  an  inning. 
The  ending  is  the  all  around  clinch 
affair   with   everybody   happy. 

Box  Office  Angle Neither  one 

thing  nor  the  other — very  good  nor 
■  very  bad.  Passable  fare  that  will 
do  unless  you  cater  to  regulars  and 
you  must  please  them  to  keep  them 
coming. 

Exploitation Some     fairly     well 

known  names  to  work  with  and  the 
title  gives  a  ready  indication  of 
what  the  story  is  about.  It  can  be 
further  exploited  in  catchlines  rela- 
tive to  the  girl  who  played  Countess 
in  order  to  help  a  girl  friend  win  a 
husband  but  won  him  herself. 

Direction ....  Victor   Hugo   Halperin; 

fair. 

Author    Leroy   Scott 

Scenario  . . . .  E.  I.  Halperin  and  Leon 

D'Usseau. 

Cameraman Edward  Paul 

Photography    All  right 

Locale    ..' N.   Y. 

Length  5,719  feet 


"Sea  Horses" 

Paramount 

LACKS  THE  ACTION  THAT 
YOU  WOULD  NATURALLY 
LOOK  FOR.  ALLAN  DWAN 
HASN'T  SUPPLIED  A  VERY 
REALISTIC  SEA  ATMO- 
SPHERE FOR  A  STORY  THAT 
IS  LARGELY   OF  THE  SEA. 

Cast.... Jack  Holt  can't  seem  to  find 
himself.  Is  always  on  hand  to  res- 
cue the  heroine  but  there  isn't  a 
great  deal  of  punch  in  his  work. 
Florence  Vidor  lovely  as  usual  but 
the  role  does  not  give  her  very 
many  fine  opportunities  either. 
George  Bancroft,  the  burly  first 
mate,  gives  the  outstanding  perfor- 
mance. His  work  in  the  climax  is 
the  best  in  the  picture.  William 
Powell  good. 

Type  of  Story. ..  .Drama.  Allan 
Dwan  either  was  held  down  on  pro- 
duction costs  or  else  he  figured  he 
could  get  around  it  in  a  short  cut 
but  he  certainly  failed  to  make  the 
most  of  "Sea  Horses."  It  is  es- 
sentially a  story  of  the  sea  but  the 
sea  is  conspicuous  by  its  absence. 
He  uses  a  studio  set  for  the  deck 
and  gangplank  and  a  few  full  shots 
of  a  ship  at  sea.  The  typhoon  is 
miniature,  well  done,  but  obvious. 
There  isn't  the  virile  sea  atmo- 
sphere that  you  look  for  and  ex- 
pect, no  action  aboard  ship  during 
the  typhoon,  only  shotsi  of  the 
miniature  ship  swamped  in  the  huge 
waves.  But  the  good  old  miniature 
rides  the  "Sea  Horses"  and  sails 
out  into  deep  water  safe  and  sound 
— if  you  believe  it.  The  story, 
though  containing  some  farfetched 
angles,  might  have  served  to  better 
advantage  with  a  little  more  action 
and  a  more  concenrtated  effort 
to  get  over  the  realism  in  the  peril 
of  the  "Sea  Horses."  There  is  not 
much  sympathy  felt  for  the  heroine 
especially  when  she  elects  to  stay 
on  the  tropical  island  in  the  hope 
of  reclaiming  her  derelict  husband. 
The  incident  where  she  calmly  tells 
her  tiny  city-bred  daughter  to  "go 
out  and  play"  (in  a  near  jungle) 
is  a  bit  of  very  bad  judgment  on 
the  part  of  director  Dwan.  The 
trump  card  in  the  story  and  action 
is  George  Bancroft's  solo  bit  in  the 
climax  when  he  holds  off  the  at- 
tacking natives,  the  puncturing  of 
a  crate  of  gin,  the  shot  that  gets 
him  and  his  dying  "thanks,  me 
bucko."  Closing  sequence  is  the 
best  thing  in  the  picture. 

Box  Office  Angle.... May  get  over 
where  they  are  not  very  critical, 
but  they  are  certainly  going  to  won- 
der why  there  wasn't  more  of  the 
sea  and  more  action. 

Exploitation. ..  .You  have  some  good 
names  to  work  with  and  no  doubt 
the  title  will  work  up  effectively 
with  catchlines.  A  trailer  showing 
the  sequence  where  George  Ban- 
croft does  his  solo  act  will  un- 
doubtedly bring  them  in. 

Direction. ..  .Allan  Dwan;  didn't  give 
his  best  to  this  one. 

Author Francis  Brett  Young 

Scenario  . . .  .James  Shelley  Hamilton 

Cameraman   James  Howe 

Photography   All  right 

Locale    East  Africa — shipboard 

Length  6,565  feet 


« 


White  Mice" 

Prod  :  Pinellas  Films.  Inc. 
Dist.:  Associated  Exhibitors 


SOUTH  AMERICAN  REVOLU- 
TION AGAIN.  CLUMSILY 
CONSTRUCTED  WITH  DE- 
VELOPMENT HAPHAZARD 
AND  RESULTANT  POORLY 
SUSTAINED  INTEREST. 

Cast. ..  .Mediocre.  No  well  known 
names.  William  Powell,  who  has 
done  one  or  two  rather  good  things 
lately,  fails  to  help  this  one  very 
much.  Jacqueline  Logan  fair  as  the 
girl  and  Ernest  Hilliard  an  uncon- 
vincing villain.  Others  not  im- 
portant. 

Type  of  Story Drama.   Even  with 

Richard   Harding  Davis  as  the  au- 
thor   to    give    it    a    good    headway, 
"White  Mice"  fails  to  hold  to  any 
promises  of  entertainment  that  the 
author's  name  might  suggest.     The 
picture     is     a     jerky,     poorly     con- 
structed  affair    that    not    only    fails 
to    hold    the    interest    but    distracts 
because  of  its  careless  execution,  its 
awkwardness,   obvious   not   only   in 
the  treatement   accorded   the   story 
but  in  the  handling  of  the  players. 
They    are    in    a    constant    state    of 
commotion  with  arm  gestures  regis- 
tering  various    emotions.      Perhaps 
the   editing  and   cutting   is   respon- 
sible   for    the    bungling    results   but 
director    Edward    H.    Griffith    must 
share  the  responsibilities  for  he  had 
the  management  of  the  cast  and  the 
story  development  in  his  hands.  To 
begin  with,   he   fails   to   establish   a 
sufficient     premise     which     is     one 
reason   for   the   inability   of   the    in- 
terest to  gain  a  foothold.     The  ex- 
teriors were  made  in  Cuba  and  with 
such    picturesque    atmosphere    and 
excellent  locale,  it  is  to  be  regretted 
that  the  action  for  the  setting  was 
not  better.    The  plot  is  one  of  those 
oft  repeated  revolutionary  schemes 
with    a    villain    trying    to    win    the 
hand  of  a  senorita  while   he  keeps 
ber  father  in  prison,  with  promises 
of  release   if   the    ^--"rhter   marries 
him      A  Yankee  hero,  a  member  ot 
a    ch'.b    called    the    "White    Mice,' 
devotfd  to  performinGf  services   for 
people    in    distress,    comes    to    the 
rescue  and  all  ends  happily. 

Box  Office  Angle Little  in  this 

that  can  be  recommended,  especi- 
ally if  ou  cater  to  regular  patron- 
age. On  a  double  bill  or  transient 
trade  rrogram,  it  might  serve  the 
purpose 

Exploitation Only    the    fact    that 

the  film  v.'as  made  m  Cuba  and  con- 
tains some  interesting  views  of  that 
place  can  be  used  as  inducements 
for  your  folks  to  see  the  picture. 
Neither  the  acting,  action  nor  story 
have  much  to  satisfy  them. 

Direction E.  H.  Griffith,  poor 

Author Richard  Harding  D.qvis 

Scenario    Randolph   Bartlett 

Cameraman  

Photography   All   right 

Locale  ....South  American  Republic 
Length   5,412  feet 


"Broken  Hearts" 

Jaffe  Art  Films — State  Right 


tfty^liw 


'Till' 


p 


B 


Orv 


nt:; 


iti: 


EFFECTIVE  HEART  INTERI 
IN  STORY  WITH  PARTICl 
ARLY  STRONG  APPEAL  F 
JEWISH    CLIENTELE. 

Cast Lila   Lee   the  only   kn<   |nC 

member  of  the  cast.  Does  nit 
as  the  Jewish  girl  disowned 
cause  of  a  marriage  contrary  to 
parents'  wishes.  Maurice  Schwi 
suitable  as  her  lover.  Many  g 
types  but  all  unknown  to  film  av 
ences. 

Type  of  Story Drama;   adap; 

from  Z.  Libin's  stage  play.     M 
rice    Schwartz,    identified    with 
Yiddish  Art  Theater  in  New  Y< 
assumed    the    double    responsibi 
of   directing   and   playing   the   le 
ing  role  in  this  story  of  Jewish  c 
toms    as    applied    to    marriage 
brings    in   an    effective    heart    inl 
est  and  succeeds  in  establishing 
rigid  adherence  to  the  old  laws 
the  Jewish  people.    The  atmosph 
of    the    ghetto,    the    struggle,    ci  n 
flict,  the  crowding,  the  ever  incre 
ing    army   of    people    of   industrj 
all  arc  very  correctly   pictured  a 
help  instill  the  human  interest  c 
ment  and  serve  for  an   approprii 
setting   for  the   story   which,   of 
self,  is  moderately  appealing  thoulel' 
never   striking   any   particular   hi 
lights  either  in  humor  or  heart 
terest. 

There    is    a    pretty    Jewish 
whosj    father,    cantor   in    the    syn 
gogue,  has  the  marriage  broker  i 
range   a   betrothal   to   the   son   of  life  p 
rich    man.      Ruth    violates    the    a  m 
cient    law   and   marries   Rezanov, 
Russian    refugee,    whose    wife    h' 
died    in    a    Russian    prison,       Rui 
is  disowned  but  happy  with  her 
band    until    word    comes    that 
first  wife  is  still  alive.     Ruth  se 
him  back  to  Russia.     Poverty  stenlipe  vi! 


eci 

Ml  '!■ 

ioo:i: 


:io' 


id.'!. 


3Cir;  k 

g!  d'i  i\ 

n  oril 
m 


V. 

'Ml 

Tlie 

in''  ha 

lllSCC 


KUi 

hi 

•] 
;ert 


in  and  on  Yom  Kippur,  Ruth  wem 
her  way  back  to  her  home,  hi 
baby  in  her  arms.  She  is  taken 
because  it  is  a  day  of  forgivenei 
Later,  Rezanov  returns  with  proi 
that  his  wife  had  died  and  there 
a   glad    reunion. 

Box  Office  Angle This  will  be  d 

cidedly   well   received   by   a  Jewis 
audience    since    it    deals    with    the 
people  and  customs.     Fair  heart  ii  oit. 
terest  may  make  it  appealing  for 
average   crowd. 

Exploitation. ..  .Play    this    up    as 
story    of    Jewish    people    and    cui 
toms    and    let    them    know    that 
concerns    the    ostracism    of    a    gi: 
who    defied  her    father's    wish    thi  fatii 
she  marry  the   man  of  his   choicifli 
Appeal  particularly  to  your  Jewis 
patrons.     Lila  Lee  is  the  only  nam  *«s 
Mer 


M  Tier 
h  h( 
lic'ii  I 
lie  to 

(11';.  3 
It  '.\'i 
iji  ,:.-; 
K\  (■ 

m 

OBi:  CC 

t  Wi 

lOffic 

in  eii' 
»i!ac 

fc;>iei. 
m  lav 


io\nr 
up 


W  #«J« 


that  will  be  familiar  to  your  folk! 
The  rest  of  the  cast,  all  good  types, 
are     unknown     although     Mauriclt'c 
Schwartz   is    prominently   identific 
with    the    Yiddish    Art    Theater    ii 
New  York. 

Direction Maurice  Schwart| 

average.  1 

Author Z.  Libiifci 

Scenario. . .  .Frances  Taylor  Patersoi  m 

Cameraman    Frank  Zuko! 

Photography   All  righ 

Locale   New  York-Russis 

Length    it 

'  tt, 


A 


WiOB, 

irio 
lam 


THE 


lay,   March   14,    1926 


;%g^ 


DAILY 


Jack  Hoxie  in 

'The  Border  Sheriff" 

Universal 

STERN  THAT  LIVES  UP  TO 
'HE  BLUE  STREAK"  BRAND 
DR  ACTION  AND  THRILLS. 
ONVENTIONAL  STORY 
ROBABLY  WON'T  SPOIL  IT. 

...Better  in  this  than  in  many 
his  previous  releases.  Attends 
rictly  to  business  and  wastes  lit- 
;  time  on  posing  and  close-ups 
is  his  wont. 

.  .  .Olive  Hasbrouck  a  pretty  lit- 
lead  and  suitable.  S.  h-.  Jen- 
ngs  the  dyed-in-the-wool  villain 
ith  a  brand  new  dope  smuggling 
ea.  Gilbert  (Pee  Wee)  Holmes 
comedy  pal  for  hero  Hoxie. 
thers    not    important. 

e  of  Story. ..  .Western;  adapted 
om  V\^  C.  Tuttle's  story  "Straight 
lootin'."  As  long  as  a  western 
n  hum  along  on  all  six  with'  en- 
igh  good  action  pepping  the  de- 
:loping  and  good  thrills  holding 
e  pace,  it  is  more  than  likely  that 
en  a  conventional  plot  can  be 
lowed  under.  The  story  is  the 
ied  and  true  trio  formula  with  the 
ell  known  villain  pursuing  the 
ell  known  gal  while  hero  does  the 
scuing.  The  one  new  slant  is  a 
:heme  of  dope  smuggling  that 
a't  at  all  bad.  You  have  the 
;ry  brilliant  idea  of  using  cattle 
I  get  dope  across  the  border, 
illain  places  large  artificial  horns 
/er  the  natural  horns  of  the  cows 
id  places  his  prize  packages  there- 
.  The  only  give  away  is  that  they 
jn't  have  long  horned  cows  in 
lat  region  and  hero,  being  clev- 
,  discovers  this  discrepancy  and 
le  game  is  up.  Besides  smuggling 
Dpe,  villain  is  out  to  get  the  girl 
id  her  father's  ranch  which  pro- 
des  hero  with  a  triple  complex 
hich  he  must  entirely  clean  up 
rior  to  the  clinch.  He  does  it 
eatly  and  you  have,  as  a  result, 
le  regulation  line  of  action  with 
ist  and  fancy  riding,  fights,  cap- 
ires,  escapes  and  the  like  holding 
le  interest  very  satisfactorily. 
ome  comedy  interjections  get  over 
uite  well  also. 

[  Office  Angle. ..  .First  rate  wes- 
;rn  entertainment  with  plenty  of 
ood  action  and  thrills  to  make  it 
jmpletely  satisfying  for  the  crowd 
lat   favors  this   form  of  diversion, 

)loitation. .  .  .If     Hoxie     claims     a 

lillowing    in    your    neig'hborhood 

i\    up    his    name    and    recall    past 

I  tures  in  which  he  appeared.  Run 

nailer  showing  some  of  the  action 

lints  and  you  can  let  them  know 

1!  re  if.  a  good  sprinkling  of  laughs 

i\ed  in  with  the  thrills. 

)  action.  .  .Robert  North  Bradbury; 

-d. 

ihor    W.  C.  Tuttle 

nario    Robt.  North   Bradbury 

'  leramen Harry   Mason  and 

111.  Nobles. 

'  tography    Good 

.  ale    West 

,  gth  4,440  feet 


Behe  Daniels  in 

"Miss  Brewster's  Millions" 

Paramount 
THE  GEORGE  BARR  McCUT- 
CHEON  NOVEL  WITH  A 
CHANGE  IN  SEX.  LIVELY 
PIECE  OF  SLAP-STICK  IN 
WHICH  BEBE  IS  FORCED  TO 
FOREGO  ALL  DIGNITY  FOR 
THE  SAKE  OF  LAUGHS. 

Star....  Has  a  hectic  time  of  it  as 
the  girl  with  a  million  who  must 
get  rid  of  it  in  thirty  days.  Tackles 
the  role  with  enough  energy  but 
it  is  not  the  best  sort  of  story  for 
her. 

Cast.  .  .  .Ford  Sterling  chief  comedian 
and  Andre  de  Beranger  a  study 
in  pantomime  with  his  impersona- 
tion of  a  director.  Warner  Baxter 
suitable  but  unimportant  hero. 
Type  of  Story. ..  .Slapstick  comedy; 
adapted  from  George  Barr  McCut- 
cheon's  "Brewster's  Millions."  Har- 
old Shumate  and  Lloyd  Corrigan 
simply  borrowed  McCutcheon's  idea 
but  they  didn't  use  his  story.  In- 
stead they  have  picked  a  Holly- 
wood locale,  a  girl,  a  hero,  a  mob 
of  extras  and  went  to  work  think- 
ing up  a  quantity  of  slapstick  gags 
that,  when  strung  together,  make 
for  a  fast  moving  if  completely 
nonsensical  lot  of  business  with 
Bebe  suffering  a  great  lot  of  in- 
dignities on  the  altar  of  entertain- 
ment. Bebe  makes  the  best  of  it 
and  proves  herself  quite  a  "good 
fellow"  for  it,  even  though  she  is 
entitled  to  a  little  more  "down  to 
earth"  stuff  than  this.  Like  a  lot 
of  other  slapstick  features,  "Miss 
Brewster's  Millions"  is  good  for 
first  rate  laughs  for  the  first  few 
reels  but  they  run  lower  and  lower 
toward  the  end. 

Seen  through  the  maze  of  slap- 
stick is  a  girW  with  a  million  in- 
herited from  one  uncle  on  condi- 
tion that  she  invests  and  a  prom- 
ise of  five  million  in  cash  from  a 
competitive  uncle  if  she  squanders 
the  first  million  in  thirty  days. 
Crazy  investments  turn  out  success- 
ful and  when  Bebe  at  last  squan- 
dfcrs  the  million  she  learn^  the 
uncle  with  the  five  million  has  gone 
bankrupt.  A  last  minute  invest- 
ment in  picture  production  comes 
through  successfully  and  Bebe  still 
has  a  hold  on  the  money  bags  of 
uncle  No.  1.  Hero  is  on  hand  for 
the  chnch  also. 

Box  Office  Angle Will  probably 

make  money  for  certain  exhibitors. 
If  your  folks  like  a  l.vcly  pict?  of 
slapstick  and  won't  mind  if  it 
doesn't  hold  to  its  starting  pace, 
you  can  handle  this  one  nicely. 
Cutting  would  remedy  the  slowing- 
up  in  the  latter  reels. 

Exploitation Bebe   Daniel's  name 

can  be  exploited  for  whatever  it 
is  worth  in  your  community  and 
of  course  the  Hollywood  atmo- 
sphere is  still  a  good  talking  point 
and  with  a  trailer  to  get  the  idea 
over,  you  might  easily  bring  them 
back  for  the  picture. 

Direction    Clarence   Badger;  fair 

Author   Geo.  Barr  McCutcheon 

Scenario    Monty    Brice 

Cameraman H.  Kinley  Martin 

Photography Good 

Locale   Hollywood 

Length    6,457    feet 


Art  A  cord  in 

"The  Set-Up" 

Universal 

CUSTOMARY  FRAME-UP  WITH 
HERO  PULLING  ALL  THE 
WELL-KNOWN  STRINGS  AND 
COMING  THROUGH  TO  THE 
GLORIOUS  FINISH.  A  LIT- 
MORE  ACTION  AND  LESS 
ACTING  WOULD  HAVE 
HELPED  CONSIDERABLY. 

Star.  ..  .Should  confine  his  efforts  al- 
most strictly  to  action.  Not  suited 
to  mooning  about  a  heroine  and 
toddling  around  with  a  bunch  of 
kids. 

Cast Alta   Allen  suitable  lead. 

Thomas  C.  Lingham  the  true-to- 
type  villain  and  Jack  Quinn  his  son, 
a  "chip  of  the  old  block."  Others, 
Albert  Schaeffer,  Montague  Shaw, 
Wni.  Welsh. 

Type  of  Story.  ..  .Western;  adapted 
Irom  "Horse  Sense"  by  L.  V.  Jef- 
ferson. Art  Acord  and  a  trained 
horse  bring  this  one  through  to  the 
usual  satisfactory  finish  with  the 
glory  piling  up  as  the  heroics  peal 
off  First  the  horse,  Buddie,  pulls  a 
stunt  and  then  hero  does  a  trick  so 
between  them  they  have  the  honors 
shared  about  evenly.  The  plot  is 
one  of  the  usual  western  formula- 
with  the  conventional  plotting  and 
the  well-known  characters  all  ap- 
pearing on  the  scene  in  due  course. 
The  introduction  of  a  band  of  kids 
who  play  at  being  deputy  sheriffs 
is  a  little  off  the  usual  routine  but 
their  part  in  the  plot  is  not  espec- 
ially convincing  even  though  the 
fact  that  they  find  the  bag  of  money 
which  would  have  cleared  matters 
considerably.  The  girl's  father  had 
been  waylaid  in  Tolliver's  attempt 
to  rob  him  of  the  monej'  and  steal 
his  famous  horse,  Buddie.  The  Tol- 
livers,  father  and  son,  continue  to 
hound  the  dead  man's  daughter  by 
foreclosing  on  the  ranch.  She  mis- 
understands hero's  attempts  to  help 
her  and  is  about  to  be  cast  from  her 
home  when  she  renews  her  faith  in 
hero  and  finally,  through  his  efforts, 
the  guilty  Tollivers  are  exposed  and 
peace  restored  through  the  inevita- 
ble clinch.  Some  good  action  in  the 
climax  chase  and  subsequent  battle 
between  hero  and  villain  and  his 
band  ))ut  more  of  this  in  the  early 
reels  would  have  provided  a  livelier 
piece  of  entertainment. 

Box  Office  Angle.  .  .  .Fair  western.  In 
a  field  where  there  is  such  keen 
competition  they  may  expect  a  lit- 
tle more  excitement  than  they  get  in 
"The  Set  Up." 

Exploitation. ...  If  Art  Acord's  name 
stands  for  anything  in  the  way  of 
bringing  them  to  the  box  office,  play 
it  up  for  what  it  is  worth  and  lie 
sure  to  tell  them  that  the  horse, 
Buddie,  |)lays  an  important  part  in 
the  storv.  This  angle  will  appeal  to 
some  folks. 

Direction   ...   Clifford  Smith;  average 

Author    L.   V.  Jefferson 

Scenario Harrison  Jacobs 

Cameraman   Eddie  Linden 

Photography Good 

Locale Western  ranch 

Length 4,600  feet 


"The  King  of  the  Turf" 

Film  Booking  Offices 

R  A  C  E-T  RACK  FORMULA 
AGAIN.  NOT  MUCH  VARIA- 
TION IN  THE  PLOT.  USUAL 
ACTION  AND  SUSPENSE 
MAKES  FOR  PRETTY  WELL 
SUSTAINED   INTEREST. 

Cast.  ..  .Patsy  Ruth  Miller  pleasing 
and  pretty.  Kenneth  Harian  is  the 
rescuing  hero  and  Al  Roscoe  the 
villain  who  will  stop  at  nothing  to 
win  the  girl.  George  Irving  the  old 
Southern  Colonel,  horse  fancier. 
David  Torrence  his  dishonorable 
business  partner.  Others,  Kathleen 
Kirkham,  Mary  Carr,  Dave  Kirby, 
William  Franey  and  Eddie  Phillips. 

Type  of  Story. ...  Race  track  nieller. 
Again  the  formula  plot  with  the 
workings  very  much  the  same  as 
before.  Hero  saves  the  day  and 
rides  to  victory  instead  of  the  girl 
donning  the  jockey  suit  and  bring- 
ing in  the  prize.  There  is  the  usual 
villainy.  This  time  it  takes  the 
form  of  a  double-crossing  partner 
who  frames  the  bank's  books  to  cov- 
er his  own  shortage  and  sends  the 
old  Colonel  to  prison.  The  partner's 
son,  Tom,  is  in  love  with  the  Colon- 
el's daughter,  Kate,  who  plans  to 
win  her  by  hook  or  crook.  He  is 
unsuccessful  and  his  operations 
cease  until  the  Colonel's  release 
from  prison.  The  Colonel  brings 
with  him  a  quartette  of  prison  bud- 
dies, all  reformed,  who  work  to- 
gether for  the  Colonel's  and  Kate's 
good.  One  of  them.  Smith,  falls 
in  love  with  her.  .^fter  all  he  had 
only  been  in  for  speeding  but  that 
doesn't  stop  Tom  from  trying  to 
block  him  as  an  entry  in  the  race 
wherein  Kate  hopes  to  retrieve  the 
family  fortune  with  her  horse.  At 
this  time  Smith  learns  that  Tom 
has  a  signed  confession  in  which 
his  father  cleared  the  Colonel  of  the 
hank  charge.  Much  excitement, 
race  climax,  last  minute  suspense — 
and  clinch.  Not  much  that  is  new 
in  the  story  but  where  they  like 
action  and  suspense  plus  the  usual 
romance  it  will  likely  do  well 
enough. 

Box  Office  Angle.  .  .You  should  know 
about  what  you  can  do  with  a  pic- 
ture of  this  type. 

Exploitation The  race   can   be 

played  up  with  the  usual  trailer 
shots  and  you  can  talk  about  the 
girl  who  put  her  faith  in  an  ex-con- 
vict and  came  through  to  a  glori- 
ous finish  even  to  clearing  her 
father's  name  of  an  innocent  charge 
of  theft.  Title  is  self-explanatory 
but  can  be  worked  up  with  the 
regiil.ition  catchline.s. 

Direction    James  Hogan;  fair 

Author   Louis  Joseph  Vance 

Scenario   John  C.  Brownell 

Cameraman  Jules  Cronjager 

Photography    ^1'    right 

Locale   South 

Length   6,210  feet 


THE 


10 


;%g^ 


DAILY 


Sunday,    March    14,   IS 


Short  Subjects 

"Al's   Troubles" — Century — Universal 

Good  Chase  Stuff 
Type  of  production. ..  .2  reel  comedy 
Featuring  Al  Alt,  this  offering  is 
gagged  up  to  a  fast  pace  which 
keeps  the  comedian  and  his  pal  busy 
side  stepping  trouble  that  threatens 
them  at  every  turn.  It  starts  with  a 
raid  on  a  poker  game  where  the  two 
cronies  have  lost  everything  but  their 
underwear.  They  escape  by  joining 
in  a  cross  country  run,  and  travel 
so  fast  that  at  the  finish  they  are 
surprised  with  winning  a  silver  cup. 
But  the  cops  are  still  on  their  trail. 
They  dive  in  a  pawn  shop  and  ex- 
change the  cup  for  two  suits  of 
clothes.  Later  they  drop  down  a 
chimney  to  elude  their  pursuers,  and 
emerge  in  a  room  all  blacked  up 
from  soot.  Two  colored  brides  are 
waiting  for  the  grooms,  and  throw 
their  arms  around  the  two  unfor- 
tunates. They  are  forced  to  go 
through  the  marriage  ceremony,  and 
escape  only  after  difficulties  that  are 
filled  with  merriment.  Later  with 
the  cops  still  on  their  trail  they  walk 
down  the  street  disguised  inside  two 
packing  boxes.  But  the  clever  bulls 
steer  them  straight  into  the  hoose- 
gow.  Good  variety  of  gags,  snappy 
action,  with  a  full  quota  of  mirth. 
In  spots  the  chase  sequences  are  too 
long  drawn  out. 


"The  Hug  Bug"— Hal  Roach— Pathe 

Juvenile  Jokesters 
Type  of  production. ..  .2  reel  comedy 
This  starts  out  as  a  situation  com- 
edy, but  the  situation  was  too  slight 
for  the  two  reel  distance.  So  Direc- 
tor Fred  Guiol  was  forced  to  pad  con- 
siderably in  order  to  get  necessary 
footage.  It  starts  with  the  theme 
of  a  harassed  householder  who  finds 
it  pretty  tough  going  with  his  wife 
and  children  constantly  messing  up 
his  peace  of  mind.  Then  along  comes 
his  son,  Glenn  Tryon,  and  his  love 
affair  with  a  girl  who  has  a  raft  of 
boy  friends.  She  gives  a  party,  and 
Glenn  decks  himself  out  in  his  dad's 
dress  suit  and  gets  himself  into  a 
lot  of  more  or  less  humorous  complica- 
tions with  his  high  hat  which  be- 
comes glued  to  his  head.  Then  the 
director  introduces  a  fire  in  the  house 
for  the  lack  of  anything  more  origi- 
nal, and  thus  succeeds  in  dragging 
out  the  footage.  The  trouble  with 
this  is  that  the  comedy  started  out 
for  no  place  in  particular  and  arrives 
there.  It  is  too  choppy,  and  the  fun 
in  spots  is  obviously  forced.  It  does 
not  shine  in  the  Hal  Roach  Gallery 
of  Gurgles. 


"Meet   My   Girl"— Mack   Sennett— 
Pathe 

Love  Burlesque 
Type  of  production. ..  .2  reel  comedy 
All  about  the  troubles  of  a  girl 
and  boy  who  love  each  other,  but  dad 
has  picked  some  heavy  opposition  in 
the  way  of  a  rival  for  his  daughter's 
hand.  Ralph  Graves  is  the  hero,  and 
his  rival  is  Marvin  Lobach,  the  heavy- 
weight. They  do  not  realize  they 
are  both  in  love  with  the  same  girl 
till  they  both  date  her  up  for  supper 
at  the  same  food  palace.  Then  the 
fun  begins.  The  laughs  all  hinge  on 
making  a  boob  out  of  the  fat  and 
clumsy   swain,    who    gets    himself    in 


a  variety  of  funny  predicaments.  So 
Marvin  Lobach  is  really  the  fun- 
maker,  while  Ralph  Graves  plays  a 
straight  part.  The  situations  are  suf- 
ficiently diverting  to  hold  the  inter- 
est, but  as  a  laugh  producer  it  is 
rather  light.  The  best  thing  in  the 
offering  is  the  work  of  the  vamp  who 
is  hired  by  the  heavy  lover  to  put 
a  crimp  in  the  hero's  love  affair.  Here 
Grave's  does  his  best  work  and  proves 
that  he  i?  capable  of  doing  some  real- 
ly fine  work  in  light  comedy — if  they 
give  hira  one. 


"The  Phoney  Express" — Bluebird- 
Universal 
Indian  Burlesque 
Type  of  production. ...  1  reel  comedy 
Charles  Puffy,  the  fat  fellow,  bur- 
lesques the  western  hero  to  good  ef- 
fect and  his  portly  form  astride  a 
poor  nag  is  ludicrous  and  laughable. 
The  covered  wagon  is  also  burlesqued, 
containing  the  poor  girl  on  her  way 
to  Hollywood.  Indians  attack,  and 
Puffy  on  his  nag  puffs  up  to  the 
rescue.  Before  it  is  all  over,  Puffy 
is  pretty  well  filled  up  with  arrows, 
but  as  he  has  taken  the  precaution 
to  place  a  board  in  his  trousers,  no 
damage  is  done.  The  Indians  are 
disgusted,  and  Puffy  leisurely  saun- 
ters away  from  them  with  the  hero- 
ine. Up  to  the  standard  of  the  fat 
comedian's  work.  It  is  good  kid- 
ding which  never  fails  to  get  its 
share  of  merriment. 


Capital  Changes 

Albany.  N.  Y. — Photomaton,  Inc.. 
of  New  York,  yesterday  filed  an  in- 
cr':ise  in  capital,  of  from  $2,225,000 
to  $2,325,000. 


Springfield,  111. — The  Biltmore  The- 
attr!  Co.  has  decreased  its  capital 
frrn:  $200,000  to  $75,000. 


Jutkowitz  Bros,  to  Manage  Three 

Alexander  and  Isadore  Jutkowitz, 
owners  of  the  Columbia,  Far  Rocka- 
way,  will  manage  that  theater  as  well 
as  the  Central  in  Cedarhurst  and  the 
Strand  in  Far  Rockaway,  for  the 
Moss  circuit. 


Progress,  St.  Louis,  Moves 

St.  Louis — Progress  Pictures  Corp. 
has  moved  into  larger  quarters  at  3320 
Lindell  Blvd.  Tom  Leonard  is  man- 
ager. 


New  Paramount  Exploiteer 

William  Jensen  has  been  assigned 
by  Oscar  Kantner,  exploitation  man- 
ager of  Paramount,  to  cover  Indian- 
apolis  and    Louisville. 


Mutual,   'Frisco,    Moves 

San  Francisco — The  Mutual  Inde- 
pendent Exchange  has  moved  from 
281  Turk  St.  to  289  Turn  St. 


R.    &   C.   Lease   Penn.    House 

Washington,  Pa.  —  Rowland  & 
Clark  have  leased  the  Globe.  Sam 
E.    Bleyer   will   manage. 


Texas  House  Burned 

Rising   Star,  Tex. — The   Lyric   was 
recently  destroyed  by  fire. 


Newspaper  Opinions 

"The  Black  Pirate" 

United    Artists 

Selwyn 

AMERICAN — A  roistering  tale  this  is,  a 
glorious  riot  of  adventure.  To  the  colorful 
exploits  of  a  pirate  crew  has  'leen  added  the 
most  perfect  technicolor  yet  flashed  upon 
the  screen.    ♦    *   * 

All  the  care  he  has  lavished  on  (Iii,;  pro- 
duction has  been  quite  justified.  It's  the 
pirate  lore  of  a  thousand  books  -splas  le  1  on 
the   screen   by   a    confident,    experienced    ha.id. 


I  This  is  a  production  which  marks  ano 
forward  stride  for  the  screen,  one  that 
boy  and  his  mother  will  enjoy  and  one  ■ 
is  a  healthy  entertainment  for  men  of 
ages.    *   ♦   » 

WORLD—*  *  •  With  quite  as  much 
genuity  in  dramatic  restraint,  we  find  a 
of  daring  heroism,  acted  by  that  gall; 
adventuring  fellow,  Fairbanks,  and  acted  v 
all  the  terrific  pace  which  he  has  always  1 
to  his  works.  "The  Black  Pirate,"  in  < 
I  have  neglected  to  express  an  opinion  ab 
it,  is  a  prodigiously  lovely  cinema,  the  a 
tocrat   of  our  town. 


»   *    * 


DAILV  NEWiS— *  *  ♦  riie  Lest  pxture 
ever    made    in    technicolor.    '     *    " 

It  is  a  thrillingly,  exquisitely  photographed 
film  with  Douglas  Fairbunk?  in  the  role  of 
the  Blai-x  Pirate  himself,  giving  one  of  the 
best  pertormanccs  of  his  long  stardom.  Doug 
looks    quite    a    bit    older    tl.an    he    did.    *    *    ♦ 

Several  years  of  prelimi'iary  work  v/ere  re- 
quired to  gather  the  material,  to  build  the 
ships  and  to  study  the  many  details  neces- 
sary to  ni.ike  the  picture  .1  true  representa- 
tion of  piratical  history.  the  finished  prod- 
uct is  ample  reward  for  the  time  spent  to 
make    it    an    outstanding    picture.    *    *    * 

EVENING  JOURNAL—*  *  »  Is  as  color- 
ful a  production  as  the  photography  which 
is  in  color.  The  fihn  is  beautifully  tinted 
and  is  so  well  done  that  it  enhances  the 
romantic  backgrounds.  The  hues  are  all 
browns,  tans,  yellows  and  light  greens,  which 
are  restful  to  the  eye  and  pictorially  effec- 
tive. '         I  I  .  I 

The  story  is  a  vivid  yarn.  *  *  *  The  pic- 
ture is  a  great  entertainment,  and  Doug,  who 
fights    against    all    odds,     is    a    perfect    hero. 

*  *  * 

EVENING  WORLD— *  *  *  An  oustand- 
ing  achievement  to  the  credit  of  Douglas 
Fairbanks,  his  director,  Albert  Parker ;  his 
pliotograplicr,  Henry  Sharp,  and  the  numer- 
ous other  individuals  who  helped  in  the  mak- 
ing. *  *  *  Shows  scene  after  scene  of  un- 
forgettable beauty.  *  *  *  "The  Black  Pi- 
rate"    is    recommended    without    reservation. 

GRAPHIC — *  *  *  The  color  never  domi- 
nates  the  picture.   *   *   * 

•'The  Black  Pirate''  should  be  a  real  treat 
for  children.  It's  the  stuff  that  fairy  tales 
are  made  of.  *  *  *  Doug  Fairbanks  as  you 
like  to  see  him.  The  story  is  colorful  and 
entertaining. 

HERALD-TRIBUNE— *  t  *  Some  of  the 
scenes  achieve  a  striking  beauty,  much  in  the 
manner  of  a  Maxfield  Parrish  pirate  painting 
come  to  life.   *  *  * 

*  *  *  It  is  less  full  than  usual  of  the 
Fairbanks  tricks  and  the  Fairbanks  humor, 
but  it  is  a  good,  fast-moving  tale  of  ad- 
venture that  seems  bound  to  please  the  ad- 
mirers of   this  hugely  popular  star.   *   *   ♦ 

MORNING  TELEGRAPH—*  *  *  Pirates! 
— there's  a  word  that  takes  you  back  to  your 
boyhood  days.  *  *  *  Small  wonder,  then,  that 
Doug's  new  picture  will  act  as  a  magnet  for 
all   the  small  boys  from   7   to   70.   *   *   * 

"The  Black  Pirate"  is  fine,  but  it  isn't 
great,    it    isn't    Doug's    best,    by    any    means. 

*  *    * 

POST—*  *  *  The  best  of  the  sea  films 
shown  thus  far  on  Broadway.  *  *  ♦  Splen- 
didly done  from  a  pictorial  point  of  view. 
Made  entirely  in  subdued  colorings,  sooth- 
ing to  the  eye,  and  something  of  a-  relief 
from  the  prevailing  black  and  white,  the  en- 
tire film  is  a  series  of  exquisitely  lovely 
pictures. 

SUN — *  *  *  The  writer,  however,  liked  it 
less  than  the  gorgeously  beautiful  "The  Thief 
of  Bagdad,"  and  also  less  than  the  zestful 
"Don  Q,  Son  of  Zorro,"  but  there  is  much 
that  is  really  noteworthy  within  its  techni- 
colored  reels,  much  that  is  vastly  entertain- 
ing.   *   •   * 

Only  an  .irtist  in  line  could  have  made 
up  scene  after  scene  in  the  film.  In  this 
respect,  indeed,  it  is  the  equal — if  not  the 
superior — of  the  season's  movies.  "The  Black 
Pirate"  in  essence,  is  fairly  good  Sabbatini — 
told  by  the  latest  camera  methods.   *  *  * 

TELEGRAM—*  »  *  But  this  lavish  teem- 
ing film  does  have  all  the  straightforward, 
direct  appeal  of  the  immemorial  pirate  yarn, 
while'  the  love  interest  has  been  reduced  to 
a  slender  thread,  consisting  mainly  of  a 
couple  of  shots  of  Doug  going  into  a  cata- 
leptic trance  in  the  fair  lady's  arms.  *  *  ♦ 
The  greatest  novelty  of  all,  however,  was  the 
color,    and    full   advantage   was    taken.    •    •    • 

TIMES—*  *  *  With  its  excellent  titles 
and  wondrous  colored  scenes  this  picture 
seems  to  have  a  Barriesque  motif  that  has 
been  aged  in  Stevensonian  wood.  *  •  * 


H 


Hai 


liiry 

(11." 

d 

ilk; 

ill.  C„ 

rl. 


lif"; 

SI 


"Miss    Brewster's    Millions" 

Paramount 

Rivoli 

AMERICAN—*   *   *    not    only    starts 
children    giggling    but    induces    many    of 
grown-ups    to    chime    in.       It's    rapid,    rot 
and   tumble   slapstick.    ♦    »    * 

DAILY  MIRROR—*  *  *  This  is  an  9 
hodgepodge  of  nonsense  that  sparkles  i 
races    along,    hitting    merry    moments.         ; 

Bebe  (Daniels)  gives  a  corking  accoi 
of  herself.  Bebe  knows  her  stuff  when 
comes  to.  comedy.    *   *   * 

DAILY  NEWS—*  *  *  Bebe  Daniel's  ^ 
picture  starts  you  off  to  a  roar  and  ke* 
you  laughing  'til  the  end.  It  is,  in  the  mi 
Bebe's    picture. 

She  is   on   the   screen   almost   every   minii 
and   you're   glad    of   that,    for   she   is   a   clei^E 
comedienne  and   an   able  gymnast.   *   *   * 

EVENING  JOURNAL— *  *  *  Andre 
anger  does   some   delightfully  nonsensical 
tomime,     reminiscent     of     his     role     in     ' 
Parents    People?"    and    it's    good.       Most^ 
the    gags    are    funny,    and    the    film    is    ligl 
diverting.    *   *   ♦ 

EVENING    WORLD-*    *    *    The    resi 

as    directed    by     Clarence    Badger,    was    1 

on   costumes  and  slapstick  and   short  on  01 

inality   and   legitimate   development   of   hu) 

*   *   *    any       audience    is    likely    to    laugh  ] 

many    of    the    episodes,    but    it    seems    to  4| 

that     Bebe    Daniels    and    Ford     Sterling    i 

comedians    worthy    of   a    much    better    vehicll 
»   «   » 

GRAPHIC—*  *  *    may    be    called    cornel: 
by   some.      To   us   every   situation    and   gag  •  'K  'M 
strained    to     the     nth    degree    until    they    b 
come   very   unfunny.      If   it  wasn't   for   the  i 
ways    clever    and    delectable    Bebe    one    migl,. 
be  tempted   to   walk   out   on   the  picture,   bi! 

Bebe     has     her     public     and     deservedly     » 

»   *   # 

HERALD-TRIBUNE—*  *  •  It  can  < 
set  down  as  a  labored  and  crazy  farce  i 
the  Mack  Sennett  school,  with  some  m( 
ments  of  comic  effect,  but  suffering  acutel 
from  an  effort  to  substitute  silliness  for 
mor.    »   ♦  ♦ 

MORNING    TELEGRAPH— •  *  *    It 
the    acme     of    bunk,    bunk     it     probably 
make    money.       Why?       Miss     Daniels,     F( 
Sterling,    splashy    sets   and   costumes,   and 
well-known    desire    of    the   a'verage   patron 
slapstick,     regardless     of    all     reports     to 
contrary — these  are  the  reasons.      Bebe  nff 
has    had    a    worse    story — that    is,    from 
other   point   of   view   than    slapstick.    *  * 

POST — Considerable    breaking    of    crocki 
goes  on  at  the  Rivoli  this  week  in   the  coun) 
of    a    slapstick    comedy    called    "Miss    BreW 
ster's     Minions,"     wherein     the     indefatigabl 
Miss    Daniels    does    everything   but   hurl    ctM  j 
tard  pies  at  the  footmen.   *  *  * 

SUN — *  *  *  has  enough  laughter  mix'ei 
with  its  silliness  to  keep  sufficiently  amuse 
the  average  seeker  after  movie  fun.  It  i 
still  another  proof  in  support  of  the  ides 
that  paramount  is,  nowadays,  the  trade  marl 
of  six  reel  Mack  Sennett  comedies  in  Ritz; 
clothes   and    settings.    *   *  * 

TELEGRAM—*  *  *  It  is  quite  the  mad 
dest  picture  in  which  Miss  Daniels  has  evei 
rioted.  It  is  madder  even  those  in  whicl 
she  used  to  drop  iron  girders  down  on  peo 
pie  in  gay  association  with  Harold  Lloyd 
In  fact.  Miss  Daniels  seems  to  have  revertet 
to  those  early  film  escapades,  and  to  be  01^ 
to  become  a  feminine  Lloyd — only  mor< 
so.    *   *  * 

TIMES—*  *  *  There  are  obtrusive  gags 
some  of  which  are  not  always  as  funny  at 
they  must  have  seemed  to  Clarence  Badger, 
the  director,  while  the  picture  was  being 
produced.     *  ♦  * 

Miss    Daniels    displays    no    little    ability    atlv. 
the     energetic     girl     with     $1,000,000.       Thil 
actress   really   ought   to   be   cast   in   a   vehicle 
that     would     serve     her    better    than    such    t 
rambunctious   picture.    *  •  • 


iBC'ilO 


k6 

Hew 

!ro!i 

Dori 
H 

;i;''.in 
iinet 


Itrvi 

E 

Io!ia 

'le 

Si 

>!tt, 


HOLLYWOOD 
'      HAPPENINGS 


o/'RLMDOH 


AUTHOPITY 


By 

Harvey  E.  Qausman 


.  phone  Granite  3980 


Sunday,  March  14,  1926 


6411  Hollywood  Blvd. 


Hartford  at  Fine  Arts 

avid  Hartford,  formerly  of  De- 
:,  has  taken  quarters  at  Fine  Arts 
!io  where  he   plans  to  make  a  se- 

of  12  features.  Gavin  Young  is 
tford's  assistant  and  Walter  Grif- 

chief  cameraman.  Production  on 
initial  picture  will  start  soon. 


Harry  Carey  to  Start 

[arry  Carey  has  started  "Satan 
vn."  Edward  Mortimer  is  direct- 
and  the  supporting  cast  includes 
.rles  Clary,  Ben  Hall,  Richard 
11,  Charles  Delaney  and  Trilby 
rk.     The   story  is  by  Jack   Boyle. 


Varconi  Finishes 
'ictor  Varconi  has  completed  his 
t  in  "Silken  Shackles"  at  Warners, 
s  is  his  second  picture  since  his 
irn  from  Europe,  where  he  played 
lead  in  "The  Last  Days  of  Pom- 


Banner  Starts  Another 

anner  Prod,  has  started  work  on 
le  Millionaire  Policeman."     It  will 

directed  by  Edward  Le  Saint. 
iding  the  cast  will  be  Herbert 
vlinson   and   Eva  Novak. 


Barker  to  Begin  Soon 

The  Flaming  Forest,"  from  the 
-y  by  James  Oliver  Curwood,  will 
directed  by  Reginald  Barker,  with 
ontinuity  by  Waldemar  Young. 

Carroll  Nye  Signs 

Carroll  Nye  has  been  given  a  part 
Evelyn  Brent's  next  starring  pic- 
e,  which  Chet  Whitney  will  direct 
F.  B.  O. 


To   Start  "Tin  Hats" 

Tin  Hats,"  an  original  written  by 
Sedgwick,    will    shortly    go    into 
iduction    under    his    direction,    for 
-G.-M. 


in  "Uncle  Tom's   Cabin" 

^ucien  Littlefield  will  play  the  part 
Marks,    the    law'yer.    in    "Unc^e 
m's  Cabin." 


Ricketts  in  "Old  Soak" 

Tom  Ricketts  has  been  added  to  the 
of  "The  Old  Soak,"  Universal 
iduction. 


New  Lloyd  Picture  Completed 

karold  Lloyd   has   completed  "For 
raven's   Sake,"   his   first   release   for 

I'mous. 


Doris   Hill,   Syd   Chaplin  Lead 

Iloris    Hill   will   play   opposite    Syd 
aplin    in    "The    Better    Ole,"    for 
larners. 


Finish  "Siberia" 

Actual  shooting  of  the  Fox  ver- 
sion of  "Siberia"  has  been  completed. 
Alma  Rubens,  Edmund  Lowe,  Lou 
Tellegen,  Lilyan  Tashman,  Helena 
D'Algy,  Paul  Panzer,  Tom  Santschi 
and  Vadim  Uraneff  are  in  the  cast. 
\'ictor  Schertzinger  directed. 


Tom   Mo/ore  as   Lead 

Tom  Moore  will  be  Pola  Negri's 
leading  man  iir  "Naughty  Cinderella," 
which  is  to  be  directed  by  Malcolm 
St.  Clair.  Other  members  of  the  cast 
are  Ford  Sterling,  Stuart  Holmes  and 
Miss  Dupont. 


Start  First  Maynard  Film 

Under  the  title  of  "Senor  Dare- 
devil," Charles  R.  Rogers  is  prepar- 
ing to  start  on  his  first  picture  of  the 
series  for  First  National.  Ken  May- 
nard will  be  featured.  Al  Rogell  will 
direct. 


Farnum  Completes  Script 

Dorothy  Farnum  has  just  com- 
pleted the  script  for  "Bardelys  the 
Magnificent,"  M.-G.-M.  production  in 
which  King  Vidor  will  direct  John 
Gilbert. 


Glazer    on    Scenario 

Benjamin  Glazer  is  busy  on  the 
scenario  of  "Love- — The  Magician," 
from  Ernest  Vajda's  original  story. 
Tor  Famous. 


Added  to  Cast 

Lionel  Belmore  and  Arthur  Hoyt 
have  been  added  to  the  cast  of  "In 
Praise  of  James  Carabine,"  at  M.- 
G.M. 


Hank  Mann  Starts  Series 

Hank  Mann  will  soon  start  the  first 
two  reel  comedy  of  his  series  of  12 
for    Tennek    Film    Corp. 


"Old  Ironsides"  Starts  March  15 

James  Cruze  will  start  actual  pro- 
duction on  "Old  Ironsides"  tomorrow. 
Esther  Ralston  has  been  selected  by 
Famous  to  play  the  lead. 


Silvey  Joins  Hobart 

Ben  Silvev,  who  was  assistant  di- 
rector on  "the  Desert  Healer,"  will 
act  in  the  same  capacity  for  Henry 
Kobart  Prod.,  to  be  made  for  First 
National. 


1  Currier   Better 

Frank    Currier    is    recovering   from 
.nervous   breakdown. 


Barrymore  to   Start   Soon 

lohn  Barrymore  will  start  work  at 
arner  Bros,  studios  shortly  in  Ra- 
;1  Sabatini's  "The  Tavern  Knight," 
dcr  the  direction  of  Alan  Crosland. 


Kirkland  to  Direct  Thomson 

David  Kirkland  has  been  retained 
by  Fred  Thomson  to  direct  "The 
Two-Gun  Man,"  by  Stewart  Edward 
White. 


Start;    "Fig    Leaves" 

"Fig  Leaves,"  an  original  by  How- 
ard Hawks,  started  in  production  yes- 
terday with  Hawks  directing.  George 
O'Brien,  Olive  Borden,  Phyllis  Haver, 
Dorothy  Dunbar.  Eulalie  Jensen  and 
Andre  de  Beranger  are  in  the  cast. 
A  Fox  production. 


Patsy  Miller  Convalescing 

Patsy  Ruth  Miller,  who  has  been 
suffering  from  an  attack  of  pleurisy 
at  her  home  in  Beverly  Hills,  is  con- 
valescing and  probably  will  be  able 
to  return  to  work  within  the  next 
week. 


Colleen  Moore  Starts 

Colleen  Moore  has  begun  active 
production  of  "Ella  Cinders."  The 
cast  includes  Lloyd  Hughes,  who 
plays  opposite;  Vera  Lewis,  Emily 
Gerdes    and    Doris    Baker. 


Henley  to   Start  Soon 

Hobart  Henley  will  soon  start  on 
"Bellamy  the  Magnificent,"  M.-G.-M. 
production,  featuring  Ramon  Novar- 
ro.  Willard  Louis  will  play  an  im- 
portant   part. 


Connie  Talmadge  to  Start 

Sidney  A.  Franklin  will  start  work 
tomorrow  on  Constance  Talmadge's 
new  picture,  "The  Duchess  of  Buf- 
falo." The  story  is  an  original  by 
Hans    Kraely. 


Finish    "Brown    of    Harvard" 
Jack   Conway  is   editing  his   latest, 
"Brown   of   Harvard,"   in  which  Jacl 
Pickford,   William    Haines  and    Mary 
Brian  are  featured. 


Fleming's  Next 

Sinclair  Lewis'  newest  novel,  "Man- 
trap," is  being  scenarized  by  Adelaide 
Heilbron.     Victor  Fleming  will  direct 

it. 


Keaton   Completes  "Battling  Butler" 

Buster  Keaton  has  completed  "Bat- 
tling Butler,"  which  he  directed  him- 
self. The  cast  includes  Sally  O'Neil, 
Snitz  Edwards,  Tom  Wilson,  Francis 
McDonald,  Eddie  Bordon,  Mary  O'- 
Brien and  Walter  James. 


Rogell  Starts  Acord  Picture 

Al  Rogell  has  started  work  on 
"Flashing  Heels,"  Universal  western, 
with  Art  Acord,  Ena  Gregory,  Al 
Smith,  Charles  Avery,  William  Welsh, 
George  A.  Williams  and  Curley  Wit- 
zel. 


On  "Old  Ironsides" 

Forty-three  carpenters  and  techni- 
cal experts  are  at  Catalina  Island  to 
begin  the  construction  of  old  Tripoli, 
to  be  used  in  the  filming  of  "Old 
Ironsides."     Paramount  production. 


Bischoff  Plans  Eastern  Trip 

Sam  Bischoff's  serial,  "The  Silent 
Flyer,"  is  now  in  the  cutting  room 
and  Bischoff  will  soon  leave  for  New 
York  to  join  Nat  Levine.  "The  Silent 
Flyer"  is  the  first  of  Bischoff's  dog 
series. 


"U"  Signs  Hayden  Stevenson 

Hayden   Stevenson  has  been  added 
to  Universal's  stock  company. 


Added  to  "Big  Night" 

John  Roche  and  Nat  Carr  have 
been  added  to  the  cast  of  "The  Big 
Night,"    Universal    production. 


Ethel  Shannon  111 
On    her    arrival    from    New    York, 
Ethel  Shannon  was  taken  to  the  Os- 
teopathic     Hospital      suffering     from 
pneumonia. 

Burlesque  on   "Big  Parade" 

"Excuse  Us,"  a  travesty  on  "The 
Big  Parade,"  will  be  made  by  Joe 
Rock,  featuring  "Fatty"  Alexander, 
"Kewpic"  Ross  and  "Fat"  Karr. 


Rawlinson  Engaged 

Herl)ert  Rawlinson  is  to  play  the 
title  role  in  "The  Millionaire  Police- 
man," a  new  Banner  picture  to  be  di- 
rected bv  Edward  Le  Saint. 


The  ONLY  exclusive 
leasing  plant  in  L.  A, 

Fine  Arts  Studio 

Los   Angeles,    Calif. 

offers  to  producers  the  most 
modern  and  best  equipped  plant 
in  California.  Four  large  stages, 
scores  of  dressing  rooms,  of- 
fices, etc.  Best  of  electrical 
equipment  and  props.  Write 
or  wire  for  details. 

FINE  ARTS  STUDIO 

4500  Sunset  Blvd. 
Los  Angeles,  Calif. 


Laemmle  Working  on  Humes  Film 

Ernst  Laemmle  has  started  "Duke 
of  Black  Butte,"  starring  Fred  Humes. 
Fay  Wray  has  the  feminine  lead,  and 
Lotus  Thompson,  Harry  Todd  and 
Julia   Griffith  are  also  in  the  cast. 


"U"  Loans  Ray  Keane 

Raymond  Keane  has  been  loaned 
by  Universal  to  Chadwick  to  play  the 
juvenile  lead   in  "April  Fool." 

Joan  Crawford  Opposite  Ray 

Joan  Crawford  will  play  the  femin- 
ine lead  in  "Paris,"  which  Edmund 
Gouldinp  will  direct  for  M.-G.-M. 
Charles  Ray  is  in  the  lead. 


fSrn 


When  tn  Hollywood 
stop  at 

THE  NEW  HOTEL  REGENT 

E'very  room  nxiilh  Bath  and  Radio 

A  beautifully  appointed  moderately 
priced   hotel. 

In  the  heart  of  Hollywood 

6162  HOLLYWOOD  BLVD. 

Phone;  Holly.  0487 


THE 


12 


-;xi^ 


DAILY 


Sunday,    March    14,    192 


The  Week's  Headlines 

Monday 

Robbins-Mark    Strand    consolida-tion    in    upper 

New     York     fails     to     materialize.       Strand 

house   for   Syracuse. 
Baltimore   deal   between    Fox    and    Whitehurst 

interests   reported   off. 
Senate    kills    Virginia    state    admission    tax    of 

ten   per   cent. 
February     incorporations     total     121.       Many 

new    cliarters. 
Columbia    Pictures   announces    1926-27    lineup 

with    26   pictures   planned. 
Memphis,   Tenn.   exhibitor   to   test   "blue"    law 

by  opening  on   Sunday. 

Tuesday 

West  Coast  Theaters  to  expand  in  eleven 
Western  states,  as  result  of  new  ownership 
deal. 

United  Artists  may  house  all  business  opera- 
tions  in   Hollywood. 

Fox  may  build  in  Atlanta.  To  spend  $10.- 
000,000  on  1926-27  program,  which  calls 
for   49   features   and    52   comedies. 

Film  showing  death  flight  of  French  aviator 
under  Eiffel  Tower  seized  by  French  gov- 
ernment 

Equity  Pictures  Corp.  to  be  disposed  of  in 
New  York.  Court  orders  assets  to  be 
sold   at   auction. 

District  of  Columbia  "blue"  law  expected  to 
be  shelved. 

''First  National  Month  Exploitation  Contest" 
ends.     Awards  made   to   exhibitors. 

Wednesday 


And  Now  This 

Columbus,  O.— Testifjring  be- 
fore the  Ohio  State  PubUc  Util- 
ities Commission  in  behalf  of 
the  Logan  Gas  Co.'s  applica- 
tion for  increased  rates,  K.  C. 
Krick,  general  manager  of  the 
company,  stated  that  motion 
picture  shows  are  taking  people 
away  from  their  homes  so  much 
that  the  amount  of  natural  gas 
used  for  domestic  purposes  has 
been  curtailed. 


Reports  Favorably  on  Theaters 

Ottawa — A.  A.  Dion,  vice-president 
of  the  Children's  Aid  Society,  in  a 
report  at  a  meeting  held  in  City  Hall 
declared  that  local  theaters  were  ob- 
serving the  strict  letter  of  the  law 
with  regard  to  the  admission  of 
juveniles  with  parents  or  guardians. 


"Danny,"  editor  and  publisher  of  The 
Film  Daily,  dies  after  brief  illness. 
His  untimely  demise  shocks  entire 
industry.     Leaders  pay  tribute. 


United  Artists  1926-27  program  to  embrace 
15  releases.  John  Barrymore  signed  and 
deal    with    Gloria    Swanson    hangs    fire. 

Blank-Publix  deal  on  new  Omaha  theater. 
House    will    seat    3,000. 

Famous  and  Fox  to  build  in  Seattle  and 
Portland.  Ore.,  following  Jensen  &  Von 
Herberg  sale  to  North  American  Theaters 
Corp. 

New  York  State  Assembly  passes  bill  elimi- 
nating   news    reel    censorship. 

English  agitating  for  greater  tax  on  foreign 
films.     Gcvernm.ent  action  sought. 

Cranfield  &  Clarke  open  exchange  in  New 
York  for  shorts  and  one  in  Philadelphia. 
Chicago  later. 

Thursday 

Funeral  services  held  for  "Danny"  at  the 
Universal  Funeral  Chapel.  Expressions  of 
sympathy  pour  in  by  the  hundreds. 

Friday 

"Danny's"  body  laid  to  final  rest  in  Hebrew 
Friendship    Cemetery,    Baltimore. 

M.  P.  T.  O.  of  A.  fighting  Sunday  "blue" 
law   in   District   of   Columbia. 

German  studios  active.  Max  Schach  to  enter 
production. 

Cantor  and  Brandell  to  have  three  two-reel 
comedy  units. 

Manufacturers'  Division  of  the  Ass'n  of  M. 
P.  Equipment  Dealers  opens  a  two-day  con- 
vention at  the  Aster,   New  York. 

Saturday 

Samuel   Goldwyn's  suit  against  First   National 

over   exhibition   values   of  six   pictures  aired 

in   court. 
Edwin    C.    King    resigns    as    Eastern    studio 

manager    for    Famous    to    take    charge    for 

F.    B.    O.   on   the   Coast. 
Equipment  manufacturers  consider  resignation 

from   Assoc,   of    M.    P.    Equipment    Dealers. 

May  organize  on  their  own. 


Stuart  Joins  Warners  as   Manager 

Cleveland — Jack  Stuart  has  been 
appointed  manager  of  the  Warner  ex- 
change. He  recently  returned  to  this 
country  from  Belgium,  where  he  rep- 
resented First  National.  Stuart  suc- 
ceeds Harry  Decker,  promoted  to  a 
special   post   in   the   New  York  office. 


Two  Old  'Frisco  Houses  Doomed 

San  Francisco — Two  old  picture 
houses  will  be  torn  down  to  make 
way  for  stores.  They  are  the  Silver 
Palace  and  the  Panama,  both  on  Mar- 
ket St.  The  former  has  been  in  op- 
eration ever  20  years  and  the  latter, 
14. 


Heyde    Leases    New    Olney    House 

St.  Louis — Phil  H.  Heyde,  owner 
of  the  Elks  and  Arco  at  Olney,  111., 
has  leased  the  new  theater  in  that 
city  which  has  been  named  the  Ar- 
cadia. The  house,  which  seats  650, 
will  open  in   March. 


Joins  West  Coast  Theaters 
Salt  Lake  City — Weir  Cassidy  has 
resigned  as  publicity  and  exploitation 
chief  for  the  American  theater  to  ac- 
cept a  similar  position  with  West 
Coast   Theaters   in   Los   Angeles. 


Elder  Takes  Over  New  Post 

Cleveland — Herbert  E.  Elder  has 
arrived  in  town  to  take  over  his  new 
duties  as  central  division  manager  for 
Warner  Bros.  He  will  make  Cleve- 
land his  headquarters. 


Goldwyn  Action  Up 

(Continued  from  Page   1) 

Burkan  also  asked  for  the  appoint- 
ment of  a  referee  to  take  the  testi- 
mony of  Charles  S.  Pinkerton,  E.  A. 
Eschmann  and  C.  W.  Bonn,  for- 
merly employed  by  First  National, 
and  of  Leo  Brecher,  Charles  Stein- 
man,  Max  Felder,  E.  R.  Behrend, 
Charles  Goldreyer,  Albert  Gould  and 
John  Manheimer,  exhibitors,  concern- 
ing allegations  that  the  films  have 
been  distributed  in  bad  faith  by  First 
National. 

The  third  development  was  the 
granting  by  Justice  O'Malley  of  an 
application  by  the  plaintiffs  to  com- 
pel Robert  Lieber,  Samuel  Spring  and 
Richard  A.  Rowland,  as  officers  and 
a  number  of  employees  to  testifj' 
before  trial,,  concerning  the  alleged 
conspiracy  to  release  the  plaintiff's 
films  on  an  unfair  basis.  The  court 
decided,  however,  that  the  defendants 
should  not  be  inconvenienced  if  it 
can  be  avoided,  in  being  compelled 
to  produce  records  and  correspon- 
dence with  its  franchise  holders,  and 
said  that  if  the  plaintiff  attempts  to 
give  undue  publicity  to  the  examina- 
tion that  an  application  to  vacate  the 
examination  may  be  made. 

An  affidavit  by  Andrew  Smith,  Ji., 
for  First  National,  said  that  the  plain- 
tiffs are  now  doing  business  with  a 
competitor,  and  that  charges  of  con- 
spiracy have  already  injured  First 
National  to  the  extent  that  its  stock 
has  been  depressed  on  the  market. 
He  asserted  that  serious  interference 
with  First  National's  business  will  re- 
sult because  the  transactions  with  the 
plaintiff  amount  to  only  6  per  cent  of 
its  total  business  of  $20,000,000  a 
year,  and  that  First  National  has  net 
tangible  assets  of  $7,500,000. 


Takes  Over  Educational  Dept. 

Cleveland — Miss  T.  Hermon  has 
arrived  in  Cleveland  to  take  charge 
of  the  Pathe  educational  department. 
She  has  already  closed  with  the 
Cleveland  Board  of  Education  for 
programs  to  be  shown  in  ten  com- 
munity centers. 


Manufacturers  to  A 

(Continued   from   Page    1) 

Irving    Samuels,    Automatic    Dev 
Co.,  Allentown,  Pa.;  Sam  Lears,  .i 
ington  Seating  Co.,  Arlington  Hg 
111.:     J.     C.     Kroesen,    Edison     L; 
Works,  Harrison,  N.  J.;  C.  Fulton 
E.  Fulton  Co.,  Chicago;  J.   E.  Ro 
Morelite    Co.,   New   York   City;   V 
ter     Green,     International     Projei 
Corp.,  New  York;   Dalite  Screen 
Scenic  Co.,  Chicago;  O.  F.  Spahr, 
terprise    Optical    Co.,    Chicago;    I 
Becker,     Hugo    Reisinger    Co.,    ^ 
York;    A.    L.    Raven,    Raven    Scr 
Co.,    New   York   and   Rudolph    Mi 
ling,  Morelite  Co.,  New  York. 


Two   Tie-Ups   for   "Volga   Boatm< 

Under    a    deal    made    by    P.    D. 
with    G.    Schirmer,    Inc..    music    pi 
lishers,   a   new  edition  of  "The   So 
of  the  Volga  Boatman"  will  be  issui 
with   a   cover   designed   from   stills 
the   production.      Arrangements    ha 
been   made   with   the    Victor   Talki 
Machine   Co.   in  connection  with  f 
standard     records     made    by    Vict 
One  of  these  is  a  violin  solo  of  "TI 
Song  of  the  Volga  Boatman,"  play 
by    Fritz    Kreisler.      The    other    is^ 
vocal    rendition    by    Fedor    Chaliap; 
basso  of  the  Metropolitan  Opera  C 


"Trackless    Train"    Touring    South 

The  M.-G.-M.  "Trackless  Train 
having  completed  its  work  on  tl 
coast,  ba'.lyhooing  "The  Big  Parade 
is  returning  to  New  York,  via  tit 
Southern  States,  and  from  there  ws 
go  to  Europe. 


Calvert   Quits  "Pan"   House 

Tacoma,  Wash. — George  Calvert  « 
the  Pantages.  has  resigned  and  is  o 
his  way  to  Australia  for  a  protract] 
visit.  He  has  been  succeeded  ] 
Kenneth  Talmadge. 


Deals  on  Fred  Church  Series 

The  following  territories  have  been 
disposed  of  by  Fred  J.  Balshofer  on 
the  series  of  six  Westerns  starring 
Fred   Church: 

Northern  Illinois  and  Indiana,  to  Greiver 
Prod.,  Chicago;  Michigan,  Ohio,  Kentucky, 
Western  Pennsylvania  and  West  Virginia,  to 
Harry  Charnas,  Cleveland ;  Texas,  Oklahoma 
and  Arkansas  to  Home  State  Film,  Dallas; 
North  and  South  Carolina,  Georgia,  Florida, 
Alabama,  to  E.  &  H.  Film  Co.,  Birming- 
ham, Ala. ;  California,  Arizona  and  Nevada. 
to  E.  L.  C.  Co.,  San  Francisco ;  District  of 
Columbia,  to  Federal  Films,  Washington ; 
Argentine,  Urugual  and  Paraguay,  to  Henry 
Arias,  New  York,  and  all  other  foreign 
rights  to  the  Earldom  Trading  Co.,  Lon- 
don. 


Columbus  Interested  in  Films 
Columbus,  O. — The  CHamber  of 
Commerce  has  appointed  a  committee 
of  five  to  investigate  publicity  for 
Columbus,  in  connection  with  motion 
pictures. 


Fire  Destroys  Blank  House 

Iowa  City,  la. — The  Englcrt,  an 
A.  H.  Blank  house,  was  completely 
destroyed  by  fire.  A  new  theater  is 
to  be  built. 


Associated  Joins   Cleveland  Board 

Cleveland — Associated  Exhibitors 
has  joined  the  Film  Board  of  Trade. 
All  the  national  distributors  are  now 
members 


Citv  Urged  to   Buy  Theater 

San  Francisco — The  Eureka  Val- 
ley Promotion  Association  has  peti- 
tioned the  San  Francisco  Board  of 
Supervisors  to  purchase  the  new  Pan- 
tages at  Mark,  Fulton  and  Hyde  Sts. 
and  turn  it  into  a  municipal  building. 


Closed  After  Fire 

Wellington,  Colo. — As  a  result  of  a 
recent  fire  the  Community  has  closed 
for  an   indefinite   period. 


"PUBLIC  SERVICE" 

Adventure  speakers  from 
Far  places,  or  films  only. 


Bureau  of  Commercial  Economics 

1108-16thSt.  N.W.  Washington.  D.C 


Schools,  Churches  and  Clubs 


using  Motion  Pictures 


Should  Subscribe  for 


THE  EDUCATIONAL  SCREEN 

and  keep  up-to-date  with  the 
new  films  and  new  equipment 

"1001  FILMS*' 

booklet,  listing  nearly  3000  educational  films 
given  free  with  each  subscription 

$1.50  per  year  -  5  South  Wabash  Ave.,  Chicago,  111. 


rita 


You  are  confident 

When  the  picture  is  printed  on  Eastman 
Positive  Film  you  are  confident  of  photo- 
graphic quality  on  the  screen. 

Eastman  Film  is  subjected  to  exacting  tests 
in  the  Kodak  Research  Laboratories  that  prove 
it  right. 

And  it  is  identified  throughout  its  length 
by  the  black  lettered  words  ^'Eastman"  and 
^^Kodak". 


Look  for  the  identification 


EASTMAN   KODAK  COMPANY 

ROCHESTER,  N.   Y. 


"Her  Second  Chance''  is  your  big 
first  chance  for  a  drama  of  amazing  thrills  I 


Neither  time  nor  New  York's  gay  night- 
life could  make  her  forget  her  vow.  But 
when  her  chance  for  vengeance  finally 
presented  itself,  love  had  crept  into  her 
heart.  Her  spirit  cried  "revenge."  Her 
heart  pleaded  "mercy." 


n 


V 


Jirs-t  ria-tional  Pictures,  \r\.Q.^T^resenis. 


JlP^ 


ANNAQ.NILSSON 

HUNTLV  GORDON 

^"d  CHARLES  MURRAY 

ContinuHy  />y—  EVE  U  N  S  E  LL 

Directed  by  LAMBERT  HILiyER 
mtorial Director  i\}W^  MATHIS 

^gi  A  FIRST    NATIONAL  PICTURE 


Adapted  from 

Mrs»  Wilson  Woodrow*s 

Novel 


nBBsa 


\ 


Gripping  Drama,  Thrilling  Adventure,  Set  to  th 
Thudding  Hoof-beats  of  Kentucky  Thoroughbred^ 


rAff  BRADSTiEET 
>/  FILMDOH 


Authority 


IL.  XXXV     No.  61 


Monday,  March  15,  1926 


Price  5  Cents 


Move  to  Organize 

iuipment  Manufacturers  to  Submit 
*roposal  for   Separate  Organiza- 
tion to   Membership 
fhe   special   lucutiiig  of   the    Manu- 
turers'    Division    of    the    Assoc,    of 
P.  Equipment  Dealers  of  America 
the  Hotel  Astor  concluded  its  two- 
.,'  session  Saturday. 
The  final  session  discussed  the  ad- 
abiUty   of   resigning    from    the    As- 
ation  and   forming  a   separate   or- 
•ition.       Members    present    were 
-tically    unanimous    in    approving 
h  action.  The  officers  and  directors 
re  appointed  to  act  as  a  committee 
submit    the    resolution    to    the    en- 
membership  of  62  manufacturers, 
ese  officers  each   represent   one  of 
12  main  groups  of  manufacturers, 
f  the  majority  vote  is  in   favor,   a 
nittee  will  be  formed  to  draw  up 
,\vs.      Sam    Lears,    president,    of- 
cd  the  use  of  his  Chicago  office  as 
tnporary  headquarters.     Some  inter- 
Icing    problems    of    general    concern 
various  manufacturing  groups  were 
;cussed,     such     as     sales     through 
alers  versus  direct  sales   to  exhibi- 
rs;    certain    practices    such   as    sub- 
iPles  through  dealers   offered  to  cir- 
(Contimted  on  Page  2) 


How  Merger  Works 

ipply  Dealers  in  30  Cities  Reported 
Lined-Up — 26  Distributing  Points 
Planned 

In  the  movement  under  way  to 
nsoHdate  the  supply  dealers  that 
arry  Dutton,  president  of  the  Ex- 
bitors'  Supply  Co.  of  Chicago  is 
ganizing,  the  method  of  procedure 
as  follows; 

A  dealer  is  approached  with  the 
oposition  that  his  entire  stock  and 
s  building  will  be  taken  over  for  an 
itright  cash  payment  covering  the 
(Continued  on  Page  3) 


Publix  Convention 

Session   in   Atlantic   City   Tomorrow 

— 250    Theater    Men    to    Gather 

There 

Important  officials  of  Publix  The- 
aters leave  for  Atlantic  City  this  af- 
ternoon m  advance  of  the  first  annual 
convention  of  that  organization 
which  opens  tomorrow  at  the  Hotel 
Ambassador  and  terminates  Thurs- 
day night. 

About  250  executives,  district  thea- 
ter managers  and  theater  managers 
will  attend.  The  assemblage  will  em- 
brace representatives  from  Publix 
theaters  all  over  the  countrj\  All 
managers  who  can  he  spared  from 
their    usual    duties    will    be    on    hand. 

The  New  York  group  will  include 
Sam  Kalz,  president;  Harold  B. 
Franklin,  vice-president;  Harry 
Marks,  general  manager;  Sam  Dcm- 
bow,  in  charge  of  booking;  Hcrschell 
.Stuart,  in  charge  of  presentations; 
Austin  Keough,  legal  affairs;  William 
(Continued  on  Page  3) 


Coast  First  Run 

Ben  Verschleiser  to  Build  in  Los  An- 
geles— Independents  to  Have 
an  Outlet 

Los  Angeles — Ben  Verschleiser, 
whose  recent  activity  has  been  cen- 
tered in  production,  has  purchased 
property  at  Ninth  and  Hill  in  con- 
junction with  his  father.  Together 
they  will  build  a  3,000  seat  theater. 

It  is  their  idea  to  build  a  house 
which  will  use  independent  product  as 
a  basis.  The  theater  has  been  under 
consideration  by  them  for  some  time. 


Coolidge  Opposes 

President     Sees     No     Necessity     for 

Enactment    of     Sunday    Closing 

Laws  in   Washington 

Washington  —  President  Coolidge 
sees  no  necessity  for  the  enactment 
of  Sunday  observance  legislation  for 
the  District  of  Columbia,  it  was  in- 
timated at  the  White  House  Satur- 
day by  a  spokesman  for  the  Admin- 
istration. 

The  President,  it  was  said,  feels 
that  the  Lord's  Day  is  very  well  ob- 
served here.  The  law  is  not  quite 
so  strict  as  in  Massachusetts,  the 
President  has  noticed,  but  it  is  his 
opinion  that  the  tendency  of  legisla- 
tion is  rather  towards  more  Hberality 
on  the  question  of  Sunday  observ- 
ance than  towards  stricter  laws. 

It  was  recalled  that  as  Governor  of 
Massachusetts,  the  President  signed 
a  bill  permitting  the  playing  of  base- 
ball on  Sunday,  but  not  professional 
baseball,  or  where  admissions  were 
charged. 


«1 


Encroachments" 

o  Be  Discussed  at  M.  P.  T.  O.  A. 
Convention  in  Los  Angeles — Other 

Problems  to  Come  Up 
What  is  described  in  the  Official 
ulletin  of  the  M.  P.  T.  O.  A.  as  the 
ost  important  problem  and  the 
•eatest  menace  which  has  ever  con- 
onted  the  exhibitor,  and  known  in 
le  industry  as  "encroachment,"  will 
:)me  up  at  the  national  exhibitor  con- 
ention  in  Los  Angeles  in  June,  ac- 
(Continued  on  Page  2) 

De  Mille  Party  Leaves 
Cecil  B.  De  Mille  and  his  family, 
ou  Goodstadt,  personal  representa- 
ve,  Mitchell  Leysen,  art  director, 
nd  Adrian,  gown  designer,  left  for 
lollywood  yesterday. 


Levee  Plans  Studio 

New  Plant  in  Hollywood  Will  Have 

Ample  Space  for  Independent 

Producers 

Hollywood— M.  C.  Levee,  long  the 
former  active  head  of  the  United  Stu- 
dios, which  goes  to  Famous  May  1, 
will  build  another  plant  here  for  the 
se  of  the  many  independent  units  now 
working  here. 

This  will  mark  his  second  buildmg 
operation.  He  has  in  construction  a 
large  building  to  store  "props"  which 
will  be  leased  to  producers  as  their 
needs  develop. 


ongrats     Vic  I       I     love     to     see     you     get 
head.      Nell     Gwyn. — Advt. 


To  Make   52   One-Reelers 

Mac  Lasky  intends  producing  two 
series  of  26  one-reelers,  based  on  pop- 
ular and  old  time  songs.  "I  Wish  I 
Had  My  Old  Girl  Back"  is  the  first 
of  the  popular  songs  to  be  made  at 
Tec  Art  Jackson  Ave.  studio  under 
direction  of  Elmer  McGovern.  There 
will  be  a  story  thread  running  through 
each  subject  with  the  words  of  the 
song  flashed  on  the  screen.  No  dis- 
tribution has  been  arranged  for. 


Boom  in  Florida 

40  Houses  Building  in  State,  21  More 

for  Miami,  E.  J.  Smith  Found  on 

Recent  Trip 

E.  J.  Smith,  sales  manager  of  As- 
sociated Exhibitors,  Inc.,  has  just  re- 
turned from  a  trip  to  Florida.  He 
says  the  erection  of  theaters  is  almost 
unbelievable.  He  said  a  year  ago 
there  were  215  picture  theaters  in 
Florida.  Today  there  are  some  260 
in  actual  operation,  with  at  least  40 
more   under   construction. 

"In  the  city  of  Miami  and  nearby 
Miami  Beach,"  Smith  declared, 
"there  are  14  theaters  showing  pic- 
(Continued  on  Page  3) 


Turns  to  America 

English    Trade    to    Seek    Conference 

with    Leaders    Here    on    British 
Production  Problem 

Leading  English  producers  have 
decided  to  seek  a  conference  with  the 
leaders  of  the  American  industry 
who  will  be  asked  if  they  are  wliling 
to  assist  in  finding  a  solution  to  the 
British   producing  problem. 

According  to  the  Herald-Tribune, 
Sir  Philip  Cunliffe-Lister.  president 
of  the  British  Board  of  Trade,  told 
representatives  of  the  trade  in  Lon- 
don that  the  Cabinet  is  contemplat- 
ing taking  no  drastic  action  at  pres- 
ent to  pull  the  English  industry  out 
of  its  depresion.  He  informed  them 
the  government  preferred  that  the 
trade  find  its  own  salvation,  and 
would  wait  at  least  a  year  before 
seeking  to  push  through  Parliament 
legislation  compeling  British  exhibi- 
tors to  show  a  certpin  proportion  of 
Britisn   films   with   fo^vi^n   pictures. 

The  government,  however,  would 
have  a  law  passed,  Sir  Philip  said,  to 
abolish  the  booking  system  under 
which  the  exhibitor  accepts  a  number 
of  mediocre  films  in  order  to  get  one 
star  attraction,  in  case  the  British 
industry   desired   such   legislation. 


Extra  Dividend 

First  National  Pictures  Saturday 
declared  an  extra  participating  divi- 
dend of  $1.44  a  share  and  the  regular 
quarterly  dividend  of  $2  per  share 
on  the  8  per  cent,  first  preferred 
stock,  payable  April  1  to  stockholders 
on  record  March  15. 

The  extra  participating  dividend  is 
to  be  paid  out  of  earnings  of  the  fis- 
cal year  ended  December  27,  1925, 
and  represents  8  per  cent  of  the 
amount  by  which  earnings  were  in 
excess  of  $1,500,000  and  not  in  ex- 
cess of  $2,500,000. 


Play   Purchased   by   M.-G.-M. 

Rights  to  Philip  Bartholomae's 
play  "Over  Night,"  and  to  the  plav 
"Kettle  of  Fish,"  of  which  "Over 
Night"  is  a  later  version,  have  been 
purchased  by  M.-G.-M.  The  com- 
pany has  also  bought  "Three  Twins," 
by  Charles  Dickson. 


Determine  to  Fight  Music  Tax 
Columbus,  O. — At  a  special  meeting 
of  the  board  of  directors  of  the  Ohio 
M.  P.  T.  O.,  it  was  decided  to  wage  a 
vigorous  campaign  against  the  "li- 
cense fee'  system  pertaining  to  the 
music  copyright  law. 


14th  Street  Theater  Sold 

Breitbart  &  Bretbart,  attorneys, 
representing  the  New  Fourteenth  St. 
Theater  Co.,  backed  by  Weisner, 
Steiner  &  Schwartz,  has  leased  the 
theater  at  235  East  14th  St.,  for  21 
years.    The  house  seats  650. 


Lloyd  Party  Here  Today 
Harold  Lloyd,  his  brother  Gaylord, 
John  L.  Murphy,  production  manager, 
and  Joe  Reddy,  publicity  representa- 
tive, arrive  from  Hollywood  today. 
"For  Heaven's  Sake"  will  have  its 
premiere  at  the  Rialto  April  4. 


"French  Dressing,"  Mendes'  First 
Lothar  Mendes,  the  German  direc- 
tor, who  arrived  on  the  Majestic  will 
have  as  his  first  for  Robert  Kane, 
"French  Dressing"  an  original  by 
Blanche  Merrill. 


E.  R.  Wilk  Joins  Warners 

Minneapolis— E.  R.  Wilk,  formerly 
with  F.  B.  O.,  has  joined  Warner 
Bros.  here.  He  will  cover  Northern 
Minnesota. 


THE 


2 


iiiii] 


VolXXXV  No.  61    Monday,  Mar.  15, 1926    Price  5  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,    5,   Rue   Saulnier. 


Quotations 

High 

Low    Close 

Sales 

*Balabaii    &   Katz    . 

72'A 

Eastman     Kodak 

.110 

109M 

I09M 

300 

Famous     I'layers 

.123; 4 

121 

12174 

6,600 

*Fam.    Play.    Pfd.    . 

123 

*Film    Inspection     . 

5 

Fox     Film     "A"     . 

.    68K 

65  K 

66 

2.100 

Fox    Theaters    "A" 

25'A 

25 

25 

600 

*Intern'l     Projector 

12 

Loew'V,     Inc. 

■    i9Vi 

2334.^2344 

3.500 

Mctru-Goiu.    Pitmgt.  ^^yi 

■J    100 

M.   P.  Cap:  Corp.    . 

.    22?^ 

22 

22;.^ 

600 

Pathe  Exch.   "A"    . 

.    71 

6»'A 

69 

1,800 

*Skouras   Bros.    .  .  . 

48J4 

**Stan.   Co.  of  Am 

48 

Universal  Pictures   . 

.    30 

30 

30 

200 

*Univ.    Pict.    Pfd.    . 

9154 

*  Warner    Bros.     .  .  . 

14^ 

*Warner    Pictures    . 

15 

*   Last    prices    quoted 

**   Philadelphia   market 

Stem  Continues  Active 

-Newark — Joseph  Stern,  in  conjunc- 
tion with  Louis  Golding,  has  procured 
land  on  Tuscan  St.,  Maplevvood,  on 
which  will  be  erected  a  picture  and 
vjiudeville  theater  costing  S250,000  and 
seating  about  1,500. 


flai'jry 


n 


TRAMP,    ^ 
.T4AMP' 

Vaamp 

I  JO  ST  SENI-r 

AMORMON/  OW 

A  LAUGH-ING 

JAG  AND  IT1bO< 

HIS  NINE  WIVESTO 

BRING  HIM  CUT  OF 

THE  coMA-oy. 


"Encroachments" 

(Continued  from  Page  1) 

cording  to  R.  F.  Woodhull,  who  said 
in  a  statement  to  exhibitors  Saturday: 
"The  consideration  of  the  most  vital 
of  problems,  headed  by  encroachments 
of  business  bj'  producers,  distributors 
and  screen  bootleggers  and  leeches 
who  overbuild  communities  already 
well  served  with  malignant  intent  to 
confiscate  the  investment  of  you  es- 
tablished pioneers." 


Kansas-Missouri   Meets   April   20-21 

Kansas  City — Plans  are  being  made 
for  the  eighth  annual  convention  of 
the  M.  P.  T.  O.  of  Kansas  and  Mis- 
souri, to  be  held  at  Joplin,  April 
20-21. 


Murphy  Editing  New  Foreign  Picture 

Dudley  Murphy  is  editing  "The 
Three  Wax-Works,"  a  German-made 
picture,  which  will  have  its  American 
premiere  Thursday  at  the  Cameo, 
under  the  auspices  of  the  Interna- 
tional Film  Arts  Guild.  Ben  de  Cas- 
seres  is  titling. 

Murphy's  abstract  film,  made  by 
Fernand  Leger,  French  painter,  and 
shown  last  night  at  the  Klaw,  will 
also   be  part   of  the    Cameo  program. 


Four    New    "U"    Pictures 

Hollywood — Scenarios  are  being 
written  for  four  new  Universal  pic- 
tures: "Beware  of  Widows,"  to  star 
Reginald  Denny;  "The  Man  in  the 
Saddle,"  for  Hoot  Gibson;  "Down 
the  Stretch,"  a  King  Baggott  picture, 
and  "Butterflies  in  the  Rain." 


Gance  Injured 

Private  cables  from  Paris  state  that 
Abel  Gance,  French  director,  was  se- 
verely but  not  fatally  injured  while 
making  scenes  for  his  Napoleonic  film 
on  which  he  has  been  active  for  some 
time.  Gance  was  within  the  range  of 
an  exploding  mine  used  in  a  battle 
scene. 


Two  New  Houses  Open  in  Cleveland 
Cleveland — The  Lyric,  Lorain  Ave. 
and  W.  116th  St.,  seating  1,200,  has 
opened.  The  Lyric  was  built  by  Max 
Lefkowitz  and  Abe  Polster  at  a  cost 
of  $180,000,  and  is  the  eighth  in  the 
Lefkovvitz-Polster  chain. 


The  Memphis,  a  new  theater  built 
by  Frank  Liska  at  Memphis  Ave 
and  49th  St.,  has  opened.  It  has 
600  seats. 


Missouri   Threatened   by    Fire 

St.  Louis — Fire  from  an  actylene 
torch  of  an  iron-worker  employed  in 
making  improvements  to  the  stage  of 
the  Missouri,  caught  some  rope  ends 
and  spread  to  the  drapery  above, 
causing   damage   estimated  at  $3,000. 


Theater   Sold  by   Court   Order 

Batavia,  N.  Y. — Joseph  R.  Rosen- 
bloom  has  filed  deeds  in  the  Genesee 
County  Clerk's  office  as  attorney  and 
agent  for  the  purchasers  of  the  Del- 
linger  theater  on  Main  St.  The  prop- 
erty wai  sold  by  William  J.  Darch  in 
accordance  with  an  order  issued  by 
Supreme  Court  Justice  Pierce.  The 
names  of  the  purchasers  are  not  an- 
nounced, but  the  purchase  price  is 
$70,000. 


Move  to  Organize 

(Continued  from  Page   1) 

cults  for  using  exclusively  products 
of  certain  manufacturers  to  the  ex- 
clusion of  competitive  lines;  inter- 
change of  trade  information;  manu- 
facturers who  are  also  handling  equip- 
ment supply  lines  outside  their  own 
product. 

The  annual  convention  of  the  Di- 
vision will  be  held  in  conjunction 
with  Equipment  Dealers'  Assoc,  in 
Detroit  in  June,  according  to  present 
plans.  However,  the  proposed  sep- 
arate organization  may  cause  a 
change  in  plans. 

President  Lears  emphasized  the 
fact  that  the  proposed  withdrawal  of 
the  manufacturers  from  the  Dealers' 
Association  was  no  reflection  on  that 
organization.  It  was  simply  the  con- 
sensus of  opinion  among  the  manu- 
facturers that  a  separate  organization 
was  imperative  in  order  to  propcrh- 
handle  the  problems  peculiar  to  the 
manufacturing  field  which  were 
necessarily  entirely  independent  of 
equipment    dealer   matters. 

In  addition  to  manufacturers  al- 
ready mentioned  as  represented  the 
following  were  in  attendance: 

A.  E.  Rose,  Projection  Optics  Co.,  Roches 
ter,  N.  Y. ;  R.  C.  Martin,  Chas.  W.  Phellis 
Co.,  N.  Y. ;  H.  B.  Hammond,  Rockbestos 
Products  Co.,  New  Haven,  Conn.  ;  Frederick 
Kalenbach,  General  Machine  Co.,  N.  Y.: 
Herbert  Griffin,  Powers  Div.  of  International 
Projector  Corp.,  N.  Y. ;  H.  B.  Freedman. 
Menger.  Ring  &  Weinstein,  N.  Y. ;  L.  W. 
Atwater,  Lux  Alba  Co.,  N.  Y. ;  O.  A.  Van 
Ess,  Kohler  Co..  Kohler,  Wise. ;  Karl  Bren- 
kert,    Brenkert    Spotlight    Co. 


Suit  on  Non-Theatricals 

Kansas  City,  Kans. — The  Electric 
Theater -Co.,  A.  F.  Baker,  L.  Vaughn, 
R.  R.  Biechele,  president  of  the  Kan- 
sas M.  P.  T.  O.,  W.  O.  Fite,  T.  L. 
Ricksccker  and  Fred  Meyn  have  ques- 
tioned the  right  of  the  Soldiers'  and 
Sailors'  Memorial  building  to  rent 
space  for  private  purposes,  in  a  suit 
filed  seeking  to  restrain  R.  G.  Lig- 
gett, Harry  Darby,  James  Otterman 
and  Frank  P.  Strickland,  trustees  of 
the  building  from  leasing  the  building 
to  parties  competing  with  theaters. 
Boxing  bouts  have  been  held  since 
the  building  opened. 


Associated  Signs  Al  Wilsa 

Hollywood  —  Al  Wilson  has 
signed  by  Associated  Exhibitor 
a  series  of  eight  aviation  fea 
Details  were  completed  between 
Oflfeman,  representative  of  Assoc 
and  Abe  Carlos,  to  whom  Wils 
under  contract. 


Meighan  Returns  from  Floric 

Thomas  Meighan,  who  wer 
Florida  for  a  vacation  followinj 
work  if.  "The  New  Klondike,' 
turned.  He  and  Townsend  M 
are  discussing  a  story  for  his 
vehicle.  This  will  be  made  in 
East. 


This  is  a  "Corr^ierblock'  cut  turmi 
FREE  for  all  Pathecomedies  at  ; 
exchange. 


Laigest    Curtain    for    Orien'a' 

Chicago — The  Oriental,  new  B.  & 
K.  house  in  the  loop  now  under  con- 
struction, will  have  what  is  said  to  be 
the  largest  drape-curtain  ever  hung  in 
a  theater.  The  curtain  will  have  4,000 
square  ft.  of  area  and  will  be  cov- 
ered with  a  newly-invented  Japanesse 
material — a  metallic  "leaf"  that  can 
be   painted   on   cloth. 


"Charleston"  in  Films 
Milwaukee  —  A  "Charleston"  pic- 
ture in  a  series  of  six  weekly  films 
has  been  produced  by  J.  S.  Grau- 
man,  president  of  the  Celebrated  Film 
exchange. 


Negative  Developing 
and  Printing 

Complete  Title  Service 


SALAND  FILM  L\B0RAT0R1ES,  loc    ^ 

Phone  Bryant  7577    729-7th  Ave,   N.  H      ^ 

h 


EASTERN 

STUDIO    FOR    RENT 

EXCEPTIONAL    FACILITIES 

VERY  LARGE  STOCK   OF 
PROPS  AND  FURNITURE 

I  Telephone     Dewey    8600 

♦••♦'♦♦♦•#♦♦♦♦♦♦•♦♦♦♦♦•♦♦♦*♦•♦•♦♦♦♦♦•••♦♦♦♦♦♦♦•* 

I  Ward  Cine  Laboratory,  Inc. 

if 
ft 


y. 


."illlK 

itct 

'i 

sas 


216-222    Weehawken    St 
Union  City,  N.  J 

Telephone   Union   4800 
g  G.  BERT  WARD,  Prei 


If  You  Are  in  the 
Market    for    Any    Kind    of 

MOTION  PiaURI 
APPARATUS 

CONSULT  US-AND  SAVE  MONEY  I 
SEND  FOR   OUR   PRICE  LIST 


Chas.  G,  Willoughby,  Inc. 
Motion  Picture  Department 

110  West  32nd  St.,  New  York 

Phone    Pcnna.    6564 


at 


THE 


Monday,  Match  15,  1926 


:%g^ 


DAILY 


On  Broadway 


(^stor— "The  Big  Parade' 

f^pollo — ■"Stella    Dallas" 

Broadway — "Oh !    What    a    Nurse" 

Cameo — "Ernst    Lubitsch    Week" 

Capitol— "The     Merry     Widow" 

Cohan — "Ben   Hur" 

Colony — "The    Cohens   and    Kellys" 

Criterion — "Mare    Nostrum" 

Embassy — "La    Boheme" 

Loew's    New    York    —    Today    —    "Dancing 
Mothers" 
Tuesday— "The     Only     Way"      and     "The 

Love  Toy" 
Wednesday— "That   Royle   Girl" 
Thursday — "Too    Much    Money" 
Friday — "The    Cave   Man"   and   "The   New 

Champion" 
Saturday — "Miss    Brewster's    Millions" 
Sunday — ^"The    First    Year" 

Loew's    State — "Ibanez'    Torrent" 

Mark    Strand— "The    Bat" 

Rialto — "My    Own    Pal" 

Rivoli — -"The    Untamed    Lady" 

Selwyn- "The    Black    Pirate" 

Warners — "The    Sea    Beast" 

Brooklyn   Mark   Strand — "Let's  Get  Married" 
Next  Week 

Astor— "The   Big   Parade" 

Apollo— ^"Stella    Dallas" 

Broadway — Not    yet    determined 

Cameo — "Ernst   Lubitsch   Week" 

Capitol — "The    Barrier" 

Cohan — "Ben    Hur" 

Colony — Not    yet    determined 

Criterion — "Mare    Nostrum" 

Embassy — "La    Boheme" 

Mark   Strand— Not   yet   determined 

Rialto — "Bride    of    the    Storm" 

Rivoli — "The    New    Klondike" 

Selwyn— "The    Black    Pirate" 

Warners — "The    Sea    Beaest" 

Brooklyn    Mark    Strand — "Irene" 


Publix  Convention 

(Continued  from  Page   1) 

Saal,  hooking;  D.  J.  Chatkin,  short 
subjects;  Fred  Metzler,  comptroller; 
John  Barry,  director,  Publix  Theater 
Managers'  Training  School;  L.  E. 
Schneide^-,  personnel;  Jack  Mansfield, 
physical  operations;  A.  M.  Botsford, 
director,  publicity  and  advertising; 
Ed  Olmstead,  exploitation;  Lem 
Stuart,  advertising;  Nat  Finston 
music  and  James  Cowan,  business 
manager,    presentation    units. 

Executives  of  important  circuits 
allied  with  Publix  will  likewise  be 
there.  Charles  Skouras  will  repre- 
sent Skouras  Bros.,  St.  Louis;  George 
W.  Trendle,  the  Kunsk^-  chain,  De- 
troit; and  Mike  Shea,  Buffalo  thea- 
ters. 

The  discussions  will  cover  a  varied 
field.  Radio,  buying,  booking,  l)ox- 
officc  check-up,  presentations  and  re- 
lations with  the  public  will  have  their 
part  in  various  addresses. 

A  banquet  on  Thursday  will  be  the 
final  event  of  the  three  day  session. 
For  this  function,  officials  of  Famous 
Players  including  Adolph  Zukor, 
Jesse  L.  Lasky,  Sydney  R.  Kent  and 
Walter  Wanger  will  be  present. 
Others  will  be  Barney  and  John  Bala- 
ban,  Abe  Blank,  Frank  Buhler,  N.  L. 
Nathanson  and  Jack  Arthur. 

Publix  has  extended  invitations  to 
several  important  executives  outside 
of  its  own  and  the  Paramount  or- 
^'anizations.  Joseph  M.  and  Nicholas 
M.  Schenck  and  Richard  A.  Row- 
land are  expected  to  attend  the  din- 
ner. 

Mayer  Leaves  for  Publix   Meeting 

Chicago — Arthur  Mayer,  supervis- 
ing executive  of  Lubliner  &  Trinz 
Theaters,  Inc.,  has  left  for  Atlantic 
City  to  attend  the  Publix  convention. 


Webb  Signed  by  Associated   Studios 

Los  Angeles  —  Bobby  Webb  has 
been  appointed  casting  director  of  the 
'Associated  Studios. 


In  the  Courts 

St.  Louis— Suit  for  a  fee  of  $133,333, 
alleged  to  be  due  for  services  rendered 
in  connection  with  the  preparation  of 
a  legal  action  which  Demetrius  Skou- 
ras, it  is  claimed,  intended  to  file 
against  Charles,  Spyros  and  George 
Skouras,  has  been  filed  in  the  Circuit 
Court  on  behalf  of  the  law  firm  of 
Laughlin,  Frumberg,  Blodgett  &  Rus- 
sell. The  plaintiffs  are  represented  by 
Edward  L.  Foristel,  Mudd,  Hezel  & 
Habenight. 

The  plaintiff  claims  that  on  Feb.  3 
it  entered  into  a  written  contract  with 
Demetrius  Skouras' to  act  as  his  coun- 
sel to  investigate  the  merits  of  his 
alleged  claim  against  his  brothers,  to 
negotiate  a  settlement,  or  to  bring 
suit  to  enforce  payment  of  the  claim. 
It  is  further  claimed  by  the  plaintiffs 
that  no  settlement  was  to  be  made  by 
Skouras  without  the  knowledge  and 
consent  of  his  attorneys.  The  mini- 
mum value  was  placed  at  $400,000. 

It  is  claimed  Demetrius  Skouras 
was  to  base  his  action  on  the  fact  that 
years  ago  he  helped  his  brothers 
through  school,  brought  them  to 
America  and  thej%  in  turn,  promised 
a  division  of  profits.  The  lawyers 
representing  Skouras  say  they  pre- 
sented their  claim  to  Charles,  Spyros 
and  George  and  demanded  a  settle- 
ment within  24  hours.  The  night  this 
claim  was  presented,  it  is  alleged,  De- 
metrius composed  his  differences  with 
his  brothers,  releasing  them  from  any 
further  obligations  and  notified  his 
lawyers  that  he  wanted  to  dispense 
with  their  services,  refusing  to  pay  the 
fee  of  $133,333. 


How  Merger  Works 

(Continued  from  Page   1) 

valuation.  In  addition  to  this,  he  will 
be  given  stock  in  the  new  combine  to 
cover  the  book  valuation  of  his 
profits  for  the  last  twelve  months. 
It  is  reported  that  30  cities  are  now 
represented  by  dealers  already  in  on 
the  merger.  Boston,  New  York  and 
Detroit  are  the  only  key  cities  not 
included.  Dutton  proposes  26  dis- 
tribution points  to  be  under  direct 
supervision  of  the  merger  alliance. 
Persistent  reports  connect  a  big 
manufacturing  company  closely  allied 
with  the  industry  as  being  the  finan- 
cial backer  of  the  proposed  combine. 


Among  Exchangemen 

Pittburgh — J.     Allison     Gribble     has     been 
added  to  M.-G.-M.  as  salesman. 


Atlanta — Robert  Simril,  formerly  with  Fox 
in  Charlotte,  has  joined  Liberty's  local  office 
as   salesman. 


Atlanta — J.  E.  O'Gara,  former-  owner  of 
the  Nashville  Theater  Supply  Co.,  has  joined 
the  sales  force  of  Theater  Supply  Co.  of  this 
city. 


Omaha — C.  R.  Malm  and  J.  H.  Olson  have 
been  added  to  the  sales  staff  of  Associated 
Exhibitors. 


Omaha — Charles  W.  Taylor,  formerly  man- 
ager of  Warners  in  Buffalo,  has  been  made 
manager  of  the  Associated  Exhibitors  here. 


Omaha — Educational     has     moved     to     the 
Film    Building. 


Omaha— James  Rodgers  has  again  returned 
as  manager  of  the  Enterprise  Exchange  in 
the  place  of  Tal  Richards,  now  in  St. 
Louis. 


Boom  in  Florida 

(Continued  from  Page  1) 
tures — six  more  are  under  construc- 
tion— and  15  additional  theaters  will 
be  completed  within  the  next  year. 
This  growth,  although  rapid,  is  not 
purely  speculative.  Within  the  next 
year  I  feel  certain  a  theatrical  census 
will  reveal  upwards  of  400  theaters 
in  the  State." 


Pittsburgh — Robert  Lynch  has  resigned  as 
salesman    for    Metro-Goldwyn-Mayer. 


Chicago — Ted     Meyers     has     returned     to 
Pathe   and   been    assigned   to   the   south   side. 


Chicago — John  MacFarland  and  Bob   Slay- 
back    have    been    added   to    the   sales   force   of 

Associated   Exhibitors. 


Buffalo — George  Canty  has  been  appointed 
sales   representative  for  Pathe. 


Albany — Nathan   Cohen  has  been  added  to 
the  Vital  force. 


NOTICE 

All  persons  are  hereby  notified  that  any  negotiations 
regarding  the  purchase  of  territorial  rights  to  the  motion 
picture  entitled,  THE  NIGHT  LETTER,  starring 
Johnny  Fox,  produced  by  Bernard  Productions,  must 
be  taken  up  with  the  undersigned,  as  the  said  motion) 
picture  has  been  purchased  by  me  including  the  world's 
rights  thereto. 


William  Horsley 

6060  Sunset  Blvd.  Hollywood,  Cal. 


IN  ITALIAN 

CarambQ  VepefJfa 


llL/OiKr-^ 


•  h 


TV 


\ 


^^■ 


«6ie/ 


H 


<r 


!  **-«». 


,4^ 


/ 


•rtr«? 


9^  .«•*/ 


It 


'^'p*^t^^j 


All   of  which   means  ^hal■ 


~X/' 


national 
,  Pictures 


•••• 


,,.» Mm 


A  liui  national  Picture 


"L 


Ronald  Golman 

is  fhe  Frenchiesh  box-office  aftrachon  ever  made 

Presenhed    by jO(EPM  M.  SCHENCK. 

Screen  story  by HANS    K.RALY 

Based  on  the  (tage  playVlkl*  Written  by  ANDRE  PICARD 
and  adapted  by DAVID    BELASCO 

A  CLARENCE  5ROWN     Production 


ctAss  or  sDWice  symbol 


WESTB^i  UNION 


WESTERN  UNIOn 


:am 


NKWCOHB  CARLTON.  ^vmioBrr  OCOROE  W.  C  ATKINB,  mvT  vie ■.!•(■  km leurr 


CLASS  or  sehvicc 

srmoL 

Tdir«m 

D>rL«i« 

BIM 

Nlftf  Mans* 

,_    *«> 

Nli^  tmm             \      K  L 

n  Bont  of  Omm  Bvm  •mAeb 
*ardi>  Mi  b  a  Ma^M.    OflW- 

SAM  SPRING 
NEWYORK     CITY 


HOLLYWOOD       CALIF 
MARCH     4      1926 


KIKI  BEST    PICTURE  NORI.IA  EVER   PRCDUCED     HER 
CHARACTERIZATIOH  MARVELOUS     AM  ^;ERY  PROUD   OP 
HER  WORK  STOP  THERE   IS  ENOUGH  ENTERTAINIffiNT 
IN  PICTURE  FOR  THREE    PICTURES      ABSOLUTE DT 
CERTAIN  IT  WILL  BE   GREAT  BOX  OFFICE   SUCCESS 
YOU  KNOW  I  DO  NOD    EXAGGERATE  ON  QUALITY  CF 
MY  PICTURES   STOP  BEST  REGARDS 
JOE  SCHENCK 


I: 


IB!"' 


:Ae  brAdstreet 

o/*  FILMDOM 


:9(^re(0cmizeii 
Authority 


(..  XXXV     No.  62 


Tuesday,  March  16,  1926 


Price  5  Cents 


Settled  in  April 

c  ,olidated  to  Act  on  Rothacker  La- 
boratory Option  in  Next  Few 
Weeks 

atterson  R.  Rothacker,  who  is 
on  a  Mediterranean  cruise,  re- 
s  to  New  York  some  time  around 
1  1.  At  that  time,  the  option  on 
Rothacker  laboratory  in  Chicago 
the  Rothacker-Aller  plant  in  Hol- 
lod  will  be  acted  upon  by  the  Con- 
lated  Film  Industries,  Inc.,  the 
t  important  group  of  laboratory 
ests  in  the  industry. 
is  considered  probable  that  the 
Rothacker  plants,  valued  at  over 
J0,000,  will  go  to  the  Consolidated 
p  with  Rothacker  personally 
ifying  himself  with  the  buying  or- 
zation  for  a  stipulated  period  of 
By  the  tenth  of  April,  however, 
deal  will  be  determined  upon 
r  way. 


New   Nebraska  Chain 

maha  —  A  chain  of  theaters  in 
cipal    cities    of    Nebraska    is    the 

of  G.  O.  Monroe,  M.  H.  Gavin 
Calvin  Bard,  who  have  announced 
projects  for  Omaha,  Beatrice  and 
tings.      The    Beatrice    house    will 

1,100.  At  Hastings,  $300,000  is 
:ost  of  the  proposed  house.     Sev- 

suburban  houses   here  are  plan- 


$4,500,000   L.   A.    Building 

DS  Angeles — Harold  L.  Arnold 
s  to  construct  a  $4,500,000  ronv 
lion  building  at  7th  and  Figu.sroa. 
.  combination  will  include  two 
ters.  connected  with  an  office 
;!)ng.  One  theater  will  be  loas.-d 
William  Fox  and  the  other  to 
mas  Wilkes. 


To  Star  Vera  Reynolds 

ollywood— Cecil  B.  De  Mille  has 
ded  to  star  Vera  Reynolds  in  four 
luctions.  The  first  is  to  be  an 
Jtation  of  "Sunny  Ducrow."  Don- 
risp  will  direct  for  P.   D.  C. 


Special   Film   Dep't. 

U.  S.  Senate  Votes  $30,000  for  Divi- 
sion of  Motion  Pictures  in  the 
Department  of  Commerce 

Washington — The  Senate  has  pro- 
vided $JO,000  for  the  establishment  of 
a  motion  picture  section  in  the  Bu- 
reau of  Foreign  and  Domestic  Com- 
merce, in  the  bill  making  appropria- 
tions for  the  Department  of  Com- 
merce for  the  coming  fiscal  year. 

The  House  allotted  $15,000  for  the 
proposed  division,  for  which  $26,000 
was  asked  by  the  Department.     The 

(Continued  on  Page  7) 


"U"  to  Convene 

First  of  Five  Conventions  Starts  Here 

Friday — To    Discuss    Sales 

Plans  for  1926-27 

The  first  of  five  Universal  sales  con- 
ventions will  be  held  at  the  Astor  on 
Friday,  Saturday  and  Sunday.  Sales 
managers  from  exchanges  in  all  north- 
western and  Middle  Atlantic  States 
will  attend.  Lou  Metzger,  Earl  Kram- 
er and  Ralph  Williams,  comprising 
the  Universal  Sales  directorate,  will 
preside. 

This   meeting,   like   the  others,  will 

discuss  sales  plans  for  1926-1927.    The 

fall    selling    season,   it    would    appear, 

will  get  under  way  early  this  year.  The 

{Continued  on  Page  7) 


Publix  Meets  Today 

Important  Theater  Convention  Starts 
in  Atlantic   City — 250  in  Attend- 
ance 

Atlantic  City — The  special  chair 
cars  conveying  the  New  York  group 
of  Publix  Theaters,  arrived  here  last 
night.  The  party  registered  at  the  Am- 
bassador. From  scattered  points,  dis- 
trict managers  and  theater  managers 
arrived  for  the  three-day  convention 
which  opens  at  9:30  this  morning. 

The  program  will  be  a  crowded  one. 
Today's  session  will  be  capped  by  a 
meeting  between  Sam  Katz  and  the 
theater  district  managers  at  ten 
o'clock  tonight  at  the  hotel.  S.  R. 
Kent  will  appear  at  1:30  today  to  dis- 
cuss distribution  and,  it  is  expected, 
production.  The  production  of  presen- 
tations and  methods  of  handling  them 
will  be  taken  up  by  Herschel  Stuart, 
John  Murray  Anderson  and  others. 
(Continued  on  Page  4) 


New  Bill  Drawn 

Lankford  Sunday  Measure  for  Wash- 
ington Rewritten  to  Meet  Objec- 
tions from   Opposition 

Washington — A  new  version  of  the 
Lankford  Sunday-closing  bill  has  been 
introduced  in  the  House  by  the  Geor- 
gia Congressman  with  a  view  to  re- 
moving objections  voiced  at  the  recent 
hearings  before  a  subcommittee  of  the 
House  District  Committee. 

Lankford's  new  bill  is  practically 
unchanged,  except  for  the  wording,  in 

(Continued  on   Page  7) 


Copyright  Battle 

Ohio  M.  P.  T.  O.  Persuades  Senator 
Fess  to  Aid  in  Forthcoming  Wash- 
ington Tussle 

Columbus,  .O— U.  S.  Senator  Fess 
has  been  enlisted  by  the  M.  P.  T.  O. 
of  Ohio  in  efforts  to  fight  the  copy- 
right law,  which  will  go  before  Con- 
gress soon.  Fess  met  with  the  execu- 
tive board  here  and  the  exhibitor's  or- 
ganization succeeded  in  interesting 
him  in  its  work. 

He  was  impressed  by  the  argument 

(Continued  on  Page  2) 


J.  J.  Uatli,  Kl'irg^  Successor 

J.  Gain,  former  assistant  to  E.  C. 

g,    who    resigned    as    Paramount 

lio  manager  at  Long  Island  studio 

week,  to  join  F.  B.  O.,  has  been 

ointed  King's  successor. 

25  New  Theaters 

OS  Angeles— A  building  campaign 
embrace  25  new  theaters  is  an- 
nced  by  West  Coast  Theaters, 
istruction  will  be  rushed. 
:  is  announced  that  the  policy  of 
chain,  controlling  169  houses,  will 
be  changed. 


Johnnie  I    Johnnie  Clark!    Yoo-hoo !    This 
ur  Nellie.    Nell  Gwyn — Paramount— Advt. 


Fischer   Chain  Announces  Another 

Portage,  Wis.  —  Fischer's  Para- 
mount Theater  Chain  has  announced 
a  new  house  for  Portage.  It  will 
cost  $150,000. 


Bartlett  En  Route  to  London 

R.  K.  Bartlett  is  aboard  the  An- 
dania  en  route  to  London  to  transact 
export  business.  He  will  stop  at  the 
Savoy. 

Massce  Aboard  the  Aquitania 

William  Massce  is  due  home  on  the 
Aquitania  tomorrow,  following  a  five- 
weeks'  trip  to  England  and  the  Conti- 
nent. 


Three  Kansas  Houses  for  "U" 

Pittsburgh.  Kans.— Klock  &  Fraz- 
ier's  three  houses  here  have  been 
taken  over  by  the  Sears  Amusement 
Co.,  holding  company  in  this  terri- 
tory for  Universal  Theaters.  The 
houses  arc  the  Colonial,  Klock  and 
Grand. 

Presentations  for  Small  Houses 
Chicago— Premier  Attractions  have 
formed  a  new  production  unit  known 
as  Little  Theater  Presentations.  The 
new  unit  is  to  cater  to  small  neigh- 
borhood houses,  supplying  these  the- 
aters with  acts  and  presentations. 

Bray  May  Work  on  Coast 

Los  Angeles— Bray  Prod.,  Inc  may 
establish  headquarters  here.  John  K. 
Bray  is  here  with  this  idea  m  mind. 

Al  Green  May  Join  Fox 

Los  Angeles— It  is  reported  Al 
Green,  now  with  First  National,  may 
direct  for  Fox. 

Mae  Murray  En  Route  to  Coast 

Chicago  —  Mae  Murray  passed 
through  here  on  her  way  to  the  Coast 
Sunday. 


Famous  Net  Higher 

1925    Profiits    $5,718,053    As    Against 
85,422,349  in  1924— Assets  Now 

$75,984,711 
Famous  Players  in  its  consolidated 
statement  which  includes  the  earnings 
of  subsidiarv  companies,  reports  net 
profits  of  $3,459,862.90  for  the  nine 
months  to  Sept.  26,  1925,  $2,258,190.95 
for  the  three  months  and  $5,718,053.85 
for  the  twelve  months  ending  Dec.  26, 
1925,  after  deducting  all  charges  and 
reserves  for  Federal  income  and  other 
taxes. 

This  statement  issued  yesterday, 
compares  with  $5,422,349  earned  in 
1924;  $4,245,784  in  1923  and  $4,110,987 
in  1922.  Assets  are  placed  at  $75,984,- 
711. 

There  were  issued  and  outstanding 
during  the  first  nine  months  of  the 
year,  243,431  shares  of  common  stock, 
and  during  the  last  three  months  ot 
the  year,  370,114  shares  of  common 
stock.  Based  on  the  shares  outstand- 
ing at  end  of  year,  1925  earnings  were 
equal  to  $13.67  a  share.  After  allow- 
ing for  payment  of  dividends  on  the 
preferred,  the  above  earnings  amount 
(Continued  on  Page  4) 


Investing  in  San  Diego 
The  Times  reports  from  San  Diego, 
Cal.,  that  a  number  of  well-known 
figures  in  the  industry,  including  Carl 
Laemmle,  Mack  Sennett,  Joseph 
Schenck,  Buster  Keaton.  Ralph 
Graves,  Sid  Grauman  and  Lou  Anger 
have  invested  over  $3,000,000  in  real 
estate  there.  Quite  naturally,  there 
has  ensued  talk  of  San  Diego  replac- 
ing Hollywood  as  a  production  center. 
There  is  nothing  especially  new  in  the 
idea,  except  that  whereas  San  Fran- 
cisco for  a  long  time  agitated  along 
those  lines,  the  city  now  becomes  San 
Diego. 


May  Float  Keith  Stock 

E.  F.  Albee  and  associates  control- 
ling the  Keith  enterprises,  according 
to  report,  have  held  conferences  with 
he  Bankers'  Trust  Co.,  at  which  plans 
for  the  sale  of  Keith  securities  have 
been  formulated.  Plans  under  con- 
struction will  provide  for  a  new  hold- 
ing companv  which  will  control  all 
Keith  activities  and  the  securities 
therein  sold  to  the  public.  The  first 
oiTcring  will  probably  consist  of  stock 
in  the  new  holdine  company  to  the 
amount   of  $5,000  000. 


Edwin  Hill   Promoted 
Hollvwood— Edwin     C.     Hill     has 
been    appointed    supervisor    of   West- 
erns at  Fox.     He  is  succeeded  as  sce- 
nario chief  by  Ned  Holmes. 


1 


THE 


■^^ 


DAILY 


Tuesday,  March  16,  19 


VaLXXXV  No.  62   TBesday,  Mar.  16, 1926    Price  5  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS.  INC. 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,   S,  Rue  Saulnier. 


Quotations 


F.   &   R.   to  Build   House 

Rochester,  Minn.— A  $500,000  house 
will  be  erected  by  F.  &  R.,  to  seat 
1,800.  At  present  F.  &  R.  have  an 
interest  in  the  Lawler  and  the  Metro- 
politan. A  $20,000  organ  is  being 
installed  in  the  Lawler. 


Blackton  to  Remain  on  the  Coast 

Hollywood — Reports  that  J.  Stu- 
art Blackton  planned  to  return  to 
England  to  engage  there  in  produc- 
tion are  unfounded.  He  is  under  con- 
tract to  Warners,  and  will  soon  start 
work  on  "The  Pasgjonate  Quest." 


Robertson  Casting  for  M.-G.-M. 

Hollywood — Clifford  Robertson  has 
been  engaged  by  Louis  B.  Mayer  as 
casting  director  for  M.-G.-M.  He  will 
replace  Fred  Leahy,  who  is  trans- 
ferred to  the  production  department 
as  a  unit  manager. 


High 

•Balaban  &  Katz  .... 
Eastman  Kodak  ..109^ 
Famous  Players  ..122J4 
Fam.  Play.  Pfd.  ..123 
•Film  Inspection.  .  .  . 
Fox  Film  "A"  ...  68 
Fox  Theaters  "A".  25 
•Intern'l    Projector.    .. 

Loew's,    Inc 405^^ 

Metro-Gold    Pfd.   ..   22y» 
Pathe  Exch.  "A". .   69 

Skouras    Bros 48^3 

••Stan.  Co.  of  Am..  .. 
•Universal  Pictures.  .. 
Univ.   Pict    Pfd.    ..91% 

"Warner  Bros 

Warner   Pictures   ..   15 

•  Last   prices   quoted. 

••  Philadelphia  market. 


Low 

Close 
7254 

Sales 

10954 

10954 

500 

11954 

121J4 

14,700 

123 

123 

5 

68 

100 

66 

1,000 

24  Ji 

25 
12 

1,200 

38J4 

40y2 

23,900 

2254 

225^ 

100 

67yi 

69 

800 

48  H 

48% 

49 

30 

.... 

90 

90 
14J4 

500 

uyi 

15 

400 

Monty  Banks  on  Pathe  Program 

Hollywood — Pathe  has  signed 
Monty  Banks  to  star  in  a  series  of 
feature  comedies  under  supervision  of 
A.  MacArthur.  Production  will  start 
about  April  IS.  Three  a  year  is  the 
schedule. 


N»w   M.-G.-M.   Contracts 

Los  Angeles — M.-G.-M.  has  several 
players  under  new  contracts,  includ- 
ing Conrad  Napel,  William  Haines 
and  Antonia  D'Algy.  Warren  A. 
Newcombe,  cameraman,  has  also  been 
signed. 


Start  Paramount  House 

Charlotte,  N.  C— The  Cutter,  a 
$500,000  theater,  on  North  Tryon 
St.,  which  has  been  leased  to  Famous, 
is  in  course  of  construction.  It  will 
seat  1.700  and  will  be  ready  Dec.   1. 


Hochreich  Promises  a  Club 

Some  of  the  New  York  dailies  yes- 
terday carried  a  story  about  a  22-story 
building  and  film  club  to  be  erected  at 
150  W.  S9th  St.  by  David  R.  Hoch- 
reich and  associates.  Hochreich  glad- 
ly confirmed  the  report.  He  admitted 
it  was  all  true.  The  club  would  con- 
tain Ritz  class  and  if  possible,  ap- 
pointments even  more  sumptuous. 
The  building  proper  would  contain  400 
hotel  rooms,  explained  Mr.  Hochreich. 
who,  after  a  long  day,  said  he  had 
completed  full  arrangements  for  a 
bond  issue.  This  gathering  place  will 
be  known  as  the  Cinema  Club  of 
America.  The  Times  said  it  already 
had  a  membership  of  5,000,  but  Hoch- 
reich conceded  the  figure  was  a  trifle 
high.  At  any  rate,  exhibitors,  produc- 
ers and  others  in  the  industry  will  be 
"invited"  to  become  members. 


Film  on  the  League 

"Hell  and  the  Way  Out,"  produced 
by  the  League  of  Nations  Non-Parti- 
san  Assoc,  of  New  York,  will  be 
shown  tonight  at  the  Parish  House  of 
St.  Luke's  Episcopal  Church,  No.  435 
West  141st  St.;  and  at  the  Pilgrim 
Hall  Forum,  211  West  56th  St. 

The  picture  was  financed  and  pro- 
duced by  the  League  of  Nations  Non- 
partisan Assoc,  under  the  direction 
of  Dr,  James  K.  Shields,  Avho  wrote 
the  scenario. 


Copyright  Battle 

{Continued  from  Page  1) 
that  although  the  industry  is  greatly 
responsible  for  the  popularization  of 
modern  music,  the  composers  and 
publishers  aim,  through  the  license  fee 
planned  in  the  amendment,  to  make 
the  theater  owners  pay  fees  for  the 
mere  privilege  of  using  the  music, 
which  is  purchased  at  regular  prices. 


c5^ 


iPS  ANGELES/ 


Hays  Appeal  on  Cleveland  Zoning 
Columbus,  O.— A  letter  to  Will 
Hays  will  be  forwarded  by  the  Ohio 
M.  P.  T.  O.  as  a  result  of  the  con- 
ference of  the  committee  on  the  re- 
zoning  proposition  in   Cleveland. 


New    Omaha   Film   Board   Head 

Omaha  —  Mayor  Monsky  has  just 
been  elected  president  of  the  local 
Film  Board  of  Trade.  He  succeeds 
F.  W.  Gebhardt,  transferred  to  the 
Pathe  ofiRce,  Kansas  Citv. 


De  Mille  Signs  Elinor   Fair 

Hollywood — Elinor  Fair,  who  re- 
cently completed  the  feminine  lead  in 
"The  Volga  Boatman,"  has  been 
signed  to  a  long-term  contract  by  Ce- 
cil B.  D-  Mille. 


Tied  Up  With  Music  Clubs 

Pathe  has  arranged  for  a  coopera- 
tive tie-up  of  musical  societies  with 
their  "Famous  Melody  Series,"  to  aid 
exhibitors  in  these  bookings.  These 
one-reelers  are  produced  by  James  A. 
Fitzpatrick,  and  feature  Peggv  Shaw. 
The  first  three  are  "Songs  of  Ireland," 
"Songs  of  Scotland,"  and  "Songs  of 
England."  — -_^ 


Baron  Joins  Cranfield  &  Cla: 
Laurence  Baron,  formerly  exch 
manager  for  Red  Seal,  has  be« 
manager  of  the  new  Cranfiel( 
Clarke  exchange  in  New  York. 
F.  B.  Rogers,  sales  manage 
in  Chicago  to  complete  details 
taining  to  a  new  Cranfield  &  CI 
branch  there. 


John   Russell  on  Trip 

San  Francisco — John  Russell 
arist.   has    left   on  a   trip   around 
world. 


COM 


\LftOtt  M' 


nsstf. 


MOMKEy  BUSINES 

'   oinccneti  KontAin^GtvM  Ptkhetomei-- 


This  is  a  'Corneroiock   cut  turmsiftl 
FREE  for  all  Pathecomedies  at  yo 
exchange. 


LOBBY 


FRAMES  i 


OF  THE  BETTtR  KIND 
LIBMAN-SPANJER    CORP 


Ross  to  Direct  "April  Fool" 

Los  -Angeles — Nat  Ross  has  been 
chosen  by  ChaJwick  Pictures  to  di- 
rect "April  Fool."  in  which  Alexander 
Carr  heads  the  cast.  The  support  in- 
cludes Mary  Alden,  Pierre  Gaudron. 
Max  Davidson,  Snitz  Edwards,  Eddie 
Phillips.  Baby  Peggy,  Pat  Moore  and 
Leon   Holmes. 


New   F.   &   R.   House   Opens 

Fargo,  N.  D.— The  Fargo,  latest 
Finkelstein  and  Ruben  house,  opened 
yesterday 


Briskin  Convalescing 

Hollywood — Samuel  J.  Briskin,  the 
producer,  is  recuperating  from  a  re- 
cent illness. 


APPLIED  INTELLIGENCE 

Everybody  knows   something   about    Life   Insurance.     But  many   of  our 
clients    have    only    recently    learned    how    to    apply    this    knowledge    to 
prevent  the  stoppage   of   their   financial  program   by  the   Last   Event. 
We    have    a    highly    developed    Life    Insurance    service    worthy    of    any 
man's   consideration. 

CONSULT 

!  MiaiiiBEifir  ]{.]Sk]3^!§i<iEiiw 


INCORPORATED 


^H^^^Sfj  km  M  iJ  ;  J  :  j  .  I  ;i  :u1  ;  i,-jl 


'r 


80  MAIDENJLANE,  N.  Y.  C. 

" f........m, 


Telephone  John  3080 


'      1600  Broadway 

I      Tel-Chickcnng  55^0 


New  York  Ci 


EASTERN 

STUDIO   FOR  RENT 

EXCEPTIONAL   FACILITIES 

VERY  LARGE  STOCK  OP 
PROPS  AND  FURNITURE 

Telephone    Dewey    8600 


BBYANT    37AO-3T*.i 

Reuben  S.AJMUEr,s,lT<rc 


I 


i540  broadway 
NewYork 


Insurance  Experts  to  the  Theatric 
And  Motion   Picture   Industry 


^■■jUii 


w^ 


(ehUtion  of  the  aS 

lb  Hie  eveHaiting  Horn  oP  fhe 
screen  FIR^T  NATIONAL  ^iVe( 


7b  in/p/re  file  heor/j  oP  humanihii-- 
Hie  living  fhoiy  of  a  hidden  hvhh  — 
now  It  can  be  tola-fo  daving  In  theme 
no  one  haf  evevattemphd  it  until 
PirihNaKonal  comei  trlumphantlu 
to  the  fvont  to  tell  ir— one  ueavln  the 
maWng— 'A/ie  laft  word  In  avamahc 
acliievemenh--'fiie  fentation  of  box- 
office  tnumphf. 


-Ts^' 


.^'^:'^ 


Preicnted  bif .  .  .  RICHARD  A.  ROWLAND 

Wiiffen  For  the  screen  bq jUN  Q    M  ATM  IJ" 

from    EDITH    O'ShAuGHN  ES^V'S    novel" 

VIENNESE  MEDLEY 

CONWAY  TEARLE 
ANNAQ^NmSON 

and  a  caft  including   MAY  ALLISON,    IAN  KEITH 
JEAN   HERSHOLT  and    LUCY   bEAUMONT 

o7  JUNE  MATMIS Production 

Directed  bi, CURT  REHFELD 

Production /H^n^gcr  .t^A\   ROCKETT    Chief  Onemjfogriphcr  JOHN  BOVIE 
••'-•■  'I    VulllTCR  nim   CHIInr    GEORGE     McGUIRC 


l\xhK  national 
Picture 

Members  jT  Motion  Picture  Producers 


I 


Publix  Meets  Today 

{Continued  from  Page   1) 

John  N.  Barry,  to  whom  must  be 
credited  the  idea  of  the  theater  mana- 
gers' training  school,  will  talk  on  that 
work. 

The  climax  of  the  convention  will 
be  the  dinner  on  Thursday  night  at 
which  both  Publix  and  Paraniount  of- 
ficials will  be  present. 

The  full  program  follows: 

Today 

9:30  A.  M.— Roll  Call 
A  bow  from  some  visitors. 
H.  B.  Franklin,  vice-president,  Pub- 
lix Theaters  Corp. 
Sam  Katz,  president,  Publix  Thea- 
ters Corp. 

The  Publix  Theaters  production  de- 
partment: Herschel  Stuart,  John 
Murray  Anderson,  James  Cowan 
and   Nathaniel  Finston. 

L.  E.  Schneider 

"Personnel" 

John  Barry, 

"The  Training  School" 

Fred  Metzler, 

"The  Theater  Manager  As  a  Busi- 
ness Man" 
12:30— 1:30— Lunch 

1:30  P.  M.— S.  R.  Kent. 

Sam   Dembow — Buying  and  Book- 
ing 

Earl  Sanders 

David  Chatkin 

William  Saal 

District  Bookers 

Harry   Marx — Theater   Management 

Jack  Mansfield 

M.  J.   Mullin 

J.  T.  Knight 

Dr.  E.  Stern— "Welfare" 

Remarks  by   Katz,  Kent,   Franklin. 

Dinner 

8:00   P.    M.— Some    films   of    Publix 
Theaters 
10:00  P.  M.— Meeting  of  Katz  and  dis- 
trict managers 


City-Boston-St.    Louis,    Detroit- 
Buffalo-Chicago.  Kansas  City. 
Tennessee 
Florida 


Thursday,  March  18 

Sectional  meetings  in  the  morning: 
12:30— Lunch 
1:30— Roll  Call 

Austin  Keough,  Counsellor,  Publix 
Theaters  Corp. 

Arthur  Swanson,  of  Swanson  and 
Ogilvie 

Messrs.  Katz,  Kent,  Franklin  and 
open  meeting  of  the  convention 

7:30 — Assemble  for  Banquet  in  the 
convention  room 

8:00 — Convention  Banquet 

Those  who  have  already  arrived  or 
who  are  expected,  follow: 

T.  J.  Ahearn,  Jr.,  home  office;  Henry 
Anderson,  home  office;  C.  H.  Amos,  Carolina 
theater,  Greenville,  >5.  C. ;  W.  R  Allen 
Strand,  Memphis,  Tenn. ;  A.  J.  Aram  Flor- 
ida District  Manager;  Adna  M.  Avery,  Capi- 
tol    theater.     Oklahoma     City,     Okla  •      Pat 


Argust,  Kialto  Colo.  Springs,  Colo.;  John 
Arthur,  Famous  Players-Canadian  Corp..  Tor- 
onto,   Ont. 

A.  M.  Botsford,  home  office;  J.  R.  Bart- 
zall,  home  office;  Rodney  Bush,  Galax,  Bir- 
mingham, Ala.;  F.  W.  Brunnelle,  Bijou 
KnoxviUe,  Tenn.;  M.  L.  Blitzer,  Broadway, 
Newburgh,  N.  if.;  Barry  Burke,  Palace, 
lexas;  i!,dward  B.  Barron  City  Manager, 
San  irancisco;  John  F.  Barry,  Director 
Manager,  Training  School,  N.  Y.;  B  Bala- 
ban,  Balaban  &  Katz,  Chicago  111  •  A  H 
Blank,  Des  Moines,  la. ;  F.  P.  BriggV,  Rialtoi 
fJ"?blo.  ,  <-olo- ;  OUie  Brownlee,  Criterion, 
iinid,  Okla.;  Mr.  and  Mrs.  J.  Balaban,  Chi- 
cago; Floyd  M.  Brockell,  B.  &  K.  Midwest 
Theaters,  Chicago.  111.;  T.  W.  Baker,  At- 
lanta Warehouse,  Atlanta,  Ga. ;  W.  F.  Brock 
Strand  KnoxviUe,  Tenn.;  S.  Barutio,  Rivoli! 
JNew    \ork;    L.    Bamberger,    home   office. 

D.  J.   Chatkin,   home  office;   R.  E.   CrabiU   I""''    "^ooV-^r. 


ace  Theater,  Lakeland,  Fla. ;  J.  P.  Harrison, 
City  Manager  Theaters,  Waco,  Tex. ;  J.  Haas, 
City  Manager  Theaters,  Denver,  Colo. ;  Mar- 
shall Helms,  Dallas  Warehouse,  Dallas,  Tex.; 
C.    Warren    Irbin,    Imperial,    Charlotte,    N. 

A.  J.  Jones,  Atlanta  Warehouse.  Atlanta 
Ga. ;  Bert  Jordon,  Majestic  Theater,  Mem- 
phis, Tenn.;  Lacey  Johnson,  home  office; 
A.  J.  Judd,  home  office;  John  Judge.  Vic- 
toria Theater,  New  Smyrna;  Raymond  B. 
Jones,  Palace,  Dallas,  Tex.;  E.  C.  Jeffress, 
Chaise  Buftalo,   Buffalo,  N.  Y. 

Sam  Katz,  home  office;  Sydney  R.  Kent 
home  office;  A.  C.  Keough,  home  office;  Geo. 
W.  Keyes,  City  Manager  Theaters,  Johnson 
City,  Tenn.;  Guy  A.  Keiiimer,  Jackson- 
ville, Fla.;  W.  A.  Kiause.  Palatka,  Fla. 
Power  Theater ;  Geo.  Koehler,  Idaho,  Twin 
Falls,  Idaho;  Mr.  Kleuber,  New  York  City; 
P.  R.  Kent,  home  office;  W.  J.  Kelly,  Rialto 
Theater,  Columbus,  Ga. ;  H.  M.  King,  Strand 
Theater  Asheville,  No.  Car. ;  Oscar  Kant- 
ner,  hoine  office;  J.  Knight,  B.  &  K.,  Chi- 
cago. 

Arthur  Lucas,  Savannah,  Ga. ;  Harry 
Leach,  Miami.  Fla. ;  Walter  Lloyd,  Olympia, 
Miami,  Fla. ;  Jeff  Lazarus,  Metropolitan, 
Boston,  Mass. ;  L.  Lusty,  Rialto  Theater,  N. 
Y. 

Harry  Marx,  home  office;  M.  J.  Mullin_ 
home  office ;  Ernest  Morrison,  Howard,  At- 
lanta, Ga. ;  F.  J.  Miller,  City  Manager  The- 
aters, Augusta,  Ga. ;  W.  T.  Murray,  Rialto 
Theater,  Atlanta,  Ga. ;  J.  H.  McKoy,  Alham- 
bra.  Charlotte,  N.  C. ;  Charles  S.  Morrison. 
Imperial.  Jacksonville.  Fla. ;  Joseph  L.  Maren- 
tette  Mullane  Theater,  Sanford,  Fla.;  W.  J. 
Melvin,  City  Manager  Theaters,  St.  Peters- 
burg. Fla. ;  Mr.  Moule.  Kunsky  Enterprises. 
Detroit.  Mich.  ;Russell  Moon,  home  office; 
Pat  McGee,  Criterion,  Oklahoma  City,  Okla. ; 
J.  Mclnerney,  Rivoli,  New  York  City;  Louis 
Marcus.  Colorado  District  Manager;  A.  J. 
Moreau,  Capitol,  Little  Rock,  Ark.j  F.  L. 
Metzler  home  office;  Arthur  Mayer,  Lubliner 
&  Trinz,  Chicago,  111. ;  Jack  E.  Mansfield, 
home  office;  S.  J.  McDonald,  Melba,  Dallas, 
Texas. 

A.  R.  Nininger,  City  Manager  of  Theaters, 
Ocala,  Fla. ;  Frank  Newman,  Jr.,  Managers' 
Training  School,  New  York  City;  Ralph  Noble, 
Palace,  McAlester,  Okla.;  M.  Norden,  New 
Y'ork  City;  L.  Notarius,  New  York  State  Dis- 


Tuesday,  March  16,  1926 


I 

Famous  Net  Higher 

{Continued  from  Page  1)  i 

to  $18.39  per  share  on  275,102  shar 
the  average  number  of  shares  of  coi 
mon    stock    outstanding    during    t 
year.    This  compares  with  earnmgs 
$20.08  a  share  on  the  235,931  shares 
common  stock  outstanding  in  1924. 
The  balance  sheet  shows  current  a 
sets  of  $29,496,581  and  current  liabi 
ties  of  $9,520,446.     The  property  ac 
count  has  been  increased  to  $31,916, 
199  after  giving  effect  to  the  increasii 
m  land  values  arising  through  an  inj 
dependent   appraisal,   comparmg  wif 
$13,679,651  in  1924.     Cash  totaled  $r 
346,049  against  $2,700,829  in  1924.  T 
income  account  compares  as  folio 

192. 
$6,22  l,7i 


1925 

Operating  profits $6,418,053 

Federal  taxes 700,000 

Net   profits    5,718,053 

Preferred   dividends    .         658,000 
Common   dividends    . .      2,200,814 

Sub.  cos.  divs « . . .  . 

Surplus    2,859,239 

The  common  was  active  yesterday 
reaching  a  high  of  122^.  It  closed  ai 
121 -J^  with  a  turnover  of  14,700  shar  " 
I'he  preferred  closed  at  123. 


799,42l.| 
5,422,34" 

68J,80i 
1,867,45^ 
l,13:i 
2,869,961 


Wednesday,  March  17 

9  A.  M.— Roll  Call 
A.  M.  Botsford, 
Advertising,  Exploitation,  Publicity 

How      Producers      Exploit — Oscar 
Kantner 

Advertising    Publix — Ed    Olmstead 
Revue      Publicity,     Close-up — Sam 
Palmer 

Big  City  Tie-Ups,  Radio— Jeff  Laz- 
arus 

The  New  Home  of  Publix — Russell 
Moon 

Booking  Letter  Contact — Ed   Rob- 
erts 

Advertising — Lem  Stewart 

Katz  will  speak  on  small  town  prob- 
lems and  methods  for  increasing 
business 
12:30— Lunch 

The  sectional  meetings  begin  at  1:30 

1.  Texas-Oklahoma-Arkansas;  Col- 
orado-Utah-Nebraska 

2.  Georgia- Alabama — N  o  r  t  h    and 
South  Carolina 

3.  New  York  State-California,  Bay 


Metropolitan,  Boston,  Mass.;  A.  C.  Cowles' 
Atlanta  District  Booker,  Atlanta,  Ga. ;  J  r' 
Co  wen  home  office;  J.  L.  Cartwright  Mar- 
lowe. Jackson.  Tenn.;  Jesse  L.  Clark,  Du- 
vall,  Jacksonville,  Fla.;  John  B.  Carroll,  City 
Manager  of  Theaters,  Tampa,  Fla.;  E  E 
Collins.  Queen  Theater.  Galveston,  Texas;  M 
A.  Cooper,  Rialto,  N.  Y.;  F.  A.  Cruise, 
Rivoli  IM.  Y.;  C.  E.  Carpenter,  Paramount 
Empress,  Salt  Lake  City,  Utah;  G.  H.  Coats. 
Service  Man;  George  T.  Cruzen,  Palace  The- 
ater, Lockport,   N.    Y. 


Sam  Dembow.  Jr.,  home  office;  Jules  Del- 
mar,  B.  F.  Keith  Albee,  New  York;  F  H 
Dewier,  Jr.,  Tenn.  District  Manager;  W  E 
Drumbar.  Riviera  Theater,  KnoxviUe,  Tenn.; 
George  L.  Denton,  Queen  Theater,  Ft.  Lau- 
derdale. Fla.;  A.  lO.  Dillenbeck,  New  York  • 
¥/•  ^°'^.'  S^^  England  Theaters,  Boston, 
Mass.;    G.    Dickson,    home   office. 

Eric  Ericson,  home  office;  J.  G.  Evans 
Lucis  Theater.  Savannah,  Ga. ;  M.  F  Estes' 
Lyric,  Gainesville,  Fla.;  T.  Wilson '  Erwin 
Majestic.  Austin.  Texas;  J.  H.  Everett  City 
Manager  Theaters     Maryville,   Tenn.       ' 

Harold  B.  Franklin,  home  office;  H  C 
Frawley,  Manager  Theaters,  Montgomery 
Ala.;  W.  C.  Fleming,  Bijou  Theater,  Savan- 
nah, Ga. ;  J.  J.  Fitzgibbons,  No.  and  So 
Carolina  District  Manager;  J.  J.  Friedl 
Texas  District  Manager;  Bruce  Fowier,  New- 
man and  Royal  Theaters,  Kansas  City.  Mo  • 
Milton  Feld,  Los  Angeles,  Calif. ;  J.  J.  Ford' 
New  England  Theaters,  Boston  Mass. ;  Mr' 
Fink.  Empire  Theater,  San  Antonio,  Tex  • 
Mr.    and   Mrs.    N.    W.    Finston,   home   office! 

A.  S.  Grist,  Howard  Theater,  Atlanta 
Ga. ;  P.  D.  Griffith.  Criterion  Theater,  Macon, 
Ga. ;  W.  L.  Gross,  Aladdin  Theater,  Cocoa) 
Fla. ;  J.  Garrigan,  Rivoli,  New  York,  At- 
tache; H.  J.  Gould  Palace  Theater,  Port 
West,  Texas;  L.  R.  Geyer,  Queen,  Austin 
Texas. 

Nat  Holt,  Granada,  San  Francisco,  Calif.; 
H.  Hollander,  home  office;  Charles  T.  Hos- 
kins,  Tampa,  Little  Rock;  A.  M.  Holtz 
rravelmg  Auditor;  M.  S.  Hill,  Alabama,  Ga 
District  Manager;  I.  Halperin,  Chaise,  Buf- 
falo, Buffalo  N.  Y.;  Harry  Hardy,  No.  and 
So.  Carohna,  Booker;  T.  H.  Holliday,  Im- 
perial Theater,  Columbia,  So.  Car.;  John 
Hannon,  Rex  Theater,  Sumter,  So.  Car.; 
Sam  Hammond,  Egyptian,  Greenville,  So. 
Car.;  W.  H.  Hemphill,  Venita  Theater, 
Chattanooga.  Tenn. ;  George  E.  Hoffman,  Pal- 


Ed.  Olmstead,  Home  Office;  A.  W.  T.  Ogil- 
vie, home  office;  C.  E.  Oakley  Lake  Worth, 
Fla. ;    C.    L.    Oswald,    Traveling   Auditor. 

Sam  Palmer,  New  York  Home  Office;  Elis- 
abeth Powers,  Home  Office;  Emerson  W.  Pool, 
Royal,  Little  Rock,  Ark.;  W.  S.  Perutz,  Rialto, 
Chattanooga,  Tenn.;  H.  L.  Pierce,  Kunsky 
Ent.,  Detroit,  Mich.;  Carl  Porter,  Victory, 
Sah  Lake  City,  Utah;  C.  M.  Pincus,  Imperial, 
San  Francisco,  Calif.;  Boris  Petroff,  Home 
Office. 

Paul  Raibourn,  Home  Office;  Grace  Robert- 
son, Home  Office;  John  P.  Read,  Ft.  Smith, 
Ark.;  E.  B.  Roberts,  Home  Office;  Jules  Ru- 
bens, Chicago,  111.;  George  Rea,  Grand,  Colum- 
bus, Ga.;  E.  R.  Rogers,  Tivoli,  Chattanooga, 
Tenn. 

L.  E.  Schneider,  Home  Office;  Wm.  Saal, 
Home  Office;  Herschel  Stuart,  Home  Office; 
Geo.  M.  Spidell,  Home  Office;  Dr.  E.  Stern, 
Home  Office;  A.  Swanson,  Home  Offie;  M.  L. 
Semon,  Forsyth,  Atlanta,  Ga. ;  H.  J.  Smart, 
Noble,  Anniston.  Ala.;  M.  Salmon,  City  Man- 
ager of  Theaters,  Macon,  Ga.;  George  Smith, 
Grand,  Macon,  Ga.;  C.  B.  Stiff,  City  Mana- 
ger of  Theaters,  Asheville,  N.  C;  T.  L.  Stell- 
ing.  Plaza,  Asheville,  N.  C;  J.  H.  Stelling, 
Rex,  .Spartanburg,  S.  C. ;  H.  Somerville  City 
Manager  of  Theaters,  Daytona,  Fla. ;  L.  S. 
Shead,  Loew's  Palace,  Memphis,  Tenn.;  M. 
Slandish,  Rivoli,  New  York  attache;  E.  Stacey, 


Rivoli,  New  Y'ork  attache;  Chas.  F.  Shire,  Ci^ 
Manager  of  Theaters,  Lincoln,  Nebr. ;  R.  Spie|i| 
California,  San  Francisco,  Calif.;  Ed.  A 
Smith,  St.  Francis,  San  Francisco,  Calif, 
Chas.  Skouras,  St.  Louis,  Mo.;  Kmmett  Sorg 
Paramount,  Ogden,  Utah;  E.  J.  Sullivan,  Se| 
vice  Man;  Geo.  Snedeker,  Stenographer;  Jol 
C.  Smith,  San  Antonio,  Texas;  Lem  Stewart 
Home  Office;  M.  Shea,  Buffalo,  N.  Y.;  Chas 
E.  Sasseen,  Oklahoma-Arkansas  District  MaB 
ager.  1 

Clayton  Tunstill,  City  Manager  of  Theaters! 

Chickasha,    Okla.;    Geo.    W.    Trendle,    Kunsk;] 

Ent.,  Detroit,  Mich.;  J.  Newton  Treece,  Kialtc  j 

lacksonville,   Fla.;   James   L.   Thornly,   MelDa 

Australia.  , 

Harry  Van  Deraark,  City  Manager  of  Thea 
ters,  Houston,  Texas. 

Geo.  W.  Weeks,  Home  Office;  E.  B.  Whit 
ham,  Atlanta  Warehouse;  Kendall  Way,  Dalla: 
Warehouse,  J.  A.  Walsh,  Home  Office;  T.  Yj 
Walker,  Theato,  Anniston,  Ala.;  F.  E.  Wil 
liamson,  Avon  Park,  Fla.;  W.  L.  Whitehead 
Republic,  Jacksonville,  Fla.;  Mr.  and  Mrs 
Stanley  Warrick,  West  Palm  Beach,  Fla.;  A 
Wolf,  Rialto.  New  York,  attache:  T.  Wells  Wil 
liams.  Palm  Beach,  Fla.;  Jean  Wildensteini 
Empire,  San  Antonio,  Texas;  Ceo.  C.  Walsf 
City  Manager  of  Theaters,  Y'onkers,  N.  \. ; 
C.  Watson,  City  Manager  of  Theaters,  Ba); 
City,  Mich.;  F.  P.  Whiting,  Home  Office;  Wal 
ter    Wanger,    Home   Office. 

Adolph  Zukor,  Home  Office;  Eugene  Zukor 
Home  Office;  Ed.  A.  Zorn,  City  Manager  ol 
Theaters,    Poughkeepsie,    N.    Y. 


'i 


Feld  Reaches  New  York  1 

Milton  H.  Feld,  for  years  associated 
with  Frank  Newman  in  the  operation 
of  the  Royal  and  Newman  theaters 
Kansas  City,  and  later  in  charge  ol 
presentations  of  the  Publix  theaters 
in  Los  Angeles,  is  in  New  York  tc 
join  the  Publix  executive  organization 


comina  -i 


FROM   A.H.W0005 
SENSATIONAL  STAGE  FARCE- 
WRITTEN   BY  WILLSON 

RBLBASED  BY  ^^^^'^^"^  ^°^™  "^'^^^'" 

PRODUCERS  DISTRIBUTING  CORP 


AL 
CHIUSTIE51 

Surprise 
Special, 

Ion 


An  Avalanche  of  Bookings 

By  America's  Greatest  Showmen 

For  Year's  Big  Laughing  Hit! 

w 

2  weeks   at   Adams   Theatre,   Detroit; 

3  weeks  at  Imperial  Theatre,  'Frisco; 
Chicago  TheVitre,  Chicago;  Metropolitan 
Theatre,  Los  Angeles;  The  Stanley  Co., 
Philadelphia;  Kin's  Theatre,  St,  Louis; 
Liberty  Theatre,  Kansas  City;  Capitol 
Theatre,  Dallas,  Texas;  Rialto  Theatre, 
Chattanooga,  Tenn.;  Liberty  Theatre, 
Oklahoma  City,  Okla.,  etc.,  etc. 


GEORGE   SIDNEY,   CHARLES   MURRAY, 

VERA  GORDON 

in 

A  HARRY  POLLARD  Production 

from  the  play  "Two  Blocks  Away" 
By  Aaron  Hoffman 

Presented  by  CARL  LAEMMLE 

in  association  with  Faultless  Pictures  Corp. 

E.  M.  Asher,  Pres. 


UNIVERSAL —    m\[es  audi  rrvAes  ahead  of  alll 


IT  DIDN'T  TAKE  THESE   GREAT 
SHOWMEN  LONG  TO  SEE  STRAIGHli 
TO    TH„E   POINT   ABOUT    THI'«' 
TREMENDOUS    FOX    PICTURI 


LOEWS  CIRCUIT:— State,  Boston,  Mass.— Loew's,    Buffalo,    N.    Y.— Loev/'s    State,    Clevelam; 
-Loew's  Grand,  Atlanta,  Ga. — Loew's  Palace,    Washington,    D.    C. — KARL    HOBLIT- 


Ohio- 
ZELLE:- 


-Majestic,  Dallas,  Texas — Majestic,  Ft.  Worth,  Texas — Majestic,  Houston,  Texas — 


Majestic,  San  Antonio,  Texas — Majestic,  Little  Rock,  Ark.  —  Lyric,  Birmingham,  Ala.  - 
FAMOUS  PLAYERS: — California  or  Granada,  San  Francisco,  Cal — Paramount,  Mi- 
ami, Fla. — Rialto,  Colorado  Springs,  Colo. — Rialto,  Pueblo,  Colo. — Regent,  Bay  City, 
Mich.— COMERFORD  CIRCUIT :— Strand,  Scranton,  Pa.— Savoy,  Wilkes-Barre, 
Pa.— Grand,  Hazelton,  Pa.— MOE  MARK:— Strand,    Lynn,    Mass.— Strand, 
Maiden,  Mass.  —  Strand,  Worcester,  Mass.  —  PANTAGES:  —  Pantages, 
Kansas  City,  Mo. — Pantages,  San  Diego,  Cal.  —  Pantages,   Salt  Lake, 
Utah — Pantages,  Memphis,  Tenn.  —  Pantages,    Spokane,    Wash. — 
I.  LEBSON : — Lyric,  Cincinnati,  Ohio — Strand,   Dayton,    Ohio — 
FOLFS  CIRCUIT:— Majestic,  Bridgeport,    Conn.  —  Capitol, 
Hartford,  Conn. — Poll's,  Meriden,  Conn.  —  Palace,  New 
Haven,  Conn.— ROBBINS  AMUSEMENT     CO.:     — 
Eckel,  Syracuse,  N.Y. — Avon,  Utica,   N.Y. — Avon, 
Watertown,  N.  Y.— JOHN  H AMRICK :— Blue- 
mouse,    Portland,    Oregon  —  Bluemouse, 
Seattle,   Washington  —  Bluemouse, 
Tacoma,   Washington 
FRED    DOLLE  :  — 
Alamo  Theatre, 
Louisville, 
Ky. 


I /it 

Itfilil! 

Eai' 


i 


HARRY 

BEAUMONT 

Production 


i 


BIG    PROFITS! 


Fox  Film  Com  oration^ 


Mi 


iTHE 
7Ae  brAdstreet 

o/*  FILMDOM 


Authority 


OL.  XXXV    No.  63 


Wednesday,   March   17,   1926 


Price  5  Cents 


Tax  Off  March  28 

I  Amusement    Industries    to    Save 
$9,000,000   Annually— Total   to 

Government  $24,000,000 
Wasliington — The    increase    in    ad- 
ssion    tax    exemption    to    75    cents 

II  become    effective     at    midnight, 
^rch  28th,  under  regulations  issued 

the  Internal  Revenue  Bureau.  No 
imate  has  been  made  of  the  amount 
money  exhibitors  v^'ill  be  saved  as 
esult  of  the  increase,  but  the  Sen- 
Finance  Committee  estimated  that 
',000,000  would  be  secured  from 
nissions  and  dues  during  the  pres- 
calendar  year  against  Treasury 
imates  of  $33,000,000  under  the  old 
imption  of  50  cents. 

{Continued    on  Page    12) 


Victory  Near 

mination  of  News  Reel  Censorship 
Looked  For  in  Albany — Bill  Be- 
fore Senate 

.ll)any — The  bill  for  the  elimination 

n<  \vs  reel  censorship  came  up  be- 

the   Senate   yesterday.     The   ac- 

anying  bill  in  the  Assembly  has 

!  parsed.     A  group  of  professional 

liners  is  making  an  effort  to  de- 

the    Senate    bill.      Their    objec- 

failed  to  make  much  of  an  im- 

lon   and  there   is   no   doubt   that 

'ill  will  be  passed. 

anon   Chase   of   the   Civic   League 

1     that     the    passing    of    the     bill 

il  take  at  least  $30,000  from  the 

(Continued  on  Page  12) 

Play  Date  Drive 

s  Nat'l  Preparing  Now  for  Summer 
— 13  Weeks'  Campaign  to  be 
Waged 

lie  sales  cabinet  of   First  National 

res  it  has  prepared  to  meet   the 

ler  slump.  A  drive  covering  play 

to   mature    during    the    thirteen 

period  starting  May  30th  is  on. 

will  be  substantial  rewards  for 

alesmen    showing    the    best    re- 

{Contitiucd  on  Page  12) 


Syracuse  Bids  On 

1  k  Strand  Among  Interests  After 
g  Theater  There — Boston  Capi- 
tal to  Build 

lacuse,      N.      Y.— The      Bastable 

site  at   E.  Genesee,  S.   Warren 

1   1{.   Water  Sts.,  has  been   sold  in 

nsaction     involving    more    than 

00  and  calling  for  erection  of  a 

1,000  theater   and   office  building 

5     stores      it      was      announced 

v.oseph    Ryder   of   Ryder   &    Rice, 

'iv  tment  brokers. 

(Continued   on    Page    12) 

il     novelty      attraction.        Boxofficegirl. 
wyn — Dorothy  Gish — Paramount — Advt 


Fears  Nat'l  Action 

Sunday  Closing  in  Washington  Model 

For  Other  Bills,  R.  F.  Woodhull 

Asserts  at  Public  Hearing 

Members  of  the  film  industry  yes- 
terday appeared  before  the  sub-com- 
mittee of  the  House  District  Commit- 
tee in  charge  of  the  proposed  Sunday 
closing  law  to  protest  against  the 
enactment   of   such   legislation. 

Julian  Brylawski  of  the  Earle  the- 
ater protested  against  the  bill,  point- 
ing out  that  undqr  an  agreement 
made  15  years  ago  between  the  the- 
aters and  the  Federation  of  Churches, 

(Continued   on  Page    12) 


Kiddie  Bill  Up 

Pros  and  Cons  Heard  in  Albany  on 

Measure    Admitting    Minors    to 

Theaters — Action  on  Tuesday 

Albany,  N.  Y. — The  measure  pro- 
viding for  the  admission  of  children 
of  certain  age  to  attend  theaters  un- 
accompanied by  a  parent,  met  with 
some  objections  when  the  measure 
was  reached  for  advancement  in  the 
Assembly  late  Monday  night. 

(Continued    on  Page    12) 

Test  Case 

Boston  Decision  on  Uniform  Contract 

Acceptance    Clause     May     Have 

Bearing  on  Similar  Instances 

An  interesting  case  covering  the 
Acceptance  Clause  embodied  in  the 
Standard  Exhibition  Contract  has  just 
been  decided  before  the  New  Eng- 
land Film  Board  of  Trade.  It  in- 
volves a  dispute  of  W.  V.  Hone  and 
R.    A.    Flors    with    Famous    centered 

(Continued   on  Page    12) 


Ufa  Retrenching 

Discarding    Special    Films    for    Ordi- 
nary   Society    Dramas — Major 
Grau  in  New  Duties 

Washington — Asst.  Trade  Commis- 
sioner Miller  in  Berlin  reports  im- 
portant developments  in  Ufa  to  the 
Department  of  Commerce. 

Major  Grau,  who  has  taken  the 
place  of  Erich  Pommer  as  managing 
director,  has  assumed  new  duties  and 

(Continued  on  Page  9) 


Fifty  in  World  Chain 

Onihaa— The  World  Realty  Co.  is 
planning  tc  extend  its  chain  through- 
out Nebraska  and  will  run  its  houses 
on  a  plaa  of  joint  vaudeville  and  pic- 
tures. The  chain  may  include  50 
houses    eventually. 


Warner  Conventions  in  April 

The  Warner  sales  conventions  will 
be  held  in  April.  There  will  be  three 
meetings,  one  each  in  New  York,  Chi- 
cago and  Los  Angeles. 


Canadian  Sale 

Toronto— "The  Canadian  M. 
P.  Digest"  reports  that  J.  P. 
Bickell  has  sold  his  interest  in 
Famous  Players  Canadian  Corp. 
and  that  N.  L.  Nathanson  is 
likewise  considering  selling  his 
share  to  Publix  Theaters  Corp. 

Famous  Players  Canadian 
distributes  Paramount  Pictures 
in  Canada  under  a  25-year  fran- 
chise which  has  some  years  to 
run. 


Atlantic  City — Efforts  to  reach 
Sam  Katz  and  N.  L.  Nathanson 
last  night  for  comment  on  the 
Toronto  report,  proved  unavail- 
ing. 


Rialto  for  Long  Runs 

With     Opening     of     "For     Heaven's 

Sake"  on  April  4,  New  Policy  Is 

Expected  to  Become  Effective 

Atlantic  City,  N.  J. — At  the  open- 
ing session  of  the  Publix  convention 
yesterday,  it  was  announced  that  Har- 
old Lloyd's  first  for  Famous,  "For 
Heaven's  Sake,"  will  open  for  an  in- 
definite run  at  the  Rialto,  New  York, 
on  April  4. 

It  IS  reported  that  the  Rialto  may 
continue  such  a  policy  for  all  time. 


When  Paramount  finally  completed 
plans  for  its  new  Times  Square  the- 
ater, th.-;  disposition  of  the  Rialto  and 
Rivoli  naturally  came  up  for  discus 
sion.  Some  months  ago,  it  was  prac- 
tically determined  to  switch  the  Riv- 
oli from  a  weekly  change  to  a  long 
run  house. 


Preview  Lloyd's  Latest 

Members  of  the  Paramount  organi- 
zation gathered  at  the  Wurlitzer  Hall, 
yesterday  afternoon  for  a  private 
showing  of  "For  Heaven's  Sake." 

Paramount  Next 

500  to  Attend  Sales  Convention  Next 

Week — Foreign   Managers   Here 

Today,    Others   En    Route 

Three  special  trains,  carrying  about 
500  repnsentatives  from  the  I'-ast, 
the  South  and  the  West,  will  arrive 
in  Atlantic  City  next  Monday  and 
Tuesd'iy  for  Paramount's  second  con- 
vention, which  will  be  held  at  the 
Ambassador,   March  23-27. 

(Continued   on  Page  4) 


Leatrice  Joy's  Contract  Extended 
Hollywood — The  option  held  by 
Cecil  B.  De  Mille  on  services  of  Lea- 
trice  Joy  has  been  exercised.  Miss 
Joy  will  star  in  four  pictures  the 
coming  season. 


"Publix  Everywhere" 

World-Wide  Chain  Predicted  by  Sam 

Katz — Entering      Presentatio» 

Field   More   l-teaviiy,    loo 

Atlantic  City,  N.  J. — Addressing  the 
first  annual  convention  of  Publix  The- 
aters, Sam  Katz,  president  of  the 
company,  stated  yesterday  that  even- 
tually there  would  be  a  Publix  the- 
ater in  every  country  throughout  the 
world  where  American  films  are  ex- 
hibited. 

Later  it  was  learned  from  other 
sources  that  Katz  estimates  this  am- 
bition will  be  realized  within  five 
years. 

Katz  made  this  statement  in  a  gen- 
eral talk  to  the  assembled  theater 
managers,  189  in  number,  on  the  op- 
portunities in  the  Publix  organization 
for  real  merit.  In  this  connection,  he 
touched  on  the  "S.  R.  O.  Drive" 
launched  in  January  and  scheduled  to 
run  for  six  months.  On  the  basis 
of  these  returns,  promotions  in  the 
organization  will  be  made.  Katz  re- 
marked that  he  does  not  believe  in 
prizes  for  his  men,  but  elevations  in 
rank  and  importance  as  merit  re- 
vealed itself.  He  pointed  out  his 
own  history  as  an  example  of  what 
can  be  done  when  perserverance  and 
honesty  of  purpose  come  to  the  fore. 

He  sketched  the  growth  of  Balaban 
and  Katz  down  to  the  consummation 
of  the  big  deal  with  Famous  and 
the  formation  of  Publix  last  Fall, 
and  ventured  the  opinion  that  the  en- 
tire Publix  idea  was  based  on  the 
premise  of  service  to  the  public.  "The 
motion  picture  theater  is  not  a  fly- 
by-night  institution  any  longer,"  he 
said  at  one   point. 

The  first  day's  session  at  the  Am- 
bassador developed  a  mass  of  inter- 
esting information.  Sam  Dcmbow. 
head  of  the  booking  and  buying  de- 
partment, said  in  his  address  that  the 
organization  spent  $15,000,000  on  ren- 

(Continucd  on   Page  4) 


New  Keith  Unit 

A  charter  was  granted  the  B.  F. 
Keith  Ctrp.  in  Albany  yesterday.  The 
new  company  has  a  capital  stock  of 
5()0.()0()  shares  of  common,  no  par 
value,  and  w\as  formed  to  take  over 
an  interest  in  the  B.  F.  Keith's  New 
York  Theater  Co.,  New  York.  The 
incorporators  are  M.  Robinson,  M. 
King  and  E.  ¥.  Albee. 


Lang  Joins  Russian  Company 

Berlin  —  Fritz  Lang,  director  .of 
"Siegfried"  and  "Metropolis,"  has 
bee\i  engaged  by  the  Grusinischcn 
Goskinprom,  a  Russian  cmnpany,  to 
direct  "Tlie  Panther's  Fu^'  based  on 
a  poem  by  Schota  Rn.stavelli'. 


f 


m 


THE 


-JXi^ 


DAILY 


Wednesday,   March  17,  1926 


hlQ ■IIIIMIIHIIIIH ■ 

aSeBUomm  .^Jtf  Wmu^^  MttKocma 

of  FIL>«>OM  ^^W  W^'  ~  AUTHOBITY 


VtLXXXy  N».  63  Widne$ila>,  Mar.  17, 1926  Price  5  Cents 

Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address:  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,   5,  Rue  Saulnier. 


Quotations 


High 

71 


Balaban   &   Katz 
*Eastman  Kodak 
Famous    Players 
*Fam.  Play    Pfd. 
Film    Inspection 
*First   National    . 
Fox   Film   "A"    . 
Fox   Theaters  "A 
Intern'!  Projector 

Loew's,    Inc 41 

*Metro-Gold.   Pfd 

M.  P.  Cay.  Corp.. 
Pathe  Exch.  "A". 
Skouras  Bros.  . . . 
•*Stan.  Co.  of  Am. 
Trans-Lux  Screen. 
'Universal  Pictures.    .. 

♦Univ.  Pict.  Pfd 

*Warner  Bros j  . 

*\Varner  Pictures  .  .    . . 

*  Last   price   quoted. 

**   Philadelphia    market. 


Low 

71 


..124M    122^ 
..5  5 


25 
11 


22  J4 
70^ 
48H 

lOM 


66 

24?^ 

10^ 

22  !4 
67}4 
48^ 


Close 
71 

10954 

122H 

123 
5 

103 
66M 
25J4 
10^ 
38^ 
22-/8 
22^ 
67^ 
48  J^ 
49H 

10^8 

30 
90 
14J4 
15 


Sales 

14,000 

100 

2,200 

600 

1,100 

8,600 

200 
1,100 

1,400 


Saxe  After  Another 

Milwaukee — Tom  Saxe  is  negotiat- 
ing for  the  Neenah  theater  at  Neenah, 
Wis. 


^SbtAofhti^ 


Utmost  in  Screen  Brilliancy 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  C  B  B  I  N  S 

Specialists  in  Motion  Picture 

and  Theatrical  insurance  for 

the  past  fifteen  years. 


Arthur  W.  Stebbins  &To.,  Inc. 
1540  Broadway  N.  Y.  C. 

Bryant  3040 


Pittsburgh  Chain  Growing 

Pittsburgh — The  Western  Pennsyl- 
vania Amusemeijt  Co.  has  bought  two 
properties  downtown  and  plans  to 
erect   two   new    theaters. 

Work  will  commence  May  1  on  the 
remodeling  of  the  building  at  809 
Liberty  Ave.,  a  theater  to  be  known 
as  the  Avenue  will  be  installed  and 
will  probably  be  ready  in  July.  The 
other  house  will  be  located  at  933-935 
Liberty  Ave.,  and  will  be  known  as 
the  Liberty  Ave.  theater.  The  com- 
pany operates  five  theaters,  the  Re- 
gent, Beaver  Falls;  Diamond,  Pitts- 
burgh; Grant,  Milvale;  Main,  Sharps- 
burg,  and  the  Braddock  at  Brad- 
dock. 


Plans  Set  for  First  Nat'l  Studio 

Burbank,  Cal. — Actual  work  on  the 
new  First  Nat'l  Studio  will  commence 
next  week.  C.  P.  Butler  is  in  i'^ew 
York  with  architect's  drawings  of  the 
plant,  which  will  cost  $1,750,000.  As 
soon  as  Richard  A.  Rovvland  approves 
them,  Butler  will  return  to  Hollywood 
and  supervise  building.  Eight  stages 
are  to  be  erected  and  when  part  of  the 
studio  is  ready  in  June  the  various 
units  will  be  gradually  transferred  to 
it. 


Southern  Illinois  Badly  Hit 

St.  Louis — Reports  from  Southern 
Illinois  indicate  coal  mines  may  close 
indefinitely.  Thousands  of  miners  are 
out  of  work  in  a  period  when  in  other 
years  the  mines  were  booming.  It 
looks  like  a  hard  Spring  and  Summer 
for  the  theater  owners  of  the  towns 
depending  directly  or  indirectly  on  the 
mines. 


Levee    After    Studio    Site 

Hollywood — Several  sites  are  be- 
ing considered  for  M.  Levee's  new 
studio,  hut  Levee  will  not  divulge  any 
of  the  prospective  locations.  The  nu- 
cleus of  the  studio  will  be  the  prop- 
erty building  now  being  erected  on 
a  Melrose  Ave.  frontage  adjacent  to 
the  present  United  lot. 


Midwest  Buys  Excelsior  Spgs.  House 

Kansas  City — -The  Midwest  Film 
Distributors,  Inc.,  has  taken  over  the 
Byers,  Excelsior  Springs,  formerly 
owned  by  R.  B.  Christian,  who  will 
retire. 


Harrisburg,  111.  Consolidation 

Harrisburg,  111. — Steve  Farrar  and 
Oscar  Turner  have  joined  forces  and 
the  Grand  and  Orpheum  will  operate 
under  the  same  management  in  the 
future. 


Warner  Production  Progressing 

Hollywood — Preparations  are  under 
way  for  the  productions  on  the  pres- 
ent season's  program  at  Warpers' 
studio,  v/here  four  productions  are 
now  in  the  cutting  room.  The!  fol- 
lowing are  almost  ready:  "Why  ]Girls 
Go  Back  Home,"  and  "Hell  Bent  for 
Heaven"  "The  Hero  of  the;  Big 
Snows,"  and  "Silken  Shackles."  /"The 
Passionate  Quest,"  "Broken  Hearts 
of  Hollywood,"  "The  Social  High- 
wayman," and  "The  Footloose  Wid- 
ow"  go    into    work   immediately. 


Jjme  Mathii  111 
June  MartiiS^as  taken  ill  suddenly 
yesterday. 


"Ben  Hut"  in  Philadelphia 

Philadelphia — "Ben  Hur"  will  open 
at  the  Forrest  April  19.  In  Septem- 
ber, ten  companies  will  tour  the 
United  States  and  Canada  with  spe- 
cial orchestras,  staffs  and  crews. 


"Big  Parade"  Abroad 

"The  Big  Parade"  will  open  in  the 
near  future  in  London,  Paris,  Berlin, 
Buenos  Aires,  Sydney  and  Melbourne. 


"In  the  First  Degree" 
Ginsberg-Kann  Prod.  Dist.  Corp. 
will  release  "In  The  First  Degree" 
next  season  and  not  in  "In  The  Third 
Degree"  as  originally  announced  by 
them. 


$1,000,000  Theater  for  Omaha 

Omaha — Work  will  start  May  1  on 
the  new  $1,000,000  Orpheum,  which 
will  seat  3,000.  It  will  be  erected  on 
the  site  of  the  present  Orpheum. 


Fitzpatrick    Back    Today 
James  A.  Fitzpatrick  returns  today 
from  Florida  and  Cuba,  where  he  has 
been  working  on  production. 


"Good  Luck"  Finished~-::::5x_ 
Hollywood— "Good    Luck,"    E.    Af. 
Asher's  latest  for  First  National,  has 
been  completed  at  Metropolitan. 


Southern  Exhibitor   Dead 

Richmond,  Va. — Charles  W.  Rex 
manager  of  Keith's  Lyric  for  the  past 
12  years,  is  dead  of  heart  trouble. 
He  was  53  years  old. 


The  finishing  touch  of  refinement  on 

an    elaborate   production   is   the 

handcoloring  by 


/<7nrxy^. 


I        The    Petfect   Handcoloring    of   Film 
i      528  Riverside  Drive  Telephone 


New  York 


Morningside  1776 


CHROMOS      TRADING      COMPANY 

1123    BROADWAY 

FINANCING    SERVICE    FOR 

FILM    LABORATORIES 

PRODUCERS 

DISTRIBUTORS 

Can  We  Be  of  Assistance  to  You? 
All     Transactions     in     Confidence. 

'Phone  Watkins  4522                                                               Suite 

1207-8 

Bronx  Site  Changes  Hands 

Philip  Stivelband  has  purchased 
property  at  Jerome  Ave.  and  183rd 
St.,  from  Margaret  A.  and  Emily  S. 
Jackson,  Adelaide  R.  and  Louise  F. 
Henry,  to  erect  a  theater.  Abraham 
Karp  represented  the  purchaser  and 
Middlebrook  &  Borland,  the 


"U"   to   Produce    Stege    Plays 

Universal  announces  the  organiza- 
tion   of    a    play    department    for 
presentation  of  stage  offerings  in 
York.     Their  first  will  be  a  play 
Reginald  Denny. 


the/ 


Nev 


COMEOyt 


>10MKEy  BUSINESS  ? 


This  is  a  "CornerDiock  cut  lurmsnei] 
FREE  for  all  Pathecomedies  at  youri 
exchange. 


"Cost   per    thousand   less    than 
pay  now — use  the  better!" 

NATIONAL  PROGR 
SERVICE 

Phone,  Call,  Write — 
1650  B'way,  N.  Y.  C.  Circle 


5541 


EASTERN 

STUDIO   FOR   RENT 

EXCEPTIONAL   FACILITIES 

VERY  LARGE  STOCK  OF 
PROPS  AND  FURNITURE 

Telephone    Dewey    8600 


♦.♦♦.♦♦♦♦♦♦.♦*.♦♦.♦♦.♦♦.♦♦.♦♦.•♦.♦♦.♦♦.•♦.♦♦.♦♦.•♦.♦♦.♦•.♦•.♦♦.♦*.•• 
♦•♦••'♦♦•••♦♦♦♦♦•♦•♦♦♦•♦♦♦♦•♦♦♦♦♦♦♦♦♦♦♦>•♦♦♦•♦♦•• 

I  Ward  Cine  Laboratoiyjnc 

216-222  Weehawken   St. 
Union  City,  N.  J. 


if 

i} 

St 

M    Telephone  Union  4800 


li 


G.  BERT  WARD,  Pr«i  | 


■  il: 


"WE  NEVER  DISAPPOINT" 


mmm. 

.CsBORATORics 

II  INCORnoRATED 

220WEST42-  STREE- 

NEW   YORK 


PHONE- CHICKERINC    293 


ALLAN  A.LOWNES.  CEN.MCR.   i 


THIS  MAN  IS 
RECEIVING 

CONGRATULATIONS 
ON 

THE  DEVIL'S  CIRCUS 

(another  Big  Surprise 
from  M'Q'M) 


T 


< 


Benjamin  Christianson  has  made 
A  Truly  grand  motion  picture. 
Watch  for  a  Big  One! 
Norma  Shearer  (what  a  star  role!) 
"The  DeviPs  Circus'*  (a  great  title!) 
Powerful  beyond  description. 
Spectacular  in  its  size. 
A  Showman's  gold  mine. 
r       lyietro-Goldwyn-Mayer 
Does  it  again! 

M-G-M  exhibitors  again  declare 
The  Quality  52  is  the  best  deal 
Any  showman  ever  made. 

AGAIN  ITS  METRO-GOLDWYN-MAYER! 


Starring  Norma  Shearer. 
Wiih  Charles  Emmctt 
Mack,  Carmel  Myers. 
Written  and  directed  bj 
Benjamin  CKristianson. 


THE 


s^ElS 


DAILY 


Wednesday,   March  17,  1926 


"Publix  Everywhere" 

(Continued  from  Page   1) 

tals  last  year  and  estimated  that  the 
total  for  1926  will  reach  $20,000,000. 
He  announced  that  Publix  was  to  take 
out  group  life  insurance  for  250  em- 
ployees, the  family  of  each  of  whom 
would  be  made  the  beneficiary  of  a 
$1,000    policy. 

David  J.  Chatkin,  buyer  of  short 
subjects  stated  that  purchases  of  this 
type  of  material  would  be  decen- 
tralized, with  authority  vested  in  the 
various  theater  district  managers. 
This  method  of  handling  shorts  will 
therefore  vary  from  that  of  feature 
buying,  which  is  handled  through 
Katz  and  Dembow  in  New  York. 

John  Barry,  director  of  the  Publix 
Theater  Managers  Training  School, 
spoke  during  the  morning  on  the 
work  of  that  institution.  He  said 
ten  assistant  managers  and  ushers 
now  employed  in  Publix  theaters  will 
be  brought  to  New  York  on  full  sal- 
ary and  enrolled  in  one  of  the  classes. 

Fred  Metzler's  topic  was  "The  The- 
ater Manager  as  a  Business  Man." 
His  address  apparently  had  a  peculiar 
appeal  smce  a  good-sized  ovation  was 
accorded  him  upon  hjs  retirement. 
He  pointed  out  that  the  acme  of  the- 
ater operation  was  not  always  re- 
flected in  box-office  receipts,  but  that 
in  cutting  waste  the  theater  man^ 
ager  had  a  constant  job  on  his  hands. 

Hiarry  Marks,  one  of  Katz's  right- 
hand  men,  spoke  on  "Management, 
Man  Power  and  the  Man." 

Publix  Presentations  now  cover 
about  12  or  14  weeks.  In  a  few 
months,  it  is  hoped  to  add  on  seven 
Coast  weeks,  making  21  weeks  all 
told,  or  a  telling  influence  to  use  in 
annexing  new  vaudeville  acts  and  tal- 
ent of  that  calibre. 

It  is  probable  that  the  less  im- 
portant Publix  theaters  will  secure 
presentations  of  a  minor  nature  in  the 
near  future.  Plans  are  being  dis- 
cussed. 

S.  R.  Kent  did  not  deliver  a  talk 
yesterday  as  per  schedule.  He  may  do 
so  today,  but  it  is  understood  he  is  ill 
in  New  York  and  may  have  to  pass 
up  the  meetings  entirely. 

Norma  Talmadge  and  Joseph  M. 
Schenck  are  expected  today. 


Paramount  Next 

(Continued  from  Page   1) 

The  sessions  will  be  attended  by 
district  and  branch  managers,  sales- 
men, bookers,  ad  sales  representatives, 
exploitation  men,  foreign  representa- 
tives and  members  of  home  office  de- 
partments. George  W.  Weeks,  gen- 
eral man;  ger  of  distribution,  will  pre- 
side. 

Company  policies,  the  new  season's 
product  and  the  foreign  situation  are 
the  primary  subjects  for  considera- 
tion during  the  conclave,  which  will 
conclude  on  Saturday  night  with  a 
banquet  Addressing  the  assemblage 
at  the  dinner  will  be  Otto  Kahn. 
Senator  Capper,  D.  W.  Griffith  and 
others. 

Executives  who  will  attend  are 
Adoloh  Zukor,  Jesse  L.  Lasky,  Sid- 
ney R.  Kent.  Walter  Wanger,  B.  P. 
Schulberg,  Hector  TurnbuU  and  Wil- 
lian  Le  Baron;  Phil  Reisman,  J.  D 
Clark,  Charles  E.  McCarthy,  Russell 
Holman,  Mel  Shauer,  G.  B.  J.  Fraw- 
ley,  George  Spidell,  Oscar  Kantner 
and    Lecm   J.    Bamberger. 


Comparative  Statement,  Famous  Players 

Famous  Players'  financial  statements  for  1925  and  1924.  in  detailed  com- 
parison   follow    ' 


ASSETS 


1925 


Cash     $7,346,049.56 

98,624.31 


Bills    Receivable 
Accounts   Receivable: 

Advances   to   subsidiary   cos. 
(not    consolidated)     

Advances   to   outside   prod. . .  . 

Film  customers  and  sundries. 


1924 

$2',700, 
56, 


829.72 
5  70.43 


$567,456.97 

889,666.01 

2,102,721.69 


Inventory : 

Negatives,    positives    $17,043,473.01 

Rights  to  plays,   scenarios,  etc         1.171.521.47 


3,559,844.67 


Securities 


18,214.994.48 
277,068.66 


$160,476.42 

767,085  94 

1,275,907.74 


$15,221,704.77 
756,310.07 


2,203,470.10 


15,978,014.84 
,446  82 


285, 


Total  current  and  working  assets $29,496,581.68 


Deposits   to    secure    contracts. 

Investments   in   suljsidiary   cos 

Land,  buildings.  leases  and  equipment,  after 
depreciation  (including  equities  of  subsidiary 
cos.  suljject  to  mortgages  thereon  of  $19,817.- 
536.83  being  obligations  of  subsidiary  cos.) 
after  giving  effect  to  increase  in  land  values 
arising  through  independent  appraisals  of 
$7,438,174.19     

Deferred   charges    

Goodwill  (after  applying  $7,438,174.19  appre- 
ciation in  land  values,  based  on  independent 
appraisals)     


1.054,532.52 
3,952,691.21 


31.916.199.69 
2,071,491.23 


7,493,214.83 


$21,224.331.91 

642,343.80 

3,268,042.56 


13,679.650.84 
1,558,237.75 


8,645,788.79 


TOTAL  ASSETS    $75,984,711.16 

LIABILITIES  AND  CAPITAL 

Bills   payable    None 

Accounts    payable    $1,668,721.32 

Owing   to   subsidiary  cos,    (not   consolidated)...  192.189.73 

Excise  taxes,  payrolls  and  sundries 1.861.092.43 

Owing  to  outside  producers 1,037,887.45 

Purchase   money   notes   and    mortgage    bonds    of 

COS.  maturing  serially  witliin   12  mos 1,471,516.25 

Serial    payments   on    investments    due   within    12 

months     1,609,173.17 

1925    Federal    taxes    (estimated) 779.638  30 

Reserve   for  dividend  declared  on  common  stock 

payable  Jan.   2.    1926 740.228  00 

Reserve  for  dividend  declared  on  preferred  stock 

payable   Feb.    1,    1926 160.000.00 

Total    current    liabilities $9,520,446.65 

Advance  payments  of  film  rentals,  etc.  (self- 
liquidating)     1,665,158.37 

Purchase  money  notes  of  subsidiary  cos.  matur- 
ing serially  after  one  year 635,978.54 

Serial    payments   on    investments   due   after    one 

year    8,856.925  29 

Reserve    for    contingencies 543,866.08 


$49,018,395.65 


$1,532 

222 

1,342 

479 


476, 
800, 

471, 

166. 


None 
363.40 
668  72 
850.98 
426.01 

None 

,483.55 
000.00 

862.00 

OOO.OO 


$5,491, 

1,722, 

110, 

906. 
409, 


654.66 
735.92' 

,978.73 

,288.44 
,085.98 


TOTAL   LIABILITIES    $21,222,374.93 


Interest    of   minority    stockholders 
COS.    with   respect  to   capital  and 
Capital    (represented   by) : 

Preferred    stock    (80,000    shs. 

$100   par  value) 

Common    stock     (370,114    shs. 

of   no   par   value) 31,183,244.70 


in    subsidiary 
surplus 


$8,000,000.00 


369,774.85 


$8,640 
84, 


743.73 
801.40 


Surplus 


$39,183,244.70 
15,209,316.68 


$8,300,000.00 

19.642.773  69 

$27,942,773.69 

54.392,561.38       12,350,076.83     40. 292,850.52 

$75,984,711.16  $49,018,395.65 


Contingent  mortgage  liability  of   subsidiary   com- 
panies  on   properties    sold    $    735,500.00 

Contingent  liability  on   investment   notes  dis- 
counted       900,000.00 

Guaranty  of  advances  157,625.18 


$635,000.00 

1,100,000.00 
250,000.00 


$1,793,125.18 


$1,985,000.00 

CONSOLIDATED    PROFIT   AND    LOSS   ACCOUNT   FOR   THE 
TWELVE  MONTHS  ENDED  DEC    26,  1925 

1925  1924 

Operating  profit    for    12   months    $   6,418,053.85  $  6,221,769.12 

Less:    Provision  for  Federal   taxes    700,000.00  799,419.92 


Balance    carried    to   surplus    $   5,718.053.85 

Consolidated  Surplus  Account  at  Dec.  26.  1925 


Surplus  at  December  27,   1924 $12,350,076.83 

Add:    Profit   for   12'  months   to   December 
26,    1925,    after   providing   for   Federal 

taxes,    as   above    5,718,053.85 


$18,068,130.68 
Less  Dividends: 

On  common  stock   (paid  and  reserved 

in     1925)     ._ $2,200,814.00 

On   preferred   stock   (paid   and   reserved 

in    1925)     658,000.00 

Subsidiary   cos    


$  2,858,841.00 

Surplus   at    December   26,    1925    $15,209,316.68 

*  Including   equities    of    subsidiary   cos.,    subject    to    mortgages   thereon    of 
bemg  obligations  of   subsidiary  cos. 


$   5,422,349.29 


$   9,480,112.79 

5,422,349.29 
$14,902,461.08 

$   1,867,450.00 

683,800.00 
1,135.25 

$  2.552.385.25 
$12,350,076.83 
$12,817,000.64, 


Fifteen  foreign  sales  managers  will 
attend  the  convention  and  will  later 
discuss  distribution  with  E.  E.  Shauer, 
general  manager  of  the  foreign  de- 
partment. John  W.  Hicks,  managing 
director  of  Famous-Lasky  Film  Ser- 
vice, Ltd.,  of  Australia,  arrived  from 
Sydney  yesterday,  via  San  Francisco. 
He  was  accompanied  by  James  L. 
Thornley  of  the  Capitol,  Paramount 
first-run  in  Melbourne.  John  L.  Day, 
general  manager  of  the  Paramount 
companies  in  South  America,  also 
reached  New  York  yesterday,  George 
Weltner,  special  representative  with 
Day's  units,  has  been  here  for  sev- 
eral days. 

John  C.  Graham,  general  foreign 
representative  and  managing  director 
of  Paramount's  two  British  com- 
panies, arrives  today  on  the  Aqui- 
tania.  The  same  vessel  has  aboard 
Eugene  Zukor,  who  has  been  in  Ber- 
lin; E.  E.  Shauer  and  Joseph  Seidel- 
man,  Shauer's  assistant;  Carl  P. 
York,  general  manager  in  Scandi- 
navia and  Hermann  Wobber,  repre- 
sentative of  the  distribution  depart- 
ment  in   Europe. 

Other  expected  arrivals  are  Tom  D. 
Cochrane,  representative  at  Kobe, 
Japan;  William  C.  Wimship,  district 
manager  in  Mexico  and  Central  Am- 
erica, and  Gordon  C.  Dunlap,  his  as-  : 
sistant,  and  Clarence  C.  Margon,  of 
Cristobal,   Canal   Zone. 


Seven  from  Detroit 

Detroit — Those  who  will  attend  thf 
Paramount  convention  from  Detroit 
are  Otto  Bolle,  branch  mnaager;  Bill 
Lippincott,  Chuck  Du  Bell,  Tom  Har- 
per, Ruel  Williams  Tom  Peters,  Ed- 
die Kennedy,  Don  Rose  and  Ed  Wall. 


Many  From  the  South 

Atlanta — ^A  large  delegation  from 
the  South  will  be  on  its  way  to  the 
Paramount  convention  in  Atlantit 
City  on  Monday,  when  the  Atlanta 
contingent  joins  New  Orleans  and 
Jacksonville  on  the  eastbound  train 
that  will  pass  through  Charlotte. 

The  Atlanta  party  will  be  headed 
by  Dave  Prince,  manager  of  the  locail 
exchange;  Scotty  (Thestnut,  ^ft 
heads  Paramount  forces  in  Floi 
will  be  in  charge  of  the  JacksonTlllf 
group;  and  Ben  Stiles,  Charlotte  man' 
ager,  will  marshall  North  Carolina. 

Heading    the    Southern    contingO 
as  a  whole  will  be  Harry  G.  BallaflK 

Included  in  the  Atlanta  group  wl 
be  Kenton  Franklin,  exploitatio 
representative;  O.  L.  Freeman,  Iw 
of  the  accessory  department,  and  til 
following  salesmen.  R.  B.  Wilbank 
J.  C.  Whitlock,  Phil  Longdon,  Curt 
Felder,  Bill  Muller.  Charles  Ralej| 
and   Mr.   Maughan. 


If  You  Are  in  the  ! 

Market    for    Any    Kind   of    ' 

MOTION  PICTURE) 
APPARATUS    ' 

CONSULT  US-AND  SAVE  MONBYl 
SEND  FOR   OUR   PRICE  LIST         ( 


Chas.  G.  Willoughby,  Inc. 
Motion  Picture  Department 

110  West  32nd  St.,  New  Yorif 
Phone    Pcnna.    6564 


Everybody  loves  die  lusft 

Sbiae  iSxyie  the  box-office  shweethe^its 


i 


^6ft» 


ai«SSf 


PlX' 


M^V 


'*-  Art  V"''  *ei^'' 


» 


vVK& 


0\H 


/'ivse^ 


PT 


;r*^*  yoi!r  >'»«'  and 


it\ 


an< 


so 


o^ 


boV 


Sci 


lari 
llrf 

set! 
nee 
the 


"pa 
tiir, 
anE 
pal! 
the 
Ihii 


Gr( 

of: 
islii 
"Fi 


/re 


Us^ 


seeVtvg 


it* 


HARRY  LANGDON  CXDRPORAHON  ^w«« 

^^^j®Y  lANGDoK 

VIRAMP,  TRAMP.  TRAMP 


// 


Jeor,^,   FRAMKCAPRA,    TIM  WHEIAN      HAL  CON^ 
T  IrANK  HOLUDAY,  GERALD  DUFFY  and  MURRAY  ROTH 


Qlireded  by 


HARRY  EDWARDS 


Bwh- 


y;>/.h>.^iv  DENVER  HARMON 

iC^if/  ELGIN  LESSLBY...  ^?2-5^f,;Jr 
S/m  r^ir  HAROLD  YOUNG 


THE 


Wednesday,   March   17,   1926 


-^E^ 


DAILY 


t_ 


On  Presentations 

Special  Acts  Causing  Higher  Admis- 
sions and  Forcing  Many  From 
Theaters,  States  Fred  Quimby 

"During  the  past  two  years  the 
larger  New  York  picture  houses  have 
been  showing  a  large  number  of  pre- 
sentation acts  and  prologues  in  con- 
nection with  features.  More  recently, 
the  smaller  exhibitors  have  displayed 
a  tendency  also  to  experiment  with 
this  new  form  of  entertainment. 

"It  is  a  tendency  which  should  be 
discouraged,"  says  Fred  C.  Quimby, 
Fox  short  subject  sales  manager, 
"partly  because  it  takes  the  program 
time  formerly  allotted  to  comedies 
and  other  short  reel  films,  and  prin- 
pally  because  the  expenses  of  securing 
these  elaborate  programs  forces  up 
the  admission  price  to  a  point  beyond 
the  reach  of  the  average  picture  goer." 


Frank  Tuttle  III 

Frank  Tuttle  is  ill  at  his  home  in 
Greenwich,  Conn.,  with  a  severe  case 
of  influenza.  Lewis  Milestone  is  fin- 
ishing direction  of  Gloria  Swanson  in 
"Fine  Manners." 


Dix  Buys  Jersey  Property 

Richard  Dix  has  purchased  a  tract 
of  40  acres  on  the  Kinderamack  Road 
in  North  Hackensack,  N.  J.,  for  a 
home.  The  land  overlooks  the  Hack- 
ensack Valley. 

New  Production  Managers 

Hollywood — William  Grififith  has 
been  named  production  manager  for 
Paramount  units  handled  by  Hector 
Turnbull,  while  Sam  JafTe  will  act  in 
the  same  capacity  for  the  units  su- 
pervised by  B.  P.  Schulberg. 

Behn,  Josephson  to  LaskjT^ 

Hollywood — Famous  has  signe(d 
^Harry  Behn  and  Julien  Josephson  on 
^    long-term  contracts  to  write  scenarios. 

_    Kohn   Appointed    Superintendent 

^  Hoilywood-^Norman  E.  Kohn  has 
been  appointed  superintendent  of  stu- 
dio operations  at  Paramount. 

Kiesling  Heads  P.  D.  C.  Publicity 

Barrett  C.  Kiesling  leaves  for  Cali- 
fornia tomorrow  to  undertake  the  po- 
sition of  general  publicity  director  for 
P.  D.  C.  The  present  New  York  de- 
partment has  been  divided  into  two 
sections.  Charles  Giegerich  and 
Frank  Wilstach  will  represent  Kies- 
ling in  New  York  for  advance  pub- 
licity while  George  Harvey  will  direct 
all  advertising  and  exploitation.  Billy 
Leyser  will  continue  as  publicity  di- 
rector for  the  Metropolitan  studios 
and  Philip  Gersdorf  becomes  special 
magazine  and  newspaper  representa- 
tive. 


Dolores  Costello  in  Barrymore's  Next 
Hollyv;ood — Dolores  Costello  has 
again  been  selected  to  play  the  femi- 
nine lead  opposite  John  Barrymore  m 
his  third  Warner  production.  Bess 
Meredyth  is  at  work  on  the  script. 

Banquet  for  Laemmle  Tomorrow 

Los  Angeles — The  banquet  for  Carl 
Laemmle  in  celebration  of  his  twen- 
tieth anniversarv,  which  was  post- 
poned on  account  of  illness,  wdl  be 
held  at  the  Ambassador  tomorrow. 
It  is  sponsored  by  the  M.  P.  Prod. 
Assoc. 


Ufa  Retrenching 

(Continued  from  Page   1) 

will  now  be  responsible  for  all  pro- 
duction. Director  Bausback,  former- 
ly of  the  Deutsche  Bank,  has  also 
been  placed  in  the  board  of  directors. 
An  important  change  by  the  new 
management  is  the  bringing  of  most 
of  the  studio  work  to  Tempelhof. 
while  Neu  Babelsberg  is  likely  to  be 
reserved  for  the  making  of  education- 
al and  cultural  films.  This  is  as- 
sumed to  mean  that  Ufa  is  planning 
to  reduce  production  of  costly  films 
and  will  concentrate  more  on  the  or- 
dinary society  dramas  which  can  be 
made  without  the  aid  of  large  out- 
door sets.  It  is  reported  that  over 
400  employees  of  Ufa  have  already 
been  discharged,  including  persons  in 
rather  important  positions.  The 
watchword  of  the  company  is  now 
said  to  be  economy  rather  than  ex- 
pansion. 


German  Films  Win 

Theater   Owners  There  Find   Native 

Films  Most  Popular — American 

Product  Second 

Washington — A  questionnaire  sent 
out  by  a  German  film  newspaper  to 
theater  owners  in  that  country,  show- 
ed native  films  were  most  popular, 
according  to  a  report  to  the  Depart- 
ment of  Commerce  from  Asst.  Com- 
mercial Attache  Douglas  Miller  in 
Berlin. 

In  response  to  one  question  as  to 
the  most  popular  film  of  the  year,  and 
as  to  the  one  which  was  the  best 
money  maker,  German  films  received 
63  votes,  American  films  20  and  other 
European  films  17.  Asked  which 
three  films  were  the  greatest  failures, 
German  films  were  mentioned  for  this 
place  in  49  replies,  American  films,  38 
and  other  European  films.  13. 

A  list  of  14  German  films  were 
placed  at  the  head  of  the  list  aj 
money  getters  for  the  year.  No  Am- 
erican or  other  European  films  were 
included.  The  report  states  that  this 
result  shows  that  when  it  comes  to 
the  question  of  profit  in  the  smalT 
towns,  domestic  films,  particularlv 
those  which  appeal  to  popular  senti- 
ment, are  in  the  Jead.  "The  Last 
Laugh,"  although  it  has  met  with 
considerable  success  in  foreign  coun- 
tries, is  not  mentioned,  nor  is  "Way 
to  Strength  and  Beauty,"  the  physi- 
cal culture  film,  which  did  well  in 
large  cities. 


New  Soviet  Films 

Productions    with    Unusual    Pictorial 

Values    Now   Under   Way    by 

Government  Film  Units 

Washington — Commenting  on  pro- 
duction activity  in  Soviet  Russia, 
"The  Russian  Review"  states: 

"Besides  the  historical  releases,  the 
Soviet  moving  picture  industry  is  put- 
ting out  a  number  of  films  taken  in 
the  exotic  settings  of  outlying  ter- 
ritories of  the  Soviet  Union.  The 
Northwestern  Moving  Picture  De- 
partment has  made  a  picture  called 
'The  Strv;ggle  for  Westinghousc,'  in 
the  Caucasus.  The  picture  was 
staged  in  the  region  of  Batum  and 
Sochi  along  the  Blark  Sea  coast.  Dur- 
ing the  summer  of  1925  an  expedi- 
tion was  sent  to  Bokhara  to  film  an 


export  picture  entitled  'Minaret  of 
Death.'  The  plot  of  the  picture  is 
taken  from  the  history  of  Central 
Asia  in  the  seventeenth  century.  The 
entire  setting  for  the  film  was  real, 
including  the  palaces  and  gardens  of 
the  Emirs  of  Bokhara,  the  costumes, 
the  weapons,  and  other  details.  The 
picture  was  directed  by  Viskovsky 
who  has  hitherto  been  engaged 
abroad. 

"Notable  among  the  other  films  to 
be  released  by  the  same  motion  pic- 
ture organization  is  a  comedy  from 
Soviet  life  entitled  'The  Adventures 
of  Miss  October,'  (this  month  name 
being  sometimes  given  to  children  in 
honor  of  the  Bolshevik  Revolution, 
which  occurred  in  October,  according 
to  the  eld  Russian  calendar).  The 
entire  picture  is  filmed  in  a  real  set- 
ting on  the  streets  of  Leningrad  and 
is  the  first  successful  efifort  at  Soviet 
moving  picture  comedy." 


Taxes  Reduce  Poland's  Theaters 

Washington — The  Department  of 
Commerce  has  received  a  report  from 
Ass't.  Trade  Commissioner  L.  J. 
Cochrane  of  Warsaw,  stating  that  the 
number  of  picture  theaters  in  Poland 
has  declined  from  800  in  1924  to  500 
in  1925  and  to  383  at  present.  Ac- 
cording to  the  Polish  Cinema  Union, 
this  is  mostly  due  to  unusually  high 
taxes  collected  by  various  municipali- 
ties, which  in  the  case  of  Warsaw, 
run  to  50  per  cent  on  gross  receipts. 
A  strong  protest  is  being  raised  by 
theater  owners  against  these  taxes, 
and  recently  all  houses  closed  in 
Lodz    after    negotiations    had    failed. 


"Amusements  Fly  No  Flag" 
The   World   said  editorially  yester-] 
day: 

"The  British  Government  has  made  it 
plain  to  the  film  industry  in  England  that 
it  is  not  prepared,  at  this  time,  even  to 
consider  the  proposal  to  .subsidize  the  home 
industry  which  is  falling  behind  in  its  com- 
petition with  the  greater,  more  aggressive 
and  progressive  industry  in  this  country. 
*  *  *  This  is  a  common  sense  decision.  It 
is  a  reasonable  presumption  that  the  Eng- 
lish theaters,  like  those  of  all  other  countries, 
are  primarily  interested  in  satisfying  their 
patrons.  If  the  American  film  is  outstripping 
the  English  in  popularity,  it  is  due  to  the 
fact  that  it  makes  a  stronger  appeal  to  the 
movie  fans.  It  is  asking  too  much  of  people 
to  demand  that,  in  their  entertainment,  they 
accept  an  inferior  product  because  home- 
made. The  desire  for  amusement  flies  no 
flag.  It  recognizes  no  national  boundaries. 
And    it   is   right." 


Adapting  "Amateur  Gentleman" 
Hollywood — Richard  Barthelmess' 
next  picture  will  be  "The  Amateur 
Gentleman,"  the  Jeffrey  Farnol  novel, 
which  will  be  adapted  by  Lillie  Hay- 
ward. 


\_^  Epperson  Transferred 

Kansas  City — J.  A.  Epperson,  for- 
mer manager  for  Pathe  here,  has  left 
for  Salt  Lake  City,  where  he  will  take 
charge  of  the  office  for  Pathe. 

He  has  been  succeeded  here  by  F. 
W.  Gcbhardt,  formerly  Omaha  branch 
manager. 


Branch  Managers  111 

Kansas  City — Ben  Blotcky,  Para- 
mount branch  manager,  and  Tom  Ey- 
erie, First  National  branch  manager, 
are  both  away  from  their  desks, 
through  illness. 


Short  Subject 
Quarterly 

of  the 

FILM  DAILY 

"Everything  about 
Short  Subjects" 

Coming 


MARCH  28th 


■"^. 


K'x 


Poli's  Capitol 

Hartford,  Conn. 

For  first  time  since 
opening  seven  years 
ago,  breaks  policy  to 
hold  "Behind  the 
Front"  over  second 
week. 


> 


i 


^~^' 


I 


M 


State  Theatre 
Sioux  Falls,  S.  D. 

"Behind  the  Front" 
sensation!  Theatre 
seaJs  1400  -  show«l 
to  over  5,000  people 
opening  day. 


ADOLPH  ZUKOR  and  JESSE  L.  USKY   present 


♦ 


ii 


BEHIND  . 

THE  FRONT 


iL_  ^ 


-^x 


^-<r^ 


^^r. 


Madison  Theatre 
Detroit,  Mich. 
"Behindjhe  Front" 
playing  to  more  people 
than  have  ever  wit- 
nessed a  picture  here. 
SRO  every  perform- 
ance. 


Bomb- 
She// 


wwttoum 


V    .^  .- 


Ne«mao  Theabre 
Kan.a»  City,  Mo. 

SRO  aU  week. 


and  it's  only  one  of  a  flock  of      -~ 
QammmuU  hits  you  can  nlav  NOW  / 


THE 


12 


-Stl 


DAILY 


Wednesday,   March  17,   1926 


Tax  Off  March  28 

(Continued  from  Payc   1) 

As  no  change  was  made  in  the  tax 
on  dues,  the  saving  to  all  indust  es 
making  returns  of  admission  taxes 
will   be   ybout  $9,000,000. 


Managers  of  important  Broadway 
picture  theaters  have  agreed  to  reduce 
their  85  cent  seats  to  75  cents  when 
the  new  tax  exemption  goes  into  ef- 
fect at  midnight,  March  28.  Balcony 
seats  will  remain  unchanged  at  60 
cents. 


St.  Louis  Saves  $300,000 
St.  Louis — There  will  be  no  reduc- 
tion in  admission  prices  after  March 
28  when  the  war  tax  is  taken  off.  The 
explanation  is  that  St.  Louisians  have 
been  receiving  a  75  cent  show  for  65 
cents,  the  theater  owner  absorbing 
the  tax.  Theaters  af?ected  are  the 
Missouri,  Grand  Central,  Loew's  State 
and  St.  Louis.  The  tax  cut  will  save 
about  $300,000  annually  for  exhibitors. 


Victory  Near 

(Continued  from  Page   1) 

State's  revenue,  which  would  be  a 
saving  to  the  motion  picture  indus- 
try. George  H.  Cobb,  former  chair- 
man of  the  Censor  Board  v^'as  present 
to  oppose  the  bill.  He  admitted  that 
during  his  term  the  news  reel  sel- 
dom showed  anything  that  justified 
censorship.  J.  Henry  Waters,  for- 
mer state  senator  and  now  one  of 
the  directors  of  the  Keith  organiza- 
tion, said  that  news  reels  should  not 
be  subjected  to  censorship,  because 
they  were  really  films  of  the  public 
press.  The  bill  will  be  turned  over 
to  a  committee  and  will  probably  be 
passed  within  a  few  days. 


Play  Date  Drive 

(Continued  from  Page   1) 

First  National  will  release  13  pic- 
tures. There  will  be  one  Colleen 
Moore,  one  Milton  Sills,  one  Con- 
stance Talmadge,  one  Robert  Kane 
and  "Irene,"  "Kiki,"  "The  Greater 
Glory"    and   others. 

y  ■    First  Nat'l  Buys  Story 
Rights  to  "Riders  of  the  Wind,"  a 
novel  by   Elsworth  Thane,  have  been 
irchased  by  First  National. 


purchased  by 
I  TWu  Ne' 


w  Chico  Theaters 

Chico,  Cal. — Two  new  houses  are 
planned.  The  Golden  State  Theater 
Corp.  has  three  sites  under  option  and 
will  select  one  shortly  upon  which  to 
erect  a  $175,000  theater  to  seat  1,700. 
West  Coast  already  has  a  site  at  Fifth 
and  Main  for  a  $300,000  theater  build- 
ing with  a  capacity  of  2,000.  It  will 
be  called  the  Senator,  and  will  be  a 
duplicate  of  the  Senator,  Sacramento. 
It  will  be  ready  in  December.  The 
National  Theater  Corp.  is  now  in  the 
field  doing  business  in  two  houses. 


Grieve    Art   Director    on   "Reveillon" 

Hollywood — Warners  will  borrow 
H'irold  Grieve  from  Marshall  Nieilan 
to  take  charge  of  the  art  directiofi  on 
"Le  Re-  eillon." 


Rogers  of  Lumas  on  Trip 
Budd    Rogers   of   Lumas    Film    has 
left  for  a  visit  to  the  franchise  holders 
in  the  South  and  Middle  West. 


Fears  Nat'l  Action 

(Continued  from   Paijc   1) 

no  theaters  in  Washington  would 
open  before  three  o'clock  and  that 
there  has  never  been  a  violation  of 
the  pact. 

Representatives  Gilbert  of  Ken- 
tucky and  Hammer  of  North  Caro- 
lina injected  censorship  into  the  dis- 
cussion by  asking  what  steps  were 
taken  in  Washington  to  prevent  the 
showing  of  objectionable  films,  and 
were  toid  by  the  witness  that  the 
theater  owners  believe  it  to  be  di- 
rectly against  their  best  interests  to 
show  anything  objectionable. 

R.  F.  Woodhull,  president  of  the 
M.  P.  T.  O.  A.,  attacked  the  bill  as 
being  the  first  step  toward  nation- 
wide laws,  declaring  such  a  law  could 
not  be  enforced  as  it  would  not  have 
public  opinion  behind  it. 

The  organized  musicians  of  the 
country  are  against  the  measure,  it 
was  asserted  by  Albert  C.  Hayden 
of  the  American  Federation  of  Mu- 
sicians. He  pointed  out  the  proposed 
measure  would  permit  a  church  or- 
ganist to  work  for  pay  on  Sunday 
but  would  not  permit  a  theater  or- 
ganist to  do  so. 

Statements  by  Woodhull  that  the 
industry  itself  was  trying  to  improve 
conditions  and  had  made  great  prog- 
ress, were  challenged  by  Dr.  M.  W. 
Womer  of  Detroit,  representing  the 
A'lichigan  Lord's  Day  Alliance,  who 
charged  that  5,000,000  people  are 
compelled  to  work  on  Sunday  be- 
cause of  the  demand  for  amusement 
and  that  the  screen  has  had  "a  de- 
cided slump"  in  the  last  five  years. 
He  charged  theaters  with  being  the 
greatest  lawbreakers  in  the  country 
and  attributed  to  them  a  great  in- 
crease in  juvenile  crime  which  he 
said  has  occurred. 

Another  hearing  will  be  held  at  a 
date  to  be  set  later. 


Test  Case 

(Continued  from  Page   1) 

upon  the  Acceptance  Clause  in  the 
old  unifoim  contract  which  provided 
the  exhibitor  with  practically  no  re- 
lief from  alterations  made  in  the  con- 
tract, according  to  Joseph  M.  Seider, 
business  manager  of  the  M.  P.  T.  O. 
A. 

The  old  form  makes  a  contract  in- 
valid, he  states,  unless  such  altera- 
tions are  assented  to  by  both  parties 
with  the  intervention  of  a  suitable 
period  or.  grace  during  which  time 
both  sides  may  judiciously  study  such 
profTered  conditions.  Seider  states 
the  two  Maine  exhibitors  mentioned 
secured  a  partial  victory  through  the 
efforts  of  the  M.  P.  T.  O.  A.,  in  that 
the  Boston  board  decreed  a  postpone- 
ment of  the  execution  of  their  con- 
tracts with  Paramount.  The  board 
found  as  follows:  "That  the  original 
contract  as  signed  on  Aug.  22n<X  as 
per  copy  of  application  left  with  the 
exhibitor  was  to  stand  and  the  ex- 
hibitor was  to  play  two  pictures  per 
month  starting  with  April  1,  1926." 
This  trial  is  said  to  have  aroused 
considerable  interest  among  exhibi- 
tors as  a  test  case.  The  March  15 
issue  of  the  "Official  Bulletin"  re- 
views these  cases  at  length,  stating 
that  the  facts  involved  are  similar  to 
those  confronting  hundreds  of  ex- 
hibitors. 


Kiddie  Bill  Up 

(Continued  from  Page   1) 

Assemblymen  Hackenburg  and 
Cuvillier,  both  of  New  York,  opposed 
action  on  the  bill.  Assemblyman  Mil- 
ler of  Kings  spoke  in  favor.  He 
said  that  the  provisions  provided  for 
by  the  bill  which  was  introduced  by 
Assemblyman  Freiberg  of  Buffalo 
would  take  care  of  the  situation  ad- 
mirably. Having  the  children  attend 
film  shows  under  supervision  of  a 
competent  matron  would  be  far  bet- 
ter and  safer  than  having  them  on  the 
public  streets  in  danger  at  all  times 
of  being  run  down  by  automobiles, 
Assemblyman    Miller   said. 

Hackenburg  contended  that  the  en- 
actment of  the  bill  would  be  the 
means  of  promoting  censorship  for 
the  reason  that  the  bill  provided  for 
the  showing  of  a  selected  class  of 
films  which  must  be  considered  be- 
fore shown  to  the  children.  This 
would  have  the  effect  soon  of  classi- 
fying all  films  for  showing  before 
men,  women  and  other  pictures  spe- 
cially selected  for  classes,  he  said. 

It  was  finally  decided  to  hold  the 
bill  over  until  next  Tuesday,  when 
another  effort  will  be  made  to  have 
favorable   action   taken. 


Monroe  and  Baird  in  Partnership 

Hastings,  Nebr. — George  Monroe, 
former  Omaha  exhibitor,  and  Calvin 
Baird,  are  partners  in  a  proposed 
$180,000  theater  and  hotel  building. 
This  is  the  second  new  theater  to  be 
announced,  with  Universal  preparing 
to  spend  from  $100,000  to  $150,000  on 
a  new  house. 


Syracuse  Bids  On 

(Continued  from  Page   1) 

The  property  passes  from  the  Bas- 
table  estate  to  the  Professional  Build- 
ing Co.,  of  Boston,  of  which  firm 
Charles  E.  Abbott  of  Boston,  million- 
aire builder,  is  head.  Work  on  the 
proposed  building,  which  will  be  the 
highest  in  Syracuse,  will  start  as  soon 
as  the  property  officially  changes 
hands.  Plans  call  for  its  completion 
within  a  year. 

An  adjoining  plot  of  ground,  for- 
merly owned  by  the  Cahill  Bldg  and 
owned  by  Carlisle  Murphy,  was  also 
purchased  by  the  Boston  concern  for 
a  figure  said  to  be  $60,000.  This  plot, 
adjoining  the  Bastable  property  on 
the  east  in  E.  Genesee  St.,  gives  an 
aditional  20  feet  frontage.  It  is  90 
feet  deep  on  one  side  and  60  feet  on 
the  other. 

Ryder  said  several  companies  have 
already  entered  bids  for  the  theater. 
The  Mark  Strand  circuit  has  offered 
to  take  a  42-year  lease.  If  this  fails 
it  is  possible  the  theater  may  be 
turned  over  to  a  company  producing 
legitimate  plays. 


Tennek  Films  Sells  Chicago 

Its  entire  schedule  of  short  subject 
has  been  sold  by  Tennek  Films  to 
Maynard  Schwartz  of  the  Short  Sub- 
ject  Exchange   of   Chicago. 

New  Manager  for  United  in  Omaha 

Omaha — Jimmie  Ambrose  has  re- 
signed as  manager  of  First  National 
exchange  to  become  manager  for 
United  Artists. 


They're  All  Going! 

to  the 

FIRST  ANNUAL  BALL 

of  the 

JAZZBO  CLUB 

(Producers  Distributing  Corporation) 

HOTEL  ASTOR 
Friday  Evening,  Marcli  26 

DINNER  DANCING 

BOO-KOO  ENTERTAINMENT 

Get  Your  Ticket  Now ! 

SIX  SMACKS  PER  PERSON  AND  WORTH  IT 


J.  K.  Burger,  469  5th  Ave.    Phone  Vanderbilt  3300 


I 


tAo  brAdstreet 

9/'  FILMDOM 


f^RECOCMIZEP 

Authority 


\)L.  XXXV     No.  64 


Thursday,  March  18,  1926 


Price  S  Cents 


I  Seek  Market  Here 

litish   Renters   Look  for    American 
I  Cooperation  in  Securing  Repre- 
sentation in  United  States 

By  ERNEST  W.  FREDMAN 
The    Film   Renter    and    M.    P.    News 

^.ondon — Important  members  of  the 

]  itish    renting    industry    have    met 

])iidon     representatives     of     leading 

.nerican  distributors  and  have  asked 

\i  latter's   cooperation  in  marketing 

.'iglish  films  in  the  United  States. 

The    Joint    Committee    will    again 

i;et  on  the  24th.    Sir  Cunlifife-Lister, 

lesident  of  the  Board  of  Trade,  has 

■ormcd  the   sub-committee  that  the 

)vernment    will    do    nothing    for    a 

ar   relative    to    a    subsidy    ])ut    will 

.;islate  for  block  booking  if  the  trade 

desires. 


iThe  attitude  of  the  industry  here 
Iward  foreign  pictures  has  perhaps 
■ver  been  better  illustrated  than  by 
'  remarks  made  by  Will  H.  Hays 
the  time  Famous  closed  for  the 
Ntribution  of  "Nell  Gwyn,"  Hays 
It:  11   said: 

'We    want    in    America    the    very 
(Continued  on   Page   5) 


Gain  Prestige 

lilm  Stocks  Securing  More  Recogni- 
'  tion  in  Wall  Street — More  News- 
paper Comment 

There    has    been    a    noticeable    dif- 

rriice  of  late  in  the  attitude  of  the 

'   ncial    editors    of    the    New    York 

•  newspapers  toward  motion  pic- 

j-irc  stocks.    The  splendid  showing  of 

llm  issues  when  the  market  was  shot 

■ieccs  only  recently  has  had  a  defi- 

.  favorable  reaction. 

Again,    increased    earnings    of    the 

lajor  companies  as  reflected  in '1925 

tatements  have  been  responsible   for 

Gratifying  reaction.     Yesterday,  the 

ncial    editor    of    "The    Telegram" 

ji.iil  this  to  say: 

"Only  in  the  last  few  years  have 
heatrical  and  amusement  stocks  been 
onsidercd    of   much    importance,   but 

(Continued   on    Pafje  2) 


Keith  Issue  Soon 

Public    Offering    Expected    Shortly — 

Bankers  Trust  Co.  Handling 

Detail 

Reports  of  new  financing  for  the 
Keith  organization,  many  theaters  of 
■vhich  use  pictures,  have  foundation 
11  fact.  The  detail  is  being  arranged 
)y  the  l^.r.nkcrs  Trust  Co.,  and  a  pui)- 
!ic  offering  will  be  made  shortly  of 
^securities  representing  properties  held 
>y  E.   F.   .Mbee  and  associates. 

Officials  of  the  trust  company  said 

(Continued  on    Pafie   5) 


No  Freeze-Out 

Publix  Not  Seeking  Monopoly,  Katz 

Asserts — Theater  Management 

Discussed  at  Convention 

Atlantic  City,  N.  J. — Publix  is  not 
rying  to  freeze  out  any  small  exhibi- 
or,  Sam  Katz  told  the  convention  at 
ts  second  meeting  yesterdaj'.  He  as- 
serted Publix  at  present  controlled 
"quite  less  than  ten  per  cent  of  the 
theaters  in  the  country"  and  ended 
by  declaring  the  organization  was  not 
seeking  a  monopoly. 

It  is  understood  here  that  the  Pub- 
lix methods  of  operation  will  be  ex- 
tended to  embrace  all  Famous  Play- 
ers theaters  as  fast  as  possible.  That 
this  plan  will  soon  include  what  are 
now  known  as  Paramount  theaters 
in  important  world  capitals  seems  to 
be  assured. 

Katz  in  his  second  address  dealt 
with  a  number  of  highly  interesting 
angles  on  theater  management.  He 
urged  the  189  managers  present  to 
bear  in  mind  that  the  gross  in  any 
one  week  was  not  so  important  as 
compared  with  the  annual  total.  He 
pointed  out  that  the  theatrical  year 
should  be  a  52  week  year.  This  par- 
ticular angle  brought  on  the  summer 

(Continued  on  Page  4) 


Fadman  Secures  "Wax  Works" 
"Wax  Works,"  produced  in  Ger- 
many and  starring  Emil  Jannings 
has  been  secured  by  Edwin  Miles 
Fadman  as  the  first  release  of  his  new 
producing  and  distributing  organiza- 
tion. The  picture  in  seven  reels, 
is  now  being  edited  by  Benjamin 
de  Casseres  and  Dudley  Murphy  and 
will  be  shown  by  the  International 
Film  Guild  at  the  Cameo  tonight. 


Paging  Mr   Reisman — Mr.  Phil  Reisman — Miss 
fiwyn  calling    Nell  Gwyn — Paramount. — .\(ivt. 


King  to  Work  at  De  Mille  Studio 
Before  leaving  for  Los  Angeles, 
Cecil  B.  De  Mille  completed  arrange- 
ments with  Samuel  Goldwyn  whereby 
the  next  Henry  King  production, 
"The  Winning  of  Barbara  Worth," 
will  be  produced  at  the  De  Mille 
studio.  ^ 


In  From  Coast 

Laura  La  Plante  and  Hedda  Hop- 
per arrived  in  New  York  yesterday 
from  the  Coast.  Miss  La  Plante  is 
"between  pictures,"  having  recently 
finished  "Her  Big  Night."  She  will 
return  in   about  a   week. 


Lloyd  at  A.  M.  P.  A.  Today 

Harold  Lloyd  will  appear  at  the 
A.  M.  P.  A.  luncheon  today.  Other 
guests  will  be  Harry  Reichenbach. 
who  is  in  New  York  from  Palm 
Beach  for  a  few  days  and  Van  and 
Schenck. 


Katz  Won't  Talk 

Atlantic  City — Sam  Katz  yes- 
terday refused  to  make  any 
comment  on  reports  from  Tor- 
onto that  the  interests  in  Fam- 
ous Players  Canadian  Corp. 
held  by  J.  P.  Bickell  and  N.  L. 
Nathanson  would  shortly  pass 
to  Publix  Theaters. 


Made  for  "Sticks" 

Special  Films  Will  Boost  Publix  Key 

City    Houses   Through    Small 

Town   Circulation 

Atlantic  City — One  of  the  most  in- 
teresting developments  at  the  Pub- 
li.x  convention  concerns  a  comprehen- 
sive plan  to  interest  those  small  town 
folks  who  may  visit  the  big  cities  in 
their  section  of  the  country  in  the 
big  Publix  houses.  And  this  is  how 
it   is   to   be   done: 

Special   films,    first   made    for   large 

towns    and   to    be    known   as    "Know 

Your  Own  City,"  will  be  used  in  key 

spots.     For  example,  one  dealing  with 

(Continued  on  Page  4) 


Independent  Buys  Columbia's  24 

Joseph     A.     McConvilie     and    Abe 

Montague,     of     Independent     Films, 

Boston  and  New  Haven,  have  closed 

a    deal    with    Columbia    to    distribute 

he  24  Columbias  in  New   England. 


Ellbee    in    Foreign    Deal 

J.  C.  Barnstyn,  of  the  British  & 
Continental  Trading  Co.,  has  taken 
over  foreign  distribution  rights  to  12 
Ellbee  pictures. 


New  Copyright  Bill 

Washington — Representative  Ves- 
tal of  Indiana  has  introduced  in  the 
House  a  new  copyright  measure,  de- 
signed to  meet  the  objections  raised 
to  thci  Perkins  copyright  bill.  It 
provides  copyright  protection  for  pic- 
tures, scenarios  and  other  works.  It 
also  affords  copyright  protection  for 
pictures   against  broadcasting. 


Film    Group    Held    Up   by    Weather 

The  Aquitania  will  not  dock  until 
this  morning.  It  has  aboard  a  num- 
ber of  important  Paramount  execu- 
tives who  will  attend  the  sales  con- 
vention   in    Atlantic    City   next   week. 


Theater  Millions 

Move  On  to  Annex  Small  The- 
aters    On     a     Wholesale 
Scale 
Things  are  moving.    The  eyes 
of  many  in  the  industry  will  be 
turned  to  gigantic  operations  in 
the  theater  field  shortly.    Activ- 
ity in  that  direction  which  has 
steadily  grown  in  the  past  year 
will  reach  heights  undreamed  of 
by  many. 

There  is  definite  reason  to 
credit  the  reports  that  two  of  the 
leading  organizations  in  the  field 
will  shortly  launch  a  -series  of 
operations  regarding  theaters 
which  will  transcend  in  impor- 
tance those  moves  which  have 
transpired  to  date.  These  inter- 
ests, unlike  other  dist.ibuting 
companies  which  are  busy  an- 
nexing new  houses  in  key  cities, 
are  expected  to  turn  to  stnaller 
towns  where  the  links  will  be 
forged  for  strong  nation-wide 
theater  chains. 

There  are  innumerable  exam- 
ples to  hand  of  what  can  be  done 
in  small  towns  which,  generally 
speaking,  have  been  disregarded 
in  the  mad  rush  to  secure  first- 
run  representation  in  the  key 
cities  of  the  country.  Not  the 
least  important — and  it  is  in  this 
direction  that  much  of  the  in- 
spiration is  said  to  hav£  come — 
is  the  record  rolled  up  by  the 
houses  comprising  the  Mid-West 
Theaters  grotip.  The  profits  ac- 
cruing to  Balaban  &  Katz  from 
the  Atiroras  and  the  Elgins  in 
Illinois  are  considerable.  It  is 
believed  to  be  a  reasonable  con- 
jecture that,  under  a  similar  plan 
of  operation  and  coordination, 
theaters  in  towns  of  a  similar 
size  and  perhaps  smaller  can  be 
annexed  and  made  to  turn  over 
a  real  profit. 

Millions  are  said  to  be  ready. 

(Continued  on  Page  2) 


Moss'   Tilyou   Opens  Tonight 

B.  S.  Moss'  Tilyou,  at  Surf  and  17th 
St.,  Coney  Island,  opens  tom'ght.  It 
seats  2,500  and  will  show  Keith-AI- 
bec    vaudeville    and    pictures. 


To  Direct  Two  for  Kane 

Lothar  Mendes,  Ufa  director,  who 
recently  arrived  in  this  country  to 
join  Robert  Kane  Prod.,  will  prob- 
ably direct  two  during  the  coming 
year. 


THE 


-;7ti^ 


DAILY 


Thursday,  March  18,  1926 


VoLXXXVNd.64  Thursday,  Mar.  18, 1926  Price  5  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  ^Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,   5,  Rue   Saulnier. 


Quotations 

High 

Low 

Close 

Sales 

Balaban   &  Katz   . . 

70^4 

70 

70 

Eastman    Kodak     . 

109^ 

10854 

10854 

1,100 

Famous    Players    . 

122^8 

12054 

121^ 

8,300 

*Fam.  Play.   Pfd.   . 

123 

*Film  Inspection    . 

5 

*First    National    . . 

103 

Fox   Film   "A"    .  . 

bWA 

66 

66 

1,000 

Fox  Theaters   "A" 

.   24^ 

24 

24 

1,500 

•Intern'!    Projector 

10/2 

1,100 

Loew's,  Inc 

40^ 

3S?-i 

39 

3,700 

*Metro-Gold.   Pfd.. 

22. >4 

*M.   P.   Cap.   Corp. 

22^ 

Pathe   Exch.   "A". 

.    68^4 

67 

67 

1,300 

Skouras    Bros.    .  .  . 

.    49K 

49^ 

49/2 

.... 

**Stan.  Co.  of  Am. 

50 

Trans-Lux   Screen . 

lOM 

lOH 

10^ 

1,200 

♦Universal  Pictures 

30 

Univ.    Pict.    Pfd.    . 

.        .    . 

90 

Warner    Bros.     .  . . 

.    10/a 

10^ 

WA 

100 

Warner   Pictures    . 

.    WA 

14?i 

\W% 

100 

*  Last   prices   quoted. 

*•  Philadelphia   market. 

Presentations 

Strand 

Joseph  Plunkett's  newest  Strand 
Frolic  is  another  peppery  bit  of  enter- 
tainment that  comes  as  a  hveJy  pre- 
lude to  the  sensational  thrills  and 
"chills"  of  United  Artists'  production, 
"The  Bat."  The  Frolic  has,  as  usual, 
the  Strand  steppers  and  they  can  step. 
They  appear  first  in  a  colorful  Orien- 
tal scene,  with  decoration  artistic  and 
in  good  taste.  John  Quinlan  stands 
romantically  at  a  lattice  window  and 
sings  "Nightingale  and  the  Rose,"  fol- 
lowing which  Mile.  Klemova  and  the 
ballet,  dance. 

A  decidedly  attractive  number  is 
"As  in  a  Looking  Glass,"  in  which  the 
Irwin  Sisters  perform  a  dance,  one  in 
the  foreground  and  the  other  in  back 
of  a  scrim  curtain,  fashioned  in  the 
shape  of  a  huge  mirror.  The  girls 
dance  in  the  same  rhythm  with  the  re- 
sult that  you  fancy  the  girl  in  back 
is  merely  the  shadow  of  the  girl  in 
front.  Pauline  Miller  sings  "Love 
Came  Calling"  prior  to  this  dance. 

The  "Mound  City  Blue  Blowers"  in 
"Little  Boys  Blue"  mount  themselves 
on  a  circular  dais,  painted  blue,  with 
their  blue  domino  costumes  matching. 
They  jazz  it  up  with  a  mandolin,  gui- 
tar, banjo  and  kazoos. 

The  finale  is  a  magician  number 
with  the  Strand  ballet,  in  cute  rabbit 
costumes,  stepping  out  of  a  huge  silk 
hat  set  in  the  center  of  the  stage. 
James  Clemmens  adds  some  intricate 
steps  to  the  dance  and  the  Irwin  Sis- 
ters also  join  in  the  all-dance  finale. 
The  Frolic  consumes  25  minutes. 

The  feature  runs  for  about  87  min- 
utes and  the  Orchestra  prelude  and 
news   weckl}'   take  about    10   minutes. 


Grobeck  and  Harms  in  Omaha 

Omaha — Another  new  theater  is  in 
prospect  at  29th  and  Leavenworth  Sts. 
With  the  Nebraska  Theaters  Corp., 
formed  recently  by  World  Realty 
Co.,  and  Epstein  Bros.,  building  a 
new  $45,000  theater,  E.  A.  Harms  and 
L.  P.  Grobeck,  operators  of  suburban 
houses,  plan  a  new  house.  The  pro- 
posed house,  which  is  near  the  site  of 
the  Apollo,  operated  by  Grobeck  and 
Harms,  will  seat  700  and  cost  $100,- 
000,  opening  Sept.  1,  which  is  the  date 
for  opening  of  the  Nebraska  firm's 
house. 

Erection  of  the  theater  will  be  the 
forerunner  of  expansion  to  be  under- 
taken by  Grobeck  and  Harms,  who  at 
present  operate  the  Apollo,  Rohlfif, 
Lvric  and   Mueller. 


Gain  Prestige 

(Continued  jrom   Page   1) 

nowadays  many  Wall  Street*  houses 
mention  ^hem  prominently.  The  list 
includes  Famous  Players,  Loew's. 
Shubert,  First  National,  Fox,  while 
several  others  are  listed  on  the  Curb. 
Famous  Players,  with  net  income  of 
$18.75  a  share  on  the  common  for 
1925,  is  probably  the  favorite  among 
the  speculative  element,  but  the  other 
companies  are  steadily  developing 
their  business  and  increasing  earn- 
ings. Loew's,  for  instance,  earned 
more  than  double  its  $2  dividend  in 
1925.  and  wrote  off  good  will  of  $11.- 
000,000  v.hich  appeared  in  its  1925  bal- 
ance sheet.  Both  Famous  and  Loew's 
are  large  holders  of  real  estate." 


FOa     KENT 


BELL  -  HOWELL 

AND 

AKELEY  CAMERAS  < 

UDlUi  or  Wittiout  Cameramen 


SEIDEN    CAMERA    EXCHANGE 

729  Seventh  Ave.  N.Y.c.  , 

Bryant   39S l  / 


Back  From   Florida 

Peggy  Shaw,  starring  in  James 
Fitzpatrick's  "Melody  Series."  released 
bv  Pathe.  returned  yesterday  from 
Florida,  where  final  scenes  for  this 
series  were  made. 


Fitzgerald   Here  with  Latest 

Dallas  Fitzgerald  has  brought  to 
New  York  his  latest  production.  "Sil- 
ver Lanterns,"  with  Pauline  Garon  in 
the  lead.     It  is  an   .-^rrow  release. 


Long  Acquires  Three  Theaters 

Washington — Sidney  Long,  owner 
of  the  Leader  and  one  of  the  pioneer 
exchange  men  in  this  city,  has  ac- 
quired three  additional  theaters.  They 
are  the  Hippodrome,  Elite  and  Grand 


Turner   in   the    South 

New  Orleans — Terry  Turner  is  here 
from  New  York,  on  a  publicity  cam- 
paign for  the  opening  of  the  new 
Loew   theater. 


Oklahoma  Theaters  in  Deal 

Pawnee.  Okla. — Delcamp  and  Fral- 
ey  have  purchased  the  Lyric.  Pawnee, 
and  the  Senate  and  Osage  theaters  at 
Shidler,  Okla. 


Incorporations 

Springfield,  III. — Vogue  Theater  Co.,  4059 
West  North  Ave.,  Chicago;  to  operate  a  the- 
ater. Capital  $1,000.  Incorporators,  V. 
Lynch,  \V.  Mueller  and  D.  Jorka.  Attor- 
neys, Ryan,  Condon  &  Liivngston,  231  South 
La  Salle  St.,   Chicago. 


Albany,  N.  Y. — W.  and  S.  Amusement 
Corp..  New  York;  to  operate  theaters.  Capi- 
tal $10,000.  Incorporators.  C.  Wolk'owitz, 
R.  Aarons  and  L.  Wolkowitz.  Attorneys, 
Aarons  &  Herbst,  291    Broadway,  New  York. 


Booking  Arrow  Product 

Seattle — D.  C.  Millward.  manager 
of  Western  Film  Corp.,  has  sold  the 
24  Golden  Arrow  Pictures  to  14  Pan- 
tages  houses  in  the  Northwest. 


Ginsberg-Kann  to  Move 

Ginsberg-Kann  will  move  on   April 
20th  to  new  offices  at  1650  Broadwav. 


Albany,  N.  Y. — Schine  Enterprises,  Glov- 
ersville ;  to  operate  theaters.  Incorporators, 
M.  Barnes.  A.  RadeloflF  and  A.  Schimel.  At- 
torney. F  Hartman,  120  Broadwav.  New 
York. 


Albany,  X.  Y. — Hymart  Realty  Corp., 
New  York.  Incorporators,  H.  Gainsboro,  M. 
Schwartz  and  A.  Levy.  -Attorneys,  Palley 
&   Zierler,    1440    Broadway,    New   York. 


Dover.  Del.  —  The  Mossell  Amusement 
Corp.,  Wilmington  :  fo  operate  theaters.  Capi- 
tal $20,000.  ."XtUorney.  Ctolonial  ChartfB 
Co.,    304    Ford    Bldg.,    Wilmington. 


Dover.  Del. — Cohen  Amusement  Co.,  Wil- 
mington; to  operate  theaters.  Capital  $265,- 
000. 


APPLIED  INTELLIGENCE 

Everybody  knows   something   about    Life   Insurance.      But   many   of  our 
clients    have    only    recently    learned    how    to    apply    this    knowledge    to 
prevent   the   stoppage   of   their   financial   program   by   the   Last   Event. 
We    have    a    highly    developed    Life    Insurance    service    worthy    of    any, 
man's   consideration. 

CONSULT 


INCORPORATED 


80  MAIDEN  LANE,  N.  Y.  .C. 


Telephone  John  3080 


Theater  Millions 

(Continued  from  Page  1)  a 

Far  and  wide  will  these  actfti 
ties  spread.  The  move  mi|li 
be  well  described  as  an  effor 
to  bring  the  big  city  theater  inti 
the  small  town.  The  plan  ic 
volves  a  combination  prograt 
of  acqtiisition  and  constructior 
dependent  entirely  on  each  situa 
tion  as  it  comes  up. 


Masterpiece  Gets  Red  Seal  Franchii 
Philadelphia — Masterpiece  Film  A 
tractions  has  closed  with  Red  Seal,  i 
distribute  the  latter's  product  in  fh 
territory.  Masterpiece  is  the  first  ind' 
pendent  exchange  to  secure  a  fni 
chise  for  Red  Seal  product.  The  ot 
covers  Eastern  Pennsylvania,  Soutl 
ern  New  Jersey  and  Delaware. 


COMEOy 


H/XLROAC 


This  is  a  'Cornerblock'  cut  lurr 
FREE  for  all  Pathecomedies  at 
exchange. 


EASTERN 
STUDIO   FOR   RENT 

EXCEPTIONAL   FACILITIES 

VERY  LARGE  STOCK  OF 
PROPS  AND  FURNITURE 

I  Telephone    Dewey    8600  i 


S^oon  everybody 
ii)ill  be  sanin^ 


\. 


'// 


Q 


FROM  THB  POPULAR  KOVEUBY 

FREDERICK  S   ISHAM-- 

DIRECTED  BY  LLOYD  INGR/fflAM 

DISTRIBUTED    BY 

ASSOCIATED  . 
EXHIBITORS.Inc 

0SCARAPR1CE.PRBS 


Samuel  S.  Hutchinson 

JOjreseTits 

Edward 
Everett 


HORTON 


TA){tK 


MAE 
BUSCH 

It's  aHUTCHINSON  COMEDY 


/ 


THE 


j?5^ 


DAILY 


Thursday,  March  18,  1926 


No  Freeze-Out 

(Continued  from  Page  1) 
problem.  Katz  outlined  his  ideas  of 
"fighting  sunshine,"  as  he  put  it.  He 
declared  that  it  was  the  first  six  weeks 
of  any  summer  season— June  1  to 
July  15 — that  told  the  story  and  added 
that  if  the  manager  succeeds  in  doing 
business  over  that  period,  the  rest  of 
the  summer  season  would  take  care 
of  itself. 

All  through  yesterday's  discussions 
the  importance  of  service  to  the  pub- 
lic was  emphasized  in  no  slight  man- 
ner. For  example,  Katz  said  he  wanted 
all  of  the  Publix  theaters  to  join  local 
organizations,  such  as  the  Kiwanis 
and  Rotary  Clubs,  the  dues  of  which 
would  be  met  by  the  parent  organiza- 
tion. He  urged  the  managers  to 
make  and  maintain  as  friends  their 
city  offi.cials  and  advised  them  to 
keep  alert  for  blaze-trailing. 

During  the  convention,  there  came 
to  light  what  the  Howard,  Atlanta, 
has  been  doing  for  some  time  with 
very  satisfactory  results.  That  the- 
ater gives  a  matinee  for  Boy  Scouts 
once  a  week  and  the  reaction  has 
been  splendid,  it  was  explained. 

Other  addresses  yesterday  were 
made  by  Nathaniel  Finston,  general 
musical  director  for  Publix,  who  was 
described  as  the  leading  authority  on 
short  subjects  and  their  presentations 
and  Oscar  Kantner,  head  of  the  Para- 
mount exploitation  department.  The 
latter  suggested  a  new  Publix  slogan. 
an  ofifshoot  of  the  Paramount  slogan. 
It  is  "If  it  is  a  Publix  theater,  it  is 
the  best  theater  in  town."  No  action 
was  taken  on  the  suggestion. 

He  produced  before  the  convention 
a  large  wheel  which  he  termed  "The 
Wheel  of  Good  Fortune."  It  was  di- 
vided into  sections  and  illustrated 
graphicnlly  how  the  ideal  theater  was 
to  be  operated.  A  certain  percent- 
age was  allotted  to  good-will,  so 
much  to  advertising  and  so  on  down 
the  line. 

Lem  Stewart,  associated  with  A.  M. 
Botsford  in  the  advertising  depart- 
ment, declared  that  each  Publix  the- 
ater was  restricted  to  spending  10 
per  cent  of  their  receipts  for  adver- 
tising. He  made  the  unusual  state- 
ment— and  then  backed  it  up — that 
there  were  132  points  of  contact 
through  which  tie-ups  might  be  de- 
veloped. 

The  i:jcst  important  address  sciied- 
uled  for  today  will  be  that  of  Arthur 
Swanson.  of  Swanson  and  Ogilvie,  in- 
dustrial expert  of  Chicago.  Thi.'i 
organization  has  been  instrumental  in 
saving  considerable  sums  of  money 
for  Balaban  and  Katz  through  new 
operative  methods.  Its  Chicago  rec- 
ord has  resulted  in  a  contract  with 
Publix  to  handle  the  entire  circuit. 

Will  H.  Hays  may  arrive  this  af- 
ternoon for  the  banquet  tonight, 
which  practically  terminates  the  con- 
vention. This,  however,  is  doubtful. 
Other  visitors  here  include  Earl  Gul- 
ick,  of  O.  J.  Gude  Co.;  J.  H.  Ryan, 
general  manager  of  Rudolph  Wur- 
litzer  Co.;  Hermann  Robbins  of  Na- 
tional Screen  Service;  Fred  Quimby. 
short  subject  sales  manager  for  Fox; 
Ben  Palley,  Newark  exhibitor;  Ben 
Davis,  fcrmerly  with  the  Schine  cir- 
cuit; Harvey  Day,  of  Educational;  C. 


"The  Flying  Wedge" 

The  current  issue  of  "The 
Close-Up,"  house  organ  of  Pub- 
lix, publishes  a  story  on  the 
premiere  of  the  Plaza,  London, 
and   in  conclusion  declares: 

"With  the  Plaza  as  a  flying 
wedge,  all  of  the  United  King- 
dom and  the  Continent  will 
soon  learn  the  significance  of 
Publix." 


L.  Yearsley,  of  British  National  Pic- 
tures, Inc.,  and  Mose  Gumbel,  of 
Shapiro,  Bernstein  and  Co. 

Special  convention  copies  of  THE 
FILM  DAILY  arrived  shortly  after 
11  o'clock  and  were  at  once  placed 
in  distribution.  They  were  in  de- 
mand everywhere. 


Statement   from    Publix 

Atlantic  City — An  important  execu- 
tive of  Publix  Theaters  Corp.  issued 
the  following  statement  late  last 
night : 

"Officials  of  the  Publix  Theater 
Corp.  enter  a  complete  denial  of 
the  statement  that  there  would  be  a 
Publix  theater  in  countries  outside  of 
the  United  States.  The  corporation 
has  no  such  intentions  or  •  plans  to 
that  effect. 

"The  main  aim  and  work  of  the 
Publix  Theaters  Corp.  is  and  will  be 
devoted  entirely  to  raising  the  stand- 
ard of  courtesy,  service  and  quality 
entertainment  in  the  theaters  now  be- 
ing  operated." 


Made  for  "Sticks" 

{Continued  from  Page   I) 

Kansas  City  has  been  shown  here. 
It  reveals  all  of  the  landmarks,  car- 
ries messages  from  the  mayor  and 
the  Chan'ber  of  Commerce  and  then 
finally  works  in  the  Publix  house. 
This  idea  is  expected  to  be  used  for 
other  theaters  in  other  cities. 

Specifically,  in  New  England,  there 
will  be  a  number  of  reels,  each  200 
ft.  relaj'ed  through  all  of  the  the- 
aters controlled  by  Publix  and  Fam- 
ous. Each  subject  deals  with  the  new 
Metropolitan,  Boston,  and  gets  over 
the  argument  that  it  might  be  an  idea 
to   visit   that   house   when   in    Boston. 


Sidelights 


Atlantic  City — John  Balaban,  of  Chicago, 
is  combining  business  and  pleasure.  Mon- 
day night  he  and  Mrs.  Balaban  celebrated 
their    tenth    wedding    anniversary    here. 


Sam  Katz,  Publix  president,  is  a  real, 
snappy  executive.  His  walks  through  the 
corridors  of  the  Ambassador  are  as  brisk 
as    the    winds    off    the    dear,    old    Atlantic. 


James  L.  Thornley  traveled  all  the  way 
from  Melbourne,  Australia,  to  attend  the 
sessions.  He  is  manager  of  the  Majestic,  a 
Paramount  first-run,  down  in  the  Kangaroo 
country.  When  the  Publix  foreign  policy 
becomes  effective,  it  will,  no  doubt,  come 
under   that  banner. 

Thornley  easily  wins  the  long-distance 
traveling  honors.  He  came  East  via  Holly- 
wood and  it  took  him  three  weeks  to  reach 
the  Pacific  Coast.  On  his  return  to  Australia, 
he   will   visit    Paris,    Brussels   and    London. 


Milton  Feld  and  Frank  Newman.  Jr.,  held 
a  reunion.  Feld's  first  intimation  that  he 
was  to  be  employed  in  the  Publix  home 
ofifide  came  when  he  read  THE  FILM 
DAILY  for  Tuesday.  He  and  Newman 
were  formerly  associated  in  Kansas  City, 
where  young  Newman's  father  operated  two 
first-runs. 


Four  ushers,  from  the  Rivoli,  New  York, 
attracted  much  attention,  due  to  their  bright 
uniforms.  They  are  assisting  at  the  con- 
vention. Their  uniforms  are  blue-grey  coats 
and  white  trousers.  A  similar  uniform  was 
first  used  at  the  Metropolitan,  Los  Angeles. 


Someone  was  anxious  to  get  the  age  of 
the  youngest  man  at  the  confab  here.  He 
learned  that  Sam  Katz  is  one  of  the  youngest, 
being  only  33.  Katz  keeps  in  good  trim  by 
pounding  a  punching  bag  and  handballing 
daily.  Katz  is  also  proud  of  the  fa'Ct  that 
years  ago  he  pounded  a  piano  in  one  of  Chi- 
cago's smallest  theaters. 


At  noon  yesterday,  the  boys  had  their  pic- 
tures "took."  One  pose  was  with  heads 
covered  and  the  other  minus  the  headgear. 
The   brisk    winds   were  not   relished. 


Dave  Chatkin,  home  office  short  subject 
booker,  looks  rather  strange  away  from  the 
Educational  fold.  He  formerly  served  as 
sales  manager  for  the  Hammons  organization. 
Dave  is  minus  his  golf  apparel,  but,  never- 
theless, is  still  very  natty. 


Harry  Marx,  J.  T.  Knight,  Nat  Finston, 
Boris  Petroff  and  Harry  Hollander,  of  the 
home  office,  are  among  old  Balaban  &  Katz 
Chicago  executives  here.  It  looks  like  a 
Windy  City  gathering  with  these  live-wires 
I  present. 


Publix    is    controlling    the    Hotel    Amb; 
sador — for     three     days.        Publix     sign 
everywhere    and    no    Publix    delegate    can 
lost    in    the    roomy    hostelry. 


imbai 
s  afl 
an 


:jt 


New  York  editors  must  be  having  a 
cation  with  such  energetic  press  agents 
Ed  Olmstead,  home  office;  L.  Lusty,  Rial 
and  F.  A.  Cruise,  Rivoli,  away  from  tl 
desks. 


fitsin 

Herschell  Stuart  and  Lem  Stewart  of  i  |^  loi 
home  office,  are  not  related,  as  a  close  stt  i  )(,<  o 
of  their  names   would  indicate.  g,^f 


Is  Dei 
It  iki 


Stuart,  who  has  the  unusual  recor 
of  not  having  had  to  make  a  speec 
in  his  eight  years'  connection  with  Famot 
and  Publix,  kept  his  record  intact  yesterda  ^^ 
afternoon.  He  was  scheduled  to  speak  on  pri 
duction,  but  was  excused  by  A.  M.  Botsfori 
who  presided.  Botsford  jokingly  declared  tlu  -j,  j 
Stuart  spent  two  months  in  preparing  h 
speech. 


One  of  the  outstanding  men  at  the  conva 
tion  is  Harry  Marx,  who  is  one  of  Sa| 
Katz'  invaluable  aides.  He  opens  all  the  ne»' 
important  Publix  theaters.  He  opened  tl 
Metropolitan,  Boston,  last  October,  and  th« 
became  busy  with  the  remodeled  Rivoli,  Ne 
York.  He  followed  this  by  going  down  1 
Miami  to  christen  the  Olympia,  and  froi 
the  real  estate  man's  paradise,  he  jumps 
to  Los  Angeles  to  do  some  important  "Pul 
lixing."  Next  week  will  find  him  in  Ch 
cage,  where  he  will  open  the  Oriental.  H 
itinerary  reads  like  that  of  a  Presidentil 
candidate   or   a  small   time   vaudevillian 

Marx     is     an     interesting     figure.       At     2 
he    was    graduated    as    a    civil    engineer.      E 
did    not    enter    the    theatrical    business    unt 
after   the   war,   but    in   a'  comparatively   sho   Up- 
time,   has    made    himself    a   force   in   theatric     '. , 
operation.     His  talk  was  among  the  highligh   "  '•''' 
of   the   convention.      He   was   frequently   inte 
rupted    by   applause.      His   address   was   gri 
ping,  made   so   by  clever   use  of  forceful  ej 
grams. 


[k  Pabl 
lit  "to 

'hi ; 
jo:  al 

k,:.;  I 


Al    Sobler's   friends   are   kept   busy,   talkit 
of   his   engagement.      He   is   to   be   marrieJ" 
June   to    Betty    Van    Zant   of   "Rose    Marie 
They   will   be   married   on    the    Coast.      Al 
public    city    manager    of    Mid-West    Theatei 
headquarters   in    Chicago. 


The  brothers  Franklin  are  much  in  c 
dence.  Harold  B.  needs  no  introductic 
while  J.  J.,  it  should  be  announced,  is  Pf 
lix  district  manager  for   Up-State   New   Yoi 


The    Publix    "delegates"    have    all    the    e 
thusiasm   of  college   friends.     They  gave  rot 
ing  cheers  for  Katz,  Franklin    Marx,  Jack 
Mansfield,    Fred    Metzler   and   others. 


James    Cowan    is    a    double   for   Al   Jolson 
in  white   face. 


(/ 


"No     alibis     from     San     Francisco"     re 
badges  proudly  worn  by  the  Golden  Gate  c  | 


IN  CHINESE 


^ii»  jssnstt 


m. 


THE 


]  rsday,  March  18,  1926 


iS^t!k 


DAILY 


n.      Among   the   peppy    boys   from    San 
isco    are    Nat    Holt    and    R.    Spier. 


s  Delmar,  Jr.,  who  books  all  the  Keith- 
houses  in  the  South  is  among  the  busy 
it  the  sessions.  J.  W.  Byrnes,  who 
cuts  "Topics  of  the  Day"  and  "Aesop 
,,"   is   also   here. 


A'ithin    the    Law"    is    the    name    given    to 

lever  advertising  display,  which   is   about 

k    long    and    which    adorns    one    of    the 

lors    of    the    Ambassador.       The    display 

11  ranged    by    A.    M.    Botsford    and    Lem 

,art. 


of  the  busiest  men  here  is  Botsford. 
Imposes  of  oodles  of  business  without  a 
Ic  appearing  on  his  forehead. 


he      group     photograph     taken     yesterday 
Ic  a   nit   with  the  boys.     The  photograplier 
!.' ted     $1.50    for    each    picture    he    sold — 
le  sold  plenty. 


Publix  men  will  not  become  authorities 
e  "boardwalk."  They  have  found  little 
to  visit  any  of  the  local  show  places 
live  not  even  heard  of  the  numerous 
in  sales  along  the  "walk."  However, 
be  stated  that  a  count  of  auction  pin- 
players  at  the  auction  sales  was  ex- 
ive   and    exhausting. 


Keith  Issue  Soon 

(^Continued   from   Page   1) 

yesterday  that  the  kind  of  securities 
to  be  offered  to  the  public  had  not 
yet  been  decided. 

A  new  holding  company  to  acquire 
the  stock  of  the  B.  F.  Keith's  New 
York  Theaters  Co.  has  obtained  a 
charter  from  the  Secretary  of  State. 
It  will  be  known  as  the  B.  F.  Keith 
Corp.  The  board  of  directors  in- 
cludes former  State  Senator  J.  Hen- 
ry Walters,  Edward  F.  Albee,  John 
J.  Murdock,  Edward  G.  Lauder,  Jr., 
John  J.  Maloncy,  Myron  Robinson 
and  Martin   E.  King,  of  New  York. 


Seek  Market  Here 

{Continued  from  Page  1) 

best  pictures,  wherever  they  are  made. 
Too,  the  American  motion  picture 
industry  wants  only  from  foreign 
countries  that  fair  treatment  which 
the  merit  of  our  pictures  commands. 
It  is  splendid  to  have  our  good  pic- 
tures in  every  country  and  it  is  splen- 
did to  have  the  good  pictures  of  every 
country   distributed   here." 


Americans  in  British  Studio 

London — According  to  J.  D.  Wil- 
liams, the  new  studio  of  British  Na- 
tional Pictures  in  London  will  be  op- 
erated under  the  guidance  of  Ameri- 
cans. R.  Field  Overbaugh,  camera- 
man, who  is  in  London,  will  have 
charge  of  cinematography.  Adrian 
Johnson,  scenarist,  and  Shaw  Lovett, 
are   en   route. 


\iiiong    the    films    shown    was    one    dealing 
the     construction     of     the    new     Spyros 
nas   liouse  in   St.   Louis. 


Next  Week  on  Broadway 

Thomas     Meighan     in     "The     New 

Klondike,"    will    go    into    the    Rivoli 

Sunday. 

Mary  Pickford  to  Talk  "Desert  Gold"  will  be  next  week's 

[ary     Pickford     will     address     the    feature  at  the   Rialto. 

lerican  Woman's   Assn.   tonight  at        "The  Barrier"  opens  at  the  Capitol 

idison  Square  Garden.  'Sunday.  


The  Hollywood  Yoke' 

Its   Morals,   Its   Slang,   Its    Manners, 

.    Being  Grafted  on  England,  Com-    . 

plain  British  Producers 

The  following  Associated  Press 
despatch  was  received  from  London 
yesterday: 

"  'The  Hollywood  Yoke'  is  the  way 
the  British  film  producers  describe 
the  American  film  ascendency  in 
Great  Britain  against  which  British 
interests   are   battling. 

"One  billion  persons  are  attending 
the  4,009  film  houses  in  the  islands 
every  year  and  85  per  cent  of  the  pic- 
tures they  see  are  American  made. 
In  the  British  colonies,  American  pic- 
tures have  even  a  stronger  hold. 

"Therein  the  British  producers  see 
a  threat  to  British  culture,  even  to 
British  civilization,  if  one  may  believe 
all  the  fuss  which  the  trade  is  making 
through  the  press. 

"Malaya's  rubber  yoke  under  whicBi 
the   people   of   the   United   States   are 


sweating  is  not  producing  half  the 
outcry  that  is  emitted  by  press  agents 
of  the  British  film  industry. 

"Hollywood  manners,  Hollywood 
slang,  Hollywood  morals — everything 
from  Hollywood  except  the  American 
accent — ^are  being  grafted  on  the  Brit- 
ish nation,  these  agents  wail. 

"But  far  more  temperate  voices  are 
heard.  Lord  Ashfield,  who  is  head  of 
the  organization  controlling  more  film 
theaters  than  any  other  in  England, 
is  official  spokesinan  for  the  majority 
of  theater  owners  who  went  on  rec- 
ord in  opposition  to  the  plan  to  force 
British  made  films  upon  the  public  by 
means  of  legislation.  He  says  the 
public  cannot  be  forced  to  pay  to  see 
films   which   it   does   not   like. 

"However,  he  is  much  opposed  to  the  block 
system  of  booking  which  ties  theaters  up 
to  take  a  certain  number  of  pictures  in  order 
to   get   features   which    it   must   have. 

"Col.  Vernon  Willey,  president  of  the  Fed- 
eration of  British  Industries,  believes  British 
films  will  never  have  a  fair  chance  in  British 
houses  until  this  system  is  broken  up  and  a 
special  quota  of  British  is  required  to  be  on 
every  picture  program.  He  has  the  backing 
of  British  film  manufacturers  who  have  not 
been  able  to  compete  in  their  home  market 
with   the   American   product. 

"Col.  Willey  says  a  majority  of  the  British 
theaters  are  now  booked  up  fully  for  twelve 
to  eighteen  months  through  energetic  Ameri- 
can agents  and  that  British  films  have  no 
chance  to  break  in  unless  there  be  legislation 
in  their  favor.  But  many  of  the  theater 
owners  reply  that  if  British  pictures  are 
forced  upon  them  they  must  face  bankruptcy 
as  the  public   will  not  go  to  see  them. 

"Film  regulation  threatens  to  become  a 
problem    in   party    politics    in    Great    Britain." 


State^'^j^ts  Buyers 


don't  tie   youi^self  up 
until  you  get^. 

for  next  season 

Soon  to  he  an  nounctd 


PICT  URES 
CORPORATION 

NEW     Y  O  K  K 


SAMUEL      Zl  EALEK 
PI^ESIOCNT 


in 


a    3 


i 

o    S 
z   2 


o   . 


^  — . 


^ 


'2 


9 

o 


jfllgl 

tAfi  brAdstreet 

FILMDOM 


2^^re(ocmize0 
Authority 


ts 


ct 


le 
:e 

y 
le 
3. 

le 
w 

n| 

)e 
iH 
le 


io 


a 
s- 
1- 
1- 
re 
Id 

a 
le 
re 
?- 


at' 
is 


7 

St 

3S 

or 
m 


C. 
;d 

0 

:e 
at 


3L.  XXXV     No.  65 


Friday,   March  19,  1926 


Price  5  Cents 


II  = 

Always  a  Minority 

ublix    Will    Never    Control    Ten 

Per  Cent  of  Theaters,"  Says 
Katz — Convention  Ends 
Atlantic   City — Going  even  further 

his  statement  of  Wednesday  that 
iblix  did  not  control  quite  ten  per 
It  of  the  nation's  theaters,  Sam 
itz  told  the  final  session  of  the 
nvention  yesterday  that  the  organi- 
tion  will  at  no  time  control  even 
it  percentage. 

The  three  day  convention  termin- 
;d  at  the  Ambassador  last  night 
th  a  dinner  at  vk^hich  Publix  and 
.ramount   executives    were   present, 

addition  to  a  limited  number  of 
tsiders.     The  dinner  ended  around 

o'clock  and  many  of  the  managers 
)m  more  distant  cities  left  for  their 
stination  at  once. 
Seated   on   the   dais   were   Adolph 
d  Eugene  Zukor,  Jesse  L.   Lasky, 

R.    Kent,    Sam    Katz,    Harold    B. 
•    (.Continued  on  Page  6) 


Famous  Active  on  'Change 

SeveriCb^ar  groups  in  Wall  Street 
ve  com^  to  grief  trying  to  cause  a 
eak  in  Famous  stock.  "The  Tele- 
am"  yesterday  quoted  a  "Wall 
reet  financier"  in  this  connection: 
'The  company  has  no  bonded  or  mort- 
ge  debt  or  bond  loans,  and  shows  $11,000,- 
0  cash  and  accounts  receivable  and  a  sur- 
13  o{  over  $15,000,000.  In  the  last  eight 
irs  its  net  income  has  averaged  about 
uble  its  $8  dividend.  In  October,  1925, 
increased  its  common  stock  50  per  cent 
issuing  new  shares  at  $90,  but  earnings 
this  increased  capital  will  only  be  re- 
cted  in  the  present  year's  income." 

It  is  only  a  matter  of  time,  he  says, 
at   a   melon    will   be   cut   from   the 
mpany's  theatrical  and  realty  hold- 
Igs. 


Lesser  Buys  Another  House 

Irving  M.  Lesser  has  purchased  the 
-rand,  Rockville  Center,  from  the 
ockville  Center  Theater,  Inc.  The 
)use  seats  1,600.    Lesser  owns  a  plot 

that  town  on  which  he  expects  to 
lild  later.     His  chain  includes  houses 

Haverstraw,  Great  Neck  and  Bea- 
in. 


Fox  Leases  Levy  House 

I  ox  Theaters  have   taken  over  on 

ase    the    new    Levy    Bros,    theater, 

edford  Ave.  and  Lincoln  PI.,  Brook- 

*  n. 


Dorothy  Gish  Sailing 
Dorothy   Gish   sails  for   Europe  at 
idnight  aboard  the  Aquitania. 


Earns  $1,160,634 

Metro-Goldwyn  Profits  for  First   12 

Weeks  of  1926  Reach  High 

Level 

Metro-Goldwyn  Pictures  Corp.  re- 
ports for  the  12  weeks  ended  Feb. 
13,  1926,  net  profit  of  $1,160,634  after 
expenses,  but  before  Federal  taxes. 

The  income  account  follows: 

Gross    profit     $2,150,655 

Operating   expenses    1,009,357 


Operating  profit $1,051,298 

Other   income    109,336 


Net   profit,   before   Federal   tax    ..   $1,160,634 


Increase  for  F.  B.  O. 

Fifteen  Per  Cent  More  Production  for 
Next  Season,  J.  P.  Kennedy  An- 
nounces on  Coast 

Los  Angeles — Joseph  P.  Kennedy, 
the  new  controlling  factor  in  F.  B.  O., 
arrived  from  New  i'ork  yesterday  and 
at  once  announced  his  organization 
would  increase  production  activities 
by  fifteen  per  cent  over  this  year. 

Ralph  Ince  will  direct  "Bigger 
Than  Barnum."  This  is  designed  to 
be  one  of  next  year's  specials.  Viola 
Dana  will  play  the  lead.  F.  B.  O.  will 
bear  watching.  A  number  of  interest- 
ing moves  are  under  way. 


"U"  Meets  Today 

Nine    Exchanges    to    Discuss    Sales 
Policies — Sessions     Will     Ter- 
minate on   Sunday 

Universal  managers,  exploitation 
men  and  salesmen  of  nine  exchanges 
will  meet  at  the  Astor  this  morning 
in  the  opening  session  of  what  will 
be  a  three  day  conference. 

The  sales  directorate,  Lou  B.  Metz- 
ger.  Earl  Kramer  and  Ralph  Wil- 
liams, will  attend,  as  will  Julius  Sin- 
ger, sales  manager  of  short  product; 
Joseph  Friedman,  special  sales  rep- 
resentative; George  Brown,  director 
of  advertising;  Abe  Stern,  vice-presi- 
dent of  Stern  Bros.;  Nat  Rothstein, 
handling  '"The  Flaming  Firontier," 
and  Dave  Bader,  manager  of  adver- 
tising accessories. 

(Continued  on  Page  7) 


Leave  for  the  Coast 

Byron  Morgan  and  Sam  Wood  have 
ft  for  the  Coast. 


erbert    Wilcox,   her   papal      Whose?     Nell 
wyn — Paramount'a    new    baby — ^Advt. 


Jersey  Active 

Legislature  Approves  Measure  Which 

Would  Appoint  a  Commission  to 

Study  State's  "Blue"  Laws 

Trenton,  N.  J.— The  Legislature 
has  adopted  a  bill  which  would  cre- 
ate a  commission  of  three  Senators 
and  three  Assemblymen  to  study  the 
"blue"  laws  of  the  State  and  report 
on  their  revision  at  the  next  session. 

The  Governor  is  expected  to  ap- 
prove the  bill. 

M.-G.-M.  Signs  Sam  Taylor 
Los  Angeles— M.-G.-M.  has  signed 
Sam  Taylor  to  direct.  He  will  arrive 
in  New  York  Sunday  for  about  ten 
days,  and  then  will  return  here  and 
start  his  first.  -^ 

Fineman's  First,  "Forever  After"  \ 
Hollywood — First  National  has  pur- 
chased Alice   Brady's  play,  "Forever 
After."   This  will  be  B.  P.  Fineman's 
first  picture  as  supervisor. 


Schenck 

Joseph  M.  Schenck  has  contracted 
a  cold  and  is  therefore  spending  much 
of  his  time  at  his  hotel. 


West  Coast  in  San  Jose 

San  Jose,  Cal.— West  Coast  Thea- 
ters yesterday  announced  a  $500,000 
theater  for  this  city. 


50  In  Two  Months 

New  Theaters  for  January  and  Febru- 
ary Involve  lOU,  F.  W.  Dodge 

Reports 
During  January  and  February,  ac- 
cording to  statistics  prepared  for 
THE  FILM  DAILY  by  F.  W. 
Dodge  Corp.,  50  new  theater  projects 
were  announced,  in  37  Eastern  States, 
involving  a  total  of  $4,229,100.  In 
January,  there  were  20  theaters 
launched  costing  $1,480,100  and  in 
February,  30  costing  $2,749,000,  this 
survey  shows. 

Thirty-three  houses  for  other 
branches  in  the  amusement  field,  out- 
side of  pictures,  are  included  in  the 
two  first  months.  These  will  cost 
$9,814,000. 

New  Theaters 

New  construction  in  the  theater 
field  as  reported  to  THE  FILM 
DAILY  yesterday  by  special  corre- 
spondence follows: 

{Continued  on  Page  6) 


M 


Become  "Merchants 

Ottawa — An  interesting  develop- 
ment has  occurred  in  Canada,  which 
yiiay  have  far-reaching  effects,  accord- 
ing to  those  who  have  undertaken 
the  venture. 

Local  exhibitors  have  established  a 
local  branch  of  the  Retail  Merchants' 
Assoc,  thereby  lining  up  with  retail 
{Continued  on  Page  6) 


Booking  Deal  On 

New    York    Exhibitors    Negotiating 

with  P.  D.  C.  and  Warners — 

Central  Office  Talk 

It  is  understood  that  a  committee 
representing  the  T.  O.  C.  C.  will  con- 
fer with  John  C.  Flinn  of  P.  D.  C. 
on  Tuesday  and  with  Abe  Warner  of 
Warner  Bros,  on  Wednesday  regard- 
ing an  important  booking  deal  for 
1926-1927. 

This  plan  is  identical  with  the  idea 
which  has  been  coursing  through  the 
minds  of  important  T.  O.  C.  C.  mem- 
bers for  some  time  and  concerns  itself 
with  the  presentation  of  a  united  buy- 
ing power  so  that  first-runs  can  be  se- 
cured for  its  personnel  as  against  the 
big  New  York  circuits  like  Loew's, 
Keith  and  Fox. 

The  Warners  will  have  34  for  next 
year  and  P.  D.  C.  about  44.  It  is  the 
exhibitor  plan  to  centralize  their 
bookings  in  these  two  companies  and 
filling  in  remaining  time  with  the 
product  of  other  organizations.  Should 
the  scheme  become  a  certainty,  a  cen- 
tral booking  office  would  be  brought 
into  being  to  handle  all  detail. 


Harris  Left  19  Theaters 
Pittsburgh— The  estate  of  the  late 
Senator  Harris  of  Harrisburg,  shows 
the  following  theater  holdings:  State, 
Washington,  Pa.;  Sheridan  Square, 
Palace,  William  Penn,  West  End, 
Grand,  Orhpeum,  Davis,  Ritz,  AI- 
hambra,  Lyric  in  Pittsburgh;  Hippo- 
drome in  McKeesport;  Majestic  in 
Butler,  Pa.;  Strand  in  Hackettstown, 
N.  J.;  Grand  Orpheum  in  Wilmington, 
Del.;  Family  in  Detroit;  Strand,  Ly- 
ric and  Palace  in   Canton,  O. 


Al  Aronson  at  Roosevelt 

Al  Aronson,  Berlin  representative 
of  M.-G.-M.,  and  N.  A.  Reichlein,  Par- 
is representative,  are  at  the  Roosevelt. 


Here  from  Europe 
E.  E.  Shauer,  Joseph  Seidelman, 
Carl  P.  York  and  Hermann  Wobbcr 
arrived  on  the  Aquitania  yesterday 
from  Europe.  John  Cecil  Graham, 
general  European  representative  for 
Famous,  gets  in  sometime  next  week. 

Stanley  Gets  Baltimore  Honse 

Baltimore— Th^  Stanley  Crandall 
Co.  has  purchased  the  Academy  of 
Music  for  about  $750,000.  It  will  be 
razed  and  a  $2,000,000  theater  erec- 
ted. 


Laemmle  Purchases  Realty 
San  Diego — Carl  Laemmle  has  pur- 
chased the  northeast  corner  of  8th  and 
Broadway  for  $270,000.    The  property 
was  owned  by  J.  Jessop  &  Sons. 

Signs  Lionel  Baxrymore 
Hollywood— M.-G.-IE^L]   has     signed 
Lionel  Barrymorc  on  a  long-term  con- 
tract. 


THE 


^ 


-a^Hk 


i 


■ 


DAILY 


Friday,  March  19,  1926 


VbLXXXV  Nb.  65    .Friday,  Mar.  19, 1926     Price  5  Cents 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris— La  Cinematographic 
Francaise,   5,  Rue  Saulnier. 


Quotations 

High 

Low 

Close 

Sales 

Balaban   &  Katz    . 

.    69K 

69  J4 

69J4 

Eastman    Kodak    . 

108^ 

108H 

108H 

300 

Famous    Players    . 

.12054 

118J4 

119 

18,100 

Fam.    Play.    Pfd.    . 

.120^ 

120 

120 

200 

*FiIm     Inspection. 

,   , 

5 

•First    National     . 

.        .    . 

.   , 

103 

<   *   •   * 

Fox   Film   "A"    .  . 

.   65 

63  J4 

64H 

2,800 

Fox   Theaters   "A" 

.   23M 

23 

23  54 

500 

•Intern'l    Projector 

10^ 

Loew's,  Inc 

.   39J^ 

37^ 

37K 

3,200 

•Metro-Gold.   Pfd.. 

.   . 

22  K 

M.  P.  Cap.   Corp.. 

■   22K 

22  J4 

2254 

100 

Pathe  Exch.   "A". 

67-4 

64Ji 

64H 

3,700 

Skouras    Bros.    .  . . 

50 

SO 

SO 

••Stan.  Co.  of  Am. 

.. 

SO 

Trans-Lux  Screen. 

1054 

9H 

9?i 

5,900 

Universal     Pictures 

30/8 

30 

30 

600 

•Univ.  Pict.  Pfd.   . 

.       .   . 

,  , 

90 

•Warner  Bros.   . . . 

^  , 

,   , 

1054 

•Warner    Pictures. 

.   . 

WA 

♦  Last   prices   quo 

ted. 

••  Philadelphia   market. 

Now  Partner  with  Chrystmos 
Through  a  deal  with  Matthew 
Chrystmos,  Harold  Eldridge  now  con- 
trols a  50  per  cent  interest  in  the 
Chrystmos  holdings,  which  include: 
Orpheum,  Broadway  and  Park  Hill, 
Yonkers;  Bronxville  at  Bronxville; 
Rosedale,  Westchester  Ave.;  Houli- 
han on  White  Plains  Ave.;  Throggs 
Neck  on  E.  Tremont  Ave.  Eldridge 
bought  out  the  Roth  Bros.'  interests 
in  the  Broadway  and  Orpheum,  Yon- 
kers, and  this  winds  up  the  Roth  in- 
terests in  all  Greater  New  York  op- 
erations. They  still  operate  in  Mor- 
ristown  and  Summit,  N.  J.  The  deal 
between  Eldridge  and  Chrystmos  was 
negotiated  by  Sofferman  Bros.,  with 
Levy,  Guttman  &  Goldberg  acting 
as  attorneys. 


Warner  Field  Force  Shifted 

Sam  Morris  of  Warner  Bros,  yes- 
terday announced  the  following 
'hanges  in  the  field  force: 

Nat  Barach,  appointed  division  manager 
of  the  Cleveland  district,  with  supervision 
over  Cleveland,  Detroit,  Cincinnati,  Pitts- 
burg and  Indianapolis,  takes  the  place  of 
Herbert  E.  Elder,  now  New  England  division 
manager,  with  headquarters  in  Boston.  Nor- 
man H.  Moray,  formerly  of  First  National, 
has  been  appointed  Clevelaiid  manager,  suc- 
ceeding Jack  Stewart,  transferred  to  Cin- 
cinnati. 

J.  V.  Allan,  formerly  manager  at  Cin- 
cinnati, goes  to  Detroit.  James  Young, 
until  recently  manager  at  Detroit,  will  act 
as  special  salesman.  Arthur  Abeles  has 
been  appointed  New  York  district  manager 
with  supervision  over  Manhattan,  Brooklyn 
and  New  Jersey.  Nat  Beier  will  remain  as 
branch  manager  of  Manhattan  and  George 
Balsdon,  Jr.,  of  New  Jersey.  Harry  Decker 
is   Brooklyn  manager. 


Paramount  Signs  Four  Scenarists 

Hollywood — Four  scenarists  have 
signed  with  Paramount.  Harry  Behn, 
Julian  Josephson,  and  Hope  Loring 
and  Louis  D.  Lighten  are  the  new 
members. 


Al  Rockett  111 

Al  Rockett  has  been  confined  to  his 
home  the  past  week  with  a  case  of  the 
grippe.  In  another  week  he  is  expect- 
ed back  at  the  First  National  studio. 


June  Mathis  in  Hospital 
June  Mathis  is  in  a  hospital  recov- 
ering from  a  serious  operation. 

Frank  Tuttle  Resting 

Frank  Tuttle  who  is  ill  of  influenza 
was  reported  to  be  resting  comfort- 
ably yesterday. 


Robert  Haas  Operated  Upon 
Robert  Haas  has  undergone  a  minor 
operation.      Haas   is    art    director    for 
Robert  Kane  Prod. 


Fire  at  Old  Metro  Plant 

Hollywood — A  two-hour  fire  yes- 
terday destroyed  a  number  of  stages 
and  buildings  at  the  old  Metro  studio. 
The  loss  was  not  very  serious  since 
the  plant  was  unoccupied. 


New  Assignments  at  M.-G.-M. 

Hollywood — Howard  J.  Green,  of 
the  vaudeville  team  of  Hockey  and 
Green,  has  arrived  at  M.-G.-M.  stu- 
dios to  begin  work  as  a  "comedy  con- 
structor." 

Will  Nigh,  recently  signed  to  direct, 
has  arrived. 

Lew  Lipton  will  direct  "The  Three 
Twins,"  and  also  "Baby  Mine." 


Sues  "U"  for  $150,000 

Los  Angeles — Ralph  B.  Staub  has 
filed  suit  for  |150,00U  against  Univer- 
sal Pictures  Corp.  and  Universal  Film 
Exchanges,  Inc.,  alleging  Infringe- 
ment of  copyright  and  unfair  compe- 
tition over  a  series  called  "Guess 
Who?"  Samuel  London  and  Maurice 
Salzman  are  attorneys  for  Staub. 
Carl  Laemmle  was  served  personally 
by  Kenneth  McLean,  of  the  U.  S. 
Marshal's  Office. 


French  Honor  Theater  Veterans 

Paris — Frenchmen  commemorated 
what  they  claim  was  the  first  public 
presentation  of  pictures  by  placing  a 
tablet  yesterday  on  the  wall  of  a 
building  in  the  cellar  of  which  the 
Lumiere  brothers  exhibited  their  first 
motion  picture  apparatus  30  years 
ago. 


Warner  Theater  on  Old  Policy 

Next  week  will  mark  the  last  two 
weeks  of  the  "The  Sea  Beast"  at  the 
Warner  theater..  The  house  will  then 
revert  to  the  continuous  policy.  The 
first  picture  will  be  "The  Night  Cry." 


Hope  Hampton  in  Color  Reels 

Educational  may  produce  four  more 
two  reel  color  pictures  with  Hope 
Hampton.  Educational  is  releasing 
"Marionettes,"  a  short  reel  entirely 
in  colors  and  in  which  Miss  Hamp- 
ton is  starred. 


Howes  Renews  with  Brown 

Los  Angeles — Reed  Howes  has 
signed  another  contract  to  make  a  se- 
ries for  Harry  J.  Brown  and  Rayart 
release. 


New  Moss  Theater  Opens 

Prominent  personages  in  film  and 
civic  life  attended  the  opening  of  B. 
5.  Moss'  Tilyou  theater  at  Coney  Is- 
land last  night.  "Too  Much  Money" 
was  the  feature. 


Lustig  Leaves  M.  &  S. 

David  J.  Lustig  has  resigned  as 
nanaging  director  of  the  M.  &  S.  Hol- 
lywood theater  on  Ave.  A. 


Ingram  Picks  Male  Lead 

Rex  Ingram  has  chosen  Ivan  Pet- 
rovich,  a  young  Serbian  actor,  to  play 
opposite  Alice  Terry  in  "The  Magi- 
cian," which  he  is  now  making  at  his 
studio  near  Nice,  France. 


Red  Seal  Incorporates 

Albany,  N.  Y.— Red  Seal  Film 
changes,  has  been  granted  a  charj 
listing  200  shares  of  common  stc 
no  par  value.  Incorporators  are:' 
Meyer,  M.  Fleischer,  M.  A.  Cha^ 
Attorneys  were  Finkelstein  &  Wd 
ing,  36  West  44th  St. 


Sixth  Exchange  in  Buffalo 

Red  Seal  will  shortly  open  an  e> 
change  in  Buffalo  with  Maurice  Cha.> 
as  manager.  Others  in  operation  ar 
located  in  New  York,  Chicago,  Sa 
Francisco,  Los  Angeles  and  Philade 
phia. 


^ 


Kane  Away  for  Few  Days 

Robert  Kane  left  yesterday  for 
lantic    City.      He   will  be   gone   ab( 
four  days. 


Arrives  in  California 

Los  Angeles — Mae   Murray  is  b< 
from  Europe  and  New  York. 


H)URGAN6 
COMED)^ 


\ 


Keith  House  in  Shamokin 

Shamokin,  Pa. — The  new  Keith 
theater,  seating  more  than  2,000,  opens 
late  next  week.  Vaudeville  and  pic- 
tures  will   be   the   policy. 


"The  Bat"  Held  Over 
"The  Bat,"  now  at  the  Strand,  will 
be  held  over  for  a  second  week. 


"Stella  Dallas"  for  Coast  Run 

Los  Angeles — "Stella  Dallas"  opens 
at  the  Forum  on  April  3. 


Niblo  in  Hollywood  Today 

Hollywood — Fred    Niblo    and    Enid 
Bennett  arrive  from  New  York  today. 


Here  from  the  Coast 

Alice    Joyce    is    here    from    Holly- 
wood. 


This  is  a  "CornerDiock  cut  lurnisai 
FREE  for  all  Pathecomedies  at  yo 
exchange. 


"Compare! — quality,    text,    cuts,    price — \ai 
why     better     class     showmen     prefer 

NATIONAL  PROGRAM 
SERVICE 

Phone,  Call,  Write — 
1650   B'way,    N.   Y.   C.  Circle  5 


^BefAachiS^ 


NATIONAL     EVANS 
LABORATORIES,   Inc. 

Developing — Printing — Titles 

1476  Bro!idway 
Telephone!  Bryant  9330-9331 


EASTERN 

STUDIO   FOR   RENT 

EXCEPTIONAL   FACILITIES 

VERY  LARGE  STOCK  OF 
PROPS  AND  FURNITURE 

Telephone    Dewey    8600 


Ward  Cine  Laboratory Jnc. 

216-222  Weehawken   St. 
Union  City,  N.  J. 

Telephone  Union  4800 

G.  BERT  WARD,  Pret. 

••**•«♦«**«>.«*>•>  •>  •>  *.*  *>  •>  •>  •>  *>  *.*  M  M  M  *  •^'Ht'** 


If  You  Are  in  the 
Market   for   Any    Kind   of 

MOTION  PiaURE 
APPARATUS 

CONSULT  US-AND  SAVE  MONEY 
SEND  FOR   OUR   PRICE  LIST 


Chas.  G.  Willoughby,  Inc. 

Motion  Picture  Department 

110  West  32nd  St.,  New  York 

Phone   Pcnna.   6564 


w 


The  Untamed  Lady 


// 


ts 


et 


le 
:e 

y 
le 

i. 

le 
w 

<t 
jt 
It 

)e 
iH 
le 

Co- 

;h 

r-\ 

io 

;r 

r- 

le 


a 

s- 
1- 
1- 
re 
Id 
a 
le 
re 
?- 


at| 

ly 

at 

» 

is 


7 

St 

39 

or 


:e 
at 


FROM  THE  STORY  BY  FANNIE  HURST 


FRANK  TUTTLE 

PRODUCTION 


f  /    CyrnVnTYim  ITlt  C  Pirfl  ITP     screen  play  by  james  ashmore  creelaaan 
L/l'     x/ L4.I  LtllLL/LLlLL    \y  LL^LLLIC     pbcsemedbv  adolph  zukor  and  jesse  l  usky 


Member   of   Motion    Picture    Producers  and    Distributors   o(   America,    ln<;..    WILI^   H.    HAVS,    President. 


^*A  KNOCKOUT'' 
^*A  knockout.  It's  woii^ 
derful.  Thrills.  Mystery. 
Comedyt  If  you  don't  see 
*The  Bat'  you  are  robbing 
yourself  of  excellent  enter* 
tainment."  -daily  news 

**Creepy  thrills  and  hearty 
laughs.  Interesting  and  ab- 
sorbing. Entertainment  that 
makes   movie  -  going  worth 

while."  -MORNING  TELEGRAPH 

**A  picture  that  will  hold 
your  interest  from  the  first 
flicker  to  the  last.  Don't  miss 
*The  Bat'."  -herald-tribune 


Held  over  Second  Week 
STRAND,  New  York 

"THRILL-A-SECOND" 

*Tor  gorgeous  entertainment 
that  keeps  you  in  suspense 
and  thrills  see  The  Bat'. 
Lights  flare  and  darken, 
Shadows  on  the  wall.  Secret 
passages.  Suspects.  Glews. 
And  the  audience   is  taken 


$1 
coi 


llts 
Ion 


in. 


» 


-EVE.  JOURNAL. 


"A  thrilling  picture.  Shivers 
run  up  your  spine." 

-EVE.  WORLD) 


"You' will  enjoy  it  whether 
you  saw  the  play  or  whether 
you  didn't!'  -eve.  post 


Sold  mdi]^iduallif  — -  on  merit. 


XJNITED  ARTISTS  CORPORATION 

IMary  Vicl^ovd  Charles  Chaplin 

Douglas  ^airhanks  C  M).  (jvifjith 


Joseph  M.  Schenck  Gujiinnan.  Board  of  Directors 


Hiram  Ahrams .  President 


^'SPINE-CHILLING" 
*^  'The  Bat'  is  both  entertain- 
ing and  exciting.  People  in 
the  theatre  were  distinctly 
affected  by  the  spine-chilling 
^isodes,  and  relieved  by  the 
€omedy  interludesV       times 


'^^^he  Bat'  has  lost  none  of 
its  humor,  mystery,  or  thrills 
on  the  screen."        -graphic 


_  "ELECTRIC" 
"If  you  enjoy  electric  enter- 
tainment, go  see  'The  Bat'. 
Our  teeth  rattled  like  a 
skeleton  on  the  roof  with  a 
cold  in  its  head.  We  are  going 
back  for  more."   -telegram 

"For  all  with  a  taste  for  a 
whooping  good  mystery 
story  let  me  recommend 
The  Bat\''  -American 


A  COMEDV—MVSTERV— DRAMA 

L  MATCx"  ROBERTS  RINEHART 
and  AVERi"  HOPWOOD 

^:hx>m  tke  siege  pLtj  produced  bj  WAGENHALS  and  KEMPERw 
^dapUdanddcrsciedhij   R^OLAND      WEST- 


J'. 

or 
m 


at 


THE 


;$gg^ 


DAILY 


Friday,   March   19,   192 


Always  a  Minority 

(.Continued  from  Page    1) 

Franklin,  Walter  Wanger,  E.  E. 
Shaiier,  George  W.  Trendle,  R.  W. 
Saunders,  John  Balaban,  Mike  Shea, 
Phil  Reisman,  Frank  Buhler.  George 
Weeks.  A.  M.  Botsford,  Austin 
Keough,  J.  J.  Strickland,  John  Clark 
and  Hermann  Webber,  who  reached 
New  York  on  the  Aquitania  yester- 
day  and   came   right   down. 

The  principal  outside  guests  were 
Felix  Feist,  who  substituted  for 
Nicholas  M.  Schenck,  believed  to 
have  been  held  in  New  York  by  his 
brother  Joseph's  bad  cold,  Robert  T 
Kane,  Mortimer  Norden  and  A.  O. 
Dillenbeck.  S.  R.  Kent  arrived  ear- 
lier in  the  day  accompanied  by  Dr. 
F.  Stern  and  a  nurse.  He  attended 
the  dinner. 

Austin  Keough,  Publix  legal  coun- 
sellor and  Arthur  Swanson,  of  Swan- 
son  and  Ogilvie,  efficiency  experts, 
delivered  the  final  addresses.  Pub- 
lix officials  are  pleased  with  the  re- 
sults of  the  convention.  They  point 
to  a  decided  air  of  optimism  and  al- 
most inspiration  which  exists  among 
the  managers  as  ample  proof  of  their 
statements. 

At  the  close  of  the  convention, 
Sam  Katz  handed  out  $1  000  life  in- 
surance policies  to  all  theater  man- 
agers. 

The  New  York  group  leaves  around 
ten  o'clock  this  morning,  arriving  in 
New  York  shortly  after  1  P.  M. 


Sidelights 


Atlantic  ("ity — Mose  Giimhle,  of  the  Jer- 
ome H.  Kemick  Co.,  who,  for  20  years  has 
been  an  authority  on  popular  songs,  declares 
picture  houses  are  invaluable  in  exploiting 
new  songs  and  that  picture  audiences  insist 
on    good    melodies.      Remick    is    also    here. 


The  Publi.N  managers  will  lose  little  time 
in  going  to  their  respective  cities  and  re- 
suming theater  management. 


May  Rebuild  the  Colonial 

Atlantic  City — It  was  reported  at 
the  Publix  convention  yesterday  that 
the  Stanley  Co.  will  tear  down  the 
Colonial   and  erect  a   new   house. 


Ben  Davis,  former  theater  circuit  manager 
and  e-xploileer,  is  here  but  not  as  a  "Pub- 
lixer."  He  is  still  active  on  his  plans  for  a 
circuit    in    Northern    New    York. 


Emmet  Sorg,  manager  of  the  Paramount. 
Ogden,  Utah,  can  boast  of  one  of  the  best 
theaters  in  the  country.  Although  Ogden 
has  a  population  of  only  40,000,  the  Para- 
mount seats  more  than  1,700.  It  was  built 
by  Schofield  &  Midgely.  Ogden  is  noted 
for  its  theaters,  Perry's  Egyptian  being  beau- 
tiful  and   large. 


Earl  Gulick,  who  is  recuperating  from  the 
"flu,"  is  an  active  figure  here.  He  has  not 
missed  a  convention  of  any  nature  in  14 
years. 


Few  canes  were  noticeable  among  the  visit- 
ing showmen.  Gregory  Dickinson  wore  his 
— and    gracefully,    too. 


Ben  Bloom,  New  York  office  of  Irving 
Berlin,  Inc.,  and  J.  B.  Kalver,  Chicago  office 
of  the  Berlin  firm,  and  E.  J.  McCa-uley  are 
among  the  music  publishers'  representatives 
here. 


Built  By  Two 

Allentown,  Pa.— The  Ridge, 
owned  by  Anton  Schuster,  has 
opened.  It  seats  400.  The  Ridge 
took  four  years  to  build.  It  was 
erected  solely  by  Schuster,  with 
the  assistance  of  a  boy.  Every 
commodity  that  has  gone  into 
the  house  was  installed  by  the 
owner,  including  the  masonry, 
electrical  work,  painting,  plumb- 
ing, decorations  and  marble 
work.  The  house  represents  an 
investment  of  815,000. 

The  opening  of  the  Ridge 
brings  opposition  to  the  Ham- 
ilton, at  2nd  and  Hamilton  Sts. 


New  Theaters 

(.CoiittHiied  from  Page   1) 

The  Park  Lane  Theater  Corp.  filed 
plans  for  a  theater  at  the  northeast 
corner  of  1st  Ave.  and  89th  St.,  to 
cost  sbout  $300,000,  according  to  E. 
Ross,  architect. 


Barry  Burke,  manager  of  the  Palace,  Dal- 
las, is  the  first  manager  to  have  staged  a  full 
grand  opera  in  a  picture  house.  He  did 
this  _  on  a  Sunday  and  tripled  his  regular 
receipts.  The  opera  was  "Cavalleria  Rus- 
ticana"   and  home  talent  was  used. 


Dagmar    Godowsky    Here 

Atlantic  City— Dagmar  Godowsky 
is  here  from  New  York.  She  said 
yesterday  she  expected  to  start  work 
on  a  picture  for  Associated  Exhibv 
tors    very   shortly. 


Incorporations 

Sacramento,  Cal. — First  National  Westeri 
Studios,  Inc.,  Butbank ;  to  operate  a  studio 
and  produce.  Capital  $1,000,000.  Incor- 
porators, 1.  McCormick,  C.  Bt-tler,  H.  Wil 
son,  D.  Thompson  and  A.  Hughes.  Attor- 
neys, Cruickshank,  Brooke  &  Evans,  820 
Pacific    Southwest    Bank    Bldg.,    Pasadena. 


Sacramento,  Cal. — Western  Star  Prod., 
Inc.,  Los  Angeles;  to  produce.  Capital  $24,- 
000.  Incorporators,  D.  Painter,  C.  Dono- 
van, J.  L'Heureiix,  I.  De  Lay  and  G.  Roy. 
Attorney,  Glen  Behymer,  1210  Marsh  Strong 
Bldg.,   Los   Angeles. 


Sacramento,  Cal.  —  El  Capitan  Theater 
Corp.,  Los  Angeles;  to  operate  theaters.  Capi- 
tal $250,000.  Incorporators,  E.  Smith,  H. 
''riedman  and  AI.  Gardner.  Attorneys,  Loeb 
Walker  &  Loeb,  610  Pacific  Mutual  Bldg.! 
Los  Angeles. 


Harribsurg,  Pa. — Comerford  Thraters.  Tnc  . 
Scranton;  to  operate  theaters.  Capital  ^i-n.. 
nOO.  Incorporators.  M,  K.  Comerford,  M. 
B.   Comerford  and   F.  Walker. 


Dover,  Del. — Cohen  Theaters  Co. :  to  oper- 
aot  theaters.  Canital  *?6!;  000.  Attornev 
roroor.ntion  Gna'-aTitee  &  Trust  Co.,  927 
Market    St..    Wilmington. 


noi'*»»-      Del  — TTniv'-cnl     Plrti^ro*     r*orn      nt 
•^""tra'    .America:   to   distr;bii»<-       Cpr>!»n1   ^10 
onn       Attornev.    CorTlor'>♦•'^n    T'-nqf    Cnmnnn-^ 
of    America,    Du    Pont    Bldg.,   Wilmington. 


One  of  the  most  interesting  talks  was 
given  by  David  E.  Dow,  "right  hand  man" 
to  William  Gray,  of  the  New  England  Publix 
theaters.  Dow  was  not  on  the  program  and 
was  called  to  speak  from  the  floor.  He  ex- 
plained how  he  took  some  theaters  out  "of 
the  red"  and  made  them  winners. 


In  January.  Gregory  Dickson  was  asked 
to  leave  Italy — and  the  leaving  was  asked 
by  no  less  a  personage  thaTi  Premier  Benito 
Mussolini.  Dickson,  who  is  only  25  years 
old,  was  correspondent  for  the  Chicago  Daily 
News  and  his  dispatches  incurred  the  dis- 
pleasure of  the  Fascist  head.  Dickson  is 
now  editor  of  "The  Close-Up,"  a  Publix 
organ. 


A  picturesque  figure  is  Mike  Shea  of  Buf- 
falo. This  vetera-n  showman,  14  years  ago. 
built  Shea's  Hippodrome,  at  a  time  when 
vaudeville  and  picture  palaces  were  rather 
unknown.  .At  that  time,  the  Hippodrome 
was  one  of  the  largest  theaters  in  the  coun- 
try. Shea  is  now  very  fond  of  his  new 
house.  Shea's.  Harold  B.  Franklin,  of  Pub- 
lix,  made   his    reputation   at   the    Hippodrome. 


Herman  Robbins  of  the  National  Screen 
Service,  is  here  on  two  missions — one  to 
get  rid  of  his  cold  and  the  other  to  hobnob 
with  "Publixers."  Robbins  is  a  film  veteran 
and  was  with  Fox  for  several  years  before 
joining    National    Screen. 


Harvey  Day,  who  has  never  missed  a  film 
convention  or  golf  tournament,  was  here  yes- 
terday. 


Films  Hurt  Child  Health? 
Washinffton — Miss  Grace  Abbott, 
chief  of  the  children's  bureau  of  the 
department  of  labor,  declares  the  pop- 
ularitv  of  films  has  worked  against 
child  health  and  morality  by  substitut- 
ing "a  poor  form  of  passive  re.'reation 
for  active  recreation." 


Guterson  at  Rialto,  Washington 

Washington— The  Rialto  theater 
plans  symphonv  orchestra  concerts 
with  nn  ensemble  of  40  pieces.  Mis- 
cha  Guterson  will  conduct. 


Bethelem,  Pa. 

Bethlehem,  Pa. — Aaron  Potruch  has 
opened  his  new  Globe  and  will  oper- 
ate it  himself.  The  house  is  on  the 
site  of  the  old  Grand  O.  H.  which  has 
been  built  at  a  cost  $225,000. 

Charlevoi,  Mich. 
Charlevoi,     Mich. — A     theater    and 
business    bl.ock    to    cost    $100,000    is 
planned. 


Chicago 

Chicago — George  Katzman  is  head- 
ing a  syndicate  to  erect  a  new  3,000- 
seat  house  on  75th  St.  at  Vincennes 
Ave.  Construction  will  start  in  the 
next  four  months. 


Cocoanut  Grove,   Fla. 

Miami.  Fla. — Cocoanut  Grove,  ac- 
cordiner  to  Irving  J.  Thomas,  will  have 
a  S200.000  picture  theater  at  Charles 
St.  and  Main  Highway. 


Become  "Merchants 

(Continued  from  Page   1) 

trade  interests  of  the  community  \ 
whom  they  will  join  and  be  jo: 
in  varied  moves  for  improvenic 
Immediately  after  organizing  the 
lion  picture  branch  of  the  associ 
a  deputation  appeared  before 
authorities  here  with  the  request 
the  tax  on  illuminated  signs  bu 
duced.  The  deputation,  headed 
P.  J.  Nolan,  owner  of  the  Rex,  : 
ceeded,  the  decision  being  reac 
to  reduce  the  annual  civic  tax 
outside  illuminated  signs,  which* 
ranged  from  $10  to  $15  per  sign 
year,  to  $1   per  annum. 

The  new  theaters'  branch  has  ele( 
the  following  officers:  Ben  Staple 
of  the  Central  theater,  president 
M.  Franklin,  manager  of  B. 
Keith's,  vice-president;  and  Leon 
Bishop,  manager  of  the  Regent,  ; 
retary. 

In  discussing  the  new  organizat 
Franklin  pointed  out  that  the  1( 
exhibitors  now  have  the  full  effec 
the  influence  of  all  retail  merchj 
m  the  city  behind  them.  Before 
was  the  case  of  a  mere  handful 
men,  comparatively  speaking,  try 
to  secure  concessions  for  the  theat 
Franklin  expected  that  the  associat 
would  now  undertake  to  orgai 
branches  of  exhibitors  in  all  the  k 
ing  cities  and  to^vns  of  Canada  ; 
that  though  that  association  nego 
tions  would  be  made  in  Federal 
Provincial  tax  matters,  censors! 
theater  legislation  generally,  thei 
licensing,  labor  problems  and  m. 
other  details. 


^j'" 


iCiH 
I  Co 


New  Illinois  Circuit 

Moline,  111. — Julius  Lamm  and  . 
wig  Sussman  of  Waukegan,  and 
Hopp  of  Chicago  have  formed 
Melvin  Amusement  Co.  The  compi 
has  taken  a  lease  on  the  Palace  h 
which  will  be  re-opened  shortly, 
chain  is  planned. 


Kansas  City 

Kansas  City — The  Midland  Invest- 
ment Co..  is  erecting  the  4,600-seat 
1-ouse  at  13th  St.  and  Baltimore  Ave., 
for  Loew's  Inc..  and  is  owner  in  fee 
of  the  site.  The  building  will  be  a  12- 
storj'  office  building  and  theater. 

Oakland,  Cal. 
Oakland.  Cal. — The  new  Grand 
Lake,  at  Grand  and  Santa  Clara  Aves.. 
which  opened  recentlv.  seats  2.800.  It 
is  operated  by  the  West  Coast  Thea- 
ters. Inc.,  in  collaboration  with  A.  C. 
Karski  and  Louis  Kaliski. 


Omaha 

Omaha — Pretentious  plans  are  be- 
ing forrr-.ilated  bv  Harry  Goldberg  for 
his  new  Omaha  here,  construction  on 
which  wil!  start  in  about  eight  months 
A  hotel  mav  be  included. 


Yonkers.  N.  Y. 

Yonkers.  N.  Y. — Work  on  the  pro- 
t^osed  theater  on  the  Andrus  property 
en  South  Broadway,  which  was  sus- 
pended two  vcars  ago.  has  been  re- 
sumed. The  house  will  seat  2,600  and 
will  cost  over  $500,000. 


William    Bray   Starts   Chain    p*^ 

Morristown,  Minn. — With  the  opj 
ing  of  his  new  house  here,  Willi  I 
Bray  will  start  a  new  string  of  thi 
ters.  He  formerly  owned  a  chaini 
Southern  Minnesota  which  y\ 
wrecked  by  free  show  competition] 

Kansas  Circuit  Forming 
Mankato.  Kan. — Sam  H.  Blair,  w 
L.  O.  Nordstrom,  has  formed  an  i 
crating  company  and  taken  over 
Standard  here.    Deals  are  pending 
the    acquisition    of   houses   at    Dov 
and    Osborne.    Kan.    The   circuit   ^ 
also  embrace  Scandia.    Belleville  ca 
tal  is  being  used. 


i 


ANYTIME! 
It's  A  Treat 

"HasAnybodyHere  Seen  Kelly' ' 

Max    Fleischer    Ko-Ko     Song 
Car-Tune 


729    Seventh   Ave.,   N.    Y.   C. 
DISTRIBUTORS 


5-; 


tHE 


ay,  March   19,   1926 


jg^ 


DAILY 


'U"  Meets  Today 

{Continued  from  Page  1) 
H.  Cochrane  and  E.  H.  Gold- 
will  probably  make  opening  ad- 
es.  There  will  be  sales  discus- 
during  the  morning  and  in  tlie 
loon,  screenings  of  several  pic- 
including  "The  Midnight  Sun," 
Flaming  Frontier"  and  "Poker 
."  Tomorrow,  special  product 
which  classification  falls  the 
aid  Dennys,  Blue  Streak  Wes- 
and  Jewels,  will  be  gone  over, 
i^riedman,  who  handles  the  Den- 
will  undoubtedly  talk.  There  will 
Iditional  screenings  in   the  after- 

i  Sunday,  there  will  ensue  a  gcn- 
discussion    and    that    night,    the 

itives   will   leave    for   the    second 

ing,  which  will  be  held  in  De- 
March  22-24. 

nong  those  who  will  attend  the 
York  convention  are: 

V  York  exchange :  W.  C.  Herrmann, 
rill,  L.  Kutinsky,  L.  Abrams,  J.  Fried- 
H.  Furst,  L.  Levy,  B.  Price,  D.  Rap- 
t,  E.  Rosenbaum,  J.  Weinberg,  P. 
ick,  J.  Denton,  H.  Richland,  S.  Ku- 
f.  Meyers,  J.  Liggett,  J.  Hartman  and 
oldberg. 
|.any:    H.    C.     Bissell,    R.     Smith,    Fred 

and   A.   Herman, 
ton :   Harry  Asher,  M.  E.  Morey,  ,Sam- 
Jrant,    W.    P.    Kelly,    Jack    Davis,    John 
n  and   Ray   Curran. 
ntreal:   L.   Leduc  and  H.   N.  Hooper. 
w   Haven :    Morris    Joseph,    J.    Leighton, 

Rosenbaum,  R.  C.  Wood  and  F.  C. 
ihan. 

liladelphia:  S.  Wittman,  D.  Miller,  M. 
lan,  Nat  Levy,  Ray  Smith,  E.  H. 
urg,  S.  Friedman,  W.  Doyle,  J.  Gill 
Al    Fein. 

,  John:    W.   A.    Saoilt. 
ironto :    Clair    Hague,    Leo    Devancy,    J. 
son,    F.     Gilbert,    M.     Wilkes    «.nd    H. 


ihington:  M.  Van  Praag,  N.  Sauber, 
H.  Milstein,  Leo  Garner,  Al  Garner, 
acobson,   L.    Schrara   and    Leo    Stephens. 


5  "U"  Serials 

Universal  Program  Next  Season 
'o  Be  Known  as  "The  Famous 
n  Authors'  Five" 

niversal  announced  yesterday  that 
1926-27  "Greater  Movie  List"  will, 
iddition    to    features,    contain    five 
als.      They    will    be    released    as 
le  Famous  Authors"  five  and  each 
contain  ten  chapters. 
[  ti  order  of  their  release,  the  ser- 
I    will   be    "The    Great   West   That 
Vs,"    by    William    F    Cody    ("Buf- 
iiii  Bill");  "The  Fire  Fighters,"   by 
Pin    Moroso;    "The    Return    of    the 
ildle    Rider,"   by   Arthur    B.    Reeve 
il  Fred  J.  McConnell;  "Whispering 
n  ith    Rides,"    by    Frank    H.    Spear- 
nn,  and   "The  Trail   of   the  Tiger," 
!|  Courtney  Ryley  Cooper.  The  Buf- 
Bill    serial   will   probably   be    re- 
;  sed  under  a   dififerent   title. 
ack  Daugherty,  William  Desmond 
i   Wallace    MacDonald   have   been 
ned    to   appear    in    them.      Daugh- 
y's   two   are    "The   Fire   Fighters" 
i   "The   Trail   of   the   Tiger,"   and 
:Donald's,   "The  Great  West  That 
as"  and  "Whispering  Smith  Rides." 
smond  will  be  starred  in  "The  Re- 
tt of  the  Riddle  Rider." 


"Big  U"  Employees  Organize 
Employees    of    the    "Big    U"    ex- 
inge  have  formed  the  "Big  U"  Em- 
)yees  Assoc,  Jacob  Hartman,  presi- 


Ruling  Helps  "Extras" 

Working     Conditions     Bettered     and 
Standard  Wages  for  Women  Fixed 
by  California  Industrial  Commission 

Los  Angeles — -Working  conditions 
are  bettered,  wages  standardized  and 
evils  of  employment  seeking  corrected 
for  women  "extras"  by  the  new  order 
of  the  California  Industrial  Welfare 
Commission,  according  to  Mrs.  Kath- 
erine  Philips  Edson,  executive  com- 
missioner. Following  investigations 
by  the  state  board  and  hearings  at 
which  studio  hands  expressed  their 
willingness  to  cooperate  for  bettered 
conditions  for  the  women  and  children 
in  the  industry,  the  commission  draft- 
ed a  new  order. 

Approval  of  the  plan  is  voiced  by 
all  the  leading  studios  through  the  M. 
P.  P.  D.  A.  A  standard  day  of  work 
is  defined  and  provision  is  made  for 
overtime  pay.  Women  expected  to  do 
hazardous  work  or  act  in  bad  weath- 
er are  to  be  notified  in  advance  of  the 
character   of  employment. 

When  on  location  the  companies 
must  see  that  proper  sanitary  condi- 
tions prevail  an_fl  that  young  girls  are 
protected  and  provided  meals  and  hot 
drinks  when   there  is  night  work. 


Theater  Changes 

Syracu--e,   N.   Y. — The   Rialto   and  the  Var- 
sity   have    closed. 


Avant.  Okla. — Moore  Bros,  have  redeco- 
rated and  remodeled  the  Cozy  at  Sperry  and 
have    reopened    it. 


Slayton,     Okla. — Floyd     Parker     has     pur- 
chased  the   Palace  for   $16,000. 


Natchitoches,  La. — Levy  and  Suddath  have 
remodeled  the  Opera  House  and  reopened 
it. 


Crockett,  Tex.  —  Reginald  Markham  has 
leased  the  Crockett  and  renamed  it  the 
Strand. 


Drumrjght,     Ollla. — ^J.     D.     Bennette     has 

purchased    the    three  local   houses. 


North   English,   la.— Vance   Smith   has   pur- 
chased   the   Main    Street   from    D.    D.    Mason. 


Centerville,    la.— -Dr.    Fogarty    has   sold    the 
Orpheum    to    Leo    Moore. 


Bettendcrff,     la.— J.     H.     Pabst     has     pur 
chased   the   Princess  from  J.    F.    Gorgan. 


dent.      Other   officers    and   committes 
elected  include: 

Charles  Fallis,  vice-president ;  Olga  Korn- 
field,  recording  secretary;  Etta  Skillowitz, 
financial  secretary;  Harry  Tissot,  treasurer, 
and   Walter  J.   Bernard,   collector. 

The  Board  of  Directors  includes:  Harry 
Furst,  D.  Kaplan,  T.  Pekehier  and  George 
Brosseau. 

The  object  of  the  organization  is 
social. 


"Cohens  and  KeUys"  Held  Over 
The  Colony  will  hold  "The  Cohens 
and  Kellys"  for  another  week.  This 
necessitates  the  postponement  of  "The 
Flaming  Frontier"  premiere,  which 
was  to  have  occurred  on  the  2Sth. 


Jed  Dooley  as  "The  Newlywed" 
Los  Angeles — Jed  Dooley,  vaude- 
ville comedian,  will  play  "Mr.  New- 
lywed" in  "The  Newlyweds  and 
Their  Baby"  series.  Ethlyne  Clair 
has  been  selected  to  play  "Mrs.  New- 
lywed." 


Exhibitors 

all 

over 

the 

world 

will 

read 

with 

keen 

interest 


:^«brAdstreet 

o/FILMDOM 


Authority 


Short    Subject 
Quarterly 

Out  March  28th 

fs ....» ■ ««iir 


•■vA . 


^•',V  ■ 


ft   < 


a  re 

o  dejdribe  it 


f%? 


1L\\    i 


^^wm\ 


^S^^lui 


^' 


jn 


I 


%k"* 


\ 


pKiented  btj .  .  .  RICHARD  A.  ROWLAf 
Wriffen  fbr  the  icreen  fc^ !  . .  •  J  U  N  E    MATH  I  J" 
Froni   EDITH    O'SHAUGHNEHW   novel 

ViENNEVC  MEDLEY* 


i\ 


I  WAY  TEARLE 

lAQNiMSON 

^    'indacafUncfudinq  MAY  ALLISON,  IAN  KEITH 
^    JEAN  WERSHOLTdncy   LUCY  bCAUls^ONT 

c4  JUNE  MATH IV    Production 

Directed  bif\ CURT  REM F ELD 


\_-,j,  ■        Production  Mmaga:  .RAY  ROCKETT 
kk.t         .Chitt  dn^iloinphef.  JOHN  BOVIE 
A/f-  D;f<?cMf.  ..E.  J.  iHULTER 
film  editor.  GCOt(C£    McGUIRK 


x^  = 


!l\r 


A  liK&t  national  Picture 

Member*  /  Motion  Picture  ftoducers  M4  Distributors  of  America  lnc>««W)U  Hays  fiuidtnt 


national 


h 


te  BRADSTREET 
FILMDOM 


iTHE 


7AeUE(Omm 

Authority 


XXXV     No.  66 


Sunday,   March  21,   1926 


Price  25  Cents 


n  EDWARD   SEDGWICK  Production 
with  HOOT  GIBSON,  DUSTINJFARNUM 
and  a  great  cast  of  thousands 


TNTVFRSAL;  miles   and   miles    ahead   of  aV 


y. 


or 
vn 


ce 
at 


ATriumph 

z«THREE 
FACES 
EAST 


CecilB.DeMillE  presents 

THREE 


t/^i^fcrfiy  C.GardnerSuUivan 
and  Monte  Katterjohn 

Trom  the.  play'  by 
Anthony  Paul  Kelly 


JETTAGOUDAL 

ROBERT  Ames 

H£NKfBA^THALL 

and  CLivE  Brook 


FACES 
EAST' 

A  RUPERT  Julian  Production 


p  .  c 


T  U    R- 


UONtUBA^f^VMORt     , 
MARY  BRIAN    AND 
toMUND  BURNS 

PRODUCTION 

DIRECTED    BV 

E.MA50NHOPPEPV 


A    M 


^  sensationa 
box-office  drai  ^' 
///  her  latest 

'PARIS  at 

MIDNIGH 


PKODUCEKS  DISTKIBUTING  COKPOKATION 


r4?  BRADSTREET 
[/*  FILHDOM 


iTHE 


Authority 


r 


.,.  XXXV     No.  66 


Sunday,  March  21,  1926 


Price  25  Cents 


61  from  "U" 

Is     Minimum     Figure — Varied 
lorts  and  Serials,  Too — East- 
ern Convention  On 

iversal   will    release    at    least   61 

irtions    for    the    1926-27    season 

ling  to  the  announcements  made 

<    opening  of   the    Eastern   sales 

Mil  convention  at  the  Astor  yes- 

These  will  be  in  the  "Great- 

I'lvie    List."      Fifty-one    features 

en  the  current  schedule. 

t  specials  will  be  "The  Flam- 
rontier,"  "The  Midnight  Sun," 
Les  Miserables,"  with  a  possi- 
i  of  "Uncle  Tom's  Cabin,"  "Ro- 
ijand  Juliet"  and  "Gulliver's  Trav- 

(Continued  on  Page   2) 


Theater  Unit   Seeks  Listing 

e  Paramount  Broadway  Corp., 
ompany  building  the  Paramount 
er  in  Times  Square,  has  applied 
e  New  York  Stock  Exchange  to 
$10,000,000  first  mortgage  5i/2 
cent  25  year  sinking  fund  gold 
certificates,  due  Jan.  1,  1951. 


Zones  Go  Over 

System    of   Handling   Los   An- 
les   Territory   Found   Satisfac- 
ory  by  Film  Board  of  Trade 

s  Angeles — The  Film  Board  of 
e  is  of  the  opinion  that  much 
le  haphazard  element  in  distri- 
in  has  been  removed  by  the  zon- 
iystem  which  is  used  in  this  ter- 
y.  The  chief  advantage  is  held 
that   the   exhibitor   knows    just 

[Continued  on  Page  2) 


Features  Reviewed 

Page 
he   Black   Pirate 

United   Artists    6 

he  Untamed   Lady 

Paramount     ^ 

'he   Love   Toy 
Warner     Bros 6 

4y   Own   Pal 

Fox     6 

he    Bat 

United    Artists     7 

he    Night    Patrol 
Fihn   Booking   Offices    7 

'he  Broadway  Boob 
Associated    Exhibitors    7 

.'he   Only  Way 

United    Artists     7 

"wo    Can   Play 

Associated   Exhibitors    8 

he    Road   to    Glory 

Fox     8 

The  Bar-C   Mjrstery 

Pathe     8 

Jhort    Subjects    ^ 


sir!      she's     my     baby— Nell     Gwyn- 
mount — Advt. 


56  Shorts  from  F.  B.O.I 

Latter  to  Distribute  the  "Krazy  Kat" 
Cartoons   Next   Year,   and  26 
Others  from  M.  J.  Winkler 
Charles    B.    Mintz,    of    the    M.    J. 
Winkler    organization,    has    closed    a 
deal  with  F.   B.  C,  whereby  the  lat- 
ter will  handle  the  "Krazy  Kat"  car- 
toons next  season.    The  deal  provides 
for  52  comedies,  including  26  "Krazy 
Kats"  and  26  cartoons,  the  nature  of 

(Continued  on  Page  2) 


$2,500,000  Hotel  and  Theater 

Isidor  Zimmer,  Samuel  Resnick  and 
Frank  Locker  have  purchased  prop- 
erty at  243  and  245  West  46th  St.,  be- 
tween Broadway  and  8th  Ave.,  for  a 
$2,500,000  hotel  and  theater.  Michael 
V.   Rosenberg  was  the  attorney. 


Awaiting  Sales  Convention 

Atlantic  City — Leon  Bamberger, 
Robert  Henley,  Oscar  Kantner.  Rus- 
sell Moon  and  Jay  Schreck,  who  at- 
tended Publix  sessions,  are  remain- 
ing for  the  Famous  Players  conven- 
tion  which   starts  Tuesday. 


Discuss  Dramatists'  Contract 

Stage  producing  managers  met  yes- 
terdajf  to  discuss  the  terms  of  the  new 
dramatists'  contract.  It  is  understood 
that,  with  certain  provisos,  the  pro- 
ducers will  accept  the  new  contract 
form. 


A  Lesson  Learned 

Atlantic  City — Speaking  at 
the  final  gathering  of  the  Pub- 
lix convention,  Jesse  L.  Lasky 
gracefully  admitted  that  Fam- 
ous had  learned  a  lesson  from 
Metro-Goldiwyn-Mayer.  He 

said  his  producing  company 
had  been  lulled  into  a  false  po- 
sition of  security,  but  was  now 
ready  to  "clean  up"  Metro. 

"Give  that  message  to  Nick 
Schenck,"  said  Lasky,  jokingly, 
as  he  turned  to  Felix  Feist. 


Not  Selling  Out 

The  report  that  J.  P.  Bickell  and 
N.  L.  Nathanson  were  contemplating 
the  sale  of  their  interests  in  the  Fam- 
ous Players  Canadian  Corp.  is  vigor- 
ously denied  in  a  wire  from  Nathan- 
son  to  THE  FILM  DAILY,  which 
reads: 

"Neither  Mr.  Bickell  nor  myself 
(Continued  on  Page  9) 


Buck  Jones  to  Europe 

Buck  Jones,  who  arrived  in  New 
York  Thursday  -night,  sailed  last 
night  on  the  Aquitania  for  a  two 
months'  vacation  trip  to  Europe. 


There  is  nothing  particularly  new  in  reports  that  the  Keith 
organization  is  to  enter  production  on  a  large  scale.  However, 
there  is  reason  to  believe  at  this  juncture  that  the  move  is  under 
way.  The  week  developed  reports  that  the  organization  is 
financing  an  important  comedy  producer,  but  this  brought  forth 
denials.  In  spite  of  denials,  the  whisperings  daily  grow 
more  pronounced  that  this  big  vatideville  company  which  turns 
to  pictures  for  so  many  of  its  houses  will  shortly  make  a  pro- 
nounced dent  in  the  picture-making  field. 

Vaudeville  observers  in  several  quarters  hold  the  opinion 
that  Keith  should  have  entered  production  several  years  ago  in 
order  to  insure  for  its  theaters  a  regular,  high-powered  flow  of 
pictures.  The  presentation  idea  now  used  by  all  big  picture 
theaters  and  extending  rapidly  has  hurt  vaudeville  business. 
This  is  on  the  record.  With  Keith  theaters  placed  in  the  position 
of  getting  a  comparatively  small  percentage  of  what  is  held  to 
be  the  cream  of  the  market,  the  need  for  pictures  becomes  more 
or  less  an  obvious  one. 

So  persistent  have  the  rumblings  become  that  an  important 

(Continued  on  Page  4) 


Katz  Confident 

Sees    Success    for    Publix    Assured — 
Better  Standards  to  be  the  Ul- 
timate Goal 

Atlantic  City — The  success  of  Pub- 
lix theaters  is  certain,  according  to 
Sam  Katz,  president  of  Publix  and 
one  of  the  principal  speakers  at  Thurs- 
day's banquet,  which  marked  the  close 
of  the  first  annual  convention. 

"Our  obligation  is  not  primarily  fi- 
nancial," he  declared.  "If  we  furnish 
the  proper  service  to  our  patrons,  it  is 
an  economic  truth  that  success  will 
follow.  Inspirations  in  business  are 
not  God-given.  Stay  with  your  task, 
cleanlv  and  honestly,  until  it  is  fin- 
ished." 

Katz     predicted     that     the     Publix 
ideals    of    service    would    be    praised 
(Continued  on  Page  9) 


Panama  Combine  Formed 

The  Wilcox-Saenger  Co.,  Inc.,  has 
filed  articles  of  incorporation,  and  the 
home  office  will  be  in  Colon, 
Panama.  Offices  will  be  maintained  in 
New  York  and  New  Orleans.  This  is 
the  termination  of  a  deal  between 
Robert  Wilcox,  distributor  in  Panama 
and  the  Saenger  Amuse.  Co.,  of  New 
Orleans.  In  addition  to  distributing 
Famous,  United  Artists,  Fox,  Pathe, 
M.-G.-M.,  P.  D.  C,  First  National,  F. 
B.  O.,  and  other  pictures,  the  concern 
will  erect  new  theaters.  The  operating 
field  will  include  Cuba,  the  West  In- 
dia Islands,  Central  America,  Porto 
Rico,  Santo  Domingo,  Panama  and 
other  territories. 


Notables    at    Laemtnle    Function 

Los  Angeles — Five  hundred  mem- 
bers of  the  film  colony  attended  the 
anniversary  banquet  to  Carl  Laem- 
mle  at  the  Ambassador  Thursday 
night.  Speeches  were  made  by  Char- 
lie Chaplin,  Donald  Ogden  Stewart, 
Bert  Lytell,  Hobart  Bosworth,  J. 
Stuart  Blackton,  Edwin  Carewe, 
Henry  McRae,  Otis  Harlan,  Joseph 
Jackson,  Sigmund  Moos  and  Fred 
Beetson.  Two  one  act  satirical 
playlets  on  Laemmle's  career  were 
presented. 


Loew  Gets  Jamaica  House 

Jamaica  is  soon  to  have  a  new 
vaudeville  and  picture  theater.  The 
house  now  under  construction  on  Sut- 
phin  Blvd.  near  Jamaica  Ave.,  known 
as  the  Hillside  theater,  has  been  defi- 
nitely leased  by  Loew.  No  date  has 
been  set  for  the  opening,  as  workmen 
are  still  busy  on  the  interior. 


New  Fox  Exchange  Held  Up 
Cleveland — The  new  Fox  exrhange 
building    at    Payne    Ave.    and    East 
22nd    St.,    in    course   of   construction, 
is  held  up  by  a  local  labor  strike. 


ch 


at! 

lis 


y 

tst 

09 

or 
va 


at. 


THE 


<*M 


tm 


^SmSSTMET 
oyplLHOOMi 


■^tH 


DAILY 


Sunday,  March  21,  IS 


twmmssstsmm 

M  WV^^  2(f  RKOCMIZED 

TufL^    ^^  Authority 


VoLXXXV  No.  66  Sunday,  Mar.  21, 1926    Price  25  Cents 

Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway.  New  York,  N.  Y.,  bv 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  191S, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,   5,  Rue   Saulnier. 


Quotations 


High    Low    Close      Sales 
(These  quotations   are  as   of   Friday.) 


108^ 
120^ 


•Balaban  &  Katz.. 
Eastman  Kodak  .  . 
Famous  Players  .  . 
•Fam.  Play.  Pfd.  .  . 
Film  Inspection  . . 
First  Nat.  Pfd.  .. 
Fox  Film  "A"  . .  . 
Fox  Theaters  "A". 
"Intern'l    Projector. 

Loew's.   Inc 

Metro-Gold.  Pfd.  .. 
M.  P.  Cap.  Corp.. . 
Pathe   Exch.    "A".. 

*Skouras    Bros 

**Stan.  Co.  of  Am.. 
Trans-Lux  Screen.. 
•Universal  Pictures. 

•Univ.  Pict.   Pfd 

•Warner     Bros 

•Warner    Pictures.  .    .  . 

*  Last    prices    quoted. 

**  Philadelphia    market. 


S 
102 
63 -5^ 
23 

sm 

22y2 

22ys 


9V4 


69^ 
108        108 

118J4  11914 

120 
5 

102 
62  .>^ 
22^ 
W% 
38M 
2254 
22 
63H 
50 
50 
934 
30 

90 
10!^ 
14^ 


5 
102 
61 
225/8 

38 
22^ 
22^ 
63-/8 


600 
10,200 

I'.obo 

100 
3.500 
7,000 

2,260 

500 

1,000 

3,400 


18,000 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  I  N  S 

Specialists  in  Motion  Picture 

and  Theatrical  insurance  f-or 

the  past  fifteen  years. 

Arthur  W.  Stebbins  &To.,  Inc. 
1540  Broadway  N.  Y.  C. 

Bryant  3040 


In  the  Courts 

The  Choice  Prod.  Inc.,  which 
brought  suit  against  Associated  Ex- 
hibitors, has  settled  the  action.  It  has 
been  discontinued  by  Supreme  Court 
Justice  Erlanger. 


The  fact  that  Fox  Films  has 
brought  suit  against  Gallagher  and 
Shcan  was  shown  in  the  Supreme 
Court  when  an  order  was  signed  sub- 
stituting Maurice  Hotchner,  as  attor- 
nej'  for  the  defendant  in  place  of 
Lippman   &   Sachs. 


In  a  suit  of  Aywon  Film  against 
Samuel  Borten,  in  which  the  plaintiff 
got  an  attachment  and  filed  a  bond 
for  $7,000  in  February,  was  settled 
when  the  parties  got  an  order  from 
Justice  Erlanger  cancelling  the  at- 
tachment and  the  levies  made  by  the 
sheriff  on  bank  accounts  of  Borten 
in  the  Chelsea  and  Pacific  banks. 


Would   Raise  Montreal  Taxes 

Montreal — The  city  council  has 
proposed  an  increase  in  the  local 
amusement  tax.  At  a  meeting,  the 
Montreal  Theater  Managers  Assn. 
went  on  record  as  opposing  any  in- 
crease in  the  tax,  pointing  out  that 
it  already  averaged  12  per  cent  of 
the  gross  revenue  of  the  theaters,  the 
tax  in  Montreal  being  greater  than 
any  other  place  in  North  America. 
The  tax  is  turned  into  a  fund  for 
Montreal  hospitals. 


56  Shorts  from  F.  B.  O. 

(ConfiiiKcd  from  Page   1) 

which  has  not  as  yet  been  deter- 
mined. 

Mintz,  accompanied  by  William 
("Bill")  Nolan,  left  for  the  Coast 
yesterday  to  attend  the  F.  B.  O.  con- 
vention. Nolan  is  the  creator  of  the 
"Kat"  cartoons. 

The  series  has  heretofore  been  re- 
leased on  the  state  rights  market. 


Buys   Rights   to   Witwer   Stories 

F.  B.  O.  has  purchased  the  rights 
to  two  series  of  stories  by  H.  C.  Wit- 
wer for  1926-27.  These  will  be  made 
into  two  groups  of  12  each.  The  first 
will  be  released  under  the  title  of 
"Bill  Grimm's  Progress,"  and  the 
second,   "Wisecrackers." 


Oppose   Copyright  Act  Amendments 

Montreal — Quebec  members  of  the 
M.  P.  T.  O.  have  condemned  the 
amendments  to  the  Canadian  Copy- 
right Act  now  before  the  House  of 
Commons  at  Ottawa.  They  decided 
to  oppose  the  second  reading  of  the 
bill  and  have  sent  a  deputation  to  the 
capital  to  present  the  views  of  inde- 
pendent theater  owners  in  the  Dom- 
inion. 


Hitchcock  at  L.  A.  Criterion 
Los  Angeles — Eddie  Hitchcock  has 
been  placed  in  charge  of  publicity  at 
the  Criterion,  a  West  Coast  house. 


Zones  Go  Over 

(Continued  from  Page   1) 

when    he    may    expect    each    produc- 
tion. 

This  phase  of  activity  was  discussed 
the  other  day  at  a  meeting  of  the 
board  .  at  the  Biltmore.  Principal 
speakers  were  Motley  Flint,  Don 
Mitchell,  A.  Miichael  Narlian  and 
Dave  Bershon. 


61  from  "U" 

(Continued  from  Page   1) 

els"  also  being  on  the  program.  "Les 
Miserables"  is  being  made  in  France, 
with   Henri   Fescourt  as   the   director. 

Other  releases  include  six  Dennys, 
the  first  two  of  which  are  "Take  It 
From  Me"  and  "Rolling  Home"; 
seven  Hoot  Gibsons,  and  three  Laura 
La  Plantes.  Miss  La  Plante  will  also 
be  featured  in  other  productions. 
Mary  Philbin  will  be  starred  in  "An- 
other W'oman's  Life." 

Twenty-four  "Blue  Streak"  fea- 
tures will  star  Jack  Hoxie,  Art  Ac- 
ord  and  Pete  Morrison  and  will  be 
directed  by  Cliff  Smith,  Lynn  Rey- 
nolds and  others. 

Harry  Pollard,  King  Baggot,  Wil- 
liam A.  Seiter,  Edward  Sloman,  Ed- 
ward Sedgwick,  Dimitri  Buchowet- 
zki,  Lynn  Reynolds.  George  B.  Seitz, 
Harley  Knoles,  Melville  Brown  ano 
Edward  Laemmle  are  among  the  di- 
rectors represented  in  the  list.  House 
Peters,  Edward  Everett  Horton,  Pat 
O'Malley  and  Norman  Kerry  are 
among  the   stars  listed. 

Univer.sal  will  also  release  the  Stern 
Bros.'  product,  which  consists  of  a 
series  of  new  "Buster  Brown"  com- 
edies; the  "You  Know  Me,  Al"  ser- 
ies, "The  Newlyweds  and  Their 
Baby"  and  "Let  George  Do  It," 
based  on  the  George  McManus  com- 
edies; "What  Happened  to  Jane," 
starring  Wanda  Wiley  and  "The  Ex- 
cuse Makers."' 

Universal-made  short  subjects  in- 
clude the  Mustang  Westerns,  starring 
Kdmund  Cobb.  Curley  Wetzel,  Ben 
Corbctt  and  "Peewee"  Holmes,  the 
Andy  Gump  series;  the  "Bluebeard" 
one-reelers,  starring  Charles  Puffy 
and  Arthur  Lake,  and  the  "Fanny 
the  Trick  Mule"  series.  Universal 
will  continue  to  distribute  the  Inter- 
national News.  The  serial  program 
has  already  been  announced. 

The  meeting  was  held  in  the  East 
Ball  Room.  Earl  Kramer,  sales  di- 
rector for  the  East,  opened  the  con- 
vention. Addresses  were  made  by 
Lou  Metzger,  Western  sales  director, 
on  the  "Greater  Movie  List";  Joe 
Friedman,  who  is  handling  the  Den- 
nys which  are  to  be  sold  separately 
next  year;  Julius  Singer,  short  sub- 
ject sales  manager,  and  Abe  Stern, 
on  Buster  Brown  Comedies  and  the 
"You  Know  Me,  Al"  series.  In  the 
afternoon,  "The  Midnight  Sun"  and 
"The  Flaming  Frontier"  were  shown. 

"We've  got  the  whole  world  licked 
with  our  'Greater  Movie  List',"  Carl 
Laemmle  wired  from  the  Coast,  "if 
we  only  have  the  backbone  to  assert 
ourselves." 

R.  H.  Cochrane  and  "Manny"  Gold- 
stein win  speak  at  this  morning's  ses- 
sion. David  Bader,  head  of  the  ad- 
vertising accessory  department,  is 
also  on  the  program. 

Abe   Stern,  of  Stern  Bros.,  in  urg- 


ing the  salesmen  to  have  cou 
and  confidence,  cited  the  grit  of. 
Laemmle  in  fighting  the  Motion 
ture  Patents  Company  "trust"  ] 
ago. 


Sidelights 


Late  yesterday  afternoon,  Laura  La  P 
who  is  here  from  the  Coast,  was  intro 
to  the  salesmen.  "The  Midnight  Sun" 
heing  shown  when  the  star  made  h 
pearance.  "This  is  the  first  picture  I 
ever  stopped,  although  I  am  in  it," 
Miss  La  Plante  jokingly.  She  was 
duced   by   Paul   Gulick,   publicity   managi 


Most    of    the   boys    attended    the    Paul 
lenbach-Johnny    Risko   fight   last   night. 


Tonight,    the    boys    will    trek    to    the 
Carroll  theater   to   see   the   "Vanities." 


Yesterday  afternoon,  the  "delegates'* 
their  pictures  taken  atop  the  Hec 
Building.  A  strong  wind  disturbed 
pliotographer   and   his   subjects. 


Julius     Singer,     long     known     as     "Sr 
Julius,"    was    much    in    evidence.       His 
change    of    "flower"    subjects    is    well    ki 
to   the   trade. 


Al    Feinman,    exploiteer   in    the    Philade^: 
and    Washington    districts,    was    busy    rei 
ing     old     acquaintances.       He     was     with 
Warners    for    several    years. 


Edward  McDonough,  district  acces 
supervisor,  with  headquarters  in  Washing 
is  attending  the   sessions. 


I  F      I  T'S 


nifUNES 


GOWNS  OR  UNIFORMS 

LEARN     TO     SAY 

BR-OOKS" 

1437  BROADWAY    -    TEL  5580  PEN. 

ALSO  25,000  COSTUMES  TO  RENT 


Specify     

GOERZ      I 

Raw  Stock  for  QUALITY        ' 
Sole  Distributors: 
FISH-SCHURMAN  CORP. 

45   West  45th   Street 
N.    Y.   Bryant   7243 


EASTERN 

STUDIO   FOR   RENT 

EXCEPTIONAL   FACILITIES 

VERY  LARGE  STOCK  OF 
PROPS  AND  FURNITURE 

Telephone    Dewey    8600 


"Programs       that       'sell'       patrons       wel 
Our      low      price     is      unbeatable!"! 

NATIONAL  PROGRA" 
SERVICE 

Phone,  Call,  Write — 
1650   B'way,   N.   Y.   C.  Circle  ' 


TRMRSSELLSM 


iNTON 
RRENCE 
OPE 
FARRELL 


HARRY 
BEAUMONT 

Production 

The  biggest  box-office  hit  in  many  moons.    Millions 


lis 


ist 

OS 

or 
vn 


have  read  the  story.      Millions  will  go  to  see  the   J^- 

ce"! 

at 


picture. 


Fox  Film  Corpoiatioiv 


tHC 


DAILY 


Sunday,  March  21,  1 


Rumblim 


(.Continued  from  Page   1) 

producing  and  distributing  company   has  already  had  its   name 
linked  with  the  Keith   idea. 

Theater  Ideals 

A  page  in  theater  history  was  written  in  Atlantic  City  this 
week.  Ideals  and  a  code  of  business  ethics  which  theaters  far 
and  wide  can  either  use  or  adapt  for  their  own  purposes  were 
expounded  at  length.  The  keynote  was  service  to  the  public,  to 
the  community.  That,  in  brief,  is  the  cornerstone  of  the  Publix 
idea,  as  explained  by  Sam  Katz,  Harold  B.  Franklin  and  others. 

Franklin  advanced  a  tremendously  interesting  thought  at  the 
concluding  banquet  Thursday  when  he  asserted  that  theaters 
should  rank  with  schools  and  churches  in  constructive  force. 
Katz  at  one  point  urged  his  managers  to  join  their  Kiwanis 
Clubs,  their  Rotary  Clubs,  their  Chambers  of  Commerce,  to  make 
friends  of  city  officials — in  short  to  dc  everything  which  will 
give  the  theater  a  definite  niche  in  the  public  esteem. 

"Our  obligation  is  not  primarily  financial.  If  we  furnish 
the  proper  service  to  our  patrons,  it  is  an  economic  truth  that 
success  will  follow,"  he  said. 

Words  of  wisdom,  those. 

"Your  theater  is  an  honorable  institution  and  we  want  you 
to  maintain  it  as  such,  so  that  the  ideals  for  which  we  sweated 
blood  will  be  continued,"  the  convention  was  admonished  by 
Adolph  Zukor. 

A  real  idea,  a  real  ideal  in  that. 

The  Gesture  Gracious 
One  of  the  interesting  happenings  at  the  banquet  and  a  most 
gracious  sort  of  gesture  occurred  when  Jesse  L.  Lasky  admitted 
having  learned  a  lesson  from  Metro-Goldwyn-Mayer.  It  was  a 
big  thing  to  do,  but  Lasky  was  frank  to  say  that  the  Famous 
production  units  had  been  lulled  into  a  false  position  of  security. 
Turning  to  Felix  Feist,  he  then  jocularly  remarked  that  he  was 
now  ready  to  "clean  up"  M.-G.-M. 

Keeping  Faith 

The  other  night  a  group  of  people  who  can  be  pointed  to 
as  representative  of  the  great  masses  which  attend  neighborhood 
houses  expressed  indignation  because  their  local  theaters  had 
developed  the  habit  of  boosting  prices  whenever  a  picture  of 
slightly  more  than  unusual  drawing  power  came  along.  They 
resented  it. 

Day  after  day  and  month  after  month  these  houses  flourish 
on  regular  business  drawn  from  neighborhood  patrons.  The  bait 
that  increased  admissions  must  indicate  something  superlative  in 
entertainment  did  not  draw.  The  consensus  of  opinion  seemed 
to  be  that  such  talk  was  old  stuff.  This  group  absolutely 
failed  to  see  why  the  price  scale  should  be  so  pliant.  That  cer- 
tain attractions  cost  exhibitors  increased  rentals  did  not  interest 
them.  They  merely  figured  that  suddenly  and  without  any 
indication  they  found  facing  them  at  the  box-ofifice  a  boost  in 
the  price  scale.     And  they  simply  were  annoyed. 

This  practice  exists  in  certain  sections  of  Greater  New  York 
and  in  Chicago.  It  may  prevail  elsewhere  as  well.  It  would 
seem  that  the  exhibitor  who  indulges  carelessly  in  this  sort  of 
procedure  is  not  keeping  faith  with  his  public.  The  other  day 
in  Atlantic  City  Sam  Katz  aptly  declared  that  it  was  a  more  vital 
part  of  any  theater's  functions  to  keep  its  yearly  gross  where  it 
belongs  than  to  roll  up  a  fictitious  gross  during  any  one  week. 

Mr.  J.  P.  Kennedy 

The  new  factor  in  control  of  F.B.O.  has  arrived  in  Holly- 
wood. He  at  once  announces  that  his  organization  will  increase 
production  activities  by  15  per  cent  over  last  year.  Kennedy  has 
a  splendid  background  in  big  business  in  Boston.  He  is  under- 
stood to  have  some  real  ideas  and  these  will,  of  course,  find  re- 
flection in  his  new  enterprise,  F.B.O. 

Indications  are  not  wanting  that  there  will  be  some  new 
developments.    The  story  in  brief  is  that  Kennedy  wants  to  make 


his  organization  the  leader  in  its  particular  sphere  in  the  indus 
He's  worth  watching. 

Bookings  and  Circuits 

On  several  occasions,  the  T.O.C.C.  has  unofficially  discu 
ways  and  means  of  meeting  the  first-run  situation  in  New  Y 
Franchises  have  been  considered  with  Warners,  Fox  and  P 
There  were  prolonged   conferences  last   year.     Next  week, 
meetings  will  be   held,  one  with   P.   D.   C.   and   the  other 
Warners.     These   two   companies   will   have   almost  80   pictu 
for  1926-1927,  enough  to  supply  backbone  service  for  the  T.O.C 
members.    Those  on  the  inside  declare  this  move  is  serious.    ' 
others  were,  too.     The  great  difficulty  has  been  not  in  inter 
ing    distributors,    but    in    gathering    sufficient    momentum    ii\mi^^ 
within  the  exhibitor  ranks  to  put  the  deal  over. 

Doug,  Dog  and  Butcher 

"The  Black  Pirate"  during  the  week  made  reservations 
an  Italian  boat  for  Naples.     One  final  detail  involved  a  favoi 
dog,   which    Doug   intends   carrying   along.      He    made    inquir 
and  asked  who  on  board  the  boat  would  handle  the  canine, 
was  told  those  duties  fell  within  the  province  of  the  ship's  butcl 

It  almost  broke  up  the  trip. 


TRUSTEE'S  SALE 

Under  and  by  virtue  of  certain  deeds  of  assign- 
ment bearing  date  the  twenty-first  and  the  twenty- 
fourth  days  of  October,  1922,  respectively,  to  hin. 
made  by  the  United  Theatre  Equipment  Corpora- 
tion, the  undersigned  will  at  his  office.  Room  No. 
1325,  at  165  Broadway,  Borough  of  Manhattan, 
City  of  New  York,  on  Saturday,  the  27th  day  of 
March,  1926,  at  noon,  offer  for  sale  at  auction  to 
the  highest  bidder  all  his  right,  title  and  interest 
under  and  by  virtue  of  such  assignments  to  the 
following  property  mentioned  therein,  to  wit: — 
twelve  hundred  (1200)  shares  of  the  capital  stock 
of  Proctor  Automatic  Projector  Company,  Inc., 
standing  in  the  name  of  the  said  United  Theatre 
Equipment  Corporation;  and  a  certain  agreement 
in  writing  between  Proctor  Automatic  Projector 
Company,  Inc.,  and  United  Theatre  Equipment 
Corporation,  granting,  or  purporting  to  grant,  unto 
the  latter  the  exclusive  right  and  license  to  manu- 
facture and  exploit  the  Proctor  Automatic  Pro- 
jectors and  parts;  and  also  all  tools,  patterns,  dies 
and  parts  whatsoever  used  in  connection  with  the 
said  Proctor  Automatic  machine. 

HENRY    MELVILLE, 

Trustee. 

AN  unprecedented  opportunity  to  obtain  a  controlling  inter- 
est in  a   corporation  which   owns  a   modern,   high  class, 
professional  projector  favorably  known  to  the  trade. 
The  property  offered  for  sale  by  Henry  Melville,  Trustee,  con- 
sists of: 

1.  Twelve  Hundred  Shares  of  Voting  Common  Stock,  out  of 
a  total  issue  of  Two  Thousand  Shares.  There  are  no  other 
Bonds  or  Stocks.  The  lot  offered  for  sale  will,  therefore,  con- 
trol the  policy  of  the  Company. 

The  Corporation  owns: 
Working  Models,  Drawings,  etc. 

U.  S.  Patents  No.  1,298,390,  1,298,391,  1,298,392,  1,298,393, 
1,298,394,  1,298,395. 

2.  Complete  title  in  and  ownership  of  Tools,  Dies,  Patterns 
and  Fixtures  for  the  manufacture  of  the  machine  in  quantities. 
With  this  outfit  any  properly  equipped  manufacturing  plant  can 
produce  the  Projector  without  difficulty. 

The  Proctor  Projector  meets  Underwriters'  requirements 
everywhere.  Underwriters'  Laboratories  File  E  3799.  Guide 
No.  320-113. 

No  other  selling  or  leasing  contracts  exist.  The  owners  of 
the  property  will  have  a  clear  field  for  exploitation  from  coast 
to  coast. 

This  sale  offers  a  timely  opportunity  to  a  large  theatrical 
chain;  or  a  group  of  dealers  to  combine  in  the  control  of  an 
established  Motion  Picture  Projector,  dividing  territory  between 
themselves.  Using  the  Proctor  Projector  as  the  foundation,  a 
national  supply  business  can  be  pyramided  of  enormous  volume. 

The  services  of  an  experienced  engineer  are  available,  who 
is  expert  in  directing  manufacturing  operations,  and  can  take 
complete  charge  of  production  at  once. 

Sale  by  Henry  Melville,  Trustee,  at  Room  1325,  No.  165  Broad- 
way, 12  o'clock,  Saturday,  March  27,  1926. 


IS  bee 
lElte 

to  rep 


i-Tlw 
lii;  C 
ig  iavo 
jemi 
)|ector< 
itt,  w 

isa. 
mk 

ion 

ilksi 


ICi- 


fat 
is 

M 
Ilk 
ligi 
iiir 
id  I 


lesi 


lllCi 

toric; 

ic 

lyriE 

l;ii5 


BiEci 


PROCTOR  AUTOMATIC  PROJECTOR  COMPANY,  INC. 


Him 
IWtii 


fit 
feivi 

>!! 

»1 


llttl 


= 


ray,   March  21,   1926 


THE 


-e^m 


DAILY 


* 


^hool  Competition 

^ngton  M.   P.  T.   O.   Vexed  at 
-.  tice — Seeks  Relief  from  Edu- 
cation Department 
(—Washington   M.   P.  T.   O. 
irs  have  become  aroused  to  the 
of    taking    action    against    the 
ig  of  films  in  competition  with 
-$   by   public   schools, 
etary  J.  M.  Hone  has  prepared 
•esented  to  Mrs.  Preston,  State 
of  Public   Instruction,  a  digest 
complete  situation  as  it  exists 
state,   together   with   legal   de- 
>   handed   down   in   other   states 
similar    problems.      Mrs.    Pres- 
is   been   asked    for   her   opinion 
matter.     No  further  action  will 
:en  until  she  has  had  an  oppor- 
to  reply. 


In  Eastern  Studios 


m-Theatricals  Busy  in  K.  C. 

sas  City,  Kans. — "We  are  not 
g  favorites  when  we   refuse   to 

permission  for  the  installation 
ijectors,"  declares  Olander  Lind, 
hief,  who  states  that  many  or- 
itions,   including   church   bodies, 

made  requests  during  recent 
IS  for  permission. 


"Uncle  Tom's  Cabin"  Unit  Busy 

The  Universal  company  headed  by 
Harry  Pollard,  which  is  filming  "Un- 
cle Tom's  Cabin,"  is  on  location  in 
Plattsburg.  "Eliza"!  is  plr^ed  by 
Margarita  Fischer.  Arthur  Edmund 
Carewe,  Skipper  Seliff,  Lucien  Little- 
field,  J.  Gordon  Russell  are  also  there. 
George  Seigman  and  Pauline  Freder- 
ick, who  also  have  parts,  were  not 
needed  in  this  sequence.  "Little 
Eva"  and  "Uncle  Tom"  have  not  yet 
been  selected. 


Fields  Unit  Back 

W.  C  Fields,  Edward  Sutherland 
and  the  Paramount  company  on  lo- 
cation at  Palm  Beach,  making  "It's 
the  Olci  Army  Game,"  have  returned. 
Louise  Brooks,  Blanche  Ring,  Mick- 
ey Bennett,  William  Gaxton  and 
Mary   Foy  are  in  the   cast. 


Talks  on  Films  Over  Radio 

regular  weekly  feature  of  the 
casting  service  installed  by  the 
5t  Fathers  over  their  station 
VL  is  the  picture  talk  by  Char- 
McMahon,   editor   of   the    Na- 

Catholic  Welfare  Bulletin.  Mc- 
)n  is  giving  a  series  of  construc- 
alks  urging  support  of  good  pic- 

and  outlining  the  results  at- 
1  through  constructive  work 
the  industry  in  developing  po- 
ilities  for  good. 


iddies  Boosting  Better  Films 

■mingham,  Ala. — Children  in  lo- 
ublic  schools  are  writing  essays 
listorical,  educational  and  book 
Dn    pictures,    under    direction    of 

Myrtelle  W.  Snell.  The  object 
e  essays  is  to  create  more  inter- 
n  good  books,  good  photoplays 
good  English.  Speakers  are  ap- 
ng  in  the  various  schools  to  dis- 

values  of  good  books   and  good 

ires. , 

Ends  all  Competition 
nterville,   la.— Lee  Moore,  owner 
ne   Majestic   here,   has   purchased 
Majestic,    thus    eliminating    com- 
ion. 


Dix  Begins  "Take  a  Chance" 

Richard  Dix's  newest  Paramouijt, 
"Take  a  Chance,"  under  the  direction 
of  Gregory  La  Cava,  will  go  into  pro- 
duction Monday,  at  the  Paramount 
studio.  Alyce  Mills,  "Gunboat" 
Smith,  and  Ida  Waterman  are  in  the 
cast.  La  Cava  will  be  assisted  by 
David  Todd,  and  Ed  Cronjager  will 
be    chief    cameraman. 


Producing    Magic    Series 

The  Magicians  Club  of  America  is 
producing  a  series  of  13  one-reelers 
on  "How  to  Entertain  with  Feats  of 
Magic,"  at  the  Sparko  studios.  The 
club  will  furnish  material  to  news- 
papers for  a  column  to  be  called  "En- 
tertaining tricks  you  can  do  at  the 
party,"  a;i  a  tie-up  with  first  runs. 

Walter  Goss  in  Swanson  Picture 

Walter  Goss,  a  graduate  of  the 
Paramount  Picture  School,  has  been 
added  to  the  cast  of  "Fine  Manners," 
Gloria  Swanson's  latest  for  Para- 
mount. About  300  extras  are  being 
used   on    carnival   scenes. 


Hines    Back    Next    Week 

Johnny  Hines  and  the  companv 
making  "The  Brown  Derby"  have 
finished  most  of  their  Florida  exter- 
iors and  are  expected  back  next  week. 
They  will  work  at  the  Tec  Art  Jack- 
son studios   for  about   five  weeks. 


Kane's  Next  in  Work 

Robert  Kane's  next,  "The  Great 
Deception,"  which  is  to  be  directed 
by  Howard  Higgin,  is  in  preparation. 
Aileen  Pringle,  Lowell  Sherman  and 
Sam  Hardy  have  been  selected  for 
the  principal  roles.  It  is  likely  that 
Ben  Lyon  will  also  be  in  the  picture. 


vill.^ 
5. 

and 
6. 

able 
7. 


Ornato    on    Smith    Series 

Joseph  Ornato  is  directing  a  series 
of  11  Sid  Smith  two-reelers.  Mae 
Reynold  supports  the  star.  The  first, 
"The  Banana^_Eill£.l_Svas  started 
Thursday.'  " 


•etroit  House  Robbed  of  $2,500 

etroit- The  safe  of  the  Tuxedo, 
8  Hamilton  Ave.,  Highland  Park, 
broken,  open  and  robbed  of  $2,500, 
days'  receipts.  On  Feb.  7  the  house 
robbed  of  $1,400. 

Four  Now  in  Indiana  Chain 

oblesville,  Ind.— Mrs.  Arthur  Jack- 
who  conducts  the  Arc  and  the 
nd  in  Crawfordsville,  has  pur- 
ed  the  Olympic  and  the  Opera 
ise  here  and  will  show  road 
vs,  pictures  and  vaudeville. 

New  Fresno  Theater  Opens 
resno,  Cal.— The  new  Wilson  the- 
has  just  opened  with  "Madam 
ave."  Golden  State  Theaters  will 
rate  the  house  under  a  long-term 
;ement  for  the  builders,  L.  W. 
son  and  J.  A.  Benham.  The  new 
iter  was  erected  at  a  cost  of  $500,- 


Still  on  "Puppets" 

Work  is  progressing  on  "Puppets," 
Milton  Sills'  starring  vehicle,  with 
George  Archainbaud  directing. 

Changed   to   "Subway    Sadie" 

"Sadie  of  the  Desert,"  a  story  by 
Mildred  Cram,  announced  for  First 
National,  will  be  filmed  under  the 
title  of  "Subway  Sadie." 


On  Second  Cantor  Comedy 

Donald  Kerr  has  started  on  "The 
Perfect  Flapper,"  the  second  of  his 
series  of  two-reelers,  being  made  by 
the  Cantor  Comedies,  Inc.,  at  Pathe. 
Tiny  Tim  is  in  the  cast.  Murray 
Roth,  gag  man,  will  arrive  tomorrow 
from  the  Coast. 


Fans'  Help  Asked 

Indianapolis — The  Indiana  Indor- 
sers  of  Photoplays,  one  of  the  strong- 
est better  films  organizations  in  the 
country,  has  issued  a  questionnaire 
to  theaters  for  distribution  among 
patrons,  in  an  effort  to  decide  the 
progress  of  good  pictures  in  the  vari- 
ous communities  throughout  the  city. 
The  questions   asked  are  as   follows: 

1.  Is  the  popularity  of  the  motion  pic- 
ture   increasing    in    your    community? 

2.  What  is  the  criticism  of  the  motion 
picture   most    often   made? 

3.  What  type  of  pictures  gives  the  most 
entertainment  at  the  movies? 

4.  Are     your     theaters     combining    vaude- 
■.v'lh    pictures? 

Are    pictures    shown    in    your    schools 
church? 
Name   a    few    pictures    you   think    suit- 
for    church    use. 
Can     you     name     a     picture     in     which 
church,   school   or   state   is  ridiculed? 

8.  What  is  your  community  doing  for  the 
children? 

9.  Is  there  any  efifort  being  made  in  your 
community  to  create  an  interest  in  good, 
wholesome    pictures? 

The    association    has    picked    the    following 
current   releases   for   indorsement : 
Adult — Class    "A" 

"The  Wanderer,"  "Three  Faces  East," 
"The  Rocking  Moon,"  "The  Reckless  Lady," 
"Council  for  the  Defense,"  "The  Million  Dol- 
lar Handicap,"  "Stepping  Out"  and  "Man- 
nequin." 

Adult — Class    "B" 

"The  Blue  Streak,"  "Sally  of  the  Circus," 
"Don't,"  "Grass,"  "Red  Hot  Tires,"  "The 
Pinch  Hitter,"  "Lights  of  Old  Broadway," 
"Stop,  Look  and  Listen,"  "Too  Much 
Money,"  "The  First  Year,"  "Hands  Up" 
and  "Clash  of  the  Wolves." 

Comedies — Class    "A" 

"Her  Husband's  Past,"  "Prep  School," 
"The  Feud,"  "Cupid  a  la  Carte,"  "Dinky 
Doodle  and  the  Bad  Man"  and  "The  Goofy 
Gab." 

The  annual  State  meeting  of  the 
organizaiion  wil  be  held  at  the  Hotel 
Anthony,  Ft.  Wayne,  on  April  19-20. 
The  sessions  will  open  on  the  even- 
ing of  April  19  with  a  banquet,  fol- 
lowed by  the  screening  of  a  picture. 


May  McAvoy  to  Coast 

May  McAvoy,  having  finished  her 
work  in  "The  Savage,"  will  leave  for 
the  Coast  tomorrow  to  make  two  pic- 
tures. It  is  understood  that  she  will 
return  East  after  they  are  completed. 


Enterprise  Film  Corp.  Formed 

Dallas — Wallace  Walthall  is  the 
new  general  manager  of  the  Enter- 
prise Film   Corp.,  recently  organized. 


The 


Griffith  in  Third  Week 

third    week    of    shooting 


on 
'Sorrows  of  Satan"  has  commenced. 
D.  W.  Griffith  has  added  Ivan  Lebe- 
deff,  Russian  actor,  to  the  cast. 


Elsie  Werner  Adapting 
Elsie    Werner    is    working    on    the 
adaptation  of  "Marry  My  Wife,"  for 
Welcome  Pictures  Corp. 


"Wilderness  Woman"  Completed 

Howard  Higgin  has  completed 
"The  Wildnerness  Woman"  for  Rob- 
ert Kane  at  Cosmopolitan.  He  is 
editing  while  Paul  Maschje  is  cutting 
and  Peter  Milne  titling. 


Boland  Recovering  from  Operation 

Oklahoma  City — Tom  H.  Boland, 
manager  of  the  Empress,  is  in  a  local 
hospital,  recovering  from  an  operation 
for  appendicitis. 


Carolina  House  Hurt  by  Fire 

Lumberton,  N.  C— A  $25,000  fire 
which  destroyed  five  buildings  and  the 
local  picture  house,  swept  the  western 
part  of  the  town. 


Start  "Mismates"  on  the  25th 

"Mismates"  will  go  into  actual  pro- 
duction at  First  National  March  25. 
Charles  Brabin  will  direct.  Doris 
Kenyon  has  the  leading  role. 


Blank  Closes  Two  Houses 

Des  Moines,  la.— A.  H.  Blank  has 
closed  two  houses  here  The  Majestic 
will  be  entirely  remodeled,  while  the 
Rialto  will  be  dismantled. 


Fire  Destroys  N.  D.  House 

Mandan,  N.  D.-The  Opera  House 
was  destroyed  by  fire  with  a  loss  of 
$10,000. 


Sparks  Leases  Georgia  House 

Valdosta,  Ga.— E.  J.  Sparks  has  ac- 
quired a  lease  on  the  new  $200,000  the- 
ter  now  being  erected.  A  |500,000 
hotel  will  adjoin  the  site. 


Name  Theater  Manager 
Canton,    O. — Edward    Hilderbrandt 


has   been   appointed   manager  of 
Lisbon  O.  H. 


the 


Gebhardt  Enlarges  Pathe  Staff 
Kansas  City — F.  W.  Gebhardt,  new 
manager  for  Pathe,  has  appointed  two 
new  salesmen  to  tlae  staff.  They  are 
Lawrence  Prosser  and  Earl  Oshel, 
formerly  with  First  National  and  Ed- 
ucational. 


File  Papers  of  Incorporation 

Sacramento,  Cal. — Articles  of  incor- 
poration for  the  Alhambra  company, 
made  up  of  local  men  and  formed  to 
build  the  Alhambra,  at  31st  and  K 
Sts.,  have  been  filed.  The  project  will 
cost  $750,000. 


Grubel  Bros.  Improving  Circuit 
Kansas  City,  Mo.— Grubel  Bros,  are 
planning  Improvements  for  all  of  their 
theaters,  which  include  houses  in 
Springfield,  Mo.,  Joplin,  Mo.,  and 
Kansas  City,  Kan. 


r 


ltd 


ict 


lie 
ke 
C. 

ly 
he 
B. 

lie 
:w 

xt 

ut 
at 

D« 

iH 


ir- 
lio 
er 
:r* 
he 


e 

^} 

a| 

is- 
n- 
n- 
re  ' 
:ld 
a 

he 
re 
g- 


a5 
lat 

ult 
dy] 


y 

ist 

OS 

or 
va 


C. 

:d 

ce' 

at 


THE 


Douglas  Fairbanks  in 

"The  Black  Pirate" 

United  Artists 

PIRATES  AND  PIECES  OF 
EIGHT  ON  THE  SCREEN  AT 
LAST.  DOUG'S  LATEST  COL- 
ORFUL, THRILLING  AND 
BOX-OFFICEY.  WHAT  ELSE 
DO  YOU  NEED? 

Star. ..  .Splendidly  heroic  and  a  riot 
in  athletic  ingenuity.  All  over  the 
screen  at  one  time. 

Cast Donald    Crisp    fine    as   a 

Scotch  pirate.  Sam  De  Grasse  and 
Anders  Randolf  ting  true  as  blood- 
thirsty villains.  Billie  Dove,  help- 
less heroine.  Extras  unusual,  realis- 
tic types. 

Tjrpe  of  Story.... The  Spanish  Main, 
skull  and  cross-bones,  beautiful 
heroine,  dashing  hero,  the  sweep  of 
the  sea,  glittering  gold,  hard  fight- 
ing— they're  all  in  Doug's  latest. 
Here  is  a  real  pirate  yarn,  slightly 
too  bloody  in  one  .or  two  spots, 
but  generally  handled  with  a  swing 
and  a  dash  that  one  would  expect 
in  a  story  of  this  nature.  It  is 
episodic.  Doug  vows  to  avenge  his 
father  who  is  captured  by  pirates. 
Joining  the  pirate  crew,  he  soon 
earns  the  self-imposed  title  of  "The 
Black  Pirate,"  and  proceeds  to  car- 
ry out  his  vengeance.  A  large  .ner- 
chantman  is  captured.  Aboard  is  a 
Spanish  noblewoman  and,  of  course, 
Doug  must  save  her.  The  story 
then  deals  with  how  this  is  done. 
There  is  plenty  of  suspense  and. 
as  usual  in  Fairbanks'  pictures,  a 
surprise  finish  when  his  warriors 
swim  under  sea  in  aeroplane  for- 
mation to  the  unsuspecting  pirate 
ship  and  annihilate  the  dastardly 
crew. 

The  highlights  are  the  capture 
of  the  merchantman  single-handed 
by  Doug.  It  is  unique  and  thrill- 
ing. He  slits  sails  as  he  slides 
from  rigging  to  rigging;  holds  the 
crew  at  bay  by  manipulating  a 
cannon  with  each  hand,  etc.  The 
other  real  thrill  comes  in  the  res- 
cue of  the  heroine  by  the  sea-going 
soldiers.  The  photography  is  sup- 
erb. Technicolor  was  used  through- 
out. Some  of  the  shots  are  like  the 
paintings  of  the  old  masters  in  the 
beauty  and  splendor  of  their  com- 
position. 

Box  Office  Angle. ..  .This  is  in.     It 

has  Doug;  its  pirates  are  as  ter- 
rible as  anyone  ever  pictured  and 
it  is  the  finest  specimen  of  the  all- 
color  feature  yet  produced. 

Exploitation. . .  .Shouldn't  present  the 
slightest  sort  of  trouble.  You  have 
the  star  and  the  story,  a  colorful 
j^arn  that  lends  itself  splendidly  to 
lobby  displays  and  tie-ups  with  the 
children.  The  subject  offers  un- 
usual opportunities  to  get  a  dis- 
tinctive note  into  your  advertising. 

Direction Albert   Parker;   very 

good. 

Author   Elton  Thomas 

Scenario Jack  Cunningham 

Cameraman  Henry  Sharp 

Photography    Gorgeous 

Locale The  Spanish  Main 

Length    8,388    feet 


■^^ 


Gloria  Swanson  in 

"The  Untamed  Lady" 

Paramoiiyit 
GLORIA  MORE  HERSELF  IN 
THIS  THAN  IN  ANYTHING 
SHE  HAS  HAD  RECENTLY. 
ENTERTAINING  AND  SURE 
TO  PLEASE  THE  STAR'S  FOL- 
LOWING. 
Star. . .  .Succeeds  in  being  herself  and 
doing  it  very  well.  Lovely  in  many 
shots  and  certain  to  prove  her 
gameness  in  the  boiler  room  epi- 
sode. 
Cast. ..  .Lawrence  Gray  a  very  good 
looking  and  entertaining  young  man 
who  is  going  to  get  some  first-rate 
attention  for  his  work  as  Gloria's 
leading  man.  Destined  to  have  a 
rush  on  autographed  photographs 
after  this  one  gets  going.  Joseph 
Smiley  lines  up  for  third  place  as 
the  very  likable  Uncle  Larry. 

Type   of    Story Comedy-drama; 

written  by  Fannie  Hurst  for  the 
star.  Imagine  Gloria  a  wilful,  beau- 
tiful, but  very  spoiled  young  lady 
and  picture  Larry  Gray,  a  hand- 
some, very  determined  young  man 
and  you  have  a  good  idea  of  what 
happens.  With  Uncle  Joe  Smiley's 
urging  he  sets  out  to  "tame"  the 
lady.  It  comes  near  ending  in 
tragedy  but  this  affords  Gloria 
proper  opportunity  for  emotion  and 
shedding  lovely  tears  for  the  lover 
who  is  injured  through  her  fault. 
There  is  a  real  thrill  in  the  hero's 
leap  across  the  ravine  and  his  fall 
even  if  the  scenery  is  far  from 
looking  genuine.  Frank  Tattle's 
boat  scenes  do  not  bring  in  any 
great  amount  of  atmospheric  "real- 
ism" either,  but  that  is  about  the 
only  fault  that  can  be  found  with 
his  end  of  it.  He  has  handled  the 
story  splendidly,  steered  Gloria 
through  her  part  very  correctly, 
and  seemed  to  have  picked  up  all 
the  if'ughs  that  Fannie  Hurst's 
story  might  have  suggested.  Of 
course.  Gloria  comes  through  a  very 
much  tamed  young  lady  and  after 
an  ending  that  threatens — only 
threatens — to  be  tragic,  you  find 
Gloria  and  hero  Larry  all  set  for 
a  clinch  in  a  lovely  fruit  orchard 
with  the  trees  all  in  blossom  and 
Gloriri  all  togged  out  in  organdie. 
Box  Office  Angle. . .  .Better  entertain- 
ment than  the  last  one  or  two 
Swanson  pictures.  Will  please  most 
of  your  audience  and  sure  to  de- 
light the  staunch  Swanson  follow- 
ing. 
Exploitation. . .  .Play  up  the  fact  that 
Gloria  is  a  girl  of  the  untamable 
variety  who  breaks  a  half  dozen  en- 
gagements and  returns  a  half  dozen 
rings  before  she  meets  the  man 
who  doesn't  even  give  her  a  ring 
and  manages  to  bring  her  around 
to  his  way  of  thinking  at  that. 
Shots  of  Gloria  at  work  in  a  boiler 
room  of  a  ship  and  other  bits  of 
comedj'  will  interest  them. 
Direction. . . .  Frank  Tuttle;  decidedly 
effective. 

Author  Fannie  Hurst 

Scenario. .  .James  Ashmore  Creelman 

Cameraman    George  Webber 

Photography    Good 

Locale  N.  Y.-New  Haven 

Length     6,132    feet 


DAILY 


"The  Love  Toy" 

Warner  Bros. 
BURLESQUE  OF  THE  MYTHI- 
CAL KINGDOM  REVOLU- 
TIONARY FORMULA  THAT 
FURNISHES  PLENTY  OF 
COMEDY  IN  THE  WAY  OF 
WISE-CRACKING  TITLES. 

Cast. . .  .Lowell  Sherman  good  as  the 
Yankee   who   forgets   an   unfortun- 
ate love  affair  by  getting  mixed  up 
in    the    revolutionary    business    of 
Belgradia.     Willard  Louis  the  com- 
edy   king   who    makes    Lowell    his 
valet    and    decorates    him    with    a 
medal    for    each    service.      Others 
Gayne  Whitman,  Ethel  Grey  Ter- 
ry,   Helene    Costello    and    Maude 
George. 
Type  of  Story. . .  .Comedy  burlesque. 
"The    Love    Toy"    starts    off    as    a 
straight  romantic  yarn  with  Lowell 
Sherman  all   set  to  marry  the  girl 
of    his    dreams.      He    arrives    too 
early   for   the    ceremony   and   finds 
his  fiancee  in  the  arms  of  the  "other 
man."      Lowell   walks    out    on    the 
party  and  without  further  ado  you 
find  him  forgetting  his  troubles  in 
a  mythical  kingdom  where  the  chief 
difficulty   exists    in    that    they   have 
more    wars    scheduled    than\    they 
have  days  in  the  year.     From  this 
point    on    the    burlesque    runs    rife 
and  sub-titles  of  the  wise-cracking 
variety  put  over  most  of  the  laughs. 
They     run     something     like     this: 
"Revolutions  meant  nothing  to  the 
King;    he    was    born    on    a    ferris 
wheel,"  and  "Long  live  the  Queen, 
long  may  her  marcel  wave."     Most 
of    these    "cracks"    seemed    to    be 
thoroughly  enjoyed  by  a  Broadway 
audience.      Willard    Louis,    as    the 
king,   and   Lowell    Sherman,   as   his 
valet,    have    the    comedy    in    their 
hands    and    make   good   use    of   op- 
portunities   that    come    their    way. 
Erie  Kenton  maintains  a  fairly  live 
pace    in    his    development    and    the 
production     contains     some     exten- 
sive sets,  many  of  which,  however, 
are     not    very    real    looking.       He 
stages    a    thrilling    chase    for    a   cli- 
max.     It   contains   some   great   rid- 
ing and   some   fancy  auto   driving. 
Of     course,     there     is     the     king's 
daughter,  loved  by  the  Yankee,  and 
after    his    mad    dash    he    saves    her 
from  marrying  the  villainous  Prime 
Minister,  and  wins  her  for  himself. 

Box  Office  Angle Good  for  laughs 

if  you  figure  your  folks  like  bur- 
lesque. Not  a  very  high  class  com- 
edy, but  will  get  over  first  rate  if 
your  audience   is   right. 

Exploitation Lowell     Sherman's 

name  should  be  somewhat  of  an 
asset  although  they  may  expect  a 
very  much  different  story,  especi- 
ally from  the  title,  "The  Love 
Toy."  Promise  some  good  com- 
edy, particularly  in  the  character 
of  the  king,  played  by  Willard 
Louis.  Run  a  trailer  including 
some  of  the  comedy  titles  and  shots 
of  the  chase. 

Direction Erie   C.   Kenton;   ade- 
quate. 

Author     Anonymous 

Scenario    Sonya    Hovey 

Cameraman   John  J.   Mescall 

Photography    All    right 

Locale    Mythical    kingdom 

Length    5,161    feet 


Tom  Mix  in 

"My  Own  Pal' 

Fox 

MIX     FORSAKES     THE     \ 
AND   TAKES  A  FLYER 
"COP,"       CONTINUING 
HEROICS   IN   A   NEW   F] 
BUT  WITH   THE 
TION   AND   THRILLS. 


[ILLS 
NET! 
IGHL' 
ITIRE 
IRE 
ITPIi 
USUAIi  iIFLE 


i   la, 


Star. ...  .Substitutes    the   polic 
uniform    for    his    cowboy    su: 
then    gets    things    humming   i 
round-up  of  a  band  of  croo 


Cast Olive    Borden  suitable 

Others     little     Virginia     Maijely. 
Helen   Lynch,   Bardson   Bard 
ques  Rollens,  Tom  Santschi. 


Type  of  Story Comedy,  stun 

action  story;   adapted  from  ( 
Beaumont's     story,     "The     G| 
Guardsman."     "My  Own  Pal' 
little  out  of  the  ordinary  for 
Mix.     While  it  provides  him 
the   usual  opportunities   for   sffl"™. 
rescues,    escapes    and    the    HI   { ^^^'■ 
takes    him    out    of    the    custo  fj"?  ?! 
western  atmosphere  and  lands 
on  the  police  force  of  an   Ea ;  ^^ ' 
city.     Of  course,  as   the  offic  "sj?! 
the    law,     he    has    plenty    of  '  ss.  " 
chances   to    "do   his   stuff"   aiJits™i 

inichi 
ai 


does    it    up    brown.      No    bail 
criminals  will  get  away  from 
and  no  matter  how  many  oppo  i  "S^  ! 


he  has  against  him,  hero  is  a' 


■oy  ii 
lady 
tious  t 


;  KCa: 


st'st 
a  SI 
and 

inv  wil 


all  spick  and  span  for  the  <  f?',  C 
finish  while  his  adversaries  are 
ing  themselves  out  of  rivers,  s 
and  other  handy  deposits  w: 
hero's  prowess  had  sent 
Tony  serves  his  master  in  mail"  tk*; 
his  stunts  and  little  Virginia  ^'^^( 
shall,  who  is'  the  "pal,"  is  UK  a  lit 
biggest  booster,  outside  off|"ott( 
chief's  daughter. 


e,  ISO 

the 


irtiou 
Bati,  J: 
,y-soii 
raieni 


bi 


lilbg. 


tm-cl 


5  the 
The  plot  concerns  the  rouri  ™'is! 
of  a  band  of  crooks.  Tom  is'  'kjtki 
on  their  trail  not  knowing  thai  fyU  ai 
rival  for  the  affections  of  the  cl  ""  Ifa 
daughter  is  secretly  the  leade 
the  band.  There  is  plenty  of  , 
action  afforded  in  the  round-upi  fetol 
the  eventual  capture  of  the  !  («• 
The  work  of  hero  in  bringin?  Wes 
the  desperadoes  wins  for  him'  "ti^ 
chief's  admiration  and  his  dauj  ;OSct 
as  well.  iiiTieiit 

Box  Office  Angle Good  fotp'™ 

crowd    that    likes    plenty    of 
and  for  the  Tom  Mix  rooters  i| 
prove    a    good    variation    fror 
usual   western. 

Exploitation. ..  .Run   a   trailer   si 
ing  some  of  the  trick  methods 
uses    to    trap    the    members    of 
crook    band.      The    one    when 
lassoes    them    as    they    step    of 
elevator   and   attaches   the   rop 
an  auto  which  starts  off  and  d  iv, 
them  into  the  river,  is  a  good  t 
Use    Mix's    name    and    be    sur  !it;;'r, 
tell    them    he    plays   the    role   ■  Jh 
mounted  cop  in  "My  Own  Pa 

Direction J.  G.  Blystone;  all  i 

Author   Gerald  Beaur 

Scenario    Lillie  Hayi 

Cameraman    Daniel  C  "farji 

Photography (  %?) 

Locale   Eastern     ''t 

Length    6,038    f^ 


THE 


Iday,  March  21,  1926 


^s^g^ 


DAILY 


"The  Bat" 

United  Artists 
:ILLS  AND  COMEDY  COM- 
NE  TO  MAKE  FOR  THOR- 
JGHLY  MYSTIFYING  AND 
ITIRELY  ABSORBING  PIC- 
FRE.  GREAT  SUSPENSE 
FT  PICTURE  COULD  BE  A 
tlFLE  SHORTER. 

..An  excellent  company.  All 
|iecially  well  suited  types.  Emily 
zroy   is   calmness   personified   as 

lady  in  whose  house  the  mys- 
lous  business  occurs.  Louise 
'^^-"nda  and  Eddie  Gribbon  supply 
occasional  laughs  quite  effeq- 
Robert  McKim,  who  has 
been  up  to  much  villainy  of 
e,  IS  one  of  those  suspected  of 
ng  the  mysterious  "Bat."  Ar- 
ir  Houseman,  Sojin,  Tullio  Car- 
nati.  Jack  Pickford,  Lee  Shum- 
y — some  more  suspects.  Jewel 
rmen  is  the  girl  in  the  case. 

of   Story Mystery-drama; 

ipted  from  the  stage  play.  Rol- 
i  West  has  succeeded  in  in- 
ting  all  the  thrills  and  the  hair- 
sing  bits  that  made  Avery  Hop- 
od's  and  Mary  Roberts  Rine- 
rt's  stage  play  a  sensational  suc- 
;s.  Naturally  the  possibilities  of 
;  screen  permit  of  the  covering 
much  more  territory  and  the  re- 
t  is  an  even  more  mystifying. 
mgh  probably  not  any  more 
illing,  entertainment  than  the 
y.  Certainly  under  Director 
est's  guidance,  the  "Bat"  main- 
ns  a  strict  secrecy  in  his  iden- 
y  and  it  isn't  very  likely  that 
my  will  pick  the  guilty  one  be- 
■e  they  remove  the  grotesque 
sk  after  his  capture.  The  picture 
is  a  little  too  long  and  they  are 
t  to  become  a  bit  impatient  await- 
[  the  disclosure.  The  denoue- 
nt  is  satisfactory  and  unless  they 

back  over  the  action  very  rigidly 
ey'll  accept  it  as  logical.  "The 
It"  leads  a  whole  household  a 
erry   chase   while   he    operates   at 

trade  of  robbery.  How  he  ter- 
ies  folks,  makes  breath-taking  es- 
pes  and  always  evades  capture, 
ovides  the  thrills  up  to  the  last 
inute. 

Office  Angle Sure-fire  enter- 

inment  if  you  know  they  like  mys- 
ry  and  suspense. 

loitation It    is    absolutely    es- 

ntial  to  see  this  one  from  the  be- 
nning.  In  order  that  your  pat- 
ns   may  enjoy  it  to  the  full,  and 

that  those  in  their  seats  for  the 
;ginning  may  not  be  disturbed  by 
te  comers,  post  the  showing  times 
eminently  and  stress  the  impor- 
nce  of  seeing  the  picture  from 
e  st?rt.  Play  up  the  thrills  and 
e  absorbing  atmosphere  of  mys- 
ry.  Ask  them  not  to  disclose  the 
entity  of  the  "Bat."  Stunt  ex- 
oitaticn  and  street  ballyhoos  will 
ork  well. 

jction Roland    West;    splendid 

hers Avery  Hopwood  and 

ary  Roberts  Rinehart. 

lario   Roland  West 

leraman   Arthur  Edeson 

itography   Especially  good 

ale Country  estate 

gth    8,219    feet 


Richard  Talmadge  in 

"The  Night  Patrol" 

Film  Booking  Offices 
STUNT  STAR  AT  HIS  BEST. 
FURNISHES  FIVE  REELS 
OF  ACTION  AND  SUSPENSE. 
CONVENTIONAL  MATERIAL 
EASILY  COUNTERBALAN- 
CED BY  ACTION  AND 
THRILLS. 

Star.... A  mighty  poor  risk  for  in- 
surance companies.  Makes  some 
spectacular  leaps  and  bounds.  His 
line  of  stunts  certain  to  keep  his 
audience  on  the  edge  of  their  seats. 

Cast. ..  .Suitable  types  with  Mary 
Carr  the  usual  son-worshipping 
mother;  Rose  Blossom,  the  girl; 
Arthur  Conrad,  Grace  Darmond 
and  Victor  Dillingham  the  crook 
trio. 

Type  of  Story Drama.  "The  Night 

Patrol"  is  one  of  the  best  vehicles 
Richard  Talmadge  has  had  so  far. 
Its  situations  are  more  or  less 
familiar  and  the  development  just 
about  what  you  expect,  but  it  gives 
Talmadge  something  to  do  besides 
leaping  from  roof  tops  and  going 
through  his  well  known  line  of 
stunts.  These  same  stunts  make 
up  a  big  part  of  the  picture  but  he 
puts  over  a  crook  impersonation 
that  gives  him  some  real  acting 
opportunities  and  he  meets  the 
situation  quite  ably.  He  makes  a 
great  change  in  his  physical  ap- 
pearance in  impersonating  a  notori- 
ous crook  and  does  some  first  rate 
acting. 

Story:  Hero  is  a  policeman  whose 
job  is  to  round  up  a  band  of  crooks. 
He  captures  one  after  a  shooting 
fray  and  his  man  turns  out  to  be 
the  brother  of  hero's  sweetheart. 
Believing  the  boy  innocent  of  the 
crime,  hero  sets  himself  to  the  task 
of  bringing  in  the  guilty  one.  He 
impersonates  a  notorious  crook  and 
becomes  one  of  the  band,  thereby 
winning  their  confidence  and  get- 
ting inside  information  on  their 
various  "jobs."  Hero  has  some 
hair-breadth  escapes  from  detection 
and  when  the  gang  finally  does 
learn  that  he  is  a  spy,  hero  is  in 
for  a  lively  time  of  it.  This  brings 
the  story  to  a  whirlwind  finish 
with  hero  bringing  in  the  gang, 
clearing  the  girl's  brother  and  stop- 
ping bis  execution  at  the  last  min- 
ute. 

Box  Office  Angle Fast  action  and 

star's  great  line  of  stunts  and  thrills 
certain  to  keep  them  in  suspense  all 
the   way. 

Exploitation If   your   folks    like 

plenty  of  action  you  can  give  them 
their  money's  worth  in  "The  Night 
Patrol."  Richard  Talmadge  works 
hard  in  this  one  but  he  puts  it 
over.  Should  be  gaining  quite  a 
foothold    at    the    box    office. 

Direction Mason    Noel ;    good 

Author    Frank  Howard  Clark 

Scenario    Same 

Cameramen Chas.  Long  and  Jack 

Stevens. 

Photography    Good 

Locale    Any    city 

Length    5,085    feet 


Glenn  Hunter  in 

"The  Broadway  Boob" 

Prod:    Fine  Arts 
Dist:     Associated  Exhibitors 

GOOD  COMEDY  ROMANCE 
WITH  SOME  FAMILIAR  BUT 
AMUSING  SITUATIONS  THAT 
MAKE  IT  RATHER  INTER- 
ESTING FARE.  GLENN  HUN- 
TER IN  A  CHARLIE  RAY 
TYPE  OF  ROLE. 

Star. ...  Makes  good  in  one  of  those 
well  known  "hick"  roles  of  the 
Alger  type:  country  lad  goes  to 
the  city,  seems  a  failure  but  comes 
through  a  grand  success.  Plays  the 
part  very  well. 

Cas.t.  ..  .Mildred  Ryan  a  pretty  but 
unimportant  heroine  who  reminds 
one  strongly  of  Norma  Talmadge 
Antrim  Short  a  practical  joker  who 
injects  considerable  fun.  Others 
not  important. 

Type  of  Story.  . . .  Comedy-romance 
There  isn't  anything  outstandingly 
new  in  Monte  Katterjohn's  story 
but  he  has  dressed  up  a  familiar 
skeleton  with  some  new  gags  anc 
incidental  bits  of  comedy  and  ro 
mance  that  succeed  rather  well  ii; 
concealing  its  triteness.  The  ider 
of  a  young  country  lad  leaving  thf 
family  fireside  to  "clean  up"  in  the 
big  city  has  had  any  number  o*^ 
uses  and  most  recently  served  in  a 
similar  capacity  for  Charlie  Ray  ir 
his  picture  "Sweet  Adeline."  Here, 
too,  hero  breaks  into  the  show 
business  and  after  getting  by  the 
"joke"  stage,  comes  through  a  real 
winner.  In  this  case  he  saves  his 
father's  bank  from  ruin  and  wins 
the  gir!  back  home.  The  story  is 
filled  out  with  cabaret  and  stage 
atmosphere  and  there  is  a  good  lot 
of  laughs  in  the  doings  of  the  big 
butter  and  egg  men  who  supply 
Rolls  Royces  to  hard  working 
chorus  girls.  How  hero  gets  the 
goods  on  one  of  them  and  uses  it 
to  save  his  dad's  business  is  one  of 
the  new  gags  and  good  comedy 
twists.  Joseph  Henabery  has 
made  the  most  of  the  story  and  he 
has  kept  the  laughs  coming  con- 
sistently enough  to  hold  them  to 
the  end.  Glenn  Hunter  does  very 
well  as  the  notable  Daniel  Williams 
and  his  burlesque  of  a  classic 
dance  is  sure  to  bring  a  lot  of 
laughs. 

Box  Office  Angle. . . .  Good  average 
picture  with  enough  comedy  and 
laugh-making  sequences  to  get  it 
over  with  any  crowd  that  enjoys  a 
laugh. 

Exploitation. ..  .Use  Glenn  Hunter's 
name  and  tell  them  he  plays  the 
part  of  a  small  town  fellow  who 
sets  out  to  make  good  in  the  city 
and  eventually  makes  a  hit  doing  a 
burlesque  of  a,  classic  dance  in  a 
Broadway  show.  A  trailer  of  this 
sequence  will  amuse  them  sufficient- 
ly to  bring  them  back  for  the  pic- 
ture. Title  is  good  and  can  be 
played  up. 

Direction Joseph  Henabery; 

good 

Author Monte  Katterjohn 

Scenario   Monte  Katterjohn 

Cameraman Marcel  Le  Picard 

Photography    All   right 

Locale Small  town-New  York 

Length  5,683  feet 


"The  Only  Way" 

Prod. :    Herbert  Wilcox 
Dist:     United  Artists 

DICKENS*  "TALE  OF  TWO 
CITIES"  NICELY  TOLD, 
WELL  ACTED  AND  GIVEN 
FITTING  PRODUCTION. 
SHOULD  APPEAL  PARTICU- 
LARLY TO  THOSE  WHO  EN- 
JOY PICTURIZATIONS  OF 
THE  CLASSICS. 

Cast Sir    John    Martin    Harvey 

plays  the  dual  roles  of  Sydney  Car- 
ton and  Charles  Darnay  in  very 
fine  style.  Lends  excellent  con- 
trast to  each  and  puts  over  dra- 
matic bits  with  effective  force. 
Other  characters  in  Dickens'  novel 
ably  portrayed  by  suitable  cast,  all 
English  players,  none  of  whom  are 
known  in   this  country. 

Type  of  Story Drama;  adapted 

from  Charles  Dickens'  "A  Tale  of 
Two   Cities."     Herbert  Wilcox  has 
confined    his    picturization    of    the 
novel  almost  strictly  to  developing 
the  character  of  Sydney  Carton,  and 
building  to  the   climax  where   Car- 
ton makes  the  supreme  sacrifice  by 
giving  his  own  life  to  spare  the  life 
of    the    man    loved    by    the    woman 
whom  Carton  adores.     There  is  no 
elaboration    upon    the    novel    in    its 
more    actionful    sequences    such    as 
the  French   Revolution,   the  perse- 
cutions,   the   storming   of   the    Bas- 
tille and  other  episodes  that  offered 
splendid     possibilities     for     action. 
Nevertheless  there  is  efTective  dra- 
matic   force    in    the    playing  of    Sir 
John    Martin    Harvey,    notably    in 
the    closing    episode    dealing    with 
the    ruse    by    which    he    effects    the 
escape  of  Charles  Darnay  and  also 
prior   to    this    when    his    ready    wit 
saves  Darnay  from  the  revolution- 
ary mob.     The  development,  on  the 
whole,   is    smooth   and   the   interest 
well     sustained.       The     story    con- 
cerns   the    love    of    the    inebriate, 
though    brilliant    barrister,    Sydney 
Carton,  for  Lucie  Mannette,  and  of 
his    loyalty    which    amounts    to    his 
finally    sacrificing   his   own   life   "to 
keep    a    life   she    loves   beside    her." 
Charley  Darnay,  her  husband,  who 
is   really  a   St.   Evremonde,   one   of 
the  hated  French  royalists,  is  con- 
demned  to   death.      Saved  once   by 
the   clever   Carton   he   is   rearrested 
and   condemned.     The   likeness   be- 
tween  Carton   and   Darnay  permits 
of  a   switch   in   identities   and   it   is 
Carton  who  goes  to  the  guillotine. 
Box  Office  Angle. ..  .Will  appeal   to 
certain    classes    and    for    the    right 
crowd  should  go  well. 
Exploitation You   can   readily   se- 
cure   the    assistance    of   your    local 
teaching     staff,     particularly     high 
school  laculties.     High  school  stu- 
dents  studying   the   Dickens'   novel 
will    be    interested    to    see    the    pic- 
ture so  it  might  be  well  to  run  the 
original    title    with    the    new    title. 

Direction    Herbert  Wilcox; 

effective 

Author  Adapted  from.  Freeman 

Will's  play  taken  from  the  Charles 
Dickens'    novel 

Scenario   Herbert  Wilcox 

Cameraman    ....    Claude   McDonnell 

Photogrraphy   Fa'f 

Locale   France-England 

Length  About  7,400  feet 


) 


Its 


ict 


lie 
ke 
C. 

jy 

he 
B. 

lie 
:W 

xt 
ut 
at 

)e 

iH 
he 


10 

er 
:r- 
he/ 


a1 
is- 
n- 
n- 
re 
Id 

a 
he 
re 
g- 
igl 


am 
lat 

lilt 

iyl 

at' 

1,' 

lis 


y 

ist 

OS 

or 


"\1 

C. 

:d 
ce' 
at 


>*^ 


THE 


IM 


-«55^ 


DAILY 


Sunday,  March  21,  1 


Mliy. 


% 


"Two  Can  Play" 

Associated  Exhibitors 

ROMANCE  THAT  TAKES  SOME 
UNUSUAL  TURNS  AND  FIN- 
ISHES UP  BY  COMPLETELY 
SURPRISING  YOU  IN  THE 
HEROINE'S  FINAL  CHOICE 
OF  HER  TWO  SUITORS. 

Cast Clara   Bow   a   vivacious   and 

busy  young  heroine  and  George 
Fawcett  good  as  her  uncle.  Allan 
Forrest  and  Wallace  MacDonald 
vie  for  hero  honors  with  the  winner 
in  doubt  until  the  last  moment. 
Vola  Vale  has  a  small  part. 

Type   of   Story Romance;   from 

Gerald  Mygatt's  Saturday  Evening 
Post  story.  There  is  a  distinctly 
novel  angle  in  this  little  yarn  and 
it  is  going  to  hand  a  big  surprise 
to  those  who  see  the  picture.  It 
concerns  the  sudden  switch  in  the 
characters  of  the  two  male  leads, 
suitors  for  the  hand  of  the  fair 
Clara.  At  the  start,  and  most  of 
the  way  through  the  story's  devel- 
opment, Allan  Forrest  is  more  or 
less  labeled  the  villain  and  Wallace 
MacDonald,  the  hero,  but  they  end 
up  with  a  complete  reversal  and 
you  have  Forrest  walking  off  with 
the  girl.  There  is  just  a  little  ob- 
jection to  this  sudden  switch  in- 
asmuch as  they  fail  to  clear  away 
certain  evidence  planted  early  in  the 
story  which  pointed  toward  Forrest 
not  being  quite  on  the  level.  This 
needed  a  trifle  more  specific  ex- 
planation to  be  entirely  convincing. 
Director  Nat  Ross  managed  to 
hold  the  interest  successfully  and 
he  staged  one  corking  good  fight 
between  the  rivals  that  gave  con- 
siderable punch  to  the  climax  se- 
quence which  brought  on  the  popu- 
lar thrill  in  the  way  of  a  storm. 

Stcrj':  In  order  to  make  sure  that 
his  niece  picked  the  right  man  for 
her  husband.  Uncle  John  arranged 
to  have  the  girl  stranded  on  an 
island  in  company  with  the  two 
men.  How  his  scheme  works  out 
brings  in  some  unexpected  compli- 
cations that  include  good  bits  of 
action  and  ends  with  the  girl  fin- 
ally selecting  the  man  of  her  choice 
who  also  manages  to  prove  him- 
self worthy  in  spite  of  the  uncle's 
suspicions. 

Box  Office  Angle. ..  .Good  average 
entertainment  with  good  cast  the 
chief  recommendation. 

Exploitation Clara  Bow  is  appear- 
ing in  so  many  productions  lately 
that  your  folks  must  be  thoroughly 
familiar  with  her  name,  a  ready  as- 
set in  billing  "Two  Can  Play."  The 
title  is  effective  and  can  be  boosted 
in  conjunction  with  catchlines  re- 
garding the  scheme  of  a  man  to 
test  his  niece's  love  for  the  man 
she  had  picked  as  her  future  hus- 
band. 

Direction  Nat  Ross;  adequate 

Author  Gerald  Mygatt 

Scenario    Reginald    Fogwell 

Cameraman    Andre   Barlatier 

Photography  All  right 

Locale Any  city — deserted  island 

Length    5,465   feet 


"The  Road  to  Glory" 

Fox 

RATHER  MORBID  STORY  AND 
HEROINE'S  DENUNCIATION 
OF  GOD  MAY  MAKE  IT  UN- 
PLEASANT FOR  SOME,  WOM- 
EN ESPECIALLY.  SOME 
LOVELY  PHOTOGRAPHY 
AND  MAY  McAVOY  CHARM- 
ING. 

Cast May    McAvoy    sweet    and 

lovely  except  when  the  role  re- 
quires her  to  rebel  against  her 
Maker.  A  difficult  role  with  which 
to  win  any  sympathy.  Rockliffe 
Fellowes  too  likable  to  make  a  con- 
vincing villain.  Leslie  Fenton  fair- 
ly well  suited  as  the  hero.  Others 
include  Ford  Sterling,  Milla  Daven- 
port and  John  MacSweeney. 

Type  of  Story. ..  .Drama.  The  pic- 
ture starts  off  with  a  handicap  in  a 
title  that  is  misleading  and  not  at 
all  pertinent.  It  is  far  from  a  glori- 
ous road  that  the  characters  travel. 
It  is  paved  with  misfortune,  death, 
unhappiness,  defiance  of  God  and 
other  unpleasantries  that  pile  on 
until  the  final  reunion  of  the  lovers. 
The  atmosphere  is  brightened  only 
once  when  they  bring  in  the  Char- 
leston, and  this  for  no  reason  at 
all.  Howard  Hawks  has  provided 
a  good  production  and  his  compo- 
sition and  photographic  effects  are 
splendid  but  these  together  with 
May  McAvoy's  charm  fail  to  off- 
set the  heaviness  of  his  story.  The 
chief  drawback  is  the  fact  that  the 
character  of  the  heroine  fails  al- 
most utterly  to  draw  any  sympathy 
and  the  coincidence  which  rights  all 
the  wrongs  and  restores  faith  and 
happiness  to  the  girl  is  a  well- 
known  twist — a  second  accident  re- 
stores the  girl's  sight  and  at  the 
same  time  her  faith  in  God.  Fol- 
lowing her  own  misfortune  and  the 
death  of  her  father,  she  had  lost 
faith,  but  when  harm  came  to  her 
sweetheart  and  death  seemed  im- 
minent she  resorted  finally  to  God 
and  with  the  recovery  of  the  man 
came  the  happy  ending. 

Box    Office  Angle An   unhappy 

theme  at  best  but  if  they  are  easily 
won  over  to  sympathy  for  a  heroine 
it  is  possible  that  May  McAvoy 
and  her  work  will  get  it  over. 

Exploitation. ..  .The  title  sounds  at- 
tractive and  may  bring  them  in. 
You  might  make  some  reference  to 
the  type  of  story  and  talk  about 
the  girl  who  lost  faith  in  Ged  be- 
cause of  a  succession  of  misfor- 
tunes. Invite  them  in  to  see  how 
faith  was  restored.  May  McAvoy's 
picture  will  decorate  your  lobby 
splendidly.  She  is  lovely  to  look 
at. 

Direction Howard  Hawks;  gave 

himself  a  difficult  story. 

Author Howard  Hawks 

Scenario   L.  J.  Rigby 

Cameraman   Jos.  August 

Photography Very  good 

Locale    City 

Length 5,600  feet 


Dorothy  Phillips  in 

"The  Bar-C  Mystery" 

Pathe 

FEATLRE  VERSION  OF  SER- 
IAL MAKES  FOR  GOOD  LIVE 
ACTION  WITH  ATMOSPHERE 
OF  MYSTERY  AND  SUSPENSE 
BUILDING  TO  EFFECTIVE 
CLIMAX. 

Star. . .  Dorothy  Phillips  pleasing  and 
gives  a  good  performance.  Wal- 
lace MacDonald  suitable  hero  even 
though  he  isn't  fully  equipped  tcr 
the  cowboy  heroics  that  the  role 
rcqu'tes.  Ethel  Clayton  anO  Philo 
McCullough  have  the  trickery  in 
their  hands  and  get  it  ovi;r  com- 
petem'j'. 

Type  of  Story Western  mystery- 
drama;  adapted  from  "Jan^e  <f  the 
Wanmg  Glories,"  by  Raymond 
Spears.  Pathe  is  offering  this  con- 
densed feature  version  of  the  serial 
"The  Bar-C  Mystery."  Consider- 
ing the  amount  of  detail  and  action 
that  was  necessarily  omitted  in 
compihng  the  serial  into  a  five  reel 
feature  the  continuity  is  compara- 
tively smooth  and  the  interest  well 
maintained.  Only  once  or  twice  the 
action  is  episodic  and  the  detailed 
omissions  obvious.  This  is  mostly 
in  connection  with  the  character 
played  by  Ethel  Clayton.  Toward 
the  close  of  the  story  she  just  drops 
out  of  existence  without  explana- 
tion. There  is  some  good  action 
and  the  atmosphere  of  mystery, 
while  not  reaching  any  especially 
thrilling  heights,  carries  some  effec- 
tive suspense. 

Story:  Lured  West  by  Robbins, 
an  unscrupulous  plotter,  Jane  Cor- 
telyou  finds  herself  trapped  in  a 
ranch  which  she  was  supposed  to 
have  inherited  from  her  dead  friend, 
Lawrence  Trenal.  She  is  be- 
friended by  a  cowboy  who  calls 
himself  Nevada.  Through  his  ef- 
forts, Robbins  and  his  gang,  who 
are  out  to  rob  Jane  of  her  inheri- 
tance, both  the  ranch  and  a  gold 
mine,  are  exposed  and  then  Jane 
discovers  that  her  hero  is  really 
Trenal  and  that  he  has  feigned 
death  and  posed  as  the  bandit,  Nev- 
ada, in  order  to  capture  Robbins 
and    his    gang. 

Box  Office  Angle ....  Average  enter- 
tainment on  the  whole  but  good 
mystery  business  and  suspense  will 
make  it  very  interesting  for  many. 

Exploitation A    trailer    showing 

any  one  of  the  thrills  or  action  bits 
will  serve  to  whet  their  appetites 
for  mere  and  you  can  use  the  regu- 
lation catchlines  giving  an  idea  of 
the  scheme  whereby  a  man  played 
dead  in  order  to  capture  his  en- 
emies. Use  Dorothy  Phillips'  name 
in  your  announcements  and  also 
Wallace  MacDonald's. 

Direction Robert  F.  Hill;  all  right 

Author Raymond  Spears 

Scenario  William  Sherwood 

Cameramen Joe   Brotherton   and 

Harry  Cooper. 

Photography    Good 

Locale The  West 

Length  4,756  feet 


(i; 

SOI 

Ici 
fcer 


Short  Subjects 

"Light  Housekeeping" — Mermj 
Educational 
Fun  Aboard  Ship 
Type  of  production  . . .  .2-reel  coi 

This  is  given  a  rather  picture^! 
setting  with  a  lighthouse  where  Liif 
Conley    keeps    the    one-legged    '■"* 
house    keeper    in    constant    hot 
while   trying   to   act   as   his   assistJIf^ 
L-ge  has  an  accomplice,  a  darker, 
between    them,    the    poor    lighth 
keeper  is  driven  to  distraction.     1 
the  plot  thickens  with  the  arrival 
steamer  on  board  which  is  a  prinU^st ' 
imprisoned  by  a  villainous  baron 
is  plotting  to  steal  her  kingdom 
force   her  to  marry  him.     Here 
Conley   mixes    in,   and  with   the 
of  the  darkey,  they  turn  the  liner 
side   down  in   their   gallant  effort   Jfo^ 
save  the  princess.     Several  good 
are   introduced,   and  director   SteJJli 
Roberts  keeps  the  merriment  at  a 
pitch  all  the  way.     It  winds  up 
a  storm  at  sea.    The  captain  is  wa 
nto  the  same  cabin  with  Lige  an 
princess,  and  as  they  roll  about  i: 
terrific  storm  Lige  succeeds  in  ge 
the  captain  to  marry  them  by  the 
pie  process  of  suspending  himself 
the  other  two  to  the  wall  where ' 
terrific  rolling  of  the  vessel  has  nOs 
feet   on   the   ceremony.      Lige    CoB  ** 
gets  this  one  over  nicely,  and  the  if  (^ 
riment    is   well   sustained   througlt  ielJ 
Iwi 

"Monkey  Business" — Our  Gang-;  o  ii  1 

Pathe  yisinj 

Monkey  Shines  s  iw 

Type  of  production. ..  .2  reel  com  iica 

Farina  springs  a  new  one  by  br  feiii 


irg  a   monkey   into   the   ganif.     T 
decide    to    capitalize      the      monlji  j 
tricks  by  running  a  show.     While  1 
are    busy    with    the    preparations i 
monk  goes  off  on  a  scouting  exp 
tion  through  a  neighboring  house, 
tricks  are  probably  about  the   cle 
est   ever   performed   by  a   simian 
fore  the  camera.     At  last  he  land 
the    cellar   and   fills   himself  up   ■ 
home   brew.      His   pantomime     o 
drunk  is  a  scream.     Then  he  goe; 
a  rampage  through  the  town  with 
whole  police  force   after  him. 
Gang"  has  little  to  do  in  this  oflfei 
The  monkey  is  the  whole  show, 
he  is  funny  enough  to  keep  any  i 
ence  keyed  up  to  the  merriment  w 
is  continuous 


Asto 

fiB!: 


r; 

ffl- 

it' 

1(1- 


k  Ji.\- 


"Mortgaged  Again" — Universs 
Pleasing 
Type  of  production....!  reel  con 
Arthur    Lake    does   very    nicel; 
this  one.     He  is  seen  as  the  baf 
young  grocery  clerk  who  has  as 
tions  to  marry  his  boss'  pretty  y( 
gal.     The  mortgage  is  hanging  1 
ily    over    their    heads,    however, 
the   nasty   sheriff   threatens    to 
close  that  night  unless  a  heavy 
ment  is  made.    The  sheriff's  silly 
also  casts  calf  eyes  on  the  dauj 
but    to    no   avail.      Arthur   saves 
day  by  a  clever  move  with  some 
ing  stocks,  and  saves  the  grocer 
his    girl.      A    pleasant    little    coi 
for  any   house. 


I'DI! 


"From    A    Cabby's    Seat"— O'K 
Series — Fox 
Good  for  Laughs 
Type  of  production. ..  .2  reel  coi 

A   college   initiation   has   suggh 
the    situations    in    "From    a    Ca»: 


i 


THE 


ly,   March  21,   1926 


J^^ 


DAILV 


it     one    of    the    O'Henry    series 

ij  released  by  Fox.     This  one  in-  I 

I   some  good  laughs  and  the  idea  ; 

3    for   many   first-rate   gags   that ! 

;er  in  good  style.     There  is  an 

_ion    in    progress    with    a    young 

;.  z  chap   following  the  directions 

1  ut   for   him   by   upper   classmen 

j/hich    he   must   fulfill   before   he 

les    a    full-fledged     member    of 

frat"       Naturally    the    require- 

are    the    means    of    suppiynig 

miedy.     Hero  is   togged   out   as 

by  and   his   first   task  is  to  kiss 

■st  woman  who   speaks   lo   him. 

ppens    to    be   a    colored    woman 

ero    hears    her   voice    before    he 

ler   face   and   saves    himself   the 

ity   of  kissing   her  by   covering 

res    and    walking   on.      When    a 

co-ed  approaches   him   hero   is 

than   willing  to   live   up   to   the 

fd.  He  next  mounts  the  cab 
ed  and  there  is  some  more  fun 
ht  about  by  his  passengers  who 
out  to  be  crooks.  Eventually 
fulfills  all  the  prescribed  jobs 
vins  his  entree  to  the  "frat." 
laughs  and  will  amuse  the  av- 
crowd. 


!    Tamers"— Hal    Roach— Pathe 

arrymore    Turns   Comedian 

of  production 2  reel  comedy 

ife  Tamers"  is  unusual  in  that 
ings  Lionel  Barrymore  to  the 
1  in  his  first  comedy  role.  It 
prising  that  an  actor  of  Barry- 
s  dramatic  ability  could  lend 
:lf  to  comedy  of  this  nature.  The 
Iso  includes  Clyde  Cook,  Ger- 
Astor,  Vivian  Oakland  and 
y  Finlayson— a  galaxy  of  names 
will  bring  them  in  expecting 
thing  rather  different  from  "Wife 
;rs.''  The  action  deals  with  the 
s  of  a  couple  who  are  suing  for 
ce  to  make  each  other  jealous, 
'more,  playing  the  husband,  has 
■  ed  his  wife  by  referring  pub- 
to  the  immodesty  of  her  gowns. 
informs  him  that  she  is  going 
le  Sixty  Club  in  another  one 
more  immodest.  He  retaliates 
aking  a  still  more  immodestly 
sd  young  woman.  The  women 
and  Barrymore  finally  grabs  his 
and  takes  her  home,  winning 
ympathy  by  pretending  to  shoot 
:lf.  Cook  is  funny,  as  always, 
lasn't  a  great  deal  to  do,  and  the 
hat  pie-throwing  and  Barrymore 
been  assembled  in  one  comedy 
I  unusual  event  in   comedy   his- 


Jyovu-  Duty"— Hal  Roach— Pathe 

Amusing 

of  production 1  reel  comedy 

lub"    Pollard   is   starred   in   this, 

,    Marie  Mosquini  in  support.     He 

ly  m  as  a  tired  though  willing  pol- 

ijorce    of    one.      He    falls    asleep 

dreams    that    a    gang    of    crooks 

.  t    the    town,    stealing    everything 

rj   everybody.     He  sees  himself  as 

)i  owner    of    a    pawn    shop    from 

h    the    crooks    steal    everything 

)t  the  floor  and  the  walls.     This 

will  undoubtedly  get  quite  a  few 

is    because    of    the    way    it    is 

led.     The   police  of  the   nearest 

finally  come  to  his  rescue  but 

too  late— they   have  stolen   ev- 

ling    but    the    lease.      And    then 

b"  wakes  up. 


Katz  Confident 

(Continued  from  Page  1) 
years  hence.    His  sincerity  of  purpose 
was   impressive. 

"President  Katz  is  a  'debunker'  and 
is  entirely  free  from  bunk,"  said  A.  M. 
Botsford,  the  toastmaster,  in  his  in- 
troduction. "He  is  an  enthusiast  who 
can  be  trusted  to  tell  the  truth." 

Adolph  Zukor  recalled  that  20  years 
ago  he  operated  a  theater,  on  the 
.^.jciruvvaiK  Here,  and  paid  $250  a 
month  rent.  To  make  both  ends  meet 
he  rented  the  roof  to  a  Chinese  res- 
limraiu  at  lp)/3  per  month.  He  was  be- 
friended by  the  late  Sigmund  Lubin, 
then  a  producer  m  Philadelphia.  Zu- 
kor proposed  a  silent  toast  to  his  ben- 
efactor. 

"Famous  Players  was  created  about 
14  years  ago,  because,  as  exhibitors, 
we  wanted  pictures  that  would  bring 
sustained  business  to  the  box-office," 
Zukor  asserted.  "We  also  wished  to 
take  exhibitors  out  of  the  class  of  out- 
casts and  raise  the  standards  of  pro- 
duction. We  wanted  to  get  into  a  po- 
sition in  which  we  could  be  proud  of 
our  business.  We  solved  that  problem 
years  ago.  Your  theater  is  an  honor- 
able institution  and  we  want  you  to 
maintain  it  as  such,  so  that  the  ideals 
for  which  we  sweated  blood  will  be 
continued." 

Jesse  L.  Lasky,  discussing  produc- 
tion, said: 

"I  promise  you  that  every  one  of 
our  pictures  will  be  better  than  those 
of  last  season."  He  urged  his  hearers 
to  regard  him  as  a  friend  and  ally. 

"An  optimist  is  a  producer  who  sees 
a  great  light,  where  there  is  none;  a 
pessimist  is  an  exhibitor,  who  comes 
'along  and  blows  out  the  light,"  Bots- 
I  ford  said  in  describing  Lasky  as  an 
optimist.  The  sally  caused  one  of  the 
biggest  laughs  of  the  evening. 

"Theaters  should  inspire,  as  well  as 
entertain,"  said  Harold  B.  Franklin, 
Publix  vice-president.  He  told  of  the 
advancement  made  in  pictures  in  mor- 
al and  entertainment  value  and  gave 
credit  to  Zukor  and  Sidney  R.  Kent 
for  having  pioneered  in  picture  inno- 
vations. He  asserted  that  motion  pic- 
tures should  rank  with  schools  and 
churches  in  being  constructive  forces. 
He  urged  Publix  managers  to  remem-. 
ber  that  success  means  responsibility 
and  that  they  must  so  conduct  their 
private  lives  as  to  merit  the  confi- 
dence of  their  patrons. 

Kent  was  unable  to  speak,  but  vyas 
given  a  rousing  reception.  Felix  Feist, 
in  the  absence  of  Nicholas  Schenck, 
expressed  the  latter's  appreciation  of 
the  co-operation  extended  by  Publix 
to  Metro-Goldwyn-Mayer. 

A  wire  from  William  P.  Gray,  of 
the  New  England  Theaters,  addressed 
to  his  district  men,  extolled  Katz. 

Robert  T.  Kane,  the  producer,  was 
among  the  speakers. 

"The  Boardwalk  Close-up,  a  clev- 
er satire  on  local  amusement  publica- 
tions, was  distributed. 

At  the  conclusion  of  the  speech- 
making,  "South  of  North  Dakota" 
and  "The  Roughouse  Cabaret"  were 
shown.  They  were  big  laugh-win- 
ners, especially  the  former. 

Publix  Men  Here 

A  special  train  brought  many  of  the 
Publix  manager's  and  executives  from 
out-of-town  cities  into  New  York  yes- 
terday afternoon  from  Atlantic  City. 


Several  will  remain  here  for  a  short 
time  before  starting  for  their  respect- 
ive cities. 

Jack  T.  Knight,  who  supervises 
Publix  theater  activities  in  Chicago, 
was  one.  He  is  an  ideal  executive, 
according  to  Sam  Katz,  and  is  very 
popular  with  his  men.  Knight  has 
been  active  in  theater  work  for  only 
five  years. 

Arthur  J.  Amm,  who  got  his  train- 
ing in  the  Mike  Shea  "school"  at  Buf- 
falo and  who  is  now  supervising  50 
Publix  theaters  in  18  Florida  towns, 
is  in  town.  His  headquarters  are  at 
Jacksonville. 

L.  A.  Shead,  who  started  as  an 
usher  in  Chicago,  is  hurrying  back  to 
Memphis  to  be  present  for  the  initial 
Publix  presentation  at  Loew's  Palace. 

Bruce  Fowler,  who  is  regarded  as 
one  of  the  best  managers  in  the  Mid- 
dle West  is  here.  Fowler  is  now  sta- 
tioned in  Kansas  City. 

Richard  Gallagher  of  the  Gallagher 
Equipment  Co.,  Chicago,  was  the  old- 
est man  at  the  convention.  He  is  81 
years  old  and  has  a  son,  aged  60,  who 
has  retired  from  business.  "I  believe 
my  son  ought  to  continue  activities,  so 
as  not  to  get  into  a  rut,"  Gallagher 
says.  His  firm  has  placed  orchestra 
resonators  in  many  Publix  theaters. 

Song  publishing  company  represen- 
tatives, who  returned  yesterday,  re- 
member when  Carl  Laemmle  did 
some  music  publishing  years  ago. 
Among  his  songs  were  "Mine"  and 
"Pll    Change   the   Thorns   to    Roses." 


Publix    Theater    Changes 

Publix  announces  the  following 
changes: 

Charles  T.  Hoskins  has  been  appointed 
manager  ol  the  Capitol,  Little  Rock.  The 
Rialto  in  Chickasha,  Okla.,  will  be  closed 
for  the  Summer  on  May  31,  and  on  the  same 
day  the  Sugg  will  reopen  for  the  Summer 
with  a  daily  change  policy.  It  has  been 
decided  to  discontinue  vaudeville  at  tlie  Bi- 
jou, Knoxville,  Tenn.,  and  the  Bijou,  Chat- 
tanooga,  Tenn.,    March   27. 


Not  Selling  Out 

(Continued  from  Page   1) 

have  disposed  of  one  dollar  of  our 
interest  in  the  Famous  Players  Can- 
adian Corp.,  nor  have  we  any  present 
intention  of  doing  so.  This  is  a 
purely  Canadian  company  with  1,500 
Canadian  shareholders.  No  sale  of 
the  company  has  been  contemplated 
or  discussed  with  Publix  Theaters 
Corp.  or  any  other  company." 

Gottesman   Enterprises  Active 

Sofferman  Bros,  have  acted  as  brok- 
ers for  Gottesman  Enterprises  in  the 
following  deals:  sold  to  the  late  Sena- 
tor Hams'  estate,  the  State  at  Wash- 
ington, Pa.;  sold  to  Irving  Lesser  the 
Strand  at  Rockville  Center;  bought 
the  Cameo  and  Clinton  Square  at 
Newark,  N.  J.;  bought  the  New  Capi- 
tol, Middletown,  Conn. 


Ohio  Merger  Ends  Strife 
Mt.  Vernon,  O.— Messrs.  Smoots 
and  Piatt  have  combined  their  in- 
terests and  are  now  operating  the 
Lyric  and  Vine  together,  instead  of 
in  competition.  They  have  also 
taken  over  Memorial  Hall,  which 
seats  over  1,000,  and  will  operate  it 
as  a  picture  theater. 


The  Week's  Headlines 

Monday 

English  producers  to  seek  conference  with 
leaders  here  on  British  production  problem. 

President  Coolidge  sees  no  necessity  for 
enactment  of  Sunday  closing  laws  in 
Washington. 

Equipment  manufacturers  to  submit  pro- 
posal   for    separate    organization. 

Supply  dealers  in  30  cities  lined  up  in  con- 
solidation. Twenty-six  distributing  points 
are  planned. 

"Encroachments"  to  be  discussed  in  Los  An- 
geles at  M.   P.  T.   O.  A.  convention. 

Ben  Verschleiser  to  build  a  first-run  in  Los 
Angeles   primarily   for   independent   product. 

M.  C.  Levee  plans  new  studio  in  Hollywood 
to    have   space    for    independent    producers. 

Forty    theaters   building  in   Florida. 

First  National  declares  extra  dividend  of 
$1.44. 

Tuesday 

Publix  convention  starts  today  at  Ambas- 
sador,   Atlantic    City. 

Famous  Players  1925  profits  total  $5,718,053 
as   against   $5,422,349   in    1924. 

U.  S.  Senate  votes  $30,000  for  special  divi- 
sion of  motion  pictures  in  Department  of 
Commerce. 

Consolidated  to  act  on  Rothacker  laboratory 
option   in    the   next   few   weeks. 

Universal  plans  five  conventions.  First  starts 
Friday  at  the  Astor,  New  York. 

Ohio  M.  P.  T.  O.  persuades  Senator  Fess 
to  aid  in   forthcoming  copyright  law   tussle. 

Wednesday 

Sam  Katz  predicts  world-wide  chain  of  the- 
aters for  Publix  at  Atlantic  City  conven- 
tion. To  enter  presentation  field  more 
heavily,   too. 

Amusement  tax  ofli  March  28.  Will  save 
$9,000,000   yearly. 

Elimination  of  news  reel  censorship  looked 
for   in    Albany.      Bill   before    Senate. 

First  National  now  preparing  for  13  weeks' 
campaign  sales  drive  during  summer. 

Mark  Strand  after  big  Syracuse,  N.  Y., 
theater. 

Bill  up  in  Albany  on  measure  to  admit 
minors  to  theaters.     Action  next  Tuesday. 

Test  case  in  Boston  on  acceptance  clause  in 
uniform    contract. 

Ufa  reported  discarding  specials  for  society 
dramas. 

Rialto  theater  for  long  runs,  starting  April 
4,  with   "For  Heaven's   Sake." 

Paramount  to  have  sales  convention  next 
week  in  Atlantic  City;  500  expected  to 
attend. 

Thursday 

Publix  not  seeking  monopoly  on  theaters, 
Sam    Katz   asserts. 

Special  films  will  boost  Publix  key  city 
houses    through    small    town    circulation. 

British  renters  loking  for  American  market. 
Hold   meetings. 

Film  stocks  establishing  added  prestige  in 
Wall   Street. 

Keith  issue  expected  shortly  to  be  made  pub- 
lic.    Bankers   Trust   Co.   handling  deal. 

Friday 

Publix  will  never  control  ten  per  cent  of  the 
nation's  theaters,  Sam  Katz  said  in  closing 
Publix   convention. 

M.-G.-M.  earns  $1,160,634  in  first  12  weeks 
of    1926. 

F.  B.  O.  plans  to  increase  production  IS 
per  cent  for  next  year. 

Jersey  Legislature  approves  measure  to  ap- 
point a  commission  to  study  state's  "blue" 
laws. 

Universal  starts  meeting  today  at  the  Astor. 
Nine  exchanges   represented. 

Fifty  new  theaters  in  two  months,  F.  W. 
Dodge   Corp.  reports. 

Booking  deal  on,  with  New  York  exhibi- 
tors negotiating  with  P.  D.  C.  and  War- 
ners. 

Saturday 

Publix  convention  ends.  Sam  Katz  certain 
new  organization  is  destined  for  great  suc- 
cess. . 

J.  P.  Bickell  and  N.  L.  Nathanson  deny 
report  they  will  sell  interests  in  Faraoui 
Players    Canadian    Corp.    to    Publix. 

M.  J.  Winkler  to  release  52  short  subjects 
through  F.   B.   O. 

Universal  convention  started.  Company  to 
release  minimum   of   61    features  next  year. 


Wagener  Has  Scripts  Here 
Siegfried  Wagener,  editor  of  Die 
Filmawoche"  of  Berlin  who  arrived 
here  several  weeks  ago,  has  a  num- 
ber of  his  original  stones  in  New 
York  with  him.  He  is  making  his 
headquarters  at  244  W.  42nd  St. 


i 


Its 


tct 


lie 
ke 
C. 
ly 
he 
B. 

lie 
:w 

xt 
ut 
at 

5e 

iH 
he 


er 
htef 


a 

is- 
n- 
n- 
re 
:ld 
a 
he 
re 
g- 


aj 
lat 

uU 
3y1 

1.'*^ 
lisl 


y 

ist 

OS 

or 
va 


C. 

:d 
ce 
at 


HOLLYWOOD 
HAPPENINGS 


o/'FILHDOH 


ftfRECOCMIZED 

Authority 


Harvey  E.  Qausman 


y. 


iffS 


Telephone  Granite  3980 


Sunday,  March  21,  1926 


6411  Hollywood  B 


Show  Two  Japanese  Films 
Through  the  courtesy  of  the  Japa- 
nese Consul  and  Mrs.  Chuichi  Ohashi. 
two  pictures  made  in  Japan  were 
shown  to  invited  guests  at  the  Am- 
bassador   Hotel. 

The  pictures,  "The  Tower  of 
Ivory"  and  "General  Nogi"  were 
filmed  by  the  Shochiku  Cinema  Co. 
of    Tokyo. 


Added  to  "Ranson's  Folly" 
Chief  Big  Tree  has  been  added  to 
the  cast  of  "Ranson's  Folly,"  starring 
•Richard  Barthelmess,  which  includes 
Dorothy  Mackaill.  Anders  Randolf, 
Pat  Hartigan,  William  Norton  Bailey, 
Brooks  Benedict,  Col.  C.  C.  Smith, 
Pauline  Neff,  Taylor  Duncan,  Chief 
Eagle  Wing,  Chief  Big  Tree,  and 
Charley    Brinley. 


Al   Green  Again  Engaged 

Alfred  Green  has  again  been  sign- 
ed to  direct  Colleen  Moore  in  her 
next  First  National  production,  "Deli- 
catessen." which  she  will  make  im- 
mediately   following    "Ella    Cinders." 


Bruckman    Joins    Keaton 

Clj'de  Bruckman  has  joined  the 
contingent  of  gag  men  attached  to 
Buster  Keaton's  unit,  coming  from 
the  Harold  Lloyd  organization.  Kea- 
ton's next  will  be  for  United  Artists. 


Edna  Purviance  Begins  Work 

Edna  Purviance  is  playing  the  fea- 
tured role  in  "The  Sea  Gull,"  an 
original  story,  written,  and  to  be  di- 
rected by  Joseph   Von   Sternberg. 

Raymond  Bloomer  will  have  the 
leading  role  opposite,  while  Eva 
Sothern  and  Gayne  Whitman  will  be 
in  the  cast. 


In   Novarro's   Next 

The  cast  which  supports  Ramon 
Novarro  in  his  latest,  as  yet  untitled, 
adapted  from  "Bellamy  the  Magnifi- 
cent," being  directed  by  Hobart  Hen- 
ley, includes  Sally  O'Neil,  Willard 
Louis,  Renee  Adoree,  Carmel  Myers 
and  Edgar  Norton. 


Finishing  "The  Ice  Flood" 

"The  Ice  Flood,"  directed  by 
George  B.  Seitz,  with  Kenneth  Har- 
lan and  Viola  Dana  featured,  is  be- 
ing finished  at  Universal  City  after 
a    month's    location    trip    to    Oregon. 


Craze's    Aides    Selected 

Vernon  Keays  will  be  assistant  to 
James  Cruze  during  the  filming  of 
"Old  Ironsides"  for  Famous.  Wal- 
ter Reid  will  be  technical  director  and 
Karl    Brown    cameraman. 


Kathryn  McGuire  in  "Midnight  Faces" 
Kathryn  McGuire  has  been  en- 
gaged to  appear  opposite  Francis  X. 
Bushman,  Jr.  in  "Midnight  Faces," 
which  Ben  Cohen  is  directing  for 
M.    Schreier    Prod. 


"U"    Releases    Virginia    ValU 

The  terms  by  which  Virginia  Valli 
secured  her  release  from  Universal 
include  the  making  of  three  further 
vehicles.  She  has  signed  a  Fox  con- 
tract to  make  three  during  1926  and 
will  later  make  three  for  Universal, 
probably  in   1927. 


I 
Cast    Opposite    Stroheim    i 
Zasu    Pitts    has    been    cast    for?  WW 
lead   opposite    Eric    Von    Stroheiri 
"The  Wedding  March." 


Carey's   New   Lead 

Kathleen  Collins  has  been  selected 
by  Chas.  R.  Rogers  to  play  the  lead 
opposite  Harry  Carey  in  "Satan 
Town,"  story  by  Jack  Boyle  and  di- 
rected by  Edward  Mortimer.  Cast 
includes  Charles  Clary,  Ben  Hall, 
Richard  Neill,  Chas.  DeLaney,  Trilby 
Clark   and    Ben    Headrick. 


Postpone  "The  Deer  Drive" 

"The  Deer  Drive,"  which  Para- 
mount was  to  make,  has  been 
postponed  for  another  year  at  least. 
"Born  to  the  West,"  by  Zane  Grey, 
will  be  substituted.  Jack  Holt  will 
play  the  feature  male  role,  and  Mar- 
garet   Morris    the    feminine    lead. 


"Beau  Geste"  Unit  in  Arizona 

William  Powell,  George  Rigas  and 
Victor  McLaglen  have  been  added  to 
the  cast  of  "Beau  Geste."  which  Her- 
bert Brenon  is  directing.  A  troupe 
of  1,750  left  in  four  special  trains  for 
location  25  miles  out  of  Yuma,   Ariz. 


Fitzgerald    Finishes 

Dallas  Fitzgerald  has  finished 
"Silver  Lanterns"  with  Pauline  Ga- 
ron,  Ethel  Clayton,  Dorothy  Dwan, 
Johnny  Walker,  Lee  Moran  and  Har- 
old Miller.  Ethel  Doncher  wrote  the 
Story. 


Anne  Cornwall,  Feminine  Lead 
Anne  Cornwall  has  been  engaged 
to  play  the  leading  feminine  role  in 
an  H.  C.  Weaver  Prod,  "The  Totem 
Pole  Beggar,"  which  will  be  made  in 
Tacoma.  W.  S.  Van  Dyke  will  di- 
rect. 


In   "There   You  Are" 

Eddie  Oribbon,  Phillips  Smalley 
and  George  Fawcett  have  been  given 
important  roles  in  "There  You  Are," 
which  Jess  Robbins  is  directing  for 
M.-G.-M. 


Warners    Get    "Black    Ivory" 

Wa'ners  have  obtained  the  screen 
rights  to  Polan  Bank's  "Black  Ivory." 
This  production  will  be  part  of  their 
1926-27  schedule. 


"Lord    Hokum,"    Title 

"Lord  Hokum"  is  the  title  that  has 
been  given  the  current  S.  S.  Hutch- 
inson comedy-drama,  with  Dorothy 
Devore  and  Edward  Horton  in  prin- 
cipal roles. 


Added    t©   "Hardboiled"    Cast 

Edward  Sturgis,  Emmett  Wagner 
and  Edward  Boland  have  been  add- 
ed to  the  cast  of  "Hardboiled,"  latest 
Tom  Mix  vehicle,  now  in  production 
at  Fox. 


To   Start  "What   Price  Glory" 

"What  Price  Glory"  will  go  into 
production  at  the  Fox  studio  on  Mon- 
day. Raoul  Walsh  will  direct,  from 
a  script  by  James  T.  O'Donaghue. 


O'Connor  Directing 

Frank  O'Connor  is  directing 
"Hearts  and  Spangles"  for  Renaud 
Hoffman.  Wanda  Hawley.  Robert 
Gordon,  Barbara  Tenant,  George 
Chesebro,  Frankie  Darro,  Charles 
Force,  J.  P.  Lockney,  Eric  Mayne 
and   Larry   Steers  are  in  the  cast. 


Start  "Into  Her  Kingdom" 

Einar  Hanson  will  head  Corinne 
Griffith's  supporting  cast  in  "Into 
Her  Kingdom,"  which  will  begin 
shortly. 

Svend  Gade  has  been  loaned  by 
"U"  to  direct.  Script  by  Carey  Wil- 
son. 


Rock  Signs  Two  j 

Joe  Rock  has  signed  Max  As 
comedian  and  Earl  Montgomery, 
rector,  on  long  term  contracts,     j 


!IY  !l 


II.'. - 
ike 


doi'i 


Next  for  William   Fairbanks 

The    next    William    Fairbanks 
for  Gotham  will  be  "Catch-As  Cajl-'"- 
Can"   by  William   Henry   Cook.   ,._ 

ggd'lDT 


Mae  Busch  Loaned 

Mae    Busch    has    been    loaned  C is 


M.-G.-M.    to    Richard   Thomas 
for    "The    Cheating    Sex. 


Millarde  to  Direct 

Harry    Millarde    will    direct 
Little    Journey,"    a    Rachael    Cr< 
story    for    M.-G.-M. 


m 


fSING 

Irii  B 


To    Play   Opposite   Roy    Stewa; 

Kathryn    McGuire   will    play   op 
site  Roy  Stewart  in  "Davy  Crock!  ^] 
for   Sunset   Prod.  gcbpi 

it  to 
Frances  Marion  on  Goldwyn  Picttftilj 

All    of    the    three    Goldwyn    Uni  |„'q 
Artists  releases  will  be  scenarized 
Frances    Marion. 


Walthall   in    Role 

Henry  B.  Walthall  has  been  signed 
to  play  a  role  in  E.  A.  Du  Pout's 
first  American  picture,  "The  Afifairs 
of  Hannerl,"   for  Universal. 


Beaudine  to  Do  One  for  Warners 

William  Beaudine  will  direct  one 
Warner  picture.  Following  the  com- 
pletion of  "Ladies  First,"  his  second 
for    Douglas    MacLean. 


Foxe  on  17th  Van  Bibber 

Earle  Foxe  is  making  his  seven- 
teenth Van  Bibber  comedy  for  Fox, 
entitled  "The  Mad  Racer,"  which 
Ben  Stoloff  is  directing. 


In  de   Sano's   Next 
Ralph    Graves    will    play    opposite 
Renee  Adoree  in  "In  Praise  of  James 
Carabine,"    which     Marcel     de     Sano 
will   direct   for   M.-G.-M. 


Seena    Owen  in   "Yukon" 

Metropolitan  Pictures  have  secured 
the  refilming  rights  to  "The  Flame  of 
the  Yukon"  in  which  Seena  Owen 
will  appear.  "Shipwrecked,"  her  first 
for  Metropolitan  has  been  completed 
Joseph   Henabery  directed. 


Henry  Lehrman  Better 

Henry  Lehrman  is  around  aj 
after  sustaining  a  fractured  leg  st- 
weeks  ago. 


Tom   Delmar  in   Cast 

Tom  Delmar  has  been  added  tO' 
cast  of  "The  Shamrock  Handic 
for   Fox. 


Virginia  Vance  to  Go  Fast 

Virginia  Vance  will  go  East  v, 
she  finishes  her  current  Educati 
comedy. 


is 


Briskin  Company  Back 
Following  a  week  in  Sonora  where 
they  made  exteriors  for  "Whispering 
Canyon,"  Samuel  J.  Briskin  and  a 
company  including  Jane  Novak,  Rob- 
ert Ellis  and  Eugene  Pallette  have 
returned. 


Hobart    Signs    DUlon 

John  Francis  Dillon  has  been  sign- 
ed to  direct  "Don  Juan's  Three 
Nights,"  a  Henry  Hobart  Prod,  for 
First  National.  He  is  at  present  en- 
gaged in  direction  of  "Love's  Blind 
ness." 


To    Adapt    for    M.-G.-M. 

E.  Richard  Schayer,  scenarist, 
been  signed  to  write  adaptations 
M.-G.-M. 


"Good   Luck"    Finished 

Conway   Tearle   has   completed 
role    in    "Good    Luck"    for    First 
tional. 


Joan   Meredith  as  Lead 

Joan  Meredith  has  been  engaged 
to  play  opposite  Bob  Custer  in  "'The 
Fighting  Boob,"  a  Jesse  Goldberg 
production  for  F.   B.   O. 


■wTwnTnmm 


rfi 


W/ien  m  Hollywood 
stop  at 

\  THE  NEW  HOTEL  REGEN"! 

E'very  room  ivith  Bath  and  Radio 

A  beautifully  appointed  moderatel 
priced  hotel. 

In  the  heart  oj  Hollyivood 

6162  HOLLYWOOD  BLVD 

Phone:  Holly.  0487 


fen 


■aiBfl 


THE 


i.y,   March  21,   1926 

H 


"111 


i 


ewspaper  Opinions 
Nezv  York 

"The  Bat" 

United  Artists 

Strand 

i;ICAN — *  *  *  Roland  West  has 
liaps    not     the    impossible,    but    cer- 

L-  improbable.  He  has  transferred  a 
tage   hit    to    the   screen   without    los- 

of   its   thrills   or   fun.    *    ♦    * 

^     MIRROR—*   »   *   If  you  want   a 

cond,     don't     miss     this     crackerjack 

mystery   drama.    ♦   ♦    * 

\'    NEWS — *    *    *    It's    a    knockout. 

nderful.  Thrills.  Mystery.  Com- 
.  mu'H  be  tempted  to  clutch  the  fel- 
I  the  next  seat  and  scream  if  any 
vs  "Boo";  it's  really  great  fun,  and 
'don't    see    "The    Hat,"    you'll    be    de- 

yourself     of    excellent     entertainment. 

;NING  journal—*  •  *  it  an  adap- 
of  the  Mary  Roberts  Rinehart-Avery 
lod  mystery  drama  of  several  years 
nd  is  if  anything,  more  exciting  in 
een  version  because  of  the  possibilities 
dews    a-nd    weird    photographic    effects. 

DNING  WORLD—*  *  *  It  is  labeled  a 
dy  mystery  drama,"  and  that  is  prob- 
is  good  a  description  as  any.  The 
y  is  never  allowed  to  interfere  with 
ystery,  but  Louise  Fazenda  and  Eddie 
)n  as  a  maid  and  hick  detective  manage 
rk  in  a  fair  share  of  laughs,  and  it  is 
lis  feature  that  prevents  any  annoyingly 
ime  impression  from  the  scenes  of 
r  and  violence.  *  *  * 
RALD-TRIBUNE— *  *  *  It  is  a  pic- 
vhich  probably  will  hold  your  mterest 
the  f^rst  flicker  to  the  last.  The  only 
on   is   should   a   picture  be   like    the   play 

which  it  is  taken?  For  the  screen 
n  of  "The  Bat"  isn't  very  much  like 
age  version  devised  by  Mary  Roberts 
art  and  Avery  Hopwood.  *  *  * 
.RNING  TELEGRAPH—*  *  *  Rol- 
iVest,  who  directed,  is  to  be  thanked 
e  masterly  way  in  which  he  keeps  you 
ng  right  up  to  the  end  without  allow- 
he  action  to  become  in  the  least 
And  there  is  action— every  foot 
t:  way;  but  each  new  development  of 
ystery  fits  into  the  whole  like  the  piece 
igsaw  puzzle.  ♦  ♦  * 
SX »     *     ♦     Quite    as    engrossing    and 

as    jumpy    as    the    stage    version,    the 
hriUer    goes    a    good    deal    beyond    mere 

mechanics   and   makes   tremendously    et- 
:    use    of    the    photographic    medium    to 
'e  its  purpose.   *   *   * 
LEGRAM *  *  *  We  doubt  whether  the 

version    could    have   been    more    intense 
petrifying    than    the    motion    picture    re- 
lation   of   this   epic    of   murder   and   mys- 
of    suspense    and    suspicion,    of    horror 
lilarity.   *    •    * 

MFS— *  *  *  Doubtless  the  film  con- 
in  'of  "The  Bat"  will  prove  both  en- 
ning  and  exciting  despite  the  mechani- 
wists  employed  in  unfolding  the  yarn 
rned  with  a  mysterious  and  energetic 
who  disguises  himself  as  a  K'-™*  J''''*' 
is  adapted  from  .be  play  by  Mary^  Rob- 
Rinehart  and  Avery   Hopwood. 

^RLD *    *    *    If    you    have   any    doubts 

the     importance     of     muffled     groans. 

shots    and    wild    screams    m    a    mystery 
irama,    you    should    see    the    plo      m    the 

drama.       The    directors    of       The    bat 
:d    off     faithfulfy     enough     to     make    the 
n  version  follow   the  action   of   that  stage 
■ss.   *   *  ' 


"The  First  Year" 

Fox 

Rialto 

(M-'cffc   cndiHii   March    13) 

iIERIC\N     *   »   *     is    a    placid    and 

■uglily   delightful   tale   of   married   lue.    its 
la'ioifs  and  its  joys.      It  'eaves  you  wt 
comfortable     sensa.ion     of     having       me. 
a     charming.^   though     often     ridiculous, 

UlTmR'ROR-*  *  *  Matt  Moore,  as 
husband,    is    Matt    Moore.      "^    curb    his 

opens  his  eyes,  and  slumps  1  hat  leg 
,  uncertainty,  fear,  or  what  .'^^'^^  y°^- 
.miles   weakly   in   the   face   of   f>sconifo>-'s. 

emotion    is    anything    the    sub-title   says. 


mildly    diverting    photoplay,    lacking    both    in 
great    defects    and    in    great    virtues.    *    ♦    ♦ 

MORNING  TELEGRAPH— Without  be- 
.ng  dull,  i*"  is  pretty  thin  material  for  a  fea- 
ture-length picture,  as  might  he  expected  by 
those  who  saw  the  play.  Those  who  did 
not,  will  find  the  picture  an  average  comedy 
of  married  life,  agreeably  acted  by  a  fairly 
interesting  cast.   ♦  ♦   * 

POST —  Entertaining  as  it  was  on  the 
stage,  Frank  Cra-ven's  "The  First  Year" 
glows  but  faintly  in  screen  form  ♦  «  ♦  jt 
is,  of  course,  too  bad  that  any  producer 
felt  called  upon  to  capitalize  the  name  in 
celluloid,  hut  as  the  age  of  miracles  has  not 
yet  arrived,  one  did.  The  result  is  rather 
sad.   *  *  * 

TELEGRAM—*  *  *  Frank  Borzage  has 
given  the  picture  the  intimate  touch  for 
which  he  has  been  famous  since  the  days 
ivhen  he  raised  "Humoresciue"  to  the  gold 
medal  stage.  It  is  largely  due  to  his  dis- 
cretion in  handling  the  players  that  the  com- 
edy   situations    never    become    pat    or    stagy. 

TIMES—*  *  *  Throughout  this  photo- 
play there  are  real  human  incidents,  which 
it  is  true  do  not  create  uproarious  laughter ; 
their  effect  is  even  better,  for  they  cause 
smiles,  and  the  impatience,  the  bickering 
and  the  affection  of  the  Tuckers  warms  the 
cockles    of    your    heart.    ♦  »  * 

WORLD — *  *  *  it  results  in  nothing  more 
than  a  mildly  amusing  set  of  episodes  dating 
over  a  period  of  the  first  year  of  trials  and 
tribulations  in  the  home  of  a  married  couple. 
It  seems,  indeed,  like  a  very  thin  and  un- 
important drama,  if,  indeed,  it  possesses  dra- 
matic   force   at   all.    ♦  *  * 


"My  Own  Pal" 

Fox 

Rialto 

AMERICAN—*  *  *  Altogether.  "My  Old 
Pal"  is  an  average  Tom  Mix  picture,  which 
means  something  different  to  everyone.  To 
countless  little  boys,  anyway,  and  even  some 
grown  ups,  it  means  just  the  sort  of  unpre- 
tentious unsophisticated  entertainment  they 
enjoy.    *    *    * 

DAILY  MIRROR—*  *  *  This  is  the  three 
R's  kind  of  entertainment :  romping,  rollick- 
ing, romantic.  It  doesn't  disappoint,  either. 
Tom  (Mix)  rides  his  gorgeous  horse  Tony 
like  a  streak.   ♦  *  * 

EVENING  JOURNAL—*  *  *  Tony. 
Tom's  justly  famous  horse,  gives  the  star  a 
chance  to  show  he  can  still  ride,  even 
though  he  rounds  up  a  diamond  smuggler  by 
throwing   a  lariat   from   his  motorcycle.   *   *    * 

GRAPHIC — *  *  *  tf  last  night's  enthusias- 
tic audience  is  any  criterion  this  Mix  picture 
is  the  best  of  them  all.  Tom  has  put  aside 
the  Spanish  stuff  he  affected  in  his  last 
coupla  operas  and  this  time  we  see  him  as 
"one  of  the  finest" — an  Irish  motorcycle 
cop  who  cleans  up  the  underworld  in  a  few 
reels.   *   *   * 

HERALD-TRIBUNE—*  *  *  It  is  the 
most  naive  picture  we  have  encountered  since 
1914.  and  now  we're  going  to  be  perfectly 
frank  and  tell  the  truth  till  it  hurts:  ^we 
thoroughly    enjoyed    "My    Own    Pal." 

MORNING  TELEGRAPH—*  *  *  It 
seems  to  us  one  of  his  best,  for  it  contains 
all  the  ingredients  that  have  built  up  Mix's 
tremendous  following ;  compounded  with  more 
skill  than  used  to  he  employed  in  his  early 
davs  as  a  star,  and  making  for  genuine  en- 
tertainment, if  you  care  for  the  kind  at  all. 
*   *   * 

POST—*  *  *  The  best  acting  of  the  piece 
is  contributed  by  a  very  human  little  dog. 
pet  of  the  cocksure  child.  Although  the  lit- 
tle dog's  name  is  not  mentioned  on  the  pro- 
gram, we  are  moved  to  give  it  a  pat  on  the 
head  for  an  intelligent  performance  amid 
none   too   inspiring   surroundings.    *    *    * 

TELEGRAM—*  *  *  .Any  sympathy  that 
we  might  have  entertained  for  the  naive 
quality  of  this  highly  improbable  story  was 
promptly  nipped  in  the  bud  by  an  attack 
of  intense  aggravation  induced  by  the  pres- 
ence of  one  of  those  fatiguing  screen  children 
whose  airs  and  affectations  have  no  more 
in  common  with  the  genuine  article  than 
a   bull    with   a   china   shop.    •    *    * 

TIMES — *  *  *  Mr.  Mix  is  seen  in  the 
best  cut  policeman's  uniform  that  has  ever 
been  tailored.  He  is  kept  busy  for  most  of 
the  latter  chapters  dodging  villains  and  being 
falsely  accused.  He  tosses  scoundrels  into 
the  water,  lassoes  four  men  and  sees  that 
they  are  dragged  by  a  flivver  into  the  river. 


"The    Untamed    Lady" 

Paramount 

Rivoli 

AMERICAN—*  ♦  *  It  brings  Gloria 
Swanson  to  the  screen  in  a  new  role,  which 
she  plays  delightfully.  Her  part  demands  and 
receives  some  real  acting,  as  well  as  per- 
sonality,   from    its    star.     ♦   ♦   ♦ 

DAILY  MIRROR—*  *  *  Frank  Tuttle 
directed  Miss  Swanson  in  Miss  Hurst's  "or- 
iginal." Simply  an  incorrigible  triumvirate 
who  once  heard  that  the  public  mind  rated 
10  years  old  and  artually  believed  it.  Mr. 
Tuttle  has  excavated  all  the  old  gags  and 
situations    familiar   to   the   silver   sheet.    •    *    ♦ 

DAILY  NEWS—*  *  *  In  the  role  of  the 
"Untamed  Lady"  Gloria  Swanson  gives  a 
most  natural  performance.  As  the  spoiled, 
hot-tempered,  selfish  Joan,  heiress  to  millions, 
she  makes  you  want  to  slap  her.  Nobody 
has  ever  famed  her.  She  is  a  beastly  brat 
as  a  child.  She  is  beautiful  and  imperious 
as   a   young   woman.    *   *   * 

EVENING  JOURNAL—*  *  *  Gloria's 
(Swanson)  a  good  trouper  and  Larry's 
(Gray)  a  nice  looking  boy,  but  the  story 
is  made  up  of  trite  situations  solved  accord- 
ing  to   formula.    *    *   * 

EVENING  WORLD—*  *  *  Miss  Swanson 
has  a  host  of  followers  through  thick  and 
thin.  This  is  one  of  the  thin  ones.  It  seems 
a  shame  to  waste  Miss  .Swanson's  talents  in 
something  that  is  neither  well-knit  emotional 
drama  nor  comedy.  She  is  one  of  the  few 
plavers  equal  to  either  or  to  a  combination  of 
both.   *   *   * 

GRAPHIC—*  *  *  As  a  feature  picture, 
"The  Untamed  Lady"  is  puerile,  but  as  a 
Gloria  Swanson  appearance,  it  will  be  worth 
your   time.   *   *   * 

HERALD-TRIBUNE—*  *  *  And  the  act- 
ing? Well,  Gloria  Swanson  never  has  been 
better  in  all  her  life  than  she  is  as  the  un- 
tamed lady.  And  Lawrence  Gray  is  so  good 
as  the  determined  young  man  who  does  tlie 
taming  j     *     *     * 

MORNING  TELEGRAPH—*  *  *  Is  one 
of  the  best  ladies  she  has  brought  to  the 
screen.  She  has  everything  that  should  find  a 
place  in  Swanson  films,  comedy  and  mag- 
nificence and  drama  and  pathos,  all  nicely 
blended  and  put  across  by  means  of  one 
of   the  best  set  of   titles   of   the  season.    *   *    ♦ 

JIOST— *  *  *  "The  Untamed  Lady"  is  a 
program  picture,  and  at  the  risk  of  bringing 
down  upon  our  head  the  wrath  of  its  star, 
we  label  it,  after  much  thought,  a  dull, 
limiiid  program  picture  undistinguished  and 
ordinary.  It  is  too  bad  that  this  should  be 
so,   for   Miss    Swanson   works   hard.    ♦   *   * 

SUN' — *  *  *  Whatever  it  is.  the  some- 
what foolish  story  has  called  into  play  all  the 
laients  of  Frank  Tuttie  to  prevent  its  being 
a  silly   jumble. 

In  the  fierce,  hand  to  hand  fight  between 
tale  and  Tuttle,  Mr.  Tuttle  comes  out  the 
winner.    *   *    * 

TELEGRAM—*  *  *  However  wild  the 
caprices  of  Fannie  Hurst's  "Untamed  Lady" 
are  designed  to  be.  the  motion  picture  ver- 
sion of  the  story,  which  has  come  into  being 
at  the  impulse  of  I'araniount.  can  be  classed 
at  best  as  but  a  very  mild  innocuous  affair. 
«   *    * 

TIMES—*  *  *  Although  Gloria  Swanson's 
latest  "picture,  "The  Untamed  Lady,"  is  un- 
likely to  go  down  in  film  history  as  one  of 
the  monuments  to  the  industry,  it  is.  largely 
because  of  frequent  changes  in  backgrounds 
and  Miss  Swanson's  becoming  frocks,  a  mod- 
erately   entertaining   exhibit.    *    *    * 

W"ORLD— *  *  *  When  one  judges  a  film 
play  as  being  one  of  the  worst  which  Gloria 
Swanson  has  ever  made,  one  is  pointing  to 
a  spot  on  the  cinema  map  about  15  degrees 
southeast  of  terrible.  "The  Untamed  Lady" 
is  every  bit  of  that,  and  the  responsibility 
rests  upon  the  soulder  of  no  one  but  the 
person  who  finally  said :  "Let's  make  'The 
Untamed    Lady'."    ♦    *    * 


powerful  as  the  original  tale,  provides  enter- 
tainment that  is  worth  anyone's  while.  *  *  * 
TIMES — *  *  *  A  feature  reflecting  a  sin- 
cerity and  genuineness  that  places  it  dis- 
tinctly in  a  class  apart.  Rowland  V.  Lee 
directed    this    production.    ♦    *    * 


"The    Goose    Woman" — Universal 
CaJifornia,  San  Francisco 

BULLETIN—*  *  *  To  say  that  this  is  the 
best  screen  achievement  of  Miss  Dresser 
would  not  adequately  convey  an  idea  of  the 
heights  to  which  the  actress  rises  in  the 
interpretation  of  the  role  of  a  most  unusual 
mother   in    Beach's   story.    ♦    ♦   ♦ 

CALL  AND  POST—*  *  *  Absorbing  mys- 
tery-crime story,  splendidly  directed  through- 
out by  TTlarence  Brown  and  rendered  notable 
by  the  work  of  the  star  (Miss  Dresser).  *  *  * 

CHRONICLE—*  *  *  Miss  Dresser  has 
not  spared  herself  in  the  earlier  scenes,  for 
she  mades  a  sodden,  drunken,  brutish  crea- 
ture of  the  "goose  woman" ;  hard,  cruel  al- 
most   inhuman.       It   is    great    acting.    *   *   * 

EXAMINER—*  *  *  Louise  Dresser  gives 
one  of  the  finest  characterizations  ever  seen 
in   films.    *    *    • 


"Hands    Up" — Paramount 
Capitol,   Detroit 

FREE  PRESS—*  *  *  Do  not  be  afraid 
of  another  war  picture.  No  spy  acted  quitt 
like  Griffith  does,  and  no  spy  ever  caused 
such  hilarious  humor  as  he  does  through 
five   rels   of   comedy.    *    *    * 

NEWS — *  *  *  A  series  of  captures  and 
escapes  are  situations  made  to  Griffith's  order 
for  it  is  in  evading  the  death  sentences  im- 
posed on  him  by  his  adversaries  that  he 
manages  to  provoke  the  most  fun.  Prob- 
ably   the   most   laughable.    *    ♦    ♦ 

TIMES — "  *  *  There  are  no  harrowing 
scenes  of  warfare.  The  audience  is  made 
to  laugh  even  in  the  most  serious  moment! 
of   the   film.   *   *   * 


"Infatuation"— First    Nat'l 
Capitol,  Montreal 

STAR — *  *  *  Miss  Griffith,  in  our  view, 
exceeds  the  limits  of  her  previous  perfor- 
mance. She  is  an  actress  of  considerable 
merit  when  suitably  cast,  and  she  has  here 
a    vehicle   that    gives   her   many    opportunities. 


"Irene'— First    Nat'l 
Warfield,  San  Francisco 

BULLETIN—*  *  *  The  f.ashion  parade  is 
a  new  process  and  it  is  about  the  most  gor- 
geous achievement  of  film  coloring  yet  ac- 
complished.  *   *  * 

CALL  AND  POST—*  *  *  Miss  Moore 
puts  into  Irene  all  the  "pep"  of  the  original 
musical  comedy,  with  a  whole  lot  more  gin- 
ger  of   her   own.    ♦    ♦    * 

CHRONICLE— *  *  *  It  gives  Miss  Moore 
another  chance  to  play  one  of  those  wide-eyed, 
wondering,  innocents  she  does  so  well,  and 
it  allows  her  to  wear  pretty  clothes  as  well 
as   shabby   ones.   *   *   * 

EXAMINER—*  *  •  This  is  a  love  of  a 
picture  for  cinema  goers  who  like  to  see  gor- 
geous dresses,  fashion  shows,  garden  fetes  and 
pretty  girls  in  a  constant  change  of  exotic 
gowns.    *    ♦    * 


Out-of-Tozvn 

"As   No  Man   Has  Loved"— Fox 
Criterion,   Los   Angeles 

E.XAMINER — *  *  *  Edward  Hearn.  as  the 
man  who  was  banished  because  of  his  sedi- 
tious outbursts,  gives  a  thoroughly  interest- 
ing   performance.    »    •    * 

EXPRESS — *  •  *  That  intensity  which 
vitalizes  Hale's  story  gives  way  to  an  equally 
real  but  slow  monotony  in  "As  No  Man 
Has  Loved,"  for  the  film  suffers  from  lack 
of  dramatic  economy  through  expanding. 
•   #   « 

HERALD^-*    *    *    While   perhaps   not    as 


"Lady  Windermere's  Fan" — Warners 
Capitol,  St.  Louis 

TIMES—*  *  *  The  play,  by  Oscar  Wilde. 
is  brought  to  the  screen  by  Ernst  Lubitsch, 
and  would  have  made  interesting  entertain- 
ment for  three  reels,  but  stretched  to  its 
present    length    has    become    rather    tiresome. 


"Mannequin" — Paramount 
State,  Cleveland 

PLAIN  DEALER-*  *  *  Miss  Hurst  must 
have  been  a  little  disappointed  when  she  saw 
her  $50,000  prize  story  on  the  screen,  and 
discovered  she  had  found  no  new  ideas  to 
make   her    "Mannequin"   a   real   prize    winner. 

Columbia,  Washington 

STAR—*  *  *  Though  for  the  most  part  an 
alisorbing  picture  of  human  appeal,  is  not 
likely  to  be  classed,  among  the  year's  best 
offerings.  *  •  * 


"The    Man    Upstairs"— Warners 
State-Lake,  Chicago 

JOURNAL — *     *     *     Congratulations,    Mr. 
Warner    Brothers!      You've   given   us  one   of 


Its 


ICt 


lie 
ke 
C. 
ly 
he 
B, 

He 
:w 

xt 
ut 
at 

De 

ill 
he 


lO 

er 
lie  I 


e 

Sti 
ai 

's- 
n- 
n- 
re 
Id 
a 
he 
re] 
g- 


13 
at 

iH 

lyl 

atj 

"I 
t      1 

is  I 


r 

St 
)S 

a 


d 
e' 

It 


12 


DAILY 


Sunday,  March  21,  1! 


the    best    program    pictures    seen    in    a    long 
time.    •    *   * 

TRIBUNE—*  •  •  Sure  have  to  hand  it 
to  this  picture !  Keeps  you  guessing  from 
start  to  finish.   *   •   • 


"The  Masked  Bride"— M.-G.-M. 

Strand,   Cincinnati 

TIMES-STAR—*    *    *    So    long    as    Miss 

Murray     stays     on    the    screen     the     audience 

stays  in  its  seat.     Regarding  the  plot,  we  beg 

to   call   your  attention   to   the   dancing.    *   *    * 


"North  Star"— Assoc.  Exhibitors 
Randolph,   Chicago 

AMERICAN — *  *  *  It's  all  good  enter- 
tainment, and  no  one  could  help  liking  its 
dog  star — he's  a  thoroughbred  and  a  gentle 
man  always.   •   *   • 

TRIBUNE—*  *  •  "North  Star"  is  well 
directed  in  the  main,  holds  the  interest  pretty 
well,  and  relaxes  itself  now  and  then  with 
slapstick   comedy   that   isn't  bad   at   all.    •   *   • 


"The  Read  to  Yesterday"— P.  D.  C. 
Metro,   Washington 

HERALD — *  *  *  A  clever  utilization  of 
the  idea  and  reincarnation  adds  to  the  in- 
terest and  tenseness  of  the  modern  narrative's 
development.   *   *   ♦ 

POST — *  *  *  One  of  the  most  vivid  wrecks 
in   film   history   takes   place. 

STAR — *  *  *  It  pictures  one  of  the  most 
vivid  train  wrecks  of  the  screen,  and  it  also 
creates  a  novel  sensation  with  the  startling 
twist  whicl:  turns  the  he-man  hero  into  a 
minister.   *  ♦  * 


"Rose    of   the   World"— Warners 

Figueroa,  Los  Angeles 

EXAMINER—*  *  *  Patsy  Ruth  Miller 
plays  a  loveless,  melancholy  role  which  af- 
fords her  the  opporunity  to  give  finer  shades 
to    her   moods    than    she    usually   does.    *    •    * 

HERALD—*  *  *  Patsy  Ruth  Miller  scores 
in  this  film  what  is  perhaps  the  most  enjoy- 
able interpretation  of  her  recent  pictures. 
The  part  gives  her  an  opportunity  to  shade 
her  emotional  scenes,  and  this  she  does  with 
ease  atid   grace.   *  •  • 

TIMES—*  *  *  Patsy  Ruth  Miller,  trying 
to  be  sweet  and  pink-sunbonnetisb,  is  a  sight 
to  make  angels  weep.  •  •  • 


Fire  Hazards  Taboo 

Cleveland  — >  Mrs.  Georgia 
Moffett,  secretary  of  the  Film 
Board  of  Trade,  states  that 
more  than  1,000,000  ft.  of  films 
are  handled  daily  in  the  Cleve- 
land Film  Exchange  Building 
with  no  fire  loss.  Seven  hun- 
dred exhibitors  are  served  daily 
through  local  exchanges.  Fire 
hazards  have  been  reduced  to  a 
negligible  quantity  through  co- 
operation between  city  fire  in- 
spectors and  local  exchanges. 
City  inspection  is  made  every 
two  weeks.  Fire  drills  are  held 
twice  a  week. 


Incorporations 

Londoii,  Eng. — All-British  Films,  Ltd., 
London;  to  produce  and  distribute.  Capital 
£3,000.  Incorporators,  J.  Lambert.  A. 
Cansfield  and  J.  Holmes.  Attorney,  E.  A. 
Masser,   7   Park   Square,   Leeds. 


The   Bowling   League 

Universal  won  games  from  both 
Fox  and  P.  D.  C.  Thursday  night 
at  Dwyer's,  beating  Fox  827  to  642, 
and  P.  D.  C.  759  to  746.  P.  D.  C. 
won  from  Fox,  757  to  646.  This 
week's  games  will  be  played  by 
Pathe,  Educational  and  Fox.  The 
league  standing  follows: 

Won  Lost  P.  C. 

Famous     4  0  1000 

First    National     3  1  .750 

Universal      4  2  667 

P.    D.    C .3  3  .500 

Pathe      2  2  .500 

M.-G.-M 2  2  .500 

Fox     0  4  .000 

Educational     0  4  .000 


London,  Eng. — Vaudeville  Players.  Ltd  , 
London;  to  produce  theatrical  plays  snd 
pictures.  Capital  £100.  Incorporators,  W. 
Williams,    C.    Parker   and   others. 


Springfield,  III.  —  Elston  Theater  Corp., 
3167  Elson  Ave.,  Chicago.  Capital  $10,000. 
Incorporators,  A.  Geranious,  W.  Alexander. 
G.  Stathis.  Attorneys,  Citherio,  Van  Schaick 
&    Stevens,    1924    Otis    BIdg.,    Chicago. 


Dover,  Del. — Mossell  Amusement  Corp., 
to  operate  theaters.  Attorney,  Colonial  Char- 
ter   Co.,    304    Ford    BIdg.,    Wilmington. 


Sommers  Estate  Over  $3,000, 

St.  Louis — Additional  invent 
the  estate  of  the  late  David  So 
filed  in  the  St.  Louis  Probate 
lists  notes,  accounts,  stocks  and  1: 
aggregating  $1,585,300,  bringing 
total  to  $3  003,892.  Included  ii 
new  listing  were  3,700  shares  of 
ropolitan  Theater  Corp.  stock, 
praised  at  $75  a  share,  but  havi 
par  value  of  $100. 


"The   Skyrocket"— Assoc.   Exhib. 
Piccadilly,  Rochester 

DEMOCRAT—*  *  *  Peggy  Joyce  films 
well  and  wears  clothes  with  some  degree 
of  grace  although  she  is  lacking  in  the  subtle 
appeal  which  depth  and  intelligence  alone 
can   give   to   finely   poised   womanhood.    *   *    * 

HERALD — *  *  *  Peggy  Joyce  is  pictorial- 
ly  a  big  asset  to  any  picture.  Combined 
with  her  facial  charms  the  star  has  the 
ability,  to  wear  gowns  in  the  regal  fashion 
that  earned  for  her  the  title,  "the  best  dressed 
woman    on    the    stage."    •   •    • 

TIMES-UNION— •  •  •  The  pitiless  cam- 
era now  and  then  gets  in  some  work  upon 
Peggy  which  makes  one  wonder  whence  crime 
her  reputation  as  "the  most  beautiful  wom- 
an in  the  world ;"  and  her  acting  certainly 
does  not  strike  one  as  being  anything  to 
rave  over.   *  *  • 


"Three  Faces  East"— Prod.  Dist. 

Corp. 

Keith's,  Cleveland 

PLAIN  DEALER— •  »  •  The  thrills  and 
spectacular  scenes  are  abundant,  and  so  clev- 
erly constructed  is  the  film  that  it  is  almost 
impossible  to  anticipate  events,  making  them 
more   enjoyable   when   they   come.    *   ♦    • 

STAR — *  •  'Once  the  plot  of  the  story 
is  accepted,  action  follows  upon  action  in 
logical  sequence  that  would  not  disgrace  a 
far  more  pretentious  effort,  and  the  attention 
of  the  adience  is  never  allowed  to  flag.  •  •  ♦ 

Capitol,  St.  Louis 

GLOBE-DEMOCRAT—*  *  *  "To  us  it  is 
one  of  the  most  thrilling  and  exciting  plays 
of  intirgue  and  mystery  that  has  come  *  •  • 
in  many   a   day.   *   *   * 

POST-DISPATCH—*  *  *  Jetta  Goudal 
is  admirably  fitted  for  the  role  of  a  woman 
of  mystery  and  the  rest  of  the  cast  does 
good   work.   *   *   • 

TIMES — *  •  •  It  is  a  relic  of  the  late 
war,  but  the  war  scenes  have  fortunately  been 
shoved  into  the  background  and  the  picture 
has  been  developed  into  an  interesting  mystery 
play.   •   •  • 


Kentucky  Bills  Pending 

Frankfort,  K}y. — The  censoV  bill 
and  the  tax  bill  are  still  pending. 
The  Legislature  has  only  a  few  weeks 
to  go,  and  it  is  believed  that  the  work 
done  by  the  M.  P.  T.  O.  of  Ken- 
tucky to  counteract  the  measures, 
will  be  successful. 


Albany,  N.  Y. — Rochester  Corinthian,  Inc., 
Rochester;  to  operate  theaters.  Capital  $20,- 
000.  Incorporators,  M.  Konowitz,  H.  Becker, 
and  L.  Baer.  Attorneys,  Konowitz  &  Baer, 
1440    Broadway,    New   York. 


Albany,  N.  Y. — Moral  and  Educational 
Film  Co.,  New  York.  Incorporators,  W. 
Matthews,  Jr.,  E.  Wemett.  Attorney,  W. 
T.  Quinn,  2  Rector  St.,  New  York.  To 
produce. 


Trenton.  N.  T. — Walt  Whitman  Theater 
Co.,  Camden.  Capital  J125.0no.  To  ope--- 
ate  theaters.  Incorporators,  S.  Kaplan.  I. 
Hoffman  and  D.  Getszov.  Attorneys,  Wes- 
cott    and    Varbalow,    Camden. 


Sacramento,  Cal. — The  Fine  Arts  Studios, 
Inc.,  Los  Angeles:  to  produce.  Capital  ^500,- 
000.  Incorporators.  T.  Stewart,  L.  Paige. 
L.  Beilenson  and  C.  Greenbere.  Attorney. 
Charles  Greenberg,  Room  1231,  Chapman 
BIdg.,    Los   Angeles. 


$500,000  San  Jose  Theater 

San  Jose,  Cal. — Work  will  ti 
immediately  on  the  construction 
the  new  West  Coast  theater,  tj 
erected  by  West  Coast  Theaters,! 
The  house  will  cost  $500,000  and' 
be  of  the  Spanish  type.  It  will ' 
2,500,  and  it  is  to  be  located  : 
to   the    new    Montgomery   Hotel 


Chesterfield  Schedule  Maintaim 

Chesterfield    is    now    busy    on 
final    picture    in   its    current   sche( 
Of  the  six  Eileen  Sedgwick  west! 
four  have  been  finished  and  of  the 
Bill    Pattons,    five    have    been    c 
pleted.     The  six  two  reel  Jungle 
tures  made  by  W.  N.  Selig  have 
wise  been  finished. 


Blank's    Executives    Here 
Harry    Watts    of    Omaha,    A. 
Stolte  of  Des  Moines  and  H.  W 
berg  of  Des  Moines,  who  are  ex 
tives  of  the  A.   H.   Blank  circuit, 
in    New    York.      They    attended 
Publix  convention  and  returned 
on  the  special  train  yesterday. 


To  Discuss  Theater  Re-Opening 

Mercer,  Pa. — Poor  business  has 
closed  the  Liberty,  the  town's  only 
house.  The  management  will  soon 
meet  with  the  Chamber  of  Commerce 
to    discuss    plans    for    the    reopening. 


Cassidy  Joins  West  Coast 

Salt  Lake  City — Weir  Cassidy,  for- 
mer exploitation  manager  for  the 
American,  has  joined  the  offices  of  the 
West  Coast  Theaters.  He  is  succeeded 
by  Dave  Schayer. 


Sacramento,  Cal.— Sterling  Prod..  Inc.,  Los 
Angeles:  to  produce.  Capital  $100,000.  In- 
corporators. A.  Koch.  M.  Simberg  and  G. 
Signor.  Attorney.  Maurice  -Salzman,  1131 
Van  Nuys   BIdg.,  Los   Angeles.  I 


Sacramento,  Cal.  —  Distinctive  Theaters, 
Inc..  San  Diecro ;  to  operate  theaters.  Cani- 
tal  $50,000.  Incorporators.  E.  Gaderer.  W. 
Penry,  R.  Sunderhauf,  H.  Davis  and  G. 
Malette.  Attorney,  L.  R.  Kirby,  218  Com- 
monwealth   BIdg.,    San    Diego. 


Sacramento,    Cal. — The    Granada    Co.,    Sac- 
ramento:   to   operate   theaters.      Capital    $750.- 

000.  Incorporators.     G.     Peltier,    J.     Jacobs. 

1.  Morris.  E.  Read.  B.  Vandenherg,  T.  Blair 
and  A.  Williams.  Attorneys,  Henry  &  Be- 
deau,  California  State  Life  BIdg.,  Sacra- 
mento. 


Roden  Resigns 
Salt  Lake  City — J.  B.  Roden  has  re- 
signed  as   assistant   manager   of   Pre- 
ferred   and    will    manage    his    theater, 
the  Orpheus,  at   Evanston,  Wyo. 

New  Cleveland  Office  for  Fox 

Cleveland — The  Fox  exchange  will 
move  on  May  1  into  new  quarters  at 
Payne  Ave.  and  East  22  St. 


Managing  Pathe's  Des  Moines  Office 

Des  Moines — Walter  Liebmann  is 
now  managing  the  local  Pathe  ex- 
change, succeeding  A.  W.  Kahn. 


O'Keefe  with  Pro-Dis-Co. 

Salt  Lake  City— The  Pro-Dis-Co. 
Exchange  here  is  now  in  charge  of 
Al  O'Keefe. 


Berg  in  Moberly 

Moberly.  Mo.— The  Fourth  St.  the- 
ater is  now  beine  managed  by  Ben 
Berg  of  Kansas  City. 


Springfield,  111. — McVicker  Fireproof  Cur- 
tain Co..  Inc..  2436  Sheffield  St.:  to  manu- 
facture and  distribuate  fireproof  theater  cur- 
t.-iins.  Capital  SI  0.000.  Incorporators,  J. 
McVicker.  P.  McVicker  and  M.  Martin.  At- 
tornev.  T.  Martin,  Room  1518,  10  South  La 
Salle  St.,   Chicago. 


Sprinefield.  111. — Facial  Film  Co..  5649 
South  Michigan  Ave.,  Chicago;  to  produce 
Capital  $3,000.  Incorporators,  A.  Ebel,  A. 
Seidel  and  M.  Seidel.  Attorney,  F.  Marshall, 
10   South  La  Salle  St.,   Chicago, 


State  Righting  "Affinities" 
Ward  Lascelle  is  state  riglii 
"Affinities,"  featuring  Colleen  Mc 
The  picture  was  made  by  Las- 
in  1922  and  was  first  released  by 
old  Hodkinson  company.  New  I 
land  has  been  sold  to  the  Ritz  ] 
Exchange  of  New  Haven. 


n 


PUBLIC  SERVICE' 


Adventure  speakers  fror 
Far  places,  or  films  onlj 


Bureau  of  Commercial  Economics 

1108-16thSt.  N.W.  Washington,  D.< 


Schools,  Churches  and  Clubs 


using  Motion  Pictures 


Should  Subscribe  for 


THE  EDUCATIONAL  SCREEN 

and  keep  up-to-date  with  the 
new  films  and  new  equipment 

"1001  FILMS*' 

booklet,  listing  nearly  3000  educational  films 
given  free  with  each  subscription 

$1.50  per  year  -  5  South  Wabash  Ave.,  Chicago,  III. 


You  are  confident 


When  the  picture  is  printed  on  Eastman 
Positive  Film  you  are  confident  of  photo- 
graphic quality  on  the  screen. 

Eastman  Film  is  subjected  to  exacting  tests 
in  the  Kodak  Research  Laboratories  that  prove 
it  right. 


'.%■* 


And  it  is  identified  throughout  its  length 
by  the  black  lettered  words  ^'Eastman"  and 
^^Kodak". 


hook  for  the  identification 


EASTMAN   KODAK  COMPANY 

ROCHESTER,  N.   Y. 


HARRY  LAN60ON 

COftPOaATION 

presents 


y 


REELS  that  spin  laughs  so  fast  you  think  you're  looking  at' 
the  first  when  you're  half  way  through  the  last.      They're 

calling  him  the  world's  greatest  comedian! 


iTHE 

7Ae  BRADSTREET 
o>"  FILHDOM 


:s^^re(ocmized 
Authority 


VOL.  XXXV     No.  67 


Monday,  March  22,  1926 


Price  5  Cents 


Profits  to  "U"  Force 

Sales    Force    to    Share    in    Earnings 

Based  on  Their  Records — Year's 

Product  Sold  Via  New  Plan 

The  highlight  of  Universal's  East- 
ern convention  which  closed  at  the 
Astor  yesterday  was  the  announce- 
ment of  a  profit  sharing  plan  to  be' 
inaugurated  in  all  branches  of  the 
$ales  force.  This  plan  contemplates 
the  payment  of  a  .5  per  cent  Ijonis 
or  commission  to  each  exchange  on 
the  increased  net  revenue  for  the 
coming  year.  It  will  be  based  on\a 
comparison  of  tlie  increased  reveniip 
of  the  12  month  period  May  9,  1926, 
to  May  7,  1927,  over  the  period  May^ 
6.   1925   to   May  8,    1926. 

It  is  understood  that  this  j-ear  Uni- 
versal will  sell  the  entire  "Greater 
Movie  List"  as  such  and  not  divide 
up    the    product    on    a    six    months' 

Each  of  the  six  Reginald  Denny's 
will  be  sold  individually.  Last  year 
the  Dennys  w'ere  included  in  the  en- 
tire  Universal   output. 

"We  are  in  the  most  highly  com- 
petitive business  in  the  country," 
said  Louis  Metzger,  Western  sales 
(Continued  on  Page  2) 


Fox  Plant  Busy 

11    New    Pictures    to    Start    Wi.nin 
Month — W.    R.    Sheehan    Super- 
vising   "What    Price    Glory" 

Hollywood  —  Eleven  pictures  are 
tp  be  placed  in  production  at  Fox 
Avithin  a  month.  Winfield  Rj  Shee- 
han, who  is  now  devoting  practically 
all  of  his  time  to  production,  will 
supervise  "What  Price  Glory'  .which 
goes  into  production  on  April  12  with 
Raoul    Walsh    directing. 

Frank  Borzage  has  been  assigned 
"The  Pelican"  which  Sol  Wurtzel 
will  supervise.  Emmett  J.  Flynn's 
next  will  be  "Going  Crooked"  in 
which  Hallam  Cooley,  Lou  Tellegen, 
David  Butler,  Byron  Munson  and 
Arthur  Housman  will  appear.  John 
Griffith     Wray     has     been     assigned 

\  (Continued   on  Page  3) 


Managers    Discuss    Basic    Contract 

The  stage  producing  managers 
will  meet  at  1  o'clock  today  at  the 
Astor  for  further  discussion  of  the 
closed  shop  contract  of  the  Drama- 
tists' Guild.  Then  at  three  o'clock 
their  committee  will  go  into  joint 
conference  with  the  dramatists'  com- 
mittee to  ask  for  certain  changes. 
The  motion  picture  clause  has  not 
yet  been   discussed. 


Paramount   Convention   Tomorrow 

The  New  York  group  which  will 
attend  the  Paramount  sales  conven- 
tion at  the  Ambasador,  Atlantic  City 
tomorrow  leaves  this  afternoon  on  a 
special  train.  The  meetings  will  con- 
clude on  Saturday. 


"Conditions    Improved    Everywhere" 

Adolph  Zukor,  speaking  on  general 
business  conditions  in  Arthur  Bris- 
bane's column,  "Today,"  in  Satur- 
day's "N.  Y.  American,"  declared: 
"Everywhere  conditions  are  better. 
The  improvement  is  greatest  in  the 
rural    communities." 


Two  Bkl5m  Theaters  Under  Hammer 
Joseph  P.  Day,  auctioneer,  will 
ofTer  at  public  auction  next  Wednes- 
day at  noon,  in  the  Brooklyn  Real 
Estate  Exchange,  189  Montague  St., 
property  at  the  Boardwalk  and  Surf 
Ave.,  Coney  Island,  consisting  of  the 
Eureka  baths  and  theater.  Day  will 
also  sell  the  property  and  Montauk 
theater  at   189   Montague  St. 


See  Chance  for  Copyright  Victory 
The  M.  P.  T.  O.  A.,  in  a  statement 
Saturday  stated  replies  from  Con- 
gressional representatives  to  the  pe- 
titions of  state  units  concerning  pro- 
posed amendments  in  the  copyright 
law,  are  of  a  highly  optimistic  na- 
ture. 


Germans  Watching  Prestige  Abroad 

German  films'  which  might  hurt 
the  country's  prestige  abroad  may 
not  be  exported,  if  a  bill  now  before 
the  Reichstag  is  passed,  according 
to   "The   Times." 


Fox  Local  Exchange  Moves 
The  local  Fox  exchange  has 
moved  into  its  new  quarters  at  343-5 
W.  44th  St.  Buffet  lunch  will  be 
served  to  exhibitors  today.  The 
building  houses  the  sales,  booking 
and    accessories    departments. 

Dearest     Mr.     HAMMEL— {yep,     Johnnie--^ 
mean  you  I     See  you  at  Atlantic.     Nellie   G. 


Putnam   a   Play   Broker 

George  Palmer  Putnam,  publisher, 
and  John  Wheeler,  president  of  the 
Bell  Syndicate,  have  become  asso- 
ciated in  the  sale  of  picture  rights 
of  literary  works.  Headquarters  at 
2  W.  45th  St.  Associated  with  the 
pair  will  be  George  Bye.  Allie  Lowe 
Miles   and    Richard    Halliday. 


June   Mathis   Comfortable 

Late  Saturday  afternoon,  June  Ma- 
this was  reported  to  be  getting  along 
nicely.  She  under  went  a  serious 
operation  late  last  week. 

Christie  Product   Completed 

Hollywood  —  The  Christie  studio 
has  completed  its  28  two-reel  com- 
edies for  release  on  the  Educational 
1925-26  schedule. 


Tilt  Over  "Ben  Hur"  in  Chicago 

Chicago — "Ben  Hur"  will  close  at 
the  Woods  on  the  27th  after  a  run  of 
eight  weeks.  Back  of  this  announce- 
ment, it  is  understood  there  exists 
a  difference  between  Aaron  Jones 
and  A.  L.  Erlanger  over  summer 
rental  for  the  theater.  If  they  do 
not  reach  an  agreement,  the  picture 
will  be  transferred  to  another  thea- 
ter. The  weekly  gross  at  the  Woods 
has   been   about  $14,000   or   $15,000. 


De  Milles  Together 

William  C,  Now  Finishing  Contract 

with  Famous,  to  Direct  Leatrice 

Joy  as  First  for  P.  Dl  C. 

Los  Angeles- — William  C.  dc  Mille 
will  join  his  brother,  Cecil,  and  make 
pictures  for  release  through  P.  D.  C. 
The  first  will  be  "For  Alimony 
Only,"  starring  Leatrice  Joy.  The 
announcement  was  made  by  Cecil  B. 
upon   his   arrival    from    New   York. 

\William  willj  join  the  De  Mille 
studios  upon  his  return  from  New 
York  whither  he  is  now  bound. 

The  De  Mille  schedule  for  next 
year  will  involve  $10,000,000.  About 
$500,000  will  be  spent  in  addition  at 
the    Culver    City    plant. 

The  combine  outputs  of  the  De 
Mille  and  Metropolitan  studios  will 
total  40  pictures.  As  noted,  the 
probable  highlight  will  be  one  p?cu. 
sonally  directed  by  "C.  B.",  which 
will  cost  about  $1,000,000. 

Charles  West  will  take  over  Bar- 
rett C.  Kiesling's  duties  as  studio 
publicity  director  while  the  latter 
will  devote  all  his  time  to  a  super- 
vision of  press  material  from  the 
(Continued  on  Page  2) 


25,480,000  Patrons  in  Seven  Years 

Chicago  —  The  State-Lake,  Or- 
pheum  vaudeville  and  picture  house, 
is  celebrating  its  seventh  anniversary. 
During  the  seven  years,  according  to 
Orpheum  officials,  25,480,000  patrons 
have  passed  through  its  doors,  and 
16,380  vaudeville  acts  have  been  pre- 
sented. 


M.-G.-M.    Signs    Sharp    and    Haines 

Hollywood — M.-G.-M.  has  signed 
Henry  Sharp,  cameraman,  and  Wil- 
liam Haines,  juvenile  lead,  on  long 
term  contracts. 


Arrested  for  Violating  Minors  Law 
Hartford,  Conn. — On  warrants  is- 
sued by  Prosecuting  Attorney  Bones, 
the  manager,  ticket  seller  and  ticket 
taker  of  the  Grand  have  been  ar- 
rested, charged  with  violating  the 
minors  law.  Albert  Unger  is  the 
manager. 


Premiere  of  "For  Heaven's  Sake" 

Hollywood — The  world  premiere 
of  "For  Heaven's  Sake"  will  be  held 
at  the  Million  Dollar  theater  .  on 
March  25. 


Frank  Tuttle  to  Bermuda 

Frank  Tuttle,  who  has  been  ill  of 
influenza,  is  still  quite  sick.  He  ex- 
pects to  go  to  Bermuda  this  week  to 
recuperate. 


Schenck   Recovered 

Joseph  M.  Schenck  returns  to  his 
desk  today,  after  having  been  con- 
fined to  his  hotel  for  several  days 
with  a  severe  cold. 


Rock    Signs   Another 

Hollywood — Joe  Rock  has  signed 
Lois  Boyd,  comedienne  on  a  five 
year  contract. 


Ray  Rockett  Back 

Ray  Rockett,  who  has  been  ill  with 
the  grippe  will  return  to  the  First 
National  studio  today. 


Straus  &  Co.  Offer  Theater  Issue 

Springfield,  111.— S.  W.  Straus  oi 
Co.  has  purchased  and  is  offering  a 
first  mortgage,  6]^  per  cent  bond  is- 
sue of  $1,100,000,  secured  by  the  Lin- 
coln Square  Bldg.,  now  under  con- 
struction. The  bonds,  which  mature 
in  two  to  15  years,  are  priced  to  yield 
6.10  and  6.50  per  cent,  constitute  a 
direct  closed  first  mortgage  on  the 
land,  building  and  equipment  and  are 
the  direct  obligation  of  the  Spring- 
field Theater  Co.,  which  is  building 
the    theater. 


Griffith  Denies  Leaving  Famous 

D.  W.  Griffith  denied  on  Saturday 
published  reports  which  stated  thai 
friction  with  Famous  would  result 
in  his  withdrawal.  He  has  already 
made  "That  Royle  Girl,"  is  now  at 
work  on  "The  Sorrows  of  Satan," 
and  has  one  more  to  make  under  his 
present  contract. 


F.B.O.    Delegation    Leaves    Friday 

The  F.B.O.  contingent  in  the  East 
which  will  participate  in  the  Log 
Angeles  sales  convention  leaves  for 
Hollywood  Friday.  Colvin  Brown 
precedes  the  group  by  two  days. 


Herrick  to  Make  12  for  C.  &  C. 
F.  Herrick-Herrick  has  signed 
with  Cranfield  A  Clarke  to  produce 
12  two-reel  dramas.  Production  at 
Tec-Art. 


Al 


THE 


i^m 


DAILY 


Monday,  March  22,  1926 


(XXVNo.GT    Monday, Mar.  22. 1926    Price  S  Cents 


pyright  1926,  Wid's  Films  and  Film  Folks, 
:.  Published  Daily  except  Saturday  and  hol- 
,ys  at  1650  Broadway,  New  York,  N.  Y.,  by 
ID'S  FILMS  and  FILM  FOLKS,  INC. 
W.  Alicoate,  Treasurer  and  Business  Man- 
er;  Maurice  D.  Kann,  Managing  Editor; 
>nald  M.  Mersereau,  Advertising  Manager; 
Iph  Wilk,  Traveling  Representative.  En- 
ed  as  second-class  matter  May  21,  1918, 
the  post  office  at  New  York,  N.  Y..  under 
;  act  of  March  3,  1879.  Terms  (Postage 
e)  United  States,  outside  of  Greater  New 
)rk,  $10.00  one  year;  6  months,  $5.00;  3 
inths,  $3.00.  Foreign  $15.00.  Subscribers 
3uld  remit  with  order.  Address  all  com- 
mications  to  THE  FILM  DAILY,  1650 
oadway.  New  York,  N.  Y.  Plione  Circle 
56-4737-4738-4739.  Cable  address  :  Filmday, 
!W  York.  Hollywood,  California — Harvey 
Gausman,  6411  Hollywood  Blvd.;  'Phone, 
anite  3980.  London — Ernest  W.  Fredman, 
le  Film  Renter,  58,  Great  Marlborough  St., 
mdon,  W.  I.,  Paris — La  Cinematographic 
ancaise,   5,  Rue  Saulnier. 


Quotations 

High 

1.0W    Close 

Sales 

alaban  &    Katz    .  .    . . 

69J4 

stman   Kodak    108K 

108 

108 

400 

mous     Players      ..120H 

119^ 

1205^ 

3,800 

m.    Play.     Pfd.     ..119^ 

119J4 

119J4 

100 

ilm    Inspection    . .    . . 

5 

irst   Nat'l.   Pfd 

.    . 

102 

Tt     Film     "A"     ..   63 

6154 

63 

1,300 

X    Theaters    "A"      22  J4 

21 

22 

1,700 

ntcrn'l     Projector 

10^ 

)ew's,    Inc 39 

38 

39 

1,300 

letro-Gold.     Pfd. 

2214 

P.   Cap.  Corp.    ..   2\V% 

215^ 

2\% 

400 

the  Exch.   "A"    ..6354 

63J4 

63'/^ 

500 

kouras    Bros 

50 

Stan.    Co.   of  Am. 

50 

.... 

ans-Lux  Screen    ..      9J4 

9^8 

9K2 

400 

Jniversal    Pictures 

30 

niv.    Pict.    Pfd.     ..   91 

91 

91 

100 

Varner     Brothers 

lOH 

A'^arner     Pictures 

WA 

*  Last    prices    quoted 

**  Philadelphia    market 

De  Milles  Together 

(Continued  from  Page   1) 

>mbined  studios.  Donald  Crisp 
ill  direct  Vera  Reynolds'  first  star- 
ng  picture,  "Sunny  Ducrow." 
asu  Pitts,  Edward  Burns  and 
reorge  K.  Arthur  will  be  in  the  cast. 
William  K.  Howard  will  direct 
Gigolo,  The  Dancing  Man,"  star- 
,ng  Rod  La  Rocque.  C.  Gardner 
ullivan  and  Marion  Orth  are  pre- 
aring  the  script.  Lucian  Andriot 
;  cameraman.  -" 


Cuts  And  Flashes 

The  Chicago  United  Theaters,  Inc. 
n  Illinois  corporation  having  head- 
uarters  in  Chicago,  has  been  dis- 
olved. 


Profits  to  "U"  Force 

(Continued  from  Page  1) 
director.  "Sevenj  hundred  pictures 
are  ofifered  yearly  and  exhibitors  can 
furnish  only  365  playing  dates.  This 
means  you  must  know  your  product 
and  have  money-making  pictures 
with  which  to  get  dates." 

Exhibitors  are  insisting  that  well 
known,  reliable,  resourceful  directors 
be  entrusted  with  the  making  of  pic- 
tures, according  to  Metzger.  He  re- 
viewed the  work  of  Universal's  di- 
rectors and  cited  the  pictures  made 
by  many  of  them  last  year.  He  de- 
clared that  stars  alone  are  not  suffic- 
ient and  exhibitors  want  excellent 
direction  along  with  the  stars  and 
stories.  Metzger  explained  the  new 
sales  manual.  It  contains  the 
quotas  desired  by  the  Universal 
heads.     It  is  a  96-page  book. 

Earl  Kramer,  Eastern  sales  direc- 
tor, laid  stress  on  the  specials  to  be 
released  by  Universal,  while  Ralph 
Williams,  Southern  sales  director, 
spoke  on  the  Hoot  Gibsons  and 
"Blue  Streak"  Westerns. 

Nat  Rothstein  told  of  the  sales 
possibilities  in  "The  Flaming  Fron- 
tier," and  George  Brown,  advertising 
manager,  went  into  detail  regarding 
the  studio  product,  giving  the  plots 
and  casts  of  the  pictures  on  the 
"Greater  Movie  List."  He  also  ex- 
plained the  national  advertising  that 
is   being  done. 

Joe  Well,  exploitation  director,  de- 
clared that  Universal  has  always 
worked  with  the  exhibitor  and  that 
the  exploitation  men  are  invaluable 
adjuncts  of  the  exchange  and  theater. 
David  Bader  spoke  on  advertising 
accessories. 

Paul  Gulick,  publicity  manager, 
told  of  the  work  of  his  department 
in  aiding  exhibitors  in  selling  to  the 
public.  "A  satisfied  exhibitor  is  our 
best  asset,"  said  Gulick.  Saturday 
night,  the  salesmen  attended  the 
Earl    Carroll   theater. 

The  second  convention  will  begin 
today  at  the  Book-Cadillac  Hotel, 
Detroit,  and  will  last  for  three  days. 
Then  there  will  be  a  three  day  con- 
vention at  the  Drake,  Chicago,  for 
the  Middle  West,  followed  by  a  three 
day  convention  at  the  Roosevelt, 
New  Orleans,  and  finally  by  a  simi- 
lar conference  at  the  Biltmore,  Los 
Angeles. 


Sidelights 


He  was  bothered  by  a  hand  that  moved  back 
and  forth  near  the  wall  of  the  "College 
Hall"  room  in  the  Astor,  where  the  boys 
were  in  session.  Investigation  revealed  the 
fact  that  it  was  Metzger's  own  hand  and 
that  he  was  seeing  a  reflection  from  a  mirror. 


The  salesmen  were  assured  that  promotions 
would  continue  to  be  made  from  within 
the   ranks. 


The  sessions  ended  yesterday,  and  the  man- 
agers and  salesmen  lost  no  time  in  getting 
back   to   their   exchanges. 


A  studio  representative  is  expected  to  at- 
tend the  Chicago  and  New  Orleans  sessions 
and  furnish  much  information  on  the  1926- 
27  product.  Last  year,  Ray  Schrock,  now 
with  Warner  Bros.,  came  from  Universal 
City    to    explain    the    line-up. 


Butterfield   House   Robbed  of  $3,000 

Ann  Arbor,  Mich. — A  lone  robber 
held  up  R.  L.  McHenry,  auditor  of 
the  Majestic,  a  Butterfield  house,  and 
relieved  him  of  $3,000,  Sunday  re- 
ceipts. 


M.-G.-M.  to  Make  "Three  Twins" 

Hollywood — The  musical  comedy, 
"Three  Twins,"  will  be  made  by 
M.-G.-M.,  with  Lew  Lipton  directing. 


Manistique  in  Throes  of  "Blue"  Fight 

Manistique,  Mich. — This  city  is  di- 
vided as  a  result  of  a  bitter  fight  on 
Sunday  shows.  The  issue  will  be  de- 
cided at  the  April  election.  Decision 
to  submit  the  question  to  voters  was 
made  by  the  council  at  a  meeting 
marked  by  wrangling  and  debates, 
with  a  proposal  that  Sunday  shows  be 
banned  pending  the  referendum, 
turned  down. 


New  Missouri  Theaters 

St.  Louis — A  new  theater  at  20th 
and  Main  Sts.,  Joplin,  Mo.,  will  be 
started  immediately.  John  W.  Free- 
man is  the  owner.  The  house  will 
cost  $75,000.  The  new  house  at 
Maryville,  to  be  built  by  J.  R.  Cook, 
will  get  under  way  shortly,  as  will  a 
new  house  at  Blytheville,  Ark.,  to  be 
built  for  S.  Morgan  of  Little  Rock. 
E.  G.  Pearce  will  manage. 


Incorporations 

Albany,  N.  Y.— Alfred  T.  Wilton,  New 
York;  press  representative  and  publicity. 
Capital  $2C,000.  Incorporators.  A.  Pope, 
G.  Pope  and  K.  Pope.  Attorney,  J.  A. 
Timony,    1170    Broadway,    New    York. 


Earl  Kramer,  presided  at  all  the  sessions. 
Sunday  he  held  separate  meetings  with  the 
various  exchange  managers  and  their  sales- 
men. 


The  Paradise  Theater,  Inc.,  of  Chi- 
ago,  has  received  permission  of  the 
secretary  of  State  of  Illinois  to  in- 
:rease  the  directorate  from  three  to 
■our  members. 


Exploitation  men  here  included  Michael 
Wilkes,  Toronto  and  Montreal;  J.  Hartman 
and  Abe  Goodman,  New  York  exchange; 
Bob  Wood,  New  Haven.  Wood  is  the  young- 
est in  point  of  service,  having  joined  Uni- 
versal only  two  months  ago.  He  is  a  for- 
mer   New    Haven   newspaperman. 


The  Northern  Theater  Co.,  of  De- 
troit, holding  a  Delaware  charter,  has 
received  a  reinstatement  by  the  Sec- 
retary of  State  of  Delaware. 


All  work  stopped  when  Laura  La  Plante 
and  Hedda  Hopper  strolled  through  the  Uni- 
versal offices.  Many  employees  shook  hands 
with  the  visitors.  Miss  Hopper  is  to  re- 
main in  the  East  to  appear  in  the  film  ver- 
sion of  "The  Cherry  Tree." 


Albany,  N.  Y. — New  Gates  Amusement 
Co.,  New  York;  theaters.  Capital  $28,000. 
Incorporators,  M.  Friedland,  L.  Oishansky 
and  O.  Liss.  Attorney,  ,C.  S.  T.  Rosenberg, 
350   Broadway,  New  York. 


Two  Theater  Fkes 

Indianapolis — City  firemen  fought 
a  fire  in  the  new  Bijou,  120  E.  Wash- 
ington St.,  recently,  while  patrons 
waited  were  without  knowledge  of 
the  fire.  A  projector  and  several 
reels   of  film  were  destroyed. 


Trenton,  N.  J, — Liberty  Fair  and  Amuse- 
ment Co.,  Jersey  City.  Capital  $125,000. 
Incorporators,  J.  Bosco,  M.  Bosco  and  R. 
Bosco.  Attorneys,  Kinkead  &  Klasner,  Jer- 
sey   City. 


Albany,  N.  Y. — Kansas  Theatrical  Enter- 
prises, New  York.  Incorporators,  F.  Zerner, 
R.  Joyce  and  L.  Mehl.  Attorney,  S.  F. 
Hartman,    120    Broadway,    New    York. 


The  Universal  1926-27  book  for  exhibitors 
is  a  work  of  art.  It  is  in  four  colors  and 
was  prepared  by  George  Brown  and  his 
associates    in    the    advertising    department. 


Lou  Metzger.  who  made  a  decided  im- 
pression and  who  is  a  real  spellbinder,  was 
irritated    during    his    talk    Saturday    morning. 


Reading,  Pa. — The  Lyric,  in  the 
heart  of  the  busines  district  at  Ham- 
burg, was  destroyed  by  fire,  causing 
loss  of  $20,000. 


Albany,  N.  Y. — Salina-JefTerson  Corp., 
New  York ;  theaters.  Incorporators,  M. 
Hammerstein,  I.  Greenfield  and  B.  Zelenko. 
Attorney,  L.  Friedman,  1540  Broadway,  New 
York. 

♦.♦♦,••.♦♦.•♦.•.♦♦♦♦,♦♦.•♦.♦..♦♦.♦♦.♦♦.•♦,.♦,♦♦,♦♦,•♦,♦♦.♦♦.♦♦,♦♦,♦•,♦♦.♦ 
♦•♦♦♦♦•♦•♦♦♦♦♦•'♦♦'♦•*♦••♦••♦♦♦♦♦••♦♦♦♦♦♦•♦•♦♦♦•♦♦♦♦♦♦* 

I  Ward  Cine  Laboratory,  Inc.  | 

§  216-222   Weehawken    St.         p 

i$  Union  City,  N.  J.  § 

U    Telephone  Union  4800  g 

ji  G.  BERT  WARD,  Prei.  « 

•*♦  & 


Novarro  in  "The   Heartbreaker" 

Hollywood — Ramon  Novarro  will 
star  in  "The  Heartbreaker,"  original- 
ly titled  "Bellamy  the  Magnificent." 
In  the  cast  are  Willard  Louis,  Bert 
Roach,  Edgar  Norton,  Sally  O'Neil, 
Renee  Adoree  and  Carmel  Myers. 
Hobart  Henley  will  direct. 


This  is  a  'Cornerblock'  cut  furnished 
FREE  for  all  Pathecomedies  at  your 
exchange. 


Negative  Developing 
and  Printing 

Complete  Title  Service 
SALAND  FILM  LABORATORIES,  Inc. 

Phone  Bryant  0825      729-7th  Ave,  N.Y. 


Next 

Sunday 

March  28th 

Short 

Subject 

Quarterly 

of 


jjmi 

^mUdstmet 

oypiLMOOM 


7>(fl«(0CM1Za 

Authority 


A 

World 

Of 

Valuable 

Information 


calling  him  the  world  s  greatest  comeatan 


Monday,  March  22,  1926 


THE 


-^©^ 


DAILY 


Government  Films 

Bureau  of  Mines  Pictures  on  "Safety 
First"  Helping  to  Check  Acci- 
dents in  Mining  Industries 

Washington — The  Government  Bu- 
reau of  Mines,  in  a  check-up  on  the 
reception  accorded  their  safety  films 
has  discovered  that,  in  most  instances, 
their  exhibition  resulted  in  driving 
home  to  workers  the  necessity  of 
being  cautious   in  their  daily  labors. 

It  has  been  found  that  whereas  few 
industrial  workers  will  attend  a  lec- 
ture on  safe  practices,  they  will  pack 
the    house    for    a    film    in    which    the 

\      lecture   is   disguised  with    "story"   in- 

1     terest. 

j  The  first  pictures  produced  by  the 

bureau  were  crude  both  in  photog- 
raphy and  plot  as  compared  with 
present  standards.  The  Government 
photographers  kept  pace  with  devel- 
opments, so  that  today  their  product 
compares  favorably  with  that  of  com- 
mercial organizations.  More  than 
100  features  have  been  produced  in 
which  educational  material  is  skill- 
fully woven  into  "story"  plots. 

Unusual  risks  are  sometimes  taken 
by  Government  camera  men  and 
others  employed  in  making  these 
films. 


In  the   Courts 

The  Appellate  Division  has  decid- 
ed that  the  Claremont  Laboratories, 
Inc.,  are  entitled  to  receive  the  $5,615 
deposited  in  court  pending  the  out- 
come of  its  suit  against  F.  W. 
Kraemer.  and  the  Pacific  Southwest 
Trust  &  Savihgls  Bank  over  this 
money.  The  plaintiff  sued  for  ser- 
vices rendered  to  the  Selznick  Dist. 
Co.  on  "The  Son  of  the  Desert,"  and 
claimed  this  money  as  due.  The 
court  decided  that  Claremont  is  en- 
titled to  the  money  with  six  per  cent 
interest  since  it  was  deposited  'in 
court  in  March,  1924,  less  any  inter- 
est paid  on  the  sum,  which  is  to  be 
a   charge   against   the   defendants. 

Measles  Grips  Mass.  Town 

Leominister,  Mass.  —  More  than 
1,100  cases  of  measles  in  this  town 
have  caused  the  Board  of  Health  to 
close  all  theaters. 


Colonial,  Bethlehem,  Changes 

Bethlehem,  Pa.— Straight  pictures 
will  be  the  policy  of  the  Colonial,  the 
house  having  abandoned  vaudeville. 

Fox  Plant  Busy 

(Continued  from  Page   1) 

"The  Return  of  Peter  Grimm";  and 
Harry  Beaumont,  "The  Family  Up- 
stairs," which  will  have  Virginia  Val- 
li,  and  J.  Farrell  MacDonald  in  the 
leads.  Victor  Schertzinger  will  di- 
rect "The  Lily";  Irving  Cummings, 
"Pigs"  with  Janet  Gaynor;  and  John 
Ford,  "The  Devil's  Master."  Edwin 
C.  Hill  will  supervise  the  latter  pro- 
.duction. 

Tom  Mix's  next  will  be  "Dead 
Man's  Gold',"  Thomas  Buckingham, 
director.  The  cast  includes  Frank 
Campeau,  Eva  Novak,  Sam  Allen, 
Harvey  Gripp,  Frank  Hagney  and 
Virginia  Marshall.  Kenneth  Hawks 
is  the  supervisor.  "Dangers  of  9 
Great  City"  will  be  directed  by  R. 
William  Neill  with  Madge  Bellamy, 
Edmbnd  Lowe  and  Leslie  Fenton  in 
the  leads... 


Newspaper  Opinions 

"The  Grand  Duchess  and  the  Waiter" 

— Paramount 

Allen,  Cleveland 

NEWS—*  *  *  There  is  no  further  doubt 
in  my  mind  as  to  Malcolm  St.  Clair's  ability 
as  a  director.  He  knows  his  audience  and 
appreciates  the  fact  that  movie-goers  have  at 
least   a   smattering  of   intelligence.    ♦    *    - 

PLAIN  DEALER—*  *  *  It  is  by  far  the 
smartest  comedy  in  1926  and  contains  two 
of  the  slickest  pieces  of  acting  we  have 
had   in    1925-1926.   ♦   •   * 

PRESS — *  *  *  It  is  a  rather  amusing 
picture,  though  not  one  to  include  in  any- 
one's list  ot   the  best.   *  *   * 

TIMES—*  *  *  Is  mighty  good  entertain- 
ment, without  being  styled  in  the  gorgeous 
production  class.  It's  a  pleasing  story,  well 
acted,    well    directed    and    well    cast.    *    •    • 

Stanley,  Philadelphia 

BULLETIN—*  •  *  Menjou  is  his  "perfect 
lover"  self  once  more  and  excels  his  best 
previous  work.  *  *  * 

PUBLIC  LEDGER—*  *  *  There  are 
many  blunders,  clean  spilled,  tea  overturned 
and  so  on,  comical  situations  of  which  Men- 
jou  makes  .the   most.    *    *    • 

RECORD—*  *  *  Is  a  photoplay  that  held 
the  attention  of  everyone.  It  contained  many 
humorous  situations  and  a  few  not  quite  so 
hilarious.   *   *   * 

Missouri,   St.  Louis 

TIMES — *  *  *  He  does  some  great  act- 
ing in  "The  Grand  Duchess  and  the  Waiter," 
which  is  filled  with  whimsical  action  and 
moments.   *  *  • 


"His  People" — Universal 
Strand,  Detroit 
FREE  PRESS—*  *  *  "His  People"  is  not 
only  one  of  the  best  photoplays  of  the 
year,  but  is  one  of  the  best  stories  of  Jewish 
life  in  New  York's  great  east  side  ever 
told.   *   *   * 


"Memory    Lane"— First    Nat'l 
Karlton,  Philadelphia 

PUBLIC  LEDGER—  ♦  *  ♦  Here  is  the 
tale  of  two  boys  and  a  girl  portrayed  with 
unusual  charm  and  dignity.  John  M.  Stahl 
has  produced  a  picture  of  great  beauty  and 
artistic   design.   *   *   * 

Grand  Central,  St.  Louis 

GLOBE-DEMOCRAT—*  *  *  As  enter- 
tainment, it  is  of  pretty  flimsy  stuff,  con- 
cerning the  well-worn  triangle  of  two  small- 
town boys  and  a  girl.  But  it  is  a  gem  in 
regards  to  detail,  direction  and  photography. 
*   *   * 

BOST-DISPATCH— *  *  *  While  it  is 
pretty  obvious  what  the  finish  will  be,  the 
story  is  amusingly  told  and  there  are  sev- 
eral surprising  twists  to  it  so  that  all  in  all 
it   is   a   decidedly   worthwhile  picture.   *   *   * 


"The  Only  Thing"— M.-G.-M. 
Criterion,  Los  Angeles 

EXAMINER—*  *  *  Comedy,  romance, 
melodrama,  and  a  marked  specialty  for  char- 
acterization  mark   this   new   picture.   *   *   * 

RECORD — *  *  *  Unusual  sets  and  beauti- 
ful photography  added  to  some  good  char- 
acter  portrayals   save    the   day.    *    *   * 

TIMES — *  *  *  There  is  nothing  new  in 
theme  or  plot.  But  the  production  does 
reveal  ai  new  Conrad  Nagel.  *  *  * 


"Sally,    Irene   and    Mary"— M.-G.-M. 
Chicago,  Chicago 

TRIBUNE — *  *  *  Here's  a  little  picture 
that  pulls  at  your  heart  strings  and  laugh 
strings  and  other  strings  that  in  you  are  and 
reach  way  down  deep.  *  »  * 

Apollo,  Indianapolis 

STAR — *  *  *  The  picture  has  been  beau- 
tifully done  in  many  places  and  the  cast  is 
just  what  it  should  be,  even  to  those  playing 
the  most  minor  roles.   •  »   * 


^SlMadetS^ 


Utmost  in  Screen  Brilliancy 


Boom  in  Miami 

Plans  for  14  New  Houses  Announced 

Since  Jan.   1— Total  Cost  $6,- 

600,000  and  Seating  23,000 

Miami — This  city  is  experiencing  a 
most  active  theater  building  boom. 
Not  so  very  long  ago  there  was  a 
scarcity  of  theaters  but,  according  to 
the  Chamber  of  Commerce,  plans  for 
no  less  than  14  houses  have  been  filed 
since  the  first  of  the  year.  In  ad- 
dition, tentative  plans  are  being  made 
for  three  others.  Most  of  the  new 
houses  are  for  pictures.  They  in- 
clude: 

The  Allapattah.  $200,000;  Shenan- 
doah, $1,000,000;  Cocoanut  Grove, 
$400,000;  Biscayne  Plaza,  $1,000,000; 
Coral  Gables,  $300,000;  three  to  be 
built  by  Paramount  Enterprises,  total 
cost,  $2,000,000;  and  the  Miramar 
Strand,  $300,000. 

The  new  houses  proposed  are 
backed  by  Herbert  Dreyfuss,  of  Terre 
Haute,  Ind. ;  W.  H.  Farley  and  C. 
R.  O'Connor  and  Nina  Putnam  Wil- 
cox, the  author.  Others  have  opened 
recently,    including    the    Olympia. 


Schine   Remodeling  Theater 

Corning,  N.  Y. — The  Schine  circuit 
will  completely  remodel  the  State  at  a 
cost  of  $75,000. 


Woodhead's  House  Destroyed 

Kenilworth,  Utah — Sam  Wood- 
head's  Auditorium  has  burned  to  the 
ground. 


On  Broadway 

Astor — "The     Big    Parade" 

Apollo — "Stella    Dallas" 

Broadway — "Tumbleweeds" 

Cameo — Repertoire    Week 

Capitol — "The    Barrier" 

Cohan — "Ben    Hur" 

Colony — -"The     Cohens     and     Kellys" 

Criterion — "Mare     Nostrum" 

Embassy — "La   Boheme" 

Loew's     New     York — Today — "Ibanez'     1 
rent" 
Tuesday — "Monte     Carlo"     and     "Chip 

the     Flying     'U'  " 
Wednesday — "Pleasures    of    the    Rich" 
Thursday — "The    Vanishing    Americati" 
Friday — "The    Gilded   Highway"   and    "' 

Lady    from    Hell" 
Saturday— "Oh !    What   a    Nurse" 
Sunday — "The     Dixie    Merchant" 

Loew's    State — "Partners    Again" 

Mark    Strand— "The    Bat" 

Rialto — "Desert    Gold" 

Rivoli — "The    New    Klondike" 

Warners — "The    Sea    Beast" 

Brooklyn   Mark   Strand — "Irene" 

Selwjm — "The    Black    Pirate" 

Next  Week 

Astor — "The    Big    Parade" 
Apollo— "Stella     Dallas" 
Broadway— Not    yet    determined 
Cameo — Repertoire    Week 
Capitol— "The    Devil's    Circus" 
Cohan — "Ben    Hur" 
Colony — Not    yet    determined 
Criterion — "Mare    Nostrum" 
Embassy — "La    Boheme" 
Mark     Strand — Not    yet    determined 
Rialto — "Bride    of    the    Storm" 
Rivoli — ^"The    Crown    of    Lies" 
Selwyn — "The     Black     Pirate" 
Warners — "The    Sea    Beast" 
Brooklyn    Mark    Strand — "The    Bat" 


Siegmann  in  "Born  to  the  West' 

Hollywood — Universal  has  IcWj 
George  Siegman  to  Lasky  for  a  . 
in   "Born    to   the   West." 


?iopYcpr(a.6fa, 


TRAILERS  SEI I  ff  AK 


■^ 


TTcP" 


THE 


ONLY 

TRAILER  SERVICE 

WITH 

ACTUAL 

SCENES 

FROIvI  THE  NEGATIVE 


CliicaA),lll. 
64°)  So.V«^liiuL  Ave. 

kJ 


New"V&ik  City 
i2&West46*  St.. 


YC> 


V7^ 


LosAn^eIe5,C«l. 

\cfL1  So.V»nuout  Av». 


'■^ 


Joseph  M.  Schenck  presents 

NORMA  TALMADGE 

in 

KIKI 
with  Ronald  Colman 

screen  story  by  Hans  Kraly 

Based  on  the  stage  play  "KIKI" 
written  by  Andre  Picard  and  David  Belasco 

A  CLARENCE  BROWN  production 
A  First  National  Picture 


irii 
11(1 


.ta 


•     calling  him  the  world  s  greatest  comeatanr 


-"I 


7Ae  BRADSTREET 
o/*  FILMDOM 


:S^^RE(OCMIZE0 
AUTHORITY! 


/OL.  XXXV     No.  68 


Tuesday,  March  23,  1926 


Price  5  Cents 


Fox  Standardizing 

2  Fireproof  Structures  From  One  Set 

of  Plans  Now  In  Use — New 

York  Branch  Opens 

With  the  opening  of  its  new   New 

York    exchange    yesterday,    Fox    has 

12  exchanges  in  operation  built  from 

standardized  plans.     Similar  buildings 

are   under   construction    in    Cleveland, 

Toronto,  New  Haven  and  Oklahoma 

City  and  others   are  planned   in  New 

Orleans    and    Los  Angeles.      Jack    G. 

Leo,     vice-president     of     Fox,     is     in 

charge. 

The  structure  on  West  44th  St., 
near  9th  Ave.,  is  as  fireproof  as  possi- 
ble, with  steel  furniture.  On  the  third 
floor  are  seven  vaults,  each  with  a 
storage  capacity  of  2,500  reels.     Two 

(Continued   on  Page  4) 


Fairfax-Rork  Plan  Studio 

Marion  Fairfax  and  Sam  Rork  in- 
tend to  erect  a  studio  in  Hollywood 
to  house  their  units,  according  to  Nat 
Dyches,  director  of  publicity  for  the 
dual  organization,  who  is  in  New 
York  with  Miss  Fairfax  and  her  hus- 
band, Tuliy  Marshall.  Preliminary 
work  will  start  within  a  few  weeks 
after  Miss  Fairfax  returns  to  Holly- 
wood following  the  premiere  of  "The 
Desert  Healer,"  at  the  Strand  in  April. 
Miss  Fairfax,  who  is  here  to  cut  the 
picture,  is  now  confined  to  the  St. 
Regis  by  illness. 

The  Rork  and  Fairfax  units  will 
make  three  more  productions  this  sea- 
son. 


Coast  Organizes 

Independent  Producers  on  the  Coast 
Form     New    Association — I.     E. 

Chadwick  President 
Los  Angeles— Plans  of  independent 
producers  to  launch  an  organiza- 
tion fashioned  along  the  lines  of  the 
Hays  association  have  crystallized  in 
the  Assoc,  of  Independent  Producers. 
It  is  anticipated  the  group  will  co- 
operate with  Hays  members. 

I.    E.    Chadwick    has    been    elected 
president;    Arthur    Beck,    vice-presi- 

(Continucd  on  Page  4) 


Film  Rights  Mediator 

Theatrical   Managers  and  Dramatists 
To  Decide  On  Outside  Arbitrator 

To  Settle  Disputes 
The  appointment  of  an  arbitrator 
who  will  act  in  disputes  on  the  sale 
of  picture  rights  has  been  agreed  upon 
by  the  theatrical  producing  managers 
and  the  Dramatists'  Guild.  He  will 
have  sole  and  final  authority  in  the 
rendition   of  decisions. 

This  was  announced  by  William  A. 
Brady  yesterday  afternoon  at  the 
Astor  following  a  meeting  of  man- 
agers called  to  consider  the  contract 
proposed  by  the  playwrights.  The 
arbitrator,    who    will    occupy    a    ppsi- 

(Continued  on  Page  4) 


Gainsborough    Representatives    Here 

Michael  Balcon  and  Charles  Lap- 
worth  of  Gainsborough  Pictures,  Ltd., 
arrived  on  the  Cedric  yesterday  from 
London.  At  the  Algonquin  for  two 
weeks. 


Buys  Famous  Studio,  London 

London — Gainsborough  Pictures, 
Ltd.,  have  purchased  the  Famous 
Players'  studio  at  Islington.  The  com- 
pany will  make  "Edward  the  Peace- 
maker," based  on  the  life  of  Edward 
VII.  Alfred  Hitchcock  is  directing 
'•The  Lodger"  with  Ivor  Novello, 
Malcomb  Keen  and  Marie  Ault  and 
George  A.  Cooper  is  at  work  on  "The 
Beautiful    White    Devil." 


Saxe  Enterprises  Lease  Three  Houses 

Ncenah,  Wis.— The  Saxe  enter- 
prises have  secured  long-term  leases 
on  the  Neenah  and  Doty  here  and  the 
Orpheum  at  Menasha.  John  Herziger, 
former  manager,  closed  the  deal. 

New  British  News  Reel 

London— W.  G.  Jeapes,  A.  J.  Gale 
and  W.  J.  Repard  have  organized  a 
new  company  which  will  produce  a 
news  reel.  It  is  anticipated  Phillips 
Film  Co.  will  distribute. 

W.    E.— SMITH    and    me.      We'll    be    there  I 
Atlantic   CitE.     Nell  Gwyn.     P.   P.— Advt. 


"Les  Miserables"  for  B'way  Run 

Universal  will  bring  "Les  Miser- 
ables," a  new  version  of  the  Hugo 
novel,  to  this  country  as  a  special  and 
will  probably  start  an  American  run 
in  a  Broadway  theater  in  the  summer. 
At  present  the  picture  is  in  two  parts, 
one  titled  "The  Soul  of  Humanity," 
and  the  other,  "The  Vengeance  of 
Jean  Valjean."  It  will  be  made  into 
one  film  for  showing  here.  The  film 
was  produced  by  Henri  Fescourt  and 
will  be  released  as  a  Universal-^Film 
De  France  production. 

Plan  Several  Houses  in  Nebraska 

Kearney,  Neb. — The  Nebraska  The- 
aters Co.,  recently  formed,  is  planning 
to  incorporate  a  theater  in  the  new 
Masonic  Temple  BIdg.  planned  here. 
The  concern  intends  to  erect  a  theater 
block  at  Columbus,  this  state.  Com- 
prising the  firm  are  the  World  Realty 
Corp..  Omaha  first  run  operators,  and 
Epstein  Brothers,  South  Omaha 
showmen.  Houses  are  planned  for 
principal  cities  in  the  state. 

Universal  Signs  Lynn  Reynolds 

Hollywood— Lynn  Reynolds  has 
signed  a  long  term  contract  with  Uni- 
versal. 


h 


Some  Titles 

Atlantic  City— The  highlight 
of  the  Paramount  convention 
opening  today  will  be  the  an- 
nouncement of  new  product. 
The  1926-27  titles  will  in- 
clude : 

"Metropolis,"  made  by  Fritz 
Lang  for  Ufa  in  Germany  and 
hailed  as  the  finest  picture  ever 
produced  on  the  other  side. 

"Variety,"  starring  Emil  Jan- 
nings  and  Ufa-made. 

"Louie,  the  XIV,"  musical 
comedy,  in  which  Leon  Errol 
starred. 

Wallace  Beery  and  Raymond 
Hatton  in  "We're  In  the  Navy 
Now,"  companion  piece' to  "Be- 
hind the  Front." 

Emil  Jannings  in  "The  Thief 
of  Dreams." 

Others  unannounced  to  date 
include  "Love  Them  and  Leave 
Them,"  "Stranded  in  Paris,," 
"Love's  Greatest  Mistake,"  and 
"Be  Yourself." 

The  following  have  been 
mentioned  at  various  times: 
"Old  Ironsides,"  "The  Rough 
Riders"  which  Victor  Fleming 
may  direct;  Eddie  Cantor  in 
"Kid  Boots,"  "The  Greatest 
Show  on  Earth,"  "Glorifying 
the  American  Girl,"  "Aloma  of 
the  South  Seas,"  "Nell  Gwyn," 
"Beau  Geste,"  "Padlocked"  and 
"Mantrap." 


Buys  Dreiser  Novel 

Theodore  Dreiser's  "An  American 
Tragedy,"  will  be  filmed  by  Famous 
and  D.  W.  Griffith  will  direct.  It  is 
understood  that  the  deal  provides  for 
filming  of  the  story  exactly  as  writ 
ten.  A  statement  from  Jesse  Lasky 
yesterday  pointed  out  that  "An  Amer- 
ican Tragedy"  will  be  "the  most  am- 
bitious efTort  ever  made  by  our  com- 

ny."      Production   will    begin    when 

Griffith    finishes   "Sorrows   of   Satan." 


Paramount  Convenes' 

550    Sales    Representatives   from   AI 

Over  the  Globe  in  Atlantic  City 

Today — Stars    Attending 

The    Paramount    sales    convention 
gets   under   way   at   the   Ambassador! 
Atlantic  City  today.     Via  special  cars| 
the  following  group  leaves  the  Long 
Island    studio    this   afternoon   for   th« 
convention: 

Tom  Meighan,  Richard  Dix] 
Adolphe  Menjou,  W.  C.  Fields,  Loia 
Wilson,  Carol  Dempster,  Louise 
Brooks,  Alyce  Mills,  Ricardo  Cortez| 
Lawrence  Gray,  D.  W.  Griffitl 
Florenz  Ziegfeld,  Frank  Tuttle 
Gregory  La  Cava,  Erie  Kenton,  Eddi« 
Sutherland,  Joseph  Urban,  William  L^^i 
Baron,  Townsend  Martin,  Ralph 
Block,  E.  Lloyd  Sheldon,  Tom 
Geraghty,  Luther  Reed,  John  J.  Gain, 
Laurence  Stallings,  John  Monk  Saun- 
ders, Herman  T.  Mankewicz  and 
Gene  Buck. 


Atlantic  City — The  Paramount  con- 
vention starts  at  the  Ambassador 
this  afternoon  at  2:15.  The  incoming 
trains  from  the  East,  South  and  West 
were  met  yesterday  by  special  editions 
{Continued  on  Page  6) 


$6,000,000  Keith  Bond  Issue 

Financed  by  a  $6,000,000  bond  of- 
fering, the  B.  F.  Keith  Corp.  will  be 
formed  to  acquire  the  vaudeville  and 
picture  houses  owned  by  the  Keith 
circuit.  The  new  company  will  oper- 
ate or  control,  directly  or  through 
subsidiaries  or  afTiliated  organiza- 
tions, 34  owned  or  leased  theaters. 
The  bonds  will  be  handled  by  the 
Bankers  Trust  Co.,  Lehman  Bros, 
and  Dillon,  Reed  &  Co. 


13  New  Theaters  in  Los  Angeles 

Los  Angeles — The  25  new  theaters 
now  under  construction  and  proposed 
by  West  Coast  Theaters,  will  be  di- 
vided between  the  Los  Angeles  dis- 
trict and  the  'Frisco  territory.  Los 
Angeles  and  surrounding  suburbs  will 
have  13,  while  12  will  be  built  in  .Sar. 
Francisco,  Oakland  and  Alameda.  To- 
tal cost  is  placed  at  $20,000,000. 


Ince  to  Film  Famous  Battle 

Hollywood — John  Ince  is  preparing 
to  produce  an  original  story  based  on 
the  famous  battle  between  the  Moni- 
tor and  the  Merrimac  in  Hampton 
Roads,  Va.,  March  9,  1862.  It  is  re- 
ported that  the  production  will  cost 
$300,000  and  will  be  made  at  Fine 
Arts  Studio. 


Sam  Taylor  in  Town 

Sam  Taylor,  former  director  for 
Harold  Lloyd,  who  recently  signed 
with  M.-G.-M.  to  direct,  is  here  for  a 
brief  vacation.  He  will  return  to  the 
Coast  in  about  a  week. 


-^ 


Universal  Signs  Talmadge 

Richard  Talmadge  will  make  six 
pictures  for  Universal  for  next  year, 
first  relea.se  in  September.  They  will 
be  produced  by  Abe  Carlos  at  Uni- 
versal City. 

Take  Over  G.-M.  Plant 

Consolidated  Film  Industries  yes-  , 
tcrday  took  over  the  G.-M.  labnnilory  ] 
in   Long  Island   City. 

Mix  to  Make  all  Westerns 
Hollvwood- Plans  made  by  Fox  for 
I  the    1926-27    season    indicate    that    all 
Tox  Mix  pictures  will  be  Westerns. 


THE 


■<Stl 


DAILY 


c 


Tuesday,  March  23,  1926 


V0I.XXXV  No.  68  Tuesday,  Mar.  23. 1926    Price  5  Cents 

Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y.,  by 
WID'S  FILMS  and  FILM  FOLKS,  INC. 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
a'ger;  Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  montlis,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address:  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographic 
Francaise,   5,  Rue  Saulnier. 


Financial 


There  was  practically  no  fluctuation 
in  motion  picture  stocks  yesterday. 
Trading  was   light. 

The  largest  sales  were  recorded 
Lin  Famous  Players  common,  14,600 
•  shares,  changing  hands,  against  sales 
of  3,800  shares  on  Saturday.  This  is- 
sue showed  the  biggest  rise  of  the 
day,  closing  at  122^  compared  with 
120%  Saturday.  Some  animation 
was  registered  by  Loew's,  Inc.,  6,400 
shares  being  sold. 

Movements  in  the  general  market 
indicated  that  the  selling  wave  had  run 
its  course  for  the  time  being  in  most 
of  the  issues  which  had  been  under 
pressure.  The  advance  in  prices  was 
not  sufficiently  pronounced  to  justify 
the  assumption  that  the  bull  move- 
ment  had   been   resumed. 


Quotations 


High    Low    Close 

*Balaban    &    Katz        ...  ..         69^ 

Eastman    Kodak    ...108^   108J^  108!4 
Famous    Players    ..123ii   IZO'A   \22yk    1 

*Fam.     Play,     pfd ..  119i/^ 

Film    Inspection    ....        5  5       5 

•First    Nat'l    pfd 102 

Fox   Film   "A"    65H     63  63^ 

Fox    Theaters    "A"..  22         21^  22 
Tntern'l    Projector    ..13         13         13 

Loew's,    Inc 40         Z^Yz     39}i 

•Metro-Gold,    pfd 22j4 

M.    P.    Cap.     Corp..    22f^      21  22^ 

Pathe    Exch.     "A"..   6554     6414     65 

Skouras     Bros 49         48         48 

••Stan.    Co.    of   Am     .  .  .  .  50 

Trans. -Lux    Screen 9>^     9'A     914 

•Universal     Pictures     .  .  .  .  30 

•Univ.  Pict.  Pfd 91 

•Warner  Bros lOj^ 

•Warner   Pictures 14^ 

prices    quoted 
biladelphia    market 


Sales 

20 

4,600 

200 

20 

900 

100 

6,400 

600 
1,100 


700 


•Warner 
I  'Warner 
I  *Last 

^JIjT  ••Phil; 


Seib  Quits  Pathc  Post 

Salt  Lake  City — W.  G.  Seib  has  re- 
signed as  branch  manager  for  Pathe. 


Battle  Lines 

The  first  annual  convention  of  Pub- 
lix  Theaters,  Inc.,  brought  together 
virtually  the  complete  managerial  per- 
sonnel of  the  largest  of  the  chain- 
theater  organizations  and,  by  doing 
so — ■ 

Revealed  the  new  type  of  men  who 
are  pioneering  and  introducing  the 
newer  types  of  showmanship  and  the- 
ater operation  throughout  the  nation. 

Showed  clearly  the  part  that  young- 
er men  are  now  playing  in  this  great- 
est arm  of  organized  amusement. 

Gave  a  vivid  proof  of  the  rapidity 
with  which  organized  publicity  has 
brought  public  recognition  of  the 
Publix  name  and  Publix  operating 
idea  for  over  500  theaters  that,  only 
a  few  months  ago,  were  operating  as 
separate  units  under  varied  miscel- 
laneous ownerships. 

Watching  this  convention,  filled 
with  dynamics,  alive  with  new  ideas, 
reporting  on  the  feasibility  of  experi- 
ments that  have  been  worked  out  suc- 
cessfully in  a  nation-wide  laboratory, 
there  was  no  difficulty  in  sensing  what 
Big  Business  is  doing  in  the  motion 
picture  division  of  the  "show"  busi- 
ness or  in  realizing  the  bigness  of  the 
job  that  has  been  accomplished  by 
Sam  Katz  and  Harold  Franklin,  field 
marshals  of  the  newest  Zukor  cam- 
paign. 

And  this  is  but  one  of  a  dozen  simi- 
lar forces  welded  firmly  together  in 
much  less  than  the  past  ten  years — 

The  immense  Loew  theater  organi- 
zation equipped  with  its  own  produc- 
ing and  distributing  units. 

The  nation-wide  First  National, 
similarly  equipped,  sounding  a  warn- 
ing by  its  acquisition  of  West  Coast 
Theaters  control.  What  a  colossus  it 
can  become  if  it  should  decide  to  "na- 
tionalize" its  theater  units  into  one 
operation! 

The  Fox  trinity — theaters,  produc- 
tion, distribution — expanding  with 
large  capacity  theaters  in  great  cities 
where  audience  volume  is  to  be  found, 
besides  owning  the  part  of  West 
Coast  that   First   National   didn't   get. 

Universal,  with  production  and  dis- 
tribution, already  heavily  armed  with 


theaters  in  smaller  cities  and  by  vir- 
tue of  these  ownerships  (where  other 
producers  wish  to  exhibit)  enabled  to 
improve  its  outlets  in  the  larger  cit- 
ies by  playing  other  producers'  pic- 
tures throughout  its  own  chain.  And 
besides  this,  having  some  highly  ef- 
fective large  city  first-runs  of  its  own 
— Washington,  for  example. 

Producers  Distributing,  closely 
linked  with  Motion  Picture  Capital 
and  North  American  Theaters  corpor- 
ations, these  latter  two  working  rap- 
idly and  effectively  under  the  guidance 
of  Silent  Frank  Wilson,  ably  seconded 
by  Harry  Arthur  in  the  West.  Al- 
ready well  equipped  with  houses  in 
the  Central  West  and  with  dramatic 
suddenness  in  actual  full  ownership 
of  the  Jensen-von  Herberg  North- 
west, though  facing  competition  as 
soon  as  possible  from  Fox  and  Fa- 
mous. 

And  in  full  command  of  certain 
other  sectors — Stanley  in  Philadel- 
phia; Saenger  in  Louisiana;  Finkel- 
stein  &  Ruben  in  Minnesota;  Saxe, 
the  amusement  king  of  Wisconsin. 
Butterfield,  the  operating  ace  of  Mich- 
igan outside  of  Detroit. 

Do  not  overlook  these  men  who 
neither  "distribute"  nor  "produce," 
but,  Oh,  boy,  how  they  spin! 

Each  and  all  of  these  factors  plan- 
ning, striving,  acquiring  and  moving 
forward.  And  then  will  come  the  day 
when  the  rival  trenches  will  face  each 
other  even  closer  than  they  do  today. 
Some  hand  will  throw  a  grenade  into 
an  "enemy"  trench.    WHAT  THEN? 


LOBBY   FRAMES 

OF  THE   BETTER   KIND 

LIBMAN-SPAN.JER    CORP 


Gloria  Swanson  III 

Gloria  Swanson  is  ill  of  influenza  at 
her  apartment.  She  will  resume  work 
in  a  few  days. 


Denver  Dixon  Here 
Denver  Dixon  is  in  from  the  Coast. 
At  the  Astor. 


1600  Broadway 

Tcl-Chuki-rins  S'^'i 


New   York  City 


If  You  Are  in  the 
Market   for   Any   Kind   of 

MOTION  PiaURE 
APPARATUS 

CONSULT  US-AND  SAVE  MONEY 
SEND  FOR   OUR  PRICE  LIST 


Chas.  G.  Willoughby,  Inc. 
Motion  Picture  Department 

110  West  32nd  St.,  New  York 
Phone   Pcnoa.   6564 


This  is  a  'Cornerblock'  cut  furnished 
FREE  for  all  Pathecomedies  at  your 
exchange. 


♦•«♦•♦♦»»•♦♦'♦♦••♦•♦«•♦♦*•♦•»♦*♦♦•♦♦•»♦••♦•♦♦•♦♦•»♦•♦♦'»♦•♦♦'♦♦•»♦••♦*•♦•• 

BBVANT     37-AO-37AA 

Rexjben  S.ajmxjei.s,It«-c. 


i540  broadwav 
NewYork 

Insurance  Experts  to  the  Theatrical 
And  Motion   Picture   Industry 


HAPPY  ENDINGS 

Insurance  Policies,  like  some  of  your  scenarios,  should  have 
happy  endings.  Yet,  like  others,  they  have  plenty  of  poten- 
tial drama  and  tragedy — if  the  Broker  forgot— or  just  didn't 
know. 

We  will  stake  our  reputation  on  our  service. 


INCORPORATEO 


80  MAIDEN  LANE.   N.  Y.    C. 


Telephone  John  3080 


New 
Designs 

Mennegan 
Progrann 

Covers 

Beautifully  lithographed 
in  Colors 

now  ready 

write  for  samples 
attractive    prices 

The  Hennegan  Company 


f 


CINCINNATI 


tJtS'B't't-t  »^'    I  ••»-»  /I    t/k'%^  <m^  ^. ^ 


THE  TWO  DISCOVERIESlj 


'SK 


%     •   ■*' 


> 


¥ 


mArion  talley 

of  Kansas  who  won  i 
operatic  fame        1. 


T.t' 


AND 


Greta  Garbo  new  sensation. 

—Variety. 

A  new  star,  Greta  Garbo,  joins  the 
Hollywood  constellation,  and  in 
signing  her  up,  Metro -Goldwyn- 
Mayer  have  the  find  of  the  year. 
—Evening  Journal. 

She  will  meet  with  a  generous  re- 
ception from  her  American  public. 
—  Daily  Neu's. 

In  Greta  Garbo  the  screen  wel- 
comes a  graceful,  slender  girl  who 
captivates  with  her  youth,  allure 
and  vitality.  -N.Y.  Mirror. 

The  murmurs  of  praise  which  her- 
alded her  appearance  were  too 
feeble  by  far.  Greta  Garbo  is  sure 
to  prove  as  much,  if  not  more,  of  a 
sensation  than  did  Poia  Negri  on 
her  first  appearancci 

— N.y.  Arnericarj. 


.V       -S:^ 


Miss 


GARBO  is  now  making 
a  nation-wide  hit  in'^lhanez 
Torrent."  M'G-M  not  only 
presents  the  Big  Names  of  to- 
day, but  introduces  the  New 
Faces  your  public  demands. 
Watch  Greta  Garbo! 


THE 


J 


Tuesday,  March  23,  1926 


'^^i 


-A, 


Coast  Organizes 

(.Continued  from  Page   1) 

fdent;  Jesse  Goldburg,  secretary,  and 
Alorris  Schlaiik,  treasurer.  Harry 
Cohen,  of  Columbia,  was  named  chair- 
man of  the  executive  committee,  the 
members  of  which  are  John  Ince, 
Harry  Brown,  Arthur  Beck,  Sam 
Bischof?  and  the  president,  ex  officio. 

The  executive  committee  is  now 
seeking  permanent  headquarters.  An 
executive  secretary  will  be  engaged. 

Founders  of  the  association  state 
they  will  function  independently  of 
any  other  bodj',  but  will  "cooper- 
ate whenever  practical  in  matters 
affecting  the  common  interests  of  the 
industry  as  a  whole." 

All  matters  affecting  the  use  and 
employment  of  players  and  protection 
of  independent  producers  against  in^ 
roads  on  their  personnel  are  subjects 
that  will  occupy  the  principal  atten- 
tion of  the  association. 

Those  identified  with  the  new  or- 
ganization   include: 

Charles  Hutchinson;  Harry  Cohen;  Ar- 
thur Beck;  Warrent  Maillais,  of  Film-Craft 
Prod.;  H.  B.  Carpenter,  Sierra  Pictures; 
Harry  Jones,  Film-Craft;  Sam  BischoflF,  Bis- 
choff  Prod.;  John  Ince;  Harry  J.  Brown; 
Morris  R.  Schlank,  Rayart  Syndicate  f  orp. ; 
Jesse  J.  Goldburg,  Bob  Custer,  Inc.;  and  I. 
E.    Chadwick. 

Invitations  will  be  tendered  to  in- 
dependent producers  not  already  mem- 
bers of  the  association  to  become 
identified  with  the  new  body. 


Hollywood  Tryout  House 

Hollywood — West  Coast  Theaters, 
Inc.,  will  use  the  Criterion  for  the  de- 
but of  one-act  sketches  and  playlets 
with  stars  in  the  leading  roles  and 
routed  through  some  of  the  largest 
houses  in  the  country.  The  initial  pro- 
duction will  feature  Lou  Tellegen 
on  March  27,  the  sketch,  written  by 
Robert  Edeson,  being  titled,  "Her 
Husband's  Friend."  Eddie  Hitchcock 
is  in  charge  of  presentations. 


Block  Anti-Sunday  Shows  Move 

Thief  River  Falls,  Minn. — A  peti- 
tion for  an  ordinance  banning  Sunday 
shows  has  been  tabled  by  the  City 
Council  through  the  efforts  of  H.  A. 
Brummond  of  the  Princess  and  also 
a  member  of  the  governing  body.  The 
measure  was  advocated  by  the  local 
Protestant    churches. 


Defeat  Sunday  Shows 

Belgrade,      Minn. — Sunday      shows 
were  defeated  by  a  vote  of  75  to  56. 


To  Act  on  Sunday  Shows 

Benson,  Minn. — The  Sunday  shows 
<:iuestion  will  be  decided  here  and  at 
North  Platte,  Neb.,  on  April  6  by  a 
vote. 


y  ( 


r 


Fox  Buys  Ford  Story 
Hollywood — Fox    has   acquired    the 
rights  to  "The  Great  K.   &  A.  Train 
Robbery,"  by  Paul  Leicester  Ford. 


Sam  Briskin  Returns 

Sam  Briskin,  of  Banner  Prod.,  re- 
turned yesterday  from  the  Coast 
where  he  conferred  on  production. 


Ford  Completes  'Shamrock  Handicap' 
Los    Angeles — John    Ford    has    fin- 
ished   shooting    on    "The    Shamrock 
Handicap"  for  Fox. 


Compensation 

Dallas — "Movies,  automobiles 
and  radio  have  compensated 
somewhat  the  loss  of  the  'poor 
man's  club'  and  have  competed 
effectively  with  the  bootlegger 
for  the  contents  of  his  pay  en- 
velope," says  The  "Cotton  and 
Cotton  Oil  News,"  in  an  arti- 
cle dealing  with  conditions  un- 
der prohibition. 


Films  to  Fight  Grime 

Brooklyn  Clergymen  Favor  Saturday 

Morning  Shows  to  Stop  Juvenile 

Delinquency 

Saturday  morning  shows  as  a  means 
of  preventing  juvenile  delinquencj' 
have  been  proposed  by  leading  minis- 
ters in  all  denominations  at  Brooklyn, 
following  a  recent  conference  on 
crime  conditions. 

Fifty-two  complete  programs  have 
already  been  arranged  for  the  Hays 
organization  to  be  known  as  the  "Sat- 
urday Morning  Movies."  They  com- 
prise pictures  suitable  for  boys  and 
girls,  including  features,  comedies  and 
educational  and  religious  Bible  films, 
as  suggested  by  the  clergymen. 

At  the  conference  were  Rev.  S. 
Parkes  Cadman,  president  of  the  Fed- 
eral Council  of  Churches  of  Christ; 
members  of  the  Brooklyn  Juvenile 
Protective  Assoc;  Monsignor  J.  L. 
Bedford;  the  Rev.  Frederick  L.  Gor- 
don; Monsignor  Francis  J.  O'Hara; 
Rabbi  Louis  D.  Gross;  Rabbi  Alex- 
ander Lyons;  and  Rev.  John  Howard 
Melish. 


Club  Plans  $1,500,000  Home 

Hollywood — Edward  Davis,  presi- 
dent of  the  Two-Thirty-Three  Club, 
announces  plans  for  a  $1,500,000  home 
for  the  organization.  Fifteen  mem- 
bers of  the  board  of  directors  will  se- 
lect the  site. 


Cantor  Starts  April  15 

April  15  will  mark  the  start  of  a 
series  of  comedies  to  be  made  by  Can- 
tor Comedies,  starring  Harry  Delf, 
musical  comedy  and  vaudeville  com- 
edian, who  has  signed  a  five-year  con- 
tract. 


Riesenfeld  to  Conduct 

Dr.  Hugo  Riesenfeld,  who  has  just 
completed  the  musical  score  for  "The 
Flaming  Frontier,"  will  conduct  the 
orchestra  at  the  Colony  premiere,  at 
midnight,  April  3. 


Beaudine  Writes  on  Direction 

Hollywood — "The  Science  of  Mo- 
tion Picture  Direction"  is  the  title  of 
an  article  written  for  one  of  the  na- 
tional weekly  magazines  by  William 
Beaudine. 


Mr.  Exhibitor:  Atk  at  the  Fihn  Exchange* 
for  the 


It'i  little  to   ask  for,  hot    it'f    the    only 
reliable  aid  you  can  give  your  musicians 
to  help  put  the  picture  over.    ' 


Fox  Standardizing 

(Continued  from  Page   1) 

vaults  of  similar  size  are  below  street 
level.  The  exchange  serves  Greater 
New  York,  Long  Island  and  northern 
New  Jersey. 

James  R.  Grainger^  general  sales 
manager;  Milton  Schwartz  of  the 
home  office  and  Harry  Buxbaum,  ex- 
change manager,  were  active  in  en- 
tertaining exhibitors  at  the  open  house 
celebration. 


1,500-Seat  House  For  Albany 

Albany — Abraham  Stone,  owner  and 
manager  of  the  Arbor,  plans  a  new 
house  on  Northern  Blvd.  It  will  seat 
1,500. 


New  Spooner  House  Opens 

Spooner,    Wis. — Miner    &    Grouse's 
new  Palace  opened  last  week. 


Film  Rights  Mediator 

(Continued  from  Page   1) 

tion  similar  to  Judge  Landis  in  base- 
ball, will  be  selected  by  a  two-thirds 
vote  of  each  organization  and  will 
come  from  outside  the  theatrical  busi- 
ness. 

The  arbitrator  will  be  in  charge  of 
a  bureau  at  which  dramatists  will 
register  their  plays,  correspondence 
concerning  them,  proof  of  originality, 
etc.  His  salary  will  be  paid  by  com- 
missions. Selection  of  the  arbitrator 
will  be  made  within  a  few  weeks. 

A  committee  was  named  to  meet 
at  noon  today  with  representatives 
of  the  Society  of  Authors,  Composers 
and  Publishers  to  discuss  "small 
rights,"  concerning  copywrights  on 
music  used  in  picture  houses,  cabarets 
and  over  the  radio. 


PAST  PBIfORMANCES  COUNT! 

Harry  H.  Thomas,  Vice-Pres- 
ident and  General  Manager  of 
Merit  Film  Corporation,  New 
York,  having  just  completed  a 
Prosperous  and  Profitable 
Season  with  Rayart  Pictures, 
has  just  contracted  with  W.  Ray- 
Johnston  for  32  Rayart  Feat- 
ures and  4  Rayart  Serialplays 
for  1926-27 


Rayart  Pictures  and  Prosperity 
go  Hand4n-Hand 


^^^li^te 


,MMIIE 
PHeVOSK 


t^V*'*-*'*'^ 


^s 


I  w^m  t  m      k-m  m^m^ 


4 


fi'olh  uoasi  lo  v^a&iivairKccbi 


BIG  WEEKS— METROPOLITAN  Thea. 

SEATTLE,  WASH. 

Tremendous  box-office  clean-up! 


th  BIG  WEEK-ORPHEUM  Thea. 

CHICAGO 

Still  }joinj»  strong! 


h\ 


rd  BIG  WEEK  -  STANTON    Th 

PHILADELPHIA 

Heading  into  4th  Big  Week! 


nd  BIG  WEEK  -  ST.  FRANCIS  Thea. 

SAN  FRANCISCO 

Going  strong  on  indefinite  run! 


th    BIG  WEEK-FIGUEROA  Thea. 

LOS  ANGELES 

Still  going  strong! 


BIG  WEEKS  —  STILLMAN  Theatre 

CLEVELAND,  O. 

Held  over  by  public  demand! 


rd  BIG  WEEK -STATE  Thea. 

PITTSBURGH 

Still  going  strong! 


WARNER 
BROTHERS 

present 

ITOHN 


<WC 


pROM  COAST  TO  COAST  THIS 
great  picture  continues  to  smash  ex- 
isting records  regardless  of  conditions  of 
exhibition.  Nothing  can  stop  it  any- 
where! Equally  as  impressive  as  the 
record-breaking  long  runs  which  the  pic- 
ture has  commanded  is  the  list  of  other 
of  the  country's  finest  theatres  which  will 
play  it  at  an  early  date.  Watch  what  it 
does  at  the  Strand  in  New  York  and 
Brooklyn,  the  Metropolitan  in  Boston, 
Circle  in  Indianapolis,  Palace  in  Dallas, 
Blue  Mouse  in  Portland,  Victory  in  Salt 
Lake  City,  Rialto  in  Washington,  and 
hundreds  of  other  big  bookings ! 


BIG  WEEKS  -  RIALTO  Thea 

PROVIDENCE,  R.I 

Broke  all  house  records!  1 


th  BIG  WEEK-WARNER  Thea. 

NEW  YORK 

Still  going  strong! 


BIGWEEKS-METROPOLITAN  T 

-    BALTIMORE 

Smashed  all  records! 


BIG  WEEKS-NATIONAL  Tl 

,  RICHMOND,  VA.I 

Smashed  all  house  and  city  records!! 


I 


BARMMORE 

^1^  -^th  DOLORES  COSTELL j 


THE 


Tuesday,  March  23,  1925 


I 


11 


:1 


r 


Paramount  Convenes 

(.Continued  from  Fage    1) 

V  the  local  dailies,  the  first  pages  of 

hich  dealt  entirely  with  the  con- 
vention and  its  program.  About  550 
representatives  will  attend. 

George  Weeks,  general  manager  of 

distribution    will    preside,    and    there 

will    be    an    address    of    welcome    by 

A'layor    Bader,    of   Atlantic    City,   and 

others,     including    Sidney     R.     Kent, 

Weeks,    M.    H.    Lewis,    Dr.    Emanuel 

5tern,   G.    B.  J.   Frawley  and   George 

jpidell.     Emil  Shauer,  of  the  foreign 

lepartment,  will  speak  on  his  recent 

rip  around  the  world  and  will  intro- 

luce    foreign   visitors.      This    evening 

vill   be  given   up   to  meetings   of  the 

d  sales  and  exploitation  departments, 

md    the    Paramount    "100    Per    Cent 

plub." 

Tomorrow  is  the  production  depart- 
ment's day,  with  Jesse  L.  Lasky,  pre- 
siding. Kent  will  take  Thursday 
morning  for  his  high  lights  on  new 
product.  In  the  afternoon  the  speak- 
ers will  be  Weeks,  Russell  Hoiman, 
and  A.  O.  Dillenbeck  on  national  ad- 
vertising and  Charles  E.  McCarthy, 
Mel  Shauer,  and  Oscar  Kantner  and 
Leon    Bamberger   on   exploitation. 

Friday  morning  Publix  will  have  the 
spotlight,  with  addresses  by  Sam 
Katz,  Harold  B.  Franklin,  A.  M.  Bots- 
ford  and  Sam  Dembow.  Phil  Reis- 
rnan  and  John  D.  Clark,  Eastern  and 
Western  division  sales  managers,  will 
speak.  The  field  force  of  the  sales  de- 
partment will  have  its  innings  Friday 
afternoon  when  district  managers  will 
te  heard.  Friday  night  there  will  be  a 
^heater   party  at   the   Apollo. 

Saturday  will  be  given  up  to  special 
meetings,  and  that  night  will  come 
the  great  banquet  in  the  Renaissance 
Room.  Charles  McCarthy  will  be 
Joastmaster,  and  the  speakers  will  be 
Adolph  Zukor,  Otto  H.  Kahn,  D.  W. 
Grififith  and  Senator  Capper,  of  Kan- 
sas. The  entertainment  is  in  charge  of 
McCarthy  as  chairman  of  the  com- 
mittee, Mel  Shauer,  Russell  Hoiman, 
G.  B.  J.  Frawley,  Oscar  Kantner, 
Claud  Saunders,  Leon  Bamberger  and 
Vincent  Trotta. 

Members  of  the  organization  who 
will  attend  the  sessions  include  the 
following: 

Home  Office 

Adolph  Zukor,  Jesse  L.  Lasky,  S.  R. 
Kent,  E.  J.  Ludvigh,  E.  E.  Shauer,  Eugene 
Zukor,  George  W.  Weeks,  Sam  Katz,  John 
D.  Clark,  Phil  Reisman,  H.  B.  Franklin, 
A.  M.  Botsford,  Walter  Wanger,  Ralph 
Kohn,  R.  W.  Saunders,  Frank  Meyer,  Mel 
Shauer,  C.  E.  McCarthy,  Russell  Hoiman, 
O.  A.  Kantner,  Leon  Bamberger,  G.  M. 
Spidell,  G.  B.  J.  Frawley,  Claud  Saun- 
ders, M.  H.  Lewis,  A.  O.  Dilllenbeck, 
Joseph"  ScidelYnan,  Henry  Salsbury,  Monte 
Katterjohn,  John  Butler,  Verne  Porter,  Sam 
Dembow,  G.  Knox  Haddow,  T.  A.  Kilfoil, 
Dr.  E.  Stern,  Arch  Reeve,  J.  Albert  Thorn, 
L.  E.  Whelan,  Glendon  Allvine,  Vincent 
Trotta,  Fred  Rath,  Louis  Edelman,  James 
Clark,  Jerome  Sussman,  W.  W.  Caldwell, 
Fred  Blakeley,  R.  Powers,  A.  J.  Michel,  T. 
C.  Young,  Austin  Keough,  Phil  Schaefer, 
Wm.  Hanniman,  Joseph  Fronder,  H.  E.  Pot- 
ter, Jay  Schreck,  Maurice  Henle,  Blake  Mc- 
Veigh,   J.    M.    Jerauld,    Wm.    Wright,    Law- 


rence Flynn,  Dan  Hynes,  E.  J.  Dennison,  H. 
A.  Nadel,  Percy  McNeill,  B.  C.  Campe,  Jack 
Roper,  W.  Mackintosh,  A.  J.  Dunne,  F.  V. 
Glady,  James  Reilly,  E.  A.  Brown,  Ed  De 
Cossey,  Clifford  Poppleton,  P.  J.  Bietti,  E. 
S.  Gelsey,  James  Zabin,  Sam  Cohen,  Alvin 
Adams. 

Foreign  Department 
Herman  Wobber,  J.  C.  Graham,  London, 
J.  W.  Hicks,  Australia,  J.  Thornley,  Aus- 
tralia, J.  L.  Day,  South  America,  T.  D. 
Cochrane,  Japan,  G.  Weltner,  Argentine,  W. 
C.  Winship,  Mexico,  C.  C.  Margon,  Pan- 
ama, G.  Dunlap,  Mexico,  Carl  York,  Scandi- 
navia, R.  Blumenthal,  Don  Velde,  O.  R. 
Geyer,  R.   Lozano,  A.   Ferraro,  J.  N.   Nathan. 

Production  Department 
Lois  Wilson,  Carol  Dempster,  Carol 
Brooks,  Alyce  Mills,  Thomas  Meighan,  Adol- 
phe  Menjou,  Richard  Dix,  W.  C.  Fields,  Ri- 
cardo,  Cortez,  D.  W.  Griffith,  Frank  Tuttle, 
Gregory  La  Cava,  Edward  Sutherland,  Wil- 
liam Le  Baron,  E.  C.  King,  Townsend  Mar- 
tin, Ralph  Block,  E.  Lloyd  Sheldon,  Tom 
Geraghty,  Luther  Reed,  J.  J.  Gain,  Laurence 
Stallings,  John  Monk  Saunders,  Herman 
Mankewicz. 

New   York   Exchange 
J.   Hammell,  J.  J.   Unger,   E.    W.    Sweigert, 
J.    Weinstein,   H.    Seed,   J.    Levine,   W.    Leith, 
E.    Ugast,    E.    Kelly,    P.    Goldman,    J.    Gilles- 
pie,  L.   W.  Adler. 

Atlanta    Exchange 
H.    G.    Ballance,    D.    Prince,    R.    B.    Wil- 
banks,    C.    H.   E.    Felder,   J.    C.    Whitlock,    P. 
Longdon,     W.     R.    Muller,    T.     S.     Maughon, 
C.  J.   Raley,   O.   L.   Freeman,   K.   Franklin. 
Albany    Exchange 
J.  H.  Maclntyre,  M.  K.  Ross,  C.  G.  East- 
man,   F.    D.    Lawlor,    J.    F.    Walsh,    P.     C. 
Stone. 

Boston  Exchange 
G.  J.  Schaefer,  W.  Erbb,  H,  H.  Goldstein, 
C.  M.  Crawford,  J.  F.  Gubbins,  K.  G.  Rob- 
inson, E.  Ruff,  C.  Mekleburg,  J.  H.  Stevens, 
J.  Moore,  J.  F.  Shea,  J.  A.  Callahan,  G. 
W.   Jeffrey. 

Brooklyn    Exchange 
F.    T.    Murray,    M.    Broad,    M.    Kurtz,    E. 
Bell,  J.    Novat. 

Buffalo    Exchange 
M.    W.   Kempner,   E.   R.   Brink,   Mr.   Rose, 
M.   Cohen,   E.   M.    Kempner,   W.    F.   Berk,   E. 
A.  Williams,  G.   E.  Williams. 

Columbus   Exchange 
H.  W.   Dodge,  C.  H.   Weeks,  G.  H.  Peter- 
son,  J.    M.    Ridge,    C.   W.    Powers,    T.    L.    Ir- 
win,  J.    C.    Calhoun,    C.    E.    Kratz,    Mel   Evi- 
don,   L.   D.    Balsly. 

Cincinnati   Exchange 
C.    Reagan,    H.    Owen,    L.    W.    Foster,    L. 
Muchmqre,    G.    W.    Yule.   W.    C.    Carmichael, 
A.  A.  Grimes,  W.   L.   Schmidt,   Ed  Cook,  E. 
C.    Naegel,    G.    Gambrid,    N.    Hagerty. 

Cleveland    Exchange 
E.     H.     Brauer,     A.     D.     Wayne,     C.     W. 
Scheuch,    J.    Himmelein,    W.    K.    Selamn,    R. 
H.    Ramsey,    C.    W.    Kerr,    M.    S.    Cummins, 
C.    O.    Weaver. 

Charlotte    Exchange 
B.    P.    Stiles,    C.    W.    Starr,   E.    M.   Adams, 
M.    Dorland,    E.    Crowell,    M.    B.    Gore,    M. 
Shellman. 

Chicago  Exchange 
N.    F.   Agnew,  J.   E.    Ryder,   W.    D.   Wash- 
burn, H.  W.  Washburn,  E.  L.   Goldberg,  M. 
N.   Silver,   R.   F.   Neill,   L.   V.   Kuttnauer,   P. 
S.   Allison. 

Detroit    Exchange 
H.   A.   Ross,   O.   W.   Bolle,    C.   J.   Bell,   W. 


[ 


OSCAR  NEUFELD 

Another  RAYART    Booster 


WATCH 

RED 

SEAL 


729    Seventh  Ave.,   N.   Y.   C. 
DISTRIBUTORS 


Aids  Small  Theaters 

Paramount     Exploiteer    Stationed    at 
Minneapolis    Specializing   in   Ser- 
vice to  "Little   Fellows" 

Minneapolis — Small  town  exhibit- 
ors are  to  get  increased  benefits  from 
Paramount  exploitation  service 
through  Luther  Putnam,  who  has  just 
been  installed  as  exploiteer  covering 
this  territory.  He  will  specialize  in 
aiding  small  houses. 

Although  the  theaters  in  the  larger 
cities  are  equipped  for  exploitation, 
the  limited  facilities  at  the  disposal  of 
the  "little  fellows'"  prevent  them  from 
staging  extensive  campaigns.  Put- 
nam plans  to  increase  the  efficiency  of 
the  small  theater  through  institutional 
exploitation. 


C.  Lippincott,  F.  O.  Peters,  T.  M.  Harper, 
R.  G.  Williams,  E.  M.  Canty,  D.  E.  Rose, 
E.  J.  Wall. 

Dallas    Exchange 
H.     G.     Rosebaum,    J.     B.     Dugger,    J.    A. 
Muchmore,   J.    H.    Elder,    N.    B.    Houston,    P. 
P.    Reynolds,    J.    McCarty,    B.    K.    Reed,    R. 
Larned,    C.    Dunham. 

Denver   Exchange 
H.  W.   Braly,   C.   H.   Watson,   O.  Wog,   C, 
J.    Duer,  A.   L.   Johnson,  A.   C.   Knowles,  A. 
L.   Birch. 

Des    Moines    Exchange 
C.  F.  Rose,  R.  M.  Copeland,  H.  H.  Saver- 
side,   E.    R.    Rushing,   P.    W.    Robbins,   W.   E. 


Barker,    C.    H.    McClintic,    J.    J.    Curry,    E. 
Burger. 

Indianapolis   Exchange 

F.  E.  Wagoner,  D.  C.  Newman,  V.  V. 
Huddleston.  N.  Elliott,  H.  F.  Goodamote, 
J.    R.    Neger,   J.    O.    Rodman,    E.    J.    Barnard, 

Jacksonville    Exchange 
S.    Chesnutt,    M.    L.    Stevens,   J.    H.    York, 
W.   Klements,   R.   T.   Kay. 

Kansas   City   Exchange 
R.    C.    LiBeau,    B.    Blotcky,    R.    E.    Carnis, 
W.   D.   Woods,   M.   Schweizer,  J.   T.   Manfre, 

B.  B.   Stoll,   C.   C.   Vaughan,  A.  J.   Simmons, 
J.  H.  States,  A.  H.  Cole,  E.  E.  Cunningham. 

Los  Angeles  Exchange 
C.    N.   Peacock,   F.   C.   Clark,  I.   G.  White, 

C.  Penedel,    L.    N.    Schamahorn,    M.    C.    Bur- 
ies, H.  Haas,  H,   Price,   H.   Swift. 

Louisville    Exchange 
W.  J.   Ciark,   W.    B.   Kelly,   C.   H.    Behlen, 
A.    L.  Hancock,  C.   C.  Nieman,   C.    S.  Hughes. 

Minneapolis    Exchange 
A.  W.  Nicholls,  A.   B.   Leak,   F.   Benno,  J. 
M.   Cobb,  F.   Thayer,  C.  Jackson,  T.  M.  Ec- 
kert,  E.  Lovelett,  A.   R.  Anderson,  E.  Frace, 
G.  Lozana,   L.  Putnam. 

Milviraukee    Exchange 

G.  A.  Smith,  F.  Kane,  C.  Ebert,  S.  Seid- 
elman,  J.  Kraker,  F.  Felzman,  J.  V.  Lan- 
ahan,    R.    Bassett. 

Maine    Exchange 
A.   Bevan,   E.    C.   Bradley,  W.   L.    Hughes, 
T.   F.   Duane. 

Memphis   Exchange 
E.     E.     Hilgers,    A.     H.     Kaufman,    L.     E. 
Royster,  A.   E.   Lightfoot,  R.  V.   Reagin,  W. 
R.    Soruggs. 


Soon 


Gieater 
Movie  List 


1^!« 


r^^'^ 


THE 


Tuesday,  March  23,  1926 


j5B^ 


DAILV 


New  Jersey    Exchange 

M.   Kusell,  A,   Gebhart,  J.  A.   Davis,  R.  J. 
Fannon,    M.    Gluck. 

New   Haven   Excliange 
J.    D.    Powers,    J.    R.    Tierney,    J.    L.    Cro- 
man,  H.  Germainej  A.  E.  Poulton. 

New    Orleans    Exchange 

H.   F.   Wilkes,   E.   E.   Shinn,   R.   M.   Lauer, 
W.   Saiell. 

Oklahoma  Exchange 

R.   E.   Hefifner,   A.    Koebrich,   S.    Brunk,  J. 
A.   Mason,    C.   Reed,   W.   J.    Loewe. 

Omaha   Exchange 
C.   F.   Rose,   E.    D.    Nash. 

Philadelphia   Exchange 
W.   E.   Smith,   P.  A.   Bloch,   K.   A.   Suelke, 
R.  J.   O'Rourke.   B.  Griffith.  U.   Smith,  E.  J. 
Corcoran,    V.    O'Donnell,    H.    Rubin,    C.    S. 
Higgins. 

Portland    Exchange 
H.   N.   East,   L.    C.   Stang,   V.   B.   Kenwor- 
thy,   V.   A.    Whitcomb,   H.    Lawrence,   A.    R. 
Taylor. 

Pittsburgh  Exchange 
J.  E.  Fontaine,  W.  Mendelssohn,  G.  A. 
Robb,  D.  L.  Brooks,  M.  R.  Clark,  B.  Sug- 
arman,  H.  M.  Greenwald,  T.  P.  McLaugh- 
lin, M.  Levenson,  M.  T.  McGreevy,  D. 
Brown,    Wm,   N.    Robson. 

Peoria    Exchange 

M.    M.    Hirsch,    E.    Zorn,    M.    C.    Sinclair, 
H.   H.   Hurn,   F.   Ondracek,    R.    Grossman. 

St.    Louis   Exchange 
H.   I.    Krause,   A.    L.    Baggott,   J.    T.    Mc- 
Bride,  W.  Weiss,  R.  D.  Thomson,  E.  F.  De- 
Frenne,  Wm.  Wandel,  A.  S.  Carr. 

San   Francisco   Exchange 
H.   Wobber,  T.   Bailey,  J.    M.   Bettencourt, 
C.  A.   Roeder,  H.  W.  Haustein,  J.  R.  Allen. 
A.    Usher,    J.    Gibbon,    J.    P.    Meyers,    J.    J. 
Patridge,   G.   F.   Sullivan. 

Salt   Lake   Exchange 
L.   Marcus,   L.   J.    McGinley,    C.    G.   Epper- 
son,   E.   M.    Loy,   F.    S.   Gulbrbansen,   F.    H. 
Smith,    A.    K.    Shepherd,    A.    K.    English,    F. 
J.    Murphy. 

San  Antonio  Exchange 
H.  E.  Pickett,  C.  H.  Weaver,  H.  L.  Dean, 
W.  A.  Ford,  J.  L.  Lyne,  M.   Karr. 

Seattle    Exchange 
G.   P.  Endert,  M.   Segel,   A.  A.   Haley,   H. 
W.  Landstrom,  W.  E.  Nelson,  R.  C.  Brown, 
H.   C.  Eagles. 

Sioux    Falls   Exchange 
A.    Mendenhall,    D.     H.    Ruliffson,    T.     F. 
Tucker,   F.   A.   Anderson,   B.   Bergen. 
Washington  Exchange 
H.   Hunter,   J.    Oulahan,   H.    Davidson,   H. 
Tompson,    H.    Beiersdorf,    C.    Duckett. 
Wilkes    Barre   Exchange 
F.    Myers,   C.    C.    Charles,  J.    F.   Kirby,   J. 
F.    Burke,   H.    Kehoe,   W.   A.   Waters. 

Canada 

Calgary   Exchange 
W.   C.   Kelly,  R.  J.   Hutchinson. 

Montreal    Exchange 
E.   English,   T.   Dowbiggan,   J.    Levitt. 

St.  John  Exchange 
P.   J.    Hogan,    R.    Thorne. 

Toronto    Exchange 
M.    A.    Milligan,   A.    C.    Benson,   H.    Patte, 
J.    Hunter,   L.    D.    Hatfield,    E.    Kilackey,    W. 
B.    Moore,    E.    Stucke,   H.    Q.    Burns,   W.    J. 
O'Neill. 

Vancouver   Exchange 
J.   Marshall. 

Winnipeg  Exchange 
W.   Hansher,   A.    N.    Ritchie,   N.    Levant. 

Guests 
u.  S. 

Otto    Kahn,    Senator   Arthur    Capper,   Har- 
old   Lloyd,   M.    R.    Bickell,   A.    Griffith   Grey, 
William    Yearsley,    William    R.    Eraser,    John 
Ragland,    Bogart    Rogers. 
Canada 

N.   L.   Nathanson. 


for  Paramount.  One  is  "Love  O' 
Woman,"  by  Adela  Rogers  St.  John. 
Neilan's  initial  production  will  start 
in  the  next  month.  Benjamin  Glazer 
will  do  the  adaptation. 


Friel  Joins  Paramount 

Richard  Friel,  long  a  "gag"  man 
for  Johnny  Hines  and  a  recent  arrival 
from  London,  has  joined  Paramount 
where  he  is  attached  to  the  Gregory 
La  Cava  unit. 

Paul  Dickey,  author  and  actor,  is 
another  addition. 


Critic  Now  Paramount  Writer 

Herman  J.  Mankiewicz,  dramatic 
critic  of  "The  New  Yorker,"  and  for- 
merly one  of  the  dramatic  editors  of 
the  New  York  Times,  has  been  added 
to  the  writers'  staff  at  the  Paramount 
Long   Island   studio. 


"Aloma"  At  Rialto  For  Summer 

"Aloma  of  the  South  Seas,"  with 
Gilda  Gray,  in  person,  will  begin  an 
indefinite  summer  run  at  tb  ,  Rialto 
following  "For  Heaven's  SLke,"  the 
Lloyd  film  opening  April  4. 


Beauty  Prize  Winner  Cast 
Dorothy  Hughes  has  been  added  to 
the  cast  of  "The  Sorrows  of  Satan." 
She  was  twice  Miss  New  York  at  the 
Atlantic   City  Beauty  Pageant. 

Rock  to  Star  Asher  in  Series 

Los  Angeles — Max  Asher  has  been 
placed  under  contract  by  Joe  Rock  to 
appear  in  a  series  of  two-reel  come- 
dies. Earl  Montgomery,  who  was  re- 
cently signed  by  Rock,  will  probably 
direct,  while  Bob  McKenzie  will  write 
the  scripts. 


Sunday  Shows  Disturb   K.   C.        ] 

Kansas  City — Under  the  caption. 
"What  Is  the  Danger?",  the  follow- 
ing appears  in  the  editorial  columns 
of  the  current  issue  of  "The  Reel 
Journal": 

"Kansas  City  exhibitors  are  threatened 
with  the  enforcement  of  the  old  Kansas  Sun- 
day Closing  Law,  because  of  action  taken 
by  them  to  prohibit  a  soldiers'  and  sailors' 
Memorial  Hall  from  showing  pictures  in 
direct  competition  with  them.  The  American 
Legion  and  another  oganization  have  been 
incited  by  the  exhibitors  action  and  are 
seeking  revenge  by  back-biting  the  exhibi- 
tors with  a  jab   in  their  most  sensitive  spot. 

"On  the  face  of  this  report,  there  is  much 
for  the  Kaw  City  exhibitors  to  fear.  But 
going  a  little  beyond  the  surface,  they  are 
confronted  with  no  real  danger.  If  the 
theaters  in  Kansas  City,  Kansas,  close  on 
Sundays,  the  people  of  that  city  will  seek 
their  Sunday  entertainment  on  the  Missouri 
side.  And.  naturally,  they'll  spend  other  than 
entertainment  dollars  when  they  are  over 
here.  Such  action  would  not  meet  with 
favor  among  the  Kaw  City  merchants  and 
wise  city  executives,  empowered  to  enact 
such  a  law,  will  surely  veto  it." 


Columbia    Names    3    New    Salesmen 

St.  Louis — Barney  Rosenthal,  presi- 
dent of  Columbia,  has  appointed  three 
new  salesmen.  They  are:  "Buns" 
Derby,  assigned  to  Southern  Illinois; 
D.  Boswell,  Northern  Illinois;  and 
Irving   Frankel,    Eastern   Missouri. 


Incorporations 

Trenton,     N.    J. — Joseph     Stern     Theatrical  \ 

Enterprises,     Nine    Clinton    St.,    Newark ;    to  A 

operate    theaters.       Capital     $125,000.                \  ' 


1 


Albany,    N.    Y. — Goldbern    Theatrical    Co. 
Inc.,  New   York ;   to  produce.      Incorporators 
M.    Nassau  and   R.    Bernstein.      Attorney,   H       1  y\ 
F.   Spellman,   130  West  42nd   St.,  New  Yor 


Co.  1 

atorj        j  I 


Albany,    N.    Y.— B.    F.    Keith    Corp.,    N 
York;     theaters.       Incorporators,     M.     Rob 
son,    M.    King  and   E.   Albee.      Attorney, 
Goodman,    1564    Broadway,   New   York.         '^ 


—  ii 

•Franklin,     Dwyer,     Inc.,  ]  I 

Capital    $15,000.      In-  )  I 

n,   A.   Nolan   and    D.    F.  >  I 

O'Connell    &    O'Connell.  )  '" 


Albany,     N.     Y.— 
New    York ;    scenery, 
corporators,    J.    Nolan 
Dwyer.      Attorney 
15    West   44th    St.,   New   York. 

Dover,  Del. — Moorehouse  and  Bowman, 
Pittsburgh,  Pa. ;  to  manufacture  pipe  organs. 
Capital  $25,000.  Attorney,  Capital  Trust 
Company  ol   Delaware,   Dover. 


Dover,  Del. — Mossell  Amusement  Corp., 
theaters.  Capital  $20,000.  Attorney,  Col- 
onial Charter  Co.,  304  Ford  Bldg.,  Wilming- 
ton. 0 


Volunteers  as  Speaker 

Harold  Barnes,  of  the  Rialto,  Bur- 
lington, la.,  is  the  first  exhibitor  to 
volunteer  his  services  to  the  Speakers' 
Bureau  recently  -naugurated  at  na- 
tional headquarters  of  the  M.  P.  T. 
O.  A. 


Actors'  Gambol  April  7 

Hollywood— The  second  annual 
gambol  of  the  Catholic  Actors'  Guild 
is  scheduled  for  April  7  at  the  Phil- 
harmonic Auditorium  under  direction 
of  Ben  Piazza  and  Walter  Wills. 


Vital,  Philadelphia,  to  Continue 

Philadelphia — Despite  the  difficul- 
ties experienced  by  Vital  Exchanges, 
Inc.,  of  New  York,  the  local  exchange, 
conducted  by  Mike  Levinson  and 
Dave  Segal,  will  continue.  They  op- 
erate under  a  releasing  contract. 


Val  Paul,  Roger's  Production  Chief 

Hollywood— Val  Paul  has  been  ap- 
pointed production  chief  of  Charles 
R.  Roger's  Prod.  The  company  has 
bought  "Satan  Town,"  by  Jack  Boyle, 
for  Harry  Carey. 


Dover,    Del. — Cohen    Amusement    Co. ;    t 
operate    theaters.      Capital    $265,000.      Attoi 
ney.    Corporation     Guarantee    &    Trust    Co., 
927    Market    St.,    Wilmington. 


I 


Dover,  Del. — Century  Theater  Co.,  Inc. ; 
to  operate  theaters.  Capital  $100,000.  At- 
torney, Corporation  Trust  Company  ©/ 
America,    Du   Pont    Bldg.,    Wilmington. 


Eleventh  Gotham  Release 

"The  Sign  of  the  Claw,"  with  Peter 
the  Great,  police  dog,  will  be  the  elev- 
enth release  on  Gotham's  program  for 
this  season. 


"Sporting  Lover"  New  Title 

Los   Angeles — The    title    of    "Good 
Luck,"    starring   Conway  Tearle,   has 
been      changed     to     "The      Sporting 
'Lover." 


Grubels    to    Remodel    Three    Houses 

Kansas  City — Improvements  in  the 
entire  chain  of  Grubel  Bros,  is  plan- 
ned this  Spring. 

The  Electric,  Springfield,  Mo.,  will 
be  equipped  with  all  new  seats,  fur- 
nished by  the  American  Seating  Co.. 
while  a  new  Wurlitzer  organ,  a  new 
electric  sign,  new  decorations,  fur- 
nishings and  carpets,  to  cost  more 
than   $60,000,   will   be   added. 

In  Joplin,  Mo.,  the  Elctric  w/tij 
have  alterations  made,  costing  about  I 
$75,000. 

The  Electric  in  St.  Joseph,  Mo., 
will  also  be  remodeled. 


Musgrove  Here 
Harry  Musgrove,  well  know 
Australian    field,    is    in    New 
Stopping  at  the  Astor. 


n  in  the  V 

■    York,  'j' 


Holmes,  Fox  Scenario  Editor 

Ned    Holmes    has    been    appointed 
'scenario  editor  of  Fox. 


Neilan  Selecting  His  First 

Los    Angeles — Marshall    Neilan    is 
considering   two    stories   for    his    first 


IN  JAPANESE 


\LLyCMn-& 


iTHE 

.^«  brAdstreet 

y  FILMDOM 


^  Authority 


:,.  XXXV     No.  69 


Wednesday,  March  24,  1926 


Price  5  Cents 


OX  Has  Unit  System 

Production     Plan     Similar     to 
K)se  of  Other  Companies — More 
Divisions    to    Be    Made 

oUyvvood — Fox  has  established 
unit  system  of  production.  Win- 
R.  Sheehan  has  charge  of  the 
r-specials,  Edwin  C.  Hill  has  per- 
1  supervision  of  the  Tom  Mix  and 
<  Jones  Westerns,  Sol  M.  Wurt- 
will  supervise  the  specials  and 
rge  E.  Marshall  will  exercise  sim- 
iurisdiction  over  the  comedies. 
e  divisions  may  be  mad?»  later. 


ox  is  the  fourth  company  to  inaug- 
e  the  unit  system.  Others  are  Fa- 
s,   M.-G.-M.,   and    First   National. 


To  Test  Attitude 

jlish  Producers  Here  to  Report  to 
British  Government  on  Treat- 
ment They  Receive 

'he  visit  of  Michael  Balcon  and 
irles  Lapworth  of  Gainsborough 
tures,  Inc.,  to  .this  country  has 
;emi-official  aspect  as  British  of- 
als  have  requested  they  report  back 
icerning  the  consideration  they  re- 
ve  from  American  distributing  or- 
lizations.  They  carry  letters  of 
reduction  from,  the  Federation  of 
itish  Industries,  the  Cinematograph 

(Continued   on   Page   6) 

Hearing  Put  Off 

nal    Action    on    Children's    Bill    to 
Come  Up  in  Albany  on  March 
Thirtieth 

i\lbany — The  Freiberg  bill  to  ad- 
t  children  under  16  years  of  age  in 
waters  unaccompanied  by  parents  or 
ardians  was  scheduled  for  a  hear- 
f  vesterdav.  Action  was  put  of?  un- 
March  30th. 

rhe  postponement  was  made  at  the 
luest  of  Freiberg  because  he  wants 
see  what  effect  the  effort  to  transfer 
;  duties  of  the  M.  P.  Commission 
(Continued  on  Page  4) 


Music  Rights  Up 

ivileges  of  Small  Theaters  Aired— 
Playwrights'  Basic  Contract  Up 

Tomorrow 
"Small  rights,"  including  the  use  of 
jsic  in  picture  theaters,  were  dis- 
ssed  by  theatrical  managers  and 
jresentatives  of  the  Society  of  Au- 
Drs,  Composers  and  Publishers  yes- 
■day  afternoon  at  the  Astor.  The 
ciety  was  represented  by  Gene 
ick,  Otto  Harbach  and  Silvio  Hein. 

(Continued   on  Page  4) 


do    love    BALLANCE    in    a    man.      H.e's 
)od.      Nell    Gwyn.    Par.    P. — Advt. 


Fore ! 


The  Film  Golf  Committee  is  slated  to  hold  a  meeting 
within  the  next  two  weeks  at  which  the  details  concerning 
the  Spring  Golf  Tournament  will  be  determined. 

The  Spring-like  weather  of  the  last  few  days  has  occa- 
sioned much  polishing  of  brassies,  niblicks,  irons  and  what- 
not.   The  fever  is  in  the  air. 


Fail  to  Meet  "on  Bookings 

The  meeting  scheduled  for  yester- 
day between  the  T.  O.  C  C.  commit- 
tee and  John  C.  Flinn  of  P.  D.  C, 
to  discuss  a  booking  deal  involving 
many  of  the  independent  circuits  in 
Greater  New  York  did  not  material- 
ize. It  will  be  held  later  in  the 
week.     . 


Hays  111  with  Grippe 

Will    H.    Hays    is    confined    to    his 
home   by   the   grippe. 


Not  To  Raise  Montreal  Tax 

Montreal — The  strong  objections 
raised  by  the  Theater  Managers'  As- 
soc, has  resulted  in  civic  authorities 
deciding  not  to  raise  the  theater 
ticket  tax  to  get  more  revenue  for  hos- 
pitals. 

Universal's    Announcement    Out 

Universal  has  issued  an  elaborate 
announcement,  in  book  form,  of  its 
"Greater  Movie  List."  It  includes 
pictures  of  Universal  stars,  featured 
players  and  directors  and  full-page 
descriptions  in  color  of  the  new  line- 
up. The  work  is  credited  to  George 
Brown,  director  of  advertising. 

Keith  Buys  Ottawa  House 

Ottawa — Keith  interests  have  pur- 
chased the  former  Loew  theater  for 
$537,000.  They  have  been  operating 
the  house  under  lease  for  a  year  and 
a  half. 


F.    B.    O.    Gets    Rock    Comedies 

F.  B.  O.,  during  the  coming  sea- 
son, will  distribute  12  two-reel  com- 
edies known  as  Standard  Red  Rib- 
bon Comedies.     Joe  Rock  will  direct. 


Thornton  Kelly  to  Make  Trip 
E.    Thornton    Kelly,    head    of    the 
Contact  Bureau  of  the  M.  P.  T.  O.  A. 
will    leave    early    in    April    for    a    trip 
through  the   Mid-West. 

Roth  in  Town 
Eugene  A.  Roth  is  in  town.    At  the 
Waldorf. 


Want  Taxes  Repealed 

Boston — Producers,  distributors  and 
managers  met  yesterday  to  discuss 
plans  for  having  the  Legislature  re- 
peal certain  phases  of  theater  taxes. 


Loew  Gets  Melba,  Dallas 

Dallas — Loew  has  acquired  the 
Melba  from  Famous.  The  house, will 
reopen  April  7. 


Directors  to  Talk  Problems 

Hollywood— The  M.  P.  Directors' 
Assoc,  at  its  next  meeting  April  5, 
will  discuss  problems  facing  its  mem- 
bers. The  directors  have  urged  more 
frequent  previews  of  outstanding  pic- 
tures and  serious  discussions  of  their 
merits. 


R.  I.  Houses  Open  Sunday 

Providence — Thousands  attended 
picture  and  vaudeville  shows  Sunday 
throughout  the  state,  despite  the  clos- 
ing law.  At  most  of  the  houses  ad- 
missions were  charged  while  in  some, 
patrons  "contributed"  whatever  they 
pleased. 


Hoot  Gibson  to  Direct 

Los  Angeles  —  Hoot  Gibson  will 
direct  a  series  of  two-reel  Westerns 
starring  Fred  Gilman.  They  will  be 
made  between  his  own  pictures. 


Predicts  Increased  Production 

Hollywood — In  two  years  at  the 
most,  95  per  cent  of  American  pic- 
tures will  be  made  on  the  West 
Coast,  according  to  Joseph  P.  Ken- 
nedy,  here  on   F.   B.   O.   business. 

Edwin  King,  now  general  man- 
ager of  the   studio,  arrives  today. 

Die    MiUe   to    Enlarge    Studio 
Los    Angeles— Cecil    B.    De    Mille 
has    added    42    acres    to    his    Culver 
City    studio. 


Langdon  To  Make  "Yes  Man" 
Hollywood — Harry  Langdon's  next 
/ill  be  "The  Yes  Man." 


52  from  Famous 

One  a  Week  in  New  Program,  Hol- 
lywood Reports — Convention  Starts 
with  6  Months'  Sales  Drive 

Hollywood — It  is  understood  here 
that  Famous  will  release  52  pictures 
during  1926-27  in  two  blocks  of  26. 


Eiforts  to  secure  a  statement  from 
S.  R.  Kent,  now  at  the  Paramount 
convention  in  Atlantic  City,  failed  last 
night. 


Six  Months' Drive 

Atlantic  City — The  Paramount  con- 
vention got  under  way  yesterday  af- 
ternoon at  the  Ambassador.  The  high- 
light of  the  day  was  the  launching 
ol  a  six  months'  sales  drive  on  1926- 
1927  product.  The  friendly  but  keen 
competition  starts  at  once. 

There  will  be  suitable  awards  for 
the  various  exchanges  to  be  distri- 
buted when  the  company's  semi-an- 
nual conventions  are  held  in  the  fall. 
The  figiu  for  first  honors  are  to  be 
sharply  contested  by  both  East  and 
West.  The  fun  started  when  the 
Western  Division  had  the  local  fire 
department  present  John  D.  Clark, 
division  chief,  with  a  fireman's  helmet 
and   axe.     The   East,   not   to  be  out- 

(Continued  on  Page  6) 

First    National    Active   on   Coast 

Hollywood  —  First  National  is 
busy  with  practically  all  units  work- 
ing or  ready  to  start  within  a  few 
days. 


Mark-Strand  in  Syracuse 

Syracuse — Mark  Strand  interests 
have  leased  the  theater  in  a  13-story 
building  planned  here  by  Charles  E. 
Abbott,  head  of  the  Professional 
Building  Co.  About  $150,000  will  be 
spent  on  the  house,  which  will  seat 
3,170  and  be  ready  May  1,  1927. 


Graham  Here  from  Europe 

John  Cecil  Graham,  general  Eu- 
ropean representative  for  Famous, 
arrives  on  the  Olympic  and  leaves 
at  once  for  the  Atlantic  City  con- 
vention. 


U.  A.   Urging  Revival  Weeks 

llnitcd  Artists  is  urging  exhibitors 
to  have  their  patrons  select  pictures 
for   "Revival   Weeks." 


Doyle   En  Route  from  Australia 
R.    R.    Doyle,   Australian   represen- 
tative of  Ujiitcd   Artists,   is  en  route 
to    New    York    to    confer   with    home 
office  officials. 


Schenck  to  Address  A.  M.  P.  A. 

Joseph  M.  Schenck,  fourth  of  the 
"12  Immortals"  of  the  industry,  will 
address  the   A.    M.   P.   A.  tomorrow. 


l« 


P 


fHl: 


^^ 


j5B^ 


DAILY 


Wednesday,  March  24, 


ViLXXXVNe.69  Wednesday,  Mar.  24. 1926  Price  5  Gents 


JOHN  W.  ALICOATE 


Publisher 


Copyright  1926,  Wid's  Film3  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y. 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
months,  $3.00.  Foreign  $15.00.  Subscribers 
ihould  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Fihn  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographie 
Francaise,  5,  Rue  Saulnier. 


Financial 


Coincident  with  yesterday's  nervousness 
and  irregularity  in  price  movements.  Fam- 
ous Players  common  was  forced  down  iVt, 
from  \22y%  to  119.  The  stock  broke  as  the 
liears  continued  to  hammer  away  at  special 
{tocks,  especially  those  with  earnings  direct- 
ly dependent  upon  the  public's  spending 
power. 

Famous  preferred  took  a  slight  rise  from 
119  to  120}^.  Famous  common  led  in  the 
trading,  9,400  shares  changing  hands.  Four 
hundred  shares  of  Fox  Film  "A"  were  sold 
but  the  issue  remained  at  63  }4  as  at  the 
previous    closing. 


Cameo,  Cleveland,  A  Long  Run 

Cleveland — Starting  Easter  Sunday, 
the  Loew's  Cameo  becomes  a  long 
run  house,  with  "For  Heaven's  Sake." 


Storey  to  Supervise  Production 

John  E.  Storey,  assistant  general 
manager  of  Pathe,  leaves  today  for 
Los  Angeles,  where  he  will  supervise 
production.  He  will  continue  as  as- 
sistant general   manager. 


Syracuse  House  Changes  Policy 

Syracuse — The  Savoy  on  Sunday 
ends  its  career  as  a  straight  picture 
house  and  will  reopen  later  with  both 
burlesque  and  films. 


Quotations 

High 

Lov7 

Close 

Sales 

*Balaban  &  Katz 

69^ 

Eastman    Kodak    ..lOBJi 

108  5^ 

108  Ji 

100 

Famous    Players    ..122J4 

119 

119 

9,400 

Fam.   Play.   Pfd.    ..121 

120!/« 

120Ji 

200 

Film    Inspection    . .     S 

5 

5 

500 

•First  Nafl  Pfd 

102 

Fox   Film  "A"    ...   65 J4 

6354 

63  J4 

4,000 

Fox  Theaters   "A".   22^ 

2134 

22^ 

1,800 

•Intern'l   Projector.    . . 

13 

•   >   •   < 

Loew's,  Inc 40 

38/, 

38J4 

1,800 

Metro-Gold.  Pfd 

2254 

•  ■  •  • 

M.    P.    Cap.    Corp..   22 

21'/8 

22 

300 

Pathe    Exch.    "A".   67 

64% 

MVi 

600 

•Skouras   Bros 

48 

**Stan.  Co.  of  Am..    .. 

50 

Trans-Lux   Screen..     9^ 

Wa, 

954 

600 

•Universal  Pictures.    .. 

30 

•Univ.  Pict.  Pfd 

,  , 

91 

Warner  Bros 

,  , 

105^ 

Warner   Pictures    . .    . . 

14% 

*  Last    prices    quoted. 

**   Philadelphia  market. 

-^ 

Whvn  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  I  N  S 

Spveialista  in  Motion  Picture 

and  Theatrical  insurance  fi>r 

the  past  fifteen  years. 


Arthur  W.  Stebbins  &[Co.,  Inc. 
1540  Broadway  N.  Y.  C. 

Bryant  3040 


Return  Date  for  "Siegfried" 

Hollywood — "Siegfried"  will  have 
a  return  engagement  of  one  week  at 
Philharmonic  Auditorium,  starring 
March  29. 


Invents  "Talking  Pictures" 

Bakersfield,  Cal.— Harold  A.  Baker 
claims  to  have  invented  a  talking  mo- 
tion picture  machine.  He  is  president 
of  the  Universal  Appliance  Co.  which 
is  financing  the  project. 


F.   B.   O.  Buys  "Tarzan"  Novel 

F.  B.  O.  has  bought  "Tarzan  and 
the  Golden  Lion,"  by  Edgar  Rice 
Burroughs. 


"Cinderella"  at  Klaw,  April  4 

The  Film  Associates  will  present 
as  their  second  performance,  "Cin- 
derella," a  Uifa  production,  at  the 
Klaw  on  Sunday,  April  4. 

"Man  Power,"  A.   E.   House   Organ 

Associated  Exhibitors  has  laun- 
ched a^  house  organ  called  "Man- 
Power."  Edward  Finney  is  in 
charge. 


Cari  Goe  Back  from  Trip 

Assistant  General  Sales  Manager 
Carl  J.  Goe  of  Associated  Exhibi- 
tors has  returned  from  a  trip  to  the 
Mid-West. 


Loan  Writer  to  Coogan 

Los  Angeles— M.-G.-M.  has  loaned 
Florence  Ryerson,  writer,  to  Jackie 
Coogan. 


Mayer  Heads  Relief  Drive 

Los  Angeles— Loupis  B.  Mayer  has 
been  elected  chairman  of  the  drive  for 
the  relief  of  starving  European  Jews. 

Bruce  Gallup  Joins  U.  A. 
Bruce   Gallup   has  left   Fox  to  be- 
come ahead  of  the  advertising  depart- 
ment at  United  Artists. 


Gorman   to   Make    4   for   Associated 

Los  Angeles — John  Gorman  will 
produce  four  features  for  Associated 
Exhibitors.  The  first  is  "Home, 
Sweet  Home."  Production  starts 
about    April    15. 


5,250,703   Paid  Alberta  Admissions 

Calgary,  Alta — The  annual  report 
of  the  provincial  censorship  bureau 
for  1925  indicates  that  1,587  pictures 
were  shown,  covering  5,103  reels.  No 
changes  were  made  in  4,735  reels,  269 
eliminations  were  made  and  eight 
subjects  were  banned  entirely. 

A  total  of  5,250,703  persons  paid 
admissions,  making  an  average  of  16,- 
829  daily  or  100,975  weekly.  The  in- 
dustry brought  the  province  revenue 
of  $12,276,  an  increase  of  $884  over 
1924.  Charges  for  reviewing  amount- 
ed to  $10,026  and  exchange  license 
fees  totalled  $2,250. 


';;.  U.  A.  Open  New  Exchange 
I  Indianapolis — United  Artists  \ 
open  a  new  exchange  here  to  sen 
Indiana  and  Central  and  Eastern  K 
tucky.  W.  W.  McLean,  formerly 
Chicago,  will  have  charge  of  the' 
change  which  opens  March  21. 


"Ben  Hur"  to  Succeed  "Parade" 

Los  Angeles — Sid  Grauman  will 
conclude  the  run  of  "The  Big  Parade" 
after  21  weeks  in  order  to  make  room 
at  the  Egyptian  for  "Ben  Hur." 


M.-G.-M.    Re-Signs    Scenarist 

Los  Angeles — E.  Richard  Shayer, 
scenarist,  has  been  re-signed  by  M.- 
G.-M.    on    a    long    term    contract. 


Bookers  at  F.  N.  Conventions 

First  National  announced  bookers, 
as  well  as  branch  managers  will  at- 
tend the  regional  sales  meetings  this 
spring. 


"Big   Parade"  in   Cleveland   May   11 

Cleveland — "The  Big  Parade"  starts 
an  indefinite  run  at  Shubert's  Hanna 
May  11. 


Loew  House  in  Akron 

Akron,  O.  —  Loew  plans  a  new 
house  here.  Work  starts  in  about 
a  month. 


De  Mille  Re-signs  Fort 

Hollywood — Cecil  B.  De  Mille  has 
renewed  his  contract  with  Garrett 
Fort,  writer,  for  a  long  term. 


New  M.-G.-M.  Chicago  Manager 

Chicago— Felix  Mendelssohn  is  now 
in  charge  of  the  local  M.-G.-M.  office. 


i 


The   finishing   touch  o{  refinement   on 

an    elaborate   production   is   the 

handcoloring  by 


/3mc/\. 


The    Perfect   Handcoloring   of   Film  I 

I     528  Riverside  Drive  T.t-„i.„.,.  I 


New  York 


Telephone  t 

Morningside  1776     { 


CHROMOS      TRADING      COMPANY 
1123    BROADWAY 

FUNDS  AVAILABLE  FOR  PRODUCTION 
AND  FOR  LOANS  ON  NEGATIVES 

Moderate  rates  and  workable 
terms  are  characteristic  of 
CHROMOS  financing  service. 

Interviews  Invited  in  Confidence 


Suite  1207-8 


'Phone  Watkins  4522 


Davis  on  Sick  List 

George  H.  Davis  is  suffering  fr 
an  attack  of  rheumatism  which  n 
keep  him  away  from  the  Banner  of 
for  some  weeks. 


Reiben,  111 

Sam     Reiben,     well-known     in 
New    York   territory,    has    been   c 
fined    to    his    home    with    pneumoi 
He  is  now  recovering. 


"U"  Convention  at  Detroit 

The    Universal    convention    for 
Central   States,   scheduled   for   Cle 
land,  is  being  held  in  Detroit  inste 
and  closes  today. 


This  is  a  'Cornerblock'  cut  furnisi 
FREE  for  all  Pathecomedies  at  t, 
exchange. 


"Incomparable   Price  for  Incomj. 
able  Quality .'" 

NATIONAL  PROGRA]^ 
SERVICE 

Phone,  Call,  Write — 
1650  B'way,   N.   Y.  C.  Circle 


I  Ward  Cine  Laboratoryjnc 

U         216-222  Weehawken   St. 
8  Union  City,  N.  J. 

:•!    Telephone  Union  4800 

P  G.  BERT  WARD,  Prn 


"WE  NEVER  DISAPPOINT''    t 


CpowFHH 

,CABOR£IORiE: 

1  INCORPORATED 

220  WEST 42^° STREET,, 

NEW   VORK  11 


PHONE-CHICKERINC    2931 


ALLAN  A.LOWNES.  CEN.  MCR.      i 


A  Florida 
Comedy- 
Romance 
by  RING 
LAEDNER 


♦; 

* 


CParamount 


#^^^ 


■k 
* 
* 


EuiOUS  PlXytRS-lASlOf  CoM! 


Member  of  Motion  Picture  Producers  and  Distributors  of  America.  Inc..  Will  H.   Hays.   President. 


THE 


■S^ 


\ 


DAILY 


Wednesday,  March  24,  192 


3,428  German  Theaters 

Total   Has    Increased   From  Two   in 
1900—56,000,000  Attend  317  Ber- 
lin Houses  in  One  Year 

Washington — The  Department  of 
Commerce  reports  that  there  are 
3,428  picture  houses  in  Germany.  In 
1900  the  country  had  two  theaters, 
in    1920,   3,422   and   in   1923,   4,107. 

On  Aug.  1,  1925,  Berlin  had  317 
houses  with  123,902  seats.  In  the 
summer  there  is  an  average  of  two 
performances  a  day,  catering  to  about 
9,600,000  patrons,  or  on  average  of 
one-third  of  a  full  house.  Sundays 
and  holidays  the  houses  are  two- 
thirds  full,  with  an  average  of  three 
performances  and  about  8,000,000  pat- 
rons. Approximately  56,000,000  pat- 
rons visited  Berlin  houses  in  one 
year. 


252  Houses  in  Norway 

Washington— At  the  close  of  1925 
there  were  252  picture  houses  in  Nor- 
way, the  Department  of  Commerce 
says.  The  total  gross  income  of  Nor- 
wegian theaters  during  1925  was  14,- 
415,000  crowns. 


New  Swedish  Company 

Washington — A  Swedish  film  com- 
pany, Sverige-Film,  has  been  or- 
ganized, the  Department  of  Com- 
merce reports. 

Company  Formed  in  China 

Washington — The  picture  depart- 
ment of  the  Commercial  Press, 
Shanghai,  China,  has  organized  into 
a  separate  company  known  as  the 
Kuo  Kwang  M.  P.  Co.,  capitalized 
at  Mexican  $150,000,  the  Department 
of  Commerce  reports. 


Johnny  Hines  Unit  Returning 

C.  C.  Burr  returned  from  Florida 
Monday  night  and  tomorrow  will  be 
followed  by  Johnny  Hines,  Diana 
Kane,  Herbert  Standing,  Bradley 
Barker,  Ruth  Dwyer  and  Harold  Fos- 
hay,  who  have  been  making  exteriors 
for  "The  Brown  Derby."  The  unit 
will  shoot  interiors  at  the  Tec-Art 
studios  on  44th  Street  and  at  Jackson 
Ave. 


Start  "Son  of  the  Sheik" 

Hollywood— "The  Son  of  the  Sheik," 
Rudolph  Valentino's  next  for  United 
Artists,  is  in  work.  Cast  includes: 
Vilma  Banky,  Montague  Love,  George 
Fawcett,  Mack  Swain,  Clyde  Cook, 
Snitz  Edwards,  Robert  Ober.  George 
Fitzmaurice    is    directing. 


12  from  Banner 

Six   for   Ginsberg-Kann    and    Six   for 

Another  Releasing  Medium — 

Some  Titles  Selected 

Banner  Prod,  has  closed  with  the 
Ginsberg-Kann  Dist.  Corp.  to  release 
six  more  pictures  during  1926-1927, 
thus  continuing  a  business  relation- 
ship launched  last  year.  The  titles 
are  "Devil's  Dice,"  "Thumbs  Down," 
"Wanted — A  Coward,"  "Cancelled 
Debts,"  "Dangerous  Friends"  and 
"Christine  of  the  Big  Tops." 

Actual  production  will  start  at  the 
Fine  Arts  studio,  Hollywood  on  May 
1  Sam  J.  Briskin,  who  will  handle 
all  production  detail,  is  in  New  York 
but  will  return  to  the  Coast  next  week 
to  get  work  started. 

Banner  will  make  a  second  series 
of  six  pictures  but  these  will  be  dis- 
tributed through  another  organization. 


18  for  Ginsberg-Kann 

Ginsberg-Kann  will  release  18  pic- 
tures next  season.  In  addition  to  the 
Banners,  there  will  be  a  series  of  12 
Sterling  Prod. 


Back  to  Original  Title 

Hollywood — "Bellamy,  the  Magnifi- 
cent," which  was  announced  as  Ra- 
mon Novarro's  next  and  later  changed, 
has  been  decided  upon  as  the  final 
title. 


Music  Rights  Up 

^Continued  from  Page  1) 
Buck  and  Harbach  will  meet  with 
William  A.  Brady  and  Joseph  P. 
Bickerton  Thursday  to  further  con- 
sider the  clause  which  is  in  the  pro- 
posed basic  contract.  There  will  also 
be  a  joint  session  of  the  Dramatists' 
Guild  and  the  managers. 


Appeals  from  Court  Judgment 

Los  Angeles  —  Pauline  Frederick 
has  filed  an  appeal  in  the  State  Su- 
preme Court  from  a  Superior  Court 
judgment  for  $28,694  rendered  against 
her  and  in  favor  of  C.  H.  Scharnikow 
and  George  Edwin  Joseph.  Joseph, 
who,  it  is  claimed,  assigned  his  in- 
terest to  Scharnikow,  asks  $36,000  for 
legal  services  in  getting  Miss  Freder- 
ick a  contract  with  Robertson-Cole 
She  has  entered  counter-claims  of 
$31,000. 


Davis  To  Preside  over  Shriners 

Hollywood — Edward  Davis  will  be 
chairman  at  the  Shriners'  function  at 
the  Biltmore  tomorrow. 


Writer's  Club  to   Preview 

Hollywood — The  Writers'  Club  will 
preview  "Hell  Bent  for  Heaven"  to- 
morrow. 


Publix  Graduate  in  Tennessee 
Johnson  City,  Tenn. — Fred  T.  Gar- 
finkle,  of  New  York,  one  of  the  first 
graduates  of  the  Publix  School  for 
Managers,  has  arrived  here  to  become 
house  manager  of  the  Capitol,  the 
Majestic  and  the  Edisonia,  the  three 
local  houses  under  control  of  Pub- 
lix. George  W.  Keys  is  general 
manager  of  the  Johnson  City  Enter- 
prises, a  subsidiary  of  Publix  The- 
aters, and  formerly  part  of  Southern 
Enterprises. 


Hearing  Put  Off 

(Continued  from  Page  1)         j 
to  the  Education  Department  willn; 
upon  his  measure.     A  bill  was  int 
duced  in  the  Senate  yesterday  proj 
ing    for    this    transfer,    in    compli| 
with  the  report  of  the  Hughes  ^ 
mittee.    Should  licensing  be  con  " 
under   the    Education   Departmei 
it   is   now   maintained,    Freiberg 
make  every  effort  to  have  his  bif 
acted. 

An  examination  of  the  new  b: 
veals  no  unexpected  changes.  It 
vides  for  the  establishment  of  aA 
tion  picture  division  in  the  Eduo 
Department,  the  head  of  which  w 
named  by  the  Board  of  Regents  i 
recommendation  of  the  Commisa 
of  Education.  The  Regents  wil 
sign  to  such  division  all  of  the  : 
tions,  powers  and  duties  of  the  pn 
M.  P.  Commission,  and  would  bei 
effective  Jan.  1,  1927. 


"Stella  Dallas"  Paris  Openinf 

"Stella  Dallas"  will   have  its  I 
at  the  Max  Linder  Ap| 


premiere 


Jerome  Dawson,  Theater  Owner, '. 
Gallitzin,  Pa.  —  Jerome  Daw 
owner  of  the  Victoria,  and  onii 
the  early  exhibitors  in  this 
tory,  is  dead,  following  a  lo 
ness. 


I 


Koppin    in    Larger    QuarteR 
Detroit — The   George    Koppin 
operating  extensively  in  theaters' 
real  estate,  is  now  in  enlarged  < 
ters.  occupying  the   entire  third 
of  the  Peninsular  Broadway  Bld|( 


i 


Lipton  to  Direct  "Three  Twins" 

Hollywood — Lew  Lipton,  recently 
made  a  director  by  M.-G.-M.,  will  di- 
rect "Three  Twins,"  adaptation  of  the 
musical  show. 


"Crown  of  Lies"  for  Rivoli 
"Crown  of  Lies,"  with  Pola  Negri, 
opens  at  the  Rivoli  Sunday. 


i^lle^MhtSMUi, 


Looli  BetteratidWear  longer 


ARTHUR  J.  LAMB 

announces  the  engagement  of 

ANN   PENNINGTON 

for  the  stellar  role 
in  the  two  reel  comedies 

SALLY  RUNS  WILD! 

Production  Starts  March  31st 


« 


everybody 
is  for  it 


Endorsed  by  every  big  producer  and  distributor 
in  the  motion  picture  industry. 

Utilizing  every  star,  director  and  leading  player 
v^ho  has  recognized  box-office  value. 

Backed  by  Photoplay  Magazine  and  the  best 
newspapers  of  the  nation. 

Sold  for  the  opening  contest  to  every  prominent 
exhibitor  in  Greater  New  York. 

MOVIE  LOVERS' 
CONTEST 

The  thirty-five  greatest  stars — the  forty  fore- 
most directors— the  two  hundred  leading  players 
— all  shown  in  the  most  memorable  scenes  from 
the  world's  forty  most  successful  motion 
pictures. 

Exceptional  entertainment.  Striking  novelty. 

Newspaper  tie-ups  that  mean  something. 

Awards  that  will  start  the  town  talking. 

Wire  today  for  details  of  the  Contest  in  your 
city. 

MOVIE  LOVERS'  CONTEST 

729  Seventh  Avenue  (Suite  705)  New  York  City 


THE 


-.%^ 


DABLY 


Wednesday,  March  24, 


Six  Months'  Drive 

{Continued  from  Page   1) 

done,  persuaded  five  local  policemen 
to  break  into  the  convention  hall  and 
present  to  Phil  Reisman,  division 
chief,  a  blackjack,  a  police  club  and  a 
gun.  The  West  then  retorted  with 
an  effigy  representing  the  bedraggled 
appearance  the  East  will  make  when 
the  sales  drive  ends. 

The  convention  is  decidedly  pic- 
turesque. Paramount  is  doing  every- 
thing to  make  the  meetings  talked 
about  and  is  succeeding.  For  exam- 
ple, one  contingent  was  met  in  Phila- 
delphia with  a  special  edition  of  the 
Atlantic  City  Daily  Press.  When  the 
train  arrived  here,  the  band  of  the  At- 
lantic City  division  of  the  Pennsyl- 
vania railroad  was  on  hand.  Like- 
wise the  firemen's  band.  The  sales- 
men were  then  wheeled  down  the 
Boardwalk  to  the  Ambassador  in  regal 
style.  The  Western  salesmen  are 
wearing  cowpuncher  outfits;  those 
from  the  Spanish-speaking  countries 
are  living  up  to  tradition  by  eciually 
suitable  raiment. 

Today  the  production  department 
will  hold  the  floor  and  will  screen 
scenes  embracing  the  highlights  of 
some  fall  product.  Tomorrow,  S.  R. 
Kcn*^  will  discuss  the  line-up  in  full. 
This  part  of  the  convention  will  be 
decidedly  important. 

There  are  at  hand  representatives 
from  every  citv  and  state  in  this  coun- 
try and  from  68  foreign  nations.  Emil 
E.  Shauer,  head  of  the  foreign  depart- 
ment, gave  a  long  talk  based  on  his 
recently  completed  50,000  mile  trip 
during  which  he  circumvented  the 
globe.  He  stressed  the  point  that  the 
foreign  activity  is  now  an  important 
and  integral  portion  of  the  busiuess 
and  added  that  Famous'  growth  TiT 
that  direction  had  been  steady  and 
consistent.  Hermann  Wobber,  who 
has  been  doing  special  work  in  Europe 
and  who  figured  in  on  the  original  Ufa 
deal  with  Famous,  then  made  an  ad- 
dress. Each  foreign  representative 
was  later  presented  to  the  assembled 
sales  force. 

George  E.  Weeks,  general  sales 
manager,  is  chairman  of  the  conven- 
tion and  general  operating  chief. 
Mayor  Bader  did  not  make  an  appear- 
ance, but  Assistant  City  Solicitor 
Presky  did  and  presented  Kent  with 
the  key  of  the  city.  Of  course,  it  was 
accepted.  The  entire  Ambassador  is 
in  possession  of  Paramount.  There 
are  all  sorts  of  banners  and  displays 
on  everv  hand,  including  one  showing 
many  of  the  company's  foreign  offices. 
Late  vesterday,  special  cars  bearing 
Adolnh  Zukor,  Jesse  L.  Lasky,  Wal- 
ter Wanger  and  the  star  constellation 
arrived.  'Most  of  the  players  are  busy 
in  the  studio  and  will  therefore  return 
to  New  York  today  to  return  here 
again  for  the  concluding  banquet  on 
Saturday. 

Forrest  Halsey  and  William  Cohill 
are  here.  Likewise,  A.  L.  Grey.  C. 
L.    ("Bill")   Yearsley  and  Fred  Bee- 

There  are  fifteen  m  the  Los  Angeles 
group  which  arrived  yesterday,  includ- 
ing genial  Arch  Reeve,  studio  public- 
ity head. 

Sidelights 

Atlantic  Citv — Easily  one  of  the  outstand- 
ing figures  is  Sidney  R.  Kent.  It  was  not 
so    many    years    ago    that    Kent    was    a    sales- 


man   out    in    the    field    and    his    rise    in  the 

picture    industry    has    been    phenomenal.  He 

serves   as    a   real    inspiration    to    his    men  and 
is   a   tireless   worker. 

Although  W.  C.  Fields  has  been  seen  in 
"Sally  of  the  Sawdust"  and  other  pictures, 
tills  was  his  first  opportunity  to  meet  many 
of  the  Famous  salesmen.  There  were  many 
inquiries  regarding  "Shorty,"  his  assistant, 
who  has  been  with  him  for  years  in  vaude- 
ville and  productions.  Fields  arrived  here 
last  night  and  is  expected  to  return  to 
New  York  tomorrow  to  continue  work  in 
"It's   the   Old   Army   Game." 

*  *  * 

Oscar  Kantner,  Leon  Bamberger,  Lem 
Stewart  and  Russell  Moon  were  among 
those  who  remained  over  from  the  Publix 
convention    last    week. 

*  *  * 

Tom  Bailey,  San  Francisco  manager,  is 
combining  business  and  pleasure.  He  is  on 
his  honeymoon  trip  with  Mrs.  Bailey,  who 
was   Miss   Gertrude  Girchner. 


To  Test  Attitude 

{Continued  from  Page  1) 
Exhibitor  Assn.  of  Great  Britain  and 
Ireland,  and  the  British  M.  P.  Adver- 
tisers. 

The  English  producers  have  with 
them  five  pictures:  "The  Sea  Urchin," 
"The  Rat,"  "Pleasure  Garden"  and 
"Mountain  Eagle."  all  with  Ameri- 
can stars.  Lee-Bradford  is  handling 
"Dangerous  Virtue"  for  them.  They 
plan  to  make  at  least  six  this  year. 
Before  returning  the  visitors  intend 
to  make  distribution  arrangements  for 
their  product. 


French  Actor  in  "The  Musician" 

Firmin  Gemier,  French  actor  and 
stage  director,  will  make  his  initial  ap- 
pearance on  the  spreen  in  "The  Mu- 
sici^i,"  w^^icI^R^ Ingram  is  making 
at  " 


W.  W.  Hines  on  Sea  Trip 

W.  W.  Hines.  general  sales  man- 
ager for  United  Artists,  is  on  a  vaca- 
tion trip  to  Panama.  He  returns  in 
April. 


Tuttle    111;    Sails    Friday 

Frank  Tuttle,  who  has  been  ill 
with  an  attack  of  influenza,  will  leave 
Friday  for  Nassau,  Bahama  Islands. 
He  will  remain  about  a  month. 


Peggy  Joyce  in  Town 

Peggy    Hopkins    Jovce    arrived    in 
New  York  last  night  from  the  Coast. 


Canadian    Theaters    Sold 

Prince  Runert.  B.  C— Bejamin  Self 
h^s  disocsed  of  his  interest  in  the 
Westholme  and  Emnress,  these  two 
having  been  operated  by  the  Prince 
Rupert  Amusement  Co.,  of  ivhich  he- 
was  nrinripal  stockholder.  Paul  Al- 
vazofT  of  Vancouver,  has  acquired 
Self's    interest. 


Paramount  Hockey  Team  Chamnions 

Toronto — The  hockev  team  of  the 
Famous  Plavers  Canadian  Corp  won 
the  commercial  chamnionshin  of  the 
Toronto  Hockev  league  bv  beatine- 
the  Banfield  team  3  to  0  in  the  final 
contest. 


Michalove    on    Tirio 

Atlanta — Dan  Michalove  is  makine 
a  swing  around  the  territory  to  watch 
the  development  of  Universal's  the- 
aters. His  particular  objective  is  the 
group   of   Florida   houses. 


Incorporations 

Springfield,  III. — Elston  Theater  Corp.. 
3167  Elston  Ave.,  Chicago;  theaters.  Capital 
$10,000.  Incorporators,  A.  Geranios,  W. 
Alexander  and  G.  Stathis.  Attorneys,  Cli- 
thero.  Van  Schaick  &  Stevens,  1034  Otis 
Bldg.,    Chicago. 


Springfield,  111. — Crusader  Pictures  Co., 
27  North  Franklin  St.,  Chicago;  to  produce. 
Capital  $3,000.  Incorporators,  D.  Lehane, 
F.  Hansen  and  E.  Feldott.  Attorneys, 
Flynn   &Lyon,   529    The   Rookery,    Chicago. 


Albany,  N.  Y.^Consida  Theatrical,  Inc., 
New  York.  Incorporators,  S.  Wallach,  S. 
Stutson  and  S.  Fleischer.  Attorney,  J.  P. 
Bickerton,  Jr.,  220  West  42nd  St.,  New 
York. 


Columbus,  O. — 'Acme  Amusement  Corp., 
Cincinnati ;  to  operate  theaters.  Capital 
$30,000.  Incorporators,  E.  Hoover,  J.  Cet- 
zok  and   C.   Davies. 


Hartford,  Conn. — Roger  Sherman  Theater 
Corporation  of  New  Haven,  Inc. ;  theaters. 
Capital  $2,000.  Incorporators,  G.  Whitelaw, 
C.    Ferris   and    F.    Taylor. 


Charlotte,  N.  C— The  United  States  Film 
Transport  Co.,  Charlotte.  Capital  $100,000. 
To   operate   a    film    delivery    service. 


Dover,  Del. — Century  Theater  Co.,  Wil- 
mington. Capital  $100,000.  Attorney,  Cor- 
poration Trust  Company  of  America,  Du 
Pont   Bldg.,   Wilmington. 


Albany,  N.  Y. — Franhild  Theater  Corp., 
New  York ;  to  operate  theaters.  Incorpora- 
tors, S.  Mecca  and  P.  Goodman.  Attor- 
ney, S.  Goodman,  1560  Broadway,  New  York. 


Dover,  Del. — Inspiration  Pictures,  Inc.  ; 
to  produce.  Capital  $100,000.  Attorney, 
Corporation  Trust  Company  of  America,  Du 
Pont    Bldg.,    Wilmington. 


Dover,  Del. — Kyograph  Photo,,  Inc., 
Capital  $300,000.  Attorney,  Colonial  Char- 
ter   Co.,    304    Ford    Bldg.,    Wilmington. 


Dover,  Del. — Universal  Pictures  Corp.  of 
Central  America ;  to  distribute.  Capital 
$10,000.  Attorney.  Corporation  Trust  Com- 
pany of  America,  Du  Pont  Bldg.,  Wilming- 
ton. 


Dover,  Del. — Vinci  M.  P.  Corp,  Capital 
$75,000.  Attorney,  Corporation  Guarantee 
&  Trust  Company  of  America,  Du  Pont 
Bldg.,    Wilmington. 


Albany,  N.  Y. — Gerlack  Corp.,  New  York. 
Capital  $50,000.  Incorporators.  H.  El- 
dridge,  B.  Eldridge  and  J.  Eldridge.  Attor- 
neys, Levy,  Gutman  &  Goldberg,  277  Broad- 
way, New  York. 


Edinburgh,  Scot. — Belfast  Plaza,  Ltd., 
Edinburgh.  Capital  10,000  pds.  To  eperate 
theaters. 


London,  Eng. — Berwick  Theater,  Ltd., 
London;  to  operate  theaters.  Capital  25,000 
pds. 


London,  Eng. — Cherry  Kearton  Films, 
Ltd.,  London.  Capital  100  pds.  To  produce 
and   exhibit. 


London,    Eng. — P.    A.     McLoughlin,     Ltd.. 
London;    supply    dealer.      Capital    1,000    pds. 


Albany,  N.  Y. — Red  Seal  Film  Exchanges, 
New  York.  Incorporators.  A.  Meyer,  M. 
Fleischer  and  M.  Chase.  Attorneys,  Finkel- 
stein  &  Welling,  36  West  44th  St.,  New 
York.      To    distribute. 


London,  Eng. — British  Continental  Press, 
Ltd..  London.  Capital  1,000  pds.  Story 
brokers. 


London,  Eng. — Pontefract  Cinema,  Ltd., 
London ;  to  operate  theaters.  Capital  20,000 
pds. 


London,  Eng. — London  West-End  Produc- 
ers, Ltd.,  London.  Capital  3,100  pds.  To 
produce. 


London,  Eng. — ^Alnwick  Playhouse,  Ltd., 
London;  to  operate  theaters.  Capital  10,000 
pds. 


Presentations 

Capitol 

A   well   rounded   program  ofll 
diversity  of  entertainment,  leadiij 
with    a    spectacular    overture,    " 
by  Tchaikovsky,  commemoratin| 
withdrawal  of  Napoleon's  army 
Moscow    in    1812.      1  he    compel 
and    arrangement    is    by   Dr.    Wl 
Axt,  and  it  is  so  skillfully  asset  I 
that  all  the  tonal  values  ot  the  ccl 
sition  are  given  full  scope.    The  il 
sphere    ot    this    martial   conceptil 
strikingly  emphasized  by  the  ligi 
ettects,   depicting   the   burning  c| 
Russian  city  by  the  inhabitants  ;l 
French  were  driven  out.    This  is| 
alized  through  gorgeous  scrims 
heighten   the   etlectiveness  of  thj 
flames  and  grey  smoke  as  they 
around    the    buildings    seen    thi| 
panels  on  left  and  right  of  the 

In  pleasing   contrast   to   this 
lacular    number    is   a    duet    by 
Turrill    and    William    Robyn,    ' 
Cottage  Small  by  a  Waterfall." 
setting  is  a  dim  stage  showing  i\ 
tic  cottage  behind  which  towers 
down  which  a  waterfall  cascade!! 
glistens.     The  artists  are  in  bojj 
girl  costume.    Then  follows  a  coj 
bit  by  Doris  Niles,  danseuse,  itii 
Dance  of  the  Dervish."     The  sii 
is  a  black  velvet  drop,  with  vivivl 
drop  center  and  red  velvet  side  d)| 
Miss  Niles  is  in  a  white  costumeil 
red   fez,  and   she   whirls  in  the 
mazes    of    the    Dervish.      These) 
numbers    are    short,    both    stagtj 
about  three  minutes. 

Follows  a  one-reel  scenic  in  tlr 
ries,  "Cities  of  Other  Lands,"  dl 
ing    interesting    views    of    Hanij 
screened   in   six   minutes.     The 
Jubilee  Singers  follow  with   touil 
ored  melody   selections.     The  sti 
is   a   vivid    Southern    night    in    It 
land,  with  a  deep  blue  sky,  twinj 
stars,    and   a   gorgeous   yellow  r] 
The  background  shows  the  mooij 
shimmering  on  a  river,  while  to  Ij 
stage  is  a  log  cabin,  with  palm 
left    and    right    completing    an   :| 
spheric    picture    of    much    charn:| 
chorus   of  nine   singers   get  the 
numbers   over  very  effectively, 
runs  about  seven  minutes.  The  \\ 
zine    News    follows,    consuming 
minutes. 

The  ballet  corps  offers  the  conl 
ing  number  of  the  presentation  vj 
classical     conception,     "Nymphs  f 
Faun."     Connie  Polsley  as  the  n; 
and  Wayne  Cohn  as  the  faun  arej 
ported  by  a  ballet  of  15  nymphs, 
interpretive   dance    of   the    faun 
by  the   wiles  of  the   nymph   is  fl 
didly  achieved.     The  backgrouncj 
striking  contrast  achieved  with 
houette  efllect  of  yellow  trees  afl 
a  black  background.     The  faun  \\ 
under  a  green    spot,    heightenin;! 
bizarre    contrast    with    the    airy  [ 
tumes  of  the  nymphs  in  their  pinll 
ations.     This   number   has   a   ruil 
time  of  nine  minutes,  followed  bl 
feature,  which  occupies  the  screel 
75  minutes.     A   finely  conceived! 
gram   offering  real  divertissemeil 


"Flying  MaU"  Al  Wilson's  Fil 

Los    Angeles — "The    Flying_  ll 
the    first    Al    Wilson    productioif 
Associated      Exhibitors,      has 
placed  in  work. 


Inesday,  March  24,  1926 


swspaper  Opinions 


le  Auction  Block"— M.-G.-M. 
Garrick,  Minneapolis 

— *    *   *    Charles   Ray    returns    to    the 
one   of    the   funniest    comedy    <h-amas 
e  many   weeks.   *   *   * 

State,  St.  Louis 

BE-DEMOCRAT— *  *  *  Is  pleasingly 
well  played  and  intelligently  directed, 
ir  to  middlin'  entertainment,  with  that 
pleasing  Eleanor  Boardman,  Charles 
d   Sally    O'Neill    in    the   starring   roles. 

ES — •*  *  *  Is  sufficiently  well  pro- 
and  adequately  supplied  with  laughs 
re   Ray's    return    to    popularity. 


he   Big   Parade"— M.-G.-M. 
Auditorium,  Baltimore 

RICAN— *  *  *  "The  Big  Parade" 
sort    of    film    that    comes    once    in    a 

the   sort   of    film    that    is   moving   and 

and  true.  *  *  ♦ 

S— "  *  *  "The  Big  Parade"  is  the 
ng  in   movies  ! 

is  a  photoplay  that  completely  niea- 
p  to  the  good  things  that  have  been 
)Ut  it   up   New   York   way.   *   *   ♦ 

*   *   *    King   Vidor  directed   the   pic- 

d    has    earned    himself    a    niche    in    the 

Fame.      His    battle   scenes   are   mas- 


The  Blackbird"— M.-G.-M. 
State,  Boston 

3E — •  *  *  It  is  a  powerful  picture, 
'haney's     usual'     fine     acting.        Renee 

as    Fifi,    does    as    fine    work    as    she 

"The  Big  Parade."   *  *  » 
ALD — *    *    *    And    it    is    an    exfraor- 

dark  and  persuasive  picture,  in  which, 
Mr.  Chancy  abandons  his  make-up 
I  proves  himself  to  be  unequaled  in 
ing    of     the     vicious     and     calculating 


*   »    # 


MSCRIPT— *  *  *  One  cannot  help 
g  that,  whatever  the  demands  of  his 
r.  Chaney  satisfies  them  vividly  and 
netrating  insight.  *  *  ♦ 
/ELER— *  »  *  The  individual  Lou- 
ies were  especially  realistic  and  the 
tmosphere  of  the  picture  was  that  of 
ehouse  holes  of  foggy   London.   *    ♦   ♦ 

AUen,  Cleveland 

N  DEALER—*  *  *  Lon  Chaney  has 
"     again     for     those     who     like     their 

Ima   strong.      Perhaps   it   isn't  quite   so 
a   click   as   "The   Unholy    Three,"   but 
Jlackbird"     should     satisfy     the     thrill 
It's  recommended.  *  *  * 

— *  *  *  Chaney  stamps  himself 
s  master  of  creepy  characterizations. 
rk  in  this  new  play  is  comparable 
good   work   in   "The   Unholy   Three." 

Metro,  Washington 

i — *  *  *  The  movie-men  enjoy  a  huge 
themselves   throughout   the  story  and 

I  to  say,  they  have  put  the  idea  across 
Jang.  *  •  • 


i^ohens  and  Kellys" — Universal 
Imperial,  San  Francisco 

AND  POST—*  *  *  The  plot  has 
:served,  and  the  choicest  lines  of  the 
e  been  incorporated  on  to  the  screen 
orm  of  sub-titles.   *   *   » 


le   Gilded    Butterfly"— Fox 
California,    San   Francisco 

.ETIN— *  *  *  So  well  are  the  various 

rs   handled    that    in    watching    the    in- 

efforts    of    the    players    the    weakness 

points   of    the   picture   is    forgotten. 

illNER— *    *    *    It's    an    interesting 

^     you    like    them    that    way — exciting 
being   spectacular.   *   *    * 
iLD —  **   *    Scenically   the  picture  is 
Decially  Alpine  scenes   where   a  snow- 

il  elopes  a  train.  ♦  »  • 

Bl'i — *   *   *   Is  one   of  those   improbable 
so-called    high    society,    which   might 

<llence    in    the    minds    of    the    earnest 
the  paper  back  novel.  »  *  • 


B|jirl   from   Montmartre" — First 
I  National 

i^ew  Lyric,  Minneapolis 

•    »  »    -j-yig    notable    feature    of    the 

ilie  splendid  acting   of   Barbara   La 

ic  and  Lewis  Stone  share  the  honors 

^     ir      *    *    * 

iranada,  San  Francisco 

I  ETIN— *  *  •  There  is  an  abundance 
n  ICC   in   the   play   as    well   as   a    thrill 


now  and  then  and  an  occasional  laugh  *  *  * 
.EXAMINER—*  »  *  This  was  the  last 
picture  Barbara  La  Marr  made  before  her 
death  recently,  and  many  people  will  want 
to  see   it   tor   that,   if   no   other,   reason.    *   *   ♦ 


"The  Sea  Beast"~Warners 
Orpheum,  Chicago 

DAILY  NEWS-*  *  *  It  il  a  photoplay 
sure  to  be  named  among  those  few  photo- 
plays   that    have   a    sea    tang.    *    ♦    * 


"Seven    Keys   to    Baldpate"— Para- 
mount 
Regent,  Rochester 

DEMOCRAT—*  *  *  Tlie  only  fault  with 
the  pictured  version  is  the  conventional  form 
and  slow-moving  manner  of  its  screen  inter- 
pretation.   *    *    * 

HERALD — *  *  *  Is  is  neither  as  rich  in 
mystery  or  in  comedy  as  the  Cohan  play, 
but  with  the  capable  pantomimist,  Douglas 
MacLean  in  the  principal  role,  it  moves 
a'ong  at  a  fast  pace  and  is  consistently  enter- 
taining throughout.   *   *   « 

TIMES-UNION—*  *  *  The  film  version 
does  lack  most  entirely  the  sense  of  sus- 
pense and  terror  which  was  a  feature  of  the 
stage  version.  *  *  * 


"The  Song  and  Dance  Man" — Para- 
mount 
Metro,    Boston 

GLOBE — *  *  *  Many  plots  are  disap- 
pointing when  transferred  from  a  stage  play 
into  films,  but  "The  Song  and  Dance  Man" 
is  one  of  the  few  that  has  proved  to  be 
successful    in   either   setting.    *    *    ♦ 

HERALD—*  *  *  Herbert  Brenon  has 
worked  both  vividly  and  sympathetically,  de- 
spite some  e-xtraneous  titles  that  have  been 
taken   over   bodily    from   the   play     *    *    * 

TRANSCRIPT—*  *  *  But  'the  fact  is 
nevertheless  patent  that  "The  Song  and 
Dance  Man"  is  not  the  equal  of  its  stage- 
brother.  In  the  first  place,  Mr.  Tom  Moore 
is  hopelessly  incompetent  to  fill  the  stuffing 
shoes   of   Mr.    Cohan.    *   *   * 

McVickers,  Chicago 

AMERICAN—*  *  ♦  A  thrilling  siage 
symphony,  with  a  wonderful  characterization 
by  (Tom)  Moore  that  is  like  the  passionate 
cry  of  the  open  A  string  on  the  violin.  You'll 
understand  stage  folk  much  better  after  you 
have   seen   it,    *    *    * 

Metro,  Los  Angeles 

EXAMINER—*  *  *  Tom  Moore  brings 
his     infectious     comedy     and    his    sentimental 

Irish  pathos  in  "The  Song  and  Dance  Man." 

*  *  * 

EXPRESS—*  *  *  Many  of  the  Cohan 
wise  cracks  are  retained  in  the  subtitles,  punc- 
tuating   the    action    with    a    hundred    laughs. 

*  *    * 

RECORD—*  *  *  You  will  enjoy  some 
of  the  back-stage  stuff  and  many  of  the  smart- 
cracking  titles  that  display  the  snappy  pat- 
ter of  Broadway,  boarding  house  keepers 
and   actors.    *  *  * 

TIMES—*  *  *  A  very  human  and  en- 
tertaining little  picture  of  life  in  the  world 
of  the  theater,  that  stays  close  enoagh  to 
the  original  to  be  reckoned  at  least  a  genlle- 
manly  adaptation.  *  *  * 


"Th^    Spll'endid    Crim©"— iParamount 
State,  Detroit 

NEWS — *  *  *  Without  the  engaging  Bebe 
(Daniels),  "The  Splendid  Crime"  would  be 
the  most  ordinary  of  melodramas.  With 
Bebe  it  is  always  interesting  and  at  times 
is  even  plausible.   *   ♦   * 


"The  Tough  Guy"— F.   B.   O. 
Moon,   Omaha 

BEE — *  *  *  There  is  a  fine  bond  of 
friendship  between  (Fred)  Thomson  and  his 
intelligent  horse,  "Silver  King."  It  is  a  rol- 
licking tale  of  adventure  and  love  under 
western    skies.    *    *    * 

WORLD-HERALD—*  *  *  Thomson's 
work  is  overshadowed  a  bit  by  the  clever 
work  of  Silver  King,  the  star's  beautiful 
white  horse.  *   *  » 


"The  Tower  of  Lies"— M.-G.-M. 
Stanton,  Philadelphia 

INQUIRER — *  *  *  Not  since  Barrymore's 
portrayal  of  Beau  Brummel  has  there  been 
such  a  striking  picture  of  the  aging  of  a 
man  as  Chaney  gives.  It  it  little  short  of 
marvelous.   *   *   • 

PUBLIC  LEDGER—*  *  *  Victor  Sea- 
strom  fights  a  losing  battle  between  his 
own  talent,  and  the  obvious  thing  to  be  done. 


He    intersperses    beautiful    work    with    shoddy 
effects.   *  *   * 

RECORD—*  •  *  The  picture  is  well  photo- 
graphed and  the  director,  Victor  Seastrom, 
has  succeeded  to  the  point  of  giving  the 
vyholesome  earthy  flavor  of  the  simple  rural 
life   of  the   Scandinavian   village.   *   »   * 


"The    Unchastened    Woman"— Chad- 
wick  (S.  R.) 
Circle,  Cleveland 

PLAIN  DEALER—*  *  *  The  players  are 
well  suited  to  their  roles  but  one  cannot 
grow  enthusiastic  over  their  characterizations, 
not  even  Miss  Bara's    despite  her  fine  acting. 

TIMES— *  *  *  The  picture  holds  its  in- 
terest from  start  to  finish  and  the  whole  cast 
shows  capabilities   of   no   small   degree.    *    *    * 


-Para- 


"The  Vanishing  American"- 
mount 
State,  Minneapolis 

STAR — *  *  *  it  has  so  much  to  com- 
mend it  from  every  point  of  view,  giving  Mr. 
Di.x  the  best  opportunity  he  has  had  to 
date   in  the   world   of   cinema.   *  *  * 

TRIBUNE—*  *  *  Although  an  absorbing 
romance  dominates  the  picture,  a  historical 
theme  picturing  the  history  of  the  Navajos 
from   the   primitive   days   of   the   cliff   dwellers 

to    the    present    day,    is    graphically    detailed. 

*  *   * 


"The   Wanderer"— Paramount 
Roosevelt,   Chicago 

AMERICAN — *  *  *  As  far  as  these  spec- 
tacular effects  are  concerned,  it  ranks  with 
some  of  the  greatest  of  the  recent  film  of- 
ferings which  have  ventured  into  this  ave- 
nue.  *  *  * 

DAILY  JOURNAL—*  *  *  It  is  lordly 
and  extravagant,  gay  and  gaudy  and  beauti- 
ful. Immense  sets  and  throngs  and  effects 
destined  to  astonish  are  the  order  of  proced- 
ure.   *  »  • 

DAILY  NEWS—*  *  *  As  a  spectacle  pic- 
ture it  is  nothing  to  put  your  spectacles  on 
and    look    as    if    you    have    hitherto    seen    one 


or    two    of    the    so-called    spectacle    pictures. 

POST — *  *  *  The  picture  is  rather  slow 
in  action  thruout,  but  it  reaches  its  climax 
in  the  scenes  of  the  destruction  of  the  an- 
cient city  after  a  pagan  orgy.  These  pictures 
of  crumbling  walls  and  topling  towers  are 
most    effectively    staged.     »   *   • 

Stillman,   Cleveland 

PLAIN  DEALER—*  *  *  Even  the  beauty 
of  "The  Wanderer"  palls  a  little  because  the 
tale  is  more  suitable  for  sermons  than  for 
the  screen.  Its  drama  is  great  but  it  is 
thin.    *   *  • 

TIMES—*  •  •  should  be  listed  as  one 
of  the  greatest  pictures  produced  since  the 
inception  of  the  screen  drama.  It  is  the 
kind  of  a  picture  that  will  add  prestige  to 
producers,    actors    and    directors.    *   •    * 

Missouri,  St.  Louis 

GLOBE-DEMOCRAT—*  *  *  It  is  mag- 
nificently produced  on  a  stupendous  scale, 
shows    directorial   genius,   and   is   given    added 

value    by    the    choice    of    an    exceptional    cast. 

»   »  « 

POST-DISPATCH  —  ♦  *  ♦  Pictorially, 
from  an  artistic  standpoint,  it  is  all  very 
well  told.  But  the  attempt  to  dig  up  sex 
appeal  and  insert  an  atmosphere  of  jazz  into 
a  biblical  story  and  with  biblical  characters 
and  surroundings  has  not  been  entirely  suc- 
cessful.    *   *  * 

STAR—*  *  *  It  is  a  work  of  art.  with 
one  decided  superiority  to  "The  Ten  Com- 
mandments," no  modern  story  is  lugged  in 
to   spoil   the   continuity.    *   *   * 

TIMES—*  *  *  Greta  Nissen  is  sufficient- 
ly alluring  as  the  vampire  priestess,  but  for 
the  most  part  the  scenes  of  riotous  living 
in  Babylon  are  colorless.  The  destruction 
of  the  city  and  apparent  destruction  of 
hordes  of  people  by  the  thunderbolts  of  Je- 
hovah's   wrath    is    well    done.    *   *   * 


"The  Yankee  Senor"- Fox 
Monroe,  Chicago 

HERALD — *  *  *  is  first-rate  entertain- 
ment. Tom  Mix,  king  of  the  cowboys,  is 
the  chief  reason,  though  Emmett  Flynn,  the 
director,  always  knows  how  to  turn  out  good 
cinema    shows.    *   *  * 


Neufeld  Certainly  Knows ! 

Oscar  Neufeld,  President  of  De 
Luxe  Film  Company  of  Phila- 
delphia,  has  built  his  organization 
and  prestige  upon  his  personal 
knowledge  of  picture  values. 

Heading  his  release  schedule  this  year 

will  he 

8  m  HOWES  COMEDY  DRAMAS 
8  SUPERIOR  MELODRAMAS 
4  BILIY  WEST  FEATURE-LENGTH  COMEDIES 
4  SERIALS 

Acquired  from  Ray  art  Pictures  Corporation 

BANK  ON,  WITH  AND  FROM  RAY  ART  PICTURES! 


3irAt 

national 

Pictures 


•f^^feKV-^ 


iTHE 

<fi  brAdstreet 

J^  FILHDOM 


Authority 


.  XXXV     No.  71 


Friday,  March  26,  1926 


Price  5  Cents 


3ates  for  P.  D.  G. 

M.  P.  T.  O.  Asks  Members  to 
Give  Playing  Time  to  That 
Company 

eral  sales  managers  yesterday 
'ed   copies    of    a    communication 

0  every  member  of  the  Ohio  M. 
O.    by    P.    J.    Wood,   business 

ger  of  the  organization  in  which 
itors  are  asked  to  set  aside  one 
date  a  week  for  P.  D.  C. 
eral  months  ago,  P.  D.  C.  en- 
upon  an  arrangement  with  the 
.  T.  O.  similar  to  the  one  exist- 

1  Kansas.  It  provided  that  the 
butor  is  to  pay  a  certain  percent- 
)f  gross  bookings  into  the  state 
iry.  Exhibitors,  in  turn,  pledge 
tain  amount  of  their  time  to  P. 

Wood's  letter  concerning  1926- 
product. 

is  understood  thaj  P.  D.  C.  has 
approached  by  several  other  ex- 
ir  units  to  make  a  similar  deal. 


Five  from  Ufa 

On    Paramount    Schedule — M.-G.-M. 

Gets    Similar    Number — Vidor 

And   Ralston  Stars 

Atlantic  City — Under  the  terms  of 
the  tri-cornered  deal  with  the  Ufa, 
Famous  will  release  five  German- 
made  pictures  next  season.  It  is  un- 
derstood Metro-Goldwyn-Mayer  will 
do  likewise. 

S.  R.  Kent,  a  sick  man,  addressed 
the  Paramount  convention  yesterday 
on  the  highlights  of  next  season's 
line-up.  It  was  an  effort  for  him  to 
talk.  It  is  understood  much  of  his 
discourse  dealt  with  new  faces  on  the 
screen. 

He  stated  Paramount  expected 
much  from  newcomers  like  Lawrence 
Gray,  Arlette  Marchal,  Charles  Rog- 
ers, George  Bancroft,  Louise  Brook, 
Georgia  Hale  and  Alyce  Mills,  and 
{Continued  on  Page  6) 


Still  No  Scheme 

British   Industry   Continues    Groping 

for   Way   to    Bolster    Up    Home 

Pfoduction 

By  ERNEST  W.  FREDMAN 
The   Film  Renter    and   M.   P.   News 

London  —  The  Joint  Committee 
held  another  meeting  yesterday  but 
failed  to  submit  a  scheme  for  the 
revival  of  British  production.  The 
sub-committee  is  still  continuing  con- 
ferences. 

A  resolution  was  passed  expressing 
the  hope  that  America  will  give 
friendly  consideration  to  British 
films. 


New  Bond  Issue  in  Trading 

i  N.  Y.  Stock  Exchange  has  ad- 
d  to  trading  $10,000,000  first 
?age  Sy2  per  cent  twenty-five- 
sinking  fund  gold  bonds  of  the 
nount  Broadway  Corp.  They 
tie  Jan.  1,  1951.  Company  state- 
as  of  Dec.  26,  1925,  after  giving 
to  the  sale  of  the  $10,000,000  is- 

ollows: 

ts:  Cash,  $15,007;  accounts  receivable, 
land  and  buildings  under  construction, 
,646;  unapplied  balance  of  cash  pro- 
from  sale  of  loan  certificates  deposited 
[agreement  dated  January  1,  1926  with 
Mortgage  &  Trust  Co.,  $6,400,000; 
[ed     charges,     $1,599,135;     total,     $12,- 

iilities:    Capital    stock     (represented    by 
|no    par   shares)    $5,000;    accounts    and 
i   expenses    payable,    $2,829,955;    sink- 
id  gold  loan,   $10,000,000;    total,    $12,- 

e  issue  closed  yesterday  at  95^. 

F  he  to  Increase  Common  Stock 

^  rkholders     of     the     Pathe     ex- 

ge.   Inc.,  at  a  special  meeting 

nlay,    approved    an    increase    in 

:  izcd    class    "A"    common    stock 

1 '^0,000  to  290,000   shares. 


$300,000  Claims 

Vital     Exchanges     Creditors     Name 

Matthew  B.  Sentner,    Receiver, 

as  Trustee — Meeting  April  13 

Creditors  of  Vital  Exchanges,  Inc., 
at  their  first  meeting  yesterday  after- 
noon at  the  office  of  Seaman  Miller 
referee  in  bankruptcy,  named  Matt- 
hew B.  Sentner,  as  trustee  and  au- 
thorized him  to  continue  to  admin- 
ister the  business  for  20  days  after 
the  expiration  of  his  receivership. 
Fifty  claims  for  more  than  $300,000 
have  been  filed,  according  to  Guern- 
sey Price,  who  has  been  retained  by 
Sentner  as  attorney. 

A  second  meeting  of  creditors  will 
be  held  April  13.  Sentner  furnished 
$10,000  in  bond. 


Ratify  Mediator  Plan 

Dramatists  and  Theatrical  Producers 

Approve  Arbitrator   Scheme — 

Another  Meeting  Saturday 

Ratification  of  the  plan  to  name  an 
arbitrator  to  act  in  disputes  on  the 
sale  of  picture  rights  was  made  by 
committees  representing  the  Dramat- 
ists' Guild  and  theatrical  producers  at 
an  all-afternoon  meeting  yesterday  at 
the  Astor.  As  yet  the  mediator  has 
not  been  selected.  It  is  possible  that 
this  matter  will  be  taken  up  at  another 
session  Saturday. 

(Continued  on  Page   6) 


Lease   Missouri  House 

ingfield.      Mo. — Universal      has 
the    Gillioz,   now    in    construc- 
n  St.  Louis  St.    The  lease  is  for 
'0  per  year  for  10  years. 


ij  Johnston  Going  to  Coast 
M    Ray    Johnston    of    Rayart    and 
V  ht  C.  Leeper  of  Harry  C.  Brown 
c,    leave    for    the    Coast   tonight. 
h,ton    will    work    on    production 


>,all    people!    CHARLIE    REAGAN    and 
re  at  Atlantic.     Nell  Gwyn. — Advt. 


Hearing  Today 

Federal  Trade  Commission  to  Discuss 

Order      for       Reopening       Case 

Against  Famous 

Washington— The  Federal  Trade 
Commission  will  hold  a  hearing  this 
afternoon  on  the  form  of  order  which 
the  chief  counsel  has  drawn  for  re- 
opening the  Famous  Players  case, 
which  the  Commission  was  asked  to 
do  some  weeks  ago  in  order  that  their 
counsel  might  introduce  testimony 
regarding  theater  acquisitions  after 
the  final  dale  originally  set  for  such 
information. 

Dorothy  Howell,  Production  Head 

Hollywood— Columbia  has  appoiilt- 
ed  Dorothy  Howell  assistant  general 
production  manager.  \ 

Adopt  Combination  Policy 
Detroit— The  Fox-Washington  will 
I  adopt  a  combination  policy. 


To  Aid  Second-Runs 

General    Presentations    Co.    to    Offer 

Acts  to  Exhibitors  Who  Can't 

Afford  Vaudeville 

The  General  Presentations  Co.  has 
been  formed  to  supply  individual  the- 
ater-owners in  the  Greater  New  York 
and  nearby  terrhories  with  presenta- 
tions at  a  nominal  cost. 

The  company  is  sponsored  by  Wal- 
ter J.  Plimmer,  booking  agent;  Colby 
Harriman,  Tom  Waller,  editor  of  the 

(Continued  on  Page  0) 


Fears  "No  Trust" 

Theater  Domination  Not  Disturbing, 

Joseph   M.  Schenck  Tells  A.  M. 

P.  A. — Pictures  Only  Count 

Joseph  M.  Schenck,  fourth  of  A.  M. 
P.  A.  "Twelve  Immortals,"  addressed 
that  organization  yesterday  and  de- 
clared ttiat  if  all  of  t'',e  theaters  in  the 
United  States  were  owned  by  one  or- 
ganization, he  w  '  ..»!  unruffled 
and  unconcerne  the  future  of 
United  Artists,  i.^.  based  his  argu- 
ment solely  on  the  quality  of  pictures. 

He  went  into  detail  on  a  number  of 
interesting  matters.  He  blamed  the 
short-sightedness  of  many  exhibitors 
for  the  failure  of  the  merger  between 
United  and  Metro-Goldwyn-Mayer. 
"That  merger  would  have  been  the 
greatest  thing  that  ever  happened  in 
and  for  the  motion  picture  business," 
asserted  Schenck.  "The  first  policy 
to  which  both  sides  subs  -ibed  in  their 
talks  was  that  there  w '  be  no  fur- 
ther affiliations.  Thi-.  .  combina- 
tion would  have  been  strong  for 
others  to  resist  it.  It  '  have  been 

(Continued  on  >) 


Hirlagraph  Expanding 
The  Hirlagraph  M.  P.  Corp.  has 
contracted  with  the  Spoor-Thompson 
Machine  Co.,  for  the  latter  to  supply 
six  developing  machines,  to  be  in- 
stalled by  April  3,  in  their  laborator- 
ies in  Fort  Lee  where  a  one-story  ad- 
dition will  be  built.  Hirlagraph  will 
then  be  able  to  turn  out  300,000  ft.  a 
week. 


More  Signs  for  Broadway 

Universal  has  installed  the  second 
largest  electric  sign  on  Broadway  at 
the  Colony  for  "The  Flaming  Fron- 
tier."    It  measures  40x40  ft. 

Warners  have  erected  two  23x27  ft. 
signs  on  the  building  at  Broadway  and 
51st  St.  They  are  placed  at  right  an- 
gles to  the  coj:ner  of  the  building  and 
overlook  Broadway  and  7th  Ave. 


M.-G.-M.  Sign  Connelly 

Culver  City— M.-G.-M.  has  placed 
Marc  Connelly,  playwright,  unde;^ 
contract.  They  have  also  purcha^d 
rights  to  "Gates  of  Doom,"  by  liirtael 
Sabatini,  and  William  Anthoi 
Guire's  stage  play,  "Tjwdve 
Out." 


Mc- 
Miles 


LaRocque  in  "What  Price  Glory?" 

Hollywood — Cecil  Be.  DeMille  has 
loaned  Rod  La  Rocque  to  Fox  to  play 
Sergeant  Quirk  in  "What  Price 
Glory." 

Belle  Bennett  will  play  the  lead  in 
"The  Lily,"  also  a  Fox  production. 

Takes  Over  New  Era  Exchange 

Victor  Zebil  has  taken  over  the 
New  Era  Film  Exchange,  of  729  7th 
Ave.,  distributing  single  reelers.  New 
Era  will  release  a  series  of  52  "Novel- 
ties," one  a  week;  12  "Adventures," 
one  a  month,  and  12  "Thru  Life's 
Windows,"  also  one  a  month,  during 
1926-27. 


acker  Back  Soon 
Watterson  R.  Rothacker,  who  is  on 
a    Medherranean   cruise,    is    expected 
back  in  New  York  about  April  1. 


$64,969  Judgment  Against  Unity 

A  judgment  of  $64,969  was  filed  in 
■  the  Supreme  Court  yesterday  against 
Unity  Pictures  by  the  Unione  Cine- 
matografica  Italiana  on  confession  of 
the  defendant  that  it  owed  $56,000 
with  interest  of  $8,869  on  a  note  since 
July  24  ,1923. 

"Sea   Beast"  for  Strand 

"The  Sea  Beast"  closes  at  Warners 
April  3,  and  goes  into  the  Strand 
April  11. 


THE 


2 


VoLXXXVNo.71     Friday,  Mar.  26, 1926     Price  5  Cents 

t 

JOHN  W.  ALICOATE  Publisher 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y. 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
ager; Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Kalph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
mouths,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman, 
The  Film  Renter,  58,  Great  Marlborough  St., 
Loudon,  W.  I.,  Paris — La  Cinematographic 
Francaise,   5,   Rue  Sauinier. 


Financial 


Film  issues  experienced  but  little 
movement  yesterday.  Compared  with 
the  previous  day  trading  was  light. 

Famous  common  took  a  %-point 
drop  to  117%,  continuing  in  a  slight 
decline.  A  total  of  11,600  shares  were 
traded.  The  preferred  slipped  1% 
points.  First  National  preferred 
dropped  two  points,  closing  at  100. 
Fox  Theaters  "A"  and  Pathe  Ex- 
change "A"  showed  a  slight  rise. 

Buying  in  the  general  market  was 
inconsequential.  Numerous  new  low 
records  for  the  year  were  made. 


Quotations 


.108-5^ 
.1193^ 
.119M 

.100 

.  em 

.   21 


♦Balaban  &  Katz 
Eastman  Kodak 
Famous  Players 
Fam.  Play.  Pfd. 
*Film  Inspection 
First  Nat'l  Pfd. 
Fox  Film  "A"  . 
Fox  Theaters  "A 
*Intern'l    Projector.    .. 

Loew's,  Inc 38J^ 

•Metro-Gold.     Pfd..    .. 
M.  P.   Cap.   Corp...   21 1^ 
tParamount      B'way  96 
Pathe  Exch.   "A"..   64 

Skouras    Bros 48 

♦*Stan.  Co.  of  Am..    .. 
Trans-Lux     Screen. 
♦Universal  Pictures. 
♦Univ.  Pict.  Pfd.   .. 

♦Warner  Bros 

Warner   Pictures    . . 

♦  Last  prices   quoted. 
♦♦  Philadelphia  market. 

t  Bond  market. 


High    Low 


108H 

117 

119 

100 
60 
20J4 

37M 

20 
95V» 
62^ 
48 


9Vz       8M 


14 


13/8 


Close 

67  J4 
1085^ 
117^ 
119 
5 
100 

61H 

21 

13 

38 '/^ 
22^ 
20 

9SH 
64 
48 
49 
9 
30 
91 
lO-^ 
14 


Sales 

400 

11,600 

200 

100 
2,500 
1,900 

2,000 

1,200 

4,800 

800 


3,900 


300 


^^letAathi^ 


Look  Better  andVear  Longer 


Watch  Him! 


When  a  man  chalks  up  successes 
year  after  year,  when  he  accomplishes 
virtually  everything  he  sets  out  to 
do,  when  his  financial  interests  be- 
gin to  spread  from  one  industry  into 
another   and   always   show   a   profit- — ■ 

Keep  your  eyes  on  such  a  man. 

When  a  man  has  the  knack,  or  in- 
tuition, or  genius  for  making  few 
mistakes,  and  only  minor  mistakes  at 
worst — 

Watch  that  man. 


A  great  many  pairs  of  eyes  are 
watching  him  intently  to  see  in  what 
direction  Joseph  M.  Schenck  develops 
United  Artists  and  its  foreign  sub- 
sidiaries. For  there  will  be  develop- 
ment— significant  expansion  in  prod- 
uct, extension  of  the  organization 
reaches  throughout  the  world  and  (if 
distribution  mergers  are  not  desired 
ultimately  by  his  associates)  a  fur- 
ther strengthening  of  the  sales  ma- 
chine. This  sales  mechanism  as  it 
exists  now  and  has  existed  for  five 
years  is  not  to  be  discounted  for  its 
potency  and  efficiency.  Hiram  Ab- 
rams  has  weathered  many  economic 
crises  and  met  many  types  of  com- 
petitive pressure  that  would  have 
swamped  other  organizations.  And, 
of  great  tactical  importance,  the  pic- 
tures of  his  great  stars  have  played 
most  of  the  time  in  the  theaters  in 
which  they  should  have  played. 

A  distribution  merger  might  give 
United  Artists  greater  strength, 
if  none  is  wanted,  the  presen^^of 
Schenck  in  their  ranks  means  /reater 
strength,  greater  solidity  and  (greater 
opportunities  for  the  present  Vrgani 
zation. 

Because  Schenck  nearly  always 
makes  money  for  himself  and  for 
others  who  sit  in  on  his  operations, 
it  is  not  fair  to  consider  him  merely 
from  the  standpoint  of  his  financial 
operations. 


Consider  him  as  a  producer  from 
his  very  inception.  Consider  his 
ability  to  select  materials  that  box- 
offices  needed;  that  the  public  wanted. 
As  far  back  as  1918  his  first  star  built 
her  following  and  her  monetary  value 
to  exhibitors  with  such  material,  all 
selected  by  Schenck,  as  "Panthea," 
"Poppy,"  "The  Law  of  Compensa- 
tion." And  the  customers  of  that 
period  eagerly  demanded  more.  As 
prices  and  values  rose  in  the  infla- 
tionary period  there  was  hardly  a 
limit  to  which  Schenck  wouldn't  go 
to  acquire  the  material  the  market 
wanted.  That  is  another  kind  of 
judgment — literary  judgment,  and 
Schenck  would  laugh  in  your  face  if 
you  called  him  "literary." 

His  presence  in  United  Artists 
means  that  he  will  aid  in  getting  the 
quality  of  product  that  the  exhibitor 
market  needs. 

He  isn't  much  on  personal  pub- 
licity— and  that's  another  asset.  If 
all  that  is  happening  in  the  picture 
business  is  a  new  evolution  into  some- 
thing   else,    not    yet    quite    clear    to 


observers  and  onlookers,  when  the 
final  group  gather  around  the  table 
with  their  cards  hugged  up  against 
their  chests^Schenck  will  have  a  seat 
at  the  table  and  his  allies  will  be 
reckoned  with. 


Commonwealth  Film  at  Broadway 

Commonwealth  has  booked  "The 
Other  Woman's  Story"  into  the 
Broadway  theater. 


P.  D.  C.  Party  Tonight 

The  first  annual  banquet  and  ball 
of  the  "Jazzbo  Club,"  P.  D.  C's  so- 
cial organization,  will  be  held  at  the 
Aster  tonight. 


Kerman  in  Deal  with  Richmount 

Kerman  Films  has  disposed  of 
"That  Old  Gang  of  Mine,"  five  reeler 
based  on  Irving  Berlin's  song,  to 
Richmount  pictures,  for  the  foreign 
market. 


Brophy  Joins  Tannenbaum  Co. 

John  Brophy,  well-known  in  the 
laboratory  field,  has  purchased  an  in- 
terest in  the  Tannenbaum  Printing 
Co. 


Reorganize   Publicity   Department 

Reorganization  of  the  Warner  pub- 
licity department  brings  the  following 
assignments:  trade  paper  and  national 
advertising,  Thomas  W.  Gerety;  the- 
ater publicity  and  advertising,  George 
Gerhard;  trade  paper  publicity,  Ches- 
ter J.   Smith. 


a   Parsons  on  Examiner 

OS  Angeles — Louella  Parson  has 
been  made  dramatic  and  film  editor 
of  the  Examiner.  Florence  Lawrence 
has  become  motion  picture  editor  of 
the  Chicago  Examiner. 


oney  Island  House  Sold 

The  Eureka  Baths  at  Coney  Island 
including   a    picture    house,    was    sold 
at  auction  to   Hershfeld   &  Sweedler, 
attorneys,   acting  for  a   client.     Price 
$240,000. 


Returns  to   Films 

Marguerite  Clayton  has  been  as- 
signed to  a  part  in  "The  Palm  Beach 
Girl,"  Bebe  Daniels'  vehicle,  exteri- 
ors for  which  Famous  is  making  in 
Florida. 


Barrows  in  Charge  of  Gags 

Nicholas  T.  Barrows  has  been 
placed  in  charge  of  "gags"  on  "Mis- 
mates,"   for   First   National. 


FOR  SALE 

STANDARD     MOTION     PICTURE 

TANKS      ALL      SIZES,      DRYING 

DRUMS   AND    RACKS. 

Box    K-136 

FILM    DAILY 

1650    B'way,    N.    Y.    C. 


NATIONAL     EVANS 

LABORATORIES,   Inc. 

Developing — Printing — Titles 

1476  Broadway 
Telephone*  Bryant  9330-9331 


Not  Connected  with  'U'  Theater  ( 

Universal  Theaters  Corp.  has  is 
a  statement  to  the  efifect  that  Un 
sal  Theaters  Concession  Co.,  of 
cago,  which  supplies  novelties  to  i 
ters  is  in  no  way  identified  with 


This  IS  a  'CorneroiocK  cut  luiii 
FREE  for  all  Pathecomedies  at 
exchange. 


Will  Mr.  W.  J.  Stev 
art,  or  anyone  f  amiliai, 
with  his  present  when 
abouts,  commimicati 
with  the  Estate  Servi( 
Bureau,  85  Richmon 
Street  West,  Toront 
Canada.  An  importai 
communication  is  heir 
held  for  this  person. 


I 


I 


WANTED 

Duplex    Printers — 
Must  be  in  A-1  shape 

Box   M-243 

FILM    DAILY 

16S0    B'way,    N.    Y.    C. 


I  Ward  Cine  Laboratory J( 

ll  216-222   Weehawken   St 

Jit  Union  City,  N.  J. 

|-|    Telephone  Union  4800 

ft  G.  BERT  WARD,  P 

•V 


If  You  Are  in  the 
Market    for    Any    Kind    oi  I 

MOTION  PICTUR! 
APPARATUS 

CONSULT  US-AND  SAVE  MON  \ 
SEND   FOR    OUR   PRICE   LIS'I 


Chas.  G,  Willoughby,  Incl 

Motion  Picture  Department 

110  West  32nd  St.,  New  Y<  | 

Phone   Penna.    6564 


Universal 

I6NIN6 

YEAR 
CONTRACTS 

W^ITH   LEADING   EXHIBITORS 


IS  you  are  interested,  get  in  touch  at  once  ^¥ith 

Universal  Pictures  Corp. 

CARL  LAEMMLE,  President 

730  Fifth  Avenue,  New  York  City 


Look  'em  0¥er,  Genfkmeii 


A:^f:^/Z'Y)':''.  ">" 


,«r««*' 


^i^^ 


A.  H.  Blank  Circuit,  Iowa. 
Alexander  Frank  Circuit,  Iowa. 
Avon,  Utica,  N.  Y. 
^   Balaban  and  Katz  Midwest  Cir- 


^ 


t*' 


"""^i       cuit. 


^^^;:y^  Bijou,  Richmond,  Va. 

'     ,.<>£^!^ ''    J  Capitol,  New  Castle,  Pa. 

^?^0':^',^^A  Capitol  Theatre,  Dallas,  Texas. 

^:^P%^'^'^'.^'CiA  Capitol  Theatre,  Newark,  N.  J. 


..^'' 


^^^   >   Century,  Baltimore,  Md. 

^^«%  ^   Comerf ord  Circuit,  Pennsylvania 

■^1^.   CrandalFs  Metropolitan,  Wash- 

^  --0^^   Eastman's  Piccadilly,  Rochester, 

^^^i^^:  --    N.  Y. 

^S-        '   Eckel  Theatre,  Syracuse,  N.  Y. 
^    Famous  Players  Southern  Enter- 
prises. 
Finkelstein  and  Ruben  Circuit. 
^^    Figueroa,  Los  Angeles,  Calif. 
'j^.^-^  ^^\^    Franklin  Theatre,  Oakland,  Calif. 
^i^^      '    '"^    Godards,  Sacramento,  Calif. 


'"■■^^K-i  ^^>^.:^    Grand,  Dubuque,  Iowa. 


i>^ 


i**" 


Grand    Opera    House,    Terre 
Haute,  Ind. 

Hamilton    Theatre,    Lancaster, 
Pa. 

Hippodrome,  York,  Pa. 

Jefferson,  Fort  Wayne,  Ind. 

Jensen  and  Von  Herberg,  Port- 
land and  Seattle. 

Kearse  Theatre,  Charleston,  W. 
Va. 

Keith-Albee     Houses,     Boston, 
New  York. 

Keith's,  Portland,  Me. 

Leland  or  Clinton  Sq.,   Albany, 
N.Y. 

Leroy,  Pawtucket,  R.  I. 

Liberty,  Oklahoma  City,  Okla, 

Lyric,  Huntington,  W.  Va. 

Lyric,  Lima,  Ohio. 

Lyric,  Springfield,  Ohio. 

Loew's  State,  Cleveland. 

Loew's  Buffalo,  Buffalo. 

Lisbon  Circuit,  Cincinnati,  Day- 
ton, Louisville, 


You  doi\*t:  liave  to  OWN  THeatrres  ^ 


A  Marshall  MlmProdaction^ From  tiieCosmopolihnMa^azwe3:orijLijAJe^^ 


Look 


em  oyev 


"^i^i-l-il 


■p.-f 


^-^a.^^.^'i^J^  ;^;^~'^^i^;?!^**^''^^^^^^ 


\ 


Main  Street,  Kansas  City,  Mo. 
Metropolitan,  Atlanta,  Ga. 
Madison,  Madison,  Wis. 
Majestic,  Columbus,  Ohio. 
Martini,  Galveston,  Texas. 
National,  Stockton,  Calif. 
Ohio,  Indianapolis,  Ind. 
Oliver,  South  Bend,  Ind. 
Orpheum,  Pontiac,  Mich. 
Park,  Johnstown,  Pa. 
Park,  Woonsocket,  R.  I. 
Palace,  Hamilton,  Ohio. 
Palace,  San  Antonio,  Tevas. 
Plaza,  San  Diego,  Calif. 
Plaza,  Salem,  Mass. 
Pantages,  Memphis,  Tenn. 
Poll's  Bijou,  New  Haven,  Conn. 
Rex  Theatre,  Wheeling,  W.  Va. 
Rialto,  Tulsa,  Okla. 
Rialto,  Butte,  Mont. 
Rialto,  Fort  Worth,  Texas. 
Rowland  and  Clark  Houses. 


■^3i 


**?< 

"^::\ 


Saxe  Merrill  Theatre,  Milwau- 
kee, Wis. 

Saenger  Circuit,  New  Orleans. 

Schine  Circuit,  New  York  State. 

Skouras  Circuit,  St.  Louis,  Mo. 

Stanley  Company  of  America 
Circuit. 

St.  Francis  Theatre,  San  Fran- 
cisco, Calif. 

Strand,  Hartford,  Conn. 

Strand,  Lowell,  Mass. 

Strand,  Erie,  Pa. 

Strand,  Evansville,  Ind. 

Strand,  Stamford,  Conn. 

Star,  Quincy,  111. 

Strand,  Atlantic  City,  N.  J. 

State,  Long  Beach,  Calif. 

Temple,  Toledo,  Ohio. 

U.  S.,  Paterson,  N.  J. 

Universal  Circuit,  Florida. 

Valentine,  Canton,  Ohio. 

Wells,  Norfolk,  Va. 

Wilmer  and  Vincent  Circuit. 


ihen  uou  have  an  ATTRACTION  / 


I 


wmma 


resented  by    ASSOClated   EXhlbltOIS.  Inc.    Oscar  A.Price.  Pres. 


'// 


I 


^     J 


THE 


-;%g^ 


\Y 


DAILY 


Friday,  March  26,  195 


Presentations 

Rivoli 

A  historical  fantasy  is  the  John 
Murray  Anderson  presentation,  en- 
titled "The  Fountain  of  Gold,"  which 
is  described  as  a  dream  of  Ponce  de 
Leon  the  great  explorer,  in  search  of 
the  mythical  Fountain  of  Youth.  It 
opens  with  the  costumed  figures  of  a 
man  and  woman  giving  a  brief  out- 
line of  the  historical  fantasy  before 
the  curtains  part.  These  two  figures 
hold  their  position  to  right  and  left 
of  stage  as  the  action  proceeds,  ex- 
plaining each  tableau  in  song  and 
story.  As  curtains  part,  de  Leon  ap- 
pears with  a  painted  Indian  warrior. 
The  latter  explains  to  him  by  gesti- 
culations (hat  there  is  a  wonderful 
Fountain  of  Youth  hidden  in  the 
country  of  his  people.  Through  a 
scrim  the  vision  appears  of  the  Foun- 
tain, symbolized  by  a  male  figure 
whose  almost  nude  body  is  covered 
with  gold  bronze.  Other  figures  of 
barbaric  Indians  support  him  in  a 
symbolic  dance.  The  scene  changes 
to  the  desert,  where  the  Indian  chief- 
tain has  lured  the  explorer  in  search 
of  the  mythical  fountain.  Before  their 
arrival,  painted  warriors  appear,  and 
do  a  tribal  dance  in  anticipation  of 
their  white  victim.  When  he  ap- 
pears, they  overpower  him,  and  tie 
him  to  a  stake.  They  perform  a  war 
dance  about  him.  One  strikes  him 
with  a  tomahawk.  They  leave  him 
for  dead.  He  recovers,  loosens  his 
bonds.  The  Indians  return.  Here 
a  novelty  effect  is  worked  in  by  hav- 
ing the  explorer  overcome  each  war- 
rior in  turn  by  a  series  of  acrobatic 
falls.  The  chieftain  at  last  kills  him. 
As  he  lifts  his  eyes  for  the  last  time, 
he  sees  the  vision  of  the  figure  sym- 
bolizing the  Fountain  high  above  him 
on  a  mountain.  A  unique  ofifering 
that  runs  for  about  20  minutes. 

The  rest  of  the  bill  includes  the 
overture,  "Slavic  Rhapsody,"  by 
Freiedeman,  running  time  seven  min- 
utes: News  Pictorial,  five  minutes; 
Southern  Singing  Banjoists  playing 
before  a  novelty  drop  decorated  with 
the  notes  of  the  music  scale,  six  min- 
utes; the  organist  at  the  consol  with 
a  selection,  "A  Little  Bird  Told  Me 
So"  six  minutes;  then  the  feature, 
"The  New  Klondike,"  following  the 
Anderson  presentation,  which  runs 
75  minutes. 


To  Aid  Second-Runs 

(Continued  from  Page   1) 

M.  P.  T.  O.  A.  "Official  Bulletin;" 
Charles  Bennington  and  Leon  Rosen- 
blatt, Jersey  theater-owner. 

It  is  planned  to  combine  acts  and 
prologues  into  "Live  Fascinations," 
which  is  the  title  of  the  presentations 
the  company  will  offer.  Their  advan- 
tage, as  explained  yesterday,  is  that 
they  can  be  used  on  any  size  stage, 
even  on  ihose  which  have  only  a 
deiith  of  four  feet. 

The  company  was  formed  with  the 
idea  of  solving  the  needs  of  a  theater- 
owner  whose  stage  is  not  large 
enouph  for  vaudeville,  or  who  cannot 
afford  vaudeville,  and  also  as  a  means 
for  a  second  run  theater-owner  to 
so've  first-run  competition. 

The  First  "Fascination"  is  titled 
"The  Talkinc  Spirit,"  and  has  been 
booked  by  E.  Thornton  Kelly  for  his 
new  house  in  Palisades,  N.  J. 


Five  from  Ufa 

(Continued  from  Page   1) 

likewise  looked  toward  Lya  de  Putti 
and  Emil  Januings  for  an  interesting 
career    in    American    studios. 

Esther  Ralston  has  been  elevated 
to  stardom  as  a  result  of  reports  from 
exhibitors  and  exchangemen.  It  is 
understood  it  was  Florence  Vidor's 
work  in  "The  Grand  Duchess  and 
the  Waiter"  which  elevated  her  to 
stellar  ranks.  She  will  be  advertised 
extensviely  as  "The  Lovely  Orchid 
Lady   of   the    Screen." 

Other  detail  concerning  production 
included  an  announcement  that  Ed- 
ward Sutherland  will  direct  "Casey  at 
the  Bat."  Betty  Bronson  will  ap- 
pear in  vehicles  of  the  Pickford  type. 
Marshall  Neilan's  work  in  direction 
of  "Rebecca  of  Sunnybrook  Farm," 
has  influenced  Famous  to  give  him 
the  Bronson  series.  W.  C.  Fields  will 
star  in  "The  Wild  Man  from  Bor- 
neo"; "The  Greatest  Show  on  Earth" 
Kent  is  reported  to  have  said,  will 
carry  the  Barnum  and  Bailey  circus 
to  every  small  town  in  the  country 
where  the  circus  never  actually 
reached;  "Hazard  of  the  Jungle"  will 
be  filmed  in  Indo-China  by  Merian 
Cooper,  who  photographed  "Grass" 
in  Persia.  Fashions  for  Women"  is 
out  of  the  schedule. 

Meighan  was  described  as  "The 
Good  Will  Star."  The  advertising 
campaign  for  "Old  Ironsides"  will 
carry  the  line,  "The  Covered  Wagon 
of  the  Seas." 

Touching  upon  the  foreign  market. 
Kent  stated  that  Germany  now 
ranked  next  in  importance  to  Great 
Britain. 

In  the  afternoon,  Sam  Katz  ap- 
peared and  said  that  it  was  the  aim 
of  Publix  to  place  the  standard  of 
their  smaller  theaters  on  a  par  with 
the  Publix  houses  in  key  cities.  Part 
of  the  convention  was  broadcast  in 
the  morning  over  Station  WPG. 

The  18  reels  of  cutouts  will  be  sent 
to  all  exchanges  where  exhibitors  can 
have  them  screened  if  they  so  de- 
sire. 

It  is  gathered  here  that  the  1927 
convention  will  be  held  in  the  Para- 
mount Bldg.  now  under  construction 
in  New  York. 


Benno  Heads  "100%  Club" 
Atlantic  City — Fred  Benno,  Min- 
neapolis, has  been  elected  president 
of  Paramount's  second  "Ohe  Hun- 
dred Per  Cent  Club."  The  club  is 
a  factor  in  Famous  selling  plans  and 
was  conceived  by  Sidney  R.  Kent, 
who  is  life  honorary  president.  Other 


WATCH 

RED 

SEAL 


729    Seventh   Ave.,   N.   Y.   C. 
DISTRIBUTORS 


ofhcers  for  the  year  are  Mike  Lan- 
'au,  Philadelphia,  vice-president;  Rob- 
ert Carnie,  Kansas  City,  secretary- 
treasurer. 

Employees  must  meet  certain  sales 
quotas  and  are  also  voted  upon  by  fel- 
low exchange  employees  as  to  charac- 
ter and  other  qualifications.  From  the 
successful  nominees,  new  exchange 
managers  are  usually  chosen,  and  this 
afternoon  promotions  will  be  an- 
nounced.    The  1926  members  are: 

James  Cobb,  Minneapolis ;  Edward  Bell 
New  York ;  Jack  Bettencourt,  San  Francisco  ; 
R.  M.  Copeland,  Des  Moines;  Joseph  Davis, 
New  Jersey ;  Joe  English,  Salt  Lake  City ; 
Louis  Goldberg,  Chicago;  Jack  Gubbins. 
Boston;  Neal  Houston,  Dallas;  Abe  "Kauf- 
man, Memphis ;  Maurice  Ridge,  Columbus ; 
Chester  Roeder,  San  Francisco ;  Maurice 
Schweitzer,  Kansas  City;  William  Selman, 
Cleveland ;  Karl  Suelke,  Philadelphia ;  Rey- 
nolds Wilbanks,  Atlanta ;  Arthur  Coles,  Kan- 
sas City  ad  sales;  Ulric  Smith,  Philadelphia, 
booker ;  Kenton  Franklin,  Atlanta,  exploita- 
tion representative ;  Jack  Hunter,  Canada. 

This  afternoon,  each  member  will 
be  given  a  $750  bonus  and  a  $5,000 
life  insurance  policy.  Kent  will  an- 
nounce promotions  and  also  decorate 
winners. 


Sidelights 


Atlantic  City — Sara  Katz,  Harold  Frank- 
lin and  Sam  Debow  arrived  Wednesday 
night. 


Phil  Zierler,  attorney  and  brother  of  Sam, 
is  here  on  his  honeymoon.  His  bride  was 
Miss    Fusfeld   of   New    York. 


The  East-West  sales  rivalry  continues. 
Wednesday  night,  a  sign  covering  eight 
floors  of  a  building  opposite  the  Ambas- 
sador, was  displayed.  It  read,  "The  West 
Will   Win    With    Work."      John    Clark    spent 


trying  moments  with  four  union  repress 
fives  before  he  was  allowed  to  have  the  i 
put  up. 


George  Byrnes,  representing  "Aesop  \ 
les"  and  "Topics  of  the  Day,"  is  one 
the  busiest  men  here.  However,  he  H 
time  to  indulge  in  his  pastime  of  wa'king 
punishes  much  shoe  leather  daily. 


Alvin     Mayer,     of    the     Photo     Repro 
is  here. 


Atlantic   City   newspapers   are   insisting 
Eric  Von  Stroheim  is  here,  but  the  directc 
out  on  the  Coast. 


Clean  cQmedy  is  very  popular  with  t 
tralians,  according  to  John  W  Hicks,  n 
aging  director  of  Famous-Lasky,  Ltd., 
Australia,  Singapore.  Malay  States,  Siam  i 
the  Dutch  East  Indies.  He  says  Ravm 
Grififith,  Richard  Dix  and  the  Zane  di 
are  well  liked.  Seven  years  ago  Phil  K 
man  and  Ben  Blotcky  were  his  salesmcr 
Minneapolis. 


Trop  Titling  "Keep  Going" 

J.    D.   Trop   is    finishing   the   titli^ 
of  "Keep  Going,"  second  Sierra 
edy   starring   Earle   Douglas. 


1 


Fields  No  Longer  with  Hodes 

Michael  D.  Fields  is  no  longer  ci 
nected  with  the  Short  Film  Syndic; 
Hal   Hodes  states. 


I 


Ratify  Mediator  Pla 

(Continued  from  Page   1)  "■) 

Small  rights,  including  pict 
rights,  were  discussed.  Beyond  ; 
nouncing  the  ratifying  of  the  arbit 
tor  plan  both  dramatists  and  prod 
ers  declined  to  make  any  statement 

Prior    to    the    meeting    Gene    Bii 
said  that  the  composers  will  never 
linquish  their  rights  to  their  music 


TWO  KEEN  JUDGES! 

Joe  McConville— Abe  Mon- 
tague-Boston' sBestlThey  know 
Pictures  as  you  know  the  palm 
of  your  hand.  And  so  they 
bought 

For  1926-1927: 
8  Reed  Howes  Comedy-Dramas 
8   Jack   Perrin    Action    Classics 
4  Serialplays 

From  Ray  art    Pictures  Corpor- 


II 


ation. 


— . — «®>; 


i 


Bolster  Your  Bank  Balance  with 
Ray  art  Pictures! 

(Ask  David  J.  Mountan  About  Foreign  Rights) 


^jMH 


i. 


"^ 


^ 


.t:C^ 


,.«.o..  =f  ^,,,.0  ^;^^  ...^-^ 


s> 


ff.?. 


0? 


.{.^XS 


OY 


s,^^^ 


,?.-o^^ 


t^O 


.^^{^■s-^ 


.^^0^^ 


3^ 


COS'S-^ 


^^ss 


3^ 


.^T^^" 


..  sto^ 


^0^0' 


rt^ 


^^ 


j,C^N 


^\^. 


L^ 


N^^ 

K^^' 


to 


N^ 


S'^' 


gs^'^ 


-5.0^^ 


^^'-^ 


rM^"^ 


3^'^ 


t.t't^^ 


V 


gg^s' 


3^1. 


^^ 


KB"?^' 


os^ 


now  watch  tho/e  ddncin^"^ 
heel/  /huffle  in  new  box 
office  record/  everywhere- 
-and  /he  dance/  on  the 
tide  of  the  mo/t  phenom- 
enal  publicity  ever  <j1ven 

an  author/ 

« 

ICUAEL  ARLENI 

prize   winning  /lory 

QtDANCE 

?f  PARIS 

$tarrin(j 

CONWAY 
TEARLE 

Supported  bij 

DOROTHY 
KACKAliX 

^lefented  bu 

robert  kane 
"Alfred  9Antell 

PioducHoi 


A  "JirAt  national  Picture 

'.■^      gf  Motkm  Picture  Producers  and  Distributors  of  America  Inc^WlU  Hay6  J'nsuunt 


^^^^ 


Aol.  19 


EXHIBITORS 

i 


Including  EXHIBITORS  REVIEW 


SATURDAY,  MARCH  27,   1926 


No.   19 


^^ 


Jk. 


HABOUUMD 

For  Heaven's  Sake/ 


Directed  by  SAM  TAYLOR 


a  paramount  ^eieme  Produced  by  HAROLD  LLOYD  CORR  • 


IT 


}thL   Year 


Price  20  Ceuls 


Gtaw 


,tar^ 


>RtHO 


UecVedbV»»'^,3CKnst^;M,Cutc^ 


^^o'^rcos^wou^'^" 


.B***' 


^Be^'' 


,ofG.»-^": 


Stan' 


,dlt>e 


stop 


bf 


Vvev 


p>c' 


ihtet 


rvtV^"" 


than' 
asttt 


he\<l  ^'^.^  ^ith 
Co»st^»"*^' 


AlCUi' 


^«/e5t* 


IN  ONE  MONTH 


>\ 


fro 


m 


MctTo-Qoldwyn-MdiYtv 

(no  other  company 
is  being  talked  about 
by  the  public  so  much 
today!) 


»v^ff- 


//j 


i^ 


-^5 


*60^ 


M 


C  A  RLC 

( 1 )  A  Brilliant  Fashion  Spectacle 

(2)  A  Marvelous  Comedy 

(3)  A  Thrilling  Romance 

LEW  CODY 
GERTRUDE  OLMSTED 

ROY  D  ARCY  KARL  DANE 

directed  by  CHRISTY  CABANNE 

Sury  h  Carey  Wllion         Scenario  bj  Alice  D.  O.  Miller 


''Ce, 


■'">■, 


,^^. 


'% 


"'^-/T.^^C, 


'^o 


'es 


V 


-i:^ 


0  ^    ^    ^^"^^ 

^      0  ^ 


larch  27,  1926 


|^SaS2SaSH5252S2SS2S2SM5252S525ffiaS5EHSE525HSHS2SaS2SSSSSSSES2S32SE2SH52S252^^ 


EXHIBITORS 


DAILY  REVIEW 

,■/  .\iViffiiificr  Devolol  to  ilic  Motion  Picltire  liiitintiy 
INCLUDING    EXHIBITORS   REVIEW 


FRED  J.  McCONNELL,   Editor 


CONTENTS 


Editorial  Com  ment  , 5 

"KiKi"  FOR  Opening , 5 

Paramount  Convention  Ends  - 5 

Camera  Pictures  Complete  First 5 

Hardy  Gets  Role 5 

Gotham's  Next  5 

Rosenzweig   Honored   5 

Barbara  Worth  Signed  5 

School  Picture  for  Boston  6 

Gallup  With   United  Artists  6 

Calendar  of  Coming  Events  6 

Tape  and  Ticker — .,. _ f> 

It  All  Happened  This  Week  .'...... 6 

FiL  m  Row   (^ 

*  Robert  Lieber  Builds f> 

Another  for  St.  Louis  6 

Big  Party  for  New  Orleans-State  6 

.LSOO  Theatres  in  Germany  -, 7 

Mabel's  Room  Started  7 

D  UFFY  in  Feature 7 

DeMiu.e  Finishes 7 

Paramount  Makes  a  Find 7 

Fight  Saloon  - 7 

Broadway  Theatres  7 

The  News  in  Foto-Form 8 

Shorts    Features    Re\'tews    !(' 

Pathe  Announces  New  Product  H 

Box  Office  Reviews  ^ "^ 

National  Tie-Up  Section  21 

Christie  Actors  On  Vacation  33 

Exploits  "Peacock  Feathers"  33 

Hays  Members  in  Meeting  - 33 

"Reeling  Around"  - ■^^ 

Colleen  Moore  Starts  33 

Music   Week   '^ 

New  Charleston  Series - 33 

Opens  New  Rckjsevelt  Theatre  ■ 34 

-5    1 

Theatre  Construction  News  ...■.■.• •'"* 

Classified   Opportunities   - 34 


Copyright,   1926,  by   Exhibitors   Publishing  Corporation 

Geo  C.  Williams,  President;  Fred  J.  J«'=Connell  Vice-President;  F. 
Meyers-  Henry  A.  Unet,  News  Editor;  A.  Bernstein,  Staff  and  Short  Sub- 
ject  Ed'itorrMichael   L.   Simmons,  Theatre  Management  and   Reviews   Editor. 

lames  A  Cron,  Advertising  Manager;  Herman  J  Schlder,  Bus^n^-ss  Man- 
agerrUrryS  Harris,  Equipment  Manager;  B.  F.  Livingston,  Circulation 
Manager. 

Executive  and  EHitorial  Offices:  Hearn  Building,  45  West  Forty-fifth 
streerN^w  York.  Telephone,  Bryant  6160.  Address  all  communications  to 
l«ecutive  Offices  Published  daily  at  East  Stroudsburg.  Pa.  and  New 
Vork  NY  by  Exhibitors  Review  Corporntion  Subscription  Rates:  Post- 
age  paid  per  year.  United  States,  $5;  Canada,  $8;  Foreign  $13;  single 
cfnies  20  cents  Remit  by  check,  money  order,  currencv  or  postage. 
En'^Lre'd  as  second-class  matter  January  4,  1926  at  Post  Office  at  East 
Stroudsburg,  Pa.  and  additional  entry  New  York,  N.  Y.  under  the  act  of 
March  3,  1879. 


.  h 
I 


BROWN  of 
HARVARD 


Watch  for 
details  of 
the  Greatest 
Football  Picture 
Ever  Screened 


IszszsBSgSESgSaSeSgSESESgSgSgHSESgSESgSgSaSESHSHSgSgSgSgSgSgSg'i 


TT-^i^f^E^;^;;^^  "ii?r,hSjSl 


r 


Page  4 


Exhibitors  Daily  Revi 


"S 


itCi 


m)RlD9ofPRMSE 

CKcf  5^cS  owZy  Aif  one  foivn  so  far  I 


Qlmodlqc 

"KIKI" 


with 


A  UrAt  notional  Picture 

Members  gT  Motion  Picture  Producers  tnd  tMstributors  of  America  liic.~-Wlll  Hays  Pmultnt 


RONALD 
COLMAN 


Screen  stoiy  by HANS  KRALY 

Based  on  the  sta.ge  playKHCl'   Written  by 
ANDRE  PIC/VRD  and  adapted  by  DAVID  BELASCO 

c<  CLARENCE  BROWN  Rioduction 


March  t1,   1926 


EXHIBITORS 


DAILY  REVIEW 


Including  EXHIBITORS  REVIEW 


Vol.  19 


SATURDAY,  MARCH  27,  1926 


No.  19 


"KlKl"  PICKED 
FOR  OPENING  OF 
CATHAUM  THEATRE 


Wehrle  in  New  York 

Makes  Announcement 


R.  S.  Wehrle,  Branch  Manager  for 
First  National  Pictures  at  Pittsburgh, 
is  spending  several  days  in  town  and 
brings  word  that  a  beautiful  new 
theatre  has  been  built  at  State  Col- 
lege, Pa.,  and  will  open  on  April 
8th,  with  First  National's  "Kiki." 
The  theatre  is  known  as  the  Cath- 
aum,  and  its  first  attraction  wiU  be 
the  premiere  showing  of  "Kiki"  in 
that  territory.  This  is  a  college  town, 
Penn  State  University  being  located 
there.  Maurice  Baum  is  the  owner, 
and  has  been  for  many  years  operat- 
ing the  Nittany  Theatre  raid  will  con- 
tinue with  its  operation. 

Baum  has  grown  up  wUh  the  thea- 
tre business  in  that  city,  :ind  Ine 
openmg  is  going  to  be  a  big  local 
c\ent,  attended  by  the  town's  folk. 
It  is  one  of  the  finest  theatres  of  its 
size  in  the  country  and  a  credit  to  its 
builder.  The  new  theatre  will  run 
the  entire  First  National  product. 

CAMERA  PICTURES 

COMPLETE   FIRST 

Camera  Pictures,  Inc.,  have  com- 
pleted production  on  "The  Mile  a 
Minute  Man"  with  William  Fairbanks 
and  the  negative  has  been  shipped 
East  to  Lumas  Film  Corporation  for 
distribution. 


Gotham's  Next 

The  eleventh  release  of  this  sea- 
son's program  of  twelve  pictures 
from  Gotham  will  be  "The  Sign  of 
the  Claw"  with  Peter  the  Great,  the 
giant  police  dog  starred. 


Barbara  Worth  Signed 

Barbara  Worth  has  been  signed  by 
Universal  as  a  member  of  the  Uni- 
versal City  stock  company.  While  a 
-.omparative  new-comer  to  film,  Miss 
kVorth  is  considered  one  of  the  most 
iromising  young  players  on  the 
icreen.  Miss  Worth  is  now  playing 
n  "The  Love  Thief,"  a  Norman 
Cerry  vehicle  being  directed  by  John 
vlacDermott. 


MACS   Observations 


Hardy  Gets   Important  Role 

Sam  Hardy,  who  scored  so  favor- 
bly  as  Gindelheim,  the  press  agent, 
n  "Bluebeard's  Seven  Wives,"  has 
)een  cast  for  a  prominent  role  in  an- 
other Robert  Kane  production,  "The 
ireat  Deception,"  adapted  from  the 
leorge  Gibbs  novel,  "The  Yellow 
)ove." 


Jans'  Press  Book 

A  comprehensive  and  exceedingly 
lelpful  press  book  on  "The  Roaring 
^•orties,"  fifth  of  the  Jans  produc- 
ions,  has  just  come  of?  the  press. 


THE  VALUE  OF   COMEDY 

THERE  is  nothing  in  our  everyday  life  that  has  such  an  effect 
on  people  as  comedy.  Everybody  likes  to  laugh.  They 
like  to  see  other  people  laugh.  Every  one  that  goes  to  the 
theatre  enjoys  the  comedy.  So  much  so  is  comedy  recognized 
in  the  theaters  that  in  every  feature  picture  made,  there  is  in- 
terjected a  comedy  element.  Producers  on  the  Coast  today 
have  used  practically  every  comedian  as  a  comedy  relief  for 
pictures. 

While  people  enjoy  a  comedy  character  or  funny  situation 
in  a  feature,  it  does  not  fill  the  craving  the  public  has  for 
laughs.  The  comedy  in  features  can  never  take  the  place  of 
the  comedy  on  the  program.  As  a  matter  of  fact  the  feature 
needs  some  comedy  to  throvi^  the  drama  into  a  higher  relief. 
But  the  theatre  operator  that  is  overlooking  the  buying  of  the 
finest  comedy  product  open  for  his  theatre  is  overlooking  sure 
fire  box  office  material. 

IN  view^ing  some  of  the  releases  to  be  offered  this  year  by 
the  Pathe  organization,  it  is  easy  to  see  that  they  are  looking 
far  ahead  into  the  future.  Not  only  are  their  comedies  on  a  par 
or  better  than  ever  before,  but  they  are  adding  to  their  casts 
for  these  pictures,  feature  stars.  They  are  adding  these  stars 
so  that  exhibitors  can  take  advantage  of  the  pulling  power 
of  the  star  to  bring  people  into  their  theaters. 

Everybody  will  want  to  see  Lionel  Barrymore  in  a  Hal 
Roach  comedy.  They  will  want  to  see  him  anyway,  and  the 
fact  he  is  in  a  comedy  has  in  itself  a  distinct  appeal  to  the 
public.  Figure  out  what  it  means  to  an  exhibitor  to  be  able 
to  advertise  in  electric  lights  that  the  famous  Theda  Bara  will 
appear  in  a  comedy  that  night.  It  spells  dollars  at  the  box 
office.  It  shows  real  progress  in  comedy  building.  Hal  Roach 
is  adding  to  his  casts  the  best  feature  names  that  can  be  se- 
cured on  the  Coast.  Exhibitors  that  book  these  pictures  will 
find  they  have  a  new  type  of  comedy  product  to  market.  They 
can  get  behind  these  comedies  in  the  same  manner  they  do 
the  biggest  superfeature.  Why  not?  If  the  comedy  will 
bring  people  into  the  theater,  the  answer  is  play  up  the  comedy. 

NOT  only  are  Pathe  putting  out  this  type  of  comedy  but 
they  will  also  have  the  record  making  "OUR  GANG"  comedy 
product  that  everybody  recognizes  as  the  real  "Four  Hun- 
dred Hitter"  of  the  Comedy  League.  They  also  have  the  Sen- 
nett  product  which  has  made  exhibitors  money  for  years. 
Elmer  Pearson  knows  the  theater  angle  on  short  product  and 
his  plans  for  comedy  progress  are  now  being  felt  throughout 
the  industry.  A  Pathe  comedy  today  is  just  as  standard  as 
Pathe  News.     Both  arc  bywords  for  box  office  receipts. 


BIG  PARAMOUNT 
CONVENTION  IN 
CLOSINGSESSION 

Adolph   Zukor   and   Other 

Notables  on  Speakers 

Table  Today 


Atlantic  City. — Paramount's  fif- 
teenth birthday  convention,  with  a 
country  wide  representation  of  550 
delegates  in  attendance,  which  has 
been  in  continuous  session  at  the  Am- 
bassador Hotel,  Atlantic  City,  since 
its  official  opening  Tuesday  after- 
noon, closes  today  with  a  formal  ban- 
quet in  the  Renaissance  Room  at 
which  Charles  E.  McCarthy,  Director 
of   Publicity,  will  be  toast  master. 

Speeches  by  Adolph  Zukor,  presi- 
dent of  Famous-Players-Lasky  Corp., 
Otto  H.  Kahn,  D.  W.  Griffith  and 
Senator  Arthur  Capper  will  be  fea- 
ures  of  the  closing  event.  Arrange- 
ments have  been  in  the  hands  of  an 
entertainment  committee  consisting 
of  Mel  Shauer,  Russell  Holman,  G. 
B.  J.  Frawley,  Oscar  Kantner,  Claud 
Saunders,  Leon  Bamberger  auCi  Vin- 
cent Tiotta,  with  Charles  E.  McCar- 
thy as  chairman. 

The  day  will  be  a  full  one,  begin- 
ning at  9  :30  with  a  special  meeting  of 
district  managers,  branch  managers 
and  exploiteers.  At  10:30  the  100% 
Club,  all  salesmen,  ad  sales  managers 
and  booking  managers  will  confer  in 
the  Venetian  Room.  Luncheon  will 
be  served  in  the  Grill  at  12:.30,  and 
special  meetings,  announced  at  the 
morning  session,  will  begin  at  2 
o'clock. 

General    Manager   Sidney   R.    Kent 
addressed  the  convention  at  its   first 
(Continued  on  page  6) 


Rosenzweig  Honored 

At  F.  B.  O.  Luncheon 

The  officers  and  members  of  the 
New  York  Film  Board  of  Trade,  20 
local  exchange  managers  in  all,  tend- 
ered Charles  Rosenzweig,  manager  of 
Film  Booking  Offices  Exchange,  a 
luncheon  yesterday  in  the  Yacht 
Room  of  the  Hotel  Astor.  Mr.  Ros- 
enzweig, accompanied  by  his  wife,  is 
leaving  today  for  the  F.  B.  O.  Coiv- 
vention  at  Los  Angeles  which  opens 
on  April  1st.  and  he  will  be  gone 
about   a  monfh. 


WARNING 


Note  that  KxiiiiiiTORS  Daii  v 
Review  is  not  liable  for  subscrip- 
tions <;old  by  men  named  MaiuUl 
and  Farrington,  who  offer  (  am- 
eron's  Book  on  Motion  Picture 
Projeclion  as  a  i)remium.  We  arc 
IK, I  offering  any  premiums  with 
sul>scrii)tions,  nor  have  we  any 
solicitors   out    in   the   field. 


w 


'age 


Exhibitors  Daily  Revu 


NEW  DESK 


Bruce  Gallop,  who  leaves  Fox  on 

April   1   to   join  United   Artists  to 

work  with  Vic  Shapiro  as  head  of 

the   advertising   department. 

SCHOOL  PICTURE  FOR 
BOSTON  METROPOLITAN 


The  first  product  of  the  Para- 
mount Actors'  School,  "Fascinating 
Youth,"  which  has  been  highly  spok- 
en of,  will  have  its  New  England 
public  premiere  at  the  Metropolitan 
Theatre  in  Boston,  Mass.,  on  April 
24th.  Glendon  Allvine,  of  Para- 
mount, is  in  charge  of  the  opening 
and  is  pulling  a  stunt,  whereby  four 
of  the  students  of  the  school,  from 
New  England,  will  make  personal 
appearances  with  the  showing  of  the 
film.  They  are  Jeanne  Morgan,  Dor- 
othy Nourse,  Thelma  Todd  and 
Claude   Buchanan. 


Retires 


Paul  A.  Cyr,  running  the  Star  The- 
atre, Stockholm,  Me.,  has  closed  his 
theatre  and  retired  from  the  motion 
picture  business. 


"Footloose  Widow"  Cast 


Louise  Fazenda,  Jacqueline  Logan 
and  Andre  Beranger  have  been  cast 
in  "Footloose  Widow,"  the  new  War- 
ner picture. 


TAPE  AND  TICKER 

Sales 

Low 

High 

Balaban  &  Katz   . . . 

200 

68 

69 

Column.    Carbon    . . 

9500 

58  K 

65 

East.    Kodak    

1900 

107.54 

108-5^ 

Fam.    Pl.-Lasky    .  . 

58300 

II6/2 

12334 

Fam.    Pl.-Lasky   pf. 

400 

119 

121 

First    Nat'I    P.    Ipf. 

100 

100 

100 

Fox   Film    "A"    . . . 

14800 

59 

65^ 

Fox  Thea.  "A"  (C) 

5900 

20 

22^8 

Film   Inspect.    (C) . 

700 

5 

5 

Gen.    Electric    

135300 

292 

31454 

Inter.   Prof.   (C)    .. 

100 

13 

13 

Loew,   Inc 

11400 

37^8 

40 

Motion    Pict.    Cap. . 

2100 

20 

22}i 

Pathe  Exch.   "A"    . 

4800 

62^^ 

67 

Trans.   I-ux  (C)    .  .  . 

6400 

8)4 

9H 

Universal    Pict.    (C) 

100 

30J4 

30  K 

Warner   Bros.    Pict . 

800 

13H 

1454 

Westinghouse  E  &  W 

[      13300 

68^ 

7054 

(C)    Curb  Market 

,    , 

Robert  Lieber  Builds 
4000  Seat  Theatre 


Indianapolis,  March  27. — Definite 
plans  have  been  consummated  for  a 
big  theatre  in  Indianapolis,  Ind.,  to 
be  erected  next  to  the  Claypoole 
Hotel  by  Robert  Lieber,  President  of 
First  National  Pictures,  Inc.  It  will 
be  a  40(X)-seat  house.  Lieber  is  the 
owner  of  the  Circle  Theatre,  in  Ind- 
ianapolis, which  for  years  has  been 
the   show-place  of   Indiana. 


Another  for  St.  Louis 

St.  Louis,  Mar.  27. — In  addition  to 
the  new  Fox  Theatre  in  this  city, 
another  new  theatre,  almost  in  the 
dowtnown  section  of  the  city  is  an- 
nounced, to  be  erected  by  local  cap- 
ital. This  will  be  a  representative 
first-run  theatre.  Its  policy  will  be 
announced  within  the  next  thirty 
days. 


It  All  Happened  This   Week 


More  Conventions 

jl/T.  P.  T.  O.  of  West.  Pa.  and  W. 
•'•"  Va.  start  their  pow-wow  in  Pitts- 
burgh on  April  19.  The  U.  P.  T.  O. 
of  Nebraska  and  Western  Iowa  plan 
their  meeting  for  April  6  at  Omaha. 
Ohio  M.  P.  T.  O.  plans  a  special  train 
for  Mid-Western  exhibitors  attending 
the  National  Convention  at  Los  An- 
geles, June  1st,  next. 


Universal  is  now  in  Chicago,  the 
third  of  a  series  of  interstate  conven- 
tions. New  York  meeting  and  De- 
troit meeting  already  disjiensed  with 
earlier  in  the  week  and  last  week.  Al 
which  Carl  Laemmle  announced  a  5''<^ 
profit  sharing  plan  for  the  entire  Uni- 
versal  force. 


Warners'    Convention    soon. 


April  will  be  set  aside  to  celebrate 
the  twentieth  anniversary  of  Marcus 
Loew  in  the  motion  picture  business. 


Marcus  Loew  Plans  Biggest  Party 
For  New  Orleans-State  Opening 


Marcus  Loew  is  planning  the  greatest  of  all  his  theatre  parties, 
which  will  take  him  a  record  distance  away  from  New  York,  when 
he  opens  the  new  magnificent  State  Theatre,  New  Orleans,  April 
3rd.  A  delegation  of  movie  and  stage  stars  from  California  and 
New  York  will  make  the  opening  party  one  of  the  greatest  of  its 
kind  ever  given.      Some  of  the  stars 


from  the  Coast,  who  are  to  be  guests, 
will  be  Renee  Adoree,  Dorothy  Phil- 
lips, Lew  Cody,  Claire  Windsor, 
Bert  Lytell,  and  many  others.  The 
stars  from  New  York  will  include 
Gertrude  Olmstead,  Hope  Hampton, 
Billy  de  Beck,  Ben  Lyon,  Rose  Wen- 
zel  and  many  others. 

Flo  Ziegfeld  is  sending  a  delega- 
tion of  his  stars  and  girls  from 
"Palm  Beach  Nights,"  which  is  clos- 
ing its  engagement  at  Palm  Beach, 
Fla.  This  party  will  meet  Mr. 
Loew's  private  car  in  Atlanta.  N. 
T.  Granlund,  known  as  "N.  T.  G." 
radio  announcer  of  Station  WHN, 
will  accompany  the  tourists. 


Paramount  Convention 

In  Closing  Session 

{Continued  from  page  5) 


session  which  opened  under  the  gavel 
of  George  Weeks,  general  manager 
of  distribution.  Jesse  L.  Lasky,  first 
vice-president,  presided  at  the  meet- 
ings of  the  second  day  which  were 
devoted  to  production  problems. 
National  advertising  and  exploitation 
were  the  subjects  of  Thursday's 
meetings,  General  Manager  Kent 
addressing  the  gathering  on  "High- 
lights on  the  New  Product."  Sam 
Katz,  president  of  the  Publix  Thea- 
tres Corporations,  presided  Friday 
morning,  and  the  whole  day  was  giv- 
en over  to  the  specific  problems  of 
that   organization. 


Calendar  of  Coming 
Events 


Five-day    Para- 
Hotel    Ambassa- 

Three-day    Uni- 
Drake   Ho- 


Today. — Close    of 
mount    Convention, 
dor,    Atlantic    City. 

Today. — Close    of 
versal   Sales   Convention 
tcl,  Chicago,  111. 

March  27  and  28. — Universal  Film 
Exchange  Meeting  and  Luncheon, 
Hotel  Astor,  New  York,  9  A.  M. 

March  29. — Annual  A/feeting,  Mem- 
bers of  I.  M.  P.  P.  D.  A.,  409  Fifth 
Avenue,  New  York,  2  P.  M. 

March  29. — Start  of  Three-day 
Universal  Sales  Convention,  Roose- 
velt Hotel,  New  Orleans,  La. 

April  1-3. — F.  B.  O.  Convention, 
Ambassador  Hotel,  Los  Angeles,  Cal. 

April  5. — Start  of  Three-day  Uni- 
versal Sales  Convention,  Biltmore 
Hotel,  Los  Angeles,  Cal. 

April  8.— Meeting  M.  P.  T.  O.  of 
Washington,  Olympia,  Wash. 

April  11.- — Fox  Convention,  Ambas- 
sador Hotel,  Los  Angeles,  Cal. 

April  19-20.— M.  P.  T.  O.  of  West- 
ern Pennsylvania.  Convention  at 
Pittsburgh. 

April  26 — Eastern  Contingent,  First 
National  Sales  Convention,  New 
York,   N.  Y. 

April  30. — Canada  and  Midwest 
First  National  Sales  Convention,  Chi- 
cago,   111. 

May  6. — West  Coast  First  National 
Sales  Convention,  Los  Angeles,  Calif. 

June  1  to  5. — Annual  Convention, 
M.  P.  T.  O.  A.,  Los  Angeles,  Calif. 


Producers  Distributing  Corporati 
are  to  give  financial  assistance  to  1 
Ohio  M.  P.  T.  O.,  for  which  the  » 
hibitors  of  that  state  have  been  asl 
to  give  one  play-date  each  week 
that   producing   company. 


Financial 

NEW  YORK  CURB  admits   B. 
Keith   $6,000,000  bond   issue 
trading.      Pathe    Exchange    will 
crease  its  Class  A  common  stock  fn 
190,000    to    290,000    shares.      Fede 
Trade    Commission    reopens    its    s 
against  Famous-Players-Lasky,  cha 
ing  that   company  with   trustificatin 
Alalthew  B.   Scntner  appointed   tri 
tee  of  Vital  Exchange,  Inc.,  bankru 
Its  second  meeting  of  creditors  sch 
uled   for  April    13. 


n 


p.  D.  C.  Jazz-Bo  Club  held  its  fi 
annual  ball  at  the  Hotel  Astor,  N 
York,   last   night. 


Joseph  M.  Schenck,  pres.  Board 
Directors  of  United  Artists,  addre 
ing  the  Ampas  in  New  York,  mal 
a  strong  plea  for  independence, 
sorry  that  the  proposed  merger  1 
tween  Metro  and  United  Artists  ( 
not  go  through. 


Paramount    will    release    five    U 
films  in  LI.  S.  this  year. 


W.     Ray    Johnston,     president 
Rayart  Pictures,  Inc.,  and  Dwighti 
Leeper    left    for    California    on    m 
ters  pertaining  to  production. 


In  Re  Pictures 

PARAMOUNT   will    film   Dreise 
-•■        "American       Tragedy."       J 
^asky  announces  75  from  Paramoj 
Ginsburg-Kann    planning    18    feal 
releases.      First    National    annouij 
New   York   premiere   of   "Kiki" 
Norma  Talmadge  for  April  4.     U: 
versal's     "Flaming     Frontier"     op{ 
at  N.  Y.  Colony  April  3.     Unive^ 
announces    reissue    of    five    year    ( 
"Outside    the    Law." 


irgaret 
is  0 


moa  i 


HH 


Along    Film    Row|k( 

With  Burney 


Leo  M.  Devaney  of  the  Univet? 
Toronto  Branch,  C.  Rosenzweig  Ms 
ager  of  F.B.O.  Ex.  at  Los  Ange| 
and  J.  N.  Klein,  Alanager  of  Wai 
er's  branch  at  Boston,  have  writt 
in  to  Fred  McConnell,  new  editor 
Exhibitors  Daily  Review  extendi 
co-operation  in  every  way.  Ma 
thanks. 


In  the  graduating  class  of  our  o 
movie     school     for     fillum     peddl 
Georgie    Smolinsky    handed    in 
lucid  observation:    "It's  all  right 
a  shoemaker  to  stick  to  his  last, 
an  exhibitor  must  always  have  sonj 
thing  new !"     And  the  class  laugl 
heartilv    at   the    witticism. 


Then  Mickey  McPickaxe  was  cal 
on  for  his  thesis  and  gave  the  niei 
inff  of  "wholesome."  He  said,  sa 
Mickey:  "An  adjective  to  inform  1 
younger  generation  that  a  picture 
uninteresting."  Mickey  is  right 
line  for  a  candidacy  in  our  comi 
"managers   school." 


ytoDi 


Hues  in 
Owl  a 

"I  til 
Robe 


1520 


arch  27,  1926 


'i\ 


500  Picture  Theatres  Now 
Operating  in  Germany 


One    Seat    For    Every    30 

People  in  Berlin  on 

Last  Census 


rgaret  Livingston,  the  Fox  star 
D  is  one  of  the  organization's 
t  box-office  bets,  has  gone  to 
rida  for  a  vacation.  She  nas 
just   completed    "Hell's   400." 


From  the  two  motion  picture  thea- 
tres which  were  in  Germany  in  1900. 
one  of  which  was   located  in  Ham- 
biiro-    and    the    other    if.    Wiierzburg, 
the  number  has  increased  to  3,42<S  re- 
ported  in    operation   in   that    country 
of  the  last  census,  according  to  a  re- 
port to  the  l^partment  of  Commerce 
from    Assistant    Commercial    Attache 
Douglas    Miller     at     Berlin.     At    the 
end  of  1920  there  were  3,422  report- 
ed    while     the     highest     point     was 
reached  in  1923  with  4,017  in  opera- 
tion throughout  the  country. 
On  August  1,  1925  the  city  of  Ber- 
n  had  317  film  theatres  with  123,902 
scats    or    one    for    every    30    inhabi- 
tants of  the  city.     The  average  num- 
ber of  persons   for  each  film  theatre 
in   Berlin  is   12.000. 


"Up  In  Mabel's 
Room"  Starts 


Jack  Duffy  in  Feature 


St  Three  De  Mille's 
•llow  in  Cutting  Room 

m 

Eve's      Leaves,"     Leatrice     Joy's 
est    starring    picture,    is    off    pro- 
tion    and    in    the    cutting    room — 
ence,"     with     an     all-star    'cast, 
led  by  piquant  Vera  Reynolds  and 
B.   VVarner,   is   in  the  process  of 
ing.     "Bachelor   Brides,"    starring 
La    Rocque,    is    completed    and 
ts  will   soon  be  on  their  way  to 
exchanges. 
5V   he  completion  of  these  three  great 
ares  wind  up  the  first  year's  pro- 
ion  program  of  this  studio, 
irector  Paul  Sloane  and  Produc- 
Editor  Elmer  Harris  are  work- 
day  and    night   whipping;   "Eve's 
ves"   into   its    final   nicely.     They 
busy    titling    the    production    in 
iboration  with  Jack  Jevne. 


Jack  Duffy,  the  "bearded  baby  star" 
of  the  Christie  Studios,  has  been 
registering  frequently  both  in  and  out 
of  comedies.  Having  finished  the  first 
Christie  Comedy  in  which  he  plays 
the  featured  role,  "Dancing  Daddy," 
he  has  been  loaned  to  First  National. 
He  will  play  a  part  with  Colleen 
Moore  in  "Ella  Cinders."  Dtiffy  also 
played  in  Producers  Distributing  Cor- 
poration's "Fifth  Aevenue,"  and  in 
the  meantime  appears  in  two  new 
comedies  with  Walter  Hiers,  one  of 
which  is  "Wireless  Lizzie"  and  the 
other  not  yet  named. 


Indicative  of  Al  Christie's  intention 
of  making  the  screen  version  of  the 
stage  farce  "Up  in  Mabel's  Room" 
more  than  commensurate  with  the 
successful  plaj',  comes  the  announce- 
:;ient  from  Mr.  Christie  thai  a  long 
list  of  featured  players  will  apnear 
in  support  of  Marie  Brevost,  the  star. 

In  addition  Harrison  Ford,  whose 
work  in  D.  W.  Griffith's  "The  Royle 
Girl,"  is  now  attracting  widespread 
attention,  Harry  Myers  has  teen  en- 
gaged for  an  important  work,  "The 
Connecticut  Yankee,"  in  which  he 
had  the  name  role,  was  one  of 
Myers'_  outstanding   achievements. 

Sylvia  Breamer,  Carl  Gerard,  Cor- 
liss Palmer  and  Arthur  Hoyt  have 
been  signed  and  have  already  moved 
mirrors  and  make-up  cases  into 
Christie  Studio  dressing  rooms,  while 
Paul  Nicholson,  Maud  Truax  and 
William  Orlamond  will  begin  work 
during  the  latter  part  of  this  ^veek. 

F.  McGrew  Willis  made  the  cinema 
adaption  of  Al  Woods  show  and  E. 
Mason  Hopper  is  the  director  of  "Up 
in  Mabel's  Room." 


BROADWAY  THEATRES 

By  Mike  Simmons 


THE    BOX-OFFICE    VERDICT 

Astor— "The  Big  Parade,"  M-G-M, 
18th  week. 

Not  a  blessed  let-down  in  the  S.  R. 
O.  pressure  that  has  prevailed  nere 
since  the  picture  opened.     100%. 


Apollo— "Stella      Dallas,"       United 
Artists,  19th  week. 

Capacity  houses  generally.  The 
matinees  lightening  up  slightly.  Ap- 
proximating 90%. 


Capitol— "The  Barrier,"  M-G-M. 

E.xcellent  presentation  bill  helped 
jack  up  the  patronage  to  about  70% 
capacity. 


George     M.     Cohan— "Ben     Hur," 
M-G-M,  13th  week. 

A  sell-out  at  almost  every  per- 
formance. A  healthy  95%  box-office 
intake. 


Motion  Pictures  Help 

Fight  on  the  Saloon 


"Movies,  automobiles,  and  radio 
have  com.pensated  somewhat  the  loss 
of  the  'poor  man's  club'  and  compet- 
ed effectively  with  the  bootlegger  for 
the  contents  of  his  pay  envelope," 
according  to  the  Cotton  and  Cotton 
Oil  News,  a  Dallas,  Texas,  paper  de- 
voted to  the  interests  of  the  cotton 
industry 


Colony— "The  Cohens  and  Kellys," 
Universal,  5th  week. 

Proving  popular,  and  as  a  result 
being  held  over  for  another  week. 
Averaging  about  75%  capacity  au- 
diences. 


Criterion — "Mare  Nostrum,"    M-G- 
M,  6th  week. 

One  can  generally  get  tickets  at  any 
time  before  the  show.  Not  many  full 
houses,  but  nevertheless  fullsome 
enough  to  make  it  pay.  Averaging 
about  70%. 


Embassy — "La   Boheme,"    M-G-M, 
5th  week. 

Averaging  about  75%. 


yton  and  Bellis  in  Kane's 
"Wilderness  Woman" 

uth  Bayton  and  Dorothy  Bellis, 
ines  in  the  frustrated  holdup  of 
Owl  Club,  are  seen  strutting  their 
:  in  the  cabaret  scenes  of  the 
Robert  Kane  picture,  "The 
derness    Woman." 


Exceptional  Find  in  Iris  Gray 
From  Paramount  Acting  School 


Send  for  Catalogue  and  Circulars 


Out  of  the  six  months  course  o; 
the  Paramount  school  several  ver} 
promising  actresses  were  discovered. 
From  their  work  in  their  school  pic- 
lure,  "Fascinating  Youth,"  these 
girls  promise  a  quick  trip  to  star- 
dom. 

Coming  to  the  screen  from  a  very 
successful  career  on  the  stage  and 
in  vaudeville,  Iris  Gray  looks  like 
an  exceptional  find.  Her  screen 
work  was  rewarded  with  the  part  of 
second  lead  in  "Fascinating  Youth." 
It  is  understood  that  Miss  Gray  will 
make  a  personal  appearance  in  Kan- 
sas City  with  the  premier  showing 
of  this  picture  in  that  city.  The  fact 
that  her  home  is  in  Wichita  will  cer- 
tainly make  the  home  folks  turn  out 

in   large   numbers   for   the 

showing. 


MUSIC  BUYERS  CORP. 

1520  B'way  New  York  City 


Mr.  Lasky  is  extremely 
interested  in  the  success  of 
his  first  class  and  plans  on 
making  three  more  pic- 
tures this  year  with  these 
girls  and  boys.  Undoubt- 
edly the  cordial  reception 
accorded  "Fascinating 
Youth"  by  the  critics  had 
much  to  do  with  his  de- 
cision. 


Rialto— "Desert  Gold,"  Paramount. 

Good  publicity  support  and  gener- 
ally favorable  comment  by  word  of 
mouth  improves  the  takings  here 
over  last  week's  to  70%. 


Rivoli— "The  New  Klondike,"  Para- 
mount. 

Tom  Meighan  in  a  timely  story  of 
Florida  pulls  Ihem  in  at  about  70% 
capacity. 


Selwyn— "The      Black      P  i  r  a  t  e," 
United   Artists,  4th   week. 

Douglas  Fairbanks  is  proving  the 
magnet  of  attraction  that  he  has  al- 
ways  been.     100%. 


Strand— "The  Bat,"  United  Artists, 
2nd  week. 

Justified  the  hold-over  with  a  sell- 
ing power  of  about  70%. 


Warners— "The  Sea  Beast,"  Warn- 
er Brothers,  11th  week. 

Nearing    the    end   of    its    run,    but 
managing  to  average  over  70%. 


LITIGATION 


Suit  of  Treni'ini  Pilin  Lab.,  v.  H.  E.  R. 
Studios,  Inc. — P.  E.  Jackson  for  pif. ;  M. 
I,.  Greenberg  for  def.  ;  in  the  Supreme 
Court,  Special  Term;  Part  III,  before 
Justice    Wagner. 


Iris  Gray,  one  of  the  most  promis- 
ing   of   the   recent    graduates   from 
the    Paramount   school. 


Suit  of  United  Artists  Corp.  v.  Terrace 
City  Anuisement  Co.,  Inc.,  et  al. ;  in  the 
Supreme  Court,  Special  Term,  Part  II. 
before   Justice   Erlanger. 

Suit  of  McGuincss  v.  Fox's  Theatre,  in 
the   Supreme   Court,   Trial   Term. 

There  are  two  actions  in  the  suit  of  Russ 
V.  Bernice  Amusement  Co.,  Inc.,  in  the 
Supreme  Court  (Queens  County),  Trial 
Term. 


r   i*-6«s 


Exhibitors  Daily  R&vu\ 


The  News  of  the  Week  in  Foto-Form 


Universal  has  chosen  Mary 
Philbin  for  the  coveted  role  of 
Juliet  in  the  forthcoming  pic- 
turization  of  Shakespeare's  im- 
mortal tragedy,  "Romeo  and 
Juliet,"  E.  A.  Dupont  directing. 


'k 

lb 

Wk 

yt 

It 

K 

1  ^SSSm                   *^    ^l^^^^^l^^l^l 

^ 

% 

Cecil  B.  de  Mille  sorts  out  the 
forty  thj>usand  letters  received 
in  the  Cecil  de  Mille-Los  An- 
geles Times  "Motion  Picture 
Idea"  contest.  Every  sugges- 
tion submitted  was  considered. 


Charles  Ray  will  be  seen  as  a . 
young  man  about  town  in  "The 
Auction     Block,"    for     Metro- 
Goldwyn-Mayer    release. 


V. 


!<; 


ii6« 


Colleen  Moore,  the  First  Na- 
tional star,  tries  her  luck  with 
an  improvised  tackle,  which  may 

be  all  right  for  the  goldfish  in  Patsy  Ruth  Miller  in  the  daring 
this  particular  pond,  but  appar-  Charleston  costume  in  her  latest 
ently  has  given  rise  to  a  quiver  Warner  Bros,  picture,  "Why 
of  doubt  in  her  St.  Bernard  pup.  Girls  Go  Back  Home." 


Fred  Thompson,  one  of  the  most  popular  players  of  western  roles, 
will  be  starred  in  "H^nds  Across  the  Border,"  his  next  picture 
BOOH  to  be  released  by  F.  B.  0,  Bess  Flowers  is  the  pretty  senorita. 


(Above)  Norma 
Talmadge  who  re- 
cently put  the  finish- 
ing touches  to  "Ki- 
ki,"  the  Belasco  stage 
success  played  a  few 
seasons  ago  by  Len- 
ore  Ulric.  The  role 
is  particularly  well 
suited  to  the  talents 
of  this  popular  star. 


(Right)  Police  re- 
serves were  called  to 
handle  the  crowds 
that  filled  the  side- 
walk in  front  of  the 
Selwyn  Theatre  the 
night  of  the  pre- 
miere of  "The  Black 
Pirate,"  a  United 
Artist  release.  Those 
who  did  not  succeed 
in  getting  in  re- 
mained in  the  hope 
of  catching  a 
glimpse  of  Doug  and 
Mary,  who  were  pre- 
sent at  the  opening. 


XMI 


Jarch  27,  1926 


Page  9 


The  lobby  of 
Primus  Palast  in 
Berlin  decorated  for 
the  premiere  of  "The 
Phantom  of  the 
Opera,"  Carl  Laem- 
mle's  super-produc- 
tion which  is  march- 
i  n  g  triumphantly 
around     the     world. 


Here  is  the 
western  Hoot 
Gibson  in  an 
atmosphere  of 
elegance  that 
will  interest 
his  admirers. 
His  latest 
Universal  pro- 
duction is  call- 
ed "The  Man 
in  the  Saddle," 
and  provides 
ample  oppor- 
tunity for  him 
to  display  his 
well  known 
equestrian 
prowess. 


jlores  del  Rio,  First  National 
IT,  wearing  the  latest  fur  crea- 
m,  a   Civit  Cat  cloak  trimmed 
with  beautiful  sleek  seal. 


Charlie  Chase  visiting  in  New 
York,  acts  as  guest  editor  of 
"Topics    of    the    Day."    (Pathe) 


A^hen  Rufus  Hubert  Dawes,  brother  of  the  vice-president,  and  Mrs. 
Xwes   v^Sed   the    Metro-Goldwyn-Mayer    ^tud.os    recently^  they 
watched  full  forces  at  work   on   "Brown   of   Harvard. 


Two   Mack   Sennett   girls   appearing  in   Pathe   comedies  look 
for    spot    where    these    costumes    can    be    worn    all    year. 


p 


Page  10 


Exhibitors  Daily  Revi\ 


Short  Feature  Reviews 


i 


International  News  No.  25 

NEWPORT  NEWS,  Va.  (Omit 
Philadelphia) — Nine  ships  launched 
as  thousands  cheer.  Multiple  cere- 
mony sends  "assorted  fleet"  into  the 
water.  PHILA.,  PA.  (Philadelphia 
Only) — Great  Delaware  span  gets 
final  inspection.  Parade  across 
bridge  shows  mighty  structure 
ready  for  opening.  PLYMOUTH,  VT. 
— President's  father  laid  to  rest 
amid  snow  of  his  countryside.  IN- 
TERESTING SNAPSHOTS  FROM 
THE  NEWS  OF  THE  DAY,  NEW 
YORY  CITY — New  version  of  "puss 
in  boots"  solves  housing  problem 
for  pups.  SANTA  MONICA,  CAL.— 
Baby  a  high  flyer  at  age  of  one! 
Introducing  Miss  Clemorissa  Montee, 
youngest  of  sky  travelers.  NEW 
YORK  CITY — Spring  cleaning  starts 
on  towering  skyscrapers.  Remov- 
ing the  grime  left  by  soft-coal 
smoke  a  job  for  men  w^ith  nerve. 
CHELTENHAM,  ENGLAND — Nat- 
ional hunt  classic  opens  steeple- 
chase season.  Record  field  starts 
in  England's  great  cross-country 
race. 


Kinograms  No.  5172 

PLYMOUTH,  VT. — Colonel  Cool- 
idge  goes  to  his  rest.  The  President 
and  his  party  arrive  at  old  home 
after  all-night  trip  from  capitol. 
funeral  on  the  following  day,  is  of 
old-time  New  England  simplicity — 
Neighbors  arriving  for  the  service. 
CAMBRIDGE,  MASS. — Cut  ice  from 
course  for  Harvard  oarsmen.  Crim- 
son crews  too  impatient  to  wait  for 
the  old  Charles  River  to  thaw. 
HERE'S  JERSEY  CITY'S  MOST 
BEAUTIFUL  GIRL — Dorothy  Brit- 
ton,  aesthetic  dancer  is  picked  by 
judges  from  hundreds  in  contest. 
FAIRBANKS,  ALASKA —  Eskimoes 
cross  wastes  to  greet  Polar  Flier. 
Natives  arrive  after  long  "mush" 
from  Pt.  Barrow  to  see  Capt.  Wil- 
kins.  They  find  Capt.  Wilkins,  and 
give  him  seal  skin  bearing  greet- 
ings from  far  Northern  tribe.  NEW- 
PORT NEWS.  VA. — Launch  five 
ships  one  after  the  other.  Three 
yachts,  steamer  and  a  dredge  get 
ginger  ale  shampoo  and  take 
maiden  dip.  PARIS — Now  you're 
going  to  see  a  flapper  race.  Bare 
knees  flash  at  lightning  speed  as 
French  girls  compete  in  cross  coun- 
try   run. 


REVIEWED   IN  THIS  ISSUE 

International  News  No.  25 
Kinograms  No.  5172 
Pathe  News  No.  26 
Pathe  Review  No.   14  Pathe 

Home  Cured  Educational 

Dog  Shy  Pathe 

Hooked  at  the  AUar  Pathe 

One    Wild    Time  Universal 

Fighting  Hearts  F.  B.  O. 

The  Menace  of  the  Alps  Universal 
Felix  Fans  the  Flames  Educational 
Happy  Hunting  Grounds  Pathe 


Pathe  News  No.  26 

NEW  YORK  CITY — To  capture 
African  wild  animals  alive!  The 
Smithsonian-Crysler  expedition  re- 
ceives gay  farewell  as  it  leaves  to 
collect  fierce  zoo  specimens.  OIL 
CITY  PA. — Hundreds  made  homeless 
as  ice  jam  breaks,  flooding  city. 
Alleghany  River,  on  rampage  inun- 
dates many  houses  and  causes  dam- 
age of  $2,000,000.  Resistless  force 
of  ice  jam  sweps  away  part  of  the 
massive  Big  Rock  bridge.  NEW- 
PORT NEWS,  VA.  (Except  Chicago, 
Milwaukee.  Seattle,  Portland,  Los 
Angeles.  San  Francisco,  Boston, 
Philadelphia,  Newark,  Baltimore 
New  Orleans,  New  York,  St.  Louis  ) 
Launch  nine  vessels  at  South's  big- 
gest shipyards!  (Record  is  claimed 
for  American  shipbiulding  as  boats 
reach     wat».r    in     two     hour    period 


"Home  Cured" 

Educational  2   reels 

Plenty  of  action  and  laughs  in  this 
two-reeler  starring  Johnny  Arthur 
which  should  go  over  like  wildfire 
with  the  average  audience. 

Johnny  is  a  hypochondriac  who  is 
brought  to  task  by  a  wife  whose  pa- 
tience has  been  tried.  His  reactions 
to  his  imaginary  ailments,  and  the 
manner  in  which  the  cure  is  effected, 
is  the  basis  of  the  laughs  which  never 
fail  to  register,  notwithstanding  the 
fact  that  the  theme  is  a  familiar  one. 

Having  been  provided  with  an  ex- 
cellent cast,  Director  Goodrich  gets 
the  most  out  of  every  situation  with 
the  result  that  this  two-reeler  is  rich 
in  comedy  value. 


"Dog  Shy" 


"Pathe  Review,  No.  14" 

Pathe  1  reel 

This  presents  "A  Flash  of  the  Old 
Frontier,"  views  of  Harry  Carey's 
California  trading  post.  Harry  per- 
forms some  clever  stunts  with  l^js 
lariat  and  gives  us  a  glimpse  of  his 
family — an  attractive  wife  and  two 
darhng  youngsters  whose  sturdiness 
indicates  they  are  physically  fit  to 
follow  their  dad's   footsteps. 

"An  Evening  at  Home"  gives  us  a 
peep  into  the  private  life  of  that  al- 
most human  monkey,  Joe  Magee, 
whose  every  movement  is  suggestive 
of  the  human  being. 

"The  Pleasure  Boat"  is  a  lovely 
pictorial  interpretation  of  the  famous 
poem  by  Richard  Henry  Dana. 


Pathe  2  reels 

This  two-reeler  stars  Charley  Chase 
who  has  in  his  supporting  cast  such 
well-known  feature  players  as  Stuart 
Holmes,  Josephine  Crowell  and 
William   Orlamond. 

Charley  as  a  baby  was  scared  by  a 
dog  and  although  grown  to  man- 
hood, he  has  never  outgrown  his  fear 
for  the  cariine  species.  When  he 
takes  the  iob  of  butler  in  the  home 
of  the  girl  he  loves,  things  move  at 
a  quick  pace  for  Charley,  since  one 
of  his  duties  is  the  care  of  the  pet 
dog. 

There  are  several  extremely  funny 
incidents  in  this  altogether  enter- 
taining comedy.  For  example,  when 
Charley  is  ordered  to  bathe  the  Duke, 
being  advised  to  use  force  if  neces- 
sary, a  side-splitting  situation  de- 
velops when  he  commences  to  dis- 
robe a  distinguished-looking  count 
who  is  visiting.  Of  course,  Duke  is 
the  dog.  Charley's  pantomime  is 
wonderful. 

When  Charley  is  instructed  to  exer- 
cise the  dog,  he  proceeds  to  demon- 
strate for  him  by  doing  the  daily 
dozen. 

And  besides,  this  is  a  comedy  with 
a  real  plot. 


"Hooked  at  the  Altar" 

Pathe  2  reels 

Here  is  real  comedy,  that  bears 
out  the  contention  that  comedies  are 
getting  bigger  and  better. 

The  punch  comes  when  Pansy,  a 
Gas  House  violet,  engaged  by  t'le 
bride's  jealous  lover,  stops  the  pro- 
cedure of  the  wedding  ceremony, 
charginsf  the  bridegroom  with  deser- 
tion. She  emotes  in  real  melodra- 
matic fashion  ;  in  fact,  the  burlesque 
on  the  old-time  melodrama  is  the 
funniest  thing  seen  in  a  long  time. 
Tn  the  flashbacks  we  see  the  villain 
virtually  taking  the  young  wife  out 
of  hubby's  arms,  subtly  sending  the 
latter  out  for  a  watermelon  so  he  is 
free  to  capture  the  young  innocent's 
heart,  brutally  casting  her  aside  when 
his  interest  wanes. 

Considering  the  success  with  which 
stage  revivals  of  old-time  melodramas 
recently  met  on  Broadwaj^,  this 
should  have  definite  apneal  among 
the  more   intellectual   audiences. 

The  cast  is  splendid,  each  one  giv- 
insT  a  faithful  interpretation  of  his 
role.  Ralph  Graves  is  vigorous  as 
the  villain,  and  tender  as  the  lover. 
Thelma  Parr  is  lovely  as  the  bride 
Thelma  Hill  as  the  naive  victim  and 
the  "touprh  pal"  does  exceedingly 
sfood  work.  There  is  also  an  ador- 
ible  bpbv.  whose  pranks  provide  ad- 
ditional laughs. 


Lease  Faurot  O.  H. 


LIMA.  O.— Clark  Theatre  Com- 
riany  has  taken  a  five-year  lease  on 
Faurot  Opera  House,  involving 
$60,000. 


Two  From  Lloyd 

Harold  Llo3'd  will  make  two  come- 
dies for  Famous  Players  ncs.i  year  in 
addition  to  "For  Heaven's  Sake." 


"One  Wild  Time" 

Universal  2    reeU 

Ben  Corbett  and  Pee  Wee  Holmes 
are  featured  in  this  Universal-Mus- 
tang which  runs  along  the  same  lines 
as  their  previous  releases  of  this 
series — bur]esn"e  western.  There  is 
nothinq-  startline'ly  new  about  the 
storv.  but  from  the  standpoint  of  en- 
tertainment value,  this  is  one  of  the 
best  of  the  series.  ' 

P^e  Wee  s:ets  around  an  embar- 
rassing sitnat'on  when  he  is  molested 
by  a  flock  of  women  who  seek  hi^ 
hand  in  marriagre  by  rounding  uo  al' 
the  bachelors  'n  town.  Then  comes 
his  turn  to  fall  in  lo-vp  which  i= 
rather  unfortunate  for  ppp  Wee  in 
^•ipw  of  the  fart  that  his  friend  Ben 
falls  in  love  with  the  same  srirl,  and 
''speciallv  since  the  girl  leaves  them 
flat  to   go   off  with   another. 

There  are  some  good  comedy  situ- 
ations which  Ben  and  Pee  Wee  han- 
dle effectively  and  which  should  go 
over  nicely  in  the  neighborhood 
houses. 


"Fighting  Hearts" 

F.   B.   O.  2  reels  per  cha 

This   is   a   new  series   starring 
berta  Vaughn,  having  the  same  pi 
cipals    as    appeared    in    the    "Adv 
tures  of  Mazie"  series. 

As   the  daughter  of   an   old  ed: 
who  runs  the  Oceanville  Journal, 
only  honest  newspaper   in  town, 
berta   is    kept   on    the   hop,   skip  ; 
jump  to  prevent  the  political  boss 
the   county    from  gaining  control 
the  Journal  which  is  a  perpetual  fr 
tration    of    the    pUns    of    his    pa: 
And    that's   where  Alberta   is   in 
element.      It    provides    an    outlet 
her   natural   pep   and   vitality. 

Characteristic  cf  these  series,  a 
of  the  editions  reviewed  thus-far  ( 
has  plenty  of  human  interest  appi 
And  it  is  interesting  watching 
romance  born  in  the  first  chap 
slowly  grow  unti.  the  inevitable  wi 
ding  in  the  last  episode. 

Al  Cooke  and  Xit  Guard  "do  th 
stuff"  in  the  usual  mirth-provoki; 
manner,  and  if  they  haven't  the  wi 
scope  for  their  comicalities  that  tli 
had  in  the  previous  series,  they  £ 
still  very  pleasing. 

There  are  some  lively  subtitles  a 
snappy  titles  of  episodes,  includii 
"Roll  Your  O^vn,"  "It's  a  Buo;! 
"Sock  Me  To  Sleep,"  etc. 


WATCH 

RED 
SEAL 


S.Y.C. 


"The  Menace  of  the  Alpi 

Universal  1    i 

The  ticklish  job  of  mountain-cliir: 

ing    and    all    iM    dangers    are    shoi 

here    in    detail.      Not    only    the    dii' 

culties    encountered   by    the   climbo 

but  the  chances  taken  by  the  camen 

I  men     in     getting     the     film     provii 

'thrills  of  the  breath-taking  naturcf 

There  is  a   real   punch   in   the  la' 

few   feet   when  one  of   the   ciimbei 

slips    and    falls,    dragging    along  i 

companion  to  whom  he  is  tied.     Ql} 

is  badly   injured   and   rescued   by  | 

comrades  who   ingeniously   improv^ 

a  stretcher  on  which  they  carry  hi 

to  safety.  < 

"Felix  Fans  the  Flames"  | 

Educational  1  «', 

Felix   has   already  been   to  Mars-  i 
hea\en.  too,  I  think.     So  why  not  l!' 
Hades?     Things  start  getting  hot  fci 
him  even  before  he  arrives  in  purgsj] 
tory; — he  falls  asleep  near  a  burninji 
stove   and    singes   his    tail.      Then  h 
dreams   of   that  hateful   place   whet 
sinners  are  duly  punished.     But  leav 
it  to  Feli.x  to  save  his  skin. 

This   proves   one   of    the    most  di 
verting  of  the  series,  and  that's  goin  11 
some.     The  laughs  are  there,  and  bflj 
sides,    Paul   Terry   succeeded   in  gel 
ting    some    realistic    effects   with    th 
roaring   flames   of   Hades. 


"Happy  Hunting  Grounds' 

Pathe  1  rei 

As  the  name  implies,  this  deal 
with  the  sport  of  hunting,  whid 
should  prove  fascinating  to  the  vas 
majority  of  sport  lo\ers.  There  ar 
some  beautiful  scenes — entire  huntinj 
parties  accompanied  by  handsotii' 
bloodhounds,  against  backgrounds  o 
striking  beauty. 

This  reel  takes  us  over  a  wide  ex 
pause — first  to  the  west  where  thi 
trail  is  that  of  the  elk ;  next  dovfi 
south  where  the  quail,  game  bird  anc 
'possum  are  hunted ;  and  finally  t( 
the  eastern  states  where  fox-hunting 
provides  a  thrill. 


March  27,   1926 


Page  11 


i 


i 


HAL  ROACH 

Creator  of  a 

New  Kind  of  Comedy 


F'usre   12  Exhibitors  Daily  Revieu- 


H 


y 

F 


"Fillers?'* 

No  Sir!  By  Merit,  Features  I 

HAL  ROACH  is  producing 
new  kind  of  comedy  fo 
1926-1927. 

That's  the  kind  that  can  buck  th 
feature,  and  fight  on  even  terms 
for  first  place  on  the  bill. 

It's  time  to  stop  buying  by  length. 

It's  time  to  buy  by  entertainment 
value,  plus  box-office  value. 

Entertainment  can't  be  bought  by  the 
pound  like  sugar  or  by  the  yard  like  rib- 
bon, for  it  can't  be  made  that  way.  ff 

When  you  get  the  best  feature  people,  the 
best  feature  directors,  the  best  writers,  the 
best  gag-men,  then,  if  I  know  this  business, 

you  get  the  best  feature  product,  regardless ' 
of  its  length. 


I 
ne 
of 


« 


^I 


March   27,   1926 


Page  13 


hat's  how  Roach  is  producing.     That's 
what  his  pictures  are. 

Lionel  Barrymore,  Theda  Bara,  Mildred 
Harris,  Gertrude  Astor  and  others  with 
names  appear  in  comedies  already  finished. 
|[  have  seen  them. 

JNever  in  my  long  experience  in  the  busi- 
iness,  have  I  seen  two  reel  comedies  so  full 
of  laughs,  so  beautifully  produced  or  with 
such  box-office  value. 

The  exhibitor  who  gets  them  and  gives 
them  the  advertising  they  deserve  is  going 
to  get  the  cream  of  the  business  in  his 
:ity. 

Seeing  is  believing, 

Vly  sober  advice  is  to  see  them  just  as  quickly 
IS  you  can. 

Elmer  Pearson 

Vice  President  and  Qeneral  Manager 

PATHE  EXCHANGE,  INC. 


Fajie   14 


Just  a  few  of  the 
Roach  Stars  who 
are  appearing  in 
the  most  daringly 
big  two  reel  comedies 
ever  produced 

Path^comed^ 

^^^^^^  TRADE         I  ^\        MARJ^^^^^^^^^^ 


ttuai 


March  27,   1926 


Page  15 


Pathe  Adds  to  Short 
Subject  History 

New  Season's  Roach   and  Sennett  Line-Up 
Bristles    With    Promise    of    Quick    Revenue 


ERHAPS  I'm  susceptible 
to  a  good  hearty  laugh. 
If  so,  I'm  glad  of  it.  You'd 
be  too,  if  you  had  been 
where  I  just  came  from — 
a  ])rojection  room  where  1  \  iewed  a 


tlie  pictures,  as  exhibitors  often  do 
before  they  play  them,  he  will  know 
how  well  warranted  is  this  prediction 
of  the  box-office  success  of  Pathc's 
comedy  output. 

How  can  it  fail?    Hal  Roach  pulled 


By   MiCHAKL  L.    SliFMONS 
Editor   Short   Subject   Dept. 

serenely  on  their  way  making  better 
and  funnier  comedies  every  year. 

What  is  more  logical  than  the  con- 
clusion   (that    when    better    comedies 
are  being  made,  these  two  old  masters 
will  make  them  ?  On  sheer  logic  alone, 
lowing   of    Pathe's   forthcoming   re-      the  conclusion  is  irrefutable,  but  one      a  master  stroke  when  he  inaugurated 
I'jases.      Frankly,     the     wrinkles     of      doesn't  have  to  depenrl  here  on  logic      the    policy   of    combing  the     feature 

field  for  a  galaxy  of  prominent 
stars — assured  drawing  cards — ■ 
and  signing  them  to  appear  reg- 
ularly in  his  comedies.  Think 
of  the  fan-following  on  their 
own  account  that  these  players 
have:  Theda  Bara,  Mabel  Nor- 
mand,  Lionel  Barrymore,  Claude 
Gillingwater,  Stuart  Holmes. 
Oh  yes,  and  one  mustn't  forget 
the  "Our  Gang"  rascals. 

On  the  Mack  Sennett  side, 
think  of  the  magnetic  attraction 
in  the  appearance  of  Ben  Tur- 
pin,  Alice  Day,  and  Harry  Lang- 
don  !  Then  there  are  the  release 
of  the  old  but  never  too  old 
Charlie  Chajilin  comedies,  in  ac- 
cordance with  the  half-million 
dollar  contract  with  the  peer  of 
all   comedy  entertainers. 

.\dded  to  this  foundation  of 
Pathe's  structure  of  screen  pol- 
icy is  another  important  stone 
in  the  ground-work  which  El- 
mer Pearson,  Vice-president  and 
General  Manager,  has  just 
])laced  into  position  by  sending 
his  trusty  lieutenant,  John  E. 
Storey,  to  the  coast,  where  he 
will  act  as  a  point  of  contact 
between  the  producing  units  and 
the  home  office.  A  sort  of  ex- 
tra assurance  that  the  business 
necessities  of  exhibitors,  as  in- 
akintr  films  and  in  bringing  the  alone.  l''rom  a  rexiewer's  standpoint  tcrpreted  by  the  men  who  come  in 
^^  ^     '  .^,^(j  origi-     — <'i   position   taken    with    the    knowl-      contact    with    tlu-m,    will    receive   spec- 


1 

mirth  have  still  to  be  ironed  out. 
In  any  case,  who  isn't  ripe  for 
,1  good  old  guffaw?  As  a  fa- 
mous cartoonist  said:  "It  takes 
1/1  muscles  in  the  face  to  make 
,1  frown — and  13  for  a  smile. 
Why  work  overtime?" 

For  that  reason,  knowing  the 
motion    picture    audiences    as    I 
<lo,    and    having    gotten    a    pretty 
-ood  insight  into  the  caliber  of 
product  Pathe  has  ready  on  the 
threshold    of    the    new    season,    I 
(m  not  afraid  to  assume  the  po- 
tion  of   a   prophet    among   my 
■  wn  people  by  predicting  a  ban- 
ner success  for  this  out-put. 
No    exhibitor    who    knows    the 
alue  of   a   good   short    comedy 
I)   his  program   will    say   other- 
wise.   A  mere  glance  at  the  im- 
pressive   array    of    stars,    of   the 
rvpes  of  stories  being  used,  and 
1    the   well-known    Pathe    mer- 
handising   methods   to    sell  the 
ictures    direct    to     the     public, 
will    quickly    assure    him    of    the 
fact. 
More  specifically,  there  are  the 
ames  of  Hal  Roach  and  Mack 
sennett,   as   producing  directors 
>i    the    units    which    make    pic- 
ires   for    Pathe   release,    names 
-sociated  with  years  of  success- 
ul  experience  in  making  money- 
1 

I  St     word     of     progre 
ality     to 

■medy.  And  despite  the 
railed  onslaught  of  the  numerous 
-o-and-so's  that  blaze  forth  with 
I'.and  and  Trumpet  in  an  _  effort 
lo  eclipse  the  achievements  of  these 
iheer  noise  and  ballyhoo,  the  fact 


ELMER   PEARSON 

Vice-president  and   General   Manager  of  Pathe   Exch., 

Inc.,    and    the    moving    force    in    the    company's    great 

success  in  supplying  box-office  entertainment. 


the     field     of     the     short      edge   of   public   tastes,   of   exhibitors'      ial  attention. 
And      despite      the      so- 


wants,  and  the  .sheer  drawing  jiower 
of  the  players  in  them,  tiie  jjroof  is 
already  in  the  pudding.  The  com- 
pleted pictures  already  prove  that. 

Every    real    showman     will     agree 
with  this  when  he  sees  the  so-called 


Viewing  this  bright  pros])ecl,  one 
can't  help  but  agree  with  Mr.  I 'ear- 
son,  who  said  to  me:  "We  know  we 
are  offering  for  the  approval  of  ex- 
hibitors and  for  the  enjoyment  of  pat- 
rons  nothing  but   the   very  be.st.     We 


Lairs%rarRoach^;nd"s;n;"en"go     dope  sheet.    And  when  he  has  seen      see  great  protits  in  store. 


Page  16 


/ 


Harry  Scott 
is  General  Sales 
Manager  of  Pathe 
Exchange,  Inc. 
Skipper,  but  a 
buddy  to  the  boys. 


W.  A.  W.  Mack, 
as  Short  Subject 
Sales  Manager, 
has  a  big  field  to 
look  after,  but  not 
too    big   for    him. 


Above  is  John 
E.  Storey,  as 
well  liked  as 
he  is  well- 
known  and 
everyone 
knows    him. 


Stanley  Waite. 
signs  them  up 
for  two-  reel 
comedies.  He 
is  Sales  Man- 
ager of  that 
branch. 


The  Personal  Touch 


.  ,  r  I  1HE  play's  the  thing"  is  a 
I  phrase  recurrent  since  the  ad- 
vent  of  Shakespeare,  and  ap- 
plicable now  as  it  was  when  the  Bard 
of  Avon  tirst  made  this  sage  observa- 
tion over  three  hundred  years  ago.  Bui, 
in  these  days  of  high  specialization,  the 
play  can  be  good  and  still  lack  some- 
thing by  which  the  man  who  plays  it 


Hal   Roach,   head   ot  the  producing   com- 
pany,  whose   trade-mark  spells   box-office. 


can  make  enough  out  of  it  to  make  a 
living,  and  more. 

When  the  producers  have  produced 
a  picture  which  undoubtedly  has  fine 
entertainment  qualities  and  in  which 
the  players  have  acquitted  themselves 
in  a  way  to  win  the  plaudits  of  the 
audience,  the  job  is  by  no  means  over. 

The  sales  department  has  a  func- 
tion besides  getting  the  exhibitor  to  put 
his  name  on  the  dotted  line.  The  sales 
department,  if  the}^  are  to  know  the 
needs — yes,  the  box-ofifice  wants — of 
the  exhibitor,  must  in  a  manner  of 
speaking  have  their  fingers  on  the  pulse 
of  that  exhibitor's  special  public's 
taste. 

This  is  attained  by  a  direct  contact 
and  shrewd  observation  which  only 
men  of  great  experience  and  executive 
power  can  obtain.  This  calibre  of  man 
may  be  truthfully  said  to  be  the  kind 
which  in  every  instance  is  evidenced . 
by  the  photographs  on  this  page. 

To  take  a  specific  example,  John  E. 
Storey,  Pathe's  Assistant  General 
Managei-  has  just  been  sent  to  Los 
Angeles  to  fill  the  important  post  of 
contact  between  the  studios  producing 
for  Pathe,  and  the  home  office.  An 
important,  expensive  mission,  for  the 
sheer  purpose  of  seeing  that  the  needs 
of  the  company  as  interpreted  by  the 
men  who  actually  know  what  the  exhi- 


bitor needs  from  a  box-office  point  o| 
view,  are  carried  out  to  the  letter. 

So  it  is  with   Harry  Scott,   General 
Sales  Manager;  W.  A.  W.  Mack,  Shorl 
Subject    General    Sales   Manager ;   anti 
Stanley  Waite,  Two  Reel  Comedy  Salet 
Manager.     These  men  are  as  much  ar 
advantage  to  exhibitors  buying  the  pro- 
duct as  they  are  to  the  company  selling 
it  to  them. 


Mack  Sennett,  head  ot  the  producing  com- 
pany   that    glorified    the    bathing-beauty. 


\l\ 


Page  17 


Pathe  Press  Books  Aimed 
For   Sheer   Profit's   Sake 


In  these  days  of  a  generally  ac- 
Jnowledged  slogan,  "Nothing  for 
Nothing,"  the  exhibitor  who  hears 
lat  he  is  about  to  receive  something 
■ee  has  a  good  right  to  become  sus- 
icious.  Yet  if  he  should  open  up  any 
f  the  comprehensive  press  books  is- 
ued  by  I'athe  on  every  picture  the 
ompany  releases,  he  will  find  some- 
King  to  change  his  mind. 

Slipped  in  between  the  covers  of 
very  Pathe  press  book  on  comedies, 
^  an  attractive  glossy  sheet  of  paper, 
lustrated  with  various  black  and 
•hite  sketches  carrying  out  a  deco- 
ative  scheme  of  tlie  picture,  for  ad- 
crtising  purposes.  In  other  words, 
hese  are  illustrations  of  the  ad  mats 
vailable  at  each  Pathe  exchange,  and 

■now  comes  the  big  kick;  at  the  top 
1  this  sheet  is  a  line  which  says: 
These  Mats  are  Free  .'\t  Your  Ex- 
hange." 

That's  what  one  may  call  scr\ice 
rom  the  word  go.  Pathe  doesn't 
irefend  to  be  anv  more  altruistic  or 
l)eral  than  most  companies,  but  it 
nows,  from  a  selfish.  i)urely  business 
'oint  of  \iew,  that  by  helping  the  ex- 
ibitor  in  this  fashion,  it  is  helping 
:sclf:  in  other  words,  adding  im- 
etus  to  the  sale  of  Pathe  films,  which 
Iter  all,  is  its  essential  concern. 

A  glance  at  the  \  arious  illustra- 
ions  on  this  page  will  show  the  na- 
ure  of  these  attractive  ad  cuts.     Thev 


are  catcliy,  efl:"ective  and  stimulating 
— worthy  accessories  to  the  kind  of 
pictures  they  are  merchandising.  The 
exhibitor  who  fails  to  avail  himself 
of  this  free  service  is  certainly  miss- 
ing a  great  opportunity  to  get  a  free 
lubricant  for  his  ticket  machine. 

Rd  cuts  aren't  the  only  devices  by 
which  the  Advertising,  Exploitation 
and  Publicity  Department  of  Pathe 
place  themsehes  behind  the  selling 
power  of  its  films.  Within  the  folds 
of  e\'ery  press  sheet  is  a  sample  copv 
of  the  music  cue  sheet,  tuned  up  in 
tlumc   and   harmonic   (juality   to  aug- 


ALICE    DAY 

.-*A  Love  Sundae" 

Pathecomedy 


This  ad  mat  appropriate  for  tie-ups 
with    soda    fountains. 

ment  the  interest  of  the  i)irturc  while 
it   is   on   the  screen. 

Copiously  distributed  throughout 
these  very  helpful  pages  of  the  ])re^s 
sheet     are      \arious       human-interest 


This  two  column  ad  mat  is  another  striking  example  of  the    Pathe  free 
service  to  exhibitors.     At  all  exchanges 


MACK 
SENNETT 
Presents 


Catchy     single     column     ad     mat 
free  at  all  Pathe  Exchanges. 

''readers,"  all  neatly  calculated  to 
make  the  columns  of  newspapers, 
stuff  that  the  editor  knows  will  in- 
terest the  movie  fans,  and  they  are 
legion.  One  regular  column  in  each 
press  book  is  headed  up,  "Breezy 
\otes  for  the  Movie  Page,"  which 
from  its  title  alone,  gives  you  an  idea 
of  the  nature  of  its  material,  so  far 
as  getting  free  ])ublicity  is  concerned. 
.\nd  when  it  is  added  that  the  men 
who  get  ujj  this  data,  are  experts, 
broadly  grounded  in  the  art  of  "mak- 
ing the  dailies"- — in  fact — former  high 
class  newspaper  men  themselves, 
then  you  get  an  idea  of  the  lengths 
to  which  the  distributors  have  gone 
to  make  the  job  of  selling  to  the  pub- 
lic easier  for  the  exhibitor. 

A  glance  at  one  of  these  construc- 
ti\e,  comprehensi\e  press  sheets 
truly  emphasizes  the  field  there  is  for 
short  subject  exploitation,  and  with 
the  ground-work  already  cleared  for 
the  showman  by  these  valuable  sell- 
ing helps,  one  can  really  .say  that  the 
task  of  merchandising  the  picture  is 
half  done. 


Emanuel    Cohen.    Editor    of     Pathe     News 
and    Pathe    Review. 


/ 


. 


Page  18 


Lionel  Barrymore, 
feature  star,  now  in  Roach  Comedies 


Eileen  Percy         Claude  Gillingwater 
Roach  Comedies 


Charlie  Chase  Gertrude    Astor 

Roach  Comedies 


Mildred  Harris  Vivien  Oakland 

Roach  Comedies 


Th;da  Bara  Glenn  Tryon 

Roach  Comedies 


^^^BL 

1     J 

Ifjbi 

m'-M..m^B 

Exhibitors  Daily  Reviet 


Piling  Up  Profits 
With  Patron-Pulling  Playen 

THESE  ROACH  AND  SENNETT  STARS 
HAVE  A  FOLLOWING  OF  THEIR  OWN 


HORT  subjects  ba\e  al- 
ways been  an  important 
component  of  the  Pathe 
Program.  attesting  to 
Pathe's  leadership  in  this 
field,  and  now  more  than  ever,  with 
its  superior  producer  affiliations  this 
forthcoming  season,  Pathe  stands 
ready  to  guarantee  high  cjuality  pic- 
tures that  will  prove  a  boon  to  show- 
men. 

Look  at  these  names.  A  moment's 
thought  will  clinch  the  fact  that  nevcr 
before  have  names  of  this  calibre,  with 
a  built-up  exhibition  value  far  and 
above  anything  e\er  ofifered  before  in 
comedies,  been  made  a^•ailable  in 
short  product.  Lionel  Barrvmore, 
Theda  Bara,  Mabel  Normand,  Claude 
Gillingwater,  Lthel  Clayton,  Stuart 
Holmes,  (ieorge  Siegmann,  Eileen 
Percy,  Mildred  Harris,  Anders  Ran- 
dolph, Max  I^avidson,  Gertrude  Astor, 
Mack  Swain  and  a  host  of  others  arc 
dramatic  stars,  each  one  possessing 
a  positive  draw  at  the  box-office. 

Each  of  the  foregoing  ha^e  con- 
tracted to  make  at  least  one  picture 
for  the  Hal  Roach  organization,  a 
half  dozen  of  which  have  already 
been  completed.  What  does  this  mean 
to  the  exhil)itor?  Just  this  !  Whereas 
before  he  played  any  comedy,  just  to 
fill  out  his  program  and  balance  it, 
he  now  can  secure  a  comedy  that  will 
double  his  former  receipts  at  the  box- 
office.  He  gets  a  name  in  his  comedy, 
which  both  his  comedy  and  dramatic 
fans  know  and  love,  a  high-grade 
comedian  appearing  in  the  same  pic- 
ture with  the  bf)x-ofifice  star  of  pres- 


Alice  Day 
Sennett  Star 


Billy  Bevan 
Sennett  Comedies 


i;t)i 


tige,  a  fine  type  of  story  and  a  lavis 
production.  What  more  can  he  asl 
The  new  Hal  Roach  pictures  will  i 
those  he  can  advertise  and  exploit  1 
his  heart's   content. 

Likewise,  Mack  Sennett  has  auji 
mented  his  casts  with  the  best  plaj 
ers  possible.  Both  producers  ha\ 
the  most  competent  directors  undd 
contract  and  are  endowing  all  the 
two-reelers  with  feature  quality  sel 
and  productions.  Beside  the  Roac 
Dramatic  Star  Comedies,  he  will  o 
fer  three  other  series  of  Charli 
Chase  Comedies  ;  Glenn  Tryon  Con* 
edies,  and  the  famous  "Our  Gang 
comedies. 

Hal  Roach's  little  rascals  individual 
ly  have  a  pulling  power  whose  dimer 
sions  are  growing  far  in  advance  c 
their  own.  The  inimitable  attitudes  am 
hilarious  antics  of  these  young  fun 
makers  are  so  winning  that  they  ai 
daily  increasing  the  ranks  of  follower 
who  would  rather  miss  a  train  than  a< 
"Our  Gang"  comedy. 

It  must  have  been  wisdom  more  tha 
chance    that    assembled    such    an    irri  jjj,' 
sistible    collection    of    comedians,    an  ^ 
only  indicates,  further,  Hal  Roach's  iii 
fallible     showmanship.       "Farina^  y 
Mickey   Daniels,    Mary   Kornman,   jt 
Cobb,     Jackie     Comdon     and     Johnrl 
Downs  have  a  vital  pulling  power  oi   j^ 
front. 

Mack  Sennett's  contributions  w^ 
be  four  series  of  comedies ;  the  Re 
Turpin  Comedies,  Alice  Day  Com< 
dies.  "The  Smiths"  comedies  and  th 
INfack  Sennett  Comedies  as  well  i 
several  Harry  Langdon  special  con 
edies. 


1 


litwi 
Imilii. 

a 

nW 

itFiB 
ml« 

Into: 
|iCr.! 

Sm 

m 

nf,  t 

"I'ln 

t9  E 

lit 

i  I 

cGoUi 

IT.   SI 


PWl* 

Itrw 

wes' 

tdon 


Ltll] 

pn 
ftondf 


The  heroes  of  Roach's  "Our  Gang"  come- 
dies, m  an  unmischievous  moment. 


Thelma  Parr 
Sennett  Comedies 


Madeline  Hurlock 
Sennett  Comedies 


Ben  Turpin,  celebrated  screen  player,  now^ 
in   Sennett  comedies. 


up.- 


mi 


<rch  27,   1926 


Page  19 


BOX  OFFICE   REVIEWS 


Key  to  the  Rating  System 


A 

B 
C 
D 
E 


Road  Show  Calibre 

First  Run  Product 

Suitable  for  Second  and  Subsequent  Runs 

Action  Pictures,  Westerns  and  Melodramas 

Shooting  Gallery  Staff 


1 

2 

3 

4 
* 


Excellent 

Good 

Fair 

Not  Recommended 

Unusual   Exploitation   Possibilities 


Conducted  by  Michael  L.  Simmons 


THE  DEMON 

versal    Production.       Story    and 
daptation  by  "Buck"  Oxford  and 
■\lvin  J  Neitz.     Directed   by   Cliff 
\mith.    Length  4,539  feet. 

CAST  AND   SYNOPSIS 

>  e    Gordon Jack    Hoxie 

t  lie    Fleming Lola    Todd 

>  ival    Wade WtUiam    Welsh 

1    Jackson Jere   Austin 

)     CarroU Al   Jennings 

r     Secretary Ceorgie    Grandee 

(tending  to  wipe  out  a  lawless  gang, 
)  e  Gordon  poses  as  ex-convict  and  joitis 
b  gang.  Dane  falls  in  love  with  Goldie 
"  ling,  stenographer  of  "Bat"  Jackson, 
n  a-ger  for  the  crooks.  The  gang  learns 
J  ion's  real  identity  and  plans  to  blow 
li  up.  He  leads  a  posse  against  the  out- 
1  .  The  posse  rounds  up  the  outlaws. 
'  t  is  mysteriously  shot  dead.  Dane 
r  ■•'   Goldie  has  been  instrumental  in  their 

■•  .■■.      She  confesses  her  love   for   Dane. 

Rating:    D3 

'Production  Values:  The  usual 
I  redients  smoothly  kneaded  to- 
^  her  work  into  a  very  accept- 
le  western  melo.  The  expert 
iection  of  Cliff  Smith  is  large- 
3  responsible  for  the  manner  in 
\  ich  the  gunplay  and  other 
•  tures  of  the  cattle  country 
;  ry  click.  Hoxie's  usual  sen- 
!;ional  riding  and  hard-hitting 
:\  punchers,  and  an  unusual 
?  St  in  plot — a  mysterious  shot 
A  ich  proves  fatal  to  the  villain 
-  )rovide  the  thrills.  Many  pic- 
;i  esque  and  beautiful  scenes  of 
J  ranges  and  plains  furnish  eye 
I  e.     The   development   of   the 

e  theme  proves  interesting. 

4cting:  Jack  Hoxie  as  the 
orous  cowpuncher  and  gallant 
er  acquits  himself  most  ad- 
rably.  He  is  given  ample  op- 
•tunity  to  display  his  horse- 
nship  and  some  of  his  nding 
its  give  evidence  of  the  fact 
.t  he  took  advantage  of  it. 
la  Todd,  one  of  the  Baby 
impas  Stars,  is  daintily  at- 
ctive  as  the  heroine.  Ade- 
ite  supporting  cast. 

4udience     Appeal:       Should 
;ister   where   they   like   melo- 
ima  of  the  wide  open  spaces 
riety.     Admirably  adapted  to 
;  tastes  of  lovers  of  westerns. 

How  to  Sell  It:  The  hard- 
tin'  Jack  Hoxie  is  a  positive 
iw  with  lovers  of  the  western 
lodrama.  Capitalize  the  fact 
boosting  Jiim. 


BROKEN  HEARTS 

Jaffe  Art  Film  Corp.  Production 
Adapted  from  Z.  Libin's  stage  play. 
Directed  by  Maurice  Schwartz. 
Length,  7,800  feet. 

CAST  AND   SYNOPSIS 

Benjamin    Rezanov    Maurice    Schwartz 

Ruth   Esterin Lila   Lee 

Cantor    Esterin    Wolf    Goldfaden 

Mamma  Esterin Bina  Abramowitz 

Victor    Kaplan Isidot    Cashier 

Shprintze Anna  Appel 

Mr.    Kruger Charles   Nathanson 

Fleeing  from  persecution  by  Czar's  troops, 
Benjamin  Rezanov,  leavmg  his  wife  in  Rus- 
sia, comes  to  America.  Receiving  word  that 
his  wife  has  di^d,  he  marries  Ruth  Esterin, 
despite  opposition  on  the  part  of  her  family. 
On  being  informed  that  report  of  his  wife's 
death  was  false,  Benjamin  returns  to  Rus- 
sia, only  to  learn  that  the  second  report  was 
false.  In  the  meantime  Ruth  ha-s  borne  a 
child  and  suffers  greatly  from  the  neighbor's 
sneers.  Benjamin  comes  back  and  happi- 
ness   is    restored. 

Rating:  B3 

Production  Values:  Tragedy 
borne  of  the  oppression  of  Jews 
in  Russia  is  made  more  typical 
by  presenting  faithfully  tradi- 
tions of  the  religion  and  customs 
of  the  orthodox  Jews.  Intimate 
scenes  of  the  home  life  of  strug- 
gling immigrants  are  a  source  of 
interest.  An  over-emphasis  of 
the  sorrow  and  sufferings  de- 
tracts from  the  forcefulness  of 
the  drama  toward  the  end. 
Proper  cutting  would  have  min- 
imized the  heaviness  of  the  stoiy 
without  in  any  way  lessening  the 
dramatic  values.  The  comedy 
relief  is  the  familiar  kind, 
but  is  none  the  less  welcome. 

Acting:  Lila  Lee  is  the  one 
familiar  face  in  the  cast. 
Charmingly  wistful,  she  is  very 
appealing  as  the  young  wife. 
Maurice  Schwartz,  the  celebrat- 
ed Jewish  actor  gives  a  sincere 
and  sympathetic  characteriza- 
tion of  the  refugee.  The  rest  of 
the  cast,  unknown  to  screen  audi- 
ences, faithfully  portray  the 
types  they  represent. 

Audience  Appeal:  This  should 
prove  a  big  draw  in  houses  cat- 
ering to  a  Jewish  clientele.  The 
element  of  human  interest  gives 
it  wide  appeal. 

How  to  Sell  It:  li  the  num- 
ber of  Jews  in  your  community 
warrants  such  a  step,  advertise  in 
Jewish  papers.  Dress  up  lobby 
with  hearts  of  papier  mache 
that  have  been  mutilated  in  one 
way  or  another. 


THE  BORDER 
SHERIFF 

Universal  Production.  Adapted  by 
Robert  North  Bradbury  from  story, 
"Straight  Shootin,"  by  W.  C.  Tut- 
tle.  Directed  by  Robert  North 
Bradbury.     Length,  4,440  feet. 

CAST  AND   SYNOPSIS 

Cultus   Collins   Jack  Hoxie 

Joan   Belden    Olive    Hasbrouck 

Carter  Brace  S.   E.  Jennings 

"Tater-Bug"   ...Gilbert   (Pee  Wee)   Holmes 

"Limpy"    Peel    Buck    Moulton 

Henry  Belden Tom  Lingham 

Joe  Martines   Bert  DeMarc 

Sheriff  Cultus  Collins,  working  with  the 
United  States  Secret  Service,  is  on  trail  of 
gang  of  smugglers.  Finding  message  sent 
to  Henry  Belden  instructing  him  to  come 
to  San  Francisco,  Collins  follows,  suspect- 
ing Belden  of  being  involved.  Collins  be- 
comes friendly  with  Joan  Belden.  Carter 
Brace,  head  of  the  gang,  plans  to  kidnap 
Belden  amd  abduct  Joan.  He  is  foiled  by 
Collins.  In  Cayuse  County,  Collins  tracks 
down  the  smugglers,  and   wins  Joan. 

Rating:  Dl 

Production  Values:  At  least 
three  or  four  changes  of  locale 
lend  variety  to  a  good  snappy 
western.  Action  starts  in  bord- 
er territory;  then  scenes  shift  to 
Washington,  San  Francisco  and 
back  to  the  w.  o.  spaces.  Espe- 
cially different  is  the  presence  of 
scenes  of  Frisco's  Chinatown  in 
a  picture  of  this  sort.  The  reg- 
ular ingredients,  fast  riding, 
hard  fighting,  thrills,  romance 
and  comedy  are  ingeniously 
woven  together,  resulting  in  a 
production  that  is  all-absorbing. 
An  interesting  turn  is  introduced 
in  revealing  one  of  the  methods 
employed  by  the  dope  smugglers. 
The  forbidden  drug  is  hidden  in 
false  horns  attached  to  short- 
horned  cattle,  only  to  be  detected 
by  the  hero  who  knows  his  cat- 
tle. 

Acting:  Jack  Hoxie  performs 
with  his  characteristic  pep  and 
seems  happy  in  a  part  that  al- 
lows for  plenty  of  action.  His 
riding  stunts  are  a  real  treat. 
Olive  Hasbrouck  does  very 
well  as  the  leading  lady.  Pee 
Wee  Holmes  adequately  supplies 
the  comedy  relief.  The  rest  of 
the  cast  is  consistently  good. 

Audience  Appeal:  Should 
furnish  good  entertainment  to 
the  masses.  The  adventure-lov- 
ers will  have  a  special  treat. 

How  to  Sell  It:  Play  it  up  as 
"western  that's  different."  Tie 
up  with  the  United  States  Secret 
Service.  Sell  Jack  Hoxie  to  his 
multitude  of  admirers. 


THE  NEW  KLONDIKE 

Paramount  Production.     Written  by 
Ring  Lardner.   Adapted  by  Thomas 
J.    Geraghty.      Directed   by   Lewis. 
Milestone.    Length,  7,445  Feet. 
CAST  AND   SYNOPSIS 

Tom  Kelly  ThOmas  Mdghan 

Evelyn   Lane    ■ Lila   Lee 

"Bing"    Allen    Paul    KeUy 

Flamingo   Applegate    Hallie   Manning 

Morgan   West    Robert   Craig 

Owen   George  De  Carleton 

Tom  Kelly,  baseball  star,  arrives  in  Flor- 
ida for  Spring  training,  and  is  fired  by  Man- 
ager Cooley.  He  invests  and  makes  money 
in  the  real  estate  boom.  He  has  met  and 
become  interested  in  Evelyn  Lane.  Cooley 
conspires  against  Kelly  as  a  result  of  which 
he  and  former  team  mates  lose  all  their 
money.  In  the  end,  however,  Tom  gains 
back  his  fortune,  becomes  manager  of  team 
and   marries   Evelyn. 

Rating:  B2 

Production  Values:  Comedy 
from  the  pen  of  Ring  Lardner 
cannot  fail  to  register  with  the 
masses.  And  this  timely  piece, 
a  satire  on  baseball  and  the  Flor- 
ida boom  is  certainly  not  an  ex- 
ception. Embellished  by  the 
sparkling  personality  of  our  own 
Tommy  Meighan,  an  adequate 
supporting  cast  and  the  expert 
direction  of  Lewis  Milestone,  it 
works  into  a  very  diverting  pre- 
sentation. It  is  the  real  Florida 
that  lends  its  beauty  to  the 
scenes — Florida,  with  its  bathing 
girls,  graceful  palms,  majestic 
hotels — and  auction  sales. 

Acting:  The  sight  of  a  passen- 
ger aboard  a  vessel  going 
through  the  torments  of  sea 
sickness  usually  is  the  basis  for 
some  fun,  and  a  scene  of  this 
kind  furnishes  a  goodly  quota  of 
laughs,  with  Paul  Kelly,  as 
"Bing"  Allen,  taking  the  spot- 
light on  the  misbehaving  billows. 
Tom  Meighan,  too,  is  better, 
probably  by  virtue  of  the  suit- 
able surrounding  atmosphere, 
than  he  has  been  in  some  time. 
Lila  Lee  competently  fills  the 
job  from  a  feminine  standpoint, 
and  the  rest  of  the  cast  is  good. 

Audience  Appeal:  Suited  to  a 
wide  range  of  audience  tastes. 
The  baseball  motif,  and  the  Flor- 
ida real  estate  angle  are  all  time- 
ly topics,  which  should  capitalize 
attention. 

How  To  Sell  It:  Probably 
every  Florida  real  estate  agency 
will  jump  at  the  chance  to  tie  up 
with  the  name  of  a  movie  star. 
There  is  your  big  exploitation 
bet,  for  these  real  estate  laddies 
are  not  slow  in  spending  money 
for  advertising. 


Page  20 


Exhibitors  Daily  Re  i 


DIXIE  MERCHANT 

Fox  Production.  Based  on  Barry 
Benefield's  novel,  "The  Chicken 
Wagon  Family."  Directed  by  Frank 
Borsage.    Length,  5,126  feet. 

CAST  AND   SYNOPSIS 

J.   P.   Fippany   J.   Farrell   MacDonald 

Aida   Fippany    Madge   Bellamy 

Jimmy  Pickett   Jack   Mulhall 

Josephine    Fippany    Claire    McDowell 

Baptiste    Harvey    Clark 

iohn  Pickett   Edward  Martindale 
linnie  Jordon    Evelyn  Arden 

Easy-going  and  philosophic  J.  P.  Fip- 
pany, unable  to  concern  himself  with  the 
material  things  of  life,  and  whose  greatest 
interest  is  his  horse,  places  his  family  in 
bad  straits  when  their  mortgage  is  fore- 
closed. They  start  off  in  caravan  for  other 
parts  when  auto,  driven  recklessly  by  Jimmy 
Pickett,  collides  with  them.  To  make 
amends,  Jimmy's  father  provides  family  with 
cottage  on  his  estate.  Jimmy  falls  in  l9ve 
with  Aida  Fippany.  Misunderstanding 
jimmy's  association  with  Minnie  Jordon, 
Aida  and  mother  depart,  leaving  J.  P.  J- 
P.,  realizing  he  has  not  done  right  by  his 
family,  sells  his  race  horse  and  disappears. 
Later,  riding  the  horse  to  victory,  family  is 
reunited  and  Aida  weds  Jimmy. 

Rating:  Bl 

Production  Values:  Frank 
Borsage  has  whipped  up  the 
cream  of  the  story  by  Barry 
Benefield  which  recently  created 
a  stir  in  Hterary  circles,  and  the 
result  is  a  picture  which  is  rich 
in  human  interest  appeal.  The 
story  has  many  plot  develop- 
ments which  are  interestingly 
worked  out  but  these  are  all  in- 
cidental to  the  fine  characteriza- 
tion of  the  philosophical,  optim- 
istic and  shiftless  J.  P.  as  Fip- 
pany is  familiarly  called.  J.  P. 
is  an  interesting  subject  for  char- 
acter study,  this  phase  having 
been  so  expertly  handled  both 
by  perfomer  and  director,  that 
the  man  is  a  man,  and  not  a 
type.  The  horse-racing  episode 
provides  action  of  the  sort  that 
never  fails  to  thrill. 

Acting:  J  Farrell  MacDon- 
ald's  interpretation  of  the  leading 
role  is  irreproachable.  He  sens- 
ed the  finer  points  of  the  part 
and  interpreted  them  to  the  let- 
ter. He  exudes  a  warmth  and 
kindliness  to  which  an  audience 
must  react.  As  the  understand- 
ing and  long  suffering  wife  of 
the  "Dixie  Merchant"  Claire 
McDowell  gives  a  very  fine  per- 
formance. Madge  Bellamy  and 
Jack  Mulhall  are  most  acceptable 
as  the  young  lovers. 

Audience  Appeal:  This  should 
be  good  entertainment  for  any 
audience,  the  fine  character 
study  appealing  particularly  to 
the  higher  type,  the  elements  of 
romance,  human  interest  and 
thrills  each  having  its  definite  ap- 
peal with  the  average  patron. 

How  To  Sell  It:  Make  a  play 
for  space  with  the  sport  editors. 
The  story  presents  a  good  angle 
for  them.  You  might  try  a 
street  ballyhoo,  consisting  of  a 
rube  character  leading  a  horse 
and  holding  an  umbrella  over  the 
animal's  head.  Dress  the  lobby 
to  represent  a  store. 


THE  BARRIER 

Metro  -  Goldwyn  -  Mayer  Production. 
Adapted  from  Rex  Beach's  novel. 
Directed  by  George  Hill.  Length, 
6,582  Feet. 

CAST  AND   SYNOPSIS 

Meade    Burrell    Norman    Kerry 

Gale     Henry    B.     Walthall 

Stark    Bennett    Lionel   Barrymore 

Necia    Marceline    Day 

Sergeant   Murphy    George    Cooper 

No   Creek   Lee    Bert   Woodruff 

Alluna    Princess    Neola 

Poleon   Mario   Carillo 

Rescuing  little  Necia,  whose  Indian 
mother  died,  from  her  brutal  father,  a  white 
skipper  Gale  brings  her  up  as  a  white 
girl.  Growing  to  womanhood,  she  falls  in 
love  with  Meade  Burrell,  an  American  army 
officer.  The  father  returns  and  claims  the 
girl.  Heartbroken  at  the  knowledge  that 
she  is  a  half-breed,  Necia  leaves  with  her 
father  to  return  after  Meade  has  gone. 
Feiring  the  skipper's  intentions  with  the 
girl,  Gale  and  Meade  follow  and  rescue 
Necia  just  as  the  ship  is  destroyed  by  ice- 
bergs. Necia  and  Meade  sail  for  America 
together. 

Rating:   B2 

Production  Values:  The  thrill^ 
and  action  in  this  melodrama  of 
the  brine  don't  take  long  coming, 
for  in  the  very  first  few  feet  is  a 
shipwreck  and  feud  that  were 
calculated,  and  succeed,  to  ex- 
cite. The  scenes  of  crumbling 
icebergs  with  the  ultimate  de- 
struction of  the  ship  and  the 
providential  escape  of  the  hero 
and  heroine  are  not  altogether 
convincing,  neither  the  icebergs 
being  terrifying,  nor  the  reach- 
ing to  safety  across  icy  waters, 
on  foot,  logical.  The  element  of 
romance  is  woven  inro  a  beauti- 
ful affair  between  the  half-caste 
girl  and  the  American  ofiicer. 
The  reaction  of  the  half-breed, 
Poleon,  who  loves  Necia  tender- 
ly, to  her  being  won  over  by  the 
foreigner,  is  unfortunately  treat- 
ed with  indifference,  although  the 
last  time  the  story  was  screened, 
this  was  one  of  the  most  impres- 
sive bits  of  character  study. 
Comedy  relief  is  good. 

Acting:  Lionel  Barrymore, 
both  in  his  make-up  and  charac- 
terization of  the  skipper,  leaves 
nothing  to  be  desired.  He  ap- 
pears to  possess  unusual  physi- 
cal strength,  and  also  convinc- 
ingly portrays  the  brute  without 
the  slightest  tendency  toward 
kindliness.  Marceline  Day  gives 
a  sympathetic  portrayal  of  the 
half-caste.  Norman  Kerry  and 
Henry  Walthall  do  very  well;  in 
fact,  the  entire  cast  is  consistent- 
ly good. 

Audience  Appeal:  Should  jro 
over  with  the  average  audience. 
There  is  a  variety  which  gives 
it  wide  appeal^ — thrills,  romance, 
and  some  wonderful  acting. 

How  To  Sell  It:  Tie  up  on  the 
book  by  Rex  Beach.  An  Alas- 
kan totem  pole  in  front  is  sure 
to  attract.  Dress  up  your  lobby 
in  Indian  style.  Get  newspaper 
publicity  on  inter  racial  marriage 
angle. 


DESERT  GOLD 

Paramount  Production.  Written  by 
Zone  Grey.  [  Directed  by  George  B. 
Setts.     Footage,  6,900  feet. 

CAST  AND   SYNOPSIS 

George   Thome    Neil    Hamilton 

Mercedes  Castanada   Shirley  Mason 

Dick   Gale    Robert  Frazer 

Landree    William   Powell 

Sebastian   Castanada    Josef   Swickard 

Richard    Stanton    Gale    George    Irving 

Yaqui Frank    Lackteen 

Dick  Gale,  scion  of  wealthy  New  York 
family,  goes  to  southwestern  border  where 
he  meets  his  old  friend,  George  Thome, 
officer  in  cavalry.  The  latter  enlists  Dick's 
help  in  rescuing  Mercedes  whose  family  has 
been  killed  by  Landree,  leader  of  gang.  Dick, 
Mercedes,  and  Yaqui,  faithful  Indian  ser- 
vant, ride  into  desert  where  they  are  fol- 
lowed by  gang.  Yaqui,  sacrificing  his  life, 
pushes  huge  rock  from  mountain  side  which 
proves  fatal  to  gang.  A  strong  love  has 
developed  between  Dick  and  Mercedes  and 
althougli  George  had  been  courting  the  girl, 
he  gives  htr  up  to  Dick. 

Rating:   82 

Production  Values:  Wild  and 
furious  melodrama  of  the  sort 
that  always  has  and  always  will 
stir.  The  very  spirit  of  Zane 
Grey  breathes  first  in  the  ro- 
mantic western  village  where 
danger  lurks  in  every  corner  and 
later  on  the  hot  sands  of  tho 
desert.  To  the  very  same  ones 
V.  ho  were  responsible  for  the 
colorful  "Vanishing  American" 
goes  the  credit  for  the  exqui- 
site effects  in  scenic  back- 
grounds. Mexican  banditry, 
falling  boulders  and  a  realistic 
sandstorm  furnish  the  thrills. 
The  last  is  perhaps  the  most  hair- 
raising  incident.  The  efforts  to 
faithfully  present  Nevv  York  as 
it  was  in  the  90's  were  duly  re- 
warded for  the  result  is  strik- 
ingly impressive.  Brownstone 
houses,  horse-drawn  carriages, 
silk  hats,  mutton  sletjves,  mas- 
sive beds  are  deftly  introduced. 

Acting:  For  the  main,  prin- 
cipals do  very  well  in  their  le- 
spective  roles.  Robert  Fraser  is 
at  times  guilty  of  over-acting. 
Neil  Hamilton  is  most  pleasing 
as  the  other  hero.  William  Pow- 
ell is  especially  attractive  and 
makes  a  really  villainous  villain. 
Shirley  Mason  is  charming  as 
the  romantic  and  fiery  senorita. 
Frank  Lackteen  as  Yaqui,  the  In- 
dian servant,  plays  with  such 
real  sincerity  that  he  touches  the 
sympathetic  chord. 

Audience  Appeal:  For  'he 
adventure-seeker  and  thrill- 
hunters,  this  should  prove  100% 
entertainment.  The  element  of 
romance  gives  it  further  appeal. 
There  is  sufficient  action  and 
soul-stirring  scenic  effects  to  pro- 
vide even  those  who  refuse  to 
take  the  story  seriously,  with 
real  diversion. 

How  To  Sell  It:  Tie  up  on 
the  book  by  Zane  Grey.  Co- 
operate with  stores  selling  camp- 
ing outfits. 


SHE 

Released  by  Lee-Bradford.    Prot\ 
by  A    to   X  Productions.     Si 
Rider    Haggard's    version    oj\ 
book.      Directed    by    Leandet\ 
Cordova. 

CAST  AND   SYNOPSIS 

Ayesha    Betty  1 1 

Leo   Vincey    Carlyle   Bl» ' 

KaHikrates   Carlyle  Bla.   i 

Ustane     Mary    ( 

Horace  Holly    Henry  C  | 

Amenartes    Marjorie   S  j 

Job   Tom  Rej 

Billali    Jerrold   Robor 

Mahomet    Alexander   1 1 

Coming  back  to  avenge  the  slaying  . 
ancestor   by    She,    the    legendary    queen 
has    ruled    for    countless    ages    over    a 
barian   people  in   Africa,   Leo   Vincey   i; « 
ognized   by   the   immortal    as   her   lost 
Kallikrates.      An   Amahaggar   maiden,   1 
by    marriage    to    Leo,    is    banished    bj 
Queen,  and  although  Leo  vows  he  hate,  l| 
creature  of  immortality,   he  slowly   yiel 
her    charms.      Desiring    Leo    to    immor 
himself,   she   entreats   him   to   stand   in 
Flame  of  Life,"  and  in  order  to  demon; 
the    harmlessness,    she    steps    into    the 
Df  flames.     With  the  vanishing  of  the  R: 
however,   the   beautiful   She   has  disappt 

Rating:   B2 

Production  Values:     Faitl 
adherence  to  novel  that  has  t 
widely  read.    Illusion  of  fanti  r 
in     keeping    with    mytholog;    r 
theme,    properly    created.  rV 

DeCordova  has  succeeded  in 
rying  out  the  idea  of  mystici 
in  his  scenic  effects.     Shots 
the     subterranean     kingdom 
which      the      legendary      qui 
treads  light-footed,  are  partit 
larly  impressive.     One  seems 
breathe    the   heavily-scented 
and  feel  the  coldness  and  hot' 
of  the  dungeon  where  the  b 
of  Kallikrates  is  preserved, 
like  manner,  awe  is  inspired 
the  crossing  over  mountain  pe 
with  a  rocking  stone  servingi 
a    bridge.      In    strong    contr 
however,  with  the  unusual  pi 
tography,    is    the   poor   lighti 
An  effective  climax  is  the  sc 
where  She  disappears  in  a  cinj 
of  flames. 

Acting:  By  virtue  of  her  pi 
sical  lure  and  dramatic  tend 
cies,  Betty  Blythe  was  a  haji 
selection  for  the  role  of  the 
otic  She.  Carlyle  Blackv 
carries  the  burden  of  the  d 
role  well.  As  Ustane,  M: 
Odette  gives  a  fine  portrayal 
the  native  maiden  whose  ou 
manners,  due  to  the  barban 
environs,  are  only  a  thin  la 
over  the  really  finer  instincts 

Audience  Appeal:  Particul 
ly  suited  to  those  who  enjoy 
world  of  unreaHty.  It  is  diff 
ent  from  the  usual  run  of  f 
tures  and  will  therefore  pn 
meat  for  those  seeking  novel 
Bigoted  audiences  will  no  doi 
take  objection  to  the  scantin 
of  the  heroine's  attire. 

How  to  Sell  It:  Tie  up  w 
book  shops  on  Sir  Rider  H< 
gard's  novel.  Trailers  of  soi 
of  the  unusual  scenes  should 
tract.  Play  up  Betty  Blythe  a 
Carlyle  Blackwell.. 


r«c 


' 


« 


to  greater 

profits 

with 

AR 

ang: 


esented  bif  Harry  Lan^don  Corp 
Greeted  hy   Harry  EdwardiT 


I 


ese  papes  will  show  you  how 


Page  22 


Exhibitors  Daily  Revu 


':\ 


REElf 

OF 


lONG 

Iastinc 

Ianc 

lAilGHS 


'^length  coaie^ 
that  stamps 
him.  AS  the 
w-orHs  dieatest 

comediatL 

n^isrjirstjvr 

First  National 


\ 


A  Hthi  national  Picturci 

Members  f  Motion  Pictute  Producers  nM  Distributors  of  America  Int~Wlll  Hays  fiui4t> 


rt 


s  ■'  y 


March  27,  1926 


Page  23 


NATION 


SECTION 


This  will  "Tramp,  Tramp,   Tramp" 

Many  Feet  to  Your 
Box  -  Office 


TRAMP 
Your  showmanship  thoughts 
over  this  exploitation  section 
long  enough  to  consider  the 
box-office  value  of  this  laugh- 
maker,  who  for  the  first 
time  makes  his  appearance 
in  a  seven  reel  feature. 
Then — 

TRAMP 

Your  feet  over  to  the  First 
National  Exchange  for  a 
speedy  arrangement  on  a 
play  date.  The  sooner  you 
book  it,  the  sooner  you'll  be 
able  to  enjoy  the  spectacle  of 
watching  the  public  make  a 

TRAMP 
To  your  theatre  entrance. 
No  joy  fuller  of  the  warm 
appreciation  of  life's  good 
things  than  to  hear  the  com- 
ment of.  every  new  friend 
this   picture  will   bring  you. 


OOTS,  BOOTS,  BOOTS,  marching  up  and  down  again,"  made 
Kipling  famous  to  the  world.  "Laughs,  Laughs,  Laughs,  Bob- 
bing Tjp  and  Down  Again,  and  There's  No  End  to  the  Roar" 
will  be  the  slogan  of  every  showman  who's  played  this  rollicking 
Langdon  special.  Roar,  laughs?  Why,  it's  an  epidemic  of 
hysteria.    The    first    seven    reel    picture    Langdon    has    made! 

Think  of  it.     You  know  the  thousands  that  have  turned  out 

whenever  a  poster  has  advertised   Harry   Langdon  in   a  two- 

reeler.     Well,  think  of  the  mob  that  will  cram  an  auditorium'  to 

see  him  in  seven  reels.     Figures  don't  lie.     Seven  is  always  three-and-one-half 

times  two.    But  even  that  isn't  the  half  of  it,  with  "Tramp,  Tramp,  Tramp." 

A  funny  picture  is  one  good  thing.  A  star  with  the  public  pulling  power  of 
Langdon  is  another.  An  individuality  of  comedy  treatment — the  kind  that  will 
furnish  the  neighborhood  with  wise-cracks  for  weeks  to  come — is  still  another. 
But  even  that  isn't  all.  Well  then,  what  is?  "Ah,  there,"  as  the  young  fellow 
said  when  he  learned  of  Alladin's  lamp,  "is  the  rub."  And,  if  you  want  to  see 
what  an  Alladin's  lamp  "Tramp,  Tramp,  Tramp"  can  be  in  your  prayer  for 
profits,  just  give  a  rub  on  the  corner  of  this  page  and  turn  over  to  the  next  page  in 
this  section  of  money-making  ideas.     The  investment  of  time  will  pay  you  well. 


Page  24 


NATIONAL 


SECTION 


Exhibitors  Daily  Review 


A  Three  Thousand  Smile  Race 
For  Exhibitors  in 
"Tramp,  Tramp, 
Tramp" 

Have  the  Whole  Town  Tcdking  by  Starting  Them 
Walking— A    Great    Chance    for    "Walk    Week" 


ALK  WITH  ME  ! 
What  a  slogan  to  pro- 
mote fraternity  and 
friendliness  between  the 
bonny  lads  and  the  red- 
cheeked  lassies.  This 
is  the  season  of  the 
great  outdoors.  One 
hardly  needs  a  spoken 
invitation  to  stick  to  the  long,  brown 
path.  The  atmosphere  of  spring,  the 
stirring  sap  in  all  things  reborn,  the 
clearing  up  of  skies  beckon  alluringly. 
And  this  i.s  the  cue  foi  exhibitors 
who  want  to  install  themselves  in  the 
communitv  as  a  civic  force  for  good  : 


as  alert  public-spirited  citizens  pro- 
moting interesting,  healthy  enterprise 
for  the  members  of  the  neighborhood ; 
invaluable  prestige — and  consequently 
increased  business — for  themselves. 

Never  was  opportunity  riper  or  more 
pungent  with  possibilities  for  achieving 
such  a  distinction  than  that  suggested 
by  the  elements  in  Harry  Langdon's 
"Tramp,  Tramp,  Tramp."  There  are 
m  towns  all  over  the  country,  regular 
officially  authorized  "Flower  Weeks," 
"Music  Weeks,"  "Apple  Weeks," 
"Save-a-Home  Weeks,"  and  many 
other  weeks. 

Why   not   a    "Walk   Week,"   a   cam- 


Pretty  girl;  admiring  young  man;  captivating  invitation,  "Walk  With  Me."  This 
single  s^  gives  you  the  complete  formula  for  one  of  the  great  exploitation  ideas  in 
behalf   of   "Tramp,    Tramp,    Tramp."      Promote    a    "Walk    Week"    and     cash 


in. 


Harry  Langdon's  priceless  expression  is 
something  one  doesn't  forget  in  a  hurry. 
It  is  one  of  the  things  responsible  for  his 
growing     popularity     and     meteoric     rise. 


paign  predicated  on  the  inspiring  slo- 
gan, "Save  the  Health  and  You  Save 
All,"  or  "Hikers  Are  Healthy." 

An  apple  dealer  is  no  more  entitled 
to  consideration  of  this  nature  than  a 
film  man.  You  have  even  a  greater 
chance  than  these  other  dealers  had  to 
start  with,  for  the  spirit  of  the  season 
is  in  your  favor;  the  idea  itself  is 
bound  to  have  the  endorsement  of  the 
city  health  department,  of  doctors,  offi- 
cials, schools,  churches  and  other  civic 
institutions. 

Get  in  touch  immediately  with  the 
editor  of  your  favorite  paper.  As  an 
official  ever  on  the  alert  to  promote  the 
good  will  of  the  community,  you  should 
find  him  a  ready  collaborator.  A  visit 
to  City  Hall  and  a  conference  with  the 
"powers  that  be"  should  result  in  a 
planting  of  the  seed  that  will  eventually 
blossom  into  realization.  It  is  incon- 
ceivable to  think  that  a  project  with 
such  constructive  benefits  to  all  con- 
cerned can  possibly  be  refused. 

So  much  for  the  social  side  of  the 
idea.  How  does  the  exhibitor  figure  as 
a  beneficiary?  An  almost  superfluous 
question.  There  isn't  an  element  that 
would  figure  in  a  "Walk  With  Me 
Week,"  that  hasn't  its  counterpart  in 
the  Langdon  feature.  The  stills,  post- 
ers, and  mats,  and  other  paraphernalia 
supplied  by  the  distributor  for  the  ex- 
hibitor's aid,  are  "chock"  full  of  ar- 
resting slogans,  catch-lines,  appropri- 
ate certificates  and  pictures  to  tie-up 
with  the  idea. 


II 


March  27,   1926 


NATIONAL 


SECTION 


Page  25 


This  layout  amply 
describes  the  nature 
of  a  "before  and 
after"  tie-up  with  the 
sellers  of  foot  reme- 
dies. Langdon's 
bandaged  feet  on  the 
one  side,  and  his 
broad  glowing  smile 
on  the  other,  graph- 
ically tell  the  story. 


4< 


Before  and  After 


99 


bet  the  Idea?  Think  of  "Blue  Jay," 
Tiz"  and  Others  Selling  for  You 


U 


LET  THE  LOCAL  druggist  take 
one  slant  at  one  of  the  stills  or 
posters  showing  Harry  Langdon  in 
full  character,  doing  his  stuff  on  the 
road  in  his  3000  mile  hike  across  the 
country,  and  you'll  be  saved  the  breath 
of  a  selling  talk. 

If  there  ever  was  a  "natural"  for  a 
tie-up  with  local  pharmacists,  "Tramp, 
Tramp,  Tramp"  doesn't  have  to  be 
.recommended;  its  very  title  says  vol- 
lumes.  But  simply  being  a  "Natural" 
by  virtue  of  its  character  and  plot,  is 
not  the  half  of  it.  To  be  sure,  a  story 
embracing  a  3000  mile  hike  has  no  un- 
certain relation  with  cures  for  all  sort 
of  foot  ills.  But  often  a  peach  of  a 
story,  in  its  exploitation  relation  to  a 
[well  patronized  product  is  handicapped 
'because  the  accessories  don't  adapt 
themselves  to  the  dealer's  angle. 

Here's  where  "Tramp,  Tramp, 
Tramp"  may  be  said  to  play  a  trump, 
trump,  trump.  Note  the  layout  of  pic- 
tures at  the  top  of  this  page.  They  are 
no  special  pictures,  available  strictly 
for  publication.  The  one  on  the  left 
is  from  a  still,  and  the  silhouetted  head 
at  the  right  has  been  stripped  from  a 
one-sheet.    Both  available  to  exhibitors 


as  part    of    the    service    extended    by 
First  National. 

Now,  look  at  them  both  for  a  mo- 
ment, and  get  the  corking  suggestion 
of  "Before  and  After,"  from  the  angle 
of  a  co-operative  window  exploitation 


The  chance  for  tie-ups  with  baby  shops  is 
certainly  not  to  be  left  out  of  your  calcu- 
lations as  this  still  of  Harry  Langdon, 
Joan  Crawford  and  the  pretty  child  in 
"Tramp,   Tramp,   Tramp"   suggests. 


stunt  with  any  one  of  the  foot  cures 
above  mentioned.  Could  anything  be 
mapped  out  with  more  perfect  fidelity 
to  the  idea?  And  these  aren't  the  only 
ones  available.  There  are  scores  of 
such  accessories,  showing  on  the  one 
hand  with  graphic  attention  to  detail 
the  "road-grief"  occasioned  to  poor 
Harry's  "dogs,"  and  then,  on  the  other 
hand,  illustrations  glowing  with  the 
merry  twinkle  of  smiling  good  nature 
and  cheer,  after  applying  the  healing 
lotion. 

Many  of  these  will  make  dandy  cut- 
outs, necessitating  the  usual  play  with 
?.  pair  of  scissors,  paste  and  compo 
board.  Aside  from  their  value  as  tie- 
up  accessories,  these  drawings  are  ar- 
resting in  themselves,  having  been  done 
by  the  highest  grade  of  artists.  Men 
who  know  not  only  the  technic  of  the 
art,  but  who  are  experts  in  playing  on 
pedestrian  psycholog)'. 

Just  prove  it  for  yourself,  by  taking 
a  peep  at  the  above  Langdon  drawing, 
and  see  if  it  doesn't  intrigue  your  im- 
agination. It  is  not  only  catchy;  it  is 
not  only  individual  in  its  peculiar  treat- 
ment— it  is  a  fine  likeness.  These  facts 
will  be  jujt  as  manifest  to  your  drug- 
gist collaborator  as  they  will  be  arrest- 
ing to  the  people  who  see  your  ad  in 
his  window.  A  great  moment  for  a 
great  opportunity.    Don't  miss  it. 


;\ 


here  comes 

HARRY 

Harry's  here  with  the  biggest  comedy  he  ever 
made.  He  used  to  make  'em  in  two  reels,  now 
he's  making  'em  in  seven. 

It  may  be  today — it  may  be  tomorrow — ^but 
sooner  or  later  you'll  hear  the  yell:  HARRY 
LANGDON  is 

THE  WORLD'S 
GREATEST  COMEDIAN 

Harry  Langdon  Corp.  presents 


hisfirst  feature  length. comedy^ 

^Irainp-lraiii] 


—     ,  Hany  Edwards 

iTVfllTIll  A  lirAt  national  Picture 

I  ■      m       ^*  ,■     ■     ^    J*  ^     ^^^MSnPicttTe  Producers -«.  Distributors  of  America  lnc.~Wlll^ 


Page  28 


NATIONAL 


Exhibitors  Daily  Review 


Showing  that  "love  will 
find  a  way,"  you  need 
take  one  peep  to  the 
right  to  see  how  in- 
effectual are  J  o  a  n'  s 
father's  efforts  (below) 
to  keep  them  apart. 
These  are  two  of  the 
love-interest  incidents 
First  National's 
"Tramp,  Tramp, 
Tramp,"  starring  Harry 
Langdon  in  his  first 
seven-reel  picture. 


Love  interest  is  one 
thing,  heart  interest  is 
another,  to  satisfy  pa- 
trons. And  they'll  get  a 
whale  of  a  kick  out  of 
this  scene,  when  Harry, 
in  answer  to  his  father's 
plea  to  dig  up  the  rent 
in  three  months,  or  out 
they  go,  answers  cheer- 
fully: "I'll  find  the 
money  in  three  months 
if  it  takes  me  all  year!" 


Looks  serious,  below,  for  Harry,  but  you  just 
try  to  keep  a  straight  face  when  you  watch  it 
in   the    picture.    However,    Harry    gets    away. 


"Clap  hands,  here  comes  Harry!"  is  the  greet- 
ing our  hero   gets   here,  unsuspecting  the   be- 
ginning of  the  greatest  event  of  his  life. 


First  National  Stills 
That  Fill  The  Tills 


for 


"TRAMP, 
TRAMP,    TRAMP"! 


March  27,  1926 


NATIONAL 


SECTION 


Page  29 


Feminine  Appeal 


Above  is  a  picture  of  Joan  Crawford. 
She  it  is  who  contributes  feminine  ap- 
peal to  "Tramp,  Tramp,  Tramp."  And 
when  you  see  her  in  the  role  of  Harry's 
sweetheart,  you'll  agree  she's  worthy 
to  be  associated  with  the  kind  of  screen 
entertainment  Langdon  stands  for. 

Miss  Crawford  brings  more  than 
feminine  appeal  to  the  picture.  More 
specifically,  for  the  exhibitor's  purposes 
she  brings  a  fan  following  of  her  own. 
A  glance  at  any  of  the  national  motion 
picture  fans  publications,  with  a  circu- 
lation running  into  the  hundred  thou- 
sands, reveals  in  bold  relief  that  Miss-** 
Crawford's  personality  is  indeed  pro- 
vocative. The  frequency  with  which 
her  picture  appears  in  these  periodicals} 
together  with  lively  comment  on  hei 
various  athletic,  dancing  and  acting 
talents,  means  that  much  extra  advance; 
heralding  for  "Tramp,  Tramp,  Tramp." 

So,  play  up  Joan  Crawford  for  her 
good  looks,  for  her  admirers,  and  for 
the  women's  shops  tie-up  she  affords. 


IF  THEY  WEAR 

SHOES 

SOCKS 

STOCKINGS 

GARTERS 

SWEATERS 

JERSEYS 

KNICKERS 

RUBBERS 

They  Are  Prospective 

Patrons  for 

'TRAMP,  TRAMP,  TRAMP' 


Publicity  Aids 


A    one    sheet    that    suggests    the 

promis.e     of     action.        Splendidly 

adapted  for  cut-out. 


Harry  Luitdoa 


Jlarry, 

Lansdon 


Directed  by  . 
Harry  Edwartta 


ITS   G«EAT" 


One  of  the  many  ad  mats,  available 

to  exhibitors  at  cost  price,  in  many 

sizes. 


HARRY 

LANGDON 

"Vf-amp  Tram?)  T^'Amp 


Another  one-sheet,  begging  for  the 

scissors,     paste-pot    and     c  o  m  p  o 

board.     Eye-catching,  eh? 


"Still"  Selling  Power 


Harry 
makes  him- 
s  e  1  f  useful 
to  his  chief 
rival,  only 
to  win  the 
w  a  Iking 

champion- 
s  h  i  p  away 

from  him 
later. 


The  full  selling  value  to  the  picture 
in  a  "still"  can  only  be  realized  by  those 
expert  in  all  the  subtle  implications  of 
pictorial  display. 

For  example,  above  is  a  "still"  from 
"Tramp,  Tramp,  Tramp,"  and  off- 
hand, the  uninitiated  obsei-ver  might 
think,  "well,  it's  merely  interesting,  at 
the  most."  But  the  real  showman  sees 
further  than  that.  For  he  knows,  that 
each  element  in  a  picture  can  suggest  an 
unforseen  direction  from  which  addi- 
tional profit  may  accrue. 

In  this  case,  what  are  the  elements? 
First,  the  whisk  broom ;  then,  the  gen- 
tleman being  brushed  carries  a  cane ; 
once  again,  there  are  two  valises  at  Har- 
ry's feet.  All  these  are  not  merely  in- 
animate details  to  the  practical  mer- 
chandising mind.  To  the  exploiteer, 
they  point  out  a  fine  chance  to  enlist 
the  aid  of  shop-keepers  who  handle 
every  one  of  these  accessories  to  a 
gentleman's  wardrobe. 


DOLLARS  AND 
•       SENSE 

Here's  a  selling  talk  to  catch 
your  public's  eye  with,  in  pla- 
card, ad  or  herald: 

If  laughs  were  worth  a 
dollar  it  would  cost  you  a 
million  to  see  "Tramp, 
Tramp,  Tramp."  His  laughs 
are  worth  a  million  but  it 
won't  cost  you  a  dollar. 
That's  the  way  Langdon  does 
things.    Our  Harry! 


Page  30 


NATIONAL 


SECTION 


Exhibitors  Daily  Review 


Pull  Them 

In  with 

These!     ^i 


Posters  are  virtually 
the  silent  salesmen  of 
the  screen,  and  with 
an  array  like  these  on 
the  Langdon  special, 
First  National  has 
really  done  a  piece  of 
advance  missionary 
work  that  will  have  a 
telling  effect  on  the 
tilL    Look  them  over. 


It  takes  a  showman- 
ship smash  to  make  a 
box-office  smash,  and 
poster  lure  is  one  of 
the  appropriate  de- 
vices. Note  the  ?4 
sheet,  with  its  clean- 
cut,  forceful  illustra- 
tion to  catch  the  eye. 
For  that  matter  the  6- 
sheet  and  the  3's,  too. 


tot 

r 


Aliut  national  pidoK 


Hairy  Langdon 

pmrata/iy HARRY  LANGDON  CORPORATION  •'»      *  ^ 

Story  Ui  Frank  03013  -Tim  "WKeUxi  -Hal  Conlvliia. 
JP»anKHoUiday -Gerald  Dufiy -Murrdy  Roth 

Direcied  hy   .    .     .  HARRY  EDWARDS 


HIS  FIRST   FEATURE   LENGTH  COMEDV  -- "/BIG    R.EEL.S  ,; 


K.ut4 


J' 


March  27,   1926 


NATIONAL 


SECTION 


Page  31 


tiwsa^!^.-    ■••»  ~- 


C^OASX     TO     COAST 

WA.LKINO    RACiE 


"HIKERS  ARE 
HEALTHY" 

The  public  never 
tires  of  contests.  If 
it  did,  newspapers, 
department  stores, 
theatres  and  amuse- 
ment parks  wouldn't 
find  them  so  profit- 
able. Hiking  offers  a 
contest  idea  as  good 
as  any  and  better 
than  most.  With 
this  still  and  the 
above  slogan  pro- 
fusely  distributed, 
you've  got  the  back- 
ground for  a  stunt 
that  should  make 
you  and  "Tramp, 
Tramp,  Tramp"  the 
talk  of  the  town. 


Here  Are  Merchandising 
Angles  Ready  For  A  Play 


SPRING  IS  HERE,  and  the  youth 
of  the  land,  to  say  nothing  of 
those  with  greying  temples  who 
never  are  older  than  they  feel,  feel 
the  call  of  the  great  out-doors.  What 
is  the  first  thing  that  suggests  itself. 
Why,  the  good  old  hike — inexpensive, 
healthy  and  pleasurable. 

Already,   you    can    see    the   trudging 
couples,  over  hill  and  dale,  canteens  at 


r 


Yes,  you've  guessed^oncrete  testi-  | 
mony  of  the  sure-fire  angle  for  inter-  | 
esting  florists  in  a  co-operative  stunt.  | 


iiiiiiliriHiiiiiiiiiiMiiimihti 


iiiiiimiiiiiituiuii^ 


sides,  kits  strapped  to  bobbing  should- 
ers, stout  sticks  in  hands,  and  feet  en- 
cased in  strong  walking  shoes.  With 
this  single  sentence,  you  have  the  basis 
for  a  glistening  array  of  tie-ups.  For 
example  you  can't  even  start  walking 
without  a  pair  of 

Shoes 

"Tramp,  Tramp,  Tramp"  is  nothing 
if  not  a  ready-made  partner  by  virtue 
of  its  title,  its'  accessories,  its  very  plot, 
for  the  shoe  merchant  who  wants  to 
move  his  stock  a  little  faster.  Get  in 
touch  with  him.  And  now  with  this 
start,  direct  your  foot-steps  over  to  the 
shop  selling 

Hiking  Kits 

The  stills,  the  lithos,  and  other  para- 
phernalia First  National  has  gotten  up 
to  ease  the  exhibitor's  job  in  getting  his 
money  back  plus  on  this  joyous  rib- 
tickler  is  exceeded  in  adaptability  for 
such  a  tie-up  by  the  ready-made  angle 
for  a  hook-up  with 

Sport  Goods 

Stores  of  every  description.  Hiking 
is  essentially  a  sport.  And  sports  in- 
variably like  to  wear  the  attire  in 
vog^e  for  the  exercise.  That  means 
window  displays,  and  possibly  co-opera- 
tive newspaper  ads  for  the  shops  selling 
knickers,  golf  hose,  ankle  protectors, 
sweaters^  caps  and  kindred  merchan- 
dise. 

In  other  words,  a  whole  world  of 
opportunity  lies  before  you  which  half 


sells  "Tramp,  Tramp,  Tramp"  for  yoa, 
before  a  single  inch  of  the  print  has 
passed  the  shutter.  After  that,  it  will 
sell  itself  by  word  of  mouth,  for  it  is 
sincerely  one  of  the  best  comedies  of 
the  year,  worthy  of  the  best  theatres. 


f  Guess  who  this  is?  This  cut-out  sup- 
I  plies  a  good  chance  for  a  guessing  stiuit, 
I  placed  in  the  window  of  a  trunk  and 
I  bag  store.  The  prizes — two  matinee 
I  tickets  for  the    price    of    one.     Easy! 


*iiitiiiiiiiti>iiiittiiiiiiiiiiiiiiiiiitiiiiii 


?!?r^"rr...  prince 


mrJ^S^^ 


I 


You'"*""*'  „i-..l.- 

.^..«.P  1'*"''  ^h"br.W  v".*"""*,*  P't-^i'll; 


'i:Sc^^':o«r. 


^ItrMtVatt^SSl^ 


I 


HARRY 


H>»:(^'* 


,^40V> 


CoiV 


TRAMP,  T 
I     TRAMP 

proves  himself  to  be  the 

World's  Greatest 
Comediaii 

—  and  weil  shout  H  with 
one  of  the  largest, 
advertising  campaigns 
ever  put  behind  a  star. 

J  --and  these  two  ads  / 
are  just  the  starters/ 

Presented  by  Hatry  Langdon  Corp. 
Directed  by  HaT'i7  Edwards 


Hui  national 
Picture 


Members  jT  Motion  Kcture  Producers  »mt  Distributors  of  America  InoWill  Hays  J^ident 


■ch  27,  1926 


Page  32 


IRISTIE  COMEDY 
ILKONVACATION 


inuai    Exodus    Between 
Pictures  in  Order 


he  Christie  Comedy  people  have 
tered  out  to  the  four  winds  on 
annual  between-picture  pil- 
lages, now  that  all  the  comedies 
the  season  have  been  filmed  and 

last   of   them   are   in   the  cutting 

n   being  prepared   for   release    by 

cational. 

obby  Vernon  has  taken  his  wife 

small  daughter  to  Honolulu  for 

vo    or    three    weeks'    stay    in    the 

of  gras?  skirts  and  surf  boards. 

Watson,  who    directed   Vernon's 

comedy  for  the  season,  and  Mrs. 
tson   have   sailed    for   Vancouver, 
Z.,   from   whence  they   v,rill   drive 
le. 
/alter    Hiers    is     doing     personal 

arance  with  his  well-known  pat- 
act  in  Bosion,  Chicago,  Milwau- 

Nashville,  Reading  and  Harris- 
ill  Dooley,  with  his  vaudeville 
ner,  Frances  Lee,  who  has  also 
1  in  the  Christie  productions, 
gone  to  the  San  Francisco  Or- 
jm  for  a  week,  Dooley's  Or- 
jm   act   is   a   popular   stage   num- 

and  may  be   seen  here  this  sea- 

also. 

[eanwhile  the  other  directors  and 
production  department  are  as 
V  as  ever  finishing  the  laboratory 
k  on  the  current  comedies  and 
inning  to  prepare  a  schedule  of 
ures  for  the  season  of  1926-27. 


VNUAL  MEETING 
)R  HAYS  MEMBERS 


St  Louis  Hits  on  Big  Campaign  For 

Universars  "Peacock  Feathers'' 


)n  Monday,  March  29,  at  2  P.  M., 
members  of   the   Motion   Picture 

)ducers  and  Distributors  of  Amer- 
Inc,  will  hold  their  annual  meet- 
at  the  offices  of  the  organization, 

469  Fifth  Avenue,  New  York,  in 
board    room.      Will    H.    Hays, 

=;ident,   will   preside   and   Carl.   E. 

iliken,    cx-Governor    of    Maine,    is 

siding  secretary. 


'Reveillon"  Lead  Cast 


'atsy  Ruth  Miller  has  been  chosen 
Ernst  Lubitsch  to  enact  the  lead- 
feminine  role  in  "Reveillon,"  his 
:t  production  for  Warner  Bros.,  ac- 
ding  to  an  announcement  from 
k  L.  Warner. 


REELING  AROUND 

With  the  Observer    


Showing  that  when  the  Wampas 
elect  a  baby  star,  the  omen  of  good 
fortune  flashes  its  bright  light  across 
her  orbit,  comes  the  news  that  Do- 
lores de  Rio  wins  the  honor  of  be- 
ing the  first  player  cast  for  Fox's 
"What   Price  Glory." 


Dolores  will  play  the  only  feminine 
role  in  the  story.  Charmaigne  de  la 
Cognac,  the  girl  who  causes  all  the 
trouble  between  Captain  Flagg  and 
Sergeant   Quirt. 


Donald  Ogden  Stewart,  novelist 
and  now  a  scenarist  for  Metro-Gold- 
wyn-Mayer,  has  felt  the  call  of  the 
domestic  life,  a  warm  seat  near  a 
fireside,  and — well,  the  fact  of  the 
matter  is  Donald  has  just  been  en- 
gaged to  be  married  to  Beatrice 
Ames,  who  so  far  as  anyone  knows, 
has  no  connection  with  movies. 


A  walking  copy  of  Universal's  "Peacock  Feathers,"  by  Temple 
Bailey,  was  one  of  the  exploitation  stunts  employed  by  Managing 
Dir.  Jack  Edwards  of  the  Rivoli,  St.  Louis,  for  "Peacock  Feathers." 

With  seven  book  stores  and  a  shoe  store  tied  up,  a  street 
ballyhoo,  3000  heralds  and  a  special  front,  there  was  little 
chance  for  St.  Louis  to  overlook  the  fact  that  "Peacock 
Feathers"  vi^as  playing  the  Rivoli  Theatre.  Realizing-  the  tre- 
mendous local  appeal  this  Universal  Jewel  would  have,  since 


Temple  Bailey,  the  author,  resides  in 
St.  Louis.  Jack  Edwards,  manager  of 
ihe  house,  booked  the  picture  for  his 
Gala  Anniversary  Week,  commemor- 
ating the  twentieth  year  of  Mr.  Carl 
Laemmle  as  an  exhibitor,  and  called 
in  C.  T.  Sharack,  a  Universal  exploi- 
tation man,  to  help  him  with  the 
campaign. 

Each  of  the  co-operating  book 
stores  gave  window  displays  on  "Pea- 
cock Feathers,"  using  cut-outs,  photo- 
graphs and  special  cards,  and  another 
display  inside.  The  theatre  presented 
a  free  ticket  to  each  purchaser  of  the 
book.  These  tie-Ups  were  made  with 
three  downtown  department  stores,  the 
Arcade  Book  Shop  and  three  stores 
in  residentiar  sections  of  the  city. 

One  of  the  most  exclusive  of  the 
local  shoe  shops  is  called  ihe  Pea- 
cock Shoe  Store.  This  shop  dressed  a 
special  window  for  the  engagement  of 
■'Peacock    Feathers,"    with    two    one- 


MUSIC  WEEK 

Fifteen  thousand  members  of  the 
[otion  Picture  Theatre  Owners 
f  America  have  pledged  their 
eatres,  representing  85  per  cent 
!  all  the  movie  palaces  in  the 
nited  States  and  Canada,  to 
age  a  music  contest  during  the 
'St  week  in  May,  in  which  every 
hool  child  vn\l  be  eligible.  This 
ovement  is  being  promoted  by 
le  General  Federation  of  Wom- 
I's  Qubs,  including  three  million 
omen  in  America  and  represent- 
ig  16,000  unit  women's  clubs  in 
ties  and  towns  of  48  states. 


Colleen  Moore  Starts 
on  ''Ella  Cinders" 


Donald  and  Miss  Ames  met  in 
Paris  when  he  was  writing  "The 
Crazy  Fool,"  of  which  he  is  now 
making  the  screen  adaptation,  and 
though  he  insists  that  the  title  has 
nothing  to  do  with  his  marital  step, 
friends  who  have  seen  the  sweet 
lady,  insist  that  it  has,  though  in 
this  case,  "crazy"  means  like  a  fox. 


A  canvass  of  the  bachelor  i)layers 
of  the  screen  reveals  some  interest- 
ing and  diverse  selections  in  their 
choice  of  ideal  girls  on  the  screen. 


With  a  typical  cast  assembled  for 
her  support  in  "Ella  Cinders,"  Col- 
leen Moore  began  active  production 
of  this  First  National  picture  last 
week.  The  casf  which  was  signed  by 
John  McCormick,  general  manager  of 
First  National's  West  Coast  units, 
and  producer  of  the  Colleen  Moore 
productions,  includes  Lloyd  Hughes, 
opposite  Miss  Moore,  Vera  Lewis, 
Emilv  Gerdes  and   Loris   Baker. 

Miss  Lewis,  a  well  known  charac- 
ter actress,  is  appearng  as  "Ma" 
Cinders,  Ella's  mean  step-mother, 
who  is  the  world's  greatest  slave 
driver,  and  owns  only  one  slave, 
Ella.  Miss  Gerdes  is  playing  the  role 
of  the  spindly  step-sister,  Priscie  Pill, 
who  commands  Ella  from  morn  till 
night.  Miss  Baker  plays  the  stout 
step-sister,  Lotta  Pill. 


sheet  size  cards  bearing  cut-outs  and 
jihotographs  to  form  the  backgrotmd 
and  a  large  stuffed  peacock  in  the 
center. 

A ,  "walking  book,"   propelled   by  a 
man    inside,    patrolled    the    principal 
business   streets.    A-  news  dealer   in- 
sorted    1,000    circus    heralds   in    daily 
newspapers  for  two  days  preceding 
the  opening  of  the  engagement,   and 
2,000  other   heralds   were   distributed 
on  the  street,  and  in  stores  and  offices. 
The    Reserve    Building    and    Loan 
Association   printed   15,000  pamphlets 
calling  attention  to  the  financial  prob- 
lems  of   the   characters  in  "Peacock 
■eathers,"  and  urging  that  a  savings 
vccnnt  be  started.  Five  thousand  of 
hese  were   passed  out  to  patrons  of 
he  Kings  and  Rivoli  Theatres  in  ad- 
ance  of  the  picture  and  10,000  more 
nere  mailed  out  by  the  association. 

Edwards  arranged  with  Miss  Bailev 
to  give  a  special  interview  to  the  Star 
and  Post-Dispatch,  to  break  just  be- 
fore the  picture's  play  date.  Miss 
Bailey,  with  a  party  of  friends,  also 
ittendcd  the  Afonday  night  perform- 
ance of  "Peacock  Feathers,"  and  her 
coming  was  aimounced  outside  by  a 
large  colored  portrait.  The  orchestra 
leader  composed  a  "Peacock  Feath- 
ej-s"  waltz  and  the  organist  a  fox 
trot,  both  of  which  were  dedicated  to 
Miss  Bailey  and  were  played  as  c-. 
prologue  to  the  picture.  A  24-sheet 
cut-out  was  mounted  on  tiie  marquee 
with  six-sheet  cut-outs  at  either 
end.  Flags  and  bunting  were  used 
profusely,  both  outside  and  in  the 
main  lobby. 


Doug  Fairbanks,  Jr.,  picks  Gloria 
Swanson  as  his  ideal  heroine,  say- 
ing with  youthful  gusto  that  she 
simply  is  '  "peach."  Raymond  Keane 
prefers  Jobyna  Ralston  because  she's 
the  same  in  real  life  as  she  is  on  the 


New  Charleston  Series 

Cranficld  and  Qarke,  Inc.  have 
concluded  arrangements  to  release  a 
series  of  four  single  reel  Charleston 
pictures,  featuring  Ned  Weybum 
and  Viginia  Bacon,  and  Zeigfeld  Fol- 
lies girl.^ 


George  O'Brien  says  his  best  friend 
up-to-date  is  Baby  Peggy,  but  later 
illustrates  his  maturer  choice  of  a 
girl  whose  essential  attributes  are 
characterized  by  Norma  Shearer. 
William  Pow 'll  adores  Lillian  Gish ; 
John  Roche  idealizes  Norma  Shear- 
er ;  Gilbert  Roland  has  sweet  things 
to  say  about  Mary  Astor  and  Mary 
Philbin,  and  there  you  are. 


Tells  the  Truth 


The  latest  device  to  be  accepted  by 
many  police  departments  in  Her- 
bert Lapham's  "lie  detector.  The 
new  machine  is  demonstrated  to 
Dolores  del  Rio,  popuUr  First 
National  film  actress. 


Page  34 


Exhibitors  Daily  Revi 


HY  GAINSBORO  OPENS 
NEW  ROOSEVELT  THEATRE 


Flushing    Minister    Makes 

Dedication.      Borough 

President  Speaks 


The  opening  of  the  Roosevelt 
Theatre  at  20th  Street  and  North- 
ern Boulevard,  Flushing,  L.  I., 
marked  a  climax  in  the  rise  of  Hy 
Gainsboro,  operator  of  the  Flushmg 
Theatre,  and  known  to  thousands  of 
Long  Island  residents  as  a  promoter 
of  local  picture  houses  in  the  Flush- 
ing neighborhood.  Mr.  Gainsboro 
long  ago  foresaw^  the  need  for  a 
large  motion  picture  house  which 
could  provide  the  better  type  of  en- 
tertainment, and  since  its  inception 
the  progress  of  the  theatre's  con- 
struction has  been  followed  with  live- 


Theatre  Construction 


Birmingham,  Mich. — Theatre  being  con- 
templated by  The  Briggs  Investment  Co., 
1018     Ford     Bldg.,     Detroit.       May     mature 


Philadelphia,  Pa. — A  motion  picture  thea- 
tre to  seat  1,000  is  to  be  constructed  by 
Archts.  Neubauer  &  Supowitz,  929  Chestnut 
St.  The  owner  and  location  are  being  with- 
held.    Plans  are  now  being  drawn  for  it. 

Pittsburgh,  Pa. — Plans  are  being  drawn 
for  a  theatre  and  office  building  at  5806-20 
Penn  Avenue,  East  Liberty,  to  cost  $2,000,- 
000.  Archt.  Victor  A.  Rigaumont,  State 
Theatre  Bldg.  It  is  expected  to  mature 
this    summer. 


Wilkinsburg,  Pa. — Archt.  Victor  Rigau- 
mont, State  Theatre  Bldg.,  Pittsburgh,  Pa., 
expects  to  take  bids  early  this  summer  for 
a  theatre  for  which  he  is  drawing  plans  at 
Pennsylvania  Ave.,  near  Wood  Street,  Wil- 
kinsburg, at  a  cost  of  $250,000. 

Buffalo,  N.  Y. — Archt.,  Henry  Spann, 
52  W.  Chippewa  St.,  now  drawing  plans  for 
a  motion  picture  theatre  to  be  built  at  887 
Broadway,  will  soon  take  bids  on  general 
contracting.  Owner  is  Erie  Amusement 
Co.,  Jacob  Rosing,  pres.,  39  Bidwell  Park- 
way. 


Buffalo,  N.  Y. — Contract  has  been 
awarded  for  theatre  to  be  built  at  608-16 
Main  St.  Buffalo,  at  a  cost  of  $600,000. 
Archt.,  Leon  Lempert,  11741  Mercantile 
Bldg.,  Rochester,  N.  Y.  Owner,  Joseph 
D.  H.  Copion,  805  Electric  Bldg.,  Buffalo, 
N.  Y. 


Willi.imsport  Pa. — Theatre,  100x165,  con- 
templated at  222  W.  4th  St.,  Williamsport. 
Owner,  Chamberlain  Amusement  Enter- 
prises, Inc.,  care  L.  J.  Chamberlain,  Sha- 
mokin.  Pa. 


Far  Rockaway,  N.  Y. — Archt.,  Eugene 
DeRosa,  110  W.  40th  St.,  chosen  for  thea- 
tre, 90x140.  Owner,  Strand  Theatre,  B.  S. 
Moss  Theatres  Co.,   1564   B'way,   N.   Y.   C. 


ly  interest  by  prospective  patrons. 
Flushing  now  has  a  theatre  building 
and  an  amusement  place  that  ranks 
with  the  best  picture  houses  of  New 
York. 

The  dedication  was  made  by  a 
Flushing  minister  who  offered  the 
Lord's  Prayer.  Mr.  Gainsboro  then 
presented  the  theatre  formally  to  the 
Borough  of  Queens,  and  a  speech  of 
acceptance  was  made  by  the  Hon. 
Maurice  E.  Connolly,  president  of  the 
borough.  An  audience  of  2000  at- 
tended. 

Jules  Lenzberg  played  the  "Star 
Spangled  Banner"  as  the  opening 
number  and  a  medley  of  Irish  mel- 
odies, and  the  picture  bill  was  aug- 
mented with  ballads  and  a  trumpet 
solo  by  members  of  "Roxy's"  gang. 
"Mike"  was  the  picture  of  the  even- 
ing, and  was  preceded  by  a  prologue 
in  which  three  kiddies,  not  much  over 
six  years  of  age,  stopped  the  show 
with  their  interpretation  of  the  finer 
points  of  the  Charleston.  A  Pathe 
News  Reel,  Hal  Roach's  Comedy, 
"Your  Husband's  Past,"  and  Koko 
Song  Kar  Tune  completed  the  bill. 

H.  A.  Rice  and  party  of  six,  guests 
of  the  manager,  represented  Exhib- 
itors Daily  Review. 


Classified  Opportunities 

Rate  2  Cents  a  Word— Cash  With  Copy 


For  Sale 


EIGHT  HUNDRED  UPHOLSTERED 
OPERA  CHAIRS  made  on  contract.  Seven 
hundred  yards  of  battleship  cork  carpet  and 
linoleum.  All  new  goods,  government  stand- 
ards, for  theatres,  etc.  One  exhaust  fan 
and  three  ampmeters.  1200  5-ply  veneer 
seats  and  backs  made  to  fit  any  chair;  all 
new.  One  large  asbestos  drop  with  rigging. 
Thirty  new  high  grade  folding  chairs, 
dropped  factory  patterns  ;  some  cost  as  high 
as  $5  each,  offered  from  $1.50  to  $2.50. 
Redington   Co.,   Scranton,    Pa. 


WE  HAVE  a  limited  number  of  'A  H.P., 
110  Volt,  D.  C,  and  220  Volt,  D.  C,  mo- 
tors at  $5.50  each.  One-sixth  H.P.,  same 
as  above,  at  $6.00  each.  First  class  condi- 
tion, overhauled.  Cash  with  order.  Suit- 
able for  operating  moving  picture  machines, 
rewinding  machines,  etc.  General  Distribut- 
ing Co.,  Security  Storage  &  Van  Bldg., 
Duluth,  Minn. 


HERE    IS    YOUR    OPPORTUNITY    to 

obtain  brand  new  %  H.P.,  110  volt,  60 
cycle,  single  phase,  A.  C,  brand  new  mo- 
tors with  pulley  at  $10.00  each.  Cash  with 
order.  Will  operate  rewinding  machines, 
motion  picture  machines,  lathes,  grinders, 
etc.  Brand  new  1  K.W.,  Westinghouse,  32 
volt  light  and  power  generators,  ready  to 
run,  at  $48.00  each.  Factory  price  $78.00. 
25%  with  order,  balance  C.  0.  D.  Bar- 
gains on  electric  fans.  Largest  dealers  in 
new  and  used  motors  and  generators  in  the 
Northwest.  Send  us  your  repair  work.  Gen- 
eral Distributing  Co..  Security  Storage  & 
Van    Bldg.,    Duluth,    Minn. 


Effective  Exterior  Lighting 


Kingston,  N.  Y. — Archt.,  Gerard  Betz, 
286  Wall  St.,  finishing  plans  tor  theatre. 
Owner,   Keeney  Theatre  Co.,  on  prem. 

Kingston,  N.  Y. — Archt.,  Gerard  Betz, 
286  Wall  St.,  drew  plans  for  theatre, 
90x130,  B'way.  Owner,  Kingston  Thea- 
tres Co.,  J.  Lazarus,  mgr.,  Y.  M.  C.  A. 
Playhouse,  B'way. 

Lackawanna,  N.  Y.— Archt..  B.  Z.  Kali- 
nowski,  94  Walden  .^ve.,  Buffalo,  N.  Y., 
chosen  for  theatre,  100x130,  Lackawanna. 
Owner,  M.  Moral,  5  Ridge  Rd.,  Lacka- 
wanna. 


'Mailing  Lists 


ou  iacreaae  s«le« 


••Dd    for    rREB    caUlqc    vMoc 
cooDtaana  pric«aeo  eUssiaed  DflMae 

Jf  roarb«>t  prosMctlTfl  eo«toB>f 
ratloaml,  StaU,  Local-Indfrfdaato 
Prof  aaaloiia,  BiulDoaa  Flrma. 

.   99/ObA"j™"ol5^eacli 


GuulflCojCyllSt  Louis 


Leaving  no  doubts  as  to  their  knowledge  of  lighting  effects  on  theatre 
exteriors,  the  management  of  the  Rialto  Theatre,  Denver,  Colorado, 
carry  their  ideas  through  even  to  the  extent  of  lighted  lamp  posts  in 
front  of  the  house.  This  theatre  is  very  popular  in  Denver,  and  a 
good  deal  of  its  popularity  can  be  attributed  to  the  fact  that  it  is 
usually  the  "bright  light"  on  an  otherwise  dark  street. 


VENEER  SEATS  and  backs.  1200  fori 
size  chair,  never  used.  Will  fit  to  ic 
Redington   Co.,    Scranton,    Pa. 

FOR    SALE— BOOKS    ON    ACCOOH 

ING    at    a    bargain.      5    vols.    Prentice-H 
on    Federal    Tax    Service    $3.00,     Diclot 
Auditing    C.    P.    A.    Accounting    and  mii 
more.      50   cents   to   $1.00   a   volume.     J. 
M.  M.,  Exhibitors  Review,  New  York  Cl 


INTERNATIONAL         ADDING        11 
CHINE.      Recent   Model.      First   class  o . 
dition.       A     real     bargain     at     $35.00.     ii 
quickly.      Box    R.    R.,    Exhibitors    Rerit 
New   York   City.  ' 


FOR  sale; — An  American  PhotopUj 
Organ  with  a  few  hundred  music  roll 
Blower  and  Electric  Motor,  at  a  reasonil 
price.     Colonial  Theatre,  Egg  Harbor,  N. 


FILM — 26  good  reels;  self  addressed  u 
stamped  envelope  for  list.  Don't  write  t 
less  you  mean  business.  McDONALD,  B{ 
2248,  Mil!  Valley,  Calif. 


FOR  SALE — Moving  Picture  Theit 
good  live  manufacturing  and  summer  re»3 
town.  No  opposition.  Building,  land,  i 
equipment,  priced  quick  sale,  $2,800.  Ai 
Powers  6A,  and  Simplex  Machines,  Von 
Opera  Chairs,  Mirroroid  Screen.  Barji 
luick  sale.     H.  E.  Jordan,  Unadilla,  N.  V 


FOR    sale;— Theatre    chairs    at    very  fc 
prices.     We  replace  broken  backs  and  sa 
with   new   ones.      Why   buy  junk?     AddiCi 
C.  G.  Demel,  845  S.  State  St.,  Chicago,  I 


For  Rent 


MOTION  PICTURE  and  "Still"  Cane 
rented,  sold  and  exchanged.  Portable  li|H 
for  sale  and  for  rent.  Keep  us  advised  i 
your  wants.  Ruby  Camera  Exchange,  K 
Seventh  Ave.,   New  York. 


Local  Films 


MOTION  PICTURES  made  to  Oifc 
Commercial,  Home  or,  Industrial.  We  br 
excellent  facilities  ancf  the  best  camerana 
Our  price  20c  per  foot.  Ruby  Film  Coii 
pany,    727   Seventh  Avenue,   New   York.  1 


Situation   Wanted 


AT  LIBERTY — Projectionist;  union;  v 
equipment.  Reason  for  unemploymtt 
theatre  closed.  Write  or  wire  E.  O.  Doil 
land,  136  Amory  St.,  Fond  du  Lac,  W 
consin. 


Equipment    Wanted 


CHINESE    RUGS,    11    x   15    size,    W»1b 
Library  Table,  dull  finish.  Draperies.  Prio 
must  be  right.     Box  T.   M.,  Ejthibitor»  M 
view,  45  W.   4Sth   St.,   New   York.  | 


WANTED  TO  BUY— Dictaphone  Ooli : 
State  full  particulars.  Box  S-H.  J.,  £■ 
hibitors  Review. 

WANTED — First-class,  experienced  reliab 
operator  with  $2,000  cash  to  join  pras 
manager  of  400  seat  movie  house  in  W 
tral  Pa.  to  purchase  this  theatre.  Good  d 
portunity  for  right  man.  Quick  action  i 
sired.  House  is  fully  equipped  and  doB 
business.  Reply  "A,"  Ejchibitors  Daily  l 
view,  45  W.  45th  St.,  New  York. 


WANTED — To  buy  good  motion  pid» 
theatre.  About  500  seats.  State  conditi' 
and  terms.  Address  "Y,"  Exhibitors  D» 
Review,  45  West  45th  St.,  New  York. 


CINEMA 

The  Motion   Picture   Reviews 
of  the  Orient 

Manager : 

E.  ATHANASSOPOULO 

Editor-in-Chief: 

JACQUES   COHEN-TOUSSIEH 

"CINEMA"  is  the  only  picture  pub- 
lication circulating  throughout 
the  Orient. 

Address : 

"CINEMA," 

8   RUE  de  L'EGLISE  DEBANE 

ALEXANDRIA.    EGYPT 


You  are  confident 


When  the  picture  is  printed  on  Eastman 
Positive  Film  you  are  confident  of  photo- 
graphic quaHty  on  the  screen. 

Eastman  Film  is  subjected  to  exacting  tests 
in  the  Kodak  Research  Laboratories  that  prove 
it  right. 

And  it  is  identified  throughout  its  length 
by  the  black  lettered  words  ^^Eastman"  and 
^^Kodak". 


Look  for  the  identification 


EASTMAN   KODAK  COMPANY 

ROCHESTER,  N.   Y. 


JOHN  ADAMS  Presents 


LARRY 


EMON 


in 


TOP,  LOOK  &  LISTEN 

Adapted  from  the  Musical     Comedy  by  Harry  B.  Smith 


\ 


^.:^-- 


That  auto  chase  in  this  is  the  fastest,  funniest 
thing  on  four  wheels.  It  bangs  the  bell  for  thrills 
and  laughs  combined.  It's  a  joy-fest  for  any  audi* 
ence,  for  it's  full  of  audience  stuff.  Your  people 
are  going  to  get  a  Lot  of  chest-laughs  out  of  "Luther 
Meek"  as  played  by  Semon.  That's  going  to  get 
you  word-of-mouth  advertising,  which  means 
business. 


..^-^^K*. 


See  it. 


/\ 


V^ 


Directed  hy 

LARRY  SEMON 

Pafh^picture 

TRADE        /   tfTT" 


\\^ 


',V^ 


./■ 


/' 


\ 


fo  brAdstreet 

f  FILMDOH 


Authority 


XXXV     No.  73 


Monday,   March   29,   1926 


Price  5  Cents 


iring  on  Reopening 

sil    Trade    Commission    Ddscus- 
sOrder  for  Further  Investiga- 
,   tion  in  Famous  Case 

;ihington  —  Arguments   on   the 

lo  be   taken   by   the   further  in- 

ii,tiou    of    the    Famous    Players 

sked   for   by   the   commission's 

rty,  were  heard   by  the   Federal 

Commission    on    Friday. 

orniidable    document,    embrac- 

1p  information  which   he   would 

secure,  was  presented  by  Mar- 

orrison,    of    the    commission's 

1.     His  proposal  called  for  the 

ment  of  every  type  of  interest 

y  Famous   with   any   other  or- 

ion   in   any   branch   of   the   in- 

hich  has  been  acquired  since 

1923,  to  some  date  which  the 

ion    might    determine    upon. 

must     find     out     just     what 

they    have    of    the    market," 

n. .declared    in    his    argument. 

g  to  the  fact  that  in  Virginia 

i  the  population  appears  to  be 

(Continued   on  Page   13) 

i^tock  to  Public 

Theaters,    New    England    Cir- 
to    Float    $1,500,000    Issue 
Shortly 

r.eld,  Mass. — G-B  Theaters 
rganized   by   the   combination 

tein  Bros,  theaters,  is  to  of- 
iiO,000    stock    to     the    public 

cording  to  C.  D.  Parker  & 
Uo^ton   and    Springfield,   who 

lerwritten    the    issue.      Thea- 

the  combine  have  assets  of 
\2SO,000  and  include  the 
ly  in  tlolyoke,  Clavin  and 
n    Northampton,    Palace    and 

in  Pittsfield,  Strand  in  West- 

sino  in  Ware,  Strand  in  Pal- 
.sb.,  and  State  in  Utica,  N.  Y. 

ni'is  one  of  the  most  impor- 
1   New   England.    ~ 


Boom  Still  On 

Many   More  New  Theaters  Announ- 
ced— Lubliner  and  Trinz   An- 
nounce  Their  21st 

Special  reports  to  THE  FILM 
DAILY  on  new  theaters  embrace 
construction  far  and  wide.  In  many 
instances,  big  circuits  are  adding  to 
their  chain.  Other  houses,  essential- 
ly, in  smaller  towns,  are  being  built 
by  individuals  and  exhibitors  who 
now   conduct   one   or   two   theaters. 

In    Chicago,    Lubliner    and    Trinz 
are    now     completing    the     Belmont 
their  21st  house  and  also  their   larg- 
est.     Three    more,    the    Tower,    the 
(Continued  on  Page   13) 


Three  in  Chicago  to  Have  Vaudeville 

Chicago — Pantages  vaudeville  and 
pictures  will  be  the  policy  of  the  new 
5,000  seat  house  now  under  construc- 
tion on  the  site  of  the  Woodlawn, 
and  also  in  the  North  Center,  both  to 
be  operated  by  William  Karzas, 
vice-president  of  the  Woodlawn  The- 
ater Co.  Karzas  holds  an  option  on 
a  loop  site  •  for  a  third  house,  which 
will  likewise  have  "Pan"  vaudeville 
and  pictures. 


811  Features  in  View  Next  Season; 

Change  Over  1925-26  is  Slight 


Brewster  in  Deal  With  Moss 

Carleton  E.  Brewster,  of  Bay  Shore, 
has  closed  a  deal  with  B.  S.  Moss, 
whereby  the  latter  will  operate  Brew- 
ster's four  Long  Island  theaters,  the 
Carleton  and  Regent  at  Bayshore,  the 
Babylon  in  Babylon  and  the  Regent  in 
Southampton. 

Brewster,  in  conjunction  with  Moss, 
will  build  a  new  2,000  seat  picture- 
vaudeville  house  in  Bayshore. 


Freudian  Film  Finished 

The  Times  reports  from  Berlin 
that  "Secret  of  a  Soul."  explaining 
some  of  the  Freudian  theories  has 
been  completed.  Dr.  Freud  assisted 
in  production. 


Moomaw  to  Build  New  Plant 

It  is  understood  that  Lewis  Moo- 
maw has  completed  arrangements  for 
a  loan  of  $750,000,  with  which  he 
will  build  a  new  studio  in  Portland. 
Ore. 


M-G-M  Leases  Tivoli,  London 

A  special  dispatch  to  the  Herald- 
Tribune  Saturday  stated  that  follow- 
ing a  failure  of  negotiations  for  His 
Majesty's  theater,  London,  M-G-M 
has  obtained  control  of  the  Tivoli  for 
a  reported  sum  of   £500,000. 


563   from   National   Distributors 

and  248  from  Independents, 

Survey   Shows 


Midwest  Meeting  Ends 

Chicago — The  third  regional  sales 
convention  in  the  series  of  five  being 
held  by  Universal  came  to  an  end 
Saturday  at  the  Drake  Hotel.  More 
than  100  branch  managers,  salesmen, 
exploitcers  and  accessory  managers 
attended.  The  first  convention  was 
held  last  week  in  New  York  and  the 
second  early  this  week  in  Detroit. 

The  Midwest  meeting  was  con- 
ducted by  Lou  Metzger,  sales  director 
for  the  Western  division,  assisted  by 

(Continued  on  Page  4) 


ed  696. 
product 
stances 
lems   of 
that    th; 


jifoung  Starts  "The  Bells" 

i'lywood  —  James     Young 

iced      production      oh 

starring     Lionel 

idwick.       Carroll 

'  rustav  Seyffertitz 

1    Caroline    Cook 


has 

'The 

BarVymore. 

Nye,  ,  Lola 

Boris  Kar- 


O'Brien  to  Tour 

Jack  O'Brien  will  tour  the  coun- 
try for  F.  B.  O.  He  will  address 
theater   audiences    on    the   making   of 

pictures. 


are    m 


the 


Hur"   Chicago    Run   Continues 

jro_"Ben  Hur,"  scheduled  to 
i  the  Woods  theater  on  Sat- 
vill  continue  indefinitely. 


Exchange  Building  for  United 

B  ton — United  Artists  will  erect  a 
wiuilding  to  house  their  local  ex- 
a^e.  Construction  will  start  as 
o|as  a  site  is  purchased. 


r  ROSS,  HA  I— I  just  adore  liim.    At 
l«lc     City.       Yejl        Nell     Gwyn.— Advt. 


Defines  "Blue"  Law 

Attorney  General  at  Baltimore  Rules 

Against     Commercial     Picture 

Shows  on   Sundays 

Baltimore— The  use  of  theaters  and 
public  halls  for  picture  shows,  dances. 
concerts  and  other  forms  of  entertain- 
ment on  Sunday  is  illegal  if  the  pur- 
pose is  commercial,  Thomas  H.  Rob- 
inson, attorney  general,  has  ruled. 
The  opinion  was  given  in  reply  to  a 
request  of  Charles  D.  Gaither,  police 
commissioner,  for  a  definition  of  his 
authority  in  issuing  permits  for  Sun- 
day  entertainments. 

n  the  object  of  a  gathering  is  "de- 
votional, inspirational,  .  charitable  or 
for  the  promotion  of  health,  peace 
and  good  order  of  society,"  it  is  not 
prohibited!, 


Title  of  Jannings'  Picture  Changed 

"The  Three  Waxworks,"  starring 
Emil  Jannings,  will  be  released  in 
September  as  "Three  Wax  Men." 


Browning  to  Direct  Chaney 

Hollywood — Tod  Browning  will  di- 
rect Lon  Chaney  in  "The  Road  to 
Mandalay."  The  director  also  wrote 
the  story. 


Harry  Pollard  Recovering 
Director  Harry  Pollard  of  Univer- 
sal is  recovering  from  his  recent  ill- 
ness. 


Lois  Weber  to  Make  Eight  for  "U" 

Hollywood — Lois  Weber  has  signed 
a  two-year  contract  with  Universal. 
She  will  make  four  a  year. 


Eight  hundred  and  eleven  features 
are  promised  for  1926-1$27.  National 
distributors  list  563  and  state  rights 
distributors,  248. 

These  figures  constitute  no  radical 
change  over  the  1925-26  season.  A 
check-up  with  distributors  brought 
to  light  the  fact  that  when  the  last 
days  of  the  current  selling  year  have 
rolled  b  ^11  releases  will  have  total- 
""ason  of  warm  delays  in 
various  other  circum- 
■'■  the  routine  prob- 
'"uite  probable 
pro...  next 

year  will  dwindle  iron,  on  lo  a  totai 
not   far   removed    from   this   year's. 

It  is  -  .  '•'"'  "^  note  that  Fam- 
ous again  lists  75  as  against  a  final 
figure  of  69  for  this  season.  First 
National  talks  of  60,  an  increase  of 
10  over  this  year.  Metro-Goldwyn- 
Mayer  "  Tobably  have  50  or  52 
as  against  a  like  number  for  the  cur- 
rent year. 

United  Artists,  gaining  impetus 
under  the  guidance  of  Joseph  M 
Schenck,  will  have   15,   with  a  possi- 

(Continued  on   Page  4) 

Theatrical  War  Ends 

The  fight  between  the  Dramatists' 
Guild  and  the  theatrical  producers 
culminated  when  both  sides  came  to 
an  agreement  on  a  basic  contract  at 
a  meeting  at  the  Astor  Saturday 
afternoon.  Exact  details  of  the  agree- 
ment, which  embracts  the  mediator 
plan  ''—  handling  disputes  over  the 
sale  ot  screen  rights,  will  be  given 
out  early  th^  ..^ek.  Phraseology  of 
the  contract  will  be  prepared  by 
'  "R  Ritkerton,  Jr.,  for  the 
managers  and  Arthur  Garfield  Hays, 
attorney  for  the  dramatists.  At  the 
meeting  Saturday  Attorney  Nathan 
Burkan  was  present  with  the  com- 
mittee representing  the  American 
Society  of  Authors,  Composers  and 
Publishers. 


Sequel  to  "His  People" 
Hollywood  —  Isadore  Bernstein  is 
preparing   an    original    for    Universal. 
It  will  be  a  sequel  to  "His  People." 


Stars  to  Attend  Loew  Opening 

New  Orleans — Several  stars  from 
New  York  will  attend  the  opening 
of  Loew's  new  State  on  April  3. 


King  a  Vice  President 
The  Board  of  Directors  of  F.  B.C. 
has   appointed    Edwin    C.   King   vice- 
president,  in  charge  of  production. 

Jack  Ford  Coming  East 
Hollywood — Jack  Ford  has  left  for 
New  York. 


(^ 


THE 


m-^ 


Monday,  March  29.  ISfiiji.", 

--         .  lllrf 


,,VoLX)(Xy.No.73    Monil3y,Mar.29,1926    Price  5  Cents 
lOHN  W.  ALICOATE  Publisher 


lopyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y. 
J.  W.  Alicoate,  Treasurer  and  Business  Man- 
aiger ;  Maurice  D.  Kann,  Managing  Editor ; 
Donald  M.  Mersereau,  Advertising  Manager ; 
Ralph  Wilk,  Traveling  Kepresentative.  En- 
tered as  second-class  matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y.,  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  months,  $5.00;  3 
montbi,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munications to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredmah, 
The  Film  Renter,  S8,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographie 
Francaise,  5,  Rue  Saulnier. 


Financial 


Saturday's  short,  session  on  the  exchange 
developed  a  marked  weakness  on  heavy  sell- 
ing which  had  np  appreciable  eflfect  on  mo- 
tion picture  listings,  however.  Stocks  of 
the  Industry  have  d^fnoistrated  a  tendency 
to  hold  their  owij  under  adverse  market  con- 
ditions. 

Famous,  oommoo  was  ofi  4  points  from 
Friday's  clo3e  of  117.  SaJes  were  remarkably 
heavy  for  the  abbreviated  session,  totaling 
];7,00a  shares. 

Wajner  Pictures  on  the  Curb  dropped  al- 
noi&t  5  points  from  Friday's  closing  price 
©f  14.  with  sales  of  300  shares.  The  other 
Ks.tip.gS    held    QOmparatively    even. 


Sales 

50C 

19,400 

100 


Fornfi  ufeafer  Pictures   Corp. 

Hartford,  Conn, — Greater  Pictures 
Corp.  has  been  granted  a  charter 
with  a  capital  of  $251,00(i  They 
will  produce  with  studios  in  Stam- 
ford and  New  York.  The  incorpora- 
tors are:  Stuart  Mack,  412  West 
154th  St.,  and  Daniel  Griswold,  Hotel 
Shelton,  New  York,  and  Jackson 
Palmer,  New  Rochelle. 


Ramsaye's  Film  History  Ready 
"A  Million  and  One  Nights»"  by 
Terry  Ramsaye,  is  now  in  final  stagesi 
of  printing.  The  story,  in.  two  voir 
umes,  deals  with  the  hjs,tQFy  of  mo- 
tion pictures.  Simon.  a;Ojdi  Schuster 
are  the  publishers. 


Urges  State  I^wts^  to,  Frg^t  Tax 

The  M.  f:%  Q.  A„  ip  its! "Official 
Bulletin.,''  urgeMHe  varjous  state  uarts 
to  carr^  the.  ngfht  against  the  proposed 
amend,ni,ei3,ts  to  the  Music  Tax  "direct 
to  their  screens,  stages  and  the  press." 

Party  for  New  England  Bookers 

Boston — Film  bookers  of  New  Eng- 
land will  run  a  benefit  ball  at  Loew's 
State  on  April  23. 


Stone  in  "Sinners  in  Paradise" 

Hollywood  —  Lewis  Stone,  Anna 
Nilsson  and  Charles,  Murray  have 
been  signed  by  First  National  to  play 
leads  in  "Sinners  in  Paradise."  The 
story  was  adapted  by  June  Mathis. 

Spearing   to   Free   Lance 

Hollywood  —  James  O.  Spearing, 
former  newspaper  critic  and  later  di- 
rector for  Universal,  will  direct  as  a 
free  lance. 


Quotations 

High 

Low 

Close 

•Balaban  &  Katz  .... 

67H 

Eastman    Kodak    ..108}4 

108 

108J4 

Famous    Players    ..117 

112 

113 

Fam.    Play.    Pfd.    ..119 

119 

119 

•Film  Inspection   .  .    .  . 

,   . 

5 

*First    Nat'l    Pfd.       .. 

100 

Fox    Film    "A"     ..    61J4 

59^ 

59J4 

Fox  Theaters    "A"      21}4 

21 

21 

•Intern'l   Projector 

13 

Loew's,     Inc 38 

37K. 

37SA 

•Metro-Gold.    Pfd.       .. 

227^ 

*M.   P.   Cap.   Corp.      .. 

2Q7A 

tParamount  B'way     95 J4 

95M 

95H 

Pathe    Exch.    "A"      62J4 

ei'A 

62 

•Skouras     Bros 

,  , 

46  K 

••Stan.  Co.  of  Am.     . . 

,  , 

49 

Trans-Lux    Screen        9 

»yz 

9 

•Universal  Pictures      .  . 

30 

•Univ.     Pict.     Pfd.       .. 

90 

•Warner   Brothers..    .. 

lO'A 

Warner    Pictures    . .      9'A 

9'A 

9  A 

•  Last   prices  quoted. 

•♦  Philadelphia    market. 

t   Bond   market. 

3,500 
800 

1,100 


100 
1,100 


1,800 


100 


2,000-Seat  Brooklyn  House 

A  2,000-seat  house  will  be  built  at 
43rd  Street  and  New  Utrecht  Ave- 
nue, Brooklyn,  by  the  Brooklyn  Com- 
pany,  Inc. 


Porter  Novels  for  F.  B.  O. 

Hollywood  —  J.  Leo  Meehan 
has  signed  a  contract  with  F.  B.  O. 
to  produce  two  Gene  Stratton  Por- 
ter novels,  "Laddie"  and  "The  Magic 
Garden." 


CriticiaeESi  iEbeSt  '  Committees 
Joseph  M.Seidfiira'i"  the  M.  P.  T.  O. 
A.  has  wcftleji.  to-  tBue  Hays  office  com- 
plaining, that,  the  i<  jrisdiction  of  the 
Film  Boards  o€  T  rade  is  being  en- 
croacbedlUBoiD  %■  Ihe  Credit  Commit- 
tees. 

Gabriel  Mes«,  of  the  Hays  organiza- 
tion,, in.  a  nep'iy  outlined  rules  and  reg- 
ulations gcvernin  g  the  Credit  Com- 
mittee. 


$2Sff,0(M  House  for  St.  Petersburg 
I  St.  Petersburg,  Fla.— The  Florida 
Tib  eaters  and  Amuse.  Corp.  will 
erect  a  $250,000  theater  at  Fifth  Ave., 
and  Ni-nth  St.  Construction  will 
start  incimediately.      To  seat  1,600. 

t'  

Sotherlaxa  d  Returns 
Edsvardi  Sutherl  and,  directing  W. 
■C.  Fields,"  "It's  the  Old  Army  Game," 
returJiedi  tai)  the  L  ong  Island  studio 
yesterday  from  Flo  rida  where  he  has 
beem  filming  scent  3s  in  Ocala  and 
Palm.  Bbach. 


R&sin^  Work  on    Swanson  FUm 

Filming;  of  "Fine  Manners,"  which 
was  intemmpted  whe  n  Gloria  Swan- 
son  succuimiiibcd  to  tht  •  flu,  will  be  re- 
sumed today  undcT  dli'  rection  of  Lewis 
Milestone. 


Chase  Sxpj  .nding 
Maurice  A.  Ohaise,  head  of  Chase 
Pictures  Corp.,  Buffai'o  distributor,  is 
in  New  York  tiiD>  eagag  e  an  exploiteer, 
a  publicity  masui  and  .additional  sales- 
men. 


CocQgsrate  Changes 

Albany,  ]Si  Y^..— The  Motioit  Picture 
Apparatus,  £6.^  of  New  Yc>rk,  has 
been  dissajinpefii. 

WasfeJivg^oni  Heights  TheatCi's,  Inc., 
New  "Xask,  ha  s  filed  an  increase  in 
cap,tel1  Qf.froma i  $220,000  to  $225,000. 


Loew   Booking   Agency   Charteii>— ' 

Jefferson  City,  Mo. — The  Ma 
Loew  Booking  Agency  of  New  V 
has  been  chartered  here  with  a  (| 
tal  of  $1,000.  Nicholas  Schenck,  1] 
pold  Friedman  and  Roland  B ; 
are   named   incorporators. 


This  is  a  'Cornerblock'  cut  furnit 
FREE  for  all  Pathecomedies  at  | 
exchange. 


HERMAN  RIFKll 

Another   RAYART    Boosts!  | 


Corporate  Changes 

Albany,  N.  Y.— The  Motion  :?J<r 
ture  Apparatus  Co.,  of  New  X'ofk, 
has  been  dissolved.  Was^Jngton 
Heights  Theaters,  Inc.,  N^^  York, 
has  filed  an  increase  in  «a.pitai  of 
from  $220,000  to  $225,000(1,  ' 

Ordered  to  Pay  Feesu.or  Close 

Huntington,  Ind.— The  Board  of 
Public  Works  has  issued  orders  to  all 
local  theaters  and  amusement  places  ' 
to  either  pay  up  their  license  fees  or 
close  down.  Several  have  failed  to 
meet   the   current  payment. 

Columbia   Opens   New  House 

Murray,  Ky.  —  The  Colujjibia 
Amusement  Co.,  of  Paducah,  operat- 
mg  several  theaters,  has  opened  a 
new  house  here,  called  the  Cajpitol. 
It  will  be  managed  by  O.  L.  Eoren. 
The  house  seats  500. 


Kaufinan  Joins  M-G-M 

Hbllywosudr- -Edward  Kaufman  has 
ijoihed  the.  edlitorial  staflF  of  Metro- 
IGoldwyn-Mtiyer  as  comedy  consult- 
ant. 


Illinois  HcKuse  Destroyed 

Streator,  111.— The  Plumb,  oldest 
hciuse  in  thiis  city,  was  badly  daiai- 
ap/ed  by  fire,  causing  $20,000  damag-e. 
j*i.ccumulation  of  gas  in  the  basement 
isr.  said  to  be  the   cause. 


Board  Elects  New  Members 
I  Omaha — New  members  on  the  lo- 
cal' Film  Board  of  Trade's  arbitra- 
'tion  boand.  include  C.  T.  Lynch,  M.- 
G.-M.  manager,  and  Albert  Danke, 
P.  D.   C. 


Negative  Developit 
and  Printing 

Complete  Title  Service  ■ 

SALAND  FILM  LABORATORIES,.  I 

Phone  Bryant  0825     729-7(h  Ayfc,  Nji 

_■   I 


I  Ward  Cine  Labop'^iory  I 

S  216-222   Weeh*-  _i ol 


216-222  Weeh»-  „ken  Sti 
Union  Clfy,  N.  j. 

Telephone  Union  *  ^gg 

°-  ^JERT  WARD,  1 


If  You  Are  in  the 
Market   for   Any    Kind   of 


^^IM4fdeii^imi£. 


Utmost  in  Screen  Brilliancy 


MOTION  PICTURE 
APPARATUS 

■CONSULT  vs-AND  SAVE  Memm 

SEND  FOR   OUR  PRICE  LI&IT 


Chas.  G.  Willoughby,  Imc. 

Motion  Picture  Departmsa' 

niO  West  32nd  St.,  New  Y    ork 

Phone   Ptnna.   6564 


,4or»  March  .29,  1926 


Concerning  Knockers, 

Thinqs 


y^VERY  sort  of  shouting  is  a 
g7^  transitory  thing.  Self  opinion- 
vly  ated  superlatives  have  no  place 
in  modern  busih^ss. 

One  pitt  on  the  back  is  worth  ten  on 
the^est. 

There  is  no  room  in  the  motion  pic- 
ture business  for  knockers.  It  is  one 
of  the  finest,  cleanest  industries  in  the 
world.  It  brings  joy  and  gladness  to 
countless  millions.  Education  and  en- 
lightenment to  whole  nations. 

We,  of  the  Film  Daily,  are  glad  to 
fill  our  modest  part  in  that  progress, 
now  universally  recognized.  We  are 
happy  to  be  a  part  of  this  tremendous 
force  for  world  betterment.  And  this 
statement  we  are  glad  to  shout  from 
the  house  tops. 

To  you  who  are  dissatisfied  we  sug- 
gest you  seek  your  fortune  elsewhere 
The  picture  business  has  brought  riches 
and  glory  to  many,  prosperity  to  count- 
less thousands.  To  those  who  do  not 
appreciate  there  is  an  easy  way— out. 

So  that  there  will  be  no  misappre- 
hension on  the  part  of  any  one  THE 
FILM  DAILY  will  continue  as  it  has 
for  the  past  eight  years  with  ONE 
policy.   To  print  the  news  of  this  great 


industry  every  morning,  bright  and 
crisp  as  it  sees  it.  In  fear  or  favor  of 
no  one.  To  give  you  Mr.  Subscriber 
service.  To  give  you  intelligent,  con- 
structive reviews.  To  intelligently 
comment  editorially  on  the  ever  chang- 
ing complex  of  our  business  as  one  on 
the  inside  sees  it  and  most  of  all  to  be 
happy  in  our  environment  and  associa- 
tions. 

The  thirty-two  men  and  women  that 
comprise  the  working  personnel  of  the 
Film  Daily  have  but  one  objective.  To 
make  the  Film  Daily  a  bigger  and  bet- 
ter publication.  To  make  the  Film 
Industry  down  to  its  smallest  element 
a  finer  and  greater  constructive  force. 
To  hold  its  old  friends  with  a  sincerity 
of  understanding  and  to  make  new 
ones  with  a  friendly  hand. 

In  such  a  splendid  spirit  of  progres- 
sive loyalty  there  can  be  no  room  for 
innuendos  and  insinuations. 

With  an  eight  year  background  of 
progressiveness,  of  constructive 
thought  and  of  unbroken  progress  the 
Film  Daily  can  be  pardoned  for  being 
modestly  proud  of  its  record.  After  all 
it  is  the  grim  silence  of  facts  that 
count. 


^^^cv.tz^ie^^iitE:. 


DAILY 


811  Features  in  View 

(Continued  from  Page  1) 
bility  of  more,  as  against  10  this  year. 
Having  coordinated  its  producing 
forces,  P.  D.  C.  jumps  from  36  to  44 
releases.  Universal,  with  50  for  this 
year,  makes  an  increase  of  13  for  the 
new  season.  Warners  will  retrench 
with  34  on  the  new  schedule  as 
against  40  this  year.  Fox  will  dupli- 
cate the  current  list  with  49  for  the 
new  season. 

In  point  of  new  departures.  Associ- 
ated Exhibitors  ofTer  the  most  inter- 
esting example.  Radically  effecting 
a  change  in  sales  policy,  this  organi- 
zation declares  it  will  have  100  fea- 
tures, the  bulk  of  them  designed  to 
cater  to  a  volume  consumer  and  a 
limited  number  to  the  bigger  theater. 
This  year  the  organization  will  re- 
lease 30. 

In  the  state  right  field,  the  follow- 
•np  changes  stand  foremost: 

Arrow  drops  from  24  to  6;  Ameri- 
•an  Cinema  Assoc,  headed  by  A.  J. 
Moellrr,  promises  42;  Columbia  goes 
from  18  to  24;  Excellent  which  is 
sponsored  by  Sam  Zierler,  will  have 
12  at  this  writing;  Ginsberg-Kann. 
one  of  the  younger  organizations, 
p'ans  to  distribute   18. 

Al  Lichtman's  initial  series  will  em- 
brace 4;  Lumas,  distributing  Gotham 
Prod.,  will  increase  its  output  from 
12  to  20;  Rayart's  program  increases 
by  16,  a  total  of  48. 

Three  state  righters  now  in  the 
feature  field  step  out  at  the  end  of 
'he  season.  They  are  Steiner  Prod., 
with  a  current  program  of  20;  True 
Story  Pictures,  with  8,  and  Weiss 
Bros.,  with  28,  the  latter  company 
will  handle  short  subjects  only,  its 
present  feature  producers  having 
made  a  new  deal  with  Associated. 

The  following  chart  summarizes  the 
situation  and,  while  practically  com- 
plete, will  bear  revision  at  a  future 
date : 

National  Distributors 

Releases  Releases 

1926-27  1925-26 

Asso.    Exhibitors    100  30 

Famous   Players    75  69 

First    National    60  50 

F.    B.    0 56  56 

Fox    49  50 

Metro-Goldwyn-Mayer     .  *52  45 

Pathe   15  12 

Prod.    Dist,    Corp *44  36 

United    Artists    15  10 

Universal     63  50 

Warners    34  40 

563  448 
State    Right    Distributors 

Releases  Releases 

1926-27  1925-26 

Arrow    6  24 

American   Cinema  Assoc.     26 

Aywon     15  15 

Chadwick    12  15 

Chesterfield     6  12 

Columbia     24  18 

Elbee      16  8 

Excellent     12 

Famous  Attractions 13  t  7 

Gerson     10 

Ginsberg-Kann     18  12 

Jaffa  Art 2 

Lee-Bradford    10  10 

Al   Lichtman    4 

Lumas    20  12 

Jans    6  5 

Rayart   48  32 

Sierra     10  20 

Steiner 20 

True  Story » 

Weiss     28 

248  248    ■ 

GRAND   TOTAL    811  696 

*    Indicates   Film    Daily   estimate 
t  Released  by  Preferred 


"Bargain  Matinees" 

Louisville — The  Alamo  and 
Keith's  Majestic  are  running 
"bargain  matinees"  with  suc- 
cess. The  price  is  15  cents 
from  10  A.  M.  to  1  P.  M.  Both 
theaters  get  the  lady  shoppers 
on  4th  St.,  coming  and  going. 
Manager  Dolle  inaugurated  the 
bargain  matinees  at  the  Alamo 
last  summer  as  an  experiment. 
Results  justified  making  the 
policy    a    permanent    one. 


Warners  Sign  Cameraman 

Hollywood — Bryan  Haskins,  cam- 
eraman, has  signed  a  long  term  con- 
tract with  Warners. 


Shire    Planning    New    House 

St.  foseph.  Mo. — Eli  Shire,  o-.-.  ner 
of  the  Liberty,  Lincoln,  Neb.,  is  ne- 
gotiating for  the  Duncan  property 
at  8tl;  and  F.d'-nond  Sts.,  on  which 
he  intends  crer  *ing  a  new  theater  lo 
co3t  about  ?250,000. 


Utica  Company  Changed  to  Mohawk 

Albany,  N.  Y.- — The  corporate  title 
of  the  Utica  Optical  Corp.,  of  Utica, 
has  been  changed  to  the  Mohawk 
Optical  Corp.  The  company  manu- 
factures lenses. 


Midwest  Meeting  Ends 

(Continued  from  Page  1) 

Earl  Kramer  and  Ralph  Williams, 
sales  heads  for  the  East  and  South, 
respectively. 

Among  the  home  office  delegation 
in  attendance  were  Julius  Singer, 
sales  manager  of  short  product;  Jo- 
seph Friedman,  special  sales  man- 
ager for  the  Denny  pictures;  Abe 
Stern,  of  Stern  Bros.;  Dave  Bader, 
manager  of  accessories;  and  Leroy 
Alexander  and  W.  C.  Truog,  sales 
directors.  Abe  Carlos,  producer  of 
the  Richard  Talmadge  series,  also  at- 
tended. 

The  next  regional  meeting  will  open 
today  at  the  Roosevelt  Hotel,  New 
Orleans,    lasting   three    days. 


Discovering  New  Talent 
Chicago  —   Monday   and   T'.iesday 
nights  are  being  devoted  to  "discov- 
ery"   nif^lits   at    Marks    Bros    Rroad- 
v/ay-Strand. 


Gerbrachts    Plan   a    $100,000   Theater 

Ames,  la. — Marking  its  fourth 
theater,  the  Ames  Theater  Co.,  is 
completing  plans  for  a  new  1,000  seat 
house.  The  proposed  structure  will 
cost  $100,000.  The  company  con- 
trolled by  H.  A.  and  Joe  Gerbracht, 
now  operates  the  Princess,  Ames  and 
Twin    Star. 


Monday,  March  sl 

■ 


Incorporatioi 


Albany,  N.  Y.— Oxford  Proi 
New  York ;  to  produce.  Cap: 
Incorporators,  B.  Schrier,  A.  Nu 
Berkowitz.  Attorney,  J.  S. 
Broadway,   New   York. 


Albany,  N.  Y.— Just  Life,  In 
duce.  New  York.  Incorporators 
sey,  S.  Roseman  and  W-  Gorman, 
J.  W.  F.  Thompson,  365  Madison 
York. 


Albany,  N.  Y. — Embassy  Final 
vice    Corp.,    New    York.      Incorp 
Bregstein    and   A.    Thompson.      Al 
G.    Kosch,    1540   Broadway,   New 
P.    financial   service. 


Albany,  N.  Y.  —  Namkcid 
Corp.,  New  York ;  to  operate  thea 
tal  $10,000.  Incorporators,  A 
B.  Schrier.  Attorney,  E.  Dick 
Broadway,    New    York. 


Dover,    Del. — Vinci   M.    P.    Coi 
$75,000.     Attorney,  Corporation 
Trust    Co.,    Du   Pont   BIdg.,   Will 


Dover,  Del, — John  Gormati  Pfl 
to  operate  theaters.  Capital  $2S,r 
quarters,  Philadelphia.  Attorn^ 
States   Corporation   Co.,    Dover. 


Dover,    Del. — Ardmore  Theater  , 
delphia ;    to    operate    theaters. 
000.       Attorney,     Corporation 
Trust    Co.,    Du   Pont    BIdg.,   Will 


L   J^   "A 


||[|i||filP;' 


.,1J: — 


■^    .?:^*r^^ 


4.1      A.  ■••mibx. 


T(.e«-re<h^'«;^KiM 


% 


,^i>^.: 


U 


ese 


y^e/ 


W/ 


«^/A 


ofKiki.       ^ 


"5'Ti 


% 


*  A 


<  l-^  * ' 


.  the  ankles,  trim 


cXhis 


e^\iat 


the  ^^      A  itCCJt' 


is  the 


,    en;er7^^^  le  f^^*   ^ 


ittac 


the 


o4re  "'-^eluJ'-Sf  Kiki 


■^.: 


f 


:#' 


R*c*i 


^SmM^rl 

^3SMiR 

t^  r 


'  11*111 iiiiiiiiiiiii^ii«-1M 


'^''" ''■"^^'board  skirt 
ofKiki.       ^ 


7 


4'f. 


(This"'"   *^       sl""'",,tirl 

^- ■■■-'■?.;;.""■ 

.  ,,  cver^^""    '^.  e  feet 


fl 

1 

1 

H^i 

:"  w 

1               •::::; 

Wffff 

•*="» 

* 

Ik 

J 

/-V-.*^> 


^'Vf-j^tV 


V»M}' 


^jiK^*-n 


^. 


I- 


,  v 


^►J-^**' 


•     little^*'''       i*fl^TV(Hsf' 
Which, '''llZo  the  f^'^ 


I 


•t      -?= 


All  exhibitors  know ♦ 

that  only  once  every  five  years  .  ♦ 
comes  a  picture 

SO  jbiq 

that  it  doesn^t  have  to  he  ^^sold^^ 
either  to  them  or  to  their 
patrons 

It^s  come  at  last! 

IPS  ''KIKr 

Joseph  M.  Schenck 

presents 

NORMA   TALMADGE 

in 

"  K  I  K  I  " 

with 

RONALD  COLMAN 

Screen  story  by  HANS  KRALY;  based  on  the  stage 
play  written  by  Andre  Picard  and  adapted  by 
David  Belasco. 

A    CLARENCE    BROWN    PRODUCTION 

A  lirAt  national  Picture 

Mcmbcn  jT  Motion  Rcture  Produceis  «>u<  Dlstributort  of  America  lnc.~WUl  Haye  flttutnt 


i   i 


t 

V 


Printed    in    U.  S.  A. 


y,  March  29.  1926 


>l|wspaper  Opinions 


jvVeek  Ending  March  27th) 
rhe  Barrier"— M.-G.-M. 
'  Capitol 

AN—*     *     •      Excellent,      though 
I      showy,     entertainment,     well    acted, 
Jirected.   *  *   *   Mr.   Hill  has  an  eye 
y    of    composition,    which    is    greatly 
fine  photography. 

'  NEWS—*  *  ♦  Should  please  at 
per  cent  of  those  who  see  it.  Made 
:  Beach's  novel  of  the  same  name  it 
most  of  that  book's  kick.  *  *  *  Ex 
lotography  features  the  picture. 
NG  WORLD— Although  Rex  Beach's 
been  made  before  under  that  name, 
been  made  repeatedly  under  other 
d  in  varying  locales,  it  seems  to  me 
Metro-Goldwyn-Mayer  offering  of  a 
id    version    is    about   the    best    of    its 

SIC — *   *   *   George   Hill  was  at   the 

e   and    he    deserves    a    lot    of    credit. 

rrier"    is    a    terribly    theatrical    tale, 

one  who  could  give  it  the  least  sem- 

truth   is  to   be   congratulated.       Mr. 

the  players,  please  take  a  bow. 

LD-TRIBUNE— *  *  *  It  was  all  that 

It  would  be.     Probably  it  had  to  be 

way,    but    we    could    have    borne    it 

T  ter   if  anybody   connected   with   it   had 

hi  a  glimmer  of   humor.      But  all  of  the 

CI  s  fitted   into  the  well  known  niches. 

•IffNG     TELEGRAPH— While      "The 

Bd  IS  pretty  feeble,  it  is  interesting  be- 
the  storm  and  ice  scenes  and  because 
•tcellent  way  in  which  it  is  acted  and 
arance  of  Miss  Day  in  her  first  big 
he  ladder. 

-*  *  *  It  is  so  cunningly  directed  and 
t  it  creates  an  illusion  while  you  wait. 
(r  to  an  incredible,  conventional  melo- 
story,  "The  Barrier"  represents  the 
of  method  over  subject  matter. 
GRAM — The  story  has  had  a  previous 
icture  incarnation,  but  with  nothing  of 
grandeur,  the  stirring  dramatic  values, 
ches  of  bewildering,  panoramic  beauty 
mpany  this  new  MetroGoldwyn-Mayer 
ion. 

P — A  lusty,  sweeping  picture  of  ele- 
with  chunks  of  romance  and  chunks 
rarna  sticking  up  like  potatoes  in  Irish 
this  piece  of  revenge  and  half-breed 
ich  George  Hill  has  made  from  Rex 
old  novel. 


)esert    Gold" — Paramount 
Rialto 

IICAN — Do  you  remember  all  the 
Indian  pictures  of  a  few  years  ago? 
"Desert  Gold"  duplicates  this  scene 
nzen  others  you  may  recognize. 
Y  NEWS— George  B.  Seitz.  who 
The  Vanishing  American."  directed 
ure  and  is  to  be  commended  for  his 
Scenically,  it  is  beautiful. 
IING  JOURNAL— The  story  involves 
Mason,  a  coy  senorita,  who  is  adored 
ieutenant  of  the  cavalry,  Neil  Hamil- 
lere  is  also  a  crowd  of  bandits,  headed 
iam  Powell,  which  contributes  much 
and  riding.     And  let  it  be  stated  right 

Powell  is  an  excellent  actor. 
'^FNG  WORLD— The  whole  ?even 
;  reels  give  us  hokum  triumph  of 
lobility  over  hokum  dastardlyness  amid 
of  authentic  grandeur.  T  found  the 
Ixjre^ome  in  the  extreme.  It  could  be 
■ast  a  third  without  loss.  I  imagine  it 
a  hisrhly  popular  picture. 
^HTC — The  players  can't  do  a  thing 
:ir  roles  because  the  story's  characters 
5al.  They  don't  ring  true.  How  such 
of  half-wits  losing  ground  could  have 
tten  together  in  one  novel  is  a  mys- 
'erhaps  the  scenario  writer  and  not 
y  is  to  blame.  But  at  that  we  wonder 
V  the  book  was  picturized,  for  every 
tells  3   story. 

ALD-TRIBUNE— Just  how  any  one 
anage  to  produce  so  heavy  and  dull  a 
when  he  was  allowed  to  have  William 
Neil  Hamilton  and  Robert  Frazer  to 
!.  is  more  than  we  can  say. 
NING  TELEGRAPH—*  *  **  It  re- 
ust  another  Western.  So  far  as  the 
■)es,  it  might  just  as  well  have  been 
n  the  hands  of  mediocrities  and  rushed 
for  all  the  conviction  it  carries  or 
it  affords. 

1" — There  is  much  hard  riding,  and 
I  Powell  offers  one  of  his  very  effective 
IS  portrayals  in  an  attempt  to  save  the 
t  all  the  king's  horses  and  all  the  king's 
jld  not  have  kept  "Desert  Gold"  from 
1st  what  it  is — stupid. 
ES — Time    by    no    means    flies    while 


viewing 


'Desert  Gold' 


It  is  true 


that  this  exhibit  is  equipped  with  an  abund- 
ance of  beautifully  photographed  desert  scenes, 
but  these  wide  open  spaces  and  hot  sands  do 
not  accelerate  the  pace  of  the  narrative,  which 
would  be  infinitely  more  exciting  if  the  play- 
ers  were  less  theatric. 


"The    New    Klondike" — Paramount 
Rivoli 

AMERICAN—*  *  *  Is  pretty  light  enter- 
tainment. Yet  it's  bright  and  well  told.  Lewis 
Milestone's  direction  is  always  intelligent  and 
occasionally  original.  Perhaps  because  of  this, 
"The  New  Klondike"  is  Meighan's  best  pic- 
ture in   many,   many   months. 

DAILY  NEWS— The  story  is  by  Ring  Lard 
ner.  It  makes  a  fine  picture.  *  ♦  ♦  Sidelights 
on  the  real  estate  game  as  it  is  played  by 
some  of  the  Florida  adventurers  are  probably 
the  best  parts  of  this  picture.  Certainly  they 
are  the  funniest. 

EVENING  WORLD—*  *  *  The  kind  of 
story  the  Meighan  followers  will  enjoy  from 
beginning  to  end.  It  is  clean,  mildly  romantic, 
moderately  humorous  and  the  hero  wins  out. 
The  Milestone  direction  will  hold  the  interest 
of  many  who  are  less  enthusiastic  over  the 
kind  of  stories  Meighan  believes  that  his  fans 
favor. 

HERALD-TRIBUNE—*  *  *  A  happy  sur- 
prise. Ring  Lardner  has  been  screened  as  is, 
and  Lewis  Milestone  •  *  ♦  has  directed  the 
picture  in  the  way  it  should  go.  *  •  ♦  Paul 
Kelly  is  so  good  that  he  almost  steals  the  pic- 
ture, and  at  that  Tom  Meighan  is  at  his  very 
best  as  the  deposed  ball  player ;  so  it  wasn't 
a  case  of  the  king  is  dead,  long  live  the  king. 

EVENING  JOURNAL^lt's  an  entertain- 
ing film.  *  •  ♦ 

MORNING  TELEGRAPH— It  is  the  sort 
of  picture  that  causes  one  to  wait  on  and  on, 
hopeful  that  in  the  end  something  startling 
will  occur  to  atone  for  the  thinness  of  the 
story. 

WORLD — Mr.  Meighan  is  a  player  who 
blossoms  out  into  his  very  best  when  given  a 
surrounding  atmosphere  and  a  supporting  set 
of  performers  of  the  better  grade.  Such  a 
situation  he  finds  himself  in  at  this  time,  and 
while  no  claim  is  made  for  sensationalism  in 
this  pleasant  little  satirical  sketch  of  baseball 
players  and  Florida  real  estate,  still  there  is 
a  quality  of  smartness  and  sincerity  about  it 
which  lends  itself  nicely  to  the  good  natured, 
highly  honorable  activities  of  the  .star. 

POST — *  *  *  So  much  better  than  the  long 
series  of  preachments  Mr.  Meighan  has  turned 
out  of  late  that  it  seems  almost  revolutionary.^ 
It  is  *  *  *  a  pretty  good  movie.  The  out- 
standing performance  in  the  cast  is  that  of 
*  *  *  Paul  Kelly,  who  is  most  entertaining  in 
the   Lardner  manner. 

SUN — *  *  *  Only  a  mildly  entertaining  iiro 
gram  picture.  It  is  true  that  it  is  Mr.  Mei- 
ghan's most  satisfactory  Rivoli  cinema  since 
the  moderately  engaging  "Old  Home  Week," 
but  even  so  it  will  cause  no  hurrahs  in  the=c 
captious  quarters.  ♦  ♦  *  The  picture  is  made 
into  an  asset  by  the  brilliant  performance  of  a 
young  actor  named  Paul  Kelly,  who  plays  a 
character  said  to  have  been  suggested  by  Lard- 
ner's   "busher." 

TELEGRAM — It  is  the  best  number  the 
Meighan  repertoire  has  furnished  in  many  a 
long  dav.  for,  aside  from  the  skilled  directo- 
rial effort  that  has  gone  into  the  making  there- 
of, the  pleasing  photography  and  the  well  con- 
structed story,  there  is.  percolating  through  the 
picture,  an  essence  of  light  humor,  as  unforced 
as   it    i«    stimulating. 

TIMES — "The  New  Klondike"  is  not  a  sub- 
ject that  is  overburdened  with  suspenre.  You 
can  predict  what  is  going  to  follow  certain 
actions  of  the  players,  and  there  is  little  left 
to  the  imagination.  •  *  *  There  are,  how- 
ever, several  amusing  incidents  concerned  with 
the  activities  of  the   realtors  and  their  victims. 


j    WANTED 

I  Original  negative  Singa- 
i  pore  and  Mandalay  atmo- 
I   sphere. 

W.  D.  KELLY 

Bryant  9850 


Colonial  Firm  Wins  Ordinance  Fight 

Milwaukee — A  victory  was  won  by 
the  Colonial  Amusement  Co.  when 
the  Milwaukee  Building  Board  of 
appeals  granted  a  permit  for  a  $300,- 
000  picture  theater  on  the  lower  west 
side,  work  on  which  is  to  start  at 
once. 

The  company  had  been  denied  a 
permit  for  its  proposed  theater  by  the 
building  inspector,  on  the  ground 
that  it  violated  the  ordinance  for  that 
section. 

The  fight  to  exclude  theaters  from 
the  height  limit  in  certain  sections 
of  the  city  where  restrictions  are 
placed  is  being  backed  by  the  M.  P. 
T.  O.  of  Milwaukee.  This  ordi- 
nance is  claimed  to  be  preventing 
building  of   several   theaters. 


The   Bowling   League 

Last  Thursday  night  Fox  forfeited 
two  games,  one  to  Pathe  and  the 
other  to  Educational.  Pathe  won 
from  Educational,  683  to  661.  Next 
week  M.-G.-M.  will  play  one  game 
with  First  National,  Famous  and 
Fox.  The  league  standing  follows: 
Won  Lost  P.  C. 

Famous     4  0  1000 

First    National     i  1  .750 

Universal     4  2  .667 

Pathe     4  2  .667 

P.     D.    C 3  3  .500 

M.-G.-M 2  2  .500 

Educational     1  5  .167 

Fox    0  6  .000 


Galesville  O.  H.  Damaged  by  Flames 

Galesville,  Wis. — A  defective  fur- 
nace caused  fire  which  damaged  the 
Opera    House. 


On  Broadway 


Astor — "The    Big   Parade" 

Apollo — "Stella    Dallas" 

Broadway — -"The   Other   Woman's   Story" 

Cameo — ^Revival    Week 

Capitol — "The   Devil's   Circus" 

Cohan — "Ben    Hur" 

Colony — ^"The    Cohens    and    Kellys" 

Criterion — ''Mare   Nostrum" 

Embassy — ^"La    Boheme" 

Loew's  New  York — Today — "Partners  Again" 

Tuesday — "Brooding   Eyes"  and   "The   Mil- 
lion Dollar  Handicap" 

Wednesday — "Irish    Luck" 

Thursday — "My    Own    Pal" 

Friday— "King    of    the    Turf"    and    "Wild 
Oats    Lane" 

Saturday — "The    Sky    Rocket" 

Sunday — "The    Redkless    Lady" 
Loew's   State — ^"The   Merry    Widow" 
Marie    Strand-^"The    Dancer    of    Paris" 
Rialto — "Bride  of  the   Storm" 
Rivoli — "The   Crown  of  Lies" 
SeIviryn^"The    Black    Pirate" 
Warners — "The    Sea    Beast" 
Brooklyn    Mark    Strand— "The    Bat" 

Next  Week 

Astor — "The   Big   Parade" 

ApoUo — "Stella    Dallas" 

Broadway — "The    Cohens    and    Kellys" 

Cameo — Not   yet  determined 

Capitol — "Kiki" 

Cohan — ''Ben   Hur" 

Colony — "The    Flaming    Frontier" 

Criterion — -"Mare  Nostrum" 

Embassy — "La    Boheme" 

Mark  Strand — Not  yet  determined 

Rialto — "For    Heaven's    Sake" 

Rivoli — "The   Blind  Goddess" 

Selwyn — "The    Black    Pirate" 

Warners — ''The    Night    Cry" 

Brooklyn    Mark    Strand — "The    Cohens    and 

Kellvs" 


Little  Rock,  Ark.— The  Home  State 
Film  Co.  has  appointed  B.  B.  Busby 
as  manager  here. 


A  GOOD  "STQR"  m  TEXAS! 

Wil  Ham  Underwood  —  better 
known  as  Bill — executive  head 
of  Specialty  Film  Company 
of  Dallas,  Oklahoma  City  and 
Little  Rock,  will  market  in 
the  territories  hereinbefore  de- 
scribed— Wow !— 

RAYART'S  ACTION  CLASSICS 

with 

JACK  PERRIN 

"STARLIGHT"  and  "REX" 

Tbe  Wonder  Horse  The  Movie  Collie 

The  Qo'Qetters  are  Getting 
Rayarfs  Gold-Qettersl 

Foreign  Rights  Controlled  by  Richmount  Pictures,  Inc. 


HOLLYWOOD 
HAPPENINGS 


c/'FVLHDOH 


vRECOCMIZEP 

Authority 


mtxsm^ 


By 


^'^*i'VS'VV  7     .-'/v 


Harvey  E.  Qausman 


Telephone  Granite  3980 


Monday,  March  29.  1926 


6411  Holljrwooc  M 


McDermott  on  Kerry's  Next 

John  McDermott  has  started  on 
"The  Love  Thief,"  in  which  Norman 
Kerry  is  starring.  Greta  Nissen  is 
playing  the  feminine  lead,  with  a  cast 
which  includes  Nigel  Barrie,  Oscar 
Beregi,  Charles  Puffy,  Cissy  Fitzger- 
ald, Carrie  Daumery,  A.  Borgata, 
Clarence  Thompson,  and  Barbara 
Worth.  John  Stumar  is  photograph- 
ing. 


Begin   First  at   Thomas  Studios 

The  first  all-star  production  to  be 
filmed  at  the  new  Richard  Thomas 
Studios  is  "The  Cheating  Sex,"  from 
an  original  by  Albert  La  Vino.  Pro- 
duction has  started  with  Mae  Busch, 
Huntley  Gordon,  Ian  Keith  and  John 
Roche. 


In  Jack  Gilbert's  Next 

Players  thus  far  selected  for  "Bar- 
delys  The  Magnificent,"  starring  John 
Gilbert,  are:  Roy  D'Arcy,  Eleanor 
Boardman,  Lionel  Barrymore,  Arthur 
Lubin,  Karl  Dane,  John  T.  Murray, 
Agostino  Borgato,  Edward  Connelly 
and  Max  Barwyn. 


Kathleen  Meyers  at  Work 

Kathleen  Meyers  has  returned  to 
the  F.  B.  O.  to  finish  work  for  "Sir 
Lumberjack,"  in  which  she  is  playing 
opposite  Lefty  Flynn.  She  has  been 
laid  up  as  a  result  of  exposure  while 
making  exteriors. 


"Ella  Cinders"  on  Location 
Two  hundred  people  have  been  tak- 
en to  a  small  Northern  California 
town  to  act  as  extras  in  Colleen 
Moore's  starring  vehicle  for  First  Na- 
tion, "Elia  Cinders."  Al  E.  Green  is 
directing. 


Join  "Into  Her  Kingdom"  Cast 

Charles  Crockett,  Evelyn  Selbie  and 
Larry  Fisher  have  been  added  to  the 
cast  of  "Into  Her  Kingdom,"  starring 
Corinne  Griffith. 


Lubitsch  to  Start 

Ernst  Lubitsch  will  begin  produc- 
tion within  the  next  few  days  on  "Le 
Reveillon."  Monte  Blue  and  Patsy 
Ruth    Miller   have    the   leading  roles. 

Hogan  Editing  Latest 
Director   James   P.    Hogan  is   now 
supervising  editing  of  his   latest  pic- 
ture, "The  Isle  of  Retribution,"  which 
he  directed  for  F.  B.  O. 


Signed  for  "Sea  Gull" 

Fred  Esmelton  has  been  signed  for 
a  part  in  the  new  Edna  Purviance 
film,  "The  Sea  Gull,"  under  direction 
of  Joseph  Von  Sternberg. 


Spearing  Finishes  "Ice  Flood" 
James   Soearing   has   finished   "The 
Ice  Flood."  Universal  production  with 
Kenneth  Harlan,  Viola  Dana  in  leads. 


McLaglen  in  "What  Price  Glory" 

Victor  McLaglen  signed  to  play 
Captain  Flagg  in  "What  Price  Glory," 
Fox  production. 


Hungarian  Writer  with  "U" 

Imre  Fazekas,  Hungarian  author,  is 
working  on  an  original  to  be  directed 
by  A.  E.  Dupont,  Ufa  director,  now 
under  contract  with  Universal.  It  will 
be  called,  "Love  Me  and  the  World  is 
Mine."  Mary  Philbin  will  probably 
be  starred. 


Baggot  Starts  "Lovey  Mary" 

King  Baggot  has  started  "Lovey 
Mary"  at  the  M.-G.-M.  The  cast  in- 
cludes Bessie  Love,  William  Haines, 
Jackie  Comba,  Freddie  Fox,  Gloria 
Holt,  Mary  Jane  Irving,  Annabel 
Magness,  Gertrude  Bennett,  Vivia 
Ogden,  Rosa  Gore,  Sunshine  Hart 
and   Martha   Mattox. 


Beaudine  Writing  for  Magazine 

William  Beaudine  is  writing  an  ar- 
ticle on  "The  Science  of  Motion  Pic- 
ture Direction,"  for  publication  in  a 
national  magazine.  The  subject  will 
be  dealt  with  in  all  of  its  branches. 


To  Start  "Mantrap"  April  7 
Victor  Fleming  will  start  work  on 
"Mantrap"  for  Lasky,  April  7,  with 
Percy  Marmont,  Clara  Bow,  Ernest 
Torrence  and  Ford  Sterling  in  the 
cast. 


Stedman  in  Lackey  Picture 

Lincoln  Stedman  is  playing  one  of 
the  featured  roles  in  Wm.  T.  Lackey's 
"The  Warning  Signal,"  an  original  by 
A.  B.  Beranger,  which  Charles  Hunt 
is  directing. 


Blanche  Sweet  Convalescing 

Blanche  Sweet,  who  is  recovering 
from  pneumonia,  has  gone  to  Mt. 
Whitney  to  spend  a  short  vacation. 


MacDonald  a  Serial  Star 

Wallace  MacDonald  has  signed  a 
contract  with  Universal  to  star  in  a 
serial  called   "The   Great  West." 


"The  Temptress"  Started 

"The  Temptress"  is  in  work  at  the 

M.-G.-M.  The  cast  is  headed  by  Greta 

Garbo,    Antonio    Moreno   and    H.   B. 

Warner.     Mauritz  Stiller  is  directing. 


Constance  Talmadge  at  Work 

Constance  Talmadge  it  now  making 
"The  Duchess  of  Buffalo,"  an  original 
by  Hans  Kraly.  Sidney  Franklin  is 
directing. 


W/ien  tn  Hollywood 
stop  at 

THE  NEW  HOTEL  REGENT 

Every  room  ivith  Bath  and  Radio      \ 

A  beautifully  appointed  moderately 
priced  hotel. 

In  the  heart  of  Hollywood 

6162  HOLLYWOOD  BLVD. 

Phone:  Holly.  0487 


Finish  Wm.  Fairbanks  Picture 

Camera  Pictures  Inc.  have  complet- 
ed "The  Mile-A-Minute  Man,"  with 
William  Fairbanks.  Virginia  Brown 
Faire  has  the  leading  feminine  role. 
George  Periolat  and  George  Chesebro 
are  in  the  cast.  Jack  Nelson  directed 
and  has  been  signed  for  another  pro- 
duction. 


Cast  in  "Footloose  Widows" 

Louise  Fazenda  and  Jacqueline  Lo- 
gan have  been  cast  in  featured  roles 
in  Beatrice  Burton's  story  "Footloose 
Widows." 

Working  on  Original 

Lenore  J.  Coffee  is  at  work  on  "For 
Alimony  Only,"  an  original  to  be 
produced  under  the  supervision  of  Ce- 
cil B.  De  Mille. 

Hale  Lead,   Not  Matt  Moore 

F.  B.  O.  states  Creighton  Hale  will 
play  the  leading  role  in  "A  Poor  Girl's 
Romance,"  instead  of  Matt  Moore. 


Kirkland  to  Do  Twain  Story? 
A      screen     adaptation      of      Mark 
Twain's  "Roughing  It,"  may  be  David 
Kirkland's  next  production. 


Complete  Cast  of  "Old  So 

Tom  Ricketts  has  been  addec  d 
cast  of  the  "The  Old  Soak,"  ■;, 
production  at  Universal  under  n 
tion  of  Edward  Sloman.  Jeai  1 
sholt  IS  starring.  Others  in  tl 
are  June  Marlowe,  George 
Louise  Fazenda,  Adda  Gleasor 
Beaumont  and  George  Siegma 

Brown  at  M.-G.  M, 

Clarence  Brown  is  at  the  M 
studios  to  film  "Trail  of  '98." 
min  Glazer  made  the  screen  ; 
tion.     Exteriors  will  be  made 
Yukon. 


Connelly  in  Novarro  Picti 

Edward  Connelly  was  cast 
role  in  support  of  Ramon  Nav 
"Bellamy  the  Magnificent." 


Evelyn  Brent  HI 
Evelyn    Brent    has    been    si 
from  a  severe  attack  of  tonsilii 
has  completed  "Secret  Orders.i 


Will  Nigh  Here 
William   Nigh  arrived  last  v 
the  M.-G.-M.  studios. 


«p>CTOpYcpyoi6fa 


TRAILERS  SFI KFAT^ 


■^SWJWasTOF^ 


THE 


ONLY 

TBAILER  SERVICE 

WITH 

ACTUAL 

SCENES 

from:  the  IsTBGATIVE 


diica*>,lll. 
d4sSo.V^l>iu]iAve. 


New'V&rk  City 
i26West  46*  St.. 


LosAiigeIe5,C«l. 
19I2  So.Vnwaiif  Ave. 


C73»- 


DAILY 


i'ing  on  Reopening 

(Continued  from  Page   1) 

;i  some  degree  to  each  other, 
!   that  "that  is  what  is  the 
vith    the    picture    indusiry" — 
,ih  relationship, 
rder  proposed  by  the  commis- 
torney   also   provides    that    i 
it    exceptions    is    filed,   settin 
try   objection   of   Famous   to 
y    included    or    excluded    o 
lion    by    the    trial    examine- 
date  to  be  fixed,  their  fail- 
le   so    is    to    be    considered   . 
of    their    rights    in    that    re 
id    the    matters    not    thereby 
are  to  be  considered   seititt 
ating  his  past  declarations  tha 
cnce    already    taken    is    suffi 
acquit  his  principals,   Rober 
n,  counsel   for   Famous   Play- 
osed  the  order  desired  by  the 
declaring    that    to    adopt    it 
nean   the   entire   reopening   oi 
2,    more    "swings    around    the 
and  the   piling  up   of   another 
lages    of    testimony, 
again  proposed  that  the  ad- 
information    desired    be    se- 
by      stipulation,      and      also 
lat  the  commission  fix  a  date 
which    the    new    investigation 
fo,  pointing  out  that  the  situa- 
anges    from    day    to    day    and 
ne  must  be  drawn  somewhere. 
;el    for    the    commission    was 
tdl   because  of   the   constant  ef- 
bring  up   points   claimed   by 
Players     not     originally     to 
en  involved,    Swain   declaring 
would    "like    to    know   just 
ley   want,"    that    this    has    not 
mJc  clear  and  that  "after   five 
Ljiffl^body  ought  to  know  what 
fl  n  about." 

^t^rted  that  the  case  should 
.       Os-oed    until    the    commis- 
j„    'i(ted  some   of   the   ques- 

;ady     ^^^^""^  '^■ 

'    the      course    of    his    argu- 

'ain  aga    '"  declared  flatly  that 

Players      ^^^    "°    interest    in 

&  Katz. 


Shows  Vacant  Seats 

Chicago  —  A  huge  electric 
control  board  is  being  installed 
in  Lubliner  &  Trinz'  new  Bel- 
mont, with  3,000  individual 
lighis,  each  representing  a  seat 
and  directly  wired  to  it.  When 
a  patron  sits  down  a  contact  is 
broken  and  t  he  light  on  the 
loard  goes  out.  By  glancing 
at  the  board,  the  manager  at  all 
times  can  tell  the  amoimt  of 
scats  to  be  filled. 


Boom  Still  On 

(Continued  from  Page   1) 

Grove  and  the  Congress  will  be  op- 
ened within  60  days.  Other  develop- 
ments   follow: 

Arkansas 
Gurdon,     Ark. — The    new     Wright    theater, 
having    a     vaudeville-picture    policy,    has    op- 
ened. 


by    the    owners    of    the    Haskell    theater,    to 
cost  $40,000. 


Nacogdoches,  Tex. — Hazel  &  McLean  have 
opened    their    new    Austin. 


Port   Arthur,    Tex. — The  Jeflferson   Amuse. 
Co.    has   opened   the  new    Strand. 


Weslaco,  Texa,s — ^Jack  W/llliaims,  farmer 
head  of  the  Independent  Film  Service,  of 
Dallas,   will   open   a  new   theater   here   shortly. 


Virginia 
Danville,  Va. — H.  A.  Underwood,  archi- 
tect, has  arrived  here  from  Raleigh,  N.  C. 
to  draw  plans  for  a  new  theater  and  hotel 
building  to  be  erected  on  the  site  of  the  old 
City  Hall  by  Charles  B.  Clements.  Actual 
construction  is  expected  to  start  late  in 
April.      It    will    seat    1,450. 


Portsmouth,    Va. 
house,    has    opened. 


The    Colony,    a    new 


Wisconsin 

Amory,  Wis. — D.  H.  Oliver,  owner  of  the 
Gayety  theater,  has  arranged  for  a  new 
house,  construction  on  which  will  start  in 
the   near    future. 


13 


January    Exports 

Washington — Exports  of  motion 
pictures  during  January  totaled  over 
21,000,000  linear  ft.,  wiih  a  value  of 
over  $750,000,  according  to  the  Dept. 
of  Commerce. 

Exports  during  the  month  included 
18,030,470  ft.  of  positive,  valued  at 
$544,949;  2,852,428  ft.  of  raw  stock, 
valued  at  $75,554;  and  528,873  ft.  of 
negatives,  valued  at  $170,734.  Posi- 
tives exported  to  Canada  totaled  1,- 
924,626  ft.,  while  France  and  Argen- 
tine each  took  over  1,600,000  ft. 
Australia  imported  1,372,000  ft.,  and 
Brazil,  1,000,000  ft. 


Jonesboro,  Ark. — W.  L.  Mack  has  broken 
ground  for  a  new  theater  to  cost  $100,000. 
Ready    Sept.    1. 


Little  Rock,  Ark. — A  new  link  has  been 
added  to  the  chain  of  L.  H.  Luckett  with 
the   opening   of   the   Palace. 


Little    Rock,    Ark. — T.    W.    Sharp   has    op 
ened   the  new   Prospect   here. 


Waldron,  Ark. — W.  O.  Kemp  plans  the 
erection  of  a  new  house  here,  to  be  known 
as  the  Gem. 


in   Omaha   Bi  "^^"^^   R^" 

i-With    Sept.    x'    set    as    the 

opening     date,       '^°'^,     \^' 

irted     on     the     ne  ^     ^heater 

.  H.    Blank  is   spoi   ^soring  at 

h  and  Farnham.     T   ^e  house 

t  $1,«00,000.     Erectio.  "^  °*  V"^ 

marks   a   building   ra   "      , ' 

le   Blank   circuit   and    \  \°^^^ 

To.,    which    is    sponsorii   '8    ^ 

run. 


Bloomer,   Wis.— The  new   Palace  at   Spoon- 
er   has   opened.      It   seats   500. 


Racine,  Wis. — Louis,  Walter  E.  and  Char- 
les Buhler  are  sponsors  of  a  new  1,000  seat 
theater  to  be  opened  at  205  Washington  Ave. 


St.  Louis  Theater  Changes 

St.  Louis  —  The  Lidell  has  been 
leased   to    Charley    Gillman. 

Inger  &  Fishman  are  the  new 
owners   of   the   Southampton. 

The  Movie  has  been  leased  by  Tom 
Williamson. 


New  Wells  House  Opened 

Norfolk,  Va. — The  Norva,  newest 
link  in  the  chain  of  Wells  theatc.-s, 
has  opened. 


Georgia 

Fort  Valley,  Ga. — This  city  is  soon  to 
have  a  new  theater.  Drawings  are  being 
made  by  Wm.  J.  J.  Chase,  Atlanta  archi- 
tect, for  a  600  seat  house  to  be  built  on 
a   site   adjoining   the   Winona   Hotel. 


Illinois 
Carbondale,  111. — Mrs.   I.   W.  Rodgers  plans 
to   open    her   new    house   soon.      She   also   op- 
erates  the    Barth   here. 


Waterloo,    111. — Mrs.    A.    Hall    has    opened 
her   new    450    seat    Capitol. 


Kitzmiller,  Md. — This  town  is  to  have  a 
new  theater,  if  present  plans  of  local  busi- 
ness men  materialize. 


Maryland 
Luke,    Md. — A    new    theater    will    soon    be 
constructed    here.      The    name    of    the    owner 
and   fuller   details   are  unavailable. 


ville  Exhibitors  in  Miami 
^ille,      Ky.— Fred      J.      Dolle, 

.    Steuerle,    Henry    Reis    and 

rove  are  spending  a  month 
)  la,  combining  business  with 
1  They  are  affiliated  with 
1  idway    Amusement   Co.,   one 

■iggest   circuits   in    Kentucky. 


Missouri 
St.    Louis — ^Stephen    Habanek    has    let    con- 
tracts  for   a   new   theater   in    East   St.    Louis. 
at    1026    North    9th    St. 


North   Dakota 

Columbus,  N.  D.  —  Erection  of  a  new 
house  to  cost  $10,000  is  planned  by  L. 
E.  Mahoney,  Imperial  theater  owner.  The 
new  house,  which  is  to  replace  the  Im- 
perial,   will   seat   350. 


Abel,  Fox  Manager 

apolis— S.   E.   Abel  has   been 
d   manager    of    the    Fox    ex- 
succeeding  E.  T.  Gomersall, 
il  been  transferred  to  an  east- 
file. 


Oklahoma 
Cordell,    Okla.— The    New    Folly    will    open 
■      -(rtiy    under    management    of    G.    A.    Peter- 
son 


the    owner. 


f   .    hing,  Okla.— The  new  Dunkin  will  open 
vyeek.      J.    F.    Brinkley    is    the    owner. 


in    a 


Texas 

,      ..         Tex  — A   new   theater  will  be  erec 
Austin,       ••'^''■ 


ted  by  J.     ^-   »^°"'"- 


Bay    City,      Tex.-nP.     R.    Hamill    plans    a 
new   house  ht  *^ 

Haskell.  Tex  ,— A  new  theater  will  be  built 


Unti/cirsars 

Gireater 
Movie  List 


t 


Vorid 


CkAS.^ 


PAINT  AND 
POWDER 


•..;V:Sv4 


TUEWiZAEV 


SWEET -^ 


^""^^ 


\rl,  '11.  i 


SOME  - 


■.-*• 


•  ••     *-•  •  ! 


•\^l 


PUNTCl/SS 


WINNING  THE  I 
FUTURITY 


BLUE  BLOOD/I 


AMERICAN 
PLUCK 


■•:.tV;':A'-.-. 


•■X/.-c'.'lii 


Hi 

PK   m 

K 

^   1 

fen 

i8i^     1 

«feri 

IWvxf     m 

toL.*''"' 

E*.'•Tyv•.^if            Jgra 

JBt^'s.' 

■•i/'v-vi/         flm 

W"''" 

|-':.vAy^         i^^ 

W;;; 

i^^         i^^ 

m^ 


,  THE  COUNT  OK^ 

LUJCEJIBOURG- 


M-'^ 


ONCHASTINBD 
WOMAW 


fi'>i^{^>i}-jf>7fW'^g'^T■J'T^?■l.lJ)»^'^^^ 

^  1  riTllfir'-'-*i'-''y'''i*yrrTffi*-M^ii'f 


•'.'••.'  • 


CUADWICK  PICTURES 

CORPORATION 
1 .  E .  C b ddwick  Pz-zsi^enf 


mm 


'Each    Production    An  Achievement' 


729  SLVENTH  AVENUE 
NEW  YORK  CITY 


iTHE 

brAdstreet 

r  FILMDOM 


Authority 


XXV     No.  74 


Tuesday,  March  30,  1926- 


Price  5  Cents 


Nezv  Force 

the  entire  complexion  of  the 

■n  situation  is  about  to  under- 

nge.    Famous,  First  National 

ro-Goldwyn-Mayer   have   not 

agreed  to  operate  jointly 
)ut  the  middle  European  belt, 
ss  there  is  an  unusual  devel- 

the   deal    is  expected   to   go 


ally  set.  Back  of  the  move, 
ortance  of  which  will  be  ap- 

0  those  who  watch  the  trend 
gn  developments  with  even 
scrutiny,  there  are  a  number 
■ibutory  causes.  The  poten- 
of  the  Southeastern  European 
are  in  part  responsible.     The 

f  n-.T;ntpi'ning/SpparatP  offices 
ime  capitals  is  another.  The 
of  small  American  exporters 
g  product  for  ridiculously  low 
d  thereby  damaging  the  mar- 
third.  A  fourth  is  the  appar- 
ility  of  important  American 
ors  to  derive  from  those  ter- 
a  revenue  which  they  feel  is 
surate  with  their  class  of 
There  must  also  be  consid- 
e  attitude  of  certain  foreign 
lents  toward  the  American 
as  such  and  the  frequent 
of  these  governments  to  foist 
ons  of  various  kinds. 

therefore,  partly  due  to  such 
es  that  these  three  companies 
itermined  upon  a  cooperative 
organization.  It  is  exactly  that, 
iticipate  saving  money  in  dis- 

1  and  yet  derive  a  greater  re- 
^owever,  their  banding  togeth- 
;s  it  not  at  all  impossible  that 
md  combination,  embracing 
American  distributors,  will 
to  being.  This  three-cornered, 
lous  selling  wedge  will  disturb 
other  organizations.  It  must 
ly  do  that,  just  as  it  will  ob- 
foljow  that  a  mutuality  of  in- 
will  be  discussed  by  them. 

principaP  subscribing  to  this 
lling  force  are  known  to  feel 
s  step  will  aid  the  cause  of  the 
\merican  industry  in  far-flung 
What  foreign  governments 
nk  and  how  they  will  react  to 
nation  is  entirely  different. 

"RED"  KANN 


BIG  FOREIGN  DEAL  ON, 

COVERING  CENTRAL  EUROPE 


More  N.  W.  Chains? 

"M.   P.  Record"  Sees  First  National 

Invasion  of  Northwest — Univ- 

sal  in  Portland 

Seattle— The  "M.  P.  Record"  says 
that  First  National  is  preparing  to  in- 
vade the  Northwest  through  West 
Coast  Theaters.  Universal,  the  paper 
reports,  is  negotiating  for  the  Mult- 
nomah theaters  in  Portland. 

The  publication  says: 

"With  a  Fox  theater  in  Seattle,  a 
Publix  house  for  Paramount,  Univer- 
sal's  Columbia  for  their  product  and 
North  American  with  four  theaters,  if 

{Continued  on   Page   5) 


Exchanges  Join  Hays 

Distributors  Whose  Territories  Con- 
sist of  Less  Than  8  States  Become 
Affiliated  with  M.  P.  P.  D.  A. 

The  application  of  the  Regional 
Distributors'  Assoc,  to  become  affili- 
ated with  the  Hays  organization  was 
accepted  at  the  annual  meeting  of  the 
M.  P.  P.  D.  A.  yesterday. 

The  association  is  made  up  of  those 
distributors  throughout  the  United 
States  whose  territories  consist  of  less 
than  eight  states.  The  organizers  are 
Joseph  A.  McConville,  president,  In- 
{Continued  on  Page   5) 


know    i    •    a    Paramount    Picture — 
yn. — Advi. 


Gut  Top  Price 

Broadway  First-Run  Houses  Reduce 

From  85  to  75  Cents  as  New  Tax 

Law  Becomes  Operative 

Broadway  first-run  houses  yester- 
day reduced  their  evening  top  from  85 
to  75  cents,  simultaneously  with  the 
operation  of  the  new  revenue  act, 
which  does  not  tax  admissions  up  to 
75  cents.  Before  the  measure  was 
passed  about  30  days  ago,  Broadway 
theater  managers  agreed  to  collective- 
ly cut  their  prices. 

{Continued  on   Page  5) 


"Flu"  Hurts  Cleveland  Business 

Cleveland— Three  thousand  report- 
ed cases  of  "flu"  by  the  Board  of 
Health  have  seriously  affected  busi- 
ness in  local  theaters.  None,  however, 
have  shut  down. 


New  Detroit  Exchange  Building 
Detroit— A    $1,500,000    eight    story 
exchange    building    will    be    erected 
here  at  Cass  Ave.  and  Montcalm  St. 


Russia 

It  is  understood  that  the  new- 
est and  most  far-reaching  of 
foreign  combinations  of  which 
announcement  is  looked  for  mo- 
mentarily includes  active  par- 
ticipation in  the  Russian  market 
as  a  vital  portion  of  its  exten- 
sive program.  In  view  of  the 
fact  that  all  activities  in  mo- 
tion pictures  are  controlled  by 
the  Soviet  through  official  or- 
ganizations such  as  the  Gos- 
kino,  it  is  believed  business 
relations  vnll  be  founded  on  a 
concession  from  that  Govern- 
ment to  First  National,  Famous 
and  M.-G.-M. 


Meeting  in  London 

Hays     Representative     and     English 

Trade  Conferring  on  Method  to 

Aid  Production  There 

London— The  sub-committee  repre- 
senting the  British  trade  has  already 
had  one  meeting  with  Col.  Edward 
G.  Lowry,  representative  of  the  Hays 
organization  here,  regarding  the  re- 
vival of  home  production.  The  meet- 
ing followed  a  visit  to  Sir  Cunliffe- 
Lister,  president  of  the  Board  of 
Trade,  who  informed  the  committee 
(Continued  on   Page   5) 


May  Take  News  Reel 

Report   Says    Empire    News   Bulletin 

Will  Be  Distributed  in  U.  S.  by 

Kinograms — Story   Denied 

Kinograms  may  distribute  the  Em- 
pire News  Bulletin,  new  British  news- 
reel,  in  this  country,  it  is  reported.  A 
Kinogram    official    yesterday    denied 

this. 

Gilbert  Frankau,  editor  of  the  Em- 
pire   News   Bulletin,   who   arrived   m 

(Continued  on   Page   5) 


Zukor,  Katz  to  Coast 

Adolph  Zukor  and  Sam  Katz  leave 
for  Hollywood  today.  They  will  be 
joined  in  Chicago  by  Barney  Bala- 
ban. 

Rowland  Leaves 
Richard  W.  Rowland  of  First  Na- 
tional leaves  for  the  Coast  today. 


Tri-Gornered  Pact 


First    National,     M.-G.-M.    and 

Famous    in    Gigantic 

Move 


The  most  powerful  combina- 
tion yet  to  be  perfected  in  the 
foreign  field  is  under  wa^  .  Tueie 
is  reason  to  believe  that  its 
ramifications  will  eventually  be 
world-wide. 

In  its  present  form,  a  large 
block  of  territory  with  potenti- ' 
alities  generally  held  to  be 
largely  untouched  is  included — 
Central  and  Southeastern  Eu- 
rope. The  participating  princi- 
pals are  First  National,  Metro- 
Goldwyn-Mayer  and  Famous. 

In  many  of  these  countries, 
the  three  organizations  have 
their  own  exchanges.  The  plan, 
which  has  yet  to  be  ratified  and 
is  therefore  still  unofficial,  pro- 
vide^ for  the  scrapping  of  all 
exchanges  but  the  best.  If 
Metro-Goldwyn-Mayer,  for  ex- 
ample, has  the  best  branch  in 
Prague,  it  is  that  office  which 
will  be  used.  The  three  com- 
panies, in  short,  will  operate 
jointly  out  of  one  system  of  ex- 
changes. 

General  headquarters  will  be 
established  in  Berlin.  It  is  prob- 
able that  Alexander  Aronson, 
for  several  years  general  repre- 
sentative for  M.-G.-M.  in  Eu- 
rope, will  be  in  charge.  In  Ger- 
many, First  National  will  not 
figure  in  the  operations,  because 
Famous,  Metro-Goldwyn-Mayer 
and  Universal  will  function 
there    in    conjunction   with    the 

(Continued  on  Page  2) 


2 


THE 


Thwasnen 

>/'FILMDOM 


VoLXXXV  No.  74  Tuesday,  Mar.  30, 1926    Price  5  Cents 


JOHN  W.  ALICOATE 


Publisher 


lopyrlght  1926,  Wid's  Films  and  Film  Folks, 
tnc.  Published  Daily  except  Saturday  and  hol- 
Uavi  at  1650  Broadway,  New  York,  N.  Y. 
].  VV.  Alicoate.  Treasurer  and  Business  Man- 
tger;  Maurice  D.  Kann,  Managing  Editor; 
Donald  M.  Mersereau,  Advertising  Manager; 
Ralph  Wilk,  Traveling  Representative.  En- 
tered as  second-class  .matter  May  21,  1918, 
at  the  post  office  at  New  York,  N.  Y..  under 
the  act  of  March  3,  1879.  Terms  (Postage 
free)  United  States,  outside  of  Greater  New 
York,  $10.00  one  year;  6  monttis,  $5.00;  i 
months,  $3.00.  Foreign  $15.00.  Subscribers 
should  remit  with  order.  Address  all  com- 
munit^tions  to  THE  FILM  DAILY,  1650 
Broadway,  New  York,  N.  Y.  Phone  Circle 
4736-4737-4738-4739.  Cable  address  :  Filmday, 
New  York.  Hollywood,  California — Harvey 
E.  Gausman,  6411  Hollywood  Blvd.;  'Phone, 
Granite  3980.  London — Ernest  W.  Fredman. 
The  Film  Renter,  58,  Great  Marlborough  St., 
London,  W.  I.,  Paris — La  Cinematographie 
Francaise,   5,  Rue  Saulnier. 


Financial 


Another  tidal  wa've  of  liquidation  engulfed 
the  market  yesterday,  the  slump  putting 
many  stocks  at  a  new  year's  low.  Auto- 
mobile, merchandising  and  equipment  shares 
suffered  the  most  loss.  Prices  dropped  from 
3  to  20  points  on  the  Exchange.  The 
Curb,  too.  experienced  losses  in  many  in- 
stances, with  the  industrials  showing  a  drop 
of   from    1    to    5    points. 

Although  most  film  stocks  held  up  strong- 
ly, the  majority  showed  slightly  lower  prices 
over  Saturday's  closing.  Eastman  Kodak 
dropped  one  point,  from  108'4  on  Saturday 
to  10754.  Famous  common  lost  a  half- 
point;  Fox  went  down  to  58,  losing  154 
points ;  Fox  Theaters,  down  one  point ; 
Loew's,  likewise,  1-5^.  Pathe  showed  the 
grea'test  loss,   dropping   7^4    points. 

The  most  active  issue  yesterday  was  Fam- 
ous common,  23,700  shares  having  changed 
hands.      Fox   Theaters   "A"   sold    3,300. 


De  Mille  Announces  First  Seven 

Hollywood — The  first  seven  from 
Cecil  B.  De  Mille  and  Aletropolitan 
Studios  have  been  announced.  Work 
has  commenced  on  an  adaptation  of 
"Sunny  Ducrow,"  starring  Vera  Rey- 
nolds. Priscilla  Dean  will  shortly 
start  "The  Speeding  Venus";  Jetta 
Goudal,  "Risky  Business";  Joseph 
Schildkraut,  "The  American  Sex"; 
Leatrice  Joy,  "The  Clinging  Vine"; 
"Gigolo"  will  be  for  Rod  La  Rocque, 
and  '^The  Flame  of  the  Yukon",  for 
Seena  Owen. 


Color  Laboratory  in  Hollywood 

Hollywood — The  Kelley  Color  Lab- 
oratories are  to  construct  a  laboratory 
here.  A  new  organization  has  been 
formed,  Kelley  Color  Films,  Inc.,  to 
supervise  the  marketing  of  what  is 
claimed  a  cheaper  color  process  than 
anything  hitherto  devised.  William 
Kelley  is  president,  Joseph  B.  Harris, 
Jr.,  vice-president  and  Joseph  B.  Har- 
ris, Sr.,  treasurer.  The  latter  is  the 
owner  of  the  State  theater,  Jersey 
City,  N.  J.,  and  is  financing  the  new 
organization. 


Summer  Sales  Drive  Bonus 

Branch  salesmen  of  First  National 
who  show  outstanding  results  in  the 
summer  sales  drive  will  receive  a 
bonus  of  one  week's  salary,  to  be 
paid  to  each  employee  in  the  three 
branches  whose  gross  for  the  thir- 
teen weeks  of  the  drive  shows  the 
highest    percentage. 


Quotations 

High 

Low 

Close 

Balaban   &   Katz   . 

66 

65  54 

6554 

Eastman    Kodak    . 

108 

107 '4 

10754 

Famous    Players     . 

113J4 

1115^ 

11254 

*Fam.  Play.  Pfd.  . 

119 

•Film  Inspection    . . 

5 

•First  Nat'l  Pfd.   . 

, 

100 

Fox   Film    "A"    . . . 

59-4 

58 

58 

Fox   Theaters   "A" 

21 

20 

20 

•Intern'l    Projector 

13 

Loew's,  Inc 

37^^ 

36 

36 

Metro-Gold.  Pfd.    . 

22  >4 

2254 

2254 

M.  P.   Cap.   Corp.. 

2054 

20 

20 

Pathe   Exch.    "A". 

62 

5454 

54'^ 

tParamount   B'way 

95 

94 

94 

Skouras    Bros.    .  . . 

46 

46 

46 

**Stan.  Co.  of  Am. 

48 

Trans-Lux  Screen. 

8>i 

854 

8H 

Universal    Pictures . 

30J4 

3054 

3054 

•Univ.   Pict.  Pfd.   .. 

90 

•Warner  Bros.   .  . . 

1054 

Warner    Bros.    Pict 

■    14?4 

14/8 

145i 

•  Last   prices  quoted. 

••  Philadelphia    market. 

t  Bond  market. 

800 
23,700 


3,300 
*1,100 

10,866 

100 

300 

7,400 

25 


1,500 
100 


200 


M.-G.-M.  Buys  Two  Stories 
Hollywood   —    M.-G.-M.    has    pur- 
chased  two   stories,   "Shadow    Lane," 
by  Edmund  Goulding  and  "The  Riv- 
als," by  Mary  B.  Mullett. 

Another  M.-G.-M.  purchase  is  "Ma- 
man,"  a  French  play  by  Jose  Ger- 
main and  Paul  Moncousin. 


Foreign  Deal  On 

(Continued  from  Page   1) 

Ufa.      However,    elsewherei   the 
arrangement  is  three-cornered. 

It  will  be  recalled  that  recent- 
ly, Metro-Goldwyn-Mayer  an- 
nounced its  intention  of  invad- 
ing South  Africa  where  the  In- 
ternational Variety  and  Theatri- 
cal Agency,  Ltd.,  the  so-called 
"African  Trust,"  has  held  undis- 
puted sway  for  many  years.  It 
is  understood  that,  as  part  of  the 
triple  pact,  operations  will  be 
extended  in  this  direction. 

Arthur  Loew,  head  of  the  for- 
eign department  of  M.-G.-M.,  is 
scheduled  to  sail  for  the  other 
side  on  the  Berengaria  tomor- 
row, but  in  view  of  the  fact  that 
there  are  additional  details  and 
a  final  accord  yet  to  be  deter- 
mined, this  trip  may  be  put  off 
for  a  few  days. 


Perez  Gets  Special  Posl 
Paul  E.  Perez,  of  Universal'! 
office  publicity  department,  ha  I 
assigned  to  do  special  work  wl 
"Uncle    Tom's    Cabin"    compa 
der  direction  of   Harry   Pollar 


Regge  Doran  Resigns 
Regge  Doran  has  resigned  as  di- 
rector of  public  relations  for  Pathe. 
effective  April  10.  She  originated  and 
operated  the  department  of  public  re- 
Ititions  for  West  Coast  Theaters.  It 
is  understood  Miss  Doran  will  contin- 
ue with  her  work  under  new  auspices. 


Independent  Buys  Out  Standard 
Kansas  City  —  The  Independent 
Film  Corp.,  of  which  Joseph  Silver- 
man is  president,  has  purchased  the 
Standard  Film  Exchange.  This  makes 
Independent  one  of  the  largest  state 
right  exchanges  in  the  entire  Mid- 
West. 


Harris  Gets  Three  Houses 
Salt  Lake  City — I.  H.  Harris,  own- 
"r  of  the  Burley  circuit  in  Idaho,  has 
!;ken  over  the  Iris  at  Murray  and  the 
Rialto  and  Empress  at  Magna,  Utah, 
to  add  to  his  chain. 


New  Famous  Boston  Exchange 

Boston — Paramount     will     have     a 
new   exchange  on    Berkely    St. 


MILIS    BERKOWITZ 

Also  RAYART  Boosters 


WANTED 

Original  negative  Singa 
pore  and  Mandalay  atmo 
sphere. 


W.  D.  KELLY 

Bryant  9850 


LOBBY  FRAMES  \ 

OF  THE  BETTtR  KIND  ! 

L[BMAN-SPANJER    CORP.  ! 

1600  Broadway  New  York  City  j 

Tffl-Ch:ckerins  5550  Slum-  Rnom  \ 


RESPONSIBILITY 

In  a  community  of  interests  as  concentrated  as  are  the  Motion  Picture 
and  Theatrical  Industries,  dare  we  jeopardize  a  reputation  so  painstakingly 
developed,  by  failing  to  serve  with  faultless  precision — IN  EVERY 
INSTANCE. 

Therein   lies   your   security,    because 

We  will  stake  our  reputation  on  our  service. 


INCORPO  RATED 


li 


80  MAIDEN   LANE,   N.  Y.  C. 

■rri'-iTT'iTT"' 


Telephone    John    3080 


jy,  March  30,  1926 


THE 


gSS^^ 


DAILY 


^on-Theatricals 


T.    O.    A.    Starts    Drive    for 
ni;d  Action — Seeking  Legisla- 
1  n  to  Overcome  This  Evil 

I.April  issue  of  the  Official  Bul- 

the  M.  P.  T.  O.  A.  reviews 

ictivities  in  different  sections 

ountry    to    combat    competi- 

■  111   non-theatrical  sources. 

s  the  resolution  adopted  by 

Jersey  organization  to  pro- 

ii   being  booked   by   non-the- 

iiiits   until   one   year   after   its 

release.      Other    states    are 

'   adopt    a   similar   resolution. 

ryland    organization    is    con- 

'.  campaign   to   combat  non- 

s  in  armories  and  other  audi- 

,ij   owned   by  the  state   for  the 

:  of  film  at  a  lower  price  than 

ters.      These     showings     are 

without    advertising    the    fact 

,ey    are    not    for    any    definite 

or  public  benefit.     A  flagrant 

cited  by  George  Osborne  of 

■w  theater,  Westminster,   Md., 

dvertisement  that  announced: 

Lent .  the    Armory   will   show 

i    five    nights    a    week."      Os- 

sserts  that  this  non-theatrical 

g   a    state    hall    and    charging 

ons    in    most    cases    10    cents 

n  his  own. 

h  M.  Seider,  business  man- 
the  M.  P.  T.  O.,  has  writ- 
vernor  Ritchie  of  Maryland. 
overnor  has  replied,  stating 
B  was  unfamiliar  with  such 
md  that  he  will  thoroughly  in- 
e.  The  Hays  organization 
o  taken  action  on  this  com- 
notifying  the  Washington,  D. 
m  Board  of  X^^de,  as  it  is 
certain  Washington  distri- 
have  furnished  film  to  non- 
als  in  Maryland. 

Official  Bulletin  article  con- 
)y  urging  exhibitors  troubled 
non-theatrical  problem  to  go 
the  heads  of  their  state  unit, 
sufficient   pressure   cannot   be 

t  to  bear,  to  act  with  national 

arters. 


lOING  TO  EUROPE 

ind  will  act  as  personal 
epresentative  for  any 
>erson  or  company  while 
:broad.  Well  acquainted 
vith  every  phase  of  Mo- 
ion  Picture  Industry 
vith  excellent  connec- 
ions  in  every  large 
European  Motion  Pic- 
ure  Centre. 


Apply  Box  K-150 
FILM  DAILY 
650  B'way      New  York  City 


Pathe  Sales  Meeting 

District    Chiefs    and    Branch    Heads 

Convene  in  New  York  April  19 — 

Roach  and  Sennett  to  Attend 

Pathe  will  hold  a  sales  convention 
at  the  Hotel  Roosevelt  the  week  of 
April  19,  at  which  production  plans 
for  1926-27  will  be  discussed.  Five 
district  managers  and  the  branch  rep- 
resentatives will  attend. 

Hal  Roach  and  Mack  Sennett  will 
take  part  in  the  meeting.  This  is  the 
first  time  that  both  producers  have  at- 
tended one  of  the  company's  conven- 
tions. Representatives  of  Timely 
Films,  Inc.,  producers  of  Topics  of  the 
Day,  and  Fables  Pictures,  Inc.,  mak- 
ers of  Aesop's  Fables,  will  also  attend, 
as  will  other  producers  who  distribute 
through   Pathe. 

Roach  and  Sennett  will  each  con- 
tribute four  series  of  two-reel  come- 
dies next  season.  Charles  R.  Rogers 
will  make  a  series  of  six  Harry  Carey 
Westerns;  Leo  Maloney  will  star  in 
six,  while  Monty  Banks  will  appear  in 
three  feature  comedies.  Many  series 
of  short  reels  will  be  included. 


Sennett  Signs  Johnny  Burke 

Los  Angeles — Mack  Sennett  has 
signed  Johnny  Burke,  vaudeville  head- 
liner,  to  a  long  term  contract. 


U.  A.  Announcement  Soon 

United    Artists'    announcement    for 
next  year  will  be  issued  late  in  April 


60,000  Placements 

Fred  Beetson,  in  N.  Y.  from   Coast, 

Reports    Central    Casting     Bureau 

Busy  in  Three  Months'  Existence 

More  than  60,000  placements  have 
been  made  by  the  Central  Casting 
Bureau  during  the  three  months  of  its 
operations,  said  Fred  W.  Beetson, 
secretary  and  treasurer  of  the  Assoc- 
iation of  M.  P.  Producers,  upon  his 
arrival  in  New  York  yesterday  from 
Hollywood.  Ten  thousand  seasoned 
players  are  registered  with  the  Bureau 
which  is  placing  "casuals"  through  an 
arrangement  with  the  State  Epiploy- 
ment  Office.  The  actors  allowed  to 
register  are  recommended  by  the  stu- 
dios. 

Beetson  will  be  in  New  York  about 
three  weeks,  making  headquarters  at 
the  Hays  office.  He  may  visit  the  Ca- 
nadian office  of  the  Hays  organization 
before  returning  to  the  Coast.  Pro 
duction  will  be  humming  in  Holly 
wood  in  April,  he  states. 


Indiana  Combine 

H.    Lieber    Co.    and    Greiver    Prod. 

Taken  Over  by  Mid  West  Film — 

Will  Handle  Ind'p't  Product 

Indianapolis — Robert  Lieber,  act- 
ing for  H.  Lieber  Co.,  and  S.  B. 
Greiver  Prod.,  Chicago,  has  turned 
over  their  Indiana  interests  to  the 
Mid  West  Films  Co.,  a  new  Indiana 
corporation. 

John  Servass  of  the  Lieber  Co. 
will  remain  in  charge  of  sales  ac- 
tivities and  will  act  as  secretary  and 
treasurer,  with  offices  at  218  Wimmer 
Bldg.,  Indianapolis.  S.  B.  Greiver  is 
president  of  the  combination,  which 
will   handle   independent   productions. 


Charley  Murray  Here 

Charley  Murray  arrives  in  New 
York  from  the  Coast  today.  He  will 
have  a  part  in  "Mismates"  for  First 
National. 


100    Managers   to    Attend 

Los  Angeles — More  than  100  ex- 
change managers  from  cities  west  of 
Denver  will  attend  the  Universal 
sales  convention  at  the  Biltmore, 
April  5-7. 


Lamb   Signs  Ann   Pennington 

Arthur  J.  Lamb  has  signed  Ann 
Pennington  to  make  a  series  of  two- 
reel  comedies  to  be  produced  in  New 
York.      Production    starts    April    3. 


Loew  Buys  Cleveland  Cameo 

Cleveland — Loew  has  purchased  the 
Cameo  property,  at  707  Euclid  Ave., 
at  a  reported  price  of  $350,000. 


Marcel  De  Sano  Renews 

Hollywood — Marcel  De  Sano,  di- 
rector, has  signed  a  new  contract 
with    M.-G.-M. 


Jeanie  Macpherson  to  Coast 

Jeanie    Macpherson    has    left    New 
York  for  the   Coast. 


THE 


sggg^ 


DAILY 


Tuesday,  March  % 


■ii^ 


Appointed  Secretary 

Albany — Edith  L.  Grossklaus,  of 
Syracuse,  has  been  appointed  secre- 
tary to  Chairman  John  H.  Walrath  of 
the  State  M.  P.  Censorship  Commis- 
sion. She  will  be  located  at  the  office 
of  the  commission  in  New  York  City. 


Buffalo  Woman  Made  Reviewer 

Albany — The  State  M.  P.  Censor- 
ship Commission  announces  the  ap- 
pointment of  Mrs.  Olga  Segrist  of 
Buffalo,  as  a  reviewer. 


Snowdon  Summers  Dead 

Snowdon  H.  Summers,  for  several 
years  with  the  publicity  and  advertis- 
ing department  of  United  Artists,  and 
more  recently  director  of  sales  pro- 
motion publicity,  died  suddenly  at  his 
home,  115  W.  104  St.,  on  Sunday. 
Death  came  from  a  heart  attack  fol- 
lovving   acute   indigestion. 


Mochrie   Promoted 

Robert  Mochrie,  who  has  been 
working  in  the  Albany  territory  for 
P.  D.  C,  has  been  promoted  to  the 
management  of  the  Pittsburgh  branch. 

David  R.  Blyth,  P.  D.  C.  home  of- 
fice sales  representative,  is  on  a  tour 
through  the  Mid-West. 


Simpson  Leaves  for  Coast 

Ben  F.  Simpson  left  New  York  for 
the  Coast  last  night  to  assume  charge 
in  the  West,  of  the  Movie  Lovers' 
Contest,  sponsored  by  Photoplay 
Magazine  and  various  newspapers. 


Leonard  to  Direct  "Waning  Sex" 
Hollywood — Robert  Z.  Leonard 
will  direct  Norma  Shearer  in  "The 
Waning  Sex,"  a  M.-G.-M.  picture 
under  Harry  Rapf's  supervision. 
Lew  Cody  will  be  male  lead.    - 

Root  to  Write  Original  for  Dix 

Wells  Root,  assistant  dramatic  crit- 
ic of  the  New  York  World,  has  been 
engaged  by  Paramount  to  write  an 
original  for  Richard  Dix.  This  will 
follow  "Take  a   Chance." 


Universal  Loans  Players 

Hollywood — Universal  has  loaned 
Marion  Nixon  and  George  Lewis  to 
Arthur  Beck  for  leads  in  "Devil's  Is- 
land," starring  Pauline  Frederick. 


Incorporations 

Trenton,  N.  J. — ^Joseph  Stern  Theatrical 
Enterprises,  Inc.,  Newark;  to  operate  a  the- 
ater chain.  Capital  $125,000.  Incorporators, 
F.  Israel,  L.  Stern  and  J.  Kaur.  Attorneys, 
Kessler  and   Kessler,  Newark. 


Trenton,  N.  J. — Hoppe-Seidenburg  Corp., 
Inc.,  Elizabeth;  real  estate  aiid  theaters. 
Capital  $50,000.  Incorporators,  C.  Hoppe, 
E.  Hoppe  and  B.  Siedenburg.  Attorneys, 
Connolly  &  Hueston,  Elizabeth. 


Albany,  N.  Y. — Seaboard  Pictures  Corp., 
New  York;  to  produce.  Capital  $60,000.  In- 
corporators, M.  Elliot,  C.  Elliot  and  G. 
Abrahams.  Attorney,  T.  H.  Matters,  35 
Nassau  St.,  New  York. 

Trenton,  N.  J. — Sea  Coast  Amusement  Co., 
Newark;  theaters.  Capital  $75,000.  Incor- 
porators, W.  Umberger,  B.  Umberger  atid  A. 
Gahs.  Attorneys,  Selick  J.  Mindes,  New- 
ark. 


Albany,  N.  Y. — White  Plains  Hotel  Corp., 
White  Plains;  to  operate  hotels  and  theaters. 
Capital  $100,000.  Incorporators,  H.  Pau- 
chey,   Bronxville,   et  al. 


Tallahassee,  Fla. — Fairyland  Amusement 
Co.,  JacksonvUle.  Capital  $50,000.  The- 
aters. 


Hollywood  Happenings 


Harry  Langdon  Back 

Harry  Langdon  has  arrived  home 
after  spending  several  weeks  in  New 
York.  He  will  start  work  on  his  next 
comedy  immediately.  It  is  titled  "The 
Yes  Man."  With  Langdon  arrived 
William  H.  Jenner,  his  general  man- 
ager. 


Ford  in  Christie  Feature 

Al  Christie,  whose  latest  feature, 
"Up  in  Mabel's  Room,"  will  star  Ma- 
rie Prevost,  has  signed  Harrison  Ford 
to  play  opposite,  by  an  arrangement 
with  Famous  Players. 


Young  Busy  on  Scenario 

Waldemar  Young  is  putting  finish- 
ing touches  on  the  scenario  of  "The 
Flaming  Forest,"  James  Oliver  Cur- 
wood's  story,  which  Reginald  Parker 
will  direct. 


De  Leon  Under  Contract 

Walter  De  Leon  has  left  for  New 
York  for  the  M.-G.-M.  studios,  where 
he  has  been  placed  under  contract  to 
write  origmal  stories. 


Sloman  to  Direct  Laura  La  Plante 

Edward  Sloman  has  been  assigned 
the  direction  of  "Butterflies  in  the 
Rain,"  with  Laura  La  Plant  starring 
for  Universal. 


Change  Title  of  Flynn's  Newest 

The  title  of  Lefty  Flynn's  next, 
which  has  been  completed,  has  been 
changed  from  "Big  Timber"  to  "Sir 
Lumberjack." 


Viola  Dana  in  Ince  Picture 

Ralph  Ince  has  signed  Viola  Dana 
to  2,lay  the  featured  role  in  "Bigger 
Than  Barnum,"  which  he  will  direct 
for  F.  B.  O. 


Boyd  Opposite  Goudal 

William  Boyd  has  been  selected  for 
the  lead  opposite  Jetta  Goudal  in  her 
first  starring  picture  "The  Beloved 
Enemy." 


Added  to  Staff 
Beatrice    Van    and    Jerome    Storm 
have   been  added   to   the   staff  of  F. 
Richard  Jones,  at  the  Hal  Roach  stu- 
dios. 


Raymond  Keane  Loaned 

Raymond  Keane,  Universal  player, 
has  been  loaned  to  play  a  lead  in 
"April  Fool,"  a  Chadwick.  Prod. 


BIG 

Moments 
IN  ANY  SHOW 

A  ^    ;    < 

Red  Seal  Picture 


729   Seventh  Ave.,   N.   Y.   C. 


Working  on  Mix's  Next 

James  Bell  Smith  has  completed 
the  scenario  for  "Dead  Man's  Gold," 
J.  Allan  Dunn's  novel,  the  next  for 
Tom  Mix.  It  will  go  into  production 
soon  at  Fox  under  direction  of  Tom 
Buckingham. 


Cast  for  "Money   Talks" 

The  complete  cast  of  "Money 
Talks"  follows:  Claire  Windsor 
Owen  Moore,  Bert  Roach,  Nee 
Sparks,  Phillips  Smalley,  Dot  Far 
ley,  George  Kuwa  and  Kathleen  Key 
Archie  Mayo  is  directing  for  M.-G.-M 


"Early  to   Wed"  Finished 

"Early     to     Wed"     has     just     been 
completed    at    Fox    studio    under    th 
direction    of    Frank    Borzage.      Matt 
Moore    and    Kathryn    Perry    are    the 
leads. 


Fox  Opens  Sydney  Buildii; 

Sydney — Fox  has  opened  thi 
gest  exchange  building  in  Aus 
the  structure  costing  $500,000. 
ley  S.  Crick,  managing  direct( 
Australia,  is  en  route  to  atter 
Fox  sales  convention  in  Los  Ai 
April  11. 


¥ 


Big  House  for  Fort  Wajm 

Fort  Wayne,  Ind. — The  \ 
Quimby  interests  will  operat 
new  $1,000,000  theater  soon 
erected  at  Harrison  and  Jef 
Sts.  It  will  seat  3,400.  A.  M.  Si 
is  the  architect. 


Sanford  Buys  Two  Storie 

Hollywood — Sanford      Prod, 
bought  "Money  Buys  Everythiri 
original     by     Harold     Stockton 
"Under   the    Makeup,"   stage  p 
Robert  Manfield,  for  the  comir 
son. 


Start    "Vindicated" 

Phil  Goldstone  and  his  Tiffany  com- 
pany have  started  production  of  "Vin- 
dicated," story  by  Arthur  Stringer, 
at  Fine  Arts.  Louis  J.  Gasnier  is 
directing. 


Kiesling  Returns 

Barrett  C.  Kiesling  has  returned 
to  California  from  New  York  to  take 
over  a  newly  created  position  as 
general  publicity  director  for  P.  D.  C. 


Leases  Boise,  Idaho,  Hous 

Salt  Lake  City — C.  F.  Montgi  i 
manager  of  the  American,  ha'i 
closed  a  lease  for  a  theater  in 
Ida.,  for  F.  Dahnken  and  Co, 
house  will  be  completed  this  su 


' 


Cast  for  "Forever  After 

Los    Angeles — Lloyd    Hught 
Mary    Astor    will    have    the    le: 
First      National's      "Forever 
based  on  the  stage  play. 


Glenn  Hunter  in  Drieser  Fi 

It  is  reported,  but  uncom 
that  Glenn  Hunter  will  play, 
Griffith  in  Drieser's  "An  Anj 
Tragedy,''    for    Famous. 


BOSTON'S  BUYING  BUSILY 

Herman  Rifkin,  of  Supreme 
Film  Corporation,  realizes 
that,  in  order  to  operate  a  suc- 
cessful exchange  in  Boston  you 
have  to  use  your  bean!  He  did: 
He  bought 

RAYART^S 

SUPERIOR  MELODRAMAS 

Ride  with  Rayart  and  Reap 
A  Rich  Reward ! 

Foreign  Rights  Controlled  by  Richmount  Pictures,  Inc.l 


l.v 


ueiay,  March  30,   1926 


5- 


\ore  N.  W.  Chains? 

{Continued  from  Page  1) 
ational  comes  in  to  Seattle,  the 
will    certainly    have    'plenty'    of 

xersal     has     the     Columbia     in 

lid,  but  it  is  stated  that  they  be- 

iliis  house  will  not  be  adequate 

he  new  theaters  planned  for  the 

ity  are  opened.    Too,  it  is  stat- 

they  have  not  had  the  break  in 
m  houses  in  the  Oregon  me- 
-  for  their  product;  and  that 
^terest  in  securing  the  Multno- 
iiain   is   to   have    a   satisfactory 

or  their  product  in  Oregon,  re- 
-s   of   future   activities  over   the 

\'   competitive   producer-owned 

'  prominent  showmen  of  Wash- 
and  Oregon  are  bending  to- 
to  form  a  new  chain  in  the 
est,  "M.  P.  Record"  says, 
xpcct  .to  close  for  50  or  more 
in  small  towns  and  then  sell 
I  one  of  the  producers  who  are 
iil;  the  territory,  the  story  goes, 
this  regional: 

Fox    theater,     seating    around 

will  be  ready;   the   new   Publix 

home   of   Paramount    pictures, 

J  2,500,  will  be  open;  Ackerman 

lis'  new  theater,   seating  2,500, 

will    play   pictures   and   vaude- 

ill  be  completed  by  early  Fall; 

American's   Fifth   Ave.  theater 

along  now;  and  this  firm  will 

the      Liberty,      Coliseum     and 

then   there    is    the    Columbia, 

^al's    house,    and    John     Ham- 

■  liie  Mouse  theater." 

h  American  is  planning  a  house 

iland   as   well  as   Ackerman    & 

Fox,    Paramount    and    Warn- 

I   is  also  reported  that  the  Or- 

Circuit  intends  to  have  a  jun- 

ii>e  there  before  another  year. 


Meeting  in  London 

(Continued  from  Page    1) 

the  Government  would  not  act  for  one 
year. 

Lowry  and  representatives  of  Am- 
erican distributors  were  asked  if  they 
could  interest  the  leaders  in  America 
m  their  cause.  The  result  was  a  de- 
cision to  call  another  meeting  fol- 
lowing receipt  of  the  American  trade's 
attitude.  April  21  is  the  tentative 
date. 


The  American  industry  will  not  act 
on  any  British  proposals  until  such 
proposals  take  a  concrete  form.  This 
was  learned  at  the  Hays  office  yes- 
terday. 

It  is  reported  from  London  one 
suggestion  to  be  made  by  the  British 
trade  will  be  concerning  the  use  of 
a  national  studio  by  American  pro- 
ducers, thereby  giving  English  labor 
an  opportunity  to  engage  in  produc- 
tion. 


London  Wants  Sunday  Shows 

The  Associated  Press  reported  yes- 
terday London  exhibitors  have  or- 
ganized a  campaign  to  secure  permis- 
sion to  keep  open  on   Sunday. 


Hersholt  in  "Delicatessen" 

Los  Angeles — Universal  is  "farm- 
ing" Jean  Hersholt  for  a  feature  role 
in  Colleen  Moore's  next,  "Delicates- 
sen." 


May  Take  News  Reel 

(.Continued  from  Page   1) 

New  York  last  week,  believes  that 
American  companies  can  produce  in 
England  at  70  per  cent  of  what  the 
same  picture  would  cost  if  made  here. 
He  thinks  that  too  much  money  is 
wasted  in  expensive  scenes,  the  ideas 
of  which  could  as  well  be  conveyed  to 
the  audience  through  symbolism. 
Frankau  says  that  the  British  public 
is  kicking  at  the  lack  of  interesting 
stories  in  American  films  and  urges 
American  producers  not  to  judge  En- 
glish tastes  by  the  voices  of  the  Brit- 
ish critics. 

Frankau  leaves  for  a  trip  to  Holly- 
wood  in  about  three  weeks. 


Horton  in  "Lord  Hokum" 

Hollywood  —  "Lord   Hokum"   will 
be    the    next    Associated     Exhibitors 
comedy     starring      Edward      Everett. 
Horton.     Lloyd  Ingraham  is  now  di 
recting  with    Otis   Harlan,   Kay   Des- i 
lys,    Edythe    Chapman    and    Margaret) 
Campbell  in  the  cast. 


Cast  for  "Train  Robbery" 

Los  Angeles  —  Madge  Bellamy, 
Charles  Farrell  and  J.  Farrell  Mac- 
Donald  have  been  cast  for  "The 
Great  K,  &  A.  Train  Robbery,"  Fox 
picture. 


Exchanges  Join  Hays 

(Continued  from  Page  1) 
dependent  Films,  Boston;  Bobby 
North,  president,  Apollo  Exchange, 
New  York;  Herman  Gluckman,  Capi- 
tal Film  Exchange,  New  York;  Sam 
Zierler,  Commonwealth  Film,  New 
York;  Ben  Levine,  Oxford  Film  Ex- 
change, New  York;  Jack  Bellman, 
Renown  Pictures,  New  York;  Gene 
Marcu.s,  20th  Century  Film  Co.,  Phil- 
adelphia: Ben  Amsterdam,  Master- 
piece I-'ilm  Attractions,  Philadelphia; 
Oscar  Neufeld,  De  Luxe  Film  Co., 
Philadelphia,,  and  Harry  Charnas, 
Standard  Film  Service,  Cleveland. 
The  application  was  made  by  Neufeld, 
who  is  president  of  the  Regional  or- 
ganization. All  members  belong  to 
the   Film   Boards  of  Trade. 

F.  B.  O.  was  elected  to  membership 
in  the  Hays  organization  at  the  meet- 
ing, at  which  Joseph  P.  Kennedy  was 
elected  a  director,  to  represent  F. 
B.  O. 

Plans  for  the  proposed  film  club 
atop  1560  Bway,  sponsored  by  Lee 
Ochs,  were  discussed  at  the  meeting, 
but,  it  is  understood,  no  definite  ac- 
tion was  taken. 


Langdon  Re-Signs  Scenarist 

Hollywood — Hal  Conklin,  coniedv 
scenarist,  has  renewed  a  long  term 
contract  with   Harry   Langdon. 


Film  Publications  Combine 

National  Board  of  Review  and 

licnal    Committee    for    Better 

will     combine     their     publica- 

"Exceptional        Photoplays.  ' 

Progress"      and      "Photoplay 

These    will    be    merged    as 

Xational     Board     of     Review 

le."     published     monthly,     the 

ue  to  appear  in   April. 


To  Fight  Summer  Slump 

'1   Marin  and  Ned  Depinet,  wes- 

nd    southern    sales    managers, 

\'ely,  for   First   National,  have 

ud  from  trips  with  reports  that 

where  they  found  exhibitors 
for  an  aggressive   campaign   to 

the   summer   slump. 


loward  to  Direct  La   Rocque 

^     Angeles — William     K.     How- 
i  IS';   assignment  under  his   new 
with   De    Mille  is   "Bachelor 
>,     with  Rod  La  Rocque. 


•  Exhibitor:  A«k  at  the  Film  Exchange* 
for  the 


Warners'  Circle  Robbed 

The  Warners  were  advised  yester- 
day that  the  Circle,  Cleveland,  was 
robbed   Sunday  of  $8,000. 


Attempt  to  Rob  Loew's  83rd  St. 

An  attempt  made  early  yesterday  to 
rob  Loew's  83d  St.  theater,  was  un- 
successful. 


Alicoate  Coastbound 

John  W.  Alicoate,  publisher  of 
THE  FILM  DAILY,  departs  for 
Hollywood    today. 


Agnes  Cobb  to  Mexico 

Agnes    Egan    Cobb  writes  from   El 
Paso  that  she  is  en  route  to  Mexico. 


Incorporate  Somerville  Theater  Co. 

Somerville,     Mass.     —     Somerville 
Community    Theater,    Inc.,    has    been' 
incorporated      by      Allan      Robinson, 
Julia    W.    Troy    and    Nora    E.    Troy, 
941    Tremont    Bldg.,    Boston. 


New  $850,000  Danvers  Theater 

Danvers,  Mass. — The  Danvers  the- 
ater is  to  be  built  by  Louis  Brown 
to  replace  the  structure  burned  dur- 
ing winter.  The  work  will  cost  $850,- 
000. 


Gut  Top  Price 

(Continued  from   Page   1) 

Aside  from  the  Times  Square  thea- 
ters practically  no  houses  are  affected 
by  the  change  as  their  rates  are  below 
the  75-cent  mark.  The  only  combina- 
tion house  in  the  district  to  make  a 
change  is  Moss'  Broadway,  which 
made  a  reduction  similar  to  the  pic- 
ture theaters. 


Stallings  a  Production  Manager 

Culver  City — Charles  Stallings  has 
been  appointed  production  mana- 
ger for  "The  Temptress,"  which  Mau- 
rice Stiller  is  directing. 


Loaned   to    Richard  Talmadge 

Hollywood — LIniversa!  has  loaned 
Ena  Gregory  to  Richard  Talmadge 
for  "The  Better  Man,"  which  Scott 
Dunlap  will  make. 


Johnnie  Walker  in  "Old  Ironsides" 

Hollywood — Johnnie  Walker  has 
been  engaged  by  Paramount  to  play 
the  role  of  Stephen  Decatur  in  "Old 
Ironsides." 


Senate    Theater    Opens    Tonight 

The  Senate,  74th  St.  and  18th  Ave., 
Brooklyn,  will  have  its  opening  this 
evening. 


Moy  Bennett's  Mother  Dead 

T.   Moy  Bennett's  mother  died  yes- 
terday at   7:30  A.   M. 


.i-m,i(icAlus/c 


^^4^^ 


•.  Uttle  to  atfc  for,  but   it't   the   only 

liable  aid  you  can  give  jout  muaicians 

to  help  put  the  picture  orer.   f. 


IN  EGYPTIAI 


?4'tft^.?mi 


sj&or? 


tr\i^'"s: 


a  I 


iiy<7'^^f^s> 


ELENORE  MEHERIN'S 

daring  nopd 

•with 

MADGE  BELLAMY 
HARRISON  FORD 

LESLIE  FENTON-DAVID  TORRENCE 
GLORIA  HOPE- CHARLES  FARRELL 

kemrio  by  tve  UnselJ  from  thesf^ory 
published  in  leading  newspapers 

HARRY  BEAUMONT 

J^rodudHon 


The  most  widely  read  news- 
paper story  in  years! 

The    dramatic    picture   tri- 
umph of  the  season! 

It's  immense! 


I 


Life!    Beauty!    A  smile  here — a  tear  there — but  above  all 
power— box-office  force— A  GREAT  PUNCH! 

Pox  Film  Coi*poratioiv 


fff  brAdstreet 

^  FILHDOH 


iTHE 


:s(^re(ocmized 
Authority 


:XXV     No.  75 


WeWsday,  March  31,  1926 


Price  5  Cents 


Theaters 

larch   18,  this  publication  said, 

Things  are  moving.  The 
of   many   in   the   industry 

be  turned  to  gigantic  op- 
ens in  the  theater  field 
tly.    Activity  in  that  direc- 

which  has  steadily  grown 
:he    past    year    will    reach 

g  h  t  s    undreamed     of    by 

y" 

:rday  from  Chicago  came  word 
imous  would  shortly  close  a 
r  a  controlling  interest  in  the 
1  and  Katz  Corporation.  An- 
remendous  move  and  one  that 
tly  in  line  with  the  organized 
jn  to  take  on  new  theaters. 

h  for  further  activities  in  the 
on  tield.  Many  deals  are  on 
y  and  they  are  not  by  any 
puny.  Millions — so  many  that 
'ery  number  amazes — are  at 
Ambitious  indeed  is  the  scope 
venture.  However,  Famous  or 
is  not  the  only  organization 
will  take  rapid  strides  along 
id.  There  is  another  vital  fac- 
:he  industry  which  is  about  to 
to  line  its  forces  for  an  identi- 
elopment. 

Whisperings     • 

f  the  big  doings,  however,  are 
[fined  to  theaters.  There  con- 
talk  of  new  mergers,  of  the 
•  in  ownership  of  one  very 
own  organization  to  another, 
is  also  the  slightest  suspicion, 
ell-grounded  is  not  quite  ap- 
at  the  moment,  that  a  large 
:r-distributor  will  blossom 
1  the  short  subject  field — not 
ippendage  to  its  present  struc- 
it  by  annexing  in  toto  a  certain 
ubject   distributor. 

"Red"  Kann 


FAMOUS  ABOUT  TO  BUY 

CONTROL  IN  B.  &  K.  CORP. 


Europe  Discussed 

Principals  in  New  Combination  Meet 

— To  Limit  Their  Releases  in 

Central  Europe 

Representatives  of  Metro-Goldwyn- 
Mayer,  First  National  and  Famous 
held  a  meeting  at  Arthur  Loew's  of- 
fice yesterday  in  connection  with  the 
new  buying  organization  which  will 
begin  activities  first  in  Central  and 
Southeastern    Europe. 

The  fact  that  Loew  will  sail  for 
Europe  Saturday  on  the  Majestic  is 
understood  to  definitely  indicate  that 
(.Continued  on  Page  S) 

Hays  Re-elected 

Again  Named  President  of  the  M.  P. 

P.  D.  A.— New  Board  of  Durec- 

tors  Named 

Will  H.  Hays  was  re-elected  presi- 
dent of  the  M.  P.  P.  D.  A,,  at  the 
regular  quarterly  meeting  yesterday, 
prior  to  which  the  annual  election  of 
the  Board  of  Directors  was  held. 
Carl  E.  Milliken  was  re-elected  sec- 
retary, and  J.  Homer  Flatten,  pre- 
viously assistant  treasurer,  was  elect- 
(Continued  on  Page  6) 


Menjou  Stays 

Three- Year    Contract    with    Famous 

Pending — Four    Productions    the 

First   Year 

It  is  understood  Adolphe  Menjou 
is  about  to  sign  a  three-year  contract 
with  Famous.  Under  the  terms  of 
it,  he  will  star  in  four  pictures  a  year. 
Two  of  the  first  series  are  "The 
Headwaiter"  and  "The  Ace  of  Cads." 


Gilbert  Renews 

Los  Angeles — John  Gilbert  has  re- 
newed his  contract  with  M.-G.-M. 


"U"  in  Boston 

Takes  Over  New  Theater  Now  Un- 
der Construction — Missouri  Deal 
On 

Boston — The  Universal  Theaters 
Corp.  has  leased  a  new  house  to  be 
erected  at  Broadway  and  K.  St.  It 
will  open  Sept.  1. 


To  Close  in  30  Days 


Sam  Katz  and  Balabans  Retain 

Their   Interests — Rosenwald, 

Hertz  and  Others  Sell 


|«7  Dividend  Payable  Today 

litockholders  of  record  March 
J  today  receive  the  regular  quar- 
Ividend  of  50  cents,  declared  by 
rectors  of  Loew's,  Inc.,  on 
L 


News  Reels  Out 

Amendment    to    New    York    Censor 
Bill    Passes   Both    Houses — Gov- 
ernor Will  Sign 

Albany,  N.  Y. — With  no  opposi- 
tion the  Senate  late  Monday  night 
passed  the  bill  introduced  by  Assem- 
blyman Davison,  which  would  elim- 
inate news  reel  films  from  the  juris- 
diction of  the  Motion  Picture  Cen- 
sorship   Commission. 

(Continued  on  Page  6) 


T.  O.  C.  C.  Election  Tomorrow 

The  annual  meeting  of  the  T.  O. 
C.  C.  scheduled  for  yesterday  at  the 
Astor  was  postponed  until  tomorrow 
as  Tuesday  was  the  Passover,  a  Jew- 
ish holiday.  Charles  L.  O'Reilly  will 
be   elected   president. 


Universal  is  negotiating  with  Sam 
Harding,  president  of  Capitol  Enter- 
prises, Inc.,  of  Kansas  City,  for  that 

(Continued  on  Page  4) 


Columbia  Exchanges 

Franchises   for    1926-1927    Mean   Na- 
tional Distributing  System  for 
Company 

It  is  understood  that  Columbia  will 
operate  as  a  national  distributing 
company  next  season.  In  the  past 
few  days,  a  number  of  independent 
exchangemen  have  been  in  New 
York  conferring  with  Jack  Cohn  and 
Joe   Brandt. 

(Continued  on  Page  5) 

Arrow  Gets  Extension 

Arthur  S.  Friend  has  been  retained 
by  Arrow  as  counsel  to  handle  the 
claims  of  certain  creditors.  These 
creditors  have  granted  Arrow  an  ex- 
tension of  time. 


IS 


Kiddie  BUI  Up  Today 

IV — Action  in  the  Assembly 
1-reiberg  Bill  admitting  kiddies 
iers  when  under  16  and  unac- 
ied  by  a  guardian,  will  come 
ly,  following  a  postponement 
isterday. 


2,000-Seat  House  for  Seattle 

Seattle — North  American  Theaters 
plan  to  invade  Bellingham  with  a 
2,000-seat  house.  It  will  be  in  a 
$500,000    department    store    building. 


aramount      convention      was 
ill      Nell    Gwyn.— Advt. 


simply 


M 


Lloyd  Leaves 
Harold  Lloyd  leaves  for  California 
today. 


Hudson  To  Take  Vacation 

Earl  Hudson,  after  finishing  "Mis- 
mates"  for  First  National  will  take 
a  three  months'  vacation  before 
starting  another  picture.  This  is  his 
first  rest  in  over  seven  years. 


Jacobo  Glucksmann  Returns 
Jacobo     Glucksmann,     well-known 
exporter,     returned     yesterday     from 
South  America. 


Chicago — In'  thirty  days,  for- 
mal announcement  will  be  made 
of  the  purchase  by  Famous 
Players,  of  a  controlling  inter- 
est in  the  Balaban  and  Katz 
Corp. 

It  is  understood  that  Famous 
has  secured  the  stock  in  the  cor- 
poration now  held  by  Julius  Ro- 
senwald, John  Hertz  and  sever- 
al others.  This  means  that  the 
interest  held  by  Sam  Katz  and 
the  Balabans  will  remain  in 
those  hands.  The  trading  price 
of  the  slock  will  be  80. 

The  Balaban  and  Katz  Corp. 
at  present  operates  the  Chicago, 
seating  4,300;  Uptown,  seating 
4,500;  Tivoli,  seating  3,500; 
Roosevelt,  seating  1,800  and  the 
Riviera,  seating  1,800.  Building, 
are  the  new  Randolph,  which 
will  seat  4,000,  the  Oriental,, 
which  is  almost  finished,  and 
several  others  in  different  sec- 
tions of  the  city.  These  will  seat 
about  4.000  each. 

The  corporation  controls  50 
per  cent  of  Lubliner  and  Trinz, 
which  was  acquired  by  B,  and 
K.  in  May.  This  company  in- 
cludes about  26  theaters,  most 
of  them  in  neighborhood  sec- 
tions. The  corporation  also  con- 
trols a  fifty  per  cent  interest  in 
Tdid-West  Theaters,  Inc.,  oper- 
ating 21  houses  in  nine  Illinois 
towns. 

All  of  these  properties  are 
presumably  included  in  the  deal 
with  Famous. 

(Continued  on  Page  4) 


2 


Wednesday,  March  31, 


t/'FtLHOOH 


VoLXXXV  No.  75  Wednesday.  Mar.  31, 1926  Price  5  Cents 

^ 

im  W.  ALICOATE      ::::::      Publisher 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
(nc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadwaj',  New  York,  N.  Y. 
J.  W.  Alicoate,  Treasurer,  Maurice  D.  Kann, 
Editor;  Donald  M.  Mersereau,  Business  and 
Advertising  Manager ;  Ralph  Wilk,  Travel- 
ing Representative.  Entered  as  second-class 
matter  May  21,  1918,  at  the  post-office  at 
New  York,  N.  Y.,  under  the  act  of  March 
3,  1879.  Terms  (Postage  free)  United  States, 
outside  of  Greater  New  York,  $10.00  one 
year;  6  months.  $5.00;  3  months,  $3.00.  For- 
eign, $15.00.  Subscribers  should  remit  with 
order.  Address  all  Communications  to  THE 
FILM  DAILY,  1650  Broadway,  New  York, 
N.  Y.  Phone  Circle  4736-4737-4738-4739. 
Cable  address :  Filmday,  New  York.  Holly- 
wood, California — Harvey  E.  Gausman,  6411 
Hollywood  Blvd. ;  'Phone,  Granite  3980, 
London — Ernest  W.  Fredman,  The  Film 
Renter,  58,  Great  Marlborough  St.,  London, 
W.  I.,  Paris — La  Cinematographie  Francaise, 
5,  Rue  Saulnier. 


Financial 


Although  prices  in  the  general  market  con- 
tinued to  crumble  in  the  face  of  the  bear  at- 
tack, film  issues  practically  held  their  own. 
This  was  considered  encouraging  as  the  bear 
movement    was    sudden     and    unexpected. 

Warner  Bros.'  common  rose  3^  points  to 
14,  making  the  best  showing  in  film  stocks. 
Famous  common  went  up  to  115,  gaining 
214  from  the  previous  day's  closing.  Bala- 
ban  &  Katz  and  Universal  preferred  made 
slight  gains.  Pathe  Exchange  "A"  drop- 
ped  5J4    to   49. 

Famous  common  continued  to  be  the  most 
active   issue,    14,000   shares   being   sold. 


Smith  as  Mediator 

Hammerstein    Recommends    Govern- 
or to  Arbitrate   Film   Rights  Sales 
Disputes— $50,000   Salary   Named 

Arthur  Hammerstein  has  recom- 
mended Governor  Smith  as  mediator 
to  act  in  disputes  in  connection  with 
the  sale  of  film  rights,  according  to 
the  plan  agreed  upon  by  the  theatri- 
cal producers  and  Dramatists'  Guild. 
William  A.  Brady,  spokesman  for 
the  managers,  yesterday  mentioned 
possibilities  of  a  $50,000   salary. 

Pending  the  selection  of  an  arbi- 
trator, It  has  been  suggested  that 
both  sides  appoint  a  joint  committee 
to  adjust  any  disputes  which  may  oc- 
cur. The  arbitrator  must  be  ratified 
by  each  group  by  a  three-quarters 
vote.  Fornjal  action  may  not  be  tak- 
en  for  several   months. 

The  producers  will  meet  tomorrow 
afternoon  at  the  Astor  to  further 
plans  fo'-  their  permanent  organiza- 
tion. 


Won't  Hurt  I.  M.  P.  A. 

Regional  Distributors  Assoc.  Not  To 
Deplete  Membership  of  Elliott 
Body — Advocated  By  Chadwick 
The  organization  of  the  Regional 
Distributors'  Assoc,  which  on  Mon- 
day became  afifi'liated  with  the  Hays 
organization,  will  in  no  way  deplete 
the  membership  of  the  I.  M.  P.  A., 
according  to  Frederick  H.  Elliott, 
general  manager  of  the  latter  group. 
He  said  that  the  formation  of  such 
an  association  was  advocated  by 
President  I.  E.  Chadwick  at  the  an- 
nual meeting  of  the  I.  M.  P.  A.  last 
December.  The  new  group  is  "not 
in  conflict"  with  his  organization,  he 
said  and  characterized  it  as  an  "out- 
growth." 

The  regional  distributors  may  hold 
a  meeting  next  week  to  elect  perma- 
nent officers.  They  expect  to  secure 
a   membership  of  about   thirty. 


M.-G.-M.    Buys    Original 

Hollywood —  Metro-Goldwyn-May- 
er  has  bought  an  original  story  by 
Benjamin  Glazer  titled  "Puppets." 
This  title  will  later  be  changed  to 
avoid  conflict  with  a  similar  title 
used  by  First  National.  Gertrude 
Olmsted    will    play    the    lead. 


EmbezzHng  Manager  Freed 

_  Detroit — Oscar  Davis,  former  as- 
sistant manager  of  the  Grand  Riviera, 
who  admitted  embezzling  $9,865  from 
his  employers,  has  been  placed  on 
two  years'  probation.  Walter  Frit- 
chie,  a  former  usher,  was  given  a 
year's  probation. 


Quotations 


High 

..   67^ 
..107 

..nsH 


Balaban    &   Katz 
Eastman    Kodak 
Famous    Players 
•Fam.  Play.  Pfd.   .. 
Film    Inspection     .  . 
•First  Nat'I  Pfd.   .. 
Fox   Film   "A"    ... 
Fox  Theaters   "A". 
*Intern'l    Projector. 

Loew's,    Inc 

Metro-Gold.  Pfd.  .. 
M.  P.  Cap.  Corp.. 
Pathe  Exch.  "A".. 
*tParamount  Bway. 

Skouras    Bros 

**Stan.  Co.  of  Am.. 
Trans-Lux  Screen. 
•Universal  Pictures 
Univ.    Pict.    Pfd.    .. 

•Warner  Bros 

WaTner   Bros.   Pic.   14^ 

*  Last  prices  quoted. 
*•  Philadelphia    market. 

t  Bond    market. 


Low 

64^4 
106^ 
112J^ 


4Ji        4-4 


60 

20 

37 

22^ 
20 
56 

46 


91 


57 
19J4 

36 
22  H 
19^ 

46 

'm 

91 
14 


Close     Sales 

67 
106H        800 
115       14,000 

119  

454 
100 

57 

19H 
13 
36 
221/5 
19^ 
49 
94 
46 
48 
SH 
30J4 
91 

10^ 
14 


400 

5,266 
2,000 

4.266 

100 

800 

11,500 


000 
266 
466 


Brooklyn   Exchange  for  Famous 

Famous  will  shortly  open  an  ex- 
change to  serve  Brooklyn.  Head- 
quarters will  be  maintained  in  the 
central  exchange  building  on  West 
44th  St.,  near  9th  Ave.,  from  which 
Manhattan    and    Jersey   are    handled. 

Tom  Murray,  now  a  salesman  for 
Paramount  in  Albany,  will  be  in 
charge. 


Oakland  Chain  Formed 

Oakland,  Cal.  —  Oakland's  first 
downtown  chain  has  been  formed  by 
Herbert  A.  Harris  and  Edward  P. 
Levy,  who  have  just  acquired  tlie 
Franklin  from  Pacific  States  Thea- 
ters, Inc.  In  the  chain  are  the  Hip- 
podrome and  the   Century. 


Plan  Two  Comedy  Series 

Joseph  Pincus,  general  manager  of 
Short  Films  Syndicate,  leaves  for  the 
Coast  April  15,  to  make  plans  for 
two  series  of  comedies.  About  24 
pictures  will  comprise  each  series, 
one  in  two-reels  and  one  in  single 
reels. 


Paramoimt   Buys   Novelette 

Paramount  has  bought  "Gentlemen 
Prefer  Blondes,"  a  novelette  by  Anita 
Loos.  j 

/ 

To  Entertain  Jersey  Legislature 
Trenton,  N.  J. — This  evening  the 
M.  P.  T.  O.  of  New  Jersey  will  en- 
tertain the  State  Legislature  in  legis- 
lative chambers  here.  Prof.  Ken  Wil- 
liams, character  reader,  who  has  been 
signed  by  the  General  Presentation 
Co.,  will  be  here.  Tom  Waller  will 
render  several  solos.. 


Keith  Buys  Ottawa  House 

Toronto^ — Ottowa  Theaters,  Ltd., 
has  sold  Keith's  to  the  B.  F.  Keith 
Corp.  of  New  York  for  $537,000. 


The   finishing   touch   of  refinement   on 

an    elaborate    production    is    the 

handcoloring  by 


/cTnrc/^. 


The    Perfect    Handcolorinq    of   Film 
528  Riverside  Drive  ■      Telephone 

New  York  Morningside  1776 


"Best     and     Most     Reasonable     hj 
Price .'" 

NATIONAL  PROGRAM 
SERVICE 

Phone,  Call,  Write — 
1650   B'way,   N.   Y.   C.  Circle   SS43 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  I  N  S 

Specialists  in  Motion  Picture 

and  Theatrical  insurance  f-or 

the  past  fifteen  years. 


Arthur  W.  Stebbins  &  Co.,  Inc. 
1540  Broadway  N.  Y.  C. 

Bryant  3040 


CHROMOS      TRADING      COMPANY 
1123    BROADWAY 


rpHE  fact  that  so  many  of  our  customers  "come 
■*■  back"  repeatedly  is  proof  conclusive  that  it  is 
profitable  for  them  to  finance  through  us.  Nothing 
mysterious  about  our  service — it's  simple,  effective 
and  economical  in  the  long  run. 


Suite  1207-8 


'Phone  Watkins  4522 


Kramer  Handling  "Big  U' 

Earl   Kramer,   Eastern  sales 
ger   for   Universal,   has   tak^n 
of    the    "Big    U"    exchange    i 
York.     W .   C.   Hermann  renia: 
der  Kramer's  supervision. 


This  is  a  'Cornerblock'  cut  furj 
FREE  for  all  Pathecomedies  a) 
exchange.  ( 


^BMadeii^im 


^^^^^^^ffli 


♦♦♦♦•♦♦♦♦♦  V#  •  ♦  •  ♦  ♦  #  ♦'♦  <•  ♦'♦  ♦'♦  »'♦  ♦*♦  •*•  •*♦  ♦*•  ♦'♦  ♦  ♦  •> 

I  Ward  Cine  Laboratory,! 

♦|  216-222   Weehawken    Stt 

jil  Union  City,  N.  J. 

11    Telephone   Union   4800 

J't  G.  BERT  WARD, 


K  You  Are  in  the 
Market    for    Any    Kind   < 

MOTION  PICTUll 
APPARATUS 

CONSULT  USAND  SAVE  MO 
SEND  FOR   OUR   PRICE  LI! 


Chas.  G.  Willoughby,  In 

Motion  Picture  Departmei 

110  West  32nd  St.,  New  \ 

Phone   Penna.    6564 


"WE  NEVER  DISAPPOINT 


220WEST42^-°STRB 

NEW  YORK 


PHONE-CHICKERINC    2! 


ALLAN  A.LOWNES.  CEN.MQ 


A  Ututelide  of  dollars  / 


MEICHAN 

THE  NE  W  KiX>MDIKE" 

u»ith  LI  LA   LEE  -  Trom  the  story  by  KING  LAMDNER  -    Scieen  |)lay  by 
Thomas  J.  Geratfhty  *    Directed  by  Lewis  Milestone 


Member  of  Motion  Picture  Producers  and  Distributors  of  America.  Inc.,  Will  H.  Hays,  President. 


4 


m 


QAILY 


Wednesday,  March  31,  l; 


Famous  to  Buy  Control 

(Continued  from  Page  1) 

Katz  was  here  yesterday,  but 
leaves  for  California  today  He 
Will  meet  Adoplph  Zukor,  when 
the  latter  arrives  on  the  Cen- 
tury this  morning  and  travel 
westward  with  him. 


In  the  issue  of  Sept.  18,  1925, 
THE  FILM  DAILY  first  re- 
ported the  final  consummation 
of  the  operating  deal  between 
B.  and  K.  and  Famous.  'In  head- 
lines, the  story  read  as  follows : 
"Deal  Indicates  Famous  Is  In 
Control  of  B.  and  K." 

It  was  out  of  this  highly  im- 
portant move  that  Publix  Thea- 
ters Corp.  came  into  existence 
as  the  joint  operating  unit  for 
the  500  odd  houses  controlled 
by  both  organizations. 

A  second  corporation  was 
provided  for  in  the  10-year 
agreement  signed  last  Septem- 
ber. This  company  was  to  ac- 
quire additional  houses  and  as 
yet  has  not  come  into  being. 

To  Tour  with  Organ 

Elmira,  N.  Y. — C.  Sharpe  Minor, 
feature  organist  at  the  Capitol,  is 
planning  a  vaudeville  tour  with  a 
$50,000  portable  pipe  organ,  claimed 
to  be  the  first  portable  organ  of  the 
kind  ever  made. 


Evans    Bros.    Incorporate 

Lonaconing,  Md.  —  The  Evans 
Bros.,  operating  many  theaters 
throughout  this  section,  have  incorpor- 
ated their  interests  under  the  title 
Evans  Theater  Co.,  listing  capital  at 
$25,000.  Besides  H.  Clay  Evans  and 
Arch  Evans,  H.  K.  Drane  is  an  in- 
corporator. 


Films   at    Cumberland    Y.    M.    C.    A. 

Cumberland,  Md. — The  Central  Y. 
M.  C.  A.,  which  recently  moved  into 
a  new  $85,000  building,  will  install 
two  projectors. 


Lyric,  Frostburg,  Changes 

Frostburg,  Md. — -The  Lyric  has 
changed  from  a  three-day  holdover 
to  daily  changes. 


Vaudeville   at   Strand,   Cumberland 

Cumberland,  Md. — The  Strand  will 
revert  to  a  straight  vaudeville  policy 
late  in  April.  Sometime  ago  the  house 
had  vaudeville,  but  this  was  substi- 
tuted for  pictures.  Robert  Slote  is 
manager. 


Business  Poor  at  Bristol,  Va. 

Bristol,  Va. — This  city  is  experi- 
encing a  depression  which  has  closed 
the  Eagle,  one  of  the  Goebel  houses. 


Exhibitors    Poster    Buys    United 

Minneapolis  —  Exhibitors  Poster 
Co.  has  purchased  the  United  Poster 
Exchange.  Sam  Levinson,  man- 
ager of  United,  is  vacationing  in  Mil- 
waukee. On  his  return  he  will  open 
an  office  for  the  handling  of  second 
hand   equipment. 


13  Point  Drop 

Pathe  "A"  Slides  Down  Hill  on  Stock 

Exchange — Capital  Increase  Filed 

in  Albany 

Pathe  "A"  has  dropped  13  points 
since  Saturday.  On  that  day,  the  is- 
sue closed  at  62,  Monday  at  54^  or 
a  decline  of  7H  points  and  yesterday 
at  49.  The  drop  covers  a  period  of 
two  days  during  which  the  sales  turn- 
over was  7,400  on  Monday  and  11,500 
yesterday. 


Albany — Pathe  Exchange,  Inc.,  yes- 
terday filed  notice  of  an  increase  of 
capital  stock  with  the  Secretary  of 
State.  The  increase  is  from  230,000 
to^30,000  shares  and  is  divided  as  fol- 
lows: 

Preferred  at  $100  each,  30,000;  Class 
A,  common  at  no  par  value,  290,000 
and  Class  B,  common  at  no  par  value, 
10,000  shares. 


Sarasota,    Fla. — The   new    house   at    Venice 
Nokomis    has    opened. 


Nacogdoches,    Tex. — The    new    Austin    has 
opened. 


Williamsport,  Pa. — The  Lycoming  Amuse. 
Co.,  will  start  construction  on  a  theater 
April    1,    to    seat    1,400. 


Davidson,     N.      C. — Stough      Brothers     are 
buliding   a    new    theater    here. 


Greenville,   S.   C. — C.  W.  Drace  is  soon  to 
open   a  new  theater  here. 


Tomaston.     Ga. — Mr.     Stubbs     is     soon     to 
open   a    new    400-seat   theater. 


San  Antonio,  Tex. — A  theater  and  office 
building  that  will  cost  $600,000  will  be 
erected    by    the    Riverside    imprceinent    Co. 


Grandfield.  Okla.— A  new  theater  will  be 
opened  in  this  town  by  Tom  Wilson  of  the 
Wilson   Grocery    Co. 


Baxter    Springs,    Mo. — C.    A. 
Baxter    will    open   April    1. 


Rehm's    new 


Manhattan,     Mo. — The     Miller     owned     by 
George   Kuch   will   open   in  a   few   weeks. 


San  Francisco — A  $200,000  house  on  the 
site  of  the  old  Star  will  be  erected  by  W.  S. 
King. 


St.  Louis,  Mo. — George  W.  Sparks  an- 
nounces work  on  the  New  Grand  will  start 
immediately. 


Clinton,     Mo. — A     new     theater     is     being 
planned  by   ths  Josephson  Amusement   Co. 


Buffalo,  N.  Y. — Fox  has  leased  the  new 
theater  at  Main  and  Chippewa,  which  is  now 
being  erected  and  which  is  expected  to  open 
in  January.     The  new  house   will  seat   3,600. 


Baxter  Springs,  Kan. — C.  H.  Rehm  will 
open  the  new  Ritz  April  1.  The  house  will 
seat   500  and   will   cost   $20,000. 


Manhattan,  Kan. — George  Fuch  is  ex- 
pected to  open  the  Miller  here  soon.  The 
house    will   seat    500. 


GENE  EMMICK 

Another  RAYART   Booster 


Canada  May  Not  Tax 

Move   to    Place  Fee   on   Copyrighted 

Music  Believed  to  Have  Been 

KUled 

Toronto — Indications  are  that  the 
move  to  have  the  Canadian  House  of 
Commons  pass  a  measure  providing 
for  the  payment  of  fees  on  copyright- 
ed music  played  in  theaters,  will  not 
materialize. 

The  Musical  Amusement  Assoc, 
Canada,  have  practically  convinced 
the  author  of  the  bill,  L.  J.  Ladner, 
Federal  member  of  Vancouver,  of 
the  inadvisabillity  of  such  a  measure 
It  is  pointed  out  that  the  collection 
of  royalties  under  the  license  plan 
would  prove  a  heavy  burden  to  the 
theaters. 


Urge  Better  Films  Committees 

Jacksonville — The  Florida  Federa- 
tion of  Women's  Clubs,  at  its  recent 
annual  session  here  adopted  a  reso- 
lution urging  all  clubs  in  the  state 
to  organize  community  better  films 
committees  to  work  with  the  Nation- 
al Board  of  Review. 


Remodeling  Loew's  Circle 

Loew's   Circle   is   being  remodeled, 
redecorated   and    refurnished. 


"U"  in  Boston 

iContinued  from  Page  1) 
company's  chain  of  about  20  thea 
in  Missouri  and  Iowa.   Harding, 
is  at  the  Astor,  stated  yesterday 
the  deal  had  not  been  definitely 
summated.      It    is    understood,   1 
ever,     that     the     final     arrangen 
have  been  made.     Universal  has 
operating    the    Liberty,    Kansas 
under    lease    from    Capitol    for  i 
time. 


Iti 


"Blind  Goddess"  for  RivoJ 

"The  Blind  Goddess"  goes  int 

Riyoli  Sunday. 


Two  Add  Two  to  Chain  i 

Pittsburgh — The  Western  I 
sylvania  Amusement  Co.  has  b(i 
two  sites  on  which  it  is  planne 
erect  new  houses.  Work  will 
mence  on  May  1,  on  a  house  a 
Liberty  St.,  while  the  other  wi 
located  at  933  Liberty  Ave. 
Western  Penn  Co.  operates 
others,  including  the  Regent,  Bi 
Falls;  Diamond,  Pittsburgh;  G 
Milvale;  Main,  Sharpsburg,  , 
Braddock,  at  Braddock.  H.  Golf 
is  president  and  headquarters,  ■ 
Forbes  St. 


t'l 
m 

lilStI 


i\ 


THE 


ijsday,  March  31,  1926 


5  , 


irope  Discussed 


(Continued  from  Page  1) 
ee-cornered     deal     has     been 
upon.       The     countries     em- 
will     be     Austria,     Hungary, 
'-vakin        Yugoslavia,      Rou- 
ilgaria,   Greece  and  Turkey. 
I    possibility    that    immedi- 
will    embrace    Poland    and 
liiough  decision  on  the   latter 
Keen  made. 

rged    selling    organizations 

rned    with    two    problems: 

lion    of    overhead    through 

ed  distribution  and   the  in- 

rcvenue  from  poor  territor- 

.cie    will    be    no    flooding    of 

jarkets.     As  a  matter   of  fact. 

■'I'lined    outputs    of     Famous. 

mal  and  M-G.-M.  will  not 

se     territories,     but     about 

will.     It   is    stated   on   be- 

ic    participants    in    the    deal 

\ill  tend  to  lift  the  level  of 

market    for   both    big   and 

ributors. 


3|umbia  Exchanges 

{Continued  from  Page  1) 
xchanges  will  retain  their  in- 
identity,    since    all    of    them 
ing  product  aside  from  Co- 
!>ut  the  offices  will  bear  the 
name.     Franchises  have  al- 
i<n    sold    to    Sam    Zierler    of 
1  !n\  ealth    for    New    York    and 
I  New  Jersey;  Henri  Ellman 
•    ipitol    Film    Exchange    for 
erved   out   ot.  Chicago   and 
lis    and  %vith    Joseph    Mc- 
;ind  Abe  Montague  of  Inde- 
Films,  Inc.,  Boston,  for  New 
!       Cooney    Bros.,    prominent 
I  xhibitors,   are  behind   Capi- 
liers   who    have   attended   the 
~    here    give    an    indication    of 
ic    additional    franchises    may 
IV  are  Jack  Lannon  of  Seat- 
Denver,    J.    S.    Grauman    of 
cee,     Louis     Hyman     of     San 
:o   and    Los    Angeles,    M.    A. 
)f   Buffalo,    Louis    Berman    of 
Iphia    and    Barney    Rosenthal 
i  .ouis 


tjComptroller  for  Stanley  Co. 

elphia — The    Stanley    Co.    of 

has  appointed  a  new  comp- 

in    James    Brennan,    who   has 

itb    the   organization   since    its 

ni.     He  succeeds  Irving  Ross- 

lio  was  elected  treasurer,  fill- 

ijvacancy  caused  by  the  resigna- 

3  Lawrence  Beggs. 


randall   Officials  Better 

irgton — George  A.  Crouch, 
r  of  the  Crandall  Theaters, 
irriett  Locher.  of  the  Public 
Dept.  and  Nelson  B.  Bell, 
of  advertising  and  publicity, 
turned  to  their  duties,  follow- 
;cks  of  the   grippe. 


Itarted  on  New  Stanley  House 

lelphia — Work  has  com- 
on  the  new  theater  which  will 
bv  the  Stanlev  Co.  at  Ogontz 

d  Limekiln  Pike.     It  will  cost 

30  and  seat  2,500. 


to  Represent  National  Screen 

s,  Tex — Bert  E.  Graetz,  for 
ears  a  film  salesman,  has  been 
:J  Southern  representative  for 
1  Screen  Service,  New  York. 


Newspaper  Opinions 


"The  Auction  Block"— M.-G.M. 
State,  Boston 

GLOBE—*  ♦  *  Ray's  part  offers  him  al- 
most the  same  opportunity  as  his  "hick"  roles 
to  delight  hy  acting  in  that  bashful  and  ex- 
tremely boyish  manner  so  natural  to  him.  *  *  * 

HERALD—*  ♦  ♦  "The  Auction  Block"  is 
the  sort  of  film  that  might  have  been  better, 
and  of  course  might  have  been  infinitely  worse. 
It  opens  with  the  end  of  a  beauty  contest  at 
Atlantic    City.    ♦    ♦    * 


"The    Beautiful   City"— First   Nat'l. 
Strand,  Milwaukee 

SENTINEL—*  *  *  As  a  whole  the  pic- 
ture is  above  the  average  in  direction  and  ti- 
tling, if  tiot  in  story  material,  but  it  does  not 
compare  with   Barthelmess'   "Shore  Leave." 


"Ben  Hur"— M.-G.-M. 
Colonial,  Boston 

GLOBE — *  *  *  No  one  was  disappointed 
last  night  in  "Ben  Hur,"  and  that  is  the  most 
that  can  be  said  for  any  play  or  film.  There 
are  some  extraordinarily  fine  "shots"  in  "Ben 
Hur,"    as    well    as    some    fine    color    sequences 

which   add   to  the   picturesqueness   of   the    film. 

♦    *    * 

HERALD—*  *  *  Throughout  the  photog- 
raphy is  exceedingly  skilful  and  quite  luxu- 
riant in  its  oriental  design  and  composition, 
especially  in  the  palm  fringed  vistas  of  the 
city  of  Antioch,  in  the  cumulative  massing  of 
the  houses  of  Jerusalem,  and  in  the  Roman 
towers  of  Antioch.  *  *  • 


"His    Secretary"- M.-G.-M. 
Chicago,   Chicago 

JOURNAL—*  *  ♦  ♦  Cody  is  excellent  as 
the  weathered  and  tasteful  appraiser,  and  no 
one  better  than  Louis  can  introduce  pathetic 
comedy  and  everyday  husbandship.  It  is  easy 
to  surmise  high  good  luck  for  "His  Secre 
tary."  *  ♦  * 

POST — *  *  *  It  is  as  smartly  staged  and 
smoothly  directed  as  a  more  pretentious  affair. 


Apollo,   Indianapolis 

TIMES—*  *  *  Not  only  does  Norma  Shear- 
er have  her  best  part  in  this  picture  but  I 
am  sure  that  Lew  Cody  and  Willard  Louis 
never   had   better   light   comedy   parts.    ♦   *    * 


"The  Love  Toy"— Warners 
Circle,  Cleveland 
PLAIN  DEALER—*  *  *  Even  as  a  bur- 
lesque, however,  "The  Love  Toy"  is  rather 
far  fetched.  In  action,  at  times,  it  almost 
resembles  a  Tom  Mix  western  or  a  Mack 
Sennett    comedy.    *  *  * 


"Memory  Lane"— First  Nat'l 
State.  Cleveland 

NEWS — *  *  *  The  graceful  and  natural 
Eleanor  Boardman  conies  out  no  better  than 
second  best  in  this  sentimental  tale  of  dis- 
illusioning:    romanti^cs.      »  «  »    - 

PLAIN  DEALER—*  *  •  The  uncertainty 
of  the  theme  of  this  picture,  until  near  the 
finish,  holds  down  what  would  otherwise  be 
a    fairly    high    rating.     *   *   * 

TIMES—*  *  *  The  picture  has  a  sob 
and  heart-tug  in  it  and  is  cleverly  constructed. 


"The  Outsider"— Fox 
Fox.  Philadelphia 

INQUIRER— *  *  *  "The  Outsider"  is  a 
picture  really  worth  while,  though,  of  course. 
in  its  plot  there  is  considerable  opportunity 
for   the   super-critic    to   detect    manifest    fiaws. 


"Soul  Mates"— M.G.-M. 
Madison,  Detroit 

TIMES — *  *  *  This  Glyn  opus  like  its 
predecessors,  is  of  minor  importance.  It!! 
plot  is  never  so  deep  that  it  furrows  the 
brow,  in  fact  you  guess  the  ultimate-  out- 
come  right    from    the   start.    •   •  • 


Merrill.  Milwaukee 

SENTINEL-*  *  *  seemed  rather  a  fool 
thing  with  subtitles  suggestive  of  a  servant 
girl's  idea  of  swell  literature.  In  fact  the 
captions     are     had     enough     to     be     amusing. 


OH,  WHAT  A  PAL  IS  RAYART! 

That's  the  refrain  of  the  Song  that  the 
Messrs.  Mills  and  Berkowitz  (First 
Graphic  Exchanges,  Albany  and  Buf- 
falo) were  singing  as  they  balanced 
their  books  for  the  season  just  past ! 

And  at  its  conclusion  they  stepped  out 
and  contracted  for 

THE  ENTIRE  RAYART  PROGRAM 

For  1926-1927 


>> 


THERE'S  A  GREAT  BIG  GOLDEN 
REASON! 


j  ;jVV#V#V#V#  V#  V¥  V#  V#  V#V#  ♦  ♦•V  V#  V*  <♦  V#  V#  V#  V^  V*  V#«V  Vlr  V#V 

j.t 


NATIONAL  MUSIC  WEEK 

May  2nd  to  May  8th 

An  Opportune  Time  to  Start  Playing 

JAMES  A.  FITZPATRICK'S 

FAMOUS 
MUSIC  MASTERS  SERIES 

Twelve  One  Reel  Incidents  from  the  Lives  of  the  World's 
Greatest  Composers  Accompanied  By  Their  Own  Music 

ISSUED  WITH   FULL  ORCHESTRATIONS 

Including  Solo  Piano  and  Solo  Organ 

Parts,  Especially  Arranged  and  Synchronized  by 

HUGO  RIESENFELD 

Booked   Direct  to   FIRST   RUN   THEATRES 
Anywhere  in  the  United  States! 

THE  MUSIC  WEEK  RUSH  IS  ON 
ORDER  YOUR  PRINT  AND  MUSIC  NOW! 

FITZPATRICK  PICTURES,  Inc. 

729  Seventh  Avenue  New  York  City 


if 

if 
if 
if 
if 
if 
if 
if 
if 
if 
if 
if 
if 
if 
if 
if 
if 
if 
if 
if 
if 
If 


if 
if 
if 


^^:«-:;»»u::»:::KK:u«»n-n«:K^^^^^ 


THE 


■c&!^ 


ill 


DAILY 


Wednesday,  March  31 


News  Reels  Out 

(^Contxnuei  from  Page  1) 
It  was  originally  intended  when 
the  bill  creating  the  board  of  state 
censors  was  passed  that  this  class  of 
films  should  not  be  subjected  to  in- 
spection and  licensing.  The  object 
of  this  bill  is  to  correct  the  law  in 
this  particular.  The  Davison  bill  has 
already  passed  the  Assembly  but 
after  being  submitted  to  the  Senate 
and  after  a  hearing  on  the  measure 
it  was  decided  to  slightly  amend  the 
bill  before  being  transmitted  to  the 
Governoi.  The  amendment  to  the 
law  reads  as  follows: 

"All  films  exclusively  portraying 
current  events  or  pictorial  news  of 
the  day,  commonly  called  news  reels, 
or  excerpts  from  the  public  press, 
may  be  exhibited  without  inspection 
by  the  motion  picture  censorship 
commission  and  no  permits  or  fees 
shall  be  required  therefor." 

It  will  now  be  necessary  for  the 
Davison  bill  to  be  returned  to  the  As- 
sembly and  passed  again  in  its 
amended  form.  There  has  been  no 
opposition  to  the  bill  and  Governor 
Smith  will  sign  it  when  transmitted 
to  him. 


Warners  Sign  Scenarist 

Hollywood  —  The  Warners  have 
signed  Mary  O'Hara.  scenarist,  to  a 
long  term  contract.  Her  first  assign- 
ment IS  "The  Door  Mat." 


Among  Exchangemen 


Kansas     City — Ray     Netemeier     has     joined 
the    F.    13.    O.    sales    staff.      His    old    post    as 
booker  lias  been   tilled  by   Chris  Crescent,  for 
merly   with   Enterprise. 


Minneapoh's — Max    Rivkin    has    joined    the 
sales   staff   of   Associated    Exhibitors. 


Kansas  City — Harry  Strickland,  Uniter 
Artists  salesman,  has  gone  to  California  to 
visit    his   mother,    who   is   ill. 


Kansas  City  —  Gay  S.  Piiniell,  formerly 
with  Paramount  in  Denver,  lias  taken  a  sales 
job   with   the  local    Educational   office. 


St.    Louis— M.    E.    "Marty"    Williams,    fo 
merly     with     Paramount     here,     has     taken 
sales   position    with    Associated    Exhibitors. 


Detroit — Murray     Nadler    has    joined    War 
ners. 


Des  Moines — .1.  E.  Cass,  formerly  of  Uiii 
versa!  in  Minneapolis,  lias  been  appointed 
salesman. 


Boston — J  Brown  has  taken  the  place  va- 
cated by  Wallace  Scales  as  manager  of  As- 
sociated   Exhibitors. 


Boston — Abe   Erskine   has  joined   M.-G.-M. 


Boston — Walter    Davidson    has   resigned   as 
salesman    for    Warners. 


Boston — jack   Kline  has  been  made  Warner 
division   manager   with   headquarters   here. 


Detroit — Brad     Burque     is     now     salesmai 
for   Associated   Exhibitors. 


St.     Louis — Harry     Saunders     has     joined 
First    National. 


Philadelphia — Herbert  Hayman  has  been 
appointed  manager  for  Independent  Film 
Corp. 


Philadelphia — John  Gill  has  resigned  from 
Liberty  Film  to  join  the  sales  forces  of 
Universal. 


$200,000  Theater  Fire 

Moncton,  N.  B.— Damage  of  $200,- 
000  was  caused  when  fire  razed  the 
Capitol  and  Empress,  operated  by  the 
Eastern  Amusement   Co. 


Improving   New  Lasky  Studio 

Hollywood — Work  started  yester- 
day on  the  $500,000  improvements  to 
be  made  in  preparing  the  United 
Studio,   for   Paramount. 


Campbell  Theaters  to  Expand 
Denton,  Tex. — A  site  has  been  se- 
cured by  the  Campbell  Theaters  Co., 
on  which  will  be  erected  a  new  house. 
A  second  new  theater  will  be  built  at 
Weatherford.  Campbell  now  operates 
three  here. 


Houston  Installs  Vaudeville 
Sherman,  Tex. — A  new  stage  and 
equipment  are  being  installed  in  the 
Gem,  owned  by  H.  C.  Houston.  When 
completed,  the  present  straight  pic- 
ture policy  will  be  changed  to  vaude- 
ville and  pictures. 


Texas  House  Sold  in  Foreclosure 
Timpson,  Tex. — Under  a  foreclo- 
sure lien  held  by  the  Guaranty  Bond 
State  Bank  here,  the  Victory  has  been 
sold  to  C.  D.  McElfatrick,  who  has 
been  operating  the  house  on  a  lease. 


Seplowin  to  Tour  the  Blast 

S-am  Seplowin,  of  Service  Film, 
short  reel  distributors,  left  New  York 
yesterday  on  a  swing  around  the 
Eastern  territory.  His  first  stop  is 
Albany. 


Paris    Municipal    House 
Washington — Paris   will  soon   have 
its    first   municipal   picture  house,   the 
Department   of   Commerce   reports. 


Alma   Rubens   Gets   Lead 

Los  Angeles — Alma  Rubens  has 
been  signed  by  Fox  for  the  leading 
part  in  "The  Pelican." 


Allan  Dwan  Coming  East 

Hollywood — Allan  Dwan  leaves  for 
the  East  this  week  to  make  his  next 
production. 


Scenario  Head  Coming  P^st 

Los  Angeles — Dorothy  Cams,  head 
of  the  Lasky  scenario  department,  is 
en  route  to  New  York  to  look  for 
story   material. 


Vaudeville  on    Mission   Bill 

Clarksville,  Tex.  —  Vaudeville  will 
soon  be  made  part  of  the  Mission  the- 
ater bill,  which  is  now  showing 
straight  pictures.  The  policy,  how- 
ever, will  prevail  three  days  a  week. 


I 
Hays  Re-electaJL 

(Coittinued  from  Page  1)*^* 

ed   treasurer   and   appointed  i 
secretary. 

The  following  directors  wei 
ed:    G.     McL    Baynes    of    R 
Publishing   Co.;   Charles   H.  i 
R.  H.  Cochrane,  William  Fox 
Griffith,    E.    W.    Hammons,  Hli, 
Hays,    Joseph    P.    Kennedy,  1|( 
Loew,    Frederick   C.   MunrodSl 
mer    Flatten,    Richard    A. 
Joseph   M.   Schenck,   Albert; 
Warner  Bros.,  and  Adolph  2 

In  his  annual  report  to  t 
bers,  Hays  cited  the  advan( 
by  the  industry  during  the 
months  in  attaining  its  pres 
tion  as  one  of  the  country's  I 
ble  enterprises,  and  indicatedj 
fidence  in  the  continually  i 
program  of  the  Associi 
achieving  its  aim  of  produi 
tures  of  the  finest  type. 


fre 


We 


■ 
E.  J.  Smith,  general  sales  t 
of  Associated,  has  left  New  ] 
a  sales  trip  to  the  Coast,  visi     ^^  f 
cities  en  route.  1    ij)ira 


Canadian    Exhibitor   Dt 


Chicoutimi,    Quebec — Geo^lij 
zina,  local  exhibitor -is  dead., 


isiiT 


k,i 


Hffc. 


iTHE 

i«  brAdstreet 

f  FILMDOM 


Authority 


]  XXXVI     No.   1 


Thursday,  April  1,  1926 


Price  5  Cents 


Greater  Aim 

are  advertising  America 

We  are  building  buying 

I    through  the  motion  pic- 

.   We   are   bettering   living 

1  ons      everyw^here— espec- 

1  the  small  towns." 

IS  Will  Hays  talking  be- 
lie   Advertising    Club    of 
Vork,     talking     seriously 
lintedly  on  only  some  of 
eat    good    for    which    the 
picture  is  responsible, 
t   body  who   is   concerned  with 
1  lubtry   should  read   the    Hays 
It  is  powerful  in  its  scope, 
ling  in  its  detail  and  impres- 
i!s  sweep.    It  carries  the  per- 
aiiswer  to   the  bigot  and   to 
:  of  what  the  motion  picture 
Mr.  Hays  declares  the  mo- 
ture  knows  no  barrier  of  dis- 
le  adds  it  has  brought  to  nar- 
;  es  a  knowledge  of  the  wide, 
irld  and  has  clothed  the  emp- 
tjtence   of   far-off   hamlets   with 

iully   he   declares   the  motion 

today  has  little  to  apologize 
I  very  much  to  be  proud  of. 
t  he  fails  to  lose  his  perspect- 
e  feels  that  the  end  is  not  yet 
t.  He  is  certain  that  the  ac- 
hments  of  the  motion  picture 

yet  its  greatest. 
:where    in    the    offing,     Hays 
infinitely  greater  future.    He 
)     this     medium     as     the     one 

will  eliminate  hate,  interna- 
discord  perhaps,  petty  misun- 
dings  between  peoples.  He 
!  a  better  world  to  live  in. 
suggested  to  the  advertising 
it  a  thought  be  given  to  "What 
t  with  the  Movies."  It's  a  real 

sell  and  to  sell  just  as  hard 

possible  to  do  so. 

message  should  be  flashed  on 
;ens  of  the  country.  What  the 

picture  has  done  to  improve 
)wn  life  has  a  right  to  be  pub- 

What  the  motion  picture  has 
:o     bolster     trade,     not     only 

tor  that  is  conceded.  But  in 
{Continued  on  Page  2) 


Mr.    Kent — for    the   nice    things   you 
ut   me.      Nell    Gwyn. — Advt. 


Arrow  Accord  Near 

Attorneys    Lining    Up    Creditors   for 

Extension — About  $700,000   in 

Outstanding    Debts 

With  creditors  representing  claims 
of  $600,000  in  agreement,  attorneys 
for  Arrow  are  optimistic  over  pros- 
pects that  the  company  will  pull 
through  its  present  financial  difficul- 
ties. 

At  the  invitation  of  W.  E.  Shallen- 
berger,  president  of  the  company, 
there  have  been  several  additions 
made  to  the  directorate.  E.  C.  Mc- 
Cullough,  who  is  interested  in  Arrow 
financially,  has  been  made  vice-presi- 
dent in  charge  of  financing;  Sol  Fal- 
lin,  a  financier,  is  another;  a  third  is 
William  R.  Walker,  of  the  M.  P. 
Capital  Corp.  and  a  fourth,  Al  Sild- 
ler,  of  the  Empire  Laboratory. 

There  are  outstanding  about  $700,- 

(Continued  on  Page  2) 


Northwest  to  Convene 

Exhibitor  Organization  to  Hold  Con- 
vention    in      Minneapolis     Late 
in  April 

Minneapolis — First  call  for  the  an- 
nual exhibitor  convention  was  sound- 
ed this  week  by  W.  A.  StefiEes,  head 
of  the  Northwest  exhibitor  associa- 
tion. The  meeting  will  be  held  here 
late  in  April  or  the  first  week  in 
May. 

Plans  for  combating  adverse  legis- 
lation is  expected  to  prove  one  of 
the  chief  issues,  with  the  organiza- 
tion preparing  for  a  campaign  to 
head  off  enactment  of  burdensome 
(Continued  on  Page  7) 


Two  Pathe  Dividends 

Both  Payable  May  1 — Company  Re- 
ports  1925   a   Good   Year — Stoek 

Goes  Up  Five  Points 
Directors  of  Pathe  Exchange,  Inc., 
have  declared  an  initial  quarterly 
dividend  of  75  cents  per  share  on  the 
common,  also  a  stock  dividend  of  5 
per  cent,  both  dividends  payable  May 
1,  to  holders  of  record  April  20. 

In  issuing  the  dividend  notice,  Paul 
Fuller,  Jr.,  president  of  the  company, 
stated  that   1925  had  been  an  excep- 
(Continued  on  Page  7) 


Loew  Openings 

Screen  and  stage  stars  will  attend 
the  opening  of  Loew's  State  at  New 
Orleans  Saturday  night  and  of  Loew's 
Melba,  Dallas,  Wednesday,  April  7. 
The  New  York  party  leaves  tonight; 
the  Los  Angeles  contingent  starts 
tomorrow. 

Those  going  include:  Marcus 
{Continued  on  Page  6) 


$67,600,000  for  Ads 

Industry     Spends     Enormous     Sum 

Yearly,    Hays   Tells    Advertising 
Club  of  New  York 

Will  H.  Hays,  speaking  before  the 
Advertising  Club  of  New  York  yes- 
terday, said  at  one  point: 

"It  has  been  said  that  one  cent  is 
spent  in  advertising  to  sell  every  mo- 
tion picture  theater  ticket.  Producer, 
distributor  and  theater  owner  share 
in  the  expenditure.  If  that  is  true, 
we  reach  this  estimate: 

"Six  billion,  seven  hundred  and  six- 
ty   millions    persons    in    this    country 

{Continued  on  Page  7) 


Want  Hays  Benefits 

Need    Caused    New    Regional    Dis- 
tributors'     Assoc,      to      Affiliate 
with  M.  P.  P.  D.  A. 

"A  realization  of  the  benefits  to  be 
derived  through  a  direct  contact 
with  the  Hays  organization  led  inde- 
pendent exchangemen  to  form  the 
Regional  Distributors'  Assoc."  sev- 
eral members  of  the  new  group  said 
yesterday.  "Now  we'll  be  able  to 
know  what  is  going  on,"  one  of  them 
said. 

When  the  association  holds  its 
{Continued  on  Page  6) 


Cooper  President 

Canadian  M.  P.  Distributors  and  Ex- 
hibitors Hold  Annual  Meeting — 
Adopt  Exhibition  Contract 

Toronto  —  John  A.  Cooper  was 
elected  president  of  the  M.  P.  Dis- 
tributors and  Exhibitors  of  Canada 
at  the  annual  meeting.  Arthur  Cohen 
was  named  secretary  and  the  follow- 
ing directors  were  chosen:  repre- 
senting distributors,  Arthur  Cohen, 
Regal;  M.  Milligan,  Famous;  W.  A. 
{Continued  on  Page  6) 


"U"  to  Produce  Plays 

Believing  that  the  drama  on 
Broadway  is  on  the  wane,  Universal 
plans  to  enter  the  legitimate  produc- 
tion field.  David  C.  Werner,  for- 
merly with  George  M.  Cohan,  Cohan 
and  Harris  and  Lewis  and  Gordon, 
has  been  named  head  of  the  depart- 
ment. 

{Continued  on  Page  7) 


Bernerd  En  Route 

London — Jeffrey  Bernerd  is  en 
route  to  New  York  on  the  Leviathan. 
He  is  taking  with  him  for  American 
sale  the  pictures  featuring  Stephen 
Donoghue,  England's  premier  jockey 
and  "The  Last  Days  of  Pompeii." 

"Sea   Wolf"  to   P.   D.   C. 
P.   D.    C.    has    closed   a   deal   with 
Ralph    Ince    Prod,    to    release    "The 
Sea  Wolf." 


Russia  Opening 

Representatives    of     New    American 
Combination    May    Attend    Con- 
ference at  Moscow 

The  Russian  Soviet  will  launch  its 
first  step  to  open  up  that  country  to 
foreign  producers  and  distributors  at 
a  conference  to  be  held  at  Moscow 
beginning  April  15.  Among  those 
to  attend  will  probably  be  Berlin 
representatives  of  the  First  National, 
M.-G.-M.  and  Famous  combination, 
which  is  interested  in  getting  a  foot- 
hold in  Russia  as  part  of  its  coopera- 
tive   distributing   plan    for    Europe. 

The  Soviet  desires  to  revive  its 
picture  industry  by  encouraging 
foreign:  companies  to  cooperate  in 
production.  This  plan  will  enable 
Russians  to  make  salable  pictures 
later  when  the  foreign  producers 
withdraw.  Theaters  will  be  built  in 
Moscow  as  part  of  the  program. 

Leon  Zamkavoy,  authorized  Ameri- 
can representative  of  the  Sovkino, 
principal  producing  company  in  Rus- 
sia and  government-controlled,  sailea 
from  New  York  on  Wednesday  to 
attend  the  conference,  at  which  all 
film  representatives  of  the  Soviet 
will  be  present. 


Bancitaly  Declares  Dividend 

Bancitaly  Corp.,  has  declared  a  25 
per  cent  stock  dividend,  taking  effect 
April  10,  when  a  four  for  one  author- 
ized stock  split-up  occurs.  This  re- 
duces par  value  of  the  shares  from 
$100  to  $25.  New  shares  will  carry 
an  annual  dividend  rate  of  $2.24,  which 
means  $11.20  for  each  five  shares 
against  the  former  dividend  rate  of 
$9  on  one  old  share  of  $100  par.  The 
change  is  the  same  as  a  25  per  cent 
increase  in   the  dividend  rate. 


No  Cuts  in  Chicago  and  St.  Louis 

Chicago — Local  houses  have  not 
reduced  admission  prices  since  the 
tax  on  tickets  over  75  cents  have  been 
revoked.  Owners  say  that  they  paid 
the  tax  formerly  themselves  and  did 
not  pass  it  along  to  patrons. 

St.  Louis — Motion  picture  theaters 
have  not  made  any  reduction  in  ad- 
missions. 


13  Units  Busy  at  M.-G.-M. 
Howard  Dietz,  director  of  public- 
ity and  advertising  for  M.-G.-M.,  is 
back  from  the  Coast.  He  stated  yes- 
terday that  there  are  now  13  compa- 
nies at  work  at  the  Culver  City  stu- 
dio with  more  slated  to  start  by  the 
end  of  the  week. 


Goulding  Renews 
Los     Angeles — Edmund     Goulding 
will  continue  with  M.-G.-M.,  under  a 
new  contract  Just  signed. 


^A 


THE 


j^^ 


DAILY 


Thursday,  April  1, 


VoLXXXVINo.  1    Thursday.Apr.  1, 1926     Price  5  Cents 
JOHN  W.  ALICOATE  Publisher 


Copyright  1926,  Wid's  Films  and  Filtn  Folks^ 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y. 
J.  W.  Alicoate,  Treasurer,  Maurice  D.  Kann, 
Editor;  Donald  M.  Mersereau,  Business  and 
Advertising  Manager ;  Ralph  Wilk,  Travel- 
ing Representative.  Entered  as  second-class 
matter  May  21,  1918,  at  the  post-office  at 
New  York,  N.  Y.,  under  the  act  of  March 
3,  1879.  Terms  (Postage  free)  United  States, 
outside  of  Greater  New  York,  $10.00  one 
year;  6  months,  $5.00;  3  months,  $3.00.  For- 
eign, $15.00.  Subscribers  should  remit  with 
order.  Address  all  oommunications  to  THE 
FILM  DAILY,  1650  Broadway,  New  York, 
N.  Y.  Phone  Circle  4736-4737-4738-4739. 
Cable  address :  Filmday,  New  York.  Holly- 
wood, California — Harvey  E.  Gausman,  6411 
Hollywood  Blvd.;  'Phone,  Granite  3980. 
London — Ernest  W.  Fredman,  The  Film 
Renter,  58,  Great  Marlborough  St.,  London, 
W.  I.,  Paris — La  Cinematographic  Francaise, 
5,  Rue  Saulnier. 


Financial 


Film  issues  were  normally  active  yester- 
day. Pathe  Exchange  "A"  climbed  up  5 
points  to  54.  Famous  common  also  rose 
35i  to  1185^.  The  preferred  stock  of  the 
same   company   slipped   2}4    points    to    116J^. 

Trading  was  heaviest  in  Famous  common, 
17,200  shares  changing  hands.  Pathe  fol- 
lowed  with    6,500. 

In  the  general  market  trading  was  very 
active  and  the  undertone  of  the  prices  was 
steadier    than    the    previous    day. 


Quotations 

High 

Low 

Close 

Sales 

Balaban   &   Katz    . 

6SH 

67-^ 

68 

Eastman    Kodak    , 

107 

106J4 

107 

300 

Famous    Players    . 

119 

116 

1185/, 

17,200 

Fam.   Play.   Pfd.    . 

117 

115 

116M 

1,100 

Film    Inspection    . 

4^ 

454 

4'/2 

100 

•First    Nat'l    Pfd. 

.  , 

100 

Fox    Film    "A"     . 

59 

55 '/S 

S7'4 

3,800 

Fox  Theaters   "A" 

19J4 

19 

1914 

2,100 

•Intern'l   Projector 

13 

.... 

Loew's,     Inc. 

377^ 

36 

36^ 

3,500 

Metro- Gold.  Pfd.   . 

22  >4 

22 '4 

22 -4 

100 

M.    P.   Cap.    Corp. 

20 

19 

20 

300 

Pathe    Exch.    "A" 

54 

so'4 

54 

6,500 

tParamount    Bway 

94'A 

94% 

94li 

2,000 

•Skouras     Bros.     . 

,  , 

46 

•*Stan.  Co.  of  Am. 

,  . 

48 

Trans-Lux  Screen 

.   8% 

m 

8% 

3,800 

•Universal  Pictures 

3054 

•Univ.    Pict.    Pfd. 

91 

•Warner     Bros. 

, 

lO'A 

Warner   Pictures    . 

.    14 

13'/i 

14 

500 

*  Last  prices   quoted 

**  Philadelphia    market 

f  Bond    market 

Postpone    "The   Champion   Lover" 

Hollywood — Production  on  "The 
Champion  Lover"  has  been  post- 
poned by  the  Christies  in  order  to 
speed  release  of  "Up  in  Mabel's 
Room,"  by  P.  D.  C,  the  latter  to 
be  sold   separately  as   a  special. 


FOR.     R.ENT 


BELL  -  HOWELL 

AND 

AKELEY  CAMERAS 

LOitA  or  Without  Cameramen 


SEIDEN    CAMERA    EXCHANGE 

729  Seventh  Ave.  N.Y.c.  ) 

Bryant   3  95  1  / 


A  Great  Aim 

(Continued  from  Page    1) 

this  country  as  well,  should  be 
brought  home  to  the  business  factors 
of  this  nation.  It's  something  they 
should  know  and  something  which 
the  industry  certainly  has  every  right 
to   publicize. 

With  such  a  program,  it  is  at  least 
conceivable  that  this  industry  might 
be  accorded  a  greater  measure  of 
that  more  considerate  treatment 
which  those  on  the  outside  have  so 
often  failed  to  give  it. 

KANN 


Barrymore   in  "Manon   Lescaut" 

Hollywood — John  Barrymore  will 
star  in  "Manon  Lescaut"  for  Warn- 
ers, instead  of  "The  Tavern  Ktiight." 
Dolores  Costello  will  play  opposite 
him  and   Alan   Crosland   will   direct. 


"Malron  Lescaut"  was  made  by  the 
Ufa  in  Germany  and  stars  Lya  de 
Putti.  Either  M.-G.-M.  or  Famous 
will  release. 


Warners  Seek  New  Radio  Station 

Warners'  Theater  has  suspended 
broadcasting  through  WBPI  pending 
a  deal  for  another  with  greater  power 
and  better  wave  length.  It  is  under- 
stood the  theater  is  negotiating  with 
other  stations  for  time  on  the  air. 


English    Producers    to    Speak 

Charles  Lapworth  and  Michael 
Balcon  of  Gainsborough  Pictures, 
Ltd.,  London,  will  address  the  A.  M. 
P.  A.  today  at  the  Hofbrau.  Florence 
Lawrence,  new  motion  picture  editor 
of  the  Chicago  Examiner,  will  also 
be  a  guest. 


Fox  to  Improve  Studio 
Hollywood— Another  $500,000  ex- 
pansion program  planned  by  Fox 
provides  for  new  construction,  re- 
building and  new  equipment.  Im- 
provements include  a  new  stage,  a 
studio  theater  and  a  stage  lighting 
system. 


United  Opens  Indianapolis  Branch 

IndianapoHs — United  Artists  has 
opened  a  branch  at  408  N.  Illinois 
St.  E.  W.  MacLean  is  manager. 
The  office  covers  Indiana,  and  the 
western  half  of  Kentucky,  formerly 
served  from  St.  Louis. 


Sues   "U"  fer  $2,000,000 

Los  Angeles- — An  action  for  $2,- 
000,000  has  been  filed  by  Frederick 
A.  Todd  against  Universal  Picture 
Corp.,  charging  that  "The  Phantom 
of  the  Opera"  infringed  on  the  copy- 
right held  by  Todd  on  a  scenario  of 
"Faust,"  adapted  from  Goethe's  clas- 
sic. 


Universal  officials  yesterday  re- 
fused to  pay  any  serious  attention  to 
the  Todd  suit. 


Seitz  on  "Last  Frontier" 

Hollywood — George  B.  Seitz  has 
been  engaged  by  Metropolitan  to 
finish  "The  Last  Frontier,"  first 
launched  by  Thomas  H.  Ince  and  de- 
layed by  his  death.  Marguerite  de  la 
Motte   will   play   the   feminine   lead. 


New    M.-G.-M.    Manager 

Oklahoma  City  —  W.  B.  Zoellner 
has  been  appointed  manager  of  the 
local  exchange  of  M.-G.-M.,  succeed- 
ing M.  M.  Holstein,  resigned. 


Granada    New    Marks    House 

Chicago — '"Granada"  is  the  name 
selected  for  Marks  Bros',  new  theater, 
which  will  open  soon  at  Sheridan 
Road  and  Devon  Ave. 


Japanese    Star   Writes    Novel 

Chicago — Sessue  Hayakawa  is  the 
author  of  a  novel,  "The  Bandit 
Prince,"  which  will  be  published  this 
spring. 


Continuity  Writer  Joins  Doug 

Jack  Jungmeyer,  continuity  writer, 
will  accompany  Douglas  Fairbanks 
abroad   to  prepare  scenario  material. 


Grainger  on  Trip 

James  R.  Grainger,  general  sales 
manager  of  Fox,  left  for  the  Mid- 
West  last  night. 


Arrow  Accord  Near 

{Continued  from  Page  1) 
000  in  debts.  According  to  Harry  G. 
Kosch,  attorney  for  Arrow,  there  is 
more  than  a  strong  likelihood  that 
the  company  will  tide  over  its  crisis. 
Efforts  are  being  made  to  secure  a 
complete  accord  from  all  creditors  in 
granting  a  six  months'  extension  so 
that  Arrow  can  dissipate  its  "frozen 
assets."  The  plan  provides  for  Shall- 
enberger  to  take  the  road  and  dis- 
pose of  unsold  territory.  It  is  stated 
that  there  are  many  thousands  of 
dollars  outstanding  in  contracts  with 
exchanges  on  which  collections  are 
either  overdue  or  about  to  fall  due. 


RESPONSIBILITY 

In  a  community  of  interests  as  concentrated  as  are  the  Motion  Picture 
and  Theatrical  Industries,  dare  we  jeopardize  a  reputation  so  painstakingly 
developed,  by  failing  to  serve  vyith  faultless  precision — IN  EVERY 
INSTANCE. 

Therein   lies   your  security,    because 

We  will  stake  our  reputation  on  our  service. 


INCORPORATCO 


M 


nFysmgiAWiCE   BIWO»4EWS» 


80  MAIDEN  LANE,  N.  Y.  C.                                      Telephone    John    3080 
■ «.■■■.. ..■■■■ .^ 


This  is  a  'Cornerblock'  cut  fur: 
FREE  for  all  Pathecomedies  a 
exchange. 


A  COMPLETE  LABORATORY 
AND  TITLE  SERVICE 


N«W  VORK         .,-:^|fVpf^ri,-.^       FORTH 
71J   7ih  Ave.  CxiSiAUIsiS-^i 

HOLLYWOOD 


Font' 


Wm.BRADLB 


Another  RAYART   Booi 


y 


WHAT  COULD  BE 
WEETER  THAN  A 
YEAR  CONTRACT 
WITH  UNIVERSAL? 

FIVE  YEARS  OF  EASE-FIVE  YEARS  OF  BOOKING 
worries  lifted  from  your  busy  brain  —  five  satisfied  years 
of  assurance  that  you  are  receiving  the  surest,  finest  line- 
up of  box  office  pictures  offered  by  any  one  company  (see 
records  of  Universal  White  List  hits) — five  years  of  deal- 
ings with  an  organization  of  sound,  Gibraltar-like  stability 
— five  years  of  agreement  with  a  producing  and  distribut- 
ing company  known  the  world  over  for  its  "live  and  help 
live"  policy,  its  white  and  square  business  methods  —  its 
outstanding  and  ever  increasing  success  in  the  production  of 
lOO-cents-on-the-doUar,  honest-to-goodness  picture  values. 

What  could  be  sweeter? 

Communicate  Immediately  Witli 

niversal  Pictures  Corp* 

CARL  LAEMMLE,  President 

730  Fifth  Avenue,  Nemr  York  City 


/ 


fff 


SAMUEL  S. HUTCHINSON 

''Prcsenhs 

Edward 

EVEREn 


HORIQN 


Here's  a 


Real 


Special  / 

-  0°  A 


TT's  A   HUT:cHiisrsot<r    co^AEPVi!a 


L 


Comedy 
Gets 


The 


Everii 
lime 


BUSCH 

FROM  THE  POPULAR  NOVEL  BY 

FREDERICK  S.  ISHAM-- 

DIRECTED  BY  LLOYD  IN6R4HAM 


tributed  tu  ASSOCIATED  EXHIBITORS.    Oscar  A.Price. Fires. 


i 


/ 


THE 


■<&!!!1 


DAILY 


Thursday,  April  1,  IJ 


Presentations 


Rialto 

A  Charleston  contest  is  featured  all  week 
at  the  Rialto,  a  contest  being  given  daily 
at  an  afternoon  and  evening  performance. 
The  amateur  talent  is  selected  not  only  from 
New  York,  but  from  suburban  towns  up- 
state   and    in    New   Jersey. 

About  eight  performers  appear  at  each 
contest,  divided  equally  between  boys  and 
girls.  A  jazz  band  of  eight  pieces  is  on 
the  stage.  An  announcer  introduces  each 
contestant  with  a  little  comedy  patter.  Al- 
though confined  to  unprofessionals,  every 
one  of  the  entrants  is  far  above  the  usual 
amateur  in  ability  to  perform  the  dance. 
At  each  performance,  comedy  is  injected  by 
one  of  the  contestants  being  picked  up  to 
do  a  "boob  amateur"  turn,  which  gets  a  big 
laugh. 

On  the  stage  at  each  exhibition  are  two 
judges — professional  dancers  well  known  on 
the  Rialto.  At  the  close  of  the  contest 
they  pick  the  winner  with  the  assistance 
of  the  audience,  which  applauds  as  the 
prize  cup  is  held  over  the  heads  of  the 
various   members. 

There  is  an  added  attraction  with  two 
colored  members  of  the  house  staff  doing  a 
double  Charleston  in  real  darkey  style.  The 
announcer  then  informs  the  audience  that 
the  winners  of  the  individual  contests  will 
all  compete  Saturday  night  for  a  loving  cup. 
It  was  quite  evident  that  the  Charleston 
exhibition  met  with  the  approval  of  the  pa- 
trons.     Running    time,    25    minutes. 

The  balance  of  the  program  consists  of 
a  Music  Master  Series,  "George  Frederick 
Handel,"  eight  minutes;  Edward  Atchison, 
tenor,  offering  an  aria  from  "Martha"  and 
a  song,  five  minutes ;  News  Weekly,  seven 
minutes:  organ  specialty  with  singing  slides, 
six  minutes;  the  Melody  Sextette  in  three 
numbers,  ten  minutes,  closing  with  the  fea'- 
ture,    "Bride   of    the    Storm,"    65    minutes. 


Rivoli 

The  Rivoli  appears  to  ha^e  abandoned, 
or  at  least  temoorarily,  the  elaborate  revue 
and  instead  built  up  a  program  of  short 
numbers,  the  most  attractive  of  which  is  a 
number  called  "The  Chinese  Plate,"  devised 
and    staged   by    Frank    Cambria. 

The  stage  is  set  in  Oriental  style  with  a 
black  velvet  back  curtain  and  decorations 
in  the  way  of  table,  lantern,  and  Buddha 
altar,  all  Oriental  in  design.  A  girl  in  native 
costume  dances  to  "Dance  of  the  Chinese 
Doll"  by  Rabikofl.  After  this  number  the 
curtains  part  revealing  "The  Chinese  Plate." 
The  decorated  rim  of  the  plate  serves  as 
a  frame  for  the  tableau  which  represents 
the  painting  upon  the  flat  of  the  plate.  In 
the  tableau  are  a  man  and  woman  who  sing 
"The  Cherry  Blossom"  and  "Chinese  Lul- 
laby." The  setting  is  typical  of  the  de- 
signs found  on  decorated  Chinese  tableware. 
This  attractive  number  occupies  only  seven 
minutes  of  the  Rivoli  program  while  the 
bulk  of  the  time  is  consumed  with  the  fea- 
ture, Pola  Negri  in  "The  Crown  of  Lies," 
59  minutes  and  a  Lloyd  Hamilton  comedy, 
"Nobody's    Business,"    20    minutes. 

A  wholly  artistic  effort  is  "Pierrot's  Ser- 
enade" in  which  Julius  Fisher  plays  the 
cellophone,  explained  as  "a  piece  of  oak- 
wood  phonograph,  sound  box.  an  automobile 
horn  and  ai  piece  of  piano  wire."  It  makes 
pretty  good  music  at  that,  on  the  order 
of  the  kazoo  but  of  softer  tone.  The  setting 
IS  a  series  of  rooftops  with  Pierrot  perched 
on  a  chimney  top  playing  "Top  of  the 
World"  and  "Sometime."  Some  of  his  ani- 
mal imitations  consist  of  a  cat  and  dog  fight 
whereupon  the  cat  and  dog  appear  on  a 
nearby  roof  top  and  perform  in  accord  with 
the    musician's    squeaks    and   squeals. 

In  the  foreground  there  is  a  decorated 
scrim  curtain.  This  takes  up  six  minutes 
of  the  bill  with  the  overture,  excerpts  from 
musical  comedies,  and  the  illustrated  song 
number  occupying  nine,  eight  and  eight  min- 
utes, respectively.  The  illustrated  song  num- 
ber is  the  weakest  feature  on  the  bill.  The 
audience  never  participates  and  if  it  did 
the  great  volume  of  sound  that  Harold  Ram- 
say puts  over  would  drown  them  out.  A 
short  reel  subject,  "Modern  Centaurs"  offers 
four   minutes   of    interesting   thrills. 


Lya  de  Putti  Back  at  Work 

Lya  de  Putti  has  returned  to  the 
Paramount  studio,  following  an  op- 
eration  for  appendicitis. 


Cooper  President 

(,Continued  from  Page  1) 
Bach,  First  National;  O.  R.  Hanson, 
Educational;  B.  F.  Lyon,  Warners; 
C.  Hague,  Universal;  representing 
exhibitors,  C.  Robson  and  John  Ar- 
thur; director-at-large,  J.  P.  O'- 
Loughlin,  Fox. 

The  new  standard  exhibition  con- 
tract was  adopted  to  come  into  force 
May  1. 

The  annual  report  of  Auditor  T.  J. 
Bragg,  showed  satisfactory  progress 
in  all  branches,  and  the  treasurer's 
statement  indicated  a  reasonable  sur- 
plus. Relations  between  the  asso- 
ciation and  various  exhibitor  organi- 
zations were  reported  improved. 
The  six  Film  Boards  of  Trade  were 
said    to    be    operating   successfully. 


Pathe  to  Star  Boxer 

Pathe  will  feature  Gene  Tunney, 
heavyweight,  in  a  10-chapter  serial, 
to  be  directed  by  Spencer  Bennet. 
Tunney  leaves  for  the  Coast  this 
week. 


George  Archainbaud  111 

George  Archainbaud,  directing  Mil- 
ton Sills  in  "Puppets"  has  been  laid 
up  with  the  grippe  for  several  days. 
Arthur  Tavares  is  directing  tempor- 
arily. 


Loew  Openings 

(Contimied  from  Page   1) 
Loew,    E.    A.    Schiller,    N.    G.    Gran- 
lund,  Charles  De  Roche  and  "Bugs" 
Baer. 

The  Slate  is  at  Canal  and  Rampart 
Sts.,  and  seats  3,800.  The  Melba 
seats  2,000,  and  until  now  has  been 
operated   by   Publix. 


Coast  Group  to  Attend 

Los  Angeles — Many  stars  and  ex- 
ecutives will  leave  tomorrow  for 
New  Orleans  to  attend  the  opening 
of  Loew's  State.  The  party  includes 
Lew  Cody,  Claire  Windsor,  Pauline 
Starke,  Conrad  Nagel,  Dorothy  Phil- 
lips, Jack  Mulhall,  William  Russell, 
Eileen  Percy,  Dorothy  Mackaill, 
Lloyd   Hamilton  and   Buster  Keaton. 


"Roxy"    En    Route   to    Coast 

"Roxy"  is  en  route  to  California 
for  a  six  weeks'  rest.  He  returns  to 
New  York  about  May  1.  Erection  of 
framework  on  the  Roxy  theater 
starts  the  middle  of  next  month. 


Leonard  Mitchell  Joins 

Leonard  Mitchell  has  resigned  as 
publicity  director  of  the  United 
States  Lines  to  join  De  Forest 
Phonofilms  as  head  of  publicity,  ad- 
vertising   and    exploitation. 


Want  Hays  Benefi| 

(Continued  from  Page  1) 

next    meeting    in    about    one 
plans  will  be  made  for  the  se 
of  a  delegate  who  will  sit  in 
ferences   at  the   Hays   office.     |j 
rations   will   also   be   made  for 
tional     headquarters    in     New 
with    a    paid    executive    secretaij 
general  manager  in  charge.  Thil 
port    of    exchanges    througho|i| 
country  will  be  sought.  II 

Indications  are  that  the  inciS 
of  the  new  organization  will  nil 
the  ranks  of  the  I.  M.  P.  /j 
though  many  of  the  distributoil 
affiliated  with  the  latter  group  j 
there  is  any  exodus  it  will  be 
ual,"   one    exchangemen   said. 


Not  Decentralizing  Buyii 
Publix   has   issued   a   denial  (j 
report   published   at   the  time  <[ 
Atlantic     City    convention,    thai 
company  was  to  decentralize  itiS 
ing  of  short  subjects.     The  corj 
has   had   no  such  plan  in  conttiTJ 
tion  at  any  time,  according  to  iL 
Chatkin,  in  charge  of  the  purclJ| 
of    short    subjects    for    Publix. 
buying  will   continue   in   New  'j 


mo 


"Skyrocket"  Succeeds  "Sea 

Hollywood — "The    Skyrockei 
follow   "The    Sea   Beast"   at    t\^b 
gueroa. 


Not  one— 

but  many 

celebrated 

directors 

helped 

make  it! 


IVfQ  \sboN! 


top 


IS;- 

m 


ly,  April   1,  1926 


DAILY 


i.  Sales  Changes 

xhange  Managers  at   Wash- 
Charlotte,     Albany    and 
linneapolis    Appointed 

R.    Grainger    of    Fox,    an- 
the  following  changes: 

J.  Price,  formerly  manager  at 
aslsumes  management  of  the 
)n  office.  John  Fuller,  former 
at  Charlotte,  has  been  appointed 
f  that  branch.  I.  J.  Schmertz,  for 
1  Fox,  New  York,  has  been  ap- 
.anager  at  Albany,  replacing  James 
idy,    who    has    been    transferred. 

Gomersall,  formerly  manager  of 
is,  has  been  appointed  managei 
apolis,  replacing  George  T.  Laii 
has    been    transferred. 

A.  Roberts  has  been  appointed 
short    subject    sales    manager. 


Iter  Sign  for  the  Oriental 

o — What    is    claimed    to    be 
est    projecting    electric    sign 
orld  will  be  erected  in  front 
jan    &    Katz'    Oriental.      It 
122   ft.    in    height,    extending 
es   from   tip   to   tip.      Its   de- 
carry  out   the    Oriental   at- 
of  the   architecture.     Each 
11  be  eight  ft.  high  and  near- 
bulbs   will   be    in    the    sign. 
will  be    15   stories   from    the 
'el  and  will  be  visible  almost 
out  on  Lake  Michigan. 


Incorporations 


Albany,  N.  Y.— Kingston  Recreation  Corp., 
lirooklyn;  theaters.  Capital  $10,000.  Incor- 
porators, M.  Cohen  and  M.  Geller.  Attor- 
ney,  H.    Lenitz,    51    Chambers   St 


Albany,  N.  Y.— Reade's  Kingston  Theater 
■^o.,  i\ew  \'ork.  Incorporators,  R.  Huber 
C.  Bryan  and  W.  Marks.  Attorneys,  Schles- 
inger  &  Schlesinger,  17  East  42nd  St.,  New 
1  ork. 


Dover,  Del.— The  B.  F.  Keith  Program 
Co.,  to  print  theater  programs.  Capital 
i>l 0,000.  Attorney,  Corporation  Guarantee  & 
Trust    Co.,    927    Market    St.,    Wilmington. 


Dover,  Del.— Bell  Theater  Co.,  Philadel- 
phia; to  operate  theaters.  Capital  $100,000. 
Attorney,  Corporation  Guarantee  &  Trust 
Co.,     927     Market    St.,     Wilmington. 


!w  English  Companies 

1 — Cherry  Kearton  Films, 
been  chartered  with  a  capital 
C.  Kearton,  traveler  and  ex- 
president  of  the  new  com- 
ich  will  produce  travel  pic- 
Associated  are  Geoffrey 
the  music  publisher,  and 
Purdy,   a  hotel   proprietor. 


ig  to  Broadway  Houses 

offerings  at  the  Broadway 
eginning  Sunday  are:  Capi- 
ki;"  Cameo,  "The  Grand 
and  the  Waiter;"  Rialto, 
iven's  Sakes;"  Strand,  "The 
t." 


t  for  "The  Temptress" 
ood — Armand  Kaliz,  vaude- 
er,  has  been  added  to  the 
The  Temptress."  Other  ad- 
re  Antonio  D'Algy,  Roy 
Kathleen     Key     and     Alys 


►Iden  Tickets"  as  Souvenirs 

ial  is  giving  as  souvenirs  of 
ere  of  "The  Flaming  Fron- 
eduled  for  Saturday  night 
'olony,  "golden  ticket"  re- 
the  original  pasteboards. 


to  "U"  Scenario  Staff 
ngeles   —    William     Elwell 
ho  won  a  national  scenario 
sld  by  Universal,  has  been 
the  M.-G.-M.  staff. 


.0  Produce  Plays 

'ontinued  from  Page  1) 

is  seeking  manuscripts  suit- 
5th  Universal's  pictures  and 
■ecially  a  farce-comedy,  in 
present  Reginald  Denny  on 
._    If  the  experiment  is  suc- 

iversal  may  introduce  other 


Albany,  N.  Y.— The  Emerald  Photo-Drama 
Studio,  Inc.,  New  York;  to  produce.  Capi- 
tal $200,000.  Incorporators,  O.  Rella,  1350 
Grand    Concourse,    Bronx,    et   al. 


Albany,  N.  Y. — Harwill  Amusement  Co., 
New  York;  theater  and  stage  equipment. 
Capital  $25,000.  Incorporators,  S.  Chapin, 
E.    Klein    and    S.    Bass. 


Columbus,  O.— The  Higginsport  Amuse- 
ment Co.,  Higginsport;  theaters.  Capital 
$2,000.  Incorporators,  C.  Williams  and  C. 
Heizer. 


Sacramento,  Cal. — David  Warner  Prod., 
Inc.,  Hollywood ;  to  produce.  Incorporators, 
E.   Hurley,   D.    Warner  and  H.    O'Rourke. 


Albany,  N.  Y. — British  National  Pictures 
Corp.,  New  York  ;  to  produce  and  distribute. 
Capital    $20,000.  , 


London,  Eng. — British  Distributors  Film 
Agency,  Ltd.,  London ;  produce  and  distri- 
bute.     Capital    £  5,000. 


Albany,  N.  Y. — Battery  Amusement  Corp., 
New  York;  to  operate  theaters.  Capital 
$10,000. 


Albany,  N.  Y. — Stoeber  Realty,  Inc.,  New 
York;  theaters  and  real  estate.  Capital 
$10,000. 


Dover,  Del. — Kyograph  Photo,  Inc.,  Wil- 
mington ;  manufacture  film.  Capital  $300,- 
000. 


Albany,     N.     Y.— Fulton    Theater    Holding 
Corp.,    New    York ;    theaters   and  real   estate. 


Albany,     N.     Y. — Cantor     Comedies,     Inc. 
New     York;     produce.       Capital     $2,000. 


Albany,     N.     Y. — Rochcent     Realty     Corp. 
New   York;   theaters.     Capital   $10,000. 


London,    Eng. — Capitol   Theater,    Ltd.,    St. 
Austell;    ^eaters.      Capital     £1,000. 


Dave    Wells    Promoted 

Minneapolis — Dave  Wells,  assist- 
ant manager  of  the  New  Garrick, 
has  been  named  manager  of  the  Lyn- 
dale.  Robert  Guiderman  has  suc- 
ceeded him  at  the  New  Garrick. 
Other  changes  in  the  F.  &  R.  organi- 
zation are  the  transfer  of  Charles 
Murray  from  the  Lyndale  to  the 
Rialto  with  George  Kruger  transfer- 
red  to   the   Loring. 


Harry  Hart  Succeeds  Shumov/ 

Milwaukee — Harry  Hart  has  l)een 
appointed  successor  to  Harry  J.  Shu- 
mow  as  manager  of  the  local  ex- 
change cf  Associated   Exhibitors. 


Dave  Harrison  in  Town 

Dave  Harrison,  manager  of  the 
Empire  theater  in  Syracuse  and  well 
known  in  that  section,  is  in  town. 


$67,600,000  for  Ads 

(Continued  from  Page  1) 

attend   motion   picture   theaters   in   a 
year. 

"If  one  cent  is  spent  on  advertising 
for  each  admission,  the  total  is  $67,- 
600,000  a  year  that  we  are  spending 
with  advertising  men.  Some  say  that 
$100,000000  is  nearer  the  correct  fig- 
ure." 

Newspapers  and  magazines  in  the 
United  States  print  more  than  15,000 
fihn  advertisements  daily,  he  estimat- 
ed, and  said  that  it  was  not  uncom- 
mon for  a  company  to  sell  $1,000,000 
worth  of  accessories  in  one  year. 
Theaters  no  longer  use  misleading 
advertising,   he   said. 

There  are  725  former  newspaper- 
men occupying  key  positions  in  pic- 
ture work,  Hays  stated. 


To  Aid  Salvation  Army 

Beulah  Livingstone,  of  United 
Artists,  has  been  appointed  chairman 
of  a  committee  to  cover  the  picture 
industry  in  the  forthcoming  Annual 
Maintenance  Appeal  for  Salvation 
Army  work   in   Greater   New   York. 


Two  Pathe  Dividends 

(Continued  from  Page  1) 
tionally  good  year  for   the  company. 
He    said    that    the    company    had    no 
bank  loans  outstanding.     The  annual 
report  is  expected  shortly. 

Pathe  "A"  closed  yesterday  at  54, 
a  rise  of  five  points  in  a  generally 
bullish  market. 


Northwest  to  Convene 

(Continued  from  Page   1) 

laws  at  forthcoming  sessions  of  state 
legislatures  in  the   Northwest. 

"Never  before  has  there  been  such 
strong  need  for  organization  and  all 
exhibitors  of  the  territory  should  at- 
tend the  convention  which  may  prove 
their  business  salvation,  in  view  of 
threatened  annihila'ition,"  declares 
Steffes. 

The  announcement  sets  at  rest  that 
the  organization  might  forego  its 
usual  custom  of  holding  an  annual 
convention.  Under  plans  outlined 
by  Steffes,  the  sessions  will  be  de- 
voted entirely  to  business  with  no 
entertainment  features. 


Brylawski  Urges  United  Effort 

A.  Julian  Brylawski,  chairman  of 
the  board  of  the  M.  P.  T.  O.  A.,  has 
written  to  J.  H.  Michaels,  chairman 
of  the  M.  P.  T.  O.  of  N.  Y.,  urging 
him  to  desist  from  requesting  the  co- 
operation of  the  Film  Boards  of 
Trade  in  the  music  tax  situation.  Such 
action,  Brylawski  says,  is  "pulling  in 
an  opposite  direction  from  the  efforts 
of  the  music  tax  committee  of  the  na- 
tional association." 


Fleming    to    Direct   "Rough    Riders" 

Paramount  announces  Victor  Flem- 
ing will  direct  "The  Rough  Riders." 
This  was  first  recorded  in  this  pub- 
lication from  Atlantic  City  last  week. 


Lois  Moran  Opposite  Chaney 

Hollywood — ^Lois  Moran  will  play 
opposite  Lon  Chaney  in  "Road  to 
Mandalay." 


L.  A.  and  S.  F. 

That  means  "Los  Angeles  and  San 
Francisco" — which  is  where  Gene  Em- 
mick's  Peerless  Film  Service  operates. 

It  also  means  "Laughter,  Amusement 
and  Solid  Fun,"which  is  what  is  coming 
to  Gene's  Exhibitor  clientele  and  their 
patrons. 

Because,  you  see,  that  discerning  gen- 
tleman has  acquired  for  1926-1927 

RAYARTS  RADIANT  COMEDIES 

From  Coast  to  Coast,  it's 
RAY  ART  all  the  way! 


-<<®>-J 


Foreign  Distribution  Through  Richmont  Pictures,  Inc. 


y  TO  WED 

THE  SPLURGE  OF  A  NEWLY  MARRIED  COUPLE 
BLUFFING  THEIR  WAY  THRU  SOCIETY^ 

EVELYN    CAMPBELL 

with 

MATT  MOORE-ZASU  PITTS ""'^  KATHRYN  PERRY 

FRANK. BORZAGE /r^^«cfm 


A  box-office  delight/  A  joy  for  the  S.  R.  O. 
lovers.  Another  mighty  comedy- drama  success 
for  better  business  days. 

fox  Film  Comoratioiv 


iTHE 

brAdstreet 

^  FILHDOM 


0 


Authority 


■- 

;xxvi    No.  2 


Friday,  April  2,  1926 


Price  5  Cents 


Idle  Talk 

idio  executive  leaves  Fa- 

;ertain  new  players  get 
li  with  F.  B.  O.  The  two 
!  ies  are  to  merge.  That's 
mral  conclusion  of  many, 
'ling  is  set  but  the  signa- 

lobody  knows  where  the 
3  starts.      However,    once 

those  in  the  know"  have 

yured  out. 

)  appens  Famous  and  F.  B.  O. 
urge.     They  don't  intend  to. 
I  g's     duties     at     Paramount's 
1  studio  were  divided  last  fall. 
le     Kennedy     made     him     a 
i  offer  and  he  accepted.  When 
1  mount  school  was  launched, 
i  he    intention    to    "farm"    the 
'  ^  out.     A  deal  was  on  with 
!    producers  but  it  didn't  de- 
Then  came   the   arrangement 
B.  O. 

"imous  will  look  them  over 

he  winners.     The  others — 

IS  the  difference.     And  that 

vhole    inside    of    the    latest 


Moving  On 

comes    from    Chicago    that 

cmbusch,   Indiana's   "stormy 

'  i  about  to  launch  a  national 

f  circuit.     What's  more  signi- 

i  the  inkling  that  the  Ascher 

friendly  to   the  idea.     Tie 

Aith   the   fact    that    Aschers 

are  developing  a  buying  or- 

n    to    operate    in     Chicago. 

ybe  you  have   something. 

\Dotvn  to  Business 

or  the  latest  big  deal  in  the 
field.  "Watty"  Rothacker 
day  on  the  Mauretania.  H. 
and  Consolidated  Film  In- 
lold  an  option  on  the  Roth- 
abs."     A  sale  is  in  sight. 

rhe  Pot's  Brewing 

;  on  from  laboratories,  one 
eaters  again.  What  a  mam- 
1  this  one  is.  It's  gigantic, 
us, — well,  just  watch  out. 

K  ANN 


Consolidation  Set 

First  National,  Famous,  M.-G.-M.  in 

Agreement  on  Central  European 

Deal — Effective  at  Once 

It  is  understood  that,  effective  as  of 
j'esterday,  M  e  t  r  o-Goldwyn-Mayer, 
First  National  and  Famous,  will  sell 
jointly  in  Central  and  Southeastern 
Europe.  The  three-cornered  selling 
plan  will  be  put  into  active  operation 
as  fast  as  the  physical  machinery  can 
be  perfected. 

Its  sponsers  feel  certain  that 
many  benefits  are  in  sight  for  the 
trade  generally  and  for  foreign  exhibi- 
tors in  particular.  As  noted,  they  will 
not  place  their  combined  outputs  into 

I  C oriimtcd   on  Fay.'  2) 


Seek  Canadian  Quota 

Ontario  Legislature  Considering  Law 

To  Give   English  Pictures  More 

Playing  Time 

Toronto — A  move  has  been  made 
on  the  floor  of  the  Ontario  Legisla- 
ture to  provide  a  film  quota  law  for 
the  theaters  of  the  Province  when 
Russell  Nesbitt,  a  member  for  Toron- 
to, introduced  a  motion  providing  that 
75  per  cent  of  the  pictures  shown  in 
tlie  Province  should  be  made  in  the 
British  Empire.  The  motion  resulted 
in  a  lengthy  debate. 

(Continued  on  Page  4) 

Broke  in  with  Six 

English  Industry  Placed  10%  of  Pro- 
duction Here  Last  Year,  Charles 
Lapworth  Tells  A.  M.  P.  A. 

Out  of  60  pictures  produced  in 
England  last  year  six  secured  Ameri- 
can distribution.  Charles  Lapworth. 
of  Gainsborough  Pictures,  Ltd..  es- 
timated at  the  luncheon  of  the  A.  M. 
P.  A.  vesterday.  Ninety-five  per  cent 
of  films  shown  on  British  screens  are 
American-made,   he  said. 

(Continued  on  Page  9) 


Again  Nat 'I  Booking? 

Chicago — It  is  reported  here 
that  Frank  Rembusch,  presi- 
dent of  the  M.  P.  T.  O.  of  In- 
diana, is  active  in  the  forma- 
tion of  a  national  booking  cir- 
cuit. 


Recently,  the  Cinema  Book- 
ing Corp.  was  formed  in  Dela- 
ware by  Frank  Rembusch.  At 
the  time  of  its  inception,  he  de- 
clared it  embraced  "an  idea," 
nothing  more. 


id     he     got     Paramount     religion. 
Nell    Gwyn. — Advt. 


Hudson  Transferred 

Will   Handle   Several   First   National 

Units    on    Coast— The    Rocketts 

Take  Over  His  Duties  Here 

Earl  J.  Hudson,  at  present  in 
charge  of  production  for  First  Na- 
tional in  the  East,  will  be  transferred 
to  the  Coast,  following  a  long  vaca- 
tion which  he  will  start  upon  com- 
pletion   of   "Mismates." 

(Continued  on  Page  7) 


Mystery  Confab 

Much  Secrecy  Surrounds  Allied-M.  P. 

T.   O.  Meeting  in  Chicago — Los 
Angeles  Convention  Discussed 

Chicago — There  was  a  lot  of  mys- 
tery around  the  Congress  yesterday. 
The  national  exhibitor  convention  in 
Los  Angeles  was  the  topic  of  conver- 
sation. 

Nobody  would  talk.  Therefore,  the 
exact  proceedings  are  seemingly 
enshrouded  in  secrecy.  But  the  idea 
behind  the  conference  was  this: 

The  so-called  Allied  group  of  states 
in  the  past  few  clays  has  been  sending 
a  good  many  wires  to  Julian  Brylaw- 
(Continued  on  Page  4) 

T.  O.  C.  C.  Elects 

Charles  L.  O'Reilly  Again  President 
—Installation  Dinner  at  Ritz, 
April  24 
The  T.  O.  C.  C,  at  its  annual  meet- 
ing vesterday  afternoon  at  the  Astor, 
again    named     Charles     L.     O'Reilly 
nresident  and  elected  other  officers  as 
follows:      first      vice-president,      Sol. 
Raivcs:  second  vice-president,  Joseph 
Tame:    executive    secretary   and   busi- 
ness director.  Tames  Matthews;  treas- 

(Contiuued  on  Page  7) 


Merger  Talk  Silly 

Famous  and  F.   B.  O.  Won't  Unite, 

States    Sydney    R.    Kent — Major 

Thomson  in  Agreement 

Reports  linking  Famous  and  F.  B. 
O.  in  a  rnerger  were  described  yes- 
terday by  both  Sydney  R.  Kent,  gen- 
eral manager  of  Famous,  and  Major 
H.  C.  S.  Thomson  of  F.  B.  O.  as 
silly. 

The  reports  started  on  the  Coast 
and  were  seized  upon  here  for  re- 
publication. The  fact  that  many  of 
the  members  of  the  Paramount 
school  for  actiaig  had-  been  "farmed" 
out  to  F.  B.  O.  plus  the  fact  that 
Edwin  C.  King,  former  Paramount 
studio  manager  in  the  East,  had  gone 
to  the  F.  B.  O.  as  vice-president  in 
charge  of  the  studio  formed  the  basis 
for  the  comment. 

As    a    matter    of    fact,    the    players 

have    been    loaned   to   F.    B.   O.   with 

the   definite   understanding   that   they 

are    merely    borrowed.      Those    who 

(Continued  on  Page  8) 


To  "Buck"  New  Loew  House 

New  Orleans — The  long  awaited 
announcement  concerning  the  future 
of  the  old  Crescent  is  made  by  the 
Saenger  Theaters,  "  Inc.,  which  will 
take  over  the  house,  and,  commencing 
Sunday,  show  stock  with  pictures. 
Ever  since  work  started  on  Loew's 
State,  which  opens  Sunday,  there  has 
been  much  speculation  in  the  trade 
here  as  to  the  Crescent. 


Foreign   Laboratory  for   Technicolor 

Boston— Dr.  Herbert  T.  Kalmus, 
president  of  the  Technicolor  Motion 
Picture  Corp.,  sails  from  New  York 
on  Saturday  aboard  the  Majestic.  He 
will  visit  London,  Berlin,  Paris  and 
Nice. 


It  is  understood  th"*   Ka'       s'  trip 
abroad  chiefly  concei  •   ^ablish- 

ment  of  a  color  laboratoi     in    iurope. 


May  Act  Today 

Washington— Reports  as  to  what 
form  of  order  will  be  issued  by  the 
Federal  Trade  Commission  relative 
to  the  reopening  of  the  Famous 
Players  case  are  merely  "wild 
guesses,"  inasmuch  as  the  Commis- 
'  (Continued  on  Page  9) 


Plan  More  Houses 

.\n  increase  in  theater  construction 
will  occur  this  year  in  South  Amer- 
ica, according  to  Jaroho  Glucksmann. 
associated  with  Max  Ghick.smann, 
who  returned  from  that  continent. 

Lpst  vear  14  houses  were  erected  in 
the  following  countries:  Argentine,  2: 
Uruguav.     4:     Chile,     4;     Brazil,     4. 

(Continued  on  Page  9) 

20  Theaters  Sold 

The  deal  between  Il!ii\Vsal  Thea- 
ters Corp.  aipd'  Capitol  Sntcrprises, 
Inc.,  oneraiSi^  iabont  20  theaters  in 
Iowa  Mi^tiri  and  Kansas,  will  be 
definitelv  <<iosed  today,   according  to 

indications.        -' 

(Continued  on  Page  9) 


75  Managers  Convention 
Los  Angeles — _  vcnty-five  man- 
agers are  attending  the  F.  B.  O.  sales 
convention  which  opened  yesterday 
at  the  Ambassador  and  concludes 
Saturday  night  with  a  dinner  dance 
at  the  studios. 


Kentucky  Legislature  Adjourns 

Louisville,  Kv.— Tlie  Stale  Legisla- 
ture has  adjourned  without  passing 
the  proposed  ten  per  cent  tax  on  thea- 
ter scats  and  the  bill  providnig  for 
censorship. 

Rothacker  Back  Today 
Watterson  R.  Rothacker  returns  to 
New  York  today  on  the  Mauretania. 
He  has  been  on  a  Mediterranean  trip. 


TNC 


M 


-JXi^ 


DAILV 


Friday,  April 


foLXXXVIHe.  2     Friday.  Apr.  2, 1926      Price  5  Cents 
JOHN  W.  AllCOATEi     ::::::      Pablisher 


Copyright  1926,  Wid's  Films  and  Film  Folks, 
Inc.  Published  Daily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y. 
T.  W.  Alicoate,  Treasurer,  Maurice  D.  Kann, 
Editor;  Donald  M.  Mersereau,  Business  and 
Advertising  Manager ;  Ralph  Wilk,  Travel- 
ing Representative.  Entered  as  second-class 
matter  May  21,  1918,  at  the  post-office  at 
New  York.  N.  Y.,  under  the  act  of  March 
3,  1879.  Terms  (Postage  free)  United  States, 
outside  of  Greater  New  York,  $10.00  one 
year;  6  months,  $5.00;  3  months,  $3.00.  For- 
eign, $15.00.  Subscribers  should  remit  with 
order.  Address  all  oommunications  to  THE 
FILM  DAILY,  1650  Broadway,  New  York, 
N.  Y.  Phone  Circle  4736-4737-4738-4739. 
Cable  address:  Filmday,  New  York.  Holly- 
wood, California — Harvey  E.  Gausman,  6411 
Hollywood  Blvd.:  'Phone,  Granite  3980. 
London — Ernest  W.  Fredman,  The  Film 
Renter,  58,  Great  Marlborough  St..  London, 
W.  I.,  Paris — La  Cinematographic  Francaise, 
5,  Rue  Saulnier. 


Financial 


There  was  less  action  than  usual  among 
film  issues  yesterday.  Again  Famous  com- 
mon figured  prominently  in  the  trading, 
12,400   shares  being  sold. 

Fox  Film  "A"  figured  in  the  highest  rise, 
going  up  4;^  points  to  Sl'/i.  A  gain  of  3 
points,  to  71,  was  registered  by  Balaban  & 
Katz.  Fox  Theaters  "A"  went  up  1^ 
points  to  21.  Both  Famous  common  and 
preferred    remained    practically    unchanged. 

In  the  continuation  of  the  short  covering 
movement  in  the  general  market  prices  ral- 
lied 1  to  5  points  further.  The  exchange 
recesses  today  in  observance  of  Good  Friday. 


Quotations 

High 

Low 

Cl08« 

Sales 

Balaban   &  Katz   . 

72 

70'^ 

71 

Eastman    Kodak    . 

1077^ 

1077^ 

107^ 

500 

Famous    Players    . 

.120^ 

118 

119 '4 

12,400 

Fam.    Play.  Pfd.  . 

117'4 

117 

117'4 

200 

•Film  Inspection   . 

4'/, 

>   •   ■   * 

•First    Nafl    Pfd. 

100 

Fox    Film    "A"    . 

61^ 

58 

61-4 

3,100 

Fox  Theaters  "A" 

21 

20'4 

21 

3,400 

•Intern'l   Projector 

,   , 

13 

Loew's,     Inc.     . . . 

.   39'4 

37?< 

38^ 

6,800 

Metro-Gold.  Pfd.   . 

22 

22 

22^ 

100 

M.   P.    Cap.    Corp. 

20^ 

19 

19 

900 

Pathe   Exch.    "A" 

55  J^ 

53^ 

S4'/5 

4,100 

fParamount  B'way 

94% 

94^ 

94H 

1,100 

Skouras     Bi*os.     . 

46 

46 

46 

••Stan.  Co.  of  Am. 

. 

49 

Trans-Lux    Screen 

m 

85^ 

8^ 

1,000 

•Universal  Pictures 

SO'A 

•Univ.    Pict.    Pfd. 

, , 

91 

•Warner     Bros.     . 

lOVi 

•Warner    Pictures 

14 

•  Last   prices    quoted 

••  Philadelphia    market 

■]■  Bond   market 

How  Todd  Figures  His  Damages 

Los  Angeles — In  his  suit  against 
Universal,  Frederick  A.  Todd  asks 
$500,000  exemplary  damages  and  $1,- 
500,000  as  the  value  of  "The  Phan- 
tom of  the  Opera."  He  charges  that 
the  picture  infringed  on  his  scenario 
based  on   "Faust." 


In  Charge  of  Koppin  Theaters 
Detroit — Walter  D.  Shafer,  who  for 
the  past  eight  years  has  managed  var- 
ious theaters  for  the  Fox  circuit,  has 
resigned  to  accept  the  general  super- 
vision of  theaters  for  the  Woodward 
Theater  Co.,  of  which  Henry  S.  Kop- 
pin is  president. 


Fox  to  Coast 

William  Fox  left  yesterday  for  the 
Coast.  The  Fox  convention  group 
leaves  New  York  on  the  7th  for  the 
Los  Angeles  sales  meetings. 


Texas  M.   P.  T.   O.   Meets   May   11 
Dallas— Dates  for  the  M.  P.  T.  O. 
of  Texas  convention  have  been  defi- 
nitely set   for   May   11    and   12. 


Theatrical  Producers  Elect 

New  York  theatrical  producers  took 
further  organization  steps  yesterday 
afternoon  at  the  Astor,  when  they 
elected  the  following  officers:  presi- 
dent, William  A.  Brady;  vice-presi- 
dent, Arthur  Hammerstein;  secretary, 
Warren  Munsell;  treasurer,  John 
Golden;  board  of  directors,  Arthur 
Hopkins,  A.  H.  Woods,  Lee  Shubert, 
A.  L.  Erlanger,  Gilbert  Miller  and 
Sam  Harris. 

Another  meeting  will  be  held  Mon- 
day. 


De  Mille  Leaves  for  New  York 

Los  Angeles — Cecil  B.  De  Mille 
leaves  for  the  East  today  to  attend 
the  New  York  premiere  of  "The  Vol- 
ga Boatman,"  at  the  Times  Square 
theater  on  the  12th. 


Frank  Pope  Quits  Famous 
Frank  Pope  has  resigned  from  the 
Famous  Players  publicity  staff  to  join 
P.  D.  C,  where  he  will  handle  public- 
ity on  the  local  run  of  "The  Volga 
Boatman." 


Lannon  and  Sheffield  Split? 

Seattle—It  is  understood  that  the 
partnership  between  Jack  Lannon 
and  J.  T.  Sheffield  in  Greater  Fea- 
tures, Inc..  covering  eight  Western 
states  and  Alaska,  will  be  dissolved. 
Sheffield  will  buy  Lannon's  interest 
in  Salt  Lake  and  Denver,  while  Lan- 
lon  buys  the  Sheffield  holdings  in 
Seattle,  Portland  and  Butte. 


Progress  Buys  32  from  Rayart 
Progress   Pictures,   Inc.,  of  Wash- 
ington,  has   purchased   the   following 
four  series  from  Rayart: 

Eight  "Romantic"  Westerns,  pro- 
duced by  and  starring  Ben  Wilson; 
eight  Westerns,  produced  by  Ben 
\yilson  and  starring  Dick  Hatton: 
eight  produced  by  Anchor  Film,  in 
which  Helen  Holmes  is  starred,  and 
eight  "Action"  Westerns  produced 
by  Anchor  and   starring   Al   Hoxie. 

Consolidation  Set 

(.Continued  from  Page  1) 
hose  territories  but  merely  about  two- 
thirds.  They  feel  this  will  prevent  a 
flooding  of  the  market  with  pictures 
whjch  are  not  suited  for  those  terri- 
tories. The  saving  of  money  on  over- 
head operations  is  a  tremendously  im- 
portant factor  which  they  assert  will 
reflect  savings  for  all  concerned. 


Lasky   Retaining   Stock   Interest 

The  Financial  Editor  of  "The  Sun" 
stated  yesterday: 

"Printed  rumors  that  Otto  H. 
Kahn,  of  Kuhn,  Loeb  &  Co.,  had 
acquired  or  was  negotiating  to  ac- 
quire the  stock  held  by  Jesse  Lasky 
in  Famous  Players  are,  in  well  in- 
formed quarters,  said  to  be  without 
foundation  in  fact." 


Only   Negroes  in   Picture 

Hollywood — A  cast  composed  en- 
tirely of  negroes  will  be  used  by 
Cecil  B.  De  Mille  in  a  story  of  negro 
life  in  America. 


Conklin  Leaving  True  Story  Films 
Frank  Conklin  has  resigned  as  sales 
promotion    manager    of    True    Story 
Films,  Inc. 


Hoxie  Through  with  "U" 

Hollywood — Having  completed  his 
last  picture  under  his  Universal  con- 
tract Jack  Hoxie  will  take  a  short 
vacation. 


F.    N.    Buys   "Riders  of   the   Wind" 

Los  Angeles — First  National  has 
purchased  "Riders  of  the  Wind,"  by 
Elsmyth  Thane. 


Pollock  Going  to  Europe 

Joseph  Pollock,  of  National  Screen 
Service,   sails   for    Europe   April    13. 


Booklet  on  Inspiration  Product 

Inspiration  Pictures  is  issuing  a 
highly  attractive  and  artistic  booklet 
on  its  product  and  stars.  The  book 
is  the  work  of  J.  Boyce  Smith.  Wal- 
ter Camp,  Jr.,  and  Emil  Jensen. 

M.  &  S.  Circuit  Chartered 

Albany,  N.  Y. — Incorporation  pa- 
pers have  been  granted  to  E.  Mayer, 
L.  Schneider  and  J.  Borodkin,  for  the 
M.  &  S.  Circuit.  Inc.,  of  New  York. 
Capital  is  listed  at  $3,000,000. 


M.    &    S.    operate    several    theaters 
on  the  East  Side  of  New  York. 


Warners'  Sales  Conventions 

Warner  Bros,  will  hold  sales  con- 
ventions as  follows:  New  York,  Hotel 
Pennsylvania,  April  10,  11,  and  12: 
Chicago,  Hotel  Congress,  April  17,  18 
and  19;  Los  Angeles,  Ambassador 
Hotel,  April  24,  25  and  26. 


Adapts  "Passionate  Quest" 

Hollywood  —  Marian  Constance 
Blackton  has  nearly  completed  adap- 
tation of  "The  Passionate  Quest" 
which  Warners  will  make  in  May 
under  direction  of  J.  Stuart  Black- 
ton. 


If  You  Are  in  the 
Market   for    Any    Kind    of 

MOTION  PICTURE 
APPARATUS 

CONSULT  US-AND  SAVE  MONEY 
SEND  FOR   OUR   PRICE  LIST 


Chas.  G.  Willoughby,  Inc. 

Motion  Picture  Department 

110  West  32nd  St.,  New  York 

Phone   Pcnna.   6564 


Fox  Earns  $274,800  Net  in 

Fox  Film  reports  net  ia 
January  of  $274,800,  after, 
but  before  Federal  taxes,  ai 
$127,700  in  January,  1925. 
declared  an  extra  quarterly 
of  $1,  payable  April  10,  on 
mon   stock. 


.'his  is  a  'Cornerblock'  cut  fiiif| 
FREE  for  all  Pathecomedies  j 
exchange. 


NATIONAL     EV 
LABORATORIES, 

Developing — Printing — 

1476  Broadway 
Telephone*  Bryant  S3Wi 


BEN  AMSTERD/ 


Another  RAYART 


!ir 


♦•♦•♦♦•♦^♦^♦♦••♦^••♦•♦••»  ♦♦♦•#•  ♦•♦♦••#•»'     •    I 

I  Ward  Cine  Laboratory, 

ll         216-222  Weehawken  S 
it  Union  City,  N.  J. 

II  Telephone  Union  4800 
it  G.  BERT  WARD.1 

•V 

#>•.•  •>♦>  •.••>•>«>•,*#>•>  *>  #.*  •.«  •.«  •>•>  «.«  «>M 


'\ 


i 


clean-up/ 


II 


DAILY 


Fnday,  April  2,  i 


Seek  Canadian  Quota 

{Continued  from  Page  1) 
Nesbitt  said  that  it  was  compulsory 
in  Australia  for  theaters  to  show  1,000 
ft.  of  British-made  film  on  every  pro- 
gram but  W.  H.  Price,  provincial 
treasurer,  declared  that  the  situation 
would  have  to  be  met  in  a  practical 
way. 

Price  read  from  a  report  of  the  On- 
tario Board  of  M.  P.  Censors  for  1925 
which  showed  that  99j4  per  cent  of 
all  pictures  screened  in  Ontario  were 
made  in  the  United  States.  A  num- 
ber of  companies  had  been  formed  in 
Canada  to  make  pictures  but  the  most 
of  them  had  gone  out  of  business  be- 
cause of  the  competition  of  the  U.  S. 
producers,  he  said. 


Sanford  Buys  Mansfield  Play 
Hollywood — Frank  M.  Sanford  has 
purchased  the  Robert  Mansfield  play, 
"Under  the  Make-Up,"  and  "Money 
Buys  Everything?",  an  original  by 
Harold  Stockton.  Both  are  for  early 
production. 

In  from  Coast 

Leo  Young,  publicity  representa- 
tive of  California  Studios,  arrived 
from  the  Coast  this  week  to  take 
charge  of  publicity  and  advertising 
for  Nat  Levine's  serial. 


Mrs.   Pickford  Going  Abroad 

Mrs.  Charlotte  Pickford,  mother  of 
Mary,  has  recovered  from  an  illness 
and  has  joined  her  daughter  here. 
She  will  go  abroad  Saturday  with  the 
Fairbanks  party. 


Remains  with  L.  A.  Examiner 

Flortnce  Lawrence  in  about  one 
week  leaves  New  York  to  return  to 
her  post  as  dramatic  and  picture  edi- 
tor of  the  Los  Angeles  Examiner, 
instead  of  becoming  dramatic  editor 
of  the  Chicago  Examiner,  according 
to  report.  Louella  Parsons,  who  is 
recov;ering  from  an  illness  at  the 
Coast,  will  contribute  to  Universal 
Service. 


Montmient  for  B.  &  K.  House 
Chicago — Four  immense  horses  are 
being  modeled  for  Balaban   &  Katz, 
to  be  used  atop  the  new  Oriental  on 
Randolph  St. 


3,000  Seater  for  Stroudsburg 
Stroudsburg.  Pa. — A  new  corpora- 
tion, composed  of  two  local  men  and 
I.  Grossman,  of  Long  Island,  and  A. 
Levine,  of  New  York,  have  closed 
for  property  on  lower  West  Mam  St., 
on  which  will  be  built  a  theater  lo 
seat  3,000. 


Changes  in  Knoxville 
Knoxville,  Tenn. — Tennessee  En- 
terprises, Inc.,  operating  several 
houses,  has  transferred  Judson  Brock 
from  the  Riviera  to  the  Majestic. 
He  succeeds  Charles  Wright,  re- 
signed. 


15-Story  Theater  Bldg.  for  Roanoke 

Roanoke,  Va. — Preliminary  details 
concerning  plans  of  the  new  15-story 
theater  and  commercial  buiidingt  to 
be  erected  here,  have  been  completed. 
Tenants  in  the  building  on  the  site 
have  started  moving  and  actual  con- 
struction  will  commence  Sept.    1. 


Newspaper  Opinions 


"Clothes  Make  the  Pirate"— 1st  Nat'l 
Karlton,  Philadelphia 

INQUIRER—*  *  *  The  picture  is  above 
all  noteworthy  for  the  number  of  laughs  that 
It  supplies  to  every  sixty  seconds.  *  •  * 

PljliLiC  LEDGER — *  *  *  is  a  vastly  amus- 
ing farce  comedy.  The  fact  that  it  also  hap- 
pens to  be  a  "costume"  picture  need  keep  no 
one    away.    *    *    * 

RECORD — *  *  *  It  is  without  doubt  one 
of  the  best  comedy  films  that  have  been  shown 
in  this  city  for  some  time.  Errol  is  ably  as- 
sisted by  a  splendid  cast.  •  *  * 


Miss  lO'Neill.     The  plot,   almost  wholly,   has 
been  done  before  and  done  better.  ♦  *  * 

RECORD — *  *  *There  is  nothing  preten- 
tious about  it — it  is  put  together  of  the  oldest 
stuff  in  the  director's  closet,  but  it  evokes 
laughter  and  the  simple  romance  running 
through  it  ends  in  the  most  desirable  man- 
ner.   *  »  * 


"Dancing  Mothers" — Paramount 
Metro,  Boston 

GLOBE — *  *  *  Alice  Joyce,  who  takes  the 
leading  role,  that  of  Ethel  Westcourt,  the 
woman  who  becomes  the  "dancing  mother,"  has 
done  a  very  workmanlike  job  in  her  interpre- 
tation.  *   *    * 


"Don't"— M.-G.-M. 
Park,  Cleveland 

PLAIN  DEALER—*  *  *  "Don't"  is  an- 
other of  those  perfect  screams  on  the  order 
of   "Mike"  and  some  other  trifles.   *   *   * 


"The   First   Year"— Fox 
Washington,  Detroit 

TIMES — *  *  *  Ihe  adaptation  has  been  a 
faithful  one.  No  lavish  scenes  of  splendor 
have  been  inserted,  nor  has  any  of  the  gen- 
uine comedy  of  the  original  been  lost.  *  *   * 


"Go  West"— M.-G.-M. 
blew,  Baltimore 

NEWS—*  *  *  If  Buster  (Keaton)  had  had 
some  one  else  write  the  story  and  another  di- 
rector to  direct  it,  perhaps  some  of  the  scenes 
would  not  have  dragged  so  and  there  would 
have  been  more  action  in  this  his  latest  photo- 
play. 


*      *      * 


"HisPeople"— Universal 
l-enway,  Boston 

HERALD — *  *  *  Perhaps  Rudolph  Schild- 
kraut  has  done  other  films  *  *  *  and  in  "His 
People"  he  has  given  a  film  characterization 
that  could  only  be  equalled  in  power  and  sub- 
tlety by  Jannings.  *   *  * 

TRANSCRIPT — *  *  *  Only  in  the  work  of 
Mr."  Schildkraut  and  Miss  Rosanova  does  one 
take  any  great  satisfaction.  Indebtedness  for 
this  fact  must  lie  not  so  much  to  the  account 
of  the  director  Mr.  Edward  Sloman  as  to  the 
personal  account  of  the  two  principals.   *   *   * 


"Lady  Windemere's  Fan" — Warners 
Arcadia,  Philadelphia 
RECORD — *  *  *  The  screen  version  of 
"Lady  Windermere's  Fan,"  done  by  Ernst 
Lubitsch,  is  one  of  the  most  skillfully  di- 
rected photoplays  that  Philadelphia  has  had 
the    good    fortune    to    see    for    many    years. 


"Mike"— M.-G.-M. 
Stanley,  Philadelphia 

INQUIRER—*  *  *  Sally  O'Neil  is  a  pi- 
quant and  energetic  Mike.  She  has  a  fas- 
cinating personality,  and  without  a  doubt 
will  be  one  of  the  most  popular  screen  stars 
of    the   future.    *  *  * 

PUBLIC  LEDGER—*  *  *  To  be  quite 
fair,     the    fault    doesn't    altogether    lie    with 


BIG 

Moments 

IN  ANY  SHOW 

A 

Red  Seal  Picture 


729    Seventh  Ave.,   N.   Y.   C. 


"The  Reckless  Lady"— First  Nat'l 
Capitol,  Cincinnati 

ENQUIRER—*  *  *  Belle  Bennett  gives 
a  compelling  interpretation  of  the  title  role — 
that  of  a  fascinating  woman  of  the  world 
who  years  before  was  driven  forth  by  her 
husband.    *  *  * 

TIMES-STAR — *  *  *  it  provides  a  theme 
of  unusual  dramatic  interest,  interpreted  by 
a  cast  of  unusual  histrionic  excellence.   *  ♦  ♦ 


"The  Sea  Beast" — Warners 
Metro,  Baltimore 

AMERICAN — *  *  *  you  can't  deny  that 
John  Barrymore  is  an  actor  of  parts  and 
one  who  builds  up  his  effects  certainly  and 
with  astounding  power  and  minuteness.  *  *  * 

NEWS — *  *  *  Mr.  Barrymore,  although 
he  seems  to  hate  to  let  go  of  certain  scenes, 
gives  a  convincing  portrayal  of  Ahab.  Do- 
lores Costello  is  sweet  and  appealing  as 
Esther.    •  *  • 

SUN — *  *  *  It  is  truly  a  classic  of  the 
screen,  a  boast  that  is  made  doubly  sure 
by  the  presence  of  John  Barrymore  in  the 
leading  role.  He  gives  a  memorial  perform- 
ance in  one  of  the  biggest  of  the  year's  big 
pictures.    *  *  » 


"The   Wanderer" — Paramount 
Lyric,  Cincinnati 

ENQUIRER—*  *  *  "The  Wanderer"  is 
a  magnificent  spectacle  as  well  as  a  power- 
ful though  simple  drama.  Idyllic  landscapes, 
handsome    interiors,    and    magnificent    scenes. 

*  *  * 

TIMES-STAR—*  *  *  "The  Wanderer"  is 
a  picture  for  film  fans  of  all  tastes  and  ages. 


Mystery  Gonfal| 

{Continued  from  Page  1) 
ski  of  the  M.  P.  T.  O.  A.  alw 
forthcoming  convention.  Allied 
ly  wants  to  know  what  the  com 
was  to  discuss  before  making  t 
promises  to  attend.  The  groi 
been  doing  some  tall  mathemat: 
uring  out  expense. 

As  a  matter  of  fact,  it  is  re 
Allied  had  a  meeting  here  last 
at  which  it  was  determined  ti 
this  confab.  The  meeting  the 
held  with  everybody  remaining 
However,  there  were  some  fire" 


Confer  on  Convention  Plai 
President  R.  F.  Woodhul! 
Business  Manager  Joseph  M. 
of  the  M.  P.  T.  O.  A.  and  Fr 
Beetson  of  the  Assoc,  of  M.  P 
ducers,  are  conferring  on  plai 
the  exhibitor  convention  at 
Angeles,   June   1-5. 


1    Pn 
New    House   for   Jersey  Oil      L 

Jersey     City — Sale    of    the 
property    at    Five    Corners    to  d 
Berkowitz,     for     $245,000     has_ 
consummated.      A    theater    wii 
prove  the  site, 


Print  of  "Sun  Up"  Destroy) 

Honaker,  Va. — Fire  in  the  p 
tion    room    of    the    New    theate 
slroyed  a  large  part  of  the  hou: 
eluding   the   projection   room 
print  of  "Sun  Up." 


ACTIVE,  ALIVE  and  ALERT] 

Those  three  adjectives  are  descriptive 
of  Billy  Sullivan,  Rayart's  clean-cut 
star,  whose  fast-action  series  of  thrill- 
ing comedy  dramas  proved  among  the 
outstanding  box-office  successes  of  the 
past  season. 

They— the  adjectives— a  1  s  o  describe 
William  Bradley,  Pictures-in-Motion, 
Inc.,  Boston,  who  has  taken  unto  him- 
self Rayart's  new  series  starring  Billy 
Sullivan  for  distribution  in  New  En- 
gland in  1926-1927. 

If  YOU  WANT  TH[  BEST  YOU  WANT  RAYART! 


Foreign  Rights  controlled  by  Richmont  Pictures,  IncA 


«;-si«^.*.ma;*sDJ> 


OLUMBIA  PICTURES 

A    NATIONAL    INSTITUTION 


24 

olumbias* 

1926-27 


2,4 

Columbias* 
1926-27 


Wherf.    r.ol-umbia    Plc-tures    Are    Made 


nnniiiiuuntHnHwi 


Columbia  Pictures 

A  National  Institution 


i 


I 


PLANS  have  been  perfected  ^vhereby  the  regional 
distributors  of  Columbia  Pictures  will  be  welded 
into  a  National  organization. 

JLhE  unified  strength  of  the  distributing  units  hand- 
ling Columbia  Productions  and  the  producing  pow^er 
behind  Columbia  Pictures  Corporation  have  been  con- 
solidated to  make  it  a  most  formidable  producing  and 
distributing  organization. 

JLhE  combination  of  brains,  money  and  the  individu- 
alities of  these  tw^o  ^reat  forces  guarantees  to  every 
exhibitor  tw^enty-four  bi^  attractions  of  outstanding 
and  dependable  quality. 

JLhE  stories  for  the  1926-27  productions  w^ill  be  from 
the  works  of  w^orld  famous  authors,  playw^ri^hts  and 
producers. 


inc 


ludin^ 


-~y» 


Irving  Berlin 
Richard  Harding  Davis 
Charles  Frohman 
Alfred  Henry  Lewis 
George  Bronson-Ho^ward 
Maude  Nugent 
Adolph  Philipp 


Rupert  Hughes 
Al  H.  Woods 
Montague  Glass 
Augustus  Thomas 
Gertrude  Atherton 
Guy  de  Maupassant 
William  Hamilton  Osborn 


-^ 


WATCH  FOR  OUR  BIG  ANNOUNCEMENT 


iiMiaiiHillinniiiniiuHnniinamn 


■■uiuaniMiMiHiiiiiniiiiiiuoiniiiunniiuuiDuiinniiiainiuiiiiiiHpniiiimanuuHiimiiimnnniii. 


April  2.  1926 


—:7tl^ 


DAILY 


England  Building 

iJNew  Theaters  Under  Way  in 
]|  States,    with    Massachusetts 

I    Easily  in  the  Lead 
■brts   received    from    New    Eng- 

iesterday  indicated  that  a  pro- 
■  jd  theater  building  campaign 
Jinder  way.  The  dispatches 
tpcnnecticut,  Rhode  Island  and 
ichusetts  in  particular,  with  the 
:  state  easily  in  the  forefront  of 
Some  of  the  houses  follow: 


erst,  Mass.  —  Lauder  Bros 
jild  a  new  theater  on  Amity 
sting   $100,000. 


.ol,  R.  L — A  new  theater  is  be- 
tilt  by  Lockwood  &  Peters,  to 
wn  as  the  Colonial. 


lam.  Mass. — A  new   house,   to 
wn  as  the  Dedham  Commun- 
Uter,  is  to  be  erected  this  sum- 
Dedham  Square. 


Haven,  Conn. — A  new  theater 

900  is  to  be  built  on  Whalley 

[rom  plans  by  Jacob  Weinstein. 


land.    Me. — The    Colonial    will 
$9,000   remodeling    theater    on 
>[ss  St.,  to  be  ready  about  June 
Imes  W.  Greeley  is  lessee. 

idence,   R.   I. — A   new   theater 

1,000  will  be  built  in   Olney- 

or    Jacob     Conn,     of     Gaiety. 

ence.      Contracts     have     been 


erville,  Mass. — P.  Vartigan  has 

tracts  for  erection  of  a  theater 

iJBroadway,  to  be  ready  Sept.  1. 


tman,  Mass. — It  is  understood 
are  being  prepared  for  a  new 
:  to  be  built  by  Boston  capital. 


englen  May  Star  in  Films 
Associated  Press  dispatch  from 

France,     says     that     Suzanne 
n,    tennis    champion,    is    being 

to  star  in  American   films. 


lughes  at  Coast  Opening 
ywood  —  Rupert    Hughes    will 
ster  of  ceremonies  at  the  open- 
"Stella  Dallas"  tonight  at  the 


/   Opens    New    House    July   4 

ntic  City,  N.J.— The'  Stanley 
America  will  open  the  new 
^  on  July  4.  The  house  is  op- 
the  Reading  station  and  will 
'ed  the  Elrae.  Policy:  vaude- 
nd  pictures. 


Raze  Baltimore  Landmark 
imore  —  The  Sanley-Crandall 
hich  acquired  the  Academy  of 
from  the  Shuberts  for  $725,000, 
:ar  down  the  house  and  erect 
)  seat  picture  house,  cost  $2,- 
).  Present  plans  calls  for  a 
1  opening. 


Iimer  Quits  for   New   Post 

ville,   Va. — Frank    Sohmer,    for 
Jrs  manager  of  vhe  Majesti;,  has 
;d  tc  bccomr.   manager  of   the 
Iklontgomery,   Spartansbiirg. 


Hudson  Transferred 

(Continued  from  Page  1) 
Hudson  has  been  working  steadily 
for  a  number  of  years  past.  In  the 
last  eighteen  months,  he  has  handled 
a  large  number  of  pictures  for  First 
National  with  the  result  that  he  is 
now  in  real  need  of  a  rest,  "Mis- 
mates"  will  be  launched  next  week 
md  will  be  completed  about  June   1. 

Al  and  Ray  Rockett  will  take  over 
iir.dson'i-  present  duties.  They  will 
each  handle  a  separate  unit.  Edward 
I>erry  will  succeed  Ray  Rockett  as 
studio   manager. 


Desert  Healer"  Has  New  Title 

Marion  Fairfax  has  changed  the 
title  of  "The  Desert  Healer"  to  "Old 
Loves  and  New." 


Missouri  Town   Goes  "Blue" 

Sullivan,  Mo. — ^The  city  authorities 
have  closed  the  local  theater  here,  on 
Sundays,  following  the  passing  of  an 
ordinance  prohibiting  the  showing  of 
pictures. 


Remove  Urbana   Licenses 

Urbana,  111. — Theaters  are  closed 
here,  their  licenses  having  been  re- 
voked because  they  remained  open 
last  Sunday.  


In  the  Courts 


An  attachment  for  $2,000  against 
the  Cathedral  Film  Co.,  Inc.,  and 
John  M.  Fleck,  president,  was  filed 
in  the  Supreme  Court  by  Deutch 
Lakretz  Co.  The  plaintiff  is  suing 
on  notes  given  by  the  defendant  and 
signed  by  Fleck,  as  security  for  the 
payment  of  a  loan. 


A  judgment  for  $1,728  was  filed 
in  the  City  Court  by  Ralph  H.  Segal 
against  Simon  Doyne  for  services  in 
procuring  a  license  for  the  defendant 
to  operate  a  theater  in  Brooklyn  and 
for  services  in  drawing  its  plans. 


Suit  has  been  filed  in  the  Supreme 
Court  by  Tremont  Film  Laboratories 
against  the  H.  E.  R.  Studios  for  a 
balance  of  $2,241,  due  for  services, 
but  when  an  application  was  made 
by  the  plaintiff  for  a  summary  judg- 
ment in  the  case,  it  was  announced 
that  the  action  had  been  settled. 


Urbach    Going    to    Coast 

Larry  Urbach,  of  the  M.  P.  World 
advertising  staff,  leaves  for  Holly- 
wood Sunday  to  open  his  publica- 
tion's  new  office  there. 


T.  O.  G.  G.  Elects 

{Continued  from  Page  1) 
urer,  Samuel  Schwartz;  sergeant-at- 
arms,  Al  Friendlandcr;  finance  com- 
mittee, E.  R.  Behrend,  Max  Barr  and 
Bernard  Grob;  chairman  board  of  di- 
rectors, Lee  A.  Ochs;  directors,  Louis 
F.  Blumenthal,  A.  H.  Eisenstadt,  Hy 
Gainsboro,  Benjamin  Knobel,  David 
Keizerstein,  William  Landau,  John 
Manheimer,  Hyman  Rachmil,  Leon 
Rosenblatt,  Rudolph  Sanders  and 
Harry   Suchman. 

President  O'Reilly  read  his  annual 
report.  The  usual  installation  dinner 
will  be  held  at  the  Ritz-Carlton,  April 
24.  The  committee  in  charge  com- 
prises: William  Brandt,  chairman; 
Lee  A.  Ochs,  Bernard  Grob,  John 
Manheimer  and  Harry  Suchman. 

Morning   Matinees  for  Week 

Morning  matinees  will  be  given  at 
Warners'  theater  next  week  in  con- 
nection  with    "The    Night    Cry." 


Chicago  House  Opens  April  11 

Chicago — The  new  Tower,  63rd  St. 
and  Blackstone  Ave.,  will  open 
April  IL 


Child   Health    Day   Slides 
Slides    will    be    distributed    by    the 
Hays    office    to   theaters   for   use   on 
National   Child  Health   Day,   May   1. 


COMING 
SOON! 


A  Story  Sor  Millions! 

Dozens  of  Great  Stars! 
Many  Great  Directors! 

The  Greatest  Entertainment 
Ever  Produced! 


Zi^^ 


DAILY 


Friday,  April 


Merger  Talk  Silly 

(Continued  from  Page  1) 
develop  further  and  reach  the  point 
where  Famous  determines  to  use 
them  permanently  will  return  to  the 
Paramount  studios.  The  others 
won't.  King  joined  F.  B.  O.,  it 
is  understood,  because  of  an  attrac- 
tive offer  made  to  him  by  Joseph  P. 
Kennedy. 

Kent  said:  "Merger  reports  are 
ridiculous.  Don't  pay  any  serious 
attention  to  them." 

Thomson  declared:  "Mr.  Kent  is 
correct." 


Some   Corporate   Changes 

Springfield,  111.— The  Quality  Slide 
Co.,  a  Chicago  organization,  is  the 
new  name  of  the  Quality  Slide  & 
Flashagraph  Co. 

The  Ascher  Theatrical  Enterprises, 
Inc.,  of  509  N.  South  Wabash  Ave., 
Chicago,  having  a  capital  of  $500,000, 
and  originally  chartered  in  Delaware, 
has  been  designated  by  the  Secretary 
of  State  to  do  business  in  Illinois. 

The  Ascher  Kenwood  Theater  Co., 
subsidiary  unit  of  the  Ascher  Theat- 
rical Enterprises,  has  filed  a  name 
change  to  the  Ascher  Irving  Theater 
Co.  and  decreased  its  directorate  from 
four  to  three. 


Albany,  N.  Y.— The  Donwood  The- 
aer  Corp.,  of  New  York,  has  been 
dissolved. 


F.   N.   Buys   Universal   Novel 

First    National    has    bought    rights 
to  "The  Isle  of  Life"  from  Universal. 


Presentations 


Capitol 

"The  Devil's  Circus,"  this  week's  feature 
at  the  Capitol,  is  supplemented  with  a 
thoroughly  effective  prologue  called  "The 
Frolic  of  the  Clowns,"  an  attractively  staged 
number  in  which  a  backdrop  of  circus  tents 
provide  the  right  atmosphere.  The  ballet 
in  circus  costumes  and  clown  outfits  perform 
a  series  of  dances  and  Doris  Niles  in  "Snake 
Dance,"  "Clown  Capers,"  by  the  ballet, 
Vlasta  Maslova  and  Bayard  Rauth  in  "The 
Ballerina  and  the  Acrobat"  make  up  the  re- 
mainder dance  number's.  The  Frolic 
consumes  seven  minutes,  and  the  feature 
about   70  minutes. 

The  surrounding  program!  is  well  bal- 
anced and  with  several  interesting  numbers 
including  the  overture,  "Carnaval  Romain," 
Berlioz,  12  minutes ;  Julius  Glass  at  the  piano 
playing  "E  Flat  Concerto,"  four  minutes ; 
"Songs  of  the  Bersagliere,"  a  Spanish  wine 
garden  setting  with  Carlo  Ferretti,  baritone, 
and  the  male  ensemble  in  the  costumes  of 
Spanish  soldiers.  Several  vocal  numbers  are 
rendered.      Time,    six    minutes. 

"Where  Salmon  Leap,"  a  New  Era  Film, 
is  a  picturesque  scenic  that  will  appeal  to 
the  hearts  of  all  fishermen,  amateur  and 
otherwise.  Time,  four  minutes.  The  news 
weekly    fills    the    usual    ten    minutes. 

Strand 

The  Strand  Frolic  gives  way  this  week 
to  a  return  engagement  of  Vincent  Lopez  and 
his  orchestra.  The  revolving  hedge  plat- 
form again  serves  as  an  attractive  setting 
and  the  usual  selections  of  popular  melodies 
compose  the  program.  Kitty  McLaughlin 
sings  "My  Hero"  in  conjunction  with  the 
overture.  The  feature  is  "The  Dancer  of 
Paris." 


To  Write  Valentino  Titles 

Hollywood — George  Marion,  Jr., 
will  title  "Son  of  a  Sheik,"  starring 
Rudolph  Valentino. 


»^ 

is 

if 

'•'  May  2nd  to  May  8th 


NATIONAL  MUSIC  WEEK 


is 
1> 
is 
is 
is 
is 
^ 
is 
is 
is 
is 
is 
is 
is 
is 
is 
is 
is 
iS 


iS 

is 
is 
is 
is 
is 
is 
is 
is 
is 
is 
is 
is 
is 
ii 

il 

is 
is 
is 
^ 
is 
is 


An  Opportune  Time  to  Start  Playing 

JAMES  A.  FITZPATRICK'S 

FAMOUS 
MUSIC  MASTERS  SERIES 

Twelve  One  Reel  Incidents  from  the  Lives  of  the  World's 
Greatest  Composers  Accompanied  By  Their  Own  Music 

ISSUED  WITH  FULL  ORCHESTRATIONS 

Including  Solo  Piano  and  Solo  Organ 

Parts,  Especially  Arranged  and  Synchronized  by 

HUGO  RIESENFELD 

Booked  Direct  to  FIRST  RUN  THEATRES 
.  Anywhere  in  the  United  States! 

THE  MUSIC  WEEK  RUSH  IS  ON 
ORDER  YOUR  PRINT  AND  MUSIC  NOW! 

FITZPATRICK  PICTURES,  Inc. 

729  Seventh  Avenue  New  York  City 


iS 
is 
is 
iS 
is 
is 
is 
iS 
iS 
is 
is 
is 
is 
is 
is 
is 
iS 
is 
is 
is 
iS 

is 
is 
is 

iS 

is 

iS 

is 
iS 
iS 
is 
is 
is 
is 
is 
is 
is 
is 
is 
is 

is 
is 
is 

is 
is 

is 
is 
is 

iS 


pa^iiiiiixtsiitiii^^iiiiiiiiiiiiiiit^^ 


The  COHENS 

And  KELLYS 


I 


TT  seems  that  Cohen  vs^as  a  sub- 
scriber to  The  Film  Daily  and 
that  Kelly  w^as  in  the  habit  of  bor- 
rowing Cohen's  copy  every  day. 
Soon  Kelly  got  to  know  as  much 
about  the  film  business  as  Cohen 
without  costing  him  a  cent,  so 
Cohen  got  sore  and  socked  Kelly 
on  the  chin,  and  that's  how  it  all 
started.  The  moral  of  this  drama 
of  life  is  to  not  borrow  the  other 
fellow's  copy,  but  subscribe  your- 
self and 


I 


Read 


ti 


The  Film  Daily 

Every  Day 


*A 


THE 


a;  April  2,  1926 


-.^B^ 


DAILY 


Iroke  in  with  Six 

(Continued  from  Page  1) 
aker  said  that  distorted  im- 
of  American  life  are  being 
films  made  in  this  country. 
t   as   a   result    of   the    resent- 
gainst    American    companies, 
as   developed   a   strong   senti- 
r  the  exclusive  use  of  British 
English    productions.      Lap- 
however,     suggested     British 
=  can  improve  their  product 
American  supervision,  stars 
'times    directors    from    this 
Owing  to  the  terms  of  their 
lltion       agreements,        English 
lies    handling    American    films 
make    much    profit,     he     de- 
^    He    stated    that    the    British 
n  industry   today   represents  an 
tent   of  $250,000,000. 
;ion   Allvine    presided.      A    let- 
Dpng     newspaper     editors     to 
ut  for  advertisements  of  fake 
ing   schools    was    referred    to 
rd  of  directors  for  action. 


211  Theaters  Sold 

(Continued  from  Page  1) 

n  outright  buy  on  the  part  of 

till  and  includes  the  interest 
Sam  Harding  as  well  as  that 
Ryan,  who  is  now  assistant 
manager  of  Universal  Thea- 
he  Liberty,  owned  by  Hard- 
nder  lease  to  Universal  at  the 

it. 

rpig  will  continue  to  operate  in 
bition  field.     He  has  theaters 
il  Bluffs,  Omaha,  Lincoln  and 
na  City. 


Imlab  Gets  New  Offices 

lb,    Inc.,    will    open    its    new 
t  130  West  46  St.,  about  May 
^ig  from  203  W.  40  St. 


Ixon  Joins  Kilgen  Firm 

liapolis — A.  L.  Hixon,  who  re- 

esigned  from  First  National, 

sn     appointed     Northwestern 

Mtative   for   George    Kilgen    & 

lanufacturers    of    Kilgen    or- 


li|hing  Firm  Changes  Hands 
N.   D. — Owen    Hostler   and 
Headen   have    purchased    the 
Film     Finishing     Co.     from 
Washburn. 


ickett  Operating  Theater 

Rock,    Ark.— The    Palace,    a 

n,    has    been    leased    to    joe 

,  manager  of  the   United   Ar- 

0  ce  at  Dallas.  The  Palace  was 

tl   after    extensive    repairs. 


Sharp   to    Have  Two 
Rock,    Ark.— T.    W.    Sharp. 
Hm   the    New    theater,  is  erect- 
w  suburban  house  in  Pulaski 
which  will  cost   $50,000. 


Houses  Without   Orchestras 

Ik,  Va.— Local  picture  houses 
i^'   to   operate    without    orches- 
bstituting  organs. 


[jar  Joins  Arrow  as  Manager 
City — Harry    Shumar    has 


IS 


ed  Sam  Goldflam  as  manager 
.ocal  branch  of  Arrow.  Shu- 
mes  from  Milwaukee  where 
laged  the  Associated  Exhibi- 
llmch. 


New  Theaters 


Sail  Francisco — VVoik  on  a  tlieater  at 
Haight  and  Fillmore  Sts.,  replacing  the  old 
Star  lias  started.  Tlie  Golden  State  Theater 
&  Realty  Corp.,  has  leased  it  from  \V.  S. 
King   for    15    years. 


Loiiaconing,  Md. — Evans  Bros.,  proprietors 
of  tlieaters  in  (his  section  and  West  Virginia, 
plan  a  new  theater  to  replace  the  San  Toy 
which  was  destroyed  by  a  lire  a  few  years 
ago. 


Newheig,     Ore. — A     stock     issue     is     being 
floated    for    the    erection    of    the    new    Uaker. 


Stillwatc'-.    Okla. — A    new    theater    is    being 
built    here    by    Charles    lilaine. 


Easton,  I'a.— The  State,  a  $800,000  thea- 
ter has  opened.  It  is  iv  Wilmer  and  Vincent 
house  and  is  under  management  of  J.  Fred 
Osterstock. 


Rome,  N.  Y. — ].  S.  ICallet  will  erect  an 
1800  seat  house  which  will  cost  $500,000. 
lie    operates    the    Star,    Strand    and    Family. 


GreeiiKeld,    la. — -Ralph    Hoyt    has    built    a 
new  house  here. 


Yorklown,  Tex. — Louis  Steiber  is  planning 
to  erect  a  new   house  to  cost   $50,000. 


Strould,     Okla'. — A     new     theater    is     being 
built  here  to  be  operated   by   Griffith   Bros. 


'I'anipa,    I'la. — A    new    house,  the    Strand, 

will     be    erected     in     VVildwood.  Meyer    M. 

Toody    announced.      1 1    will   cost  $75,000   and 
seat    900. 


Seattle — Plans    for    the    new     Broadway    at 
401-3-5   Bioadway   are  under  way. 


Garber,  Okla.— C.  VV.,  Griffin,  owner  of  the 
Liberty  will  build  a  new  house  about  April  1. 
It   will   seat   500. 


Salem,  lOie. — Frank  Bligli  will  erect  a 
new  house  here  at  Stale  and  High  Sts.  It 
will  seat   1,200. 


Aberdeen,  S.  D. — The  Walker  Amuse.  Co. 
will  build  a'  new  theater  here  in  the  spring 
which   will   cost   $.100,000. 


Philadelphia,  Pa. — A  new  theater  to  seat 
1000  is  to  be  erected  in  Germantown  by 
Goldner   Bros. 


Sacianiento,  Cal.— George  W.  Peltier  will 
break  ground  shortly  for  a  new  house  at  31st 
and   K   Sts. 


Enumelaw.   Wash.— W.   D.   Farrell  is  build- 
ing a  bouse  here  to  seat  650. 


Northville,  Midi.— The  new  Northville  has 
been  built  here  at  a  reported  cost  of  $140,000 
by    Mrs.    Kate    Pemiimaii-Allen. 


Richlield,  Ulab.— Lee  Stallings,  owner  of 
Ihe  Kiiiema,  and  Cliftord  Pierce  of  Brigham, 
have  closed   for  a'  theater  in  Salt   Lake   City. 


St  Louis — Work  is  nearing  completion 
on  tiie  new  theater  that  Sam  Inger  is  build- 
ing on   Union   Blvd.     It  will  seat   1,500. 


St    Louis— The  new   Columbus  has   opened 
with  Mrs.  Bessie  Friedland  Schuler  in  charge. 


Hiawatha,      Mo.— The     Liberty     has     been 
opened    by    W.    L.    Schenkelberger. 


Bristol  Va  — Work  will  soon  start  on  a 
new  the.iter  in  the  heart  of  the  downtown 
section.  The  theater  is  being  promoted  by 
D.    W.    Wagner,   local   builder. 


Rhineind,  Mo.— The  Rhinelnd  is  being  op- 
erated by  Seig  Lansing  who  recently  pur- 
chased  the   house   from   Hagedorn    Bros. 

Marathon,  la.-G.  E.  Davis  has  leased  a 
building  in  which  he  will  open  a  new  theater. 
He  has  been  showing  pictures  here  in  Legion 
Hall. 


May  Act  Today 

(Continued  from  Page  1) 
sion  has   not  yet  met  for  discussion 
of    the    reopening. 

The  regular  weekly  meeting  takes 
place  today,  at  which  it  is  expected 
the  Famous  case  will  come  up.  Just 
what  the  decision  will  be  has  not 
been  learned. 


Musical  Director  Transferred 

Irvin  Talbot,  musical  director  at 
the  Rialto,  on  Sunday  assumes  charge 
of  the   orchestra   at   the   Rivoli. 


Day  Becomes  Art  Director 

Los  Angeles — Capt.  Richard  Day 
has  been  made  art  director  and  tech- 
nical  director  at   Associated   Studios. 


Helen  Ferguson  With  "U" 

Hollywood- — Helen  Ferguson  has 
been  signed  by  Universal  to  play  the 
lead  in  "The  Fire  Fighter,"  a  serial 
which  Jacques  Jaccard  is  to  direct. 
Jack  Daugherty  will  star. 


Warners  Sigfn  Scenarist 

Hollywood — Warners  have  signed 
Edward  Clark  to  their  scenario  staff. 
His  first  assignment  is  "Broken 
Hearts  of  Hollywood." 


Plan  More  Houses 

(Continued  from  Page  1) 

Twelve  theaters  are  already  planned 
this  year  for  Argentine.  Two  of  these 
will  be  constructed  in  Buenos  Aires 
for  the  Glucksmann  interests,  which 
now  operate  52  houses  in  Argentine, 
Uruguay  and  Chile. 

Although  there  are  no  reports  of 
powerful  foreign  consolidations  in  cir- 
culation. South  American  exhibitors, 
watching  developments  in  Europe,  are 
looking  for  similar  movements  in  their 
own  territory,  Glucksmann  reports. 
He  believes  that  American  companies 
have  failed  to  give  the  continent  prop- 
er consideration  for  expansion. 

About  98  per  cent  of  the  pictures 
shown  in  South  American  theaters  are 
American-made,  Glucksmann  says. 
German,  French  and  English  pictures 
follow  in  the  order  named.  Home 
production  is  practically  nil  and  he 
sees  no  future  for  this  end  of  the  in- 
dustry. 

The  few  first-run  houses  charge 
prices  which  compare  with  American 
theaters  of  the  same  rating.  Comedies 
lead  in  popularity,  Glucksmann  says. 
There  are  less  than  2,000  picture 
houses  in  the  entire  territory. 


Jb. 


Umii/eirsal'S 

Gieater 
Mo¥ie  List 


•v^ 


v?> 


M 


5Nf 


i 


DONT  YOU  BE 
THE 


APRIL  F 


•  II 


L 


THIS  YEAR! 


NOBODY  knows 

MUCH  about  1926^27  as  yet 
A  WISE  plan  is  to  wait  and  see 
WHAT  MetrO'Goldwyn-Mayer 
WILL  offer  because 
M-G-M  has  won  the  confidence 
OF  both  exhibitors  and  public 


ETRO  -  GOLDWYN  -  MAYE 

The  Talk  of  the  Industry 


EXHIBITORS 


DAI  LY  RE VI E  W 

including  EXHIBITORS   REVIEW 

r .  19 — lOth  Year  SATURDAY,  APRIL  3,  1926  Price  20  Cents— NO.  20 


World^s  Greatest  Musical  Organizatioi 
Behind  the  Wu^uIzER  Unit  Orgai 

~  REG .  U  S  PAT.  OFF.  W  ^^9 


THERE  are  few  institutions  in  America 
as  old  or  with  recources  as  extensive 
as  those  of  WurUtzer.  Founded  in  Sax- 
ony in  1701  by  Hand  Andreas  WurUtzer, 
for  seven  unbroken  generations  the  House 
of  WurUtzer  have  been  making  musical 
masterpieces,  until  today  it  has  grown  to 
be  the  world's  largest  musical  organization. 
Principal  WurUtzer  factories  are  located 
at  N.  Tonawanda,  N.  Y.  and  DeKalb,  III, 
with  a  direct  retail  organization  compris- 
ing over  forty  stores  from  coast  to  coast. 

The  WurUtzer  organization  is  recognized 
not  alone  for  a  single  musical  masterpiece, 
but  is  renowned  for  the  consistently  su- 
perior quality,  a  distinction  of  tone  beauty 
and  value  embodied  in  every  WurUtzer 
instrument,  whether  it  be  a  violin  or  a 
great  Unit  Organ.  Conducting  business 
with  such  an  institution  saves  the  penal- 
ties of  experiment,  and  is  a  certain  guar- 
antee of  permanent  satisfaction. 


HARPS 

Chosen  by  Salvi,  Grand- 

iany,  Sevi)$ta,  Nicoletta, 
Sddera,  Vito  and  other 
world's  leading  harpists 
and  teai<iers.  The  harp 
has  reached  its  highest 
point  of  artistic  develop- 
ment  at  the  Hands  of 
Wurlitzer. 


CINCINNATI 
121  East  Fourth  St. 

SAN  FRANCISCO 

250  Stockton  St. 


NEW  YORK 
1 20  W,  42nd  St» 

DENVER 
2 1 06  Broadway 


CHICAGO 

329  S.Wabash  Ave. 

LOS  ANGELES 
M  S.  Broadway 


PIANOS 

Recognized  as  the  super- 
Iai;ive  in  musical  iustru- 
ment  making.  The  pre- 
etninenee  of  quality, 
combined  with  a  distino 
tion  of  tonal  beatity  usij^ 
volume  make  Wurlitziir 
pianos  ideal  for  any 
pukt'ose. 


M 

s 


?,  1926 


Page  3 


^■HSES2SHS253ffl52S2S2SHSH5H5HEiHSH5252S25E5S5aS25HSa52SaS2S2S2SKESE52S2S2SH^^ 


EXHIBITORS 


DAILY  REVIEW 

^y  Nfu:s/>af>cr  Devolcil  lo  ilic  Molion  Picture  Indiairy 
INCLUDING    EXHIBITORS   REVIEW 


FRED  J.  McCONNELL,  Editor 


CONTENTS 


Mac  Observes 

Tiffany  Plans  Ad  Campaign 

More  Exchanges  Nationalizing 
ZuKOR  Arrives  on  Coast 

S HUBERTS   ON    CuRB   

Along  Film  Row — 

Deny  Lasky  Stock  Sale 


-... 5 

; 5 

Capt.  Day  Signed _ _ _ 6 

State  Opens  Tonight 6 

February's  Money  Makers 6 

Flaming  Frontier  Opening 7 

Calendar  of  Coming  Events - 7 

Marin  and  Depinet  Back _ _ 7 

Broadway  Theatres — 7 

PuBLix  Studio  in  New  York  _ 7 

Box  Office  Reviews  _ 8 

Short  Feature  Reviews 10 

Lamello,  the  Segmented  Roof - 11 

Typewritten    Slides _ 1 1 

The  Organ  Solo - - ~ 11 

Good  Protection  Service  - 12 

Projection  Alignment — 12 

Grounded  Coils , 12 

Radio  Organ  Instructions - - - 12 

Clean  Lenses - - 12 


Equipment  Advertisers  in  This  Issue 

Frank  Netschert,  Inc - - 

Acme  Electric  &  Mfg.  Co - - - 

Arctic  Nu-Air - 

J.  R.  Clancy,  Inc - -- 

Brazel  Novelty  Mfg.  Co - - 


13 
14 
IS 
16 
16 


American  Film  Safe  Co ~ - - 17 

E.  J.  Vallen,  Electrical  Co _ - - 18 

Stanley  Frame  Co 18 

I.ouis  Kuhn  Studios ~ - - 18 

^  TTertner  Elec.  Co r - ^^ 

ish-Schurman   Corp - - 20 

I'.ausch  &  LoMB  Optical  Co - 20 

I  ROBERT  Sheet  Metal  Co - 21 

I.iberty  Music  Stand  Co.  - - 21 


Vermond  Knauss  Studios 
Menry  Murtagh 


21 
22 


Vi  NER  &  Son - - - - - 22 


Da-Lite  Screen  - 

Music  Buyers  Corp - 

I'lash-0-Lite  Sales   Co.,  Inc. 
Flexlume   Corp - 


23 

24 
24 
25 


Copyright,  1926.  by  Exhibitors  Publishing  Corporation 
Geo.     C.    Williams,     President;     Fred    J-    «'=ConnelU_  Vice-President;     F. 
Meyers:    Henry  A.   Linet,  News  Editor;  A.   Bernstein,  g'^^  «".^ .fio^t  Sub- 
ject  Editor;   Michael   L.  Simmons,  Associate  Reviews   Editor.  Theatre  Man- 

"'S'a.  Cron.  Advertising  Manager;  Herman  J^  Schlei^er    Business  M^^^^ 
ager;    Larry    S.    Harris,    Equipment    Manager;    B.    F.    Livingston.    Circulation 

'^^ExicviWe    and     Editorial    Offices:    Hearn    Building,    45    West    Forty-fifth 
streefNlw  York      Telephone.  Bryant  6160.     Address  all  communications  to 
l«ecutive    Offices.       Published    daily    at    East    Stroudsburg   /a      and  ^^^^^^ 
york.  N:   Y.   by    Exhibitors   Review   Corporation       Subscription    Raes.    Pos 
ape    naid    oer    vear     United    States.    $5;    Canada.    $8;    foreign    *ld,    single 

Jfwelf'WenU  'Remi?  by  check.  ™°"r  -^,"u  Xst'offi";  Tnlli 
Entered  as  second-class  matter  January  4.  1926  at  P°''  O^^..",,?"! 
Stroudsburg.  Pa.  and  additional  entry  New  York.  N.  Y.  under  the  act  or 
March  3.  1879. 


1 


NEWS 


MARION  DAVIES  in 
Beverly  of  Graustark 

in  its  preview  by  the  West  Coast 
Langley  Circuit  proves  sensation. 
Coast  observers  predict  a  bigger 
box-office  hit  than  "Little  Old 
Nexu  York." 


O  NORMA  SHEARER  in 
^THE  DEVIL'S  CIRCUS 

opens  at  Capitol  (N.Y.)  to  tremen- 
dous business.  Local  reviewers 
claim  the  scene  of  Miss  Shearer  fall- 
ing from  high  trapeze  into  den  of 
lions  is  the  thrill  high-light  of  the 
year.  This  picture  is  regarded  by 
the  trade  as  an  exceptional  show- 
man's exploitation  subject. 


3 


BROWN  OF  HARVARD 

was  previewed  this  week  at  the  De 
Luxe  Theatre,  Los  Angeles,  to  a  packed 
house. Tremendous  applause  greeted 
the  thrilling  action  of  the  football 
scenes  which  make  this  unquestion' 
ably  the  greatest  football  picture 
ever  screened.  Jed  Buell,  Manager 
o/ the  De  Luxe,  reports:  "It  will  appeal 
to  all  classes.  A  sure  box-office 
picture.  And  still  M-G-M  leads 
production  field." 


CURRENT  HITS- 

THE  MERRY  WIDOW 
IBANEZ'  TORRENT 
THE  BLACK  BIRD 
THE  BARRIER 
THE  AUCTION  BLOCK 
and  many  more 

METRO-GOLDWYN-MAYER 


sisSSlSiEiSiSSiSSiS^SlSiSSlSSi^^ 


hli  Bil   rlAilv  Kv    F.vhihitnrs 


— — „„«„„    .»  v,.t  e.roiM.hurff    P«      and  New  York    N    Y       Editorial  Offices,  45  West  4Sth   Street.   New   York  City.      Subacrip- 

Review  PubKshinr  Corporation  at  East  Stroudsburg    P«..irul  New  Yorit.  "^ •„  » •   ,  fV"™"*'  ^^  ,/ «,„   York.   N.   Y..  ■...^..    a.>  ^f   "-^-t-    ^     i«7Q 


Cash  in  on  this 
timely  production 

the  romance  of  a/ 
Paris  divorcee/ 

0 

— France  and  its  divorce  courts,  the 

most  talked  of  topic  of  the  day! 
— a  powerful  box-office  cast! 

— a   newly   discovered   genius,    Bal- 

boni,  the  director! 
— a   thrilling  climax,   the  escape   in 

gondolas  from  a  fire  that  breaks 

out  among  the  feasters  at  a  Ven- 

itian  pageant,  done  in  vivid,  nat- 

ural  colors. 

They  mean  big  money 
at  the  box  office! 


wH^*^' 


{ 


^V'.-^", 


I 


Jdapfed  from 
Arthur  Richmam 

hu 


Katherine  KaVani 


BLANCHE  SWEET.  JACKMULHA 

MYRTLE.  STEDMAN  a«rf  HO  BART  BOS  WORTH 

l,.    Directed  bv   BALBOH  I.  JUNE  UATKIS.  editorial  DJrecfor 

Members  pf  Motion  Picture  Producers  and  Distiihutors  of  Amerira  Inc. ~- Will  Havs  Pnsident 


1926 


EXHIBITORS 


DAILY  REVIEW 


Including  EXHIBITORS  REVIEW 


Page  5 


SATURDAY,  APRIL  3,  1926 


No.     20 


NY  PLANS 

national 
Ld  campaign 


elease  Twenty  Tif- 
Gems  for  New 
Season 


MAC'S  Observations 


cing  a  production  sched- 
feature    productions    for 
'.7  season,    M.    H.    HoflE- 
president  of  Tiffany  Pro- 
Inc,    stated    that     plans 
made  whereby  that  corn- 
expend     a     considerable 
Idvertising    to    launch    the 
for    the     coming    season. 
1  be  a  concentrated  effort, 
to  sell  the  Tiffany  pro- 
that  the  ad  campaign  will 
I. through  the  medium  of 
press,   daily   papers   and 
iia. 

ledule  announced  by  Tif- 
;  "Twenty  Tiffany  Gems," 
ranchised  and  distributed 
through  exchanges  of 
iny.  Titles  of  the  first  ten 
ire:  "That  Model  From 
Flaming  Timber,"  "Fools 
n,"  "The  Tempest,"  "One 
Love,"  "Wives,"  "Sin 
'Squads  Right,"  "The 
ase"  and  "The  Tiger." 


or  Arrives  in  Cal. 

cod,  Cal.,  April  3— 
iukor,  Sidney  R.  Kent  and 
z  of  the  Famous  Players- 
id  Publix  organizations, 
ved  here  to  study  produc- 
le  studios. 


ca's  Sweetheart  Sails 

Pickford  and  her  husband, 
Fairbanks,  two  of  the 
foremost  motion  picture 
I  today  on  the  S.  S.  Conte 
ino,  for  a  world's  tour. 
it  stop  will  be  at  Naples, 
e  gone  for  a  year  at  least, 
make  one  or  more  pic- 
oad. 


eclares  Dividend 

otion  Picture  Capital  Cor- 
has  declared  an  extra 
dividend  of  50c  payable 
lolders  on  April  15.  Many 
dustry's  leading  executives 
le  board  of  directors  of  this 
tion. 


P.  T.  O.  in  Texas 

Politics 

-H.  A.  Cole,  of  Marshall, 
t  of  the  M.  P.  T.  O..  of 
and    Sam    Hefley,     former 

I >f  Cameron,  who  is  also  a 

have  announced  their  in- 

of    running    for    the     state 

Ire. 


SHORT  FILM  THEATRES 

THE  PL.A.N  announced  recenily  to  establish  short  film 
theatres  has  created  much  comment.  Money  could  be  made 
this  way.  Many  theatres  have  run  short  subject  programs  cer- 
tain days  successfully  for  years. 

People  like  variety.  They  know  if  they  don't  like  a  certain 
subject  they  only  have  to  wait  a  minute  and  they'll  see  new. 
They  know  the  next  subject  will  be  different.  The  brevity  of 
each  subject  appeals  to  people  who  like  to  drop  into  a  theatre 
and  not  find  themselves  in  the  middle  of  a  big  feature. 

As  a  lunch  hour  and  matinee  proposition,  it's  bound  to  be 
profitable.  The  competition  of  the  bigger  theatres  at  night 
would  be  the  problem.  It's  well  worth  trying  at  any  rate  in 
certain  key  centres. 

Details  as  to  how  far  Mr.  Earl  Hammons  is  going  with  his 
plans  for  a  chain  of  theatres  handling  short  product  exclusively 
have  not  been  announced,  but  it's  undoubtedly  a  move  in  the 
right  direction. 

GREAT   BOOK 

NUMBER  of  Universal  exchange  managers  have  written 
expressing  enthusiasm  about  new  hundred-page  picture  an- 
nouncement. Asked  R.  H.  Cochrane  for  copy  to  see  what  it's 
all  about.  No  wonder  it  has  aroused  such  enthusiasm.  Con- 
tains just  the  type  of  information  exhibitors  want  to  have  on 
pictures.  No  elaborate  sales  talk,  consisting  of  superlatives. 
Should  be  great  value  to  exhibitors  in  determining  on  Universal 
product.    Will  undoubtedly  make  it  easier  for  their  salesmen. 

TALKING  STRAIGHT 

NOTICE  Bob  Welsh  plainly  comes  out  and  speaks  his  mind, 
using  phrases  that  no  one  can  misunderstand. 
"Associated  is  not  in  this  business  for  the  purpose  of  feed- 
ing any  individual's  vanity." 

"We're  not  competing  with  Paramount,  Goldwyn  or   First 

National."  ,.         „- 

"The  job  as  we  see  it  is  to  sell  entertamment  for  box-office 

profits." 

There's  only  one  Bob  Welsh  in  the  business.  He  stands  out 
because  of  just  such  sentiments  as  these.  He  realizes  he's  got 
a  type  of  product  that  makes  box-office  entertainment  for  cer- 
tain theatres,  and  he  feels  that  those  are  the  theatres  he  should 
make  money  with. 

Go  to  it,  Bob!  You  can't  hurt  anybody's  feelings  by  hon- 
estly stating  your  platform  ! 

ANOTHER  COMEDIAN 

THE  FACT  was  brought  home  forcibly  recently  that  feature  producers 
were  drafting  well-known  comedians  to  play  comedy  relief.  It  means  a 
new  crop  of  comedians  must  be  developed  for  two  reel  comedies  to  supple- 
ment the  few  first  class  comedy  players  that  are  left. 

Charlie  Putfy,  now  playing  in  one  reel  comedies  for  Carl  Laemmle,  is  un- 
questionably a  find.  He  seems  to  have  everything.  He  looks  funny  on 
,thc  screen,  is  a  mAtfff  of  pantomime,  and  will  be  heard  from  as  soon  as 
he  is  put  in  more  pretentious  pictures.  •  He  should  take  the  high  place  once 
occupied  bv  Roscoc  Arbuckle  if  handled  properly. 

A  GREAT  RESPONSIBILITY 

THAT  PICTURES  OWE  a  great  responsibility  to  the  public  is  ac- 
knowledged by  everyone.  The  Daily  Favorite  in  Bonham,  Texas,  com- 
ments as  follows:  ...  .  .  xl  ^  i  .u 
"The  picture  show  is  not  a  private  business  in  the  same  sense  that  a  ciotn- 
me  store  or  a  grocery  store  is ;  it  partakes  much  of  the  nature  of  a  public 
enterprise  in  which  public  interest  is  at  stake.  It  is  akin  to  the  school,  the 
forum  and  the  press.  It  directly  affects  the  entire  public  life,  present  and 
to  come     Tt  behooves  the  public  to  see  that  its  best  interests  arc  protected. 


MOVIE  EXCHANGES 
GO  STRONG  FOR 
NATIONALIZING 


Red     Seal     Follows     Lead 

Made  By  Line  Up  of 

Columbia 


Max  Fleischer  stated  when  he  as- 
sumed the  presidency  of  Red  Seal 
Pictures,  that  within  a  brief  period 
he  would  have  distributing  centers 
in  all  the  principal  key  cities. 

This  statement  is  being  rapidly 
proved,  the  latest  Red  Seal  Exchange 
being  New  Haven  and  Boston,  both 
of  which  will  be  opened  on  April  15, 
the  New  Haven  Exchange  being 
operated  in  connection  with  Lester 
Tobias  and  the  Boston  one  with 
Tobias  and  H.  S.  Snyder. 

Glucksman   in    Line 

Jacob  O.  Glucksman,  brother  of 
Max  Glucksman,  the  export  and  im- 
port film  man,  has  returned  from 
South  America,  where  he  controls 
the  film  market  in  Argentine  and 
Brazil.  Glucksman  has  expressed 
great  satisfaction  with  the  plan  of 
Columbia  Pictures  to  nationalize 
their  exchange  systems  and  declares 
he  has  signed  up  for  the  complete 
Columbia  product  and  intends  to  na- 
tionalize his  exchange  in  South 
America  as  part  of  an  International 
Columbia  Circuit  of  Exchanges. 

Many  prominent  exchangemen 
around  the  country,  most  of  whom 
are  allied  with  the  Regional  Distribu- 
tors Association,  are  lined  up  to  place 
their  exchanges  in  the  Columbia 
chain. 


Munroe  Returns 

F.  C.  Munroe.  President  of  Pro- 
ducers Distributing  Corporation  ar- 
rived in  New  York  from  Los  An- 
geles yesterday,  after  spending  over 
two  months  on  the  coast  supervis- 
ing coast  production  activities.  An- 
nouncements on  the  company's  new 
product  line-up  is  expected  shortlj'. 


Shuberts  on  Curb 

The  N.  Y.  Curb  Exchange,  has 
admitted  to  unlisted  trading  privil- 
eges the  $4,000,000  ten-year  7% 
gold  debentures,  without  stock  pur- 
<jhase  warrants,  of.- the  Shubert  The- 
atre Corporation. ,  They  have  also 
admitted  a  like  amount  of  stock 
carrying  purchase. 


Joe  Seiden  Back 

Joe  Seiden,  who  has  been  taking 
special  Akeley  Camera  shots  of  the 
rapids  with  Director  Harrv  Pollard 
for  "Uncle  Tom's  Cabin"  has  re- 
turned to  New  York  after  a  week's 
absence. 


Page  6 


Exhibitors  Daily 


m 


THE  BIGGEST  MONEY  MAKER 


ALONG     FILM     ROW 

With    Burney 


Paul  Kohner,  casting  director  of 
Universal  City,  has  a  big  job  on  his 
hands  in  securing  histrionic  material 
for  the  big  special  production  which 
a  new  director,  E.  A.  Du  Pont,  will 
produce  with  Mary  Philbin  starred. 


The  Main  Realty  Co.  will  erect  a 
new  six  story  theatre  building  at 
Houston,  Texas,  in  near  future. 


Joe  Hornstein  of  the  Howells  Cine 
Company  plans  to  attend  the  Motion 
Picture  Theatre  Owners  Convention 
to  be  held  in  Los  Angeles  June  1-5. 


Julius  Jolson's  new  Star  Theatre 
on  Knickerbocker  Ave.,  Brooklyn, 
N.  Y.,  will  have  a  grand  opening  on 
the  22nd  day  of  April.  Picture 
celebrities  will  be  on  hand  to  launch 
the  new  theatre. 


Calderone's  new  Valley  Stream 
Theatre  on  Long  Island  will  also 
have  a  house  warming  on  the  ISth 
of  April. 


Incidentally,  Hi  Gainsboro  who  was 
a  member  of  the  Board  of  Directors 
of  the  T.  O.  C.  C.  and  one  of  the 
best  golfers  in  the  metropolitan  dis- 
trict, opened  his  new  Roosevelt  The- 
atre at  Flushing,  L.  I.,  the  16th  of 
March. 


Another  prominent  official  of  the 
T.  O.  C.  C,  Sol  Raives,  first  Vice- 
President,  and  a  red-blooded,  fight- 
ing arbitrating  judge,  as  well,  now 
has  five  theatres  in  the  metropolitan 
district.  He  will  be  up  among  the 
big  chain  owners  very  shortly. 


The  Calgary  Stampede" 

Vniversal   Pictures 


FIRST  PLACE 
"Hogan's  Alley" 

Warner  Brothers 

SECOND    PLACE 
«i^ r  .u.    o-_»  "Tumbleweeds" 

United    Artists 

"The  Blackbird" 


'Keeper  of  the   Bees" 
F.  B.  O. 

"The  Limited  Mail" 

Warner  Brothers  Metro-Goldwyn-Mayer 

"The  Phantom  of  the  Opera"     "Charley's  Aunt" 

Universal  Pictures  P.  D.  C 

THIRD  PLACE 
"The  Gold  Rush"  "The  Pinch  Hitter" 

United    Artists  Associated    Exhibitors 


Dale  Wilson,  owner  of  the  theatre 
at  Fort  Towson,  Okla.,  has  taken 
over  the  theatre  at  Vallient,  Okla., 
piid  installed  a  new  Velvet  Gold 
Fibre  Screen. 


Esister  Greetings 


Blcinche  Mehaffey,  pretty  universal 
player,  turns  artist  to  inscribe  suit- 
able Easter  greetings  to  her  friends 
and   admirers   in   the   industry. 


Finance  Editors  Deny 

Lasky  Stock  Sale 


The  financial  editors  of  the  N.  Y. 
Times  and  Evening  Sun  have  com- 
mented on  the  reported  sale  by  Jesse 
L.  Lasky,  Vice  Presidenlt  of  Famous 
Players-Lasky  Corporation,  of  his 
stock  interest  in  that  organization, 
by  declaring  that  the  rumors  that 
Kuhn  Loeb  &  Company  had  taken 
over  his  interests,  were  baseless.  Al- 
though Otto  H.  Kahn,  prominent 
banker,  whose  name  had  been  men- 
tioned in  the  deal,  refused  to  com- 
ment on  the  reports,  other  financial 
interests  in  Wall  Street  authorita- 
tively deny  that  Lasky  had  or  has 
any  intention  of  selling  his  stock  in- 
terests in  F-P-L. 


Fox  En  Route  to  Coast 

William  Fox  left  Thursday  for 
Los  Angeles  in  advance  of  the  New 
York  delegation  which  will  start  out 
next  Wednesday  for  the  Fox  sales 
convention. 


Leo  Young  in  New  York 

Leo  Young,  California  Studios 
publicity  representative,  arrived  in 
New  York  this  week  to  do  the  pub- 
licity and  advertising  for  Nat  Le- 
vine's  serial. 


Capt.  Day  Signs  With 

Associated  Studios 


Capt.  Richard  Day,  who  has  been 
identified  with  some  of  the  most  out- 
standing productions  of  recent  years 
including  Von  Stroheim's  "Foolish 
Wives,"  "Merry  Go  Round,"  "Greed" 
and  "The  Aferry  Widow,"  has  been 
engaged  by  the  Associated  Studios  in 
Los  Angeles  as  art  and  technical 
director. 

Though  engaged  primarily  to  work 
with  Erich  Von  Stroheim  on  his  pro- 
ductions which  are  to  be  filmed  at 
the  Associated,  Capt.  Day  will  also 
act  in  an  advisory  capacity  in  the 
production  of  the  pictures  that  are 
to  be  filmed  there  for  release  through 
Associated  Exhibitors. 


No  Action  on  Seat  Tax 

LOUISVILLE.— The  state  legis- 
lature's session  has  come  to  an  end 
without  taking  action  on  the  bills 
providing  for  censorship  and  a  ten 
per  cent  tax  on  seats,  much  to  the 
relief  of  Kentucky  exhibitors  who 
have  been  fighting  the  measures. 


New  Office  for  Filmlab 

Filmlab,  Inc.,  will  move  into  its 
new  quarters  at  203  West  40th  St. 
about  May  1st. 


"Rose  Bemd"  Preview 

The  Film  Associates,  Inc.,  of  New 
York,  which  will  reveal  to  public 
gaze  the  first  showing  in  this  coun- 
try of  the  UFA  picture  "Cinderella" 
featuring  Helga  Thomas,  at  the  Klaw 
Theatre,  N.  Y.  City,  tomorrow  after- 
noon and  evening,  plans  an  early 
Spring  showing  of  "Rose  Bemd." 
This  is  another  UFA  picture  based 
on  the  Hauptman  play,  and  features 
Emil  Jannings,  Henry  Porten  and 
Werner  Kraus,  world  famous  stars. 


Steele  Joins  Inspiration 

Joseph  H.  Steele  has  been  ap- 
pointed West  Coast  representative  for 
Inspiration  Pictures,  Inc.,  producers 
of  Richard  Barthelmess  films. 


Foresees  Promising  Future 
For  Picture  Industry 

John  H.  Hertner,  president  of  the 
Hertner  Electric  Co.,  manufacturers 
of  the  Tertner  Transverter,  who  has 
just  returned  from  an  extensive 
southern  trip,  reports  a  very  favor- 
able outlook  for  the  future  of  the 
motion  picture  industry. 


February's  jL 
Earners  Rat^j 
By  Exhibitors! 


:'S 


The  polls  are  closed.  The 
are  counted.  The  figures  are 
piled.  The  results  may  be  li 
characterized  as  the  most  imp 
news  of  the  month.  We  know 
what  were  the  Biggest  Money 
ers  for  the  month  of  Februaq 

which   pictures   grossed  the  m,., 

the  cash  till,  but  the  drawing  \fiu' 
which,   when   all   expenses  weii| 
ducted — rentals,,  advertising  atij 
erything  else — left  the  most  pro 
the  men  who  showed  them. 

Again     Exhibitors     DAILY 
VIEW    in    conducting    this    r 
wide  survey  has,  by  the  enti 
response  evidenced  in  exhibitoi 
tributions  to  this  compilation, 
cated   its   judgment   in   offerinji 
"Money  Makers"  service  as  thi 
sort  of  booking  guide  availabl 

Where  else  is  the  exhibitor  v, 
the    coveted    information — in 
words,      the    _  advance      "dope' | 
whether  the  picture  is  "box-offini 
not,  before  he  has  played  it,  i 
from  the  reports  of  those  whot 
already    "cashed    in"?      Those 
cerned  with   the   selling  of  the. ;  ^.^^ 
ture   to   the    exhibitor    may  b«f 
fectly   honest.     They   may  be  n  [  ™ 


tse 


U 


if 


lie 


vated_  by  the   most    laudable  i  ^ 


.    -  .-..''h 

pies    m    guarding    against    mis:  [., 

sentation.     But  they  wouldn't  I 

man,  and  for  that  matter,  good 

men,    if    their    contentions    w 

colored  by  the  contagion  of  ettl 

asm  for  their  own  product. 

What  seems  to  be  a  further  r 

mendation   in   favor  of  a  surv 

this    sort    is    the   consistency  cjvv,) 

sult.s  as  indicated  in  the  findin 

each   succeeding  month.     In  th 

spect,   it   is  interesting   to    not«-i  „, 

the    biggest    money-makers    oi'r^ 


att 


CELEBRATE  LOEWS 
"STATE"  OPENING 

NEW  ORLEANS,  Apr.  3.— Loew's 
$1,500,000  State  Theatre  will  be  offi- 
cially opened  this  evening,  April  3rd. 
The  first  performance  will  be  herald- 
ed by  a  street  parade  in  the  morning 
and  a  host  of  prominent  players  arr- 
present  at  the  opening.  Norma 
Shearer  in  "The  Devil's  Circus"  will 
be  the  feature  of  the  first  bill. 


Hudson  Transferred 

_  Earl  J.  Hudson,  eastern  produc- 
tion manager  for  First  National,  will 
take  charge  of  the  company's  coast 
production,  and  be  succeeded  by  Al 
and  Ray  Rockett.  Before  beginning 
work  in  the  western  studio,  Hudson 
will  finish  "Missmates"  and  then 
take  a  vacation. 


month    generally    figure    amonj 
selections    of_  another   month, 
seems  a  specific  assurance  that 
office   values,  just  like  figures, 
lie. 

The  particular  value  of  a  coni 
service  of_  this  sort  is  that  eac|    bbJ 
month    brings    in   new   releasw   t\ 
of  course  in  regard  to  these  fl    ^ 
terest  in  each  succeeding  compi 
is  heightened. 

In    the    box    prccedmg    is    pr 
ed  those  pictures,  in  respective 
of    first,    second    and    third 
which  earned  the  largest  profil 
exhibitors  during  the  month  of 

(Continued  on  page  7) 


Warners  Lease  To-da 

HOLLYWOOD,  April  2.— I 
Warner,  Jack  Warner  and  1 
Lustig  will  leave  today  for 
York  and  will  arrive  Wednesc 
time  to  make  last  preparation 
the  Warner  Convention  which 
in  New  York,   Saturday,  April 


Smith   Transferred 

Sam  Morris,  general  sales  ma 
of  Warner  Bros.,  has  called  in 
J.  Smith,  Buffalo  exchange  ma 
for  an  important  executive  p< 
the  home  office. 


■tSh 


% 

.;iie 

ins 


m  t. 

*in 


U926 


(iPENING  FOR 
MTIER'  TODAY 


tin     Invents     Some 
xploitation  Stunts 


Bthstein  is  working  over 
tl  preparation  for  the  open- 
versal's  big  picture  "The 
•ontier,"  which  is  to  open 
ny  Theatre  in  New  York 
mong  his  other  ballyhoo 
as  gotten  up  a  gold  plated 
ticket  for  the  opening 
ouvenir  gold-plated  coin 
f  form  of  courtesy  pass 
riljbe  exchanged  for  reserved 
e  box-office.  His  special 
and  exploitation  work  on 
iJ  said  to  be  the  finest  cam- 
«  conceived  by  Nat  in  his 

it  of  celebrities  expected  to 

il  midnight  opening  of  Uni- 

'he   Flaming   Frontier"   at 

tlif    tonight,    includes    such 

!  General  R.  L.  Bullard, 
y,  Fannie  Hurst,  George 
m,  Judge  Rosalsky,  Rear 
jlliarles  P.  Plunkett,  Wilton 
|(Bebe    Daniels     and     Tom 


)Tied  for 
ruary  Money 

iniued  from   f^aye  6) 

illowing,  are  the  pictures 
;  ed  one  or  more  votes 
I'ltors  who  claimed  these 
aviest  earners: 

on  the  Box 

0  Dance 
'  Hitter 

nted  Hill 
Way   Girl 

1  of  Zazan 
Beast  y 
'le  and  Mary/ 
ry  Widow^'' 

I  i  s 

Straight  Ahead 
t  Outlaw 

:iry/ 

i  the  Purple  Sage 
nderer 

rlasting  Whisper 
)se  Woman 

stice 

ly  Express 

lyle  Girl 


cient  Highway 

ing  Kid 

f  Western  Stars 

nona 

Hair 

thes 

1  Lands 

Ts  DAILY  REVIEW  is 
3  the  exhibitors  who  have 
is  compilation  possible 
leir  interest  and  co-opora- 
is  for  exhibitors,  by  ex- 
he  most  authentic  source 
nation  as  to  box-office  his- 
can  possibly  be  conceived, 
sion  of  this  service  is  only 
irough  their  continued  co- 
a  fact  which  is  the  graphic 
of    the    value    they    attach 


Calendar  of  Coming 
Events 


Today — F.  B.  O.  Convention,  Am- 
bassador Hotel,   Los   Angeles,   Calif. 

April  5.— Start  of  Three-day  Uni- 
versal Sales  Convention,  Biltmore 
Hotel,  Los  Angeles,  Calif. 

April  8.— Meeting  M.  P.  T.  O.  of 
Washington,  Olympia,  Wash. 

April  11. — Fox  Convention,  Am- 
bassador Hotel,  Los  Angeles,  Calif. 

April  19. — Convention  Pathe  Dis- 
trict Managers,  Hotel  Roosevelt,  New 
York. 

April  19-20.— M.  P.  T.  O.  of  West- 
ern Pennsylvania.  Convention  at 
Pittsburgh. 

April  26. — Eastern  Contingent, 
First  National  Sales  Convention, 
New  York,  N.  Y. 

April  30. — Canada  and  Midwest 
First  National  Sales  Convention, 
Chicago,  111. 

May  6. — West  Coast  First  National 
Sales  Convention,  Los  Angeles,  Calif. 

June  1  to  S. — Annual  Convention, 
M.  P.  T.  O.  A.,  Los  Angeles,  Calif. 


PLAN  PUBLIX 
STUDIO  IN  N.  Y. 

Abandon     Proposed     L.   I. 
Site  for  Times  Sq. 


NEW  YORK,  March  27.— Because 
of  the  inaccessibility  of  Long  Island 
City  to  artistes,  producers  and  agents 
identified  with  presentations  for  pic- 
ture houses,  the  plans  of  Publix  The- 
aters' Corporation  to  erect  a  large 
studio  here  opposite  the  production 
plant  of  the  Famous  Players  have 
been  abandoned. 

A  site  in  Times  Square,  or  as  near 
Times  Square  as  possible,  so  that 
agents,  artistes  and  others  associated 
with  Publix  will  not  be  compelled 
to  go  far  out  of  their  way,  is  being 
sought  for  the  building,  the  plans  of 
which,  prepared  by  R.  E.  Hall  and 
Company,  remain  unchanged.  The 
building  will  be  five  stories  in  height. 


Page  7 


BROADWAY  THEATRES 

By  Mike  Simmons 

THE  BOX-OFFICE  VERDICT 
Astor— "The  Big  Parade,"  M-G-M, 
I9th  week. 

Holy  Week  hasn't  put  the  slightest 
dent  in  the  S.  R.  O.  pressure  here. 
100%. 


Apollo— "Stella      Dallas,"       United 
Artists,  20th  week. 
Running  to  about  85%. 


Marin  and  Depinet  Back  East,  Start 
Hammering  Against  Summer  Slump 


Exhibitors     Pajring     More 

Attention  to  Theatre 

Comforts 


Returned  from  trips  through  the 
West  and  South,  Ned  Marin,  West- 
ern Sales  Manager  for  First  Na- 
tional Pictures,  and  Ned  Depinet, 
Southern  Sales  Manager,  are  en- 
thusiastic over  the  response  of  ex- 
hibitors to  the  call  for  an  aggressive 
campaign  that  will  dispel  the  sum- 
mer slump  bugaboo. 

All  that  is  needed  in  order  to  keep 
patrons  coming  to  the  theatre  during 
the  months  of  June,  July  and  August 
is  a  strong  line-up  of  pictures  shown 
in  comfortably  cool  houses  and  back- 
ed by  adequate  advertising. 

It  appears  from  the  reports  re- 
ceived from  both  Mr.  Marin  and  Mr. 
Depinit  that  exhibitors  are  realizing 
the  change  that  has  come  about  with 
the  physical  improvement  of  theatre 
buildings.  Houses  constructed  dur- 
ing the  past  few  years  and  the  many 
new  ones  nearing  completion,  are 
adequately  ventilated  and  offer  com- 
fortable surroundings  whatever  the 
temperature. 

Visiting  twelve  branches  in  the 
Southern  territory,  Mr.  Depinet  con- 
ducted meetings  and  conferred  with 
leading  exhibitors,  whom  he  found 
to  be  greatly  interested  in  the  forth- 
coming product  of  First  National. 
"Generally  speaking,  business  seemed 
to  be  better  than  a  year  ago  at  this 
time,"  said  Mr.  Depinet,  "and  ex- 
hibitors are  confident  that  they  can 
keep  it  on  the  up-grade  if  they  are 
supplied  with  the  right  sort  of  box 
office  pictures  such  as  they  have  been 
getting  from  First  National.  I 
found  a  big  demand  for  early  book- 
ings of  'Irene'  and  'Kiki,'  also 
'Tramp,  Tramp,  Tramp.'  Another 
picture  that  exhibitors  seem  particu- 
larly anxious  to  see  is  'The  Greater 
Glory.'  From  my  observation  of 
conditions  and  judging  from  the 
spirit  of  the  exhibitors  with  whom  I 
talked,  I  am  confident  that  First  Na- 
tional will  do  the  biggest  summer 
business  in  the  history  of  the  com- 
pany." 


WILL   HAYS   SPEAKS 

Will  H.  Hays,  President  of  the 
M.  P.  P.  D.  A.,  spoke  over 
WEAF  at  the  Advertising  Club 
of  New  York  last  Wednesday, 
March  3L  His  speech,  which  is 
of  vital  interest  and  import  to 
the  motion  picture  industry  will 
be  published  in  installments  in 
Exhibitors  Daily  Review,  the 
first  of  the  series  to  appear  in 
the    issue   of   Monday,    April    5. 


Capitol— "The   Devil's   Circus,"   M- 
G-M. 

Excellent  surrounding  program 
kept  the  tickets  selling  at  about  70% 
capacity. 


George     M.     Cohan— "Ben     Hur," 
M-G-M,  14th  we«k. 

Eager,   fullsome  audiences  turning 
the  ticket  stiles  to  a  90%  tune. 


Colony— "The  Cohens  and  Kellys," 
Universal,  6th  week. 

Makes  way  for  "The  Flaming 
Frontier"  Sunday.  Finished  up  to 
about  65%  capacity. 


Criterion — "Mare   Nostrum,"   M-G- 
M,  7th  week. 

Advance  sales  picking  up.    Hitting 
the   75%   mark 


Embassy— "La    Boheme,"    M-G-M, 
6th  week. 
Averaging  about  70%. 


Rialto— "Bride     of     the      Storm," 
Warner  Brothers. 

Takings     rose    over     last    week's. 
Doing  75%. 


Rivoli— "The  Crown  of  Lies,"  Para- 
mount. 

Business  slowed  up  here.     60%. 


Film  Firm  Confesses  U. 
C.  I.  $64,969  Judgment 

Unity  Pictures,  Inc.,  James  W. 
Keenan,  president,  has  confessed 
judgment  for  $64,969.33  in  favor  of 
the  Unione  Cinematografica  Italiana. 

The  firm  admits  that  $56,000  and 
$8,969.33  became  due  the  U.  C.  I. 
on  notes  but  could  not  be  paid  be- 
cause of  shortage  of  funds.  The 
difference  in  the  judgment  includes 
interest  and  costs. 


LITIGATION 


Judgment  by  consent  for  $12,000  with 
interest  was  rendered  in  the  case  of  Gold- 
wyn  Distributing  Corp.  vs.  Newark  Rialto 
Theatre  Co..  Inc.  (C.  L.  Hess  for  pi.  ;  T. 
F.  MacMahon  for  def.)  in  the  Supreme 
Court,  Trial  Term,  Part  IX,  before  Justice 
O'M  alley. 

Suit  of  Peace  Theatre  Corp.  vs.  Schul- 
nian-Goldberg  Theatrical  Corp.  in  the  Su- 
preme Court,  Special  Term,  Part  I,  before 
Justice     Glennon. 

The  two  motions  to  issue  commissions 
made  by  Osida  Pictures,  plf..  in  the  suit 
of  First  National,  was  denied  by  Judjfc 
liijur,  in  the  .Supreme  Court,  Special  Term, 
Part    I,    Tuesday. 


Suit  of  Bliss  Laboratories,  Inc.,  vs.  Levy 
in  the  Supreme  (^ourt,  Special  Term,  Part 
11,   before  Justice  Erlanger. 


Suit  of  Huguano  vs.  Craftsmen  Film  Lab- 
oratories, Inc.,  in  the  Supreme  Court,  Spe- 
cial Term,   Part   II,  before  Justice  Erlanger. 


Suit  of  Palmer  Photoplay  Corp.  vs. 
Handy  in  the  City  Court,  Special  Term, 
Part    I,  before  Judge   Meyers. 


Selwyn— "The      Black      P  i  r  a  t  e," 
United  Artists,  5th  week. 

Douglas     Fairbanks     managing    to 
draw  them   in  to   an  80%  tune. 


Strand— "The    Dancer    of     Paris," 
First  National. 

Combination  of  Aden's  story  and 
Vincent  Lopez'  orchestra,  filled  the 
seats  matinees  and  evenings  to  85% 
capacity. 


Warners— "The  Sea  Beast,"  Warn- 
er Brothers,  12th  week. 

Ends  run  this  week  with  a  65% 
draw.  Average  for  entire  run  very 
good. 


Rothacker  Returns 

Watterson  R.  Rothacker,  who 
has  been  on  a  Mediterranean  trip, 
arrived  in  New  York  yesterday 
aboard  the  Mauretania. 


Koerner  Resigns 

PORTLAND,  Ore.— Charles  Koer- 
ner, branch  manager  for  First  Na- 
tional, has  resigned  and  will  enter 
the  theatrical  field  in  Oakland,  Calif. 


Herns  Does  Publicity 

PORTLAND,  Ore.— Ruth  Herns, 
of  the  Universal  exchange,  will  han- 
dle all  publicity  for  the  Columbia 
Theatre,  a  Universal  house. 


Brunette  Back  at  Work 

HOLLYWOOD.— Farina,  the  one 
and  only,  has  returned  to  his  dress- 
ing room  at  the  Hal  Roach  studios 
after  an  illness  of  several  weeks. 


Page  8 


Exhibitors  Daily 


ffV 


BOX  OFFICE   REVIEWS 


Key  to  the  Rating  System 


A 

B 
C 
D 
E 


Road  Show  Calibre  1 

First  Run  Product  2 

Suitable  for  Second  and  Subsequent  Runs  3 

Action  Pictures,  Westerns  and  Melodramas  4 

Shooting  Gallery  Staff  * 


Excellent 

Good 

Fair 

Not  Recommended 

Unusual    Exploitation 


Possibilities 


Conducted  by  Michael  L.  Simmons 


RED  DICE 

Producers    Distributing    Corp.     Pro- 
.  duction.      Adapted    from     Octavtts 

Roy     Cohen's     novel,     "The     Iron 

Chance."    Directed  by   William  K 

Howard. 

CAST  AND  SYNOPSIS 

Alan  Beckwith Rod   La   Rocque 

Beverly    Vane ....  Marguerite   De    La    Motte 

Johnny   Vane Ray   Hallor 

Andrew    North ....  Gustave    Von    Seyffertitz 

Squint   Scoggins George   Cooper 

Nick    Webb Walter    Lone 

Mrs.    Garrison Edythe    York 

Butler Clarence     Burton 

Securing  needed  funds  from  Andrew 
North,  bootleg  chief,  Alan  Beckwith  agrees 
to  heavily  insure  himself,  making  North 
beneficiary.  He  promises  to  commit  sui- 
cide within  a  year.  North  forces  Alan  to 
marry  Beverly  Vane  who  consents  because 
it  means  the  sparing  of  her  brother  Johnny's 
life  by  North.  Alan  and  Beverly  fall  in 
love.  To  save  himself  from  his  doom,  Alan, 
together  with  Johnny,  plans  to  hijack  one 
of  North's  rum  loads.  Their  plans  are 
frustrated  when  North  appears  on  the  scene. 
Beverly  arrives  with  revenue  officers  who 
round  up  gang  leaving  Beverly  and  Alan 
free    to    enjoy    their    new-found    happiness. 

Rating:  D2 

Production    Values:      A    new 
plot — a  revelation  of  the  activi- 
ties    of     the     new     underworld 
clique — the     bootleggers.        The 
many  thrilling  scenes  are  linked 
together  effectively  and  in  such 
compelling   fashion   as   to  never 
permit  the  interest  to  wane.  The 
underworld  atmosphere  is  pecu- 
liarly realistic,  great  care  having 
been    administered    in    working 
out  the  details,  resulting  in  prop- 
erly creating  the  illusion.     The 
hero's     unusual    bargain,    moti- 
vated altogether  by  his  altruism, 
furnishes  human  interest  appeal, 
and  the  romance  which  is  born 
after  the  marriage  of  the  hero 
and  heroine  is  another  interest- 
ing angle. 

Acting:  Rod  LaRocque  works 
with  an  earnestness  that  is  con- 
ducive to  a  part  which  carries 
conviction.  He  plays  the  lover 
with  tenderness  and  the  battler 
with  virility.  Marguerite  de  la 
Motte  is  very  pleasing  as  the 
heroine.  Not  only  does  she  fur- 
nish eye  lure,  but  she  makes  her 
highly  dramatic  role  forceful. 
George  Cooper  holds  up  the 
comedy  end  to  good  effect. 

Audience  Appeal:  The  some- 
what different  plot,  the  elements 
of  melodrama,  romance,  comedy, 
and  human  interest  indicate  that 
it  will  be  a  draw  with  the  masses. 
How  To  Sell  It:  Tie  up  on 
the  novel,  "The  Iron  Chance." 
Use  the  "red  dice"  idea  in  work- 
ing out  effective  street  ballyhoo 
as  well  as  attractive  lobby  effect. 


BRIDE  OF  THE  STORM 

ll'arncr  Bros.  Production.  From 
Story,  "Maryland,  My  Maryland," 
by  James  Francis  Div.yer.  Directed 
by  A.  J.  Stuart  Black  ton. 


CAST  AND  SYNOPSIS 

Faith    Fitzhugh    Dolores   Costdio 

Dick   Wayne    John  Harron 

Hans    Kroon    Otto   Mattieson 

Piet  Kroon   Sheldon  Lewis 

Jacob   Kroon    Tryone   Power 

Commander   U.    S.    Baltimore ..  Larry   Steers 

The  only  survivor  of  a  shipwreck  ofif  the 
China  Coast,  Faith  Fitzhugh,  an  8-yeaT- 
old  heiress,  is  brought  up  by  three  Dutch 
lighthouse-keepers  who  hope  ultimately  to 
marry  her  to  the  youngest  Kroon,  an  idiot 
lad,  and  then  derive  the  benefits  of  her 
wealth.  She  is  spared  the  torture  of  such 
a  union  by  the  opportune  appearance  of 
Dick  Wayne,  an  American  naval  officer, 
who  after  a  hard  battle  with  the  three 
Kroons,  takes  Faith  back  to  America  with 
him. 

Rating:  B3 

Production  Values:  Fine  char- 
acter portrayals  in  this  gripping 
melodrama  starring  the  beautiful 
Dolores  Costello.  Shipwreck, 
battles,  surging  of  waters  and 
human  passions — these  are  pow- 
erfully presented.  The  sordid- 
ness  of  the  life  of  these  animal- 
like beings  is  vividly  portrayed ; 
as  a  matter  of  fact,  it  is  too 
vivid.  There  is  not  enough  re- 
lief from  the  brutality,  the  base- 
ness of  these  repugnant  Kroons. 
There's  no  variety  in  the  story 
which  is  hackneyed.  It  is  too 
heavy — too  melodramatic. 

Acting:  Lovely  Dolores  is  giv- 
en ample  opportunity  to  "emote" 
She  works  hard  to  make  up  for 
the  shortcomings  in  the  role. 
And  her  histrionic  efforts  are  re- 
warded for  she  succeeds  in 
arousing  the  sympathy,  notwith- 
standing the  fact  that  the  part 
is  a  rather  impossible  one.  Mat- 
tieson, Lewis,  and  Power  do  fine 
work  in  portraying  the  three 
Kroons.  Each  character  fits  the 
part  and  carries  conviction.  John 
Harron  is  pleasing  as  the  hero. 

Audience  Appeal:  Better  suit- 
ed to  the  more  gullible  audiences 
as  far  as  entertainment  is  con- 
cerned. The  characterizations 
will  prove  a  source  of  great  in- 
terest to  a  great  many.  There 
are  also  the  hard  battles,  the 
disastrous  wrecking  of  the  light- 
house, etc.,  that  have  their  def- 
inite appeal  among  the  thrill- 
hunters. 

How  to  Sell  It :  Dolores  Cos- 
tello's  name  is  in  the  fore  right 
now.  Capitalize  that  fact.  Title 
suggests  opportunity  to  tie  up 
on  bridal  window  display. 


CROWN  OF  LIES 

Paramount    Production.      From    the 

Screen   Original  by   Ernest   Vajda. 

Directed  by  Dimitri  Buchowetsky. 

Length,  six  reels. 

CAST  AND   SYNOPSIS 

Olga    Kriga    Pola    Negri 

Count    Mirko    Noah    Beery 

John    Knight    Robert    Ames 

Karl    Charles    Post 

Fritz     Arthur    Hoyt 

Vorski     Mikhail    Vavitch 

Leading    Lady     Cissy    Fitzgerald 

Olga  Kriga,  a  boarding  house  slavey, 
bears  an  extraordinary  resemblance  to  the 
missing  Queen  of  Sylvania.  She  is  taken 
there  by  a  group  sf  scheming  Sylvanians, 
where  she  is  posed  as  the  lost  queen.  In 
a  short  exciting  reign,  happiness  is  re- 
stored to  the  people.  Then  she  returns  to 
her  American  lover  and  a  tiny  cottage  in 
the  "States,"  there  to  be  his  queen,  and 
his   alone. 

Rating:  B3 

Production  Values :  The  sets, 
the  backgrounds,  and  the  group- 
ings of  people  that  make  up  the 
substance  of  the  story  are  the 
saving  grace  of  this  peculiar 
story,  that  always  edges  on  the 
brink  of  a  stirring  picture,  only 
to  recede  again  into  an  implaus- 
ible narrative,  with  no  great 
spark  anywhere.  The  director 
has  done  his  work  smoothly 
enough  though  minus  several 
shades  of  the  gifted  finesse  for 
which  he  is  noted;  pictorial  ef- 
fects are  invested  with  much  ex- 
pense and  pains ;  there  is  the 
thrilling  episode  of  a  man  escap- 
ing his  plotters  by  rolling  him- 
self into  a  snow-ball,  rolling 
down  a  mountain-side,  over 
stones  and  trees ;  but  somehow 
it  all  doesn't  "click"  with  the 
snap  of  reality. 

The  early  stages  of  the  plot 
are  badly  sketched,  but  things 
get  better  as  they  go  along.  The 
story  becomes  more  compact 
with  incident,  the  atmosphere 
tenser  with  intrigue. 

Acting :  Pola  Negri  is  a  per- 
sonage, and  a  fine  actress  al- 
ways. And  although  not  to  the 
best  of  her  advantage  in  the 
story  given  her,  she  nevertheless 
looms  up  with  the  same  mag- 
netic personality  that  has  always 
arrested  audiences. 

Audience  Appeal:  The  less 
critical  will  find  plenty  to  divert 
them.  Suited  to  young,  old  and 
middle-aged  palates,  with  noth- 
ing inoffensive  at  any  point. 

Horv  to  Sell  It :  Spread  your 
printers'  ink  over  the  name  of 
the  star.  Her  drawing  power 
will  repay  ample  investment  in 
electrics  and  news  ad. 


THE  DEVIL'S  CIl 

Metro-Goldwyn-Mayer      Pn\ 

Written  and  Directed  by  l\ 

Christians  on.  Length  6750| 

CAST  AND    SYNOPSI 

Mary    Nori 

Carlstop    Charles    Ems 

Yonna    Cart 

Lieberkind    Jo 

Mrs.    Peterson    Claire  i 

Little  Anita   Ji 

Mary's    dog    


ii 


I  :;it'J 
■(1 


m 
3tn' 


Mary,     arriving    in    strange    cit 
friended   by   Carl,   an  ex-convict. 
is    again    charged    with    burglary 
tenced   to   prison.      Mary    promises 
by  him.      She   secures  position  in 
is    betrayed    by    Hugo,    lion-tamer 
of    the    attentions    Hugo   showers 
Yonna    cuts    trapeze    from    which 
swinging  and   Mary  is  permanentl; 
There  is   a  reunion  between  Carl  : 
Carl's   forgiveness  so  overwhelms 
loses    consciousness     of     her    arfflic 
walks   once   more. 

Rating:  B2 

Production  Values :    S 
circus  life  is  absorbing,  U| 
edy   of    it   being   more  i 
against      the      backgroui 
glamorous  tinsel  and  unni 
ed  laughter  of  the  clown: 
natural  circus  scenes,  wor 
with   an   eye    for   detail, 
credit    to    the    Danish   d 
Benjamin     Christiansen.] 
represents  his  first  effortSi 
side  of  the  ocean,  and 
cates  unquestionably  unu! 
rectorial  ability.    With  thi 
est   economy   of    subtitle: 
human   touches   are   intn 
Very     impressive.       The; 
showing  the   two   girls  cl  "A 
daring  trapeze  act  with 
lions  directly  underneath  _~ 
and  the  ultimate  dropping!    is 
girl  amidst  the  raging  br 
one  that  will  make  any  ai 
gasp.     The    story    is    soi 
ponderous     and     suffers 
senility,    but     its     treatm 
fresh. 

Acting:  Norma  Sheare 
a  sympathetic  characteriza 
the  innocent  victim  of  fa 
ultimately  realizes  haj 
Charles  Emmett  Mack  is 
able  hero  and  Carmel  M 
exceedingly  convincing 
jealous  circus  queen. 

Audience  Appeal:  Th« 
scenes  offer  a  definite  att 
to  the  youngsiers — for  th. 
ter,  to  the  masses,  to  wh 
life  is   fascinating. 


How  To  Sell  It:     Cz 
the  circus  idea  by  having 
van   driven    down    your 
Use  "devil"  cut-outs. 


to 


i 


IJ  NIGHT  PATROL 

I  Production.  Story  and  scc- 
hy  Frank  Hozvard  Clark. 
d  by  Mason  Noel.  Length, 
ret. 

CAST  AND   SYNOPSIS 

Ins Richard    Talmadge 

ollister Rose    Blossom 

stei Mary  Carr 

lleton Josef    Swickard 

rguson Grace    Darmond 

jlcott Victor    Dillingham 

1     Rat    Arthur    Conrad 

i  om    Collins,   in   love   with   Louise 

Lirests    Louise'    brother,    Roy,    on 

of   murder.      The   latter   is   found 

!    sentenced    to    death.       A    slight 

Tom    to    the    belief    that    Roy    is 

_uilty    man.      Tracing-    it,    he    dis- 

murderer,    frustates    the    gang's 

ike    a    daring    robbery    and    saves 

the  electric  chair.      He  wins  back 

.   had  turned   against   him   and    is 

or    his    good    work. 

Rating:  Dl 

rluction    Values:       Daring 

I  if  the  Richard  Talmadge 

.  alculated  to  delight  that 

lajority  who  revel  in  the 

I    of  danger  which  is  in- 

in    them.     Story    of    the 

•  orld  in  which  melodrama, 

r  and  comedy  play  their 

live  parts,  a  true  sense  of 

having    been    attached    to 

I  k-ment.     The  plot  develop- 

II  furnish  plenty  of  suspense 
!he    thrills    are    generously 

li  d  through  the  entire  five 
all  working  up  to  a  corking 
V  in  which  the  hero  rides 
1|  through  a  raging  storm 
onerate  the  innocent  man 
luin  the  minutes  are  a  mat- 
life  or  death.  The  sensa- 
fighting  is  another  high- 
Excellent  direction  and 
uiity. 

!iu(j:    Richard  Talmadge  is 

\  igorous    than    ever.     He 

than  puts  it  over  this  time. 

->    list    of    admirers    among 

ms  will  probably  swell  c&n- 

ilily  as  a  result  of  acrobaric 

>.      His    impersonation    of 

rook  gives  him  a  chance  to 

his  versatility.  Rose  Blos- 

is  charming  as  the  heroine. 

Carr    handles     the     son- 

liipping  mother  role  in  her 

capable    manner.     Arthur 

ad  scores  as  that  contempt- 

haracter  of  the  underworld 

;  squealer. 

idience  Appeal:  Sure-fire 
audiences  where  they  want 

thrills  and  top-speed  action. 

ory  with  a  tang  of  the  un- 

orld  has  a  definite  appeal 
the   lovers    of    melodrama. 

kling    comedy    and    roman- 

jre  give  its  drawing  power 

r  scope. 

ow  To  Sell  It:  Get  behind 
Talmadge.  Tie  up  with 
police    station.       Have    a 

wich     man     in     policeman's 

orm. 


THE  NUTCRACKER 

Associated  Exhibitors  Release.  A 
Samuel  S.  Hutchinson  Production. 
Directed  by  Lloyd  Ingraham. 

CAST  AND    SYNOPSIS 

Horatio  Slipaway    .  .  Edward  Everett  Horton 

Martha    Slipaway     Mae    Busch 

Oscar    Briggs    Harry    Myers 

Isaac    Totten     Thomas    Ricketts 

Juha  Totten    Martha    Mattox 

Saki     George    Kuwa 

A  hen-pecked  broker  makes  the  most  of 
the  opportunity  provided  by  a  street  car 
accident  to  pretend  amnesia  and  escape. 
Horatio  appears  at  a  prominent  brokerage 
office  as  Pe'.er  Peters  of  Peru,  cleans  up 
iu  sulphur,  and  establishes  himself  in  rich 
bachelor  quarters.  Meanwhile,  his  wife's 
diligent  search  discovers  the  "departed  hus- 
band" in  his  new  environment.  When  ef- 
forts to  induce  his  return  prove  unsuccess- 
ful, the  repentant  wife  has  him  brought 
home  for  an  operation  that  will  restore  his 
memory.  When  he  sees  the  surgeons  and 
their  instruments,  the  lost  Horatio  admits 
his  identity. 

Rating:  C2 

Production  Values:  The  brok- 
erage office  episode  is  one  of  the 
best.  Director  Lloyd  Ingraham 
has  used  the  same  judgment  and 
restraint  here  that  distinguishes 
the  whole  picture,  and  gets  ex- 
cellent results.  The  over-dressed, 
erstwhile  clerk,  playing  "bulls 
and  bears"  with  a  stock  ranking 
lowest  on  the  market  will  delight 
any  business  man, — and  his  wife. 
Another  big  scene  is  the  uncer- 
tain and  timid  Slipaway  com- 
pelled to  dance  an  improvised 
Peruvian  Tango  for  the  guests 
at  a  reception.  The  small  town 
wife,  intoxicated  by  a  single 
cocktail  and  puffing  her  first 
cigarette,  is  another  highlight. 
The  action  also  includes  a  rough 
and  tumble  chase,  better  than 
most,  with  "nightmare-y"  swing- 
ings from  a  wire-pole  on  top  of 
a  skyscraper. 

Acting:  This  newly  starred 
comedian  has  a  brand  of  acting 
that  is  distinctly  his  own  and  a 
novelty  in  the  light  comedy  field. 
Subtlety  and  restraint  are  the 
keynotes  of  his  performance 
thruout,  and  all  of  his  effects  are 
achieved  with  the  utmost  econ- 
omy of  gesture  and  action.  Mae 
Busch  does  some  fine  acting  as 
the  nagging  wife,  and  Harry 
Myers  is  a  satisfactory  addition 
to  the  cast. 

Audience  Appeal:  Will  pro- 
vide smiles  for  the  sophisticated, 
chuckles  for  some,  and  laughs 
for  those  who  are  not  spoiled  by 
frequent  showings  of  "super" 
comedies  with  established  stars. 
The  hen-pecked  husband  situa- 
tion and  the  turning  worm  theme 
are  given  a  fresh  treatment  that 
lend  the  picture  interest  and 
appeal. 

How  To  Sell  It :  Saxophone 
and  tango  contests  will  draw 
crowds  and  stir  up  interest.  The 
husband-wife  angle  should  be 
used  in  newspaper  announce- 
ments. 


WHITE  MICE 

Associated  Exhibitors  Production. 
Adapted  from  Richard  Harding 
Davis'  novel  by  Randolph  Bartlett. 
Directed  by  Edward  H.  Griffith. 
Length,  5,412  feet. 

CAST  AND   SYNOPSIS 

Inez    Rojas    JacqueHne   Logan 

Rodidy   Forrester    William   PoweU 

Colonel    Vega     Ernest    Hilliard 

R.    B.    Forrester    Bigelow   Cooper 

General   Rojas    Lucius  Henderson 

Senora    Rojas     Marie    Burke 

Peter   de   Peyster    F.   Vaux   Wilson 

Roddy  Forrester  and  Peter  de  Peyster, 
founders  of  the  White  Mice  Club,  organ- 
ized for  the  purpose  of  aiding  people  in  dis- 
tress, arrive  in  a  small  republic  in  South 
America.  Their  attention  is  drawn  to  the 
sufferings  of  the  former  president  who  is 
held  prisoner  in  an  unhealthy  prison  cell. 
They  call  on  the  general's  beautiful  daugh- 
ter, Inez,  to  help  rescue  her  father  and  the 
three  succeed  notwithstanding  the  many 
obstacles  and  impending  danger.  Roddy  re- 
gards he  has  been  amply  rewarded  when  he 
wins   Inez. 

Rating:  C2 

Production  Values:  Rich  in 
adventure  and  romance,  Richard 
Harding  Davis'  tale  of  the  myth- 
ical South  American  republic 
provides  good  material  for  the 
screen.  Mounted  in  the  beauti- 
ful natural  backgrounds  of  old 
Havana,  the  spirit  of  the  revo- 
lutionary days  is  reborn,  while 
the  atmosphere  fairly  breathes  of 
romance.  Director  Griffith  has 
been  just  a  little  too  conscien- 
tious in  that  he  has  endeavored 
to  transplant  every  pertinent  ac- 
tion, and  since  there  is  such  a 
deal  of  plotting  and  counterplot- 
ting, the  continuity  is  the  least 
bit  jumbled  at  the  outset.  How- 
ever, this  is  soon  smoothed  out, 
and  the  story  goes  on  its  merry 
way,  with  such  embellishments 
as  exciting  revolutions,  thrilling 
rescues  thru  underground  pass- 
ages, and  romantic  love  scenes. 
The  Prado  and  beautiful  Morro 
Castle  play  prominent  part. 

Acting:  Jacqueline  Logan  is 
charming  as  the  Spanish  senor- 
ita.  She  is  at  once  fiery  and 
tender  as  a  baby.  William  Powell 
as  the  American  hero  gives  a 
most  satisfactory  performance. 
Ernest  HiUiard  does  very  well 
in  the  "heavy"  role.  The  rest  of 
the  cast  is  consistently  good. 

Audience  Appeal:  Being  a  ro- 
mance melodrama,  there  are  two 
distinct  classes  of  movie-goers 
this  should  attract.  Both  ele- 
ments were  expertly  handled, 
and  therefore  the  production 
should  provide  good  entertain- 
ment to  the  action-lovers  as  well 
as  the  romantically-inclined. 

How  To  Sell  It :  Tie  up  on 
the  book  by  Davis.  Advertise 
the  fact  that  the  production  has 
authentic  locale.  A  tie  up  with 
a  pet  store  displaying  white  mice 
would  be  sure-fire.  Title  offers 
cut-out  and  throwaway  oppor- 
tunities. An  inexpensive  and  ef 
fective  lobby  display  would  simu- 
late a  scene  of  the  tropics. 


rage  T» 


SECRET  ORDERS 

F.  B.  O.  Production.  Story  by  Mar- 
tin Justice.  Directed  by  Chet 
W'ithcy.     Length,  5,506  feet. 

CAST  AND   SYNOPSIS 

Janet   Graham    Evelyn   Brent 

Eddie  Delano    Harold   Goodwin 

Bruce    Corbin    Robert    Frazer 

Spike    Slavin    John   Gough 

Mary     Marjorie    Bonner 

Butler    Brandon    Hurst 

Cook    Frank   Leigh 

Janet  Graham  is  led  into  an  unfortunate 
marriage  with  Delano,  a  crook.  During 
the  war  Janet  works  with  Corbin  in  charge 
of  transports  for  the  Secret  Service.  Cor- 
bin falls  in  love  with  Janet,  who  encourages 
him,  believing  Delano  dead.  List  of  trans- 
ports is  sought  after  by  unscrupulous  De- 
lano, who  was  engaged  by  "German  Mike." 
Delano  breaks  in^  gets  the  list  and  forces 
Janet  to  leave  with  him.  Instructions  are 
radio-ed  to  German  submarine,  but  Janet 
succeeds  in  radio-ing  warning  to  transport. 
Submarine  is  sunk.  Corbin  and  guards 
rescue  Janet.  Delano  is  killed.  Corbin 
marries   Janet. 


Rating:  D2 

Production  Values:  Plenty  of 
thrills  in  this  romantic  melo- 
drama which  was  deftly  handled 
by  Chet  Withey  with  telling  ef- 
fect, for  though  the  spy  melo- 
drama has  been  done  countless 
times,  the  interest  in  this  one 
never  wanes.  Double  quick  time 
is  the  tempo  of  the  action,  the 
turn  of  events  providing  plenty 
of  excitement.  The  war  is  only 
a  background  for  the  skillful  and 
thrilling  maneuverings  of  the  Se- 
cret Service  men.  There  isn't  a 
battlefield  scene,  and  yet  so  well 
has  the  idea  been  conveyed 
that  the  roar  of  the  can- 
non and  the  fear  of  impend- 
ing danger  is  actually  felt.  The 
love  theme  is  intricately  woven, 
with  the  revelation  of  the 
groom's  true  identity  giving  a 
novel  twist  to  the  story.  The 
continual  matching  of  wits  be- 
tween the  dauntless  heroine  and 
the  Hun  spies  is   fascinating. 

Acting:  Evelyn  Brent  has 
hitherto  done  extremely  well  in 
roles  where  her  ingenuity  was 
taxed  evading  the  law.  Here, 
as  the  Secret  Service  agent,  al- 
though working  toward  a  differ- 
ent end,  she  works  with  the  same 
abandon  and  agility.  Robert 
Frazer  deserves  special  mention 
as  the  hero.  Harold  Goodwin 
is  a  convincing  villain;  in  fact, 
the  entire  supporting  cast  is  ex- 
cellent. 

Audience  Appeal:  Should  go 
over  very  nicely  with  lovers  of 
:olorful  melodrama.  The  re- 
vealing of  the  network  of  in- 
':rigue  behind  the  scenes  will  fur- 
nish meat  for  the  curious. 

How  to  Sell  It:  A  truck  bear- 
ing the  sign,  "We  are  delivering 
SECRET  ORDERS— See  it  at 
the  Blank  Theatre,"  driven  down 
your  city  streets  should  make 
imposing  street  flash.  Play  up 
Evelyn  Brent.  Tie  up  with  Sec- 
ret Service. 


Page  10 


Exhibitors  Daily  /{( 


Pathe  News  No.  27 

HASBROUCK  HEIGHTS,  N.  J. 
(Except  Chicago,  Milwaukee,  Seat- 
tle, Portland,  Los  Angeles,  San 
Francisco,  Boston,  Cincinnati,  Pitts- 
burgh, Minneapolis,  Newark)  Tests 
plane  for  polar  flight.  Lt.  Com. 
Byrd  finds  ship  in  excellent  condi- 
tion for  daring  400-niile  hop  from 
Cape  Morris  Jessup  to  the  North 
Pole.  NORTH  ATLANTIC  OCEAN — 
Chart  dirft  of  huge  icebergs  in 
transatlantic  ship  lanes.  Coast 
Guard  Cutter  patrons  northern  wa- 
ters to  w^arn  liners  of  treacher.ous 
icy  mountains.  MOSCOW,  RUSSIA 
— Blaze  air  trail  to  China.  Pathe 
News  presents  exclusive  pictures  of 
the  flight  across  Asia,  linking  an- 
cient capitals  of  the  two  nations. 
PLEASANT  VALLEY,  CAL. — ^High- 
est concrete  pier  railroad  bridge 
nears  completion.  Workers  rapidly 
extend  huge  structure  ■which  is  built 
on  pillars  200  feet  high.  IN  THE 
LIMELIGHT — New  commander  as- 
sumes duties  at  W^est  Point.  Brig. 
Gen.  Stewart  (right)  relieves  Maj. 
Gen.  Sladen,  who  has  been  as- 
signed to  dutv  in  the  Philippines. 
GENEVA,  SWIPZERLAND— League 
of  Nations'  failure  to  agree  does 
not  banish  Germany's  hope  of  en- 
try. Gala  demonstration  accompa- 
nies end  of  critical  session  in  gay 
city.  PANAMA  BAY,  C.  Z. — U.  S. 
Battle  Fleet  engages  in  annual 
maneuvers. 


REVIEWED  m  THiS  ISSUE 

Pathe  News  No.  27 

International  News  No.  27 

Kinograms  No.  5174 

Fox  News  Continuity  No.  52 

Yearning  for  Love  Universal 

Ukulele  Sheiks  Pathe 

The  Rustler's  Secret  Universal 

The  Big  Hearted  Fish  Pathe 

Modem   Centaurs  Educational 

Dancing  Daddy  Educational 

PiMhe  Review  No.  15  Pathe 

Felix  Weathers  the  Weather 

Educational 

"Yearning  For  Love" 


International  News  No.  27 

N.  Y.  CITY — Spring  cleaning  for 
awesome  monsters.  Museum  giants 
taken  out  of  winter  wrappings  and 
moved  to  new  quarters.  PETALU- 
MA,  CAL. — Welcome  Easter!  Thous- 
ands of  eggs  distributed  free  to 
happy  youngsters.  SEATTLE. 

WASH. — (Omit  Los  Angeles.)  New 
speed  boat  bids  rum  runners  be- 
ware! Make  forty  miles  an  hour 
carrying  a  regular  army  of  cops. 
LONE  PINE,  CAL. — (L.  Angeles 
only) —  College  students  in  annual 
snow  frolic.  High  up  in  Sierras  Po- 
mona pupils  enjoy  unique  revel. 
INTERESTING  SNAPSHOTS  FROM 
THE  NEWS  OP  THE  DAY — CLIP- 
TON,  N.  J. — Unusual  glimpse  of 
great  textile  strike  shows  cops  us- 
ing clubs>  to  keep  "order."  PEKING, 
CHINA — Free  chop  suey  for  Chinese 
kiddies  Government      sees      that 

youngsters  get  plenty  of  nourish- 
ment. N.  Y.  CITY. — Famous  college 
star  goes  after  new  records.  Inci- 
dentally Emerson  Norton,  all  'round 
champ,  gives  a  few  lessons  in  cor- 
rect athletic   "form." 


rniversal 


2    reels 


This  permits  Wanda  Wiley,  starred 
in  this  two-reeler,  to  "do  her  stuff" 
in  the  real  Wanda  fashion.  She  is 
as  peppy  and  vivacious  as  ever,  takes 
her  usual  number  of  falls ;  in  short, 
provides  action  and  laughs  that  will 
please  most  any  audience. 

The  wilful  Wanda  refuses  to  be 
bound  in  marriage  to  anyone  but  the 
man  of  her  own  choosing.  Not  so 
thinks  her  dominating  aunt  who  has 
already  selected  the  groom.  Ar- 
rangements are  made  for  the  wed- 
ding with  the  undesirable  suitor,  but 
Wanda  is  not  to  be  outwitted.  The 
intended  groom  is  blackjacked  by  the 
rival  who  is  disguised  as  the  minis- 
ter. The  lovers  elope,  and  there  is  a 
surprise  ending  when  aunty  marries 
the  poor  sap  the  girl  has  rejected. 


Kinograms  No.  5174 

FAIRBANKS,  ALASKA — Christen 
Planes  for  Wilkins'  Polar  Dash. — 
Huge  machines  in  which  the  ex- 
plorer plans  daring  flight,  are 
named.  PARIS — French  President 
at  Annual  Stock  Show — ^M.  Doum- 
ergue  inspects  amazing  specimens 
of  prize  winning  bulls  at  exhibi- 
tion. WASHINGTON— In  King  Tut's 
Day  They  Wore  These  for  Easter — 
Style  show  with  costumes  of  2,000 
years  ago  is  staged  for  charity 
drive.  AIKEN,  S.  C. — Society  rides 
in  Fast  Polo  Match — Fashionable 
set  stages  exciting  plays  on  the 
Whitney  field  for  Aiken  cup.  FAIR- 
BANKS, ALASKA— Alaskan  girls  in 
20  mile  dog  race.  Fair  mushers 
drive  teams  over  sno^vv  wastes  in 
exciting  contest.  PETALUMA,  CAL. 
— "Say  It  With  Eggs,"  This  town's 
slogan.  Folks  of  "w^orld's  egg  bas- 
ket" send  us  all  the  season's  salu- 
tations. PONTRESINA,  SWITZER- 
LAND— Do  their  daily  dozen  on  top 
of  the  Alps.  Girls  seeking  grace  of 
form  hold  an  exercise  class  6.000 
feet   up. 


'Ukulele  Sheiks" 


Patiie 


2   reels 


Fox  News  Continuity, 

Vol.  7,  No.  52 

OIL  CITY,  PA. — Ice  jam  and  high 
water  cau.se  $5,000,000  loss.  Sr. 
NAZAIRE — Largest  and  finest  liner 
In  the  French  mercantile  fleet  is 
launched.  ROCHESTER  NINE 

STARTS  TRAINING  IN  GEORGIA. 
CAMBRIDGE,  MASS. — Harvard  oars- 
men turn  out  for  spring  practice. 
SAN  FRANCISCO — John  McCormack 
and  his  wife  and  daughter,  Gwen- 
dolyn, arrive  on  visit  from  Emer- 
ald Isle. 


Glenn  Trj'on  in  a  rollicking  come- 
dy that  offers  him  wide  scope.  First, 
a  slave  to  the  jazz  craze,  he  is  very 
amusing  as  the  youth  to  whom  uku- 
leles and  girls  are  the  all-important. 
Then  the  big  thing  in  his  life  hap- 
pens— he  falls  in  love — and  to  a  mar- 
ried woman.  His  conceit  and  youth 
distort  his  view,  and  he  is  sure  that 
the  girl  much  prefers  him  to  her 
husband.  He  follows  them  to  the 
boat  on  which  they  are  leaving  for 
their  honeymoon,  hiding  as  a  stow- 
away together  with  his  father  who 
has  followed  Glenn.  He  is  sadly  dis- 
illusioned when  he  discovers  that  the 
newlyweds  are  reallj''  happy. 

Glenn  has  an  excellent  supporting 
cast  which  includes  Mack  Swain, 
Jimmie  Finlayson,  Vivian  Oakland, 
and  Martha   Sleeper. 


"The  Rustler's  Secret 

Universal  2    reels 

This  Mustang  western  adequately 
fills  the  bill  and  should  prove  good 
entertainment  for  the  action-lovers. 
The  usual  hard  hitting,  fast  riding 
elements    that    characterize    this   type 


of  two-reeler  are  inherent.  The  plot 
has  a  novel  twist  that  .will  be  wel- 
come. 

The  hero,  a  supposed  rustler,  is 
chased  by  a  posse.  He  eludes  fhem 
by  hiding  in  the  wagon  driven  by 
the  daughter  of  a  ranchman.  It 
turns  out  that  the  "rustler"  is  a  de- 
tective, on  the  trail  of  a  gang  of 
rustlers.  He  finds  them  and  the 
manner  in  which  he  rounds  them  up 
is  a  distinct  novelty. 

Edmund  Cobb  is  very  much  at 
home  in  the  role  of  hero  in  this  two- 
reel  western. 


"The  Big  Hearted  Fish" 

Pathe  1  reel 

Paul  Terrys  latest  fable  is  way  up 
to  standard,  the  story  in  which  those 
funny  little  animals  figure  so  promi- 
nently being  of  a  most  diverting  na- 
ture. 

Eczema  Cat  implants  terror  in  the 
hearts  of  poor  Jerry  Squirrel  and 
Mr.  and  Mrs.  Blackbird,  besides  rob- 
bing them  of  their  valuables.  But 
that's  not  all.  It  behooves  the  vil- 
lainous Eczema  to  separate  the  in- 
separable lovers — "Hartsooth  Mouse" 
and  "Tweedle  Dee." 

However,  with  the  aid  of  "Big 
Hearted  Fish,"  who  rescues  Hart- 
sooth from  a  watery  grave,  the  latter 
frustrates  the  plans  of  the  big  brute 
Eczema,  who  had  evil  designs  on 
I)oor  little  Tweedle  Dee. 


"Modern  Centaurs" 

Educational  1     reel 

A  diverting  single  reeler,  exhibit- 
ing a  brand  of  cavalry  riding  that 
fairly  elicits  deep  admiration  and 
even  thrills.  You  are  treated  to  the 
spectacle  of  beautiful,  exquisitely 
groomed  horses  doing  the  bidding  of 
their  masters,  at  the  imminent  peril 
of  their  bones,  but  no  mishaps  re- 
sult. These  intelligent,  high-strung 
animals  take  five-foot  hedges  without 
so  much  as  a  hesitant  tremor,  they 
being  equally  adept  in  scaling  fences, 
bridging  wide  ditches  at  a  single  leap 
and  sliding  down  almost  vertical 
precipices  with  perfect  facility.  Not 
the  least  arresting  part  of  these 
manoeuvres  is  the  calm,  handsome 
postures  of  the  riders,  sometimes 
crouched  low  on  horses'  necks,  who 
veritably  characterize  the  title  of  the 
picture  by  the  ease  with  which  they 
effect  the  most  hazardous  riding 
stunts. 

Will  probably  prove  an  entertain- 
ing novelty  an3rwhere. 


BIG 

Moments 
IN  ANY  SHOW  A 

Red  Seal  Picture 


.v.y.c. 


"Dancing  Daddy" 

Educa'tional 

There's  plenty  of  action  inf 
with  Jack  Duffy's  characteriz 
the  old  hick  being  the  out 
highlight. 

To  prevent  his  nephew  fro 
ing    a   chorus    girl    into   the' 
Uncle  makes  his   appearance! 
scenes   and   proceeds    to   try 
the   girl    away    from    young 
offering  her  every  inducement^ 
take  a  turn,  though,  when  he 
he's    been   winning   over   the ; 
girl  who  insists  on  the  fulf 
his  promises.     Things  are  pr^ 
for  the  old  man  until  the  girl  1  '■; 
it's    a   joke    on   him,    she    b^f 
sister  of  the  nephew's  wife. 

There  you   have    the    situa—-, 
the  old  farmer  from  Hickvilljf^ 
throes  of  a  hectic  affair  with  ;_; 
ing  vamp  that   provides  laugl   I  1*^^. 
familiar     nature ;     they    are 
nevertheless.     The  sub  titles 
cidedly  anaemic. 

Vera  Steadman  is  attractiv^ 
vamping  gold-digger.  ^'' 


"Pathe  Review  No.  l! 

Pathe 

"The  Eye  of  the  Spanish 
subject  No.   1- — some  exceedii 
teresting   shots   of   Fort   Mari^ 
oldest  fort  in  the  New  WorU 
of  history  of  the  old  haven  forj 
Spanish     galleons     bearing    tr 
now    an     antiquity     of     the 
States,  is  revealed. 

"The   Sea-Gull   Na\y"  gives] 
insight  into  the  life  and  custoE 
huge  flock  of  sea-gulls  and  pr 
fascinating  subject.    The  law 
preservation     is     regarded     qi 
rigidly    among    the   parasites 
air,  their  scouts  keeping  carefti 
lance,  giving  the  signals  when 
lurks  nearby. 

"A    A'lansion   in    Morocco" 
ject    No.   3,   done   in    Pathecol^ 
showing  us  some  very  lovely  i 
of   the   beautiful  home  of  an 
cratic   Moroccan.     The   pride 
Moroccan — his    courtyard — is 
a  thing  of  beauty.     Some  shots' 
jealously-guarded      Moroccan 
and  the  pampered  youngsters 
better  class,   are   the    wind-up 
altogether  interesting  Review. 
*     *    * 

"Felix  the  Cat  Weal 
the  Weather" 

Educational 

Alaintains  the  high  standai  ^ 
entertainment  set  bj'  Pat  Sulli 
previous  efforts. 

Felix     (who    is    married,    b] 
wajO,  has  promised  his  familyj 
nic,  but  as  luck  would  have  il 
as   they  get   out   into   the   wide 
spaces,   dark  clouds  gather  ov^ 
and   the   rain,  thunder  and   Hi 
send   them    home   in    disappoii 
No  sooner  are  they  under  theii 
tering  roof,  the  sun  comes  out] 
its  glory.     A  repetition  of  this 
Felix     to     the    conclusion     th< 
weather    man    is    playing    a    }o\ 
him    and   vows   vengeance, 
sure  does  get  even  with  Mr.  Wj 
Man  when  he  gets  control  of  tl 
ments,   sending   him   out   to   se« 
lief   from  the  heat  in  the  old 
ming    hole    in    which    he    is 
w'-en  Jp.ck  Frost  appears. 


isiyt 

11,1 
Rtesc 
tccij 

to  4 
11 1'  ' 


11 

citi 
k 

m 
ill  I 
itsot 

Ufa 
BtioD 

Sin 

BIS  [ 

i  n 

H«il 

Start 
Bel 

Km 

mil 

filing 

IS 

to 

c4e' 
^itl 
|ak; 


L 


1026 


Page  11 


iiella— A  Segmented  Roof 


New  Principle  in  Roof  Construction 
Adaptable  to  All  Types 


J^ng  new  in  the  method  of 

sng   roofs   for   theatres,  ex- 

nliuildings,    homes,    churches, 

is'nade  its  appearance  in  this 

't   is  a   system   known   as 

i   Roof  Construction,   and 

irvey    of    its    merits    will 

at  the  present  time,  this 

of  will   recommend  itself 

ho  contemplate  the  estab- 

t    motion  picture  theatres 

s  outside  of  major  cities, 

restrictions  are  stringent. 

is    a    specially    designed 

inber,  a  standardized  unit 

;i  roofs,   just  as  brick  is 

d     for     brick     buildings. 

a|  are   joined   together  when 

Hid,    in    net-like    fashion,    to 

lear  span  or  large  space, 

ming  a   uniform   arch   or 

This    type    of    roof    is 

L,;  ior  almost  any  large   size 

gand  has    several  new   feat- 

[C  found   heretofore   in    roof 

ii  on    in    this    country,    which 

c  nmend  themsel\^s  to  build- 

•lella  principle  is  adaptable 

any  type  of  roof  covering 

I,  diether  it  be  tar-paper,  cop- 

r  ,   tin,  canvas  or   tiles.     By 

tests,  it  has  been  found 

loof  process  is   nearly  al- 

2/0   to  43%   cheaper  to   con- 

:  m  steel  roofs. 

!  oofs  withstand  the  heavi- 

ioads;   in  one   case,    snow 

.  nella  roof  was  measured  to 

!:id  the  roof  did  not  show 

t  sign  of  weakness.     The 

of  this  type  of  construc- 

^   itself  when  it  is  found 

events  the  collapsing  of  the 

jf,  in  the  event  that  one  or 

of    it   are    destroyed    by 

.  dent,  as  has   occurred  in 

iijtion  picture  theatres  with- 

ist  few  years.     In  addition, 

(jients    of   any   Lamella   roof 

lilled   with   gypsum  or   other 

^   material  giving  the  ef- 

Ui  lering. 

Started  in  1920 

imella  Roof  Syndicate,  Inc., 

York    City,    launched    this 

of  roof  construction  in  1920 

s    very   well    established    in 

I  (iiintries.     They   have  com- 

lil dings    in    this    country    in 

ce';   as   San  Diego   and  Los 

Calif.,    New    Orleans,    La., 

,  Mo.,  Chesterfield,  Mo.,  and 

3  other  places,  the  latest  of 

'as    the    Glacier    Palace    Ice 

Rink  at  Hollywood,  Calif. 

are  four  principal  types  of 

Roofs : 

e  Flat  Segmental  Arch  Roof, 
St  of  which  is  taken  up  by 
This  is  used  mostly  for 
factories,  car-barns,  hangars 
rious  kinds  of  industrial 
The  rise  of  the  arch  is 
le-sixth  of  its  span, 
e  Segmental  Arch  Roof,  the 
f  which  is  taken  up  by  but- 
concrete  piers  or  wooden 
his  is  especially  adapted^  for 
ses  and  exhibition  buildings. 
le  Gothic  Arch — especially 
for  churches,  residences, 
nd  such  warehouses  where 
ifc  stored  in  bulk,  such  as 
ite,  etc     Tbe   T  amrila  loaf 


construction  may  start  on  the  ground. 

4.  The  Broach  or  Circular  Roof, 
used  principally  for  exhibition  build- 
ings where  a  particular  architectural 
design  is  desired. 

A  brief  summation  of  the  merits 
of    this    roof    appears    as    follows : — 

1.  It  needs  considerably  less  ma- 
terial than  any  truss  construction 
with  joints. 

2.  It  can  be  erected  in  less  time, 
needs  no  cranes  but  only  light  scaf- 
lolHing. 

3  It  creates  the  possibility  to 
utilize   short-length  lumber. 

4.  It  consists  of  standardized 
units,  manufactured  at  the  mills  and 
shipped   ready   for  erection. 

5.  Thr  joints  of  the  Lamella  roof 
are  simple  and  adjust  themselves  to 
any  possible  shrinkage. 

6.  l^aniella  roof  is  a  safe  roof  be- 
ca'ise,  even  if  some  lamellas  are  de- 
stroyed, the  stresses  are  taken  up 
automatically  by  the  adjoining  lamel- 
las, and  the  destroyed  pieces  can  be 
repaired  like  a  hole  in  a  fishing  net. 

/.  For  that  reason,  the  Lamella 
roof  is  most  fire-proof ;  this,  too,  be- 
cause there  are  no  girders,  columns 
or  clher  cross  pieces  which  may 
spread  the  fire  from  the  merchandise 
to  the  roof.  It  has,  in  case  of  fire, 
advantages  even  in  comparison  with 
steel  trusses,  which  oftentimes 
buckle   or  collapse. 

8.  It  can  be  easily  dismantled  and 
shipped.  Low  freight  rates  due  to 
lc.'>s  ariO  especially  to  handy  material. 

9.  It  allows  a  maximum  utiliza- 
tion of  space  and  admits  good  dis- 
tribution of  light,  because  there  are 
no  disturbing  crossbeams,  etc. 

10.  If  sheathed  on  both  sides,  the 
Lamella  roof  provides  the  best  in- 
sulation against  heat  or  cold  due  to 
the  closed  air  spaces  between  the 
meshes  of  the  net  work. 

11.  And  finally,  the  Lamella  roof 
has  a  beautifui  architectural  appear- 
fmce. 

The  Lamella  Syndicate,  in  addition 
to  its  wooden  roof,  has  iDeen  experi- 
menling  along  lines  of  an  inexpensive 
sttel  ad.-ptation  of  the  same  princi- 
I  le  employed  in  the  wooden  roof, 
and  Jie  provisional  tests  and  inves- 
ligalions  for  this  <'vpe  shows  that 
the  Sieel  Lamella  Roof  will  have  a 
good  lutuic  develornv;;i;  This  type 
will  especially  appeal  lo  theatres 
within  the  centers  of   Isrge  cities. 


Typewritten  Slides 

Slides  showing  black  on  a  white 
ground  seldom  look  neat,  but  there 
is  at  least  one  exception.  Type- 
written slides,  wherein  the  letter- 
press is  set  upon  a  filmy,  trans- 
parent medium  and  bound  up  in 
the  usual  way  between  two  cover 
glasses,  are  the  neatest  form  of 
emergency  slides  than  can  be  de- 
vised. 

The  blank  spaces  provided  in  ad- 
vertising slides  for  the  insertion  of 
dates  of  other  matter  can  be  util- 
ized neatly  and  quickly  by  this 
means.  The  slide  is  first  separated, 
and  the  strip  of  transparent  med- 
ium bearing  the  announcement  in- 
serted in  position,  in  the  space  pro- 
vided, between  the  glasses;  after 
•which  the  slide  is  bound  up  airesh. 


View  of  the  Lamella  Patented  Roof  being  made  for  the  Glacier  Ice 
Palace   in   Hollywood.     Gives  a    Good    idea    of    its    construction. 


Putting  Over  the  Organ  Solo 


By   ALVIN    EVANS 

feature  Organist,  Middn;  West 
Circuit 

I  just  read  an  article  in  the  Ex- 
hibitors Review  by  a  man  who  is 
considered  the  best  organist  in 
America,  Henry  Murtaugh,  and  if 
theatre  managers  will  take  the  ad- 
vice he  gives  them  the  Organo- 
logue  will  be  more  successful. 

The  condition  of  your  organ  de- 
pends on  its  success — not  how  small 
— a  s  my 
Com  pany 
has  a  house 
that  can 
boast  only 
a  Ten 
T  h  o  usand 
Dollar  or- 
ga  n,  but 
this  instru- 
ment draws 
large  busi- 
n  e  s  s  be- 
cause it  is 
in  wonder-  .ttit.t  -w^tr^-^-,^ 
f  u  1  condi-  ALVIN  EVANS 
tion  at  all  times  and  is  installed 
properly.  I  make  six  houses  stay- 
ing two  weeks  at  each  one,  and  the 
Organologue  is  advertised  well  and 
the   public   likes   it   very   much. 

The  organist  can  get  all  the 
novelties  he  wants  without  any  ex- 
pense as  Irving  Berlin,  Inc.,  has 
some  wonderful  Community  sets 
that  go  big  with  the  audiences. 
They  will  send  you  song  reels  also. 
One  recently  released  is  "Don't 
Forget  to  Remember."  This  is  a 
wonderful  set  and  if  the  theatre 
can  stand  spending  some  money, 
special  sets  may  be  obtained  that 
are  very  good.  These  are  made  by 
M.  S.  Bush,  Buffalo.  They  are  very 
original. 

Putting  over  the  Organologue? 
Has  your  organist  done  anj'  sing- 
ing? Naturally  he  will  laugh  and 
say,  "I  can't  sing."  You  never 
know  what  you  can  tio  until  you 
try.  Only  a  few  months  ago  I 
was  in  one  of  Chicago's  leading  the- 
atres and  the  organist  sang  and 
went  big.  So,  I  said  if  he  can  get 
by  with  singing  with  a  voice  like 
that,  here  goes.     So,   I  tried  it  on 


the  matinee  show.  Gosh,  I  was 
nervous.  Only  do  a  chorus  of 
your  song  and  if  they  are  too  high 
for  you  when  you  get  to  the  high 
notes  play  lots  of  organ  to  cover 
up  the  voice.  I  did  these  things 
and  found  out  I  went  better  with 
singing  the  songs  and  still  do,  and 
naturally  my  voice  improves  as  I 
go  along. 

It  is  also  a  good  idea  when  play- 
ing your  slides  to  pick  your  words 
carefully  and  on  last  repeat  of  any- 
thing use  your  bells  on  solo  organ 
and  accompaniment.  Use  your 
chimes,  block  with  your  accom- 
paniment combination  in  an  after 
sound  and  do  not  change  your 
combinations  too  much  and  if  you 
can't  sing  at  all,  sing  to  yourself 
so  you  can  judge  the  words  better, 
that  is  picking  them  from  the 
slides. 

Your  appearance  is  most  essen- 
tial. Look  neat  and  take  a  bow. 
Turn  around  on  your  seat  and  al- 
most fall  off,  but  bow  gracefully 
and  smile  from  ear  to  ear.  A  man 
who  is  a  good  customer  of  a  thea- 
tre I  played  became  a  very  good 
friend  of  mine.  We  were  talking 
about  solos,  etc.,  and  he  said, 
"Evans,  the  one  thing  I  enjoy 
about  your  solo  is  the  way  you 
take  a  bow  and  smile.  You  do  it 
as  if  you  were  tickled  to  death  you 
received  a  good  hand."  And  he 
stated  he  had  heard  several  others 
say  the  same  thing.  Do  not  lay 
down  on  the  keys  as  this  looks 
sloppy  and  is  a  terrible  habit  of 
lots    of   organists. 

I  have  heard  some  good  organ- 
ists in  small  cities  lately  and  have 
asked  the  Manager  why  he  doesn't 
use  solos.  He  will  say.  "Oh,  I  get 
him  cheap,  etc."  And  they  have 
organs  that  they  have  actually  paid 
Twenty-two  Thousand  dollars  for 
and  the  theatre  seats  nine  hundred 
people.  What  an  opportunity  to 
make  some  money  for  the  house! 
But  the  Manager  is  asleep  and  con- 
tented or  is  actually  afraid  the  or- 
ganist will  become  popular  and 
these  small  town  managers  want 
all  the  "glory." 


Page  12 


Exhibitors  Daily  /{et)i« 


Good  Protection  Sense  Means 
Additional  Dollars 

By  P.  A.  McGUIRE 

Powers   Division,    International   Projection    Corp. 


"Mac  Observes"  in  the  March  30th 
issue  of  the  Exhibitors  Daily  Review 
that  there  will  be  plenty  of  competi- 
tion this  year  and  "that  the  exhibitor 
who  forgets  he  is  in  the  picture  busi- 
ness will  lose  money.  Good  pictures 
only  count.  The  public  won't  spend 
money  or  waste  time  on  poor  prod- 
uct." 

Although  he  merely  says  "good 
pictures,"  I  am  quite  sure  that  what 
he  really  means  is  "good  pictures 
properly  projected."  Over  and  over 
we  have  said  "Better  Projection 
Fays"  and  to  make  our  point  we 
have  told  our  story  in  a  variety  of 
ways.  But  "Mac"  does  it  so  beau- 
tifully for  us  in  this  issue  we  are 
going  to  quote  liberall}-  from  vvhai 
he  says. 

"There  will  be  more  'shopping' 
than  ever  before.  The  'shoppers'  all 
congregate  where  the  big  picture  is 
showing.  The  poor  picture  gets  the 
overflow.  But  no  money.  It's  a  sur- 
prising fact  that  there  are  thcjusandi 
of  people  who  don't  attend  a  picture 
show  a  year.  Millions  that  don't  go 
once  a  month.  Picture  audience  is 
comparatively  small.  Biggest  prob- 
lem this  year  is  to  enlarge  picture  au- 
dience. Convert  the  'once-a-month- 
ers'  into  'once-a-weekers.'  " 
Applies  to  Projection 

All  this  is  splendid  and  every  word 
of  it  applies  to  projection.  There  is 
a  tendency  on  the  part  of  exhibitors 
to  join  Chambers  of  Commerce, 
Boards  of  Trade,  and  in  other  ways 
show  that  they  look  upon  themseh-^s 
as  business-men  as  well  as  showmen. 
This  is  fine.  That  is  what  they  arc 
and  how  they  should  regard  them- 
selves. 

As  good  merchants  they  will  want 
to  get  the  best  "possible  merchandise 
and  deliver  it'  in  the  best  possible 
shape.  Projection  is  the  final  de- 
livery of  the  goods  to  the  patron. 
If  the  projection  is  defective,  every- 
thing that  the  producer,  actor,  direc- 
tor and  cinematographer  have  striven 
for  has  had  its  value  decreased. 

The  exhibitor,  however,  will  have 
no  difficulty  in  finding  out  what  is 
wrong.  Some  of  the  leading  ex- 
hibitors of  this  country  will  care- 
fully watch  the  picture  which  is  being 
shown  and  noting  some  defect  will 
practically  abandon  every  other  ac- 
tivity until  the  projection  is  im- 
proved. Jacob  Fabian  is  one  of  these 
men  and  on  a  number  of  occasions 
has  said  with  an  emphasis  that  left 
no  doubt  and  produced  the  right  kind 
of  results,  "I  want  good  projection. 
I  don't  care  v/hat  it  costs.  I  want 
good  projection,"  and  he  gets  it. 

Exhibitors  do  a  good  deal  of  wor- 


rying about  what  is  going  on  in 
Washington,  their  state  Capital,  Hol- 
lywood and  Wall  Street,  and  I  do  not 
doubt  that  at  times  they  are  justifieti 
n  giving  full  consideration  to  the 
matters  associated  with  these  places. 
Frequently,  however,  thcie  things  are 
utterly  beyond  the  control  of  the  ex- 
hibitor as  an  individual,  while  right 
in  his  own  theatre  and  own  town 
things  are  going  wrong  which  are  of 
immediate  and  vital   importance. 

There  is  nothing  connected  with 
the  motion  picture  theatre  which  is 
more  directly  under  his  control  than 
projection  and  yet  the  exhibitor  sel- 
dom gives  this  his  full  attention.  It 
has  been  fairly  well  shown  that  less 
than  fifty  cents  a  day  will  keep  pro- 
jection equipment  in  good  condition 
and  yet  many  exhibitors  refuse  to 
devote  this  trifling  sum  to  the  im- 
provement of  screen  presentation. 
For  the  price  of  a  couple  of  seats  an 
exhibitor  can  keep  his  patrons  satis- 
fied with  the  added  incentive  of  win- 
ning new  patronage  by  local  recog- 
nition of  his  efforts. 

Better  projection  depends  upon 
having  good  men,  good  working  con- 
ditions and  good  equipment  and  the 
exhibitor  who  is  willing  to  expend  a 
reasonable  amount  of  time  and 
money  to  secure  these  will  soon  prove 
to  his  complete  satisfaction  that  "Bet- 
ter  Projection   Pays." 


Projection  Alignment 


The  alignment  of  projection  appa- 
ratus is  of  vital  importance  to  good 
projection.  When  every  condition  is 
satisfied,  a  line  from  the  carbon 
points,  through  the  center  of  the  con- 
densers, gate  (mask)  and  lens,  if 
projected,  should  strike  the  exact 
center  of  the  screen.  Here  is  a  sug- 
gestion by  which  any  operator  may 
arrive  at  the  perfect  alignment  of  his 
apparatus. 

First  remove  condensers  and  lens 
(lea\ing  the  jacket),  close  the  gate, 
and  put  the  mask  in  the  center  posi- 
tion— presuming  the  projector  is  not 
a  fixed  optical  center.  Then  cut  a 
disc  of  cardboard  slightly  larger  than 
the  end  of  the  lens  jacket.  Bore  a 
small  hole  in  the  exact  center  and 
thread  through  a  piece  of  fine  string, 
making  a  knot  on  the  other  side. 
Thread  the  string  through  the  lens 
jacket,  mask  and  condenser  cases  to 
the  carbon  points.  It  will  be  immedi- 
ately noticeable  if  the  lamphouse 
wants  raising  or  lowering,  or  pro- 
jector head. 

The  string  must  be  kept  taut,  and 
the  carbons  closed. 


This  aisle  light, 
which  is  placed  on 
chairs  to  illuminate 
the  floors  and  thus 
guide  patrons  in 
stepping  through  the 
aisles  in  the  dark,  is 
an  excellent  safety 
appliance.  It  is  dis- 
tributed by  Exhibi- 
tors Supply  Co.,  of 
Chicago. 


This  excellent  orchestra  light  is 
proof  against  any  light  coming 
from  the  orchestra  pit  on  the 
screen.  The  illumination  is  solely 
confined  to  the  music  stand,  with 
no  chance  of  escaping  rays  seeping 
through  where  they  don't  belong. 
The  Liberty  Music  Stand  Co.,  of 
Cleveland,  handles  this  device. 

How  To  Locate 

a  Grounded  Coil 


Only  those  thoroughly  familiar 
with  electrical  apparatus  should  at- 
tempt to  undertake  the  difficult  feat 
of  locating  a  grounded  coil. 

The  armature  should  be  removed 
from  the  field  and  set  on  a  trestle, 
and  a  current  should  be  passed 
through  the  armature  from  any  one 
of  the  ommutator  segments  to  the 
shaft.  A  compass  should  be  held 
near  the  conductors,  and  the  needle 
will  be  deflected  in  a  certain  direc- 
tion, due  to  the  flow  of  current. 

If  the  armature  is  slowly  turned 
around,  till  such  time  as  the  com- 
pass needle  revprses  this  will  ind'- 
cate  the  proximity  of  the  grounded 
coil.  Low  insulation  resistance  be- 
tween the  core  and  the  armature 
winding  is  generally  caused  by  moist- 
ure, and  often  a  vapor  may  be  seen 
arising  from  the  armature. 

The  remedy  may  be  achieved  by 
baking  the  armature  in  an  oven  at  a 
temperature  of  200  degrees  l-'ab,- n 
heit,  or  by  running  the  machine  un- 
loaded for  a  few  hours  and  sending 
a  small  current  round  the  windings. 

Short  circuiting  of  coils  is  usuallv 
accompanied  by  heavy  sparking.  A 
smell  of  burning  may  be  caused  by 
copper  dust,  or  oil  on  bits  of  solder 
lodged  between  the  commutator  arms. 

Watch  Your  Step 

It  might  be  of  interest  to  many  ex- 
hibitors to  know  thflt  despite  the  fact 
ihat  you  issue  warnings  to  your  in- 
coming patrons  to  watch  their  steps 
as  they  walk  into  the  dark  theatre, 
should  an  accident  occur  because  of 
the  dark  or  badly  lighted  aisle,  the 
exhibitor  is  nevertheless  held  re- 
sponsible at  law. 


Marr-Colton  Radios 
Organ  Instruct! 


The  Marr-Colton  Organ 
has  an  arrangement  with  Stai 
WFBH  to  broadcast  a  program  i 
organ  recitals  and  edifying  talks  o 
the  use  of  the  organ  from  the  Wa 
ners  Theatre  Studio,  every  Fri4 
night  between  seven  and  eight  P. ; 

John  Hammond,  noted  organi 
plays  and  directs  these  progno 
which  includes  interesting  talks  of ! 
expository  nature  aimed  to  exphi 
the  functions  of  the  various  con 
ponent  parts  of  the  instrument.  U 
Hammond's  remarks  are  clothe 
human-interest,  thus  detracting  not 
whit  from  the  entertainment  favj 
ofthe  program,  and  at  the  same 
offering  shrewd  observations  on 
to  derive  the  broadest  possibilities  e 
utility  and  expression  that  the  orgi 
affords.    ' 


Overheating  Causes 
In  the  Armaturi 


The  most  common  causes  that  rt 
suit  in  over-heating  of  the  armatnt 
are  overload,  grounds,  eddy  curreii! 
in  the  conductors,  short  circuits  i 
the  coils,  sparking  at  the  cotpij 
tator,  heat  conducted  from  the 
ings  and  insulation.  If  the  exci 
heating  is  uniform  over  the 
armature,  the  machine  is  overli 

Should  one  or  two  of  the  cf'' 
be  overheated,  the  trouble  is  due 
a  short  circuit  in  the  winding,  li 
the  core  is  hotter  than  the  coils,  tb 
trouble  is  due  to  excessive  eddy  cu: 
rents  in  the  laminations,  caused  b 
the  core  rubbing  up  against  one  (: 
the  pole  faces,  or  it  may  be  cau<t! 
by  a  number  of  the  laminations  beiw 
short-circuited,  the  slots  having  bes; 
filed  too  much  when  the  core  TO 
built. 

Heating  due  to  eddy  currentii 
either  in  the  armature  core  or  in  tk 
conductors,  cannot  be  remedied  1' 
the  operator.  The  maker  of  the  mi- 
chine  should  be  notified.  Test  iti!' 
be  made  by  running  the  generator  o: 
open  circuit  and  the  rise  in  tempera' 
ture  noted. 

To  test  for  a  ground  in  the  wine 
ings,  first  disconnect  the  generatc- 
f  rom  the  circuit  and  then  run  it : 
normal  speed.  Using  an  ordinar 
test  lamp,  touch  the  opposite  brushf 
to  make  sure  you  have  thevoltap 
Then  connect  the  lamp  terminals  V 
tween  the  generator  frame  and  ih 
poles.  Should  there  be  a  ground  tl» 
test  lamp  will  either  glow  or  ligl' 
The  cause  of  the  ground  can  then  I" 
located  and  removed. 


1 


m 

{>■■■ 

Biit 
•8f! 

111. 

;;o 
imi 


Miller 
Bal 

m 

.N'tWK 

St., 
?,iwei 

A, 
Irecil 

E, 

N'. 

M 
jec 

'See 
kii 

m 
n 

See 
.tdi 


Clean  Lenses 


.ITI 

'"roll 
\'. 

Elect 
ff. 


Fniil 

Xi 

Ksil! 

.\Vi 

lit! 

m 

m 

■'^  Oi 

rhi 
on 
i?e 

m 

"te 

m 

Pi 

'See 
Pf( 


Every  day  take  a  soft  rag  and  clei' 
your  projection   lenses   and   the  CDi 
(lensers.     By  keeping  the  condenSer 
"lean   you   secure   a   better   light  an 
by  keeping  the  projection   lens  cle: 
you    will    secure    more    light    and 
sharper  picture  on  your  screen.  Cl^: 
your      condensers      and      projectiii 
lenses  every  day  before  starting  yoo 
show  and  you  will  note  that  you  »| 
get  much  better  results.    It  only  tak<| 
a   few   minutes.     B^   sure   and  nev'^ 
touch  the  surface  of  your  lenses  w"' 
your  hands.     Take  the  entire  projei 
tion  lens  apart  once  a  month.  Rejfl 
any  lens  that  has  any  discolor.  Wh? 
ever  you  do  never  get  any  oil  on  V 
lenses  or  the  condensers: 


4 


THEATRE  EQUIPMENT  DIRECTORY 


ACCESSORY  RETAILERS 

I  See    Equipment    Supply    Deal- 
ers  and    Distributors) 

ADAPTERS,  Carbon 

Best  Devices,  Cleveland,  Onio. 
"Best." 

Exiiibitors  Supply  Co.,  Chicago, 
111. 

Franklin  Electric  Products  Co., 
750  Prospect  Ave.,  S.  E.  Cleve- 
land,  Ohio. 

Fulton,  E.  E.,  3206  Carrol  Ave., 
Chicago,  111.  "  Regular,"  "Su- 
per." 

Miller.  R.  C,  2337  Grant  St., 
Berkeley,  Cal. 

ADAPTERS,  Lens 

Newton,    Chas.    I.,    331    W.    18th 

St.,  New  York  City,  N.  Y. 
Powers    Co.,    Nicholas,    90    Gold 

St.,  New  York  City,  N.  Y. 
Precision  Machine   Co.,   Inc.,   319 

E.    34th    St.,    New    York    City, 

N.    Y. 

ADAPTERS,  Mazda  Pro- 
jection 

fSee  Incandescent  Projection 
Adapters.) 

ADVERTISING  NOVEL- 
TIES 

(See  Novelties,  Exploitation  & 
Advertising.) 

ADVERTISING  PROJEC- 
TORS 

(See    Projectors,   Advertising) 

AISLELITES,  Theatre 

Brookins   Co.,    The,    1741    Euclid 

Ave.,    Cleveland,   O. 
(L'rouse-Hinds        Co.,       Syracuse, 

N.   Y. 
Electrical    Products    Corp.,    1122 

W.  16th  St.,  Los  Angeles. 
Exhibitors   Supply  Co.,  Chicago, 

111. 
Frink,  Inc.,  I.  P.,  24th  St.  &  10th 

Ave.,  N.   Y.   City,  N.  Y. 
Kausalite    Mfg   Co.,    6134    Evans 

Ave.,    Chicago,    111.,    "Kaus-a- 

lite." 

ARC  FEEDS,  Automatic 

See  Controls,   Arc) 

ARCHITECTS,  Theatre 

A  Complete  list  of  theater  ar- 
chitects will  be  furnished  up- 
on request  to  Theater  Man- 
agement. 

ARC  LAMPS 

(See  Lamps,  Arc.) 

ARC  LAMPS,  Reflecting 
Projector 

Reflecting,     Arc, 


WE'RE  GLAD  TO  BE  OF  SERVICE 

The  word  Service  is  a  very  much  used,  and  often 
"abused"  term.  But  in  putting  it  up  to  you,  the 
Editors  of  the  Equipment  Department  will  let  you 
define  Service  in  terms  to  suit  yourself.  In  other 
words,  what  are  your  equipment  problems?  See 
if  we  can't  assist  you  in  some  way  to  a  solution 
of  them. 

In  the  meantime,  here  is  a  carefully  compiled 
directory,  aimed  to  give  you  a  comprehensive 
guide  in  doing  your  buying. 

Correct  shopping  is  a  stepping  stone  to  correct 
theatre  operation.  It  will  pay  you  well  to  keep 
this  directory  section  as  a  reference  document. 


(See     Lamps, 
Projector.) 


ARCS,  High  Intensity  Pro- 
jection 

(See  Also  Lamps,  Arc.) 

General  Electric  Co.,  Schenec- 
tady,   N.    Y.      "G-E." 

Power  Company,  Nicholas,  90 
Gold  St.,  New  York  City,  N. 
Y. 

Precision  Machine  Co.,  319  E. 
34th  St.,  New  York  City,  N.  Y. 

Westinghouse  Electric  &  Mfg. 
Co.,   East  Pittsburgh,   Pa. 

ARTIFICIAL  FLOWERS 

(See    Flowers,    Artificial.) 

ART  TITLES 

(See   Titles,   Film.) 

AUTOMATIC  CURTAIN 
CONTROLS 

(See  Curtain  Operators,  Elec- 
tric.) 

AUTOMATIC  NON-RE- 
WINDS 

Feaster  Mfg.  Co.,  90  Gold  St.,  N. 
Y.    City,    N.    Y. 

BALLYHOO  STUNTS,  Ex- 
ploitation 

(See  Novelties,  Exploitation  and 
Advertising  also   Exploitation 
Stunts,    Moving) 


BANDS,  Reel 

Ba^":jains        Pubg.      Co.,      Essex, 

Mass. 
Greene,  P.  A.,  52  Rumford  Ave., 

Waltham,  Mass. 
Tension    Envelope    Co.,    87    34th 

St.,   Bush  Terminal,  Brooklyn, 

N.   Y. 

BOOKS,  Theatre  Law 

Bpker-  Voorhees,  45  John  St.,  N. 
Y.   City  N.  Y. 

BOOTH  HEATERS,  Ticket 

(See   Heaters.   Ticket   Booth) 

BOOTHS,  Ticket 

Decorators  Supply  Co.,  2547 
Archer  Ave.,   Chicago,  111. 

Flour  City  Orn.  Iron  Co.,  Min- 
neapolis, Minn. 

Friedman,  1.  M.,  219  W.  Lake, 
Chicago,  111. 

Libman  -  Spanger  Co.,  1600 
Bway.,   N.    Y.    City,    N.    Y. 

Markendorff,  S.,  159  W.  234  St., 
N.   Y.   City,   N.    Y. 

Menger,  Ring  &  Weinstein,  306 
W.  42nd  St.,  N.  Y.  City,  N.   Y. 

Stanley  Frame  Co.,  727  7th 
Ave.,   N.   Y.   City,   N.   Y. 


BOXES,  Ticket 


Arcus  Ticket  Co.,  352  N.  Ash- 
land Ave.,  Chicago,  111. 

Caille  Bros.  Co.,  Detroit,  Mich. 
"Caille." 


Stanley  Frame  Co.,  727  7th  Ave., 

N.  Y.  City,  N.  Y. 
World    Ticket    Co.,    1600    Bway., 

N.   Y.   City,  N.   Y. 

CAMERAMEN'S 
SCHOOLS 

New  York  Institute  of  Photog- 
raphy, 141  W.  36th  St.,  N.  Y. 
City,  N.  Y.,  also  Chicago,  111., 
and    Brooklyn,   N.    Y. 

CAMERAMEN'S  TEXT 
BOOKS 

Falk  Publishing  Co.,  145  W. 
36th   St.,  N.   Y.   City,   N.   Y. 

CAMERAS,  Motion  Picture 
and  Camera  Supplies 

(Professional,     News,     Tropical, 

Amateur) 
Ansco  Doremus  &  Co.,  44  Broad 

St.,   N.   Y.   City,   N.    Y. 
Bass   Camera  Co.,    109    N.   Dear- 
born  St.,  Chicago,   111. 
Bell  &   Howell  Co.,    1803  Larch- 

mont    Ave.,    Chicago,    111.    "B, 

&  H," 
Duplex    Motion    Picture    Indus- 
tries, Long  Island  City,  N.   Y. 
Eastman  Kodak  Co.,  Rochester, 

N.   Y. 
Fitzsimons,    R.    J.,    75    5th   Ave., 

N.    Y.   City,    N.    Y. 
Goerz  American  Optical  Co.,  317 

E.   34th   St.,   N.    Y.   City,   N.   Y. 
Herbert  &  Huesgen,  IS  E.   42nd 

St.,     New     York     City,     N.     Y. 

"Sept."        "Krupp-Ernemann." 
Motion    Picture    Apparatus    i.'o., 

110    W.    32nd    St.,    N.     V.    City, 

N.    Y.     "De   Brie." 
Universal    Camera    Co.,    361    W. 

Ontario   St.,   Chicago,   111. 

CAMERAS,  Studio,  Still 

Bass  Camera  Co.,  109  N.  Dear- 
born St.,  Chicago,   111. 

Eastman  Kodak  Co.,  Roch«ster, 
N.   Y. 

CAMERAS,  Ukra  Speed 

Bell  &  How  Oil  Co.,  1801  Larch- 
mont   Ave.,   Chicago,    ru. 

CANS,  Film 

(See  Tins,   f.lm) 

CAPS,  Color  and  Shade 

Betts  &  Betts  Corp.,  151  W.  42nd 

St.,  N.  Y.  City,  N.   Y. 
Federal    Sign    System    Co.,     6.0 

W.   Lake  St.,  Chicago,  111. 
Reynolds    Electric     Co..     455     S. 

Talman  Are.,  Chicago,  111. 

CARBON  SAVERS 

Best  Devices  Co..  1541  Prospect 
Ave.,   Clevsland,  O. 


All  Kinds 


Why  Our  Palms  Look  Alive 

The  explanation  is  short  and  simple. 
They  are  made  of  real  palm  leaves — selected  leaves 
which  have  been  carefully  dried,  bleached  and  re- 
colored  a  natural  green. 

Live  palms  and  Netschert  natural  prepared  palms 
look  alike.  But  live  palms  cost  three  times  as  much 
and  are  short-lived,  even  if  regularly  attended. 

Have  your  name  booked  now  for 
a  copy  of  our  new  Spring  Cata- 
logue No.  14,  to  be  issued  about 
January  first. 

Frank  netschert,  Inc. 

61  BARCLAY  STREET  NEW  YORK 


All  Sizes 


Page  14 


CARBONS,  Arc  Lamp 

Arco    Electric    Co.,     110-114    "W. 

42d  St.,  N.  Y.  City,  N.  Y.  "Bio." 
Felder    Sales    Co.,    M.    G.,    1540 

Bway.,  N.  Y.  City,  N.  Y. 
M.    &   W    EIcc.    Co.,    b3   Welver- 

ham   Rd..   Springfield,   Mass. 
National    Carbon    Co.,     Madison 

Ave.,    N.   W.,    .fe    W.    117U1    St., 

Cleveland,  O.    •National,"  "bil- 

vertip,"    "Columbi.a." 
Xiiellis,   Cha.>^.   W.,    150    W.    42nd 

i<t.,   N.    Y.   City,   N.    Y. 
Reisinger,   Hugh,  11  Broadway, 

N.  Y.  City,  N.  Y. 
Silvertip — ^See    National    Carbon 

Co. 

CARPET  LINING 

Clinton  Carpet  Co.,  122  S.  Michi- 
gan Ave.,  Chicago,  til. 

CARPETS  AND  RUGS 

(See    Floor    Coverings) 

CARTOONS,  Film 

Lochren  Film  &   Slide  Co.,   Wm. 

A.,   406   Film    Exchange   Bldg., 

Minneapolis,  Minn. 
White    Studios,     Eddie,     1<50    W. 

45th  St.,  N.   Y.  City,  N.   Y. 

CASES,  Reel  Carrying 

American  Can  Co.,  N.  Y.  City 
N.   Y. 

American  Film  Sale  Co.,  1800 
Washington  Blvd.,  Baltimore, 
Md. 

Ball,  Wm.  Co.,  235  W.  39th  St., 
N.    Y.   City,   N.    Y. 

Duplex  Motion  Picture  Indus- 
tries, Long  Island  City,  N.   Y. 

Fulton  Co.,  E.  E.,  3208  Carrol 
Ave.,   Chicago,   111. 

Globe  Machine  and  Stamping 
Co.,  1250  W.  76th  St.,  Cleve- 
land, O. 

Russakov  Can  Co.,  936  W.  Chi- 
cago Ave.,   Chicago,    111. 

Sharlov(r  Bros.  Co.,  442  W.  42nd 
St.,    N.   Y.    City,   N.   Y. 

Stern  Metal  Works,  1006  Vine 
St.,    Philadelphia,   Pa. 


CEMENT,  Film 

Bell  &  Howell  Co.,  1801  Larch- 
n^oiit   Ave.,   Chicago,   111. 

Duplex  M.  P.  Industries,  Inc., 
Sherman  St.  &  Harris  Ave., 
Long   Island   City,   N.    Y. 

Eastman  Kodak  Co.  Rochester, 
N.    Y. 

Exhibitors  Supply  Co.,  Chicago. 
111. 

Fulton  Co.,  E.  E.,  3208  Carroll 
Ave.,  Chicago,  111.  "Fulco." 

New,  O.  F.,  249  W.  47th  St.,  N. 
Y.   City,   N.   Y. 

Weldon  Film  Cement  Co.,  Pro- 
duce Exch.,  Minneapolis,  Minn. 


CHAIR  COVERS,  Theatre 

Textile  Specialties  Co.,  Pioneer 
and  Broadway,   Cincinnati,   O. 

CHAIRS,  Theatre 

American  Seating  Co.,  8  E. 
Jackson     Blvd.,     Chicago,     111. 

Andrews  &  Co.,  A.  H.,  107  So. 
Wabash  Ave.,  Chicago  111. 

Arlington  Seating  Co.,  Arling- 
ton Heights,  111. 

Heywood-Wakefield  Co.,  415  S. 
Michigan  Ave.,  Chicago  111. 
and  209  Washington  St.,  Bos- 
ton,  Mass. 

Stafford  Mfg.  Co.,  E.  H.,  367  W. 
Adams   St.,    Chicago,    III. 

Steel  Furniture  Co.,  1479  Bu- 
chanan Ave.,  S.  W.,  Grand 
Rapids,  Mich. 

Stone,  L.  E.  &  E.  C,  10  S.  18th 
St.,  Philadelphia,  Pa. 

CHANGE  MAKERS 

(See  Machines,  Change  Making) 

CHOPPERS,  Ticket 

Caille   Bros.,    Detroit,   Mich 
Electric    Products    Co.,    1122    W. 

16th  St.,  Los  Angeles.  "Epco. 
Projection     Apparatus     Co.,     41 

Lafayette    St.,    N.    Y.    City,    N. 

Y.    "Acmec." 


Play    It    Safe 

Protect  Your  Theatre  Against  Loss 
An     ACME     Battery     Charger 


Protect      yourself 
against  emergency. 


on  the  job  elimi- 
nates all  possibility 
of  a  dark  house. 
It  guarantees  you 
light  in  your  house 
at  all  times. 
Starts  automatical- 
ly  whenever 
needed. 

Easy  to  Install 

Simple  to  Operate 

100%  Efficient — all  the 

time 

Best  by  Test  and 

Biggest  Value 

Mail  in  the  coupon 
for  full  information 
now. 


This  coupon  tvill  bring  you  complete  informa- 
tion and  entitle  you  to  a  special  5%  cash 
discount  on  any  Acme  Charger. 


THE  ACME  ELECTRIC  AND  MANUFACTURING 

COMPANY 
1449  Hamilton  Avenue  Cleveland,  Ohio 

Send  me  without  obligation  full  information  on  your  $50 
Acme    Chargers. 

It  is  understood  that  I  will  have  the  privilege  of  a  5% 
cash  discoimt  if  desired. 

Name    Address   

Individual    Town    


Spratler,  Jos..  12  E.  8th  St.,  Chi- 
cago,   111. 

CLASPS,  Film 

Film  Clasp  Co.,  810  Tacoma 
Bldg.,  Chicago,   111. 

CLEANERS,  Film 

Duplex    M.    P.    Industries,    Long 

Island  City,  N.  Y. 
Bennet      Film      Renovator     Co., 

Kansas  City,  Kan.     "Bennett." 

CLIPS,  Film 

Eisenhower,  Elmer  C,  223  W. 
Center    St.,     Shenandoah,     Pa. 

CLIP  SHEETS 

Times   Square  Printing   Co.,   :;lj0 

West  54th  St.,  New  York  City, 

N.   Y. 
Beacon     Press,     Inc.,     318    West 

39th    St.,    New    York    City.    N. 

Y. 

COLOR  FILMS,  Natural 

Kalmico  Comstock  &  Wescott, 
110  Broolcline  Ave.,  Boston, 
Mass. 

Prizma,  Inc.,  220  W.  42nd  St., 
New    York.   N.    Y. 

COLORED  LAMPS,  Etched 

Westinghouse    Electric    &    Mfg. 

Co.,    East    Pittsburgh    Pa. 
Edison   Lamp   Works,   Harrison, 

New    Jersey. 
National     Lamp     Works,      Nela 

Park,   Cleveland,   Ohio. 


Exhibitors  Daily  Reviett  jto' 

COLORING,  Incandescent 
Lamp 

Austin   Chemical   Co.,    1692  Bos-. 

ton    Road,    New    York,    N.    Y.- 
Eachmeir  &  Co.,  438  W.  37th  St^. 

New   York,   N.   Y.  : 

Bausch  &  Lomb  Optical  Co.,  St.' 

Paul  &  Smith  Sts.,  Rochester, 

N.  Y. 
Crown  Coloring  &  Chemical  Co.,,- 

327       Columbus      Ave.,       Newl 

York,   N.   Y.  ' 

Franche    &    Co.,    C.    E.,    440   Or-( 

leans  St.,  Chicago,  111.  \ 

Pyramid    Color    Co.,    326    CanaU 

St.,   New   York,   N.   Y.  i 

Signaloid— See    Universal    Ele<M 

trie    Stage    Lighting    Co.  i 

Technical      Color     &     Chemical* 

Works,    382    Hudson    St.,    N«w* 

York,  N.  Y.  "Red  Devil." 
Universal  Electric  Stage  Light-  • 

ing  Co.    321  W.   50th  St.,  Ne-sr 

York,  N.  Y. 
Waldman,  J.  J.,   136  Liberty  St., 

New  York,    N.   Y. 

COLOR  WHEELS 

(See    Frames,    Color) 

COMPENSATORS,  Current 

(See       Transfers,       Alternating, 
Current) 

CONDENSERS,   Projector 

(See     Lenses,     Condensing) 

CONTROLS,  Arc 

Chicago  Electric  Sign  Co.,  Chi- 
cago,   111. 

Fulton,  E.  E.,  3208  Carroll  Ave., 
Chicago,  111.  "Fulco  Speed- 
co." 

Hub  Elec.  Co.,  2219  W.  Grand 
St.,    Chicago,    111. 


It  Doesn't  Pay! 

THE  profits  derived  from  operating  a  motion 
picture  theatre  are  dependent  on  the  same 
business  principles  that  obtain  in  other 
commercial  enterprises.  The  business  man  in 
every  line  has  the  idea  of  Economy  ever  before 
him  as  the  beacon  light  to  the  success  of  his 
business. 


And  quite  right  too,  for  proper  economy  is 
as  essential  to  profitable  business  as  milk  to  a 
baby.  Nevertheless,  the  knowing  mother  doesn't 
try  to  glut  her  child  with  milk.  She  knows  the 
danger  of  over-feeding. 

By  the  same  token,  the  house  manager  who 
impedes  the  operation  of  his  theatre  with  false 
ideas  of  Economy  is  headed  for  the  dangerous 
shoals  of  business  failure.  It  is  one  thing  to 
save  on  seats,  for  example,  and  another  to 
wrack  the  customers'  bones  in  the  so-doing. 

It  is  one  thing,  again,  to  continue  with  defec- 
tive lighting  and  another  to  send  your  patrons 
to  your  competitor.  It  is  one  thing  to  create 
Saisfaction  and  another  to  destroy  it. 

It  is  one  thing  to  keep  putting  off  the  re- 
placement of  your  worn-out  projector,  and  an- 
other to  put  your  customers'  nerves  on  edge. 
Many  other  instances  of  this  analogy  may  be 
recorded.  But,  when  seen  in  the  fine  light  of 
good  business  judgment,  Economy  based  on  a 
lingering  postponement  of  inevitable  purchases, 
simmers  down  to  this  simple  conclusion:  IT 
DOESN'T   PAY!      Then   Economy  is  expensive. 


^ril  3,  1926 


Page  15 


Whatll iheybe  saying- 
aboatl/ou  OTdays/^Nov 


OOMETHING  to  worry  about— 
^^  hot  theatres  lose  friends  rapidly 
in  blistering  summer  weather.  The 
insidious  whisper  goes  around: 

''Keep  out  of  the  Smith  Movie  The- 
atre— it's  an  oven,  my  dear."     Or: 

''Doris  says  they  roast  you  alive  at 
the  Plazazza — let's  go  for  a  ride,  in- 
stead."   Or: 

"It's  too  hot  to  go  to  the  Reels  The- 
atre— I'd  rather  die  of  heat  outside." 

If  they  say  that  about  your  theatre  90 
days  from  now  your  summer  profits  are 
as  good  as  shot. 

Arctic  Nu-Air  Cooling  and  Ventilating 


This 

you  ou, 


System  will  make  them  say,  "No  ride  to- 
night, Jim.  Too  hot.  We'll  go  down  to 
the  Smith  Movie  and  be  cool."  Or,  "Why 
spend  the  afternoon  in  a  scorching  house 
when  it's  as  cool  as  a  sea  breeze  at  the 
Plazazza?"  Or,  "The  Reels  Theatre  is  the 
coolest  place  I  know.  No  more  hot  weather 
suffering  for  me." 

Arctic  Nu-Air  is  building  hot  weather 
reputations  for  over  600  theatres.  It  will 
do  the  same  for  you  or  no  pay. 

Easy  terms  make  this  moderately  priced 
system  a  pay-as-you-profit  proposition. 
The  big  book  tells  the  story — pictures  and 
reproductions  of  exhibitors'  letters. 

Blow  2c  on  the  coupon  and  we'll  show 
you  how  to  blow  $$  hundreds  of  $$  into 
your  theatre. 


CLIP  AND  MAIL 


Arctic   Nu-Air  Corporation,  Dept.  3 
818  State  Lake  Building, 
Chicago,  Illinois. 
Gentlemen: 
Tell  me   how   to   make   them    say   that   my  Theatre 

(seating  _._ )  is  the  "Coolest  Place  in  Town." 

Also  explain  your  down  payment  plan  and  easy  terms. 


House 
Dimensions: 

Length -    . 

Width     ...- - 

Height    

Balcony? 

Yes  n  No  n 


Name 


Theatre 


Address 


City 


-State . 


•^ 


Page  16 


Exhibitors  Daily  Revi  w' 


Send  for 
J.RX:lANCY,: 


Catalogue 
Syracuse  NY. 


McAuley,   J.   E.,  Ufg.  Co.,   32   N. 

Jefferson      St.,      Chicago,      111. 

"Peerless." 
National  Electric  Controller  Co., 

154   Whiting-  St.,   Chicago,   111. 
Projectosraph  Co.,   2573   E.   35th 

St.,   Cleveland,   Ohio.    "Teco." 

COVERS,  Program 

Erie    Lithographing    Co.,    8th    & 

Perry  Sts.,  Erie,   Pa. 
Henegan     &     Co.,     311     Genesee 

St.,  Cincinnati,  O. 
Kleine     Poster    Co.,     1423     Vine 

St.,   Philadelphia,   Pa. 
Utley  Co.,  Holyoke,  Mass. 
"Water    Color    Co.,     450     Fourth 

Ave.,  N.   Y.  City,  N.   T. 

CUE  SHEETS,  Thematic 

Cameo  Music  Publishing  Co., 
112  West  44th  St.,  N.  Y.  City, 
N.   Y. 

Music  Buyers  Corp.,  1520  Broad- 
way, N.   Y.  City  N.  Y. 

CURTAINS,  Fireproof 

(See  Also   Scenery) 

Novelty    Scenic    Studio,    220    W. 

46th   St.,    N.    Y.   City,   N.   Y. 
Rothe  &  Trichner,  Irving  Place, 

Theater,    N.   Y.   City,   N.   Y. 
Beck    &    Co.,    Wm.,    Dorchester 

Ave.,    Cincinnati,    O. 
Brunton    Studio,    John,    226    W. 

41st   St..    N.    Y.    City.   N.   Y. 


Gerhardt,  H.  L.,  433  W.  42d  St., 
N.   Y.  City,  N.  Y. 

Haller    &    Haller,    Columbus,    O. 

Henderson-Ames  Co.,  Kalama- 
zoo, Mich. 

Humphreys  Co.,  D.  C.  909  Fil- 
bert St.,  Philadelphia,  Pa. 

Johns-Manville  Co.,  H.  W., 
Madison  Ave.  &  41st  St.,  N. 
Y.   City,  N.  Y.    "J.   M." 

Joy  &  Cannon  Scenic  Co.,  378 
Wabash  St.,  St.  Paul,  Minn. 

Keasbey  &  Mattison  Co.,  Amber, 
Pa. 

Kuhn  Studio,  Louis,  105  W.  63rd 
St.,   N.    Y.    City   N.   Y. 

Lash  Studios,  Lee,  Longacre 
Bldg.,   N.   Y.    City,   N.   Y. 

Manville,  John  Madison  Ave.,  & 

41st  St.,   N.   Y.   City,   N.   Y. 

McVickers,  Fireproof  Curtain 
Co.,  2437  Sheffield  St.,  Chi- 
cago,  111. 

Sheck  &  Co.,  O.,  Metropolitan 
Theater,   Cleveland,    O. 

Story  Scenic  Co.,  O.  L.,  21  Tufts 
St.,  Somerville  Sta.,  Boston, 
Mass. 

CURTAIN  MACHINES 

(See  Curtain  Operators,  Elec- 
tric). 

CURTAIN  OPERATORS, 
Electric 

Automatic  Devices  Co.,  Allen- 
town,   Pa.,   "A.   D.   C." 

Chicago  Electric  Sign  Co.,  2219 
W.  Grand  Ave.,  Chicago,  111. 
"Cgsco." 

Gillmore',  Millard,  429  S.  Taylor 
Ave.,   Oak  Park,    111. 

Richards-Wilcox  Mfg.  Co.,  Au- 
rora,  111. 

Vallen  Co.,  E.  J.,  85  S.  Canal 
St.,   Akron,    Ohio. 

Welsh,  H.  J.,  270  W.  44th  St., 
N.   Y.    City,   N.   Y. 

CURTAINS,  Steel 

Channon,  James  H.  Mfg.  Co., 
227    W.   Erie   St.,   Chicago,    111. 

Welsh.  J.  H.,  270  W.  44th  St., 
N.   Y.   City,   N.   Y. 

DATE  STRIPS 

Hennegan  Co.,  The,  311-321 
Genesee.  Cincinnati.  Ohio. 


You 


put  65  muscles  of  your 
face  to  work  when  you 
frown  —  whereas  it 
takes  only  thirteen  to 

Smile 

Why  work  overtime? 
We'll  save  you  the 
need  of  worry  and  ex- 
pense of  excess  energy. 


How? 


Why,  by  cheerfully  extending  a  free  ad- 
visory service  on  all  matters  pertaining 
to  equipment;  by  promptly  sending  cat- 
alogs and  descriptive  literature  covering 
any  make  or  variety  of  theatre  accessory. 
Simply  write  to  the  Equipment  Manager 
of 

Exhibitors  DAILY  REVIEW 


DEALERS,  Supply 

(See  Equipment  Supply  Dealers 
and  Distributors  at  rear  of 
section.) 

DECORATIONS,  Theatre 

(See  Flowers,  Artificial  and 
Decorators,  Theater  Interior.) 

DECORATORS,  Theatre 
Interior 

Art  Decorating  Co.,  1112  Chest- 
nut  St.,    Philadelphia,   Pa. 
Baumbarten  &   Co.,   238   E.    34th 

St.,  N.  Y.  City. 
Bazelle   &    Partridge,    33   E.    6th 

St.,   St.   Paul,    Minn. 
Beaumont    Velvet    Scenic    Stud- 
ios,  225   W.    47th   St.,   N.    Y.   C. 
Beck    &    Co.,    Wm.,    Dorchester 

Ave.,    Cincinatti,   O. 
Brand    &    Co.,    Gustave    A.,    1428 

Michigan  Ave.,   Chicago,   111. 
Brunton    Studios,    John,    226    W. 

41st  Sf.,  N.  Y.  City,  N.  Y. 
Carson   Scenic   Studio,   Robt.    P., 

1507    Clark    St.,    Chicago,    111. 
Decorators      Supply      Co.,      2547 

Arche   Ave.,    Chicago,    111. 
Dewar  &  Clinton,  435  Penn  Ave., 

Pittsburgh,   Pa. 
Dickie,    Robt.,    247    W.    46th    St., 

N.   Y.   City,   N.   Y. 
Duchemin,    Geo.    W.,    37    Wain- 

wright   St.,    Newark,    N.    J. 
Gen   Flower   &    Decorating    Co., 

228    W.    49th    St.,    N.    Y.    City, 

N.   Y. 
Gibelli     &    Co.,     1322    Vine     St., 

Phila.,   Pa. 
Harmer    Studios,     Inc.,     201    W. 

49th  St.,  N.  Y.  City,  N.  Y. 
King    Studios,    2215    Van    Buren 

St.,  Chicago,  111. 
Kahn,     Theodore,    155    W.     29th 

St.,   N.   Y.   City,   N.   Y. 
Kuhn     Studios,     Louis,     105     W. 

63d  St.,  N.  Y.  City,  N.   Y. 
Kasson,     Irving,     463     Boylston 

St.,   Boston,   Mass. 
Nelson     Co.,     614     S.     Michigan 

Ave.,   Chicago,   111. 
Novelty   Scenic  Studios,    220   W. 

46th   St.,  N.  Y.  City,  N.  Y. 
Rambusch  Decorating  Co.,  2  W. 

45th  St.,   N.   Y.   City,  N.  Y. 
Reliable    Decorating   Co.,    17    N. 

Kent  St.,  Phila.,  Pa. 
Service     Studios    Inc.,     2819    W. 

Van  Buren  St.,  Chicago,  111. 
Roth  and  Tischner,  222  W.  46th 

St.,  N.  Y.  City,  N.  Y. 
Service    Studios,    Inc.,    2819    W. 

Van    Buren   St.,   Chicago,    111. 
Silsby,    I.    E.,     110    N.     50th    St., 

Omaha,    Neb. 
Stulen    &    Sons,    J.,    101    Market 

St.,    Pittsburgh,    Pa. 
Harmer   Studios,   Louis,    105    W. 

63   St.,   N.   Y.   C. 


Cutler-Hammer    Mfg.    Co.,    Mil- 
waukee   Wis.    "C-H." 
Display      Stage      Lighting     Co., 

Inc.,    314    W.    44th    St.,    N.    Y. 

City. 
Major  Equipment  Co.,  2518  Cul- 

lom  Ave.,  Chicago,  111. 
Newton,    Chas.    L,    331    W.    18th 

St.,    New    York    City. 
Ward)  Leonard  Electric  Co.,  .vit. 

Vernon,  N.    Y.    "Vitrohm.  ' 
Wheeler-  Green  Electric  Co.,  29- 

39     St.     Paul     St.,     Rochester, 

N.   Y. 

DIMMERS,  Portable 

Cutler-Hammer  Mfg.  Co.,  Mil- 
waukee, Wis.     "C-H.  ' 

Universal  Eioctric  Stage  Light- 
ing  Co.,    N.    Y.    City. 

Wlieelr-Greeti  Electric  Co.,  23- 
39  St.  Paul  St.,  Rochester, 
N.   Y. 

DISPLAYS,  Lobby 

(See    Lobby    Displays) 

DISSOLVERS 

Brenkert  Light  Projection  <jo., 
Detroit,    Mich. 

DROPS,  Velvet  Stage 

Beaumont  Velvet  Scenery  Stu- 
dios, J.  H.,  245  W.  46the  St., 
N.    Y.   City. 

Beck  &  Co.,  Wm.,  D.irchestcr 
Ave.,    Cincinnati,     O 

Carson,  Robt.  P.,  150V  Clark  St., 
Chicago,    Til. 

Cleveland  Decorative  Works, 
1120  Prospect  Ave.,  Cleveland, 
O. 

Kahn.  llieodore,  15o  W.  29th 
St.,   N.   Y.    City,    N.    Y. 

Kuhn  Studios,  LouiJ,  105  AV. 
63rd  St.,   N.   Y.  City,  N.  Y. 

Lash  Studios,  Lee,  Longacre 
Bldg.,  N.   Y.  City,   N.   Y. 


N 


WcHugh    &    Son,    Jos.    P.,    9 

42n  1    St.,  N.   Y.   City,   N.  Y. 
Noveltv    Scenic   Studios,    22u 

'16th   St..    N.   Y.   City.    \^    Y. 
Storv  Scenic  Co.,  O.  i...  21  Ti 

St.,     Somerville    Sta.     Uosi 

Ma.<<.=;. 
Twin     City      Scenic     Co,     ■■ 

Ni('.]]et       .'^..v".,      Minr,':ii'C 

IM-r  n. 
United     Scenic     Studios,     30 

Lake  St.,  Chicago,  111. 

EQUIPMENT,  Mazda  P! 


jection 

'apital  Merchandise  Co.,  53( 

Dearborn  St.  Chicago,  III. 
Edison  Lamp   Works,   Harris 

N.   J. 
(ieneral    Sleciric    Co.,    Scheii 

t.idy,  N.  Y. 
Movie  Supply  Co.,  84  1  S.  VVab 

Ave..   Chicago    Til. 
National   Lamp   Works   of  G 

eral  El.  Co.,  Nela  Park,  Cle 

land,  O.  -* 

Westinghouse  Lamp  Worki 

Broadway,    N.    Y.    City, 

EQUIPMENT,  Supply 
Dealers 

(Complete    list    of    dealers 
be    furnished    on    request 

ALABAMA 

Gueen  Feature  Film   Co.,  iS^ 
Morris       Ave.,       BirmingJ^M 
Ala. 

ARKANSAS 


kti' 


if 01 

to, « 
li 


CALIFORNIA 


i4 


California         Motion  PI 

Equip.    Co.    (E.    C.    Andre* 

838   S.   Olive  St.,  Los  Ang 

Calif. 
J.   Slipper  Co.,   840   So.   Olivi 

Los   Angeles,    Calif. 
Electrical    Products    Corp., 

W.      16th      St.,     Los     Angf 

Calif. 
Pacific   Amusement    Supply 

908    S.   Olive   St.,   Los   Angf 

Calif. 
Ed.  H.   Kemp,   309  Turk  St., 

Francisco,   Calif. 
Walter   G.    Preddey,    187    Gol 

Gate      Ave.,      San      Franci 

Calif. 
Theatre    Equipment    Supply 

(R.      M.      Combs,      Mgr.), 

Leavenworth    St.,    San    Fr 

Cisco,   Calif. 
Western  Theatre  Supply  Co. 

G.     Dolliver),     121-127     Gol 

Gate      Ave.,      San      Francii 

Calif. 


i 

I 


DIMMERS,  Electric  Light         CANADA 


Perkins    Electric    Co.,    Ltd., 

Bleury   St.,    Montreal. 
Coleman     Electric     Co.      (J. 

Coleman),   21  Dundas   St.,  ' 

ronto. 
Perkins    Electric    Co.,    Ltd., 

Temperance    St.,    Toronto. 
Perkins    Electric,    Ltd.,    217  3 

Dermot  Ave.,  W^innipeg. 
Aaron  &  Stevens,  Calgarj-, 
United    Elec.     Co.,    Ltd.     ( 

W.    Fairleigh),   1118   Gra: 

St.,  Vancouver. 

COLORADO 

Denver       Theatre       Supply 
(Edw.    H.    Mohrbacher), 
Broadway,  Denver,   Colo. 

Exhibitors  Supply  Co.,  Inc. 
A.  Ramenstein),  822  21st 
Denver,   Colo. 

CONNECTICUT 

Independent    Movie    Supply  i 
131    Meadow    St.    (Branch 
flee).  New  Haven,  Conn. 


* 


Send  fo 
FREE  B 


of  Celebral 

containini 
sand  and  ', 
features  foi; 
Of  celebral 
patrioticdei 
street  fair,  c 
zaars,  theat 
works,  etc. 
afford  to  b< 
Write  todal 
copy. 

Brazel  Novelty  Mfg.  Co..      29  Ella  S 


I  3,  1926 


Page  17 


You  need  this  Film-Safe 


installed  or  speci- 
or  all  Fox  Theatres, 
!W  Famous  Players 
tires,   many    other 

and  small  theatres, 
nan  Kodak  Studios, 
emy  of  Music,  New 
,  and  in  many  ex- 
jes  and  laboratories 


There  are  two  sizes  of 
American  Film  -  Safes. 
Style  1100  has  five  com- 
partments for  five  1,000 
foot  reels,  designed  prin- 
cipally for  exchanges, 
studios,  laboratories,  etc. 
and  style  1200  fen-  five 
2,000  foot  reels,  de- 
signed principally  for 
theatre  projection  booths 


BECAUSE  it  protects  your  films  and 
surrounding  property  against  film  stor- 
age fire  hazards. 

BECAUSE  it  provides  a  convenient  fil- 
ing cabinet  for  your  films  and  keeps 
each  film  instantly  available  for  use. 

BECAUSE  it  is  the  only  film-safe  avail- 
able that  has  been  listed  as  standard  and 
labeled  by  the  Underwriters'  Labora- 
tories. 

BECAUSE  it  pays  for  itself.  Insurance 
rating  companies  make  substantial  re- 
ductions in  rates  for  theatres,  studios, 
exchanges,  etc.,  equipped  with  American 
Film-Safes. 


The   American    Film-Safe 

The  American  Film  Safe  is  a  neat,  compact,  fireproof  filing  cabinet  for 
films. 

It  is  maae  of  full  cold  rolled  sheet  steel  with  all  joints  tenoned  and  pinned 
together  and  is  practically  indestructible. 

The  safe  is  of  unit  construction  and  may  be  added  to  or  rearranged  at  will. 
Each  film  is  housed  in  a  separate  fireproof  compartment  and  is  suspended 
on  a  film  carriage  which  automatically  moves  forward  when  the  door  to 
the  compartment  is  opened.     Reels  are  always  readily  accessible  for  han- 
dling.    Doors  to  compartments  close  and  fasten  automatically. 
Each  compartment  has  a  bronze  label  holder  on  the  door  into  which  a 
card  can  be  inserted  so  that  films  can  be  catalogued  or  indexed. 
American  Film-Safes  absorb  abnormal  heat  from  films  and  maintain  them 
at  normal  humidity,  thereby  increasing  the  life  of  the  films. 
Exterior  surfaces  are  beautifully  finished  in  baked  enamel.     Interior  sur- 
faces are  thoroughly  protected  against  rust.     Standard   colors  are   olive 
green  with  bronze  hardware  but  they  may  be  had  in  several  other  finishes. 


No  matter  what  size  theatre 
you  have  it  will  pay  you  to  in- 
.stall  an  American  Film-Safe. 
You  may  purchase  one  on  the 
deferred  payment  plan. 

Send  for  full  information. 


MAIL  THIS  COUPON 


le  American  Film-Safe  Corporation 


Baltimore,  Md. 


AMERICAN    FILM- SAFE    CORP. 
Baltimore,  Maryland 

Please  send  me  full  description  of 
the   American   Film-Safe. 

Name     

Address    

Business    


Page  18 


100%    EFFICIENCY 
With  More  Years  of  Service 
at  No  More  Original  Cost 

Is  the  Real  Proof  of  Any 
Product  


Patented 

NOISELESS  CURTAIN  CONTROL  AND  TRACK  HAS 
PROVED  THIS  THROUGH  OVER  25  YEARS  OF  PER- 
FECT SERVICE  TO  EVERY  VALLEN  USER. 


THE  PERFECT  CURTAIN  TRACK 


E.  J.  Vallen  Electrical  Co. 


Akron,  Ohio 


AN  ATTRACTIVE  LOBBY 

DRAWS  YOUR  PATRONS! 

MORE  PATRONS 

MEANS 
MORE  DOLLARS! 

FINE 
MIRRORS— TICKET  BOOTHS  & 

LOBBY  DISPLAY  FRAMES 

Are  Essential  to  an  Attractive  Lobby 


I      SEND    FOR    CATALOGUE 


STANLEY    FRAME    CO. 

727  7th  AVE.        L.  Ring,  Pres.        NEW  YORK  CITY 


H  0  WTo  Make  Your  Theatre     PA    Y 

DIVIDENDS! 

An  Attractive  Interior  Is  as  Essential 

To  Your  Theatre  As  a  Good  Picture. 

BE  SURE  IT  IS  DONE  BY  ONE  WHO 

KNOWS  HOW 

We  Are 

Specialists  in  Theatre  Decorating 

WE  MAKE  AND  INSTALL  PROPERLY— 
CURTAINS  —  DRAPERIES  —  VALANCES 
STAGE  SETTINGS  —  WALL  COVERINGS. 

LOUIS  KUHN  STUDIOS.  INC. 


105  W.  63rd  ST. 


NEW  YORK 


DISTRICT  OF  COLUMBIA 

Washington  Theatre  Supply  Co. 

(A.    Dresner),   908  G  St.,  N.W., 

Wa&iiing-ton,  D.  C. 
Southern    Moving   Picture   Corp. 

(W.     E.     Claflin),     319    McGill 

Bldg..   Washington,    D.    C. 

FLORIDA 

Tampa  Photo  &  Art  Supply  Co. 
(W.  C.  Burgert),  314  Twiggs 
St.,  Tampa,  Pla. 

GEORGIA 

Theatre  Equip.  &  Supply  Co., 
158   Manetta   St.,   Atlanta,    Ga. 

Southern  Theatre  Equipment 
Co.  (Wm.  Oldknow),  100  Wal- 
ton St.  (Main  Office),  Atlanta, 
Ga. 

ILLINOIS 

Amusement    Supply    Co.     (B.    A. 

Benson),   746  S.  Walaash   Ave., 

Chicago,   111. 
Capital     Merchandise      Co.      (B. 

Pearlman),     538     S.     Dearborn 

St.,  Chicago,  111. 
Exhibitors  Supply  Co.   (H.  A.  R. 

Button),   825   S.   Wabash  Ave., 

(Main  Office),   Chicago,   111. 
Fulco  Sales  Co.    (C.   H.   Fulton), 

24-26  E.  8th  St.   (Main  Office), 

Chicago,   111. 
Movie    Supply    Co.     (S.    S.    Beh- 

rend),     844     S.    Wabash    Ave., 

Chicago,    111. 
Western  Motion  Picture  Co.   (H. 

D.     Fairall),     1021/2     W.    Main 

St.,  Danville,   III. 

INDIANA 

Exhibitors'    Supply    Co.    of    Ind. 

(R.    E.    Gumm),    128    W.    Ohio 

St.,   Indianapolis,    Ind. 
E.   E.  Fulton  Co.,   Ill   S.  Capital 

St.,   Indianapolis,   Ind. 

IOWA 

Exhibitors'  Supply  Co.  (L.  L. 
Phillips),  10th  and  High  Sts., 
Des    Moines,    la. 

KENTUCKY 

American     Motion     Picture     Co., 

Louisville,   Ky. 
Louisville    Film    &    Supply    Co., 

Louisville,  Ky. 

LOUISIANA 

George  Vivirito,  224  Barrone, 
New  Orleans,   La. 

MARYLAND 

N.  C.  Haefele  &  Co.  (N.  C.  Hae- 
fele),  228  Gay  St.,  Baltimore, 
Md. 

MASSACHUSETTS 

Eastern  Theatre  Supply  Co.  (R. 
L.  Hosmer),  43  Winchester  St., 
Boston,   Mass. 

Exhibitors'  Supply  Co.  (R.  D. 
Matson),  67  Church  St.,  Bos- 
ton, Mass. 

LTnited  Theatre  Equipment  Co. 
(Jos.  S.  Cifre),  26-28  Pied- 
mont  St.,   Boston,   Mass. 

MINNESOTA 

Exhibitors'  Supply  Co.  (A.  T. 
Crawmer),  221  Loeb  Arcade 
Bldg.  (Branch  Office),  Minne- 
apolis, Minn. 

The  Rialott  Co.  (S.  A.  Louis), 
Minneapolis,  Minn. 

Standard  Theatre  Equipment 
Corp.  (Howard  Hall),  39 
Western  Ave.,  Minneapolis, 
Minn. 

MICHIGAN 

McArthur    Equipment    Co.,    1963 

Grand     River     Ave.,     Detroit, 

Mich. 
Amusement     Supply     Co.      (Max 

Rubin),    2105     R    St.,    Detroit, 

Mich. 
Exhibitors'    Supply    Co.     (G.    D. 

Brady),    149    E.    Elizabeth    St., 

Detroit,  Mich. 
Service      Theatre      Supply      Co. 

(George    A     Rogers),    137    E. 

Elizabeth  St.,  Detroit,  Mich. 
Theatre     Eauipment     Co.,     2109 

John    R.    St.,    Detroit,    Mich. 

MISSOURI 

Cole  Theatre  Supply  Co.  (T.  F. 
Cole),  18th  and  Baltimore 
Sts.,  Kansas  City,  Mo. 


Exhibitors  t>aily  Hevietn 


Charles     M.      Stebblns     Picture 

Sup.   Co.    (C.  H.  Badger),   lOiS 

Main  St.,  Kansas  City,  Mo.  I 

Yale  Theatre   Supply  Co.    (C.   D. 

Struble),      108      W.      18th      St. 

(Main    Office),    Kan.sas    City, 

Mo. 
Exhibitors'      Supply     Co.,      3316 

Olive    St.    (Branch   Oi.lce),    St. 

Louis,   Mo. 
Erker   Bros.,    608    Olive    St.,    St. 

Louis,  Mo. 
E.  E.  Fulton  Co.,  3405  Olive  St., 

St.  Louis,  Mo. 

NEBRASKA 

Exhibitors'  Supply  Co.  (O.  H. 
Dutton),  1518  Davenport  St. 
(Branch  Office),  Omaha,  Neb. 

U.  S.  Theatre  Supply  Co.  (Wtn. 
C.  Raapke),  Film  Exchange 
Bldg.,  Omaha,  Neb. 

Western  Theatre  Supply  Co.  (F. 
A,  Van  Husen),  15th  and  Da- 
venport,  Omoha,   Neb. 

NEW  YORK 

Empire    Movie    Supply    Co.,    42  !| 

Orange  St.,  Albany,  N.   Y. 
Auburn    Theatrical    Supply    Co. 

(Frank  W.   Spreter),  Auburn, 

N.    Y. 
Sam    Kaplan,    357    Vermont    St., 
Otto    Greenbaum,    436    Cornelia 

St.,  Brooklyn,  N.  Y. 
Becker   Theatre   Supply   Co.    (A. 

Becker),  416  Pearl  St.,  Buffa- 
lo,  N.    Y. 
Behrend   Motion   Picture   Supply 

Co.    (E.    R.   Behrend),    729    7th 

Ave.,   New  York,   N.   Y. 
Capitol   M.    P.    Supply   Co.    (Isa- 

dore   Perse),    142   W.    46th   St., 

New   York,   N.    Y. 
Capitol   Theatre   Equipment    Co. 

(E.    Altman)      626    10th    Ave.,  , 

New  York,  N.  T. 
Crown   M.    P.    Supply   Co.    (J.    H 

Katz),  138  West  46th  St.,  New 

York,   N.  Y. 
Howell's  Cinema  Equipment  Co. 

(Joe  Hornstein),  740  7th  Ave.,  , 

New  York,  N.  Y. 
Independent    Movie    Supply    Co. 

(W.   H.   Rabell),    729    7th  Ave. 

(Main      Office),      New      York, 

NORTH  CAROLINA 

Carolina    Theatre-    Supply,     135^ 
Church  St.,  Charlotte,  N.  C. 

Exhibitors'  Supply  Co.,  Char- 
lotte,   N.    C. 

A.  &  B.  Moving  Picture  Co., 
Raleigh,  N.   C. 

OHIO 

Cincinnati  Theatre.  Supply  Co. 
(W.  W.  Rowland),  522  Broad- 
way (Branch  Office),  Cincin- 
nati,  O. 

The  Theatre  Supply  Co.,  Film 
Bldg.,   Cincinnati,    O. 

Dwyer  Bros.  &  Co.  (Dr.  Otto 
Dieckmann),  Broadway  Film 
Bldg.,   Cincinnati,   O. 

Exhibitors'  Supply  Co.  (W.  C. 
Denney),  2112  Payne  Ave. 
(Branch   Office),  Cleveland,   O. 

Theatre  Supply  Co.  (Leo  E. 
Dwyer),  2100  Payne  Ave. 
(Main  Office),  Cleveland,  O. 

Oliver  Moving  Picture  Sup.  Co. 
(E.  E.  Oliver),  1428  E.  111th 
St.,   Cleveland,   O. 

American  Theatre  Equipment 
Co.  (R.  J.  Gardiner),  165% 
N.  High  St.,  Columbus,  O. 

OKLAHOMA 

Anderson  Theatre  Supply  Co., 
116  Hudson  St.,  Oklahoma 
City,  Okla. 

Southern  Theatre  Equipment 
Co.  (J.  C.  Klock),  328  Califor- 
nia St.  (Branch  Office),  Okla- 
homa City,  Okla. 

Yale  Theatre  Supply  Co.  (Fred 
Cosman)  (Branch  Office),  Ok- 
lahoma City,  Okla. 

OREGON 

Portland  Moving  Picture  Ma- 
chine Co.,  Bivoli  Theatre 
Bldg.,   Portland,   Ore. 

General  Supply  &  Paper  Co.,  392 
Burnside   St.,  Portland,  Ore. 

Service  Film  &  Supply  Co.,  393 
Oak  St.,  Portland,  Ore. 

PENNSYLVANIA 

Exhibitors'     Clearing    House     & 

Supply     Co.,      1234     Vine     St., 

Philadelphia,  Pa, 
Philadelphia  Theatre  Equip.  Co. 

(Harry     Blumberg),      262     N. 

13th  St.,  Philadelphia,  Pa. 
Lewis  M.  Swaab,   1327  Pine  St.. 

PbUa^^lphla,  Pa. 


■plT, 


CjIb 


dlif, 


iiiitiii 

p.'i,; 

Wli 
iniifi 
M 

ITifi 

till  Li 
iSui 

Eilil 

M 
HI 

m 


iUtl 


- 


i 


April  3,  1920 


AVilliams,    Brown    &    Earle     918 
Chestnut  St.,  Philadelphia,  Pa. 
Ilollis  Smith  Morton  Co.  (Henry 
J.     Smith),     1024     Forbes     St., 
Pittsburgh,  Pa. 
Pittsburgh  Motion  Picture  Sup- 
ply   Co.     (T.    P.    Hollis),    1006 
Forbes  St.,  Pittsburgh,  Pa 
S    &    S    Film    &    Supply    Co.    (A 
I     Steinberg),     1026     Forbes     St.. 
I     Pittsburgh,   Pa. 
iTheatre     Supply    Co.     (Wm.     H. 
irheatre    Supply    Co.     (Wm.     H. 
Cadoret),  Scranton,  Pa. 

RHODE  ISLAND 

H.  A.  &  E.  S.  Taylor,  76  Dor- 
rance  St.,   Providence,  R.   L 

iSOUTH  CAROLINA 

imperial  Film  Service,  Green- 
ville.  S,   C. 

TENNESSEE 

Monarch  Theatre  Supply  Co  (I 
M.  Cohen),  228  Union  Ave., 
Memphis,  Tenn. 

TEXAS 

Simplex  Theatre  Supply  Co., 
1816   Main    St.,   Dallas,    Tex. 

(Southern  Theatre  Equipment 
Co.  (J.  I.  Roberts),  1907  Com- 
merce     St.      (Branch      Office), 

R.D.  Thrash  Co.,  1921  Main  St., 

Dallas,  Tex. 
|3outhern      Film      Service,      811 

Franklin  St.,  Houston,  Tex. 

fJTAH 

Salt  Lake  Theatre  Supply  Co. 
(Samuel  I.  Levin),  48  Ex- 
change Place,  Salt  Lake  City, 

i    Utah. 

Utah    Theatre    Supply    Co.,    125 

I  E.  2nd  St.  So.  (Mr.  Smith), 
Salt  Lake  City,  Utah. 

VERMONT 

kicks  &  Price,  97  State  St.,  Bur- 
lington, Vt. 

VIRGINIA 


WASHINGTON 

Theatre  Equipment  Co.  ("Wm. 
W.  Lewis),  1927  Third  Ave., 
Seattle,  Wash. 

B.  F.  Shearer,  Inc.  (B.  F. 
Shearer),  210  Virginia  St.,  Se- 
attle,   Wash. 

Spokane  Theatre  Supply  Co 
410     West     1st     St.,     Spokane,' 

VV  3,Sll. 

WEST  VIRGINIA 

Charleston   Theatre    Supply   Co  . 

Charleston,   W.   Va. 
Charleston  Electrical  Co.   (C.  E 

Cornwell),  Charleston,  W.  Va. 
Standard     Theatre     Supply     Co 

(C.  W.  Neuhardt),   3608  Jacob 

St.,    Wheeling,    W.   Va. 

WISCONSIN 

Exhibitors'  Supply  Co.  (J.  Stal- 
lings),  715  Wells  St.  (Branch 
Office),  Milwaukee,  Wis. 

Ray  Smith  Co.  (Ray  Smith), 
Toy  Bldg.,  Milwaukee,  Wis. 

Wisconsin  Theatre  Supply  Co. 
(L.  P.  Langford),  174  Second 
St.,  Milwaukee,  Wis. 

EXIT  SIGNS,  Theatre 

Frink,  Inc.,  I.  P.,  24th  and 
10th'  Ave.,  N.  Y.   City    N.   Y. 

Valentine  Elec.  Sign'  Co.,  At- 
lantic  City,   N.   J. 

Whi!«ier-Green  Electric  Co.,  29- 
39  St.  Paul  St.,  Rochester, 
NY. 

EXPLOITATION,  Motion 

Picture 

National  Screen  Service,  126  W. 
46th    St.,    N.    Y.    City,    N.    Y. 

FAN  BRACKETS,  Electric 

Voigt  Co.,  1734  N.  .12th  St., 
Philadelphia,   Pa. 

FILM  -MEASURING  -MA- 
CHINES 

(See  Machines,  Film  Measur- 
ing.) 

FILM  CLEANERS 


.^entral    Dist.    Co..    Norfolk.    Xa..         (See   Cleaners,   Film.) 


FILM  PACKERS 

(S«o   Storage,  Film.) 

FILM  PROCESS 

Counsell   Film   &   Chemical    Co., 

236    W.    55th    St.,    N.    Y.    City, 

N.    Y. 
Dura    Film   Protection    Co.,    220 

VV.   42nd  St.,  N.   V.  City,  N.  Y. 
Victor    Stewart    Process    Corp., 

128    W.    52nd    St..    N.    Y.    City, 

N.  Y. 

FILM,  Raw  Stock 

Agfa  Film  Corp.,  1540  Broad- 
way,   N.    Y.    City. 

Ansco  Co.,  Blnghamton,  N.  Y. 

Baystate  Film  Sales  Co.,  220  W. 
42nd  St.,  N.  Y.  City,  N.  Y 

Burke  &  James,  240  E.  Ontario 
St.,    Chicago,    111.    "Rexo." 

Eastman  Kodak  Co.,  Rochester. 
N.   Y.   "Eastman." 

E.  I.  Du  Pont  deNemours  Co.. 
35    W.    45th    St.,    N.    Y.    City! 

Flsli-Schurman,   46  W.    4itA   St. 

N.   Y.   City. 
Powers   Film   Products.   Inc.,   78 

7th   Ave..  N.   Y.  City,  N.   Y. 
Scencitized      Films,      Inc.,      1650 

Broadway,    N.    Y.    City,    N     Y 
TIppett,     John     D.,     Inc.,      1540 

Broadway,  N.  Y.  City,  N.  Y. 

FILM  RENOVATING 

(See  Machines,  Film  Renovat- 
ing.) 

FILM  SPLICERS,  Machine 

General     Machine     Co.,     35J     E. 

155th    St.,    N.    Y.    City,    N.    Y. 
Grlswold     Machine     Wks.,     Port 

Jefferson,  N.  Y. 
Slipper   &    Co.,    J.,    728    S.    Olive 

St.,  Los  Angeles,  Cal. 

FILM  STORAGE 

(See  Cutting  Rooms) 

FILTERS,  Ray 

Bautch  &  Lomb  Oplcal  Co.,  «37 

St.   Paul  St.,   Rochester,   N.    Y. 

Scheibe,  George  H.,  701  N.  Bel- 
mont  Ave.,    Los   Angeles,   Cal. 

Shrlver  &  Co.,  T.,  876  Hamil- 
ton St.,  Harrison,  N.  J. 

Wollensak  Optical  Co.,  1415 
Clinton  Ave.,  Rochester,  N.  Y. 


Page  19 
FIREPROOF  CURTAINS 

(See    Curtains,    Fireproof). 

FLASHERS,  Electric  Sign 

A.  &  W.  Electric  Sign  Co., 
Cleveland,   Ohio. 

Betts  &  Betts  Corp.,  611  W. 
42d  St.,  New  York  City,  N  Y. 
"Vacu,"  "Thermo  Wynk," 
"New    York." 

Cramblet  Eng.  Co.,  177  5th  St., 
Milwaukee,  Wis. 

Cramer,  R.  C.  136  Liberty  St., 
New  York  City,  N.  Y. 

Cusack  Co.,  Thos.,  Chicago,  111. 
"De  Luxe." 

Federal  Sign  System  Co.,  Chi- 
cago,  111. 

Kelley  &  Kelley,  3193  Boule- 
vard, Jersey  City,  N.  J.  "Ther- 
mon-Bllnk,"  "Tlctac." 

Nordon  Electric  Sign  Co,  811 
W.  40th  St.  New  York  City, 
N.   Y. 

Novelty  Electric  Sign  Co.,  186 
Eddy   St.,    San    Francisco,    Ca. 

Reynolds    Electric   Co.,    2651   W 
Congress    St.,    WHERE?    '    ' 
"Reco." 

Standard  Automotive  Equip- 
ment Co.,  1111  Boylston  St., 
Boston,  Mass. 

Straus  Seyer  Co.,  42nd  St.,  New- 
York    City,    N.    Y   . 

Tic-Tac -St.-   Kellty   &    Kelley. 

Valentine  Electric  Sign  Co 
Atlantic  City,  N.  J.  ' 

FLOOR  COVERINGS, 
Theatre 

Russelloid  Co.,  Harrlsburg,  Pa. 
"Russelloid,"  "Keystone 

Brand." 

FLAGS 

Annin  &  Co.,  99  Fulton  St..  N. 
Y.  City,  N.  Y. 

Wm.  Beck  &  Sons  Co.,  Cincin- 
nati, O. 

Chicago  Flag  <5-  Decorating  Co., 
1315  S.  Wabash  Avo ,  Chi- 
cago  III. 

Chicago  Canvas  &  Flag  Co.,  127 
N.   Dearborn   St.,   Chicago,   111. 

Dettra  &  Co.,  Inc.,  Jno.,  Oaks, 
Pa. 

Humphreys  Co..  D.  C.  S09  Fil- 
bert   Street,    Philadelphia,    Pa 


'IF    YOU    SHOW    PICTURES    YOU    NEED    THE    TRANSVERTER" 


"First  in  the  Field" 

It  "Transverts"  alternating  current 
into  direct  current  with  four  to  five 
times  the  candle  power  of  an  alter- 
nating current  arc  of  the  same 
amperage. 

That  means — less  Current  Cost, 
Better  Projection, 
Easier  Operation, 
with  Better  Control. 


"Foremost  in  the  Industry" 

The  Transverter  is  of  interest  to  you 
whether  you  are  building  new  thea- 
tres or  merely  operating  present 
ones. 

It  operates  so  efficiently  and  so 
eflfectively  that  its  immediate  instal- 
lation is  worthy  of  your  serious 
consideration. 


~^  Write  for   our  literature.      It   will   be   mailed   entirely   without   obligation. 


K^HERTfJER  ELECTRIC  COMPANY 


Page  20 


Exhibitors  Daily  Review    j   i|"^ 


FLAME  SHIELDS,  Arc 
Lamp 

Blue     Seal     Products     Corp.,     27 
Lafayette      Ave.,        Brooklyn, 

N.    Y. 

FLOWERS,  Artificial 

Adler    Jones    Co.,    651    S.    Wells 

Ave.,    Chicago,    111. 
Art    Flower    &    Plant    Co.,     355 

W.  Chicago  Ave.,  Chicago,  111. 
Baumann    &    Co.,     L.,      357     W. 

Chicago  Ave.,   Chicago,  111. 
Bodlne     Spanjer     Co.,     316     So. 

Wabash   Ave.,    Chicago,    111. 
Borgenskl  Sons,  J.  S..  62  N.  ISth 

St.,    Philadelphia,   Pa. 
Botanical    Decoration     Co.,     817 

Van    Buren    St.,    Chicago,    111. 
Chicago    Artificial    Flower    Co., 

28  S.   Fifth  Ave.,  Chicago,   111. 
Chicago     Flag    and     Decorating 

Co.,     1345     S.     Wabash     Ave., 

Chicago,    111. 


Decorative    Plant    Co.,    230    5th 

Ave.,   N.    Y.    City,   N.    Y. 
Doty    &   Scrlmegeour   Sales    Co., 

30  Reade  St.,  N.  Y.  City,  N.  Y. 
General    Flower    &     Decorating 

Co.,     228    W.     49th    St.,     N.     Y. 

City,    N.    Y. 
Gudemar  &  Co.,  30  Irving  Place, 

New  York  City,  N.  Y. 
Leistner,    Oscar,    323    Randolph 

St.,   Chicago   111. 
McCallum   Co.,   The,   137   7th  St., 

Pittsburgh,   Pa, 
National  Decorating  Co.,   35   6th 

Ave.,    N.    Y.    City,    N.    Y. 
Natural    Plant    Preservers    Co., 

233   5th  Ave.,  N.  Y.  City,  N.  Y. 
Netchert,  Frank,  61  Barclay  St., 

N.   Y.   City,   N.   Y. 
Pick  &  Co.  Albert,  208-224  West 

Randolph    St.,    Chicago,    111. 
Randall    Co.,    A.   L,.,    Lake    St.    & 

Wabash  Ave.,   Chicago,   111. 
Schack  Artificial  Flower  Co.,  63 

E.   Adams  St.,  Chicago,  111. 
Schneider,  L.,  6  Second  St.,  N.  Y. 

City,   N.   Y. 
Schroeder        Artificial        Flower 

Mfrs.       6023       Superior      Ave., 

Cleveland,  O. 


GOERZ 

NEGATIVE  RAW  STOCK 

NOW 

KEY  NUMBERED 

More  gradation;   more  definition;   no  grain 

Sole  Distributors: 
Fish-Schurman    Corporation 

45  West  45th  Street  1050  Cahuenga  Avenue 

New  York  City  Hollywood,  Cal. 

IN  CANADA: 
J.  A.  Chantler  &  Co., 
200  Bay  Street,  Toronto,  Ont. 


J 


Why  Folks  Leave  Home 

/^  OOD  pictures  transport  people  into  the  world 
^^  of  make-believe;  but  sometimes  they  are 
brought  back  with  a  rude  jolt,  through  faulty  pro- 
jection. 

Hazy,  dull  images,  dark  spots,  or  uneven  distribu- 
tion of  light  with  an  ordinary  lens  may  break  the 
spell  of  their  enjoyment,  and  cause  them  to  go  to  a 
different  house  next  time.  Keep  your  patrons — 
install  a  Bausch  &  Lomb  Cinephor  Optical  System 
and  get  bright,  clear  images,  strongly  demied — 
perfect   projection. 

BAUSCH  &  LOMB  OPTICAL  CO., 

622  St.  Paul  St.  Rochester,  N.  Y. 


United     Flower     &     Decorating 

Co.,     238     W.    ■iSth    St.,    N.    Y. 

City,   N.   Y. 
Universal    Flower    Co.,    228    "W. 

49th  St.,  New  York  City,  N.  Y. 
Worcester    Art.    Plant    Co.,     1J4 

Front   St.,   Worcester,  Mass. 

FOOT  LIGHTS 

(See   Lights,    Foot) 

FORWARDERS,  Film 

Masse    &    Co.,    Inc.,     115     Broad 
St.,   N.    Y.   City,   N.    Y. 

FRAMES  AND  WHEELS, 
Color 

Brenkert    Light   Projection    Co., 

Detroit,  Mich. 
Capitol  Theatre   Equipment  Co., 

626  10th  Ave.,  N.  Y.  City,  N.  Y. 
Chicago  Stage  Lighting  Co.,  112 

N.    LaSalle    St.,    Chicago,    111. 
Mayor  Equipment  Co.,  2518  Cul- 

lom  Ave.,   Chicago,   111. 
Mestrum,    Henry    641    6th    Ave., 

N.  Y.  City,  N.  Y. 
New    York    Calcium    Light    Co., 

451    W.    53d    St.,    N.    Y.    City, 

N.    Y. 
Newton,    Chas.    1.,    224    W.    14th 

St.,   N.   Y.   City,    N.    Y. 
Universal  Electric  Stage  Light- 
ing Co.   321  W.  50th   St.,   N.  Y. 

City,  N.  Y. 

FRAMES,  Poster  and 
Lobby    Display 

Braxton    Frame    Co.,    3    E.    12th 

St.,   N.   Y.   City,    N.    Y. 
Bilt     Rite     Mfg.      Co.,      225     N. 

Green  St.,  Chicago,  111. 
Consolidated   Portrait   &   Frame 

Co.,    225    N.    Greene    St.,    Chi- 
cago,  111. 
Chicago     Metal     Covering     Co., 

2833     Vf.     Lake     St.,     Chicago, 

111. 
Flower    City     Ornamental     Iron 

Co.,     27th     Ave.,     &     27th     St., 

Minneapolis,  Minn. 
Friedman,    I.    M.,    219    W.    Lake 

St. .Chicago,    111. 
Illinois    Moulding    Co.,    2411    W. 

23rd   St.,   Chicago,   111. 
Kettler   Brass   Mfgi    Co.,    Hous- 
ton,  Tex. 
Keystone     Picture     Frame     Co., 

629    5th   Ave.,   Pittsburgh,    Pa. 
Markendorf,   S.,  159  W.  23rd  St., 

N.    Y.    City,   N.   Y. 
McKenna     Brass     &     Mfg.     Co., 

Pittsburgh,  Pa. 
Menger    &    Ring,    729    7th    Ave., 

New   York  City,  N.   Y. 
National   Picture    Frame   &   Are 

Co.,     947     61st     St.,     Brooklyn, 

N.   Y. 
Reuben     Studios,     812     Prospect 

Ave.,  Cleveland,  O. 
Stanley  Frame  Co.,   729  Seventh 

Ave.,  N.  Y.   City,  N    Y. 
United   States  Frame  &  Picture 

Co.,    46   Vesey   St.,   N.   Y.   City, 

FROSTING,  Lamp 

(See  Coloring,  Incandescent 
lamp) 

GELATINES 

Gelatine  Products  Co.,  224  Flat- 
bush  Ave.,  Brooklyn,  N.   Y 

Major  Equipment  Co.,  2518  Cul- 
lon   Ave.,    Chicago,   111. 

Newton,    C.    I.,    331   W.    18th   St 
New  York  City.  N.  Y. 

GENERATORS,  Motor 

Acme  Electric  Mfg.  Co.,  144 
Hamilton  Ave.,  Cleveland,  O. 
"Acme    Ra   Lite." 

Automatic  Devices  Co.,  Allen- 
town,  Pa. 

General  Electric  Co.,  Schenec- 
tady, N.  Y. 

Hertner  Electric  Co.,  1905  W. 
112th    St.,    Cleveland,    Ohio. 

Western  Electrical  Co.,  195 
Broadway,   N.    Y.    City,    N.   Y. 

Westing-house  Electric  &  Mfg. 
Co.,    E.    Pittsburgh,    Pa. 

Wheeler-Green  Electric  Co.,  29- 
3S  St.  Paul  St.,  Rochester, 
N.  Y. 

HARDWARE,  Stage 

Armbruster   &    Sons,    M.,    249    S. 

Front  St.,  Columbus,  Ohio. 
Channon   Mfg.    Co.,   Jas.    H.,    227 

W.    Erie   St.,    Chicago,    111. 
Clancy,   J.   R.,    1010   W.   Baldwin 

Ave.,   Syracuse,   N.    Y. 
Electric  ProducFs  Corp.,  1122  W. 

16th  St.,  Los' Angeles,  Cal. 


Pk 


Storey     Scenic     Co.,      Tuft     St., 
Boston,   Mass. 

HEATERS,   Organ 

Cramblett  Eng.  Co.,  177  5th  St.,     ,    ; 
Milwaukee,   Wis.  •      « 

HEATERS,  Ticket  Booth 

Cramblett  Eng.  Co.,  177  5th  St.,J 
Milwaukee,    Wis.  ] 

Westinghouse  Electric  &  Mfg.] 
Co.,   E.  Pittsburgh,  Pa. 

HERALDS,  Novelty 

(See  Printers,   Theater) 

Beacon     Press,     Inc.,     318    West 

39th  St.,  New  York  City,  N.  Y. 
Circle  Press,  Inc.,  238  West  53rd 

St.,  New  York  City,  N.   Y. 
Filmack    Co.,     739     So.    Wabash 

Ave.,    Chicago,   111. 
Hennegan      Co.,      The,      311-321 

Gennesee,  Cincinnati,  O. 
Tanney    Printing    &    Publishing 

Co.,    American    Theater   Bldg:, 

42nd  St.,  bet.  7th  &  8th  Avea., 

New   York   City,   N.   Y. 
Times   Square    Printing  Cc,    250 

West  54th  St.,  N.  Y.  City,  N.  Y. 


« 


St. 

m 

St. 
Korel 

St. 
fsrP 

St, 

10; 

■■,:a 

0 

teslil 
Coll 

& 

.'ijies 
IG 

ii 

an 


HOLDERS,  Ticket 

(See    Ticket  Holders) 

INSERTS,  Colored 

(See  Printers,   Theater) 

LABELS,  Film  Caution 

Dennison  Mfg.   Co  ,   15  John  St.. 

N.    Y.    City,   N.   Y. 
Ever-Ready  Roll  Label  Co.,  208. 

W.    40th  St.,   N.   Y.  City,  N.  Y. 
Green,   P.   A.,   52   Rumford  Ave.,   ', 

Waltham,   Mass. 
Stafford    Co.,    N.,    67    Fulton    St.,  i 

N.  Y.  City,  N.  Y. 

LABORATORY  SUP- 
PLIES,  Film 

Capitol    Motion    Picture    Supplj 
Co.,     142     W.     46th    St.,    N.    YJ 
City,   N.    Y.  ~ 

Electrical  Products  Corp.,  1122 
W.  16th  St.,  Los  Angeles,  Cal. 
"Epco." 

LAMP  DIPS 

(See  also  Coloring,  Lamps.) 

Major  Equipment  Co.,   2518  Cul-«     c^r, 
Ion  Ave.,  Chicago,   111. 

LAMP  GUARDS 


iii 
S, 

w 

i!il 
Beit' 

Bilk 

8! 


risti- 


Co. 

JUDd 

Go 


Betts  &  Betts  Corp.,  645  W.  43- 

St.,  N.  Y.  City,  N.  Y. 
Reynolds    Electric   Co.,    2650   W 

Congress  St.,  Chicago,  111. 

LAMPS,  Arc 

Hall  &  Connolly,  135  Grand  StA 

N.   Y.   City,    N.   Y.  ^^ 

McAuley,    J.    E.    Co.,    32    N.    Jef. 

ferson   St.,    Chicago,   111. 
Morelite  Co.,  Inc.,  600  West  57ti 

St.,   N.    Y.    City,    N.   Y. 
Western        Electric       Co.,       191 

Broadway,  N.  Y.  City,  N.  Y. 
Warren  Products  Co.,  365  Canal 

St.,   N.    Y.    City,   N.   Y. 

LAMPS,  Colored,  Etched 

Westinghouse    Electric    &    Mfg. 

Co.,    East    Pittsburgh,    Pa. 
Edison    Lamp    Works,  Harrison, 

N.   J. 
National     Lamp     Works,     Nela 

Park,   Cleveland,   O. 

LAMPS,  Incandescent  Pro- 
jection (Mazda  Projec- 
tion Lamps) 


Colonial  Electric  Wks.,  Warren, 
O. 

Edison  Lamp  Works  of  G.  E.  i 
Co.,  Harrison,  N.  J.  (Edison  i 
Mazda)  ' 

National  Mazda  Lamp  Co.,  Nela  ■ 
Park,   Cleveland,  O.  I 

Nela  Specialties  Division  of  Na-  , 
tional  Lamp  Works,  Nela, 
Park,   Cleveland,   O.  , 

Peerless  Brilliant  Lamp  Divis- 
ion, Warren,  O. 

Standard  Elec.  Lamp  Co.,  143 
W.   Austin   Ave.,   Chicago,    111. 

Westinghouse  Electric  Mfg.  Co., 
E.  Pittsburgh,  Pa.  "Westing- 
house" 


X, 

foil 

HI 

t£.' 
C 


3ii[ 


R 

rr 
Jon 

Kg! 


April  3,  1926 

LAMPS,  Reflecting,  Arc, 
Projector 

American  Arc  Lamp  Co.,  Kala- 
mazoo,  Mich. 

Electrical  Products  Corp.,  1122 
W.  16th  St.,  Los  Angeles,  Cal. 

Enterprise  Optical  Co.,  W.  Ran- 
dolph St.,  Chicago,  111. 

Griffin  &  Bowen,  Inc.,  90  Gold 
St.,  New  York  City,  N.  Y. 

Hall  &  Connolly,  Canal  St.,  N.  Y. 
City,   N.    Y. 

McAuley  Co.,  J.  E.,  "W.  Adams 
St.,    Chicago,     111. 

Morelite  Co.,  Inc.,  600  W.  57th 
St.,  N.  Y.  City,  N.  Y. 

Warren  Products  Co.,  365  Canal 
St.,   N.   Y.   City,   N.   Y. 

LENS  CLEANING  FLUID 

Paramount  Lens  Corp.,  2053 
Fulton  St.,  N.  Y.  City,  N.  Y. 

LENS,  Filters 

Deshler,  Wm.,  8  E.  Broad  St., 
Columbus,  O. 

LENS  GRINDING 

Jones  &  Hemltt  Optical  Co.,  2- 
4    Gordon    St.,    Boston,    Mass. 

LENSES,  Condensing 

Bass  Camera. Co.,  109  N.  Dear- 
born   St.,    Chicago,    111. 

Bausch  &  Lonlb,  Optical  Co., 
635     St.    Paul    St.,    Rochester, 

Bc^'nJtt,     Chas.     H.,     224     North 

13th    St.,   Philadelphia,    Pa. 
Bennet,    Harold   M.,    153   W.    23d 

St  ,  New  York  City,  N.  Y. 
Burke  &  James,   240   E.   Ontario 

St.,    Chicago,    111. 
Electric    Prods.    Corp.,    1122    W. 

_16th     St.,    N.    Y.    City,    N.     Y. 

Fish-Schurman,  45  W.  45th  St., 
N    Y     City,   N.   Y. 

Goe'rz  Amer.  Optical  Co.,  317  W. 
34th    St.,    N.    Y.    City,    N.    Y. 

Gundlack  Manhattan  Optical 
Co.,  761  S.  Clinton  Ave.,  Ro- 
Chester    N.   Y. 

Jones  &  'Hewitt  Optical  Co.,  2 
Gordon    St.,     Boston,     Mass. 

Kollmorgan  Optical  Co.,  35 
Steuben    St.,    Brooklyn,    N.    Y. 

Major,  M.  &  Co.,  303  4th  Ave., 
N.    Y.    City,    N.   Y. 

Plant  &  Co.,  L.,  432  W.  23rd  St., 
New  York  City,   N.  Y. 

Projection  Optics  Co.,  203  State 
St.,    Rochester,    N.    Y. 

Semon  Bache  &  Co.,  636  Green- 
wich  St.,   N.   Y.   City,  N.   Y 

Solomon  &  Son,  L.,  199  Wor- 
cester St.,  N.  Y.  City,  N.  Y. 

Sussfeld,  Lorsch  &  Schimmel, 
153  W.  23rd  St.,  N.  Y.  City, 
N.   Y. 

Wollensack  Optical  Co.,  Roch- 
ester, N.  Y. 

LENSES,  Motion  Picture 
Camera 

Bausch     &     Lomb     Optical     Co., 

635    Ct.    Paul    St.,    Rochester, 

N.   Y. 
Bell  &  Howell  Co.,   1801   Larch- 

mont  Ave.,  Chicago,  111. 
Bennett,     Chas.     H.,     224     North 

13th  St.,  Philadelphia,  Pa. 
Bennet.  Harold  M.,   153  W.   23rd 

St.,   N.   Y.   City,   N.    Y. 
Burke  &  James,   425   S.  Wabash 

Ave.,  Chicago,  111. 
Fish-  Schurman,  45  W.  45th  St., 

N.    Y.   City,   N.    Y. 
Gundlach-Manhattan  Optical 

Co.,     761      Clinton     Ave.,     So. 

Rochester,    N.    Y.     "UUrastig- 

mat."   F. — 1.9. 
Jones    and    Hewitt    Optical    Co., 

2   Gordon  St.,   Boston,  Mass;. 
Kollmorgan      Optical      Co.,       35 

Steuben    St.,    Brooklyn,    N.    Y. 
Philadelphia      Theater      Equip- 
ment Co.,   252   North    13th   St., 

Philadelphia,   Pa. 
Projection   Optics  Co.,   203   State 

St.,    Rochester,   N.    Y. 
Solomon    &    Son,    199   Worcester 

St.,   N.    Y.   City,    N.   Y. 
Sussfeld-Dorsch   &    Schmell,   153 

W.   23rd    St.,   N.    Y.  City,   N.   Y. 
Wollensack     Optical     Co.,     1415 

Clinton  Ave.,  Rochester,  N.  Y. 

LENSES,    Photographic 

(See  Len.ses,  Camera) 

LENSES,  Projection 

Bausch  &  Lomb  Optical  Co.,  635 
St.  Paul  St.,  Rochester,  N.  Y. 
"Cinephor." 

Bennet.  Harold  M.,  153  W.  23rd 
St.,  New   York  City,  N.   Y. 


Burke  &  James,   240  E.   Ontario 

St.,  Chicago,  111.   "Voightland- 
er,       "Dallmeyer,"     "Ingento," 

"Taylor-Hobson." 
Electrical    Products    Corp.,    1122 

W.    16th   St.,  Los  Angeles,   Ca. 

"Epco." 
Fish-Schurman,    45   W.   45th   St 

N.    Y.    City,   N.   Y. 
Goerz  American  Optical  Co.,  317 

E.    34th   St.,    N.    Y.   City,   N.    Y. 
Gundlach-Manhattan  Optical 

Co.,    761    Clinton   Ave..    S.    Ro- 
chester,  N.  Y.   "Radient." 
Jones  &  Hewitt  Optical  Co.,  21- 

4    Gordon    Street,    Boston,    30, 

Mass. 
Kollmorgan     Optical     Corp.,     35 

Steuben    St.,    Brooklyn,    N.    Y. 

"Snaplite."   , 
Projection  Apparatus  Co.,  41-45 

Lafayette  St.,  N.  Y.  City,  N.  Y 
Projection  Optics  Co.,   293  State 

St.,     Rochester,     N.     Y.     "Pro- 

jex." 
Solomon    &    Son,    L.,    199    Wor- 
cester St.,  N.   Y.   City,  N.   Y. 
Sussfeld-Dorsch   &   Schmell.   153 

W.   23rd  St.,  N.   Y.  City,   N.  Y 
Spencer    Lens    Co.,    422    Niagara 

St..  Buffalo,  N.  Y. 
"Taylor-Hobson" — See   Burke  & 

James. 
Wollensack     Optical     Co.,     1415 

Clinton  Ave.,  Rochester,  N.  Y. 

LIGHTS,  Aisle,  Theatre 

Adapt     Co.,     2996     E.     72nd     St., 

Cleveland,   O. 
Brookins    Co.,    The,    1741    Euclid 

A-t^e.,    Cleveland,    O. 
Chicago   Electric  Sign   Co.,    2219 

N.   Grand  Ave.,  Chicago,  111. 
Kausalite   Mfg.   Co.,   6143   Evans 

Ave.,    Chicago,   111. 
Major  Equipment  Co.,  2518  Cul- 

lom   Ave.,   Chicago,   111. 

LIGHTS,  Exit 

(See    Exit    Lights) 

LIGHTS,  Exit  Boxes 

(See  Exit  Boxes,   Theater) 

LIGHTS,  Flood 

Adapt     Co.,     2996     E.     72nd     St., 

Cleveland,   O. 
Frink,   L   P.,    239-10   Ave.,   N.   Y. 

City,  N.  Y. 
Mestrum.    Henry,    817-6th    Ave., 

N.   Y.    City,   N.    Y. 
Neu,    O.    F.,    249   W.    47th   St.,   N. 

Y.  City,  N.   Y. 
New    York    Calcium    Light    Co., 

449    W.    53d    St.,    N.    Y.    City, 

N.   Y.  ' 

Sun     Ray     Lighting    Prod.     Co, 

119  Lafayette  St.,   N.   Y.   City, 

N.   Y. 
Universal  Electric  Stage  Light- 
ing Co.,  321  W.  50th  St.,  N.  Y. 

City,  N.  Y. 

LIGHTS,  Foot 

Bailey  Reflector  Co.,  619  Second 

Ave.,    Pittsburgh,    Pa. 
Boahling,   Frederick   A..   502   W. 

44th  St.,  N.   Y.  City,  N.  Y. 
Brenkert    Light    Projection    Co., 

49  Cortland  St.,  Detroit,  Mich. 
Canitol  Theater  Equipment  Co., 

626-lOth  Ave.,  N.  Y.  City,  N.  Y. 
Display      Stage      Lighting     Co., 

314    W.    44th    St.,    N.    Y.    City, 

N.   Y. 
Frink,    1.   P.,    239-10   Ave.,   N.   Y. 

City,  N.  Y. 
General    Electric    Co.,    Schenec- 

tary,  N.  Y. 
Kansas    City    Scenic    Co.,    N.    E. 

cor.     24th     &     Harrison     Sts., 

Kansas  City,   Mo. 
Kliegle    Bros.,    321    W.    59th    St., 

N.    Y.    City,   N.   Y. 
New    York    Calcium    Light    Co., 

449    W.    53rd    St.,    N.    Y.    City, 

N.  Y. 
United    Electric    Mfg.    Co.,    New 

Orleans,    La. 
Universal  Electric  Stage  Light- 
ing Co.,  .?21  W.   50th  St.,  N.  Y. 

City,   N.   Y.     "Kliegl." 
Welsh.  J.  H.,  270  W.  44th  St.,  N. 

Y.   City,   N.  Y. 

LIGHTS.  Orchestra 

Electric  Products  Corp.,  1122 
W.   16  St.,  Los  Angeles,  Cal. 

Flagg,  L  J.,  33  Norris  St.,  No. 
Cambridge,  Mass.  "Light- 
right." 

Gallagher  Orchestra  Equipment 
Co.,  3235  Southport  Ave.,  Chi- 
cago,   111. 

Liberty  Music  Stand  Co.,  116th 
St.,   Cleveland,    O. 

Motion  Picture  Service  Co.,  613 
W.   44  St.,   N.   Y.  City,  N.  Y. 


Page  21 

^■525H525HSHS25HSaHS2SESHSHS25E525S525HS25HSHS2S2S2S2SH52SH52SH5S5H5252S25E525252S2S2P 

ProBert       Marquise 


New  Moorly  Theatre,  Ocean  City,  N.  J. 

Marquise  of  Rare  Beauty 

Along  with  Kalamein  Doors  of  distinctive 
character  we  manufacture  attractive  Mar- 
quise for  theatres,  hotels,  department 
stores,  banks,  apartment  houses,  etc. 
ProBert  installations  cover  every  state  in 
the  country — hundreds  of  buildings  at- 
testing to  the  beauty  and  practicality  of 
our  Marquise. 

SPECIAL  MARQUISE  CATALOG 
Send  for  copy 

THE  ProBert  Sheet  Metal  Co. 

KALAMEIN  DOORS  -  -  -  MARQUISE 

COVINGTON,  KY. 

fe252525E525ESESH5H525H52525H525H5E525H5H5E5H5iSH5H5E52525aSH52S2SHSES2S2SaH5^^ 


The  ONLY  STAND  MADE 

That  Reflects 

AH  the  Light  on  the  Music 

and 

No  Light  on  the  Screen 

ISoio  Being  Used  By: 

KEITH  CIRCUIT 

FAMOUS  PLAYERS  CIRCUIT 

And   Many  Others 

Send  for  New  Booklet 

LIBERTY    MUSIC    STAND    CO. 


I960  E.  116TH  ST. 


CLEVELAND,  O. 


CT 


THEATRE   ORGANISTS 

Furnished  on  Short  Notice 

Managers,    let    us    solve   your    musical   problems. 

Expert   organists   tiioroughly   trained   in   stiowmanship   available   at 
all    times.         No    service    charge. 

The  studios  are  equipped  with  complete  organ  practice  and 
projection  facilities.  Advanced  pupils  have  the  advantage  of 
lessons  before  the  screen  under  the  same  conditions  as  pievail  in 
any  large  theatre. 

Our  pupils  succeed  where  other  organists  fail 

VERMOND  KNAUSS 

STUDIOS     OF     THEATRE 
ORGAN     PLAYING 

210  N.  7th  St.,  Allentown,  Pa. 


m 


m 


Page  22 

BiigiiaiiiiiisgiHisisiigiiaisissisisHSiassisiissiisiaisiasisiaisHS^ 

I         ORIGINALITY         I 
1+    MUSICAL  ABILITY 
V     SHOWMANSHIP 


HENRY  B.  MURTAGH 

"BOX  OFFICE"  ORGANIST 


LAFAYETTE  THEATRE 


BUFFALO 


NEW  YORK 


SISISH  a  QHIQISIS  SiQIQIQ  SISraifa  S  ES  B  SIS  S  B  Q  S  Q  QIQIQIQS  Q  Q  Q  E3  Q  S  Q  Q  Qieo 


BUILDERS  OF  STANDARD  ORGANS 


SINCE 


Viner  Organs  Fill  Every  Requirement  of 
the  Motion  Picture  Theatre 

RICHNESS  OF  TONE— COMPLETE  ORCHESTRATION 


SEND  FOR  FULL  INFORMATION 

VINER  &  SON 

1375  NIAGARA  ST.,  BUFFALO,  N.  Y. 


Universal  Electric  Stage  Light- 
ing Co.,  321  W.  50th  St.,  N.  Y. 
City,   N.    Y. 

Wheeler-Green  Elecvric  Co., 
29-39  St.  Paul  St.,  Rochester, 
N.   Y. 


LIGHTS,  Strip 


(See  Lights,  Bunch  and  Strip) 


LIGHTS,  Spot 


Adapt     Co.,     2996     E.     72nd    St., 

Cleveland,   O. 
Bennett,   Chas.   H.,    224   No.   13th 

St.,   Philadelphia,    Pa. 
Bcahling,   Frederick   A.,   502   W. 

44th   St.,   N.    Y.    City. 
Brenkert    Light    Projection    Co., 

49  Cortland  St.,  Detroit,  Mich. 
Capitol  Theater  Equip.  Co.,  10th 

Ave.,  N.  Y.  City,  N.  Y. 
Display   Stage  Lighting  Co.,  314 

W.   44th   St.,  N.   Y.    City,  N.   Y. 
Frink,    I.    P.,    239    10th   Ave.,    N. 

Y.  City,  N.  Y. 
Heineman,       Alfred       G.,       1212 

Spring    Garden,    Philadelphia, 

Pa. 
Me.strum,    Henry,    817    6th   Ave., 

N.   Y.   City,   N.   Y. 
Neu,   O.    F.,    219   W.    47th   St..   N. 

Y.   City,   N.   Y. 
Newton,    Chas.    L,    244    W.    14th 

St.,  N.   Y.   City,   N.    Y. 
Nev.     York    Ca!r:um    Li«ht    Co  , 

■14'.'    W.    53rd    St.,    N.    Y.    City, 

X.   Y. 
Rialto     Electric     Lighting     Co., 

304    W.    52nd    St.,    N.    Y.    City, 

N.    Y. 
Spotit  Co..  The.  522  W.  41st  St., 

N.   Y.  City,  N.  T. 
Sun     Ray     Lighting    Prod.     Co., 

110   Lafayette   St.,   N.   Y.    City, 

N.  Y. 
Jniversal  Electric  Stage  Light- 
ing   Co.,    321    W.    SOth    St.,    N. 

Y.  City,  N.  Y.  -Kliegl.' 

LIGHTS,  Studio 

Cooper-IIewitt  Electric  Co.,  95 
River  St.,   Hoboken,   N.   J. 

Dass  Camera  Co.,  109  N.  Dear- 
born St.,  Chicago,   111. 

LOBBY  DISPLAYS 

Arkay  Display  Service,  409  Film 
Exchange  Bldg.,  Cleveland,  O. 

Biltrite  Co.,  221  Green  St.,  Chi- 
cago, 111. 

Lebman  Sanjur  Co.,  1600 
Bway,  N.  Y.  City,  N.  Y. 

Markendorff,  C,  159  W.  23d  St., 
New    York    City,    N.    Y. 

Menger  Ring  &  Weinstein,  306 
W.   42nd   St.,  N.  Y.  City,  N.   Y. 

Moise-  Klinker  Co.,  369  Market 
St..  San  Francisco.  Cal. 

Stanley  Frame  Co.,  727  7th  Ave., 
N.  Y.  City,  N.  Y. 

LUBRICANT  PROJEC- 
TORS 

(See  Graphite,  Lubricating) 

MACHINES,  Automatic 
Vending 

"Butterkist" — See     Holcomb     & 

Hoke. 
Colonial     Metal     Products     Co., 

Syracuse,   N.   Y. 
Hadden    -   Messinger    Corp.,     42 

Lorimer   St.,   Brooklyn,   N.   Y. 
Hance  Mfg.   Co.,   Westerville,   O. 
Hecht,     Nielsen,     1322    Congress 

St..    Chicago,    111. 
Holcomb     &      Hoke,      2136     Van 

Buren    St.,    Indianapolis,    Ind. 

"Butterki.st." 
Individual     Drinking     Cup     Co., 

Inc.,    Easton,   Pa. 
International    Register    Co.,     It 

Throop  St.,  Chicago,  111. 
Kingery  Mfg.   Co.,    420    E.   Pearl 

St.,   Cincinnati,  O. 

MACHINES,  Change  Mak- 
ing 

American     Coin     Register     Co., 

Emeryville,    Cal. 
Brandt     Mfg.     Co.,     Watertown, 

Wis. 
Coin    Machine    Mfg    Co.,    984    K. 

17th   St.,   Portland,    Ore. 
Hoefer  Change  Maker  Co.,   3700 

E.    12th   St.,   Kansas  City,   Mo. 
Lightning  Coin  Changer,  855  N. 

Rush   St.,    Chicago,    111. 
McGill  Metal  Products  Co.,  1640 

Walnut       St.,       Chicago,       111. 

-McGill." 
Major  Equipment  Co.,  2518  Cul- 

lom  Ave.,  Chicago.  111. 
Smith,   E.    J.,    1960   E.    116th    St., 
Cleveland,     O.,       "Liberty." 


Exhibitors  Daily  Review 

MACHINE  DEVELOP- 
MENT 

Duplex  Motion  Picture  Indus- 
tries, Inc.,  Cor.  Sherman  St. 
&  Harris  Ave.,  L.  I.  City,  N. 
Y 

MACHINES,  Film  Measur- 
ing 

Boll  &  Howell  Co.,  1801  Larch- 
mont  Ave.,  Chicago,  111. 

Duplex  Machine  Co.,  316  75th 
St.,  Brooklyn,  N.  Y. 

Duplex  Motion  Picture  Indus- 
tries, Long   Island  Citv,   N.   Y. 

Filni  Inspection  Machine  Co., 
il  W.   60  St.,  N.  Y.  City,  N.  Y. 

MACHINES,  Film  Reno- 
vating 

American      Film      Cleaner — Co.,. 

1104  Prospect  Ave.,  Cleveland, 

O. 
Bennett    Film    Renovator,     Box. 

127    Kansas  City,   Kan. 
Film  Inspection  Machine  Co.,  21 

W.   60th   St.,   N.   Y.   City,   N.   Y. 
Film    Renovating    Machine    Co., 

of   America,    729    7th  Ave.,    N. 

Y.  City,   N.  Y. 
Rex    Film    Renovator    Mfg.    Co., 

73    E.    Norton    St.,    Columbus, 

Ohio. 
Smith,    Amos,    1964    Fulton    St., 

Cleveland,   O. 

MACHINES,  Film  SpUcing 

Bell  &  Howell   Co.,   1803  Larch- 

mont  Ave.,  Chicago,  111. 
Duplex    M.    P.    Industries,    Inc., 

Sherman    St.    &    Harris    Ave.,. 

Long  Island  City,  N.  Y. 
General     Machine     Co.,     359     E. 

155ch   St.,   N.   Y.   City,   N.    Y. 
Griswold   Machine    Works,   Port 

Jefferson,    N     Y. 
SliPijer,    J.    &    ::-).,    V2S    .S.    Olive 

Si.,    Los    Angeles,    Cal. 

MACHINES,   Film  Waxing 

(See   Waxing,   Film) 

MACHINES,  Peanut 
Toasting 

Holcomb  &  Hoke  Mfg.  Co.,  2046 
Van  Buren  St.,  Indianapolis, 
Ind.     "Universal     Butterkist.'' 

Kingery  Mfg.  Co.,  556  Pearl 
Ave.,  Cincinnati,  Ohio. 

::Un)versal  Butterkist'  —  See 
Holcomb   &  HoKe  Mfg    Co. 

MACHINES,  Slide  Making 

Elliott    Fish    Co.,   Mass. 

nadio  Mar  Slide  Co.,   L65  W.  48th 

St.,  N.  Y.  City,  N.  Y. 
Standard     Slide    Corp.,     209     W. 

34th  St.,   N.  Y.   City,  N.  Y. 

MACHINES,  Ticket  Vend- 
ing 

Arcus  Ticket  Co.,  352  N.  Ash- 
land Ave.,  Chicago,  111. 

Automatic  Ticket  Co.,  723  7th 
Ave..    N     Y.    City,    N.    Y. 

Globe  Ticket  Co.,  112-16  N.  12th 
St.,    Philadelphia,   Pa. 

National  Cash  Reg,i!eter,  Day- 
ton. Ohio. 

National  /Electric  Ticket  Regis- 
ter Co.  1511  N.  Broadway,  Si. 
L'  uis.  Mo. 

Simplex  Ticket  Co.,  1801  Ber- 
nice    Ave.,    Chicago,    111. 

Tamco  Sales  Co.,  1900  Morgan 
St.,    St.   Louis,   Mo. 

Work!  Ticket  &  Suoplv  <"o..  1C60 
Broadway,  N.  Y.  City,  N.  Y. 
"Simplex." 

MACHINE  PARTS 

C.    R.    Baird    Co.,    2    E.    23rd    St., 

N.   Y.    City,    N.    Y. 
Precision    Machine   Co.,    90    Goll 

St.  N.  Y.  City.  N.  Y 
Nicholas     Power     Co.,     30     Gold 

St.,  N.  Y.  City,  N.  Y. 

MARQUEES,  Theatre 

Moeschl-Edwards      Corrugating 

Co.,  Box  564,  Cincinnati,  Ohio. 
Moeschl-Edwards      Corrugating 

Co  ,  Coviniccu!!,   Fv.v. 
Pitt      Composite      Iron     Works, 

Wm.  R.,  219  W.  26th  St.,  N.  Y. 

City,  N.  Y. 
Pro-Bert     Sheet    Metal     Co.,     21 

W.  8th  St.,  Covington,  Ky. 

MATS,  Shde 

Radio  Mat-Slide  Co.,  121  W.  42d 

St.,  N.  Y.  City,  N.  Y. 
Standard     Slide     Corp.,     209     W. 

48th     St.,    N.     Y.    City,    N.     Y. 


April  3,  1926 

MUSIC  STANDS,  Orchestra      PEANUT  TOASTERS 


Liberty  Music  Stand  Co.,  1900 
Er  116th   St.,   Cleveland,   Ohio. 

Smith,  E.  J.,  1916  E.  116th  St., 
Cleveland,   O.,   "Liberty," 

NUMBERS,  Metal 

Alumln  Goods  Mfg.  Co.,  Mani- 
towoc, Wis. 

Krauas  Mfg.  Co.,  220  W.  42nd 
St.,   N.   Y.   City,    N.   Y. 

Radium  Dial  Co.,  Forbes  & 
Meyran   Ave.,   Pittsburgh,    Pa. 

ORCHESTRA  LIGHTS 

(See  Lights,  Orchestra) 

ORGAN  HEATERS 

(See  Heaters,  Organ) 

ORGAN  PLAYING, 
Instructions  in 

ORGANS,  Theatre 

Aeolian  Co.,  29  W.  42nd  St.,  M. 
Y.   City,  N.   Y. 

Austin  Organ  Co.,  156  Woodland 
Ave.,   Hartford,  Conn. 

Baldwin  Pianos,  323  S.  Wabash 
Ave.,   Chicago,   HI. 

Bartola  Musical  Instrument  Co. 
5  S.  Wabash  Ave.,  Chicago, 
111. 

Beckwith  Organ  Co.,  Northwest 
Chestnut   St.,   Louisville,   Ky. 

Bcman  Symphony  Organ  Co., 
Binghamton,  N.  Y. 

Cable  Co.,  Jackson  Blvd.  &  Wa- 
bash, Chicago,  111. 

Cable  Piano  Co.,  Aurora,  in. 

Estey  Organ  (So.,  Brattleboro, 
Vt. 

Gratian   Organ    Co.,    Alton,    111. 

Hall  Organ  Co.,  New  Haven, 
Conn. 

Hillgreen  &  Lane  Co.,  Alliance. 
O. 

Hook  &  Hastings,  Kendal 
Green,   Mass. 

"Hope-Jones" — See  Wurlitzer 
Co.,  Rudolph. 

Kilgen  &  Sons,  Geo.,  3825  La- 
clede Ave.,   St.   Louis,   Mo. 

Kimball  Co.,  W.  W.,  300  S.  Wa- 
bash Ave.,   Chicago,   111. 

Kramer  Organ  Co.,  1600  Broad- 
way, N.  Y.  City,  N.  Y. 

Link  Piano  Co.,  Binghamton, 
N.    Y. 

Lyon  &  Healy,  Wabash  &  Jack- 
son, Chicago,  111.  "Smith 
Unit." 

Marquette  Piano  Co.,  2421  Wal- 
lace   St.,   Chicago,   111. 

Marr  &  Colton  Co.,  Warsaw, 
N.  Y.   "New  Era." 

Mtson  &  Hamlin,  313  Fifth 
Ave.,  N.  Y.  City,  N.  Y. 

Moller,   M.    P.,   Hagerstown,   Md. 

Morton,  Robert,  Organ  Co.,  1560 
Bway.,  N.  Y.  City,  N.   Y. 

Page  Organ  Co.,  Lima,  Ohio. 

Skinner  Organ  Co.,  215  Sidney 
St.,  Boston,   Mass. 

Smith  Organ  Co.,  N.  Tonawan- 
da,   N.   Y. 

Smith  Unit  Organ  Co.,  419  W. 
Erie  St.,   Chicago,   111. 

United  States  Pipe  Co.,  Del 
County,  Crum  Lynne,   Pa. 

United  States  Organ  Co.,  Crum 
Ijynne,  Pa. 

United  States  Pipe  Organ  Mfg. 
Co.,  8105  Tinicum  Ave.,  Phila- 
delphia,  Pa. 

^iner  &  Sons,  1371  Niagara, 
Buffalo.  N.   Y. 

\oeteler  Holtkamp  Sparling 
Opera  Co.,  West  39th  St.,  cor. 
Meyer,  Cleveland,  O. 
W^angerin-Weickhardt  Co.,  il4 
Burrough  St.,  Milwaukee, 
Wis. 

W^ick  Pipe  Organ  Co.,  Highland, 
111. 

Wick    Co.,    P.    S.,    930    Portland, 

St.   Paul,   Minn. 
Wurlitzer  Co.,  Rudolph,   Cincin- 
natij  O. 

OUTFITS,   Slide  Making 

Radio  Mat-felide  Co.,  121  W.  42d 
St.,   N.    Y.    City,   N.   Y. 

Simplex  Slide  Co.,  1012  Michi- 
gan Ave.,  Sheboygan,  Wis. 

Standard  Slide  Corp.,  290  W. 
48th  St.,   N.  Y.  City,  N.  Y. 

PARTS,  Projector  Repair 

<See  Projectors,  Standard  Mo- 
tion Picture:  Also  Supply 
Houses) 

PATCH ERS,  De  Luxe 

Duplex  Motion  Picture  Inous- 
tries.  Inc.,  cor.  Sherman  St., 
and  Harris  Ave.,  Long  Island 
City,  N.  Y. 


"Butterkist" — 'See     Holcomb     & 

Hoke. 
Holcomb  &  Hoke  Mfg.  Co.,  2048 

Van    Buren    St.,    Indianapolis, 

Ind,   "Butterkist." 
Kingery     Mfg.     Co.,     555     Pearl 

Ave.,  Cincinnati,  Ohio. 

PENCILS,  Slide 

American  Lead  Pencil  Co.,  220 
Fifth   Ave.,   N.    Y.    City,    N.    Y. 

Blaisdell  Pencil  Co.,  Philadel- 
phia,  Pa. 

PERFORATORS,  Film 

Cummins  Co.,  B.  F.,  Ravent?- 
wood  Station,  Chicago,  111. 

Duplex  Motion  Picture  Indus- 
tries, Inc.,  cor.  Sherman  St., 
and  Harris  Ave.,  Long  Island 
City,  N.  Y. 

PIPES,  Organ 

Meyer  &  Sons,  Jerome  D,,  125 
Austin  St.,  Milwaukee,  Wis. 

POPPERS,  Pop  Com 

Bothelomew  Co.,  1300  Heights 
St.,   Peoria,    111. 

Cretors  and  Co.,  22nd  and  Jef- 
ferson  St.,   Chicago,   111. 

Dunbar  Co.,  2652  West  Lake  St., 
Chicago,    111. 

POSTERS 

Berkshire    Poster    Co.,     136    W. 

52d   St.,   N.    Y.   City,   N.    Y. 
Epstein,    Phil,    209    W.    48th    St., 

N.  Y.  City,  N.  Y. 
Erie     Lithograph     &      Printing 

Co.,    10    W.    4th    St.,    Erie,    Pa. 
Exhibitors   Supply    &    Sign    Ex- 
change,      1000       Forbes       St., 

Pittsburgh,  Pa. 
Mckenna       Bros.,       Brass       Co., 

Pittsburgh,  Pa. 
Peoples    Printing    Co.,     118     So. 

Howard   St.,  Baltimore,   Md. 
Philadelphia  Show   Print  Co.,  31 

No.   2nd   St.,   Philadelphfa,   Pa. 
Postograph     Co.,     1270     Ontario 

St.,    Cleveland,   O. 
Sampliner    Co.,    1600    Broadway, 

N.   Y.   City,  N.   Y. 

PRESS  BOOKS 

Beacon     Press,     Inc.,     318     West 

39    St.,    N,     Y.     City,    N.    Y. 
Circle   Press,    Inc.,    238    W.    53rd 

St.,  N.  Y.  City,  N.  Y. 
Kleeblatt,  O.  .S.,  253  W.  52nd  St., 

N.    Y.    City,    N.    Y. 
Times  Square   Printing  Co.,   250 

West     54th     St.,     N.     Y.     City, 

N.  Y. 
Tanney    Printing    &    Publishing 

Co.,   American   Theater    Bldg., 

42nd  St.,  Bet.  7th  &  8th  Aves., 

N.    Y.    City,   N.    Y. 

PRINTERS,    Automatic 

Duplex  Motion  Picture  Indus- 
tries, Sherman  St.,  and  Harris 
Ave.,   Long  Island   City,   N.  Y. 

PRINTERS,  Film 

Consolidated    Laboratories,     7  29 

7th  Ave.,  N.  Y.  City,  N    Y. 
Craftsman     Film     Lab.,     729-7th 

Ave.,  N.   Y.  City.   N.  Y. 
Cromlow    Film    Lab.,    220    \V.    42 

St.,    N,   Y.    City,   N.   Y. 
duplex    M.    P.    Industries,    Inc., 

i-iherman    St.     &    Harris    Ave., 

Long   Island   City,    N.   Y. 
Empire    Lab  ,     723-7th    Ave.,    N. 

Y.   City.  N.   Y. 
National       Evans      Film,       1476 

Broadway,  N.  Y.  City,  N.  Y. 
Rothacker    Film    Co.,     1339     Di- 

versey  Blvd.,  Chicago,  111. 

PRINTING,  Theatre 

(Programs,  Window  Cards, 
Heralds,    Throwaways). 

Alles  Printing   Co.,    224   E.    11th 

St.,    Los   Angeles,    Cal. 
Berkshire    Poster    Co.,     136     W. 

52d  St.,  N,  Y.  City,  N.  Y. 
Chronicle  Printing  Co.,  Logans- 
port,   Ind. 
Cole    Pulv    Co..    Olov«land,    O. 
Donaldsor.        Lithograph        Co., 

Newport,   Ky. 
Filmack   Co.,   73S   Wabash  Ave., 

Chicago,    111. 
Groen,   P.   A.,    52    Rum  ford   Ave., 

WaUluim,    Mas.i. 
Hennegai'    Co.,    The,   Cincinnati, 

O. 


Jordan  Show  Print,  229  Itisli- 
tutc-    Piao.;     Chicago,   Vil 

S;eyst-;ne  Prjss,  Utth  .t  Wyan- 
dotte   Sts.,    Kansas    City,    Mo. 

Liberty  Show  Print,  Pittsburgh, 
Pa 

Nafl  Poster  &  Printing  Co.,  506 
S.    Wabash  Ave.,   Chicago,   1)1. 

Penn  Poster  Co.,  224  No.  13  St., 
Philadelphia,   Pa. 

Quigley  Lithograph  Co.,  Kansas 
City,   Mo. 

Rialto  Printing  Co.,  riiHadel- 
phia.   Pa. 

Savoy  Printing  &  Pub.  Co.,  729 
7th  Ave.,  N.   Y.  City,  N.   Y. 

Tanney  Printing  &  Publishing 
Co.,  American  Theater  Bldg., 
4£nd  St.,  Bet.  7th  &  8th  Aves., 
N.    Y.    City,   N.    Y. 

Water.s-Barnhart  Printing  Co., 
4J4   So.    13th   St.,  Omaha,  Neb. 

PROGRAM  COVERS 

Hennegan      Co.,      The,      311-321 

Genesee,    Cincinnati,    O. 
Nafl     Poster     &     Printing     Co., 

506   S.   Wabash   A.ve.,   Chica.<o, 

111. 
Star   Program   Co.,   201   W.   4ftth 

St.,   N.   Y.   City,   N.   Y. 

PROGRAM  PRINTS 

Cahill-Igoe,     119     W.     Harrison 

St.,    Chicago,    111. 
Erie    Lithographing    Co.,    8th    & 

Perry    Sts.,    Erie,    Pa. 
Exhibitors'    Program     Co.,     1006 

Forbes  St.,  Pittsburgh,  Pa. 
Hennegan    &    Co.,    1311    Genesee 

St.,   Cincinnati,  O. 
Krauss  Mfg.  Co.,  220  W.  42d  St., 

N.    Y.   City.   N.   Y. 
Nat'l     Poster     &     Printing     Co., 

506  S.  Wabash  Ave.,   Chicago, 

111. 
Reeland,    727    Seventh    Ava.,    N. 

Y.  City,  N.   Y. 
Star   Program   Co.,    201    W.    49th 

St.,   N.   Y.   City,   N.   Y. 
Tanney    Printing    &    Publishing 

Co.,   American    Theater   Bldg., 

42nd  St.,  Bet.  7th  &  8th  Aves., 

N.   Y.    City,    N.   Y.  . 
Theater  Programm  Co.,  Journal 

Bldg.,    Detroit,    Mich. 
Water    Color    Co.,     450     Fourth 
Ave.,  N.   Y.   City,  N.  Y. 

PROJECTORS,  Advertising 

American     Moto-Sign     Co.,     218 

Post  Sq.,  Cincinnati,  Ohio. 
Lube  M,  P.  &  Phonography  Co., 

1600   Bway.,   N.   Y.   City,   N.   Y. 
Perfection       Slide       &      Picture 

Corp.,  79  5th  Ave.,  N.  Y.  City, 

N.  Y. 
Standard     Slide    Corp.,     211     W. 

48th  St.,  N.  Y.  City,  N.  Y. 

PROJECTORS,  Portable 

Acme  M.  P,  Projecting  Co.,  1134 

W.    Austin   Ave.,    Chicago,   111. 
Advoscope    Co.,    The,     305    Pine 

St.,   Portland,   Ore. 
American    Projecting    Co.,    (.2.15 

Broadwav,  Chicago,  111. 
Atlas  Educational    Film   Co.,    33 

E.  Adams  St.,  Chicago,  111. 
Bass   Camera   Co.,   109   N.   Dear- 
born St.,  Chicago,  ID. 
Bell   &  Howell  Co.,   1801   Larch- 

mont    Ave.,    Chicago,    111. 
Bray    Screen    Products,    130    W. 

4  6th  St.,  N.   Y.  City,  N.  Y. 
Buffalo  Projector  &  Film  Corp., 

Niagara    Life    Bldg.,    Buffalo, 

N.   Y. 
Capitol     Machine     Co.,     160     W. 

42nd  St.,  N.  Y.  City,  N.  Y. 
Cosmograph  Co.,  Morehead,  Ky. 
DeVry    Corp..     1111    Center    St., 

Chicago,    HI. 
Drophead    Projector,    The,    Fon- 

Du-lac.   Wis. 
Duplex    M.    P.    Industries,    Inc, 

Sherman    .St.    &    Harris    Ave., 

Long  Island   City,  N.  Y. 
Gennert,    G.,    24    E.    13th    St.,    N. 

Y.  City,  N.  Y, 
Herbert  &  Huesgen,   18  E,   42nd 

St,,   N,    Y,   City,   N.   Y. 
Hohmea  Portable  Projector  Co., 

Chicago,    111. 
Levenham  Corp.,  Grand  Central 

Terminal,   N.   Y.   City,   N.   Y. 
Pathescope    Co.,    Aeolian    Bldg., 

N.   Y.   City,  N.   Y. 
Safety    Projector    &     Film    Co., 

Duluth,   Minn. 
Van   Dyke    Hill   Co.,    16    E.    43rd 

St.,    N.    Y.   City,   N.    Y. 
Victor  Animatograph  Co.,  Dav- 
enport,   la. 

PROJECTORS,      Semi-Pro- 

fessional 

Bell  &  Howell  Co.,  1801  Larch- 
mont    Ave.,    Chicago,    111. 


Page  23 


Safety   Projector  &   Film   Corp., 
Duluth,   Minn, 

PROJECTORS,  Standard 

Band    Projector,    Newark,    N.    J. 
Enterprise  Optical  Mfg.   Co.,  564 

W.  Randolph  St.,  CTiicago,  1)1. 
Helos  Machine   Co.,    Auditorium 

Tower,    Chicago,    111. 
Herbert  &   Huesgen,   18  E.   42nd 

St.,    N     Y.    City,   N.   Y.    "Erne- 

mann." 
Paramount  Mfg.   Co.,   Dept.    ER, 

18   Benford    St.,  Boston,  Mass. 
Power  Co.,  Nicholas,  90  Gold  St, 

N,     Y.     City,     N.     Y.     "Powers 

Cameragraph." 
Power — See     Power     Co.,    Nich- 
olas. 
Precision  Machine  Co.,   Inc..   319 

E.    34th    St.,   N.   Y.   City,   N.   Y 

"Simplex." 
Simplex — See  Precision  Machine 

Co., 
Superior  Projector  Co.,  Coxack- 

sie,  N.   Y. 

PUBLICATIONS,  Projec- 
tion 

Cinema      Handbook,       Scientific 

American,     Woolworth    Bldg 

N.    Y.   City,    N.    Y. 
Falk  Publishing  Co.,  Inc..  Dept. 

625,    145    W.   I6th    St.,    "M.    P 

Projection." 
Hallberg,   J.   H.,   25   W.    45th  St., 

N.    Y.    Citv,   N.   Y. 
Richardson's    Handbook,    P    H 

516     Fifth    Ave.,    N.     Y.    City 


N.   Y. 


City, 


RACKS,  Film 

Diiplex    M.    P.    Industries,    Inc, 
Sherman    St.    &    Harris    Ave 
Lor.g    Island  City,  N    Y 

Pacific  Tank  &  Pipe  Co.,  Equit- 
able Bank  Bldg.,  Los  Angeles, 

RACKS,  Ticket 

'*■'}?«"  Ticket  Co.,  730  N.  Frank- 
lin   St.,    Chicago,    111. 


$5.00  Per  Foot 

FIGURE  your  film   cost,  pay-roll,   up- 
keep      and      overhead — that      is      as 
reasonable    as    you    can    get    out    for. 
And   It   figures   at   least   $5.00  per  second 
—or  $3.00  every  hour  of  actual   running 
time. 

As  leng  as  you  are  spending  that  to  op. 
erate,  you  certainly  should  consider  how 
well  these  $5.00-a-foot  pictures  are  pre- 
sented. You  )?now  it  is  not  every  screen 
that  will  stand  the  "gaff"  day  after  day 
— year  in  and  year  out.  No  one, — for- 
tunately for  us— has  even  been  able  to 
duplicate  DA-LITE  QUALITY  Frankly, 
because  we  will  be  still  further  ahead 
when   they   catch   up  1 

Think  it  over — you  can  install  a  DA-LITE 
Screen  for  less  than  )%  of  your  entire 
investment.  So  don't  you  think  it  is 
worth  while  to,  at  least,  look  into  the 
matter?  It  don't  cost  anything  to  do 
that  I 

Samples    are   furnished    on    request.     Not 

one    iota    of    obligation    to    you,    at    all. 

Send  for  them  today! 

Da-Lite  Screen  &  Scenic 
Co. 

922  W.  Monroe  St.     CHICAGO 


DA-LITE 

SUPER  -  QUALITY 

SCREENS 


Page  24 


Send  for  Catalogue   and 
Circulars 


MUSIC  BUYERS  CORP. 

1520  B'way  New  York  City 


REELS,  Film,  Shipping 

and  Projection 

Ajax  Film  Accessories  Co.,  30 
Church   St.,    N.    Y.    City,    N.    Y. 

American  Can  Co.,  N.  Y.  City, 
N.    Y. 

Bell  &  Howell  Co.,  1803  Larch- 
mont    Ave.,    Chicago,    111.      "B 

Duplex  M.  P.  Industries,  Inc., 
Sherman  St.  &  Harris  Ave., 
Long  Island  City,  N.  Y.  (See 
Adv.) 

Elkhart  Brass  Mfg.  Co.,  Elk- 
hart,  Ind.  _,_^„    „ 

Fulton  Co.,  E.  E.,  3208  Carrol 
Ave.,  Chicago,  111.  "Fulco." 
(See   Adv.) 

Geometric  Stamping  Co.,  ^21  E. 
131st   St.,    Cleveland,   O. 

Globe  Machine  &  Stamping  Co., 
1250  W.  76th  St.,  Cleveland,  O. 
"Globe." 

Goldberg  Bros.,  1431  Lawrence 
St.,    Denver,    Col. 

Indestructible  Metal  Products 
Co.,  521-25  W.  45th  St.,  N.  Y. 
City.  N.   Y.  ^    _ 

Lang  Mfg.   Works,   Clean,   N.   Y. 

Mossberg,  Frank  Co.,  Attleboro, 

NeufV.   F..    249   W.    47th    St.,    N. 

Y.  City,  N.  Y. 
Nless-Waner      Co.,      Blackstone 

Bldg.,    Pittsburgh,    Pa. 
Perfection  Reel  &  Can  Co.,   807 

W.  Lake   St.,  Chicago,  111. 
Rush   Ent.,    66,   Greenville,   S.   C. 
Sharlow  Bros.    Co.,   442   W.   42nd 

St.,   N.   Y.   City,    N.   Y. 
Taylor-Shantz   Co.,   N.    St.   Paul 

St.,    Rochester,    N.    Y. 
Universal  Electric  Welding  Co., 

132    W.    42nd    St.,    N.    Y.    City. 

N.       Y.         "Lachmann       Wire 

Reels." 
Whltehurst  Co.,  R.  W.,  Norfolk, 

Va. 
Wirt   &   Knox  Mfg.   Co..    23rd   & 

York,    Philadelphia,   Pa. 

REMINDERS,  Film 

Automatic  Film  Rewinder,  Har- 

risburg,    Pa. 
Bell   &  Howell   Co.,   1803  Larch- 

mont   Ave.,    Chicago,    111. 
Chicago  Cinema  Equipment  Co., 

820  Tripp  Ave.,  Chicago,  111. 
Duplex    Machine    Co.,    316    75th 

St.,    Brooklyn,   N.   Y. 
Duplex    M.    P.    Industries,    Inc., 

Cor.     Sherman     St.     &     Harris 

Ave.,   Long  Island   City,   N.   Y. 

(See  Adv.) 
Electrical  Prods.   Corp.,  1122  W. 

16th   St.,   Los  Angeles,  Cal. 
Emory  Co.,  R.  J.  Sherman  Ave., 

&   Runyon   St.,   NewarK,   N.   J. 
Feaster  Mfg.  Co.,  16  W.  46th  St., 

N.  Y.  City,  N.  Y. 
lang  Mfg.  Works.  Clean,  N.  Y. 
Powtr    Co.,    Nicholai",    l'<    (J<«I.l 

St.  N.  Y.  City,  N.  Y.  ']' .^•-r. ' 
Wil.'tms.   Blown  ft  Earle    Inc., 

91 S  <  niisr.  ut  S*.,  *  Wiinielphia, 
Pa 


REMINDERS,  Hand 

Duplex  M.  P.  Industries,  Inc., 
Cor.  Sherman  St.  &  Harris 
Ave.,  Long  Island   City,   N.   Y. 

REWINDERS,  Power 

Duplex  M.  P.  Industries,  Inc., 
Oo-  Sherman  bt.  &  Harri.s 
Ave.,   Long  Island  C'ity,  N.   Y. 

SAFES,  Film 

American  Film  Saft  Corp.,  1800 
Washington  Blv  I .  Baltimore, 
Md. 

Art  Metal  Co.,  Jamostown,  N. 
Y. 

Hall-Marvin  Co.,  393  Broadway, 
N.   Y.   City,   N.   Y. 

Hall  Safe  Co.,  388  Broadway, 
N.    Y.   City,    N.    Y. 

Hcrrinp.-Hall-Marvin     SaCa    to, 

"  11)0  Broadway,  N.  V.  City, 
N.  Y. 

York  Safe  &  Lock  Co.,  55  Maid- 
en Lane,   N.    Y.   City,   N.  Y. 

SAVERS,  Carbon 

Best  Devices  Co.,  1514  Prospect 

Ave.,   Cleveland,    O. 
National  Carton  Co.,  Cleveland, 

I  rojoction  Apparatus  Co,  •(] - 
45  Lafayette  St.,  N.  Y.  City, 
N.   Y. 

Electrical  Prods.  Corp.,  1122  W. 
16th  St.,  Los  Ang'Uos,  Ca. 

Fulco   Super — See   Fulton,  E.   K,. 

P'ulton  Co.,  E.  E.  3::0ft  Carrol 
Ave.  Chicago,  111.  "Ful'-c  Su- 
per." 

SCENERY,  Stage 

Arbuster,     M.     &     Sons,     249     S. 
Front  St.,  Columbus,  O. 
Beaumont   Velvet    Scenery    Stu- 
dios,   J.    H..    225    W.    46th    St., 

N.    Y.   City,   N.   Y.  _^ 

Beck     &     Sons     Co.,     The,     Wm, 

Cincinnati,  O.  .^^ 

Bradley    Studios,    Wm.,    218    W. 

43d   St.,   N.   Y.   City,   N.   Y. 
Camph,     Wm.,     1540     Broadway, 

N.  Y.  City,  N.  Y. 
EnkeboU   Art   Co.,    5",05    N.    27th 

St..    Omaha,    Neb. 
Kahn,    Theodore,     155    W.     29th 

St.,  N.  Y.  City,  N.  Y. 
Kuhn     Studios,     Louis,     291     8th 

Ave.,  N.   Y.  City,  N.  Y. 
Kansas    City    Scenic    Co.,    N.    E. 

cor.     24th     &     Harrison     Sts., 

Kansas  City,   Mo. 
Lash     Studios,     Lee,     Longacre 

Bldg.,   N.   Y.   City,   N.   Y. 
New  York  Studios,    328  W.   23th 

St.,   N.   Y.   City,   N.   Y. 
Novelty      Scenic      Studios,      220 

West     46th     St.,     N.     Y.     City, 

N.   Y. 
Reising    &    Co.,     Theo.,     625    E. 

15th   St.,   N.   Y.   City,   N.    Y. 
Rcthe  &  Teichner,  Irving  Place 

Theater,   N.    Y.    City,   N.    Y. 
Schells     Scenic     Studio,     581     S. 

High  St.,  Columbus  O. 
United     Scenic     Studio,     30     W. 

Lake   St.,   Chicago,   111. 

SCREENS,  Motion  Picture 

"Crystal  Bead" — See  Jacobson 
Mfg.   Co. 

Da-lite  Scenic  Co.,  922  W.  Mon- 
roe St.,  Chicago,  111.  "Da- 
lite." 

DeBerrl  Scenic  Co.,  922  W.  Mon- 
roe   St.,    Chicago,    111. 

Gardiner,  L.  G.,  1031  W.  Good- 
ale    St.,   Columbus,   O. 

Gold  King  Screen  Co.,  Altus, 
Okln. 


"Haftone" — See     Raven     Screen 

Co. 
Minusa    Cine     Screen     Co.,     Bo- 

mont  &  Morgan  Sts.,  St.  Louis, 

Mo. 
Raven    Screen    Co.,    1476    Bway., 

N.   Y.   City,  N.   Y.     "Haftone." 
Rembusch    Screen    Co.,    .Shelby- 

ville,  Ind. 
Storey    Scenic    Co.,    21    Tuft    St., 

Boston,    Mass. 
Sunlite    Screen    Co.,     257     Canal 

St.,  N.  Y.  City,  N.  Y. 
Walker    Screen    Co..    259    Canal 

St.,   N.    Y.    City,    N.    Y. 
Wertsner  &  Sons,  C.   S.,   221  No. 

13th      St.,      Philadelphia,      Pa. 

"Superlite." 

SEAT  INDICATORS,  Va- 
cant 

Better  Service  Film  Co.,  Inc., 
551  Salina  St.,  Syracuse,  N.  Y. 

Guerin  Theatre  Seating  System, 
Inc.,  New  Hibernia  Bldg., 
New    Orleans,    La. 

SHADES,  Arc  Lamp 

Gill  &  Co.,  E.  York  &  Thomp- 
son   Sts.,    Philadelphia,    Pa. 

Royal  Enameling  &  Mfg.  Co., 
326  W.  Madison  St.,  Chicago, 
111. 

Vogel  &  Bros.,  Wm.,  37  South 
Ninth   St.,   Brooklyn,   N.   Y. 

Wheeler-Green  Electric  Co.,  29- 
39  St.  Paul  St.,  Rochester, 
N.    Y. 

Wheeler  Reflector  Co.,  156  Pearl 
St.,    Boston,    Mass. 

SIGNS,  Electric  Illuminated 

A.    &  N.   Electric   Sign   Co.,   2120 

E.    19th   St.,   Cleveland,   O. 
Federal  Electric  Co.,  130  W.  42d 

St.,    N.    Y.    City,    N.    Y. 
Flexlum  Sign  Co.,   1100  Military 

Rd.,    Buffalo,   N.    Y. 
Luminous  Sign   Co.,   2736  Went- 

worth  Ave.,  Chicago,   111. 
Murphy  &  Brodie,   817   8th  Ave., 

N.    Y.    City,   N.   Y. 
Norden  Co.,  Inc.,  132  W.  43d  St.. 

N.   Y.   City,   N.   Y. 
Novelty    Electric    Sign    Co.,    118 

W.    2nd    St.,    Cincinnati,    O. 
Opalume  Sign  Co.,  Battle  Creek, 

Mich. 
Philadelphia    Sign    Co.,     338     N. 

Randolph,    Philadelphia,    Pa. 
Strauss    &    Co.,    616    W.    43d    St., 

N.   Y.   City,   N.   Y. 

SIGNS,  Electric  Illuminated 
(Changeable  Letters) 

A.  &  N.  Electric  Sign  Co.,  1680 
Carnegie  Ave.,  Cleveland,  O. 

Philadelphia  Sign  Co.,  338  N. 
Randolph,   Chicago,    111. 

Plowman  Co.,  Frank  E.,  404  N. 
Mich.  Ave.,  Chicago,   111. 

SIGNS,  Exit 

Plowman   Co.,   Frank   E.,   400   N. 

Michigan    Ave.,     Chicago,     111. 
Radium     Dial     Co.,     Forbes     & 

Meyran   Ave.,   Pittsburgh,    Pa. 

SIGNS,  Illuminated 
Program 

Advance  Sign  Co.,  567  W.  Har- 
rison   St.,   Chicago,   111. 

American  Sign  Co.,  Willard  & 
Cooley  Sts.,  Kalamazoo,   Mich. 


Exhibitors  Daily  Review 

Atlas  Electric  Sign  Corp.,  510 
W.    45th   St.,   N.    Y.   City,   N.   Y. 

Federal  Electric  Sign  Co.,  8700 
S.    State   St.,    Chicago,    111. 

Plowman  Co.,  Frank  E.,  400  N. 
Michigan  Ave.,  Chicago.  "Glo- 
Letr." 

(See   Lights,   Exit.) 

K-H  Sign  Mfg.  Co.,  530  Fer- 
nando  St.,   Pittsburgh,   Pa. 

Major  Equipment  Co.,  2518  Cul- 
lum    Ave.,    Chicago,    111. 

Nu-Flex  Mfg.  Co.,  160  N.  Fifth 
Ave.,  Chicago,  111. 

Opalume  Sign  Co.,  Battle  Creek, 
Mich. 

Philadelphia  Sign  Co..  338  N. 
Randolph,    Chicago,    111. 

Standard  Slide  Corp.,  209  W. 
48th     St.,     N.    Y.     City,    N.     Y. 

Universal  Electric  Stage  Light- 
ing Co..  321  W.  50th  St..  >'.  Y. 
City,  N.  Y. 

Wheeler-Green  Electric  Co.,  29- 
39  St.  Paul  St.,  Rochester, 
N.  Y. 

SIGNS,  Interchangeable 
Letter 

Brilliant  Sign  Co.,  3531  Wash- 
ington St.,   St.  Louis,  Mo. 

Tablet  &  Ticket  Co.,  1015  W. 
Adams  St.,   Chicago,  111. 

SLIDE  INK 

(See   Inks,    Slide) 

SLIDE  PENCILS 

(See  Pencils,   Slide) 

SLIDES 

Bush,  M.  S.,  52  W.  Chippewa 
St..    Buffalo.    N.    Y. 

Catty  Slide  Co.,   Pittsburgh,  Pa. 

Exxcelsior  Illustrating  Co.,  219 
Sixth   Ave.,    N.    Y.    City,    N.    Y. 

Kansas  City  Slide  Co.,  1015  Cen- 
tral   Ave.,    Kansas    City,    Mo. 

Lantern  Slide  Co.,  220  W.  Lib- 
erty   St.,    Cincinnati.    O. 

Radio  Mat  Co.,  167  W.  48th  St., 
N.    Y.    City,   N.   Y. 

Standard  Slide,  211  W.  48th  St., 
N.   Y.   City,    N.   Y. 

SLIDE  MAKING  MA- 
CHINES 

(See  Machines,  Slide  Making) 

STAGE  EFFECTS 

Brenkert    Light    Projection    Co., 

Courtland  Ave.,  Detroit,  Mich. 
Clark,    Inc.,    Peter,    534    W.    30th 

St.,   N.    Y.   City,   N.   Y. 
Major  Equipment  Co.,   2518  Cul- 

lum    Ave.,    Chicago,    111. 
Mestrum.    Henry,    817    6th    Ave., 

N.   Y.   City,  N.   Y. 
Newton,    Cha.s.    L,    244    W.    14th 

St.,   N.   Y.   City,   N.    Y. 
Sheck    &    Co.,    O.,    Metropolitan 

Theatre,    Cleveland,   O. 
Universal         Electrical         Stage 

Lighting  Co.,   321  W.  SOth  St., 

N.  Y.   City,  N.  Y. 

STAGE  RIGGING 

Channon  Mfg.  Co.,  Jas.  H.,  221 
W.  Erie  St.,  Chicago,  111. 

Clark,  Inc.,  Peter,  534  W.  30th 
St.,   N.   Y.   City,    N.   Y. 

Welsh,  J.  H.,  270  W.  44th  St.,  N. 
Y.   City,  N.  Y. 

STANDS,  Music 

Smith,  E.  J.,  I960  E.  116th  St., 
Cleveland,  O. 


FLASH-O-LITE    SERVICE 
INCREASES  BOX  OFFICE  RECEIPTS 

The  illustration  is  a  reproduction  of  a  beautifully  constructed,  8  section,  hand  carved, 
bronze  finish  frame,  metal  box,  electrically  wired  for  illuminating  each  section.  The 
wiring  is  arranged  so  that  four  sections  are  illuminated  at  one  time,  flashing  on  and  off. 
The  sign  is  highly  ornamental  as  well  as  serviceable  and  will  prove  to  be  a  fixture 
of  mucb  attraction  installed  in  the  interior  or  lobby  of  a  theatre. 

The  FLASH-O-LITE  SERVICE  permits  you  to  display  coming  features,  be  it  pic- 
tures, vaudeville  or  any  other  message  by  a  method  of  colored,  interchangeable  mats, 
electrically  illuminated  at  a  cost  less  than  hand  painted  signs. 

We  will  furnish  the  display  sign  and  a  weekly  change  of  copy  at  a  small  weekly 
charge.     Write  for  Circular  and  details. 

FLASH-O-LITE  SALES  COMPANY,  INC. 

p.  O.  BOX  94,  FENWAY  STATIOPf, 
1102  BOYLSTON  ST.  BOSTON,  MASS. 


Ik 


>ril  3,  1926 


Page  25 


^Xapacity  Houses - 

the  Result  of  a  Good  Show 
Flexlume- Advertised  ^* 

"My  Flexlume  exposed-lamp  electric  sign  builds  good  will 
for  me  and  'spotlights'  my  location.  The  Flexlume  inter- 
changeable board  advertises  the  program  and  creates  more 
customers  for  me.  It  is  doubly  effective  because  its  bold, 
snow-white  letters  are  as  strong  by  day  as  by  night." 


Simple,  quick  changes;  a  convenient  storage  cabinet  and 
a  safe  carrying  rack  to  insure  against  breakage  are  other 
advantages. 

Let  us  submit,  without  obligation,  photoprints  and  infor- 
mation about  Flexlume  Electric  Theatre  Signs — exposed  lamp 
type  for  theatre  names,  with  interchangeable  molded  glass 
letters  for  the   feature  display. 

FLEXLUME  CORPORATION 

1440    Military    Road  Buffalo,    N.    Y. 

Factories    uUo    at    Detroit,    Los    Angeles,    Oakland,    Calif.,    and    Toronto,    Can. 


iTLEXLUMr 


STEREOPTICONS,    Auto 
matic 


Beseler   Co.,    Chas.,    131    E.    23rcl 

St.,    N.    Y.    City,    N.    Y. 
Perfection      Slide      &      Pictures 

Corp.,  79   5th  Ave.,  N.  Y.  City, 

N.   Y.     "Perfectiscope." 
Standard     Slide     Corp.,     209    W. 

47th     St.,    N.     Y.     City,     N.     Y. 

"Slide-O-Graf." 
Brenkert    Light    Projection    Co., 

25      Courtland      St.,      Detroit, 

Mich. 

STEREOPTICONS 

Brenkert    Light    Projection    Co., 

Detroit,   Mich. 
Mestrum,    Henry,    817    6th    Ave., 

N.    Y.    City,    N.    Y.      "Kleine." 
Newton,    Chas.    I.,    244    W.    14th 

St.,   N.   Y.   City,   N.    Y. 
Perefction        Slide  Picture 

Corp.,  79  5th  Ave.,  N.  Y.  City, 

N.    Y. 
Projection    Optics    Co.,    Roches- 
ter, N.  Y. 
Standard     Slide     Corp.,     209     W. 

48th     St..     N.     Y.     City,     N.     Y. 
Universal  Elect.  Stage  Lighting 

Co.,     321    -W.     50th    St.,     N.     Y. 

City.  N.   Y. 

STUDIOS 

(Complete  List  will  be  fur- 
nished   on    request.) 

SUPPLY  DEALERS 

(See  Equipment  Supply  Dealers 
and    Distributors.) 

SWITCHBOARDS,  Theatre 

Adam  Electric  Co.,  Frank,  3650 
Windsor   PI.,    St.   Louis,   Mo. 

"Bulldog" — See  Mutual  Electric 
&  Machine  Co. 

Cleveland  Switchboard  Co.,  2925 
E.    79th    St.,    Cleveland,    O. 

Cutler-Hammer  Mfg.  Co.,  Mil- 
waukee,  Wis. 

General  Electric  Co.,  Schenec- 
tady,  N.   Y. 

Hub  Electric  Co.,  2219  W.  Grand 
Ave.,  Chicago,  111. 

Industrial  Controller  Co.,  Mil- 
waukee, Wis. 

Kliegl — See  Universal  Electri- 
cal  Stage   Lighting   Co. 

Major  Equipment  Co.,  2518  Cul- 
lom  Ave.,  Chicago,  111. 


Mutual  Electric  &  Machine  Co., 
Detroit,  Mich. 

Northwestern  Electric  Co.,  408 
S.  Hoyne  St.  &  Tilden,  Chi- 
cago,  111. 

Pringle  Electric  Mfg.  Co.,  1906 
N.  Sixth  St.,  Philadelphia,  Pa. 

Trumbull  Electric  Mfg.  Co., 
Plainville,    Conn. 

United  Electric  Mfg.  Co.,  New 
Orleans,    La. 

Univet-sal  Electric  Stage  Light- 
ing Co.,  321  W.  50th  St.,  N.  Y. 
City,   N.   Y.     "Kliegl." 

Walker  Electric  Co.,  2336  Noble 
St.,    Philadelphia,   Pa. 

Ward  Leonard  Electric  Co.,  41 
South    St.,    Mt.    Vernon,    N.    Y. 

Westinghouse  Electric  &  Mfg. 
Co.,  E.  Pittsburgh,  Pa. 

TICKET  CHOPPERS 

Brewster    &    Co.,     Long    Island 

City,  N.  Y. 
Bright,     H.     V.,     1104     Prospect 

Ave.,    Cleveland,    O. 
CaiUe  Bros.  Co.,   6210  2nd  Blvd., 

Detroit,  Mich. 
Duplex    Motion    Picture    Indus- 
tries, Sherman  &  Harris  Ave., 

Long  Island  City,   N.  Y. 
L^ngslow  Co.,  A.  Chas.,  232  Jay 

St.,    Rochester,    N.    Y. 
Projection     Apparatus     Co.,     41 

Lafayette  St.,  N.  Y.  City,  N.  Y. 
SchalTer,    E.    S.,    &    Co.,    24-26   E. 

Eighth       St.,       Chicago,       111. 

"Badger." 
World  Ticket  &  Supply  Co.,  1600 

Bway.,  N.  Y.  City,  N.  Y. 

TICKET  HOLDERS 

Globe    Ticket    Co.,    112    N.    12th 

St.,  Philadelphia,  Pa. 
Standard     Tlpket     Co.,     150     W. 

10th   St:,   N.   Y.   City,   N.    Y. 
Williams,    Brown    &    Earle,    918 

Chestnut  St.,  Philadelphia,  Pa. 
World  Ticket  &  Supply  Co.,  160O 

Bway.,    N.   Y..Clty,    N.    Y. 

TICKETS,  Admission 
Reserved   Seat,   Coupon, 
Roll  and  Machine 

Automatic  Ticket,  723  7th  Ave., 
N.   Y.   City,   N.   Y. 

Ansell  Ticket  Co.,  730  N.  Frank- 
lin   St.,   Chicago,   m. 

Arcus  Ticket  Co.,  352  N.  Ash- 
land Ave.,   Chicago,   111. 


Elliot     Ticket     Co.,     101     Varick 

St.,   N.   Y.   City,   N.   Y. 
Empire  Ticket  Co.,  16  Beach  St., 

Boston,  Mass. 
Globe    Ticket    Co.,    112    N.    12th 

St.,    Philadelphia,    Pa. 
Keystone  Ticket  Co.,  Shamokin, 

Pa. 
National    Ticket   Co.,    203    North 

Pearl    St.,    Shamokin,    Pa. 
Rees  Ticket  Co.,  406  South  10th 

St.,    Omaha,    Neb. 
Simplex  Ticket  Co.,  Chicago,  111. 
Trimount  Press,  113-121  Albany 

St.,    Boston,   Mass. 
Weldon,  William  and  Lick,  Foil 

Smith.  Ark. 
World  Ticket  &  Supply  Co.,  1600 

Broadway,  N.  Y.  City,  N.  Y. 

TITLES,  Film 

Broda,    M.    F.,    220    W.    42d    St., 

N.    Y.   City,   N.   Y. 
Buchheister,       Oscar,       245      W. 

55th  St.,  N.   Y.  City,  N.  Y. 
Hirlagraph        Motion        Picture 

Corp.,  723  Seventh  Ave.,  N.  Y. 

City,     N.  Y.,     and     Fort     Lee, 

N.    J. 
Kassel  Studios,  220  W.  42nd  St., 

N.   Y.   City,   N.    Y. 
Old  Masters  Studio,  110  W.  42nd 

St.,   N.   Y.  City,   N.  Y. 
Photoplay  Title  Co.,  582S  Broad- 
way, Chicago,   111. 
Prlzma,    Inc.,    110    W.    40th    St., 

N.   Y.  City,  N.  Y. 
Simplex  Studios,   220  W.  42d  St., 

N.   Y.   City,   N.   Y. 
Slobey,    John,    214    W.    49th    St., 

N.    Y.   City,   N.   Y. 
Stern,    Ernest,    203    W.    40th    St., 

N.    Y.    City,    N.    Y. 
Teitel,    A.,     1600    Bway.,     N.     Y. 

City,   N.   Y. 

UNIFORMS,   Ushers,   Door 
Men 

Ford  Uniform   Co.,    220  W.   42nd 

St.,   N.    Y.   City,    N.    Y. 
Pettlbone  Bros.,  Ferguson  Bldg., 

Pittsburgh,    Pa. 
Russell       Uniform       Co.,        1600 

Bway.,   N,   Y.   City,   N.   Y. 
Warnock    Uniform    Co.,     16    W. 

46th   St.,   N.    Y.   City,   N.   Y. 

USHER  SIGNALS 

Walsh,     J.    J.,     502     Commercial 
Bldg.,  Syracuse,  N.  Y. 


VAULTS,  Public  Fibn 

(See   Storage,   Film) 

VENDING  MACHINES 
Automatic 

(See  Machines,  Automatic  Vend- 
ing) 

VENDING  MACHINES 

(See  Machines,  Automatic) 

VENTILATING  SYSTEM. 

Allen  Air  Turbin  Ventilator  Co., 

8th    and    Porter    Sts.,    Detroit, 

Mich. 
American  Blower  Co.,  6004  Rus- 
sell   St.,    Detroit,    Mich. 
Atmospheric     Conditioning    Co.. 

Lafayette  Bldg.,  Philadelphia, 

Pa. 
Boehn,  John  C,  Co.,   1555  Ham- 
ilton  Ave.,    Cleveland,    O. 
Carrier  Engineering  Corp.,  7250 

Frelinghuysen    Ave.,    Newark, 

N.   J. 
Pullman    Ventilating    and    Mfg. 

Co.,     York     Ave.     and     R.     R., 

York,    Pa. 
Reynolds   &   Co.,    B.    F.,    118    W. 

Ohio  St.,  Chicago,  111. 
tiLiirtevant     Co.,     B.      F.,     Hyde 

Park,   Boston,  Mass. 
Supreme    Heater    &    Ventilating 

Co.,   1522   Olive   St.,    St.    Louis, 

Mo. 
Tyhpoon     Cooling     System,     345 

W.   39th   St.,   N.   Y.   City,   N.   Y. 
Westinghouse  Elec.  &  Mfg.  Co., 

E.   Pittsburgh,   Pa. 
York    Refrigerating    Co.,    York, 

Pa. 

VIGNETTING  DEVICES, 
Camera 

Bass  Camera  Co.,   100  N.   Dear-; 
born'  St.,  Chicago,  111.  m 

Bell  &  Howell  Co.,   1801   Larch-'"' 
mont  Ave.,  Chicago,   111. 

Burke  &  James,  Inc.,  240  E.  On- 
tario St.,  Chicago,   111. 

Eastman  Kodak  Co.,  Rochester, 
N.    Y. 

MKgIc    Film    Protector    Co.,    613 
Bl  Wlllard   St.,  Muncie,  111. 

WRENCHES,  Carbon 

Pierce,  Carl,  Morris,  III. 


Page  26 


Exhibitors  Daily  R^ 


ADVICE 

that  saves  you   money  in 

NEW  YORK 


FOR  real  comfort,  unusual 
convenience  and  genuine 
economy — stop  at  the  Martin- 
ique— no  New  York  Hotel  offers 
more  to  the  conservative  visitor 
who  demands  clean,  comfortable 
accommodations  at  moderate 
prices — rates  start  at  $2.50  per 
day. 

— Take  our  advice.  Investi- 
gate! We'll  welcome  you — and 
do  our  best  to  prove  it! 

A.  E.  Singleton 

Resident  Manager 

HOTEL  MARTINIQUE 

Affiliated  with  Hotel  McAlpin 

Broadway — 32nd  to  33rd  Streets 

New  York 


'Arlington   Operated" 

Hotel   Ansonia 

Broadway,  73rd  to  74th  Streets,  New  York  City 

12   minutes  from  Pettn.   &  Grand  Central  Stations 
5  minutes  to  Theatres   &  Shopping  District 

1260    ROOMS 

(All  Outside) 

New  York's  most 
complete  hotel. 
Everything  for  com- 
fort and  convenience 
of  our  guests. 

Two  Restaurants 

Open    from     6.30    A.    M. 
until    midnight 

Music  :  :  Dancing 
2  Radio  Orchestras 
Ladies  Turkish  Bath 

Beauty  Parlor 
Drug  Store 

Barber  Shop 
Stock  Brokers  Ofifice 

All    in    the    Ansonia 
Hotel 

TRANSIENT  RATES 

300  Rooms  and  Bath $3.50  per  day 

Large  double  Rooms,  twin  beds,  Bath   ....  $6.00  per  day 

Parlor  Bedroom  &  Bath  (2  persons) $7.00  per  day 

Special    Weekly    and    Monthly    Rates 

A  restful  hotel — away  from  all  the  noise  and  "din"  of  the 
''Roaring  Forties.**  No  coal  smoke,  cor  steam  plant  equipped 
oil    fuel.     Coolest    Hotel   in    New   York   in   Summer. 

The  Ansonia 

In    Conjunction    with    the    Hotels    Colonial, 
Anderson,    Richmond    &    Cosmopolitan 

"Arlington  Operated" 


Classified  Opportunities 

Rate  2  Cents  a  Word— Cash  With  Copy 


k^ 


WiU 

0«nd    for 


Mailing  Lists 


ou  inc3ea«e  amlet 
B  B    cataloc   slTtat 


Frofsaalona,  BnalDeaa  Ftroia. 

99%by^^drol  5  *^each 


Statement   of    Ownership 

STATEMENT    OF  THE   OWNERSHIP, 
MANAGEMENT,  CIRCULATION, 

ETC.,  REQUIRED  BY  THE  ACT  OF 
CONGRESS   OF   AUGUST  24,   1912, 

Of  Exhibitors  DAILY  REVIEW,  includ- 
ing Exhibitors  Review,  published  daily 
(except  Sunday)  at  New  York,  N.  Y., 
for  April   1,   1926. 

COUNTY  OF  NEW  YORK,  ss. 
STATE  OF  NEW  YORK, 

Before  me,  a  Notary  Public  in  and  for 
the  State  and  County  aforesaid,  personally 
appeared  Fred  J.  McConnell,  who,  having 
been  duly  sworn  according  to  law,  deposes 
and  says  that  he  is  the  Editor  of  the  Ex- 
hibitors DAILY  REVIEW,  including  Ex- 
hibitors Review,  and  that  the  following  is, 
to  the  best  of  his  knowledge  and  belief,  a 
true  statement  of  the  ownership,  manage- 
ment (and  if  a  daily  paper,  the  circulation) 
etc.,  of  the  aforesaid  publica'tion  for  the 
date  shown  in  the  above  caption,  required 
by  the  Act  of  August  24,  1912,  embodied 
in  section  411,  Postal  Laws  and  Regula- 
tions, printed  on  the  reverse  of  this  form, 
to  wit : 

1.  That  the  names  and  addresses  of  the 
publisher,  editor,  managing  editor,  and  busi- 
ness managers  are :  Publisher,  Exhibitors 
Review  Publishing  Corporation,  45  West 
45th  St.,  New  York,  N.  Y.  ;  Editor,  Fred 
J.  McConnell,  45  West  45th  St.,  New  York, 
N.  Y. ;  Managing  Editor,  None ;  Business 
Manager,  H.  J.  Schleier,  45  West  45th  St., 
New  York,  N.  Y. 

2.  That  the  owner  is :  (If  owned  by  a 
corporation,  its  name  and  address  must  be 
stated  and  also  immediately  thereunder  the 
names  and  addresses  of  stockholders  owning 
or  holding  one  per  cent  or  more  of  total 
amount  of  stock.  If  not  owned  by  a  cor- 
pora'tion,  the  names  and  addresses  of  the 
individual  owners  must  be  given.  If  owned 
by  a  firm,  company,  or  other  unincorporated 
concern,  its  name  and  address,  as  well  as 
those  of  each  individual  member,  must  be 
given.)  Exhibitors  Review  Publishing  Cor- 
poration, 45  West  45th  St.,  New  York, 
N.  Y. ;  Geo.  C.  Williams,  45  West  45th 
St.,  New  York,  N.  Y.  :  Frank  Meyers,  239 
West  39th  St.,  New  York,  N.  Y.  ;  M.  M. 
Fernsler,  Flushing,  Long  Island  N.  Y. ; 
Fred  J.  McConnell,  45  West  45th  St.,  New 
York,    N.    Y. 

3.  That  the  known  bondholders,  mort- 
gagees, and  other  security  holders  owning 
or  holding  1  per  cent  or  more  of  total 
amount  of  bonds,  mortgages,  or  other  secu- 
rities are:  (If  there  are  none,  so  state.) 
None. 

4.  That  the  two  paragraphs  next  above, 
giving  the  names  of  the  owners,  stockhold- 
ers, and  security  holders,  if  any,  contain 
not  only  the  list  of  stockholders  and  secu- 
rity holders  as  they  appear  upon  the  books 
of  the  company  but  also,  in  cases  where  the 
stockholder  or  security  holder  appears  upon 
the  books  of  the  companv  as  trustee  or  in 
any  other  fiduciary  relation,  the  name  of 
the  person  or  corporation  for  whom  such 
trustee  is  acting,  is  given ;  also  that  the 
said  two  paragraphs  contain  statements  em- 
bracing affiant's  full  knowledge  and  belief 
as  to  the  circumstances  and  conditions  under 
which  stockholders  and  security  holders 
who  do  not  appear  upon  the  books  of  the 
company  as  trustees,  hold  stock  and  secu- 
rities in  a  cafiacity  other  than  that  of  a 
bona  fide  owner ;  and  this  affiant  has  no 
reason  to  believe  that  any  other  person, 
association,  or  corporation  has  any  interest 
direct  or  indirect  in  the  s^d  stock,  bonds, 
or  other  securities  than  as  so  stated  by 
him. 

5.  That  the  aTerage  number  of  copies 
of  each  issue  of  this  publication  sold  or 
distributed,  through  the  mails  or  otherwise, 
to   paid    subscribers    during   the    six   months 

preceding  (he  date  shown  above  is    

(This    information     is    required    from    daily 
publications    only.) 

FRED  J.   McCONNELL, 

Editor. 
Sworn   to   and   subscribed   before  me   this 
First  day  of  April,   1926. 

HYMAN    SCHLEIER, 

Notary  Public,   Bronx   County, 

(Seal)         No.    183;   Register's  No.    2739A ; 

Cert,    filed    in    N.    Y.    Co.,    No. 

827;   Register's  No.   7651. 

(My   commission   expires    March    30,    1927.) 


For  Sale 


EIGHT     HUNDRED      UPHOLSTl 
OPERA  CHAIRS  made  on  contract, 
hundred  yards  of  battleship  cork  carpi 
linoleum.     All  new  goods,  government 
ards,    for    theatres,    etc.       One    exhau 
and    three    ampmeters.       1200    5-ply 
seats   and   backs   made   to   fit   any   cha 
new.     One  large  asbestos  drop  with  ri 
Thirty      new     high      grade     folding 
dropped  factory  patterns ;  some  cost  a 
as    $5    each,    oflered    from    $1.50    to   , 
Redington    Co.,   Scranton,   Pa.  I 


WE  HAVE  a  limited  number  of  H 
110  Volt,  D.  C,  and  220  Volt,  D.  C 
tors  at  $5.50  each.  One-sixth  H.P., 
as  above,  at  $6.00  each.  First  class 
tion,  overhauled.  Cash  with  order, 
able  for  operating  moving  picture  mai 
rewinding  machines,  etc.  (General  Dis 
ing  Co.,  Security  Storage  &  Van 
Duluth,  Minn. 

HERE    IS    YOUR    OPPORTUNia 

obtain  brand  new  14  H.P.,  110  vc 
cycle,  single  phase,  A.  C.,  brand  ne 
tors  with  pulley  at  $10.00  each.  CasI 
order.  Will  operate  rewinding  mai 
motion  picture  machines,  lathes,  gr 
e^.  Brand  new  1  K.W.,  Westinghoi 
volt  light  and  power  generators,  rei  j 
run,  at  $48.00  each.  Factory  price  !  i 
25%  with  order,  balance  C.  O.  D. 
gains  on  electric  fans.  Largest  deal 
new  and  used  motors  and  generators 
Northwest.  Send  us  your  repair  work 
eral  Distributing  Co.,  Security  Stor. 
Van    Bldg.,    Duluth,    Minn. 

VENEER  SEATS  and  backs.  1200  f' 
size  chair,  never  used.  Will  fit  t< 
Redington   Co.,    Scranton,    Pa.  i 

FOR  SALE — An  American  Phot( 
Organ  with  a  few  hundred  music-: 
Blower  and  Electric  Motor,  at  a  reas? 
price.     Colonial  Theatre,  Egg  Harbor,: 

FILM — 26  good  reels;  self  addressc 
stamped  envelope  for  list.  Don't  wr> 
less  you  mean  business.  McDONALU 
2248,  Mill  Valley,  Calif. 


FOR  SALE:    THEATRE  CHAIRS,? 

amount,   immediate    shipment,   lowest  » 
Also    equipment    of    every    description 
dress.  Theatre   Seating   Company,  845 
State  Street,   Chicago,   111. 


FOR  SALE — Thea'tre  chairs  at  vffi 
prices.  We  replace  broken  backs  anci 
with  new  ones.  Why  buy  junk?  A 
C.  G.  Demel,  845  S.  State  St.,  Chicaf. 


FOR  SALE— Moving  Picture  T 
good  live  manufacturing  and  summer 
town.  No  opposition.  Building,  lai 
equipment,  priced  quick  sale,  $2,800. 
Powers  6A,  and  Simplex  Machines, 
Opera  Chairs,  Mirroroid  Screen.  B 
luick  sale.     H.  E.  Jordan,  Unadilla, 


For  Rent 


MOTION  PICTURE  and  "Still"  0 
rented,  sold  and  exchanged.  Portable 
for  sale  and  for  rent.  Keep  us  advi 
your  wants.  Ruby  Camera  Exchang 
Seventh   Ave.,   New  York. 


Local  Films 


MOTION     PICTURES     made     to 
Commercial,   Home  or  Industrial.     Wi 
excellent   facilities   and   the   best   camo 
Our  price   20c  per  foot.     Ruby  Film 
pany,    727    Seventh   Avenue,    New   Yo 


Situations  Wanted 


AT  LIBERTY— Projectionist ;  union 
equipment.  Reason  for  unemplo: 
theatre  closed.  Write  or  wire  E.  .0. 
land,  136  Amory  St.,  Fond  du  Lac, 
consin. 


Wanted 


WANTED — To  buy  good  motion  I 
theatre.  About  500  seats.  State  con 
and  terms.  Address  "Y,"  Exhibitors 
Review,  45  West  45th  St.,  New  Yorl 


WANTED — First-class,  experienced  i 
operator  with  $2,000  cash  to  join  I 
manager  of  400  seat  movie  house  i 
tral  Pa.  to  purchase  this  theatre.  Go 
portunity  for  right  man.  Quick  acti 
sired.  House  is  fully  equipped  atia 
business.  Reply  "A,"  Exhibitors  Dai 
view,  45  W.  45th  St.,  New  York. 


m 


Good  Showmanship 

You  plan  the  program  carefully,  you  ar- 
range the  publicity  painstakingly — but  good 
showmanship  includes  one  thing  more:  check- 
ing up  to  make  sure  of  photographic  quality 
on  the  screen. 

It  takes  but  a  moment — look  in  the  trans- 
parent film  margin  for  the  black-lettered  words 
"Eastman"  and  ^^Kodak",  the  identification  of 
the  film  that  carries  quality  through  to  the 
screen. 


EASTMAN   KODAK  COMPANY 

ROCHESTER,  N.   Y. 


■fat       '•-«>■        .^a 


CHARLES  R.ROGERS 

presents 


l> 


DRIFTIN 

THRU 


(He  drifted  in  from  the  desert 
a  broke  cow- hand,    with  his 
pita!  in  a  bundle  on  a  burnt 
ithin  a  few  hours  he  had 
bee^^amped  by  a  marriedP 
woman  A  accused  of  murd^, 
chased  by  a  sheriff's  posseT) 
|iidden  by  an  old^rospector. 
Snd^ivenlhelter  bythe  womaf 
he  settled  on  as  his  future  wife. 

A  cheerful,  fast-steppinq  ex- 
citing western  with  rafts  of 
human  interest. 

A  better  Harry  Carey  thar 
any  you  have  ever  seen. 

Pafh^picture 


\ 


TRADE 


.,! 


(^ 


MARK, 


brAdstreet 

r  FILMDOM 


Authority 


:XXVI     No.  3 


Sunday,  April  4,  1926 


Price  25   Cents 


>R001 


fini  this  booki) 
that  YOU  need 


^  Pronouncement 


TAKE  THIS  BOOK  AT  FACE 
VALUE! 

Read  carefully  its  announcement  of  the 
greatest,  best  balanced  group  of  pic- 
tures with  the  finest  array  of  stars  and 
casts  and  exploitation  values  ever  of- 
fered by  any  one  company.  Universal's 
advance  notices  have  never  been  too 
strong — we  have  never  overstated  our 
case — never  oversold  you.  Our  past 
record   is   absolutely  clean. 

The  Greater  Movie  List  Pictures 
will  be  sold  on  Universal's  Golden 
Rule  Contract— the  squarest,  whitest, 
straightest  business  agreement  ever  put 
on  paper.  What  better  profit  insur- 
ance can  you  possibly  ask!  Read 
this  book  from  cover  to  cover  and 
back  again.  It  will  be  well  worth 
your   while. 


UNIVERSAL  PICTURES 

C      OB-P      OICATION 

CARL    LAEM  M  LE 

P         p^ESlDENTT 


i 

^t  would  not  be  extravagari 

J  to  say  that  ^BRAVEHEABl 

is  the  best  role  of  ^^ 

ROD  LA  ROCqUES 


R^ELEASED   BY 

PRQDUCEKS  DISTKIBUTINC  COKPORATIOf 


Foreign  Distributors  Producers   International  Corporation       130    West  46th   Street       New  York.  N.   Y. 


i  BRADSTREET 
T  FILMDOM 


Authority 


\  :xxvi    No.  3 


Sunday,  April  4,  1926 


Price  25  Cents 


The  Future 


\  Hays  Looks  Down  the  Road 
{es  How  the  Motion  Picture 
Einto  the  Scheme  of  Things 
\  I  H.  Hays  addressed  the 
v'tising  Club  of  New  York 
t  Vednesday.  The  highlights 
is  address  were  published 
dlowing  day.  However,  be- 
:i  in  his  remarks  there  were 
l!ed  several  interesting  and 
r  while  thoughts  which  ex- 
irs  and  others  might  well 
:;rve  for  reference — and  use 
rich  of  the  text  is  herewith 
'1  duced : 

notion  picture  theater  mana- 
succeed  must  build  a  regular 
r?e.  He  must  have  the  confi- 
if  his  people,  he  must  have 
bars"  as  loyal  as  the  subscrib- 
qa  newspaper  or  a  magazine, 
knows  that  nobody  ever 
n  business  on  a  foolthe-peo- 
<is.  He  knows  that  the  only 
advertising  that  pays  is  truth- 
c|ertising,  and  today  you  find 
picture  theater  advertising 
(Continued  on  Page  10) 


To  Build  Four 

trausberg    Circuit,    Now    Op- 
g  25  in  Greater  New  York, 
Will  Enlarge  Chain 

more    theaters    will    be    built 

<3mall-Strausberg  Circuit,  Inc., 

pig    the    present    chain    to    29 

n  Brooklyn  and  Long  Island. 

of    the    new    houses    are    al- 

n   construction,    including    the 

eat    house    on    Junction    and 

(Continued  on  Page  2) 


'eatures  Reviewed 


ow  Fingers 
)x   


Page 


Barrier 

etro-Goldwyn-Mayer    ...   6 
ert  Gold 
iramoimt    6 

Dancer  from  Paris 

irst  National    6 

isures  of  the  Rich 

iffany  Prod.— S.  R 7 

Lady  from  Hell 
ssociated  Exhibitors  7 

Escape 
niversal    7 

New  Champion 

olumbia— S.  R 7 

rt  Subjects  8 


Record  Prosperity,  Keynote  for  1926 

Washington — Government  reports  indicate  1926  will  be  a 
banner  year  of  prosperity,  even  topping  1925. 

All  records  for  building  may  be  shattered  this  year.  Depart- 
ment of  Commerce  figures  showed  $1,143,000,000  worth  of  build- 
ing contracts  let  between  Jan.  1  and  March  19.  This  is  an 
increase  of  $238,000,000  over  the  same  period  in  1925. 

The  volume  of  commercial  operations  indicated  by  clearance 
of  bank  checks,  was  nearly  $1,250,000,000  higher  the  week  ending 
March  24  than  in  the  same  week  last  year.  Resources  of  twelve 
Federal  Reserve  Banks  have  increased  $95,000,000  in  the  last  year. 

March  collections  of  income  and  profits  taxes  were  $499,660- 
000.  This  exceeds  the  first  estimate  by  $110,000,000,  and  collec- 
tions last  March,  under  the  higher  tax  rates,  by  $58,000,000. 
While  this  gain  reflects  prosperity  of  last  year,  officials  point  out 
business  now  is  in  a  far  better  position,  due  to  the  stimulus  of 
lower  taxes. 

Manufacturing  in  February  showed  a  5  per  cent  gain  over 
February,  1925.  Automobile  production  in  February  gained  10 
per  cent  over  January. 


.  Wilcox  had  been   with  me  at  Para 
convention.      Nell    G.— Advt. 


60  Lined  Up 

E.  J.  Smith,  Upon  Arrival  at  Los  An- 
geles, Announces  Associated  Plans 
— P.  A.  Powers  Returning 

Los  Angeles — Upon  his  arrival 
from  the  East,  E.  J.  Smith  of  Associ- 
ated Exhibitors  said  60  pictures  had 
been  lined  up,  including  three  Sam- 
uel Hutchinsons  starring  Edward  Ev- 
erett Horton,  six  with  Bill  Cody,  four 
presented  by  Paul  J.  Brady  and  S.  E. 
V.  Taylor,  18  from  Action  Pictures 
and  eight  airplane  films  starring  AI 
Wilson. 

P.  A.  Powers  is  returning  to  New 
York  shortlv. 


The  Star  Still  Draws 

Miller  Interests  of  Kansas  Ask  Pub- 
lic What  Brings  Them  to  Their 
Theaters   and   Get  the  Dope 

The  Miller  interests,  operating  the 
Miller  and  Palace  theaters  in  Wichita, 
Kans.,  obtained  a  good  line  on  the 
public's  likes  and  dislikes  concerning 
pictures  in  general  by  appealing  for 
opinions  through  an  advertisement  in 
the  "Wichita  Beacon."  It  developed 
some  information  that  should  prove 
of  value  to  exhibitors  everywhere  in 
selecting   their  bookings. 

The  ad  carried  a  list  of  queries  with 
(Continued  on  Page   11) 


Personnel 


Man  power  is  the  order  of  the  day.  The  big  factors  in  the 
industry  are  lea(h"ng  the  search  here,  there,  everywhere.  Hiding 
their  h"ghts  under  the  proverbial  bushels  are  many  men,  who 
will  exemplify  the  desired  type.  Here's  some  interesting  data. 
It  happens  to  be  about  Paramount.  The  same  condition  must 
prevail  in  other  organizations  if  the  truth  would  out. 

In  Philadelphia,  Beverly  C.  Grififith,  former  managing  di- 
rector for  Universal  in  England  and  in  charge  of  production  at 
Universal  City  later,  is  now  simply  a  salesman.  He  has  a  private 
income  of  sufificient  proportions  to  take  care  of  his  needs.  And 
yet  the  excitement  of  selling  grips  him.  A  chap  named  Calhoun 
works  for  Famous  out  of  Columbus,  O.  Pie  is  a  grandson  of  the 
famous   John    C.   Calhoun,   so   revered   in   the    Southland.     And 

(Continued  on  Page  4) 


Busy  on  Chain  Idea 

Sid  Grauman  States  Two-a-Day  The- 
ater Plan  Looks  Promising — Ar- 
ranging Details 
The  two-a-day  chain  sponsored  by 
Sid  Grauman  is  still  largely  in  the 
discussion  stage,  but  indications  are 
that  it  will  go  through.  Joseph  M. 
Schenck,  it  is  understood  will  be  in- 
terested with  Grauman.  The  Chinese 
theater  in  Hollywood,  now  in  con- 
struction, will  be  the  first  in  the 
chain.  Grauman  stated  yesterday  it 
would  be  ready  in  five  months.  The 
plans  call  for  15  or  20  houses,  in  key 
cities.  Each  would  seat  from  1,800 
to  2,000  and  charge  $1.50  or  $2  top. 
Grauman,  who  is  at  the  Plaza,  ex- 
pects to  remain  here  for  three  weeks 
more. 


Rothacker  Won't  Discuss  Deal 
Watterson  R.  Rothacker,  who  re- 
turned yesterday  from  the  Mediter- 
ranean, declined  to  discuss  the  pend- 
ing deal  for  his  laboratories.  He  said 
he  was  not  informed  on  developments. 
H.  J.  Yates  and  Consolidated  Film 
Industries  hold  an  option  on  the 
"labs." 
Action  is  expected  next  week. 


Further  Delay  in  Famous  Case 

Washington — A  decision  on  the  re- 
opening of  the  Famous  Players  case 
was  not  reached  at  the  regular  week- 
ly meeting  of  the  Federal  Trade  Com- 
mission Friday.  It  is  understood 
that  the  form  of  reopening  was  taken 
up.  It  is  expected  a  decision  will  be 
made  early  in  the  coming  week. 


Arrow  Committee  Meets  Today 

The  executive  committee  of  Arrow, 
will  meet  today  to  further  consider 
means  for  adjusting  its  present  finan- 
cial difficulties. 

Harry  G.  Kosch,  attorney  for  the 
company,  yesterday  said  that  the  situ- 
ation "at  the  moment  looks  brighter." 


Buchowetzki  to  Direct  Jannings 

Dimitri  Buchowetzki  will  direct 
Emil  Jannings'  first  American  picture 
for  Paramount,  when  the  German  star 
arrives  in  this  country  in  the  autumn. 
The  picture  will  be  "The  Thief  of 
Dreams." 


Brylawski  En  Route 
Julian    Brylawski,   who  represented 
the  M.   P.  T.  O.  at  the  Allied  Con- 
ference  in   Chicago  on  Thursday,  re- 
turned to  New  York  last  night. 


Lasky  to  the  Coast 
Jesse  L.  Lasky  left  for  Hollywood 
yesterday  to  confer  on  production. 


THE 


-pn^ 


DAILY 


MXXXVI  No.  3    Sunday.  Apr. 4, 1926      Price  25  Cents 


JOHN  W.  AllCOATE 


Publisher 


Copyrieht  1926.  Wid's  Films  and  Film  Folks, 
(nc.  Published  Paily  except  Saturday  and  hol- 
idays at  1650  Broadway,  New  York,  N.  Y. 
T.  W.  Alicoate,  Treasurer,  Maurice  D.  Kann, 
Editor:  Donald  M.  Mersereau.  Business  and 
Advertising  Manager;  Ralph  Wilk,  Travel- 
ing Representative.  Entered  as  second-class 
matter  May  21,  1918,  at  the  post-office  at 
New  York,  N.  Y.,  under  the  act  of  March 
3,  1879.  Terms  (Postage  free)  United  States, 
outside  of  Greater  New  York,  $10.00  one 
year;  6  months.  $5.00:  3  months,  $3.00.  For- 
eign, $15.00.  Subscribers  should  remit  with 
order.  Address  all  communications  to  THE 
FILM  DAILY,  1650  Broadway,  New  York, 
N.  Y.  Phone  Circle  4736-4737-4738-4739. 
Cable  address:  Filmday,  New  York.  Holly- 
ivood,  California — Harvey  E.  Gausman,  6411 
Hollywood  Blvd.;  'Phone,  Granite  3980. 
London — Ernest  W.  Fredman,  The  Film 
Renter,  58,  Great  Marlborough  St..  London, 
W.  I.,  Paris — La  Cinematographic  Francaise, 
S,   Rue  Saulnier. 


Quotations 


(These  prices  are  as  of  Thursday,   except  as 
Indicated     otherwise     by     an     asterisk.       The 
Stock    Exchange    vyas    closed    on    Friday.) 
High    Low    Close     Salei 


Balaban   &  Katz    . 

72 

1W2 

71 

.... 

Kastman    Kodak    . 

1077/i 

\^T'A 

107^ 

500 

jTamous    Players    . 

120?^ 

118 

119'4 

12,400 

Jam.     Play.  Pfd.   . 

n7'4 

117 

117'4 

200 

*Film   Inspection    . 

.  , 

4'/. 

.... 

«/irst    Nafl    Pfd. 

,   , 

100 

.... 

Fox    Film    "A"     . 

61'/, 

58 

6154 

3,100 

Fox  Theaters  "A" 

21 

20'4 

21 

3,400 

•Intern'l   Projector 

,   , 

13 

.... 

Loew's,     Inc. 

39-4 

^^V^ 

38^ 

6,800 

Metro-Gold.    Pfd.    . 

.  22?i 

22 

2274 

100 

M.    P.    Cap.    Corp. 

20'/^ 

19 

19 

900 

Pathe    Exch.    "A" 

555^ 

53'4 

54'/^ 

4,100 

fParamount   B'way 

94^ 

94 '4 

94  J4 

1,100 

Skouras     Bros. 

46 

46 

46 

.... 

••Stan.  Co.  of  Am. 

49 

Trans-Lux    Screen 

%% 

%% 

8^ 

1,000 

^'Jniversal  Pictures 

30^ 

.... 

•Univ.    Pict.     Pfd. 

91 

•Warner     Bros. 

10^ 

•Warner    Pictures 

, , 

, , 

14 

»  Last    prices    quoted 

••  Philadelphia    market 

+  Bond   market 

To  Build  Four 

{Continued  from  Page  1) 
rtoosevelt  Ave.,  Corona,  and  a  thea- 
ter seating  the  same  in  College 
Point.  Work  starts  soon  on  a  house 
in  Long  Island  City,  at  Vernon  and 
4th  Ave.,  while  a  theater  seating  2,200 
will  be  built  near  the  Broadway  sta- 
tion in  Corona.  The  latter  will  have 
a  split  policy. 


When  you  think  of 

INSURANCE 

you  are  thinking  of 

S  T  E  B  B  I  N  S 

Specialists  in  Motion  Picture 

and  Theatrical  insurance  f-or 

the  past  fifteen  years. 


Arthur  W.  Stebbins  &  Co.,  Inc. 
1540  Broadway  N,  Y.  C. 


Bryant  3040 


More  Exchanges  for  Red  Seal 

On  April  15  Red  Seal  will  open  a 
New  Haven  exchange  with  Lester 
Tobias  in  charge,  and  a  Boston  office 
supervised  by  Tobias  and  H.  S.  Sny- 
der. This  is  in  line  with  the  new 
policy  of  opening  up  branches  in  all 
the  principal  key  cities. 


Show  "Cinderella"  Tomorrow 

The  Film  Associates  will  show 
"Cinderella,"  a  Ufa  film,  tomorrow 
afternoon  and  evening  at  the  Klaw. 
Another  experimental  abstract  film, 
"Are  the  Young  Films  Dreaming?" 
will  also  be  presented. 


Interstate  to  Build  in  San  Antonio 

San  Antonio,  Tex.— The  Interstate 
Amusement  chain  will  be  augmented 
by  a  new  first  run  here,  to  be  called 
the  Majestic.  Karl  Hobhtzelle  is 
president. 


Fred  Newmeyer  to  Coast 

Fred  Newmeyer  left  Thursday  for 
the  Coast  to  make  one  picture.  It  is 
understood  that  he  will  return  to 
New  York  in  about  two  months. 


Warners  Promote  Swift 

Sam  Morris  has  promoted  Paul  J. 
Swift,  Warner  sales  manager  in  Buf- 
falo, to  an  important  executive  posi- 
tion at  the   home  office. 


F.  B.  O.  Changes  Title 
Hollywood — F.  B.  O.  has  changed 
the    title    of    "Her    Honor,    the    Gov- 
ernor," starring  Pauline  Frederick,  to 
"Devil's  Island." 


Leave  for  Sales  Convention 

Los  Angeles — Harry  Warner,  Jack  . 
Warner  and   Harry  Lustig  leave  to- 1 
day  for  New  York  to  attend  the  War-  j 
ner     sales    convention.      Afterwards, 
they   go   to    Chicago   for   the   second 
session  and  finally  wind  up  again  in 
Los  Angeles. 


Charlotte   Board   Elects 

Charlotte  —  The  Charlotte  Film 
Board  of  Trade  has  elected  the  fol- 
lowing officers:  president,  William 
Conn,  F.  B.  0.;  vice-president,  Meritt 
Davis,  Warner  Brothers.;  chairman, 
E.  F.  Dardeen,  Universal. 


To  Arrange  Presentation  Music 

Edward  Kilenyi,  conductor  of  the 
Colony  orchestra,  will  arrange  musical 
programs  for  Universal,  beginning 
with  "The  Flaming  Frontier,"  which 
has  a  special  showing  tonight. 


Publicity  Man   Going  Abroad 

Howard  Strickling,  publicity  direc- 
tor for  Rex  Ingram,  sails  today  on 
the  Majestic  to  confer  with  Ingram 
on  his  new  picture,  "The  Magician." 


Managing  North  Carolina  House 

Charlotte— C.  G.  Eggerton  is  now 
manager  of  the  Peoples,  Roanoke 
Falls.  He  formerly  owned  a  house 
in  Finley,  N.  C. 


Loew's  New  State  Opens 

New  Orleans — Loew's  New  State 
theater  opens  today.  Stage  and 
sc.een  stars  from  Los  Angeles  and 
New  York  are  on  hand. 


Milhauser  to  Handle  Negro  Film 

Los  Angeles  —  Bertram  Milhauser 
will  have  charge  of  the  negro  picture 
Cecil  B.  De  Mille  will  make. 


P.  D.  C.  President  Returns 
F.   C.    Munroe,   president   of   Prod. 
Dist.    Corp.,    returned    to   New   York 
from   the    Coast   Friday. 


Jobyna  Ralston  Gets  Lead 

Hollywood — Jobyna  Ralston  will 
play  opposite  Rod  La  Rocque  in 
"Gigolo.'" 


Gilpin  as  "Uncle  Tom" 

Charles  Gilpin,  negro  actor,  may 
play  Uncle  Tom  in  "Uncle  Tom's 
Cabin." 


Opens   Little  Rock  Theater 

Little     Rock— T.    ,W.     Sharp     has 
opened   ihe   new   Prospect. 


I  F      I  T'» 


^CTUl^ 


GOWNS  OR  UNIFORMS 

LEARN     TO    SAY 

BROOKS- 

1437  BROADWAY   -    TEL  5580  PEN. 

ALSO  25,000  COSTUMES  TO  RENT 


POSITION  WANTED 

Ambitious  young  man  with  eight 
years  experience  in  the  motion  pic- 
ture industry  desires  position  as 
salesman. 

Box   K-149 

c-o    Film    Daily  1650   B'way. 

New  York   City 


Orpheum  Building  Another 

South  Bend — An  Orpheum  house 
is  being  erected  here.  It  will  play 
both   pictures   and  vaudeville. 


Krellberg  Back 

Sherman  Krellberg  of  Excellent 
Pictures  returned  from  Europe  yes- 
terday  on   the    Mauretania. 


Plan  1,400-Seat  House 

Shelby,  N.  C. — E.  L.  Bean  plans  a 
1,400-seat  house  for  vaudeville  and 
road  shows. 


J.  S.   GRAUMAN 


Another    RAYART    Booster 


George  Blair  in  Town 

George    Blair   of    Eastman  Koila 
is  back  from  the  Coast.    He  v 
main  in  New  York  a  few  days 
returning   to   Rochester. 


Specify 

GOF" 


Raw  Stock  for  QUALITY 
Sole  Distributors: 
FISH-SCHURMAN  CORP 

45  West  45th  Street 
N.    Y.   Bryant  7243 


Sales  Promotion  Mif 

for  merchandising  five-reel  mo. 
tion  pictures. 

To  a  high  type,  conscientious 
and  ambitious  salesman  of  n- 
ecutive  calibre  an  unusual  op- 
portunity is  offered  with  a 
Ten  Million  Dollar  concm 
of  national  repute. 

The  man  we  will  employ  must 
have  a  proven  record  of  his 
ability  to  sell  five-reel  pic- 
tures in  the  State  Rights 
Field. 

He  must  be  thoroughly  relii- 
ble,  capable  of  expanding 
with  the  business,  and  assum- 
ing responsibilities. 

He  must  be  a  sincere  and 
earnest  worker,  who  is  will- 
ing to  concentrate  his  inter- 
ests in  this  work  undividedly 
and  ready  to  cope  with  an; 
situation  necessary  to  furtte 
the  interests  and  success  oi 
tliis   organization. 

To  a  man  with  the  above  quali- 
fications we  are  willing  to 
pay  a  salary  commensuratt 
with  his  ability. 

If  your  record  can  bear  ciosf 
investigation  write  giving  de 
tailed  account  of  your  experi 
ence,  name  of  man  undtt 
whom  you  have  worked  aitl 
any  other  information  regari 
ing  your  activities  to.. 
J.  E.  Williamson, 
1926    Broadway 


piu' 


A     handy     reference 

volume    of    over    800 

pages    that    answers 

all  questions. 

Price    $5.00 

or  free  to  Film  Daily 

Subscribers 


r 


THE 


Dril  4,  1926 


I^SSlLj^ 


DAILY 


Rij^t  on  the  Main  Street 
of  HOI  WEATHEIt^iof its 


The  crowds  soon  find  out  where 
it's  cool  during  the  scorching  days 
of  summer. 

They'll  turn  a  side  lane  into  Main 
Street  if  it's  cool  in  the  lane. 

Put  your  house  on  the  Main  Street  of 
hot  weather  profits.  Already  there  are 
more  than  600  theatres  there — all  Arctic 
Nu-Air  cooled. 

When  the  Arctic  Nu-Air  poster  ap- 
pears in  front  of  the  box  office  the  ticket 
machines  go  so  fast  they  fairly  tear  them- 
selves apart. 

There's  no  reason  for  slack  summer 
business.  This  system  is  moderately 
priced.  It's  guaranteed  to  do  all  we  claim. 
It  has  never  failed  to  surpass  these  claims. 

Don't  let  people  start  that  disastrous 
rumor  that  your  house  is  "hot." 

Use  the  coupon  now. 


QDevc  got^  of  letters  Wkfjfus 


For  Cool  Profits 
in  Hot  'Weather 


/ARCTIC  NU'AIR  CORPORATION 
816  State  Lake  Bldg. 

Chicago,  111. 
Tell  me  how  I  can  put  my  house  (seating 


-) 


right  on  the  Main  Street  of  Hoc  Weather  Pro/its,  for  a  moderate 
down  payment  and  easy  terms. 


Build 
CHICAGO 


^^''^^Qy'i^y(5yQyQyQy(^y(Qy^(2yQyQy 


HOUSE 
DIMENSIONS: 

Length — 

Width 


Height  ^_^— 

Balcony.' 
Yes  a       No  D 


Name. 


Theatre - 
Address 
City 


-State- 


<2 


THE 


-^^ 


DAILY 


Sunday,  April  4, 


Personinel 


{Continued  from  Page  1) 

when  young  Calhoun  hits  the  road,  the  word  somehow  gets 
around  that  he's  in  town.  After  that,  the  place  is  his.  Turn 
to  Kansas  City  where  a  quiet  individual  named  Cole  is  on  the 
roster.  He  would  have  been  in  the  home  office  a  long  time  since, 
but  he  knows  a  trick  or  two  in  pulling  political  strings  out  of 
his  way.  Therefore,  he  stays  in  Kansas  City.  The  story  con- 
tinues that  the  Hays  office  requested  Famous  to  keep  him  there. 
Then  consider  Herman  Wobber  who  will  be  an  important 
Paramount  executive  on  the  Continent  from  now  on.  Indepen- 
dently wealthy  and  in  that  enviable  position  where  he  could  do 
as  he  wanted,  Wobber  continues  with  his  love  of  long-standing. 
Bill  Smith,  Philadelphia  district  manager,  and  Mike  Landau, 
likewise  in  that  territory,  are  only  two  others. 

FiveJTear  Contracts 

The  hunch  was  well-founded.  It's  because  of  unrest  over 
theater  operations  that  exhibitorsl  have  approached  Universal 
for  five  year  contracts.  It  is  a  desire  for  backbone  service,  a 
sort  of  guarantee  of  a  steady  flow  of  product.  Then  when  the 
water  flows  upstream  instead  of  down — if  it  ever  does — the  ex- 
hibitor is  set. 

There  is  another  angle  to  it.  It  enables  Universal  to  forge 
right  ahead  with  theaters.  This  is  why.  "U"  will  sign  the 
agreements  where  an  exhibitor  wants  them.  There  can  be  no 
complaints  about  service.  But  it  also  allows  Universal  to  do  as 
it  wishes  in  the  theater  field  without  kickbacks  from  theater 
owners. 

There  is  an  indication  that  several  chains  are  flirting  with 
the  five  year  contract  idea. 

It  Has  Come  To  This 

Out  in  Wichita,  Kansas,  the  dear  old  public  thinks  the  direc- 
tor is  only  a  minor  in  the  business  of  making  pictures.  Out  of 
400  ballots,  many  failed  to  even  mention  him.  Others  bluntly 
added  they  didn't  bother  observing  names.  Others  said  scattered 
pictures  left  an  impression  and  admitted  the  directors  earned 
mention.  That  was  fine,  but  they  couldn't  remember  names.  All 
of  which  may  interest  some  of  the  gentlemen  in  Hollywood  who 
are  strong  for  the  24  sheet  credit  lines. 

Incidentally,  part  of  Wichita  at  least  thinks  Joe  Schenck 
and  Adolph  Zukor  are  "good  directors." 

Keen  for  His  Idea 

Sam  Taylor  goes  back  to  the  Coast  tomorrow.  In  a  few 
weeks  he  starts  directing  for  Metro-Goldwyn-Mayer.  This  is 
his  idea:  He  intends  making  an  old-fashioned  love  story  with 
some  of  that  new  school  direction  emphasized  by  Lubitsch.  Tay- 
lor seems  to  have  the  background.  Years  ago,  he  studied  dra- 
matic construction  at  Columbia.  During  the  day,  he  wrote 
scenarios  for  Ham  and  Bud.  The  extremes  are  as  far  apart  as 
the  poles.  Then  came  his  long  association  with  Lloyd — about 
seven  years  all  told.  Taylor  has  harbored  his  idea.  Now  he  gets 
his  chance.    The  result  will  be  interesting. 

Surprise— A  Pleasant  One 

It  wasn't  so  long  ago  that  somebody  at  Fox  slipped  into  the 
exchanges  prints  of  "Over  the  Hill"  and  "The  Connecticut 
Yankee."  Exhibitors  generally  were  informed  that  they  were 
there.     Nothing  else.     Then  booking  came   in.     Not  in  droves. 


but  quietly  and  steadily.     Several  Fox  houses  again  played  I 
pictures.    And  what  a  surprise  that  move  turned  out  to  be.    T" 
house   records    were    broken.      Others   v/ere    threatened.    It" 
Jimmy  Grainger  raised  his  eyebrows. 

The  Ambition  Realized 

C.  B.  C. — Cohn,  Brandt,  Cohn — now  becomes  Colurabi;! 
tures.     The   brand    name   will   become   national.      Columb  : 
changes   everywhere  through   deals  with   many  independei '' 
change  owners  with  whom   Messrs.   C.   B.  C.  have  dealt    - 
long.     It's  the  realization  of  a  dream,  this  operating  thei  l  j 
oflices.     But  it's  here.     No  wonder  the  partners  are  happi  ^^ 

A  Significant  Move 

Did  you  get  the  import  of  what  happened  early  in  the  !  : 
The  Regional  Distributors'  Association  affiliated  with  the! 
office.     The  membership  is  slight.     But  watch  how  it  grow 
it  numbers  sixty.    That  sixty  will  embrace  the  cream  of  th 
right   operators    throughout    the   country.     They   want   to 
what's  going  on.     From  now  on,  they  will. 

The  12  ft.  Sign 

They  are  cramped  for  space  at  the  Metro  studio.    1 
rectors'  board,  so-called  because  it  bears  the  name  of  ali  Lj 
on  the  lot,  is  twelve  feet  high.     It  now  lists  twenty-eight 
And  all  available  space  thereon  is  exhausted. 

Going  Up 

How  those  Paramount  boys  will  step  this  spring  an 
mer.     All  geared  for  new  sales  record.     The  reason?    f' 
bition  to  do  enough  business  to  dent  the  market  and  m 
common  reach  150. 


J.'k 


IP- 


I 


PHILANLPtllA'S  WIDE  AWAK 


This  interesting  fact  is  definitely 
proved  by  the  speed  with  which  its 
leading  exchangemen  are  signing  up 
the  Rayart  product. 


The  Newest  one  to  avail  himself  of  this 
sure-fire  avenue  of  profit  is  Ben  Am 
sterdam,  whose  masterpiece  exchange 
will  market 


:.J1| 


! 


The 


I 


RAYART-RADIANT  COMED 


For  1926-1927 


RIDE  TO  PROSPERITY  ON  THE  RAYART  LINE^ 


Foreign  Distribution  Through  Richmont  Pictures,  \w> 


[OLLYWOOD 
lAPPENINGS 


o/'FlLMDOM 


Authority 


By 
Harvey  E.  Qausman 


x   Granite  3980 


Sunday,  April  4,  1926 


6411  Hollywood  Blvd. 


lous  to  Stage  Battles 

Pacific,  James  Cruze  has 
is  fleet  for  scenes  for  "Old 

More  than  2,000  persons, 
I'-sther    Ralston,     Wallace 

Lje  Bancroft,  Charles  Far- 
hnnie  Walker,  are  there. 

Brenon    has    1,750    people 

in  the  desert  for  "Beau 
■ng  them  Ronald  Colman, 
ry,  Neil  Hamilton  and 
■esr--""  """"" 


i:    Mathis'  First  to  Start 

).  Nilsson  and  Charlie  Mur- 

Iieen  selected  by  June   Ma- 

V    in    her    first    production 

Kvv  contract  with  First  Na- 

>he    has    chosen    "Nazareth" 

'V,  which   will  be   screened 

litle   of   "Sinners,  in   Para- 

oni  will  direct. 


/   Qn--^atan    Town" 

rj'  Carey  company,  making 
own,"  is  on  location.  Kath- 
ins,  Chas.  Clary,  Ben  Hall, 
lark,  Richard  Neill,  Chas. 
ijjand  Ben  Hendricks,  Jr.  are 
t. 


leman  Ready  to  Start 

""ineman  is  back  in  Los  An- 

dv  to  start  his  first  produc- 

!lie  tentative  title  of  "For- 

Lloyd  Hughes  and  Mary 

play    the    leading    roles. 

eight  will  direct. 


udine  to  Tour  Country 

ing  the  completion  of  "La- 
1,'   with    Douglas    MacLean 

^  aner  Picture.  William  Beau- 
make  a  tour  of  the  country, 

^-■xhibitors. 


tt  Gibson  to  Direct  Two 

sj  Range     Terror"     and     "The 

the   North"   are   the   titles   of 

(directorial  vehicles  for  Hoot 

lit    Universal,    starring    Fred 

J 


A.  E.  Dupont's  First 

n   Kerry,   Mary   Philbin  and 
Walthall,  are  cast  for  "The 
if  Hannerl,"  A.  E.  Dupont's 
Universal. 


arie  Mosquini  Returns 

an   absence   from   the   screen 
than    a    year,    Marie    Mos- 
il!    return    to    pictures    in    a 
1  Pola  Negri. 


I  to  Assist  Clarence  Brown 

s  Dorian  will  assist  Clarence 
•n  his  next  production,  "The 
'98." 


ijjrd  Completes  Western 

ing   Heels,"   a  western,   star- 
Acord,  has  been  completed 
rsal. 


Technical  Staff  on  "Lovey  Mary" 

Ira  Morgan  has  been  chosen  by 
King  Baggott  to  photograph  "Lovey 
Mary,"  which  Bernard  Hyman  will 
produce  for  M.-G.-M.  with  Bessie 
Love  in  the  leading  role.  Technical 
staff  includes  Charles  Chic,  assistant 
director:  Arnold  Gillespie,  art  direc- 
tor; Ulrich  Busch,  production  man- 
ager. 


Rav  Taylor  to  Direct  Serial 

Ray  Taylor  will  soon  start  direc- 
tion on  the  Universal  serial,  "The 
Great  West  That  Was,"  with  Wal- 
lace MacDonald,  Elsa  Btenham, 
Grace  Cunard.  Howard  Truesdell, 
Robert  L.  Homans,  Edmund  Cobb 
and  Cuyier  Supples  in  the  cast. 


Casting  "The  Boy  Friend" 

Cast  for  "The  Boy  Friend,"  Mon- 
ta  Bell's  present  M.-G.-M.  produc- 
tion, includes  Marceline  Day,  John 
Harron,  Walter  Tennyson,  Gertrude 
Astor,  Elizabeth  Patterson,  Otto 
Hoffman,  Gwen  Lee  and  Archie 
Burke. 


Fox  Buys  Novel 

Fox  has  purchased  "The  Great  K. 
and  A.  Train  Robbery,"  by  Paul  Lei- 
cester Ford.  The  cast  will  include 
Madge  Bellamy,  Charles  Farrell  and 
J.  Farrell  MacDonald.  The  director 
will  be  Irving  Cummings. 


To  Start  "The  Lily"  Soon 

Victor  Schertzinger,  having  com- 
pleted cutting  "Siberia,"  featuring 
Edmund  Lowe,  Alma  Rubens  and 
Lou  T'ellegen  for  Fox,  is  preparing 
to  go  to  work  on  "The  Lily."  \ 


Pola  Negri  Working 

"Good  and  Naughty"  has  been 
started,  with  Pola  Negri,  Tom  Moore 
and  Ford  Sterling,  under  the  direc- 
tion of  Malcolm  St.  Clair. 


Dorothy  Devore,   Maynard  Lead 

Dorothy  Devore  is  the  leading  lady 
in  "Senor  Dare-Devil,"  the  first  of 
the  Westerns  to  be  made  by  Chas. 
R.    Rogers   for   First   National. 


Earner  in  "Temptress" 

Warner   has   been   added   to 
of  "The   Temptress." 


Famous  to  Build  Interiors  Soon 

Famous  Players  will  begin  build- 
ing interior  sets  on  the  stages  of  the 
recently  purchased  United  Studios 
not  later  than  May.   1 


Smith  Completes  Script 

James  B.  Smith  has  completed  the 
continuity  on  "Dead  Man's  Gold,"  by 
J.  Allen  Dunn  for  Tom  Mix. 


Added    to    Metropolitan    Staff 

Jane  Murfin  and  Harold  Shumate 
have  been  added  to  the  scenario  staff 
of  Metropolitan. 


Bill  Cody's  First 

The  cast  for  Bill  Cody's  initial 
production  for  Associated  Exhibitors 
has  been  completed.  Florence  Ul- 
rich has  the  leading  feminine  role. 
Edmund  Cobb,  Alex  Hart,  Barney 
Gilmore,  Richard  Cummings  and  Da- 
vid Dunbar  are  in  the  cast.  The  title 
is    "The    Galloping   Cowboy." 


Waters  on  First  as  Director 
John  Waters'  first  directorial  as- 
signment, "Born  to  the  West,"  with 
Jack  Holt,  Arlette  Marchal,  Mar- 
garet Morris  and  Raymond  Hatton 
in  featured  roles,  is  in  production  at 
Famous.  Lucien  Hubbard  is  super- 
vising. 


Lake  Starts  Another 
Arthur    Lake    has    started    on    an- 
other      "Sweet       Sixteen"       comedy. 
George  Summerville  directing. 


Cliff  Bowes  Free  Lancing 

Cliff  Bowes  is  now  free  lancing. 


Cast   of   "AprU   Fool" 

The  cast  of  "April  Fool,"  a  Chad- 
wick  production,  includes  Raymond 
Keane,  Duane  Thompson,  Nat  Carr, 
Eddie  Phillips,  Mary  Alden,  Snitz 
Edwards.  Baby  Peggy,  Leon  Holmes 
and  Pat  Moore.  Alexander  Carr  is 
being  starred. 


Helen  Ferguson  in   Serial 

Helen  Ferguson  has  been  signed 
by  Universal  to  play  the  leading 
feminine  role  in  "The  Fire  Fighter," 
a  serial  which  Jacques  Jaccard  is  to 
direct.     Jack  Daughter}'  will  star. 


Pauline  Frederick  Starts 
Pauline  Frederick  has  started  on 
her  first  for  Embassy  Pictures.  It  is 
"Devil's  Island,"  an  original  by  Leah 
Baird  and  Frank  O'Connor.  The  lat- 
ter is  directing. 


Ben  Jackson  Returns 

Ben  Jackson,  general  manager  of 
Fox  studio,  returned  to  his  desk  after 
being  away  for  six  weeks.  Jackson 
underwent  a  serious  operation  at  the 
Hollywood   Hospital. 


In  "What  Price  Glory" 

Victor  McLaglen,  Dolores  Del  Rio, 
J.  Farrell  MacDonald,  Leslie  Fenton, 
have  been  cast  for  "What  Price 
Glory." 


Writing  Story  for  Buck  Jones 

Charles  Darnton  is  writing  a  story 
around  the  life  of  Kit  Carson  for 
Buck  Jones. 


Roberts  Joins  Universal 

Edward  Dryhurst  Roberts,  former 
film  editor  for  Gerson  Pictures,  has 
joined   Universal. 


Nye   in  "The   Imposters" 

Carroll  Nye  is  appearing  with  Eve- 
lyn Brent  in  "The  Imposters,"  which 
Chet  Whitey  is  directing  for  F.  B.  O. 


Bardley  Adapting 

George  Bardley  is  adapting 
"Daphne  Grows  Down,"  by  Hetty 
Spiers  and  Langford  Reed,  for  Col- 
leen  Moore. 


In  John  Gilbert's  Next 

William  Daniels,  cameraman,  has 
been  selected  to  shoot  "Bardeleys  the 
Magnificent,"  King  Vidor's  next,  for 
M.-G.-M.  In  the  cast  are  John  Gil- 
bert, Roy  D'Arcy,  Eleanor  Board- 
man,  Lionel  Belmore,  Arthur  Lubin, 
Karl  Dane,  John  T.  Murray,  Agos- 
tino  Borgato,  Edward  Connelly,  and 
Max  Barwyn. 


Beck  Finishing  "Spangles" 

The  final  scenes  of  "Spangles," 
which  Arthur  F.  Beck  is  making  for 
Universal  release,  are  now  being 
filmed  at  Universal  City.  It  is  being 
directed  by  Frank  O'Connor  from 
the  script  by  Leah  Baird.  Cast  head- 
ed by  Pat  O'Malley  and  Marian 
Nixon.  

Brown    Finishes    "Dangerous    Dude" 

Work  has  been  completed  on  "The 
Dangerous  Dude,"  starring  Reed 
Howes.  Dorothy  Dwan,  Bruce  Gor- 
don and  Johnny  Sinclair  are  sup- 
porting. It  was  produced  and  di- 
rected by  Harry  J.   Brown. 


Kathryn  McGuire  Co-Starring 

Kathryn  McGuire  is  co-starring 
with  Rex  Lease  in  "The  Mystery 
Pilot,"  which  Harry  Moody  is  direct- 
ing for  Sovereign  Prod.  The  story 
is  from  the  novelette  bj^  Moody  and 
"Doc"  Cook.     Rayart  will  release. 


Constance    Talmadge    Starts    Picture 

Constance  Talmadge  has  started 
"The  Duchess  of  Buffalo,"  by  Hans 
Kraly.  Walter  Pidgeon  will  play  op- 
posite under  direction  of  Sidney  A. 
Franklin. 


Ray  Griffith  Busy 

Raymond  Griffi,th  is  making  "Wet 
Paint,"  under  direction  of  Arthur 
Rosson.  In  this  production  are  He- 
lene  Costello,  Bryant  Washburn  and 
Henry  Kolker. 


"U"  Loans  Jason  Robards 

Jason  Robards  has  been  loaned  to 
Warners  by  Universal  to  play  the 
lead  opposite  Louise  Fazenda  in 
"Footloose  Widows." 


Millhauser   Back 
Bertram  Millhauser,  production  ed- 
itor for  C.  B.  De  Mille,  is  back  from 
New  York. 


De  Lacy  New  Technical  Director 

R.  M.  DcLacy  is  the  new  technical' 
director  of  the  enlarged  department 
at  Fine  Arts. 


Dwan  Cutting  "Padlocked" 
Allen      Dwan      is      cutting     "Pad- 
locked,"   his    latest    production    with 
Lois   Moran  and   Louise  Dresser. 


F.  N.  Buys  Story 

First  National  has  purchased  the 
screen  rights  to  Ludwig  Biro's  "The 
Leginnary." 


Martin   Completes  Titling 
Al   Martin   has  completed  the  titles 
on   "Too    Much   Gass"  and   is   start- 
ing on  a  new  Patton  picture. 


THE 


-.ggg^ 


DAILY 


Sunday,  April  ^ijjil* 


"Yellow  Fingers" 

Fox 
STORY  OF  ORIENT  RICH  IN 
COLORFUL  ATMOSPHERE. 
STRONG  LOVE  INTEREST 
AND  ACTION  MAKE  THIS  A 
"NATURAL"  FOR  THE  BOX 
OFFICE. 
Cast....  Olive  Borden  as  a  fiery  half- 
caste  girl  gives  a  fine  portrayal  in  a 
difficult  role.  Ralph  Ince  as  a  white 
trader  in  the  South  Seas  dominates 
in  a  powerful  part.  Claire  Adams 
is  alluring  as  the  girl  in  the  toils  of 
a  rich  Oriental.  Edward  Piel  gives 
one  of  his  best  impersonations  of  a 
Chinese  villain.  Other  characters 
well-chosen  in  colorful  parts. 
Type  of  Story. ..  .Melodrama  of  the 
Malay  Archipelago.  Adapted  from 
the  novel  by  Gene  Wright.  This 
story  of  the  South  Seas  has  all  the 
lure  of  intrigue,  villainy  of  the  yel- 
low man,  romance,  action  and  thrills 
which  make  for  screen  entertain- 
ment. Director  Emmett  Flynn  has 
built  up  a  well-rounded  picture  that 
climbs  steadily  to  a  strong  climax, 
and  holds  the  interest  throughout. 
Author  Wright  is  entirely  familiar 
with  his  material,  so  that  the  atmos- 
phere is  realistic  and  carries  a  note 
of  conviction  that  so  many  screen- 
ings of  the  South  Seas  lack.  Ralph 
Ince  is  portrayed  as  a  powerful 
white  trader  who  has  the  respect 
and  confidence  of  the  aged  Rajah. 
He  has  adopted  Saina,  the  orphan 
of  a  white  man  and  a  native  woman. 
Saina  (played  by  Olive  Borden),  be- 
lieves that  she  is  a  white  girl.  So 
she  grows  up  on  the  Malay  island, 
loved  by  natives  and  foreigners 
alike.  But  she  is  secretly  in  love 
with  her  guardian,  who  looks  upon 
her  merely  as  a  child.  On  a  trip  to 
Bangkok,  China,  two  of  his  sailors 
rescue  Nona,  a  beautiful  white  girl 
from  a  Chinese  den.  She  tells  the 
trader,  Shane,  played  by  Ince,  that 
her  father  was  killed  by  Kwong  Li, 
a  rich  Chinese,  who  then  made  her 
captive.  Love  quickly  ripens  be- 
tween the  two.  On  his  return  to  the 
Malay  island,  Saina  becomes  insane- 
ly jealous.  She  is  used  as  a  tool  by 
unscrupulous  natives  jealous  of 
Shane,  and  these  natives  unite  with 
Kwong's  avengers  who  have  fol- 
lowed Shane  to  the  island.  Events 
follow  with  climactic  effect.  Nona 
is  kidnapped.  Shane  to  the  rescue, 
is  made  prisoner.  A  rescuing  party 
saves  him.  Happy  ending  for  the 
united  lovers.  But  a  tragic  note  is 
sounded  by  poor  little  Saina,  the 
half-caste,  who  sees  her  sweetheart 
sail  away  with  her  rival.  Here  is 
color  in  abundance  for  your  screen, 
with  fine  characterizations  and  ac- 
tion. 

Box  Office  Angle Oriental  story, 

gorgeous  natural  settings,  tempest- 
uous love  interest,  adventure — here 
is  audience  appeal  that  will  go  over 
nicely  with  the  average  audience. 
Exploitation. ..  .Title  is  sure-fire  ex- 
ploitation. Play  up  Olive  Borden, 
whose  work  is  fine.  Also  Ralph 
Ince.  Bill  as  story  of  white  girl 
saved  from  clutches  of  an  Oriental. 
Direction  Emmett    Flynn;  very  good 

Author Gene  Wright 

Scenario   Eve  Unsell 

Cameraman    Ernest  Palmer 

Photography  First  class 

Locale  South  Seas 

Length   5,594  feet 


"The  Barrier" 

Me  tro-Goldwyn-Mayer 
CHIEFLY  INTERESTING  FOR 
THE  SPLENDID  CHARAC- 
TERIZATIONS BY  LIONEL 
BARRYMORE  AND  HENRY 
WALTHALL.  REX  BEACH 
STORY  NOT  TRANSFERRED 
TO  THE  SCREEN  WITH  ANY 
PARTICULAR  ABILITY. 
Cast Lionel  Barrymore  as  a  bru- 
tal sea  captain  creates  a  part  that 
grips  with  its  stark  realism.  Henry 
Walthall  also  creates  a  characteri- 
zation that  is  poignant  and  gripping. 
As  the  girl,  Marceline  Day  is  inter- 
esting, but  not  conspicuous.  Nor- 
man Kerry  walks  through  a  dressy 
soldier  part  without  distinction. 
George  Cooper  and  Bert  Woodruff 
lend  touches  of  comedy  that  con- 
siderably heighten  the  appeal  of  a 
picture  that  will  blaze  no  new  trails 
in  filmdom. 
Type  of  Story. ..  .Melodrama  of  the 
Far  North,  from  the  novel  by  Rex 
Beach.  This  picture  will  prove 
chiefly  interesting  for  the  splendid 
work  contributed  by  Lionel  Bar- 
rymore and  Henry  Walthall.  Bar- 
rymore dominates  the  picture  every 
time  he  gets  within  the  camera's 
focus.  His  work  was  worthy  of  a 
far  more  gripping  story.  As  Rex 
Beach  wrote  it,  the  theme  was  not 
so  hackneyed,  and  his  word  descrip- 
tions carried  it  over  as  a  best  sel- 
ler in  its  day.  Portrayed  on  the 
screen,  there  are  many  points  in  the 
narrative  that  fail  to  carry  convic- 
tion. It  may  not  be  fair  to  blame 
the  lapses  on  the  director.  Maybe 
it  is  because  the  theme  has  become 
shopworn  after  being  filmed  in  so 
many  frozen  north  stories  for  the 
past  five  years,  in  one  variation  or 
another.  The  plot  is  too  familiar 
to  require  being  given  in  detail.  It 
revolves  around  the  daughter  of 
Barrymore's  squaw  wife,  who  is 
kidnapped  by  Walthall  into  the 
frozen  country  where  she  grows  up 
to  fall  in  love  with  the  lieutenant 
of  an  army  post.  The  return  of 
the  sea  captain  after  seventeen 
years,  his  discovery  of  his  daughter, 
disclosing  to  her  the  humiliating 
fact  that  she  is  not  a  white  woman 
as  her  foster  father  had  led  her  to 
believe,  gives  the  dramatic  highlight 
to  the  tale.  Summed  up,  it  can 
be  stated  that  when  the  scenes  are 
between  Barrymore  and  Walthall, 
the  picture  is  absolutely  gripping. 
When  they  are  out  of  the  camera 
focus,  it  is  just  another  tale  of  the 
frozen  country.  It  slumps  badly 
then.     Photography  exceptional. 

Box   Office  Angle Scenic  effects, 

work  of  two  real  actors,  and  sen- 
timental love  story  make  it  a  good 
draw. 
Exploitation ....  Play  up  the  work  of 
Lionel  Barrymore  and  Henry 
Walthall.  Both  a  cinema  treat. 
Rex  Beach's  name  as  the  author  of 
a  famous  best-seller  is  the  best  tie- 
up  you  have.  It  will  draw  in  the 
average  house. 

Direction    George   Hill ;   fair 

Author    Rex   Beach 

Scenario    Harvey   Gates 

Cameramen.  . . .  Ira  Morgan  and  Max- 
imilian Fabian 

Photography    Fine 

Lodale     Alaska 

Length   6,480  feet 


"Desert  Gold" 

Paramount 
A  REGULATION  ZANE  GREY 
STORY  THAT  ACHIEVES  DIS- 
TINCTION  PRINCIPALLY 
THROUGH  A  REALISTIC  PIC- 
TURIZATION  OF  A  SAND 
STORM  AND  FINE  DESERT 
SCENICS.     STORY  AVERAGE. 

Cast.... Neil  Hamilton  starts  out  to 
be  the  hero,  but  they  fool  you  by 
making  him  only  assistant  hero. 
Robert  Frazer  is  the  dark  horse 
who  steals  up  and  cops  the  picture 
— and  the  girl.  Shirley  Mason  does 
her  best,  but  nature  never  intended 
her  for  a  Spanish  senorita.  Wil- 
liam Powell  as  a  border  villain  is 
as  good  as  Doug  Fairbanks  is  a 
black  pirate.  He  colors  the  picture 
and  makes  it  slam  over  as  a  box 
office  draw.  A  fine  mob  of  border 
cut-throats  back  him  up. 

Type  of  Story Western  melo- 
drama, from  the  story  by  Zane 
Grey.  Here  is  a  fine  melange  of 
all  the  romantic  values  that  Zane 
Grey  ever  worked  into  a  novel.  No 
question  about  its  box  office  appeal. 
The  stcry  is  hokum  all  the  way — 
but  the  kind  of  hokum  they  never 
tire  of.  Romance — desperadoes — 
heroics  —  sacrifice  —  danger  — 
scenic  grandeur.  What  more  can 
this  type  of  picture  offer?  To  pick 
flaws  in  it  is  futile.  The  records 
prove  that  it  was  made  for  your 
screen  and  cash  till.  Besides,  it 
was  directed  by  George  B.  Seitz, 
ivlio  is  fine  at  this  type  of  prodtf:- 
tion.  He  knows  how  to  change  his 
pace,  and  mix  the  ingredienrs  to 
make  a  showman's  picture — which 
this  is.  The  poor  heroine  is  hound- 
ed by  the  border  bandit  and  his 
gang.  She  escapes  to  a  nearby 
town.  Then  her  soldier  sweetheart 
to  the  rescue.  A  pal  of  his  ap- 
pears to  help  him  get  the  girl  safely 
away  from  the  border  town  sur- 
rounded by  the  bandit  and  his  gang. 
Then  follows  a  series  of  chases. 
The  bandit  and  his  crowd  almost 
capture  the  girl  several  times.  But 
always  something  intervenes  to  save 
her.  The  sandstorm  is  the  high- 
light. This  is  very  realistic  and  a 
photographic  achievement.  Makes 
a  commonplace  story  worth  while. 
The  climax  is  a  thriller — the  ban- 
dit's gang  is  wiped  out  by  a  land- 
slide from  a  rock  ledge.  A  nov- 
elty romantic  wind-up  places  the 
girl  in  the  arms  of  the  hero's  pal. 
Great  scenic  values. 

Box  Office  Angle. ..  .Mexican  bor- 
der story  has  scenic  attractiveness 
and  romantic  appeal. 

Exploitation Zane    Grey's   novel 

carries  its  own  following.  Play 
up  the  romantic  flavor  with  un- 
usual love  surprise  ending.  Feature 
desert  sandstorm,  which  is  a  hum- 
dinger 

Direction.  ..  .George  B.  Seitz;  excel- 
lent. 

Author Zane  Grey 

Scenario   Lucien  Hubbard 

Cameraman   ..C.  Edgar  Schoenbaum 

Photography Ace  high 

Locale    Southwest 

Length   6,900  feet 


V 


f-0 


i 


"The  Dancer  of  Pa 

Prod.:  Robert  Kane 
Dist.:  First  Nationa 
PARISIAN  ATMOSPHER 
STORY    WITH    STRON 
APPEAL    WILL    MAKI 
ESPECIALLY       ATTR/P 
TO  CERTAIN  AUDIEN(  Jt  " 
Cast. ...  Conway  Tearle  is  gip 
feature     prominence     but 
Mackaill  and  Robert  Cain 
far  the  more  important  role 
thing  new  for  Dorothy  Mac 
stead    of    the    sweet,    simpl 
girl,  she  is  a  worldly  wise,  i 
ing  woman  who  lives  to  rev 
insult  to  her  sex.     Especial 
when  they  close-up  her  in  h 
ly  wig.     Cain  a  trifle  uncon 
looking  in  his  severely  cut  d 
but   his   work  is   first   rate, 
seems  bored  with  what  he  h 
which    isn't   much. 

Type  of  Story ....  Romance. 
Arlen  of  "The  Green  Ha^ 
gets  his  name  above  the  till 
program  which  may  indie 
the  fact  he  wrote  the  sto 
more  import  than  the  fa 
Tearle  and  Dorothy  Macka 
the  principal  roles.  Alfn 
tell's  direction  didn't  get  hini 
on  the  program  at  all,  whi' 
say  that  the  credits  are  sc 
misplaced.  It  is  more  San 
rection  plus  Dorothy  Macka- 
Cain's  acting  that  get  the  pic 
The  story  is  an  overdone 
a  "grand  passion"  with  thei 
the  case  getting  himself  all  ■ 
up  physically  and  mentall]/ 
girl  whom  he  loves  "in  a  wr 
can't  feel  very  much  symp 
Cain's  discomfort  even  th<i 
does  his  work  very  well.  Dl 
plan  of  revenge,  because  he 
suited  her  sex,  isn't  very  re 
either  but  it  serves  to  brin 
sort  of  atmosphere  and  s: 
that  many  people  consider  : 
entertainment.  There  are 
cabarets  and  parties  staged 
the  fuss,  frills  and  as  mucl 
risque  as  they  dared  insert 
that  it  can  be  imagined,  i 
abrupt  cutting  of  scenes,  i 
censor  already  has  done  hi: 
work.  There  are  one  or  two 
dramatic  moments  that  San 
over  very  well.  The  interes 
sustained  also. 

Box  Office  Angle "The  D; 

Paris."  There  is  a  title  for 
you  know  how  you  can  sell 
atmosphere  and  the  dancer 
are  there  to  back  you  up. 

Exploitation. . .  .If  you  have  t 
crowd  you  can  easily  sell  tl 
title.  It  will  attract  them  to  ,■ 
office  and  a  trailer  showing  . 
Mackaill  in  her  death  danc 
occurs    in    the    climax    will 
bring    them    back    for    the 
You  have  her  name  to  use  ^ 
ing    "Chickie,"    and    also     "" 
Tearle's  name. 

Direction  Alfred  «* 

effective 

Author Micha' 

Scenario  John  Ru 

Paul  Schofield 

Cameraman    Ernest 

Photography  

Locale    Florid?  ?' 

Length   6,  I  f' 


«N 


THE 


l^pril  4,  1926 

ires  of  The  Rich" 

1^1  Prod. — State  Rights 
TORY    CRAMPS    THE 

OF  A  GOOD  CAST. 
ARTIFICIAL  TO 
E  MUCH  SYMPATHY 
;     THE     SOB     STUFF 

IN. 

lene  Chadwick  lends  real- 
weak   part.      Mary    Carr 
r    famous    "mother"    part 
L  gly.     Marcin  Asher,  play- 
ij.ly  rich  daddy,  admits  in  a 
li  he  is  "an  old  fool."     He 
-t  that  way,  because  the 
(I  him  to.     Not  his  fault. 
1  hill  is  a  likable  hero.  Hed- 
I   gives  the  best  perform- 
-old  digger,  making  the 
above  the  merits  of   the 
)r)rothea  Wolbert  scores  a 
1  racter  bit  as  an  old  servant. 

.  .Comedy-drama,  sug- 

^  Harold  MacGrath's  novel, 

ong  Coat."     It  deals  with 

ly    of   millionaire    Wilson, 

ted  with  a  pushcart  which 

n|d  into  a  chain  of  grocery 

A^ilson  buys  a  house  in  the 

circle,     but    takes     his 

cliquette  with  him,  which 

1  hit  with  the  social  dames. 

:  usual  love  interest  devel- 

een  Helene  Chadwick,  his 

and    the    son    of    a   blue 

l|-nily  across  the  boulevard. 

se  the  young  chap's  mo- 

s  the  love  match,  for  she 

Ied  a   society   girl   for   him. 
;tufif,  done  many  times  be- 
hat  saves  the  film  from  go- 
a|  altogether  is  the  work  of 
lopper   as    a    gold   digger, 
old  man  Wilson  all  tan- 
if|n  her  silken  coils.  He  goes 
gether  over  the  false  dame. 
s    faithful     old     wife     he's 
Here    Mary    Carr   works 
lable  pathos  to  good  ef- 
though    you    feel     she 
iickled  silly  to  get  rid  of 
i>.     Then  the  rich  youth 
.•  off  the  scheming  dame 
s  sweetheart's   dad  from 
the  old  homestead.  _  Of 
usual  misunderstanding. 
,e  sees  him  in  the  vamp's 
njit,  and  suspects  the  worst, 
icide.      Fails.      Reconcilia- 
explanations  —  everybody 
xcept  the  disappointed  gold 
It   all   screens   as   artificial 
nds.     A  fairly  good  fashion 
thtens   the   flatness    of    the 
itmosphere. 

Angle Unsophisticated 

ijs  can  appreciate  the   ever- 

theme   of  a   Miss   Nobody 

marry  the  rich  young  man. 

id  neighborhood  house  book- 


■JXI^ 


I, 


n  .  .Play  up  popular  names 
Mso  fashion  show.  Title 
ing,  as  it  does  not  show 
liar  pleasures  of  the  rich. 

>^ Louis   Gasnier; 

ped   by   material. 

Harold  MacGrath 

A.  P.  Younger 

n Not  credited 

hy Good 

City 

6,471  feet 


Blanche  Sweet  in 

"The  Lady  from  Heir 

Associated  Exhibitors 

ADVENTURE,  THRILLS,  RO- 
MANCE CROWDED  IN  A  STO- 
RY RATHER  FAR  FETCHED. 
CONTINUITY  RAGGED 
GOOD  ATMOSPHERIC 
TOUCHES. 

Star. ...  Blanche  Sweet  is  appealing 
in  a  part  that  is  overshadowed  by 
that  of  the  hero. 

Cast.... Roy  Stewart  carries  off  the 
honors  as  a  Scotch  nobleman  pos- 
ing as  a  ranchman  in  the  West. 
Ralph  Lewis  does  a  good  character 
bit  as  his  father,  the  old  Earl.  Four 
cowboys  supply  some  fine  comedy 
touches  that  lighten  the  heavier 
parts  of  the  story. 

Type  of  Story Drama,  from  the 

story,  "My  Lord  of  the  Double  B," 
by  Norton  S.  Parker.  The  main 
fault  lies  in  too  much  plot,  which 
made  it  difficult  for  the  director  to 
handle  clearly.  In  several  places  it 
is  hard  to  -follow  developments  ow- 
ing to  poor  continuity  and  insuffi- 
cient explanation.  The  story  it- 
self is  somewhat  far-fetched,  but 
there  is  such  a  mass  of  incident 
and  action  that  it  holds  the  interest 
fairly  well.  The  title  has  refer- 
ence to  the  Highland  regiment  in 
kilts  that  was  dubbed  "Ladies  from 
Hell"  by  the  Germans  during  the 
war.  The  hero,  Roy  Stewart,  was 
a  member  of  this  regiment.  He  has 
quarreled  with  his  father,  the  Earl, 
who  owns  an  estate  in  Scotland. 
So  he  takes  another  name  and  lands 
up  as  foreman  of  a  ranch  out  West, 
run  by  a  brute  who  abuses  his  wife 
and  boy.  Stewart  takes  their  part, 
and  has  a  fight  with  the  ranch  own- 
er. Later  the  boy  kills  his  father 
to  save  his  mother  from  a  beating. 
Stewart  is  called  home  to  Scotland 
by  his  father,  who  has  forgiven  him. 
He  takes  four  cowboys  along  with 
him.  The  scene  shifts  to  the  ances- 
tral mansion  in  Scotland.  Here  the 
Scotch  atmosphere  is  well  done,  and 
makes  the  picture  colorful  and  in- 
teresting. Stewart  and  his  cowboy 
friends  foil  a  plot  of  the  villain  to 
marry  Lady  Darnley,  the  Earl's 
ward,  and  get  possession  of  the 
Earl's  estate.  Some  good  action  is 
worked  in,  with  comedy  relief  by 
the  antics  of  the  cowboys  in  kilts. 

Box  Office  Angle Fair  program 

number  for  average  house. 

Exploitation.  ..  .Title  needs  explana- 
tion. Feature  Blanche  Sweet.  A 
man  in  kilts  will  ballyhoo  the  Scotch 
atmosphere,  which  is  the  best  pub- 
licity angle. 

Direction Stuart    Paton;    average 

Author   Norton  S.  Parker 

Scenario  J.  G.  Alexander 

Cameraman    Not   credited 

Photography Good 

Locale West  and  Scotland 

Length    5,337    feet 


Pete  Morrison  in 

"The  Escape" 

Universal 
A  WESTERN  THAT  HAS  A 
VERY  LOOSELY  CON- 
STRUCTED STORY  AND  NO 
PARTICULAR  HIGHLIGHTS 
TO  RECOMMEND  IT. 

Star...  Pete  Morrison  did  the  best  he 
could  with  a  story  that  rambles  too 
much  to  be  convincing. 
Cast.  ..  .Barbara  Starr  plays  the  usu- 
al  daughter   of   a   ranch   owner   ar- 
riving from  an  Eastern  college,  and 
makes  an  acceptable  heroine.  Bruce 
Gordon   and   E.    S.    Dewey   are   the 
villains     who     perform     creditably, 
and    give    the    story    much-needed 
pep.  Tex  Young  as  a  Mexican  gets 
over   a   good    comedy    characteriza- 
tion. 
Type  of  Story Western  melo- 
drama.    This  offering  is  below  the 
usual    standard   of  the   Blue   Streak 
series.     It  lines  up  as  a   rehash  of 
time-worn    Western    material    that 
has  no  new  angle  to  recommend  it. 
The  star  seemed  uncertain  of  what 
was  expected  of  him  in  some  situ- 
ations. You  can  hardly  blame  him, 
for  the  story  and  continuity  are  not 
very  plausible  or  logical  in  several 
important  deta